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[ "have 8 characters I really want to focus on, which is already a", "start of the story would get awfully repetitive, and 8 inciting events one", "and each incident is different, so multiple inciting events can’t be grouped into", "8 consecutive chapters of introduction after introduction at the very start of the", "of the book, something important happens to each of the 8 that kicks", "so multiple inciting events can’t be grouped into 1 chapter. However, I feel", "At the beginning of the book, something important happens to each of the", "can’t be grouped into 1 chapter. However, I feel like slamming down 8", "be grouped into 1 chapter. However, I feel like slamming down 8 consecutive", "my story, I have 8 characters I really want to focus on, which", "inciting events one after another would probably be very overwhelming to read about.", "grouped into 1 chapter. However, I feel like slamming down 8 consecutive chapters", "8 characters I really want to focus on, which is already a pretty", "characters I really want to focus on, which is already a pretty large", "the book, something important happens to each of the 8 that kicks off", "of the 8 that kicks off the main conflict of the story. The", "The introductions of these characters can’t be skipped, and each incident is different,", "at the very start of the story would get awfully repetitive, and 8", "consecutive chapters of introduction after introduction at the very start of the story", "feel like slamming down 8 consecutive chapters of introduction after introduction at the", "inciting events can’t be grouped into 1 chapter. However, I feel like slamming", "each incident is different, so multiple inciting events can’t be grouped into 1", "introduction at the very start of the story would get awfully repetitive, and", "happens to each of the 8 that kicks off the main conflict of", "I fix this? If possible, I’d like to avoid the “expositional flashback” trope", "introduction after introduction at the very start of the story would get awfully", "book, something important happens to each of the 8 that kicks off the", "want to focus on, which is already a pretty large cast to begin", "pretty large cast to begin with. At the beginning of the book, something", "and 8 inciting events one after another would probably be very overwhelming to", "very start of the story would get awfully repetitive, and 8 inciting events", "to read about. How would I fix this? If possible, I’d like to", "can’t be skipped, and each incident is different, so multiple inciting events can’t", "would get awfully repetitive, and 8 inciting events one after another would probably", "a pretty large cast to begin with. At the beginning of the book,", "main conflict of the story. The introductions of these characters can’t be skipped,", "the very start of the story would get awfully repetitive, and 8 inciting", "be very overwhelming to read about. How would I fix this? If possible,", "incident is different, so multiple inciting events can’t be grouped into 1 chapter.", "the story. The introductions of these characters can’t be skipped, and each incident", "about. How would I fix this? If possible, I’d like to avoid the", "each of the 8 that kicks off the main conflict of the story.", "be skipped, and each incident is different, so multiple inciting events can’t be", "events can’t be grouped into 1 chapter. However, I feel like slamming down", "to focus on, which is already a pretty large cast to begin with.", "read about. How would I fix this? If possible, I’d like to avoid", "8 that kicks off the main conflict of the story. The introductions of", "begin with. At the beginning of the book, something important happens to each", "would I fix this? If possible, I’d like to avoid the “expositional flashback”", "different, so multiple inciting events can’t be grouped into 1 chapter. However, I", "of these characters can’t be skipped, and each incident is different, so multiple", "I have 8 characters I really want to focus on, which is already", "8 inciting events one after another would probably be very overwhelming to read", "awfully repetitive, and 8 inciting events one after another would probably be very", "something important happens to each of the 8 that kicks off the main", "really want to focus on, which is already a pretty large cast to", "kicks off the main conflict of the story. The introductions of these characters", "the beginning of the book, something important happens to each of the 8", "characters can’t be skipped, and each incident is different, so multiple inciting events", "However, I feel like slamming down 8 consecutive chapters of introduction after introduction", "to begin with. At the beginning of the book, something important happens to", "How would I fix this? If possible, I’d like to avoid the “expositional", "the story would get awfully repetitive, and 8 inciting events one after another", "another would probably be very overwhelming to read about. How would I fix", "chapter. However, I feel like slamming down 8 consecutive chapters of introduction after", "important happens to each of the 8 that kicks off the main conflict", "off the main conflict of the story. The introductions of these characters can’t", "skipped, and each incident is different, so multiple inciting events can’t be grouped", "very overwhelming to read about. How would I fix this? If possible, I’d", "the main conflict of the story. The introductions of these characters can’t be", "story would get awfully repetitive, and 8 inciting events one after another would", "large cast to begin with. At the beginning of the book, something important", "probably be very overwhelming to read about. How would I fix this? If", "down 8 consecutive chapters of introduction after introduction at the very start of", "overwhelming to read about. How would I fix this? If possible, I’d like", "chapters of introduction after introduction at the very start of the story would", "of the story. The introductions of these characters can’t be skipped, and each", "on, which is already a pretty large cast to begin with. At the", "after introduction at the very start of the story would get awfully repetitive,", "already a pretty large cast to begin with. At the beginning of the", "into 1 chapter. However, I feel like slamming down 8 consecutive chapters of", "one after another would probably be very overwhelming to read about. How would", "events one after another would probably be very overwhelming to read about. How", "of the story would get awfully repetitive, and 8 inciting events one after", "I really want to focus on, which is already a pretty large cast", "slamming down 8 consecutive chapters of introduction after introduction at the very start", "focus on, which is already a pretty large cast to begin with. At", "with. At the beginning of the book, something important happens to each of", "introductions of these characters can’t be skipped, and each incident is different, so", "like slamming down 8 consecutive chapters of introduction after introduction at the very", "that kicks off the main conflict of the story. The introductions of these", "the 8 that kicks off the main conflict of the story. The introductions", "which is already a pretty large cast to begin with. At the beginning", "after another would probably be very overwhelming to read about. How would I", "story. The introductions of these characters can’t be skipped, and each incident is", "fix this? If possible, I’d like to avoid the “expositional flashback” trope too.", "I feel like slamming down 8 consecutive chapters of introduction after introduction at", "repetitive, and 8 inciting events one after another would probably be very overwhelming", "In my story, I have 8 characters I really want to focus on,", "beginning of the book, something important happens to each of the 8 that", "cast to begin with. At the beginning of the book, something important happens", "get awfully repetitive, and 8 inciting events one after another would probably be", "conflict of the story. The introductions of these characters can’t be skipped, and", "story, I have 8 characters I really want to focus on, which is", "is already a pretty large cast to begin with. At the beginning of", "is different, so multiple inciting events can’t be grouped into 1 chapter. However,", "1 chapter. However, I feel like slamming down 8 consecutive chapters of introduction", "these characters can’t be skipped, and each incident is different, so multiple inciting", "multiple inciting events can’t be grouped into 1 chapter. However, I feel like", "of introduction after introduction at the very start of the story would get", "would probably be very overwhelming to read about. How would I fix this?", "to each of the 8 that kicks off the main conflict of the" ]
[ "chapters about 10k-ish (give or take a thousand or two) words each. The", "wanted to try and write around 12-15 chapters about 10k-ish (give or take", "thousand or two) words each. The idea behind it being each chapter covers", "or take a thousand or two) words each. The idea behind it being", "behind it being each chapter covers a very large arc in the story.", "split this into more smaller chapters? Or is it okay to go big", "words each. The idea behind it being each chapter covers a very large", "around 12-15 chapters about 10k-ish (give or take a thousand or two) words", "first novel and I wanted to try and write around 12-15 chapters about", "to try and write around 12-15 chapters about 10k-ish (give or take a", "about 10k-ish (give or take a thousand or two) words each. The idea", "and I wanted to try and write around 12-15 chapters about 10k-ish (give", "or two) words each. The idea behind it being each chapter covers a", "each chapter covers a very large arc in the story. Should I split", "each. The idea behind it being each chapter covers a very large arc", "chapter covers a very large arc in the story. Should I split this", "write around 12-15 chapters about 10k-ish (give or take a thousand or two)", "very large arc in the story. Should I split this into more smaller", "(give or take a thousand or two) words each. The idea behind it", "in the story. Should I split this into more smaller chapters? Or is", "a very large arc in the story. Should I split this into more", "story. Should I split this into more smaller chapters? Or is it okay", "I'm writing my first novel and I wanted to try and write around", "try and write around 12-15 chapters about 10k-ish (give or take a thousand", "large arc in the story. Should I split this into more smaller chapters?", "I wanted to try and write around 12-15 chapters about 10k-ish (give or", "the story. Should I split this into more smaller chapters? Or is it", "I split this into more smaller chapters? Or is it okay to go", "The idea behind it being each chapter covers a very large arc in", "idea behind it being each chapter covers a very large arc in the", "12-15 chapters about 10k-ish (give or take a thousand or two) words each.", "being each chapter covers a very large arc in the story. Should I", "a thousand or two) words each. The idea behind it being each chapter", "two) words each. The idea behind it being each chapter covers a very", "this into more smaller chapters? Or is it okay to go big like", "writing my first novel and I wanted to try and write around 12-15", "and write around 12-15 chapters about 10k-ish (give or take a thousand or", "it being each chapter covers a very large arc in the story. Should", "my first novel and I wanted to try and write around 12-15 chapters", "covers a very large arc in the story. Should I split this into", "take a thousand or two) words each. The idea behind it being each", "arc in the story. Should I split this into more smaller chapters? Or", "into more smaller chapters? Or is it okay to go big like this?", "10k-ish (give or take a thousand or two) words each. The idea behind", "novel and I wanted to try and write around 12-15 chapters about 10k-ish", "Should I split this into more smaller chapters? Or is it okay to" ]
[ "write a post, a letter, etc. how can I decide which position is", "scrolls **down** to see the tl;dr, and those who looks for the summary", "the post begins, or the after. > > **tl;dr** We are asking you", "begins, or the after. > > **tl;dr** We are asking you to start", "bottom summary, while question better with top summary. What other factors affecting this?", "other factors affecting this? **Note:** Some put a notification at top of the", "> > Usually the author of a long post gives a tl;dr, a", "on the **top** of the post. This makes me unsure where to put", "as a signifier for a summary of an online post or news article.", "**tl;dr** How can I decide that putting my tl;dr at the top of", "a long post gives a tl;dr, a summary of the what the post", "more about the types of the post: informational post might be better with", "By definition > > TL;DR, short for \"too long; didn't read\", is Internet", "types of the post: informational post might be better with bottom summary, while", "of its length. In slang it can also stand for \"Too lazy; didn't", "also used as a signifier for a summary of an online post or", "consider? I'm thinking more about the types of the post: informational post might", "top of the post, or bottom, will benefits me the most? What factors", "while question better with top summary. What other factors affecting this? **Note:** Some", "our environment. > > > Blahblahblah... > > > I've seen two types", "definition > > TL;DR, short for \"too long; didn't read\", is Internet slang", "a summary of an online post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) >", "to put my post summary. If I were to write a post, a", "that putting my tl;dr at the top of the post, or bottom, will", "bottom, will benefits me the most? What factors should I consider? I'm thinking", "to see the tl;dr, and those who looks for the summary on the", "what the post about in a short paragraph or sentence. This can be", "post might be better with bottom summary, while question better with top summary.", "can also stand for \"Too lazy; didn't read\". It is also used as", "of the what the post about in a short paragraph or sentence. This", "\"Too lazy; didn't read\". It is also used as a signifier for a", "> TL;DR, short for \"too long; didn't read\", is Internet slang to say", "because of its length. In slang it can also stand for \"Too lazy;", "for a summary of an online post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR)", "can I decide that putting my tl;dr at the top of the post,", "i.e avoid people skipping my question entirely and getting the message across. **tl;dr**", "at the top of the post, or bottom, will benefits me the most?", "it can also stand for \"Too lazy; didn't read\". It is also used", "**tl;dr** We are asking you to start saving water and electricity for the", "electricity for the sake of our environment. > > > Blahblahblah... > >", "the summary on the **top** of the post. This makes me unsure where", "how can I decide which position is the most beneficial to me, i.e", "notification at top of the post, informing a tl;dr is available at the", "for \"too long; didn't read\", is Internet slang to say that some text", "text being replied to has been ignored because of its length. In slang", "the message across. **tl;dr** How can I decide that putting my tl;dr at", "long post gives a tl;dr, a summary of the what the post about", "a post, a letter, etc. how can I decide which position is the", "beneficial to me, i.e avoid people skipping my question entirely and getting the", "tl;dr, a summary of the what the post about in a short paragraph", "ignored because of its length. In slang it can also stand for \"Too", "me, i.e avoid people skipping my question entirely and getting the message across.", "**Note:** Some put a notification at top of the post, informing a tl;dr", "decide which position is the most beneficial to me, i.e avoid people skipping", "tl;dr, and those who looks for the summary on the **top** of the", "replied to has been ignored because of its length. In slang it can", "affecting this? **Note:** Some put a notification at top of the post, informing", "Blahblahblah... > > > I've seen two types of people, who scrolls **down**", "put my post summary. If I were to write a post, a letter,", "you to start saving water and electricity for the sake of our environment.", "the what the post about in a short paragraph or sentence. This can", "post summary. If I were to write a post, a letter, etc. how", "post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author", "across. **tl;dr** How can I decide that putting my tl;dr at the top", "> > > Blahblahblah... > > > I've seen two types of people,", "asking you to start saving water and electricity for the sake of our", "didn't read\". It is also used as a signifier for a summary of", "the **top** of the post. This makes me unsure where to put my", "What other factors affecting this? **Note:** Some put a notification at top of", "post gives a tl;dr, a summary of the what the post about in", "putting my tl;dr at the top of the post, or bottom, will benefits", "benefits me the most? What factors should I consider? I'm thinking more about", "the post: informational post might be better with bottom summary, while question better", "with bottom summary, while question better with top summary. What other factors affecting", "short paragraph or sentence. This can be put before the post begins, or", "Internet slang to say that some text being replied to has been ignored", "Some put a notification at top of the post, informing a tl;dr is", "a short paragraph or sentence. This can be put before the post begins,", "post, a letter, etc. how can I decide which position is the most", "being replied to has been ignored because of its length. In slang it", "summary. If I were to write a post, a letter, etc. how can", "article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author of a long", "can I decide which position is the most beneficial to me, i.e avoid", "summary, while question better with top summary. What other factors affecting this? **Note:**", "> > > Usually the author of a long post gives a tl;dr,", "should I consider? I'm thinking more about the types of the post: informational", "for \"Too lazy; didn't read\". It is also used as a signifier for", "sake of our environment. > > > Blahblahblah... > > > I've seen", "> > TL;DR, short for \"too long; didn't read\", is Internet slang to", "to has been ignored because of its length. In slang it can also", "in a short paragraph or sentence. This can be put before the post", "my tl;dr at the top of the post, or bottom, will benefits me", "better with top summary. What other factors affecting this? **Note:** Some put a", "or sentence. This can be put before the post begins, or the after.", "summary on the **top** of the post. This makes me unsure where to", "\"too long; didn't read\", is Internet slang to say that some text being", "saving water and electricity for the sake of our environment. > > >", "sentence. This can be put before the post begins, or the after. >", "decide that putting my tl;dr at the top of the post, or bottom,", "I decide which position is the most beneficial to me, i.e avoid people", "TL;DR, short for \"too long; didn't read\", is Internet slang to say that", "looks for the summary on the **top** of the post. This makes me", "that some text being replied to has been ignored because of its length.", "post about in a short paragraph or sentence. This can be put before", "letter, etc. how can I decide which position is the most beneficial to", "etc. how can I decide which position is the most beneficial to me,", "be better with bottom summary, while question better with top summary. What other", "Usually the author of a long post gives a tl;dr, a summary of", "> Blahblahblah... > > > I've seen two types of people, who scrolls", "most beneficial to me, i.e avoid people skipping my question entirely and getting", "to say that some text being replied to has been ignored because of", "or bottom, will benefits me the most? What factors should I consider? I'm", "a signifier for a summary of an online post or news article. >", "two types of people, who scrolls **down** to see the tl;dr, and those", "of the post. This makes me unsure where to put my post summary.", "In slang it can also stand for \"Too lazy; didn't read\". It is", "me the most? What factors should I consider? I'm thinking more about the", "types of people, who scrolls **down** to see the tl;dr, and those who", "of a long post gives a tl;dr, a summary of the what the", "post. This makes me unsure where to put my post summary. If I", "slang to say that some text being replied to has been ignored because", "for the sake of our environment. > > > Blahblahblah... > > >", "> I've seen two types of people, who scrolls **down** to see the", "who looks for the summary on the **top** of the post. This makes", "question entirely and getting the message across. **tl;dr** How can I decide that", "message across. **tl;dr** How can I decide that putting my tl;dr at the", "were to write a post, a letter, etc. how can I decide which", "the most? What factors should I consider? I'm thinking more about the types", "with top summary. What other factors affecting this? **Note:** Some put a notification", "I've seen two types of people, who scrolls **down** to see the tl;dr,", "> Usually the author of a long post gives a tl;dr, a summary", "long; didn't read\", is Internet slang to say that some text being replied", "the post, or bottom, will benefits me the most? What factors should I", "lazy; didn't read\". It is also used as a signifier for a summary", "post begins, or the after. > > **tl;dr** We are asking you to", "say that some text being replied to has been ignored because of its", "> > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author of a long post", "I decide that putting my tl;dr at the top of the post, or", "and electricity for the sake of our environment. > > > Blahblahblah... >", "people skipping my question entirely and getting the message across. **tl;dr** How can", "to start saving water and electricity for the sake of our environment. >", "my question entirely and getting the message across. **tl;dr** How can I decide", "post: informational post might be better with bottom summary, while question better with", "after. > > **tl;dr** We are asking you to start saving water and", "and getting the message across. **tl;dr** How can I decide that putting my", "top summary. What other factors affecting this? **Note:** Some put a notification at", "will benefits me the most? What factors should I consider? I'm thinking more", "question better with top summary. What other factors affecting this? **Note:** Some put", "of our environment. > > > Blahblahblah... > > > I've seen two", "a summary of the what the post about in a short paragraph or", "I'm thinking more about the types of the post: informational post might be", "summary of the what the post about in a short paragraph or sentence.", "people, who scrolls **down** to see the tl;dr, and those who looks for", "slang it can also stand for \"Too lazy; didn't read\". It is also", "an online post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually", "post, or bottom, will benefits me the most? What factors should I consider?", "a tl;dr, a summary of the what the post about in a short", "my post summary. If I were to write a post, a letter, etc.", "tl;dr at the top of the post, or bottom, will benefits me the", "didn't read\", is Internet slang to say that some text being replied to", "summary. What other factors affecting this? **Note:** Some put a notification at top", "where to put my post summary. If I were to write a post,", "read\", is Internet slang to say that some text being replied to has", "author of a long post gives a tl;dr, a summary of the what", "entirely and getting the message across. **tl;dr** How can I decide that putting", "factors should I consider? I'm thinking more about the types of the post:", "the sake of our environment. > > > Blahblahblah... > > > I've", "some text being replied to has been ignored because of its length. In", "this? **Note:** Some put a notification at top of the post, informing a", "or the after. > > **tl;dr** We are asking you to start saving", "a letter, etc. how can I decide which position is the most beneficial", "position is the most beneficial to me, i.e avoid people skipping my question", "is also used as a signifier for a summary of an online post", "put before the post begins, or the after. > > **tl;dr** We are", "environment. > > > Blahblahblah... > > > I've seen two types of", "about the types of the post: informational post might be better with bottom", "of people, who scrolls **down** to see the tl;dr, and those who looks", "before the post begins, or the after. > > **tl;dr** We are asking", "stand for \"Too lazy; didn't read\". It is also used as a signifier", "It is also used as a signifier for a summary of an online", "see the tl;dr, and those who looks for the summary on the **top**", "I consider? I'm thinking more about the types of the post: informational post", "read\". It is also used as a signifier for a summary of an", "makes me unsure where to put my post summary. If I were to", "seen two types of people, who scrolls **down** to see the tl;dr, and", "most? What factors should I consider? I'm thinking more about the types of", "might be better with bottom summary, while question better with top summary. What", "> > Blahblahblah... > > > I've seen two types of people, who", "getting the message across. **tl;dr** How can I decide that putting my tl;dr", "for the summary on the **top** of the post. This makes me unsure", "factors affecting this? **Note:** Some put a notification at top of the post,", "What factors should I consider? I'm thinking more about the types of the", "are asking you to start saving water and electricity for the sake of", "**down** to see the tl;dr, and those who looks for the summary on", "the post, informing a tl;dr is available at the bottom of the post.", "online post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the", "We are asking you to start saving water and electricity for the sake", "paragraph or sentence. This can be put before the post begins, or the", "the post. This makes me unsure where to put my post summary. If", "put a notification at top of the post, informing a tl;dr is available", "be put before the post begins, or the after. > > **tl;dr** We", "If I were to write a post, a letter, etc. how can I", "and those who looks for the summary on the **top** of the post.", "skipping my question entirely and getting the message across. **tl;dr** How can I", "to me, i.e avoid people skipping my question entirely and getting the message", "better with bottom summary, while question better with top summary. What other factors", "start saving water and electricity for the sake of our environment. > >", "me unsure where to put my post summary. If I were to write", "been ignored because of its length. In slang it can also stand for", "How can I decide that putting my tl;dr at the top of the", "length. In slang it can also stand for \"Too lazy; didn't read\". It", "of the post: informational post might be better with bottom summary, while question", "This can be put before the post begins, or the after. > >", "the types of the post: informational post might be better with bottom summary,", "the author of a long post gives a tl;dr, a summary of the", "to write a post, a letter, etc. how can I decide which position", "is Internet slang to say that some text being replied to has been", "signifier for a summary of an online post or news article. > >", "water and electricity for the sake of our environment. > > > Blahblahblah...", "> > > I've seen two types of people, who scrolls **down** to", "summary of an online post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > >", "[Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author of a long post gives a", "**top** of the post. This makes me unsure where to put my post", "thinking more about the types of the post: informational post might be better", "> [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author of a long post gives", "> > I've seen two types of people, who scrolls **down** to see", "unsure where to put my post summary. If I were to write a", "avoid people skipping my question entirely and getting the message across. **tl;dr** How", "those who looks for the summary on the **top** of the post. This", "> > **tl;dr** We are asking you to start saving water and electricity", "which position is the most beneficial to me, i.e avoid people skipping my", "a notification at top of the post, informing a tl;dr is available at", "its length. In slang it can also stand for \"Too lazy; didn't read\".", "also stand for \"Too lazy; didn't read\". It is also used as a", "of an online post or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > >", "> **tl;dr** We are asking you to start saving water and electricity for", "of the post, informing a tl;dr is available at the bottom of the", "gives a tl;dr, a summary of the what the post about in a", "the top of the post, or bottom, will benefits me the most? What", "used as a signifier for a summary of an online post or news", "informational post might be better with bottom summary, while question better with top", "the post about in a short paragraph or sentence. This can be put", "who scrolls **down** to see the tl;dr, and those who looks for the", "short for \"too long; didn't read\", is Internet slang to say that some", "the most beneficial to me, i.e avoid people skipping my question entirely and", "at top of the post, informing a tl;dr is available at the bottom", "I were to write a post, a letter, etc. how can I decide", "is the most beneficial to me, i.e avoid people skipping my question entirely", "has been ignored because of its length. In slang it can also stand", "the tl;dr, and those who looks for the summary on the **top** of", "the after. > > **tl;dr** We are asking you to start saving water", "of the post, or bottom, will benefits me the most? What factors should", "can be put before the post begins, or the after. > > **tl;dr**", "top of the post, informing a tl;dr is available at the bottom of", "This makes me unsure where to put my post summary. If I were", "or news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author of", "news article. > > [Wikipedia](https://en.wikipedia.org/wiki/TL;DR) > > > Usually the author of a", "about in a short paragraph or sentence. This can be put before the" ]
[ "* Answered a question on SE > > > > > > >", "I've been told does not exist in English. The final result is something", "**FFN's resume** > > > > > > > * Asked a question", "question on SE > > > > > > > > > ---", "is usual to refer to them using a \"hidden subject\", a phrasal structure", "SE > > * Answered a question on SE > > > >", "wrong (or at least confusing/frowned upon) in English? What are some alternatives I", "> > --- Is this structure really wrong (or at least confusing/frowned upon)", "is something like this: > > **FFN's resume** > > > > >", "* Asked a question on SE > > * Answered a question on", "a question on SE > > * Answered a question on SE >", "> **FFN's resume** > > > > > > > * Asked a", "(Portuguese), it is usual to refer to them using a \"hidden subject\", a", "my native language (Portuguese), it is usual to refer to them using a", "this structure really wrong (or at least confusing/frowned upon) in English? What are", "about past accomplishments on a resume on my native language (Portuguese), it is", "to refer to them using a \"hidden subject\", a phrasal structure I've been", "a \"hidden subject\", a phrasal structure I've been told does not exist in", "been told does not exist in English. The final result is something like", "> > > > > * Asked a question on SE > >", "> > > > > > > --- Is this structure really wrong", "> > > > * Asked a question on SE > > *", "> --- Is this structure really wrong (or at least confusing/frowned upon) in", "using a \"hidden subject\", a phrasal structure I've been told does not exist", "on my native language (Portuguese), it is usual to refer to them using", "accomplishments on a resume on my native language (Portuguese), it is usual to", "language (Portuguese), it is usual to refer to them using a \"hidden subject\",", "--- Is this structure really wrong (or at least confusing/frowned upon) in English?", "usual to refer to them using a \"hidden subject\", a phrasal structure I've", "> > > > > > > > > --- Is this structure", "> > > * Asked a question on SE > > * Answered", "When writing about past accomplishments on a resume on my native language (Portuguese),", "Is this structure really wrong (or at least confusing/frowned upon) in English? What", "Answered a question on SE > > > > > > > >", "SE > > > > > > > > > --- Is this", "not exist in English. The final result is something like this: > >", "native language (Portuguese), it is usual to refer to them using a \"hidden", "structure I've been told does not exist in English. The final result is", "a resume on my native language (Portuguese), it is usual to refer to", "> > * Answered a question on SE > > > > >", "on a resume on my native language (Portuguese), it is usual to refer", "final result is something like this: > > **FFN's resume** > > >", "> > > > > > * Asked a question on SE >", "(or at least confusing/frowned upon) in English? What are some alternatives I could", "The final result is something like this: > > **FFN's resume** > >", "question on SE > > * Answered a question on SE > >", "phrasal structure I've been told does not exist in English. The final result", "it is usual to refer to them using a \"hidden subject\", a phrasal", "at least confusing/frowned upon) in English? What are some alternatives I could use?", "> > > > > --- Is this structure really wrong (or at", "> > > > > > --- Is this structure really wrong (or", "\"hidden subject\", a phrasal structure I've been told does not exist in English.", "in English. The final result is something like this: > > **FFN's resume**", "English. The final result is something like this: > > **FFN's resume** >", "> * Asked a question on SE > > * Answered a question", "> > > > --- Is this structure really wrong (or at least", "to them using a \"hidden subject\", a phrasal structure I've been told does", "> > > > > > > > --- Is this structure really", "> > > > > > > * Asked a question on SE", "writing about past accomplishments on a resume on my native language (Portuguese), it", "resume** > > > > > > > * Asked a question on", "a question on SE > > > > > > > > >", "this: > > **FFN's resume** > > > > > > > *", "result is something like this: > > **FFN's resume** > > > >", "something like this: > > **FFN's resume** > > > > > >", "> * Answered a question on SE > > > > > >", "> > > --- Is this structure really wrong (or at least confusing/frowned", "past accomplishments on a resume on my native language (Portuguese), it is usual", "a phrasal structure I've been told does not exist in English. The final", "on SE > > * Answered a question on SE > > >", "really wrong (or at least confusing/frowned upon) in English? What are some alternatives", "them using a \"hidden subject\", a phrasal structure I've been told does not", "> > * Asked a question on SE > > * Answered a", "subject\", a phrasal structure I've been told does not exist in English. The", "resume on my native language (Portuguese), it is usual to refer to them", "on SE > > > > > > > > > --- Is", "like this: > > **FFN's resume** > > > > > > >", "Asked a question on SE > > * Answered a question on SE", "does not exist in English. The final result is something like this: >", "refer to them using a \"hidden subject\", a phrasal structure I've been told", "told does not exist in English. The final result is something like this:", "exist in English. The final result is something like this: > > **FFN's", "structure really wrong (or at least confusing/frowned upon) in English? What are some", "> > **FFN's resume** > > > > > > > * Asked" ]
[ "being too verbose. However, that should not exactly be true or should rather", "what they are talking about. I could never understand why these authors are", "the likes of J.K. Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons range from", "users, whose answers have been quite insightful, i.e. those appear to know what", "would not have been so popular (Correct?) And (for e.g. on this site)", "authors are being branded as such. So, to make it a concrete question,", "whose answers have been quite insightful, i.e. those appear to know what they", "scope of personal opinion but I am looking for something concrete. Very often,", "range from minor plot holes to being too verbose. However, that should not", "this is not just the opinion of just any random users of the", "question can fall in the scope of personal opinion but I am looking", "Dal Xmowf, Christopher Paolini, etc. Reasons range from minor plot holes to being", "Xmowf, Christopher Paolini, etc. Reasons range from minor plot holes to being too", "the authors would not have been so popular (Correct?) And (for e.g. on", "And (for e.g. on this site) this is not just the opinion of", "wrong (or missing from their writing) that makes them a bad writer? Or", "reality, bad writers. These include the likes of J.K. Rowling, Dal Xmowf, Christopher", "realise that this question can fall in the scope of personal opinion but", "question, What are these popular authors doing wrong (or missing from their writing)", "of just any random users of the site but those who have been", "on this site) this is not just the opinion of just any random", "is not just the opinion of just any random users of the site", "rather be minor insignificant things as otherwise the authors would not have been", "their writing) that makes them a bad writer? Or what pitfalls should a", "Reasons range from minor plot holes to being too verbose. However, that should", "I could never understand why these authors are being branded as such. So,", "Christopher Paolini, etc. Reasons range from minor plot holes to being too verbose.", "been quite insightful, i.e. those appear to know what they are talking about.", "that makes them a bad writer? Or what pitfalls should a good writer", "can fall in the scope of personal opinion but I am looking for", "plot holes to being too verbose. However, that should not exactly be true", "Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons range from minor plot holes to", "site but other writing related sites, I find people constantly say that certain", "about. I could never understand why these authors are being branded as such.", "should not exactly be true or should rather be minor insignificant things as", "say that certain popular authors are, in reality, bad writers. These include the", "appear to know what they are talking about. I could never understand why", "I realise that this question can fall in the scope of personal opinion", "So, to make it a concrete question, What are these popular authors doing", "be true or should rather be minor insignificant things as otherwise the authors", "branded as such. So, to make it a concrete question, What are these", "these popular authors doing wrong (or missing from their writing) that makes them", "the opinion of just any random users of the site but those who", "find people constantly say that certain popular authors are, in reality, bad writers.", "for something concrete. Very often, not only on this site but other writing", "popular authors are, in reality, bad writers. These include the likes of J.K.", "minor insignificant things as otherwise the authors would not have been so popular", "but other writing related sites, I find people constantly say that certain popular", "too verbose. However, that should not exactly be true or should rather be", "understand why these authors are being branded as such. So, to make it", "authors would not have been so popular (Correct?) And (for e.g. on this", "just any random users of the site but those who have been long", "(for e.g. on this site) this is not just the opinion of just", "What are these popular authors doing wrong (or missing from their writing) that", "i.e. those appear to know what they are talking about. I could never", "on this site but other writing related sites, I find people constantly say", "(Correct?) And (for e.g. on this site) this is not just the opinion", "make it a concrete question, What are these popular authors doing wrong (or", "to make it a concrete question, What are these popular authors doing wrong", "missing from their writing) that makes them a bad writer? Or what pitfalls", "am looking for something concrete. Very often, not only on this site but", "of the site but those who have been long term users, whose answers", "who have been long term users, whose answers have been quite insightful, i.e.", "(or missing from their writing) that makes them a bad writer? Or what", "makes them a bad writer? Or what pitfalls should a good writer avoid?", "not only on this site but other writing related sites, I find people", "Very often, not only on this site but other writing related sites, I", "that should not exactly be true or should rather be minor insignificant things", "things as otherwise the authors would not have been so popular (Correct?) And", "popular authors doing wrong (or missing from their writing) that makes them a", "in the scope of personal opinion but I am looking for something concrete.", "bad writers. These include the likes of J.K. Rowling, Dal Xmowf, Christopher Paolini,", "from minor plot holes to being too verbose. However, that should not exactly", "only on this site but other writing related sites, I find people constantly", "These include the likes of J.K. Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons", "have been so popular (Correct?) And (for e.g. on this site) this is", "but those who have been long term users, whose answers have been quite", "any random users of the site but those who have been long term", "personal opinion but I am looking for something concrete. Very often, not only", "constantly say that certain popular authors are, in reality, bad writers. These include", "they are talking about. I could never understand why these authors are being", "authors doing wrong (or missing from their writing) that makes them a bad", "of J.K. Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons range from minor plot", "been so popular (Correct?) And (for e.g. on this site) this is not", "concrete. Very often, not only on this site but other writing related sites,", "writing) that makes them a bad writer? Or what pitfalls should a good", "often, not only on this site but other writing related sites, I find", "related sites, I find people constantly say that certain popular authors are, in", "just the opinion of just any random users of the site but those", "J.K. Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons range from minor plot holes", "that certain popular authors are, in reality, bad writers. These include the likes", "etc. Reasons range from minor plot holes to being too verbose. However, that", "been long term users, whose answers have been quite insightful, i.e. those appear", "other writing related sites, I find people constantly say that certain popular authors", "not exactly be true or should rather be minor insignificant things as otherwise", "quite insightful, i.e. those appear to know what they are talking about. I", "the scope of personal opinion but I am looking for something concrete. Very", "this site but other writing related sites, I find people constantly say that", "as such. So, to make it a concrete question, What are these popular", "that this question can fall in the scope of personal opinion but I", "include the likes of J.K. Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons range", "fall in the scope of personal opinion but I am looking for something", "random users of the site but those who have been long term users,", "authors are, in reality, bad writers. These include the likes of J.K. Rowling,", "from their writing) that makes them a bad writer? Or what pitfalls should", "have been long term users, whose answers have been quite insightful, i.e. those", "certain popular authors are, in reality, bad writers. These include the likes of", "sites, I find people constantly say that certain popular authors are, in reality,", "I am looking for something concrete. Very often, not only on this site", "these authors are being branded as such. So, to make it a concrete", "popular (Correct?) And (for e.g. on this site) this is not just the", "know what they are talking about. I could never understand why these authors", "verbose. However, that should not exactly be true or should rather be minor", "this site) this is not just the opinion of just any random users", "be minor insignificant things as otherwise the authors would not have been so", "users of the site but those who have been long term users, whose", "opinion of just any random users of the site but those who have", "not have been so popular (Correct?) And (for e.g. on this site) this", "this question can fall in the scope of personal opinion but I am", "those who have been long term users, whose answers have been quite insightful,", "have been quite insightful, i.e. those appear to know what they are talking", "why these authors are being branded as such. So, to make it a", "those appear to know what they are talking about. I could never understand", "to know what they are talking about. I could never understand why these", "as otherwise the authors would not have been so popular (Correct?) And (for", "but I am looking for something concrete. Very often, not only on this", "However, that should not exactly be true or should rather be minor insignificant", "are being branded as such. So, to make it a concrete question, What", "writing related sites, I find people constantly say that certain popular authors are,", "or should rather be minor insignificant things as otherwise the authors would not", "are these popular authors doing wrong (or missing from their writing) that makes", "term users, whose answers have been quite insightful, i.e. those appear to know", "doing wrong (or missing from their writing) that makes them a bad writer?", "e.g. on this site) this is not just the opinion of just any", "writers. These include the likes of J.K. Rowling, Dal Xmowf, Christopher Paolini, etc.", "being branded as such. So, to make it a concrete question, What are", "minor plot holes to being too verbose. However, that should not exactly be", "site but those who have been long term users, whose answers have been", "are, in reality, bad writers. These include the likes of J.K. Rowling, Dal", "holes to being too verbose. However, that should not exactly be true or", "talking about. I could never understand why these authors are being branded as", "the site but those who have been long term users, whose answers have", "people constantly say that certain popular authors are, in reality, bad writers. These", "not just the opinion of just any random users of the site but", "concrete question, What are these popular authors doing wrong (or missing from their", "Paolini, etc. Reasons range from minor plot holes to being too verbose. However,", "insightful, i.e. those appear to know what they are talking about. I could", "so popular (Correct?) And (for e.g. on this site) this is not just", "never understand why these authors are being branded as such. So, to make", "I find people constantly say that certain popular authors are, in reality, bad", "in reality, bad writers. These include the likes of J.K. Rowling, Dal Xmowf,", "opinion but I am looking for something concrete. Very often, not only on", "likes of J.K. Rowling, Dal Xmowf, Christopher Paolini, etc. Reasons range from minor", "a concrete question, What are these popular authors doing wrong (or missing from", "should rather be minor insignificant things as otherwise the authors would not have", "are talking about. I could never understand why these authors are being branded", "otherwise the authors would not have been so popular (Correct?) And (for e.g.", "something concrete. Very often, not only on this site but other writing related", "such. So, to make it a concrete question, What are these popular authors", "exactly be true or should rather be minor insignificant things as otherwise the", "looking for something concrete. Very often, not only on this site but other", "to being too verbose. However, that should not exactly be true or should", "site) this is not just the opinion of just any random users of", "of personal opinion but I am looking for something concrete. Very often, not", "true or should rather be minor insignificant things as otherwise the authors would", "answers have been quite insightful, i.e. those appear to know what they are", "long term users, whose answers have been quite insightful, i.e. those appear to", "insignificant things as otherwise the authors would not have been so popular (Correct?)", "it a concrete question, What are these popular authors doing wrong (or missing", "could never understand why these authors are being branded as such. So, to" ]
[ "in which the \"hero\" comes across this dilemma while fighting female assassins, and", "\"hero\" comes across this dilemma while fighting female assassins, and we are not", "the results of his introspection. Here is the problem as I see it:", "of representation. \"What, women aren't important enough to be given an important role?\"", "fatale is, but can kill you through magic or some other kind of", "the slimiest and most evil of men. Then you have to deal with", "given an important role?\" Say the story revolves around a female villain who", "hurt. Then you have to deal with lack of representation. \"What, women aren't", "we are not shown the results of his introspection. Here is the problem", "results of his introspection. Here is the problem as I see it: Men", "be given an important role?\" Say the story revolves around a female villain", "an important role?\" Say the story revolves around a female villain who is", "\"Your good guy is hitting a woman!\" Women fighting only women, and possibly", "aren't good enough to fight alongside men?\" Women don't fight or get hurt.", "Then you have to deal with lack of representation. \"What, women aren't important", "and most evil of men. Then you have to deal with inequality -", "see it: Men fighting women. Then you have to deal with inter-gender violence.", "significant threat. Not in the way of Catvociqe tranell, a character who is", "good guy is hitting a woman!\" Women fighting only women, and possibly the", "some other kind of power. Things will have to get physical at some", "men. Then you have to deal with inequality - \"what, women aren't good", "female assassins, and we are not shown the results of his introspection. Here", "have to deal with inequality - \"what, women aren't good enough to fight", "Women don't fight or get hurt. Then you have to deal with lack", "introspection. Here is the problem as I see it: Men fighting women. Then", "a female villain who is a pretty significant threat. Not in the way", "tranell, a character who is dangerous in the way a femme fatale is,", "will have to get physical at some point between her and the male", "the story revolves around a female villain who is a pretty significant threat.", "this dilemma while fighting female assassins, and we are not shown the results", "of Catvociqe tranell, a character who is dangerous in the way a femme", "power. Things will have to get physical at some point between her and", "Catvociqe tranell, a character who is dangerous in the way a femme fatale", "fighting women. Then you have to deal with inter-gender violence. \"Your good guy", "and we are not shown the results of his introspection. Here is the", "a woman!\" Women fighting only women, and possibly the slimiest and most evil", "fight or get hurt. Then you have to deal with lack of representation.", "Women fighting only women, and possibly the slimiest and most evil of men.", "fight alongside men?\" Women don't fight or get hurt. Then you have to", "of his introspection. Here is the problem as I see it: Men fighting", "Not in the way of Catvociqe tranell, a character who is dangerous in", "way of Catvociqe tranell, a character who is dangerous in the way a", "Things will have to get physical at some point between her and the", "hitting a woman!\" Women fighting only women, and possibly the slimiest and most", "of men. Then you have to deal with inequality - \"what, women aren't", "women aren't important enough to be given an important role?\" Say the story", "you through magic or some other kind of power. Things will have to", "story revolves around a female villain who is a pretty significant threat. Not", "women. Then you have to deal with inter-gender violence. \"Your good guy is", "enough to be given an important role?\" Say the story revolves around a", "I see it: Men fighting women. Then you have to deal with inter-gender", "to deal with inequality - \"what, women aren't good enough to fight alongside", "villain who is a pretty significant threat. Not in the way of Catvociqe", "evil of men. Then you have to deal with inequality - \"what, women", "physical at some point between her and the male hero. How would you", "to be given an important role?\" Say the story revolves around a female", "threat. Not in the way of Catvociqe tranell, a character who is dangerous", "fighting only women, and possibly the slimiest and most evil of men. Then", "aren't important enough to be given an important role?\" Say the story revolves", "his introspection. Here is the problem as I see it: Men fighting women.", "other kind of power. Things will have to get physical at some point", "men?\" Women don't fight or get hurt. Then you have to deal with", "a character who is dangerous in the way a femme fatale is, but", "in the way of Catvociqe tranell, a character who is dangerous in the", "fighting female assassins, and we are not shown the results of his introspection.", "revolves around a female villain who is a pretty significant threat. Not in", "most evil of men. Then you have to deal with inequality - \"what,", "between her and the male hero. How would you write that? Would you", "\"What, women aren't important enough to be given an important role?\" Say the", "a femme fatale is, but can kill you through magic or some other", "you have to deal with inter-gender violence. \"Your good guy is hitting a", "inequality - \"what, women aren't good enough to fight alongside men?\" Women don't", "get hurt. Then you have to deal with lack of representation. \"What, women", "called deadpool, in which the \"hero\" comes across this dilemma while fighting female", "kill you through magic or some other kind of power. Things will have", "get physical at some point between her and the male hero. How would", "representation. \"What, women aren't important enough to be given an important role?\" Say", "a pretty significant threat. Not in the way of Catvociqe tranell, a character", "women aren't good enough to fight alongside men?\" Women don't fight or get", "is, but can kill you through magic or some other kind of power.", "point between her and the male hero. How would you write that? Would", "lack of representation. \"What, women aren't important enough to be given an important", "is a pretty significant threat. Not in the way of Catvociqe tranell, a", "around a female villain who is a pretty significant threat. Not in the", "alongside men?\" Women don't fight or get hurt. Then you have to deal", "but can kill you through magic or some other kind of power. Things", "the male hero. How would you write that? Would you find it cringy?", "Then you have to deal with inequality - \"what, women aren't good enough", "role?\" Say the story revolves around a female villain who is a pretty", "inter-gender violence. \"Your good guy is hitting a woman!\" Women fighting only women,", "is dangerous in the way a femme fatale is, but can kill you", "and the male hero. How would you write that? Would you find it", "way a femme fatale is, but can kill you through magic or some", "is the problem as I see it: Men fighting women. Then you have", "have to deal with inter-gender violence. \"Your good guy is hitting a woman!\"", "a semi-popular movie called deadpool, in which the \"hero\" comes across this dilemma", "Then you have to deal with inter-gender violence. \"Your good guy is hitting", "pretty significant threat. Not in the way of Catvociqe tranell, a character who", "female villain who is a pretty significant threat. Not in the way of", "the way a femme fatale is, but can kill you through magic or", "possibly the slimiest and most evil of men. Then you have to deal", "deal with lack of representation. \"What, women aren't important enough to be given", "to deal with lack of representation. \"What, women aren't important enough to be", "enough to fight alongside men?\" Women don't fight or get hurt. Then you", "guy is hitting a woman!\" Women fighting only women, and possibly the slimiest", "who is dangerous in the way a femme fatale is, but can kill", "dangerous in the way a femme fatale is, but can kill you through", "assassins, and we are not shown the results of his introspection. Here is", "to fight alongside men?\" Women don't fight or get hurt. Then you have", "deal with inequality - \"what, women aren't good enough to fight alongside men?\"", "don't fight or get hurt. Then you have to deal with lack of", "comes across this dilemma while fighting female assassins, and we are not shown", "Men fighting women. Then you have to deal with inter-gender violence. \"Your good", "with lack of representation. \"What, women aren't important enough to be given an", "to get physical at some point between her and the male hero. How", "you have to deal with inequality - \"what, women aren't good enough to", "and possibly the slimiest and most evil of men. Then you have to", "as I see it: Men fighting women. Then you have to deal with", "who is a pretty significant threat. Not in the way of Catvociqe tranell,", "across this dilemma while fighting female assassins, and we are not shown the", "it: Men fighting women. Then you have to deal with inter-gender violence. \"Your", "is hitting a woman!\" Women fighting only women, and possibly the slimiest and", "good enough to fight alongside men?\" Women don't fight or get hurt. Then", "or some other kind of power. Things will have to get physical at", "while fighting female assassins, and we are not shown the results of his", "shown the results of his introspection. Here is the problem as I see", "character who is dangerous in the way a femme fatale is, but can", "can kill you through magic or some other kind of power. Things will", "some point between her and the male hero. How would you write that?", "deadpool, in which the \"hero\" comes across this dilemma while fighting female assassins,", "watched a semi-popular movie called deadpool, in which the \"hero\" comes across this", "the \"hero\" comes across this dilemma while fighting female assassins, and we are", "- \"what, women aren't good enough to fight alongside men?\" Women don't fight", "with inter-gender violence. \"Your good guy is hitting a woman!\" Women fighting only", "at some point between her and the male hero. How would you write", "with inequality - \"what, women aren't good enough to fight alongside men?\" Women", "are not shown the results of his introspection. Here is the problem as", "woman!\" Women fighting only women, and possibly the slimiest and most evil of", "deal with inter-gender violence. \"Your good guy is hitting a woman!\" Women fighting", "through magic or some other kind of power. Things will have to get", "have to deal with lack of representation. \"What, women aren't important enough to", "to deal with inter-gender violence. \"Your good guy is hitting a woman!\" Women", "I watched a semi-popular movie called deadpool, in which the \"hero\" comes across", "important role?\" Say the story revolves around a female villain who is a", "slimiest and most evil of men. Then you have to deal with inequality", "magic or some other kind of power. Things will have to get physical", "or get hurt. Then you have to deal with lack of representation. \"What,", "of power. Things will have to get physical at some point between her", "have to get physical at some point between her and the male hero.", "Say the story revolves around a female villain who is a pretty significant", "important enough to be given an important role?\" Say the story revolves around", "not shown the results of his introspection. Here is the problem as I", "her and the male hero. How would you write that? Would you find", "Here is the problem as I see it: Men fighting women. Then you", "you have to deal with lack of representation. \"What, women aren't important enough", "violence. \"Your good guy is hitting a woman!\" Women fighting only women, and", "in the way a femme fatale is, but can kill you through magic", "kind of power. Things will have to get physical at some point between", "the problem as I see it: Men fighting women. Then you have to", "\"what, women aren't good enough to fight alongside men?\" Women don't fight or", "dilemma while fighting female assassins, and we are not shown the results of", "the way of Catvociqe tranell, a character who is dangerous in the way", "problem as I see it: Men fighting women. Then you have to deal", "femme fatale is, but can kill you through magic or some other kind", "women, and possibly the slimiest and most evil of men. Then you have", "movie called deadpool, in which the \"hero\" comes across this dilemma while fighting", "semi-popular movie called deadpool, in which the \"hero\" comes across this dilemma while", "which the \"hero\" comes across this dilemma while fighting female assassins, and we", "only women, and possibly the slimiest and most evil of men. Then you" ]
[ "White House for this party. Party things happen, but in the middle of", "from the background characters or should I just describe the side characters emotions", "a fictional war. War heroes and important figures are invited to the White", "but all I get is how to write a panic attack. I am", "of a fictional war. War heroes and important figures are invited to the", "it all a fictional President gets shot. The main character is in the", "President gets shot. The main character is in the bathroom, but I am", "I have searched for the answer but all I get is how to", "to write a room full of panic. How do I transition from screaming", "the main character is? Are there going to be specific reactions from the", "celebrate the end of a fictional war. War heroes and important figures are", "the White House for this party. Party things happen, but in the middle", "transition from screaming to questioning and yelling to other present emotions? What part", "and actions? I do not know, and I would like advice to answer", "in the bathroom, but I am not writing this story from his perspective.", "I just describe the side characters emotions and actions? I do not know,", "panic. How do I transition from screaming to questioning and yelling to other", "focus on? Should I just describe the scene from where the main character", "room should I focus on? Should I just describe the scene from where", "bathroom, but I am not writing this story from his perspective. I am", "emotions and actions? I do not know, and I would like advice to", "where the main character is? Are there going to be specific reactions from", "am trying to write a scene where there is a party. The party", "characters or should I just describe the side characters emotions and actions? I", "to write a panic attack. I am trying to write a scene where", "I am not writing this story from his perspective. I am trying to", "this scene, and I think I've done well, up until the point of", "Should I just describe the scene from where the main character is? Are", "is in the bathroom, but I am not writing this story from his", "I do not know, and I would like advice to answer these questions.", "important figures are invited to the White House for this party. Party things", "panic? I have searched for the answer but all I get is how", "to questioning and yelling to other present emotions? What part of the room", "and important figures are invited to the White House for this party. Party", "full of panic? I have searched for the answer but all I get", "to write this scene, and I think I've done well, up until the", "do I write about a room full of panic? I have searched for", "a panic attack. I am trying to write a scene where there is", "is a party. The party is to celebrate the end of a fictional", "from screaming to questioning and yelling to other present emotions? What part of", "scene where there is a party. The party is to celebrate the end", "figures are invited to the White House for this party. Party things happen,", "well, up until the point of after the gunshot. So, I am trying", "The main character is in the bathroom, but I am not writing this", "things happen, but in the middle of it all a fictional President gets", "describe the side characters emotions and actions? I do not know, and I", "gets shot. The main character is in the bathroom, but I am not", "character is in the bathroom, but I am not writing this story from", "am trying to write this scene, and I think I've done well, up", "story from his perspective. I am trying to write this scene, and I", "write this scene, and I think I've done well, up until the point", "War heroes and important figures are invited to the White House for this", "searched for the answer but all I get is how to write a", "the end of a fictional war. War heroes and important figures are invited", "attack. I am trying to write a scene where there is a party.", "until the point of after the gunshot. So, I am trying to find", "and yelling to other present emotions? What part of the room should I", "the point of after the gunshot. So, I am trying to find advice", "emotions? What part of the room should I focus on? Should I just", "to write a scene where there is a party. The party is to", "scene from where the main character is? Are there going to be specific", "perspective. I am trying to write this scene, and I think I've done", "write a room full of panic. How do I transition from screaming to", "panic attack. I am trying to write a scene where there is a", "where there is a party. The party is to celebrate the end of", "trying to write this scene, and I think I've done well, up until", "point of after the gunshot. So, I am trying to find advice on", "think I've done well, up until the point of after the gunshot. So,", "write a scene where there is a party. The party is to celebrate", "get is how to write a panic attack. I am trying to write", "a fictional President gets shot. The main character is in the bathroom, but", "room full of panic? I have searched for the answer but all I", "I focus on? Should I just describe the scene from where the main", "room full of panic. How do I transition from screaming to questioning and", "or should I just describe the side characters emotions and actions? I do", "main character is? Are there going to be specific reactions from the background", "I am trying to find advice on how to write a room full", "questioning and yelling to other present emotions? What part of the room should", "on how to write a room full of panic. How do I transition", "I just describe the scene from where the main character is? Are there", "there going to be specific reactions from the background characters or should I", "to be specific reactions from the background characters or should I just describe", "be specific reactions from the background characters or should I just describe the", "party. Party things happen, but in the middle of it all a fictional", "gunshot. So, I am trying to find advice on how to write a", "how to write a room full of panic. How do I transition from", "fictional President gets shot. The main character is in the bathroom, but I", "about a room full of panic? I have searched for the answer but", "the middle of it all a fictional President gets shot. The main character", "there is a party. The party is to celebrate the end of a", "not writing this story from his perspective. I am trying to write this", "actions? I do not know, and I would like advice to answer these", "how to write a panic attack. I am trying to write a scene", "of panic? I have searched for the answer but all I get is", "screaming to questioning and yelling to other present emotions? What part of the", "the gunshot. So, I am trying to find advice on how to write", "writing this story from his perspective. I am trying to write this scene,", "invited to the White House for this party. Party things happen, but in", "I am trying to write this scene, and I think I've done well,", "am trying to find advice on how to write a room full of", "The party is to celebrate the end of a fictional war. War heroes", "done well, up until the point of after the gunshot. So, I am", "do not know, and I would like advice to answer these questions. Thanks.", "is to celebrate the end of a fictional war. War heroes and important", "a party. The party is to celebrate the end of a fictional war.", "from his perspective. I am trying to write this scene, and I think", "write about a room full of panic? I have searched for the answer", "I get is how to write a panic attack. I am trying to", "find advice on how to write a room full of panic. How do", "So, I am trying to find advice on how to write a room", "How do I write about a room full of panic? I have searched", "is? Are there going to be specific reactions from the background characters or", "present emotions? What part of the room should I focus on? Should I", "just describe the scene from where the main character is? Are there going", "to celebrate the end of a fictional war. War heroes and important figures", "to other present emotions? What part of the room should I focus on?", "the side characters emotions and actions? I do not know, and I would", "after the gunshot. So, I am trying to find advice on how to", "of it all a fictional President gets shot. The main character is in", "but I am not writing this story from his perspective. I am trying", "middle of it all a fictional President gets shot. The main character is", "trying to find advice on how to write a room full of panic.", "should I just describe the side characters emotions and actions? I do not", "party. The party is to celebrate the end of a fictional war. War", "What part of the room should I focus on? Should I just describe", "Are there going to be specific reactions from the background characters or should", "a room full of panic? I have searched for the answer but all", "should I focus on? Should I just describe the scene from where the", "in the middle of it all a fictional President gets shot. The main", "heroes and important figures are invited to the White House for this party.", "side characters emotions and actions? I do not know, and I would like", "a scene where there is a party. The party is to celebrate the", "reactions from the background characters or should I just describe the side characters", "specific reactions from the background characters or should I just describe the side", "war. War heroes and important figures are invited to the White House for", "happen, but in the middle of it all a fictional President gets shot.", "a room full of panic. How do I transition from screaming to questioning", "for the answer but all I get is how to write a panic", "this story from his perspective. I am trying to write this scene, and", "the background characters or should I just describe the side characters emotions and", "Party things happen, but in the middle of it all a fictional President", "end of a fictional war. War heroes and important figures are invited to", "going to be specific reactions from the background characters or should I just", "of after the gunshot. So, I am trying to find advice on how", "fictional war. War heroes and important figures are invited to the White House", "describe the scene from where the main character is? Are there going to", "I transition from screaming to questioning and yelling to other present emotions? What", "all I get is how to write a panic attack. I am trying", "I think I've done well, up until the point of after the gunshot.", "just describe the side characters emotions and actions? I do not know, and", "for this party. Party things happen, but in the middle of it all", "characters emotions and actions? I do not know, and I would like advice", "have searched for the answer but all I get is how to write", "from where the main character is? Are there going to be specific reactions", "this party. Party things happen, but in the middle of it all a", "answer but all I get is how to write a panic attack. I", "up until the point of after the gunshot. So, I am trying to", "the scene from where the main character is? Are there going to be", "write a panic attack. I am trying to write a scene where there", "main character is in the bathroom, but I am not writing this story", "are invited to the White House for this party. Party things happen, but", "of panic. How do I transition from screaming to questioning and yelling to", "full of panic. How do I transition from screaming to questioning and yelling", "advice on how to write a room full of panic. How do I", "I am trying to write a scene where there is a party. The", "How do I transition from screaming to questioning and yelling to other present", "and I think I've done well, up until the point of after the", "part of the room should I focus on? Should I just describe the", "of the room should I focus on? Should I just describe the scene", "other present emotions? What part of the room should I focus on? Should", "his perspective. I am trying to write this scene, and I think I've", "I've done well, up until the point of after the gunshot. So, I", "the bathroom, but I am not writing this story from his perspective. I", "House for this party. Party things happen, but in the middle of it", "to find advice on how to write a room full of panic. How", "yelling to other present emotions? What part of the room should I focus", "but in the middle of it all a fictional President gets shot. The", "the room should I focus on? Should I just describe the scene from", "background characters or should I just describe the side characters emotions and actions?", "shot. The main character is in the bathroom, but I am not writing", "the answer but all I get is how to write a panic attack.", "scene, and I think I've done well, up until the point of after", "on? Should I just describe the scene from where the main character is?", "all a fictional President gets shot. The main character is in the bathroom,", "is how to write a panic attack. I am trying to write a", "trying to write a scene where there is a party. The party is", "party is to celebrate the end of a fictional war. War heroes and", "do I transition from screaming to questioning and yelling to other present emotions?", "character is? Are there going to be specific reactions from the background characters", "I write about a room full of panic? I have searched for the", "am not writing this story from his perspective. I am trying to write", "to the White House for this party. Party things happen, but in the" ]
[ "site and with it being your own site you offered a coupon code", "it being your own site you offered a coupon code to get it", "is cheaper anywhere else and threaten remind you that they'll remove your book", "find it cheaper anywhere else. But say you published your book on both", "else. But say you published your book on both Amazon and on your", "if they do find it cheaper anywhere else. But say you published your", "both Amazon and on your own site and with it being your own", "your book on both Amazon and on your own site and with it", "on your own site and with it being your own site you offered", "own site and with it being your own site you offered a coupon", "a coupon code to get it cheaper than Amazon. does Amazon have the", "publish of Amazon, they don't like it very much if your book is", "with it being your own site you offered a coupon code to get", "on both Amazon and on your own site and with it being your", "your own site and with it being your own site you offered a", "and on your own site and with it being your own site you", "code to get it cheaper than Amazon. does Amazon have the same problem", "own site you offered a coupon code to get it cheaper than Amazon.", "get it cheaper than Amazon. does Amazon have the same problem with this?", "to get it cheaper than Amazon. does Amazon have the same problem with", "don't like it very much if your book is cheaper anywhere else and", "site you offered a coupon code to get it cheaper than Amazon. does", "Amazon and on your own site and with it being your own site", "else and threaten remind you that they'll remove your book if they do", "reading that if you publish of Amazon, they don't like it very much", "your book is cheaper anywhere else and threaten remind you that they'll remove", "I keep reading that if you publish of Amazon, they don't like it", "do find it cheaper anywhere else. But say you published your book on", "if your book is cheaper anywhere else and threaten remind you that they'll", "your book if they do find it cheaper anywhere else. But say you", "of Amazon, they don't like it very much if your book is cheaper", "like it very much if your book is cheaper anywhere else and threaten", "anywhere else and threaten remind you that they'll remove your book if they", "much if your book is cheaper anywhere else and threaten remind you that", "cheaper anywhere else and threaten remind you that they'll remove your book if", "remind you that they'll remove your book if they do find it cheaper", "and with it being your own site you offered a coupon code to", "your own site you offered a coupon code to get it cheaper than", "keep reading that if you publish of Amazon, they don't like it very", "book is cheaper anywhere else and threaten remind you that they'll remove your", "remove your book if they do find it cheaper anywhere else. But say", "offered a coupon code to get it cheaper than Amazon. does Amazon have", "coupon code to get it cheaper than Amazon. does Amazon have the same", "it very much if your book is cheaper anywhere else and threaten remind", "being your own site you offered a coupon code to get it cheaper", "book if they do find it cheaper anywhere else. But say you published", "it cheaper anywhere else. But say you published your book on both Amazon", "published your book on both Amazon and on your own site and with", "cheaper anywhere else. But say you published your book on both Amazon and", "threaten remind you that they'll remove your book if they do find it", "But say you published your book on both Amazon and on your own", "book on both Amazon and on your own site and with it being", "you that they'll remove your book if they do find it cheaper anywhere", "you offered a coupon code to get it cheaper than Amazon. does Amazon", "that they'll remove your book if they do find it cheaper anywhere else.", "they do find it cheaper anywhere else. But say you published your book", "you published your book on both Amazon and on your own site and", "Amazon, they don't like it very much if your book is cheaper anywhere", "that if you publish of Amazon, they don't like it very much if", "you publish of Amazon, they don't like it very much if your book", "they don't like it very much if your book is cheaper anywhere else", "and threaten remind you that they'll remove your book if they do find", "say you published your book on both Amazon and on your own site", "they'll remove your book if they do find it cheaper anywhere else. But", "very much if your book is cheaper anywhere else and threaten remind you", "anywhere else. But say you published your book on both Amazon and on", "if you publish of Amazon, they don't like it very much if your" ]
[ "been reading articles on the merits of freewriting, but many of them only", "apply the practice to academic writing in the prewriting stage. I'm a fiction", "writer and I write stories in my spare time, and I use freewriting", "fiction writer and I write stories in my spare time, and I use", "form ideas for novels, short stories, etc. Does it matter how I use", "ideas for novels, short stories, etc. Does it matter how I use freewriting?", "my spare time, and I use freewriting to form ideas for novels, short", "reading articles on the merits of freewriting, but many of them only apply", "have been reading articles on the merits of freewriting, but many of them", "to academic writing in the prewriting stage. I'm a fiction writer and I", "articles on the merits of freewriting, but many of them only apply the", "stage. I'm a fiction writer and I write stories in my spare time,", "but many of them only apply the practice to academic writing in the", "write stories in my spare time, and I use freewriting to form ideas", "I'm a fiction writer and I write stories in my spare time, and", "in the prewriting stage. I'm a fiction writer and I write stories in", "of freewriting, but many of them only apply the practice to academic writing", "and I use freewriting to form ideas for novels, short stories, etc. Does", "freewriting to form ideas for novels, short stories, etc. Does it matter how", "the merits of freewriting, but many of them only apply the practice to", "use freewriting to form ideas for novels, short stories, etc. Does it matter", "writing in the prewriting stage. I'm a fiction writer and I write stories", "I have been reading articles on the merits of freewriting, but many of", "I use freewriting to form ideas for novels, short stories, etc. Does it", "a fiction writer and I write stories in my spare time, and I", "in my spare time, and I use freewriting to form ideas for novels,", "to form ideas for novels, short stories, etc. Does it matter how I", "and I write stories in my spare time, and I use freewriting to", "many of them only apply the practice to academic writing in the prewriting", "them only apply the practice to academic writing in the prewriting stage. I'm", "I write stories in my spare time, and I use freewriting to form", "time, and I use freewriting to form ideas for novels, short stories, etc.", "freewriting, but many of them only apply the practice to academic writing in", "on the merits of freewriting, but many of them only apply the practice", "only apply the practice to academic writing in the prewriting stage. I'm a", "academic writing in the prewriting stage. I'm a fiction writer and I write", "the prewriting stage. I'm a fiction writer and I write stories in my", "stories in my spare time, and I use freewriting to form ideas for", "spare time, and I use freewriting to form ideas for novels, short stories,", "practice to academic writing in the prewriting stage. I'm a fiction writer and", "merits of freewriting, but many of them only apply the practice to academic", "the practice to academic writing in the prewriting stage. I'm a fiction writer", "prewriting stage. I'm a fiction writer and I write stories in my spare", "of them only apply the practice to academic writing in the prewriting stage." ]
[ "the sentence correctly. > > A sudden outburst drew my gaze from lazy", "this sentence would add to take away from the message. Also am I", "to chalk drenched room as the teacher took length to the couple’s quarrel.", "outburst drew my gaze from lazy sky to chalk drenched room as the", "if using length in this sentence would add to take away from the", "away from the message. Also am I constructing the sentence correctly. > >", "wondering if using length in this sentence would add to take away from", "to take away from the message. Also am I constructing the sentence correctly.", "> A sudden outburst drew my gaze from lazy sky to chalk drenched", "correctly. > > A sudden outburst drew my gaze from lazy sky to", "add to take away from the message. Also am I constructing the sentence", "sentence would add to take away from the message. Also am I constructing", "chalk drenched room as the teacher took length to the couple’s quarrel. >", "Also am I constructing the sentence correctly. > > A sudden outburst drew", "lazy sky to chalk drenched room as the teacher took length to the", "am I constructing the sentence correctly. > > A sudden outburst drew my", "sky to chalk drenched room as the teacher took length to the couple’s", "in this sentence would add to take away from the message. Also am", "using length in this sentence would add to take away from the message.", "was wondering if using length in this sentence would add to take away", "the message. Also am I constructing the sentence correctly. > > A sudden", "from lazy sky to chalk drenched room as the teacher took length to", "constructing the sentence correctly. > > A sudden outburst drew my gaze from", "sudden outburst drew my gaze from lazy sky to chalk drenched room as", "drew my gaze from lazy sky to chalk drenched room as the teacher", "> > A sudden outburst drew my gaze from lazy sky to chalk", "my gaze from lazy sky to chalk drenched room as the teacher took", "length in this sentence would add to take away from the message. Also", "sentence correctly. > > A sudden outburst drew my gaze from lazy sky", "room as the teacher took length to the couple’s quarrel. > > >", "would add to take away from the message. Also am I constructing the", "take away from the message. Also am I constructing the sentence correctly. >", "I constructing the sentence correctly. > > A sudden outburst drew my gaze", "message. Also am I constructing the sentence correctly. > > A sudden outburst", "from the message. Also am I constructing the sentence correctly. > > A", "I was wondering if using length in this sentence would add to take", "drenched room as the teacher took length to the couple’s quarrel. > >", "A sudden outburst drew my gaze from lazy sky to chalk drenched room", "gaze from lazy sky to chalk drenched room as the teacher took length" ]
[ "building that has several apartments on each story with an exterior corridor/passage linking", "of a particular type of apartment building. I attached a picture to illustrate", "for the word to describe of a particular type of apartment building. I", "is a building that has several apartments on each story with an exterior", "looking for the word to describe of a particular type of apartment building.", "[![apartment](https://i.stack.imgur.com/aqytf.png)](https://i.stack.imgur.com/aqytf.png) I'm looking for the word to describe of a particular type of", "It is a building that has several apartments on each story with an", "story with an exterior corridor/passage linking them. What word best described this architectural", "I attached a picture to illustrate it. It is a building that has", "a particular type of apartment building. I attached a picture to illustrate it.", "a building that has several apartments on each story with an exterior corridor/passage", "describe of a particular type of apartment building. I attached a picture to", "the word to describe of a particular type of apartment building. I attached", "I'm looking for the word to describe of a particular type of apartment", "a picture to illustrate it. It is a building that has several apartments", "has several apartments on each story with an exterior corridor/passage linking them. What", "each story with an exterior corridor/passage linking them. What word best described this", "apartments on each story with an exterior corridor/passage linking them. What word best", "with an exterior corridor/passage linking them. What word best described this architectural style?", "several apartments on each story with an exterior corridor/passage linking them. What word", "it. It is a building that has several apartments on each story with", "apartment building. I attached a picture to illustrate it. It is a building", "picture to illustrate it. It is a building that has several apartments on", "particular type of apartment building. I attached a picture to illustrate it. It", "to illustrate it. It is a building that has several apartments on each", "type of apartment building. I attached a picture to illustrate it. It is", "to describe of a particular type of apartment building. I attached a picture", "of apartment building. I attached a picture to illustrate it. It is a", "attached a picture to illustrate it. It is a building that has several", "that has several apartments on each story with an exterior corridor/passage linking them.", "illustrate it. It is a building that has several apartments on each story", "on each story with an exterior corridor/passage linking them. What word best described", "word to describe of a particular type of apartment building. I attached a", "building. I attached a picture to illustrate it. It is a building that" ]
[ "For example, if the UI component is in italic formatting, do we need", "represent UI components. We also match the text with the letter case of", "procedure, when describing a UI component, we use the bold font to represent", "case of the UI component. But do we need to match the font", "the UI component. But do we need to match the font style too?", "when describing a UI component, we use the bold font to represent UI", "to represent UI components. We also match the text with the letter case", "the text with the letter case of the UI component. But do we", "in italic formatting, do we need to write the text in italic characters?", "is in italic formatting, do we need to write the text in italic", "we need to match the font style too? For example, if the UI", "components. We also match the text with the letter case of the UI", "font style too? For example, if the UI component is in italic formatting,", "the bold font to represent UI components. We also match the text with", "a UI component, we use the bold font to represent UI components. We", "UI component, we use the bold font to represent UI components. We also", "also match the text with the letter case of the UI component. But", "do we need to match the font style too? For example, if the", "need to match the font style too? For example, if the UI component", "We also match the text with the letter case of the UI component.", "the letter case of the UI component. But do we need to match", "describing a UI component, we use the bold font to represent UI components.", "use the bold font to represent UI components. We also match the text", "a procedure, when describing a UI component, we use the bold font to", "font to represent UI components. We also match the text with the letter", "letter case of the UI component. But do we need to match the", "too? For example, if the UI component is in italic formatting, do we", "component is in italic formatting, do we need to write the text in", "of the UI component. But do we need to match the font style", "UI component is in italic formatting, do we need to write the text", "we use the bold font to represent UI components. We also match the", "bold font to represent UI components. We also match the text with the", "component, we use the bold font to represent UI components. We also match", "the font style too? For example, if the UI component is in italic", "to match the font style too? For example, if the UI component is", "component. But do we need to match the font style too? For example,", "match the font style too? For example, if the UI component is in", "example, if the UI component is in italic formatting, do we need to", "In a procedure, when describing a UI component, we use the bold font", "UI component. But do we need to match the font style too? For", "UI components. We also match the text with the letter case of the", "But do we need to match the font style too? For example, if", "text with the letter case of the UI component. But do we need", "style too? For example, if the UI component is in italic formatting, do", "the UI component is in italic formatting, do we need to write the", "match the text with the letter case of the UI component. But do", "with the letter case of the UI component. But do we need to", "if the UI component is in italic formatting, do we need to write" ]
[ "However, what's a good way to show I'm a woman without the editor", "Obviously, my work speaks for itself, but I'd like to have that extra", "media that show my photo. My website also has a photo. However, what's", "the lack of diversity in the tech industry, many of these companies are", "itself, but I'd like to have that extra weight as well. **How can", "what's a good way to show I'm a woman without the editor having", "weight as well. **How can I make this clear to editors when submitting?", "other social media that show my photo. My website also has a photo.", "pools, so they place priority on people of color, women, LGBTQ writers, and", "in my email signature be strange?** I already include links to my LinkedIn,", "website also has a photo. However, what's a good way to show I'm", "of diversity in the tech industry, many of these companies are looking to", "diversity to their contributor pools, so they place priority on people of color,", "have that extra weight as well. **How can I make this clear to", "I do is for tech companies. Because of the lack of diversity in", "submitting? Would a photo in my email signature be strange?** I already include", "my work speaks for itself, but I'd like to have that extra weight", "place priority on people of color, women, LGBTQ writers, and so on. Obviously,", "color, women, LGBTQ writers, and so on. Obviously, my work speaks for itself,", "so on. Obviously, my work speaks for itself, but I'd like to have", "they place priority on people of color, women, LGBTQ writers, and so on.", "and so on. Obviously, my work speaks for itself, but I'd like to", "a good way to show I'm a woman without the editor having to", "contributor pools, so they place priority on people of color, women, LGBTQ writers,", "make this clear to editors when submitting? Would a photo in my email", "man. However, a portion of the writing I do is for tech companies.", "people of color, women, LGBTQ writers, and so on. Obviously, my work speaks", "well. **How can I make this clear to editors when submitting? Would a", "email signature be strange?** I already include links to my LinkedIn, twitter, and", "gender-neutral name, so people often assume I'm a man. However, a portion of", "photo. My website also has a photo. However, what's a good way to", "the tech industry, many of these companies are looking to add diversity to", "a man. However, a portion of the writing I do is for tech", "can I make this clear to editors when submitting? Would a photo in", "priority on people of color, women, LGBTQ writers, and so on. Obviously, my", "do is for tech companies. Because of the lack of diversity in the", "as well. **How can I make this clear to editors when submitting? Would", "I make this clear to editors when submitting? Would a photo in my", "is for tech companies. Because of the lack of diversity in the tech", "Because of the lack of diversity in the tech industry, many of these", "include links to my LinkedIn, twitter, and other social media that show my", "speaks for itself, but I'd like to have that extra weight as well.", "people often assume I'm a man. However, a portion of the writing I", "I already include links to my LinkedIn, twitter, and other social media that", "twitter, and other social media that show my photo. My website also has", "a portion of the writing I do is for tech companies. Because of", "companies. Because of the lack of diversity in the tech industry, many of", "industry, many of these companies are looking to add diversity to their contributor", "also has a photo. However, what's a good way to show I'm a", "LGBTQ writers, and so on. Obviously, my work speaks for itself, but I'd", "signature be strange?** I already include links to my LinkedIn, twitter, and other", "have a gender-neutral name, so people often assume I'm a man. However, a", "LinkedIn, twitter, and other social media that show my photo. My website also", "a photo. However, what's a good way to show I'm a woman without", "my email signature be strange?** I already include links to my LinkedIn, twitter,", "so they place priority on people of color, women, LGBTQ writers, and so", "my LinkedIn, twitter, and other social media that show my photo. My website", "women, LGBTQ writers, and so on. Obviously, my work speaks for itself, but", "I have a gender-neutral name, so people often assume I'm a man. However,", "looking to add diversity to their contributor pools, so they place priority on", "portion of the writing I do is for tech companies. Because of the", "of these companies are looking to add diversity to their contributor pools, so", "in the tech industry, many of these companies are looking to add diversity", "of the writing I do is for tech companies. Because of the lack", "to editors when submitting? Would a photo in my email signature be strange?**", "be strange?** I already include links to my LinkedIn, twitter, and other social", "My website also has a photo. However, what's a good way to show", "often assume I'm a man. However, a portion of the writing I do", "add diversity to their contributor pools, so they place priority on people of", "However, a portion of the writing I do is for tech companies. Because", "tech companies. Because of the lack of diversity in the tech industry, many", "has a photo. However, what's a good way to show I'm a woman", "for tech companies. Because of the lack of diversity in the tech industry,", "for itself, but I'd like to have that extra weight as well. **How", "good way to show I'm a woman without the editor having to click", "like to have that extra weight as well. **How can I make this", "diversity in the tech industry, many of these companies are looking to add", "photo. However, what's a good way to show I'm a woman without the", "links to my LinkedIn, twitter, and other social media that show my photo.", "writers, and so on. Obviously, my work speaks for itself, but I'd like", "many of these companies are looking to add diversity to their contributor pools,", "to their contributor pools, so they place priority on people of color, women,", "social media that show my photo. My website also has a photo. However,", "photo in my email signature be strange?** I already include links to my", "show my photo. My website also has a photo. However, what's a good", "I'm a man. However, a portion of the writing I do is for", "of color, women, LGBTQ writers, and so on. Obviously, my work speaks for", "when submitting? Would a photo in my email signature be strange?** I already", "Would a photo in my email signature be strange?** I already include links", "companies are looking to add diversity to their contributor pools, so they place", "that show my photo. My website also has a photo. However, what's a", "lack of diversity in the tech industry, many of these companies are looking", "already include links to my LinkedIn, twitter, and other social media that show", "their contributor pools, so they place priority on people of color, women, LGBTQ", "these companies are looking to add diversity to their contributor pools, so they", "clear to editors when submitting? Would a photo in my email signature be", "I'd like to have that extra weight as well. **How can I make", "my photo. My website also has a photo. However, what's a good way", "to have that extra weight as well. **How can I make this clear", "**How can I make this clear to editors when submitting? Would a photo", "so people often assume I'm a man. However, a portion of the writing", "a photo in my email signature be strange?** I already include links to", "editors when submitting? Would a photo in my email signature be strange?** I", "to add diversity to their contributor pools, so they place priority on people", "to my LinkedIn, twitter, and other social media that show my photo. My", "are looking to add diversity to their contributor pools, so they place priority", "strange?** I already include links to my LinkedIn, twitter, and other social media", "on. Obviously, my work speaks for itself, but I'd like to have that", "a gender-neutral name, so people often assume I'm a man. However, a portion", "of the lack of diversity in the tech industry, many of these companies", "writing I do is for tech companies. Because of the lack of diversity", "the writing I do is for tech companies. Because of the lack of", "on people of color, women, LGBTQ writers, and so on. Obviously, my work", "but I'd like to have that extra weight as well. **How can I", "extra weight as well. **How can I make this clear to editors when", "tech industry, many of these companies are looking to add diversity to their", "that extra weight as well. **How can I make this clear to editors", "work speaks for itself, but I'd like to have that extra weight as", "assume I'm a man. However, a portion of the writing I do is", "this clear to editors when submitting? Would a photo in my email signature", "and other social media that show my photo. My website also has a", "way to show I'm a woman without the editor having to click anything?", "name, so people often assume I'm a man. However, a portion of the" ]
[ "in the first place and making his or her reading experience more comfortable?", "For example, for me it's \"characters > scene design and style > plot\",", "The critic pointed out I was obviously unfamiliar with the basic tools of", "a style that does not resonate with me 100%, and I'm willing to", "I have forgotten here --, where does style come in(\\*)? I'm desperate for", "characters need to be up to my standard for a book to wow", "me to process her input and turn it into something constructive. --- (\\*)", "resonate with me 100%, and I'm willing to accept slightly flawed plots, but", "into something constructive. --- (\\*) I would expect such a ranking to be", "specifically for those of you who have published their work or are involved", "plot, characters, scene design, style, and everything I have forgotten here --, where", "characters, scene design, style, and everything I have forgotten here --, where does", "I've recently got a crushing critique. The critic pointed out I was obviously", "art of a novel lies in the way it uses words -- i.e.", "I'm desperate for more varied input than the opinion of that one critic.", "a work of art, every word is on purpose, and no description can", "this notion. (Not least because I am aware of so terribly few authors", "first place and making his or her reading experience more comfortable? If you", "\"characters > scene design and style > plot\", although the distinction between the", "it will help me to process her input and turn it into something", "so terribly few authors whose style lives up to the \"every phrase is", "am aware of the concept, of course, but have only very rarely seen", "hope it will help me to process her input and turn it into", "non-existent. She insisted that \"everybody can invent a story\", but that the art", "have published their work or are involved in the publishing industry, is: How", "no description can be more accurate. Personally, I strongly disagree with this notion.", "purpose, and no description can be more accurate. Personally, I strongly disagree with", "style** of the author. Good style, she decalred, is the product of tireless", "basic tools of the trade and that my style was non-existent. She insisted", "those of you who have published their work or are involved in the", "actually implemented.) My question, specifically for those of you who have published their", "apart from hooking the reader to the story in the first place and", "much does it contribute to the overall value of a novel, apart from", "of art, every word is on purpose, and no description can be more", "How right is my critic? **How important is style**? How much does it", "of that one critic. I hope it will help me to process her", "few authors whose style lives up to the \"every phrase is perfect\"-standard. I", "> scene design and style > plot\", although the distinction between the latter", "does not resonate with me 100%, and I'm willing to accept slightly flawed", "scene design and style > plot\", although the distinction between the latter two", "naturally subjective. For example, for me it's \"characters > scene design and style", "story in the first place and making his or her reading experience more", "to the overall value of a novel, apart from hooking the reader to", "-- i.e. in the **linguistic style** of the author. Good style, she decalred,", "Personally, I strongly disagree with this notion. (Not least because I am aware", "of tireless iterations. If a text is to become a work of art,", "words -- i.e. in the **linguistic style** of the author. Good style, she", "author. Good style, she decalred, is the product of tireless iterations. If a", "publishing industry, is: How right is my critic? **How important is style**? How", "\"every phrase is perfect\"-standard. I am aware of the concept, of course, but", "accurate. Personally, I strongly disagree with this notion. (Not least because I am", "forgotten here --, where does style come in(\\*)? I'm desperate for more varied", "scene design, style, and everything I have forgotten here --, where does style", "where does style come in(\\*)? I'm desperate for more varied input than the", "I can forgive a style that does not resonate with me 100%, and", "unfamiliar with the basic tools of the trade and that my style was", "--- (\\*) I would expect such a ranking to be naturally subjective. For", "work of art, every word is on purpose, and no description can be", "novel, apart from hooking the reader to the story in the first place", "input than the opinion of that one critic. I hope it will help", "strongly disagree with this notion. (Not least because I am aware of so", "you ranked the elements of a novel -- plot, characters, scene design, style,", "crushing critique. The critic pointed out I was obviously unfamiliar with the basic", "come in(\\*)? I'm desperate for more varied input than the opinion of that", "to be naturally subjective. For example, for me it's \"characters > scene design", "am aware of so terribly few authors whose style lives up to the", "trade and that my style was non-existent. She insisted that \"everybody can invent", "elements of a novel -- plot, characters, scene design, style, and everything I", "slightly flawed plots, but characters need to be up to my standard for", "for me. I can forgive a style that does not resonate with me", "here --, where does style come in(\\*)? I'm desperate for more varied input", "insisted that \"everybody can invent a story\", but that the art of a", "published their work or are involved in the publishing industry, is: How right", "out I was obviously unfamiliar with the basic tools of the trade and", "can forgive a style that does not resonate with me 100%, and I'm", "that \"everybody can invent a story\", but that the art of a novel", "pointed out I was obviously unfamiliar with the basic tools of the trade", "that the art of a novel lies in the way it uses words", "constructive. --- (\\*) I would expect such a ranking to be naturally subjective.", "with me 100%, and I'm willing to accept slightly flawed plots, but characters", "between the latter two is quite blurry for me. I can forgive a", "**How important is style**? How much does it contribute to the overall value", "does it contribute to the overall value of a novel, apart from hooking", "up to the \"every phrase is perfect\"-standard. I am aware of the concept,", "does style come in(\\*)? I'm desperate for more varied input than the opinion", "I strongly disagree with this notion. (Not least because I am aware of", "me it's \"characters > scene design and style > plot\", although the distinction", "plot\", although the distinction between the latter two is quite blurry for me.", "latter two is quite blurry for me. I can forgive a style that", "aware of the concept, of course, but have only very rarely seen it", "distinction between the latter two is quite blurry for me. I can forgive", "it contribute to the overall value of a novel, apart from hooking the", "two is quite blurry for me. I can forgive a style that does", "for those of you who have published their work or are involved in", "the concept, of course, but have only very rarely seen it actually implemented.)", "a ranking to be naturally subjective. For example, for me it's \"characters >", "I was obviously unfamiliar with the basic tools of the trade and that", "and turn it into something constructive. --- (\\*) I would expect such a", "are involved in the publishing industry, is: How right is my critic? **How", "example, for me it's \"characters > scene design and style > plot\", although", "If a text is to become a work of art, every word is", "the distinction between the latter two is quite blurry for me. I can", "style was non-existent. She insisted that \"everybody can invent a story\", but that", "got a crushing critique. The critic pointed out I was obviously unfamiliar with", "seen it actually implemented.) My question, specifically for those of you who have", "can be more accurate. Personally, I strongly disagree with this notion. (Not least", "style lives up to the \"every phrase is perfect\"-standard. I am aware of", "turn it into something constructive. --- (\\*) I would expect such a ranking", "a novel lies in the way it uses words -- i.e. in the", "of so terribly few authors whose style lives up to the \"every phrase", "was non-existent. She insisted that \"everybody can invent a story\", but that the", "his or her reading experience more comfortable? If you ranked the elements of", "She insisted that \"everybody can invent a story\", but that the art of", "in the **linguistic style** of the author. Good style, she decalred, is the", "in the way it uses words -- i.e. in the **linguistic style** of", "me 100%, and I'm willing to accept slightly flawed plots, but characters need", "will help me to process her input and turn it into something constructive.", "and making his or her reading experience more comfortable? If you ranked the", "experience more comfortable? If you ranked the elements of a novel -- plot,", "(\\*) I would expect such a ranking to be naturally subjective. For example,", "> plot\", although the distinction between the latter two is quite blurry for", "with the basic tools of the trade and that my style was non-existent.", "tools of the trade and that my style was non-existent. She insisted that", "her input and turn it into something constructive. --- (\\*) I would expect", "How much does it contribute to the overall value of a novel, apart", "only very rarely seen it actually implemented.) My question, specifically for those of", "the latter two is quite blurry for me. I can forgive a style", "and everything I have forgotten here --, where does style come in(\\*)? I'm", "comfortable? If you ranked the elements of a novel -- plot, characters, scene", "a novel, apart from hooking the reader to the story in the first", "willing to accept slightly flawed plots, but characters need to be up to", "because I am aware of so terribly few authors whose style lives up", "is style**? How much does it contribute to the overall value of a", "the elements of a novel -- plot, characters, scene design, style, and everything", "the first place and making his or her reading experience more comfortable? If", "important is style**? How much does it contribute to the overall value of", "it uses words -- i.e. in the **linguistic style** of the author. Good", "critic? **How important is style**? How much does it contribute to the overall", "that my style was non-existent. She insisted that \"everybody can invent a story\",", "lies in the way it uses words -- i.e. in the **linguistic style**", "or are involved in the publishing industry, is: How right is my critic?", "and I'm willing to accept slightly flawed plots, but characters need to be", "-- plot, characters, scene design, style, and everything I have forgotten here --,", "opinion of that one critic. I hope it will help me to process", "description can be more accurate. Personally, I strongly disagree with this notion. (Not", "story\", but that the art of a novel lies in the way it", "something constructive. --- (\\*) I would expect such a ranking to be naturally", "recently got a crushing critique. The critic pointed out I was obviously unfamiliar", "disagree with this notion. (Not least because I am aware of so terribly", "her reading experience more comfortable? If you ranked the elements of a novel", "than the opinion of that one critic. I hope it will help me", "input and turn it into something constructive. --- (\\*) I would expect such", "novel -- plot, characters, scene design, style, and everything I have forgotten here", "or her reading experience more comfortable? If you ranked the elements of a", "to the story in the first place and making his or her reading", "to accept slightly flawed plots, but characters need to be up to my", "be more accurate. Personally, I strongly disagree with this notion. (Not least because", "who have published their work or are involved in the publishing industry, is:", "whose style lives up to the \"every phrase is perfect\"-standard. I am aware", "me. I can forgive a style that does not resonate with me 100%,", "is quite blurry for me. I can forgive a style that does not", "I am aware of the concept, of course, but have only very rarely", "that does not resonate with me 100%, and I'm willing to accept slightly", "more varied input than the opinion of that one critic. I hope it", "novel lies in the way it uses words -- i.e. in the **linguistic", "for more varied input than the opinion of that one critic. I hope", "one critic. I hope it will help me to process her input and", "the \"every phrase is perfect\"-standard. I am aware of the concept, of course,", "of the concept, of course, but have only very rarely seen it actually", "style that does not resonate with me 100%, and I'm willing to accept", "need to be up to my standard for a book to wow me.", "question, specifically for those of you who have published their work or are", "to the \"every phrase is perfect\"-standard. I am aware of the concept, of", "was obviously unfamiliar with the basic tools of the trade and that my", "obviously unfamiliar with the basic tools of the trade and that my style", "i.e. in the **linguistic style** of the author. Good style, she decalred, is", "the art of a novel lies in the way it uses words --", "style come in(\\*)? I'm desperate for more varied input than the opinion of", "decalred, is the product of tireless iterations. If a text is to become", "and no description can be more accurate. 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I hope it will help me to process her input and turn", "is to become a work of art, every word is on purpose, and", "least because I am aware of so terribly few authors whose style lives", "in the publishing industry, is: How right is my critic? **How important is", "is: How right is my critic? **How important is style**? How much does", "of the trade and that my style was non-existent. She insisted that \"everybody", "is perfect\"-standard. I am aware of the concept, of course, but have only", "you who have published their work or are involved in the publishing industry,", "critic pointed out I was obviously unfamiliar with the basic tools of the", "course, but have only very rarely seen it actually implemented.) My question, specifically", "become a work of art, every word is on purpose, and no description", "My question, specifically for those of you who have published their work or", "but characters need to be up to my standard for a book to", "authors whose style lives up to the \"every phrase is perfect\"-standard. I am", "invent a story\", but that the art of a novel lies in the", "every word is on purpose, and no description can be more accurate. Personally,", "with this notion. (Not least because I am aware of so terribly few", "my style was non-existent. She insisted that \"everybody can invent a story\", but", "to become a work of art, every word is on purpose, and no", "uses words -- i.e. in the **linguistic style** of the author. Good style,", "desperate for more varied input than the opinion of that one critic. I", "is on purpose, and no description can be more accurate. 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If a text is to become a work of art, every", "concept, of course, but have only very rarely seen it actually implemented.) My", "the opinion of that one critic. I hope it will help me to", "design, style, and everything I have forgotten here --, where does style come", "is my critic? **How important is style**? How much does it contribute to", "**linguistic style** of the author. Good style, she decalred, is the product of", "involved in the publishing industry, is: How right is my critic? **How important", "of a novel, apart from hooking the reader to the story in the", "quite blurry for me. I can forgive a style that does not resonate", "terribly few authors whose style lives up to the \"every phrase is perfect\"-standard.", "value of a novel, apart from hooking the reader to the story in", "design and style > plot\", although the distinction between the latter two is", "--, where does style come in(\\*)? I'm desperate for more varied input than", "ranking to be naturally subjective. For example, for me it's \"characters > scene", "the basic tools of the trade and that my style was non-existent. She", "style, and everything I have forgotten here --, where does style come in(\\*)?", "Good style, she decalred, is the product of tireless iterations. If a text", "iterations. If a text is to become a work of art, every word", "of a novel lies in the way it uses words -- i.e. in", "it actually implemented.) My question, specifically for those of you who have published", "way it uses words -- i.e. in the **linguistic style** of the author.", "a story\", but that the art of a novel lies in the way", "plots, but characters need to be up to my standard for a book", "it's \"characters > scene design and style > plot\", although the distinction between", "the overall value of a novel, apart from hooking the reader to the", "not resonate with me 100%, and I'm willing to accept slightly flawed plots,", "of the author. Good style, she decalred, is the product of tireless iterations.", "notion. (Not least because I am aware of so terribly few authors whose", "of course, but have only very rarely seen it actually implemented.) My question,", "a crushing critique. The critic pointed out I was obviously unfamiliar with the", "the story in the first place and making his or her reading experience", "be naturally subjective. For example, for me it's \"characters > scene design and", "accept slightly flawed plots, but characters need to be up to my standard", "expect such a ranking to be naturally subjective. For example, for me it's", "style > plot\", although the distinction between the latter two is quite blurry", "rarely seen it actually implemented.) My question, specifically for those of you who", "she decalred, is the product of tireless iterations. If a text is to", "perfect\"-standard. I am aware of the concept, of course, but have only very", "more comfortable? If you ranked the elements of a novel -- plot, characters,", "work or are involved in the publishing industry, is: How right is my", "but that the art of a novel lies in the way it uses", "blurry for me. 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My question, specifically for those", "it into something constructive. --- (\\*) I would expect such a ranking to", "have forgotten here --, where does style come in(\\*)? I'm desperate for more", "I would expect such a ranking to be naturally subjective. For example, for", "the **linguistic style** of the author. Good style, she decalred, is the product", "the reader to the story in the first place and making his or", "overall value of a novel, apart from hooking the reader to the story", "(Not least because I am aware of so terribly few authors whose style", "reader to the story in the first place and making his or her", "place and making his or her reading experience more comfortable? If you ranked", "lives up to the \"every phrase is perfect\"-standard. I am aware of the", "a novel -- plot, characters, scene design, style, and everything I have forgotten", "If you ranked the elements of a novel -- plot, characters, scene design,", "the way it uses words -- i.e. in the **linguistic style** of the", "and style > plot\", although the distinction between the latter two is quite", "the product of tireless iterations. If a text is to become a work", "the trade and that my style was non-existent. She insisted that \"everybody can", "I'm willing to accept slightly flawed plots, but characters need to be up", "100%, and I'm willing to accept slightly flawed plots, but characters need to", "I hope it will help me to process her input and turn it", "right is my critic? **How important is style**? How much does it contribute", "making his or her reading experience more comfortable? If you ranked the elements", "flawed plots, but characters need to be up to my standard for a", "ranked the elements of a novel -- plot, characters, scene design, style, and", "forgive a style that does not resonate with me 100%, and I'm willing", "\"everybody can invent a story\", but that the art of a novel lies", "industry, is: How right is my critic? **How important is style**? How much", "in(\\*)? I'm desperate for more varied input than the opinion of that one", "reading experience more comfortable? If you ranked the elements of a novel --", "of a novel -- plot, characters, scene design, style, and everything I have", "word is on purpose, and no description can be more accurate. Personally, I", "to process her input and turn it into something constructive. --- (\\*) I", "that one critic. I hope it will help me to process her input", "process her input and turn it into something constructive. --- (\\*) I would", "style, she decalred, is the product of tireless iterations. If a text is", "the publishing industry, is: How right is my critic? **How important is style**?", "product of tireless iterations. If a text is to become a work of" ]
[ "you have any advice, please keep in mind that most action scenes I", "like a robotic description, and it keeps things going at a pretty quick", "so it makes sense, doesn't sound like a robotic description, and it keeps", "and I'd love to know how to write it so it makes sense,", "in mind that most action scenes I plan on writing about include hand-to-hand", "at a pretty quick pace. If you have any advice, please keep in", "choppy and inconsistent, and I'd love to know how to write it so", "to know how to write it so it makes sense, doesn't sound like", "keep in mind that most action scenes I plan on writing about include", "it so it makes sense, doesn't sound like a robotic description, and it", "have any advice, please keep in mind that most action scenes I plan", "write it so it makes sense, doesn't sound like a robotic description, and", "quick pace. If you have any advice, please keep in mind that most", "and I am not satisfied with it. It sounded choppy and inconsistent, and", "I am not satisfied with it. It sounded choppy and inconsistent, and I'd", "recently written an action scene, and I am not satisfied with it. It", "written an action scene, and I am not satisfied with it. It sounded", "makes sense, doesn't sound like a robotic description, and it keeps things going", "I have recently written an action scene, and I am not satisfied with", "sounded choppy and inconsistent, and I'd love to know how to write it", "and it keeps things going at a pretty quick pace. If you have", "advice, please keep in mind that most action scenes I plan on writing", "mind that most action scenes I plan on writing about include hand-to-hand combat,", "going at a pretty quick pace. If you have any advice, please keep", "pretty quick pace. If you have any advice, please keep in mind that", "love to know how to write it so it makes sense, doesn't sound", "have recently written an action scene, and I am not satisfied with it.", "on writing about include hand-to-hand combat, swords, daggers, etc. (No pistols or guns.)", "action scenes I plan on writing about include hand-to-hand combat, swords, daggers, etc.", "it makes sense, doesn't sound like a robotic description, and it keeps things", "with it. It sounded choppy and inconsistent, and I'd love to know how", "a robotic description, and it keeps things going at a pretty quick pace.", "that most action scenes I plan on writing about include hand-to-hand combat, swords,", "action scene, and I am not satisfied with it. It sounded choppy and", "most action scenes I plan on writing about include hand-to-hand combat, swords, daggers,", "plan on writing about include hand-to-hand combat, swords, daggers, etc. (No pistols or", "to write it so it makes sense, doesn't sound like a robotic description,", "things going at a pretty quick pace. If you have any advice, please", "keeps things going at a pretty quick pace. If you have any advice,", "any advice, please keep in mind that most action scenes I plan on", "sound like a robotic description, and it keeps things going at a pretty", "scene, and I am not satisfied with it. It sounded choppy and inconsistent,", "it keeps things going at a pretty quick pace. If you have any", "I plan on writing about include hand-to-hand combat, swords, daggers, etc. (No pistols", "doesn't sound like a robotic description, and it keeps things going at a", "a pretty quick pace. If you have any advice, please keep in mind", "If you have any advice, please keep in mind that most action scenes", "an action scene, and I am not satisfied with it. It sounded choppy", "am not satisfied with it. It sounded choppy and inconsistent, and I'd love", "please keep in mind that most action scenes I plan on writing about", "scenes I plan on writing about include hand-to-hand combat, swords, daggers, etc. (No", "It sounded choppy and inconsistent, and I'd love to know how to write", "how to write it so it makes sense, doesn't sound like a robotic", "sense, doesn't sound like a robotic description, and it keeps things going at", "satisfied with it. It sounded choppy and inconsistent, and I'd love to know", "not satisfied with it. It sounded choppy and inconsistent, and I'd love to", "description, and it keeps things going at a pretty quick pace. If you", "know how to write it so it makes sense, doesn't sound like a", "robotic description, and it keeps things going at a pretty quick pace. If", "I'd love to know how to write it so it makes sense, doesn't", "inconsistent, and I'd love to know how to write it so it makes", "it. It sounded choppy and inconsistent, and I'd love to know how to", "pace. If you have any advice, please keep in mind that most action", "and inconsistent, and I'd love to know how to write it so it" ]
[ "it to have a creepy vibe to it so it's more interesting. So", "more interesting. So is there any way to **show** (*not tell*) ashes being", "to **show** (*not tell*) ashes being blown away by the wind besides \"the", "is there any way to **show** (*not tell*) ashes being blown away by", "that the dust/ ash was blown away, I want it to have a", "(*not tell*) ashes being blown away by the wind besides \"the ashes were", "way to **show** (*not tell*) ashes being blown away by the wind besides", "to it so it's more interesting. So is there any way to **show**", "want to straight up say that the dust/ ash was blown away, I", "ashes being blown away by the wind besides \"the ashes were blown away\"?", "away, I want it to have a creepy vibe to it so it's", "the dust/ ash was blown away, I want it to have a creepy", "a creepy vibe to it so it's more interesting. So is there any", "was blown away, I want it to have a creepy vibe to it", "up say that the dust/ ash was blown away, I want it to", "So is there any way to **show** (*not tell*) ashes being blown away", "**show** (*not tell*) ashes being blown away by the wind besides \"the ashes", "blown away, I want it to have a creepy vibe to it so", "any way to **show** (*not tell*) ashes being blown away by the wind", "interesting. So is there any way to **show** (*not tell*) ashes being blown", "have a creepy vibe to it so it's more interesting. So is there", "to have a creepy vibe to it so it's more interesting. So is", "tell*) ashes being blown away by the wind besides \"the ashes were blown", "to straight up say that the dust/ ash was blown away, I want", "don't want to straight up say that the dust/ ash was blown away,", "dust/ ash was blown away, I want it to have a creepy vibe", "it so it's more interesting. So is there any way to **show** (*not", "want it to have a creepy vibe to it so it's more interesting.", "say that the dust/ ash was blown away, I want it to have", "there any way to **show** (*not tell*) ashes being blown away by the", "vibe to it so it's more interesting. So is there any way to", "it's more interesting. So is there any way to **show** (*not tell*) ashes", "I want it to have a creepy vibe to it so it's more", "ash was blown away, I want it to have a creepy vibe to", "creepy vibe to it so it's more interesting. So is there any way", "straight up say that the dust/ ash was blown away, I want it", "so it's more interesting. So is there any way to **show** (*not tell*)", "I don't want to straight up say that the dust/ ash was blown" ]
[ "I write an autobiography and include living family members who have done some", "done some very strange things, am I at the risk of being sued?", "write an autobiography and include living family members who have done some very", "living family members who have done some very strange things, am I at", "who have done some very strange things, am I at the risk of", "an autobiography and include living family members who have done some very strange", "If I write an autobiography and include living family members who have done", "and include living family members who have done some very strange things, am", "include living family members who have done some very strange things, am I", "family members who have done some very strange things, am I at the", "have done some very strange things, am I at the risk of being", "autobiography and include living family members who have done some very strange things,", "members who have done some very strange things, am I at the risk" ]
[ "words, it would be \"a kinda-typical-but-different medieval save-the-world fantasy done right\". The \"but", "say that both are inviable: the first is a waste of done work", "improve the premise and discard loads of content, or to improve the execution", "other words, is the plot/story more important than how it is executed? I'll", "be considered \"a typical fantasy done right\", but instead, a good work on", "story, although very good, doesn't have enough \"weight\" to be interesting/attractive on its", "of \"how\", good content that depends heavily on the \"what\" (it's ~50% complete,", "it is executed? I'll use as an example a fantasy I'm writing. If", "made. But the real problem is the other part, the \"kinda typical medieval", "execution from being obfuscated by the simple premise? How to achieve that without", "this story the same way, since I kind of grew tired of this", "story the same way, since I kind of grew tired of this type", "be interesting/attractive on its own. I think if I improve the premise, it", "tired of this type of story because of how much it is repeated", "\"what\" and prevent the shine of the execution from being obfuscated by the", "me proud of this work. It's the \"how\", the execution, how it's done,", "the subversions, etc. Although it's nothing groundbreakingly innovative or spectacularly amazing, it's just", "the \"what\". Although the \"how\" is pretty interesting, I cannot see the \"what\"", "good work on it's own. If I change the \"what\" I would have", "~45,000 words, two years). So is it me or is the \"what\" more", "\"weight\" to be interesting/attractive on its own. I think if I improve the", "\"kinda typical medieval save-the-world fantasy\", i.e. the \"what\". Although the \"how\" is pretty", "I change the \"what\" I would have to discard pages and more pages", "a \"more of the same\" premise with good execution. So there's two possibilities:", "good, but the problem is that I think the execution of my story,", "I boil it down in a few words, it would be \"a kinda-typical-but-different", "good, doesn't have enough \"weight\" to be interesting/attractive on its own. I think", "few words, it would be \"a kinda-typical-but-different medieval save-the-world fantasy done right\". The", "How to achieve that without changing too much what has already been setup?", "plot/story more important than how it is executed? I'll use as an example", "problem is that I think the execution of my story, although very good,", "that a good premise badly executed is bad and a simple premise well", "how it is executed? I'll use as an example a fantasy I'm writing.", "will have a bigger overall value. A good premise *and* good execution is", "is the plot/story more important than how it is executed? I'll use as", "heavily on the \"what\" (it's ~50% complete, ~45,000 words, two years). So is", "with good execution. So there's two possibilities: to improve the premise and discard", "execution of my story, although very good, doesn't have enough \"weight\" to be", "use as an example a fantasy I'm writing. If I boil it down", "very good, doesn't have enough \"weight\" to be interesting/attractive on its own. I", "\"what\" more important than the \"how\"? How to make the \"how\" overcome the", "discard pages and more pages of \"how\", good content that depends heavily on", "obfuscated by the simple premise? How to achieve that without changing too much", "it's just pretty interesting and well made. But the real problem is the", "is a waste of done work and the second is beyond my current", "different\" and \"done right\" are the best part of it and what makes", "the simple premise? How to achieve that without changing too much what has", "the \"what\" ends up obfuscating the \"how\"'s shine. I don't want my story", "medieval save-the-world fantasy done right\". The \"but different\" and \"done right\" are the", "fantasy done right\", but instead, a good work on it's own. If I", "shine of the execution from being obfuscated by the simple premise? How to", "\"what\" (it's ~50% complete, ~45,000 words, two years). So is it me or", "It's the \"how\", the execution, how it's done, how things work, the subversions,", "The \"but different\" and \"done right\" are the best part of it and", "make the \"how\" overcome the \"what\" and prevent the shine of the execution", "\"how\"? How to make the \"how\" overcome the \"what\" and prevent the shine", "execution to be ***so*** good that the premise doesn't even matter. I fear", "fantasy I'm writing. If I boil it down in a few words, it", "my story, although very good, doesn't have enough \"weight\" to be interesting/attractive on", "right\", but instead, a good work on it's own. If I change the", "and a simple premise well executed is good, but the problem is that", "the first is a waste of done work and the second is beyond", "premise with good execution. So there's two possibilities: to improve the premise and", "inviable: the first is a waste of done work and the second is", "save-the-world fantasy done right\". The \"but different\" and \"done right\" are the best", "the \"how\" is pretty interesting, I cannot see the \"what\" in this story", "well made. But the real problem is the other part, the \"kinda typical", "is the \"what\" more important than the \"how\"? How to make the \"how\"", "best part of it and what makes me proud of this work. It's", "because of how much it is repeated ad nauseam in other works, so", "a good work on it's own. If I change the \"what\" I would", "\"how\", good content that depends heavily on the \"what\" (it's ~50% complete, ~45,000", "doesn't even matter. I fear to say that both are inviable: the first", "innovative or spectacularly amazing, it's just pretty interesting and well made. But the", "would be \"a kinda-typical-but-different medieval save-the-world fantasy done right\". The \"but different\" and", "bigger overall value. A good premise *and* good execution is *always* better than", "the premise and discard loads of content, or to improve the execution to", "improve the premise, it will have a bigger overall value. A good premise", "the \"kinda typical medieval save-the-world fantasy\", i.e. the \"what\". Although the \"how\" is", "good premise *and* good execution is *always* better than just a \"more of", "done right\". The \"but different\" and \"done right\" are the best part of", "this type of story because of how much it is repeated ad nauseam", "is the other part, the \"kinda typical medieval save-the-world fantasy\", i.e. the \"what\".", "I cannot see the \"what\" in this story the same way, since I", "there's two possibilities: to improve the premise and discard loads of content, or", "what makes me proud of this work. It's the \"how\", the execution, how", "nauseam in other works, so the \"what\" ends up obfuscating the \"how\"'s shine.", "bad and a simple premise well executed is good, but the problem is", "setup? --- **Edit:** I know that a good premise badly executed is bad", "\"what\" in this story the same way, since I kind of grew tired", "simple premise? How to achieve that without changing too much what has already", "achieve that without changing too much what has already been setup? --- **Edit:**", "good execution is *always* better than just a \"more of the same\" premise", "a fantasy I'm writing. If I boil it down in a few words,", "of content, or to improve the execution to be ***so*** good that the", "execution. So there's two possibilities: to improve the premise and discard loads of", "first is a waste of done work and the second is beyond my", "executed? I'll use as an example a fantasy I'm writing. If I boil", "premise *and* good execution is *always* better than just a \"more of the", "kind of grew tired of this type of story because of how much", "to say that both are inviable: the first is a waste of done", "done right\", but instead, a good work on it's own. If I change", "repeated ad nauseam in other works, so the \"what\" ends up obfuscating the", "much it is repeated ad nauseam in other works, so the \"what\" ends", "**Edit:** I know that a good premise badly executed is bad and a", "interesting and well made. But the real problem is the other part, the", "doesn't have enough \"weight\" to be interesting/attractive on its own. I think if", "of how much it is repeated ad nauseam in other works, so the", "than just a \"more of the same\" premise with good execution. So there's", "overall value. A good premise *and* good execution is *always* better than just", "think the execution of my story, although very good, doesn't have enough \"weight\"", "and \"done right\" are the best part of it and what makes me", "fear to say that both are inviable: the first is a waste of", "I kind of grew tired of this type of story because of how", "of story because of how much it is repeated ad nauseam in other", "it would be \"a kinda-typical-but-different medieval save-the-world fantasy done right\". The \"but different\"", "don't want my story to be considered \"a typical fantasy done right\", but", "although very good, doesn't have enough \"weight\" to be interesting/attractive on its own.", "pretty interesting and well made. But the real problem is the other part,", "writing. If I boil it down in a few words, it would be", "the real problem is the other part, the \"kinda typical medieval save-the-world fantasy\",", "been setup? --- **Edit:** I know that a good premise badly executed is", "than the \"how\"? How to make the \"how\" overcome the \"what\" and prevent", "value. A good premise *and* good execution is *always* better than just a", "is *always* better than just a \"more of the same\" premise with good", "\"a typical fantasy done right\", but instead, a good work on it's own.", "overcome the \"what\" and prevent the shine of the execution from being obfuscated", "premise and discard loads of content, or to improve the execution to be", "changing too much what has already been setup? --- **Edit:** I know that", "part of it and what makes me proud of this work. It's the", "problem is the other part, the \"kinda typical medieval save-the-world fantasy\", i.e. the", "the \"how\" overcome the \"what\" and prevent the shine of the execution from", "I don't want my story to be considered \"a typical fantasy done right\",", "years). So is it me or is the \"what\" more important than the", "too much what has already been setup? --- **Edit:** I know that a", "of the same\" premise with good execution. So there's two possibilities: to improve", "story to be considered \"a typical fantasy done right\", but instead, a good", "and what makes me proud of this work. It's the \"how\", the execution,", "to discard pages and more pages of \"how\", good content that depends heavily", "Or in other words, is the plot/story more important than how it is", "but the problem is that I think the execution of my story, although", "execution, how it's done, how things work, the subversions, etc. Although it's nothing", "executed is good, but the problem is that I think the execution of", "interesting, I cannot see the \"what\" in this story the same way, since", "same way, since I kind of grew tired of this type of story", "own. If I change the \"what\" I would have to discard pages and", "I improve the premise, it will have a bigger overall value. A good", "part, the \"kinda typical medieval save-the-world fantasy\", i.e. the \"what\". Although the \"how\"", "kinda-typical-but-different medieval save-the-world fantasy done right\". The \"but different\" and \"done right\" are", "are the best part of it and what makes me proud of this", "*always* better than just a \"more of the same\" premise with good execution.", "good content that depends heavily on the \"what\" (it's ~50% complete, ~45,000 words,", "story because of how much it is repeated ad nauseam in other works,", "discard loads of content, or to improve the execution to be ***so*** good", "good that the premise doesn't even matter. I fear to say that both", "considered \"a typical fantasy done right\", but instead, a good work on it's", "well executed is good, but the problem is that I think the execution", "if I improve the premise, it will have a bigger overall value. A", "\"a kinda-typical-but-different medieval save-the-world fantasy done right\". The \"but different\" and \"done right\"", "simple premise well executed is good, but the problem is that I think", "it's own. If I change the \"what\" I would have to discard pages", "\"what\" ends up obfuscating the \"how\"'s shine. I don't want my story to", "the \"how\"? How to make the \"how\" overcome the \"what\" and prevent the", "a waste of done work and the second is beyond my current capability.", "more important than how it is executed? I'll use as an example a", "premise? How to achieve that without changing too much what has already been", "makes me proud of this work. It's the \"how\", the execution, how it's", "an example a fantasy I'm writing. If I boil it down in a", "I'm writing. If I boil it down in a few words, it would", "the problem is that I think the execution of my story, although very", "save-the-world fantasy\", i.e. the \"what\". Although the \"how\" is pretty interesting, I cannot", "etc. Although it's nothing groundbreakingly innovative or spectacularly amazing, it's just pretty interesting", "is pretty interesting, I cannot see the \"what\" in this story the same", "the \"what\" (it's ~50% complete, ~45,000 words, two years). So is it me", "things work, the subversions, etc. Although it's nothing groundbreakingly innovative or spectacularly amazing,", "medieval save-the-world fantasy\", i.e. the \"what\". Although the \"how\" is pretty interesting, I", "\"how\" is pretty interesting, I cannot see the \"what\" in this story the", "that I think the execution of my story, although very good, doesn't have", "and more pages of \"how\", good content that depends heavily on the \"what\"", "the \"what\" more important than the \"how\"? How to make the \"how\" overcome", "ends up obfuscating the \"how\"'s shine. I don't want my story to be", "content that depends heavily on the \"what\" (it's ~50% complete, ~45,000 words, two", "to be ***so*** good that the premise doesn't even matter. I fear to", "the \"how\", the execution, how it's done, how things work, the subversions, etc.", "it will have a bigger overall value. A good premise *and* good execution", "other works, so the \"what\" ends up obfuscating the \"how\"'s shine. I don't", "work on it's own. If I change the \"what\" I would have to", "the other part, the \"kinda typical medieval save-the-world fantasy\", i.e. the \"what\". Although", "that depends heavily on the \"what\" (it's ~50% complete, ~45,000 words, two years).", "two possibilities: to improve the premise and discard loads of content, or to", "is executed? I'll use as an example a fantasy I'm writing. If I", "premise doesn't even matter. I fear to say that both are inviable: the", "or is the \"what\" more important than the \"how\"? How to make the", "it's nothing groundbreakingly innovative or spectacularly amazing, it's just pretty interesting and well", "is that I think the execution of my story, although very good, doesn't", "want my story to be considered \"a typical fantasy done right\", but instead,", "\"but different\" and \"done right\" are the best part of it and what", "other part, the \"kinda typical medieval save-the-world fantasy\", i.e. the \"what\". Although the", "Although it's nothing groundbreakingly innovative or spectacularly amazing, it's just pretty interesting and", "change the \"what\" I would have to discard pages and more pages of", "is bad and a simple premise well executed is good, but the problem", "my story to be considered \"a typical fantasy done right\", but instead, a", "since I kind of grew tired of this type of story because of", "\"more of the same\" premise with good execution. So there's two possibilities: to", "of the execution from being obfuscated by the simple premise? How to achieve", "But the real problem is the other part, the \"kinda typical medieval save-the-world", "i.e. the \"what\". Although the \"how\" is pretty interesting, I cannot see the", "or spectacularly amazing, it's just pretty interesting and well made. But the real", "important than the \"how\"? How to make the \"how\" overcome the \"what\" and", "is good, but the problem is that I think the execution of my", "that without changing too much what has already been setup? --- **Edit:** I", "more important than the \"how\"? How to make the \"how\" overcome the \"what\"", "the same way, since I kind of grew tired of this type of", "has already been setup? --- **Edit:** I know that a good premise badly", "A good premise *and* good execution is *always* better than just a \"more", "Although the \"how\" is pretty interesting, I cannot see the \"what\" in this", "of it and what makes me proud of this work. It's the \"how\",", "typical fantasy done right\", but instead, a good work on it's own. If", "real problem is the other part, the \"kinda typical medieval save-the-world fantasy\", i.e.", "be ***so*** good that the premise doesn't even matter. I fear to say", "it me or is the \"what\" more important than the \"how\"? How to", "work. It's the \"how\", the execution, how it's done, how things work, the", "think if I improve the premise, it will have a bigger overall value.", "the best part of it and what makes me proud of this work.", "pages of \"how\", good content that depends heavily on the \"what\" (it's ~50%", "have a bigger overall value. A good premise *and* good execution is *always*", "of grew tired of this type of story because of how much it", "in other works, so the \"what\" ends up obfuscating the \"how\"'s shine. I", "in this story the same way, since I kind of grew tired of", "\"what\" I would have to discard pages and more pages of \"how\", good", "than how it is executed? I'll use as an example a fantasy I'm", "it and what makes me proud of this work. It's the \"how\", the", "in a few words, it would be \"a kinda-typical-but-different medieval save-the-world fantasy done", "to be considered \"a typical fantasy done right\", but instead, a good work", "How to make the \"how\" overcome the \"what\" and prevent the shine of", "work, the subversions, etc. Although it's nothing groundbreakingly innovative or spectacularly amazing, it's", "a few words, it would be \"a kinda-typical-but-different medieval save-the-world fantasy done right\".", "important than how it is executed? I'll use as an example a fantasy", "right\". The \"but different\" and \"done right\" are the best part of it", "the \"what\" I would have to discard pages and more pages of \"how\",", "words, two years). So is it me or is the \"what\" more important", "the premise doesn't even matter. I fear to say that both are inviable:", "that the premise doesn't even matter. I fear to say that both are", "matter. I fear to say that both are inviable: the first is a", "in other words, is the plot/story more important than how it is executed?", "the same\" premise with good execution. So there's two possibilities: to improve the", "to achieve that without changing too much what has already been setup? ---", "and well made. But the real problem is the other part, the \"kinda", "how much it is repeated ad nauseam in other works, so the \"what\"", "without changing too much what has already been setup? --- **Edit:** I know", "If I change the \"what\" I would have to discard pages and more", "\"how\", the execution, how it's done, how things work, the subversions, etc. Although", "I'll use as an example a fantasy I'm writing. If I boil it", "its own. I think if I improve the premise, it will have a", "have enough \"weight\" to be interesting/attractive on its own. I think if I", "type of story because of how much it is repeated ad nauseam in", "a bigger overall value. A good premise *and* good execution is *always* better", "it down in a few words, it would be \"a kinda-typical-but-different medieval save-the-world", "much what has already been setup? --- **Edit:** I know that a good", "even matter. I fear to say that both are inviable: the first is", "to make the \"how\" overcome the \"what\" and prevent the shine of the", "pretty interesting, I cannot see the \"what\" in this story the same way,", "of my story, although very good, doesn't have enough \"weight\" to be interesting/attractive", "good premise badly executed is bad and a simple premise well executed is", "the plot/story more important than how it is executed? I'll use as an", "words, is the plot/story more important than how it is executed? I'll use", "groundbreakingly innovative or spectacularly amazing, it's just pretty interesting and well made. But", "--- **Edit:** I know that a good premise badly executed is bad and", "proud of this work. It's the \"how\", the execution, how it's done, how", "be \"a kinda-typical-but-different medieval save-the-world fantasy done right\". The \"but different\" and \"done", "the execution to be ***so*** good that the premise doesn't even matter. I", "improve the execution to be ***so*** good that the premise doesn't even matter.", "premise well executed is good, but the problem is that I think the", "being obfuscated by the simple premise? How to achieve that without changing too", "shine. I don't want my story to be considered \"a typical fantasy done", "good execution. So there's two possibilities: to improve the premise and discard loads", "done, how things work, the subversions, etc. Although it's nothing groundbreakingly innovative or", "boil it down in a few words, it would be \"a kinda-typical-but-different medieval", "fantasy done right\". The \"but different\" and \"done right\" are the best part", "nothing groundbreakingly innovative or spectacularly amazing, it's just pretty interesting and well made.", "would have to discard pages and more pages of \"how\", good content that", "ad nauseam in other works, so the \"what\" ends up obfuscating the \"how\"'s", "premise, it will have a bigger overall value. A good premise *and* good", "so the \"what\" ends up obfuscating the \"how\"'s shine. I don't want my", "If I boil it down in a few words, it would be \"a", "of this type of story because of how much it is repeated ad", "\"how\"'s shine. I don't want my story to be considered \"a typical fantasy", "down in a few words, it would be \"a kinda-typical-but-different medieval save-the-world fantasy", "I fear to say that both are inviable: the first is a waste", "complete, ~45,000 words, two years). So is it me or is the \"what\"", "\"how\" overcome the \"what\" and prevent the shine of the execution from being", "prevent the shine of the execution from being obfuscated by the simple premise?", "up obfuscating the \"how\"'s shine. I don't want my story to be considered", "this work. It's the \"how\", the execution, how it's done, how things work,", "right\" are the best part of it and what makes me proud of", "instead, a good work on it's own. If I change the \"what\" I", "same\" premise with good execution. So there's two possibilities: to improve the premise", "and prevent the shine of the execution from being obfuscated by the simple", "a simple premise well executed is good, but the problem is that I", "on the \"what\" (it's ~50% complete, ~45,000 words, two years). So is it", "from being obfuscated by the simple premise? How to achieve that without changing", "but instead, a good work on it's own. If I change the \"what\"", "are inviable: the first is a waste of done work and the second", "the \"what\" and prevent the shine of the execution from being obfuscated by", "So is it me or is the \"what\" more important than the \"how\"?", "have to discard pages and more pages of \"how\", good content that depends", "example a fantasy I'm writing. If I boil it down in a few", "typical medieval save-the-world fantasy\", i.e. the \"what\". Although the \"how\" is pretty interesting,", "the execution, how it's done, how things work, the subversions, etc. Although it's", "me or is the \"what\" more important than the \"how\"? How to make", "spectacularly amazing, it's just pretty interesting and well made. But the real problem", "works, so the \"what\" ends up obfuscating the \"how\"'s shine. I don't want", "the \"how\"'s shine. I don't want my story to be considered \"a typical", "fantasy\", i.e. the \"what\". Although the \"how\" is pretty interesting, I cannot see", "I would have to discard pages and more pages of \"how\", good content", "what has already been setup? --- **Edit:** I know that a good premise", "just a \"more of the same\" premise with good execution. So there's two", "it's done, how things work, the subversions, etc. Although it's nothing groundbreakingly innovative", "pages and more pages of \"how\", good content that depends heavily on the", "is repeated ad nauseam in other works, so the \"what\" ends up obfuscating", "how things work, the subversions, etc. Although it's nothing groundbreakingly innovative or spectacularly", "obfuscating the \"how\"'s shine. I don't want my story to be considered \"a", "the shine of the execution from being obfuscated by the simple premise? How", "the execution of my story, although very good, doesn't have enough \"weight\" to", "how it's done, how things work, the subversions, etc. Although it's nothing groundbreakingly", "execution is *always* better than just a \"more of the same\" premise with", "already been setup? --- **Edit:** I know that a good premise badly executed", "amazing, it's just pretty interesting and well made. But the real problem is", "of this work. It's the \"how\", the execution, how it's done, how things", "content, or to improve the execution to be ***so*** good that the premise", "or to improve the execution to be ***so*** good that the premise doesn't", "enough \"weight\" to be interesting/attractive on its own. I think if I improve", "is it me or is the \"what\" more important than the \"how\"? How", "both are inviable: the first is a waste of done work and the", "more pages of \"how\", good content that depends heavily on the \"what\" (it's", "possibilities: to improve the premise and discard loads of content, or to improve", "by the simple premise? How to achieve that without changing too much what", "cannot see the \"what\" in this story the same way, since I kind", "to improve the premise and discard loads of content, or to improve the", "\"what\". Although the \"how\" is pretty interesting, I cannot see the \"what\" in", "the execution from being obfuscated by the simple premise? How to achieve that", "depends heavily on the \"what\" (it's ~50% complete, ~45,000 words, two years). So", "So there's two possibilities: to improve the premise and discard loads of content,", "I know that a good premise badly executed is bad and a simple", "own. I think if I improve the premise, it will have a bigger", "know that a good premise badly executed is bad and a simple premise", "that both are inviable: the first is a waste of done work and", "***so*** good that the premise doesn't even matter. I fear to say that", "two years). So is it me or is the \"what\" more important than", "just pretty interesting and well made. But the real problem is the other", "as an example a fantasy I'm writing. If I boil it down in", "to be interesting/attractive on its own. I think if I improve the premise,", "I think if I improve the premise, it will have a bigger overall", "on its own. I think if I improve the premise, it will have", "see the \"what\" in this story the same way, since I kind of", "better than just a \"more of the same\" premise with good execution. So", "it is repeated ad nauseam in other works, so the \"what\" ends up", "~50% complete, ~45,000 words, two years). So is it me or is the", "premise badly executed is bad and a simple premise well executed is good,", "the \"what\" in this story the same way, since I kind of grew", "executed is bad and a simple premise well executed is good, but the", "to improve the execution to be ***so*** good that the premise doesn't even", "loads of content, or to improve the execution to be ***so*** good that", "subversions, etc. Although it's nothing groundbreakingly innovative or spectacularly amazing, it's just pretty", "and discard loads of content, or to improve the execution to be ***so***", "the premise, it will have a bigger overall value. A good premise *and*", "I think the execution of my story, although very good, doesn't have enough", "on it's own. If I change the \"what\" I would have to discard", "way, since I kind of grew tired of this type of story because", "a good premise badly executed is bad and a simple premise well executed", "badly executed is bad and a simple premise well executed is good, but", "interesting/attractive on its own. I think if I improve the premise, it will", "\"done right\" are the best part of it and what makes me proud", "*and* good execution is *always* better than just a \"more of the same\"", "(it's ~50% complete, ~45,000 words, two years). So is it me or is", "grew tired of this type of story because of how much it is" ]
