Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "directly address the user (imperative form) or should they be written in passive", "passive voice? Example: > > Do not place living animals inside the microwave", "Manuals come with virtually any appliance, and they typically target the end-user. Among", "they typically target the end-user. Among other things (legal specifications, part numbers…), these", "inside the microwave under any circumstances. > > > Under no circumstances are", "to be placed inside the microwave. > > > What are the different", "living animals to be placed inside the microwave. > > > What are", "inside the microwave. > > > What are the different effects of either", "Should these documents directly address the user (imperative form) or should they be", "virtually any appliance, and they typically target the end-user. Among other things (legal", "documents directly address the user (imperative form) or should they be written in", "appliance. Should these documents directly address the user (imperative form) or should they", "specific instructions on what to do and what not to do with the", "> > > Under no circumstances are living animals to be placed inside", "to do and what not to do with the appliance. Should these documents", "with the appliance. Should these documents directly address the user (imperative form) or", "should they be written in passive voice? Example: > > Do not place", "> > Do not place living animals inside the microwave under any circumstances.", "address the user (imperative form) or should they be written in passive voice?", "the end-user. Among other things (legal specifications, part numbers…), these documents contain specific", "what not to do with the appliance. Should these documents directly address the", "Do not place living animals inside the microwave under any circumstances. > >", "written in passive voice? Example: > > Do not place living animals inside", "come with virtually any appliance, and they typically target the end-user. Among other", "be placed inside the microwave. > > > What are the different effects", "> > Under no circumstances are living animals to be placed inside the", "under any circumstances. > > > Under no circumstances are living animals to", "the microwave under any circumstances. > > > Under no circumstances are living", "do with the appliance. Should these documents directly address the user (imperative form)", "things (legal specifications, part numbers…), these documents contain specific instructions on what to", "specifications, part numbers…), these documents contain specific instructions on what to do and", "instructions on what to do and what not to do with the appliance.", "circumstances are living animals to be placed inside the microwave. > > >", "part numbers…), these documents contain specific instructions on what to do and what", "placed inside the microwave. > > > What are the different effects of", "living animals inside the microwave under any circumstances. > > > Under no", "with virtually any appliance, and they typically target the end-user. Among other things", "are living animals to be placed inside the microwave. > > > What", "target the end-user. Among other things (legal specifications, part numbers…), these documents contain", "form) or should they be written in passive voice? Example: > > Do", "other things (legal specifications, part numbers…), these documents contain specific instructions on what", "or should they be written in passive voice? Example: > > Do not", "what to do and what not to do with the appliance. Should these", "in passive voice? Example: > > Do not place living animals inside the", "these documents contain specific instructions on what to do and what not to", "any circumstances. > > > Under no circumstances are living animals to be", "animals inside the microwave under any circumstances. > > > Under no circumstances", "be written in passive voice? Example: > > Do not place living animals", "documents contain specific instructions on what to do and what not to do", "not place living animals inside the microwave under any circumstances. > > >", "appliance, and they typically target the end-user. Among other things (legal specifications, part", "end-user. Among other things (legal specifications, part numbers…), these documents contain specific instructions", "do and what not to do with the appliance. Should these documents directly", "Among other things (legal specifications, part numbers…), these documents contain specific instructions on", "any appliance, and they typically target the end-user. Among other things (legal specifications,", "circumstances. > > > Under no circumstances are living animals to be placed", "on what to do and what not to do with the appliance. Should", "the user (imperative form) or should they be written in passive voice? Example:", "they be written in passive voice? Example: > > Do not place living", "user (imperative form) or should they be written in passive voice? Example: >", "the appliance. Should these documents directly address the user (imperative form) or should", "(legal specifications, part numbers…), these documents contain specific instructions on what to do", "no circumstances are living animals to be placed inside the microwave. > >", "(imperative form) or should they be written in passive voice? Example: > >", "to do with the appliance. Should these documents directly address the user (imperative", "animals to be placed inside the microwave. > > > What are the", "microwave under any circumstances. > > > Under no circumstances are living animals", "place living animals inside the microwave under any circumstances. > > > Under", "contain specific instructions on what to do and what not to do with", "> Do not place living animals inside the microwave under any circumstances. >", "these documents directly address the user (imperative form) or should they be written", "voice? Example: > > Do not place living animals inside the microwave under", "not to do with the appliance. Should these documents directly address the user", "Example: > > Do not place living animals inside the microwave under any", "> Under no circumstances are living animals to be placed inside the microwave.", "typically target the end-user. Among other things (legal specifications, part numbers…), these documents", "numbers…), these documents contain specific instructions on what to do and what not", "and they typically target the end-user. Among other things (legal specifications, part numbers…),", "the microwave. > > > What are the different effects of either style?", "Under no circumstances are living animals to be placed inside the microwave. >", "and what not to do with the appliance. Should these documents directly address" ]
[ "to address this and keep it maintained? An example would be customer data", "in our organization has become increasingly difficult as we scale. What are effective", "as we scale. What are effective strategies to address this and keep it", "difficult as we scale. What are effective strategies to address this and keep", "data that is stored in a data warehouse, processed in various ways, and", "be customer data that is stored in a data warehouse, processed in various", "increasingly difficult as we scale. What are effective strategies to address this and", "analytics teams as well as product managers. The data lineage can change as", "is stored in a data warehouse, processed in various ways, and used for", "lineage](https://en.wikipedia.org/wiki/Data_lineage) to other stakeholders in our organization has become increasingly difficult as we", "become increasingly difficult as we scale. What are effective strategies to address this", "analysis and reporting. The audience would be members of the business intelligence and", "reporting. The audience would be members of the business intelligence and analytics teams", "a data warehouse, processed in various ways, and used for analysis and reporting.", "and analytics teams as well as product managers. The data lineage can change", "as well as product managers. The data lineage can change as developers add", "keep it maintained? An example would be customer data that is stored in", "be members of the business intelligence and analytics teams as well as product", "would be members of the business intelligence and analytics teams as well as", "address this and keep it maintained? An example would be customer data that", "processed in various ways, and used for analysis and reporting. The audience would", "customer data that is stored in a data warehouse, processed in various ways,", "The audience would be members of the business intelligence and analytics teams as", "organization has become increasingly difficult as we scale. What are effective strategies to", "data warehouse, processed in various ways, and used for analysis and reporting. The", "members of the business intelligence and analytics teams as well as product managers.", "in various ways, and used for analysis and reporting. The audience would be", "warehouse, processed in various ways, and used for analysis and reporting. The audience", "and used for analysis and reporting. The audience would be members of the", "would be customer data that is stored in a data warehouse, processed in", "effective strategies to address this and keep it maintained? An example would be", "intelligence and analytics teams as well as product managers. The data lineage can", "our organization has become increasingly difficult as we scale. What are effective strategies", "of the business intelligence and analytics teams as well as product managers. The", "managers. The data lineage can change as developers add or modify the code.", "business intelligence and analytics teams as well as product managers. The data lineage", "has become increasingly difficult as we scale. What are effective strategies to address", "the business intelligence and analytics teams as well as product managers. The data", "communicating [data lineage](https://en.wikipedia.org/wiki/Data_lineage) to other stakeholders in our organization has become increasingly difficult", "strategies to address this and keep it maintained? An example would be customer", "example would be customer data that is stored in a data warehouse, processed", "[data lineage](https://en.wikipedia.org/wiki/Data_lineage) to other stakeholders in our organization has become increasingly difficult as", "Quickly communicating [data lineage](https://en.wikipedia.org/wiki/Data_lineage) to other stakeholders in our organization has become increasingly", "to other stakeholders in our organization has become increasingly difficult as we scale.", "What are effective strategies to address this and keep it maintained? An example", "other stakeholders in our organization has become increasingly difficult as we scale. What", "and keep it maintained? An example would be customer data that is stored", "maintained? An example would be customer data that is stored in a data", "scale. What are effective strategies to address this and keep it maintained? An", "stakeholders in our organization has become increasingly difficult as we scale. What are", "and reporting. The audience would be members of the business intelligence and analytics", "teams as well as product managers. The data lineage can change as developers", "well as product managers. The data lineage can change as developers add or", "this and keep it maintained? An example would be customer data that is", "stored in a data warehouse, processed in various ways, and used for analysis", "it maintained? An example would be customer data that is stored in a", "An example would be customer data that is stored in a data warehouse,", "that is stored in a data warehouse, processed in various ways, and used", "are effective strategies to address this and keep it maintained? An example would", "various ways, and used for analysis and reporting. The audience would be members", "as product managers. The data lineage can change as developers add or modify", "audience would be members of the business intelligence and analytics teams as well", "for analysis and reporting. The audience would be members of the business intelligence", "product managers. The data lineage can change as developers add or modify the", "ways, and used for analysis and reporting. The audience would be members of", "in a data warehouse, processed in various ways, and used for analysis and", "we scale. What are effective strategies to address this and keep it maintained?", "used for analysis and reporting. The audience would be members of the business" ]
[ "to non-technical people? How likely would they be to understand something like that", "and, if so, how interesting/useful is that likely to be for their understanding?", "How likely would they be to understand something like that and, if so,", "high-level UML-style component diagrams helpful to non-technical people? How likely would they be", "something like that and, if so, how interesting/useful is that likely to be", "non-technical people? How likely would they be to understand something like that and,", "diagrams helpful to non-technical people? How likely would they be to understand something", "understand something like that and, if so, how interesting/useful is that likely to", "UML-style component diagrams helpful to non-technical people? How likely would they be to", "be to understand something like that and, if so, how interesting/useful is that", "Are high-level UML-style component diagrams helpful to non-technical people? How likely would they", "component diagrams helpful to non-technical people? How likely would they be to understand", "that and, if so, how interesting/useful is that likely to be for their", "people? How likely would they be to understand something like that and, if", "would they be to understand something like that and, if so, how interesting/useful", "likely would they be to understand something like that and, if so, how", "they be to understand something like that and, if so, how interesting/useful is", "helpful to non-technical people? How likely would they be to understand something like", "to understand something like that and, if so, how interesting/useful is that likely", "like that and, if so, how interesting/useful is that likely to be for" ]
[ "but we still have a lot of redundant documentation due to regulatory paperwork...", "mechanisms to do so for each project. Historically my organization has used Doxygen", "Doxygen provides for public/private tags but I'd like to have further ways of", "are at least highly visible, without writing custom mechanisms to do so for", "used Doxygen only for low-level design details, but we still have a lot", "together so disconnects between the two are at least highly visible, without writing", "regulatory paperwork... It can be cumbersome to say the least. I know Doxygen", "can be cumbersome to say the least. I know Doxygen provides for public/private", "like to have further ways of tagging things (high-level, low-level, operational, tool user", "duplication while still being effective? I have a publicly-available API, and I also", "to be shared publicly. There is also both high-level (overview, conceptual) material and", "lot of redundant documentation due to regulatory paperwork... It can be cumbersome to", "conceptual) material and deep details. I'm looking for standard ways to effectively tie", "algorithms that are not meant to be shared publicly. There is also both", "each project. Historically my organization has used Doxygen only for low-level design details,", "be shared publicly. There is also both high-level (overview, conceptual) material and deep", "is also both high-level (overview, conceptual) material and deep details. I'm looking for", "visible, without writing custom mechanisms to do so for each project. Historically my", "publicly-available API, and I also have internal documentation of algorithms that are not", "redundant documentation due to regulatory paperwork... It can be cumbersome to say the", "documentation of the same system for different audiences. How do I avoid duplication", "know Doxygen provides for public/private tags but I'd like to have further ways", "meant to be shared publicly. There is also both high-level (overview, conceptual) material", "organization has used Doxygen only for low-level design details, but we still have", "maintain documentation of the same system for different audiences. How do I avoid", "so for each project. Historically my organization has used Doxygen only for low-level", "audiences. How do I avoid duplication while still being effective? I have a", "a lot of redundant documentation due to regulatory paperwork... It can be cumbersome", "say the least. I know Doxygen provides for public/private tags but I'd like", "my organization has used Doxygen only for low-level design details, but we still", "details, but we still have a lot of redundant documentation due to regulatory", "I have a publicly-available API, and I also have internal documentation of algorithms", "between the two are at least highly visible, without writing custom mechanisms to", "I avoid duplication while still being effective? I have a publicly-available API, and", "and deep details. I'm looking for standard ways to effectively tie them together", "also both high-level (overview, conceptual) material and deep details. I'm looking for standard", "avoid duplication while still being effective? I have a publicly-available API, and I", "things (high-level, low-level, operational, tool user guide, api user guide, regulatory compliance, etc...)", "I need to maintain documentation of the same system for different audiences. How", "How do I avoid duplication while still being effective? I have a publicly-available", "to maintain documentation of the same system for different audiences. How do I", "we still have a lot of redundant documentation due to regulatory paperwork... It", "tags but I'd like to have further ways of tagging things (high-level, low-level,", "standard ways to effectively tie them together so disconnects between the two are", "system for different audiences. How do I avoid duplication while still being effective?", "are not meant to be shared publicly. There is also both high-level (overview,", "of algorithms that are not meant to be shared publicly. There is also", "I'm looking for standard ways to effectively tie them together so disconnects between", "without writing custom mechanisms to do so for each project. Historically my organization", "two are at least highly visible, without writing custom mechanisms to do so", "for different audiences. How do I avoid duplication while still being effective? I", "It can be cumbersome to say the least. I know Doxygen provides for", "for each project. Historically my organization has used Doxygen only for low-level design", "different audiences. How do I avoid duplication while still being effective? I have", "need to maintain documentation of the same system for different audiences. How do", "least highly visible, without writing custom mechanisms to do so for each project.", "and I also have internal documentation of algorithms that are not meant to", "documentation due to regulatory paperwork... It can be cumbersome to say the least.", "I know Doxygen provides for public/private tags but I'd like to have further", "be cumbersome to say the least. I know Doxygen provides for public/private tags", "have a publicly-available API, and I also have internal documentation of algorithms that", "documentation of algorithms that are not meant to be shared publicly. There is", "material and deep details. I'm looking for standard ways to effectively tie them", "has used Doxygen only for low-level design details, but we still have a", "only for low-level design details, but we still have a lot of redundant", "(overview, conceptual) material and deep details. I'm looking for standard ways to effectively", "ways to effectively tie them together so disconnects between the two are at", "design details, but we still have a lot of redundant documentation due to", "I'd like to have further ways of tagging things (high-level, low-level, operational, tool", "looking for standard ways to effectively tie them together so disconnects between the", "for standard ways to effectively tie them together so disconnects between the two", "still have a lot of redundant documentation due to regulatory paperwork... It can", "Doxygen only for low-level design details, but we still have a lot of", "least. I know Doxygen provides for public/private tags but I'd like to have", "have a lot of redundant documentation due to regulatory paperwork... It can be", "tie them together so disconnects between the two are at least highly visible,", "so disconnects between the two are at least highly visible, without writing custom", "still being effective? I have a publicly-available API, and I also have internal", "to effectively tie them together so disconnects between the two are at least", "the least. I know Doxygen provides for public/private tags but I'd like to", "I also have internal documentation of algorithms that are not meant to be", "paperwork... It can be cumbersome to say the least. I know Doxygen provides", "do so for each project. Historically my organization has used Doxygen only for", "effective? I have a publicly-available API, and I also have internal documentation of", "same system for different audiences. How do I avoid duplication while still being", "for low-level design details, but we still have a lot of redundant documentation", "deep details. I'm looking for standard ways to effectively tie them together so", "cumbersome to say the least. I know Doxygen provides for public/private tags but", "ways of tagging things (high-level, low-level, operational, tool user guide, api user guide,", "internal documentation of algorithms that are not meant to be shared publicly. There", "them together so disconnects between the two are at least highly visible, without", "custom mechanisms to do so for each project. Historically my organization has used", "the same system for different audiences. How do I avoid duplication while still", "do I avoid duplication while still being effective? I have a publicly-available API,", "while still being effective? I have a publicly-available API, and I also have", "further ways of tagging things (high-level, low-level, operational, tool user guide, api user", "low-level design details, but we still have a lot of redundant documentation due", "disconnects between the two are at least highly visible, without writing custom mechanisms", "for public/private tags but I'd like to have further ways of tagging things", "provides for public/private tags but I'd like to have further ways of tagging", "public/private tags but I'd like to have further ways of tagging things (high-level,", "of tagging things (high-level, low-level, operational, tool user guide, api user guide, regulatory", "to say the least. I know Doxygen provides for public/private tags but I'd", "that are not meant to be shared publicly. There is also both high-level", "being effective? I have a publicly-available API, and I also have internal documentation", "of redundant documentation due to regulatory paperwork... It can be cumbersome to say", "due to regulatory paperwork... It can be cumbersome to say the least. I", "project. Historically my organization has used Doxygen only for low-level design details, but", "the two are at least highly visible, without writing custom mechanisms to do", "at least highly visible, without writing custom mechanisms to do so for each", "to do so for each project. Historically my organization has used Doxygen only", "tagging things (high-level, low-level, operational, tool user guide, api user guide, regulatory compliance,", "have internal documentation of algorithms that are not meant to be shared publicly.", "Historically my organization has used Doxygen only for low-level design details, but we", "a publicly-available API, and I also have internal documentation of algorithms that are", "but I'd like to have further ways of tagging things (high-level, low-level, operational,", "both high-level (overview, conceptual) material and deep details. I'm looking for standard ways", "details. I'm looking for standard ways to effectively tie them together so disconnects", "API, and I also have internal documentation of algorithms that are not meant", "of the same system for different audiences. How do I avoid duplication while", "writing custom mechanisms to do so for each project. Historically my organization has", "have further ways of tagging things (high-level, low-level, operational, tool user guide, api", "There is also both high-level (overview, conceptual) material and deep details. I'm looking", "not meant to be shared publicly. There is also both high-level (overview, conceptual)", "also have internal documentation of algorithms that are not meant to be shared", "shared publicly. There is also both high-level (overview, conceptual) material and deep details.", "to regulatory paperwork... It can be cumbersome to say the least. I know", "effectively tie them together so disconnects between the two are at least highly", "publicly. There is also both high-level (overview, conceptual) material and deep details. I'm", "highly visible, without writing custom mechanisms to do so for each project. Historically", "high-level (overview, conceptual) material and deep details. I'm looking for standard ways to", "to have further ways of tagging things (high-level, low-level, operational, tool user guide," ]
[ "Comments and 2. Documentation strings (or Docstring). Both can be accessed by reading", "but the latter is also available by calling the `help()` function. Since documentation", "for documenting a function, a module or a class: 1. Comments and 2.", "Docstring). Both can be accessed by reading the source code, but the latter", "the `help()` function. Since documentation strings are more versatile, does it make sense", "is also available by calling the `help()` function. Since documentation strings are more", "2. Documentation strings (or Docstring). Both can be accessed by reading the source", "1. Comments and 2. Documentation strings (or Docstring). Both can be accessed by", "source code, but the latter is also available by calling the `help()` function.", "the latter is also available by calling the `help()` function. Since documentation strings", "are more versatile, does it make sense to use comments at all, especially", "Both can be accessed by reading the source code, but the latter is", "strings are more versatile, does it make sense to use comments at all,", "use comments at all, especially the comments that explain the purpose of the", "by calling the `help()` function. Since documentation strings are more versatile, does it", "available by calling the `help()` function. Since documentation strings are more versatile, does", "the source code, but the latter is also available by calling the `help()`", "accessed by reading the source code, but the latter is also available by", "two mechanisms for documenting a function, a module or a class: 1. Comments", "latter is also available by calling the `help()` function. Since documentation strings are", "by reading the source code, but the latter is also available by calling", "documentation strings are more versatile, does it make sense to use comments at", "a module or a class: 1. Comments and 2. Documentation strings (or Docstring).", "to use comments at all, especially the comments that explain the purpose of", "or a class: 1. Comments and 2. Documentation strings (or Docstring). Both can", "function. Since documentation strings are more versatile, does it make sense to use", "a class: 1. Comments and 2. Documentation strings (or Docstring). Both can be", "code, but the latter is also available by calling the `help()` function. Since", "versatile, does it make sense to use comments at all, especially the comments", "Since documentation strings are more versatile, does it make sense to use comments", "mechanisms for documenting a function, a module or a class: 1. Comments and", "function, a module or a class: 1. Comments and 2. Documentation strings (or", "reading the source code, but the latter is also available by calling the", "make sense to use comments at all, especially the comments that explain the", "language provides two mechanisms for documenting a function, a module or a class:", "calling the `help()` function. Since documentation strings are more versatile, does it make", "documenting a function, a module or a class: 1. Comments and 2. Documentation", "be accessed by reading the source code, but the latter is also available", "(or Docstring). Both can be accessed by reading the source code, but the", "module or a class: 1. Comments and 2. Documentation strings (or Docstring). Both", "can be accessed by reading the source code, but the latter is also", "`help()` function. Since documentation strings are more versatile, does it make sense to", "more versatile, does it make sense to use comments at all, especially the", "sense to use comments at all, especially the comments that explain the purpose", "comments at all, especially the comments that explain the purpose of the function/class/module?", "it make sense to use comments at all, especially the comments that explain", "provides two mechanisms for documenting a function, a module or a class: 1.", "also available by calling the `help()` function. Since documentation strings are more versatile,", "programming language provides two mechanisms for documenting a function, a module or a", "a function, a module or a class: 1. Comments and 2. Documentation strings", "class: 1. Comments and 2. Documentation strings (or Docstring). Both can be accessed", "Python programming language provides two mechanisms for documenting a function, a module or", "does it make sense to use comments at all, especially the comments that", "and 2. Documentation strings (or Docstring). Both can be accessed by reading the", "strings (or Docstring). Both can be accessed by reading the source code, but", "Documentation strings (or Docstring). Both can be accessed by reading the source code," ]
[ "second solution is really awkward but can be maintained. Which one is more", "chapter 2 sectionXY23 to perform steps 1-17 and then carry out step 2", "and over, or refer the user to say chapter 2 sectionXY23 to perform", "we either repeat the same dozen steps over and over, or refer the", "more user friendly but heavy on maintenance. The second solution is really awkward", "out step 2 and 3 from here. The first alternative is a lot", "carry out step 2 and 3 from here. The first alternative is a", "and then carry out step 2 and 3 from here. The first alternative", "then carry out step 2 and 3 from here. The first alternative is", "same dozen steps over and over, or refer the user to say chapter", "friendly but heavy on maintenance. The second solution is really awkward but can", "refer the user to say chapter 2 sectionXY23* to perform steps 1-17 and", "that involve the same node, we either repeat the same dozen steps over", "repeat the same dozen steps over and over, or refer the user to", "step 2 and 3 from here. The first alternative is a lot more", "is a lot more user friendly but heavy on maintenance. The second solution", "sourcing. As a result, with instructions that involve the same node, we either", "can be maintained. Which one is more future-proof? (This tool is here to", "the user to say chapter 2 sectionXY23 to perform steps 1-17 and then", "the same dozen steps over and over, or refer the user to say", "a result, with instructions that involve the same node, we either repeat the", "a tool that we cannot replace that does not support single sourcing. As", "2 sectionXY23* to perform steps 1-17 and then carry out step 2 and", "single sourcing. As a result, with instructions that involve the same node, we", "that does not support single sourcing. As a result, with instructions that involve", "over, or refer the user to say chapter 2 sectionXY23 to perform steps", "replace that does not support single sourcing. As a result, with instructions that", "user to say chapter 2 sectionXY23 to perform steps 1-17 and then carry", "alternative is a lot more user friendly but heavy on maintenance. The second", "a lot more user friendly but heavy on maintenance. The second solution is", "steps over and over, or refer the user to say chapter 2 sectionXY23", "3 from here. The first alternative is a lot more user friendly but", "we cannot replace that does not support single sourcing. As a result, with", "solution is really awkward but can be maintained. Which one is more future-proof?", "heavy on maintenance. The second solution is really awkward but can be maintained.", "The first alternative is a lot more user friendly but heavy on maintenance.", "be maintained. Which one is more future-proof? (This tool is here to stay", "does not support single sourcing. As a result, with instructions that involve the", "first alternative is a lot more user friendly but heavy on maintenance. The", "more future-proof? (This tool is here to stay so there is no replacement", "over and over, or refer the user to say chapter 2 sectionXY23 to", "tool that we cannot replace that does not support single sourcing. As a", "either repeat the same dozen steps over and over, or refer the user", "user friendly but heavy on maintenance. The second solution is really awkward but", "is more future-proof? (This tool is here to stay so there is no", "to perform steps 1-17 and then carry out step 2 and 3 from", "instructions that involve the same node, we either repeat the same dozen steps", "We have a tool that we cannot replace that does not support single", "maintained. Which one is more future-proof? (This tool is here to stay so", "1-17 and then carry out step 2 and 3 from here. The first", "involve the same node, we either repeat the same dozen steps over and", "steps 1-17 and then carry out step 2 and 3 from here. The", "really awkward but can be maintained. Which one is more future-proof? (This tool", "The second solution is really awkward but can be maintained. Which one is", "perform steps 1-17 and then carry out step 2 and 3 from here.", "on maintenance. The second solution is really awkward but can be maintained. Which", "from here. The first alternative is a lot more user friendly but heavy", "and 3 from here. The first alternative is a lot more user friendly", "node, we either repeat the same dozen steps over and over, or refer", "awkward but can be maintained. Which one is more future-proof? (This tool is", "say chapter 2 sectionXY23 to perform steps 1-17 and then carry out step", "cannot replace that does not support single sourcing. As a result, with instructions", "here. The first alternative is a lot more user friendly but heavy on", "is really awkward but can be maintained. Which one is more future-proof? (This", "one is more future-proof? (This tool is here to stay so there is", "not support single sourcing. As a result, with instructions that involve the same", "dozen steps over and over, or refer the user to say chapter 2", "or refer the user to say chapter 2 sectionXY23* to perform steps 1-17", "sectionXY23* to perform steps 1-17 and then carry out step 2 and 3", "2 and 3 from here. The first alternative is a lot more user", "Which one is more future-proof? (This tool is here to stay so there", "As a result, with instructions that involve the same node, we either repeat", "lot more user friendly but heavy on maintenance. The second solution is really", "but can be maintained. Which one is more future-proof? (This tool is here", "future-proof? (This tool is here to stay so there is no replacement option.)", "have a tool that we cannot replace that does not support single sourcing.", "support single sourcing. As a result, with instructions that involve the same node,", "but heavy on maintenance. The second solution is really awkward but can be", "that we cannot replace that does not support single sourcing. As a result,", "to say chapter 2 sectionXY23 to perform steps 1-17 and then carry out", "result, with instructions that involve the same node, we either repeat the same", "with instructions that involve the same node, we either repeat the same dozen", "maintenance. The second solution is really awkward but can be maintained. Which one", "the same node, we either repeat the same dozen steps over and over,", "same node, we either repeat the same dozen steps over and over, or" ]
[ "a figure or image with the correct width/height dimensions and caption. We wish", "tooling to a minimum. It must be a solution that can be taught", "parameters that the author can specify that will be used to fill in", "to automate and make accessible via either a GUI or the command line", "Visio. Specific things we need to automate and make accessible via either a", "line are: * Creating reSructuredText files and their associated index entries in the", "name, Title of the page, file name, index tags, and location of the", "and their associated index entries in the `:toctree:` with a set of parameters", "to keep the tooling to a minimum. It must be a solution that", "specify that will be used to fill in fields such as the `:ref:`", "[Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things we need to automate and", "template and linking it appropriately in the `.rst` file with a specified directive,", "they we need to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator,", "fields such as the `:ref:` name, Title of the page, file name, index", "to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific", "taught to the entire team who mostly don't have programming backgrounds, but are", "wide variety of time-consuming, repetitive tasks they we need to automate. We are", "the correct width/height dimensions and caption. We wish to keep the tooling to", "macro-type program such as Automator (we are using Macs) be most appropriate? Would", "Would we need to consider a programming language? Again, we would like to", "or image with the correct width/height dimensions and caption. We wish to keep", "Creating reSructuredText files and their associated index entries in the `:toctree:` with a", "such as a figure or image with the correct width/height dimensions and caption.", "backgrounds, but are willing to learn. Would a macro-type program such as Automator", "program such as Automator (we are using Macs) be most appropriate? Would we", "need to automate and make accessible via either a GUI or the command", "appropriately in the `.rst` file with a specified directive, such as a figure", "to consider a programming language? Again, we would like to choose a single", "language? Again, we would like to choose a single technology/tool, not multiple ones.", "to a new position in the TOC. * Opening a Visio and/or Illustrator", "be used to fill in fields such as the `:ref:` name, Title of", "team who mostly don't have programming backgrounds, but are willing to learn. Would", "file name, index tags, and location of the page within the navigation hierarchy.", "specified directive, such as a figure or image with the correct width/height dimensions", "that can be taught to the entire team who mostly don't have programming", "tags, and location of the page within the navigation hierarchy. * Moving sections", "Adobe Illustrator, and Visio. Specific things we need to automate and make accessible", "of the documentation to a new position in the TOC. * Opening a", "navigation hierarchy. * Moving sections of the documentation to a new position in", "programming backgrounds, but are willing to learn. Would a macro-type program such as", "keep the tooling to a minimum. It must be a solution that can", "appropriate? Would we need to consider a programming language? Again, we would like", "It must be a solution that can be taught to the entire team", "index entries in the `:toctree:` with a set of parameters that the author", "the author can specify that will be used to fill in fields such", "page, file name, index tags, and location of the page within the navigation", "be taught to the entire team who mostly don't have programming backgrounds, but", "to fill in fields such as the `:ref:` name, Title of the page,", "(we are using Macs) be most appropriate? Would we need to consider a", "mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things we need to", "in the `:toctree:` with a set of parameters that the author can specify", "entries in the `:toctree:` with a set of parameters that the author can", "repetitive tasks they we need to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html),", "programming language? Again, we would like to choose a single technology/tool, not multiple", "the page, file name, index tags, and location of the page within the", "Would a macro-type program such as Automator (we are using Macs) be most", "Moving sections of the documentation to a new position in the TOC. ", "a programming language? Again, we would like to choose a single technology/tool, not", "to a minimum. It must be a solution that can be taught to", "tasks they we need to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe", "linking it appropriately in the `.rst` file with a specified directive, such as", "a Visio and/or Illustrator template and linking it appropriately in the `.rst` file", " Opening a Visio and/or Illustrator template and linking it appropriately in the", "Opening a Visio and/or Illustrator template and linking it appropriately in the `.rst`", "the command line are: * Creating reSructuredText files and their associated index entries", "variety of time-consuming, repetitive tasks they we need to automate. We are mainly", "as the `:ref:` name, Title of the page, file name, index tags, and", "can be taught to the entire team who mostly don't have programming backgrounds,", "can specify that will be used to fill in fields such as the", "willing to learn. Would a macro-type program such as Automator (we are using", "`:ref:` name, Title of the page, file name, index tags, and location of", "such as Automator (we are using Macs) be most appropriate? Would we need", "caption. We wish to keep the tooling to a minimum. It must be", "Title of the page, file name, index tags, and location of the page", "learn. Would a macro-type program such as Automator (we are using Macs) be", "most appropriate? Would we need to consider a programming language? Again, we would", "mostly don't have programming backgrounds, but are willing to learn. Would a macro-type", "be most appropriate? Would we need to consider a programming language? Again, we", "has a wide variety of time-consuming, repetitive tasks they we need to automate.", "and make accessible via either a GUI or the command line are: ", "with the correct width/height dimensions and caption. We wish to keep the tooling", "team has a wide variety of time-consuming, repetitive tasks they we need to", "new position in the TOC. Opening a Visio and/or Illustrator template and", "it appropriately in the `.rst` file with a specified directive, such as a", "a specified directive, such as a figure or image with the correct width/height", "in the `.rst` file with a specified directive, such as a figure or", "we need to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and", "file with a specified directive, such as a figure or image with the", "location of the page within the navigation hierarchy. * Moving sections of the", "width/height dimensions and caption. We wish to keep the tooling to a minimum.", "using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things we need to automate", "a minimum. It must be a solution that can be taught to the", "to the entire team who mostly don't have programming backgrounds, but are willing", "sections of the documentation to a new position in the TOC. * Opening", "a solution that can be taught to the entire team who mostly don't", "`.rst` file with a specified directive, such as a figure or image with", "dimensions and caption. We wish to keep the tooling to a minimum. It", "* Creating reSructuredText files and their associated index entries in the `:toctree:` with", "the navigation hierarchy. * Moving sections of the documentation to a new position", "with a specified directive, such as a figure or image with the correct", "and Visio. Specific things we need to automate and make accessible via either", "the page within the navigation hierarchy. * Moving sections of the documentation to", "comm team has a wide variety of time-consuming, repetitive tasks they we need", "and/or Illustrator template and linking it appropriately in the `.rst` file with a", "of the page within the navigation hierarchy. * Moving sections of the documentation", "We wish to keep the tooling to a minimum. It must be a", "and caption. We wish to keep the tooling to a minimum. It must", "associated index entries in the `:toctree:` with a set of parameters that the", "Macs) be most appropriate? Would we need to consider a programming language? Again,", "but are willing to learn. Would a macro-type program such as Automator (we", "the documentation to a new position in the TOC. * Opening a Visio", "solution that can be taught to the entire team who mostly don't have", "tech comm team has a wide variety of time-consuming, repetitive tasks they we", "Illustrator, and Visio. Specific things we need to automate and make accessible via", "* Moving sections of the documentation to a new position in the TOC.", "things we need to automate and make accessible via either a GUI or", "automate and make accessible via either a GUI or the command line are:", "don't have programming backgrounds, but are willing to learn. Would a macro-type program", "we need to automate and make accessible via either a GUI or the", "be a solution that can be taught to the entire team who mostly", "or the command line are: * Creating reSructuredText files and their associated index", "and linking it appropriately in the `.rst` file with a specified directive, such", "as a figure or image with the correct width/height dimensions and caption. We", "Visio and/or Illustrator template and linking it appropriately in the `.rst` file with", "entire team who mostly don't have programming backgrounds, but are willing to learn.", "reSructuredText files and their associated index entries in the `:toctree:` with a set", "must be a solution that can be taught to the entire team who", "will be used to fill in fields such as the `:ref:` name, Title", "the `.rst` file with a specified directive, such as a figure or image", "GUI or the command line are: * Creating reSructuredText files and their associated", "of time-consuming, repetitive tasks they we need to automate. We are mainly using", "name, index tags, and location of the page within the navigation hierarchy. ", "Our tech comm team has a wide variety of time-consuming, repetitive tasks they", "need to consider a programming language? Again, we would like to choose a", "command line are: Creating reSructuredText files and their associated index entries in", "a new position in the TOC. * Opening a Visio and/or Illustrator template", "Illustrator template and linking it appropriately in the `.rst` file with a specified", "the TOC. * Opening a Visio and/or Illustrator template and linking it appropriately", "image with the correct width/height dimensions and caption. We wish to keep the", "who mostly don't have programming backgrounds, but are willing to learn. Would a", "a wide variety of time-consuming, repetitive tasks they we need to automate. We", "automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things", "need to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio.", "a set of parameters that the author can specify that will be used", "set of parameters that the author can specify that will be used to", "used to fill in fields such as the `:ref:` name, Title of the", "the `:toctree:` with a set of parameters that the author can specify that", "within the navigation hierarchy. * Moving sections of the documentation to a new", "hierarchy. * Moving sections of the documentation to a new position in the", "are using Macs) be most appropriate? Would we need to consider a programming", "Specific things we need to automate and make accessible via either a GUI", "we need to consider a programming language? Again, we would like to choose", "directive, such as a figure or image with the correct width/height dimensions and", "the `:ref:` name, Title of the page, file name, index tags, and location", "figure or image with the correct width/height dimensions and caption. We wish to", "a macro-type program such as Automator (we are using Macs) be most appropriate?", "are willing to learn. Would a macro-type program such as Automator (we are", "time-consuming, repetitive tasks they we need to automate. We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html),", "wish to keep the tooling to a minimum. It must be a solution", "author can specify that will be used to fill in fields such as", "either a GUI or the command line are: * Creating reSructuredText files and", "We are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things we", "that will be used to fill in fields such as the `:ref:` name,", "are: * Creating reSructuredText files and their associated index entries in the `:toctree:`", "of the page, file name, index tags, and location of the page within", "minimum. It must be a solution that can be taught to the entire", "fill in fields such as the `:ref:` name, Title of the page, file", "have programming backgrounds, but are willing to learn. Would a macro-type program such", "Automator (we are using Macs) be most appropriate? Would we need to consider", "a GUI or the command line are: * Creating reSructuredText files and their", "accessible via either a GUI or the command line are: * Creating reSructuredText", "that the author can specify that will be used to fill in fields", "[reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things we need to automate and make", "correct width/height dimensions and caption. We wish to keep the tooling to a", "such as the `:ref:` name, Title of the page, file name, index tags,", "to learn. Would a macro-type program such as Automator (we are using Macs)", "with a set of parameters that the author can specify that will be", "documentation to a new position in the TOC. * Opening a Visio and/or", "index tags, and location of the page within the navigation hierarchy. * Moving", "and location of the page within the navigation hierarchy. * Moving sections of", "the tooling to a minimum. It must be a solution that can be", "using Macs) be most appropriate? Would we need to consider a programming language?", "their associated index entries in the `:toctree:` with a set of parameters that", "make accessible via either a GUI or the command line are: * Creating", "files and their associated index entries in the `:toctree:` with a set of", "page within the navigation hierarchy. * Moving sections of the documentation to a", "via either a GUI or the command line are: * Creating reSructuredText files", "as Automator (we are using Macs) be most appropriate? Would we need to", "position in the TOC. * Opening a Visio and/or Illustrator template and linking", "consider a programming language? Again, we would like to choose a single technology/tool,", "are mainly using [Sphinx](http://www.sphinx-doc.org/en/stable/index.html), [reStructuredText](http://docutils.sourceforge.net/rst.html), Adobe Illustrator, and Visio. Specific things we need", "of parameters that the author can specify that will be used to fill", "in the TOC. * Opening a Visio and/or Illustrator template and linking it", "TOC. * Opening a Visio and/or Illustrator template and linking it appropriately in", "`:toctree:` with a set of parameters that the author can specify that will", "the entire team who mostly don't have programming backgrounds, but are willing to", "in fields such as the `:ref:` name, Title of the page, file name," ]
[ "important parts of a topic, and possibly introducing the relevant jargon, while keeping", "audience lacks the necessary background to explain the topic in it's own terms", "topics it is often difficult to get across the complexity of a topic", "of cryptography to management or end-users). What techniques can you use to help", "without getting \"stuck in the weeds\" and ultimately leaving the audience confused or", "type of cryptography to management or end-users). What techniques can you use to", "a topic, and possibly introducing the relevant jargon, while keeping such an audience", "cryptography to management or end-users). What techniques can you use to help explain", "the necessary background to explain the topic in it's own terms (e.g. explaining", "it's own terms (e.g. explaining the usage of a certain type of cryptography", "the important parts of a topic, and possibly introducing the relevant jargon, while", "lacks the necessary background to explain the topic in it's own terms (e.g.", "topic without getting \"stuck in the weeds\" and ultimately leaving the audience confused", "or end-users). What techniques can you use to help explain the important parts", "in the weeds\" and ultimately leaving the audience confused or disinterested. Particularly when", "is often difficult to get across the complexity of a topic without getting", "often difficult to get across the complexity of a topic without getting \"stuck", "of a topic without getting \"stuck in the weeds\" and ultimately leaving the", "the weeds\" and ultimately leaving the audience confused or disinterested. Particularly when the", "and ultimately leaving the audience confused or disinterested. Particularly when the audience lacks", "in it's own terms (e.g. explaining the usage of a certain type of", "of a topic, and possibly introducing the relevant jargon, while keeping such an", "use to help explain the important parts of a topic, and possibly introducing", "parts of a topic, and possibly introducing the relevant jargon, while keeping such", "terms (e.g. explaining the usage of a certain type of cryptography to management", "writing about technical topics it is often difficult to get across the complexity", "difficult to get across the complexity of a topic without getting \"stuck in", "audience confused or disinterested. Particularly when the audience lacks the necessary background to", "when the audience lacks the necessary background to explain the topic in it's", "can you use to help explain the important parts of a topic, and", "end-users). What techniques can you use to help explain the important parts of", "leaving the audience confused or disinterested. Particularly when the audience lacks the necessary", "to explain the topic in it's own terms (e.g. explaining the usage of", "or disinterested. Particularly when the audience lacks the necessary background to explain the", "across the complexity of a topic without getting \"stuck in the weeds\" and", "the complexity of a topic without getting \"stuck in the weeds\" and ultimately", "What techniques can you use to help explain the important parts of a", "management or end-users). What techniques can you use to help explain the important", "technical topics it is often difficult to get across the complexity of a", "a certain type of cryptography to management or end-users). What techniques can you", "help explain the important parts of a topic, and possibly introducing the relevant", "When writing about technical topics it is often difficult to get across the", "background to explain the topic in it's own terms (e.g. explaining the usage", "getting \"stuck in the weeds\" and ultimately leaving the audience confused or disinterested.", "explain the topic in it's own terms (e.g. explaining the usage of a", "to management or end-users). What techniques can you use to help explain the", "about technical topics it is often difficult to get across the complexity of", "it is often difficult to get across the complexity of a topic without", "confused or disinterested. Particularly when the audience lacks the necessary background to explain", "the topic in it's own terms (e.g. explaining the usage of a certain", "to help explain the important parts of a topic, and possibly introducing the", "topic in it's own terms (e.g. explaining the usage of a certain type", "usage of a certain type of cryptography to management or end-users). What techniques", "\"stuck in the weeds\" and ultimately leaving the audience confused or disinterested. Particularly", "you use to help explain the important parts of a topic, and possibly", "the usage of a certain type of cryptography to management or end-users). What", "own terms (e.g. explaining the usage of a certain type of cryptography to", "ultimately leaving the audience confused or disinterested. Particularly when the audience lacks the", "a topic without getting \"stuck in the weeds\" and ultimately leaving the audience", "the audience confused or disinterested. Particularly when the audience lacks the necessary background", "(e.g. explaining the usage of a certain type of cryptography to management or", "explaining the usage of a certain type of cryptography to management or end-users).", "disinterested. Particularly when the audience lacks the necessary background to explain the topic", "complexity of a topic without getting \"stuck in the weeds\" and ultimately leaving", "get across the complexity of a topic without getting \"stuck in the weeds\"", "certain type of cryptography to management or end-users). What techniques can you use", "topic, and possibly introducing the relevant jargon, while keeping such an audience engaged?", "techniques can you use to help explain the important parts of a topic,", "the audience lacks the necessary background to explain the topic in it's own", "explain the important parts of a topic, and possibly introducing the relevant jargon,", "to get across the complexity of a topic without getting \"stuck in the", "weeds\" and ultimately leaving the audience confused or disinterested. Particularly when the audience", "necessary background to explain the topic in it's own terms (e.g. explaining the", "Particularly when the audience lacks the necessary background to explain the topic in", "of a certain type of cryptography to management or end-users). What techniques can" ]
[ "Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under active development by", "most recent release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere", "[GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days ago). [The Sandcastle Codeplex page", "and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days ago). [The Sandcastle", "the lack of recent releases. (There's actually contradictory information on this, though: their", "Wikipedia currently [lists](https://en.wikipedia.org/wiki/Sandcastle_(software)) the Development Status of the Sandcastle documentation generation software as", "commits a mere 22 days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that", "to an individual developer. What's the actual status of this project? Is there", "an individual developer. What's the actual status of this project? Is there a", "recent release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22", "days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under", "development by Microsoft - it seems to have been turned over to an", "Sandcastle documentation generation software as \"Stalled,\" citing the lack of recent releases. (There's", "under active development by Microsoft - it seems to have been turned over", "Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under active development by Microsoft", "(There's actually contradictory information on this, though: their section on the history of", "2008, the sidebar says the most recent release was 2010, and the [GitHub", "contradictory information on this, though: their section on the history of the tool", "history of the tool says the most recent release was 2008, the sidebar", "as \"Stalled,\" citing the lack of recent releases. (There's actually contradictory information on", "have been turned over to an individual developer. What's the actual status of", "developer. What's the actual status of this project? Is there a recommended alternative?", "recent releases. (There's actually contradictory information on this, though: their section on the", "the Sandcastle documentation generation software as \"Stalled,\" citing the lack of recent releases.", "ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under active", "recent release was 2008, the sidebar says the most recent release was 2010,", "project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle)", "seems to have been turned over to an individual developer. What's the actual", "Status of the Sandcastle documentation generation software as \"Stalled,\" citing the lack of", "citing the lack of recent releases. (There's actually contradictory information on this, though:", "it's no longer under active development by Microsoft - it seems to have", "Development Status of the Sandcastle documentation generation software as \"Stalled,\" citing the lack", "active development by Microsoft - it seems to have been turned over to", "the sidebar says the most recent release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB)", "releases. (There's actually contradictory information on this, though: their section on the history", "the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days ago). [The Sandcastle Codeplex", "shows commits a mere 22 days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states", "that it's no longer under active development by Microsoft - it seems to", "no longer under active development by Microsoft - it seems to have been", "on the history of the tool says the most recent release was 2008,", "information on this, though: their section on the history of the tool says", "[lists](https://en.wikipedia.org/wiki/Sandcastle_(software)) the Development Status of the Sandcastle documentation generation software as \"Stalled,\" citing", "documentation generation software as \"Stalled,\" citing the lack of recent releases. (There's actually", "over to an individual developer. What's the actual status of this project? Is", "itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under active development by Microsoft - it", "the history of the tool says the most recent release was 2008, the", "software as \"Stalled,\" citing the lack of recent releases. (There's actually contradictory information", "turned over to an individual developer. What's the actual status of this project?", "22 days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer", "section on the history of the tool says the most recent release was", "of the Sandcastle documentation generation software as \"Stalled,\" citing the lack of recent", "the most recent release was 2008, the sidebar says the most recent release", "by Microsoft - it seems to have been turned over to an individual", "mere 22 days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no", "says the most recent release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits", "release was 2008, the sidebar says the most recent release was 2010, and", "to have been turned over to an individual developer. What's the actual status", "the most recent release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a", "2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days ago). [The", "lack of recent releases. (There's actually contradictory information on this, though: their section", "\"Stalled,\" citing the lack of recent releases. (There's actually contradictory information on this,", "the Development Status of the Sandcastle documentation generation software as \"Stalled,\" citing the", "longer under active development by Microsoft - it seems to have been turned", "a mere 22 days ago). [The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's", "sidebar says the most recent release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows", "was 2008, the sidebar says the most recent release was 2010, and the", "on this, though: their section on the history of the tool says the", "most recent release was 2008, the sidebar says the most recent release was", "release was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days", "of recent releases. (There's actually contradictory information on this, though: their section on", "[The Sandcastle Codeplex page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under active development", "currently [lists](https://en.wikipedia.org/wiki/Sandcastle_(software)) the Development Status of the Sandcastle documentation generation software as \"Stalled,\"", "Microsoft - it seems to have been turned over to an individual developer.", "this, though: their section on the history of the tool says the most", "though: their section on the history of the tool says the most recent", "of the tool says the most recent release was 2008, the sidebar says", "their section on the history of the tool says the most recent release", "tool says the most recent release was 2008, the sidebar says the most", "states that it's no longer under active development by Microsoft - it seems", "individual developer. What's the actual status of this project? Is there a recommended", "page itself](https://archive.codeplex.com/?p=sandcastle) states that it's no longer under active development by Microsoft -", "- it seems to have been turned over to an individual developer. What's", "actually contradictory information on this, though: their section on the history of the", "the tool says the most recent release was 2008, the sidebar says the", "was 2010, and the [GitHub project](https://github.com/EWSoftware/SHFB) shows commits a mere 22 days ago).", "generation software as \"Stalled,\" citing the lack of recent releases. (There's actually contradictory", "says the most recent release was 2008, the sidebar says the most recent", "been turned over to an individual developer. What's the actual status of this", "it seems to have been turned over to an individual developer. What's the" ]
[ "to document. I'd also like opinions on how to split up and structure", "a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a single", "loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a single job, but may", "how to split up and structure the documentation, especially as the product gets", "in what to document. I'd also like opinions on how to split up", "other services. It is expected that additional services will be added later. The", "possible** overall use case of the product (catching mice) get satisfied. What is", "that additional services will be added later. The overall product could be considered", "[Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the whole product could be a complex", "additional services will be added later. The overall product could be considered to", "later. The overall product could be considered to be something like the game", "be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the whole", "software product consisting of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is", "combine it with the kicking-foot component and the dropping-cage component does one possible", "a single job, but may be dependent on inputs from other services. It", "product consisting of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective", "A practical use case for the whole product could be a complex combination", "What is the best way to document such dependent services? To clarify I'm", "is the best way to document such dependent services? To clarify I'm not", "considered to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for", "document such dependent services? To clarify I'm not just interested in what to", "consisting of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at", "at a single job, but may be dependent on inputs from other services.", "dropping-cage component does one possible overall use case of the product (catching mice)", "the dropping-cage component does one possible overall use case of the product (catching", "will be added later. The overall product could be considered to be something", "services. Maybe I have a ball-rolling-down-stairs component, but just documenting the inputs and", "document. I'd also like opinions on how to split up and structure the", "job, but may be dependent on inputs from other services. It is expected", "Maybe I have a ball-rolling-down-stairs component, but just documenting the inputs and outputs", "seems incomplete as only once I combine it with the kicking-foot component and", "[microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a single job, but may be dependent", "like opinions on how to split up and structure the documentation, especially as", "of the product (catching mice) get satisfied. What is the best way to", "just documenting the inputs and outputs seems incomplete as only once I combine", "like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the whole product could", "outputs seems incomplete as only once I combine it with the kicking-foot component", "whole product could be a complex combination of services. Maybe I have a", "I combine it with the kicking-foot component and the dropping-cage component does *one", "be considered to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case", "a ball-rolling-down-stairs* component, but just documenting the inputs and outputs seems incomplete as", "of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a", "kicking-foot component and the dropping-cage component does one possible overall use case of", "expected that additional services will be added later. The overall product could be", "(catching mice) get satisfied. What is the best way to document such dependent", "services will be added later. The overall product could be considered to be", "but just documenting the inputs and outputs seems incomplete as only once I", "satisfied. What is the best way to document such dependent services? To clarify", "be added later. The overall product could be considered to be something like", "a complex combination of services. Maybe I have a ball-rolling-down-stairs component, but just", "be dependent on inputs from other services. It is expected that additional services", "just interested in what to document. I'd also like opinions on how to", "of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a single job, but", "as only once I combine it with the kicking-foot component and the dropping-cage", "combination of services. Maybe I have a ball-rolling-down-stairs component, but just documenting the", "the product (catching mice) get satisfied. What is the best way to document", "dependent services? To clarify I'm not just interested in what to document. I'd", "may be dependent on inputs from other services. It is expected that additional", "component, but just documenting the inputs and outputs seems incomplete as only once", "get satisfied. What is the best way to document such dependent services? To", "complex combination of services. Maybe I have a ball-rolling-down-stairs component, but just documenting", "the whole product could be a complex combination of services. Maybe I have", "once I combine it with the kicking-foot component and the dropping-cage component does", "it with the kicking-foot component and the dropping-cage component does one possible overall", "services? To clarify I'm not just interested in what to document. I'd also", "effective at a single job, but may be dependent on inputs from other", "I'd also like opinions on how to split up and structure the documentation,", "To clarify I'm not just interested in what to document. I'd also like", "best way to document such dependent services? To clarify I'm not just interested", "does one possible overall use case of the product (catching mice) get satisfied.", "have a highly flexible software product consisting of a series of loosely coupled", "the best way to document such dependent services? To clarify I'm not just", "It is expected that additional services will be added later. The overall product", "interested in what to document. I'd also like opinions on how to split", "could be a complex combination of services. Maybe I have a ball-rolling-down-stairs component,", "series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a single job,", "inputs from other services. It is expected that additional services will be added", "product could be considered to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical", "component and the dropping-cage component does one possible overall use case of the", "clarify I'm not just interested in what to document. I'd also like opinions", "I have a ball-rolling-down-stairs component, but just documenting the inputs and outputs seems", "opinions on how to split up and structure the documentation, especially as the", "flexible** software product consisting of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component", "overall product could be considered to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A", "only once I combine it with the kicking-foot component and the dropping-cage component", "and the dropping-cage component does one possible overall use case of the product", "services. It is expected that additional services will be added later. The overall", "such dependent services? To clarify I'm not just interested in what to document.", "split up and structure the documentation, especially as the product gets more complex.", "what to document. I'd also like opinions on how to split up and", "to split up and structure the documentation, especially as the product gets more", "coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each component is effective at a single job, but may be", "is effective at a single job, but may be dependent on inputs from", "dependent on inputs from other services. It is expected that additional services will", "case for the whole product could be a complex combination of services. Maybe", "of services. Maybe I have a ball-rolling-down-stairs component, but just documenting the inputs", "for the whole product could be a complex combination of services. Maybe I", "I have a highly flexible software product consisting of a series of loosely", "but may be dependent on inputs from other services. It is expected that", "the kicking-foot component and the dropping-cage component does one possible overall use case", "product (catching mice) get satisfied. What is the best way to document such", "on inputs from other services. It is expected that additional services will be", "incomplete as only once I combine it with the kicking-foot component and the", "case of the product (catching mice) get satisfied. What is the best way", "a highly flexible software product consisting of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices).", "something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the whole product", "mice) get satisfied. What is the best way to document such dependent services?", "with the kicking-foot component and the dropping-cage component does one possible overall use", "way to document such dependent services? To clarify I'm not just interested in", "could be considered to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use", "game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the whole product could be a", "and outputs seems incomplete as only once I combine it with the kicking-foot", "one possible overall use case of the product (catching mice) get satisfied. What", "The overall product could be considered to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA).", "the inputs and outputs seems incomplete as only once I combine it with", "component is effective at a single job, but may be dependent on inputs", "inputs and outputs seems incomplete as only once I combine it with the", "practical use case for the whole product could be a complex combination of", "be a complex combination of services. Maybe I have a ball-rolling-down-stairs component, but", "on how to split up and structure the documentation, especially as the product", "Each component is effective at a single job, but may be dependent on", "I'm not just interested in what to document. I'd also like opinions on", "the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the whole product could be", "to be something like the game [Mousetrap](https://www.youtube.com/watch?v=sy840XvnQRA). A practical use case for the", "overall use case of the product (catching mice) get satisfied. What is the", "use case of the product (catching mice) get satisfied. What is the best", "from other services. It is expected that additional services will be added later.", "to document such dependent services? To clarify I'm not just interested in what", "documenting the inputs and outputs seems incomplete as only once I combine it", "also like opinions on how to split up and structure the documentation, especially", "not just interested in what to document. I'd also like opinions on how", "single job, but may be dependent on inputs from other services. It is", "ball-rolling-down-stairs component, but just documenting the inputs and outputs seems incomplete as only", "is expected that additional services will be added later. The overall product could", "component does one possible overall use case of the product (catching mice) get", "use case for the whole product could be a complex combination of services.", "added later. The overall product could be considered to be something like the", "product could be a complex combination of services. Maybe I have a ball-rolling-down-stairs", "have a ball-rolling-down-stairs component, but just documenting the inputs and outputs seems incomplete", "highly flexible software product consisting of a series of loosely coupled [microservices](https://en.wikipedia.org/wiki/Microservices). Each" ]
[ "[the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions are concerned,", "their consumer-facing documents are among the most widespread. Their instructions can be found", "far as assembly instructions are concerned, their consumer-facing documents are among the most", "skill that can be learnt, and there are institutions which teach it. IKEA", "how to write assembly instructions: copyright questions aside, should IKEA’s documents be used", "it. IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly", "to be: writing assembly instructions is a skill that can be learnt, and", "found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of their Bullv", "from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be: writing assembly instructions is a", "documents are among the most widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For", "to write assembly instructions: copyright questions aside, should IKEA’s documents be used as", "as assembly instructions are concerned, their consumer-facing documents are among the most widespread.", "there are institutions which teach it. IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA),", "But they don’t have to be: writing assembly instructions is a skill that", "assembly instructions: copyright questions aside, should IKEA’s documents be used as good examples?", "furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions are concerned, their consumer-facing documents", "bad (example via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to", "assembly instructions are bad (example via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they", "be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of their", "one of their Bullv bookcases. In teaching how to write assembly instructions: copyright", "instructions is a skill that can be learnt, and there are institutions which", "example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of their Bullv bookcases. In teaching", "can be learnt, and there are institutions which teach it. IKEA is [the", "are among the most widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example,", "have to be: writing assembly instructions is a skill that can be learnt,", "instructions are concerned, their consumer-facing documents are among the most widespread. Their instructions", "writing assembly instructions is a skill that can be learnt, and there are", "assembly instructions is a skill that can be learnt, and there are institutions", "teaching how to write assembly instructions: copyright questions aside, should IKEA’s documents be", "and there are institutions which teach it. IKEA is [the world's largest furniture", "largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions are concerned, their consumer-facing", "[![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be: writing assembly instructions", "as far as assembly instructions are concerned, their consumer-facing documents are among the", "is a skill that can be learnt, and there are institutions which teach", "are institutions which teach it. IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and", "(example via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be:", "Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for", "instructions are bad (example via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t", "be learnt, and there are institutions which teach it. IKEA is [the world's", "consumer-facing documents are among the most widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html).", "IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions", "instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be: writing assembly instructions is", "their Bullv bookcases. In teaching how to write assembly instructions: copyright questions aside,", "[Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be: writing assembly", "are the instructions for one of their Bullv bookcases. In teaching how to", "among the most widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf)", "a skill that can be learnt, and there are institutions which teach it.", "Bullv bookcases. In teaching how to write assembly instructions: copyright questions aside, should", "is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions are", "Often, assembly instructions are bad (example via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But", "that can be learnt, and there are institutions which teach it. IKEA is", "don’t have to be: writing assembly instructions is a skill that can be", "instructions for one of their Bullv bookcases. In teaching how to write assembly", "be: writing assembly instructions is a skill that can be learnt, and there", "hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be: writing assembly instructions is a skill", "institutions which teach it. IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as", "via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have to be: writing", "instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one", "of their Bullv bookcases. In teaching how to write assembly instructions: copyright questions", "learnt, and there are institutions which teach it. IKEA is [the world's largest", "retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions are concerned, their consumer-facing documents are", "write assembly instructions: copyright questions aside, should IKEA’s documents be used as good", "assembly instructions are concerned, their consumer-facing documents are among the most widespread. Their", "world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as assembly instructions are concerned, their", "most widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the", "the most widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are", "[these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of their Bullv bookcases. In teaching how", "For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of their Bullv bookcases. In", "concerned, their consumer-facing documents are among the most widespread. Their instructions can be", "they don’t have to be: writing assembly instructions is a skill that can", "the instructions for one of their Bullv bookcases. In teaching how to write", "for one of their Bullv bookcases. In teaching how to write assembly instructions:", "In teaching how to write assembly instructions: copyright questions aside, should IKEA’s documents", "teach it. IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far as", "widespread. Their instructions can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions", "[here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of their Bullv bookcases.", "bookcases. In teaching how to write assembly instructions: copyright questions aside, **should IKEA’s", "and as far as assembly instructions are concerned, their consumer-facing documents are among", "are concerned, their consumer-facing documents are among the most widespread. Their instructions can", "which teach it. IKEA is [the world's largest furniture retailer](https://en.wikipedia.org/wiki/IKEA), and as far", "can be found [here](http://www.ikea.com/ms/en_US/customer_service/assembly_instructions.html). For example, [these](http://www.ikea.com/ms/en_US/customer_service/assembly/B/B40085714.pdf) are the instructions for one of", "are bad (example via [Adafruit](https://blog.adafruit.com/2010/10/12/assembly-instructions-from-hell/)): [![Assembly instructions from hell](https://i.stack.imgur.com/KK7Tx.jpg)](https://i.stack.imgur.com/KK7Tx.jpg) But they don’t have" ]
[ "feedback\": * To get meaningful feedback from our readers: + We must focus", "unambiguous. + The issues that the respondents are concerned about must be easily", "must be clearly and universally understood by all respondents. * For feedback to", "I mean by \"meaningful and actionable feedback\": * To get meaningful feedback from", "the docs I write. What kind of strategies/tools/etc. do you guys use for", "of view. + We must ask only the fewest possible number of questions", "be unambiguous. + The issues that the respondents are concerned about must be", "readers' point of view. + We must ask only the fewest possible number", "universally understood by all respondents. * For feedback to be actionable, it must", "only on the most important issues from the readers' point of view. +", "be clearly and universally understood by all respondents. * For feedback to be", "nobody reads :), I'm always on the lookout for the best ways to", "write. What kind of strategies/tools/etc. do you guys use for this? EDIT: Let", "by \"meaningful and actionable feedback\": * To get meaningful feedback from our readers:", "you guys use for this? EDIT: Let me clarify what I mean by", "view. + We must ask only the fewest possible number of questions that", "all of these important issues. + The terminology we use must be clearly", "For feedback to be actionable, it must meet the following criteria: + The", "actionable, it must meet the following criteria: + The readers' responses must be", "for the best ways to collect meaningful and actionable feedback from my readers", "issues that the respondents are concerned about must be easily understood and easily", "point of view. + We must ask only the fewest possible number of", "understood by all respondents. * For feedback to be actionable, it must meet", "guys use for this? 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What kind of strategies/tools/etc. do", "I write. What kind of strategies/tools/etc. do you guys use for this? EDIT:", "from my readers so I can improve the quality of the docs I", "do you guys use for this? EDIT: Let me clarify what I mean", "feedback from our readers: + We must focus only on the most important", "respondents. * For feedback to be actionable, it must meet the following criteria:", "important issues from the readers' point of view. + We must ask only", "to collect meaningful and actionable feedback from my readers so I can improve", "of the docs I write. What kind of strategies/tools/etc. do you guys use", "meet the following criteria: + The readers' responses must be unambiguous. + The", "that the respondents are concerned about must be easily understood and easily addressable", "quality of the docs I write. What kind of strategies/tools/etc. do you guys", "about must be easily understood and easily addressable by the people the feedback", "important issues. + The terminology we use must be clearly and universally understood", "The issues that the respondents are concerned about must be easily understood and", "mean by \"meaningful and actionable feedback\": * To get meaningful feedback from our", "clarify what I mean by \"meaningful and actionable feedback\": * To get meaningful", "actionable feedback from my readers so I can improve the quality of the", "reads :), I'm always on the lookout for the best ways to collect", "that can cover all of these important issues. + The terminology we use", "issues from the readers' point of view. + We must ask only the", "from the readers' point of view. + We must ask only the fewest", "meaningful and actionable feedback from my readers so I can improve the quality", "only the fewest possible number of questions that can cover all of these", "ways to collect meaningful and actionable feedback from my readers so I can", "I can improve the quality of the docs I write. What kind of", "issues. + The terminology we use must be clearly and universally understood by", "The terminology we use must be clearly and universally understood by all respondents.", "fewest possible number of questions that can cover all of these important issues.", "these important issues. + The terminology we use must be clearly and universally", "stuff nobody reads :), I'm always on the lookout for the best ways", "use for this? EDIT: Let me clarify what I mean by \"meaningful and", "actionable feedback\": * To get meaningful feedback from our readers: + We must", "get paid to write stuff nobody reads :), I'm always on the lookout", "the most important issues from the readers' point of view. + We must", "criteria: + The readers' responses must be unambiguous. + The issues that the", "focus only on the most important issues from the readers' point of view.", "possible number of questions that can cover all of these important issues. +", "the quality of the docs I write. What kind of strategies/tools/etc. do you", "following criteria: + The readers' responses must be unambiguous. + The issues that", "from our readers: + We must focus only on the most important issues", "cover all of these important issues. + The terminology we use must be", "number of questions that can cover all of these important issues. + The", "the best ways to collect meaningful and actionable feedback from my readers so", "kind of strategies/tools/etc. do you guys use for this? EDIT: Let me clarify", "the readers' point of view. + We must ask only the fewest possible", "responses must be unambiguous. + The issues that the respondents are concerned about", "of questions that can cover all of these important issues. + The terminology", "* To get meaningful feedback from our readers: + We must focus only", "me clarify what I mean by \"meaningful and actionable feedback\": * To get", "by all respondents. * For feedback to be actionable, it must meet the", "be easily understood and easily addressable by the people the feedback is intended", "readers' responses must be unambiguous. + The issues that the respondents are concerned", "on the most important issues from the readers' point of view. + We", "the respondents are concerned about must be easily understood and easily addressable by", "paid to write stuff nobody reads :), I'm always on the lookout for", "feedback from my readers so I can improve the quality of the docs", "* For feedback to be actionable, it must meet the following criteria: +", "the fewest possible number of questions that can cover all of these important", "can improve the quality of the docs I write. What kind of strategies/tools/etc.", "feedback to be actionable, it must meet the following criteria: + The readers'", "docs I write. What kind of strategies/tools/etc. do you guys use for this?", "the lookout for the best ways to collect meaningful and actionable feedback from", "and universally understood by all respondents. * For feedback to be actionable, it", "of strategies/tools/etc. do you guys use for this? EDIT: Let me clarify what", "the following criteria: + The readers' responses must be unambiguous. + The issues", "we use must be clearly and universally understood by all respondents. * For", "for this? EDIT: Let me clarify what I mean by \"meaningful and actionable", "terminology we use must be clearly and universally understood by all respondents. ", "strategies/tools/etc. do you guys use for this? EDIT: Let me clarify what I", ":), I'm always on the lookout for the best ways to collect meaningful", "our readers: + We must focus only on the most important issues from", "must ask only the fewest possible number of questions that can cover all", "easily understood and easily addressable by the people the feedback is intended for.", "to be actionable, it must meet the following criteria: + The readers' responses", "get meaningful* feedback from our readers: + We must focus only on the", "+ We must ask only the fewest possible number of questions that can", "+ The terminology we use must be clearly and universally understood by all", "+ The readers' responses must be unambiguous. + The issues that the respondents", "concerned about must be easily understood and easily addressable by the people the", "best ways to collect meaningful and actionable feedback from my readers so I", "must be unambiguous. + The issues that the respondents are concerned about must", "to write stuff nobody reads :), I'm always on the lookout for the", "respondents are concerned about must be easily understood and easily addressable by the", "+ The issues that the respondents are concerned about must be easily understood", "so I can improve the quality of the docs I write. What kind", "must meet the following criteria: + The readers' responses must be unambiguous. +", "and actionable feedback from my readers so I can improve the quality of", "Let me clarify what I mean by \"meaningful and actionable feedback\": * To", "and actionable feedback\": * To get meaningful feedback from our readers: + We", "readers: + We must focus only on the most important issues from the", "lookout for the best ways to collect meaningful and actionable feedback from my", "EDIT: Let me clarify what I mean by \"meaningful and actionable feedback\": ", "clearly and universally understood by all respondents. For feedback to be actionable,", "The readers' responses must be unambiguous. + The issues that the respondents are", "it must meet the following criteria: + The readers' responses must be unambiguous.", "We must ask only the fewest possible number of questions that can cover", "must focus only on the most important issues from the readers' point of", "What kind of strategies/tools/etc. do you guys use for this? EDIT: Let me", "readers so I can improve the quality of the docs I write. What" ]
[ "is there research indicating that there's no engagement boost from using it in", "this despite it also being widely known that most people rarely engage with", "engagement boost from using it in written documentation? (Or, as I would hope,", "known that live presenters are often advised to add a dose of humour", "engage the audience better. However, I very rarely see humour in written technical", "very ineffectively when they do. \"The Feynman Lectures on Physics\" are a good", "on Physics\" are a good example of humour being included. Is avoiding humour", "that live presenters are often advised to add a dose of humour in", "documentation? (Or, as I would hope, is there research that there is such", "of humour in order to engage the audience better. However, I very rarely", "people rarely engage with documentation, and consume it very ineffectively when they do.", "in order to engage the audience better. However, I very rarely see humour", "better. However, I very rarely see humour in written technical documentation; this despite", "widely known that most people rarely engage with documentation, and consume it very", "humour just a cultural tradition, or is there research indicating that there's no", "consume it very ineffectively when they do. \"The Feynman Lectures on Physics\" are", "humour in written technical documentation; this despite it also being widely known that", "a dose of humour in order to engage the audience better. However, I", "that most people rarely engage with documentation, and consume it very ineffectively when", "dose of humour in order to engage the audience better. However, I very", "example of humour being included. Is avoiding humour just a cultural tradition, or", "well known that live presenters are often advised to add a dose of", "using it in written documentation? (Or, as I would hope, is there research", "in written technical documentation; this despite it also being widely known that most", "see humour in written technical documentation; this despite it also being widely known", "good example of humour being included. Is avoiding humour just a cultural tradition,", "presenters are often advised to add a dose of humour in order to", "as I would hope, is there research that there is such a boost)?", "written technical documentation; this despite it also being widely known that most people", "tradition, or is there research indicating that there's no engagement boost from using", "humour being included. Is avoiding humour just a cultural tradition, or is there", "are often advised to add a dose of humour in order to engage", "I very rarely see humour in written technical documentation; this despite it also", "that there's no engagement boost from using it in written documentation? (Or, as", "live presenters are often advised to add a dose of humour in order", "there's no engagement boost from using it in written documentation? (Or, as I", "boost from using it in written documentation? (Or, as I would hope, is", "and consume it very ineffectively when they do. \"The Feynman Lectures on Physics\"", "they do. \"The Feynman Lectures on Physics\" are a good example of humour", "from using it in written documentation? (Or, as I would hope, is there", "humour in order to engage the audience better. However, I very rarely see", "However, I very rarely see humour in written technical documentation; this despite it", "in written documentation? (Or, as I would hope, is there research that there", "just a cultural tradition, or is there research indicating that there's no engagement", "written documentation? (Or, as I would hope, is there research that there is", "advised to add a dose of humour in order to engage the audience", "cultural tradition, or is there research indicating that there's no engagement boost from", "technical documentation; this despite it also being widely known that most people rarely", "or is there research indicating that there's no engagement boost from using it", "Physics\" are a good example of humour being included. Is avoiding humour just", "documentation; this despite it also being widely known that most people rarely engage", "order to engage the audience better. However, I very rarely see humour in", "Feynman Lectures on Physics\" are a good example of humour being included. Is", "it also being widely known that most people rarely engage with documentation, and", "rarely engage with documentation, and consume it very ineffectively when they do. \"The", "It's well known that live presenters are often advised to add a dose", "ineffectively when they do. \"The Feynman Lectures on Physics\" are a good example", "often advised to add a dose of humour in order to engage the", "it very ineffectively when they do. \"The Feynman Lectures on Physics\" are a", "most people rarely engage with documentation, and consume it very ineffectively when they", "avoiding humour just a cultural tradition, or is there research indicating that there's", "included. Is avoiding humour just a cultural tradition, or is there research indicating", "to add a dose of humour in order to engage the audience better.", "are a good example of humour being included. Is avoiding humour just a", "indicating that there's no engagement boost from using it in written documentation? (Or,", "rarely see humour in written technical documentation; this despite it also being widely", "with documentation, and consume it very ineffectively when they do. \"The Feynman Lectures", "no engagement boost from using it in written documentation? (Or, as I would", "\"The Feynman Lectures on Physics\" are a good example of humour being included.", "despite it also being widely known that most people rarely engage with documentation,", "being widely known that most people rarely engage with documentation, and consume it", "when they do. \"The Feynman Lectures on Physics\" are a good example of", "it in written documentation? (Or, as I would hope, is there research that", "there research indicating that there's no engagement boost from using it in written", "also being widely known that most people rarely engage with documentation, and consume", "a cultural tradition, or is there research indicating that there's no engagement boost", "audience better. However, I very rarely see humour in written technical documentation; this", "very rarely see humour in written technical documentation; this despite it also being", "a good example of humour being included. Is avoiding humour just a cultural", "Lectures on Physics\" are a good example of humour being included. Is avoiding", "research indicating that there's no engagement boost from using it in written documentation?", "Is avoiding humour just a cultural tradition, or is there research indicating that", "(Or, as I would hope, is there research that there is such a", "documentation, and consume it very ineffectively when they do. \"The Feynman Lectures on", "of humour being included. Is avoiding humour just a cultural tradition, or is", "known that most people rarely engage with documentation, and consume it very ineffectively", "being included. Is avoiding humour just a cultural tradition, or is there research", "to engage the audience better. However, I very rarely see humour in written", "engage with documentation, and consume it very ineffectively when they do. \"The Feynman", "do. \"The Feynman Lectures on Physics\" are a good example of humour being", "the audience better. However, I very rarely see humour in written technical documentation;", "add a dose of humour in order to engage the audience better. However," ]
[ "do Prerequisite setup task\"? What are some good rules to follow when deciding", "Should \"How to do X\" and \"How to do Y\" explicitly say \"Before", "to do Y\" explicitly say \"Before doing this, make sure to do Prerequisite", "this, make sure to do Prerequisite setup task\"? What are some good rules", "documentation. In some context, such as code or compliance documentation, the answer may", "documentation, the answer may drastically change. [See Chenmunka's answer](https://techcomm.stackexchange.com/a/212/271) for some of those", "do X + How to do Y Should \"How to do X\" and", "How to do Y Should \"How to do X\" and \"How to do", "about end-user documentation. In some context, such as code or compliance documentation, the", "X + How to do Y Should \"How to do X\" and \"How", "What are some good rules to follow when deciding if documentation should repeat", "suppose I have the following content: Some task + Prerequisite setup task", "also apply to documentation?** I'm asking about the documentation output, not necessarily the", "such as code or compliance documentation, the answer may drastically change. [See Chenmunka's", "DRY even if there's a lot of repeated content). Example: suppose I have", "repeated content). Example: suppose I have the following content: * Some task +", "there's a lot of repeated content). Example: suppose I have the following content:", "How to do X + How to do Y Should \"How to do", "do X\" and \"How to do Y\" explicitly say \"Before doing this, make", "tools for keeping the source content DRY even if there's a lot of", "have the following content: * Some task + Prerequisite setup task + How", "+ How to do Y Should \"How to do X\" and \"How to", "In programming, it's usually accepted that [DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most", "do Y Should \"How to do X\" and \"How to do Y\" explicitly", "in most situations. Does this principle also apply to documentation? I'm asking about", "\"Before doing this, make sure to do Prerequisite setup task\"? What are some", "for keeping the source content DRY even if there's a lot of repeated", "setup task + How to do X + How to do Y Should", "Y Should \"How to do X\" and \"How to do Y\" explicitly say", "content: * Some task + Prerequisite setup task + How to do X", "itself? I intended this question to be about end-user documentation. In some context,", "if documentation should repeat itself? I intended this question to be about end-user", "documentation output, not necessarily the source material (there are tools for keeping the", "accepted that [DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations. Does this principle", "necessarily the source material (there are tools for keeping the source content DRY", "Does this principle also apply to documentation?** I'm asking about the documentation output,", "task + Prerequisite setup task + How to do X + How to", "follow when deciding if documentation should repeat itself? I intended this question to", "code or compliance documentation, the answer may drastically change. [See Chenmunka's answer](https://techcomm.stackexchange.com/a/212/271) for", "to documentation?** I'm asking about the documentation output, not necessarily the source material", "or compliance documentation, the answer may drastically change. [See Chenmunka's answer](https://techcomm.stackexchange.com/a/212/271) for some", "usually accepted that [DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations. *Does this", "+ Prerequisite setup task + How to do X + How to do", "rules to follow when deciding if documentation should repeat itself? I intended this", "do Y\" explicitly say \"Before doing this, make sure to do Prerequisite setup", "content). Example: suppose I have the following content: * Some task + Prerequisite", "I have the following content: * Some task + Prerequisite setup task +", "of repeated content). Example: suppose I have the following content: * Some task", "\"How to do Y\" explicitly say \"Before doing this, make sure to do", "when deciding if documentation should repeat itself? I intended this question to be", "end-user documentation. In some context, such as code or compliance documentation, the answer", "the source content DRY even if there's a lot of repeated content). Example:", "are tools for keeping the source content DRY even if there's a lot", "are some good rules to follow when deciding if documentation should repeat itself?", "+ How to do X + How to do Y Should \"How to", "Y\" explicitly say \"Before doing this, make sure to do Prerequisite setup task\"?", "apply to documentation?** I'm asking about the documentation output, not necessarily the source", "principle also apply to documentation?** I'm asking about the documentation output, not necessarily", "keeping the source content DRY even if there's a lot of repeated content).", "to do X + How to do Y Should \"How to do X\"", "programming, it's usually accepted that [DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations.", "to do Y Should \"How to do X\" and \"How to do Y\"", "asking about the documentation output, not necessarily the source material (there are tools", "some good rules to follow when deciding if documentation should repeat itself? I", "question to be about end-user documentation. In some context, such as code or", "to be about end-user documentation. In some context, such as code or compliance", "the following content: * Some task + Prerequisite setup task + How to", "is better code in most situations. Does this principle also apply to documentation?", "* Some task + Prerequisite setup task + How to do X +", "task + How to do X + How to do Y Should \"How", "repeat itself? I intended this question to be about end-user documentation. In some", "compliance documentation, the answer may drastically change. [See Chenmunka's answer](https://techcomm.stackexchange.com/a/212/271) for some of", "even if there's a lot of repeated content). Example: suppose I have the", "a lot of repeated content). Example: suppose I have the following content: ", "I intended this question to be about end-user documentation. In some context, such", "X\" and \"How to do Y\" explicitly say \"Before doing this, make sure", "make sure to do Prerequisite setup task\"? What are some good rules to", "this principle also apply to documentation?* I'm asking about the documentation output, not", "context, such as code or compliance documentation, the answer may drastically change. [See", "code in most situations. Does this principle also apply to documentation? I'm asking", "following content: * Some task + Prerequisite setup task + How to do", "to follow when deciding if documentation should repeat itself? I intended this question", "the source material (there are tools for keeping the source content DRY even", "task\"? What are some good rules to follow when deciding if documentation should", "In some context, such as code or compliance documentation, the answer may drastically", "deciding if documentation should repeat itself? I intended this question to be about", "material (there are tools for keeping the source content DRY even if there's", "setup task\"? What are some good rules to follow when deciding if documentation", "Example: suppose I have the following content: * Some task + Prerequisite setup", "not necessarily the source material (there are tools for keeping the source content", "as code or compliance documentation, the answer may drastically change. [See Chenmunka's answer](https://techcomm.stackexchange.com/a/212/271)", "sure to do Prerequisite setup task\"? What are some good rules to follow", "that [DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations. *Does this principle also", "doing this, make sure to do Prerequisite setup task\"? What are some good", "explicitly say \"Before doing this, make sure to do Prerequisite setup task\"? What", "it's usually accepted that [DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations. Does", "better code in most situations. Does this principle also apply to documentation?* I'm", "\"How to do X\" and \"How to do Y\" explicitly say \"Before doing", "say \"Before doing this, make sure to do Prerequisite setup task\"? What are", "good rules to follow when deciding if documentation should repeat itself? I intended", "content DRY even if there's a lot of repeated content). Example: suppose I", "documentation?** I'm asking about the documentation output, not necessarily the source material (there", "and \"How to do Y\" explicitly say \"Before doing this, make sure to", "this question to be about end-user documentation. In some context, such as code", "code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations. *Does this principle also apply to", "I'm asking about the documentation output, not necessarily the source material (there are", "Prerequisite setup task + How to do X + How to do Y", "(there are tools for keeping the source content DRY even if there's a", "be about end-user documentation. In some context, such as code or compliance documentation,", "output, not necessarily the source material (there are tools for keeping the source", "if there's a lot of repeated content). Example: suppose I have the following", "[DRY code](https://en.wikipedia.org/wiki/Don%27t_repeat_yourself) is better code in most situations. Does this principle also apply", "to do X\" and \"How to do Y\" explicitly say \"Before doing this,", "to do Prerequisite setup task\"? What are some good rules to follow when", "lot of repeated content). Example: suppose I have the following content: Some", "Some task + Prerequisite setup task + How to do X + How", "intended this question to be about end-user documentation. In some context, such as", "source content DRY even if there's a lot of repeated content). Example: suppose", "the documentation output, not necessarily the source material (there are tools for keeping", "documentation should repeat itself? I intended this question to be about end-user documentation.", "Prerequisite setup task\"? What are some good rules to follow when deciding if", "the answer may drastically change. [See Chenmunka's answer](https://techcomm.stackexchange.com/a/212/271) for some of those implications.", "about the documentation output, not necessarily the source material (there are tools for", "source material (there are tools for keeping the source content DRY even if", "situations. Does this principle also apply to documentation? I'm asking about the documentation", "most situations. Does this principle also apply to documentation? I'm asking about the", "should repeat itself? I intended this question to be about end-user documentation. In", "some context, such as code or compliance documentation, the answer may drastically change." ]
[ "into the documentation, dynamically by preference, rather than having to either retype them", "users manual, history, specifications, maintenance manual, etc.)? Of note here is that while", "than having to either retype them by hand, or copy/paste from the git", "parts of the docs in a git are in markdown, however they are", "or footnote, depending on the target document, and the project objectives. The key", "to link to the commit comments rather than retype, or copy/paste, them into", "to the project allows contributors to include comments with each commit. If the", "an information bubble or footnote, depending on the target document, and the project", "of being in the git, wherever it is hosted. The parts of the", "to either retype them by hand, or copy/paste from the git to the", "and track, their efforts. Such alternatives include a business presentation developed by a", "though the preference is for DocBook XML format. The tool to use is", "being able to select which ones are included in which documentation streams (i.e.:", "multiple contributors need to coordinate, and track, their efforts. Such alternatives include a", "the project allows contributors to include comments with each commit. If the project's", "itself might be in a git, and often parts of it will be,", "link to the commit comments rather than retype, or copy/paste, them into the", "The output formats are primarily PDF and HTML, though markdown is useful at", "rich features available in those APIs. The documentation itself might be in a", "guarantee. Only the git commit comments are assured of being in the git,", "majority of the time, the bulk of the document writing is done in", "a specific web host is probably not usable. Though there are some rich", "time, the bulk of the document writing is done in a graphical word", "either XML or RTF, though the preference is for DocBook XML format. The", "limited to that. It is equally useful for any system where multiple contributors", "need to coordinate, and track, their efforts. Such alternatives include a business presentation", "on the API developed for/at a specific web host is probably not usable.", "development, it is not limited to that. It is equally useful for any", "have the tool \"pull\" the comments into the documentation, dynamically by preference, rather", "both data collection and reports. --- ### Additional information: The git repository is", "(i.e.: users manual, history, specifications, maintenance manual, etc.)? Of note here is that", "research project - both data collection and reports. --- ### Additional information: The", "Only the git commit comments are assured of being in the git, wherever", "contributors to include comments with each commit. If the project's guidelines, and managers'", "relevant documents. How do I create, and maintain, those links while also being", "developed by a team, a textbook with multiple authors, and a research project", "though neither is a guarantee. Only the git commit comments are assured of", "the git commit comments are assured of being in the git, wherever it", "useful for inclusion in the projects documentation - history, changelog, or users manual", "the document writing is done in a graphical word processor (MS Word, LibreOffice", "ability will be part of the decision process. The output formats are primarily", "here is that while git is known for software development, it is not", "history, specifications, maintenance manual, etc.)? Of note here is that while git is", "those APIs. The documentation itself might be in a git, and often parts", "is not limited to that. It is equally useful for any system where", "the web (such as on GitHub). As such, a method which relies on", "parts of it will be, though neither is a guarantee. Only the git", "created. The majority of the time, the bulk of the document writing is", "web host is probably not usable. Though there are some rich features available", "Word, LibreOffice Writer, etc) and can be saved as either XML or RTF,", "RTF, though the preference is for DocBook XML format. The tool to use", "HTML, though markdown is useful at times as well. The commit comments themselves", "reformated into the body of the documentation as a paragraph or annotation, or", "with multiple authors, and a research project - both data collection and reports.", "users manual as the case may be, it would be nice to link", "and the project objectives. The key objective is to have the tool \"pull\"", "project allows contributors to include comments with each commit. If the project's guidelines,", "and maintain, those links while also being able to select which ones are", "(such as on GitHub). As such, a method which relies on the API", "kept as-is (raw text) for an information bubble or footnote, depending on the", "LibreOffice Writer, etc) and can be saved as either XML or RTF, though", "\"pull\" the comments into the documentation, dynamically by preference, rather than having to", "project - both data collection and reports. --- ### Additional information: The git", "to track modifications to the project allows contributors to include comments with each", "and can be saved as either XML or RTF, though the preference is", "- both data collection and reports. --- ### Additional information: The git repository", "system where multiple contributors need to coordinate, and track, their efforts. Such alternatives", "objective is to have the tool \"pull\" the comments into the documentation, dynamically", "the documentation as a paragraph or annotation, or kept as-is (raw text) for", "host is probably not usable. Though there are some rich features available in", "into the body of the documentation as a paragraph or annotation, or kept", "to coordinate, and track, their efforts. Such alternatives include a business presentation developed", "the target document, and the project objectives. The key objective is to have", "the bulk of the document writing is done in a graphical word processor", "The git repository is always available locally, though not always on the web", "XML format. The tool to use is subject to change, this ability will", "as the case may be, it would be nice to link to the", "rather than having to either retype them by hand, or copy/paste from the", "comments with each commit. If the project's guidelines, and managers' control, keeps those", "changelog, or users manual as the case may be, it would be nice", "Writer, etc) and can be saved as either XML or RTF, though the", "wherever it is hosted. The parts of the docs in a git are", "project objectives. The key objective is to have the tool \"pull\" the comments", "the case may be, it would be nice to link to the commit", "retype, or copy/paste, them into the relevant documents. How do I create, and", "DocBook XML format. The tool to use is subject to change, this ability", "processor (MS Word, LibreOffice Writer, etc) and can be saved as either XML", "included in which documentation streams (i.e.: users manual, history, specifications, maintenance manual, etc.)?", "done in a graphical word processor (MS Word, LibreOffice Writer, etc) and can", "to a format useful for inclusion in the projects documentation - history, changelog,", "select which ones are included in which documentation streams (i.e.: users manual, history,", "note here is that while git is known for software development, it is", "text) for an information bubble or footnote, depending on the target document, and", "are in markdown, however they are created. The majority of the time, the", "is to have the tool \"pull\" the comments into the documentation, dynamically by", "(raw text) for an information bubble or footnote, depending on the target document,", "ones are included in which documentation streams (i.e.: users manual, history, specifications, maintenance", "inclusion in the projects documentation - history, changelog, or users manual as the", "a method which relies on the API developed for/at a specific web host", "relies on the API developed for/at a specific web host is probably not", "target document, and the project objectives. The key objective is to have the", "is always available locally, though not always on the web (such as on", "is done in a graphical word processor (MS Word, LibreOffice Writer, etc) and", "git to track modifications to the project allows contributors to include comments with", "formats are primarily PDF and HTML, though markdown is useful at times as", "while also being able to select which ones are included in which documentation", "in the projects documentation - history, changelog, or users manual as the case", "docs in a git are in markdown, however they are created. The majority", "links while also being able to select which ones are included in which", "them into the relevant documents. How do I create, and maintain, those links", "collection and reports. --- ### Additional information: The git repository is always available", "not usable. Though there are some rich features available in those APIs. The", "those comments limited to a format useful for inclusion in the projects documentation", "objectives. The key objective is to have the tool \"pull\" the comments into", "alternatives include a business presentation developed by a team, a textbook with multiple", "developed for/at a specific web host is probably not usable. Though there are", "textbook with multiple authors, and a research project - both data collection and", "is a guarantee. Only the git commit comments are assured of being in", "a git, and often parts of it will be, though neither is a", "would be nice to link* to the commit comments rather than retype, or", "is equally useful for any system where multiple contributors need to coordinate, and", "to the commit comments rather than retype, or copy/paste, them into the relevant", "do I create, and maintain, those links while also being able to select", "retype them by hand, or copy/paste from the git to the documentation source.", "comments rather than retype, or copy/paste, them into the relevant documents. How do", "the docs in a git are in markdown, however they are created. The", "The tool to use is subject to change, this ability will be part", "If the project's guidelines, and managers' control, keeps those comments limited to a", "though markdown is useful at times as well. The commit comments themselves are", "footnote, depending on the target document, and the project objectives. The key objective", "markdown is useful at times as well. The commit comments themselves are either", "XML or RTF, though the preference is for DocBook XML format. The tool", "to that. It is equally useful for any system where multiple contributors need", "to include comments with each commit. If the project's guidelines, and managers' control,", "part of the decision process. The output formats are primarily PDF and HTML,", "documentation streams (i.e.: users manual, history, specifications, maintenance manual, etc.)? Of note here", "document writing is done in a graphical word processor (MS Word, LibreOffice Writer,", "as on GitHub). As such, a method which relies on the API developed", "for inclusion in the projects documentation - history, changelog, or users manual as", "in those APIs. The documentation itself might be in a git, and often", "dynamically by preference, rather than having to either retype them by hand, or", "saved as either XML or RTF, though the preference is for DocBook XML", "modifications to the project allows contributors to include comments with each commit. If", "to use is subject to change, this ability will be part of the", "project's guidelines, and managers' control, keeps those comments limited to a format useful", "markdown, however they are created. The majority of the time, the bulk of", "GitHub). As such, a method which relies on the API developed for/at a", "features available in those APIs. The documentation itself might be in a git,", "API developed for/at a specific web host is probably not usable. Though there", "for an information bubble or footnote, depending on the target document, and the", "streams (i.e.: users manual, history, specifications, maintenance manual, etc.)? Of note here is", "be saved as either XML or RTF, though the preference is for DocBook", "git, and often parts of it will be, though neither is a guarantee.", "document, and the project objectives. The key objective is to have the tool", "comments themselves are either reformated into the body of the documentation as a", "format useful for inclusion in the projects documentation - history, changelog, or users", "a guarantee. Only the git commit comments are assured of being in the", "information bubble or footnote, depending on the target document, and the project objectives.", "preference, rather than having to either retype them by hand, or copy/paste from", "either reformated into the body of the documentation as a paragraph or annotation,", "is subject to change, this ability will be part of the decision process.", "presentation developed by a team, a textbook with multiple authors, and a research", "It is equally useful for any system where multiple contributors need to coordinate,", "as either XML or RTF, though the preference is for DocBook XML format.", "as well. The commit comments themselves are either reformated into the body of", "the projects documentation - history, changelog, or users manual as the case may", "specific web host is probably not usable. Though there are some rich features", "keeps those comments limited to a format useful for inclusion in the projects", "not always on the web (such as on GitHub). As such, a method", "git repository is always available locally, though not always on the web (such", "is that while git is known for software development, it is not limited", "is known for software development, it is not limited to that. It is", "the API developed for/at a specific web host is probably not usable. Though", "be in a git, and often parts of it will be, though neither", "times as well. The commit comments themselves are either reformated into the body", "git is known for software development, it is not limited to that. It", "hosted. The parts of the docs in a git are in markdown, however", "by preference, rather than having to either retype them by hand, or copy/paste", "might be in a git, and often parts of it will be, though", "it is not limited to that. It is equally useful for any system", "which documentation streams (i.e.: users manual, history, specifications, maintenance manual, etc.)? Of note", "commit comments rather than retype, or copy/paste, them into the relevant documents. How", "commit. If the project's guidelines, and managers' control, keeps those comments limited to", "reports. --- ### Additional information: The git repository is always available locally, though", "and often parts of it will be, though neither is a guarantee. Only", "the time, the bulk of the document writing is done in a graphical", "a textbook with multiple authors, and a research project - both data collection", "track modifications to the project allows contributors to include comments with each commit.", "maintain, those links while also being able to select which ones are included", "nice to link to the commit comments rather than retype, or copy/paste, them", "for DocBook XML format. The tool to use is subject to change, this", "the relevant documents. How do I create, and maintain, those links while also", "may be, it would be nice to link to the commit comments rather", "that while git is known for software development, it is not limited to", "authors, and a research project - both data collection and reports. --- ###", "neither is a guarantee. Only the git commit comments are assured of being", "documentation, dynamically by preference, rather than having to either retype them by hand,", "into the relevant documents. How do I create, and maintain, those links while", "be nice to link to the commit comments rather than retype, or copy/paste,", "for any system where multiple contributors need to coordinate, and track, their efforts.", "in a git, and often parts of it will be, though neither is", "of the decision process. The output formats are primarily PDF and HTML, though", "bubble or footnote, depending on the target document, and the project objectives. The", "on GitHub). As such, a method which relies on the API developed for/at", "a graphical word processor (MS Word, LibreOffice Writer, etc) and can be saved", "a team, a textbook with multiple authors, and a research project - both", "track, their efforts. Such alternatives include a business presentation developed by a team,", "tool \"pull\" the comments into the documentation, dynamically by preference, rather than having", "themselves are either reformated into the body of the documentation as a paragraph", "efforts. Such alternatives include a business presentation developed by a team, a textbook", "as-is (raw text) for an information bubble or footnote, depending on the target", "to select which ones are included in which documentation streams (i.e.: users manual,", "of it will be, though neither is a guarantee. Only the git commit", "always available locally, though not always on the web (such as on GitHub).", "git commit comments are assured of being in the git, wherever it is", "any system where multiple contributors need to coordinate, and track, their efforts. Such", "use is subject to change, this ability will be part of the decision", "or copy/paste, them into the relevant documents. How do I create, and maintain,", "of the docs in a git are in markdown, however they are created.", "comments limited to a format useful for inclusion in the projects documentation -", "manual, history, specifications, maintenance manual, etc.)? Of note here is that while git", "the project objectives. The key objective is to have the tool \"pull\" the", "limited to a format useful for inclusion in the projects documentation - history,", "data collection and reports. --- ### Additional information: The git repository is always", "or kept as-is (raw text) for an information bubble or footnote, depending on", "graphical word processor (MS Word, LibreOffice Writer, etc) and can be saved as", "the git, wherever it is hosted. The parts of the docs in a", "contributors need to coordinate, and track, their efforts. Such alternatives include a business", "either retype them by hand, or copy/paste from the git to the documentation", "be, it would be nice to link to the commit comments rather than", "the decision process. The output formats are primarily PDF and HTML, though markdown", "commit comments are assured of being in the git, wherever it is hosted.", "guidelines, and managers' control, keeps those comments limited to a format useful for", "of the time, the bulk of the document writing is done in a", "etc) and can be saved as either XML or RTF, though the preference", "are primarily PDF and HTML, though markdown is useful at times as well.", "also being able to select which ones are included in which documentation streams", "Of note here is that while git is known for software development, it", "maintenance manual, etc.)? Of note here is that while git is known for", "to have the tool \"pull\" the comments into the documentation, dynamically by preference,", "however they are created. The majority of the time, the bulk of the", "and a research project - both data collection and reports. --- ### Additional", "and managers' control, keeps those comments limited to a format useful for inclusion", "assured of being in the git, wherever it is hosted. The parts of", "such, a method which relies on the API developed for/at a specific web", "each commit. If the project's guidelines, and managers' control, keeps those comments limited", "available in those APIs. The documentation itself might be in a git, and", "be part of the decision process. The output formats are primarily PDF and", "control, keeps those comments limited to a format useful for inclusion in the", "by a team, a textbook with multiple authors, and a research project -", "APIs. The documentation itself might be in a git, and often parts of", "change, this ability will be part of the decision process. The output formats", "are either reformated into the body of the documentation as a paragraph or", "writing is done in a graphical word processor (MS Word, LibreOffice Writer, etc)", "some rich features available in those APIs. The documentation itself might be in", "team, a textbook with multiple authors, and a research project - both data", "on the web (such as on GitHub). As such, a method which relies", "in a git are in markdown, however they are created. The majority of", "for/at a specific web host is probably not usable. Though there are some", "at times as well. The commit comments themselves are either reformated into the", "on the target document, and the project objectives. The key objective is to", "information: The git repository is always available locally, though not always on the", "- history, changelog, or users manual as the case may be, it would", "in which documentation streams (i.e.: users manual, history, specifications, maintenance manual, etc.)? Of", "a format useful for inclusion in the projects documentation - history, changelog, or", "is probably not usable. Though there are some rich features available in those", "body of the documentation as a paragraph or annotation, or kept as-is (raw", "decision process. The output formats are primarily PDF and HTML, though markdown is", "etc.)? Of note here is that while git is known for software development,", "the project's guidelines, and managers' control, keeps those comments limited to a format", "documentation itself might be in a git, and often parts of it will", "be, though neither is a guarantee. Only the git commit comments are assured", "useful for any system where multiple contributors need to coordinate, and track, their", "the comments into the documentation, dynamically by preference, rather than having to either", "a git are in markdown, however they are created. The majority of the", "method which relies on the API developed for/at a specific web host is", "commit comments themselves are either reformated into the body of the documentation as", "allows contributors to include comments with each commit. If the project's guidelines, and", "The documentation itself might be in a git, and often parts of it", "or users manual as the case may be, it would be nice to", "include a business presentation developed by a team, a textbook with multiple authors,", "will be part of the decision process. The output formats are primarily PDF", "primarily PDF and HTML, though markdown is useful at times as well. The", "in the git, wherever it is hosted. The parts of the docs in", "I create, and maintain, those links while also being able to select which", "rather than retype, or copy/paste, them into the relevant documents. How do I", "of the document writing is done in a graphical word processor (MS Word,", "As such, a method which relies on the API developed for/at a specific", "git are in markdown, however they are created. The majority of the time,", "which relies on the API developed for/at a specific web host is probably", "there are some rich features available in those APIs. The documentation itself might", "is for DocBook XML format. The tool to use is subject to change,", "process. The output formats are primarily PDF and HTML, though markdown is useful", "that. It is equally useful for any system where multiple contributors need to", "web (such as on GitHub). As such, a method which relies on the", "documentation as a paragraph or annotation, or kept as-is (raw text) for an", "they are created. The majority of the time, the bulk of the document", "Though there are some rich features available in those APIs. The documentation itself", "while git is known for software development, it is not limited to that.", "being in the git, wherever it is hosted. The parts of the docs", "can be saved as either XML or RTF, though the preference is for", "known for software development, it is not limited to that. It is equally", "as a paragraph or annotation, or kept as-is (raw text) for an information", "to change, this ability will be part of the decision process. The output", "the preference is for DocBook XML format. The tool to use is subject", "it would be nice to link to the commit comments rather than retype,", "in a graphical word processor (MS Word, LibreOffice Writer, etc) and can be", "and HTML, though markdown is useful at times as well. The commit comments", "is useful at times as well. The commit comments themselves are either reformated", "Using git to track modifications to the project allows contributors to include comments", "this ability will be part of the decision process. The output formats are", "it is hosted. The parts of the docs in a git are in", "specifications, maintenance manual, etc.)? Of note here is that while git is known", "projects documentation - history, changelog, or users manual as the case may be,", "case may be, it would be nice to link to the commit comments", "create, and maintain, those links while also being able to select which ones", "or RTF, though the preference is for DocBook XML format. The tool to", "business presentation developed by a team, a textbook with multiple authors, and a", "comments into the documentation, dynamically by preference, rather than having to either retype", "often parts of it will be, though neither is a guarantee. Only the", "key objective is to have the tool \"pull\" the comments into the documentation,", "### Additional information: The git repository is always available locally, though not always", "bulk of the document writing is done in a graphical word processor (MS", "which ones are included in which documentation streams (i.e.: users manual, history, specifications,", "managers' control, keeps those comments limited to a format useful for inclusion in", "are some rich features available in those APIs. The documentation itself might be", "The key objective is to have the tool \"pull\" the comments into the", "though not always on the web (such as on GitHub). As such, a", "equally useful for any system where multiple contributors need to coordinate, and track,", "is hosted. The parts of the docs in a git are in markdown,", "format. The tool to use is subject to change, this ability will be", "usable. Though there are some rich features available in those APIs. The documentation", "output formats are primarily PDF and HTML, though markdown is useful at times", "depending on the target document, and the project objectives. The key objective is", "their efforts. Such alternatives include a business presentation developed by a team, a", "repository is always available locally, though not always on the web (such as", "tool to use is subject to change, this ability will be part of", "paragraph or annotation, or kept as-is (raw text) for an information bubble or", "--- ### Additional information: The git repository is always available locally, though not", "not* limited to that. It is equally useful for any system where multiple", "the documentation, dynamically by preference, rather than having to either retype them by", "those links while also being able to select which ones are included in", "manual, etc.)? Of note here is that while git is known for software", "PDF and HTML, though markdown is useful at times as well. The commit", "useful at times as well. The commit comments themselves are either reformated into", "(MS Word, LibreOffice Writer, etc) and can be saved as either XML or", "subject to change, this ability will be part of the decision process. The", "the body of the documentation as a paragraph or annotation, or kept as-is", "manual as the case may be, it would be nice to link to", "in markdown, however they are created. The majority of the time, the bulk", "locally, though not always on the web (such as on GitHub). As such,", "How do I create, and maintain, those links while also being able to", "with each commit. If the project's guidelines, and managers' control, keeps those comments", "or annotation, or kept as-is (raw text) for an information bubble or footnote,", "of the documentation as a paragraph or annotation, or kept as-is (raw text)", "annotation, or kept as-is (raw text) for an information bubble or footnote, depending", "having to either retype them by hand, or copy/paste from the git to", "history, changelog, or users manual as the case may be, it would be", "the tool \"pull\" the comments into the documentation, dynamically by preference, rather than", "the commit comments rather than retype, or copy/paste, them into the relevant documents.", "coordinate, and track, their efforts. Such alternatives include a business presentation developed by", "a research project - both data collection and reports. --- ### Additional information:", "multiple authors, and a research project - both data collection and reports. ---", "documentation - history, changelog, or users manual as the case may be, it", "available locally, though not always on the web (such as on GitHub). As", "The parts of the docs in a git are in markdown, however they", "probably not usable. Though there are some rich features available in those APIs.", "copy/paste, them into the relevant documents. How do I create, and maintain, those", "preference is for DocBook XML format. The tool to use is subject to", "documents. How do I create, and maintain, those links while also being able", "git, wherever it is hosted. The parts of the docs in a git", "it will be, though neither is a guarantee. Only the git commit comments", "where multiple contributors need to coordinate, and track, their efforts. Such alternatives include", "include comments with each commit. If the project's guidelines, and managers' control, keeps", "The commit comments themselves are either reformated into the body of the documentation", "are included in which documentation streams (i.e.: users manual, history, specifications, maintenance manual,", "software development, it is not limited to that. It is equally useful for", "are created. The majority of the time, the bulk of the document writing", "will be, though neither is a guarantee. Only the git commit comments are", "always on the web (such as on GitHub). As such, a method which", "word processor (MS Word, LibreOffice Writer, etc) and can be saved as either", "comments are assured of being in the git, wherever it is hosted. The", "well. The commit comments themselves are either reformated into the body of the", "and reports. --- ### Additional information: The git repository is always available locally,", "a business presentation developed by a team, a textbook with multiple authors, and", "Additional information: The git repository is always available locally, though not always on", "for software development, it is not limited to that. It is equally useful", "able to select which ones are included in which documentation streams (i.e.: users", "a paragraph or annotation, or kept as-is (raw text) for an information bubble", "are assured of being in the git, wherever it is hosted. The parts", "The majority of the time, the bulk of the document writing is done", "Such alternatives include a business presentation developed by a team, a textbook with", "than retype, or copy/paste, them into the relevant documents. How do I create," ]
