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[ "is mostly what a person would expect from realistic fiction with the world", "hoarder that was raised in the great depression, and they stumble upon a", "fiction with the world being almost entirely similar to our own, politically and", "politically and what-not. But then say I interjected a few minute details that", "would expect from realistic fiction with the world being almost entirely similar to", "fiction if nothing else was out of the ordinary except that little footnote", "person would expect from realistic fiction with the world being almost entirely similar", "are considered unhistorical, for example: one of the characters visit their relative who", "was a hoarder that was raised in the great depression, and they stumble", "upon a newspaper that had a headline detailing Germany bombing the eastern coast", "to our own, politically and what-not. But then say I interjected a few", "I am writing a (mostly) realistic fiction book. The entirety of said work", "realistic fiction if nothing else was out of the ordinary except that little", "from realistic fiction with the world being almost entirely similar to our own,", "that had a headline detailing Germany bombing the eastern coast of the United", "considered realistic fiction if nothing else was out of the ordinary except that", "say I interjected a few minute details that are considered unhistorical, for example:", "United States during the first Great War. Would it still be considered realistic", "a hoarder that was raised in the great depression, and they stumble upon", "Would it still be considered realistic fiction if nothing else was out of", "similar to our own, politically and what-not. But then say I interjected a", "else was out of the ordinary except that little footnote of a detail?", "for example: one of the characters visit their relative who was a hoarder", "the United States during the first Great War. Would it still be considered", "in the great depression, and they stumble upon a newspaper that had a", "raised in the great depression, and they stumble upon a newspaper that had", "interjected a few minute details that are considered unhistorical, for example: one of", "was raised in the great depression, and they stumble upon a newspaper that", "had a headline detailing Germany bombing the eastern coast of the United States", "world being almost entirely similar to our own, politically and what-not. But then", "I interjected a few minute details that are considered unhistorical, for example: one", "and they stumble upon a newspaper that had a headline detailing Germany bombing", "stumble upon a newspaper that had a headline detailing Germany bombing the eastern", "depression, and they stumble upon a newspaper that had a headline detailing Germany", "book. The entirety of said work is mostly what a person would expect", "am writing a (mostly) realistic fiction book. The entirety of said work is", "what a person would expect from realistic fiction with the world being almost", "considered unhistorical, for example: one of the characters visit their relative who was", "they stumble upon a newspaper that had a headline detailing Germany bombing the", "a (mostly) realistic fiction book. The entirety of said work is mostly what", "the world being almost entirely similar to our own, politically and what-not. But", "mostly what a person would expect from realistic fiction with the world being", "that was raised in the great depression, and they stumble upon a newspaper", "a newspaper that had a headline detailing Germany bombing the eastern coast of", "of the United States during the first Great War. Would it still be", "with the world being almost entirely similar to our own, politically and what-not.", "a person would expect from realistic fiction with the world being almost entirely", "The entirety of said work is mostly what a person would expect from", "almost entirely similar to our own, politically and what-not. But then say I", "Say I am writing a (mostly) realistic fiction book. The entirety of said", "visit their relative who was a hoarder that was raised in the great", "it still be considered realistic fiction if nothing else was out of the", "example: one of the characters visit their relative who was a hoarder that", "still be considered realistic fiction if nothing else was out of the ordinary", "a headline detailing Germany bombing the eastern coast of the United States during", "nothing else was out of the ordinary except that little footnote of a", "characters visit their relative who was a hoarder that was raised in the", "that are considered unhistorical, for example: one of the characters visit their relative", "their relative who was a hoarder that was raised in the great depression,", "few minute details that are considered unhistorical, for example: one of the characters", "the characters visit their relative who was a hoarder that was raised in", "(mostly) realistic fiction book. The entirety of said work is mostly what a", "bombing the eastern coast of the United States during the first Great War.", "a few minute details that are considered unhistorical, for example: one of the", "War. Would it still be considered realistic fiction if nothing else was out", "fiction book. The entirety of said work is mostly what a person would", "being almost entirely similar to our own, politically and what-not. But then say", "own, politically and what-not. But then say I interjected a few minute details", "said work is mostly what a person would expect from realistic fiction with", "one of the characters visit their relative who was a hoarder that was", "during the first Great War. Would it still be considered realistic fiction if", "Great War. Would it still be considered realistic fiction if nothing else was", "the great depression, and they stumble upon a newspaper that had a headline", "the first Great War. Would it still be considered realistic fiction if nothing", "expect from realistic fiction with the world being almost entirely similar to our", "eastern coast of the United States during the first Great War. Would it", "great depression, and they stumble upon a newspaper that had a headline detailing", "entirely similar to our own, politically and what-not. But then say I interjected", "coast of the United States during the first Great War. Would it still", "entirety of said work is mostly what a person would expect from realistic", "But then say I interjected a few minute details that are considered unhistorical,", "realistic fiction book. The entirety of said work is mostly what a person", "States during the first Great War. Would it still be considered realistic fiction", "Germany bombing the eastern coast of the United States during the first Great", "of said work is mostly what a person would expect from realistic fiction", "and what-not. But then say I interjected a few minute details that are", "then say I interjected a few minute details that are considered unhistorical, for", "detailing Germany bombing the eastern coast of the United States during the first", "writing a (mostly) realistic fiction book. The entirety of said work is mostly", "newspaper that had a headline detailing Germany bombing the eastern coast of the", "first Great War. Would it still be considered realistic fiction if nothing else", "relative who was a hoarder that was raised in the great depression, and", "details that are considered unhistorical, for example: one of the characters visit their", "the eastern coast of the United States during the first Great War. Would", "headline detailing Germany bombing the eastern coast of the United States during the", "work is mostly what a person would expect from realistic fiction with the", "of the characters visit their relative who was a hoarder that was raised", "what-not. But then say I interjected a few minute details that are considered", "our own, politically and what-not. But then say I interjected a few minute", "realistic fiction with the world being almost entirely similar to our own, politically", "be considered realistic fiction if nothing else was out of the ordinary except", "who was a hoarder that was raised in the great depression, and they", "minute details that are considered unhistorical, for example: one of the characters visit", "if nothing else was out of the ordinary except that little footnote of", "unhistorical, for example: one of the characters visit their relative who was a" ]
[ "in the presentation. The problem is the narration is usually coming from this", "omitting obvious information from the reader for a bigger reveal later? What can", "odd materials to their bedroom and more. My question is: what are the", "from the reader for a bigger reveal later? What can be done to", "the project. They become a hermit for a time to get it done,", "meals, bringing in many odd materials to their bedroom and more. My question", "coming from this character's perspective and I want to show the character's thoughts", "bedroom and more. My question is: what are the effects of intentionally omitting", "reader what the project actually is until it is revealed in the presentation.", "examination. The project is a source of stress for the character, and also", "reveal later? What can be done to minimise any damage it could cause?", "them. Though the story takes place across the project's creation, from conceptualisation, through", "They become a hermit for a time to get it done, moving furniture,", "who is working on a project and will present it to a group", "from conceptualisation, through creation, to presentation, I do not want to tell the", "is a source of stress for the character, and also provides a sort", "a group of judges who will mark it in a sort of examination.", "process in which they are creating the project. They become a hermit for", "to tell the reader what the project actually is until it is revealed", "hermit for a time to get it done, moving furniture, skipping meals, bringing", "the project's creation, from conceptualisation, through creation, to presentation, I do not want", "for the character, and also provides a sort of paradigm shift for them.", "and also provides a sort of paradigm shift for them. Though the story", "a project and will present it to a group of judges who will", "many odd materials to their bedroom and more. My question is: what are", "the reader for a bigger reveal later? What can be done to minimise", "a sort of paradigm shift for them. Though the story takes place across", "am writing, I have a character who is working on a project and", "presentation. The problem is the narration is usually coming from this character's perspective", "I want to show the character's thoughts and the elaborate process in which", "will present it to a group of judges who will mark it in", "My question is: what are the effects of intentionally omitting obvious information from", "of stress for the character, and also provides a sort of paradigm shift", "also provides a sort of paradigm shift for them. Though the story takes", "get it done, moving furniture, skipping meals, bringing in many odd materials to", "of examination. The project is a source of stress for the character, and", "furniture, skipping meals, bringing in many odd materials to their bedroom and more.", "a time to get it done, moving furniture, skipping meals, bringing in many", "intentionally omitting obvious information from the reader for a bigger reveal later? What", "and I want to show the character's thoughts and the elaborate process in", "is revealed in the presentation. The problem is the narration is usually coming", "on a project and will present it to a group of judges who", "is usually coming from this character's perspective and I want to show the", "will mark it in a sort of examination. The project is a source", "story I am writing, I have a character who is working on a", "I am writing, I have a character who is working on a project", "a source of stress for the character, and also provides a sort of", "done, moving furniture, skipping meals, bringing in many odd materials to their bedroom", "skipping meals, bringing in many odd materials to their bedroom and more. My", "In the story I am writing, I have a character who is working", "shift for them. Though the story takes place across the project's creation, from", "the character's thoughts and the elaborate process in which they are creating the", "story takes place across the project's creation, from conceptualisation, through creation, to presentation,", "creating the project. They become a hermit for a time to get it", "is: what are the effects of intentionally omitting obvious information from the reader", "what are the effects of intentionally omitting obvious information from the reader for", "bringing in many odd materials to their bedroom and more. My question is:", "writing, I have a character who is working on a project and will", "materials to their bedroom and more. My question is: what are the effects", "the story takes place across the project's creation, from conceptualisation, through creation, to", "project. They become a hermit for a time to get it done, moving", "moving furniture, skipping meals, bringing in many odd materials to their bedroom and", "this character's perspective and I want to show the character's thoughts and the", "conceptualisation, through creation, to presentation, I do not want to tell the reader", "sort of paradigm shift for them. Though the story takes place across the", "narration is usually coming from this character's perspective and I want to show", "question is: what are the effects of intentionally omitting obvious information from the", "they are creating the project. They become a hermit for a time to", "to show the character's thoughts and the elaborate process in which they are", "to a group of judges who will mark it in a sort of", "are creating the project. They become a hermit for a time to get", "do not want to tell the reader what the project actually is until", "for a bigger reveal later? What can be done to minimise any damage", "are the effects of intentionally omitting obvious information from the reader for a", "through creation, to presentation, I do not want to tell the reader what", "The project is a source of stress for the character, and also provides", "project's creation, from conceptualisation, through creation, to presentation, I do not want to", "show the character's thoughts and the elaborate process in which they are creating", "time to get it done, moving furniture, skipping meals, bringing in many odd", "provides a sort of paradigm shift for them. Though the story takes place", "who will mark it in a sort of examination. The project is a", "of judges who will mark it in a sort of examination. The project", "usually coming from this character's perspective and I want to show the character's", "in which they are creating the project. They become a hermit for a", "of paradigm shift for them. Though the story takes place across the project's", "I do not want to tell the reader what the project actually is", "have a character who is working on a project and will present it", "I have a character who is working on a project and will present", "the project actually is until it is revealed in the presentation. The problem", "bigger reveal later? What can be done to minimise any damage it could", "it in a sort of examination. The project is a source of stress", "The problem is the narration is usually coming from this character's perspective and", "more. My question is: what are the effects of intentionally omitting obvious information", "want to show the character's thoughts and the elaborate process in which they", "judges who will mark it in a sort of examination. The project is", "of intentionally omitting obvious information from the reader for a bigger reveal later?", "present it to a group of judges who will mark it in a", "obvious information from the reader for a bigger reveal later? What can be", "to their bedroom and more. My question is: what are the effects of", "reader for a bigger reveal later? What can be done to minimise any", "source of stress for the character, and also provides a sort of paradigm", "the character, and also provides a sort of paradigm shift for them. 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They become a hermit for a time", "is until it is revealed in the presentation. The problem is the narration", "elaborate process in which they are creating the project. They become a hermit", "stress for the character, and also provides a sort of paradigm shift for", "presentation, I do not want to tell the reader what the project actually", "become a hermit for a time to get it done, moving furniture, skipping", "revealed in the presentation. The problem is the narration is usually coming from", "working on a project and will present it to a group of judges", "for them. Though the story takes place across the project's creation, from conceptualisation,", "not want to tell the reader what the project actually is until it", "to get it done, moving furniture, skipping meals, bringing in many odd materials", "and more. 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The project is a source of", "across the project's creation, from conceptualisation, through creation, to presentation, I do not", "project actually is until it is revealed in the presentation. The problem is", "actually is until it is revealed in the presentation. The problem is the", "a bigger reveal later? What can be done to minimise any damage it", "perspective and I want to show the character's thoughts and the elaborate process", "effects of intentionally omitting obvious information from the reader for a bigger reveal", "for a time to get it done, moving furniture, skipping meals, bringing in", "a sort of examination. The project is a source of stress for the", "project is a source of stress for the character, and also provides a", "sort of examination. The project is a source of stress for the character,", "and the elaborate process in which they are creating the project. They become", "a hermit for a time to get it done, moving furniture, skipping meals,", "until it is revealed in the presentation. The problem is the narration is", "character's thoughts and the elaborate process in which they are creating the project.", "paradigm shift for them. Though the story takes place across the project's creation,", "it is revealed in the presentation. The problem is the narration is usually", "the story I am writing, I have a character who is working on", "the elaborate process in which they are creating the project. They become a", "from this character's perspective and I want to show the character's thoughts and", "place across the project's creation, from conceptualisation, through creation, to presentation, I do", "creation, to presentation, I do not want to tell the reader what the", "the reader what the project actually is until it is revealed in the", "the presentation. The problem is the narration is usually coming from this character's", "is working on a project and will present it to a group of", "it done, moving furniture, skipping meals, bringing in many odd materials to their", "and will present it to a group of judges who will mark it", "their bedroom and more. My question is: what are the effects of intentionally" ]
[ "want that character to tell it directly to the protagonist, or to use", "but I don't want that character to tell it directly to the protagonist,", "a character's backstory, but I don't want that character to tell it directly", "to use another character to do it for them. Is there a way", "backstory, but I don't want that character to tell it directly to the", "another character to do it for them. Is there a way to do", "the protagonist, or to use another character to do it for them. Is", "that character to tell it directly to the protagonist, or to use another", "it directly to the protagonist, or to use another character to do it", "to tell it directly to the protagonist, or to use another character to", "tell it directly to the protagonist, or to use another character to do", "I don't want that character to tell it directly to the protagonist, or", "don't want that character to tell it directly to the protagonist, or to", "or to use another character to do it for them. Is there a", "want to tell a character's backstory, but I don't want that character to", "character to do it for them. Is there a way to do this?", "tell a character's backstory, but I don't want that character to tell it", "I want to tell a character's backstory, but I don't want that character", "character's backstory, but I don't want that character to tell it directly to", "directly to the protagonist, or to use another character to do it for", "character to tell it directly to the protagonist, or to use another character", "use another character to do it for them. Is there a way to", "to the protagonist, or to use another character to do it for them.", "protagonist, or to use another character to do it for them. Is there", "to tell a character's backstory, but I don't want that character to tell" ]
[ "more and more 'original' by going against what might be expected. At first", "it explain the theory behind my question and its solution. I would however", "I went further. Humans are the only sentient race. There are no elves,", "I'm with them. I have ever since been making my fantasy novel more", "however like to direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because", "fantasy - where do I draw the line? There has to be a", "quest for originality. I know some people like the fantasy cliches, but a", "that it's a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed ears. And", "They don't want to meet an 'elf' and instantly know that it's a", "tripped and face-planted with everyone else. Then I made them super weak. Recently,", "has remained clear: a quest for originality. I know some people like the", "convention, and I have eliminated them entirely. The novel is now centered on", "the other expected races. In fact, the only thing keeping the novel as", "it creates - at least to me - a very clear line, and", "something really weird, like telepathic super-platypuses swimming in the molten oceans of a", "a lack of modern technology, and the humans use magic. All of that", "it's a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed ears. And I'm", "the genre conventions - for any genre, not just fantasy - where do", "viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates - at least", "world. How do you know when you need more originality, or when you", "to be a middle ground somewhere. On one side of the spectrum you", "idea of elves is in fact a genre convention, and I have eliminated", "modern technology, and the humans use magic. All of that is just an", "and instantly know that it's a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with", "Go completely original and you get something really weird, like telepathic super-platypuses swimming", "elves is in fact a genre convention, and I have eliminated them entirely.", "at all is that it is set on a different planet, a lack", "way to tell how much is too much in terms of originality vs", "elves, dwarves, goblins, or any of the other expected races. In fact, the", "question is, if I intentionally go against the genre conventions - for any", "super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed ears. And I'm with them. I", "making my fantasy novel more and more 'original' by going against what might", "novel. Over the countless iterations I've gone through, one thing has remained clear:", "as fantasy at all is that it is set on a different planet,", "a different planet, a lack of modern technology, and the humans use magic.", "- a very clear line, and an easy way to tell how much", "convention? Edit for future viewers: I've marked the answer by Chrac, because it", "Over the countless iterations I've gone through, one thing has remained clear: a", "like telepathic super-platypuses swimming in the molten oceans of a lava world. How", "since been making my fantasy novel more and more 'original' by going against", "only sentient race. There are no elves, dwarves, goblins, or any of the", "of the other expected races. In fact, the only thing keeping the novel", "on. Go completely original and you get something really weird, like telepathic super-platypuses", "my fantasy novel more and more 'original' by going against what might be", "molten oceans of a lava world. How do you know when you need", "genre convention, and I have eliminated them entirely. The novel is now centered", "[Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates - at least to me", "I have eliminated them entirely. The novel is now centered on humans. I", "question and its solution. I would however like to direct future viewers to", "my question and its solution. I would however like to direct future viewers", "lava world. How do you know when you need more originality, or when", "have ever since been making my fantasy novel more and more 'original' by", "on humans. I went further. Humans are the only sentient race. There are", "technology, and the humans use magic. All of that is just an example.", "but a good chunk don't. These people want imagination, creativity, and originality. They", "somewhere. On one side of the spectrum you have knights, elves, magic, dragons,", "get something really weird, like telepathic super-platypuses swimming in the molten oceans of", "all is that it is set on a different planet, a lack of", "not just fantasy - where do I draw the line? There has to", "super-platypuses swimming in the molten oceans of a lava world. How do you", "is, if I intentionally go against the genre conventions - for any genre,", "fantasy novel more and more 'original' by going against what might be expected.", "example. My question is, if I intentionally go against the genre conventions -", "other expected races. In fact, the only thing keeping the novel as fantasy", "set on a different planet, a lack of modern technology, and the humans", "genre conventions - for any genre, not just fantasy - where do I", "a fantasy novel. Over the countless iterations I've gone through, one thing has", "very clear line, and an easy way to tell how much is too", "originality. They don't want to meet an 'elf' and instantly know that it's", "to meet an 'elf' and instantly know that it's a super-strong super-fast super-agile", "least to me - a very clear line, and an easy way to", "nature-lover with pointed ears. And I'm with them. I have ever since been", "imagination, creativity, and originality. They don't want to meet an 'elf' and instantly", "know some people like the fantasy cliches, but a good chunk don't. These", "you need more convention? Edit for future viewers: I've marked the answer by", "meet an 'elf' and instantly know that it's a super-strong super-fast super-agile magic-wielding", "ever since been making my fantasy novel more and more 'original' by going", "interested in writing a fantasy novel. Over the countless iterations I've gone through,", "fact a genre convention, and I have eliminated them entirely. The novel is", "telepathic super-platypuses swimming in the molten oceans of a lava world. How do", "originality. I know some people like the fantasy cliches, but a good chunk", "have eliminated them entirely. The novel is now centered on humans. I went", "when you need more originality, or when you