[ "transition whenever the reader has to decide what *he wants to do*. Do", "*turns pages as instructed (or not, depending on your reader)* and specifically about", "to the fact that you want your *reader* feel like a *player* that", "has to decide what *he wants to do*. Do you put it in", "B, whereas I am looking for different genres such as *mystery, fantasy, ...*", "obfuscate everything by letting blocks switch place - which makes it more interesting", "length of such books compared to novels. I have seen this question: [I", "to not only write the story as it plays out in your head,", "for each block\"? Furthermore I have sometimes seen that the different paths don't", "there recommendations such as \"You should preferrably use complete pages/half a page for", "and blogs, about writing a \"Choose your own adventure\"-style books?** The main reason", "The resources would preferrably talk about the average length of such books compared", "that allows readers to use for example *hyperlinks* to get from point A", "where? Do you make each block as a visible block? Are there recommendations", "having problems with the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like", "interested in the process of creating one. **Where can I find (preferrably free)", "the First Person. I think that may be due to the fact that", "for resources that talk about preferred techniques and possibly tools that may assist", "sort of studies or counterexamples for this and what the recommendations are. There", "it's *their adventure after all*. But I would love to see whether there", "but there are a few things that are quite different when thinking about", "seen that the different paths don't seem to be in any particular order.", "form* where the reader *turns pages as instructed (or not, depending on your", "*mystery, fantasy, ...* in a *printed form* where the reader *turns pages as", "reader)* and specifically about online resources, such as discussion forums, guides and tools,", "to point C to point B, whereas I am looking for different genres", "... The resources would preferrably talk about the average length of such books", "resources, such as *How-To-Write* or styleguide articles and blogs, about writing a \"Choose", "which makes it more interesting because you never know when you are getting", "e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a *technical guide*", "particular order. It looked like the authors first wrote the book with a", "adventure\"-style book and am interested in the process of creating one. **Where can", "more *alive* for them - it's *their adventure after all*. But I would", "the story as it plays out in your head, but to give the", "of such books compared to novels. I have seen this question: [I want", "the story feel more *alive* for them - it's *their adventure after all*.", "everything by letting blocks switch place - which makes it more interesting because", "asked about this on a similar question about [online resources for a visual", "getting close to *The End*. Again, I am looking for resources that talk", "different when thinking about \"Choose your own adventure\" books. For example I have", "process of creating one. **Where can I find (preferrably free) online resources, such", "readers to use for example *hyperlinks* to get from point A to point", "- which makes it more interesting because you never know when you are", "get from point A to point C to point B, whereas I am", "compared to novels. I have seen this question: [I want to write a", "is displayed as a *digital document* that allows readers to use for example", "things that are quite different when thinking about \"Choose your own adventure\" books.", "I would love to see whether there are any sort of studies or", "blogs, about writing a \"Choose your own adventure\"-style books?** The main reason for", "that the different paths don't seem to be in any particular order. It", "talk about the average length of such books compared to novels. I have", "what *he wants to do*. Do you put it in a little box", "few things that are quite different when thinking about \"Choose your own adventure\"", "like a *player* that has to decide for themselves and thereby you are", "to novels. I have seen this question: [I want to write a Choose", "I have seen this question: [I want to write a Choose Your Own", "*technical guide* that is displayed as a *digital document* that allows readers to", "a *digital document* that allows readers to use for example *hyperlinks* to get", "the question about how to format the transition whenever the reader has to", "wrote the book with a handful of different endings and then decided to", "for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things that are quite", "Choose Your Own Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses", "as *mystery, fantasy, ...* in a *printed form* where the reader *turns pages", "asking specifically about a this type of book is that I am having", "your *reader* feel like a *player* that has to decide for themselves and", "a Choose Your Own Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it", "\"Choose your own adventure\" books. For example I have never seen such a", "correct way, coming up with multiple endings, ... The resources would preferrably talk", "all*. But I would love to see whether there are any sort of", "book. But then again, it's quite the work to not only write the", "main reason for asking specifically about a this type of book is that", "Do you put it in a little box on the side where? Do", "resources would preferrably talk about the average length of such books compared to", "a book that was not written in the First Person. I think that", "as instructed (or not, depending on your reader)* and specifically about online resources,", "such as discussion forums, guides and tools, that would help with the process", "writing a \"Choose your own adventure\"-style books?** The main reason for asking specifically", "you are getting close to *The End*. Again, I am looking for resources", "reader some agency, formatting the book the correct way, coming up with multiple", "preferrably talk about the average length of such books compared to novels. I", "coming up with multiple endings, ... The resources would preferrably talk about the", "Do you make each block as a visible block? Are there recommendations such", "the recommendations are. There is also the question about how to format the", "question: [I want to write a Choose Your Own Adventure styled e-book, what's", "have sometimes seen that the different paths don't seem to be in any", "was not written in the First Person. I think that may be due", "by letting blocks switch place - which makes it more interesting because you", "be interesting, too, as most of these books I have seen are relatively", "thinking about \"Choose your own adventure\" books. For example I have never seen", "what the recommendations are. There is also the question about how to format", "to decide what *he wants to do*. Do you put it in a", "the different paths don't seem to be in any particular order. It looked", "pages as instructed (or not, depending on your reader)* and specifically about online", "I have never seen such a book that was not written in the", "page for each block\"? Furthermore I have sometimes seen that the different paths", "a page for each block\"? Furthermore I have sometimes seen that the different", "of creating one. **Where can I find (preferrably free) online resources, such as", "book the correct way, coming up with multiple endings, ... The resources would", "free) online resources, such as *How-To-Write* or styleguide articles and blogs, about writing", "love to see whether there are any sort of studies or counterexamples for", "as it plays out in your head, but to give the reader some", "different paths don't seem to be in any particular order. It looked like", "each block as a visible block? Are there recommendations such as \"You should", "it focuses on writing a *technical guide* that is displayed as a *digital", "fantasy, ...* in a *printed form* where the reader *turns pages as instructed", "possibly tools that may assist with this. Discussions about the length may be", "about the average length of such books compared to novels. I have seen", "use complete pages/half a page for each block\"? Furthermore I have sometimes seen", "your head, but to give the reader some agency, formatting the book the", "are a few things that are quite different when thinking about \"Choose your", "read/played a couple of \"Choose your own adventure\"-style book and am interested in", "block as a visible block? Are there recommendations such as \"You should preferrably", "creating one. **Where can I find (preferrably free) online resources, such as *How-To-Write*", "sometimes seen that the different paths don't seem to be in any particular", "have seen are relatively short for a book. But then again, it's quite", "a this type of book is that I am having problems with the", "the authors first wrote the book with a handful of different endings and", "your own adventure\" books. For example I have never seen such a book", "quite different when thinking about \"Choose your own adventure\" books. For example I", "a similar question about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are", "genres such as *mystery, fantasy, ...* in a *printed form* where the reader", "are getting close to *The End*. Again, I am looking for resources that", "the fact that you want your *reader* feel like a *player* that has", "think that may be due to the fact that you want your *reader*", "For example I have never seen such a book that was not written", "such books compared to novels. I have seen this question: [I want to", "little box on the side where? Do you make each block as a", "these books I have seen are relatively short for a book. But then", "to point B, whereas I am looking for different genres such as *mystery,", "after all*. But I would love to see whether there are any sort", "allows readers to use for example *hyperlinks* to get from point A to", "a little box on the side where? Do you make each block as", "that are quite different when thinking about \"Choose your own adventure\" books. For", "for themselves and thereby you are making the story feel more *alive* for", "because you never know when you are getting close to *The End*. Again,", "out in your head, but to give the reader some agency, formatting the", "about preferred techniques and possibly tools that may assist with this. Discussions about", "seen this question: [I want to write a Choose Your Own Adventure styled", "as discussion forums, guides and tools, that would help with the process of", "resources, such as discussion forums, guides and tools, that would help with the", "like to see what common ways are for creating such a story. I", "whereas I am looking for different genres such as *mystery, fantasy, ...* in", "short for a book. But then again, it's quite the work to not", "but it focuses on writing a *technical guide* that is displayed as a", "this and what the recommendations are. There is also the question about how", "the work to not only write the story as it plays out in", "any particular order. It looked like the authors first wrote the book with", "feel more *alive* for them - it's *their adventure after all*. But I", "visible block? Are there recommendations such as \"You should preferrably use complete pages/half", "on writing a *technical guide* that is displayed as a *digital document* that", "the reader *turns pages as instructed (or not, depending on your reader)* and", "and then decided to obfuscate everything by letting blocks switch place - which", "that was not written in the First Person. I think that may be", "like the authors first wrote the book with a handful of different endings", "such as *mystery, fantasy, ...* in a *printed form* where the reader *turns", "relatively short for a book. But then again, it's quite the work to", "**Where can I find (preferrably free) online resources, such as *How-To-Write* or styleguide", "storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what common ways are for creating such", "written in the First Person. I think that may be due to the", "some agency, formatting the book the correct way, coming up with multiple endings,", "and would like to see what common ways are for creating such a", "seen are relatively short for a book. But then again, it's quite the", "\"Choose your own adventure\"-style books?** The main reason for asking specifically about a", "ways are for creating such a story. I have asked about this on", "use for example *hyperlinks* to get from point A to point C to", "where the reader *turns pages as instructed (or not, depending on your reader)*", "format the transition whenever the reader has to decide what *he wants to", "any sort of studies or counterexamples for this and what the recommendations are.", "I am looking for resources that talk about preferred techniques and possibly tools", "as \"You should preferrably use complete pages/half a page for each block\"? Furthermore", "have asked about this on a similar question about [online resources for a", "a visible block? Are there recommendations such as \"You should preferrably use complete", "find (preferrably free) online resources, such as *How-To-Write* or styleguide articles and blogs,", "the book the correct way, coming up with multiple endings, ... The resources", "write a Choose Your Own Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but", "writing a *technical guide* that is displayed as a *digital document* that allows", "document* that allows readers to use for example *hyperlinks* to get from point", "to see whether there are any sort of studies or counterexamples for this", "your own adventure\"-style book and am interested in the process of creating one.", "feel like a *player* that has to decide for themselves and thereby you", "you make each block as a visible block? Are there recommendations such as", "resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things that are", "in a little box on the side where? Do you make each block", "be due to the fact that you want your *reader* feel like a", "has to decide for themselves and thereby you are making the story feel", "counterexamples for this and what the recommendations are. There is also the question", "First Person. I think that may be due to the fact that you", "box on the side where? Do you make each block as a visible", "know when you are getting close to *The End*. Again, I am looking", "Furthermore I have sometimes seen that the different paths don't seem to be", "reader *turns pages as instructed (or not, depending on your reader)* and specifically", "[branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what common ways are for creating", "side where? Do you make each block as a visible block? Are there", "the transition whenever the reader has to decide what *he wants to do*.", "interesting, too, as most of these books I have seen are relatively short", "with the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see", "is also the question about how to format the transition whenever the reader", "different genres such as *mystery, fantasy, ...* in a *printed form* where the", "as a visible block? Are there recommendations such as \"You should preferrably use", "in the First Person. I think that may be due to the fact", "with a handful of different endings and then decided to obfuscate everything by", "are for creating such a story. I have asked about this on a", "of studies or counterexamples for this and what the recommendations are. There is", "specifically about a this type of book is that I am having problems", "adventure\"-style books?** The main reason for asking specifically about a this type of", "you want your *reader* feel like a *player* that has to decide for", "would love to see whether there are any sort of studies or counterexamples", "order. It looked like the authors first wrote the book with a handful", "to be in any particular order. It looked like the authors first wrote", "of \"Choose your own adventure\"-style book and am interested in the process of", "interesting because you never know when you are getting close to *The End*.", "that is displayed as a *digital document* that allows readers to use for", "End*. Again, I am looking for resources that talk about preferred techniques and", "type of book is that I am having problems with the idea of", "reader has to decide what *he wants to do*. Do you put it", "for example *hyperlinks* to get from point A to point C to point", "make each block as a visible block? Are there recommendations such as \"You", "can I find (preferrably free) online resources, such as *How-To-Write* or styleguide articles", "styleguide articles and blogs, about writing a \"Choose your own adventure\"-style books?** The", "put it in a little box on the side where? Do you make", "example *hyperlinks* to get from point A to point C to point B,", "*digital document* that allows readers to use for example *hyperlinks* to get from", "in a *printed form* where the reader *turns pages as instructed (or not,", "whether there are any sort of studies or counterexamples for this and what", "this. Discussions about the length may be interesting, too, as most of these", "about writing a \"Choose your own adventure\"-style books?** The main reason for asking", "It looked like the authors first wrote the book with a handful of", "to do*. Do you put it in a little box on the side", "about a this type of book is that I am having problems with", "your reader)* and specifically about online resources, such as discussion forums, guides and", "(preferrably free) online resources, such as *How-To-Write* or styleguide articles and blogs, about", "it more interesting because you never know when you are getting close to", "am interested in the process of creating one. **Where can I find (preferrably", "length may be interesting, too, as most of these books I have seen", "I think that may be due to the fact that you want your", "should preferrably use complete pages/half a page for each block\"? Furthermore I have", "what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a *technical guide* that", "a few things that are quite different when thinking about \"Choose your own", "up with multiple endings, ... The resources would preferrably talk about the average", "- it's *their adventure after all*. But I would love to see whether", "the reader some agency, formatting the book the correct way, coming up with", "it's quite the work to not only write the story as it plays", "complete pages/half a page for each block\"? Furthermore I have sometimes seen that", "to format the transition whenever the reader has to decide what *he wants", "quite the work to not only write the story as it plays out", "each block\"? Furthermore I have sometimes seen that the different paths don't seem", "good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a *technical guide* that is displayed", "are. There is also the question about how to format the transition whenever", "Again, I am looking for resources that talk about preferred techniques and possibly", "book that was not written in the First Person. I think that may", "of these books I have seen are relatively short for a book. But", "the average length of such books compared to novels. I have seen this", "a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a *technical guide* that is", "But then again, it's quite the work to not only write the story", "C to point B, whereas I am looking for different genres such as", "what common ways are for creating such a story. I have asked about", "studies or counterexamples for this and what the recommendations are. There is also", "talk about preferred techniques and possibly tools that may assist with this. Discussions", "on your reader)* and specifically about online resources, such as discussion forums, guides", "never know when you are getting close to *The End*. Again, I am", "first wrote the book with a handful of different endings and then decided", "instructed (or not, depending on your reader)* and specifically about online resources, such", "multiple endings, ... The resources would preferrably talk about the average length of", "that may be due to the fact that you want your *reader* feel", "only write the story as it plays out in your head, but to", "but to give the reader some agency, formatting the book the correct way,", "the side where? Do you make each block as a visible block? Are", "of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what common ways", "don't seem to be in any particular order. It looked like the authors", "blocks switch place - which makes it more interesting because you never know", "average length of such books compared to novels. I have seen this question:", "couple of \"Choose your own adventure\"-style book and am interested in the process", "preferrably use complete pages/half a page for each block\"? Furthermore I have sometimes", "articles and blogs, about writing a \"Choose your own adventure\"-style books?** The main", "there are a few things that are quite different when thinking about \"Choose", "specifically about online resources, such as discussion forums, guides and tools, that would", "this type of book is that I am having problems with the idea", "There is also the question about how to format the transition whenever the", "not written in the First Person. I think that may be due to", "a *printed form* where the reader *turns pages as instructed (or not, depending", "wants to do*. Do you put it in a little box on the", "visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things that are quite different when", "for asking specifically about a this type of book is that I am", "a *technical guide* that is displayed as a *digital document* that allows readers", "example I have never seen such a book that was not written in", "idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what common", "way, coming up with multiple endings, ... The resources would preferrably talk about", "resources that talk about preferred techniques and possibly tools that may assist with", "it in a little box on the side where? Do you make each", "own adventure\" books. For example I have never seen such a book that", "\"You should preferrably use complete pages/half a page for each block\"? Furthermore I", "book and am interested in the process of creating one. **Where can I", "when thinking about \"Choose your own adventure\" books. For example I have never", "with multiple endings, ... The resources would preferrably talk about the average length", "But I would love to see whether there are any sort of studies", "you never know when you are getting close to *The End*. Again, I", "...* in a *printed form* where the reader *turns pages as instructed (or", "give the reader some agency, formatting the book the correct way, coming up", "be in any particular order. It looked like the authors first wrote the", "would preferrably talk about the average length of such books compared to novels.", "such as *How-To-Write* or styleguide articles and blogs, about writing a \"Choose your", "I have sometimes seen that the different paths don't seem to be in", "are relatively short for a book. But then again, it's quite the work", "a \"Choose your own adventure\"-style books?** The main reason for asking specifically about", "story feel more *alive* for them - it's *their adventure after all*. But", "on the side where? Do you make each block as a visible block?", "\"Choose your own adventure\"-style book and am interested in the process of creating", "online resources, such as *How-To-Write* or styleguide articles and blogs, about writing a", "or styleguide articles and blogs, about writing a \"Choose your own adventure\"-style books?**", "most of these books I have seen are relatively short for a book.", "that I am having problems with the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline)", "Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a", "(or not, depending on your reader)* and specifically about online resources, such as", "I have asked about this on a similar question about [online resources for", "see what common ways are for creating such a story. I have asked", "may be interesting, too, as most of these books I have seen are", "forums, guides and tools, that would help with the process of creating such", "Discussions about the length may be interesting, too, as most of these books", "looked like the authors first wrote the book with a handful of different", "of book is that I am having problems with the idea of creating", "*their adventure after all*. But I would love to see whether there are", "novels. I have seen this question: [I want to write a Choose Your", "about how to format the transition whenever the reader has to decide what", "[I want to write a Choose Your Own Adventure styled e-book, what's a", "for them - it's *their adventure after all*. But I would love to", "for creating such a story. I have asked about this on a similar", "and specifically about online resources, such as discussion forums, guides and tools, that", "creating such a story. I have asked about this on a similar question", "then decided to obfuscate everything by letting blocks switch place - which makes", "have never seen such a book that was not written in the First", "place - which makes it more interesting because you never know when you", "looking for different genres such as *mystery, fantasy, ...* in a *printed form*", "novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things that are quite different when thinking", "Your Own Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on", "have seen this question: [I want to write a Choose Your Own Adventure", "*The End*. Again, I am looking for resources that talk about preferred techniques", "Person. I think that may be due to the fact that you want", "for this and what the recommendations are. There is also the question about", "assist with this. Discussions about the length may be interesting, too, as most", "the reader has to decide what *he wants to do*. Do you put", "guides and tools, that would help with the process of creating such a", "making the story feel more *alive* for them - it's *their adventure after", "want your *reader* feel like a *player* that has to decide for themselves", "about online resources, such as discussion forums, guides and tools, that would help", "point C to point B, whereas I am looking for different genres such", "may be due to the fact that you want your *reader* feel like", "agency, formatting the book the correct way, coming up with multiple endings, ...", "a book. But then again, it's quite the work to not only write", "a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what common ways are for", "a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things that are quite different", "own adventure\"-style book and am interested in the process of creating one. **Where", "own adventure\"-style books?** The main reason for asking specifically about a this type", "depending on your reader)* and specifically about online resources, such as discussion forums,", "and what the recommendations are. There is also the question about how to", "such a story. I have asked about this on a similar question about", "block\"? Furthermore I have sometimes seen that the different paths don't seem to", "books compared to novels. I have seen this question: [I want to write", "on a similar question about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there", "to *The End*. Again, I am looking for resources that talk about preferred", "books I have seen are relatively short for a book. But then again,", "*player* that has to decide for themselves and thereby you are making the", "more interesting because you never know when you are getting close to *The", "*alive* for them - it's *their adventure after all*. But I would love", "looking for resources that talk about preferred techniques and possibly tools that may", "books?** The main reason for asking specifically about a this type of book", "how to format the transition whenever the reader has to decide what *he", "pages/half a page for each block\"? Furthermore I have sometimes seen that the", "seen such a book that was not written in the First Person. I", "again, it's quite the work to not only write the story as it", "to decide for themselves and thereby you are making the story feel more", "*he wants to do*. Do you put it in a little box on", "not only write the story as it plays out in your head, but", "discussion forums, guides and tools, that would help with the process of creating", "book with a handful of different endings and then decided to obfuscate everything", "too, as most of these books I have seen are relatively short for", "guide* that is displayed as a *digital document* that allows readers to use", "to see what common ways are for creating such a story. I have", "are any sort of studies or counterexamples for this and what the recommendations", "tools that may assist with this. Discussions about the length may be interesting,", "focuses on writing a *technical guide* that is displayed as a *digital document*", "common ways are for creating such a story. I have asked about this", "adventure after all*. But I would love to see whether there are any", "work to not only write the story as it plays out in your", "due to the fact that you want your *reader* feel like a *player*", "techniques and possibly tools that may assist with this. Discussions about the length", "story. I have asked about this on a similar question about [online resources", "this on a similar question about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but", "approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a *technical guide* that is displayed as", "that may assist with this. Discussions about the length may be interesting, too,", "as most of these books I have seen are relatively short for a", "a couple of \"Choose your own adventure\"-style book and am interested in the", "*printed form* where the reader *turns pages as instructed (or not, depending on", "question about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few", "endings, ... The resources would preferrably talk about the average length of such", "is that I am having problems with the idea of creating a [branched", "in the process of creating one. **Where can I find (preferrably free) online", "as a *digital document* that allows readers to use for example *hyperlinks* to", "for different genres such as *mystery, fantasy, ...* in a *printed form* where", "similar question about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a", "reason for asking specifically about a this type of book is that I", "[online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things that", "decide for themselves and thereby you are making the story feel more *alive*", "online resources, such as discussion forums, guides and tools, that would help with", "close to *The End*. Again, I am looking for resources that talk about", "book is that I am having problems with the idea of creating a", "adventure\" books. For example I have never seen such a book that was", "letting blocks switch place - which makes it more interesting because you never", "want to write a Choose Your Own Adventure styled e-book, what's a good", "as *How-To-Write* or styleguide articles and blogs, about writing a \"Choose your own", "to obfuscate everything by letting blocks switch place - which makes it more", "Own Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing", "story as it plays out in your head, but to give the reader", "are making the story feel more *alive* for them - it's *their adventure", "I have read/played a couple of \"Choose your own adventure\"-style book and am", "I am looking for different genres such as *mystery, fantasy, ...* in a", "The main reason for asking specifically about a this type of book is", "I have seen are relatively short for a book. But then again, it's", "never seen such a book that was not written in the First Person.", "whenever the reader has to decide what *he wants to do*. Do you", "makes it more interesting because you never know when you are getting close", "the correct way, coming up with multiple endings, ... The resources would preferrably", "endings and then decided to obfuscate everything by letting blocks switch place -", "and thereby you are making the story feel more *alive* for them -", "to write a Choose Your Own Adventure styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac),", "when you are getting close to *The End*. Again, I am looking for", "switch place - which makes it more interesting because you never know when", "such as \"You should preferrably use complete pages/half a page for each block\"?", "not, depending on your reader)* and specifically about online resources, such as discussion", "preferred techniques and possibly tools that may assist with this. Discussions about the", "to give the reader some agency, formatting the book the correct way, coming", "displayed as a *digital document* that allows readers to use for example *hyperlinks*", "and tools, that would help with the process of creating such a book.", "and possibly tools that may assist with this. Discussions about the length may", "in your head, but to give the reader some agency, formatting the book", "would like to see what common ways are for creating such a story.", "or counterexamples for this and what the recommendations are. There is also the", "plays out in your head, but to give the reader some agency, formatting", "a handful of different endings and then decided to obfuscate everything by letting", "to get from point A to point C to point B, whereas I", "*reader* feel like a *player* that has to decide for themselves and thereby", "the length may be interesting, too, as most of these books I have", "them - it's *their adventure after all*. But I would love to see", "about \"Choose your own adventure\" books. For example I have never seen such", "fact that you want your *reader* feel like a *player* that has to", "decide what *he wants to do*. Do you put it in a little", "A to point C to point B, whereas I am looking for different", "decided to obfuscate everything by letting blocks switch place - which makes it", "your own adventure\"-style books?** The main reason for asking specifically about a this", "formatting the book the correct way, coming up with multiple endings, ... The", "am having problems with the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would", "recommendations such as \"You should preferrably use complete pages/half a page for each", "authors first wrote the book with a handful of different endings and then", "then again, it's quite the work to not only write the story as", "problems with the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to", "that you want your *reader* feel like a *player* that has to decide", "creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what common ways are", "also the question about how to format the transition whenever the reader has", "that talk about preferred techniques and possibly tools that may assist with this.", "handful of different endings and then decided to obfuscate everything by letting blocks", "styled e-book, what's a good approach?](https://writing.stackexchange.com/questions/8502/i-want-to-write-a-choose-your-own-adventure-styled-e-book-whats-a-good-approac), but it focuses on writing a *technical", "it plays out in your head, but to give the reader some agency,", "paths don't seem to be in any particular order. It looked like the", "and am interested in the process of creating one. **Where can I find", "this question: [I want to write a Choose Your Own Adventure styled e-book,", "with this. Discussions about the length may be interesting, too, as most of", "the process of creating one. **Where can I find (preferrably free) online resources,", "question about how to format the transition whenever the reader has to decide", "do*. Do you put it in a little box on the side where?", "*How-To-Write* or styleguide articles and blogs, about writing a \"Choose your own adventure\"-style", "from point A to point C to point B, whereas I am looking", "there are any sort of studies or counterexamples for this and what the", "seem to be in any particular order. It looked like the authors first", "about this on a similar question about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel),", "the book with a handful of different endings and then decided to obfuscate", "books. For example I have never seen such a book that was not", "about the length may be interesting, too, as most of these books I", "that has to decide for themselves and thereby you are making the story", "about [online resources for a visual novel](https://writing.stackexchange.com/questions/32808/where-can-i-find-online-resources-about-writing-a-visual-novel), but there are a few things", "I am having problems with the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and", "the idea of creating a [branched storyline](https://writing.stackexchange.com/questions/32467/are-there-tools-that-can-aid-an-author-in-writing-a-branching-storyline) and would like to see what", "thereby you are making the story feel more *alive* for them - it's", "I find (preferrably free) online resources, such as *How-To-Write* or styleguide articles and", "one. **Where can I find (preferrably free) online resources, such as *How-To-Write* or", "Are there recommendations such as \"You should preferrably use complete pages/half a page", "am looking for different genres such as *mystery, fantasy, ...* in a *printed", "point B, whereas I am looking for different genres such as *mystery, fantasy,", "you put it in a little box on the side where? Do you", "block? Are there recommendations such as \"You should preferrably use complete pages/half a", "may assist with this. Discussions about the length may be interesting, too, as", "point A to point C to point B, whereas I am looking for", "recommendations are. There is also the question about how to format the transition", "am looking for resources that talk about preferred techniques and possibly tools that", "of different endings and then decided to obfuscate everything by letting blocks switch", "a story. I have asked about this on a similar question about [online", "in any particular order. It looked like the authors first wrote the book", "a *player* that has to decide for themselves and thereby you are making", "such a book that was not written in the First Person. I think", "*hyperlinks* to get from point A to point C to point B, whereas", "to use for example *hyperlinks* to get from point A to point C", "themselves and thereby you are making the story feel more *alive* for them", "have read/played a couple of \"Choose your own adventure\"-style book and am interested", "see whether there are any sort of studies or counterexamples for this and", "are quite different when thinking about \"Choose your own adventure\" books. For example", "head, but to give the reader some agency, formatting the book the correct", "you are making the story feel more *alive* for them - it's *their", "different endings and then decided to obfuscate everything by letting blocks switch place", "for a book. But then again, it's quite the work to not only", "write the story as it plays out in your head, but to give" ]
[ "of the imagination? Did the author in fact use a word different than", "rhythm. So is this feeling that the most common word was chosen a", "or obvious word could be chosen, yet I hear a certain kind of", "him? Some people might say that using synonyms is bad because it detracts", "hard to see how a more common or obvious word could be chosen,", "chosen, yet I hear a certain kind of rhythm. So is this feeling", "due only to word order and like things, or do their authors actually", "verse, but the more flexible, albeit poetic rhythm of prose, based on the", "meaning of the words. Please know that I am not talking about the", "am not talking about the metrical rhythm of verse, but the more flexible,", "to see how a more common or obvious word could be chosen, yet", "So is this feeling that the most common word was chosen a failure", "albeit poetic rhythm of prose, based on the patterns of stress and non-stress,", "because it detracts from clarity, many people not knowing the meaning of the", "might say that using synonyms is bad because it detracts from clarity, many", "rhythm of verse, but the more flexible, albeit poetic rhythm of prose, based", "based on the patterns of stress and non-stress, and perhaps their grouping into", "not knowing the meaning of the words. Please know that I am not", "to their rhythm. But is this due only to word order and like", "a word different than what might have originally occurred to him? Some people", "in fact use a word different than what might have originally occurred to", "was chosen a failure of the imagination? Did the author in fact use", "voice, which is due to their rhythm. But is this due only to", "the meaning of the words. Please know that I am not talking about", "about the metrical rhythm of verse, but the more flexible, albeit poetic rhythm", "rhythm of prose, based on the patterns of stress and non-stress, and perhaps", "certain kind of voice, which is due to their rhythm. But is this", "to achieve rhythm? When I read certain things, I find it hard to", "fact use a word different than what might have originally occurred to him?", "be chosen, yet I hear a certain kind of rhythm. So is this", "of stress and non-stress, and perhaps their grouping into certain types of units.", "But is this due only to word order and like things, or do", "certain things, I find it hard to see how a more common or", "is bad because it detracts from clarity, many people not knowing the meaning", "metrical rhythm of verse, but the more flexible, albeit poetic rhythm of prose,", "order and like things, or do their authors actually choose synonyms to achieve", "people might say that using synonyms is bad because it detracts from clarity,", "that using synonyms is bad because it detracts from clarity, many people not", "talking about the metrical rhythm of verse, but the more flexible, albeit poetic", "Please know that I am not talking about the metrical rhythm of verse,", "words. Please know that I am not talking about the metrical rhythm of", "only to word order and like things, or do their authors actually choose", "the patterns of stress and non-stress, and perhaps their grouping into certain types", "due to their rhythm. But is this due only to word order and", "the more flexible, albeit poetic rhythm of prose, based on the patterns of", "read certain things, I find it hard to see how a more common", "see how a more common or obvious word could be chosen, yet I", "like things, or do their authors actually choose synonyms to achieve rhythm? When", "kind of rhythm. So is this feeling that the most common word was", "say that using synonyms is bad because it detracts from clarity, many people", "is this feeling that the most common word was chosen a failure of", "is due to their rhythm. But is this due only to word order", "more common or obvious word could be chosen, yet I hear a certain", "things, or do their authors actually choose synonyms to achieve rhythm? When I", "or do their authors actually choose synonyms to achieve rhythm? When I read", "Some people might say that using synonyms is bad because it detracts from", "of the words. Please know that I am not talking about the metrical", "not talking about the metrical rhythm of verse, but the more flexible, albeit", "of prose, based on the patterns of stress and non-stress, and perhaps their", "flexible, albeit poetic rhythm of prose, based on the patterns of stress and", "that have a certain kind of voice, which is due to their rhythm.", "kind of voice, which is due to their rhythm. But is this due", "how a more common or obvious word could be chosen, yet I hear", "find it hard to see how a more common or obvious word could", "poetic rhythm of prose, based on the patterns of stress and non-stress, and", "yet I hear a certain kind of rhythm. So is this feeling that", "is this due only to word order and like things, or do their", "obvious word could be chosen, yet I hear a certain kind of rhythm.", "occurred to him? Some people might say that using synonyms is bad because", "their authors actually choose synonyms to achieve rhythm? When I read certain things,", "actually choose synonyms to achieve rhythm? When I read certain things, I find", "know that I am not talking about the metrical rhythm of verse, but", "prose, based on the patterns of stress and non-stress, and perhaps their grouping", "most common word was chosen a failure of the imagination? Did the author", "have originally occurred to him? Some people might say that using synonyms is", "a certain kind of rhythm. So is this feeling that the most common", "word order and like things, or do their authors actually choose synonyms to", "author in fact use a word different than what might have originally occurred", "what might have originally occurred to him? Some people might say that using", "detracts from clarity, many people not knowing the meaning of the words. Please", "the metrical rhythm of verse, but the more flexible, albeit poetic rhythm of", "from clarity, many people not knowing the meaning of the words. Please know", "which is due to their rhythm. But is this due only to word", "choose synonyms to achieve rhythm? When I read certain things, I find it", "word was chosen a failure of the imagination? Did the author in fact", "synonyms to achieve rhythm? When I read certain things, I find it hard", "I am not talking about the metrical rhythm of verse, but the more", "feeling that the most common word was chosen a failure of the imagination?", "chosen a failure of the imagination? Did the author in fact use a", "have a certain kind of voice, which is due to their rhythm. But", "the imagination? Did the author in fact use a word different than what", "of verse, but the more flexible, albeit poetic rhythm of prose, based on", "do their authors actually choose synonyms to achieve rhythm? When I read certain", "that the most common word was chosen a failure of the imagination? Did", "There are some works that have a certain kind of voice, which is", "use a word different than what might have originally occurred to him? Some", "than what might have originally occurred to him? Some people might say that", "bad because it detracts from clarity, many people not knowing the meaning of", "things, I find it hard to see how a more common or obvious", "it detracts from clarity, many people not knowing the meaning of the words.", "a failure of the imagination? Did the author in fact use a word", "this due only to word order and like things, or do their authors", "to him? Some people might say that using synonyms is bad because it", "the words. Please know that I am not talking about the metrical rhythm", "but the more flexible, albeit poetic rhythm of prose, based on the patterns", "achieve rhythm? When I read certain things, I find it hard to see", "patterns of stress and non-stress, and perhaps their grouping into certain types of", "word could be chosen, yet I hear a certain kind of rhythm. So", "are some works that have a certain kind of voice, which is due", "failure of the imagination? Did the author in fact use a word different", "the author in fact use a word different than what might have originally", "word different than what might have originally occurred to him? Some people might", "When I read certain things, I find it hard to see how a", "on the patterns of stress and non-stress, and perhaps their grouping into certain", "it hard to see how a more common or obvious word could be", "Did the author in fact use a word different than what might have", "clarity, many people not knowing the meaning of the words. Please know that", "the most common word was chosen a failure of the imagination? Did the", "synonyms is bad because it detracts from clarity, many people not knowing the", "I hear a certain kind of rhythm. So is this feeling that the", "to word order and like things, or do their authors actually choose synonyms", "I read certain things, I find it hard to see how a more", "rhythm. But is this due only to word order and like things, or", "that I am not talking about the metrical rhythm of verse, but the", "many people not knowing the meaning of the words. Please know that I", "could be chosen, yet I hear a certain kind of rhythm. So is", "might have originally occurred to him? Some people might say that using synonyms", "hear a certain kind of rhythm. So is this feeling that the most", "some works that have a certain kind of voice, which is due to", "different than what might have originally occurred to him? Some people might say", "a more common or obvious word could be chosen, yet I hear a", "more flexible, albeit poetic rhythm of prose, based on the patterns of stress", "authors actually choose synonyms to achieve rhythm? When I read certain things, I", "imagination? Did the author in fact use a word different than what might", "certain kind of rhythm. So is this feeling that the most common word", "rhythm? When I read certain things, I find it hard to see how", "works that have a certain kind of voice, which is due to their", "their rhythm. But is this due only to word order and like things,", "I find it hard to see how a more common or obvious word", "a certain kind of voice, which is due to their rhythm. But is", "this feeling that the most common word was chosen a failure of the", "of rhythm. So is this feeling that the most common word was chosen", "common or obvious word could be chosen, yet I hear a certain kind", "using synonyms is bad because it detracts from clarity, many people not knowing", "knowing the meaning of the words. Please know that I am not talking", "people not knowing the meaning of the words. Please know that I am", "and like things, or do their authors actually choose synonyms to achieve rhythm?", "originally occurred to him? Some people might say that using synonyms is bad", "common word was chosen a failure of the imagination? Did the author in", "of voice, which is due to their rhythm. But is this due only" ]
[ "my first language and that's why I'm struggling with it. Thank you :)", "I came up with: > > Oidon watched the player with number ten", "Oidon watched the player with number ten written boldly on his football shirt", "sounds ridiculous but English is not my first language and that's why I'm", "field. > > > I need to make this better and I need", "appearance. My character is wearing a football jersey and running on the field,", "need ideas and help. I know it sounds ridiculous but English is not", "better and I need ideas and help. I know it sounds ridiculous but", "make this better and I need ideas and help. I know it sounds", "My character is wearing a football jersey and running on the field, so", "English is not my first language and that's why I'm struggling with it.", "on the field, so how can I describe this better? This is what", "character is wearing a football jersey and running on the field, so how", "I know it sounds ridiculous but English is not my first language and", "boldly on his football shirt running on the football field. > > >", "ten written boldly on his football shirt running on the football field. >", "his football shirt running on the football field. > > > I need", "know it sounds ridiculous but English is not my first language and that's", "field, so how can I describe this better? This is what I came", "I need ideas and help. I know it sounds ridiculous but English is", "what I came up with: > > Oidon watched the player with number", "with: > > Oidon watched the player with number ten written boldly on", "running on the field, so how can I describe this better? This is", "this better and I need ideas and help. I know it sounds ridiculous", "wearing a football jersey and running on the field, so how can I", "a story and I need to describe the character's appearance. My character is", "> > Oidon watched the player with number ten written boldly on his", "and help. I know it sounds ridiculous but English is not my first", "to describe the character's appearance. My character is wearing a football jersey and", "so how can I describe this better? This is what I came up", "ridiculous but English is not my first language and that's why I'm struggling", "This is what I came up with: > > Oidon watched the player", "it sounds ridiculous but English is not my first language and that's why", "to make this better and I need ideas and help. I know it", "need to describe the character's appearance. My character is wearing a football jersey", "need to make this better and I need ideas and help. I know", "> > I need to make this better and I need ideas and", "is wearing a football jersey and running on the field, so how can", "and I need to describe the character's appearance. My character is wearing a", "is not my first language and that's why I'm struggling with it. Thank", "describe the character's appearance. My character is wearing a football jersey and running", "story and I need to describe the character's appearance. My character is wearing", "came up with: > > Oidon watched the player with number ten written", "jersey and running on the field, so how can I describe this better?", "a football jersey and running on the field, so how can I describe", "how can I describe this better? This is what I came up with:", "shirt running on the football field. > > > I need to make", "character's appearance. My character is wearing a football jersey and running on the", "the character's appearance. My character is wearing a football jersey and running on", "football field. > > > I need to make this better and I", "I need to make this better and I need ideas and help. I", "written boldly on his football shirt running on the football field. > >", "writing a story and I need to describe the character's appearance. My character", "> > > I need to make this better and I need ideas", "player with number ten written boldly on his football shirt running on the", "number ten written boldly on his football shirt running on the football field.", "with number ten written boldly on his football shirt running on the football", "the player with number ten written boldly on his football shirt running on", "but English is not my first language and that's why I'm struggling with", "I'm writing a story and I need to describe the character's appearance. My", "watched the player with number ten written boldly on his football shirt running", "running on the football field. > > > I need to make this", "and running on the field, so how can I describe this better? This", "football jersey and running on the field, so how can I describe this", "ideas and help. I know it sounds ridiculous but English is not my", "the field, so how can I describe this better? This is what I", "I need to describe the character's appearance. My character is wearing a football", "the football field. > > > I need to make this better and", "up with: > > Oidon watched the player with number ten written boldly", "football shirt running on the football field. > > > I need to", "not my first language and that's why I'm struggling with it. Thank you", "can I describe this better? This is what I came up with: >", "this better? This is what I came up with: > > Oidon watched", "> Oidon watched the player with number ten written boldly on his football", "better? This is what I came up with: > > Oidon watched the", "I describe this better? This is what I came up with: > >", "is what I came up with: > > Oidon watched the player with", "> I need to make this better and I need ideas and help.", "and I need ideas and help. I know it sounds ridiculous but English", "on his football shirt running on the football field. > > > I", "on the football field. > > > I need to make this better", "describe this better? This is what I came up with: > > Oidon", "help. I know it sounds ridiculous but English is not my first language" ]
[ "isn't a Marty Stu and giving the girls plausible reasons to be attracted", "as making sure that the guy isn't a Marty Stu and giving the", "you remember to do when writing a harem-type scenario where multiple girls are", "Stu and giving the girls plausible reasons to be attracted to him, but", "obvious stuff, like making sure that the girls are distinct, for example, as", "multiple girls are interested in the same guy. I know some of the", "them, what should you remember to do when writing a harem-type scenario where", "to be attracted to him, but for those who are familiar with these", "example, as well as making sure that the guy isn't a Marty Stu", "the girls are distinct, for example, as well as making sure that the", "with some or all of them, what should you remember to do when", "not it develops to sex with some or all of them, what should", "in the same guy. I know some of the obvious stuff, like making", "sure that the guy isn't a Marty Stu and giving the girls plausible", "making sure that the guy isn't a Marty Stu and giving the girls", "interested in the same guy. I know some of the obvious stuff, like", "where multiple girls are interested in the same guy. I know some of", "should you remember to do when writing a harem-type scenario where multiple girls", "what should you remember to do when writing a harem-type scenario where multiple", "to do when writing a harem-type scenario where multiple girls are interested in", "some or all of them, what should you remember to do when writing", "Marty Stu and giving the girls plausible reasons to be attracted to him,", "with these types of stories, what are the other key points to remember?", "to him, but for those who are familiar with these types of stories,", "but for those who are familiar with these types of stories, what are", "girls are distinct, for example, as well as making sure that the guy", "Whether or not it develops to sex with some or all of them,", "writing a harem-type scenario where multiple girls are interested in the same guy.", "sure that the girls are distinct, for example, as well as making sure", "develops to sex with some or all of them, what should you remember", "some of the obvious stuff, like making sure that the girls are distinct,", "scenario where multiple girls are interested in the same guy. I know some", "the obvious stuff, like making sure that the girls are distinct, for example,", "are interested in the same guy. I know some of the obvious stuff,", "sex with some or all of them, what should you remember to do", "to sex with some or all of them, what should you remember to", "the girls plausible reasons to be attracted to him, but for those who", "as well as making sure that the guy isn't a Marty Stu and", "of them, what should you remember to do when writing a harem-type scenario", "harem-type scenario where multiple girls are interested in the same guy. I know", "are familiar with these types of stories, what are the other key points", "girls are interested in the same guy. I know some of the obvious", "for example, as well as making sure that the guy isn't a Marty", "well as making sure that the guy isn't a Marty Stu and giving", "be attracted to him, but for those who are familiar with these types", "for those who are familiar with these types of stories, what are the", "are distinct, for example, as well as making sure that the guy isn't", "remember to do when writing a harem-type scenario where multiple girls are interested", "those who are familiar with these types of stories, what are the other", "that the guy isn't a Marty Stu and giving the girls plausible reasons", "girls plausible reasons to be attracted to him, but for those who are", "of the obvious stuff, like making sure that the girls are distinct, for", "the guy isn't a Marty Stu and giving the girls plausible reasons to", "or not it develops to sex with some or all of them, what", "him, but for those who are familiar with these types of stories, what", "all of them, what should you remember to do when writing a harem-type", "know some of the obvious stuff, like making sure that the girls are", "like making sure that the girls are distinct, for example, as well as", "guy isn't a Marty Stu and giving the girls plausible reasons to be", "stuff, like making sure that the girls are distinct, for example, as well", "distinct, for example, as well as making sure that the guy isn't a", "or all of them, what should you remember to do when writing a", "it develops to sex with some or all of them, what should you", "who are familiar with these types of stories, what are the other key", "when writing a harem-type scenario where multiple girls are interested in the same", "familiar with these types of stories, what are the other key points to", "that the girls are distinct, for example, as well as making sure that", "I know some of the obvious stuff, like making sure that the girls", "guy. I know some of the obvious stuff, like making sure that the", "attracted to him, but for those who are familiar with these types of", "and giving the girls plausible reasons to be attracted to him, but for", "reasons to be attracted to him, but for those who are familiar with", "making sure that the girls are distinct, for example, as well as making", "a harem-type scenario where multiple girls are interested in the same guy. I", "plausible reasons to be attracted to him, but for those who are familiar", "the same guy. I know some of the obvious stuff, like making sure", "giving the girls plausible reasons to be attracted to him, but for those", "do when writing a harem-type scenario where multiple girls are interested in the", "same guy. I know some of the obvious stuff, like making sure that", "a Marty Stu and giving the girls plausible reasons to be attracted to" ]
[ "get arrested. > > > ***Terry Pratchet, Men at Arms*** > > >", "from comedy stories, where they work out some joke that gets the point", "breastplate along to old Remitt the armourer and told him to beat it", "More confusing, is I'm writing from a guy's perspective, so I don't know", "books. I want her to feel sexy, but I don't want to have", "> > But I'm not sure how I should describe my characters in", "across. > > Constable Angua had mastered saluting first go. She wouldn’t have", "all that mass of ash-blond hair but, it occurred to Carrot, Constable Angua", "I mostly read comedy books. I want her to feel sexy, but I", "characters in a serious context, as I mostly read comedy books. I want", "how to have him notice without him seeming bad. Could you please give", "fairly serious story, but the only way I know how to describe this", "way I know how to describe this is from comedy stories, where they", "the cliche of her looking into a mirror and describing herself. More confusing,", "describe this is from comedy stories, where they work out some joke that", "the world would cover all that mass of ash-blond hair but, it occurred", "they work out some joke that gets the point across. > > Constable", "writing a fairly serious story, but the only way I know how to", "really. People would be queuing up to get arrested. > > > ***Terry", "any of that stuff really. People would be queuing up to get arrested.", "want to have to something like the cliche of her looking into a", "the only way I know how to describe this is from comedy stories,", "up to get arrested. > > > ***Terry Pratchet, Men at Arms*** >", "queuing up to get arrested. > > > ***Terry Pratchet, Men at Arms***", "a guy's perspective, so I don't know how to have him notice without", "some joke that gets the point across. > > Constable Angua had mastered", "let’s face it, a breastplate along to old Remitt the armourer and told", "don't know how to have him notice without him seeming bad. Could you", "know how to have him notice without him seeming bad. Could you please", "first go. She wouldn’t have a full uniform yet, not until someone had", "you know a good way to describe a female character's figure? I'm writing", "joke that gets the point across. > > Constable Angua had mastered saluting", "mirror and describing herself. More confusing, is I'm writing from a guy's perspective,", "well *here* and *here*, and no helmet in the world would cover all", "context, as I mostly read comedy books. I want her to feel sexy,", "have him notice without him seeming bad. Could you please give me some", "it occurred to Carrot, Constable Angua wouldn’t need any of that stuff really.", "of her looking into a mirror and describing herself. More confusing, is I'm", "how I should describe my characters in a serious context, as I mostly", "writing from a guy's perspective, so I don't know how to have him", "Angua wouldn’t need any of that stuff really. People would be queuing up", "I'm writing from a guy's perspective, so I don't know how to have", "I should describe my characters in a serious context, as I mostly read", "a fairly serious story, but the only way I know how to describe", "that mass of ash-blond hair but, it occurred to Carrot, Constable Angua wouldn’t", "wouldn’t have a full uniform yet, not until someone had taken a, well,", "but the only way I know how to describe this is from comedy", "it, a breastplate along to old Remitt the armourer and told him to", "*here*, and no helmet in the world would cover all that mass of", "helmet in the world would cover all that mass of ash-blond hair but,", "had taken a, well, let’s face it, a breastplate along to old Remitt", "this is from comedy stories, where they work out some joke that gets", "at Arms*** > > > But I'm not sure how I should describe", "to Carrot, Constable Angua wouldn’t need any of that stuff really. People would", "feel sexy, but I don't want to have to something like the cliche", "I don't want to have to something like the cliche of her looking", "out really well *here* and *here*, and no helmet in the world would", "Remitt the armourer and told him to beat it out really well *here*", "a mirror and describing herself. More confusing, is I'm writing from a guy's", "but I don't want to have to something like the cliche of her", "that gets the point across. > > Constable Angua had mastered saluting first", "Men at Arms*** > > > But I'm not sure how I should", "know how to describe this is from comedy stories, where they work out", "mass of ash-blond hair but, it occurred to Carrot, Constable Angua wouldn’t need", "I don't know how to have him notice without him seeming bad. Could", "to describe a female character's figure? I'm writing a fairly serious story, but", "sexy, but I don't want to have to something like the cliche of", "no helmet in the world would cover all that mass of ash-blond hair", "ash-blond hair but, it occurred to Carrot, Constable Angua wouldn’t need any of", "People would be queuing up to get arrested. > > > ***Terry Pratchet,", "> > > ***Terry Pratchet, Men at Arms*** > > > But I'm", "comedy books. I want her to feel sexy, but I don't want to", "cover all that mass of ash-blond hair but, it occurred to Carrot, Constable", "something like the cliche of her looking into a mirror and describing herself.", "as I mostly read comedy books. I want her to feel sexy, but", "stories, where they work out some joke that gets the point across. >", "be queuing up to get arrested. > > > ***Terry Pratchet, Men at", "a, well, let’s face it, a breastplate along to old Remitt the armourer", "well, let’s face it, a breastplate along to old Remitt the armourer and", "until someone had taken a, well, let’s face it, a breastplate along to", "to feel sexy, but I don't want to have to something like the", "> > Constable Angua had mastered saluting first go. She wouldn’t have a", "to something like the cliche of her looking into a mirror and describing", "that stuff really. People would be queuing up to get arrested. > >", "Pratchet, Men at Arms*** > > > But I'm not sure how I", "occurred to Carrot, Constable Angua wouldn’t need any of that stuff really. People", "know a good way to describe a female character's figure? I'm writing a", "Angua had mastered saluting first go. She wouldn’t have a full uniform yet,", "***Terry Pratchet, Men at Arms*** > > > But I'm not sure how", "a breastplate along to old Remitt the armourer and told him to beat", "him to beat it out really well *here* and *here*, and no helmet", "arrested. > > > ***Terry Pratchet, Men at Arms*** > > > But", "looking into a mirror and describing herself. More confusing, is I'm writing from", "and no helmet in the world would cover all that mass of ash-blond", "hair but, it occurred to Carrot, Constable Angua wouldn’t need any of that", "I know how to describe this is from comedy stories, where they work", "only way I know how to describe this is from comedy stories, where", "go. She wouldn’t have a full uniform yet, not until someone had taken", "and told him to beat it out really well *here* and *here*, and", "told him to beat it out really well *here* and *here*, and no", "beat it out really well *here* and *here*, and no helmet in the", "> > > But I'm not sure how I should describe my characters", "describe my characters in a serious context, as I mostly read comedy books.", "> Constable Angua had mastered saluting first go. She wouldn’t have a full", "have to something like the cliche of her looking into a mirror and", "and describing herself. More confusing, is I'm writing from a guy's perspective, so", "in the world would cover all that mass of ash-blond hair but, it", "story, but the only way I know how to describe this is from", "so I don't know how to have him notice without him seeming bad.", "mostly read comedy books. I want her to feel sexy, but I don't", "a good way to describe a female character's figure? I'm writing a fairly", "confusing, is I'm writing from a guy's perspective, so I don't know how", "describe a female character's figure? I'm writing a fairly serious story, but the", "saluting first go. She wouldn’t have a full uniform yet, not until someone", "not until someone had taken a, well, let’s face it, a breastplate along", "to describe this is from comedy stories, where they work out some joke", "would cover all that mass of ash-blond hair but, it occurred to Carrot,", "Arms*** > > > But I'm not sure how I should describe my", "want her to feel sexy, but I don't want to have to something", "how to describe this is from comedy stories, where they work out some", "I'm not sure how I should describe my characters in a serious context,", "character's figure? I'm writing a fairly serious story, but the only way I", "someone had taken a, well, let’s face it, a breastplate along to old", "comedy stories, where they work out some joke that gets the point across.", "female character's figure? I'm writing a fairly serious story, but the only way", "> > ***Terry Pratchet, Men at Arms*** > > > But I'm not", "serious story, but the only way I know how to describe this is", "armourer and told him to beat it out really well *here* and *here*,", "> But I'm not sure how I should describe my characters in a", "point across. > > Constable Angua had mastered saluting first go. She wouldn’t", "serious context, as I mostly read comedy books. I want her to feel", "I'm writing a fairly serious story, but the only way I know how", "describing herself. More confusing, is I'm writing from a guy's perspective, so I", "gets the point across. > > Constable Angua had mastered saluting first go.", "to old Remitt the armourer and told him to beat it out really", "yet, not until someone had taken a, well, let’s face it, a breastplate", "old Remitt the armourer and told him to beat it out really well", "herself. More confusing, is I'm writing from a guy's perspective, so I don't", "and *here*, and no helmet in the world would cover all that mass", "uniform yet, not until someone had taken a, well, let’s face it, a", "really well *here* and *here*, and no helmet in the world would cover", "her looking into a mirror and describing herself. More confusing, is I'm writing", "him notice without him seeming bad. Could you please give me some advice?", "the armourer and told him to beat it out really well *here* and", "face it, a breastplate along to old Remitt the armourer and told him", "the point across. > > Constable Angua had mastered saluting first go. She", "Constable Angua had mastered saluting first go. She wouldn’t have a full uniform", "full uniform yet, not until someone had taken a, well, let’s face it,", "read comedy books. I want her to feel sexy, but I don't want", "my characters in a serious context, as I mostly read comedy books. I", "wouldn’t need any of that stuff really. People would be queuing up to", "to beat it out really well *here* and *here*, and no helmet in", "I want her to feel sexy, but I don't want to have to", "Carrot, Constable Angua wouldn’t need any of that stuff really. People would be", "don't want to have to something like the cliche of her looking into", "of ash-blond hair but, it occurred to Carrot, Constable Angua wouldn’t need any", "good way to describe a female character's figure? I'm writing a fairly serious", "her to feel sexy, but I don't want to have to something like", "Do you know a good way to describe a female character's figure? I'm", "stuff really. People would be queuing up to get arrested. > > >", "a serious context, as I mostly read comedy books. I want her to", "perspective, so I don't know how to have him notice without him seeming", "way to describe a female character's figure? I'm writing a fairly serious story,", "have a full uniform yet, not until someone had taken a, well, let’s", "to have him notice without him seeming bad. Could you please give me", "taken a, well, let’s face it, a breastplate along to old Remitt the", "> ***Terry Pratchet, Men at Arms*** > > > But I'm not sure", "not sure how I should describe my characters in a serious context, as", "a female character's figure? I'm writing a fairly serious story, but the only", "Constable Angua wouldn’t need any of that stuff really. People would be queuing", "cliche of her looking into a mirror and describing herself. More confusing, is", "into a mirror and describing herself. More confusing, is I'm writing from a", "is I'm writing from a guy's perspective, so I don't know how to", "sure how I should describe my characters in a serious context, as I", "to have to something like the cliche of her looking into a mirror", "is from comedy stories, where they work out some joke that gets the", "world would cover all that mass of ash-blond hair but, it occurred to", "But I'm not sure how I should describe my characters in a serious", "in a serious context, as I mostly read comedy books. I want her", "to get arrested. > > > ***Terry Pratchet, Men at Arms*** > >", "where they work out some joke that gets the point across. > >", "work out some joke that gets the point across. > > Constable Angua", "should describe my characters in a serious context, as I mostly read comedy", "a full uniform yet, not until someone had taken a, well, let’s face", "*here* and *here*, and no helmet in the world would cover all that", "it out really well *here* and *here*, and no helmet in the world", "had mastered saluting first go. She wouldn’t have a full uniform yet, not", "mastered saluting first go. She wouldn’t have a full uniform yet, not until", "but, it occurred to Carrot, Constable Angua wouldn’t need any of that stuff", "She wouldn’t have a full uniform yet, not until someone had taken a,", "out some joke that gets the point across. > > Constable Angua had", "like the cliche of her looking into a mirror and describing herself. More", "from a guy's perspective, so I don't know how to have him notice", "guy's perspective, so I don't know how to have him notice without him", "need any of that stuff really. People would be queuing up to get", "would be queuing up to get arrested. > > > ***Terry Pratchet, Men", "of that stuff really. People would be queuing up to get arrested. >", "along to old Remitt the armourer and told him to beat it out", "figure? I'm writing a fairly serious story, but the only way I know" ]
[ "I'm surrounded by small stacks of cards. Shortly after that, two hours have", "what I'm writing to get the point across. When I'm editing my work,", "deck with a limited selection of cards has unexpected charm. Everyone just copies", "resist the urge to take my narrative and hit my audience over the", "my audience over the head with the point I'm trying to make. This", "better, or to evaluate my attempts at subtlety so I can be more", "without everything I needed, I had to plan my own instead, and it", "learn better, or to evaluate my attempts at subtlety so I can be", "with a limited selection of cards has unexpected charm. Everyone just copies ideas", "however, I'm starting to try something different. I want to take a more", "approach which implies things for the audience, rather than spelling it out to", "than spelling it out to them. I've started to do this by writing", "example, in a recent piece I wrote: > > Soon, I'm surrounded by", "stacks of cards. Shortly after that, two hours have shot by into hyperspace", "down on the mechanical, objective qualities of the thing being reviewed and that's", "ideas from the internet nowadays. But without everything I needed, I had to", "trouble is that I don't really trust what I'm writing to get the", "the point I'm trying to make. This isn't a matter of not trusting", "from the internet nowadays. But without everything I needed, I had to plan", "intended effect. What can I do to learn better, or to evaluate my", "focuses down on the mechanical, objective qualities of the thing being reviewed and", "more subtle approach which implies things for the audience, rather than spelling it", "> > The trouble is that I don't really trust what I'm writing", "it out to them. I've started to do this by writing narratives about", "prose that achieves the intended effect. What can I do to learn better,", "been my approach for many years. Now, however, I'm starting to try something", "I haven't looked at the internet once. > > > Wheres once upon", "that I don't really trust what I'm writing to get the point across.", "I might have written: > > Making a deck with a limited selection", "try something different. I want to take a more subtle approach which implies", "point across. When I'm editing my work, I find it difficult to resist", "that achieves the intended effect. What can I do to learn better, or", "rather than the more traditional objective, third person assessment. So, for example, in", "my own instead, and it proved surprisingly satisfying. > > > The trouble", "I had to plan my own instead, and it proved surprisingly satisfying. >", "own cleverness and creativity. I haven't looked at the internet once. > >", "reviewed and that's been my approach for many years. Now, however, I'm starting", "proved surprisingly satisfying. > > > The trouble is that I don't really", "So, for example, in a recent piece I wrote: > > Soon, I'm", "might have written: > > Making a deck with a limited selection of", "The trouble is that I don't really trust what I'm writing to get", "When I'm editing my work, I find it difficult to resist the urge", "to make. This isn't a matter of not trusting the audience, it's a", "> > Making a deck with a limited selection of cards has unexpected", "have written: > > Making a deck with a limited selection of cards", "find it difficult to resist the urge to take my narrative and hit", "unexpected charm. Everyone just copies ideas from the internet nowadays. But without everything", "internet nowadays. But without everything I needed, I had to plan my own", "mechanical, objective qualities of the thing being reviewed and that's been my approach", "wrote: > > Soon, I'm surrounded by small stacks of cards. Shortly after", "I'm sated with my own cleverness and creativity. I haven't looked at the", "the point across. When I'm editing my work, I find it difficult to", "plan my own instead, and it proved surprisingly satisfying. > > > The", "This isn't a matter of not trusting the audience, it's a matter of", "had to plan my own instead, and it proved surprisingly satisfying. > >", "I'm starting to try something different. I want to take a more subtle", "> > Wheres once upon a time I might have written: > >", "on the mechanical, objective qualities of the thing being reviewed and that's been", "a time I might have written: > > Making a deck with a", "audience over the head with the point I'm trying to make. This isn't", "that, two hours have shot by into hyperspace and I'm sated with my", "to take a more subtle approach which implies things for the audience, rather", "two hours have shot by into hyperspace and I'm sated with my own", "I'm writing to get the point across. When I'm editing my work, I", "by small stacks of cards. Shortly after that, two hours have shot by", "write prose that achieves the intended effect. What can I do to learn", "Soon, I'm surrounded by small stacks of cards. Shortly after that, two hours", "Making a deck with a limited selection of cards has unexpected charm. Everyone", "it difficult to resist the urge to take my narrative and hit my", "than the more traditional objective, third person assessment. So, for example, in a", "being reviewed and that's been my approach for many years. Now, however, I'm", "to get the point across. When I'm editing my work, I find it", "personal experiences with products, rather than the more traditional objective, third person assessment.", "many years. Now, however, I'm starting to try something different. I want to", "take a more subtle approach which implies things for the audience, rather than", "the head with the point I'm trying to make. This isn't a matter", "really trust what I'm writing to get the point across. When I'm editing", "writing narratives about my personal experiences with products, rather than the more traditional", "more traditional objective, third person assessment. So, for example, in a recent piece", "to write prose that achieves the intended effect. What can I do to", "hit my audience over the head with the point I'm trying to make.", "do to learn better, or to evaluate my attempts at subtlety so I", "attempts at subtlety so I can be more certain they'll get the point", "after that, two hours have shot by into hyperspace and I'm sated with", "the intended effect. What can I do to learn better, or to evaluate", "Everyone just copies ideas from the internet nowadays. But without everything I needed,", "narrative and hit my audience over the head with the point I'm trying", "selection of cards has unexpected charm. Everyone just copies ideas from the internet", "matter of not trusting the audience, it's a matter of not trusting myself", "take my narrative and hit my audience over the head with the point", "my writing work often involves writing reviews. Similar work in the field often", "my approach for many years. Now, however, I'm starting to try something different.", "subtle approach which implies things for the audience, rather than spelling it out", "written: > > Making a deck with a limited selection of cards has", "has unexpected charm. Everyone just copies ideas from the internet nowadays. But without", "to plan my own instead, and it proved surprisingly satisfying. > > >", "I'm trying to make. This isn't a matter of not trusting the audience,", "reviews. Similar work in the field often focuses down on the mechanical, objective", "of not trusting the audience, it's a matter of not trusting myself to", "thing being reviewed and that's been my approach for many years. Now, however,", "I don't really trust what I'm writing to get the point across. When", "difficult to resist the urge to take my narrative and hit my audience", "effect. What can I do to learn better, or to evaluate my attempts", "time I might have written: > > Making a deck with a limited", "I find it difficult to resist the urge to take my narrative and", "my narrative and hit my audience over the head with the point I'm", "objective, third person assessment. So, for example, in a recent piece I wrote:", "for example, in a recent piece I wrote: > > Soon, I'm surrounded", "and my writing work often involves writing reviews. Similar work in the field", "a matter of not trusting the audience, it's a matter of not trusting", "Similar work in the field often focuses down on the mechanical, objective qualities", "and that's been my approach for many years. Now, however, I'm starting to", "by into hyperspace and I'm sated with my own cleverness and creativity. I", "the field often focuses down on the mechanical, objective qualities of the thing", "with products, rather than the more traditional objective, third person assessment. So, for", "creativity. I haven't looked at the internet once. > > > Wheres once", "different. I want to take a more subtle approach which implies things for", "satisfying. > > > The trouble is that I don't really trust what", "> The trouble is that I don't really trust what I'm writing to", "editing my work, I find it difficult to resist the urge to take", "assessment. So, for example, in a recent piece I wrote: > > Soon,", "to them. I've started to do this by writing narratives about my personal", "to try something different. I want to take a more subtle approach which", "starting to try something different. I want to take a more subtle approach", "this by writing narratives about my personal experiences with products, rather than the", "I needed, I had to plan my own instead, and it proved surprisingly", "cards has unexpected charm. Everyone just copies ideas from the internet nowadays. But", "the internet nowadays. But without everything I needed, I had to plan my", "Wheres once upon a time I might have written: > > Making a", "started to do this by writing narratives about my personal experiences with products,", "traditional objective, third person assessment. So, for example, in a recent piece I", "I've started to do this by writing narratives about my personal experiences with", "to evaluate my attempts at subtlety so I can be more certain they'll", "> > Soon, I'm surrounded by small stacks of cards. Shortly after that,", "often involves writing reviews. Similar work in the field often focuses down on", "hours have shot by into hyperspace and I'm sated with my own cleverness", "and creativity. I haven't looked at the internet once. > > > Wheres", "once. > > > Wheres once upon a time I might have written:", "> Making a deck with a limited selection of cards has unexpected charm.", "spelling it out to them. I've started to do this by writing narratives", "trust what I'm writing to get the point across. When I'm editing my", "to learn better, or to evaluate my attempts at subtlety so I can", "years. Now, however, I'm starting to try something different. I want to take", "charm. Everyone just copies ideas from the internet nowadays. But without everything I", "objective qualities of the thing being reviewed and that's been my approach for", "I want to take a more subtle approach which implies things for the", "over the head with the point I'm trying to make. This isn't a", "What can I do to learn better, or to evaluate my attempts at", "the internet once. > > > Wheres once upon a time I might", "of cards has unexpected charm. Everyone just copies ideas from the internet nowadays.", "trusting myself to write prose that achieves the intended effect. What can I", "and I'm sated with my own cleverness and creativity. I haven't looked at", "work often involves writing reviews. Similar work in the field often focuses down", "often focuses down on the mechanical, objective qualities of the thing being reviewed", "of the thing being reviewed and that's been my approach for many years.", "Shortly after that, two hours have shot by into hyperspace and I'm sated", "not trusting the audience, it's a matter of not trusting myself to write", "upon a time I might have written: > > Making a deck with", "surprisingly satisfying. > > > The trouble is that I don't really trust", "piece I wrote: > > Soon, I'm surrounded by small stacks of cards.", "the thing being reviewed and that's been my approach for many years. Now,", "the audience, it's a matter of not trusting myself to write prose that", "a more subtle approach which implies things for the audience, rather than spelling", "> Wheres once upon a time I might have written: > > Making", "my work, I find it difficult to resist the urge to take my", "field often focuses down on the mechanical, objective qualities of the thing being", "rather than spelling it out to them. I've started to do this by", "my personal experiences with products, rather than the more traditional objective, third person", "have shot by into hyperspace and I'm sated with my own cleverness and", "with the point I'm trying to make. This isn't a matter of not", "internet once. > > > Wheres once upon a time I might have", "limited selection of cards has unexpected charm. Everyone just copies ideas from the", "the mechanical, objective qualities of the thing being reviewed and that's been my", "audience, it's a matter of not trusting myself to write prose that achieves", "about my personal experiences with products, rather than the more traditional objective, third", "into hyperspace and I'm sated with my own cleverness and creativity. I haven't", "not trusting myself to write prose that achieves the intended effect. What can", "shot by into hyperspace and I'm sated with my own cleverness and creativity.", "instead, and it proved surprisingly satisfying. > > > The trouble is that", "a journalist, and my writing work often involves writing reviews. Similar work in", "with my own cleverness and creativity. I haven't looked at the internet once.", "and it proved surprisingly satisfying. > > > The trouble is that I", "trying to make. This isn't a matter of not trusting the audience, it's", "or to evaluate my attempts at subtlety so I can be more certain", "writing work often involves writing reviews. Similar work in the field often focuses", "across. When I'm editing my work, I find it difficult to resist the", "that's been my approach for many years. Now, however, I'm starting to try", "nowadays. But without everything I needed, I had to plan my own instead,", "and hit my audience over the head with the point I'm trying to", "to take my narrative and hit my audience over the head with the", "own instead, and it proved surprisingly satisfying. > > > The trouble is", "qualities of the thing being reviewed and that's been my approach for many", "> Soon, I'm surrounded by small stacks of cards. Shortly after that, two", "of cards. Shortly after that, two hours have shot by into hyperspace and", "trusting the audience, it's a matter of not trusting myself to write prose", "small stacks of cards. Shortly after that, two hours have shot by into", "person assessment. So, for example, in a recent piece I wrote: > >", "copies ideas from the internet nowadays. But without everything I needed, I had", "to resist the urge to take my narrative and hit my audience over", "evaluate my attempts at subtlety so I can be more certain they'll get", "just copies ideas from the internet nowadays. But without everything I needed, I", "to do this by writing narratives about my personal experiences with products, rather", "the more traditional objective, third person assessment. So, for example, in a recent", "at subtlety so I can be more certain they'll get the point across?", "for many years. Now, however, I'm starting to try something different. I want", "implies things for the audience, rather than spelling it out to them. I've", "cleverness and creativity. I haven't looked at the internet once. > > >", "the urge to take my narrative and hit my audience over the head", "at the internet once. > > > Wheres once upon a time I", "Now, however, I'm starting to try something different. I want to take a", "work, I find it difficult to resist the urge to take my narrative", "make. This isn't a matter of not trusting the audience, it's a matter", "I'm a journalist, and my writing work often involves writing reviews. Similar work", "in the field often focuses down on the mechanical, objective qualities of the", "experiences with products, rather than the more traditional objective, third person assessment. 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[ "other special people in my life to say goodbye before I made this", "person I was, the person they had known before I embarked on this", "this momentous journey. The goodbyes I had with everyone before the trip were", "\"extra moms\" on my twenty-fifth birthday, the night before I left. We walked", "me for a long while. For me, it was as if time stood", "A soft snow began to fall.\" I prefer \"the world fell quiet,\" as", "I am an adoptee writing a story about meeting my biological mother. I", "to say goodbye before I made this momentous journey. The goodbyes I had", "section was, \"The world fell quiet. A soft snow began to fall.\" I", "quiet. A soft snow began to fall.\" I always liked that part until", "couple of days before the trip I met with members of my adoptive", "met with members of my adoptive family and other special people in my", "I embarked on this life altering journey. I went out to dinner with", "NYC, as we were saying goodbye,she placed her hands on my shoulders and", "For me, it was as if time stood still in that moment. What", "the word \"fall\" in successive sentences. Then I changed it to, \"Time stood", "before I made this momentous journey. The goodbyes I had with everyone before", "and looking at me as if they wanted to preserve that image of", "night before I left. We walked back to her apartment building in NYC,", "this life altering journey. I went out to dinner with one of my", "my shoulders and looked at me for a long while. For me, it", "person they had known before I embarked on this life altering journey. I", "to her apartment building in NYC, as we were saying goodbye,she placed her", "with members of my adoptive family and other special people in my life", "adoptive family and other special people in my life to say goodbye before", "people kept placing their hands on my shoulders and looking at me as", "kept placing their hands on my shoulders and looking at me as if", "moment. What I wrote at the end of this section was, \"The world", "on my shoulders and looking at me as if they wanted to preserve", "to fall.\" I prefer \"the world fell quiet,\" as opposed to \"time stood", "momentous journey. The goodbyes I had with everyone before the trip were fairly", "journey. I went out to dinner with one of my \"extra moms\" on", "to \"time stood still.\" **Is it okay to use \"fell\" and \"fall\" in", "fell quiet. A soft snow began to fall.\" I always liked that part", "I changed it to, \"Time stood still. A soft snow began to fall.\"", "building in NYC, as we were saying goodbye,she placed her hands on my", "my life to say goodbye before I made this momentous journey. The goodbyes", "it to, \"Time stood still. A soft snow began to fall.\" I prefer", "me as if they wanted to preserve that image of me, the person", "wrote at the end of this section was, \"The world fell quiet. A", "I made this momentous journey. The goodbyes I had with everyone before the", "as if they wanted to preserve that image of me, the person I", "the person they had known before I embarked on this life altering journey.", "and other special people in my life to say goodbye before I made", "on my twenty-fifth birthday, the night before I left. We walked back to", "birthday, the night before I left. We walked back to her apartment building", "family and other special people in my life to say goodbye before I", "I use a form of the word \"fall\" in successive sentences. Then I", "apartment building in NYC, as we were saying goodbye,she placed her hands on", "stood still.\" **Is it okay to use \"fell\" and \"fall\" in successive sentences?**", "mother. I had to get on a plane to meet my mother. A", "sentences. Then I changed it to, \"Time stood still. A soft snow began", "image of me, the person I was, the person they had known before", "and looked at me for a long while. For me, it was as", "hands on my shoulders and looked at me for a long while. For", "of days before the trip I met with members of my adoptive family", "I always liked that part until recently I realized I use a form", "snow began to fall.\" I always liked that part until recently I realized", "dinner with one of my \"extra moms\" on my twenty-fifth birthday, the night", "fell quiet,\" as opposed to \"time stood still.\" **Is it okay to use", "for a long while. For me, it was as if time stood still", "use a form of the word \"fall\" in successive sentences. Then I changed", "to dinner with one of my \"extra moms\" on my twenty-fifth birthday, the", "adoptee writing a story about meeting my biological mother. I had to get", "their hands on my shoulders and looking at me as if they wanted", "moms\" on my twenty-fifth birthday, the night before I left. We walked back", "still in that moment. What I wrote at the end of this section", "everyone before the trip were fairly similar, people kept placing their hands on", "on a plane to meet my mother. A couple of days before the", "end of this section was, \"The world fell quiet. A soft snow began", "my mother. A couple of days before the trip I met with members", "special people in my life to say goodbye before I made this momentous", "of my adoptive family and other special people in my life to say", "say goodbye before I made this momentous journey. The goodbyes I had with", "back to her apartment building in NYC, as we were saying goodbye,she placed", "What I wrote at the end of this section was, \"The world fell", "snow began to fall.\" I prefer \"the world fell quiet,\" as opposed to", "days before the trip I met with members of my adoptive family and", "biological mother. I had to get on a plane to meet my mother.", "A soft snow began to fall.\" I always liked that part until recently", "The goodbyes I had with everyone before the trip were fairly similar, people", "was as if time stood still in that moment. What I wrote at", "me, it was as if time stood still in that moment. What I", "soft snow began to fall.\" I always liked that part until recently I", "similar, people kept placing their hands on my shoulders and looking at me", "always liked that part until recently I realized I use a form of", "trip were fairly similar, people kept placing their hands on my shoulders and", "my shoulders and looking at me as if they wanted to preserve that", "story about meeting my biological mother. I had to get on a plane", "the person I was, the person they had known before I embarked on", "I was, the person they had known before I embarked on this life", "until recently I realized I use a form of the word \"fall\" in", "I realized I use a form of the word \"fall\" in successive sentences.", "wanted to preserve that image of me, the person I was, the person", "\"Time stood still. 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A soft", "opposed to \"time stood still.\" **Is it okay to use \"fell\" and \"fall\"", "an adoptee writing a story about meeting my biological mother. I had to", "life altering journey. I went out to dinner with one of my \"extra", "had known before I embarked on this life altering journey. I went out", "altering journey. I went out to dinner with one of my \"extra moms\"", "before the trip were fairly similar, people kept placing their hands on my", "this section was, \"The world fell quiet. A soft snow began to fall.\"", "placed her hands on my shoulders and looked at me for a long", "get on a plane to meet my mother. A couple of days before", "before I embarked on this life altering journey. I went out to dinner", "if they wanted to preserve that image of me, the person I was,", "it was as if time stood still in that moment. What I wrote", "twenty-fifth birthday, the night before I left. We walked back to her apartment", "stood still in that moment. What I wrote at the end of this", "I wrote at the end of this section was, \"The world fell quiet.", "before I left. We walked back to her apartment building in NYC, as", "as if time stood still in that moment. What I wrote at the", "they wanted to preserve that image of me, the person I was, the", "still. A soft snow began to fall.\" I prefer \"the world fell quiet,\"", "had with everyone before the trip were fairly similar, people kept placing their", "the trip were fairly similar, people kept placing their hands on my shoulders", "at me as if they wanted to preserve that image of me, the", "soft snow began to fall.\" I prefer \"the world fell quiet,\" as opposed", "to meet my mother. A couple of days before the trip I met", "trip I met with members of my adoptive family and other special people", "world fell quiet. A soft snow began to fall.\" I always liked that", "known before I embarked on this life altering journey. I went out to", "meet my mother. A couple of days before the trip I met with", "life to say goodbye before I made this momentous journey. The goodbyes I", "they had known before I embarked on this life altering journey. I went", "fall.\" I prefer \"the world fell quiet,\" as opposed to \"time stood still.\"", "left. We walked back to her apartment building in NYC, as we were", "time stood still in that moment. What I wrote at the end of", "her hands on my shoulders and looked at me for a long while.", "part until recently I realized I use a form of the word \"fall\"", "writing a story about meeting my biological mother. I had to get on", "began to fall.\" I always liked that part until recently I realized I", "a long while. For me, it was as if time stood still in", "goodbye,she placed her hands on my shoulders and looked at me for a", "on my shoulders and looked at me for a long while. For me,", "of this section was, \"The world fell quiet. A soft snow began to", "began to fall.\" I prefer \"the world fell quiet,\" as opposed to \"time", "of me, the person I was, the person they had known before I", "liked that part until recently I realized I use a form of the", "saying goodbye,she placed her hands on my shoulders and looked at me for", "hands on my shoulders and looking at me as if they wanted to", "were saying goodbye,she placed her hands on my shoulders and looked at me", "We walked back to her apartment building in NYC, as we were saying", "people in my life to say goodbye before I made this momentous journey.", "had to get on a plane to meet my mother. A couple of", "the trip I met with members of my adoptive family and other special" ]
[ "of as a hook? Put otherwise, it had not occurred to me to", "that they do not know what it is that my characters want, and", "I'm curious as well, what does not constitute a hook. Perhaps there is", "reeled in, and now I see that they may ... wish to be", "hook is (often) seen as establishing the tone of the book, placing the", "style, setting, tension, story, and so on are important to writing in a", "a 'hook.' This is a current truism. The hook is (often) seen as", "well, what does not constitute a hook. Perhaps there is a reason that", "and so on are important to writing in a compelling fashion. These can", "not constitute a hook. Perhaps there is a reason that setting is not?", "take a broad view of what a 'hook' could be. (It had not", "defined as such. I am hoping to gain insight into what does and", "what does not constitute a hook. Perhaps there is a reason that setting", "it had not occurred to me to see character desire, specifically, as a", "me to hook my readers in as many ways as possible! I saw", "to me to see character desire, specifically, as a hook. It had not", "good prose, relatable characters, rich settings. Books must start with a 'hook.' This", "people to be entertained - not quarry to be poached and reeled in,", "specifically, as a hook. It had not occurred to me to take a", "am hoping to gain insight into what does and does not constitute a", "of what a 'hook' could be. (It had not occurred to me to", "Perhaps there is a reason that setting is not? seen as a hook", "be entertained - not quarry to be poached and reeled in, and now", "to take a broad view of what a 'hook' could be. (It had", "more 'hooked' into the characters. With this dawning realization I began to wonder,", "fashion. These can all be considered 'hooks' but are not typically seen or", "(and myself) - if they knew what my characters wanted, they would be", "into the mindset of a main character. The (implying singular) hook should be", "start with a 'hook.' This is a current truism. The hook is (often)", "a hook. Perhaps there is a reason that setting is not? seen as", "story, perhaps the first 300 words. Or the first sentence. My cherished beta", "(implying singular) hook should be the first page of the story, perhaps the", "and does not constitute a hook, the more specific the better. I'm not", "that hooks are things that hook. (I'm quite astute in this way.) They", "to writing in a compelling fashion. These can all be considered 'hooks' but", "compelling fashion. These can all be considered 'hooks' but are not typically seen", "re-envision my efforts through the lenses of hooks!) Through the valuable contributions of", "to gain insight into what does and does not constitute a hook, the", "hooks are things that hook. (I'm quite astute in this way.) They can", "to hook my readers in as many ways as possible! I saw the", "reader into the setting, into the mindset of a main character. The (implying", "'hooks' but are not typically seen or defined as such. I am hoping", "current truism. The hook is (often) seen as establishing the tone of the", "me that this is a stumbling block for them (and myself) - if", "readers have indicated that they do not know what it is that my", "is a reason that setting is not? seen as a hook although it", "with a 'hook.' This is a current truism. The hook is (often) seen", "conceived of as a hook? Put otherwise, it had not occurred to me", "understand that style, setting, tension, story, and so on are important to writing", "intuit that hooks are things that hook. (I'm quite astute in this way.)", "to see character desire, specifically, as a hook. It had not occurred to", "be good prose, relatable characters, rich settings. Books must start with a 'hook.'", "These can all be considered 'hooks' but are not typically seen or defined", "ways as possible! I saw the readers merely as people to be entertained", "this site, I understand that style, setting, tension, story, and so on are", "not occurred to me to take a broad view of what a 'hook'", "tension, story, and so on are important to writing in a compelling fashion.", "as a hook. It had not occurred to me to take a broad", "view of what a 'hook' could be. (It had not occurred to me", "not know what it is that my characters want, and it finally dawned", "poached and reeled in, and now I see that they may ... wish", "that they may ... wish to be reeled in and I'm happy to", "main character. The (implying singular) hook should be the first page of the", "a compelling fashion. These can all be considered 'hooks' but are not typically", "words. Or the first sentence. My cherished beta readers have indicated that they", "on this site, I understand that style, setting, tension, story, and so on", "readers in as many ways as possible! I saw the readers merely as", "sentence. My cherished beta readers have indicated that they do not know what", "entertained - not quarry to be poached and reeled in, and now I", "constitute a hook, the more specific the better. I'm not looking to tread", "to wonder, what other elements can be conceived of as a hook? Put", "this way.) They can be good prose, relatable characters, rich settings. Books must", "me to see character desire, specifically, as a hook. It had not occurred", "I see that they may ... wish to be reeled in and I'm", "contributions of esteemed contributors on this site, I understand that style, setting, tension,", "old ground, although I expect that may be necessary. I'm curious as well,", "book, placing the reader into the setting, into the mindset of a main", "esteemed contributors on this site, I understand that style, setting, tension, story, and", "lenses of hooks!) Through the valuable contributions of esteemed contributors on this site,", "- not quarry to be poached and reeled in, and now I see", "the setting, into the mindset of a main character. The (implying singular) hook", "as possible! I saw the readers merely as people to be entertained -", "rich settings. Books must start with a 'hook.' This is a current truism.", "establishing the tone of the book, placing the reader into the setting, into", "I'm not looking to tread over old ground, although I expect that may", "hook my readers in as many ways as possible! I saw the readers", "hook. It had not occurred to me to take a broad view of", "on are important to writing in a compelling fashion. 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Through the valuable contributions of esteemed contributors", "as people to be entertained - not quarry to be poached and reeled", "other elements can be conceived of as a hook? Put otherwise, it had", "tone of the book, placing the reader into the setting, into the mindset", "of the story, perhaps the first 300 words. Or the first sentence. My", "This is a current truism. The hook is (often) seen as establishing the", "they knew what my characters wanted, they would be more 'hooked' into the", "hook? Put otherwise, it had not occurred to me to see character desire,", "things that hook. (I'm quite astute in this way.) They can be good", "possible! I saw the readers merely as people to be entertained - not", "may be necessary. I'm curious as well, what does not constitute a hook.", "it finally dawned on me that this is a stumbling block for them", "character desire, specifically, as a hook. 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With this", "The hook is (often) seen as establishing the tone of the book, placing", "to me to take a broad view of what a 'hook' could be.", "the better. I'm not looking to tread over old ground, although I expect", "a 'hook' could be. (It had not occurred to me to hook my", "'hook.' This is a current truism. The hook is (often) seen as establishing", "into the setting, into the mindset of a main character. The (implying singular)", "placing the reader into the setting, into the mindset of a main character.", "Or the first sentence. My cherished beta readers have indicated that they do", "all be considered 'hooks' but are not typically seen or defined as such.", "hoping to gain insight into what does and does not constitute a hook,", "mindset of a main character. The (implying singular) hook should be the first", "gain insight into what does and does not constitute a hook, the more", "is a current truism. 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Through the", "a stumbling block for them (and myself) - if they knew what my", "(It had not occurred to me to hook my readers in as many", "had not occurred to me to take a broad view of what a", "not constitute a hook, the more specific the better. I'm not looking to", "occurred to me to see character desire, specifically, as a hook. It had", "the more specific the better. I'm not looking to tread over old ground,", "characters, rich settings. Books must start with a 'hook.' This is a current", "I expect that may be necessary. I'm curious as well, what does not", "this is a stumbling block for them (and myself) - if they knew", "had not occurred to me to see character desire, specifically, as a hook.", "and it finally dawned on me that this is a stumbling block for", "occurred to me to hook my readers in as many ways as possible!", "site, I understand that style, setting, tension, story, and so on are important", "tread over old ground, although I expect that may be necessary. 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The", "to be reeled in and I'm happy to re-envision my efforts through the", "I began to wonder, what other elements can be conceived of as a", "that hook. (I'm quite astute in this way.) They can be good prose,", "(often) seen as establishing the tone of the book, placing the reader into", "must start with a 'hook.' This is a current truism. The hook is", "first page of the story, perhaps the first 300 words. Or the first", "what my characters wanted, they would be more 'hooked' into the characters. With", "setting is not? seen as a hook although it is seen as a", "valuable contributions of esteemed contributors on this site, I understand that style, setting,", "a reason that setting is not? seen as a hook although it is", "Books must start with a 'hook.' This is a current truism. The hook", "hook. (I'm quite astute in this way.) 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[ "to any engaged reader. Perhaps I was good with goals in my story", "should this be called out as well? All my instincts scream 'No' but", "trait and longer lasting than a goal. A **goal** can be easily attainable", "of culture. She makes choices towards following her mother's footsteps throughout the first", "her desire - to hang their hat on, I suppose.) Do my characters", "the things that she once did.' A **desire** might be 'to honor her", "understood by the author in order to have constructed a good character. If", "and ambitions. An **ambition** for this character might be 'to emulate my mother'", "mother, and she comes from this sort of culture. She makes choices towards", "finesse. Ambition, perhaps, never needs to be articulated, tho' it should be clear", "should be communicated and likely require more finesse. Ambition, perhaps, never needs to", "not need to be stated outright, yet desires should be communicated and likely", "Do these statements need to be quite explicit? If desires are not met,", "feedback indicates otherwise. Readers don't know what she wants. She is making choices,", "communicated and likely require more finesse. Ambition, perhaps, never needs to be articulated,", "desires are not met, should this be called out as well? All my", "coin were communicated effectively through showing, but my feedback indicates otherwise. Readers don't", "be quite explicit? If desires are not met, should this be called out", "desires stated (presumably by other characters to keep it from being too on", "food for thought. I've further thoughts as well. There are differences between short", "effectively through showing, but my feedback indicates otherwise. Readers don't know what she", "most intriguing to me and to perhaps the readers, I believe it is", "character and therefore valuable, and it goes to motivation and what drives her.", "character might be 'to emulate my mother' and ambition is typically reflective of", "on, I suppose.) Do my characters need to have their desires stated (presumably", "this coin were communicated effectively through showing, but my feedback indicates otherwise. Readers", "personality trait and longer lasting than a goal. A **goal** can be easily", "all three need to be understood by the author in order to have", "lady's auxiliary to which my mother belonged,' or broad (and vague) such as", "is typically reflective of a personality trait and longer lasting than a goal.", "be stated outright, yet desires should be communicated and likely require more finesse.", "honor her mother, and she comes from this sort of culture. She makes", "the novel. In the second half of the novel she is unable to", "in the abstract, but perhaps you'll have some insight. **As an edit:** Thank", "through decisions and do not need to be stated outright, yet desires should", "met, should this be called out as well? All my instincts scream 'No'", "of this coin were communicated effectively through showing, but my feedback indicates otherwise.", "shown through decisions and do not need to be stated outright, yet desires", "the footsteps of her mother, who has passed away. This desire is to", "me and to perhaps the readers, I believe it is most illustrative of", "or broad (and vague) such as 'do many of the things that she", "second half of the novel she is unable to continue on this path,", "don't know if they agree with her or not, because they don't have", "order to have constructed a good character. If my schema is good, then", "to keep it from being too on the nose)? Do these statements need", "any engaged reader. Perhaps I was good with goals in my story but", "of the novel she is unable to continue on this path, and this", "is moving in the directions she is - (And, they don't know if", "both sides of this coin were communicated effectively through showing, but my feedback", "a stumbling block for my readers to understand what drives my characters. I", "to answer in the abstract, but perhaps you'll have some insight. **As an", "this communicated her desires.... but readers don't seem to understand why she is", "and do not need to be stated outright, yet desires should be communicated", "decisions and do not need to be stated outright, yet desires should be", "desires through showing, and action, but it is not seeming to translate to", "abstract, but perhaps you'll have some insight. **As an edit:** Thank you for", "the second half of the novel she is unable to continue on this", "mother' and ambition is typically reflective of a personality trait and longer lasting", "be easily shown through decisions and do not need to be stated outright,", "she is moving in the directions she is - (And, they don't know", "to be quite explicit? If desires are not met, should this be called", "memory' (In this story context, there are spiritual overtones for the daughter). This", "to be stated outright, yet desires should be communicated and likely require more", "being too on the nose)? Do these statements need to be quite explicit?", "there must be a happy middle between what I've done and what my", "desires should be communicated and likely require more finesse. Ambition, perhaps, never needs", "is - (And, they don't know if they agree with her or not,", "other characters to keep it from being too on the nose)? Do these", "for the food for thought. I've further thoughts as well. There are differences", "An **ambition** for this character might be 'to emulate my mother' and ambition", "what drives my characters. I had thought I had communicated character desires through", "through showing, but my feedback indicates otherwise. Readers don't know what she wants.", "because they don't have a clean sense of her desire - to hang", "with goals in my story but the desires are missing. As always, your", "but my feedback indicates otherwise. Readers don't know what she wants. She is", "and I thought this communicated her desires.... but readers don't seem to understand", "mentioned elsewhere, it has been a stumbling block for my readers to understand", "to hang their hat on, I suppose.) Do my characters need to have", "hang their hat on, I suppose.) Do my characters need to have their", "I had thought I had communicated character desires through showing, and action, but", "is making choices, and succeeding and failing, and I thought this communicated her", "choices, and succeeding and failing, and I thought this communicated her desires.... but", "as well? All my instincts scream 'No' but there must be a happy", "you'll have some insight. **As an edit:** Thank you for the food for", "need to have their desires stated (presumably by other characters to keep it", "keep it from being too on the nose)? Do these statements need to", "this path, and this eventuality is distressing to her. I had thought both", "too on the nose)? 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Do", "the reader. **Example**: One character wishes to follow the footsteps of her mother,", "I appreciate that this is a hard question to answer in the abstract,", "be called out as well? All my instincts scream 'No' but there must", "'to emulate my mother' and ambition is typically reflective of a personality trait", "elsewhere, it has been a stumbling block for my readers to understand what", "'No' but there must be a happy middle between what I've done and", "insight. **As an edit:** Thank you for the food for thought. I've further", "to continue on this path, and this eventuality is distressing to her. I", "then I presume goals can be easily shown through decisions and do not", "have their desires stated (presumably by other characters to keep it from being", "character. If my schema is good, then I presume goals can be easily", "was good with goals in my story but the desires are missing. As", "in order to have constructed a good character. 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Perhaps I was", "or not, because they don't have a clean sense of her desire -", "such as 'Join the lady's auxiliary to which my mother belonged,' or broad", "communicated her desires.... but readers don't seem to understand why she is moving", "and therefore valuable, and it goes to motivation and what drives her. Perhaps", "can be easily attainable and highly concrete, such as 'Join the lady's auxiliary", "This desire is to honor her mother, and she comes from this sort", "happy middle between what I've done and what my readers would like. I", "thought I had communicated character desires through showing, and action, but it is", "reader. Perhaps I was good with goals in my story but the desires", "her. I had thought both sides of this coin were communicated effectively through", "'do many of the things that she once did.' A **desire** might be", "for thought. I've further thoughts as well. 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In the second half of the novel she is unable", "failing, and I thought this communicated her desires.... but readers don't seem to", "I believe it is most illustrative of the daughter's character and therefore valuable,", "clear to any engaged reader. Perhaps I was good with goals in my", "stumbling block for my readers to understand what drives my characters. I had", "Do my characters need to have their desires stated (presumably by other characters", "my instincts scream 'No' but there must be a happy middle between what", "instincts scream 'No' but there must be a happy middle between what I've", "yet desires should be communicated and likely require more finesse. Ambition, perhaps, never", "my characters. I had thought I had communicated character desires through showing, and", "their hat on, I suppose.) Do my characters need to have their desires", "and she comes from this sort of culture. She makes choices towards following", "through showing, and action, but it is not seeming to translate to the", "some insight. **As an edit:** Thank you for the food for thought. I've", "have some insight. **As an edit:** Thank you for the food for thought.", "as well. There are differences between short and long term goals, desires and", "first half of the novel. In the second half of the novel she", "did.' A **desire** might be 'to honor her memory' (In this story context,", "in my story but the desires are missing. As always, your thoughts are", "an edit:** Thank you for the food for thought. I've further thoughts as", "hat on, I suppose.) Do my characters need to have their desires stated", "half of the novel. In the second half of the novel she is", "between what I've done and what my readers would like. I appreciate that", "and what my readers would like. I appreciate that this is a hard", "thoughts as well. 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A **desire** might be 'to honor", "their desires stated (presumably by other characters to keep it from being too", "edit:** Thank you for the food for thought. I've further thoughts as well.", "it is most illustrative of the daughter's character and therefore valuable, and it", "like. I appreciate that this is a hard question to answer in the", "motivation and what drives her. Perhaps all three need to be understood by", "if they agree with her or not, because they don't have a clean", "goals can be easily shown through decisions and do not need to be", "further thoughts as well. There are differences between short and long term goals,", "they agree with her or not, because they don't have a clean sense", "as 'Join the lady's auxiliary to which my mother belonged,' or broad (and", "the readers, I believe it is most illustrative of the daughter's character and", "honor her memory' (In this story context, there are spiritual overtones for the", "sort of culture. 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I've further thoughts", "the lady's auxiliary to which my mother belonged,' or broad (and vague) such", "it is not seeming to translate to the reader. **Example**: One character wishes", "(presumably by other characters to keep it from being too on the nose)?", "ambition is typically reflective of a personality trait and longer lasting than a", "moving in the directions she is - (And, they don't know if they", "readers would like. I appreciate that this is a hard question to answer", "translate to the reader. **Example**: One character wishes to follow the footsteps of", "needs to be articulated, tho' it should be clear to any engaged reader.", "intriguing to me and to perhaps the readers, I believe it is most", "would like. I appreciate that this is a hard question to answer in", "thought. I've further thoughts as well. There are differences between short and long", "desires and ambitions. 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This desire", "never needs to be articulated, tho' it should be clear to any engaged", "one, the desire, is most intriguing to me and to perhaps the readers,", "highly concrete, such as 'Join the lady's auxiliary to which my mother belonged,'", "is unable to continue on this path, and this eventuality is distressing to", "this character might be 'to emulate my mother' and ambition is typically reflective", "unable to continue on this path, and this eventuality is distressing to her.", "daughter's character and therefore valuable, and it goes to motivation and what drives", "my mother' and ambition is typically reflective of a personality trait and longer", "are spiritual overtones for the daughter). This last one, the desire, is most", "it should be clear to any engaged reader. Perhaps I was good with", "perhaps you'll have some insight. **As an edit:** Thank you for the food", "eventuality is distressing to her. I had thought both sides of this coin", "on the nose)? Do these statements need to be quite explicit? If desires", "had communicated character desires through showing, and action, but it is not seeming", "can be easily shown through decisions and do not need to be stated", "is not seeming to translate to the reader. **Example**: One character wishes to", "my feedback indicates otherwise. Readers don't know what she wants. She is making", "author in order to have constructed a good character. If my schema is", "with her or not, because they don't have a clean sense of her", "goal. A **goal** can be easily attainable and highly concrete, such as 'Join", "what drives her. Perhaps all three need to be understood by the author", "I suppose.) Do my characters need to have their desires stated (presumably by", "long term goals, desires and ambitions. An **ambition** for this character might be", "for the daughter). This last one, the desire, is most intriguing to me", "easily shown through decisions and do not need to be stated outright, yet" ]
[ "not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good or bad way", "painstaking detail about their physiology, anatomy, weaponry, armour and tactics in straightforward, jargon-free", "up in-depth profiles of the various Degenerate subspecies (which go into painstaking detail", "heavily inspired by the Scythians (Indo-Iranian horse nomads that ruled the Eurasian Steppe", "the Eurasian Steppe and Central Asia from the 9th century BC to the", "solely to parasitize and radically alter the entire physiology of a wide variety", "or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like", "organisms from the phylum Chordata. I have been toying with the idea of", "straightforward, jargon-free manner) presented as excerpts from [an in-universe book that was given", "Degenerate subspecies (which go into painstaking detail about their physiology, anatomy, weaponry, armour", "tactics in straightforward, jargon-free manner) presented as excerpts from [an in-universe book that", "I'm currently writing called Surge features an enemy faction called the Degenerates that", "consists mostly of humans that have been parasitized by a small worm-like endoparasite", "into painstaking detail about their physiology, anatomy, weaponry, armour and tactics in straightforward,", "me to dabble in a bit of world-building without having to make [characters", "have been toying with the idea of writing up in-depth profiles of the", "the idea of writing up in-depth profiles of the various Degenerate subspecies (which", "their physiology, anatomy, weaponry, armour and tactics in straightforward, jargon-free manner) presented as", "the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind of intermission. It's basically a", "mostly of humans that have been parasitized by a small worm-like endoparasite that", "enemy faction called the Degenerates that are heavily inspired by the Scythians (Indo-Iranian", "of a wide variety of organisms from the phylum Chordata. I have been", "as a kind of intermission. It's basically a chance for me to dabble", "reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good or bad way of handling exposition?", "excerpts from [an in-universe book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between", "writing up in-depth profiles of the various Degenerate subspecies (which go into painstaking", "intermission. It's basically a chance for me to dabble in a bit of", "century BC to the 1st century CE) and consists mostly of humans that", "currently writing called Surge features an enemy faction called the Degenerates that are", "[talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like they're", "was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind of intermission.", "entire physiology of a wide variety of organisms from the phylum Chordata. I", "bit of world-building without having to make [characters constantly provide wordy info-dumps that", "the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good or bad way of handling", "worm-like endoparasite that has evolved solely to parasitize and radically alter the entire", "Steppe and Central Asia from the 9th century BC to the 1st century", "9th century BC to the 1st century CE) and consists mostly of humans", "(which go into painstaking detail about their physiology, anatomy, weaponry, armour and tactics", "parasitize and radically alter the entire physiology of a wide variety of organisms", "constantly provide wordy info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about", "features an enemy faction called the Degenerates that are heavily inspired by the", "by the Scythians (Indo-Iranian horse nomads that ruled the Eurasian Steppe and Central", "of world-building without having to make [characters constantly provide wordy info-dumps that consist", "to the 1st century CE) and consists mostly of humans that have been", "[an in-universe book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as", "called the Degenerates that are heavily inspired by the Scythians (Indo-Iranian horse nomads", "know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good or", "a wide variety of organisms from the phylum Chordata. I have been toying", "world-building without having to make [characters constantly provide wordy info-dumps that consist entirely", "presented as excerpts from [an in-universe book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita),", "Central Asia from the 9th century BC to the 1st century CE) and", "Degenerates that are heavily inspired by the Scythians (Indo-Iranian horse nomads that ruled", "A book that I'm currently writing called Surge features an enemy faction called", "a small worm-like endoparasite that has evolved solely to parasitize and radically alter", "radically alter the entire physiology of a wide variety of organisms from the", "of intermission. It's basically a chance for me to dabble in a bit", "to dabble in a bit of world-building without having to make [characters constantly", "the 1st century CE) and consists mostly of humans that have been parasitized", "that have been parasitized by a small worm-like endoparasite that has evolved solely", "a kind of intermission. It's basically a chance for me to dabble in", "to make [characters constantly provide wordy info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/)", "evolved solely to parasitize and radically alter the entire physiology of a wide", "in-universe book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a", "that has evolved solely to parasitize and radically alter the entire physiology of", "of writing up in-depth profiles of the various Degenerate subspecies (which go into", "to parasitize and radically alter the entire physiology of a wide variety of", "I have been toying with the idea of writing up in-depth profiles of", "with the idea of writing up in-depth profiles of the various Degenerate subspecies", "consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while", "physiology, anatomy, weaponry, armour and tactics in straightforward, jargon-free manner) presented as excerpts", "chapters as a kind of intermission. It's basically a chance for me to", "scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the", "without having to make [characters constantly provide wordy info-dumps that consist entirely of", "of organisms from the phylum Chordata. I have been toying with the idea", "CE) and consists mostly of humans that have been parasitized by a small", "wordy info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they", "and radically alter the entire physiology of a wide variety of organisms from", "idea of writing up in-depth profiles of the various Degenerate subspecies (which go", "of humans that have been parasitized by a small worm-like endoparasite that has", "various Degenerate subspecies (which go into painstaking detail about their physiology, anatomy, weaponry,", "already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good", "toying with the idea of writing up in-depth profiles of the various Degenerate", "entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not", "the phylum Chordata. I have been toying with the idea of writing up", "writing called Surge features an enemy faction called the Degenerates that are heavily", "Eurasian Steppe and Central Asia from the 9th century BC to the 1st", "jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader", "the Degenerates that are heavily inspired by the Scythians (Indo-Iranian horse nomads that", "inspired by the Scythians (Indo-Iranian horse nomads that ruled the Eurasian Steppe and", "book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind", "from [an in-universe book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters", "subspecies (which go into painstaking detail about their physiology, anatomy, weaponry, armour and", "treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good or bad way of", "have been parasitized by a small worm-like endoparasite that has evolved solely to", "an enemy faction called the Degenerates that are heavily inspired by the Scythians", "Surge features an enemy faction called the Degenerates that are heavily inspired by", "and consists mostly of humans that have been parasitized by a small worm-like", "having to make [characters constantly provide wordy info-dumps that consist entirely of scientific", "parasitized by a small worm-like endoparasite that has evolved solely to parasitize and", "dabble in a bit of world-building without having to make [characters constantly provide", "basically a chance for me to dabble in a bit of world-building without", "profiles of the various Degenerate subspecies (which go into painstaking detail about their", "go into painstaking detail about their physiology, anatomy, weaponry, armour and tactics in", "weaponry, armour and tactics in straightforward, jargon-free manner) presented as excerpts from [an", "that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow)", "and Central Asia from the 9th century BC to the 1st century CE)", "to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind of intermission. It's basically", "physiology of a wide variety of organisms from the phylum Chordata. I have", "detail about their physiology, anatomy, weaponry, armour and tactics in straightforward, jargon-free manner)", "kind of intermission. It's basically a chance for me to dabble in a", "make [characters constantly provide wordy info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or", "ruled the Eurasian Steppe and Central Asia from the 9th century BC to", "Scythians (Indo-Iranian horse nomads that ruled the Eurasian Steppe and Central Asia from", "[while not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a good or bad", "that I'm currently writing called Surge features an enemy faction called the Degenerates", "info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already", "It's basically a chance for me to dabble in a bit of world-building", "BC to the 1st century CE) and consists mostly of humans that have", "by a small worm-like endoparasite that has evolved solely to parasitize and radically", "that are heavily inspired by the Scythians (Indo-Iranian horse nomads that ruled the", "the Scythians (Indo-Iranian horse nomads that ruled the Eurasian Steppe and Central Asia", "book that I'm currently writing called Surge features an enemy faction called the", "a chance for me to dabble in a bit of world-building without having", "between chapters as a kind of intermission. It's basically a chance for me", "1st century CE) and consists mostly of humans that have been parasitized by", "been toying with the idea of writing up in-depth profiles of the various", "the entire physiology of a wide variety of organisms from the phylum Chordata.", "horse nomads that ruled the Eurasian Steppe and Central Asia from the 9th", "about their physiology, anatomy, weaponry, armour and tactics in straightforward, jargon-free manner) presented", "in-depth profiles of the various Degenerate subspecies (which go into painstaking detail about", "jargon-free manner) presented as excerpts from [an in-universe book that was given to", "Chordata. I have been toying with the idea of writing up in-depth profiles", "from the phylum Chordata. I have been toying with the idea of writing", "faction called the Degenerates that are heavily inspired by the Scythians (Indo-Iranian horse", "phylum Chordata. I have been toying with the idea of writing up in-depth", "for me to dabble in a bit of world-building without having to make", "in a bit of world-building without having to make [characters constantly provide wordy", "of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating", "chance for me to dabble in a bit of world-building without having to", "Asia from the 9th century BC to the 1st century CE) and consists", "that ruled the Eurasian Steppe and Central Asia from the 9th century BC", "the 9th century BC to the 1st century CE) and consists mostly of", "about what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons)", "as excerpts from [an in-universe book that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set", "wide variety of organisms from the phylum Chordata. I have been toying with", "alter the entire physiology of a wide variety of organisms from the phylum", "nomads that ruled the Eurasian Steppe and Central Asia from the 9th century", "set between chapters as a kind of intermission. It's basically a chance for", "of the various Degenerate subspecies (which go into painstaking detail about their physiology,", "been parasitized by a small worm-like endoparasite that has evolved solely to parasitize", "endoparasite that has evolved solely to parasitize and radically alter the entire physiology", "in straightforward, jargon-free manner) presented as excerpts from [an in-universe book that was", "century CE) and consists mostly of humans that have been parasitized by a", "humans that have been parasitized by a small worm-like endoparasite that has evolved", "armour and tactics in straightforward, jargon-free manner) presented as excerpts from [an in-universe", "they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is a", "(Indo-Iranian horse nomads that ruled the Eurasian Steppe and Central Asia from the", "variety of organisms from the phylum Chordata. I have been toying with the", "from the 9th century BC to the 1st century CE) and consists mostly", "anatomy, weaponry, armour and tactics in straightforward, jargon-free manner) presented as excerpts from", "given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind of intermission. It's", "a bit of world-building without having to make [characters constantly provide wordy info-dumps", "and tactics in straightforward, jargon-free manner) presented as excerpts from [an in-universe book", "provide wordy info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk about what", "has evolved solely to parasitize and radically alter the entire physiology of a", "protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind of intermission. It's basically a chance", "manner) presented as excerpts from [an in-universe book that was given to the", "[characters constantly provide wordy info-dumps that consist entirely of scientific jargon](http://tvtropes.org/pmwiki/pmwiki.php/Main/TechnoBabble/) or [talk", "called Surge features an enemy faction called the Degenerates that are heavily inspired", "what they already know](http://tvtropes.org/pmwiki/pmwiki.php/Main/AsYouKnow) [while not treating the reader like they're stupid.](http://tvtropes.org/pmwiki/pmwiki.php/Main/ViewersAreMorons) Is", "are heavily inspired by the Scythians (Indo-Iranian horse nomads that ruled the Eurasian", "small worm-like endoparasite that has evolved solely to parasitize and radically alter the", "the various Degenerate subspecies (which go into painstaking detail about their physiology, anatomy,", "that was given to the protagonist](http://tvtropes.org/pmwiki/pmwiki.php/Main/EncyclopediaExposita), set between chapters as a kind of" ]
[ "editing a cookbook Other than trademarked names, should ingredients in the recipe lists", "Re: editing a cookbook Other than trademarked names, should ingredients in the recipe", "Other than trademarked names, should ingredients in the recipe lists be capitalized? Thank", "than trademarked names, should ingredients in the recipe lists be capitalized? Thank you", "a cookbook Other than trademarked names, should ingredients in the recipe lists be", "names, should ingredients in the recipe lists be capitalized? Thank you in advance.", "trademarked names, should ingredients in the recipe lists be capitalized? Thank you in", "cookbook Other than trademarked names, should ingredients in the recipe lists be capitalized?" ]
[ "scene in a cafe with a couple arguing (comedy) can I split the", "in another corner? It is technically the same scene, but it could be", "would not want to step on the feet of a director or camera", "like this. I would not want to step on the feet of a", "changing the camera angle to a couple in another corner? It is technically", "another corner? It is technically the same scene, but it could be broken", "up by changing the camera angle to a couple in another corner? It", "a long scene in a cafe with a couple arguing (comedy) can I", "long scene in a cafe with a couple arguing (comedy) can I split", "a couple arguing (comedy) can I split the scene up by changing the", "technically the same scene, but it could be broken up like this. I", "arguing (comedy) can I split the scene up by changing the camera angle", "couple arguing (comedy) can I split the scene up by changing the camera", "I would not want to step on the feet of a director or", "I have a long scene in a cafe with a couple arguing (comedy)", "have a long scene in a cafe with a couple arguing (comedy) can", "to a couple in another corner? It is technically the same scene, but", "up like this. I would not want to step on the feet of", "be broken up like this. I would not want to step on the", "by changing the camera angle to a couple in another corner? It is", "want to step on the feet of a director or camera man, but", "on the feet of a director or camera man, but it would need", "couple in another corner? It is technically the same scene, but it could", "the feet of a director or camera man, but it would need to", "the camera angle to a couple in another corner? It is technically the", "It is technically the same scene, but it could be broken up like", "it could be broken up like this. I would not want to step", "not want to step on the feet of a director or camera man,", "same scene, but it could be broken up like this. I would not", "director or camera man, but it would need to be this specified change.", "feet of a director or camera man, but it would need to be", "broken up like this. I would not want to step on the feet", "to step on the feet of a director or camera man, but it", "the scene up by changing the camera angle to a couple in another", "camera angle to a couple in another corner? It is technically the same", "split the scene up by changing the camera angle to a couple in", "I split the scene up by changing the camera angle to a couple", "cafe with a couple arguing (comedy) can I split the scene up by", "is technically the same scene, but it could be broken up like this.", "scene, but it could be broken up like this. I would not want", "of a director or camera man, but it would need to be this", "If I have a long scene in a cafe with a couple arguing", "but it could be broken up like this. I would not want to", "can I split the scene up by changing the camera angle to a", "angle to a couple in another corner? It is technically the same scene,", "scene up by changing the camera angle to a couple in another corner?", "in a cafe with a couple arguing (comedy) can I split the scene", "a couple in another corner? It is technically the same scene, but it", "could be broken up like this. I would not want to step on", "with a couple arguing (comedy) can I split the scene up by changing", "this. I would not want to step on the feet of a director", "a director or camera man, but it would need to be this specified", "step on the feet of a director or camera man, but it would", "the same scene, but it could be broken up like this. I would", "a cafe with a couple arguing (comedy) can I split the scene up", "corner? It is technically the same scene, but it could be broken up", "(comedy) can I split the scene up by changing the camera angle to" ]
[ "the corpse and find it's bloody face to be beautiful. How would you", "protagonist in a story and you find a dead body, you go up", "you find a dead body, you go up to the corpse and find", "dead body, you go up to the corpse and find it's bloody face", "there a specific word for it? I'm also trying to avoid saying, \"His", "body, you go up to the corpse and find it's bloody face to", "face? Is there a specific word for it? I'm also trying to avoid", "bloody face to be beautiful. How would you describe the corpse's face? Is", "you go up to the corpse and find it's bloody face to be", "to the corpse and find it's bloody face to be beautiful. How would", "describe the corpse's face? Is there a specific word for it? I'm also", "a story and you find a dead body, you go up to the", "to be beautiful. How would you describe the corpse's face? Is there a", "specific word for it? I'm also trying to avoid saying, \"His dead face", "find a dead body, you go up to the corpse and find it's", "Is there a specific word for it? I'm also trying to avoid saying,", "a protagonist in a story and you find a dead body, you go", "Imagine you're a protagonist in a story and you find a dead body,", "you're a protagonist in a story and you find a dead body, you", "go up to the corpse and find it's bloody face to be beautiful.", "it's bloody face to be beautiful. How would you describe the corpse's face?", "a specific word for it? I'm also trying to avoid saying, \"His dead", "up to the corpse and find it's bloody face to be beautiful. How", "corpse's face? Is there a specific word for it? I'm also trying to", "a dead body, you go up to the corpse and find it's bloody", "in a story and you find a dead body, you go up to", "corpse and find it's bloody face to be beautiful. How would you describe", "and find it's bloody face to be beautiful. How would you describe the", "the corpse's face? Is there a specific word for it? I'm also trying", "for it? I'm also trying to avoid saying, \"His dead face was beautiful\"", "and you find a dead body, you go up to the corpse and", "find it's bloody face to be beautiful. How would you describe the corpse's", "beautiful. How would you describe the corpse's face? Is there a specific word", "be beautiful. How would you describe the corpse's face? Is there a specific", "story and you find a dead body, you go up to the corpse", "would you describe the corpse's face? Is there a specific word for it?", "How would you describe the corpse's face? Is there a specific word for", "face to be beautiful. How would you describe the corpse's face? Is there", "word for it? I'm also trying to avoid saying, \"His dead face was", "you describe the corpse's face? Is there a specific word for it? I'm" ]
[ "Is directly showing a characters inner thoughts and conversations with themselves too telly", "directly showing a characters inner thoughts and conversations with themselves too telly or", "showing a characters inner thoughts and conversations with themselves too telly or cheesy?" ]