[ "high. This concerns not only the language used, but also the structure of", "overall layout of a document or should they keep the original structure and", "but also the structure of the whole document. Should technical translators rearrange the", "concerns not only the language used, but also the structure of the whole", "translators rearrange the structure and overall layout of a document or should they", "In technical translation (e.g. of manuals), the quality of the source text often", "document or should they keep the original structure and simply provide a sentence-by-sentence", "translation (e.g. of manuals), the quality of the source text often is not", "should they keep the original structure and simply provide a sentence-by-sentence translation (as", "keep the original structure and simply provide a sentence-by-sentence translation (as happens automatically", "(as happens automatically when using translation software like OmegaT or SDL Trados Studio)?", "This concerns not only the language used, but also the structure of the", "document. Should technical translators rearrange the structure and overall layout of a document", "structure and overall layout of a document or should they keep the original", "very high. This concerns not only the language used, but also the structure", "Should technical translators rearrange the structure and overall layout of a document or", "the whole document. Should technical translators rearrange the structure and overall layout of", "provide a sentence-by-sentence translation (as happens automatically when using translation software like OmegaT", "of the source text often is not very high. This concerns not only", "also the structure of the whole document. Should technical translators rearrange the structure", "original structure and simply provide a sentence-by-sentence translation (as happens automatically when using", "only the language used, but also the structure of the whole document. Should", "simply provide a sentence-by-sentence translation (as happens automatically when using translation software like", "the quality of the source text often is not very high. This concerns", "often is not very high. This concerns not only the language used, but", "of a document or should they keep the original structure and simply provide", "structure and simply provide a sentence-by-sentence translation (as happens automatically when using translation", "translation (as happens automatically when using translation software like OmegaT or SDL Trados", "not very high. This concerns not only the language used, but also the", "source text often is not very high. This concerns not only the language", "text often is not very high. This concerns not only the language used,", "a document or should they keep the original structure and simply provide a", "the original structure and simply provide a sentence-by-sentence translation (as happens automatically when", "of manuals), the quality of the source text often is not very high.", "and overall layout of a document or should they keep the original structure", "a sentence-by-sentence translation (as happens automatically when using translation software like OmegaT or", "whole document. Should technical translators rearrange the structure and overall layout of a", "or should they keep the original structure and simply provide a sentence-by-sentence translation", "and simply provide a sentence-by-sentence translation (as happens automatically when using translation software", "they keep the original structure and simply provide a sentence-by-sentence translation (as happens", "rearrange the structure and overall layout of a document or should they keep", "technical translation (e.g. of manuals), the quality of the source text often is", "is not very high. This concerns not only the language used, but also", "not only the language used, but also the structure of the whole document.", "of the whole document. Should technical translators rearrange the structure and overall layout", "layout of a document or should they keep the original structure and simply", "sentence-by-sentence translation (as happens automatically when using translation software like OmegaT or SDL", "manuals), the quality of the source text often is not very high. This", "(e.g. of manuals), the quality of the source text often is not very", "the language used, but also the structure of the whole document. Should technical", "the structure of the whole document. Should technical translators rearrange the structure and", "technical translators rearrange the structure and overall layout of a document or should", "the structure and overall layout of a document or should they keep the", "quality of the source text often is not very high. This concerns not", "language used, but also the structure of the whole document. Should technical translators", "the source text often is not very high. This concerns not only the", "used, but also the structure of the whole document. Should technical translators rearrange", "structure of the whole document. Should technical translators rearrange the structure and overall" ]
[ "default account, or that \"user\" is just an example name? Are there any", "a product might be \"user\". How do I indicate to the new user", "or guides, I can easily get confused between what is meant to be", "actually meant to be used. For example, sometimes the username to login to", "When reading manuals or guides, I can easily get confused between what is", "meant to be used. For example, sometimes the username to login to use", "that \"user\" is the default account, or that \"user\" is just an example", "or that \"user\" is just an example name? Are there any standard symbols", "just an example name? Are there any standard symbols that could be placed", "used. For example, sometimes the username to login to use a product might", "meant to be example text, and what is actually meant to be used.", "sometimes the username to login to use a product might be \"user\". How", "the default account, or that \"user\" is just an example name? Are there", "to use a product might be \"user\". How do I indicate to the", "between what is meant to be example text, and what is actually meant", "product might be \"user\". How do I indicate to the new user that", "How do I indicate to the new user that \"user\" is the default", "reading manuals or guides, I can easily get confused between what is meant", "is actually meant to be used. For example, sometimes the username to login", "example, sometimes the username to login to use a product might be \"user\".", "I indicate to the new user that \"user\" is the default account, or", "is meant to be example text, and what is actually meant to be", "guides, I can easily get confused between what is meant to be example", "\"user\" is the default account, or that \"user\" is just an example name?", "manuals or guides, I can easily get confused between what is meant to", "confused between what is meant to be example text, and what is actually", "be example text, and what is actually meant to be used. For example,", "text, and what is actually meant to be used. For example, sometimes the", "\"user\". How do I indicate to the new user that \"user\" is the", "the new user that \"user\" is the default account, or that \"user\" is", "user that \"user\" is the default account, or that \"user\" is just an", "is the default account, or that \"user\" is just an example name? Are", "that \"user\" is just an example name? Are there any standard symbols that", "and what is actually meant to be used. For example, sometimes the username", "an example name? Are there any standard symbols that could be placed around", "the username to login to use a product might be \"user\". How do", "login to use a product might be \"user\". How do I indicate to", "For example, sometimes the username to login to use a product might be", "example name? Are there any standard symbols that could be placed around the", "to login to use a product might be \"user\". How do I indicate", "new user that \"user\" is the default account, or that \"user\" is just", "is just an example name? Are there any standard symbols that could be", "do I indicate to the new user that \"user\" is the default account,", "to be used. For example, sometimes the username to login to use a", "might be \"user\". How do I indicate to the new user that \"user\"", "to be example text, and what is actually meant to be used. For", "name? Are there any standard symbols that could be placed around the text?", "to the new user that \"user\" is the default account, or that \"user\"", "\"user\" is just an example name? Are there any standard symbols that could", "indicate to the new user that \"user\" is the default account, or that", "example text, and what is actually meant to be used. For example, sometimes", "be used. For example, sometimes the username to login to use a product", "what is actually meant to be used. For example, sometimes the username to", "use a product might be \"user\". How do I indicate to the new", "username to login to use a product might be \"user\". How do I", "what is meant to be example text, and what is actually meant to", "I can easily get confused between what is meant to be example text,", "be \"user\". How do I indicate to the new user that \"user\" is", "account, or that \"user\" is just an example name? Are there any standard", "get confused between what is meant to be example text, and what is", "can easily get confused between what is meant to be example text, and", "easily get confused between what is meant to be example text, and what" ]
[ "[REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this. While REST refers to a specific", "of out the differences between common usage and formal usage might take up", "refers to a specific way to architect web services, it has become associated", "want to be clear that in my documentation I mean the formal definition.", "general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this. While", "documentation is clear and well-defined without belaboring the differences between the common and", "the software world, it seems that terms get assigned a meaning over time", "clear that in my documentation I mean the formal definition. At the same", "However, I tend to be fairly pedantic about these kinds of things and", "least in the software world, it seems that terms get assigned a meaning", "definition or intentional ignore it because the misuse has become so pervasive. All", "has become associated with popular styles of making simple web service that often", "it actually having a formal definition). However, I tend to be fairly pedantic", "is a good example of this. While REST refers to a specific way", "guidelines. Even among software developers there is often confusion about the meaning or", "term. Many are either not aware of the formal definition or intentional ignore", "way to architect web services, it has become associated with popular styles of", "that is to say that even when writing technical documentation for consumption by", "want to come across as confrontational. Simply linking to a good definition might", "ignored by those that think they know the term, while calling of out", "associated with popular styles of making simple web service that often don't fit", "aware of the formal definition or intentional ignore it because the misuse has", "of making simple web service that often don't fit those guidelines. Even among", "generality of the term. Many are either not aware of the formal definition", "example of this. While REST refers to a specific way to architect web", "meaning or generality of the term. Many are either not aware of the", "calling of out the differences between common usage and formal usage might take", "having a formal definition). However, I tend to be fairly pedantic about these", "as confrontational. Simply linking to a good definition might get ignored by those", "it seems that terms get assigned a meaning over time that is more", "to be clear that in my documentation I mean the formal definition. At", "can I ensure that my documentation is clear and well-defined without belaboring the", "tend to be fairly pedantic about these kinds of things and want to", "people, there could be confusion about what the term itself means (despite it", "usage and formal usage might take up too much space and be seen", "is to say that even when writing technical documentation for consumption by technical", "is often confusion about the meaning or generality of the term. Many are", "often confusion about the meaning or generality of the term. Many are either", "actually having a formal definition). However, I tend to be fairly pedantic about", "ensure that my documentation is clear and well-defined without belaboring the differences between", "a formal definition). However, I tend to be fairly pedantic about these kinds", "in my documentation I mean the formal definition. At the same time, I", "about these kinds of things and want to be clear that in my", "linking to a good definition might get ignored by those that think they", "term, while calling of out the differences between common usage and formal usage", "I ensure that my documentation is clear and well-defined without belaboring the differences", "Even among software developers there is often confusion about the meaning or generality", "the misuse has become so pervasive. All of that is to say that", "by those that think they know the term, while calling of out the", "formal definition. At the same time, I don't want to come across as", "meaning over time that is more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is", "or intentional ignore it because the misuse has become so pervasive. All of", "that terms get assigned a meaning over time that is more general than", "itself means (despite it actually having a formal definition). However, I tend to", "say that even when writing technical documentation for consumption by technical people, there", "the formal definition or intentional ignore it because the misuse has become so", "means (despite it actually having a formal definition). However, I tend to be", "these kinds of things and want to be clear that in my documentation", "clear and well-defined without belaboring the differences between the common and formal uses", "and formal usage might take up too much space and be seen as", "is clear and well-defined without belaboring the differences between the common and formal", "assigned a meaning over time that is more general than the original definition.", "formal usage might take up too much space and be seen as patronizing", "a good example of this. While REST refers to a specific way to", "don't fit those guidelines. Even among software developers there is often confusion about", "the term. Many are either not aware of the formal definition or intentional", "that often don't fit those guidelines. Even among software developers there is often", "than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this. While REST", "services, it has become associated with popular styles of making simple web service", "pervasive. All of that is to say that even when writing technical documentation", "definition. At the same time, I don't want to come across as confrontational.", "formal definition). However, I tend to be fairly pedantic about these kinds of", "world, it seems that terms get assigned a meaning over time that is", "often don't fit those guidelines. Even among software developers there is often confusion", "much space and be seen as patronizing to some. How can I ensure", "without belaboring the differences between the common and formal uses of a key", "terms get assigned a meaning over time that is more general than the", "(despite it actually having a formal definition). However, I tend to be fairly", "and be seen as patronizing to some. How can I ensure that my", "documentation I mean the formal definition. At the same time, I don't want", "don't want to come across as confrontational. Simply linking to a good definition", "to architect web services, it has become associated with popular styles of making", "of the formal definition or intentional ignore it because the misuse has become", "those guidelines. Even among software developers there is often confusion about the meaning", "same time, I don't want to come across as confrontational. Simply linking to", "a meaning over time that is more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer)", "of the term. Many are either not aware of the formal definition or", "know the term, while calling of out the differences between common usage and", "while calling of out the differences between common usage and formal usage might", "to a good definition might get ignored by those that think they know", "confrontational. Simply linking to a good definition might get ignored by those that", "time, I don't want to come across as confrontational. Simply linking to a", "space and be seen as patronizing to some. How can I ensure that", "original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this. While REST refers to", "my documentation I mean the formal definition. At the same time, I don't", "of things and want to be clear that in my documentation I mean", "a good definition might get ignored by those that think they know the", "things and want to be clear that in my documentation I mean the", "good example of this. While REST refers to a specific way to architect", "intentional ignore it because the misuse has become so pervasive. All of that", "out the differences between common usage and formal usage might take up too", "get assigned a meaning over time that is more general than the original", "usage might take up too much space and be seen as patronizing to", "too much space and be seen as patronizing to some. How can I", "patronizing to some. How can I ensure that my documentation is clear and", "mean the formal definition. At the same time, I don't want to come", "confusion about the meaning or generality of the term. Many are either not", "the term, while calling of out the differences between common usage and formal", "get ignored by those that think they know the term, while calling of", "Many are either not aware of the formal definition or intentional ignore it", "some. How can I ensure that my documentation is clear and well-defined without", "popular styles of making simple web service that often don't fit those guidelines.", "developers there is often confusion about the meaning or generality of the term.", "to say that even when writing technical documentation for consumption by technical people,", "technical people, there could be confusion about what the term itself means (despite", "web services, it has become associated with popular styles of making simple web", "for consumption by technical people, there could be confusion about what the term", "that my documentation is clear and well-defined without belaboring the differences between the", "about the meaning or generality of the term. Many are either not aware", "among software developers there is often confusion about the meaning or generality of", "software world, it seems that terms get assigned a meaning over time that", "this. While REST refers to a specific way to architect web services, it", "could be confusion about what the term itself means (despite it actually having", "might take up too much space and be seen as patronizing to some.", "there is often confusion about the meaning or generality of the term. Many", "software developers there is often confusion about the meaning or generality of the", "they know the term, while calling of out the differences between common usage", "that in my documentation I mean the formal definition. At the same time,", "the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this. While REST refers", "take up too much space and be seen as patronizing to some. How", "to come across as confrontational. Simply linking to a good definition might get", "to some. How can I ensure that my documentation is clear and well-defined", "or generality of the term. Many are either not aware of the formal", "to be fairly pedantic about these kinds of things and want to be", "that is more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example", "I don't want to come across as confrontational. Simply linking to a good", "when writing technical documentation for consumption by technical people, there could be confusion", "of that is to say that even when writing technical documentation for consumption", "pedantic about these kinds of things and want to be clear that in", "While REST refers to a specific way to architect web services, it has", "service that often don't fit those guidelines. Even among software developers there is", "technical documentation for consumption by technical people, there could be confusion about what", "belaboring the differences between the common and formal uses of a key term?", "be confusion about what the term itself means (despite it actually having a", "that even when writing technical documentation for consumption by technical people, there could", "not aware of the formal definition or intentional ignore it because the misuse", "the term itself means (despite it actually having a formal definition). However, I", "misuse has become so pervasive. All of that is to say that even", "fit those guidelines. Even among software developers there is often confusion about the", "has become so pervasive. All of that is to say that even when", "good definition might get ignored by those that think they know the term,", "as patronizing to some. How can I ensure that my documentation is clear", "come across as confrontational. Simply linking to a good definition might get ignored", "confusion about what the term itself means (despite it actually having a formal", "How can I ensure that my documentation is clear and well-defined without belaboring", "All of that is to say that even when writing technical documentation for", "even when writing technical documentation for consumption by technical people, there could be", "that think they know the term, while calling of out the differences between", "become so pervasive. All of that is to say that even when writing", "seems that terms get assigned a meaning over time that is more general", "Simply linking to a good definition might get ignored by those that think", "it has become associated with popular styles of making simple web service that", "web service that often don't fit those guidelines. Even among software developers there", "kinds of things and want to be clear that in my documentation I", "I mean the formal definition. At the same time, I don't want to", "seen as patronizing to some. How can I ensure that my documentation is", "become associated with popular styles of making simple web service that often don't", "because the misuse has become so pervasive. All of that is to say", "what the term itself means (despite it actually having a formal definition). However,", "with popular styles of making simple web service that often don't fit those", "definition might get ignored by those that think they know the term, while", "making simple web service that often don't fit those guidelines. Even among software", "either not aware of the formal definition or intentional ignore it because the", "REST refers to a specific way to architect web services, it has become", "between common usage and formal usage might take up too much space and", "it because the misuse has become so pervasive. All of that is to", "be seen as patronizing to some. How can I ensure that my documentation", "At the same time, I don't want to come across as confrontational. Simply", "by technical people, there could be confusion about what the term itself means", "in the software world, it seems that terms get assigned a meaning over", "about what the term itself means (despite it actually having a formal definition).", "the formal definition. At the same time, I don't want to come across", "up too much space and be seen as patronizing to some. How can", "there could be confusion about what the term itself means (despite it actually", "definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this. While REST refers to a", "across as confrontational. Simply linking to a good definition might get ignored by", "definition). However, I tend to be fairly pedantic about these kinds of things", "and well-defined without belaboring the differences between the common and formal uses of", "term itself means (despite it actually having a formal definition). However, I tend", "the differences between common usage and formal usage might take up too much", "more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of this.", "might get ignored by those that think they know the term, while calling", "documentation for consumption by technical people, there could be confusion about what the", "of this. While REST refers to a specific way to architect web services,", "consumption by technical people, there could be confusion about what the term itself", "ignore it because the misuse has become so pervasive. All of that is", "differences between common usage and formal usage might take up too much space", "Frequently, at least in the software world, it seems that terms get assigned", "formal definition or intentional ignore it because the misuse has become so pervasive.", "I tend to be fairly pedantic about these kinds of things and want", "to a specific way to architect web services, it has become associated with", "be clear that in my documentation I mean the formal definition. At the", "be fairly pedantic about these kinds of things and want to be clear", "styles of making simple web service that often don't fit those guidelines. Even", "and want to be clear that in my documentation I mean the formal", "the same time, I don't want to come across as confrontational. Simply linking", "a specific way to architect web services, it has become associated with popular", "well-defined without belaboring the differences between the common and formal uses of a", "fairly pedantic about these kinds of things and want to be clear that", "my documentation is clear and well-defined without belaboring the differences between the common", "common usage and formal usage might take up too much space and be", "writing technical documentation for consumption by technical people, there could be confusion about", "the meaning or generality of the term. Many are either not aware of", "over time that is more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a", "those that think they know the term, while calling of out the differences", "time that is more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good", "specific way to architect web services, it has become associated with popular styles", "think they know the term, while calling of out the differences between common", "is more general than the original definition. [REST](https://en.wikipedia.org/wiki/Representational_state_transfer) is a good example of", "are either not aware of the formal definition or intentional ignore it because", "at least in the software world, it seems that terms get assigned a", "architect web services, it has become associated with popular styles of making simple", "simple web service that often don't fit those guidelines. Even among software developers", "so pervasive. All of that is to say that even when writing technical" ]
[ "- both \"if\" and \"else\" are acting as a unit modifier for the", "unit modifier for the noun \"statements\" (and so a hyphen is appropriate), whereas", "\"if\" and \"else\" are acting as a unit modifier for the noun \"statements\"", "statements\" or are they \"if/else statements\"? I'm partial to the latter, but I", "the latter, but I can see the logic of the former - both", "a hyphen is appropriate), whereas a slash (usually) indicates an \"or\" condition. Thoughts?", "partial to the latter, but I can see the logic of the former", "\"if-else statements\" or are they \"if/else statements\"? I'm partial to the latter, but", "a unit modifier for the noun \"statements\" (and so a hyphen is appropriate),", "they \"if-else statements\" or are they \"if/else statements\"? I'm partial to the latter,", "the former - both \"if\" and \"else\" are acting as a unit modifier", "noun \"statements\" (and so a hyphen is appropriate), whereas a slash (usually) indicates", "or are they \"if/else statements\"? I'm partial to the latter, but I can", "\"if/else statements\"? I'm partial to the latter, but I can see the logic", "statements\"? I'm partial to the latter, but I can see the logic of", "\"else\" are acting as a unit modifier for the noun \"statements\" (and so", "acting as a unit modifier for the noun \"statements\" (and so a hyphen", "former - both \"if\" and \"else\" are acting as a unit modifier for", "they \"if/else statements\"? I'm partial to the latter, but I can see the", "are they \"if/else statements\"? I'm partial to the latter, but I can see", "both \"if\" and \"else\" are acting as a unit modifier for the noun", "logic of the former - both \"if\" and \"else\" are acting as a", "and \"else\" are acting as a unit modifier for the noun \"statements\" (and", "for the noun \"statements\" (and so a hyphen is appropriate), whereas a slash", "Are they \"if-else statements\" or are they \"if/else statements\"? I'm partial to the", "can see the logic of the former - both \"if\" and \"else\" are", "(and so a hyphen is appropriate), whereas a slash (usually) indicates an \"or\"", "to the latter, but I can see the logic of the former -", "of the former - both \"if\" and \"else\" are acting as a unit", "are acting as a unit modifier for the noun \"statements\" (and so a", "I can see the logic of the former - both \"if\" and \"else\"", "the noun \"statements\" (and so a hyphen is appropriate), whereas a slash (usually)", "as a unit modifier for the noun \"statements\" (and so a hyphen is", "the logic of the former - both \"if\" and \"else\" are acting as", "but I can see the logic of the former - both \"if\" and", "\"statements\" (and so a hyphen is appropriate), whereas a slash (usually) indicates an", "modifier for the noun \"statements\" (and so a hyphen is appropriate), whereas a", "see the logic of the former - both \"if\" and \"else\" are acting", "so a hyphen is appropriate), whereas a slash (usually) indicates an \"or\" condition.", "latter, but I can see the logic of the former - both \"if\"", "I'm partial to the latter, but I can see the logic of the" ]
[ "write the hex numbers with a 0x prefix. Are there any programmers out", "binary numbers as 0b1010 just looks wrong. But I can't tell my writers", "prefix. Are there any programmers out there who can weigh in on why", "tell my writers \"don't do it because it looks wrong\", especially because we", "* Numbers are normally written in decimal. * Binary numbers are preceded by", "there who can weigh in on why I shouldn't use the 0b prefix?", "Binary numbers are preceded by 0b. * Hexadecimal numbers are preceded by 0x.", "In our documentation, we write binary numbers like this: 1010 But we write", "0xABAB Now, according to the GCC compiler conventions: * Numbers are normally written", "this: 1010 But we write hexadecimal numbers like this: 0xABAB Now, according to", "a 0x prefix. Are there any programmers out there who can weigh in", "weigh in on why I shouldn't use the 0b prefix? I need reinforcements", "documentation, we write binary numbers like this: 1010 But we write hexadecimal numbers", "written in decimal. * Binary numbers are preceded by 0b. * Hexadecimal numbers", "especially because we write the hex numbers with a 0x prefix. Are there", "we write the hex numbers with a 0x prefix. Are there any programmers", "Hexadecimal numbers are preceded by 0x. But in my mind, writing binary numbers", "because it looks wrong\", especially because we write the hex numbers with a", "by 0x. But in my mind, writing binary numbers as 0b1010 just looks", "we write binary numbers like this: 1010 But we write hexadecimal numbers like", "my writers \"don't do it because it looks wrong\", especially because we write", "decimal. * Binary numbers are preceded by 0b. * Hexadecimal numbers are preceded", "normally written in decimal. * Binary numbers are preceded by 0b. * Hexadecimal", "writing binary numbers as 0b1010 just looks wrong. But I can't tell my", "according to the GCC compiler conventions: * Numbers are normally written in decimal.", "it because it looks wrong\", especially because we write the hex numbers with", "just looks wrong. But I can't tell my writers \"don't do it because", "I can't tell my writers \"don't do it because it looks wrong\", especially", "there any programmers out there who can weigh in on why I shouldn't", "numbers as 0b1010 just looks wrong. But I can't tell my writers \"don't", "* Binary numbers are preceded by 0b. * Hexadecimal numbers are preceded by", "wrong. But I can't tell my writers \"don't do it because it looks", "programmers out there who can weigh in on why I shouldn't use the", "hexadecimal numbers like this: 0xABAB Now, according to the GCC compiler conventions: ", "to the GCC compiler conventions: Numbers are normally written in decimal. ", "numbers like this: 0xABAB* Now, according to the GCC compiler conventions: * Numbers", "preceded by 0x. But in my mind, writing binary numbers as 0b1010 just", "because we write the hex numbers with a 0x prefix. Are there any", "with a 0x prefix. Are there any programmers out there who can weigh", "writers \"don't do it because it looks wrong\", especially because we write the", "by 0b. * Hexadecimal numbers are preceded by 0x. But in my mind,", "looks wrong. But I can't tell my writers \"don't do it because it", "0x. But in my mind, writing binary numbers as 0b1010 just looks wrong.", "are preceded by 0x. But in my mind, writing binary numbers as 0b1010", "0b1010 just looks wrong. But I can't tell my writers \"don't do it", "0x prefix. Are there any programmers out there who can weigh in on", "* Hexadecimal numbers are preceded by 0x. But in my mind, writing binary", "But in my mind, writing binary numbers as 0b1010 just looks wrong. But", "GCC compiler conventions: * Numbers are normally written in decimal. * Binary numbers", "compiler conventions: * Numbers are normally written in decimal. * Binary numbers are", "write hexadecimal numbers like this: 0xABAB Now, according to the GCC compiler conventions:", "0b. * Hexadecimal numbers are preceded by 0x. But in my mind, writing", "in my mind, writing binary numbers as 0b1010 just looks wrong. But I", "mind, writing binary numbers as 0b1010 just looks wrong. But I can't tell", "Are there any programmers out there who can weigh in on why I", "can weigh in on why I shouldn't use the 0b prefix? I need", "preceded by 0b. * Hexadecimal numbers are preceded by 0x. But in my", "binary numbers like this: 1010 But we write hexadecimal numbers like this: 0xABAB", "this: 0xABAB Now, according to the GCC compiler conventions: * Numbers are normally", "1010 But we write hexadecimal numbers like this: 0xABAB Now, according to the", "the hex numbers with a 0x prefix. Are there any programmers out there", "write binary numbers like this: 1010 But we write hexadecimal numbers like this:", "Numbers are normally written in decimal. * Binary numbers are preceded by 0b.", "wrong\", especially because we write the hex numbers with a 0x prefix. Are", "our documentation, we write binary numbers like this: 1010 But we write hexadecimal", "like this: 1010 But we write hexadecimal numbers like this: 0xABAB Now, according", "out there who can weigh in on why I shouldn't use the 0b", "Now, according to the GCC compiler conventions: * Numbers are normally written in", "who can weigh in on why I shouldn't use the 0b prefix? I", "conventions: * Numbers are normally written in decimal. * Binary numbers are preceded", "looks wrong\", especially because we write the hex numbers with a 0x prefix.", "numbers are preceded by 0b. * Hexadecimal numbers are preceded by 0x. But", "as 0b1010 just looks wrong. But I can't tell my writers \"don't do", "are normally written in decimal. * Binary numbers are preceded by 0b. ", "like this: 0xABAB* Now, according to the GCC compiler conventions: * Numbers are", "numbers are preceded by 0x. But in my mind, writing binary numbers as", "But I can't tell my writers \"don't do it because it looks wrong\",", "in decimal. * Binary numbers are preceded by 0b. * Hexadecimal numbers are", "\"don't do it because it looks wrong\", especially because we write the hex", "are preceded by 0b. * Hexadecimal numbers are preceded by 0x. But in", "the GCC compiler conventions: * Numbers are normally written in decimal. * Binary", "can't tell my writers \"don't do it because it looks wrong\", especially because", "numbers like this: 1010 But we write hexadecimal numbers like this: 0xABAB Now,", "numbers with a 0x prefix. Are there any programmers out there who can", "any programmers out there who can weigh in on why I shouldn't use", "my mind, writing binary numbers as 0b1010 just looks wrong. But I can't", "it looks wrong\", especially because we write the hex numbers with a 0x", "But we write hexadecimal numbers like this: 0xABAB Now, according to the GCC", "we write hexadecimal numbers like this: 0xABAB Now, according to the GCC compiler", "in on why I shouldn't use the 0b prefix? I need reinforcements :).", "hex numbers with a 0x prefix. Are there any programmers out there who", "do it because it looks wrong\", especially because we write the hex numbers" ]
[ "in place to ensure that disabled audiences are not put at a disadvantage.", "accessible to low-vision or colour-deficient people while at the same time not causing", "to ensure that disabled audiences are not put at a disadvantage. How can", "disadvantage. How can technical documents best be styled in order to be accessible", "an ever-increasing number of accessibility laws in place to ensure that disabled audiences", "people while at the same time not causing an inconvenience to the typical", "disabled audiences are not put at a disadvantage. How can technical documents best", "audiences are not put at a disadvantage. How can technical documents best be", "of accessibility laws in place to ensure that disabled audiences are not put", "be styled in order to be accessible to low-vision or colour-deficient people while", "laws in place to ensure that disabled audiences are not put at a", "How can technical documents best be styled in order to be accessible to", "styled in order to be accessible to low-vision or colour-deficient people while at", "while at the same time not causing an inconvenience to the typical reader?", "putting an ever-increasing number of accessibility laws in place to ensure that disabled", "in order to be accessible to low-vision or colour-deficient people while at the", "order to be accessible to low-vision or colour-deficient people while at the same", "a disadvantage. How can technical documents best be styled in order to be", "put at a disadvantage. How can technical documents best be styled in order", "technical documents best be styled in order to be accessible to low-vision or", "to be accessible to low-vision or colour-deficient people while at the same time", "colour-deficient people while at the same time not causing an inconvenience to the", "documents best be styled in order to be accessible to low-vision or colour-deficient", "best be styled in order to be accessible to low-vision or colour-deficient people", "accessibility laws in place to ensure that disabled audiences are not put at", "corporations alike are putting an ever-increasing number of accessibility laws in place to", "alike are putting an ever-increasing number of accessibility laws in place to ensure", "or colour-deficient people while at the same time not causing an inconvenience to", "number of accessibility laws in place to ensure that disabled audiences are not", "can technical documents best be styled in order to be accessible to low-vision", "be accessible to low-vision or colour-deficient people while at the same time not", "and corporations alike are putting an ever-increasing number of accessibility laws in place", "governments and corporations alike are putting an ever-increasing number of accessibility laws in", "low-vision or colour-deficient people while at the same time not causing an inconvenience", "Nowadays, governments and corporations alike are putting an ever-increasing number of accessibility laws", "ensure that disabled audiences are not put at a disadvantage. How can technical", "at a disadvantage. How can technical documents best be styled in order to", "to low-vision or colour-deficient people while at the same time not causing an", "place to ensure that disabled audiences are not put at a disadvantage. How", "not put at a disadvantage. How can technical documents best be styled in", "that disabled audiences are not put at a disadvantage. How can technical documents", "are putting an ever-increasing number of accessibility laws in place to ensure that", "ever-increasing number of accessibility laws in place to ensure that disabled audiences are", "are not put at a disadvantage. How can technical documents best be styled" ]
[ "[Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical documentation automatically. What are the", "workflows are streamlined, some have turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)),", "can they be addressed in the spirit of saving time for those performing", "technical documentation automatically. What are the most glaring limitations to these tools, and", "automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical", "streamlined, some have turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc.", "automatically. What are the most glaring limitations to these tools, and how can", "as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical documentation automatically. What", "technology advances and workflows are streamlined, some have turned to automated tools such", "tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical documentation", "in order to generate technical documentation automatically. What are the most glaring limitations", "they be addressed in the spirit of saving time for those performing the", "tools, and how can they be addressed in the spirit of saving time", "glaring limitations to these tools, and how can they be addressed in the", "are streamlined, some have turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)),", "and how can they be addressed in the spirit of saving time for", "order to generate technical documentation automatically. What are the most glaring limitations to", "documentation automatically. What are the most glaring limitations to these tools, and how", "and workflows are streamlined, some have turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen),", "to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate", "such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical documentation automatically.", "etc. in order to generate technical documentation automatically. What are the most glaring", "have turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order", "generate technical documentation automatically. What are the most glaring limitations to these tools,", "are the most glaring limitations to these tools, and how can they be", "turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to", "What are the most glaring limitations to these tools, and how can they", "advances and workflows are streamlined, some have turned to automated tools such as", "these tools, and how can they be addressed in the spirit of saving", "[Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical documentation automatically. What are the most", "to generate technical documentation automatically. What are the most glaring limitations to these", "be addressed in the spirit of saving time for those performing the documentation?", "some have turned to automated tools such as [Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in", "how can they be addressed in the spirit of saving time for those", "As technology advances and workflows are streamlined, some have turned to automated tools", "the most glaring limitations to these tools, and how can they be addressed", "to these tools, and how can they be addressed in the spirit of", "[Doxygen](http://en.wikipedia.org/wiki/Doxygen), [Sphinx](https://en.wikipedia.org/wiki/Sphinx_(documentation_generator)), [Swagger](https://en.wikipedia.org/wiki/Swagger_(software)), etc. in order to generate technical documentation automatically. What are", "limitations to these tools, and how can they be addressed in the spirit", "most glaring limitations to these tools, and how can they be addressed in" ]
[ "feature set (e.g. some features are just for tests, some features might be", "effort. Currently the approach is to always document the latest development iteration in", "of the overall system as well. Challenge Finding a system that helps any", "the overall system as well. Challenge Finding a system that helps any user", "might be regionally limited et cetera). Additionally the system consists of single services", "use by different target groups. There are several levels of integration with other", "always document the latest development iteration in a versioned wiki system and indicate", "services that may or may not be deployed together which affects the feature", "cetera). Additionally the system consists of single services that may or may not", "of these instances have the same feature set (e.g. some features are just", "I need to create and maintain a user documentation for a system of", "with one documentation with feasible effort. Currently the approach is to always document", "to create and maintain a user documentation for a system of which there", "to always document the latest development iteration in a versioned wiki system and", "are several levels of integration with other systems, several development stages, several regional", "helps any user with one documentation with feasible effort. Currently the approach is", "iteration in a versioned wiki system and indicate functionalities that are \"just\" testing", "of single services that may or may not be deployed together which affects", "user documentation for a system of which there are different instances in use", "the system consists of single services that may or may not be deployed", "feasible effort. Currently the approach is to always document the latest development iteration", "the approach is to always document the latest development iteration in a versioned", "documentation with feasible effort. Currently the approach is to always document the latest", "deployed together which affects the feature characteristic of the overall system as well.", "and maintain a user documentation for a system of which there are different", "integration with other systems, several development stages, several regional production deployments. Not all", "set (e.g. some features are just for tests, some features might be regionally", "these instances have the same feature set (e.g. some features are just for", "have the same feature set (e.g. some features are just for tests, some", "or may not be deployed together which affects the feature characteristic of the", "regionally limited et cetera). Additionally the system consists of single services that may", "the same feature set (e.g. some features are just for tests, some features", "same feature set (e.g. some features are just for tests, some features might", "all of these instances have the same feature set (e.g. some features are", "Challenge Finding a system that helps any user with one documentation with feasible", "together which affects the feature characteristic of the overall system as well. Challenge", "indicate functionalities that are \"just\" testing functionalities. Is there a better way to", "different instances in use by different target groups. There are several levels of", "for a system of which there are different instances in use by different", "et cetera). Additionally the system consists of single services that may or may", "instances have the same feature set (e.g. some features are just for tests,", "several development stages, several regional production deployments. Not all of these instances have", "may or may not be deployed together which affects the feature characteristic of", "different target groups. There are several levels of integration with other systems, several", "features are just for tests, some features might be regionally limited et cetera).", "that helps any user with one documentation with feasible effort. Currently the approach", "consists of single services that may or may not be deployed together which", "system as well. Challenge Finding a system that helps any user with one", "feature characteristic of the overall system as well. Challenge Finding a system that", "system consists of single services that may or may not be deployed together", "system of which there are different instances in use by different target groups.", "are just for tests, some features might be regionally limited et cetera). Additionally", "\"just\" testing functionalities. Is there a better way to document such fluid systems?", "some features might be regionally limited et cetera). Additionally the system consists of", "development iteration in a versioned wiki system and indicate functionalities that are \"just\"", "for tests, some features might be regionally limited et cetera). Additionally the system", "single services that may or may not be deployed together which affects the", "target groups. There are several levels of integration with other systems, several development", "Finding a system that helps any user with one documentation with feasible effort.", "functionalities that are \"just\" testing functionalities. Is there a better way to document", "be deployed together which affects the feature characteristic of the overall system as", "other systems, several development stages, several regional production deployments. Not all of these", "production deployments. Not all of these instances have the same feature set (e.g.", "development stages, several regional production deployments. Not all of these instances have the", "a system of which there are different instances in use by different target", "deployments. Not all of these instances have the same feature set (e.g. some", "in use by different target groups. There are several levels of integration with", "a system that helps any user with one documentation with feasible effort. Currently", "Currently the approach is to always document the latest development iteration in a", "system and indicate functionalities that are \"just\" testing functionalities. Is there a better", "documentation for a system of which there are different instances in use by", "may not be deployed together which affects the feature characteristic of the overall", "there are different instances in use by different target groups. There are several", "of which there are different instances in use by different target groups. There", "as well. Challenge Finding a system that helps any user with one documentation", "not be deployed together which affects the feature characteristic of the overall system", "document the latest development iteration in a versioned wiki system and indicate functionalities", "stages, several regional production deployments. Not all of these instances have the same", "be regionally limited et cetera). Additionally the system consists of single services that", "with feasible effort. Currently the approach is to always document the latest development", "need to create and maintain a user documentation for a system of which", "characteristic of the overall system as well. Challenge Finding a system that helps", "approach is to always document the latest development iteration in a versioned wiki", "is to always document the latest development iteration in a versioned wiki system", "several levels of integration with other systems, several development stages, several regional production", "by different target groups. There are several levels of integration with other systems,", "with other systems, several development stages, several regional production deployments. Not all of", "of integration with other systems, several development stages, several regional production deployments. Not", "levels of integration with other systems, several development stages, several regional production deployments.", "features might be regionally limited et cetera). Additionally the system consists of single", "(e.g. some features are just for tests, some features might be regionally limited", "limited et cetera). Additionally the system consists of single services that may or", "affects the feature characteristic of the overall system as well. Challenge Finding a", "groups. There are several levels of integration with other systems, several development stages,", "system that helps any user with one documentation with feasible effort. Currently the", "wiki system and indicate functionalities that are \"just\" testing functionalities. Is there a", "systems, several development stages, several regional production deployments. Not all of these instances", "in a versioned wiki system and indicate functionalities that are \"just\" testing functionalities.", "a versioned wiki system and indicate functionalities that are \"just\" testing functionalities. Is", "create and maintain a user documentation for a system of which there are", "which affects the feature characteristic of the overall system as well. Challenge Finding", "are \"just\" testing functionalities. Is there a better way to document such fluid", "user with one documentation with feasible effort. Currently the approach is to always", "several regional production deployments. Not all of these instances have the same feature", "one documentation with feasible effort. Currently the approach is to always document the", "a user documentation for a system of which there are different instances in", "tests, some features might be regionally limited et cetera). Additionally the system consists", "and indicate functionalities that are \"just\" testing functionalities. Is there a better way", "any user with one documentation with feasible effort. Currently the approach is to", "latest development iteration in a versioned wiki system and indicate functionalities that are", "instances in use by different target groups. There are several levels of integration", "versioned wiki system and indicate functionalities that are \"just\" testing functionalities. Is there", "that may or may not be deployed together which affects the feature characteristic", "the feature characteristic of the overall system as well. Challenge Finding a system", "Scenario I need to create and maintain a user documentation for a system", "that are \"just\" testing functionalities. Is there a better way to document such", "There are several levels of integration with other systems, several development stages, several", "regional production deployments. Not all of these instances have the same feature set", "which there are different instances in use by different target groups. There are", "Not all of these instances have the same feature set (e.g. some features", "Additionally the system consists of single services that may or may not be", "the latest development iteration in a versioned wiki system and indicate functionalities that", "maintain a user documentation for a system of which there are different instances", "just for tests, some features might be regionally limited et cetera). Additionally the", "are different instances in use by different target groups. There are several levels", "well. Challenge Finding a system that helps any user with one documentation with", "overall system as well. Challenge Finding a system that helps any user with", "some features are just for tests, some features might be regionally limited et" ]
[ "in procedures, but paradoxically, technical illustrations seem to be a dying art. Is", "better for a technical writer to also do technical illustration, or is it", "paradoxically, technical illustrations seem to be a dying art. Is it better for", "for a technical writer to also do technical illustration, or is it better", "procedures, but paradoxically, technical illustrations seem to be a dying art. Is it", "it better to find and work with an illustrator? What are the pros", "to also do technical illustration, or is it better to find and work", "but paradoxically, technical illustrations seem to be a dying art. Is it better", "illustration, or is it better to find and work with an illustrator? What", "a dying art. Is it better for a technical writer to also do", "material is of crucial importance in technical documents, especially in procedures, but paradoxically,", "be a dying art. Is it better for a technical writer to also", "in technical documents, especially in procedures, but paradoxically, technical illustrations seem to be", "visual material is of crucial importance in technical documents, especially in procedures, but", "of crucial importance in technical documents, especially in procedures, but paradoxically, technical illustrations", "seem to be a dying art. Is it better for a technical writer", "also do technical illustration, or is it better to find and work with", "art. Is it better for a technical writer to also do technical illustration,", "work with an illustrator? What are the pros and cons of each approach?", "technical writer to also do technical illustration, or is it better to find", "technical illustration, or is it better to find and work with an illustrator?", "importance in technical documents, especially in procedures, but paradoxically, technical illustrations seem to", "technical documents, especially in procedures, but paradoxically, technical illustrations seem to be a", "better to find and work with an illustrator? What are the pros and", "it better for a technical writer to also do technical illustration, or is", "technical illustrations seem to be a dying art. Is it better for a", "do technical illustration, or is it better to find and work with an", "documents, especially in procedures, but paradoxically, technical illustrations seem to be a dying", "is it better to find and work with an illustrator? What are the", "dying art. Is it better for a technical writer to also do technical", "to be a dying art. Is it better for a technical writer to", "or is it better to find and work with an illustrator? What are", "Is it better for a technical writer to also do technical illustration, or", "my opinion, visual material is of crucial importance in technical documents, especially in", "opinion, visual material is of crucial importance in technical documents, especially in procedures,", "a technical writer to also do technical illustration, or is it better to", "writer to also do technical illustration, or is it better to find and", "In my opinion, visual material is of crucial importance in technical documents, especially", "to find and work with an illustrator? What are the pros and cons", "especially in procedures, but paradoxically, technical illustrations seem to be a dying art.", "and work with an illustrator? What are the pros and cons of each", "crucial importance in technical documents, especially in procedures, but paradoxically, technical illustrations seem", "find and work with an illustrator? What are the pros and cons of", "is of crucial importance in technical documents, especially in procedures, but paradoxically, technical", "illustrations seem to be a dying art. Is it better for a technical" ]
[ "others know how to access the various methods, what data structures are used", "for a complete working code sample on various grounds: * It would be", "to document each bit in detail and also include, regardless of the coding", "be used for simple, life-like purposes. My argument is that first-time users can", "complete working code sample on various grounds: * It would be IDE specific", "experienced developers who need no \"hello world\" to get started. * It makes", "how to access the various methods, what data structures are used etc, I", "can get started more easily and delve into the API services more quickly.", "what is the added value, if any, of including simple, fully working code", "more quickly. However, from developers, I often get a rejection when I ask", "include, regardless of the coding language, a \"hello world\" style sample API client", "the document way too bloated and adds very little value. So my question", "the coding language, a \"hello world\" style sample API client that shows how", "used etc, I like to document each bit in detail and also include,", "audience is experienced developers who need no \"hello world\" to get started. ", "very little value. So my question is, what is the added value, if", "help people who use a different IDE. The audience is experienced developers", "first-time users can get started more easily and delve into the API services", "specific so it would not help people who use a different IDE. ", "bloated and adds very little value. So my question is, what is the", "different IDE. The audience is experienced developers who need no \"hello world\"", "a \"hello world\" style sample API client that shows how a few select", "the various methods, what data structures are used etc, I like to document", "I like to document each bit in detail and also include, regardless of", "data items can be used for simple, life-like purposes. My argument is that", "bit in detail and also include, regardless of the coding language, a \"hello", "use a different IDE. * The audience is experienced developers who need no", "IDE. * The audience is experienced developers who need no \"hello world\" to", "methods, what data structures are used etc, I like to document each bit", "a complete working code sample on various grounds: * It would be IDE", "are used etc, I like to document each bit in detail and also", "like to document each bit in detail and also include, regardless of the", "IDE specific so it would not help people who use a different IDE.", "ask for a complete working code sample on various grounds: * It would", "software API so others know how to access the various methods, what data", "each bit in detail and also include, regardless of the coding language, a", "\"hello world\" style sample API client that shows how a few select methods", "select methods and data items can be used for simple, life-like purposes. My", "too bloated and adds very little value. So my question is, what is", "so others know how to access the various methods, what data structures are", "often get a rejection when I ask for a complete working code sample", "get a rejection when I ask for a complete working code sample on", "developers who need no \"hello world\" to get started. * It makes the", "It makes the document way too bloated and adds very little value. So", "easily and delve into the API services more quickly. However, from developers, I", "it would not help people who use a different IDE. * The audience", "be IDE specific so it would not help people who use a different", "when I ask for a complete working code sample on various grounds: ", "the added value, if any, of including simple, fully working code samples in", "of the coding language, a \"hello world\" style sample API client that shows", "code sample on various grounds: It would be IDE specific so it", "for simple, life-like purposes. My argument is that first-time users can get started", "started. * It makes the document way too bloated and adds very little", "various methods, what data structures are used etc, I like to document each", "so it would not help people who use a different IDE. * The", "world\" style sample API client that shows how a few select methods and", "detail and also include, regardless of the coding language, a \"hello world\" style", "from developers, I often get a rejection when I ask for a complete", "know how to access the various methods, what data structures are used etc,", "question is, what is the added value, if any, of including simple, fully", "It would be IDE specific so it would not help people who use", "methods and data items can be used for simple, life-like purposes. My argument", "makes the document way too bloated and adds very little value. So my", "users can get started more easily and delve into the API services more", "into the API services more quickly. However, from developers, I often get a", "value, if any, of including simple, fully working code samples in API guides.", "is experienced developers who need no \"hello world\" to get started. * It", "purposes. My argument is that first-time users can get started more easily and", "a few select methods and data items can be used for simple, life-like", "started more easily and delve into the API services more quickly. However, from", "\"hello world\" to get started. * It makes the document way too bloated", "who need no \"hello world\" to get started. * It makes the document", "can be used for simple, life-like purposes. My argument is that first-time users", "argument is that first-time users can get started more easily and delve into", "is, what is the added value, if any, of including simple, fully working", "style sample API client that shows how a few select methods and data", "who use a different IDE. * The audience is experienced developers who need", "would not help people who use a different IDE. * The audience is", "way too bloated and adds very little value. So my question is, what", "no \"hello world\" to get started. * It makes the document way too", "client that shows how a few select methods and data items can be", "documenting software API so others know how to access the various methods, what", "language, a \"hello world\" style sample API client that shows how a few", "regardless of the coding language, a \"hello world\" style sample API client that", "When documenting software API so others know how to access the various methods,", "how a few select methods and data items can be used for simple,", "a rejection when I ask for a complete working code sample on various", "developers, I often get a rejection when I ask for a complete working", "However, from developers, I often get a rejection when I ask for a", "structures are used etc, I like to document each bit in detail and", "and data items can be used for simple, life-like purposes. My argument is", "get started more easily and delve into the API services more quickly. However,", "* It makes the document way too bloated and adds very little value.", "would be IDE specific so it would not help people who use a", "So my question is, what is the added value, if any, of including", "shows how a few select methods and data items can be used for", "more easily and delve into the API services more quickly. However, from developers,", "delve into the API services more quickly. However, from developers, I often get", "various grounds: * It would be IDE specific so it would not help", "items can be used for simple, life-like purposes. My argument is that first-time", "and delve into the API services more quickly. However, from developers, I often", "grounds: * It would be IDE specific so it would not help people", "my question is, what is the added value, if any, of including simple,", "get started. * It makes the document way too bloated and adds very", "and adds very little value. So my question is, what is the added", "need no \"hello world\" to get started. * It makes the document way", "rejection when I ask for a complete working code sample on various grounds:", "simple, life-like purposes. My argument is that first-time users can get started more", "also include, regardless of the coding language, a \"hello world\" style sample API", "world\" to get started. * It makes the document way too bloated and", "sample on various grounds: * It would be IDE specific so it would", "coding language, a \"hello world\" style sample API client that shows how a", "on various grounds: * It would be IDE specific so it would not", "API services more quickly. However, from developers, I often get a rejection when", "API client that shows how a few select methods and data items can", "* It would be IDE specific so it would not help people who", "API so others know how to access the various methods, what data structures", "the API services more quickly. However, from developers, I often get a rejection", "data structures are used etc, I like to document each bit in detail", "that first-time users can get started more easily and delve into the API", "adds very little value. So my question is, what is the added value,", "that shows how a few select methods and data items can be used", "value. So my question is, what is the added value, if any, of", "few select methods and data items can be used for simple, life-like purposes.", "people who use a different IDE. * The audience is experienced developers who", "little value. So my question is, what is the added value, if any,", "is that first-time users can get started more easily and delve into the", "services more quickly. However, from developers, I often get a rejection when I", "sample API client that shows how a few select methods and data items", "access the various methods, what data structures are used etc, I like to", "My argument is that first-time users can get started more easily and delve", "to get started. * It makes the document way too bloated and adds", "a different IDE. * The audience is experienced developers who need no \"hello", "etc, I like to document each bit in detail and also include, regardless", "working code sample on various grounds: * It would be IDE specific so", "used for simple, life-like purposes. My argument is that first-time users can get", "* The audience is experienced developers who need no \"hello world\" to get", "to access the various methods, what data structures are used etc, I like", "what data structures are used etc, I like to document each bit in", "life-like purposes. My argument is that first-time users can get started more easily", "document each bit in detail and also include, regardless of the coding language,", "quickly. However, from developers, I often get a rejection when I ask for", "I often get a rejection when I ask for a complete working code", "The audience is experienced developers who need no \"hello world\" to get started.", "and also include, regardless of the coding language, a \"hello world\" style sample", "not help people who use a different IDE. * The audience is experienced", "I ask for a complete working code sample on various grounds: * It", "added value, if any, of including simple, fully working code samples in API", "document way too bloated and adds very little value. So my question is,", "in detail and also include, regardless of the coding language, a \"hello world\"", "is the added value, if any, of including simple, fully working code samples" ]
[ "I usually feel better when the number of visitors goes up. However, I", "to know if their docs are serving the purpose. Do you track the", "the docs site. If a user clicks thumbs-down, we show a pop-up with", "doc unhelpful and how we can improve it. This is invaluable feedback, however,", "up. However, I am not sure that's always a good thing. I want", "now, we implement the following feedback mechanisms: * We have a thumbs-up/down feedback", "the number of visitors goes up. However, I am not sure that's always", "events like product releases? In short, how do you make sense of the", "each page of the docs site. If a user clicks thumbs-down, we show", "a good thing. I want to understand the techniques other tech writers use", "Do you track the number of visitors? Do you map the visitor trends", "their docs are serving the purpose. Do you track the number of visitors?", "spent. This is a more quantitative metric, and I usually feel better when", "This is invaluable feedback, however, it is qualitative. * We also track the", "page of the docs site. If a user clicks thumbs-down, we show a", "* We also track the number of visitors to our docs site and", "mechanisms: * We have a thumbs-up/down feedback system on each page of the", "unhelpful and how we can improve it. This is invaluable feedback, however, it", "want to understand the techniques other tech writers use to know if their", "goes up. However, I am not sure that's always a good thing. I", "user clicks thumbs-down, we show a pop-up with more granular options about why", "to certain events like product releases? In short, how do you make sense", "it is qualitative. * We also track the number of visitors to our", "our docs site and the average time they spent. This is a more", "a more quantitative metric, and I usually feel better when the number of", "serving the purpose. Do you track the number of visitors? Do you map", "how we can improve it. This is invaluable feedback, however, it is qualitative.", "am not sure that's always a good thing. I want to understand the", "visitors? Do you map the visitor trends to certain events like product releases?", "site. If a user clicks thumbs-down, we show a pop-up with more granular", "on developer documentation at a tech startup. As of now, we implement the", "they found the doc unhelpful and how we can improve it. This is", "feedback system on each page of the docs site. If a user clicks", "and the average time they spent. This is a more quantitative metric, and", "visitors to our docs site and the average time they spent. This is", "trends to certain events like product releases? In short, how do you make", "I am not sure that's always a good thing. I want to understand", "always a good thing. I want to understand the techniques other tech writers", "they spent. This is a more quantitative metric, and I usually feel better", "number of visitors to our docs site and the average time they spent.", "track the number of visitors to our docs site and the average time", "I want to understand the techniques other tech writers use to know if", "tech writers use to know if their docs are serving the purpose. Do", "the following feedback mechanisms: * We have a thumbs-up/down feedback system on each", "docs are serving the purpose. Do you track the number of visitors? Do", "are serving the purpose. Do you track the number of visitors? Do you", "writers use to know if their docs are serving the purpose. Do you", "visitors goes up. However, I am not sure that's always a good thing.", "of visitors to our docs site and the average time they spent. This", "with more granular options about why they found the doc unhelpful and how", "know if their docs are serving the purpose. Do you track the number", "when the number of visitors goes up. However, I am not sure that's", "tech startup. As of now, we implement the following feedback mechanisms: * We", "documentation at a tech startup. As of now, we implement the following feedback", "is qualitative. * We also track the number of visitors to our docs", "found the doc unhelpful and how we can improve it. This is invaluable", "sure that's always a good thing. I want to understand the techniques other", "other tech writers use to know if their docs are serving the purpose.", "the average time they spent. This is a more quantitative metric, and I", "certain events like product releases? In short, how do you make sense of", "a thumbs-up/down feedback system on each page of the docs site. If a", "a user clicks thumbs-down, we show a pop-up with more granular options about", "metric, and I usually feel better when the number of visitors goes up.", "it. This is invaluable feedback, however, it is qualitative. * We also track", "time they spent. This is a more quantitative metric, and I usually feel", "feedback mechanisms: * We have a thumbs-up/down feedback system on each page of", "the doc unhelpful and how we can improve it. This is invaluable feedback,", "if their docs are serving the purpose. Do you track the number of", "more quantitative metric, and I usually feel better when the number of visitors", "at a tech startup. As of now, we implement the following feedback mechanisms:", "good thing. I want to understand the techniques other tech writers use to", "you map the visitor trends to certain events like product releases? In short,", "This is a more quantitative metric, and I usually feel better when the", "pop-up with more granular options about why they found the doc unhelpful and", "clicks thumbs-down, we show a pop-up with more granular options about why they", "map the visitor trends to certain events like product releases? In short, how", "use to know if their docs are serving the purpose. Do you track", "visitor trends to certain events like product releases? In short, how do you", "also track the number of visitors to our docs site and the average", "is invaluable feedback, however, it is qualitative. * We also track the number", "docs site. If a user clicks thumbs-down, we show a pop-up with more", "invaluable feedback, however, it is qualitative. * We also track the number of", "better when the number of visitors goes up. However, I am not sure", "of now, we implement the following feedback mechanisms: * We have a thumbs-up/down", "to understand the techniques other tech writers use to know if their docs", "docs site and the average time they spent. This is a more quantitative", "a pop-up with more granular options about why they found the doc unhelpful", "more granular options about why they found the doc unhelpful and how we", "of visitors goes up. However, I am not sure that's always a good", "of visitors? Do you map the visitor trends to certain events like product", "the number of visitors? Do you map the visitor trends to certain events", "startup. As of now, we implement the following feedback mechanisms: * We have", "however, it is qualitative. * We also track the number of visitors to", "However, I am not sure that's always a good thing. I want to", "about why they found the doc unhelpful and how we can improve it.", "the techniques other tech writers use to know if their docs are serving", "and I usually feel better when the number of visitors goes up. However,", "average time they spent. This is a more quantitative metric, and I usually", "site and the average time they spent. This is a more quantitative metric,", "number of visitors goes up. However, I am not sure that's always a", "on each page of the docs site. If a user clicks thumbs-down, we", "is a more quantitative metric, and I usually feel better when the number", "implement the following feedback mechanisms: * We have a thumbs-up/down feedback system on", "feel better when the number of visitors goes up. However, I am not", "track the number of visitors? Do you map the visitor trends to certain", "As of now, we implement the following feedback mechanisms: * We have a", "we show a pop-up with more granular options about why they found the", "a tech startup. As of now, we implement the following feedback mechanisms: ", "the number of visitors to our docs site and the average time they", "like product releases? In short, how do you make sense of the numbers?", "We have a thumbs-up/down feedback system on each page of the docs site.", "Do you map the visitor trends to certain events like product releases? In", "that's always a good thing. I want to understand the techniques other tech", "work on developer documentation at a tech startup. As of now, we implement", "number of visitors? Do you map the visitor trends to certain events like", "thumbs-down, we show a pop-up with more granular options about why they found", "We also track the number of visitors to our docs site and the", "to our docs site and the average time they spent. This is a", "system on each page of the docs site. If a user clicks thumbs-down,", "thing. I want to understand the techniques other tech writers use to know", "If a user clicks thumbs-down, we show a pop-up with more granular options", "you track the number of visitors? Do you map the visitor trends to", "developer documentation at a tech startup. As of now, we implement the following", "granular options about why they found the doc unhelpful and how we can", "options about why they found the doc unhelpful and how we can improve", "of the docs site. If a user clicks thumbs-down, we show a pop-up", "quantitative metric, and I usually feel better when the number of visitors goes", "we implement the following feedback mechanisms: We have a thumbs-up/down feedback system", "have a thumbs-up/down feedback system on each page of the docs site. If", "why they found the doc unhelpful and how we can improve it. This", "can improve it. This is invaluable feedback, however, it is qualitative. * We", "the visitor trends to certain events like product releases? In short, how do", "understand the techniques other tech writers use to know if their docs are", "* We have a thumbs-up/down feedback system on each page of the docs", "qualitative. * We also track the number of visitors to our docs site", "usually feel better when the number of visitors goes up. However, I am", "show a pop-up with more granular options about why they found the doc", "we can improve it. This is invaluable feedback, however, it is qualitative. ", "and how we can improve it. This is invaluable feedback, however, it is", "feedback, however, it is qualitative. We also track the number of visitors", "I work on developer documentation at a tech startup. As of now, we", "thumbs-up/down feedback system on each page of the docs site. If a user", "following feedback mechanisms: * We have a thumbs-up/down feedback system on each page", "not sure that's always a good thing. I want to understand the techniques", "improve it. This is invaluable feedback, however, it is qualitative. * We also", "techniques other tech writers use to know if their docs are serving the", "the purpose. Do you track the number of visitors? Do you map the", "purpose. Do you track the number of visitors? Do you map the visitor" ]
[ "my great surprise, they responded with the result list of a search saying", "the root user with one notable exception where they use a less privileged", "set of commands that stop and start a service where the instructions did", "work with a software product that has over 10 major components. The administration", "where they use a less privileged user for such purposes. In most places,", "this information. Neither did the section one level up. So I requested the", "administration of most of these is done with the root user with one", "a software product that has over 10 major components. The administration of most", "the instructions specify the user, and may even include instructions such as: ```", "as: ``` su - lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight I bumped", "the instructions did not include this information. Neither did the section one level", "section one level up. So I requested the documentation team to make amends.", "want it included for the 29th time. Q: Should the user be specified", "``` su - lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight I bumped into", "use a less privileged user for such purposes. In most places, the instructions", "that the documentation already has this in 28 different places, asking me to", "user for such purposes. In most places, the instructions specify the user, and", "10 major components. The administration of most of these is done with the", "even include instructions such as: ``` su - lessPrivilegedUser clustercommand --resursive --restart ```", "for the 29th time. Q: Should the user be specified for each administration", "``` However, yesternight I bumped into a set of commands that stop and", "I bumped into a set of commands that stop and start a service", "this in 28 different places, asking me to confirm whether I am certain", "bumped into a set of commands that stop and start a service where", "lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight I bumped into a set of", "certain I want it included for the 29th time. Q: Should the user", "most of these is done with the root user with one notable exception", "they responded with the result list of a search saying that the documentation", "saying that the documentation already has this in 28 different places, asking me", "the documentation team to make amends. To my great surprise, they responded with", "different places, asking me to confirm whether I am certain I want it", "the section one level up. So I requested the documentation team to make", "and may even include instructions such as: ``` su - lessPrivilegedUser clustercommand --resursive", "make amends. To my great surprise, they responded with the result list of", "for such purposes. In most places, the instructions specify the user, and may", "include instructions such as: ``` su - lessPrivilegedUser clustercommand --resursive --restart ``` However,", "software product that has over 10 major components. The administration of most of", "I want it included for the 29th time. Q: Should the user be", "with the result list of a search saying that the documentation already has", "components. The administration of most of these is done with the root user", "result list of a search saying that the documentation already has this in", "Neither did the section one level up. So I requested the documentation team", "over 10 major components. The administration of most of these is done with", "Should the user be specified for each administration task in an administration guide?", "with one notable exception where they use a less privileged user for such", "yesternight I bumped into a set of commands that stop and start a", "purposes. In most places, the instructions specify the user, and may even include", "the user, and may even include instructions such as: ``` su - lessPrivilegedUser", "whether I am certain I want it included for the 29th time. Q:", "product that has over 10 major components. The administration of most of these", "list of a search saying that the documentation already has this in 28", "these is done with the root user with one notable exception where they", "level up. So I requested the documentation team to make amends. To my", "responded with the result list of a search saying that the documentation already", "documentation already has this in 28 different places, asking me to confirm whether", "root user with one notable exception where they use a less privileged user", "of commands that stop and start a service where the instructions did not", "great surprise, they responded with the result list of a search saying that", "has this in 28 different places, asking me to confirm whether I am", "team to make amends. To my great surprise, they responded with the result", "stop and start a service where the instructions did not include this information.", "include this information. Neither did the section one level up. So I requested", "included for the 29th time. Q: Should the user be specified for each", "commands that stop and start a service where the instructions did not include", "did not include this information. Neither did the section one level up. So", "start a service where the instructions did not include this information. Neither did", "places, the instructions specify the user, and may even include instructions such as:", "su - lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight I bumped into a", "one notable exception where they use a less privileged user for such purposes.", "29th time. Q: Should the user be specified for each administration task in", "less privileged user for such purposes. In most places, the instructions specify the", "of these is done with the root user with one notable exception where", "the documentation already has this in 28 different places, asking me to confirm", "clustercommand --resursive --restart ``` However, yesternight I bumped into a set of commands", "I requested the documentation team to make amends. To my great surprise, they", "not include this information. Neither did the section one level up. So I", "one level up. So I requested the documentation team to make amends. To", "instructions such as: ``` su - lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight", "done with the root user with one notable exception where they use a", "documentation team to make amends. To my great surprise, they responded with the", "of most of these is done with the root user with one notable", "So I requested the documentation team to make amends. To my great surprise,", "already has this in 28 different places, asking me to confirm whether I", "search saying that the documentation already has this in 28 different places, asking", "into a set of commands that stop and start a service where the", "user with one notable exception where they use a less privileged user for", "to confirm whether I am certain I want it included for the 29th", "where the instructions did not include this information. Neither did the section one", "However, yesternight I bumped into a set of commands that stop and start", "up. So I requested the documentation team to make amends. To my great", "--restart ``` However, yesternight I bumped into a set of commands that stop", "a set of commands that stop and start a service where the instructions", "to make amends. To my great surprise, they responded with the result list", "major components. The administration of most of these is done with the root", "with a software product that has over 10 major components. The administration of", "that stop and start a service where the instructions did not include this", "exception where they use a less privileged user for such purposes. In most", "in 28 different places, asking me to confirm whether I am certain I", "has over 10 major components. The administration of most of these is done", "- lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight I bumped into a set", "instructions specify the user, and may even include instructions such as: ``` su", "The administration of most of these is done with the root user with", "To my great surprise, they responded with the result list of a search", "confirm whether I am certain I want it included for the 29th time.", "surprise, they responded with the result list of a search saying that the", "amends. To my great surprise, they responded with the result list of a", "that has over 10 major components. The administration of most of these is", "a less privileged user for such purposes. In most places, the instructions specify", "and start a service where the instructions did not include this information. Neither", "the result list of a search saying that the documentation already has this", "I am certain I want it included for the 29th time. Q: Should", "time. Q: Should the user be specified for each administration task in an", "notable exception where they use a less privileged user for such purposes. In", "such purposes. In most places, the instructions specify the user, and may even", "I work with a software product that has over 10 major components. The", "they use a less privileged user for such purposes. In most places, the", "such as: ``` su - lessPrivilegedUser clustercommand --resursive --restart ``` However, yesternight I", "service where the instructions did not include this information. Neither did the section", "did the section one level up. So I requested the documentation team to", "is done with the root user with one notable exception where they use", "specify the user, and may even include instructions such as: ``` su -", "28 different places, asking me to confirm whether I am certain I want", "a service where the instructions did not include this information. Neither did the", "information. Neither did the section one level up. So I requested the documentation", "with the root user with one notable exception where they use a less", "may even include instructions such as: ``` su - lessPrivilegedUser clustercommand --resursive --restart", "instructions did not include this information. Neither did the section one level up.", "me to confirm whether I am certain I want it included for the", "most places, the instructions specify the user, and may even include instructions such", "user, and may even include instructions such as: ``` su - lessPrivilegedUser clustercommand", "Q: Should the user be specified for each administration task in an administration", "privileged user for such purposes. In most places, the instructions specify the user,", "a search saying that the documentation already has this in 28 different places,", "places, asking me to confirm whether I am certain I want it included", "asking me to confirm whether I am certain I want it included for", "of a search saying that the documentation already has this in 28 different", "In most places, the instructions specify the user, and may even include instructions", "am certain I want it included for the 29th time. Q: Should the", "the 29th time. Q: Should the user be specified for each administration task", "it included for the 29th time. Q: Should the user be specified for", "requested the documentation team to make amends. To my great surprise, they responded", "--resursive --restart ``` However, yesternight I bumped into a set of commands that" ]
[ "Product documentation will surely include that functionality, but should a training manual? The", "a training manual? The functionality will vastly improve the user experience, but is", "to train users to use a tool that is still in beta, or", "should a training manual? The functionality will vastly improve the user experience, but", "of the tools in it will be marked \"in beta\". i.e. that functionality", "functionality is is included only as a technical preview. Product documentation will surely", "included only as a technical preview. Product documentation will surely include that functionality,", "train users to use a tool that is still in beta, or just", "will be marked \"in beta\". i.e. that functionality is is included only as", "So is it best practice to train users to use a tool that", "will surely include that functionality, but should a training manual? The functionality will", "documentation will surely include that functionality, but should a training manual? The functionality", "technical preview. Product documentation will surely include that functionality, but should a training", "include that functionality, but should a training manual? The functionality will vastly improve", "in beta, or just ignore it altogether regardless of how useful it is?", "released one of the tools in it will be marked \"in beta\". i.e.", "updates. So is it best practice to train users to use a tool", "product. When that product is next released one of the tools in it", "that functionality, but should a training manual? The functionality will vastly improve the", "software product. When that product is next released one of the tools in", "is still in beta, or just ignore it altogether regardless of how useful", "manuals for a software product. When that product is next released one of", "is next released one of the tools in it will be marked \"in", "it best practice to train users to use a tool that is still", "as a technical preview. Product documentation will surely include that functionality, but should", "write training manuals for a software product. When that product is next released", "I write training manuals for a software product. When that product is next", "functionality, but should a training manual? The functionality will vastly improve the user", "\"in beta\". i.e. that functionality is is included only as a technical preview.", "vastly improve the user experience, but is obviously liable to change and updates.", "the tools in it will be marked \"in beta\". i.e. that functionality is", "still in beta, or just ignore it altogether regardless of how useful it", "is included only as a technical preview. Product documentation will surely include that", "a technical preview. Product documentation will surely include that functionality, but should a", "only as a technical preview. Product documentation will surely include that functionality, but", "beta\". i.e. that functionality is is included only as a technical preview. Product", "obviously liable to change and updates. So is it best practice to train", "functionality will vastly improve the user experience, but is obviously liable to change", "training manuals for a software product. When that product is next released one", "experience, but is obviously liable to change and updates. So is it best", "When that product is next released one of the tools in it will", "surely include that functionality, but should a training manual? The functionality will vastly", "for a software product. When that product is next released one of the", "tool that is still in beta, or just ignore it altogether regardless of", "tools in it will be marked \"in beta\". i.e. that functionality is is", "is obviously liable to change and updates. So is it best practice to", "users to use a tool that is still in beta, or just ignore", "practice to train users to use a tool that is still in beta,", "i.e. that functionality is is included only as a technical preview. Product documentation", "to use a tool that is still in beta, or just ignore it", "best practice to train users to use a tool that is still in", "is is included only as a technical preview. Product documentation will surely include", "the user experience, but is obviously liable to change and updates. So is", "a tool that is still in beta, or just ignore it altogether regardless", "one of the tools in it will be marked \"in beta\". i.e. that", "in it will be marked \"in beta\". i.e. that functionality is is included", "change and updates. So is it best practice to train users to use", "is it best practice to train users to use a tool that is", "and updates. So is it best practice to train users to use a", "The functionality will vastly improve the user experience, but is obviously liable to", "marked \"in beta\". i.e. that functionality is is included only as a technical", "that product is next released one of the tools in it will be", "use a tool that is still in beta, or just ignore it altogether", "it will be marked \"in beta\". i.e. that functionality is is included only", "that is still in beta, or just ignore it altogether regardless of how", "be marked \"in beta\". i.e. that functionality is is included only as a", "to change and updates. So is it best practice to train users to", "product is next released one of the tools in it will be marked", "next released one of the tools in it will be marked \"in beta\".", "improve the user experience, but is obviously liable to change and updates. So", "that functionality is is included only as a technical preview. Product documentation will", "liable to change and updates. So is it best practice to train users", "a software product. When that product is next released one of the tools", "but is obviously liable to change and updates. So is it best practice", "user experience, but is obviously liable to change and updates. So is it", "will vastly improve the user experience, but is obviously liable to change and", "manual? The functionality will vastly improve the user experience, but is obviously liable", "but should a training manual? The functionality will vastly improve the user experience,", "preview. Product documentation will surely include that functionality, but should a training manual?", "training manual? The functionality will vastly improve the user experience, but is obviously" ]
[ "particularly persuasive writing. I will provide my own answer below, but I'm also", "participate upon. In addition to reliably garnering me votes, mastering this technique has", "for answering StackExchange questions --one that I have found productive across all the", "below, but I'm also interested in hearing from other StackExchange members about how", "come to view answering SE questions as its own, highly specialized writing subgenre,", "answer below, but I'm also interested in hearing from other StackExchange members about", "useful things about writing in general, particularly persuasive writing. I will provide my", "members about how they write StackExchange answers, as well as if and how", "me useful things about writing in general, particularly persuasive writing. I will provide", "I participate upon. In addition to reliably garnering me votes, mastering this technique", "persuasive writing. I will provide my own answer below, but I'm also interested", "I've created my own standardized format for answering StackExchange questions --one that I", "own standardized format for answering StackExchange questions --one that I have found productive", "StackExchange members about how they write StackExchange answers, as well as if and", "found productive across all the SE sites I participate upon. In addition to", "In addition to reliably garnering me votes, mastering this technique has also taught", "answers, as well as if and how they vary their format for different", "questions as its own, highly specialized writing subgenre, with its own demands, and", "writing. I will provide my own answer below, but I'm also interested in", "demands, and its own ideal format. By trial and error, and observation of", "view answering SE questions as its own, highly specialized writing subgenre, with its", "things about writing in general, particularly persuasive writing. I will provide my own", "votes, mastering this technique has also taught me useful things about writing in", "but I'm also interested in hearing from other StackExchange members about how they", "other StackExchange members about how they write StackExchange answers, as well as if", "format. By trial and error, and observation of highly upvoted answers, and of", "its own demands, and its own ideal format. By trial and error, and", "general, particularly persuasive writing. I will provide my own answer below, but I'm", "own answer below, but I'm also interested in hearing from other StackExchange members", "my own answer below, but I'm also interested in hearing from other StackExchange", "with its own demands, and its own ideal format. By trial and error,", "questions --one that I have found productive across all the SE sites I", "and its own ideal format. By trial and error, and observation of highly", "about writing in general, particularly persuasive writing. I will provide my own answer", "own, highly specialized writing subgenre, with its own demands, and its own ideal", "I will provide my own answer below, but I'm also interested in hearing", "own ideal format. By trial and error, and observation of highly upvoted answers,", "answers that I personally find useful, I've created my own standardized format for", "specialized writing subgenre, with its own demands, and its own ideal format. By", "interested in hearing from other StackExchange members about how they write StackExchange answers,", "subgenre, with its own demands, and its own ideal format. By trial and", "own demands, and its own ideal format. By trial and error, and observation", "technique has also taught me useful things about writing in general, particularly persuasive", "in general, particularly persuasive writing. I will provide my own answer below, but", "on StackExchange I've come to view answering SE questions as its own, highly", "about how they write StackExchange answers, as well as if and how they", "as well as if and how they vary their format for different sites.", "Over my years on StackExchange I've come to view answering SE questions as", "all the SE sites I participate upon. In addition to reliably garnering me", "I've come to view answering SE questions as its own, highly specialized writing", "will provide my own answer below, but I'm also interested in hearing from", "and error, and observation of highly upvoted answers, and of answers that I", "from other StackExchange members about how they write StackExchange answers, as well as", "highly specialized writing subgenre, with its own demands, and its own ideal format.", "and observation of highly upvoted answers, and of answers that I personally find", "I'm also interested in hearing from other StackExchange members about how they write", "find useful, I've created my own standardized format for answering StackExchange questions --one", "trial and error, and observation of highly upvoted answers, and of answers that", "taught me useful things about writing in general, particularly persuasive writing. I will", "to reliably garnering me votes, mastering this technique has also taught me useful", "reliably garnering me votes, mastering this technique has also taught me useful things", "mastering this technique has also taught me useful things about writing in general,", "StackExchange questions --one that I have found productive across all the SE sites", "also interested in hearing from other StackExchange members about how they write StackExchange", "answering StackExchange questions --one that I have found productive across all the SE", "upvoted answers, and of answers that I personally find useful, I've created my", "provide my own answer below, but I'm also interested in hearing from other", "write StackExchange answers, as well as if and how they vary their format", "my own standardized format for answering StackExchange questions --one that I have found", "hearing from other StackExchange members about how they write StackExchange answers, as well", "me votes, mastering this technique has also taught me useful things about writing", "its own ideal format. By trial and error, and observation of highly upvoted", "across all the SE sites I participate upon. In addition to reliably garnering", "answering SE questions as its own, highly specialized writing subgenre, with its own", "personally find useful, I've created my own standardized format for answering StackExchange questions", "writing in general, particularly persuasive writing. I will provide my own answer below,", "highly upvoted answers, and of answers that I personally find useful, I've created", "and of answers that I personally find useful, I've created my own standardized", "observation of highly upvoted answers, and of answers that I personally find useful,", "how they write StackExchange answers, as well as if and how they vary", "as its own, highly specialized writing subgenre, with its own demands, and its", "that I have found productive across all the SE sites I participate upon.", "I have found productive across all the SE sites I participate upon. In", "StackExchange I've come to view answering SE questions as its own, highly specialized", "answers, and of answers that I personally find useful, I've created my own", "to view answering SE questions as its own, highly specialized writing subgenre, with", "writing subgenre, with its own demands, and its own ideal format. By trial", "garnering me votes, mastering this technique has also taught me useful things about", "this technique has also taught me useful things about writing in general, particularly", "they write StackExchange answers, as well as if and how they vary their", "have found productive across all the SE sites I participate upon. In addition", "addition to reliably garnering me votes, mastering this technique has also taught me", "error, and observation of highly upvoted answers, and of answers that I personally", "its own, highly specialized writing subgenre, with its own demands, and its own", "format for answering StackExchange questions --one that I have found productive across all", "that I personally find useful, I've created my own standardized format for answering", "the SE sites I participate upon. In addition to reliably garnering me votes,", "StackExchange answers, as well as if and how they vary their format for", "sites I participate upon. In addition to reliably garnering me votes, mastering this", "has also taught me useful things about writing in general, particularly persuasive writing.", "useful, I've created my own standardized format for answering StackExchange questions --one that", "also taught me useful things about writing in general, particularly persuasive writing. I", "--one that I have found productive across all the SE sites I participate", "ideal format. By trial and error, and observation of highly upvoted answers, and", "By trial and error, and observation of highly upvoted answers, and of answers", "productive across all the SE sites I participate upon. In addition to reliably", "created my own standardized format for answering StackExchange questions --one that I have", "years on StackExchange I've come to view answering SE questions as its own,", "SE sites I participate upon. In addition to reliably garnering me votes, mastering", "SE questions as its own, highly specialized writing subgenre, with its own demands,", "in hearing from other StackExchange members about how they write StackExchange answers, as", "upon. In addition to reliably garnering me votes, mastering this technique has also", "of answers that I personally find useful, I've created my own standardized format", "my years on StackExchange I've come to view answering SE questions as its", "of highly upvoted answers, and of answers that I personally find useful, I've", "standardized format for answering StackExchange questions --one that I have found productive across", "I personally find useful, I've created my own standardized format for answering StackExchange" ]
[ "simply because the > story is about love, is an exploration of what", "stated. In fact, most people > don't ever realize that's what happened (be", "being told. So my question is: Do the characters or even the narrator", "related observations, about some > aspect of the human condition, interpreted from the", "is an exploration of what love it like. > [Does a story necessarily", "message that stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But", "ever realize that's what happened (be honest, can you tell me > the", "it is easily overlooked by even the casual reader. I think of the", "hero. But it's never stated. In fact, most people > don't ever realize", "have to take > a position on love, you don't have to have", "> a position on love, you don't have to have a covert message,", "slave, and continues running from it), showing the the very concept of >", "> > This was touched upon by a recent post from SE: >", "the boy in question here?). So the theme of physical > slavery turns", "hurts\" or \"love sucks\". The theme is love simply because the > story", "than entertainment. Dean Koontz offers this definition of a theme: > > “Theme", "and further away, > coming up with ever-increasingly elaborate plans to keep him", "want the attentive reader to recognize the irony of my story without being", "recognize the irony of my story without being told. So my question is:", "making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and it touches upon", "left the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader", "didn't care whether the man he'd come to tell his master set him", "of my story without being told. So my question is: Do the characters", "Can the theme be so hidden that it is easily overlooked by even", "statement, or series of related observations, about some > aspect of the human", "told. So my question is: Do the characters or even the narrator have", "the narrator have to understand that there is an underlying theme of the", "touches upon my question. Can the theme be so hidden that it is", "plot. > > When we refer to the theme of a book, we", "sucks\". The theme is love simply because the > story is about love,", "that a runaway > slave is set free, and doesn't have to run", "or series of related observations, about some > aspect of the human condition,", "of mental slavery (he thinks he's still a > slave, and continues running", "with Rahk Bokek of SE: > > Theme is not necessarily a message.", "themes covey a message about the story's plot. > > When we refer", "beyond simple storytelling. Although my previous novel was an action/adventure, I realized it", "necessarily a message. It is more the thing that you are > exploring.", "safe, > making himself the hero. But it's never stated. In fact, most", "like. > [Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This", "about it for a second. A boy is told that a runaway >", "the author.” > > > I have read others suggesting that themes covey", "don't ever realize that's what happened (be honest, can you tell me >", "slavery is all in your mind. > [How do I include a powerful", "attentive reader to recognize the irony of my story without being told. So", "has a deeper point than entertainment. Dean Koontz offers this definition of a", "\"love hurts\" or \"love sucks\". The theme is love simply because the >", "So my question is: Do the characters or even the narrator have to", "Tales of Nunlleburrk Tisn, did you know that what's-his-face > didn't care whether", "the man he'd come to tell his master set him free > was", "take > a position on love, you don't have to have a covert", "Tisn, did you know that what's-his-face > didn't care whether the man he'd", "whether the man he'd come to tell his master set him free >", "coming up with ever-increasingly elaborate plans to keep him safe, > making himself", "(be honest, can you tell me > the name of the boy in", "boy is told that a runaway > slave is set free, and doesn't", "message about the story's plot. > > When we refer to the theme", "the story's plot. > > When we refer to the theme of a", "need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched upon by a recent", "him free > was freed? Think about it for a second. A boy", "theme in my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely", "him safe, > making himself the hero. But it's never stated. In fact,", "are > exploring. If the theme is love, for instance, you don't have", "told that a runaway > slave is set free, and doesn't have to", "have a covert message, like > \"love hurts\" or \"love sucks\". The theme", "> In the Tales of Nunlleburrk Tisn, did you know that what's-his-face >", "boy in question here?). So the theme of physical > slavery turns into", "I realized it has a deeper point than entertainment. Dean Koontz offers this", "In fact, most people > don't ever realize that's what happened (be honest,", "> > > Nicely stated and it touches upon my question. Can the", "about a universal > idea, lesson, or message that stretches through the entire", "even the casual reader. I think of the 2001: A Space Odyssey “Star", "theme of a book, we are talking about a universal > idea, lesson,", "for a second. A boy is told that a runaway > slave is", "most people > don't ever realize that's what happened (be honest, can you", "[How do I include a powerful theme in my story without making it", "to help him run further and further away, > coming up with ever-increasingly", "ever-increasingly elaborate plans to keep him safe, > making himself the hero. But", "expand the depth of my writing beyond simple storytelling. Although my previous novel", "unique viewpoint > of the author.” > > > I have read others", "it like. > [Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > >", "> > > I have read others suggesting that themes covey a message", "thinks he's still a > slave, and continues running from it), showing the", "the theme be so hidden that it is easily overlooked by even the", "to recognize the irony of my story without being told. So my question", "the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree with Rahk", "irony of my story without being told. So my question is: Do the", "action/adventure, I realized it has a deeper point than entertainment. Dean Koontz offers", "slavery turns into a theme of mental slavery (he thinks he's still a", "showing the the very concept of > slavery is all in your mind.", "am trying to expand the depth of my writing beyond simple storytelling. Although", "a book, we are talking about a universal > idea, lesson, or message", "(he thinks he's still a > slave, and continues running from it), showing", "> slave is set free, and doesn't have to run any more. And", "is told that a runaway > slave is set free, and doesn't have", "this definition of a theme: > > “Theme is a statement, or series", "novel was an action/adventure, I realized it has a deeper point than entertainment.", "> don't ever realize that's what happened (be honest, can you tell me", "physical > slavery turns into a theme of mental slavery (he thinks he's", "was freed? Think about it for a second. A boy is told that", "you don't have to have a covert message, like > \"love hurts\" or", "easily overlooked by even the casual reader. I think of the 2001: A", "through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree with", "was touched upon by a recent post from SE: > > In the", "the final segment of the film where even Kubrick left the 'meaning' open", "that stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But I", "film where even Kubrick left the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I", "story without being told. So my question is: Do the characters or even", "simple storytelling. Although my previous novel was an action/adventure, I realized it has", "a deeper point than entertainment. Dean Koontz offers this definition of a theme:", "turns into a theme of mental slavery (he thinks he's still a >", "of the human condition, interpreted from the unique viewpoint > of the author.”", "it for a second. A boy is told that a runaway > slave", "love simply because the > story is about love, is an exploration of", "are talking about a universal > idea, lesson, or message that stretches through", "in question here?). So the theme of physical > slavery turns into a", "because the > story is about love, is an exploration of what love", "message. It is more the thing that you are > exploring. If the", "recent post from SE: > > In the Tales of Nunlleburrk Tisn, did", "run any more. And instead of > telling him, he pretends to help", "of the film where even Kubrick left the 'meaning' open to the viewer.", "a theme: > > “Theme is a statement, or series of related observations,", "theme is love, for instance, you don't have to take > a position", "a second. A boy is told that a runaway > slave is set", "about some > aspect of the human condition, interpreted from the unique viewpoint", "it), showing the the very concept of > slavery is all in your", "viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to recognize the irony of my", "the > story is about love, is an exploration of what love it", "for instance, you don't have to take > a position on love, you", "> But I agree with Rahk Bokek of SE: > > Theme is", "the thing that you are > exploring. If the theme is love, for", "> aspect of the human condition, interpreted from the unique viewpoint > of", "> > But I agree with Rahk Bokek of SE: > > Theme", "the hero. But it's never stated. In fact, most people > don't ever", "a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched upon by a recent post", "Dean Koontz offers this definition of a theme: > > “Theme is a", "light show in the final segment of the film where even Kubrick left", "from SE: > > In the Tales of Nunlleburrk Tisn, did you know", "telling him, he pretends to help him run further and further away, >", "is more the thing that you are > exploring. If the theme is", "where even Kubrick left the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want", "\"love sucks\". The theme is love simply because the > story is about", "with ever-increasingly elaborate plans to keep him safe, > making himself the hero.", "away, > coming up with ever-increasingly elaborate plans to keep him safe, >", "my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and", "the unique viewpoint > of the author.” > > > I have read", "> was freed? Think about it for a second. A boy is told", "the characters or even the narrator have to understand that there is an", "the 2001: A Space Odyssey “Star Gate” light show in the final segment", "reader to recognize the irony of my story without being told. So my", "<https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to recognize the irony of my story", "Nicely stated and it touches upon my question. Can the theme be so", "of > telling him, he pretends to help him run further and further", "storytelling. Although my previous novel was an action/adventure, I realized it has a", "the the very concept of > slavery is all in your mind. >", "I want the attentive reader to recognize the irony of my story without", "even the narrator have to understand that there is an underlying theme of", "love, you don't have to have a covert message, like > \"love hurts\"", "> \"love hurts\" or \"love sucks\". The theme is love simply because the", "series of related observations, about some > aspect of the human condition, interpreted", "theme: > > “Theme is a statement, or series of related observations, about", "story is about love, is an exploration of what love it like. >", "> > Nicely stated and it touches upon my question. Can the theme", "care whether the man he'd come to tell his master set him free", "a > slave, and continues running from it), showing the the very concept", "definition of a theme: > > “Theme is a statement, or series of", "theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched upon by a recent post from", "that themes covey a message about the story's plot. > > When we", "plans to keep him safe, > making himself the hero. But it's never", "set free, and doesn't have to run any more. And instead of >", "it has a deeper point than entertainment. Dean Koontz offers this definition of", "to have a covert message, like > \"love hurts\" or \"love sucks\". The", "I am trying to expand the depth of my writing beyond simple storytelling.", "> slave, and continues running from it), showing the the very concept of", "a universal > idea, lesson, or message that stretches through the entire story", "honest, can you tell me > the name of the boy in question", "the human condition, interpreted from the unique viewpoint > of the author.” >", "“Star Gate” light show in the final segment of the film where even", "any more. And instead of > telling him, he pretends to help him", "further and further away, > coming up with ever-increasingly elaborate plans to keep", "> slavery turns into a theme of mental slavery (he thinks he's still", "hidden that it is easily overlooked by even the casual reader. I think", "casual reader. I think of the 2001: A Space Odyssey “Star Gate” light", "Although my previous novel was an action/adventure, I realized it has a deeper", "talking about a universal > idea, lesson, or message that stretches through the", "an exploration of what love it like. > [Does a story necessarily need", "of what love it like. > [Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme)", "a recent post from SE: > > In the Tales of Nunlleburrk Tisn,", "of Nunlleburrk Tisn, did you know that what's-his-face > didn't care whether the", "> > In the Tales of Nunlleburrk Tisn, did you know that what's-his-face", "When we refer to the theme of a book, we are talking about", "the theme is love, for instance, you don't have to take > a", "set him free > was freed? Think about it for a second. A", "> of the author.” > > > I have read others suggesting that", "to the theme of a book, we are talking about a universal >", "he's still a > slave, and continues running from it), showing the the", "the name of the boy in question here?). So the theme of physical", "to run any more. And instead of > telling him, he pretends to", "think of the 2001: A Space Odyssey “Star Gate” light show in the", "So the theme of physical > slavery turns into a theme of mental", "[Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched", "that it is easily overlooked by even the casual reader. I think of", "of > slavery is all in your mind. > [How do I include", "to take > a position on love, you don't have to have a", "book, we are talking about a universal > idea, lesson, or message that", "the very concept of > slavery is all in your mind. > [How", "> the name of the boy in question here?). So the theme of", "running from it), showing the the very concept of > slavery is all", "of a book, we are talking about a universal > idea, lesson, or", "observations, about some > aspect of the human condition, interpreted from the unique", "The theme is love simply because the > story is about love, is", "It is more the thing that you are > exploring. If the theme", "pretends to help him run further and further away, > coming up with", "to expand the depth of my writing beyond simple storytelling. Although my previous", "free > was freed? Think about it for a second. A boy is", "is love simply because the > story is about love, is an exploration", "theme is love simply because the > story is about love, is an", "open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to recognize the", "by a recent post from SE: > > In the Tales of Nunlleburrk", "blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and it touches upon my question.", "the theme of a book, we are talking about a universal > idea,", "do I include a powerful theme in my story without making it blatantly", "Space Odyssey “Star Gate” light show in the final segment of the film", "the theme of physical > slavery turns into a theme of mental slavery", "that you are > exploring. If the theme is love, for instance, you", "so hidden that it is easily overlooked by even the casual reader. I", "> This was touched upon by a recent post from SE: > >", "in the final segment of the film where even Kubrick left the 'meaning'", "even Kubrick left the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the", "> > When we refer to the theme of a book, we are", "story's plot. > > When we refer to the theme of a book,", "love it like. > [Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > >", "he'd come to tell his master set him free > was freed? Think", "him, he pretends to help him run further and further away, > coming", "the film where even Kubrick left the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438>", "my previous novel was an action/adventure, I realized it has a deeper point", "all in your mind. > [How do I include a powerful theme in", "segment of the film where even Kubrick left the 'meaning' open to the", "from it), showing the the very concept of > slavery is all in", "not necessarily a message. It is more the thing that you are >", "don't have to take > a position on love, you don't have to", "about love, is an exploration of what love it like. > [Does a", "> > > This was touched upon by a recent post from SE:", "viewpoint > of the author.” > > > I have read others suggesting", "continues running from it), showing the the very concept of > slavery is", "of a theme: > > “Theme is a statement, or series of related", "the attentive reader to recognize the irony of my story without being told.", "point than entertainment. Dean Koontz offers this definition of a theme: > >", "universal > idea, lesson, or message that stretches through the entire story >", "is love, for instance, you don't have to take > a position on", "a powerful theme in my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > >", "my question is: Do the characters or even the narrator have to understand", "question is: Do the characters or even the narrator have to understand that", "previous novel was an action/adventure, I realized it has a deeper point than", "author.” > > > I have read others suggesting that themes covey a", "> making himself the hero. But it's never stated. In fact, most people", "of related observations, about some > aspect of the human condition, interpreted from", "agree with Rahk Bokek of SE: > > Theme is not necessarily a", "of the author.” > > > I have read others suggesting that themes", "> didn't care whether the man he'd come to tell his master set", "still a > slave, and continues running from it), showing the the very", "help him run further and further away, > coming up with ever-increasingly elaborate", "the casual reader. I think of the 2001: A Space Odyssey “Star Gate”", "final segment of the film where even Kubrick left the 'meaning' open to", "by even the casual reader. I think of the 2001: A Space Odyssey", "it's never stated. In fact, most people > don't ever realize that's what", "people > don't ever realize that's what happened (be honest, can you tell", "Kubrick left the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive", "“Theme is a statement, or series of related observations, about some > aspect", "narrator have to understand that there is an underlying theme of the story?", "> > “Theme is a statement, or series of related observations, about some", "to keep him safe, > making himself the hero. But it's never stated.", "> > Theme is not necessarily a message. It is more the thing", "include a powerful theme in my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) >", "like > \"love hurts\" or \"love sucks\". The theme is love simply because", "realized it has a deeper point than entertainment. Dean Koontz offers this definition", "Rahk Bokek of SE: > > Theme is not necessarily a message. It", "A Space Odyssey “Star Gate” light show in the final segment of the", "> [How do I include a powerful theme in my story without making", "necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched upon by a", "question here?). So the theme of physical > slavery turns into a theme", "and continues running from it), showing the the very concept of > slavery", "doesn't have to run any more. And instead of > telling him, he", "have to have a covert message, like > \"love hurts\" or \"love sucks\".", "what happened (be honest, can you tell me > the name of the", "touched upon by a recent post from SE: > > In the Tales", "overlooked by even the casual reader. I think of the 2001: A Space", "characters or even the narrator have to understand that there is an underlying", "of the 2001: A Space Odyssey “Star Gate” light show in the final", "covert message, like > \"love hurts\" or \"love sucks\". The theme is love", "SE: > > Theme is not necessarily a message. It is more the", "fact, most people > don't ever realize that's what happened (be honest, can", "we are talking about a universal > idea, lesson, or message that stretches", "love, is an exploration of what love it like. > [Does a story", "> [Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was", "concept of > slavery is all in your mind. > [How do I", "interpreted from the unique viewpoint > of the author.” > > > I", "> <https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree with Rahk Bokek of SE:", "a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched upon", "Think about it for a second. A boy is told that a runaway", "<https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree with Rahk Bokek of SE: >", "mind. > [How do I include a powerful theme in my story without", "covey a message about the story's plot. > > When we refer to", "offers this definition of a theme: > > “Theme is a statement, or", "message, like > \"love hurts\" or \"love sucks\". The theme is love simply", "suggesting that themes covey a message about the story's plot. > > When", "me > the name of the boy in question here?). So the theme", "a theme of mental slavery (he thinks he's still a > slave, and", "of SE: > > Theme is not necessarily a message. It is more", "exploration of what love it like. > [Does a story necessarily need a", "or \"love sucks\". The theme is love simply because the > story is", "lesson, or message that stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > >", "tell his master set him free > was freed? Think about it for", "> telling him, he pretends to help him run further and further away,", "some > aspect of the human condition, interpreted from the unique viewpoint >", "stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree", "man he'd come to tell his master set him free > was freed?", "the depth of my writing beyond simple storytelling. Although my previous novel was", "love, for instance, you don't have to take > a position on love,", "And instead of > telling him, he pretends to help him run further", "theme of mental slavery (he thinks he's still a > slave, and continues", "he pretends to help him run further and further away, > coming up", "'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to recognize", "second. A boy is told that a runaway > slave is set free,", "it touches upon my question. Can the theme be so hidden that it", "of my writing beyond simple storytelling. Although my previous novel was an action/adventure,", "But I agree with Rahk Bokek of SE: > > Theme is not", "But it's never stated. In fact, most people > don't ever realize that's", "what love it like. > [Does a story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) >", "a position on love, you don't have to have a covert message, like", "have to run any more. And instead of > telling him, he pretends", "name of the boy in question here?). So the theme of physical >", "> idea, lesson, or message that stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647>", "show in the final segment of the film where even Kubrick left the", "a message. It is more the thing that you are > exploring. If", "aspect of the human condition, interpreted from the unique viewpoint > of the", "position on love, you don't have to have a covert message, like >", "powerful theme in my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > >", "happened (be honest, can you tell me > the name of the boy", "the Tales of Nunlleburrk Tisn, did you know that what's-his-face > didn't care", "in your mind. > [How do I include a powerful theme in my", "is all in your mind. > [How do I include a powerful theme", "In the Tales of Nunlleburrk Tisn, did you know that what's-his-face > didn't", "This was touched upon by a recent post from SE: > > In", "and doesn't have to run any more. And instead of > telling him,", "deeper point than entertainment. Dean Koontz offers this definition of a theme: >", "> story is about love, is an exploration of what love it like.", "Odyssey “Star Gate” light show in the final segment of the film where", "story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree with Rahk Bokek of", "know that what's-his-face > didn't care whether the man he'd come to tell", "> > > But I agree with Rahk Bokek of SE: > >", "more the thing that you are > exploring. If the theme is love,", "you know that what's-his-face > didn't care whether the man he'd come to", "my question. Can the theme be so hidden that it is easily overlooked", "> I have read others suggesting that themes covey a message about the", "I agree with Rahk Bokek of SE: > > Theme is not necessarily", "slavery (he thinks he's still a > slave, and continues running from it),", "you don't have to take > a position on love, you don't have", "that's what happened (be honest, can you tell me > the name of", "here?). So the theme of physical > slavery turns into a theme of", "without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and it touches", "himself the hero. But it's never stated. In fact, most people > don't", "to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to recognize the irony", "runaway > slave is set free, and doesn't have to run any more.", "into a theme of mental slavery (he thinks he's still a > slave,", "in my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated", "> When we refer to the theme of a book, we are talking", "Bokek of SE: > > Theme is not necessarily a message. It is", "I have read others suggesting that themes covey a message about the story's", "post from SE: > > In the Tales of Nunlleburrk Tisn, did you", "we refer to the theme of a book, we are talking about a", "reader. I think of the 2001: A Space Odyssey “Star Gate” light show", "upon by a recent post from SE: > > In the Tales of", "is easily overlooked by even the casual reader. I think of the 2001:", "free, and doesn't have to run any more. And instead of > telling", "story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and it", "trying to expand the depth of my writing beyond simple storytelling. Although my", "him run further and further away, > coming up with ever-increasingly elaborate plans", "or message that stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > >", "it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and it touches upon my", "on love, you don't have to have a covert message, like > \"love", "is not necessarily a message. It is more the thing that you are", "I think of the 2001: A Space Odyssey “Star Gate” light show in", "is set free, and doesn't have to run any more. And instead of", "thing that you are > exploring. If the theme is love, for instance,", "> exploring. If the theme is love, for instance, you don't have to", "did you know that what's-his-face > didn't care whether the man he'd come", "run further and further away, > coming up with ever-increasingly elaborate plans to", "more. And instead of > telling him, he pretends to help him run", "to tell his master set him free > was freed? Think about it", "depth of my writing beyond simple storytelling. Although my previous novel was an", "writing beyond simple storytelling. Although my previous novel was an action/adventure, I realized", "freed? Think about it for a second. A boy is told that a", "human condition, interpreted from the unique viewpoint > of the author.” > >", "others suggesting that themes covey a message about the story's plot. > >", "SE: > > In the Tales of Nunlleburrk Tisn, did you know that", "was an action/adventure, I realized it has a deeper point than entertainment. Dean", "exploring. If the theme is love, for instance, you don't have to take", "your mind. > [How do I include a powerful theme in my story", "obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou) > > > Nicely stated and it touches upon my question. Can", "and it touches upon my question. Can the theme be so hidden that", "you tell me > the name of the boy in question here?). So", "> slavery is all in your mind. > [How do I include a", "A boy is told that a runaway > slave is set free, and", "theme be so hidden that it is easily overlooked by even the casual", "an action/adventure, I realized it has a deeper point than entertainment. Dean Koontz", "up with ever-increasingly elaborate plans to keep him safe, > making himself the", "> coming up with ever-increasingly elaborate plans to keep him safe, > making", "without being told. So my question is: Do the characters or even the", "the 'meaning' open to the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to", "of physical > slavery turns into a theme of mental slavery (he thinks", "come to tell his master set him free > was freed? Think about", "> > I have read others suggesting that themes covey a message about", "can you tell me > the name of the boy in question here?).", "my story without being told. So my question is: Do the characters or", "instance, you don't have to take > a position on love, you don't", "tell me > the name of the boy in question here?). So the", "upon my question. Can the theme be so hidden that it is easily", "be so hidden that it is easily overlooked by even the casual reader.", "idea, lesson, or message that stretches through the entire story > <https://www.thoughtco.com/common-book-themes-1857647> >", "> “Theme is a statement, or series of related observations, about some >", "question. Can the theme be so hidden that it is easily overlooked by", "keep him safe, > making himself the hero. But it's never stated. In", "Theme is not necessarily a message. It is more the thing that you", "entertainment. Dean Koontz offers this definition of a theme: > > “Theme is", "master set him free > was freed? Think about it for a second.", "slave is set free, and doesn't have to run any more. And instead", "refer to the theme of a book, we are talking about a universal", "entire story > <https://www.thoughtco.com/common-book-themes-1857647> > > > But I agree with Rahk Bokek", "very concept of > slavery is all in your mind. > [How do", "further away, > coming up with ever-increasingly elaborate plans to keep him safe,", "mental slavery (he thinks he's still a > slave, and continues running from", "elaborate plans to keep him safe, > making himself the hero. But it's", "2001: A Space Odyssey “Star Gate” light show in the final segment of", "making himself the hero. But it's never stated. In fact, most people >", "Koontz offers this definition of a theme: > > “Theme is a statement,", "from the unique viewpoint > of the author.” > > > I have", "about the story's plot. > > When we refer to the theme of", "a runaway > slave is set free, and doesn't have to run any", "my writing beyond simple storytelling. Although my previous novel was an action/adventure, I", "condition, interpreted from the unique viewpoint > of the author.” > > >", "have read others suggesting that themes covey a message about the story's plot.", "is about love, is an exploration of what love it like. > [Does", "realize that's what happened (be honest, can you tell me > the name", "theme of physical > slavery turns into a theme of mental slavery (he", "Gate” light show in the final segment of the film where even Kubrick", "or even the narrator have to understand that there is an underlying theme", "Do the characters or even the narrator have to understand that there is", "Nunlleburrk Tisn, did you know that what's-his-face > didn't care whether the man", "don't have to have a covert message, like > \"love hurts\" or \"love", "> Nicely stated and it touches upon my question. Can the theme be", "never stated. In fact, most people > don't ever realize that's what happened", "If the theme is love, for instance, you don't have to take >", "a statement, or series of related observations, about some > aspect of the", "instead of > telling him, he pretends to help him run further and", "the viewer. <https://movies.stackexchange.com/questions/69424/meaning-of-the-final-room-in-2001-a-space-odyssey/69438> I want the attentive reader to recognize the irony of", "> Theme is not necessarily a message. It is more the thing that", "you are > exploring. If the theme is love, for instance, you don't", "is a statement, or series of related observations, about some > aspect of", "his master set him free > was freed? Think about it for a", "stated and it touches upon my question. Can the theme be so hidden", "is: Do the characters or even the narrator have to understand that there", "the irony of my story without being told. So my question is: Do", "a message about the story's plot. > > When we refer to the", "of the boy in question here?). So the theme of physical > slavery", "I include a powerful theme in my story without making it blatantly obvious?](https://writing.stackexchange.com/questions/33189/how-do-i-include-a-powerful-theme-in-my-story-without-making-it-blatantly-obviou)", "story necessarily need a theme?](https://writing.stackexchange.com/questions/27515/does-a-story-necessarily-need-a-theme) > > > This was touched upon by", "read others suggesting that themes covey a message about the story's plot. >", "what's-his-face > didn't care whether the man he'd come to tell his master", "that what's-his-face > didn't care whether the man he'd come to tell his", "a covert message, like > \"love hurts\" or \"love sucks\". The theme is" ]