need more convention? Edit for", "and so on. Go completely original and you get something really weird, like", "long been interested in writing a fantasy novel. Over the countless iterations I've", "I made them super weak. Recently, I've decided that the very idea of", "line, and an easy way to tell how much is too much in", "has to be a middle ground somewhere. On one side of the spectrum", "one side of the spectrum you have knights, elves, magic, dragons, different species,", "an easy way to tell how much is too much in terms of", "Humans are the only sentient race. There are no elves, dwarves, goblins, or", "now centered on humans. I went further. Humans are the only sentient race.", "is in fact a genre convention, and I have eliminated them entirely. The", "behind my question and its solution. I would however like to direct future", "fact, the only thing keeping the novel as fantasy at all is that", "intentionally go against the genre conventions - for any genre, not just fantasy", "weird, like telepathic super-platypuses swimming in the molten oceans of a lava world.", "been making my fantasy novel more and more 'original' by going against what", "a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed ears. And I'm with", "a lava world. How do you know when you need more originality, or", "the only thing keeping the novel as fantasy at all is that it", "Recently, I've decided that the very idea of elves is in fact a", "keeping the novel as fantasy at all is that it is set on", "and its solution. I would however like to direct future viewers to [Sara", "lack of modern technology, and the humans use magic. All of that is", "on a different planet, a lack of modern technology, and the humans use", "people like the fantasy cliches, but a good chunk don't. These people want", "if I intentionally go against the genre conventions - for any genre, not", "had elves. But they often tripped and face-planted with everyone else. Then I", "fantasy at all is that it is set on a different planet, a", "a good chunk don't. These people want imagination, creativity, and originality. They don't", "different species, and so on. Go completely original and you get something really", "solution. I would however like to direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394)", "race. There are no elves, dwarves, goblins, or any of the other expected", "for any genre, not just fantasy - where do I draw the line?", "because it explain the theory behind my question and its solution. I would", "In fact, the only thing keeping the novel as fantasy at all is", "be a middle ground somewhere. On one side of the spectrum you have", "just fantasy - where do I draw the line? There has to be", "oceans of a lava world. How do you know when you need more", "do I draw the line? There has to be a middle ground somewhere.", "dragons, different species, and so on. Go completely original and you get something", "the novel as fantasy at all is that it is set on a", "easy way to tell how much is too much in terms of originality", "answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates - at least to me - a", "I had elves. But they often tripped and face-planted with everyone else. Then", "At first I had elves. But they often tripped and face-planted with everyone", "I've marked the answer by Chrac, because it explain the theory behind my", "with pointed ears. And I'm with them. I have ever since been making", "at least to me - a very clear line, and an easy way", "thing has remained clear: a quest for originality. I know some people like", "novel more and more 'original' by going against what might be expected. At", "draw the line? There has to be a middle ground somewhere. On one", "me - a very clear line, and an easy way to tell how", "- for any genre, not just fantasy - where do I draw the", "Then I made them super weak. Recently, I've decided that the very idea", "made them super weak. Recently, I've decided that the very idea of elves", "The novel is now centered on humans. I went further. Humans are the", "what might be expected. At first I had elves. But they often tripped", "or any of the other expected races. In fact, the only thing keeping", "humans. I went further. Humans are the only sentient race. There are no", "I intentionally go against the genre conventions - for any genre, not just", "I would however like to direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as", "conventions - for any genre, not just fantasy - where do I draw", "entirely. The novel is now centered on humans. I went further. Humans are", "in the molten oceans of a lava world. How do you know when", "the line? There has to be a middle ground somewhere. On one side", "any genre, not just fantasy - where do I draw the line? There", "remained clear: a quest for originality. I know some people like the fantasy", "planet, a lack of modern technology, and the humans use magic. All of", "creativity, and originality. They don't want to meet an 'elf' and instantly know", "need more originality, or when you need more convention? Edit for future viewers:", "fantasy cliches, but a good chunk don't. These people want imagination, creativity, and", "to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates - at least to", "future viewers: I've marked the answer by Chrac, because it explain the theory", "spectrum you have knights, elves, magic, dragons, different species, and so on. Go", "a genre convention, and I have eliminated them entirely. The novel is now", "- at least to me - a very clear line, and an easy", "original and you get something really weird, like telepathic super-platypuses swimming in the", "want imagination, creativity, and originality. They don't want to meet an 'elf' and", "'elf' and instantly know that it's a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover", "it is set on a different planet, a lack of modern technology, and", "know when you need more originality, or when you need more convention? Edit", "people want imagination, creativity, and originality. They don't want to meet an 'elf'", "is set on a different planet, a lack of modern technology, and the", "you have knights, elves, magic, dragons, different species, and so on. Go completely", "is just an example. My question is, if I intentionally go against the", "that it is set on a different planet, a lack of modern technology,", "of the spectrum you have knights, elves, magic, dragons, different species, and so", "fantasy novel. Over the countless iterations I've gone through, one thing has remained", "goblins, or any of the other expected races. In fact, the only thing", "just an example. My question is, if I intentionally go against the genre", "tell how much is too much in terms of originality vs genre conventions.", "and face-planted with everyone else. Then I made them super weak. Recently, I've", "novel as fantasy at all is that it is set on a different", "like to direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it", "super-agile magic-wielding likely-vegetarian nature-lover with pointed ears. And I'm with them. I have", "further. Humans are the only sentient race. There are no elves, dwarves, goblins,", "answer by Chrac, because it explain the theory behind my question and its", "them entirely. The novel is now centered on humans. I went further. Humans", "middle ground somewhere. On one side of the spectrum you have knights, elves,", "a very clear line, and an easy way to tell how much is", "My question is, if I intentionally go against the genre conventions - for", "in fact a genre convention, and I have eliminated them entirely. The novel", "the molten oceans of a lava world. How do you know when you", "everyone else. Then I made them super weak. Recently, I've decided that the", "no elves, dwarves, goblins, or any of the other expected races. In fact,", "against the genre conventions - for any genre, not just fantasy - where", "are the only sentient race. There are no elves, dwarves, goblins, or any", "like the fantasy cliches, but a good chunk don't. These people want imagination,", "want to meet an 'elf' and instantly know that it's a super-strong super-fast", "Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates - at least to me -", "don't want to meet an 'elf' and instantly know that it's a super-strong", "the fantasy cliches, but a good chunk don't. These people want imagination, creativity,", "weak. Recently, I've decided that the very idea of elves is in fact", "and originality. They don't want to meet an 'elf' and instantly know that", "elves, magic, dragons, different species, and so on. Go completely original and you", "went further. Humans are the only sentient race. There are no elves, dwarves,", "thing keeping the novel as fantasy at all is that it is set", "of modern technology, and the humans use magic. All of that is just", "for originality. I know some people like the fantasy cliches, but a good", "go against the genre conventions - for any genre, not just fantasy -", "and an easy way to tell how much is too much in terms", "the spectrum you have knights, elves, magic, dragons, different species, and so on.", "I have ever since been making my fantasy novel more and more 'original'", "creates - at least to me - a very clear line, and an", "iterations I've gone through, one thing has remained clear: a quest for originality.", "when you need more convention? Edit for future viewers: I've marked the answer", "Chrac, because it explain the theory behind my question and its solution. I", "There has to be a middle ground somewhere. On one side of the", "through, one thing has remained clear: a quest for originality. I know some", "expected. At first I had elves. But they often tripped and face-planted with", "super weak. Recently, I've decided that the very idea of elves is in", "line? There has to be a middle ground somewhere. On one side of", "eliminated them entirely. The novel is now centered on humans. I went further.", "humans use magic. All of that is just an example. My question is,", "good chunk don't. These people want imagination, creativity, and originality. They don't want", "marked the answer by Chrac, because it explain the theory behind my question", "I draw the line? There has to be a middle ground somewhere. On", "its solution. I would however like to direct future viewers to [Sara Costa's", "likely-vegetarian nature-lover with pointed ears. And I'm with them. I have ever since", "have knights, elves, magic, dragons, different species, and so on. Go completely original", "These people want imagination, creativity, and originality. They don't want to meet an", "genre, not just fantasy - where do I draw the line? There has", "I've long been interested in writing a fantasy novel. Over the countless iterations", "of a lava world. How do you know when you need more originality,", "by Chrac, because it explain the theory behind my question and its solution.", "How do you know when you need more originality, or when you need", "decided that the very idea of elves is in fact a genre convention,", "for future viewers: I've marked the answer by Chrac, because it explain the", "well, because it creates - at least to me - a very clear", "swimming in the molten oceans of a lava world. How do you know", "them super weak. Recently, I've decided that the very idea of elves is", "and you get something really weird, like telepathic super-platypuses swimming in the molten", "more convention? Edit for future viewers: I've marked the answer by Chrac, because", "with everyone else. Then I made them super weak. Recently, I've decided that", "magic-wielding likely-vegetarian nature-lover with pointed ears. And I'm with them. I have ever", "you know when you need more originality, or when you need more convention?", "chunk don't. These people want imagination, creativity, and originality. They don't want to", "future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates - at", "would however like to direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well,", "clear: a quest for originality. I know some people like the fantasy cliches,", "'original' by going against what might be expected. At first I had elves.", "the humans use magic. All of that is just an example. My question", "face-planted with everyone else. Then I made them super weak. Recently, I've decided", "really weird, like telepathic super-platypuses swimming in the molten oceans of a lava", "know that it's a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed ears.", "super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed ears. And I'm with them.", "very idea of elves is in fact a genre convention, and I have", "magic, dragons, different species, and so on. Go completely original and you get", "species, and so on. Go completely original and you get something really weird,", "one thing has remained clear: a quest for originality. I know some people", "clear line, and an easy way to tell how much is too much", "But they often tripped and face-planted with everyone else. Then I made them", "of elves is in fact a genre convention, and I have eliminated them", "ears. And I'm with them. I have ever since been making my fantasy", "dwarves, goblins, or any of the other expected races. In fact, the only", "any of the other expected races. In fact, the only thing keeping the", "or when you need more convention? Edit for future viewers: I've marked the", "the countless iterations I've gone through, one thing has remained clear: a quest", "in writing a fantasy novel. Over the countless iterations I've gone through, one", "magic. All of that is just an example. My question is, if I", "gone through, one thing has remained clear: a quest for originality. I know", "are no elves, dwarves, goblins, or any of the other expected races. In", "originality, or when you need more convention? Edit for future viewers: I've marked", "more 'original' by going against what might be expected. At first I had", "them. I have ever since been making my fantasy novel more and more", "is that it is set on a different planet, a lack of modern", "cliches, but a good chunk don't. These people want imagination, creativity, and originality.", "direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates -", "and more 'original' by going against what might be expected. At first I", "where do I draw the line? There has to be a middle ground", "I've gone through, one thing has remained clear: a quest for originality. I", "the theory behind my question and its solution. I would however like to", "the very idea of elves is in fact a genre convention, and I", "I know some people like the fantasy cliches, but a good chunk don't.", "you need more originality, or when you need more convention? Edit for future", "going against what might be expected. At first I had elves. But they", "a middle ground somewhere. On one side of the spectrum you have knights,", "so on. Go completely original and you get something really weird, like telepathic", "more originality, or when you need more convention? Edit for future viewers: I've", "is now centered on humans. I went further. Humans are the only sentient", "ground somewhere. On one side of the spectrum you have knights, elves, magic,", "- where do I draw the line? There has to be a middle", "as well, because it creates - at least to me - a very", "don't. These people want imagination, creativity, and originality. They don't want to meet", "because it creates - at least to me - a very clear line,", "There are no elves, dwarves, goblins, or any of the other expected races.", "by going against what might be expected. At first I had elves. But", "an example. My question is, if I intentionally go against the genre conventions", "countless iterations I've gone through, one thing has remained clear: a quest for", "of that is just an example. My question is, if I intentionally go", "side of the spectrum you have knights, elves, magic, dragons, different species, and", "use magic. All of that is just an example. My question is, if", "a quest for originality. I know some people like the fantasy cliches, but", "with them. I have ever since been making my fantasy novel more and", "that the very idea of elves is in fact a genre convention, and", "else. Then I made them super weak. Recently, I've decided that the very", "knights, elves, magic, dragons, different species, and so on. Go completely original and", "writing a fantasy novel. Over the countless iterations I've gone through, one thing", "different planet, a lack of modern technology, and the humans use magic. All", "they often tripped and face-planted with everyone else. Then I made them super", "an 'elf' and instantly know that it's a super-strong super-fast super-agile magic-wielding likely-vegetarian", "to me - a very clear line, and an easy way to tell", "I've decided that the very idea of elves is in fact a genre", "On one side of the spectrum you have knights, elves, magic, dragons, different", "sentient race. There are no elves, dwarves, goblins, or any of the other", "need more convention? Edit for future viewers: I've marked the answer by Chrac,", "Edit for future viewers: I've marked the answer by Chrac, because it explain", "be expected. At first I had elves. But they often tripped and face-planted", "against what might be expected. At first I had elves. But they often", "might be expected. At first I had elves. But they often tripped and", "theory behind my question and its solution. I would however like to direct", "pointed ears. And I'm with them. I have ever since been making my", "viewers: I've marked the answer by Chrac, because it explain the theory behind", "centered on humans. I went further. Humans are the only sentient race. There", "to direct future viewers to [Sara Costa's answer](https://writing.stackexchange.com/a/34342/10394) as well, because it creates", "the only sentient race. There are no elves, dwarves, goblins, or any of", "elves. But they often tripped and face-planted with everyone else. Then I made", "often tripped and face-planted with everyone else. Then I made them super weak.", "some people like the fantasy cliches, but a good chunk don't. These people", "that is just an example. My question is, if I intentionally go against", "do you know when you need more originality, or when you need more", "the answer by Chrac, because it explain the theory behind my question and", "first I had elves. But they often tripped and face-planted with everyone else.", "and the humans use magic. All of that is just an example. My", "completely original and you get something really weird, like telepathic super-platypuses swimming in", "novel is now centered on humans. I went further. Humans are the only", "instantly know that it's a super-strong super-fast super-agile magic-wielding likely-vegetarian nature-lover with pointed", "All of that is just an example. My question is, if I intentionally", "been interested in writing a fantasy novel. Over the countless iterations I've gone", "and I have eliminated them entirely. The novel is now centered on humans.", "And I'm with them. I have ever since been making my fantasy novel", "only thing keeping the novel as fantasy at all is that it is", "explain the theory behind my question and its solution. I would however like", "expected races. In fact, the only thing keeping the novel as fantasy at", "races. In fact, the only thing keeping the novel as fantasy at all", "to tell how much is too much in terms of originality vs genre", "you get something really weird, like telepathic super-platypuses swimming in the molten oceans" ]
[ "know there's a lot of questions regarding this topic, but none of them", "perspectives. What makes FPP books so intimate is that you know what the", "on Third person perspective. I have come to believe that there is an", "question: are fantasy novels more prone to have Third person perspective, while others", "too deep into if there's a different level intimacy between the two perspectives.", "told me that FPP in a book is much more intimate, and therefore", "reading \"Eragon\". Now, this isn't the first time I've read a Third person", "perspective. I have come to believe that there is an equal amount of", "believe that there is an equal amount of intimacy between the both perspectives.", "in \"Eragon\", you're often told what the character is thinking. Not only that,", "between the both perspectives. What makes FPP books so intimate is that you", "side, not too important question: are fantasy novels more prone to have Third", "you know what the character is thinking, but in \"Eragon\", you're often told", "delved too deep into if there's a different level intimacy between the two", "is an equal amount of intimacy between the both perspectives. What makes FPP", "written the majority of my books in FPP, but I have recently started", "that, but Third person perspective allows for more information about the plot that", "allows for more information about the plot that would otherwise be hard to", "information about the plot that would otherwise be hard to formulate in a", "is much more intimate, and therefore I have written the majority of my", "for more information about the plot that would otherwise be hard to formulate", "so intimate is that you know what the character is thinking, but in", "thinking, but in \"Eragon\", you're often told what the character is thinking. Not", "questions regarding this topic, but none of them delved too deep into if", "that FPP in a book is much more intimate, and therefore I have", "time I've read a Third person perspective book, but it did refresh my", "perspective book, but it did refresh my look on Third person perspective. I", "first time I've read a Third person perspective book, but it did refresh", "but it did refresh my look on Third person perspective. I have come", "more information about the plot that would otherwise be hard to formulate in", "amount of intimacy between the both perspectives. What makes FPP books so intimate", "important question: are fantasy novels more prone to have Third person perspective, while", "them delved too deep into if there's a different level intimacy between the", "but none of them delved too deep into if there's a different level", "about the plot that would otherwise be hard to formulate in a FPP", "deep into if there's a different level intimacy between the two perspectives. People", "is thinking, but in \"Eragon\", you're often told what the character is thinking.", "I have come to believe that there is an equal amount of intimacy", "the plot that would otherwise be hard to formulate in a FPP story.", "in FPP, but I have recently started reading \"Eragon\". Now, this isn't the", "intimate, and therefore I have written the majority of my books in FPP,", "book, but it did refresh my look on Third person perspective. I have", "read a Third person perspective book, but it did refresh my look on", "of intimacy between the both perspectives. What makes FPP books so intimate is", "FPP, but I have recently started reading \"Eragon\". Now, this isn't the first", "Third person perspective allows for more information about the plot that would otherwise", "perspectives. People have told me that FPP in a book is much more", "my books in FPP, but I have recently started reading \"Eragon\". Now, this", "little side, not too important question: are fantasy novels more prone to have", "know what the character is thinking, but in \"Eragon\", you're often told what", "is thinking. Not only that, but Third person perspective allows for more information", "level intimacy between the two perspectives. People have told me that FPP in", "a little side, not too important question: are fantasy novels more prone to", "in a FPP story. Also, a little side, not too important question: are", "a FPP story. Also, a little side, not too important question: are fantasy", "it did refresh my look on Third person perspective. I have come to", "of questions regarding this topic, but none of them delved too deep into", "that there is an equal amount of intimacy between the both perspectives. What", "into if there's a different level intimacy between the two perspectives. People have", "two perspectives. People have told me that FPP in a book is much", "have told me that FPP in a book is much more intimate, and", "of my books in FPP, but I have recently started reading \"Eragon\". Now,", "I have written the majority of my books in FPP, but I have", "intimate is that you know what the character is thinking, but in \"Eragon\",", "that you know what the character is thinking, but in \"Eragon\", you're often", "plot that would otherwise be hard to formulate in a FPP story. Also,", "books so intimate is that you know what the character is thinking, but", "the character is thinking, but in \"Eragon\", you're often told what the character", "person perspective allows for more information about the plot that would otherwise be", "not too important question: are fantasy novels more prone to have Third person", "FPP in a book is much more intimate, and therefore I have written", "the character is thinking. Not only that, but Third person perspective allows for", "is that you know what the character is thinking, but in \"Eragon\", you're", "and therefore I have written the majority of my books in FPP, but", "a different level intimacy between the two perspectives. People have told me that", "majority of my books in FPP, but I have recently started reading \"Eragon\".", "perspective allows for more information about the plot that would otherwise be hard", "topic, but none of them delved too deep into if there's a different", "this isn't the first time I've read a Third person perspective book, but", "recently started reading \"Eragon\". Now, this isn't the first time I've read a", "fantasy novels more prone to have Third person perspective, while others chose FPP?", "Third person perspective. I have come to believe that there is an equal", "Now, this isn't the first time I've read a Third person perspective book,", "there's a different level intimacy between the two perspectives. People have told me", "thinking. Not only that, but Third person perspective allows for more information about", "to formulate in a FPP story. Also, a little side, not too important", "FPP story. Also, a little side, not too important question: are fantasy novels", "the first time I've read a Third person perspective book, but it did", "none of them delved too deep into if there's a different level intimacy", "person perspective book, but it did refresh my look on Third person perspective.", "me that FPP in a book is much more intimate, and therefore I", "What makes FPP books so intimate is that you know what the character", "of them delved too deep into if there's a different level intimacy between", "the majority of my books in FPP, but I have recently started reading", "both perspectives. What makes FPP books so intimate is that you know what", "often told what the character is thinking. Not only that, but Third person", "formulate in a FPP story. Also, a little side, not too important question:", "look on Third person perspective. I have come to believe that there is", "intimacy between the both perspectives. What makes FPP books so intimate is that", "Third person perspective book, but it did refresh my look on Third person", "my look on Third person perspective. I have come to believe that there", "in a book is much more intimate, and therefore I have written the", "come to believe that there is an equal amount of intimacy between the", "\"Eragon\". Now, this isn't the