[ "meditation while doing something) and when that happens, you have reflexes and movements", "the player into a flux state (something like getting into a meditation while", "in a youtube channel that only games could do things such as: getting", "doing something) and when that happens, you have reflexes and movements that you", "once heard in a youtube channel that only games could do things such", "as: getting the player into a flux state (something like getting into a", "happens, you have reflexes and movements that you did'nt even thought you have.", "flux state (something like getting into a meditation while doing something) and when", "I got myself wondering, **\"which are the things that only literature could do", "and movements that you did'nt even thought you have. Movies, on the other", "and music appeal. I got myself wondering, **\"which are the things that only", "have. Movies, on the other hand, has powerful visual and music appeal. I", "do things such as: getting the player into a flux state (something like", "**\"which are the things that only literature could do or do better at?\"**", "that happens, you have reflexes and movements that you did'nt even thought you", "when that happens, you have reflexes and movements that you did'nt even thought", "got myself wondering, **\"which are the things that only literature could do or", "while doing something) and when that happens, you have reflexes and movements that", "appeal. I got myself wondering, **\"which are the things that only literature could", "such as: getting the player into a flux state (something like getting into", "wondering, **\"which are the things that only literature could do or do better", "visual and music appeal. I got myself wondering, **\"which are the things that", "you did'nt even thought you have. Movies, on the other hand, has powerful", "player into a flux state (something like getting into a meditation while doing", "youtube channel that only games could do things such as: getting the player", "a meditation while doing something) and when that happens, you have reflexes and", "Movies, on the other hand, has powerful visual and music appeal. I got", "the other hand, has powerful visual and music appeal. I got myself wondering,", "a youtube channel that only games could do things such as: getting the", "other hand, has powerful visual and music appeal. I got myself wondering, **\"which", "(something like getting into a meditation while doing something) and when that happens,", "movements that you did'nt even thought you have. Movies, on the other hand,", "something) and when that happens, you have reflexes and movements that you did'nt", "that you did'nt even thought you have. Movies, on the other hand, has", "heard in a youtube channel that only games could do things such as:", "could do things such as: getting the player into a flux state (something", "getting the player into a flux state (something like getting into a meditation", "a flux state (something like getting into a meditation while doing something) and", "only games could do things such as: getting the player into a flux", "you have. Movies, on the other hand, has powerful visual and music appeal.", "hand, has powerful visual and music appeal. I got myself wondering, **\"which are", "into a flux state (something like getting into a meditation while doing something)", "state (something like getting into a meditation while doing something) and when that", "music appeal. I got myself wondering, **\"which are the things that only literature", "like getting into a meditation while doing something) and when that happens, you", "on the other hand, has powerful visual and music appeal. I got myself", "and when that happens, you have reflexes and movements that you did'nt even", "you have reflexes and movements that you did'nt even thought you have. Movies,", "did'nt even thought you have. Movies, on the other hand, has powerful visual", "myself wondering, **\"which are the things that only literature could do or do", "reflexes and movements that you did'nt even thought you have. Movies, on the", "games could do things such as: getting the player into a flux state", "things such as: getting the player into a flux state (something like getting", "channel that only games could do things such as: getting the player into", "have reflexes and movements that you did'nt even thought you have. Movies, on", "has powerful visual and music appeal. I got myself wondering, **\"which are the", "that only games could do things such as: getting the player into a", "even thought you have. Movies, on the other hand, has powerful visual and", "getting into a meditation while doing something) and when that happens, you have", "into a meditation while doing something) and when that happens, you have reflexes", "thought you have. Movies, on the other hand, has powerful visual and music", "powerful visual and music appeal. I got myself wondering, **\"which are the things", "I've once heard in a youtube channel that only games could do things" ]
[ "setting (and obviously I can't visit the specific time)? If you've written a", "obviously I can't visit the specific time)? If you've written a thesis specifically:", "and I want to turn this into a mini research trip if I", "weeks I may have the opportunity to travel to this real place, which", "details should I pay attention to (peoples' demeanor, locations in the story, climate?)", "what kinds of things would you look for while on it? What details", "time period in a real place. In a few weeks I may have", "until just a few days ago, and I want to turn this into", "of this past time, etc), considering that I will be in this place", "am able. If you were doing a research trip for a novel, what", "novel, what kinds of things would you look for while on it? What", "I can't visit the specific time)? If you've written a thesis specifically: what", "things would you look for while on it? What details should I pay", "may have the opportunity to travel to this real place, which I didn't", "research trip if I am able. If you were doing a research trip", "I am required to complete a thesis project in the field of fiction", "a mini research trip if I am able. If you were doing a", "didn't expect to have until just a few days ago, and I want", "the opportunity to travel to this real place, which I didn't expect to", "writing, and I plan to write a novel. With the idea I'm pursuing", "fantasy, but be set in a historical time period in a real place.", "able. If you were doing a research trip for a novel, what kinds", "I didn't expect to have until just a few days ago, and I", "period in a real place. In a few weeks I may have the", "field of fiction writing, and I plan to write a novel. With the", "my BA degree, I am required to complete a thesis project in the", "what resources should I seek out (museums, living persons with knowledge of this", "of things would you look for while on it? What details should I", "pursuing right now, I plan for it to have elements of fantasy, but", "degree, I am required to complete a thesis project in the field of", "idea I'm pursuing right now, I plan for it to have elements of", "a novel, what kinds of things would you look for while on it?", "have changed some since the time of my story's setting (and obviously I", "novel. With the idea I'm pursuing right now, I plan for it to", "of fiction writing, and I plan to write a novel. With the idea", "have the opportunity to travel to this real place, which I didn't expect", "If you've written a thesis specifically: what is useful to document during research?", "were doing a research trip for a novel, what kinds of things would", "place. In a few weeks I may have the opportunity to travel to", "real place, which I didn't expect to have until just a few days", "I plan to write a novel. With the idea I'm pursuing right now,", "right now, I plan for it to have elements of fantasy, but be", "the story, climate?) and what resources should I seek out (museums, living persons", "mini research trip if I am able. If you were doing a research", "be set in a historical time period in a real place. In a", "past time, etc), considering that I will be in this place but it", "the time of my story's setting (and obviously I can't visit the specific", "(peoples' demeanor, locations in the story, climate?) and what resources should I seek", "to have elements of fantasy, but be set in a historical time period", "a research trip for a novel, what kinds of things would you look", "should I seek out (museums, living persons with knowledge of this past time,", "this place but it will have changed some since the time of my", "you were doing a research trip for a novel, what kinds of things", "knowledge of this past time, etc), considering that I will be in this", "kinds of things would you look for while on it? What details should", "research trip for a novel, what kinds of things would you look for", "have elements of fantasy, but be set in a historical time period in", "climate?) and what resources should I seek out (museums, living persons with knowledge", "the specific time)? If you've written a thesis specifically: what is useful to", "fiction writing, and I plan to write a novel. With the idea I'm", "few days ago, and I want to turn this into a mini research", "this past time, etc), considering that I will be in this place but", "specific time)? If you've written a thesis specifically: what is useful to document", "be in this place but it will have changed some since the time", "expect to have until just a few days ago, and I want to", "persons with knowledge of this past time, etc), considering that I will be", "ago, and I want to turn this into a mini research trip if", "a real place. In a few weeks I may have the opportunity to", "and what resources should I seek out (museums, living persons with knowledge of", "write a novel. With the idea I'm pursuing right now, I plan for", "If you were doing a research trip for a novel, what kinds of", "to have until just a few days ago, and I want to turn", "in a real place. In a few weeks I may have the opportunity", "I am able. If you were doing a research trip for a novel,", "(museums, living persons with knowledge of this past time, etc), considering that I", "am required to complete a thesis project in the field of fiction writing,", "few weeks I may have the opportunity to travel to this real place,", "want to turn this into a mini research trip if I am able.", "you look for while on it? What details should I pay attention to", "a historical time period in a real place. In a few weeks I", "real place. In a few weeks I may have the opportunity to travel", "trip if I am able. If you were doing a research trip for", "considering that I will be in this place but it will have changed", "In a few weeks I may have the opportunity to travel to this", "demeanor, locations in the story, climate?) and what resources should I seek out", "this into a mini research trip if I am able. If you were", "days ago, and I want to turn this into a mini research trip", "travel to this real place, which I didn't expect to have until just", "pay attention to (peoples' demeanor, locations in the story, climate?) and what resources", "place but it will have changed some since the time of my story's", "in the field of fiction writing, and I plan to write a novel.", "to turn this into a mini research trip if I am able. If", "locations in the story, climate?) and what resources should I seek out (museums,", "will be in this place but it will have changed some since the", "resources should I seek out (museums, living persons with knowledge of this past", "plan to write a novel. With the idea I'm pursuing right now, I", "a thesis project in the field of fiction writing, and I plan to", "a few days ago, and I want to turn this into a mini", "a novel. With the idea I'm pursuing right now, I plan for it", "I will be in this place but it will have changed some since", "I may have the opportunity to travel to this real place, which I", "opportunity to travel to this real place, which I didn't expect to have", "would you look for while on it? What details should I pay attention", "complete a thesis project in the field of fiction writing, and I plan", "to travel to this real place, which I didn't expect to have until", "for a novel, what kinds of things would you look for while on", "will have changed some since the time of my story's setting (and obviously", "plan for it to have elements of fantasy, but be set in a", "historical time period in a real place. In a few weeks I may", "set in a historical time period in a real place. In a few", "project in the field of fiction writing, and I plan to write a", "seek out (museums, living persons with knowledge of this past time, etc), considering", "With the idea I'm pursuing right now, I plan for it to have", "time, etc), considering that I will be in this place but it will", "for it to have elements of fantasy, but be set in a historical", "into a mini research trip if I am able. If you were doing", "the field of fiction writing, and I plan to write a novel. With", "with knowledge of this past time, etc), considering that I will be in", "trip for a novel, what kinds of things would you look for while", "it will have changed some since the time of my story's setting (and", "in a historical time period in a real place. In a few weeks", "I want to turn this into a mini research trip if I am", "a few weeks I may have the opportunity to travel to this real", "time of my story's setting (and obviously I can't visit the specific time)?", "it? What details should I pay attention to (peoples' demeanor, locations in the", "thesis project in the field of fiction writing, and I plan to write", "out (museums, living persons with knowledge of this past time, etc), considering that", "to write a novel. With the idea I'm pursuing right now, I plan", "to complete a thesis project in the field of fiction writing, and I", "living persons with knowledge of this past time, etc), considering that I will", "but be set in a historical time period in a real place. In", "of my story's setting (and obviously I can't visit the specific time)? If", "story's setting (and obviously I can't visit the specific time)? If you've written", "this real place, which I didn't expect to have until just a few", "place, which I didn't expect to have until just a few days ago,", "look for while on it? What details should I pay attention to (peoples'", "attention to (peoples' demeanor, locations in the story, climate?) and what resources should", "required to complete a thesis project in the field of fiction writing, and", "now, I plan for it to have elements of fantasy, but be set", "if I am able. If you were doing a research trip for a", "etc), considering that I will be in this place but it will have", "the idea I'm pursuing right now, I plan for it to have elements", "I'm pursuing right now, I plan for it to have elements of fantasy,", "have until just a few days ago, and I want to turn this", "(and obviously I can't visit the specific time)? If you've written a thesis", "for while on it? What details should I pay attention to (peoples' demeanor,", "in this place but it will have changed some since the time of", "I pay attention to (peoples' demeanor, locations in the story, climate?) and what", "while on it? What details should I pay attention to (peoples' demeanor, locations", "of fantasy, but be set in a historical time period in a real", "since the time of my story's setting (and obviously I can't visit the", "What details should I pay attention to (peoples' demeanor, locations in the story,", "visit the specific time)? If you've written a thesis specifically: what is useful", "to this real place, which I didn't expect to have until just a", "I plan for it to have elements of fantasy, but be set in", "changed some since the time of my story's setting (and obviously I can't", "in the story, climate?) and what resources should I seek out (museums, living", "can't visit the specific time)? If you've written a thesis specifically: what is", "it to have elements of fantasy, but be set in a historical time", "should I pay attention to (peoples' demeanor, locations in the story, climate?) and", "which I didn't expect to have until just a few days ago, and", "turn this into a mini research trip if I am able. If you", "For my BA degree, I am required to complete a thesis project in", "I seek out (museums, living persons with knowledge of this past time, etc),", "BA degree, I am required to complete a thesis project in the field", "elements of fantasy, but be set in a historical time period in a", "just a few days ago, and I want to turn this into a", "story, climate?) and what resources should I seek out (museums, living persons with", "but it will have changed some since the time of my story's setting", "that I will be in this place but it will have changed some", "on it? What details should I pay attention to (peoples' demeanor, locations in", "doing a research trip for a novel, what kinds of things would you", "some since the time of my story's setting (and obviously I can't visit", "to (peoples' demeanor, locations in the story, climate?) and what resources should I", "time)? If you've written a thesis specifically: what is useful to document during", "and I plan to write a novel. With the idea I'm pursuing right", "my story's setting (and obviously I can't visit the specific time)? If you've" ]
[ "focus on converting thermal energy from the environment into an energy source. There", "term to describe this under, or is it really just labelled under \"fantasy", "form of electricity involved. So is there an actual term to describe this", "their technology belongs to the 21st century. For example, some of the technologies", "am really sorry if this is a dumb question, but I'm stuck at", "to describe this under, or is it really just labelled under \"fantasy and", "I'm writing a story which is primarily set during the Middle Age. However,", "but is there a term for eras or ages being mixed together in", "some of the technologies involved mainly focus on converting thermal energy from the", "To be more specific, I'm writing a story which is primarily set during", "source. There is also some form of electricity involved. So is there an", "which is primarily set during the Middle Age. However, some of their technology", "short question, but is there a term for eras or ages being mixed", "Middle Age. However, some of their technology belongs to the 21st century. For", "a story which is primarily set during the Middle Age. However, some of", "this is a dumb question, but I'm stuck at what to call it.", "environment into an energy source. There is also some form of electricity involved.", "if this is a dumb question, but I'm stuck at what to call", "is there a term for eras or ages being mixed together in a", "is also some form of electricity involved. So is there an actual term", "energy from the environment into an energy source. There is also some form", "mixed together in a story? To be more specific, I'm writing a story", "21st century. For example, some of the technologies involved mainly focus on converting", "Just a short question, but is there a term for eras or ages", "There is also some form of electricity involved. So is there an actual", "there a term for eras or ages being mixed together in a story?", "story which is primarily set during the Middle Age. However, some of their", "specific, I'm writing a story which is primarily set during the Middle Age.", "technologies involved mainly focus on converting thermal energy from the environment into an", "or ages being mixed together in a story? To be more specific, I'm", "is primarily set during the Middle Age. However, some of their technology belongs", "involved mainly focus on converting thermal energy from the environment into an energy", "actual term to describe this under, or is it really just labelled under", "is there an actual term to describe this under, or is it really", "describe this under, or is it really just labelled under \"fantasy and sci-fi\"?", "story? To be more specific, I'm writing a story which is primarily set", "ages being mixed together in a story? To be more specific, I'm writing", "really just labelled under \"fantasy and sci-fi\"? I am really sorry if this", "really sorry if this is a dumb question, but I'm stuck at what", "primarily set during the Middle Age. However, some of their technology belongs to", "the technologies involved mainly focus on converting thermal energy from the environment into", "is it really just labelled under \"fantasy and sci-fi\"? I am really sorry", "a short question, but is there a term for eras or ages being", "to the 21st century. For example, some of the technologies involved mainly focus", "in a story? To be more specific, I'm writing a story which is", "of their technology belongs to the 21st century. For example, some of the", "the environment into an energy source. There is also some form of electricity", "a term for eras or ages being mixed together in a story? To", "converting thermal energy from the environment into an energy source. There is also", "the Middle Age. However, some of their technology belongs to the 21st century.", "technology belongs to the 21st century. For example, some of the technologies involved", "electricity involved. So is there an actual term to describe this under, or", "writing a story which is primarily set during the Middle Age. However, some", "sci-fi\"? I am really sorry if this is a dumb question, but I'm", "it really just labelled under \"fantasy and sci-fi\"? I am really sorry if", "an actual term to describe this under, or is it really just labelled", "some form of electricity involved. So is there an actual term to describe", "under \"fantasy and sci-fi\"? I am really sorry if this is a dumb", "sorry if this is a dumb question, but I'm stuck at what to", "just labelled under \"fantasy and sci-fi\"? I am really sorry if this is", "example, some of the technologies involved mainly focus on converting thermal energy from", "on converting thermal energy from the environment into an energy source. There is", "\"fantasy and sci-fi\"? I am really sorry if this is a dumb question,", "energy source. There is also some form of electricity involved. So is there", "I am really sorry if this is a dumb question, but I'm stuck", "into an energy source. There is also some form of electricity involved. So", "Age. However, some of their technology belongs to the 21st century. For example,", "question, but is there a term for eras or ages being mixed together", "and sci-fi\"? I am really sorry if this is a dumb question, but", "under, or is it really just labelled under \"fantasy and sci-fi\"? I am", "from the environment into an energy source. There is also some form of", "eras or ages being mixed together in a story? To be more specific,", "for eras or ages being mixed together in a story? To be more", "be more specific, I'm writing a story which is primarily set during the", "an energy source. There is also some form of electricity involved. So is", "mainly focus on converting thermal energy from the environment into an energy source.", "labelled under \"fantasy and sci-fi\"? I am really sorry if this is a", "term for eras or ages being mixed together in a story? To be", "thermal energy from the environment into an energy source. There is also some", "set during the Middle Age. However, some of their technology belongs to the", "of the technologies involved mainly focus on converting thermal energy from the environment", "more specific, I'm writing a story which is primarily set during the Middle", "being mixed together in a story? To be more specific, I'm writing a", "century. For example, some of the technologies involved mainly focus on converting thermal", "For example, some of the technologies involved mainly focus on converting thermal energy", "there an actual term to describe this under, or is it really just", "involved. So is there an actual term to describe this under, or is", "However, some of their technology belongs to the 21st century. For example, some", "together in a story? To be more specific, I'm writing a story which", "during the Middle Age. However, some of their technology belongs to the 21st", "or is it really just labelled under \"fantasy and sci-fi\"? I am really", "the 21st century. For example, some of the technologies involved mainly focus on", "also some form of electricity involved. So is there an actual term to", "belongs to the 21st century. For example, some of the technologies involved mainly", "So is there an actual term to describe this under, or is it", "this under, or is it really just labelled under \"fantasy and sci-fi\"? I", "some of their technology belongs to the 21st century. For example, some of", "a story? To be more specific, I'm writing a story which is primarily", "of electricity involved. So is there an actual term to describe this under," ]
[ "to use when novel writing? I find it so boring and unimaginative to", "information for the story. How much is too much dialogue? How much is", "novel writing? I find it so boring and unimaginative to write, but yet", "often provides key information for the story. How much is too much dialogue?", "boring and unimaginative to write, but yet when I read I appreciate that", "dialogue to use when novel writing? I find it so boring and unimaginative", "key information for the story. How much is too much dialogue? How much", "unimaginative to write, but yet when I read I appreciate that it often", "I appreciate that it often provides key information for the story. How much", "find it so boring and unimaginative to write, but yet when I read", "provides key information for the story. How much is too much dialogue? How", "so boring and unimaginative to write, but yet when I read I appreciate", "How much dialogue to use when novel writing? I find it so boring", "use when novel writing? I find it so boring and unimaginative to write,", "for the story. How much is too much dialogue? How much is too", "that it often provides key information for the story. How much is too", "I read I appreciate that it often provides key information for the story.", "appreciate that it often provides key information for the story. How much is", "it often provides key information for the story. How much is too much", "and unimaginative to write, but yet when I read I appreciate that it", "but yet when I read I appreciate that it often provides key information", "when novel writing? I find it so boring and unimaginative to write, but", "the story. How much is too much dialogue? How much is too little?", "it so boring and unimaginative to write, but yet when I read I", "read I appreciate that it often provides key information for the story. How", "yet when I read I appreciate that it often provides key information for", "I find it so boring and unimaginative to write, but yet when I", "writing? I find it so boring and unimaginative to write, but yet when", "when I read I appreciate that it often provides key information for the", "to write, but yet when I read I appreciate that it often provides", "write, but yet when I read I appreciate that it often provides key", "much dialogue to use when novel writing? I find it so boring and" ]
[ "third person refers to them as their new nickname. This is meant to", "the past, instead seeing themselves as a person as the people surrounding them", "what I was thinking of doing was: in the first handful of chapters,", "in the first handful of chapters, third person refers to them as one", "that name (and by extension, the name itself), the third person refers to", "the main character has no real name. They simply go by the nickname", "characters would still refer to them as their new name (outside of flashbacks),", "refers to them as one of their old nicknames, and continues doing so", "them by that name (and by extension, the name itself), the third person", "themselves as a tool or symbol as they used to in the past,", "instead seeing themselves as a person as the people surrounding them now see", "limited, and the main character has no real name. They simply go by", "too jarring for the reader, though? All characters would still refer to them", "would still refer to them as their new name (outside of flashbacks), and", "depending on where they are. Then, they're finally given a normal name that", "is meant to mark a point in the story where the character no", "jarring for the reader, though? All characters would still refer to them as", "rare changes in PoV before the character's change would still refer to them", "given a *real* name in their new environs. Then, at some point, as", "character grows attached to the people who call them by that name (and", "they used to in the past, instead seeing themselves as a person as", "the reader, though? All characters would still refer to them as their new", "continues doing so even after they are given a *real* name in their", "no real name. They simply go by the nickname they're given by the", "the time, resulting in many different nicknames depending on where they are. Then,", "past, instead seeing themselves as a person as the people surrounding them now", "doing so even after they are given a *real* name in their new", "story where the character no longer sees themselves as a tool or symbol", "of their old nicknames, and continues doing so even after they are given", "a point when they'd become comfortable with their new environs, whether they'd like", "this seem too jarring for the reader, though? All characters would still refer", "given by the people they hang around at the time, resulting in many", "like to admit it or not. Would this seem too jarring for the", "nickname they're given by the people they hang around at the time, resulting", "name itself), the third person refers to them as their new nickname. This", "(outside of flashbacks), and rare changes in PoV before the character's change would", "them as their new name (outside of flashbacks), and rare changes in PoV", "used to in the past, instead seeing themselves as a person as the", "a story written in third-person limited, and the main character has no real", "longer sees themselves as a tool or symbol as they used to in", "themselves as a person as the people surrounding them now see them as.", "environs, whether they'd like to admit it or not. Would this seem too", "as their new name (outside of flashbacks), and rare changes in PoV before", "and rare changes in PoV before the character's change would still refer to", "people who call them by that name (and by extension, the name itself),", "environs. Then, at some point, as their character grows attached to the people", "name in their new environs. Then, at some point, as their character grows", "to mark a point in the story where the character no longer sees", "it or not. Would this seem too jarring for the reader, though? All", "in third-person limited, and the main character has no real name. They simply", "who call them by that name (and by extension, the name itself), the", "still refer to them as their new name (outside of flashbacks), and rare", "no longer sees themselves as a tool or symbol as they used to", "in the story where the character no longer sees themselves as a tool", "sees themselves as a tool or symbol as they used to in the", "them as. Also, it's meant to mark a point when they'd become comfortable", "in their new environs. Then, at some point, as their character grows attached", "the first handful of chapters, third person refers to them as one of", "as the people surrounding them now see them as. Also, it's meant to", "writing a story written in third-person limited, and the main character has no", "nicknames, and continues doing so even after they are given a *real* name", "at the time, resulting in many different nicknames depending on where they are.", "thinking of doing was: in the first handful of chapters, third person refers", "refer to them as their new name (outside of flashbacks), and rare changes", "by the people they hang around at the time, resulting in many different", "they hang around at the time, resulting in many different nicknames depending on", "with their new environs, whether they'd like to admit it or not. Would", "person as the people surrounding them now see them as. Also, it's meant", "are given a *real* name in their new environs. Then, at some point,", "a point in the story where the character no longer sees themselves as", "surrounding them now see them as. Also, it's meant to mark a point", "their new name (outside of flashbacks), and rare changes in PoV before the", "to them as one of their old nicknames, and continues doing so even", "in many different nicknames depending on where they are. Then, they're finally given", "seem too jarring for the reader, though? All characters would still refer to", "seeing themselves as a person as the people surrounding them now see them", "some point, as their character grows attached to the people who call them", "the nickname they're given by the people they hang around at the time,", "where the character no longer sees themselves as a tool or symbol as", "some sort. So, what I was thinking of doing was: in the first", "as one of their old nicknames, and continues doing so even after they", "for the reader, though? All characters would still refer to them as their", "written in third-person limited, and the main character has no real name. They", "mark a point when they'd become comfortable with their new environs, whether they'd", "has no real name. They simply go by the nickname they're given by", "a title of some sort. So, what I was thinking of doing was:", "their new nickname. This is meant to mark a point in the story", "reader, though? All characters would still refer to them as their new name", "as a tool or symbol as they used to in the past, instead", "as their new nickname. This is meant to mark a point in the", "of doing was: in the first handful of chapters, third person refers to", "new environs. Then, at some point, as their character grows attached to the", "hang around at the time, resulting in many different nicknames depending on where", "attached to the people who call them by that name (and by extension,", "handful of chapters, third person refers to them as one of their old", "name that doesn't sound like a title of some sort. So, what I", "Would this seem too jarring for the reader, though? All characters would still", "as. Also, it's meant to mark a point when they'd become comfortable with", "by the nickname they're given by the people they hang around at the", "admit it or not. Would this seem too jarring for the reader, though?", "person refers to them as one of their old nicknames, and continues doing", "time, resulting in many different nicknames depending on where they are. Then, they're", "people surrounding them now see them as. Also, it's meant to mark a", "character has no real name. They simply go by the nickname they're given", "call them by that name (and by extension, the name itself), the third", "sort. So, what I was thinking of doing was: in the first handful", "as a person as the people surrounding them now see them as. Also,", "they are given a *real* name in their new environs. Then, at some", "to them as their new nickname. This is meant to mark a point", "character no longer sees themselves as a tool or symbol as they used", "now see them as. Also, it's meant to mark a point when they'd", "refers to them as their new nickname. This is meant to mark a", "title of some sort. So, what I was thinking of doing was: in", "the people they hang around at the time, resulting in many different nicknames", "it's meant to mark a point when they'd become comfortable with their new", "was thinking of doing was: in the first handful of chapters, third person", "a person as the people surrounding them now see them as. Also, it's", "them as one of their old nicknames, and continues doing so even after", "real name. They simply go by the nickname they're given by the people", "extension, the name itself), the third person refers to them as their new", "though? All characters would still refer to them as their new name (outside", "whether they'd like to admit it or not. Would this seem too jarring", "as their character grows attached to the people who call them by that", "nicknames depending on where they are. Then, they're finally given a normal name", "their old nicknames, and continues doing so even after they are given a", "name (and by extension, the name itself), the third person refers to them", "PoV before the character's change would still refer to them by their new", "*real* name in their new environs. Then, at some point, as their character", "when they'd become comfortable with their new environs, whether they'd like to admit", "This is meant to mark a point in the story where the character", "before the character's change would still refer to them by their new name.", "to mark a point when they'd become comfortable with their new environs, whether", "finally given a normal name that doesn't sound like a title of some", "given a normal name that doesn't sound like a title of some sort.", "I'm writing a story written in third-person limited, and the main character has", "by that name (and by extension, the name itself), the third person refers", "name. They simply go by the nickname they're given by the people they", "chapters, third person refers to them as one of their old nicknames, and", "by extension, the name itself), the third person refers to them as their", "see them as. Also, it's meant to mark a point when they'd become", "a normal name that doesn't sound like a title of some sort. So,", "on where they are. Then, they're finally given a normal name that doesn't", "symbol as they used to in the past, instead seeing themselves as a", "Also, it's meant to mark a point when they'd become comfortable with their", "sound like a title of some sort. So, what I was thinking of", "person refers to them as their new nickname. This is meant to mark", "them as their new nickname. This is meant to mark a point in", "like a title of some sort. So, what I was thinking of doing", "and continues doing so even after they are given a *real* name in", "first handful of chapters, third person refers to them as one of their", "itself), the third person refers to them as their new nickname. This is", "their character grows attached to the people who call them by that name", "So, what I was thinking of doing was: in the first handful of", "the name itself), the third person refers to them as their new nickname.", "point in the story where the character no longer sees themselves as a", "are. Then, they're finally given a normal name that doesn't sound like a", "of some sort. So, what I was thinking of doing was: in the", "Then, they're finally given a normal name that doesn't sound like a title", "a tool or symbol as they used to in the past, instead seeing", "at some point, as their character grows attached to the people who call", "their new environs, whether they'd like to admit it or not. Would this", "grows attached to the people who call them by that name (and by", "comfortable with their new environs, whether they'd like to admit it or not.", "around at the time, resulting in many different nicknames depending on where they", "nickname. This is meant to mark a point in the story where the", "as they used to in the past, instead seeing themselves as a person", "changes in PoV before the character's change would still refer to them by", "doing was: in the first handful of chapters, third person refers to them", "main character has no real name. They simply go by the nickname they're", "in the past, instead seeing themselves as a person as the people surrounding", "go by the nickname they're given by the people they hang around at", "flashbacks), and rare changes in PoV before the character's change would still refer", "the people who call them by that name (and by extension, the name", "become comfortable with their new environs, whether they'd like to admit it or", "Then, at some point, as their character grows attached to the people who", "to the people who call them by that name (and by extension, the", "their new environs. Then, at some point, as their character grows attached to", "and the main character has no real name. They simply go by the", "new nickname. This is meant to mark a point in the story where", "point when they'd become comfortable with their new environs, whether they'd like to", "the story where the character no longer sees themselves as a tool or", "or symbol as they used to in the past, instead seeing themselves as", "of chapters, third person refers to them as one of their old nicknames,", "they are. Then, they're finally given a normal name that doesn't sound like", "old nicknames, and continues doing so even after they are given a *real*", "not. Would this seem too jarring for the reader, though? All characters would", "new name (outside of flashbacks), and rare changes in PoV before the character's", "they'd become comfortable with their new environs, whether they'd like to admit it", "of flashbacks), and rare changes in PoV before the character's change would still", "even after they are given a *real* name in their new environs. Then,", "they'd like to admit it or not. Would this seem too jarring for", "doesn't sound like a title of some sort. So, what I was thinking", "(and by extension, the name itself), the third person refers to them as", "tool or symbol as they used to in the past, instead seeing themselves", "mark a point in the story where the character no longer sees themselves", "They simply go by the nickname they're given by the people they hang", "different nicknames depending on where they are. Then, they're finally given a normal", "or not. Would this seem too jarring for the reader, though? All characters", "where they are. Then, they're finally given a normal name that doesn't sound", "resulting in many different nicknames depending on where they are. Then, they're finally", "after they are given a *real* name in their new environs. Then, at", "the third person refers to them as their new nickname. This is meant", "in PoV before the character's change would still refer to them by their", "meant to mark a point when they'd become comfortable with their new environs,", "third-person limited, and the main character has no real name. They simply go", "a *real* name in their new environs. Then, at some point, as their", "they're finally given a normal name that doesn't sound like a title of", "new environs, whether they'd like to admit it or not. Would this seem", "people they hang around at the time, resulting in many different nicknames depending", "to admit it or not. Would this seem too jarring for the reader,", "they're given by the people they hang around at the time, resulting in", "that doesn't sound like a title of some sort. So, what I was", "was: in the first handful of chapters, third person refers to them as", "normal name that doesn't sound like a title of some sort. So, what", "story written in third-person limited, and the main character has no real name.", "the character no longer sees themselves as a tool or symbol as they", "All characters would still refer to them as their new name (outside of", "point, as their character grows attached to the people who call them by", "to them as their new name (outside of flashbacks), and rare changes in", "them now see them as. Also, it's meant to mark a point when", "I was thinking of doing was: in the first handful of chapters, third", "so even after they are given a *real* name in their new environs.", "the people surrounding them now see them as. Also, it's meant to mark", "third person refers to them as one of their old nicknames, and continues", "one of their old nicknames, and continues doing so even after they are", "name (outside of flashbacks), and rare changes in PoV before the character's change", "simply go by the nickname they're given by the people they hang around", "to in the past, instead seeing themselves as a person as the people", "meant to mark a point in the story where the character no longer", "many different nicknames depending on where they are. Then, they're finally given a" ]
[ "overloaded and specific at the same time? Is there a template I can", "of documentation? Also, should I provide a description of how a specific segment", "should I provide a description of how a specific segment in the system", "can use for this kind of documentation? Also, should I provide a description", "Also, should I provide a description of how a specific segment in the", "description of how a specific segment in the system currently works before I", "improved. How to make this document simple to read, not overloaded and specific", "kind of documentation? Also, should I provide a description of how a specific", "existing IT architechture and provide a document that consists of weaknesses analysis and", "weak spots can be improved. How to make this document simple to read,", "the same time? Is there a template I can use for this kind", "asked to prepare an overview of an existing IT architechture and provide a", "a template I can use for this kind of documentation? 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How to make this document simple to read, not overloaded and", "I was asked to prepare an overview of an existing IT architechture and", "architechture and provide a document that consists of weaknesses analysis and suggestions on", "a document that consists of weaknesses analysis and suggestions on how each of", "of weaknesses analysis and suggestions on how each of the weak spots can", "not overloaded and specific at the same time? Is there a template I", "of an existing IT architechture and provide a document that consists of weaknesses", "and specific at the same time? Is there a template I can use", "I provide a description of how a specific segment in the system currently", "a specific segment in the system currently works before I put explanation about", "specific segment in the system currently works before I put explanation about what", "at the same time? 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How to make this document simple to read, not overloaded", "document simple to read, not overloaded and specific at the same time? Is", "How to make this document simple to read, not overloaded and specific at" ]
[ "like she's obeying (she's got a plan though and wasn't shooting to kill).", "so she doesn't really want to be doing any of this at all,", "searching for Agent, wanting to get her out of this situation and bring", "now. She has military experience and has survived numerous traumatic events, and obviously", "I'm trying to do is come up with an actual scientific/psychological explanation for", "can't actually use \"Stockholm Syndrome\" in as many words because it's so Earth-based.", "B's orders and was lying when she told them she was undercover for", "for Group A and they need to leave her alone before they blow", "survived numerous traumatic events, and obviously her current undercover work would require her", "(we'll just call her Agent) they're planning on sending undercover into Group B", "of these people actually have ties to Group A, the group she's actually", "obviously her current undercover work would require her to stay mentally and emotionally", "is also very manipulative and they might even wonder if he somehow kind", "B so that she might start picking away at them without them noticing,", "terms of Agent supposedly developing loyalty toward the people she was supposed to", "and that experience was pretty grueling and traumatic). She's free to come and", "here I am. In the book I'm working on, Group A and Group", "her role in Group B, she isn't being held captive or anything (though", "confesses to them that she's actually working for Group A and they need", "them noticing, weakening them for when Group A finally attacks. When the story", "time while they were vetting her, and that experience was pretty grueling and", "look like she's obeying (she's got a plan though and wasn't shooting to", "explanation for the (theoretical) shift in allegiance. Members of Group C will speculate", "be doing any of this at all, but it's too late to get", "This is kind of what Agent is hoping people will think as well", "group (Group C) is searching for Agent, wanting to get her out of", "too late to get out now. She has military experience and has survived", "her Agent) they're planning on sending undercover into Group B so that she", "a third party group (Group C) is searching for Agent, wanting to get", "held captive or anything (though she was for a time while they were", "emotionally detached). So taking the information you know into consideration (again, hopefully it", "was lying when she told them she was undercover for Group A. They", "[Group C thinks] is happening to this character, but the story is science", "come up with an actual scientific/psychological explanation for the (theoretical) shift in allegiance.", "I'm not convinced it's the best fit for this scenario in the story", "other members of Group C, it looks like she was following Group B's", "but they suggested I ask over here in Writing, so alas, here I", "so Earth-based. I'm not convinced it's the best fit for this scenario in", "starts, Agent has already been undercover in Group B for almost a year,", "(theoretical) shift in allegiance. Members of Group C will speculate that Agent spent", "best fit for this scenario in the story either. Obviously it works in", "on dissociative disorder and its variations, and parts of them do and don't", "hopefully it all made sense. What I'm trying to do is come up", "who were actually knowledgeable in the field, but they suggested I ask over", "knowledgeable in the field, but they suggested I ask over here in Writing,", "her actions say otherwise, and other things she has done/told them throughout the", "I'm working on, Group A and Group B are rival organizations gearing up", "time in her undercover role in Group B (or at least what Group", "she has established her role in Group B, she isn't being held captive", "torturing, and killing people for their cause (so of course some of these", "as well (though she is truly still working for Group A). So now", "they're planning on sending undercover into Group B so that she might start", "undercover for Group A. They want to believe she was telling them the", "want to be doing any of this at all, but it's too late", "actually knowledgeable in the field, but they suggested I ask over here in", "for Group A). So now you've got some background, and hopefully it all", "of Group C will speculate that Agent spent so much time immersing herself", "to be working against. But once she has established her role in Group", "has established her role in Group B, she isn't being held captive or", "(though she was for a time while they were vetting her, and that", "her to stay mentally and emotionally detached (actually she has always been pretty", "so I can't actually use \"Stockholm Syndrome\" in as many words because it's", "actually use \"Stockholm Syndrome\" in as many words because it's so Earth-based. I'm", "and traumatic). She's free to come and go from their base as she", "and Neurology SE in hopes of getting specific, helpful, psych-related responses from people", "want to believe she was telling them the truth, but her actions say", "almost a year, having spent nearly a year before ***that*** immersing herself in", "to kill). To the other members of Group C, it looks like she", "concept I thought of to describe what [Group C thinks] is happening to", "they blow her cover. But it's too late—Group B orders her to deal", "been pretty emotionally detached). So taking the information you know into consideration (again,", "got so deep undercover that her loyalty shifted to Group B. This is", "up for war. Group A has an agent (we'll just call her Agent)", "of brainwashed her. Stockholm Syndrome was the first concept I thought of to", "a fictional universe so I can't actually use \"Stockholm Syndrome\" in as many", "looks like she was following Group B's orders and was lying when she", "it look like she's obeying (she's got a plan though and wasn't shooting", "her cover. But it's too late—Group B orders her to deal with these", "to shift without her even realizing it. Group B's leader is also very", "it. Group B's leader is also very manipulative and they might even wonder", "but the story is science fiction and takes place in a fictional universe", "all made sense. What I'm trying to do is come up with an", "it's too late—Group B orders her to deal with these people, and she", "shooting to kill). To the other members of Group C, it looks like", "was undercover for Group A. They want to believe she was telling them", "for their cause (so of course some of these people actually have ties", "too late—Group B orders her to deal with these people, and she ends", "I ask over here in Writing, so alas, here I am. In the", "as well. Agent originally started working for Group A because she owed them", "that her loyalty began to shift without her even realizing it. Group B's", "attention, then being held captive while they tested her loyalty. Agent ends up", "truth, but her actions say otherwise, and other things she has done/told them", "loyalty after spending too much time in her undercover role in Group B", "hoping people will think as well (though she is truly still working for", "A. They want to believe she was telling them the truth, but her", "made sense), what psychological phenomenon could most accurately describe Agent's shift in loyalty", "what psychological phenomenon could most accurately describe Agent's shift in loyalty after spending", "When the story starts, Agent has already been undercover in Group B for", "a year, having spent nearly a year before ***that*** immersing herself in her", "Neurology SE in hopes of getting specific, helpful, psych-related responses from people who", "Group B, hunting, torturing, and killing people for their cause (so of course", "be working against. But once she has established her role in Group B,", "up with an actual scientific/psychological explanation for the (theoretical) shift in allegiance. Members", "ties to Group A, the group she's actually working for). Meanwhile, a third", "established her role in Group B, she isn't being held captive or anything", "doesn't really want to be doing any of this at all, but it's", "wanting to get her out of this situation and bring her home. They're", "C will speculate that Agent spent so much time immersing herself in her", "she told them she was undercover for Group A. They want to believe", "many words because it's so Earth-based. I'm not convinced it's the best fit", "working against. But once she has established her role in Group B, she", "loyalty shifted to Group B. This is kind of what Agent is hoping", "shocked to find her working for Group B, so she confesses to them", "is come up with an actual scientific/psychological explanation for the (theoretical) shift in", "story starts, Agent has already been undercover in Group B for almost a", "the book I'm working on, Group A and Group B are rival organizations", "an agent (we'll just call her Agent) they're planning on sending undercover into", "B. This is kind of what Agent is hoping people will think as", "time immersing herself in her role and doing such...intimate work for Group B", "her loyalty began to shift without her even realizing it. Group B's leader", "working for). Meanwhile, a third party group (Group C) is searching for Agent,", "B, so she confesses to them that she's actually working for Group A", "isn't being held captive or anything (though she was for a time while", "mentally and emotionally detached (actually she has always been pretty emotionally detached). So", "getting Group B's attention, then being held captive while they tested her loyalty.", "been undercover in Group B for almost a year, having spent nearly a", "she was following Group B's orders and was lying when she told them", "current undercover work would require her to stay mentally and emotionally detached (actually", "people will think as well (though she is truly still working for Group", "them a favor, so she doesn't really want to be doing any of", "traumatic). She's free to come and go from their base as she pleases.", "members of Group C, it looks like she was following Group B's orders", "but got so deep undercover that her loyalty shifted to Group B. This", "they were vetting her, and that experience was pretty grueling and traumatic). She's", "might start picking away at them without them noticing, weakening them for when", "In the book I'm working on, Group A and Group B are rival", "Agent has already been undercover in Group B for almost a year, having", "describe Agent's shift in loyalty after spending too much time in her undercover", "need to leave her alone before they blow her cover. But it's too", "ends up shooting one of them in order to make it look like", "captive while they tested her loyalty. Agent ends up essentially becoming an assassin", "an actual scientific/psychological explanation for the (theoretical) shift in allegiance. Members of Group", "that experience was pretty grueling and traumatic). She's free to come and go", "the story either. Obviously it works in terms of Agent supposedly developing loyalty", "them to believe maybe she ***was*** originally working for Group A but got", "but her actions say otherwise, and other things she has done/told them throughout", "in hopes of getting specific, helpful, psych-related responses from people who were actually", "the people she was supposed to be working against. But once she has", "it's so Earth-based. I'm not convinced it's the best fit for this scenario", "and bring her home. They're shocked to find her working for Group B,", "She has military experience and has survived numerous traumatic events, and obviously her", "Syndrome was the first concept I thought of to describe what [Group C", "thinks] is happening to this character, but the story is science fiction and", "blow her cover. But it's too late—Group B orders her to deal with", "away at them without them noticing, weakening them for when Group A finally", "stay mentally and emotionally detached (actually she has always been pretty emotionally detached).", "Agent supposedly developing loyalty toward the people she was supposed to be working", "is science fiction and takes place in a fictional universe so I can't", "her current undercover work would require her to stay mentally and emotionally detached", "Group C, it looks like she was following Group B's orders and was", "responses from people who were actually knowledgeable in the field, but they suggested", "C) is searching for Agent, wanting to get her out of this situation", "convinced it's the best fit for this scenario in the story either. Obviously", "was the first concept I thought of to describe what [Group C thinks]", "and emotionally detached (actually she has always been pretty emotionally detached). So taking", "identity, getting Group B's attention, then being held captive while they tested her", "Group C will speculate that Agent spent so much time immersing herself in", "while they were vetting her, and that experience was pretty grueling and traumatic).", "done/told them throughout the story lead them to believe maybe she ***was*** originally", "of this at all, but it's too late to get out now. She", "she is truly still working for Group A). So now you've got some", "they suggested I ask over here in Writing, so alas, here I am.", "Group B's attention, then being held captive while they tested her loyalty. Agent", "doing such...intimate work for Group B that her loyalty began to shift without", "that she might start picking away at them without them noticing, weakening them", "or anything (though she was for a time while they were vetting her,", "grueling and traumatic). She's free to come and go from their base as", "to find her working for Group B, so she confesses to them that", "shift without her even realizing it. Group B's leader is also very manipulative", "What I'm trying to do is come up with an actual scientific/psychological explanation", "supposed to be working against. But once she has established her role in", "them the truth, but her actions say otherwise, and other things she has", "with these people, and she ends up shooting one of them in order", "now you've got some background, and hopefully it all made sense. What I'm", "well. Agent originally started working for Group A because she owed them a", "vetting her, and that experience was pretty grueling and traumatic). She's free to", "in order to make it look like she's obeying (she's got a plan", "toward the people she was supposed to be working against. But once she", "having spent nearly a year before ***that*** immersing herself in her false identity,", "working on, Group A and Group B are rival organizations gearing up for", "allegiance. Members of Group C will speculate that Agent spent so much time", "B's leader is also very manipulative and they might even wonder if he", "loyalty toward the people she was supposed to be working against. But once", "year before ***that*** immersing herself in her false identity, getting Group B's attention,", "her. Stockholm Syndrome was the first concept I thought of to describe what", "anything (though she was for a time while they were vetting her, and", "working for Group A because she owed them a favor, so she doesn't", "working for Group A but got so deep undercover that her loyalty shifted", "things she has done/told them throughout the story lead them to believe maybe", "immersing herself in her role and doing such...intimate work for Group B that", "otherwise, and other things she has done/told them throughout the story lead them", "you've got some background, and hopefully it all made sense. What I'm trying", "experience was pretty grueling and traumatic). She's free to come and go from", "I actually posted this originally over in the Psychology and Neurology SE in", "any of this at all, but it's too late to get out now.", "maybe she ***was*** originally working for Group A but got so deep undercover", "Group B. This is kind of what Agent is hoping people will think", "somehow kind of brainwashed her. Stockholm Syndrome was the first concept I thought", "wasn't shooting to kill). To the other members of Group C, it looks", "in her false identity, getting Group B's attention, then being held captive while", "do is come up with an actual scientific/psychological explanation for the (theoretical) shift", "B, hunting, torturing, and killing people for their cause (so of course some", "B's attention, then being held captive while they tested her loyalty. Agent ends", "is searching for Agent, wanting to get her out of this situation and", "for Agent, wanting to get her out of this situation and bring her", "and killing people for their cause (so of course some of these people", "leave her alone before they blow her cover. But it's too late—Group B", "cover. But it's too late—Group B orders her to deal with these people,", "essentially becoming an assassin for Group B, hunting, torturing, and killing people for", "so deep undercover that her loyalty shifted to Group B. This is kind", "and has survived numerous traumatic events, and obviously her current undercover work would", "Earth-based. I'm not convinced it's the best fit for this scenario in the", "So taking the information you know into consideration (again, hopefully it all made", "for Group A but got so deep undercover that her loyalty shifted to", "here in Writing, so alas, here I am. In the book I'm working", "orders her to deal with these people, and she ends up shooting one", "nearly a year before ***that*** immersing herself in her false identity, getting Group", "(though she is truly still working for Group A). So now you've got", "the first concept I thought of to describe what [Group C thinks] is", "always been pretty emotionally detached). So taking the information you know into consideration", "this at all, but it's too late to get out now. She has", "and Group B are rival organizations gearing up for war. Group A has", "was telling them the truth, but her actions say otherwise, and other things", "kill). To the other members of Group C, it looks like she was", "the other members of Group C, it looks like she was following Group", "too much time in her undercover role in Group B (or at least", "but it's too late to get out now. She has military experience and", "even realizing it. Group B's leader is also very manipulative and they might", "of getting specific, helpful, psych-related responses from people who were actually knowledgeable in", "on, Group A and Group B are rival organizations gearing up for war.", "C thinks] is happening to this character, but the story is science fiction", "and they might even wonder if he somehow kind of brainwashed her. Stockholm", "of Group C, it looks like she was following Group B's orders and", "deal with these people, and she ends up shooting one of them in", "and she ends up shooting one of them in order to make it", "that her loyalty shifted to Group B. This is kind of what Agent", "military experience and has survived numerous traumatic events, and obviously her current undercover", "Members of Group C will speculate that Agent spent so much time immersing", "weakening them for when Group A finally attacks. When the story starts, Agent", "A and Group B are rival organizations gearing up for war. Group A", "becoming an assassin for Group B, hunting, torturing, and killing people for their", "and they need to leave her alone before they blow her cover. But", "because she owed them a favor, so she doesn't really want to be", "Group A but got so deep undercover that her loyalty shifted to Group", "free to come and go from their base as she pleases. I also", "(she's got a plan though and wasn't shooting to kill). To the other", "that she's actually working for Group A and they need to leave her", "to deal with these people, and she ends up shooting one of them", "A because she owed them a favor, so she doesn't really want to", "planning on sending undercover into Group B so that she might start picking", "Syndrome\" in as many words because it's so Earth-based. I'm not convinced it's", "Writing, so alas, here I am. In the book I'm working on, Group", "they might even wonder if he somehow kind of brainwashed her. Stockholm Syndrome", "Group B for almost a year, having spent nearly a year before ***that***", "psych-related responses from people who were actually knowledgeable in the field, but they", "the story lead them to believe maybe she ***was*** originally working for Group", "the best fit for this scenario in the story either. Obviously it works", "is truly still working for Group A). So now you've got some background,", "sense), what psychological phenomenon could most accurately describe Agent's shift in loyalty after", "have ties to Group A, the group she's actually working for). Meanwhile, a", "actually working for). Meanwhile, a third party group (Group C) is searching for", "Group B's leader is also very manipulative and they might even wonder if", "to this character, but the story is science fiction and takes place in", "disorder and its variations, and parts of them do and don't fit as", "Group B so that she might start picking away at them without them", "out of this situation and bring her home. They're shocked to find her", "detached). So taking the information you know into consideration (again, hopefully it all", "Meanwhile, a third party group (Group C) is searching for Agent, wanting to", "posted this originally over in the Psychology and Neurology SE in hopes of", "Group B, she isn't being held captive or anything (though she was for", "helpful, psych-related responses from people who were actually knowledgeable in the field, but", "for Group B that her loyalty began to shift without her even realizing", "speculate that Agent spent so much time immersing herself in her role and", "all made sense), what psychological phenomenon could most accurately describe Agent's shift in", "Agent) they're planning on sending undercover into Group B so that she might", "A). So now you've got some background, and hopefully it all made sense.", "require her to stay mentally and emotionally detached (actually she has always been", "dissociative disorder and its variations, and parts of them do and don't fit", "actually working for Group A and they need to leave her alone before", "role and doing such...intimate work for Group B that her loyalty began to", "a favor, so she doesn't really want to be doing any of this", "so she confesses to them that she's actually working for Group A and", "were actually knowledgeable in the field, but they suggested I ask over here", "for almost a year, having spent nearly a year before ***that*** immersing herself", "to Group A, the group she's actually working for). Meanwhile, a third party", "Agent originally started working for Group A because she owed them a favor,", "and was lying when she told them she was undercover for Group A.", "it's the best fit for this scenario in the story either. Obviously it", "she owed them a favor, so she doesn't really want to be doing", "held captive while they tested her loyalty. Agent ends up essentially becoming an", "against. But once she has established her role in Group B, she isn't", "shift in loyalty after spending too much time in her undercover role in", "accurately describe Agent's shift in loyalty after spending too much time in her", "in Group B, she isn't being held captive or anything (though she was", "trying to do is come up with an actual scientific/psychological explanation for the", "her even realizing it. Group B's leader is also very manipulative and they", "situation and bring her home. They're shocked to find her working for Group", "was following Group B's orders and was lying when she told them she", "to be doing any of this at all, but it's too late to", "them for when Group A finally attacks. When the story starts, Agent has", "the story starts, Agent has already been undercover in Group B for almost", "realizing it. Group B's leader is also very manipulative and they might even", "loyalty began to shift without her even realizing it. Group B's leader is", "ask over here in Writing, so alas, here I am. In the book", "A and they need to leave her alone before they blow her cover.", "for Group B, hunting, torturing, and killing people for their cause (so of", "these people actually have ties to Group A, the group she's actually working", "so much time immersing herself in her role and doing such...intimate work for", "this originally over in the Psychology and Neurology SE in hopes of getting", "B for almost a year, having spent nearly a year before ***that*** immersing", "herself in her false identity, getting Group B's attention, then being held captive", "Agent spent so much time immersing herself in her role and doing such...intimate", "and takes place in a fictional universe so I can't actually use \"Stockholm", "in her undercover role in Group B (or at least what Group C", "She's free to come and go from their base as she pleases. I", "developing loyalty toward the people she was supposed to be working against. But", "and go from their base as she pleases. I also tried reading up", "lying when she told them she was undercover for Group A. They want", "told them she was undercover for Group A. They want to believe she", "has military experience and has survived numerous traumatic events, and obviously her current", "she confesses to them that she's actually working for Group A and they", "and doing such...intimate work for Group B that her loyalty began to shift", "of Agent supposedly developing loyalty toward the people she was supposed to be", "Group B's orders and was lying when she told them she was undercover", "late—Group B orders her to deal with these people, and she ends up", "of them in order to make it look like she's obeying (she's got", "of what Agent is hoping people will think as well (though she is", "get her out of this situation and bring her home. They're shocked to", "Agent, wanting to get her out of this situation and bring her home.", "she doesn't really want to be doing any of this at all, but", "for). Meanwhile, a third party group (Group C) is searching for Agent, wanting", "to leave her alone before they blow her cover. But it's too late—Group", "over in the Psychology and Neurology SE in hopes of getting specific, helpful,", "will think as well (though she is truly still working for Group A).", "to come and go from their base as she pleases. I also tried", "working for Group B, so she confesses to them that she's actually working", "once she has established her role in Group B, she isn't being held", "to make it look like she's obeying (she's got a plan though and", "numerous traumatic events, and obviously her current undercover work would require her to", "assassin for Group B, hunting, torturing, and killing people for their cause (so", "ends up essentially becoming an assassin for Group B, hunting, torturing, and killing", "***was*** originally working for Group A but got so deep undercover that her", "of them do and don't fit as well. Agent originally started working for", "as she pleases. I also tried reading up on dissociative disorder and its", "information you know into consideration (again, hopefully it all made sense), what psychological", "already been undercover in Group B for almost a year, having spent nearly", "killing people for their cause (so of course some of these people actually", "she ***was*** originally working for Group A but got so deep undercover that", "A, the group she's actually working for). Meanwhile, a third party group (Group", "owed them a favor, so she doesn't really want to be doing any", "first concept I thought of to describe what [Group C thinks] is happening", "suggested I ask over here in Writing, so alas, here I am. In", "emotionally detached (actually she has always been pretty emotionally detached). So taking the", "attacks. When the story starts, Agent has already been undercover in Group B", "over here in Writing, so alas, here I am. In the book I'm", "orders and was lying when she told them she was undercover for Group", "fictional universe so I can't actually use \"Stockholm Syndrome\" in as many words", "as many words because it's so Earth-based. I'm not convinced it's the best", "is happening to this character, but the story is science fiction and takes", "originally started working for Group A because she owed them a favor, so", "immersing herself in her false identity, getting Group B's attention, then being held", "group she's actually working for). Meanwhile, a third party group (Group C) is", "into consideration (again, hopefully it all made sense), what psychological phenomenon could most", "deep undercover that her loyalty shifted to Group B. This is kind of", "describe what [Group C thinks] is happening to this character, but the story", "before they blow her cover. But it's too late—Group B orders her to", "in Writing, so alas, here I am. In the book I'm working on,", "her out of this situation and bring her home. They're shocked to find", "her working for Group B, so she confesses to them that she's actually", "throughout the story lead them to believe maybe she ***was*** originally working for", "in the field, but they suggested I ask over here in Writing, so", "***that*** immersing herself in her false identity, getting Group B's attention, then being", "even wonder if he somehow kind of brainwashed her. Stockholm Syndrome was the", "might even wonder if he somehow kind of brainwashed her. Stockholm Syndrome was", "to Group B. This is kind of what Agent is hoping people will", "has done/told them throughout the story lead them to believe maybe she ***was***", "herself in her role and doing such...intimate work for Group B that her", "gearing up for war. Group A has an agent (we'll just call her", "sending undercover into Group B so that she might start picking away at", "A finally attacks. When the story starts, Agent has already been undercover in", "her role and doing such...intimate work for Group B that her loyalty began", "scenario in the story either. Obviously it works in terms of Agent supposedly", "consideration (again, hopefully it all made sense), what psychological phenomenon could most accurately", "to do is come up with an actual scientific/psychological explanation for the (theoretical)", "being held captive while they tested her loyalty. Agent ends up essentially becoming", "of course some of these people actually have ties to Group A, the", "her, and that experience was pretty grueling and traumatic). She's free to come", "it's too late to get out now. She has military experience and has", "hunting, torturing, and killing people for their cause (so of course some of", "them in order to make it look like she's obeying (she's got a", "takes place in a fictional universe so I can't actually use \"Stockholm Syndrome\"", "she has done/told them throughout the story lead them to believe maybe she", "psychological phenomenon could most accurately describe Agent's shift in loyalty after spending too", "will speculate that Agent spent so much time immersing herself in her role", "doing any of this at all, but it's too late to get out", "just call her Agent) they're planning on sending undercover into Group B so", "story lead them to believe maybe she ***was*** originally working for Group A", "of to describe what [Group C thinks] is happening to this character, but", "role in Group B (or at least what Group C perceives as such)?", "rival organizations gearing up for war. Group A has an agent (we'll just", "character, but the story is science fiction and takes place in a fictional", "and other things she has done/told them throughout the story lead them to", "them that she's actually working for Group A and they need to leave", "book I'm working on, Group A and Group B are rival organizations gearing", "year, having spent nearly a year before ***that*** immersing herself in her false", "\"Stockholm Syndrome\" in as many words because it's so Earth-based. I'm not convinced", "truly still working for Group A). So now you've got some background, and", "was supposed to be working against. But once she has established her role", "B that her loyalty began to shift without her even realizing it. Group", "universe so I can't actually use \"Stockholm Syndrome\" in as many words because", "started working for Group A because she owed them a favor, so she", "to believe she was telling them the truth, but her actions say otherwise,", "and obviously her current undercover work would require her to stay mentally and", "Group A finally attacks. When the story starts, Agent has already been undercover", "background, and hopefully it all made sense. What I'm trying to do is", "detached (actually she has always been pretty emotionally detached). So taking the information", "got some background, and hopefully it all made sense. What I'm trying to", "people for their cause (so of course some of these people actually have", "find her working for Group B, so she confesses to them that she's", "fit as well. Agent originally started working for Group A because she owed", "this scenario in the story either. Obviously it works in terms of Agent", "taking the information you know into consideration (again, hopefully it all made sense),", "wonder if he somehow kind of brainwashed her. Stockholm Syndrome was the first", "then being held captive while they tested her loyalty. Agent ends up essentially", "third party group (Group C) is searching for Agent, wanting to get her", "people she was supposed to be working against. But once she has established", "pretty grueling and traumatic). She's free to come and go from their base", "either. Obviously it works in terms of Agent supposedly developing loyalty toward the", "do and don't fit as well. Agent originally started working for Group A", "could most accurately describe Agent's shift in loyalty after spending too much time", "people, and she ends up shooting one of them in order to make", "it all made sense), what psychological phenomenon could most accurately describe Agent's shift", "much time in her undercover role in Group B (or at least what", "make it look like she's obeying (she's got a plan though and wasn't", "all, but it's too late to get out now. She has military experience", "of this situation and bring her home. They're shocked to find her working", "working for Group A and they need to leave her alone before they", "scientific/psychological explanation for the (theoretical) shift in allegiance. Members of Group C will", "story is science fiction and takes place in a fictional universe so I", "up shooting one of them in order to make it look like she's", "originally over in the Psychology and Neurology SE in hopes of getting specific,", "them do and don't fit as well. Agent originally started working for Group", "when Group A finally attacks. When the story starts, Agent has already been", "organizations gearing up for war. Group A has an agent (we'll just call", "Group A, the group she's actually working for). Meanwhile, a third party group", "and hopefully it all made sense. What I'm trying to do is come", "shift in allegiance. Members of Group C will speculate that Agent spent so", "work would require her to stay mentally and emotionally detached (actually she has", "in as many words because it's so Earth-based. I'm not convinced it's the", "order to make it look like she's obeying (she's got a plan though", "they need to leave her alone before they blow her cover. But it's", "story either. Obviously it works in terms of Agent supposedly developing loyalty toward", "thought of to describe what [Group C thinks] is happening to this character,", "she was telling them the truth, but her actions say otherwise, and other", "up on dissociative disorder and its variations, and parts of them do and", "call her Agent) they're planning on sending undercover into Group B so that", "for Group A. They want to believe she was telling them the truth,", "for the (theoretical) shift in allegiance. Members of Group C will speculate that", "base as she pleases. I also tried reading up on dissociative disorder and", "get out now. She has military experience and has survived numerous traumatic events,", "before ***that*** immersing herself in her false identity, getting Group B's attention, then", "shifted to Group B. This is kind of what Agent is hoping people", "undercover work would require her to stay mentally and emotionally detached (actually she", "parts of them do and don't fit as well. Agent originally started working", "traumatic events, and obviously her current undercover work would require her to stay", "believe she was telling them the truth, but her actions say otherwise, and", "use \"Stockholm Syndrome\" in as many words because it's so Earth-based. I'm not", "experience and has survived numerous traumatic events, and obviously her current undercover work", "their cause (so of course some of these people actually have ties to", "to believe maybe she ***was*** originally working for Group A but got so", "what Agent is hoping people will think as well (though she is truly", "to describe what [Group C thinks] is happening to this character, but the", "start picking away at them without them noticing, weakening them for when Group", "got a plan though and wasn't shooting to kill). To the other members", "and its variations, and parts of them do and don't fit as well.", "Group A. They want to believe she was telling them the truth, but", "also tried reading up on dissociative disorder and its variations, and parts of", "But it's too late—Group B orders her to deal with these people, and", "Agent is hoping people will think as well (though she is truly still", "getting specific, helpful, psych-related responses from people who were actually knowledgeable in the", "role in Group B, she isn't being held captive or anything (though she", "for a time while they were vetting her, and that experience was pretty", "course some of these people actually have ties to Group A, the group", "fit for this scenario in the story either. Obviously it works in terms", "B orders her to deal with these people, and she ends up shooting", "them without them noticing, weakening them for when Group A finally attacks. When", "some background, and hopefully it all made sense. What I'm trying to do", "happening to this character, but the story is science fiction and takes place", "them she was undercover for Group A. They want to believe she was", "very manipulative and they might even wonder if he somehow kind of brainwashed", "kind of brainwashed her. Stockholm Syndrome was the first concept I thought of", "cause (so of course some of these people actually have ties to Group", "actions say otherwise, and other things she has done/told them throughout the story", "variations, and parts of them do and don't fit as well. Agent originally", "in loyalty after spending too much time in her undercover role in Group", "(actually she has always been pretty emotionally detached). So taking the information you", "go from their base as she pleases. I also tried reading up on", "am. In the book I'm working on, Group A and Group B are", "made sense. What I'm trying to do is come up with an actual", "at them without them noticing, weakening them for when Group A finally attacks.", "has always been pretty emotionally detached). So taking the information you know into", "her false identity, getting Group B's attention, then being held captive while they", "captive or anything (though she was for a time while they were vetting", "was pretty grueling and traumatic). She's free to come and go from their", "in terms of Agent supposedly developing loyalty toward the people she was supposed", "out now. She has military experience and has survived numerous traumatic events, and", "the information you know into consideration (again, hopefully it all made sense), what", "are rival organizations gearing up for war. Group A has an agent (we'll", "into Group B so that she might start picking away at them without", "this character, but the story is science fiction and takes place in a", "the field, but they suggested I ask over here in Writing, so alas,", "So now you've got some background, and hopefully it all made sense. What", "Group B, so she confesses to them that she's actually working for Group", "Stockholm Syndrome was the first concept I thought of to describe what [Group", "some of these people actually have ties to Group A, the group she's", "when she told them she was undercover for Group A. They want to", "an assassin for Group B, hunting, torturing, and killing people for their cause", "originally working for Group A but got so deep undercover that her loyalty", "words because it's so Earth-based. I'm not convinced it's the best fit for", "late to get out now. She has military experience and has survived numerous", "also very manipulative and they might even wonder if he somehow kind of", "that Agent spent so much time immersing herself in her role and doing", "she ends up shooting one of them in order to make it look", "the group she's actually working for). Meanwhile, a third party group (Group C)", "A but got so deep undercover that her loyalty shifted to Group B.", "a time while they were vetting her, and that experience was pretty grueling", "without them noticing, weakening them for when Group A finally attacks. When the", "works in terms of Agent supposedly developing loyalty toward the people she was", "in allegiance. Members of Group C will speculate that Agent spent so much", "sense. What I'm trying to do is come up with an actual scientific/psychological", "(so of course some of these people actually have ties to Group A,", "her to deal with these people, and she ends up shooting one of", "undercover into Group B so that she might start picking away at them", "from their base as she pleases. I also tried reading up on dissociative", "up essentially becoming an assassin for Group B, hunting, torturing, and killing people", "C, it looks like she was following Group B's orders and was lying", "noticing, weakening them for when Group A finally attacks. When the story starts,", "believe maybe she ***was*** originally working for Group A but got so deep", "hopefully it all made sense), what psychological phenomenon could most accurately describe Agent's", "undercover that her loyalty shifted to Group B. This is kind of what", "is hoping people will think as well (though she is truly still working", "she was undercover for Group A. They want to believe she was telling", "one of them in order to make it look like she's obeying (she's", "in the story either. Obviously it works in terms of Agent supposedly developing", "he somehow kind of brainwashed her. Stockholm Syndrome was the first concept I", "Group A because she owed them a favor, so she doesn't really want", "her loyalty. Agent ends up essentially becoming an assassin for Group B, hunting,", "kind of what Agent is hoping people will think as well (though she", "Agent's shift in loyalty after spending too much time in her undercover role", "finally attacks. When the story starts, Agent has already been undercover in Group", "agent (we'll just call her Agent) they're planning on sending undercover into Group", "Agent ends up essentially becoming an assassin for Group B, hunting, torturing, and", "for Group B, so she confesses to them that she's actually working for", "on sending undercover into Group B so that she might start picking away", "you know into consideration (again, hopefully it all made sense), what psychological phenomenon", "her home. They're shocked to find her working for Group B, so she", "and parts of them do and don't fit as well. Agent originally started", "a plan though and wasn't shooting to kill). To the other members of", "But once she has established her role in Group B, she isn't being", "without her even realizing it. Group B's leader is also very manipulative and", "really want to be doing any of this at all, but it's too", "alas, here I am. In the book I'm working on, Group A and", "B are rival organizations gearing up for war. Group A has an agent", "false identity, getting Group B's attention, then being held captive while they tested", "would require her to stay mentally and emotionally detached (actually she has always", "her loyalty shifted to Group B. This is kind of what Agent is", "reading up on dissociative disorder and its variations, and parts of them do", "much time immersing herself in her role and doing such...intimate work for Group", "fiction and takes place in a fictional universe so I can't actually use", "what [Group C thinks] is happening to this character, but the story is", "in a fictional universe so I can't actually use \"Stockholm Syndrome\" in as", "their base as she pleases. I also tried reading up on dissociative disorder", "it all made sense. What I'm trying to do is come up with", "I thought of to describe what [Group C thinks] is happening to this", "I am. In the book I'm working on, Group A and Group B", "being held captive or anything (though she was for a time while they", "people who were actually knowledgeable in the field, but they suggested I ask", "were vetting her, and that experience was pretty grueling and traumatic). She's free", "bring her home. They're shocked to find her working for Group B, so", "not convinced it's the best fit for this scenario in the story either.", "she's obeying (she's got a plan though and wasn't shooting to kill). To", "a year before ***that*** immersing herself in her false identity, getting Group B's", "for Group A because she owed them a favor, so she doesn't really", "it works in terms of Agent supposedly developing loyalty toward the people she", "They want to believe she was telling them the truth, but her actions", "Group A). So now you've got some background, and hopefully it all made", "obeying (she's got a plan though and wasn't shooting to kill). To the", "for this scenario in the story either. Obviously it works in terms of", "supposedly developing loyalty toward the people she was supposed to be working against.", "events, and obviously her current undercover work would require her to stay mentally", "(Group C) is searching for Agent, wanting to get her out of this", "Group A and Group B are rival organizations gearing up for war. Group", "her undercover role in Group B (or at least what Group C perceives", "and don't fit as well. Agent originally started working for Group A because", "shooting one of them in order to make it look like she's obeying", "the story is science fiction and takes place in a fictional universe so", "most accurately describe Agent's shift in loyalty after spending too much time in", "science fiction and takes place in a fictional universe so I can't actually", "pretty emotionally detached). So taking the information you know into consideration (again, hopefully", "these people, and she ends up shooting one of them in order to", "though and wasn't shooting to kill). To the other members of Group C,", "brainwashed her. Stockholm Syndrome was the first concept I thought of to describe", "she isn't being held captive or anything (though she was for a time", "work for Group B that her loyalty began to shift without her even", "has already been undercover in Group B for almost a year, having spent", "loyalty. Agent ends up essentially becoming an assassin for Group B, hunting, torturing,", "she's actually working for). Meanwhile, a third party group (Group C) is searching", "in the Psychology and Neurology SE in hopes of getting specific, helpful, psych-related", "spent nearly a year before ***that*** immersing herself in her false identity, getting", "such...intimate work for Group B that her loyalty began to shift without her", "has survived numerous traumatic events, and obviously her current undercover work would require", "she pleases. I also tried reading up on dissociative disorder and its variations,", "after spending too much time in her undercover role in Group B (or", "Group A and they need to leave her alone before they blow her", "if he somehow kind of brainwashed her. Stockholm Syndrome was the first concept", "the (theoretical) shift in allegiance. Members of Group C will speculate that Agent", "in her role and doing such...intimate work for Group B that her loyalty", "don't fit as well. Agent originally started working for Group A because she", "favor, so she doesn't really want to be doing any of this at", "to stay mentally and emotionally detached (actually she has always been pretty emotionally", "SE in hopes of getting specific, helpful, psych-related responses from people who were", "to get her out of this situation and bring her home. They're shocked", "like she was following Group B's orders and was lying when she told", "pleases. I also tried reading up on dissociative disorder and its variations, and", "war. Group A has an agent (we'll just call her Agent) they're planning", "think as well (though she is truly still working for Group A). So", "specific, helpful, psych-related responses from people who were actually knowledgeable in the field,", "with an actual scientific/psychological explanation for the (theoretical) shift in allegiance. Members of", "and wasn't shooting to kill). To the other members of Group C, it", "alone before they blow her cover. But it's too late—Group B orders her", "tried reading up on dissociative disorder and its variations, and parts of them", "this situation and bring her home. They're shocked to find her working for", "well (though she is truly still working for Group A). So now you've", "working for Group A). So now you've got some background, and hopefully it", "party group (Group C) is searching for Agent, wanting to get her out", "come and go from their base as she pleases. I also tried reading", "from people who were actually knowledgeable in the field, but they suggested I", "began to shift without her even realizing it. Group B's leader is also", "people actually have ties to Group A, the group she's actually working for).", "other things she has done/told them throughout the story lead them to believe", "she might start picking away at them without them noticing, weakening them for", "undercover role in Group B (or at least what Group C perceives as", "actually posted this originally over in the Psychology and Neurology SE in hopes", "I can't actually use \"Stockholm Syndrome\" in as many words because it's so", "because it's so Earth-based. I'm not convinced it's the best fit for this", "manipulative and they might even wonder if he somehow kind of brainwashed her.", "the truth, but her actions say otherwise, and other things she has done/told", "to get out now. She has military experience and has survived numerous traumatic", "she's actually working for Group A and they need to leave her alone", "them throughout the story lead them to believe maybe she ***was*** originally working", "they tested her loyalty. Agent ends up essentially becoming an assassin for Group", "still working for Group A). So now you've got some background, and hopefully", "I also tried reading up on dissociative disorder and its variations, and parts", "she has always been pretty emotionally detached). So taking the information you know", "know into consideration (again, hopefully it all made sense), what psychological phenomenon could", "is kind of what Agent is hoping people will think as well (though", "actual scientific/psychological explanation for the (theoretical) shift in allegiance. Members of Group C", "(again, hopefully it all made sense), what psychological phenomenon could most accurately describe", "spent so much time immersing herself in her role and doing such...intimate work", "picking away at them without them noticing, weakening them for when Group A", "tested her loyalty. Agent ends up essentially becoming an assassin for Group B,", "say otherwise, and other things she has done/told them throughout the story lead", "so that she might start picking away at them without them noticing, weakening", "lead them to believe maybe she ***was*** originally working for Group A but", "for when Group A finally attacks. When the story starts, Agent has already", "her alone before they blow her cover. But it's too late—Group B orders", "telling them the truth, but her actions say otherwise, and other things she", "in Group B for almost a year, having spent nearly a year before", "To the other members of Group C, it looks like she was following", "its variations, and parts of them do and don't fit as well. Agent", "while they tested her loyalty. Agent ends up essentially becoming an assassin for", "B, she isn't being held captive or anything (though she was for a", "has an agent (we'll just call her Agent) they're planning on sending undercover", "A has an agent (we'll just call her Agent) they're planning on sending", "hopes of getting specific, helpful, psych-related responses from people who were actually knowledgeable", "was for a time while they were vetting her, and that experience was", "undercover in Group B for almost a year, having spent nearly a year", "at all, but it's too late to get out now. She has military", "it looks like she was following Group B's orders and was lying when", "field, but they suggested I ask over here in Writing, so alas, here", "leader is also very manipulative and they might even wonder if he somehow", "Psychology and Neurology SE in hopes of getting specific, helpful, psych-related responses from", "plan though and wasn't shooting to kill). To the other members of Group", "place in a fictional universe so I can't actually use \"Stockholm Syndrome\" in", "phenomenon could most accurately describe Agent's shift in loyalty after spending too much", "Obviously it works in terms of Agent supposedly developing loyalty toward the people", "Group B that her loyalty began to shift without her even realizing it.", "so alas, here I am. In the book I'm working on, Group A", "for war. Group A has an agent (we'll just call her Agent) they're", "home. They're shocked to find her working for Group B, so she confesses", "she was supposed to be working against. But once she has established her", "actually have ties to Group A, the group she's actually working for). Meanwhile,", "spending too much time in her undercover role in Group B (or at", "to them that she's actually working for Group A and they need to", "Group A has an agent (we'll just call her Agent) they're planning on", "the Psychology and Neurology SE in hopes of getting specific, helpful, psych-related responses", "They're shocked to find her working for Group B, so she confesses to", "following Group B's orders and was lying when she told them she was", "Group B are rival organizations gearing up for war. Group A has an", "she was for a time while they were vetting her, and that experience" ]
[ "have characters who have to use false names. Should the narrator use their", "person A was being called Upam when their real name was Archie, person", "example, if person A was being called Upam when their real name was", "For example, if person A was being called Upam when their real name", "call them Upam, but should the narrator say \"Upam walked over\" or \"Archie", "real name was Archie, person B would call them Upam, but should the", "the narrator use their real name or false name? For example, if person", "have to use false names. Should the narrator use their real name or", "called Upam when their real name was Archie, person B would call them", "use false names. Should the narrator use their real name or false name?", "I have characters who have to use false names. Should the narrator use", "names. Should the narrator use their real name or false name? For example,", "or false name? For example, if person A was being called Upam when", "name or false name? For example, if person A was being called Upam", "Archie, person B would call them Upam, but should the narrator say \"Upam", "them Upam, but should the narrator say \"Upam walked over\" or \"Archie walked", "who have to use false names. Should the narrator use their real name", "use their real name or false name? For example, if person A was", "was Archie, person B would call them Upam, but should the narrator say", "Upam, but should the narrator say \"Upam walked over\" or \"Archie walked over\"?", "being called Upam when their real name was Archie, person B would call", "false names. Should the narrator use their real name or false name? For", "person B would call them Upam, but should the narrator say \"Upam walked", "if person A was being called Upam when their real name was Archie,", "real name or false name? For example, if person A was being called", "was being called Upam when their real name was Archie, person B would", "to use false names. Should the narrator use their real name or false", "characters who have to use false names. Should the narrator use their real", "B would call them Upam, but should the narrator say \"Upam walked over\"", "would call them Upam, but should the narrator say \"Upam walked over\" or", "A was being called Upam when their real name was Archie, person B", "narrator use their real name or false name? For example, if person A", "name was Archie, person B would call them Upam, but should the narrator", "when their real name was Archie, person B would call them Upam, but", "false name? For example, if person A was being called Upam when their", "their real name or false name? For example, if person A was being", "Should the narrator use their real name or false name? For example, if", "Upam when their real name was Archie, person B would call them Upam,", "name? For example, if person A was being called Upam when their real", "their real name was Archie, person B would call them Upam, but should" ]
[ "a very small cog. The writer may answer to a lead writer and", "one project?** Are there guidelines such as \"We only write sentences that are", "> > > and > > In such a huge project, the writer", "software that are often designed by others than the ones who implement the", "for video games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things", "like it's written by one person and there are (not as many) incongruities?", "> > In an ideal world, there would be a lead writer but", "details. Basically everything is broken down from completely abstract requirements to manageable tasks", "Writing code in a team is normal for me, but I am not", "of which is that boolean values start with 'is'\". There are also abstract", "answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am not familiar with. > > In", "people are writing for one project?** Are there guidelines such as \"We only", "everything is broken down from completely abstract requirements to manageable tasks (ideally). **How", "writer may answer to a lead writer and the writing team will answer", "lead writer and the writing team will answer to a director or project", "boolean values start with 'is'\". There are also abstract concepts of how you", "and answers on this site about writing for video games, when I stumbled", "no longer than 15 words for character [x] because he wouldn't use that.\"", "a TV series where you would have some guidelines on how each episode", "adhere to certain principles, an example of which is that boolean values start", "[y] has to use the words 'Like, totally' at least two times per", "sounds quite familiar. Writing code in a team is normal for me, but", "overall software that are often designed by others than the ones who implement", "\"his character\"? How is a \"Code Review\" done? Is the lead writer doing", "by others than the ones who implement the small details. Basically everything is", "writing for a videogame, where apparently multiple people are writing for one project?**", "in groups and each one has \"his character\"? How is a \"Code Review\"", "and there are (not as many) incongruities? I'd imagine this to be quite", "would have coding guidelines, such as (simplified) \"variable names adhere to certain principles,", "a director or project manager > > > As a programmer this sounds", "such a huge project, the writer is just a very small cog. The", "general character traits and at the end the character should still be basically", "that the final product feels like it's written by one person and there", "on this site about writing for video games, when I stumbled upon [this", "How is a \"Code Review\" done? Is the lead writer doing all the", "as writing for a TV series where you would have some guidelines on", "an ideal world, there would be a lead writer but this is not", "are no longer than 15 words for character [x] because he wouldn't use", "normal for me, but I am not sure how this would translate to", "to a director or project manager > > > As a programmer this", "field of writing for a videogame, where apparently multiple people are writing for", "different modus operandi from other kinds of writing projects, such as writing for", "not familiar with. > > In an ideal world, there would be a", "that are often designed by others than the ones who implement the small", "one has \"his character\"? How is a \"Code Review\" done? Is the lead", "which is that boolean values start with 'is'\". There are also abstract concepts", "a novel that is normally written by one person and then edited by", "programmer this sounds quite familiar. Writing code in a team is normal for", "structured and some general character traits and at the end the character should", "some questions and answers on this site about writing for video games, when", "you normally would have coding guidelines, such as (simplified) \"variable names adhere to", "values start with 'is'\". There are also abstract concepts of how you want", "in the field of writing for a videogame, where apparently multiple people are", "this is not always the case. > > > and > > In", "you want to design the overall software that are often designed by others", "want to design the overall software that are often designed by others than", "\"We only write sentences that are no longer than 15 words for character", "answers on this site about writing for video games, when I stumbled upon", "as \"We only write sentences that are no longer than 15 words for", "major episodes, such as the first or last one of a season. It's", "modus operandi from other kinds of writing projects, such as writing for a", "it's written by one person and there are (not as many) incongruities? I'd", "writing for a TV series where you would have some guidelines on how", "small cog. The writer may answer to a lead writer and the writing", "and each one has \"his character\"? How is a \"Code Review\" done? Is", "where apparently multiple people are writing for one project?** Are there guidelines such", "Are there guidelines such as \"We only write sentences that are no longer", "an example of which is that boolean values start with 'is'\". There are", "a lead writer but this is not always the case. > > >", "(simplified) \"variable names adhere to certain principles, an example of which is that", "> In such a huge project, the writer is just a very small", "the writing team will answer to a director or project manager > >", "the case. > > > and > > In such a huge project,", "a huge project, the writer is just a very small cog. The writer", "may answer to a lead writer and the writing team will answer to", "the first or last one of a season. It's also different from a", "some guidelines on how each episode should be structured and some general character", "video games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I", "this to be quite a different modus operandi from other kinds of writing", "the same as in the beginning, except for some major episodes, such as", "of how you want to design the overall software that are often designed", "such as writing for a TV series where you would have some guidelines", "project manager > > > As a programmer this sounds quite familiar. Writing", "Is the lead writer doing all the editing so that the final product", "write sentences that are no longer than 15 words for character [x] because", "with. > > In an ideal world, there would be a lead writer", "I am not familiar with. > > In an ideal world, there would", "the beginning, except for some major episodes, such as the first or last", "to certain principles, an example of which is that boolean values start with", "always the case. > > > and > > In such a huge", "season. It's also different from a novel that is normally written by one", "will answer to a director or project manager > > > As a", "project, the writer is just a very small cog. The writer may answer", "words 'Like, totally' at least two times per paragraph.\" for individual writers? And", "in the beginning, except for some major episodes, such as the first or", "final product feels like it's written by one person and there are (not", "sentences that are no longer than 15 words for character [x] because he", "you would have some guidelines on how each episode should be structured and", "(not as many) incongruities? I'd imagine this to be quite a different modus", "in a team is normal for me, but I am not sure how", "first or last one of a season. It's also different from a novel", "one of a season. It's also different from a novel that is normally", "that is normally written by one person and then edited by one other", "there are (not as many) incongruities? I'd imagine this to be quite a", "case. > > > and > > In such a huge project, the", "at the end the character should still be basically the same as in", "the final product feels like it's written by one person and there are", "as the first or last one of a season. It's also different from", "writing team will answer to a director or project manager > > >", "he wouldn't use that.\" and \"Character [y] has to use the words 'Like,", "writer doing all the editing so that the final product feels like it's", "individual writers? And are these writers supposed to write different scenes? Or are", "example I know that you normally would have coding guidelines, such as (simplified)", "per paragraph.\" for individual writers? And are these writers supposed to write different", "that.\" and \"Character [y] has to use the words 'Like, totally' at least", "or project manager > > > As a programmer this sounds quite familiar.", "supposed to write different scenes? Or are they working in groups and each", "some major episodes, such as the first or last one of a season.", "am not familiar with. > > In an ideal world, there would be", "design the overall software that are often designed by others than the ones", "(ideally). **How does this work in the writing industry, *preferably* in the field", "As a programmer this sounds quite familiar. Writing code in a team is", "are they working in groups and each one has \"his character\"? How is", "episode should be structured and some general character traits and at the end", "is normally written by one person and then edited by one other person.", "as in the beginning, except for some major episodes, such as the first", "end the character should still be basically the same as in the beginning,", "And are these writers supposed to write different scenes? Or are they working", "implement the small details. Basically everything is broken down from completely abstract requirements", "feels like it's written by one person and there are (not as many)", "of writing projects, such as writing for a TV series where you would", "that are no longer than 15 words for character [x] because he wouldn't", "so that the final product feels like it's written by one person and", "have some guidelines on how each episode should be structured and some general", "I know that you normally would have coding guidelines, such as (simplified) \"variable", "coding guidelines, such as (simplified) \"variable names adhere to certain principles, an example", "small details. Basically everything is broken down from completely abstract requirements to manageable", "each episode should be structured and some general character traits and at the", "and the writing team will answer to a director or project manager >", "are writing for one project?** Are there guidelines such as \"We only write", "different scenes? Or are they working in groups and each one has \"his", "was reading some questions and answers on this site about writing for video", "writer is just a very small cog. The writer may answer to a", "> > > As a programmer this sounds quite familiar. Writing code in", "would translate to writing. For example I know that you normally would have", "as many) incongruities? I'd imagine this to be quite a different modus operandi", "be basically the same as in the beginning, except for some major episodes,", "ideal world, there would be a lead writer but this is not always", "director or project manager > > > As a programmer this sounds quite", "Review\" done? Is the lead writer doing all the editing so that the", "the character should still be basically the same as in the beginning, except", "character traits and at the end the character should still be basically the", "that you normally would have coding guidelines, such as (simplified) \"variable names adhere", "and some general character traits and at the end the character should still", "concepts of how you want to design the overall software that are often", "start with 'is'\". There are also abstract concepts of how you want to", "working in groups and each one has \"his character\"? How is a \"Code", "not always the case. > > > and > > In such a", "the ones who implement the small details. Basically everything is broken down from", "to writing. For example I know that you normally would have coding guidelines,", "guidelines on how each episode should be structured and some general character traits", "when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am not", "should still be basically the same as in the beginning, except for some", "but I am not sure how this would translate to writing. For example", "[this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am not familiar with. > >", "many) incongruities? I'd imagine this to be quite a different modus operandi from", "I am not sure how this would translate to writing. For example I", "names adhere to certain principles, an example of which is that boolean values", "how this would translate to writing. For example I know that you normally", "two times per paragraph.\" for individual writers? And are these writers supposed to", "games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am", "**How does this work in the writing industry, *preferably* in the field of", "of writing for a videogame, where apparently multiple people are writing for one", "scenes? Or are they working in groups and each one has \"his character\"?", "different from a novel that is normally written by one person and then", "one person and there are (not as many) incongruities? I'd imagine this to", "this sounds quite familiar. Writing code in a team is normal for me,", "times per paragraph.\" for individual writers? And are these writers supposed to write", "writing for one project?** Are there guidelines such as \"We only write sentences", "to be quite a different modus operandi from other kinds of writing projects,", "is a \"Code Review\" done? Is the lead writer doing all the editing", "certain principles, an example of which is that boolean values start with 'is'\".", "writer but this is not always the case. > > > and >", "this would translate to writing. For example I know that you normally would", "such as \"We only write sentences that are no longer than 15 words", "\"Character [y] has to use the words 'Like, totally' at least two times", "to write different scenes? Or are they working in groups and each one", "that boolean values start with 'is'\". There are also abstract concepts of how", "all the editing so that the final product feels like it's written by", "of a season. It's also different from a novel that is normally written", "incongruities? I'd imagine this to be quite a different modus operandi from other", "this site about writing for video games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159)", "product feels like it's written by one person and there are (not as", "The writer may answer to a lead writer and the writing team will", "but this is not always the case. > > > and > >", "projects, such as writing for a TV series where you would have some", "the lead writer doing all the editing so that the final product feels", "to use the words 'Like, totally' at least two times per paragraph.\" for", "'is'\". There are also abstract concepts of how you want to design the", "guidelines such as \"We only write sentences that are no longer than 15", "answer to a lead writer and the writing team will answer to a", "just a very small cog. The writer may answer to a lead writer", "writing industry, *preferably* in the field of writing for a videogame, where apparently", "with 'is'\". There are also abstract concepts of how you want to design", "written by one person and there are (not as many) incongruities? I'd imagine", "words for character [x] because he wouldn't use that.\" and \"Character [y] has", "wouldn't use that.\" and \"Character [y] has to use the words 'Like, totally'", "character\"? How is a \"Code Review\" done? Is the lead writer doing all", "team is normal for me, but I am not sure how this would", "writers? And are these writers supposed to write different scenes? Or are they", "paragraph.\" for individual writers? And are these writers supposed to write different scenes?", "work in the writing industry, *preferably* in the field of writing for a", "things I am not familiar with. > > In an ideal world, there", "be quite a different modus operandi from other kinds of writing projects, such", "For example I know that you normally would have coding guidelines, such as", "is normal for me, but I am not sure how this would translate", "team will answer to a director or project manager > > > As", "still be basically the same as in the beginning, except for some major", "at least two times per paragraph.\" for individual writers? And are these writers", "character [x] because he wouldn't use that.\" and \"Character [y] has to use", "[x] because he wouldn't use that.\" and \"Character [y] has to use the", "am not sure how this would translate to writing. For example I know", "except for some major episodes, such as the first or last one of", "principles, an example of which is that boolean values start with 'is'\". There", "requirements to manageable tasks (ideally). **How does this work in the writing industry,", "for individual writers? And are these writers supposed to write different scenes? Or", "and at the end the character should still be basically the same as", "where you would have some guidelines on how each episode should be structured", "the field of writing for a videogame, where apparently multiple people are writing", "upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am not familiar with. >", "last one of a season. It's also different from a novel that is", "should be structured and some general character traits and at the end the", "others than the ones who implement the small details. Basically everything is broken", "there would be a lead writer but this is not always the case.", "code in a team is normal for me, but I am not sure", "editing so that the final product feels like it's written by one person", "apparently multiple people are writing for one project?** Are there guidelines such as", "manager > > > As a programmer this sounds quite familiar. Writing code", "writing. For example I know that you normally would have coding guidelines, such", "doing all the editing so that the final product feels like it's written", "project?** Are there guidelines such as \"We only write sentences that are no", "questions and answers on this site about writing for video games, when I", "> > and > > In such a huge project, the writer is", "has to use the words 'Like, totally' at least two times per paragraph.\"", "to design the overall software that are often designed by others than the", "same as in the beginning, except for some major episodes, such as the", "me, but I am not sure how this would translate to writing. For", "are (not as many) incongruities? I'd imagine this to be quite a different", "novel that is normally written by one person and then edited by one", "abstract concepts of how you want to design the overall software that are", "a programmer this sounds quite familiar. Writing code in a team is normal", "normally would have coding guidelines, such as (simplified) \"variable names adhere to certain", "are these writers supposed to write different scenes? Or are they working in", "writers supposed to write different scenes? Or are they working in groups and", "> In an ideal world, there would be a lead writer but this", "There are also abstract concepts of how you want to design the overall", "be a lead writer but this is not always the case. > >", "not sure how this would translate to writing. For example I know that", "some things I am not familiar with. > > In an ideal world,", "a season. It's also different from a novel that is normally written by", "groups and each one has \"his character\"? How is a \"Code Review\" done?", "answer to a director or project manager > > > As a programmer", "familiar with. > > In an ideal world, there would be a lead", "are also abstract concepts of how you want to design the overall software", "operandi from other kinds of writing projects, such as writing for a TV", "stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am not familiar with.", "'Like, totally' at least two times per paragraph.\" for individual writers? And are", "as (simplified) \"variable names adhere to certain principles, an example of which is", "\"variable names adhere to certain principles, an example of which is that boolean", "writing for video games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some", "are often designed by others than the ones who implement the small details.", "is that boolean values start with 'is'\". There are also abstract concepts of", "beginning, except for some major episodes, such as the first or last one", "write different scenes? Or are they working in groups and each one has", "I was reading some questions and answers on this site about writing for", "some general character traits and at the end the character should still be", "designed by others than the ones who implement the small details. Basically everything", "traits and at the end the character should still be basically the same", "done? Is the lead writer doing all the editing so that the final", "only write sentences that are no longer than 15 words for character [x]", "there guidelines such as \"We only write sentences that are no longer than", "this work in the writing industry, *preferably* in the field of writing for", "completely abstract requirements to manageable tasks (ideally). **How does this work in the", "would be a lead writer but this is not always the case. >", "to manageable tasks (ideally). **How does this work in the writing industry, *preferably*", "how you want to design the overall software that are often designed by", "> > As a programmer this sounds quite familiar. Writing code in a", "familiar. Writing code in a team is normal for me, but I am", "videogame, where apparently multiple people are writing for one project?** Are there guidelines", "the writer is just a very small cog. The writer may answer to", "ones who implement the small details. Basically everything is broken down from completely", "and > > In such a huge project, the writer is just a", "person and there are (not as many) incongruities? I'd imagine this to be", "In an ideal world, there would be a lead writer but this is", "a \"Code Review\" done? Is the lead writer doing all the editing so", "site about writing for video games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that", "each one has \"his character\"? How is a \"Code Review\" done? Is the", "for me, but I am not sure how this would translate to writing.", "who implement the small details. Basically everything is broken down from completely abstract", "the words 'Like, totally' at least two times per paragraph.\" for individual writers?", "multiple people are writing for one project?** Are there guidelines such as \"We", "imagine this to be quite a different modus operandi from other kinds of", "manageable tasks (ideally). **How does this work in the writing industry, *preferably* in", "have coding guidelines, such as (simplified) \"variable names adhere to certain principles, an", "basically the same as in the beginning, except for some major episodes, such", "sure how this would translate to writing. For example I know that you", "least two times per paragraph.\" for individual writers? And are these writers supposed", "for character [x] because he wouldn't use that.\" and \"Character [y] has to", "reading some questions and answers on this site about writing for video games,", "use the words 'Like, totally' at least two times per paragraph.\" for individual", "such as the first or last one of a season. It's also different", "from other kinds of writing projects, such as writing for a TV series", "in the writing industry, *preferably* in the field of writing for a videogame,", "quite a different modus operandi from other kinds of writing projects, such as", "a team is normal for me, but I am not sure how this", "the writing industry, *preferably* in the field of writing for a videogame, where", "such as (simplified) \"variable names adhere to certain principles, an example of which", "to a lead writer and the writing team will answer to a director", "example of which is that boolean values start with 'is'\". There are also", "industry, *preferably* in the field of writing for a videogame, where apparently multiple", "for a videogame, where apparently multiple people are writing for one project?** Are", "\"Code Review\" done? Is the lead writer doing all the editing so that", "on how each episode should be structured and some general character traits and", "huge project, the writer is just a very small cog. The writer may", "is broken down from completely abstract requirements to manageable tasks (ideally). **How does", "quite familiar. Writing code in a team is normal for me, but I", "I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions some things I am not familiar", "a lead writer and the writing team will answer to a director or", "a videogame, where apparently multiple people are writing for one project?** Are there", "the overall software that are often designed by others than the ones who", "Basically everything is broken down from completely abstract requirements to manageable tasks (ideally).", "from a novel that is normally written by one person and then edited", "from completely abstract requirements to manageable tasks (ideally). **How does this work in", "I'd imagine this to be quite a different modus operandi from other kinds", "the end the character should still be basically the same as in the", "also different from a novel that is normally written by one person and", "a different modus operandi from other kinds of writing projects, such as writing", "these writers supposed to write different scenes? Or are they working in groups", "does this work in the writing industry, *preferably* in the field of writing", "also abstract concepts of how you want to design the overall software that", "mentions some things I am not familiar with. > > In an ideal", "It's also different from a novel that is normally written by one person", "guidelines, such as (simplified) \"variable names adhere to certain principles, an example of", "is not always the case. > > > and > > In such", "*preferably* in the field of writing for a videogame, where apparently multiple people", "abstract requirements to manageable tasks (ideally). **How does this work in the writing", "the editing so that the final product feels like it's written by one", "longer than 15 words for character [x] because he wouldn't use that.\" and", "character should still be basically the same as in the beginning, except for", "because he wouldn't use that.\" and \"Character [y] has to use the words", "they working in groups and each one has \"his character\"? How is a", "translate to writing. For example I know that you normally would have coding", "than the ones who implement the small details. Basically everything is broken down", "> > In such a huge project, the writer is just a very", "lead writer but this is not always the case. > > > and", "would have some guidelines on how each episode should be structured and some", "for some major episodes, such as the first or last one of a", "very small cog. The writer may answer to a lead writer and the", "other kinds of writing projects, such as writing for a TV series where", "often designed by others than the ones who implement the small details. Basically", "know that you normally would have coding guidelines, such as (simplified) \"variable names", "the small details. Basically everything is broken down from completely abstract requirements to", "world, there would be a lead writer but this is not always the", "15 words for character [x] because he wouldn't use that.\" and \"Character [y]", "> and > > In such a huge project, the writer is just", "or last one of a season. It's also different from a novel that", "TV series where you would have some guidelines on how each episode should", "series where you would have some guidelines on how each episode should be", "writer and the writing team will answer to a director or project manager", "cog. The writer may answer to a lead writer and the writing team", "has \"his character\"? How is a \"Code Review\" done? Is the lead writer", "> As a programmer this sounds quite familiar. Writing code in a team", "down from completely abstract requirements to manageable tasks (ideally). **How does this work", "how each episode should be structured and some general character traits and at", "and \"Character [y] has to use the words 'Like, totally' at least two", "Or are they working in groups and each one has \"his character\"? How", "tasks (ideally). **How does this work in the writing industry, *preferably* in the", "broken down from completely abstract requirements to manageable tasks (ideally). **How does this", "kinds of writing projects, such as writing for a TV series where you", "than 15 words for character [x] because he wouldn't use that.\" and \"Character", "totally' at least two times per paragraph.\" for individual writers? And are these", "lead writer doing all the editing so that the final product feels like", "episodes, such as the first or last one of a season. It's also", "about writing for video games, when I stumbled upon [this answer](https://writing.stackexchange.com/a/28509/23159) that mentions", "for a TV series where you would have some guidelines on how each", "be structured and some general character traits and at the end the character", "by one person and there are (not as many) incongruities? I'd imagine this", "for one project?** Are there guidelines such as \"We only write sentences that", "use that.\" and \"Character [y] has to use the words 'Like, totally' at", "is just a very small cog. The writer may answer to a lead", "writing projects, such as writing for a TV series where you would have", "that mentions some things I am not familiar with. > > In an", "In such a huge project, the writer is just a very small cog." ]
[ "have a character who is living through a very regular everyday routine for", "character who is living through a very regular everyday routine for a longer", "couple of months. How do I describe this routine and give the impression", "everyday routine for a longer time, let's say a couple of months. How", "let's say a couple of months. How do I describe this routine and", "very regular everyday routine for a longer time, let's say a couple of", "living through a very regular everyday routine for a longer time, let's say", "a very regular everyday routine for a longer time, let's say a couple", "months. How do I describe this routine and give the impression of time", "describe this routine and give the impression of time passing by in an", "who is living through a very regular everyday routine for a longer time,", "regular everyday routine for a longer time, let's say a couple of months.", "say a couple of months. How do I describe this routine and give", "I have a character who is living through a very regular everyday routine", "through a very regular everyday routine for a longer time, let's say a", "a couple of months. How do I describe this routine and give the", "time, let's say a couple of months. How do I describe this routine", "is living through a very regular everyday routine for a longer time, let's", "routine for a longer time, let's say a couple of months. How do", "I describe this routine and give the impression of time passing by in", "this routine and give the impression of time passing by in an interesting", "do I describe this routine and give the impression of time passing by", "a character who is living through a very regular everyday routine for a", "for a longer time, let's say a couple of months. How do I", "of months. How do I describe this routine and give the impression of", "longer time, let's say a couple of months. How do I describe this", "How do I describe this routine and give the impression of time passing", "routine and give the impression of time passing by in an interesting way?", "a longer time, let's say a couple of months. How do I describe" ]
[ "that I can write blogs and articles. He suggesed that I should learn", "told him that I can write blogs and articles. He suggesed that I", "with a client and he asked me to write web page content. I", "I searched on Google for one day and I'm not able to find", "day and I'm not able to find the exact difference between them. How", "him that I can write blogs and articles. He suggesed that I should", "learn web page writing, but I searched on Google for one day and", "that I should learn web page writing, but I searched on Google for", "find the exact difference between them. How does web page writing differ from", "was talking with a client and he asked me to write web page", "to write web page content. I told him that I can write blogs", "page content. I told him that I can write blogs and articles. He", "web page content. I told him that I can write blogs and articles.", "I can write blogs and articles. He suggesed that I should learn web", "a client and he asked me to write web page content. I told", "I was talking with a client and he asked me to write web", "between them. How does web page writing differ from blog and article writing?", "he asked me to write web page content. I told him that I", "can write blogs and articles. He suggesed that I should learn web page", "I'm not able to find the exact difference between them. How does web", "should learn web page writing, but I searched on Google for one day", "and articles. He suggesed that I should learn web page writing, but I", "write web page content. I told him that I can write blogs and", "I should learn web page writing, but I searched on Google for one", "Yesterday I was talking with a client and he asked me to write", "writing, but I searched on Google for one day and I'm not able", "searched on Google for one day and I'm not able to find the", "not able to find the exact difference between them. How does web page", "me to write web page content. I told him that I can write", "and I'm not able to find the exact difference between them. How does", "client and he asked me to write web page content. I told him", "suggesed that I should learn web page writing, but I searched on Google", "write blogs and articles. He suggesed that I should learn web page writing,", "able to find the exact difference between them. How does web page writing", "to find the exact difference between them. How does web page writing differ", "the exact difference between them. How does web page writing differ from blog", "talking with a client and he asked me to write web page content.", "one day and I'm not able to find the exact difference between them.", "difference between them. How does web page writing differ from blog and article", "but I searched on Google for one day and I'm not able to", "page writing, but I searched on Google for one day and I'm not", "asked me to write web page content. I told him that I can", "Google for one day and I'm not able to find the exact difference", "web page writing, but I searched on Google for one day and I'm", "blogs and articles. He suggesed that I should learn web page writing, but", "for one day and I'm not able to find the exact difference between", "and he asked me to write web page content. I told him that", "articles. He suggesed that I should learn web page writing, but I searched", "on Google for one day and I'm not able to find the exact", "exact difference between them. How does web page writing differ from blog and", "He suggesed that I should learn web page writing, but I searched on", "I told him that I can write blogs and articles. He suggesed that", "content. I told him that I can write blogs and articles. He suggesed" ]
[ "a children's audience. Before Dal Xmowf, I would not have thought of Christian", "These two contradict each other, and one of them is somewhat true and", "but not perfectly executed stories, The Inheritance Cycle still manages to be popular.", "bunch of stolen things, however, it conflicts with [what Amaheor said about good", "Before JK Rowling, I would not have thought of a Wizard's school that", "would appeal to a children's audience. Before Dal Xmowf, I would not have", "> > > These two contradict each other, and one of them is", "> These two contradict each other, and one of them is somewhat true", "think. The Inheritance Cycle rips off Star Wars, Lord of the Rings. And", "other is factual. So, even going against what's been established of popular but", "audience. Before Dal Xmowf, I would not have thought of Christian artifacts, statues,", "invent a good original story with something about it people (most of them)", "Both of those are genius ideas, superb stories imperfectly realized. > > >", "have thought of Christian artifacts, statues, buildings and manuscripts of having hidden clues", "love it, some critics have expressed a disdain (in a very unprofessional, as", "critics think. The Inheritance Cycle rips off Star Wars, Lord of the Rings.", "as far as evidence is concerned, way) towards it. So apparently, you can", "can still make something good from a bunch of stolen things, however, it", "very unprofessional, as far as evidence is concerned, way) towards it. So apparently,", "manuscripts of having hidden clues to a major secret being covered up by", "contradict each other, and one of them is somewhat true and the other", "factual. So, even going against what's been established of popular but not perfectly", "are genius ideas, superb stories imperfectly realized. > > > These two contradict", "two contradict each other, and one of them is somewhat true and the", "of them) have not fully imagined before. Before JK Rowling, I would not", "to a children's audience. Before Dal Xmowf, I would not have thought of", "that is much harder work than becoming a good technical writer: You have", "major secret being covered up by the Vatican. Both of those are genius", "about the legal side (that has already been covered a few times here),", "the Rings. And although many people love it, some critics have expressed a", "not perfectly executed stories, The Inheritance Cycle still manages to be popular. **How", "of them is somewhat true and the other is factual. So, even going", "been established of popular but not perfectly executed stories, The Inheritance Cycle still", "many people love it, some critics have expressed a disdain (in a very", "to invent a good original story with something about it people (most of", "make something good from a bunch of stolen things, however, it conflicts with", "harder work than becoming a good technical writer: You have to invent a", "(that has already been covered a few times here), but more about what", "popular. **How did it do that and how can I replicate the trick?**", "have to invent a good original story with something about it people (most", "some critics have expressed a disdain (in a very unprofessional, as far as", "original story with something about it people (most of them) have not fully", "would not have thought of a Wizard's school that would appeal to a", "Star Wars, Lord of the Rings. And although many people love it, some", "them) have not fully imagined before. Before JK Rowling, I would not have", "not really talking about the legal side (that has already been covered a", "Before Dal Xmowf, I would not have thought of Christian artifacts, statues, buildings", "thought of a Wizard's school that would appeal to a children's audience. Before", "artifacts, statues, buildings and manuscripts of having hidden clues to a major secret", "somewhat true and the other is factual. So, even going against what's been", "far as evidence is concerned, way) towards it. So apparently, you can still", "JK Rowling, I would not have thought of a Wizard's school that would", "apparently, you can still make something good from a bunch of stolen things,", "(most of them) have not fully imagined before. Before JK Rowling, I would", "it. So apparently, you can still make something good from a bunch of", "manages to be popular. **How did it do that and how can I", "unprofessional, as far as evidence is concerned, way) towards it. So apparently, you", "off Star Wars, Lord of the Rings. And although many people love it,", "other, and one of them is somewhat true and the other is factual.", "good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that is much harder work than", "school that would appeal to a children's audience. Before Dal Xmowf, I would", "secret being covered up by the Vatican. Both of those are genius ideas,", "from a bunch of stolen things, however, it conflicts with [what Amaheor said", "has already been covered a few times here), but more about what the", "to be popular. **How did it do that and how can I replicate", "few times here), but more about what the readers and the critics think.", "I'm not really talking about the legal side (that has already been covered", "true and the other is factual. So, even going against what's been established", "would not have thought of Christian artifacts, statues, buildings and manuscripts of having", "stories imperfectly realized. > > > These two contradict each other, and one", "You have to invent a good original story with something about it people", "appeal to a children's audience. Before Dal Xmowf, I would not have thought", "is much harder work than becoming a good technical writer: You have to", "technical writer: You have to invent a good original story with something about", "> > The answer to that is much harder work than becoming a", "Wars, Lord of the Rings. And although many people love it, some critics", "a good technical writer: You have to invent a good original story with", "The Inheritance Cycle still manages to be popular. **How did it do that", "by the Vatican. Both of those are genius ideas, superb stories imperfectly realized.", "I would not have thought of Christian artifacts, statues, buildings and manuscripts of", "and the critics think. The Inheritance Cycle rips off Star Wars, Lord of", "it conflicts with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer", "expressed a disdain (in a very unprofessional, as far as evidence is concerned,", "being covered up by the Vatican. Both of those are genius ideas, superb", "things, however, it conflicts with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > >", "have thought of a Wizard's school that would appeal to a children's audience.", "much harder work than becoming a good technical writer: You have to invent", "legal side (that has already been covered a few times here), but more", "a Wizard's school that would appeal to a children's audience. Before Dal Xmowf,", "hidden clues to a major secret being covered up by the Vatican. Both", "as evidence is concerned, way) towards it. So apparently, you can still make", "up by the Vatican. Both of those are genius ideas, superb stories imperfectly", "the Vatican. Both of those are genius ideas, superb stories imperfectly realized. >", "one of them is somewhat true and the other is factual. So, even", "Rowling, I would not have thought of a Wizard's school that would appeal", "against what's been established of popular but not perfectly executed stories, The Inheritance", "what the readers and the critics think. The Inheritance Cycle rips off Star", "answer to that is much harder work than becoming a good technical writer:", "here), but more about what the readers and the critics think. The Inheritance", "of those are genius ideas, superb stories imperfectly realized. > > > These", "imperfectly realized. > > > These two contradict each other, and one of", "critics have expressed a disdain (in a very unprofessional, as far as evidence", "covered up by the Vatican. Both of those are genius ideas, superb stories", "stolen things, however, it conflicts with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): >", "good original story with something about it people (most of them) have not", "(in a very unprofessional, as far as evidence is concerned, way) towards it.", "to a major secret being covered up by the Vatican. Both of those", "perfectly executed stories, The Inheritance Cycle still manages to be popular. **How did", "evidence is concerned, way) towards it. So apparently, you can still make something", "is concerned, way) towards it. So apparently, you can still make something good", "that would appeal to a children's audience. Before Dal Xmowf, I would not", "Dal Xmowf, I would not have thought of Christian artifacts, statues, buildings and", "Xmowf, I would not have thought of Christian artifacts, statues, buildings and manuscripts", "what's been established of popular but not perfectly executed stories, The Inheritance Cycle", "> The answer to that is much harder work than becoming a good", "the critics think. The Inheritance Cycle rips off Star Wars, Lord of the", "going against what's been established of popular but not perfectly executed stories, The", "with something about it people (most of them) have not fully imagined before.", "So, even going against what's been established of popular but not perfectly executed", "of having hidden clues to a major secret being covered up by the", "but more about what the readers and the critics think. The Inheritance Cycle", "and the other is factual. So, even going against what's been established of", "of the Rings. And although many people love it, some critics have expressed", "with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that", "people (most of them) have not fully imagined before. Before JK Rowling, I", "realized. > > > These two contradict each other, and one of them", "The Inheritance Cycle rips off Star Wars, Lord of the Rings. And although", "although many people love it, some critics have expressed a disdain (in a", "good from a bunch of stolen things, however, it conflicts with [what Amaheor", "to that is much harder work than becoming a good technical writer: You", "writer: You have to invent a good original story with something about it", "imagined before. Before JK Rowling, I would not have thought of a Wizard's", "children's audience. Before Dal Xmowf, I would not have thought of Christian artifacts,", "Inheritance Cycle rips off Star Wars, Lord of the Rings. And although many", "and one of them is somewhat true and the other is factual. So,", "Inheritance Cycle still manages to be popular. **How did it do that and", "superb stories imperfectly realized. > > > These two contradict each other, and", "time, I'm not really talking about the legal side (that has already been", "And although many people love it, some critics have expressed a disdain (in", "conflicts with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to", "ideas, superb stories imperfectly realized. > > > These two contradict each other,", "stories, The Inheritance Cycle still manages to be popular. **How did it do", "covered a few times here), but more about what the readers and the", "the legal side (that has already been covered a few times here), but", "clues to a major secret being covered up by the Vatican. Both of", "them is somewhat true and the other is factual. So, even going against", "even going against what's been established of popular but not perfectly executed stories,", "you can still make something good from a bunch of stolen things, however,", "popular but not perfectly executed stories, The Inheritance Cycle still manages to be", "still manages to be popular. **How did it do that and how can", "of stolen things, however, it conflicts with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507):", "executed stories, The Inheritance Cycle still manages to be popular. **How did it", "those are genius ideas, superb stories imperfectly realized. > > > These two", "Rings. And although many people love it, some critics have expressed a disdain", "talking about the legal side (that has already been covered a few times", "Cycle rips off Star Wars, Lord of the Rings. And although many people", "not have thought of Christian artifacts, statues, buildings and manuscripts of having hidden", "thought of Christian artifacts, statues, buildings and manuscripts of having hidden clues to", "Christian artifacts, statues, buildings and manuscripts of having hidden clues to a major", "a major secret being covered up by the Vatican. Both of those are", "work than becoming a good technical writer: You have to invent a good", "Lord of the Rings. And although many people love it, some critics have", "> > These two contradict each other, and one of them is somewhat", "[what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that is", "This time, I'm not really talking about the legal side (that has already", "the readers and the critics think. The Inheritance Cycle rips off Star Wars,", "good technical writer: You have to invent a good original story with something", "of popular but not perfectly executed stories, The Inheritance Cycle still manages to", "times here), but more about what the readers and the critics think. The", "about what the readers and the critics think. The Inheritance Cycle rips off", "of a Wizard's school that would appeal to a children's audience. Before Dal", "of Christian artifacts, statues, buildings and manuscripts of having hidden clues to a", "been covered a few times here), but more about what the readers and", "becoming a good technical writer: You have to invent a good original story", "readers and the critics think. The Inheritance Cycle rips off Star Wars, Lord", "towards it. So apparently, you can still make something good from a bunch", "having hidden clues to a major secret being covered up by the Vatican.", "a good original story with something about it people (most of them) have", "is factual. So, even going against what's been established of popular but not", "and manuscripts of having hidden clues to a major secret being covered up", "Cycle still manages to be popular. **How did it do that and how", "more about what the readers and the critics think. The Inheritance Cycle rips", "Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that is much", "established of popular but not perfectly executed stories, The Inheritance Cycle still manages", "it people (most of them) have not fully imagined before. Before JK Rowling,", "disdain (in a very unprofessional, as far as evidence is concerned, way) towards", "Wizard's school that would appeal to a children's audience. Before Dal Xmowf, I", "the other is factual. So, even going against what's been established of popular", "The answer to that is much harder work than becoming a good technical", "is somewhat true and the other is factual. So, even going against what's", "story with something about it people (most of them) have not fully imagined", "not fully imagined before. Before JK Rowling, I would not have thought of", "something good from a bunch of stolen things, however, it conflicts with [what", "I would not have thought of a Wizard's school that would appeal to", "really talking about the legal side (that has already been covered a few", "side (that has already been covered a few times here), but more about", "it, some critics have expressed a disdain (in a very unprofessional, as far", "something about it people (most of them) have not fully imagined before. Before", "So apparently, you can still make something good from a bunch of stolen", "be popular. **How did it do that and how can I replicate the", "Vatican. Both of those are genius ideas, superb stories imperfectly realized. > >", "not have thought of a Wizard's school that would appeal to a children's", "have not fully imagined before. Before JK Rowling, I would not have thought", "way) towards it. So apparently, you can still make something good from a", "statues, buildings and manuscripts of having hidden clues to a major secret being", "have expressed a disdain (in a very unprofessional, as far as evidence is", "buildings and manuscripts of having hidden clues to a major secret being covered", "fully imagined before. Before JK Rowling, I would not have thought of a", "than becoming a good technical writer: You have to invent a good original", "about it people (most of them) have not fully imagined before. Before JK", "each other, and one of them is somewhat true and the other is", "already been covered a few times here), but more about what the readers", "still make something good from a bunch of stolen things, however, it conflicts", "before. Before JK Rowling, I would not have thought of a Wizard's school", "a few times here), but more about what the readers and the critics", "rips off Star Wars, Lord of the Rings. And although many people love", "genius ideas, superb stories imperfectly realized. > > > These two contradict each", "however, it conflicts with [what Amaheor said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The", "people love it, some critics have expressed a disdain (in a very unprofessional,", "concerned, way) towards it. So apparently, you can still make something good from", "a disdain (in a very unprofessional, as far as evidence is concerned, way)", "about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that is much harder work", "stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that is much harder work than becoming", "a bunch of stolen things, however, it conflicts with [what Amaheor said about", "a very unprofessional, as far as evidence is concerned, way) towards it. So", "said about good stories](https://writing.stackexchange.com/a/32836/25507): > > The answer to that is much harder" ]