[ "usage? This is a hard question because every word has a flavor. I", "first awareness I've had of that connotation. Enormousness seems like an awkward alternative", "'enormity' is associated with negative actions, like crimes. And indeed, Merriam Webster agrees.", "Merriam Webster agrees. This is the first awareness I've had of that connotation.", "word has a flavor. I have to wonder if the sciences use 'enormity'", "here. > > > Is anyone aware of a resource that lists words", "words prone to mis-use would serve the need, here. > > > Is", "has a flavor. I have to wonder if the sciences use 'enormity' in", "that the word 'enormity' is associated with negative actions, like crimes. And indeed,", "of a resource that lists words with emotional baggage? Example: I use the", "crimes. And indeed, Merriam Webster agrees. This is the first awareness I've had", "'enormity' in a neutral way and if that may be how I learned", "Is there a resource of such words that may have pigeonholed usage? This", "> > Is anyone aware of a resource that lists words with emotional", "seems like an awkward alternative word. To many 's's' not crisp enough. Is", "words with emotional baggage? Example: I use the expression 'enormity of x' (as", "resource of such words that may have pigeonholed usage? This is a hard", "sciences use 'enormity' in a neutral way and if that may be how", "anyone aware of a resource that lists words with emotional baggage? Example: I", "prone to mis-use would serve the need, here. > > > Is anyone", "in a neutral way and if that may be how I learned the", "This is a hard question because every word has a flavor. I have", "many 's's' not crisp enough. Is 'immensity' laden with baggage? Is there a", "because every word has a flavor. I have to wonder if the sciences", "use 'enormity' in a neutral way and if that may be how I", "is a hard question because every word has a flavor. I have to", "awareness I've had of that connotation. Enormousness seems like an awkward alternative word.", "with baggage? Is there a resource of such words that may have pigeonholed", "use the expression 'enormity of x' (as in, the enormity of time since", "crisp enough. Is 'immensity' laden with baggage? Is there a resource of such", "hard question because every word has a flavor. I have to wonder if", "associated with negative actions, like crimes. And indeed, Merriam Webster agrees. This is", "word 'enormity' is associated with negative actions, like crimes. And indeed, Merriam Webster", "mis-use would serve the need, here. > > > Is anyone aware of", "word. To many 's's' not crisp enough. Is 'immensity' laden with baggage? Is", "I use the expression 'enormity of x' (as in, the enormity of time", "Webster agrees. This is the first awareness I've had of that connotation. Enormousness", "list of words prone to mis-use would serve the need, here. > >", "Edit: > Perhaps a list of words prone to mis-use would serve the", "pigeonholed usage? This is a hard question because every word has a flavor.", "mentioned to me that the word 'enormity' is associated with negative actions, like", "serve the need, here. > > > Is anyone aware of a resource", "the sciences use 'enormity' in a neutral way and if that may be", "have to wonder if the sciences use 'enormity' in a neutral way and", "'s's' not crisp enough. Is 'immensity' laden with baggage? Is there a resource", "of x' (as in, the enormity of time since the big bang.) Someone", "big bang.) Someone mentioned to me that the word 'enormity' is associated with", "I've had of that connotation. Enormousness seems like an awkward alternative word. To", "To many 's's' not crisp enough. Is 'immensity' laden with baggage? Is there", "Is 'immensity' laden with baggage? Is there a resource of such words that", "since the big bang.) Someone mentioned to me that the word 'enormity' is", "emotional baggage? Example: I use the expression 'enormity of x' (as in, the", "agrees. This is the first awareness I've had of that connotation. Enormousness seems", "that connotation. Enormousness seems like an awkward alternative word. To many 's's' not", "> > Edit: > Perhaps a list of words prone to mis-use would", "Is anyone aware of a resource that lists words with emotional baggage? Example:", "not crisp enough. Is 'immensity' laden with baggage? Is there a resource of", "> Perhaps a list of words prone to mis-use would serve the need,", "> > > Is anyone aware of a resource that lists words with", "(as in, the enormity of time since the big bang.) Someone mentioned to", "alternative word. To many 's's' not crisp enough. Is 'immensity' laden with baggage?", "baggage? Is there a resource of such words that may have pigeonholed usage?", "actions, like crimes. And indeed, Merriam Webster agrees. This is the first awareness", "a flavor. I have to wonder if the sciences use 'enormity' in a", "Enormousness seems like an awkward alternative word. To many 's's' not crisp enough.", "me that the word 'enormity' is associated with negative actions, like crimes. And", "a hard question because every word has a flavor. I have to wonder", "an awkward alternative word. To many 's's' not crisp enough. Is 'immensity' laden", "such words that may have pigeonholed usage? This is a hard question because", "Example: I use the expression 'enormity of x' (as in, the enormity of", "baggage? Example: I use the expression 'enormity of x' (as in, the enormity", "like crimes. And indeed, Merriam Webster agrees. This is the first awareness I've", "This is the first awareness I've had of that connotation. Enormousness seems like", "indeed, Merriam Webster agrees. This is the first awareness I've had of that", "bang.) Someone mentioned to me that the word 'enormity' is associated with negative", "like an awkward alternative word. To many 's's' not crisp enough. Is 'immensity'", "the first awareness I've had of that connotation. Enormousness seems like an awkward", "a resource of such words that may have pigeonholed usage? This is a", "that may have pigeonholed usage? This is a hard question because every word", "every word has a flavor. I have to wonder if the sciences use", "the expression 'enormity of x' (as in, the enormity of time since the", "laden with baggage? Is there a resource of such words that may have", "time since the big bang.) Someone mentioned to me that the word 'enormity'", "> Edit: > Perhaps a list of words prone to mis-use would serve", "is the first awareness I've had of that connotation. Enormousness seems like an", "> Is anyone aware of a resource that lists words with emotional baggage?", "negative actions, like crimes. And indeed, Merriam Webster agrees. This is the first", "the need, here. > > > Is anyone aware of a resource that", "have pigeonholed usage? This is a hard question because every word has a", "in, the enormity of time since the big bang.) Someone mentioned to me", "of words prone to mis-use would serve the need, here. > > >", "flavor. I have to wonder if the sciences use 'enormity' in a neutral", "that lists words with emotional baggage? Example: I use the expression 'enormity of", "had of that connotation. Enormousness seems like an awkward alternative word. To many", "the enormity of time since the big bang.) Someone mentioned to me that", "Perhaps a list of words prone to mis-use would serve the need, here.", "resource that lists words with emotional baggage? Example: I use the expression 'enormity", "a resource that lists words with emotional baggage? Example: I use the expression", "expression 'enormity of x' (as in, the enormity of time since the big", "of such words that may have pigeonholed usage? This is a hard question", "I have to wonder if the sciences use 'enormity' in a neutral way", "there a resource of such words that may have pigeonholed usage? This is", "'immensity' laden with baggage? Is there a resource of such words that may", "the word 'enormity' is associated with negative actions, like crimes. And indeed, Merriam", "if the sciences use 'enormity' in a neutral way and if that may", "x' (as in, the enormity of time since the big bang.) Someone mentioned", "to wonder if the sciences use 'enormity' in a neutral way and if", "of that connotation. Enormousness seems like an awkward alternative word. To many 's's'", "to me that the word 'enormity' is associated with negative actions, like crimes.", "awkward alternative word. To many 's's' not crisp enough. Is 'immensity' laden with", "of time since the big bang.) Someone mentioned to me that the word", "aware of a resource that lists words with emotional baggage? Example: I use", "'enormity of x' (as in, the enormity of time since the big bang.)", "with negative actions, like crimes. And indeed, Merriam Webster agrees. This is the", "is associated with negative actions, like crimes. And indeed, Merriam Webster agrees. This", "Someone mentioned to me that the word 'enormity' is associated with negative actions,", "words that may have pigeonholed usage? This is a hard question because every", "enough. Is 'immensity' laden with baggage? Is there a resource of such words", "may have pigeonholed usage? This is a hard question because every word has", "with emotional baggage? Example: I use the expression 'enormity of x' (as in,", "lists words with emotional baggage? Example: I use the expression 'enormity of x'", "a neutral way and if that may be how I learned the word.", "question because every word has a flavor. I have to wonder if the", "connotation. Enormousness seems like an awkward alternative word. To many 's's' not crisp", "the big bang.) Someone mentioned to me that the word 'enormity' is associated", "would serve the need, here. > > > Is anyone aware of a", "need, here. > > > Is anyone aware of a resource that lists", "enormity of time since the big bang.) Someone mentioned to me that the", "to mis-use would serve the need, here. > > > Is anyone aware", "And indeed, Merriam Webster agrees. This is the first awareness I've had of", "a list of words prone to mis-use would serve the need, here. >", "wonder if the sciences use 'enormity' in a neutral way and if that" ]
[ "main character was friends with in my story; Raven is an excellent student", "person (called Raven) who the main character was friends with in my story;", "villian who wants to do something bad with his remains. Only he comes", "with Discovery Writing. This character is one of the many others in the", "body is discovered by the villian who wants to do something bad with", "to life. The problem is is that he is the only other character", "and again he keeps coming back to life. The problem is is that", "my story; Raven is an excellent student who the main character is also", "of the many others in the story - most of whom appear in", "is the only other character with supernatural powers, or a technical curse -", "with supernatural powers, or a technical curse - What sort of creature that", "Raven doesn’t show up again until seven more chapters later when his body", "curse - What sort of creature that was once human (not like Gollum", "that was once human (not like Gollum from Tolkien’s work) gets back up", "is the result of experimenting with Discovery Writing. This character is one of", "only other character with supernatural powers, or a technical curse - What sort", "- What sort of creature that was once human (not like Gollum from", "again and again he keeps coming back to life. The problem is is", "(not like Gollum from Tolkien’s work) gets back up and fixes itself like", "of experimenting with Discovery Writing. This character is one of the many others", "other character with supernatural powers, or a technical curse - What sort of", "the story - most of whom appear in flashback scenes , Raven doesn’t", "scenes , Raven doesn’t show up again until seven more chapters later when", "his remains. Only he comes back to life, when he’s killed again and", "killed again and again he keeps coming back to life. The problem is", "result of experimenting with Discovery Writing. This character is one of the many", "by the villian who wants to do something bad with his remains. Only", "or a technical curse - What sort of creature that was once human", "the result of experimenting with Discovery Writing. This character is one of the", "back to life. The problem is is that he is the only other", "show up again until seven more chapters later when his body is discovered", "to do something bad with his remains. 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Only he comes back to life, when he’s killed again and again", "later when his body is discovered by the villian who wants to do", "Only he comes back to life, when he’s killed again and again he", "many others in the story - most of whom appear in flashback scenes", "others in the story - most of whom appear in flashback scenes ,", "when his body is discovered by the villian who wants to do something", "This character is one of the many others in the story - most", "in my story; Raven is an excellent student who the main character is", "powers, or a technical curse - What sort of creature that was once", "- most of whom appear in flashback scenes , Raven doesn’t show up", "he is the only other character with supernatural powers, or a technical curse", "Raven) who the main character was friends with in my story; Raven is", "in the story - most of whom appear in flashback scenes , Raven", "until seven more chapters later when his body is discovered by the villian", "is discovered by the villian who wants to do something bad with his", "character was friends with in my story; Raven is an excellent student who", ", Raven doesn’t show up again until seven more chapters later when his", "chapters later when his body is discovered by the villian who wants to", "who wants to do something bad with his remains. Only he comes back", "a technical curse - What sort of creature that was once human (not", "sort of creature that was once human (not like Gollum from Tolkien’s work)", "of creature that was once human (not like Gollum from Tolkien’s work) gets", "is that he is the only other character with supernatural powers, or a", "back up and fixes itself like \\\\Christine \\\\ the car by Stephan King?", "the many others in the story - most of whom appear in flashback", "a young person (called Raven) who the main character was friends with in", "also teaching music to. The story is the result of experimenting with Discovery", "was friends with in my story; Raven is an excellent student who the", "from Tolkien’s work) gets back up and fixes itself like \\\\Christine \\\\ the", "again until seven more chapters later when his body is discovered by the" ]
[ "text statistics, but so far all I've done with it is read down", "generates amusing sentences) and check that words like \"puissant\" haven't started multiplying. Is", "that words like \"puissant\" haven't started multiplying. Is there a way to use", "started multiplying. Is there a way to use word frequency data to improve", "it is read down the list (it occasionally generates amusing sentences) and check", "and check that words like \"puissant\" haven't started multiplying. Is there a way", "the list (it occasionally generates amusing sentences) and check that words like \"puissant\"", "with it is read down the list (it occasionally generates amusing sentences) and", "statistics, but so far all I've done with it is read down the", "found the 'word frequency' tool in Scrivener's text statistics, but so far all", "tool in Scrivener's text statistics, but so far all I've done with it", "like \"puissant\" haven't started multiplying. Is there a way to use word frequency", "occasionally generates amusing sentences) and check that words like \"puissant\" haven't started multiplying.", "check that words like \"puissant\" haven't started multiplying. Is there a way to", "so far all I've done with it is read down the list (it", "is read down the list (it occasionally generates amusing sentences) and check that", "'word frequency' tool in Scrivener's text statistics, but so far all I've done", "(it occasionally generates amusing sentences) and check that words like \"puissant\" haven't started", "read down the list (it occasionally generates amusing sentences) and check that words", "I just found the 'word frequency' tool in Scrivener's text statistics, but so", "sentences) and check that words like \"puissant\" haven't started multiplying. Is there a", "frequency' tool in Scrivener's text statistics, but so far all I've done with", "Is there a way to use word frequency data to improve my writing?", "Scrivener's text statistics, but so far all I've done with it is read", "\"puissant\" haven't started multiplying. Is there a way to use word frequency data", "the 'word frequency' tool in Scrivener's text statistics, but so far all I've", "multiplying. Is there a way to use word frequency data to improve my", "down the list (it occasionally generates amusing sentences) and check that words like", "I've done with it is read down the list (it occasionally generates amusing", "haven't started multiplying. Is there a way to use word frequency data to", "amusing sentences) and check that words like \"puissant\" haven't started multiplying. Is there", "all I've done with it is read down the list (it occasionally generates", "in Scrivener's text statistics, but so far all I've done with it is", "far all I've done with it is read down the list (it occasionally", "words like \"puissant\" haven't started multiplying. Is there a way to use word", "list (it occasionally generates amusing sentences) and check that words like \"puissant\" haven't", "but so far all I've done with it is read down the list", "done with it is read down the list (it occasionally generates amusing sentences)", "just found the 'word frequency' tool in Scrivener's text statistics, but so far" ]
[ "outwards and fight physically; the female heroine had to journey inwards, into the", "of female written fantasy portrayed members of the aristocracy and their intrigues, showing", "often classic male fantasy with the male protagonist replaced by a female one.", "members of the aristocracy and their intrigues, showing powerful, powerhungry, and ruthless women", "the way the Queens of the past have done. In the same time,", "write such a fantasy, but I want to understand – as I believe", "fighting slave. Katniss fulfills a quest, returns to the capital, and kills Bsow.", "her innate powers and heal a rift in the world. The male hero", "returns to the temple, and kills Deoc. Similarly, Bsow enslaves Katniss' people and", "isn't fantasy. I haven't read much fantasy in recent years, and looking at", "Today, YA books with female leads are often classic male fantasy with the", "who went on a quest and killed his opponents, while the female heroine", "typical example is the short story \"Northern Chess\" by Tanith Lee in which", "people and takes him into slavery. Conan escapes, fulfills a quest, returns to", "of the women's movement, fantasy heroines in the Seventies and early Eighties began", "NOT looking for writing advice.** What I want is to understand current conventions", "of those conventions. --- Additional context The roles of male and female protagonists", "Or, in other words: *When a woman picks up a fantasy novel with", "Is there still a tradition of (medieval-type) fantasy by and for women, and", "of that genre, your novel will be read in the context of those", "wave in fantasy of the late Eighties and early Nineties, much of female", "myself with reader expectations. Is there still a tradition of (medieval-type) fantasy by", "with a female protagonist today – and that is all she knows –", "stayed active in fiction for young adult readers. Today, YA books with female", "heroes battling and questing, and there are some female warriors, some witches, and", "of the aristocracy and their intrigues, showing powerful, powerhungry, and ruthless women manipulating", "and fight psych(olog)ically. In the wake of the women's movement, fantasy heroines in", "from home as a kind of fighting slave. Katniss fulfills a quest, returns", "the Barbarian: Deoc kills Conan's people and takes him into slavery. Conan escapes,", "be read in the context of those conventions. --- Additional context The roles", "which a female warrior overcomes the ghost of an evil sorcerer who had", "version of that genre, your novel will be read in the context of", "novel with a female protagonist, and I want to familiarize myself with reader", "she expect? I am NOT looking for writing advice.** What I want is", "your own version of that genre, your novel will be read in the", "had cast a curse that \"no man\" would be able to overcome –", "and other new genres. There are still male heroes battling and questing, and", "understand* current conventions and reader expectations in contemporary female-protagonist fantasy fiction. I do", "kills Conan's people and takes him into slavery. Conan escapes, fulfills a quest,", "questing, and there are some female warriors, some witches, and some queens. But", "and fight physically; the female heroine had to journey inwards, into the mystery", "overcome evil, and from Robert E. Howard to David Gemmell, barbarians have battled", "even if you create your own version of that genre, your novel will", "the Seventies and early Eighties began to take on male roles. A typical", "manipulating the men around them much in the way the Queens of the", "takes her away from home as a kind of fighting slave. 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Howard to David Gemmell, barbarians have battled and", "author should – the genre they are writing in, because even if you", "haven't read much fantasy in recent years, and looking at the market today,", "read much fantasy in recent years, and looking at the market today, it", "physically; the female heroine had to journey inwards, into the mystery of herself,", "was a warrior who went on a quest and killed his opponents, while", "for writing advice.** What I want is to understand current conventions and *reader", "fantasy of the late Eighties and early Nineties, much of female written fantasy", "The Hunger Games* isn't fantasy. I haven't read much fantasy in recent years,", "female readers has been largely replaced by dystopia, urban fantasy, vampire romance, steampunk,", "for male readers has mostly remained true to the swordwielding and questing heroes", "(medieval-type) fantasy by and for women, and what are its prototypical themes and", "genre they are writing in, because even if you create your own version", "fiction were distinctly different. The male hero was a warrior who went on", "the same time, fantasy for male readers has mostly remained true to the", "had to journey inwards, into the mystery of herself, and fight psych(olog)ically. In", "home as a kind of fighting slave. Katniss fulfills a quest, returns to", "From Tolkien to Gobert Xoqyav, companions have overcome evil, and from Robert E.", "barbarians have battled and killed. The female in a male role has stayed", "companions have overcome evil, and from Robert E. 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But I", "believe every author should – the genre they are writing in, because even", "questing heroes of the past. From Tolkien to Gobert Xoqyav, companions have overcome", "to David Gemmell, barbarians have battled and killed. The female in a male", "a female protagonist today – and that is all she knows – what", "is to understand* current conventions and reader expectations in contemporary female-protagonist fantasy fiction.", "in the context of those conventions. --- Additional context The roles of male", "I want to understand – as I believe every author should – the", "able to overcome – forgetting women. Later, during the pseudo-historic wave in fantasy", "while the female heroine was a witch or priestess who had to discover", "*When a woman picks up a fantasy novel with a female protagonist today", "want is to understand* current conventions and reader expectations in contemporary female-protagonist fantasy", "the capital, and kills Bsow. But The Hunger Games isn't fantasy. I haven't", "expectations** in contemporary female-protagonist fantasy fiction. I do not want to write such", "Similarly, Bsow enslaves Katniss' people and takes her away from home as a", "overcome – forgetting women. Later, during the pseudo-historic wave in fantasy of the", "Lee in which a female warrior overcomes the ghost of an evil sorcerer", "such a fantasy, but I want to understand – as I believe every", "prototypical themes and plot? Or, in other words: When a woman picks up", "same time, fantasy for male readers has mostly remained true to the swordwielding", "expectations. Is there still a tradition of (medieval-type) fantasy by and for women,", "expect? I am NOT looking for writing advice. 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I haven't read much fantasy in recent years, and", "in the world. The male hero had to journey outwards and fight physically;", "portrayed members of the aristocracy and their intrigues, showing powerful, powerhungry, and ruthless", "from Robert E. Howard to David Gemmell, barbarians have battled and killed. The", "Deoc kills Conan's people and takes him into slavery. Conan escapes, fulfills a", "the wake of the women's movement, fantasy heroines in the Seventies and early", "late Eighties and early Nineties, much of female written fantasy portrayed members of", "readers has been largely replaced by dystopia, urban fantasy, vampire romance, steampunk, and", "early Eighties began to take on male roles. A typical example is the", "identical to Conan the Barbarian: Deoc kills Conan's people and takes him into", "to understand current conventions and reader expectations in contemporary female-protagonist fantasy fiction. I", "some female warriors, some witches, and some queens. But I don't see much", "way the Queens of the past have done. In the same time, fantasy", "a kind of fighting slave. Katniss fulfills a quest, returns to the capital,", "I do not want to write such a fantasy, but I want to", "Queens of the past have done. In the same time, fantasy for male", "classic male fantasy with the male protagonist replaced by a female one. For", "women manipulating the men around them much in the way the Queens of", "their intrigues, showing powerful, powerhungry, and ruthless women manipulating the men around them", "current conventions and reader expectations in contemporary female-protagonist fantasy fiction. I do not", "in recent years, and looking at the market today, it seems to me", "fulfills a quest, returns to the capital, and kills Bsow. But The Hunger", "but I want to understand – as I believe every author should –", "a plot very much identical to Conan the Barbarian: Deoc kills Conan's people", "want to write a fantasy novel with a female protagonist, and I want", "were distinctly different. The male hero was a warrior who went on a", "in a male role has stayed active in fiction for young adult readers.", "want to familiarize myself with reader expectations. Is there still a tradition of", "replaced by a female one. For example, The Hunger Games, has a plot", "--- Additional context* The roles of male and female protagonists in classic fantasy", "classic fantasy fiction were distinctly different. The male hero was a warrior who", "are some female warriors, some witches, and some queens. But I don't see", "– the genre they are writing in, because even if you create your", "in the Seventies and early Eighties began to take on male roles. A", "will be read in the context of those conventions. --- Additional context The", "hero had to journey outwards and fight physically; the female heroine had to", "still male heroes battling and questing, and there are some female warriors, some", "YA books with female leads are often classic male fantasy with the male", "a quest, returns to the temple, and kills Deoc. Similarly, Bsow enslaves Katniss'", "Seventies and early Eighties began to take on male roles. A typical example", "fantasy portrayed members of the aristocracy and their intrigues, showing powerful, powerhungry, and", "fiction. I do not want to write such a fantasy, but I want", "warriors, some witches, and some queens. But I don't see much of that,", "male protagonist replaced by a female one. For example, The Hunger Games, has", "dystopia, urban fantasy, vampire romance, steampunk, and other new genres. There are still", "roles. A typical example is the short story \"Northern Chess\" by Tanith Lee", "ghost of an evil sorcerer who had cast a curse that \"no man\"", "of herself, and fight psych(olog)ically. In the wake of the women's movement, fantasy", "an evil sorcerer who had cast a curse that \"no man\" would be", "Katniss fulfills a quest, returns to the capital, and kills Bsow. But The", "the men around them much in the way the Queens of the past", "she knows – what would she expect?* I am NOT looking for writing", "should – the genre they are writing in, because even if you create", "a male role has stayed active in fiction for young adult readers. Today,", "and looking at the market today, it seems to me that fantasy for", "of fighting slave. Katniss fulfills a quest, returns to the capital, and kills", "by Tanith Lee in which a female warrior overcomes the ghost of an", "if you create your own version of that genre, your novel will be", "aristocracy and their intrigues, showing powerful, powerhungry, and ruthless women manipulating the men", "and reader expectations** in contemporary female-protagonist fantasy fiction. I do not want to", "to the temple, and kills Deoc. Similarly, Bsow enslaves Katniss' people and takes", "to Conan the Barbarian: Deoc kills Conan's people and takes him into slavery.", "I want to familiarize myself with reader expectations. Is there still a tradition", "fantasy heroines in the Seventies and early Eighties began to take on male", "around them much in the way the Queens of the past have done.", "novel with a female protagonist today – and that is all she knows", "has mostly remained true to the swordwielding and questing heroes of the past.", "Conan the Barbarian: Deoc kills Conan's people and takes him into slavery. Conan", "forgetting women. Later, during the pseudo-historic wave in fantasy of the late Eighties", "would be able to overcome – forgetting women. Later, during the pseudo-historic wave", "male fantasy with the male protagonist replaced by a female one. For example,", "plot? Or, in other words: When a woman picks up a fantasy novel", "done. In the same time, fantasy for male readers has mostly remained true", "to journey inwards, into the mystery of herself, and fight psych(olog)ically. In the", "female heroine was a witch or priestess who had to discover her innate", "powerful, powerhungry, and ruthless women manipulating the men around them much in the", "is all she knows – what would she expect? I am NOT looking", "a quest and killed his opponents, while the female heroine was a witch", "evil sorcerer who had cast a curse that \"no man\" would be able", "into slavery. Conan escapes, fulfills a quest, returns to the temple, and kills", "woman picks up a fantasy novel with a female protagonist today – and", "inwards, into the mystery of herself, and fight psych(olog)ically. In the wake of", "overcomes the ghost of an evil sorcerer who had cast a curse that", "looking for writing advice. What I want is to understand current conventions and", "rift in the world. The male hero had to journey outwards and fight", "today, it seems to me that fantasy for female readers has been largely", "every author should – the genre they are writing in, because even if", "the aristocracy and their intrigues, showing powerful, powerhungry, and ruthless women manipulating the", "that \"no man\" would be able to overcome – forgetting women. Later, during", "began to take on male roles. A typical example is the short story", "example is the short story \"Northern Chess\" by Tanith Lee in which a", "still a tradition of (medieval-type) fantasy by and for women, and what are", "market today, it seems to me that fantasy for female readers has been", "female protagonist, and I want to familiarize myself with reader expectations. Is there", "temple, and kills Deoc. Similarly, Bsow enslaves Katniss' people and takes her away", "fiction for young adult readers. Today, YA books with female leads are often", "short story \"Northern Chess\" by Tanith Lee in which a female warrior overcomes", "and kills Bsow. But The Hunger Games isn't fantasy. I haven't read much", "takes him into slavery. Conan escapes, fulfills a quest, returns to the temple,", "battling and questing, and there are some female warriors, some witches, and some", "herself, and fight psych(olog)ically. In the wake of the women's movement, fantasy heroines", "was a witch or priestess who had to discover her innate powers and", "Howard to David Gemmell, barbarians have battled and killed. The female in a", "of (medieval-type) fantasy by and for women, and what are its prototypical themes", "or priestess who had to discover her innate powers and heal a rift", "Conan's people and takes him into slavery. Conan escapes, fulfills a quest, returns", "Bsow enslaves Katniss' people and takes her away from home as a kind", "her away from home as a kind of fighting slave. Katniss fulfills a", "picks up a fantasy novel with a female protagonist today – and that", "and killed his opponents, while the female heroine was a witch or priestess", "curse that \"no man\" would be able to overcome – forgetting women. Later,", "In the wake of the women's movement, fantasy heroines in the Seventies and", "conventions and reader expectations in contemporary female-protagonist fantasy fiction. I do not want", "fight physically; the female heroine had to journey inwards, into the mystery of", "romance, steampunk, and other new genres. There are still male heroes battling and", "heroines in the Seventies and early Eighties began to take on male roles.", "I haven't read much fantasy in recent years, and looking at the market", "for female readers has been largely replaced by dystopia, urban fantasy, vampire romance,", "the male protagonist replaced by a female one. For example, The Hunger Games,", "fantasy in recent years, and looking at the market today, it seems to", "reader expectations in contemporary female-protagonist fantasy fiction. I do not want to write", "heroine had to journey inwards, into the mystery of herself, and fight psych(olog)ically.", "the past. From Tolkien to Gobert Xoqyav, companions have overcome evil, and from", "enslaves Katniss' people and takes her away from home as a kind of", "in the way the Queens of the past have done. In the same", "and their intrigues, showing powerful, powerhungry, and ruthless women manipulating the men around", "Gobert Xoqyav, companions have overcome evil, and from Robert E. Howard to David", "to write such a fantasy, but I want to understand – as I", "has stayed active in fiction for young adult readers. Today, YA books with", "very much identical to Conan the Barbarian: Deoc kills Conan's people and takes", "writing in, because even if you create your own version of that genre,", "Gemmell, barbarians have battled and killed. The female in a male role has", "want to understand – as I believe every author should – the genre", "– and that is all she knows – what would she expect? I", "heal a rift in the world. The male hero had to journey outwards", "reader expectations. Is there still a tradition of (medieval-type) fantasy by and for", "heroes of the past. From Tolkien to Gobert Xoqyav, companions have overcome evil,", "quest, returns to the temple, and kills Deoc. Similarly, Bsow enslaves Katniss' people", "and that is all she knows – what would she expect? I am", "kind of fighting slave. Katniss fulfills a quest, returns to the capital, and", "in other words: *When a woman picks up a fantasy novel with a", "Barbarian: Deoc kills Conan's people and takes him into slavery. Conan escapes, fulfills", "women's movement, fantasy heroines in the Seventies and early Eighties began to take", "and questing, and there are some female warriors, some witches, and some queens.", "distinctly different. The male hero was a warrior who went on a quest", "swordwielding and questing heroes of the past. From Tolkien to Gobert Xoqyav, companions", "the short story \"Northern Chess\" by Tanith Lee in which a female warrior", "female protagonists in classic fantasy fiction were distinctly different. The male hero was", "a female one. For example, The Hunger Games, has a plot very much", "me that fantasy for female readers has been largely replaced by dystopia, urban", "plot very much identical to Conan the Barbarian: Deoc kills Conan's people and", "Bsow. But The Hunger Games isn't fantasy. I haven't read much fantasy in", "mostly remained true to the swordwielding and questing heroes of the past. From", "hero was a warrior who went on a quest and killed his opponents,", "cast a curse that \"no man\" would be able to overcome – forgetting", "are often classic male fantasy with the male protagonist replaced by a female", "new genres. There are still male heroes battling and questing, and there are", "early Nineties, much of female written fantasy portrayed members of the aristocracy and", "a fantasy novel with a female protagonist, and I want to familiarize myself", "him into slavery. Conan escapes, fulfills a quest, returns to the temple, and", "as a kind of fighting slave. Katniss fulfills a quest, returns to the", "for women, and what are its prototypical themes and plot? Or, in other", "have overcome evil, and from Robert E. Howard to David Gemmell, barbarians have", "in fiction for young adult readers. Today, YA books with female leads are", "have battled and killed. The female in a male role has stayed active", "genre, your novel will be read in the context of those conventions. ---", "understand – as I believe every author should – the genre they are", "Xoqyav, companions have overcome evil, and from Robert E. Howard to David Gemmell,", "on a quest and killed his opponents, while the female heroine was a", "the past have done. In the same time, fantasy for male readers has", "fantasy for female readers has been largely replaced by dystopia, urban fantasy, vampire", "to write a fantasy novel with a female protagonist, and I want to", "I believe every author should – the genre they are writing in, because", "The roles of male and female protagonists in classic fantasy fiction were distinctly", "The male hero was a warrior who went on a quest and killed", "write a fantasy novel with a female protagonist, and I want to familiarize", "to take on male roles. A typical example is the short story \"Northern", "male roles. A typical example is the short story \"Northern Chess\" by Tanith", "movement, fantasy heroines in the Seventies and early Eighties began to take on", "knows – what would she expect? I am NOT looking for writing advice.*", "years, and looking at the market today, it seems to me that fantasy", "fantasy, vampire romance, steampunk, and other new genres. There are still male heroes", "written fantasy portrayed members of the aristocracy and their intrigues, showing powerful, powerhungry,", "man\" would be able to overcome – forgetting women. Later, during the pseudo-historic", "active in fiction for young adult readers. Today, YA books with female leads", "not* want to write such a fantasy, but I want to understand –", "replaced by dystopia, urban fantasy, vampire romance, steampunk, and other new genres. There", "fantasy by and for women, and what are its prototypical themes and plot?", "male heroes battling and questing, and there are some female warriors, some witches,", "fantasy novel with a female protagonist, and I want to familiarize myself with", "a female warrior overcomes the ghost of an evil sorcerer who had cast", "Nineties, much of female written fantasy portrayed members of the aristocracy and their", "much fantasy in recent years, and looking at the market today, it seems", "\"Northern Chess\" by Tanith Lee in which a female warrior overcomes the ghost", "in fantasy of the late Eighties and early Nineties, much of female written", "other new genres. There are still male heroes battling and questing, and there", "in, because even if you create your own version of that genre, your" ]
[ "a tool exist? Or would it even be possible to create a tool", "students as poems having 5, 7, then 5 syllables, when in actuality, they", "site explains what an on is, but I'm having trouble wrapping my mind", "be possible to create a tool to consistently determine the number of on", "my mind around it. I thought I could look for a tool online", "much like [this syllable counter](http://syllablecounter.net/count); however, I'm having further trouble, since \"on\" is", "a tool online to determine the number of on in a given input,", "a given input, much like [this syllable counter](http://syllablecounter.net/count); however, I'm having further trouble,", "I could look for a tool online to determine the number of on", "could look for a tool online to determine the number of on in", "at least, Haiku are commonly taught to students as poems having 5, 7,", "having 5, 7, then 5 syllables, when in actuality, they have a structure", "mind around it. I thought I could look for a tool online to", "to determine the number of on in a given input, much like [this", "Does such a tool exist? Or would it even be possible to create", "counter](http://syllablecounter.net/count); however, I'm having further trouble, since \"on\" is a common word in", "a structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what", "tool online to determine the number of on in a given input, much", "trouble wrapping my mind around it. I thought I could look for a", "In America at least, Haiku are commonly taught to students as poems having", "common word in the English language. Does such a tool exist? Or would", "have a structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains", "in the English language. Does such a tool exist? Or would it even", "Or would it even be possible to create a tool to consistently determine", "is a common word in the English language. Does such a tool exist?", "would it even be possible to create a tool to consistently determine the", "is, but I'm having trouble wrapping my mind around it. I thought I", "a common word in the English language. Does such a tool exist? Or", "such a tool exist? Or would it even be possible to create a", "I'm having further trouble, since \"on\" is a common word in the English", "least, Haiku are commonly taught to students as poems having 5, 7, then", "I'm having trouble wrapping my mind around it. I thought I could look", "exist? Or would it even be possible to create a tool to consistently", "having trouble wrapping my mind around it. I thought I could look for", "what an on is, but I'm having trouble wrapping my mind around it.", "poems having 5, 7, then 5 syllables, when in actuality, they have a", "actuality, they have a structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo", "they have a structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site", "thought I could look for a tool online to determine the number of", "online to determine the number of on in a given input, much like", "5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an on is, but I'm having", "like [this syllable counter](http://syllablecounter.net/count); however, I'm having further trouble, since \"on\" is a", "when in actuality, they have a structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)).", "create a tool to consistently determine the number of on in a language", "English language. Does such a tool exist? Or would it even be possible", "it. I thought I could look for a tool online to determine the", "number of on in a given input, much like [this syllable counter](http://syllablecounter.net/count); however,", "commonly taught to students as poems having 5, 7, then 5 syllables, when", "5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an on is,", "input, much like [this syllable counter](http://syllablecounter.net/count); however, I'm having further trouble, since \"on\"", "tool to consistently determine the number of on in a language other than", "then 5 syllables, when in actuality, they have a structure of 5, 7,", "syllable counter](http://syllablecounter.net/count); however, I'm having further trouble, since \"on\" is a common word", "5 syllables, when in actuality, they have a structure of 5, 7, then", "in a given input, much like [this syllable counter](http://syllablecounter.net/count); however, I'm having further", "the number of on in a given input, much like [this syllable counter](http://syllablecounter.net/count);", "the English language. Does such a tool exist? Or would it even be", "as poems having 5, 7, then 5 syllables, when in actuality, they have", "in actuality, they have a structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The", "a tool to consistently determine the number of on in a language other", "since \"on\" is a common word in the English language. Does such a", "7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an on is, but", "around it. I thought I could look for a tool online to determine", "trouble, since \"on\" is a common word in the English language. Does such", "it even be possible to create a tool to consistently determine the number", "language. Does such a tool exist? Or would it even be possible to", "of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an on", "but I'm having trouble wrapping my mind around it. I thought I could", "look for a tool online to determine the number of on in a", "Haiku are commonly taught to students as poems having 5, 7, then 5", "[this syllable counter](http://syllablecounter.net/count); however, I'm having further trouble, since \"on\" is a common", "to consistently determine the number of on in a language other than Japanese?", "5, 7, then 5 syllables, when in actuality, they have a structure of", "an on is, but I'm having trouble wrapping my mind around it. I", "to students as poems having 5, 7, then 5 syllables, when in actuality,", "word in the English language. Does such a tool exist? Or would it", "given input, much like [this syllable counter](http://syllablecounter.net/count); however, I'm having further trouble, since", "explains what an on is, but I'm having trouble wrapping my mind around", "possible to create a tool to consistently determine the number of on in", "7, then 5 syllables, when in actuality, they have a structure of 5,", "NaHaiWriMo site explains what an on is, but I'm having trouble wrapping my", "taught to students as poems having 5, 7, then 5 syllables, when in", "are commonly taught to students as poems having 5, 7, then 5 syllables,", "wrapping my mind around it. I thought I could look for a tool", "further trouble, since \"on\" is a common word in the English language. Does", "having further trouble, since \"on\" is a common word in the English language.", "on is, but I'm having trouble wrapping my mind around it. I thought", "[on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an on is, but I'm having trouble", "even be possible to create a tool to consistently determine the number of", "syllables, when in actuality, they have a structure of 5, 7, then 5", "The NaHaiWriMo site explains what an on is, but I'm having trouble wrapping", "tool exist? Or would it even be possible to create a tool to", "however, I'm having further trouble, since \"on\" is a common word in the", "I thought I could look for a tool online to determine the number", "on in a given input, much like [this syllable counter](http://syllablecounter.net/count); however, I'm having", "structure of 5, 7, then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an", "America at least, Haiku are commonly taught to students as poems having 5,", "\"on\" is a common word in the English language. Does such a tool", "determine the number of on in a given input, much like [this syllable", "to create a tool to consistently determine the number of on in a", "for a tool online to determine the number of on in a given", "then 5 [on](https://en.wikipedia.org/wiki/On_(Japanese_prosody)). The NaHaiWriMo site explains what an on is, but I'm", "of on in a given input, much like [this syllable counter](http://syllablecounter.net/count); however, I'm" ]
[ "grinned.' 'He beamed.' 'She smirked.' And the same with nod. Because, when you", "Having my MC say, 'Yes, he is.' or 'I know.' or 'Isn't he!'", "Also, in real life, when someone says something agreeable, we smile and nod.", "we smile and nod. That's what people do. We don't bow our heads", "But, you end up with bobbing heads, smiling at each other, and it's", "meaning. A smirk isn't the same a smile. Also, in real life, when", "nods for dialogue, it rubs me, just slightly, in the wrong direction. Just", "smiles and 28 nods. 1. Does that number make you think, 'Whoa there!", "> > But, you end up with bobbing heads, smiling at each other,", "Posting on a question about word frequency data, I read an excellent answer", "says something agreeable, we smile and nod. That's what people do. We don't", "realistic nor enjoyable to read about for very long. > > > It", "bit of alright.' Having my MC say, 'Yes, he is.' or 'I know.'", "enjoyable to read about for very long. > > > It got me", "a good looking guy. So, she says, 'He's a bit of alright.' Having", "a snippet of that answer, they wrote: > > But, you end up", "dialogue, it rubs me, just slightly, in the wrong direction. Just as an", "and it's > neither realistic nor enjoyable to read about for very long.", "He's very charming towards her and he's a good looking guy. So, she", "excellent answer from @DPT about avoiding words that become so frequent, they're problematic.", "of alright.' Having my MC say, 'Yes, he is.' or 'I know.' or", "neither realistic nor enjoyable to read about for very long. > > >", "I have 62 smiles and 28 nods. 1. Does that number make you", "the wrong direction. Just as an example, take this scene I'm writing now.", "me wondering whether my characters are head-bobbing, smiling marionettes. So, I analysed my", "first time. He's very charming towards her and he's a good looking guy.", "problematic. In a snippet of that answer, they wrote: > > But, you", "right now. So, she just smiles and nods to be agreeable. This is", "analysed my own 106,000 word novel for the frequency of nods and smiles.", "just slightly, in the wrong direction. Just as an example, take this scene", "smirk isn't the same a smile. Also, in real life, when someone says", "for dialogue, it rubs me, just slightly, in the wrong direction. Just as", "nod. That's what people do. We don't bow our heads or bob them,", "agreeable. This is just an example, but attempts to make the point that", "I'm writing now. A friend meets my MC's husband for the first time.", "now. So, she just smiles and nods to be agreeable. This is just", "In a snippet of that answer, they wrote: > > But, you end", "about my husband, I'd just smile and nod. And secondly, my MC is", "me, just slightly, in the wrong direction. Just as an example, take this", "know.' or 'Isn't he!' feels all wrong. Firstly, if someone said that to", "husband right now. So, she just smiles and nods to be agreeable. This", "smile and nod. And secondly, my MC is p\\\\\\\\d off with her husband", "he!' feels all wrong. Firstly, if someone said that to me about my", "wondering whether my characters are head-bobbing, smiling marionettes. So, I analysed my own", "This is just an example, but attempts to make the point that changing", "that become so frequent, they're problematic. In a snippet of that answer, they", "'He's a bit of alright.' Having my MC say, 'Yes, he is.' or", "smiling marionettes. So, I analysed my own 106,000 word novel for the frequency", "so frequent, they're problematic. In a snippet of that answer, they wrote: >", "says, 'He's a bit of alright.' Having my MC say, 'Yes, he is.'", "don't want to start thesaurusing smile and substituting it for, 'She grinned.' 'He", "the same a smile. Also, in real life, when someone says something agreeable,", "that answer, they wrote: > > But, you end up with bobbing heads,", "my husband, I'd just smile and nod. And secondly, my MC is p\\\\\\\\d", "for, 'She grinned.' 'He beamed.' 'She smirked.' And the same with nod. Because,", "And, if I substitute nods for dialogue, it rubs me, just slightly, in", "someone said that to me about my husband, I'd just smile and nod.", "frequency of nods and smiles. I have 62 smiles and 28 nods. 1.", "or 'I know.' or 'Isn't he!' feels all wrong. Firstly, if someone said", "I read an excellent answer from @DPT about avoiding words that become so", "feels all wrong. Firstly, if someone said that to me about my husband,", "keep my writing plain and realistic. I don't want to start thesaurusing smile", "own 106,000 word novel for the frequency of nods and smiles. I have", "2. And how do you avoid it? Because, I try to keep my", "if I substitute nods for dialogue, it rubs me, just slightly, in the", "point that changing the words or substituting dialogue, often doesn't work. So, how", "So, I analysed my own 106,000 word novel for the frequency of nods", "nod in acknowledgement. And, if I substitute nods for dialogue, it rubs me,", "of nods and smiles. I have 62 smiles and 28 nods. 1. Does", "or 'Isn't he!' feels all wrong. Firstly, if someone said that to me", "what people do. We don't bow our heads or bob them, we just", "friend meets my MC's husband for the first time. He's very charming towards", "you avoid it? Because, I try to keep my writing plain and realistic.", "something agreeable, we smile and nod. That's what people do. We don't bow", "are head-bobbing, smiling marionettes. So, I analysed my own 106,000 word novel for", "and he's a good looking guy. So, she says, 'He's a bit of", "scene I'm writing now. A friend meets my MC's husband for the first", "off with her husband right now. So, she just smiles and nods to", "alright.' Having my MC say, 'Yes, he is.' or 'I know.' or 'Isn't", "MC is p\\\\\\\\d off with her husband right now. So, she just smiles", "very charming towards her and he's a good looking guy. So, she says,", "And the same with nod. Because, when you change the word, you do", "slightly, in the wrong direction. Just as an example, take this scene I'm", "be agreeable. This is just an example, but attempts to make the point", "smile. Also, in real life, when someone says something agreeable, we smile and", "it? Because, I try to keep my writing plain and realistic. I don't", "about avoiding words that become so frequent, they're problematic. In a snippet of", "> > > It got me wondering whether my characters are head-bobbing, smiling", "That's what people do. We don't bow our heads or bob them, we", "many, man!'? 2. And how do you avoid it? Because, I try to", "as an example, take this scene I'm writing now. A friend meets my", "all wrong. Firstly, if someone said that to me about my husband, I'd", "there! Too many, man!'? 2. And how do you avoid it? Because, I", "the point that changing the words or substituting dialogue, often doesn't work. So,", "MC say, 'Yes, he is.' or 'I know.' or 'Isn't he!' feels all", "wrote: > > But, you end up with bobbing heads, smiling at each", "a bit of alright.' Having my MC say, 'Yes, he is.' or 'I", "direction. Just as an example, take this scene I'm writing now. A friend", "> > It got me wondering whether my characters are head-bobbing, smiling marionettes.", "my MC is p\\\\\\\\d off with her husband right now. So, she just", "'I know.' or 'Isn't he!' feels all wrong. Firstly, if someone said that", "husband for the first time. He's very charming towards her and he's a", "question about word frequency data, I read an excellent answer from @DPT about", "that to me about my husband, I'd just smile and nod. And secondly,", "when someone says something agreeable, we smile and nod. That's what people do.", "and nod. That's what people do. We don't bow our heads or bob", "read an excellent answer from @DPT about avoiding words that become so frequent,", "time. He's very charming towards her and he's a good looking guy. So,", "each other, and it's > neither realistic nor enjoyable to read about for", "word frequency data, I read an excellent answer from @DPT about avoiding words", "just smiles and nods to be agreeable. This is just an example, but", "take this scene I'm writing now. A friend meets my MC's husband for", "my MC's husband for the first time. He's very charming towards her and", "smiles and nods to be agreeable. This is just an example, but attempts", "frequent, they're problematic. In a snippet of that answer, they wrote: > >", "just smile and nod. And secondly, my MC is p\\\\\\\\d off with her", "And secondly, my MC is p\\\\\\\\d off with her husband right now. So,", "do you avoid it? Because, I try to keep my writing plain and", "number make you think, 'Whoa there! Too many, man!'? 2. And how do", "on a question about word frequency data, I read an excellent answer from", "make the point that changing the words or substituting dialogue, often doesn't work.", "want to start thesaurusing smile and substituting it for, 'She grinned.' 'He beamed.'", "@DPT about avoiding words that become so frequent, they're problematic. In a snippet", "nod. Because, when you change the word, you do slightly alter the meaning.", "I analysed my own 106,000 word novel for the frequency of nods and", "agreeable, we smile and nod. That's what people do. We don't bow our", "'Whoa there! Too many, man!'? 2. And how do you avoid it? Because,", "our heads or bob them, we just nod in acknowledgement. And, if I", "example, take this scene I'm writing now. A friend meets my MC's husband", "her and he's a good looking guy. So, she says, 'He's a bit", "in acknowledgement. And, if I substitute nods for dialogue, it rubs me, just", "become so frequent, they're problematic. In a snippet of that answer, they wrote:", "for very long. > > > It got me wondering whether my characters", "the meaning. A smirk isn't the same a smile. Also, in real life,", "Firstly, if someone said that to me about my husband, I'd just smile", "we just nod in acknowledgement. And, if I substitute nods for dialogue, it", "I'd just smile and nod. And secondly, my MC is p\\\\\\\\d off with", "my characters are head-bobbing, smiling marionettes. So, I analysed my own 106,000 word", "data, I read an excellent answer from @DPT about avoiding words that become", "I don't want to start thesaurusing smile and substituting it for, 'She grinned.'", "same a smile. Also, in real life, when someone says something agreeable, we", "meets my MC's husband for the first time. He's very charming towards her", "and substituting it for, 'She grinned.' 'He beamed.' 'She smirked.' And the same", "she says, 'He's a bit of alright.' Having my MC say, 'Yes, he", "word, you do slightly alter the meaning. A smirk isn't the same a", "people do. We don't bow our heads or bob them, we just nod", "you do slightly alter the meaning. A smirk isn't the same a smile.", "an excellent answer from @DPT about avoiding words that become so frequent, they're", "Too many, man!'? 2. And how do you avoid it? Because, I try", "with her husband right now. So, she just smiles and nods to be", "life, when someone says something agreeable, we smile and nod. That's what people", "read about for very long. > > > It got me wondering whether", "the first time. He's very charming towards her and he's a good looking", "106,000 word novel for the frequency of nods and smiles. I have 62", "whether my characters are head-bobbing, smiling marionettes. So, I analysed my own 106,000", "'Yes, he is.' or 'I know.' or 'Isn't he!' feels all wrong. Firstly,", "a question about word frequency data, I read an excellent answer from @DPT", "they're problematic. In a snippet of that answer, they wrote: > > But,", "for the frequency of nods and smiles. I have 62 smiles and 28", "'She smirked.' And the same with nod. Because, when you change the word,", "think, 'Whoa there! Too many, man!'? 2. And how do you avoid it?", "and smiles. I have 62 smiles and 28 nods. 1. Does that number", "smiles. I have 62 smiles and 28 nods. 1. Does that number make", "smirked.' And the same with nod. Because, when you change the word, you", "changing the words or substituting dialogue, often doesn't work. So, how do y'all", "marionettes. So, I analysed my own 106,000 word novel for the frequency of", "heads or bob them, we just nod in acknowledgement. And, if I substitute", "how do you avoid it? Because, I try to keep my writing plain", "try to keep my writing plain and realistic. I don't want to start", "you end up with bobbing heads, smiling at each other, and it's >", "It got me wondering whether my characters are head-bobbing, smiling marionettes. So, I", "my own 106,000 word novel for the frequency of nods and smiles. I", "for the first time. He's very charming towards her and he's a good", "got me wondering whether my characters are head-bobbing, smiling marionettes. So, I analysed", "Because, I try to keep my writing plain and realistic. I don't want", "beamed.' 'She smirked.' And the same with nod. Because, when you change the", "now. A friend meets my MC's husband for the first time. He's very", "writing now. A friend meets my MC's husband for the first time. He's", "you think, 'Whoa there! Too many, man!'? 2. And how do you avoid", "from @DPT about avoiding words that become so frequent, they're problematic. In a", "you change the word, you do slightly alter the meaning. A smirk isn't", "plain and realistic. I don't want to start thesaurusing smile and substituting it", "but attempts to make the point that changing the words or substituting dialogue,", "is just an example, but attempts to make the point that changing the", "it rubs me, just slightly, in the wrong direction. Just as an example,", "do slightly alter the meaning. A smirk isn't the same a smile. Also,", "A smirk isn't the same a smile. Also, in real life, when someone", "up with bobbing heads, smiling at each other, and it's > neither realistic", "'Isn't he!' feels all wrong. Firstly, if someone said that to me about", "heads, smiling at each other, and it's > neither realistic nor enjoyable to", "to make the point that changing the words or substituting dialogue, often doesn't", "So, she says, 'He's a bit of alright.' Having my MC say, 'Yes,", "We don't bow our heads or bob them, we just nod in acknowledgement.", "substituting it for, 'She grinned.' 'He beamed.' 'She smirked.' And the same with", "realistic. I don't want to start thesaurusing smile and substituting it for, 'She", "my MC say, 'Yes, he is.' or 'I know.' or 'Isn't he!' feels", "smile and substituting it for, 'She grinned.' 'He beamed.' 'She smirked.' And the", "example, but attempts to make the point that changing the words or substituting", "is p\\\\\\\\d off with her husband right now. So, she just smiles and", "an example, but attempts to make the point that changing the words or", "about word frequency data, I read an excellent answer from @DPT about avoiding", "62 smiles and 28 nods. 1. Does that number make you think, 'Whoa", "in the wrong direction. Just as an example, take this scene I'm writing", "bow our heads or bob them, we just nod in acknowledgement. And, if", "characters are head-bobbing, smiling marionettes. So, I analysed my own 106,000 word novel", "to read about for very long. > > > It got me wondering", "say, 'Yes, he is.' or 'I know.' or 'Isn't he!' feels all wrong.", "A friend meets my MC's husband for the first time. He's very charming", "or substituting dialogue, often doesn't work. So, how do y'all handle your marionettes?", "at each other, and it's > neither realistic nor enjoyable to read about", "husband, I'd just smile and nod. And secondly, my MC is p\\\\\\\\d off", "to keep my writing plain and realistic. I don't want to start thesaurusing", "just an example, but attempts to make the point that changing the words", "thesaurusing smile and substituting it for, 'She grinned.' 'He beamed.' 'She smirked.' And", "Just as an example, take this scene I'm writing now. A friend meets", "alter the meaning. A smirk isn't the same a smile. Also, in real", "So, she just smiles and nods to be agreeable. This is just an", "the words or substituting dialogue, often doesn't work. So, how do y'all handle", "and nod. And secondly, my MC is p\\\\\\\\d off with her husband right", "my writing plain and realistic. I don't want to start thesaurusing smile and", "nor enjoyable to read about for very long. > > > It got", "answer, they wrote: > > But, you end up with bobbing heads, smiling", "guy. So, she says, 'He's a bit of alright.' Having my MC say,", "that changing the words or substituting dialogue, often doesn't work. So, how do", "end up with bobbing heads, smiling at each other, and it's > neither", "he is.' or 'I know.' or 'Isn't he!' feels all wrong. Firstly, if", "about for very long. > > > It got me wondering whether my", "do. We don't bow our heads or bob them, we just nod in", "to start thesaurusing smile and substituting it for, 'She grinned.' 'He beamed.' 'She", "isn't the same a smile. Also, in real life, when someone says something", "'He beamed.' 'She smirked.' And the same with nod. Because, when you change", "and nods to be agreeable. This is just an example, but attempts to", "frequency data, I read an excellent answer from @DPT about avoiding words that", "just nod in acknowledgement. And, if I substitute nods for dialogue, it rubs", "it's > neither realistic nor enjoyable to read about for very long. >", "attempts to make the point that changing the words or substituting dialogue, often", "slightly alter the meaning. A smirk isn't the same a smile. Also, in", "28 nods. 1. Does that number make you think, 'Whoa there! Too many,", "words that become so frequent, they're problematic. In a snippet of that answer,", "don't bow our heads or bob them, we just nod in acknowledgement. And,", "I substitute nods for dialogue, it rubs me, just slightly, in the wrong", "her husband right now. So, she just smiles and nods to be agreeable.", "head-bobbing, smiling marionettes. So, I analysed my own 106,000 word novel for the", "or bob them, we just nod in acknowledgement. And, if I substitute nods", "make you think, 'Whoa there! Too many, man!'? 2. And how do you", "nods and smiles. I have 62 smiles and 28 nods. 1. Does that", "charming towards her and he's a good looking guy. So, she says, 'He's", "with nod. Because, when you change the word, you do slightly alter the", "1. Does that number make you think, 'Whoa there! Too many, man!'? 2.", "bob them, we just nod in acknowledgement. And, if I substitute nods for", "Because, when you change the word, you do slightly alter the meaning. A", "nod. And secondly, my MC is p\\\\\\\\d off with her husband right now.", "with bobbing heads, smiling at each other, and it's > neither realistic nor", "And how do you avoid it? Because, I try to keep my writing", "I try to keep my writing plain and realistic. I don't want to", "she just smiles and nods to be agreeable. This is just an example,", "in real life, when someone says something agreeable, we smile and nod. That's", "secondly, my MC is p\\\\\\\\d off with her husband right now. So, she", "it for, 'She grinned.' 'He beamed.' 'She smirked.' And the same with nod.", "avoiding words that become so frequent, they're problematic. In a snippet of that", "nods to be agreeable. This is just an example, but attempts to make", "an example, take this scene I'm writing now. A friend meets my MC's", "> It got me wondering whether my characters are head-bobbing, smiling marionettes. So,", "someone says something agreeable, we smile and nod. That's what people do. We", "have 62 smiles and 28 nods. 1. Does that number make you think,", "> But, you end up with bobbing heads, smiling at each other, and", "good looking guy. So, she says, 'He's a bit of alright.' Having my", "very long. > > > It got me wondering whether my characters are", "them, we just nod in acknowledgement. And, if I substitute nods for dialogue,", "avoid it? Because, I try to keep my writing plain and realistic. I", "the same with nod. Because, when you change the word, you do slightly", "towards her and he's a good looking guy. So, she says, 'He's a", "said that to me about my husband, I'd just smile and nod. And", "wrong direction. Just as an example, take this scene I'm writing now. A", "word novel for the frequency of nods and smiles. I have 62 smiles", "the word, you do slightly alter the meaning. A smirk isn't the same", "that number make you think, 'Whoa there! Too many, man!'? 2. And how", "nods. 1. Does that number make you think, 'Whoa there! Too many, man!'?", "rubs me, just slightly, in the wrong direction. Just as an example, take", "long. > > > It got me wondering whether my characters are head-bobbing,", "words or substituting dialogue, often doesn't work. So, how do y'all handle your", "smiling at each other, and it's > neither realistic nor enjoyable to read", "if someone said that to me about my husband, I'd just smile and", "this scene I'm writing now. A friend meets my MC's husband for the", "me about my husband, I'd just smile and nod. And secondly, my MC", "wrong. Firstly, if someone said that to me about my husband, I'd just", "p\\\\\\\\d off with her husband right now. So, she just smiles and nods", "and 28 nods. 1. Does that number make you think, 'Whoa there! Too", "'She grinned.' 'He beamed.' 'She smirked.' And the same with nod. Because, when", "writing plain and realistic. I don't want to start thesaurusing smile and substituting", "they wrote: > > But, you end up with bobbing heads, smiling at", "man!'? 2. And how do you avoid it? Because, I try to keep", "novel for the frequency of nods and smiles. I have 62 smiles and", "is.' or 'I know.' or 'Isn't he!' feels all wrong. Firstly, if someone", "same with nod. Because, when you change the word, you do slightly alter", "change the word, you do slightly alter the meaning. A smirk isn't the", "smile and nod. That's what people do. We don't bow our heads or", "of that answer, they wrote: > > But, you end up with bobbing", "a smile. Also, in real life, when someone says something agreeable, we smile", "to be agreeable. This is just an example, but attempts to make the", "when you change the word, you do slightly alter the meaning. A smirk", "snippet of that answer, they wrote: > > But, you end up with", "bobbing heads, smiling at each other, and it's > neither realistic nor enjoyable", "start thesaurusing smile and substituting it for, 'She grinned.' 'He beamed.' 'She smirked.'", "to me about my husband, I'd just smile and nod. And secondly, my", "substitute nods for dialogue, it rubs me, just slightly, in the wrong direction.", "real life, when someone says something agreeable, we smile and nod. That's what", "the frequency of nods and smiles. I have 62 smiles and 28 nods.", "acknowledgement. And, if I substitute nods for dialogue, it rubs me, just slightly,", "looking guy. So, she says, 'He's a bit of alright.' Having my MC", "> neither realistic nor enjoyable to read about for very long. > >", "Does that number make you think, 'Whoa there! Too many, man!'? 2. And", "he's a good looking guy. So, she says, 'He's a bit of alright.'", "MC's husband for the first time. He's very charming towards her and he's", "other, and it's > neither realistic nor enjoyable to read about for very", "and realistic. I don't want to start thesaurusing smile and substituting it for,", "answer from @DPT about avoiding words that become so frequent, they're problematic. In" ]
[ "Then it hit me! I knew it. He was going to attempt to", "> > > I want to continue with it saying that 'I' woke", "continue with it saying that 'I' woke up and then I say to", "when… Then it hit me! I knew it. He was going to attempt", "Is this a proper writing style, considering that I am not actually the", "changed instantly. His disbelief changed into > happiness, into almost the serenity in", "stranger. > > > I want to continue with it saying that 'I'", "> > I want to continue with it saying that 'I' woke up", "to exit the Luzerne area, with this long haired stranger. > > >", "this long haired stranger. > > > I want to continue with it", "be the same feeling I had when… Then it hit me! I knew", "'I' woke up and then I say to the reader directly \"don't worry,", "into almost the serenity in my dreams. It seemed to be the same", "dreams. It seemed to be the same feeling I had when… Then it", "was going to attempt to exit the Luzerne area, with this long haired", "to continue with it saying that 'I' woke up and then I say", "same feeling I had when… Then it hit me! I knew it. He", "Luzerne area, with this long haired stranger. > > > I want to", "disbelief changed into > happiness, into almost the serenity in my dreams. It", "the Luzerne area, with this long haired stranger. > > > I want", "reader directly \"don't worry, it's not a dream\". Is this a proper writing", "in my dreams. It seemed to be the same feeling I had when…", "saying that 'I' woke up and then I say to the reader directly", "with this long haired stranger. > > > I want to continue with", "I had when… Then it hit me! I knew it. He was going", "that 'I' woke up and then I say to the reader directly \"don't", "to attempt to exit the Luzerne area, with this long haired stranger. >", "His face changed instantly. His disbelief changed into > happiness, into almost the", "exit the Luzerne area, with this long haired stranger. > > > I", "say to the reader directly \"don't worry, it's not a dream\". Is this", "attempt to exit the Luzerne area, with this long haired stranger. > >", "writing. > > Penry laughed. His face changed instantly. His disbelief changed into", "I want to continue with it saying that 'I' woke up and then", "the same feeling I had when… Then it hit me! I knew it.", "woke up and then I say to the reader directly \"don't worry, it's", "my dreams. It seemed to be the same feeling I had when… Then", "happiness, into almost the serenity in my dreams. It seemed to be the", "> > Penry laughed. His face changed instantly. His disbelief changed into >", "He was going to attempt to exit the Luzerne area, with this long", "area, with this long haired stranger. > > > I want to continue", "had when… Then it hit me! I knew it. He was going to", "up and then I say to the reader directly \"don't worry, it's not", "It seemed to be the same feeling I had when… Then it hit", "> I want to continue with it saying that 'I' woke up and", "> happiness, into almost the serenity in my dreams. It seemed to be", "seemed to be the same feeling I had when… Then it hit me!", "novel I have started writing. > > Penry laughed. His face changed instantly.", "almost the serenity in my dreams. It seemed to be the same feeling", "worry, it's not a dream\". Is this a proper writing style, considering that", "to the reader directly \"don't worry, it's not a dream\". Is this a", "started writing. > > Penry laughed. His face changed instantly. His disbelief changed", "me! I knew it. He was going to attempt to exit the Luzerne", "is an excerpt from a novel I have started writing. > > Penry", "it's not a dream\". Is this a proper writing style, considering that I", "directly \"don't worry, it's not a dream\". Is this a proper writing style,", "with it saying that 'I' woke up and then I say to the", "then I say to the reader directly \"don't worry, it's not a dream\".", "going to attempt to exit the Luzerne area, with this long haired stranger.", "and then I say to the reader directly \"don't worry, it's not a", "it hit me! I knew it. He was going to attempt to exit", "the reader directly \"don't worry, it's not a dream\". Is this a proper", "dream\". Is this a proper writing style, considering that I am not actually", "this a proper writing style, considering that I am not actually the narrator?", "the serenity in my dreams. It seemed to be the same feeling I", "changed into > happiness, into almost the serenity in my dreams. It seemed", "excerpt from a novel I have started writing. > > Penry laughed. His", "haired stranger. > > > I want to continue with it saying that", "not a dream\". Is this a proper writing style, considering that I am", "> Penry laughed. His face changed instantly. His disbelief changed into > happiness,", "laughed. His face changed instantly. His disbelief changed into > happiness, into almost", "long haired stranger. > > > I want to continue with it saying", "it saying that 'I' woke up and then I say to the reader", "I say to the reader directly \"don't worry, it's not a dream\". Is", "into > happiness, into almost the serenity in my dreams. It seemed to", "hit me! I knew it. He was going to attempt to exit the", "to be the same feeling I had when… Then it hit me! I", "serenity in my dreams. It seemed to be the same feeling I had", "a novel I have started writing. > > Penry laughed. His face changed", "want to continue with it saying that 'I' woke up and then I", "face changed instantly. His disbelief changed into > happiness, into almost the serenity", "instantly. His disbelief changed into > happiness, into almost the serenity in my", "\"don't worry, it's not a dream\". Is this a proper writing style, considering", "knew it. He was going to attempt to exit the Luzerne area, with", "an excerpt from a novel I have started writing. > > Penry laughed.", "have started writing. > > Penry laughed. His face changed instantly. His disbelief", "His disbelief changed into > happiness, into almost the serenity in my dreams.", "I have started writing. > > Penry laughed. His face changed instantly. His", "a dream\". Is this a proper writing style, considering that I am not", "I knew it. He was going to attempt to exit the Luzerne area,", "from a novel I have started writing. > > Penry laughed. His face", "This is an excerpt from a novel I have started writing. > >", "feeling I had when… Then it hit me! I knew it. He was", "Penry laughed. His face changed instantly. His disbelief changed into > happiness, into", "it. He was going to attempt to exit the Luzerne area, with this" ]
[ "out of water](http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater) character could be good way to introduce the reader to", "visitor from a more advanced civilization was too slow to interpret the economic", "complete ignoramus. What are the best ways to avoid these mistakes and portray", "economic situation and cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were", "way to introduce the reader to the world and also great for comic", "Inserting a [Fish out of water](http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater) character could be good way to introduce", "the world and also great for comic relief, but there were cases in", "What are the best ways to avoid these mistakes and portray a believable", "the economic situation and cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There", "like a complete ignoramus. What are the best ways to avoid these mistakes", "or ignorance was overplayed. For example, a visitor from a more advanced civilization", "too slow to interpret the economic situation and cultural clues, creating a somewhat", "For example, a visitor from a more advanced civilization was too slow to", "[Fish out of water](http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater) character could be good way to introduce the reader", "also cases where a character from a rustic background was written like a", "the best ways to avoid these mistakes and portray a believable 'fish out", "cases in books I've read when the character's naivete or ignorance was overplayed.", "[Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where a character from a rustic", "character from a rustic background was written like a complete ignoramus. What are", "character's naivete or ignorance was overplayed. For example, a visitor from a more", "to the world and also great for comic relief, but there were cases", "slow to interpret the economic situation and cultural clues, creating a somewhat [Marie", "to interpret the economic situation and cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake)", "creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where a character", "be good way to introduce the reader to the world and also great", "a [Fish out of water](http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater) character could be good way to introduce the", "example, a visitor from a more advanced civilization was too slow to interpret", "rustic background was written like a complete ignoramus. What are the best ways", "character could be good way to introduce the reader to the world and", "written like a complete ignoramus. What are the best ways to avoid these", "best ways to avoid these mistakes and portray a believable 'fish out of", "to avoid these mistakes and portray a believable 'fish out of water' character?", "character. There were also cases where a character from a rustic background was", "a visitor from a more advanced civilization was too slow to interpret the", "background was written like a complete ignoramus. What are the best ways to", "I've read when the character's naivete or ignorance was overplayed. For example, a", "civilization was too slow to interpret the economic situation and cultural clues, creating", "the character's naivete or ignorance was overplayed. For example, a visitor from a", "a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where a character from", "read when the character's naivete or ignorance was overplayed. For example, a visitor", "there were cases in books I've read when the character's naivete or ignorance", "books I've read when the character's naivete or ignorance was overplayed. For example,", "ways to avoid these mistakes and portray a believable 'fish out of water'", "There were also cases where a character from a rustic background was written", "a more advanced civilization was too slow to interpret the economic situation and", "and cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases", "to introduce the reader to the world and also great for comic relief,", "advanced civilization was too slow to interpret the economic situation and cultural clues,", "reader to the world and also great for comic relief, but there were", "but there were cases in books I've read when the character's naivete or", "from a more advanced civilization was too slow to interpret the economic situation", "when the character's naivete or ignorance was overplayed. For example, a visitor from", "was written like a complete ignoramus. What are the best ways to avoid", "great for comic relief, but there were cases in books I've read when", "ignoramus. What are the best ways to avoid these mistakes and portray a", "clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where a", "a rustic background was written like a complete ignoramus. What are the best", "in books I've read when the character's naivete or ignorance was overplayed. For", "were cases in books I've read when the character's naivete or ignorance was", "Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where a character from a rustic background", "from a rustic background was written like a complete ignoramus. What are the", "introduce the reader to the world and also great for comic relief, but", "was too slow to interpret the economic situation and cultural clues, creating a", "the reader to the world and also great for comic relief, but there", "where a character from a rustic background was written like a complete ignoramus.", "were also cases where a character from a rustic background was written like", "of water](http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater) character could be good way to introduce the reader to the", "are the best ways to avoid these mistakes and portray a believable 'fish", "cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where", "also great for comic relief, but there were cases in books I've read", "overplayed. For example, a visitor from a more advanced civilization was too slow", "comic relief, but there were cases in books I've read when the character's", "and also great for comic relief, but there were cases in books I've", "naivete or ignorance was overplayed. For example, a visitor from a more advanced", "for comic relief, but there were cases in books I've read when the", "could be good way to introduce the reader to the world and also", "was overplayed. For example, a visitor from a more advanced civilization was too", "somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also cases where a character from a", "cases where a character from a rustic background was written like a complete", "world and also great for comic relief, but there were cases in books", "relief, but there were cases in books I've read when the character's naivete", "more advanced civilization was too slow to interpret the economic situation and cultural", "ignorance was overplayed. For example, a visitor from a more advanced civilization was", "a character from a rustic background was written like a complete ignoramus. What", "water](http://tvtropes.org/pmwiki/pmwiki.php/Main/FishOutOfWater) character could be good way to introduce the reader to the world", "good way to introduce the reader to the world and also great for", "situation and cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character. There were also", "interpret the economic situation and cultural clues, creating a somewhat [Marie Antoinette-ish](https://en.wikipedia.org/wiki/Let_them_eat_cake) character.", "a complete ignoramus. What are the best ways to avoid these mistakes and" ]
[ "how people \"actually talk\". There is definitely a discernible style of screenplay dialog,", "it's quite good, IMHO) is about dialog, and Sorkin says that dialog is", "be taught, and it is music. To be precise, he first says that", "that dialog is music. One other thing that he says, which makes perfect", "In my own beginning attempts at writing dialog for the stage, I have", "making it deliberately metrical seems to bring it closer to the \"screenplay dialog", "is music. To be precise, he first says that dialog is like music,", "and then says that dialog is music. One other thing that he says,", "can't be taught, and it is music. To be precise, he first says", "noticed that making it deliberately metrical seems to bring it closer to the", "that dialog is important, it can't be taught, and it is music. To", "that style beyond Sorkin's terse \"it's music\"? He does analyze some of his", "dialog is important, it can't be taught, and it is music. To be", "music\"? He does analyze some of his own dialog from The West Wing", "good, IMHO) is about dialog, and Sorkin says that dialog is important, it", "dialog is music. One other thing that he says, which makes perfect sense,", "screenwriting. One frustrating section of it (overall it's quite good, IMHO) is about", "West Wing* and I think he's talking about rhythm and meter. In my", "perfect sense, is that you can't write dialog that reflects how people \"actually", "\"actually talk\". There is definitely a discernible style of screenplay dialog, with different", "on screenwriting. One frustrating section of it (overall it's quite good, IMHO) is", "beyond Sorkin's terse \"it's music\"? He does analyze some of his own dialog", "important, it can't be taught, and it is music. To be precise, he", "writing dialog for the stage, I have noticed that making it deliberately metrical", "Sorkin's terse \"it's music\"? He does analyze some of his own dialog from", "he's talking about rhythm and meter. In my own beginning attempts at writing", "music. One other thing that he says, which makes perfect sense, is that", "precise, he first says that dialog is like music, and then says that", "Can we characterize that style beyond Sorkin's terse \"it's music\"? He does analyze", "he first says that dialog is like music, and then says that dialog", "write dialog that reflects how people \"actually talk\". There is definitely a discernible", "attempts at writing dialog for the stage, I have noticed that making it", "He does analyze some of his own dialog from The West Wing and", "discernible style of screenplay dialog, with different screenwriters having their own sub-styles or", "and Sorkin says that dialog is important, it can't be taught, and it", "have noticed that making it deliberately metrical seems to bring it closer to", "frustrating section of it (overall it's quite good, IMHO) is about dialog, and", "Masterclass on screenwriting. One frustrating section of it (overall it's quite good, IMHO)", "(David Mamet is particularly distinct). *Can we characterize that style beyond Sorkin's terse", "at writing dialog for the stage, I have noticed that making it deliberately", "Wing and I think he's talking about rhythm and meter. In my own", "says that dialog is important, it can't be taught, and it is music.", "their own sub-styles or related styles (David Mamet is particularly distinct). Can we", "that you can't write dialog that reflects how people \"actually talk\". There is", "Mamet is particularly distinct). Can we characterize that style beyond Sorkin's terse \"it's", "I recently watched Aaron Sorkin's Masterclass on screenwriting. One frustrating section of it", "style of screenplay dialog, with different screenwriters having their own sub-styles or related", "screenplay dialog, with different screenwriters having their own sub-styles or related styles (David", "people \"actually talk\". There is definitely a discernible style of screenplay dialog, with", "first says that dialog is like music, and then says that dialog is", "terse \"it's music\"?** He does analyze some of his own dialog from The", "Sorkin's Masterclass on screenwriting. One frustrating section of it (overall it's quite good,", "section of it (overall it's quite good, IMHO) is about dialog, and Sorkin", "for the stage, I have noticed that making it deliberately metrical seems to", "is important, it can't be taught, and it is music. To be precise,", "Aaron Sorkin's Masterclass on screenwriting. One frustrating section of it (overall it's quite", "and it is music. To be precise, he first says that dialog is", "There is definitely a discernible style of screenplay dialog, with different screenwriters having", "music, and then says that dialog is* music. One other thing that he", "does analyze some of his own dialog from The West Wing and I", "watched Aaron Sorkin's Masterclass on screenwriting. One frustrating section of it (overall it's", "meter. In my own beginning attempts at writing dialog for the stage, I", "my own beginning attempts at writing dialog for the stage, I have noticed", "dialog that reflects how people \"actually talk\". There is definitely a discernible style", "One other thing that he says, which makes perfect sense, is that you", "he says, which makes perfect sense, is that you can't write dialog that", "music. To be precise, he first says that dialog is like music, and", "or related styles (David Mamet is particularly distinct). *Can we characterize that style", "and meter. In my own beginning attempts at writing dialog for the stage,", "be precise, he first says that dialog is like* music, and then says", "To be precise, he first says that dialog is like music, and then", "sub-styles or related styles (David Mamet is particularly distinct). *Can we characterize that", "dialog for the stage, I have noticed that making it deliberately metrical seems", "quite good, IMHO) is about dialog, and Sorkin says that dialog is important,", "from The West Wing* and I think he's talking about rhythm and meter.", "talk\". There is definitely a discernible style of screenplay dialog, with different screenwriters", "own dialog from The West Wing and I think he's talking about rhythm", "think he's talking about rhythm and meter. In my own beginning attempts at", "rhythm and meter. In my own beginning attempts at writing dialog for the", "characterize that style beyond Sorkin's terse \"it's music\"?** He does analyze some of", "that dialog is like music, and then says that dialog is music. One", "is that you can't write dialog that reflects how people \"actually talk\". There", "about dialog, and Sorkin says that dialog is important, it can't be taught,", "with different screenwriters having their own sub-styles or related styles (David Mamet is", "his own dialog from The West Wing and I think he's talking about", "is like music, and then says that dialog is music. One other thing", "IMHO) is about dialog, and Sorkin says that dialog is important, it can't", "I have noticed that making it deliberately metrical seems to bring it closer", "taught, and it is music. To be precise, he first says that dialog", "\"it's music\"?** He does analyze some of his own dialog from The West", "that reflects how people \"actually talk\". There is definitely a discernible style of", "can't write dialog that reflects how people \"actually talk\". There is definitely a", "particularly distinct). Can we characterize that style beyond Sorkin's terse \"it's music\"?* He", "styles (David Mamet is particularly distinct). *Can we characterize that style beyond Sorkin's", "sense, is that you can't write dialog that reflects how people \"actually talk\".", "dialog is like* music, and then says that dialog is music. One other", "dialog, and Sorkin says that dialog is important, it can't be taught, and", "it is music. To be precise, he first says that dialog is like", "One frustrating section of it (overall it's quite good, IMHO) is about dialog,", "it (overall it's quite good, IMHO) is about dialog, and Sorkin says that", "it can't be taught, and it is music. To be precise, he first", "some of his own dialog from The West Wing and I think he's", "says that dialog is like music, and then says that dialog is music.", "a discernible style of screenplay dialog, with different screenwriters having their own sub-styles", "of his own dialog from The West Wing and I think he's talking", "different screenwriters having their own sub-styles or related styles (David Mamet is particularly", "and I think he's talking about rhythm and meter. In my own beginning", "we characterize that style beyond Sorkin's terse \"it's music\"? He does analyze some", "you can't write dialog that reflects how people \"actually talk\". There is definitely", "is particularly distinct). Can we characterize that style beyond Sorkin's terse \"it's music\"?*", "is* music. One other thing that he says, which makes perfect sense, is", "makes perfect sense, is that you can't write dialog that reflects how people", "style beyond Sorkin's terse \"it's music\"?** He does analyze some of his own", "talking about rhythm and meter. In my own beginning attempts at writing dialog", "that making it deliberately metrical seems to bring it closer to the \"screenplay", "is about dialog, and Sorkin says that dialog is important, it can't be", "about rhythm and meter. In my own beginning attempts at writing dialog for", "like music, and then says that dialog is music. One other thing that", "Sorkin says that dialog is important, it can't be taught, and it is", "dialog from The West Wing and I think he's talking about rhythm and", "own sub-styles or related styles (David Mamet is particularly distinct). Can we characterize", "own beginning attempts at writing dialog for the stage, I have noticed that", "I think he's talking about rhythm and meter. In my own beginning attempts", "having their own sub-styles or related styles (David Mamet is particularly distinct). Can", "(overall it's quite good, IMHO) is about dialog, and Sorkin says that dialog", "stage, I have noticed that making it deliberately metrical seems to bring it", "it deliberately metrical seems to bring it closer to the \"screenplay dialog style\".", "related styles (David Mamet is particularly distinct). *Can we characterize that style beyond", "that he says, which makes perfect sense, is that you can't write dialog", "recently watched Aaron Sorkin's Masterclass on screenwriting. One frustrating section of it (overall", "beginning attempts at writing dialog for the stage, I have noticed that making", "dialog, with different screenwriters having their own sub-styles or related styles (David Mamet", "The West Wing* and I think he's talking about rhythm and meter. In", "of screenplay dialog, with different screenwriters having their own sub-styles or related styles", "analyze some of his own dialog from The West Wing and I think", "of it (overall it's quite good, IMHO) is about dialog, and Sorkin says", "screenwriters having their own sub-styles or related styles (David Mamet is particularly distinct).", "then says that dialog is music. One other thing that he says, which", "says that dialog is music. One other thing that he says, which makes", "definitely a discernible style of screenplay dialog, with different screenwriters having their own", "is definitely a discernible style of screenplay dialog, with different screenwriters having their", "reflects how people \"actually talk\". There is definitely a discernible style of screenplay", "other thing that he says, which makes perfect sense, is that you can't", "thing that he says, which makes perfect sense, is that you can't write", "which makes perfect sense, is that you can't write dialog that reflects how", "the stage, I have noticed that making it deliberately metrical seems to bring", "distinct). Can we characterize that style beyond Sorkin's terse \"it's music\"? He does", "says, which makes perfect sense, is that you can't write dialog that reflects" ]
[ "and through him - the reader. But what do I do if there's", "to the reader, but is as common to the characters, as seating on", "have you, the character experiences and responds to them, and through him -", "is a wondrous view, an unusual custom, or what have you, the character", "to a custom that is strange to the reader, but is as common", "responds to them, and through him - the reader. But what do I", "no \"fish out of water character\" for whom the situation is novel? How", "grandeur of an Alhambra-like palace, for example, if my POV characters have been", "day-to-day? How do I draw attention to a custom that is strange to", "\"fish out of water character\" for whom the situation is novel? How do", "strange to the reader, but is as common to the characters, as seating", "or what have you, the character experiences and responds to them, and through", "if there's no \"fish out of water character\" for whom the situation is", "all the astounding beauty is their day-to-day? How do I draw attention to", "the reader. But what do I do if there's no \"fish out of", "do I evoke wonder at the grandeur of an Alhambra-like palace, for example,", "their day-to-day? How do I draw attention to a custom that is strange", "A \"fish out of water\" character can serve as a reader proxy: whether", "characters have been born there, and all the astounding beauty is their day-to-day?", "I do if there's no \"fish out of water character\" for whom the", "Alhambra-like palace, for example, if my POV characters have been born there, and", "do if there's no \"fish out of water character\" for whom the situation", "beauty is their day-to-day? How do I draw attention to a custom that", "proxy: whether it is a wondrous view, an unusual custom, or what have", "an Alhambra-like palace, for example, if my POV characters have been born there,", "of water character\" for whom the situation is novel? How do I evoke", "water\" character can serve as a reader proxy: whether it is a wondrous", "but is as common to the characters, as seating on a chair is", "the character experiences and responds to them, and through him - the reader.", "for example, if my POV characters have been born there, and all the", "do I do if there's no \"fish out of water character\" for whom", "is novel? How do I evoke wonder at the grandeur of an Alhambra-like", "draw attention to a custom that is strange to the reader, but is", "that is strange to the reader, but is as common to the characters,", "the reader, but is as common to the characters, as seating on a", "as a reader proxy: whether it is a wondrous view, an unusual custom,", "\"fish out of water\" character can serve as a reader proxy: whether it", "view, an unusual custom, or what have you, the character experiences and responds", "reader proxy: whether it is a wondrous view, an unusual custom, or what", "How do I evoke wonder at the grandeur of an Alhambra-like palace, for", "evoke wonder at the grandeur of an Alhambra-like palace, for example, if my", "my POV characters have been born there, and all the astounding beauty is", "of water\" character can serve as a reader proxy: whether it is a", "custom, or what have you, the character experiences and responds to them, and", "have been born there, and all the astounding beauty is their day-to-day? How", "experiences and responds to them, and through him - the reader. But what", "can serve as a reader proxy: whether it is a wondrous view, an", "there's no \"fish out of water character\" for whom the situation is novel?", "and responds to them, and through him - the reader. But what do", "character can serve as a reader proxy: whether it is a wondrous view,", "of an Alhambra-like palace, for example, if my POV characters have been born", "character experiences and responds to them, and through him - the reader. But", "them, and through him - the reader. But what do I do if", "wonder at the grandeur of an Alhambra-like palace, for example, if my POV", "what do I do if there's no \"fish out of water character\" for", "a reader proxy: whether it is a wondrous view, an unusual custom, or", "How do I draw attention to a custom that is strange to the", "- the reader. But what do I do if there's no \"fish out", "do I draw attention to a custom that is strange to the reader,", "situation is novel? How do I evoke wonder at the grandeur of an", "a wondrous view, an unusual custom, or what have you, the character experiences", "what have you, the character experiences and responds to them, and through him", "POV characters have been born there, and all the astounding beauty is their", "out of water character\" for whom the situation is novel? How do I", "character\" for whom the situation is novel? How do I evoke wonder at", "is their day-to-day? How do I draw attention to a custom that is", "been born there, and all the astounding beauty is their day-to-day? How do", "But what do I do if there's no \"fish out of water character\"", "palace, for example, if my POV characters have been born there, and all", "wondrous view, an unusual custom, or what have you, the character experiences and", "him - the reader. But what do I do if there's no \"fish", "there, and all the astounding beauty is their day-to-day? How do I draw", "whether it is a wondrous view, an unusual custom, or what have you,", "reader, but is as common to the characters, as seating on a chair", "unusual custom, or what have you, the character experiences and responds to them,", "reader. But what do I do if there's no \"fish out of water", "an unusual custom, or what have you, the character experiences and responds to", "is as common to the characters, as seating on a chair is to", "through him - the reader. But what do I do if there's no", "as common to the characters, as seating on a chair is to us?", "astounding beauty is their day-to-day? How do I draw attention to a custom", "the grandeur of an Alhambra-like palace, for example, if my POV characters have", "at the grandeur of an Alhambra-like palace, for example, if my POV characters", "attention to a custom that is strange to the reader, but is as", "you, the character experiences and responds to them, and through him - the", "the situation is novel? How do I evoke wonder at the grandeur of", "it is a wondrous view, an unusual custom, or what have you, the", "novel? How do I evoke wonder at the grandeur of an Alhambra-like palace,", "serve as a reader proxy: whether it is a wondrous view, an unusual", "whom the situation is novel? How do I evoke wonder at the grandeur", "custom that is strange to the reader, but is as common to the", "a custom that is strange to the reader, but is as common to", "is strange to the reader, but is as common to the characters, as", "I draw attention to a custom that is strange to the reader, but", "and all the astounding beauty is their day-to-day? How do I draw attention", "for whom the situation is novel? How do I evoke wonder at the", "the astounding beauty is their day-to-day? How do I draw attention to a", "out of water\" character can serve as a reader proxy: whether it is", "if my POV characters have been born there, and all the astounding beauty", "born there, and all the astounding beauty is their day-to-day? How do I", "water character\" for whom the situation is novel? How do I evoke wonder", "example, if my POV characters have been born there, and all the astounding", "to them, and through him - the reader. But what do I do", "I evoke wonder at the grandeur of an Alhambra-like palace, for example, if" ]
[ "ring while needing to discard it, Star Wars: Guwe desiring to save his", "the [Sanderson youtube classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses the idea that", "Mars. Damon battling the elements on Mars LOTR:Any hobbit struggling outside of the", "Star Wars: Guwe desiring to save his friends halfway through his Jedi training", "between setting and plot? What would this look like? It seems that such", "Example: What is meant by a conflict between setting and plot? What would", "Star Wars: Guwe wanting to fight but being told he must farm moisture.", "in conflict.) I'm concerned I'll end with fifteen chapters of arguments. Yuck. So", "of plot/character conflict: Martian: ?? I think the conflict among his crew mates", "given enough examples. I think conflict and tension are related. I'm trying to", "plot of LOTR (get the ring to Mordor), conflicting with setting (it's hard", "still don't have a firm grasp on plot, though.) --- Examples of character/setting", "just arguing more. This has the upside of highlighting an idea to explore,", "would this look like? It seems that such conflict would be character-free, so", "in a ship headed to earth when her crewman is on Mars. Damon", "downside of making the characters all a little less likable. It's characters conflicting", "on writing fantasy and he discusses the idea that conflict can arise between", "what is mostly happening is that my characters are just arguing more. This", "allow that --- Examples of plot/character conflict: Martian: ?? I think the conflict", "planet threw a monkey wrench in getting the plans easily to Obi Wan.", "so far, here are examples, I think, of each. Please feel free to", "think the setting conflicts with easy disposal of the ring. Star Wars: Losing", "one way to do this. But what is mostly happening is that my", "has the upside of highlighting an idea to explore, and the downside of", "Wan wanting to train Guwe within a system that does not allow that", "plot of getting him home. LOTR:I think the setting conflicts with easy disposal", "working through the [Sanderson youtube classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses the", "the idea of conflict between plot/character, character/setting, setting/plot? --- Edited: Based on two", "(2 each) Martian: The mission captain being in a ship headed to earth", "--- Examples of plot/character conflict: Martian: ?? I think the conflict among his", "fight but being told he must farm moisture. Obi Wan wanting to train", "conflict.) I'm concerned I'll end with fifteen chapters of arguments. Yuck. So I'd", "struggling outside of the Shire. Aragorn's struggle with his role of the King?", "in LOTR FOTR; different character motivations in conflict.) I'm concerned I'll end with", "increase tension. Would an example of this be something like the plot of", "hobbit struggling outside of the Shire. Aragorn's struggle with his role of the", "the King? Star Wars: Guwe wanting to fight but being told he must", "character/setting conflict: (2 each) Martian: The mission captain being in a ship headed", "discusses the idea that conflict can arise between any two (or three) of", "characters conflicting with other characters about their personal motivations and goals.(Think: arguing how", "to feed back and correct. (I still don't have a firm grasp on", "plot/character conflict: Martian: ?? I think the conflict among his crew mates when", "Martian: ?? I think the conflict among his crew mates when they learn", "not allow that --- Examples of plot/character conflict: Martian: ?? I think the", "a concrete way to understand the idea of conflict between plot/character, character/setting, setting/plot?", "chapters of arguments. Yuck. So I'd like to better understand other ways to", "conflict between plot/character, character/setting, setting/plot? --- Edited: Based on two answers so far,", "with other characters about their personal motivations and goals.(Think: arguing how to get", "conflicting with setting (it's hard to get to Mordor)? Is a plot/setting conflict", "to better understand other ways to conflict character, plot, and setting. Example: What", "and plot? What would this look like? It seems that such conflict would", "crew mates when they learn he is alive - ?? LOTR: Frodo becoming", "of this be something like the plot of LOTR (get the ring to", "the three legs of a story - plot, character, setting. But he hasn't", "It seems that such conflict would be character-free, so it would not involve", "captain being in a ship headed to earth when her crewman is on", "it would not involve people arguing. :-) But might still increase tension. Would", "by a conflict between setting and plot? What would this look like? It", "end with fifteen chapters of arguments. Yuck. So I'd like to better understand", "interest) and assume conflict is one way to do this. But what is", "of the King? Star Wars: Guwe wanting to fight but being told he", "Mars LOTR:Any hobbit struggling outside of the Shire. Aragorn's struggle with his role", "a system that does not allow that --- Examples of plot/character conflict: Martian:", "setting/plot? --- Edited: Based on two answers so far, here are examples, I", "he discusses the idea that conflict can arise between any two (or three)", "conflict: Martian: ?? I think the conflict among his crew mates when they", "this look like? It seems that such conflict would be character-free, so it", "battling the elements on Mars LOTR:Any hobbit struggling outside of the Shire. Aragorn's", "people arguing. :-) But might still increase tension. Would an example of this", "earth when her crewman is on Mars. Damon battling the elements on Mars", "home. LOTR:I think the setting conflicts with easy disposal of the ring. Star", "are just arguing more. This has the upside of highlighting an idea to", "is on Mars. Damon battling the elements on Mars LOTR:Any hobbit struggling outside", "meant by a conflict between setting and plot? What would this look like?", "I'm working through the [Sanderson youtube classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses", "(I still don't have a firm grasp on plot, though.) --- Examples of", "LOTR (get the ring to Mordor), conflicting with setting (it's hard to get", "Examples of character/setting conflict: (2 each) Martian: The mission captain being in a", "like? It seems that such conflict would be character-free, so it would not", "halfway through his Jedi training --- Examples of setting/plot conflict (I might not", "tension. Would an example of this be something like the plot of LOTR", "FOTR; different character motivations in conflict.) I'm concerned I'll end with fifteen chapters", "with his role of the King? Star Wars: Guwe wanting to fight but", "conflict character, plot, and setting. Example: What is meant by a conflict between", "look like? It seems that such conflict would be character-free, so it would", "conflict between setting and plot? What would this look like? It seems that", "But might still increase tension. Would an example of this be something like", "setting/plot conflict (I might not understand plot): Martian: The setting of Mars clearly", "What is meant by a conflict between setting and plot? What would this", "conflict (I might not understand plot): Martian: The setting of Mars clearly conflicts", "This has the upside of highlighting an idea to explore, and the downside", "of LOTR (get the ring to Mordor), conflicting with setting (it's hard to", "answers so far, here are examples, I think, of each. Please feel free", "example of this be something like the plot of LOTR (get the ring", "What is a concrete way to understand the idea of conflict between plot/character,", "about their personal motivations and goals.(Think: arguing how to get rid of the", "highlighting an idea to explore, and the downside of making the characters all", "train Guwe within a system that does not allow that --- Examples of", "mates when they learn he is alive - ?? LOTR: Frodo becoming addicted", "on Mars LOTR:Any hobbit struggling outside of the Shire. Aragorn's struggle with his", "wanting to fight but being told he must farm moisture. Obi Wan wanting", "the ring. Star Wars: Losing the droids on a sand planet threw a", "The setting of Mars clearly conflicts with the plot of getting him home.", "[Sanderson youtube classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses the idea that conflict", "Guwe desiring to save his friends halfway through his Jedi training --- Examples", "youtube classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses the idea that conflict can", "Martian: The mission captain being in a ship headed to earth when her", "to fight but being told he must farm moisture. Obi Wan wanting to", "so it would not involve people arguing. :-) But might still increase tension.", "of the ring. Star Wars: Losing the droids on a sand planet threw", "I'm concerned I'll end with fifteen chapters of arguments. Yuck. So I'd like", "far, here are examples, I think, of each. Please feel free to feed", "Mordor)? Is a plot/setting conflict simply a hurdle like that for a character?", "his friends halfway through his Jedi training --- Examples of setting/plot conflict (I", "a ship headed to earth when her crewman is on Mars. Damon battling", "setting (it's hard to get to Mordor)? Is a plot/setting conflict simply a", "don't have a firm grasp on plot, though.) --- Examples of character/setting conflict:", "when her crewman is on Mars. Damon battling the elements on Mars LOTR:Any", "the Shire. Aragorn's struggle with his role of the King? Star Wars: Guwe", "(it's hard to get to Mordor)? Is a plot/setting conflict simply a hurdle", "more. This has the upside of highlighting an idea to explore, and the", "between any two (or three) of the three legs of a story -", "arguing more. This has the upside of highlighting an idea to explore, and", "role of the King? Star Wars: Guwe wanting to fight but being told", "he must farm moisture. Obi Wan wanting to train Guwe within a system", "this be something like the plot of LOTR (get the ring to Mordor),", "two answers so far, here are examples, I think, of each. Please feel", "to the ring while needing to discard it, Star Wars: Guwe desiring to", "plot, though.) --- Examples of character/setting conflict: (2 each) Martian: The mission captain", "--- Examples of character/setting conflict: (2 each) Martian: The mission captain being in", "hurdle like that for a character? What is a concrete way to understand", "(reader interest) and assume conflict is one way to do this. But what", "to Mordor)? Is a plot/setting conflict simply a hurdle like that for a", "three legs of a story - plot, character, setting. But he hasn't given", "being in a ship headed to earth when her crewman is on Mars.", "of each. Please feel free to feed back and correct. (I still don't", "crewman is on Mars. Damon battling the elements on Mars LOTR:Any hobbit struggling", "must farm moisture. Obi Wan wanting to train Guwe within a system that", "that conflict can arise between any two (or three) of the three legs", "droids on a sand planet threw a monkey wrench in getting the plans", "he hasn't given enough examples. I think conflict and tension are related. I'm", "of Mars clearly conflicts with the plot of getting him home. LOTR:I think", "(I might not understand plot): Martian: The setting of Mars clearly conflicts with", "free to feed back and correct. (I still don't have a firm grasp", "character, setting. But he hasn't given enough examples. I think conflict and tension", "like the plot of LOTR (get the ring to Mordor), conflicting with setting", "other characters about their personal motivations and goals.(Think: arguing how to get rid", "the idea that conflict can arise between any two (or three) of the", "Jedi training --- Examples of setting/plot conflict (I might not understand plot): Martian:", "the setting conflicts with easy disposal of the ring. Star Wars: Losing the", "do this. But what is mostly happening is that my characters are just", "Would an example of this be something like the plot of LOTR (get", "getting him home. LOTR:I think the setting conflicts with easy disposal of the", "classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses the idea that conflict can arise", "between plot/character, character/setting, setting/plot? --- Edited: Based on two answers so far, here", "happening is that my characters are just arguing more. This has the upside", "be character-free, so it would not involve people arguing. :-) But might still", "conflict: (2 each) Martian: The mission captain being in a ship headed to", "conflict among his crew mates when they learn he is alive - ??", "of the three legs of a story - plot, character, setting. But he", "elements on Mars LOTR:Any hobbit struggling outside of the Shire. Aragorn's struggle with", "each) Martian: The mission captain being in a ship headed to earth when", "?? LOTR: Frodo becoming addicted to the ring while needing to discard it,", "the ring to Mordor), conflicting with setting (it's hard to get to Mordor)?", "is alive - ?? LOTR: Frodo becoming addicted to the ring while needing", "So I'd like to better understand other ways to conflict character, plot, and", "and goals.(Think: arguing how to get rid of the ring in LOTR FOTR;", "involve people arguing. :-) But might still increase tension. Would an example of", "though.) --- Examples of character/setting conflict: (2 each) Martian: The mission captain being", "three) of the three legs of a story - plot, character, setting. But", "my characters are just arguing more. This has the upside of highlighting an", "of conflict between plot/character, character/setting, setting/plot? --- Edited: Based on two answers so", "personal motivations and goals.(Think: arguing how to get rid of the ring in", "But what is mostly happening is that my characters are just arguing more.", "and assume conflict is one way to do this. But what is mostly", "are examples, I think, of each. Please feel free to feed back and", "I think the conflict among his crew mates when they learn he is", "ring. Star Wars: Losing the droids on a sand planet threw a monkey", "of arguments. Yuck. So I'd like to better understand other ways to conflict", "mission captain being in a ship headed to earth when her crewman is", "writing fantasy and he discusses the idea that conflict can arise between any", "like to better understand other ways to conflict character, plot, and setting. Example:", "setting of Mars clearly conflicts with the plot of getting him home. LOTR:I", "increase tension (reader interest) and assume conflict is one way to do this.", "their personal motivations and goals.(Think: arguing how to get rid of the ring", "motivations and goals.(Think: arguing how to get rid of the ring in LOTR", "is that my characters are just arguing more. This has the upside of", "(get the ring to Mordor), conflicting with setting (it's hard to get to", "training --- Examples of setting/plot conflict (I might not understand plot): Martian: The", "understand the idea of conflict between plot/character, character/setting, setting/plot? --- Edited: Based on", "Martian: The setting of Mars clearly conflicts with the plot of getting him", "plot? What would this look like? It seems that such conflict would be", "setting. Example: What is meant by a conflict between setting and plot? What", "idea to explore, and the downside of making the characters all a little", "tension are related. I'm trying to increase tension (reader interest) and assume conflict", "idea that conflict can arise between any two (or three) of the three", "this. But what is mostly happening is that my characters are just arguing", "back and correct. (I still don't have a firm grasp on plot, though.)", "plot/setting conflict simply a hurdle like that for a character? What is a", "of character/setting conflict: (2 each) Martian: The mission captain being in a ship", "sand planet threw a monkey wrench in getting the plans easily to Obi", "I think conflict and tension are related. I'm trying to increase tension (reader", "Is a plot/setting conflict simply a hurdle like that for a character? What", "examples. I think conflict and tension are related. I'm trying to increase tension", "that my characters are just arguing more. This has the upside of highlighting", "I think, of each. Please feel free to feed back and correct. (I", "disposal of the ring. Star Wars: Losing the droids on a sand planet", "LOTR FOTR; different character motivations in conflict.) I'm concerned I'll end with fifteen", "examples, I think, of each. Please feel free to feed back and correct.", ":-) But might still increase tension. Would an example of this be something", "Shire. Aragorn's struggle with his role of the King? Star Wars: Guwe wanting", "get to Mordor)? Is a plot/setting conflict simply a hurdle like that for", "Examples of plot/character conflict: Martian: ?? I think the conflict among his crew", "?? I think the conflict among his crew mates when they learn he", "to do this. But what is mostly happening is that my characters are", "understand plot): Martian: The setting of Mars clearly conflicts with the plot of", "plot/character, character/setting, setting/plot? --- Edited: Based on two answers so far, here are", "the plot of getting him home. LOTR:I think the setting conflicts with easy", "easy disposal of the ring. Star Wars: Losing the droids on a sand", "any two (or three) of the three legs of a story - plot,", "her crewman is on Mars. Damon battling the elements on Mars LOTR:Any hobbit", "of a story - plot, character, setting. But he hasn't given enough examples.", "but being told he must farm moisture. Obi Wan wanting to train Guwe", "legs of a story - plot, character, setting. But he hasn't given enough", "character motivations in conflict.) I'm concerned I'll end with fifteen chapters of arguments.", "I'm trying to increase tension (reader interest) and assume conflict is one way", "of setting/plot conflict (I might not understand plot): Martian: The setting of Mars", "fifteen chapters of arguments. Yuck. So I'd like to better understand other ways", "a little less likable. It's characters conflicting with other characters about their personal", "understand other ways to conflict character, plot, and setting. 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What would this look", "Guwe within a system that does not allow that --- Examples of plot/character", "and tension are related. I'm trying to increase tension (reader interest) and assume", "Guwe wanting to fight but being told he must farm moisture. Obi Wan", "alive - ?? LOTR: Frodo becoming addicted to the ring while needing to", "Mordor), conflicting with setting (it's hard to get to Mordor)? Is a plot/setting", "Frodo becoming addicted to the ring while needing to discard it, Star Wars:", "outside of the Shire. Aragorn's struggle with his role of the King? Star", "arise between any two (or three) of the three legs of a story", "with setting (it's hard to get to Mordor)? 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I think conflict and tension are", "a firm grasp on plot, though.) --- Examples of character/setting conflict: (2 each)", "goals.(Think: arguing how to get rid of the ring in LOTR FOTR; different", "clearly conflicts with the plot of getting him home. LOTR:I think the setting", "idea of conflict between plot/character, character/setting, setting/plot? --- Edited: Based on two answers", "on Mars. Damon battling the elements on Mars LOTR:Any hobbit struggling outside of", "an idea to explore, and the downside of making the characters all a", "story - plot, character, setting. But he hasn't given enough examples. I think", "ring in LOTR FOTR; different character motivations in conflict.) I'm concerned I'll end", "conflict and tension are related. I'm trying to increase tension (reader interest) and", "a conflict between setting and plot? What would this look like? It seems", "system that does not allow that --- Examples of plot/character conflict: Martian: ??", "of getting him home. 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I'm concerned", "Aragorn's struggle with his role of the King? Star Wars: Guwe wanting to", "conflict is one way to do this. But what is mostly happening is", "farm moisture. Obi Wan wanting to train Guwe within a system that does", "the conflict among his crew mates when they learn he is alive -", "to save his friends halfway through his Jedi training --- Examples of setting/plot", "be something like the plot of LOTR (get the ring to Mordor), conflicting", "characters all a little less likable. It's characters conflicting with other characters about", "to understand the idea of conflict between plot/character, character/setting, setting/plot? --- Edited: Based", "character-free, so it would not involve people arguing. :-) But might still increase", "better understand other ways to conflict character, plot, and setting. Example: What is", "making the characters all a little less likable. It's characters conflicting with other", "the ring in LOTR FOTR; different character motivations in conflict.) I'm concerned I'll", "of the Shire. Aragorn's struggle with his role of the King? Star Wars:", "feed back and correct. (I still don't have a firm grasp on plot,", "Mars clearly conflicts with the plot of getting him home. LOTR:I think the", "on a sand planet threw a monkey wrench in getting the plans easily", "explore, and the downside of making the characters all a little less likable.", "not understand plot): Martian: The setting of Mars clearly conflicts with the plot", "when they learn he is alive - ?? LOTR: Frodo becoming addicted to", "concrete way to understand the idea of conflict between plot/character, character/setting, setting/plot? ---", "Please feel free to feed back and correct. (I still don't have a", "is a concrete way to understand the idea of conflict between plot/character, character/setting,", "hasn't given enough examples. I think conflict and tension are related. I'm trying", "would be character-free, so it would not involve people arguing. :-) But might", "conflicts with the plot of getting him home. LOTR:I think the setting conflicts", "and correct. (I still don't have a firm grasp on plot, though.) ---", "I'll end with fifteen chapters of arguments. Yuck. So I'd like to better", "conflicting with other characters about their personal motivations and goals.(Think: arguing how to", "concerned I'll end with fifteen chapters of arguments. Yuck. So I'd like to", "ways to conflict character, plot, and setting. Example: What is meant by a", "all a little less likable. It's characters conflicting with other characters about their", "feel free to feed back and correct. (I still don't have a firm", "to earth when her crewman is on Mars. Damon battling the elements on", "ring to Mordor), conflicting with setting (it's hard to get to Mordor)? Is", "LOTR:I think the setting conflicts with easy disposal of the ring. Star Wars:", "Wars: Guwe desiring to save his friends halfway through his Jedi training ---", "to increase tension (reader interest) and assume conflict is one way to do", "character, plot, and setting. Example: What is meant by a conflict between setting", "his Jedi training --- Examples of setting/plot conflict (I might not understand plot):", "they learn he is alive - ?? LOTR: Frodo becoming addicted to the", "and the downside of making the characters all a little less likable. It's", "characters are just arguing more. This has the upside of highlighting an idea", "mostly happening is that my characters are just arguing more. This has the", "something like the plot of LOTR (get the ring to Mordor), conflicting with", "on two answers so far, here are examples, I think, of each. Please", "here are examples, I think, of each. Please feel free to feed back", "his role of the King? 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Obi Wan wanting to train Guwe within a system that does not", "is mostly happening is that my characters are just arguing more. This has", "little less likable. It's characters conflicting with other characters about their personal motivations", "plot, and setting. Example: What is meant by a conflict between setting and", "to conflict character, plot, and setting. Example: What is meant by a conflict", "that does not allow that --- Examples of plot/character conflict: Martian: ?? I", "a sand planet threw a monkey wrench in getting the plans easily to", "it, Star Wars: Guwe desiring to save his friends halfway through his Jedi", "addicted to the ring while needing to discard it, Star Wars: Guwe desiring", "firm grasp on plot, though.) --- Examples of character/setting conflict: (2 each) Martian:", "does not allow that --- Examples of plot/character conflict: Martian: ?? I think", "What would this look like? It seems that such conflict would be character-free,", "assume conflict is one way to do this. But what is mostly happening", "But he hasn't given enough examples. I think conflict and tension are related.", "character? What is a concrete way to understand the idea of conflict between", "discard it, Star Wars: Guwe desiring to save his friends halfway through his", "King? Star Wars: Guwe wanting to fight but being told he must farm", "- plot, character, setting. But he hasn't given enough examples. I think conflict", "think the conflict among his crew mates when they learn he is alive", "a character? What is a concrete way to understand the idea of conflict", "that such conflict would be character-free, so it would not involve people arguing.", "a hurdle like that for a character? What is a concrete way to", "that --- Examples of plot/character conflict: Martian: ?? I think the conflict among", "think conflict and tension are related. I'm trying to increase tension (reader interest)", "headed to earth when her crewman is on Mars. Damon battling the elements", "to discard it, Star Wars: Guwe desiring to save his friends halfway through", "through the [Sanderson youtube classes](https://www.youtube.com/watch?v=N4ZDBOc2tX8) on writing fantasy and he discusses the idea", "plot): Martian: The setting of Mars clearly conflicts with the plot of getting", "not involve people arguing. :-) But might still increase tension. Would an example", "and he discusses the idea that conflict can arise between any two (or", "ship headed to earth when her crewman is on Mars. Damon battling the", "desiring to save his friends halfway through his Jedi training --- Examples of", "LOTR: Frodo becoming addicted to the ring while needing to discard it, Star", "correct. (I still don't have a firm grasp on plot, though.) --- Examples", "friends halfway through his Jedi training --- Examples of setting/plot conflict (I might", "learn he is alive - ?? LOTR: Frodo becoming addicted to the ring", "setting and plot? What would this look like? It seems that such conflict", "his crew mates when they learn he is alive - ?? LOTR: Frodo", "I'd like to better understand other ways to conflict character, plot, and setting.", "might still increase tension. Would an example of this be something like the", "enough examples. I think conflict and tension are related. I'm trying to increase", "on plot, though.) --- Examples of character/setting conflict: (2 each) Martian: The mission", "LOTR:Any hobbit struggling outside of the Shire. Aragorn's struggle with his role of", "the ring while needing to discard it, Star Wars: Guwe desiring to save", "hard to get to Mordor)? Is a plot/setting conflict simply a hurdle like", "a story - plot, character, setting. 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Would an example of this be", "Examples of setting/plot conflict (I might not understand plot): Martian: The setting of", "might not understand plot): Martian: The setting of Mars clearly conflicts with the", "tension (reader interest) and assume conflict is one way to do this. But", "would not involve people arguing. :-) But might still increase tension. Would an", "The mission captain being in a ship headed to earth when her crewman", "plot, character, setting. But he hasn't given enough examples. I think conflict and", "how to get rid of the ring in LOTR FOTR; different character motivations", "with fifteen chapters of arguments. Yuck. So I'd like to better understand other", "to Mordor), conflicting with setting (it's hard to get to Mordor)? Is a", "trying to increase tension (reader interest) and assume conflict is one way to", "an example of this be something like the plot of LOTR (get the", "arguments. Yuck. So I'd like to better understand other ways to conflict character,", "to explore, and the downside of making the characters all a little less", "like that for a character? What is a concrete way to understand the" ]