first time I've read a Third person perspective", "but I have recently started reading \"Eragon\". Now, this isn't the first time", "I've read a Third person perspective book, but it did refresh my look", "have recently started reading \"Eragon\". Now, this isn't the first time I've read", "equal amount of intimacy between the both perspectives. What makes FPP books so", "Not only that, but Third person perspective allows for more information about the", "are fantasy novels more prone to have Third person perspective, while others chose", "but in \"Eragon\", you're often told what the character is thinking. Not only", "\"Eragon\", you're often told what the character is thinking. Not only that, but", "there's a lot of questions regarding this topic, but none of them delved", "there is an equal amount of intimacy between the both perspectives. What makes", "lot of questions regarding this topic, but none of them delved too deep", "the both perspectives. What makes FPP books so intimate is that you know", "much more intimate, and therefore I have written the majority of my books", "what the character is thinking, but in \"Eragon\", you're often told what the", "FPP books so intimate is that you know what the character is thinking,", "would otherwise be hard to formulate in a FPP story. Also, a little", "did refresh my look on Third person perspective. I have come to believe", "book is much more intimate, and therefore I have written the majority of", "only that, but Third person perspective allows for more information about the plot", "between the two perspectives. People have told me that FPP in a book", "makes FPP books so intimate is that you know what the character is", "more intimate, and therefore I have written the majority of my books in", "too important question: are fantasy novels more prone to have Third person perspective,", "if there's a different level intimacy between the two perspectives. People have told", "but Third person perspective allows for more information about the plot that would", "I know there's a lot of questions regarding this topic, but none of", "otherwise be hard to formulate in a FPP story. Also, a little side,", "the two perspectives. People have told me that FPP in a book is", "therefore I have written the majority of my books in FPP, but I", "isn't the first time I've read a Third person perspective book, but it", "have come to believe that there is an equal amount of intimacy between", "I have recently started reading \"Eragon\". Now, this isn't the first time I've", "a lot of questions regarding this topic, but none of them delved too", "hard to formulate in a FPP story. Also, a little side, not too", "People have told me that FPP in a book is much more intimate,", "an equal amount of intimacy between the both perspectives. What makes FPP books", "that would otherwise be hard to formulate in a FPP story. Also, a", "Also, a little side, not too important question: are fantasy novels more prone", "this topic, but none of them delved too deep into if there's a", "intimacy between the two perspectives. People have told me that FPP in a", "a book is much more intimate, and therefore I have written the majority", "different level intimacy between the two perspectives. People have told me that FPP", "a Third person perspective book, but it did refresh my look on Third", "told what the character is thinking. Not only that, but Third person perspective", "refresh my look on Third person perspective. I have come to believe that", "you're often told what the character is thinking. Not only that, but Third", "character is thinking. Not only that, but Third person perspective allows for more", "story. Also, a little side, not too important question: are fantasy novels more", "books in FPP, but I have recently started reading \"Eragon\". Now, this isn't", "regarding this topic, but none of them delved too deep into if there's", "have written the majority of my books in FPP, but I have recently", "be hard to formulate in a FPP story. Also, a little side, not", "started reading \"Eragon\". Now, this isn't the first time I've read a Third", "to believe that there is an equal amount of intimacy between the both", "character is thinking, but in \"Eragon\", you're often told what the character is", "what the character is thinking. Not only that, but Third person perspective allows", "person perspective. I have come to believe that there is an equal amount" ]
[ "The problem is that the supporting character who introduces the MCs so the", "had most of the kinks worked out- but I think I found a", "wouldn't be missed at all- I can't do this though because I need", "for large portions of the story because of this (he actually has the", "his appearances at the beginning and end of the story though, he really", "characters, and then the background characters. All of my primary characters have arcs", "introduces her to the second MC, who takes on the responsability instead (even", "being responsible for solving the problem, so he introduces her to the second", "all the primary characters). If I didn't need him, I'd cut the character", "If I didn't need him, I'd cut the character out of the story,", "last six months, and I thought I had most of the kinks worked", "MCs so the plot can happen does pretty much nothing after making that", "with one of the MCs discovering the problem that drives the plot. The", "because I need him for the story to happen to begin with, as", "story to happen to begin with, as well as to help round out", "story has a very limited cast of characters- 2 MCs, 3 supporting characters,", "of the story because of this (he actually has the smallest presence of", "got as little spotlight time as him, I don't think there would be", "problem, so he introduces her to the second MC, who takes on the", "shouldn't). The supporting character who introduced the MCs has a short arc that", "with my most important character. The story has a very limited cast of", "character. The story has a very limited cast of characters- 2 MCs, 3", "has a very limited cast of characters- 2 MCs, 3 supporting characters, and", "combining him with another character, except I don't have any that I can", "I can do that with. If either of my other supporting characters got", "but I think I found a problem with my most important character. The", "after making that introduction- he isn't present for large portions of the story", "an important character with such a small role workable? What could I do", "and one of the MC's backstory and motivation). I would try combining him", "characters (he's responsible for a lot of the conflict and one of the", "that are relevent to the plot and theme, and to the story of", "don't think there would be a problem, but they don't. Is having an", "be missed at all- I can't do this though because I need him", "my pet project a lot over the last six months, and I thought", "and theme, and to the story of each of the MCs, and all", "If either of my other supporting characters got as little spotlight time as", "the problem and his responsability for solving it. Aside from his appearances at", "beginning and end of the story though, he really doesn't show up much.", "I thought I had most of the kinks worked out- but I think", "appearances at the beginning and end of the story though, he really doesn't", "out- but I think I found a problem with my most important character.", "focus over the course of the story. The problem is that the supporting", "he doesn't want to and really shouldn't). The supporting character who introduced the", "MC's backstory and motivation). I would try combining him with another character, except", "really shouldn't). The supporting character who introduced the MCs has a short arc", "The supporting character who introduced the MCs has a short arc that shows", "would try combining him with another character, except I don't have any that", "since for the most part he wouldn't be missed at all- I can't", "taking over the problem and his responsability for solving it. Aside from his", "(even though he doesn't want to and really shouldn't). The supporting character who", "conflict and one of the MC's backstory and motivation). I would try combining", "my most important character. The story has a very limited cast of characters-", "a problem, but they don't. Is having an important character with such a", "the MC's backstory and motivation). I would try combining him with another character,", "very limited cast of characters- 2 MCs, 3 supporting characters, and then the", "of the story, since for the most part he wouldn't be missed at", "story starts with one of the MCs discovering the problem that drives the", "for solving the problem, so he introduces her to the second MC, who", "and because of his importance to the main characters (he's responsible for a", "all the characters get some focus over the course of the story. The", "problem is that the supporting character who introduces the MCs so the plot", "supporting character in question comes to help her, but is really less than", "to the plot and theme, and to the story of each of the", "The supporting character in question comes to help her, but is really less", "need him, I'd cut the character out of the story, since for the", "backstory and motivation). I would try combining him with another character, except I", "character who introduced the MCs has a short arc that shows up in", "introduces the MCs so the plot can happen does pretty much nothing after", "motivation). I would try combining him with another character, except I don't have", "because of his importance to the main characters (he's responsible for a lot", "as little spotlight time as him, I don't think there would be a", "during the course of the story that ends with him taking over the", "the story because of this (he actually has the smallest presence of all", "six months, and I thought I had most of the kinks worked out-", "All of my primary characters have arcs that are relevent to the plot", "3 supporting characters, and then the background characters. All of my primary characters", "the most part he wouldn't be missed at all- I can't do this", "The story has a very limited cast of characters- 2 MCs, 3 supporting", "don't. Is having an important character with such a small role workable? What", "her to the second MC, who takes on the responsability instead (even though", "the plot. The supporting character in question comes to help her, but is", "the responsability instead (even though he doesn't want to and really shouldn't). The", "characters get some focus over the course of the story. The problem is", "takes on the responsability instead (even though he doesn't want to and really", "Edit: The story starts with one of the MCs discovering the problem that", "supporting characters, and then the background characters. All of my primary characters have", "story because of this (he actually has the smallest presence of all the", "has a short arc that shows up in some spots during the course", "out of the story, since for the most part he wouldn't be missed", "I didn't need him, I'd cut the character out of the story, since", "characters. All of my primary characters have arcs that are relevent to the", "MCs discovering the problem that drives the plot. The supporting character in question", "plot. The supporting character in question comes to help her, but is really", "working on my pet project a lot over the last six months, and", "as to help round out the theme and the world, and because of", "though because I need him for the story to happen to begin with,", "this (he actually has the smallest presence of all the primary characters). If", "at the beginning and end of the story though, he really doesn't show", "him taking over the problem and his responsability for solving it. Aside from", "character, except I don't have any that I can do that with. If", "for solving it. Aside from his appearances at the beginning and end of", "him, I don't think there would be a problem, but they don't. Is", "the last six months, and I thought I had most of the kinks", "to help round out the theme and the world, and because of his", "with, as well as to help round out the theme and the world,", "little spotlight time as him, I don't think there would be a problem,", "has the smallest presence of all the primary characters). If I didn't need", "Aside from his appearances at the beginning and end of the story though,", "that with. If either of my other supporting characters got as little spotlight", "I'd cut the character out of the story, since for the most part", "does pretty much nothing after making that introduction- he isn't present for large", "as well as to help round out the theme and the world, and", "than being responsible for solving the problem, so he introduces her to the", "her, but is really less than interested than being responsible for solving the", "a small role workable? What could I do to feature him in the", "second MC, who takes on the responsability instead (even though he doesn't want", "I don't think there would be a problem, but they don't. Is having", "characters- 2 MCs, 3 supporting characters, and then the background characters. All of", "except I don't have any that I can do that with. If either", "The story starts with one of the MCs discovering the problem that drives", "on my pet project a lot over the last six months, and I", "I think I found a problem with my most important character. The story", "present for large portions of the story because of this (he actually has", "the MCs, and all the characters get some focus over the course of", "over the problem and his responsability for solving it. Aside from his appearances", "I do to feature him in the story more? Edit: The story starts", "well as to help round out the theme and the world, and because", "of all the primary characters). If I didn't need him, I'd cut the", "to happen to begin with, as well as to help round out the", "in the story more? Edit: The story starts with one of the MCs", "but is really less than interested than being responsible for solving the problem,", "isn't present for large portions of the story because of this (he actually", "the story that ends with him taking over the problem and his responsability", "really less than interested than being responsible for solving the problem, so he", "the world, and because of his importance to the main characters (he's responsible", "do to feature him in the story more? Edit: The story starts with", "ends with him taking over the problem and his responsability for solving it.", "it. Aside from his appearances at the beginning and end of the story", "question comes to help her, but is really less than interested than being", "less than interested than being responsible for solving the problem, so he introduces", "I had most of the kinks worked out- but I think I found", "a lot of the conflict and one of the MC's backstory and motivation).", "happen does pretty much nothing after making that introduction- he isn't present for", "get some focus over the course of the story. The problem is that", "they don't. Is having an important character with such a small role workable?", "introduced the MCs has a short arc that shows up in some spots", "begin with, as well as to help round out the theme and the", "MC, who takes on the responsability instead (even though he doesn't want to", "of my other supporting characters got as little spotlight time as him, I", "cut the character out of the story, since for the most part he", "of the MCs discovering the problem that drives the plot. The supporting character", "arc that shows up in some spots during the course of the story", "in some spots during the course of the story that ends with him", "important character with such a small role workable? What could I do to", "course of the story. The problem is that the supporting character who introduces", "the problem that drives the plot. The supporting character in question comes to", "interested than being responsible for solving the problem, so he introduces her to", "all- I can't do this though because I need him for the story", "making that introduction- he isn't present for large portions of the story because", "problem that drives the plot. The supporting character in question comes to help", "theme, and to the story of each of the MCs, and all the", "think I found a problem with my most important character. The story has", "the plot and theme, and to the story of each of the MCs,", "plot can happen does pretty much nothing after making that introduction- he isn't", "character with such a small role workable? What could I do to feature", "small role workable? What could I do to feature him in the story", "responsible for solving the problem, so he introduces her to the second MC,", "need him for the story to happen to begin with, as well as", "each of the MCs, and all the characters get some focus over the", "that I can do that with. If either of my other supporting characters", "as him, I don't think there would be a problem, but they don't.", "nothing after making that introduction- he isn't present for large portions of the", "kinks worked out- but I think I found a problem with my most", "course of the story that ends with him taking over the problem and", "do that with. If either of my other supporting characters got as little", "that ends with him taking over the problem and his responsability for solving", "primary characters). If I didn't need him, I'd cut the character out of", "problem with my most important character. The story has a very limited cast", "try combining him with another character, except I don't have any that I", "large portions of the story because of this (he actually has the smallest", "responsability instead (even though he doesn't want to and really shouldn't). The supporting", "to help her, but is really less than interested than being responsible for", "the primary characters). If I didn't need him, I'd cut the character out", "spotlight time as him, I don't think there would be a problem, but", "have any that I can do that with. If either of my other", "characters have arcs that are relevent to the plot and theme, and to", "responsible for a lot of the conflict and one of the MC's backstory", "time as him, I don't think there would be a problem, but they", "problem and his responsability for solving it. Aside from his appearances at the", "primary characters have arcs that are relevent to the plot and theme, and", "main characters (he's responsible for a lot of the conflict and one of", "the problem, so he introduces her to the second MC, who takes on", "thought I had most of the kinks worked out- but I think I", "solving it. Aside from his appearances at the beginning and end of the", "there would be a problem, but they don't. Is having an important character", "I would try combining him with another character, except I don't have any", "(he's responsible for a lot of the conflict and one of the MC's", "What could I do to feature him in the story more? Edit: The", "of the story that ends with him taking over the problem and his", "out the theme and the world, and because of his importance to the", "his responsability for solving it. Aside from his appearances at the beginning and", "in question comes to help her, but is really less than interested than", "I don't have any that I can do that with. If either of", "worked out- but I think I found a problem with my most important", "to begin with, as well as to help round out the theme and", "that introduction- he isn't present for large portions of the story because of", "theme and the world, and because of his importance to the main characters", "is really less than interested than being responsible for solving the problem, so", "and then the background characters. All of my primary characters have arcs that", "months, and I thought I had most of the kinks worked out- but", "because of this (he actually has the smallest presence of all the primary", "over the last six months, and I thought I had most of the", "the story. The problem is that the supporting character who introduces the MCs", "but they don't. Is having an important character with such a small role", "world, and because of his importance to the main characters (he's responsible for", "any that I can do that with. If either of my other supporting", "short arc that shows up in some spots during the course of the", "other supporting characters got as little spotlight time as him, I don't think", "the character out of the story, since for the most part he wouldn't", "him for the story to happen to begin with, as well as to", "character out of the story, since for the most part he wouldn't be", "actually has the smallest presence of all the primary characters). If I didn't", "presence of all the primary characters). If I didn't need him, I'd cut", "this though because I need him for the story to happen to begin", "more? Edit: The story starts with one of the MCs discovering the problem", "at all- I can't do this though because I need him for the", "the main characters (he's responsible for a lot of the conflict and one", "and I thought I had most of the kinks worked out- but I", "part he wouldn't be missed at all- I can't do this though because", "of the conflict and one of the MC's backstory and motivation). I would", "the course of the story. The problem is that the supporting character who", "of the MCs, and all the characters get some focus over the course", "over the course of the story. The problem is that the supporting character", "is that the supporting character who introduces the MCs so the plot can", "workable? What could I do to feature him in the story more? Edit:", "important character. The story has a very limited cast of characters- 2 MCs,", "such a small role workable? What could I do to feature him in", "story that ends with him taking over the problem and his responsability for", "to the story of each of the MCs, and all the characters get", "importance to the main characters (he's responsible for a lot of the conflict", "do this though because I need him for the story to happen to", "didn't need him, I'd cut the character out of the story, since for", "feature him in the story more? Edit: The story starts with one of", "discovering the problem that drives the plot. The supporting character in question comes", "he wouldn't be missed at all- I can't do this though because I", "for a lot of the conflict and one of the MC's backstory and", "a problem with my most important character. The story has a very limited", "for the story to happen to begin with, as well as to help", "MCs, 3 supporting characters, and then the background characters. All of my primary", "the plot can happen does pretty much nothing after making that introduction- he", "round out the theme and the world, and because of his importance to", "characters got as little spotlight time as him, I don't think there would", "background characters. All of my primary characters have arcs that are relevent to", "help her, but is really less than interested than being responsible for solving", "on the responsability instead (even though he doesn't want to and really shouldn't).", "of his importance to the main characters (he's responsible for a lot of", "my primary characters have arcs that are relevent to the plot and theme,", "I need him for the story to happen to begin with, as well", "the story of each of the MCs, and all the characters get some", "2 MCs, 3 supporting characters, and then the background characters. All of my", "a lot over the last six months, and I thought I had most", "help round out the theme and the world, and because of his importance", "much nothing after making that introduction- he isn't present for large portions of", "he introduces her to the second MC, who takes on the responsability instead", "MCs has a short arc that shows up in some spots during the", "of the kinks worked out- but I think I found a problem with", "most important character. The story has a very limited cast of characters- 2", "the supporting character who introduces the MCs so the plot can happen does", "story more? Edit: The story starts with one of the MCs discovering the", "from his appearances at the beginning and end of the story though, he", "to the second MC, who takes on the responsability instead (even though he", "so he introduces her to the second MC, who takes on the responsability", "missed at all- I can't do this though because I need him for", "a very limited cast of characters- 2 MCs, 3 supporting characters, and then", "pet project a lot over the last six months, and I thought I", "and the world, and because of his importance to the main characters (he's", "introduction- he isn't present for large portions of the story because of this", "with such a small role workable? What could I do to feature him", "the conflict and one of the MC's backstory and motivation). I would try", "found a problem with my most important character. The story has a very", "drives the plot. The supporting character in question comes to help her, but", "of the MC's backstory and motivation). I would try combining him with another", "the second MC, who takes on the responsability instead (even though he doesn't", "him in the story more? Edit: The story starts with one of the", "and motivation). I would try combining him with another character, except I don't", "up in some spots during the course of the story that ends with", "the MCs discovering the problem that drives the plot. The supporting character in", "most of the kinks worked out- but I think I found a problem", "want to and really shouldn't). The supporting character who introduced the MCs has", "who introduced the MCs has a short arc that shows up in some", "shows up in some spots during the course of the story that ends", "comes to help her, but is really less than interested than being responsible", "cast of characters- 2 MCs, 3 supporting characters, and then the background characters.", "solving the problem, so he introduces her to the second MC, who takes", "story. The problem is that the supporting character who introduces the MCs so", "though he doesn't want to and really shouldn't). The supporting character who introduced", "and really shouldn't). The supporting character who introduced the MCs has a short", "pretty much nothing after making that introduction- he isn't present for large portions", "character in question comes to help her, but is really less than interested", "the beginning and end of the story though, he really doesn't show up", "of characters- 2 MCs, 3 supporting characters, and then the background characters. All", "the kinks worked out- but I think I found a problem with my", "a short arc that shows up in some spots during the course of", "I can't do this though because I need him for the story to", "character who introduces the MCs so the plot can happen does pretty much", "the story more? Edit: The story starts with one of the MCs discovering", "to and really shouldn't). The supporting character who introduced the MCs has a", "limited cast of characters- 2 MCs, 3 supporting characters, and then the background", "to feature him in the story more? Edit: The story starts with one", "could I do to feature him in the story more? Edit: The story", "problem, but they don't. Is having an important character with such a small", "his importance to the main characters (he's responsible for a lot of the", "and all the characters get some focus over the course of the story.", "another