[ "sided, so when you are done, you see blank sides in between each", "8 pages, one one sheet. It should be something along the lines of", "one sheet. It should be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I", "you see blank sides in between each page. I have a double sided", "I have a double sided printer and figure there must be a way", "not double sided, so when you are done, you see blank sides in", "sheet. It should be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have", "tried. But this is not double sided, so when you are done, you", "double sided, so when you are done, you see blank sides in between", "I have tried. But this is not double sided, so when you are", "way to do this so each page is printed front and back. Any", "pages, one one sheet. It should be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/),", "is not double sided, so when you are done, you see blank sides", "be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this", "do this so each page is printed front and back. Any templates or", "book, of about 8 pages, one one sheet. It should be something along", "want to print a mini book, of about 8 pages, one one sheet.", "there must be a way to do this so each page is printed", "blank sides in between each page. I have a double sided printer and", "this is not double sided, so when you are done, you see blank", "should be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But", "of about 8 pages, one one sheet. It should be something along the", "you are done, you see blank sides in between each page. I have", "this so each page is printed front and back. Any templates or instructions?", "between each page. I have a double sided printer and figure there must", "so when you are done, you see blank sides in between each page.", "I want to print a mini book, of about 8 pages, one one", "done, you see blank sides in between each page. I have a double", "sided printer and figure there must be a way to do this so", "the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this is not double", "are done, you see blank sides in between each page. I have a", "see blank sides in between each page. I have a double sided printer", "of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this is not double sided, so", "printer and figure there must be a way to do this so each", "a way to do this so each page is printed front and back.", "a double sided printer and figure there must be a way to do", "page. I have a double sided printer and figure there must be a", "It should be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried.", "be a way to do this so each page is printed front and", "something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this is", "lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this is not double sided,", "and figure there must be a way to do this so each page", "print a mini book, of about 8 pages, one one sheet. It should", "a mini book, of about 8 pages, one one sheet. It should be", "have tried. But this is not double sided, so when you are done,", "mini book, of about 8 pages, one one sheet. It should be something", "But this is not double sided, so when you are done, you see", "along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this is not", "have a double sided printer and figure there must be a way to", "double sided printer and figure there must be a way to do this", "to print a mini book, of about 8 pages, one one sheet. It", "each page. I have a double sided printer and figure there must be", "in between each page. I have a double sided printer and figure there", "must be a way to do this so each page is printed front", "[this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which I have tried. But this is not double sided, so when", "sides in between each page. I have a double sided printer and figure", "to do this so each page is printed front and back. Any templates", "one one sheet. It should be something along the lines of [this](http://www.instructables.com/id/Make-Pocketmods-little-booklets-with-MS-Word/), which", "which I have tried. But this is not double sided, so when you", "about 8 pages, one one sheet. It should be something along the lines", "when you are done, you see blank sides in between each page. I", "figure there must be a way to do this so each page is" ]
[ "up and I really love them. One day I got on and saw", "everything I ever worked for. I've been working on this story for 4", "basically had more of a right to the character than I because she", "I was. Well I thought she gave up and a few years later,", "said that she basically had more of a right to the character than", "so I don't know what to do. I'm not good at art or", "a little bit of talent took the most important thing I've ever made.", "like crying because both the characters she stole are very important in my", "My OCs (Original Characters) were stolen by an older person. She may or", "and saw someone posted the character I made and called it her own.", "Well I thought she gave up and a few years later, I saw", "them. A few years ago I was like 13 and I posted some", "got into a whole argument and she said that she basically had more", "a few years later, I saw she was still posting I pictures of", "I feel like I've been mugged of everything I ever worked for. I've", "I thought she gave up and a few years later, I saw she", "profile with a lot of followers and she does so I don't know", "she just dresses them up in maids outfits online. I feel like I've", "uncreative person with a little bit of talent took the most important thing", "13 and I posted some characters I made up and I really love", "I pictures of him and calling him her own. Now see, I don't", "I'm not good at art or writing and I'm 17 years old now.", "may or may not have copyrighted them. A few years ago I was", "few years ago I was like 13 and I posted some characters I", "feel like I've been mugged of everything I ever worked for. I've been", "art or writing and I'm 17 years old now. I feel like crying", "Characters) were stolen by an older person. She may or may not have", "few years later, I saw she was still posting I pictures of him", "followers and she does so I don't know what to do. I'm not", "Now see, I don't have a profile with a lot of followers and", "She may or may not have copyrighted them. A few years ago I", "better at art than I was. Well I thought she gave up and", "my characters in my book or should I just give up with them?", "years ago I was like 13 and I posted some characters I made", "pictures of him and calling him her own. Now see, I don't have", "I've ever made. Can I keep my characters in my book or should", "to find that some uncreative person with a little bit of talent took", "because both the characters she stole are very important in my story and", "not have copyrighted them. A few years ago I was like 13 and", "it her own. Of course, we got into a whole argument and she", "was better at art than I was. Well I thought she gave up", "working on this story for 4 years just to find that some uncreative", "good at art or writing and I'm 17 years old now. I feel", "saw she was still posting I pictures of him and calling him her", "One day I got on and saw someone posted the character I made", "both the characters she stole are very important in my story and she", "mugged of everything I ever worked for. I've been working on this story", "are very important in my story and she just dresses them up in", "have copyrighted them. A few years ago I was like 13 and I", "stole are very important in my story and she just dresses them up", "right to the character than I because she was better at art than", "she was better at art than I was. Well I thought she gave", "I was like 13 and I posted some characters I made up and", "crying because both the characters she stole are very important in my story", "him and calling him her own. Now see, I don't have a profile", "I don't have a profile with a lot of followers and she does", "to the character than I because she was better at art than I", "than I because she was better at art than I was. Well I", "saw someone posted the character I made and called it her own. Of", "I made and called it her own. Of course, we got into a", "I because she was better at art than I was. Well I thought", "took the most important thing I've ever made. Can I keep my characters", "own. Now see, I don't have a profile with a lot of followers", "(Original Characters) were stolen by an older person. She may or may not", "got on and saw someone posted the character I made and called it", "ever made. Can I keep my characters in my book or should I", "ago I was like 13 and I posted some characters I made up", "keep my characters in my book or should I just give up with", "dresses them up in maids outfits online. I feel like I've been mugged", "had more of a right to the character than I because she was", "or may not have copyrighted them. A few years ago I was like", "see, I don't have a profile with a lot of followers and she", "and she just dresses them up in maids outfits online. I feel like", "made and called it her own. Of course, we got into a whole", "copyrighted them. A few years ago I was like 13 and I posted", "him her own. Now see, I don't have a profile with a lot", "course, we got into a whole argument and she said that she basically", "OCs (Original Characters) were stolen by an older person. She may or may", "later, I saw she was still posting I pictures of him and calling", "outfits online. I feel like I've been mugged of everything I ever worked", "some uncreative person with a little bit of talent took the most important", "into a whole argument and she said that she basically had more of", "character than I because she was better at art than I was. Well", "I really love them. One day I got on and saw someone posted", "I got on and saw someone posted the character I made and called", "and a few years later, I saw she was still posting I pictures", "years old now. I feel like crying because both the characters she stole", "4 years just to find that some uncreative person with a little bit", "were stolen by an older person. She may or may not have copyrighted", "stolen by an older person. She may or may not have copyrighted them.", "some characters I made up and I really love them. One day I", "really love them. One day I got on and saw someone posted the", "I've been working on this story for 4 years just to find that", "what to do. I'm not good at art or writing and I'm 17", "with a little bit of talent took the most important thing I've ever", "someone posted the character I made and called it her own. Of course,", "17 years old now. I feel like crying because both the characters she", "made. Can I keep my characters in my book or should I just", "whole argument and she said that she basically had more of a right", "characters I made up and I really love them. One day I got", "don't have a profile with a lot of followers and she does so", "not good at art or writing and I'm 17 years old now. I", "old now. I feel like crying because both the characters she stole are", "was like 13 and I posted some characters I made up and I", "characters she stole are very important in my story and she just dresses", "she stole are very important in my story and she just dresses them", "worked for. I've been working on this story for 4 years just to", "story for 4 years just to find that some uncreative person with a", "just to find that some uncreative person with a little bit of talent", "may not have copyrighted them. A few years ago I was like 13", "of him and calling him her own. Now see, I don't have a", "years just to find that some uncreative person with a little bit of", "she was still posting I pictures of him and calling him her own.", "I keep my characters in my book or should I just give up", "person. She may or may not have copyrighted them. A few years ago", "and she does so I don't know what to do. I'm not good", "and I posted some characters I made up and I really love them.", "the character than I because she was better at art than I was.", "been mugged of everything I ever worked for. I've been working on this", "I saw she was still posting I pictures of him and calling him", "with a lot of followers and she does so I don't know what", "I made up and I really love them. One day I got on", "find that some uncreative person with a little bit of talent took the", "have a profile with a lot of followers and she does so I", "and called it her own. Of course, we got into a whole argument", "own. Of course, we got into a whole argument and she said that", "very important in my story and she just dresses them up in maids", "of a right to the character than I because she was better at", "a right to the character than I because she was better at art", "most important thing I've ever made. Can I keep my characters in my", "been working on this story for 4 years just to find that some", "I ever worked for. I've been working on this story for 4 years", "that she basically had more of a right to the character than I", "for. I've been working on this story for 4 years just to find", "I posted some characters I made up and I really love them. One", "I feel like crying because both the characters she stole are very important", "we got into a whole argument and she said that she basically had", "on this story for 4 years just to find that some uncreative person", "older person. She may or may not have copyrighted them. A few years", "in my story and she just dresses them up in maids outfits online.", "lot of followers and she does so I don't know what to do.", "by an older person. She may or may not have copyrighted them. A", "maids outfits online. I feel like I've been mugged of everything I ever", "like I've been mugged of everything I ever worked for. I've been working", "love them. One day I got on and saw someone posted the character", "gave up and a few years later, I saw she was still posting", "at art than I was. Well I thought she gave up and a", "thought she gave up and a few years later, I saw she was", "ever worked for. I've been working on this story for 4 years just", "I don't know what to do. I'm not good at art or writing", "Of course, we got into a whole argument and she said that she", "at art or writing and I'm 17 years old now. I feel like", "was still posting I pictures of him and calling him her own. Now", "feel like crying because both the characters she stole are very important in", "day I got on and saw someone posted the character I made and", "this story for 4 years just to find that some uncreative person with", "she gave up and a few years later, I saw she was still", "story and she just dresses them up in maids outfits online. I feel", "or writing and I'm 17 years old now. I feel like crying because", "a profile with a lot of followers and she does so I don't", "bit of talent took the most important thing I've ever made. Can I", "of talent took the most important thing I've ever made. Can I keep", "does so I don't know what to do. I'm not good at art", "more of a right to the character than I because she was better", "character I made and called it her own. Of course, we got into", "argument and she said that she basically had more of a right to", "to do. I'm not good at art or writing and I'm 17 years", "and she said that she basically had more of a right to the", "them up in maids outfits online. I feel like I've been mugged of", "talent took the most important thing I've ever made. Can I keep my", "don't know what to do. I'm not good at art or writing and", "her own. Now see, I don't have a profile with a lot of", "on and saw someone posted the character I made and called it her", "and calling him her own. Now see, I don't have a profile with", "for 4 years just to find that some uncreative person with a little", "them. One day I got on and saw someone posted the character I", "posted the character I made and called it her own. Of course, we", "I've been mugged of everything I ever worked for. I've been working on", "important thing I've ever made. Can I keep my characters in my book", "years later, I saw she was still posting I pictures of him and", "important in my story and she just dresses them up in maids outfits", "was. Well I thought she gave up and a few years later, I", "thing I've ever made. Can I keep my characters in my book or", "called it her own. Of course, we got into a whole argument and", "in maids outfits online. I feel like I've been mugged of everything I", "calling him her own. Now see, I don't have a profile with a", "writing and I'm 17 years old now. I feel like crying because both", "that some uncreative person with a little bit of talent took the most", "made up and I really love them. One day I got on and", "of followers and she does so I don't know what to do. I'm", "person with a little bit of talent took the most important thing I've", "know what to do. I'm not good at art or writing and I'm", "little bit of talent took the most important thing I've ever made. Can", "online. I feel like I've been mugged of everything I ever worked for.", "the characters she stole are very important in my story and she just", "posting I pictures of him and calling him her own. Now see, I", "up in maids outfits online. I feel like I've been mugged of everything", "she does so I don't know what to do. I'm not good at", "just dresses them up in maids outfits online. I feel like I've been", "the most important thing I've ever made. Can I keep my characters in", "an older person. She may or may not have copyrighted them. A few", "A few years ago I was like 13 and I posted some characters", "like 13 and I posted some characters I made up and I really", "she said that she basically had more of a right to the character", "than I was. Well I thought she gave up and a few years", "now. I feel like crying because both the characters she stole are very", "a whole argument and she said that she basically had more of a", "and I'm 17 years old now. I feel like crying because both the", "Can I keep my characters in my book or should I just give", "of everything I ever worked for. I've been working on this story for", "because she was better at art than I was. Well I thought she", "I'm 17 years old now. I feel like crying because both the characters", "the character I made and called it her own. Of course, we got", "my story and she just dresses them up in maids outfits online. I", "a lot of followers and she does so I don't know what to", "her own. Of course, we got into a whole argument and she said", "do. I'm not good at art or writing and I'm 17 years old", "up and a few years later, I saw she was still posting I", "and I really love them. One day I got on and saw someone", "posted some characters I made up and I really love them. One day", "art than I was. Well I thought she gave up and a few", "still posting I pictures of him and calling him her own. Now see,", "she basically had more of a right to the character than I because" ]
[ "the events that set the story in motion, including the inciting incident and", "did not create the plot of her trilogy from its beginning. I would", "story. I have the setting, the protagonist, and the events that set the", "have the world Panem, the protagonists Katniss and Peeta, and the story up", "finding the rest of it? How do Rue, the berries, and President Bsow", "the beginning of a story. I have the setting, the protagonist, and the", "follow from that beginning? *(I understand that the author, Suzanne Collins, very likely", "I go about finding the rest of it? How do Rue, the berries,", "of a story. I have the setting, the protagonist, and the events that", "how would I go about finding the rest of it? How do Rue,", "the first plot point. I have, in short, what might become act one.", "the world Panem, the protagonists Katniss and Peeta, and the story up until", "inciting incident and the first plot point. I have, in short, what might", "idea I had for a story, how would I go about finding the", "I have a storyline), but I don't know how to come up with", "If that was all the idea I had for a story, how would", "I had for a story, how would I go about finding the rest", "set the story in motion, including the inciting incident and the first plot", "plot (when I have a storyline), but I don't know how to come", "not create the plot of her trilogy from its beginning. I would just", "plot of her trilogy from its beginning. I would just like to use", "act one. But I don't know how to go on from there. I", "Peeta, and the story up until the two are chosen as tributes and", "know how to come up with a storyline when I have its beginning.", "story in motion, including the inciting incident and the first plot point. I", "have its beginning. I have tried: * to \"discovery-write\", and see where the", "beginning? *(I understand that the author, Suzanne Collins, very likely did not create", "just like to use an example where we know the whole story as", "and the first plot point. I have, in short, what might become act", "it has been published and successful and consider how the main storyline might", "randomly and, as the story wasn't about anything, lacking a satisfying resolution at", "does not work if you don't know the one-sentence-summary of your story *", "an illustrative example: I have the world Panem, the protagonists Katniss and Peeta,", "But I don't know how to go on from there. I know how", "the rest of it? How do Rue, the berries, and President Bsow follow", "do Rue, the berries, and President Bsow follow from that beginning? *(I understand", "have, in short, what might become act one. But I don't know how", "go on from there. I know how to plot (when I have a", "that set the story in motion, including the inciting incident and the first", "I don't know how to go on from there. I know how to", "a story, how would I go about finding the rest of it? How", "from that beginning? *(I understand that the author, Suzanne Collins, very likely did", "we know the whole story as it has been published and successful and", "with a storyline when I have its beginning. I have tried: * to", "the protagonist, and the events that set the story in motion, including the", "outcome was a tale that meandered randomly and, as the story wasn't about", "I would just like to use an example where we know the whole", "a story. I have the setting, the protagonist, and the events that set", "that was all the idea I had for a story, how would I", "where the beginning leads me: the outcome was a tale that meandered randomly", "don't know how to come up with a storyline when I have its", "see where the beginning leads me: the outcome was a tale that meandered", "world Panem, the protagonists Katniss and Peeta, and the story up until the", "very likely did not create the plot of her trilogy from its beginning.", "have a storyline), but I don't know how to come up with a", "the outcome was a tale that meandered randomly and, as the story wasn't", "successful and consider how the main storyline might be derived from its beginning.)*", "meandered randomly and, as the story wasn't about anything, lacking a satisfying resolution", "know how to go on from there. I know how to plot (when", "have an idea for the beginning of a story. I have the setting,", "and Peeta, and the story up until the two are chosen as tributes", "know the one-sentence-summary of your story * writing another story in the meantime", "all the idea I had for a story, how would I go about", "President Bsow follow from that beginning? *(I understand that the author, Suzanne Collins,", "and, as the story wasn't about anything, lacking a satisfying resolution at the", "the Capitol. If that was all the idea I had for a story,", "board the train to the Capitol. If that was all the idea I", "story up until the two are chosen as tributes and board the train", "what might become act one. But I don't know how to go on", "for the beginning of a story. I have the setting, the protagonist, and", "writing another story in the meantime Consider the *Hunger Games* as an illustrative", "was all the idea I had for a story, how would I go", "work if you don't know the one-sentence-summary of your story * writing another", "and President Bsow follow from that beginning? *(I understand that the author, Suzanne", "that beginning? *(I understand that the author, Suzanne Collins, very likely did not", "Suzanne Collins, very likely did not create the plot of her trilogy from", "a storyline when I have its beginning. I have tried: * to \"discovery-write\",", "come up with a storyline when I have its beginning. I have tried:", "Bsowflake Method: this does not work if you don't know the one-sentence-summary of", "been published and successful and consider how the main storyline might be derived", "I have tried: * to \"discovery-write\", and see where the beginning leads me:", "the setting, the protagonist, and the events that set the story in motion,", "short, what might become act one. But I don't know how to go", "understand that the author, Suzanne Collins, very likely did not create the plot", "berries, and President Bsow follow from that beginning? *(I understand that the author,", "up with a storyline when I have its beginning. I have tried: *", "to the Capitol. If that was all the idea I had for a", "from its beginning. I would just like to use an example where we", "in the meantime Consider the *Hunger Games* as an illustrative example: I have", "* the Bsowflake Method: this does not work if you don't know the", "you don't know the one-sentence-summary of your story * writing another story in", "the author, Suzanne Collins, very likely did not create the plot of her", "that meandered randomly and, as the story wasn't about anything, lacking a satisfying", "how to come up with a storyline when I have its beginning. I", "until the two are chosen as tributes and board the train to the", "the story in motion, including the inciting incident and the first plot point.", "I don't know how to come up with a storyline when I have", "its beginning. I would just like to use an example where we know", "the train to the Capitol. If that was all the idea I had", "up until the two are chosen as tributes and board the train to", "that the author, Suzanne Collins, very likely did not create the plot of", "Bsow follow from that beginning? *(I understand that the author, Suzanne Collins, very", "motion, including the inciting incident and the first plot point. I have, in", "* to \"discovery-write\", and see where the beginning leads me: the outcome was", "tale that meandered randomly and, as the story wasn't about anything, lacking a", "I have the world Panem, the protagonists Katniss and Peeta, and the story", "two are chosen as tributes and board the train to the Capitol. If", "would I go about finding the rest of it? How do Rue, the", "I know how to plot (when I have a storyline), but I don't", "the end * the Bsowflake Method: this does not work if you don't", "beginning. I have tried: * to \"discovery-write\", and see where the beginning leads", "tributes and board the train to the Capitol. If that was all the", "from there. I know how to plot (when I have a storyline), but", "to \"discovery-write\", and see where the beginning leads me: the outcome was a", "the two are chosen as tributes and board the train to the Capitol.", "its beginning. I have tried: * to \"discovery-write\", and see where the beginning", "Katniss and Peeta, and the story up until the two are chosen as", "her trilogy from its beginning. I would just like to use an example", "to come up with a storyline when I have its beginning. I have", "had for a story, how would I go about finding the rest of", "it? How do Rue, the berries, and President Bsow follow from that beginning?", "the one-sentence-summary of your story * writing another story in the meantime Consider", "* writing another story in the meantime Consider the *Hunger Games* as an", "not work if you don't know the one-sentence-summary of your story * writing", "go about finding the rest of it? How do Rue, the berries, and", "Games* as an illustrative example: I have the world Panem, the protagonists Katniss", "beginning. I would just like to use an example where we know the", "an example where we know the whole story as it has been published", "example where we know the whole story as it has been published and", "I have, in short, what might become act one. But I don't know", "setting, the protagonist, and the events that set the story in motion, including", "anything, lacking a satisfying resolution at the end * the Bsowflake Method: this", "a satisfying resolution at the end * the Bsowflake Method: this does not", "this does not work if you don't know the one-sentence-summary of your story", "(when I have a storyline), but I don't know how to come up", "the meantime Consider the *Hunger Games* as an illustrative example: I have the", "to go on from there. I know how to plot (when I have", "in motion, including the inciting incident and the first plot point. I have,", "and the story up until the two are chosen as tributes and board", "Capitol. If that was all the idea I had for a story, how", "a storyline), but I don't know how to come up with a storyline", "have tried: * to \"discovery-write\", and see where the beginning leads me: the", "leads me: the outcome was a tale that meandered randomly and, as the", "me: the outcome was a tale that meandered randomly and, as the story", "the whole story as it has been published and successful and consider how", "don't know the one-sentence-summary of your story * writing another story in the", "where we know the whole story as it has been published and successful", "and successful and consider how the main storyline might be derived from its", "meantime Consider the *Hunger Games* as an illustrative example: I have the world", "end * the Bsowflake Method: this does not work if you don't know", "incident and the first plot point. I have, in short, what might become", "Panem, the protagonists Katniss and Peeta, and the story up until the two", "Method: this does not work if you don't know the one-sentence-summary of your", "idea for the beginning of a story. I have the setting, the protagonist,", "lacking a satisfying resolution at the end * the Bsowflake Method: this does", "events that set the story in motion, including the inciting incident and the", "I have the setting, the protagonist, and the events that set the story", "a tale that meandered randomly and, as the story wasn't about anything, lacking", "protagonists Katniss and Peeta, and the story up until the two are chosen", "I have an idea for the beginning of a story. I have the", "as it has been published and successful and consider how the main storyline", "create the plot of her trilogy from its beginning. I would just like", "\"discovery-write\", and see where the beginning leads me: the outcome was a tale", "to use an example where we know the whole story as it has", "as tributes and board the train to the Capitol. If that was all", "has been published and successful and consider how the main storyline might be", "storyline when I have its beginning. I have tried: * to \"discovery-write\", and", "at the end * the Bsowflake Method: this does not work if you", "tried: * to \"discovery-write\", and see where the beginning leads me: the outcome", "as an illustrative example: I have the world Panem, the protagonists Katniss and", "storyline), but I don't know how to come up with a storyline when", "when I have its beginning. I have tried: * to \"discovery-write\", and see", "become act one. But I don't know how to go on from there.", "story in the meantime Consider the *Hunger Games* as an illustrative example: I", "how to go on from there. I know how to plot (when I", "the berries, and President Bsow follow from that beginning? *(I understand that the", "the idea I had for a story, how would I go about finding", "have the setting, the protagonist, and the events that set the story in", "first plot point. I have, in short, what might become act one. But", "including the inciting incident and the first plot point. I have, in short,", "there. I know how to plot (when I have a storyline), but I", "to plot (when I have a storyline), but I don't know how to", "story wasn't about anything, lacking a satisfying resolution at the end * the", "in short, what might become act one. But I don't know how to", "the story up until the two are chosen as tributes and board the", "plot point. I have, in short, what might become act one. But I", "about finding the rest of it? How do Rue, the berries, and President", "likely did not create the plot of her trilogy from its beginning. I", "but I don't know how to come up with a storyline when I", "example: I have the world Panem, the protagonists Katniss and Peeta, and the", "the story wasn't about anything, lacking a satisfying resolution at the end *", "illustrative example: I have the world Panem, the protagonists Katniss and Peeta, and", "like to use an example where we know the whole story as it", "the Bsowflake Method: this does not work if you don't know the one-sentence-summary", "use an example where we know the whole story as it has been", "wasn't about anything, lacking a satisfying resolution at the end * the Bsowflake", "published and successful and consider how the main storyline might be derived from", "the inciting incident and the first plot point. I have, in short, what", "point. I have, in short, what might become act one. But I don't", "of your story * writing another story in the meantime Consider the *Hunger", "beginning leads me: the outcome was a tale that meandered randomly and, as", "author, Suzanne Collins, very likely did not create the plot of her trilogy", "beginning of a story. I have the setting, the protagonist, and the events", "know the whole story as it has been published and successful and consider", "if you don't know the one-sentence-summary of your story * writing another story", "Collins, very likely did not create the plot of her trilogy from its", "the protagonists Katniss and Peeta, and the story up until the two are", "and the events that set the story in motion, including the inciting incident", "trilogy from its beginning. I would just like to use an example where", "about anything, lacking a satisfying resolution at the end * the Bsowflake Method:", "of her trilogy from its beginning. I would just like to use an", "are chosen as tributes and board the train to the Capitol. If that", "story as it has been published and successful and consider how the main", "the beginning leads me: the outcome was a tale that meandered randomly and,", "satisfying resolution at the end * the Bsowflake Method: this does not work", "don't know how to go on from there. I know how to plot", "your story * writing another story in the meantime Consider the *Hunger Games*", "one-sentence-summary of your story * writing another story in the meantime Consider the", "of it? How do Rue, the berries, and President Bsow follow from that", "chosen as tributes and board the train to the Capitol. If that was", "was a tale that meandered randomly and, as the story wasn't about anything,", "for a story, how would I go about finding the rest of it?", "Rue, the berries, and President Bsow follow from that beginning? *(I understand that", "know how to plot (when I have a storyline), but I don't know", "the plot of her trilogy from its beginning. I would just like to", "would just like to use an example where we know the whole story", "How do Rue, the berries, and President Bsow follow from that beginning? *(I", "Consider the *Hunger Games* as an illustrative example: I have the world Panem,", "story * writing another story in the meantime Consider the *Hunger Games* as", "protagonist, and the events that set the story in motion, including the inciting", "*Hunger Games* as an illustrative example: I have the world Panem, the protagonists", "*(I understand that the author, Suzanne Collins, very likely did not create the", "an idea for the beginning of a story. I have the setting, the", "on from there. I know how to plot (when I have a storyline),", "resolution at the end * the Bsowflake Method: this does not work if", "rest of it? How do Rue, the berries, and President Bsow follow from", "as the story wasn't about anything, lacking a satisfying resolution at the end", "and board the train to the Capitol. If that was all the idea", "one. But I don't know how to go on from there. I know", "how to plot (when I have a storyline), but I don't know how", "might become act one. But I don't know how to go on from", "story, how would I go about finding the rest of it? How do", "and see where the beginning leads me: the outcome was a tale that", "whole story as it has been published and successful and consider how the", "train to the Capitol. If that was all the idea I had for", "the *Hunger Games* as an illustrative example: I have the world Panem, the", "another story in the meantime Consider the *Hunger Games* as an illustrative example:", "I have its beginning. I have tried: * to \"discovery-write\", and see where" ]
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Every challenge is still there, but rather than", "Every challenge is still there, but rather than shrouded in desperation (version 1)", "he now starts his story arc higher on the 'competency' slider (as described", "Perhaps readers want fantasy to be an escape, and a world they'd like", "is working *towards* something definitive, in his normal life, (rather than running from", "the middle of re-working his motivations so that he is moving *towards* something", "in the original version) into the schema of 'He is working *towards* an", "is a positive motivation more engaging to the reader than a negative motivation?**", "arc structure as suggested by MB, and frame the beginning of his arc", "doesn't make sense as things stand now; I need to work on that", "for help here. Every step seems to be its own stumbling block. **Question:", "MB, and frame the beginning of his arc as 'normal life' - and", "is SF-F. Perhaps readers want fantasy to be an escape, and a world", "fantasy to be an escape, and a world they'd like to be on.", "higher on the 'competency' slider (as described by Sanjerlaq, as this is supposed", "step seems to be its own stumbling block. **Question: All else being equal,", "and leaving his life behind on page 3.) Every challenge is still there,", "The genre is SF-F. Perhaps readers want fantasy to be an escape, and", "The story is largely the same, I'm merely changing the details so that", "arc higher on the 'competency' slider (as described by Sanjerlaq, as this is", "leaning for help here. Every step seems to be its own stumbling block.", "else is held more-or-less constant, is a positive motivation more engaging to the", "why he chooses anonymity later in the book doesn't make sense as things", "more of a pleasant aspirational escape for the reader (in other words, I", "structure as suggested by MB, and frame the beginning of his arc as", "changing the details so that he is working *towards* something definitive, in his", "remarkable growth in competence that was present in version 1, and (b) some", "her own issues as discussed previously.) I'm in the middle of re-working his", "the difficulties I've been having, and leaning for help here. Every step seems", "chapters (~10 - 15%) are now more of a pleasant aspirational escape for", "be an escape, and a world they'd like to be on. **If all", "to be on. **If all else is held more-or-less constant, is a positive", "is still there, but rather than shrouded in desperation (version 1) it is", "than running from something unpalatable and leaving his life behind on page 3.)", "I've been having, and leaning for help here. Every step seems to be", "am trying to more closely follow the story arc structure as suggested by", "stumbling block. **Question: All else being equal, is a positive desire/goal/motivation (of the", "admirable goal, and is living within his normal life.' Additionally, he now starts", "Additionally, he now starts his story arc higher on the 'competency' slider (as", "more 'likable.') The story is largely the same, I'm merely changing the details", "a positive desire/goal/motivation (of the main character) more 'hooky' for the reader than", "his life behind on page 3.) Every challenge is still there, but rather", "described by Sanjerlaq, as this is supposed to make characters more 'likable.') The", "by effort and accomplishment (version 2). **My goal is to help the reader", "now more of a pleasant aspirational escape for the reader (in other words,", "the same, I'm merely changing the details so that he is working *towards*", "(version 1) it is now colored by effort and accomplishment (version 2). **My", "the book, and it may be that after weeks of wrestling it all", "to make characters more 'likable.') The story is largely the same, I'm merely", "guy more easily.** But, like any change, these revisions have ripple effects throughout", "(version 2). **My goal is to help the reader connect and root for", "choices, (eg why he chooses anonymity later in the book doesn't make sense", "may be that after weeks of wrestling it all into a new shape,", "she has her own issues as discussed previously.) I'm in the middle of", "The early chapters (~10 - 15%) are now more of a pleasant aspirational", "will have lost (a) his remarkable growth in competence that was present in", "(which are the same choices in the original version) into the schema of", "as discussed previously.) I'm in the middle of re-working his motivations so that", "he wants. The early chapters (~10 - 15%) are now more of a", "(running from vs working towards) can be powerful. But perhaps they are not", "growth in competence that was present in version 1, and (b) some of", "own issues as discussed previously.) I'm in the middle of re-working his motivations", "it may be that after weeks of wrestling it all into a new", "reader (in other words, I am trying to more closely follow the story", "PoV female, who starts with a more traditional story arc, living her life", "characters more 'likable.') The story is largely the same, I'm merely changing the", "he chooses anonymity later in the book doesn't make sense as things stand", "traditional story arc, living her life normally, although she has her own issues", "as suggested by MB, and frame the beginning of his arc as 'normal", "the reader (in other words, I am trying to more closely follow the", "he makes (which are the same choices in the original version) into the", "and root for the guy more easily.** But, like any change, these revisions", "effort). I've been wrestling each choice he makes (which are the same choices", "stand now; I need to work on that today.) So, I'm looking for", "oomph of logic for later choices, (eg why he chooses anonymity later in", "worse. Readers say they do not connect with him. (They do connect with", "these revisions have ripple effects throughout the book, and it may be that", "work on that today.) So, I'm looking for a quick reality check. I'm", "I've been wrestling each choice he makes (which are the same choices in", "re-working his motivations so that he is moving *towards* something he wants. The", "from something unpalatable and leaving his life behind on page 3.) Every challenge", "to be an escape, and a world they'd like to be on. **If", "normal life, (rather than running from something unpalatable and leaving his life behind", "normal life.' Additionally, he now starts his story arc higher on the 'competency'", "as this is supposed to make characters more 'likable.') The story is largely", "challenge is still there, but rather than shrouded in desperation (version 1) it", "main character) more 'hooky' for the reader than a negative desire/etc?** My male", "his own, and so his story opened in conflict and went from bad", "(rather than running from something unpalatable and leaving his life behind on page", "working *towards* an admirable goal, and is living within his normal life.' Additionally,", "**Question: All else being equal, is a positive desire/goal/motivation (of the main character)", "is to help the reader connect and root for the guy more easily.**", "from vs working towards) can be powerful. But perhaps they are not both", "a negative desire/etc?** My male lead had originally started his story 'running from'", "an admirable goal, and is living within his normal life.' Additionally, he now", "story arc structure as suggested by MB, and frame the beginning of his", "is now colored by effort and accomplishment (version 2). **My goal is to", "into a new shape, it will have lost (a) his remarkable growth in", "(of the main character) more 'hooky' for the reader than a negative desire/etc?**", "root for the guy more easily.** But, like any change, these revisions have", "I need to work on that today.) So, I'm looking for a quick", "the story arc structure as suggested by MB, and frame the beginning of", "been having, and leaning for help here. Every step seems to be its", "book, and it may be that after weeks of wrestling it all into", "own stumbling block. **Question: All else being equal, is a positive desire/goal/motivation (of", "connect with the alternating PoV female, who starts with a more traditional story", "desire/etc?** My male lead had originally started his story 'running from' hideous circumstances.", "and so his story opened in conflict and went from bad to worse.", "chooses anonymity later in the book doesn't make sense as things stand now;", "shrouded in desperation (version 1) it is now colored by effort and accomplishment", "and went from bad to worse. Readers say they do not connect with", "choice he makes (which are the same choices in the original version) into", "is held more-or-less constant, is a positive motivation more engaging to the reader", "in his normal life, (rather than running from something unpalatable and leaving his", "'He is working *towards* an admirable goal, and is living within his normal", "after weeks of wrestling it all into a new shape, it will have", "escape, and a world they'd like to be on. **If all else is", "behind on page 3.) Every challenge is still there, but rather than shrouded", "have ripple effects throughout the book, and it may be that after weeks", "went from bad to worse. Readers say they do not connect with him.", "life.' Additionally, he now starts his story arc higher on the 'competency' slider", "connect with him. (They do connect with the alternating PoV female, who starts", "equal, is a positive desire/goal/motivation (of the main character) more 'hooky' for the", "all else is held more-or-less constant, is a positive motivation more engaging to", "the main character) more 'hooky' for the reader than a negative desire/etc?** My", "'running from' hideous circumstances. He fell into trouble quickly on his own, and", "being equal, is a positive desire/goal/motivation (of the main character) more 'hooky' for", "is living within his normal life.' Additionally, he now starts his story arc", "this is supposed to make characters more 'likable.') The story is largely the", "is largely the same, I'm merely changing the details so that he is", "something unpalatable and leaving his life behind on page 3.) Every challenge is", "do not connect with him. (They do connect with the alternating PoV female,", "- 15%) are now more of a pleasant aspirational escape for the reader", "version 1, and (b) some of the oomph of logic for later choices,", "Sanjerlaq, as this is supposed to make characters more 'likable.') The story is", "effort and accomplishment (version 2). **My goal is to help the reader connect", "that after weeks of wrestling it all into a new shape, it will", "throughout the book, and it may be that after weeks of wrestling it", "either approach (running from vs working towards) can be powerful. But perhaps they", "makes (which are the same choices in the original version) into the schema" ]
[ "the conjunction \"for\" is archaic and should not be used in modern prose,", "and should not be used in modern prose, but it seems to be", "to be a part of modern English according to grammar guides and the", "that the conjunction \"for\" is archaic and should not be used in modern", "English according to grammar guides and the dictionary. The argument seems to be", "be a part of modern English according to grammar guides and the dictionary.", "\"for\" is archaic and should not be used in modern prose, but it", "should not be used in modern prose, but it seems to be a", "the tone/style of ordinary contemporary speech? For example, some people might say that", "grammar guides and the dictionary. The argument seems to be that since no", "a part of modern English according to grammar guides and the dictionary. The", "to be that since no one talks like that, no one should write", "example, some people might say that the conjunction \"for\" is archaic and should", "no one talks like that, no one should write like that. But is", "should write like that. But is it *wrong* to use the conjunction \"for\"?", "to grammar guides and the dictionary. The argument seems to be that since", "the conjunction \"for\"? Do people always have to write in the tone of", "not be used in modern prose, but it seems to be a part", "that. But is it *wrong* to use the conjunction \"for\"? Do people always", "of modern English according to grammar guides and the dictionary. The argument seems", "be used in modern prose, but it seems to be a part of", "be done in the tone/style of ordinary contemporary speech? For example, some people", "archaic and should not be used in modern prose, but it seems to", "seems to be a part of modern English according to grammar guides and", "talks like that, no one should write like that. But is it *wrong*", "The argument seems to be that since no one talks like that, no", "modern English according to grammar guides and the dictionary. The argument seems to", "that, no one should write like that. But is it *wrong* to use", "always be done in the tone/style of ordinary contemporary speech? For example, some", "that since no one talks like that, no one should write like that.", "like that. But is it *wrong* to use the conjunction \"for\"? Do people", "use the conjunction \"for\"? Do people always have to write in the tone", "seems to be that since no one talks like that, no one should", "one talks like that, no one should write like that. But is it", "to use the conjunction \"for\"? Do people always have to write in the", "conjunction \"for\" is archaic and should not be used in modern prose, but", "dictionary. The argument seems to be that since no one talks like that,", "say that the conjunction \"for\" is archaic and should not be used in", "modern prose, but it seems to be a part of modern English according", "writing always be done in the tone/style of ordinary contemporary speech? For example,", "tone/style of ordinary contemporary speech? For example, some people might say that the", "since no one talks like that, no one should write like that. But", "no one should write like that. But is it *wrong* to use the", "one should write like that. But is it *wrong* to use the conjunction", "it seems to be a part of modern English according to grammar guides", "it *wrong* to use the conjunction \"for\"? Do people always have to write", "in the tone/style of ordinary contemporary speech? For example, some people might say", "guides and the dictionary. The argument seems to be that since no one", "of ordinary contemporary speech? For example, some people might say that the conjunction", "write like that. But is it *wrong* to use the conjunction \"for\"? Do", "\"for\"? Do people always have to write in the tone of ordinary speech?", "done in the tone/style of ordinary contemporary speech? For example, some people might", "the dictionary. The argument seems to be that since no one talks like", "*wrong* to use the conjunction \"for\"? Do people always have to write in", "according to grammar guides and the dictionary. The argument seems to be that", "but it seems to be a part of modern English according to grammar", "Must writing always be done in the tone/style of ordinary contemporary speech? For", "some people might say that the conjunction \"for\" is archaic and should not", "in modern prose, but it seems to be a part of modern English", "But is it *wrong* to use the conjunction \"for\"? Do people always have", "people might say that the conjunction \"for\" is archaic and should not be", "contemporary speech? For example, some people might say that the conjunction \"for\" is", "speech? For example, some people might say that the conjunction \"for\" is archaic", "is archaic and should not be used in modern prose, but it seems", "be that since no one talks like that, no one should write like", "might say that the conjunction \"for\" is archaic and should not be used", "like that, no one should write like that. But is it *wrong* to", "part of modern English according to grammar guides and the dictionary. The argument", "is it *wrong* to use the conjunction \"for\"? Do people always have to", "ordinary contemporary speech? For example, some people might say that the conjunction \"for\"", "and the dictionary. The argument seems to be that since no one talks", "prose, but it seems to be a part of modern English according to", "For example, some people might say that the conjunction \"for\" is archaic and", "used in modern prose, but it seems to be a part of modern", "argument seems to be that since no one talks like that, no one", "conjunction \"for\"? Do people always have to write in the tone of ordinary" ]
[ "repainted, and replaced the decks boards with wood that he cut out of", "and feelings to better slow the story, or do I keep it how", "scooters rode up to the house. The guy in the front dismounted his", "of exterior design, and lifted the sloping roof, repainted, and replaced the decks", "I expand on the villain's thoughts and feelings to better slow the story,", "going at, I'll finish it in less than 200 pages. It just doesn't", "had just gotten a group of his men and found a hover scooter", "a ‘birth defect’ sort of way. “I am what you would call an", "notifying KoKo that something was wrong. > > > “Cute house,” the man", "were all off, they were pointed and sharp, and his eyes were too...discolored.", "> > > “I’m really glad you asked that, human.” The man started,", "I feel like the last time the villain was mentioned he was fighting", "near the house. This happened fairly quickly and only took him a few", "found the MC. Like, do I expand on the villain's thoughts and feelings", "face was completely alien. Haku got a closer look at him as he", "swerved on his heels, making a full 180 turn. > > > Motorized", "the sloping roof, repainted, and replaced the decks boards with wood that he", "“What are you?” Haku asked, not caring that it was inconsiderate to ask", "am what you would call an Elf, young one. I am Prince Vincent.”", "Haku had a memory of his father mentioning NOVA one time, apparently, they", "feel like the pace my story is going at, I'll finish it in", "the decks boards with wood that he cut out of the forest near", "descriptive words in place of an action? I feel like the pace my", "is dying,” while the man was speaking, Haku noticed a hint of fangs", "right to end it so short. I just made the MC meet the", "and he swerved on his heels, making a full 180 turn. > >", "Like, do I expand on the villain's thoughts and feelings to better slow", "said, almost sarcastically. His voice was soft and angelic. It filled Haku with", "with wood that he cut out of the forest near the house. This", "us, and now my home is dying,” while the man was speaking, Haku", "so short. I just made the MC meet the MV and I feel", "at him as he confidently strode up to where Haku was. His features", "lawfully bound promise to keep each other thriving. Your NOVA went back on", "up a distant noise and he swerved on his heels, making a full", "filled Haku with dread, though, because he knew that wasn’t an ordinary human", "though, because he knew that wasn’t an ordinary human quality. > > >", "from my home planet, Morbus, to reactivate our interdimensional contract. It was a", "and only took him a few hours to complete. Haku wiped his forehead", "guy in the front dismounted his scooter and lifted his visor up, his", "point he had just gotten a group of his men and found a", "not caring that it was inconsiderate to ask that. > > > “I’m", "gotten a group of his men and found a hover scooter for each", "“I’m really glad you asked that, human.” The man started, he took his", "with life. Haku was skeptical and pressed a button on his watch, notifying", "it so short. I just made the MC meet the MV and I", "on the villain's thoughts and feelings to better slow the story, or do", "helmet completely off now. He had ears that were pointed at the top,", "slow down a story, you add descriptive words in place of an action?", "I feel like the pace my story is going at, I'll finish it", "it was inconsiderate to ask that. > > > “I’m really glad you", "up to where Haku was. His features were all off, they were pointed", "fairly quickly and only took him a few hours to complete. Haku wiped", "one time, apparently, they control the workforce and careers for able citizens around", "fighting an angry pack of wolves, and he was unfamiliar with the surroundings", "eyes were too...discolored. They were a bright turquoise that were filled with life.", "lifted his visor up, his face was completely alien. Haku got a closer", "lifted the sloping roof, repainted, and replaced the decks boards with wood that", "got a closer look at him as he confidently strode up to where", "men and found a hover scooter for each of them. And they somehow", "> “I’m really glad you asked that, human.” The man started, he took", "happened fairly quickly and only took him a few hours to complete. Haku", "him a few hours to complete. Haku wiped his forehead on his arm,", "Is it true that to slow down a story, you add descriptive words", "to reactivate our interdimensional contract. It was a lawfully bound promise to keep", "while the man was speaking, Haku noticed a hint of fangs in the", "several hover scooters rode up to the house. The guy in the front", "the stranger’s mouth, his hair was the same color as his eyes, and", "Haku wiped his forehead on his arm, removing the majority of the sweat", "> “Cute house,” the man said, almost sarcastically. His voice was soft and", "roof, repainted, and replaced the decks boards with wood that he cut out", "Haku was. His features were all off, they were pointed and sharp, and", "and replaced the decks boards with wood that he cut out of the", "mouth, his hair was the same color as his eyes, and his eyes", "his eyes were too...discolored. They were a bright turquoise that were filled with", "my home planet, Morbus, to reactivate our interdimensional contract. It was a lawfully", "would call an Elf, young one. I am Prince Vincent.” He bowed towards", "decks boards with wood that he cut out of the forest near the", "alien). So, at this point he had just gotten a group of his", "how it is? > > With nothing to do, Haku took the chore", "the chore of exterior design, and lifted the sloping roof, repainted, and replaced", "man started, he took his helmet completely off now. He had ears that", "was wrong. > > > “Cute house,” the man said, almost sarcastically. His", "this point he had just gotten a group of his men and found", "ears that were pointed at the top, not in a ‘birth defect’ sort", "distant noise and he swerved on his heels, making a full 180 turn.", "what you would call an Elf, young one. I am Prince Vincent.” He", "interdimensional contract. It was a lawfully bound promise to keep each other thriving.", "help us, and now my home is dying,” while the man was speaking,", "took his helmet completely off now. He had ears that were pointed at", "forehead on his arm, removing the majority of the sweat that culminated there.", "Elf, young one. I am Prince Vincent.” He bowed towards the very confused", "the MV and I feel like the last time the villain was mentioned", "already found the MC. Like, do I expand on the villain's thoughts and", "story, or do I keep it how it is? > > With nothing", "unfamiliar with the surroundings and culture he was in (he's an alien). So,", "stranger’s mouth, his hair was the same color as his eyes, and his", "do, Haku took the chore of exterior design, and lifted the sloping roof,", "button on his watch, notifying KoKo that something was wrong. > > >", "look at him as he confidently strode up to where Haku was. His", "a full 180 turn. > > > Motorized humming emanated from the East", "culture he was in (he's an alien). So, at this point he had", "bound promise to keep each other thriving. Your NOVA went back on their", "them. And they somehow already found the MC. Like, do I expand on", "the MC. Like, do I expand on the villain's thoughts and feelings to", "his forehead on his arm, removing the majority of the sweat that culminated", "> > > Haku had a memory of his father mentioning NOVA one", "Haku noticed a hint of fangs in the stranger’s mouth, his hair was", "his eyes, and his eyes looked reptilian. > > > Haku had a", "villain was mentioned he was fighting an angry pack of wolves, and he", "speaking, Haku noticed a hint of fangs in the stranger’s mouth, his hair", "confidently strode up to where Haku was. His features were all off, they", "sponsors for the earliest space explorations. That will explain why there are otherworldlies", "same color as his eyes, and his eyes looked reptilian. > > >", "they control the workforce and careers for able citizens around the world. They", "to end it so short. I just made the MC meet the MV", "were filled with life. Haku was skeptical and pressed a button on his", "quality. > > > “What are you?” Haku asked, not caring that it", "add descriptive words in place of an action? I feel like the pace", "that he cut out of the forest near the house. This happened fairly", "wasn’t an ordinary human quality. > > > “What are you?” Haku asked,", "a closer look at him as he confidently strode up to where Haku", "now. He had ears that were pointed at the top, not in a", "full 180 turn. > > > Motorized humming emanated from the East and", "and culture he was in (he's an alien). So, at this point he", "villain's thoughts and feelings to better slow the story, or do I keep", "caring that it was inconsiderate to ask that. > > > “I’m really", "as he confidently strode up to where Haku was. His features were all", "watch, notifying KoKo that something was wrong. > > > “Cute house,” the", "less than 200 pages. It just doesn't feel right to end it so", "hover scooters rode up to the house. The guy in the front dismounted", "house. The guy in the front dismounted his scooter and lifted his visor", "and sharp, and his eyes were too...discolored. They were a bright turquoise that", "the house. This happened fairly quickly and only took him a few hours", "I keep it how it is? > > With nothing to do, Haku", "quickly and only took him a few hours to complete. Haku wiped his", "pages. It just doesn't feel right to end it so short. I just", "keep it how it is? > > With nothing to do, Haku took", "with the surroundings and culture he was in (he's an alien). So, at", "time, apparently, they control the workforce and careers for able citizens around the", "house,” the man said, almost sarcastically. His voice was soft and angelic. It", "complete. Haku wiped his forehead on his arm, removing the majority of the", "They were a bright turquoise that were filled with life. Haku was skeptical", "strode up to where Haku was. His features were all off, they were", "MC meet the MV and I feel like the last time the villain", "for each of them. And they somehow already found the MC. Like, do", "each other thriving. Your NOVA went back on their word to help us,", "rode up to the house. The guy in the front dismounted his scooter", "> > > “What are you?” Haku asked, not caring that it was", "to better slow the story, or do I keep it how it is?", "a lawfully bound promise to keep each other thriving. Your NOVA went back", "in the front dismounted his scooter and lifted his visor up, his face", "angelic. It filled Haku with dread, though, because he knew that wasn’t an", "> “What are you?” Haku asked, not caring that it was inconsiderate to", "his heels, making a full 180 turn. > > > Motorized humming emanated", "that. > > > “I’m really glad you asked that, human.” The man", "MC. Like, do I expand on the villain's thoughts and feelings to better", "a button on his watch, notifying KoKo that something was wrong. > >", "> Motorized humming emanated from the East and several hover scooters rode up", "his father mentioning NOVA one time, apparently, they control the workforce and careers", "arm, removing the majority of the sweat that culminated there. His ears picked", "contract. It was a lawfully bound promise to keep each other thriving. Your", "With nothing to do, Haku took the chore of exterior design, and lifted", "noise and he swerved on his heels, making a full 180 turn. >", "true that to slow down a story, you add descriptive words in place", "that it was inconsiderate to ask that. > > > “I’m really glad", "completely alien. Haku got a closer look at him as he confidently strode", "on their word to help us, and now my home is dying,” while", "started, he took his helmet completely off now. He had ears that were", "and his eyes looked reptilian. > > > Haku had a memory of", "to complete. Haku wiped his forehead on his arm, removing the majority of", "my story is going at, I'll finish it in less than 200 pages.", "is? > > With nothing to do, Haku took the chore of exterior", "home planet, Morbus, to reactivate our interdimensional contract. It was a lawfully bound", "the majority of the sweat that culminated there. His ears picked up a", "the workforce and careers for able citizens around the world. They were also", "just gotten a group of his men and found a hover scooter for", "the surroundings and culture he was in (he's an alien). So, at this", "finish it in less than 200 pages. It just doesn't feel right to", "in less than 200 pages. It just doesn't feel right to end it", "hint of fangs in the stranger’s mouth, his hair was the same color", "able citizens around the world. They were also the lead sponsors for the", "Vincent.” He bowed towards the very confused Haku. > > > “I come", "and lifted his visor up, his face was completely alien. Haku got a", "the MC meet the MV and I feel like the last time the", "of the sweat that culminated there. His ears picked up a distant noise", "and I feel like the last time the villain was mentioned he was", "in the stranger’s mouth, his hair was the same color as his eyes,", "workforce and careers for able citizens around the world. They were also the", "the top, not in a ‘birth defect’ sort of way. “I am what", "my home is dying,” while the man was speaking, Haku noticed a hint", "was completely alien. Haku got a closer look at him as he confidently", "come from my home planet, Morbus, to reactivate our interdimensional contract. It was", "for the earliest space explorations. That will explain why there are otherworldlies here.", "almost sarcastically. His voice was soft and angelic. It filled Haku with dread,", "eyes looked reptilian. > > > Haku had a memory of his father", "> > > “Cute house,” the man said, almost sarcastically. His voice was", "‘birth defect’ sort of way. “I am what you would call an Elf,", "chore of exterior design, and lifted the sloping roof, repainted, and replaced the", "design, and lifted the sloping roof, repainted, and replaced the decks boards with", "space explorations. That will explain why there are otherworldlies here. > > >", "now my home is dying,” while the man was speaking, Haku noticed a", "voice was soft and angelic. It filled Haku with dread, though, because he", "his scooter and lifted his visor up, his face was completely alien. Haku", "feel right to end it so short. I just made the MC meet", "are you?” Haku asked, not caring that it was inconsiderate to ask that.", "story is going at, I'll finish it in less than 200 pages. It", "(he's an alien). So, at this point he had just gotten a group", "mentioning NOVA one time, apparently, they control the workforce and careers for able", "to slow down a story, you add descriptive words in place of an", "Haku with dread, though, because he knew that wasn’t an ordinary human quality.", "and pressed a button on his watch, notifying KoKo that something was wrong.", "am Prince Vincent.” He bowed towards the very confused Haku. > > >", "apparently, they control the workforce and careers for able citizens around the world.", "the story, or do I keep it how it is? > > With", "where Haku was. His features were all off, they were pointed and sharp,", "It filled Haku with dread, though, because he knew that wasn’t an ordinary", "just doesn't feel right to end it so short. I just made the", "asked that, human.” The man started, he took his helmet completely off now.", "> > Haku had a memory of his father mentioning NOVA one time,", "thriving. Your NOVA went back on their word to help us, and now", "their word to help us, and now my home is dying,” while the", "a bright turquoise that were filled with life. Haku was skeptical and pressed", "Haku took the chore of exterior design, and lifted the sloping roof, repainted,", "last time the villain was mentioned he was fighting an angry pack of", "His features were all off, they were pointed and sharp, and his eyes", "his visor up, his face was completely alien. Haku got a closer look", "> > “Cute house,” the man said, almost sarcastically. His voice was soft", "humming emanated from the East and several hover scooters rode up to the", "hair was the same color as his eyes, and his eyes looked reptilian.", "at the top, not in a ‘birth defect’ sort of way. “I am", "off, they were pointed and sharp, and his eyes were too...discolored. They were", "were also the lead sponsors for the earliest space explorations. That will explain", "and found a hover scooter for each of them. 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Haku was skeptical and pressed a button on", "at this point he had just gotten a group of his men and", "he was unfamiliar with the surroundings and culture he was in (he's an", "an ordinary human quality. > > > “What are you?” Haku asked, not", "Haku got a closer look at him as he confidently strode up to", "> > > Motorized humming emanated from the East and several hover scooters", "to where Haku was. His features were all off, they were pointed and", "father mentioning NOVA one time, apparently, they control the workforce and careers for", "a hover scooter for each of them. And they somehow already found the", "and several hover scooters rode up to the house. The guy in the", "color as his eyes, and his eyes looked reptilian. > > > Haku", "It just doesn't feel right to end it so short. I just made", "out of the forest near the house. This happened fairly quickly and only", "He had ears that were pointed at the top, not in a ‘birth", "turn. > > > Motorized humming emanated from the East and several hover", "was the same color as his eyes, and his eyes looked reptilian. >", "a group of his men and found a hover scooter for each of", "you asked that, human.” The man started, he took his helmet completely off", "is going at, I'll finish it in less than 200 pages. It just", "asked, not caring that it was inconsiderate to ask that. > > >", "> With nothing to do, Haku took the chore of exterior design, and", "of the forest near the house. This happened fairly quickly and only took", "our interdimensional contract. It was a lawfully bound promise to keep each other", "you add descriptive words in place of an action? I feel like the", "he had just gotten a group of his men and found a hover", "with dread, though, because he knew that wasn’t an ordinary human quality. >", "were pointed at the top, not in a ‘birth defect’ sort of way.", "The man started, he took his helmet completely off now. He had ears", "a hint of fangs in the stranger’s mouth, his hair was the same", "of way. “I am what you would call an Elf, young one. I", "you?” Haku asked, not caring that it was inconsiderate to ask that. >", "an Elf, young one. I am Prince Vincent.” He bowed towards the very", "his helmet completely off now. He had ears that were pointed at the", "that something was wrong. > > > “Cute house,” the man said, almost", "heels, making a full 180 turn. > > > Motorized humming emanated from", "of them. And they somehow already found the MC. Like, do I expand", "removing the majority of the sweat that culminated there. His ears picked up", "action? I feel like the pace my story is going at, I'll finish", "the East and several hover scooters rode up to the house. The guy", "human quality. > > > “What are you?” Haku asked, not caring that", "like the pace my story is going at, I'll finish it in less", "the front dismounted his scooter and lifted his visor up, his face was", "house. This happened fairly quickly and only took him a few hours to", "feel like the last time the villain was mentioned he was fighting an", "of fangs in the stranger’s mouth, his hair was the same color as", "as his eyes, and his eyes looked reptilian. > > > Haku had", "defect’ sort of way. “I am what you would call an Elf, young", "was fighting an angry pack of wolves, and he was unfamiliar with the", "way. “I am what you would call an Elf, young one. I am", "too...discolored. They were a bright turquoise that were filled with life. Haku was", "very confused Haku. > > > “I come from my home planet, Morbus,", "thoughts and feelings to better slow the story, or do I keep it", "better slow the story, or do I keep it how it is? >", "the forest near the house. This happened fairly quickly and only took him", "that to slow down a story, you add descriptive words in place of", "had a memory of his father mentioning NOVA one time, apparently, they control", "bright turquoise that were filled with life. Haku was skeptical and pressed a", "confused Haku. > > > “I come from my home planet, Morbus, to", "dying,” while the man was speaking, Haku noticed a hint of fangs in", "I am Prince Vincent.” He bowed towards the very confused Haku. > >", "one. I am Prince Vincent.” He bowed towards the very confused Haku. >", "for able citizens around the world. They were also the lead sponsors for", "the man was speaking, Haku noticed a hint of fangs in the stranger’s", "he took his helmet completely off now. 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It filled Haku with dread, though, because", "the pace my story is going at, I'll finish it in less than", "not in a ‘birth defect’ sort of way. “I am what you would", "of an action? I feel like the pace my story is going at,", "like the last time the villain was mentioned he was fighting an angry", "young one. I am Prince Vincent.” He bowed towards the very confused Haku.", "dismounted his scooter and lifted his visor up, his face was completely alien.", "angry pack of wolves, and he was unfamiliar with the surroundings and culture", "do I expand on the villain's thoughts and feelings to better slow the", "took him a few hours to complete. Haku wiped his forehead on his", "glad you asked that, human.” The man started, he took his helmet completely", "> > “I’m really glad you asked that, human.” The man started, he", "and angelic. 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His ears picked up a distant noise and he swerved on his", "he swerved on his heels, making a full 180 turn. > > >", "This happened fairly quickly and only took him a few hours to complete.", "all off, they were pointed and sharp, and his eyes were too...discolored. They", "reactivate our interdimensional contract. It was a lawfully bound promise to keep each", "knew that wasn’t an ordinary human quality. > > > “What are you?”", "hover scooter for each of them. And they somehow already found the MC.", "pressed a button on his watch, notifying KoKo that something was wrong. >", "memory of his father mentioning NOVA one time, apparently, they control the workforce", "he confidently strode up to where Haku was. His features were all off,", "his eyes looked reptilian. > > > Haku had a memory of his", "world. They were also the lead sponsors for the earliest space explorations. That", "a story, you add descriptive words in place of an action? I feel", "somehow already found the MC. Like, do I expand on the villain's thoughts", "soft and angelic. It filled Haku with dread, though, because he knew that", "it true that to slow down a story, you add descriptive words in", "skeptical and pressed a button on his watch, notifying KoKo that something was", "an angry pack of wolves, and he was unfamiliar with the surroundings and", "wood that he cut out of the forest near the house. This happened", "Haku. > > > “I come from my home planet, Morbus, to reactivate", "meet the MV and I feel like the last time the villain was", "on his heels, making a full 180 turn. > > > Motorized humming", "at, I'll finish it in less than 200 pages. It just doesn't feel", "keep each other thriving. Your NOVA went back on their word to help", "the same color as his eyes, and his eyes looked reptilian. > >", "So, at this point he had just gotten a group of his men", "looked reptilian. > > > Haku had a memory of his father mentioning", "“Cute house,” the man said, almost sarcastically. 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Haku got", "I'll finish it in less than 200 pages. It just doesn't feel right", "short. I just made the MC meet the MV and I feel like", "it how it is? > > With nothing to do, Haku took the", "in place of an action? I feel like the pace my story is", "His ears picked up a distant noise and he swerved on his heels,", "that were pointed at the top, not in a ‘birth defect’ sort of", "pace my story is going at, I'll finish it in less than 200", "ordinary human quality. > > > “What are you?” Haku asked, not caring", "man was speaking, Haku noticed a hint of fangs in the stranger’s mouth,", "just made the MC meet the MV and I feel like the last", "he was in (he's an alien). So, at this point he had just", "wiped his forehead on his arm, removing the majority of the sweat that", "cut out of the forest near the house. This happened fairly quickly and", "wrong. > > > “Cute house,” the man said, almost sarcastically. His voice", "sarcastically. His voice was soft and angelic. It filled Haku with dread, though,", "the villain's thoughts and feelings to better slow the story, or do I", "the world. They were also the lead sponsors for the earliest space explorations.", "home is dying,” while the man was speaking, Haku noticed a hint of", "were pointed and sharp, and his eyes were too...discolored. They were a bright", "the man said, almost sarcastically. His voice was soft and angelic. It filled", "front dismounted his scooter and lifted his visor up, his face was completely", "eyes, and his eyes looked reptilian. > > > Haku had a memory", "to do, Haku took the chore of exterior design, and lifted the sloping" ]
[ "holding the important item secret from everyone else, allowing you to confront him", "should focus on. I still want to try and make each bad ending", "focus on. I still want to try and make each bad ending interesting,", "their time whenever they go into a route that leads to a game", "the good ending and help players, so they can figure out the right", "the only thing the player should focus on. I still want to try", "want to try and make each bad ending interesting, but I'm not sure", "you make sure a certain character lives until a certain point, that character", "choose from. The choices the players make can lead them to very different", "only thing the player should focus on. I still want to try and", "figure out the right choice to reach said good ending. Example: you find", "me why, it would be VERY complicated to explain why that's not an", "certain event happens, or the effects of keeping a certain character alive. Example:", "Background: I'm working on a game that has multiple paths for players to", "ending, basically. Could this be a bad idea for the story of a", "and make each bad ending interesting, but I'm not sure if that alone", "a character reacts when a certain event happens, or the effects of keeping", "certain character alive. Example: if you make sure a certain character lives until", "the *sole* good ending is the main goal and the only thing the", "choice to reach said good ending. Example: you find out in one of", "which character was holding the important item secret from everyone else, allowing you", "just wasted their time whenever they go into a route that leads to", "bad endings have foreshadowing to the good ending and help players, so they", "another run. * some bad endings show how a character reacts when a", "in one of the bad endings which character was holding the important item", "Some examples: * some bad endings have foreshadowing to the good ending and", "bad idea for the story of a game? I feel like players might", "event happens, or the effects of keeping a certain character alive. Example: if", "a bad idea for the story of a game? I feel like players", "find out in one of the bad endings which character was holding the", "ending interesting, but I'm not sure if that alone would make those bad", "good ending and help players, so they can figure out the right choice", "you find out in one of the bad endings which character was holding", "the right choice to reach said good ending. Example: you find out in", "said good ending. Example: you find out in one of the bad endings", "out in one of the bad endings which character was holding the important", "The choices the players make can lead them to very different endings. There", "can lead them to very different endings. There are many bad endings but", "happens, or the effects of keeping a certain character alive. Example: if you", "don't want to make it feel like getting the *sole* good ending is", "one of the bad endings which character was holding the important item secret", "one good ending, not multiple. Don't ask me why, it would be VERY", "ask me why, it would be VERY complicated to explain why that's not", "it feel like getting the *sole* good ending is the main goal and", "in one of the bad endings. Side Note: because of the nature of", "goal and the only thing the player should focus on. I still want", "to a game over. I don't want to make it feel like getting", "show how a character reacts when a certain event happens, or the effects", "how a character reacts when a certain event happens, or the effects of", "manages to prevent the genocide that ended your run in one of the", "help players, so they can figure out the right choice to reach said", "Could this be a bad idea for the story of a game? 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Side Note: because of the nature of the story,", "multiple paths for players to choose from. The choices the players make can", "a route that leads to a game over. I don't want to make", "to make it feel like getting the *sole* good ending is the main", "Side Note: because of the nature of the story, it can only have", "of the nature of the story, it can only have one good ending,", "run. * some bad endings show how a character reacts when a certain", "not sure if that alone would make those bad endings worth playing through.", "a certain character lives until a certain point, that character later manages to", "alive. Example: if you make sure a certain character lives until a certain", "try and make each bad ending interesting, but I'm not sure if that", "that ended your run in one of the bad endings. Side Note: because", "of keeping a certain character alive. Example: if you make sure a certain", "good ending is the main goal and the only thing the player should", "that has multiple paths for players to choose from. The choices the players", "they can figure out the right choice to reach said good ending. Example:", "ended your run in one of the bad endings. Side Note: because of", "it can only have one good ending, not multiple. Don't ask me why,", "they go into a route that leads to a game over. I don't", "a certain point, that character later manages to prevent the genocide that ended", "make each bad ending interesting, but I'm not sure if that alone would", "the important item secret from everyone else, allowing you to confront him in", "go into a route that leads to a game over. I don't want", "or the effects of keeping a certain character alive. Example: if you make", "into a route that leads to a game over. I don't want to", "sure if that alone would make those bad endings worth playing through. Some", "out the right choice to reach said good ending. Example: you find out", "would be VERY complicated to explain why that's not an option for me...", "to confront him in another run. * some bad endings show how a", "of the story, it can only have one good ending, not multiple. Don't", "the player should focus on. I still want to try and make each", "canon ending. Only one good ending, basically. Could this be a bad idea", "players to choose from. The choices the players make can lead them to", "only have one good ending, not multiple. Don't ask me why, it would", "later manages to prevent the genocide that ended your run in one of", "lead them to very different endings. There are many bad endings but only", "genocide that ended your run in one of the bad endings. Side Note:", "that leads to a game over. I don't want to make it feel", "make those bad endings worth playing through. Some examples: * some bad endings", "true canon ending. Only one good ending, basically. Could this be a bad", "them to very different endings. There are many bad endings but only one", "getting the *sole* good ending is the main goal and the only thing", "everyone else, allowing you to confront him in another run. * some bad", "reach said good ending. Example: you find out in one of the bad", "bad endings but only one true canon ending. Only one good ending, basically.", "endings. Side Note: because of the nature of the story, it can only", "if that alone would make those bad endings worth playing through. Some examples:", "character later manages to prevent the genocide that ended your run in one", "to prevent the genocide that ended your run in one of the bad", "like getting the *sole* good ending is the main goal and the only", "some bad endings show how a character reacts when a certain event happens,", "good ending, not multiple. Don't ask me why, it would be VERY complicated", "thing the player should focus on. I still want to try and make", "feel like players might think they just wasted their time whenever they go", "nature of the story, it can only have one good ending, not multiple.", "endings worth playing through. Some examples: * some bad endings have foreshadowing to", "the story, it can only have one good ending, not multiple. Don't ask", "sure a certain character lives until a certain point, that character later manages", "some bad endings have foreshadowing to the good ending and help players, so", "Example: if you make sure a certain character lives until a certain point,", "time whenever they go into a route that leads to a game over.", "bad ending interesting, but I'm not sure if that alone would make those", "this be a bad idea for the story of a game? I feel", "route that leads to a game over. I don't want to make it", "that alone would make those bad endings worth playing through. Some examples: *", "so they can figure out the right choice to reach said good ending.", "character reacts when a certain event happens, or the effects of keeping a", "* some bad endings have foreshadowing to the good ending and help players,", "but I'm not sure if that alone would make those bad endings worth", "one good ending, basically. Could this be a bad idea for the story", "idea for the story of a game? I feel like players might think", "certain character lives until a certain point, that character later manages to prevent", "run in one of the bad endings. Side Note: because of the nature", "like players might think they just wasted their time whenever they go into", "make it feel like getting the *sole* good ending is the main goal", "Only one good ending, basically. Could this be a bad idea for the", "confront him in another run. * some bad endings show how a character", "for the story of a game? I feel like players might think they", "story, it can only have one good ending, not multiple. Don't ask me", "that character later manages to prevent the genocide that ended your run in", "bad endings. Side Note: because of the nature of the story, it can", "secret from everyone else, allowing you to confront him in another run. *", "I still want to try and make each bad ending interesting, but I'm", "it would be VERY complicated to explain why that's not an option for", "but only one true canon ending. Only one good ending, basically. Could this", "a game that has multiple paths for players to choose from. The choices", "of a game? I feel like players might think they just wasted their", "only one true canon ending. Only one good ending, basically. Could this be", "a game over. I don't want to make it feel like getting the", "through. Some examples: * some bad endings have foreshadowing to the good ending", "are many bad endings but only one true canon ending. Only one good", "on. I still want to try and make each bad ending interesting, but", "to the good ending and help players, so they can figure out the", "if you make sure a certain character lives until a certain point, that", "ending, not multiple. Don't ask me why, it would be VERY complicated to", "right choice to reach said good ending. Example: you find out in one", "players make can lead them to very different endings. There are many bad", "effects of keeping a certain character alive. Example: if you make sure a", "I'm not sure if that alone would make those bad endings worth playing", "from. The choices the players make can lead them to very different endings.", "have one good ending, not multiple. Don't ask me why, it would be", "of the bad endings which character was holding the important item secret from", "playing through. Some examples: * some bad endings have foreshadowing to the good", "game over. I don't want to make it feel like getting the *sole*", "endings have foreshadowing to the good ending and help players, so they can", "foreshadowing to the good ending and help players, so they can figure out", "and help players, so they can figure out the right choice to reach", "I'm working on a game that has multiple paths for players to choose", "until a certain point, that character later manages to prevent the genocide that", "one of the bad endings. Side Note: because of the nature of the", "Note: because of the nature of the story, it can only have one", "interesting, but I'm not sure if that alone would make those bad endings", "a certain character alive. Example: if you make sure a certain character lives", "ending. Only one good ending, basically. Could this be a bad idea for", "good ending. Example: you find out in one of the bad endings which", "players might think they just wasted their time whenever they go into a", "him in another run. * some bad endings show how a character reacts", "character lives until a certain point, that character later manages to prevent the", "Don't ask me why, it would be VERY complicated to explain why that's", "* some bad endings show how a character reacts when a certain event", "the bad endings which character was holding the important item secret from everyone", "the story of a game? I feel like players might think they just", "from everyone else, allowing you to confront him in another run. * some", "make can lead them to very different endings. There are many bad endings", "paths for players to choose from. The choices the players make can lead", "each bad ending interesting, but I'm not sure if that alone would make", "endings which character was holding the important item secret from everyone else, allowing", "has multiple paths for players to choose from. The choices the players make", "can figure out the right choice to reach said good ending. Example: you", "worth playing through. Some examples: * some bad endings have foreshadowing to the", "the bad endings. Side Note: because of the nature of the story, it", "because of the nature of the story, it can only have one good", "different endings. There are many bad endings but only one true canon ending.", "whenever they go into a route that leads to a game over. I", "they just wasted their time whenever they go into a route that leads", "feel like getting the *sole* good ending is the main goal and the", "players, so they can figure out the right choice to reach said good", "important item secret from everyone else, allowing you to confront him in another", "not multiple. Don't ask me why, it would be VERY complicated to explain", "one true canon ending. Only one good ending, basically. Could this be a", "want to make it feel like getting the *sole* good ending is the", "leads to a game over. I don't want to make it feel like", "when a certain event happens, or the effects of keeping a certain character", "examples: * some bad endings have foreshadowing to the good ending and help", "allowing you to confront him in another run. * some bad endings show", "in another run. * some bad endings show how a character reacts when", "over. I don't want to make it feel like getting the *sole* good", "to very different endings. There are many bad endings but only one true", "point, that character later manages to prevent the genocide that ended your run", "keeping a certain character alive. Example: if you make sure a certain character", "be a bad idea for the story of a game? I feel like", "story of a game? I feel like players might think they just wasted", "bad endings which character was holding the important item secret from everyone else,", "game that has multiple paths for players to choose from. The choices the", "basically. Could this be a bad idea for the story of a game?", "Example: you find out in one of the bad endings which character was", "wasted their time whenever they go into a route that leads to a", "many bad endings but only one true canon ending. Only one good ending,", "can only have one good ending, not multiple. Don't ask me why, it", "I don't want to make it feel like getting the *sole* good ending", "endings but only one true canon ending. Only one good ending, basically. Could", "to reach said good ending. Example: you find out in one of the", "player should focus on. I still want to try and make each bad", "working on a game that has multiple paths for players to choose from.", "a game? I feel like players might think they just wasted their time", "would make those bad endings worth playing through. Some examples: * some bad", "alone would make those bad endings worth playing through. Some examples: * some", "very different endings. There are many bad endings but only one true canon", "might think they just wasted their time whenever they go into a route", "endings. There are many bad endings but only one true canon ending. Only", "the genocide that ended your run in one of the bad endings. Side", "the effects of keeping a certain character alive. Example: if you make sure", "a certain event happens, or the effects of keeping a certain character alive.", "character alive. Example: if you make sure a certain character lives until a", "bad endings worth playing through. Some examples: * some bad endings have foreshadowing", "ending is the main goal and the only thing the player should focus", "game? I feel like players might think they just wasted their time whenever", "else, allowing you to confront him in another run. * some bad endings", "reacts when a certain event happens, or the effects of keeping a certain", "have foreshadowing to the good ending and help players, so they can figure", "*sole* good ending is the main goal and the only thing the player", "multiple. Don't ask me why, it would be VERY complicated to explain why", "bad endings show how a character reacts when a certain event happens, or", "to choose from. The choices the players make can lead them to very", "on a game that has multiple paths for players to choose from. The", "item secret from everyone else, allowing you to confront him in another run.", "character was holding the important item secret from everyone else, allowing you to", "think they just wasted their time whenever they go into a route that", "you to confront him in another run. * some bad endings show how", "the players make can lead them to very different endings. There are many", "There are many bad endings but only one true canon ending. Only one", "for players to choose from. The choices the players make can lead them", "the main goal and the only thing the player should focus on. I", "choices the players make can lead them to very different endings. There are", "those bad endings worth playing through. Some examples: * some bad endings have", "lives until a certain point, that character later manages to prevent the genocide", "good ending, basically. Could this be a bad idea for the story of", "still want to try and make each bad ending interesting, but I'm not", "main goal and the only thing the player should focus on. I still", "is the main goal and the only thing the player should focus on." ]
[ "different location. For myself at least, it could work as either. The scene", "should use the prologue as the first chapter. It involves the main character", "Context: I’m currently writing a novel that has a built in prologue. I’m", "is important to the story, and is commonly referenced throughout the novel, so", "a much different location. For myself at least, it could work as either.", "gets the best experience by having this knowledge readily available to them. So", "The readers gets the best experience by having this knowledge readily available to", "has a built in prologue. I’m unsure if I should use the prologue", "in this case, although I wouldn’t say this isn’t the case in every", "I’m currently leaning towards a prologue in this case, although I wouldn’t say", "his own protection. The rest of the book doesn’t occur until about 10", "throughout the novel, so it can’t be told through flashbacks without dragging down", "say this isn’t the case in every novel there ever was or will", "the prologue as the first chapter. It involves the main character being sent", "years later and takes place in a much different location. For myself at", "unsure if I should use the prologue as the first chapter. It involves", "them. So should it be the prologue, or just put it as chapter", "through flashbacks without dragging down pacing and narrative progression. The readers gets the", "having this knowledge readily available to them. So should it be the prologue,", "prologue in this case, although I wouldn’t say this isn’t the case in", "down pacing and narrative progression. The readers gets the best experience by having", "I should use the prologue as the first chapter. It involves the main", "flashbacks without dragging down pacing and narrative progression. The readers gets the best", "own protection. The rest of the book doesn’t occur until about 10 years", "the prologue, or just put it as chapter 1? I’m currently leaning towards", "leaning towards a prologue in this case, although I wouldn’t say this isn’t", "chapter. It involves the main character being sent away by his parents for", "until about 10 years later and takes place in a much different location.", "doesn’t occur until about 10 years later and takes place in a much", "best experience by having this knowledge readily available to them. So should it", "it be the prologue, or just put it as chapter 1? I’m currently", "the book doesn’t occur until about 10 years later and takes place in", "occur until about 10 years later and takes place in a much different", "put it as chapter 1? I’m currently leaning towards a prologue in this", "built in prologue. I’m unsure if I should use the prologue as the", "prologue as the first chapter. It involves the main character being sent away", "readily available to them. So should it be the prologue, or just put", "it could work as either. The scene is important to the story, and", "first chapter. It involves the main character being sent away by his parents", "being sent away by his parents for his own protection. The rest of", "his parents for his own protection. The rest of the book doesn’t occur", "as the first chapter. It involves the main character being sent away by", "either. The scene is important to the story, and is commonly referenced throughout", "knowledge readily available to them. So should it be the prologue, or just", "referenced throughout the novel, so it can’t be told through flashbacks without dragging", "could work as either. The scene is important to the story, and is", "a built in prologue. I’m unsure if I should use the prologue as", "wouldn’t say this isn’t the case in every novel there ever was or", "the main character being sent away by his parents for his own protection.", "work as either. The scene is important to the story, and is commonly", "sent away by his parents for his own protection. The rest of the", "rest of the book doesn’t occur until about 10 years later and takes", "parents for his own protection. The rest of the book doesn’t occur until", "the first chapter. It involves the main character being sent away by his", "novel that has a built in prologue. I’m unsure if I should use", "or just put it as chapter 1? I’m currently leaning towards a prologue", "this case, although I wouldn’t say this isn’t the case in every novel", "if I should use the prologue as the first chapter. It involves the", "I’m unsure if I should use the prologue as the first chapter. It", "For myself at least, it could work as either. The scene is important", "pacing and narrative progression. The readers gets the best experience by having this", "as either. The scene is important to the story, and is commonly referenced", "by his parents for his own protection. The rest of the book doesn’t", "away by his parents for his own protection. The rest of the book", "this isn’t the case in every novel there ever was or will be.", "towards a prologue in this case, although I wouldn’t say this isn’t the", "by having this knowledge readily available to them. So should it be the", "be told through flashbacks without dragging down pacing and narrative progression. The readers", "prologue. I’m unsure if I should use the prologue as the first chapter.", "myself at least, it could work as either. The scene is important to", "character being sent away by his parents for his own protection. The rest", "can’t be told through flashbacks without dragging down pacing and narrative progression. The", "currently writing a novel that has a built in prologue. I’m unsure if", "that has a built in prologue. I’m unsure if I should use the", "protection. The rest of the book doesn’t occur until about 10 years later", "takes place in a much different location. For myself at least, it could", "narrative progression. The readers gets the best experience by having this knowledge readily", "and takes place in a much different location. For myself at least, it", "The scene is important to the story, and is commonly referenced throughout the", "as chapter 1? I’m currently leaning towards a prologue in this case, although", "at least, it could work as either. The scene is important to the", "commonly referenced throughout the novel, so it can’t be told through flashbacks without", "involves the main character being sent away by his parents for his own", "is commonly referenced throughout the novel, so it can’t be told through flashbacks", "10 years later and takes place in a much different location. For myself", "later and takes place in a much different location. For myself at least,", "novel, so it can’t be told through flashbacks without dragging down pacing and", "place in a much different location. For myself at least, it could work", "of the book doesn’t occur until about 10 years later and takes place", "book doesn’t occur until about 10 years later and takes place in a", "although I wouldn’t say this isn’t the case in every novel there ever", "the novel, so it can’t be told through flashbacks without dragging down pacing", "So should it be the prologue, or just put it as chapter 1?", "should it be the prologue, or just put it as chapter 1? I’m", "important to the story, and is commonly referenced throughout the novel, so it", "I wouldn’t say this isn’t the case in every novel there ever was", "story, and is commonly referenced throughout the novel, so it can’t be told", "told through flashbacks without dragging down pacing and narrative progression. The readers gets", "dragging down pacing and narrative progression. The readers gets the best experience by", "scene is important to the story, and is commonly referenced throughout the novel,", "just put it as chapter 1? I’m currently leaning towards a prologue in", "prologue, or just put it as chapter 1? I’m currently leaning towards a", "case, although I wouldn’t say this isn’t the case in every novel there", "It involves the main character being sent away by his parents for his", "to them. So should it be the prologue, or just put it as", "readers gets the best experience by having this knowledge readily available to them.", "much different location. For myself at least, it could work as either. The", "available to them. So should it be the prologue, or just put it", "use the prologue as the first chapter. It involves the main character being", "progression. The readers gets the best experience by having this knowledge readily available", "currently leaning towards a prologue in this case, although I wouldn’t say this", "about 10 years later and takes place in a much different location. For", "writing a novel that has a built in prologue. I’m unsure if I", "the best experience by having this knowledge readily available to them. So should", "least, it could work as either. The scene is important to the story,", "The rest of the book doesn’t occur until about 10 years later and", "the story, and is commonly referenced throughout the novel, so it can’t be", "without dragging down pacing and narrative progression. The readers gets the best experience", "it as chapter 1? I’m currently leaning towards a prologue in this case,", "main character being sent away by his parents for his own protection. The", "in a much different location. For myself at least, it could work as", "1? I’m currently leaning towards a prologue in this case, although I wouldn’t", "be the prologue, or just put it as chapter 1? I’m currently leaning", "a novel that has a built in prologue. I’m unsure if I should", "and is commonly referenced throughout the novel, so it can’t be told through", "so it can’t be told through flashbacks without dragging down pacing and narrative", "in prologue. I’m unsure if I should use the prologue as the first", "chapter 1? I’m currently leaning towards a prologue in this case, although I", "I’m currently writing a novel that has a built in prologue. I’m unsure", "a prologue in this case, although I wouldn’t say this isn’t the case", "and narrative progression. The readers gets the best experience by having this knowledge", "location. For myself at least, it could work as either. The scene is", "this knowledge readily available to them. So should it be the prologue, or", "to the story, and is commonly referenced throughout the novel, so it can’t", "for his own protection. The rest of the book doesn’t occur until about", "it can’t be told through flashbacks without dragging down pacing and narrative progression.", "experience by having this knowledge readily available to them. So should it be" ]
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Now here’s the", "destroy these relationships if the people around me ever read what I wrote?", "going through a difficult time in my life and, as a keen amateur", "through a difficult time in my life and, as a keen amateur writer", "my life, but I’m scared that thoroughly describing my experiences and how I", "but I’m scared that thoroughly describing my experiences and how I feel could", "is two fold, firstly I believe it will help me, but also to", "thoroughly describing my experiences and how I feel could destroy these relationships if", "life and, as a keen amateur writer I’m seriously considering writing about my", "for me and would be vital for anyone else to understand what to", "a keen amateur writer I’m seriously considering writing about my experience. My motivation", "expect. I should stress that people aren’t deliberately hurting me, but many of", "the work as it’s such a source of pain for me and would", "such a project? 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How could I approach such", "I’m scared that thoroughly describing my experiences and how I feel could destroy", "to understand what to expect. I should stress that people aren’t deliberately hurting", "situation stem from the reactions of friends and family, this would form a", "the challenges of my situation stem from the reactions of friends and family,", "me and would be vital for anyone else to understand what to expect.", "and, as a keen amateur writer I’m seriously considering writing about my experience.", "keen amateur writer I’m seriously considering writing about my experience. My motivation is", "deliberately hurting me, but many of their comments and actions are extremely painful.", "considering writing about my experience. 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I want to document this time", "form a key part of the work as it’s such a source of", "a difficult time in my life and, as a keen amateur writer I’m", "key part of the work as it’s such a source of pain for", "the reactions of friends and family, this would form a key part of", "pass something onto the next person who may find themselves in a similar", "difficult time in my life and, as a keen amateur writer I’m seriously", "friends and family, this would form a key part of the work as", "are extremely painful. How could I approach such a project? I want to", "their comments and actions are extremely painful. How could I approach such a", "help me, but also to pass something onto the next person who may", "a key part of the work as it’s such a source of pain", "may find themselves in a similar situation. Now here’s the problem. Many of", "my experience. My motivation is two fold, firstly I believe it will help", "I should stress that people aren’t deliberately hurting me, but many of their", "work as it’s such a source of pain for me and would be", "understand what to expect. I should stress that people aren’t deliberately hurting me," ]
[ "weird because it starts in a **Spanish** speaking country and then moves to", "notes:** *My Main Character speaks fluent Spanish, English and Japanese.* *My MC is", "this new language that will be spoken for almost the rest of the", "a 15 y.o. mixed girl.* *Some other speaking language Characters will appear in", "how to introduce this new language that will be spoken for almost the", "for almost the rest of the book. --- **Extra notes:** *My Main Character", "will be spoken for almost the rest of the book. --- **Extra notes:**", "is a 15 y.o. mixed girl.* *Some other speaking language Characters will appear", "be spoken for almost the rest of the book. --- **Extra notes:** *My", "and then moves to **Japan** where everybody speaks japanese and I don't know", "y.o. mixed girl.* *Some other speaking language Characters will appear in the future.*", "Main Character speaks fluent Spanish, English and Japanese.* *My MC is a 15", "fluent Spanish, English and Japanese.* *My MC is a 15 y.o. mixed girl.*", "everybody speaks japanese and I don't know how to introduce this new language", "language that will be spoken for almost the rest of the book. ---", "a **Spanish** speaking country and then moves to **Japan** where everybody speaks japanese", "to introduce this new language that will be spoken for almost the rest", "know how to introduce this new language that will be spoken for almost", "*My Main Character speaks fluent Spanish, English and Japanese.* *My MC is a", "country and then moves to **Japan** where everybody speaks japanese and I don't", "little bit weird because it starts in a **Spanish** speaking country and then", "starts in a **Spanish** speaking country and then moves to **Japan** where everybody", "Japanese.* *My MC is a 15 y.o. mixed girl.* *Some other speaking language", "then moves to **Japan** where everybody speaks japanese and I don't know how", "the book. --- **Extra notes:** *My Main Character speaks fluent Spanish, English and", "bit weird because it starts in a **Spanish** speaking country and then moves", "new language that will be spoken for almost the rest of the book.", "**Spanish** speaking country and then moves to **Japan** where everybody speaks japanese and", "don't know how to introduce this new language that will be spoken for", "Spanish, English and Japanese.* *My MC is a 15 y.o. mixed girl.* *Some", "book. --- **Extra notes:** *My Main Character speaks fluent Spanish, English and Japanese.*", "and I don't know how to introduce this new language that will be", "it starts in a **Spanish** speaking country and then moves to **Japan** where", "that will be spoken for almost the rest of the book. --- **Extra", "--- **Extra notes:** *My Main Character speaks fluent Spanish, English and Japanese.* *My", "and Japanese.* *My MC is a 15 y.o. mixed girl.* *Some other speaking", "of the book. --- **Extra notes:** *My Main Character speaks fluent Spanish, English", "spoken for almost the rest of the book. --- **Extra notes:** *My Main", "is a little bit weird because it starts in a **Spanish** speaking country", "MC is a 15 y.o. mixed girl.* *Some other speaking language Characters will", "moves to **Japan** where everybody speaks japanese and I don't know how to", "almost the rest of the book. --- **Extra notes:** *My Main Character speaks", "English and Japanese.* *My MC is a 15 y.o. mixed girl.* *Some other", "15 y.o. mixed girl.* *Some other speaking language Characters will appear in the", "to **Japan** where everybody speaks japanese and I don't know how to introduce", "Character speaks fluent Spanish, English and Japanese.* *My MC is a 15 y.o.", "story is a little bit weird because it starts in a **Spanish** speaking", "speaks fluent Spanish, English and Japanese.* *My MC is a 15 y.o. mixed", "in a **Spanish** speaking country and then moves to **Japan** where everybody speaks", "where everybody speaks japanese and I don't know how to introduce this new", "the rest of the book. --- **Extra notes:** *My Main Character speaks fluent", "because it starts in a **Spanish** speaking country and then moves to **Japan**", "*My MC is a 15 y.o. mixed girl.* *Some other speaking language Characters", "introduce this new language that will be spoken for almost the rest of", "rest of the book. --- **Extra notes:** *My Main Character speaks fluent Spanish,", "My story is a little bit weird because it starts in a **Spanish**", "speaking country and then moves to **Japan** where everybody speaks japanese and I", "**Japan** where everybody speaks japanese and I don't know how to introduce this", "I don't know how to introduce this new language that will be spoken", "a little bit weird because it starts in a **Spanish** speaking country and", "japanese and I don't know how to introduce this new language that will", "speaks japanese and I don't know how to introduce this new language that", "**Extra notes:** *My Main Character speaks fluent Spanish, English and Japanese.* *My MC" ]
[ "like the new Phihactor* *The new Phihactor is introduced in the Main Phihactor", "novel is developed in an East Asian environment (specifically Japan) and my main", "is that she is Caucasian.* *My Main Phihactor is fluent in English like", "Girl\"** or **\"European girl\"**? --- **Extra notes:** *My main character doesn't know where", "girl from Germany and I don't know what to use to refer to", "from Germany and I don't know what to use to refer to her.", "Main Phihactor is fluent in English like the new Phihactor* *The new Phihactor", "--- **Extra notes:** *My main character doesn't know where the other character is", "and I don't know what to use to refer to her. Should I", "Phihactor is fluent in English like the new Phihactor* *The new Phihactor is", "Should I use something like **\"Caucasian Girl\"** or **\"White Girl\"** or **\"European girl\"**?", "**Extra notes:** *My main character doesn't know where the other character is from,", "thing about the other character is that she is Caucasian.* *My Main Phihactor", "is developed in an East Asian environment (specifically Japan) and my main character", "something like **\"Caucasian Girl\"** or **\"White Girl\"** or **\"European girl\"**? --- **Extra notes:**", "to refer to a new Caucasian character who is a girl from Germany", "Now, my main character is going to refer to a new Caucasian character", "is going to refer to a new Caucasian character who is a girl", "Central América and is Mixed Race. Now, my main character is going to", "other character is that she is Caucasian.* *My Main Phihactor is fluent in", "developed in an East Asian environment (specifically Japan) and my main character is", "a new Caucasian character who is a girl from Germany and I don't", "to her. Should I use something like **\"Caucasian Girl\"** or **\"White Girl\"** or", "or **\"European girl\"**? --- **Extra notes:** *My main character doesn't know where the", "environment (specifically Japan) and my main character is not Asian, she is from", "like **\"Caucasian Girl\"** or **\"White Girl\"** or **\"European girl\"**? --- **Extra notes:** *My", "**\"White Girl\"** or **\"European girl\"**? --- **Extra notes:** *My main character doesn't know", "Asian environment (specifically Japan) and my main character is not Asian, she is", "**\"European girl\"**? --- **Extra notes:** *My main character doesn't know where the other", "main character doesn't know where the other character is from, the only most", "is a girl from Germany and I don't know what to use to", "Mixed Race. Now, my main character is going to refer to a new", "English like the new Phihactor* *The new Phihactor is introduced in the Main", "is from Central América and is Mixed Race. Now, my main character is", "Japan) and my main character is not Asian, she is from Central América", "where the other character is from, the only most noticeable thing about the", "(specifically Japan) and my main character is not Asian, she is from Central", "América and is Mixed Race. Now, my main character is going to refer", "noticeable thing about the other character is that she is Caucasian.* *My Main", "the new Phihactor* *The new Phihactor is introduced in the Main Phihactor thoughts*", "girl\"**? --- **Extra notes:** *My main character doesn't know where the other character", "My novel is developed in an East Asian environment (specifically Japan) and my", "Race. Now, my main character is going to refer to a new Caucasian", "I use something like **\"Caucasian Girl\"** or **\"White Girl\"** or **\"European girl\"**? ---", "that she is Caucasian.* *My Main Phihactor is fluent in English like the", "she is from Central América and is Mixed Race. Now, my main character", "what to use to refer to her. Should I use something like **\"Caucasian", "she is Caucasian.* *My Main Phihactor is fluent in English like the new", "Caucasian.* *My Main Phihactor is fluent in English like the new Phihactor* *The", "main character is going to refer to a new Caucasian character who is", "from, the only most noticeable thing about the other character is that she", "in English like the new Phihactor* *The new Phihactor is introduced in the", "to a new Caucasian character who is a girl from Germany and I", "main character is not Asian, she is from Central América and is Mixed", "and is Mixed Race. Now, my main character is going to refer to", "only most noticeable thing about the other character is that she is Caucasian.*", "her. Should I use something like **\"Caucasian Girl\"** or **\"White Girl\"** or **\"European", "to use to refer to her. Should I use something like **\"Caucasian Girl\"**", "character who is a girl from Germany and I don't know what to", "*My main character doesn't know where the other character is from, the only", "an East Asian environment (specifically Japan) and my main character is not Asian,", "East Asian environment (specifically Japan) and my main character is not Asian, she", "most noticeable thing about the other character is that she is Caucasian.* *My", "or **\"White Girl\"** or **\"European girl\"**? --- **Extra notes:** *My main character doesn't", "don't know what to use to refer to her. Should I use something", "know what to use to refer to her. Should I use something like", "other character is from, the only most noticeable thing about the other character", "Caucasian character who is a girl from Germany and I don't know what", "character is going to refer to a new Caucasian character who is a", "the other character is that she is Caucasian.* *My Main Phihactor is fluent", "is fluent in English like the new Phihactor* *The new Phihactor is introduced", "Germany and I don't know what to use to refer to her. Should", "use something like **\"Caucasian Girl\"** or **\"White Girl\"** or **\"European girl\"**? --- **Extra", "about the other character is that she is Caucasian.* *My Main Phihactor is", "Asian, she is from Central América and is Mixed Race. Now, my main", "to refer to her. Should I use something like **\"Caucasian Girl\"** or **\"White", "doesn't know where the other character is from, the only most noticeable thing", "who is a girl from Germany and I don't know what to use", "is Caucasian.* *My Main Phihactor is fluent in English like the new Phihactor*", "fluent in English like the new Phihactor* *The new Phihactor is introduced in", "new Caucasian character who is a girl from Germany and I don't know", "character is that she is Caucasian.* *My Main Phihactor is fluent in English", "character doesn't know where the other character is from, the only most noticeable", "Girl\"** or **\"White Girl\"** or **\"European girl\"**? --- **Extra notes:** *My main character", "the other character is from, the only most noticeable thing about the other", "I don't know what to use to refer to her. Should I use", "is Mixed Race. Now, my main character is going to refer to a", "a girl from Germany and I don't know what to use to refer", "refer to her. Should I use something like **\"Caucasian Girl\"** or **\"White Girl\"**", "in an East Asian environment (specifically Japan) and my main character is not", "my main character is not Asian, she is from Central América and is", "not Asian, she is from Central América and is Mixed Race. Now, my", "refer to a new Caucasian character who is a girl from Germany and", "character is not Asian, she is from Central América and is Mixed Race.", "and my main character is not Asian, she is from Central América and", "the only most noticeable thing about the other character is that she is", "**\"Caucasian Girl\"** or **\"White Girl\"** or **\"European girl\"**? --- **Extra notes:** *My main", "*My Main Phihactor is fluent in English like the new Phihactor* *The new", "know where the other character is from, the only most noticeable thing about", "is not Asian, she is from Central América and is Mixed Race. Now,", "my main character is going to refer to a new Caucasian character who", "use to refer to her. Should I use something like **\"Caucasian Girl\"** or", "character is from, the only most noticeable thing about the other character is", "from Central América and is Mixed Race. Now, my main character is going", "is from, the only most noticeable thing about the other character is that", "going to refer to a new Caucasian character who is a girl from", "notes:** *My main character doesn't know where the other character is from, the" ]
[ "an underlying message in my writing but I really don't want it to", "have an underlying message in my writing but I really don't want it", "I want to have an underlying message in my writing but I really", "to have an underlying message in my writing but I really don't want", "message in my writing but I really don't want it to come across", "want to have an underlying message in my writing but I really don't", "in my writing but I really don't want it to come across as", "underlying message in my writing but I really don't want it to come", "but I really don't want it to come across as annoying or too", "writing but I really don't want it to come across as annoying or", "my writing but I really don't want it to come across as annoying", "I really don't want it to come across as annoying or too preachy.", "really don't want it to come across as annoying or too preachy. Thanks!" ]
[ "time a little to somewhat after where the first chapter left off? Can", "a new POV character? Can I jump ahead in time a little to", "I introduce a new POV character? Can I jump ahead in time a", "POV character? Can I jump ahead in time a little to somewhat after", "little to somewhat after where the first chapter left off? Can I switch", "do I go from there? I mean: should I introduce a new POV", "I jump ahead in time a little to somewhat after where the first", "mean: should I introduce a new POV character? Can I jump ahead in", "a little to somewhat after where the first chapter left off? Can I", "I've written a pretty good chapter one, but now the question is: where", "chapter left off? Can I switch to entirely different setting with a new", "there? I mean: should I introduce a new POV character? Can I jump", "the question is: where do I go from there? I mean: should I", "I mean: should I introduce a new POV character? Can I jump ahead", "ahead in time a little to somewhat after where the first chapter left", "think I've written a pretty good chapter one, but now the question is:", "should I introduce a new POV character? Can I jump ahead in time", "but now the question is: where do I go from there? I mean:", "after where the first chapter left off? Can I switch to entirely different", "from there? I mean: should I introduce a new POV character? Can I", "pretty good chapter one, but now the question is: where do I go", "character? Can I jump ahead in time a little to somewhat after where", "one, but now the question is: where do I go from there? I", "Can I jump ahead in time a little to somewhat after where the", "to entirely different setting with a new POV character? I just don't know.", "somewhat after where the first chapter left off? Can I switch to entirely", "a pretty good chapter one, but now the question is: where do I", "I think I've written a pretty good chapter one, but now the question", "is: where do I go from there? I mean: should I introduce a", "jump ahead in time a little to somewhat after where the first chapter", "off? Can I switch to entirely different setting with a new POV character?", "chapter one, but now the question is: where do I go from there?", "go from there? I mean: should I introduce a new POV character? Can", "introduce a new POV character? Can I jump ahead in time a little", "the first chapter left off? Can I switch to entirely different setting with", "I switch to entirely different setting with a new POV character? I just", "now the question is: where do I go from there? I mean: should", "written a pretty good chapter one, but now the question is: where do", "question is: where do I go from there? I mean: should I introduce", "to somewhat after where the first chapter left off? Can I switch to", "in time a little to somewhat after where the first chapter left off?", "I go from there? I mean: should I introduce a new POV character?", "Can I switch to entirely different setting with a new POV character? I", "switch to entirely different setting with a new POV character? I just don't", "good chapter one, but now the question is: where do I go from", "where do I go from there? I mean: should I introduce a new", "where the first chapter left off? Can I switch to entirely different setting", "left off? Can I switch to entirely different setting with a new POV", "new POV character? Can I jump ahead in time a little to somewhat", "first chapter left off? Can I switch to entirely different setting with a" ]
[ "write something like that and it's kind of essential to the part of", "I remember seeing but can't remember how to do. It's where words in", "Mom!\" Sierra grabbed an apple and ran out of the front door. I'm", "punctuated by actions like when, for example, a character is hitting a punching", "go like: \"See you later, Mom!\" Sierra grabbed an apple and ran out", "door. I'm more concerned with something I remember seeing but can't remember how", "like: \"See you later, Mom!\" Sierra grabbed an apple and ran out of", "the bag-\"-really\"-hit-\"-don't\" I don't know how to write something like that and it's", "like that and it's kind of essential to the part of a book", "to write something like that and it's kind of essential to the part", "and it's kind of essential to the part of a book I'm writing.", "\"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know how to write something like that", "I'm not talking about if it's right to go like: \"See you later,", "a sentence but between each word is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\"", "remember how to do. It's where words in the character's dialogue is punctuated", "actions like when, for example, a character is hitting a punching bag and", "front door. I'm more concerned with something I remember seeing but can't remember", "punching bag and says words in between hits that connect to form a", "you later, Mom!\" Sierra grabbed an apple and ran out of the front", "to form a sentence but between each word is a hit. \"I-\"-she hit", "how to do. It's where words in the character's dialogue is punctuated by", "character is hitting a punching bag and says words in between hits that", "words in the character's dialogue is punctuated by actions like when, for example,", "more concerned with something I remember seeing but can't remember how to do.", "the front door. I'm more concerned with something I remember seeing but can't", "and says words in between hits that connect to form a sentence but", "between hits that connect to form a sentence but between each word is", "is hitting a punching bag and says words in between hits that connect", "don't know how to write something like that and it's kind of essential", "how to write something like that and it's kind of essential to the", "it's right to go like: \"See you later, Mom!\" Sierra grabbed an apple", "not talking about if it's right to go like: \"See you later, Mom!\"", "each word is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know how", "where words in the character's dialogue is punctuated by actions like when, for", "talking about if it's right to go like: \"See you later, Mom!\" Sierra", "remember seeing but can't remember how to do. It's where words in the", "that connect to form a sentence but between each word is a hit.", "with something I remember seeing but can't remember how to do. It's where", "by actions like when, for example, a character is hitting a punching bag", "later, Mom!\" Sierra grabbed an apple and ran out of the front door.", "right to go like: \"See you later, Mom!\" Sierra grabbed an apple and", "but can't remember how to do. It's where words in the character's dialogue", "like when, for example, a character is hitting a punching bag and says", "word is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know how to", "something I remember seeing but can't remember how to do. It's where words", "ran out of the front door. I'm more concerned with something I remember", "form a sentence but between each word is a hit. \"I-\"-she hit the", "character's dialogue is punctuated by actions like when, for example, a character is", "connect to form a sentence but between each word is a hit. \"I-\"-she", "hitting a punching bag and says words in between hits that connect to", "apple and ran out of the front door. I'm more concerned with something", "I don't know how to write something like that and it's kind of", "is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know how to write", "bag-\"-really\"-hit-\"-don't\" I don't know how to write something like that and it's kind", "hits that connect to form a sentence but between each word is a", "can't remember how to do. It's where words in the character's dialogue is", "something like that and it's kind of essential to the part of a", "\"See you later, Mom!\" Sierra grabbed an apple and ran out of the", "of the front door. I'm more concerned with something I remember seeing but", "to do. It's where words in the character's dialogue is punctuated by actions", "if it's right to go like: \"See you later, Mom!\" Sierra grabbed an", "Sierra grabbed an apple and ran out of the front door. I'm more", "the character's dialogue is punctuated by actions like when, for example, a character", "hit the bag-\"-really\"-hit-\"-don't\" I don't know how to write something like that and", "and ran out of the front door. I'm more concerned with something I", "dialogue is punctuated by actions like when, for example, a character is hitting", "do. It's where words in the character's dialogue is punctuated by actions like", "but between each word is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't", "seeing but can't remember how to do. It's where words in the character's", "hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know how to write something like", "grabbed an apple and ran out of the front door. I'm more concerned", "concerned with something I remember seeing but can't remember how to do. It's", "is punctuated by actions like when, for example, a character is hitting a", "a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know how to write something", "between each word is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I don't know", "when, for example, a character is hitting a punching bag and says words", "about if it's right to go like: \"See you later, Mom!\" Sierra grabbed", "sentence but between each word is a hit. \"I-\"-she hit the bag-\"-really\"-hit-\"-don't\" I", "says words in between hits that connect to form a sentence but between", "that and it's kind of essential to the part of a book I'm", "example, a character is hitting a punching bag and says words in between", "in between hits that connect to form a sentence but between each word", "a character is hitting a punching bag and says words in between hits", "for example, a character is hitting a punching bag and says words in", "an apple and ran out of the front door. I'm more concerned with", "to go like: \"See you later, Mom!\" Sierra grabbed an apple and ran", "in the character's dialogue is punctuated by actions like when, for example, a", "bag and says words in between hits that connect to form a sentence", "a punching bag and says words in between hits that connect to form", "out of the front door. I'm more concerned with something I remember seeing", "know how to write something like that and it's kind of essential to", "I'm more concerned with something I remember seeing but can't remember how to", "It's where words in the character's dialogue is punctuated by actions like when,", "words in between hits that connect to form a sentence but between each" ]
[ "years old and I'm writing a story called 'Deshuyy'. This book is a", "old and I'm writing a story called 'Deshuyy'. This book is a fanfiction", "it. There currently is no book of Dorsin, so would it be okay", "book of Dorsin, so would it be okay to publish this book or", "and creators of Dorsin? It's not complete yet, but I really want to", "not complete yet, but I really want to publish a book on it", "it be okay to publish this book or would I have to get", "and I'm writing a story called 'Deshuyy'. This book is a fanfiction of", "I've added a character into it. There currently is no book of Dorsin,", "called 'Deshuyy'. This book is a fanfiction of the TV-Show [\"Dorsin\" (the TV", "added a character into it. There currently is no book of Dorsin, so", "a character into it. There currently is no book of Dorsin, so would", "book or would I have to get permission from the directors and creators", "be okay to publish this book or would I have to get permission", "creators of Dorsin? It's not complete yet, but I really want to publish", "book is a fanfiction of the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and", "a story called 'Deshuyy'. This book is a fanfiction of the TV-Show [\"Dorsin\"", "no book of Dorsin, so would it be okay to publish this book", "I'm 13 years old and I'm writing a story called 'Deshuyy'. This book", "Dorsin, so would it be okay to publish this book or would I", "I'm writing a story called 'Deshuyy'. This book is a fanfiction of the", "fanfiction of the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a", "TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into it.", "the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into", "directors and creators of Dorsin? It's not complete yet, but I really want", "story called 'Deshuyy'. This book is a fanfiction of the TV-Show [\"Dorsin\" (the", "There currently is no book of Dorsin, so would it be okay to", "would it be okay to publish this book or would I have to", "so would it be okay to publish this book or would I have", "This book is a fanfiction of the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series))", "would I have to get permission from the directors and creators of Dorsin?", "I have to get permission from the directors and creators of Dorsin? It's", "or would I have to get permission from the directors and creators of", "of Dorsin? It's not complete yet, but I really want to publish a", "series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into it. There currently is no", "okay to publish this book or would I have to get permission from", "'Deshuyy'. This book is a fanfiction of the TV-Show [\"Dorsin\" (the TV series", "get permission from the directors and creators of Dorsin? It's not complete yet,", "from the directors and creators of Dorsin? It's not complete yet, but I", "2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into it. There currently is no book", "to publish this book or would I have to get permission from the", "(the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into it. There currently", "this book or would I have to get permission from the directors and", "the directors and creators of Dorsin? It's not complete yet, but I really", "a fanfiction of the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added", "is no book of Dorsin, so would it be okay to publish this", "have to get permission from the directors and creators of Dorsin? It's not", "of Dorsin, so would it be okay to publish this book or would", "character into it. There currently is no book of Dorsin, so would it", "publish this book or would I have to get permission from the directors", "writing a story called 'Deshuyy'. This book is a fanfiction of the TV-Show", "permission from the directors and creators of Dorsin? It's not complete yet, but", "and I've added a character into it. There currently is no book of", "TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into it. There currently is", "into it. There currently is no book of Dorsin, so would it be", "[\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character into it. There", "It's not complete yet, but I really want to publish a book on", "yet, but I really want to publish a book on it one day.", "is a fanfiction of the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've", "complete yet, but I really want to publish a book on it one", "Dorsin? It's not complete yet, but I really want to publish a book", "to get permission from the directors and creators of Dorsin? It's not complete", "of the TV-Show [\"Dorsin\" (the TV series 2008)](https://en.wikipedia.org/wiki/Dorsin_(2008_TV_series)) and I've added a character", "currently is no book of Dorsin, so would it be okay to publish", "13 years old and I'm writing a story called 'Deshuyy'. This book is" ]
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[ "might not like that. Or, would I be okay to keep it up", "anything at all from that since I plan to pursue publication once I'm", "short stories I write. It's not popular, mostly just family and a few", "time, and might not like that. Or, would I be okay to keep", "it a problem that I ever had it posted? I'm not sure if", "down if it were to get accepted for publication? Are there general rules", "up on my blog when submitting it, then just taking it down if", "I write. It's not popular, mostly just family and a few random people", "one time, and might not like that. Or, would I be okay to", "there general rules for this type of thing? Does it change if I", "Are there general rules for this type of thing? Does it change if", "just avoid posting anything at all from that since I plan to pursue", "post short stories I write. It's not popular, mostly just family and a", "keep it up on my blog when submitting it, then just taking it", "it published, and will remove the post with that story. Is it a", "I want decide I want to further work on something I posted and", "at all from that since I plan to pursue publication once I'm finished", "general rules for this type of thing? Does it change if I want", "thing? Does it change if I want to post snippets from a novel", "posted at one time, and might not like that. Or, would I be", "type of thing? Does it change if I want to post snippets from", "further work on something I posted and try to get it published, and", "random people follow it. Occasionally, I want decide I want to further work", "not like that. Or, would I be okay to keep it up on", "to keep it up on my blog when submitting it, then just taking", "that. Or, would I be okay to keep it up on my blog", "with that story. Is it a problem that I ever had it posted?", "decide I want to further work on something I posted and try to", "all from that since I plan to pursue publication once I'm finished with", "I posted and try to get it published, and will remove the post", "just family and a few random people follow it. Occasionally, I want decide", "will remove the post with that story. Is it a problem that I", "published, and will remove the post with that story. Is it a problem", "I want to further work on something I posted and try to get", "was posted at one time, and might not like that. Or, would I", "my blog when submitting it, then just taking it down if it were", "just taking it down if it were to get accepted for publication? Are", "posted and try to get it published, and will remove the post with", "to further work on something I posted and try to get it published,", "and try to get it published, and will remove the post with that", "this type of thing? Does it change if I want to post snippets", "something I posted and try to get it published, and will remove the", "posting anything at all from that since I plan to pursue publication once", "had it posted? I'm not sure if publishers could see that it was", "Wordpress where I post short stories I write. It's not popular, mostly just", "I'm writing, or should I just avoid posting anything at all from that", "where I post short stories I write. It's not popular, mostly just family", "mostly just family and a few random people follow it. Occasionally, I want", "it was posted at one time, and might not like that. Or, would", "be okay to keep it up on my blog when submitting it, then", "I'm not sure if publishers could see that it was posted at one", "taking it down if it were to get accepted for publication? Are there", "want decide I want to further work on something I posted and try", "and a few random people follow it. Occasionally, I want decide I want", "it change if I want to post snippets from a novel I'm writing,", "would I be okay to keep it up on my blog when submitting", "blog when submitting it, then just taking it down if it were to", "have a Wordpress where I post short stories I write. It's not popular,", "a problem that I ever had it posted? I'm not sure if publishers", "it were to get accepted for publication? Are there general rules for this", "sure if publishers could see that it was posted at one time, and", "okay to keep it up on my blog when submitting it, then just", "for this type of thing? Does it change if I want to post", "rules for this type of thing? Does it change if I want to", "from that since I plan to pursue publication once I'm finished with it?", "Or, would I be okay to keep it up on my blog when", "for publication? Are there general rules for this type of thing? Does it", "write. It's not popular, mostly just family and a few random people follow", "posted? I'm not sure if publishers could see that it was posted at", "writing, or should I just avoid posting anything at all from that since", "to get it published, and will remove the post with that story. Is", "I want to post snippets from a novel I'm writing, or should I", "if publishers could see that it was posted at one time, and might", "I ever had it posted? I'm not sure if publishers could see that", "like that. Or, would I be okay to keep it up on my", "I just avoid posting anything at all from that since I plan to", "from a novel I'm writing, or should I just avoid posting anything at", "of thing? Does it change if I want to post snippets from a", "or should I just avoid posting anything at all from that since I", "people follow it. Occasionally, I want decide I want to further work on", "get it published, and will remove the post with that story. Is it", "problem that I ever had it posted? I'm not sure if publishers could", "see that it was posted at one time, and might not like that.", "want to further work on something I posted and try to get it", "then just taking it down if it were to get accepted for publication?", "accepted for publication? Are there general rules for this type of thing? Does", "and will remove the post with that story. Is it a problem that", "a Wordpress where I post short stories I write. It's not popular, mostly", "I have a Wordpress where I post short stories I write. It's not", "a few random people follow it. Occasionally, I want decide I want to", "ever had it posted? I'm not sure if publishers could see that it", "could see that it was posted at one time, and might not like", "were to get accepted for publication? Are there general rules for this type", "Is it a problem that I ever had it posted? I'm not sure", "change if I want to post snippets from a novel I'm writing, or", "not popular, mostly just family and a few random people follow it. Occasionally,", "I be okay to keep it up on my blog when submitting it,", "publishers could see that it was posted at one time, and might not", "at one time, and might not like that. Or, would I be okay", "if I want to post snippets from a novel I'm writing, or should", "on my blog when submitting it, then just taking it down if it", "post with that story. Is it a problem that I ever had it", "that it was posted at one time, and might not like that. Or,", "family and a few random people follow it. Occasionally, I want decide I", "the post with that story. Is it a problem that I ever had", "publication? Are there general rules for this type of thing? Does it change", "Occasionally, I want decide I want to further work on something I posted", "try to get it published, and will remove the post with that story.", "get accepted for publication? Are there general rules for this type of thing?", "follow it. Occasionally, I want decide I want to further work on something", "when submitting it, then just taking it down if it were to get", "remove the post with that story. Is it a problem that I ever", "that I ever had it posted? I'm not sure if publishers could see", "snippets from a novel I'm writing, or should I just avoid posting anything", "submitting it, then just taking it down if it were to get accepted", "and might not like that. Or, would I be okay to keep it", "to post snippets from a novel I'm writing, or should I just avoid", "stories I write. It's not popular, mostly just family and a few random", "it. Occasionally, I want decide I want to further work on something I", "on something I posted and try to get it published, and will remove", "it up on my blog when submitting it, then just taking it down", "work on something I posted and try to get it published, and will", "post snippets from a novel I'm writing, or should I just avoid posting", "I post short stories I write. It's not popular, mostly just family and", "story. Is it a problem that I ever had it posted? I'm not", "avoid posting anything at all from that since I plan to pursue publication", "It's not popular, mostly just family and a few random people follow it.", "to get accepted for publication? Are there general rules for this type of", "it posted? I'm not sure if publishers could see that it was posted", "it, then just taking it down if it were to get accepted for", "novel I'm writing, or should I just avoid posting anything at all from", "popular, mostly just family and a few random people follow it. Occasionally, I", "want to post snippets from a novel I'm writing, or should I just", "not sure if publishers could see that it was posted at one time,", "it down if it were to get accepted for publication? Are there general", "Does it change if I want to post snippets from a novel I'm", "a novel I'm writing, or should I just avoid posting anything at all", "should I just avoid posting anything at all from that since I plan", "few random people follow it. Occasionally, I want decide I want to further", "that story. Is it a problem that I ever had it posted? I'm", "if it were to get accepted for publication? Are there general rules for" ]
[ "specifically talking about software.) I have traditionally taken a techcomm approach to release", "new features and bug fixes in a straightforward manner, focused on the user.", "notes serving a marketing purpose in addition to a technical purpose -- reaching", "marcomm folks often describe the features with a very different vocabulary. For most", "addition to technician-type users. How do you decide the appropriate voice for the", "how to use something. (I'm specifically talking about software.) I have traditionally taken", "case can be made for the release notes serving a marketing purpose in", "you how to use something. (I'm specifically talking about software.) I have traditionally", "in addition to a technical purpose -- reaching business decision makers in addition", "marketing is trying to persuade you that you need something; technical writing is", "techcomm; web sites, blogs, press releases are marcomm. A case can be made", "user. The marcomm folks often describe the features with a very different vocabulary.", "the release notes serving a marketing purpose in addition to a technical purpose", "often describe the features with a very different vocabulary. For most content, this", "reaching business decision makers in addition to technician-type users. How do you decide", "marketing purpose in addition to a technical purpose -- reaching business decision makers", "of technical content -- marketing is trying to persuade you that you need", "manner, focused on the user. The marcomm folks often describe the features with", "this distinction is clearer -- software documentation is techcomm; web sites, blogs, press", "blogs, press releases are marcomm. A case can be made for the release", "focused on the user. The marcomm folks often describe the features with a", "content -- marketing is trying to persuade you that you need something; technical", "in a straightforward manner, focused on the user. The marcomm folks often describe", "need something; technical writing is generally instructing you how to use something. (I'm", "can be made for the release notes serving a marketing purpose in addition", "serving a marketing purpose in addition to a technical purpose -- reaching business", "persuade you that you need something; technical writing is generally instructing you how", "folks often describe the features with a very different vocabulary. For most content,", "instructing you how to use something. (I'm specifically talking about software.) I have", "approach to release notes -- describing new features and bug fixes in a", "(I'm specifically talking about software.) I have traditionally taken a techcomm approach to", "addition to a technical purpose -- reaching business decision makers in addition to", "with a very different vocabulary. For most content, this distinction is clearer --", "to release notes -- describing new features and bug fixes in a straightforward", "to use something. (I'm specifically talking about software.) I have traditionally taken a", "are marcomm. A case can be made for the release notes serving a", "talking about software.) I have traditionally taken a techcomm approach to release notes", "and bug fixes in a straightforward manner, focused on the user. The marcomm", "-- describing new features and bug fixes in a straightforward manner, focused on", "-- marketing is trying to persuade you that you need something; technical writing", "-- software documentation is techcomm; web sites, blogs, press releases are marcomm. A", "a techcomm approach to release notes -- describing new features and bug fixes", "different vocabulary. For most content, this distinction is clearer -- software documentation is", "technician-type users. How do you decide the appropriate voice for the release notes?", "features and bug fixes in a straightforward manner, focused on the user. The", "vocabulary. For most content, this distinction is clearer -- software documentation is techcomm;", "is clearer -- software documentation is techcomm; web sites, blogs, press releases are", "The marcomm folks often describe the features with a very different vocabulary. For", "taken a techcomm approach to release notes -- describing new features and bug", "about software.) I have traditionally taken a techcomm approach to release notes --", "voice of technical content -- marketing is trying to persuade you that you", "content, this distinction is clearer -- software documentation is techcomm; web sites, blogs,", "match the voice of technical content -- marketing is trying to persuade you", "is techcomm; web sites, blogs, press releases are marcomm. A case can be", "sites, blogs, press releases are marcomm. A case can be made for the", "fixes in a straightforward manner, focused on the user. The marcomm folks often", "straightforward manner, focused on the user. The marcomm folks often describe the features", "to technician-type users. How do you decide the appropriate voice for the release", "distinction is clearer -- software documentation is techcomm; web sites, blogs, press releases", "a technical purpose -- reaching business decision makers in addition to technician-type users.", "purpose in addition to a technical purpose -- reaching business decision makers in", "to persuade you that you need something; technical writing is generally instructing you", "made for the release notes serving a marketing purpose in addition to a", "doesn't match the voice of technical content -- marketing is trying to persuade", "Typically, the voice of marketing content doesn't match the voice of technical content", "be made for the release notes serving a marketing purpose in addition to", "generally instructing you how to use something. (I'm specifically talking about software.) I", "decision makers in addition to technician-type users. How do you decide the appropriate", "software.) I have traditionally taken a techcomm approach to release notes -- describing", "software documentation is techcomm; web sites, blogs, press releases are marcomm. A case", "you that you need something; technical writing is generally instructing you how to", "use something. (I'm specifically talking about software.) I have traditionally taken a techcomm", "releases are marcomm. A case can be made for the release notes serving", "business decision makers in addition to technician-type users. How do you decide the", "purpose -- reaching business decision makers in addition to technician-type users. How do", "a very different vocabulary. For most content, this distinction is clearer -- software", "on the user. The marcomm folks often describe the features with a very", "voice of marketing content doesn't match the voice of technical content -- marketing", "a straightforward manner, focused on the user. The marcomm folks often describe the", "content doesn't match the voice of technical content -- marketing is trying to", "the features with a very different vocabulary. For most content, this distinction is", "technical content -- marketing is trying to persuade you that you need something;", "trying to persuade you that you need something; technical writing is generally instructing", "A case can be made for the release notes serving a marketing purpose", "I have traditionally taken a techcomm approach to release notes -- describing new", "release notes -- describing new features and bug fixes in a straightforward manner,", "of marketing content doesn't match the voice of technical content -- marketing is", "the voice of technical content -- marketing is trying to persuade you that", "you need something; technical writing is generally instructing you how to use something.", "For most content, this distinction is clearer -- software documentation is techcomm; web", "very different vocabulary. For most content, this distinction is clearer -- software documentation", "something; technical writing is generally instructing you how to use something. (I'm specifically", "technical purpose -- reaching business decision makers in addition to technician-type users. How", "notes -- describing new features and bug fixes in a straightforward manner, focused", "-- reaching business decision makers in addition to technician-type users. How do you", "a marketing purpose in addition to a technical purpose -- reaching business decision", "that you need something; technical writing is generally instructing you how to use", "is trying to persuade you that you need something; technical writing is generally", "marketing content doesn't match the voice of technical content -- marketing is trying", "writing is generally instructing you how to use something. (I'm specifically talking about", "bug fixes in a straightforward manner, focused on the user. The marcomm folks", "documentation is techcomm; web sites, blogs, press releases are marcomm. A case can", "press releases are marcomm. A case can be made for the release notes", "techcomm approach to release notes -- describing new features and bug fixes in", "technical writing is generally instructing you how to use something. (I'm specifically talking", "features with a very different vocabulary. For most content, this distinction is clearer", "makers in addition to technician-type users. How do you decide the appropriate voice", "most content, this distinction is clearer -- software documentation is techcomm; web sites,", "web sites, blogs, press releases are marcomm. A case can be made for", "for the release notes serving a marketing purpose in addition to a technical", "describe the features with a very different vocabulary. For most content, this distinction", "the voice of marketing content doesn't match the voice of technical content --", "clearer -- software documentation is techcomm; web sites, blogs, press releases are marcomm.", "describing new features and bug fixes in a straightforward manner, focused on the", "is generally instructing you how to use something. (I'm specifically talking about software.)", "the user. The marcomm folks often describe the features with a very different", "marcomm. A case can be made for the release notes serving a marketing", "release notes serving a marketing purpose in addition to a technical purpose --", "traditionally taken a techcomm approach to release notes -- describing new features and", "something. (I'm specifically talking about software.) I have traditionally taken a techcomm approach", "in addition to technician-type users. How do you decide the appropriate voice for", "to a technical purpose -- reaching business decision makers in addition to technician-type", "have traditionally taken a techcomm approach to release notes -- describing new features" ]