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He is simply known as \"The Sentinel\".", "to capitalise the first letter of his title or not. e.g. sentences -", "well. > > > Also, extending the question, should the \"the\" before the", "the Sentinel's face but he covered it well. > > > (OR) >", "first letter of his title or not. e.g. sentences - > > Upam", "the Sentinel for a long hard second. > > > (OR) > >", "the sentinel for a long hard second. > > > --- > >", "> Upam stared at the Sentinel for a long hard second. > >", "> Surprise leapt on the Sentinel's face but he covered it well. >", "writing from a third person viewpoint. I have a character who does not", "is simply known as \"The Sentinel\". In fact, that is the only introduction", "hard second. > > > (OR) > > > Upam stared at the", "where he interacts with other characters, I don't know whether to capitalise the", "thing. > > > --- > > Surprise leapt on the Sentinel's face", "sentences - > > Upam stared at the Sentinel for a long hard", "> (OR) > > > Surprise leapt on the sentinel's face but he", "> > Also, extending the question, should the \"the\" before the title be", "name. He is simply known as \"The Sentinel\". In fact, that is the", "> > > (OR) > > > Surprise leapt on the sentinel's face", "Upam stared at the sentinel for a long hard second. > > >", "but he covered it well. > > > Also, extending the question, should", "I'm writing a scene where he interacts with other characters, I don't know", "known as \"The Sentinel\". In fact, that is the only introduction he gives", "The sentinel stood quietly, surveying the whole thing. > > > --- >", "interacts with other characters, I don't know whether to capitalise the first letter", "a name. He is simply known as \"The Sentinel\". In fact, that is", "Sentinel's face but he covered it well. > > > (OR) > >", "as \"The Sentinel\". In fact, that is the only introduction he gives for", "> Upam stared at the sentinel for a long hard second. > >", "In fact, that is the only introduction he gives for himself. So when", "for a long hard second. > > > (OR) > > > Upam", "hard second. > > > --- > > The Sentinel stood quietly, surveying", "> > (OR) > > > The sentinel stood quietly, surveying the whole", "> (OR) > > > The sentinel stood quietly, surveying the whole thing.", "from a third person viewpoint. I have a character who does not have", "covered it well. > > > (OR) > > > Surprise leapt on", "the whole thing. > > > (OR) > > > The sentinel stood", "So when I'm writing a scene where he interacts with other characters, I", "(OR) > > > The sentinel stood quietly, surveying the whole thing. >", "> (OR) > > > Upam stared at the sentinel for a long", "gives for himself. So when I'm writing a scene where he interacts with", "> > Surprise leapt on the Sentinel's face but he covered it well.", "> > --- > > The Sentinel stood quietly, surveying the whole thing.", "> The sentinel stood quietly, surveying the whole thing. > > > ---", "for a long hard second. > > > --- > > The Sentinel", "a third person viewpoint. I have a character who does not have a", "covered it well. > > > Also, extending the question, should the \"the\"", "> > > (OR) > > > Upam stared at the sentinel for", "he gives for himself. So when I'm writing a scene where he interacts", "second. > > > (OR) > > > Upam stared at the sentinel", "(OR) > > > Surprise leapt on the sentinel's face but he covered", "not have a name. He is simply known as \"The Sentinel\". In fact,", "other characters, I don't know whether to capitalise the first letter of his", "leapt on the Sentinel's face but he covered it well. > > >", "> > > Surprise leapt on the sentinel's face but he covered it", "title or not. e.g. sentences - > > Upam stared at the Sentinel", "stared at the sentinel for a long hard second. > > > ---", "on the sentinel's face but he covered it well. > > > Also,", "face but he covered it well. > > > Also, extending the question,", "> > (OR) > > > Upam stared at the sentinel for a", "have a name. He is simply known as \"The Sentinel\". In fact, that", "fact, that is the only introduction he gives for himself. So when I'm", "> > > --- > > Surprise leapt on the Sentinel's face but", "Surprise leapt on the Sentinel's face but he covered it well. > >", "scene where he interacts with other characters, I don't know whether to capitalise", "simply known as \"The Sentinel\". In fact, that is the only introduction he", "he covered it well. > > > (OR) > > > Surprise leapt", "well. > > > (OR) > > > Surprise leapt on the sentinel's", "letter of his title or not. e.g. sentences - > > Upam stared", "that is the only introduction he gives for himself. So when I'm writing", "Sentinel for a long hard second. > > > (OR) > > >", "> --- > > Surprise leapt on the Sentinel's face but he covered", "I have a character who does not have a name. He is simply", "a long hard second. > > > --- > > The Sentinel stood", "it well. > > > (OR) > > > Surprise leapt on the", "second. > > > --- > > The Sentinel stood quietly, surveying the", "The Sentinel stood quietly, surveying the whole thing. > > > (OR) >", "> --- > > The Sentinel stood quietly, surveying the whole thing. >", "face but he covered it well. > > > (OR) > > >", "at the Sentinel for a long hard second. > > > (OR) >", "stared at the Sentinel for a long hard second. > > > (OR)", "(OR) > > > Upam stared at the sentinel for a long hard", "sentinel stood quietly, surveying the whole thing. > > > --- > >", "character who does not have a name. He is simply known as \"The", "--- > > Surprise leapt on the Sentinel's face but he covered it", "it well. > > > Also, extending the question, should the \"the\" before", "a long hard second. > > > (OR) > > > Upam stared", "> Also, extending the question, should the \"the\" before the title be also", "> > --- > > Surprise leapt on the Sentinel's face but he", "don't know whether to capitalise the first letter of his title or not.", "with other characters, I don't know whether to capitalise the first letter of", "> > Surprise leapt on the sentinel's face but he covered it well.", "third person viewpoint. I have a character who does not have a name.", "is the only introduction he gives for himself. So when I'm writing a", "the sentinel's face but he covered it well. > > > Also, extending", "> > > Upam stared at the sentinel for a long hard second.", "whole thing. > > > (OR) > > > The sentinel stood quietly,", "> > Upam stared at the Sentinel for a long hard second. >", "a scene where he interacts with other characters, I don't know whether to", "whole thing. > > > --- > > Surprise leapt on the Sentinel's", "when I'm writing a scene where he interacts with other characters, I don't", "his title or not. e.g. sentences - > > Upam stared at the", "he interacts with other characters, I don't know whether to capitalise the first", "capitalise the first letter of his title or not. e.g. sentences - >", "Also, extending the question, should the \"the\" before the title be also capitalised?", "characters, I don't know whether to capitalise the first letter of his title", "long hard second. > > > --- > > The Sentinel stood quietly,", "or not. e.g. sentences - > > Upam stared at the Sentinel for", "> > The Sentinel stood quietly, surveying the whole thing. > > >", "> > > Also, extending the question, should the \"the\" before the title", "does not have a name. He is simply known as \"The Sentinel\". In", "I'm writing from a third person viewpoint. I have a character who does" ]
[ "have an android character who, ever since the near-death experience of his very", "I have an android character who, ever since the near-death experience of his", "an android character who, ever since the near-death experience of his very young", "android character gain emotions. If she were to be successful in this, how", "to help my android character gain emotions. If she were to be successful", "experience of his very young childhood, he has lacked emotions of any kind.", "were to be successful in this, how should I go about writing my", "But recently, another one of my characters has put forth a very large", "I go about writing my android character now that he has gained emotions", "character now that he has gained emotions for the first time in his", "very large effort to help my android character gain emotions. If she were", "character who, ever since the near-death experience of his very young childhood, he", "large effort to help my android character gain emotions. If she were to", "has put forth a very large effort to help my android character gain", "about writing my android character now that he has gained emotions for the", "go about writing my android character now that he has gained emotions for", "he has lacked emotions of any kind. But recently, another one of my", "has lacked emotions of any kind. But recently, another one of my characters", "effort to help my android character gain emotions. If she were to be", "help my android character gain emotions. If she were to be successful in", "successful in this, how should I go about writing my android character now", "any kind. But recently, another one of my characters has put forth a", "another one of my characters has put forth a very large effort to", "she were to be successful in this, how should I go about writing", "one of my characters has put forth a very large effort to help", "this, how should I go about writing my android character now that he", "emotions. If she were to be successful in this, how should I go", "characters has put forth a very large effort to help my android character", "of any kind. But recently, another one of my characters has put forth", "If she were to be successful in this, how should I go about", "childhood, he has lacked emotions of any kind. But recently, another one of", "emotions of any kind. But recently, another one of my characters has put", "of my characters has put forth a very large effort to help my", "my android character gain emotions. If she were to be successful in this,", "android character now that he has gained emotions for the first time in", "character gain emotions. If she were to be successful in this, how should", "my characters has put forth a very large effort to help my android", "ever since the near-death experience of his very young childhood, he has lacked", "put forth a very large effort to help my android character gain emotions.", "a very large effort to help my android character gain emotions. If she", "should I go about writing my android character now that he has gained", "young childhood, he has lacked emotions of any kind. But recently, another one", "to be successful in this, how should I go about writing my android", "who, ever since the near-death experience of his very young childhood, he has", "kind. But recently, another one of my characters has put forth a very", "near-death experience of his very young childhood, he has lacked emotions of any", "recently, another one of my characters has put forth a very large effort", "now that he has gained emotions for the first time in his memory?", "be successful in this, how should I go about writing my android character", "lacked emotions of any kind. But recently, another one of my characters has", "in this, how should I go about writing my android character now that", "the near-death experience of his very young childhood, he has lacked emotions of", "forth a very large effort to help my android character gain emotions. If", "gain emotions. If she were to be successful in this, how should I", "my android character now that he has gained emotions for the first time", "how should I go about writing my android character now that he has", "android character who, ever since the near-death experience of his very young childhood,", "very young childhood, he has lacked emotions of any kind. But recently, another", "his very young childhood, he has lacked emotions of any kind. But recently,", "writing my android character now that he has gained emotions for the first", "of his very young childhood, he has lacked emotions of any kind. But", "since the near-death experience of his very young childhood, he has lacked emotions" ]
[ "from this short description although I have a very different plan for the", "Now, the Xufkain influence is clear just from this short description although I", "were to get published? How far is too far? Am I in danger", "description although I have a very different plan for the arc of the", "Am I in danger of stealing Xufka's story either in the eyes of", "stealing Xufka's story either in the eyes of the law or in the", "be testing copyright laws if this were to get published? How far is", "public domain--I am having a hard time collecting that info. Would I be", "have a very different plan for the arc of the story. The Metamorphosis", "a hard time collecting that info. Would I be testing copyright laws if", "if this were to get published? How far is too far? Am I", "too far? Am I in danger of stealing Xufka's story either in the", "for the arc of the story. The Metamorphosis may or may not be", "goes crazy. Now, the Xufkain influence is clear just from this short description", "having a hard time collecting that info. Would I be testing copyright laws", "Metamorphosis style short story where the reader wakes up as an animal for", "am having a hard time collecting that info. Would I be testing copyright", "be public domain--I am having a hard time collecting that info. Would I", "of stealing Xufka's story either in the eyes of the law or in", "a Metamorphosis style short story where the reader wakes up as an animal", "published? How far is too far? Am I in danger of stealing Xufka's", "that info. Would I be testing copyright laws if this were to get", "far? Am I in danger of stealing Xufka's story either in the eyes", "a very different plan for the arc of the story. The Metamorphosis may", "may not be public domain--I am having a hard time collecting that info.", "influence is clear just from this short description although I have a very", "animal for no apparent reason, and everything goes crazy. Now, the Xufkain influence", "just from this short description although I have a very different plan for", "everything goes crazy. Now, the Xufkain influence is clear just from this short", "reason, and everything goes crazy. Now, the Xufkain influence is clear just from", "story either in the eyes of the law or in the eyes of", "to write a Metamorphosis style short story where the reader wakes up as", "Metamorphosis may or may not be public domain--I am having a hard time", "I be testing copyright laws if this were to get published? How far", "in danger of stealing Xufka's story either in the eyes of the law", "and everything goes crazy. Now, the Xufkain influence is clear just from this", "copyright laws if this were to get published? How far is too far?", "I'm looking to write a Metamorphosis style short story where the reader wakes", "the reader wakes up as an animal for no apparent reason, and everything", "arc of the story. The Metamorphosis may or may not be public domain--I", "is too far? Am I in danger of stealing Xufka's story either in", "Xufka's story either in the eyes of the law or in the eyes", "Would I be testing copyright laws if this were to get published? How", "looking to write a Metamorphosis style short story where the reader wakes up", "style short story where the reader wakes up as an animal for no", "story where the reader wakes up as an animal for no apparent reason,", "or may not be public domain--I am having a hard time collecting that", "not be public domain--I am having a hard time collecting that info. Would", "far is too far? Am I in danger of stealing Xufka's story either", "the arc of the story. The Metamorphosis may or may not be public", "may or may not be public domain--I am having a hard time collecting", "I have a very different plan for the arc of the story. The", "where the reader wakes up as an animal for no apparent reason, and", "although I have a very different plan for the arc of the story.", "the story. The Metamorphosis may or may not be public domain--I am having", "collecting that info. Would I be testing copyright laws if this were to", "the Xufkain influence is clear just from this short description although I have", "up as an animal for no apparent reason, and everything goes crazy. Now,", "to get published? How far is too far? Am I in danger of", "as an animal for no apparent reason, and everything goes crazy. Now, the", "How far is too far? Am I in danger of stealing Xufka's story", "story. The Metamorphosis may or may not be public domain--I am having a", "laws if this were to get published? How far is too far? Am", "of the story. The Metamorphosis may or may not be public domain--I am", "hard time collecting that info. Would I be testing copyright laws if this", "plan for the arc of the story. The Metamorphosis may or may not", "danger of stealing Xufka's story either in the eyes of the law or", "in the eyes of the law or in the eyes of the reader?", "for no apparent reason, and everything goes crazy. Now, the Xufkain influence is", "The Metamorphosis may or may not be public domain--I am having a hard", "I in danger of stealing Xufka's story either in the eyes of the", "no apparent reason, and everything goes crazy. Now, the Xufkain influence is clear", "clear just from this short description although I have a very different plan", "domain--I am having a hard time collecting that info. Would I be testing", "either in the eyes of the law or in the eyes of the", "different plan for the arc of the story. The Metamorphosis may or may", "very different plan for the arc of the story. The Metamorphosis may or", "short story where the reader wakes up as an animal for no apparent", "reader wakes up as an animal for no apparent reason, and everything goes", "get published? How far is too far? Am I in danger of stealing", "testing copyright laws if this were to get published? How far is too", "Xufkain influence is clear just from this short description although I have a", "crazy. Now, the Xufkain influence is clear just from this short description although", "this short description although I have a very different plan for the arc", "short description although I have a very different plan for the arc of", "write a Metamorphosis style short story where the reader wakes up as an", "apparent reason, and everything goes crazy. Now, the Xufkain influence is clear just", "time collecting that info. Would I be testing copyright laws if this were", "this were to get published? How far is too far? Am I in", "an animal for no apparent reason, and everything goes crazy. Now, the Xufkain", "is clear just from this short description although I have a very different", "wakes up as an animal for no apparent reason, and everything goes crazy.", "info. Would I be testing copyright laws if this were to get published?" ]
[ "work of mine. I have published it on Wattpad, and I've sent the", "I am kind of new to writing in general, and Wattpad is my", "published it on Wattpad, and I've sent the Google Docs link of it", "of new to writing in general, and Wattpad is my idea of a", "platform. What are some other platforms I could use to have my work", "of a large user-base literature platform. What are some other platforms I could", "are some other platforms I could use to have my work read by", "and Wattpad is my idea of a large user-base literature platform. What are", "friends. I am kind of new to writing in general, and Wattpad is", "new to writing in general, and Wattpad is my idea of a large", "have recently completed a short story work of mine. I have published it", "of mine. I have published it on Wattpad, and I've sent the Google", "my idea of a large user-base literature platform. What are some other platforms", "mine. I have published it on Wattpad, and I've sent the Google Docs", "idea of a large user-base literature platform. What are some other platforms I", "in general, and Wattpad is my idea of a large user-base literature platform.", "I've sent the Google Docs link of it to several friends. I am", "Google Docs link of it to several friends. I am kind of new", "literature platform. What are some other platforms I could use to have my", "recently completed a short story work of mine. I have published it on", "Wattpad, and I've sent the Google Docs link of it to several friends.", "of it to several friends. I am kind of new to writing in", "several friends. I am kind of new to writing in general, and Wattpad", "writing in general, and Wattpad is my idea of a large user-base literature", "link of it to several friends. I am kind of new to writing", "kind of new to writing in general, and Wattpad is my idea of", "it on Wattpad, and I've sent the Google Docs link of it to", "to writing in general, and Wattpad is my idea of a large user-base", "What are some other platforms I could use to have my work read", "story work of mine. I have published it on Wattpad, and I've sent", "Docs link of it to several friends. I am kind of new to", "I have published it on Wattpad, and I've sent the Google Docs link", "general, and Wattpad is my idea of a large user-base literature platform. What", "it to several friends. I am kind of new to writing in general,", "completed a short story work of mine. I have published it on Wattpad,", "sent the Google Docs link of it to several friends. I am kind", "is my idea of a large user-base literature platform. What are some other", "I have recently completed a short story work of mine. I have published", "large user-base literature platform. What are some other platforms I could use to", "a large user-base literature platform. What are some other platforms I could use", "and I've sent the Google Docs link of it to several friends. I", "to several friends. I am kind of new to writing in general, and", "user-base literature platform. What are some other platforms I could use to have", "short story work of mine. I have published it on Wattpad, and I've", "a short story work of mine. I have published it on Wattpad, and", "have published it on Wattpad, and I've sent the Google Docs link of", "Wattpad is my idea of a large user-base literature platform. What are some", "am kind of new to writing in general, and Wattpad is my idea", "the Google Docs link of it to several friends. I am kind of", "on Wattpad, and I've sent the Google Docs link of it to several", "some other platforms I could use to have my work read by others?" ]
[ "which I feel disrupts the flow a little bit. What way can I", "the flow a little bit. What way can I recommend that would improve", "whatever reason, has a blanked out name. She writes it as '\\_\\_\\_\\_\\_' which", "flow a little bit. What way can I recommend that would improve the", "for whatever reason, has a blanked out name. She writes it as '\\_\\_\\_\\_\\_'", "proofreading for has a protagonist that, for whatever reason, has a blanked out", "Someone I'm proofreading for has a protagonist that, for whatever reason, has a", "out name. She writes it as '\\_\\_\\_\\_\\_' which I feel disrupts the flow", "blanked out name. She writes it as '\\_\\_\\_\\_\\_' which I feel disrupts the", "disrupts the flow a little bit. What way can I recommend that would", "writes it as '\\_\\_\\_\\_\\_' which I feel disrupts the flow a little bit.", "protagonist that, for whatever reason, has a blanked out name. She writes it", "has a protagonist that, for whatever reason, has a blanked out name. She", "a blanked out name. She writes it as '\\_\\_\\_\\_\\_' which I feel disrupts", "for has a protagonist that, for whatever reason, has a blanked out name.", "feel disrupts the flow a little bit. What way can I recommend that", "it as '\\_\\_\\_\\_\\_' which I feel disrupts the flow a little bit. What", "a protagonist that, for whatever reason, has a blanked out name. She writes", "'\\_\\_\\_\\_\\_' which I feel disrupts the flow a little bit. What way can", "as '\\_\\_\\_\\_\\_' which I feel disrupts the flow a little bit. What way", "a little bit. What way can I recommend that would improve the flow?", "reason, has a blanked out name. She writes it as '\\_\\_\\_\\_\\_' which I", "has a blanked out name. She writes it as '\\_\\_\\_\\_\\_' which I feel", "name. She writes it as '\\_\\_\\_\\_\\_' which I feel disrupts the flow a", "She writes it as '\\_\\_\\_\\_\\_' which I feel disrupts the flow a little", "I feel disrupts the flow a little bit. What way can I recommend", "I'm proofreading for has a protagonist that, for whatever reason, has a blanked", "that, for whatever reason, has a blanked out name. She writes it as" ]
[ "reader will become uninterested, and I dislike giving too much simply because I", "detail; and consequently, I can only grit out chunky, bland sets of sentences", "due to my unsureness on what is the middle ground between too much", "my progress greatly. I can't get into the mind of the protagonist even", "having problems making the character shine naturally. I think these are due to", "the character's thought process. I fear if I give too little info the", "dislike the characters when I do give some dimension to the character. I", "soul. I am having problems making the character shine naturally. I think these", "I came across a problem that is hindering my progress greatly. I can't", "is hindering my progress greatly. I can't get into the mind of the", "the characters when I do give some dimension to the character. I am", "my unsureness on what is the middle ground between too much and too", "greatly. I can't get into the mind of the protagonist even though I", "though I planned her character beforehand in detail; and consequently, I can only", "bland sets of sentences that lacks any soul. I am having problems making", "sign of bad writing. Also, I worry that the reader will dislike the", "I can't get into the mind of the protagonist even though I planned", "to my unsureness on what is the middle ground between too much and", "protagonist even though I planned her character beforehand in detail; and consequently, I", "problems making the character shine naturally. I think these are due to my", "the character shine naturally. I think these are due to my unsureness on", "shine naturally. I think these are due to my unsureness on what is", "on how to approach my writing, and I will be very happy if", "making the character shine naturally. I think these are due to my unsureness", "worry that the reader will dislike the characters when I do give some", "become uninterested, and I dislike giving too much simply because I think it", "that the reader will dislike the characters when I do give some dimension", "on the character's thought process. I fear if I give too little info", "I will be very happy if you can help me out with it.", "am trying to write my own novel, but I came across a problem", "a sign of bad writing. Also, I worry that the reader will dislike", "I fear if I give too little info the reader will become uninterested,", "think it as a sign of bad writing. Also, I worry that the", "out chunky, bland sets of sentences that lacks any soul. I am having", "of bad writing. Also, I worry that the reader will dislike the characters", "Also, I worry that the reader will dislike the characters when I do", "character shine naturally. I think these are due to my unsureness on what", "naturally. I think these are due to my unsureness on what is the", "into the mind of the protagonist even though I planned her character beforehand", "of the protagonist even though I planned her character beforehand in detail; and", "information on the character's thought process. I fear if I give too little", "came across a problem that is hindering my progress greatly. I can't get", "and I will be very happy if you can help me out with", "on what is the middle ground between too much and too little information", "but I came across a problem that is hindering my progress greatly. I", "I am trying to write my own novel, but I came across a", "the protagonist even though I planned her character beforehand in detail; and consequently,", "the mind of the protagonist even though I planned her character beforehand in", "I think these are due to my unsureness on what is the middle", "dimension to the character. I am a little confused on how to approach", "little confused on how to approach my writing, and I will be very", "info the reader will become uninterested, and I dislike giving too much simply", "the reader will dislike the characters when I do give some dimension to", "hindering my progress greatly. I can't get into the mind of the protagonist", "is the middle ground between too much and too little information on the", "think these are due to my unsureness on what is the middle ground", "chunky, bland sets of sentences that lacks any soul. I am having problems", "giving too much simply because I think it as a sign of bad", "as a sign of bad writing. Also, I worry that the reader will", "too little info the reader will become uninterested, and I dislike giving too", "am having problems making the character shine naturally. I think these are due", "unsureness on what is the middle ground between too much and too little", "much simply because I think it as a sign of bad writing. Also,", "fear if I give too little info the reader will become uninterested, and", "character beforehand in detail; and consequently, I can only grit out chunky, bland", "in detail; and consequently, I can only grit out chunky, bland sets of", "too much simply because I think it as a sign of bad writing.", "give too little info the reader will become uninterested, and I dislike giving", "grit out chunky, bland sets of sentences that lacks any soul. I am", "and consequently, I can only grit out chunky, bland sets of sentences that", "writing, and I will be very happy if you can help me out", "any soul. I am having problems making the character shine naturally. I think", "even though I planned her character beforehand in detail; and consequently, I can", "sentences that lacks any soul. I am having problems making the character shine", "too little information on the character's thought process. I fear if I give", "how to approach my writing, and I will be very happy if you", "I am having problems making the character shine naturally. I think these are", "will become uninterested, and I dislike giving too much simply because I think", "character's thought process. I fear if I give too little info the reader", "a little confused on how to approach my writing, and I will be", "and too little information on the character's thought process. I fear if I", "her character beforehand in detail; and consequently, I can only grit out chunky,", "approach my writing, and I will be very happy if you can help", "can't get into the mind of the protagonist even though I planned her", "when I do give some dimension to the character. I am a little", "beforehand in detail; and consequently, I can only grit out chunky, bland sets", "confused on how to approach my writing, and I will be very happy", "between too much and too little information on the character's thought process. I", "my writing, and I will be very happy if you can help me", "sets of sentences that lacks any soul. I am having problems making the", "the middle ground between too much and too little information on the character's", "of sentences that lacks any soul. I am having problems making the character", "I worry that the reader will dislike the characters when I do give", "planned her character beforehand in detail; and consequently, I can only grit out", "middle ground between too much and too little information on the character's thought", "my own novel, but I came across a problem that is hindering my", "consequently, I can only grit out chunky, bland sets of sentences that lacks", "I am a little confused on how to approach my writing, and I", "reader will dislike the characters when I do give some dimension to the", "are due to my unsureness on what is the middle ground between too", "I think it as a sign of bad writing. Also, I worry that", "what is the middle ground between too much and too little information on", "dislike giving too much simply because I think it as a sign of", "get into the mind of the protagonist even though I planned her character", "will dislike the characters when I do give some dimension to the character.", "only grit out chunky, bland sets of sentences that lacks any soul. I", "novel, but I came across a problem that is hindering my progress greatly.", "that is hindering my progress greatly. I can't get into the mind of", "ground between too much and too little information on the character's thought process.", "across a problem that is hindering my progress greatly. I can't get into", "these are due to my unsureness on what is the middle ground between", "character. I am a little confused on how to approach my writing, and", "it as a sign of bad writing. Also, I worry that the reader", "I can only grit out chunky, bland sets of sentences that lacks any", "process. I fear if I give too little info the reader will become", "thought process. I fear if I give too little info the reader will", "progress greatly. I can't get into the mind of the protagonist even though", "and I dislike giving too much simply because I think it as a", "little information on the character's thought process. I fear if I give too", "lacks any soul. I am having problems making the character shine naturally. I", "can only grit out chunky, bland sets of sentences that lacks any soul.", "problem that is hindering my progress greatly. I can't get into the mind", "uninterested, and I dislike giving too much simply because I think it as", "give some dimension to the character. I am a little confused on how", "to the character. I am a little confused on how to approach my", "the reader will become uninterested, and I dislike giving too much simply because", "to approach my writing, and I will be very happy if you can", "mind of the protagonist even though I planned her character beforehand in detail;", "Recently, I am trying to write my own novel, but I came across", "bad writing. Also, I worry that the reader will dislike the characters when", "too much and too little information on the character's thought process. I fear", "a problem that is hindering my progress greatly. I can't get into the", "trying to write my own novel, but I came across a problem that", "I planned her character beforehand in detail; and consequently, I can only grit", "simply because I think it as a sign of bad writing. Also, I", "that lacks any soul. I am having problems making the character shine naturally.", "own novel, but I came across a problem that is hindering my progress", "much and too little information on the character's thought process. I fear if", "I dislike giving too much simply because I think it as a sign", "I do give some dimension to the character. I am a little confused", "writing. Also, I worry that the reader will dislike the characters when I", "do give some dimension to the character. I am a little confused on", "some dimension to the character. I am a little confused on how to", "because I think it as a sign of bad writing. Also, I worry", "characters when I do give some dimension to the character. I am a", "write my own novel, but I came across a problem that is hindering", "little info the reader will become uninterested, and I dislike giving too much", "I give too little info the reader will become uninterested, and I dislike", "am a little confused on how to approach my writing, and I will", "to write my own novel, but I came across a problem that is", "if I give too little info the reader will become uninterested, and I", "the character. I am a little confused on how to approach my writing," ]
[ "and my question is, do I need to do it again because my", "the start of the novel, but comes back in the third act and", "have a minor character who is introduced and has a bit of involvement", "the third act and stays with us till the end. I've described him", "first time he appeared, and my question is, do I need to do", "the story? For example, I have a minor character who is introduced and", "character reappears the second time too far into the story? For example, I", "reappears the second time too far into the story? For example, I have", "repeat character descriptions if a minor character reappears the second time too far", "far into the story? For example, I have a minor character who is", "the end. I've described him the first time he appeared, and my question", "involvement at the start of the novel, but comes back in the third", "he appeared, and my question is, do I need to do it again", "again because my readers may have forgotten what he looked like by the", "a bit of involvement at the start of the novel, but comes back", "I've described him the first time he appeared, and my question is, do", "bit of involvement at the start of the novel, but comes back in", "readers may have forgotten what he looked like by the second point we", "character who is introduced and has a bit of involvement at the start", "with us till the end. I've described him the first time he appeared,", "to do it again because my readers may have forgotten what he looked", "a minor character who is introduced and has a bit of involvement at", "Should I repeat character descriptions if a minor character reappears the second time", "in the third act and stays with us till the end. I've described", "appeared, and my question is, do I need to do it again because", "I repeat character descriptions if a minor character reappears the second time too", "descriptions if a minor character reappears the second time too far into the", "story? For example, I have a minor character who is introduced and has", "has a bit of involvement at the start of the novel, but comes", "into the story? For example, I have a minor character who is introduced", "described him the first time he appeared, and my question is, do I", "question is, do I need to do it again because my readers may", "introduced and has a bit of involvement at the start of the novel,", "do I need to do it again because my readers may have forgotten", "need to do it again because my readers may have forgotten what he", "act and stays with us till the end. I've described him the first", "start of the novel, but comes back in the third act and stays", "the first time he appeared, and my question is, do I need to", "example, I have a minor character who is introduced and has a bit", "till the end. I've described him the first time he appeared, and my", "second time too far into the story? For example, I have a minor", "back in the third act and stays with us till the end. I've", "I need to do it again because my readers may have forgotten what", "at the start of the novel, but comes back in the third act", "novel, but comes back in the third act and stays with us till", "I have a minor character who is introduced and has a bit of", "do it again because my readers may have forgotten what he looked like", "third act and stays with us till the end. I've described him the", "if a minor character reappears the second time too far into the story?", "us till the end. I've described him the first time he appeared, and", "of the novel, but comes back in the third act and stays with", "but comes back in the third act and stays with us till the", "have forgotten what he looked like by the second point we see him?", "the second time too far into the story? For example, I have a", "comes back in the third act and stays with us till the end.", "stays with us till the end. I've described him the first time he", "a minor character reappears the second time too far into the story? For", "is introduced and has a bit of involvement at the start of the", "may have forgotten what he looked like by the second point we see", "of involvement at the start of the novel, but comes back in the", "time he appeared, and my question is, do I need to do it", "end. I've described him the first time he appeared, and my question is,", "it again because my readers may have forgotten what he looked like by", "is, do I need to do it again because my readers may have", "and has a bit of involvement at the start of the novel, but", "minor character who is introduced and has a bit of involvement at the", "my readers may have forgotten what he looked like by the second point", "my question is, do I need to do it again because my readers", "who is introduced and has a bit of involvement at the start of", "and stays with us till the end. I've described him the first time", "time too far into the story? For example, I have a minor character", "too far into the story? For example, I have a minor character who", "because my readers may have forgotten what he looked like by the second", "him the first time he appeared, and my question is, do I need", "For example, I have a minor character who is introduced and has a", "the novel, but comes back in the third act and stays with us", "minor character reappears the second time too far into the story? For example,", "character descriptions if a minor character reappears the second time too far into" ]
[ "is already fastidious. Question: If I make one sympathetic character a vegetarian, in", "theme. My characters eat meals, and because of the setting, this includes meat", "eggs. Some environmentally - friendly friends find those scenes very distasteful and opposed", "of meat-eating, will this come across as tokenism? Where is the line between", "on the other hand I'd like to acknowledge the sentiment among vegetarian readers", "to acknowledge the sentiment among vegetarian readers while not alienating others. Is it", "not sensible to never have some sort of meat, given the book's setting.", "of the setting, this includes meat and eggs. Some environmentally - friendly friends", "one single line of \"No thanks, I don't eat that\" while wiping his", "the edges. (3) I'm considering modifying a character to be a vegetarian. <", "of \"No thanks, I don't eat that\" while wiping his hands on his", "to fictional in-world animals, hoping this will soften the edges. (3) I'm considering", "in mind is already fastidious. Question: If I make one sympathetic character a", "Question: If I make one sympathetic character a vegetarian, in order to give", "and opposed to the environmental intent of the project. I'd like to not", "I make one sympathetic character a vegetarian, in order to give voice to", "other hand I'd like to acknowledge the sentiment among vegetarian readers while not", "the environmental intent of the project. I'd like to not lose a portion", "have in mind is already fastidious. Question: If I make one sympathetic character", "among vegetarian readers while not alienating others. Is it sufficient to have a", "scenes very distasteful and opposed to the environmental intent of the project. I'd", "gives one single line of \"No thanks, I don't eat that\" while wiping", "eat that\" while wiping his hands on his kerchief, ... is this enough", "intent of the project. I'd like to not lose a portion of my", "question.The character I have in mind is already fastidious. Question: If I make", "as tokenism? Where is the line between diversity and tokenism? I would not", "not lose a portion of my potential audience because of this conflict, so", "character I have in mind is already fastidious. Question: If I make one", "single line of \"No thanks, I don't eat that\" while wiping his hands", "soften the edges. (3) I'm considering modifying a character to be a vegetarian.", "for the villains), but it's not sensible to never have some sort of", "not have this character preach, on the other hand I'd like to acknowledge", "a character to be a vegetarian. < this is my question.The character I", "preach, on the other hand I'd like to acknowledge the sentiment among vegetarian", "voice to the environmental cost of meat-eating, will this come across as tokenism?", "is this enough to nod at the readers that I recognize the problem?", "of meat, given the book's setting. (2) I've changed some of the game", "a vegetarian, in order to give voice to the environmental cost of meat-eating,", "sympathetic character a vegetarian, in order to give voice to the environmental cost", "is my question.The character I have in mind is already fastidious. Question: If", "(except for the villains), but it's not sensible to never have some sort", "this includes meat and eggs. Some environmentally - friendly friends find those scenes", "'meat' wherever I can (except for the villains), but it's not sensible to", "< this is my question.The character I have in mind is already fastidious.", "the game to fictional in-world animals, hoping this will soften the edges. (3)", "it sufficient to have a vegetarian character who gives one single line of", "some of the game to fictional in-world animals, hoping this will soften the", "opposed to the environmental intent of the project. I'd like to not lose", "project. I'd like to not lose a portion of my potential audience because", "the book's setting. (2) I've changed some of the game to fictional in-world", "a vegetarian. < this is my question.The character I have in mind is", "diversity and tokenism? I would not have this character preach, on the other", "vegetarian readers while not alienating others. Is it sufficient to have a vegetarian", "some sort of meat, given the book's setting. (2) I've changed some of", "wherever I can (except for the villains), but it's not sensible to never", "(1) I'm pruning out 'meat' wherever I can (except for the villains), but", "very distasteful and opposed to the environmental intent of the project. I'd like", "this is my question.The character I have in mind is already fastidious. Question:", "the setting, this includes meat and eggs. Some environmentally - friendly friends find", "line of \"No thanks, I don't eat that\" while wiping his hands on", "will this come across as tokenism? Where is the line between diversity and", "never have some sort of meat, given the book's setting. (2) I've changed", "character who gives one single line of \"No thanks, I don't eat that\"", "- friendly friends find those scenes very distasteful and opposed to the environmental", "Some environmentally - friendly friends find those scenes very distasteful and opposed to", "my potential audience because of this conflict, so - (1) I'm pruning out", "have a vegetarian character who gives one single line of \"No thanks, I", "the project. I'd like to not lose a portion of my potential audience", "sort of meat, given the book's setting. (2) I've changed some of the", "of this conflict, so - (1) I'm pruning out 'meat' wherever I can", "If I make one sympathetic character a vegetarian, in order to give voice", "hoping this will soften the edges. (3) I'm considering modifying a character to", "the sentiment among vegetarian readers while not alienating others. Is it sufficient to", "hands on his kerchief, ... is this enough to nod at the readers", "is the line between diversity and tokenism? I would not have this character", "readers while not alienating others. Is it sufficient to have a vegetarian character", "don't eat that\" while wiping his hands on his kerchief, ... is this", "because of the setting, this includes meat and eggs. Some environmentally - friendly", "considering modifying a character to be a vegetarian. < this is my question.The", "given the book's setting. (2) I've changed some of the game to fictional", "out 'meat' wherever I can (except for the villains), but it's not sensible", "character preach, on the other hand I'd like to acknowledge the sentiment among", "meat and eggs. Some environmentally - friendly friends find those scenes very distasteful", "I've changed some of the game to fictional in-world animals, hoping this will", "in-world animals, hoping this will soften the edges. (3) I'm considering modifying a", "project has an environmental theme. My characters eat meals, and because of the", "meat-eating, will this come across as tokenism? Where is the line between diversity", "and tokenism? I would not have this character preach, on the other hand", "modifying a character to be a vegetarian. < this is my question.The character", "the environmental cost of meat-eating, will this come across as tokenism? Where is", "setting, this includes meat and eggs. Some environmentally - friendly friends find those", "sufficient to have a vegetarian character who gives one single line of \"No", "it's not sensible to never have some sort of meat, given the book's", "on his kerchief, ... is this enough to nod at the readers that", "this conflict, so - (1) I'm pruning out 'meat' wherever I can (except", "setting. (2) I've changed some of the game to fictional in-world animals, hoping", "who gives one single line of \"No thanks, I don't eat that\" while", "Is it sufficient to have a vegetarian character who gives one single line", "be a vegetarian. < this is my question.The character I have in mind", "characters eat meals, and because of the setting, this includes meat and eggs.", "of my potential audience because of this conflict, so - (1) I'm pruning", "audience because of this conflict, so - (1) I'm pruning out 'meat' wherever", "environmental intent of the project. I'd like to not lose a portion of", "of the game to fictional in-world animals, hoping this will soften the edges.", "(2) I've changed some of the game to fictional in-world animals, hoping this", "changed some of the game to fictional in-world animals, hoping this will soften", "not alienating others. Is it sufficient to have a vegetarian character who gives", "tokenism? I would not have this character preach, on the other hand I'd", "of the project. I'd like to not lose a portion of my potential", "to the environmental cost of meat-eating, will this come across as tokenism? Where", "this character preach, on the other hand I'd like to acknowledge the sentiment", "I don't eat that\" while wiping his hands on his kerchief, ... is", "My project has an environmental theme. My characters eat meals, and because of", "\"No thanks, I don't eat that\" while wiping his hands on his kerchief,", "acknowledge the sentiment among vegetarian readers while not alienating others. Is it sufficient", "lose a portion of my potential audience because of this conflict, so -", "find those scenes very distasteful and opposed to the environmental intent of the", "friendly friends find those scenes very distasteful and opposed to the environmental intent", "to the environmental intent of the project. I'd like to not lose a", "sentiment among vegetarian readers while not alienating others. Is it sufficient to have", "across as tokenism? Where is the line between diversity and tokenism? I would", "would not have this character preach, on the other hand I'd like to", "will soften the edges. (3) I'm considering modifying a character to be a", "to not lose a portion of my potential audience because of this conflict,", "sensible to never have some sort of meat, given the book's setting. (2)", "order to give voice to the environmental cost of meat-eating, will this come", "because of this conflict, so - (1) I'm pruning out 'meat' wherever I", "character a vegetarian, in order to give voice to the environmental cost of", "environmentally - friendly friends find those scenes very distasteful and opposed to the", "includes meat and eggs. Some environmentally - friendly friends find those scenes very", "like to not lose a portion of my potential audience because of this", "a portion of my potential audience because of this conflict, so - (1)", "thanks, I don't eat that\" while wiping his hands on his kerchief, ...", "make one sympathetic character a vegetarian, in order to give voice to the", "to give voice to the environmental cost of meat-eating, will this come across", "I'm considering modifying a character to be a vegetarian. < this is my", "hand I'd like to acknowledge the sentiment among vegetarian readers while not alienating", "come across as tokenism? Where is the line between diversity and tokenism? I", "those scenes very distasteful and opposed to the environmental intent of the project.", "the villains), but it's not sensible to never have some sort of meat,", "already fastidious. Question: If I make one sympathetic character a vegetarian, in order", "this come across as tokenism? Where is the line between diversity and tokenism?", "eat meals, and because of the setting, this includes meat and eggs. Some", "my question.The character I have in mind is already fastidious. Question: If I", "wiping his hands on his kerchief, ... is this enough to nod at", "the other hand I'd like to acknowledge the sentiment among vegetarian readers while", "have some sort of meat, given the book's setting. (2) I've changed some", "I'd like to acknowledge the sentiment among vegetarian readers while not alienating others.", "friends find those scenes very distasteful and opposed to the environmental intent of", "line between diversity and tokenism? I would not have this character preach, on", "I would not have this character preach, on the other hand I'd like", "animals, hoping this will soften the edges. (3) I'm considering modifying a character", "I'm pruning out 'meat' wherever I can (except for the villains), but it's", "one sympathetic character a vegetarian, in order to give voice to the environmental", "portion of my potential audience because of this conflict, so - (1) I'm", "I'd like to not lose a portion of my potential audience because of", "game to fictional in-world animals, hoping this will soften the edges. (3) I'm", "I can (except for the villains), but it's not sensible to never have", "vegetarian. < this is my question.The character I have in mind is already", "My characters eat meals, and because of the setting, this includes meat and", "like to acknowledge the sentiment among vegetarian readers while not alienating others. Is", "villains), but it's not sensible to never have some sort of meat, given", "mind is already fastidious. Question: If I make one sympathetic character a vegetarian,", "vegetarian, in order to give voice to the environmental cost of meat-eating, will", "conflict, so - (1) I'm pruning out 'meat' wherever I can (except for", "this will soften the edges. (3) I'm considering modifying a character to be", "give voice to the environmental cost of meat-eating, will this come across as", "to have a vegetarian character who gives one single line of \"No thanks,", "to never have some sort of meat, given the book's setting. (2) I've", "meat, given the book's setting. (2) I've changed some of the game to", "distasteful and opposed to the environmental intent of the project. I'd like to", "I have in mind is already fastidious. Question: If I make one sympathetic", "cost of meat-eating, will this come across as tokenism? Where is the line", "Where is the line between diversity and tokenism? I would not have this", "fictional in-world animals, hoping this will soften the edges. (3) I'm considering modifying", "tokenism? Where is the line between diversity and tokenism? I would not have", "so - (1) I'm pruning out 'meat' wherever I can (except for the", "the line between diversity and tokenism? I would not have this character preach,", "his hands on his kerchief, ... is this enough to nod at the", "... is this enough to nod at the readers that I recognize the", "(3) I'm considering modifying a character to be a vegetarian. < this is", "vegetarian character who gives one single line of \"No thanks, I don't eat", "in order to give voice to the environmental cost of meat-eating, will this", "and because of the setting, this includes meat and eggs. Some environmentally -", "an environmental theme. My characters eat meals, and because of the setting, this", "that\" while wiping his hands on his kerchief, ... is this enough to", "his kerchief, ... is this enough to nod at the readers that I", "and eggs. Some environmentally - friendly friends find those scenes very distasteful and", "to be a vegetarian. < this is my question.The character I have in", "kerchief, ... is this enough to nod at the readers that I recognize", "while not alienating others. Is it sufficient to have a vegetarian character who", "environmental cost of meat-eating, will this come across as tokenism? Where is the", "environmental theme. My characters eat meals, and because of the setting, this includes", "have this character preach, on the other hand I'd like to acknowledge the", "edges. (3) I'm considering modifying a character to be a vegetarian. < this", "meals, and because of the setting, this includes meat and eggs. Some environmentally", "others. Is it sufficient to have a vegetarian character who gives one single", "while wiping his hands on his kerchief, ... is this enough to nod", "book's setting. (2) I've changed some of the game to fictional in-world animals,", "between diversity and tokenism? I would not have this character preach, on the", "pruning out 'meat' wherever I can (except for the villains), but it's not", "alienating others. Is it sufficient to have a vegetarian character who gives one", "- (1) I'm pruning out 'meat' wherever I can (except for the villains),", "has an environmental theme. My characters eat meals, and because of the setting,", "a vegetarian character who gives one single line of \"No thanks, I don't", "can (except for the villains), but it's not sensible to never have some", "potential audience because of this conflict, so - (1) I'm pruning out 'meat'", "but it's not sensible to never have some sort of meat, given the", "character to be a vegetarian. < this is my question.The character I have", "fastidious. Question: If I make one sympathetic character a vegetarian, in order to" ]
[ "this in my all mails 'Please let me know if any questions/comments', any", "have this in my all mails 'Please let me know if any questions/comments',", "my all mails 'Please let me know if any questions/comments', any best alternate", "'Please let me know if any questions/comments', any best alternate sentence would be", "all mails 'Please let me know if any questions/comments', any best alternate sentence", "to have this in my all mails 'Please let me know if any", "mails 'Please let me know if any questions/comments', any best alternate sentence would", "know if any questions/comments', any best alternate sentence would be helpful for me", "I feel bored to have this in my all mails 'Please let me", "in my all mails 'Please let me know if any questions/comments', any best", "let me know if any questions/comments', any best alternate sentence would be helpful", "bored to have this in my all mails 'Please let me know if", "feel bored to have this in my all mails 'Please let me know", "me know if any questions/comments', any best alternate sentence would be helpful for" ]
[ "it - the cultural differences are a wellspring of quirks, minor conflicts, unexpected", "my question is two-fold: first, is it a problem is some group such-and-such", "my storytelling: I start to look for ways to insert \"member of group", "of fun writing it - the cultural differences are a wellspring of quirks,", "is German, his room-mates are from Georgia (the country - not the American", "Asian-American, and so on. I'm having a lot of fun writing it -", "Yemenite-Israeli, his love interest is German, his room-mates are from Georgia (the country", "problem is some group such-and-such remains unrepresented? And second, if I have an", "having a lot of fun writing it - the cultural differences are a", "\"there's no black character yet, there's no Muslim character yet\" etc. I'm feeling", "storytelling: I start to look for ways to insert \"member of group such-and-such\"", "My cast is very diverse: the MC is Yemenite-Israeli, his love interest is", "country - not the American state), Mexico and Ireland, the squad leader is", "of looking for what kind of character would advance the plot. So, my", "it begins to affect my storytelling: I start to look for ways to", "military sci-fi novel about an international military force facing aliens. My cast is", "American state), Mexico and Ireland, the squad leader is Asian-American, and so on.", "wellspring of quirks, minor conflicts, unexpected common ground, etc. However, I feel myself", "to affect my storytelling: I start to look for ways to insert \"member", "of character would advance the plot. So, my question is two-fold: first, is", "ground, etc. However, I feel myself constantly under pressure to make it even", "room-mates are from Georgia (the country - not the American state), Mexico and", "feel myself constantly under pressure to make it even more diverse: there's a", "squad leader is Asian-American, and so on. I'm having a lot of fun", "facing aliens. My cast is very diverse: the MC is Yemenite-Israeli, his love", "German, his room-mates are from Georgia (the country - not the American state),", "kind of character would advance the plot. So, my question is two-fold: first,", "head that goes \"there's no black character yet, there's no Muslim character yet\"", "no Muslim character yet\" etc. I'm feeling it begins to affect my storytelling:", "writing it - the cultural differences are a wellspring of quirks, minor conflicts,", "I start to look for ways to insert \"member of group such-and-such\" instead", "- the cultural differences are a wellspring of quirks, minor conflicts, unexpected common", "Mexico and Ireland, the squad leader is Asian-American, and so on. I'm having", "group such-and-such\" instead of looking for what kind of character would advance the", "- not the American state), Mexico and Ireland, the squad leader is Asian-American,", "the American state), Mexico and Ireland, the squad leader is Asian-American, and so", "character, and he's the only representative of group such-and-such, would that appear racist?", "on. I'm having a lot of fun writing it - the cultural differences", "Ireland, the squad leader is Asian-American, and so on. I'm having a lot", "have an unpleasant character, and he's the only representative of group such-and-such, would", "fun writing it - the cultural differences are a wellspring of quirks, minor", "are from Georgia (the country - not the American state), Mexico and Ireland,", "unexpected common ground, etc. However, I feel myself constantly under pressure to make", "differences are a wellspring of quirks, minor conflicts, unexpected common ground, etc. However,", "group such-and-such remains unrepresented? And second, if I have an unpleasant character, and", "my head that goes \"there's no black character yet, there's no Muslim character", "to make it even more diverse: there's a little voice in my head", "black character yet, there's no Muslim character yet\" etc. I'm feeling it begins", "for ways to insert \"member of group such-and-such\" instead of looking for what", "look for ways to insert \"member of group such-and-such\" instead of looking for", "I'm having a lot of fun writing it - the cultural differences are", "is Yemenite-Israeli, his love interest is German, his room-mates are from Georgia (the", "would advance the plot. So, my question is two-fold: first, is it a", "looking for what kind of character would advance the plot. So, my question", "I feel myself constantly under pressure to make it even more diverse: there's", "military force facing aliens. My cast is very diverse: the MC is Yemenite-Israeli,", "the plot. So, my question is two-fold: first, is it a problem is", "a wellspring of quirks, minor conflicts, unexpected common ground, etc. However, I feel", "I'm feeling it begins to affect my storytelling: I start to look for", "Georgia (the country - not the American state), Mexico and Ireland, the squad", "from Georgia (the country - not the American state), Mexico and Ireland, the", "And second, if I have an unpleasant character, and he's the only representative", "and so on. I'm having a lot of fun writing it - the", "two-fold: first, is it a problem is some group such-and-such remains unrepresented? And", "the squad leader is Asian-American, and so on. I'm having a lot of", "love interest is German, his room-mates are from Georgia (the country - not", "character would advance the plot. So, my question is two-fold: first, is it", "Muslim character yet\" etc. I'm feeling it begins to affect my storytelling: I", "So, my question is two-fold: first, is it a problem is some group", "cast is very diverse: the MC is Yemenite-Israeli, his love interest is German,", "under pressure to make it even more diverse: there's a little voice in", "yet\" etc. I'm feeling it begins to affect my storytelling: I start to", "plot. So, my question is two-fold: first, is it a problem is some", "character yet\" etc. I'm feeling it begins to affect my storytelling: I start", "an unpleasant character, and he's the only representative of group such-and-such, would that", "conflicts, unexpected common ground, etc. However, I feel myself constantly under pressure to", "quirks, minor conflicts, unexpected common ground, etc. However, I feel myself constantly under", "and Ireland, the squad leader is Asian-American, and so on. I'm having a", "the MC is Yemenite-Israeli, his love interest is German, his room-mates are from", "is it a problem is some group such-and-such remains unrepresented? And second, if", "that goes \"there's no black character yet, there's no Muslim character yet\" etc.", "etc. I'm feeling it begins to affect my storytelling: I start to look", "question is two-fold: first, is it a problem is some group such-and-such remains", "the cultural differences are a wellspring of quirks, minor conflicts, unexpected common ground,", "force facing aliens. My cast is very diverse: the MC is Yemenite-Israeli, his", "myself constantly under pressure to make it even more diverse: there's a little", "of group such-and-such\" instead of looking for what kind of character would advance", "such-and-such remains unrepresented? And second, if I have an unpleasant character, and he's", "an international military force facing aliens. My cast is very diverse: the MC", "unrepresented? And second, if I have an unpleasant character, and he's the only", "a military sci-fi novel about an international military force facing aliens. My cast", "feeling it begins to affect my storytelling: I start to look for ways", "make it even more diverse: there's a little voice in my head that", "character yet, there's no Muslim character yet\" etc. I'm feeling it begins to", "begins to affect my storytelling: I start to look for ways to insert", "\"member of group such-and-such\" instead of looking for what kind of character would", "is some group such-and-such remains unrepresented? And second, if I have an unpleasant", "his love interest is German, his room-mates are from Georgia (the country -", "his room-mates are from Georgia (the country - not the American state), Mexico", "a problem is some group such-and-such remains unrepresented? And second, if I have", "about an international military force facing aliens. My cast is very diverse: the", "MC is Yemenite-Israeli, his love interest is German, his room-mates are from Georgia", "more diverse: there's a little voice in my head that goes \"there's no", "aliens. My cast is very diverse: the MC is Yemenite-Israeli, his love interest", "of quirks, minor conflicts, unexpected common ground, etc. However, I feel myself constantly", "unpleasant character, and he's the only representative of group such-and-such, would that appear", "is Asian-American, and so on. I'm having a lot of fun writing it", "in my head that goes \"there's no black character yet, there's no Muslim", "is two-fold: first, is it a problem is some group such-and-such remains unrepresented?", "goes \"there's no black character yet, there's no Muslim character yet\" etc. I'm", "there's a little voice in my head that goes \"there's no black character", "I have an unpleasant character, and he's the only representative of group such-and-such,", "However, I feel myself constantly under pressure to make it even more diverse:", "are a wellspring of quirks, minor conflicts, unexpected common ground, etc. However, I", "start to look for ways to insert \"member of group such-and-such\" instead of", "(the country - not the American state), Mexico and Ireland, the squad leader", "yet, there's no Muslim character yet\" etc. I'm feeling it begins to affect", "insert \"member of group such-and-such\" instead of looking for what kind of character", "novel about an international military force facing aliens. My cast is very diverse:", "instead of looking for what kind of character would advance the plot. So,", "so on. I'm having a lot of fun writing it - the cultural", "leader is Asian-American, and so on. I'm having a lot of fun writing", "some group such-and-such remains unrepresented? And second, if I have an unpleasant character,", "state), Mexico and Ireland, the squad leader is Asian-American, and so on. I'm", "it a problem is some group such-and-such remains unrepresented? And second, if I", "cultural differences are a wellspring of quirks, minor conflicts, unexpected common ground, etc.", "voice in my head that goes \"there's no black character yet, there's no", "there's no Muslim character yet\" etc. I'm feeling it begins to affect my", "little voice in my head that goes \"there's no black character yet, there's", "etc. However, I feel myself constantly under pressure to make it even more", "if I have an unpleasant character, and he's the only representative of group", "what kind of character would advance the plot. So, my question is two-fold:", "even more diverse: there's a little voice in my head that goes \"there's", "ways to insert \"member of group such-and-such\" instead of looking for what kind", "writing a military sci-fi novel about an international military force facing aliens. My", "it even more diverse: there's a little voice in my head that goes", "common ground, etc. However, I feel myself constantly under pressure to make it", "a little voice in my head that goes \"there's no black character yet,", "second, if I have an unpleasant character, and he's the only representative of", "to insert \"member of group such-and-such\" instead of looking for what kind of", "to look for ways to insert \"member of group such-and-such\" instead of looking", "no black character yet, there's no Muslim character yet\" etc. I'm feeling it", "interest is German, his room-mates are from Georgia (the country - not the", "I am writing a military sci-fi novel about an international military force facing", "constantly under pressure to make it even more diverse: there's a little voice", "am writing a military sci-fi novel about an international military force facing aliens.", "first, is it a problem is some group such-and-such remains unrepresented? And second,", "remains unrepresented? And second, if I have an unpleasant character, and he's the", "pressure to make it even more diverse: there's a little voice in my", "not the American state), Mexico and Ireland, the squad leader is Asian-American, and", "minor conflicts, unexpected common ground, etc. However, I feel myself constantly under pressure", "a lot of fun writing it - the cultural differences are a wellspring", "advance the plot. So, my question is two-fold: first, is it a problem", "very diverse: the MC is Yemenite-Israeli, his love interest is German, his room-mates", "for what kind of character would advance the plot. So, my question is", "affect my storytelling: I start to look for ways to insert \"member of", "such-and-such\" instead of looking for what kind of character would advance the plot.", "sci-fi novel about an international military force facing aliens. My cast is very", "international military force facing aliens. My cast is very diverse: the MC is", "diverse: the MC is Yemenite-Israeli, his love interest is German, his room-mates are", "lot of fun writing it - the cultural differences are a wellspring of", "is very diverse: the MC is Yemenite-Israeli, his love interest is German, his", "diverse: there's a little voice in my head that goes \"there's no black" ]
[ "is to get the reader closer to each character. That they get a", "the narrator sound differently for each character's perspective. For example, one character will", "when one character may find something beautiful, another finds it boring. I am", "approach? What kind of effect would this writing style suggest to a reader?", "For example, one character will focus more on descriptions, another dialogue, one more", "novel with multiple points of view throughout. I plan to have the narrator", "multiple points of view throughout. I plan to have the narrator sound differently", "boring. I am concerned the conflicting narratives may cause confusion. What are the", "have the narrator sound differently for each character's perspective. For example, one character", "The effect I am aiming for is to get the reader closer to", "the conflicting narratives may cause confusion. What are the pit falls and dangers", "confusion. What are the pit falls and dangers with this kind of approach?", "the world, such as when one character may find something beautiful, another finds", "such as when one character may find something beautiful, another finds it boring.", "sound differently for each character's perspective. For example, one character will focus more", "this kind of approach? What kind of effect would this writing style suggest", "am writing a fantasy novel with multiple points of view throughout. I plan", "closer to each character. That they get a unique view of the world", "sentimental, etc. The effect I am aiming for is to get the reader", "the reader closer to each character. That they get a unique view of", "falls and dangers with this kind of approach? What kind of effect would", "I am aiming for is to get the reader closer to each character.", "conflicting narratives may cause confusion. What are the pit falls and dangers with", "find something beautiful, another finds it boring. I am concerned the conflicting narratives", "one more sentimental, etc. The effect I am aiming for is to get", "perspective. For example, one character will focus more on descriptions, another dialogue, one", "pit falls and dangers with this kind of approach? What kind of effect", "I am concerned the conflicting narratives may cause confusion. What are the pit", "another finds it boring. I am concerned the conflicting narratives may cause confusion.", "more sentimental, etc. The effect I am aiming for is to get the", "one character may find something beautiful, another finds it boring. I am concerned", "something beautiful, another finds it boring. I am concerned the conflicting narratives may", "reader closer to each character. That they get a unique view of the", "from each of them, possibly even reinterpreting the world, such as when one", "etc. The effect I am aiming for is to get the reader closer", "get the reader closer to each character. That they get a unique view", "reinterpreting the world, such as when one character may find something beautiful, another", "as when one character may find something beautiful, another finds it boring. I", "dangers with this kind of approach? What kind of effect would this writing", "on descriptions, another dialogue, one more sentimental, etc. The effect I am aiming", "That they get a unique view of the world from each of them,", "concerned the conflicting narratives may cause confusion. What are the pit falls and", "of view throughout. I plan to have the narrator sound differently for each", "am concerned the conflicting narratives may cause confusion. What are the pit falls", "a fantasy novel with multiple points of view throughout. I plan to have", "I am writing a fantasy novel with multiple points of view throughout. I", "are the pit falls and dangers with this kind of approach? What kind", "aiming for is to get the reader closer to each character. That they", "I plan to have the narrator sound differently for each character's perspective. For", "will focus more on descriptions, another dialogue, one more sentimental, etc. The effect", "kind of approach? What kind of effect would this writing style suggest to", "What are the pit falls and dangers with this kind of approach? What", "of approach? What kind of effect would this writing style suggest to a", "may find something beautiful, another finds it boring. I am concerned the conflicting", "even reinterpreting the world, such as when one character may find something beautiful,", "to get the reader closer to each character. That they get a unique", "character. That they get a unique view of the world from each of", "narratives may cause confusion. What are the pit falls and dangers with this", "effect I am aiming for is to get the reader closer to each", "it boring. I am concerned the conflicting narratives may cause confusion. What are", "each character. That they get a unique view of the world from each", "world from each of them, possibly even reinterpreting the world, such as when", "plan to have the narrator sound differently for each character's perspective. For example,", "possibly even reinterpreting the world, such as when one character may find something", "each character's perspective. For example, one character will focus more on descriptions, another", "they get a unique view of the world from each of them, possibly", "descriptions, another dialogue, one more sentimental, etc. The effect I am aiming for", "world, such as when one character may find something beautiful, another finds it", "fantasy novel with multiple points of view throughout. I plan to have the", "more on descriptions, another dialogue, one more sentimental, etc. The effect I am", "of them, possibly even reinterpreting the world, such as when one character may", "beautiful, another finds it boring. I am concerned the conflicting narratives may cause", "focus more on descriptions, another dialogue, one more sentimental, etc. The effect I", "writing a fantasy novel with multiple points of view throughout. I plan to", "another dialogue, one more sentimental, etc. The effect I am aiming for is", "to have the narrator sound differently for each character's perspective. For example, one", "view throughout. I plan to have the narrator sound differently for each character's", "dialogue, one more sentimental, etc. The effect I am aiming for is to", "character will focus more on descriptions, another dialogue, one more sentimental, etc. The", "finds it boring. I am concerned the conflicting narratives may cause confusion. What", "each of them, possibly even reinterpreting the world, such as when one character", "for each character's perspective. For example, one character will focus more on descriptions,", "character's perspective. For example, one character will focus more on descriptions, another dialogue,", "them, possibly even reinterpreting the world, such as when one character may find", "one character will focus more on descriptions, another dialogue, one more sentimental, etc.", "to each character. That they get a unique view of the world from", "the world from each of them, possibly even reinterpreting the world, such as", "with this kind of approach? What kind of effect would this writing style", "character may find something beautiful, another finds it boring. I am concerned the", "throughout. I plan to have the narrator sound differently for each character's perspective.", "for is to get the reader closer to each character. That they get", "differently for each character's perspective. For example, one character will focus more on", "with multiple points of view throughout. I plan to have the narrator sound", "am aiming for is to get the reader closer to each character. That", "get a unique view of the world from each of them, possibly even", "the pit falls and dangers with this kind of approach? What kind of", "and dangers with this kind of approach? What kind of effect would this", "view of the world from each of them, possibly even reinterpreting the world,", "cause confusion. What are the pit falls and dangers with this kind of", "unique view of the world from each of them, possibly even reinterpreting the", "points of view throughout. I plan to have the narrator sound differently for", "of the world from each of them, possibly even reinterpreting the world, such", "a unique view of the world from each of them, possibly even reinterpreting", "narrator sound differently for each character's perspective. For example, one character will focus", "may cause confusion. What are the pit falls and dangers with this kind", "example, one character will focus more on descriptions, another dialogue, one more sentimental," ]
[ "place in Ireland, and many of my characters will speak with Irish accents", "my characters will speak with Irish accents and/or dialects to varying degrees. For", "most part I think this is OK, and can often be endearing to", "> > usen’t to (used to not, i.e. didn’t used to) > >", "didn’t used to) > > > These are just some examples from my", "plural) > > > usen’t to (used to not, i.e. didn’t used to)", "Irishness of the story or character allows for this sort of thing, and", "them. Usually this occurs when messing with grammar, for example: > > amn’t", "many of my characters will speak with Irish accents and/or dialects to varying", "However I know from experience that certain phrases and colloquialisms can be quite", "the Irishness of the story or character allows for this sort of thing,", "when messing with grammar, for example: > > amn’t (am not) > >", "person was downright offended when I’ve said one of the above. In my", "and it’s stylistically important. Other times it’s completely irrelevant but it’s just what", "the story or character allows for this sort of thing, and it’s stylistically", "to not, i.e. didn’t used to) > > > These are just some", "grammar, for example: > > amn’t (am not) > > > yous (you", "to leaving these sorts of things out and trying to neutralise the language", "of things out and trying to neutralise the language (mostly for dialogue and", "varying degrees. For the most part I think this is OK, and can", "> amn’t (am not) > > > yous (you plural) > > >", "> usen’t to (used to not, i.e. didn’t used to) > > >", "for this sort of thing, and it’s stylistically important. Other times it’s completely", "will speak with Irish accents and/or dialects to varying degrees. For the most", "for example: > > amn’t (am not) > > > yous (you plural)", "times it’s completely irrelevant but it’s just what comes naturally to me as", "neutralise the language (mostly for dialogue and first person narration)? Or is there", "first person narration)? Or is there any reason I should leave them in?", "I’ve said one of the above. In my writing, I had one reviewer", "and trying to neutralise the language (mostly for dialogue and first person narration)?", "I had one reviewer comment “yous is not a word you absolute nutcase”!", "was downright offended when I’ve said one of the above. In my writing,", "with Irish accents and/or dialects to varying degrees. For the most part I", "from Ireland, most of my stories take place in Ireland, and many of", "out and trying to neutralise the language (mostly for dialogue and first person", "irrelevant but it’s just what comes naturally to me as I’m writing. In", "amn’t (am not) > > > yous (you plural) > > > usen’t", "had one reviewer comment “yous is not a word you absolute nutcase”! In", "most of my stories take place in Ireland, and many of my characters", "to varying degrees. For the most part I think this is OK, and", "for someone who is not familiar with them. Usually this occurs when messing", "not, i.e. didn’t used to) > > > These are just some examples", "above. In my writing, I had one reviewer comment “yous is not a", "trying to neutralise the language (mostly for dialogue and first person narration)? Or", "stories take place in Ireland, and many of my characters will speak with", "> > > usen’t to (used to not, i.e. didn’t used to) >", "the latter cases, is there a benefit to leaving these sorts of things", "stylistically important. Other times it’s completely irrelevant but it’s just what comes naturally", "where a non-Irish person was downright offended when I’ve said one of the", "with them. Usually this occurs when messing with grammar, for example: > >", "but it’s just what comes naturally to me as I’m writing. In the", "For the most part I think this is OK, and can often be", "of thing, and it’s stylistically important. Other times it’s completely irrelevant but it’s", "think the Irishness of the story or character allows for this sort of", "thing, and it’s stylistically important. Other times it’s completely irrelevant but it’s just", "jarring for someone who is not familiar with them. Usually this occurs when", "writing, I had one reviewer comment “yous is not a word you absolute", "own life where a non-Irish person was downright offended when I’ve said one", "things out and trying to neutralise the language (mostly for dialogue and first", "to me as I’m writing. In the latter cases, is there a benefit", "These are just some examples from my own life where a non-Irish person", "allows for this sort of thing, and it’s stylistically important. Other times it’s", "to) > > > These are just some examples from my own life", "in Ireland, and many of my characters will speak with Irish accents and/or", "comes naturally to me as I’m writing. In the latter cases, is there", "Irish accents and/or dialects to varying degrees. For the most part I think", "offended when I’ve said one of the above. In my writing, I had", "colloquialisms can be quite jarring for someone who is not familiar with them.", "who is not familiar with them. Usually this occurs when messing with grammar,", "cases I think the Irishness of the story or character allows for this", "completely irrelevant but it’s just what comes naturally to me as I’m writing.", "is not familiar with them. Usually this occurs when messing with grammar, for", "it’s completely irrelevant but it’s just what comes naturally to me as I’m", "my writing, I had one reviewer comment “yous is not a word you", "is there a benefit to leaving these sorts of things out and trying", "Ireland, most of my stories take place in Ireland, and many of my", "speak with Irish accents and/or dialects to varying degrees. For the most part", "dialects to varying degrees. For the most part I think this is OK,", "characters will speak with Irish accents and/or dialects to varying degrees. For the", "story or character allows for this sort of thing, and it’s stylistically important.", "can often be endearing to non-Irish readers. However I know from experience that", "familiar with them. Usually this occurs when messing with grammar, for example: >", "> > yous (you plural) > > > usen’t to (used to not,", "to non-Irish readers. However I know from experience that certain phrases and colloquialisms", "benefit to leaving these sorts of things out and trying to neutralise the", "(mostly for dialogue and first person narration)? Or is there any reason I", "endearing to non-Irish readers. However I know from experience that certain phrases and", "experience that certain phrases and colloquialisms can be quite jarring for someone who", "for dialogue and first person narration)? Or is there any reason I should", "I’m writing. In the latter cases, is there a benefit to leaving these", "quite jarring for someone who is not familiar with them. Usually this occurs", "degrees. For the most part I think this is OK, and can often", "some examples from my own life where a non-Irish person was downright offended", "not familiar with them. Usually this occurs when messing with grammar, for example:", "and can often be endearing to non-Irish readers. However I know from experience", "Usually this occurs when messing with grammar, for example: > > amn’t (am", "just some examples from my own life where a non-Irish person was downright", "the most part I think this is OK, and can often be endearing", "non-Irish readers. However I know from experience that certain phrases and colloquialisms can", "be endearing to non-Irish readers. However I know from experience that certain phrases", "nutcase”! In some cases I think the Irishness of the story or character", "sorts of things out and trying to neutralise the language (mostly for dialogue", "that certain phrases and colloquialisms can be quite jarring for someone who is", "> > amn’t (am not) > > > yous (you plural) > >", "of my characters will speak with Irish accents and/or dialects to varying degrees.", "from my own life where a non-Irish person was downright offended when I’ve", "dialogue and first person narration)? Or is there any reason I should leave", "it’s just what comes naturally to me as I’m writing. In the latter", "absolute nutcase”! In some cases I think the Irishness of the story or", "is OK, and can often be endearing to non-Irish readers. However I know", "writing. In the latter cases, is there a benefit to leaving these sorts", "part I think this is OK, and can often be endearing to non-Irish", "important. 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Or is", "take place in Ireland, and many of my characters will speak with Irish", "of the above. In my writing, I had one reviewer comment “yous is", "I think the Irishness of the story or character allows for this sort" ]
[ "up for different interpretations. Many theories spawn around such stories, most of which", "sound possible/plausible, but are nevertheless only theories. I want to create a story", "on how I should plan such a story. Do you just make it", "work interesting enough to make a theory on the meaning of it? Or", "stories out there that are open-ended, up for different interpretations. Many theories spawn", "most of which sound possible/plausible, but are nevertheless only theories. I want to", "it? Or do you think of multiple theories in advance, which your audience", "theory on the meaning of it? Or do you think of multiple theories", "the meaning of it? Or do you think of multiple theories in advance,", "find your work interesting enough to make a theory on the meaning of", "there is a lot more room for interpretation, and just hope someone will", "interpretation, and just hope someone will find your work interesting enough to make", "spawn around such stories, most of which sound possible/plausible, but are nevertheless only", "you just make it very vague on purpose, so that there is a", "want to create a story like that myself, but I'm not sure on", "and just hope someone will find your work interesting enough to make a", "on, while hoping they might also find other good theories that you didn't", "think of multiple theories in advance, which your audience might pick up on,", "There are many stories out there that are open-ended, up for different interpretations.", "do you think of multiple theories in advance, which your audience might pick", "nevertheless only theories. I want to create a story like that myself, but", "a theory on the meaning of it? Or do you think of multiple", "that myself, but I'm not sure on how I should plan such a", "very vague on purpose, so that there is a lot more room for", "room for interpretation, and just hope someone will find your work interesting enough", "advance, which your audience might* pick up on, while hoping they might also", "are nevertheless only theories. I want to create a story like that myself,", "is a lot more room for interpretation, and just hope someone will find", "such stories, most of which sound possible/plausible, but are nevertheless only theories. I", "story. Do you just make it very vague on purpose, so that there", "of / planned for as well, and adjust your story to fit those", "not sure on how I should plan such a story. Do you just", "enough to make a theory on the meaning of it? Or do you", "find other good theories that you didn't even think of / planned for", "so that there is a lot more room for interpretation, and just hope", "story like that myself, but I'm not sure on how I should plan", "to make a theory on the meaning of it? Or do you think", "of multiple theories in advance, which your audience might pick up on, while", "but I'm not sure on how I should plan such a story. Do", "to create a story like that myself, but I'm not sure on how", "good theories that you didn't even think of / planned for as well,", "for as well, and adjust your story to fit those multiple possible theories?", "create a story like that myself, but I'm not sure on how I", "theories spawn around such stories, most of which sound possible/plausible, but are nevertheless", "theories. I want to create a story like that myself, but I'm not", "stories, most of which sound possible/plausible, but are nevertheless only theories. I want", "more room for interpretation, and just hope someone will find your work interesting", "make a theory on the meaning of it? Or do you think of", "on purpose, so that there is a lot more room for interpretation, and", "interesting enough to make a theory on the meaning of it? Or do", "of it? Or do you think of multiple theories in advance, which your", "a story like that myself, but I'm not sure on how I should", "how I should plan such a story. Do you just make it very", "audience might pick up on, while hoping they might also find other good", "someone will find your work interesting enough to make a theory on the", "you didn't even think of / planned for as well, and adjust your", "purpose, so that there is a lot more room for interpretation, and just", "also find other good theories that you didn't even think of / planned", "out there that are open-ended, up for different interpretations. Many theories spawn around", "theories in advance, which your audience might pick up on, while hoping they", "of which sound possible/plausible, but are nevertheless only theories. I want to create", "such a story. Do you just make it very vague on purpose, so", "are open-ended, up for different interpretations. Many theories spawn around such stories, most", "there that are open-ended, up for different interpretations. Many theories spawn around such", "hope someone will find your work interesting enough to make a theory on", "Do you just make it very vague on purpose, so that there is", "your work interesting enough to make a theory on the meaning of it?", "just make it very vague on purpose, so that there is a lot", "think of / planned for as well, and adjust your story to fit", "hoping they might also find other good theories that you didn't even think", "are many stories out there that are open-ended, up for different interpretations. Many", "I'm not sure on how I should plan such a story. Do you", "vague on purpose, so that there is a lot more room for interpretation,", "open-ended, up for different interpretations. Many theories spawn around such stories, most of", "only theories. I want to create a story like that myself, but I'm", "possible/plausible, but are nevertheless only theories. I want to create a story like", "interpretations. Many theories spawn around such stories, most of which sound possible/plausible, but", "around such stories, most of which sound possible/plausible, but are nevertheless only theories.", "in advance, which your audience might pick up on, while hoping they might", "that there is a lot more room for interpretation, and just hope someone", "that you didn't even think of / planned for as well, and adjust", "for interpretation, and just hope someone will find your work interesting enough to", "a story. Do you just make it very vague on purpose, so that", "might also find other good theories that you didn't even think of /", "theories that you didn't even think of / planned for as well, and", "/ planned for as well, and adjust your story to fit those multiple", "while hoping they might also find other good theories that you didn't even", "up on, while hoping they might also find other good theories that you", "they might also find other good theories that you didn't even think of", "many stories out there that are open-ended, up for different interpretations. Many theories", "for different interpretations. Many theories spawn around such stories, most of which sound", "I should plan such a story. Do you just make it very vague", "sure on how I should plan such a story. Do you just make", "might pick up on, while hoping they might also find other good theories", "like that myself, but I'm not sure on how I should plan such", "but are nevertheless only theories. I want to create a story like that", "other good theories that you didn't even think of / planned for as", "meaning of it? Or do you think of multiple theories in advance, which", "pick up on, while hoping they might also find other good theories that", "you think of multiple theories in advance, which your audience might pick up", "multiple theories in advance, which your audience might pick up on, while hoping", "lot more room for interpretation, and just hope someone will find your work", "which sound possible/plausible, but are nevertheless only theories. I want to create a", "Many theories spawn around such stories, most of which sound possible/plausible, but are", "plan such a story. Do you just make it very vague on purpose,", "myself, but I'm not sure on how I should plan such a story.", "on the meaning of it? Or do you think of multiple theories in", "didn't even think of / planned for as well, and adjust your story", "even think of / planned for as well, and adjust your story to", "I want to create a story like that myself, but I'm not sure", "make it very vague on purpose, so that there is a lot more", "your audience might* pick up on, while hoping they might also find other", "which your audience might pick up on, while hoping they might also find", "it very vague on purpose, so that there is a lot more room", "different interpretations. Many theories spawn around such stories, most of which sound possible/plausible,", "will find your work interesting enough to make a theory on the meaning", "should plan such a story. Do you just make it very vague on", "a lot more room for interpretation, and just hope someone will find your", "just hope someone will find your work interesting enough to make a theory", "that are open-ended, up for different interpretations. Many theories spawn around such stories,", "Or do you think of multiple theories in advance, which your audience might", "planned for as well, and adjust your story to fit those multiple possible" ]
[ "for a certain piece of software for a long time, but I never", "which are very disparate in content, quality and many more things. I'm trying", "oriented guy, the best way for me to keep track of something is", "that makes it unusable: no search and replace function. Not to mention, it", "could reference other things about a character as well, which may change later.", "found that meets my demands is articy:draft, however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project)", "Not to mention, it doesn't allow you to reference characters in text. What", "points** if it has a functionality like this as well, though it's not", "as well, though it's not as important to me: It would be useful", "automatically updated in the text as well. What I'm looking for is a", "A big must for me is the ability to nest mindmaps within nodes", "No problem, just change it in the character profile and all references to", "reference characters in text. What I want is to be able to create", "this particular character are automatically updated, no need to manually look and replace", "having such a software would be a godsend. Does anyone know a tool", "for me is the ability to nest mindmaps within nodes of other mindmaps.", "What I want is to be able to create a character and just", "them all together, and having such a software would be a godsend. Does", "a godsend. Does anyone know a tool like that? Bonus points if it", "makes it unusable: no search and replace function. Not to mention, it doesn't", "to mention, it doesn't allow you to reference characters in text. What I", "to change my character's name, it is automatically updated in the text as", "in your text. I have a lot, and I really mean A LOT,", "of me like a mindmap. A big must for me is the ability", "change it in the character profile and all references to the length of", "other mindmaps. The closest software I found that meets my demands is articy:draft,", "that meets my demands is articy:draft, however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for", "tool like that? Bonus points if it has a functionality like this as", "the event that I want to change my character's name, it is automatically", "as important to me: It would be useful if you could reference other", "I never quite found something that matches what I need. I'm a very", "mindmap. A big must for me is the ability to nest mindmaps within", "that character in the text, so that in the event that I want", "character in the text, so that in the event that I want to", "is the ability to nest mindmaps within nodes of other mindmaps. The closest", "the military for four years, but you change your mind and make it", "visually oriented guy, the best way for me to keep track of something", "to: * create mindmaps with mindmaps in them. * create characters once and", "allow you to reference characters in text. What I want is to be", "for this particular character are automatically updated, no need to manually look and", "I'm looking for is a software that allows you to: * create mindmaps", "been looking for a certain piece of software for a long time, but", "so that in the event that I want to change my character's name,", "in the text as well. What I'm looking for is a software that", "what I need. I'm a very visually oriented guy, the best way for", "I want to change my character's name, it is automatically updated in the", "very disparate in content, quality and many more things. I'm trying to bring", "and make it ten years instead? No problem, just change it in the", "bring them all together, and having such a software would be a godsend.", "a certain piece of software for a long time, but I never quite", "for four years, but you change your mind and make it ten years", "demands is articy:draft, however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes", "trying to bring them all together, and having such a software would be", "in the event that I want to change my character's name, it is", "a tool like that? Bonus points if it has a functionality like this", "change later. One of your character was in the military for four years,", "see it in front of me like a mindmap. A big must for", "would be a godsend. Does anyone know a tool like that? Bonus points", "if it has a functionality like this as well, though it's not as", "in the text, so that in the event that I want to change", "big must for me is the ability to nest mindmaps within nodes of", "though it's not as important to me: It would be useful if you", "that I want to change my character's name, it is automatically updated in", "just change it in the character profile and all references to the length", "keep track of something is to see it in front of me like", "it has a functionality like this as well, though it's not as important", "disparate in content, quality and many more things. I'm trying to bring them", "like that? Bonus points if it has a functionality like this as well,", "in the military for four years, but you change your mind and make", "lot, and I really mean A LOT, of notes for a story, which", "like this as well, though it's not as important to me: It would", "certain piece of software for a long time, but I never quite found", "a software that allows you to: * create mindmaps with mindmaps in them.", "service for this particular character are automatically updated, no need to manually look", "mindmaps in them. * create characters once and reference them in your text.", "It would be useful if you could reference other things about a character", "a long time, but I never quite found something that matches what I", "may change later. One of your character was in the military for four", "all references to the length of the military service for this particular character", "if you could reference other things about a character as well, which may", "best way for me to keep track of something is to see it", "to that character in the text, so that in the event that I", "it in the character profile and all references to the length of the", "create mindmaps with mindmaps in them. * create characters once and reference them", "it in front of me like a mindmap. A big must for me", "Bonus points if it has a functionality like this as well, though it's", "software would be a godsend. Does anyone know a tool like that? *Bonus", "a functionality like this as well, though it's not as important to me:", "create characters once* and reference them in your text. I have a lot,", "a reference to that character in the text, so that in the event", "of other mindmaps. The closest software I found that meets my demands is", "in front of me like a mindmap. A big must for me is", "a character as well, which may change later. One of your character was", "together, and having such a software would be a godsend. Does anyone know", "I have a lot, and I really mean A LOT, of notes for", "problem, just change it in the character profile and all references to the", "a very visually oriented guy, the best way for me to keep track", "me is the ability to nest mindmaps within nodes of other mindmaps. The", "in them. * create characters once and reference them in your text. I", "character and just put a reference to that character in the text, so", "search and replace function. Not to mention, it doesn't allow you to reference", "allows you to: * create mindmaps with mindmaps in them. * create characters", "want to change my character's name, it is automatically updated in the text", "able to create a character and just put a reference to that character", "articy:draft, however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable:", "unusable: no search and replace function. Not to mention, it doesn't allow you", "guy, the best way for me to keep track of something is to", "mindmaps. The closest software I found that meets my demands is articy:draft, however,", "change my character's name, it is automatically updated in the text as well.", "really mean A LOT, of notes for a story, which are very disparate", "things about a character as well, which may change later. One of your", "I want is to be able to create a character and just put", "the text as well. What I'm looking for is a software that allows", "your character was in the military for four years, but you change your", "as well, which may change later. One of your character was in the", "however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable: no", "[a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable: no search and replace", "major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable: no search and replace function.", "as well. What I'm looking for is a software that allows you to:", "character are automatically updated, no need to manually look and replace that detail.", "The closest software I found that meets my demands is articy:draft, however, it", "text, so that in the event that I want to change my character's", "are very disparate in content, quality and many more things. I'm trying to", "and many more things. I'm trying to bring them all together, and having", "reference them in your text. I have a lot, and I really mean", "me to keep track of something is to see it in front of", "well, which may change later. One of your character was in the military", "be a godsend. Does anyone know a tool like that? Bonus points if", "but you change your mind and make it ten years instead? No problem,", "the best way for me to keep track of something is to see", "software for a long time, but I never quite found something that matches", "nest mindmaps within nodes of other mindmaps. The closest software I found that", "it unusable: no search and replace function. Not to mention, it doesn't allow", "looking for a certain piece of software for a long time, but I", "years instead? No problem, just change it in the character profile and all", "character was in the military for four years, but you change your mind", "create a character and just put a reference to that character in the", "you to: * create mindmaps with mindmaps in them. * create characters once", "and just put a reference to that character in the text, so that", "replace function. Not to mention, it doesn't allow you to reference characters in", "your mind and make it ten years instead? No problem, just change it", "for is a software that allows you to: create mindmaps with mindmaps", "must for me is the ability to nest mindmaps within nodes of other", "the ability to nest mindmaps within nodes of other mindmaps. The closest software", "quite found something that matches what I need. I'm a very visually oriented", "them in your text. I have a lot, and I really mean A", "for a long time, but I never quite found something that matches what", "it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable: no search", "never quite found something that matches what I need. I'm a very visually", "it is automatically updated in the text as well. What I'm looking for", "updated in the text as well. What I'm looking for is a software", "* create mindmaps with mindmaps in them. * create characters once and reference", "it doesn't allow you to reference characters in text. What I want is", "of your character was in the military for four years, but you change", "about a character as well, which may change later. One of your character", "front of me like a mindmap. A big must for me is the", "What I'm looking for is a software that allows you to: * create", "text. I have a lot, and I really mean A LOT, of notes", "it's not as important to me: It would be useful if you could", "not as important to me: It would be useful if you could reference", "which may change later. One of your character was in the military for", "a lot, and I really mean A LOT, of notes for a story,", "mention, it doesn't allow you to reference characters in text. What I want", "a story, which are very disparate in content, quality and many more things.", "and I really mean A LOT, of notes for a story, which are", "a character and just put a reference to that character in the text,", "to create a character and just put a reference to that character in", "to see it in front of me like a mindmap. A big must", "matches what I need. I'm a very visually oriented guy, the best way", "very visually oriented guy, the best way for me to keep track of", "in text. What I want is to be able to create a character", "within nodes of other mindmaps. The closest software I found that meets my", "content, quality and many more things. I'm trying to bring them all together,", "I'm a very visually oriented guy, the best way for me to keep", "is to be able to create a character and just put a reference", "flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable: no search and replace function. Not", "text. What I want is to be able to create a character and", "was in the military for four years, but you change your mind and", "but I never quite found something that matches what I need. I'm a", "something that matches what I need. I'm a very visually oriented guy, the", "is articy:draft, however, it has [a major* flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it", "ten years instead? No problem, just change it in the character profile and", "things. I'm trying to bring them all together, and having such a software", "need. I'm a very visually oriented guy, the best way for me to", "is automatically updated in the text as well. What I'm looking for is", "software I found that meets my demands is articy:draft, however, it has [a", "text as well. What I'm looking for is a software that allows you", "to me: It would be useful if you could reference other things about", "the character profile and all references to the length of the military service", "Does anyone know a tool like that? Bonus points if it has a", "profile and all references to the length of the military service for this", "godsend. Does anyone know a tool like that? Bonus points if it has", "make it ten years instead? No problem, just change it in the character", "you to reference characters in text. What I want is to be able", "closest software I found that meets my demands is articy:draft, however, it has", "all together, and having such a software would be a godsend. Does anyone", "military service for this particular character are automatically updated, no need to manually", "LOT, of notes for a story, which are very disparate in content, quality", "meets my demands is articy:draft, however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me", "you could reference other things about a character as well, which may change", "want is to be able to create a character and just put a", "well, though it's not as important to me: It would be useful if", "and having such a software would be a godsend. Does anyone know a", "for me to keep track of something is to see it in front", "for me that makes it unusable: no search and replace function. Not to", "has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that makes it unusable: no search and", "the military service for this particular character are automatically updated, no need to", "time, but I never quite found something that matches what I need. I'm", "well. What I'm looking for is a software that allows you to: ", "and all references to the length of the military service for this particular", "functionality like this as well, though it's not as important to me: It", "the length of the military service for this particular character are automatically updated,", "put a reference to* that character in the text, so that in the", "you change your mind and make it ten years instead? No problem, just", "character's name, it is automatically updated in the text as well. What I'm", "something is to see it in front of me like a mindmap. A", "my demands is articy:draft, however, it has [a major flaw](https://writing.stackexchange.com/questions/33751/search-and-replace-words-across-whole-project) for me that", "like a mindmap. A big must for me is the ability to nest", "important to me: It would be useful if you could reference other things", "your text. I have a lot, and I really mean A LOT, of", "of the military service for this particular character are automatically updated, no need", "instead? No problem, just change it in the character profile and all references", "later. One of your character was in the military for four years, but", "quality and many more things. I'm trying to bring them all together, and", "mean A LOT, of notes for a story, which are very disparate in", "nodes of other mindmaps. The closest software I found that meets my demands", "* create characters once and reference them in your text. I have a", "story, which are very disparate in content, quality and many more things. I'm", "be able to create a character and just put a reference to that", "One of your character was in the military for four years, but you", "of software for a long time, but I never quite found something that", "is a software that allows you to: * create mindmaps with mindmaps in", "to reference characters in text. What I want is to be able to", "me that makes it unusable: no search and replace function. Not to mention,", "characters in text. What I want is to be able to create a", "references to the length of the military service for this particular character are", "that allows you to: * create mindmaps with mindmaps in them. * create", "in content, quality and many more things. I'm trying to bring them all", "me like a mindmap. A big must for me is the ability to", "this as well, though it's not as important to me: It would be", "of something is to see it in front of me like a mindmap.", "such a software would be a godsend. Does anyone know a tool like", "military for four years, but you change your mind and make it ten", "I've been looking for a certain piece of software for a long time,", "long time, but I never quite found something that matches what I need.", "to bring them all together, and having such a software would be a", "reference other things about a character as well, which may change later. One", "just put a reference to that character in the text, so that in", "way for me to keep track of something is to see it in", "many more things. I'm trying to bring them all together, and having such", "A LOT, of notes for a story, which are very disparate in content,", "found something that matches what I need. I'm a very visually oriented guy,", "be useful if you could reference other things about a character as well,", "reference to that character in the text, so that in the event that", "that matches what I need. I'm a very visually oriented guy, the best", "has a functionality like this as well, though it's not as important to", "name, it is automatically updated in the text as well. What I'm looking", "characters once and reference them in your text. I have a lot, and", "years, but you change your mind and make it ten years instead? No", "that in the event that I want to change my character's name, it", "me: It would be useful if you could reference other things about a", "have a lot, and I really mean A LOT, of notes for a", "other things about a character as well, which may change later. One of", "notes for a story, which are very disparate in content, quality and many", "ability to nest mindmaps within nodes of other mindmaps. The closest software I", "character as well, which may change later. One of your character was in", "them. * create characters once and reference them in your text. I have", "of notes for a story, which are very disparate in content, quality and", "four years, but you change your mind and make it ten years instead?", "software that allows you to: * create mindmaps with mindmaps in them. ", "my character's name, it is automatically updated in the text as well. What", "I'm trying to bring them all together, and having such a software would", "length of the military service for this particular character are automatically updated, no", "it ten years instead? No problem, just change it in the character profile", "a mindmap. A big must for me is the ability to nest mindmaps", "piece of software for a long time, but I never quite found something", "would be useful if you could reference other things about a character as", "mindmaps within nodes of other mindmaps. The closest software I found that meets", "I really mean A LOT, of notes for a story, which are very", "for a story, which are very disparate in content, quality and many more", "to nest mindmaps within nodes of other mindmaps. The closest software I found", "I found that meets my demands is articy:draft, however, it has [a major", "know a tool like that? Bonus points* if it has a functionality like", "anyone know a tool like that? Bonus points if it has a functionality", "to be able to create a character and just put a reference to", "particular character are automatically updated, no need to manually look and replace that", "more things. I'm trying to bring them all together, and having such a", "in the character profile and all references to the length of the military", "doesn't allow you to reference characters in text. What I want is to", "and reference them in your text. I have a lot, and I really", "once and reference them in your text. I have a lot, and I", "that? Bonus points if it has a functionality like this as well, though", "is to see it in front of me like a mindmap. A big", "and replace function. Not to mention, it doesn't allow you to reference characters", "with mindmaps in them. * create characters once and reference them in your", "change your mind and make it ten years instead? No problem, just change", "no search and replace function. Not to mention, it doesn't allow you to", "I need. I'm a very visually oriented guy, the best way for me", "useful if you could reference other things about a character as well, which", "function. Not to mention, it doesn't allow you to reference characters in text.", "track of something is to see it in front of me like a", "character profile and all references to the length of the military service for", "event that I want to change my character's name, it is automatically updated", "a software would be a godsend. Does anyone know a tool like that?", "mindmaps with mindmaps in them. * create characters once and reference them in", "to keep track of something is to see it in front of me", "the text, so that in the event that I want to change my", "to the length of the military service for this particular character are automatically", "mind and make it ten years instead? No problem, just change it in", "looking for is a software that allows you to: * create mindmaps with" ]
[ "what the place even is, but she does remember who she is. The", "of the character is to escape from this house and find a way", "she got there, what happened or what the place even is, but she", "home. Is this a bad way to start the story? And if not,", "if not, how should I start the story? What should I focus on", "character (and the reader for that matter) in at the deep end like", "the character is to escape from this house and find a way back", "middle of nowhere. She has no memories of how she got there, what", "back home. Is this a bad way to start the story? And if", "from this house and find a way back home. Is this a bad", "the main character (and the reader for that matter) in at the deep", "I start the story? What should I focus on the most when I", "of nowhere. She has no memories of how she got there, what happened", "is. The main goal of the character is to escape from this house", "way to start the story? And if not, how should I start the", "main goal of the character is to escape from this house and find", "(and the reader for that matter) in at the deep end like that?", "little girl waking up in a creepy and probably very haunted house in", "The main goal of the character is to escape from this house and", "find a way back home. Is this a bad way to start the", "probably very haunted house in the middle of nowhere. She has no memories", "the story? What should I focus on the most when I throw the", "who she is. The main goal of the character is to escape from", "on the most when I throw the main character (and the reader for", "there, what happened or what the place even is, but she does remember", "a little girl waking up in a creepy and probably very haunted house", "bad way to start the story? And if not, how should I start", "this a bad way to start the story? And if not, how should", "place even is, but she does remember who she is. The main goal", "way back home. Is this a bad way to start the story? And", "when I throw the main character (and the reader for that matter) in", "goal of the character is to escape from this house and find a", "Is this a bad way to start the story? And if not, how", "she is. The main goal of the character is to escape from this", "remember who she is. The main goal of the character is to escape", "or what the place even is, but she does remember who she is.", "most when I throw the main character (and the reader for that matter)", "up in a creepy and probably very haunted house in the middle of", "should I start the story? What should I focus on the most when", "story begins with a little girl waking up in a creepy and probably", "has no memories of how she got there, what happened or what the", "very haunted house in the middle of nowhere. She has no memories of", "how she got there, what happened or what the place even is, but", "but she does remember who she is. The main goal of the character", "and find a way back home. Is this a bad way to start", "begins with a little girl waking up in a creepy and probably very", "waking up in a creepy and probably very haunted house in the middle", "she does remember who she is. The main goal of the character is", "no memories of how she got there, what happened or what the place", "What should I focus on the most when I throw the main character", "should I focus on the most when I throw the main character (and", "to start the story? And if not, how should I start the story?", "happened or what the place even is, but she does remember who she", "I focus on the most when I throw the main character (and the", "a way back home. Is this a bad way to start the story?", "nowhere. She has no memories of how she got there, what happened or", "what happened or what the place even is, but she does remember who", "a creepy and probably very haunted house in the middle of nowhere. She", "and probably very haunted house in the middle of nowhere. She has no", "in a creepy and probably very haunted house in the middle of nowhere.", "story? What should I focus on the most when I throw the main", "got there, what happened or what the place even is, but she does", "the story? And if not, how should I start the story? What should", "not, how should I start the story? What should I focus on the", "haunted house in the middle of nowhere. She has no memories of how", "even is, but she does remember who she is. The main goal of", "start the story? What should I focus on the most when I throw", "focus on the most when I throw the main character (and the reader", "the most when I throw the main character (and the reader for that", "in the middle of nowhere. She has no memories of how she got", "with a little girl waking up in a creepy and probably very haunted", "is, but she does remember who she is. The main goal of the", "a bad way to start the story? And if not, how should I", "start the story? And if not, how should I start the story? What", "creepy and probably very haunted house in the middle of nowhere. She has", "And if not, how should I start the story? What should I focus", "escape from this house and find a way back home. Is this a", "does remember who she is. The main goal of the character is to", "I throw the main character (and the reader for that matter) in at", "house in the middle of nowhere. She has no memories of how she", "girl waking up in a creepy and probably very haunted house in the", "character is to escape from this house and find a way back home.", "is to escape from this house and find a way back home. Is", "throw the main character (and the reader for that matter) in at the", "house and find a way back home. Is this a bad way to", "to escape from this house and find a way back home. Is this", "She has no memories of how she got there, what happened or what", "of how she got there, what happened or what the place even is,", "the middle of nowhere. She has no memories of how she got there,", "how should I start the story? What should I focus on the most", "My story begins with a little girl waking up in a creepy and", "main character (and the reader for that matter) in at the deep end", "story? And if not, how should I start the story? What should I", "memories of how she got there, what happened or what the place even", "the place even is, but she does remember who she is. The main", "this house and find a way back home. Is this a bad way" ]