character, except I don't have any that I can do that with.", "story, since for the most part he wouldn't be missed at all- I", "my other supporting characters got as little spotlight time as him, I don't", "the story, since for the most part he wouldn't be missed at all-", "him with another character, except I don't have any that I can do", "starts with one of the MCs discovering the problem that drives the plot.", "instead (even though he doesn't want to and really shouldn't). The supporting character", "don't have any that I can do that with. If either of my", "to the main characters (he's responsible for a lot of the conflict and", "responsability for solving it. Aside from his appearances at the beginning and end", "some focus over the course of the story. The problem is that the", "project a lot over the last six months, and I thought I had", "one of the MC's backstory and motivation). I would try combining him with", "the smallest presence of all the primary characters). If I didn't need him,", "spots during the course of the story that ends with him taking over", "so the plot can happen does pretty much nothing after making that introduction-", "most part he wouldn't be missed at all- I can't do this though", "can't do this though because I need him for the story to happen", "that the supporting character who introduces the MCs so the plot can happen", "of the story. The problem is that the supporting character who introduces the", "the MCs has a short arc that shows up in some spots during", "role workable? What could I do to feature him in the story more?", "the theme and the world, and because of his importance to the main", "of this (he actually has the smallest presence of all the primary characters).", "characters). If I didn't need him, I'd cut the character out of the", "happen to begin with, as well as to help round out the theme", "(he actually has the smallest presence of all the primary characters). If I", "the story to happen to begin with, as well as to help round", "I found a problem with my most important character. The story has a", "relevent to the plot and theme, and to the story of each of", "than interested than being responsible for solving the problem, so he introduces her", "with him taking over the problem and his responsability for solving it. Aside", "the background characters. All of my primary characters have arcs that are relevent", "can happen does pretty much nothing after making that introduction- he isn't present", "doesn't want to and really shouldn't). The supporting character who introduced the MCs", "lot over the last six months, and I thought I had most of", "think there would be a problem, but they don't. Is having an important", "that drives the plot. The supporting character in question comes to help her,", "story of each of the MCs, and all the characters get some focus", "and his responsability for solving it. Aside from his appearances at the beginning", "one of the MCs discovering the problem that drives the plot. The supporting", "supporting characters got as little spotlight time as him, I don't think there", "lot of the conflict and one of the MC's backstory and motivation). I", "be a problem, but they don't. Is having an important character with such", "some spots during the course of the story that ends with him taking", "he isn't present for large portions of the story because of this (he", "arcs that are relevent to the plot and theme, and to the story", "are relevent to the plot and theme, and to the story of each", "of my primary characters have arcs that are relevent to the plot and", "the MCs so the plot can happen does pretty much nothing after making", "the course of the story that ends with him taking over the problem", "I've been working on my pet project a lot over the last six", "the characters get some focus over the course of the story. The problem", "MCs, and all the characters get some focus over the course of the", "would be a problem, but they don't. Is having an important character with", "supporting character who introduced the MCs has a short arc that shows up", "plot and theme, and to the story of each of the MCs, and", "portions of the story because of this (he actually has the smallest presence", "smallest presence of all the primary characters). If I didn't need him, I'd", "that shows up in some spots during the course of the story that", "with another character, except I don't have any that I can do that", "for the most part he wouldn't be missed at all- I can't do", "who introduces the MCs so the plot can happen does pretty much nothing", "with. If either of my other supporting characters got as little spotlight time", "having an important character with such a small role workable? What could I", "then the background characters. All of my primary characters have arcs that are", "been working on my pet project a lot over the last six months,", "can do that with. If either of my other supporting characters got as", "supporting character who introduces the MCs so the plot can happen does pretty", "him, I'd cut the character out of the story, since for the most", "of each of the MCs, and all the characters get some focus over", "either of my other supporting characters got as little spotlight time as him,", "who takes on the responsability instead (even though he doesn't want to and", "Is having an important character with such a small role workable? What could", "and to the story of each of the MCs, and all the characters", "have arcs that are relevent to the plot and theme, and to the" ]
[ "Arthur Donaldson XIV in such a way that other writers could freely plug", "I hope this is not too vague, but I'm wondering if there is", "arc-welder, who moonlights as a card-counter and a Moped Mechanic. Is there a", "freely use them. E.g., let's say I have a fictional character named Donald", "let's say I have a fictional character named Donald Arthur Donaldson XIV, and", "E.g., let's say I have a fictional character named Donald Arthur Donaldson XIV,", "is a way to release fictional creations in a way that would allow", "Moped Mechanic. Is there a way I could release write-ups, short stories, et", "character named Donald Arthur Donaldson XIV, and he is an actuary turned arc-welder,", "there a way I could release write-ups, short stories, et cetera of Donald", "he is an actuary turned arc-welder, who moonlights as a card-counter and a", "moonlights as a card-counter and a Moped Mechanic. Is there a way I", "write-ups, short stories, et cetera of Donald Arthur Donaldson XIV in such a", "creations in a way that would allow other writers to freely use them.", "and he is an actuary turned arc-welder, who moonlights as a card-counter and", "turned arc-welder, who moonlights as a card-counter and a Moped Mechanic. Is there", "named Donald Arthur Donaldson XIV, and he is an actuary turned arc-welder, who", "there is a way to release fictional creations in a way that would", "short stories, et cetera of Donald Arthur Donaldson XIV in such a way", "Mechanic. Is there a way I could release write-ups, short stories, et cetera", "a way to release fictional creations in a way that would allow other", "in such a way that other writers could freely plug him into their", "cetera of Donald Arthur Donaldson XIV in such a way that other writers", "Is there a way I could release write-ups, short stories, et cetera of", "way I could release write-ups, short stories, et cetera of Donald Arthur Donaldson", "have a fictional character named Donald Arthur Donaldson XIV, and he is an", "them. E.g., let's say I have a fictional character named Donald Arthur Donaldson", "and a Moped Mechanic. Is there a way I could release write-ups, short", "et cetera of Donald Arthur Donaldson XIV in such a way that other", "not too vague, but I'm wondering if there is a way to release", "wondering if there is a way to release fictional creations in a way", "other writers to freely use them. E.g., let's say I have a fictional", "that would allow other writers to freely use them. E.g., let's say I", "if there is a way to release fictional creations in a way that", "stories, et cetera of Donald Arthur Donaldson XIV in such a way that", "Donald Arthur Donaldson XIV, and he is an actuary turned arc-welder, who moonlights", "XIV, and he is an actuary turned arc-welder, who moonlights as a card-counter", "too vague, but I'm wondering if there is a way to release fictional", "Arthur Donaldson XIV, and he is an actuary turned arc-welder, who moonlights as", "way to release fictional creations in a way that would allow other writers", "could release write-ups, short stories, et cetera of Donald Arthur Donaldson XIV in", "vague, but I'm wondering if there is a way to release fictional creations", "in a way that would allow other writers to freely use them. E.g.,", "such a way that other writers could freely plug him into their story?", "of Donald Arthur Donaldson XIV in such a way that other writers could", "I could release write-ups, short stories, et cetera of Donald Arthur Donaldson XIV", "as a card-counter and a Moped Mechanic. Is there a way I could", "but I'm wondering if there is a way to release fictional creations in", "this is not too vague, but I'm wondering if there is a way", "fictional character named Donald Arthur Donaldson XIV, and he is an actuary turned", "card-counter and a Moped Mechanic. Is there a way I could release write-ups,", "writers to freely use them. E.g., let's say I have a fictional character", "to release fictional creations in a way that would allow other writers to", "way that would allow other writers to freely use them. E.g., let's say", "release write-ups, short stories, et cetera of Donald Arthur Donaldson XIV in such", "an actuary turned arc-welder, who moonlights as a card-counter and a Moped Mechanic.", "would allow other writers to freely use them. E.g., let's say I have", "XIV in such a way that other writers could freely plug him into", "hope this is not too vague, but I'm wondering if there is a", "say I have a fictional character named Donald Arthur Donaldson XIV, and he", "release fictional creations in a way that would allow other writers to freely", "fictional creations in a way that would allow other writers to freely use", "a way I could release write-ups, short stories, et cetera of Donald Arthur", "who moonlights as a card-counter and a Moped Mechanic. Is there a way", "a Moped Mechanic. Is there a way I could release write-ups, short stories,", "use them. E.g., let's say I have a fictional character named Donald Arthur", "Donaldson XIV, and he is an actuary turned arc-welder, who moonlights as a", "I have a fictional character named Donald Arthur Donaldson XIV, and he is", "to freely use them. E.g., let's say I have a fictional character named", "Donaldson XIV in such a way that other writers could freely plug him", "a way that would allow other writers to freely use them. E.g., let's", "actuary turned arc-welder, who moonlights as a card-counter and a Moped Mechanic. Is", "is not too vague, but I'm wondering if there is a way to", "is an actuary turned arc-welder, who moonlights as a card-counter and a Moped", "a card-counter and a Moped Mechanic. Is there a way I could release", "I'm wondering if there is a way to release fictional creations in a", "Donald Arthur Donaldson XIV in such a way that other writers could freely", "allow other writers to freely use them. E.g., let's say I have a", "a fictional character named Donald Arthur Donaldson XIV, and he is an actuary" ]
[ "of the day, and only continued on their way when the sun hung", "and flowering trees a lot in both descriptions and dialogue. Trouble is, many", "all, and break the flow of the narration. If I limit myself only", "a fantasy novel set in the Middle East. For multiple reasons related to", "them that I don't get stuck seeking for something that would be in", "am writing a fantasy novel set in the Middle East. For multiple reasons", "flow of the narration. If I limit myself only to plants with common", "be in flower in a given habitat in a given season, and please", "Middle East. For multiple reasons related to both plot and atmosphere, I'm using", "that I don't get stuck seeking for something that would be in flower", "- only clunky Latin names. For example: > > They rested under the", "common in the Middle East don't have common names in English - only", "> > > Or > > They're as impossible to kill as a", "a Faidherbia albida. > > > The Latin names evoke nothing at all,", "both descriptions and dialogue. Trouble is, many plants that are very common in", "of the narration. If I limit myself only to plants with common English", "atmosphere, I'm using flowers and flowering trees a lot in both descriptions and", "> They rested under the branches of a Vachellia tortilis during the hot", "a small subset of the flora I see around me. Is there a", "related to both plot and atmosphere, I'm using flowers and flowering trees a", "flora I see around me. Is there a way I can make use", "there a way I can make use of the full range of Middle-Eastern", "am left with only a small subset of the flora I see around", "very common in the Middle East don't have common names in English -", "the branches of a Vachellia tortilis during the hot hours of the day,", "the narration. If I limit myself only to plants with common English names,", "the trees out into a clearing covered with Sternbergias in full bloom. >", "nothing at all, and break the flow of the narration. If I limit", "of the full range of Middle-Eastern plants (or at least of enough of", "name), without the text creaking, clunking, and crashing into a wall of disinterest?", "hours of the day, and only continued on their way when the sun", "Or > > He walked from between the trees out into a clearing", "> > Or > > They're as impossible to kill as a Faidherbia", "on their way when the sun hung low over the West horizon. >", "to both plot and atmosphere, I'm using flowers and flowering trees a lot", "their way when the sun hung low over the West horizon. > >", "fantasy novel set in the Middle East. For multiple reasons related to both", "Middle East don't have common names in English - only clunky Latin names.", "> > > The Latin names evoke nothing at all, and break the", "least of enough of them that I don't get stuck seeking for something", "Faidherbia albida. > > > The Latin names evoke nothing at all, and", "during the hot hours of the day, and only continued on their way", "reasons related to both plot and atmosphere, I'm using flowers and flowering trees", "clearing covered with Sternbergias in full bloom. > > > Or > >", "> The Latin names evoke nothing at all, and break the flow of", "over the West horizon. > > > Or > > He walked from", "please please have an English common name), without the text creaking, clunking, and", "full range of Middle-Eastern plants (or at least of enough of them that", "trees a lot in both descriptions and dialogue. Trouble is, many plants that", "in the Middle East. For multiple reasons related to both plot and atmosphere,", "names evoke nothing at all, and break the flow of the narration. If", "I am left with only a small subset of the flora I see", "in a given habitat in a given season, and please please please have", "habitat in a given season, and please please please have an English common", "East don't have common names in English - only clunky Latin names. For", "please please please have an English common name), without the text creaking, clunking,", "writing a fantasy novel set in the Middle East. For multiple reasons related", "clunky Latin names. For example: > > They rested under the branches of", "around me. Is there a way I can make use of the full", "a Vachellia tortilis during the hot hours of the day, and only continued", "day, and only continued on their way when the sun hung low over", "are very common in the Middle East don't have common names in English", "trees out into a clearing covered with Sternbergias in full bloom. > >", "kill as a Faidherbia albida. > > > The Latin names evoke nothing", "both plot and atmosphere, I'm using flowers and flowering trees a lot in", "break the flow of the narration. If I limit myself only to plants", "only continued on their way when the sun hung low over the West", "the Middle East. For multiple reasons related to both plot and atmosphere, I'm", "horizon. > > > Or > > He walked from between the trees", "see around me. Is there a way I can make use of the", "set in the Middle East. For multiple reasons related to both plot and", "many plants that are very common in the Middle East don't have common", "for something that would be in flower in a given habitat in a", "plot and atmosphere, I'm using flowers and flowering trees a lot in both", "full bloom. > > > Or > > They're as impossible to kill", "names. For example: > > They rested under the branches of a Vachellia", "to kill as a Faidherbia albida. > > > The Latin names evoke", "(or at least of enough of them that I don't get stuck seeking", "would be in flower in a given habitat in a given season, and", "I can make use of the full range of Middle-Eastern plants (or at", "rested under the branches of a Vachellia tortilis during the hot hours of", "covered with Sternbergias in full bloom. > > > Or > > They're", "low over the West horizon. > > > Or > > He walked", "branches of a Vachellia tortilis during the hot hours of the day, and", "of Middle-Eastern plants (or at least of enough of them that I don't", "I don't get stuck seeking for something that would be in flower in", "East. For multiple reasons related to both plot and atmosphere, I'm using flowers", "multiple reasons related to both plot and atmosphere, I'm using flowers and flowering", "use of the full range of Middle-Eastern plants (or at least of enough", "in a given season, and please please please have an English common name),", "novel set in the Middle East. For multiple reasons related to both plot", "I'm using flowers and flowering trees a lot in both descriptions and dialogue.", "can make use of the full range of Middle-Eastern plants (or at least", "with only a small subset of the flora I see around me. Is", "Middle-Eastern plants (or at least of enough of them that I don't get", "only a small subset of the flora I see around me. Is there", "English - only clunky Latin names. For example: > > They rested under", "and atmosphere, I'm using flowers and flowering trees a lot in both descriptions", "please have an English common name), without the text creaking, clunking, and crashing", "from between the trees out into a clearing covered with Sternbergias in full", "at least of enough of them that I don't get stuck seeking for", "is, many plants that are very common in the Middle East don't have", "Vachellia tortilis during the hot hours of the day, and only continued on", "the flow of the narration. If I limit myself only to plants with", "in English - only clunky Latin names. For example: > > They rested", "For example: > > They rested under the branches of a Vachellia tortilis", "The Latin names evoke nothing at all, and break the flow of the", "a lot in both descriptions and dialogue. Trouble is, many plants that are", "to plants with common English names, I am left with only a small", "Trouble is, many plants that are very common in the Middle East don't", "with Sternbergias in full bloom. > > > Or > > They're as", "continued on their way when the sun hung low over the West horizon.", "common name), without the text creaking, clunking, and crashing into a wall of", "the sun hung low over the West horizon. > > > Or >", "me. Is there a way I can make use of the full range", "under the branches of a Vachellia tortilis during the hot hours of the", "the flora I see around me. Is there a way I can make", "the hot hours of the day, and only continued on their way when", "flower in a given habitat in a given season, and please please please", "way I can make use of the full range of Middle-Eastern plants (or", "limit myself only to plants with common English names, I am left with", "a way I can make use of the full range of Middle-Eastern plants", "If I limit myself only to plants with common English names, I am", "impossible to kill as a Faidherbia albida. > > > The Latin names", "Latin names. For example: > > They rested under the branches of a", "at all, and break the flow of the narration. If I limit myself", "tortilis during the hot hours of the day, and only continued on their", "names, I am left with only a small subset of the flora I", "the day, and only continued on their way when the sun hung low", "Latin names evoke nothing at all, and break the flow of the narration.", "They rested under the branches of a Vachellia tortilis during the hot hours", "of a Vachellia tortilis during the hot hours of the day, and only", "season, and please please please have an English common name), without the text", "descriptions and dialogue. Trouble is, many plants that are very common in the", "that are very common in the Middle East don't have common names in", "between the trees out into a clearing covered with Sternbergias in full bloom.", "bloom. > > > Or > > They're as impossible to kill as", "> > Or > > He walked from between the trees out into", "> > He walked from between the trees out into a clearing covered", "only to plants with common English names, I am left with only a", "the full range of Middle-Eastern plants (or at least of enough of them", "don't get stuck seeking for something that would be in flower in a", "> He walked from between the trees out into a clearing covered with", "subset of the flora I see around me. Is there a way I", "and please please please have an English common name), without the text creaking,", "hot hours of the day, and only continued on their way when the", "Or > > They're as impossible to kill as a Faidherbia albida. >", "sun hung low over the West horizon. > > > Or > >", "plants with common English names, I am left with only a small subset", "of the flora I see around me. Is there a way I can", "example: > > They rested under the branches of a Vachellia tortilis during", "enough of them that I don't get stuck seeking for something that would", "common names in English - only clunky Latin names. For example: > >", "I am writing a fantasy novel set in the Middle East. For multiple", "names in English - only clunky Latin names. For example: > > They", "plants that are very common in the Middle East don't have common names", "left with only a small subset of the flora I see around me.", "stuck seeking for something that would be in flower in a given habitat", "a given season, and please please please have an English common name), without", "and dialogue. Trouble is, many plants that are very common in the Middle", "Sternbergias in full bloom. > > > Or > > They're as impossible", "> They're as impossible to kill as a Faidherbia albida. > > >", "seeking for something that would be in flower in a given habitat in", "a clearing covered with Sternbergias in full bloom. > > > Or >", "narration. If I limit myself only to plants with common English names, I", "plants (or at least of enough of them that I don't get stuck", "> > They're as impossible to kill as a Faidherbia albida. > >", "have an English common name), without the text creaking, clunking, and crashing into", "get stuck seeking for something that would be in flower in a given", "I see around me. Is there a way I can make use of", "when the sun hung low over the West horizon. > > > Or", "lot in both descriptions and dialogue. 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For example: >", "a given habitat in a given season, and please please please have an", "> Or > > They're as impossible to kill as a Faidherbia albida.", "out into a clearing covered with Sternbergias in full bloom. > > >", "and only continued on their way when the sun hung low over the", "only clunky Latin names. For example: > > They rested under the branches", "> > > Or > > He walked from between the trees out", "of enough of them that I don't get stuck seeking for something that", "given habitat in a given season, and please please please have an English", "I limit myself only to plants with common English names, I am left", "in the Middle East don't have common names in English - only clunky", "They're as impossible to kill as a Faidherbia albida. > > > The", "in flower in a given habitat in a given season, and please please", "range of Middle-Eastern plants (or at least of enough of them that I", "dialogue. Trouble is, many plants that are very common in the Middle East", "the West horizon. > > > Or > > He walked from between", "that would be in flower in a given habitat in a given season,", "walked from between the trees out into a clearing covered with Sternbergias in", "using flowers and flowering trees a lot in both descriptions and dialogue. Trouble", "don't have common names in English - only clunky Latin names. For example:", "of them that I don't get stuck seeking for something that would be", "common English names, I am left with only a small subset of the", "flowers and flowering trees a lot in both descriptions and dialogue. Trouble is,", "small subset of the flora I see around me. Is there a way", "English common name), without the text creaking, clunking, and crashing into a wall", "and break the flow of the narration. 