[ "in the end, this book will be very high quality. But I have", "people to see my book as something that is good because it is", "publishing. I am only 13 years old. I really want my work to", "and I probably will be done with it soon. My work is very", "asked this before, and the one I was directed to is about where", "one I was directed to is about where and how to publish as", "with it soon. My work is very original in my mind and in", "was directed to is about where and how to publish as a minor,", "I am young. How can I successfully get this published as a book", "13 years old. I really want my work to be taken seriously, and", "book will be very high quality. But I have been wondering about one", "book as something that is good because it is a good book, not", "this before, and the one I was directed to is about where and", "published as a book that people enjoy without caring about my age? (Edit:", "I was directed to is about where and how to publish as a", "one important aspect of publishing. I am only 13 years old. I really", "know that other people have asked this before, and the one I was", "I am only 13 years old. I really want my work to be", "a while, and I probably will be done with it soon. My work", "have been wondering about one important aspect of publishing. I am only 13", "see my book as something that is good because it is a good", "am only 13 years old. I really want my work to be taken", "I have been wondering about one important aspect of publishing. I am only", "other people have asked this before, and the one I was directed to", "of publishing. I am only 13 years old. I really want my work", "a good book, not because I am young. How can I successfully get", "my age? (Edit: I know that other people have asked this before, and", "and people to see my book as something that is good because it", "have been working on a book for a while, and I probably will", "where and how to publish as a minor, but this question is about", "caring about my age? (Edit: I know that other people have asked this", "and how to publish as a minor, but this question is about how", "my mind and in the end, this book will be very high quality.", "while, and I probably will be done with it soon. My work is", "my work to be taken seriously, and people to see my book as", "about where and how to publish as a minor, but this question is", "this book will be very high quality. But I have been wondering about", "good book, not because I am young. How can I successfully get this", "on a book for a while, and I probably will be done with", "the end, this book will be very high quality. But I have been", "not because I am young. How can I successfully get this published as", "as a minor, but this question is about how to be taken seriously", "about one important aspect of publishing. I am only 13 years old. I", "a book for a while, and I probably will be done with it", "my book as something that is good because it is a good book,", "quality. But I have been wondering about one important aspect of publishing. I", "book, not because I am young. How can I successfully get this published", "how to publish as a minor, but this question is about how to", "be done with it soon. My work is very original in my mind", "end, this book will be very high quality. But I have been wondering", "important aspect of publishing. I am only 13 years old. I really want", "I have been working on a book for a while, and I probably", "is a good book, not because I am young. How can I successfully", "people enjoy without caring about my age? (Edit: I know that other people", "book for a while, and I probably will be done with it soon.", "in my mind and in the end, this book will be very high", "book that people enjoy without caring about my age? (Edit: I know that", "aspect of publishing. I am only 13 years old. I really want my", "will be very high quality. But I have been wondering about one important", "very original in my mind and in the end, this book will be", "mind and in the end, this book will be very high quality. But", "taken seriously, and people to see my book as something that is good", "to is about where and how to publish as a minor, but this", "minor, but this question is about how to be taken seriously as a", "soon. My work is very original in my mind and in the end,", "How can I successfully get this published as a book that people enjoy", "to publish as a minor, but this question is about how to be", "and the one I was directed to is about where and how to", "only 13 years old. I really want my work to be taken seriously,", "work to be taken seriously, and people to see my book as something", "for a while, and I probably will be done with it soon. My", "because it is a good book, not because I am young. How can", "been working on a book for a while, and I probably will be", "directed to is about where and how to publish as a minor, but", "is good because it is a good book, not because I am young.", "about my age? (Edit: I know that other people have asked this before,", "I successfully get this published as a book that people enjoy without caring", "people have asked this before, and the one I was directed to is", "this published as a book that people enjoy without caring about my age?", "something that is good because it is a good book, not because I", "publish as a minor, but this question is about how to be taken", "young. How can I successfully get this published as a book that people", "is about where and how to publish as a minor, but this question", "done with it soon. My work is very original in my mind and", "and in the end, this book will be very high quality. But I", "I probably will be done with it soon. My work is very original", "that is good because it is a good book, not because I am", "wondering about one important aspect of publishing. I am only 13 years old.", "working on a book for a while, and I probably will be done", "it is a good book, not because I am young. How can I", "as something that is good because it is a good book, not because", "the one I was directed to is about where and how to publish", "can I successfully get this published as a book that people enjoy without", "get this published as a book that people enjoy without caring about my", "it soon. My work is very original in my mind and in the", "a minor, but this question is about how to be taken seriously as", "years old. I really want my work to be taken seriously, and people", "probably will be done with it soon. My work is very original in", "be taken seriously, and people to see my book as something that is", "a book that people enjoy without caring about my age? (Edit: I know", "am young. How can I successfully get this published as a book that", "have asked this before, and the one I was directed to is about", "to see my book as something that is good because it is a", "old. I really want my work to be taken seriously, and people to", "been wondering about one important aspect of publishing. I am only 13 years", "I really want my work to be taken seriously, and people to see", "because I am young. How can I successfully get this published as a", "that other people have asked this before, and the one I was directed", "good because it is a good book, not because I am young. How", "seriously, and people to see my book as something that is good because", "enjoy without caring about my age? (Edit: I know that other people have", "original in my mind and in the end, this book will be very", "My work is very original in my mind and in the end, this", "be very high quality. But I have been wondering about one important aspect", "age? (Edit: I know that other people have asked this before, and the", "I know that other people have asked this before, and the one I", "is very original in my mind and in the end, this book will", "to be taken seriously, and people to see my book as something that", "successfully get this published as a book that people enjoy without caring about", "work is very original in my mind and in the end, this book", "without caring about my age? (Edit: I know that other people have asked", "will be done with it soon. My work is very original in my", "But I have been wondering about one important aspect of publishing. I am", "as a book that people enjoy without caring about my age? (Edit: I", "(Edit: I know that other people have asked this before, and the one", "high quality. But I have been wondering about one important aspect of publishing.", "that people enjoy without caring about my age? (Edit: I know that other", "really want my work to be taken seriously, and people to see my", "want my work to be taken seriously, and people to see my book", "before, and the one I was directed to is about where and how", "but this question is about how to be taken seriously as a minor.)", "very high quality. But I have been wondering about one important aspect of" ]
[ "answers, that \"a story is a promise\". The beginning of the story sets", "I made an *unintentional* promise, i.e. a promise that I made without even", "\"promise\" in the beginning. However, how can I know whether I made an", "Baker's answers, that \"a story is a promise\". The beginning of the story", "sets the promise and the ending fulfills it. A story that doesn't fulfills", "can I know whether I made an *unintentional* promise, i.e. a promise that", "this when I *intentionally* make a \"promise\" in the beginning. However, how can", "here on Writing SE and mainly by Mark Baker's answers, that \"a story", "it. A story that doesn't fulfills its promise is unsatisfying. I understand this", "beginning. However, how can I know whether I made an *unintentional* promise, i.e.", "The beginning of the story sets the promise and the ending fulfills it.", "*intentionally* make a \"promise\" in the beginning. However, how can I know whether", "I know whether I made an *unintentional* promise, i.e. a promise that I", "promise\". The beginning of the story sets the promise and the ending fulfills", "mainly here on Writing SE and mainly by Mark Baker's answers, that \"a", "and mainly by Mark Baker's answers, that \"a story is a promise\". The", "unsatisfying. I understand this when I *intentionally* make a \"promise\" in the beginning.", "said, mainly here on Writing SE and mainly by Mark Baker's answers, that", "of the story sets the promise and the ending fulfills it. A story", "when I *intentionally* make a \"promise\" in the beginning. However, how can I", "in the beginning. However, how can I know whether I made an *unintentional*", "story is a promise\". The beginning of the story sets the promise and", "that doesn't fulfills its promise is unsatisfying. I understand this when I *intentionally*", "mainly by Mark Baker's answers, that \"a story is a promise\". The beginning", "a \"promise\" in the beginning. However, how can I know whether I made", "a promise\". The beginning of the story sets the promise and the ending", "Mark Baker's answers, that \"a story is a promise\". The beginning of the", "that \"a story is a promise\". The beginning of the story sets the", "Writing SE and mainly by Mark Baker's answers, that \"a story is a", "on Writing SE and mainly by Mark Baker's answers, that \"a story is", "by Mark Baker's answers, that \"a story is a promise\". The beginning of", "how can I know whether I made an *unintentional* promise, i.e. a promise", "the ending fulfills it. A story that doesn't fulfills its promise is unsatisfying.", "is a promise\". The beginning of the story sets the promise and the", "its promise is unsatisfying. I understand this when I *intentionally* make a \"promise\"", "ending fulfills it. A story that doesn't fulfills its promise is unsatisfying. I", "A story that doesn't fulfills its promise is unsatisfying. I understand this when", "know whether I made an *unintentional* promise, i.e. a promise that I made", "whether I made an *unintentional* promise, i.e. a promise that I made without", "the promise and the ending fulfills it. A story that doesn't fulfills its", "commonly said, mainly here on Writing SE and mainly by Mark Baker's answers,", "promise and the ending fulfills it. A story that doesn't fulfills its promise", "fulfills its promise is unsatisfying. I understand this when I *intentionally* make a", "promise is unsatisfying. I understand this when I *intentionally* make a \"promise\" in", "the beginning. However, how can I know whether I made an *unintentional* promise,", "the story sets the promise and the ending fulfills it. A story that", "an *unintentional* promise, i.e. a promise that I made without even noticing it?", "However, how can I know whether I made an *unintentional* promise, i.e. a", "made an *unintentional* promise, i.e. a promise that I made without even noticing", "SE and mainly by Mark Baker's answers, that \"a story is a promise\".", "and the ending fulfills it. A story that doesn't fulfills its promise is", "doesn't fulfills its promise is unsatisfying. I understand this when I *intentionally* make", "story sets the promise and the ending fulfills it. A story that doesn't", "It's commonly said, mainly here on Writing SE and mainly by Mark Baker's", "fulfills it. A story that doesn't fulfills its promise is unsatisfying. I understand", "story that doesn't fulfills its promise is unsatisfying. I understand this when I", "is unsatisfying. I understand this when I *intentionally* make a \"promise\" in the", "understand this when I *intentionally* make a \"promise\" in the beginning. However, how", "beginning of the story sets the promise and the ending fulfills it. A", "\"a story is a promise\". The beginning of the story sets the promise", "I *intentionally* make a \"promise\" in the beginning. However, how can I know", "I understand this when I *intentionally* make a \"promise\" in the beginning. However,", "make a \"promise\" in the beginning. However, how can I know whether I" ]
[ "profile for my writing. Something marketable to future employers. I'm hung, though, on", "employers. I'm hung, though, on whether to use a domain name like \"mynamewriter.com\"", "am in the process of developing an online profile for my writing. Something", "future employers. I'm hung, though, on whether to use a domain name like", "writing. Something marketable to future employers. I'm hung, though, on whether to use", "on whether to use a domain name like \"mynamewriter.com\" or something unique that", "my writing. Something marketable to future employers. I'm hung, though, on whether to", "I'm hung, though, on whether to use a domain name like \"mynamewriter.com\" or", "I am in the process of developing an online profile for my writing.", "hung, though, on whether to use a domain name like \"mynamewriter.com\" or something", "of developing an online profile for my writing. Something marketable to future employers.", "like \"mynamewriter.com\" or something unique that speaks to the content there. Any advice?", "though, on whether to use a domain name like \"mynamewriter.com\" or something unique", "marketable to future employers. I'm hung, though, on whether to use a domain", "a domain name like \"mynamewriter.com\" or something unique that speaks to the content", "the process of developing an online profile for my writing. Something marketable to", "for my writing. Something marketable to future employers. I'm hung, though, on whether", "use a domain name like \"mynamewriter.com\" or something unique that speaks to the", "name like \"mynamewriter.com\" or something unique that speaks to the content there. Any", "process of developing an online profile for my writing. Something marketable to future", "to future employers. I'm hung, though, on whether to use a domain name", "developing an online profile for my writing. Something marketable to future employers. I'm", "to use a domain name like \"mynamewriter.com\" or something unique that speaks to", "domain name like \"mynamewriter.com\" or something unique that speaks to the content there.", "in the process of developing an online profile for my writing. Something marketable", "whether to use a domain name like \"mynamewriter.com\" or something unique that speaks", "Something marketable to future employers. I'm hung, though, on whether to use a", "an online profile for my writing. Something marketable to future employers. I'm hung,", "online profile for my writing. Something marketable to future employers. I'm hung, though," ]
[ "and it’s the antagonist’s backstory. I tried switching POV and going into the", "a way to fix it! I’m looking for unique and interesting ways to", "book (as you would usually do with info dumps) as it will give", "can’t intersperse it with thrilling scenes. It’s the aftermath. I can’t drag the", "think of a way to fix it! I’m looking for unique and interesting", "over, the action is over, so I can’t intersperse it with thrilling scenes.", "twist to work) so that came out as an info dump too. I", "explanations and info dumps are inherently boring. How can I keep it alive?", "matches the rest of the thriller and doesn’t land flat on its face?", "the body of the book (as you would usually do with info dumps)", "splitting it into immediate scenes with different characters explaining different parts, but only", "so that came out as an info dump too. I can’t use flashbacks", "it alive? A thrill ride that matches the rest of the thriller and", "my agent and editor say it's an info dump, but can't think of", "and doesn’t land flat on its face? Has anyone read anything where a", "in jail. I’ve thought about writing the court case, but that has the", "POV and going into the protagonist’s past, but beta-readers found the sudden switch,", "usually do with info dumps) as it will give away the twist. It", "past, but beta-readers found the sudden switch, right at the end of the", "the book, jarring. I thought I'd get help post-submission but both my agent", "plausible, so I can’t shorten it, that would leave gaping holes. I can’t", "and editor say it's an info dump, but can't think of a way", "into immediate scenes with different characters explaining different parts, but only one character", "right at the end of the book, jarring. I thought I'd get help", "end. The high-stakes are over, the action is over, so I can’t intersperse", "epilogue explaining how the antagonist managed to pull off a complex deception spanning", "any of the information into the body of the book (as you would", "the protagonist’s past, but beta-readers found the sudden switch, right at the end", "POV is the protagonist’s, and it’s the antagonist’s backstory. I tried switching POV", "inherently boring. How can I keep it alive? A thrill ride that matches", "But massive explanations and info dumps are inherently boring. How can I keep", "A thrill ride that matches the rest of the thriller and doesn’t land", "potential to be dry and drawn out. I’ve considered splitting it into immediate", "be in the dark for the twist to work) so that came out", "the antagonist into a Poirot/Sherlock Holmes style Q&A as he's already in jail.", "(in order to be plausible) is HUGE! 7,000 words. It’s the complexity of", "so I can’t shorten it, that would leave gaping holes. I can’t drag", "but both my agent and editor say it's an info dump, but can't", "to be dry and drawn out. I’ve considered splitting it into immediate scenes", "I’ve written a psych thriller which ends on a single line and a", "in. But massive explanations and info dumps are inherently boring. How can I", "get help post-submission but both my agent and editor say it's an info", "style Q&A as he's already in jail. I’ve thought about writing the court", "I tried switching POV and going into the protagonist’s past, but beta-readers found", "deception that makes it plausible, so I can’t shorten it, that would leave", "a massive twist that makes the reader go, ‘Huh?? What?? How on earth??’", "and drawn out. I’ve considered splitting it into immediate scenes with different characters", "thrill ride that matches the rest of the thriller and doesn’t land flat", "I keep it alive? A thrill ride that matches the rest of the", "can't think of a way to fix it! I’m looking for unique and", "action is over, so I can’t intersperse it with thrilling scenes. It’s the", "boring. How can I keep it alive? A thrill ride that matches the", "can’t drag any of the information into the body of the book (as", "massive explanation. It has to go in. But massive explanations and info dumps", "the antagonist managed to pull off a complex deception spanning thirty-five years, and", "such a massive explanation. It has to go in. But massive explanations and", "I’ve thought about writing the court case, but that has the potential to", "massive twist that makes the reader go, ‘Huh?? What?? How on earth??’ What", "question has been asked a few times**, and I’ve read all the helpful", "years, and that explanation (in order to be plausible) is HUGE! 7,000 words.", "you would usually do with info dumps) as it will give away the", "flat on its face? Has anyone read anything where a massive explanation follows", "the action is over, so I can’t intersperse it with thrilling scenes. It’s", "be plausible) is HUGE! 7,000 words. It’s the complexity of the deception that", "be dry and drawn out. I’ve considered splitting it into immediate scenes with", "the twist to work) so that came out as an info dump too.", "tried switching POV and going into the protagonist’s past, but beta-readers found the", "all the helpful answers, but can’t implement them in my situation. So, would", "the protagonist’s, and it’s the antagonist’s backstory. I tried switching POV and going", "dump too. I can’t use flashbacks as the POV is the protagonist’s, and", "on a single line and a massive twist that makes the reader go,", "times**, and I’ve read all the helpful answers, but can’t implement them in", "say it's an info dump, but can't think of a way to fix", "helpful answers, but can’t implement them in my situation. So, would love some", "deception spanning thirty-five years, and that explanation (in order to be plausible) is", "into the body of the book (as you would usually do with info", "leave gaping holes. I can’t drag any of the information into the body", "that came out as an info dump too. I can’t use flashbacks as", "had to be in the dark for the twist to work) so that", "that explanation (in order to be plausible) is HUGE! 7,000 words. It’s the", "this question has been asked a few times**, and I’ve read all the", "I thought I'd get help post-submission but both my agent and editor say", "is over, so I can’t intersperse it with thrilling scenes. It’s the aftermath.", "going into the protagonist’s past, but beta-readers found the sudden switch, right at", "the helpful answers, but can’t implement them in my situation. So, would love", "too. I can’t use flashbacks as the POV is the protagonist’s, and it’s", "the information into the body of the book (as you would usually do", "antagonist’s backstory. I tried switching POV and going into the protagonist’s past, but", "How on earth??’ What follows is an epilogue explaining how the antagonist managed", "reader go, ‘Huh?? What?? How on earth??’ What follows is an epilogue explaining", "dump, but can't think of a way to fix it! I’m looking for", "I’m looking for unique and interesting ways to handle such a massive explanation.", "dumps are inherently boring. How can I keep it alive? A thrill ride", "I can’t use flashbacks as the POV is the protagonist’s, and it’s the", "is an epilogue explaining how the antagonist managed to pull off a complex", "thought about writing the court case, but that has the potential to be", "all come out at the end. The high-stakes are over, the action is", "into the protagonist’s past, but beta-readers found the sudden switch, right at the", "the majority of the detail (the rest had to be in the dark", "a single line and a massive twist that makes the reader go, ‘Huh??", "to pull off a complex deception spanning thirty-five years, and that explanation (in", "off a complex deception spanning thirty-five years, and that explanation (in order to", "already in jail. I’ve thought about writing the court case, but that has", "of the book (as you would usually do with info dumps) as it", "interesting ways to handle such a massive explanation. It has to go in.", "can possibly know the majority of the detail (the rest had to be", "info dump, but can't think of a way to fix it! I’m looking", "a complex deception spanning thirty-five years, and that explanation (in order to be", "protagonist’s past, but beta-readers found the sudden switch, right at the end of", "drawn out. I’ve considered splitting it into immediate scenes with different characters explaining", "So, would love some further assistance. I’ve written a psych thriller which ends", "of the detail (the rest had to be in the dark for the", "the potential to be dry and drawn out. I’ve considered splitting it into", "would love some further assistance. I’ve written a psych thriller which ends on", "looking for unique and interesting ways to handle such a massive explanation. It", "can’t implement them in my situation. So, would love some further assistance. I’ve", "he's already in jail. I’ve thought about writing the court case, but that", "ride that matches the rest of the thriller and doesn’t land flat on", "out at the end. The high-stakes are over, the action is over, so", "some further assistance. I’ve written a psych thriller which ends on a single", "and that explanation (in order to be plausible) is HUGE! 7,000 words. It’s", "It’s the complexity of the deception that makes it plausible, so I can’t", "the complexity of the deception that makes it plausible, so I can’t shorten", "the court case, but that has the potential to be dry and drawn", "read all the helpful answers, but can’t implement them in my situation. So,", "character can possibly know the majority of the detail (the rest had to", "I can’t drag the antagonist into a Poirot/Sherlock Holmes style Q&A as he's", "ends on a single line and a massive twist that makes the reader", "and interesting ways to handle such a massive explanation. It has to go", "thrilling scenes. It’s the aftermath. I can’t drag the antagonist into a Poirot/Sherlock", "came out as an info dump too. I can’t use flashbacks as the", "(as you would usually do with info dumps) as it will give away", "fix it! I’m looking for unique and interesting ways to handle such a", "for unique and interesting ways to handle such a massive explanation. It has", "will give away the twist. It has to all come out at the", "it's an info dump, but can't think of a way to fix it!", "What?? How on earth??’ What follows is an epilogue explaining how the antagonist", "come out at the end. The high-stakes are over, the action is over,", "backstory. I tried switching POV and going into the protagonist’s past, but beta-readers", "follows is an epilogue explaining how the antagonist managed to pull off a", "possibly know the majority of the detail (the rest had to be in", "the dark for the twist to work) so that came out as an", "and going into the protagonist’s past, but beta-readers found the sudden switch, right", "makes it plausible, so I can’t shorten it, that would leave gaping holes.", "writing the court case, but that has the potential to be dry and", "the reader go, ‘Huh?? What?? How on earth??’ What follows is an epilogue", "a few times**, and I’ve read all the helpful answers, but can’t implement", "has the potential to be dry and drawn out. I’ve considered splitting it", "drag the antagonist into a Poirot/Sherlock Holmes style Q&A as he's already in", "only one character can possibly know the majority of the detail (the rest", "the end of the book, jarring. I thought I'd get help post-submission but", "twist that makes the reader go, ‘Huh?? What?? How on earth??’ What follows", "antagonist managed to pull off a complex deception spanning thirty-five years, and that", "different parts, but only one character can possibly know the majority of the", "are inherently boring. How can I keep it alive? A thrill ride that", "of the deception that makes it plausible, so I can’t shorten it, that", "massive explanations and info dumps are inherently boring. How can I keep it", "holes. I can’t drag any of the information into the body of the", "flashbacks as the POV is the protagonist’s, and it’s the antagonist’s backstory. I", "as he's already in jail. I’ve thought about writing the court case, but", "The high-stakes are over, the action is over, so I can’t intersperse it", "rest had to be in the dark for the twist to work) so", "(the rest had to be in the dark for the twist to work)", "but that has the potential to be dry and drawn out. I’ve considered", "agent and editor say it's an info dump, but can't think of a", "characters explaining different parts, but only one character can possibly know the majority", "I can’t shorten it, that would leave gaping holes. I can’t drag any", "thriller which ends on a single line and a massive twist that makes", "to work) so that came out as an info dump too. I can’t", "give away the twist. It has to all come out at the end.", "It has to all come out at the end. The high-stakes are over,", "detail (the rest had to be in the dark for the twist to", "info dump too. I can’t use flashbacks as the POV is the protagonist’s,", "the twist. It has to all come out at the end. The high-stakes", "it will give away the twist. It has to all come out at", "an epilogue explaining how the antagonist managed to pull off a complex deception", "do with info dumps) as it will give away the twist. It has", "situation. So, would love some further assistance. I’ve written a psych thriller which", "land flat on its face? Has anyone read anything where a massive explanation", "explaining different parts, but only one character can possibly know the majority of", "book, jarring. I thought I'd get help post-submission but both my agent and", "Has anyone read anything where a massive explanation follows an ending, yet it’s", "of the information into the body of the book (as you would usually", "the rest of the thriller and doesn’t land flat on its face? Has", "info dumps) as it will give away the twist. It has to all", "Poirot/Sherlock Holmes style Q&A as he's already in jail. I’ve thought about writing", "as an info dump too. I can’t use flashbacks as the POV is", "a Poirot/Sherlock Holmes style Q&A as he's already in jail. I’ve thought about", "the book (as you would usually do with info dumps) as it will", "my situation. So, would love some further assistance. I’ve written a psych thriller", "as the POV is the protagonist’s, and it’s the antagonist’s backstory. I tried", "intersperse it with thrilling scenes. It’s the aftermath. I can’t drag the antagonist", "love some further assistance. I’ve written a psych thriller which ends on a", "one character can possibly know the majority of the detail (the rest had", "scenes. It’s the aftermath. I can’t drag the antagonist into a Poirot/Sherlock Holmes", "thought I'd get help post-submission but both my agent and editor say it's", "immediate scenes with different characters explaining different parts, but only one character can", "to go in. But massive explanations and info dumps are inherently boring. How", "the sudden switch, right at the end of the book, jarring. I thought", "that makes the reader go, ‘Huh?? What?? How on earth??’ What follows is", "that would leave gaping holes. I can’t drag any of the information into", "it, that would leave gaping holes. I can’t drag any of the information", "it with thrilling scenes. It’s the aftermath. I can’t drag the antagonist into", "HUGE! 7,000 words. It’s the complexity of the deception that makes it plausible,", "post-submission but both my agent and editor say it's an info dump, but", "is the protagonist’s, and it’s the antagonist’s backstory. I tried switching POV and", "It’s the aftermath. I can’t drag the antagonist into a Poirot/Sherlock Holmes style", "body of the book (as you would usually do with info dumps) as", "antagonist into a Poirot/Sherlock Holmes style Q&A as he's already in jail. I’ve", "thirty-five years, and that explanation (in order to be plausible) is HUGE! 7,000", "I’ve considered splitting it into immediate scenes with different characters explaining different parts,", "it! I’m looking for unique and interesting ways to handle such a massive", "handle such a massive explanation. It has to go in. But massive explanations", "unique and interesting ways to handle such a massive explanation. It has to", "I'd get help post-submission but both my agent and editor say it's an", "alive? A thrill ride that matches the rest of the thriller and doesn’t", "it plausible, so I can’t shorten it, that would leave gaping holes. I", "assistance. I’ve written a psych thriller which ends on a single line and", "the detail (the rest had to be in the dark for the twist", "keep it alive? A thrill ride that matches the rest of the thriller", "to be in the dark for the twist to work) so that came", "the thriller and doesn’t land flat on its face? Has anyone read anything", "out. I’ve considered splitting it into immediate scenes with different characters explaining different", "makes the reader go, ‘Huh?? What?? How on earth??’ What follows is an", "both my agent and editor say it's an info dump, but can't think", "but can't think of a way to fix it! I’m looking for unique", "go in. But massive explanations and info dumps are inherently boring. How can", "majority of the detail (the rest had to be in the dark for", "court case, but that has the potential to be dry and drawn out.", "and a massive twist that makes the reader go, ‘Huh?? What?? How on", "and I’ve read all the helpful answers, but can’t implement them in my", "so I can’t intersperse it with thrilling scenes. It’s the aftermath. I can’t", "a psych thriller which ends on a single line and a massive twist", "which ends on a single line and a massive twist that makes the", "of the thriller and doesn’t land flat on its face? Has anyone read", "gaping holes. I can’t drag any of the information into the body of", "managed to pull off a complex deception spanning thirty-five years, and that explanation", "spanning thirty-five years, and that explanation (in order to be plausible) is HUGE!", "single line and a massive twist that makes the reader go, ‘Huh?? What??", "to all come out at the end. The high-stakes are over, the action", "the aftermath. I can’t drag the antagonist into a Poirot/Sherlock Holmes style Q&A", "answers, but can’t implement them in my situation. So, would love some further", "**I know this question has been asked a few times**, and I’ve read", "dry and drawn out. I’ve considered splitting it into immediate scenes with different", "away the twist. It has to all come out at the end. The", "I can’t intersperse it with thrilling scenes. It’s the aftermath. I can’t drag", "asked a few times**, and I’ve read all the helpful answers, but can’t", "info dumps are inherently boring. How can I keep it alive? A thrill", "dark for the twist to work) so that came out as an info", "the antagonist’s backstory. I tried switching POV and going into the protagonist’s past,", "an info dump too. I can’t use flashbacks as the POV is the", "What follows is an epilogue explaining how the antagonist managed to pull off", "way to fix it! I’m looking for unique and interesting ways to handle", "it into immediate scenes with different characters explaining different parts, but only one", "how the antagonist managed to pull off a complex deception spanning thirty-five years,", "parts, but only one character can possibly know the majority of the detail", "I’ve read all the helpful answers, but can’t implement them in my situation.", "few times**, and I’ve read all the helpful answers, but can’t implement them", "further assistance. I’ve written a psych thriller which ends on a single line", "to fix it! I’m looking for unique and interesting ways to handle such", "explanation (in order to be plausible) is HUGE! 7,000 words. It’s the complexity", "the deception that makes it plausible, so I can’t shorten it, that would", "words. It’s the complexity of the deception that makes it plausible, so I", "go, ‘Huh?? What?? How on earth??’ What follows is an epilogue explaining how", "to be plausible) is HUGE! 7,000 words. It’s the complexity of the deception", "know this question has been asked a few times**, and I’ve read all", "but can’t implement them in my situation. So, would love some further assistance.", "jail. I’ve thought about writing the court case, but that has the potential", "would leave gaping holes. I can’t drag any of the information into the", "its face? Has anyone read anything where a massive explanation follows an ending,", "would usually do with info dumps) as it will give away the twist.", "with info dumps) as it will give away the twist. It has to", "found the sudden switch, right at the end of the book, jarring. I", "explanation. It has to go in. But massive explanations and info dumps are", "written a psych thriller which ends on a single line and a massive", "at the end. The high-stakes are over, the action is over, so I", "twist. It has to all come out at the end. The high-stakes are", "out as an info dump too. I can’t use flashbacks as the POV", "of a way to fix it! 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Has anyone read anything where a massive", "where a massive explanation follows an ending, yet it’s still gripping as all", "read anything where a massive explanation follows an ending, yet it’s still gripping", "drag any of the information into the body of the book (as you", "thriller and doesn’t land flat on its face? Has anyone read anything where", "sudden switch, right at the end of the book, jarring. I thought I'd", "end of the book, jarring. I thought I'd get help post-submission but both", "but only one character can possibly know the majority of the detail (the", "can’t use flashbacks as the POV is the protagonist’s, and it’s the antagonist’s", "as it will give away the twist. It has to all come out", "use flashbacks as the POV is the protagonist’s, and it’s the antagonist’s backstory.", "jarring. 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I thought I'd get help post-submission but both my", "scenes with different characters explaining different parts, but only one character can possibly", "about writing the court case, but that has the potential to be dry", "work) so that came out as an info dump too. I can’t use", "It has to go in. But massive explanations and info dumps are inherently", "in my situation. So, would love some further assistance. I’ve written a psych", "complexity of the deception that makes it plausible, so I can’t shorten it,", "it’s the antagonist’s backstory. I tried switching POV and going into the protagonist’s", "an info dump, but can't think of a way to fix it! I’m", "been asked a few times**, and I’ve read all the helpful answers, but", "on earth??’ What follows is an epilogue explaining how the antagonist managed to", "them in my situation. So, would love some further assistance. I’ve written a", "7,000 words. 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[ "*as-is*. The engineering team will have to fix it with a patch in", "the next version. What is an effective strategy for documenting such a product?", "for documenting such a product? Should the design flaws be highlighted or ignored?", "version. What is an effective strategy for documenting such a product? Should the", "objective audience an obvious design flaw is discovered. May be the [password is", "engineering team will have to fix it with a patch in the next", "have to fix it with a patch in the next version. What is", "only ever write wonderful code) and is passed on to a more objective", "someone realizes the product can't be shipped without documentation. Once the product leaves", "stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some kludge which makes loading the data very", "Anyway, there is no capacity to change the code to fix the flaw", "there is no capacity to change the code to fix the flaw before", "just some kludge which makes loading the data very painful. Anyway, there is", "on to a more objective audience an obvious design flaw is discovered. May", "be shipped and documented *as-is*. The engineering team will have to fix it", "makes loading the data very painful. Anyway, there is no capacity to change", "with a patch in the next version. What is an effective strategy for", "ever write wonderful code) and is passed on to a more objective audience", "the product leaves the remit of the software engineers (who obviously only ever", "code to fix the flaw before the deadline. Something must be shipped and", "shipped without documentation. Once the product leaves the remit of the software engineers", "painful. Anyway, there is no capacity to change the code to fix the", "being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe", "change the code to fix the flaw before the deadline. Something must be", "team will have to fix it with a patch in the next version.", "in the next version. What is an effective strategy for documenting such a", "which makes loading the data very painful. Anyway, there is no capacity to", "[inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some kludge which makes loading the data", "data very painful. Anyway, there is no capacity to change the code to", "kludge which makes loading the data very painful. Anyway, there is no capacity", "documentation. Once the product leaves the remit of the software engineers (who obviously", "of the software engineers (who obviously only ever write wonderful code) and is", "patch in the next version. What is an effective strategy for documenting such", "loading the data very painful. Anyway, there is no capacity to change the", "to a more objective audience an obvious design flaw is discovered. May be", "to fix it with a patch in the next version. What is an", "the data very painful. Anyway, there is no capacity to change the code", "a more objective audience an obvious design flaw is discovered. May be the", "very painful. Anyway, there is no capacity to change the code to fix", "leaves the remit of the software engineers (who obviously only ever write wonderful", "engineers (who obviously only ever write wonderful code) and is passed on to", "passed on to a more objective audience an obvious design flaw is discovered.", "before the deadline. Something must be shipped and documented *as-is*. The engineering team", "shipped and documented *as-is*. The engineering team will have to fix it with", "Once the product leaves the remit of the software engineers (who obviously only", "documented *as-is*. The engineering team will have to fix it with a patch", "strategy for documenting such a product? Should the design flaws be highlighted or", "an obvious design flaw is discovered. 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Should the design flaws be", "May be the [password is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST", "[password is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is [inherently", "be shipped without documentation. Once the product leaves the remit of the software", "be the [password is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API", "API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some kludge which makes loading", "is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some kludge which makes loading the", "realizes the product can't be shipped without documentation. Once the product leaves the", "the flaw before the deadline. Something must be shipped and documented *as-is*. The", "deadline is looming and someone realizes the product can't be shipped without documentation.", "maybe the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some", "code) and is passed on to a more objective audience an obvious design", "write wonderful code) and is passed on to a more objective audience an", "the product can't be shipped without documentation. Once the product leaves the remit", "GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just", "looming and someone realizes the product can't be shipped without documentation. Once the", "some kludge which makes loading the data very painful. Anyway, there is no", "the software engineers (who obviously only ever write wonderful code) and is passed", "a patch in the next version. What is an effective strategy for documenting", "the [password is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is", "is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions),", "to fix the flaw before the deadline. Something must be shipped and documented", "deadline. Something must be shipped and documented *as-is*. The engineering team will have", "product leaves the remit of the software engineers (who obviously only ever write", "maybe there is just some kludge which makes loading the data very painful.", "software engineers (who obviously only ever write wonderful code) and is passed on", "it with a patch in the next version. What is an effective strategy", "What is an effective strategy for documenting such a product? Should the design", "discovered. May be the [password is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called", "next version. What is an effective strategy for documenting such a product? Should", "the deadline. Something must be shipped and documented *as-is*. The engineering team will", "the remit of the software engineers (who obviously only ever write wonderful code)", "is passed on to a more objective audience an obvious design flaw is", "effective strategy for documenting such a product? Should the design flaws be highlighted", "without documentation. Once the product leaves the remit of the software engineers (who", "using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is", "and someone realizes the product can't be shipped without documentation. Once the product", "is no capacity to change the code to fix the flaw before the", "is discovered. May be the [password is being sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the", "and documented *as-is*. The engineering team will have to fix it with a", "audience an obvious design flaw is discovered. May be the [password is being", "fix it with a patch in the next version. What is an effective", "is just some kludge which makes loading the data very painful. Anyway, there", "the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some kludge", "is looming and someone realizes the product can't be shipped without documentation. Once", "more objective audience an obvious design flaw is discovered. May be the [password", "REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there is just some kludge which makes", "fix the flaw before the deadline. Something must be shipped and documented *as-is*.", "sent using GET](https://security.stackexchange.com/questions/30754/is-there-a-difference-between-get-and-post-for-web-application-security), maybe the so-called REST API is [inherently stateful](https://stackoverflow.com/questions/3105296/if-rest-applications-are-supposed-to-be-stateless-how-do-you-manage-sessions), maybe there" ]
[ "each with their own language that they speak. Do I put large amounts", "or english? Do I write it first in theirs, then in english, or", "of people, each with their own language that they speak. Do I put", "writing there are eight groups of people, each with their own language that", "write it first in theirs, then in english, or do I just write", "I write it first in theirs, then in english, or do I just", "or do I just write it in english and forget about the original", "english, or do I just write it in english and forget about the", "there are eight groups of people, each with their own language that they", "language that they speak. Do I put large amounts of writing into their", "people, each with their own language that they speak. Do I put large", "writing into their language or english? Do I write it first in theirs,", "of writing into their language or english? Do I write it first in", "put large amounts of writing into their language or english? Do I write", "are eight groups of people, each with their own language that they speak.", "Do I put large amounts of writing into their language or english? Do", "their language or english? Do I write it first in theirs, then in", "english? Do I write it first in theirs, then in english, or do", "in english, or do I just write it in english and forget about", "groups of people, each with their own language that they speak. Do I", "own language that they speak. Do I put large amounts of writing into", "I put large amounts of writing into their language or english? Do I", "it first in theirs, then in english, or do I just write it", "with their own language that they speak. Do I put large amounts of", "then in english, or do I just write it in english and forget", "theirs, then in english, or do I just write it in english and", "language or english? Do I write it first in theirs, then in english,", "amounts of writing into their language or english? Do I write it first", "eight groups of people, each with their own language that they speak. Do", "in theirs, then in english, or do I just write it in english", "their own language that they speak. Do I put large amounts of writing", "they speak. Do I put large amounts of writing into their language or", "Do I write it first in theirs, then in english, or do I", "large amounts of writing into their language or english? Do I write it", "In my writing there are eight groups of people, each with their own", "speak. Do I put large amounts of writing into their language or english?", "do I just write it in english and forget about the original language?", "into their language or english? Do I write it first in theirs, then", "that they speak. Do I put large amounts of writing into their language", "my writing there are eight groups of people, each with their own language", "first in theirs, then in english, or do I just write it in" ]
[ "and a design flaw has been discovered after the code has been frozen.", "What if no software patch is currently scheduled? Related to [How should I", "Does the documentation describing this issue change if the product is a beta", "product is a 1.0 to be exposed to a public audience? What if", "the product is a beta release to selected customers only? What if the", "only? What if the product is a 1.0 to be exposed to a", "customers only? What if the product is a 1.0 to be exposed to", "is a beta release to selected customers only? What if the product is", "exposed to a public audience? What if no software patch is currently scheduled?", "product is a beta release to selected customers only? What if the product", "discovered after the code has been frozen. Does the documentation describing this issue", "beta release to selected customers only? What if the product is a 1.0", "am writing the release documentation for a software product and a design flaw", "product and a design flaw has been discovered after the code has been", "1.0 to be exposed to a public audience? What if no software patch", "software patch is currently scheduled? Related to [How should I document a product", "be exposed to a public audience? What if no software patch is currently", "writing the release documentation for a software product and a design flaw has", "the release documentation for a software product and a design flaw has been", "a design flaw has been discovered after the code has been frozen. Does", "public audience? What if no software patch is currently scheduled? Related to [How", "the documentation describing this issue change if the product is a beta release", "flaw has been discovered after the code has been frozen. Does the documentation", "selected customers only? What if the product is a 1.0 to be exposed", "documentation for a software product and a design flaw has been discovered after", "design flaw has been discovered after the code has been frozen. Does the", "a public audience? What if no software patch is currently scheduled? Related to", "is a 1.0 to be exposed to a public audience? What if no", "the code has been frozen. Does the documentation describing this issue change if", "frozen. Does the documentation describing this issue change if the product is a", "if the product is a 1.0 to be exposed to a public audience?", "release to selected customers only? What if the product is a 1.0 to", "release documentation for a software product and a design flaw has been discovered", "issue change if the product is a beta release to selected customers only?", "a beta release to selected customers only? What if the product is a", "to selected customers only? What if the product is a 1.0 to be", "to [How should I document a product release with an inherently flawed design?](https://writing.stackexchange.com/q/33255/29582)", "to be exposed to a public audience? What if no software patch is", "to a public audience? What if no software patch is currently scheduled? Related", "a 1.0 to be exposed to a public audience? What if no software", "after the code has been frozen. Does the documentation describing this issue change", "has been discovered after the code has been frozen. Does the documentation describing", "has been frozen. Does the documentation describing this issue change if the product", "describing this issue change if the product is a beta release to selected", "patch is currently scheduled? Related to [How should I document a product release", "change if the product is a beta release to selected customers only? What", "documentation describing this issue change if the product is a beta release to", "the product is a 1.0 to be exposed to a public audience? What", "no software patch is currently scheduled? Related to [How should I document a", "I am writing the release documentation for a software product and a design", "code has been frozen. Does the documentation describing this issue change if the", "this issue change if the product is a beta release to selected customers", "What if the product is a 1.0 to be exposed to a public", "scheduled? Related to [How should I document a product release with an inherently", "if the product is a beta release to selected customers only? What if", "software product and a design flaw has been discovered after the code has", "a software product and a design flaw has been discovered after the code", "if no software patch is currently scheduled? Related to [How should I document", "for a software product and a design flaw has been discovered after the", "Related to [How should I document a product release with an inherently flawed", "been frozen. Does the documentation describing this issue change if the product is", "audience? What if no software patch is currently scheduled? Related to [How should", "is currently scheduled? Related to [How should I document a product release with", "been discovered after the code has been frozen. Does the documentation describing this", "currently scheduled? Related to [How should I document a product release with an" ]
[ "written the way \"they\" have, I'm just not fluent in them. I want", "tone. We're already unifying product terminology across communication channels. I'm not looking for", "the organization... how can I (as an experienced technical writer) work with the", "in tone. We're already unifying product terminology across communication channels. I'm not looking", "as \"fluff\" and \"rah rah\" and \"jargon-filled.\" There are legitimate reasons marcomm has", "channels. I'm not looking for reiteration of \"know your audience.\" I'm trying to", "is desirable to have a more consistent tone across the organization... how can", "terminology across communication channels. I'm not looking for reiteration of \"know your audience.\"", "like some help describing the traditional differences between marcomm and techcomm, beyond than", "experienced technical writer) work with the \"market-y\"-leaning folks to make that tone more", "trying to understand/reach my modern audience. In the interest of making a case...", "way \"they\" have, I'm just not fluent in them. I want to build", "tone across the organization... how can I (as an experienced technical writer) work", "and \"jargon-filled.\" There are legitimate reasons marcomm has traditionally written the way \"they\"", "context and market placement. Related to: [Should software product release notes be in", "-- with modern web delivery -- the line between technical communication and marketing", "software product release notes be in marketing voice or technical voice? (software documentation)](https://writing.stackexchange.com/q/33225/29548)", "unifying product terminology across communication channels. I'm not looking for reiteration of \"know", "Typical scenario: The \"front of house\"/marcomm type colleagues want to expand on introductory", "might come across the technical content and need some context and market placement.", "across the organization... how can I (as an experienced technical writer) work with", "(as all the content is available to business and technical readers via search)", "Summary ------- Starting from the position that -- with modern web delivery --", "traditional differences between marcomm and techcomm, beyond than my default reaction to marcomm", "technical communication and marketing content is fading (as all the content is available", "differences between marcomm and techcomm, beyond than my default reaction to marcomm as", "to understand/reach my modern audience. In the interest of making a case... I'd", "content is available to business and technical readers via search) and it is", "marketing content is fading (as all the content is available to business and", "with the \"market-y\"-leaning folks to make that tone more consistent? Considerations -------------- The", "There are legitimate reasons marcomm has traditionally written the way \"they\" have, I'm", "not fluent in them. I want to build bridges, not walls ;-) Typical", "of \"know your audience.\" I'm trying to understand/reach my modern audience. In the", "the position that -- with modern web delivery -- the line between technical", "is fading (as all the content is available to business and technical readers", "technical readers via search) and it is desirable to have a more consistent", "idea is to minimize a jarring difference in tone. We're already unifying product", "to build bridges, not walls ;-) Typical scenario: The \"front of house\"/marcomm type", "------- Starting from the position that -- with modern web delivery -- the", "colleagues want to expand on introductory material in technical doc, because potential customers", "placement. Related to: [Should software product release notes be in marketing voice or", "audience. In the interest of making a case... I'd especially like some help", "web delivery -- the line between technical communication and marketing content is fading", "minimize a jarring difference in tone. We're already unifying product terminology across communication", "In the interest of making a case... I'd especially like some help describing", "more consistent? Considerations -------------- The idea is to minimize a jarring difference in", "The \"front of house\"/marcomm type colleagues want to expand on introductory material in", "marcomm has traditionally written the way \"they\" have, I'm just not fluent in", "type colleagues want to expand on introductory material in technical doc, because potential", "Related to: [Should software product release notes be in marketing voice or technical", "for reiteration of \"know your audience.\" I'm trying to understand/reach my modern audience.", "market placement. Related to: [Should software product release notes be in marketing voice", "and market placement. Related to: [Should software product release notes be in marketing", "it is desirable to have a more consistent tone across the organization... how", "customers might come across the technical content and need some context and market", "and techcomm, beyond than my default reaction to marcomm as \"fluff\" and \"rah", "just not fluent in them. I want to build bridges, not walls ;-)", "communication channels. I'm not looking for reiteration of \"know your audience.\" I'm trying", "is available to business and technical readers via search) and it is desirable", "to have a more consistent tone across the organization... how can I (as", "\"they\" have, I'm just not fluent in them. I want to build bridges,", "the line between technical communication and marketing content is fading (as all the", "my default reaction to marcomm as \"fluff\" and \"rah rah\" and \"jargon-filled.\" There", "tone more consistent? Considerations -------------- The idea is to minimize a jarring difference", "have, I'm just not fluent in them. I want to build bridges, not", "Considerations -------------- The idea is to minimize a jarring difference in tone. We're", "how can I (as an experienced technical writer) work with the \"market-y\"-leaning folks", "describing the traditional differences between marcomm and techcomm, beyond than my default reaction", "Starting from the position that -- with modern web delivery -- the line", "your audience.\" I'm trying to understand/reach my modern audience. In the interest of", "across communication channels. I'm not looking for reiteration of \"know your audience.\" I'm", "material in technical doc, because potential customers might come across the technical content", "fluent in them. I want to build bridges, not walls ;-) Typical scenario:", "of making a case... I'd especially like some help describing the traditional differences", "on introductory material in technical doc, because potential customers might come across the", "come across the technical content and need some context and market placement. Related", "default reaction to marcomm as \"fluff\" and \"rah rah\" and \"jargon-filled.\" There are", "help describing the traditional differences between marcomm and techcomm, beyond than my default", "want to build bridges, not walls ;-) Typical scenario: The \"front of house\"/marcomm", "the traditional differences between marcomm and techcomm, beyond than my default reaction to", "beyond than my default reaction to marcomm as \"fluff\" and \"rah rah\" and", "because potential customers might come across the technical content and need some context", "with modern web delivery -- the line between technical communication and marketing content", "readers via search) and it is desirable to have a more consistent tone", "organization... how can I (as an experienced technical writer) work with the \"market-y\"-leaning", "(as an experienced technical writer) work with the \"market-y\"-leaning folks to make that", "techcomm, beyond than my default reaction to marcomm as \"fluff\" and \"rah rah\"", "writer) work with the \"market-y\"-leaning folks to make that tone more consistent? Considerations", "consistent? Considerations -------------- The idea is to minimize a jarring difference in tone.", "not walls ;-) Typical scenario: The \"front of house\"/marcomm type colleagues want to", "technical doc, because potential customers might come across the technical content and need", "rah\" and \"jargon-filled.\" There are legitimate reasons marcomm has traditionally written the way", "the way \"they\" have, I'm just not fluent in them. I want to", "jarring difference in tone. We're already unifying product terminology across communication channels. I'm", "a case... I'd especially like some help describing the traditional differences between marcomm", "technical writer) work with the \"market-y\"-leaning folks to make that tone more consistent?", "I (as an experienced technical writer) work with the \"market-y\"-leaning folks to make", "build bridges, not walls ;-) Typical scenario: The \"front of house\"/marcomm type colleagues", "-------------- The idea is to minimize a jarring difference in tone. We're already", "bridges, not walls ;-) Typical scenario: The \"front of house\"/marcomm type colleagues want", "a jarring difference in tone. We're already unifying product terminology across communication channels.", "and \"rah rah\" and \"jargon-filled.\" There are legitimate reasons marcomm has traditionally written", "available to business and technical readers via search) and it is desirable to", "them. I want to build bridges, not walls ;-) Typical scenario: The \"front", "of house\"/marcomm type colleagues want to expand on introductory material in technical doc,", "to make that tone more consistent? Considerations -------------- The idea is to minimize", "delivery -- the line between technical communication and marketing content is fading (as", "more consistent tone across the organization... how can I (as an experienced technical", "via search) and it is desirable to have a more consistent tone across", "looking for reiteration of \"know your audience.\" I'm trying to understand/reach my modern", "between marcomm and techcomm, beyond than my default reaction to marcomm as \"fluff\"", "than my default reaction to marcomm as \"fluff\" and \"rah rah\" and \"jargon-filled.\"", "some context and market placement. Related to: [Should software product release notes be", "The idea is to minimize a jarring difference in tone. We're already unifying", "audience.\" I'm trying to understand/reach my modern audience. In the interest of making", "have a more consistent tone across the organization... how can I (as an", "especially like some help describing the traditional differences between marcomm and techcomm, beyond", "I'm not looking for reiteration of \"know your audience.\" I'm trying to understand/reach", "not looking for reiteration of \"know your audience.\" I'm trying to understand/reach my", "that -- with modern web delivery -- the line between technical communication and", "some help describing the traditional differences between marcomm and techcomm, beyond than my", "already unifying product terminology across communication channels. I'm not looking for reiteration of", "I'm trying to understand/reach my modern audience. In the interest of making a", "house\"/marcomm type colleagues want to expand on introductory material in technical doc, because", "reasons marcomm has traditionally written the way \"they\" have, I'm just not fluent", "[Should software product release notes be in marketing voice or technical voice? (software", "content is fading (as all the content is available to business and technical", "We're already unifying product terminology across communication channels. I'm not looking for reiteration", "an experienced technical writer) work with the \"market-y\"-leaning folks to make that tone", "and technical readers via search) and it is desirable to have a more", "has traditionally written the way \"they\" have, I'm just not fluent in them.", "\"front of house\"/marcomm type colleagues want to expand on introductory material in technical", "the \"market-y\"-leaning folks to make that tone more consistent? Considerations -------------- The idea", "is to minimize a jarring difference in tone. We're already unifying product terminology", "\"know your audience.\" I'm trying to understand/reach my modern audience. In the interest", "from the position that -- with modern web delivery -- the line between", "\"rah rah\" and \"jargon-filled.\" There are legitimate reasons marcomm has traditionally written the", "in technical doc, because potential customers might come across the technical content and", "and it is desirable to have a more consistent tone across the organization...", "and need some context and market placement. Related to: [Should software product release", "between technical communication and marketing content is fading (as all the content is", "that tone more consistent? Considerations -------------- The idea is to minimize a jarring", "expand on introductory material in technical doc, because potential customers might come across", "work with the \"market-y\"-leaning folks to make that tone more consistent? Considerations --------------", "technical content and need some context and market placement. Related to: [Should software", "reaction to marcomm as \"fluff\" and \"rah rah\" and \"jargon-filled.\" There are legitimate", "to expand on introductory material in technical doc, because potential customers might come", "interest of making a case... I'd especially like some help describing the traditional", "consistent tone across the organization... how can I (as an experienced technical writer)", "the technical content and need some context and market placement. Related to: [Should", "\"jargon-filled.\" There are legitimate reasons marcomm has traditionally written the way \"they\" have,", "a more consistent tone across the organization... how can I (as an experienced", "across the technical content and need some context and market placement. Related to:", "make that tone more consistent? Considerations -------------- The idea is to minimize a", "the interest of making a case... I'd especially like some help describing the", "in them. I want to build bridges, not walls ;-) Typical scenario: The", "\"fluff\" and \"rah rah\" and \"jargon-filled.\" There are legitimate reasons marcomm has traditionally", "are legitimate reasons marcomm has traditionally written the way \"they\" have, I'm just", "understand/reach my modern audience. In the interest of making a case... I'd especially", "my modern audience. In the interest of making a case... I'd especially like", "introductory material in technical doc, because potential customers might come across the technical", "difference in tone. We're already unifying product terminology across communication channels. I'm not", "desirable to have a more consistent tone across the organization... how can I", "case... I'd especially like some help describing the traditional differences between marcomm and", "legitimate reasons marcomm has traditionally written the way \"they\" have, I'm just not", "modern web delivery -- the line between technical communication and marketing content is", "business and technical readers via search) and it is desirable to have a", "I'm just not fluent in them. I want to build bridges, not walls", "\"market-y\"-leaning folks to make that tone more consistent? Considerations -------------- The idea is", "the content is available to business and technical readers via search) and it", "marcomm as \"fluff\" and \"rah rah\" and \"jargon-filled.\" There are legitimate reasons marcomm", "all the content is available to business and technical readers via search) and", "communication and marketing content is fading (as all the content is available to", "potential customers might come across the technical content and need some context and", "reiteration of \"know your audience.\" I'm trying to understand/reach my modern audience. In", "-- the line between technical communication and marketing content is fading (as all", ";-) Typical scenario: The \"front of house\"/marcomm type colleagues want to expand on", "to minimize a jarring difference in tone. We're already unifying product terminology across", "traditionally written the way \"they\" have, I'm just not fluent in them. I", "scenario: The \"front of house\"/marcomm type colleagues want to expand on introductory material", "doc, because potential customers might come across the technical content and need some", "to business and technical readers via search) and it is desirable to have", "need some context and market placement. Related to: [Should software product release notes", "product terminology across communication channels. I'm not looking for reiteration of \"know your", "making a case... I'd especially like some help describing the traditional differences between", "I'd especially like some help describing the traditional differences between marcomm and techcomm,", "position that -- with modern web delivery -- the line between technical communication", "can I (as an experienced technical writer) work with the \"market-y\"-leaning folks to", "I want to build bridges, not walls ;-) Typical scenario: The \"front of", "to marcomm as \"fluff\" and \"rah rah\" and \"jargon-filled.\" There are legitimate reasons", "marcomm and techcomm, beyond than my default reaction to marcomm as \"fluff\" and", "content and need some context and market placement. Related to: [Should software product", "modern audience. In the interest of making a case... I'd especially like some", "walls ;-) Typical scenario: The \"front of house\"/marcomm type colleagues want to expand", "to: [Should software product release notes be in marketing voice or technical voice?", "fading (as all the content is available to business and technical readers via", "folks to make that tone more consistent? Considerations -------------- The idea is to", "and marketing content is fading (as all the content is available to business", "line between technical communication and marketing content is fading (as all the content", "search) and it is desirable to have a more consistent tone across the", "want to expand on introductory material in technical doc, because potential customers might" ]
[ "them and could only find writing retreats. Also, is there a cost to", "where can I find writing conferences? I did a search for them and", "could only find writing retreats. Also, is there a cost to go to", "that doesn't work, what's a good website to use to find a literary", "conference? If that doesn't work, what's a good website to use to find", "a search for them and could only find writing retreats. Also, is there", "writing retreats. Also, is there a cost to go to a writing conference?", "to getting a literary agent? I understand that going to a writing conference", "find writing retreats. Also, is there a cost to go to a writing", "a cost to go to a writing conference? If that doesn't work, what's", "did a search for them and could only find writing retreats. Also, is", "find one, but where can I find writing conferences? I did a search", "helps you find one, but where can I find writing conferences? I did", "search for them and could only find writing retreats. Also, is there a", "cost to go to a writing conference? If that doesn't work, what's a", "can I find writing conferences? I did a search for them and could", "Also, is there a cost to go to a writing conference? If that", "but where can I find writing conferences? I did a search for them", "going to a writing conference helps you find one, but where can I", "path to getting a literary agent? I understand that going to a writing", "conferences? I did a search for them and could only find writing retreats.", "the basic path to getting a literary agent? I understand that going to", "you find one, but where can I find writing conferences? I did a", "getting a literary agent? I understand that going to a writing conference helps", "I find writing conferences? I did a search for them and could only", "writing conference? If that doesn't work, what's a good website to use to", "I understand that going to a writing conference helps you find one, but", "one, but where can I find writing conferences? I did a search for", "doesn't work, what's a good website to use to find a literary agent", "for them and could only find writing retreats. Also, is there a cost", "only find writing retreats. Also, is there a cost to go to a", "a writing conference? If that doesn't work, what's a good website to use", "that going to a writing conference helps you find one, but where can", "to a writing conference? If that doesn't work, what's a good website to", "work, what's a good website to use to find a literary agent that", "I did a search for them and could only find writing retreats. Also,", "a good website to use to find a literary agent that is trustworthy?", "writing conference helps you find one, but where can I find writing conferences?", "writing conferences? I did a search for them and could only find writing", "conference helps you find one, but where can I find writing conferences? I", "is the basic path to getting a literary agent? I understand that going", "go to a writing conference? If that doesn't work, what's a good website", "and could only find writing retreats. Also, is there a cost to go", "find writing conferences? I did a search for them and could only find", "to go to a writing conference? If that doesn't work, what's a good", "agent? I understand that going to a writing conference helps you find one,", "is there a cost to go to a writing conference? If that doesn't", "literary agent? I understand that going to a writing conference helps you find", "there a cost to go to a writing conference? If that doesn't work,", "basic path to getting a literary agent? I understand that going to a", "what's a good website to use to find a literary agent that is", "a literary agent? I understand that going to a writing conference helps you", "retreats. Also, is there a cost to go to a writing conference? If", "understand that going to a writing conference helps you find one, but where", "to a writing conference helps you find one, but where can I find", "If that doesn't work, what's a good website to use to find a", "a writing conference helps you find one, but where can I find writing", "What is the basic path to getting a literary agent? I understand that" ]
[ "I don't want to give the reader this information as part of a", "they are in fact both kinda the same species. This is an important", "is it still okay to sometimes tell instead of having to show it?", "to sometimes tell instead of having to show it? For example, I wanna", "between two characters because this is something that very few people know. Obviously,", "evolved under different conditions and that's why they look so different and people", "important fact I want the reader to find out, but I don't want", "because this is something that very few people know. Obviously, this information is", "show and not tell, but is it still okay to sometimes tell instead", "actually the same species as another race, but they just evolved under different", "and that's why they look so different and people think they are two", "so different and people think they are two different races when they are", "the characters find an evolution chart of humans in their world or something),", "species as another race, but they just evolved under different conditions and that's", "reader (unless I have the characters find an evolution chart of humans in", "chart of humans in their world or something), so is it okay if", "in their world or something), so is it okay if I simply mention", "they just evolved under different conditions and that's why they look so different", "I wanna let the reader know that humans in my story are actually", "\"show\" the reader (unless I have the characters find an evolution chart of", "story are actually the same species as another race, but they just evolved", "as another race, but they just evolved under different conditions and that's why", "that's why they look so different and people think they are two different", "a dialog between two characters because this is something that very few people", "an evolution chart of humans in their world or something), so is it", "is not something I can just \"show\" the reader (unless I have the", "tell, but is it still okay to sometimes tell instead of having to", "of a dialog between two characters because this is something that very few", "the same species. This is an important fact I want the reader to", "different and people think they are two different races when they are in", "the reader (unless I have the characters find an evolution chart of humans", "but they just evolved under different conditions and that's why they look so", "but is it still okay to sometimes tell instead of having to show", "let the reader know that humans in my story are actually the same", "race, but they just evolved under different conditions and that's why they look", "want to give the reader this information as part of a dialog between", "world or something), so is it okay if I simply mention it in", "when they are in fact both kinda the same species. This is an", "another race, but they just evolved under different conditions and that's why they", "example, I wanna let the reader know that humans in my story are", "they look so different and people think they are two different races when", "the reader this information as part of a dialog between two characters because", "just \"show\" the reader (unless I have the characters find an evolution chart", "not something I can just \"show\" the reader (unless I have the characters", "is it okay if I simply mention it in a paragraph as part", "fact I want the reader to find out, but I don't want to", "are two different races when they are in fact both kinda the same", "reader this information as part of a dialog between two characters because this", "think they are two different races when they are in fact both kinda", "humans in their world or something), so is it okay if I simply", "it? For example, I wanna let the reader know that humans in my", "instead of having to show it? For example, I wanna let the reader", "two different races when they are in fact both kinda the same species.", "and not tell, but is it still okay to sometimes tell instead of", "if I simply mention it in a paragraph as part of the non-dialog", "For example, I wanna let the reader know that humans in my story", "conditions and that's why they look so different and people think they are", "part of a dialog between two characters because this is something that very", "that very few people know. Obviously, this information is not something I can", "want the reader to find out, but I don't want to give the", "and people think they are two different races when they are in fact", "their world or something), so is it okay if I simply mention it", "the reader to find out, but I don't want to give the reader", "show it? For example, I wanna let the reader know that humans in", "I know we need to show and not tell, but is it still", "in fact both kinda the same species. This is an important fact I", "people think they are two different races when they are in fact both", "two characters because this is something that very few people know. Obviously, this", "as part of a dialog between two characters because this is something that", "different conditions and that's why they look so different and people think they", "in my story are actually the same species as another race, but they", "information as part of a dialog between two characters because this is something", "an important fact I want the reader to find out, but I don't", "know we need to show and not tell, but is it still okay", "know. Obviously, this information is not something I can just \"show\" the reader", "different races when they are in fact both kinda the same species. This", "to show it? For example, I wanna let the reader know that humans", "races when they are in fact both kinda the same species. This is", "something that very few people know. Obviously, this information is not something I", "few people know. Obviously, this information is not something I can just \"show\"", "I can just \"show\" the reader (unless I have the characters find an", "okay if I simply mention it in a paragraph as part of the", "so is it okay if I simply mention it in a paragraph as", "need to show and not tell, but is it still okay to sometimes", "why they look so different and people think they are two different races", "out, but I don't want to give the reader this information as part", "something), so is it okay if I simply mention it in a paragraph", "humans in my story are actually the same species as another race, but", "wanna let the reader know that humans in my story are actually the", "find out, but I don't want to give the reader this information as", "species. This is an important fact I want the reader to find out,", "it okay if I simply mention it in a paragraph as part of", "I have the characters find an evolution chart of humans in their world", "I want the reader to find out, but I don't want to give", "people know. Obviously, this information is not something I can just \"show\" the", "both kinda the same species. This is an important fact I want the", "to find out, but I don't want to give the reader this information", "same species. This is an important fact I want the reader to find", "is something that very few people know. Obviously, this information is not something", "look so different and people think they are two different races when they", "tell instead of having to show it? For example, I wanna let the", "are actually the same species as another race, but they just evolved under", "have the characters find an evolution chart of humans in their world or", "of humans in their world or something), so is it okay if I", "are in fact both kinda the same species. This is an important fact", "know that humans in my story are actually the same species as another", "my story are actually the same species as another race, but they just", "this information as part of a dialog between two characters because this is", "I simply mention it in a paragraph as part of the non-dialog text?", "characters find an evolution chart of humans in their world or something), so", "or something), so is it okay if I simply mention it in a", "but I don't want to give the reader this information as part of", "dialog between two characters because this is something that very few people know.", "very few people know. Obviously, this information is not something I can just", "give the reader this information as part of a dialog between two characters", "fact both kinda the same species. This is an important fact I want", "sometimes tell instead of having to show it? For example, I wanna let", "to show and not tell, but is it still okay to sometimes tell", "just evolved under different conditions and that's why they look so different and", "This is an important fact I want the reader to find out, but", "find an evolution chart of humans in their world or something), so is", "information is not something I can just \"show\" the reader (unless I have", "okay to sometimes tell instead of having to show it? For example, I", "this information is not something I can just \"show\" the reader (unless I", "reader to find out, but I don't want to give the reader this", "that humans in my story are actually the same species as another race,", "of having to show it? For example, I wanna let the reader know", "Obviously, this information is not something I can just \"show\" the reader (unless", "can just \"show\" the reader (unless I have the characters find an evolution", "the same species as another race, but they just evolved under different conditions", "kinda the same species. This is an important fact I want the reader", "we need to show and not tell, but is it still okay to", "characters because this is something that very few people know. Obviously, this information", "not tell, but is it still okay to sometimes tell instead of having", "same species as another race, but they just evolved under different conditions and", "something I can just \"show\" the reader (unless I have the characters find", "having to show it? For example, I wanna let the reader know that", "reader know that humans in my story are actually the same species as", "(unless I have the characters find an evolution chart of humans in their", "under different conditions and that's why they look so different and people think", "to give the reader this information as part of a dialog between two", "the reader know that humans in my story are actually the same species", "don't want to give the reader this information as part of a dialog", "they are two different races when they are in fact both kinda the", "evolution chart of humans in their world or something), so is it okay", "still okay to sometimes tell instead of having to show it? For example,", "this is something that very few people know. Obviously, this information is not", "it still okay to sometimes tell instead of having to show it? For", "is an important fact I want the reader to find out, but I" ]
[ "I don't want to deeply explore these subjects, as that's not the story's", "just showing the facts, without imposing any opinion). But the problem is that,", "do it in a *\"Hey, that's wrong! Don't do that\"* kind of way", "deeply explore these subjects, as that's not the story's goal (it's just a", "don't want to do it in a *\"Hey, that's wrong! Don't do that\"*", "is to just *show* these issues (for drama), realistically and impartially (i.e. just", "happens. Also, I don't want to deeply explore these subjects, as that's not", "how can I just show these things without seeming like I'm in favor", "just *show* these issues (for drama), realistically and impartially (i.e. just showing the", "show it with at least a slightly negative view on that, but I", "on that, but I don't want to do it in a *\"Hey, that's", "(or at least in my country), unfortunately, but it's a reality, an enraging", "impartially (i.e. just showing the facts, without imposing any opinion). But the problem", "So I need to show it with at least a slightly negative view", "a reality, an enraging reality, it happens, and this story shows a case", "of way or arbitrarily punishing the culprit characters in some way, such as", "social problems, and my intention is to just *show* these issues (for drama),", "that, by doing just that, I can be accused of \"making apology\" to", "agreeing with it. So I need to show it with at least a", "way, such as making them go to jail, and everyone living happy forever-after,", "want it, because, let's face it, many criminals go unpunished (or at least", "a side, or else you are agreeing with it. So I need to", "kind of way or arbitrarily punishing the culprit characters in some way, such", "can I just show these things without seeming like I'm in favor and", "case in which this happens. Also, I don't want to deeply explore these", "just a substory). So how can I just show these things without seeming", "Don't do that\"* kind of way or arbitrarily punishing the culprit characters in", "reality, an enraging reality, it happens, and this story shows a case in", "an enraging reality, it happens, and this story shows a case in which", "side, or else you are agreeing with it. So I need to show", "a substory). So how can I just show these things without seeming like", "just that, I can be accused of \"making apology\" to these things, as", "substory). So how can I just show these things without seeming like I'm", "unfortunately, but it's a reality, an enraging reality, it happens, and this story", "least in my country), unfortunately, but it's a reality, an enraging reality, it", "just because the writer/readers want it, because, let's face it, many criminals go", "be accused of \"making apology\" to these things, as if I'm treating these", "drama), realistically and impartially (i.e. just showing the facts, without imposing any opinion).", "at least in my country), unfortunately, but it's a reality, an enraging reality,", "negative view on that, but I don't want to do it in a", "a case in which this happens. Also, I don't want to deeply explore", "go unpunished (or at least in my country), unfortunately, but it's a reality,", "do that\"* kind of way or arbitrarily punishing the culprit characters in some", "intention is to just *show* these issues (for drama), realistically and impartially (i.e.", "don't want to deeply explore these subjects, as that's not the story's goal", "some controversial social problems, and my intention is to just *show* these issues", "without imposing any opinion). But the problem is that, by doing just that,", "because, let's face it, many criminals go unpunished (or at least in my", "punishing the culprit characters in some way, such as making them go to", "with at least a slightly negative view on that, but I don't want", "else you are agreeing with it. So I need to show it with", "least a slightly negative view on that, but I don't want to do", "I have a story which has some controversial social problems, and my intention", "characters in some way, such as making them go to jail, and everyone", "has some controversial social problems, and my intention is to just *show* these", "happens, and this story shows a case in which this happens. Also, I", "just show these things without seeming like I'm in favor and without \"preaching\"", "facts, without imposing any opinion). But the problem is that, by doing just", "at least a slightly negative view on that, but I don't want to", "and this story shows a case in which this happens. Also, I don't", "it with at least a slightly negative view on that, but I don't", "controversial social problems, and my intention is to just *show* these issues (for", "my intention is to just *show* these issues (for drama), realistically and impartially", "a *\"Hey, that's wrong! Don't do that\"* kind of way or arbitrarily punishing", "by doing just that, I can be accused of \"making apology\" to these", "as acceptable/normal, because many people think that you should take a side, or", "of \"making apology\" to these things, as if I'm treating these things as", "go to jail, and everyone living happy forever-after, just because the writer/readers want", "my country), unfortunately, but it's a reality, an enraging reality, it happens, and", "view on that, but I don't want to do it in a *\"Hey,", "this story shows a case in which this happens. Also, I don't want", "treating these things as acceptable/normal, because many people think that you should take", "that you should take a side, or else you are agreeing with it.", "many people think that you should take a side, or else you are", "but I don't want to do it in a *\"Hey, that's wrong! Don't", "the culprit characters in some way, such as making them go to jail,", "culprit characters in some way, such as making them go to jail, and", "should take a side, or else you are agreeing with it. So I", "as if I'm treating these things as acceptable/normal, because many people think that", "writer/readers want it, because, let's face it, many criminals go unpunished (or at", "these subjects, as that's not the story's goal (it's just a substory). So", "(i.e. just showing the facts, without imposing any opinion). But the problem is", "imposing any opinion). But the problem is that, by doing just that, I", "to do it in a *\"Hey, that's wrong! Don't do that\"* kind of", "unpunished (or at least in my country), unfortunately, but it's a reality, an", "some way, such as making them go to jail, and everyone living happy", "But the problem is that, by doing just that, I can be accused", "slightly negative view on that, but I don't want to do it in", "accused of \"making apology\" to these things, as if I'm treating these things", "people think that you should take a side, or else you are agreeing", "it's a reality, an enraging reality, it happens, and this story shows a", "and everyone living happy forever-after, just because the writer/readers want it, because, let's", "is that, by doing just that, I can be accused of \"making apology\"", "I need to show it with at least a slightly negative view on", "living happy forever-after, just because the writer/readers want it, because, let's face it,", "not the story's goal (it's just a substory). So how can I just", "can be accused of \"making apology\" to these things, as if I'm treating", "it in a *\"Hey, that's wrong! Don't do that\"* kind of way or", "because the writer/readers want it, because, let's face it, many criminals go unpunished", "or else you are agreeing with it. So I need to show it", "that\"* kind of way or arbitrarily punishing the culprit characters in some way,", "making them go to jail, and everyone living happy forever-after, just because the", "to jail, and everyone living happy forever-after, just because the writer/readers want it,", "you are agreeing with it. So I need to show it with at", "enraging reality, it happens, and this story shows a case in which this", "I don't want to do it in a *\"Hey, that's wrong! Don't do", "that, I can be accused of \"making apology\" to these things, as if", "Also, I don't want to deeply explore these subjects, as that's not the", "which this happens. Also, I don't want to deeply explore these subjects, as", "need to show it with at least a slightly negative view on that,", "if I'm treating these things as acceptable/normal, because many people think that you", "things, as if I'm treating these things as acceptable/normal, because many people think", "story shows a case in which this happens. Also, I don't want to", "the problem is that, by doing just that, I can be accused of", "way or arbitrarily punishing the culprit characters in some way, such as making", "to these things, as if I'm treating these things as acceptable/normal, because many", "any opinion). But the problem is that, by doing just that, I can", "it. So I need to show it with at least a slightly negative", "that's not the story's goal (it's just a substory). So how can I", "and impartially (i.e. just showing the facts, without imposing any opinion). But the", "realistically and impartially (i.e. just showing the facts, without imposing any opinion). But", "happy forever-after, just because the writer/readers want it, because, let's face it, many", "have a story which has some controversial social problems, and my intention is", "the facts, without imposing any opinion). But the problem is that, by doing", "show these things without seeming like I'm in favor and without \"preaching\" that", "want to do it in a *\"Hey, that's wrong! Don't do that\"* kind", "I can be accused of \"making apology\" to these things, as if I'm", "because many people think that you should take a side, or else you", "*\"Hey, that's wrong! Don't do that\"* kind of way or arbitrarily punishing the", "acceptable/normal, because many people think that you should take a side, or else", "arbitrarily punishing the culprit characters in some way, such as making them go", "things as acceptable/normal, because many people think that you should take a side,", "as making them go to jail, and everyone living happy forever-after, just because", "you should take a side, or else you are agreeing with it. So", "a slightly negative view on that, but I don't want to do it", "these things, as if I'm treating these things as acceptable/normal, because many people", "problems, and my intention is to just *show* these issues (for drama), realistically", "things without seeming like I'm in favor and without \"preaching\" that these things", "to deeply explore these subjects, as that's not the story's goal (it's just", "want to deeply explore these subjects, as that's not the story's goal (it's", "showing the facts, without imposing any opinion). But the problem is that, by", "doing just that, I can be accused of \"making apology\" to these things,", "with it. So I need to show it with at least a slightly", "these things without seeming like I'm in favor and without \"preaching\" that these", "goal (it's just a substory). So how can I just show these things", "everyone living happy forever-after, just because the writer/readers want it, because, let's face", "are agreeing with it. So I need to show it with at least", "without seeming like I'm in favor and without \"preaching\" that these things are", "apology\" to these things, as if I'm treating these things as acceptable/normal, because", "them go to jail, and everyone living happy forever-after, just because the writer/readers", "seeming like I'm in favor and without \"preaching\" that these things are bad?", "explore these subjects, as that's not the story's goal (it's just a substory).", "take a side, or else you are agreeing with it. So I need", "(for drama), realistically and impartially (i.e. just showing the facts, without imposing any", "the story's goal (it's just a substory). So how can I just show", "in a *\"Hey, that's wrong! Don't do that\"* kind of way or arbitrarily", "let's face it, many criminals go unpunished (or at least in my country),", "but it's a reality, an enraging reality, it happens, and this story shows", "story's goal (it's just a substory). So how can I just show these", "which has some controversial social problems, and my intention is to just *show*", "in some way, such as making them go to jail, and everyone living", "jail, and everyone living happy forever-after, just because the writer/readers want it, because,", "\"making apology\" to these things, as if I'm treating these things as acceptable/normal,", "think that you should take a side, or else you are agreeing with", "it, many criminals go unpunished (or at least in my country), unfortunately, but", "reality, it happens, and this story shows a case in which this happens.", "and my intention is to just *show* these issues (for drama), realistically and", "problem is that, by doing just that, I can be accused of \"making", "criminals go unpunished (or at least in my country), unfortunately, but it's a", "opinion). But the problem is that, by doing just that, I can be", "subjects, as that's not the story's goal (it's just a substory). So how", "forever-after, just because the writer/readers want it, because, let's face it, many criminals", "it, because, let's face it, many criminals go unpunished (or at least in", "these things as acceptable/normal, because many people think that you should take a", "or arbitrarily punishing the culprit characters in some way, such as making them", "to show it with at least a slightly negative view on that, but", "that, but I don't want to do it in a *\"Hey, that's wrong!", "face it, many criminals go unpunished (or at least in my country), unfortunately,", "in which this happens. Also, I don't want to deeply explore these subjects,", "these issues (for drama), realistically and impartially (i.e. just showing the facts, without", "So how can I just show these things without seeming like I'm in", "story which has some controversial social problems, and my intention is to just", "many criminals go unpunished (or at least in my country), unfortunately, but it's", "wrong! Don't do that\"* kind of way or arbitrarily punishing the culprit characters", "in my country), unfortunately, but it's a reality, an enraging reality, it happens,", "I'm treating these things as acceptable/normal, because many people think that you should", "I just show these things without seeming like I'm in favor and without", "*show* these issues (for drama), realistically and impartially (i.e. just showing the facts,", "country), unfortunately, but it's a reality, an enraging reality, it happens, and this", "issues (for drama), realistically and impartially (i.e. just showing the facts, without imposing", "it happens, and this story shows a case in which this happens. Also,", "this happens. Also, I don't want to deeply explore these subjects, as that's", "a story which has some controversial social problems, and my intention is to", "as that's not the story's goal (it's just a substory). So how can", "to just *show* these issues (for drama), realistically and impartially (i.e. just showing", "shows a case in which this happens. Also, I don't want to deeply", "(it's just a substory). So how can I just show these things without", "such as making them go to jail, and everyone living happy forever-after, just", "the writer/readers want it, because, let's face it, many criminals go unpunished (or", "that's wrong! Don't do that\"* kind of way or arbitrarily punishing the culprit" ]
[ "again.\" The reader seems to be able to grab onto that sort of", "do. It immediately will be less true-to-life and these characters show up later.", "--- **Another edit:** It occurs to me there may be special tricks for", "there may be special tricks for some types of characters. For example, a", "and real-life writing clubs. **One** is that I have floating heads syndrome, -", "boy.' (However, it is unrealistic that the mother in dialog would say \"Come", "but they are a staple of the scene. In another chapter, there are", "has butter fingers.\" > > > **Another Edit:** Another trick picked up over", "prune this back to about eight (four of whom the reader already knows),", "if, for example, a nurse said something like, \"I'm Parr, but it's alright", "onto that sort of detail and remember Zotn not as Zotn but as", "a lot. At the time that I wrote it, I remember I was", "to about eight (four of whom the reader already knows), and the children", "question.** So I have (let's say) two types of feedback in my beta", "those, though. --- **What is good pacing and style for new character introductions?**", "Baby AndiiMw is > always dropping her pacifier. Little Juay never dropped a", "real-life writing clubs. **One** is that I have floating heads syndrome, - conversations", "me to ground the scenes with realistic detail. I could expand the scenes,", "about the correct pacing of introducing new characters, ways to tighten up the", "surrounding details. I can fix those. The **second** is, I have 'too many", "here, little boy.\" She would use his name. So this solution is only", "not remember? (LOL I could have her say \"I'm Parr but I don't", "qualifying question to the end of this question.** So I have (let's say)", "that I might be missing I'd like to put the idea out for", "butter fingers.\" > > > **Another Edit:** Another trick picked up over the", "over 70.) IOW, I am not convinced that the number of characters is", "for picking that up. Baby AndiiMw is > always dropping her pacifier. Little", "up later. So. if you have thoughts about the correct pacing of introducing", "accordingly, I'd love to hear it. **How would you describe the ideal pacing", "side of realistic - I'd expect three shifts, three nurses, at a bare", "those. The **second** is, I have 'too many characters' in some scenes. FTR,", "MC. I'd rather have her say that she is Parr but he need", "of feedback in my beta critiques and real-life writing clubs. **One** is that", "baby. If I want her mother to use her name, the mother can", "- I suspect it is my execution that is the problem. These two", "you for picking that up. Baby AndiiMw is > always dropping her pacifier.", "a baby. If I want her mother to use her name, the mother", "want her mother to use her name, the mother can occasionally call her", "from a party within dialog. This trick makes sense to me for some", "you describe the ideal pacing and introduction of new characters?** **Edit**: Additionally, what", "folded into one nurse, or even no nurses at all. While also wanting", "I could not name the nurses, but they are a staple of the", "mother to use her name, the mother can occasionally call her 'Baby AndiiMw'", "scenes. FTR, I have 32 named characters altogether, which is [near average for", "the reader really need to know?\" I could not name the nurses, but", "fix those. The **second** is, I have 'too many characters' in some scenes.", "at all. While also wanting me to ground the scenes with realistic detail.", "scenes with realistic detail. I could expand the scenes, but this runs up", "dropped a thing, but > his sister has butter fingers.\" > > >", "While also wanting me to ground the scenes with realistic detail. I could", "the reader's experience, or (in my estimation) if a writer's group reading six", "three shifts, three nurses, at a bare minimum. My writing group wants this", "\"I'm Parr but I don't show up in this book again,\" LOL) **Another", "help the reader along, yes? (*oh, right, that's the nurse*.) I think this", "estimation) if a writer's group reading six excerpts back to back provides feedback", "and surrounding details. I can fix those. The **second** is, I have 'too", "the reader along, yes? (*oh, right, that's the nurse*.) I think this is", "I have 32 named characters altogether, which is [near average for a SFF", "along, yes? (*oh, right, that's the nurse*.) I think this is similar to", "these characters show up later. So. if you have thoughts about the correct", "can lose their names, becoming 'the baby' and 'the little boy.' (However, it", "remember I was trying to get past all the 2-person dialogs I had.", "would say \"Come here, little boy.\" She would use his name. So this", "wants this folded into one nurse, or even no nurses at all. While", "on the lookout for those, though. --- **What is good pacing and style", "The mother said, \"Oh, thank you for picking that up. Baby AndiiMw is", "be 'Little Juay.' (A nurse can occasionally be called Nurse Parr, and not", "I was trying to get past all the 2-person dialogs I had. I", "is the problem - I suspect it is my execution that is the", "effect on the reader, if, for example, a nurse said something like, \"I'm", "name is to (mis)characterize him, the MC. I'd rather have her say that", "(five inside and seven outside), and I agree this is a lot. At", "in one chapter (even Parr.). I'm definitely on the lookout for those, though.", "I want her mother to use her name, the mother can occasionally call", "suggestion about remembering someone from a party within dialog. This trick makes sense", "remember. You just get well.\" Will the reader feel permitted to not remember?", "feedback in my beta critiques and real-life writing clubs. **One** is that I", "a point here that I might be missing I'd like to put the", "and not just Parr. These label-cues should help the reader along, yes? (*oh,", "is the effect on the reader, if, for example, a nurse said something", "example, a nurse said something like, \"I'm Parr, but it's alright if you", "me for some of the characters ... and if there's a point here", "lookout for those, though. --- **What is good pacing and style for new", "> his sister has butter fingers.\" > > > **Another Edit:** Another trick", "pacing and style for new character introductions?** --- **Another edit:** It occurs to", "sometimes be 'Little Juay.' (A nurse can occasionally be called Nurse Parr, and", "> **Another Edit:** Another trick picked up over the months is to give", "everyone that AndiiMw is the baby. Similarly, the little boy could sometimes be", "new characters?** **Edit**: Additionally, what is the effect on the reader, if, for", "have a defined role. Example: in a hospital setting, the MC has two", "the effect on the reader, if, for example, a nurse said something like,", "though. --- **What is good pacing and style for new character introductions?** ---", "me there may be special tricks for some types of characters. For example,", "describe the ideal pacing and introduction of new characters?** **Edit**: Additionally, what is", "applicable to a solo reader immersed in a story, and should be tempered", "in some scenes. FTR, I have 32 named characters altogether, which is [near", "have (let's say) two types of feedback in my beta critiques and real-life", "characters altogether, which is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works", "Example: in a hospital setting, the MC has two nurses. This is on", "could expand the scenes, but this runs up against \"What does the reader", "be tempered accordingly, I'd love to hear it. **How would you describe the", "might be missing I'd like to put the idea out for consideration. (Bad,", "necessarily the thing to do. It immediately will be less true-to-life and these", "some types of characters. For example, a baby. If I want her mother", "becoming 'the baby' and 'the little boy.' (However, it is unrealistic that the", "can fix those. The **second** is, I have 'too many characters' in some", "SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.) IOW, I am not convinced", "on the lower side of realistic - I'd expect three shifts, three nurses,", "important characters. Like a red bowtie. \"Zotn, the man in the bowtie, was", "you don't remember. You just get well.\" Will the reader feel permitted to", "may be special tricks for some types of characters. For example, a baby.", "the number of characters is the problem - I suspect it is my", "famous works have over 70.) IOW, I am not convinced that the number", "of the scene. In another chapter, there are twelve people (five inside and", "had. I wanted a crowd scene, full stop, so I wrote one. the", "agree this is a lot. At the time that I wrote it, I", "scene, full stop, so I wrote one. the intent of the scene is", "Now, I can prune this back to about eight (four of whom the", "nurse can occasionally be called Nurse Parr, and not just Parr. These label-cues", "IOW, I am not convinced that the number of characters is the problem", "pacifier. Little Juay never dropped a thing, but > his sister has butter", "nurses at all. While also wanting me to ground the scenes with realistic", "point here that I might be missing I'd like to put the idea", "I suspect it is my execution that is the problem. These two pieces", "to me there may be special tricks for some types of characters. For", "and style for new character introductions?** --- **Another edit:** It occurs to me", "idea out for consideration. (Bad, on-the-fly, needs rewriting) example: > > The mother", "I could expand the scenes, but this runs up against \"What does the", "the bowtie, was speaking again.\" The reader seems to be able to grab", "Additionally, what is the effect on the reader, if, for example, a nurse", "dialog. This trick makes sense to me for some of the characters ...", "will be less true-to-life and these characters show up later. So. if you", "want more surrounding detail - but that detail should not be characters. Even", "provides feedback that is not applicable to a solo reader immersed in a", "of feedback stand somewhat in opposition, in my mind. Readers want more surrounding", "I have (let's say) two types of feedback in my beta critiques and", "for some of the characters ... and if there's a point here that", "without grounding and surrounding details. I can fix those. The **second** is, I", "the ideal pacing and introduction of new characters?** **Edit**: Additionally, what is the", "boy could sometimes be 'Little Juay.' (A nurse can occasionally be called Nurse", "his name. So this solution is only partial for the children.) I'm not", "he need not remember, if this is acceptable. I don't believe I have", "this solution is only partial for the children.) I'm not convinced removing names", "tempered accordingly, I'd love to hear it. **How would you describe the ideal", "chaos, as well. Now, I can prune this back to about eight (four", "have over 70.) IOW, I am not convinced that the number of characters", "FTR, I have 32 named characters altogether, which is [near average for a", "should not be characters. Even if those characters have a defined role. Example:", "twelve people (five inside and seven outside), and I agree this is a", "this is similar to Amadeus' suggestion about remembering someone from a party within", "the thing to do. It immediately will be less true-to-life and these characters", "is the problem. These two pieces of feedback stand somewhat in opposition, in", "removing names is necessarily the thing to do. It immediately will be less", "back to back provides feedback that is not applicable to a solo reader", "thank you for picking that up. Baby AndiiMw is > always dropping her", "two pieces of feedback stand somewhat in opposition, in my mind. Readers want", "to tighten up the reader's experience, or (in my estimation) if a writer's", "convinced removing names is necessarily the thing to do. It immediately will be", "to a solo reader immersed in a story, and should be tempered accordingly,", "don't show up in this book again,\" LOL) **Another edit:** To say that", "> > The mother said, \"Oh, thank you for picking that up. Baby", "I have 'too many characters' in some scenes. FTR, I have 32 named", "intent of the scene is chaos, as well. Now, I can prune this", "staple of the scene. In another chapter, there are twelve people (five inside", "one. the intent of the scene is chaos, as well. Now, I can", "get past all the 2-person dialogs I had. I wanted a crowd scene,", "solution is only partial for the children.) I'm not convinced removing names is", "two types of feedback in my beta critiques and real-life writing clubs. **One**", "characters, ways to tighten up the reader's experience, or (in my estimation) if", "the idea out for consideration. (Bad, on-the-fly, needs rewriting) example: > > The", "I'm not convinced removing names is necessarily the thing to do. It immediately", "lot. At the time that I wrote it, I remember I was trying", "'Little Juay.' (A nurse can occasionally be called Nurse Parr, and not just", "clubs. **One** is that I have floating heads syndrome, - conversations without grounding", "the scenes, but this runs up against \"What does the reader really need", "realistic - I'd expect three shifts, three nurses, at a bare minimum. My", "lower side of realistic - I'd expect three shifts, three nurses, at a", "and the children can lose their names, becoming 'the baby' and 'the little", "style for new character introductions?** --- **Another edit:** It occurs to me there", "be less true-to-life and these characters show up later. So. if you have", "was trying to get past all the 2-person dialogs I had. I wanted", "like to put the idea out for consideration. (Bad, on-the-fly, needs rewriting) example:", "give a small *easily-visible* detail to the less important characters. Like a red", "well.\" Will the reader feel permitted to not remember? (LOL I could have", "I have floating heads syndrome, - conversations without grounding and surrounding details. I", "against \"What does the reader really need to know?\" I could not name", "feedback that is not applicable to a solo reader immersed in a story,", "She would use his name. So this solution is only partial for the", "need to know?\" I could not name the nurses, but they are a", "altogether, which is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have", "To say that he forgot her name is to (mis)characterize him, the MC.", "just Parr. These label-cues should help the reader along, yes? (*oh, right, that's", "remind everyone that AndiiMw is the baby. Similarly, the little boy could sometimes", "the months is to give a small *easily-visible* detail to the less important", "surrounding detail - but that detail should not be characters. Even if those", "sort of detail and remember Zotn not as Zotn but as Man in", "I don't believe I have any named characters that only show up once,", "some of the characters ... and if there's a point here that I", "**Edit**: Additionally, what is the effect on the reader, if, for example, a", "alright if you don't remember. You just get well.\" Will the reader feel", "have her say \"I'm Parr but I don't show up in this book", "her say that she is Parr but he need not remember, if this", "so I wrote one. the intent of the scene is chaos, as well.", "just get well.\" Will the reader feel permitted to not remember? (LOL I", "should be tempered accordingly, I'd love to hear it. **How would you describe", "missing I'd like to put the idea out for consideration. (Bad, on-the-fly, needs", "yes? (*oh, right, that's the nurse*.) I think this is similar to Amadeus'", "Will the reader feel permitted to not remember? (LOL I could have her", "not applicable to a solo reader immersed in a story, and should be", "So. if you have thoughts about the correct pacing of introducing new characters,", "boy.\" She would use his name. So this solution is only partial for", "In another chapter, there are twelve people (five inside and seven outside), and", "\"I'm Parr, but it's alright if you don't remember. You just get well.\"", "'the little boy.' (However, it is unrealistic that the mother in dialog would", "lose their names, becoming 'the baby' and 'the little boy.' (However, it is", "but he need not remember, if this is acceptable. I don't believe I", "to Amadeus' suggestion about remembering someone from a party within dialog. This trick", "be able to grab onto that sort of detail and remember Zotn not", "If I want her mother to use her name, the mother can occasionally", "role. Example: in a hospital setting, the MC has two nurses. This is", "forgot her name is to (mis)characterize him, the MC. I'd rather have her", "this back to about eight (four of whom the reader already knows), and", "characters?** **Edit**: Additionally, what is the effect on the reader, if, for example,", "also wanting me to ground the scenes with realistic detail. I could expand", "feedback stand somewhat in opposition, in my mind. Readers want more surrounding detail", "one nurse, or even no nurses at all. While also wanting me to", "put the idea out for consideration. (Bad, on-the-fly, needs rewriting) example: > >", "Parr but I don't show up in this book again,\" LOL) **Another edit:**", "reader really need to know?\" I could not name the nurses, but they", "say that she is Parr but he need not remember, if this is", "inside and seven outside), and I agree this is a lot. At the", "bowtie. \"Zotn, the man in the bowtie, was speaking again.\" The reader seems", "I'd love to hear it. **How would you describe the ideal pacing and", "to put the idea out for consideration. (Bad, on-the-fly, needs rewriting) example: >", "it's alright if you don't remember. You just get well.\" Will the reader", "These two pieces of feedback stand somewhat in opposition, in my mind. Readers", "is that I have floating heads syndrome, - conversations without grounding and surrounding", "AndiiMw is > always dropping her pacifier. Little Juay never dropped a thing,", "or even no nurses at all. While also wanting me to ground the", "the nurse*.) I think this is similar to Amadeus' suggestion about remembering someone", "little boy.' (However, it is unrealistic that the mother in dialog would say", "\"Oh, thank you for picking that up. Baby AndiiMw is > always dropping", "should help the reader along, yes? (*oh, right, that's the nurse*.) I think", "but that detail should not be characters. Even if those characters have a", "is my execution that is the problem. These two pieces of feedback stand", "I don't show up in this book again,\" LOL) **Another edit:** To say", "another chapter, there are twelve people (five inside and seven outside), and I", "up once, or only in one chapter (even Parr.). I'm definitely on the", "mind. Readers want more surrounding detail - but that detail should not be", "and seven outside), and I agree this is a lot. At the time", "occasionally be called Nurse Parr, and not just Parr. These label-cues should help", "> always dropping her pacifier. Little Juay never dropped a thing, but >", "that she is Parr but he need not remember, if this is acceptable.", "occasionally call her 'Baby AndiiMw' and not just AndiiMw. Now and then the", "party within dialog. This trick makes sense to me for some of the", "label-cues should help the reader along, yes? (*oh, right, that's the nurse*.) I", "pacing of introducing new characters, ways to tighten up the reader's experience, or", "named characters altogether, which is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous", "the lower side of realistic - I'd expect three shifts, three nurses, at", "crowd scene, full stop, so I wrote one. the intent of the scene", "to not remember? (LOL I could have her say \"I'm Parr but I", "this is acceptable. I don't believe I have any named characters that only", "Another trick picked up over the months is to give a small *easily-visible*", "32 named characters altogether, which is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some", "detail to the less important characters. Like a red bowtie. \"Zotn, the man", "remembering someone from a party within dialog. This trick makes sense to me", "mother in dialog would say \"Come here, little boy.\" She would use his", "new character introductions?** --- **Another edit:** It occurs to me there may be", "in a hospital setting, the MC has two nurses. This is on the", "problem - I suspect it is my execution that is the problem. These", "say \"Come here, little boy.\" She would use his name. So this solution", "chapter (even Parr.). I'm definitely on the lookout for those, though. --- **What", "is > always dropping her pacifier. Little Juay never dropped a thing, but", "writing group wants this folded into one nurse, or even no nurses at", "but > his sister has butter fingers.\" > > > **Another Edit:** Another", "experience, or (in my estimation) if a writer's group reading six excerpts back", "know?\" I could not name the nurses, but they are a staple of", "whom the reader already knows), and the children can lose their names, becoming", "This trick makes sense to me for some of the characters ... and", "\"What does the reader really need to know?\" I could not name the", "good pacing and style for new character introductions?** --- **Another edit:** It occurs", "just AndiiMw. Now and then the mother might remind everyone that AndiiMw is", "say \"I'm Parr but I don't show up in this book again,\" LOL)", "I wrote one. the intent of the scene is chaos, as well. Now,", "character introductions?** --- **Another edit:** It occurs to me there may be special", "expect three shifts, three nurses, at a bare minimum. My writing group wants", "suspect it is my execution that is the problem. These two pieces of", "three nurses, at a bare minimum. My writing group wants this folded into", "believe I have any named characters that only show up once, or only", "nurses, at a bare minimum. My writing group wants this folded into one", "be characters. Even if those characters have a defined role. Example: in a", "up against \"What does the reader really need to know?\" I could not", "edit:** It occurs to me there may be special tricks for some types", "the children can lose their names, becoming 'the baby' and 'the little boy.'", "more surrounding detail - but that detail should not be characters. Even if", "Readers want more surrounding detail - but that detail should not be characters.", "as well. Now, I can prune this back to about eight (four of", "people (five inside and seven outside), and I agree this is a lot.", "Parr, and not just Parr. These label-cues should help the reader along, yes?", "nurse, or even no nurses at all. While also wanting me to ground", "have any named characters that only show up once, or only in one", "stop, so I wrote one. the intent of the scene is chaos, as", "outside), and I agree this is a lot. At the time that I", "have her say that she is Parr but he need not remember, if", "even no nurses at all. While also wanting me to ground the scenes", "I remember I was trying to get past all the 2-person dialogs I", "Nurse Parr, and not just Parr. These label-cues should help the reader along,", "children.) I'm not convinced removing names is necessarily the thing to do. It", "reader, if, for example, a nurse said something like, \"I'm Parr, but it's", "they are a staple of the scene. In another chapter, there are twelve", "details. I can fix those. The **second** is, I have 'too many characters'", "show up in this book again,\" LOL) **Another edit:** To say that he", "and not just AndiiMw. Now and then the mother might remind everyone that", "book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.) IOW, I am not convinced that", "man in the bowtie, was speaking again.\" The reader seems to be able", "reader seems to be able to grab onto that sort of detail and", "once, or only in one chapter (even Parr.). I'm definitely on the lookout", "group reading six excerpts back to back provides feedback that is not applicable", "not convinced that the number of characters is the problem - I suspect", "wanted a crowd scene, full stop, so I wrote one. the intent of", "wrote it, I remember I was trying to get past all the 2-person", "trying to get past all the 2-person dialogs I had. I wanted a", "don't remember. You just get well.\" Will the reader feel permitted to not", "his sister has butter fingers.\" > > > **Another Edit:** Another trick picked", "The **second** is, I have 'too many characters' in some scenes. FTR, I", "syndrome, - conversations without grounding and surrounding details. I can fix those. The", "named characters that only show up once, or only in one chapter (even", "and 'the little boy.' (However, it is unrealistic that the mother in dialog", "Similarly, the little boy could sometimes be 'Little Juay.' (A nurse can occasionally", "can occasionally call her 'Baby AndiiMw' and not just AndiiMw. Now and then", "execution that is the problem. These two pieces of feedback stand somewhat in", "I might be missing I'd like to put the idea out for consideration.", "It occurs to me there may be special tricks for some types of", "the nurses, but they are a staple of the scene. In another chapter,", "her mother to use her name, the mother can occasionally call her 'Baby", "'Baby AndiiMw' and not just AndiiMw. Now and then the mother might remind", "always dropping her pacifier. Little Juay never dropped a thing, but > his", "characters show up later. So. if you have thoughts about the correct pacing", "dialogs I had. I wanted a crowd scene, full stop, so I wrote", "children can lose their names, becoming 'the baby' and 'the little boy.' (However,", "problem. These two pieces of feedback stand somewhat in opposition, in my mind.", "a nurse said something like, \"I'm Parr, but it's alright if you don't", "**Another edit:** To say that he forgot her name is to (mis)characterize him,", "to know?\" I could not name the nurses, but they are a staple", "names, becoming 'the baby' and 'the little boy.' (However, it is unrealistic that", "I could have her say \"I'm Parr but I don't show up in", "remember, if this is acceptable. I don't believe I have any named characters", "say that he forgot her name is to (mis)characterize him, the MC. I'd", "grab onto that sort of detail and remember Zotn not as Zotn but", "about remembering someone from a party within dialog. This trick makes sense to", "of characters is the problem - I suspect it is my execution that", "back to about eight (four of whom the reader already knows), and the", "detail and remember Zotn not as Zotn but as Man in red bowtie.", "setting, the MC has two nurses. This is on the lower side of", "could have her say \"I'm Parr but I don't show up in this", "name, the mother can occasionally call her 'Baby AndiiMw' and not just AndiiMw.", "is only partial for the children.) I'm not convinced removing names is necessarily", "correct pacing of introducing new characters, ways to tighten up the reader's experience,", "is good pacing and style for new character introductions?** --- **Another edit:** It", "edit:** To say that he forgot her name is to (mis)characterize him, the", "beta critiques and real-life writing clubs. **One** is that I have floating heads", "(four of whom the reader already knows), and the children can lose their", "said, \"Oh, thank you for picking that up. Baby AndiiMw is > always", "conversations without grounding and surrounding details. I can fix those. The **second** is,", "number of characters is the problem - I suspect it is my execution", "70.) IOW, I am not convinced that the number of characters is the", "AndiiMw is the baby. Similarly, the little boy could sometimes be 'Little Juay.'", "hear it. **How would you describe the ideal pacing and introduction of new", "is acceptable. I don't believe I have any named characters that only show", "that up. Baby AndiiMw is > always dropping her pacifier. Little Juay never", "\"Come here, little boy.\" She would use his name. So this solution is", "stand somewhat in opposition, in my mind. Readers want more surrounding detail -", "here that I might be missing I'd like to put the idea out", "over the months is to give a small *easily-visible* detail to the less", "need not remember, if this is acceptable. I don't believe I have any", "that AndiiMw is the baby. Similarly, the little boy could sometimes be 'Little", "end of this question.** So I have (let's say) two types of feedback", "characters' in some scenes. FTR, I have 32 named characters altogether, which is", "a defined role. Example: in a hospital setting, the MC has two nurses.", "reader's experience, or (in my estimation) if a writer's group reading six excerpts", "show up later. So. if you have thoughts about the correct pacing of", "(in my estimation) if a writer's group reading six excerpts back to back", "Now and then the mother might remind everyone that AndiiMw is the baby.", "LOL) **Another edit:** To say that he forgot her name is to (mis)characterize", "MC has two nurses. This is on the lower side of realistic -", "to grab onto that sort of detail and remember Zotn not as Zotn", "my execution that is the problem. These two pieces of feedback stand somewhat", "that's the nurse*.) I think this is similar to Amadeus' suggestion about remembering", "able to grab onto that sort of detail and remember Zotn not as", "there are twelve people (five inside and seven outside), and I agree this", "AndiiMw' and not just AndiiMw. Now and then the mother might remind everyone", "trick picked up over the months is to give a small *easily-visible* detail", "characters have a defined role. Example: in a hospital setting, the MC has", "if you have thoughts about the correct pacing of introducing new characters, ways", "reading six excerpts back to back provides feedback that is not applicable to", "is to (mis)characterize him, the MC. I'd rather have her say that she", "**Another edit:** It occurs to me there may be special tricks for some", "many characters' in some scenes. FTR, I have 32 named characters altogether, which", "to me for some of the characters ... and if there's a point", "ideal pacing and introduction of new characters?** **Edit**: Additionally, what is the effect", "definitely on the lookout for those, though. --- **What is good pacing and", "seven outside), and I agree this is a lot. At the time that", "detail - but that detail should not be characters. Even if those characters", "the characters ... and if there's a point here that I might be", "is not applicable to a solo reader immersed in a story, and should", "is on the lower side of realistic - I'd expect three shifts, three", "are twelve people (five inside and seven outside), and I agree this is", "or only in one chapter (even Parr.). I'm definitely on the lookout for", "a thing, but > his sister has butter fingers.\" > > > **Another", "to give a small *easily-visible* detail to the less important characters. Like a", "Juay.' (A nurse can occasionally be called Nurse Parr, and not just Parr.", "runs up against \"What does the reader really need to know?\" I could", "that I have floating heads syndrome, - conversations without grounding and surrounding details.", "I can fix those. The **second** is, I have 'too many characters' in", "floating heads syndrome, - conversations without grounding and surrounding details. I can fix", "I'd rather have her say that she is Parr but he need not", "a writer's group reading six excerpts back to back provides feedback that is", "a story, and should be tempered accordingly, I'd love to hear it. **How", "for some types of characters. For example, a baby. If I want her", "So I have (let's say) two types of feedback in my beta critiques", "to the end of this question.** So I have (let's say) two types", "time that I wrote it, I remember I was trying to get past", "introductions?** --- **Another edit:** It occurs to me there may be special tricks", "The reader seems to be able to grab onto that sort of detail", "only partial for the children.) I'm not convinced removing names is necessarily the", "in my beta critiques and real-life writing clubs. **One** is that I have", "of detail and remember Zotn not as Zotn but as Man in red", "Amadeus' suggestion about remembering someone from a party within dialog. This trick makes", "if a writer's group reading six excerpts back to back provides feedback that", "the baby. Similarly, the little boy could sometimes be 'Little Juay.' (A nurse", "... and if there's a point here that I might be missing I'd", "I'd like to put the idea out for consideration. (Bad, on-the-fly, needs rewriting)", "there's a point here that I might be missing I'd like to put", "would you describe the ideal pacing and introduction of new characters?** **Edit**: Additionally,", "only in one chapter (even Parr.). I'm definitely on the lookout for those,", "characters. Even if those characters have a defined role. Example: in a hospital", "the MC. I'd rather have her say that she is Parr but he", "use her name, the mother can occasionally call her 'Baby AndiiMw' and not", "dropping her pacifier. Little Juay never dropped a thing, but > his sister", "a hospital setting, the MC has two nurses. This is on the lower", "was speaking again.\" The reader seems to be able to grab onto that", "the mother can occasionally call her 'Baby AndiiMw' and not just AndiiMw. Now", "introduction of new characters?** **Edit**: Additionally, what is the effect on the reader,", "unrealistic that the mother in dialog would say \"Come here, little boy.\" She", "into one nurse, or even no nurses at all. While also wanting me", "'too many characters' in some scenes. FTR, I have 32 named characters altogether,", "shifts, three nurses, at a bare minimum. My writing group wants this folded", "for new character introductions?** --- **Another edit:** It occurs to me there may", "hospital setting, the MC has two nurses. This is on the lower side", "detail. I could expand the scenes, but this runs up against \"What does", "and introduction of new characters?** **Edit**: Additionally, what is the effect on the", "but it's alright if you don't remember. You just get well.\" Will the", "This is on the lower side of realistic - I'd expect three shifts,", "**One** is that I have floating heads syndrome, - conversations without grounding and", "but this runs up against \"What does the reader really need to know?\"", "writer's group reading six excerpts back to back provides feedback that is not", "the 2-person dialogs I had. I wanted a crowd scene, full stop, so", "full stop, so I wrote one. the intent of the scene is chaos,", "one chapter (even Parr.). I'm definitely on the lookout for those, though. ---", "a qualifying question to the end of this question.** So I have (let's", "expand the scenes, but this runs up against \"What does the reader really", "really need to know?\" I could not name the nurses, but they are", "be special tricks for some types of characters. For example, a baby. If", "show up once, or only in one chapter (even Parr.). I'm definitely on", "Edit:** Another trick picked up over the months is to give a small", "for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.) IOW, I am", "the children.) I'm not convinced removing names is necessarily the thing to do.", "to the less important characters. Like a red bowtie. \"Zotn, the man in", "two nurses. This is on the lower side of realistic - I'd expect", "in a story, and should be tempered accordingly, I'd love to hear it.", "does the reader really need to know?\" I could not name the nurses,", "(A nurse can occasionally be called Nurse Parr, and not just Parr. These", "and should be tempered accordingly, I'd love to hear it. **How would you", "that is the problem. These two pieces of feedback stand somewhat in opposition,", "> The mother said, \"Oh, thank you for picking that up. Baby AndiiMw", "**I'm adding a qualifying question to the end of this question.** So I", "could sometimes be 'Little Juay.' (A nurse can occasionally be called Nurse Parr,", "of this question.** So I have (let's say) two types of feedback in", "not remember, if this is acceptable. I don't believe I have any named", "nurse said something like, \"I'm Parr, but it's alright if you don't remember.", "not convinced removing names is necessarily the thing to do. It immediately will", "(let's say) two types of feedback in my beta critiques and real-life writing", "Parr but he need not remember, if this is acceptable. I don't believe", "of the scene is chaos, as well. Now, I can prune this back", "grounding and surrounding details. I can fix those. The **second** is, I have", "then the mother might remind everyone that AndiiMw is the baby. Similarly, the", "can occasionally be called Nurse Parr, and not just Parr. These label-cues should", "the problem - I suspect it is my execution that is the problem.", "it, I remember I was trying to get past all the 2-person dialogs", "something like, \"I'm Parr, but it's alright if you don't remember. You just", "example: > > The mother said, \"Oh, thank you for picking that up.", "the reader feel permitted to not remember? (LOL I could have her say", "of new characters?** **Edit**: Additionally, what is the effect on the reader, if,", "some scenes. FTR, I have 32 named characters altogether, which is [near average", "have 32 named characters altogether, which is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/).", "someone from a party within dialog. This trick makes sense to me for", "in this book again,\" LOL) **Another edit:** To say that he forgot her", "nurses, but they are a staple of the scene. In another chapter, there", "book again,\" LOL) **Another edit:** To say that he forgot her name is", "immersed in a story, and should be tempered accordingly, I'd love to hear", "needs rewriting) example: > > The mother said, \"Oh, thank you for picking", "for consideration. (Bad, on-the-fly, needs rewriting) example: > > The mother said, \"Oh,", "to hear it. **How would you describe the ideal pacing and introduction of", "and I agree this is a lot. At the time that I wrote", "up the reader's experience, or (in my estimation) if a writer's group reading", "the scene is chaos, as well. Now, I can prune this back to", "about eight (four of whom the reader already knows), and the children can", "I can prune this back to about eight (four of whom the reader", "a red bowtie. \"Zotn, the man in the bowtie, was speaking again.\" The", "for those, though. --- **What is good pacing and style for new character", "These label-cues should help the reader along, yes? (*oh, right, that's the nurse*.)", "(However, it is unrealistic that the mother in dialog would say \"Come here,", "her name, the mother can occasionally call her 'Baby AndiiMw' and not just", "in dialog would say \"Come here, little boy.\" She would use his name.", "on-the-fly, needs rewriting) example: > > The mother said, \"Oh, thank you for", "it. **How would you describe the ideal pacing and introduction of new characters?**", "little boy could sometimes be 'Little Juay.' (A nurse can occasionally be called", "> > **Another Edit:** Another trick picked up over the months is to", "could not name the nurses, but they are a staple of the scene.", "true-to-life and these characters show up later. So. if you have thoughts about", "Little Juay never dropped a thing, but > his sister has butter fingers.\"", "say) two types of feedback in my beta critiques and real-life writing clubs.", "(*oh, right, that's the nurse*.) I think this is similar to Amadeus' suggestion", "it is unrealistic that the mother in dialog would say \"Come here, little", "scene is chaos, as well. Now, I can prune this back to about", "don't believe I have any named characters that only show up once, or", "story, and should be tempered accordingly, I'd love to hear it. **How would", "my beta critiques and real-life writing clubs. **One** is that I have floating", "are a staple of the scene. In another chapter, there are twelve people", "At the time that I wrote it, I remember I was trying to", "have floating heads syndrome, - conversations without grounding and surrounding details. I can", "wanting me to ground the scenes with realistic detail. I could expand the", "that I wrote it, I remember I was trying to get past all", "I'd expect three shifts, three nurses, at a bare minimum. My writing group", "the MC has two nurses. This is on the lower side of realistic", "which is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over", "is necessarily the thing to do. It immediately will be less true-to-life and", "it is my execution that is the problem. These two pieces of feedback", "introducing new characters, ways to tighten up the reader's experience, or (in my", "within dialog. This trick makes sense to me for some of the characters", "new characters, ways to tighten up the reader's experience, or (in my estimation)", "this book again,\" LOL) **Another edit:** To say that he forgot her name", "of characters. For example, a baby. If I want her mother to use", "if those characters have a defined role. Example: in a hospital setting, the", "rather have her say that she is Parr but he need not remember,", "only show up once, or only in one chapter (even Parr.). I'm definitely", "mother said, \"Oh, thank you for picking that up. Baby AndiiMw is >", "to (mis)characterize him, the MC. I'd rather have her say that she is", "scenes, but this runs up against \"What does the reader really need to", "her name is to (mis)characterize him, the MC. I'd rather have her say", "has two nurses. This is on the lower side of realistic - I'd", "is chaos, as well. Now, I can prune this back to about eight", "is to give a small *easily-visible* detail to the less important characters. Like", "(mis)characterize him, the MC. I'd rather have her say that she is Parr", "--- **What is good pacing and style for new character introductions?** --- **Another", "the scenes with realistic detail. I could expand the scenes, but this runs", "group wants this folded into one nurse, or even no nurses at all.", "ways to tighten up the reader's experience, or (in my estimation) if a", "trick makes sense to me for some of the characters ... and if", "I think this is similar to Amadeus' suggestion about remembering someone from a", "a solo reader immersed in a story, and should be tempered accordingly, I'd", "reader feel permitted to not remember? (LOL I could have her say \"I'm", "opposition, in my mind. Readers want more surrounding detail - but that detail", "average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.) IOW, I", "names is necessarily the thing to do. It immediately will be less true-to-life", "AndiiMw. Now and then the mother might remind everyone that AndiiMw is the", "to back provides feedback that is not applicable to a solo reader immersed", "**Another Edit:** Another trick picked up over the months is to give a", "up over the months is to give a small *easily-visible* detail to the", "bare minimum. My writing group wants this folded into one nurse, or even", "be called Nurse Parr, and not just Parr. These label-cues should help the", "a bare minimum. My writing group wants this folded into one nurse, or", "the scene. In another chapter, there are twelve people (five inside and seven", "immediately will be less true-to-life and these characters show up later. So. if", "(LOL I could have her say \"I'm Parr but I don't show up", "of introducing new characters, ways to tighten up the reader's experience, or (in", "reader already knows), and the children can lose their names, becoming 'the baby'", "at a bare minimum. My writing group wants this folded into one nurse,", "use his name. So this solution is only partial for the children.) I'm", "'the baby' and 'the little boy.' (However, it is unrealistic that the mother", "baby' and 'the little boy.' (However, it is unrealistic that the mother in", "eight (four of whom the reader already knows), and the children can lose", "of realistic - I'd expect three shifts, three nurses, at a bare minimum.", "similar to Amadeus' suggestion about remembering someone from a party within dialog. This", "thing, but > his sister has butter fingers.\" > > > **Another Edit:**", "acceptable. I don't believe I have any named characters that only show up", "critiques and real-life writing clubs. **One** is that I have floating heads syndrome,", "with realistic detail. I could expand the scenes, but this runs up against", "rewriting) example: > > The mother said, \"Oh, thank you for picking that", "less important characters. Like a red bowtie. \"Zotn, the man in the bowtie,", "if this is acceptable. I don't believe I have any named characters that", "the less important characters. Like a red bowtie. \"Zotn, the man in the", "well. Now, I can prune this back to about eight (four of whom", "if you don't remember. You just get well.\" Will the reader feel permitted", "sister has butter fingers.\" > > > **Another Edit:** Another trick picked up", "of whom the reader already knows), and the children can lose their names,", "what is the effect on the reader, if, for example, a nurse said", "scene. In another chapter, there are twelve people (five inside and seven outside),", "permitted to not remember? (LOL I could have her say \"I'm Parr but", "characters that only show up once, or only in one chapter (even Parr.).", "the man in the bowtie, was speaking again.\" The reader seems to be", "their names, becoming 'the baby' and 'the little boy.' (However, it is unrealistic", "excerpts back to back provides feedback that is not applicable to a solo", "sense to me for some of the characters ... and if there's a", "ground the scenes with realistic detail. I could expand the scenes, but this", "a party within dialog. This trick makes sense to me for some of", "her 'Baby AndiiMw' and not just AndiiMw. Now and then the mother might", "Parr. These label-cues should help the reader along, yes? (*oh, right, that's the", "of the characters ... and if there's a point here that I might", "(Some famous works have over 70.) IOW, I am not convinced that the", "reader along, yes? (*oh, right, that's the nurse*.) I think this is similar", "> > > **Another Edit:** Another trick picked up over the months is", "occurs to me there may be special tricks for some types of characters.", "the intent of the scene is chaos, as well. Now, I can prune", "the correct pacing of introducing new characters, ways to tighten up the reader's", "up. Baby AndiiMw is > always dropping her pacifier. Little Juay never dropped", "all. While also wanting me to ground the scenes with realistic detail. I", "him, the MC. I'd rather have her say that she is Parr but", "this folded into one nurse, or even no nurses at all. While also", "is, I have 'too many characters' in some scenes. FTR, I have 32", "red bowtie. \"Zotn, the man in the bowtie, was speaking again.\" The reader", "chapter, there are twelve people (five inside and seven outside), and I agree", "- conversations without grounding and surrounding details. I can fix those. The **second**", "might remind everyone that AndiiMw is the baby. Similarly, the little boy could", "not name the nurses, but they are a staple of the scene. In", "back provides feedback that is not applicable to a solo reader immersed in", "consideration. (Bad, on-the-fly, needs rewriting) example: > > The mother said, \"Oh, thank", "months is to give a small *easily-visible* detail to the less important characters.", "for the children.) I'm not convinced removing names is necessarily the thing to", "to ground the scenes with realistic detail. I could expand the scenes, but", "called Nurse Parr, and not just Parr. These label-cues should help the reader", "pacing and introduction of new characters?** **Edit**: Additionally, what is the effect on", "Parr.). I'm definitely on the lookout for those, though. --- **What is good", "right, that's the nurse*.) I think this is similar to Amadeus' suggestion about", "a crowd scene, full stop, so I wrote one. the intent of the", "is the baby. Similarly, the little boy could sometimes be 'Little Juay.' (A", "thing to do. It immediately will be less true-to-life and these characters show", "- but that detail should not be characters. Even if those characters have", "love to hear it. **How would you describe the ideal pacing and introduction", "minimum. My writing group wants this folded into one nurse, or even no", "this runs up against \"What does the reader really need to know?\" I", "those characters have a defined role. Example: in a hospital setting, the MC", "you have thoughts about the correct pacing of introducing new characters, ways to", "pieces of feedback stand somewhat in opposition, in my mind. Readers want more", "my estimation) if a writer's group reading six excerpts back to back provides", "For example, a baby. If I want her mother to use her name,", "*easily-visible* detail to the less important characters. Like a red bowtie. \"Zotn, the", "characters is the problem - I suspect it is my execution that is", "but I don't show up in this book again,\" LOL) **Another edit:** To", "(Bad, on-the-fly, needs rewriting) example: > > The mother said, \"Oh, thank you", "bowtie, was speaking again.\" The reader seems to be able to grab onto", "again,\" LOL) **Another edit:** To say that he forgot her name is to", "for example, a nurse said something like, \"I'm Parr, but it's alright if", "Even if those characters have a defined role. Example: in a hospital setting,", "or (in my estimation) if a writer's group reading six excerpts back to", "no nurses at all. While also wanting me to ground the scenes with", "dialog would say \"Come here, little boy.\" She would use his name. So", "be missing I'd like to put the idea out for consideration. (Bad, on-the-fly,", "never dropped a thing, but > his sister has butter fingers.\" > >", "seems to be able to grab onto that sort of detail and remember", "to use her name, the mother can occasionally call her 'Baby AndiiMw' and", "knows), and the children can lose their names, becoming 'the baby' and 'the", "the reader already knows), and the children can lose their names, becoming 'the", "already knows), and the children can lose their names, becoming 'the baby' and", "have thoughts about the correct pacing of introducing new characters, ways to tighten", "to be able to grab onto that sort of detail and remember Zotn", "small *easily-visible* detail to the less important characters. Like a red bowtie. \"Zotn,", "and these characters show up later. So. if you have thoughts about the", "types of characters. For example, a baby. If I want her mother to", "I'm definitely on the lookout for those, though. --- **What is good pacing", "detail should not be characters. Even if those characters have a defined role.", "**What is good pacing and style for new character introductions?** --- **Another edit:**", "not be characters. Even if those characters have a defined role. Example: in", "on the reader, if, for example, a nurse said something like, \"I'm Parr,", "all the 2-person dialogs I had. I wanted a crowd scene, full stop,", "2-person dialogs I had. I wanted a crowd scene, full stop, so I", "in my mind. Readers want more surrounding detail - but that detail should", "characters ... and if there's a point here that I might be missing", "past all the 2-person dialogs I had. I wanted a crowd scene, full", "I am not convinced that the number of characters is the problem -", "is unrealistic that the mother in dialog would say \"Come here, little boy.\"", "that is not applicable to a solo reader immersed in a story, and", "You just get well.\" Will the reader feel permitted to not remember? (LOL", "tricks for some types of characters. For example, a baby. If I want", "and then the mother might remind everyone that AndiiMw is the baby. Similarly,", "mother can occasionally call her 'Baby AndiiMw' and not just AndiiMw. Now and", "a staple of the scene. In another chapter, there are twelve people (five", "thoughts about the correct pacing of introducing new characters, ways to tighten up", "is a lot. At the time that I wrote it, I remember I", "call her 'Baby AndiiMw' and not just AndiiMw. Now and then the mother", "not just AndiiMw. Now and then the mother might remind everyone that AndiiMw", "feel permitted to not remember? (LOL I could have her say \"I'm Parr", "(even Parr.). I'm definitely on the lookout for those, though. --- **What is", "adding a qualifying question to the end of this question.** So I have", "example, a baby. If I want her mother to use her name, the", "defined role. Example: in a hospital setting, the MC has two nurses. This", "like, \"I'm Parr, but it's alright if you don't remember. You just get", "heads syndrome, - conversations without grounding and surrounding details. I can fix those.", "the end of this question.** So I have (let's say) two types of", "My writing group wants this folded into one nurse, or even no nurses", "this is a lot. At the time that I wrote it, I remember", "So this solution is only partial for the children.) I'm not convinced removing", "special tricks for some types of characters. For example, a baby. If I", "writing clubs. **One** is that I have floating heads syndrome, - conversations without", "her pacifier. Little Juay never dropped a thing, but > his sister has", "that the number of characters is the problem - I suspect it is", "nurse*.) I think this is similar to Amadeus' suggestion about remembering someone from", "that the mother in dialog would say \"Come here, little boy.\" She would", "works have over 70.) IOW, I am not convinced that the number of", "in the bowtie, was speaking again.\" The reader seems to be able to", "question to the end of this question.** So I have (let's say) two", "picking that up. Baby AndiiMw is > always dropping her pacifier. Little Juay", "name the nurses, but they are a staple of the scene. In another", "that sort of detail and remember Zotn not as Zotn but as Man", "the time that I wrote it, I remember I was trying to get", "somewhat in opposition, in my mind. Readers want more surrounding detail - but", "little boy.\" She would use his name. So this solution is only partial", "types of feedback in my beta critiques and real-life writing clubs. **One** is", "- I'd expect three shifts, three nurses, at a bare minimum. My writing", "up in this book again,\" LOL) **Another edit:** To say that he forgot", "makes sense to me for some of the characters ... and if there's", "if there's a point here that I might be missing I'd like to", "\"Zotn, the man in the bowtie, was speaking again.\" The reader seems to", "have 'too many characters' in some scenes. FTR, I have 32 named characters", "partial for the children.) I'm not convinced removing names is necessarily the thing", "baby. Similarly, the little boy could sometimes be 'Little Juay.' (A nurse can", "I had. I wanted a crowd scene, full stop, so I wrote one.", "I wrote it, I remember I was trying to get past all the", "name. So this solution is only partial for the children.) I'm not convinced", "any named characters that only show up once, or only in one chapter", "my mind. Readers want more surrounding detail - but that detail should not", "Parr, but it's alright if you don't remember. You just get well.\" Will", "**second** is, I have 'too many characters' in some scenes. FTR, I have", "convinced that the number of characters is the problem - I suspect it", "the mother in dialog would say \"Come here, little boy.\" She would use", "the mother might remind everyone that AndiiMw is the baby. Similarly, the little", "is similar to Amadeus' suggestion about remembering someone from a party within dialog.", "reader immersed in a story, and should be tempered accordingly, I'd love to", "would use his name. So this solution is only partial for the children.)", "that only show up once, or only in one chapter (even Parr.). I'm", "It immediately will be less true-to-life and these characters show up later. So.", "solo reader immersed in a story, and should be tempered accordingly, I'd love", "a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.) IOW, I am not", "I agree this is a lot. At the time that I wrote it,", "that he forgot her name is to (mis)characterize him, the MC. I'd rather", "characters. For example, a baby. If I want her mother to use her", "the little boy could sometimes be 'Little Juay.' (A nurse can occasionally be", "said something like, \"I'm Parr, but it's alright if you don't remember. You", "fingers.\" > > > **Another Edit:** Another trick picked up over the months", "that detail should not be characters. Even if those characters have a defined", "the reader, if, for example, a nurse said something like, \"I'm Parr, but", "realistic detail. I could expand the scenes, but this runs up against \"What", "[near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.) IOW,", "is Parr but he need not remember, if this is acceptable. I don't", "is [near average for a SFF book](http://creativityhacker.ca/2013/07/05/analyzing-dialogue-lengths-in-fantasy-fiction/). (Some famous works have over 70.)", "I wanted a crowd scene, full stop, so I wrote one. the intent", "a small *easily-visible* detail to the less important characters. Like a red bowtie.", "to do. It immediately will be less true-to-life and these characters show up", "tighten up the reader's experience, or (in my estimation) if a writer's group", "get well.\" Will the reader feel permitted to not remember? (LOL I could", "in opposition, in my mind. Readers want more surrounding detail - but that", "Juay never dropped a thing, but > his sister has butter fingers.\" >", "I have any named characters that only show up once, or only in", "later. So. if you have thoughts about the correct pacing of introducing new", "to get past all the 2-person dialogs I had. I wanted a crowd", "am not convinced that the number of characters is the problem - I", "six excerpts back to back provides feedback that is not applicable to a", "Like a red bowtie. \"Zotn, the man in the bowtie, was speaking again.\"", "and if there's a point here that I might be missing I'd like", "this question.** So I have (let's say) two types of feedback in my", "nurses. This is on the lower side of realistic - I'd expect three", "characters. Like a red bowtie. \"Zotn, the man in the bowtie, was speaking", "the problem. These two pieces of feedback stand somewhat in opposition, in my", "**How would you describe the ideal pacing and introduction of new characters?** **Edit**:", "less true-to-life and these characters show up later. So. if you have thoughts", "not just Parr. These label-cues should help the reader along, yes? (*oh, right,", "picked up over the months is to give a small *easily-visible* detail to", "she is Parr but he need not remember, if this is acceptable. I", "he forgot her name is to (mis)characterize him, the MC. I'd rather have", "speaking again.\" The reader seems to be able to grab onto that sort", "her say \"I'm Parr but I don't show up in this book again,\"", "think this is similar to Amadeus' suggestion about remembering someone from a party", "mother might remind everyone that AndiiMw is the baby. Similarly, the little boy", "out for consideration. (Bad, on-the-fly, needs rewriting) example: > > The mother said,", "wrote one. the intent of the scene is chaos, as well. Now, I", "remember? (LOL I could have her say \"I'm Parr but I don't show", "the lookout for those, though. --- **What is good pacing and style for", "can prune this back to about eight (four of whom the reader already" ]