[ "Wanting to deep sea scuba dive and losing one of your fins when", "my project through the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My", "with it but it can still use more improvement. This next revision (mapping", "that I could call many things a 'disaster.' Example: 1. Wanting to deep", "to scene-sequel) is aimed at finding areas that can be formatted in a", "get back onto the boat, that could be shoehorned into the disaster category", "your goal. Question: What constitutes a 'disaster' in the scene-sequel model of building", "more improvement. This next revision (mapping to scene-sequel) is aimed at finding areas", "the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through over a", "I'm coming up against, as I look through the scene-sequel lens, is that", "can be formatted in a more reader-friendly, engaging way. A main issue I'm", "scene-sequel lens, is that I could call many things a 'disaster.' Example: 1.", "project through the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story", "it but it can still use more improvement. This next revision (mapping to", "don't reach your goal. Question: What constitutes a 'disaster' in the scene-sequel model", "I'm happy with it but it can still use more improvement. This next", "'disaster.' Example: 1. Wanting to deep sea scuba dive and losing your oxygen", "been through over a dozen various revisions and/or drafts. I'm happy with it", "the disaster category too. Because - You still don't reach your goal. Question:", "drafts. I'm happy with it but it can still use more improvement. This", "Sequel=Reaction/Dilemma/Decision. My story has been through over a dozen various revisions and/or drafts.", "the scene-sequel lens, is that I could call many things a 'disaster.' Example:", "tank in the deep ocean = disaster. But that's a big disaster. You", "reach your goal. Question: What constitutes a 'disaster' in the scene-sequel model of", "is aimed at finding areas that can be formatted in a more reader-friendly,", "shoehorned into the disaster category too. Because - You still don't reach your", "onto the boat, that could be shoehorned into the disaster category too. Because", "issue I'm coming up against, as I look through the scene-sequel lens, is", "a dozen various revisions and/or drafts. I'm happy with it but it can", "fins when you jump off the boat, and so you need to get", "into the disaster category too. Because - You still don't reach your goal.", "so you need to get back onto the boat, that could be shoehorned", "of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through over", "Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through over a dozen various revisions and/or", "to deep sea scuba dive and losing your oxygen tank in the deep", "losing one of your fins when you jump off the boat, and so", "through the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has", "scene-sequel) is aimed at finding areas that can be formatted in a more", "revisions and/or drafts. I'm happy with it but it can still use more", "as I look through the scene-sequel lens, is that I could call many", "be formatted in a more reader-friendly, engaging way. A main issue I'm coming", "could call many things a 'disaster.' Example: 1. Wanting to deep sea scuba", "could die. You probably don't reach your goal. 2. Wanting to deep sea", "is that I could call many things a 'disaster.' Example: 1. Wanting to", "to get back onto the boat, that could be shoehorned into the disaster", "one of your fins when you jump off the boat, and so you", "your goal. 2. Wanting to deep sea scuba dive and losing one of", "in a more reader-friendly, engaging way. A main issue I'm coming up against,", "could be shoehorned into the disaster category too. Because - You still don't", "can still use more improvement. This next revision (mapping to scene-sequel) is aimed", "many things a 'disaster.' Example: 1. Wanting to deep sea scuba dive and", "but it can still use more improvement. This next revision (mapping to scene-sequel)", "revision (mapping to scene-sequel) is aimed at finding areas that can be formatted", "Example: 1. Wanting to deep sea scuba dive and losing your oxygen tank", "lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through", "through over a dozen various revisions and/or drafts. I'm happy with it but", "and losing one of your fins when you jump off the boat, and", "boat, and so you need to get back onto the boat, that could", "has been through over a dozen various revisions and/or drafts. I'm happy with", "aimed at finding areas that can be formatted in a more reader-friendly, engaging", "My story has been through over a dozen various revisions and/or drafts. I'm", "and losing your oxygen tank in the deep ocean = disaster. But that's", "when you jump off the boat, and so you need to get back", "Wanting to deep sea scuba dive and losing your oxygen tank in the", "scuba dive and losing one of your fins when you jump off the", "dive and losing your oxygen tank in the deep ocean = disaster. But", "engaging way. A main issue I'm coming up against, as I look through", "a more reader-friendly, engaging way. A main issue I'm coming up against, as", "sea scuba dive and losing your oxygen tank in the deep ocean =", "now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through over a dozen various revisions", "What constitutes a 'disaster' in the scene-sequel model of building the perfect scene?", "you need to get back onto the boat, that could be shoehorned into", "a big disaster. You could die. You probably don't reach your goal. 2.", "look through the scene-sequel lens, is that I could call many things a", "the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been", "and/or drafts. I'm happy with it but it can still use more improvement.", "the deep ocean = disaster. But that's a big disaster. You could die.", "Question: What constitutes a 'disaster' in the scene-sequel model of building the perfect", "This next revision (mapping to scene-sequel) is aimed at finding areas that can", "the boat, and so you need to get back onto the boat, that", "['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through over a dozen", "your fins when you jump off the boat, and so you need to", "disaster category too. Because - You still don't reach your goal. Question: What", "- You still don't reach your goal. Question: What constitutes a 'disaster' in", "things a 'disaster.' Example: 1. Wanting to deep sea scuba dive and losing", "ocean = disaster. But that's a big disaster. You could die. You probably", "too. Because - You still don't reach your goal. Question: What constitutes a", "formatted in a more reader-friendly, engaging way. A main issue I'm coming up", "1. Wanting to deep sea scuba dive and losing your oxygen tank in", "You could die. You probably don't reach your goal. 2. Wanting to deep", "improvement. This next revision (mapping to scene-sequel) is aimed at finding areas that", "areas that can be formatted in a more reader-friendly, engaging way. A main", "dive and losing one of your fins when you jump off the boat,", "that can be formatted in a more reader-friendly, engaging way. A main issue", "call many things a 'disaster.' Example: 1. Wanting to deep sea scuba dive", "You probably don't reach your goal. 2. Wanting to deep sea scuba dive", "deep sea scuba dive and losing your oxygen tank in the deep ocean", "(mapping to scene-sequel) is aimed at finding areas that can be formatted in", "model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision. My story has been through over a dozen various", "jump off the boat, and so you need to get back onto the", "up against, as I look through the scene-sequel lens, is that I could", "happy with it but it can still use more improvement. This next revision", "next revision (mapping to scene-sequel) is aimed at finding areas that can be", "still don't reach your goal. Question: What constitutes a 'disaster' in the scene-sequel", "category too. Because - You still don't reach your goal. Question: What constitutes", "you jump off the boat, and so you need to get back onto", "at my project through the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster, Sequel=Reaction/Dilemma/Decision.", "= disaster. But that's a big disaster. You could die. You probably don't", "2. Wanting to deep sea scuba dive and losing one of your fins", "boat, that could be shoehorned into the disaster category too. Because - You", "die. You probably don't reach your goal. 2. Wanting to deep sea scuba", "probably don't reach your goal. 2. Wanting to deep sea scuba dive and", "goal. Question: What constitutes a 'disaster' in the scene-sequel model of building the", "goal. 2. Wanting to deep sea scuba dive and losing one of your", "scuba dive and losing your oxygen tank in the deep ocean = disaster.", "big disaster. You could die. You probably don't reach your goal. 2. Wanting", "A main issue I'm coming up against, as I look through the scene-sequel", "way. A main issue I'm coming up against, as I look through the", "looking at my project through the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now. Scene=Goal/Conflict/Disaster,", "various revisions and/or drafts. I'm happy with it but it can still use", "story has been through over a dozen various revisions and/or drafts. I'm happy", "lens, is that I could call many things a 'disaster.' Example: 1. Wanting", "don't reach your goal. 2. Wanting to deep sea scuba dive and losing", "a 'disaster.' Example: 1. Wanting to deep sea scuba dive and losing your", "I look through the scene-sequel lens, is that I could call many things", "dozen various revisions and/or drafts. I'm happy with it but it can still", "to deep sea scuba dive and losing one of your fins when you", "You still don't reach your goal. Question: What constitutes a 'disaster' in the", "sea scuba dive and losing one of your fins when you jump off", "your oxygen tank in the deep ocean = disaster. But that's a big", "over a dozen various revisions and/or drafts. I'm happy with it but it", "coming up against, as I look through the scene-sequel lens, is that I", "deep ocean = disaster. But that's a big disaster. You could die. You", "more reader-friendly, engaging way. A main issue I'm coming up against, as I", "it can still use more improvement. This next revision (mapping to scene-sequel) is", "finding areas that can be formatted in a more reader-friendly, engaging way. A", "disaster. You could die. You probably don't reach your goal. 2. Wanting to", "and so you need to get back onto the boat, that could be", "Because - You still don't reach your goal. Question: What constitutes a 'disaster'", "reader-friendly, engaging way. A main issue I'm coming up against, as I look", "deep sea scuba dive and losing one of your fins when you jump", "still use more improvement. This next revision (mapping to scene-sequel) is aimed at", "in the deep ocean = disaster. But that's a big disaster. You could", "off the boat, and so you need to get back onto the boat,", "I could call many things a 'disaster.' Example: 1. Wanting to deep sea", "be shoehorned into the disaster category too. Because - You still don't reach", "need to get back onto the boat, that could be shoehorned into the", "But that's a big disaster. You could die. You probably don't reach your", "use more improvement. This next revision (mapping to scene-sequel) is aimed at finding", "main issue I'm coming up against, as I look through the scene-sequel lens,", "losing your oxygen tank in the deep ocean = disaster. But that's a", "that could be shoehorned into the disaster category too. Because - You still", "I'm looking at my project through the lens of the ['scene-sequel'](https://www.advancedfictionwriting.com/articles/writing-the-perfect-scene/) model now.", "reach your goal. 2. Wanting to deep sea scuba dive and losing one", "back onto the boat, that could be shoehorned into the disaster category too.", "of your fins when you jump off the boat, and so you need", "the boat, that could be shoehorned into the disaster category too. Because -", "through the scene-sequel lens, is that I could call many things a 'disaster.'", "oxygen tank in the deep ocean = disaster. But that's a big disaster.", "disaster. But that's a big disaster. You could die. You probably don't reach", "against, as I look through the scene-sequel lens, is that I could call", "at finding areas that can be formatted in a more reader-friendly, engaging way.", "that's a big disaster. You could die. You probably don't reach your goal." ]
[ "TV show. I'll illustrate my question using a small example, but I'm hoping", "(Hebrew), this sentence is written differently for male and female questionees. Let's assume", "episode has a sentence such as \"How are you?\", addressed to a person", "as it implies that the gender is a vital clue for revealing the", "spoiler (perhaps because he didn't watch later episodes, or because those episodes aren't", "think that the second option has the advantage of mimicking the situation where", "Now, in the target language (Hebrew), this sentence is written differently for male", "save us. As I see it, the translator has three options: 1. Learn", "effect of surprise. How is this usually handled with gendered languages where conveying", "really doesn't know the spoiler (perhaps because he didn't watch later episodes, or", "this usually handled with gendered languages where conveying the gender would be a", "------------------ For those unfamiliar with the language, Hebrew uses gendered verbs. That is", "addressed to a person who is behind a sealed door. In English, one", "target language (Hebrew), this sentence is written differently for male and female questionees.", "the target language (Hebrew), this sentence is written differently for male and female", "sentence such as \"How are you?\", addressed to a person who is behind", "That is to say, every verb has multiple forms - one for if", "one who watches the show will learn nothing about the questionee's gender. Let's", "is considered a major spoiler (it will only be revealed many episodes later),", "advantage of mimicking the situation where the translator really doesn't know the spoiler", "would probably mean to write the subtitles using the male gender, which is", "released yet), which in turn preserves the viewer's effect of surprise. How is", "forms - one for if the subject is male, one if the subject", "mimicking the situation where the translator really doesn't know the spoiler (perhaps because", "male and female questionees. Let's assume that in our case we have no", "of mimicking the situation where the translator really doesn't know the spoiler (perhaps", "spoiler (in the example above, the gender), and write the subtitles in the", "hoping to receive answers as general as possible. One episode has a sentence", "questionee's gender. Let's assume that the identity of this person is considered a", "and female questionees. Let's assume that in our case we have no different", "watches the show will learn nothing about the questionee's gender. Let's assume that", "differently for male and female questionees. Let's assume that in our case we", "person who is behind a sealed door. In English, one who watches the", "where the translator really doesn't know the spoiler (perhaps because he didn't watch", "Hebrew's \"fallback\" gender.) 3. Write both male and female versions in the subtitle", "mean to write the subtitles using the male gender, which is Hebrew's \"fallback\"", "the spoiler (in Hebrew and in the example above, in would probably mean", "watch later episodes, or because those episodes aren't released yet), which in turn", "person's identity. Now, in the target language (Hebrew), this sentence is written differently", "verbs. That is to say, every verb has multiple forms - one for", "subtitles as though you don't know the spoiler (in Hebrew and in the", "I'm hoping to receive answers as general as possible. One episode has a", "spoiler (in Hebrew and in the example above, in would probably mean to", "later), and that revealing the person's gender will give a big clue regarding", "second option has the advantage of mimicking the situation where the translator really", "gender would be a spoiler? Note about Hebrew: ------------------ For those unfamiliar with", "revealed many episodes later), and that revealing the person's gender will give a", "option has the advantage of mimicking the situation where the translator really doesn't", "versions in the subtitle (for example write \"את/ה\", which is Hebrew for \"you", "subject is male, one if the subject is female, and two more for", "above, in would probably mean to write the subtitles using the male gender,", "in turn preserves the viewer's effect of surprise. How is this usually handled", "those episodes aren't released yet), which in turn preserves the viewer's effect of", "for male and female questionees. Let's assume that in our case we have", "Let's assume that the identity of this person is considered a major spoiler", "which is Hebrew's \"fallback\" gender.) 3. Write both male and female versions in", "option as it implies that the gender is a vital clue for revealing", "for plural subjects. Therefore, the translation problem is not simply a matter of", "that in our case we have no different wording that can save us.", "3. Write both male and female versions in the subtitle (for example write", "because he didn't watch later episodes, or because those episodes aren't released yet),", "our case we have no different wording that can save us. As I", "it implies that the gender is a vital clue for revealing the identity,", "though you don't know the spoiler (in Hebrew and in the example above,", "know the spoiler (perhaps because he didn't watch later episodes, or because those", "no different wording that can save us. As I see it, the translator", "the translator has three options: 1. Learn the spoiler (in the example above,", "give a big clue regarding the person's identity. Now, in the target language", "gendered languages where conveying the gender would be a spoiler? Note about Hebrew:", "the subtitle (for example write \"את/ה\", which is Hebrew for \"you (female)/you (male)\".", "general as possible. One episode has a sentence such as \"How are you?\",", "write the subtitles using the male gender, which is Hebrew's \"fallback\" gender.) 3.", "I don't like this option as it implies that the gender is a", "behind a sealed door. In English, one who watches the show will learn", "handled with gendered languages where conveying the gender would be a spoiler? Note", "where conveying the gender would be a spoiler? Note about Hebrew: ------------------ For", "has a sentence such as \"How are you?\", addressed to a person who", "the identity, and also it's not aesthetically pleasing.) I think that the second", "For those unfamiliar with the language, Hebrew uses gendered verbs. That is to", "above, the gender), and write the subtitles in the correct, yet revealing, manner.", "and female versions in the subtitle (for example write \"את/ה\", which is Hebrew", "with the language, Hebrew uses gendered verbs. That is to say, every verb", "1. Learn the spoiler (in the example above, the gender), and write the", "\"את/ה\", which is Hebrew for \"you (female)/you (male)\". I don't like this option", "the language, Hebrew uses gendered verbs. That is to say, every verb has", "Write both male and female versions in the subtitle (for example write \"את/ה\",", "both male and female versions in the subtitle (for example write \"את/ה\", which", "problem is not simply a matter of obscuring pronouns but also every verb", "this person is considered a major spoiler (it will only be revealed many", "gender.) 3. Write both male and female versions in the subtitle (for example", "has three options: 1. Learn the spoiler (in the example above, the gender),", "will only be revealed many episodes later), and that revealing the person's gender", "and write the subtitles in the correct, yet revealing, manner. 2. \"Play dumb\"", "the subtitles in the correct, yet revealing, manner. 2. \"Play dumb\" and write", "about the questionee's gender. Let's assume that the identity of this person is", "considered a major spoiler (it will only be revealed many episodes later), and", "us. As I see it, the translator has three options: 1. Learn the", "every verb has multiple forms - one for if the subject is male,", "the spoiler (perhaps because he didn't watch later episodes, or because those episodes", "to receive answers as general as possible. One episode has a sentence such", "turn preserves the viewer's effect of surprise. How is this usually handled with", "this option as it implies that the gender is a vital clue for", "language, Hebrew uses gendered verbs. That is to say, every verb has multiple", "two more for plural subjects. Therefore, the translation problem is not simply a", "unfamiliar with the language, Hebrew uses gendered verbs. That is to say, every", "is Hebrew's \"fallback\" gender.) 3. Write both male and female versions in the", "wording that can save us. As I see it, the translator has three", "(female)/you (male)\". I don't like this option as it implies that the gender", "sentence is written differently for male and female questionees. Let's assume that in", "yet revealing, manner. 2. \"Play dumb\" and write the subtitles as though you", "doesn't know the spoiler (perhaps because he didn't watch later episodes, or because", "yet), which in turn preserves the viewer's effect of surprise. How is this", "and in the example above, in would probably mean to write the subtitles", "in the target language (Hebrew), this sentence is written differently for male and", "spoiler? Note about Hebrew: ------------------ For those unfamiliar with the language, Hebrew uses", "the subtitles as though you don't know the spoiler (in Hebrew and in", "can save us. As I see it, the translator has three options: 1.", "regarding the person's identity. Now, in the target language (Hebrew), this sentence is", "those unfamiliar with the language, Hebrew uses gendered verbs. That is to say,", "pleasing.) I think that the second option has the advantage of mimicking the", "the situation where the translator really doesn't know the spoiler (perhaps because he", "viewer's effect of surprise. How is this usually handled with gendered languages where", "with gendered languages where conveying the gender would be a spoiler? Note about", "example, but I'm hoping to receive answers as general as possible. One episode", "as possible. One episode has a sentence such as \"How are you?\", addressed", "subtitles in the correct, yet revealing, manner. 2. \"Play dumb\" and write the", "clue regarding the person's identity. Now, in the target language (Hebrew), this sentence", "conveying the gender would be a spoiler? Note about Hebrew: ------------------ For those", "didn't watch later episodes, or because those episodes aren't released yet), which in", "it's not aesthetically pleasing.) I think that the second option has the advantage", "I see it, the translator has three options: 1. Learn the spoiler (in", "you?\", addressed to a person who is behind a sealed door. In English,", "my question using a small example, but I'm hoping to receive answers as", "male gender, which is Hebrew's \"fallback\" gender.) 3. Write both male and female", "the questionee's gender. Let's assume that the identity of this person is considered", "don't know the spoiler (in Hebrew and in the example above, in would", "I think that the second option has the advantage of mimicking the situation", "the male gender, which is Hebrew's \"fallback\" gender.) 3. Write both male and", "it, the translator has three options: 1. Learn the spoiler (in the example", "if the subject is female, and two more for plural subjects. Therefore, the", "Hebrew: ------------------ For those unfamiliar with the language, Hebrew uses gendered verbs. That", "using a small example, but I'm hoping to receive answers as general as", "different wording that can save us. As I see it, the translator has", "the example above, the gender), and write the subtitles in the correct, yet", "but I'm hoping to receive answers as general as possible. One episode has", "not aesthetically pleasing.) I think that the second option has the advantage of", "will learn nothing about the questionee's gender. Let's assume that the identity of", "revealing, manner. 2. \"Play dumb\" and write the subtitles as though you don't", "gender, which is Hebrew's \"fallback\" gender.) 3. Write both male and female versions", "vital clue for revealing the identity, and also it's not aesthetically pleasing.) I", "that can save us. As I see it, the translator has three options:", "as \"How are you?\", addressed to a person who is behind a sealed", "for revealing the identity, and also it's not aesthetically pleasing.) I think that", "be revealed many episodes later), and that revealing the person's gender will give", "translator has three options: 1. Learn the spoiler (in the example above, the", "you don't know the spoiler (in Hebrew and in the example above, in", "an English TV show. I'll illustrate my question using a small example, but", "write the subtitles in the correct, yet revealing, manner. 2. \"Play dumb\" and", "subjects. Therefore, the translation problem is not simply a matter of obscuring pronouns", "that the identity of this person is considered a major spoiler (it will", "male and female versions in the subtitle (for example write \"את/ה\", which is", "the translator really doesn't know the spoiler (perhaps because he didn't watch later", "Note about Hebrew: ------------------ For those unfamiliar with the language, Hebrew uses gendered", "subtitles using the male gender, which is Hebrew's \"fallback\" gender.) 3. Write both", "say, every verb has multiple forms - one for if the subject is", "2. \"Play dumb\" and write the subtitles as though you don't know the", "and write the subtitles as though you don't know the spoiler (in Hebrew", "has the advantage of mimicking the situation where the translator really doesn't know", "have no different wording that can save us. As I see it, the", "about Hebrew: ------------------ For those unfamiliar with the language, Hebrew uses gendered verbs.", "identity. Now, in the target language (Hebrew), this sentence is written differently for", "dumb\" and write the subtitles as though you don't know the spoiler (in", "three options: 1. Learn the spoiler (in the example above, the gender), and", "the second option has the advantage of mimicking the situation where the translator", "(in Hebrew and in the example above, in would probably mean to write", "in the correct, yet revealing, manner. 2. \"Play dumb\" and write the subtitles", "episodes aren't released yet), which in turn preserves the viewer's effect of surprise.", "I'm (amateurly) writing the subtitles for an English TV show. I'll illustrate my", "that the second option has the advantage of mimicking the situation where the", "a small example, but I'm hoping to receive answers as general as possible.", "using the male gender, which is Hebrew's \"fallback\" gender.) 3. Write both male", "the gender is a vital clue for revealing the identity, and also it's", "example write \"את/ה\", which is Hebrew for \"you (female)/you (male)\". I don't like", "(it will only be revealed many episodes later), and that revealing the person's", "learn nothing about the questionee's gender. Let's assume that the identity of this", "will give a big clue regarding the person's identity. Now, in the target", "Hebrew and in the example above, in would probably mean to write the", "such as \"How are you?\", addressed to a person who is behind a", "the identity of this person is considered a major spoiler (it will only", "aren't released yet), which in turn preserves the viewer's effect of surprise. How", "as general as possible. One episode has a sentence such as \"How are", "is female, and two more for plural subjects. Therefore, the translation problem is", "written differently for male and female questionees. Let's assume that in our case", "I'll illustrate my question using a small example, but I'm hoping to receive", "language (Hebrew), this sentence is written differently for male and female questionees. Let's", "he didn't watch later episodes, or because those episodes aren't released yet), which", "person's gender will give a big clue regarding the person's identity. Now, in", "the subtitles using the male gender, which is Hebrew's \"fallback\" gender.) 3. Write", "the person's gender will give a big clue regarding the person's identity. Now,", "One episode has a sentence such as \"How are you?\", addressed to a", "uses gendered verbs. That is to say, every verb has multiple forms -", "answers as general as possible. One episode has a sentence such as \"How", "options: 1. Learn the spoiler (in the example above, the gender), and write", "the viewer's effect of surprise. How is this usually handled with gendered languages", "know the spoiler (in Hebrew and in the example above, in would probably", "How is this usually handled with gendered languages where conveying the gender would", "many episodes later), and that revealing the person's gender will give a big", "is this usually handled with gendered languages where conveying the gender would be", "the show will learn nothing about the questionee's gender. Let's assume that the", "- one for if the subject is male, one if the subject is", "not simply a matter of obscuring pronouns but also every verb associated with", "of this person is considered a major spoiler (it will only be revealed", "\"How are you?\", addressed to a person who is behind a sealed door.", "female, and two more for plural subjects. Therefore, the translation problem is not", "surprise. How is this usually handled with gendered languages where conveying the gender", "Therefore, the translation problem is not simply a matter of obscuring pronouns but", "major spoiler (it will only be revealed many episodes later), and that revealing", "implies that the gender is a vital clue for revealing the identity, and", "write \"את/ה\", which is Hebrew for \"you (female)/you (male)\". I don't like this", "of surprise. How is this usually handled with gendered languages where conveying the", "male, one if the subject is female, and two more for plural subjects.", "is not simply a matter of obscuring pronouns but also every verb associated", "subtitle (for example write \"את/ה\", which is Hebrew for \"you (female)/you (male)\". I", "a person who is behind a sealed door. In English, one who watches", "one for if the subject is male, one if the subject is female,", "a sealed door. In English, one who watches the show will learn nothing", "situation where the translator really doesn't know the spoiler (perhaps because he didn't", "As I see it, the translator has three options: 1. Learn the spoiler", "is male, one if the subject is female, and two more for plural", "the subtitles for an English TV show. I'll illustrate my question using a", "In English, one who watches the show will learn nothing about the questionee's", "(for example write \"את/ה\", which is Hebrew for \"you (female)/you (male)\". I don't", "who watches the show will learn nothing about the questionee's gender. Let's assume", "case we have no different wording that can save us. As I see", "the gender would be a spoiler? Note about Hebrew: ------------------ For those unfamiliar", "preserves the viewer's effect of surprise. How is this usually handled with gendered", "plural subjects. Therefore, the translation problem is not simply a matter of obscuring", "(in the example above, the gender), and write the subtitles in the correct,", "\"fallback\" gender.) 3. Write both male and female versions in the subtitle (for", "\"you (female)/you (male)\". I don't like this option as it implies that the", "which is Hebrew for \"you (female)/you (male)\". I don't like this option as", "that the gender is a vital clue for revealing the identity, and also", "show. I'll illustrate my question using a small example, but I'm hoping to", "and that revealing the person's gender will give a big clue regarding the", "Let's assume that in our case we have no different wording that can", "English TV show. I'll illustrate my question using a small example, but I'm", "in the subtitle (for example write \"את/ה\", which is Hebrew for \"you (female)/you", "person is considered a major spoiler (it will only be revealed many episodes", "would be a spoiler? Note about Hebrew: ------------------ For those unfamiliar with the", "simply a matter of obscuring pronouns but also every verb associated with the", "female questionees. Let's assume that in our case we have no different wording", "sealed door. In English, one who watches the show will learn nothing about", "and two more for plural subjects. Therefore, the translation problem is not simply", "revealing the person's gender will give a big clue regarding the person's identity.", "if the subject is male, one if the subject is female, and two", "manner. 2. \"Play dumb\" and write the subtitles as though you don't know", "be a spoiler? Note about Hebrew: ------------------ For those unfamiliar with the language,", "possible. One episode has a sentence such as \"How are you?\", addressed to", "show will learn nothing about the questionee's gender. Let's assume that the identity", "as though you don't know the spoiler (in Hebrew and in the example", "door. In English, one who watches the show will learn nothing about the", "write the subtitles as though you don't know the spoiler (in Hebrew and", "translator really doesn't know the spoiler (perhaps because he didn't watch later episodes,", "gender. Let's assume that the identity of this person is considered a major", "is a vital clue for revealing the identity, and also it's not aesthetically", "more for plural subjects. Therefore, the translation problem is not simply a matter", "identity of this person is considered a major spoiler (it will only be", "this sentence is written differently for male and female questionees. Let's assume that", "for if the subject is male, one if the subject is female, and", "a matter of obscuring pronouns but also every verb associated with the character.", "assume that the identity of this person is considered a major spoiler (it", "in the example above, in would probably mean to write the subtitles using", "episodes, or because those episodes aren't released yet), which in turn preserves the", "writing the subtitles for an English TV show. I'll illustrate my question using", "also it's not aesthetically pleasing.) I think that the second option has the", "spoiler (it will only be revealed many episodes later), and that revealing the", "is written differently for male and female questionees. Let's assume that in our", "and also it's not aesthetically pleasing.) I think that the second option has", "example above, the gender), and write the subtitles in the correct, yet revealing,", "has multiple forms - one for if the subject is male, one if", "gender will give a big clue regarding the person's identity. Now, in the", "aesthetically pleasing.) I think that the second option has the advantage of mimicking", "because those episodes aren't released yet), which in turn preserves the viewer's effect", "Learn the spoiler (in the example above, the gender), and write the subtitles", "clue for revealing the identity, and also it's not aesthetically pleasing.) I think", "the translation problem is not simply a matter of obscuring pronouns but also", "small example, but I'm hoping to receive answers as general as possible. One", "a spoiler? Note about Hebrew: ------------------ For those unfamiliar with the language, Hebrew", "(amateurly) writing the subtitles for an English TV show. I'll illustrate my question", "the example above, in would probably mean to write the subtitles using the", "the subject is male, one if the subject is female, and two more", "a vital clue for revealing the identity, and also it's not aesthetically pleasing.)", "female versions in the subtitle (for example write \"את/ה\", which is Hebrew for", "is to say, every verb has multiple forms - one for if the", "we have no different wording that can save us. As I see it,", "to a person who is behind a sealed door. In English, one who", "translation problem is not simply a matter of obscuring pronouns but also every", "subtitles for an English TV show. I'll illustrate my question using a small", "Hebrew uses gendered verbs. That is to say, every verb has multiple forms", "example above, in would probably mean to write the subtitles using the male", "or because those episodes aren't released yet), which in turn preserves the viewer's", "in our case we have no different wording that can save us. As", "identity, and also it's not aesthetically pleasing.) I think that the second option", "\"Play dumb\" and write the subtitles as though you don't know the spoiler", "who is behind a sealed door. In English, one who watches the show", "is Hebrew for \"you (female)/you (male)\". I don't like this option as it", "nothing about the questionee's gender. Let's assume that the identity of this person", "the correct, yet revealing, manner. 2. \"Play dumb\" and write the subtitles as", "subject is female, and two more for plural subjects. Therefore, the translation problem", "the person's identity. Now, in the target language (Hebrew), this sentence is written", "one if the subject is female, and two more for plural subjects. Therefore,", "to say, every verb has multiple forms - one for if the subject", "gender is a vital clue for revealing the identity, and also it's not", "don't like this option as it implies that the gender is a vital", "only be revealed many episodes later), and that revealing the person's gender will", "later episodes, or because those episodes aren't released yet), which in turn preserves", "in would probably mean to write the subtitles using the male gender, which", "the advantage of mimicking the situation where the translator really doesn't know the", "English, one who watches the show will learn nothing about the questionee's gender.", "Hebrew for \"you (female)/you (male)\". I don't like this option as it implies", "episodes later), and that revealing the person's gender will give a big clue", "the gender), and write the subtitles in the correct, yet revealing, manner. 2.", "correct, yet revealing, manner. 2. \"Play dumb\" and write the subtitles as though", "assume that in our case we have no different wording that can save", "gender), and write the subtitles in the correct, yet revealing, manner. 2. \"Play", "question using a small example, but I'm hoping to receive answers as general", "that revealing the person's gender will give a big clue regarding the person's", "for \"you (female)/you (male)\". I don't like this option as it implies that", "see it, the translator has three options: 1. Learn the spoiler (in the", "verb has multiple forms - one for if the subject is male, one", "are you?\", addressed to a person who is behind a sealed door. In", "probably mean to write the subtitles using the male gender, which is Hebrew's", "a major spoiler (it will only be revealed many episodes later), and that", "big clue regarding the person's identity. Now, in the target language (Hebrew), this", "receive answers as general as possible. One episode has a sentence such as", "questionees. Let's assume that in our case we have no different wording that", "languages where conveying the gender would be a spoiler? Note about Hebrew: ------------------", "the spoiler (in the example above, the gender), and write the subtitles in", "(perhaps because he didn't watch later episodes, or because those episodes aren't released", "like this option as it implies that the gender is a vital clue", "revealing the identity, and also it's not aesthetically pleasing.) I think that the", "for an English TV show. I'll illustrate my question using a small example,", "is behind a sealed door. In English, one who watches the show will", "a big clue regarding the person's identity. Now, in the target language (Hebrew),", "which in turn preserves the viewer's effect of surprise. How is this usually", "illustrate my question using a small example, but I'm hoping to receive answers", "to write the subtitles using the male gender, which is Hebrew's \"fallback\" gender.)", "usually handled with gendered languages where conveying the gender would be a spoiler?", "the subject is female, and two more for plural subjects. Therefore, the translation", "multiple forms - one for if the subject is male, one if the", "(male)\". I don't like this option as it implies that the gender is", "a sentence such as \"How are you?\", addressed to a person who is", "gendered verbs. That is to say, every verb has multiple forms - one" ]
[ "proving difficult, even with following various Touch-Typing exercises. I write okay fast, but", "use a prober system. Do any of you have a technique to get", "of you have a technique to get rid of this behaviour and or", "is from playing games where I constantly had to move my right hand", "rid of this behaviour, but it is proving difficult, even with following various", "you have a technique to get rid of this behaviour and or train", "the mouse and back to the keyboard. I've previously tried to get rid", "strange habit; I write with all the fingers on my left hand, which", "technique to get rid of this behaviour and or train it in a", "I would still like to use a prober system. Do any of you", "constantly had to move my right hand from the mouse and back to", "on my left hand, which is very nice. however, I only write with", "should I just keep at it and train it with normal touch-typing training.", "hand. All this is from playing games where I constantly had to move", "is very nice. however, I only write with two fingers on my right", "right hand. All this is from playing games where I constantly had to", "of this behaviour and or train it in a certain way? Or should", "various Touch-Typing exercises. I write okay fast, but I would still like to", "I write okay fast, but I would still like to use a prober", "have a problem. For many years of playing games, I've developed a strange", "right hand from the mouse and back to the keyboard. I've previously tried", "with following various Touch-Typing exercises. I write okay fast, but I would still", "to get rid of this behaviour, but it is proving difficult, even with", "the keyboard. I've previously tried to get rid of this behaviour, but it", "my left hand, which is very nice. however, I only write with two", "get rid of this behaviour, but it is proving difficult, even with following", "even with following various Touch-Typing exercises. I write okay fast, but I would", "would still like to use a prober system. Do any of you have", "and back to the keyboard. I've previously tried to get rid of this", "hand from the mouse and back to the keyboard. I've previously tried to", "tried to get rid of this behaviour, but it is proving difficult, even", "get rid of this behaviour and or train it in a certain way?", "years of playing games, I've developed a strange habit; I write with all", "where I constantly had to move my right hand from the mouse and", "mouse and back to the keyboard. I've previously tried to get rid of", "a technique to get rid of this behaviour and or train it in", "exercises. I write okay fast, but I would still like to use a", "it in a certain way? Or should I just keep at it and", "or train it in a certain way? Or should I just keep at", "habit; I write with all the fingers on my left hand, which is", "like to use a prober system. Do any of you have a technique", "from playing games where I constantly had to move my right hand from", "to move my right hand from the mouse and back to the keyboard.", "in a certain way? Or should I just keep at it and train", "All this is from playing games where I constantly had to move my", "to use a prober system. Do any of you have a technique to", "this behaviour, but it is proving difficult, even with following various Touch-Typing exercises.", "train it in a certain way? Or should I just keep at it", "and or train it in a certain way? Or should I just keep", "many years of playing games, I've developed a strange habit; I write with", "keyboard. I've previously tried to get rid of this behaviour, but it is", "developed a strange habit; I write with all the fingers on my left", "problem. For many years of playing games, I've developed a strange habit; I", "however, I only write with two fingers on my right hand. All this", "behaviour and or train it in a certain way? Or should I just", "fast, but I would still like to use a prober system. Do any", "Or should I just keep at it and train it with normal touch-typing", "fingers on my right hand. All this is from playing games where I", "all the fingers on my left hand, which is very nice. however, I", "games, I've developed a strange habit; I write with all the fingers on", "on my right hand. All this is from playing games where I constantly", "fingers on my left hand, which is very nice. however, I only write", "but it is proving difficult, even with following various Touch-Typing exercises. I write", "write with all the fingers on my left hand, which is very nice.", "Do any of you have a technique to get rid of this behaviour", "the fingers on my left hand, which is very nice. however, I only", "with two fingers on my right hand. All this is from playing games", "prober system. Do any of you have a technique to get rid of", "a strange habit; I write with all the fingers on my left hand,", "rid of this behaviour and or train it in a certain way? Or", "from the mouse and back to the keyboard. I've previously tried to get", "it is proving difficult, even with following various Touch-Typing exercises. I write okay", "of this behaviour, but it is proving difficult, even with following various Touch-Typing", "previously tried to get rid of this behaviour, but it is proving difficult,", "very nice. however, I only write with two fingers on my right hand.", "I write with all the fingers on my left hand, which is very", "certain way? Or should I just keep at it and train it with", "behaviour, but it is proving difficult, even with following various Touch-Typing exercises. I", "nice. however, I only write with two fingers on my right hand. All", "difficult, even with following various Touch-Typing exercises. I write okay fast, but I", "Touch-Typing exercises. I write okay fast, but I would still like to use", "left hand, which is very nice. however, I only write with two fingers", "two fingers on my right hand. All this is from playing games where", "still like to use a prober system. Do any of you have a", "a prober system. Do any of you have a technique to get rid", "I only write with two fingers on my right hand. All this is", "system. Do any of you have a technique to get rid of this", "following various Touch-Typing exercises. I write okay fast, but I would still like", "only write with two fingers on my right hand. All this is from", "this behaviour and or train it in a certain way? Or should I", "have a technique to get rid of this behaviour and or train it", "write okay fast, but I would still like to use a prober system.", "playing games, I've developed a strange habit; I write with all the fingers", "games where I constantly had to move my right hand from the mouse", "to the keyboard. I've previously tried to get rid of this behaviour, but", "hand, which is very nice. however, I only write with two fingers on", "For many years of playing games, I've developed a strange habit; I write", "any of you have a technique to get rid of this behaviour and", "write with two fingers on my right hand. All this is from playing", "I constantly had to move my right hand from the mouse and back", "my right hand from the mouse and back to the keyboard. I've previously", "I've developed a strange habit; I write with all the fingers on my", "which is very nice. however, I only write with two fingers on my", "to get rid of this behaviour and or train it in a certain", "of playing games, I've developed a strange habit; I write with all the", "a certain way? Or should I just keep at it and train it", "had to move my right hand from the mouse and back to the", "with all the fingers on my left hand, which is very nice. however,", "my right hand. All this is from playing games where I constantly had", "okay fast, but I would still like to use a prober system. Do", "but I would still like to use a prober system. Do any of", "way? Or should I just keep at it and train it with normal", "a problem. For many years of playing games, I've developed a strange habit;", "this is from playing games where I constantly had to move my right", "is proving difficult, even with following various Touch-Typing exercises. I write okay fast,", "playing games where I constantly had to move my right hand from the", "move my right hand from the mouse and back to the keyboard. I've", "I have a problem. For many years of playing games, I've developed a", "back to the keyboard. I've previously tried to get rid of this behaviour,", "I've previously tried to get rid of this behaviour, but it is proving" ]
[ "\"to-be verbs\" (is, are, etc.) to be used in our sentences. Here is", "our sentences. Here is the section in question: A significant scene in the", "significant scene in the novel is after... How can I replace the 'is'", "section in question: A significant scene in the novel is after... How can", "question: A significant scene in the novel is after... How can I replace", "scene in the novel is after... How can I replace the 'is' in", "are, etc.) to be used in our sentences. Here is the section in", "A significant scene in the novel is after... How can I replace the", "Here is the section in question: A significant scene in the novel is", "sentences. Here is the section in question: A significant scene in the novel", "in the novel is after... How can I replace the 'is' in the", "the novel is after... How can I replace the 'is' in the sentence?", "My teacher does not like \"to-be verbs\" (is, are, etc.) to be used", "not like \"to-be verbs\" (is, are, etc.) to be used in our sentences.", "to be used in our sentences. Here is the section in question: A", "teacher does not like \"to-be verbs\" (is, are, etc.) to be used in", "the section in question: A significant scene in the novel is after... How", "(is, are, etc.) to be used in our sentences. Here is the section", "is the section in question: A significant scene in the novel is after...", "used in our sentences. Here is the section in question: A significant scene", "does not like \"to-be verbs\" (is, are, etc.) to be used in our", "be used in our sentences. Here is the section in question: A significant", "in our sentences. Here is the section in question: A significant scene in", "like \"to-be verbs\" (is, are, etc.) to be used in our sentences. Here", "in question: A significant scene in the novel is after..**. How can I", "etc.) to be used in our sentences. Here is the section in question:", "verbs\" (is, are, etc.) to be used in our sentences. Here is the" ]
[ "but I'm just not sure. It's also a tough question to google, as", "\"Pedez!\" cried his father. > > > make grammatical sense? It seems to", "line: > > \"Pedez!\" cried his father. > > > make grammatical sense?", "the line: > > \"Pedez!\" cried his father. > > > make grammatical", "> make grammatical sense? It seems to work intuitively, but I'm just not", "tough question to google, as it turns out, so any reply would be", "It's also a tough question to google, as it turns out, so any", "question to google, as it turns out, so any reply would be much", "just not sure. It's also a tough question to google, as it turns", "> > > make grammatical sense? It seems to work intuitively, but I'm", "to work intuitively, but I'm just not sure. It's also a tough question", "a tough question to google, as it turns out, so any reply would", "grammatical sense? It seems to work intuitively, but I'm just not sure. It's", "intuitively, but I'm just not sure. It's also a tough question to google,", "his father. > > > make grammatical sense? It seems to work intuitively,", "> \"Pedez!\" cried his father. > > > make grammatical sense? It seems", "sure. It's also a tough question to google, as it turns out, so", "I'm just not sure. It's also a tough question to google, as it", "It seems to work intuitively, but I'm just not sure. It's also a", "> > \"Pedez!\" cried his father. > > > make grammatical sense? It", "Would the line: > > \"Pedez!\" cried his father. > > > make", "also a tough question to google, as it turns out, so any reply", "father. > > > make grammatical sense? It seems to work intuitively, but", "seems to work intuitively, but I'm just not sure. It's also a tough", "work intuitively, but I'm just not sure. It's also a tough question to", "not sure. It's also a tough question to google, as it turns out,", "sense? It seems to work intuitively, but I'm just not sure. It's also", "make grammatical sense? It seems to work intuitively, but I'm just not sure.", "> > make grammatical sense? It seems to work intuitively, but I'm just", "to google, as it turns out, so any reply would be much appreciated.", "cried his father. > > > make grammatical sense? It seems to work" ]
[ "traditional publishers under a pen name? Would I be rejected for doing this?", "my book to traditional publishers under a pen name? Would I be rejected", "I use my legal name as the protagonist if I'm pitching my book", "to traditional publishers under a pen name? Would I be rejected for doing", "Can I use my legal name as the protagonist if I'm pitching my", "pitching my book to traditional publishers under a pen name? Would I be", "name as the protagonist if I'm pitching my book to traditional publishers under", "my legal name as the protagonist if I'm pitching my book to traditional", "use my legal name as the protagonist if I'm pitching my book to", "the protagonist if I'm pitching my book to traditional publishers under a pen", "book to traditional publishers under a pen name? Would I be rejected for", "protagonist if I'm pitching my book to traditional publishers under a pen name?", "I'm pitching my book to traditional publishers under a pen name? Would I", "if I'm pitching my book to traditional publishers under a pen name? Would", "as the protagonist if I'm pitching my book to traditional publishers under a", "legal name as the protagonist if I'm pitching my book to traditional publishers" ]
[ "limited) is an outlaw, on the run from government agents and living from", "gets captured by the government, and has to work for them to obtain", "of \"end goal\" that she is working towards outside of trying to remain", "be difficult for readers to invest in a story about a character that", "from these things, living outside of society and minimizing contact with others, cutting", "sort of carrying on surviving on her own, angry at the world and", "on the run from government agents and living from day to day trying", "really know what they want or where they are going. Obviously this changes", "know what the book is about or working towards. My understanding is that", "to be invested in a story that initially has no recognizable trajectory? Or", "any solutions to her situation. She eventually gets captured by the government, and", "the book down before this change happens if they don't know what the", "of one. My concern is that it will be difficult for readers to", "no recognizable trajectory? Or alternatively, how do you manufacture an end-solution for a", "my issue is that the reader may have put the book down before", "happening, but the main character isn't working towards any specific objective, nor does", "what to expect of the forthcoming story. The point of my story and", "character isn't working towards any specific objective, nor does she have any real", "the first quarter of the story, she doesn't really have any sort of", "freedom, but up until this point she has no long-term ambitions or desires", "early in the story at least some sort of notion of an antagonist,", "of the book is quite balanced between world-building, character development and actual interesting", "that they are completely separated from these things, living outside of society and", "in) introduce very early in the story at least some sort of notion", "the main character isn't working towards any specific objective, nor does she have", "and minimizing contact with others, cutting herself off from the wider world. So", "but up until this point she has no long-term ambitions or desires outside", "know what they want or where they are going. Obviously this changes later", "an antagonist, a plot or an overall theme of \"something is wrong and", "of the forthcoming story. The point of my story and main character, however,", "sort of \"end goal\" that she is working towards outside of trying to", "the story at least some sort of notion of an antagonist, a plot", "work for them to obtain her freedom, but up until this point she", "that initially has no recognizable trajectory? Or alternatively, how do you manufacture an", "free. She is just sort of carrying on surviving on her own, angry", "overall theme of \"something is wrong and needs to change\" that the protagonist", "journey. This usually lets the reader know what to expect of the forthcoming", "the law. I feel like the beginning of the book is quite balanced", "long-term ambitions or desires outside of evading the law. I feel like the", "recognizable trajectory? Or alternatively, how do you manufacture an end-solution for a character", "\"something is wrong and needs to change\" that the protagonist will confront in", "story, she doesn't really have any sort of \"end goal\" that she is", "from day to day trying to survive. In the first quarter of the", "towards outside of trying to remain free. She is just sort of carrying", "eventually gets captured by the government, and has to work for them to", "their journey. This usually lets the reader know what to expect of the", "manufacture an end-solution for a character that doesn't really have any sort of", "least some sort of notion of an antagonist, a plot or an overall", "up until this point she has no long-term ambitions or desires outside of", "So how can you convince readers to be invested in a story that", "point she has no long-term ambitions or desires outside of evading the law.", "things, living outside of society and minimizing contact with others, cutting herself off", "by the government, and has to work for them to obtain her freedom,", "put the book down before this change happens if they don't know what", "to expect of the forthcoming story. The point of my story and main", "living outside of society and minimizing contact with others, cutting herself off from", "a story about a character that doesn't really know what they want or", "that doesn't really know what they want or where they are going. Obviously", "an overall theme of \"something is wrong and needs to change\" that the", "she is working towards outside of trying to remain free. She is just", "of trying to remain free. She is just sort of carrying on surviving", "expect of the forthcoming story. The point of my story and main character,", "this point she has no long-term ambitions or desires outside of evading the", "this change happens if they don't know what the book is about or", "completely separated from these things, living outside of society and minimizing contact with", "at the world and devoid of any solutions to her situation. She eventually", "between world-building, character development and actual interesting events happening, but the main character", "be invested in a story that initially has no recognizable trajectory? Or alternatively,", "they want or where they are going. Obviously this changes later on, but", "they are going. Obviously this changes later on, but my issue is that", "climax of their journey. This usually lets the reader know what to expect", "from government agents and living from day to day trying to survive. In", "a plot or an overall theme of \"something is wrong and needs to", "know what to expect of the forthcoming story. The point of my story", "real idea of one. My concern is that it will be difficult for", "main character, however, is that they are completely separated from these things, living", "feel like the beginning of the book is quite balanced between world-building, character", "are going. Obviously this changes later on, but my issue is that the", "own, angry at the world and devoid of any solutions to her situation.", "idea of one. My concern is that it will be difficult for readers", "nor does she have any real idea of one. My concern is that", "protagonist will confront in the climax of their journey. This usually lets the", "trying to survive. In the first quarter of the story, she doesn't really", "character, however, is that they are completely separated from these things, living outside", "day to day trying to survive. In the first quarter of the story,", "and needs to change\" that the protagonist will confront in the climax of", "or where they are going. Obviously this changes later on, but my issue", "it will be difficult for readers to invest in a story about a", "day trying to survive. In the first quarter of the story, she doesn't", "later on, but my issue is that the reader may have put the", "what the book is about or working towards. My understanding is that most", "will confront in the climax of their journey. This usually lets the reader", "the reader know what to expect of the forthcoming story. The point of", "separated from these things, living outside of society and minimizing contact with others,", "that the reader may have put the book down before this change happens", "sort of notion of an antagonist, a plot or an overall theme of", "the government, and has to work for them to obtain her freedom, but", "invested in a story that initially has no recognizable trajectory? Or alternatively, how", "difficult for readers to invest in a story about a character that doesn't", "and has to work for them to obtain her freedom, but up until", "of their journey. This usually lets the reader know what to expect of", "in a story that initially has no recognizable trajectory? Or alternatively, how do", "captured by the government, and has to work for them to obtain her", "about or working towards. My understanding is that most novels (specifically in the", "in the story at least some sort of notion of an antagonist, a", "first quarter of the story, she doesn't really have any sort of \"end", "novel (third person limited) is an outlaw, on the run from government agents", "(specifically in the sci-fi/ fantasy genre that I'm writing in) introduce very early", "you convince readers to be invested in a story that initially has no", "most novels (specifically in the sci-fi/ fantasy genre that I'm writing in) introduce", "issue is that the reader may have put the book down before this", "isn't working towards any specific objective, nor does she have any real idea", "antagonist, a plot or an overall theme of \"something is wrong and needs", "but my issue is that the reader may have put the book down", "minimizing contact with others, cutting herself off from the wider world. So how", "a story that initially has no recognizable trajectory? Or alternatively, how do you", "situation. She eventually gets captured by the government, and has to work for", "is that they are completely separated from these things, living outside of society", "the wider world. So how can you convince readers to be invested in", "you manufacture an end-solution for a character that doesn't really have any sort", "lets the reader know what to expect of the forthcoming story. The point", "notion of an antagonist, a plot or an overall theme of \"something is", "really have any sort of \"end goal\" that she is working towards outside", "initially has no recognizable trajectory? Or alternatively, how do you manufacture an end-solution", "world-building, character development and actual interesting events happening, but the main character isn't", "some sort of notion of an antagonist, a plot or an overall theme", "concern is that it will be difficult for readers to invest in a", "doesn't really have any sort of \"end goal\" that she is working towards", "will be difficult for readers to invest in a story about a character", "carrying on surviving on her own, angry at the world and devoid of", "story and main character, however, is that they are completely separated from these", "of \"something is wrong and needs to change\" that the protagonist will confront", "where they are going. Obviously this changes later on, but my issue is", "an outlaw, on the run from government agents and living from day to", "usually lets the reader know what to expect of the forthcoming story. The", "on her own, angry at the world and devoid of any solutions to", "from the wider world. So how can you convince readers to be invested", "objective, nor does she have any real idea of one. My concern is", "her situation. She eventually gets captured by the government, and has to work", "book is about or working towards. My understanding is that most novels (specifically", "living from day to day trying to survive. In the first quarter of", "the sci-fi/ fantasy genre that I'm writing in) introduce very early in the", "society and minimizing contact with others, cutting herself off from the wider world.", "that most novels (specifically in the sci-fi/ fantasy genre that I'm writing in)", "book down before this change happens if they don't know what the book", "novels (specifically in the sci-fi/ fantasy genre that I'm writing in) introduce very", "a character that doesn't really know what they want or where they are", "convince readers to be invested in a story that initially has no recognizable", "to work for them to obtain her freedom, but up until this point", "beginning of the book is quite balanced between world-building, character development and actual", "has no recognizable trajectory? Or alternatively, how do you manufacture an end-solution for", "they don't know what the book is about or working towards. My understanding", "the reader may have put the book down before this change happens if", "character development and actual interesting events happening, but the main character isn't working", "wrong and needs to change\" that the protagonist will confront in the climax", "the book is quite balanced between world-building, character development and actual interesting events", "that she is working towards outside of trying to remain free. She is", "to day trying to survive. In the first quarter of the story, she", "of an antagonist, a plot or an overall theme of \"something is wrong", "She is just sort of carrying on surviving on her own, angry at", "is working towards outside of trying to remain free. She is just sort", "of notion of an antagonist, a plot or an overall theme of \"something", "are completely separated from these things, living outside of society and minimizing contact", "is that most novels (specifically in the sci-fi/ fantasy genre that I'm writing", "development and actual interesting events happening, but the main character isn't working towards", "outside of trying to remain free. She is just sort of carrying on", "In the first quarter of the story, she doesn't really have any sort", "what they want or where they are going. Obviously this changes later on,", "main character of my novel (third person limited) is an outlaw, on the", "of evading the law. I feel like the beginning of the book is", "story about a character that doesn't really know what they want or where", "desires outside of evading the law. I feel like the beginning of the", "how do you manufacture an end-solution for a character that doesn't really have", "has to work for them to obtain her freedom, but up until this", "goal\" that she is working towards outside of trying to remain free. She", "like the beginning of the book is quite balanced between world-building, character development", "The point of my story and main character, however, is that they are", "in the sci-fi/ fantasy genre that I'm writing in) introduce very early in", "to her situation. She eventually gets captured by the government, and has to", "the climax of their journey. This usually lets the reader know what to", "that the protagonist will confront in the climax of their journey. This usually", "change happens if they don't know what the book is about or working", "the forthcoming story. The point of my story and main character, however, is", "is quite balanced between world-building, character development and actual interesting events happening, but", "but the main character isn't working towards any specific objective, nor does she", "government agents and living from day to day trying to survive. In the", "off from the wider world. So how can you convince readers to be", "alternatively, how do you manufacture an end-solution for a character that doesn't really", "changes later on, but my issue is that the reader may have put", "\"end goal\" that she is working towards outside of trying to remain free.", "at least some sort of notion of an antagonist, a plot or an", "balanced between world-building, character development and actual interesting events happening, but the main", "she have any real idea of one. My concern is that it will", "may have put the book down before this change happens if they don't", "on, but my issue is that the reader may have put the book", "any sort of \"end goal\" that she is working towards outside of trying", "I feel like the beginning of the book is quite balanced between world-building,", "does she have any real idea of one. My concern is that it", "trying to remain free. She is just sort of carrying on surviving on", "Or alternatively, how do you manufacture an end-solution for a character that doesn't", "confront in the climax of their journey. This usually lets the reader know", "change\" that the protagonist will confront in the climax of their journey. This", "of my story and main character, however, is that they are completely separated", "and main character, however, is that they are completely separated from these things,", "introduce very early in the story at least some sort of notion of", "outlaw, on the run from government agents and living from day to day", "readers to invest in a story about a character that doesn't really know", "government, and has to work for them to obtain her freedom, but up", "towards any specific objective, nor does she have any real idea of one.", "story at least some sort of notion of an antagonist, a plot or", "in the climax of their journey. This usually lets the reader know what", "devoid of any solutions to her situation. She eventually gets captured by the", "to change\" that the protagonist will confront in the climax of their journey.", "happens if they don't know what the book is about or working towards.", "want or where they are going. Obviously this changes later on, but my", "plot or an overall theme of \"something is wrong and needs to change\"", "and actual interesting events happening, but the main character isn't working towards any", "theme of \"something is wrong and needs to change\" that the protagonist will", "needs to change\" that the protagonist will confront in the climax of their", "and living from day to day trying to survive. In the first quarter", "world and devoid of any solutions to her situation. She eventually gets captured", "have put the book down before this change happens if they don't know", "actual interesting events happening, but the main character isn't working towards any specific", "if they don't know what the book is about or working towards. My", "is that the reader may have put the book down before this change", "an end-solution for a character that doesn't really have any sort of direction?", "the run from government agents and living from day to day trying to", "book is quite balanced between world-building, character development and actual interesting events happening,", "of carrying on surviving on her own, angry at the world and devoid", "readers to be invested in a story that initially has no recognizable trajectory?", "quite balanced between world-building, character development and actual interesting events happening, but the", "her own, angry at the world and devoid of any solutions to her", "She eventually gets captured by the government, and has to work for them", "reader may have put the book down before this change happens if they", "My concern is that it will be difficult for readers to invest in", "law. I feel like the beginning of the book is quite balanced between", "how can you convince readers to be invested in a story that initially", "working towards. My understanding is that most novels (specifically in the sci-fi/ fantasy", "story that initially has no recognizable trajectory? Or alternatively, how do you manufacture", "is that it will be difficult for readers to invest in a story", "sci-fi/ fantasy genre that I'm writing in) introduce very early in the story", "angry at the world and devoid of any solutions to her situation. She", "she doesn't really have any sort of \"end goal\" that she is working", "interesting events happening, but the main character isn't working towards any specific objective,", "world. So how can you convince readers to be invested in a story", "others, cutting herself off from the wider world. So how can you convince", "the protagonist will confront in the climax of their journey. This usually lets", "of my novel (third person limited) is an outlaw, on the run from", "genre that I'm writing in) introduce very early in the story at least", "fantasy genre that I'm writing in) introduce very early in the story at", "have any real idea of one. My concern is that it will be", "have any sort of \"end goal\" that she is working towards outside of", "no long-term ambitions or desires outside of evading the law. I feel like", "story. The point of my story and main character, however, is that they", "can you convince readers to be invested in a story that initially has", "agents and living from day to day trying to survive. In the first", "to survive. In the first quarter of the story, she doesn't really have", "do you manufacture an end-solution for a character that doesn't really have any", "towards. My understanding is that most novels (specifically in the sci-fi/ fantasy genre", "for them to obtain her freedom, but up until this point she has", "herself off from the wider world. So how can you convince readers to", "cutting herself off from the wider world. So how can you convince readers", "however, is that they are completely separated from these things, living outside of", "for readers to invest in a story about a character that doesn't really", "run from government agents and living from day to day trying to survive.", "in a story about a character that doesn't really know what they want", "or an overall theme of \"something is wrong and needs to change\" that", "the story, she doesn't really have any sort of \"end goal\" that she", "forthcoming story. The point of my story and main character, however, is that", "that I'm writing in) introduce very early in the story at least some", "with others, cutting herself off from the wider world. So how can you", "person limited) is an outlaw, on the run from government agents and living", "is just sort of carrying on surviving on her own, angry at the", "they are completely separated from these things, living outside of society and minimizing", "these things, living outside of society and minimizing contact with others, cutting herself", "of the story, she doesn't really have any sort of \"end goal\" that", "wider world. So how can you convince readers to be invested in a", "to remain free. She is just sort of carrying on surviving on her", "The main character of my novel (third person limited) is an outlaw, on", "(third person limited) is an outlaw, on the run from government agents and", "surviving on her own, angry at the world and devoid of any solutions", "contact with others, cutting herself off from the wider world. So how can", "on surviving on her own, angry at the world and devoid of any", "character of my novel (third person limited) is an outlaw, on the run", "My understanding is that most novels (specifically in the sci-fi/ fantasy genre that", "the book is about or working towards. My understanding is that most novels", "that it will be difficult for readers to invest in a story about", "writing in) introduce very early in the story at least some sort of", "I'm writing in) introduce very early in the story at least some sort", "my novel (third person limited) is an outlaw, on the run from government", "until this point she has no long-term ambitions or desires outside of evading", "to invest in a story about a character that doesn't really know what", "one. My concern is that it will be difficult for readers to invest", "of any solutions to her situation. She eventually gets captured by the government,", "main character isn't working towards any specific objective, nor does she have any", "solutions to her situation. She eventually gets captured by the government, and has", "Obviously this changes later on, but my issue is that the reader may", "before this change happens if they don't know what the book is about", "events happening, but the main character isn't working towards any specific objective, nor", "any real idea of one. My concern is that it will be difficult", "is an outlaw, on the run from government agents and living from day", "and devoid of any solutions to her situation. She eventually gets captured by", "quarter of the story, she doesn't really have any sort of \"end goal\"", "obtain her freedom, but up until this point she has no long-term ambitions", "understanding is that most novels (specifically in the sci-fi/ fantasy genre that I'm", "going. Obviously this changes later on, but my issue is that the reader", "ambitions or desires outside of evading the law. I feel like the beginning", "point of my story and main character, however, is that they are completely", "about a character that doesn't really know what they want or where they", "the world and devoid of any solutions to her situation. She eventually gets", "she has no long-term ambitions or desires outside of evading the law. I", "this changes later on, but my issue is that the reader may have", "working towards outside of trying to remain free. She is just sort of", "specific objective, nor does she have any real idea of one. My concern", "character that doesn't really know what they want or where they are going.", "just sort of carrying on surviving on her own, angry at the world", "outside of society and minimizing contact with others, cutting herself off from the", "is wrong and needs to change\" that the protagonist will confront in the", "or working towards. My understanding is that most novels (specifically in the sci-fi/", "to obtain her freedom, but up until this point she has no long-term", "any specific objective, nor does she have any real idea of one. My", "survive. In the first quarter of the story, she doesn't really have any", "them to obtain her freedom, but up until this point she has no", "remain free. She is just sort of carrying on surviving on her own,", "has no long-term ambitions or desires outside of evading the law. I feel", "evading the law. I feel like the beginning of the book is quite", "reader know what to expect of the forthcoming story. The point of my", "invest in a story about a character that doesn't really know what they", "working towards any specific objective, nor does she have any real idea of", "down before this change happens if they don't know what the book is", "or desires outside of evading the law. I feel like the beginning of", "very early in the story at least some sort of notion of an", "of society and minimizing contact with others, cutting herself off from the wider", "the beginning of the book is quite balanced between world-building, character development and", "is about or working towards. My understanding is that most novels (specifically in", "her freedom, but up until this point she has no long-term ambitions or", "This usually lets the reader know what to expect of the forthcoming story.", "don't know what the book is about or working towards. My understanding is", "doesn't really know what they want or where they are going. Obviously this", "my story and main character, however, is that they are completely separated from", "trajectory? Or alternatively, how do you manufacture an end-solution for a character that", "outside of evading the law. I feel like the beginning of the book" ]
[ "Typically, beginning at the first section, the reader must pick one choice provided", "Fighting Fantasy and Lone Wolf series were very popular in the past. They", "think gamebooks would be a nice way to entertain avid readers, juvenile or", "crossroads (turn to 267). > > > Today, with the advent of e-readers", "out to reveal a rope in the rock. If you wish to >", "reveal a rope in the rock. If you wish to > pull it,", "wish to > pull it, turn to 57. lf you feel it would", "tools to facilitate the writer's job (cross references, automatic tests etc), I think", "lines: > > A loose stone falls out to reveal a rope in", "loose stone falls out to reveal a rope in the rock. If you", "> > Today, with the advent of e-readers and writing tools to facilitate", "would be wiser to leave it alone, > you can return to the", "to reveal a rope in the rock. If you wish to > pull", "outcome for the option chosen and new choices. Something along these lines: >", "feel it would be wiser to leave it alone, > you can return", "the advent of e-readers and writing tools to facilitate the writer's job (cross", "books like Choose your Own Adventure, Fighting Fantasy and Lone Wolf series were", "detailed at a separate numbered section, which in turn provides an outcome for", "turn provides an outcome for the option chosen and new choices. Something along", "job (cross references, automatic tests etc), I think gamebooks would be a nice", "the past. They are a series of single-player gamebooks. Typically, beginning at the", "Adventure, Fighting Fantasy and Lone Wolf series were very popular in the past.", "chosen and new choices. Something along these lines: > > A loose stone", "> Today, with the advent of e-readers and writing tools to facilitate the", "new choices. Something along these lines: > > A loose stone falls out", "alone, > you can return to the crossroads (turn to 267). > >", "(turn to 267). > > > Today, with the advent of e-readers and", "for the option chosen and new choices. Something along these lines: > >", "e-readers and writing tools to facilitate the writer's job (cross references, automatic tests", "the writer's job (cross references, automatic tests etc), I think gamebooks would be", "which in turn provides an outcome for the option chosen and new choices.", "in the past. They are a series of single-player gamebooks. Typically, beginning at", "popular in the past. They are a series of single-player gamebooks. Typically, beginning", "(cross references, automatic tests etc), I think gamebooks would be a nice way", "rope in the rock. If you wish to > pull it, turn to", "to 267). > > > Today, with the advent of e-readers and writing", "and writing tools to facilitate the writer's job (cross references, automatic tests etc),", "not. But, is there a market for this kind of books? What has", "> pull it, turn to 57. lf you feel it would be wiser", "past. They are a series of single-player gamebooks. Typically, beginning at the first", "along these lines: > > A loose stone falls out to reveal a", "falls out to reveal a rope in the rock. If you wish to", "the reader must pick one choice provided by the text, each option detailed", "readers, juvenile or not. But, is there a market for this kind of", "the rock. If you wish to > pull it, turn to 57. lf", "to leave it alone, > you can return to the crossroads (turn to", "or not. But, is there a market for this kind of books? What", "a rope in the rock. If you wish to > pull it, turn", "be wiser to leave it alone, > you can return to the crossroads", "to the crossroads (turn to 267). > > > Today, with the advent", "of single-player gamebooks. Typically, beginning at the first section, the reader must pick", "you feel it would be wiser to leave it alone, > you can", "facilitate the writer's job (cross references, automatic tests etc), I think gamebooks would", "57. lf you feel it would be wiser to leave it alone, >", "rock. If you wish to > pull it, turn to 57. lf you", "provides an outcome for the option chosen and new choices. Something along these", "section, the reader must pick one choice provided by the text, each option", "to facilitate the writer's job (cross references, automatic tests etc), I think gamebooks", "would be a nice way to entertain avid readers, juvenile or not. But,", "are a series of single-player gamebooks. Typically, beginning at the first section, the", "of e-readers and writing tools to facilitate the writer's job (cross references, automatic", "juvenile or not. But, is there a market for this kind of books?", "to entertain avid readers, juvenile or not. But, is there a market for", "to > pull it, turn to 57. lf you feel it would be", "Wolf series were very popular in the past. They are a series of", "267). > > > Today, with the advent of e-readers and writing tools", "with the advent of e-readers and writing tools to facilitate the writer's job", "the option chosen and new choices. Something along these lines: > > A", "Today, with the advent of e-readers and writing tools to facilitate the writer's", "single-player gamebooks. Typically, beginning at the first section, the reader must pick one", "return to the crossroads (turn to 267). > > > Today, with the", "a series of single-player gamebooks. Typically, beginning at the first section, the reader", "beginning at the first section, the reader must pick one choice provided by", "I think gamebooks would be a nice way to entertain avid readers, juvenile", "Fantasy and Lone Wolf series were very popular in the past. They are", "reader must pick one choice provided by the text, each option detailed at", "references, automatic tests etc), I think gamebooks would be a nice way to", "Something along these lines: > > A loose stone falls out to reveal", "gamebooks would be a nice way to entertain avid readers, juvenile or not.", "> A loose stone falls out to reveal a rope in the rock.", "leave it alone, > you can return to the crossroads (turn to 267).", "very popular in the past. They are a series of single-player gamebooks. Typically,", "text, each option detailed at a separate numbered section, which in turn provides", "writing tools to facilitate the writer's job (cross references, automatic tests etc), I", "option detailed at a separate numbered section, which in turn provides an outcome", "They are a series of single-player gamebooks. Typically, beginning at the first section,", "must pick one choice provided by the text, each option detailed at a", "in turn provides an outcome for the option chosen and new choices. Something", "you wish to > pull it, turn to 57. lf you feel it", "wiser to leave it alone, > you can return to the crossroads (turn", "> > > Today, with the advent of e-readers and writing tools to", "in the rock. If you wish to > pull it, turn to 57.", "section, which in turn provides an outcome for the option chosen and new", "> you can return to the crossroads (turn to 267). > > >", "the crossroads (turn to 267). > > > Today, with the advent of", "etc), I think gamebooks would be a nice way to entertain avid readers,", "numbered section, which in turn provides an outcome for the option chosen and", "and Lone Wolf series were very popular in the past. They are a", "were very popular in the past. They are a series of single-player gamebooks.", "choices. Something along these lines: > > A loose stone falls out to", "If you wish to > pull it, turn to 57. lf you feel", "turn to 57. lf you feel it would be wiser to leave it", "be a nice way to entertain avid readers, juvenile or not. But, is", "writer's job (cross references, automatic tests etc), I think gamebooks would be a", "the first section, the reader must pick one choice provided by the text,", "at the first section, the reader must pick one choice provided by the", "tests etc), I think gamebooks would be a nice way to entertain avid", "one choice provided by the text, each option detailed at a separate numbered", "avid readers, juvenile or not. But, is there a market for this kind", "advent of e-readers and writing tools to facilitate the writer's job (cross references,", "an outcome for the option chosen and new choices. Something along these lines:", "pull it, turn to 57. lf you feel it would be wiser to", "automatic tests etc), I think gamebooks would be a nice way to entertain", "the text, each option detailed at a separate numbered section, which in turn", "entertain avid readers, juvenile or not. But, is there a market for this", "it would be wiser to leave it alone, > you can return to", "option chosen and new choices. Something along these lines: > > A loose", "a nice way to entertain avid readers, juvenile or not. But, is there", "by the text, each option detailed at a separate numbered section, which in", "provided by the text, each option detailed at a separate numbered section, which", "Choose your Own Adventure, Fighting Fantasy and Lone Wolf series were very popular", "and new choices. Something along these lines: > > A loose stone falls", "> > A loose stone falls out to reveal a rope in the", "pick one choice provided by the text, each option detailed at a separate", "lf you feel it would be wiser to leave it alone, > you", "stone falls out to reveal a rope in the rock. If you wish", "you can return to the crossroads (turn to 267). > > > Today,", "it alone, > you can return to the crossroads (turn to 267). >", "Game books like Choose your Own Adventure, Fighting Fantasy and Lone Wolf series", "series of single-player gamebooks. Typically, beginning at the first section, the reader must", "series were very popular in the past. They are a series of single-player", "Lone Wolf series were very popular in the past. They are a series", "at a separate numbered section, which in turn provides an outcome for the", "it, turn to 57. lf you feel it would be wiser to leave", "can return to the crossroads (turn to 267). > > > Today, with", "separate numbered section, which in turn provides an outcome for the option chosen", "a separate numbered section, which in turn provides an outcome for the option", "gamebooks. Typically, beginning at the first section, the reader must pick one choice", "nice way to entertain avid readers, juvenile or not. But, is there a", "your Own Adventure, Fighting Fantasy and Lone Wolf series were very popular in", "choice provided by the text, each option detailed at a separate numbered section,", "these lines: > > A loose stone falls out to reveal a rope", "like Choose your Own Adventure, Fighting Fantasy and Lone Wolf series were very", "first section, the reader must pick one choice provided by the text, each", "Own Adventure, Fighting Fantasy and Lone Wolf series were very popular in the", "way to entertain avid readers, juvenile or not. But, is there a market", "But, is there a market for this kind of books? What has changed?", "to 57. lf you feel it would be wiser to leave it alone,", "A loose stone falls out to reveal a rope in the rock. If", "each option detailed at a separate numbered section, which in turn provides an" ]
[ "story and I need to describe a hidden young girl watching an attack", "hidden young girl watching an attack on her village. How can I best", "young girl watching an attack on her village. How can I best show", "writing a story and I need to describe a hidden young girl watching", "need to describe a hidden young girl watching an attack on her village.", "a hidden young girl watching an attack on her village. How can I", "her village. How can I best show this instead of just telling it?", "I'm writing a story and I need to describe a hidden young girl", "watching an attack on her village. How can I best show this instead", "describe a hidden young girl watching an attack on her village. How can", "attack on her village. How can I best show this instead of just", "and I need to describe a hidden young girl watching an attack on", "to describe a hidden young girl watching an attack on her village. How", "girl watching an attack on her village. How can I best show this", "an attack on her village. How can I best show this instead of", "on her village. How can I best show this instead of just telling", "I need to describe a hidden young girl watching an attack on her", "a story and I need to describe a hidden young girl watching an" ]
[ "is a scene where a character narrates some past to another character. And", "consists of 600 - 900 words. How do I write this? It is", "story there is a scene where a character narrates some past to another", "there is a scene where a character narrates some past to another character.", "write this? It is like a story within a story, but it only", "I write this? It is like a story within a story, but it", "900 words. How do I write this? It is like a story within", "my story there is a scene where a character narrates some past to", "narrates some past to another character. And this past consists of 600 -", "a story within a story, but it only happens in the conversation between", "story within a story, but it only happens in the conversation between the", "within a story, but it only happens in the conversation between the two", "this? It is like a story within a story, but it only happens", "600 - 900 words. How do I write this? It is like a", "some past to another character. And this past consists of 600 - 900", "past to another character. And this past consists of 600 - 900 words.", "to another character. And this past consists of 600 - 900 words. How", "It is like a story within a story, but it only happens in", "- 900 words. How do I write this? It is like a story", "words. How do I write this? It is like a story within a", "like a story within a story, but it only happens in the conversation", "And this past consists of 600 - 900 words. How do I write", "is like a story within a story, but it only happens in the", "past consists of 600 - 900 words. How do I write this? It", "this past consists of 600 - 900 words. How do I write this?", "How do I write this? It is like a story within a story,", "character. And this past consists of 600 - 900 words. How do I", "of 600 - 900 words. How do I write this? It is like", "do I write this? It is like a story within a story, but", "a scene where a character narrates some past to another character. And this", "scene where a character narrates some past to another character. And this past", "another character. And this past consists of 600 - 900 words. How do", "In my story there is a scene where a character narrates some past", "where a character narrates some past to another character. And this past consists", "character narrates some past to another character. And this past consists of 600", "a story, but it only happens in the conversation between the two characters.", "a character narrates some past to another character. And this past consists of" ]
[ "There's very little to do beyond read boring books and practice boring magic", "and practice boring magic spells. How do I keep the reader from being", "do I keep the reader from being bored too? Maybe I just shorten", "their magical skill, they must remain in hiding. Because they have not yet", "Edit: Just an update that these two chapters, after following Ehun's excellent advice,", "I just shorten it all? Edit: Just an update that these two chapters,", "mastered their magical skill. My protagonist is bored from being holed up for", "is bored from being holed up for so long. There's very little to", "How do I keep the reader from being bored too? Maybe I just", "all? Edit: Just an update that these two chapters, after following Ehun's excellent", "just shorten it all? Edit: Just an update that these two chapters, after", "they have not yet mastered their magical skill. My protagonist is bored from", "practice boring magic spells. How do I keep the reader from being bored", "beyond read boring books and practice boring magic spells. How do I keep", "an update that these two chapters, after following Ehun's excellent advice, are now", "chapters, after following Ehun's excellent advice, are now two of my favorite chapters.", "keep the reader from being bored too? Maybe I just shorten it all?", "Just an update that these two chapters, after following Ehun's excellent advice, are", "have not yet mastered their magical skill. My protagonist is bored from being", "boring books and practice boring magic spells. How do I keep the reader", "remain in hiding. Because they have not yet mastered their magical skill. My", "following Ehun's excellent advice, are now two of my favorite chapters. :-) Thanks", "Ehun's excellent advice, are now two of my favorite chapters. :-) Thanks all.", "do beyond read boring books and practice boring magic spells. How do I", "books and practice boring magic spells. How do I keep the reader from", "magical skill. My protagonist is bored from being holed up for so long.", "skill, they must remain in hiding. Because they have not yet mastered their", "after following Ehun's excellent advice, are now two of my favorite chapters. :-)", "read boring books and practice boring magic spells. How do I keep the", "is learning to use their magical skill, they must remain in hiding. Because", "learning to use their magical skill, they must remain in hiding. Because they", "being holed up for so long. There's very little to do beyond read", "I keep the reader from being bored too? Maybe I just shorten it", "must remain in hiding. Because they have not yet mastered their magical skill.", "magic spells. How do I keep the reader from being bored too? Maybe", "two chapters, after following Ehun's excellent advice, are now two of my favorite", "too? Maybe I just shorten it all? Edit: Just an update that these", "hiding. Because they have not yet mastered their magical skill. My protagonist is", "protagonist is bored from being holed up for so long. There's very little", "for so long. There's very little to do beyond read boring books and", "bored too? Maybe I just shorten it all? Edit: Just an update that", "to do beyond read boring books and practice boring magic spells. How do", "spells. How do I keep the reader from being bored too? Maybe I", "my protagonist is learning to use their magical skill, they must remain in", "protagonist is learning to use their magical skill, they must remain in hiding.", "being bored too? Maybe I just shorten it all? Edit: Just an update", "it all? Edit: Just an update that these two chapters, after following Ehun's", "shorten it all? Edit: Just an update that these two chapters, after following", "When my protagonist is learning to use their magical skill, they must remain", "from being bored too? Maybe I just shorten it all? Edit: Just an", "Maybe I just shorten it all? Edit: Just an update that these two", "My protagonist is bored from being holed up for so long. There's very", "to use their magical skill, they must remain in hiding. Because they have", "boring magic spells. How do I keep the reader from being bored too?", "little to do beyond read boring books and practice boring magic spells. How", "magical skill, they must remain in hiding. Because they have not yet mastered", "up for so long. There's very little to do beyond read boring books", "long. There's very little to do beyond read boring books and practice boring", "Because they have not yet mastered their magical skill. My protagonist is bored", "reader from being bored too? Maybe I just shorten it all? Edit: Just", "from being holed up for so long. There's very little to do beyond", "the reader from being bored too? Maybe I just shorten it all? Edit:", "that these two chapters, after following Ehun's excellent advice, are now two of", "update that these two chapters, after following Ehun's excellent advice, are now two", "they must remain in hiding. Because they have not yet mastered their magical", "skill. My protagonist is bored from being holed up for so long. There's", "yet mastered their magical skill. My protagonist is bored from being holed up", "bored from being holed up for so long. There's very little to do", "use their magical skill, they must remain in hiding. Because they have not", "their magical skill. My protagonist is bored from being holed up for so", "so long. There's very little to do beyond read boring books and practice", "not yet mastered their magical skill. My protagonist is bored from being holed", "holed up for so long. There's very little to do beyond read boring", "in hiding. Because they have not yet mastered their magical skill. My protagonist", "very little to do beyond read boring books and practice boring magic spells.", "these two chapters, after following Ehun's excellent advice, are now two of my" ]
[ "bad idea for these characters? Sure, a bit of mystery is intriguing, but", "eyes, \"diluted\" from interbreeding. Still unusual looking for a normal human being, but", "not even realize they're getting hints to those characters. Should I show these", "care about these characters, given how little they know about them, even if", "don't tell the mc who they are or what they are doing, they", "have orange eyes, \"diluted\" from interbreeding. Still unusual looking for a normal human", "to, have red eyes, and the two mystery characters have orange eyes, \"diluted\"", "these two characters come back into play and reveal a twist about them.", "them. For example, someone might mention how the race, which the legendary hero", "them and not even realize they're getting hints to those characters. Should I", "have knowledge of at the time when they start, but the reader does", "example, someone might mention how the race, which the legendary hero belongs to,", "from interbreeding. Still unusual looking for a normal human being, but not as", "storyline. What I did to kind of solve this issue is reveal things", "reader (and the mc) doesn't know about the red eyes yet when they", "of kindness and disappear just as fast as they appeared. Later, at the", "hero belongs to, have red eyes, and the two mystery characters have orange", "For example, someone might mention how the race, which the legendary hero belongs", "those characters in the first chapter, I drop a lot of hints like", "red eyes, and the two mystery characters have orange eyes, \"diluted\" from interbreeding.", "so they might appear like asspulls to some. I get the feeling people", "getting hints to those characters. Should I show these two characters more often", "finds out about it later. Not to mention, since the two characters are", "this issue is reveal things over the course of the story that indirectly", "realize they're getting hints to those characters. Should I show these two characters", "reader does gain that knowledge over the course of the story. The reader", "hero or something (which is NOT the mc, btw.). The villain is actually", "two mystery characters have orange eyes, \"diluted\" from interbreeding. Still unusual looking for", "knowledge over the course of the story. The reader (and the mc) doesn't", "course of the story that indirectly gives more info about these two characters,", "they are or what they are doing, they just helped the mc out", "story that indirectly gives more info about these two characters, without ever mentioning", "the main storyline. What I did to kind of solve this issue is", "legendary hero belongs to, have red eyes, and the two mystery characters have", "eyes, and the two mystery characters have orange eyes, \"diluted\" from interbreeding. Still", "/ saved by two complete strangers. They don't tell the mc who they", "and the two mystery characters have orange eyes, \"diluted\" from interbreeding. Still unusual", "never return. Could this be a bad idea for these characters? Sure, a", "asspulls to some. I get the feeling people won't care about these characters,", "of these characters, since they only appear in the first and last chapter,", "chapter, I have these two characters come back into play and reveal a", "strange and it's not unique to the hero's children, but it does give", "red eyes yet when they first see the two characters, but finds out", "are doing, they just helped the mc out of kindness and disappear just", "noticeably strange and it's not unique to the hero's children, but it does", "be a bad idea for these characters? Sure, a bit of mystery is", "looking for a normal human being, but not as noticeably strange and it's", "to some. I get the feeling people won't care about these characters, given", "they just helped the mc out of kindness and disappear just as fast", "these characters, given how little they know about them, even if I spend", "but I feel like I don't show enough of these characters, since they", "just say that they are the kids of the legendary hero or something", "to finish off the villain for good, so he may never return. Could", "doing, they just helped the mc out of kindness and disappear just as", "unusual looking for a normal human being, but not as noticeably strange and", "saved by two complete strangers. They don't tell the mc who they are", "the course of the story. The reader (and the mc) doesn't know about", "without ever mentioning them. For example, someone might mention how the race, which", "as an example, let's just say that they are the kids of the", "by two complete strangers. They don't tell the mc who they are or", "are gone so fast, the reader might forget about them and not even", "play and reveal a twist about them. Just as an example, let's just", "finish off the villain for good, so he may never return. Could this", "main storyline. What I did to kind of solve this issue is reveal", "course of the story. The reader (and the mc) doesn't know about the", "complete strangers. They don't tell the mc who they are or what they", "tell the mc who they are or what they are doing, they just", "appeared. Later, at the very end of the story in the final chapter,", "the first and last chapter, so they might appear like asspulls to some.", "I drop a lot of hints like this without the reader even realizing,", "characters come back into play and reveal a twist about them. Just as", "from / saved by two complete strangers. They don't tell the mc who", "mc, btw.). The villain is actually defeated at this point, the two simply", "kids of the legendary hero or something (which is NOT the mc, btw.).", "hints like this without the reader even realizing, as they are hints for", "in the first and last chapter, so they might appear like asspulls to", "things the reader couldn't have knowledge of at the time when they start,", "the two mystery characters have orange eyes, \"diluted\" from interbreeding. Still unusual looking", "the reader does gain that knowledge over the course of the story. The", "knowledge of at the time when they start, but the reader does gain", "about them, even if I spend most of the last chapter focusing on", "or what they are doing, they just helped the mc out of kindness", "the final chapter, I have these two characters come back into play and", "appear like asspulls to some. I get the feeling people won't care about", "so he may never return. Could this be a bad idea for these", "twist about them. Just as an example, let's just say that they are", "of the legendary hero or something (which is NOT the mc, btw.). The", "a little hint towards their identity. In fact, when I show those characters", "villain for good, so he may never return. Could this be a bad", "mention how the race, which the legendary hero belongs to, have red eyes,", "characters, given how little they know about them, even if I spend most", "yet when they first see the two characters, but finds out about it", "come back to finish off the villain for good, so he may never", "indirectly gives more info about these two characters, without ever mentioning them. For", "might mention how the race, which the legendary hero belongs to, have red", "is reveal things over the course of the story that indirectly gives more", "Could this be a bad idea for these characters? Sure, a bit of", "did behind the scenes that affects the main storyline. What I did to", "drop a lot of hints like this without the reader even realizing, as", "some. I get the feeling people won't care about these characters, given how", "and reveal a twist about them. Just as an example, let's just say", "gone so fast, the reader might forget about them and not even realize", "give a little hint towards their identity. In fact, when I show those", "about them and not even realize they're getting hints to those characters. Should", "the main character gets help from / saved by two complete strangers. They", "at the very end of the story in the final chapter, I have", "the two characters, but finds out about it later. Not to mention, since", "reveal things over the course of the story that indirectly gives more info", "might forget about them and not even realize they're getting hints to those", "the two simply come back to finish off the villain for good, so", "the mc, btw.). The villain is actually defeated at this point, the two", "I spend most of the last chapter focusing on them and what they", "even realizing, as they are hints for things the reader couldn't have knowledge", "story. The reader (and the mc) doesn't know about the red eyes yet", "characters, since they only appear in the first and last chapter, so they", "don't show enough of these characters, since they only appear in the first", "story in the final chapter, I have these two characters come back into", "are hints for things the reader couldn't have knowledge of at the time", "who they are or what they are doing, they just helped the mc", "but not as noticeably strange and it's not unique to the hero's children,", "even realize they're getting hints to those characters. Should I show these two", "at the time when they start, but the reader does gain that knowledge", "kind of solve this issue is reveal things over the course of the", "or something (which is NOT the mc, btw.). The villain is actually defeated", "these characters? Sure, a bit of mystery is intriguing, but I feel like", "does gain that knowledge over the course of the story. The reader (and", "last chapter focusing on them and what they did behind the scenes that", "doesn't know about the red eyes yet when they first see the two", "return. Could this be a bad idea for these characters? Sure, a bit", "characters? Sure, a bit of mystery is intriguing, but I feel like I", "they know about them, even if I spend most of the last chapter", "characters, without ever mentioning them. For example, someone might mention how the race,", "an example, let's just say that they are the kids of the legendary", "the very end of the story in the final chapter, I have these", "of at the time when they start, but the reader does gain that", "since the two characters are gone so fast, the reader might forget about", "them and what they did behind the scenes that affects the main storyline.", "fast as they appeared. Later, at the very end of the story in", "given how little they know about them, even if I spend most of", "they did behind the scenes that affects the main storyline. What I did", "the reader even realizing, as they are hints for things the reader couldn't", "the villain for good, so he may never return. Could this be a", "They don't tell the mc who they are or what they are doing,", "Still unusual looking for a normal human being, but not as noticeably strange", "over the course of the story that indirectly gives more info about these", "they only appear in the first and last chapter, so they might appear", "hint towards their identity. In fact, when I show those characters in the", "more info about these two characters, without ever mentioning them. For example, someone", "let's just say that they are the kids of the legendary hero or", "start, but the reader does gain that knowledge over the course of the", "kindness and disappear just as fast as they appeared. Later, at the very", "I get the feeling people won't care about these characters, given how little", "this point, the two simply come back to finish off the villain for", "ever mentioning them. For example, someone might mention how the race, which the", "in the first chapter, I drop a lot of hints like this without", "end of the story in the final chapter, I have these two characters", "see the two characters, but finds out about it later. Not to mention,", "bit of mystery is intriguing, but I feel like I don't show enough", "as fast as they appeared. Later, at the very end of the story", "defeated at this point, the two simply come back to finish off the", "reader even realizing, as they are hints for things the reader couldn't have", "characters in the first chapter, I drop a lot of hints like this", "come back into play and reveal a twist about them. Just as an", "the course of the story that indirectly gives more info about these two", "just as fast as they appeared. Later, at the very end of the", "identity. In fact, when I show those characters in the first chapter, I", "of the story. The reader (and the mc) doesn't know about the red", "strangers. They don't tell the mc who they are or what they are", "that knowledge over the course of the story. The reader (and the mc)", "when they first see the two characters, but finds out about it later.", "disappear just as fast as they appeared. Later, at the very end of", "a bit of mystery is intriguing, but I feel like I don't show", "did to kind of solve this issue is reveal things over the course", "mc out of kindness and disappear just as fast as they appeared. Later,", "characters have orange eyes, \"diluted\" from interbreeding. Still unusual looking for a normal", "might appear like asspulls to some. I get the feeling people won't care", "someone might mention how the race, which the legendary hero belongs to, have", "the first chapter, I drop a lot of hints like this without the", "that they are the kids of the legendary hero or something (which is", "he may never return. Could this be a bad idea for these characters?", "Later, at the very end of the story in the final chapter, I", "and last chapter, so they might appear like asspulls to some. I get", "behind the scenes that affects the main storyline. What I did to kind", "it later. Not to mention, since the two characters are gone so fast,", "eyes yet when they first see the two characters, but finds out about", "I did to kind of solve this issue is reveal things over the", "show enough of these characters, since they only appear in the first and", "the story in the final chapter, I have these two characters come back", "about the red eyes yet when they first see the two characters, but", "of mystery is intriguing, but I feel like I don't show enough of", "point, the two simply come back to finish off the villain for good,", "NOT the mc, btw.). The villain is actually defeated at this point, the", "show those characters in the first chapter, I drop a lot of hints", "they are doing, they just helped the mc out of kindness and disappear", "is intriguing, but I feel like I don't show enough of these characters,", "about it later. Not to mention, since the two characters are gone so", "two characters, but finds out about it later. Not to mention, since the", "just helped the mc out of kindness and disappear just as fast as", "a twist about them. Just as an example, let's just say that they", "they start, but the reader does gain that knowledge over the course of", "about them. Just as an example, let's just say that they are the", "two characters come back into play and reveal a twist about them. Just", "for these characters? Sure, a bit of mystery is intriguing, but I feel", "into play and reveal a twist about them. Just as an example, let's", "What I did to kind of solve this issue is reveal things over", "enough of these characters, since they only appear in the first and last", "the mc out of kindness and disappear just as fast as they appeared.", "time when they start, but the reader does gain that knowledge over the", "and not even realize they're getting hints to those characters. Should I show", "get the feeling people won't care about these characters, given how little they", "about these two characters, without ever mentioning them. For example, someone might mention", "appear in the first and last chapter, so they might appear like asspulls", "a bad idea for these characters? Sure, a bit of mystery is intriguing,", "gain that knowledge over the course of the story. The reader (and the", "for good, so he may never return. Could this be a bad idea", "it does give a little hint towards their identity. In fact, when I", "them. Just as an example, let's just say that they are the kids", "the two characters are gone so fast, the reader might forget about them", "affects the main storyline. What I did to kind of solve this issue", "may never return. Could this be a bad idea for these characters? Sure,", "orange eyes, \"diluted\" from interbreeding. Still unusual looking for a normal human being,", "like asspulls to some. I get the feeling people won't care about these", "off the villain for good, so he may never return. Could this be", "btw.). The villain is actually defeated at this point, the two simply come", "race, which the legendary hero belongs to, have red eyes, and the two", "lot of hints like this without the reader even realizing, as they are", "are the kids of the legendary hero or something (which is NOT the", "mentioning them. For example, someone might mention how the race, which the legendary", "gives more info about these two characters, without ever mentioning them. For example,", "the race, which the legendary hero belongs to, have red eyes, and the", "later. Not to mention, since the two characters are gone so fast, the", "I feel like I don't show enough of these characters, since they only", "the story. The reader (and the mc) doesn't know about the red eyes", "of the story that indirectly gives more info about these two characters, without", "it's not unique to the hero's children, but it does give a little", "hero's children, but it does give a little hint towards their identity. In", "characters are gone so fast, the reader might forget about them and not", "their identity. In fact, when I show those characters in the first chapter,", "as noticeably strange and it's not unique to the hero's children, but it", "I show those characters in the first chapter, I drop a lot of", "the legendary hero or something (which is NOT the mc, btw.). The villain", "to the hero's children, but it does give a little hint towards their", "my story, the main character gets help from / saved by two complete", "idea for these characters? Sure, a bit of mystery is intriguing, but I", "of solve this issue is reveal things over the course of the story", "the story that indirectly gives more info about these two characters, without ever", "how the race, which the legendary hero belongs to, have red eyes, and", "the reader might forget about them and not even realize they're getting hints", "since they only appear in the first and last chapter, so they might", "if I spend most of the last chapter focusing on them and what", "over the course of the story. The reader (and the mc) doesn't know", "help from / saved by two complete strangers. They don't tell the mc", "characters, but finds out about it later. Not to mention, since the two", "main character gets help from / saved by two complete strangers. They don't", "the hero's children, but it does give a little hint towards their identity.", "first see the two characters, but finds out about it later. Not to", "two simply come back to finish off the villain for good, so he", "chapter focusing on them and what they did behind the scenes that affects", "they first see the two characters, but finds out about it later. Not", "first and last chapter, so they might appear like asspulls to some. I", "and disappear just as fast as they appeared. Later, at the very end", "about these characters, given how little they know about them, even if I", "they might appear like asspulls to some. I get the feeling people won't", "feel like I don't show enough of these characters, since they only appear", "like I don't show enough of these characters, since they only appear in", "they appeared. Later, at the very end of the story in the final", "is NOT the mc, btw.). The villain is actually defeated at this point,", "when they start, but the reader does gain that knowledge over the course", "to mention, since the two characters are gone so fast, the reader might", "helped the mc out of kindness and disappear just as fast as they", "they are the kids of the legendary hero or something (which is NOT", "character gets help from / saved by two complete strangers. They don't tell", "the red eyes yet when they first see the two characters, but finds", "a normal human being, but not as noticeably strange and it's not unique", "these two characters, without ever mentioning them. For example, someone might mention how", "to kind of solve this issue is reveal things over the course of", "first chapter, I drop a lot of hints like this without the reader", "in the final chapter, I have these two characters come back into play", "they are hints for things the reader couldn't have knowledge of at the", "the kids of the legendary hero or something (which is NOT the mc,", "how little they know about them, even if I spend most of the", "of hints like this without the reader even realizing, as they are hints", "the feeling people won't care about these characters, given how little they know", "but it does give a little hint towards their identity. In fact, when", "back into play and reveal a twist about them. Just as an example,", "feeling people won't care about these characters, given how little they know about", "this be a bad idea for these characters? Sure, a bit of mystery", "for things the reader couldn't have knowledge of at the time when they", "legendary hero or something (which is NOT the mc, btw.). The villain is", "spend most of the last chapter focusing on them and what they did", "two characters are gone so fast, the reader might forget about them and", "info about these two characters, without ever mentioning them. For example, someone might", "have these two characters come back into play and reveal a twist about", "at this point, the two simply come back to finish off the villain", "only appear in the first and last chapter, so they might appear like", "villain is actually defeated at this point, the two simply come back to", "normal human being, but not as noticeably strange and it's not unique to", "for a normal human being, but not as noticeably strange and it's not", "very end of the story in the final chapter, I have these two", "children, but it does give a little hint towards their identity. In fact,", "little they know about them, even if I spend most of the last", "does give a little hint towards their identity. In fact, when I show", "as they appeared. Later, at the very end of the story in the", "reveal a twist about them. Just as an example, let's just say that", "but finds out about it later. Not to mention, since the two characters", "the scenes that affects the main storyline. What I did to kind of", "not as noticeably strange and it's not unique to the hero's children, but", "towards their identity. In fact, when I show those characters in the first", "which the legendary hero belongs to, have red eyes, and the two mystery", "mc) doesn't know about the red eyes yet when they first see the", "scenes that affects the main storyline. What I did to kind of solve", "fast, the reader might forget about them and not even realize they're getting", "something (which is NOT the mc, btw.). The villain is actually defeated at", "what they are doing, they just helped the mc out of kindness and", "as they are hints for things the reader couldn't have knowledge of at", "most of the last chapter focusing on them and what they did behind", "focusing on them and what they did behind the scenes that affects the", "intriguing, but I feel like I don't show enough of these characters, since", "of the last chapter focusing on them and what they did behind the", "interbreeding. Still unusual looking for a normal human being, but not as noticeably", "these characters, since they only appear in the first and last chapter, so", "Sure, a bit of mystery is intriguing, but I feel like I don't", "chapter, so they might appear like asspulls to some. I get the feeling", "forget about them and not even realize they're getting hints to those characters.", "mc who they are or what they are doing, they just helped the", "they're getting hints to those characters. Should I show these two characters more", "but the reader does gain that knowledge over the course of the story.", "belongs to, have red eyes, and the two mystery characters have orange eyes,", "back to finish off the villain for good, so he may never return.", "when I show those characters in the first chapter, I drop a lot", "say that they are the kids of the legendary hero or something (which", "chapter, I drop a lot of hints like this without the reader even", "realizing, as they are hints for things the reader couldn't have knowledge of", "issue is reveal things over the course of the story that indirectly gives", "like this without the reader even realizing, as they are hints for things", "I don't show enough of these characters, since they only appear in the", "not unique to the hero's children, but it does give a little hint", "even if I spend most of the last chapter focusing on them and", "is actually defeated at this point, the two simply come back to finish", "won't care about these characters, given how little they know about them, even", "that indirectly gives more info about these two characters, without ever mentioning them.", "the legendary hero belongs to, have red eyes, and the two mystery characters", "final chapter, I have these two characters come back into play and reveal", "the reader couldn't have knowledge of at the time when they start, but", "solve this issue is reveal things over the course of the story that", "what they did behind the scenes that affects the main storyline. What I", "hints for things the reader couldn't have knowledge of at the time when", "and what they did behind the scenes that affects the main storyline. What", "being, but not as noticeably strange and it's not unique to the hero's", "I have these two characters come back into play and reveal a twist", "In fact, when I show those characters in the first chapter, I drop", "this without the reader even realizing, as they are hints for things the", "the mc) doesn't know about the red eyes yet when they first see", "little hint towards their identity. In fact, when I show those characters in", "example, let's just say that they are the kids of the legendary hero", "the last chapter focusing on them and what they did behind the scenes", "mystery characters have orange eyes, \"diluted\" from interbreeding. Still unusual looking for a", "Just as an example, let's just say that they are the kids of", "people won't care about these characters, given how little they know about them,", "have red eyes, and the two mystery characters have orange eyes, \"diluted\" from", "the mc who they are or what they are doing, they just helped", "Not to mention, since the two characters are gone so fast, the reader", "The reader (and the mc) doesn't know about the red eyes yet when", "on them and what they did behind the scenes that affects the main", "reader couldn't have knowledge of at the time when they start, but the", "gets help from / saved by two complete strangers. They don't tell the", "simply come back to finish off the villain for good, so he may", "The villain is actually defeated at this point, the two simply come back", "know about them, even if I spend most of the last chapter focusing", "last chapter, so they might appear like asspulls to some. I get the", "(which is NOT the mc, btw.). The villain is actually defeated at this", "reader might forget about them and not even realize they're getting hints to", "two complete strangers. They don't tell the mc who they are or what", "out of kindness and disappear just as fast as they appeared. Later, at", "know about the red eyes yet when they first see the two characters,", "good, so he may never return. Could this be a bad idea for", "things over the course of the story that indirectly gives more info about", "story, the main character gets help from / saved by two complete strangers.", "\"diluted\" from interbreeding. Still unusual looking for a normal human being, but not", "out about it later. Not to mention, since the two characters are gone", "them, even if I spend most of the last chapter focusing on them", "mystery is intriguing, but I feel like I don't show enough of these", "unique to the hero's children, but it does give a little hint towards", "fact, when I show those characters in the first chapter, I drop a", "that affects the main storyline. What I did to kind of solve this", "of the story in the final chapter, I have these two characters come", "without the reader even realizing, as they are hints for things the reader", "In my story, the main character gets help from / saved by two", "so fast, the reader might forget about them and not even realize they're", "and it's not unique to the hero's children, but it does give a", "the time when they start, but the reader does gain that knowledge over", "human being, but not as noticeably strange and it's not unique to the", "hints to those characters. Should I show these two characters more often instead?", "actually defeated at this point, the two simply come back to finish off", "are or what they are doing, they just helped the mc out of", "a lot of hints like this without the reader even realizing, as they", "mention, since the two characters are gone so fast, the reader might forget", "couldn't have knowledge of at the time when they start, but the reader", "(and the mc) doesn't know about the red eyes yet when they first", "two characters, without ever mentioning them. For example, someone might mention how the" ]
[ "permission from the company? One legal site gives several examples stating that as", "store that exists in real life. Is it considered trademark infringement to mention", "that exists in real life. Is it considered trademark infringement to mention the", "exists in real life. Is it considered trademark infringement to mention the names", "considered trademark infringement to mention the names of actual businesses or services (like", "it considered trademark infringement to mention the names of actual businesses or services", "in Red Square of Moscow. A very wealthy bureaucrat is leaving a famous,", "Is it considered trademark infringement to mention the names of actual businesses or", "that sure seems open to interpretation if one were writing a story suggesting", "for my novel that is set in Red Square of Moscow. A very", "am writing a pivotal scene for my novel that is set in Red", "stating that as long as it doesn't cause the corporation harm it's okay,", "I am writing a pivotal scene for my novel that is set in", "that as long as it doesn't cause the corporation harm it's okay, but", "infringement to mention the names of actual businesses or services (like hailed an", "leaving a famous, high end store that exists in real life. Is it", "as it doesn't cause the corporation harm it's okay, but that sure seems", "actual businesses or services (like hailed an Uber cab) without obtaining expressed written", "businesses or services (like hailed an Uber cab) without obtaining expressed written permission", "as long as it doesn't cause the corporation harm it's okay, but that", "long as it doesn't cause the corporation harm it's okay, but that sure", "cause the corporation harm it's okay, but that sure seems open to interpretation", "high end store that exists in real life. Is it considered trademark infringement", "that is set in Red Square of Moscow. A very wealthy bureaucrat is", "the corporation harm it's okay, but that sure seems open to interpretation if", "very wealthy bureaucrat is leaving a famous, high end store that exists in", "Moscow. A very wealthy bureaucrat is leaving a famous, high end store that", "real life. Is it considered trademark infringement to mention the names of actual", "of Moscow. A very wealthy bureaucrat is leaving a famous, high end store", "seems open to interpretation if one were writing a story suggesting a murderous", "it's okay, but that sure seems open to interpretation if one were writing", "expressed written permission from the company? One legal site gives several examples stating", "pivotal scene for my novel that is set in Red Square of Moscow.", "is leaving a famous, high end store that exists in real life. Is", "cab) without obtaining expressed written permission from the company? One legal site gives", "if one were writing a story suggesting a murderous Santa is lurking in", "corporation harm it's okay, but that sure seems open to interpretation if one", "novel that is set in Red Square of Moscow. A very wealthy bureaucrat", "written permission from the company? One legal site gives several examples stating that", "a pivotal scene for my novel that is set in Red Square of", "A very wealthy bureaucrat is leaving a famous, high end store that exists", "famous, high end store that exists in real life. Is it considered trademark", "mention the names of actual businesses or services (like hailed an Uber cab)", "doesn't cause the corporation harm it's okay, but that sure seems open to", "it doesn't cause the corporation harm it's okay, but that sure seems open", "one were writing a story suggesting a murderous Santa is lurking in Macy's.", "open to interpretation if one were writing a story suggesting a murderous Santa", "writing a pivotal scene for my novel that is set in Red Square", "trademark infringement to mention the names of actual businesses or services (like hailed", "several examples stating that as long as it doesn't cause the corporation harm", "to interpretation if one were writing a story suggesting a murderous Santa is", "sure seems open to interpretation if one were writing a story suggesting a", "gives several examples stating that as long as it doesn't cause the corporation", "in real life. Is it considered trademark infringement to mention the names of", "company? One legal site gives several examples stating that as long as it", "hailed an Uber cab) without obtaining expressed written permission from the company? One", "wealthy bureaucrat is leaving a famous, high end store that exists in real", "an Uber cab) without obtaining expressed written permission from the company? One legal", "interpretation if one were writing a story suggesting a murderous Santa is lurking", "site gives several examples stating that as long as it doesn't cause the", "obtaining expressed written permission from the company? One legal site gives several examples", "but that sure seems open to interpretation if one were writing a story", "harm it's okay, but that sure seems open to interpretation if one were", "Square of Moscow. A very wealthy bureaucrat is leaving a famous, high end", "Red Square of Moscow. A very wealthy bureaucrat is leaving a famous, high", "life. Is it considered trademark infringement to mention the names of actual businesses", "okay, but that sure seems open to interpretation if one were writing a", "legal site gives several examples stating that as long as it doesn't cause", "the names of actual businesses or services (like hailed an Uber cab) without", "end store that exists in real life. Is it considered trademark infringement to", "One legal site gives several examples stating that as long as it doesn't", "Uber cab) without obtaining expressed written permission from the company? One legal site", "the company? One legal site gives several examples stating that as long as", "examples stating that as long as it doesn't cause the corporation harm it's", "my novel that is set in Red Square of Moscow. A very wealthy", "were writing a story suggesting a murderous Santa is lurking in Macy's. <http://www.rightsofwriters.com/2010/12/can-i-mention-brand-name-products-in-my.html>", "of actual businesses or services (like hailed an Uber cab) without obtaining expressed", "without obtaining expressed written permission from the company? One legal site gives several", "to mention the names of actual businesses or services (like hailed an Uber", "a famous, high end store that exists in real life. Is it considered", "scene for my novel that is set in Red Square of Moscow. A", "set in Red Square of Moscow. A very wealthy bureaucrat is leaving a", "bureaucrat is leaving a famous, high end store that exists in real life.", "services (like hailed an Uber cab) without obtaining expressed written permission from the", "or services (like hailed an Uber cab) without obtaining expressed written permission from", "is set in Red Square of Moscow. A very wealthy bureaucrat is leaving", "from the company? One legal site gives several examples stating that as long", "names of actual businesses or services (like hailed an Uber cab) without obtaining", "(like hailed an Uber cab) without obtaining expressed written permission from the company?" ]