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[ "write can really only be written in one of two ways. Basically it's", "went with the first option, said that the protagonists teleported to the White", "to want to have words with them and lay down the law -", "have words with them and lay down the law - the new law", "universe with all the same people as the real universe, using their real", "of the latter approach would be better insulation from legal action and it", "down the law - the new law anyways. So my two choices are", "not tied to real people at this moment in history. My question is", "Trump for example - or Mitch McConnell, Xaul Lyog, Pence - the protagonists", "the latter approach would be better insulation from legal action and it would", "etc. Take Trump for example - or Mitch McConnell, Xaul Lyog, Pence -", "world to get better - ie, they want to use their power and", "world, a handful of people develop god-like powers, and some of them want", "being sued or otherwise being taken to court? PS. I looked at other", "a man. The benefit of the latter approach would be better insulation from", "I went with the first option, said that the protagonists teleported to the", "these characters in passing, but spends a chapter or two with them, possibly", "Lyog, Pence - the protagonists are going to want to have words with", "get better - ie, they want to use their power and nigh unstoppability", "lay down the law - the new law anyways. So my two choices", "Ronald King, a real jackass of a man. The benefit of the latter", "interacting with world leaders, thought leaders, major corporations, etc. Take Trump for example", "Pence - the protagonists are going to want to have words with them", "new law anyways. So my two choices are - right about a fictional", "a handful of people develop god-like powers, and some of them want to", "- right about a fictional parallel universe with all the same people as", "they will be interacting with world leaders, thought leaders, major corporations, etc. Take", "facto dictators. This means they will be interacting with world leaders, thought leaders,", "super(s) are becoming de facto dictators. This means they will be interacting with", "yielded to them - what is my real risk to being sued or", "the White House and threatened Trump, whereupon he cravenly and quickly yielded to", "as my fiction doesn't just use these characters in passing, but spends a", "written in one of two ways. Basically it's the modern world, a handful", "can really only be written in one of two ways. Basically it's the", "and didn't really find the answers I was looking for, as my fiction", "find the answers I was looking for, as my fiction doesn't just use", "a real jackass of a man. The benefit of the latter approach would", "is this: If I went with the first option, said that the protagonists", "thought leaders, major corporations, etc. Take Trump for example - or Mitch McConnell,", "real names, OR - I could create all new name like President Ronald", "powers, and some of them want to use those powers to force the", "be better insulation from legal action and it would probably be a little", "already on this site, and didn't really find the answers I was looking", "- I could create all new name like President Ronald King, a real", "use those powers to force the world to get better - ie, they", "real jackass of a man. The benefit of the latter approach would be", "I could create all new name like President Ronald King, a real jackass", "leaders, thought leaders, major corporations, etc. Take Trump for example - or Mitch", "universe, using their real names, OR - I could create all new name", "story I want to write can really only be written in one of", "the protagonists teleported to the White House and threatened Trump, whereupon he cravenly", "handful of people develop god-like powers, and some of them want to use", "option, said that the protagonists teleported to the White House and threatened Trump,", "man. The benefit of the latter approach would be better insulation from legal", "In other words, the super(s) are becoming de facto dictators. This means they", "similar topics already on this site, and didn't really find the answers I", "them - what is my real risk to being sued or otherwise being", "court? PS. I looked at other similar topics already on this site, and", "force the world to get better - ie, they want to use their", "other words, the super(s) are becoming de facto dictators. This means they will", "the protagonists are going to want to have words with them and lay", "The benefit of the latter approach would be better insulation from legal action", "first option, said that the protagonists teleported to the White House and threatened", "cravenly and quickly yielded to them - what is my real risk to", "- what is my real risk to being sued or otherwise being taken", "other similar topics already on this site, and didn't really find the answers", "at other similar topics already on this site, and didn't really find the", "all the same people as the real universe, using their real names, OR", "dictate terms to all badly behaving actors in the world to act according", "Xaul Lyog, Pence - the protagonists are going to want to have words", "of two ways. Basically it's the modern world, a handful of people develop", "Basically it's the modern world, a handful of people develop god-like powers, and", "is my real risk to being sued or otherwise being taken to court?", "answers I was looking for, as my fiction doesn't just use these characters", "to use their power and nigh unstoppability to dictate terms to all badly", "be written in one of two ways. Basically it's the modern world, a", "want to use those powers to force the world to get better -", "This means they will be interacting with world leaders, thought leaders, major corporations,", "a fictional parallel universe with all the same people as the real universe,", "all new name like President Ronald King, a real jackass of a man.", "President Ronald King, a real jackass of a man. The benefit of the", "real universe, using their real names, OR - I could create all new", "about a fictional parallel universe with all the same people as the real", "parallel universe with all the same people as the real universe, using their", "more timeless if not tied to real people at this moment in history.", "timeless if not tied to real people at this moment in history. My", "otherwise being taken to court? PS. I looked at other similar topics already", "words with them and lay down the law - the new law anyways.", "right about a fictional parallel universe with all the same people as the", "or Mitch McConnell, Xaul Lyog, Pence - the protagonists are going to want", "example - or Mitch McConnell, Xaul Lyog, Pence - the protagonists are going", "ways. Basically it's the modern world, a handful of people develop god-like powers,", "them want to use those powers to force the world to get better", "topics already on this site, and didn't really find the answers I was", "I was looking for, as my fiction doesn't just use these characters in", "I want to write can really only be written in one of two", "be interacting with world leaders, thought leaders, major corporations, etc. Take Trump for", "two ways. Basically it's the modern world, a handful of people develop god-like", "So my two choices are - right about a fictional parallel universe with", "risk to being sued or otherwise being taken to court? PS. I looked", "my real risk to being sued or otherwise being taken to court? PS.", "- the protagonists are going to want to have words with them and", "didn't really find the answers I was looking for, as my fiction doesn't", "to them - what is my real risk to being sued or otherwise", "to court? PS. I looked at other similar topics already on this site,", "to get better - ie, they want to use their power and nigh", "real risk to being sued or otherwise being taken to court? PS. I", "that the protagonists teleported to the White House and threatened Trump, whereupon he", "latter approach would be better insulation from legal action and it would probably", "it would probably be a little more timeless if not tied to real", "standards. In other words, the super(s) are becoming de facto dictators. This means", "real people at this moment in history. My question is this: If I", "would probably be a little more timeless if not tied to real people", "(the supers') standards. In other words, the super(s) are becoming de facto dictators.", "Mitch McConnell, Xaul Lyog, Pence - the protagonists are going to want to", "approach would be better insulation from legal action and it would probably be", "to all badly behaving actors in the world to act according to their", "characters in passing, but spends a chapter or two with them, possibly more.", "this site, and didn't really find the answers I was looking for, as", "this moment in history. My question is this: If I went with the", "world to act according to their (the supers') standards. In other words, the", "law - the new law anyways. So my two choices are - right", "moment in history. My question is this: If I went with the first", "de facto dictators. This means they will be interacting with world leaders, thought", "powers to force the world to get better - ie, they want to", "jackass of a man. The benefit of the latter approach would be better", "according to their (the supers') standards. In other words, the super(s) are becoming", "their real names, OR - I could create all new name like President", "King, a real jackass of a man. The benefit of the latter approach", "and some of them want to use those powers to force the world", "means they will be interacting with world leaders, thought leaders, major corporations, etc.", "only be written in one of two ways. Basically it's the modern world,", "dictators. This means they will be interacting with world leaders, thought leaders, major", "teleported to the White House and threatened Trump, whereupon he cravenly and quickly", "he cravenly and quickly yielded to them - what is my real risk", "the answers I was looking for, as my fiction doesn't just use these", "McConnell, Xaul Lyog, Pence - the protagonists are going to want to have", "the first option, said that the protagonists teleported to the White House and", "want to have words with them and lay down the law - the", "people as the real universe, using their real names, OR - I could", "those powers to force the world to get better - ie, they want", "really only be written in one of two ways. Basically it's the modern", "my two choices are - right about a fictional parallel universe with all", "of a man. The benefit of the latter approach would be better insulation", "little more timeless if not tied to real people at this moment in", "leaders, major corporations, etc. Take Trump for example - or Mitch McConnell, Xaul", "If I went with the first option, said that the protagonists teleported to", "to act according to their (the supers') standards. In other words, the super(s)", "they want to use their power and nigh unstoppability to dictate terms to", "was looking for, as my fiction doesn't just use these characters in passing,", "are going to want to have words with them and lay down the", "from legal action and it would probably be a little more timeless if", "site, and didn't really find the answers I was looking for, as my", "people develop god-like powers, and some of them want to use those powers", "would be better insulation from legal action and it would probably be a", "their (the supers') standards. In other words, the super(s) are becoming de facto", "to write can really only be written in one of two ways. Basically", "to force the world to get better - ie, they want to use", "the story I want to write can really only be written in one", "world leaders, thought leaders, major corporations, etc. Take Trump for example - or", "the law - the new law anyways. So my two choices are -", "whereupon he cravenly and quickly yielded to them - what is my real", "actors in the world to act according to their (the supers') standards. In", "corporations, etc. Take Trump for example - or Mitch McConnell, Xaul Lyog, Pence", "name like President Ronald King, a real jackass of a man. The benefit", "people at this moment in history. My question is this: If I went", "better insulation from legal action and it would probably be a little more", "what is my real risk to being sued or otherwise being taken to", "to being sued or otherwise being taken to court? PS. I looked at", "want to use their power and nigh unstoppability to dictate terms to all", "are becoming de facto dictators. This means they will be interacting with world", "quickly yielded to them - what is my real risk to being sued", "the modern world, a handful of people develop god-like powers, and some of", "modern world, a handful of people develop god-like powers, and some of them", "develop god-like powers, and some of them want to use those powers to", "action and it would probably be a little more timeless if not tied", "to the White House and threatened Trump, whereupon he cravenly and quickly yielded", "behaving actors in the world to act according to their (the supers') standards.", "becoming de facto dictators. This means they will be interacting with world leaders,", "my fiction doesn't just use these characters in passing, but spends a chapter", "to real people at this moment in history. My question is this: If", "words, the super(s) are becoming de facto dictators. This means they will be", "tied to real people at this moment in history. My question is this:", "looked at other similar topics already on this site, and didn't really find", "- ie, they want to use their power and nigh unstoppability to dictate", "question is this: If I went with the first option, said that the", "them and lay down the law - the new law anyways. 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My question is this: If I went with", "of them want to use those powers to force the world to get", "and quickly yielded to them - what is my real risk to being", "ie, they want to use their power and nigh unstoppability to dictate terms", "fiction doesn't just use these characters in passing, but spends a chapter or", "on this site, and didn't really find the answers I was looking for,", "to use those powers to force the world to get better - ie,", "the super(s) are becoming de facto dictators. This means they will be interacting", "protagonists are going to want to have words with them and lay down", "anyways. So my two choices are - right about a fictional parallel universe", "in history. My question is this: If I went with the first option,", "want to write can really only be written in one of two ways.", "sued or otherwise being taken to court? PS. I looked at other similar", "choices are - right about a fictional parallel universe with all the same", "if not tied to real people at this moment in history. My question", "being taken to court? PS. I looked at other similar topics already on", "- the new law anyways. So my two choices are - right about", "the new law anyways. So my two choices are - right about a", "this: If I went with the first option, said that the protagonists teleported", "be a little more timeless if not tied to real people at this", "taken to court? PS. I looked at other similar topics already on this", "new name like President Ronald King, a real jackass of a man. The", "I looked at other similar topics already on this site, and didn't really", "in the world to act according to their (the supers') standards. In other", "PS. I looked at other similar topics already on this site, and didn't", "better - ie, they want to use their power and nigh unstoppability to", "nigh unstoppability to dictate terms to all badly behaving actors in the world", "insulation from legal action and it would probably be a little more timeless", "badly behaving actors in the world to act according to their (the supers')", "history. My question is this: If I went with the first option, said", "benefit of the latter approach would be better insulation from legal action and", "law anyways. So my two choices are - right about a fictional parallel", "My question is this: If I went with the first option, said that", "some of them want to use those powers to force the world to", "with them and lay down the law - the new law anyways. So", "White House and threatened Trump, whereupon he cravenly and quickly yielded to them", "doesn't just use these characters in passing, but spends a chapter or two", "in one of two ways. Basically it's the modern world, a handful of", "really find the answers I was looking for, as my fiction doesn't just", "with world leaders, thought leaders, major corporations, etc. Take Trump for example -", "of people develop god-like powers, and some of them want to use those", "the world to act according to their (the supers') standards. In other words,", "the world to get better - ie, they want to use their power", "the same people as the real universe, using their real names, OR -", "said that the protagonists teleported to the White House and threatened Trump, whereupon", "and it would probably be a little more timeless if not tied to", "it's the modern world, a handful of people develop god-like powers, and some", "all badly behaving actors in the world to act according to their (the", "could create all new name like President Ronald King, a real jackass of", "will be interacting with world leaders, thought leaders, major corporations, etc. Take Trump", "or otherwise being taken to court? PS. I looked at other similar topics", "the real universe, using their real names, OR - I could create all", "looking for, as my fiction doesn't just use these characters in passing, but", "OR - I could create all new name like President Ronald King, a", "and threatened Trump, whereupon he cravenly and quickly yielded to them - what", "So the story I want to write can really only be written in", "for, as my fiction doesn't just use these characters in passing, but spends", "act according to their (the supers') standards. In other words, the super(s) are", "supers') standards. In other words, the super(s) are becoming de facto dictators. This", "are - right about a fictional parallel universe with all the same people", "and lay down the law - the new law anyways. So my two", "fictional parallel universe with all the same people as the real universe, using", "legal action and it would probably be a little more timeless if not", "their power and nigh unstoppability to dictate terms to all badly behaving actors", "with the first option, said that the protagonists teleported to the White House", "one of two ways. Basically it's the modern world, a handful of people", "going to want to have words with them and lay down the law", "Take Trump for example - or Mitch McConnell, Xaul Lyog, Pence - the", "god-like powers, and some of them want to use those powers to force", "names, OR - I could create all new name like President Ronald King,", "protagonists teleported to the White House and threatened Trump, whereupon he cravenly and", "and nigh unstoppability to dictate terms to all badly behaving actors in the", "power and nigh unstoppability to dictate terms to all badly behaving actors in", "like President Ronald King, a real jackass of a man. The benefit of", "threatened Trump, whereupon he cravenly and quickly yielded to them - what is", "with all the same people as the real universe, using their real names,", "use these characters in passing, but spends a chapter or two with them,", "a little more timeless if not tied to real people at this moment", "create all new name like President Ronald King, a real jackass of a", "to their (the supers') standards. In other words, the super(s) are becoming de", "two choices are - right about a fictional parallel universe with all the", "to have words with them and lay down the law - the new", "terms to all badly behaving actors in the world to act according to" ]
[ "disconsidering the legal implications of using real people as fictional characters. I'm asking", "boring, but if the people are interesting people, couldn't they be good characters?", "the people used are boring, but if the people are interesting people, couldn't", "agree much with it. But what I'd like to know is why would", "there's no point in taking it in an absolute way, since real people", "that it's not recommended to use real people as characters is because \"real", "not recommended to use real people as characters is because \"real people are", "if the people are interesting people, couldn't they be good characters? Can real", "be good characters? If not, why? --- (Of course, disconsidering the legal implications", "statement here on Writing SE and I don't agree much with it. But", "people. Searching about this, I found that one of the reasons that it's", "people, couldn't they be good characters? Can real people really be good characters?", "much with it. But what I'd like to know is why would it", "such statement here on Writing SE and I don't agree much with it.", "they be good characters? Can real people really be good characters? If not,", "here on Writing SE and I don't agree much with it. But what", "good characters using real people. Searching about this, I found that one of", "is why would it be \"impossible\" to make good characters using real people.", "Searching about this, I found that one of the reasons that it's not", "SE and I don't agree much with it. But what I'd like to", "used* are boring, but if the people are interesting people, couldn't they be", "boring characters because the people used are boring, but if the people are", "don't agree much with it. But what I'd like to know is why", "I found that one of the reasons that it's not recommended to use", "good characters? Can real people really be good characters? If not, why? ---", "an absolute way, since real people make boring characters because the people used", "interesting people, couldn't they be good characters? Can real people really be good", "it in an absolute way, since real people make boring characters because the", "what I'd like to know is why* would it be \"impossible\" to make", "are boring, but if the people are interesting people, couldn't they be good", "about this, I found that one of the reasons that it's not recommended", "why would it be \"impossible\" to make good characters using real people. Searching", "I came across such statement here on Writing SE and I don't agree", "found that one of the reasons that it's not recommended to use real", "real people make boring characters because the people used are boring, but if", "came across such statement here on Writing SE and I don't agree much", "it be \"impossible\" to make good characters using real people. Searching about this,", "reasons that it's not recommended to use real people as characters is because", "real people as characters is because \"real people are boring characters\". But I", "real people really be good characters? If not, why? --- (Of course, disconsidering", "and I don't agree much with it. But what I'd like to know", "really be good characters? If not, why? --- (Of course, disconsidering the legal", "Writing SE and I don't agree much with it. But what I'd like", "in taking it in an absolute way, since real people make boring characters", "point in taking it in an absolute way, since real people make boring", "recommended to use real people as characters is because \"real people are boring", "as characters is because \"real people are boring characters\". But I think there's", "legal implications of using real people as fictional characters. I'm asking character-wise only.)", "characters because the people used are boring, but if the people are interesting", "characters using real people. Searching about this, I found that one of the", "people used* are boring, but if the people are interesting people, couldn't they", "no point in taking it in an absolute way, since real people make", "be good characters? Can real people really be good characters? If not, why?", "real people. Searching about this, I found that one of the reasons that", "to make good characters using real people. Searching about this, I found that", "taking it in an absolute way, since real people make boring characters because", "characters? Can real people really be good characters? If not, why? --- (Of", "way, since real people make boring characters because the people used are boring,", "make good characters using real people. Searching about this, I found that one", "it. But what I'd like to know is why would it be \"impossible\"", "(Of course, disconsidering the legal implications of using real people as fictional characters.", "on Writing SE and I don't agree much with it. But what I'd", "If not, why? --- (Of course, disconsidering the legal implications of using real", "\"impossible\" to make good characters using real people. Searching about this, I found", "would it be \"impossible\" to make good characters using real people. Searching about", "why? --- (Of course, disconsidering the legal implications of using real people as", "that one of the reasons that it's not recommended to use real people", "characters\". But I think there's no point in taking it in an absolute", "--- (Of course, disconsidering the legal implications of using real people as fictional", "I'd like to know is why would it be \"impossible\" to make good", "are boring characters\". But I think there's no point in taking it in", "but if the people are interesting people, couldn't they be good characters? Can", "But what I'd like to know is why would it be \"impossible\" to", "in an absolute way, since real people make boring characters because the people", "because \"real people are boring* characters\". But I think there's no point in", "is because \"real people are boring characters\". But I think there's no point", "characters is because \"real people are boring characters\". But I think there's no", "across such statement here on Writing SE and I don't agree much with", "the legal implications of using real people as fictional characters. I'm asking character-wise", "good characters? If not, why? --- (Of course, disconsidering the legal implications of", "be \"impossible\" to make good characters using real people. Searching about this, I", "using real people. Searching about this, I found that one of the reasons", "people as characters is because \"real people are boring characters\". But I think", "characters? If not, why? --- (Of course, disconsidering the legal implications of using", "people are interesting people, couldn't they be good characters? Can real people really", "because the people used are boring, but if the people are interesting people,", "But I think there's no point in taking it in an absolute way,", "I don't agree much with it. But what I'd like to know is", "make boring characters because the people used are boring, but if the people", "the reasons that it's not recommended to use real people as characters is", "this, I found that one of the reasons that it's not recommended to", "the people are interesting people, couldn't they be good characters? Can real people", "with it. But what I'd like to know is why would it be", "use real people as characters is because \"real people are boring characters\". But", "I think there's no point in taking it in an absolute way, since", "absolute way, since real people make boring characters because the people used are", "to know is why would it be \"impossible\" to make good characters using", "couldn't they be good characters? Can real people really be good characters? If", "not, why? --- (Of course, disconsidering the legal implications of using real people", "think there's no point in taking it in an absolute way, since real", "know is why would it be \"impossible\" to make good characters using real", "people are boring characters\". But I think there's no point in taking it", "Can real people really be good characters? If not, why? --- (Of course,", "are interesting people, couldn't they be good characters? Can real people really be", "people make boring characters because the people used are boring, but if the", "people really be good characters? If not, why? --- (Of course, disconsidering the", "of the reasons that it's not recommended to use real people as characters", "course, disconsidering the legal implications of using real people as fictional characters. I'm", "like to know is why would it be \"impossible\" to make good characters", "boring characters\". But I think there's no point in taking it in an", "it's not recommended to use real people as characters is because \"real people", "to use real people as characters is because \"real people are boring characters\".", "\"real people are boring characters\". But I think there's no point in taking", "one of the reasons that it's not recommended to use real people as", "since real people make boring characters because the people used are boring, but" ]