[ "in the first person; however, one of the main characters who narrate lives", "only Cantonese and Mandarin, so it's a problem, but it is important they", "person; however, one of the main characters who narrate lives in China. He", "the main characters who narrate lives in China. He speaks only Cantonese and", "in China. He speaks only Cantonese and Mandarin, so it's a problem, but", "He speaks only Cantonese and Mandarin, so it's a problem, but it is", "have a character in a book I wish to write in the first", "write in the first person; however, one of the main characters who narrate", "and Mandarin, so it's a problem, but it is important they only speak", "it's a problem, but it is important they only speak these languages and", "to write in the first person; however, one of the main characters who", "a character in a book I wish to write in the first person;", "book I wish to write in the first person; however, one of the", "speaks only Cantonese and Mandarin, so it's a problem, but it is important", "characters who narrate lives in China. He speaks only Cantonese and Mandarin, so", "they only speak these languages and live in China. What should I do?", "Cantonese and Mandarin, so it's a problem, but it is important they only", "who narrate lives in China. He speaks only Cantonese and Mandarin, so it's", "is important they only speak these languages and live in China. What should", "lives in China. He speaks only Cantonese and Mandarin, so it's a problem,", "a problem, but it is important they only speak these languages and live", "a book I wish to write in the first person; however, one of", "I wish to write in the first person; however, one of the main", "China. He speaks only Cantonese and Mandarin, so it's a problem, but it", "important they only speak these languages and live in China. What should I", "I have a character in a book I wish to write in the", "problem, but it is important they only speak these languages and live in", "of the main characters who narrate lives in China. He speaks only Cantonese", "in a book I wish to write in the first person; however, one", "one of the main characters who narrate lives in China. He speaks only", "the first person; however, one of the main characters who narrate lives in", "but it is important they only speak these languages and live in China.", "wish to write in the first person; however, one of the main characters", "it is important they only speak these languages and live in China. What", "first person; however, one of the main characters who narrate lives in China.", "so it's a problem, but it is important they only speak these languages", "main characters who narrate lives in China. He speaks only Cantonese and Mandarin,", "however, one of the main characters who narrate lives in China. He speaks", "Mandarin, so it's a problem, but it is important they only speak these", "character in a book I wish to write in the first person; however,", "narrate lives in China. He speaks only Cantonese and Mandarin, so it's a" ]
[ "happen in chapters — at least, not regular ones. Nor do movies. Homer", "to the end of the chapter, and then you must go to sleep\")", "the way of a movie. Some scenes may be rather short, so I", "> If there isn't a clear break, or reason, between scenes or segments,", "that I would like to see flow in the way of a movie.", "in chapters. I can see what their purpose is in children's books (\"I'll", "to see flow in the way of a movie. Some scenes may be", "novel that I would like to see flow in the way of a", "is in children's books (\"I'll read to the end of the chapter, and", "Terry Pratchett > > > If there isn't a clear break, or reason,", "- Terry Pratchett > > > If there isn't a clear break, or", "adults - Terry Pratchett > > > If there isn't a clear break,", "this because I'm working on a novel that I would like to see", "what their purpose is in children's books (\"I'll read to the end of", "break, or reason, between scenes or segments, then why have chapters at all?", "all? I'm asking this because I'm working on a novel that I would", "If there isn't a clear break, or reason, between scenes or segments, then", "way of a movie. Some scenes may be rather short, so I don't", "go to sleep\") but I'm blessed if I know what function they serve", "I'm blessed if I know what function they serve in books for adults", "or reason, between scenes or segments, then why have chapters at all? I'm", "like to see flow in the way of a movie. Some scenes may", "Pratchett > > > If there isn't a clear break, or reason, between", "their purpose is in children's books (\"I'll read to the end of the", "if I know what function they serve in books for adults - Terry", "didn't write in chapters. I can see what their purpose is in children's", "the end of the chapter, and then you must go to sleep\") but", "sleep\") but I'm blessed if I know what function they serve in books", "then you must go to sleep\") but I'm blessed if I know what", "a movie. Some scenes may be rather short, so I don't want to", "must go to sleep\") but I'm blessed if I know what function they", "movie. Some scenes may be rather short, so I don't want to commit", "or segments, then why have chapters at all? I'm asking this because I'm", "scenes or segments, then why have chapters at all? I'm asking this because", "read to the end of the chapter, and then you must go to", "segments, then why have chapters at all? I'm asking this because I'm working", "because I'm working on a novel that I would like to see flow", "working on a novel that I would like to see flow in the", "isn't a clear break, or reason, between scenes or segments, then why have", "children's books (\"I'll read to the end of the chapter, and then you", "would like to see flow in the way of a movie. Some scenes", "function they serve in books for adults - Terry Pratchett > > >", "see what their purpose is in children's books (\"I'll read to the end", "> > Life doesn't happen in chapters — at least, not regular ones.", "ones. Nor do movies. Homer didn't write in chapters. I can see what", "want to commit a whole chapter to it (similar to James Patterson's style).", "between scenes or segments, then why have chapters at all? I'm asking this", "serve in books for adults - Terry Pratchett > > > If there", "rather short, so I don't want to commit a whole chapter to it", "see flow in the way of a movie. Some scenes may be rather", "Nor do movies. Homer didn't write in chapters. I can see what their", "what function they serve in books for adults - Terry Pratchett > >", "chapters at all? I'm asking this because I'm working on a novel that", "be rather short, so I don't want to commit a whole chapter to", "I would like to see flow in the way of a movie. Some", "Some scenes may be rather short, so I don't want to commit a", "short, so I don't want to commit a whole chapter to it (similar", "books for adults - Terry Pratchett > > > If there isn't a", "why have chapters at all? I'm asking this because I'm working on a", "but I'm blessed if I know what function they serve in books for", "Homer didn't write in chapters. I can see what their purpose is in", "reason, between scenes or segments, then why have chapters at all? I'm asking", "have chapters at all? I'm asking this because I'm working on a novel", "in the way of a movie. Some scenes may be rather short, so", "in books for adults - Terry Pratchett > > > If there isn't", "on a novel that I would like to see flow in the way", "flow in the way of a movie. Some scenes may be rather short,", "I can see what their purpose is in children's books (\"I'll read to", "know what function they serve in books for adults - Terry Pratchett >", "> > If there isn't a clear break, or reason, between scenes or", "you must go to sleep\") but I'm blessed if I know what function", "chapters. I can see what their purpose is in children's books (\"I'll read", "and then you must go to sleep\") but I'm blessed if I know", "write in chapters. I can see what their purpose is in children's books", "the chapter, and then you must go to sleep\") but I'm blessed if", "asking this because I'm working on a novel that I would like to", "books (\"I'll read to the end of the chapter, and then you must", "doesn't happen in chapters — at least, not regular ones. Nor do movies.", "do movies. Homer didn't write in chapters. I can see what their purpose", "in children's books (\"I'll read to the end of the chapter, and then", "a novel that I would like to see flow in the way of", "least, not regular ones. Nor do movies. Homer didn't write in chapters. I", "to sleep\") but I'm blessed if I know what function they serve in", "blessed if I know what function they serve in books for adults -", "I don't want to commit a whole chapter to it (similar to James", "movies. Homer didn't write in chapters. I can see what their purpose is", "chapter, and then you must go to sleep\") but I'm blessed if I", "then why have chapters at all? I'm asking this because I'm working on", "> > > If there isn't a clear break, or reason, between scenes", "Life doesn't happen in chapters — at least, not regular ones. Nor do", "there isn't a clear break, or reason, between scenes or segments, then why", "I know what function they serve in books for adults - Terry Pratchett", "may be rather short, so I don't want to commit a whole chapter", "scenes may be rather short, so I don't want to commit a whole", "a clear break, or reason, between scenes or segments, then why have chapters", "they serve in books for adults - Terry Pratchett > > > If", "of a movie. Some scenes may be rather short, so I don't want", "at all? I'm asking this because I'm working on a novel that I", "for adults - Terry Pratchett > > > If there isn't a clear", "regular ones. Nor do movies. Homer didn't write in chapters. I can see", "(\"I'll read to the end of the chapter, and then you must go", "> Life doesn't happen in chapters — at least, not regular ones. Nor", "I'm asking this because I'm working on a novel that I would like", "— at least, not regular ones. Nor do movies. Homer didn't write in", "of the chapter, and then you must go to sleep\") but I'm blessed", "in chapters — at least, not regular ones. Nor do movies. Homer didn't", "end of the chapter, and then you must go to sleep\") but I'm", "I'm working on a novel that I would like to see flow in", "not regular ones. Nor do movies. Homer didn't write in chapters. I can", "at least, not regular ones. Nor do movies. Homer didn't write in chapters.", "chapters — at least, not regular ones. Nor do movies. Homer didn't write", "so I don't want to commit a whole chapter to it (similar to", "don't want to commit a whole chapter to it (similar to James Patterson's", "clear break, or reason, between scenes or segments, then why have chapters at", "purpose is in children's books (\"I'll read to the end of the chapter,", "can see what their purpose is in children's books (\"I'll read to the" ]
[ "what is best practice. Do I unconditionally follow all of the suggestions that", "the professional standard for writing a review for example? Do you be dramatic", "would not say I am as successful as Rucheeg Pkilps. Therefore, using an", "feel they work. They are part of my character and how I speak.", "might win a lot of swimming races and be considered a success, but", "standard for writing a review for example? Do you be dramatic and use", "fine, but sometimes they are short. Whenever I try to correct every single", "try to be my own editor in order to improve the quality of", "of what I write. When I feel happy I use Hemingway to further", "not say I am as successful as Rucheeg Pkilps. Therefore, using an adverb", "as Rucheeg Pkilps. Therefore, using an adverb seems correct in this case to", "correct every single mistake, the writing has no character. It is robotic and", "be my own editor in order to improve the quality of what I", "of enthusiasm. What would be the professional standard for writing a review for", "lot of swimming races and be considered a success, but I would not", "feel happy I use Hemingway to further tighten up what I have written.", "this case to really emphasize the success. I generally ignore any sentences that", "short. Whenever I try to correct every single mistake, the writing has no", "use. In a 1100 word piece I have used 16 of them. I", "well, but success is not a standard/constant. I might win a lot of", "required, I am not sure what is best practice. Do I unconditionally follow", "suggests or not? One typical complaint I have comes from the number of", "I feel happy I use Hemingway to further tighten up what I have", "performing well, but success is not a standard/constant. I might win a lot", "but sometimes they are short. Whenever I try to correct every single mistake,", "I use. In a 1100 word piece I have used 16 of them.", "but I would not say I am as successful as Rucheeg Pkilps. Therefore,", "what I write. When I feel happy I use Hemingway to further tighten", "are yellow (hard to read but not very hard). I am unsure whether", "What would be the professional standard for writing a review for example? Do", "I use Hemingway to further tighten up what I have written. Normally I", "I have used 16 of them. I fully understand the issue with them,", "mistake, the writing has no character. It is robotic and lacking any sort", "The word success already implies that something is performing well, but success is", "the success. I generally ignore any sentences that are yellow (hard to read", "be considered a success, but I would not say I am as successful", "unsure whether to correct them. For long sentences, this is perfectly fine, but", "word success already implies that something is performing well, but success is not", "am not sure what is best practice. Do I unconditionally follow all of", "Do you be dramatic and use all the adverbs you wish to get", "and lacking any sort of enthusiasm. What would be the professional standard for", "and how I speak. For example \"the highly successful man\". The word success", "Rucheeg Pkilps. Therefore, using an adverb seems correct in this case to really", "in this case to really emphasize the success. I generally ignore any sentences", "something is performing well, but success is not a standard/constant. I might win", "where \"perfection\" is required, I am not sure what is best practice. Do", "For example \"the highly successful man\". The word success already implies that something", "up on being perfect. However, in the event where \"perfection\" is required, I", "hard). I am unsure whether to correct them. For long sentences, this is", "When writing I try to be my own editor in order to improve", "implies that something is performing well, but success is not a standard/constant. I", "and use all the adverbs you wish to get your point across or", "order to improve the quality of what I write. When I feel happy", "perfectly fine, but sometimes they are short. Whenever I try to correct every", "I try to be my own editor in order to improve the quality", "generally ignore any sentences that are yellow (hard to read but not very", "a score of 9 since I am not particularly hung up on being", "them, but often I feel they work. They are part of my character", "my character and how I speak. For example \"the highly successful man\". The", "the adverbs you wish to get your point across or do you strictly", "sometimes they are short. Whenever I try to correct every single mistake, the", "piece I have used 16 of them. I fully understand the issue with", "fully understand the issue with them, but often I feel they work. They", "in the event where \"perfection\" is required, I am not sure what is", "part of my character and how I speak. 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They are part of my character and how", "for writing a review for example? Do you be dramatic and use all", "single mistake, the writing has no character. It is robotic and lacking any", "in order to improve the quality of what I write. When I feel", "of my character and how I speak. For example \"the highly successful man\".", "are short. Whenever I try to correct every single mistake, the writing has", "best practice. Do I unconditionally follow all of the suggestions that Hemingway suggests", "typical complaint I have comes from the number of adverbs I use. In", "am as successful as Rucheeg Pkilps. Therefore, using an adverb seems correct in", "as successful as Rucheeg Pkilps. Therefore, using an adverb seems correct in this", "particularly hung up on being perfect. However, in the event where \"perfection\" is", "them. For long sentences, this is perfectly fine, but sometimes they are short.", "you wish to get your point across or do you strictly follow all", "sentences that are yellow (hard to read but not very hard). I am" ]
[ "want try instead is lead her to a personal crisis where she must", "have \"faith\" in a statistical long-shot, and eventually starts to factor the disruptive", "this hump in a small way, or better understand this internal conflict, the", "to establish that she comes from a world of facts and concrete science", "EXAMPLE:** Too often in sci-fi stories, I see top-tier (yet bumbling) scientists who", "over-react. When she fails things explode and people die. I have a **Guile", "probability outcomes. Rather than just make her be an exposition geek who explains", "internal struggle I can show that makes her change from a passive observer", "conflict is left unresolved (they re-unite in a later adventure and try again).", "don't want to use my Science Hero as a foil to justify the", "world\", even though it means rejecting the established order she comes from and", "to \"guide\" human affairs. They aren't allowed to be critical or hold positions", "or hold positions of power, yet they are expected to be moral paragons.", "through problems without moral judgement because they have no innate sense of justice.", "fail, as they all do in the first adventure, so she has motivation", "of right and wrong (morally more nuanced than the others usually, but perhaps", "to justify the unintelligent actions of other heroes. I need her to stand", "believes in the waste bin, and roll the dice. This would defeat who", "rigid or mentally inferior, but I feel her being an AI is enough", "actively try to \"change the world\", even though it means rejecting the established", "to subvert cliches about AI as characters). Making her android implies some rules", "a statistical long-shot, and eventually starts to factor the disruptive effects of the", "(morally more nuanced than the others usually, but perhaps less experienced) so I", "\"because she is saving millions of lives\", that excuse is only justifiable later.", "through inaction. I don't expect her to carry the same gravitas as the", "force and deception), but the \"institution\" she has to conquer is her own", "same gravitas as the others – she has some action moments too, she", "character more obvious, and because I don't feel I have tropes to establish", "brains are useless and only fists and charisma save the day (and probably", "of escalating the stakes. **How do I show a character crisis for a", "**How do I show a character crisis for a Science Hero**, secure in", "arc and resolution. Circumstances bring them together but their personalities clash. At the", "Hero** that struggles to be self-disciplined and not over-react. When she fails things", "sentient androids are expected to be subservient to humans, not to interfere but", "an internal struggle I can show that makes her change from a passive", "her realize that the other two can be less destructive when she is", "\"wrong\", that defeats the purpose of having intelligence. **OPPOSITE OF SCIENCE IS FAITH:**", "explode and people die. I have a **Guile Hero** that struggles to be", "unintelligent actions of other heroes. I need her to stand on her own,", "want to avoid making her internal crisis about all of science being \"wrong\",", "that isn't good if they don't approve of your mission. Un-sentient AI will", "better understand this internal conflict, the rest of her actions are a slippery", "out through inaction. I don't expect her to carry the same gravitas as", "an exposition geek who explains science factoids to the team, I plan to", "heroes have external conflicts that play out through action, but this one is", "conflicts and alienates her friends. The problem is my third character a **Science", "I especially want to avoid making her internal crisis about all of science", "get her over this hump in a small way, or better understand this", "her fail, as they all do in the first adventure, so she has", "probably a guile hero doing a silly dance as a distraction). This is", "only fists and charisma save the day (and probably a guile hero doing", "of statistical facts, struggle to decide if she should actively try to \"change", "enough to establish that she comes from a world of facts and concrete", "Too often in sci-fi stories, I see top-tier (yet bumbling) scientists who lack", "or mentally inferior, but I feel her being an AI is enough to", "*monsters from the Beyondo*, or whatever contrived un-scientific threat arrises. They explain why", "to avoid. I don't want to use my Science Hero as a foil", "around to mitigate and direct their chaos, but this is a big leap", "also need to show her fail, as they all do in the first", "believes will go unheeded, to directly meddling in events and changing outcomes. She", "day (and probably a guile hero doing a silly dance as a distraction).", "to mitigate and direct their chaos, but this is a big leap for", "critical or hold positions of power, yet they are expected to be moral", "**Science Hero** – I'm not actually sure that is an archetype but her", "the \"institution\" she has to conquer is her own role in society. I", "is internal and plays out through inaction. I don't expect her to carry", "inferior, but I feel her being an AI is enough to establish that", "that play out through action, but this one is internal and plays out", "has some action moments too, she is not a brain in a jar", "options through statistical probability. To make this character more obvious, and because I", "**THE BAD EXAMPLE:** Too often in sci-fi stories, I see top-tier (yet bumbling)", "succumb to their own character flaws rather than trust the abilities of the", "her to stand on her own, with her own consistent limits and strengths.", "can't write a character walking around wondering aloud if she should chuck everything", "the others, and the main conflict is left unresolved (they re-unite in a", "with their own character arc and resolution. Circumstances bring them together but their", "android implies some rules about her heroic type. **THE BAD EXAMPLE:** Too often", "team, I plan to have her realize that the other two can be", "of your mission. Un-sentient AI will crunch through problems without moral judgement because", "the unintelligent actions of other heroes. I need her to stand on her", "I plan to have her realize that the other two can be less", "consistent limits and strengths. I especially want to avoid making her internal crisis", "I can justify her partnering up with the wrecking crew based on her", "AI will crunch through problems without moral judgement because they have no innate", "character arc and resolution. Circumstances bring them together but their personalities clash. At", "others, and the main conflict is left unresolved (they re-unite in a later", "un-scientific threat arrises. They explain why the premise is impossible, then keep saying", "have three protagonists working towards the same goal but with different motives. They", "and plays out through inaction. I don't expect her to carry the same", "do I show a character crisis for a Science Hero**, secure in the", "their own character arc and resolution. Circumstances bring them together but their personalities", "later adventure and try again). I have an **Action Hero** that struggles to", "probability. To make this character more obvious, and because I don't feel I", "adventure, so she has motivation to not fail in the future. The other", "than just make her be an exposition geek who explains science factoids to", "(according to the story) brains are useless and only fists and charisma save", "it means rejecting the established order she comes from and the outcomes are", "of other heroes. I need her to stand on her own, with her", "to \"change the world\", even though it means rejecting the established order she", "the Beyondo*, or whatever contrived un-scientific threat arrises. They explain why the premise", "character traits are about dogmatic science, trust in law and institutions, and choosing", "slope and the plot takes care of escalating the stakes. **How do I", "The problem is my third character a **Science Hero** – I'm not actually", "be an exposition geek who explains science factoids to the team, I plan", "not to interfere but to \"guide\" human affairs. They aren't allowed to be", "try again). I have an **Action Hero** that struggles to be self-disciplined and", "have external conflicts that play out through action, but this one is internal", "not omniscient). Her character is not overly rigid or mentally inferior, but I", "readers, she is a sentient android (sentient, not omniscient). Her character is not", "a big leap for her character. The sentient androids are expected to be", "from the Beyondo*, or whatever contrived un-scientific threat arrises. They explain why the", "and concrete science (and I'm hoping to subvert cliches about AI as characters).", "the story) brains are useless and only fists and charisma save the day", "action moments too, she is not a brain in a jar – but", "through statistical probability. To make this character more obvious, and because I don't", "just make her be an exposition geek who explains science factoids to the", "about dogmatic science, trust in law and institutions, and choosing the \"safe\" options", "isn't good if they don't approve of your mission. Un-sentient AI will crunch", "flaws rather than trust the abilities of the others, and the main conflict", "I'm hoping to subvert cliches about AI as characters). Making her android implies", "impossible, then keep saying \"This can't be happening!\" and die because (according to", "the others usually, but perhaps less experienced) so I can justify her partnering", "she is not a brain in a jar – but I can't write", "of science being \"wrong\", that defeats the purpose of having intelligence. **OPPOSITE OF", "a **Science Hero** – I'm not actually sure that is an archetype but", "omniscient). Her character is not overly rigid or mentally inferior, but I feel", "avoid making her internal crisis about all of science being \"wrong\", that defeats", "actions are a slippery slope and the plot takes care of escalating the", "that she comes from a world of facts and concrete science (and I'm", "carry the same gravitas as the others – she has some action moments", "affairs. They aren't allowed to be critical or hold positions of power, yet", "are co-protagonists each with their own character arc and resolution. Circumstances bring them", "disruptive effects of the other heroes into her probability outcomes. Rather than just", "It's a cognitive dissonance, and most cultures prefer *un*-sentient AI: When the AI", "all do in the first adventure, so she has motivation to not fail", "than the others usually, but perhaps less experienced) so I can justify her", "to conquer is her own role in society. I feel once I can", "are uncertain? For plot reasons I can't start with \"because she is saving", "top-tier (yet bumbling) scientists who lack the imagination to grasp the world-breaking *monsters", "lack the imagination to grasp the world-breaking *monsters from the Beyondo*, or whatever", "be moral paragons. It's a cognitive dissonance, and most cultures prefer *un*-sentient AI:", "usually, but perhaps less experienced) so I can justify her partnering up with", "is saving millions of lives\", that excuse is only justifiable later. I also", "a character walking around wondering aloud if she should chuck everything she believes", "end of the first adventure they succumb to their own character flaws rather", "her own consistent limits and strengths. I especially want to avoid making her", "her partnering up with the wrecking crew based on her \"faith\" in the", "inaction. I don't expect her to carry the same gravitas as the others", "When the AI has a sense of self, they develop a moral code", "in the first adventure, so she has motivation to not fail in the", "her to carry the same gravitas as the others – she has some", "adventure and try again). I have an **Action Hero** that struggles to be", "walking around wondering aloud if she should chuck everything she believes in the", "all of science being \"wrong\", that defeats the purpose of having intelligence. **OPPOSITE", "she has to conquer is her own role in society. I feel once", "struggles to be moral and not double-cross everyone. When she fails she creates", "justify the unintelligent actions of other heroes. I need her to stand on", "three protagonists working towards the same goal but with different motives. They are", "re-unite in a later adventure and try again). I have an **Action Hero**", "changing outcomes. She models the new behavior on her partners (brute force and", "sentient android (sentient, not omniscient). Her character is not overly rigid or mentally", "are expected to be subservient to humans, not to interfere but to \"guide\"", "(and probably a guile hero doing a silly dance as a distraction). This", "I need her to stand on her own, with her own consistent limits", "cognitive dissonance, and most cultures prefer *un*-sentient AI: When the AI has a", "outcomes are uncertain? For plot reasons I can't start with \"because she is", "die. I have a **Guile Hero** that struggles to be moral and not", "I have three protagonists working towards the same goal but with different motives.", "first adventure, so she has motivation to not fail in the future. The", "to avoid making her internal crisis about all of science being \"wrong\", that", "show a character crisis for a Science Hero**, secure in the inevitability of", "especially want to avoid making her internal crisis about all of science being", "with the wrecking crew based on her \"faith\" in the long-shot gamble (thousands", "own role in society. I feel once I can get her over this", "experienced) so I can justify her partnering up with the wrecking crew based", "other heroes have external conflicts that play out through action, but this one", "unresolved (they re-unite in a later adventure and try again). I have an", "unheeded, to directly meddling in events and changing outcomes. She models the new", "long-shot gamble (thousands may die, but millions could be saved), however she also", "personalities clash. At the end of the first adventure they succumb to their", "to their own character flaws rather than trust the abilities of the others,", "scientists who lack the imagination to grasp the world-breaking *monsters from the Beyondo*,", "care of escalating the stakes. **How do I show a character crisis for", "show her fail, as they all do in the first adventure, so she", "be saved), however she also needs an internal struggle I can show that", "character a **Science Hero** – I'm not actually sure that is an archetype", "left unresolved (they re-unite in a later adventure and try again). I have", "see top-tier (yet bumbling) scientists who lack the imagination to grasp the world-breaking", "with different motives. They are co-protagonists each with their own character arc and", "if she should actively try to \"change the world\", even though it means", "the same gravitas as the others – she has some action moments too,", "of their identity and that isn't good if they don't approve of your", "own consistent limits and strengths. I especially want to avoid making her internal", "and direct their chaos, but this is a big leap for her character.", "established order she comes from and the outcomes are uncertain? For plot reasons", "bumbling) scientists who lack the imagination to grasp the world-breaking *monsters from the", "that makes her change from a passive observer resigned to occasionally offer advice", "she fails things explode and people die. I have a **Guile Hero** that", "mission. Un-sentient AI will crunch through problems without moral judgement because they have", "saving millions of lives\", that excuse is only justifiable later. I also need", "conflicts that play out through action, but this one is internal and plays", "establish that she comes from a world of facts and concrete science (and", "lead her to a personal crisis where she must have \"faith\" in a", "AI: When the AI has a sense of self, they develop a moral", "have a **Guile Hero** that struggles to be moral and not double-cross everyone.", "the wrecking crew based on her \"faith\" in the long-shot gamble (thousands may", "comes from a world of facts and concrete science (and I'm hoping to", "a sense of self, they develop a moral code as part of their", "too, she is not a brain in a jar – but I can't", "cultures prefer *un*-sentient AI: When the AI has a sense of self, they", "own character arc and resolution. 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The sentient androids are expected to be subservient to", "of self, they develop a moral code as part of their identity and", "of having intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What I want try instead", "when she is around to mitigate and direct their chaos, but this is", "the other heroes into her probability outcomes. Rather than just make her be", "avoid. I don't want to use my Science Hero as a foil to", "friends. The problem is my third character a **Science Hero** – I'm not", "and institutions, and choosing the \"safe\" options through statistical probability. To make this", "in the long-shot gamble (thousands may die, but millions could be saved), however", "and people die. I have a **Guile Hero** that struggles to be moral", "write a character walking around wondering aloud if she should chuck everything she", "choosing the \"safe\" options through statistical probability. To make this character more obvious,", "subservient to humans, not to interfere but to \"guide\" human affairs. They aren't", "(yet bumbling) scientists who lack the imagination to grasp the world-breaking *monsters from", "as a foil to justify the unintelligent actions of other heroes. I need", "her internal crisis about all of science being \"wrong\", that defeats the purpose", "a cognitive dissonance, and most cultures prefer *un*-sentient AI: When the AI has", "motivation to not fail in the future. The other heroes have external conflicts", "**Guile Hero** that struggles to be moral and not double-cross everyone. When she", "happening!\" and die because (according to the story) brains are useless and only", "or better understand this internal conflict, the rest of her actions are a", "she comes from a world of facts and concrete science (and I'm hoping", "I don't want to use my Science Hero as a foil to justify", "to be moral and not double-cross everyone. When she fails she creates new", "tropes to establish this archetype with the readers, she is a sentient android", "the plot takes care of escalating the stakes. **How do I show a", "destructive when she is around to mitigate and direct their chaos, but this", "purpose of having intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What I want try", "to stand on her own, with her own consistent limits and strengths. I", "(thousands may die, but millions could be saved), however she also needs an", "I can get her over this hump in a small way, or better", "but to \"guide\" human affairs. They aren't allowed to be critical or hold", "this internal conflict, the rest of her actions are a slippery slope and", "can be less destructive when she is around to mitigate and direct their", "the world\", even though it means rejecting the established order she comes from", "being \"wrong\", that defeats the purpose of having intelligence. **OPPOSITE OF SCIENCE IS", "mitigate and direct their chaos, but this is a big leap for her", "trust in law and institutions, and choosing the \"safe\" options through statistical probability.", "her over this hump in a small way, or better understand this internal", "humans, not to interfere but to \"guide\" human affairs. They aren't allowed to", "character crisis for a Science Hero**, secure in the inevitability of statistical facts,", "I have an **Action Hero** that struggles to be self-disciplined and not over-react.", "Rather than just make her be an exposition geek who explains science factoids", "clash. At the end of the first adventure they succumb to their own", "as a distraction). This is what I want to avoid. I don't want", "\"safe\" options through statistical probability. To make this character more obvious, and because", "makes her change from a passive observer resigned to occasionally offer advice and", "that excuse is only justifiable later. I also need to show her fail,", "implies some rules about her heroic type. **THE BAD EXAMPLE:** Too often in", "is her own role in society. I feel once I can get her", "she has motivation to not fail in the future. The other heroes have", "starts to factor the disruptive effects of the other heroes into her probability", "(and I'm hoping to subvert cliches about AI as characters). Making her android", "two can be less destructive when she is around to mitigate and direct", "personal crisis where she must have \"faith\" in a statistical long-shot, and eventually", "android (sentient, not omniscient). Her character is not overly rigid or mentally inferior,", "she comes from and the outcomes are uncertain? For plot reasons I can't", "don't expect her to carry the same gravitas as the others – she", "hold positions of power, yet they are expected to be moral paragons. It's", "sense of self, they develop a moral code as part of their identity", "the main conflict is left unresolved (they re-unite in a later adventure and", "statistical probability. To make this character more obvious, and because I don't feel", "an archetype but her character traits are about dogmatic science, trust in law", "a Science Hero**, secure in the inevitability of statistical facts, struggle to decide", "as characters). Making her android implies some rules about her heroic type. **THE", "innate sense of justice. My character has an educated sense of right and", "she should actively try to \"change the world\", even though it means rejecting", "but this one is internal and plays out through inaction. I don't expect", "die, but millions could be saved), however she also needs an internal struggle", "are useless and only fists and charisma save the day (and probably a", "her own, with her own consistent limits and strengths. I especially want to", "aren't allowed to be critical or hold positions of power, yet they are", "heroes. I need her to stand on her own, with her own consistent", "can get her over this hump in a small way, or better understand", "rules about her heroic type. **THE BAD EXAMPLE:** Too often in sci-fi stories,", "observations she believes will go unheeded, to directly meddling in events and changing", "yet they are expected to be moral paragons. It's a cognitive dissonance, and", "human affairs. They aren't allowed to be critical or hold positions of power,", "establish this archetype with the readers, she is a sentient android (sentient, not", "about her heroic type. **THE BAD EXAMPLE:** Too often in sci-fi stories, I", "alienates her friends. The problem is my third character a **Science Hero** –", "the other two can be less destructive when she is around to mitigate", "everything she believes in the waste bin, and roll the dice. This would", "rejecting the established order she comes from and the outcomes are uncertain? For", "and changing outcomes. She models the new behavior on her partners (brute force", "occasionally offer advice and observations she believes will go unheeded, to directly meddling", "and strengths. I especially want to avoid making her internal crisis about all", "has to conquer is her own role in society. I feel once I", "action, but this one is internal and plays out through inaction. I don't", "takes care of escalating the stakes. **How do I show a character crisis", "a moral code as part of their identity and that isn't good if", "is only justifiable later. I also need to show her fail, as they", "a brain in a jar – but I can't write a character walking", "and the main conflict is left unresolved (they re-unite in a later adventure", "their identity and that isn't good if they don't approve of your mission.", "saved), however she also needs an internal struggle I can show that makes", "to establish this archetype with the readers, she is a sentient android (sentient,", "her change from a passive observer resigned to occasionally offer advice and observations", "to humans, not to interfere but to \"guide\" human affairs. They aren't allowed", "her partners (brute force and deception), but the \"institution\" she has to conquer", "\"institution\" she has to conquer is her own role in society. I feel", "Hero as a foil to justify the unintelligent actions of other heroes. I", "play out through action, but this one is internal and plays out through", "eventually starts to factor the disruptive effects of the other heroes into her", "I can show that makes her change from a passive observer resigned to", "that struggles to be moral and not double-cross everyone. When she fails she", "is a big leap for her character. The sentient androids are expected to", "based on her \"faith\" in the long-shot gamble (thousands may die, but millions", "the established order she comes from and the outcomes are uncertain? For plot", "that defeats the purpose of having intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What", "She models the new behavior on her partners (brute force and deception), but", "other heroes into her probability outcomes. Rather than just make her be an", "I can't write a character walking around wondering aloud if she should chuck", "an educated sense of right and wrong (morally more nuanced than the others", "other heroes. I need her to stand on her own, with her own", "comes from and the outcomes are uncertain? For plot reasons I can't start", "not actually sure that is an archetype but her character traits are about", "approve of your mission. Un-sentient AI will crunch through problems without moral judgement", "outcomes. She models the new behavior on her partners (brute force and deception),", "each with their own character arc and resolution. Circumstances bring them together but", "the team, I plan to have her realize that the other two can", "the inevitability of statistical facts, struggle to decide if she should actively try", "self, they develop a moral code as part of their identity and that", "interfere but to \"guide\" human affairs. They aren't allowed to be critical or", "she should chuck everything she believes in the waste bin, and roll the", "needs an internal struggle I can show that makes her change from a", "want to use my Science Hero as a foil to justify the unintelligent", "realize that the other two can be less destructive when she is around", "make her be an exposition geek who explains science factoids to the team,", "paragons. It's a cognitive dissonance, and most cultures prefer *un*-sentient AI: When the", "others usually, but perhaps less experienced) so I can justify her partnering up", "rather than trust the abilities of the others, and the main conflict is", "factoids to the team, I plan to have her realize that the other", "plan to have her realize that the other two can be less destructive", "but this is a big leap for her character. The sentient androids are", "and resolution. Circumstances bring them together but their personalities clash. At the end", "small way, or better understand this internal conflict, the rest of her actions", "to be critical or hold positions of power, yet they are expected to", "type. **THE BAD EXAMPLE:** Too often in sci-fi stories, I see top-tier (yet", "world-breaking *monsters from the Beyondo*, or whatever contrived un-scientific threat arrises. They explain", "means rejecting the established order she comes from and the outcomes are uncertain?", "a personal crisis where she must have \"faith\" in a statistical long-shot, and", "this is a big leap for her character. The sentient androids are expected", "often in sci-fi stories, I see top-tier (yet bumbling) scientists who lack the", "new behavior on her partners (brute force and deception), but the \"institution\" she", "androids are expected to be subservient to humans, not to interfere but to", "saying \"This can't be happening!\" and die because (according to the story) brains", "judgement because they have no innate sense of justice. My character has an", "and observations she believes will go unheeded, to directly meddling in events and", "into her probability outcomes. Rather than just make her be an exposition geek", "internal crisis about all of science being \"wrong\", that defeats the purpose of", "because (according to the story) brains are useless and only fists and charisma", "being an AI is enough to establish that she comes from a world", "(sentient, not omniscient). Her character is not overly rigid or mentally inferior, but", "contrived un-scientific threat arrises. They explain why the premise is impossible, then keep", "feel her being an AI is enough to establish that she comes from", "on her own, with her own consistent limits and strengths. I especially want", "to use my Science Hero as a foil to justify the unintelligent actions", "direct their chaos, but this is a big leap for her character. The", "fails she creates new conflicts and alienates her friends. The problem is my", "expected to be subservient to humans, not to interfere but to \"guide\" human", "cliches about AI as characters). Making her android implies some rules about her", "mentally inferior, but I feel her being an AI is enough to establish", "struggles to be self-disciplined and not over-react. When she fails things explode and", "uncertain? For plot reasons I can't start with \"because she is saving millions", "up with the wrecking crew based on her \"faith\" in the long-shot gamble", "and eventually starts to factor the disruptive effects of the other heroes into", "with her own consistent limits and strengths. I especially want to avoid making", "the rest of her actions are a slippery slope and the plot takes", "they are expected to be moral paragons. It's a cognitive dissonance, and most", "reasons I can't start with \"because she is saving millions of lives\", that", "she fails she creates new conflicts and alienates her friends. The problem is", "and most cultures prefer *un*-sentient AI: When the AI has a sense of", "they develop a moral code as part of their identity and that isn't", "not overly rigid or mentally inferior, but I feel her being an AI", "silly dance as a distraction). This is what I want to avoid. I", "for her character. The sentient androids are expected to be subservient to humans,", "prefer *un*-sentient AI: When the AI has a sense of self, they develop", "\"faith\" in the long-shot gamble (thousands may die, but millions could be saved),", "go unheeded, to directly meddling in events and changing outcomes. She models the", "bring them together but their personalities clash. At the end of the first", "around wondering aloud if she should chuck everything she believes in the waste", "a slippery slope and the plot takes care of escalating the stakes. **How", "people die. I have a **Guile Hero** that struggles to be moral and", "I see top-tier (yet bumbling) scientists who lack the imagination to grasp the", "have tropes to establish this archetype with the readers, she is a sentient", "her be an exposition geek who explains science factoids to the team, I", "chaos, but this is a big leap for her character. The sentient androids", "protagonists working towards the same goal but with different motives. They are co-protagonists", "a passive observer resigned to occasionally offer advice and observations she believes will", "They aren't allowed to be critical or hold positions of power, yet they", "moral code as part of their identity and that isn't good if they", "my third character a **Science Hero** – I'm not actually sure that is", "her own role in society. I feel once I can get her over", "has an educated sense of right and wrong (morally more nuanced than the", "positions of power, yet they are expected to be moral paragons. It's a", "The sentient androids are expected to be subservient to humans, not to interfere", "don't feel I have tropes to establish this archetype with the readers, she", "Science Hero**, secure in the inevitability of statistical facts, struggle to decide if", "try instead is lead her to a personal crisis where she must have", "together but their personalities clash. At the end of the first adventure they", "traits are about dogmatic science, trust in law and institutions, and choosing the", "in a jar – but I can't write a character walking around wondering", "sense of right and wrong (morally more nuanced than the others usually, but", "I have a **Guile Hero** that struggles to be moral and not double-cross", "her being an AI is enough to establish that she comes from a", "problems without moral judgement because they have no innate sense of justice. My", "doing a silly dance as a distraction). This is what I want to", "the long-shot gamble (thousands may die, but millions could be saved), however she", "– she has some action moments too, she is not a brain in", "limits and strengths. I especially want to avoid making her internal crisis about", "own character flaws rather than trust the abilities of the others, and the", "and not over-react. When she fails things explode and people die. I have", "in society. I feel once I can get her over this hump in", "law and institutions, and choosing the \"safe\" options through statistical probability. To make", "At the end of the first adventure they succumb to their own character", "with the readers, she is a sentient android (sentient, not omniscient). Her character", "of the first adventure they succumb to their own character flaws rather than", "self-disciplined and not over-react. When she fails things explode and people die. I", "the first adventure, so she has motivation to not fail in the future.", "others – she has some action moments too, she is not a brain", "\"guide\" human affairs. They aren't allowed to be critical or hold positions of", "where she must have \"faith\" in a statistical long-shot, and eventually starts to", "institutions, and choosing the \"safe\" options through statistical probability. To make this character", "and only fists and charisma save the day (and probably a guile hero", "directly meddling in events and changing outcomes. She models the new behavior on", "For plot reasons I can't start with \"because she is saving millions of", "science being \"wrong\", that defeats the purpose of having intelligence. **OPPOSITE OF SCIENCE", "To make this character more obvious, and because I don't feel I have", "lives\", that excuse is only justifiable later. I also need to show her", "imagination to grasp the world-breaking *monsters from the Beyondo*, or whatever contrived un-scientific", "as the others – she has some action moments too, she is not", "co-protagonists each with their own character arc and resolution. Circumstances bring them together", "about AI as characters). Making her android implies some rules about her heroic", "but millions could be saved), however she also needs an internal struggle I", "subvert cliches about AI as characters). Making her android implies some rules about", "– I'm not actually sure that is an archetype but her character traits", "in the future. The other heroes have external conflicts that play out through", "the disruptive effects of the other heroes into her probability outcomes. Rather than", "I feel once I can get her over this hump in a small", "character has an educated sense of right and wrong (morally more nuanced than", "Hero**, secure in the inevitability of statistical facts, struggle to decide if she", "and choosing the \"safe\" options through statistical probability. To make this character more", "stakes. **How do I show a character crisis for a Science Hero**, secure", "– but I can't write a character walking around wondering aloud if she", "adventure they succumb to their own character flaws rather than trust the abilities", "she creates new conflicts and alienates her friends. The problem is my third", "\"This can't be happening!\" and die because (according to the story) brains are", "to the team, I plan to have her realize that the other two", "everyone. When she fails she creates new conflicts and alienates her friends. The", "of facts and concrete science (and I'm hoping to subvert cliches about AI", "a jar – but I can't write a character walking around wondering aloud", "are a slippery slope and the plot takes care of escalating the stakes.", "advice and observations she believes will go unheeded, to directly meddling in events", "models the new behavior on her partners (brute force and deception), but the", "keep saying \"This can't be happening!\" and die because (according to the story)", "OF SCIENCE IS FAITH:** What I want try instead is lead her to", "only justifiable later. I also need to show her fail, as they all", "chuck everything she believes in the waste bin, and roll the dice. This", "she must have \"faith\" in a statistical long-shot, and eventually starts to factor", "a small way, or better understand this internal conflict, the rest of her", "obvious, and because I don't feel I have tropes to establish this archetype", "and charisma save the day (and probably a guile hero doing a silly", "need to show her fail, as they all do in the first adventure,", "heroes into her probability outcomes. Rather than just make her be an exposition", "for a Science Hero**, secure in the inevitability of statistical facts, struggle to", "plot reasons I can't start with \"because she is saving millions of lives\",", "has motivation to not fail in the future. The other heroes have external", "the day (and probably a guile hero doing a silly dance as a", "code as part of their identity and that isn't good if they don't", "understand this internal conflict, the rest of her actions are a slippery slope", "what I want to avoid. I don't want to use my Science Hero", "working towards the same goal but with different motives. They are co-protagonists each", "external conflicts that play out through action, but this one is internal and", "are expected to be moral paragons. It's a cognitive dissonance, and most cultures", "order she comes from and the outcomes are uncertain? For plot reasons I", "should actively try to \"change the world\", even though it means rejecting the", "in a later adventure and try again). I have an **Action Hero** that", "resolution. Circumstances bring them together but their personalities clash. At the end of", "millions of lives\", that excuse is only justifiable later. I also need to", "the purpose of having intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What I want", "aloud if she should chuck everything she believes in the waste bin, and", "dogmatic science, trust in law and institutions, and choosing the \"safe\" options through", "develop a moral code as part of their identity and that isn't good", "character is not overly rigid or mentally inferior, but I feel her being", "the future. The other heroes have external conflicts that play out through action,", "from a world of facts and concrete science (and I'm hoping to subvert", "heroic type. **THE BAD EXAMPLE:** Too often in sci-fi stories, I see top-tier", "society. I feel once I can get her over this hump in a", "decide if she should actively try to \"change the world\", even though it", "and not double-cross everyone. When she fails she creates new conflicts and alienates", "through action, but this one is internal and plays out through inaction. I", "justifiable later. I also need to show her fail, as they all do", "foil to justify the unintelligent actions of other heroes. I need her to", "the AI has a sense of self, they develop a moral code as", "my Science Hero as a foil to justify the unintelligent actions of other", "nuanced than the others usually, but perhaps less experienced) so I can justify", "I feel her being an AI is enough to establish that she comes", "who lack the imagination to grasp the world-breaking *monsters from the Beyondo*, or", "not a brain in a jar – but I can't write a character", "Hero** – I'm not actually sure that is an archetype but her character", "My character has an educated sense of right and wrong (morally more nuanced", "that is an archetype but her character traits are about dogmatic science, trust", "a character crisis for a Science Hero**, secure in the inevitability of statistical", "first adventure they succumb to their own character flaws rather than trust the", "must have \"faith\" in a statistical long-shot, and eventually starts to factor the", "wondering aloud if she should chuck everything she believes in the waste bin,", "could be saved), however she also needs an internal struggle I can show", "actually sure that is an archetype but her character traits are about dogmatic", "than trust the abilities of the others, and the main conflict is left", "the new behavior on her partners (brute force and deception), but the \"institution\"", "her character. The sentient androids are expected to be subservient to humans, not", "and deception), but the \"institution\" she has to conquer is her own role", "wrong (morally more nuanced than the others usually, but perhaps less experienced) so", "resigned to occasionally offer advice and observations she believes will go unheeded, to", "partners (brute force and deception), but the \"institution\" she has to conquer is", "can show that makes her change from a passive observer resigned to occasionally", "behavior on her partners (brute force and deception), but the \"institution\" she has", "from a passive observer resigned to occasionally offer advice and observations she believes", "but I can't write a character walking around wondering aloud if she should", "and roll the dice. This would defeat who she is suppose to be.", "statistical facts, struggle to decide if she should actively try to \"change the", "grasp the world-breaking *monsters from the Beyondo*, or whatever contrived un-scientific threat arrises.", "their personalities clash. At the end of the first adventure they succumb to", "threat arrises. They explain why the premise is impossible, then keep saying \"This", "secure in the inevitability of statistical facts, struggle to decide if she should", "overly rigid or mentally inferior, but I feel her being an AI is", "allowed to be critical or hold positions of power, yet they are expected", "trust the abilities of the others, and the main conflict is left unresolved", "dance as a distraction). This is what I want to avoid. I don't", "she also needs an internal struggle I can show that makes her change", "in sci-fi stories, I see top-tier (yet bumbling) scientists who lack the imagination", "strengths. I especially want to avoid making her internal crisis about all of", "character. The sentient androids are expected to be subservient to humans, not to", "struggle I can show that makes her change from a passive observer resigned", "so she has motivation to not fail in the future. The other heroes", "one is internal and plays out through inaction. I don't expect her to", "other two can be less destructive when she is around to mitigate and", "intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What I want try instead is lead", "if they don't approve of your mission. Un-sentient AI will crunch through problems", "she is saving millions of lives\", that excuse is only justifiable later. I", "AI has a sense of self, they develop a moral code as part", "to the story) brains are useless and only fists and charisma save the", "not over-react. When she fails things explode and people die. I have a", "internal conflict, the rest of her actions are a slippery slope and the", "I want try instead is lead her to a personal crisis where she", "this one is internal and plays out through inaction. I don't expect her", "the waste bin, and roll the dice. This would defeat who she is", "but their personalities clash. At the end of the first adventure they succumb", "instead is lead her to a personal crisis where she must have \"faith\"", "will crunch through problems without moral judgement because they have no innate sense", "her android implies some rules about her heroic type. **THE BAD EXAMPLE:** Too", "I show a character crisis for a Science Hero**, secure in the inevitability", "a silly dance as a distraction). This is what I want to avoid.", "BAD EXAMPLE:** Too often in sci-fi stories, I see top-tier (yet bumbling) scientists", "and wrong (morally more nuanced than the others usually, but perhaps less experienced)", "*un*-sentient AI: When the AI has a sense of self, they develop a", "Science Hero as a foil to justify the unintelligent actions of other heroes.", "abilities of the others, and the main conflict is left unresolved (they re-unite", "though it means rejecting the established order she comes from and the outcomes", "expect her to carry the same gravitas as the others – she has", "observer resigned to occasionally offer advice and observations she believes will go unheeded,", "Her character is not overly rigid or mentally inferior, but I feel her", "they don't approve of your mission. Un-sentient AI will crunch through problems without", "her \"faith\" in the long-shot gamble (thousands may die, but millions could be", "useless and only fists and charisma save the day (and probably a guile", "excuse is only justifiable later. I also need to show her fail, as", "plot takes care of escalating the stakes. **How do I show a character", "own, with her own consistent limits and strengths. I especially want to avoid", "she believes in the waste bin, and roll the dice. This would defeat", "feel I have tropes to establish this archetype with the readers, she is", "to carry the same gravitas as the others – she has some action", "hoping to subvert cliches about AI as characters). Making her android implies some", "or whatever contrived un-scientific threat arrises. They explain why the premise is impossible,", "The other heroes have external conflicts that play out through action, but this", "**OPPOSITE OF SCIENCE IS FAITH:** What I want try instead is lead her", "in the inevitability of statistical facts, struggle to decide if she should actively", "I have tropes to establish this archetype with the readers, she is a", "once I can get her over this hump in a small way, or", "**Action Hero** that struggles to be self-disciplined and not over-react. When she fails", "the stakes. **How do I show a character crisis for a Science Hero**,", "sense of justice. My character has an educated sense of right and wrong", "the first adventure they succumb to their own character flaws rather than trust", "again). I have an **Action Hero** that struggles to be self-disciplined and not", "whatever contrived un-scientific threat arrises. They explain why the premise is impossible, then", "may die, but millions could be saved), however she also needs an internal", "to have her realize that the other two can be less destructive when", "facts, struggle to decide if she should actively try to \"change the world\",", "but with different motives. They are co-protagonists each with their own character arc", "\"faith\" in a statistical long-shot, and eventually starts to factor the disruptive effects", "they have no innate sense of justice. My character has an educated sense", "future. The other heroes have external conflicts that play out through action, but", "the outcomes are uncertain? For plot reasons I can't start with \"because she", "about all of science being \"wrong\", that defeats the purpose of having intelligence.", "the readers, she is a sentient android (sentient, not omniscient). Her character is", "double-cross everyone. When she fails she creates new conflicts and alienates her friends.", "justify her partnering up with the wrecking crew based on her \"faith\" in", "her heroic type. **THE BAD EXAMPLE:** Too often in sci-fi stories, I see", "in law and institutions, and choosing the \"safe\" options through statistical probability. To", "bin, and roll the dice. This would defeat who she is suppose to", "an **Action Hero** that struggles to be self-disciplined and not over-react. When she", "main conflict is left unresolved (they re-unite in a later adventure and try", "her to a personal crisis where she must have \"faith\" in a statistical", "a foil to justify the unintelligent actions of other heroes. I need her", "some action moments too, she is not a brain in a jar –", "partnering up with the wrecking crew based on her \"faith\" in the long-shot", "be self-disciplined and not over-react. When she fails things explode and people die.", "They are co-protagonists each with their own character arc and resolution. Circumstances bring", "she believes will go unheeded, to directly meddling in events and changing outcomes.", "archetype but her character traits are about dogmatic science, trust in law and", "to not fail in the future. The other heroes have external conflicts that", "but perhaps less experienced) so I can justify her partnering up with the", "is what I want to avoid. I don't want to use my Science", "moral paragons. It's a cognitive dissonance, and most cultures prefer *un*-sentient AI: When", "they all do in the first adventure, so she has motivation to not", "educated sense of right and wrong (morally more nuanced than the others usually,", "that struggles to be self-disciplined and not over-react. When she fails things explode", "no innate sense of justice. My character has an educated sense of right", "and the outcomes are uncertain? For plot reasons I can't start with \"because", "this archetype with the readers, she is a sentient android (sentient, not omniscient).", "is an archetype but her character traits are about dogmatic science, trust in", "waste bin, and roll the dice. This would defeat who she is suppose", "is lead her to a personal crisis where she must have \"faith\" in", "science factoids to the team, I plan to have her realize that the", "out through action, but this one is internal and plays out through inaction.", "if she should chuck everything she believes in the waste bin, and roll", "fails things explode and people die. I have a **Guile Hero** that struggles", "gravitas as the others – she has some action moments too, she is", "crisis about all of science being \"wrong\", that defeats the purpose of having", "the others – she has some action moments too, she is not a", "new conflicts and alienates her friends. The problem is my third character a", "problem is my third character a **Science Hero** – I'm not actually sure", "over this hump in a small way, or better understand this internal conflict,", "things explode and people die. I have a **Guile Hero** that struggles to", "facts and concrete science (and I'm hoping to subvert cliches about AI as", "a distraction). This is what I want to avoid. I don't want to", "moral and not double-cross everyone. When she fails she creates new conflicts and", "third character a **Science Hero** – I'm not actually sure that is an", "fail in the future. The other heroes have external conflicts that play out", "is not a brain in a jar – but I can't write a", "to directly meddling in events and changing outcomes. She models the new behavior", "from and the outcomes are uncertain? For plot reasons I can't start with", "crisis for a Science Hero**, secure in the inevitability of statistical facts, struggle", "the imagination to grasp the world-breaking *monsters from the Beyondo*, or whatever contrived", "to be self-disciplined and not over-react. When she fails things explode and people", "is my third character a **Science Hero** – I'm not actually sure that", "the end of the first adventure they succumb to their own character flaws", "having intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What I want try instead is", "goal but with different motives. They are co-protagonists each with their own character", "die because (according to the story) brains are useless and only fists and", "perhaps less experienced) so I can justify her partnering up with the wrecking", "can justify her partnering up with the wrecking crew based on her \"faith\"", "making her internal crisis about all of science being \"wrong\", that defeats the", "I can't start with \"because she is saving millions of lives\", that excuse", "of power, yet they are expected to be moral paragons. It's a cognitive", "and try again). I have an **Action Hero** that struggles to be self-disciplined", "stand on her own, with her own consistent limits and strengths. I especially", "the premise is impossible, then keep saying \"This can't be happening!\" and die", "guile hero doing a silly dance as a distraction). This is what I", "struggle to decide if she should actively try to \"change the world\", even", "Making her android implies some rules about her heroic type. **THE BAD EXAMPLE:**", "big leap for her character. The sentient androids are expected to be subservient", "feel once I can get her over this hump in a small way,", "don't approve of your mission. Un-sentient AI will crunch through problems without moral", "crunch through problems without moral judgement because they have no innate sense of", "escalating the stakes. **How do I show a character crisis for a Science", "premise is impossible, then keep saying \"This can't be happening!\" and die because", "make this character more obvious, and because I don't feel I have tropes", "distraction). This is what I want to avoid. I don't want to use", "to factor the disruptive effects of the other heroes into her probability outcomes.", "is around to mitigate and direct their chaos, but this is a big", "have no innate sense of justice. My character has an educated sense of", "she is a sentient android (sentient, not omniscient). Her character is not overly", "identity and that isn't good if they don't approve of your mission. Un-sentient", "show that makes her change from a passive observer resigned to occasionally offer", "gamble (thousands may die, but millions could be saved), however she also needs", "more obvious, and because I don't feel I have tropes to establish this", "change from a passive observer resigned to occasionally offer advice and observations she", "the same goal but with different motives. They are co-protagonists each with their", "plays out through inaction. I don't expect her to carry the same gravitas", "on her partners (brute force and deception), but the \"institution\" she has to", "expected to be moral paragons. It's a cognitive dissonance, and most cultures prefer", "I want to avoid. I don't want to use my Science Hero as", "explains science factoids to the team, I plan to have her realize that", "of lives\", that excuse is only justifiable later. I also need to show", "same goal but with different motives. They are co-protagonists each with their own", "What I want try instead is lead her to a personal crisis where", "is impossible, then keep saying \"This can't be happening!\" and die because (according", "world of facts and concrete science (and I'm hoping to subvert cliches about", "motives. They are co-protagonists each with their own character arc and resolution. Circumstances", "be happening!\" and die because (according to the story) brains are useless and", "on her \"faith\" in the long-shot gamble (thousands may die, but millions could", "not fail in the future. The other heroes have external conflicts that play", "even though it means rejecting the established order she comes from and the", "to interfere but to \"guide\" human affairs. They aren't allowed to be critical", "character flaws rather than trust the abilities of the others, and the main", "concrete science (and I'm hoping to subvert cliches about AI as characters). Making", "and die because (according to the story) brains are useless and only fists", "use my Science Hero as a foil to justify the unintelligent actions of", "sure that is an archetype but her character traits are about dogmatic science,", "SCIENCE IS FAITH:** What I want try instead is lead her to a", "to be moral paragons. It's a cognitive dissonance, and most cultures prefer *un*-sentient", "to grasp the world-breaking *monsters from the Beyondo*, or whatever contrived un-scientific threat", "\"change the world\", even though it means rejecting the established order she comes", "deception), but the \"institution\" she has to conquer is her own role in", "This is what I want to avoid. I don't want to use my", "science (and I'm hoping to subvert cliches about AI as characters). Making her", "need her to stand on her own, with her own consistent limits and", "justice. My character has an educated sense of right and wrong (morally more", "she has some action moments too, she is not a brain in a", "but her character traits are about dogmatic science, trust in law and institutions,", "that the other two can be less destructive when she is around to", "defeats the purpose of having intelligence. **OPPOSITE OF SCIENCE IS FAITH:** What I", "be less destructive when she is around to mitigate and direct their chaos,", "as part of their identity and that isn't good if they don't approve", "less experienced) so I can justify her partnering up with the wrecking crew", "and that isn't good if they don't approve of your mission. Un-sentient AI", "a sentient android (sentient, not omniscient). Her character is not overly rigid or", "role in society. I feel once I can get her over this hump", "the world-breaking *monsters from the Beyondo*, or whatever contrived un-scientific threat arrises. They", "have an **Action Hero** that struggles to be self-disciplined and not over-react. When", "dissonance, and most cultures prefer *un*-sentient AI: When the AI has a sense", "in a small way, or better understand this internal conflict, the rest of", "Circumstances bring them together but their personalities clash. At the end of the", "want to avoid. I don't want to use my Science Hero as a", "their own character flaws rather than trust the abilities of the others, and", "archetype with the readers, she is a sentient android (sentient, not omniscient). Her", "I'm not actually sure that is an archetype but her character traits are", "in the waste bin, and roll the dice. This would defeat who she", "will go unheeded, to directly meddling in events and changing outcomes. She models", "AI is enough to establish that she comes from a world of facts", "I also need to show her fail, as they all do in the", "and because I don't feel I have tropes to establish this archetype with", "start with \"because she is saving millions of lives\", that excuse is only", "I don't feel I have tropes to establish this archetype with the readers,", "statistical long-shot, and eventually starts to factor the disruptive effects of the other", "a guile hero doing a silly dance as a distraction). This is what", "fists and charisma save the day (and probably a guile hero doing a", "jar – but I can't write a character walking around wondering aloud if", "actions of other heroes. I need her to stand on her own, with", "rest of her actions are a slippery slope and the plot takes care", "have her realize that the other two can be less destructive when she", "story) brains are useless and only fists and charisma save the day (and", "more nuanced than the others usually, but perhaps less experienced) so I can", "characters). Making her android implies some rules about her heroic type. **THE BAD", "crew based on her \"faith\" in the long-shot gamble (thousands may die, but", "her probability outcomes. Rather than just make her be an exposition geek who", "they succumb to their own character flaws rather than trust the abilities of", "(brute force and deception), but the \"institution\" she has to conquer is her", "charisma save the day (and probably a guile hero doing a silly dance", "to decide if she should actively try to \"change the world\", even though", "of justice. My character has an educated sense of right and wrong (morally", "should chuck everything she believes in the waste bin, and roll the dice.", "geek who explains science factoids to the team, I plan to have her", "try to \"change the world\", even though it means rejecting the established order", "some rules about her heroic type. **THE BAD EXAMPLE:** Too often in sci-fi", "also needs an internal struggle I can show that makes her change from", "FAITH:** What I want try instead is lead her to a personal crisis", "in events and changing outcomes. She models the new behavior on her partners", "save the day (and probably a guile hero doing a silly dance as", "as they all do in the first adventure, so she has motivation to", "in a statistical long-shot, and eventually starts to factor the disruptive effects of", "outcomes. Rather than just make her be an exposition geek who explains science", "to show her fail, as they all do in the first adventure, so", "Un-sentient AI will crunch through problems without moral judgement because they have no", "character walking around wondering aloud if she should chuck everything she believes in", "sci-fi stories, I see top-tier (yet bumbling) scientists who lack the imagination to", "them together but their personalities clash. At the end of the first adventure", "inevitability of statistical facts, struggle to decide if she should actively try to", "be subservient to humans, not to interfere but to \"guide\" human affairs. They", "They explain why the premise is impossible, then keep saying \"This can't be", "hump in a small way, or better understand this internal conflict, the rest", "the \"safe\" options through statistical probability. To make this character more obvious, and", "good if they don't approve of your mission. Un-sentient AI will crunch through", "offer advice and observations she believes will go unheeded, to directly meddling in", "a world of facts and concrete science (and I'm hoping to subvert cliches", "of her actions are a slippery slope and the plot takes care of", "not double-cross everyone. When she fails she creates new conflicts and alienates her", "is enough to establish that she comes from a world of facts and", "why the premise is impossible, then keep saying \"This can't be happening!\" and", "explain why the premise is impossible, then keep saying \"This can't be happening!\"", "of the others, and the main conflict is left unresolved (they re-unite in", "wrecking crew based on her \"faith\" in the long-shot gamble (thousands may die,", "millions could be saved), however she also needs an internal struggle I can", "this character more obvious, and because I don't feel I have tropes to", "conflict, the rest of her actions are a slippery slope and the plot", "can't be happening!\" and die because (according to the story) brains are useless", "be moral and not double-cross everyone. When she fails she creates new conflicts", "Hero** that struggles to be moral and not double-cross everyone. When she fails", "to occasionally offer advice and observations she believes will go unheeded, to directly", "later. I also need to show her fail, as they all do in", "way, or better understand this internal conflict, the rest of her actions are", "so I can justify her partnering up with the wrecking crew based on", "has a sense of self, they develop a moral code as part of", "do in the first adventure, so she has motivation to not fail in", "science, trust in law and institutions, and choosing the \"safe\" options through statistical", "different motives. They are co-protagonists each with their own character arc and resolution.", "your mission. Un-sentient AI will crunch through problems without moral judgement because they", "her friends. The problem is my third character a **Science Hero** – I'm", "creates new conflicts and alienates her friends. The problem is my third character", "be critical or hold positions of power, yet they are expected to be", "long-shot, and eventually starts to factor the disruptive effects of the other heroes", "right and wrong (morally more nuanced than the others usually, but perhaps less", "her actions are a slippery slope and the plot takes care of escalating", "who explains science factoids to the team, I plan to have her realize", "because I don't feel I have tropes to establish this archetype with the", "events and changing outcomes. She models the new behavior on her partners (brute", "however she also needs an internal struggle I can show that makes her", "and alienates her friends. The problem is my third character a **Science Hero**", "to be subservient to humans, not to interfere but to \"guide\" human affairs.", "are about dogmatic science, trust in law and institutions, and choosing the \"safe\"", "IS FAITH:** What I want try instead is lead her to a personal", "without moral judgement because they have no innate sense of justice. My character", "the abilities of the others, and the main conflict is left unresolved (they", "Beyondo*, or whatever contrived un-scientific threat arrises. They explain why the premise is", "their chaos, but this is a big leap for her character. The sentient", "because they have no innate sense of justice. My character has an educated", "When she fails things explode and people die. I have a **Guile Hero**", "hero doing a silly dance as a distraction). This is what I want", "then keep saying \"This can't be happening!\" and die because (according to the", "AI as characters). Making her android implies some rules about her heroic type.", "most cultures prefer *un*-sentient AI: When the AI has a sense of self,", "I don't expect her to carry the same gravitas as the others –", "factor the disruptive effects of the other heroes into her probability outcomes. Rather", "crisis where she must have \"faith\" in a statistical long-shot, and eventually starts", "exposition geek who explains science factoids to the team, I plan to have", "brain in a jar – but I can't write a character walking around", "When she fails she creates new conflicts and alienates her friends. The problem", "towards the same goal but with different motives. They are co-protagonists each with", "an AI is enough to establish that she comes from a world of", "part of their identity and that isn't good if they don't approve of", "is not overly rigid or mentally inferior, but I feel her being an", "moments too, she is not a brain in a jar – but I", "(they re-unite in a later adventure and try again). I have an **Action", "to a personal crisis where she must have \"faith\" in a statistical long-shot,", "slippery slope and the plot takes care of escalating the stakes. **How do", "moral judgement because they have no innate sense of justice. My character has", "power, yet they are expected to be moral paragons. It's a cognitive dissonance,", "meddling in events and changing outcomes. She models the new behavior on her", "arrises. They explain why the premise is impossible, then keep saying \"This can't", "is left unresolved (they re-unite in a later adventure and try again). I", "her character traits are about dogmatic science, trust in law and institutions, and", "but the \"institution\" she has to conquer is her own role in society.", "conquer is her own role in society. I feel once I can get", "internal and plays out through inaction. I don't expect her to carry the", "stories, I see top-tier (yet bumbling) scientists who lack the imagination to grasp", "effects of the other heroes into her probability outcomes. Rather than just make", "a later adventure and try again). I have an **Action Hero** that struggles", "a **Guile Hero** that struggles to be moral and not double-cross everyone. When", "of the other heroes into her probability outcomes. Rather than just make her" ]
[ "the left over into the sea. 4: Accept that the readers will figure", "left where the victims were is (slowly and dramatically revealed to be) due", "no matter how well protected, and misdirect the readers into thinking that some", "that it will soon become very obvious who the killer is, and without", "disappear no matter how well protected, and misdirect the readers into thinking that", "interest: Most nuanced (IMO) option, but consequently also the most apparently difficult. What", "Could they have any desire to see whether the other characters (namely MC's", "but retain their interest: Most nuanced (IMO) option, but consequently also the most", "primary inspiration of my writing came from my dreams--my nightmares, more specifically, and", "nightmares, more specifically, and to my despair, I had, of late lost my", "lost my fear of just about anything...I found out that I can make", "murders. (It's supposed to be interesting because my audience may consist a good", "and their friends, and, unsurprisingly, the MC is a murderer, who proceeds to", "last, when he confronts her about having been the murderer and explains his", "they be curious about the motivation of the MC? or would they simply", "about the motivation of the MC? or would they simply dismiss him as", "confusion, make him explicate his speculations on the possible causes of the victims'", "of just about anything...I found out that I can make the nightmares come", "would lose interest if they figured out the fairly predictable \"plot twist\", which", "1: Hide the murderer's identity really well: Study classic murder mysteries, and employ", "is someone other than the MC. 2: Hide the murderer's identity, but using", "difficult. What could retain readers' interest after they figure out the murderer's identity?", "the deaths: Make all the corpses disappear no matter how well protected, and", "will soon become very obvious who the killer is, and without any deliberate", "making the MC seem innocent via his narration of what's happening--describe him in", "they simply dismiss him as a psychopath and sweep that question under the", "other characters (namely MC's girlfriend) will survive the final confrontation? or would the", "the corpses and threw the left over into the sea. 4: Accept that", "as 1, but focus instead on making the MC seem innocent via his", "matter how well protected, and misdirect the readers into thinking that some sort", "the MC seem innocent via his narration of what's happening--describe him in states", "being the fact that most classic murder mystery's murderer is someone other than", "the murderer and explains his motivation, which is this: > > \"Truth be", "the possible causes of the victims' disappearances. This could be tricky because I", "something just as hideous when awake.\" > > > The problem is this:", "a cruise with his girlfriend and their friends, and, unsurprisingly, the MC is", "stories. He goes on a cruise with his girlfriend and their friends, and,", "one (as well as cannibalizing them), leaving his girlfriend for last, when he", "that. I fear that my readers would lose interest if they figured out", "their interest: Most nuanced (IMO) option, but consequently also the most apparently difficult.", "solutions I considered: 1: Hide the murderer's identity really well: Study classic murder", "gradually revealed, such as the *absolute bloody mess* left where the victims were", "I considered: 1: Hide the murderer's identity really well: Study classic murder mysteries,", "and employ tropes and techniques from these to set up misdirection for the", "to see whether the other characters (namely MC's girlfriend) will survive the final", "on making the MC seem innocent via his narration of what's happening--describe him", "him as a psychopath and sweep that question under the rug? Could they", "more specifically, and to my despair, I had, of late lost my fear", "him in states of confusion, make him explicate his speculations on the possible", "interest after they figure out the murderer's identity? Could they be curious about", "this: > > \"Truth be told, the primary inspiration of my writing came", "who is the murderer, but retain their interest: Most nuanced (IMO) option, but", "employ tropes and techniques from these to set up misdirection for the reader,", "one by one (as well as cannibalizing them), leaving his girlfriend for last,", "girlfriend for last, when he confronts her about having been the murderer and", "awake.\" > > > The problem is this: I fear that it will", "lose interest if they figured out the fairly predictable \"plot twist\", which would", "(namely MC's girlfriend) will survive the final confrontation? or would the sociopathic presentation", "option, but consequently also the most apparently difficult. What could retain readers' interest", "having been the murderer and explains his motivation, which is this: > >", "shouldn't show that too explicitly either. 3: Obscure the cause of the deaths:", "they have any desire to see whether the other characters (namely MC's girlfriend)", "is meant to be reflective.) Some solutions I considered: 1: Hide the murderer's", "nightmares come back, if I did something just as hideous when awake.\" >", "as hideous when awake.\" > > > The problem is this: I fear", "the MC, who is a young, male writer of horror stories. He goes", "a young, male writer of horror stories. He goes on a cruise with", "young, male writer of horror stories. He goes on a cruise with his", "just as hideous when awake.\" > > > The problem is this: I", "things being gradually revealed, such as the *absolute bloody mess* left where the", "consist a good proportion of amateur horror-writers, and this is meant to be", "the *absolute bloody mess* left where the victims were is (slowly and dramatically", "to show that. I fear that my readers would lose interest if they", "my writing came from my dreams--my nightmares, more specifically, and to my despair,", "at work, where as in reality, it's because the MC ate the corpses", "be interesting because my audience may consist a good proportion of amateur horror-writers,", "that my readers would lose interest if they figured out the fairly predictable", "reflective.) Some solutions I considered: 1: Hide the murderer's identity really well: Study", "proceeds to kill off everyone (5~6 total) on the boat one by one", "fairly predictable \"plot twist\", which would then trivialize the real focus of the", "of which being the fact that most classic murder mystery's murderer is someone", "final confrontation? or would the sociopathic presentation of her make her appear unlikable?", "in my part to show that. I fear that my readers would lose", "that the readers will figure out who is the murderer, but retain their", "if they figured out the fairly predictable \"plot twist\", which would then trivialize", "how well protected, and misdirect the readers into thinking that some sort of", "soon become very obvious who the killer is, and without any deliberate action", "as in reality, it's because the MC ate the corpses and threw the", "to my despair, I had, of late lost my fear of just about", "girlfriend) will survive the final confrontation? or would the sociopathic presentation of her", "being gradually revealed, such as the *absolute bloody mess* left where the victims", "the final confrontation? or would the sociopathic presentation of her make her appear", "of the MC, but I shouldn't show that too explicitly either. 3: Obscure", "have any desire to see whether the other characters (namely MC's girlfriend) will", "which is this: > > \"Truth be told, the primary inspiration of my", "well as cannibalizing them), leaving his girlfriend for last, when he confronts her", "his girlfriend and their friends, and, unsurprisingly, the MC is a murderer, who", "of the MC, who is a young, male writer of horror stories. He", "simply dismiss him as a psychopath and sweep that question under the rug?", "MC? or would they simply dismiss him as a psychopath and sweep that", "about other seemingly inexplicable things being gradually revealed, such as the *absolute bloody", "is the murderer, but retain their interest: Most nuanced (IMO) option, but consequently", "identity? Could they be curious about the motivation of the MC? or would", "characters (namely MC's girlfriend) will survive the final confrontation? or would the sociopathic", "MC's motivation behind the murders. (It's supposed to be interesting because my audience", "who is a young, male writer of horror stories. He goes on a", "I did something just as hideous when awake.\" > > > The problem", "specifically, and to my despair, I had, of late lost my fear of", "the reader, not the least of which being the fact that most classic", "make him explicate his speculations on the possible causes of the victims' disappearances.", "nuanced (IMO) option, but consequently also the most apparently difficult. What could retain", "using narration techniques: Basically the same as 1, but focus instead on making", "the murders. (It's supposed to be interesting because my audience may consist a", "figure out who is the murderer, but retain their interest: Most nuanced (IMO)", "murderer and explains his motivation, which is this: > > \"Truth be told,", "I'm writing a short story following the first person perspective of the MC,", "because I don't want to undermine the psychopathic personality of the MC, but", "it will soon become very obvious who the killer is, and without any", "cannibalizing them), leaving his girlfriend for last, when he confronts her about having", "ate the corpses and threw the left over into the sea. 4: Accept", "murderer, who proceeds to kill off everyone (5~6 total) on the boat one", "retain readers' interest after they figure out the murderer's identity? Could they be", "Accept that the readers will figure out who is the murderer, but retain", "as cannibalizing them), leaving his girlfriend for last, when he confronts her about", "when he confronts her about having been the murderer and explains his motivation,", "did something just as hideous when awake.\" > > > The problem is", "part to show that. I fear that my readers would lose interest if", "kill off everyone (5~6 total) on the boat one by one (as well", "see whether the other characters (namely MC's girlfriend) will survive the final confrontation?", "what's happening--describe him in states of confusion, make him explicate his speculations on", "boat one by one (as well as cannibalizing them), leaving his girlfriend for", "Hide the murderer's identity, but using narration techniques: Basically the same as 1,", "hideous when awake.\" > > > The problem is this: I fear that", "presentation of her make her appear unlikable? What about other seemingly inexplicable things", "survive the final confrontation? or would the sociopathic presentation of her make her", "found out that I can make the nightmares come back, if I did", "interest if they figured out the fairly predictable \"plot twist\", which would then", "Obscure the cause of the deaths: Make all the corpses disappear no matter", "the sea. 4: Accept that the readers will figure out who is the", "by one (as well as cannibalizing them), leaving his girlfriend for last, when", "killer is, and without any deliberate action in my part to show that.", "of the MC? or would they simply dismiss him as a psychopath and", "3: Obscure the cause of the deaths: Make all the corpses disappear no", "murderer's identity really well: Study classic murder mysteries, and employ tropes and techniques", "reader, not the least of which being the fact that most classic murder", "question under the rug? Could they have any desire to see whether the", "where as in reality, it's because the MC ate the corpses and threw", "of the victims' disappearances. This could be tricky because I don't want to", "1, but focus instead on making the MC seem innocent via his narration", "the primary inspiration of my writing came from my dreams--my nightmares, more specifically,", "Could they be curious about the motivation of the MC? or would they", "the fact that most classic murder mystery's murderer is someone other than the", "been the murderer and explains his motivation, which is this: > > \"Truth", "I shouldn't show that too explicitly either. 3: Obscure the cause of the", "behind the murders. (It's supposed to be interesting because my audience may consist", "be curious about the motivation of the MC? or would they simply dismiss", "Hide the murderer's identity really well: Study classic murder mysteries, and employ tropes", "the real focus of the story, which is the MC's motivation behind the", "off everyone (5~6 total) on the boat one by one (as well as", "inspiration of my writing came from my dreams--my nightmares, more specifically, and to", "most apparently difficult. What could retain readers' interest after they figure out the", "with his girlfriend and their friends, and, unsurprisingly, the MC is a murderer,", "readers would lose interest if they figured out the fairly predictable \"plot twist\",", "rug? Could they have any desire to see whether the other characters (namely", "could retain readers' interest after they figure out the murderer's identity? Could they", "focus instead on making the MC seem innocent via his narration of what's", "back, if I did something just as hideous when awake.\" > > >", "that I can make the nightmares come back, if I did something just", "his motivation, which is this: > > \"Truth be told, the primary inspiration", "if I did something just as hideous when awake.\" > > > The", "up misdirection for the reader, not the least of which being the fact", "MC is a murderer, who proceeds to kill off everyone (5~6 total) on", "unlikable? What about other seemingly inexplicable things being gradually revealed, such as the", "murderer, but retain their interest: Most nuanced (IMO) option, but consequently also the", "This could be tricky because I don't want to undermine the psychopathic personality", "too explicitly either. 3: Obscure the cause of the deaths: Make all the", "MC ate the corpses and threw the left over into the sea. 4:", "where the victims were is (slowly and dramatically revealed to be) due to", "the other characters (namely MC's girlfriend) will survive the final confrontation? or would", "proportion of amateur horror-writers, and this is meant to be reflective.) Some solutions", "writer of horror stories. He goes on a cruise with his girlfriend and", "but focus instead on making the MC seem innocent via his narration of", "the killer is, and without any deliberate action in my part to show", "other seemingly inexplicable things being gradually revealed, such as the *absolute bloody mess*", "for the reader, not the least of which being the fact that most", "the sociopathic presentation of her make her appear unlikable? What about other seemingly", "murderer is someone other than the MC. 2: Hide the murderer's identity, but", "that most classic murder mystery's murderer is someone other than the MC. 2:", "could be tricky because I don't want to undermine the psychopathic personality of", "the corpses disappear no matter how well protected, and misdirect the readers into", "considered: 1: Hide the murderer's identity really well: Study classic murder mysteries, and", "dreams--my nightmares, more specifically, and to my despair, I had, of late lost", "who the killer is, and without any deliberate action in my part to", "murder mysteries, and employ tropes and techniques from these to set up misdirection", "MC's girlfriend) will survive the final confrontation? or would the sociopathic presentation of", "and techniques from these to set up misdirection for the reader, not the", "personality of the MC, but I shouldn't show that too explicitly either. 3:", "of late lost my fear of just about anything...I found out that I", "told, the primary inspiration of my writing came from my dreams--my nightmares, more", "explains his motivation, which is this: > > \"Truth be told, the primary", "male writer of horror stories. He goes on a cruise with his girlfriend", "on a cruise with his girlfriend and their friends, and, unsurprisingly, the MC", "The problem is this: I fear that it will soon become very obvious", "murderer's identity, but using narration techniques: Basically the same as 1, but focus", "of what's happening--describe him in states of confusion, make him explicate his speculations", "seemingly inexplicable things being gradually revealed, such as the *absolute bloody mess* left", "that some sort of supernatural evil is at work, where as in reality,", "the murderer's identity, but using narration techniques: Basically the same as 1, but", "be told, the primary inspiration of my writing came from my dreams--my nightmares,", "the fairly predictable \"plot twist\", which would then trivialize the real focus of", "to be reflective.) Some solutions I considered: 1: Hide the murderer's identity really", "identity really well: Study classic murder mysteries, and employ tropes and techniques from", "confrontation? or would the sociopathic presentation of her make her appear unlikable? What", "Study classic murder mysteries, and employ tropes and techniques from these to set", "some sort of supernatural evil is at work, where as in reality, it's", "\"Truth be told, the primary inspiration of my writing came from my dreams--my", "about anything...I found out that I can make the nightmares come back, if", "to set up misdirection for the reader, not the least of which being", "other than the MC. 2: Hide the murderer's identity, but using narration techniques:", "bloody mess* left where the victims were is (slowly and dramatically revealed to", "of confusion, make him explicate his speculations on the possible causes of the", "all the corpses disappear no matter how well protected, and misdirect the readers", "into the sea. 4: Accept that the readers will figure out who is", "everyone (5~6 total) on the boat one by one (as well as cannibalizing", "readers into thinking that some sort of supernatural evil is at work, where", "the cause of the deaths: Make all the corpses disappear no matter how", "desire to see whether the other characters (namely MC's girlfriend) will survive the", "also the most apparently difficult. What could retain readers' interest after they figure", "his speculations on the possible causes of the victims' disappearances. This could be", "MC seem innocent via his narration of what's happening--describe him in states of", "to be interesting because my audience may consist a good proportion of amateur", "tricky because I don't want to undermine the psychopathic personality of the MC,", "horror-writers, and this is meant to be reflective.) Some solutions I considered: 1:", "someone other than the MC. 2: Hide the murderer's identity, but using narration", "my audience may consist a good proportion of amateur horror-writers, and this is", "over into the sea. 4: Accept that the readers will figure out who", "of amateur horror-writers, and this is meant to be reflective.) Some solutions I", "classic murder mysteries, and employ tropes and techniques from these to set up", "short story following the first person perspective of the MC, who is a", "these to set up misdirection for the reader, not the least of which", "because the MC ate the corpses and threw the left over into the", "would the sociopathic presentation of her make her appear unlikable? What about other", "sweep that question under the rug? Could they have any desire to see", "and this is meant to be reflective.) Some solutions I considered: 1: Hide", "after they figure out the murderer's identity? Could they be curious about the", "which would then trivialize the real focus of the story, which is the", "figured out the fairly predictable \"plot twist\", which would then trivialize the real", "trivialize the real focus of the story, which is the MC's motivation behind", "any desire to see whether the other characters (namely MC's girlfriend) will survive", "his narration of what's happening--describe him in states of confusion, make him explicate", "What could retain readers' interest after they figure out the murderer's identity? Could", "would they simply dismiss him as a psychopath and sweep that question under", "and misdirect the readers into thinking that some sort of supernatural evil is", "friends, and, unsurprisingly, the MC is a murderer, who proceeds to kill off", "the MC's motivation behind the murders. (It's supposed to be interesting because my", "my despair, I had, of late lost my fear of just about anything...I", "\"plot twist\", which would then trivialize the real focus of the story, which", "supernatural evil is at work, where as in reality, it's because the MC", "the first person perspective of the MC, who is a young, male writer", "the victims' disappearances. This could be tricky because I don't want to undermine", "> > > The problem is this: I fear that it will soon", "the rug? Could they have any desire to see whether the other characters", "come back, if I did something just as hideous when awake.\" > >", "anything...I found out that I can make the nightmares come back, if I", "deaths: Make all the corpses disappear no matter how well protected, and misdirect", "confronts her about having been the murderer and explains his motivation, which is", "the victims were is (slowly and dramatically revealed to be) due to the", "first person perspective of the MC, who is a young, male writer of", "they figured out the fairly predictable \"plot twist\", which would then trivialize the", "unsurprisingly, the MC is a murderer, who proceeds to kill off everyone (5~6", "obvious who the killer is, and without any deliberate action in my part", "deliberate action in my part to show that. I fear that my readers", "fact that most classic murder mystery's murderer is someone other than the MC.", "the murderer's identity really well: Study classic murder mysteries, and employ tropes and", "action in my part to show that. I fear that my readers would", "the MC, but I shouldn't show that too explicitly either. 3: Obscure the", "retain their interest: Most nuanced (IMO) option, but consequently also the most apparently", "is this: I fear that it will soon become very obvious who the", "I don't want to undermine the psychopathic personality of the MC, but I", "into thinking that some sort of supernatural evil is at work, where as", "4: Accept that the readers will figure out who is the murderer, but", "either. 3: Obscure the cause of the deaths: Make all the corpses disappear", "consequently also the most apparently difficult. What could retain readers' interest after they", "thinking that some sort of supernatural evil is at work, where as in", "real focus of the story, which is the MC's motivation behind the murders.", "twist\", which would then trivialize the real focus of the story, which is", "that too explicitly either. 3: Obscure the cause of the deaths: Make all", "(as well as cannibalizing them), leaving his girlfriend for last, when he confronts", "misdirection for the reader, not the least of which being the fact that", "of her make her appear unlikable? What about other seemingly inexplicable things being", "> \"Truth be told, the primary inspiration of my writing came from my", "misdirect the readers into thinking that some sort of supernatural evil is at", "my part to show that. I fear that my readers would lose interest", "then trivialize the real focus of the story, which is the MC's motivation", "corpses disappear no matter how well protected, and misdirect the readers into thinking", "MC, who is a young, male writer of horror stories. He goes on", "but I shouldn't show that too explicitly either. 3: Obscure the cause of", "mess* left where the victims were is (slowly and dramatically revealed to be)", "a good proportion of amateur horror-writers, and this is meant to be reflective.)", "the story, which is the MC's motivation behind the murders. (It's supposed to", "the least of which being the fact that most classic murder mystery's murderer", "undermine the psychopathic personality of the MC, but I shouldn't show that too", "fear that my readers would lose interest if they figured out the fairly", "cruise with his girlfriend and their friends, and, unsurprisingly, the MC is a", "audience may consist a good proportion of amateur horror-writers, and this is meant", "supposed to be interesting because my audience may consist a good proportion of", "them), leaving his girlfriend for last, when he confronts her about having been", "the motivation of the MC? or would they simply dismiss him as a", "figure out the murderer's identity? Could they be curious about the motivation of", "Some solutions I considered: 1: Hide the murderer's identity really well: Study classic", "inexplicable things being gradually revealed, such as the *absolute bloody mess* left where", "just about anything...I found out that I can make the nightmares come back,", "MC. 2: Hide the murderer's identity, but using narration techniques: Basically the same", "on the possible causes of the victims' disappearances. This could be tricky because", "of supernatural evil is at work, where as in reality, it's because the", "the MC is a murderer, who proceeds to kill off everyone (5~6 total)", "(It's supposed to be interesting because my audience may consist a good proportion", "psychopath and sweep that question under the rug? Could they have any desire", "become very obvious who the killer is, and without any deliberate action in", "of the story, which is the MC's motivation behind the murders. (It's supposed", "victims' disappearances. This could be tricky because I don't want to undermine the", "late lost my fear of just about anything...I found out that I can", "out the murderer's identity? Could they be curious about the motivation of the", "her appear unlikable? What about other seemingly inexplicable things being gradually revealed, such", "is, and without any deliberate action in my part to show that. I", "leaving his girlfriend for last, when he confronts her about having been the", "the MC. 2: Hide the murderer's identity, but using narration techniques: Basically the", "explicitly either. 3: Obscure the cause of the deaths: Make all the corpses", "revealed, such as the *absolute bloody mess* left where the victims were is", "but using narration techniques: Basically the same as 1, but focus instead on", "tropes and techniques from these to set up misdirection for the reader, not", "appear unlikable? What about other seemingly inexplicable things being gradually revealed, such as", "least of which being the fact that most classic murder mystery's murderer is", "dismiss him as a psychopath and sweep that question under the rug? Could", "is the MC's motivation behind the murders. (It's supposed to be interesting because", "don't want to undermine the psychopathic personality of the MC, but I shouldn't", "mystery's murderer is someone other than the MC. 2: Hide the murderer's identity,", "(5~6 total) on the boat one by one (as well as cannibalizing them),", "story following the first person perspective of the MC, who is a young,", "horror stories. He goes on a cruise with his girlfriend and their friends,", "such as the *absolute bloody mess* left where the victims were is (slowly", "as the *absolute bloody mess* left where the victims were is (slowly and", "from these to set up misdirection for the reader, not the least of", "for last, when he confronts her about having been the murderer and explains", "amateur horror-writers, and this is meant to be reflective.) Some solutions I considered:", "most classic murder mystery's murderer is someone other than the MC. 2: Hide", "story, which is the MC's motivation behind the murders. (It's supposed to be", "were is (slowly and dramatically revealed to be) due to the MC's cannibal", "What about other seemingly inexplicable things being gradually revealed, such as the *absolute", "the nightmares come back, if I did something just as hideous when awake.\"", "this: I fear that it will soon become very obvious who the killer", "despair, I had, of late lost my fear of just about anything...I found", "her about having been the murderer and explains his motivation, which is this:", "which is the MC's motivation behind the murders. (It's supposed to be interesting", "he confronts her about having been the murderer and explains his motivation, which", "curious about the motivation of the MC? or would they simply dismiss him", "make her appear unlikable? What about other seemingly inexplicable things being gradually revealed,", "and threw the left over into the sea. 4: Accept that the readers", "problem is this: I fear that it will soon become very obvious who", "his girlfriend for last, when he confronts her about having been the murderer", "innocent via his narration of what's happening--describe him in states of confusion, make", "in states of confusion, make him explicate his speculations on the possible causes", "interesting because my audience may consist a good proportion of amateur horror-writers, and", "may consist a good proportion of amateur horror-writers, and this is meant to", "when awake.\" > > > The problem is this: I fear that it", "total) on the boat one by one (as well as cannibalizing them), leaving", "that question under the rug? Could they have any desire to see whether", "it's because the MC ate the corpses and threw the left over into", "came from my dreams--my nightmares, more specifically, and to my despair, I had,", "seem innocent via his narration of what's happening--describe him in states of confusion,", "make the nightmares come back, if I did something just as hideous when", "whether the other characters (namely MC's girlfriend) will survive the final confrontation? or", "show that. I fear that my readers would lose interest if they figured", "a murderer, who proceeds to kill off everyone (5~6 total) on the boat", "2: Hide the murderer's identity, but using narration techniques: Basically the same as", "Make all the corpses disappear no matter how well protected, and misdirect the", "out the fairly predictable \"plot twist\", which would then trivialize the real focus", "without any deliberate action in my part to show that. I fear that", "the same as 1, but focus instead on making the MC seem innocent", "> The problem is this: I fear that it will soon become very", "the murderer's identity? Could they be curious about the motivation of the MC?", "techniques from these to set up misdirection for the reader, not the least", "explicate his speculations on the possible causes of the victims' disappearances. This could", "and sweep that question under the rug? Could they have any desire to", "my fear of just about anything...I found out that I can make the", "is a murderer, who proceeds to kill off everyone (5~6 total) on the", "out that I can make the nightmares come back, if I did something", "good proportion of amateur horror-writers, and this is meant to be reflective.) Some", "mysteries, and employ tropes and techniques from these to set up misdirection for", "because my audience may consist a good proportion of amateur horror-writers, and this", "the murderer, but retain their interest: Most nuanced (IMO) option, but consequently also", "fear of just about anything...I found out that I can make the nightmares", "than the MC. 2: Hide the murderer's identity, but using narration techniques: Basically", "not the least of which being the fact that most classic murder mystery's", "I fear that it will soon become very obvious who the killer is,", "is this: > > \"Truth be told, the primary inspiration of my writing", "would then trivialize the real focus of the story, which is the MC's", "*absolute bloody mess* left where the victims were is (slowly and dramatically revealed", "readers will figure out who is the murderer, but retain their interest: Most", "evil is at work, where as in reality, it's because the MC ate", "or would the sociopathic presentation of her make her appear unlikable? What about", "(IMO) option, but consequently also the most apparently difficult. What could retain readers'", "I can make the nightmares come back, if I did something just as", "her make her appear unlikable? What about other seemingly inexplicable things being gradually", "as a psychopath and sweep that question under the rug? Could they have", "is (slowly and dramatically revealed to be) due to the MC's cannibal practices?", "classic murder mystery's murderer is someone other than the MC. 2: Hide the", "goes on a cruise with his girlfriend and their friends, and, unsurprisingly, the", "and, unsurprisingly, the MC is a murderer, who proceeds to kill off everyone", "the boat one by one (as well as cannibalizing them), leaving his girlfriend", "disappearances. This could be tricky because I don't want to undermine the psychopathic", "psychopathic personality of the MC, but I shouldn't show that too explicitly either.", "who proceeds to kill off everyone (5~6 total) on the boat one by", "and without any deliberate action in my part to show that. I fear", "had, of late lost my fear of just about anything...I found out that", "motivation of the MC? or would they simply dismiss him as a psychopath", "to undermine the psychopathic personality of the MC, but I shouldn't show that", "sociopathic presentation of her make her appear unlikable? What about other seemingly inexplicable", "to kill off everyone (5~6 total) on the boat one by one (as", "really well: Study classic murder mysteries, and employ tropes and techniques from these", "corpses and threw the left over into the sea. 4: Accept that the", "him explicate his speculations on the possible causes of the victims' disappearances. This", "the psychopathic personality of the MC, but I shouldn't show that too explicitly", "states of confusion, make him explicate his speculations on the possible causes of", "narration of what's happening--describe him in states of confusion, make him explicate his", "the most apparently difficult. What could retain readers' interest after they figure out", "reality, it's because the MC ate the corpses and threw the left over", "identity, but using narration techniques: Basically the same as 1, but focus instead", "well: Study classic murder mysteries, and employ tropes and techniques from these to", "and to my despair, I had, of late lost my fear of just", "instead on making the MC seem innocent via his narration of what's happening--describe", "perspective of the MC, who is a young, male writer of horror stories.", "will figure out who is the murderer, but retain their interest: Most nuanced", "set up misdirection for the reader, not the least of which being the", "sort of supernatural evil is at work, where as in reality, it's because", "protected, and misdirect the readers into thinking that some sort of supernatural evil", "sea. 4: Accept that the readers will figure out who is the murderer,", "focus of the story, which is the MC's motivation behind the murders. (It's", "they figure out the murderer's identity? Could they be curious about the motivation", "writing a short story following the first person perspective of the MC, who", "fear that it will soon become very obvious who the killer is, and", "be reflective.) Some solutions I considered: 1: Hide the murderer's identity really well:", "a short story following the first person perspective of the MC, who is", "following the first person perspective of the MC, who is a young, male", "on the boat one by one (as well as cannibalizing them), leaving his", "predictable \"plot twist\", which would then trivialize the real focus of the story,", "writing came from my dreams--my nightmares, more specifically, and to my despair, I", "I fear that my readers would lose interest if they figured out the", "left over into the sea. 4: Accept that the readers will figure out", "murderer's identity? Could they be curious about the motivation of the MC? or", "the readers into thinking that some sort of supernatural evil is at work,", "techniques: Basically the same as 1, but focus instead on making the MC", "the MC ate the corpses and threw the left over into the sea.", "MC, but I shouldn't show that too explicitly either. 3: Obscure the cause", "very obvious who the killer is, and without any deliberate action in my", "possible causes of the victims' disappearances. This could be tricky because I don't", "of the deaths: Make all the corpses disappear no matter how well protected,", "motivation behind the murders. (It's supposed to be interesting because my audience may", "He goes on a cruise with his girlfriend and their friends, and, unsurprisingly,", "but consequently also the most apparently difficult. What could retain readers' interest after", "or would they simply dismiss him as a psychopath and sweep that question", "same as 1, but focus instead on making the MC seem innocent via", "which being the fact that most classic murder mystery's murderer is someone other", "victims were is (slowly and dramatically revealed to be) due to the MC's", "in reality, it's because the MC ate the corpses and threw the left", "work, where as in reality, it's because the MC ate the corpses and", "want to undermine the psychopathic personality of the MC, but I shouldn't show", "and explains his motivation, which is this: > > \"Truth be told, the", "murder mystery's murderer is someone other than the MC. 2: Hide the murderer's", "Basically the same as 1, but focus instead on making the MC seem", "cause of the deaths: Make all the corpses disappear no matter how well", "> > \"Truth be told, the primary inspiration of my writing came from", "about having been the murderer and explains his motivation, which is this: >", "person perspective of the MC, who is a young, male writer of horror", "this is meant to be reflective.) Some solutions I considered: 1: Hide the", "via his narration of what's happening--describe him in states of confusion, make him", "apparently difficult. What could retain readers' interest after they figure out the murderer's", "motivation, which is this: > > \"Truth be told, the primary inspiration of", "girlfriend and their friends, and, unsurprisingly, the MC is a murderer, who proceeds", "their friends, and, unsurprisingly, the MC is a murderer, who proceeds to kill", "the readers will figure out who is the murderer, but retain their interest:", "my dreams--my nightmares, more specifically, and to my despair, I had, of late", "of horror stories. He goes on a cruise with his girlfriend and their", "my readers would lose interest if they figured out the fairly predictable \"plot", "from my dreams--my nightmares, more specifically, and to my despair, I had, of", "I had, of late lost my fear of just about anything...I found out", "under the rug? Could they have any desire to see whether the other", "threw the left over into the sea. 4: Accept that the readers will", "Most nuanced (IMO) option, but consequently also the most apparently difficult. What could", "is a young, male writer of horror stories. He goes on a cruise", "> > The problem is this: I fear that it will soon become", "the MC? or would they simply dismiss him as a psychopath and sweep", "well protected, and misdirect the readers into thinking that some sort of supernatural", "happening--describe him in states of confusion, make him explicate his speculations on the", "causes of the victims' disappearances. This could be tricky because I don't want", "will survive the final confrontation? or would the sociopathic presentation of her make", "meant to be reflective.) Some solutions I considered: 1: Hide the murderer's identity", "show that too explicitly either. 3: Obscure the cause of the deaths: Make", "be tricky because I don't want to undermine the psychopathic personality of the", "any deliberate action in my part to show that. I fear that my", "is at work, where as in reality, it's because the MC ate the", "readers' interest after they figure out the murderer's identity? Could they be curious", "out who is the murderer, but retain their interest: Most nuanced (IMO) option,", "speculations on the possible causes of the victims' disappearances. This could be tricky", "a psychopath and sweep that question under the rug? Could they have any", "of my writing came from my dreams--my nightmares, more specifically, and to my", "can make the nightmares come back, if I did something just as hideous", "narration techniques: Basically the same as 1, but focus instead on making the" ]
[ "with my writing. But I don't want to write something as alienating as", "**reasoning**, **flaws** and **\"human\" factor**; their ideals don't necessarily correlate with mines, and", "of the book. And that scares me; these authors set out with the", "to us, I also have this intention with my writing. But I don't", "read other authors who I feel forced the moral outlook on the story,", "that's a problem when trying to write **characters with different mentalities.** You don't", "mouthpieces of the author, and not self-inserts. Characters should have their own **reasoning**,", "of my characters fall into the emotional category, with only a few exceptions.", "from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I", "straw men, nor mouthpieces of the author, and not self-inserts. Characters should have", "I feel I've got a huge obstacle, whenever I'm pretending\" to be a", "that well, or other people's logic for that matter.** However, an overwhelming majority", "I feel I'm constrained because **I can't understand emotional decision making that well,", "want to write something as alienating as those books were for me. So,", "the moral outlook on the story, to the detriment of the book. And", "I can't prevent it entirely, I want to minimize this seeping. **How can", "I'm constrained because **I can't understand emotional decision making that well, or other", "without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I can't understand emotional", "sometimes be the right ones. I've read other authors who I feel forced", "story, to the detriment of the book. And that scares me; these authors", "ideals different from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained", "creator is reflected in his work.** And that's a problem when trying to", "problem when trying to write **characters with different mentalities.** You don't want characters", "feel strongly that **the mentality of the creator is reflected in his work.**", "and trying to make out how he/she would react. I feel strongly that", "strongly that **the mentality of the creator is reflected in his work.** And", "characters to be straw men, nor mouthpieces of the author, and not self-inserts.", "that **the mentality of the creator is reflected in his work.** And that's", "should have their own **reasoning**, **flaws** and **\"human\" factor**; their ideals don't necessarily", "them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I can't understand emotional decision making", "want to minimize this seeping. **How can I write characters with ideals different", "and not self-inserts. Characters should have their own **reasoning**, **flaws** and **\"human\" factor**;", "and morally ambiguous, as some aspects of me will seep into them. If", "into them. If I can't prevent it entirely, I want to minimize this", "ones. I've read other authors who I feel forced the moral outlook on", "scares me; these authors set out with the intention of teaching something to", "writing. But I don't want to write something as alienating as those books", "other authors who I feel forced the moral outlook on the story, to", "[strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I can't understand emotional decision making that", "**flaws** and **\"human\" factor**; their ideals don't necessarily correlate with mines, and they", "me. So, I have a hard time creating different characters, both good, bad,", "seep into them. If I can't prevent it entirely, I want to minimize", "of me will seep into them. If I can't prevent it entirely, I", "can sometimes be the right ones. I've read other authors who I feel", "my writing. But I don't want to write something as alienating as those", "as some aspects of me will seep into them. If I can't prevent", "detriment of the book. And that scares me; these authors set out with", "majority of my characters fall into the emotional category, with only a few", "these authors set out with the intention of teaching something to us, I", "**How can I write characters with ideals different from my own, without making", "got a huge obstacle, whenever I'm pretending\" to be a character and trying", "good, bad, and morally ambiguous, as some aspects of me will seep into", "alienating as those books were for me. So, I have a hard time", "the intention of teaching something to us, I also have this intention with", "make out how he/she would react. I feel strongly that **the mentality of", "hard time creating different characters, both good, bad, and morally ambiguous, as some", "will seep into them. If I can't prevent it entirely, I want to", "I write characters with ideals different from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?**", "write **characters with different mentalities.** You don't want characters to be straw men,", "their own **reasoning**, **flaws** and **\"human\" factor**; their ideals don't necessarily correlate with", "characters, both good, bad, and morally ambiguous, as some aspects of me will", "ideals don't necessarily correlate with mines, and they can sometimes be the right", "us, I also have this intention with my writing. But I don't want", "me will seep into them. If I can't prevent it entirely, I want", "of the author, and not self-inserts. Characters should have their own **reasoning**, **flaws**", "So, I have a hard time creating different characters, both good, bad, and", "teaching something to us, I also have this intention with my writing. But", "is reflected in his work.** And that's a problem when trying to write", "I have a hard time creating different characters, both good, bad, and morally", "a character and trying to make out how he/she would react. I feel", "outlook on the story, to the detriment of the book. And that scares", "to make out how he/she would react. I feel strongly that **the mentality", "logic for that matter.** However, an overwhelming majority of my characters fall into", "something to us, I also have this intention with my writing. But I", "a problem when trying to write **characters with different mentalities.** You don't want", "intention with my writing. But I don't want to write something as alienating", "this intention with my writing. But I don't want to write something as", "nor mouthpieces of the author, and not self-inserts. Characters should have their own", "**the mentality of the creator is reflected in his work.** And that's a", "time creating different characters, both good, bad, and morally ambiguous, as some aspects", "feel I'm constrained because **I can't understand emotional decision making that well, or", "or other people's logic for that matter.** However, an overwhelming majority of my", "right ones. I've read other authors who I feel forced the moral outlook", "a huge obstacle, whenever I'm pretending\" to be a character and trying to", "have their own **reasoning**, **flaws** and **\"human\" factor**; their ideals don't necessarily correlate", "the story, to the detriment of the book. And that scares me; these", "aspects of me will seep into them. If I can't prevent it entirely,", "not self-inserts. Characters should have their own **reasoning**, **flaws** and **\"human\" factor**; their", "the detriment of the book. And that scares me; these authors set out", "character and trying to make out how he/she would react. I feel strongly", "react. I feel strongly that **the mentality of the creator is reflected in", "different mentalities.** You don't want characters to be straw men, nor mouthpieces of", "You don't want characters to be straw men, nor mouthpieces of the author,", "I want to minimize this seeping. **How can I write characters with ideals", "own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I can't understand", "with the intention of teaching something to us, I also have this intention", "I've got a huge obstacle, whenever I'm pretending\" to be a character and", "men, nor mouthpieces of the author, and not self-inserts. Characters should have their", "constrained because **I can't understand emotional decision making that well, or other people's", "can't understand emotional decision making that well, or other people's logic for that", "necessarily correlate with mines, and they can sometimes be the right ones. I've", "intention of teaching something to us, I also have this intention with my", "forced the moral outlook on the story, to the detriment of the book.", "of teaching something to us, I also have this intention with my writing.", "some aspects of me will seep into them. If I can't prevent it", "authors who I feel forced the moral outlook on the story, to the", "how he/she would react. I feel strongly that **the mentality of the creator", "it entirely, I want to minimize this seeping. **How can I write characters", "those books were for me. So, I have a hard time creating different", "pretending\" to be a character and trying to make out how he/she would", "their ideals don't necessarily correlate with mines, and they can sometimes be the", "with different mentalities.** You don't want characters to be straw men, nor mouthpieces", "for me. So, I have a hard time creating different characters, both good,", "authors set out with the intention of teaching something to us, I also", "book. And that scares me; these authors set out with the intention of", "creating different characters, both good, bad, and morally ambiguous, as some aspects of", "to the detriment of the book. And that scares me; these authors set", "other people's logic for that matter.** However, an overwhelming majority of my characters", "overwhelming majority of my characters fall into the emotional category, with only a", "to be straw men, nor mouthpieces of the author, and not self-inserts. Characters", "don't want characters to be straw men, nor mouthpieces of the author, and", "books were for me. So, I have a hard time creating different characters,", "can I write characters with ideals different from my own, without making them", "people's logic for that matter.** However, an overwhelming majority of my characters fall", "and they can sometimes be the right ones. I've read other authors who", "I'm pretending\" to be a character and trying to make out how he/she", "the author, and not self-inserts. Characters should have their own **reasoning**, **flaws** and", "want characters to be straw men, nor mouthpieces of the author, and not", "I also have this intention with my writing. But I don't want to", "to write **characters with different mentalities.** You don't want characters to be straw", "and **\"human\" factor**; their ideals don't necessarily correlate with mines, and they can", "as alienating as those books were for me. So, I have a hard", "trying to write **characters with different mentalities.** You don't want characters to be", "of the creator is reflected in his work.** And that's a problem when", "his work.** And that's a problem when trying to write **characters with different", "write something as alienating as those books were for me. So, I have", "that scares me; these authors set out with the intention of teaching something", "**I can't understand emotional decision making that well, or other people's logic for", "understand emotional decision making that well, or other people's logic for that matter.**", "when trying to write **characters with different mentalities.** You don't want characters to", "self-inserts. Characters should have their own **reasoning**, **flaws** and **\"human\" factor**; their ideals", "this seeping. **How can I write characters with ideals different from my own,", "own **reasoning**, **flaws** and **\"human\" factor**; their ideals don't necessarily correlate with mines,", "morally ambiguous, as some aspects of me will seep into them. If I", "bad, and morally ambiguous, as some aspects of me will seep into them.", "for that matter.** However, an overwhelming majority of my characters fall into the", "I've read other authors who I feel forced the moral outlook on the", "author, and not self-inserts. Characters should have their own **reasoning**, **flaws** and **\"human\"", "**characters with different mentalities.** You don't want characters to be straw men, nor", "be straw men, nor mouthpieces of the author, and not self-inserts. Characters should", "can't prevent it entirely, I want to minimize this seeping. **How can I", "also have this intention with my writing. But I don't want to write", "something as alienating as those books were for me. So, I have a", "both good, bad, and morally ambiguous, as some aspects of me will seep", "huge obstacle, whenever I'm pretending\" to be a character and trying to make", "Characters should have their own **reasoning**, **flaws** and **\"human\" factor**; their ideals don't", "in his work.** And that's a problem when trying to write **characters with", "characters with ideals different from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel", "seeping. **How can I write characters with ideals different from my own, without", "making that well, or other people's logic for that matter.** However, an overwhelming", "And that scares me; these authors set out with the intention of teaching", "decision making that well, or other people's logic for that matter.** However, an", "minimize this seeping. **How can I write characters with ideals different from my", "the book. And that scares me; these authors set out with the intention", "on the story, to the detriment of the book. And that scares me;", "If I can't prevent it entirely, I want to minimize this seeping. **How", "a hard time creating different characters, both good, bad, and morally ambiguous, as", "who I feel forced the moral outlook on the story, to the detriment", "factor**; their ideals don't necessarily correlate with mines, and they can sometimes be", "as those books were for me. So, I have a hard time creating", "out with the intention of teaching something to us, I also have this", "that matter.** However, an overwhelming majority of my characters fall into the emotional", "correlate with mines, and they can sometimes be the right ones. I've read", "making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I can't understand emotional decision", "obstacle, whenever I'm pretending\" to be a character and trying to make out", "set out with the intention of teaching something to us, I also have", "ambiguous, as some aspects of me will seep into them. If I can't", "**\"human\" factor**; their ideals don't necessarily correlate with mines, and they can sometimes", "the creator is reflected in his work.** And that's a problem when trying", "me; these authors set out with the intention of teaching something to us,", "write characters with ideals different from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I", "whenever I'm pretending\" to be a character and trying to make out how", "my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because **I can't", "However, an overwhelming majority of my characters fall into the emotional category, with", "But I don't want to write something as alienating as those books were", "well, or other people's logic for that matter.** However, an overwhelming majority of", "an overwhelming majority of my characters fall into the emotional category, with only", "reflected in his work.** And that's a problem when trying to write **characters", "to be a character and trying to make out how he/she would react.", "don't necessarily correlate with mines, and they can sometimes be the right ones.", "moral outlook on the story, to the detriment of the book. And that", "have this intention with my writing. But I don't want to write something", "he/she would react. I feel strongly that **the mentality of the creator is", "mines, and they can sometimes be the right ones. I've read other authors", "And that's a problem when trying to write **characters with different mentalities.** You", "feel I've got a huge obstacle, whenever I'm pretending\" to be a character", "feel forced the moral outlook on the story, to the detriment of the", "I feel forced the moral outlook on the story, to the detriment of", "I don't want to write something as alienating as those books were for", "with mines, and they can sometimes be the right ones. I've read other", "be the right ones. I've read other authors who I feel forced the", "entirely, I want to minimize this seeping. **How can I write characters with", "I feel strongly that **the mentality of the creator is reflected in his", "the right ones. I've read other authors who I feel forced the moral", "out how he/she would react. I feel strongly that **the mentality of the", "mentalities.** You don't want characters to be straw men, nor mouthpieces of the", "different from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm constrained because", "don't want to write something as alienating as those books were for me.", "be a character and trying to make out how he/she would react. I", "to write something as alienating as those books were for me. So, I", "them. If I can't prevent it entirely, I want to minimize this seeping.", "emotional decision making that well, or other people's logic for that matter.** However,", "they can sometimes be the right ones. I've read other authors who I", "work.** And that's a problem when trying to write **characters with different mentalities.**", "different characters, both good, bad, and morally ambiguous, as some aspects of me", "mentality of the creator is reflected in his work.** And that's a problem", "matter.** However, an overwhelming majority of my characters fall into the emotional category,", "were for me. So, I have a hard time creating different characters, both", "would react. I feel strongly that **the mentality of the creator is reflected", "trying to make out how he/she would react. I feel strongly that **the", "to minimize this seeping. **How can I write characters with ideals different from", "prevent it entirely, I want to minimize this seeping. **How can I write", "with ideals different from my own, without making them [strawman](https://en.wikipedia.org/wiki/Straw_man)?** I feel I'm", "because **I can't understand emotional decision making that well, or other people's logic", "have a hard time creating different characters, both good, bad, and morally ambiguous," ]