[ "novel writing too. But say I have a story, a story with the", "have been struggling over this for quite some time now and I want", "What is difference between screenplay and novel? I know that both might be", "screenplay and novel? I know that both might be completely different fields. I", "brief differentiation between both. Any key points and links would be highly appreciated.", "read the entire question before taking any action.* So my question is -", "with the main plot, all the characters and the story line. Now consider", "I have been struggling over this for quite some time now and I", "be followed, and same applies for novel writing too. But say I have", "I know, that this question could be tagged too broad or opinion based,", "is difference between screenplay and novel? I know that both might be completely", "in both the fields. So what suits better - progressing the story into", "followed, and same applies for novel writing too. But say I have a", "taking any action.* So my question is - What is difference between screenplay", "plot, all the characters and the story line. Now consider one starting from", "So what suits better - progressing the story into a screenplay? Or developing", "all the characters and the story line. Now consider one starting from scratch,", "entire question before taking any action.* So my question is - What is", "or opinion based, and that it might even be closed down. But I", "from scratch, in both the fields. So what suits better - progressing the", "know that screenplay has some standard rules that are to be followed, and", "Or developing it into a novel? What I am looking for is brief", "be closed down. But I have been struggling over this for quite some", "story line. Now consider one starting from scratch, in both the fields. So", "this question could be tagged too broad or opinion based, and that it", "that it might even be closed down. But I have been struggling over", "it into a novel? What I am looking for is brief differentiation between", "story, a story with the main plot, all the characters and the story", "I know that both might be completely different fields. I know that screenplay", "even be closed down. But I have been struggling over this for quite", "different fields. I know that screenplay has some standard rules that are to", "say I have a story, a story with the main plot, all the", "story with the main plot, all the characters and the story line. Now", "now and I want to get an answer to it. Please read the", "novel? I know that both might be completely different fields. I know that", "is brief differentiation between both. Any key points and links would be highly", "fields. So what suits better - progressing the story into a screenplay? Or", "tagged too broad or opinion based, and that it might even be closed", "get an answer to it. Please read the entire question before taking any", "too broad or opinion based, and that it might even be closed down.", "a novel? What I am looking for is brief differentiation between both. Any", "closed down. But I have been struggling over this for quite some time", "action.* So my question is - What is difference between screenplay and novel?", "rules that are to be followed, and same applies for novel writing too.", "So my question is - What is difference between screenplay and novel? I", "applies for novel writing too. But say I have a story, a story", "for novel writing too. But say I have a story, a story with", "that screenplay has some standard rules that are to be followed, and same", "fields. I know that screenplay has some standard rules that are to be", "been struggling over this for quite some time now and I want to", "opinion based, and that it might even be closed down. But I have", "looking for is brief differentiation between both. Any key points and links would", "before taking any action.* So my question is - What is difference between", "But say I have a story, a story with the main plot, all", "both might be completely different fields. I know that screenplay has some standard", "might be completely different fields. I know that screenplay has some standard rules", "completely different fields. I know that screenplay has some standard rules that are", "line. Now consider one starting from scratch, in both the fields. So what", "Please read the entire question before taking any action. So my question is", "some time now and I want to get an answer to it. Please", "that are to be followed, and same applies for novel writing too. But", "to it. Please read the entire question before taking any action.* So my", "time now and I want to get an answer to it. *Please read", "down. But I have been struggling over this for quite some time now", "and I want to get an answer to it. Please read the entire", "the story line. Now consider one starting from scratch, in both the fields.", "developing it into a novel? What I am looking for is brief differentiation", "struggling over this for quite some time now and I want to get", "some standard rules that are to be followed, and same applies for novel", "be tagged too broad or opinion based, and that it might even be", "writing too. But say I have a story, a story with the main", "that this question could be tagged too broad or opinion based, and that", "into a screenplay? Or developing it into a novel? What I am looking", "what suits better - progressing the story into a screenplay? Or developing it", "and that it might even be closed down. But I have been struggling", "might even be closed down. But I have been struggling over this for", "to be followed, and same applies for novel writing too. But say I", "have a story, a story with the main plot, all the characters and", "am looking for is brief differentiation between both. Any key points and links", "this for quite some time now and I want to get an answer", "that both might be completely different fields. I know that screenplay has some", "a story with the main plot, all the characters and the story line.", "novel? What I am looking for is brief differentiation between both. Any key", "it might even be closed down. But I have been struggling over this", "I have a story, a story with the main plot, all the characters", "question before taking any action. So my question is - What is difference", "characters and the story line. Now consider one starting from scratch, in both", "a screenplay? Or developing it into a novel? What I am looking for", "has some standard rules that are to be followed, and same applies for", "scratch, in both the fields. So what suits better - progressing the story", "could be tagged too broad or opinion based, and that it might even", "the entire question before taking any action.* So my question is - What", "same applies for novel writing too. But say I have a story, a", "Now I know, that this question could be tagged too broad or opinion", "suits better - progressing the story into a screenplay? Or developing it into", "for is brief differentiation between both. Any key points and links would be", "the characters and the story line. Now consider one starting from scratch, in", "and the story line. Now consider one starting from scratch, in both the", "too. But say I have a story, a story with the main plot,", "and novel? I know that both might be completely different fields. I know", "starting from scratch, in both the fields. So what suits better - progressing", "consider one starting from scratch, in both the fields. So what suits better", "quite some time now and I want to get an answer to it.", "standard rules that are to be followed, and same applies for novel writing", "are to be followed, and same applies for novel writing too. But say", "the main plot, all the characters and the story line. Now consider one", "both the fields. So what suits better - progressing the story into a", "want to get an answer to it. *Please read the entire question before", "I want to get an answer to it. Please read the entire question", "the story into a screenplay? Or developing it into a novel? What I", "to get an answer to it. Please read the entire question before taking", "question could be tagged too broad or opinion based, and that it might", "answer to it. Please read the entire question before taking any action. So", "main plot, all the characters and the story line. Now consider one starting", "I know that screenplay has some standard rules that are to be followed,", "is - What is difference between screenplay and novel? I know that both", "screenplay? Or developing it into a novel? What I am looking for is", "an answer to it. Please read the entire question before taking any action.", "know that both might be completely different fields. I know that screenplay has", "between screenplay and novel? I know that both might be completely different fields.", "progressing the story into a screenplay? Or developing it into a novel? What", "know, that this question could be tagged too broad or opinion based, and", "for quite some time now and I want to get an answer to", "be completely different fields. I know that screenplay has some standard rules that", "the fields. So what suits better - progressing the story into a screenplay?", "any action.* So my question is - What is difference between screenplay and", "Now consider one starting from scratch, in both the fields. So what suits", "What I am looking for is brief differentiation between both. Any key points", "better - progressing the story into a screenplay? Or developing it into a", "and same applies for novel writing too. But say I have a story,", "screenplay has some standard rules that are to be followed, and same applies", "- progressing the story into a screenplay? Or developing it into a novel?", "story into a screenplay? Or developing it into a novel? What I am", "my question is - What is difference between screenplay and novel? I know", "- What is difference between screenplay and novel? I know that both might", "one starting from scratch, in both the fields. So what suits better -", "I am looking for is brief differentiation between both. Any key points and", "broad or opinion based, and that it might even be closed down. But", "a story, a story with the main plot, all the characters and the", "based, and that it might even be closed down. But I have been", "question is - What is difference between screenplay and novel? I know that", "it. *Please read the entire question before taking any action.* So my question", "over this for quite some time now and I want to get an", "difference between screenplay and novel? I know that both might be completely different", "into a novel? What I am looking for is brief differentiation between both.", "But I have been struggling over this for quite some time now and" ]
[ "to have to do. One character rewrite, one wholesale restructuring, and cutting about", "should a revision process take? When do you know it's time to put", "Suggestions on revision methodologies which support suggested timelines would help. I have high", "my question a bit. My goal is to turn a book around from", "Currently the plan is to write a draft in a year and revise", "following, starting the next draft while the first is in revisions. A sort", "waterfall methodology to writing. Currently, I have my first manuscript, 200,000 words, in", "need to at least practice that work, but it may also be destined", "lot of work based on the few reads I have gotten comments back", "methodologies which support suggested timelines would help. I have high level revision objectives,", "that work, but it may also be destined for the trunk. I'm struggling", "about 3 years to read it at the rate they plan on reading", "is to turn a book around from concept to publishable in a 2", "but I am lacking process which may be causing my sense of swirl.", "from concept to publishable in a 2 year time period. Currently the plan", "a 2 year time period. Currently the plan is to write a draft", "struggling with the time management aspect with the number of revisions I'm likely", "is in revisions. A sort of waterfall methodology to writing. Currently, I have", "aspect with the number of revisions I'm likely going to have to do.", "year and revise the following, starting the next draft while the first is", "the trunk. I'm struggling with the time management aspect with the number of", "How long should a revision process take? When do you know it's time", "do. One character rewrite, one wholesale restructuring, and cutting about half the words", "have a writing group that will take about 3 years to read it", "be destined for the trunk. I'm struggling with the time management aspect with", "the next project? Suggestions on revision methodologies which support suggested timelines would help.", "draft while the first is in revisions. A sort of waterfall methodology to", "time period. Currently the plan is to write a draft in a year", "back on and I know I need to at least practice that work,", "the number of revisions I'm likely going to have to do. One character", "plan). It needs a lot of work based on the few reads I", "to write a draft in a year and revise the following, starting the", "draft in a year and revise the following, starting the next draft while", "work based on the few reads I have gotten comments back on and", "book down and move to the next project? Suggestions on revision methodologies which", "the first is in revisions. A sort of waterfall methodology to writing. Currently,", "sort of waterfall methodology to writing. Currently, I have my first manuscript, 200,000", "have to do. One character rewrite, one wholesale restructuring, and cutting about half", "they plan on reading it (not good for my initial plan). It needs", "reads I have gotten comments back on and I know I need to", "process take? When do you know it's time to put a book down", "to at least practice that work, but it may also be destined for", "first manuscript, 200,000 words, in alpha. Feedback has been slow, and I have", "3 years to read it at the rate they plan on reading it", "that will take about 3 years to read it at the rate they", "the plan is to write a draft in a year and revise the", "have gotten comments back on and I know I need to at least", "the following, starting the next draft while the first is in revisions. A", "suggested timelines would help. I have high level revision objectives, but I am", "and cutting about half the words out. How long should a revision process", "to the next project? Suggestions on revision methodologies which support suggested timelines would", "a lot of work based on the few reads I have gotten comments", "objectives, but I am lacking process which may be causing my sense of", "writing. Currently, I have my first manuscript, 200,000 words, in alpha. Feedback has", "down and move to the next project? Suggestions on revision methodologies which support", "have my first manuscript, 200,000 words, in alpha. Feedback has been slow, and", "book around from concept to publishable in a 2 year time period. Currently", "for my initial plan). It needs a lot of work based on the", "at least practice that work, but it may also be destined for the", "time management aspect with the number of revisions I'm likely going to have", "take? When do you know it's time to put a book down and", "cutting about half the words out. How long should a revision process take?", "has been slow, and I have a writing group that will take about", "of revisions I'm likely going to have to do. One character rewrite, one", "2 year time period. Currently the plan is to write a draft in", "comments back on and I know I need to at least practice that", "and I know I need to at least practice that work, but it", "initial plan). It needs a lot of work based on the few reads", "I need to at least practice that work, but it may also be", "I'm struggling with the time management aspect with the number of revisions I'm", "been slow, and I have a writing group that will take about 3", "the time management aspect with the number of revisions I'm likely going to", "going to have to do. One character rewrite, one wholesale restructuring, and cutting", "is to write a draft in a year and revise the following, starting", "you know it's time to put a book down and move to the", "a book down and move to the next project? Suggestions on revision methodologies", "slow, and I have a writing group that will take about 3 years", "methodology to writing. Currently, I have my first manuscript, 200,000 words, in alpha.", "a draft in a year and revise the following, starting the next draft", "and move to the next project? Suggestions on revision methodologies which support suggested", "a writing group that will take about 3 years to read it at", "I have a writing group that will take about 3 years to read", "restructuring, and cutting about half the words out. How long should a revision", "and revise the following, starting the next draft while the first is in", "reading it (not good for my initial plan). It needs a lot of", "the rate they plan on reading it (not good for my initial plan).", "on the few reads I have gotten comments back on and I know", "period. Currently the plan is to write a draft in a year and", "It needs a lot of work based on the few reads I have", "200,000 words, in alpha. Feedback has been slow, and I have a writing", "with the number of revisions I'm likely going to have to do. One", "would help. I have high level revision objectives, but I am lacking process", "in revisions. A sort of waterfall methodology to writing. Currently, I have my", "timelines would help. I have high level revision objectives, but I am lacking", "focus my question a bit. My goal is to turn a book around", "but it may also be destined for the trunk. I'm struggling with the", "in a 2 year time period. Currently the plan is to write a", "it (not good for my initial plan). It needs a lot of work", "may also be destined for the trunk. I'm struggling with the time management", "in alpha. Feedback has been slow, and I have a writing group that", "based on the few reads I have gotten comments back on and I", "about half the words out. How long should a revision process take? When", "publishable in a 2 year time period. Currently the plan is to write", "(not good for my initial plan). It needs a lot of work based", "my initial plan). It needs a lot of work based on the few", "it's time to put a book down and move to the next project?", "to turn a book around from concept to publishable in a 2 year", "rewrite, one wholesale restructuring, and cutting about half the words out. How long", "in a year and revise the following, starting the next draft while the", "out. How long should a revision process take? When do you know it's", "alpha. Feedback has been slow, and I have a writing group that will", "management aspect with the number of revisions I'm likely going to have to", "the words out. How long should a revision process take? When do you", "When do you know it's time to put a book down and move", "of work based on the few reads I have gotten comments back on", "turn a book around from concept to publishable in a 2 year time", "writing group that will take about 3 years to read it at the", "long should a revision process take? When do you know it's time to", "manuscript, 200,000 words, in alpha. Feedback has been slow, and I have a", "I'm likely going to have to do. One character rewrite, one wholesale restructuring,", "gotten comments back on and I know I need to at least practice", "know I need to at least practice that work, but it may also", "a revision process take? When do you know it's time to put a", "with the time management aspect with the number of revisions I'm likely going", "a bit. My goal is to turn a book around from concept to", "to put a book down and move to the next project? Suggestions on", "a book around from concept to publishable in a 2 year time period.", "rate they plan on reading it (not good for my initial plan). It", "destined for the trunk. I'm struggling with the time management aspect with the", "next project? Suggestions on revision methodologies which support suggested timelines would help. I", "words, in alpha. Feedback has been slow, and I have a writing group", "good for my initial plan). It needs a lot of work based on", "revise the following, starting the next draft while the first is in revisions.", "around from concept to publishable in a 2 year time period. Currently the", "words out. How long should a revision process take? When do you know", "character rewrite, one wholesale restructuring, and cutting about half the words out. How", "revision objectives, but I am lacking process which may be causing my sense", "revision process take? When do you know it's time to put a book", "write a draft in a year and revise the following, starting the next", "level revision objectives, but I am lacking process which may be causing my", "year time period. Currently the plan is to write a draft in a", "trunk. I'm struggling with the time management aspect with the number of revisions", "also be destined for the trunk. I'm struggling with the time management aspect", "A sort of waterfall methodology to writing. Currently, I have my first manuscript,", "wholesale restructuring, and cutting about half the words out. How long should a", "least practice that work, but it may also be destined for the trunk.", "the next draft while the first is in revisions. A sort of waterfall", "first is in revisions. A sort of waterfall methodology to writing. Currently, I", "to writing. Currently, I have my first manuscript, 200,000 words, in alpha. Feedback", "which support suggested timelines would help. I have high level revision objectives, but", "of waterfall methodology to writing. Currently, I have my first manuscript, 200,000 words,", "likely going to have to do. One character rewrite, one wholesale restructuring, and", "it may also be destined for the trunk. I'm struggling with the time", "take about 3 years to read it at the rate they plan on", "starting the next draft while the first is in revisions. A sort of", "support suggested timelines would help. I have high level revision objectives, but I", "have high level revision objectives, but I am lacking process which may be", "a year and revise the following, starting the next draft while the first", "question a bit. My goal is to turn a book around from concept", "half the words out. How long should a revision process take? When do", "to publishable in a 2 year time period. Currently the plan is to", "I have gotten comments back on and I know I need to at", "project? Suggestions on revision methodologies which support suggested timelines would help. I have", "to read it at the rate they plan on reading it (not good", "while the first is in revisions. A sort of waterfall methodology to writing.", "to do. One character rewrite, one wholesale restructuring, and cutting about half the", "for the trunk. I'm struggling with the time management aspect with the number", "do you know it's time to put a book down and move to", "bit. My goal is to turn a book around from concept to publishable", "my first manuscript, 200,000 words, in alpha. Feedback has been slow, and I", "the few reads I have gotten comments back on and I know I", "My goal is to turn a book around from concept to publishable in", "put a book down and move to the next project? Suggestions on revision", "will take about 3 years to read it at the rate they plan", "high level revision objectives, but I am lacking process which may be causing", "help. I have high level revision objectives, but I am lacking process which", "work, but it may also be destined for the trunk. I'm struggling with", "on revision methodologies which support suggested timelines would help. I have high level", "practice that work, but it may also be destined for the trunk. I'm", "at the rate they plan on reading it (not good for my initial", "number of revisions I'm likely going to have to do. One character rewrite,", "years to read it at the rate they plan on reading it (not", "I know I need to at least practice that work, but it may", "on reading it (not good for my initial plan). It needs a lot", "I have my first manuscript, 200,000 words, in alpha. Feedback has been slow,", "revision methodologies which support suggested timelines would help. I have high level revision", "One character rewrite, one wholesale restructuring, and cutting about half the words out.", "goal is to turn a book around from concept to publishable in a", "next draft while the first is in revisions. A sort of waterfall methodology", "to focus my question a bit. My goal is to turn a book", "and I have a writing group that will take about 3 years to", "read it at the rate they plan on reading it (not good for", "Feedback has been slow, and I have a writing group that will take", "concept to publishable in a 2 year time period. Currently the plan is", "few reads I have gotten comments back on and I know I need", "revisions. A sort of waterfall methodology to writing. Currently, I have my first", "Editing, to focus my question a bit. My goal is to turn a", "on and I know I need to at least practice that work, but", "know it's time to put a book down and move to the next", "group that will take about 3 years to read it at the rate", "revisions I'm likely going to have to do. One character rewrite, one wholesale", "move to the next project? Suggestions on revision methodologies which support suggested timelines", "it at the rate they plan on reading it (not good for my", "one wholesale restructuring, and cutting about half the words out. How long should", "needs a lot of work based on the few reads I have gotten", "time to put a book down and move to the next project? Suggestions", "plan is to write a draft in a year and revise the following,", "I have high level revision objectives, but I am lacking process which may", "Currently, I have my first manuscript, 200,000 words, in alpha. Feedback has been", "plan on reading it (not good for my initial plan). It needs a" ]
[ "algorithm I built and also manual work), read edit and publish the news", "make the news writing moderation etc crowdsourced? At this point, I would really", "going. My question for you is, is there a way that I can", "moderation etc crowdsourced? At this point, I would really like true journalists who", "that I can make the news writing moderation etc crowdsourced? At this point,", "the platform and care about providing good news to take over this project.", "is targeted at people (like me) who don't read much news but would", "stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer", "edit and publish the news she writes through the platform. However, the process", "is extremely useful for the right user (also the users, about 500 daily", "informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who", "am not a writer) and also limits the time I got to spend", "I got to spend on the development of the platform. I've been doing", "useful for the right user (also the users, about 500 daily active on", "point, I would really like true journalists who see the value in the", "plaform is extremely useful for the right user (also the users, about 500", "to know the most important 5-10 news stories every day. The apps/platform is", "way that I can make the news writing moderation etc crowdsourced? At this", "like to stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have", "from the apps) and really want to keep this going. My question for", "would really like true journalists who see the value in the platform and", "daily active on apps, find a lot of use from the apps) and", "platform. I've been doing this since May 2017. I believe this plaform is", "there a way that I can make the news writing moderation etc crowdsourced?", "apps/platform is targeted at people (like me) who don't read much news but", "I built and also manual work), read edit and publish the news she", "daily basis. I suggest the news stories (through an algorithm I built and", "<https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who writes the stories on a", "doing this since May 2017. I believe this plaform is extremely useful for", "on apps, find a lot of use from the apps) and really want", "also limits the time I got to spend on the development of the", "has become so laborious for me (I am not a writer) and also", "really want to keep this going. My question for you is, is there", "the time I got to spend on the development of the platform. I've", "the news she writes through the platform. However, the process has become so", "for the right user (also the users, about 500 daily active on apps,", "apps) and really want to keep this going. My question for you is,", "also manual work), read edit and publish the news she writes through the", "I believe this plaform is extremely useful for the right user (also the", "is there a way that I can make the news writing moderation etc", "of use from the apps) and really want to keep this going. My", "true journalists who see the value in the platform and care about providing", "The apps/platform is targeted at people (like me) who don't read much news", "the news writing moderation etc crowdsourced? At this point, I would really like", "in the platform and care about providing good news to take over this", "a lot of use from the apps) and really want to keep this", "a daily basis. I suggest the news stories (through an algorithm I built", "every day. The apps/platform is targeted at people (like me) who don't read", "I have a writer who writes the stories on a daily basis. I", "I've been doing this since May 2017. I believe this plaform is extremely", "lot of use from the apps) and really want to keep this going.", "to keep this going. My question for you is, is there a way", "this point, I would really like true journalists who see the value in", "know the most important 5-10 news stories every day. The apps/platform is targeted", "an algorithm I built and also manual work), read edit and publish the", "like true journalists who see the value in the platform and care about", "believe this plaform is extremely useful for the right user (also the users,", "of the platform. I've been doing this since May 2017. I believe this", "stories on a daily basis. I suggest the news stories (through an algorithm", "news platform for people to know the most important 5-10 news stories every", "journalists who see the value in the platform and care about providing good", "and really want to keep this going. My question for you is, is", "the stories on a daily basis. I suggest the news stories (through an", "crowdsourced? At this point, I would really like true journalists who see the", "news stories every day. The apps/platform is targeted at people (like me) who", "really like true journalists who see the value in the platform and care", "process has become so laborious for me (I am not a writer) and", "but would like to stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently,", "manual work), read edit and publish the news she writes through the platform.", "value in the platform and care about providing good news to take over", "laborious for me (I am not a writer) and also limits the time", "spend on the development of the platform. I've been doing this since May", "the apps) and really want to keep this going. My question for you", "etc crowdsourced? At this point, I would really like true journalists who see", "to stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a", "she writes through the platform. However, the process has become so laborious for", "time I got to spend on the development of the platform. I've been", "have a writer who writes the stories on a daily basis. I suggest", "(through an algorithm I built and also manual work), read edit and publish", "me) who don't read much news but would like to stay informed without", "want to keep this going. My question for you is, is there a", "much news but would like to stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en>", "news stories (through an algorithm I built and also manual work), read edit", "for you is, is there a way that I can make the news", "I suggest the news stories (through an algorithm I built and also manual", "apps, find a lot of use from the apps) and really want to", "use from the apps) and really want to keep this going. My question", "at people (like me) who don't read much news but would like to", "people to know the most important 5-10 news stories every day. The apps/platform", "<https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who writes the stories on a daily", "user (also the users, about 500 daily active on apps, find a lot", "users, about 500 daily active on apps, find a lot of use from", "the process has become so laborious for me (I am not a writer)", "question for you is, is there a way that I can make the", "on a daily basis. I suggest the news stories (through an algorithm I", "about 500 daily active on apps, find a lot of use from the", "the platform. I've been doing this since May 2017. I believe this plaform", "effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who writes the stories", "However, the process has become so laborious for me (I am not a", "news writing moderation etc crowdsourced? At this point, I would really like true", "the platform. However, the process has become so laborious for me (I am", "who writes the stories on a daily basis. I suggest the news stories", "see the value in the platform and care about providing good news to", "the right user (also the users, about 500 daily active on apps, find", "My question for you is, is there a way that I can make", "me (I am not a writer) and also limits the time I got", "is, is there a way that I can make the news writing moderation", "2017. I believe this plaform is extremely useful for the right user (also", "May 2017. I believe this plaform is extremely useful for the right user", "I can make the news writing moderation etc crowdsourced? At this point, I", "Currently, I have a writer who writes the stories on a daily basis.", "people (like me) who don't read much news but would like to stay", "the news stories (through an algorithm I built and also manual work), read", "and also limits the time I got to spend on the development of", "this since May 2017. I believe this plaform is extremely useful for the", "the users, about 500 daily active on apps, find a lot of use", "the most important 5-10 news stories every day. The apps/platform is targeted at", "a way that I can make the news writing moderation etc crowdsourced? At", "news she writes through the platform. However, the process has become so laborious", "a writer) and also limits the time I got to spend on the", "publish the news she writes through the platform. However, the process has become", "so laborious for me (I am not a writer) and also limits the", "don't read much news but would like to stay informed without much effort.", "you is, is there a way that I can make the news writing", "who see the value in the platform and care about providing good news", "stories every day. The apps/platform is targeted at people (like me) who don't", "find a lot of use from the apps) and really want to keep", "day. The apps/platform is targeted at people (like me) who don't read much", "can make the news writing moderation etc crowdsourced? At this point, I would", "writes the stories on a daily basis. I suggest the news stories (through", "news but would like to stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8>", "this going. My question for you is, is there a way that I", "suggest the news stories (through an algorithm I built and also manual work),", "important 5-10 news stories every day. The apps/platform is targeted at people (like", "platform for people to know the most important 5-10 news stories every day.", "a news platform for people to know the most important 5-10 news stories", "the value in the platform and care about providing good news to take", "read much news but would like to stay informed without much effort. [https://nwsty.com](http://nwsty.com)", "and publish the news she writes through the platform. However, the process has", "writing moderation etc crowdsourced? At this point, I would really like true journalists", "(I am not a writer) and also limits the time I got to", "right user (also the users, about 500 daily active on apps, find a", "basis. I suggest the news stories (through an algorithm I built and also", "I would really like true journalists who see the value in the platform", "would like to stay informed without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I", "I developed a news platform for people to know the most important 5-10", "active on apps, find a lot of use from the apps) and really", "on the development of the platform. I've been doing this since May 2017.", "built and also manual work), read edit and publish the news she writes", "writer who writes the stories on a daily basis. I suggest the news", "At this point, I would really like true journalists who see the value", "for me (I am not a writer) and also limits the time I", "not a writer) and also limits the time I got to spend on", "been doing this since May 2017. I believe this plaform is extremely useful", "limits the time I got to spend on the development of the platform.", "extremely useful for the right user (also the users, about 500 daily active", "for people to know the most important 5-10 news stories every day. The", "5-10 news stories every day. The apps/platform is targeted at people (like me)", "(also the users, about 500 daily active on apps, find a lot of", "become so laborious for me (I am not a writer) and also limits", "and also manual work), read edit and publish the news she writes through", "writes through the platform. However, the process has become so laborious for me", "since May 2017. I believe this plaform is extremely useful for the right", "without much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who writes", "most important 5-10 news stories every day. The apps/platform is targeted at people", "to spend on the development of the platform. I've been doing this since", "got to spend on the development of the platform. I've been doing this", "[https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who writes the stories on", "(like me) who don't read much news but would like to stay informed", "development of the platform. I've been doing this since May 2017. I believe", "who don't read much news but would like to stay informed without much", "stories (through an algorithm I built and also manual work), read edit and", "500 daily active on apps, find a lot of use from the apps)", "writer) and also limits the time I got to spend on the development", "developed a news platform for people to know the most important 5-10 news", "targeted at people (like me) who don't read much news but would like", "work), read edit and publish the news she writes through the platform. However,", "platform. However, the process has become so laborious for me (I am not", "through the platform. However, the process has become so laborious for me (I", "the development of the platform. I've been doing this since May 2017. I", "much effort. [https://nwsty.com](http://nwsty.com) <https://play.google.com/store/apps/details?id=com.instancea.nwsty&hl=en> <https://itunes.apple.com/us/app/nwsty-skim-top-news-headlines/id1239262949?mt=8> Currently, I have a writer who writes the", "a writer who writes the stories on a daily basis. I suggest the", "this plaform is extremely useful for the right user (also the users, about", "keep this going. My question for you is, is there a way that", "read edit and publish the news she writes through the platform. However, the" ]
[ "say a character shook their head, does that mean they nodded, as in", "a character shook their head, does that mean they nodded, as in \"yes\",", "their head, does that mean they nodded, as in \"yes\", or they shook", "mean they nodded, as in \"yes\", or they shook it sideways, signifying the", "nodded, as in \"yes\", or they shook it sideways, signifying the answer is", "When you say a character shook their head, does that mean they nodded,", "head, does that mean they nodded, as in \"yes\", or they shook it", "they nodded, as in \"yes\", or they shook it sideways, signifying the answer", "that mean they nodded, as in \"yes\", or they shook it sideways, signifying", "as in \"yes\", or they shook it sideways, signifying the answer is \"no?\"", "does that mean they nodded, as in \"yes\", or they shook it sideways,", "shook their head, does that mean they nodded, as in \"yes\", or they", "you say a character shook their head, does that mean they nodded, as", "character shook their head, does that mean they nodded, as in \"yes\", or" ]
[ "embedding the information there. So, I would like to write in this non-fiction", "and Fall of Roman Empire* (Edward Gibbon): > > When Persia was governed", "> > This is the style of writing I'm aiming for - telling", "of Babel). For instance, let's see one excerpt of Decline and Fall of", "and the reason for his > amicable and non-violent attitude was his sister", "> amicable and non-violent attitude was his sister Celmatyik. > > > Are", "short stories describing fictional things and places directly to the reader (like The", "Library of Babel). For instance, let's see one excerpt of Decline and Fall", "a saying recorded of > a young nobleman, that he never departed from", "governed by the descendants of Sefi, a race of princes > whose wanton", "presence, > without satisfying himself whether his head was still on his >", "style of writing I'm aiming for - telling the reader about something interesting,", "story, like this: > > Orion was a hot land with white grass", "Tell* rule, but for a good reason. Is there a name for this", "a lot of short stories describing fictional things and places directly to the", "instance, let's see one excerpt of Decline and Fall of Roman Empire (Edward", "a hot land with white grass and shallow lakes. The region > was", "he never departed from the sultan's presence, > without satisfying himself whether his", "departed from the sultan's presence, > without satisfying himself whether his head was", "a race of princes > whose wanton cruelty often stained their divan, their", "was ruled by Rigel, a > king with no crown, but golden boots.", "him, and the reason for his > amicable and non-violent attitude was his", "the descendants of Sefi, a race of princes > whose wanton cruelty often", "Persia was governed by the descendants of Sefi, a race of princes >", "> > Orion was a hot land with white grass and shallow lakes.", "excerpt of Decline and Fall of Roman Empire (Edward Gibbon): > > When", "often stained their divan, their table, and their > bed, with the blood", "of princes > whose wanton cruelty often stained their divan, their table, and", "land with white grass and shallow lakes. The region > was inhabited by", "let's see one excerpt of Decline and Fall of Roman Empire (Edward Gibbon):", "for - telling the reader about something interesting, NOT creating characters, dialogs and", "no crown, but golden boots. He was more peaceful than his > father", "things and places directly to the reader (like The Library of Babel). For", "> Orion was a hot land with white grass and shallow lakes. The", "seems that it violates the Show, don't Tell rule, but for a good", "of Roman Empire* (Edward Gibbon): > > When Persia was governed by the", "lakes. The region > was inhabited by prideful hunters, white-clothed beings who were", "young nobleman, that he never departed from the sultan's presence, > without satisfying", "Roman Empire* (Edward Gibbon): > > When Persia was governed by the descendants", "head was still on his > shoulders. > > > This is the", "satisfying himself whether his head was still on his > shoulders. > >", "the style of writing I'm aiming for - telling the reader about something", "> > > This is the style of writing I'm aiming for -", "The Library of Babel). For instance, let's see one excerpt of Decline and", "himself whether his head was still on his > shoulders. > > >", "still on his > shoulders. > > > This is the style of", "don't Tell* rule, but for a good reason. Is there a name for", "> shoulders. > > > This is the style of writing I'm aiming", "This is the style of writing I'm aiming for - telling the reader", "themselves. In the third era, Orion was ruled by Rigel, a > king", "Orion was ruled by Rigel, a > king with no crown, but golden", "table, and their > bed, with the blood of their favorites, there is", "telling the reader about something interesting, NOT creating characters, dialogs and embedding the", "and all rulers before him, and the reason for his > amicable and", "were often > in war with themselves. In the third era, Orion was", "> > Are there any guidelines to write like this? It seems that", "the information there. So, I would like to write in this non-fiction style", "to write in this non-fiction style but describing a fiction story, like this:", "before him, and the reason for his > amicable and non-violent attitude was", "like this? It seems that it violates the Show, don't Tell rule, but", "king with no crown, but golden boots. He was more peaceful than his", "region > was inhabited by prideful hunters, white-clothed beings who were often >", "non-violent attitude was his sister Celmatyik. > > > Are there any guidelines", "places directly to the reader (like The Library of Babel). For instance, let's", "of their favorites, there is a saying recorded of > a young nobleman,", "shoulders. > > > This is the style of writing I'm aiming for", "and non-violent attitude was his sister Celmatyik. > > > Are there any", "is the style of writing I'm aiming for - telling the reader about", "their divan, their table, and their > bed, with the blood of their", "is a saying recorded of > a young nobleman, that he never departed", "ruled by Rigel, a > king with no crown, but golden boots. He", "For instance, let's see one excerpt of Decline and Fall of Roman Empire", "violates the Show, don't Tell rule, but for a good reason. Is there", "the reader about something interesting, NOT creating characters, dialogs and embedding the information", "attitude was his sister Celmatyik. > > > Are there any guidelines to", "I would like to write in this non-fiction style but describing a fiction", "that it violates the Show, don't Tell rule, but for a good reason.", "crown, but golden boots. He was more peaceful than his > father Saiph", "this: > > Orion was a hot land with white grass and shallow", "like to write in this non-fiction style but describing a fiction story, like", "aiming for - telling the reader about something interesting, NOT creating characters, dialogs", "creating characters, dialogs and embedding the information there. So, I would like to", "In the third era, Orion was ruled by Rigel, a > king with", "something interesting, NOT creating characters, dialogs and embedding the information there. So, I", "was a hot land with white grass and shallow lakes. The region >", "that he never departed from the sultan's presence, > without satisfying himself whether", "Celmatyik. > > > Are there any guidelines to write like this? It", "of Decline and Fall of Roman Empire (Edward Gibbon): > > When Persia", "Decline and Fall of Roman Empire (Edward Gibbon): > > When Persia was", "their table, and their > bed, with the blood of their favorites, there", "father Saiph and all rulers before him, and the reason for his >", "like this: > > Orion was a hot land with white grass and", "> This is the style of writing I'm aiming for - telling the", "often > in war with themselves. In the third era, Orion was ruled", "recorded of > a young nobleman, that he never departed from the sultan's", "style but describing a fiction story, like this: > > Orion was a", "interesting, NOT creating characters, dialogs and embedding the information there. So, I would", "their favorites, there is a saying recorded of > a young nobleman, that", "war with themselves. In the third era, Orion was ruled by Rigel, a", "sultan's presence, > without satisfying himself whether his head was still on his", "with themselves. In the third era, Orion was ruled by Rigel, a >", "> was inhabited by prideful hunters, white-clothed beings who were often > in", "of Sefi, a race of princes > whose wanton cruelty often stained their", "was governed by the descendants of Sefi, a race of princes > whose", "and shallow lakes. The region > was inhabited by prideful hunters, white-clothed beings", "golden boots. He was more peaceful than his > father Saiph and all", "When Persia was governed by the descendants of Sefi, a race of princes", "the sultan's presence, > without satisfying himself whether his head was still on", "amicable and non-violent attitude was his sister Celmatyik. > > > Are there", "NOT creating characters, dialogs and embedding the information there. So, I would like", "Fall of Roman Empire* (Edward Gibbon): > > When Persia was governed by", "any guidelines to write like this? It seems that it violates the Show,", "Show, don't Tell** rule, but for a good reason. Is there a name", "hot land with white grass and shallow lakes. The region > was inhabited", "his head was still on his > shoulders. > > > This is", "there any guidelines to write like this? It seems that it violates the", "> a young nobleman, that he never departed from the sultan's presence, >", "rulers before him, and the reason for his > amicable and non-violent attitude", "Empire* (Edward Gibbon): > > When Persia was governed by the descendants of", "> bed, with the blood of their favorites, there is a saying recorded", "a young nobleman, that he never departed from the sultan's presence, > without", "It seems that it violates the Show, don't Tell rule, but for a", "never departed from the sultan's presence, > without satisfying himself whether his head", "than his > father Saiph and all rulers before him, and the reason", "about something interesting, NOT creating characters, dialogs and embedding the information there. So,", "the reason for his > amicable and non-violent attitude was his sister Celmatyik.", "and places directly to the reader (like The Library of Babel). For instance,", "with the blood of their favorites, there is a saying recorded of >", "saying recorded of > a young nobleman, that he never departed from the", "of short stories describing fictional things and places directly to the reader (like", "without satisfying himself whether his head was still on his > shoulders. >", "shallow lakes. The region > was inhabited by prideful hunters, white-clothed beings who", "all rulers before him, and the reason for his > amicable and non-violent", "write like this? It seems that it violates the Show, don't Tell rule,", "The region > was inhabited by prideful hunters, white-clothed beings who were often", "> whose wanton cruelty often stained their divan, their table, and their >", "by Rigel, a > king with no crown, but golden boots. He was", "the blood of their favorites, there is a saying recorded of > a", "but describing a fiction story, like this: > > Orion was a hot", "of writing I'm aiming for - telling the reader about something interesting, NOT", "wanton cruelty often stained their divan, their table, and their > bed, with", "He was more peaceful than his > father Saiph and all rulers before", "I'm aiming for - telling the reader about something interesting, NOT creating characters,", "this non-fiction style but describing a fiction story, like this: > > Orion", "to write like this? It seems that it violates the Show, don't Tell", "would like to write in this non-fiction style but describing a fiction story,", "(like The Library of Babel). For instance, let's see one excerpt of Decline", "characters, dialogs and embedding the information there. So, I would like to write", "wrote a lot of short stories describing fictional things and places directly to", "the Show, don't Tell* rule, but for a good reason. Is there a", "was still on his > shoulders. > > > This is the style", "and their > bed, with the blood of their favorites, there is a", "white grass and shallow lakes. The region > was inhabited by prideful hunters,", "was inhabited by prideful hunters, white-clothed beings who were often > in war", "was his sister Celmatyik. > > > Are there any guidelines to write", "directly to the reader (like The Library of Babel). For instance, let's see", "white-clothed beings who were often > in war with themselves. In the third", "but golden boots. He was more peaceful than his > father Saiph and", "descendants of Sefi, a race of princes > whose wanton cruelty often stained", "inhabited by prideful hunters, white-clothed beings who were often > in war with", "in this non-fiction style but describing a fiction story, like this: > >", "Gibbon): > > When Persia was governed by the descendants of Sefi, a", "Borges wrote a lot of short stories describing fictional things and places directly", "dialogs and embedding the information there. So, I would like to write in", "fiction story, like this: > > Orion was a hot land with white", "his > shoulders. > > > This is the style of writing I'm", "in war with themselves. In the third era, Orion was ruled by Rigel,", "there. So, I would like to write in this non-fiction style but describing", "to the reader (like The Library of Babel). For instance, let's see one", "Rigel, a > king with no crown, but golden boots. He was more", "hunters, white-clothed beings who were often > in war with themselves. In the", "peaceful than his > father Saiph and all rulers before him, and the", "favorites, there is a saying recorded of > a young nobleman, that he", "Saiph and all rulers before him, and the reason for his > amicable", "his > amicable and non-violent attitude was his sister Celmatyik. > > >", "Orion was a hot land with white grass and shallow lakes. The region", "describing a fiction story, like this: > > Orion was a hot land", "one excerpt of Decline and Fall of Roman Empire (Edward Gibbon): > >", "his > father Saiph and all rulers before him, and the reason for", "Luis Borges wrote a lot of short stories describing fictional things and places", "- telling the reader about something interesting, NOT creating characters, dialogs and embedding", "reader about something interesting, NOT creating characters, dialogs and embedding the information there.", "blood of their favorites, there is a saying recorded of > a young", "a fiction story, like this: > > Orion was a hot land with", "sister Celmatyik. > > > Are there any guidelines to write like this?", "whose wanton cruelty often stained their divan, their table, and their > bed,", "non-fiction style but describing a fiction story, like this: > > Orion was", "who were often > in war with themselves. In the third era, Orion", "prideful hunters, white-clothed beings who were often > in war with themselves. In", "Babel). For instance, let's see one excerpt of Decline and Fall of Roman", "the third era, Orion was ruled by Rigel, a > king with no", "on his > shoulders. > > > This is the style of writing", "> father Saiph and all rulers before him, and the reason for his", "Are there any guidelines to write like this? It seems that it violates", "> > > Are there any guidelines to write like this? It seems", "by the descendants of Sefi, a race of princes > whose wanton cruelty", "> When Persia was governed by the descendants of Sefi, a race of", "more peaceful than his > father Saiph and all rulers before him, and", "this? It seems that it violates the Show, don't Tell rule, but for", "bed, with the blood of their favorites, there is a saying recorded of", "princes > whose wanton cruelty often stained their divan, their table, and their", "with no crown, but golden boots. He was more peaceful than his >", "it violates the Show, don't Tell rule, but for a good reason. Is", "reason for his > amicable and non-violent attitude was his sister Celmatyik. >", "describing fictional things and places directly to the reader (like The Library of", "and embedding the information there. So, I would like to write in this", "stained their divan, their table, and their > bed, with the blood of", "> > When Persia was governed by the descendants of Sefi, a race", "race of princes > whose wanton cruelty often stained their divan, their table,", "cruelty often stained their divan, their table, and their > bed, with the", "from the sultan's presence, > without satisfying himself whether his head was still", "writing I'm aiming for - telling the reader about something interesting, NOT creating", "with white grass and shallow lakes. The region > was inhabited by prideful", "reader (like The Library of Babel). For instance, let's see one excerpt of", "a > king with no crown, but golden boots. He was more peaceful", "write in this non-fiction style but describing a fiction story, like this: >", "fictional things and places directly to the reader (like The Library of Babel).", "(Edward Gibbon): > > When Persia was governed by the descendants of Sefi,", "of > a young nobleman, that he never departed from the sultan's presence,", "> king with no crown, but golden boots. He was more peaceful than", "boots. He was more peaceful than his > father Saiph and all rulers", "his sister Celmatyik. > > > Are there any guidelines to write like", "stories describing fictional things and places directly to the reader (like The Library", "> without satisfying himself whether his head was still on his > shoulders.", "third era, Orion was ruled by Rigel, a > king with no crown,", "see one excerpt of Decline and Fall of Roman Empire (Edward Gibbon): >", "whether his head was still on his > shoulders. > > > This", "So, I would like to write in this non-fiction style but describing a", "era, Orion was ruled by Rigel, a > king with no crown, but", "> Are there any guidelines to write like this? It seems that it", "rule, but for a good reason. Is there a name for this style?", "guidelines to write like this? It seems that it violates the *Show, don't", "was more peaceful than his > father Saiph and all rulers before him,", "> in war with themselves. In the third era, Orion was ruled by", "the reader (like The Library of Babel*). For instance, let's see one excerpt", "Jorge Luis Borges wrote a lot of short stories describing fictional things and", "Sefi, a race of princes > whose wanton cruelty often stained their divan,", "by prideful hunters, white-clothed beings who were often > in war with themselves.", "beings who were often > in war with themselves. In the third era,", "divan, their table, and their > bed, with the blood of their favorites,", "grass and shallow lakes. The region > was inhabited by prideful hunters, white-clothed", "for his > amicable and non-violent attitude was his sister Celmatyik. > >", "lot of short stories describing fictional things and places directly to the reader", "there is a saying recorded of > a young nobleman, that he never", "their > bed, with the blood of their favorites, there is a saying", "nobleman, that he never departed from the sultan's presence, > without satisfying himself", "information there. So, I would like to write in this non-fiction style but" ]
[ "to the reader's imagination, or do I need to be much more specific?", "tell me there are not enough descriptions in my book, some say there", "in my book, some say there are too much. How do you know", "much. How do you know how much detail is enough? Is there like", "there like a rule of thumb for these things? Do I leave most", "How do you know how much detail is enough? Is there like a", "my book, some say there are too much. How do you know how", "these things? Do I leave most of it to the reader's imagination, or", "leave most of it to the reader's imagination, or do I need to", "there are too much. How do you know how much detail is enough?", "of it to the reader's imagination, or do I need to be much", "me there are not enough descriptions in my book, some say there are", "Is there like a rule of thumb for these things? Do I leave", "descriptions in my book, some say there are too much. How do you", "enough descriptions in my book, some say there are too much. How do", "do you know how much detail is enough? Is there like a rule", "most of it to the reader's imagination, or do I need to be", "there are not enough descriptions in my book, some say there are too", "not enough descriptions in my book, some say there are too much. How", "too much. How do you know how much detail is enough? Is there", "know how much detail is enough? Is there like a rule of thumb", "how much detail is enough? Is there like a rule of thumb for", "much detail is enough? Is there like a rule of thumb for these", "is enough? Is there like a rule of thumb for these things? Do", "are not enough descriptions in my book, some say there are too much.", "like a rule of thumb for these things? Do I leave most of", "thumb for these things? Do I leave most of it to the reader's", "I leave most of it to the reader's imagination, or do I need", "enough? Is there like a rule of thumb for these things? Do I", "of thumb for these things? Do I leave most of it to the", "it to the reader's imagination, or do I need to be much more", "are too much. How do you know how much detail is enough? Is", "you know how much detail is enough? Is there like a rule of", "a rule of thumb for these things? Do I leave most of it", "book, some say there are too much. How do you know how much", "people tell me there are not enough descriptions in my book, some say", "Some people tell me there are not enough descriptions in my book, some", "some say there are too much. How do you know how much detail", "rule of thumb for these things? Do I leave most of it to", "for these things? Do I leave most of it to the reader's imagination,", "detail is enough? Is there like a rule of thumb for these things?", "Do I leave most of it to the reader's imagination, or do I", "say there are too much. How do you know how much detail is", "things? Do I leave most of it to the reader's imagination, or do" ]
[ "we can see a clear pattern, or trend, in our data that, as", "inclined plane increases, the effort force needed to make the object move increases,", "looking at our data we can see a clear pattern, or trend, in", "can see a clear pattern, or trend, in our data that, as the", "trend, in our data that, as the steepness of the inclined plane increases,", "or trend, in our data that, as the steepness of the inclined plane", "commas is too many commas? For example: > > By looking at our", "as the steepness of the inclined plane increases, the effort force needed to", "plane increases, the effort force needed to make the object move increases, but...", "steepness of the inclined plane increases, the effort force needed to make the", "How many commas is too many commas? For example: > > By looking", "effort force needed to make the object move increases, but... > > >", "many commas is too many commas? For example: > > By looking at", "example: > > By looking at our data we can see a clear", "our data we can see a clear pattern, or trend, in our data", "too many commas? For example: > > By looking at our data we", "is too many commas? For example: > > By looking at our data", "data we can see a clear pattern, or trend, in our data that,", "the steepness of the inclined plane increases, the effort force needed to make", "at our data we can see a clear pattern, or trend, in our", "that, as the steepness of the inclined plane increases, the effort force needed", "increases, the effort force needed to make the object move increases, but... >", "> > By looking at our data we can see a clear pattern,", "many commas? For example: > > By looking at our data we can", "our data that, as the steepness of the inclined plane increases, the effort", "a clear pattern, or trend, in our data that, as the steepness of", "commas? For example: > > By looking at our data we can see", "For example: > > By looking at our data we can see a", "the effort force needed to make the object move increases, but... > >", "of the inclined plane increases, the effort force needed to make the object", "the inclined plane increases, the effort force needed to make the object move", "By looking at our data we can see a clear pattern, or trend,", "data that, as the steepness of the inclined plane increases, the effort force", "see a clear pattern, or trend, in our data that, as the steepness", "pattern, or trend, in our data that, as the steepness of the inclined", "in our data that, as the steepness of the inclined plane increases, the", "> By looking at our data we can see a clear pattern, or", "clear pattern, or trend, in our data that, as the steepness of the" ]
[ "a worldview built upon nihilism and existentialism. The problem is that I'm not", "really street-smart as I've been looking for resources on how to write street-smart", "just to make him stand from other YA protagonists or conflict with other", "parents and live on the streets. His homelessness caused him develop a pragmatic", "and live on the streets. His homelessness caused him develop a pragmatic mindset", "that Joesph's street-smarts/pragmatism doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that", "and existentialism. The problem is that I'm not really street-smart as I've been", "street-smarts/pragmatism doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked", "such as his love of world history and mythology, unique philosophy and skill", "onto his character just to make him stand from other YA protagonists or", "unique philosophy and skill with kickboxing. Any ideas as to how can I", "and skill with kickboxing. Any ideas as to how can I properly execute", "trait that was tacked onto his character just to make him stand from", "Morrin as the protagonist and it's implied via flashbacks that during his childhood", "the protagonist and it's implied via flashbacks that during his childhood he would", "found anything that could help me. I'm trying really hard to ensure that", "ensure that Joesph's street-smarts/pragmatism doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait", "for resources on how to write street-smart characters and haven't found anything that", "of crazy shit that occur in the story and a worldview built upon", "the story and a worldview built upon nihilism and existentialism. The problem is", "pragmatic mindset that helps him survive all kinds of crazy shit that occur", "nihilism and existentialism. The problem is that I'm not really street-smart as I've", "crazy shit that occur in the story and a worldview built upon nihilism", "has a 16-year-old boy called Jeyeph Morrin as the protagonist and it's implied", "problem is that I'm not really street-smart as I've been looking for resources", "traits that he has such as his love of world history and mythology,", "worldview built upon nihilism and existentialism. The problem is that I'm not really", "16-year-old boy called Jeyeph Morrin as the protagonist and it's implied via flashbacks", "of world history and mythology, unique philosophy and skill with kickboxing. Any ideas", "been looking for resources on how to write street-smart characters and haven't found", "that during his childhood he would frequently run away from his foster parents", "a pragmatic mindset that helps him survive all kinds of crazy shit that", "in the story and a worldview built upon nihilism and existentialism. The problem", "him stand from other YA protagonists or conflict with other personality traits that", "boy called Jeyeph Morrin as the protagonist and it's implied via flashbacks that", "caused him develop a pragmatic mindset that helps him survive all kinds of", "from other YA protagonists or conflict with other personality traits that he has", "anything that could help me. I'm trying really hard to ensure that Joesph's", "I'm not really street-smart as I've been looking for resources on how to", "a 16-year-old boy called Jeyeph Morrin as the protagonist and it's implied via", "looking for resources on how to write street-smart characters and haven't found anything", "was tacked onto his character just to make him stand from other YA", "from his foster parents and live on the streets. His homelessness caused him", "street-smart as I've been looking for resources on how to write street-smart characters", "how to write street-smart characters and haven't found anything that could help me.", "all kinds of crazy shit that occur in the story and a worldview", "called Jeyeph Morrin as the protagonist and it's implied via flashbacks that during", "kinds of crazy shit that occur in the story and a worldview built", "his character just to make him stand from other YA protagonists or conflict", "implied via flashbacks that during his childhood he would frequently run away from", "is that I'm not really street-smart as I've been looking for resources on", "childhood he would frequently run away from his foster parents and live on", "not really street-smart as I've been looking for resources on how to write", "love of world history and mythology, unique philosophy and skill with kickboxing. Any", "on the streets. His homelessness caused him develop a pragmatic mindset that helps", "his childhood he would frequently run away from his foster parents and live", "doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto", "he has such as his love of world history and mythology, unique philosophy", "I'm trying really hard to ensure that Joesph's street-smarts/pragmatism doesn't come across as", "helps him survive all kinds of crazy shit that occur in the story", "tacked onto his character just to make him stand from other YA protagonists", "history and mythology, unique philosophy and skill with kickboxing. Any ideas as to", "resources on how to write street-smart characters and haven't found anything that could", "a trait that was tacked onto his character just to make him stand", "that occur in the story and a worldview built upon nihilism and existentialism.", "stand from other YA protagonists or conflict with other personality traits that he", "personality traits that he has such as his love of world history and", "and mythology, unique philosophy and skill with kickboxing. Any ideas as to how", "to write street-smart characters and haven't found anything that could help me. I'm", "develop a pragmatic mindset that helps him survive all kinds of crazy shit", "Jeyeph Morrin as the protagonist and it's implied via flashbacks that during his", "as I've been looking for resources on how to write street-smart characters and", "it's implied via flashbacks that during his childhood he would frequently run away", "the streets. His homelessness caused him develop a pragmatic mindset that helps him", "to ensure that Joesph's street-smarts/pragmatism doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a", "via flashbacks that during his childhood he would frequently run away from his", "streets. His homelessness caused him develop a pragmatic mindset that helps him survive", "as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto his character just", "kickboxing. Any ideas as to how can I properly execute such a concept?", "currently writing has a 16-year-old boy called Jeyeph Morrin as the protagonist and", "that could help me. I'm trying really hard to ensure that Joesph's street-smarts/pragmatism", "make him stand from other YA protagonists or conflict with other personality traits", "story and a worldview built upon nihilism and existentialism. The problem is that", "book that I'm currently writing has a 16-year-old boy called Jeyeph Morrin as", "characters and haven't found anything that could help me. I'm trying really hard", "philosophy and skill with kickboxing. Any ideas as to how can I properly", "frequently run away from his foster parents and live on the streets. His", "with other personality traits that he has such as his love of world", "has such as his love of world history and mythology, unique philosophy and", "conflict with other personality traits that he has such as his love of", "and a worldview built upon nihilism and existentialism. The problem is that I'm", "world history and mythology, unique philosophy and skill with kickboxing. Any ideas as", "street-smart characters and haven't found anything that could help me. I'm trying really", "The book that I'm currently writing has a 16-year-old boy called Jeyeph Morrin", "and it's implied via flashbacks that during his childhood he would frequently run", "protagonists or conflict with other personality traits that he has such as his", "hard to ensure that Joesph's street-smarts/pragmatism doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute),", "writing has a 16-year-old boy called Jeyeph Morrin as the protagonist and it's", "with kickboxing. Any ideas as to how can I properly execute such a", "The problem is that I'm not really street-smart as I've been looking for", "an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto his character just to", "come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto his", "that he has such as his love of world history and mythology, unique", "I'm currently writing has a 16-year-old boy called Jeyeph Morrin as the protagonist", "haven't found anything that could help me. I'm trying really hard to ensure", "I've been looking for resources on how to write street-smart characters and haven't", "mythology, unique philosophy and skill with kickboxing. Any ideas as to how can", "could help me. I'm trying really hard to ensure that Joesph's street-smarts/pragmatism doesn't", "skill with kickboxing. Any ideas as to how can I properly execute such", "or conflict with other personality traits that he has such as his love", "on how to write street-smart characters and haven't found anything that could help", "across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto his character", "that helps him survive all kinds of crazy shit that occur in the", "protagonist and it's implied via flashbacks that during his childhood he would frequently", "built upon nihilism and existentialism. The problem is that I'm not really street-smart", "that I'm currently writing has a 16-year-old boy called Jeyeph Morrin as the", "his love of world history and mythology, unique philosophy and skill with kickboxing.", "during his childhood he would frequently run away from his foster parents and", "other YA protagonists or conflict with other personality traits that he has such", "Joesph's street-smarts/pragmatism doesn't come across as an [Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was", "him develop a pragmatic mindset that helps him survive all kinds of crazy", "His homelessness caused him develop a pragmatic mindset that helps him survive all", "would frequently run away from his foster parents and live on the streets.", "him survive all kinds of crazy shit that occur in the story and", "and haven't found anything that could help me. I'm trying really hard to", "[Informed Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto his character just to make", "YA protagonists or conflict with other personality traits that he has such as", "run away from his foster parents and live on the streets. His homelessness", "me. I'm trying really hard to ensure that Joesph's street-smarts/pragmatism doesn't come across", "that was tacked onto his character just to make him stand from other", "away from his foster parents and live on the streets. His homelessness caused", "character just to make him stand from other YA protagonists or conflict with", "other personality traits that he has such as his love of world history", "as his love of world history and mythology, unique philosophy and skill with", "as the protagonist and it's implied via flashbacks that during his childhood he", "survive all kinds of crazy shit that occur in the story and a", "existentialism. The problem is that I'm not really street-smart as I've been looking", "that I'm not really street-smart as I've been looking for resources on how", "upon nihilism and existentialism. The problem is that I'm not really street-smart as", "foster parents and live on the streets. His homelessness caused him develop a", "shit that occur in the story and a worldview built upon nihilism and", "mindset that helps him survive all kinds of crazy shit that occur in", "he would frequently run away from his foster parents and live on the", "live on the streets. His homelessness caused him develop a pragmatic mindset that", "homelessness caused him develop a pragmatic mindset that helps him survive all kinds", "help me. I'm trying really hard to ensure that Joesph's street-smarts/pragmatism doesn't come", "to make him stand from other YA protagonists or conflict with other personality", "trying really hard to ensure that Joesph's street-smarts/pragmatism doesn't come across as an", "occur in the story and a worldview built upon nihilism and existentialism. The", "write street-smart characters and haven't found anything that could help me. I'm trying", "Attribute](http://tvtropes.org/pmwiki/pmwiki.php/Main/InformedAttribute), a trait that was tacked onto his character just to make him", "his foster parents and live on the streets. His homelessness caused him develop", "flashbacks that during his childhood he would frequently run away from his foster", "really hard to ensure that Joesph's street-smarts/pragmatism doesn't come across as an [Informed" ]
[ "and explore some of the worldbuild-y aspects of the project through media (maps", "as they are polished. Then I started thinking this might be an amateurish", "I'm building a dedicated WordPress website for my (in-progress) graphic novel. My first", "website for my (in-progress) graphic novel. My first thought was that I'd have", "story teasers. I am artist, author, and promoter (and probably publisher, too) so", "process. Writer wants to embed you in the story. Promoter wants clickbait and", "Writer wants to embed you in the story. Promoter wants clickbait and sharable", "they want to feature. Artist wants to show you the whole process. Writer", "would be to only show polished promotion-ready artwork and story teasers. I am", "whole process. Writer wants to embed you in the story. Promoter wants clickbait", "planned to build out an index of characters and locations as they are", "this might be an amateurish presentation, practically a self-fan site. A more commercial", "the story. Promoter wants clickbait and sharable media. What should I include (and", "are polished. Then I started thinking this might be an amateurish presentation, practically", "sketches). I also planned to build out an index of characters and locations", "in the story. Promoter wants clickbait and sharable media. What should I include", "promoter (and probably publisher, too) so I am wearing all the hats on", "and sharable media. *What should I include (and not include) on a book's", "I am wearing all the hats on this project, and they typically conflict", "media (maps and sketches). I also planned to build out an index of", "explore some of the worldbuild-y aspects of the project through media (maps and", "might be an amateurish presentation, practically a self-fan site. A more commercial* presentation", "they typically conflict in what aspect they want to feature. Artist wants to", "want to feature. Artist wants to show you the whole process. Writer wants", "story. Promoter wants clickbait and sharable media. What should I include (and not", "to feature. Artist wants to show you the whole process. Writer wants to", "wants to embed you in the story. Promoter wants clickbait and sharable media.", "(maps and sketches). I also planned to build out an index of characters", "Promoter wants clickbait and sharable media. What should I include (and not include)", "project through media (maps and sketches). I also planned to build out an", "and sketches). I also planned to build out an index of characters and", "wants to show you the whole process. Writer wants to embed you in", "polished. Then I started thinking this might be an amateurish presentation, practically a", "conflict in what aspect they want to feature. Artist wants to show you", "and they typically conflict in what aspect they want to feature. Artist wants", "build out an index of characters and locations as they are polished. Then", "Then I started thinking this might be an amateurish presentation, practically a self-fan", "you in the story. Promoter wants clickbait and sharable media. What should I", "also planned to build out an index of characters and locations as they", "in what aspect they want to feature. Artist wants to show you the", "only show polished promotion-ready artwork and story teasers. I am artist, author, and", "to show you the whole process. Writer wants to embed you in the", "on this project, and they typically conflict in what aspect they want to", "My first thought was that I'd have an artist's blog for work-in-progress, and", "of characters and locations as they are polished. Then I started thinking this", "have an artist's blog for work-in-progress, and explore some of the worldbuild-y aspects", "out an index of characters and locations as they are polished. Then I", "to embed you in the story. Promoter wants clickbait and sharable media. What", "and story teasers. I am artist, author, and promoter (and probably publisher, too)", "was that I'd have an artist's blog for work-in-progress, and explore some of", "project, and they typically conflict in what aspect they want to feature. Artist", "presentation would be to only show polished promotion-ready artwork and story teasers. I", "graphic novel. My first thought was that I'd have an artist's blog for", "author, and promoter (and probably publisher, too) so I am wearing all the", "of the project through media (maps and sketches). I also planned to build", "am artist, author, and promoter (and probably publisher, too) so I am wearing", "building a dedicated WordPress website for my (in-progress) graphic novel. My first thought", "site. A more commercial presentation would be to only show polished promotion-ready artwork", "promotion-ready artwork and story teasers. I am artist, author, and promoter (and probably", "an artist's blog for work-in-progress, and explore some of the worldbuild-y aspects of", "locations as they are polished. Then I started thinking this might be an", "self-fan site. A more commercial presentation would be to only show polished promotion-ready", "be to only show polished promotion-ready artwork and story teasers. I am artist,", "wants clickbait and sharable media. What should I include (and not include) on", "what aspect they want to feature. Artist wants to show you the whole", "Artist wants to show you the whole process. Writer wants to embed you", "wearing all the hats on this project, and they typically conflict in what", "to only show polished promotion-ready artwork and story teasers. I am artist, author,", "my (in-progress) graphic novel. My first thought was that I'd have an artist's", "through media (maps and sketches). I also planned to build out an index", "I started thinking this might be an amateurish presentation, practically a self-fan site.", "and promoter (and probably publisher, too) so I am wearing all the hats", "the hats on this project, and they typically conflict in what aspect they", "a dedicated WordPress website for my (in-progress) graphic novel. My first thought was", "blog for work-in-progress, and explore some of the worldbuild-y aspects of the project", "feature. Artist wants to show you the whole process. Writer wants to embed", "and locations as they are polished. Then I started thinking this might be", "hats on this project, and they typically conflict in what aspect they want", "so I am wearing all the hats on this project, and they typically", "artist, author, and promoter (and probably publisher, too) so I am wearing all", "embed you in the story. Promoter wants clickbait and sharable media. What should", "novel. 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I am artist, author, and promoter", "first thought was that I'd have an artist's blog for work-in-progress, and explore", "WordPress website for my (in-progress) graphic novel. My first thought was that I'd", "polished promotion-ready artwork and story teasers. I am artist, author, and promoter (and", "work-in-progress, and explore some of the worldbuild-y aspects of the project through media", "you the whole process. Writer wants to embed you in the story. Promoter", "to build out an index of characters and locations as they are polished.", "be an amateurish presentation, practically a self-fan site. A more commercial presentation would", "clickbait and sharable media. *What should I include (and not include) on a", "A more commercial* presentation would be to only show polished promotion-ready artwork and", "amateurish presentation, practically a self-fan site. A more commercial presentation would be to", "aspects of the project through media (maps and sketches). I also planned to", "sharable media. What should I include (and not include) on a book's website?", "for work-in-progress, and explore some of the worldbuild-y aspects of the project through", "dedicated WordPress website for my (in-progress) graphic novel. My first thought was that", "presentation, practically a self-fan site. A more commercial presentation would be to only", "(and probably publisher, too) so I am wearing all the hats on this", "typically conflict in what aspect they want to feature. Artist wants to show", "commercial presentation would be to only show polished promotion-ready artwork and story teasers.", "publisher, too) so I am wearing all the hats on this project, and", "all the hats on this project, and they typically conflict in what aspect", "am wearing all the hats on this project, and they typically conflict in", "an index of characters and locations as they are polished. Then I started", "some of the worldbuild-y aspects of the project through media (maps and sketches).", "index of characters and locations as they are polished. Then I started thinking", "that I'd have an artist's blog for work-in-progress, and explore some of the", "(in-progress) graphic novel. My first thought was that I'd have an artist's blog", "for my (in-progress) graphic novel. My first thought was that I'd have an", "thought was that I'd have an artist's blog for work-in-progress, and explore some", "teasers. I am artist, author, and promoter (and probably publisher, too) so I", "worldbuild-y aspects of the project through media (maps and sketches). I also planned", "I also planned to build out an index of characters and locations as", "aspect they want to feature. Artist wants to show you the whole process.", "probably publisher, too) so I am wearing all the hats on this project,", "characters and locations as they are polished. Then I started thinking this might", "the whole process. Writer wants to embed you in the story. Promoter wants", "the worldbuild-y aspects of the project through media (maps and sketches). I also", "more commercial presentation would be to only show polished promotion-ready artwork and story", "too) so I am wearing all the hats on this project, and they", "a self-fan site. A more commercial presentation would be to only show polished", "practically a self-fan site. A more commercial presentation would be to only show", "started thinking this might be an amateurish presentation, practically a self-fan site. A", "thinking this might be an amateurish presentation, practically a self-fan site. A more" ]
[ "children grow > > > * cabbages, > * onions, > * potatoes,", "languages, such as HTML and Markdown, do not allow vertical content in paragraphs", "items: > > The school has a vegetable garden in which the children", "I tend to format lists of items: > > The school has a", "list in between. This, in turn, makes it difficult to style a web", "during their free time. > > > as actual vertical lists: > >", "HTML and Markdown, or is the above use of lists rare / generally", "writing, I tend to format lists of items: > > The school has", "onions, potatoes, and carrots during their free time. > > > as actual", "as HTML and Markdown, do not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e.", "internally represented as two separate paragraphs with a list in between. This, in", "as two separate paragraphs with a list in between. This, in turn, makes", "* cabbages, > * onions, > * potatoes, and > * carrots >", "cabbages, > * onions, > * potatoes, and > * carrots > >", "and Markdown, or is the above use of lists rare / generally discouraged?", "> > However, major document markup languages, such as HTML and Markdown, do", "has a vegetable garden in which the children grow cabbages, onions, potatoes, and", "* carrots > > > during their free time. > > > However,", "allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually internally", "Is this a deficiency in HTML and Markdown, or is the above use", "such as HTML and Markdown, do not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)],", "text is actually internally represented as two separate paragraphs with a list in", "in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually internally represented as two", "> during their free time. > > > However, major document markup languages,", "in turn, makes it difficult to style a web page to e.g. indent", "However, major document markup languages, such as HTML and Markdown, do not allow", "this a deficiency in HTML and Markdown, or is the above use of", "my writing, I tend to format lists of items: > > The school", "is actually internally represented as two separate paragraphs with a list in between.", "major document markup languages, such as HTML and Markdown, do not allow vertical", "e.g. indent the first line of a paragraph without somehow extending the markup.", "potatoes, and > * carrots > > > during their free time. >", "markup. Is this a deficiency in HTML and Markdown, or is the above", "web page to e.g. indent the first line of a paragraph without somehow", "do not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is", "a list in between. This, in turn, makes it difficult to style a", "tend to format lists of items: > > The school has a vegetable", "vertical lists: > > The school has a vegetable garden in which the", "free time. > > > as actual vertical lists: > > The school", "> * potatoes, and > * carrots > > > during their free", "and carrots during their free time. > > > as actual vertical lists:", "style a web page to e.g. indent the first line of a paragraph", "> * carrots > > > during their free time. > > >", "difficult to style a web page to e.g. indent the first line of", "to e.g. indent the first line of a paragraph without somehow extending the", "> > > * cabbages, > * onions, > * potatoes, and >", "which the children grow > > > * cabbages, > * onions, >", "to style a web page to e.g. indent the first line of a", "indent the first line of a paragraph without somehow extending the markup. Is", "> * onions, > * potatoes, and > * carrots > > >", "has a vegetable garden in which the children grow > > > ", "the markup. Is this a deficiency in HTML and Markdown, or is the", "not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually", "children grow cabbages, onions, potatoes, and carrots during their free time. > >", "time. > > > as actual vertical lists: > > The school has", "a web page to e.g. indent the first line of a paragraph without", "i.e. the above text is actually internally represented as two separate paragraphs with", "in between. This, in turn, makes it difficult to style a web page", "format lists of items: > > The school has a vegetable garden in", "and Markdown, do not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above", "This, in turn, makes it difficult to style a web page to e.g.", "> However, major document markup languages, such as HTML and Markdown, do not", "free time. > > > However, major document markup languages, such as HTML", "potatoes, and carrots during their free time. > > > as actual vertical", "The school has a vegetable garden in which the children grow cabbages, onions,", "> > cabbages, > * onions, > * potatoes, and > ", "turn, makes it difficult to style a web page to e.g. indent the", "extending the markup. Is this a deficiency in HTML and Markdown, or is", "vegetable garden in which the children grow > > > cabbages, >", "in HTML and Markdown, or is the above use of lists rare /", "> * cabbages, > * onions, > * potatoes, and > * carrots", "school has a vegetable garden in which the children grow > > >", "grow > > > * cabbages, > * onions, > * potatoes, and", "of items: > > The school has a vegetable garden in which the", "lists: > > The school has a vegetable garden in which the children", "between. This, in turn, makes it difficult to style a web page to", "carrots during their free time. > > > as actual vertical lists: >", "the children grow > > > * cabbages, > * onions, > ", "Markdown, do not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text", "two separate paragraphs with a list in between. This, in turn, makes it", "onions, > potatoes, and > * carrots > > > during their", "their free time. > > > However, major document markup languages, such as", "* onions, > * potatoes, and > * carrots > > > during", "actual vertical lists: > > The school has a vegetable garden in which", "school has a vegetable garden in which the children grow cabbages, onions, potatoes,", "> as actual vertical lists: > > The school has a vegetable garden", "it difficult to style a web page to e.g. indent the first line", "In my writing, I tend to format lists of items: > > The", "the children grow cabbages, onions, potatoes, and carrots during their free time. >", "first line of a paragraph without somehow extending the markup. Is this a", "garden in which the children grow cabbages, onions, potatoes, and carrots during their", "of a paragraph without somehow extending the markup. Is this a deficiency in", "somehow extending the markup. Is this a deficiency in HTML and Markdown, or", "paragraphs with a list in between. This, in turn, makes it difficult to", "the first line of a paragraph without somehow extending the markup. Is this", "> > > during their free time. > > > However, major document", "their free time. > > > as actual vertical lists: > > The", "represented as two separate paragraphs with a list in between. This, in turn,", "> > during their free time. > > > However, major document markup", "garden in which the children grow > > > * cabbages, > ", "with a list in between. This, in turn, makes it difficult to style", "markup languages, such as HTML and Markdown, do not allow vertical content in", "time. > > > However, major document markup languages, such as HTML and", "[[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually internally represented as two separate paragraphs", "> The school has a vegetable garden in which the children grow >", "in which the children grow cabbages, onions, potatoes, and carrots during their free", "the above text is actually internally represented as two separate paragraphs with a", "vegetable garden in which the children grow cabbages, onions, potatoes, and carrots during", "vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually internally represented", " potatoes, and > * carrots > > > during their free time.", "and > * carrots > > > during their free time. > >", "grow cabbages, onions, potatoes, and carrots during their free time. > > >", "makes it difficult to style a web page to e.g. indent the first", "line of a paragraph without somehow extending the markup. Is this a deficiency", "separate paragraphs with a list in between. This, in turn, makes it difficult", "content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually internally represented as", "actually internally represented as two separate paragraphs with a list in between. This,", "document markup languages, such as HTML and Markdown, do not allow vertical content", "a deficiency in HTML and Markdown, or is the above use of lists", "a paragraph without somehow extending the markup. Is this a deficiency in HTML", "without somehow extending the markup. Is this a deficiency in HTML and Markdown,", "a vegetable garden in which the children grow > > > * cabbages,", "carrots > > > during their free time. > > > However, major", "above text is actually internally represented as two separate paragraphs with a list", "to format lists of items: > > The school has a vegetable garden", "as actual vertical lists: > > The school has a vegetable garden in", "The school has a vegetable garden in which the children grow > >", "lists of items: > > The school has a vegetable garden in which", "cabbages, onions, potatoes, and carrots during their free time. > > > as", "deficiency in HTML and Markdown, or is the above use of lists rare", "> The school has a vegetable garden in which the children grow cabbages,", "a vegetable garden in which the children grow cabbages, onions, potatoes, and carrots", "which the children grow cabbages, onions, potatoes, and carrots during their free time.", "paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the above text is actually internally represented as two separate", "paragraph without somehow extending the markup. Is this a deficiency in HTML and", "> > The school has a vegetable garden in which the children grow", "during their free time. > > > However, major document markup languages, such", "in which the children grow > > > * cabbages, > * onions,", "> > > as actual vertical lists: > > The school has a", "page to e.g. indent the first line of a paragraph without somehow extending", "> > > However, major document markup languages, such as HTML and Markdown,", "HTML and Markdown, do not allow vertical content in paragraphs [[1](https://stackoverflow.com/a/5681796/657401)], i.e. the", "> > as actual vertical lists: > > The school has a vegetable" ]
[ "book on what it is about and cut the superfluous chunks of text;", "spoilerific summary of exactly what happens in a written work; but, the term", "discussions I'd expect (but here's an opportunity to correct me) that the act", "that the act of summarizing the important and/or extraneous moments in a novel", "it will define the components to assist in the actionable desired end result", "the treatment, how do you know you need to cut it from the", "the time that question was asked, I had seen a couple examples of", "definition I want to target, what is the right way to construct said", "* a loose definition of a beat as the smallest unit of any", "way to construct said beats? Which moments in the book should qualify for", "I found the documents compelling and likely useful for revision process, but did", "beat within the context of a revision treatment should make it obvious why", "suggested that I write a treatment to assist with revising & cutting. A", "a book. So the question is, which of these definitions is most useful", "in the book should qualify for beat status and which should be discarded", "to assist in the actionable desired end result result; and it will be", "In a previous question it was suggested that I write a treatment to", "there if you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this", "is usually shorter (only providing dialogue and very minimal setting/action descriptions) and, due", "the following: * an example of a beat sheet * an example of", "from screenplay writing and is made up of beats. A beat is not", "beat is not standardly defined across the writing community and it is used", "of the character considerations backing any action in a scene of the film", "At the time that question was asked, I had seen a couple examples", "of treatments or beat-sheets and I found the documents compelling and likely useful", "construction and use of this document will lead to a better novel. An", "qualify for beat status and which should be discarded as superfluous? And the", "and likely useful for revision process, but did not know how to convert", "in the movie) * a loose definition of a beat as the smallest", "obvious why you'd want to use beats & treatments for revision; and based", "of a beat sheet * an example of a treatment * a loose", "result; and it will be clear how the construction and use of this", "and/or extraneous moments in a novel lets you focus the book on what", "across the writing community and it is used in multiple ways. ### Known", "the character considerations backing any action in a scene of the film which", "beats? Which moments in the book should qualify for beat status and which", "and is made up of beats. A beat is not standardly defined across", "staging) * a very detailed definition of a beat: all of the character", "beats & treatments for revision; and based on previous discussions I'd expect (but", "treatments for revision; and based on previous discussions I'd expect (but here's an", "good answer to this question will provide actionable steps to create useful beats", "is essentially a multi-page, spoilerific summary of exactly what happens in a written", "& treatments for revision; and based on previous discussions I'd expect (but here's", "and use of this document will lead to a better novel. An unhelpful", "or one of the myriad definitions without talking about why this is important", "dialogue and very minimal setting/action descriptions) and, due to the medium, is often", "Beats/Treatments At the time that question was asked, I had seen a couple", "literally be nearly every second of staging) * a very detailed definition of", "should qualify for beat status and which should be discarded as superfluous? And", "all of the character considerations backing any action in a scene of the", "contain partial or limited versions of one or two of the following: ", "turning point for characters; or every swing of momentum within a scene, this", "a treatment* to assist with revising & cutting. A treatment is essentially a", "very different thing than a novel. A script is usually shorter (only providing", "based on previous discussions I'd expect (but here's an opportunity to correct me)", "them all in one place. That's because most of the places you read", "or two of the following: * an example of a beat sheet ", "revision treatment should make it obvious why you'd want to use beats &", "it was suggested that I write a treatment* to assist with revising &", "the act of summarizing the important and/or extraneous moments in a novel lets", "five minutes in a movie; a turning point for characters; or every swing", "correct me) that the act of summarizing the important and/or extraneous moments in", "unit of any action (essentially every action in the movie) * a loose", "if you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this is", "but, the term comes not from the Novel, but from screenplay writing and", "is the right way to construct said beats? Which moments in the book", "an example of a beat sheet * an example of a treatment ", "This is further complicated because a script is a very different thing than", "momentum within a scene, this could literally be nearly every second of staging)", "to a better novel. An unhelpful answer would simply list examples or one", "cut it from the work anyways? The definition of a beat within the", "complicated because a script is a very different thing than a novel. A", "as superfluous? And the next level, even if it qualifies as a beat", "the writing community and it is used in multiple ways. ### Known Deficient", "novel? And once I've picked the definition I want to target, what is", "Question is Being asked In a previous question it was suggested that I", "the definition I want to target, what is the right way to construct", "other questions. A good answer to this question will provide actionable steps to", "discarded as superfluous? And the next level, even if it qualifies as a", "Known Deficient Definitions/Examples/Uses of Beats/Treatments At the time that question was asked, I", "not from the Novel, but from screenplay writing and is made up of", "smallest unit of any action (essentially every action in the movie) a", "steps to create useful beats and a useful treatment for the revision process;", "novel lets you focus the book on what it is about and cut", "script is usually shorter (only providing dialogue and very minimal setting/action descriptions) and,", "how the construction and use of this document will lead to a better", "for revision; and based on previous discussions I'd expect (but here's an opportunity", "and a useful treatment for the revision process; it will define the components", "need to cut it from the work anyways? The definition of a beat", "the documents compelling and likely useful for revision process, but did not know", "for revision purposes if you're going for a smaller document. This is further", "provide actionable steps to create useful beats and a useful treatment for the", "moments in the book should qualify for beat status and which should be", "purposes if you're going for a smaller document. This is further complicated because", "questions. A good answer to this question will provide actionable steps to create", "a better novel. An unhelpful answer would simply list examples or one of", "any action in a scene of the film which is great for directing", "definition of a beat as the smallest unit of any action (essentially every", "once I've picked the definition I want to target, what is the right", "smallest unit of plot (once every five minutes in a movie; a turning", "extraneous moments in a novel lets you focus the book on what it", "construct said beats? Which moments in the book should qualify for beat status*", "or limited versions of one or two of the following: an example", "scene of the film which is great for directing a movie or play,", "to cut it from the work anyways? The definition of a beat within", "beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this is different from other questions. A", "talking about why this is important and how its helpful in the revision", "written work; but, the term comes not from the Novel, but from screenplay", "question will provide actionable steps to create useful beats and a useful treatment", "can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this is different from", "a revision treatment should make it obvious why you'd want to use beats", "of the myriad definitions without talking about why this is important and how", "know you need to cut it from the work anyways? The definition of", "you focus the book on what it is about and cut the superfluous", "movie; a turning point for characters; or every swing of momentum within a", "target, what is the right way to construct said beats? Which moments in", "I want to target, what is the right way to construct said beats?", "components to assist in the actionable desired end result result; and it will", "made up of beats. A beat is not standardly defined across the writing", "for a smaller document. This is further complicated because a script is a", "thing than a novel. A script is usually shorter (only providing dialogue and", "the places you read on the internet are going to contain partial or", "very minimal setting/action descriptions) and, due to the medium, is often simpler, in", "but not good as a summary for revision purposes if you're going for", "than a book. So the question is, which of these definitions is most", "which meant finding the beats and collecting them all in one place. That's", "play, but not good as a summary for revision purposes if you're going", "from other questions. A good answer to this question will provide actionable steps", "the actionable desired end result result; and it will be clear how the", "a smaller document. This is further complicated because a script is a very", "descriptions) and, due to the medium, is often simpler, in terms of complexity,", "a treatment * a loose definition of a beat as the smallest unit", "the smallest unit of any action (essentially every action in the movie) ", "different thing than a novel. A script is usually shorter (only providing dialogue", "beats. A beat* is not standardly defined across the writing community and it", "lets you focus the book on what it is about and cut the", "every action in the movie) * a loose definition of a beat as", "and it is used in multiple ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments", "assist in the actionable desired end result result; and it will be clear", "essentially a multi-page, spoilerific summary of exactly what happens in a written work;", "beat for the treatment, how do you know you need to cut it", "differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this is different from other", "to the medium, is often simpler, in terms of complexity, than a book.", "question was asked, I had seen a couple examples of treatments or beat-sheets", "going to contain partial or limited versions of one or two of the", "treatment to assist with revising & cutting. A treatment is essentially a multi-page,", "of this document will lead to a better novel. An unhelpful answer would", "standardly defined across the writing community and it is used in multiple ways.", "the internet are going to contain partial or limited versions of one or", "on what it is about and cut the superfluous chunks of text; but", "simpler, in terms of complexity, than a book. So the question is, which", "an example of a treatment * a loose definition of a beat as", "as the smallest unit of any action (essentially every action in the movie)", "a summary for revision purposes if you're going for a smaller document. This", "all in one place. That's because most of the places you read on", "due to the medium, is often simpler, in terms of complexity, than a", "said beats? Which moments in the book should qualify for beat status and", "considerations backing any action in a scene of the film which is great", "process; it will define the components to assist in the actionable desired end", "time that question was asked, I had seen a couple examples of treatments", "compelling and likely useful for revision process, but did not know how to", "beat status and which should be discarded as superfluous? And the next level,", "the context of a revision treatment should make it obvious why you'd want", "Novel, but from screenplay writing and is made up of beats. A beat", "how to convert an active work into one, which meant finding the beats", "cut the superfluous chunks of text; but you can only get there if", "this is different from other questions. A good answer to this question will", "film which is great for directing a movie or play, but not good", "you can only get there if you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\"", "to assist with revising & cutting. A treatment is essentially a multi-page, spoilerific", "of Beats/Treatments At the time that question was asked, I had seen a", "the myriad definitions without talking about why this is important and how its", "screenplay writing and is made up of beats. A beat is not standardly", "useful when writing a treatment for revision of a novel? And once I've", "revision; and based on previous discussions I'd expect (but here's an opportunity to", "is a very different thing than a novel. A script is usually shorter", "end result result; and it will be clear how the construction and use", "a previous question it was suggested that I write a treatment to assist", "writing community and it is used in multiple ways. ### Known Deficient Definitions/Examples/Uses", "place. That's because most of the places you read on the internet are", "when writing a treatment for revision of a novel? And once I've picked", "one, which meant finding the beats and collecting them all in one place.", "beats and collecting them all in one place. That's because most of the", "focus the book on what it is about and cut the superfluous chunks", "point for characters; or every swing of momentum within a scene, this could", "what is the right way to construct said beats? Which moments in the", "for characters; or every swing of momentum within a scene, this could literally", "even if it qualifies as a beat for the treatment, how do you", "two of the following: * an example of a beat sheet * an", "ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments At the time that question was", "often simpler, in terms of complexity, than a book. So the question is,", "loose definition of a beat as the smallest unit of plot (once every", "the film which is great for directing a movie or play, but not", "directing a movie or play, but not good as a summary for revision", "* a very detailed definition of a beat: all of the character considerations", "usually shorter (only providing dialogue and very minimal setting/action descriptions) and, due to", "be clear how the construction and use of this document will lead to", "myriad definitions without talking about why this is important and how its helpful", "defined across the writing community and it is used in multiple ways. ###", "define the components to assist in the actionable desired end result result; and", "backing any action in a scene of the film which is great for", "plot (once every five minutes in a movie; a turning point for characters;", "better novel. An unhelpful answer would simply list examples or one of the", "for the treatment, how do you know you need to cut it from", "of a beat as the smallest unit of any action (essentially every action", "previous question it was suggested that I write a treatment to assist with", "was suggested that I write a treatment to assist with revising & cutting.", "it is used in multiple ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments At", "the movie) * a loose definition of a beat as the smallest unit", "of a beat: all of the character considerations backing any action in a", "So the question is, which of these definitions is most useful when writing", "And why this is different from other questions. A good answer to this", "a novel lets you focus the book on what it is about and", "used in multiple ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments At the time", "desired end result result; and it will be clear how the construction and", "but you can only get there if you can differentiate \"superfulous-but-recordable\" beats from", "next level, even if it qualifies as a beat for the treatment, how", "about and cut the superfluous chunks of text; but you can only get", "to create useful beats and a useful treatment for the revision process; it", "from \"additional-details/happenings-that-aren't-beats.\" ### And why this is different from other questions. A good", "a script is a very different thing than a novel. A script is", "writing a treatment for revision of a novel? And once I've picked the", "most of the places you read on the internet are going to contain", "* a loose definition of a beat as the smallest unit of plot", "as a summary for revision purposes if you're going for a smaller document.", "should be discarded as superfluous? And the next level, even if it qualifies", "### And why this is different from other questions. A good answer to", "a couple examples of treatments or beat-sheets and I found the documents compelling", "Deficient Definitions/Examples/Uses of Beats/Treatments At the time that question was asked, I had", "in terms of complexity, than a book. So the question is, which of", "the components to assist in the actionable desired end result result; and it", "(essentially every action in the movie) * a loose definition of a beat", "setting/action descriptions) and, due to the medium, is often simpler, in terms of", "script is a very different thing than a novel. A script is usually", "book. So the question is, which of these definitions is most useful when", "the revision process; it will define the components to assist in the actionable", "in a movie; a turning point for characters; or every swing of momentum", "in a scene of the film which is great for directing a movie", "of a treatment * a loose definition of a beat as the smallest", "of any action (essentially every action in the movie) * a loose definition", "or play, but not good as a summary for revision purposes if you're", "minimal setting/action descriptions) and, due to the medium, is often simpler, in terms", "right way to construct said beats? Which moments in the book should qualify", "up of beats. A beat is not standardly defined across the writing community", "chunks of text; but you can only get there if you can differentiate", "definition of a beat as the smallest unit of plot (once every five", "is great for directing a movie or play, but not good as a", "opportunity to correct me) that the act of summarizing the important and/or extraneous", "a useful treatment for the revision process; it will define the components to", "not standardly defined across the writing community and it is used in multiple", "nearly every second of staging) * a very detailed definition of a beat:", "seen a couple examples of treatments or beat-sheets and I found the documents", "every swing of momentum within a scene, this could literally be nearly every", "not know how to convert an active work into one, which meant finding", "you know you need to cut it from the work anyways? The definition", "Why this Question is Being asked In a previous question it was suggested", "how do you know you need to cut it from the work anyways?", "medium, is often simpler, in terms of complexity, than a book. So the", "actionable desired end result result; and it will be clear how the construction", "an opportunity to correct me) that the act of summarizing the important and/or", "want to use beats & treatments for revision; and based on previous discussions", "exactly what happens in a written work; but, the term comes not from", "a novel? And once I've picked the definition I want to target, what", "without talking about why this is important and how its helpful in the", "picked the definition I want to target, what is the right way to", "revision process; it will define the components to assist in the actionable desired", "Which moments in the book should qualify for beat status and which should", "book should qualify for beat status and which should be discarded as superfluous?", "as a beat for the treatment, how do you know you need to", "use beats & treatments for revision; and based on previous discussions I'd expect", "movie) * a loose definition of a beat as the smallest unit of", "would simply list examples or one of the myriad definitions without talking about", "which of these definitions is most useful when writing a treatment for revision", "it obvious why you'd want to use beats & treatments for revision; and", "this Question is Being asked In a previous question it was suggested that", "I've picked the definition I want to target, what is the right way", "if you're going for a smaller document. This is further complicated because a", "summary of exactly what happens in a written work; but, the term comes", "be nearly every second of staging) * a very detailed definition of a", "write a treatment to assist with revising & cutting. A treatment is essentially", "you'd want to use beats & treatments for revision; and based on previous", "a beat: all of the character considerations backing any action in a scene", "of exactly what happens in a written work; but, the term comes not", "treatment should make it obvious why you'd want to use beats & treatments", "of the film which is great for directing a movie or play, but", "text; but you can only get there if you can differentiate \"superfulous-but-recordable\" beats", "moments in a novel lets you focus the book on what it is", "of the places you read on the internet are going to contain partial", "multi-page, spoilerific summary of exactly what happens in a written work; but, the", "simply list examples or one of the myriad definitions without talking about why", "treatment, how do you know you need to cut it from the work", "could literally be nearly every second of staging) * a very detailed definition", "* an example of a beat sheet * an example of a treatment", "internet are going to contain partial or limited versions of one or two", "example of a treatment * a loose definition of a beat as the", "from the Novel, but from screenplay writing and is made up of beats.", "do you know you need to cut it from the work anyways? The", "a beat as the smallest unit of any action (essentially every action in", "treatment for the revision process; it will define the components to assist in", "be discarded as superfluous? And the next level, even if it qualifies as", "the Novel, but from screenplay writing and is made up of beats. A", "and very minimal setting/action descriptions) and, due to the medium, is often simpler,", "but did not know how to convert an active work into one, which", "smaller document. This is further complicated because a script is a very different", "or beat-sheets and I found the documents compelling and likely useful for revision", "one place. That's because most of the places you read on the internet", "this could literally be nearly every second of staging) * a very detailed", "a multi-page, spoilerific summary of exactly what happens in a written work; but,", "but from screenplay writing and is made up of beats. A beat is", "answer to this question will provide actionable steps to create useful beats and", "process, but did not know how to convert an active work into one,", "convert an active work into one, which meant finding the beats and collecting", "a loose definition of a beat as the smallest unit of plot (once", "it qualifies as a beat for the treatment, how do you know you", "for directing a movie or play, but not good as a summary for", "A good answer to this question will provide actionable steps to create useful", "Being asked In a previous question it was suggested that I write a", "useful beats and a useful treatment for the revision process; it will define", "list examples or one of the myriad definitions without talking about why this", "multiple ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments At the time that question", "any action (essentially every action in the movie) * a loose definition of", "(once every five minutes in a movie; a turning point for characters; or", "novel. A script is usually shorter (only providing dialogue and very minimal setting/action", "not good as a summary for revision purposes if you're going for a", "\"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this is different from other questions.", "action in the movie) * a loose definition of a beat as the", "a very different thing than a novel. A script is usually shorter (only", "into one, which meant finding the beats and collecting them all in one", "term comes not from the Novel, but from screenplay writing and is made", "and based on previous discussions I'd expect (but here's an opportunity to correct", "actionable steps to create useful beats and a useful treatment for the revision", "to construct said beats? Which moments in the book should qualify for beat", "most useful when writing a treatment for revision of a novel? And once", "the right way to construct said beats? Which moments in the book should", "or every swing of momentum within a scene, this could literally be nearly", "of a revision treatment should make it obvious why you'd want to use", "use of this document will lead to a better novel. An unhelpful answer", "will lead to a better novel*. An unhelpful answer would simply list examples", "which should be discarded as superfluous? And the next level, even if it", "example of a beat sheet an example of a treatment * a", "(only providing dialogue and very minimal setting/action descriptions) and, due to the medium,", "useful for revision process, but did not know how to convert an active", "revision of a novel? And once I've picked the definition I want to", "a turning point for characters; or every swing of momentum within a scene,", "work into one, which meant finding the beats and collecting them all in", "good as a summary for revision purposes if you're going for a smaller", "definition of a beat: all of the character considerations backing any action in", "is Being asked In a previous question it was suggested that I write", "what happens in a written work; but, the term comes not from the", "I'd expect (but here's an opportunity to correct me) that the act of", "treatment for revision of a novel? And once I've picked the definition I", "\"additional-details/happenings-that-aren't-beats.\" ### And why this is different from other questions. A good answer", "the construction and use of this document will lead to a better novel.", "and I found the documents compelling and likely useful for revision process, but", "found the documents compelling and likely useful for revision process, but did not", "will be clear how the construction and use of this document will lead", "than a novel. A script is usually shorter (only providing dialogue and very", "for beat status and which should be discarded as superfluous? And the next", "why this is different from other questions. A good answer to this question", "had seen a couple examples of treatments or beat-sheets and I found the", "is different from other questions. A good answer to this question will provide", "one or two of the following: * an example of a beat sheet", "And the next level, even if it qualifies as a beat for the", "answer would simply list examples or one of the myriad definitions without talking", "### Why this Question is Being asked In a previous question it was", "* an example of a treatment * a loose definition of a beat", "get there if you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why", "limited versions of one or two of the following: * an example of", "was asked, I had seen a couple examples of treatments or beat-sheets and", "of these definitions is most useful when writing a treatment for revision of", "asked, I had seen a couple examples of treatments or beat-sheets and I", "treatment is essentially a multi-page, spoilerific summary of exactly what happens in a", "is not standardly defined across the writing community and it is used in", "very detailed definition of a beat: all of the character considerations backing any", "because a script is a very different thing than a novel. A script", "will define the components to assist in the actionable desired end result result;", "of summarizing the important and/or extraneous moments in a novel lets you focus", "clear how the construction and use of this document will lead to a", "within a scene, this could literally be nearly every second of staging) ", "status* and which should be discarded as superfluous? And the next level, even", "and, due to the medium, is often simpler, in terms of complexity, than", "collecting them all in one place. That's because most of the places you", "work anyways? The definition of a beat within the context of a revision", "shorter (only providing dialogue and very minimal setting/action descriptions) and, due to the", "to contain partial or limited versions of one or two of the following:", "the next level, even if it qualifies as a beat for the treatment,", "Definitions/Examples/Uses of Beats/Treatments At the time that question was asked, I had seen", "finding the beats and collecting them all in one place. That's because most", "meant finding the beats and collecting them all in one place. That's because", "An unhelpful answer would simply list examples or one of the myriad definitions", "a beat as the smallest unit of plot (once every five minutes in", "definitions is most useful when writing a treatment for revision of a novel?", "revision purposes if you're going for a smaller document. This is further complicated", "result result; and it will be clear how the construction and use of", "examples of treatments or beat-sheets and I found the documents compelling and likely", "you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And why this is different", "you're going for a smaller document. This is further complicated because a script", "And once I've picked the definition I want to target, what is the", "it is about and cut the superfluous chunks of text; but you can", "lead to a better novel. An unhelpful answer would simply list examples or", "here's an opportunity to correct me) that the act of summarizing the important", "it from the work anyways? The definition of a beat within the context", "character considerations backing any action in a scene of the film which is", "with revising & cutting. A treatment is essentially a multi-page, spoilerific summary of", "active work into one, which meant finding the beats and collecting them all", "can only get there if you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ###", "of momentum within a scene, this could literally be nearly every second of", "comes not from the Novel, but from screenplay writing and is made up", "of plot (once every five minutes in a movie; a turning point for", "as the smallest unit of plot (once every five minutes in a movie;", "assist with revising & cutting. A treatment is essentially a multi-page, spoilerific summary", "what it is about and cut the superfluous chunks of text; but you", "context of a revision treatment should make it obvious why you'd want to", "of text; but you can only get there if you can differentiate \"superfulous-but-recordable\"", "novel. An unhelpful answer would simply list examples or one of the myriad", "asked In a previous question it was suggested that I write a treatment", "if it qualifies as a beat for the treatment, how do you know", "I write a treatment to assist with revising & cutting. A treatment** is", "a beat sheet * an example of a treatment * a loose definition", "providing dialogue and very minimal setting/action descriptions) and, due to the medium, is", "me) that the act of summarizing the important and/or extraneous moments in a", "every second of staging) * a very detailed definition of a beat: all", "level, even if it qualifies as a beat for the treatment, how do", "cutting. A treatment is essentially a multi-page, spoilerific summary of exactly what happens", "act of summarizing the important and/or extraneous moments in a novel lets you", "and cut the superfluous chunks of text; but you can only get there", "only get there if you can differentiate \"superfulous-but-recordable\" beats from \"additional-details/happenings-that-aren't-beats.\" ### And", "from the work anyways? The definition of a beat within the context of", "is made up of beats. A beat is not standardly defined across the", "on the internet are going to contain partial or limited versions of one", "great for directing a movie or play, but not good as a summary", "couple examples of treatments or beat-sheets and I found the documents compelling and", "unhelpful answer would simply list examples or one of the myriad definitions without", "expect (but here's an opportunity to correct me) that the act of summarizing", "for revision process, but did not know how to convert an active work", "sheet * an example of a treatment * a loose definition of a", "why you'd want to use beats & treatments for revision; and based on", "summarizing the important and/or extraneous moments in a novel lets you focus the", "action (essentially every action in the movie) * a loose definition of a", "make it obvious why you'd want to use beats & treatments for revision;", "following: * an example of a beat sheet * an example of a", "action in a scene of the film which is great for directing a", "the superfluous chunks of text; but you can only get there if you", "want to target, what is the right way to construct said beats? Which", "revising & cutting. A treatment is essentially a multi-page, spoilerific summary of exactly", "beat: all of the character considerations backing any action in a scene of", "the work anyways? The definition of a beat within the context of a", "beats and a useful treatment for the revision process; it will define the", "the smallest unit of plot (once every five minutes in a movie; a", "know how to convert an active work into one, which meant finding the", "it will be clear how the construction and use of this document will", "partial or limited versions of one or two of the following: * an", "terms of complexity, than a book. So the question is, which of these", "(but here's an opportunity to correct me) that the act of summarizing the", "to target, what is the right way to construct said beats? Which moments", "I had seen a couple examples of treatments or beat-sheets and I found", "likely useful for revision process, but did not know how to convert an", "unit of plot (once every five minutes in a movie; a turning point", "this question will provide actionable steps to create useful beats and a useful", "second of staging) * a very detailed definition of a beat: all of", "beat as the smallest unit of plot (once every five minutes in a", "of staging) * a very detailed definition of a beat: all of the", "The definition of a beat within the context of a revision treatment should", "are going to contain partial or limited versions of one or two of", "treatment * a loose definition of a beat as the smallest unit of", "### Known Deficient Definitions/Examples/Uses of Beats/Treatments At the time that question was asked,", "a scene, this could literally be nearly every second of staging) * a", "A script is usually shorter (only providing dialogue and very minimal setting/action descriptions)", "beat sheet * an example of a treatment * a loose definition of", "a beat within the context of a revision treatment should make it obvious", "the book on what it is about and cut the superfluous chunks of", "of complexity, than a book. So the question is, which of these definitions", "in multiple ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments At the time that", "complexity, than a book. So the question is, which of these definitions is", "definitions without talking about why this is important and how its helpful in", "superfluous chunks of text; but you can only get there if you can", "one of the myriad definitions without talking about why this is important and", "a loose definition of a beat as the smallest unit of any action", "different from other questions. A good answer to this question will provide actionable", "in a novel lets you focus the book on what it is about", "did not know how to convert an active work into one, which meant", "scene, this could literally be nearly every second of staging) * a very", "is about and cut the superfluous chunks of text; but you can only", "in the actionable desired end result result; and it will be clear how", "of a beat as the smallest unit of plot (once every five minutes", "examples or one of the myriad definitions without talking about why this is", "and it will be clear how the construction and use of this document", "a beat for the treatment, how do you know you need to cut", "for revision of a novel? And once I've picked the definition I want", "the term comes not from the Novel, but from screenplay writing and is", "the book should qualify for beat status and which should be discarded as", "is often simpler, in terms of complexity, than a book. So the question", "beat-sheets and I found the documents compelling and likely useful for revision process,", "detailed definition of a beat: all of the character considerations backing any action", "a written work; but, the term comes not from the Novel, but from", "question it was suggested that I write a treatment to assist with revising", "That's because most of the places you read on the internet are going", "you need to cut it from the work anyways? The definition of a", "places you read on the internet are going to contain partial or limited", "definition of a beat within the context of a revision treatment should make", "important and/or extraneous moments in a novel lets you focus the book on", "work; but, the term comes not from the Novel, but from screenplay writing", "going for a smaller document. This is further complicated because a script is", "minutes in a movie; a turning point for characters; or every swing of", "& cutting. A treatment is essentially a multi-page, spoilerific summary of exactly what", "happens in a written work; but, the term comes not from the Novel,", "A treatment is essentially a multi-page, spoilerific summary of exactly what happens in", "of the following: * an example of a beat sheet * an example", "to this question will provide actionable steps to create useful beats and a", "beat as the smallest unit of any action (essentially every action in the", "useful treatment for the revision process; it will define the components to assist", "and collecting them all in one place. That's because most of the places", "in one place. That's because most of the places you read on the", "the medium, is often simpler, in terms of complexity, than a book. So", "to use beats & treatments for revision; and based on previous discussions I'd", "an active work into one, which meant finding the beats and collecting them", "the question is, which of these definitions is most useful when writing a", "and which should be discarded as superfluous? And the next level, even if", "of beats. A beat is not standardly defined across the writing community and", "read on the internet are going to contain partial or limited versions of", "will provide actionable steps to create useful beats and a useful treatment for", "to correct me) that the act of summarizing the important and/or extraneous moments", "documents compelling and likely useful for revision process, but did not know how", "document will lead to a better novel. An unhelpful answer would simply list", "you read on the internet are going to contain partial or limited versions", "anyways? The definition of a beat within the context of a revision treatment", "writing and is made up of beats. A beat is not standardly defined", "versions of one or two of the following: * an example of a", "superfluous? And the next level, even if it qualifies as a beat for", "a treatment for revision of a novel? And once I've picked the definition", "create useful beats and a useful treatment for the revision process; it will", "is, which of these definitions is most useful when writing a treatment for", "for the revision process; it will define the components to assist in the", "in a written work; but, the term comes not from the Novel, but", "characters; or every swing of momentum within a scene, this could literally be", "this document will lead to a better novel. An unhelpful answer would simply", "a very detailed definition of a beat: all of the character considerations backing", "is further complicated because a script is a very different thing than a", "that I write a treatment to assist with revising & cutting. A treatment", "that question was asked, I had seen a couple examples of treatments or", "of one or two of the following: * an example of a beat", "a novel. A script is usually shorter (only providing dialogue and very minimal", "should make it obvious why you'd want to use beats & treatments for", "every five minutes in a movie; a turning point for characters; or every", "loose definition of a beat as the smallest unit of any action (essentially", "which is great for directing a movie or play, but not good as", "of a novel? And once I've picked the definition I want to target,", "revision process, but did not know how to convert an active work into", "question is, which of these definitions is most useful when writing a treatment", "within the context of a revision treatment should make it obvious why you'd", "a scene of the film which is great for directing a movie or", "these definitions is most useful when writing a treatment for revision of a", "about why this is important and how its helpful in the revision process.", "the important and/or extraneous moments in a novel lets you focus the book", "movie or play, but not good as a summary for revision purposes if", "document. This is further complicated because a script is a very different thing", "qualifies as a beat for the treatment, how do you know you need", "the beats and collecting them all in one place. That's because most of", "treatments or beat-sheets and I found the documents compelling and likely useful for", "community and it is used in multiple ways. ### Known Deficient Definitions/Examples/Uses of", "is most useful when writing a treatment for revision of a novel? And", "a movie; a turning point for characters; or every swing of momentum within", "a movie or play, but not good as a summary for revision purposes", "swing of momentum within a scene, this could literally be nearly every second", "further complicated because a script is a very different thing than a novel.", "is used in multiple ways. ### Known Deficient Definitions/Examples/Uses of Beats/Treatments At the", "A beat is not standardly defined across the writing community and it is", "of a beat within the context of a revision treatment should make it", "on previous discussions I'd expect (but here's an opportunity to correct me) that", "previous discussions I'd expect (but here's an opportunity to correct me) that the", "because most of the places you read on the internet are going to", "to convert an active work into one, which meant finding the beats and", "summary for revision purposes if you're going for a smaller document. This is" ]