[ "the first chapter. She is not \"battling the robot general to survive\" for", "grown-up complicated characters I'd want to find in any story. I'm not bragging", "unsatisfying ending. I guess, like a lot of people, I'm not very good", "tends to be: 1. \"Read the back of your favorite book. Copy what", "\"Keep the hype in hyperbole!\" I understand blurbs are totally subjective, and there's", "I guess, like a lot of people, I'm not very good at marketing", "about genre tropes and more about the kinds of grown-up complicated characters I'd", "try to summarize the story it is a very different description. Am I", "set in a sci-fi universe but it is less about genre tropes and", "survive. > > > It could use polish, but you get the idea.", "book. Copy what they did.\" 2. \"Keep the hype in hyperbole!\" I understand", "at marketing my own work. The online advice tends to be: 1. \"Read", "the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that cherrypicked", "then bait-and-switch to my philosophical, unsatisfying ending. I guess, like a lot of", "good at marketing my own work. The online advice tends to be: 1.", "subjective, and there's another question that talks about [What are the elements of", "him across the Gap proved her skill, her body bared evidence of her", "just the first chapter. She is not \"battling the robot general to survive\"", "or trying to be highbrow, it's more like I don't want to promise", "the robot general to survive\" for the rest of the book. When I", "is set in a sci-fi universe but it is less about genre tropes", "complicated characters I'd want to find in any story. I'm not bragging or", "[What are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb", "> Amox earned a mentorship under the legendary robot general. Tracking him across", "use polish, but you get the idea. It's trying to be all hook.", "lot of people, I'm not very good at marketing my own work. The", "When I try to summarize the story it is a very different description.", "question that talks about [What are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So", "first chapter. She is not \"battling the robot general to survive\" for the", "you get the idea. It's trying to be all hook. So my problem", "earned a mentorship under the legendary robot general. Tracking him across the Gap", "stories are perhaps better resolved. The situation I cherrypicked is just the first", "The situation I cherrypicked is just the first chapter. She is not \"battling", "\"Read the back of your favorite book. Copy what they did.\" 2. \"Keep", "> > It could use polish, but you get the idea. It's trying", "just the set-up for her character. It's not the tone of the story", "some action. There are dozens of detours and also other main characters whose", "it is a very different description. Am I being dishonest or am I", "story is set in a sci-fi universe but it is less about genre", "a blurb that cherrypicked one character and made her opening situation sound saucy:", "to be: 1. \"Read the back of your favorite book. Copy what they", "her commitment, and she needed answers to her family’s past…. But she didn’t", "very good at marketing my own work. The online advice tends to be:", "while this blurb is true it's more a sub-plot and just the set-up", "for the rest of the book. When I try to summarize the story", "marketing my own work. The online advice tends to be: 1. \"Read the", "and then bait-and-switch to my philosophical, unsatisfying ending. I guess, like a lot", "a rip-roaring adventure and then bait-and-switch to my philosophical, unsatisfying ending. I guess,", "talks about [What are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote", "perhaps better resolved. The situation I cherrypicked is just the first chapter. She", "hyperbole!\" I understand blurbs are totally subjective, and there's another question that talks", "story which is more political intrigue with some action. There are dozens of", "blurb that cherrypicked one character and made her opening situation sound saucy: >", "So I wrote a blurb that cherrypicked one character and made her opening", "good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that cherrypicked one character and made", "be highbrow, it's more like I don't want to promise a rip-roaring adventure", "did.\" 2. \"Keep the hype in hyperbole!\" I understand blurbs are totally subjective,", "understand blurbs are totally subjective, and there's another question that talks about [What", "survive\" for the rest of the book. When I try to summarize the", "own work. The online advice tends to be: 1. \"Read the back of", "wrote a blurb that cherrypicked one character and made her opening situation sound", "her character. It's not the tone of the story which is more political", "in hyperbole!\" I understand blurbs are totally subjective, and there's another question that", "a sub-plot and just the set-up for her character. It's not the tone", "she needed answers to her family’s past…. But she didn’t expect the first", "all hook. So my problem is while this blurb is true it's more", "elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that cherrypicked one", "blurb is true it's more a sub-plot and just the set-up for her", "more like I don't want to promise a rip-roaring adventure and then bait-and-switch", "and more about the kinds of grown-up complicated characters I'd want to find", "the story it is a very different description. Am I being dishonest or", "opening situation sound saucy: > > Amox earned a mentorship under the legendary", "polish, but you get the idea. It's trying to be all hook. So", "it is less about genre tropes and more about the kinds of grown-up", "bait-and-switch to my philosophical, unsatisfying ending. I guess, like a lot of people,", "get the idea. It's trying to be all hook. So my problem is", "my problem is while this blurb is true it's more a sub-plot and", "don't want to promise a rip-roaring adventure and then bait-and-switch to my philosophical,", "blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that cherrypicked one character and made her", "There are dozens of detours and also other main characters whose stories are", "of detours and also other main characters whose stories are perhaps better resolved.", "there's another question that talks about [What are the elements of a good", "and she needed answers to her family’s past…. But she didn’t expect the", "is while this blurb is true it's more a sub-plot and just the", "not very good at marketing my own work. The online advice tends to", "are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that", "true it's more a sub-plot and just the set-up for her character. It's", "her body bared evidence of her commitment, and she needed answers to her", "about [What are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a", "the Gap proved her skill, her body bared evidence of her commitment, and", "trying to be all hook. So my problem is while this blurb is", "could use polish, but you get the idea. It's trying to be all", "of the book. When I try to summarize the story it is a", "she didn’t expect the first lesson would be to survive. > > >", "more about the kinds of grown-up complicated characters I'd want to find in", "mentorship under the legendary robot general. Tracking him across the Gap proved her", "the rest of the book. When I try to summarize the story it", "favorite book. Copy what they did.\" 2. \"Keep the hype in hyperbole!\" I", "I'm not bragging or trying to be highbrow, it's more like I don't", "are totally subjective, and there's another question that talks about [What are the", "this blurb is true it's more a sub-plot and just the set-up for", "her opening situation sound saucy: > > Amox earned a mentorship under the", "a sci-fi universe but it is less about genre tropes and more about", "main characters whose stories are perhaps better resolved. The situation I cherrypicked is", "be to survive. > > > It could use polish, but you get", "I cherrypicked is just the first chapter. She is not \"battling the robot", "for her character. It's not the tone of the story which is more", "Tracking him across the Gap proved her skill, her body bared evidence of", "idea. It's trying to be all hook. So my problem is while this", "the set-up for her character. It's not the tone of the story which", "with some action. There are dozens of detours and also other main characters", "philosophical, unsatisfying ending. I guess, like a lot of people, I'm not very", "It's trying to be all hook. So my problem is while this blurb", "of the story which is more political intrigue with some action. There are", "Gap proved her skill, her body bared evidence of her commitment, and she", "the legendary robot general. Tracking him across the Gap proved her skill, her", "general to survive\" for the rest of the book. When I try to", "like I don't want to promise a rip-roaring adventure and then bait-and-switch to", "also other main characters whose stories are perhaps better resolved. The situation I", "is less about genre tropes and more about the kinds of grown-up complicated", "I'd want to find in any story. I'm not bragging or trying to", "want to promise a rip-roaring adventure and then bait-and-switch to my philosophical, unsatisfying", "1. \"Read the back of your favorite book. Copy what they did.\" 2.", "situation sound saucy: > > Amox earned a mentorship under the legendary robot", "would be to survive. > > > It could use polish, but you", "detours and also other main characters whose stories are perhaps better resolved. The", "are perhaps better resolved. The situation I cherrypicked is just the first chapter.", "less about genre tropes and more about the kinds of grown-up complicated characters", "to be highbrow, it's more like I don't want to promise a rip-roaring", "cherrypicked one character and made her opening situation sound saucy: > > Amox", "hype in hyperbole!\" I understand blurbs are totally subjective, and there's another question", "bared evidence of her commitment, and she needed answers to her family’s past….", "my own work. The online advice tends to be: 1. \"Read the back", "I wrote a blurb that cherrypicked one character and made her opening situation", "story. I'm not bragging or trying to be highbrow, it's more like I", "that cherrypicked one character and made her opening situation sound saucy: > >", "to survive\" for the rest of the book. When I try to summarize", "in any story. I'm not bragging or trying to be highbrow, it's more", "are dozens of detours and also other main characters whose stories are perhaps", "set-up for her character. It's not the tone of the story which is", "lesson would be to survive. > > > It could use polish, but", "commitment, and she needed answers to her family’s past…. But she didn’t expect", "the first lesson would be to survive. > > > It could use", "dozens of detours and also other main characters whose stories are perhaps better", "It could use polish, but you get the idea. It's trying to be", "other main characters whose stories are perhaps better resolved. The situation I cherrypicked", "sound saucy: > > Amox earned a mentorship under the legendary robot general.", "trying to be highbrow, it's more like I don't want to promise a", "didn’t expect the first lesson would be to survive. > > > It", "book. When I try to summarize the story it is a very different", "resolved. The situation I cherrypicked is just the first chapter. She is not", "I'm not very good at marketing my own work. The online advice tends", "sci-fi universe but it is less about genre tropes and more about the", "situation I cherrypicked is just the first chapter. She is not \"battling the", "saucy: > > Amox earned a mentorship under the legendary robot general. Tracking", "of your favorite book. Copy what they did.\" 2. \"Keep the hype in", "and made her opening situation sound saucy: > > Amox earned a mentorship", "like a lot of people, I'm not very good at marketing my own", "to survive. > > > It could use polish, but you get the", "another question that talks about [What are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb)", "be all hook. So my problem is while this blurb is true it's", "which is more political intrigue with some action. There are dozens of detours", "My story is set in a sci-fi universe but it is less about", "any story. I'm not bragging or trying to be highbrow, it's more like", "intrigue with some action. There are dozens of detours and also other main", "online advice tends to be: 1. \"Read the back of your favorite book.", "what they did.\" 2. \"Keep the hype in hyperbole!\" I understand blurbs are", "people, I'm not very good at marketing my own work. The online advice", "past…. But she didn’t expect the first lesson would be to survive. >", "She is not \"battling the robot general to survive\" for the rest of", "genre tropes and more about the kinds of grown-up complicated characters I'd want", "\"battling the robot general to survive\" for the rest of the book. When", "hook. So my problem is while this blurb is true it's more a", "political intrigue with some action. There are dozens of detours and also other", "the tone of the story which is more political intrigue with some action.", "not \"battling the robot general to survive\" for the rest of the book.", "> > Amox earned a mentorship under the legendary robot general. Tracking him", "her skill, her body bared evidence of her commitment, and she needed answers", "be: 1. \"Read the back of your favorite book. Copy what they did.\"", "I try to summarize the story it is a very different description. Am", "promise a rip-roaring adventure and then bait-and-switch to my philosophical, unsatisfying ending. I", "your favorite book. Copy what they did.\" 2. \"Keep the hype in hyperbole!\"", "my philosophical, unsatisfying ending. I guess, like a lot of people, I'm not", "blurbs are totally subjective, and there's another question that talks about [What are", "a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that cherrypicked one character and", "robot general. Tracking him across the Gap proved her skill, her body bared", "answers to her family’s past…. But she didn’t expect the first lesson would", "more a sub-plot and just the set-up for her character. It's not the", "to promise a rip-roaring adventure and then bait-and-switch to my philosophical, unsatisfying ending.", "robot general to survive\" for the rest of the book. When I try", "the hype in hyperbole!\" I understand blurbs are totally subjective, and there's another", "> It could use polish, but you get the idea. It's trying to", "is true it's more a sub-plot and just the set-up for her character.", "But she didn’t expect the first lesson would be to survive. > >", "> > > It could use polish, but you get the idea. It's", "The online advice tends to be: 1. \"Read the back of your favorite", "cherrypicked is just the first chapter. She is not \"battling the robot general", "is not \"battling the robot general to survive\" for the rest of the", "the kinds of grown-up complicated characters I'd want to find in any story.", "more political intrigue with some action. There are dozens of detours and also", "adventure and then bait-and-switch to my philosophical, unsatisfying ending. I guess, like a", "tone of the story which is more political intrigue with some action. There", "character and made her opening situation sound saucy: > > Amox earned a", "bragging or trying to be highbrow, it's more like I don't want to", "general. Tracking him across the Gap proved her skill, her body bared evidence", "a lot of people, I'm not very good at marketing my own work.", "her family’s past…. But she didn’t expect the first lesson would be to", "summarize the story it is a very different description. Am I being dishonest", "of grown-up complicated characters I'd want to find in any story. I'm not", "to summarize the story it is a very different description. Am I being", "it's more like I don't want to promise a rip-roaring adventure and then", "universe but it is less about genre tropes and more about the kinds", "want to find in any story. I'm not bragging or trying to be", "guess, like a lot of people, I'm not very good at marketing my", "action. There are dozens of detours and also other main characters whose stories", "of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I wrote a blurb that cherrypicked one character", "skill, her body bared evidence of her commitment, and she needed answers to", "made her opening situation sound saucy: > > Amox earned a mentorship under", "body bared evidence of her commitment, and she needed answers to her family’s", "So my problem is while this blurb is true it's more a sub-plot", "the back of your favorite book. Copy what they did.\" 2. \"Keep the", "Amox earned a mentorship under the legendary robot general. Tracking him across the", "of her commitment, and she needed answers to her family’s past…. But she", "the idea. It's trying to be all hook. So my problem is while", "expect the first lesson would be to survive. > > > It could", "I don't want to promise a rip-roaring adventure and then bait-and-switch to my", "problem is while this blurb is true it's more a sub-plot and just", "sub-plot and just the set-up for her character. It's not the tone of", "is just the first chapter. She is not \"battling the robot general to", "whose stories are perhaps better resolved. The situation I cherrypicked is just the", "chapter. She is not \"battling the robot general to survive\" for the rest", "Copy what they did.\" 2. \"Keep the hype in hyperbole!\" I understand blurbs", "one character and made her opening situation sound saucy: > > Amox earned", "the book. When I try to summarize the story it is a very", "is a very different description. Am I being dishonest or am I marketing?", "a mentorship under the legendary robot general. Tracking him across the Gap proved", "work. The online advice tends to be: 1. \"Read the back of your", "and just the set-up for her character. It's not the tone of the", "not the tone of the story which is more political intrigue with some", "2. \"Keep the hype in hyperbole!\" I understand blurbs are totally subjective, and", "highbrow, it's more like I don't want to promise a rip-roaring adventure and", "in a sci-fi universe but it is less about genre tropes and more", "first lesson would be to survive. > > > It could use polish,", "characters I'd want to find in any story. I'm not bragging or trying", "across the Gap proved her skill, her body bared evidence of her commitment,", "I understand blurbs are totally subjective, and there's another question that talks about", "to my philosophical, unsatisfying ending. I guess, like a lot of people, I'm", "under the legendary robot general. Tracking him across the Gap proved her skill,", "to her family’s past…. But she didn’t expect the first lesson would be", "to find in any story. I'm not bragging or trying to be highbrow,", "find in any story. I'm not bragging or trying to be highbrow, it's", "It's not the tone of the story which is more political intrigue with", "and also other main characters whose stories are perhaps better resolved. The situation", "story it is a very different description. Am I being dishonest or am", "ending. I guess, like a lot of people, I'm not very good at", "rest of the book. When I try to summarize the story it is", "is more political intrigue with some action. There are dozens of detours and", "but you get the idea. It's trying to be all hook. So my", "characters whose stories are perhaps better resolved. The situation I cherrypicked is just", "totally subjective, and there's another question that talks about [What are the elements", "needed answers to her family’s past…. But she didn’t expect the first lesson", "not bragging or trying to be highbrow, it's more like I don't want", "but it is less about genre tropes and more about the kinds of", "about the kinds of grown-up complicated characters I'd want to find in any", "evidence of her commitment, and she needed answers to her family’s past…. But", "family’s past…. But she didn’t expect the first lesson would be to survive.", "they did.\" 2. \"Keep the hype in hyperbole!\" I understand blurbs are totally", "the story which is more political intrigue with some action. There are dozens", "kinds of grown-up complicated characters I'd want to find in any story. I'm", "character. It's not the tone of the story which is more political intrigue", "better resolved. The situation I cherrypicked is just the first chapter. She is", "advice tends to be: 1. \"Read the back of your favorite book. Copy", "of people, I'm not very good at marketing my own work. The online", "rip-roaring adventure and then bait-and-switch to my philosophical, unsatisfying ending. I guess, like", "legendary robot general. Tracking him across the Gap proved her skill, her body", "proved her skill, her body bared evidence of her commitment, and she needed", "it's more a sub-plot and just the set-up for her character. It's not", "and there's another question that talks about [What are the elements of a", "to be all hook. So my problem is while this blurb is true", "tropes and more about the kinds of grown-up complicated characters I'd want to", "back of your favorite book. Copy what they did.\" 2. \"Keep the hype", "that talks about [What are the elements of a good blurb?](https://writing.stackexchange.com/questions/17391/what-are-the-elements-of-a-good-blurb) So I" ]
[ "later dad\", he said grabbing his Spider-Man backpack and heading eagerly out the", "It's supermundane and boring, but I thought it was necessary. But then again,", "> > \"Okay, catch some bad guys then\", Wigy said as he kissed", "the cereal into him whilst walking around his home. Nothing much was going", "> > Day 1 > > 08:00 AM > > > \"Alright, I’ll", "that paragraph and utilized fewer \"he/Wigys\" in it. The paragraph isn't supposed to", "also to give the reader a feel of one of the main characters", "through how I write it and through a little vulgar language. Feel free", "act of looking out through the window like an old man. > >", "I thought it was necessary. But then again, I do not know, hence", "covered it in milk, making them float like water doughnuts. He grabbed a", "some cheerios into a bowl, and covered it in milk, making them float", "she grabbed the keys to her car. > > > \"Okay, catch some", "bowl, and covered it in milk, making them float like water doughnuts. He", "in it. The paragraph isn't supposed to convey much information, rather just a", "later bandit\", Wigy said hugging his son. > > > \"See you later", "my writing style. The paragraph is supposed to have a little comedic value", "try. See you later bandit\", Wigy said hugging his son. > > >", "bandit\", Wigy said hugging his son. > > > \"See you later dad\",", "writing \"he and/or Wigy\" one too many times in the beginning paragraph. The", "said as he kissed his wife. > > > \"I will, you worry", "window. > > > \"Wow, I have truly sunk to a new level", "the main characters and my writing style. The paragraph is supposed to have", "Seck’s hand. > > > \"I’ll try. See you later bandit\", Wigy said", "kitchen and poured some cheerios into a bowl, and covered it in milk,", "> > > \"I’ll try. See you later bandit\", Wigy said hugging his", "into the kitchen and poured some cheerios into a bowl, and covered it", "necessary. But then again, I do not know, hence me asking you all.", "do with the abundance of time he suddenly had on his hands. It", "backpack and heading eagerly out the door. > > > Mia followed and", "like an old man. > > > There's more text, but I think", "virus takes a little time to spread), but also to give the reader", "Nothing much was going on outside, he thought as he looked out of", "said hugging his son. > > > \"See you later dad\", he said", "more text, but I think the writing is better in that paragraph and", "a little vulgar language. Feel free to give feedback on that too. Here", "new level of purposelessness\", he said catching himself in the act of looking", "with the abundance of time he suddenly had on his hands. It wasn’t", "in milk, making them float like water doughnuts. He grabbed a spoon and", "> > \"Wow, I have truly sunk to a new level of purposelessness\",", "and get the \"action\" started. It's supermundane and boring, but I thought it", "time he suddenly had on his hands. It wasn’t often he had a", "stood silently in the middle of his simplistic abode and nodded to himself.", "she headed out the door. > > > Wigy stood silently in the", "much was going on outside, he thought as he looked out of his", "thought as he looked out of his window. > > > \"Wow, I", "thought it was necessary. But then again, I do not know, hence me", "he kissed his wife. > > > \"I will, you worry about doing", "better in that paragraph and utilized fewer \"he/Wigys\" in it. The paragraph isn't", "one of the main characters and my writing style. The paragraph is supposed", "an old man. > > > There's more text, but I think the", "and poured some cheerios into a bowl, and covered it in milk, making", "zombie apocalypse genre book (yes, I know it's a heavily used and abused", "writing is better in that paragraph and utilized fewer \"he/Wigys\" in it. The", "then\", Wigy said as he kissed his wife. > > > \"I will,", "way). Anyway, I caught myself writing \"he and/or Wigy\" one too many times", "a bowl, and covered it in milk, making them float like water doughnuts.", "book (yes, I know it's a heavily used and abused writing genre, but", "out of his window. > > > \"Wow, I have truly sunk to", "my way, a way I believe is a good way). Anyway, I caught", "> > > \"Alright, I’ll pick up Seck from school after work, and", "and/or Wigy\" one too many times in the beginning paragraph. The paragraph solely", "to himself. What to do? He asked himself dumbfounded as to what he", "\"Wow, I have truly sunk to a new level of purposelessness\", he said", "much information, rather just a little text to get you started and get", "of his window. > > > \"Wow, I have truly sunk to a", "Spider-Man backpack and heading eagerly out the door. > > > Mia followed", "to get you started and get the \"action\" started. It's supermundane and boring,", "Here it goes. > > Day 1 > > 08:00 AM > >", "What to do? He asked himself dumbfounded as to what he was going", "> There's more text, but I think the writing is better in that", "started and get the \"action\" started. It's supermundane and boring, but I thought", "then we’ll head to the supermarket\", Mia said as she grabbed the keys", "is better in that paragraph and utilized fewer \"he/Wigys\" in it. The paragraph", "and started slurping the cereal into him whilst walking around his home. Nothing", "one too many times in the beginning paragraph. The paragraph solely serves the", "> > Mia followed and waved as she headed out the door. >", "I believe is a good way). Anyway, I caught myself writing \"he and/or", "catching himself in the act of looking out through the window like an", "beginning paragraph. The paragraph solely serves the purpose of making time go by", "myself writing \"he and/or Wigy\" one too many times in the beginning paragraph.", "into him whilst walking around his home. Nothing much was going on outside,", "of time he suddenly had on his hands. It wasn’t often he had", "think the writing is better in that paragraph and utilized fewer \"he/Wigys\" in", "> Day 1 > > 08:00 AM > > > \"Alright, I’ll pick", "reader a feel of one of the main characters and my writing style.", "to give feedback on that too. Here it goes. > > Day 1", "he said catching himself in the act of looking out through the window", "out through the window like an old man. > > > There's more", "a little comedic value through how I write it and through a little", "door. > > > Wigy stood silently in the middle of his simplistic", "work, and then we’ll head to the supermarket\", Mia said as she grabbed", "The paragraph is supposed to have a little comedic value through how I", "spoon and started slurping the cereal into him whilst walking around his home.", "said grabbing his Spider-Man backpack and heading eagerly out the door. > >", "his simplistic abode and nodded to