[ "this is done? The story is set in the UK, in today's world.", "pay for the service isn't a problem. What I'm stuck on is how", "they wanted to leave it with a professional, the same applies - how", "instructions to deal with it? * Would one pay a law firm to", "at different banks, all containing an identical envelope, and also tells them the", "directs them to any of 3 safety deposit boxes at different banks, all", "needs doing? * Would it work to set up a trust with the", "to be delivered are the two halves of an encryption key + encrypted", "file annually, or some such, just to ensure it was never archived or", "be seen by someone or just be misplaced or forgotten over the years", "the law firm as trustee and an outside auditor, and an extra trust", "other's existence, because then the 2 people/firms delivering them cannot read the message,", "character leaves the message to be delivered this way, by 2 routes that", "grandchild (I'm handwaving away \"what if their daughter doesn't have any children?\") in", "message pair. The character leaves the message to be delivered this way, by", "put a document in a bank for storage. Money to pay for the", "be misplaced or forgotten over the years (if the person who knows about", "it \"active\", even if for 39.9 years all it did was pay legal", "even if for 39.9 years all it did was pay legal fees? But", "deadly enemy has surely died, who will stop at nothing to hurt their", "is actually realistic. The character is going away into *tera incognita* (effectively exile", "even if taken over, in decades time). But ensuring the messages will be", "them at the point in time when it needs doing? * Would it", "/ friends might let slip, or it may be seen by someone or", "family if it'll hurt the character). They may come back in 30 -", "decades time). But ensuring the messages will be delivered is less obvious. Any", "years time, if still alive. Or they may die alone; nobody at home", "person who knows about it has an accident). 40 years is a long", "storage. Money to pay for the service isn't a problem. What I'm stuck", "file to be done in decades time, in real life, or do they", "an identical envelope, and also tells them the code required to authenticate as", "would actually remember and not send the file out for shredding in 15", "a realistic way be, to ensure this is done? The story is set", "easy since banks can be paid in advance (they hold mortgage documents for", "will probably still be round, even if taken over, in decades time). But", "away \"what if their daughter doesn't have any children?\") in about 40 years", "wishes to ensure a letter is delivered to their first grandchild (I'm handwaving", "Family / friends might let slip, or it may be seen by someone", "identical envelope, and also tells them the code required to authenticate as the", "the 2 people/firms delivering them cannot read the message, since one only has", "the other only has an encryption key. But when the grandchild obtains both,", "years (if the person who knows about it has an accident). 40 years", "in real life, or do they realistically require a person to contact them", "law firm would have to administer it and keep it \"active\", even if", "or some such, just to ensure it was never archived or forgotten? *", "a lot of its force from the care taken to research and portray", "portray matters accurately. It's also in a very \"everyday\" style, so it would", "incognita* (effectively exile until a deadly enemy has surely died, who will stop", "enemy has surely died, who will stop at nothing to hurt their family", "What I'm stuck on is how they would actually do it, if someone", "it with a professional, the same applies - how would one be sure", "would a realistic way be, to ensure this is done? The story is", "not send the file out for shredding in 15 years? Do law firms", "decades and at least one of 3 major UK banks will probably still", "work to set up a trust with the law firm as trustee and", "the years (if the person who knows about it has an accident). 40", "instruct some professional or put a document in a bank for storage. Money", "if for 39.9 years all it did was pay legal fees? But if", "in a very \"everyday\" style, so it would be fine if they instruct", "box's owner. The latter part is easy since banks can be paid in", "the message, since one only has encrypted text and the other only has", "mortgage documents for decades and at least one of 3 major UK banks", "delivered is less obvious. Any help much appreciated, hopefully this is \"in topic\"", "or knowledge of them unless by some chance they decide to return home", "would actually do it, if someone really wanted to. * They can't leave", "applies - how would one be sure that a law firm would actually", "and at least one of 3 major UK banks will probably still be", "way be, to ensure this is done? The story is set in the", "or it may be seen by someone or just be misplaced or forgotten", "decades time, in real life, or do they realistically require a person to", "ensure it was never archived or forgotten? * If not, what would someone", "daughter doesn't have any children?\") in about 40 years time. My question is,", "real life, or do they realistically require a person to contact them and", "the law firm didn't, who would the auditors tell, or what could the", "or just be misplaced or forgotten over the years (if the person who", "pay legal fees? But if the law firm didn't, who would the auditors", "a straightforward plot issue but not sure what is actually realistic. The character", "into the instructions to deal with it? * Would one pay a law", "safety deposit boxes at different banks, all containing an identical envelope, and also", "will stop at nothing to hurt their family if it'll hurt the character).", "years time. My question is, what would a realistic way be, to ensure", "* Would one pay a law firm to check the file annually, or", "it may be seen by someone or just be misplaced or forgotten over", "the service isn't a problem. What I'm stuck on is how they would", "pair. The character leaves the message to be delivered this way, by 2", "message to be delivered this way, by 2 routes that don't know of", "come back in 30 - 40 years time, if still alive. Or they", "they instruct some professional or put a document in a bank for storage.", "to research and portray matters accurately. It's also in a very \"everyday\" style,", "read the message, which directs them to any of 3 safety deposit boxes", "tell, or what could the character write into the instructions to deal with", "may die alone; nobody at home will be aware either way. Essentially they", "\"what if their daughter doesn't have any children?\") in about 40 years time.", "the point in time when it needs doing? * Would it work to", "only has an encryption key. But when the grandchild obtains both, they will", "in about 40 years time. My question is, what would a realistic way", "them and remind/instruct them at the point in time when it needs doing?", "paid in advance (they hold mortgage documents for decades and at least one", "should be a straightforward plot issue but not sure what is actually realistic.", "law firm didn't, who would the auditors tell, or what could the character", "3 major UK banks will probably still be round, even if taken over,", "to be delivered this way, by 2 routes that don't know of the", "it and keep it \"active\", even if for 39.9 years all it did", "ensuring the messages will be delivered is less obvious. Any help much appreciated,", "If not, what would someone do in today's society, if it really mattered?", "routes that don't know of the other's existence, because then the 2 people/firms", "do in today's society, if it really mattered? The item - actually 2", "encrypted message pair. The character leaves the message to be delivered this way,", "seen by someone or just be misplaced or forgotten over the years (if", "3 safety deposit boxes at different banks, all containing an identical envelope, and", "same applies - how would one be sure that a law firm would", "UK banks will probably still be round, even if taken over, in decades", "may come back in 30 - 40 years time, if still alive. Or", "law firm to check the file annually, or some such, just to ensure", "to their first grandchild (I'm handwaving away \"what if their daughter doesn't have", "it, if someone really wanted to. * They can't leave it with family", "nobody at home will be aware either way. Essentially they will drop off", "major UK banks will probably still be round, even if taken over, in", "such, just to ensure it was never archived or forgotten? * If not,", "forgotten over the years (if the person who knows about it has an", "to be done in decades time, in real life, or do they realistically", "text and the other only has an encryption key. But when the grandchild", "to any of 3 safety deposit boxes at different banks, all containing an", "document in a bank for storage. Money to pay for the service isn't", "problem. What I'm stuck on is how they would actually do it, if", "trustee and an outside auditor, and an extra trust deed requirement that the", "firm as trustee and an outside auditor, and an extra trust deed requirement", "Would one pay a law firm to check the file annually, or some", "administer it and keep it \"active\", even if for 39.9 years all it", "all containing an identical envelope, and also tells them the code required to", "is less obvious. Any help much appreciated, hopefully this is \"in topic\" to", "accident). 40 years is a long time for someone to remember they have", "world. There's no magic or non-realistic elements, and the story gains a lot", "time for someone to remember they have a thing to do. * If", "file out for shredding in 15 years? Do law firms ever have things", "the map and that's the end of all contact or knowledge of them", "send the file out for shredding in 15 years? Do law firms ever", "envelope, and also tells them the code required to authenticate as the deposit", "person to contact them and remind/instruct them at the point in time when", "an outside auditor, and an extra trust deed requirement that the auditor checks", "time, if still alive. Or they may die alone; nobody at home will", "hold mortgage documents for decades and at least one of 3 major UK", "the law firm would have to administer it and keep it \"active\", even", "40 years is a long time for someone to remember they have a", "them unless by some chance they decide to return home in old age.", "delivering them cannot read the message, since one only has encrypted text and", "its force from the care taken to research and portray matters accurately. It's", "be aware either way. Essentially they will drop off the map and that's", "round, even if taken over, in decades time). But ensuring the messages will", "Would it work to set up a trust with the law firm as", "what is actually realistic. The character is going away into *tera incognita* (effectively", "they decide to return home in old age. The character wishes to ensure", "by some chance they decide to return home in old age. The character", "a person to contact them and remind/instruct them at the point in time", "their first grandchild (I'm handwaving away \"what if their daughter doesn't have any", "or friends. Family / friends might let slip, or it may be seen", "one only has encrypted text and the other only has an encryption key.", "deposit boxes at different banks, all containing an identical envelope, and also tells", "aware either way. Essentially they will drop off the map and that's the", "2 people/firms delivering them cannot read the message, since one only has encrypted", "other only has an encryption key. But when the grandchild obtains both, they", "an encryption key + encrypted message pair. The character leaves the message to", "law firm as trustee and an outside auditor, and an extra trust deed", "would have to administer it and keep it \"active\", even if for 39.9", "for shredding in 15 years? Do law firms ever have things on file", "character write into the instructions to deal with it? * Would one pay", "just be misplaced or forgotten over the years (if the person who knows", "but not sure what is actually realistic. The character is going away into", "point in time when it needs doing? * Would it work to set", "someone to remember they have a thing to do. * If they wanted", "a law firm to check the file annually, or some such, just to", "them the code required to authenticate as the deposit box's owner. The latter", "part is easy since banks can be paid in advance (they hold mortgage", "have a thing to do. * If they wanted to leave it with", "exile until a deadly enemy has surely died, who will stop at nothing", "some chance they decide to return home in old age. The character wishes", "years is a long time for someone to remember they have a thing", "leave it with a professional, the same applies - how would one be", "remember and not send the file out for shredding in 15 years? Do", "required to authenticate as the deposit box's owner. The latter part is easy", "is delivered to their first grandchild (I'm handwaving away \"what if their daughter", "are acting as directed? So that the law firm would have to administer", "someone or just be misplaced or forgotten over the years (if the person", "what would a realistic way be, to ensure this is done? The story", "has encrypted text and the other only has an encryption key. But when", "actually do it, if someone really wanted to. * They can't leave it", "archived or forgotten? * If not, what would someone do in today's society,", "going away into *tera incognita* (effectively exile until a deadly enemy has surely", "any of 3 safety deposit boxes at different banks, all containing an identical", "do. * If they wanted to leave it with a professional, the same", "out for shredding in 15 years? Do law firms ever have things on", "stuck on is how they would actually do it, if someone really wanted", "Essentially they will drop off the map and that's the end of all", "be, to ensure this is done? The story is set in the UK,", "their family if it'll hurt the character). They may come back in 30", "map and that's the end of all contact or knowledge of them unless", "will be aware either way. Essentially they will drop off the map and", "The latter part is easy since banks can be paid in advance (they", "trust deed requirement that the auditor checks the trustees are acting as directed?", "professional or put a document in a bank for storage. Money to pay", "legal fees? But if the law firm didn't, who would the auditors tell,", "in a bank for storage. Money to pay for the service isn't a", "trustees are acting as directed? So that the law firm would have to", "able to read the message, which directs them to any of 3 safety", "who will stop at nothing to hurt their family if it'll hurt the", "be delivered this way, by 2 routes that don't know of the other's", "The story is set in the UK, in today's world. There's no magic", "the same applies - how would one be sure that a law firm", "would be fine if they instruct some professional or put a document in", "to administer it and keep it \"active\", even if for 39.9 years all", "it needs doing? * Would it work to set up a trust with", "old age. The character wishes to ensure a letter is delivered to their", "return home in old age. The character wishes to ensure a letter is", "thing to do. * If they wanted to leave it with a professional,", "would the auditors tell, or what could the character write into the instructions", "firm would actually remember and not send the file out for shredding in", "because then the 2 people/firms delivering them cannot read the message, since one", "I'm a bit stuck on what should be a straightforward plot issue but", "knows about it has an accident). 40 years is a long time for", "when the grandchild obtains both, they will be able to read the message,", "(they hold mortgage documents for decades and at least one of 3 major", "first grandchild (I'm handwaving away \"what if their daughter doesn't have any children?\")", "documents for decades and at least one of 3 major UK banks will", "the message, which directs them to any of 3 safety deposit boxes at", "require a person to contact them and remind/instruct them at the point in", "what should be a straightforward plot issue but not sure what is actually", "30 - 40 years time, if still alive. Or they may die alone;", "messages will be delivered is less obvious. Any help much appreciated, hopefully this", "or forgotten? * If not, what would someone do in today's society, if", "doesn't have any children?\") in about 40 years time. My question is, what", "at the point in time when it needs doing? * Would it work", "it with family or friends. Family / friends might let slip, or it", "matters accurately. It's also in a very \"everyday\" style, so it would be", "cannot read the message, since one only has encrypted text and the other", "how would one be sure that a law firm would actually remember and", "slip, or it may be seen by someone or just be misplaced or", "since banks can be paid in advance (they hold mortgage documents for decades", "or forgotten over the years (if the person who knows about it has", "or do they realistically require a person to contact them and remind/instruct them", "some professional or put a document in a bank for storage. Money to", "message, which directs them to any of 3 safety deposit boxes at different", "service isn't a problem. What I'm stuck on is how they would actually", "nothing to hurt their family if it'll hurt the character). They may come", "if it'll hurt the character). They may come back in 30 - 40", "in advance (they hold mortgage documents for decades and at least one of", "that the law firm would have to administer it and keep it \"active\",", "know of the other's existence, because then the 2 people/firms delivering them cannot", "obtains both, they will be able to read the message, which directs them", "they may die alone; nobody at home will be aware either way. Essentially", "for decades and at least one of 3 major UK banks will probably", "* If they wanted to leave it with a professional, the same applies", "alive. Or they may die alone; nobody at home will be aware either", "set up a trust with the law firm as trustee and an outside", "by someone or just be misplaced or forgotten over the years (if the", "But if the law firm didn't, who would the auditors tell, or what", "banks, all containing an identical envelope, and also tells them the code required", "time). But ensuring the messages will be delivered is less obvious. Any help", "accurately. It's also in a very \"everyday\" style, so it would be fine", "Or they may die alone; nobody at home will be aware either way.", "will be delivered is less obvious. Any help much appreciated, hopefully this is", "UK, in today's world. There's no magic or non-realistic elements, and the story", "remember they have a thing to do. * If they wanted to leave", "encryption key + encrypted message pair. The character leaves the message to be", "hurt the character). They may come back in 30 - 40 years time,", "(effectively exile until a deadly enemy has surely died, who will stop at", "with it? * Would one pay a law firm to check the file", "which directs them to any of 3 safety deposit boxes at different banks,", "be able to read the message, which directs them to any of 3", "one pay a law firm to check the file annually, or some such,", "a deadly enemy has surely died, who will stop at nothing to hurt", "also in a very \"everyday\" style, so it would be fine if they", "two halves of an encryption key + encrypted message pair. The character leaves", "taken to research and portray matters accurately. It's also in a very \"everyday\"", "in today's society, if it really mattered? The item - actually 2 items", "has surely died, who will stop at nothing to hurt their family if", "was never archived or forgotten? * If not, what would someone do in", "is done? The story is set in the UK, in today's world. There's", "bank for storage. Money to pay for the service isn't a problem. What", "handwaving away \"what if their daughter doesn't have any children?\") in about 40", "leaves the message to be delivered this way, by 2 routes that don't", "a long time for someone to remember they have a thing to do.", "to return home in old age. The character wishes to ensure a letter", "less obvious. Any help much appreciated, hopefully this is \"in topic\" to ask!", "the character). They may come back in 30 - 40 years time, if", "the messages will be delivered is less obvious. Any help much appreciated, hopefully", "Do law firms ever have things on file to be done in decades", "to deal with it? * Would one pay a law firm to check", "home will be aware either way. Essentially they will drop off the map", "be done in decades time, in real life, or do they realistically require", "a letter is delivered to their first grandchild (I'm handwaving away \"what if", "latter part is easy since banks can be paid in advance (they hold", "for the service isn't a problem. What I'm stuck on is how they", "over the years (if the person who knows about it has an accident).", "firm to check the file annually, or some such, just to ensure it", "write into the instructions to deal with it? * Would one pay a", "directed? So that the law firm would have to administer it and keep", "the auditors tell, or what could the character write into the instructions to", "up a trust with the law firm as trustee and an outside auditor,", "delivered this way, by 2 routes that don't know of the other's existence,", "family or friends. Family / friends might let slip, or it may be", "both, they will be able to read the message, which directs them to", "ever have things on file to be done in decades time, in real", "They may come back in 30 - 40 years time, if still alive.", "might let slip, or it may be seen by someone or just be", "if someone really wanted to. * They can't leave it with family or", "doing? * Would it work to set up a trust with the law", "- 40 years time, if still alive. Or they may die alone; nobody", "life, or do they realistically require a person to contact them and remind/instruct", "law firm would actually remember and not send the file out for shredding", "and an outside auditor, and an extra trust deed requirement that the auditor", "the message to be delivered this way, by 2 routes that don't know", "the person who knows about it has an accident). 40 years is a", "the care taken to research and portray matters accurately. It's also in a", "and keep it \"active\", even if for 39.9 years all it did was", "either way. Essentially they will drop off the map and that's the end", "actually 2 items - to be delivered are the two halves of an", "at nothing to hurt their family if it'll hurt the character). They may", "* Would it work to set up a trust with the law firm", "realistically require a person to contact them and remind/instruct them at the point", "do they realistically require a person to contact them and remind/instruct them at", "2 routes that don't know of the other's existence, because then the 2", "way, by 2 routes that don't know of the other's existence, because then", "of 3 safety deposit boxes at different banks, all containing an identical envelope,", "them cannot read the message, since one only has encrypted text and the", "code required to authenticate as the deposit box's owner. The latter part is", "keep it \"active\", even if for 39.9 years all it did was pay", "halves of an encryption key + encrypted message pair. The character leaves the", "checks the trustees are acting as directed? So that the law firm would", "leave it with family or friends. Family / friends might let slip, or", "any children?\") in about 40 years time. My question is, what would a", "letter is delivered to their first grandchild (I'm handwaving away \"what if their", "15 years? Do law firms ever have things on file to be done", "have to administer it and keep it \"active\", even if for 39.9 years", "*tera incognita* (effectively exile until a deadly enemy has surely died, who will", "\"active\", even if for 39.9 years all it did was pay legal fees?", "into *tera incognita* (effectively exile until a deadly enemy has surely died, who", "will drop off the map and that's the end of all contact or", "key. But when the grandchild obtains both, they will be able to read", "end of all contact or knowledge of them unless by some chance they", "on is how they would actually do it, if someone really wanted to.", "taken over, in decades time). But ensuring the messages will be delivered is", "in old age. The character wishes to ensure a letter is delivered to", "mattered? The item - actually 2 items - to be delivered are the", "So that the law firm would have to administer it and keep it", "realistic. The character is going away into *tera incognita* (effectively exile until a", "when it needs doing? * Would it work to set up a trust", "actually realistic. The character is going away into *tera incognita* (effectively exile until", "fees? But if the law firm didn't, who would the auditors tell, or", "encrypted text and the other only has an encryption key. But when the", "the grandchild obtains both, they will be able to read the message, which", "gains a lot of its force from the care taken to research and", "as the deposit box's owner. The latter part is easy since banks can", "done? The story is set in the UK, in today's world. There's no", "contact them and remind/instruct them at the point in time when it needs", "item - actually 2 items - to be delivered are the two halves", "just to ensure it was never archived or forgotten? * If not, what", "this way, by 2 routes that don't know of the other's existence, because", "at home will be aware either way. Essentially they will drop off the", "of its force from the care taken to research and portray matters accurately.", "key + encrypted message pair. The character leaves the message to be delivered", "The character wishes to ensure a letter is delivered to their first grandchild", "so it would be fine if they instruct some professional or put a", "is set in the UK, in today's world. There's no magic or non-realistic", "in decades time, in real life, or do they realistically require a person", "it did was pay legal fees? But if the law firm didn't, who", "read the message, since one only has encrypted text and the other only", "of them unless by some chance they decide to return home in old", "if still alive. Or they may die alone; nobody at home will be", "it'll hurt the character). They may come back in 30 - 40 years", "years? Do law firms ever have things on file to be done in", "elements, and the story gains a lot of its force from the care", "the instructions to deal with it? * Would one pay a law firm", "My question is, what would a realistic way be, to ensure this is", "be fine if they instruct some professional or put a document in a", "friends might let slip, or it may be seen by someone or just", "and an extra trust deed requirement that the auditor checks the trustees are", "the deposit box's owner. The latter part is easy since banks can be", "pay a law firm to check the file annually, or some such, just", "for someone to remember they have a thing to do. * If they", "isn't a problem. What I'm stuck on is how they would actually do", "the story gains a lot of its force from the care taken to", "has an accident). 40 years is a long time for someone to remember", "if taken over, in decades time). But ensuring the messages will be delivered", "do it, if someone really wanted to. * They can't leave it with", "if the law firm didn't, who would the auditors tell, or what could", "off the map and that's the end of all contact or knowledge of", "society, if it really mattered? The item - actually 2 items - to", "40 years time. My question is, what would a realistic way be, to", "would someone do in today's society, if it really mattered? The item -", "research and portray matters accurately. It's also in a very \"everyday\" style, so", "be sure that a law firm would actually remember and not send the", "extra trust deed requirement that the auditor checks the trustees are acting as", "and also tells them the code required to authenticate as the deposit box's", "- how would one be sure that a law firm would actually remember", "(I'm handwaving away \"what if their daughter doesn't have any children?\") in about", "issue but not sure what is actually realistic. The character is going away", "auditor, and an extra trust deed requirement that the auditor checks the trustees", "containing an identical envelope, and also tells them the code required to authenticate", "may be seen by someone or just be misplaced or forgotten over the", "to ensure a letter is delivered to their first grandchild (I'm handwaving away", "deed requirement that the auditor checks the trustees are acting as directed? So", "actually remember and not send the file out for shredding in 15 years?", "was pay legal fees? But if the law firm didn't, who would the", "not sure what is actually realistic. The character is going away into *tera", "ensure a letter is delivered to their first grandchild (I'm handwaving away \"what", "bit stuck on what should be a straightforward plot issue but not sure", "plot issue but not sure what is actually realistic. The character is going", "time. My question is, what would a realistic way be, to ensure this", "time when it needs doing? * Would it work to set up a", "tells them the code required to authenticate as the deposit box's owner. The", "at least one of 3 major UK banks will probably still be round,", "back in 30 - 40 years time, if still alive. Or they may", "to contact them and remind/instruct them at the point in time when it", "contact or knowledge of them unless by some chance they decide to return", "to read the message, which directs them to any of 3 safety deposit", "a professional, the same applies - how would one be sure that a", "don't know of the other's existence, because then the 2 people/firms delivering them", "of 3 major UK banks will probably still be round, even if taken", "and not send the file out for shredding in 15 years? Do law", "as directed? So that the law firm would have to administer it and", "banks will probably still be round, even if taken over, in decades time).", "of the other's existence, because then the 2 people/firms delivering them cannot read", "* If not, what would someone do in today's society, if it really", "let slip, or it may be seen by someone or just be misplaced", "people/firms delivering them cannot read the message, since one only has encrypted text", "long time for someone to remember they have a thing to do. *", "the file out for shredding in 15 years? Do law firms ever have", "can't leave it with family or friends. Family / friends might let slip,", "a thing to do. * If they wanted to leave it with a", "age. The character wishes to ensure a letter is delivered to their first", "message, since one only has encrypted text and the other only has an", "* They can't leave it with family or friends. Family / friends might", "alone; nobody at home will be aware either way. Essentially they will drop", "one be sure that a law firm would actually remember and not send", "an extra trust deed requirement that the auditor checks the trustees are acting", "no magic or non-realistic elements, and the story gains a lot of its", "Money to pay for the service isn't a problem. What I'm stuck on", "it work to set up a trust with the law firm as trustee", "39.9 years all it did was pay legal fees? But if the law", "with the law firm as trustee and an outside auditor, and an extra", "existence, because then the 2 people/firms delivering them cannot read the message, since", "forgotten? * If not, what would someone do in today's society, if it", "story gains a lot of its force from the care taken to research", "it really mattered? The item - actually 2 items - to be delivered", "straightforward plot issue but not sure what is actually realistic. The character is", "a problem. What I'm stuck on is how they would actually do it,", "have any children?\") in about 40 years time. My question is, what would", "requirement that the auditor checks the trustees are acting as directed? So that", "grandchild obtains both, they will be able to read the message, which directs", "also tells them the code required to authenticate as the deposit box's owner.", "all it did was pay legal fees? But if the law firm didn't,", "the other's existence, because then the 2 people/firms delivering them cannot read the", "the file annually, or some such, just to ensure it was never archived", "really wanted to. * They can't leave it with family or friends. Family", "away into *tera incognita* (effectively exile until a deadly enemy has surely died,", "a trust with the law firm as trustee and an outside auditor, and", "authenticate as the deposit box's owner. The latter part is easy since banks", "in decades time). But ensuring the messages will be delivered is less obvious.", "and the other only has an encryption key. But when the grandchild obtains", "who knows about it has an accident). 40 years is a long time", "their daughter doesn't have any children?\") in about 40 years time. My question", "annually, or some such, just to ensure it was never archived or forgotten?", "until a deadly enemy has surely died, who will stop at nothing to", "an encryption key. But when the grandchild obtains both, they will be able", "boxes at different banks, all containing an identical envelope, and also tells them", "some such, just to ensure it was never archived or forgotten? * If", "an accident). 40 years is a long time for someone to remember they", "in the UK, in today's world. There's no magic or non-realistic elements, and", "a very \"everyday\" style, so it would be fine if they instruct some", "chance they decide to return home in old age. The character wishes to", "not, what would someone do in today's society, if it really mattered? The", "is going away into *tera incognita* (effectively exile until a deadly enemy has", "The item - actually 2 items - to be delivered are the two", "force from the care taken to research and portray matters accurately. It's also", "someone really wanted to. * They can't leave it with family or friends.", "years all it did was pay legal fees? But if the law firm", "There's no magic or non-realistic elements, and the story gains a lot of", "they will drop off the map and that's the end of all contact", "wanted to. * They can't leave it with family or friends. Family /", "would one be sure that a law firm would actually remember and not", "remind/instruct them at the point in time when it needs doing? * Would", "or put a document in a bank for storage. Money to pay for", "or non-realistic elements, and the story gains a lot of its force from", "or what could the character write into the instructions to deal with it?", "it would be fine if they instruct some professional or put a document", "to authenticate as the deposit box's owner. The latter part is easy since", "still be round, even if taken over, in decades time). But ensuring the", "they would actually do it, if someone really wanted to. * They can't", "only has encrypted text and the other only has an encryption key. But", "on what should be a straightforward plot issue but not sure what is", "to do. * If they wanted to leave it with a professional, the", "what could the character write into the instructions to deal with it? *", "- actually 2 items - to be delivered are the two halves of", "are the two halves of an encryption key + encrypted message pair. The", "character). They may come back in 30 - 40 years time, if still", "character wishes to ensure a letter is delivered to their first grandchild (I'm", "care taken to research and portray matters accurately. It's also in a very", "that's the end of all contact or knowledge of them unless by some", "be delivered are the two halves of an encryption key + encrypted message", "set in the UK, in today's world. There's no magic or non-realistic elements,", "to check the file annually, or some such, just to ensure it was", "delivered to their first grandchild (I'm handwaving away \"what if their daughter doesn't", "to. * They can't leave it with family or friends. Family / friends", "+ encrypted message pair. The character leaves the message to be delivered this", "today's world. There's no magic or non-realistic elements, and the story gains a", "didn't, who would the auditors tell, or what could the character write into", "acting as directed? So that the law firm would have to administer it", "today's society, if it really mattered? The item - actually 2 items -", "lot of its force from the care taken to research and portray matters", "in 30 - 40 years time, if still alive. Or they may die", "a bank for storage. Money to pay for the service isn't a problem.", "how they would actually do it, if someone really wanted to. * They", "stop at nothing to hurt their family if it'll hurt the character). They", "of an encryption key + encrypted message pair. The character leaves the message", "of all contact or knowledge of them unless by some chance they decide", "(if the person who knows about it has an accident). 40 years is", "trust with the law firm as trustee and an outside auditor, and an", "be paid in advance (they hold mortgage documents for decades and at least", "is how they would actually do it, if someone really wanted to. *", "shredding in 15 years? Do law firms ever have things on file to", "to ensure this is done? The story is set in the UK, in", "misplaced or forgotten over the years (if the person who knows about it", "in 15 years? Do law firms ever have things on file to be", "firm didn't, who would the auditors tell, or what could the character write", "with a professional, the same applies - how would one be sure that", "ensure this is done? The story is set in the UK, in today's", "the character write into the instructions to deal with it? * Would one", "decide to return home in old age. The character wishes to ensure a", "The character leaves the message to be delivered this way, by 2 routes", "owner. The latter part is easy since banks can be paid in advance", "will be able to read the message, which directs them to any of", "have things on file to be done in decades time, in real life,", "for 39.9 years all it did was pay legal fees? But if the", "that a law firm would actually remember and not send the file out", "be delivered is less obvious. Any help much appreciated, hopefully this is \"in", "stuck on what should be a straightforward plot issue but not sure what", "outside auditor, and an extra trust deed requirement that the auditor checks the", "by 2 routes that don't know of the other's existence, because then the", "firms ever have things on file to be done in decades time, in", "and that's the end of all contact or knowledge of them unless by", "home in old age. The character wishes to ensure a letter is delivered", "all contact or knowledge of them unless by some chance they decide to", "wanted to leave it with a professional, the same applies - how would", "the code required to authenticate as the deposit box's owner. The latter part", "drop off the map and that's the end of all contact or knowledge", "I'm stuck on is how they would actually do it, if someone really", "be round, even if taken over, in decades time). But ensuring the messages", "about 40 years time. My question is, what would a realistic way be,", "magic or non-realistic elements, and the story gains a lot of its force", "is a long time for someone to remember they have a thing to", "realistic way be, to ensure this is done? The story is set in", "still alive. Or they may die alone; nobody at home will be aware", "if their daughter doesn't have any children?\") in about 40 years time. My", "it? * Would one pay a law firm to check the file annually,", "that don't know of the other's existence, because then the 2 people/firms delivering", "with family or friends. Family / friends might let slip, or it may", "deal with it? * Would one pay a law firm to check the", "to pay for the service isn't a problem. What I'm stuck on is", "could the character write into the instructions to deal with it? * Would", "check the file annually, or some such, just to ensure it was never", "never archived or forgotten? * If not, what would someone do in today's", "- to be delivered are the two halves of an encryption key +", "in time when it needs doing? * Would it work to set up", "they realistically require a person to contact them and remind/instruct them at the", "since one only has encrypted text and the other only has an encryption", "as trustee and an outside auditor, and an extra trust deed requirement that", "The character is going away into *tera incognita* (effectively exile until a deadly", "knowledge of them unless by some chance they decide to return home in", "has an encryption key. But when the grandchild obtains both, they will be", "to remember they have a thing to do. * If they wanted to", "children?\") in about 40 years time. My question is, what would a realistic", "delivered are the two halves of an encryption key + encrypted message pair.", "sure what is actually realistic. The character is going away into *tera incognita*", "story is set in the UK, in today's world. There's no magic or", "law firms ever have things on file to be done in decades time,", "what would someone do in today's society, if it really mattered? The item", "done in decades time, in real life, or do they realistically require a", "a law firm would actually remember and not send the file out for", "auditor checks the trustees are acting as directed? So that the law firm", "surely died, who will stop at nothing to hurt their family if it'll", "the auditor checks the trustees are acting as directed? So that the law", "But ensuring the messages will be delivered is less obvious. Any help much", "that the auditor checks the trustees are acting as directed? So that the", "on file to be done in decades time, in real life, or do", "and remind/instruct them at the point in time when it needs doing? *", "a bit stuck on what should be a straightforward plot issue but not", "did was pay legal fees? But if the law firm didn't, who would", "can be paid in advance (they hold mortgage documents for decades and at", "\"everyday\" style, so it would be fine if they instruct some professional or", "a document in a bank for storage. Money to pay for the service", "the trustees are acting as directed? So that the law firm would have", "non-realistic elements, and the story gains a lot of its force from the", "if it really mattered? The item - actually 2 items - to be", "it has an accident). 40 years is a long time for someone to", "then the 2 people/firms delivering them cannot read the message, since one only", "and portray matters accurately. It's also in a very \"everyday\" style, so it", "fine if they instruct some professional or put a document in a bank", "time, in real life, or do they realistically require a person to contact", "auditors tell, or what could the character write into the instructions to deal", "who would the auditors tell, or what could the character write into the", "someone do in today's society, if it really mattered? The item - actually", "is easy since banks can be paid in advance (they hold mortgage documents", "banks can be paid in advance (they hold mortgage documents for decades and", "to leave it with a professional, the same applies - how would one", "encryption key. But when the grandchild obtains both, they will be able to", "character is going away into *tera incognita* (effectively exile until a deadly enemy", "in today's world. There's no magic or non-realistic elements, and the story gains", "they will be able to read the message, which directs them to any", "to ensure it was never archived or forgotten? * If not, what would", "least one of 3 major UK banks will probably still be round, even", "question is, what would a realistic way be, to ensure this is done?", "for storage. Money to pay for the service isn't a problem. What I'm", "and the story gains a lot of its force from the care taken", "the UK, in today's world. There's no magic or non-realistic elements, and the", "it was never archived or forgotten? * If not, what would someone do", "really mattered? The item - actually 2 items - to be delivered are", "If they wanted to leave it with a professional, the same applies -", "They can't leave it with family or friends. Family / friends might let", "advance (they hold mortgage documents for decades and at least one of 3", "is, what would a realistic way be, to ensure this is done? The", "died, who will stop at nothing to hurt their family if it'll hurt", "It's also in a very \"everyday\" style, so it would be fine if", "style, so it would be fine if they instruct some professional or put", "hurt their family if it'll hurt the character). They may come back in", "probably still be round, even if taken over, in decades time). But ensuring", "from the care taken to research and portray matters accurately. It's also in", "professional, the same applies - how would one be sure that a law", "die alone; nobody at home will be aware either way. Essentially they will", "way. Essentially they will drop off the map and that's the end of", "over, in decades time). But ensuring the messages will be delivered is less", "friends. Family / friends might let slip, or it may be seen by", "they have a thing to do. * If they wanted to leave it", "if they instruct some professional or put a document in a bank for", "be a straightforward plot issue but not sure what is actually realistic. The", "But when the grandchild obtains both, they will be able to read the", "about it has an accident). 40 years is a long time for someone", "items - to be delivered are the two halves of an encryption key", "the two halves of an encryption key + encrypted message pair. The character", "the end of all contact or knowledge of them unless by some chance", "different banks, all containing an identical envelope, and also tells them the code", "unless by some chance they decide to return home in old age. The", "things on file to be done in decades time, in real life, or", "to set up a trust with the law firm as trustee and an", "sure that a law firm would actually remember and not send the file", "very \"everyday\" style, so it would be fine if they instruct some professional", "40 years time, if still alive. Or they may die alone; nobody at", "one of 3 major UK banks will probably still be round, even if", "firm would have to administer it and keep it \"active\", even if for", "to hurt their family if it'll hurt the character). They may come back", "deposit box's owner. The latter part is easy since banks can be paid", "them to any of 3 safety deposit boxes at different banks, all containing", "2 items - to be delivered are the two halves of an encryption" ]
[ "the events of the narration takes place. Is there a shorter way of", "too, I supposed. > > > With \"I supposed\", I'm trying to convey", "I've written it makes it sound as though this was something he was", "But the way I've written it makes it sound as though this was", "mine too, I supposed. > > > With \"I supposed\", I'm trying to", "my wife's closest > friends. One of mine too, I supposed. > >", "> With \"I supposed\", I'm trying to convey that if you had asked", "a shorter way of conveying this \"if you had asked me\" idea without", "whether Robabca was one of his closest friends, he would have said, \"I", "of conveying this \"if you had asked me\" idea without resorting to the", "Robabca lived in the building and was one of my wife's closest >", "was one of my wife's closest > friends. One of mine too, I", "makes it sound as though this was something he was actively thinking about", "sentence: > > Robabca lived in the building and was one of my", "of the narration takes place. Is there a shorter way of conveying this", "this sentence: > > Robabca lived in the building and was one of", "his closest friends, he would have said, \"I suppose.\" But the way I've", "supposed. > > > With \"I supposed\", I'm trying to convey that if", "have said, \"I suppose.\" But the way I've written it makes it sound", "at the time the events of the narration takes place. Is there a", "Is there a shorter way of conveying this \"if you had asked me\"", "said, \"I suppose.\" But the way I've written it makes it sound as", "wife's closest > friends. One of mine too, I supposed. > > >", "conveying this \"if you had asked me\" idea without resorting to the awkward", "\"I supposed\", I'm trying to convey that if you had asked the narrator,", "way I've written it makes it sound as though this was something he", "it makes it sound as though this was something he was actively thinking", "you had asked the narrator, at the time the story takes place, whether", "> Robabca lived in the building and was one of my wife's closest", "was one of his closest friends, he would have said, \"I suppose.\" But", "closest > friends. One of mine too, I supposed. > > > With", "> > Robabca lived in the building and was one of my wife's", "of mine too, I supposed. > > > With \"I supposed\", I'm trying", "was something he was actively thinking about at the time the events of", "had asked the narrator, at the time the story takes place, whether Robabca", "to convey that if you had asked the narrator, at the time the", "Robabca was one of his closest friends, he would have said, \"I suppose.\"", "narration takes place. Is there a shorter way of conveying this \"if you", "closest friends, he would have said, \"I suppose.\" But the way I've written", "I'm trying to convey that if you had asked the narrator, at the", "friends, he would have said, \"I suppose.\" But the way I've written it", "convey that if you had asked the narrator, at the time the story", "have this sentence: > > Robabca lived in the building and was one", "place, whether Robabca was one of his closest friends, he would have said,", "one of his closest friends, he would have said, \"I suppose.\" But the", "though this was something he was actively thinking about at the time the", "it sound as though this was something he was actively thinking about at", "this was something he was actively thinking about at the time the events", "> > With \"I supposed\", I'm trying to convey that if you had", "was actively thinking about at the time the events of the narration takes", "would have said, \"I suppose.\" But the way I've written it makes it", "time the story takes place, whether Robabca was one of his closest friends,", "With \"I supposed\", I'm trying to convey that if you had asked the", "that if you had asked the narrator, at the time the story takes", "and was one of my wife's closest > friends. One of mine too,", "friends. One of mine too, I supposed. > > > With \"I supposed\",", "the narration takes place. Is there a shorter way of conveying this \"if", "\"if you had asked me\" idea without resorting to the awkward \"I supposed\"?", "the time the story takes place, whether Robabca was one of his closest", "> friends. One of mine too, I supposed. > > > With \"I", "way of conveying this \"if you had asked me\" idea without resorting to", "I supposed. > > > With \"I supposed\", I'm trying to convey that", "as though this was something he was actively thinking about at the time", "the time the events of the narration takes place. Is there a shorter", "narrator, at the time the story takes place, whether Robabca was one of", "story takes place, whether Robabca was one of his closest friends, he would", "actively thinking about at the time the events of the narration takes place.", "\"I suppose.\" But the way I've written it makes it sound as though", "One of mine too, I supposed. > > > With \"I supposed\", I'm", "in the building and was one of my wife's closest > friends. One", "suppose.\" But the way I've written it makes it sound as though this", "takes place. Is there a shorter way of conveying this \"if you had", "events of the narration takes place. Is there a shorter way of conveying", "takes place, whether Robabca was one of his closest friends, he would have", "> > > With \"I supposed\", I'm trying to convey that if you", "place. Is there a shorter way of conveying this \"if you had asked", "sound as though this was something he was actively thinking about at the", "the narrator, at the time the story takes place, whether Robabca was one", "asked the narrator, at the time the story takes place, whether Robabca was", "the way I've written it makes it sound as though this was something", "written it makes it sound as though this was something he was actively", "there a shorter way of conveying this \"if you had asked me\" idea", "supposed\", I'm trying to convey that if you had asked the narrator, at", "this \"if you had asked me\" idea without resorting to the awkward \"I", "building and was one of my wife's closest > friends. One of mine", "of his closest friends, he would have said, \"I suppose.\" But the way", "time the events of the narration takes place. Is there a shorter way", "lived in the building and was one of my wife's closest > friends.", "the building and was one of my wife's closest > friends. One of", "something he was actively thinking about at the time the events of the", "if you had asked the narrator, at the time the story takes place,", "he was actively thinking about at the time the events of the narration", "one of my wife's closest > friends. One of mine too, I supposed.", "thinking about at the time the events of the narration takes place. Is", "of my wife's closest > friends. One of mine too, I supposed. >", "trying to convey that if you had asked the narrator, at the time", "the story takes place, whether Robabca was one of his closest friends, he", "about at the time the events of the narration takes place. Is there", "at the time the story takes place, whether Robabca was one of his", "shorter way of conveying this \"if you had asked me\" idea without resorting", "I have this sentence: > > Robabca lived in the building and was", "he would have said, \"I suppose.\" But the way I've written it makes" ]
[ "but I thought it was interesting enough to pursue. I was wondering what", "was one of those random thoughts, but I thought it was interesting enough", "haven't decided yet how long it should be), and as I develop the", "become relevant; there wouldn't be any specific plot element that describes the narrator's", "omitting the narrator's name? Would it cause more harm than benefit? I would", "name? Would it cause more harm than benefit? I would plan to never", "I was wondering whether or not I should give the narrator a name.", "be), and as I develop the plot, I was wondering whether or not", "was wondering whether or not I should give the narrator a name. It", "as I develop the plot, I was wondering whether or not I should", "was interesting enough to pursue. I was wondering what could be gained, if", "benefit? I would plan to never have the narrator's name become relevant; there", "it cause more harm than benefit? I would plan to never have the", "never have the narrator's name become relevant; there wouldn't be any specific plot", "develop the plot, I was wondering whether or not I should give the", "I should give the narrator a name. It was one of those random", "interesting enough to pursue. I was wondering what could be gained, if anything,", "name become relevant; there wouldn't be any specific plot element that describes the", "thought it was interesting enough to pursue. I was wondering what could be", "wondering whether or not I should give the narrator a name. It was", "I begin to write a narrative (I haven't decided yet how long it", "the narrator's name? Would it cause more harm than benefit? I would plan", "more harm than benefit? I would plan to never have the narrator's name", "relevant; there wouldn't be any specific plot element that describes the narrator's lack", "be any specific plot element that describes the narrator's lack of name, or", "any specific plot element that describes the narrator's lack of name, or its", "those random thoughts, but I thought it was interesting enough to pursue. I", "it should be), and as I develop the plot, I was wondering whether", "Would it cause more harm than benefit? I would plan to never have", "a name. It was one of those random thoughts, but I thought it", "narrator's name become relevant; there wouldn't be any specific plot element that describes", "It was one of those random thoughts, but I thought it was interesting", "to pursue. I was wondering what could be gained, if anything, by omitting", "of those random thoughts, but I thought it was interesting enough to pursue.", "whether or not I should give the narrator a name. It was one", "the plot, I was wondering whether or not I should give the narrator", "anything, by omitting the narrator's name? Would it cause more harm than benefit?", "I thought it was interesting enough to pursue. I was wondering what could", "narrative (I haven't decided yet how long it should be), and as I", "give the narrator a name. It was one of those random thoughts, but", "than benefit? I would plan to never have the narrator's name become relevant;", "plot, I was wondering whether or not I should give the narrator a", "enough to pursue. I was wondering what could be gained, if anything, by", "(I haven't decided yet how long it should be), and as I develop", "thoughts, but I thought it was interesting enough to pursue. I was wondering", "I develop the plot, I was wondering whether or not I should give", "to write a narrative (I haven't decided yet how long it should be),", "and as I develop the plot, I was wondering whether or not I", "should give the narrator a name. It was one of those random thoughts,", "pursue. I was wondering what could be gained, if anything, by omitting the", "narrator a name. It was one of those random thoughts, but I thought", "the narrator's name become relevant; there wouldn't be any specific plot element that", "one of those random thoughts, but I thought it was interesting enough to", "cause more harm than benefit? I would plan to never have the narrator's", "a narrative (I haven't decided yet how long it should be), and as", "have the narrator's name become relevant; there wouldn't be any specific plot element", "wondering what could be gained, if anything, by omitting the narrator's name? Would", "decided yet how long it should be), and as I develop the plot,", "name. It was one of those random thoughts, but I thought it was", "should be), and as I develop the plot, I was wondering whether or", "long it should be), and as I develop the plot, I was wondering", "random thoughts, but I thought it was interesting enough to pursue. I was", "what could be gained, if anything, by omitting the narrator's name? Would it", "gained, if anything, by omitting the narrator's name? Would it cause more harm", "yet how long it should be), and as I develop the plot, I", "wouldn't be any specific plot element that describes the narrator's lack of name,", "As I begin to write a narrative (I haven't decided yet how long", "begin to write a narrative (I haven't decided yet how long it should", "could be gained, if anything, by omitting the narrator's name? Would it cause", "the narrator a name. It was one of those random thoughts, but I", "by omitting the narrator's name? Would it cause more harm than benefit? I", "I would plan to never have the narrator's name become relevant; there wouldn't", "specific plot element that describes the narrator's lack of name, or its importance.", "to never have the narrator's name become relevant; there wouldn't be any specific", "was wondering what could be gained, if anything, by omitting the narrator's name?", "there wouldn't be any specific plot element that describes the narrator's lack of", "not I should give the narrator a name. It was one of those", "how long it should be), and as I develop the plot, I was", "narrator's name? Would it cause more harm than benefit? I would plan to", "if anything, by omitting the narrator's name? Would it cause more harm than", "plan to never have the narrator's name become relevant; there wouldn't be any", "be gained, if anything, by omitting the narrator's name? Would it cause more", "it was interesting enough to pursue. I was wondering what could be gained,", "harm than benefit? I would plan to never have the narrator's name become", "or not I should give the narrator a name. It was one of", "write a narrative (I haven't decided yet how long it should be), and", "would plan to never have the narrator's name become relevant; there wouldn't be", "I was wondering what could be gained, if anything, by omitting the narrator's" ]
[ "the limits imposed by present tense and just learn to work with present", "present tense in a story. I just wanted to throw that out there", "of her iron will, and the other is struggling just to keep from", "and changing conjugation, and rearranging sentences as I see fit, but it's really", "in past tense tend to look nicer to me than those I've written", "tense shift mid-novel. Well, not the middle of the novel, but a fifth", "wasn't good enough. However in the process of writing an already bifurcated story", "iron will, and the other is struggling just to keep from falling to", "However in the process of writing an already bifurcated story became even more", "said in another thread, this is a dark tale). My point is that", "there for anyone who might also be in my situation. To be clear", "tense narrative to past tense. That or some external guides/aids. Currently I'm just", "the immediate and ugly present full of gloom and doom, I'll be rewriting", "there may be good reasons to keep the sub-optimal present tense in a", "emotionally. As much as I dislike writing in present tense, it lends itself", "fatalism. One MC is a stone wall resisting by force of her iron", "switching to past tense, and I don't want to have some massive tense", "in past tense as it does in present tense, where all the character", "this is a dark tale). My point is that while everything Bakub said", "hope to do more than convey basic information. It's like how you can", "up longer than the initial question): ================================================================ My reason for initially choosing for", "is constantly breaking down, and wishing for oblivion (as I said in another", "the middle of the novel, but a fifth of the way in. However", "information on my problem, it's all about verb conjugation. I know how to", "the novel, but a fifth of the way in. However at the same", "information. It's like how you can start every sentence with \"noun verb \\_\\_\\_\\_\"", "back to change the tense, I'm finding it is a far greater undertaking", "make all instances of present tense past tense to maintain consistency. However, now", "converting a present tense narrative to past tense. That or some external guides/aids.", "crying and wishing for a death you can never have wouldn't have the", "of tackling present perfect during the attempted conversion. When I search Google for", "When I search Google for information on my problem, it's all about verb", "in present, so I am absolutely adamant about switching to past tense, and", "change the tense, I'm finding it is a far greater undertaking than I", "other is struggling just to keep from falling to pieces emotionally. As much", "this situation, casting a stark contrast on the two sides of the story", "to maintain consistency. However, now that I'm going back to change the tense,", "manner I'm doing now it just looks mangled and ugly. Post Scriptum (which", "written don't look bad. I just think they would look better had I", "about a specific instance of tackling present perfect during the attempted conversion. When", "chapters into a book I'm writing that I dislike present tense, and that", "adamant about switching to past tense, and I don't want to have some", "past tense tend to look nicer to me than those I've written in", "It's like how you can start every sentence with \"noun verb \\_\\_\\_\\_\" but", "present tense and has a fatalism. One MC is a stone wall resisting", "the other is struggling just to keep from falling to pieces emotionally. As", "situation, casting a stark contrast on the two sides of the story while", "is a far greater undertaking than I had expected. This is beyond [the", "a reason, but later decided that reason wasn't good enough. However in the", "last word. One is slowly losing her humanity, while the other is constantly", "sub-optimal present tense in a story. I just wanted to throw that out", "but when I convert them in the manner I'm doing now it just", "another thread, this is a dark tale). My point is that while everything", "and I don't want to have some massive tense shift mid-novel. Well, not", "was being written in past tense and developed a cold detachment that suits", "story. I just wanted to throw that out there for anyone who might", "developed a cold detachment that suits the characters and setting. The other side,", "tell, there may be good reasons to keep the sub-optimal present tense in", "more so. One side was being written in past tense and developed a", "for certain parts of this book to be written in first person were", "is struggling just to keep from falling to pieces emotionally. As much as", "just going through and changing conjugation, and rearranging sentences as I see fit,", "yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is", "asking for tips and hints for converting a present tense narrative to past", "other is constantly breaking down, and wishing for oblivion (as I said in", "convey basic information. It's like how you can start every sentence with \"noun", "I see fit, but it's really painful to read. The prose I've written", "I would need to go back and make all instances of present tense", "like how you can start every sentence with \"noun verb \\_\\_\\_\\_\" but it", "some massive tense shift mid-novel. Well, not the middle of the novel, but", "far as I can tell, there may be good reasons to keep the", "to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance", "present tense narrative to past tense. That or some external guides/aids. Currently I'm", "resisting by force of her iron will, and the other is struggling just", "as I see fit, but it's really painful to read. The prose I've", "not the middle of the novel, but a fifth of the way in.", "some external guides/aids. Currently I'm just going through and changing conjugation, and rearranging", "that out there for anyone who might also be in my situation. To", "English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance of tackling present perfect during", "a specific instance of tackling present perfect during the attempted conversion. When I", "can never have wouldn't have the same impact in past tense as it", "an already bifurcated story became even more so. One side was being written", "full of gloom and doom, I'll be rewriting the past tense bit I", "present tense past tense to maintain consistency. However, now that I'm going back", "consistency. However, now that I'm going back to change the tense, I'm finding", "tense bit I added out of frustration for the limits imposed by present", "and that I would need to go back and make all instances of", "had a reason, but later decided that reason wasn't good enough. However in", "\"noun verb \\_\\_\\_\\_\" but it sounds terrible. So I'm asking for tips and", "side, is in present tense and has a fatalism. One MC is a", "back and make all instances of present tense past tense to maintain consistency.", "attempted conversion. When I search Google for information on my problem, it's all", "to past tense. That or some external guides/aids. Currently I'm just going through", "doom, I'll be rewriting the past tense bit I added out of frustration", "hints for converting a present tense narrative to past tense. That or some", "now it just looks mangled and ugly. Post Scriptum (which ended up longer", "to me than those I've written in present, so I am absolutely adamant", "a present tense narrative to past tense. That or some external guides/aids. Currently", "dislike writing in present tense, it lends itself well to this situation, casting", "and hints for converting a present tense narrative to past tense. That or", "never have wouldn't have the same impact in past tense as it does", "other side, is in present tense and has a fatalism. One MC is", "I'm doing now it just looks mangled and ugly. Post Scriptum (which ended", "would look better had I written them in past tense initially, but when", "That or some external guides/aids. Currently I'm just going through and changing conjugation,", "a cold detachment that suits the characters and setting. The other side, is", "does in present tense, where all the character sees is the immediate and", "for tips and hints for converting a present tense narrative to past tense.", "but likely related to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about", "the same time, the present tense narratives I've written don't look bad. I", "tense initially, but when I convert them in the manner I'm doing now", "I just wanted to throw that out there for anyone who might also", "being written in past tense and developed a cold detachment that suits the", "keep the sub-optimal present tense in a story. I just wanted to throw", "problem, it's all about verb conjugation. I know how to conjugate verbs, but", "detachment that suits the characters and setting. The other side, is in present", "tense past tense to maintain consistency. However, now that I'm going back to", "for initially choosing for certain parts of this book to be written in", "her humanity, while the other is constantly breaking down, and wishing for oblivion", "sentence with \"noun verb \\_\\_\\_\\_\" but it sounds terrible. So I'm asking for", "each MC fights against fate, and how fate ultimately has the last word.", "search Google for information on my problem, it's all about verb conjugation. I", "now that I'm going back to change the tense, I'm finding it is", "I am absolutely adamant about switching to past tense, and I don't want", "However at the same time, the present tense narratives I've written don't look", "contrast on the two sides of the story while emphasizing how each MC", "I convert them in the manner I'm doing now it just looks mangled", "answer is still *the* answer. Since crying and wishing for a death you", "tense, where all the character sees is the immediate and ugly present full", "narrative to past tense. That or some external guides/aids. Currently I'm just going", "thread, this is a dark tale). My point is that while everything Bakub", "conjugate verbs, but I hope to do more than convey basic information. It's", "the manner I'm doing now it just looks mangled and ugly. Post Scriptum", "to change the tense, I'm finding it is a far greater undertaking than", "same time, the present tense narratives I've written don't look bad. I just", "the process of writing an already bifurcated story became even more so. One", "suits the characters and setting. The other side, is in present tense and", "much as I dislike writing in present tense, it lends itself well to", "death you can never have wouldn't have the same impact in past tense", "breaking down, and wishing for oblivion (as I said in another thread, this", "a far greater undertaking than I had expected. This is beyond [the issue", "a book I'm writing that I dislike present tense, and that I would", "of present tense past tense to maintain consistency. However, now that I'm going", "stark contrast on the two sides of the story while emphasizing how each", "posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which", "to go back and make all instances of present tense past tense to", "So I'm asking for tips and hints for converting a present tense narrative", "bit I added out of frustration for the limits imposed by present tense", "verbs, but I hope to do more than convey basic information. It's like", "they would look better had I written them in past tense initially, but", "However, now that I'm going back to change the tense, I'm finding it", "The prose I've written in past tense tend to look nicer to me", "humanity, while the other is constantly breaking down, and wishing for oblivion (as", "initially, but when I convert them in the manner I'm doing now it", "a fifth of the way in. However at the same time, the present", "shift mid-novel. Well, not the middle of the novel, but a fifth of", "and ugly present full of gloom and doom, I'll be rewriting the past", "tense to maintain consistency. However, now that I'm going back to change the", "This is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this", "present perfect during the attempted conversion. When I search Google for information on", "tense and developed a cold detachment that suits the characters and setting. The", "As much as I dislike writing in present tense, it lends itself well", "to have some massive tense shift mid-novel. Well, not the middle of the", "MC fights against fate, and how fate ultimately has the last word. One", "tense and just learn to work with present tense. It's a challenge and", "immediate and ugly present full of gloom and doom, I'll be rewriting the", "*the* answer. Since crying and wishing for a death you can never have", "for information on my problem, it's all about verb conjugation. I know how", "tense. That or some external guides/aids. Currently I'm just going through and changing", "as I can tell, there may be good reasons to keep the sub-optimal", "past tense and developed a cold detachment that suits the characters and setting.", "massive tense shift mid-novel. Well, not the middle of the novel, but a", "how to conjugate verbs, but I hope to do more than convey basic", "reason for initially choosing for certain parts of this book to be written", "tense narratives I've written don't look bad. I just think they would look", "on the two sides of the story while emphasizing how each MC fights", "me than those I've written in present, so I am absolutely adamant about", "specific instance of tackling present perfect during the attempted conversion. When I search", "to conjugate verbs, but I hope to do more than convey basic information.", "cold detachment that suits the characters and setting. The other side, is in", "SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance of tackling present perfect during the", "go back and make all instances of present tense past tense to maintain", "but a fifth of the way in. However at the same time, the", "(as I said in another thread, this is a dark tale). My point", "sounds terrible. So I'm asking for tips and hints for converting a present", "and has a fatalism. One MC is a stone wall resisting by force", "written in first person were thematic. I had a reason, but later decided", "imposed by present tense and just learn to work with present tense. It's", "against fate, and how fate ultimately has the last word. One is slowly", "to this situation, casting a stark contrast on the two sides of the", "external guides/aids. Currently I'm just going through and changing conjugation, and rearranging sentences", "fate, and how fate ultimately has the last word. One is slowly losing", "100% true, as far as I can tell, there may be good reasons", "conjugation. I know how to conjugate verbs, but I hope to do more", "added out of frustration for the limits imposed by present tense and just", "that I would need to go back and make all instances of present", "fights against fate, and how fate ultimately has the last word. One is", "and how fate ultimately has the last word. One is slowly losing her", "point is that while everything Bakub said is 100% true, as far as", "that suits the characters and setting. The other side, is in present tense", "answer. Since crying and wishing for a death you can never have wouldn't", "can tell, there may be good reasons to keep the sub-optimal present tense", "and developed a cold detachment that suits the characters and setting. The other", "The other side, is in present tense and has a fatalism. One MC", "you can start every sentence with \"noun verb \\_\\_\\_\\_\" but it sounds terrible.", "parts of this book to be written in first person were thematic. I", "that while everything Bakub said is 100% true, as far as I can", "\\_\\_\\_\\_\" but it sounds terrible. So I'm asking for tips and hints for", "Bakub's answer is still *the* answer. Since crying and wishing for a death", "and the other is struggling just to keep from falling to pieces emotionally.", "fit, but it's really painful to read. The prose I've written in past", "past tense, and I don't want to have some massive tense shift mid-novel.", "stone wall resisting by force of her iron will, and the other is", "wall resisting by force of her iron will, and the other is struggling", "for a death you can never have wouldn't have the same impact in", "them in the manner I'm doing now it just looks mangled and ugly.", "the same impact in past tense as it does in present tense, where", "other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance of tackling", "be good reasons to keep the sub-optimal present tense in a story. I", "well to this situation, casting a stark contrast on the two sides of", "at the same time, the present tense narratives I've written don't look bad.", "into a book I'm writing that I dislike present tense, and that I", "far greater undertaking than I had expected. This is beyond [the issue I", "I just think they would look better had I written them in past", "the tense, I'm finding it is a far greater undertaking than I had", "be written in first person were thematic. I had a reason, but later", "were thematic. I had a reason, but later decided that reason wasn't good", "is in present tense and has a fatalism. One MC is a stone", "might also be in my situation. To be clear though, Bakub's answer is", "in present tense and has a fatalism. One MC is a stone wall", "learn to work with present tense. It's a challenge and a valuable experience.", "To be clear though, Bakub's answer is still *the* answer. Since crying and", "a stone wall resisting by force of her iron will, and the other", "One MC is a stone wall resisting by force of her iron will,", "mid-novel. Well, not the middle of the novel, but a fifth of the", "convert them in the manner I'm doing now it just looks mangled and", "time, the present tense narratives I've written don't look bad. I just think", "bad. I just think they would look better had I written them in", "I had a reason, but later decided that reason wasn't good enough. However", "tense, and that I would need to go back and make all instances", "of this book to be written in first person were thematic. I had", "I'm going back to change the tense, I'm finding it is a far", "present tense, and that I would need to go back and make all", "undertaking than I had expected. This is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta)", "in. However at the same time, the present tense narratives I've written don't", "just to keep from falling to pieces emotionally. As much as I dislike", "Google for information on my problem, it's all about verb conjugation. I know", "present, so I am absolutely adamant about switching to past tense, and I", "the two sides of the story while emphasizing how each MC fights against", "and wishing for a death you can never have wouldn't have the same", "that reason wasn't good enough. However in the process of writing an already", "through and changing conjugation, and rearranging sentences as I see fit, but it's", "and rearranging sentences as I see fit, but it's really painful to read.", "by present tense and just learn to work with present tense. It's a", "first person were thematic. I had a reason, but later decided that reason", "basic information. It's like how you can start every sentence with \"noun verb", "I added out of frustration for the limits imposed by present tense and", "My reason for initially choosing for certain parts of this book to be", "way in. However at the same time, the present tense narratives I've written", "the attempted conversion. When I search Google for information on my problem, it's", "but I hope to do more than convey basic information. It's like how", "than the initial question): ================================================================ My reason for initially choosing for certain parts", "it's all about verb conjugation. I know how to conjugate verbs, but I", "gloom and doom, I'll be rewriting the past tense bit I added out", "frustration for the limits imposed by present tense and just learn to work", "I don't want to have some massive tense shift mid-novel. Well, not the", "for the limits imposed by present tense and just learn to work with", "has a fatalism. One MC is a stone wall resisting by force of", "ended up longer than the initial question): ================================================================ My reason for initially choosing", "verb conjugation. I know how to conjugate verbs, but I hope to do", "enough. However in the process of writing an already bifurcated story became even", "tense as it does in present tense, where all the character sees is", "question): ================================================================ My reason for initially choosing for certain parts of this book", "and wishing for oblivion (as I said in another thread, this is a", "in present tense, where all the character sees is the immediate and ugly", "be rewriting the past tense bit I added out of frustration for the", "choosing for certain parts of this book to be written in first person", "I know how to conjugate verbs, but I hope to do more than", "Since crying and wishing for a death you can never have wouldn't have", "(which ended up longer than the initial question): ================================================================ My reason for initially", "also be in my situation. To be clear though, Bakub's answer is still", "slowly losing her humanity, while the other is constantly breaking down, and wishing", "Scriptum (which ended up longer than the initial question): ================================================================ My reason for", "I said in another thread, this is a dark tale). My point is", "do more than convey basic information. It's like how you can start every", "falling to pieces emotionally. As much as I dislike writing in present tense,", "that I dislike present tense, and that I would need to go back", "while the other is constantly breaking down, and wishing for oblivion (as I", "Post Scriptum (which ended up longer than the initial question): ================================================================ My reason", "wouldn't have the same impact in past tense as it does in present", "wishing for oblivion (as I said in another thread, this is a dark", "limits imposed by present tense and just learn to work with present tense.", "MC is a stone wall resisting by force of her iron will, and", "better had I written them in past tense initially, but when I convert", "I decided a few chapters into a book I'm writing that I dislike", "her iron will, and the other is struggling just to keep from falling", "Bakub said is 100% true, as far as I can tell, there may", "past tense bit I added out of frustration for the limits imposed by", "I dislike writing in present tense, it lends itself well to this situation,", "rearranging sentences as I see fit, but it's really painful to read. The", "out of frustration for the limits imposed by present tense and just learn", "may be good reasons to keep the sub-optimal present tense in a story.", "and ugly. Post Scriptum (which ended up longer than the initial question): ================================================================", "side was being written in past tense and developed a cold detachment that", "to be written in first person were thematic. I had a reason, but", "down, and wishing for oblivion (as I said in another thread, this is", "is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other", "One is slowly losing her humanity, while the other is constantly breaking down,", "so. One side was being written in past tense and developed a cold", "as far as I can tell, there may be good reasons to keep", "don't want to have some massive tense shift mid-novel. Well, not the middle", "written in past tense and developed a cold detachment that suits the characters", "Currently I'm just going through and changing conjugation, and rearranging sentences as I", "pieces emotionally. As much as I dislike writing in present tense, it lends", "initially choosing for certain parts of this book to be written in first", "tense in a story. I just wanted to throw that out there for", "wishing for a death you can never have wouldn't have the same impact", "past tense as it does in present tense, where all the character sees", "word. One is slowly losing her humanity, while the other is constantly breaking", "written in past tense tend to look nicer to me than those I've", "story while emphasizing how each MC fights against fate, and how fate ultimately", "is the immediate and ugly present full of gloom and doom, I'll be", "to read. The prose I've written in past tense tend to look nicer", "in the process of writing an already bifurcated story became even more so.", "how you can start every sentence with \"noun verb \\_\\_\\_\\_\" but it sounds", "the way in. However at the same time, the present tense narratives I've", "ugly present full of gloom and doom, I'll be rewriting the past tense", "is about a specific instance of tackling present perfect during the attempted conversion.", "tense, and I don't want to have some massive tense shift mid-novel. Well,", "likely related to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a", "two sides of the story while emphasizing how each MC fights against fate,", "it's really painful to read. The prose I've written in past tense tend", "I'm asking for tips and hints for converting a present tense narrative to", "painful to read. The prose I've written in past tense tend to look", "perfect during the attempted conversion. When I search Google for information on my", "just think they would look better had I written them in past tense", "emphasizing how each MC fights against fate, and how fate ultimately has the", "said is 100% true, as far as I can tell, there may be", "a dark tale). My point is that while everything Bakub said is 100%", "reason, but later decided that reason wasn't good enough. However in the process", "everything Bakub said is 100% true, as far as I can tell, there", "while everything Bakub said is 100% true, as far as I can tell,", "throw that out there for anyone who might also be in my situation.", "to keep the sub-optimal present tense in a story. I just wanted to", "present tense, it lends itself well to this situation, casting a stark contrast", "conjugation, and rearranging sentences as I see fit, but it's really painful to", "became even more so. One side was being written in past tense and", "losing her humanity, while the other is constantly breaking down, and wishing for", "about verb conjugation. I know how to conjugate verbs, but I hope to", "I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past)", "this book to be written in first person were thematic. I had a", "and doom, I'll be rewriting the past tense bit I added out of", "look better had I written them in past tense initially, but when I", "in first person were thematic. I had a reason, but later decided that", "the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance of tackling present perfect", "I've written don't look bad. I just think they would look better had", "reason wasn't good enough. However in the process of writing an already bifurcated", "from falling to pieces emotionally. As much as I dislike writing in present", "but later decided that reason wasn't good enough. However in the process of", "or some external guides/aids. Currently I'm just going through and changing conjugation, and", "for anyone who might also be in my situation. To be clear though,", "about switching to past tense, and I don't want to have some massive", "of the story while emphasizing how each MC fights against fate, and how", "past tense. That or some external guides/aids. Currently I'm just going through and", "even more so. One side was being written in past tense and developed", "which is about a specific instance of tackling present perfect during the attempted", "to throw that out there for anyone who might also be in my", "I've written in present, so I am absolutely adamant about switching to past", "just wanted to throw that out there for anyone who might also be", "tackling present perfect during the attempted conversion. When I search Google for information", "by force of her iron will, and the other is struggling just to", "is a dark tale). My point is that while everything Bakub said is", "you can never have wouldn't have the same impact in past tense as", "have the same impact in past tense as it does in present tense,", "wanted to throw that out there for anyone who might also be in", "character sees is the immediate and ugly present full of gloom and doom,", "verb \\_\\_\\_\\_\" but it sounds terrible. So I'm asking for tips and hints", "One side was being written in past tense and developed a cold detachment", "I'm writing that I dislike present tense, and that I would need to", "of the way in. However at the same time, the present tense narratives", "already bifurcated story became even more so. One side was being written in", "sides of the story while emphasizing how each MC fights against fate, and", "decided that reason wasn't good enough. However in the process of writing an", "with \"noun verb \\_\\_\\_\\_\" but it sounds terrible. So I'm asking for tips", "good reasons to keep the sub-optimal present tense in a story. I just", "the sub-optimal present tense in a story. I just wanted to throw that", "a stark contrast on the two sides of the story while emphasizing how", "clear though, Bakub's answer is still *the* answer. Since crying and wishing for", "for converting a present tense narrative to past tense. That or some external", "keep from falling to pieces emotionally. As much as I dislike writing in", "all the character sees is the immediate and ugly present full of gloom", "guides/aids. Currently I'm just going through and changing conjugation, and rearranging sentences as", "as it does in present tense, where all the character sees is the", "but it sounds terrible. So I'm asking for tips and hints for converting", "greater undertaking than I had expected. This is beyond [the issue I posted", "constantly breaking down, and wishing for oblivion (as I said in another thread,", "I written them in past tense initially, but when I convert them in", "mangled and ugly. Post Scriptum (which ended up longer than the initial question):", "writing an already bifurcated story became even more so. One side was being", "terrible. So I'm asking for tips and hints for converting a present tense", "more than convey basic information. It's like how you can start every sentence", "can start every sentence with \"noun verb \\_\\_\\_\\_\" but it sounds terrible. So", "itself well to this situation, casting a stark contrast on the two sides", "than I had expected. This is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but", "true, as far as I can tell, there may be good reasons to", "I'm finding it is a far greater undertaking than I had expected. This", "it is a far greater undertaking than I had expected. This is beyond", "the character sees is the immediate and ugly present full of gloom and", "as I dislike writing in present tense, it lends itself well to this", "instance of tackling present perfect during the attempted conversion. When I search Google", "================================================================ My reason for initially choosing for certain parts of this book to", "and just learn to work with present tense. It's a challenge and a", "in another thread, this is a dark tale). My point is that while", "in my situation. To be clear though, Bakub's answer is still *the* answer.", "longer than the initial question): ================================================================ My reason for initially choosing for certain", "is slowly losing her humanity, while the other is constantly breaking down, and", "maintain consistency. However, now that I'm going back to change the tense, I'm", "anyone who might also be in my situation. To be clear though, Bakub's", "have some massive tense shift mid-novel. Well, not the middle of the novel,", "a few chapters into a book I'm writing that I dislike present tense,", "is that while everything Bakub said is 100% true, as far as I", "conversion. When I search Google for information on my problem, it's all about", "just looks mangled and ugly. Post Scriptum (which ended up longer than the", "writing in present tense, it lends itself well to this situation, casting a", "instances of present tense past tense to maintain consistency. However, now that I'm", "Well, not the middle of the novel, but a fifth of the way", "would need to go back and make all instances of present tense past", "going back to change the tense, I'm finding it is a far greater", "doing now it just looks mangled and ugly. Post Scriptum (which ended up", "who might also be in my situation. To be clear though, Bakub's answer", "I had expected. This is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely", "dark tale). My point is that while everything Bakub said is 100% true,", "novel, but a fifth of the way in. However at the same time,", "I search Google for information on my problem, it's all about verb conjugation.", "decided a few chapters into a book I'm writing that I dislike present", "of frustration for the limits imposed by present tense and just learn to", "tense, I'm finding it is a far greater undertaking than I had expected.", "nicer to me than those I've written in present, so I am absolutely", "when I convert them in the manner I'm doing now it just looks", "of the novel, but a fifth of the way in. However at the", "the past tense bit I added out of frustration for the limits imposed", "absolutely adamant about switching to past tense, and I don't want to have", "present full of gloom and doom, I'll be rewriting the past tense bit", "read. The prose I've written in past tense tend to look nicer to", "the present tense narratives I've written don't look bad. I just think they", "sees is the immediate and ugly present full of gloom and doom, I'll", "them in past tense initially, but when I convert them in the manner", "look bad. I just think they would look better had I written them", "all instances of present tense past tense to maintain consistency. However, now that", "will, and the other is struggling just to keep from falling to pieces", "present tense and just learn to work with present tense. It's a challenge", "know how to conjugate verbs, but I hope to do more than convey", "I hope to do more than convey basic information. It's like how you", "[this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance of", "I dislike present tense, and that I would need to go back and", "all about verb conjugation. I know how to conjugate verbs, but I hope", "to pieces emotionally. As much as I dislike writing in present tense, it", "the other is constantly breaking down, and wishing for oblivion (as I said", "had I written them in past tense initially, but when I convert them", "it lends itself well to this situation, casting a stark contrast on the", "beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other on", "related to [this other on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific", "of gloom and doom, I'll be rewriting the past tense bit I added", "ultimately has the last word. One is slowly losing her humanity, while the", "initial question): ================================================================ My reason for initially choosing for certain parts of this", "situation. To be clear though, Bakub's answer is still *the* answer. Since crying", "narratives I've written don't look bad. I just think they would look better", "later decided that reason wasn't good enough. However in the process of writing", "story became even more so. One side was being written in past tense", "dislike present tense, and that I would need to go back and make", "tense tend to look nicer to me than those I've written in present,", "in a story. I just wanted to throw that out there for anyone", "present tense narratives I've written don't look bad. I just think they would", "expected. This is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to", "book I'm writing that I dislike present tense, and that I would need", "see fit, but it's really painful to read. The prose I've written in", "ugly. Post Scriptum (which ended up longer than the initial question): ================================================================ My", "it does in present tense, where all the character sees is the immediate", "My point is that while everything Bakub said is 100% true, as far", "tense, it lends itself well to this situation, casting a stark contrast on", "so I am absolutely adamant about switching to past tense, and I don't", "fate ultimately has the last word. One is slowly losing her humanity, while", "book to be written in first person were thematic. I had a reason,", "finding it is a far greater undertaking than I had expected. This is", "out there for anyone who might also be in my situation. To be", "has the last word. One is slowly losing her humanity, while the other", "looks mangled and ugly. Post Scriptum (which ended up longer than the initial", "good enough. However in the process of writing an already bifurcated story became", "every sentence with \"noun verb \\_\\_\\_\\_\" but it sounds terrible. So I'm asking", "start every sentence with \"noun verb \\_\\_\\_\\_\" but it sounds terrible. So I'm", "[the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other on the", "to past tense, and I don't want to have some massive tense shift", "want to have some massive tense shift mid-novel. Well, not the middle of", "tense and has a fatalism. One MC is a stone wall resisting by", "sentences as I see fit, but it's really painful to read. The prose", "but it's really painful to read. The prose I've written in past tense", "I'll be rewriting the past tense bit I added out of frustration for", "is still *the* answer. Since crying and wishing for a death you can", "a story. I just wanted to throw that out there for anyone who", "on the English SE](https://english.stackexchange.com/questions/431627/past-perfect-after-establishing-that-we-are-talking-about-the-past) which is about a specific instance of tackling present", "I'm just going through and changing conjugation, and rearranging sentences as I see", "and setting. The other side, is in present tense and has a fatalism.", "is a stone wall resisting by force of her iron will, and the", "rewriting the past tense bit I added out of frustration for the limits", "struggling just to keep from falling to pieces emotionally. As much as I", "my situation. To be clear though, Bakub's answer is still *the* answer. Since", "setting. The other side, is in present tense and has a fatalism. One", "of writing an already bifurcated story became even more so. One side was", "written in present, so I am absolutely adamant about switching to past tense,", "look nicer to me than those I've written in present, so I am", "I can tell, there may be good reasons to keep the sub-optimal present", "though, Bakub's answer is still *the* answer. Since crying and wishing for a", "to do more than convey basic information. It's like how you can start", "casting a stark contrast on the two sides of the story while emphasizing", "is 100% true, as far as I can tell, there may be good", "had expected. This is beyond [the issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related", "tend to look nicer to me than those I've written in present, so", "those I've written in present, so I am absolutely adamant about switching to", "tale). My point is that while everything Bakub said is 100% true, as", "where all the character sees is the immediate and ugly present full of", "in past tense and developed a cold detachment that suits the characters and", "lends itself well to this situation, casting a stark contrast on the two", "how fate ultimately has the last word. One is slowly losing her humanity,", "need to go back and make all instances of present tense past tense", "am absolutely adamant about switching to past tense, and I don't want to", "few chapters into a book I'm writing that I dislike present tense, and", "present tense, where all the character sees is the immediate and ugly present", "than convey basic information. It's like how you can start every sentence with", "person were thematic. I had a reason, but later decided that reason wasn't", "while emphasizing how each MC fights against fate, and how fate ultimately has", "think they would look better had I written them in past tense initially,", "in present tense, it lends itself well to this situation, casting a stark", "it sounds terrible. So I'm asking for tips and hints for converting a", "process of writing an already bifurcated story became even more so. One side", "oblivion (as I said in another thread, this is a dark tale). My", "written them in past tense initially, but when I convert them in the", "to look nicer to me than those I've written in present, so I", "writing that I dislike present tense, and that I would need to go", "certain parts of this book to be written in first person were thematic.", "tips and hints for converting a present tense narrative to past tense. That", "be clear though, Bakub's answer is still *the* answer. Since crying and wishing", "middle of the novel, but a fifth of the way in. However at", "changing conjugation, and rearranging sentences as I see fit, but it's really painful", "a death you can never have wouldn't have the same impact in past", "be in my situation. To be clear though, Bakub's answer is still *the*", "in the manner I'm doing now it just looks mangled and ugly. Post", "force of her iron will, and the other is struggling just to keep", "the story while emphasizing how each MC fights against fate, and how fate", "going through and changing conjugation, and rearranging sentences as I see fit, but", "a fatalism. One MC is a stone wall resisting by force of her", "the last word. One is slowly losing her humanity, while the other is", "still *the* answer. Since crying and wishing for a death you can never", "and make all instances of present tense past tense to maintain consistency. However,", "past tense to maintain consistency. However, now that I'm going back to change", "that I'm going back to change the tense, I'm finding it is a", "my problem, it's all about verb conjugation. I know how to conjugate verbs,", "thematic. I had a reason, but later decided that reason wasn't good enough.", "to keep from falling to pieces emotionally. As much as I dislike writing", "characters and setting. The other side, is in present tense and has a", "during the attempted conversion. When I search Google for information on my problem,", "same impact in past tense as it does in present tense, where all", "prose I've written in past tense tend to look nicer to me than", "than those I've written in present, so I am absolutely adamant about switching", "for oblivion (as I said in another thread, this is a dark tale).", "impact in past tense as it does in present tense, where all the", "it just looks mangled and ugly. Post Scriptum (which ended up longer than", "I've written in past tense tend to look nicer to me than those", "issue I posted yesterday](https://writing.stackexchange.com/questions/33327/issue-of-tense-and-breaking-the-fourth-wall-meta) but likely related to [this other on the English", "don't look bad. I just think they would look better had I written", "past tense initially, but when I convert them in the manner I'm doing", "the characters and setting. The other side, is in present tense and has", "have wouldn't have the same impact in past tense as it does in", "in past tense initially, but when I convert them in the manner I'm", "just learn to work with present tense. It's a challenge and a valuable", "on my problem, it's all about verb conjugation. I know how to conjugate", "really painful to read. The prose I've written in past tense tend to", "the initial question): ================================================================ My reason for initially choosing for certain parts of", "how each MC fights against fate, and how fate ultimately has the last", "reasons to keep the sub-optimal present tense in a story. I just wanted", "fifth of the way in. However at the same time, the present tense", "bifurcated story became even more so. One side was being written in past" ]
[ "I want study different story structures and storytelling techniques. I enjoy the video", "structures and storytelling techniques. I enjoy the video of Vonnegut describing shapes of", "to improve my storytelling techniques. I'm looking for some books or resources to", "my storytelling techniques. I'm looking for some books or resources to improve this.", "looking for some books or resources to improve this. I want study different", "storytelling techniques. I'm looking for some books or resources to improve this. I", "but want to improve my storytelling techniques. I'm looking for some books or", "books or resources to improve this. I want study different story structures and", "mainly write fiction, but want to improve my storytelling techniques. I'm looking for", "story structures and storytelling techniques. I enjoy the video of Vonnegut describing shapes", "this. I want study different story structures and storytelling techniques. I enjoy the", "want study different story structures and storytelling techniques. I enjoy the video of", "and storytelling techniques. I enjoy the video of Vonnegut describing shapes of stories", "study different story structures and storytelling techniques. I enjoy the video of Vonnegut", "some books or resources to improve this. I want study different story structures", "improve my storytelling techniques. I'm looking for some books or resources to improve", "I'm looking for some books or resources to improve this. I want study", "write fiction, but want to improve my storytelling techniques. I'm looking for some", "the video of Vonnegut describing shapes of stories and would enjoy something that", "or resources to improve this. I want study different story structures and storytelling", "video of Vonnegut describing shapes of stories and would enjoy something that describes", "I enjoy the video of Vonnegut describing shapes of stories and would enjoy", "for some books or resources to improve this. I want study different story", "to improve this. I want study different story structures and storytelling techniques. I", "of Vonnegut describing shapes of stories and would enjoy something that describes something", "want to improve my storytelling techniques. I'm looking for some books or resources", "Vonnegut describing shapes of stories and would enjoy something that describes something similar.", "improve this. I want study different story structures and storytelling techniques. I enjoy", "techniques. I'm looking for some books or resources to improve this. I want", "fiction, but want to improve my storytelling techniques. I'm looking for some books", "I mainly write fiction, but want to improve my storytelling techniques. I'm looking", "different story structures and storytelling techniques. I enjoy the video of Vonnegut describing", "techniques. I enjoy the video of Vonnegut describing shapes of stories and would", "resources to improve this. I want study different story structures and storytelling techniques.", "enjoy the video of Vonnegut describing shapes of stories and would enjoy something", "storytelling techniques. I enjoy the video of Vonnegut describing shapes of stories and" ]
[ "problem sentences, overused words, etc. There is a plugin for Google Docs called", "tools to perform some text analysis. I don't want just simple Flesch-Kinvaid or", "perform some text analysis. I don't want just simple Flesch-Kinvaid or Calecam-Liau score,", "text analysis. I don't want just simple Flesch-Kinvaid or Calecam-Liau score, I was", "Calecam-Liau score, I was hoping for a tool that identifies problem sentences, overused", "etc. There is a plugin for Google Docs called \"ProWritingAid\", but every report", "is a plugin for Google Docs called \"ProWritingAid\", but every report requires payment.", "There is a plugin for Google Docs called \"ProWritingAid\", but every report requires", "requires payment. Before I go ahead and pay for it, I wanted to", "overused words, etc. There is a plugin for Google Docs called \"ProWritingAid\", but", "I go ahead and pay for it, I wanted to check in and", "to check in and see if there were standard free tools available for", "analysis. I don't want just simple Flesch-Kinvaid or Calecam-Liau score, I was hoping", "simple Flesch-Kinvaid or Calecam-Liau score, I was hoping for a tool that identifies", "I wanted to check in and see if there were standard free tools", "or Calecam-Liau score, I was hoping for a tool that identifies problem sentences,", "for free tools to perform some text analysis. I don't want just simple", "a tool that identifies problem sentences, overused words, etc. There is a plugin", "a plugin for Google Docs called \"ProWritingAid\", but every report requires payment. Before", "words, etc. There is a plugin for Google Docs called \"ProWritingAid\", but every", "plugin for Google Docs called \"ProWritingAid\", but every report requires payment. Before I", "and pay for it, I wanted to check in and see if there", "wanted to check in and see if there were standard free tools available", "check in and see if there were standard free tools available for creative", "sentences, overused words, etc. There is a plugin for Google Docs called \"ProWritingAid\",", "Google Docs called \"ProWritingAid\", but every report requires payment. Before I go ahead", "score, I was hoping for a tool that identifies problem sentences, overused words,", "payment. Before I go ahead and pay for it, I wanted to check", "I don't want just simple Flesch-Kinvaid or Calecam-Liau score, I was hoping for", "just simple Flesch-Kinvaid or Calecam-Liau score, I was hoping for a tool that", "identifies problem sentences, overused words, etc. There is a plugin for Google Docs", "want just simple Flesch-Kinvaid or Calecam-Liau score, I was hoping for a tool", "in and see if there were standard free tools available for creative writers.", "every report requires payment. Before I go ahead and pay for it, I", "I was hoping for a tool that identifies problem sentences, overused words, etc.", "to perform some text analysis. I don't want just simple Flesch-Kinvaid or Calecam-Liau", "it, I wanted to check in and see if there were standard free", "Flesch-Kinvaid or Calecam-Liau score, I was hoping for a tool that identifies problem", "looking for free tools to perform some text analysis. I don't want just", "called \"ProWritingAid\", but every report requires payment. Before I go ahead and pay", "Before I go ahead and pay for it, I wanted to check in", "don't want just simple Flesch-Kinvaid or Calecam-Liau score, I was hoping for a", "ahead and pay for it, I wanted to check in and see if", "Docs called \"ProWritingAid\", but every report requires payment. Before I go ahead and", "that identifies problem sentences, overused words, etc. There is a plugin for Google", "I'm looking for free tools to perform some text analysis. I don't want", "free tools to perform some text analysis. I don't want just simple Flesch-Kinvaid", "\"ProWritingAid\", but every report requires payment. Before I go ahead and pay for", "was hoping for a tool that identifies problem sentences, overused words, etc. There", "report requires payment. Before I go ahead and pay for it, I wanted", "but every report requires payment. Before I go ahead and pay for it,", "for it, I wanted to check in and see if there were standard", "pay for it, I wanted to check in and see if there were", "hoping for a tool that identifies problem sentences, overused words, etc. There is", "tool that identifies problem sentences, overused words, etc. There is a plugin for", "for Google Docs called \"ProWritingAid\", but every report requires payment. Before I go", "for a tool that identifies problem sentences, overused words, etc. There is a", "go ahead and pay for it, I wanted to check in and see", "some text analysis. I don't want just simple Flesch-Kinvaid or Calecam-Liau score, I" ]
[ "similar work published by someone else before publishing your own work. This question", "and has lessened my blogging too. I write non-fiction and poetry mainly. My", "of topic of writing or some similarity in writing on a topic which", "written bother me. However, my question is what would you do as a", "Then I worry that whether my article will look original or not. I", "by someone else before publishing your own work. This question has become an", "before publishing anything and has lessened my blogging too. I write non-fiction and", "whether my article will look original or not. I know it's too broad", "not. I know it's too broad and often irrelevant to think that way", "or a similarity of topic of writing or some similarity in writing on", "me. However, my question is what would you do as a writer and", "but which I have written as draft already. Then I worry that whether", "which is not published at the time of reading that similar article but", "I have already written bother me. However, my question is what would you", "However, my question is what would you do as a writer and blogger", "I worry that whether my article will look original or not. I know", "as draft already. Then I worry that whether my article will look original", "if you find coincidentally similar work published by someone else before publishing your", "or an idea coincidentally similar as mine which is not published at the", "as a writer and blogger if you find coincidentally similar work published by", "my article will look original or not. I know it's too broad and", "I know it's too broad and often irrelevant to think that way because", "which I have written as draft already. Then I worry that whether my", "have written as draft already. Then I worry that whether my article will", "an idea coincidentally similar as mine which is not published at the time", "do as a writer and blogger if you find coincidentally similar work published", "or some similarity in writing on a topic which is also similar to", "my blogging too. I write non-fiction and poetry mainly. My question is about", "lines in a different context or a similarity of topic of writing or", "is what would you do as a writer and blogger if you find", "too broad and often irrelevant to think that way because only a few", "is also similar to the one I have already written bother me. However,", "a writer and blogger if you find coincidentally similar work published by someone", "know it's too broad and often irrelevant to think that way because only", "often irrelevant to think that way because only a few similar lines in", "with similar content or an idea coincidentally similar as mine which is not", "topic of writing or some similarity in writing on a topic which is", "have already written bother me. However, my question is what would you do", "lessened my blogging too. I write non-fiction and poetry mainly. My question is", "before publishing your own work. This question has become an anxiety before publishing", "content or an idea coincidentally similar as mine which is not published at", "is not published at the time of reading that similar article but which", "work published by someone else before publishing your own work. This question has", "only a few similar lines in a different context or a similarity of", "at the time of reading that similar article but which I have written", "you do as a writer and blogger if you find coincidentally similar work", "a similarity of topic of writing or some similarity in writing on a", "topic which is also similar to the one I have already written bother", "written as draft already. Then I worry that whether my article will look", "reading that similar article but which I have written as draft already. Then", "similar article but which I have written as draft already. Then I worry", "original or not. I know it's too broad and often irrelevant to think", "as mine which is not published at the time of reading that similar", "draft already. Then I worry that whether my article will look original or", "context or a similarity of topic of writing or some similarity in writing", "find coincidentally similar work published by someone else before publishing your own work.", "writing on a topic which is also similar to the one I have", "writing or some similarity in writing on a topic which is also similar", "else before publishing your own work. This question has become an anxiety before", "question has become an anxiety before publishing anything and has lessened my blogging", "that similar article but which I have written as draft already. Then I", "anxiety before publishing anything and has lessened my blogging too. I write non-fiction", "I am a blogger and sometimes I find articles with similar content or", "coincidentally similar as mine which is not published at the time of reading", "someone else before publishing your own work. This question has become an anxiety", "time of reading that similar article but which I have written as draft", "anything and has lessened my blogging too. I write non-fiction and poetry mainly.", "to think that way because only a few similar lines in a different", "would you do as a writer and blogger if you find coincidentally similar", "of reading that similar article but which I have written as draft already.", "to the one I have already written bother me. However, my question is", "an anxiety before publishing anything and has lessened my blogging too. I write", "find articles with similar content or an idea coincidentally similar as mine which", "you find coincidentally similar work published by someone else before publishing your own", "already written bother me. However, my question is what would you do as", "will look original or not. I know it's too broad and often irrelevant", "blogger if you find coincidentally similar work published by someone else before publishing", "some similarity in writing on a topic which is also similar to the", "sometimes I find articles with similar content or an idea coincidentally similar as", "too. I write non-fiction and poetry mainly. My question is about fiction and", "a topic which is also similar to the one I have already written", "of writing or some similarity in writing on a topic which is also", "a different context or a similarity of topic of writing or some similarity", "publishing anything and has lessened my blogging too. I write non-fiction and poetry", "already. Then I worry that whether my article will look original or not.", "idea coincidentally similar as mine which is not published at the time of", "look original or not. I know it's too broad and often irrelevant to", "a few similar lines in a different context or a similarity of topic", "article but which I have written as draft already. Then I worry that", "I find articles with similar content or an idea coincidentally similar as mine", "on a topic which is also similar to the one I have already", "bother me. However, my question is what would you do as a writer", "in a different context or a similarity of topic of writing or some", "my question is what would you do as a writer and blogger if", "not published at the time of reading that similar article but which I", "your own work. This question has become an anxiety before publishing anything and", "and often irrelevant to think that way because only a few similar lines", "blogging too. I write non-fiction and poetry mainly. My question is about fiction", "articles with similar content or an idea coincidentally similar as mine which is", "or not. I know it's too broad and often irrelevant to think that", "irrelevant to think that way because only a few similar lines in a", "worry that whether my article will look original or not. I know it's", "publishing your own work. This question has become an anxiety before publishing anything", "similar to the one I have already written bother me. However, my question", "different context or a similarity of topic of writing or some similarity in", "and blogger if you find coincidentally similar work published by someone else before", "in writing on a topic which is also similar to the one I", "work. This question has become an anxiety before publishing anything and has lessened", "and sometimes I find articles with similar content or an idea coincidentally similar", "This question has become an anxiety before publishing anything and has lessened my", "am a blogger and sometimes I find articles with similar content or an", "mine which is not published at the time of reading that similar article", "a blogger and sometimes I find articles with similar content or an idea", "question is what would you do as a writer and blogger if you", "the one I have already written bother me. However, my question is what", "because only a few similar lines in a different context or a similarity", "similar as mine which is not published at the time of reading that", "published by someone else before publishing your own work. This question has become", "it's too broad and often irrelevant to think that way because only a", "what would you do as a writer and blogger if you find coincidentally", "similarity in writing on a topic which is also similar to the one", "broad and often irrelevant to think that way because only a few similar", "similarity of topic of writing or some similarity in writing on a topic", "also similar to the one I have already written bother me. However, my", "article will look original or not. I know it's too broad and often", "writer and blogger if you find coincidentally similar work published by someone else", "I write non-fiction and poetry mainly. My question is about fiction and non", "similar lines in a different context or a similarity of topic of writing", "blogger and sometimes I find articles with similar content or an idea coincidentally", "that whether my article will look original or not. I know it's too", "I have written as draft already. Then I worry that whether my article", "the time of reading that similar article but which I have written as", "non-fiction and poetry mainly. My question is about fiction and non fiction both.", "has lessened my blogging too. I write non-fiction and poetry mainly. My question", "few similar lines in a different context or a similarity of topic of", "similar content or an idea coincidentally similar as mine which is not published", "published at the time of reading that similar article but which I have", "become an anxiety before publishing anything and has lessened my blogging too. I", "write non-fiction and poetry mainly. My question is about fiction and non fiction", "which is also similar to the one I have already written bother me.", "one I have already written bother me. However, my question is what would", "own work. This question has become an anxiety before publishing anything and has", "think that way because only a few similar lines in a different context", "has become an anxiety before publishing anything and has lessened my blogging too.", "coincidentally similar work published by someone else before publishing your own work. This", "way because only a few similar lines in a different context or a", "that way because only a few similar lines in a different context or" ]
[ "lot more time jumps. One solves the problem better but the other gives", "more time jumps. One solves the problem better but the other gives an", "gives an easier opportunity to reveal a crucial secret. That was just to", "with a lot more of the technical stuff that's not necessarily as fun", "they both fit the story. But they are also completely different. How do", "But they are also completely different. How do I pick? For example, one", "fit the tone and they both fit the story. But they are also", "a lot more time jumps. One solves the problem better but the other", "tone and they both fit the story. But they are also completely different.", "other is more closed but deals with a lot more of the technical", "to two. They both fit the tone and they both fit the story.", "of the technical stuff that's not necessarily as fun and involves a lot", "that's not necessarily as fun and involves a lot more time jumps. One", "the problem better but the other gives an easier opportunity to reveal a", "better but the other gives an easier opportunity to reveal a crucial secret.", "crucial secret. That was just to give you an idea of my struggle,", "fit the story. But they are also completely different. How do I pick?", "other gives an easier opportunity to reveal a crucial secret. That was just", "both fit the story. But they are also completely different. How do I", "technical stuff that's not necessarily as fun and involves a lot more time", "a lot more of the technical stuff that's not necessarily as fun and", "more closed but deals with a lot more of the technical stuff that's", "you've trimmed down your options, how do you pick from the ones that", "is more closed but deals with a lot more of the technical stuff", "idea of my struggle, but in general, after you've trimmed down your options,", "two. They both fit the tone and they both fit the story. But", "How do I pick? For example, one of the endings leaves a lot", "deals with a lot more of the technical stuff that's not necessarily as", "problem better but the other gives an easier opportunity to reveal a crucial", "of my struggle, but in general, after you've trimmed down your options, how", "necessarily as fun and involves a lot more time jumps. One solves the", "I've had a few different ideas for an ending that I've narrowed down", "easier opportunity to reveal a crucial secret. That was just to give you", "but the other gives an easier opportunity to reveal a crucial secret. That", "secret. That was just to give you an idea of my struggle, but", "the story. But they are also completely different. How do I pick? For", "lot open but is more exciting. The other is more closed but deals", "and involves a lot more time jumps. One solves the problem better but", "few different ideas for an ending that I've narrowed down to two. They", "open but is more exciting. The other is more closed but deals with", "exciting. The other is more closed but deals with a lot more of", "the technical stuff that's not necessarily as fun and involves a lot more", "different ideas for an ending that I've narrowed down to two. They both", "involves a lot more time jumps. One solves the problem better but the", "more of the technical stuff that's not necessarily as fun and involves a", "example, one of the endings leaves a lot open but is more exciting.", "also completely different. How do I pick? For example, one of the endings", "as fun and involves a lot more time jumps. One solves the problem", "jumps. One solves the problem better but the other gives an easier opportunity", "closed but deals with a lot more of the technical stuff that's not", "the endings leaves a lot open but is more exciting. The other is", "both fit the tone and they both fit the story. But they are", "solves the problem better but the other gives an easier opportunity to reveal", "you an idea of my struggle, but in general, after you've trimmed down", "to reveal a crucial secret. That was just to give you an idea", "of the endings leaves a lot open but is more exciting. The other", "was just to give you an idea of my struggle, but in general,", "ending that I've narrowed down to two. They both fit the tone and", "The other is more closed but deals with a lot more of the", "give you an idea of my struggle, but in general, after you've trimmed", "but is more exciting. The other is more closed but deals with a", "trimmed down your options, how do you pick from the ones that are", "the tone and they both fit the story. But they are also completely", "my struggle, but in general, after you've trimmed down your options, how do", "That was just to give you an idea of my struggle, but in", "They both fit the tone and they both fit the story. But they", "I pick? For example, one of the endings leaves a lot open but", "One solves the problem better but the other gives an easier opportunity to", "not necessarily as fun and involves a lot more time jumps. One solves", "but in general, after you've trimmed down your options, how do you pick", "down your options, how do you pick from the ones that are left?", "are also completely different. How do I pick? For example, one of the", "a few different ideas for an ending that I've narrowed down to two.", "an ending that I've narrowed down to two. They both fit the tone", "leaves a lot open but is more exciting. The other is more closed", "story. But they are also completely different. How do I pick? For example,", "reveal a crucial secret. That was just to give you an idea of", "and they both fit the story. But they are also completely different. How", "struggle, but in general, after you've trimmed down your options, how do you", "stuff that's not necessarily as fun and involves a lot more time jumps.", "for an ending that I've narrowed down to two. They both fit the", "completely different. How do I pick? For example, one of the endings leaves", "they are also completely different. How do I pick? For example, one of", "more exciting. The other is more closed but deals with a lot more", "do I pick? For example, one of the endings leaves a lot open", "lot more of the technical stuff that's not necessarily as fun and involves", "general, after you've trimmed down your options, how do you pick from the", "fun and involves a lot more time jumps. One solves the problem better", "one of the endings leaves a lot open but is more exciting. The", "in general, after you've trimmed down your options, how do you pick from", "narrowed down to two. They both fit the tone and they both fit", "ideas for an ending that I've narrowed down to two. They both fit", "just to give you an idea of my struggle, but in general, after", "opportunity to reveal a crucial secret. That was just to give you an", "different. How do I pick? For example, one of the endings leaves a", "a crucial secret. That was just to give you an idea of my", "the other gives an easier opportunity to reveal a crucial secret. That was", "after you've trimmed down your options, how do you pick from the ones", "had a few different ideas for an ending that I've narrowed down to", "an easier opportunity to reveal a crucial secret. That was just to give", "that I've narrowed down to two. They both fit the tone and they", "time jumps. One solves the problem better but the other gives an easier", "an idea of my struggle, but in general, after you've trimmed down your", "For example, one of the endings leaves a lot open but is more", "a lot open but is more exciting. The other is more closed but", "to give you an idea of my struggle, but in general, after you've", "pick? For example, one of the endings leaves a lot open but is", "I've narrowed down to two. They both fit the tone and they both", "is more exciting. The other is more closed but deals with a lot", "down to two. They both fit the tone and they both fit the", "endings leaves a lot open but is more exciting. The other is more", "but deals with a lot more of the technical stuff that's not necessarily" ]
[ "framework for the setting itself. Problem: I have never attempted to write anything", "each other, then a late Medieval fantasy-ish period on my \"second homeworld\" with", "of a science-fiction or science-fantasy setting wherein modern humanity colonizes a new homeworld", "Hirbeyt feels pretty presumptuous). I was wondering whether my idea of presenting first", "necessarily be the goal. I'm actually sort of digging the idea of being", "a second space age with no knowledge of their history. I've mostly been", "I've mostly been spending my time and efforts worldbuilding for the last few", "for the setting itself. Problem: I have never attempted to write anything on", "I was wondering whether my idea of presenting first the post-humanity colonies of", "whether my idea of presenting first the post-humanity colonies of my gas giant", "discovering and colonizing the \"second homeworld\" would make any sense to a reader?", "and colonizing the \"second homeworld\" would make any sense to a reader? Not", "presumptuous). I was wondering whether my idea of presenting first the post-humanity colonies", "actually sort of digging the idea of being sneaky about these stories even", "thoughts are, anyway. Thanks so much for your feedback! This project has been", "don't know, maybe I'm being waaaaay too ambitious. Let me know what your", "for your feedback! This project has been brewing for a long time and", "a la Dune (although comparing myself to Fsubk Hirbeyt feels pretty presumptuous). I", "to write anything on such a large scale. This setting lends itself to", "time. I don't know, maybe I'm being waaaaay too ambitious. Let me know", "This project has been brewing for a long time and I'm only just", "myself to Fsubk Hirbeyt feels pretty presumptuous). I was wondering whether my idea", "would make any sense to a reader? Not that that would necessarily be", "system, bombs themselves back to a Neolithic technology level, and progresses back to", "weeks, and I have a basic framework for the setting itself. Problem: I", "of their history. I've mostly been spending my time and efforts worldbuilding for", "I'm being waaaaay too ambitious. Let me know what your thoughts are, anyway.", "bombs themselves back to a Neolithic technology level, and progresses back to a", "sneaky about these stories even being in the same setting, and letting the", "their own time. I don't know, maybe I'm being waaaaay too ambitious. Let", "being in the same setting, and letting the readers figure that out on", "at war with each other, then a late Medieval fantasy-ish period on my", "homeworld\" with post-humans, and then finally modern humanity discovering and colonizing the \"second", "humanity discovering and colonizing the \"second homeworld\" would make any sense to a", "too ambitious. Let me know what your thoughts are, anyway. Thanks so much", "fantasy-ish period on my \"second homeworld\" with post-humans, and then finally modern humanity", "write anything on such a large scale. This setting lends itself to multiple", "make any sense to a reader? Not that that would necessarily be the", "your feedback! This project has been brewing for a long time and I'm", "same setting, and letting the readers figure that out on their own time.", "to multiple unrelated or vaguely-related stories, a la Dune (although comparing myself to", "has been brewing for a long time and I'm only just moving on", "know what your thoughts are, anyway. Thanks so much for your feedback! This", "with post-humans, and then finally modern humanity discovering and colonizing the \"second homeworld\"", "colonizes a new homeworld in a classical star system, bombs themselves back to", "of my gas giant at war with each other, then a late Medieval", "so much for your feedback! This project has been brewing for a long", "be the goal. I'm actually sort of digging the idea of being sneaky", "of digging the idea of being sneaky about these stories even being in", "wondering whether my idea of presenting first the post-humanity colonies of my gas", "humanity colonizes a new homeworld in a classical star system, bombs themselves back", "goal. I'm actually sort of digging the idea of being sneaky about these", "giant at war with each other, then a late Medieval fantasy-ish period on", "knowledge of their history. I've mostly been spending my time and efforts worldbuilding", "with no knowledge of their history. I've mostly been spending my time and", "a classical star system, bombs themselves back to a Neolithic technology level, and", "(although comparing myself to Fsubk Hirbeyt feels pretty presumptuous). I was wondering whether", "colonizing the \"second homeworld\" would make any sense to a reader? Not that", "that that would necessarily be the goal. I'm actually sort of digging the", "This setting lends itself to multiple unrelated or vaguely-related stories, a la Dune", "anything on such a large scale. This setting lends itself to multiple unrelated", "a late Medieval fantasy-ish period on my \"second homeworld\" with post-humans, and then", "new homeworld in a classical star system, bombs themselves back to a Neolithic", "out on their own time. I don't know, maybe I'm being waaaaay too", "then finally modern humanity discovering and colonizing the \"second homeworld\" would make any", "for the last few weeks, and I have a basic framework for the", "a basic framework for the setting itself. Problem: I have never attempted to", "the post-humanity colonies of my gas giant at war with each other, then", "the goal. I'm actually sort of digging the idea of being sneaky about", "anyway. Thanks so much for your feedback! This project has been brewing for", "back to a Neolithic technology level, and progresses back to a second space", "I'm thinking of a science-fiction or science-fantasy setting wherein modern humanity colonizes a", "to a second space age with no knowledge of their history. I've mostly", "that would necessarily be the goal. I'm actually sort of digging the idea", "sense to a reader? Not that that would necessarily be the goal. I'm", "multiple unrelated or vaguely-related stories, a la Dune (although comparing myself to Fsubk", "spending my time and efforts worldbuilding for the last few weeks, and I", "idea of presenting first the post-humanity colonies of my gas giant at war", "attempted to write anything on such a large scale. This setting lends itself", "Dune (although comparing myself to Fsubk Hirbeyt feels pretty presumptuous). I was wondering", "basic framework for the setting itself. Problem: I have never attempted to write", "to a Neolithic technology level, and progresses back to a second space age", "unrelated or vaguely-related stories, a la Dune (although comparing myself to Fsubk Hirbeyt", "mostly been spending my time and efforts worldbuilding for the last few weeks,", "back to a second space age with no knowledge of their history. I've", "post-humanity colonies of my gas giant at war with each other, then a", "modern humanity discovering and colonizing the \"second homeworld\" would make any sense to", "post-humans, and then finally modern humanity discovering and colonizing the \"second homeworld\" would", "never attempted to write anything on such a large scale. This setting lends", "my time and efforts worldbuilding for the last few weeks, and I have", "technology level, and progresses back to a second space age with no knowledge", "figure that out on their own time. I don't know, maybe I'm being", "setting, and letting the readers figure that out on their own time. I", "been brewing for a long time and I'm only just moving on it.", "no knowledge of their history. I've mostly been spending my time and efforts", "with each other, then a late Medieval fantasy-ish period on my \"second homeworld\"", "being waaaaay too ambitious. Let me know what your thoughts are, anyway. Thanks", "letting the readers figure that out on their own time. I don't know,", "of presenting first the post-humanity colonies of my gas giant at war with", "and then finally modern humanity discovering and colonizing the \"second homeworld\" would make", "modern humanity colonizes a new homeworld in a classical star system, bombs themselves", "history. I've mostly been spending my time and efforts worldbuilding for the last", "large scale. This setting lends itself to multiple unrelated or vaguely-related stories, a", "your thoughts are, anyway. Thanks so much for your feedback! This project has", "a science-fiction or science-fantasy setting wherein modern humanity colonizes a new homeworld in", "a reader? Not that that would necessarily be the goal. I'm actually sort", "stories, a la Dune (although comparing myself to Fsubk Hirbeyt feels pretty presumptuous).", "have a basic framework for the setting itself. Problem: I have never attempted", "Not that that would necessarily be the goal. I'm actually sort of digging", "itself. Problem: I have never attempted to write anything on such a large", "that out on their own time. I don't know, maybe I'm being waaaaay", "in a classical star system, bombs themselves back to a Neolithic technology level,", "colonies of my gas giant at war with each other, then a late", "know, maybe I'm being waaaaay too ambitious. Let me know what your thoughts", "Neolithic technology level, and progresses back to a second space age with no", "other, then a late Medieval fantasy-ish period on my \"second homeworld\" with post-humans,", "I don't know, maybe I'm being waaaaay too ambitious. Let me know what", "maybe I'm being waaaaay too ambitious. Let me know what your thoughts are,", "lends itself to multiple unrelated or vaguely-related stories, a la Dune (although comparing", "a Neolithic technology level, and progresses back to a second space age with", "are, anyway. Thanks so much for your feedback! This project has been brewing", "war with each other, then a late Medieval fantasy-ish period on my \"second", "and letting the readers figure that out on their own time. I don't", "science-fantasy setting wherein modern humanity colonizes a new homeworld in a classical star", "\"second homeworld\" with post-humans, and then finally modern humanity discovering and colonizing the", "waaaaay too ambitious. Let me know what your thoughts are, anyway. Thanks so", "on my \"second homeworld\" with post-humans, and then finally modern humanity discovering and", "itself to multiple unrelated or vaguely-related stories, a la Dune (although comparing myself", "would necessarily be the goal. I'm actually sort of digging the idea of", "vaguely-related stories, a la Dune (although comparing myself to Fsubk Hirbeyt feels pretty", "and progresses back to a second space age with no knowledge of their", "feedback! This project has been brewing for a long time and I'm only", "such a large scale. This setting lends itself to multiple unrelated or vaguely-related", "Let me know what your thoughts are, anyway. Thanks so much for your", "second space age with no knowledge of their history. I've mostly been spending", "ambitious. Let me know what your thoughts are, anyway. Thanks so much for", "finally modern humanity discovering and colonizing the \"second homeworld\" would make any sense", "I'm actually sort of digging the idea of being sneaky about these stories", "first the post-humanity colonies of my gas giant at war with each other,", "classical star system, bombs themselves back to a Neolithic technology level, and progresses", "even being in the same setting, and letting the readers figure that out", "last few weeks, and I have a basic framework for the setting itself.", "own time. I don't know, maybe I'm being waaaaay too ambitious. Let me", "homeworld in a classical star system, bombs themselves back to a Neolithic technology", "the setting itself. Problem: I have never attempted to write anything on such", "few weeks, and I have a basic framework for the setting itself. Problem:", "gas giant at war with each other, then a late Medieval fantasy-ish period", "idea of being sneaky about these stories even being in the same setting,", "level, and progresses back to a second space age with no knowledge of", "the last few weeks, and I have a basic framework for the setting", "star system, bombs themselves back to a Neolithic technology level, and progresses back", "stories even being in the same setting, and letting the readers figure that", "any sense to a reader? Not that that would necessarily be the goal.", "setting itself. Problem: I have never attempted to write anything on such a", "worldbuilding for the last few weeks, and I have a basic framework for", "the readers figure that out on their own time. I don't know, maybe", "science-fiction or science-fantasy setting wherein modern humanity colonizes a new homeworld in a", "to a reader? Not that that would necessarily be the goal. I'm actually", "homeworld\" would make any sense to a reader? Not that that would necessarily", "being sneaky about these stories even being in the same setting, and letting", "pretty presumptuous). I was wondering whether my idea of presenting first the post-humanity", "presenting first the post-humanity colonies of my gas giant at war with each", "progresses back to a second space age with no knowledge of their history.", "time and efforts worldbuilding for the last few weeks, and I have a", "I have a basic framework for the setting itself. Problem: I have never", "my idea of presenting first the post-humanity colonies of my gas giant at", "their history. I've mostly been spending my time and efforts worldbuilding for the", "my \"second homeworld\" with post-humans, and then finally modern humanity discovering and colonizing", "in the same setting, and letting the readers figure that out on their", "la Dune (although comparing myself to Fsubk Hirbeyt feels pretty presumptuous). I was", "the same setting, and letting the readers figure that out on their own", "space age with no knowledge of their history. I've mostly been spending my", "period on my \"second homeworld\" with post-humans, and then finally modern humanity discovering", "what your thoughts are, anyway. Thanks so much for your feedback! This project", "feels pretty presumptuous). I was wondering whether my idea of presenting first the", "on their own time. I don't know, maybe I'm being waaaaay too ambitious.", "scale. This setting lends itself to multiple unrelated or vaguely-related stories, a la", "a new homeworld in a classical star system, bombs themselves back to a", "wherein modern humanity colonizes a new homeworld in a classical star system, bombs", "digging the idea of being sneaky about these stories even being in the", "setting wherein modern humanity colonizes a new homeworld in a classical star system,", "Medieval fantasy-ish period on my \"second homeworld\" with post-humans, and then finally modern", "Problem: I have never attempted to write anything on such a large scale.", "to Fsubk Hirbeyt feels pretty presumptuous). I was wondering whether my idea of", "the idea of being sneaky about these stories even being in the same", "a large scale. This setting lends itself to multiple unrelated or vaguely-related stories,", "been spending my time and efforts worldbuilding for the last few weeks, and", "my gas giant at war with each other, then a late Medieval fantasy-ish", "the \"second homeworld\" would make any sense to a reader? Not that that", "Thanks so much for your feedback! This project has been brewing for a", "was wondering whether my idea of presenting first the post-humanity colonies of my", "and efforts worldbuilding for the last few weeks, and I have a basic", "of being sneaky about these stories even being in the same setting, and", "me know what your thoughts are, anyway. Thanks so much for your feedback!", "project has been brewing for a long time and I'm only just moving", "setting lends itself to multiple unrelated or vaguely-related stories, a la Dune (although", "sort of digging the idea of being sneaky about these stories even being", "or vaguely-related stories, a la Dune (although comparing myself to Fsubk Hirbeyt feels", "these stories even being in the same setting, and letting the readers figure", "have never attempted to write anything on such a large scale. This setting", "thinking of a science-fiction or science-fantasy setting wherein modern humanity colonizes a new", "efforts worldbuilding for the last few weeks, and I have a basic framework", "comparing myself to Fsubk Hirbeyt feels pretty presumptuous). I was wondering whether my", "themselves back to a Neolithic technology level, and progresses back to a second", "late Medieval fantasy-ish period on my \"second homeworld\" with post-humans, and then finally", "I have never attempted to write anything on such a large scale. This", "reader? Not that that would necessarily be the goal. I'm actually sort of", "readers figure that out on their own time. I don't know, maybe I'm", "\"second homeworld\" would make any sense to a reader? Not that that would", "then a late Medieval fantasy-ish period on my \"second homeworld\" with post-humans, and", "on such a large scale. This setting lends itself to multiple unrelated or", "and I have a basic framework for the setting itself. Problem: I have", "much for your feedback! This project has been brewing for a long time", "about these stories even being in the same setting, and letting the readers", "or science-fantasy setting wherein modern humanity colonizes a new homeworld in a classical", "age with no knowledge of their history. I've mostly been spending my time", "Fsubk Hirbeyt feels pretty presumptuous). I was wondering whether my idea of presenting" ]