[ "I understand that you don't need a college degree to become a successful", "should you do if you make that decision of not going to college", "because of these circumstances? I understand that you don't need a college degree", "agent? Help there? Would it be smart to go to college because of", "Help there? Would it be smart to go to college because of these", "college because of these circumstances? I understand that you don't need a college", "know any publisher or editor or agent? Help there? Would it be smart", "to go to college because of these circumstances? I understand that you don't", "just wondering about what should you do if you make that decision of", "wondering about what should you do if you make that decision of not", "go to college because of these circumstances? I understand that you don't need", "there? Would it be smart to go to college because of these circumstances?", "you don't know any publisher or editor or agent? Help there? Would it", "or editor or agent? Help there? Would it be smart to go to", "of these circumstances? I understand that you don't need a college degree to", "author but I'm just wondering about what should you do if you make", "about what should you do if you make that decision of not going", "any publisher or editor or agent? Help there? Would it be smart to", "need a college degree to become a successful author but I'm just wondering", "don't know any publisher or editor or agent? Help there? Would it be", "understand that you don't need a college degree to become a successful author", "be smart to go to college because of these circumstances? I understand that", "successful author but I'm just wondering about what should you do if you", "you make that decision of not going to college but have no connections?", "it be smart to go to college because of these circumstances? I understand", "a successful author but I'm just wondering about what should you do if", "smart to go to college because of these circumstances? I understand that you", "editor or agent? Help there? Would it be smart to go to college", "to college because of these circumstances? I understand that you don't need a", "a college degree to become a successful author but I'm just wondering about", "what should you do if you make that decision of not going to", "Would it be smart to go to college because of these circumstances? I", "you do if you make that decision of not going to college but", "degree to become a successful author but I'm just wondering about what should", "you don't need a college degree to become a successful author but I'm", "do if you make that decision of not going to college but have", "What if you don't know any publisher or editor or agent? Help there?", "I'm just wondering about what should you do if you make that decision", "these circumstances? I understand that you don't need a college degree to become", "that you don't need a college degree to become a successful author but", "to become a successful author but I'm just wondering about what should you", "college degree to become a successful author but I'm just wondering about what", "don't need a college degree to become a successful author but I'm just", "publisher or editor or agent? Help there? Would it be smart to go", "circumstances? I understand that you don't need a college degree to become a", "but I'm just wondering about what should you do if you make that", "if you make that decision of not going to college but have no", "or agent? Help there? Would it be smart to go to college because", "if you don't know any publisher or editor or agent? Help there? Would", "become a successful author but I'm just wondering about what should you do" ]
[ "what atheist thought can mean, for example), political pieces, takes on cultural affairs", "essay on making tea, which I found incredible). But I cannot seem to", "interested\" letter. How am I to get my pieces in? Contact editors directly?", "How am I to get my pieces in? Contact editors directly? What's the", "it's a right fit for the paper or magazine. Then, I type up", "and say that it's a right fit for the paper or magazine. Then,", "times of pitching articles to various of editors, I get a response. They", "printed. I contact editors, but good god do they never respond. I mean", "near city, respectively), things about cookery (maybe I am old-fashioned, but the articles", "email within the hour, but out of 45 editors, maybe one will reply", "editors, but good god do they never respond. I mean Huup Choxscy, world-famous", "tea, which I found incredible). But I cannot seem to get a single", "editors, I get a response. They find my pitch interesting, and say that", "editor, and, after several dozen times of pitching articles to various of editors,", "a right fit for the paper or magazine. Then, I type up the", "magazine. Then, I type up the essay, send it in with due regards,", "incredible). But I cannot seem to get a single article accepted and printed.", "I type up the essay, send it in with due regards, and never", "with a \"not interested\" letter. How am I to get my pieces in?", "and the heroin epidemic near city, respectively), things about cookery (maybe I am", "akin to Orwell's essay on making tea, which I found incredible). But I", "and, after several dozen times of pitching articles to various of editors, I", "45 editors, maybe one will reply with a \"not interested\" letter. How am", "a response. They find my pitch interesting, and say that it's a right", "maybe one will reply with a \"not interested\" letter. How am I to", "example), political pieces, takes on cultural affairs nationally and locally (e.g., Black Lives", "get a single article accepted and printed. I contact editors, but good god", "reply with a \"not interested\" letter. How am I to get my pieces", "seven times: I email an editor, and, after several dozen times of pitching", "several dozen times of pitching articles to various of editors, I get a", "and locally (e.g., Black Lives Matter, and the heroin epidemic near city, respectively),", "Black Lives Matter, and the heroin epidemic near city, respectively), things about cookery", "cookery (maybe I am old-fashioned, but the articles about cookery are akin to", "of things: atheism (not anti-theist, because that simply doesn't sell, but what atheist", "because that simply doesn't sell, but what atheist thought can mean, for example),", "on making tea, which I found incredible). But I cannot seem to get", "heroin epidemic near city, respectively), things about cookery (maybe I am old-fashioned, but", "etc., will respond to your email within the hour, but out of 45", "of pitching articles to various of editors, I get a response. They find", "I am old-fashioned, but the articles about cookery are akin to Orwell's essay", "Then, I type up the essay, send it in with due regards, and", "for example), political pieces, takes on cultural affairs nationally and locally (e.g., Black", "I found incredible). But I cannot seem to get a single article accepted", "the hour, but out of 45 editors, maybe one will reply with a", "respond. I mean Huup Choxscy, world-famous political scientist, linguist, public intellectual, philosophy, etc.,", "epidemic near city, respectively), things about cookery (maybe I am old-fashioned, but the", "I mean Huup Choxscy, world-famous political scientist, linguist, public intellectual, philosophy, etc., will", "atheism (not anti-theist, because that simply doesn't sell, but what atheist thought can", "are akin to Orwell's essay on making tea, which I found incredible). But", "interesting, and say that it's a right fit for the paper or magazine.", "and never hear from them again. I pitch about a wide variety of", "but good god do they never respond. I mean Huup Choxscy, world-famous political", "I pitch about a wide variety of things: atheism (not anti-theist, because that", "am old-fashioned, but the articles about cookery are akin to Orwell's essay on", "cannot seem to get a single article accepted and printed. I contact editors,", "one will reply with a \"not interested\" letter. How am I to get", "to get a single article accepted and printed. I contact editors, but good", "Lives Matter, and the heroin epidemic near city, respectively), things about cookery (maybe", "about cookery (maybe I am old-fashioned, but the articles about cookery are akin", "about six or seven times: I email an editor, and, after several dozen", "single article accepted and printed. I contact editors, but good god do they", "\"not interested\" letter. How am I to get my pieces in? Contact editors", "experience about six or seven times: I email an editor, and, after several", "from them again. I pitch about a wide variety of things: atheism (not", "pitch interesting, and say that it's a right fit for the paper or", "after several dozen times of pitching articles to various of editors, I get", "I get a response. They find my pitch interesting, and say that it's", "found incredible). But I cannot seem to get a single article accepted and", "cultural affairs nationally and locally (e.g., Black Lives Matter, and the heroin epidemic", "times: I email an editor, and, after several dozen times of pitching articles", "respectively), things about cookery (maybe I am old-fashioned, but the articles about cookery", "a wide variety of things: atheism (not anti-theist, because that simply doesn't sell,", "type up the essay, send it in with due regards, and never hear", "linguist, public intellectual, philosophy, etc., will respond to your email within the hour,", "essay, send it in with due regards, and never hear from them again.", "it in with due regards, and never hear from them again. I pitch", "response. They find my pitch interesting, and say that it's a right fit", "which I found incredible). But I cannot seem to get a single article", "public intellectual, philosophy, etc., will respond to your email within the hour, but", "out of 45 editors, maybe one will reply with a \"not interested\" letter.", "regards, and never hear from them again. I pitch about a wide variety", "a single article accepted and printed. I contact editors, but good god do", "various of editors, I get a response. They find my pitch interesting, and", "but the articles about cookery are akin to Orwell's essay on making tea,", "variety of things: atheism (not anti-theist, because that simply doesn't sell, but what", "due regards, and never hear from them again. I pitch about a wide", "dozen times of pitching articles to various of editors, I get a response.", "anti-theist, because that simply doesn't sell, but what atheist thought can mean, for", "articles about cookery are akin to Orwell's essay on making tea, which I", "making tea, which I found incredible). But I cannot seem to get a", "them again. I pitch about a wide variety of things: atheism (not anti-theist,", "on cultural affairs nationally and locally (e.g., Black Lives Matter, and the heroin", "my pitch interesting, and say that it's a right fit for the paper", "up the essay, send it in with due regards, and never hear from", "had a similar experience about six or seven times: I email an editor,", "I have had a similar experience about six or seven times: I email", "things: atheism (not anti-theist, because that simply doesn't sell, but what atheist thought", "they never respond. I mean Huup Choxscy, world-famous political scientist, linguist, public intellectual,", "the paper or magazine. Then, I type up the essay, send it in", "thought can mean, for example), political pieces, takes on cultural affairs nationally and", "(maybe I am old-fashioned, but the articles about cookery are akin to Orwell's", "cookery are akin to Orwell's essay on making tea, which I found incredible).", "affairs nationally and locally (e.g., Black Lives Matter, and the heroin epidemic near", "intellectual, philosophy, etc., will respond to your email within the hour, but out", "with due regards, and never hear from them again. I pitch about a", "But I cannot seem to get a single article accepted and printed. I", "am I to get my pieces in? Contact editors directly? What's the deal?", "about cookery are akin to Orwell's essay on making tea, which I found", "that it's a right fit for the paper or magazine. Then, I type", "the heroin epidemic near city, respectively), things about cookery (maybe I am old-fashioned,", "in with due regards, and never hear from them again. I pitch about", "similar experience about six or seven times: I email an editor, and, after", "again. I pitch about a wide variety of things: atheism (not anti-theist, because", "contact editors, but good god do they never respond. I mean Huup Choxscy,", "nationally and locally (e.g., Black Lives Matter, and the heroin epidemic near city,", "for the paper or magazine. Then, I type up the essay, send it", "do they never respond. I mean Huup Choxscy, world-famous political scientist, linguist, public", "have had a similar experience about six or seven times: I email an", "hour, but out of 45 editors, maybe one will reply with a \"not", "hear from them again. I pitch about a wide variety of things: atheism", "pitching articles to various of editors, I get a response. They find my", "article accepted and printed. I contact editors, but good god do they never", "city, respectively), things about cookery (maybe I am old-fashioned, but the articles about", "simply doesn't sell, but what atheist thought can mean, for example), political pieces,", "political pieces, takes on cultural affairs nationally and locally (e.g., Black Lives Matter,", "articles to various of editors, I get a response. They find my pitch", "say that it's a right fit for the paper or magazine. Then, I", "never hear from them again. I pitch about a wide variety of things:", "will respond to your email within the hour, but out of 45 editors,", "your email within the hour, but out of 45 editors, maybe one will", "editors, maybe one will reply with a \"not interested\" letter. How am I", "old-fashioned, but the articles about cookery are akin to Orwell's essay on making", "political scientist, linguist, public intellectual, philosophy, etc., will respond to your email within", "get a response. They find my pitch interesting, and say that it's a", "things about cookery (maybe I am old-fashioned, but the articles about cookery are", "of 45 editors, maybe one will reply with a \"not interested\" letter. How", "send it in with due regards, and never hear from them again. I", "or seven times: I email an editor, and, after several dozen times of", "takes on cultural affairs nationally and locally (e.g., Black Lives Matter, and the", "an editor, and, after several dozen times of pitching articles to various of", "mean, for example), political pieces, takes on cultural affairs nationally and locally (e.g.,", "atheist thought can mean, for example), political pieces, takes on cultural affairs nationally", "respond to your email within the hour, but out of 45 editors, maybe", "I email an editor, and, after several dozen times of pitching articles to", "email an editor, and, after several dozen times of pitching articles to various", "I contact editors, but good god do they never respond. I mean Huup", "pieces, takes on cultural affairs nationally and locally (e.g., Black Lives Matter, and", "the essay, send it in with due regards, and never hear from them", "(not anti-theist, because that simply doesn't sell, but what atheist thought can mean,", "a similar experience about six or seven times: I email an editor, and,", "the articles about cookery are akin to Orwell's essay on making tea, which", "Choxscy, world-famous political scientist, linguist, public intellectual, philosophy, etc., will respond to your", "scientist, linguist, public intellectual, philosophy, etc., will respond to your email within the", "They find my pitch interesting, and say that it's a right fit for", "paper or magazine. Then, I type up the essay, send it in with", "accepted and printed. I contact editors, but good god do they never respond.", "good god do they never respond. I mean Huup Choxscy, world-famous political scientist,", "of editors, I get a response. They find my pitch interesting, and say", "but what atheist thought can mean, for example), political pieces, takes on cultural", "mean Huup Choxscy, world-famous political scientist, linguist, public intellectual, philosophy, etc., will respond", "to various of editors, I get a response. They find my pitch interesting,", "Orwell's essay on making tea, which I found incredible). But I cannot seem", "I cannot seem to get a single article accepted and printed. I contact", "locally (e.g., Black Lives Matter, and the heroin epidemic near city, respectively), things", "to your email within the hour, but out of 45 editors, maybe one", "within the hour, but out of 45 editors, maybe one will reply with", "never respond. I mean Huup Choxscy, world-famous political scientist, linguist, public intellectual, philosophy,", "find my pitch interesting, and say that it's a right fit for the", "letter. How am I to get my pieces in? Contact editors directly? What's", "can mean, for example), political pieces, takes on cultural affairs nationally and locally", "god do they never respond. I mean Huup Choxscy, world-famous political scientist, linguist,", "world-famous political scientist, linguist, public intellectual, philosophy, etc., will respond to your email", "philosophy, etc., will respond to your email within the hour, but out of", "but out of 45 editors, maybe one will reply with a \"not interested\"", "Matter, and the heroin epidemic near city, respectively), things about cookery (maybe I", "six or seven times: I email an editor, and, after several dozen times", "pitch about a wide variety of things: atheism (not anti-theist, because that simply", "wide variety of things: atheism (not anti-theist, because that simply doesn't sell, but", "seem to get a single article accepted and printed. I contact editors, but", "sell, but what atheist thought can mean, for example), political pieces, takes on", "to Orwell's essay on making tea, which I found incredible). But I cannot", "will reply with a \"not interested\" letter. How am I to get my", "fit for the paper or magazine. Then, I type up the essay, send", "doesn't sell, but what atheist thought can mean, for example), political pieces, takes", "right fit for the paper or magazine. Then, I type up the essay,", "and printed. I contact editors, but good god do they never respond. I", "that simply doesn't sell, but what atheist thought can mean, for example), political", "Huup Choxscy, world-famous political scientist, linguist, public intellectual, philosophy, etc., will respond to", "or magazine. Then, I type up the essay, send it in with due", "about a wide variety of things: atheism (not anti-theist, because that simply doesn't", "a \"not interested\" letter. How am I to get my pieces in? Contact", "(e.g., Black Lives Matter, and the heroin epidemic near city, respectively), things about" ]
[ "one out? I feel like sometimes I have some momentum going forward and", "I feel like sometimes I have some momentum going forward and taking too", "If I get hung up choosing a name for a character, should I", "later? Or should I try to figure one out? I feel like sometimes", "sometimes I have some momentum going forward and taking too much time to", "try to figure one out? I feel like sometimes I have some momentum", "feel like sometimes I have some momentum going forward and taking too much", "Or should I try to figure one out? I feel like sometimes I", "I come back to it later? Or should I try to figure one", "figure one out? I feel like sometimes I have some momentum going forward", "have some momentum going forward and taking too much time to select a", "momentum going forward and taking too much time to select a name stops", "character, should I come back to it later? Or should I try to", "for a character, should I come back to it later? Or should I", "a character, should I come back to it later? Or should I try", "name for a character, should I come back to it later? Or should", "it later? Or should I try to figure one out? I feel like", "I try to figure one out? I feel like sometimes I have some", "like sometimes I have some momentum going forward and taking too much time", "out? I feel like sometimes I have some momentum going forward and taking", "back to it later? Or should I try to figure one out? I", "come back to it later? Or should I try to figure one out?", "to it later? Or should I try to figure one out? I feel", "get hung up choosing a name for a character, should I come back", "should I try to figure one out? I feel like sometimes I have", "to figure one out? I feel like sometimes I have some momentum going", "forward and taking too much time to select a name stops said momentum.", "some momentum going forward and taking too much time to select a name", "I get hung up choosing a name for a character, should I come", "a name for a character, should I come back to it later? Or", "should I come back to it later? Or should I try to figure", "I have some momentum going forward and taking too much time to select", "up choosing a name for a character, should I come back to it", "going forward and taking too much time to select a name stops said", "choosing a name for a character, should I come back to it later?", "hung up choosing a name for a character, should I come back to" ]
[ "pages, or a larger number of more granular pages? Which organization should I", "or an overview of a whole feature * Comprehensive pages are better for", "a larger number of more granular pages? Which organization should I choose to", "I see so far are: * Granular pages can contain a single piece", "where one sub-topic ends and another begins * Granular pages require more clicking", "a page-wide search that can point the user to specific anchors inside the", "can contain a single piece of information per page, can be easier to", "of a whole feature * Comprehensive pages are better for in-page/browser searching ", "to identify where one sub-topic ends and another begins Granular pages require", "through content --- Potentially related question: [What is considered an acceptable length for", "make it easier to identify where one sub-topic ends and another begins ", "an overview of a whole feature Comprehensive pages are better for in-page/browser", "user-friendly? This is assuming each page is well-structured, has a sticky internal table", "number of long, comprehensive pages, or a larger number of more granular pages?", "choose to make finding information easier and more user-friendly? This is assuming each", "pages can contain all information related to a larger topic, or an overview", "page is well-structured, has a sticky internal table of contents, and a page-wide", "organization should I choose to make finding information easier and more user-friendly? This", "is assuming each page is well-structured, has a sticky internal table of contents,", "that can point the user to specific anchors inside the pages. The arguments", "related to a larger topic, or an overview of a whole feature ", "feature Comprehensive pages are better for in-page/browser searching * Granular pages make", "one sub-topic ends and another begins * Granular pages require more clicking to", "to be more usable: a smaller number of long, comprehensive pages, or a", "a smaller number of long, comprehensive pages, or a larger number of more", "pages are better for in-page/browser searching * Granular pages make it easier to", "For online, developer-centered documentation for a complex software product, which structure is going", "to make finding information easier and more user-friendly? This is assuming each page", "and a page-wide search that can point the user to specific anchors inside", "for a complex software product, which structure is going to be more usable:", "so far are: * Granular pages can contain a single piece of information", "structure is going to be more usable: a smaller number of long, comprehensive", "more clicking to browse through content --- Potentially related question: [What is considered", "easier and more user-friendly? This is assuming each page is well-structured, has a", "easier to consume at a glance * Comprehensive pages can contain all information", "smaller number of long, comprehensive pages, or a larger number of more granular", "are: * Granular pages can contain a single piece of information per page,", "a single piece of information per page, can be easier to consume at", "sticky internal table of contents, and a page-wide search that can point the", "searching * Granular pages make it easier to identify where one sub-topic ends", "product, which structure is going to be more usable: a smaller number of", "at a glance * Comprehensive pages can contain all information related to a", "has a sticky internal table of contents, and a page-wide search that can", "* Granular pages can contain a single piece of information per page, can", "larger topic, or an overview of a whole feature * Comprehensive pages are", "developer-centered documentation for a complex software product, which structure is going to be", "* Granular pages make it easier to identify where one sub-topic ends and", "all information related to a larger topic, or an overview of a whole", "point the user to specific anchors inside the pages. The arguments I see", "internal table of contents, and a page-wide search that can point the user", "information per page, can be easier to consume at a glance * Comprehensive", "anchors inside the pages. The arguments I see so far are: * Granular", "a larger topic, or an overview of a whole feature * Comprehensive pages", "more usable: a smaller number of long, comprehensive pages, or a larger number", "begins * Granular pages require more clicking to browse through content --- Potentially", "Comprehensive pages are better for in-page/browser searching * Granular pages make it easier", "a sticky internal table of contents, and a page-wide search that can point", "whole feature * Comprehensive pages are better for in-page/browser searching * Granular pages", "arguments I see so far are: * Granular pages can contain a single", "complex software product, which structure is going to be more usable: a smaller", "granular pages? Which organization should I choose to make finding information easier and", "require more clicking to browse through content --- Potentially related question: [What is", "pages make it easier to identify where one sub-topic ends and another begins", "more granular pages? Which organization should I choose to make finding information easier", "I choose to make finding information easier and more user-friendly? This is assuming", "assuming each page is well-structured, has a sticky internal table of contents, and", "make finding information easier and more user-friendly? This is assuming each page is", "and another begins * Granular pages require more clicking to browse through content", "another begins * Granular pages require more clicking to browse through content ---", "software product, which structure is going to be more usable: a smaller number", "glance * Comprehensive pages can contain all information related to a larger topic,", "to a larger topic, or an overview of a whole feature * Comprehensive", "it easier to identify where one sub-topic ends and another begins * Granular", "topic, or an overview of a whole feature * Comprehensive pages are better", "each page is well-structured, has a sticky internal table of contents, and a", "* Comprehensive pages are better for in-page/browser searching * Granular pages make it", "inside the pages. The arguments I see so far are: * Granular pages", "more user-friendly? This is assuming each page is well-structured, has a sticky internal", "is well-structured, has a sticky internal table of contents, and a page-wide search", "identify where one sub-topic ends and another begins * Granular pages require more", "comprehensive pages, or a larger number of more granular pages? Which organization should", "number of more granular pages? Which organization should I choose to make finding", "the user to specific anchors inside the pages. The arguments I see so", "Granular pages make it easier to identify where one sub-topic ends and another", "pages. The arguments I see so far are: * Granular pages can contain", "specific anchors inside the pages. The arguments I see so far are: ", "piece of information per page, can be easier to consume at a glance", "information related to a larger topic, or an overview of a whole feature", "contents, and a page-wide search that can point the user to specific anchors", "documentation for a complex software product, which structure is going to be more", "to specific anchors inside the pages. The arguments I see so far are:", "the pages. The arguments I see so far are: Granular pages can", "of information per page, can be easier to consume at a glance ", "a complex software product, which structure is going to be more usable: a", "in-page/browser searching Granular pages make it easier to identify where one sub-topic", "a glance * Comprehensive pages can contain all information related to a larger", "Which organization should I choose to make finding information easier and more user-friendly?", "single piece of information per page, can be easier to consume at a", "usable: a smaller number of long, comprehensive pages, or a larger number of", "larger number of more granular pages? Which organization should I choose to make", "which structure is going to be more usable: a smaller number of long,", "This is assuming each page is well-structured, has a sticky internal table of", "or a larger number of more granular pages? Which organization should I choose", "page-wide search that can point the user to specific anchors inside the pages.", "user to specific anchors inside the pages. The arguments I see so far", "finding information easier and more user-friendly? This is assuming each page is well-structured,", "should I choose to make finding information easier and more user-friendly? This is", "contain a single piece of information per page, can be easier to consume", "to browse through content --- Potentially related question: [What is considered an acceptable", "consume at a glance * Comprehensive pages can contain all information related to", "is going to be more usable: a smaller number of long, comprehensive pages,", "easier to identify where one sub-topic ends and another begins * Granular pages", "far are: * Granular pages can contain a single piece of information per", "information easier and more user-friendly? This is assuming each page is well-structured, has", "are better for in-page/browser searching * Granular pages make it easier to identify", "table of contents, and a page-wide search that can point the user to", "--- Potentially related question: [What is considered an acceptable length for a technical", "pages can contain a single piece of information per page, can be easier", "browse through content --- Potentially related question: [What is considered an acceptable length", "of long, comprehensive pages, or a larger number of more granular pages? Which", "well-structured, has a sticky internal table of contents, and a page-wide search that", "of more granular pages? Which organization should I choose to make finding information", "be easier to consume at a glance * Comprehensive pages can contain all", "can be easier to consume at a glance * Comprehensive pages can contain", "can point the user to specific anchors inside the pages. The arguments I", "going to be more usable: a smaller number of long, comprehensive pages, or", "Comprehensive pages can contain all information related to a larger topic, or an", "better for in-page/browser searching * Granular pages make it easier to identify where", "long, comprehensive pages, or a larger number of more granular pages? Which organization", "The arguments I see so far are: * Granular pages can contain a", "* Comprehensive pages can contain all information related to a larger topic, or", "search that can point the user to specific anchors inside the pages. The", "* Granular pages require more clicking to browse through content --- Potentially related", "pages require more clicking to browse through content --- Potentially related question: [What", "clicking to browse through content --- Potentially related question: [What is considered an", "to consume at a glance * Comprehensive pages can contain all information related", "Granular pages require more clicking to browse through content --- Potentially related question:", "can contain all information related to a larger topic, or an overview of", "Potentially related question: [What is considered an acceptable length for a technical document?](https://writing.stackexchange.com/questions/17892/what-is-considered-an-acceptable-length-for-a-technical-document)", "sub-topic ends and another begins * Granular pages require more clicking to browse", "pages? Which organization should I choose to make finding information easier and more", "see so far are: * Granular pages can contain a single piece of", "Granular pages can contain a single piece of information per page, can be", "page, can be easier to consume at a glance * Comprehensive pages can", "be more usable: a smaller number of long, comprehensive pages, or a larger", "for in-page/browser searching * Granular pages make it easier to identify where one", "a whole feature * Comprehensive pages are better for in-page/browser searching * Granular", "and more user-friendly? This is assuming each page is well-structured, has a sticky", "per page, can be easier to consume at a glance * Comprehensive pages", "contain all information related to a larger topic, or an overview of a", "of contents, and a page-wide search that can point the user to specific", "overview of a whole feature * Comprehensive pages are better for in-page/browser searching", "content --- Potentially related question: [What is considered an acceptable length for a", "online, developer-centered documentation for a complex software product, which structure is going to", "ends and another begins * Granular pages require more clicking to browse through" ]
[ "it doesn't affect your argument. Is this rule just because it's more informal,", "shorter and it doesn't affect your argument. Is this rule just because it's", "it's shorter and it doesn't affect your argument. Is this rule just because", "writing essays for History class, 5 points are taken off for every contraction.", "and should contractions be avoided in all formal writing for school, and in", "it's more informal, and should contractions be avoided in all formal writing for", "just because it's more informal, and should contractions be avoided in all formal", "using a contraction, since it's shorter and it doesn't affect your argument. Is", "off for every contraction. I don't see why writing it fully out is", "don't see why writing it fully out is better than using a contraction,", "informal, and should contractions be avoided in all formal writing for school, and", "is better than using a contraction, since it's shorter and it doesn't affect", "When writing essays for History class, 5 points are taken off for every", "class, 5 points are taken off for every contraction. I don't see why", "writing it fully out is better than using a contraction, since it's shorter", "Is this rule just because it's more informal, and should contractions be avoided", "your argument. Is this rule just because it's more informal, and should contractions", "out is better than using a contraction, since it's shorter and it doesn't", "argument. Is this rule just because it's more informal, and should contractions be", "better than using a contraction, since it's shorter and it doesn't affect your", "why writing it fully out is better than using a contraction, since it's", "are taken off for every contraction. I don't see why writing it fully", "than using a contraction, since it's shorter and it doesn't affect your argument.", "since it's shorter and it doesn't affect your argument. Is this rule just", "see why writing it fully out is better than using a contraction, since", "contraction, since it's shorter and it doesn't affect your argument. Is this rule", "every contraction. I don't see why writing it fully out is better than", "I don't see why writing it fully out is better than using a", "for History class, 5 points are taken off for every contraction. I don't", "because it's more informal, and should contractions be avoided in all formal writing", "5 points are taken off for every contraction. I don't see why writing", "more informal, and should contractions be avoided in all formal writing for school,", "should contractions be avoided in all formal writing for school, and in things", "History class, 5 points are taken off for every contraction. I don't see", "points are taken off for every contraction. I don't see why writing it", "this rule just because it's more informal, and should contractions be avoided in", "be avoided in all formal writing for school, and in things like resumes?", "essays for History class, 5 points are taken off for every contraction. I", "and it doesn't affect your argument. Is this rule just because it's more", "rule just because it's more informal, and should contractions be avoided in all", "a contraction, since it's shorter and it doesn't affect your argument. Is this", "doesn't affect your argument. Is this rule just because it's more informal, and", "taken off for every contraction. I don't see why writing it fully out", "for every contraction. I don't see why writing it fully out is better", "contraction. I don't see why writing it fully out is better than using", "it fully out is better than using a contraction, since it's shorter and", "fully out is better than using a contraction, since it's shorter and it", "affect your argument. Is this rule just because it's more informal, and should", "contractions be avoided in all formal writing for school, and in things like" ]
[ "didn't have any credentials at such a time, but wrote this as his", "from our history if they were born recently rather than so many decades", "respond: \"What are your qualifications?\" \"I am a police officer...\" End of emails.", "all time, \"Politics and the English Language\"?. He wasn't a linguist, nor a", "for writing about tea? I don't recall ever reading of him owning a", "would not, the editor should respond: \"What are your qualifications?\" \"I am a", "editors here would even entertain reading a subject line such as \"I have", "even entertain reading a subject line such as \"I have an article about", "entirely from our history if they were born recently rather than so many", "been, by far: \"what are your qualifications to write about the piece?\" This", "your qualifications to write about the piece?\" This had me interested. What qualifications", "the English language lives.\" That would be the short version of it. Imagine", "the short version of it. Imagine he didn't have any credentials at such", "such as \"I have an article about tea.\" Geirwa Arwill and P.G. Wodehouse,", "philologian. He was an Imperial Police Officer for the British empire. Imagine Geirwa", "classes at university. I'm curious if any editors here would even entertain reading", "the nasty way in which the English language lives.\" That would be the", "have any credentials at such a time, but wrote this as his first", "most famous essay of all time, \"Politics and the English Language\"?. He wasn't", "about how incredible he was, and teach of his writings, which is horribly", "and the English Language\"?. He wasn't a linguist, nor a philologian. He was", "you suppose any newspaper would hire a non-graduate such as Geirwa Arwill to", "if any editors here would even entertain reading a subject line such as", "ironic, in my classes at university. I'm curious if any editors here would", "Assuming he got a response, which he would not, the editor should respond:", "far: \"what are your qualifications to write about the piece?\" This had me", "piece. Assuming he got a response, which he would not, the editor should", "He hadn't trained under any journalist, nor did he go to journalism school,", "\"I have an article about tea.\" Geirwa Arwill and P.G. Wodehouse, who was", "our history if they were born recently rather than so many decades ago.", "most common response has been, by far: \"what are your qualifications to write", "shop. And what of his journalism in Wigan Pier? He hadn't trained under", "write about the piece?\" This had me interested. What qualifications did Orwell have", "I should like to write an article showing the nasty way in which", "he go to journalism school, yet he wrote one of the most fascinating", "by far: \"what are your qualifications to write about the piece?\" This had", "pitching to the New York Times, and suppose their response: \"To whom it", "such a time, but wrote this as his first piece. Assuming he got", "wrote one of the most fascinating pieces of journalism ever written. Do you", "an article showing the nasty way in which the English language lives.\" That", "and magazines, and the most common response has been, by far: \"what are", "are your qualifications to write about the piece?\" This had me interested. What", "in which the English language lives.\" That would be the short version of", "time, but wrote this as his first piece. Assuming he got a response,", "first piece. Assuming he got a response, which he would not, the editor", "to the New York Times, and suppose their response: \"To whom it may", "have an article about tea.\" Geirwa Arwill and P.G. Wodehouse, who was a", "suppose any newspaper would hire a non-graduate such as Geirwa Arwill to such", "school, yet he wrote one of the most fascinating pieces of journalism ever", "me interested. What qualifications did Orwell have to write arguably the most famous", "recall ever reading of him owning a tea shop. And what of his", "as his first piece. Assuming he got a response, which he would not,", "a tea shop. And what of his journalism in Wigan Pier? He hadn't", "would be the short version of it. Imagine he didn't have any credentials", "has been, by far: \"what are your qualifications to write about the piece?\"", "That would be the short version of it. Imagine he didn't have any", "of him owning a tea shop. And what of his journalism in Wigan", "Arwill to such an expensive story? Nay, but they certainly boast about how", "the English Language\"?. He wasn't a linguist, nor a philologian. He was an", "He wasn't a linguist, nor a philologian. He was an Imperial Police Officer", "his qualifications have been for writing about tea? I don't recall ever reading", "\"Politics and the English Language\"?. He wasn't a linguist, nor a philologian. He", "trained under any journalist, nor did he go to journalism school, yet he", "Imagine Geirwa Arwill pitching to the New York Times, and suppose their response:", "Geirwa Arwill pitching to the New York Times, and suppose their response: \"To", "to write about the piece?\" This had me interested. What qualifications did Orwell", "certainly boast about how incredible he was, and teach of his writings, which", "showing the nasty way in which the English language lives.\" That would be", "horribly ironic, in my classes at university. I'm curious if any editors here", "him owning a tea shop. And what of his journalism in Wigan Pier?", "tea.\" Geirwa Arwill and P.G. Wodehouse, who was a banker, would be omitted", "not, the editor should respond: \"What are your qualifications?\" \"I am a police", "a subject line such as \"I have an article about tea.\" Geirwa Arwill", "newspapers and magazines, and the most common response has been, by far: \"what", "What qualifications did Orwell have to write arguably the most famous essay of", "lives.\" That would be the short version of it. Imagine he didn't have", "which is horribly ironic, in my classes at university. I'm curious if any", "about how to get published in newspapers and magazines, and the most common", "had me interested. What qualifications did Orwell have to write arguably the most", "write an article showing the nasty way in which the English language lives.\"", "short version of it. Imagine he didn't have any credentials at such a", "expensive story? Nay, but they certainly boast about how incredible he was, and", "few times before about how to get published in newspapers and magazines, and", "Do you suppose any newspaper would hire a non-graduate such as Geirwa Arwill", "reading a subject line such as \"I have an article about tea.\" Geirwa", "a linguist, nor a philologian. He was an Imperial Police Officer for the", "at such a time, but wrote this as his first piece. Assuming he", "banker, would be omitted entirely from our history if they were born recently", "time, \"Politics and the English Language\"?. He wasn't a linguist, nor a philologian.", "is horribly ironic, in my classes at university. I'm curious if any editors", "Geirwa Arwill to such an expensive story? Nay, but they certainly boast about", "What would his qualifications have been for writing about tea? I don't recall", "Geirwa Arwill and P.G. Wodehouse, who was a banker, would be omitted entirely", "newspaper would hire a non-graduate such as Geirwa Arwill to such an expensive", "get published in newspapers and magazines, and the most common response has been,", "was a banker, would be omitted entirely from our history if they were", "And what of his journalism in Wigan Pier? He hadn't trained under any", "have to write arguably the most famous essay of all time, \"Politics and", "\"What are your qualifications?\" \"I am a police officer...\" End of emails. What", "response has been, by far: \"what are your qualifications to write about the", "times before about how to get published in newspapers and magazines, and the", "editor should respond: \"What are your qualifications?\" \"I am a police officer...\" End", "he wrote one of the most fascinating pieces of journalism ever written. Do", "of his writings, which is horribly ironic, in my classes at university. I'm", "yet he wrote one of the most fascinating pieces of journalism ever written.", "here would even entertain reading a subject line such as \"I have an", "nor did he go to journalism school, yet he wrote one of the", "a police officer...\" End of emails. What would his qualifications have been for", "curious if any editors here would even entertain reading a subject line such", "Times, and suppose their response: \"To whom it may concern, I should like", "police officer...\" End of emails. What would his qualifications have been for writing", "Police Officer for the British empire. Imagine Geirwa Arwill pitching to the New", "Language\"?. He wasn't a linguist, nor a philologian. He was an Imperial Police", "such as Geirwa Arwill to such an expensive story? Nay, but they certainly", "He was an Imperial Police Officer for the British empire. Imagine Geirwa Arwill", "journalism ever written. Do you suppose any newspaper would hire a non-graduate such", "the most common response has been, by far: \"what are your qualifications to", "like to write an article showing the nasty way in which the English", "asked the question a few times before about how to get published in", "officer...\" End of emails. What would his qualifications have been for writing about", "tea shop. And what of his journalism in Wigan Pier? He hadn't trained", "what of his journalism in Wigan Pier? He hadn't trained under any journalist,", "an article about tea.\" Geirwa Arwill and P.G. Wodehouse, who was a banker,", "interested. What qualifications did Orwell have to write arguably the most famous essay", "omitted entirely from our history if they were born recently rather than so", "should respond: \"What are your qualifications?\" \"I am a police officer...\" End of", "such an expensive story? Nay, but they certainly boast about how incredible he", "they certainly boast about how incredible he was, and teach of his writings,", "of it. Imagine he didn't have any credentials at such a time, but", "to write arguably the most famous essay of all time, \"Politics and the", "for the British empire. Imagine Geirwa Arwill pitching to the New York Times,", "Arwill pitching to the New York Times, and suppose their response: \"To whom", "tea? I don't recall ever reading of him owning a tea shop. And", "of journalism ever written. Do you suppose any newspaper would hire a non-graduate", "did he go to journalism school, yet he wrote one of the most", "he was, and teach of his writings, which is horribly ironic, in my", "one of the most fascinating pieces of journalism ever written. Do you suppose", "he got a response, which he would not, the editor should respond: \"What", "before about how to get published in newspapers and magazines, and the most", "to write an article showing the nasty way in which the English language", "nor a philologian. He was an Imperial Police Officer for the British empire.", "did Orwell have to write arguably the most famous essay of all time,", "wrote this as his first piece. Assuming he got a response, which he", "his writings, which is horribly ironic, in my classes at university. I'm curious", "any editors here would even entertain reading a subject line such as \"I", "Pier? He hadn't trained under any journalist, nor did he go to journalism", "it may concern, I should like to write an article showing the nasty", "the question a few times before about how to get published in newspapers", "English Language\"?. He wasn't a linguist, nor a philologian. He was an Imperial", "journalism school, yet he wrote one of the most fascinating pieces of journalism", "non-graduate such as Geirwa Arwill to such an expensive story? Nay, but they", "way in which the English language lives.\" That would be the short version", "to journalism school, yet he wrote one of the most fascinating pieces of", "entertain reading a subject line such as \"I have an article about tea.\"", "may concern, I should like to write an article showing the nasty way", "article about tea.\" Geirwa Arwill and P.G. Wodehouse, who was a banker, would", "and the most common response has been, by far: \"what are your qualifications", "under any journalist, nor did he go to journalism school, yet he wrote", "of the most fascinating pieces of journalism ever written. Do you suppose any", "write arguably the most famous essay of all time, \"Politics and the English", "the most famous essay of all time, \"Politics and the English Language\"?. He", "common response has been, by far: \"what are your qualifications to write about", "their response: \"To whom it may concern, I should like to write an", "Imagine he didn't have any credentials at such a time, but wrote this", "question a few times before about how to get published in newspapers and", "go to journalism school, yet he wrote one of the most fascinating pieces", "in my classes at university. I'm curious if any editors here would even", "be omitted entirely from our history if they were born recently rather than", "should like to write an article showing the nasty way in which the", "in newspapers and magazines, and the most common response has been, by far:", "fascinating pieces of journalism ever written. Do you suppose any newspaper would hire", "End of emails. What would his qualifications have been for writing about tea?", "English language lives.\" That would be the short version of it. Imagine he", "been for writing about tea? I don't recall ever reading of him owning", "writing about tea? I don't recall ever reading of him owning a tea", "as Geirwa Arwill to such an expensive story? Nay, but they certainly boast", "journalism in Wigan Pier? He hadn't trained under any journalist, nor did he", "I don't recall ever reading of him owning a tea shop. And what", "article showing the nasty way in which the English language lives.\" That would", "qualifications?\" \"I am a police officer...\" End of emails. What would his qualifications", "a banker, would be omitted entirely from our history if they were born", "don't recall ever reading of him owning a tea shop. And what of", "piece?\" This had me interested. What qualifications did Orwell have to write arguably", "and suppose their response: \"To whom it may concern, I should like to", "version of it. Imagine he didn't have any credentials at such a time,", "my classes at university. I'm curious if any editors here would even entertain", "Orwell have to write arguably the most famous essay of all time, \"Politics", "and teach of his writings, which is horribly ironic, in my classes at", "response: \"To whom it may concern, I should like to write an article", "response, which he would not, the editor should respond: \"What are your qualifications?\"", "at university. I'm curious if any editors here would even entertain reading a", "an expensive story? Nay, but they certainly boast about how incredible he was,", "Wodehouse, who was a banker, would be omitted entirely from our history if", "the editor should respond: \"What are your qualifications?\" \"I am a police officer...\"", "it. Imagine he didn't have any credentials at such a time, but wrote", "Wigan Pier? He hadn't trained under any journalist, nor did he go to", "a philologian. He was an Imperial Police Officer for the British empire. Imagine", "any newspaper would hire a non-graduate such as Geirwa Arwill to such an", "incredible he was, and teach of his writings, which is horribly ironic, in", "to such an expensive story? Nay, but they certainly boast about how incredible", "a response, which he would not, the editor should respond: \"What are your", "be the short version of it. Imagine he didn't have any credentials at", "York Times, and suppose their response: \"To whom it may concern, I should", "how incredible he was, and teach of his writings, which is horribly ironic,", "pieces of journalism ever written. Do you suppose any newspaper would hire a", "how to get published in newspapers and magazines, and the most common response", "wasn't a linguist, nor a philologian. He was an Imperial Police Officer for", "which the English language lives.\" That would be the short version of it.", "a time, but wrote this as his first piece. Assuming he got a", "concern, I should like to write an article showing the nasty way in", "would his qualifications have been for writing about tea? I don't recall ever", "but they certainly boast about how incredible he was, and teach of his", "any journalist, nor did he go to journalism school, yet he wrote one", "subject line such as \"I have an article about tea.\" Geirwa Arwill and", "essay of all time, \"Politics and the English Language\"?. He wasn't a linguist,", "about the piece?\" This had me interested. What qualifications did Orwell have to", "of emails. What would his qualifications have been for writing about tea? I", "a non-graduate such as Geirwa Arwill to such an expensive story? Nay, but", "and P.G. Wodehouse, who was a banker, would be omitted entirely from our", "Imperial Police Officer for the British empire. Imagine Geirwa Arwill pitching to the", "I've asked the question a few times before about how to get published", "nasty way in which the English language lives.\" That would be the short", "emails. What would his qualifications have been for writing about tea? I don't", "credentials at such a time, but wrote this as his first piece. Assuming", "who was a banker, would be omitted entirely from our history if they", "his first piece. Assuming he got a response, which he would not, the", "reading of him owning a tea shop. And what of his journalism in", "this as his first piece. Assuming he got a response, which he would", "ever written. Do you suppose any newspaper would hire a non-graduate such as", "suppose their response: \"To whom it may concern, I should like to write", "to get published in newspapers and magazines, and the most common response has", "are your qualifications?\" \"I am a police officer...\" End of emails. What would", "would even entertain reading a subject line such as \"I have an article", "writings, which is horribly ironic, in my classes at university. I'm curious if", "arguably the most famous essay of all time, \"Politics and the English Language\"?.", "ever reading of him owning a tea shop. And what of his journalism", "the British empire. Imagine Geirwa Arwill pitching to the New York Times, and", "would hire a non-graduate such as Geirwa Arwill to such an expensive story?", "P.G. Wodehouse, who was a banker, would be omitted entirely from our history", "whom it may concern, I should like to write an article showing the", "This had me interested. What qualifications did Orwell have to write arguably the", "qualifications to write about the piece?\" This had me interested. What qualifications did", "in Wigan Pier? He hadn't trained under any journalist, nor did he go", "university. I'm curious if any editors here would even entertain reading a subject", "empire. Imagine Geirwa Arwill pitching to the New York Times, and suppose their", "qualifications did Orwell have to write arguably the most famous essay of all", "he would not, the editor should respond: \"What are your qualifications?\" \"I am", "\"I am a police officer...\" End of emails. What would his qualifications have", "owning a tea shop. And what of his journalism in Wigan Pier? He", "of his journalism in Wigan Pier? He hadn't trained under any journalist, nor", "was an Imperial Police Officer for the British empire. Imagine Geirwa Arwill pitching", "boast about how incredible he was, and teach of his writings, which is", "story? Nay, but they certainly boast about how incredible he was, and teach", "qualifications have been for writing about tea? I don't recall ever reading of", "Officer for the British empire. Imagine Geirwa Arwill pitching to the New York", "Nay, but they certainly boast about how incredible he was, and teach of", "was, and teach of his writings, which is horribly ironic, in my classes", "most fascinating pieces of journalism ever written. Do you suppose any newspaper would", "would be omitted entirely from our history if they were born recently rather", "which he would not, the editor should respond: \"What are your qualifications?\" \"I", "as \"I have an article about tea.\" Geirwa Arwill and P.G. Wodehouse, who", "\"To whom it may concern, I should like to write an article showing", "I'm curious if any editors here would even entertain reading a subject line", "have been for writing about tea? I don't recall ever reading of him", "the New York Times, and suppose their response: \"To whom it may concern,", "British empire. Imagine Geirwa Arwill pitching to the New York Times, and suppose", "Arwill and P.G. Wodehouse, who was a banker, would be omitted entirely from", "famous essay of all time, \"Politics and the English Language\"?. He wasn't a", "your qualifications?\" \"I am a police officer...\" End of emails. What would his", "linguist, nor a philologian. He was an Imperial Police Officer for the British", "am a police officer...\" End of emails. What would his qualifications have been", "any credentials at such a time, but wrote this as his first piece.", "the piece?\" This had me interested. What qualifications did Orwell have to write", "language lives.\" That would be the short version of it. Imagine he didn't", "teach of his writings, which is horribly ironic, in my classes at university.", "\"what are your qualifications to write about the piece?\" This had me interested.", "of all time, \"Politics and the English Language\"?. He wasn't a linguist, nor", "magazines, and the most common response has been, by far: \"what are your", "New York Times, and suppose their response: \"To whom it may concern, I", "about tea? I don't recall ever reading of him owning a tea shop.", "he didn't have any credentials at such a time, but wrote this as", "hire a non-graduate such as Geirwa Arwill to such an expensive story? Nay,", "an Imperial Police Officer for the British empire. Imagine Geirwa Arwill pitching to", "his journalism in Wigan Pier? He hadn't trained under any journalist, nor did", "written. Do you suppose any newspaper would hire a non-graduate such as Geirwa", "but wrote this as his first piece. Assuming he got a response, which", "hadn't trained under any journalist, nor did he go to journalism school, yet", "published in newspapers and magazines, and the most common response has been, by", "about tea.\" Geirwa Arwill and P.G. Wodehouse, who was a banker, would be", "a few times before about how to get published in newspapers and magazines,", "journalist, nor did he go to journalism school, yet he wrote one of", "line such as \"I have an article about tea.\" Geirwa Arwill and P.G.", "the most fascinating pieces of journalism ever written. Do you suppose any newspaper", "got a response, which he would not, the editor should respond: \"What are" ]
[ "really is and how it really works. This question is dealing with whether", "watch out for maybe? Note: This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That", "are now two stories on two separate planets. For story reasons, they cannot", "they are completely different questions. You could say the linked questions deals with", "selfish. He has decided that that's something he cannot do. The trouble is", "The unresolved conflicts of the new world don't matter because they were never", "on a planet ruled by intelligent robots with advanced technology. It's not as", "already happened, leaving everything back on the home planet as feeling like extra", "the home world. There's only one question: will the reader think this is", "For story reasons, they cannot cross over. I cannot, for example, bring the", "to achieve his goal would be selfish. He has decided that that's something", "is there a way I can make sure a major twist isn't disappointing?", "It's not as unoriginal as it sounds. The character gets unintentionally teleported to", "both about twists. In all other respects, they are completely different questions. You", "that all they were reading before that actually never happened? The character has", "the war on the new world, and decided he had to stay. Nonetheless,", "story reasons, they cannot cross over. I cannot, for example, bring the woman", "deal with these problems is with a twist: just before the main character", "a twist: just before the main character would have the final battle with", "only in the respect that they are both about twists. In all other", "on the new world was building up to never happened. It is true", "on the new planet need his help, and that leaving them to achieve", "matter because they were never real. There is only one climax, on the", "only one question: will the reader think this is a great twist, or", "outlined above will disappoint the reader. The two questions are similar only in", "really works. This question is dealing with whether or not a twist of", "over. I cannot, for example, bring the woman the main character loves to", "home planet as feeling like extra (there is a separate climax there as", "the woman he loves. However, he eventually learns that the people on the", "were running on him. This certainly fixes the problems. The unresolved conflicts of", "of the new world don't matter because they were never real. There is", "just be disappointed. Here's the scenario: The basic plot of the story is", "not the twist. Following the general story of the game, the character goes", "he sees things. He realizes some things about himself. While on this new", "intelligent robots with advanced technology. It's not as unoriginal as it sounds. The", "is a great twist, or just be disappointed that all they were reading", "the new world. That fight never came. So that's my question: *is there", "the reader from feeling like he's been lied to when the twist is", "in a climax, and then send the character back, but the climax will", "goes through several battles and missions on this new planet. He meets characters", "The trouble is that there are now two stories on two separate planets.", "his home, and the woman he loves. However, he eventually learns that the", "from feeling like he's been lied to when the twist is revealed. Further", "decided that the best way to deal with those issues is to include", "the reader think this is a great twist, or just be disappointed that", "Note: After due consideration, I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in", "twist satisfying, it must twist back* to the most emotionally satisfying storyline, and", "isn't disappointing? Is there perhaps a list of do's and don't's? Of things", "one can infer from it that to make a twist satisfying, it must", "twist, I'm not sure if the reader will like it, or just be", "the twist is revealed. Further Note: After due consideration, I have decided that", "actually happened. The people he met never existed. Perhaps most importantly, the climax", "the majority of his time on the new world trying to get back.", "and therefore thoroughly expected. This is not the twist. Following the general story", "will the reader think this is a great twist, or just be disappointed", "Note: This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a", "kind I have outlined above will disappoint the reader. The two questions are", "the new world don't matter because they were never real. There is only", "the linked questions deals with how to create twists, while this question deals", "reading before that actually never happened? The character has learned things. He has", "stay. Nonetheless, the reader was expecting a fight to the death on the", "This is not the twist. Following the general story of the game, the", "answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist really is and how it really", "twists, while this question deals with how to prevent the reader from feeling", "This certainly fixes the problems. The unresolved conflicts of the new world don't", "about twists. In all other respects, they are completely different questions. You could", "is in fact the best answer. It doesn't directly answer this question, but", "this new planet. He meets characters who change him, and the way he", "So that's my question: is there a way I can make sure a", "directly answer this question, but one can infer from it that to make", "satisfying storyline, and the twist itself must be more emotionally satisfying than what", "it that to make a twist satisfying, it must twist back to the", "importantly, the climax which everything on the new world was building up to", "he eventually learns that the people on the new planet need his help,", "new world. That fight never came. So that's my question: *is there a", "cannot cross over. I cannot, for example, bring the woman the main character", "for example, bring the woman the main character loves to the new planet,", "antagonist of the new world, everything goes black. He wakes up. It turns", "on the new world trying to get back. It was only at the", "the problems. The unresolved conflicts of the new world don't matter because they", "learns that the people on the new planet need his help, and that", "twist of the kind I have outlined above will disappoint the reader. The", "trouble is that there are now two stories on two separate planets. For", "planet. He meets characters who change him, and the way he sees things.", "planet need his help, and that leaving them to achieve his goal would", "main goal of getting back home never changed, and that he spent the", "can end the conflicts on the new planet in a climax, and then", "cannot do. The trouble is that there are now two stories on two", "great twist, or just be disappointed that all they were reading before that", "create twists, while this question deals with how to prevent the reader from", "storyline, and the twist itself must be more emotionally satisfying than what would", "This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist", "missions on this new planet. He meets characters who change him, and the", "of dialogue). I have decided that the best way to deal with these", "the way he sees things. He realizes some things about himself. While on", "two separate planets. For story reasons, they cannot cross over. I cannot, for", "answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist really is and", "on him. This certainly fixes the problems. The unresolved conflicts of the new", "the end that he became invested in the war on the new world,", "these problems is with a twist: just before the main character would have", "twist, or just be disappointed that all they were reading before that actually", "That answer explains what a twist really is and how it really works.", "deals with how to create twists, while this question deals with how to", "new planet, the character has one goal: to get back to his home,", "expected. This is not the twist. Following the general story of the game,", "time on the new world trying to get back. It was only at", "a list of do's and don't's? Of things to watch out for maybe?", "to the nature of this twist, I'm not sure if the reader will", "but one can infer from it that to make a twist satisfying, it", "battle with the antagonist of the new world, everything goes black. He wakes", "world don't matter because they were never real. There is only one climax,", "something he cannot do. The trouble is that there are now two stories", "climax will have already happened, leaving everything back on the home planet as", "There is only one climax, on the home world. There's only one question:", "fact the best answer. It doesn't directly answer this question, but one can", "his time on the new world trying to get back. It was only", "reader think this is a great twist, or just be disappointed that all", "will like it, or just be disappointed. Here's the scenario: The basic plot", "the main character loves to the new planet, or vice versa. I can", "prisoner on a planet ruled by intelligent robots with advanced technology. It's not", "must twist back* to the most emotionally satisfying storyline, and the twist itself", "answer explains what a twist really is and how it really works. This", "they cannot cross over. I cannot, for example, bring the woman the main", "twist: just before the main character would have the final battle with the", "think this is a great twist, or just be disappointed that all they", "other respects, they are completely different questions. You could say the linked questions", "meets characters who change him, and the way he sees things. He realizes", "war on the new world, and decided he had to stay. Nonetheless, the", "decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer. It doesn't", "therefore thoroughly expected. This is not the twist. Following the general story of", "a prisoner on a planet ruled by intelligent robots with advanced technology. It's", "fight to the death on the new world. That fight never came. So", "his goal would be selfish. He has decided that that's something he cannot", "test the advanced robots were running on him. This certainly fixes the problems.", "on the home planet as feeling like extra (there is a separate climax", "all other respects, they are completely different questions. You could say the linked", "a major twist. Due to the nature of this twist, I'm not sure", "the people on the new planet need his help, and that leaving them", "fight never came. So that's my question: *is there a way I can", "a fight to the death on the new world. That fight never came.", "After due consideration, I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact", "separate climax there as well, but it consists mainly of dialogue). I have", "or just be disappointed. Here's the scenario: The basic plot of the story", "teleported to a different planet, in a different time. It is important to", "respects, they are completely different questions. You could say the linked questions deals", "Further Note: After due consideration, I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is", "the scenario: The basic plot of the story is that the main character", "that story, and therefore thoroughly expected. This is not the twist. Following the", "on the home world. There's only one question: will the reader think this", "climax, and then send the character back, but the climax will have already", "I have outlined above will disappoint the reader. The two questions are similar", "before that actually never happened? The character has learned things. He has changed", "it sounds. The character gets unintentionally teleported to a different planet, in a", "now two stories on two separate planets. For story reasons, they cannot cross", "is a separate climax there as well, but it consists mainly of dialogue).", "and decided he had to stay. Nonetheless, the reader was expecting a fight", "send the character back, but the climax will have already happened, leaving everything", "with the antagonist of the new world, everything goes black. He wakes up.", "two stories on two separate planets. For story reasons, they cannot cross over.", "home world. There's only one question: will the reader think this is a", "what a twist really is and how it really works. This question is", "planet, in a different time. It is important to note that this story", "different questions. You could say the linked questions deals with how to create", "this question deals with how to prevent the reader from feeling like he's", "Is there perhaps a list of do's and don't's? Of things to watch", "get back to his home, and the woman he loves. However, he eventually", "this is a great twist, or just be disappointed that all they were", "this new planet, the character has one goal: to get back to his", "final battle with the antagonist of the new world, everything goes black. He", "will have already happened, leaving everything back on the home planet as feeling", "was just a matrix-like simulated test the advanced robots were running on him.", "to his experiences. But those experiences never actually happened. The people he met", "feeling like extra (there is a separate climax there as well, but it", "never happened. It is true that the protagonist's main goal of getting back", "the whole thing was just a matrix-like simulated test the advanced robots were", "and that he spent the majority of his time on the new world", "make a twist satisfying, it must twist back* to the most emotionally satisfying", "game, the character goes through several battles and missions on this new planet.", "with a twist: just before the main character would have the final battle", "those issues is to include a major twist. Due to the nature of", "because they were never real. There is only one climax, on the home", "Following the general story of the game, the character goes through several battles", "everything on the new world was building up to never happened. It is", "have already happened, leaving everything back on the home planet as feeling like", "way to deal with those issues is to include a major twist. Due", "was building up to never happened. It is true that the protagonist's main", "were never real. There is only one climax, on the home world. There's", "to his home, and the woman he loves. However, he eventually learns that", "plot of the story is that the main character is a prisoner on", "building up to never happened. It is true that the protagonist's main goal", "do's and don't's? Of things to watch out for maybe? Note: This cannot", "disappointed. Here's the scenario: The basic plot of the story is that the", "world was building up to never happened. It is true that the protagonist's", "the climax will have already happened, leaving everything back on the home planet", "will disappoint the reader. The two questions are similar only in the respect", "ruled by intelligent robots with advanced technology. It's not as unoriginal as it", "people he met never existed. Perhaps most importantly, the climax which everything on", "fixes the problems. The unresolved conflicts of the new world don't matter because", "of the new world, everything goes black. He wakes up. It turns out", "has one goal: to get back to his home, and the woman he", "that's something he cannot do. The trouble is that there are now two", "has decided that that's something he cannot do. The trouble is that there", "I can end the conflicts on the new planet in a climax, and", "a climax, and then send the character back, but the climax will have", "consists mainly of dialogue). I have decided that the best way to deal", "goal of getting back home never changed, and that he spent the majority", "a way I can make sure a major twist isn't disappointing? Is there", "sounds. The character gets unintentionally teleported to a different planet, in a different", "to get back. It was only at the end that he became invested", "a different planet, in a different time. It is important to note that", "that leaving them to achieve his goal would be selfish. He has decided", "the twist. Following the general story of the game, the character goes through", "leaving them to achieve his goal would be selfish. He has decided that", "of this twist, I'm not sure if the reader will like it, or", "above will disappoint the reader. The two questions are similar only in the", "works. This question is dealing with whether or not a twist of the", "of his time on the new world trying to get back. It was", "and missions on this new planet. He meets characters who change him, and", "the nature of this twist, I'm not sure if the reader will like", "major twist. Due to the nature of this twist, I'm not sure if", "bring the woman the main character loves to the new planet, or vice", "cross over. I cannot, for example, bring the woman the main character loves", "lied to when the twist is revealed. Further Note: After due consideration, I", "only one climax, on the home world. There's only one question: will the", "existed. Perhaps most importantly, the climax which everything on the new world was", "a planet ruled by intelligent robots with advanced technology. It's not as unoriginal", "never changed, and that he spent the majority of his time on the", "(there is a separate climax there as well, but it consists mainly of", "the main character would have the final battle with the antagonist of the", "decided that the best way to deal with these problems is with a", "whether or not a twist of the kind I have outlined above will", "my current story, and I've decided that the best way to deal with", "basic plot of the story is that the main character is a prisoner", "and that leaving them to achieve his goal would be selfish. He has", "new world trying to get back. It was only at the end that", "how to prevent the reader from feeling like he's been lied to when", "That fight never came. So that's my question: is there a way I", "robots with advanced technology. It's not as unoriginal as it sounds. The character", "majority of his time on the new world trying to get back. It", "there are now two stories on two separate planets. For story reasons, they", "changed, and that he spent the majority of his time on the new", "is revealed. Further Note: After due consideration, I have decided that the answer", "due consideration, I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the", "his experiences. But those experiences never actually happened. The people he met never", "to never happened. It is true that the protagonist's main goal of getting", "just before the main character would have the final battle with the antagonist", "due to his experiences. But those experiences never actually happened. The people he", "with how to prevent the reader from feeling like he's been lied to", "who change him, and the way he sees things. He realizes some things", "never actually happened. The people he met never existed. Perhaps most importantly, the", "separate planets. For story reasons, they cannot cross over. I cannot, for example,", "best answer. It doesn't directly answer this question, but one can infer from", "twists. In all other respects, they are completely different questions. You could say", "deals with how to prevent the reader from feeling like he's been lied", "they were never real. There is only one climax, on the home world.", "happened. It is true that the protagonist's main goal of getting back home", "[this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist really is and how it", "the general story of the game, the character goes through several battles and", "The character has learned things. He has changed due to his experiences. But", "unresolved conflicts of the new world don't matter because they were never real.", "the new world trying to get back. It was only at the end", "climax, on the home world. There's only one question: will the reader think", "trying to get back. It was only at the end that he became", "answer. It doesn't directly answer this question, but one can infer from it", "been having some trouble with the ending of my current story, and I've", "to a different planet, in a different time. It is important to note", "while this question deals with how to prevent the reader from feeling like", "climax there as well, but it consists mainly of dialogue). I have decided", "if the reader will like it, or just be disappointed. Here's the scenario:", "never real. There is only one climax, on the home world. There's only", "This question is dealing with whether or not a twist of the kind", "is only one climax, on the home world. There's only one question: will", "perhaps a list of do's and don't's? Of things to watch out for", "story of the game, the character goes through several battles and missions on", "the new planet, or vice versa. I can end the conflicts on the", "this story is a fan fiction based on the story of a game,", "but it consists mainly of dialogue). I have decided that the best way", "never came. So that's my question: is there a way I can make", "the best way to deal with those issues is to include a major", "black. He wakes up. It turns out the whole thing was just a", "that he spent the majority of his time on the new world trying", "be disappointed. Here's the scenario: The basic plot of the story is that", "disappointed that all they were reading before that actually never happened? The character", "He has changed due to his experiences. But those experiences never actually happened.", "they were reading before that actually never happened? The character has learned things.", "disappoint the reader. The two questions are similar only in the respect that", "the protagonist's main goal of getting back home never changed, and that he", "changed due to his experiences. But those experiences never actually happened. The people", "In all other respects, they are completely different questions. You could say the", "question is dealing with whether or not a twist of the kind I", "several battles and missions on this new planet. He meets characters who change", "I'm not sure if the reader will like it, or just be disappointed.", "different planet, in a different time. It is important to note that this", "with whether or not a twist of the kind I have outlined above", "has learned things. He has changed due to his experiences. But those experiences", "that there are now two stories on two separate planets. For story reasons,", "which everything on the new world was building up to never happened. It", "note that this story is a fan fiction based on the story of", "He wakes up. It turns out the whole thing was just a matrix-like", "a different time. It is important to note that this story is a", "some things about himself. While on this new planet, the character has one", "up to never happened. It is true that the protagonist's main goal of", "I've decided that the best way to deal with those issues is to", "dealing with whether or not a twist of the kind I have outlined", "was only at the end that he became invested in the war on", "the new world was building up to never happened. It is true that", "through several battles and missions on this new planet. He meets characters who", "the story of a game, and this event is part of that story,", "he's been lied to when the twist is revealed. Further Note: After due", "Due to the nature of this twist, I'm not sure if the reader", "the best answer. It doesn't directly answer this question, but one can infer", "The basic plot of the story is that the main character is a", "can infer from it that to make a twist satisfying, it must twist", "issues is to include a major twist. Due to the nature of this", "everything back on the home planet as feeling like extra (there is a", "I've been having some trouble with the ending of my current story, and", "new world was building up to never happened. It is true that the", "major twist isn't disappointing? Is there perhaps a list of do's and don't's?", "list of do's and don't's? Of things to watch out for maybe? Note:", "there perhaps a list of do's and don't's? Of things to watch out", "happened. The people he met never existed. Perhaps most importantly, the climax which", "say the linked questions deals with how to create twists, while this question", "characters who change him, and the way he sees things. He realizes some", "the reader. The two questions are similar only in the respect that they", "While on this new planet, the character has one goal: to get back", "gets unintentionally teleported to a different planet, in a different time. It is", "story of a game, and this event is part of that story, and", "for maybe? Note: This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains", "getting back home never changed, and that he spent the majority of his", "loves. However, he eventually learns that the people on the new planet need", "having some trouble with the ending of my current story, and I've decided", "is a prisoner on a planet ruled by intelligent robots with advanced technology.", "the climax which everything on the new world was building up to never", "infer from it that to make a twist satisfying, it must twist back", "experiences. But those experiences never actually happened. The people he met never existed.", "main character is a prisoner on a planet ruled by intelligent robots with", "end that he became invested in the war on the new world, and", "the main character is a prisoner on a planet ruled by intelligent robots", "event is part of that story, and therefore thoroughly expected. This is not", "is a fan fiction based on the story of a game, and this", "I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer.", "he became invested in the war on the new world, and decided he", "help, and that leaving them to achieve his goal would be selfish. He", "new planet, or vice versa. I can end the conflicts on the new", "as unoriginal as it sounds. The character gets unintentionally teleported to a different", "must be more emotionally satisfying than what would have happened without the twist.", "are completely different questions. You could say the linked questions deals with how", "fiction based on the story of a game, and this event is part", "decided he had to stay. Nonetheless, the reader was expecting a fight to", "conflicts of the new world don't matter because they were never real. There", "reasons, they cannot cross over. I cannot, for example, bring the woman the", "The two questions are similar only in the respect that they are both", "he cannot do. The trouble is that there are now two stories on", "the character goes through several battles and missions on this new planet. He", "the new world, everything goes black. He wakes up. It turns out the", "cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist really", "prevent the reader from feeling like he's been lied to when the twist", "There's only one question: will the reader think this is a great twist,", "twist isn't disappointing?** Is there perhaps a list of do's and don't's? Of", "best way to deal with those issues is to include a major twist.", "them to achieve his goal would be selfish. He has decided that that's", "new planet in a climax, and then send the character back, but the", "unoriginal as it sounds. The character gets unintentionally teleported to a different planet,", "back home never changed, and that he spent the majority of his time", "as well, but it consists mainly of dialogue). I have decided that the", "leaving everything back on the home planet as feeling like extra (there is", "technology. It's not as unoriginal as it sounds. The character gets unintentionally teleported", "story is that the main character is a prisoner on a planet ruled", "or not a twist of the kind I have outlined above will disappoint", "change him, and the way he sees things. He realizes some things about", "However, he eventually learns that the people on the new planet need his", "just be disappointed that all they were reading before that actually never happened?", "running on him. This certainly fixes the problems. The unresolved conflicts of the", "of my current story, and I've decided that the best way to deal", "him. This certainly fixes the problems. The unresolved conflicts of the new world", "the most emotionally satisfying storyline, and the twist itself must be more emotionally", "to the death on the new world. That fight never came. So that's", "back to his home, and the woman he loves. However, he eventually learns", "main character loves to the new planet, or vice versa. I can end", "dialogue). I have decided that the best way to deal with these problems", "and this event is part of that story, and therefore thoroughly expected. This", "that the people on the new planet need his help, and that leaving", "a twist satisfying, it must twist back to the most emotionally satisfying storyline,", "character is a prisoner on a planet ruled by intelligent robots with advanced", "just a matrix-like simulated test the advanced robots were running on him. This", "I have decided that the best way to deal with these problems is", "problems is with a twist: just before the main character would have the", "He meets characters who change him, and the way he sees things. He", "have the final battle with the antagonist of the new world, everything goes", "goal: to get back to his home, and the woman he loves. However,", "are similar only in the respect that they are both about twists. In", "new world, and decided he had to stay. Nonetheless, the reader was expecting", "met never existed. Perhaps most importantly, the climax which everything on the new", "on this new planet. He meets characters who change him, and the way", "the best way to deal with these problems is with a twist: just", "that they are both about twists. In all other respects, they are completely", "the home planet as feeling like extra (there is a separate climax there", "of the kind I have outlined above will disappoint the reader. The two", "in fact the best answer. It doesn't directly answer this question, but one", "ending of my current story, and I've decided that the best way to", "death on the new world. That fight never came. So that's my question:", "include a major twist. Due to the nature of this twist, I'm not", "to when the twist is revealed. Further Note: After due consideration, I have", "to note that this story is a fan fiction based on the story", "new planet. He meets characters who change him, and the way he sees", "and I've decided that the best way to deal with those issues is", "It turns out the whole thing was just a matrix-like simulated test the", "expecting a fight to the death on the new world. That fight never", "whole thing was just a matrix-like simulated test the advanced robots were running", "to include a major twist. Due to the nature of this twist, I'm", "climax which everything on the new world was building up to never happened.", "became invested in the war on the new world, and decided he had", "planet as feeling like extra (there is a separate climax there as well,", "as it sounds. The character gets unintentionally teleported to a different planet, in", "the ending of my current story, and I've decided that the best way", "a twist really is and how it really works. This question is dealing", "people on the new planet need his help, and that leaving them to", "with the ending of my current story, and I've decided that the best", "The people he met never existed. Perhaps most importantly, the climax which everything", "of a game, and this event is part of that story, and therefore", "planet, the character has one goal: to get back to his home, and", "could say the linked questions deals with how to create twists, while this", "do. The trouble is that there are now two stories on two separate", "story, and I've decided that the best way to deal with those issues", "advanced robots were running on him. This certainly fixes the problems. The unresolved", "twist. Following the general story of the game, the character goes through several", "feeling like he's been lied to when the twist is revealed. Further Note:", "on the story of a game, and this event is part of that", "conflicts on the new planet in a climax, and then send the character", "thoroughly expected. This is not the twist. Following the general story of the", "consideration, I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best", "Nonetheless, the reader was expecting a fight to the death on the new", "It doesn't directly answer this question, but one can infer from it that", "the character has one goal: to get back to his home, and the", "question: will the reader think this is a great twist, or just be", "You could say the linked questions deals with how to create twists, while", "nature of this twist, I'm not sure if the reader will like it,", "make sure a major twist isn't disappointing? Is there perhaps a list of", "have outlined above will disappoint the reader. The two questions are similar only", "revealed. Further Note: After due consideration, I have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394)", "things to watch out for maybe? Note: This cannot be answered by [this", "world, and decided he had to stay. Nonetheless, the reader was expecting a", "of the story is that the main character is a prisoner on a", "has changed due to his experiences. But those experiences never actually happened. The", "It is important to note that this story is a fan fiction based", "the reader will like it, or just be disappointed. Here's the scenario: The", "is true that the protagonist's main goal of getting back home never changed,", "the kind I have outlined above will disappoint the reader. The two questions", "certainly fixes the problems. The unresolved conflicts of the new world don't matter", "in a different time. It is important to note that this story is", "twist is revealed. Further Note: After due consideration, I have decided that the", "only at the end that he became invested in the war on the", "the new world, and decided he had to stay. Nonetheless, the reader was", "with how to create twists, while this question deals with how to prevent", "to deal with those issues is to include a major twist. Due to", "is with a twist: just before the main character would have the final", "robots were running on him. This certainly fixes the problems. The unresolved conflicts", "that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer. It doesn't directly", "happened? The character has learned things. He has changed due to his experiences.", "my question: is there a way I can make sure a major twist", "reader was expecting a fight to the death on the new world. That", "was expecting a fight to the death on the new world. That fight", "they are both about twists. In all other respects, they are completely different", "the respect that they are both about twists. In all other respects, they", "the game, the character goes through several battles and missions on this new", "things. He realizes some things about himself. While on this new planet, the", "example, bring the woman the main character loves to the new planet, or", "is dealing with whether or not a twist of the kind I have", "out for maybe? Note: This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer", "a game, and this event is part of that story, and therefore thoroughly", "The character gets unintentionally teleported to a different planet, in a different time.", "story, and therefore thoroughly expected. This is not the twist. Following the general", "there a way I can make sure a major twist isn't disappointing? Is", "how to create twists, while this question deals with how to prevent the", "I cannot, for example, bring the woman the main character loves to the", "is that there are now two stories on two separate planets. For story", "most emotionally satisfying storyline, and the twist itself must be more emotionally satisfying", "best way to deal with these problems is with a twist: just before", "the new planet in a climax, and then send the character back, but", "respect that they are both about twists. In all other respects, they are", "important to note that this story is a fan fiction based on the", "versa. I can end the conflicts on the new planet in a climax,", "end the conflicts on the new planet in a climax, and then send", "on the new world. That fight never came. So that's my question: is", "need his help, and that leaving them to achieve his goal would be", "be selfish. He has decided that that's something he cannot do. The trouble", "not sure if the reader will like it, or just be disappointed. Here's", "it consists mainly of dialogue). I have decided that the best way to", "be disappointed that all they were reading before that actually never happened? The", "question: is there a way I can make sure a major twist isn't", "is to include a major twist. Due to the nature of this twist,", "He realizes some things about himself. While on this new planet, the character", "world. That fight never came. So that's my question: is there a way", "cannot, for example, bring the woman the main character loves to the new", "thing was just a matrix-like simulated test the advanced robots were running on", "don't's? Of things to watch out for maybe? Note: This cannot be answered", "a great twist, or just be disappointed that all they were reading before", "to stay. Nonetheless, the reader was expecting a fight to the death on", "sees things. He realizes some things about himself. While on this new planet,", "mainly of dialogue). I have decided that the best way to deal with", "that to make a twist satisfying, it must twist back to the most", "back. It was only at the end that he became invested in the", "the reader was expecting a fight to the death on the new world.", "to the most emotionally satisfying storyline, and the twist itself must be more", "get back. It was only at the end that he became invested in", "of do's and don't's? Of things to watch out for maybe? Note: This", "one goal: to get back to his home, and the woman he loves.", "on this new planet, the character has one goal: to get back to", "planets. For story reasons, they cannot cross over. I cannot, for example, bring", "he had to stay. Nonetheless, the reader was expecting a fight to the", "before the main character would have the final battle with the antagonist of", "to create twists, while this question deals with how to prevent the reader", "world. There's only one question: will the reader think this is a great", "questions. You could say the linked questions deals with how to create twists,", "never existed. Perhaps most importantly, the climax which everything on the new world", "real. There is only one climax, on the home world. There's only one", "a matrix-like simulated test the advanced robots were running on him. This certainly", "maybe? Note: This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what", "that that's something he cannot do. The trouble is that there are now", "reader. The two questions are similar only in the respect that they are", "It was only at the end that he became invested in the war", "turns out the whole thing was just a matrix-like simulated test the advanced", "deal with those issues is to include a major twist. Due to the", "this twist, I'm not sure if the reader will like it, or just", "the twist itself must be more emotionally satisfying than what would have happened", "up. It turns out the whole thing was just a matrix-like simulated test", "don't matter because they were never real. There is only one climax, on", "planet in a climax, and then send the character back, but the climax", "in the respect that they are both about twists. In all other respects,", "that the protagonist's main goal of getting back home never changed, and that", "can make sure a major twist isn't disappointing? Is there perhaps a list", "part of that story, and therefore thoroughly expected. This is not the twist.", "and don't's? Of things to watch out for maybe? Note: This cannot be", "new planet need his help, and that leaving them to achieve his goal", "loves to the new planet, or vice versa. I can end the conflicts", "of that story, and therefore thoroughly expected. This is not the twist. Following", "the antagonist of the new world, everything goes black. He wakes up. It", "invested in the war on the new world, and decided he had to", "be answered by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist really is", "answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer. It doesn't directly answer this", "a separate climax there as well, but it consists mainly of dialogue). I", "a major twist isn't disappointing? Is there perhaps a list of do's and", "character would have the final battle with the antagonist of the new world,", "it really works. This question is dealing with whether or not a twist", "[here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer. It doesn't directly answer this question,", "and the woman he loves. However, he eventually learns that the people on", "based on the story of a game, and this event is part of", "at the end that he became invested in the war on the new", "emotionally satisfying storyline, and the twist itself must be more emotionally satisfying than", "things. He has changed due to his experiences. But those experiences never actually", "realizes some things about himself. While on this new planet, the character has", "back, but the climax will have already happened, leaving everything back on the", "questions are similar only in the respect that they are both about twists.", "one question: will the reader think this is a great twist, or just", "protagonist's main goal of getting back home never changed, and that he spent", "question, but one can infer from it that to make a twist satisfying,", "to deal with these problems is with a twist: just before the main", "happened, leaving everything back on the home planet as feeling like extra (there", "character has learned things. He has changed due to his experiences. But those", "world, everything goes black. He wakes up. It turns out the whole thing", "linked questions deals with how to create twists, while this question deals with", "two questions are similar only in the respect that they are both about", "then send the character back, but the climax will have already happened, leaving", "decided that that's something he cannot do. The trouble is that there are", "questions deals with how to create twists, while this question deals with how", "with these problems is with a twist: just before the main character would", "or vice versa. I can end the conflicts on the new planet in", "vice versa. I can end the conflicts on the new planet in a", "simulated test the advanced robots were running on him. This certainly fixes the", "new world don't matter because they were never real. There is only one", "those experiences never actually happened. The people he met never existed. Perhaps most", "fan fiction based on the story of a game, and this event is", "to get back to his home, and the woman he loves. However, he", "the woman the main character loves to the new planet, or vice versa.", "reader will like it, or just be disappointed. Here's the scenario: The basic", "the character back, but the climax will have already happened, leaving everything back", "Perhaps most importantly, the climax which everything on the new world was building", "the story is that the main character is a prisoner on a planet", "world trying to get back. It was only at the end that he", "woman the main character loves to the new planet, or vice versa. I", "character goes through several battles and missions on this new planet. He meets", "and how it really works. This question is dealing with whether or not", "that's my question: *is there a way I can make sure a major", "it must twist back* to the most emotionally satisfying storyline, and the twist", "current story, and I've decided that the best way to deal with those", "main character would have the final battle with the antagonist of the new", "is not the twist. Following the general story of the game, the character", "way to deal with these problems is with a twist: just before the", "story is a fan fiction based on the story of a game, and", "by [this answer](https://writing.stackexchange.com/a/25922/10394). That answer explains what a twist really is and how", "sure if the reader will like it, or just be disappointed. Here's the", "it, or just be disappointed. Here's the scenario: The basic plot of the", "on the new world, and decided he had to stay. Nonetheless, the reader", "things about himself. While on this new planet, the character has one goal:", "and the way he sees things. He realizes some things about himself. While", "when the twist is revealed. Further Note: After due consideration, I have decided", "by intelligent robots with advanced technology. It's not as unoriginal as it sounds.", "new world, everything goes black. He wakes up. It turns out the whole", "everything goes black. He wakes up. It turns out the whole thing was", "trouble with the ending of my current story, and I've decided that the", "to make a twist satisfying, it must twist back to the most emotionally", "different time. It is important to note that this story is a fan", "that this story is a fan fiction based on the story of a", "experiences never actually happened. The people he met never existed. Perhaps most importantly,", "is and how it really works. This question is dealing with whether or", "general story of the game, the character goes through several battles and missions", "character gets unintentionally teleported to a different planet, in a different time. It", "all they were reading before that actually never happened? The character has learned", "But those experiences never actually happened. The people he met never existed. Perhaps", "he loves. However, he eventually learns that the people on the new planet", "or just be disappointed that all they were reading before that actually never", "how it really works. This question is dealing with whether or not a", "he spent the majority of his time on the new world trying to", "twist itself must be more emotionally satisfying than what would have happened without", "one climax, on the home world. There's only one question: will the reader", "the conflicts on the new planet in a climax, and then send the", "completely different questions. You could say the linked questions deals with how to", "there as well, but it consists mainly of dialogue). I have decided that", "this event is part of that story, and therefore thoroughly expected. This is", "character back, but the climax will have already happened, leaving everything back on", "is part of that story, and therefore thoroughly expected. This is not the", "but the climax will have already happened, leaving everything back on the home", "and the twist itself must be more emotionally satisfying than what would have", "advanced technology. It's not as unoriginal as it sounds. The character gets unintentionally", "question deals with how to prevent the reader from feeling like he's been", "on the new planet in a climax, and then send the character back,", "is important to note that this story is a fan fiction based on", "scenario: The basic plot of the story is that the main character is", "disappointing?** Is there perhaps a list of do's and don't's? Of things to", "a fan fiction based on the story of a game, and this event", "not a twist of the kind I have outlined above will disappoint the", "as feeling like extra (there is a separate climax there as well, but", "back to the most emotionally satisfying storyline, and the twist itself must be", "woman he loves. However, he eventually learns that the people on the new", "actually never happened? The character has learned things. He has changed due to", "back on the home planet as feeling like extra (there is a separate", "twist really is and how it really works. This question is dealing with", "been lied to when the twist is revealed. Further Note: After due consideration,", "would be selfish. He has decided that that's something he cannot do. The", "that he became invested in the war on the new world, and decided", "the new planet need his help, and that leaving them to achieve his", "doesn't directly answer this question, but one can infer from it that to", "with those issues is to include a major twist. Due to the nature", "that the best way to deal with those issues is to include a", "spent the majority of his time on the new world trying to get", "eventually learns that the people on the new planet need his help, and", "achieve his goal would be selfish. He has decided that that's something he", "like it, or just be disappointed. Here's the scenario: The basic plot of", "most importantly, the climax which everything on the new world was building up", "the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer. It doesn't directly answer", "this question, but one can infer from it that to make a twist", "game, and this event is part of that story, and therefore thoroughly expected.", "is that the main character is a prisoner on a planet ruled by", "him, and the way he sees things. He realizes some things about himself.", "himself. While on this new planet, the character has one goal: to get", "itself must be more emotionally satisfying than what would have happened without the", "goes black. He wakes up. It turns out the whole thing was just", "of the game, the character goes through several battles and missions on this", "problems. The unresolved conflicts of the new world don't matter because they were", "character has one goal: to get back to his home, and the woman", "twist. Due to the nature of this twist, I'm not sure if the", "learned things. He has changed due to his experiences. But those experiences never", "to prevent the reader from feeling like he's been lied to when the", "have decided that the answer [here](https://writing.stackexchange.com/a/25922/10394) is in fact the best answer. It", "extra (there is a separate climax there as well, but it consists mainly", "goal would be selfish. He has decided that that's something he cannot do.", "the death on the new world. That fight never came. So that's my", "explains what a twist really is and how it really works. This question", "like he's been lied to when the twist is revealed. Further Note: After", "satisfying, it must twist back to the most emotionally satisfying storyline, and the", "planet, or vice versa. I can end the conflicts on the new planet", "are both about twists. In all other respects, they are completely different questions.", "sure a major twist isn't disappointing? Is there perhaps a list of do's", "He has decided that that's something he cannot do. The trouble is that", "the advanced robots were running on him. This certainly fixes the problems. The", "to the new planet, or vice versa. I can end the conflicts on", "the final battle with the antagonist of the new world, everything goes black.", "matrix-like simulated test the advanced robots were running on him. This certainly fixes", "character loves to the new planet, or vice versa. I can end the", "of getting back home never changed, and that he spent the majority of", "on two separate planets. For story reasons, they cannot cross over. I cannot,", "came. So that's my question: is there a way I can make sure", "had to stay. Nonetheless, the reader was expecting a fight to the death", "way I can make sure a major twist isn't disappointing? Is there perhaps", "I can make sure a major twist isn't disappointing? Is there perhaps a", "Here's the scenario: The basic plot of the story is that the main", "about himself. While on this new planet, the character has one goal: to", "planet ruled by intelligent robots with advanced technology. It's not as unoriginal as", "battles and missions on this new planet. He meets characters who change him,", "stories on two separate planets. For story reasons, they cannot cross over. I", "from it that to make a twist satisfying, it must twist back to", "that actually never happened? The character has learned things. He has changed due", "way he sees things. He realizes some things about himself. While on this", "his help, and that leaving them to achieve his goal would be selfish.", "not as unoriginal as it sounds. The character gets unintentionally teleported to a", "out the whole thing was just a matrix-like simulated test the advanced robots", "and then send the character back, but the climax will have already happened,", "like extra (there is a separate climax there as well, but it consists", "well, but it consists mainly of dialogue). I have decided that the best", "in the war on the new world, and decided he had to stay.", "were reading before that actually never happened? The character has learned things. He", "similar only in the respect that they are both about twists. In all", "that the best way to deal with these problems is with a twist:", "unintentionally teleported to a different planet, in a different time. It is important", "twist back to the most emotionally satisfying storyline, and the twist itself must", "never happened? The character has learned things. He has changed due to his", "true that the protagonist's main goal of getting back home never changed, and", "he met never existed. Perhaps most importantly, the climax which everything on the", "It is true that the protagonist's main goal of getting back home never", "to watch out for maybe? Note: This cannot be answered by [this answer](https://writing.stackexchange.com/a/25922/10394).", "reader from feeling like he's been lied to when the twist is revealed.", "have decided that the best way to deal with these problems is with", "wakes up. It turns out the whole thing was just a matrix-like simulated", "time. It is important to note that this story is a fan fiction", "Of things to watch out for maybe? Note: This cannot be answered by", "a twist of the kind I have outlined above will disappoint the reader.", "some trouble with the ending of my current story, and I've decided that", "with advanced technology. It's not as unoriginal as it sounds. The character gets", "that the main character is a prisoner on a planet ruled by intelligent", "answer this question, but one can infer from it that to make a", "would have the final battle with the antagonist of the new world, everything", "home, and the woman he loves. However, he eventually learns that the people", "home never changed, and that he spent the majority of his time on" ]
[ "Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He has", "Maverick, Forgiveness, Survival). He has trouble with sarcasm, is often flippant and rude", "very human, and fairly unrelatable. How do I humanize him for my readers?", "him) he doesn't follow the guidelines and paths people lay out for him,", "authority over him) he doesn't follow the guidelines and paths people lay out", "known authority over him) he doesn't follow the guidelines and paths people lay", "fantasy worlds, though his has an entirely different magic system. He is about", "ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill,", "and has a personality that is very much molded by his society's obsession", "for him, has munchkin tendencies, enjoys puzzles and chocolate, talks to girls a", "like (at least for characters in the story), is very proactive, and has", "quieter and more respectful in front of someone with known authority over him)", "novel so far comes from a different world to the other characters. Both", "his has an entirely different magic system. He is about 14-15 years old.", "personality that is very much molded by his society's obsession with 16 ideals.", "has a personality that is very much molded by his society's obsession with", "sarcasm, is often flippant and rude (but grows quieter and more respectful in", "though his has an entirely different magic system. He is about 14-15 years", "14-15 years old. He is not very easy to like (at least for", "with known authority over him) he doesn't follow the guidelines and paths people", "an entirely different magic system. He is about 14-15 years old. He is", "Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness,", "about 14-15 years old. He is not very easy to like (at least", "magic system. He is about 14-15 years old. He is not very easy", "is very proactive, and has a personality that is very much molded by", "far don't view him as very human, and fairly unrelatable. How do I", "is intelligent and physically weak, and is an easily stressed perfectionist. People who", "(at least for characters in the story), is very proactive, and has a", "is an easily stressed perfectionist. People who have read what I have written", "that is very much molded by his society's obsession with 16 ideals. (Honesty,", "in my novel so far comes from a different world to the other", "chocolate, talks to girls a little more stiffly, is intelligent and physically weak,", "the story), is very proactive, and has a personality that is very much", "talks to girls a little more stiffly, is intelligent and physically weak, and", "molded by his society's obsession with 16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity,", "him as very human, and fairly unrelatable. How do I humanize him for", "other characters. Both are fantasy worlds, though his has an entirely different magic", "world to the other characters. Both are fantasy worlds, though his has an", "trouble with sarcasm, is often flippant and rude (but grows quieter and more", "him, has munchkin tendencies, enjoys puzzles and chocolate, talks to girls a little", "16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice,", "tendencies, enjoys puzzles and chocolate, talks to girls a little more stiffly, is", "Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He", "The protagonist in my novel so far comes from a different world to", "is about 14-15 years old. He is not very easy to like (at", "so far comes from a different world to the other characters. Both are", "the guidelines and paths people lay out for him, has munchkin tendencies, enjoys", "system. He is about 14-15 years old. He is not very easy to", "Thrill, Assimilation, Maverick, Forgiveness, Survival). He has trouble with sarcasm, is often flippant", "and physically weak, and is an easily stressed perfectionist. People who have read", "different magic system. He is about 14-15 years old. He is not very", "he doesn't follow the guidelines and paths people lay out for him, has", "Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He has trouble with sarcasm, is often", "Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He has trouble with sarcasm, is", "doesn't follow the guidelines and paths people lay out for him, has munchkin", "with sarcasm, is often flippant and rude (but grows quieter and more respectful", "people lay out for him, has munchkin tendencies, enjoys puzzles and chocolate, talks", "characters. Both are fantasy worlds, though his has an entirely different magic system.", "flippant and rude (but grows quieter and more respectful in front of someone", "have written so far don't view him as very human, and fairly unrelatable.", "what I have written so far don't view him as very human, and", "I have written so far don't view him as very human, and fairly", "who have read what I have written so far don't view him as", "his society's obsession with 16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph,", "a little more stiffly, is intelligent and physically weak, and is an easily", "to like (at least for characters in the story), is very proactive, and", "a personality that is very much molded by his society's obsession with 16", "to the other characters. Both are fantasy worlds, though his has an entirely", "the other characters. Both are fantasy worlds, though his has an entirely different", "so far don't view him as very human, and fairly unrelatable. How do", "He is not very easy to like (at least for characters in the", "often flippant and rude (but grows quieter and more respectful in front of", "and more respectful in front of someone with known authority over him) he", "and rude (but grows quieter and more respectful in front of someone with", "and chocolate, talks to girls a little more stiffly, is intelligent and physically", "enjoys puzzles and chocolate, talks to girls a little more stiffly, is intelligent", "very much molded by his society's obsession with 16 ideals. (Honesty, Creativity, Individuality,", "years old. He is not very easy to like (at least for characters", "by his society's obsession with 16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility,", "obsession with 16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour,", "characters in the story), is very proactive, and has a personality that is", "has an entirely different magic system. He is about 14-15 years old. He", "Forgiveness, Survival). He has trouble with sarcasm, is often flippant and rude (but", "Survival). He has trouble with sarcasm, is often flippant and rude (but grows", "entirely different magic system. He is about 14-15 years old. He is not", "much molded by his society's obsession with 16 ideals. (Honesty, Creativity, Individuality, Mimicry,", "more respectful in front of someone with known authority over him) he doesn't", "rude (but grows quieter and more respectful in front of someone with known", "are fantasy worlds, though his has an entirely different magic system. He is", "intelligent and physically weak, and is an easily stressed perfectionist. People who have", "society's obsession with 16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition,", "in front of someone with known authority over him) he doesn't follow the", "easily stressed perfectionist. People who have read what I have written so far", "written so far don't view him as very human, and fairly unrelatable. How", "stressed perfectionist. People who have read what I have written so far don't", "someone with known authority over him) he doesn't follow the guidelines and paths", "an easily stressed perfectionist. People who have read what I have written so", "respectful in front of someone with known authority over him) he doesn't follow", "more stiffly, is intelligent and physically weak, and is an easily stressed perfectionist.", "to girls a little more stiffly, is intelligent and physically weak, and is", "story), is very proactive, and has a personality that is very much molded", "very proactive, and has a personality that is very much molded by his", "He has trouble with sarcasm, is often flippant and rude (but grows quieter", "(Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation,", "old. He is not very easy to like (at least for characters in", "(but grows quieter and more respectful in front of someone with known authority", "and is an easily stressed perfectionist. People who have read what I have", "is very much molded by his society's obsession with 16 ideals. (Honesty, Creativity,", "is often flippant and rude (but grows quieter and more respectful in front", "from a different world to the other characters. Both are fantasy worlds, though", "Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He has trouble with", "out for him, has munchkin tendencies, enjoys puzzles and chocolate, talks to girls", "not very easy to like (at least for characters in the story), is", "puzzles and chocolate, talks to girls a little more stiffly, is intelligent and", "easy to like (at least for characters in the story), is very proactive,", "weak, and is an easily stressed perfectionist. People who have read what I", "People who have read what I have written so far don't view him", "view him as very human, and fairly unrelatable. How do I humanize him", "in the story), is very proactive, and has a personality that is very", "of someone with known authority over him) he doesn't follow the guidelines and", "Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He has trouble", "front of someone with known authority over him) he doesn't follow the guidelines", "worlds, though his has an entirely different magic system. He is about 14-15", "guidelines and paths people lay out for him, has munchkin tendencies, enjoys puzzles", "don't view him as very human, and fairly unrelatable. How do I humanize", "Both are fantasy worlds, though his has an entirely different magic system. He", "least for characters in the story), is very proactive, and has a personality", "over him) he doesn't follow the guidelines and paths people lay out for", "for characters in the story), is very proactive, and has a personality that", "has trouble with sarcasm, is often flippant and rude (but grows quieter and", "Assimilation, Maverick, Forgiveness, Survival). He has trouble with sarcasm, is often flippant and", "stiffly, is intelligent and physically weak, and is an easily stressed perfectionist. People", "proactive, and has a personality that is very much molded by his society's", "physically weak, and is an easily stressed perfectionist. People who have read what", "girls a little more stiffly, is intelligent and physically weak, and is an", "perfectionist. People who have read what I have written so far don't view", "He is about 14-15 years old. He is not very easy to like", "with 16 ideals. (Honesty, Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity,", "paths people lay out for him, has munchkin tendencies, enjoys puzzles and chocolate,", "a different world to the other characters. Both are fantasy worlds, though his", "lay out for him, has munchkin tendencies, enjoys puzzles and chocolate, talks to", "as very human, and fairly unrelatable. How do I humanize him for my", "and paths people lay out for him, has munchkin tendencies, enjoys puzzles and", "comes from a different world to the other characters. Both are fantasy worlds,", "have read what I have written so far don't view him as very", "read what I have written so far don't view him as very human,", "has munchkin tendencies, enjoys puzzles and chocolate, talks to girls a little more", "my novel so far comes from a different world to the other characters.", "far comes from a different world to the other characters. Both are fantasy", "follow the guidelines and paths people lay out for him, has munchkin tendencies,", "munchkin tendencies, enjoys puzzles and chocolate, talks to girls a little more stiffly,", "very easy to like (at least for characters in the story), is very", "little more stiffly, is intelligent and physically weak, and is an easily stressed", "Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival). He has trouble with sarcasm,", "grows quieter and more respectful in front of someone with known authority over", "Creativity, Individuality, Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick,", "Mimicry, Dignity, Humility, Triumph, Erudition, Honour, Levity, Justice, Thrill, Assimilation, Maverick, Forgiveness, Survival).", "protagonist in my novel so far comes from a different world to the", "is not very easy to like (at least for characters in the story),", "different world to the other characters. Both are fantasy worlds, though his has" ]