himself. What to do? He asked himself", "and heading eagerly out the door. > > > Mia followed and waved", "text to get you started and get the \"action\" started. It's supermundane and", "fewer \"he/Wigys\" in it. The paragraph isn't supposed to convey much information, rather", "boring, but I thought it was necessary. But then again, I do not", "highly contagious zombie virus takes a little time to spread), but also to", "and nodded to himself. What to do? He asked himself dumbfounded as to", "dad\", he said grabbing his Spider-Man backpack and heading eagerly out the door.", "I'm writing it in my way, a way I believe is a good", "out the door. > > > Wigy stood silently in the middle of", "sunk to a new level of purposelessness\", he said catching himself in the", "Wigy\" one too many times in the beginning paragraph. The paragraph solely serves", "your day off\", Mia said taking Seck’s hand. > > > \"I’ll try.", "time to spread), but also to give the reader a feel of one", "day off, and now he did. Wigy walked into the kitchen and poured", "followed and waved as she headed out the door. > > > Wigy", "it was necessary. But then again, I do not know, hence me asking", "> 08:00 AM > > > \"Alright, I’ll pick up Seck from school", "the kitchen and poured some cheerios into a bowl, and covered it in", "isn't supposed to convey much information, rather just a little text to get", "around his home. Nothing much was going on outside, he thought as he", "caught myself writing \"he and/or Wigy\" one too many times in the beginning", "\"Alright, I’ll pick up Seck from school after work, and then we’ll head", "paragraph solely serves the purpose of making time go by (as the highly", "grabbed a spoon and started slurping the cereal into him whilst walking around", "I know it's a heavily used and abused writing genre, but I'm writing", "the \"action\" started. It's supermundane and boring, but I thought it was necessary.", "just a little text to get you started and get the \"action\" started.", "a day off, and now he did. Wigy walked into the kitchen and", "supposed to have a little comedic value through how I write it and", "off, and now he did. Wigy walked into the kitchen and poured some", "going to do with the abundance of time he suddenly had on his", "paragraph and utilized fewer \"he/Wigys\" in it. The paragraph isn't supposed to convey", "> \"Alright, I’ll pick up Seck from school after work, and then we’ll", "started slurping the cereal into him whilst walking around his home. Nothing much", "the door. > > > Wigy stood silently in the middle of his", "supermundane and boring, but I thought it was necessary. But then again, I", "we’ll head to the supermarket\", Mia said as she grabbed the keys to", "by (as the highly contagious zombie virus takes a little time to spread),", "and then we’ll head to the supermarket\", Mia said as she grabbed the", "her car. > > > \"Okay, catch some bad guys then\", Wigy said", "catch some bad guys then\", Wigy said as he kissed his wife. >", "you later dad\", he said grabbing his Spider-Man backpack and heading eagerly out", "feel of one of the main characters and my writing style. The paragraph", "to the supermarket\", Mia said as she grabbed the keys to her car.", "supermarket\", Mia said as she grabbed the keys to her car. > >", "> > > \"I will, you worry about doing the bare minimum on", "worry about doing the bare minimum on your day off\", Mia said taking", "1 > > 08:00 AM > > > \"Alright, I’ll pick up Seck", "The paragraph solely serves the purpose of making time go by (as the", "water doughnuts. He grabbed a spoon and started slurping the cereal into him", "the door. > > > Mia followed and waved as she headed out", "> > \"I will, you worry about doing the bare minimum on your", "how I write it and through a little vulgar language. Feel free to", "to a new level of purposelessness\", he said catching himself in the act", "There's more text, but I think the writing is better in that paragraph", "the act of looking out through the window like an old man. >", "he was going to do with the abundance of time he suddenly had", "was going to do with the abundance of time he suddenly had on", "> > \"Alright, I’ll pick up Seck from school after work, and then", "had on his hands. It wasn’t often he had a day off, and", "door. > > > Mia followed and waved as she headed out the", "\"I’ll try. See you later bandit\", Wigy said hugging his son. > >", "\"action\" started. It's supermundane and boring, but I thought it was necessary. But", "have a little comedic value through how I write it and through a", "Feel free to give feedback on that too. Here it goes. > >", "suddenly had on his hands. It wasn’t often he had a day off,", "I have truly sunk to a new level of purposelessness\", he said catching", "said taking Seck’s hand. > > > \"I’ll try. See you later bandit\",", "do?* He asked himself dumbfounded as to what he was going to do", "them float like water doughnuts. He grabbed a spoon and started slurping the", "heading eagerly out the door. > > > Mia followed and waved as", "and utilized fewer \"he/Wigys\" in it. The paragraph isn't supposed to convey much", "a little text to get you started and get the \"action\" started. It's", "but also to give the reader a feel of one of the main", "it in my way, a way I believe is a good way). Anyway,", "making time go by (as the highly contagious zombie virus takes a little", "bad guys then\", Wigy said as he kissed his wife. > > >", "as he kissed his wife. > > > \"I will, you worry about", "slurping the cereal into him whilst walking around his home. Nothing much was", "too. Here it goes. > > Day 1 > > 08:00 AM >", "day off\", Mia said taking Seck’s hand. > > > \"I’ll try. See", "cheerios into a bowl, and covered it in milk, making them float like", "looked out of his window. > > > \"Wow, I have truly sunk", "the supermarket\", Mia said as she grabbed the keys to her car. >", "have truly sunk to a new level of purposelessness\", he said catching himself", "he looked out of his window. > > > \"Wow, I have truly", "the bare minimum on your day off\", Mia said taking Seck’s hand. >", "(yes, I know it's a heavily used and abused writing genre, but I'm", "to do?* He asked himself dumbfounded as to what he was going to", "vulgar language. Feel free to give feedback on that too. Here it goes.", "you later bandit\", Wigy said hugging his son. > > > \"See you", "but I'm writing it in my way, a way I believe is a", "float like water doughnuts. He grabbed a spoon and started slurping the cereal", "it goes. > > Day 1 > > 08:00 AM > > >", "I caught myself writing \"he and/or Wigy\" one too many times in the", "believe is a good way). Anyway, I caught myself writing \"he and/or Wigy\"", "himself. What to do? He asked himself dumbfounded as to what he was", "genre, but I'm writing it in my way, a way I believe is", "will, you worry about doing the bare minimum on your day off\", Mia", "to have a little comedic value through how I write it and through", "\"Okay, catch some bad guys then\", Wigy said as he kissed his wife.", "a zombie apocalypse genre book (yes, I know it's a heavily used and", "> > > \"Okay, catch some bad guys then\", Wigy said as he", "in the act of looking out through the window like an old man.", "it's a heavily used and abused writing genre, but I'm writing it in", "going on outside, he thought as he looked out of his window. >", "of purposelessness\", he said catching himself in the act of looking out through", "It wasn’t often he had a day off, and now he did. Wigy", "and waved as she headed out the door. > > > Wigy stood", "a heavily used and abused writing genre, but I'm writing it in my", "a little time to spread), but also to give the reader a feel", "the middle of his simplistic abode and nodded to himself. What to do?", "through the window like an old man. > > > There's more text,", "writing style. The paragraph is supposed to have a little comedic value through", "whilst walking around his home. Nothing much was going on outside, he thought", "information, rather just a little text to get you started and get the", "himself dumbfounded as to what he was going to do with the abundance", "> > There's more text, but I think the writing is better in", "had a day off, and now he did. Wigy walked into the kitchen", "a spoon and started slurping the cereal into him whilst walking around his", "he thought as he looked out of his window. > > > \"Wow,", "the reader a feel of one of the main characters and my writing", "way, a way I believe is a good way). Anyway, I caught myself", "cereal into him whilst walking around his home. Nothing much was going on", "pick up Seck from school after work, and then we’ll head to the", "> > > There's more text, but I think the writing is better", "grabbed the keys to her car. > > > \"Okay, catch some bad", "give the reader a feel of one of the main characters and my", "he suddenly had on his hands. It wasn’t often he had a day", "of his simplistic abode and nodded to himself. What to do? He asked", "way I believe is a good way). Anyway, I caught myself writing \"he", "bare minimum on your day off\", Mia said taking Seck’s hand. > >", "on your day off\", Mia said taking Seck’s hand. > > > \"I’ll", "of the main characters and my writing style. The paragraph is supposed to", "off\", Mia said taking Seck’s hand. > > > \"I’ll try. See you", "Mia said as she grabbed the keys to her car. > > >", "up Seck from school after work, and then we’ll head to the supermarket\",", "like water doughnuts. He grabbed a spoon and started slurping the cereal into", "characters and my writing style. The paragraph is supposed to have a little", "his home. Nothing much was going on outside, he thought as he looked", "in my way, a way I believe is a good way). Anyway, I", "he said grabbing his Spider-Man backpack and heading eagerly out the door. >", "a new level of purposelessness\", he said catching himself in the act of", "writing a zombie apocalypse genre book (yes, I know it's a heavily used", "the highly contagious zombie virus takes a little time to spread), but also", "truly sunk to a new level of purposelessness\", he said catching himself in", "convey much information, rather just a little text to get you started and", "Seck from school after work, and then we’ll head to the supermarket\", Mia", "waved as she headed out the door. > > > Wigy stood silently", "I'm writing a zombie apocalypse genre book (yes, I know it's a heavily", "making them float like water doughnuts. He grabbed a spoon and started slurping", "wasn’t often he had a day off, and now he did. Wigy walked", "He grabbed a spoon and started slurping the cereal into him whilst walking", "window like an old man. > > > There's more text, but I", "car. > > > \"Okay, catch some bad guys then\", Wigy said as", "simplistic abode and nodded to himself. What to do? He asked himself dumbfounded", "looking out through the window like an old man. > > > There's", "started. It's supermundane and boring, but I thought it was necessary. But then", "and covered it in milk, making them float like water doughnuts. He grabbed", "but I thought it was necessary. But then again, I do not know,", "08:00 AM > > > \"Alright, I’ll pick up Seck from school after", "through a little vulgar language. Feel free to give feedback on that too.", "is a good way). Anyway, I caught myself writing \"he and/or Wigy\" one", "outside, he thought as he looked out of his window. > > >", "get the \"action\" started. It's supermundane and boring, but I thought it was", "after work, and then we’ll head to the supermarket\", Mia said as she", "his Spider-Man backpack and heading eagerly out the door. > > > Mia", "abode and nodded to himself. What to do? He asked himself dumbfounded as", "purposelessness\", he said catching himself in the act of looking out through the", "See you later bandit\", Wigy said hugging his son. > > > \"See", "of one of the main characters and my writing style. The paragraph is", "about doing the bare minimum on your day off\", Mia said taking Seck’s", "hands. It wasn’t often he had a day off, and now he did.", "zombie virus takes a little time to spread), but also to give the", "\"See you later dad\", he said grabbing his Spider-Man backpack and heading eagerly", "to convey much information, rather just a little text to get you started", "text, but I think the writing is better in that paragraph and utilized", "on that too. Here it goes. > > Day 1 > > *08:00", "Mia followed and waved as she headed out the door. > > >", "poured some cheerios into a bowl, and covered it in milk, making them", "as he looked out of his window. > > > \"Wow, I have", "is supposed to have a little comedic value through how I write it", "his window. > > > \"Wow, I have truly sunk to a new", "free to give feedback on that too. Here it goes. > > Day", "was necessary. But then again, I do not know, hence me asking you", "him whilst walking around his home. Nothing much was going on outside, he", "writing genre, but I'm writing it in my way, a way I believe", "> > Wigy stood silently in the middle of his simplistic abode and", "and through a little vulgar language. Feel free to give feedback on that", "school after work, and then we’ll head to the supermarket\", Mia said as", "(as the highly contagious zombie virus takes a little time to spread), but", "head to the supermarket\", Mia said as she grabbed the keys to her", "out the door. > > > Mia followed and waved as she headed", "Wigy said as he kissed his wife. > > > \"I will, you", "it in milk, making them float like water doughnuts. He grabbed a spoon", "doughnuts. He grabbed a spoon and started slurping the cereal into him whilst", "wife. > > > \"I will, you worry about doing the bare minimum", "> > \"See you later dad\", he said grabbing his Spider-Man backpack and", "on his hands. It wasn’t often he had a day off, and now", "a way I believe is a good way). Anyway, I caught myself writing", "level of purposelessness\", he said catching himself in the act of looking out", "> > \"I’ll try. See you later bandit\", Wigy said hugging his son.", "many times in the beginning paragraph. The paragraph solely serves the purpose of", "spread), but also to give the reader a feel of one of the", "times in the beginning paragraph. The paragraph solely serves the purpose of making", "what he was going to do with the abundance of time he suddenly", "solely serves the purpose of making time go by (as the highly contagious", "in the middle of his simplistic abode and nodded to himself. What to", "said as she grabbed the keys to her car. > > > \"Okay,", "> \"I will, you worry about doing the bare minimum on your day", "\"I will, you worry about doing the bare minimum on your day off\",", "as she grabbed the keys to her car. > > > \"Okay, catch", "Wigy walked into the kitchen and poured some cheerios into a bowl, and", "now he did. Wigy walked into the kitchen and poured some cheerios into", "that too. Here it goes. > > Day 1 > > 08:00 AM", "to what he was going to do with the abundance of time he", "eagerly out the door. > > > Mia followed and waved as she", "> \"Wow, I have truly sunk to a new level of purposelessness\", he", "> > > \"Wow, I have truly sunk to a new level of", "heavily used and abused writing genre, but I'm writing it in my way,", "grabbing his Spider-Man backpack and heading eagerly out the door. > > >", "> Mia followed and waved as she headed out the door. > >", "man. > > > There's more text, but I think the writing is", "keys to her car. > > > \"Okay, catch some bad guys then\",", "purpose of making time go by (as the highly contagious zombie virus takes", "used and abused writing genre, but I'm writing it in my way, a", "The paragraph isn't supposed to convey much information, rather just a little text", "contagious zombie virus takes a little time to spread), but also to give", "Wigy said hugging his son. > > > \"See you later dad\", he", "as to what he was going to do with the abundance of time", "taking Seck’s hand. > > > \"I’ll try. See you later bandit\", Wigy", "you worry about doing the bare minimum on your day off\", Mia said", "from school after work, and then we’ll head to the supermarket\", Mia said", "> > > Mia followed and waved as she headed out the door.", "hugging his son. > > > \"See you later dad\", he said grabbing", "value through how I write it and through a little vulgar language. Feel", "He asked himself dumbfounded as to what he was going to do with", "> \"I’ll try. See you later bandit\", Wigy said hugging his son. >", "> \"See you later dad\", he said grabbing his Spider-Man backpack and heading", "middle of his simplistic abode and nodded to himself. What to do? He", "paragraph is supposed to have a little comedic value through how I write", "and boring, but I thought it was necessary. But then again, I do", "paragraph isn't supposed to convey much information, rather just a little text to", "supposed to convey much information, rather just a little text to get you", "himself in the act of looking out through the window like an old", "I think the writing is better in that paragraph and utilized fewer \"he/Wigys\"", "it and through a little vulgar language. Feel free to give feedback on", "of making time go by (as the highly contagious zombie virus takes a", "Mia said taking Seck’s hand. > > > \"I’ll try. See you later", "comedic value through how I write it and through a little vulgar language.", "walked into the kitchen and poured some cheerios into a bowl, and covered", "walking around his home. Nothing much was going on outside, he thought as", "son. > > > \"See you later dad\", he said grabbing his Spider-Man", "takes a little time to spread), but also to give the reader a", "the keys to her car. > > > \"Okay, catch some bad guys", "get you started and get the \"action\" started. It's supermundane and boring, but", "dumbfounded as to what he was going to do with the abundance of", "in that paragraph and utilized fewer \"he/Wigys\" in it. The paragraph isn't supposed", "serves the purpose of making time go by (as the highly contagious zombie", "but I think the writing is better in that paragraph and utilized fewer", "little comedic value through how I write it and through a little vulgar", "hand. > > > \"I’ll try. See you later bandit\", Wigy said hugging", "said catching himself in the act of looking out through the window like", "\"he and/or Wigy\" one too many times in the beginning paragraph. The paragraph", "to do with the abundance of time he suddenly had on his hands.", "as she headed out the door. > > > Wigy stood silently in", "writing it in my way, a way I believe is a good way).", "it. The paragraph isn't supposed to convey much information, rather just a little", "Wigy stood silently in the middle of his simplistic abode and nodded to", "I’ll pick up Seck from school after work, and then we’ll head to", "abused writing genre, but I'm writing it in my way, a way I", "some bad guys then\", Wigy said as he kissed his wife. > >", "little time to spread), but also to give the reader a feel of", "and now he did. Wigy walked into the kitchen and poured some cheerios", "headed out the door. > > > Wigy stood silently in the middle", "write it and through a little vulgar language. Feel free to give feedback", "know it's a heavily used and abused writing genre, but I'm writing it", "did. Wigy walked into the kitchen and poured some cheerios into a bowl,", "silently in the middle of his simplistic abode and nodded to himself. What", "was going on outside, he thought as he looked out of his window.", "paragraph. The paragraph solely serves the purpose of making time go by (as", "his son. > > > \"See you later dad\", he said grabbing his", "he had a day off, and now he did. Wigy walked into the", "and abused writing genre, but I'm writing it in my way, a way", "utilized fewer \"he/Wigys\" in it. The paragraph isn't supposed to convey much information,", "the beginning paragraph. The paragraph solely serves the purpose of making time go", "apocalypse genre book (yes, I know it's a heavily used and abused writing", "guys then\", Wigy said as he kissed his wife. > > > \"I", "give feedback on that too. Here it goes. > > Day 1 >", "asked himself dumbfounded as to what he was going to do with the", "in the beginning paragraph. The paragraph solely serves the purpose of making time", "\"he/Wigys\" in it. The paragraph isn't supposed to convey much information, rather just", "Day 1 > > 08:00 AM* > > > \"Alright, I’ll pick up", "doing the bare minimum on your day off\", Mia said taking Seck’s hand.", "he did. Wigy walked into the kitchen and poured some cheerios into a", "his wife. > > > \"I will, you worry about doing the bare", "> > > Wigy stood silently in the middle of his simplistic abode", "goes. > > Day 1 > > 08:00 AM > > > \"Alright,", "to her car. > > > \"Okay, catch some bad guys then\", Wigy", "feedback on that too. Here it goes. > > Day 1 > >", "a good way). Anyway, I caught myself writing \"he and/or Wigy\" one too", "milk, making them float like water doughnuts. He grabbed a spoon and started", "I write it and through a little vulgar language. Feel free to give", "> > > \"See you later dad\", he said grabbing his Spider-Man backpack", "little vulgar language. Feel free to give feedback on that too. Here it", "the abundance of time he suddenly had on his hands. It wasn’t often", "his hands. It wasn’t often he had a day off, and now he", "> > 08:00 AM > > > \"Alright, I’ll pick up Seck from", "the window like an old man. > > > There's more text, but", "> \"Okay, catch some bad guys then\", Wigy said as he kissed his", "to spread), but also to give the reader a feel of one of", "go by (as the highly contagious zombie virus takes a little time to", "and my writing style. The paragraph is supposed to have a little comedic", "too many times in the beginning paragraph. The paragraph solely serves the purpose", "Anyway, I caught myself writing \"he and/or Wigy\" one too many times in", "home. Nothing much was going on outside, he thought as he looked out", "a feel of one of the main characters and my writing style. The", "you started and get the \"action\" started. It's supermundane and boring, but I", "main characters and my writing style. The paragraph is supposed to have a", "good way). Anyway, I caught myself writing \"he and/or Wigy\" one too many", "> Wigy stood silently in the middle of his simplistic abode and nodded", "of looking out through the window like an old man. > > >", "on outside, he thought as he looked out of his window. > >", "kissed his wife. > > > \"I will, you worry about doing the", "genre book (yes, I know it's a heavily used and abused writing genre,", "minimum on your day off\", Mia said taking Seck’s hand. > > >", "rather just a little text to get you started and get the \"action\"", "the purpose of making time go by (as the highly contagious zombie virus", "AM** > > > \"Alright, I’ll pick up Seck from school after work,", "into a bowl, and covered it in milk, making them float like water", "to give the reader a feel of one of the main characters and", "often he had a day off, and now he did. Wigy walked into", "the writing is better in that paragraph and utilized fewer \"he/Wigys\" in it.", "nodded to himself. What to do? He asked himself dumbfounded as to what", "little text to get you started and get the \"action\" started. It's supermundane", "style. The paragraph is supposed to have a little comedic value through how", "time go by (as the highly contagious zombie virus takes a little time", "language. Feel free to give feedback on that too. Here it goes. >", "old man. > > > There's more text, but I think the writing", "abundance of time he suddenly had on his hands. It wasn’t often he" ]
[ "a particular place and time is likely to have as a name based", "Realistic: What a character from a particular place and time is likely to", "to strike a balance between thematic naming and realistic naming? Thematic: When the", "When the name relates to the character directly. Example: someone who only wears", "which means \"black\". Realistic: What a character from a particular place and time", "Or is there a way to strike a balance between thematic naming and", "to have as a name based on statistics. Example: the common surnames in", "a name based on statistics. Example: the common surnames in the United States", "Thematic: When the name relates to the character directly. Example: someone who only", "Sable, which means \"black\". Realistic: What a character from a particular place and", "the surname Sable, which means \"black\". Realistic: What a character from a particular", "clothes has the surname Sable, which means \"black\". Realistic: What a character from", "and time is likely to have as a name based on statistics. Example:", "from a particular place and time is likely to have as a name", "a character from a particular place and time is likely to have as", "to the character directly. Example: someone who only wears black clothes has the", "surname Sable, which means \"black\". Realistic: What a character from a particular place", "Example: the common surnames in the United States are Smith, Bvobn, Jonif, etc", "have as a name based on statistics. Example: the common surnames in the", "particular place and time is likely to have as a name based on", "on statistics. Example: the common surnames in the United States are Smith, Bvobn,", "only wears black clothes has the surname Sable, which means \"black\". Realistic: What", "character directly. Example: someone who only wears black clothes has the surname Sable,", "means \"black\". Realistic: What a character from a particular place and time is", "time is likely to have as a name based on statistics. Example: the", "way to strike a balance between thematic naming and realistic naming? Thematic: When", "and realistic naming? Thematic: When the name relates to the character directly. Example:", "is there a way to strike a balance between thematic naming and realistic", "balance between thematic naming and realistic naming? Thematic: When the name relates to", "based on statistics. Example: the common surnames in the United States are Smith,", "the name relates to the character directly. Example: someone who only wears black", "black clothes has the surname Sable, which means \"black\". Realistic: What a character", "statistics. Example: the common surnames in the United States are Smith, Bvobn, Jonif,", "thematic naming and realistic naming? Thematic: When the name relates to the character", "character from a particular place and time is likely to have as a", "a way to strike a balance between thematic naming and realistic naming? Thematic:", "who only wears black clothes has the surname Sable, which means \"black\". Realistic:", "What a character from a particular place and time is likely to have", "realistic naming? Thematic: When the name relates to the character directly. Example: someone", "place and time is likely to have as a name based on statistics.", "likely to have as a name based on statistics. Example: the common surnames", "naming? Thematic: When the name relates to the character directly. Example: someone who", "Example: someone who only wears black clothes has the surname Sable, which means", "strike a balance between thematic naming and realistic naming? Thematic: When the name", "someone who only wears black clothes has the surname Sable, which means \"black\".", "\"black\". Realistic: What a character from a particular place and time is likely", "between thematic naming and realistic naming? Thematic: When the name relates to the", "a balance between thematic naming and realistic naming? Thematic: When the name relates", "relates to the character directly. Example: someone who only wears black clothes has", "has the surname Sable, which means \"black\". Realistic: What a character from a", "as a name based on statistics. Example: the common surnames in the United", "there a way to strike a balance between thematic naming and realistic naming?", "is likely to have as a name based on statistics. Example: the common", "directly. Example: someone who only wears black clothes has the surname Sable, which", "wears black clothes has the surname Sable, which means \"black\". Realistic: What a", "naming and realistic naming? Thematic: When the name relates to the character directly.", "name relates to the character directly. Example: someone who only wears black clothes", "name based on statistics. Example: the common surnames in the United States are", "the character directly. Example: someone who only wears black clothes has the surname" ]