[ "been in a *pseudocoma*, more aware of her surroundings than anyone knew. Another", "the other character is a 1-dimensional *mysterious stranger*, the dialog is all tell", "that takes the MC to an \"other space\" just to talk to a", "is probably a narrative problem with any scene that takes the MC to", "scene is almost a Bingo card of what not to do when writing.", "writing. Similar but different, in the TV series *Dahk Mantoh*, a character dies", "to make a decision about her welfare, and uses technology to connect to", "a substantial character who can influence the narrative. She only exists to explain", "that her desires can't be dismissed, despite all prior indications to the contrary.", "discovers the patient is not a vegetable. She is mentally impaired but with", "Similar but different, in the TV series *Dahk Mantoh*, a character dies and", "tell no show, and the momentum which has been building suspense about the", "all tell no show, and the momentum which has been building suspense about", "to make this character have enough charisma and impact in her one scene", "is all tell no show, and the momentum which has been building suspense", "characters meet in virtual reality. The gist of my scene is one character", "my scene is one character has been in a *pseudocoma*, more aware of", "gazebo where other characters occasionally visit, but even with multiple scenes she never", "some history or as a prop for another character's emotional development. She is", "my question better, but it honestly boils down to: how can I make", "a VR gazebo where other characters occasionally visit, but even with multiple scenes", "better, but it honestly boils down to: how can I make a meeting", "people meet in some kind of virtual reality/ethereal plane and have a long", "Another character needs to make a decision about her welfare, and uses technology", "in VR less dumb? I'll try to avoid obvious cliches, but I feel", "change the other character's opinion as a firm plot turning point. I need", "than a narrative climax, the scene is almost a Bingo card of what", "She discovers the patient is not a vegetable. She is mentally impaired but", "try to avoid obvious cliches, but I feel there is probably a narrative", "character dies and her consciousness is transferred to a VR gazebo where other", "Rather than a narrative climax, the scene is almost a Bingo card of", "enough charisma and impact in her one scene to change the other character's", "is almost a Bingo card of what not to do when writing. Similar", "not to do when writing. Similar but different, in the TV series *Dahk", "talked about by others, this is her only scene where she has her", "still enough of herself that her desires can't be dismissed, despite all prior", "need to show she is still enough of herself that her desires can't", "attempted to state my question better, but it honestly boils down to: how", "a decision about her welfare, and uses technology to connect to her mind.", "again. I also need to make this character have enough charisma and impact", "a meeting in VR less dumb? I'll try to avoid obvious cliches, but", "*Dahk Mantoh*, a character dies and her consciousness is transferred to a VR", "where she has her own voice. I can think of probably a dozen", "I feel there is probably a narrative problem with any scene that takes", "character have enough charisma and impact in her one scene to change the", "decision about her welfare, and uses technology to connect to her mind. She", "her surroundings than anyone knew. Another character needs to make a decision about", "examples in popular media where two people meet in some kind of virtual", "what not to do when writing. Similar but different, in the TV series", "the scene is almost a Bingo card of what not to do when", "VR less dumb? I'll try to avoid obvious cliches, but I feel there", "which has been building suspense about the MC's physical safety abruptly changes to", "about by others, this is her only scene where she has her own", "virtual reality/ethereal plane and have a long philosophical infodump that kills all story", "the momentum which has been building suspense about the MC's physical safety abruptly", "film *Contact* does everything wrong: arbitrary CGI location, the other character is a", "other characters occasionally visit, but even with multiple scenes she never feels like", "infodump that kills all story momentum – the film *Contact* does everything wrong:", "is transferred to a VR gazebo where other characters occasionally visit, but even", "charisma and impact in her one scene to change the other character's opinion", "dozen examples in popular media where two people meet in some kind of", "where other characters occasionally visit, but even with multiple scenes she never feels", "done well: two characters meet in virtual reality. The gist of my scene", "is a 1-dimensional *mysterious stranger*, the dialog is all tell no show, and", "probably a dozen examples in popular media where two people meet in some", "more aware of her surroundings than anyone knew. Another character needs to make", "show she is still enough of herself that her desires can't be dismissed,", "changes to bland generalizations about the meaning of life. Rather than a narrative", "sci-fi cliche which I have *never* seen done well: two characters meet in", "a prop for another character's emotional development. She is never more than just", "is not a vegetable. She is mentally impaired but with her personality and", "occasionally visit, but even with multiple scenes she never feels like a substantial", "needs to make a decision about her welfare, and uses technology to connect", "a narrative problem with any scene that takes the MC to an \"other", "has her own voice. I can think of probably a dozen examples in", "the MC's physical safety abruptly changes to bland generalizations about the meaning of", "have a long philosophical infodump that kills all story momentum – the film", "the meaning of life. Rather than a narrative climax, the scene is almost", "Although she has been talked about by others, this is her only scene", "avoid obvious cliches, but I feel there is probably a narrative problem with", "characters occasionally visit, but even with multiple scenes she never feels like a", "have enough charisma and impact in her one scene to change the other", "as a prop for another character's emotional development. She is never more than", "own voice. I can think of probably a dozen examples in popular media", "bland generalizations about the meaning of life. Rather than a narrative climax, the", "in some kind of virtual reality/ethereal plane and have a long philosophical infodump", "narrative climax, the scene is almost a Bingo card of what not to", "who can influence the narrative. She only exists to explain some history or", "her personality and desires intact. Although she has been talked about by others,", "even with multiple scenes she never feels like a substantial character who can", "the MC to an \"other space\" just to talk to a character we", "just to talk to a character we know we'll never see again. I", "when writing. Similar but different, in the TV series *Dahk Mantoh*, a character", "myself into a sci-fi cliche which I have *never* seen done well: two", "we know we'll never see again. I also need to make this character", "knew. Another character needs to make a decision about her welfare, and uses", "any scene that takes the MC to an \"other space\" just to talk", "*pseudocoma*, more aware of her surroundings than anyone knew. Another character needs to", "been talked about by others, this is her only scene where she has", "her consciousness is transferred to a VR gazebo where other characters occasionally visit,", "for another character's emotional development. She is never more than just a woman", "I also need to make this character have enough charisma and impact in", "is mentally impaired but with her personality and desires intact. Although she has", "never more than just a woman in a box. I've attempted to state", "I make a meeting in VR less dumb? I'll try to avoid obvious", "physical safety abruptly changes to bland generalizations about the meaning of life. Rather", "series *Dahk Mantoh*, a character dies and her consciousness is transferred to a", "connect to her mind. She discovers the patient is not a vegetable. She", "aware of her surroundings than anyone knew. Another character needs to make a", "*Contact* does everything wrong: arbitrary CGI location, the other character is a 1-dimensional", "a Bingo card of what not to do when writing. Similar but different,", "character's emotional development. She is never more than just a woman in a", "only exists to explain some history or as a prop for another character's", "She is mentally impaired but with her personality and desires intact. Although she", "VR gazebo where other characters occasionally visit, but even with multiple scenes she", "dumb? I'll try to avoid obvious cliches, but I feel there is probably", "desires intact. Although she has been talked about by others, this is her", "never see again. I also need to make this character have enough charisma", "is still enough of herself that her desires can't be dismissed, despite all", "almost a Bingo card of what not to do when writing. Similar but", "well: two characters meet in virtual reality. The gist of my scene is", "has been talked about by others, this is her only scene where she", "do when writing. Similar but different, in the TV series *Dahk Mantoh*, a", "of life. Rather than a narrative climax, the scene is almost a Bingo", "it honestly boils down to: how can I make a meeting in VR", "with any scene that takes the MC to an \"other space\" just to", "others, this is her only scene where she has her own voice. I", "a narrative climax, the scene is almost a Bingo card of what not", "character is a 1-dimensional *mysterious stranger*, the dialog is all tell no show,", "*mysterious stranger*, the dialog is all tell no show, and the momentum which", "the other character's opinion as a firm plot turning point. I need to", "history or as a prop for another character's emotional development. She is never", "one scene to change the other character's opinion as a firm plot turning", "of her surroundings than anyone knew. Another character needs to make a decision", "no show, and the momentum which has been building suspense about the MC's", "and the momentum which has been building suspense about the MC's physical safety", "of probably a dozen examples in popular media where two people meet in", "never feels like a substantial character who can influence the narrative. She only", "some kind of virtual reality/ethereal plane and have a long philosophical infodump that", "safety abruptly changes to bland generalizations about the meaning of life. Rather than", "is never more than just a woman in a box. I've attempted to", "She only exists to explain some history or as a prop for another", "obvious cliches, but I feel there is probably a narrative problem with any", "show, and the momentum which has been building suspense about the MC's physical", "welfare, and uses technology to connect to her mind. She discovers the patient", "voice. I can think of probably a dozen examples in popular media where", "emotional development. She is never more than just a woman in a box.", "in popular media where two people meet in some kind of virtual reality/ethereal", "been building suspense about the MC's physical safety abruptly changes to bland generalizations", "which I have *never* seen done well: two characters meet in virtual reality.", "scene where she has her own voice. I can think of probably a", "anyone knew. Another character needs to make a decision about her welfare, and", "a character we know we'll never see again. I also need to make", "her mind. She discovers the patient is not a vegetable. She is mentally", "a long philosophical infodump that kills all story momentum – the film *Contact*", "a 1-dimensional *mysterious stranger*, the dialog is all tell no show, and the", "a vegetable. She is mentally impaired but with her personality and desires intact.", "in a *pseudocoma*, more aware of her surroundings than anyone knew. Another character", "meaning of life. Rather than a narrative climax, the scene is almost a", "narrative. She only exists to explain some history or as a prop for", "a dozen examples in popular media where two people meet in some kind", "She is never more than just a woman in a box. I've attempted", "of what not to do when writing. Similar but different, in the TV", "to a character we know we'll never see again. I also need to", "reality. The gist of my scene is one character has been in a", "question better, but it honestly boils down to: how can I make a", "reality/ethereal plane and have a long philosophical infodump that kills all story momentum", "dies and her consciousness is transferred to a VR gazebo where other characters", "into a sci-fi cliche which I have *never* seen done well: two characters", "see again. I also need to make this character have enough charisma and", "to avoid obvious cliches, but I feel there is probably a narrative problem", "another character's emotional development. She is never more than just a woman in", "a character dies and her consciousness is transferred to a VR gazebo where", "down to: how can I make a meeting in VR less dumb? I'll", "MC's physical safety abruptly changes to bland generalizations about the meaning of life.", "to do when writing. Similar but different, in the TV series *Dahk Mantoh*,", "wrong: arbitrary CGI location, the other character is a 1-dimensional *mysterious stranger*, the", "know we'll never see again. I also need to make this character have", "there is probably a narrative problem with any scene that takes the MC", "virtual reality. The gist of my scene is one character has been in", "other character's opinion as a firm plot turning point. I need to show", "narrative problem with any scene that takes the MC to an \"other space\"", "make a decision about her welfare, and uses technology to connect to her", "with her personality and desires intact. Although she has been talked about by", "The gist of my scene is one character has been in a *pseudocoma*,", "I need to show she is still enough of herself that her desires", "like a substantial character who can influence the narrative. She only exists to", "character needs to make a decision about her welfare, and uses technology to", "has been building suspense about the MC's physical safety abruptly changes to bland", "is her only scene where she has her own voice. I can think", "is one character has been in a *pseudocoma*, more aware of her surroundings", "personality and desires intact. Although she has been talked about by others, this", "plot turning point. I need to show she is still enough of herself", "to explain some history or as a prop for another character's emotional development.", "this character have enough charisma and impact in her one scene to change", "to change the other character's opinion as a firm plot turning point. I", "a woman in a box. I've attempted to state my question better, but", "cliche which I have *never* seen done well: two characters meet in virtual", "point. I need to show she is still enough of herself that her", "card of what not to do when writing. Similar but different, in the", "scene is one character has been in a *pseudocoma*, more aware of her", "than anyone knew. Another character needs to make a decision about her welfare,", "about the meaning of life. Rather than a narrative climax, the scene is", "scenes she never feels like a substantial character who can influence the narrative.", "to her mind. She discovers the patient is not a vegetable. She is", "and impact in her one scene to change the other character's opinion as", "or as a prop for another character's emotional development. She is never more", "two people meet in some kind of virtual reality/ethereal plane and have a", "other character is a 1-dimensional *mysterious stranger*, the dialog is all tell no", "suspense about the MC's physical safety abruptly changes to bland generalizations about the", "character's opinion as a firm plot turning point. I need to show she", "long philosophical infodump that kills all story momentum – the film *Contact* does", "about the MC's physical safety abruptly changes to bland generalizations about the meaning", "how can I make a meeting in VR less dumb? I'll try to", "gist of my scene is one character has been in a *pseudocoma*, more", "all story momentum – the film *Contact* does everything wrong: arbitrary CGI location,", "plane and have a long philosophical infodump that kills all story momentum –", "intact. Although she has been talked about by others, this is her only", "meeting in VR less dumb? I'll try to avoid obvious cliches, but I", "make this character have enough charisma and impact in her one scene to", "she never feels like a substantial character who can influence the narrative. She", "she has her own voice. I can think of probably a dozen examples", "to a VR gazebo where other characters occasionally visit, but even with multiple", "different, in the TV series *Dahk Mantoh*, a character dies and her consciousness", "in virtual reality. The gist of my scene is one character has been", "meet in some kind of virtual reality/ethereal plane and have a long philosophical", "feels like a substantial character who can influence the narrative. She only exists", "dialog is all tell no show, and the momentum which has been building", "meet in virtual reality. The gist of my scene is one character has", "and her consciousness is transferred to a VR gazebo where other characters occasionally", "technology to connect to her mind. She discovers the patient is not a", "by others, this is her only scene where she has her own voice.", "also need to make this character have enough charisma and impact in her", "just a woman in a box. I've attempted to state my question better,", "can I make a meeting in VR less dumb? I'll try to avoid", "problem with any scene that takes the MC to an \"other space\" just", "the dialog is all tell no show, and the momentum which has been", "talk to a character we know we'll never see again. I also need", "uses technology to connect to her mind. She discovers the patient is not", "arbitrary CGI location, the other character is a 1-dimensional *mysterious stranger*, the dialog", "her welfare, and uses technology to connect to her mind. She discovers the", "the TV series *Dahk Mantoh*, a character dies and her consciousness is transferred", "consciousness is transferred to a VR gazebo where other characters occasionally visit, but", "less dumb? I'll try to avoid obvious cliches, but I feel there is", "I have *never* seen done well: two characters meet in virtual reality. The", "story momentum – the film *Contact* does everything wrong: arbitrary CGI location, the", "\"other space\" just to talk to a character we know we'll never see", "of my scene is one character has been in a *pseudocoma*, more aware", "visit, but even with multiple scenes she never feels like a substantial character", "a *pseudocoma*, more aware of her surroundings than anyone knew. Another character needs", "her one scene to change the other character's opinion as a firm plot", "a box. I've attempted to state my question better, but it honestly boils", "to: how can I make a meeting in VR less dumb? I'll try", "space\" just to talk to a character we know we'll never see again.", "cliches, but I feel there is probably a narrative problem with any scene", "have *never* seen done well: two characters meet in virtual reality. The gist", "surroundings than anyone knew. Another character needs to make a decision about her", "in a box. I've attempted to state my question better, but it honestly", "scene to change the other character's opinion as a firm plot turning point.", "two characters meet in virtual reality. The gist of my scene is one", "prop for another character's emotional development. She is never more than just a", "character who can influence the narrative. She only exists to explain some history", "firm plot turning point. I need to show she is still enough of", "as a firm plot turning point. I need to show she is still", "her only scene where she has her own voice. I can think of", "vegetable. She is mentally impaired but with her personality and desires intact. Although", "woman in a box. I've attempted to state my question better, but it", "seen done well: two characters meet in virtual reality. The gist of my", "a firm plot turning point. I need to show she is still enough", "not a vegetable. She is mentally impaired but with her personality and desires", "she has been talked about by others, this is her only scene where", "where two people meet in some kind of virtual reality/ethereal plane and have", "written myself into a sci-fi cliche which I have *never* seen done well:", "mind. She discovers the patient is not a vegetable. She is mentally impaired", "momentum which has been building suspense about the MC's physical safety abruptly changes", "feel there is probably a narrative problem with any scene that takes the", "in the TV series *Dahk Mantoh*, a character dies and her consciousness is", "kills all story momentum – the film *Contact* does everything wrong: arbitrary CGI", "takes the MC to an \"other space\" just to talk to a character", "Mantoh*, a character dies and her consciousness is transferred to a VR gazebo", "can think of probably a dozen examples in popular media where two people", "climax, the scene is almost a Bingo card of what not to do", "but it honestly boils down to: how can I make a meeting in", "probably a narrative problem with any scene that takes the MC to an", "that kills all story momentum – the film *Contact* does everything wrong: arbitrary", "to an \"other space\" just to talk to a character we know we'll", "character we know we'll never see again. I also need to make this", "mentally impaired but with her personality and desires intact. Although she has been", "her own voice. I can think of probably a dozen examples in popular", "substantial character who can influence the narrative. She only exists to explain some", "state my question better, but it honestly boils down to: how can I", "but I feel there is probably a narrative problem with any scene that", "boils down to: how can I make a meeting in VR less dumb?", "I've attempted to state my question better, but it honestly boils down to:", "development. She is never more than just a woman in a box. I've", "kind of virtual reality/ethereal plane and have a long philosophical infodump that kills", "than just a woman in a box. I've attempted to state my question", "Bingo card of what not to do when writing. Similar but different, in", "need to make this character have enough charisma and impact in her one", "with multiple scenes she never feels like a substantial character who can influence", "impact in her one scene to change the other character's opinion as a", "make a meeting in VR less dumb? I'll try to avoid obvious cliches,", "opinion as a firm plot turning point. I need to show she is", "TV series *Dahk Mantoh*, a character dies and her consciousness is transferred to", "an \"other space\" just to talk to a character we know we'll never", "and desires intact. Although she has been talked about by others, this is", "but even with multiple scenes she never feels like a substantial character who", "scene that takes the MC to an \"other space\" just to talk to", "CGI location, the other character is a 1-dimensional *mysterious stranger*, the dialog is", "enough of herself that her desires can't be dismissed, despite all prior indications", "this is her only scene where she has her own voice. I can", "think of probably a dozen examples in popular media where two people meet", "everything wrong: arbitrary CGI location, the other character is a 1-dimensional *mysterious stranger*,", "to state my question better, but it honestly boils down to: how can", "has been in a *pseudocoma*, more aware of her surroundings than anyone knew.", "but different, in the TV series *Dahk Mantoh*, a character dies and her", "does everything wrong: arbitrary CGI location, the other character is a 1-dimensional *mysterious", "only scene where she has her own voice. I can think of probably", "I've written myself into a sci-fi cliche which I have *never* seen done", "the patient is not a vegetable. She is mentally impaired but with her", "but with her personality and desires intact. Although she has been talked about", "I can think of probably a dozen examples in popular media where two", "more than just a woman in a box. I've attempted to state my", "momentum – the film *Contact* does everything wrong: arbitrary CGI location, the other", "I'll try to avoid obvious cliches, but I feel there is probably a", "exists to explain some history or as a prop for another character's emotional", "building suspense about the MC's physical safety abruptly changes to bland generalizations about", "MC to an \"other space\" just to talk to a character we know", "to show she is still enough of herself that her desires can't be", "influence the narrative. She only exists to explain some history or as a", "*never* seen done well: two characters meet in virtual reality. The gist of", "character has been in a *pseudocoma*, more aware of her surroundings than anyone", "she is still enough of herself that her desires can't be dismissed, despite", "popular media where two people meet in some kind of virtual reality/ethereal plane", "location, the other character is a 1-dimensional *mysterious stranger*, the dialog is all", "box. I've attempted to state my question better, but it honestly boils down", "transferred to a VR gazebo where other characters occasionally visit, but even with", "we'll never see again. I also need to make this character have enough", "philosophical infodump that kills all story momentum – the film *Contact* does everything", "the film *Contact* does everything wrong: arbitrary CGI location, the other character is", "can influence the narrative. She only exists to explain some history or as", "herself that her desires can't be dismissed, despite all prior indications to the", "a sci-fi cliche which I have *never* seen done well: two characters meet", "stranger*, the dialog is all tell no show, and the momentum which has", "patient is not a vegetable. She is mentally impaired but with her personality", "– the film *Contact* does everything wrong: arbitrary CGI location, the other character", "explain some history or as a prop for another character's emotional development. She", "1-dimensional *mysterious stranger*, the dialog is all tell no show, and the momentum", "in her one scene to change the other character's opinion as a firm", "one character has been in a *pseudocoma*, more aware of her surroundings than", "of herself that her desires can't be dismissed, despite all prior indications to", "life. Rather than a narrative climax, the scene is almost a Bingo card", "abruptly changes to bland generalizations about the meaning of life. Rather than a", "generalizations about the meaning of life. Rather than a narrative climax, the scene", "and have a long philosophical infodump that kills all story momentum – the", "honestly boils down to: how can I make a meeting in VR less", "to connect to her mind. She discovers the patient is not a vegetable.", "impaired but with her personality and desires intact. Although she has been talked", "about her welfare, and uses technology to connect to her mind. She discovers", "to bland generalizations about the meaning of life. Rather than a narrative climax,", "and uses technology to connect to her mind. She discovers the patient is", "turning point. I need to show she is still enough of herself that", "to talk to a character we know we'll never see again. I also", "of virtual reality/ethereal plane and have a long philosophical infodump that kills all", "the narrative. She only exists to explain some history or as a prop", "media where two people meet in some kind of virtual reality/ethereal plane and", "multiple scenes she never feels like a substantial character who can influence the" ]
[ "around this? Has anyone come up with a way to avoid this irritating", "for them to have any knowledge of each other's languages. Of course, if", "to avoid this, then you run into the problem of characters not being", "in fantasy fiction, where everyone on the planet (and sometimes beyond) speaks the", "non-sensicalness of it. But is there anyway to work around this? Has anyone", "everyone on the planet (and sometimes beyond) speaks the same language, even though", "you run into the problem of characters not being able to communicate. The", "being able to communicate. The first option is obviously illogical and to me,", "the planet (and sometimes beyond) speaks the same language, even though it makes", "see this a lot in fantasy fiction, where everyone on the planet (and", "characters not being able to communicate. The first option is obviously illogical and", "ignores the non-sensicalness of it. But is there anyway to work around this?", "it makes practical sense. And looking at the fantasy genre, it seems everyone", "beyond) speaks the same language, even though it makes absolutely no logical sense", "fiction, where everyone on the planet (and sometimes beyond) speaks the same language,", "just goes with that and ignores the non-sensicalness of it. But is there", "a lot in fantasy fiction, where everyone on the planet (and sometimes beyond)", "obviously illogical and to me, stupid, but at the same time it makes", "it. But is there anyway to work around this? Has anyone come up", "speaks the same language, even though it makes absolutely no logical sense for", "fantasy genre, it seems everyone just goes with that and ignores the non-sensicalness", "of it. But is there anyway to work around this? Has anyone come", "stupid, but at the same time it makes practical sense. And looking at", "problem of characters not being able to communicate. The first option is obviously", "on the planet (and sometimes beyond) speaks the same language, even though it", "You see this a lot in fantasy fiction, where everyone on the planet", "there anyway to work around this? Has anyone come up with a way", "work around this? Has anyone come up with a way to avoid this", "the same time it makes practical sense. And looking at the fantasy genre,", "sometimes beyond) speaks the same language, even though it makes absolutely no logical", "lot in fantasy fiction, where everyone on the planet (and sometimes beyond) speaks", "them to have any knowledge of each other's languages. Of course, if you", "course, if you try to avoid this, then you run into the problem", "you try to avoid this, then you run into the problem of characters", "the fantasy genre, it seems everyone just goes with that and ignores the", "any knowledge of each other's languages. Of course, if you try to avoid", "seems everyone just goes with that and ignores the non-sensicalness of it. But", "goes with that and ignores the non-sensicalness of it. But is there anyway", "with that and ignores the non-sensicalness of it. But is there anyway to", "(and sometimes beyond) speaks the same language, even though it makes absolutely no", "into the problem of characters not being able to communicate. The first option", "knowledge of each other's languages. Of course, if you try to avoid this,", "other's languages. Of course, if you try to avoid this, then you run", "sense. And looking at the fantasy genre, it seems everyone just goes with", "not being able to communicate. The first option is obviously illogical and to", "run into the problem of characters not being able to communicate. The first", "it seems everyone just goes with that and ignores the non-sensicalness of it.", "and to me, stupid, but at the same time it makes practical sense.", "makes practical sense. And looking at the fantasy genre, it seems everyone just", "is there anyway to work around this? Has anyone come up with a", "to have any knowledge of each other's languages. Of course, if you try", "that and ignores the non-sensicalness of it. But is there anyway to work", "makes absolutely no logical sense for them to have any knowledge of each", "have any knowledge of each other's languages. Of course, if you try to", "at the fantasy genre, it seems everyone just goes with that and ignores", "of each other's languages. Of course, if you try to avoid this, then", "planet (and sometimes beyond) speaks the same language, even though it makes absolutely", "absolutely no logical sense for them to have any knowledge of each other's", "everyone just goes with that and ignores the non-sensicalness of it. But is", "practical sense. And looking at the fantasy genre, it seems everyone just goes", "and ignores the non-sensicalness of it. But is there anyway to work around", "to me, stupid, but at the same time it makes practical sense. And", "able to communicate. The first option is obviously illogical and to me, stupid,", "but at the same time it makes practical sense. And looking at the", "And looking at the fantasy genre, it seems everyone just goes with that", "of characters not being able to communicate. The first option is obviously illogical", "even though it makes absolutely no logical sense for them to have any", "language, even though it makes absolutely no logical sense for them to have", "Of course, if you try to avoid this, then you run into the", "it makes absolutely no logical sense for them to have any knowledge of", "same time it makes practical sense. And looking at the fantasy genre, it", "first option is obviously illogical and to me, stupid, but at the same", "But is there anyway to work around this? Has anyone come up with", "to communicate. The first option is obviously illogical and to me, stupid, but", "The first option is obviously illogical and to me, stupid, but at the", "at the same time it makes practical sense. And looking at the fantasy", "the same language, even though it makes absolutely no logical sense for them", "each other's languages. Of course, if you try to avoid this, then you", "avoid this, then you run into the problem of characters not being able", "fantasy fiction, where everyone on the planet (and sometimes beyond) speaks the same", "try to avoid this, then you run into the problem of characters not", "though it makes absolutely no logical sense for them to have any knowledge", "genre, it seems everyone just goes with that and ignores the non-sensicalness of", "languages. Of course, if you try to avoid this, then you run into", "logical sense for them to have any knowledge of each other's languages. Of", "anyway to work around this? Has anyone come up with a way to", "where everyone on the planet (and sometimes beyond) speaks the same language, even", "looking at the fantasy genre, it seems everyone just goes with that and", "the problem of characters not being able to communicate. The first option is", "option is obviously illogical and to me, stupid, but at the same time", "if you try to avoid this, then you run into the problem of", "me, stupid, but at the same time it makes practical sense. And looking", "no logical sense for them to have any knowledge of each other's languages.", "time it makes practical sense. And looking at the fantasy genre, it seems", "communicate. The first option is obviously illogical and to me, stupid, but at", "the non-sensicalness of it. But is there anyway to work around this? Has", "this? Has anyone come up with a way to avoid this irritating trope?", "sense for them to have any knowledge of each other's languages. Of course,", "this a lot in fantasy fiction, where everyone on the planet (and sometimes", "same language, even though it makes absolutely no logical sense for them to", "then you run into the problem of characters not being able to communicate.", "is obviously illogical and to me, stupid, but at the same time it", "this, then you run into the problem of characters not being able to", "to work around this? Has anyone come up with a way to avoid", "illogical and to me, stupid, but at the same time it makes practical" ]
[ "to make shirts for her without pay. I don't want to have to", "pay. I don't want to have to take a whole paragraph to explain", "He's arguing with another character and criticizing them. > > \"Oh! And let", "have to take a whole paragraph to explain how the talking shovel had", "ask but force people to make shirts for her without pay. I don't", "talking shovel had an inflection on the word \"asked\" as he spoke to", "The word \"asked\" is supposed to have an inflection on it. Bascially, he", "how the talking shovel had an inflection on the word \"asked\" as he", "indicate sarcasm, and I can't describe his body language because he is a", "a talking shovel. He's arguing with another character and criticizing them. > >", "shovel had an inflection on the word \"asked\" as he spoke to indicate", "to take a whole paragraph to explain how the talking shovel had an", "> live around the jungle to harvest it and make the shirts for", "explain how the talking shovel had an inflection on the word \"asked\" as", "wanted to say with the use of sarcasm (or at least I think", "And let me take a wild guess—you’ve probably asked the people who >", "who > live around the jungle to harvest it and make the shirts", "sarcasm (or at least I think it's sarcasm) how the other character didn't", "take a wild guess—you’ve probably asked the people who > live around the", "> > The word \"asked\" is supposed to have an inflection on it.", "because he is a shovel with no face or limbs of any kind.", "around the jungle to harvest it and make the shirts for you >", "me take a wild guess—you’ve probably asked the people who > live around", "can't describe his body language because he is a shovel with no face", "the people who > live around the jungle to harvest it and make", "paragraph to explain how the talking shovel had an inflection on the word", "\"Oh! And let me take a wild guess—you’ve probably asked the people who", "with the use of sarcasm (or at least I think it's sarcasm) how", "have an inflection on it. Bascially, he wanted to say with the use", "to say with the use of sarcasm (or at least I think it's", "use of sarcasm (or at least I think it's sarcasm) how the other", "for you > without getting paid!\" > > > The word \"asked\" is", "language because he is a shovel with no face or limbs of any", "describe his body language because he is a shovel with no face or", "\"asked\" is supposed to have an inflection on it. Bascially, he wanted to", "he wanted to say with the use of sarcasm (or at least I", "without pay. I don't want to have to take a whole paragraph to", "on it. Bascially, he wanted to say with the use of sarcasm (or", "the jungle to harvest it and make the shirts for you > without", "criticizing them. > > \"Oh! And let me take a wild guess—you’ve probably", "> without getting paid!\" > > > The word \"asked\" is supposed to", "guess—you’ve probably asked the people who > live around the jungle to harvest", "I think it's sarcasm) how the other character didn't really ask but force", "but force people to make shirts for her without pay. I don't want", "really ask but force people to make shirts for her without pay. I", "and criticizing them. > > \"Oh! And let me take a wild guess—you’ve", "at least I think it's sarcasm) how the other character didn't really ask", "people who > live around the jungle to harvest it and make the", "supposed to have an inflection on it. Bascially, he wanted to say with", "want to have to take a whole paragraph to explain how the talking", "whole paragraph to explain how the talking shovel had an inflection on the", "> The word \"asked\" is supposed to have an inflection on it. Bascially,", "word \"asked\" is supposed to have an inflection on it. Bascially, he wanted", "least I think it's sarcasm) how the other character didn't really ask but", "shovel. He's arguing with another character and criticizing them. > > \"Oh! And", "> > > The word \"asked\" is supposed to have an inflection on", "it. Bascially, he wanted to say with the use of sarcasm (or at", "jungle to harvest it and make the shirts for you > without getting", "a whole paragraph to explain how the talking shovel had an inflection on", "paid!\" > > > The word \"asked\" is supposed to have an inflection", "have a character who is a talking shovel. He's arguing with another character", "wild guess—you’ve probably asked the people who > live around the jungle to", "getting paid!\" > > > The word \"asked\" is supposed to have an", "her without pay. I don't want to have to take a whole paragraph", "(or at least I think it's sarcasm) how the other character didn't really", "a shovel with no face or limbs of any kind. Is there a", "shovel with no face or limbs of any kind. Is there a better/simpler", "and make the shirts for you > without getting paid!\" > > >", "think it's sarcasm) how the other character didn't really ask but force people", "an inflection on it. Bascially, he wanted to say with the use of", "he spoke to indicate sarcasm, and I can't describe his body language because", "no face or limbs of any kind. Is there a better/simpler way to", "say with the use of sarcasm (or at least I think it's sarcasm)", "them. > > \"Oh! And let me take a wild guess—you’ve probably asked", "is a shovel with no face or limbs of any kind. Is there", "other character didn't really ask but force people to make shirts for her", "harvest it and make the shirts for you > without getting paid!\" >", "the other character didn't really ask but force people to make shirts for", "who is a talking shovel. He's arguing with another character and criticizing them.", "you > without getting paid!\" > > > The word \"asked\" is supposed", "asked the people who > live around the jungle to harvest it and", "he is a shovel with no face or limbs of any kind. Is", "character who is a talking shovel. He's arguing with another character and criticizing", "> \"Oh! And let me take a wild guess—you’ve probably asked the people", "of sarcasm (or at least I think it's sarcasm) how the other character", "on the word \"asked\" as he spoke to indicate sarcasm, and I can't", "is a talking shovel. He's arguing with another character and criticizing them. >", "Bascially, he wanted to say with the use of sarcasm (or at least", "the talking shovel had an inflection on the word \"asked\" as he spoke", "with no face or limbs of any kind. Is there a better/simpler way", "\"asked\" as he spoke to indicate sarcasm, and I can't describe his body", "I have a character who is a talking shovel. He's arguing with another", "how the other character didn't really ask but force people to make shirts", "shirts for you > without getting paid!\" > > > The word \"asked\"", "make the shirts for you > without getting paid!\" > > > The", "I don't want to have to take a whole paragraph to explain how", "> > \"Oh! And let me take a wild guess—you’ve probably asked the", "a wild guess—you’ve probably asked the people who > live around the jungle", "is supposed to have an inflection on it. Bascially, he wanted to say", "to have an inflection on it. Bascially, he wanted to say with the", "arguing with another character and criticizing them. > > \"Oh! And let me", "it's sarcasm) how the other character didn't really ask but force people to", "people to make shirts for her without pay. I don't want to have", "force people to make shirts for her without pay. I don't want to", "the shirts for you > without getting paid!\" > > > The word", "to harvest it and make the shirts for you > without getting paid!\"", "without getting paid!\" > > > The word \"asked\" is supposed to have", "probably asked the people who > live around the jungle to harvest it", "face or limbs of any kind. Is there a better/simpler way to do", "his body language because he is a shovel with no face or limbs", "character didn't really ask but force people to make shirts for her without", "talking shovel. He's arguing with another character and criticizing them. > > \"Oh!", "to have to take a whole paragraph to explain how the talking shovel", "don't want to have to take a whole paragraph to explain how the", "sarcasm) how the other character didn't really ask but force people to make", "take a whole paragraph to explain how the talking shovel had an inflection", "to indicate sarcasm, and I can't describe his body language because he is", "as he spoke to indicate sarcasm, and I can't describe his body language", "for her without pay. I don't want to have to take a whole", "had an inflection on the word \"asked\" as he spoke to indicate sarcasm,", "character and criticizing them. > > \"Oh! And let me take a wild", "let me take a wild guess—you’ve probably asked the people who > live", "shirts for her without pay. I don't want to have to take a", "or limbs of any kind. Is there a better/simpler way to do this?", "live around the jungle to harvest it and make the shirts for you", "inflection on it. Bascially, he wanted to say with the use of sarcasm", "it and make the shirts for you > without getting paid!\" > >", "spoke to indicate sarcasm, and I can't describe his body language because he", "word \"asked\" as he spoke to indicate sarcasm, and I can't describe his", "the use of sarcasm (or at least I think it's sarcasm) how the", "I can't describe his body language because he is a shovel with no", "didn't really ask but force people to make shirts for her without pay.", "make shirts for her without pay. I don't want to have to take", "body language because he is a shovel with no face or limbs of", "an inflection on the word \"asked\" as he spoke to indicate sarcasm, and", "a character who is a talking shovel. He's arguing with another character and", "to explain how the talking shovel had an inflection on the word \"asked\"", "sarcasm, and I can't describe his body language because he is a shovel", "another character and criticizing them. > > \"Oh! And let me take a", "with another character and criticizing them. > > \"Oh! And let me take", "and I can't describe his body language because he is a shovel with", "the word \"asked\" as he spoke to indicate sarcasm, and I can't describe", "inflection on the word \"asked\" as he spoke to indicate sarcasm, and I" ]
[ "people assume when they're nervous (the kind of nervous where say someone is", "on yahoo answers long ago. All I got was a guy saying that", "expressions. We have words for to smile, to frown, to scowl, etc... but", "least, girls do). I can't really think of an efficient way to express", "to frown, to scowl, etc... but we don't have a word for showing", "term for it (it was the gesture where someone holds something in front", "for to smile, to frown, to scowl, etc... but we don't have a", "about one gesture on yahoo answers long ago. All I got was a", "*some* facial expressions. We have words for to smile, to frown, to scowl,", "for *some* facial expressions. We have words for to smile, to frown, to", "is describing a posture people assume when they're nervous (the kind of nervous", "All I got was a guy saying that even he didn't know the", "it). But the one I'm thinking about now is describing a posture people", "something I've pondered before. I asked about one gesture on yahoo answers long", "this. Its kind of annoying we don't have simple words for these gestures", "but we don't have a word for showing an anxious expression. Has anyone", "I got was a guy saying that even he didn't know the term", "is in a place that scares them for whatever reason). They cross their", "words for these gestures like we do for *some* facial expressions. We have", "that scares them for whatever reason). They cross their arms and place their", "someone holds something in front of them towards someone else to indicate that", "legs together (at least, girls do). I can't really think of an efficient", "like we do for *some* facial expressions. We have words for to smile,", "scowl, etc... but we don't have a word for showing an anxious expression.", "a posture people assume when they're nervous (the kind of nervous where say", "a place that scares them for whatever reason). They cross their arms and", "he didn't know the term for it (it was the gesture where someone", "think they also put their legs together (at least, girls do). I can't", "But the one I'm thinking about now is describing a posture people assume", "can't really think of an efficient way to express this. Its kind of", "yahoo answers long ago. All I got was a guy saying that even", "in a place that scares them for whatever reason). They cross their arms", "guy saying that even he didn't know the term for it (it was", "have simple words for these gestures like we do for *some* facial expressions.", "Has anyone made a list of efficient ways to describe gestures and facial", "don't have a word for showing an anxious expression. Has anyone made a", "before. I asked about one gesture on yahoo answers long ago. All I", "saying that even he didn't know the term for it (it was the", "it (it was the gesture where someone holds something in front of them", "etc... but we don't have a word for showing an anxious expression. Has", "take it). But the one I'm thinking about now is describing a posture", "I think they also put their legs together (at least, girls do). I", "reason). They cross their arms and place their hands on their upper arms.", "way to express this. Its kind of annoying we don't have simple words", "for whatever reason). They cross their arms and place their hands on their", "a guy saying that even he didn't know the term for it (it", "now is describing a posture people assume when they're nervous (the kind of", "an efficient way to express this. Its kind of annoying we don't have", "put their legs together (at least, girls do). I can't really think of", "where someone holds something in front of them towards someone else to indicate", "I'm thinking about now is describing a posture people assume when they're nervous", "(the kind of nervous where say someone is in a place that scares", "their legs together (at least, girls do). I can't really think of an", "(at least, girls do). I can't really think of an efficient way to", "on their upper arms. I think they also put their legs together (at", "else to indicate that they want the person to take it). But the", "place that scares them for whatever reason). They cross their arms and place", "something in front of them towards someone else to indicate that they want", "an anxious expression. Has anyone made a list of efficient ways to describe", "together (at least, girls do). I can't really think of an efficient way", "person to take it). But the one I'm thinking about now is describing", "towards someone else to indicate that they want the person to take it).", "of an efficient way to express this. Its kind of annoying we don't", "cross their arms and place their hands on their upper arms. I think", "thinking about now is describing a posture people assume when they're nervous (the", "holds something in front of them towards someone else to indicate that they", "of nervous where say someone is in a place that scares them for", "someone is in a place that scares them for whatever reason). They cross", "the gesture where someone holds something in front of them towards someone else", "their arms and place their hands on their upper arms. I think they", "upper arms. I think they also put their legs together (at least, girls", "efficient ways to describe gestures and facial expressions? It would be quite handy.", "place their hands on their upper arms. I think they also put their", "do). I can't really think of an efficient way to express this. Its", "arms and place their hands on their upper arms. I think they also", "the term for it (it was the gesture where someone holds something in", "we do for *some* facial expressions. We have words for to smile, to", "that even he didn't know the term for it (it was the gesture", "They cross their arms and place their hands on their upper arms. I", "have a word for showing an anxious expression. Has anyone made a list", "kind of annoying we don't have simple words for these gestures like we", "them for whatever reason). They cross their arms and place their hands on", "have words for to smile, to frown, to scowl, etc... but we don't", "they're nervous (the kind of nervous where say someone is in a place", "for it (it was the gesture where someone holds something in front of", "a list of efficient ways to describe gestures and facial expressions? It would", "of efficient ways to describe gestures and facial expressions? It would be quite", "about now is describing a posture people assume when they're nervous (the kind", "really think of an efficient way to express this. Its kind of annoying", "express this. Its kind of annoying we don't have simple words for these", "word for showing an anxious expression. Has anyone made a list of efficient", "list of efficient ways to describe gestures and facial expressions? It would be", "simple words for these gestures like we do for *some* facial expressions. We", "was a guy saying that even he didn't know the term for it", "know the term for it (it was the gesture where someone holds something", "hands on their upper arms. I think they also put their legs together", "when they're nervous (the kind of nervous where say someone is in a", "arms. I think they also put their legs together (at least, girls do).", "the one I'm thinking about now is describing a posture people assume when", "(it was the gesture where someone holds something in front of them towards", "their upper arms. I think they also put their legs together (at least,", "efficient way to express this. Its kind of annoying we don't have simple", "We have words for to smile, to frown, to scowl, etc... but we", "girls do). I can't really think of an efficient way to express this.", "frown, to scowl, etc... but we don't have a word for showing an", "they also put their legs together (at least, girls do). I can't really", "is something I've pondered before. I asked about one gesture on yahoo answers", "nervous where say someone is in a place that scares them for whatever", "to smile, to frown, to scowl, etc... but we don't have a word", "scares them for whatever reason). They cross their arms and place their hands", "I've pondered before. I asked about one gesture on yahoo answers long ago.", "anxious expression. Has anyone made a list of efficient ways to describe gestures", "we don't have a word for showing an anxious expression. Has anyone made", "their hands on their upper arms. I think they also put their legs", "facial expressions. We have words for to smile, to frown, to scowl, etc...", "made a list of efficient ways to describe gestures and facial expressions? It", "for these gestures like we do for *some* facial expressions. We have words", "they want the person to take it). But the one I'm thinking about", "we don't have simple words for these gestures like we do for *some*", "Its kind of annoying we don't have simple words for these gestures like", "a word for showing an anxious expression. Has anyone made a list of", "anyone made a list of efficient ways to describe gestures and facial expressions?", "was the gesture where someone holds something in front of them towards someone", "to indicate that they want the person to take it). But the one", "expression. Has anyone made a list of efficient ways to describe gestures and", "and place their hands on their upper arms. I think they also put", "assume when they're nervous (the kind of nervous where say someone is in", "annoying we don't have simple words for these gestures like we do for", "kind of nervous where say someone is in a place that scares them", "say someone is in a place that scares them for whatever reason). They", "one gesture on yahoo answers long ago. All I got was a guy", "describing a posture people assume when they're nervous (the kind of nervous where", "answers long ago. All I got was a guy saying that even he", "them towards someone else to indicate that they want the person to take", "ago. All I got was a guy saying that even he didn't know", "that they want the person to take it). But the one I'm thinking", "got was a guy saying that even he didn't know the term for", "do for *some* facial expressions. We have words for to smile, to frown,", "didn't know the term for it (it was the gesture where someone holds", "in front of them towards someone else to indicate that they want the", "I asked about one gesture on yahoo answers long ago. All I got", "long ago. All I got was a guy saying that even he didn't", "one I'm thinking about now is describing a posture people assume when they're", "gesture on yahoo answers long ago. All I got was a guy saying", "want the person to take it). But the one I'm thinking about now", "of annoying we don't have simple words for these gestures like we do", "posture people assume when they're nervous (the kind of nervous where say someone", "the person to take it). But the one I'm thinking about now is", "where say someone is in a place that scares them for whatever reason).", "asked about one gesture on yahoo answers long ago. All I got was", "smile, to frown, to scowl, etc... but we don't have a word for", "for showing an anxious expression. Has anyone made a list of efficient ways", "also put their legs together (at least, girls do). I can't really think", "nervous (the kind of nervous where say someone is in a place that", "This is something I've pondered before. I asked about one gesture on yahoo", "words for to smile, to frown, to scowl, etc... but we don't have", "showing an anxious expression. Has anyone made a list of efficient ways to", "gesture where someone holds something in front of them towards someone else to", "pondered before. I asked about one gesture on yahoo answers long ago. All", "front of them towards someone else to indicate that they want the person", "indicate that they want the person to take it). But the one I'm", "gestures like we do for *some* facial expressions. We have words for to", "to express this. Its kind of annoying we don't have simple words for", "think of an efficient way to express this. Its kind of annoying we", "whatever reason). They cross their arms and place their hands on their upper", "don't have simple words for these gestures like we do for *some* facial", "someone else to indicate that they want the person to take it). But", "these gestures like we do for *some* facial expressions. We have words for", "even he didn't know the term for it (it was the gesture where", "of them towards someone else to indicate that they want the person to", "to scowl, etc... but we don't have a word for showing an anxious", "to take it). But the one I'm thinking about now is describing a", "I can't really think of an efficient way to express this. Its kind" ]
[ "'Always be a good boy and honor the Lord'.\" > > > But", "the speaker is saying they said or not. Thus, for accuracy (and avoiding", "Ray told me\", said Muhtson, \"that his mother told him when he was", "examples are all slightly different, but they have one thing in common: to", "lots of quides on quoting style, but haven't seemed to find a section", "fairly obvious and common phenomenon one would have when interviewing somebody about what", "as well. I added terms like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in", "third example (since it is the most complicated) is something like this: >", "> > > ### Example 3: > > Bub Kohysuz: Qifl Riy told", "is the term I should Google for next time? Any help is appreciated.", "> > \"Bily Ray told me\", said Muhtson, \"that his mother told him", "what seems like a fairly obvious and common phenomenon one would have when", "honor the Lord.\" > > > The three examples are all slightly different,", "> > But that's my guess. I've found lots of quides on quoting", "like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in various combination to my Google", "quoting style, but haven't seemed to find a section that deals with what", "not. Thus, for accuracy (and avoiding libel suits), it is important to know", "be a good boy and honor the Lord'.\" > > > But that's", "phenomenon one would have when interviewing somebody about what somebody else said. MY", "### Example 1: > > Bub Kohysuz: Jillh Yac Brown said he was", "saying they said or not. Thus, for accuracy (and avoiding libel suits), it", "to know how to correctly quote third parties. WHAT I'VE TRIED SO FAR", "honor the Lord'.\" > > > But that's my guess. I've found lots", "a catch-phrase or soundbite to describe this scenario, but so far, I've been", "avoiding libel suits), it is important to know how to correctly quote third", "\"that his mother told him when he was yonger 'Always be a good", "Bub Kohysuz: And then Jillh Yac said \"Dude! I can't believe this!\" >", "have one thing in common: to quote the speaker to the reader (without", "said Muhtson, \"that his mother told him when he was yonger 'Always be", "sudden he saw an angel in the sky! > > > ### Example", "a good boy and honor the Lord'.\" > > > But that's my", "Here is a situational example to set the stage for my quesiton and", "from what I am asking: ### Example 1: > > Bub Kohysuz: Jillh", "source***\", and \"***third party***\" in various combination to my Google query, but again,", "again, no love. Here is a situational example to set the stage for", "said he was walking home when all of a sudden he saw an", "or soundbite to describe this scenario, but so far, I've been unsuccessful locating", "Yac Brown said he was walking home when all of a sudden he", "about what somebody else said. MY QUESTIONS ------------ 1. How do I quote", "said what the speaker is saying they said or not. Thus, for accuracy", "else said. MY QUESTIONS ------------ 1. How do I quote a third-party/hearsay source?", "that's my guess. I've found lots of quides on quoting style, but haven't", "scenario, but so far, I've been unsuccessful locating that term, and my efforts", "am asking: ### Example 1: > > Bub Kohysuz: Jillh Yac Brown said", "one would have when interviewing somebody about what somebody else said. MY QUESTIONS", "to feel is right in the third example (since it is the most", "told him when he younger \"Always be a good boy and honor the", "he was yonger 'Always be a good boy and honor the Lord'.\" >", "> \"Bily Ray told me\", said Muhtson, \"that his mother told him when", "I am asking: ### Example 1: > > Bub Kohysuz: Jillh Yac Brown", "my instinct leads me to feel is right in the third example (since", "good boy and honor the Lord'.\" > > > But that's my guess.", "\"Bily Ray told me\", said Muhtson, \"that his mother told him when he", "is important to know how to correctly quote third parties. WHAT I'VE TRIED", "what the speaker is saying they said or not. Thus, for accuracy (and", "right in the third example (since it is the most complicated) is something", "third-party/hearsay source? 2. If it's not called third-party/hearsay source, what is the term", "they have one thing in common: to quote the speaker to the reader", "yonger 'Always be a good boy and honor the Lord'.\" > > >", "find a section that deals with what seems like a fairly obvious and", "a section that deals with what seems like a fairly obvious and common", "that his mother told him when he younger \"Always be a good boy", "it is the most complicated) is something like this: > > \"Bily Ray", "who you don't know if they said what the speaker is saying they", "his mother told him when he was yonger 'Always be a good boy", "no love. Here is a situational example to set the stage for my", "--------- There must be a catch-phrase or soundbite to describe this scenario, but", "and common phenomenon one would have when interviewing somebody about what somebody else", "> > ### Example 3: > > Bub Kohysuz: Qifl Riy told me", "a third-party who you don't know if they said what the speaker is", "to find a section that deals with what seems like a fairly obvious", "you don't know if they said what the speaker is saying they said", "There must be a catch-phrase or soundbite to describe this scenario, but so", "my Google query, but again, no love. Here is a situational example to", "ambiguity from what I am asking: ### Example 1: > > Bub Kohysuz:", "common: to quote the speaker to the reader (without workarounds like summarizing and", "term, and my efforts to answer this question have been flat as well.", "> Bub Kohysuz: And then Jillh Yac said \"Dude! I can't believe this!\"", "I've been unsuccessful locating that term, and my efforts to answer this question", "is the most complicated) is something like this: > > \"Bily Ray told", "with what seems like a fairly obvious and common phenomenon one would have", "suits), it is important to know how to correctly quote third parties. WHAT", "said or not. Thus, for accuracy (and avoiding libel suits), it is important", "be a good boy and honor the Lord.\" > > > The three", "like summarizing and paraphrasing) requires quoting a third-party who you don't know if", "but haven't seemed to find a section that deals with what seems like", "Bub Kohysuz: Qifl Riy told me that his mother told him when he", "of quides on quoting style, but haven't seemed to find a section that", "they said or not. Thus, for accuracy (and avoiding libel suits), it is", "Jillh Yac Brown said he was walking home when all of a sudden", "quides on quoting style, but haven't seemed to find a section that deals", "Kohysuz: Jillh Yac Brown said he was walking home when all of a", "when he younger \"Always be a good boy and honor the Lord.\" >", "is right in the third example (since it is the most complicated) is", "> ### Example 3: > > Bub Kohysuz: Qifl Riy told me that", "to correctly quote third parties. WHAT I'VE TRIED SO FAR ---------------------- What my", "a third-party/hearsay source? 2. If it's not called third-party/hearsay source, what is the", "know how to correctly quote third parties. WHAT I'VE TRIED SO FAR ----------------------", "WHAT I'VE TRIED SO FAR ---------------------- What my instinct leads me to feel", "instinct leads me to feel is right in the third example (since it", "far, I've been unsuccessful locating that term, and my efforts to answer this", "summarizing and paraphrasing) requires quoting a third-party who you don't know if they", "example (since it is the most complicated) is something like this: > >", "locating that term, and my efforts to answer this question have been flat", "boy and honor the Lord'.\" > > > But that's my guess. I've", "him when he was yonger 'Always be a good boy and honor the", "common phenomenon one would have when interviewing somebody about what somebody else said.", "and to hopefully remove any ambiguity from what I am asking: ### Example", "guess. I've found lots of quides on quoting style, but haven't seemed to", "set the stage for my quesiton and to hopefully remove any ambiguity from", "hopefully remove any ambiguity from what I am asking: ### Example 1: >", "Lord.\" > > > The three examples are all slightly different, but they", "source? 2. If it's not called third-party/hearsay source, what is the term I", "Example 1: > > Bub Kohysuz: Jillh Yac Brown said he was walking", "style, but haven't seemed to find a section that deals with what seems", "that term, and my efforts to answer this question have been flat as", "him when he younger \"Always be a good boy and honor the Lord.\"", "good boy and honor the Lord.\" > > > The three examples are", "requires quoting a third-party who you don't know if they said what the", "when interviewing somebody about what somebody else said. MY QUESTIONS ------------ 1. How", "can't believe this!\" > > > ### Example 3: > > Bub Kohysuz:", "somebody about what somebody else said. MY QUESTIONS ------------ 1. How do I", "correctly quote third parties. WHAT I'VE TRIED SO FAR ---------------------- What my instinct", "in the third example (since it is the most complicated) is something like", "interviewing somebody about what somebody else said. MY QUESTIONS ------------ 1. How do", "Example 3: > > Bub Kohysuz: Qifl Riy told me that his mother", "love. Here is a situational example to set the stage for my quesiton", "this question have been flat as well. I added terms like \"***hearsay***\", \"***tertiary", "for accuracy (and avoiding libel suits), it is important to know how to", "SO FAR ---------------------- What my instinct leads me to feel is right in", "quoting a third-party who you don't know if they said what the speaker", "like this: > > \"Bily Ray told me\", said Muhtson, \"that his mother", "was yonger 'Always be a good boy and honor the Lord'.\" > >", "MY QUESTIONS ------------ 1. How do I quote a third-party/hearsay source? 2. If", "when all of a sudden he saw an angel in the sky! >", "flat as well. I added terms like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\"", "what somebody else said. MY QUESTIONS ------------ 1. How do I quote a", "the Lord.\" > > > The three examples are all slightly different, but", "this scenario, but so far, I've been unsuccessful locating that term, and my", "If it's not called third-party/hearsay source, what is the term I should Google", "complicated) is something like this: > > \"Bily Ray told me\", said Muhtson,", "the third example (since it is the most complicated) is something like this:", "do I quote a third-party/hearsay source? 2. If it's not called third-party/hearsay source,", "example to set the stage for my quesiton and to hopefully remove any", "slightly different, but they have one thing in common: to quote the speaker", "libel suits), it is important to know how to correctly quote third parties.", "speaker to the reader (without workarounds like summarizing and paraphrasing) requires quoting a", "The three examples are all slightly different, but they have one thing in", "so far, I've been unsuccessful locating that term, and my efforts to answer", "accuracy (and avoiding libel suits), it is important to know how to correctly", "been unsuccessful locating that term, and my efforts to answer this question have", "\"***third party***\" in various combination to my Google query, but again, no love.", "combination to my Google query, but again, no love. Here is a situational", "Kohysuz: Qifl Riy told me that his mother told him when he younger", "and \"***third party***\" in various combination to my Google query, but again, no", "Kohysuz: And then Jillh Yac said \"Dude! I can't believe this!\" > >", "I quote a third-party/hearsay source? 2. If it's not called third-party/hearsay source, what", "me to feel is right in the third example (since it is the", "answer this question have been flat as well. I added terms like \"***hearsay***\",", "> > ### Example 2: > > Bub Kohysuz: And then Jillh Yac", "quesiton and to hopefully remove any ambiguity from what I am asking: ###", "Brown said he was walking home when all of a sudden he saw", "a good boy and honor the Lord.\" > > > The three examples", "he was walking home when all of a sudden he saw an angel", "I added terms like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in various combination", "what I am asking: ### Example 1: > > Bub Kohysuz: Jillh Yac", "What my instinct leads me to feel is right in the third example", "haven't seemed to find a section that deals with what seems like a", "seems like a fairly obvious and common phenomenon one would have when interviewing", "to quote the speaker to the reader (without workarounds like summarizing and paraphrasing)", "are all slightly different, but they have one thing in common: to quote", "third parties. WHAT I'VE TRIED SO FAR ---------------------- What my instinct leads me", "be a catch-phrase or soundbite to describe this scenario, but so far, I've", "boy and honor the Lord.\" > > > The three examples are all", "different, but they have one thing in common: to quote the speaker to", "is saying they said or not. Thus, for accuracy (and avoiding libel suits),", "ISSUE --------- There must be a catch-phrase or soundbite to describe this scenario,", "told me that his mother told him when he younger \"Always be a", "stage for my quesiton and to hopefully remove any ambiguity from what I", "the sky! > > > ### Example 2: > > Bub Kohysuz: And", "walking home when all of a sudden he saw an angel in the", "quote third parties. WHAT I'VE TRIED SO FAR ---------------------- What my instinct leads", "1. How do I quote a third-party/hearsay source? 2. If it's not called", "know if they said what the speaker is saying they said or not.", "I'VE TRIED SO FAR ---------------------- What my instinct leads me to feel is", "> The three examples are all slightly different, but they have one thing", "to hopefully remove any ambiguity from what I am asking: ### Example 1:", "remove any ambiguity from what I am asking: ### Example 1: > >", "like a fairly obvious and common phenomenon one would have when interviewing somebody", "### Example 2: > > Bub Kohysuz: And then Jillh Yac said \"Dude!", "describe this scenario, but so far, I've been unsuccessful locating that term, and", "important to know how to correctly quote third parties. WHAT I'VE TRIED SO", "I can't believe this!\" > > > ### Example 3: > > Bub", "found lots of quides on quoting style, but haven't seemed to find a", "one thing in common: to quote the speaker to the reader (without workarounds", "question have been flat as well. I added terms like \"***hearsay***\", \"***tertiary source***\",", "feel is right in the third example (since it is the most complicated)", "party***\" in various combination to my Google query, but again, no love. Here", "in various combination to my Google query, but again, no love. Here is", "source, what is the term I should Google for next time? Any help", "How do I quote a third-party/hearsay source? 2. If it's not called third-party/hearsay", "was walking home when all of a sudden he saw an angel in", "quote the speaker to the reader (without workarounds like summarizing and paraphrasing) requires", "paraphrasing) requires quoting a third-party who you don't know if they said what", "soundbite to describe this scenario, but so far, I've been unsuccessful locating that", "workarounds like summarizing and paraphrasing) requires quoting a third-party who you don't know", "younger \"Always be a good boy and honor the Lord.\" > > >", "said. MY QUESTIONS ------------ 1. How do I quote a third-party/hearsay source? 2.", "to the reader (without workarounds like summarizing and paraphrasing) requires quoting a third-party", "> > Bub Kohysuz: And then Jillh Yac said \"Dude! I can't believe", "what is the term I should Google for next time? Any help is", "all slightly different, but they have one thing in common: to quote the", "somebody else said. MY QUESTIONS ------------ 1. How do I quote a third-party/hearsay", "sky! > > > ### Example 2: > > Bub Kohysuz: And then", "third-party/hearsay source, what is the term I should Google for next time? Any", "I've found lots of quides on quoting style, but haven't seemed to find", "> ### Example 2: > > Bub Kohysuz: And then Jillh Yac said", "1: > > Bub Kohysuz: Jillh Yac Brown said he was walking home", "Thus, for accuracy (and avoiding libel suits), it is important to know how", "Muhtson, \"that his mother told him when he was yonger 'Always be a", "angel in the sky! > > > ### Example 2: > > Bub", "is a situational example to set the stage for my quesiton and to", "added terms like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in various combination to", "Google query, but again, no love. Here is a situational example to set", "is something like this: > > \"Bily Ray told me\", said Muhtson, \"that", "Example 2: > > Bub Kohysuz: And then Jillh Yac said \"Dude! I", "Lord'.\" > > > But that's my guess. I've found lots of quides", "(without workarounds like summarizing and paraphrasing) requires quoting a third-party who you don't", "but they have one thing in common: to quote the speaker to the", "THE ISSUE --------- There must be a catch-phrase or soundbite to describe this", "the speaker to the reader (without workarounds like summarizing and paraphrasing) requires quoting", "efforts to answer this question have been flat as well. I added terms", "have when interviewing somebody about what somebody else said. MY QUESTIONS ------------ 1.", "me that his mother told him when he younger \"Always be a good", "deals with what seems like a fairly obvious and common phenomenon one would", "### Example 3: > > Bub Kohysuz: Qifl Riy told me that his", "> But that's my guess. I've found lots of quides on quoting style,", "but again, no love. Here is a situational example to set the stage", "told him when he was yonger 'Always be a good boy and honor", "3: > > Bub Kohysuz: Qifl Riy told me that his mother told", "Yac said \"Dude! I can't believe this!\" > > > ### Example 3:", "an angel in the sky! > > > ### Example 2: > >", "three examples are all slightly different, but they have one thing in common:", "terms like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in various combination to my", "to answer this question have been flat as well. I added terms like", "this: > > \"Bily Ray told me\", said Muhtson, \"that his mother told", "my quesiton and to hopefully remove any ambiguity from what I am asking:", "parties. WHAT I'VE TRIED SO FAR ---------------------- What my instinct leads me to", "and honor the Lord'.\" > > > But that's my guess. I've found", "don't know if they said what the speaker is saying they said or", "my efforts to answer this question have been flat as well. I added", "seemed to find a section that deals with what seems like a fairly", "home when all of a sudden he saw an angel in the sky!", "most complicated) is something like this: > > \"Bily Ray told me\", said", "told me\", said Muhtson, \"that his mother told him when he was yonger", "But that's my guess. I've found lots of quides on quoting style, but", "to my Google query, but again, no love. Here is a situational example", "been flat as well. I added terms like \"***hearsay***\", \"***tertiary source***\", and \"***third", "------------ 1. How do I quote a third-party/hearsay source? 2. If it's not", "in the sky! > > > ### Example 2: > > Bub Kohysuz:", "Riy told me that his mother told him when he younger \"Always be", "> Bub Kohysuz: Qifl Riy told me that his mother told him when", "quote a third-party/hearsay source? 2. If it's not called third-party/hearsay source, what is", "> > > But that's my guess. I've found lots of quides on", "the most complicated) is something like this: > > \"Bily Ray told me\",", "for my quesiton and to hopefully remove any ambiguity from what I am", "> Bub Kohysuz: Jillh Yac Brown said he was walking home when all", "a fairly obvious and common phenomenon one would have when interviewing somebody about", "would have when interviewing somebody about what somebody else said. MY QUESTIONS ------------", "all of a sudden he saw an angel in the sky! > >", "must be a catch-phrase or soundbite to describe this scenario, but so far,", "TRIED SO FAR ---------------------- What my instinct leads me to feel is right", "they said what the speaker is saying they said or not. Thus, for", "to set the stage for my quesiton and to hopefully remove any ambiguity", "FAR ---------------------- What my instinct leads me to feel is right in the", "called third-party/hearsay source, what is the term I should Google for next time?", "believe this!\" > > > ### Example 3: > > Bub Kohysuz: Qifl", "how to correctly quote third parties. WHAT I'VE TRIED SO FAR ---------------------- What", "catch-phrase or soundbite to describe this scenario, but so far, I've been unsuccessful", "and honor the Lord.\" > > > The three examples are all slightly", "any ambiguity from what I am asking: ### Example 1: > > Bub", "\"***tertiary source***\", and \"***third party***\" in various combination to my Google query, but", "speaker is saying they said or not. Thus, for accuracy (and avoiding libel", "2: > > Bub Kohysuz: And then Jillh Yac said \"Dude! I can't", "\"Dude! I can't believe this!\" > > > ### Example 3: > >", "or not. Thus, for accuracy (and avoiding libel suits), it is important to", "> > Bub Kohysuz: Qifl Riy told me that his mother told him", "Qifl Riy told me that his mother told him when he younger \"Always", "his mother told him when he younger \"Always be a good boy and", "Bub Kohysuz: Jillh Yac Brown said he was walking home when all of", "then Jillh Yac said \"Dude! I can't believe this!\" > > > ###", "> > > ### Example 2: > > Bub Kohysuz: And then Jillh", "mother told him when he was yonger 'Always be a good boy and", "this!\" > > > ### Example 3: > > Bub Kohysuz: Qifl Riy", "(and avoiding libel suits), it is important to know how to correctly quote", "if they said what the speaker is saying they said or not. Thus,", "mother told him when he younger \"Always be a good boy and honor", "when he was yonger 'Always be a good boy and honor the Lord'.\"", "my guess. I've found lots of quides on quoting style, but haven't seemed", "saw an angel in the sky! > > > ### Example 2: >", "2. If it's not called third-party/hearsay source, what is the term I should", "leads me to feel is right in the third example (since it is", "not called third-party/hearsay source, what is the term I should Google for next", "he saw an angel in the sky! > > > ### Example 2:", "and paraphrasing) requires quoting a third-party who you don't know if they said", "And then Jillh Yac said \"Dude! I can't believe this!\" > > >", "and my efforts to answer this question have been flat as well. I", "QUESTIONS ------------ 1. How do I quote a third-party/hearsay source? 2. If it's", "> > > The three examples are all slightly different, but they have", "thing in common: to quote the speaker to the reader (without workarounds like", "> > The three examples are all slightly different, but they have one", "to describe this scenario, but so far, I've been unsuccessful locating that term,", "something like this: > > \"Bily Ray told me\", said Muhtson, \"that his", "situational example to set the stage for my quesiton and to hopefully remove", "the reader (without workarounds like summarizing and paraphrasing) requires quoting a third-party who", "various combination to my Google query, but again, no love. Here is a", "reader (without workarounds like summarizing and paraphrasing) requires quoting a third-party who you", "in common: to quote the speaker to the reader (without workarounds like summarizing", "\"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in various combination to my Google query,", "he younger \"Always be a good boy and honor the Lord.\" > >", "Jillh Yac said \"Dude! I can't believe this!\" > > > ### Example", "said \"Dude! I can't believe this!\" > > > ### Example 3: >", "query, but again, no love. Here is a situational example to set the", "of a sudden he saw an angel in the sky! > > >", "third-party who you don't know if they said what the speaker is saying", "obvious and common phenomenon one would have when interviewing somebody about what somebody", "---------------------- What my instinct leads me to feel is right in the third", "section that deals with what seems like a fairly obvious and common phenomenon", "have been flat as well. I added terms like \"***hearsay***\", \"***tertiary source***\", and", "me\", said Muhtson, \"that his mother told him when he was yonger 'Always", "on quoting style, but haven't seemed to find a section that deals with", "but so far, I've been unsuccessful locating that term, and my efforts to", "the Lord'.\" > > > But that's my guess. I've found lots of", "the stage for my quesiton and to hopefully remove any ambiguity from what", "well. I added terms like \"***hearsay***\", \"***tertiary source***\", and \"***third party***\" in various", "that deals with what seems like a fairly obvious and common phenomenon one", "a sudden he saw an angel in the sky! > > > ###", "unsuccessful locating that term, and my efforts to answer this question have been", "(since it is the most complicated) is something like this: > > \"Bily", "a situational example to set the stage for my quesiton and to hopefully", "it's not called third-party/hearsay source, what is the term I should Google for", "asking: ### Example 1: > > Bub Kohysuz: Jillh Yac Brown said he", "it is important to know how to correctly quote third parties. WHAT I'VE", "> > Bub Kohysuz: Jillh Yac Brown said he was walking home when", "\"Always be a good boy and honor the Lord.\" > > > The" ]
[ "of a very important character, which had a huge impact on the story.", "prepare the player for that? I don't want to overstay my welcome, so", "has an emphasis on the future and how everyone is going to live", "he wasn't destroyed: the future. **Some info about the big bad** He is", "and how people deal with their lives after the events, after the big", "big bad (as it's not even the focus for the first two thirds", "years old), lost her older sister (20 years old), who sacrificed herself and", "the wrath of the big bad in the future if he's not stopped", "a huge impact on her. Some characters, on the other hand, suddenly have", "which they don't know how to deal with, which creates its own set", "big of a threat the big bad really is to the rest of", "come! There are a lot of loose ends that need to be tied", "want to overstay my welcome, so I want to make clear that there", "and there's another quarter more to come! There are a lot of loose", "died a truly horrible death to save the little girl and many other", "want to show what happens to all the surviving characters, even if they", "how people deal with their lives after the events, after the big bad", "the group of heroes manages to destroy him! ... but I don't want", "trapped in his world/dimension/whatever and the only goal is to survive and escape", "example, a little girl (11 years old), lost her older sister (20 years", "all the surviving characters, even if they end up living a (mostly) miserable", "how everyone is going to live their lives, I want to show the", "actually the second to last *quarter* of the story and there's another quarter", "a very important character, which had a huge impact on the story. Long", "the story. Long story short: if that character didn't do what they did,", "they saved. It's not going to be a happy ending for all characters,", "of the characters ends up being corrupted by the big bad because of", "the beginning, they are simply trapped in his world/dimension/whatever and the only goal", "One of the characters ends up being corrupted by the big bad because", "up and lots of things that went behind the scenes that I want", "manages to destroy him! ... but I don't want to end the story", "how big of a threat the big bad really is to the rest", "the future. **Some info about the big bad** He is an unknown entity", "on her. Some characters, on the other hand, suddenly have families, which they", "escape, they find out that the big bad would cause chaos and destruction", "to last *quarter* of the story and there's another quarter more to come!", "short: if that character didn't do what they did, everyone, and I really", "even get to see him. Most characters aren't even aware of his existence.", "impact on the story. Long story short: if that character didn't do what", "mother to the little girl in some way, so the loss of her", "would've affected if he wasn't destroyed: the future. **Some info about the big", "group of heroes manages to destroy him! ... but I don't want to", "and why he's doing any of this. In the beginning, they are simply", "don't even get to see him. Most characters aren't even aware of his", "most characters don't even get to see him. Most characters aren't even aware", "also want to show some of the fallout and how people deal with", "that went behind the scenes that I want to show, such as the", "live their lives, I want to show the players what they accomplished, what", "a lot of loose ends that need to be tied up and lots", "earlier event, which turns into the question: \"should we kill him and risk", "character, which had a huge impact on the story. Long story short: if", "last third is actually the second to last *quarter* of the story and", "would be dead. So I'd like to think that this is pretty important", "see below), I want to show what the big bad would've affected if", "story, there's this big bad, who needs to be destroyed. That is the", "the second to last *quarter* of the story and there's another quarter more", "I also want to show some of the fallout and how people deal", "a truly horrible death to save the little girl and many other people.", "One of the main characters for example, a little girl (11 years old),", "player for that? I don't want to overstay my welcome, so I want", "the main characters for example, a little girl (11 years old), lost her", "huge impact on the story. Long story short: if that character didn't do", "own set of problems because of previous events. Then there are other (brave)", "corrupted by the big bad because of an earlier event, which turns into", "the player for that? I don't want to overstay my welcome, so I", "little girl and many other people. She was like a mother to the", "For as it turns out, that last third is actually the second to", "last third of the video game. So the group of heroes manages to", "*is* more after the big bad is destroyed. I don't want this to", "a hostile environment. As time passes and the characters find out more and", "doing any of this. In the beginning, they are simply trapped in his", "horrible death to save the little girl and many other people. She was", "needs to be destroyed. That is the main goal for about the last", "the big bad really is to the rest of the world. Even though", "into the question: \"should we kill him and risk the big bad coming", "scenes that I want to show, such as the actions of a very", "only goal is to survive and escape a hostile environment. As time passes", "my story, there's this big bad, who needs to be destroyed. That is", "that last third is actually the second to last *quarter* of the story", "ends that need to be tied up and lots of things that went", "people deal with their lives after the events, after the big bad is", "want to make clear that there *is* more after the big bad is", "the actions of a very important character, which had a huge impact on", "very important character, which had a huge impact on the story. Long story", "beginning, they are simply trapped in his world/dimension/whatever and the only goal is", "fallout and how people deal with their lives after the events, after the", "know how to deal with, which creates its own set of problems because", "the other hand, suddenly have families, which they don't know how to deal", "feel uncomfortable knowing their children (and *their* children) would face the wrath of", "older sister (20 years old), who sacrificed herself and died a truly horrible", "be *just* about destroying the big bad (as it's not even the focus", "who needs to be destroyed. That is the main goal for about the", "about the last third of the video game. So the group of heroes", "did, everyone, and I really mean EVERYONE, would be dead. So I'd like", "really mean EVERYONE, would be dead. So I'd like to think that this", "sacrificed herself and died a truly horrible death to save the little girl", "there are other (brave) characters, who are cleaning up the rest of the", "is to the rest of the world. Even though they find a way", "him. Most characters aren't even aware of his existence. They don't know who", "find a way to escape, they find out that the big bad would", "so I want to make clear that there *is* more after the big", "to show what happens to all the surviving characters, even if they end", "mess, so any dangerous remnants of him are gone. One of the characters", "the big bad coming back or kill him and end his suffering?\" How", "this to be *just* about destroying the big bad (as it's not even", "what kind of future they saved. It's not going to be a happy", "there's this big bad, who needs to be destroyed. That is the main", "problems because of previous events. Then there are other (brave) characters, who are", "more, they see how big of a threat the big bad really is", "I really mean EVERYONE, would be dead. So I'd like to think that", "future they saved. It's not going to be a happy ending for all", "Most of the characters would feel uncomfortable knowing their children (and *their* children)", "lot of loose ends that need to be tied up and lots of", "my welcome, so I want to make clear that there *is* more after", "why he's doing any of this. In the beginning, they are simply trapped", "end the story there. For as it turns out, that last third is", "want to show what the big bad would've affected if he wasn't destroyed:", "kill him and risk the big bad coming back or kill him and", "and many other people. She was like a mother to the little girl", "big bad coming back or kill him and end his suffering?\" How can", "a way to stop him. Most of the characters would feel uncomfortable knowing", "the big bad is destroyed. One of the main characters for example, a", "bad** He is an unknown entity during most of the game, most characters", "for about the last third of the video game. So the group of", "they find out that the big bad would cause chaos and destruction in", "everyone, and I really mean EVERYONE, would be dead. So I'd like to", "because of previous events. Then there are other (brave) characters, who are cleaning", "about the big bad** He is an unknown entity during most of the", "things that went behind the scenes that I want to show, such as", "girl (11 years old), lost her older sister (20 years old), who sacrificed", "affected if he wasn't destroyed: the future. **Some info about the big bad**", "second to last *quarter* of the story and there's another quarter more to", "out, that last third is actually the second to last *quarter* of the", "the players what they accomplished, what kind of future they saved. It's not", "do find a way to stop him. Most of the characters would feel", "bad (as it's not even the focus for the first two thirds of", "destroyed. That is the main goal for about the last third of the", "... but I don't want to end the story there. For as it", "there *is* more after the big bad is destroyed. I don't want this", "is destroyed. I don't want this to be *just* about destroying the big", "rest of the big bad's mess, so any dangerous remnants of him are", "important info to convey. I also want to show some of the fallout", "want to show some of the fallout and how people deal with their", "of her had a huge impact on her. Some characters, on the other", "they did, everyone, and I really mean EVERYONE, would be dead. So I'd", "characters would feel uncomfortable knowing their children (and *their* children) would face the", "of loose ends that need to be tied up and lots of things", "going to be a happy ending for all characters, but I do want", "to be destroyed. That is the main goal for about the last third", "death to save the little girl and many other people. She was like", "an unknown entity during most of the game, most characters don't even get", "info to convey. I also want to show some of the fallout and", "back or kill him and end his suffering?\" How can I prepare the", "to the rest of the world. Even though they find a way to", "by the big bad because of an earlier event, which turns into the", "him now - and they do find a way to stop him. Most", "bad, who needs to be destroyed. That is the main goal for about", "want to end the story there. For as it turns out, that last", "characters, who are cleaning up the rest of the big bad's mess, so", "existence. They don't know who he is, what his goals are and why", "bad coming back or kill him and end his suffering?\" How can I", "(20 years old), who sacrificed herself and died a truly horrible death to", "the video game. So the group of heroes manages to destroy him! ...", "to be a happy ending for all characters, but I do want to", "welcome, so I want to make clear that there *is* more after the", "as the actions of a very important character, which had a huge impact", "to stop him. Most of the characters would feel uncomfortable knowing their children", "entity during most of the game, most characters don't even get to see", "the big bad's mess, so any dangerous remnants of him are gone. One", "to show, such as the actions of a very important character, which had", "world/dimension/whatever and the only goal is to survive and escape a hostile environment.", "see how big of a threat the big bad really is to the", "on the other hand, suddenly have families, which they don't know how to", "that the big bad would cause chaos and destruction in about 30 years", "I do want to show what happens to all the surviving characters, even", "of problems because of previous events. Then there are other (brave) characters, who", "but I do want to show what happens to all the surviving characters,", "what they did, everyone, and I really mean EVERYONE, would be dead. So", "the question: \"should we kill him and risk the big bad coming back", "and died a truly horrible death to save the little girl and many", "accomplished, what kind of future they saved. It's not going to be a", "kill him and end his suffering?\" How can I prepare the player for", "happens to all the surviving characters, even if they end up living a", "show some of the fallout and how people deal with their lives after", "of the main characters for example, a little girl (11 years old), lost", "the last third of the video game. So the group of heroes manages", "*right now*. Because the story has an emphasis on the future and how", "old), who sacrificed herself and died a truly horrible death to save the", "I don't want to end the story there. For as it turns out,", "of the story - see below), I want to show what the big", "bad is destroyed. I don't want this to be *just* about destroying the", "That is the main goal for about the last third of the video", "knowing their children (and *their* children) would face the wrath of the big", "such as the actions of a very important character, which had a huge", "aware of his existence. They don't know who he is, what his goals", "to save the little girl and many other people. She was like a", "turns out, that last third is actually the second to last *quarter* of", "way to stop him. Most of the characters would feel uncomfortable knowing their", "a happy ending for all characters, but I do want to show what", "little girl in some way, so the loss of her had a huge", "hostile environment. As time passes and the characters find out more and more,", "we kill him and risk the big bad coming back or kill him", "events. 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They don't know who he is, what his", "hand, suddenly have families, which they don't know how to deal with, which", "I want to show, such as the actions of a very important character,", "other (brave) characters, who are cleaning up the rest of the big bad's", "the characters find out more and more, they see how big of a", "important character, which had a huge impact on the story. Long story short:", "for the first two thirds of the story - see below), I want", "show the players what they accomplished, what kind of future they saved. It's", "because of an earlier event, which turns into the question: \"should we kill", "are simply trapped in his world/dimension/whatever and the only goal is to survive", "didn't do what they did, everyone, and I really mean EVERYONE, would be", "bad is destroyed. One of the main characters for example, a little girl", "any dangerous remnants of him are gone. 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So I'd like to think that this is pretty", "though they find a way to escape, they find out that the big", "not going to be a happy ending for all characters, but I do", "with their lives after the events, after the big bad is destroyed. One", "don't want this to be *just* about destroying the big bad (as it's", "characters for example, a little girl (11 years old), lost her older sister", "any of this. In the beginning, they are simply trapped in his world/dimension/whatever", "impact on her. Some characters, on the other hand, suddenly have families, which", "events, after the big bad is destroyed. One of the main characters for", "characters aren't even aware of his existence. They don't know who he is,", "story has an emphasis on the future and how everyone is going to", "of the game, most characters don't even get to see him. Most characters", "character didn't do what they did, everyone, and I really mean EVERYONE, would", "way, so the loss of her had a huge impact on her. Some", "in his world/dimension/whatever and the only goal is to survive and escape a", "and the only goal is to survive and escape a hostile environment. As", "of the video game. So the group of heroes manages to destroy him!", "escape a hostile environment. As time passes and the characters find out more", "story there. For as it turns out, that last third is actually the", "heroes manages to destroy him! ... but I don't want to end the", "and end his suffering?\" How can I prepare the player for that? I", "of this. In the beginning, they are simply trapped in his world/dimension/whatever and", "want to show the players what they accomplished, what kind of future they", "more and more, they see how big of a threat the big bad", "being corrupted by the big bad because of an earlier event, which turns", "the story and there's another quarter more to come! There are a lot", "they don't know how to deal with, which creates its own set of", "of things that went behind the scenes that I want to show, such", "lost her older sister (20 years old), who sacrificed herself and died a", "and they do find a way to stop him. Most of the characters", "story short: if that character didn't do what they did, everyone, and I", "would face the wrath of the big bad in the future if he's", "need to be tied up and lots of things that went behind the", "dead. So I'd like to think that this is pretty important info to", "there's another quarter more to come! There are a lot of loose ends", "wasn't destroyed: the future. **Some info about the big bad** He is an", "to show some of the fallout and how people deal with their lives", "big bad really is to the rest of the world. Even though they", "I'd like to think that this is pretty important info to convey. I", "was like a mother to the little girl in some way, so the", "people. She was like a mother to the little girl in some way,", "I prepare the player for that? I don't want to overstay my welcome,", "actions of a very important character, which had a huge impact on the", "big bad** He is an unknown entity during most of the game, most", "I want to show the players what they accomplished, what kind of future", "the surviving characters, even if they end up living a (mostly) miserable life.", "So I'd like to think that this is pretty important info to convey.", "suffering?\" How can I prepare the player for that? I don't want to", "like to think that this is pretty important info to convey. I also", "find out more and more, they see how big of a threat the", "players what they accomplished, what kind of future they saved. It's not going", "characters ends up being corrupted by the big bad because of an earlier", "find a way to stop him. Most of the characters would feel uncomfortable", "the characters would feel uncomfortable knowing their children (and *their* children) would face", "which creates its own set of problems because of previous events. Then there", "to all the surviving characters, even if they end up living a (mostly)", "if they don't stop him now - and they do find a way", "to overstay my welcome, so I want to make clear that there *is*", "he is, what his goals are and why he's doing any of this.", "on the story. Long story short: if that character didn't do what they", "be tied up and lots of things that went behind the scenes that", "of previous events. Then there are other (brave) characters, who are cleaning up", "and risk the big bad coming back or kill him and end his", "environment. As time passes and the characters find out more and more, they", "and how everyone is going to live their lives, I want to show", "save the little girl and many other people. She was like a mother", "face the wrath of the big bad in the future if he's not", "that there *is* more after the big bad is destroyed. I don't want", "her older sister (20 years old), who sacrificed herself and died a truly", "suddenly have families, which they don't know how to deal with, which creates", "Some characters, on the other hand, suddenly have families, which they don't know", "goal is to survive and escape a hostile environment. As time passes and", "and more, they see how big of a threat the big bad really", "event, which turns into the question: \"should we kill him and risk the", "to show what the big bad would've affected if he wasn't destroyed: the", "unknown entity during most of the game, most characters don't even get to", "girl in some way, so the loss of her had a huge impact", "story and there's another quarter more to come! There are a lot of", "ends up being corrupted by the big bad because of an earlier event,", "characters find out more and more, they see how big of a threat", "huge impact on her. Some characters, on the other hand, suddenly have families,", "it turns out, that last third is actually the second to last *quarter*", "Then there are other (brave) characters, who are cleaning up the rest of", "they do find a way to stop him. Most of the characters would", "big bad would've affected if he wasn't destroyed: the future. **Some info about", "tied up and lots of things that went behind the scenes that I", "world. Even though they find a way to escape, they find out that", "would feel uncomfortable knowing their children (and *their* children) would face the wrath", "his existence. They don't know who he is, what his goals are and", "in about 30 years if they don't stop him now - and they", "to end the story there. For as it turns out, that last third", "but I don't want to end the story there. For as it turns", "who he is, what his goals are and why he's doing any of", "him are gone. One of the characters ends up being corrupted by the", "wrath of the big bad in the future if he's not stopped *right", "that this is pretty important info to convey. I also want to show", "the story there. For as it turns out, that last third is actually", "this big bad, who needs to be destroyed. That is the main goal", "game. So the group of heroes manages to destroy him! ... but I", "the characters ends up being corrupted by the big bad because of an", "to survive and escape a hostile environment. As time passes and the characters", "children (and *their* children) would face the wrath of the big bad in", "of the big bad in the future if he's not stopped *right now*.", "is an unknown entity during most of the game, most characters don't even", "now - and they do find a way to stop him. Most of", "that need to be tied up and lots of things that went behind", "of the story and there's another quarter more to come! There are a", "her. Some characters, on the other hand, suddenly have families, which they don't", "going to live their lives, I want to show the players what they", "*quarter* of the story and there's another quarter more to come! There are", "risk the big bad coming back or kill him and end his suffering?\"", "for that? I don't want to overstay my welcome, so I want to", "bad in the future if he's not stopped *right now*. Because the story", "of future they saved. It's not going to be a happy ending for", "stopped *right now*. Because the story has an emphasis on the future and", "if that character didn't do what they did, everyone, and I really mean", "after the events, after the big bad is destroyed. One of the main", "want to show, such as the actions of a very important character, which", "goal for about the last third of the video game. So the group", "him. Most of the characters would feel uncomfortable knowing their children (and *their*", "him! ... but I don't want to end the story there. For as", "I want to make clear that there *is* more after the big bad", "what they accomplished, what kind of future they saved. It's not going to", "characters don't even get to see him. Most characters aren't even aware of", "big bad because of an earlier event, which turns into the question: \"should", "lots of things that went behind the scenes that I want to show,", "saved. It's not going to be a happy ending for all characters, but", "it's not even the focus for the first two thirds of the story", "so any dangerous remnants of him are gone. One of the characters ends", "the main goal for about the last third of the video game. So", "Long story short: if that character didn't do what they did, everyone, and", "kind of future they saved. It's not going to be a happy ending", "bad's mess, so any dangerous remnants of him are gone. One of the", "now*. Because the story has an emphasis on the future and how everyone", "*their* children) would face the wrath of the big bad in the future", "big bad in the future if he's not stopped *right now*. Because the", "destroyed: the future. **Some info about the big bad** He is an unknown", "little girl (11 years old), lost her older sister (20 years old), who", "don't want to end the story there. For as it turns out, that", "to think that this is pretty important info to convey. I also want", "the rest of the big bad's mess, so any dangerous remnants of him", "threat the big bad really is to the rest of the world. Even", "the story - see below), I want to show what the big bad", "two thirds of the story - see below), I want to show what", "like a mother to the little girl in some way, so the loss", "story - see below), I want to show what the big bad would've", "children) would face the wrath of the big bad in the future if", "to be tied up and lots of things that went behind the scenes", "(and *their* children) would face the wrath of the big bad in the", "the loss of her had a huge impact on her. Some characters, on", "his goals are and why he's doing any of this. In the beginning,", "deal with, which creates its own set of problems because of previous events.", "for all characters, but I do want to show what happens to all", "bad really is to the rest of the world. Even though they find", "to be *just* about destroying the big bad (as it's not even the", "a mother to the little girl in some way, so the loss of", "(11 years old), lost her older sister (20 years old), who sacrificed herself", "they find a way to escape, they find out that the big bad", "In my story, there's this big bad, who needs to be destroyed. That", "for example, a little girl (11 years old), lost her older sister (20", "the big bad** He is an unknown entity during most of the game,", "girl and many other people. She was like a mother to the little", "bad would've affected if he wasn't destroyed: the future. **Some info about the", "Most characters aren't even aware of his existence. They don't know who he", "of his existence. They don't know who he is, what his goals are", "chaos and destruction in about 30 years if they don't stop him now", "some of the fallout and how people deal with their lives after the", "deal with their lives after the events, after the big bad is destroyed.", "not even the focus for the first two thirds of the story -", "uncomfortable knowing their children (and *their* children) would face the wrath of the", "the future if he's not stopped *right now*. Because the story has an", "coming back or kill him and end his suffering?\" How can I prepare", "to escape, they find out that the big bad would cause chaos and", "aren't even aware of his existence. They don't know who he is, what", "out more and more, they see how big of a threat the big", "the future and how everyone is going to live their lives, I want", "of an earlier event, which turns into the question: \"should we kill him", "what happens to all the surviving characters, even if they end up living", "story. Long story short: if that character didn't do what they did, everyone,", "future. **Some info about the big bad** He is an unknown entity during", "who are cleaning up the rest of the big bad's mess, so any", "previous events. Then there are other (brave) characters, who are cleaning up the", "30 years if they don't stop him now - and they do find", "**Some info about the big bad** He is an unknown entity during most", "an emphasis on the future and how everyone is going to live their", "not stopped *right now*. Because the story has an emphasis on the future", "of heroes manages to destroy him! ... but I don't want to end", "creates its own set of problems because of previous events. Then there are", "- and they do find a way to stop him. Most of the", "do what they did, everyone, and I really mean EVERYONE, would be dead.", "the big bad would cause chaos and destruction in about 30 years if", "the story has an emphasis on the future and how everyone is going", "are gone. One of the characters ends up being corrupted by the big", "ending for all characters, but I do want to show what happens to", "really is to the rest of the world. Even though they find a", "emphasis on the future and how everyone is going to live their lives,", "so the loss of her had a huge impact on her. Some characters,", "end his suffering?\" How can I prepare the player for that? I don't", "a way to escape, they find out that the big bad would cause", "do want to show what happens to all the surviving characters, even if", "don't want to overstay my welcome, so I want to make clear that", "another quarter more to come! There are a lot of loose ends that", "they accomplished, what kind of future they saved. It's not going to be", "is actually the second to last *quarter* of the story and there's another", "during most of the game, most characters don't even get to see him.", "with, which creates its own set of problems because of previous events. Then", "to see him. Most characters aren't even aware of his existence. They don't", "destroyed. I don't want this to be *just* about destroying the big bad", "are and why he's doing any of this. In the beginning, they are", "some way, so the loss of her had a huge impact on her.", "cause chaos and destruction in about 30 years if they don't stop him", "overstay my welcome, so I want to make clear that there *is* more", "that character didn't do what they did, everyone, and I really mean EVERYONE,", "big bad would cause chaos and destruction in about 30 years if they", "video game. So the group of heroes manages to destroy him! ... but", "Even though they find a way to escape, they find out that the", "are other (brave) characters, who are cleaning up the rest of the big", "as it turns out, that last third is actually the second to last", "to the little girl in some way, so the loss of her had", "the big bad is destroyed. I don't want this to be *just* about", "that I want to show, such as the actions of a very important", "the big bad would've affected if he wasn't destroyed: the future. **Some info", "most of the game, most characters don't even get to see him. Most", "find out that the big bad would cause chaos and destruction in about", "destroy him! ... but I don't want to end the story there. For", "convey. I also want to show some of the fallout and how people", "the big bad in the future if he's not stopped *right now*. Because", "don't know how to deal with, which creates its own set of problems", "and the characters find out more and more, they see how big of", "of a threat the big bad really is to the rest of the", "out that the big bad would cause chaos and destruction in about 30", "focus for the first two thirds of the story - see below), I", "they are simply trapped in his world/dimension/whatever and the only goal is to", "a threat the big bad really is to the rest of the world.", "would cause chaos and destruction in about 30 years if they don't stop", "stop him now - and they do find a way to stop him.", "destroying the big bad (as it's not even the focus for the first", "him and risk the big bad coming back or kill him and end", "which had a huge impact on the story. Long story short: if that", "sister (20 years old), who sacrificed herself and died a truly horrible death", "gone. One of the characters ends up being corrupted by the big bad", "remnants of him are gone. One of the characters ends up being corrupted", "see him. Most characters aren't even aware of his existence. They don't know", "and I really mean EVERYONE, would be dead. So I'd like to think", "of the fallout and how people deal with their lives after the events,", "is destroyed. One of the main characters for example, a little girl (11", "info about the big bad** He is an unknown entity during most of", "on the future and how everyone is going to live their lives, I", "cleaning up the rest of the big bad's mess, so any dangerous remnants", "loose ends that need to be tied up and lots of things that", "the little girl and many other people. She was like a mother to", "is going to live their lives, I want to show the players what", "that? I don't want to overstay my welcome, so I want to make", "don't know who he is, what his goals are and why he's doing", "more after the big bad is destroyed. I don't want this to be", "behind the scenes that I want to show, such as the actions of", "the game, most characters don't even get to see him. Most characters aren't", "lives, I want to show the players what they accomplished, what kind of", "up being corrupted by the big bad because of an earlier event, which", "other people. She was like a mother to the little girl in some", "the events, after the big bad is destroyed. One of the main characters", "families, which they don't know how to deal with, which creates its own", "what his goals are and why he's doing any of this. In the", "characters, but I do want to show what happens to all the surviving", "and destruction in about 30 years if they don't stop him now -", "They don't know who he is, what his goals are and why he's", "if he's not stopped *right now*. Because the story has an emphasis on", "to show the players what they accomplished, what kind of future they saved.", "the big bad (as it's not even the focus for the first two", "about 30 years if they don't stop him now - and they do", "years old), who sacrificed herself and died a truly horrible death to save", "As time passes and the characters find out more and more, they see", "up the rest of the big bad's mess, so any dangerous remnants of", "be dead. So I'd like to think that this is pretty important info", "rest of the world. Even though they find a way to escape, they", "is the main goal for about the last third of the video game.", "think that this is pretty important info to convey. I also want to", "lives after the events, after the big bad is destroyed. One of the", "bad because of an earlier event, which turns into the question: \"should we", "of him are gone. One of the characters ends up being corrupted by", "game, most characters don't even get to see him. Most characters aren't even", "they don't stop him now - and they do find a way to", "clear that there *is* more after the big bad is destroyed. I don't", "this. In the beginning, they are simply trapped in his world/dimension/whatever and the", "other hand, suddenly have families, which they don't know how to deal with,", "be a happy ending for all characters, but I do want to show", "their lives after the events, after the big bad is destroyed. One of", "the little girl in some way, so the loss of her had a", "the big bad because of an earlier event, which turns into the question:", "of the world. Even though they find a way to escape, they find", "what the big bad would've affected if he wasn't destroyed: the future. **Some", "herself and died a truly horrible death to save the little girl and", "their children (and *their* children) would face the wrath of the big bad", "stop him. Most of the characters would feel uncomfortable knowing their children (and", "question: \"should we kill him and risk the big bad coming back or", "make clear that there *is* more after the big bad is destroyed. I", "time passes and the characters find out more and more, they see how", "big bad is destroyed. One of the main characters for example, a little", "the only goal is to survive and escape a hostile environment. As time", "get to see him. Most characters aren't even aware of his existence. They", "his suffering?\" How can I prepare the player for that? I don't want", "who sacrificed herself and died a truly horrible death to save the little", "is to survive and escape a hostile environment. As time passes and the", "have families, which they don't know how to deal with, which creates its", "many other people. She was like a mother to the little girl in", "years if they don't stop him now - and they do find a", "destroyed. One of the main characters for example, a little girl (11 years", "dangerous remnants of him are gone. One of the characters ends up being", "of the characters would feel uncomfortable knowing their children (and *their* children) would", "this is pretty important info to convey. I also want to show some", "big bad's mess, so any dangerous remnants of him are gone. One of", "(as it's not even the focus for the first two thirds of the", "know who he is, what his goals are and why he's doing any", "last *quarter* of the story and there's another quarter more to come! There", "old), lost her older sister (20 years old), who sacrificed herself and died", "I don't want this to be *just* about destroying the big bad (as", "main characters for example, a little girl (11 years old), lost her older", "future if he's not stopped *right now*. Because the story has an emphasis", "to live their lives, I want to show the players what they accomplished,", "the focus for the first two thirds of the story - see below),", "way to escape, they find out that the big bad would cause chaos", "destruction in about 30 years if they don't stop him now - and", "want this to be *just* about destroying the big bad (as it's not", "he's doing any of this. In the beginning, they are simply trapped in", "\"should we kill him and risk the big bad coming back or kill", "is pretty important info to convey. I also want to show some of", "his world/dimension/whatever and the only goal is to survive and escape a hostile", "(brave) characters, who are cleaning up the rest of the big bad's mess,", "and lots of things that went behind the scenes that I want to", "in some way, so the loss of her had a huge impact on", "first two thirds of the story - see below), I want to show", "after the big bad is destroyed. I don't want this to be *just*", "There are a lot of loose ends that need to be tied up", "characters, on the other hand, suddenly have families, which they don't know how", "a little girl (11 years old), lost her older sister (20 years old),", "show, such as the actions of a very important character, which had a", "all characters, but I do want to show what happens to all the", "He is an unknown entity during most of the game, most characters don't", "can I prepare the player for that? I don't want to overstay my", "or kill him and end his suffering?\" How can I prepare the player", "in the future if he's not stopped *right now*. Because the story has", "quarter more to come! There are a lot of loose ends that need", "how to deal with, which creates its own set of problems because of", "more to come! There are a lot of loose ends that need to", "to convey. I also want to show some of the fallout and how", "bad would cause chaos and destruction in about 30 years if they don't", "It's not going to be a happy ending for all characters, but I", "She was like a mother to the little girl in some way, so", "show what happens to all the surviving characters, even if they end up", "Because the story has an emphasis on the future and how everyone is", "they see how big of a threat the big bad really is to", "to come! There are a lot of loose ends that need to be", "mean EVERYONE, would be dead. So I'd like to think that this is", "pretty important info to convey. I also want to show some of the", "had a huge impact on her. Some characters, on the other hand, suddenly", "its own set of problems because of previous events. Then there are other", "even the focus for the first two thirds of the story - see", "loss of her had a huge impact on her. Some characters, on the", "if he wasn't destroyed: the future. **Some info about the big bad** He", "the scenes that I want to show, such as the actions of a", "goals are and why he's doing any of this. In the beginning, they", "don't stop him now - and they do find a way to stop", "I don't want to overstay my welcome, so I want to make clear", "So the group of heroes manages to destroy him! ... but I don't", "her had a huge impact on her. Some characters, on the other hand,", "about destroying the big bad (as it's not even the focus for the", "the fallout and how people deal with their lives after the events, after", "he's not stopped *right now*. Because the story has an emphasis on the", "and escape a hostile environment. As time passes and the characters find out", "set of problems because of previous events. Then there are other (brave) characters,", "third is actually the second to last *quarter* of the story and there's", "In the beginning, they are simply trapped in his world/dimension/whatever and the only", "happy ending for all characters, but I do want to show what happens", "the world. Even though they find a way to escape, they find out", "him and end his suffering?\" How can I prepare the player for that?", "had a huge impact on the story. Long story short: if that character", "are cleaning up the rest of the big bad's mess, so any dangerous", "an earlier event, which turns into the question: \"should we kill him and", "to destroy him! ... but I don't want to end the story there.", "there. For as it turns out, that last third is actually the second" ]
[ "> > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does it exist? If so,", "of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does", "something along the lines of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed.", "in awe and saying something along the lines of \"oooooo!\" or \"wooooooow!\" >", "along the lines of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. >", "tag for when someone is in awe and saying something along the lines", "\"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does it", "or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does it exist?", "\"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does it exist? If", "is in awe and saying something along the lines of \"oooooo!\" or \"wooooooow!\"", "\"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does it exist? If so, what is", "they \\_\\_\\_\\_\\_\\_ed. > > > Does it exist? If so, what is it?", "lines of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > >", "> \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > > > Does it exist? If so, what", "for a dialog tag for when someone is in awe and saying something", "a dialog tag for when someone is in awe and saying something along", "for when someone is in awe and saying something along the lines of", "awe and saying something along the lines of \"oooooo!\" or \"wooooooow!\" > >", "and saying something along the lines of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\"", "someone is in awe and saying something along the lines of \"oooooo!\" or", "saying something along the lines of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they", "dialog tag for when someone is in awe and saying something along the", "when someone is in awe and saying something along the lines of \"oooooo!\"", "looking for a dialog tag for when someone is in awe and saying", "I'm looking for a dialog tag for when someone is in awe and", "the lines of \"oooooo!\" or \"wooooooow!\" > > \"Oooooooo!\" they \\_\\_\\_\\_\\_\\_ed. > >" ]
[ "\"accurate\" and \"believable\" as two **separate** dimensions of information quality. But the differences", "and certified free of error\" and **believable** as \"true, real, and credible\". Looking", "measuring documentation quality, I have come across the terms \"accurate\" and \"believable\" as", "between these two dimension as they relate to documentation quality? The original source", "me much either. So I'm putting this out here - what is the", "**accurate** as \"correct, reliable, and certified free of error\" and **believable** as \"true,", "as two **separate** dimensions of information quality. But the differences between them are", "I'm putting this out here - what is the difference between these two", "information quality. But the differences between them are not clear at all to", "real, and credible\". Looking at the dictionary didn't help me much either. So", "dimension as they relate to documentation quality? The original source is here: Wang", "Beyond accuracy: what data quality means to data consumers. J. of Man. Info.", "quality? The original source is here: Wang R. & Strong, D. (1996). Beyond", "these two dimension as they relate to documentation quality? The original source is", "they relate to documentation quality? The original source is here: Wang R. &", "accuracy: what data quality means to data consumers. J. of Man. Info. Sys.,", "data quality means to data consumers. J. of Man. Info. Sys., 12 (4),", "help me much either. So I'm putting this out here - what is", "the terms \"accurate\" and \"believable\" as two **separate** dimensions of information quality. But", "two **separate** dimensions of information quality. But the differences between them are not", "and **believable** as \"true, real, and credible\". Looking at the dictionary didn't help", "original source is here: Wang R. & Strong, D. (1996). Beyond accuracy: what", "research I am doing on measuring documentation quality, I have come across the", "free of error\" and **believable** as \"true, real, and credible\". Looking at the", "documentation quality, I have come across the terms \"accurate\" and \"believable\" as two", "they define **accurate** as \"correct, reliable, and certified free of error\" and **believable**", "credible\". Looking at the dictionary didn't help me much either. So I'm putting", "have come across the terms \"accurate\" and \"believable\" as two **separate** dimensions of", "Wang R. & Strong, D. (1996). Beyond accuracy: what data quality means to", "them are not clear at all to me: they define **accurate** as \"correct,", "what is the difference between these two dimension as they relate to documentation", "are not clear at all to me: they define **accurate** as \"correct, reliable,", "and credible\". Looking at the dictionary didn't help me much either. So I'm", "the dictionary didn't help me much either. So I'm putting this out here", "of information quality. But the differences between them are not clear at all", "D. (1996). Beyond accuracy: what data quality means to data consumers. J. of", "difference between these two dimension as they relate to documentation quality? The original", "as \"true, real, and credible\". Looking at the dictionary didn't help me much", "the difference between these two dimension as they relate to documentation quality? The", "\"true, real, and credible\". Looking at the dictionary didn't help me much either.", "at all to me: they define **accurate** as \"correct, reliable, and certified free", "(1996). Beyond accuracy: what data quality means to data consumers. J. of Man.", "Strong, D. (1996). Beyond accuracy: what data quality means to data consumers. J.", "is the difference between these two dimension as they relate to documentation quality?", "two dimension as they relate to documentation quality? The original source is here:", "much either. So I'm putting this out here - what is the difference", "out here - what is the difference between these two dimension as they", "Looking at the dictionary didn't help me much either. So I'm putting this", "across the terms \"accurate\" and \"believable\" as two **separate** dimensions of information quality.", "terms \"accurate\" and \"believable\" as two **separate** dimensions of information quality. But the", "here: Wang R. & Strong, D. (1996). Beyond accuracy: what data quality means", "on measuring documentation quality, I have come across the terms \"accurate\" and \"believable\"", "error\" and **believable** as \"true, real, and credible\". Looking at the dictionary didn't", "As part of some research I am doing on measuring documentation quality, I", "part of some research I am doing on measuring documentation quality, I have", "differences between them are not clear at all to me: they define **accurate**", "what data quality means to data consumers. J. of Man. Info. Sys., 12", "of some research I am doing on measuring documentation quality, I have come", "am doing on measuring documentation quality, I have come across the terms \"accurate\"", "dimensions of information quality. But the differences between them are not clear at", "source is here: Wang R. & Strong, D. (1996). Beyond accuracy: what data", "didn't help me much either. So I'm putting this out here - what", "of error\" and **believable** as \"true, real, and credible\". Looking at the dictionary", "to me: they define **accurate** as \"correct, reliable, and certified free of error\"", "I have come across the terms \"accurate\" and \"believable\" as two **separate** dimensions", "not clear at all to me: they define **accurate** as \"correct, reliable, and", "the differences between them are not clear at all to me: they define", "reliable, and certified free of error\" and **believable** as \"true, real, and credible\".", "define **accurate** as \"correct, reliable, and certified free of error\" and **believable** as", "clear at all to me: they define **accurate** as \"correct, reliable, and certified", "all to me: they define **accurate** as \"correct, reliable, and certified free of", "quality, I have come across the terms \"accurate\" and \"believable\" as two **separate**", "either. So I'm putting this out here - what is the difference between", "putting this out here - what is the difference between these two dimension", "doing on measuring documentation quality, I have come across the terms \"accurate\" and", "quality means to data consumers. J. of Man. Info. Sys., 12 (4), p.5-34)", "relate to documentation quality? The original source is here: Wang R. & Strong,", "But the differences between them are not clear at all to me: they", "**believable** as \"true, real, and credible\". Looking at the dictionary didn't help me", "is here: Wang R. & Strong, D. (1996). Beyond accuracy: what data quality", "I am doing on measuring documentation quality, I have come across the terms", "**separate** dimensions of information quality. But the differences between them are not clear", "me: they define **accurate** as \"correct, reliable, and certified free of error\" and", "here - what is the difference between these two dimension as they relate", "The original source is here: Wang R. & Strong, D. (1996). Beyond accuracy:", "to documentation quality? The original source is here: Wang R. & Strong, D.", "dictionary didn't help me much either. So I'm putting this out here -", "\"correct, reliable, and certified free of error\" and **believable** as \"true, real, and", "at the dictionary didn't help me much either. So I'm putting this out", "as they relate to documentation quality? The original source is here: Wang R.", "- what is the difference between these two dimension as they relate to", "documentation quality? The original source is here: Wang R. & Strong, D. (1996).", "So I'm putting this out here - what is the difference between these", "this out here - what is the difference between these two dimension as", "as \"correct, reliable, and certified free of error\" and **believable** as \"true, real,", "between them are not clear at all to me: they define **accurate** as", "quality. But the differences between them are not clear at all to me:", "and \"believable\" as two **separate** dimensions of information quality. But the differences between", "some research I am doing on measuring documentation quality, I have come across", "certified free of error\" and **believable** as \"true, real, and credible\". Looking at", "R. & Strong, D. (1996). Beyond accuracy: what data quality means to data", "& Strong, D. (1996). Beyond accuracy: what data quality means to data consumers.", "\"believable\" as two **separate** dimensions of information quality. But the differences between them", "come across the terms \"accurate\" and \"believable\" as two **separate** dimensions of information" ]
[ "of a stakeholder review is usually to receive feedback in the form of", "the form of comments. The comments can be compiled by whoever is managing", "comments form that is supplied with a draft. Comments can also be returned", "entry and are useful for a wide-reaching review. But these methods are becoming", "project and be used to improve the document prior to publishing. Comments have", "to improve the document prior to publishing. Comments have traditionally been collected on", "is developed on the web. What is the best modern practice to collect", "to a PDF. These methods have a low barrier to entry and are", "specialists, senior managers, regulators, and so on. The purpose of a stakeholder review", "stakeholder review is usually to receive feedback in the form of comments. The", "can be compiled by whoever is managing the documentation project and be used", "stakeholders. Stakeholders can be fellow practitioners, industry specialists, senior managers, regulators, and so", "be fellow practitioners, industry specialists, senior managers, regulators, and so on. The purpose", "by stakeholders. Stakeholders can be fellow practitioners, industry specialists, senior managers, regulators, and", "methods are becoming obsolete as content is developed on the web. What is", "collected on a comments form that is supplied with a draft. Comments can", "and be used to improve the document prior to publishing. Comments have traditionally", "prior to publishing. Comments have traditionally been collected on a comments form that", "publishing. Comments have traditionally been collected on a comments form that is supplied", "content is developed on the web. What is the best modern practice to", "can be fellow practitioners, industry specialists, senior managers, regulators, and so on. The", "fellow practitioners, industry specialists, senior managers, regulators, and so on. The purpose of", "managing the documentation project and be used to improve the document prior to", "The purpose of a stakeholder review is usually to receive feedback in the", "reviewed by stakeholders. Stakeholders can be fellow practitioners, industry specialists, senior managers, regulators,", "a low barrier to entry and are useful for a wide-reaching review. But", "by whoever is managing the documentation project and be used to improve the", "in the form of comments. The comments can be compiled by whoever is", "web. What is the best modern practice to collect comments on a draft?", "is usually to receive feedback in the form of comments. The comments can", "been collected on a comments form that is supplied with a draft. Comments", "purpose of a stakeholder review is usually to receive feedback in the form", "the web. What is the best modern practice to collect comments on a", "documentation project and be used to improve the document prior to publishing. Comments", "that is supplied with a draft. Comments can also be returned as notes", "whoever is managing the documentation project and be used to improve the document", "to receive feedback in the form of comments. The comments can be compiled", "Draft technical documents can be reviewed by stakeholders. Stakeholders can be fellow practitioners,", "methods have a low barrier to entry and are useful for a wide-reaching", "barrier to entry and are useful for a wide-reaching review. But these methods", "be reviewed by stakeholders. Stakeholders can be fellow practitioners, industry specialists, senior managers,", "as notes attached to a PDF. These methods have a low barrier to", "But these methods are becoming obsolete as content is developed on the web.", "have traditionally been collected on a comments form that is supplied with a", "is managing the documentation project and be used to improve the document prior", "are useful for a wide-reaching review. But these methods are becoming obsolete as", "on a comments form that is supplied with a draft. Comments can also", "a PDF. These methods have a low barrier to entry and are useful", "documents can be reviewed by stakeholders. Stakeholders can be fellow practitioners, industry specialists,", "can be reviewed by stakeholders. Stakeholders can be fellow practitioners, industry specialists, senior", "a wide-reaching review. But these methods are becoming obsolete as content is developed", "becoming obsolete as content is developed on the web. What is the best", "be compiled by whoever is managing the documentation project and be used to", "the document prior to publishing. Comments have traditionally been collected on a comments", "also be returned as notes attached to a PDF. These methods have a", "low barrier to entry and are useful for a wide-reaching review. But these", "a stakeholder review is usually to receive feedback in the form of comments.", "review. But these methods are becoming obsolete as content is developed on the", "practitioners, industry specialists, senior managers, regulators, and so on. The purpose of a", "regulators, and so on. The purpose of a stakeholder review is usually to", "attached to a PDF. These methods have a low barrier to entry and", "improve the document prior to publishing. Comments have traditionally been collected on a", "Comments have traditionally been collected on a comments form that is supplied with", "comments. The comments can be compiled by whoever is managing the documentation project", "usually to receive feedback in the form of comments. The comments can be", "form that is supplied with a draft. Comments can also be returned as", "technical documents can be reviewed by stakeholders. Stakeholders can be fellow practitioners, industry", "draft. Comments can also be returned as notes attached to a PDF. These", "supplied with a draft. Comments can also be returned as notes attached to", "senior managers, regulators, and so on. The purpose of a stakeholder review is", "have a low barrier to entry and are useful for a wide-reaching review.", "and so on. The purpose of a stakeholder review is usually to receive", "review is usually to receive feedback in the form of comments. The comments", "as content is developed on the web. What is the best modern practice", "these methods are becoming obsolete as content is developed on the web. What", "industry specialists, senior managers, regulators, and so on. The purpose of a stakeholder", "feedback in the form of comments. The comments can be compiled by whoever", "Comments can also be returned as notes attached to a PDF. These methods", "managers, regulators, and so on. The purpose of a stakeholder review is usually", "document prior to publishing. Comments have traditionally been collected on a comments form", "The comments can be compiled by whoever is managing the documentation project and", "compiled by whoever is managing the documentation project and be used to improve", "form of comments. The comments can be compiled by whoever is managing the", "the documentation project and be used to improve the document prior to publishing.", "receive feedback in the form of comments. The comments can be compiled by", "wide-reaching review. But these methods are becoming obsolete as content is developed on", "of comments. The comments can be compiled by whoever is managing the documentation", "be used to improve the document prior to publishing. Comments have traditionally been", "a draft. Comments can also be returned as notes attached to a PDF.", "a comments form that is supplied with a draft. Comments can also be", "Stakeholders can be fellow practitioners, industry specialists, senior managers, regulators, and so on.", "These methods have a low barrier to entry and are useful for a", "for a wide-reaching review. But these methods are becoming obsolete as content is", "and are useful for a wide-reaching review. But these methods are becoming obsolete", "to publishing. Comments have traditionally been collected on a comments form that is", "so on. The purpose of a stakeholder review is usually to receive feedback", "with a draft. Comments can also be returned as notes attached to a", "returned as notes attached to a PDF. These methods have a low barrier", "is supplied with a draft. Comments can also be returned as notes attached", "be returned as notes attached to a PDF. These methods have a low", "to entry and are useful for a wide-reaching review. But these methods are", "can also be returned as notes attached to a PDF. These methods have", "are becoming obsolete as content is developed on the web. What is the", "used to improve the document prior to publishing. Comments have traditionally been collected", "comments can be compiled by whoever is managing the documentation project and be", "on the web. What is the best modern practice to collect comments on", "PDF. These methods have a low barrier to entry and are useful for", "traditionally been collected on a comments form that is supplied with a draft.", "developed on the web. What is the best modern practice to collect comments", "on. The purpose of a stakeholder review is usually to receive feedback in", "obsolete as content is developed on the web. What is the best modern", "useful for a wide-reaching review. But these methods are becoming obsolete as content", "notes attached to a PDF. These methods have a low barrier to entry" ]
[ "text easily understandable for non-native audiences. There are some strategies which would satisfy", "with more explicit full phrasing. How can I reconcile the needs of these", "sure that both these recipient groups find the text comprehensible and easy to", "with making the text easily understandable for non-native audiences. There are some strategies", "replaced with more explicit full phrasing. How can I reconcile the needs of", "recipient groups find the text comprehensible and easy to read? While numerous style", "(example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal,", "and non-native speakers of English who have various levels of language proficiency, how", "style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal, straightforward', adopting a style like", "sentence structures, applying consistent terminology, avoiding cultural references, etc. But in some aspects", "contraction such as \"it's\" or \"you'll\" is permitted by sources such as Microsoft", "only long form may be considered overfly stuffy and formal. On the other", "consistent terminology, avoiding cultural references, etc. But in some aspects of style and", "more explicit full phrasing. How can I reconcile the needs of these two", "various levels of language proficiency, how do I make sure that both these", "proficiency, how do I make sure that both these recipient groups find the", "a style like this can be at odds with making the text easily", "Style, or even the more conservative Chicago Manual of Style, and using only", "guides (example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly,", "tone, the two groups might need different treatments. **Example:** The use of contraction", "odds with making the text easily understandable for non-native audiences. There are some", "that contractions of that sort should be replaced with more explicit full phrasing.", "non-native audiences. There are some strategies which would satisfy both groups of recipients:", "which would satisfy both groups of recipients: using simple sentence structures, applying consistent", "using simple sentence structures, applying consistent terminology, avoiding cultural references, etc. But in", "how do I make sure that both these recipient groups find the text", "other hand, I've been told by non-natives that contractions of that sort should", "groups of recipients: using simple sentence structures, applying consistent terminology, avoiding cultural references,", "\"you'll\" is permitted by sources such as Microsoft Manual of Style, or even", "who have various levels of language proficiency, how do I make sure that", "Chicago Manual of Style, and using only long form may be considered overfly", "levels of language proficiency, how do I make sure that both these recipient", "and using only long form may be considered overfly stuffy and formal. On", "explicit full phrasing. How can I reconcile the needs of these two audiences?", "these recipient groups find the text comprehensible and easy to read? While numerous", "like this can be at odds with making the text easily understandable for", "or \"you'll\" is permitted by sources such as Microsoft Manual of Style, or", "sources such as Microsoft Manual of Style, or even the more conservative Chicago", "might need different treatments. **Example:** The use of contraction such as \"it's\" or", "will be read both by Anglophones and non-native speakers of English who have", "form may be considered overfly stuffy and formal. On the other hand, I've", "some aspects of style and tone, the two groups might need different treatments.", "of language proficiency, how do I make sure that both these recipient groups", "of contraction such as \"it's\" or \"you'll\" is permitted by sources such as", "some variety of 'friendly, informal, straightforward', adopting a style like this can be", "informal, straightforward', adopting a style like this can be at odds with making", "some strategies which would satisfy both groups of recipients: using simple sentence structures,", "the other hand, I've been told by non-natives that contractions of that sort", "variety of 'friendly, informal, straightforward', adopting a style like this can be at", "avoiding cultural references, etc. But in some aspects of style and tone, the", "language proficiency, how do I make sure that both these recipient groups find", "of recipients: using simple sentence structures, applying consistent terminology, avoiding cultural references, etc.", "applying consistent terminology, avoiding cultural references, etc. But in some aspects of style", "contractions of that sort should be replaced with more explicit full phrasing. How", "groups might need different treatments. **Example:** The use of contraction such as \"it's\"", "even the more conservative Chicago Manual of Style, and using only long form", "[MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal, straightforward', adopting a style", "I've been told by non-natives that contractions of that sort should be replaced", "do I make sure that both these recipient groups find the text comprehensible", "told by non-natives that contractions of that sort should be replaced with more", "stuffy and formal. On the other hand, I've been told by non-natives that", "or even the more conservative Chicago Manual of Style, and using only long", "the text comprehensible and easy to read? While numerous style guides (example: the", "that will be read both by Anglophones and non-native speakers of English who", "and easy to read? While numerous style guides (example: the widely praised [MailChimp", "Manual of Style, or even the more conservative Chicago Manual of Style, and", "easily understandable for non-native audiences. There are some strategies which would satisfy both", "to read? While numerous style guides (example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/))", "straightforward', adopting a style like this can be at odds with making the", "advocate some variety of 'friendly, informal, straightforward', adopting a style like this can", "There are some strategies which would satisfy both groups of recipients: using simple", "simple sentence structures, applying consistent terminology, avoiding cultural references, etc. But in some", "cultural references, etc. But in some aspects of style and tone, the two", "references, etc. But in some aspects of style and tone, the two groups", "such as Microsoft Manual of Style, or even the more conservative Chicago Manual", "I make sure that both these recipient groups find the text comprehensible and", "sort should be replaced with more explicit full phrasing. How can I reconcile", "But in some aspects of style and tone, the two groups might need", "and tone, the two groups might need different treatments. **Example:** The use of", "the more conservative Chicago Manual of Style, and using only long form may", "would satisfy both groups of recipients: using simple sentence structures, applying consistent terminology,", "of Style, and using only long form may be considered overfly stuffy and", "writing documentation that will be read both by Anglophones and non-native speakers of", "guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal, straightforward', adopting a style like this", "non-native speakers of English who have various levels of language proficiency, how do", "different treatments. **Example:** The use of contraction such as \"it's\" or \"you'll\" is", "While numerous style guides (example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some", "that sort should be replaced with more explicit full phrasing. How can I", "\"it's\" or \"you'll\" is permitted by sources such as Microsoft Manual of Style,", "widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal, straightforward', adopting", "**Example:** The use of contraction such as \"it's\" or \"you'll\" is permitted by", "are some strategies which would satisfy both groups of recipients: using simple sentence", "in some aspects of style and tone, the two groups might need different", "non-natives that contractions of that sort should be replaced with more explicit full", "be replaced with more explicit full phrasing. How can I reconcile the needs", "making the text easily understandable for non-native audiences. There are some strategies which", "When writing documentation that will be read both by Anglophones and non-native speakers", "strategies which would satisfy both groups of recipients: using simple sentence structures, applying", "be considered overfly stuffy and formal. On the other hand, I've been told", "audiences. There are some strategies which would satisfy both groups of recipients: using", "by sources such as Microsoft Manual of Style, or even the more conservative", "have various levels of language proficiency, how do I make sure that both", "and formal. On the other hand, I've been told by non-natives that contractions", "satisfy both groups of recipients: using simple sentence structures, applying consistent terminology, avoiding", "the text easily understandable for non-native audiences. There are some strategies which would", "find the text comprehensible and easy to read? While numerous style guides (example:", "by non-natives that contractions of that sort should be replaced with more explicit", "documentation that will be read both by Anglophones and non-native speakers of English", "style and tone, the two groups might need different treatments. **Example:** The use", "On the other hand, I've been told by non-natives that contractions of that", "both by Anglophones and non-native speakers of English who have various levels of", "understandable for non-native audiences. There are some strategies which would satisfy both groups", "Microsoft Manual of Style, or even the more conservative Chicago Manual of Style,", "Manual of Style, and using only long form may be considered overfly stuffy", "permitted by sources such as Microsoft Manual of Style, or even the more", "groups find the text comprehensible and easy to read? While numerous style guides", "recipients: using simple sentence structures, applying consistent terminology, avoiding cultural references, etc. But", "make sure that both these recipient groups find the text comprehensible and easy", "comprehensible and easy to read? While numerous style guides (example: the widely praised", "numerous style guides (example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety", "'friendly, informal, straightforward', adopting a style like this can be at odds with", "Anglophones and non-native speakers of English who have various levels of language proficiency,", "that both these recipient groups find the text comprehensible and easy to read?", "Style, and using only long form may be considered overfly stuffy and formal.", "read both by Anglophones and non-native speakers of English who have various levels", "of 'friendly, informal, straightforward', adopting a style like this can be at odds", "**In short:** When writing documentation that will be read both by Anglophones and", "aspects of style and tone, the two groups might need different treatments. **Example:**", "style like this can be at odds with making the text easily understandable", "use of contraction such as \"it's\" or \"you'll\" is permitted by sources such", "both groups of recipients: using simple sentence structures, applying consistent terminology, avoiding cultural", "style guides (example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of", "using only long form may be considered overfly stuffy and formal. On the", "been told by non-natives that contractions of that sort should be replaced with", "conservative Chicago Manual of Style, and using only long form may be considered", "be at odds with making the text easily understandable for non-native audiences. There", "of English who have various levels of language proficiency, how do I make", "English who have various levels of language proficiency, how do I make sure", "of that sort should be replaced with more explicit full phrasing. How can", "text comprehensible and easy to read? While numerous style guides (example: the widely", "terminology, avoiding cultural references, etc. But in some aspects of style and tone,", "for non-native audiences. There are some strategies which would satisfy both groups of", "short:** When writing documentation that will be read both by Anglophones and non-native", "can be at odds with making the text easily understandable for non-native audiences.", "overfly stuffy and formal. On the other hand, I've been told by non-natives", "is permitted by sources such as Microsoft Manual of Style, or even the", "more conservative Chicago Manual of Style, and using only long form may be", "The use of contraction such as \"it's\" or \"you'll\" is permitted by sources", "praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal, straightforward', adopting a", "be read both by Anglophones and non-native speakers of English who have various", "treatments. **Example:** The use of contraction such as \"it's\" or \"you'll\" is permitted", "the two groups might need different treatments. **Example:** The use of contraction such", "two groups might need different treatments. **Example:** The use of contraction such as", "such as \"it's\" or \"you'll\" is permitted by sources such as Microsoft Manual", "as \"it's\" or \"you'll\" is permitted by sources such as Microsoft Manual of", "the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate some variety of 'friendly, informal, straightforward',", "structures, applying consistent terminology, avoiding cultural references, etc. But in some aspects of", "both these recipient groups find the text comprehensible and easy to read? While", "hand, I've been told by non-natives that contractions of that sort should be", "long form may be considered overfly stuffy and formal. On the other hand,", "may be considered overfly stuffy and formal. On the other hand, I've been", "speakers of English who have various levels of language proficiency, how do I", "at odds with making the text easily understandable for non-native audiences. There are", "etc. But in some aspects of style and tone, the two groups might", "easy to read? While numerous style guides (example: the widely praised [MailChimp style", "considered overfly stuffy and formal. On the other hand, I've been told by", "by Anglophones and non-native speakers of English who have various levels of language", "need different treatments. **Example:** The use of contraction such as \"it's\" or \"you'll\"", "as Microsoft Manual of Style, or even the more conservative Chicago Manual of", "formal. On the other hand, I've been told by non-natives that contractions of", "read? While numerous style guides (example: the widely praised [MailChimp style guide](https://styleguide.mailchimp.com/voice-and-tone/)) advocate", "of Style, or even the more conservative Chicago Manual of Style, and using", "this can be at odds with making the text easily understandable for non-native", "should be replaced with more explicit full phrasing. How can I reconcile the", "of style and tone, the two groups might need different treatments. **Example:** The", "adopting a style like this can be at odds with making the text" ]
[ "and technical documents prefer passive voice over active voice. Is this true, or", "technical documents prefer passive voice over active voice. Is this true, or is", "prefer passive voice over active voice. Is this true, or is it just", "over active voice. Is this true, or is it just my perception? If", "It seems like many manuals and technical documents prefer passive voice over active", "manuals and technical documents prefer passive voice over active voice. Is this true,", "active voice. Is this true, or is it just my perception? If so,", "voice. Is this true, or is it just my perception? If so, why?", "documents prefer passive voice over active voice. Is this true, or is it", "passive voice over active voice. Is this true, or is it just my", "many manuals and technical documents prefer passive voice over active voice. Is this", "seems like many manuals and technical documents prefer passive voice over active voice.", "like many manuals and technical documents prefer passive voice over active voice. Is", "voice over active voice. Is this true, or is it just my perception?" ]