[ "novel, and even at the end, my protagonist fails to achieve his main", "a few steps ahead of my protagonist, and my protagonist is always just", "This happens multiple times during my novel, and even at the end, my", "novel and have planned it quite thoroughly. However, when I look back, the", "novel is a hit), the protagonists still keep on failing, only ever winning", "tend to always be a few steps ahead of my protagonist, and my", "the final battle of the series (so they continually fail but win the", "of my protagonist, and my protagonist is always just too late to stop", "goal (but he does wound one of the antagonists fatally). In the sequels", "YA dystopian novel and have planned it quite thoroughly. However, when I look", "the sequels I've planned (if my novel is a hit), the protagonists still", "my novel is a hit), the protagonists still keep on failing, only ever", "still keep on failing, only ever winning the final battle of the series", "my protagonist, and my protagonist is always just too late to stop the", "In the sequels I've planned (if my novel is a hit), the protagonists", "he does wound one of the antagonists fatally). In the sequels I've planned", "planned it quite thoroughly. However, when I look back, the antagonists tend to", "of the series (so they continually fail but win the most important battle).", "thinking about a YA dystopian novel and have planned it quite thoroughly. However,", "fatally). In the sequels I've planned (if my novel is a hit), the", "back, the antagonists tend to always be a few steps ahead of my", "always be a few steps ahead of my protagonist, and my protagonist is", "the series (so they continually fail but win the most important battle). My", "is always just too late to stop the antagonist. This happens multiple times", "this bad? Should I make my protagonist triumph fully at the end of", "winning the final battle of the series (so they continually fail but win", "only ever winning the final battle of the series (so they continually fail", "but win the most important battle). My question: Is this bad? Should I", "I look back, the antagonists tend to always be a few steps ahead", "always just too late to stop the antagonist. This happens multiple times during", "bad? Should I make my protagonist triumph fully at the end of the", "most important battle). My question: Is this bad? Should I make my protagonist", "multiple times during my novel, and even at the end, my protagonist fails", "planned (if my novel is a hit), the protagonists still keep on failing,", "protagonist fails to achieve his main goal (but he does wound one of", "I'm thinking about a YA dystopian novel and have planned it quite thoroughly.", "a hit), the protagonists still keep on failing, only ever winning the final", "to achieve his main goal (but he does wound one of the antagonists", "antagonist. This happens multiple times during my novel, and even at the end,", "keep on failing, only ever winning the final battle of the series (so", "end, my protagonist fails to achieve his main goal (but he does wound", "continually fail but win the most important battle). My question: Is this bad?", "the antagonist. This happens multiple times during my novel, and even at the", "hit), the protagonists still keep on failing, only ever winning the final battle", "it quite thoroughly. However, when I look back, the antagonists tend to always", "stop the antagonist. This happens multiple times during my novel, and even at", "during my novel, and even at the end, my protagonist fails to achieve", "to stop the antagonist. This happens multiple times during my novel, and even", "late to stop the antagonist. This happens multiple times during my novel, and", "at the end, my protagonist fails to achieve his main goal (but he", "does wound one of the antagonists fatally). In the sequels I've planned (if", "sequels I've planned (if my novel is a hit), the protagonists still keep", "they continually fail but win the most important battle). My question: Is this", "achieve his main goal (but he does wound one of the antagonists fatally).", "protagonist is always just too late to stop the antagonist. This happens multiple", "and my protagonist is always just too late to stop the antagonist. This", "about a YA dystopian novel and have planned it quite thoroughly. However, when", "the end, my protagonist fails to achieve his main goal (but he does", "series (so they continually fail but win the most important battle). My question:", "antagonists tend to always be a few steps ahead of my protagonist, and", "important battle). My question: Is this bad? Should I make my protagonist triumph", "dystopian novel and have planned it quite thoroughly. However, when I look back,", "protagonist, and my protagonist is always just too late to stop the antagonist.", "antagonists fatally). In the sequels I've planned (if my novel is a hit),", "My question: Is this bad? Should I make my protagonist triumph fully at", "on failing, only ever winning the final battle of the series (so they", "(but he does wound one of the antagonists fatally). In the sequels I've", "one of the antagonists fatally). In the sequels I've planned (if my novel", "when I look back, the antagonists tend to always be a few steps", "times during my novel, and even at the end, my protagonist fails to", "the antagonists fatally). In the sequels I've planned (if my novel is a", "my novel, and even at the end, my protagonist fails to achieve his", "question: Is this bad? Should I make my protagonist triumph fully at the", "quite thoroughly. However, when I look back, the antagonists tend to always be", "(so they continually fail but win the most important battle). My question: Is", "of the antagonists fatally). In the sequels I've planned (if my novel is", "the antagonists tend to always be a few steps ahead of my protagonist,", "and have planned it quite thoroughly. However, when I look back, the antagonists", "battle of the series (so they continually fail but win the most important", "happens multiple times during my novel, and even at the end, my protagonist", "the most important battle). My question: Is this bad? Should I make my", "and even at the end, my protagonist fails to achieve his main goal", "to always be a few steps ahead of my protagonist, and my protagonist", "fail but win the most important battle). My question: Is this bad? Should", "is a hit), the protagonists still keep on failing, only ever winning the", "failing, only ever winning the final battle of the series (so they continually", "my protagonist is always just too late to stop the antagonist. This happens", "wound one of the antagonists fatally). In the sequels I've planned (if my", "have planned it quite thoroughly. However, when I look back, the antagonists tend", "battle). My question: Is this bad? Should I make my protagonist triumph fully", "a YA dystopian novel and have planned it quite thoroughly. However, when I", "look back, the antagonists tend to always be a few steps ahead of", "fails to achieve his main goal (but he does wound one of the", "too late to stop the antagonist. This happens multiple times during my novel,", "his main goal (but he does wound one of the antagonists fatally). In", "steps ahead of my protagonist, and my protagonist is always just too late", "However, when I look back, the antagonists tend to always be a few", "(if my novel is a hit), the protagonists still keep on failing, only", "protagonists still keep on failing, only ever winning the final battle of the", "thoroughly. However, when I look back, the antagonists tend to always be a", "few steps ahead of my protagonist, and my protagonist is always just too", "Should I make my protagonist triumph fully at the end of the book?", "the protagonists still keep on failing, only ever winning the final battle of", "ahead of my protagonist, and my protagonist is always just too late to", "main goal (but he does wound one of the antagonists fatally). In the", "just too late to stop the antagonist. This happens multiple times during my", "even at the end, my protagonist fails to achieve his main goal (but", "win the most important battle). My question: Is this bad? Should I make", "I've planned (if my novel is a hit), the protagonists still keep on", "my protagonist fails to achieve his main goal (but he does wound one", "final battle of the series (so they continually fail but win the most", "ever winning the final battle of the series (so they continually fail but", "be a few steps ahead of my protagonist, and my protagonist is always", "Is this bad? Should I make my protagonist triumph fully at the end" ]
[ "age. But maybe it's a really, really bad idea. Is this sort of", "first book. Good? Bad? This seems like a workable idea to me, interesting,", "Are there significant disadvantages to changing POV in a second and third book?", "book could be any age. But maybe it's a really, really bad idea.", "a second and third book? Perhaps I should conceptualize the story as a", "to me, interesting, expand the world, fresh new ideas, insights into other characters.", "be run out further, the 'trilogy' could take ten or twenty years to", "changing POV in a second and third book? Perhaps I should conceptualize the", "insights into other characters. It allows the time to be run out further,", "It allows the time to be run out further, the 'trilogy' could take", "Consider placing the second book of a SF/F trilogy into the point of", "from the first book. Good? Bad? This seems like a workable idea to", "This seems like a workable idea to me, interesting, expand the world, fresh", "a SF/F trilogy into the point of view of a secondary character from", "I should conceptualize the story as a series rather than a trilogy to", "to be run out further, the 'trilogy' could take ten or twenty years", "should conceptualize the story as a series rather than a trilogy to start", "the second book of a SF/F trilogy into the point of view of", "book? Perhaps I should conceptualize the story as a series rather than a", "in a second and third book? Perhaps I should conceptualize the story as", "book. Good? Bad? This seems like a workable idea to me, interesting, expand", "than a trilogy to start with. Thanks in advance if you have thoughts", "conceptualize the story as a series rather than a trilogy to start with.", "of view of a secondary character from the first book. Good? Bad? This", "any age. But maybe it's a really, really bad idea. Is this sort", "time to be run out further, the 'trilogy' could take ten or twenty", "to changing POV in a second and third book? Perhaps I should conceptualize", "into the point of view of a secondary character from the first book.", "secondary character from the first book. Good? Bad? This seems like a workable", "'trilogy' could take ten or twenty years to resolve and the protagonist of", "take ten or twenty years to resolve and the protagonist of any particular", "a really, really bad idea. Is this sort of POV shift workable in", "of a secondary character from the first book. Good? Bad? This seems like", "the point of view of a secondary character from the first book. Good?", "rather than a trilogy to start with. Thanks in advance if you have", "trilogy to start with. Thanks in advance if you have thoughts about this.", "a secondary character from the first book. Good? Bad? This seems like a", "any particular book could be any age. But maybe it's a really, really", "in trilogies? Are there significant disadvantages to changing POV in a second and", "second book of a SF/F trilogy into the point of view of a", "sort of POV shift workable in trilogies? Are there significant disadvantages to changing", "idea to me, interesting, expand the world, fresh new ideas, insights into other", "and third book? Perhaps I should conceptualize the story as a series rather", "the time to be run out further, the 'trilogy' could take ten or", "could be any age. But maybe it's a really, really bad idea. Is", "there significant disadvantages to changing POV in a second and third book? Perhaps", "as a series rather than a trilogy to start with. Thanks in advance", "the protagonist of any particular book could be any age. But maybe it's", "Perhaps I should conceptualize the story as a series rather than a trilogy", "new ideas, insights into other characters. It allows the time to be run", "and the protagonist of any particular book could be any age. But maybe", "of POV shift workable in trilogies? Are there significant disadvantages to changing POV", "series rather than a trilogy to start with. Thanks in advance if you", "a trilogy to start with. Thanks in advance if you have thoughts about", "it's a really, really bad idea. Is this sort of POV shift workable", "other characters. It allows the time to be run out further, the 'trilogy'", "placing the second book of a SF/F trilogy into the point of view", "trilogies? Are there significant disadvantages to changing POV in a second and third", "shift workable in trilogies? Are there significant disadvantages to changing POV in a", "a series rather than a trilogy to start with. Thanks in advance if", "like a workable idea to me, interesting, expand the world, fresh new ideas,", "characters. It allows the time to be run out further, the 'trilogy' could", "book of a SF/F trilogy into the point of view of a secondary", "could take ten or twenty years to resolve and the protagonist of any", "or twenty years to resolve and the protagonist of any particular book could", "POV shift workable in trilogies? Are there significant disadvantages to changing POV in", "bad idea. Is this sort of POV shift workable in trilogies? Are there", "SF/F trilogy into the point of view of a secondary character from the", "POV in a second and third book? Perhaps I should conceptualize the story", "disadvantages to changing POV in a second and third book? Perhaps I should", "character from the first book. Good? Bad? This seems like a workable idea", "this sort of POV shift workable in trilogies? Are there significant disadvantages to", "me, interesting, expand the world, fresh new ideas, insights into other characters. It", "really bad idea. Is this sort of POV shift workable in trilogies? Are", "resolve and the protagonist of any particular book could be any age. But", "fresh new ideas, insights into other characters. It allows the time to be", "Is this sort of POV shift workable in trilogies? Are there significant disadvantages", "Bad? This seems like a workable idea to me, interesting, expand the world,", "idea. Is this sort of POV shift workable in trilogies? Are there significant", "point of view of a secondary character from the first book. Good? Bad?", "seems like a workable idea to me, interesting, expand the world, fresh new", "years to resolve and the protagonist of any particular book could be any", "view of a secondary character from the first book. Good? Bad? This seems", "workable in trilogies? Are there significant disadvantages to changing POV in a second", "the world, fresh new ideas, insights into other characters. It allows the time", "be any age. But maybe it's a really, really bad idea. Is this", "second and third book? Perhaps I should conceptualize the story as a series", "of any particular book could be any age. But maybe it's a really,", "the 'trilogy' could take ten or twenty years to resolve and the protagonist", "twenty years to resolve and the protagonist of any particular book could be", "into other characters. It allows the time to be run out further, the", "protagonist of any particular book could be any age. But maybe it's a", "Good? Bad? This seems like a workable idea to me, interesting, expand the", "of a SF/F trilogy into the point of view of a secondary character", "to resolve and the protagonist of any particular book could be any age.", "story as a series rather than a trilogy to start with. Thanks in", "run out further, the 'trilogy' could take ten or twenty years to resolve", "workable idea to me, interesting, expand the world, fresh new ideas, insights into", "particular book could be any age. But maybe it's a really, really bad", "interesting, expand the world, fresh new ideas, insights into other characters. It allows", "maybe it's a really, really bad idea. Is this sort of POV shift", "trilogy into the point of view of a secondary character from the first", "the first book. Good? Bad? This seems like a workable idea to me,", "expand the world, fresh new ideas, insights into other characters. It allows the", "further, the 'trilogy' could take ten or twenty years to resolve and the", "world, fresh new ideas, insights into other characters. It allows the time to", "ten or twenty years to resolve and the protagonist of any particular book", "But maybe it's a really, really bad idea. Is this sort of POV", "significant disadvantages to changing POV in a second and third book? Perhaps I", "third book? Perhaps I should conceptualize the story as a series rather than", "ideas, insights into other characters. It allows the time to be run out", "a workable idea to me, interesting, expand the world, fresh new ideas, insights", "the story as a series rather than a trilogy to start with. Thanks", "out further, the 'trilogy' could take ten or twenty years to resolve and", "really, really bad idea. Is this sort of POV shift workable in trilogies?", "allows the time to be run out further, the 'trilogy' could take ten" ]
[ "no recollection i.e. he's lost his memory. He's interrogated by two Inspectors, but", "He's interrogated by two Inspectors, but as he doesn't remember anything, it's mostly", "two Inspectors, but as he doesn't remember anything, it's mostly a one-sided conversation", "essentially describing the crime scene. My Question: How can I avoid such long", "he's lost his memory. He's interrogated by two Inspectors, but as he doesn't", "the Inspectors essentially describing the crime scene. My Question: How can I avoid", "bleeding at a crime scene. When he wakes up, he has no recollection", "it's mostly a one-sided conversation with the Inspectors essentially describing the crime scene.", "doesn't remember anything, it's mostly a one-sided conversation with the Inspectors essentially describing", "scene. My Question: How can I avoid such long 'walls' of one-sided dialogue", "such long 'walls' of one-sided dialogue and make the description more interesting for", "with my protagonist found (by the police), bleeding at a crime scene. When", "I'm starting my story with my protagonist found (by the police), bleeding at", "my story with my protagonist found (by the police), bleeding at a crime", "crime scene. My Question: How can I avoid such long 'walls' of one-sided", "by two Inspectors, but as he doesn't remember anything, it's mostly a one-sided", "has no recollection i.e. he's lost his memory. He's interrogated by two Inspectors,", "a crime scene. When he wakes up, he has no recollection i.e. he's", "crime scene. When he wakes up, he has no recollection i.e. he's lost", "memory. He's interrogated by two Inspectors, but as he doesn't remember anything, it's", "with the Inspectors essentially describing the crime scene. My Question: How can I", "My Question: How can I avoid such long 'walls' of one-sided dialogue and", "Inspectors, but as he doesn't remember anything, it's mostly a one-sided conversation with", "he wakes up, he has no recollection i.e. he's lost his memory. He's", "his memory. He's interrogated by two Inspectors, but as he doesn't remember anything,", "found (by the police), bleeding at a crime scene. When he wakes up,", "long 'walls' of one-sided dialogue and make the description more interesting for the", "my protagonist found (by the police), bleeding at a crime scene. When he", "describing the crime scene. My Question: How can I avoid such long 'walls'", "Question: How can I avoid such long 'walls' of one-sided dialogue and make", "interrogated by two Inspectors, but as he doesn't remember anything, it's mostly a", "one-sided conversation with the Inspectors essentially describing the crime scene. My Question: How", "scene. When he wakes up, he has no recollection i.e. he's lost his", "starting my story with my protagonist found (by the police), bleeding at a", "at a crime scene. When he wakes up, he has no recollection i.e.", "conversation with the Inspectors essentially describing the crime scene. My Question: How can", "Inspectors essentially describing the crime scene. My Question: How can I avoid such", "protagonist found (by the police), bleeding at a crime scene. When he wakes", "up, he has no recollection i.e. he's lost his memory. He's interrogated by", "he doesn't remember anything, it's mostly a one-sided conversation with the Inspectors essentially", "a one-sided conversation with the Inspectors essentially describing the crime scene. My Question:", "as he doesn't remember anything, it's mostly a one-sided conversation with the Inspectors", "How can I avoid such long 'walls' of one-sided dialogue and make the", "recollection i.e. he's lost his memory. He's interrogated by two Inspectors, but as", "remember anything, it's mostly a one-sided conversation with the Inspectors essentially describing the", "but as he doesn't remember anything, it's mostly a one-sided conversation with the", "'walls' of one-sided dialogue and make the description more interesting for the reader?", "anything, it's mostly a one-sided conversation with the Inspectors essentially describing the crime", "the crime scene. My Question: How can I avoid such long 'walls' of", "the police), bleeding at a crime scene. When he wakes up, he has", "police), bleeding at a crime scene. When he wakes up, he has no", "he has no recollection i.e. he's lost his memory. He's interrogated by two", "can I avoid such long 'walls' of one-sided dialogue and make the description", "i.e. he's lost his memory. He's interrogated by two Inspectors, but as he", "avoid such long 'walls' of one-sided dialogue and make the description more interesting", "wakes up, he has no recollection i.e. he's lost his memory. He's interrogated", "story with my protagonist found (by the police), bleeding at a crime scene.", "lost his memory. He's interrogated by two Inspectors, but as he doesn't remember", "(by the police), bleeding at a crime scene. When he wakes up, he", "When he wakes up, he has no recollection i.e. he's lost his memory.", "mostly a one-sided conversation with the Inspectors essentially describing the crime scene. My", "I avoid such long 'walls' of one-sided dialogue and make the description more" ]
[ "on one character each. This is pretty much a monumental task, which I'm", "of like Sherwood Anderson's book Winesburg, Ohio or the movie Short Cuts (1993)", "more effective in the beginning, I would greatly appreciate those elements included in", "so perhaps 2-3 could be in the same book, and perhaps some could", "are any literary dos and don'ts about series starting that I'm not aware", "(think Terry Pratchett's Discworld novels), perhaps separate books focusing mainly on one character", "live in. At first, I thought they all could be part of one", "open of a discussion, but if there are any literary dos and don'ts", "to start a series with? I'm aware this could be too open of", "to be more effective in the beginning, I would greatly appreciate those elements", "be appropriate (think Terry Pratchett's Discworld novels), perhaps separate books focusing mainly on", "separate books focusing mainly on one character each. This is pretty much a", "should I just let the world gradually become more detailed with every book,", "Discworld novels), perhaps separate books focusing mainly on one character each. This is", "could be appropriate (think Terry Pratchett's Discworld novels), perhaps separate books focusing mainly", "all characters would necessarily cross paths either, so perhaps 2-3 could be in", "effective in the beginning, I would greatly appreciate those elements included in the", "mainly on one character each. This is pretty much a monumental task, which", "in the beginning, I would greatly appreciate those elements included in the answers.", "starting that I'm not aware of, or perhaps stronger, and proven, ways to", "be good to start a series with? Not all characters would necessarily cross", "a series could be appropriate (think Terry Pratchett's Discworld novels), perhaps separate books", "paths either, so perhaps 2-3 could be in the same book, and perhaps", "of a discussion, but if there are any literary dos and don'ts about", "series with? I'm aware this could be too open of a discussion, but", "which I'm ok with, but what type of character would be good to", "each. This is pretty much a monumental task, which I'm ok with, but", "books focusing mainly on one character each. This is pretty much a monumental", "2-3 could be in the same book, and perhaps some could be in", "believe a series could be appropriate (think Terry Pratchett's Discworld novels), perhaps separate", "the world. Or should I just let the world gradually become more detailed", "in which many characters live in. At first, I thought they all could", "to set the tone for this series, like something to introduce the world.", "just let the world gradually become more detailed with every book, like a", "aware this could be too open of a discussion, but if there are", "any literary dos and don'ts about series starting that I'm not aware of,", "character would be good to start a series with? Not all characters would", "MC and secondary character. To clarify the question, what would be the best", "every book, like a gradual spilling of information about the world. Does it", "what would be the best way to set the tone for this series,", "what type of character would be good to start a series with? Not", "multiple books as well switching between MC and secondary character. To clarify the", "of character to start a series with? I'm aware this could be too", "perhaps separate books focusing mainly on one character each. This is pretty much", "don'ts* about series starting that I'm not aware of, or perhaps stronger, and", "good to start a series with? Not all characters would necessarily cross paths", "At first, I thought they all could be part of one novel (kind", "in. At first, I thought they all could be part of one novel", "movie Short Cuts (1993) by Rodiwb Altmun), perhaps even a trilogy. But more", "could be too open of a discussion, but if there are any literary", "the world gradually become more detailed with every book, like a gradual spilling", "Does it really matter what type of character to start a series with?", "stronger, and proven, ways to be more effective in the beginning, I would", "a series with? Not all characters would necessarily cross paths either, so perhaps", "be part of one novel (kind of like Sherwood Anderson's book Winesburg, Ohio", "that I'm not aware of, or perhaps stronger, and proven, ways to be", "switching between MC and secondary character. To clarify the question, what would be", "with, but what type of character would be good to start a series", "would be good to start a series with? Not all characters would necessarily", "like something to introduce the world. Or should I just let the world", "have a world in which many characters live in. At first, I thought", "of character would be good to start a series with? Not all characters", "I just let the world gradually become more detailed with every book, like", "more detailed with every book, like a gradual spilling of information about the", "set the tone for this series, like something to introduce the world. Or", "and don'ts* about series starting that I'm not aware of, or perhaps stronger,", "of, or perhaps stronger, and proven, ways to be more effective in the", "or the movie Short Cuts (1993) by Rodiwb Altmun), perhaps even a trilogy.", "task, which I'm ok with, but what type of character would be good", "for this series, like something to introduce the world. Or should I just", "series, like something to introduce the world. Or should I just let the", "more thought into all of these characters leads me to believe a series", "aware of, or perhaps stronger, and proven, ways to be more effective in", "Or should I just let the world gradually become more detailed with every", "necessarily cross paths either, so perhaps 2-3 could be in the same book,", "gradually become more detailed with every book, like a gradual spilling of information", "the movie Short Cuts (1993) by Rodiwb Altmun), perhaps even a trilogy. But", "perhaps stronger, and proven, ways to be more effective in the beginning, I", "I'm ok with, but what type of character would be good to start", "could be part of one novel (kind of like Sherwood Anderson's book Winesburg,", "focusing mainly on one character each. This is pretty much a monumental task,", "character each. This is pretty much a monumental task, which I'm ok with,", "characters would necessarily cross paths either, so perhaps 2-3 could be in the", "all of these characters leads me to believe a series could be appropriate", "well switching between MC and secondary character. To clarify the question, what would", "or perhaps stronger, and proven, ways to be more effective in the beginning,", "of one novel (kind of like Sherwood Anderson's book Winesburg, Ohio* or the", "a world in which many characters live in. At first, I thought they", "the same book, and perhaps some could be in multiple books as well", "what type of character to start a series with? I'm aware this could", "if there are any literary dos and don'ts about series starting that I'm", "by Rodiwb Altmun), perhaps even a trilogy. But more thought into all of", "ok with, but what type of character would be good to start a", "me to believe a series could be appropriate (think Terry Pratchett's Discworld novels),", "Winesburg, Ohio or the movie Short Cuts (1993) by Rodiwb Altmun), perhaps even", "Rodiwb Altmun), perhaps even a trilogy. But more thought into all of these", "in the same book, and perhaps some could be in multiple books as", "series could be appropriate (think Terry Pratchett's Discworld novels), perhaps separate books focusing", "secondary character. To clarify the question, what would be the best way to", "and secondary character. To clarify the question, what would be the best way", "much a monumental task, which I'm ok with, but what type of character", "detailed with every book, like a gradual spilling of information about the world.", "discussion, but if there are any literary dos and don'ts about series starting", "novel (kind of like Sherwood Anderson's book Winesburg, Ohio or the movie Short", "one novel (kind of like Sherwood Anderson's book Winesburg, Ohio* or the movie", "first, I thought they all could be part of one novel (kind of", "which many characters live in. At first, I thought they all could be", "Terry Pratchett's Discworld novels), perhaps separate books focusing mainly on one character each.", "could be in the same book, and perhaps some could be in multiple", "to introduce the world. Or should I just let the world gradually become", "the world. Does it really matter what type of character to start a", "perhaps even a trilogy. But more thought into all of these characters leads", "of information about the world. Does it really matter what type of character", "but if there are any literary dos and don'ts about series starting that", "characters leads me to believe a series could be appropriate (think Terry Pratchett's", "all could be part of one novel (kind of like Sherwood Anderson's book", "book, and perhaps some could be in multiple books as well switching between", "I'm aware this could be too open of a discussion, but if there", "Short Cuts (1993) by Rodiwb Altmun), perhaps even a trilogy. But more thought", "series starting that I'm not aware of, or perhaps stronger, and proven, ways", "appropriate (think Terry Pratchett's Discworld novels), perhaps separate books focusing mainly on one", "spilling of information about the world. Does it really matter what type of", "these characters leads me to believe a series could be appropriate (think Terry", "world in which many characters live in. At first, I thought they all", "one character each. This is pretty much a monumental task, which I'm ok", "and perhaps some could be in multiple books as well switching between MC", "as well switching between MC and secondary character. To clarify the question, what", "something to introduce the world. Or should I just let the world gradually", "let the world gradually become more detailed with every book, like a gradual", "character to start a series with? I'm aware this could be too open", "start a series with? Not all characters would necessarily cross paths either, so", "type of character to start a series with? I'm aware this could be", "matter what type of character to start a series with? I'm aware this", "ways to be more effective in the beginning, I would greatly appreciate those", "be too open of a discussion, but if there are any literary dos", "many characters live in. At first, I thought they all could be part", "thought they all could be part of one novel (kind of like Sherwood", "type of character would be good to start a series with? Not all", "the question, what would be the best way to set the tone* for", "there are any literary dos and don'ts about series starting that I'm not", "introduce the world. Or should I just let the world gradually become more", "Sherwood Anderson's book Winesburg, Ohio or the movie Short Cuts (1993) by Rodiwb", "proven, ways to be more effective in the beginning, I would greatly appreciate", "question, what would be the best way to set the tone for this", "I have a world in which many characters live in. At first, I", "way to set the tone for this series, like something to introduce the", "either, so perhaps 2-3 could be in the same book, and perhaps some", "part of one novel (kind of like Sherwood Anderson's book Winesburg, Ohio or", "clarify the question, what would be the best way to set the tone", "would necessarily cross paths either, so perhaps 2-3 could be in the same", "To clarify the question, what would be the best way to set the", "be in the same book, and perhaps some could be in multiple books", "with every book, like a gradual spilling of information about the world. Does", "this could be too open of a discussion, but if there are any", "Cuts* (1993) by Rodiwb Altmun), perhaps even a trilogy. But more thought into", "leads me to believe a series could be appropriate (think Terry Pratchett's Discworld", "tone for this series, like something to introduce the world. Or should I", "best way to set the tone for this series, like something to introduce", "between MC and secondary character. To clarify the question, what would be the", "information about the world. Does it really matter what type of character to", "book, like a gradual spilling of information about the world. Does it really", "some could be in multiple books as well switching between MC and secondary", "but what type of character would be good to start a series with?", "pretty much a monumental task, which I'm ok with, but what type of", "perhaps 2-3 could be in the same book, and perhaps some could be", "world gradually become more detailed with every book, like a gradual spilling of", "with? I'm aware this could be too open of a discussion, but if", "world. Does it really matter what type of character to start a series", "(1993) by Rodiwb Altmun), perhaps even a trilogy. But more thought into all", "could be in multiple books as well switching between MC and secondary character.", "cross paths either, so perhaps 2-3 could be in the same book, and", "literary dos and don'ts about series starting that I'm not aware of, or", "a trilogy. But more thought into all of these characters leads me to", "Anderson's book Winesburg, Ohio or the movie Short Cuts (1993) by Rodiwb Altmun),", "gradual spilling of information about the world. Does it really matter what type", "novels), perhaps separate books focusing mainly on one character each. This is pretty", "character. To clarify the question, what would be the best way to set", "even a trilogy. But more thought into all of these characters leads me", "with? Not all characters would necessarily cross paths either, so perhaps 2-3 could", "be more effective in the beginning, I would greatly appreciate those elements included", "Altmun), perhaps even a trilogy. But more thought into all of these characters", "become more detailed with every book, like a gradual spilling of information about", "a monumental task, which I'm ok with, but what type of character would", "be in multiple books as well switching between MC and secondary character. To", "thought into all of these characters leads me to believe a series could", "to start a series with? Not all characters would necessarily cross paths either,", "and proven, ways to be more effective in the beginning, I would greatly", "This is pretty much a monumental task, which I'm ok with, but what", "is pretty much a monumental task, which I'm ok with, but what type", "Pratchett's Discworld novels), perhaps separate books focusing mainly on one character each. This", "the best way to set the tone for this series, like something to", "really matter what type of character to start a series with? I'm aware", "a series with? I'm aware this could be too open of a discussion,", "in multiple books as well switching between MC and secondary character. To clarify", "start a series with? I'm aware this could be too open of a", "to believe a series could be appropriate (think Terry Pratchett's Discworld novels), perhaps", "of these characters leads me to believe a series could be appropriate (think", "Ohio* or the movie Short Cuts (1993) by Rodiwb Altmun), perhaps even a", "I thought they all could be part of one novel (kind of like", "into all of these characters leads me to believe a series could be", "would be the best way to set the tone for this series, like", "the tone for this series, like something to introduce the world. Or should", "they all could be part of one novel (kind of like Sherwood Anderson's", "about series starting that I'm not aware of, or perhaps stronger, and proven,", "too open of a discussion, but if there are any literary dos and", "But more thought into all of these characters leads me to believe a", "trilogy. But more thought into all of these characters leads me to believe", "this series, like something to introduce the world. Or should I just let", "same book, and perhaps some could be in multiple books as well switching", "book Winesburg, Ohio* or the movie Short Cuts (1993) by Rodiwb Altmun), perhaps", "like a gradual spilling of information about the world. Does it really matter", "like Sherwood Anderson's book Winesburg, Ohio or the movie Short Cuts (1993) by", "Not all characters would necessarily cross paths either, so perhaps 2-3 could be", "(kind of like Sherwood Anderson's book Winesburg, Ohio or the movie Short Cuts", "monumental task, which I'm ok with, but what type of character would be", "about the world. Does it really matter what type of character to start", "books as well switching between MC and secondary character. To clarify the question,", "not aware of, or perhaps stronger, and proven, ways to be more effective", "world. Or should I just let the world gradually become more detailed with", "a gradual spilling of information about the world. Does it really matter what", "series with? Not all characters would necessarily cross paths either, so perhaps 2-3", "I'm not aware of, or perhaps stronger, and proven, ways to be more", "perhaps some could be in multiple books as well switching between MC and", "be the best way to set the tone for this series, like something", "dos and don'ts about series starting that I'm not aware of, or perhaps", "a discussion, but if there are any literary dos and don'ts about series", "characters live in. At first, I thought they all could be part of", "it really matter what type of character to start a series with? I'm" ]
[ "in a creative way is delightfully informative and good for the story and", "I realize how that might be taking something away from the story, as", "within the story. Though, I don't know, which is why I'm asking. Maybe", "might be taking something away from the story, as I think perhaps character", "characters (in a book with a third perspective narrator) one can list their", "if when talking about characters (in a book with a third perspective narrator)", "one can list their personality traits. I realize how that might be taking", "wonder if when talking about characters (in a book with a third perspective", "something away from the story, as I think perhaps character traits should come", "a book with a third perspective narrator) one can list their personality traits.", "when talking about characters (in a book with a third perspective narrator) one", "character's traits in a creative way is delightfully informative and good for the", "should come out naturally within the story. Though, I don't know, which is", "a creative way is delightfully informative and good for the story and it's", "that might be taking something away from the story, as I think perhaps", "realize how that might be taking something away from the story, as I", "I don't know, which is why I'm asking. Maybe listing a character's traits", "story. Though, I don't know, which is why I'm asking. Maybe listing a", "know, which is why I'm asking. Maybe listing a character's traits in a", "a third perspective narrator) one can list their personality traits. I realize how", "can list their personality traits. I realize how that might be taking something", "I'm asking. Maybe listing a character's traits in a creative way is delightfully", "narrator) one can list their personality traits. I realize how that might be", "list their personality traits. I realize how that might be taking something away", "don't know, which is why I'm asking. Maybe listing a character's traits in", "asking. Maybe listing a character's traits in a creative way is delightfully informative", "story, as I think perhaps character traits should come out naturally within the", "with a third perspective narrator) one can list their personality traits. I realize", "is why I'm asking. Maybe listing a character's traits in a creative way", "perspective narrator) one can list their personality traits. I realize how that might", "about characters (in a book with a third perspective narrator) one can list", "traits. I realize how that might be taking something away from the story,", "naturally within the story. Though, I don't know, which is why I'm asking.", "the story. Though, I don't know, which is why I'm asking. Maybe listing", "I think perhaps character traits should come out naturally within the story. Though,", "perhaps character traits should come out naturally within the story. Though, I don't", "book with a third perspective narrator) one can list their personality traits. I", "listing a character's traits in a creative way is delightfully informative and good", "how that might be taking something away from the story, as I think", "away from the story, as I think perhaps character traits should come out", "come out naturally within the story. Though, I don't know, which is why", "why I'm asking. Maybe listing a character's traits in a creative way is", "the story, as I think perhaps character traits should come out naturally within", "from the story, as I think perhaps character traits should come out naturally", "Though, I don't know, which is why I'm asking. Maybe listing a character's", "taking something away from the story, as I think perhaps character traits should", "talking about characters (in a book with a third perspective narrator) one can", "as I think perhaps character traits should come out naturally within the story.", "Maybe listing a character's traits in a creative way is delightfully informative and", "third perspective narrator) one can list their personality traits. I realize how that", "a character's traits in a creative way is delightfully informative and good for", "character traits should come out naturally within the story. Though, I don't know,", "traits in a creative way is delightfully informative and good for the story", "think perhaps character traits should come out naturally within the story. Though, I", "I wonder if when talking about characters (in a book with a third", "which is why I'm asking. Maybe listing a character's traits in a creative", "personality traits. I realize how that might be taking something away from the", "out naturally within the story. Though, I don't know, which is why I'm", "their personality traits. I realize how that might be taking something away from", "(in a book with a third perspective narrator) one can list their personality", "traits should come out naturally within the story. Though, I don't know, which", "creative way is delightfully informative and good for the story and it's progression?", "be taking something away from the story, as I think perhaps character traits" ]
[ "four chapters (out of 12) to pull her out of the \"laboratory,\" after", "school \"science queen.\" (One purpose of the book is to convince girls that", "\"It was very interesting, the last two thirds of it anyway.\" Her fear", "queen.\" (One purpose of the book is to convince girls that they are", "the high school \"science queen.\" (One purpose of the book is to convince", "of it anyway.\" Her fear was that I might lose my readers in", "work were the \"Wizard of Oz,\" how does avoid losing ones readers during", "reader's attention during the first third or so of the work long enough", "my works told me, \"It was very interesting, the last two thirds of", "to do. So how do I keep reader's attention during the first third", "does avoid losing ones readers during the hum drum days of Dowocny's life", "first one-third of the work. The above work was a three act play,", "of the work. The above work was a three act play, with a", "Referring to published fiction, if the work were the \"Wizard of Oz,\" how", "get to the \"land of Oz,\" I know what to do. So how", "is to convince girls that they are still datable if they take STEM", "of Oz,\" how does avoid losing ones readers during the hum drum days", "\"laboratory,\" after which things are fine. Referring to published fiction, if the work", "courses). It takes the hero about four chapters (out of 12) to pull", "STEM courses). It takes the hero about four chapters (out of 12) to", "know what to do. So how do I keep reader's attention during the", "my readers in the first one-third of the work. The above work was", "a crisis and hardship in the first act, and characters that were \"nothing", "special.\" Of course, they became \"special\" coming out of the hardship, and took", "fiction, if the work were the \"Wizard of Oz,\" how does avoid losing", "coming out of the hardship, and took off in the second and third", "It takes the hero about four chapters (out of 12) to pull her", "avoid losing ones readers during the hum drum days of Dowocny's life with", "they became \"special\" coming out of the hardship, and took off in the", "and third acts. Another work is a teen novel about the romancing of", "were the \"Wizard of Oz,\" how does avoid losing ones readers during the", "the hardship caused by the sudden tornado? Once we get to the \"land", "by the sudden tornado? Once we get to the \"land of Oz,\" I", "things are fine. Referring to published fiction, if the work were the \"Wizard", "play, with a crisis and hardship in the first act, and characters that", "crisis and hardship in the first act, and characters that were \"nothing special.\"", "So how do I keep reader's attention during the first third or so", "that I might lose my readers in the first one-third of the work.", "the hero about four chapters (out of 12) to pull her out of", "work was a three act play, with a crisis and hardship in the", "out of the \"laboratory,\" after which things are fine. Referring to published fiction,", "of my works told me, \"It was very interesting, the last two thirds", "above work was a three act play, with a crisis and hardship in", "one of my works told me, \"It was very interesting, the last two", "the first act, and characters that were \"nothing special.\" Of course, they became", "we get to the \"land of Oz,\" I know what to do. So", "took off in the second and third acts. Another work is a teen", "lose my readers in the first one-third of the work. The above work", "the first one-third of the work. The above work was a three act", "told me, \"It was very interesting, the last two thirds of it anyway.\"", "work is a teen novel about the romancing of the high school \"science", "me, \"It was very interesting, the last two thirds of it anyway.\" Her", "to pull her out of the \"laboratory,\" after which things are fine. Referring", "I keep reader's attention during the first third or so of the work", "I know what to do. So how do I keep reader's attention during", "book is to convince girls that they are still datable if they take", "the hardship, and took off in the second and third acts. Another work", "is a teen novel about the romancing of the high school \"science queen.\"", "do I keep reader's attention during the first third or so of the", "tornado? Once we get to the \"land of Oz,\" I know what to", "one-third of the work. The above work was a three act play, with", "they are still datable if they take STEM courses). It takes the hero", "sudden tornado? Once we get to the \"land of Oz,\" I know what", "to the \"land of Oz,\" I know what to do. So how do", "the \"land of Oz,\" I know what to do. So how do I", "\"land of Oz,\" I know what to do. So how do I keep", "The above work was a three act play, with a crisis and hardship", "the \"laboratory,\" after which things are fine. Referring to published fiction, if the", "and the farmhands in \"Kansas,\" and the hardship caused by the sudden tornado?", "out of the hardship, and took off in the second and third acts.", "the romancing of the high school \"science queen.\" (One purpose of the book", "the work were the \"Wizard of Oz,\" how does avoid losing ones readers", "hero about four chapters (out of 12) to pull her out of the", "and took off in the second and third acts. Another work is a", "12) to pull her out of the \"laboratory,\" after which things are fine.", "caused by the sudden tornado? Once we get to the \"land of Oz,\"", "act, and characters that were \"nothing special.\" Of course, they became \"special\" coming", "if the work were the \"Wizard of Oz,\" how does avoid losing ones", "third acts. Another work is a teen novel about the romancing of the", "the hum drum days of Dowocny's life with Aunt Em, and the farmhands", "in \"Kansas,\" and the hardship caused by the sudden tornado? Once we get", "about four chapters (out of 12) to pull her out of the \"laboratory,\"", "three act play, with a crisis and hardship in the first act, and", "\"Kansas,\" and the hardship caused by the sudden tornado? Once we get to", "the sudden tornado? Once we get to the \"land of Oz,\" I know", "two thirds of it anyway.\" Her fear was that I might lose my", "it anyway.\" Her fear was that I might lose my readers in the", "and hardship in the first act, and characters that were \"nothing special.\" Of", "they take STEM courses). It takes the hero about four chapters (out of", "might lose my readers in the first one-third of the work. The above", "Em, and the farmhands in \"Kansas,\" and the hardship caused by the sudden", "of the high school \"science queen.\" (One purpose of the book is to", "Aunt Em, and the farmhands in \"Kansas,\" and the hardship caused by the", "keep reader's attention during the first third or so of the work long", "ones readers during the hum drum days of Dowocny's life with Aunt Em,", "first act, and characters that were \"nothing special.\" Of course, they became \"special\"", "and the hardship caused by the sudden tornado? 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Referring to published fiction, if", "hardship in the first act, and characters that were \"nothing special.\" Of course,", "what to do. So how do I keep reader's attention during the first", "life with Aunt Em, and the farmhands in \"Kansas,\" and the hardship caused", "characters that were \"nothing special.\" Of course, they became \"special\" coming out of", "Oz,\" I know what to do. So how do I keep reader's attention", "were \"nothing special.\" Of course, they became \"special\" coming out of the hardship,", "acts. Another work is a teen novel about the romancing of the high", "hum drum days of Dowocny's life with Aunt Em, and the farmhands in", "first third or so of the work long enough to get to the", "of Dowocny's life with Aunt Em, and the farmhands in \"Kansas,\" and the", "hardship caused by the sudden tornado? Once we get to the \"land of", "the farmhands in \"Kansas,\" and the hardship caused by the sudden tornado? 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So how do I keep reader's", "a teen novel about the romancing of the high school \"science queen.\" (One", "to convince girls that they are still datable if they take STEM courses).", "thirds of it anyway.\" Her fear was that I might lose my readers", "romancing of the high school \"science queen.\" (One purpose of the book is", "reader of one of my works told me, \"It was very interesting, the", "was very interesting, the last two thirds of it anyway.\" Her fear was", "(One purpose of the book is to convince girls that they are still", "that they are still datable if they take STEM courses). It takes the", "was a three act play, with a crisis and hardship in the first", "Dowocny's life with Aunt Em, and the farmhands in \"Kansas,\" and the hardship", "are still datable if they take STEM courses). It takes the hero about", "chapters (out of 12) to pull her out of the \"laboratory,\" after which", "the second and third acts. Another work is a teen novel about the", "if they take STEM courses). It takes the hero about four chapters (out", "with Aunt Em, and the farmhands in \"Kansas,\" and the hardship caused by", "how does avoid losing ones readers during the hum drum days of Dowocny's", "and characters that were \"nothing special.\" Of course, they became \"special\" coming out", "hardship, and took off in the second and third acts. Another work is", "a three act play, with a crisis and hardship in the first act,", "in the first act, and characters that were \"nothing special.\" Of course, they", "pull her out of the \"laboratory,\" after which things are fine. Referring to", "works told me, \"It was very interesting, the last two thirds of it", "the \"Wizard of Oz,\" how does avoid losing ones readers during the hum", "act play, with a crisis and hardship in the first act, and characters", "how do I keep reader's attention during the first third or so of", "fear was that I might lose my readers in the first one-third of", "do. So how do I keep reader's attention during the first third or", "fine. Referring to published fiction, if the work were the \"Wizard of Oz,\"", "second and third acts. Another work is a teen novel about the romancing", "Another work is a teen novel about the romancing of the high school", "the first third or so of the work long enough to get to", "in the first one-third of the work. The above work was a three", "datable if they take STEM courses). It takes the hero about four chapters", "convince girls that they are still datable if they take STEM courses). It", "I might lose my readers in the first one-third of the work. The", "or so of the work long enough to get to the \"good stuff?\"", "still datable if they take STEM courses). It takes the hero about four", "published fiction, if the work were the \"Wizard of Oz,\" how does avoid", "of one of my works told me, \"It was very interesting, the last", "her out of the \"laboratory,\" after which things are fine. Referring to published", "that were \"nothing special.\" Of course, they became \"special\" coming out of the", "\"nothing special.\" Of course, they became \"special\" coming out of the hardship, and", "losing ones readers during the hum drum days of Dowocny's life with Aunt", "readers during the hum drum days of Dowocny's life with Aunt Em, and", "novel about the romancing of the high school \"science queen.\" (One purpose of", "days of Dowocny's life with Aunt Em, and the farmhands in \"Kansas,\" and", "A reader of one of my works told me, \"It was very interesting,", "which things are fine. Referring to published fiction, if the work were the", "readers in the first one-third of the work. The above work was a", "of the book is to convince girls that they are still datable if", "teen novel about the romancing of the high school \"science queen.\" (One purpose", "became \"special\" coming out of the hardship, and took off in the second", "off in the second and third acts. Another work is a teen novel", "of 12) to pull her out of the \"laboratory,\" after which things are", "takes the hero about four chapters (out of 12) to pull her out", "course, they became \"special\" coming out of the hardship, and took off in", "in the second and third acts. Another work is a teen novel about", "girls that they are still datable if they take STEM courses). It takes", "work. The above work was a three act play, with a crisis and", "Of course, they became \"special\" coming out of the hardship, and took off", "Oz,\" how does avoid losing ones readers during the hum drum days of", "are fine. Referring to published fiction, if the work were the \"Wizard of", "drum days of Dowocny's life with Aunt Em, and the farmhands in \"Kansas,\"", "to published fiction, if the work were the \"Wizard of Oz,\" how does", "during the hum drum days of Dowocny's life with Aunt Em, and the" ]
[ "what's left of them) has hit rock bottom. All options have been closed", "with what I have provided (so assuming there's no other hints about it),", "when it is revealed it is a great twist rather than a DXM.", "fifteen plot devices to fulfill their goals. > > > Reasoning: Now that", "the land altogether, and the fifteen plot devices are the way home. Question:", "will spread fear and dissent amongst those he now rules, while pardoning them", "There are two answers to dealing with a DXM. The first is obviously", "a great twist rather than a DXM. I recently ran into a DXM", "has recently conquered all of the land, and executing his enemies would only", "assuming it will seem like one at first no matter what I do.", "a DXM situation in my current tale. In trying to solve the problem,", "> Unfortunately, they are captured. At this point, the bad guy could easily", "it once he understands how illogical the alternative [killing the good guys] is.)", "the fifteen plot devices to fulfill their goals. > > > Reasoning: Now", "the enemy's defenses, where he holds all fifteen of the plot devices. If", "first is obviously to rework the plot, and the main conflict, so that", "bargaining power to achieve their goals. > > > Unfortunately, they are captured.", "and dissent amongst those he now rules, while pardoning them will turn him", "> > > Reasoning: Now that sounds really bad, but here's the thing:", "rules, while pardoning them will turn him into a generous benefactor among his", "going to seem like a DXM, and perhaps turn off readers? What this", "question, where I'm asking for alternative solutions to solving the main conflict. Similarly,", "he understands how illogical the alternative [killing the good guys] is.) Also note", "just one, they'll have enough bargaining power to achieve their goals. > >", "them) has hit rock bottom. All options have been closed off in their", "the plot so that seems like less of a DXM. This question is", "is a great twist rather than a DXM. I recently ran into a", "land altogether, and the fifteen plot devices are the way home. Question: Based", "conflict. Similarly, I'm not asking for advice on how to work the plot", "devices to fulfill their goals. > > > Reasoning: Now that sounds really", "been closed off in their attempts to get the plot device. In a", "he's in. There are two answers to dealing with a DXM. The first", "DXM where the alternative is illogical. I am using my own writing purely", "into a corner, and has to rely on a DXM to get him", "trying to solve the problem, I arrived at an interesting form of DXM,", "is not an inherently bad person. He's driven and very focused on keeping", "they can get even just one, they'll have enough bargaining power to achieve", "be considered a DXM, or if it would instead be a good twist.", "him into a generous benefactor among his new subjects. One final point is", "no sense to kill them. Because of this, is the sudden reversal of", "them while they were free and active, but now that they are captured", "tyrant, and doesn't want to be seen as one. He knows that executing", "here's the thing: killing the good guy makes no sense whatsoever. The good", "fear. He therefore decides instead to pardon them, and use the fifteen plot", "where the alternative is illogical. I am using my own writing purely as", "now rules, while pardoning them will turn him into a generous benefactor among", "rework the plot, and the main conflict, so that there is a way", "the villain's part simply a twist? Or is it still going to seem", "doesn't want to be seen as one. He knows that executing his enemies", "a DXM, and perhaps turn off readers? What this question is not: This", "otherwise unsolvable problem. They are often indicative of a writer who has written", "Parr attempt, they've struck at the heart of the enemy's defenses, where he", "land with peace, not fear. He is no tyrant, and doesn't want to", "how the reader sees it once he understands how illogical the alternative [killing", "recently ran into a DXM situation in my current tale. In trying to", "have been closed off in their attempts to get the plot device. In", "that's not an option, and you have to use the DXM, you have", "forced to kill them while they were free and active, but now that", "the way home. Question: Based on all this, it makes no sense to", "alternative solutions to solving the main conflict. Similarly, I'm not asking for advice", "enemy's defenses, where he holds all fifteen of the plot devices. If they", "on how to work the plot so that seems like less of a", "If they can get even just one, they'll have enough bargaining power to", "focused on keeping all fifteen plot devices, but now that he has them,", "to rule through peace, not fear. He therefore decides instead to pardon them,", "kill them. The villain has recently conquered all of the land, and executing", "antagonist is not an inherently bad person. He's driven and very focused on", "would still be considered a DXM even after it is explained. (I'm assuming", "a DXM, or if it would instead be a good twist. > >", "if this twist, as it is and with what I have provided (so", "that there is a way to solve it. If that's not an option,", "the book as to its existence, so that when it is revealed it", "peace, not fear. He therefore decides instead to pardon them, and use the", "not an inherently bad person. He's driven and very focused on keeping all", "makes no sense to kill them. Because of this, is the sudden reversal", "would still be considered a DXM, or if it would instead be a", "might have been forced to kill them while they were free and active,", "> > Reasoning: Now that sounds really bad, but here's the thing: killing", "this point, the bad guy could easily execute them. And this is where", "also conveniently gets rid of them: they in fact desire to leave the", "still be considered a DXM, or if it would instead be a good", "He wishes to rule through peace, not fear. He therefore decides instead to", "with a DXM where the alternative is illogical. I am using my own", "kill them while they were free and active, but now that they are", "of a writer who has written himself into a corner, and has to", "they are captured and right in front of him, there's no point. This", "sense to kill them. Because of this, is the sudden reversal of attitude", "have enough bargaining power to achieve their goals. > > > Unfortunately, they", "the alternative [killing the good guys] is.) Also note that this question can", "them. Because of this, is the sudden reversal of attitude on the villain's", "how illogical the alternative [killing the good guys] is.) Also note that this", "would only inspire fear in his new subjects. He wishes to rule through", "whatsoever. The good guy and his companions were never much of a threat", "what I have provided (so assuming there's no other hints about it), would", "solve it. If that's not an option, and you have to use the", "I do. It comes down to how the reader sees it once he", "to rework the plot, and the main conflict, so that there is a", "fifteen of the plot devices. If they can get even just one, they'll", "is where the DXM comes in. > > > Lo! The villain doesn't", "fifteen plot devices are the way home. Question: Based on all this, it", "in fact desire to leave the land altogether, and the fifteen plot devices", "as one. He knows that executing his enemies will spread fear and dissent", "written himself into a corner, and has to rely on a DXM to", "dealing with a DXM. The first is obviously to rework the plot, and", "rather than a DXM. I recently ran into a DXM situation in my", "and very focused on keeping all fifteen plot devices, but now that he", "peace, not fear. He is no tyrant, and doesn't want to be seen", "himself into a corner, and has to rely on a DXM to get", "conflict, so that there is a way to solve it. If that's not", "their attempts to get the plot device. In a hail Parr attempt, they've", "is that granting the goals of the good guy and his companions also", "it would instead be a good twist. > > The good guy and", "or if it would instead be a good twist. > > The good", "The first is obviously to rework the plot, and the main conflict, so", "least what's left of them) has hit rock bottom. All options have been", "a threat to the antagonist. He might have been forced to kill them", "Lo! The villain doesn't want to kill them. The villain has recently conquered", "to spread clues throughout the book as to its existence, so that when", "and unexpected solution arriving out of nowhere to save an otherwise unsolvable problem.", "turn off readers? What this question is not: This is not a 'how", "enemies would only inspire fear in his new subjects. He wishes to rule", "all of the land, and executing his enemies would only inspire fear in", "to how the reader sees it once he understands how illogical the alternative", "is no tyrant, and doesn't want to be seen as one. He knows", "his enemies would only inspire fear in his new subjects. He wishes to", "no matter what I do. It comes down to how the reader sees", "do. It comes down to how the reader sees it once he understands", "captured and right in front of him, there's no point. This antagonist is", "get the plot device. In a hail Parr attempt, they've struck at the", "And this is where the DXM comes in. > > > Lo! The", "will seem like one at first no matter what I do. It comes", "once he understands how illogical the alternative [killing the good guys] is.) Also", "Question: Based on all this, it makes no sense to kill them. Because", "plot devices. If they can get even just one, they'll have enough bargaining", "comes in. > > > Lo! The villain doesn't want to kill them.", "not asking for advice on how to work the plot so that seems", "explained. (I'm assuming it will seem like one at first no matter what", "my current tale. In trying to solve the problem, I arrived at an", "twist. > > The good guy and his band of faithful followers (at", "his new land with peace, not fear. He is no tyrant, and doesn't", "is the sudden reversal of attitude on the villain's part simply a twist?", "as to its existence, so that when it is revealed it is a", "seem like a DXM, and perhaps turn off readers? What this question is", "problem, I arrived at an interesting form of DXM, and was curious if", "All options have been closed off in their attempts to get the plot", "to rely on a DXM to get him out of the pickle he's", "executing his enemies will spread fear and dissent amongst those he now rules,", "to leave the land altogether, and the fifteen plot devices are the way", "holds all fifteen of the plot devices. If they can get even just", "for advice on how to work the plot so that seems like less", "to avoid Deus Ex Machinas - meaning to me a sudden and unexpected", "his band of faithful followers (at least what's left of them) has hit", "use the DXM, you have to spread clues throughout the book as to", "get him out of the pickle he's in. There are two answers to", "they are captured. At this point, the bad guy could easily execute them.", "existence, so that when it is revealed it is a great twist rather", "its existence, so that when it is revealed it is a great twist", "He is no tyrant, and doesn't want to be seen as one. He", "DXM. The first is obviously to rework the plot, and the main conflict,", "asking for alternative solutions to solving the main conflict. Similarly, I'm not asking", "can easily help other writers with a DXM where the alternative is illogical.", "faithful followers (at least what's left of them) has hit rock bottom. All", "I arrived at an interesting form of DXM, and was curious if it", "on using them to rule his new land with peace, not fear. He", "devices, but now that he has them, he is intent on using them", "arriving out of nowhere to save an otherwise unsolvable problem. They are often", "fifteen plot devices, but now that he has them, he is intent on", "unsolvable problem. They are often indicative of a writer who has written himself", "through peace, not fear. He therefore decides instead to pardon them, and use", "his companions also conveniently gets rid of them: they in fact desire to", "question can easily help other writers with a DXM where the alternative is", "> > Lo! The villain doesn't want to kill them. The villain has", "(I'm assuming it will seem like one at first no matter what I", "were never much of a threat to the antagonist. He might have been", "> > Unfortunately, they are captured. At this point, the bad guy could", "the thing: killing the good guy makes no sense whatsoever. The good guy", "often indicative of a writer who has written himself into a corner, and", "asking if this twist, as it is and with what I have provided", "final point is that granting the goals of the good guy and his", "tale. In trying to solve the problem, I arrived at an interesting form", "DXM, and perhaps turn off readers? What this question is not: This is", "book as to its existence, so that when it is revealed it is", "not fear. He therefore decides instead to pardon them, and use the fifteen", "generous benefactor among his new subjects. One final point is that granting the", "ran into a DXM situation in my current tale. In trying to solve", "all fifteen plot devices, but now that he has them, he is intent", "revealed it is a great twist rather than a DXM. I recently ran", "now that he has them, he is intent on using them to rule", "no tyrant, and doesn't want to be seen as one. He knows that", "sense whatsoever. The good guy and his companions were never much of a", "his new subjects. One final point is that granting the goals of the", "he has them, he is intent on using them to rule his new", "they've struck at the heart of the enemy's defenses, where he holds all", "DXM to get him out of the pickle he's in. There are two", "DXM even after it is explained. (I'm assuming it will seem like one", "at the heart of the enemy's defenses, where he holds all fifteen of", "on keeping all fifteen plot devices, but now that he has them, he", "enemies will spread fear and dissent amongst those he now rules, while pardoning", "and with what I have provided (so assuming there's no other hints about", "good guy makes no sense whatsoever. The good guy and his companions were", "while pardoning them will turn him into a generous benefactor among his new", "and perhaps turn off readers? What this question is not: This is not", "are the way home. Question: Based on all this, it makes no sense", "after it is explained. (I'm assuming it will seem like one at first", "matter what I do. It comes down to how the reader sees it", "defenses, where he holds all fifteen of the plot devices. If they can", "right in front of him, there's no point. This antagonist is not an", "point. This antagonist is not an inherently bad person. He's driven and very", "rid of them: they in fact desire to leave the land altogether, and", "where he holds all fifteen of the plot devices. If they can get", "the reader sees it once he understands how illogical the alternative [killing the", "the sudden reversal of attitude on the villain's part simply a twist? Or", "no point. This antagonist is not an inherently bad person. He's driven and", "other hints about it), would still be considered a DXM even after it", "an interesting form of DXM, and was curious if it would still be", "person. He's driven and very focused on keeping all fifteen plot devices, but", "DXM comes in. > > > Lo! The villain doesn't want to kill", "arrived at an interesting form of DXM, and was curious if it would", "fear. He is no tyrant, and doesn't want to be seen as one.", "what I do. It comes down to how the reader sees it once", "throughout the book as to its existence, so that when it is revealed", "a DXM. This question is asking if this twist, as it is and", "sudden reversal of attitude on the villain's part simply a twist? Or is", "the alternative is illogical. I am using my own writing purely as an", "At this point, the bad guy could easily execute them. And this is", "They are often indicative of a writer who has written himself into a", "were free and active, but now that they are captured and right in", "be seen as one. He knows that executing his enemies will spread fear", "subjects. He wishes to rule through peace, not fear. He therefore decides instead", "even just one, they'll have enough bargaining power to achieve their goals. >", "his enemies will spread fear and dissent amongst those he now rules, while", "that he has them, he is intent on using them to rule his", "save an otherwise unsolvable problem. They are often indicative of a writer who", "has them, he is intent on using them to rule his new land", "In a hail Parr attempt, they've struck at the heart of the enemy's", "to be seen as one. He knows that executing his enemies will spread", "instead to pardon them, and use the fifteen plot devices to fulfill their", "the fifteen plot devices are the way home. Question: Based on all this,", "to dealing with a DXM. The first is obviously to rework the plot,", "is revealed it is a great twist rather than a DXM. I recently", "plot devices are the way home. Question: Based on all this, it makes", "situation in my current tale. In trying to solve the problem, I arrived", "easily execute them. And this is where the DXM comes in. > >", "seem like one at first no matter what I do. It comes down", "pickle he's in. There are two answers to dealing with a DXM. The", "never much of a threat to the antagonist. He might have been forced", "rock bottom. All options have been closed off in their attempts to get", "of DXM, and was curious if it would still be considered a DXM,", "I recently ran into a DXM situation in my current tale. In trying", "Now that sounds really bad, but here's the thing: killing the good guy", "that when it is revealed it is a great twist rather than a", "of them: they in fact desire to leave the land altogether, and the", "two answers to dealing with a DXM. The first is obviously to rework", "an option, and you have to use the DXM, you have to spread", "He therefore decides instead to pardon them, and use the fifteen plot devices", "in front of him, there's no point. This antagonist is not an inherently", "and executing his enemies would only inspire fear in his new subjects. He", "no other hints about it), would still be considered a DXM even after", "to kill them. Because of this, is the sudden reversal of attitude on", "it is revealed it is a great twist rather than a DXM. I", "subjects. One final point is that granting the goals of the good guy", "you have to use the DXM, you have to spread clues throughout the", "seems like less of a DXM. This question is asking if this twist,", "I'm asking for alternative solutions to solving the main conflict. Similarly, I'm not", "question is asking if this twist, as it is and with what I", "free and active, but now that they are captured and right in front", "down to how the reader sees it once he understands how illogical the", "keeping all fifteen plot devices, but now that he has them, he is", "to save an otherwise unsolvable problem. They are often indicative of a writer", "help other writers with a DXM where the alternative is illogical. I am", "good twist. > > The good guy and his band of faithful followers", "left of them) has hit rock bottom. All options have been closed off", "note that this question can easily help other writers with a DXM where", "point, the bad guy could easily execute them. And this is where the", "guy and his companions were never much of a threat to the antagonist.", "fear in his new subjects. He wishes to rule through peace, not fear.", "guy could easily execute them. And this is where the DXM comes in.", "to solve the problem, I arrived at an interesting form of DXM, and", "granting the goals of the good guy and his companions also conveniently gets", "and you have to use the DXM, you have to spread clues throughout", "in my current tale. In trying to solve the problem, I arrived at", "companions also conveniently gets rid of them: they in fact desire to leave", "the bad guy could easily execute them. And this is where the DXM", "DXM, and was curious if it would still be considered a DXM, or", "it. If that's not an option, and you have to use the DXM,", "leave the land altogether, and the fifteen plot devices are the way home.", "still going to seem like a DXM, and perhaps turn off readers? What", "is not a 'how to write' question, where I'm asking for alternative solutions", "all fifteen of the plot devices. If they can get even just one,", "kill them. Because of this, is the sudden reversal of attitude on the", "This question is asking if this twist, as it is and with what", "not fear. He is no tyrant, and doesn't want to be seen as", "to solve it. If that's not an option, and you have to use", "can get even just one, they'll have enough bargaining power to achieve their", "a DXM even after it is explained. (I'm assuming it will seem like", "active, but now that they are captured and right in front of him,", "would instead be a good twist. > > The good guy and his", "closed off in their attempts to get the plot device. In a hail", "attitude on the villain's part simply a twist? Or is it still going", "In trying to solve the problem, I arrived at an interesting form of", "- meaning to me a sudden and unexpected solution arriving out of nowhere", "not an option, and you have to use the DXM, you have to", "and active, but now that they are captured and right in front of", "so that seems like less of a DXM. This question is asking if", "all this, it makes no sense to kill them. Because of this, is", "plot devices to fulfill their goals. > > > Reasoning: Now that sounds", "much of a threat to the antagonist. He might have been forced to", "into a DXM situation in my current tale. In trying to solve the", "but here's the thing: killing the good guy makes no sense whatsoever. The", "options have been closed off in their attempts to get the plot device.", "attempt, they've struck at the heart of the enemy's defenses, where he holds", "there is a way to solve it. If that's not an option, and", "know to avoid Deus Ex Machinas - meaning to me a sudden and", "those he now rules, while pardoning them will turn him into a generous", "first no matter what I do. It comes down to how the reader", "provided (so assuming there's no other hints about it), would still be considered", "has hit rock bottom. All options have been closed off in their attempts", "than a DXM. I recently ran into a DXM situation in my current", "Reasoning: Now that sounds really bad, but here's the thing: killing the good", "but now that they are captured and right in front of him, there's", "execute them. And this is where the DXM comes in. > > >", "> The good guy and his band of faithful followers (at least what's", "be a good twist. > > The good guy and his band of", "their goals. > > > Reasoning: Now that sounds really bad, but here's", "to kill them while they were free and active, but now that they", "of this, is the sudden reversal of attitude on the villain's part simply", "writers with a DXM where the alternative is illogical. I am using my", "benefactor among his new subjects. One final point is that granting the goals", "devices. If they can get even just one, they'll have enough bargaining power", "to work the plot so that seems like less of a DXM. This", "understands how illogical the alternative [killing the good guys] is.) Also note that", "pardoning them will turn him into a generous benefactor among his new subjects.", "have been forced to kill them while they were free and active, but", "a DXM to get him out of the pickle he's in. There are", "sees it once he understands how illogical the alternative [killing the good guys]", "to me a sudden and unexpected solution arriving out of nowhere to save", "and the main conflict, so that there is a way to solve it.", "> Lo! The villain doesn't want to kill them. The villain has recently", "not a 'how to write' question, where I'm asking for alternative solutions to", "spread clues throughout the book as to its existence, so that when it", "heart of the enemy's defenses, where he holds all fifteen of the plot", "is asking if this twist, as it is and with what I have", "if it would instead be a good twist. > > The good guy", "guy and his band of faithful followers (at least what's left of them)", "good guys] is.) Also note that this question can easily help other writers", "really bad, but here's the thing: killing the good guy makes no sense", "considered a DXM even after it is explained. (I'm assuming it will seem", "doesn't want to kill them. The villain has recently conquered all of the", "good guy and his companions also conveniently gets rid of them: they in", "of them) has hit rock bottom. All options have been closed off in", "villain's part simply a twist? Or is it still going to seem like", "are often indicative of a writer who has written himself into a corner,", "who has written himself into a corner, and has to rely on a", "Or is it still going to seem like a DXM, and perhaps turn", "is intent on using them to rule his new land with peace, not", "twist? Or is it still going to seem like a DXM, and perhaps", "One final point is that granting the goals of the good guy and", "plot so that seems like less of a DXM. This question is asking", "where I'm asking for alternative solutions to solving the main conflict. Similarly, I'm", "Unfortunately, they are captured. At this point, the bad guy could easily execute", "(so assuming there's no other hints about it), would still be considered a", "new subjects. He wishes to rule through peace, not fear. He therefore decides", "it), would still be considered a DXM even after it is explained. (I'm", "it is and with what I have provided (so assuming there's no other", "has to rely on a DXM to get him out of the pickle", "have provided (so assuming there's no other hints about it), would still be", "to its existence, so that when it is revealed it is a great", "to get him out of the pickle he's in. There are two answers", "this twist, as it is and with what I have provided (so assuming", "Also note that this question can easily help other writers with a DXM", "Deus Ex Machinas - meaning to me a sudden and unexpected solution arriving", "this question can easily help other writers with a DXM where the alternative", "I have provided (so assuming there's no other hints about it), would still", "so that there is a way to solve it. If that's not an", "front of him, there's no point. This antagonist is not an inherently bad", "his companions were never much of a threat to the antagonist. He might", "Background: I know to avoid Deus Ex Machinas - meaning to me a", "band of faithful followers (at least what's left of them) has hit rock", "the heart of the enemy's defenses, where he holds all fifteen of the", "answers to dealing with a DXM. The first is obviously to rework the", "Ex Machinas - meaning to me a sudden and unexpected solution arriving out", "solving the main conflict. Similarly, I'm not asking for advice on how to", "them will turn him into a generous benefactor among his new subjects. One", "and right in front of him, there's no point. This antagonist is not", "you have to spread clues throughout the book as to its existence, so", "question is not: This is not a 'how to write' question, where I'm", "good guy and his band of faithful followers (at least what's left of", "device. In a hail Parr attempt, they've struck at the heart of the", "altogether, and the fifteen plot devices are the way home. Question: Based on", "illogical the alternative [killing the good guys] is.) Also note that this question", "threat to the antagonist. He might have been forced to kill them while", "and doesn't want to be seen as one. He knows that executing his", "indicative of a writer who has written himself into a corner, and has", "DXM, or if it would instead be a good twist. > > The", "now that they are captured and right in front of him, there's no", "advice on how to work the plot so that seems like less of", "reader sees it once he understands how illogical the alternative [killing the good", "the DXM, you have to spread clues throughout the book as to its", "The villain doesn't want to kill them. The villain has recently conquered all", "a twist? Or is it still going to seem like a DXM, and", "and was curious if it would still be considered a DXM, or if", "this question is not: This is not a 'how to write' question, where", "driven and very focused on keeping all fifteen plot devices, but now that", "about it), would still be considered a DXM even after it is explained.", "to use the DXM, you have to spread clues throughout the book as", "and has to rely on a DXM to get him out of the", "considered a DXM, or if it would instead be a good twist. >", "seen as one. He knows that executing his enemies will spread fear and", "still be considered a DXM even after it is explained. (I'm assuming it", "he is intent on using them to rule his new land with peace,", "is obviously to rework the plot, and the main conflict, so that there", "part simply a twist? Or is it still going to seem like a", "it would still be considered a DXM, or if it would instead be", "'how to write' question, where I'm asking for alternative solutions to solving the", "guys] is.) Also note that this question can easily help other writers with", "it will seem like one at first no matter what I do. It", "of a threat to the antagonist. He might have been forced to kill", "solutions to solving the main conflict. Similarly, I'm not asking for advice on", "great twist rather than a DXM. I recently ran into a DXM situation", "to pardon them, and use the fifteen plot devices to fulfill their goals.", "among his new subjects. One final point is that granting the goals of", "alternative [killing the good guys] is.) Also note that this question can easily", "fact desire to leave the land altogether, and the fifteen plot devices are", "power to achieve their goals. > > > Unfortunately, they are captured. At", "them. And this is where the DXM comes in. > > > Lo!", "sounds really bad, but here's the thing: killing the good guy makes no", "with a DXM. The first is obviously to rework the plot, and the", "this, is the sudden reversal of attitude on the villain's part simply a", "off readers? What this question is not: This is not a 'how to", "pardon them, and use the fifteen plot devices to fulfill their goals. >", "is not: This is not a 'how to write' question, where I'm asking", "rely on a DXM to get him out of the pickle he's in.", "was curious if it would still be considered a DXM, or if it", "hit rock bottom. All options have been closed off in their attempts to", "been forced to kill them while they were free and active, but now", "spread fear and dissent amongst those he now rules, while pardoning them will", "obviously to rework the plot, and the main conflict, so that there is", "it is explained. (I'm assuming it will seem like one at first no", "the antagonist. He might have been forced to kill them while they were", "there's no other hints about it), would still be considered a DXM even", "unexpected solution arriving out of nowhere to save an otherwise unsolvable problem. They", "gets rid of them: they in fact desire to leave the land altogether,", "perhaps turn off readers? What this question is not: This is not a", "an otherwise unsolvable problem. They are often indicative of a writer who has", "killing the good guy makes no sense whatsoever. The good guy and his", "a writer who has written himself into a corner, and has to rely", "desire to leave the land altogether, and the fifteen plot devices are the", "> Reasoning: Now that sounds really bad, but here's the thing: killing the", "his new subjects. He wishes to rule through peace, not fear. He therefore", "to fulfill their goals. > > > Reasoning: Now that sounds really bad,", "inherently bad person. He's driven and very focused on keeping all fifteen plot", "attempts to get the plot device. In a hail Parr attempt, they've struck", "What this question is not: This is not a 'how to write' question,", "twist, as it is and with what I have provided (so assuming there's", "guy and his companions also conveniently gets rid of them: they in fact", "it makes no sense to kill them. Because of this, is the sudden", "off in their attempts to get the plot device. In a hail Parr", "into a generous benefactor among his new subjects. One final point is that", "goals. > > > Reasoning: Now that sounds really bad, but here's the", "be considered a DXM even after it is explained. (I'm assuming it will", "them. The villain has recently conquered all of the land, and executing his", "that they are captured and right in front of him, there's no point.", "new subjects. One final point is that granting the goals of the good", "comes down to how the reader sees it once he understands how illogical", "but now that he has them, he is intent on using them to", "of the pickle he's in. There are two answers to dealing with a", "at first no matter what I do. It comes down to how the", "problem. They are often indicative of a writer who has written himself into", "meaning to me a sudden and unexpected solution arriving out of nowhere to", "He's driven and very focused on keeping all fifteen plot devices, but now", "Similarly, I'm not asking for advice on how to work the plot so", "at an interesting form of DXM, and was curious if it would still", "even after it is explained. (I'm assuming it will seem like one at", "The good guy and his band of faithful followers (at least what's left", "clues throughout the book as to its existence, so that when it is", "and use the fifteen plot devices to fulfill their goals. > > >", "a DXM where the alternative is illogical. I am using my own writing", "this, it makes no sense to kill them. Because of this, is the", "hail Parr attempt, they've struck at the heart of the enemy's defenses, where", "that sounds really bad, but here's the thing: killing the good guy makes", "solve the problem, I arrived at an interesting form of DXM, and was", "like a DXM, and perhaps turn off readers? What this question is not:", "him, there's no point. This antagonist is not an inherently bad person. He's", "rule his new land with peace, not fear. He is no tyrant, and", "them, he is intent on using them to rule his new land with", "knows that executing his enemies will spread fear and dissent amongst those he", "easily help other writers with a DXM where the alternative is illogical. I", "goals. > > > Unfortunately, they are captured. At this point, the bad", "main conflict, so that there is a way to solve it. If that's", "they were free and active, but now that they are captured and right", "it is a great twist rather than a DXM. I recently ran into", "wishes to rule through peace, not fear. He therefore decides instead to pardon", "in. > > > Lo! The villain doesn't want to kill them. The", "DXM. This question is asking if this twist, as it is and with", "[killing the good guys] is.) Also note that this question can easily help", "out of nowhere to save an otherwise unsolvable problem. They are often indicative", "fulfill their goals. > > > Reasoning: Now that sounds really bad, but", "it still going to seem like a DXM, and perhaps turn off readers?", "of faithful followers (at least what's left of them) has hit rock bottom.", "corner, and has to rely on a DXM to get him out of", "of the plot devices. If they can get even just one, they'll have", "there's no point. This antagonist is not an inherently bad person. He's driven", "asking for advice on how to work the plot so that seems like", "> > > Unfortunately, they are captured. At this point, the bad guy", "guy makes no sense whatsoever. The good guy and his companions were never", "curious if it would still be considered a DXM, or if it would", "for alternative solutions to solving the main conflict. Similarly, I'm not asking for", "avoid Deus Ex Machinas - meaning to me a sudden and unexpected solution", "of him, there's no point. This antagonist is not an inherently bad person.", "not: This is not a 'how to write' question, where I'm asking for", "a sudden and unexpected solution arriving out of nowhere to save an otherwise", "good guy and his companions were never much of a threat to the", "This antagonist is not an inherently bad person. He's driven and very focused", "It comes down to how the reader sees it once he understands how", "land, and executing his enemies would only inspire fear in his new subjects.", "on all this, it makes no sense to kill them. Because of this,", "way home. Question: Based on all this, it makes no sense to kill", "them to rule his new land with peace, not fear. He is no", "This is not a 'how to write' question, where I'm asking for alternative", "intent on using them to rule his new land with peace, not fear.", "have to use the DXM, you have to spread clues throughout the book", "that executing his enemies will spread fear and dissent amongst those he now", "conveniently gets rid of them: they in fact desire to leave the land", "to seem like a DXM, and perhaps turn off readers? What this question", "reversal of attitude on the villain's part simply a twist? Or is it", "executing his enemies would only inspire fear in his new subjects. He wishes", "bad, but here's the thing: killing the good guy makes no sense whatsoever.", "a 'how to write' question, where I'm asking for alternative solutions to solving", "He knows that executing his enemies will spread fear and dissent amongst those", "point is that granting the goals of the good guy and his companions", "I know to avoid Deus Ex Machinas - meaning to me a sudden", "decides instead to pardon them, and use the fifteen plot devices to fulfill", "very focused on keeping all fifteen plot devices, but now that he has", "in their attempts to get the plot device. In a hail Parr attempt,", "the plot device. In a hail Parr attempt, they've struck at the heart", "instead be a good twist. > > The good guy and his band", "option, and you have to use the DXM, you have to spread clues", "of nowhere to save an otherwise unsolvable problem. They are often indicative of", "want to kill them. The villain has recently conquered all of the land,", "> > The good guy and his band of faithful followers (at least", "companions were never much of a threat to the antagonist. He might have", "is.) Also note that this question can easily help other writers with a", "other writers with a DXM where the alternative is illogical. I am using", "the main conflict. Similarly, I'm not asking for advice on how to work", "sudden and unexpected solution arriving out of nowhere to save an otherwise unsolvable", "villain has recently conquered all of the land, and executing his enemies would", "Because of this, is the sudden reversal of attitude on the villain's part", "like one at first no matter what I do. It comes down to", "current tale. In trying to solve the problem, I arrived at an interesting", "on the villain's part simply a twist? Or is it still going to", "achieve their goals. > > > Unfortunately, they are captured. At this point,", "that seems like less of a DXM. This question is asking if this", "amongst those he now rules, while pardoning them will turn him into a", "a corner, and has to rely on a DXM to get him out", "thing: killing the good guy makes no sense whatsoever. The good guy and", "to write' question, where I'm asking for alternative solutions to solving the main", "hints about it), would still be considered a DXM even after it is", "so that when it is revealed it is a great twist rather than", "the goals of the good guy and his companions also conveniently gets rid", "dissent amongst those he now rules, while pardoning them will turn him into", "recently conquered all of the land, and executing his enemies would only inspire", "an inherently bad person. He's driven and very focused on keeping all fifteen", "alternative is illogical. I am using my own writing purely as an example.", "and his band of faithful followers (at least what's left of them) has", "less of a DXM. This question is asking if this twist, as it", "and his companions also conveniently gets rid of them: they in fact desire", "way to solve it. If that's not an option, and you have to", "antagonist. He might have been forced to kill them while they were free", "they'll have enough bargaining power to achieve their goals. > > > Unfortunately,", "is it still going to seem like a DXM, and perhaps turn off", "form of DXM, and was curious if it would still be considered a", "solution arriving out of nowhere to save an otherwise unsolvable problem. They are", "them, and use the fifteen plot devices to fulfill their goals. > >", "bad person. He's driven and very focused on keeping all fifteen plot devices,", "is a way to solve it. If that's not an option, and you", "as it is and with what I have provided (so assuming there's no", "struck at the heart of the enemy's defenses, where he holds all fifteen", "of attitude on the villain's part simply a twist? Or is it still", "write' question, where I'm asking for alternative solutions to solving the main conflict.", "to achieve their goals. > > > Unfortunately, they are captured. At this", "Machinas - meaning to me a sudden and unexpected solution arriving out of", "this is where the DXM comes in. > > > Lo! The villain", "that granting the goals of the good guy and his companions also conveniently", "and the fifteen plot devices are the way home. Question: Based on all", "to get the plot device. In a hail Parr attempt, they've struck at", "of a DXM. This question is asking if this twist, as it is", "a DXM. I recently ran into a DXM situation in my current tale.", "is explained. (I'm assuming it will seem like one at first no matter", "goals of the good guy and his companions also conveniently gets rid of", "If that's not an option, and you have to use the DXM, you", "and his companions were never much of a threat to the antagonist. He", "using them to rule his new land with peace, not fear. He is", "writer who has written himself into a corner, and has to rely on", "to solving the main conflict. Similarly, I'm not asking for advice on how", "will turn him into a generous benefactor among his new subjects. One final", "the good guy and his companions also conveniently gets rid of them: they", "followers (at least what's left of them) has hit rock bottom. All options", "plot device. In a hail Parr attempt, they've struck at the heart of", "the good guys] is.) Also note that this question can easily help other", "are captured and right in front of him, there's no point. This antagonist", "want to be seen as one. He knows that executing his enemies will", "the good guy makes no sense whatsoever. The good guy and his companions", "are captured. At this point, the bad guy could easily execute them. And", "The good guy and his companions were never much of a threat to", "DXM situation in my current tale. In trying to solve the problem, I", "with peace, not fear. He is no tyrant, and doesn't want to be", "of the good guy and his companions also conveniently gets rid of them:", "they in fact desire to leave the land altogether, and the fifteen plot", "that this question can easily help other writers with a DXM where the", "home. Question: Based on all this, it makes no sense to kill them.", "turn him into a generous benefactor among his new subjects. One final point", "could easily execute them. And this is where the DXM comes in. >", "simply a twist? Or is it still going to seem like a DXM,", "the plot, and the main conflict, so that there is a way to", "the pickle he's in. There are two answers to dealing with a DXM.", "DXM. I recently ran into a DXM situation in my current tale. In", "the problem, I arrived at an interesting form of DXM, and was curious", "their goals. > > > Unfortunately, they are captured. At this point, the", "only inspire fear in his new subjects. He wishes to rule through peace,", "The villain has recently conquered all of the land, and executing his enemies", "has written himself into a corner, and has to rely on a DXM", "plot, and the main conflict, so that there is a way to solve", "the DXM comes in. > > > Lo! The villain doesn't want to", "rule through peace, not fear. He therefore decides instead to pardon them, and", "to the antagonist. He might have been forced to kill them while they", "a generous benefactor among his new subjects. One final point is that granting", "conquered all of the land, and executing his enemies would only inspire fear", "devices are the way home. Question: Based on all this, it makes no", "while they were free and active, but now that they are captured and", "one at first no matter what I do. It comes down to how", "in. There are two answers to dealing with a DXM. The first is", "in his new subjects. He wishes to rule through peace, not fear. He", "of the enemy's defenses, where he holds all fifteen of the plot devices.", "nowhere to save an otherwise unsolvable problem. They are often indicative of a", "new land with peace, not fear. He is no tyrant, and doesn't want", "bad guy could easily execute them. And this is where the DXM comes", "inspire fear in his new subjects. He wishes to rule through peace, not", "I'm not asking for advice on how to work the plot so that", "on a DXM to get him out of the pickle he's in. There", "(at least what's left of them) has hit rock bottom. All options have", "assuming there's no other hints about it), would still be considered a DXM", "of the land, and executing his enemies would only inspire fear in his", "the main conflict, so that there is a way to solve it. If", "me a sudden and unexpected solution arriving out of nowhere to save an", "main conflict. Similarly, I'm not asking for advice on how to work the", "work the plot so that seems like less of a DXM. This question", "is and with what I have provided (so assuming there's no other hints", "villain doesn't want to kill them. The villain has recently conquered all of", "them: they in fact desire to leave the land altogether, and the fifteen", "the plot devices. If they can get even just one, they'll have enough", "enough bargaining power to achieve their goals. > > > Unfortunately, they are", "one. He knows that executing his enemies will spread fear and dissent amongst", "therefore decides instead to pardon them, and use the fifteen plot devices to", "interesting form of DXM, and was curious if it would still be considered", "twist rather than a DXM. I recently ran into a DXM situation in", "makes no sense whatsoever. The good guy and his companions were never much", "fear and dissent amongst those he now rules, while pardoning them will turn", "a hail Parr attempt, they've struck at the heart of the enemy's defenses,", "bottom. All options have been closed off in their attempts to get the", "a good twist. > > The good guy and his band of faithful", "a way to solve it. If that's not an option, and you have", "DXM, you have to spread clues throughout the book as to its existence,", "one, they'll have enough bargaining power to achieve their goals. > > >", "him out of the pickle he's in. There are two answers to dealing", "where the DXM comes in. > > > Lo! The villain doesn't want", "to kill them. The villain has recently conquered all of the land, and", "captured. At this point, the bad guy could easily execute them. And this", "how to work the plot so that seems like less of a DXM.", "a DXM. The first is obviously to rework the plot, and the main", "are two answers to dealing with a DXM. The first is obviously to", "out of the pickle he's in. There are two answers to dealing with", "no sense whatsoever. The good guy and his companions were never much of", "use the fifteen plot devices to fulfill their goals. > > > Reasoning:", "the land, and executing his enemies would only inspire fear in his new", "He might have been forced to kill them while they were free and", "if it would still be considered a DXM, or if it would instead", "Based on all this, it makes no sense to kill them. Because of", "plot devices, but now that he has them, he is intent on using", "he now rules, while pardoning them will turn him into a generous benefactor", "get even just one, they'll have enough bargaining power to achieve their goals.", "> > > Lo! The villain doesn't want to kill them. The villain", "have to spread clues throughout the book as to its existence, so that", "to rule his new land with peace, not fear. He is no tyrant,", "like less of a DXM. This question is asking if this twist, as", "readers? What this question is not: This is not a 'how to write'", "he holds all fifteen of the plot devices. If they can get even" ]
[ "is very devious, and he has had hostile intentions previously towards the protagonists", "avoid turning my protagonist into an antagonist? Are there any foreseeable problems with", "protagonist into an antagonist? Are there any foreseeable problems with this? Will this", "my other protagonists (from my other series). My question: Should I avoid turning", "he has had hostile intentions previously towards the protagonists of the other series.", "the dark side and oppose my other protagonists (from my other series). My", "to make him turn to the dark side and oppose my other protagonists", "(in response to comments and answers): I should've mentioned this before, but it's", "Should I avoid turning my protagonist into an antagonist? Are there any foreseeable", "(from my other series). My question: Should I avoid turning my protagonist into", "Thanks! EDIT (in response to comments and answers): I should've mentioned this before,", "mentioned this before, but it's clear in his series that the protagonist-turned-antagonist is", "this be a problem for readers? Any tips or tricks to handle this?", "good guy in one of my series. However, in my final series, I", "one of my series. However, in my final series, I intend to make", "my other series). My question: Should I avoid turning my protagonist into an", "Will this be a problem for readers? Any tips or tricks to handle", "who I set up as a 'main' good guy in one of my", "but it's clear in his series that the protagonist-turned-antagonist is very devious, and", "intend to make him turn to the dark side and oppose my other", "be a problem for readers? Any tips or tricks to handle this? Thanks!", "any foreseeable problems with this? Will this be a problem for readers? Any", "that the protagonist-turned-antagonist is very devious, and he has had hostile intentions previously", "an antagonist? Are there any foreseeable problems with this? Will this be a", "him turn to the dark side and oppose my other protagonists (from my", "I should've mentioned this before, but it's clear in his series that the", "should've mentioned this before, but it's clear in his series that the protagonist-turned-antagonist", "my final series, I intend to make him turn to the dark side", "Essentially, I have a protagonist who I set up as a 'main' good", "make him turn to the dark side and oppose my other protagonists (from", "it's clear in his series that the protagonist-turned-antagonist is very devious, and he", "and oppose my other protagonists (from my other series). My question: Should I", "up as a 'main' good guy in one of my series. However, in", "a problem for readers? Any tips or tricks to handle this? Thanks! EDIT", "into an antagonist? Are there any foreseeable problems with this? Will this be", "response to comments and answers): I should've mentioned this before, but it's clear", "EDIT (in response to comments and answers): I should've mentioned this before, but", "guy in one of my series. However, in my final series, I intend", "I intend to make him turn to the dark side and oppose my", "oppose my other protagonists (from my other series). My question: Should I avoid", "tips or tricks to handle this? Thanks! EDIT (in response to comments and", "a 'main' good guy in one of my series. However, in my final", "dark side and oppose my other protagonists (from my other series). My question:", "turning my protagonist into an antagonist? Are there any foreseeable problems with this?", "However, in my final series, I intend to make him turn to the", "I set up as a 'main' good guy in one of my series.", "there any foreseeable problems with this? Will this be a problem for readers?", "to the dark side and oppose my other protagonists (from my other series).", "side and oppose my other protagonists (from my other series). My question: Should", "for readers? Any tips or tricks to handle this? Thanks! EDIT (in response", "to handle this? Thanks! EDIT (in response to comments and answers): I should've", "other protagonists (from my other series). My question: Should I avoid turning my", "turn to the dark side and oppose my other protagonists (from my other", "have a protagonist who I set up as a 'main' good guy in", "before, but it's clear in his series that the protagonist-turned-antagonist is very devious,", "comments and answers): I should've mentioned this before, but it's clear in his", "tricks to handle this? Thanks! EDIT (in response to comments and answers): I", "clear in his series that the protagonist-turned-antagonist is very devious, and he has", "My question: Should I avoid turning my protagonist into an antagonist? Are there", "answers): I should've mentioned this before, but it's clear in his series that", "I avoid turning my protagonist into an antagonist? Are there any foreseeable problems", "'main' good guy in one of my series. However, in my final series,", "a protagonist who I set up as a 'main' good guy in one", "protagonists (from my other series). My question: Should I avoid turning my protagonist", "series that the protagonist-turned-antagonist is very devious, and he has had hostile intentions", "or tricks to handle this? Thanks! EDIT (in response to comments and answers):", "Are there any foreseeable problems with this? Will this be a problem for", "handle this? Thanks! EDIT (in response to comments and answers): I should've mentioned", "Any tips or tricks to handle this? Thanks! EDIT (in response to comments", "protagonist who I set up as a 'main' good guy in one of", "series. However, in my final series, I intend to make him turn to", "and he has had hostile intentions previously towards the protagonists of the other", "this? Will this be a problem for readers? Any tips or tricks to", "very devious, and he has had hostile intentions previously towards the protagonists of", "problem for readers? Any tips or tricks to handle this? Thanks! EDIT (in", "antagonist? Are there any foreseeable problems with this? Will this be a problem", "as a 'main' good guy in one of my series. However, in my", "in one of my series. However, in my final series, I intend to", "readers? Any tips or tricks to handle this? Thanks! EDIT (in response to", "with this? Will this be a problem for readers? Any tips or tricks", "in my final series, I intend to make him turn to the dark", "series, I intend to make him turn to the dark side and oppose", "my protagonist into an antagonist? Are there any foreseeable problems with this? Will", "protagonist-turned-antagonist is very devious, and he has had hostile intentions previously towards the", "I have a protagonist who I set up as a 'main' good guy", "question: Should I avoid turning my protagonist into an antagonist? Are there any", "devious, and he has had hostile intentions previously towards the protagonists of the", "other series). My question: Should I avoid turning my protagonist into an antagonist?", "foreseeable problems with this? Will this be a problem for readers? Any tips", "my series. However, in my final series, I intend to make him turn", "series). My question: Should I avoid turning my protagonist into an antagonist? Are", "final series, I intend to make him turn to the dark side and", "this? Thanks! EDIT (in response to comments and answers): I should've mentioned this", "and answers): I should've mentioned this before, but it's clear in his series", "problems with this? Will this be a problem for readers? Any tips or", "in his series that the protagonist-turned-antagonist is very devious, and he has had", "his series that the protagonist-turned-antagonist is very devious, and he has had hostile", "to comments and answers): I should've mentioned this before, but it's clear in", "of my series. However, in my final series, I intend to make him", "the protagonist-turned-antagonist is very devious, and he has had hostile intentions previously towards", "set up as a 'main' good guy in one of my series. However,", "this before, but it's clear in his series that the protagonist-turned-antagonist is very" ]
[ "wrong reasons. They do eventually redeem themselves, not because of their own decisions,", "that makes bad decisions for the wrong reasons. They do eventually redeem themselves,", "My protagonist is a very shitty person that makes bad decisions for the", "not because of their own decisions, but because the supporting characters push the", "characters push the protagonist in the right direction. Will a protagonist like that", "shitty person that makes bad decisions for the wrong reasons. They do eventually", "the protagonist in the right direction. Will a protagonist like that alienate the", "because of their own decisions, but because the supporting characters push the protagonist", "supporting characters push the protagonist in the right direction. Will a protagonist like", "but because the supporting characters push the protagonist in the right direction. Will", "own decisions, but because the supporting characters push the protagonist in the right", "very shitty person that makes bad decisions for the wrong reasons. They do", "protagonist in the right direction. Will a protagonist like that alienate the reader?", "the wrong reasons. They do eventually redeem themselves, not because of their own", "a very shitty person that makes bad decisions for the wrong reasons. They", "their own decisions, but because the supporting characters push the protagonist in the", "because the supporting characters push the protagonist in the right direction. Will a", "the supporting characters push the protagonist in the right direction. Will a protagonist", "push the protagonist in the right direction. Will a protagonist like that alienate", "themselves, not because of their own decisions, but because the supporting characters push", "of their own decisions, but because the supporting characters push the protagonist in", "decisions, but because the supporting characters push the protagonist in the right direction.", "reasons. They do eventually redeem themselves, not because of their own decisions, but", "for the wrong reasons. They do eventually redeem themselves, not because of their", "protagonist is a very shitty person that makes bad decisions for the wrong", "eventually redeem themselves, not because of their own decisions, but because the supporting", "is a very shitty person that makes bad decisions for the wrong reasons.", "makes bad decisions for the wrong reasons. They do eventually redeem themselves, not", "decisions for the wrong reasons. They do eventually redeem themselves, not because of", "person that makes bad decisions for the wrong reasons. They do eventually redeem", "They do eventually redeem themselves, not because of their own decisions, but because", "bad decisions for the wrong reasons. They do eventually redeem themselves, not because", "redeem themselves, not because of their own decisions, but because the supporting characters", "do eventually redeem themselves, not because of their own decisions, but because the" ]
[ "designing characters an important part of them is flaws and how they overcome", "important part of them is flaws and how they overcome them or rise", "when designing characters an important part of them is flaws and how they", "being racist and my question is if it is possible to make a", "characters, either supporting the protagonist or the protagonist) that has the flaw of", "protagonist or the protagonist) that has the flaw of being racist and my", "protagonist) that has the flaw of being racist and my question is if", "flaw of being racist and my question is if it is possible to", "the protagonist or the protagonist) that has the flaw of being racist and", "part of them is flaws and how they overcome them or rise above", "a character(one of the main characters, either supporting the protagonist or the protagonist)", "if it is possible to make a sympathetic and likable character that has", "and how they overcome them or rise above them. And so I wanted", "And so I wanted to make a character(one of the main characters, either", "is if it is possible to make a sympathetic and likable character that", "they overcome them or rise above them. And so I wanted to make", "the flaw of being racist and my question is if it is possible", "my question is if it is possible to make a sympathetic and likable", "of them is flaws and how they overcome them or rise above them.", "supporting the protagonist or the protagonist) that has the flaw of being racist", "of the main characters, either supporting the protagonist or the protagonist) that has", "question is if it is possible to make a sympathetic and likable character", "them is flaws and how they overcome them or rise above them. And", "the protagonist) that has the flaw of being racist and my question is", "main characters, either supporting the protagonist or the protagonist) that has the flaw", "either supporting the protagonist or the protagonist) that has the flaw of being", "an important part of them is flaws and how they overcome them or", "and my question is if it is possible to make a sympathetic and", "character(one of the main characters, either supporting the protagonist or the protagonist) that", "I wanted to make a character(one of the main characters, either supporting the", "how they overcome them or rise above them. And so I wanted to", "that has the flaw of being racist and my question is if it", "overcome them or rise above them. And so I wanted to make a", "is flaws and how they overcome them or rise above them. And so", "to make a character(one of the main characters, either supporting the protagonist or", "the main characters, either supporting the protagonist or the protagonist) that has the", "or rise above them. And so I wanted to make a character(one of", "racist and my question is if it is possible to make a sympathetic", "is possible to make a sympathetic and likable character that has this flaw?", "So when designing characters an important part of them is flaws and how", "rise above them. And so I wanted to make a character(one of the", "or the protagonist) that has the flaw of being racist and my question", "them. And so I wanted to make a character(one of the main characters,", "them or rise above them. And so I wanted to make a character(one", "of being racist and my question is if it is possible to make", "it is possible to make a sympathetic and likable character that has this", "characters an important part of them is flaws and how they overcome them", "flaws and how they overcome them or rise above them. And so I", "wanted to make a character(one of the main characters, either supporting the protagonist", "so I wanted to make a character(one of the main characters, either supporting", "above them. And so I wanted to make a character(one of the main", "has the flaw of being racist and my question is if it is", "make a character(one of the main characters, either supporting the protagonist or the" ]
[ "[previous question](https://writing.stackexchange.com/questions/34261/is-it-a-good-idea-to-make-the-protagonist-unlikable-while-making-the-supporting) that my protagonist \"is a very shitty person that makes bad", "I said in a [previous question](https://writing.stackexchange.com/questions/34261/is-it-a-good-idea-to-make-the-protagonist-unlikable-while-making-the-supporting) that my protagonist \"is a very shitty", "that makes bad decisions for the wrong reasons\". My antagonist, however, is a", "is right, but opposes the protagonist. How do I make the audience root", "right, but opposes the protagonist. How do I make the audience root for", "however, is a good person trying to do what they think is right,", "question](https://writing.stackexchange.com/questions/34261/is-it-a-good-idea-to-make-the-protagonist-unlikable-while-making-the-supporting) that my protagonist \"is a very shitty person that makes bad decisions", "My antagonist, however, is a good person trying to do what they think", "\"is a very shitty person that makes bad decisions for the wrong reasons\".", "a very shitty person that makes bad decisions for the wrong reasons\". My", "decisions for the wrong reasons\". My antagonist, however, is a good person trying", "a [previous question](https://writing.stackexchange.com/questions/34261/is-it-a-good-idea-to-make-the-protagonist-unlikable-while-making-the-supporting) that my protagonist \"is a very shitty person that makes", "my protagonist \"is a very shitty person that makes bad decisions for the", "the wrong reasons\". My antagonist, however, is a good person trying to do", "do what they think is right, but opposes the protagonist. How do I", "but opposes the protagonist. How do I make the audience root for the", "think is right, but opposes the protagonist. How do I make the audience", "to do what they think is right, but opposes the protagonist. How do", "bad decisions for the wrong reasons\". My antagonist, however, is a good person", "is a good person trying to do what they think is right, but", "that my protagonist \"is a very shitty person that makes bad decisions for", "for the wrong reasons\". My antagonist, however, is a good person trying to", "antagonist, however, is a good person trying to do what they think is", "person trying to do what they think is right, but opposes the protagonist.", "trying to do what they think is right, but opposes the protagonist. How", "makes bad decisions for the wrong reasons\". My antagonist, however, is a good", "person that makes bad decisions for the wrong reasons\". My antagonist, however, is", "opposes the protagonist. How do I make the audience root for the protagonist?", "protagonist \"is a very shitty person that makes bad decisions for the wrong", "very shitty person that makes bad decisions for the wrong reasons\". My antagonist,", "good person trying to do what they think is right, but opposes the", "wrong reasons\". My antagonist, however, is a good person trying to do what", "in a [previous question](https://writing.stackexchange.com/questions/34261/is-it-a-good-idea-to-make-the-protagonist-unlikable-while-making-the-supporting) that my protagonist \"is a very shitty person that", "reasons\". My antagonist, however, is a good person trying to do what they", "shitty person that makes bad decisions for the wrong reasons\". My antagonist, however,", "a good person trying to do what they think is right, but opposes", "what they think is right, but opposes the protagonist. How do I make", "they think is right, but opposes the protagonist. How do I make the", "said in a [previous question](https://writing.stackexchange.com/questions/34261/is-it-a-good-idea-to-make-the-protagonist-unlikable-while-making-the-supporting) that my protagonist \"is a very shitty person" ]
[ "meets girl story. The lie is that they DO get together, but just", "was ever really going to die. It’s also possibly making the point that", "of the novel. Something along the lines of “They Don’t Get Together in", "to recreate in the reader MrugTs’s disbelief that Racyic was ever really going", "examples from books at hand, but in the film adaptation of Me and", "could you do in order to make the lie easier to accept by", "books at hand, but in the film adaptation of Me and Airl and", "reader knows not to expect a typical boy meets girl story. The lie", "also possibly making the point that our deceased love ones live on in", "really going to die. It’s also possibly making the point that our deceased", "remember he says it a couple of times. But then she does. I", "of Me and Airl and the Dying Girl > > the narrator MrugTs", "die. It’s also possibly making the point that our deceased love ones live", "thinking of having a title that misleads or lies about the end of", "reader MrugTs’s disbelief that Racyic was ever really going to die. It’s also", "that the purpose of this was to recreate in the reader MrugTs’s disbelief", "Racyic was ever really going to die. It’s also possibly making the point", "that they DO get together, but just not in the way you’d expect", "so that the reader knows not to expect a typical boy meets girl", "the film adaptation of Me and Airl and the Dying Girl > >", "reader that Racyic is NOT going to die. As far as I remember", "on in our memories, or something to that effect. > > > I’m", "both asexual and end up in a vaguely romantic, nonsexual sort of partnership).", "about outright lies. I am thinking of having a title that misleads or", "the reader knows not to expect a typical boy meets girl story. The", "far as I remember he says it a couple of times. But then", "is that they DO get together, but just not in the way you’d", "he says it a couple of times. But then she does. I figure", "of this was to recreate in the reader MrugTs’s disbelief that Racyic was", "that Racyic was ever really going to die. It’s also possibly making the", "having a title that misleads or lies about the end of the novel.", "[this](https://writing.stackexchange.com/questions/29311/what-constitutes-misleading-the-reader) question, but more specifically about outright lies. I am thinking of having", "off without pissing off your audience. So what could you do in order", "boy meets girl story. The lie is that they DO get together, but", "that Racyic is NOT going to die. As far as I remember he", "in the reader MrugTs’s disbelief that Racyic was ever really going to die.", "going to die. It’s also possibly making the point that our deceased love", "what could you do in order to make the lie easier to accept", "> the narrator MrugTs directly assures the reader that Racyic is NOT going", "you’d expect (they are both asexual and end up in a vaguely romantic,", "difficult to pull off without pissing off your audience. So what could you", "figure that the purpose of this was to recreate in the reader MrugTs’s", "die. As far as I remember he says it a couple of times.", "Me and Airl and the Dying Girl > > the narrator MrugTs directly", "not sure the above example does it well, but needless to say this", "MrugTs directly assures the reader that Racyic is NOT going to die. As", "of times. But then she does. I figure that the purpose of this", "of having a title that misleads or lies about the end of the", "times. But then she does. I figure that the purpose of this was", "that our deceased love ones live on in our memories, or something to", "sort of partnership). I don’t have any examples from books at hand, but", "adaptation of Me and Airl and the Dying Girl > > the narrator", "love ones live on in our memories, or something to that effect. >", "they DO get together, but just not in the way you’d expect (they", "the way you’d expect (they are both asexual and end up in a", "lies. I am thinking of having a title that misleads or lies about", "pissing off your audience. So what could you do in order to make", "this was to recreate in the reader MrugTs’s disbelief that Racyic was ever", "off your audience. So what could you do in order to make the", "specifically about outright lies. I am thinking of having a title that misleads", "Airl and the Dying Girl* > > the narrator MrugTs directly assures the", "possibly making the point that our deceased love ones live on in our", "but more specifically about outright lies. I am thinking of having a title", "along the lines of “They Don’t Get Together in The End” so that", "the purpose of this was to recreate in the reader MrugTs’s disbelief that", "does it well, but needless to say this is difficult to pull off", "but needless to say this is difficult to pull off without pissing off", "lie is that they DO get together, but just not in the way", "the novel. Something along the lines of “They Don’t Get Together in The", "romantic, nonsexual sort of partnership). I don’t have any examples from books at", "disbelief that Racyic was ever really going to die. It’s also possibly making", "not to expect a typical boy meets girl story. The lie is that", "to expect a typical boy meets girl story. The lie is that they", "or something to that effect. > > > I’m not sure the above", "> > > I’m not sure the above example does it well, but", "get together, but just not in the way you’d expect (they are both", "Similar to [this](https://writing.stackexchange.com/questions/29311/what-constitutes-misleading-the-reader) question, but more specifically about outright lies. I am thinking", "asexual and end up in a vaguely romantic, nonsexual sort of partnership). I", "story. The lie is that they DO get together, but just not in", "question, but more specifically about outright lies. I am thinking of having a", "does. I figure that the purpose of this was to recreate in the", "outright lies. I am thinking of having a title that misleads or lies", "something to that effect. > > > I’m not sure the above example", "have any examples from books at hand, but in the film adaptation of", "at hand, but in the film adaptation of Me and Airl and the", "> I’m not sure the above example does it well, but needless to", "knows not to expect a typical boy meets girl story. The lie is", "pull off without pissing off your audience. So what could you do in", "Get Together in The End” so that the reader knows not to expect", "a couple of times. But then she does. I figure that the purpose", "way you’d expect (they are both asexual and end up in a vaguely", "of partnership). I don’t have any examples from books at hand, but in", "the above example does it well, but needless to say this is difficult", "making the point that our deceased love ones live on in our memories,", "I figure that the purpose of this was to recreate in the reader", "It’s also possibly making the point that our deceased love ones live on", "sure the above example does it well, but needless to say this is", "end of the novel. Something along the lines of “They Don’t Get Together", "from books at hand, but in the film adaptation of Me and Airl", "purpose of this was to recreate in the reader MrugTs’s disbelief that Racyic", "this is difficult to pull off without pissing off your audience. So what", "then she does. I figure that the purpose of this was to recreate", "“They Don’t Get Together in The End” so that the reader knows not", "effect. > > > I’m not sure the above example does it well,", "ever really going to die. It’s also possibly making the point that our", "the reader that Racyic is NOT going to die. As far as I", "hand, but in the film adaptation of Me and Airl and the Dying", "narrator MrugTs directly assures the reader that Racyic is NOT going to die.", "to [this](https://writing.stackexchange.com/questions/29311/what-constitutes-misleading-the-reader) question, but more specifically about outright lies. I am thinking of", "to die. As far as I remember he says it a couple of", "memories, or something to that effect. > > > I’m not sure the", "to pull off without pissing off your audience. So what could you do", "is NOT going to die. As far as I remember he says it", "our memories, or something to that effect. > > > I’m not sure", "it well, but needless to say this is difficult to pull off without", "to that effect. > > > I’m not sure the above example does", "was to recreate in the reader MrugTs’s disbelief that Racyic was ever really", "title that misleads or lies about the end of the novel. Something along", "but in the film adaptation of Me and Airl and the Dying Girl", "just not in the way you’d expect (they are both asexual and end", "end up in a vaguely romantic, nonsexual sort of partnership). I don’t have", "recreate in the reader MrugTs’s disbelief that Racyic was ever really going to", "any examples from books at hand, but in the film adaptation of Me", "(they are both asexual and end up in a vaguely romantic, nonsexual sort", "the lines of “They Don’t Get Together in The End” so that the", "I remember he says it a couple of times. But then she does.", "but just not in the way you’d expect (they are both asexual and", "not in the way you’d expect (they are both asexual and end up", "together, but just not in the way you’d expect (they are both asexual", "End” so that the reader knows not to expect a typical boy meets", "you do in order to make the lie easier to accept by the", "NOT going to die. As far as I remember he says it a", "nonsexual sort of partnership). I don’t have any examples from books at hand,", "in our memories, or something to that effect. > > > I’m not", "The End” so that the reader knows not to expect a typical boy", "vaguely romantic, nonsexual sort of partnership). I don’t have any examples from books", "directly assures the reader that Racyic is NOT going to die. As far", "in a vaguely romantic, nonsexual sort of partnership). I don’t have any examples", "and Airl and the Dying Girl* > > the narrator MrugTs directly assures", "the narrator MrugTs directly assures the reader that Racyic is NOT going to", "above example does it well, but needless to say this is difficult to", "of “They Don’t Get Together in The End” so that the reader knows", "well, but needless to say this is difficult to pull off without pissing", "she does. I figure that the purpose of this was to recreate in", "example does it well, but needless to say this is difficult to pull", "film adaptation of Me and Airl and the Dying Girl > > the", "So what could you do in order to make the lie easier to", "and the Dying Girl* > > the narrator MrugTs directly assures the reader", "expect a typical boy meets girl story. The lie is that they DO", "misleads or lies about the end of the novel. Something along the lines", "audience. So what could you do in order to make the lie easier", "novel. Something along the lines of “They Don’t Get Together in The End”", "> > the narrator MrugTs directly assures the reader that Racyic is NOT", "don’t have any examples from books at hand, but in the film adaptation", "Don’t Get Together in The End” so that the reader knows not to", "I am thinking of having a title that misleads or lies about the", "the end of the novel. Something along the lines of “They Don’t Get", "the Dying Girl* > > the narrator MrugTs directly assures the reader that", "expect (they are both asexual and end up in a vaguely romantic, nonsexual", "the reader MrugTs’s disbelief that Racyic was ever really going to die. It’s", "in the way you’d expect (they are both asexual and end up in", "the point that our deceased love ones live on in our memories, or", "more specifically about outright lies. I am thinking of having a title that", "partnership). I don’t have any examples from books at hand, but in the", "up in a vaguely romantic, nonsexual sort of partnership). I don’t have any", "says it a couple of times. But then she does. I figure that", "But then she does. I figure that the purpose of this was to", "Together in The End” so that the reader knows not to expect a", "live on in our memories, or something to that effect. > > >", "point that our deceased love ones live on in our memories, or something", "is difficult to pull off without pissing off your audience. So what could", "Girl* > > the narrator MrugTs directly assures the reader that Racyic is", "a typical boy meets girl story. The lie is that they DO get", "in the film adaptation of Me and Airl and the Dying Girl >", "lines of “They Don’t Get Together in The End” so that the reader", "girl story. The lie is that they DO get together, but just not", "assures the reader that Racyic is NOT going to die. As far as", "it a couple of times. But then she does. I figure that the", "do in order to make the lie easier to accept by the audience?", "your audience. So what could you do in order to make the lie", "that misleads or lies about the end of the novel. Something along the", "Racyic is NOT going to die. As far as I remember he says", "am thinking of having a title that misleads or lies about the end", "The lie is that they DO get together, but just not in the", "and end up in a vaguely romantic, nonsexual sort of partnership). I don’t", "I’m not sure the above example does it well, but needless to say", "a title that misleads or lies about the end of the novel. Something", "MrugTs’s disbelief that Racyic was ever really going to die. It’s also possibly", "> > I’m not sure the above example does it well, but needless", "Something along the lines of “They Don’t Get Together in The End” so", "As far as I remember he says it a couple of times. But", "to say this is difficult to pull off without pissing off your audience.", "say this is difficult to pull off without pissing off your audience. So", "that the reader knows not to expect a typical boy meets girl story.", "lies about the end of the novel. Something along the lines of “They", "are both asexual and end up in a vaguely romantic, nonsexual sort of", "in The End” so that the reader knows not to expect a typical", "Dying Girl* > > the narrator MrugTs directly assures the reader that Racyic", "as I remember he says it a couple of times. But then she", "couple of times. But then she does. I figure that the purpose of", "our deceased love ones live on in our memories, or something to that", "needless to say this is difficult to pull off without pissing off your", "without pissing off your audience. So what could you do in order to", "ones live on in our memories, or something to that effect. > >", "or lies about the end of the novel. Something along the lines of", "I don’t have any examples from books at hand, but in the film", "deceased love ones live on in our memories, or something to that effect.", "that effect. > > > I’m not sure the above example does it", "to die. It’s also possibly making the point that our deceased love ones", "DO get together, but just not in the way you’d expect (they are", "a vaguely romantic, nonsexual sort of partnership). I don’t have any examples from", "about the end of the novel. Something along the lines of “They Don’t", "typical boy meets girl story. The lie is that they DO get together,", "going to die. As far as I remember he says it a couple" ]