[ "it would become jarring. But imagine the extreme - Maybe a terse, angry", "angry narrator with a dialect in odd chapters and a calm, loving, well", "before it would become jarring. But imagine the extreme - Maybe a terse,", "I aim for a unified style and/or voice throughout, but also like the", "to seat the reader within the POV. I like this concept. What are", "chapters? For example, one of my POV characters may be more focused on", "two protagonists. The genre is SF-F. I plan to query soon. Up until", "dialect in odd chapters and a calm, loving, well educated narrator in even", "points of view for alternating chapters? For example, one of my POV characters", "advice that in an alternating third person limited POV, the narration alone should", "that in an alternating third person limited POV, the narration alone should be", "can have a unified style throughout a novel, but also be shaded between", "until this point I used essentially the same 'narrator' for both viewpoints, so,", "of view for alternating chapters? For example, one of my POV characters may", "people. This could impact the narrator. Yes? No? Would the personality of the", "pencil tip. A lumberjack would have a narrator that said it was pointed", "throughout a novel, but also be shaded between two points of view for", "also be shaded between two points of view for alternating chapters? For example,", "the character's life experience. A desk clerk, for example, would have a narrator", "point I used essentially the same 'narrator' for both viewpoints, so, for example,", "the narration reflect this? Could a narrator be more terse in one POV", "a character is high strung, and another is almost catatonic. Would the narration", "terms. The exception to this is that any similes I added would be", "a subtle change, I think, to the reader, but the sort of thing", "would have a narrator in her chapters that said the mountain was pointed", "but the sort of thing I am wondering about. I'm curious how far", "same 'narrator' for both viewpoints, so, for example, if they saw a mountain,", "it was pointed like the tooth of a saw. But other than similes,", "catatonic. Would the narration reflect this? Could a narrator be more terse in", "the narrator can have a unified style throughout a novel, but also be", "that said the mountain was pointed like a pencil tip. A lumberjack would", "in similar terms. The exception to this is that any similes I added", "used essentially the same 'narrator' for both viewpoints, so, for example, if they", "for a unified style and/or voice throughout, but also like the idea that", "extreme - Maybe a terse, angry narrator with a dialect in odd chapters", "narrator with a dialect in odd chapters and a calm, loving, well educated", "impact the narrator. Yes? No? Would the personality of the character shade the", "a unified style and/or voice throughout, but also like the idea that the", "A lumberjack would have a narrator that said it was pointed like the", "character shade the narrator? Imagine a character is high strung, and another is", "narrator can have a unified style throughout a novel, but also be shaded", "the narrator between viewpoints. Color is important to one of my characters. I'm", "aim for a unified style and/or voice throughout, but also like the idea", "reader within the POV. I like this concept. What are some concrete ways", "high strung, and another is almost catatonic. Would the narration reflect this? Could", "I used essentially the same 'narrator' for both viewpoints, so, for example, if", "calm, loving, well educated narrator in even chapters is fine ... or not", "viewpoints, so, for example, if they saw a mountain, it would be described", "become jarring. But imagine the extreme - Maybe a terse, angry narrator with", "chapters and a calm, loving, well educated narrator in even chapters is fine", "and more expansive in another? I aim for a unified style and/or voice", "Would the personality of the character shade the narrator? Imagine a character is", "tooth of a saw. But other than similes, it didn't occur to me", "would be a subtle change, I think, to the reader, but the sort", "desk clerk, for example, would have a narrator in her chapters that said", "sort of tweaking should go before it would become jarring. But imagine the", "have a unified style throughout a novel, but also be shaded between two", "a narrator be more terse in one POV and more expansive in another?", "the POV. I like this concept. What are some concrete ways in which", "be anchored in the character's life experience. A desk clerk, for example, would", "to me to distinguish the narrator between viewpoints. Color is important to one", "more focused on people. This could impact the narrator. Yes? No? Would the", "and have alternating viewpoints between two protagonists. The genre is SF-F. I plan", "'world' and the other may be more focused on people. This could impact", "alternating third person limited POV, the narration alone should be enough to seat", "may be more focused on the 'world' and the other may be more", "limited, and have alternating viewpoints between two protagonists. The genre is SF-F. I", "I am wondering about. I'm curious how far this sort of tweaking should", "both viewpoints, so, for example, if they saw a mountain, it would be", "novel, but also be shaded between two points of view for alternating chapters?", "example, would have a narrator in her chapters that said the mountain was", "be more focused on the 'world' and the other may be more focused", "a narrator that said it was pointed like the tooth of a saw.", "POV, the narration alone should be enough to seat the reader within the", "other may be more focused on people. This could impact the narrator. Yes?", "how these ideas are balanced. --- Edit: I'm using third person limited, and", "- Maybe a terse, angry narrator with a dialect in odd chapters and", "wondering about. I'm curious how far this sort of tweaking should go before", "a narrator in her chapters that said the mountain was pointed like a", "described in similar terms. The exception to this is that any similes I", "imagine the extreme - Maybe a terse, angry narrator with a dialect in", "added would be anchored in the character's life experience. A desk clerk, for", "Yes? No? Would the personality of the character shade the narrator? Imagine a", "of color from the alternate character/chapters. This would be a subtle change, I", "any similes I added would be anchored in the character's life experience. A", "her chapters that said the mountain was pointed like a pencil tip. A", "to distinguish the narrator between viewpoints. Color is important to one of my", "but also like the idea that the POV shades narration and am curious", "that the POV shades narration and am curious how these ideas are balanced.", "within the POV. I like this concept. What are some concrete ways in", "'narrator' for both viewpoints, so, for example, if they saw a mountain, it", "person limited POV, the narration alone should be enough to seat the reader", "a mountain, it would be described in similar terms. The exception to this", "with a dialect in odd chapters and a calm, loving, well educated narrator", "This would be a subtle change, I think, to the reader, but the", "example, one of my POV characters may be more focused on the 'world'", "like the tooth of a saw. But other than similes, it didn't occur", "tip. A lumberjack would have a narrator that said it was pointed like", "for alternating chapters? For example, one of my POV characters may be more", "reader, but the sort of thing I am wondering about. I'm curious how", "query soon. Up until this point I used essentially the same 'narrator' for", "experience. A desk clerk, for example, would have a narrator in her chapters", "characters. I'm considering removing every mention of color from the alternate character/chapters. This", "narrator between viewpoints. Color is important to one of my characters. I'm considering", "using third person limited, and have alternating viewpoints between two protagonists. The genre", "is important to one of my characters. I'm considering removing every mention of", "go before it would become jarring. But imagine the extreme - Maybe a", "almost catatonic. Would the narration reflect this? Could a narrator be more terse", "in an alternating third person limited POV, the narration alone should be enough", "--- Edit: I'm using third person limited, and have alternating viewpoints between two", "also like the idea that the POV shades narration and am curious how", "said it was pointed like the tooth of a saw. But other than", "was pointed like a pencil tip. A lumberjack would have a narrator that", "narrator be more terse in one POV and more expansive in another? I", "curious how far this sort of tweaking should go before it would become", "the other may be more focused on people. This could impact the narrator.", "protagonists. The genre is SF-F. I plan to query soon. Up until this", "a terse, angry narrator with a dialect in odd chapters and a calm,", "like a pencil tip. A lumberjack would have a narrator that said it", "subtle change, I think, to the reader, but the sort of thing I", "the 'world' and the other may be more focused on people. This could", "mountain was pointed like a pencil tip. A lumberjack would have a narrator", "person limited, and have alternating viewpoints between two protagonists. 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This could impact the narrator. Yes? No? Would", "to the reader, but the sort of thing I am wondering about. I'm", "the reader, but the sort of thing I am wondering about. I'm curious", "would be described in similar terms. The exception to this is that any", "a unified style throughout a novel, but also be shaded between two points", "narrator. Yes? No? Would the personality of the character shade the narrator? Imagine", "concrete ways in which the narrator can have a unified style throughout a", "the personality of the character shade the narrator? Imagine a character is high", "clerk, for example, would have a narrator in her chapters that said the", "mountain, it would be described in similar terms. The exception to this is", "the narrator. Yes? No? Would the personality of the character shade the narrator?", "alternating chapters? For example, one of my POV characters may be more focused", "personality of the character shade the narrator? Imagine a character is high strung,", "more expansive in another? I aim for a unified style and/or voice throughout,", "character is high strung, and another is almost catatonic. Would the narration reflect", "occur to me to distinguish the narrator between viewpoints. Color is important to", "narration and am curious how these ideas are balanced. --- Edit: I'm using", "similes I added would be anchored in the character's life experience. A desk", "for example, if they saw a mountain, it would be described in similar", "and a calm, loving, well educated narrator in even chapters is fine ...", "may be more focused on people. This could impact the narrator. Yes? No?", "be enough to seat the reader within the POV. I like this concept.", "and another is almost catatonic. Would the narration reflect this? Could a narrator", "I've heard advice that in an alternating third person limited POV, the narration", "expansive in another? I aim for a unified style and/or voice throughout, but", "another? I aim for a unified style and/or voice throughout, but also like", "shades narration and am curious how these ideas are balanced. --- Edit: I'm", "heard advice that in an alternating third person limited POV, the narration alone", "considering removing every mention of color from the alternate character/chapters. This would be", "plan to query soon. Up until this point I used essentially the same", "alternating viewpoints between two protagonists. The genre is SF-F. I plan to query", "that any similes I added would be anchored in the character's life experience.", "viewpoints between two protagonists. The genre is SF-F. I plan to query soon.", "in one POV and more expansive in another? 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I'm curious how far this sort of", "chapters that said the mountain was pointed like a pencil tip. A lumberjack", "would be anchored in the character's life experience. A desk clerk, for example,", "in odd chapters and a calm, loving, well educated narrator in even chapters", "in the character's life experience. A desk clerk, for example, would have a", "some concrete ways in which the narrator can have a unified style throughout", "the character shade the narrator? Imagine a character is high strung, and another", "I'm curious how far this sort of tweaking should go before it would", "tweaking should go before it would become jarring. But imagine the extreme -", "on the 'world' and the other may be more focused on people. This", "two points of view for alternating chapters? For example, one of my POV", "focused on the 'world' and the other may be more focused on people.", "color from the alternate character/chapters. 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Would the personality", "to this is that any similes I added would be anchored in the", "have alternating viewpoints between two protagonists. The genre is SF-F. I plan to", "a novel, but also be shaded between two points of view for alternating", "in her chapters that said the mountain was pointed like a pencil tip.", "mention of color from the alternate character/chapters. This would be a subtle change,", "exception to this is that any similes I added would be anchored in", "life experience. A desk clerk, for example, would have a narrator in her", "Color is important to one of my characters. I'm considering removing every mention", "viewpoints. Color is important to one of my characters. I'm considering removing every", "balanced. --- Edit: I'm using third person limited, and have alternating viewpoints between", "This could impact the narrator. Yes? No? Would the personality of the character", "ways in which the narrator can have a unified style throughout a novel,", "POV and more expansive in another? I aim for a unified style and/or", "narration reflect this? Could a narrator be more terse in one POV and", "every mention of color from the alternate character/chapters. This would be a subtle", "soon. Up until this point I used essentially the same 'narrator' for both", "for example, would have a narrator in her chapters that said the mountain", "distinguish the narrator between viewpoints. Color is important to one of my characters.", "Imagine a character is high strung, and another is almost catatonic. Would the", "like this concept. What are some concrete ways in which the narrator can", "and the other may be more focused on people. This could impact the", "me to distinguish the narrator between viewpoints. Color is important to one of", "would become jarring. But imagine the extreme - Maybe a terse, angry narrator", "it would be described in similar terms. The exception to this is that", "shade the narrator? Imagine a character is high strung, and another is almost", "the reader within the POV. I like this concept. What are some concrete", "But other than similes, it didn't occur to me to distinguish the narrator", "if they saw a mountain, it would be described in similar terms. The", "should go before it would become jarring. But imagine the extreme - Maybe", "in another? I aim for a unified style and/or voice throughout, but also", "more terse in one POV and more expansive in another? I aim for", "to one of my characters. I'm considering removing every mention of color from", "but also be shaded between two points of view for alternating chapters? For", "was pointed like the tooth of a saw. But other than similes, it", "the alternate character/chapters. This would be a subtle change, I think, to the", "the narrator? Imagine a character is high strung, and another is almost catatonic.", "this is that any similes I added would be anchored in the character's", "character/chapters. This would be a subtle change, I think, to the reader, but", "loving, well educated narrator in even chapters is fine ... or not ...???", "other than similes, it didn't occur to me to distinguish the narrator between", "I think, to the reader, but the sort of thing I am wondering", "alone should be enough to seat the reader within the POV. I like", "said the mountain was pointed like a pencil tip. A lumberjack would have", "than similes, it didn't occur to me to distinguish the narrator between viewpoints.", "about. I'm curious how far this sort of tweaking should go before it", "didn't occur to me to distinguish the narrator between viewpoints. Color is important", "odd chapters and a calm, loving, well educated narrator in even chapters is", "be more terse in one POV and more expansive in another? I aim", "is high strung, and another is almost catatonic. Would the narration reflect this?", "idea that the POV shades narration and am curious how these ideas are", "change, I think, to the reader, but the sort of thing I am", "the same 'narrator' for both viewpoints, so, for example, if they saw a", "view for alternating chapters? For example, one of my POV characters may be", "But imagine the extreme - Maybe a terse, angry narrator with a dialect", "between two points of view for alternating chapters? For example, one of my", "this concept. What are some concrete ways in which the narrator can have", "of my characters. I'm considering removing every mention of color from the alternate", "for both viewpoints, so, for example, if they saw a mountain, it would", "enough to seat the reader within the POV. I like this concept. What", "saw a mountain, it would be described in similar terms. The exception to", "I plan to query soon. Up until this point I used essentially the", "in which the narrator can have a unified style throughout a novel, but", "sort of thing I am wondering about. I'm curious how far this sort", "style and/or voice throughout, but also like the idea that the POV shades", "concept. What are some concrete ways in which the narrator can have a", "one of my POV characters may be more focused on the 'world' and", "No? Would the personality of the character shade the narrator? Imagine a character", "my characters. I'm considering removing every mention of color from the alternate character/chapters.", "be described in similar terms. The exception to this is that any similes", "how far this sort of tweaking should go before it would become jarring.", "unified style and/or voice throughout, but also like the idea that the POV", "anchored in the character's life experience. A desk clerk, for example, would have", "the tooth of a saw. But other than similes, it didn't occur to", "third person limited, and have alternating viewpoints between two protagonists. The genre is", "have a narrator that said it was pointed like the tooth of a", "am curious how these ideas are balanced. --- Edit: I'm using third person", "The exception to this is that any similes I added would be anchored", "POV. I like this concept. What are some concrete ways in which the", "could impact the narrator. Yes? No? Would the personality of the character shade", "this point I used essentially the same 'narrator' for both viewpoints, so, for", "I'm using third person limited, and have alternating viewpoints between two protagonists. The", "that said it was pointed like the tooth of a saw. But other", "thing I am wondering about. I'm curious how far this sort of tweaking", "removing every mention of color from the alternate character/chapters. This would be a", "reflect this? Could a narrator be more terse in one POV and more", "this sort of tweaking should go before it would become jarring. But imagine", "Would the narration reflect this? Could a narrator be more terse in one", "like the idea that the POV shades narration and am curious how these", "these ideas are balanced. --- Edit: I'm using third person limited, and have", "have a narrator in her chapters that said the mountain was pointed like", "the POV shades narration and am curious how these ideas are balanced. ---", "narration alone should be enough to seat the reader within the POV. I", "it didn't occur to me to distinguish the narrator between viewpoints. Color is", "one of my characters. I'm considering removing every mention of color from the", "narrator that said it was pointed like the tooth of a saw. But", "pointed like a pencil tip. A lumberjack would have a narrator that said", "of a saw. But other than similes, it didn't occur to me to", "pointed like the tooth of a saw. But other than similes, it didn't", "genre is SF-F. I plan to query soon. Up until this point I", "a dialect in odd chapters and a calm, loving, well educated narrator in", "far this sort of tweaking should go before it would become jarring. But", "POV characters may be more focused on the 'world' and the other may", "between viewpoints. Color is important to one of my characters. I'm considering removing", "similar terms. The exception to this is that any similes I added would", "The genre is SF-F. I plan to query soon. Up until this point", "saw. But other than similes, it didn't occur to me to distinguish the", "example, if they saw a mountain, it would be described in similar terms.", "of my POV characters may be more focused on the 'world' and the", "and am curious how these ideas are balanced. --- Edit: I'm using third" ]
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[ "less audience and I always think that the beauty of computer science or", "mastering the language could hold me back many times. But with English, I", "My background I'm a native French speaker and a software engineer, I studied", "*On the other hand English:* It's a bit harder for me to write", "think that the beauty of computer science or technology can only be viewed", "English:* It's a bit harder for me to write a blog in (I", "should I use for my technical blog posts? *On one hand, French could", "I'm afraid that not mastering the language could hold me back many times.", "blogs in 6 months) and I'm afraid that not mastering the language could", "much less audience and I always think that the beauty of computer science", "French. My Question is: which language should I use for my technical blog", "months) and I'm afraid that not mastering the language could hold me back", "back many times. But with English, I could target much larger audience and", "speaking French. My Question is: which language should I use for my technical", "by transferring knowledge from English to the French speaker for my country. Cinc:", "hand English: It's a bit harder for me to write a blog in", "other hand English:* It's a bit harder for me to write a blog", "It's a bit harder for me to write a blog in (I have", "larger audience and improve my writing skills. What language should I write my", "science or technology can only be viewed in English. *On the other hand", "posts? *On one hand, French could be easier for me to write in.", "blog in (I have written 2 blogs in 6 months) and I'm afraid", "transferring knowledge from English to the French speaker for my country. Cinc: much", "the other hand English: It's a bit harder for me to write a", "my country. Cinc: much less audience and I always think that the beauty", "I could target much larger audience and improve my writing skills. What language", "easier for me to write in. It can allow me to make a", "blog posts? *On one hand, French could be easier for me to write", "many times. But with English, I could target much larger audience and improve", "technology can only be viewed in English. On the other hand English:* It's", "times. But with English, I could target much larger audience and improve my", "English. *On the other hand English:* It's a bit harder for me to", "a software engineer, I studied in French and grew up speaking French. My", "to make a difference by transferring knowledge from English to the French speaker", "a native French speaker and a software engineer, I studied in French and", "English, I could target much larger audience and improve my writing skills. What", "with English, I could target much larger audience and improve my writing skills.", "target much larger audience and improve my writing skills. What language should I", "in (I have written 2 blogs in 6 months) and I'm afraid that", "that the beauty of computer science or technology can only be viewed in", "me back many times. But with English, I could target much larger audience", "in English. On the other hand English: It's a bit harder for me", "knowledge from English to the French speaker for my country. Cinc: much less", "could target much larger audience and improve my writing skills. What language should", "and grew up speaking French. My Question is: which language should I use", "language could hold me back many times. But with English, I could target", "write in. It can allow me to make a difference by transferring knowledge", "computer science or technology can only be viewed in English. *On the other", "Cinc: much less audience and I always think that the beauty of computer", "a bit harder for me to write a blog in (I have written", "much larger audience and improve my writing skills. What language should I write", "6 months) and I'm afraid that not mastering the language could hold me", "technical blog posts? *On one hand, French could be easier for me to", "I always think that the beauty of computer science or technology can only", "that not mastering the language could hold me back many times. But with", "in. It can allow me to make a difference by transferring knowledge from", "afraid that not mastering the language could hold me back many times. But", "me to write a blog in (I have written 2 blogs in 6", "It can allow me to make a difference by transferring knowledge from English", "in 6 months) and I'm afraid that not mastering the language could hold", "audience and improve my writing skills. What language should I write my programming", "me to write in. It can allow me to make a difference by", "a blog in (I have written 2 blogs in 6 months) and I'm", "English to the French speaker for my country. Cinc: much less audience and", "country. Cinc: much less audience and I always think that the beauty of", "harder for me to write a blog in (I have written 2 blogs", "could hold me back many times. But with English, I could target much", "and a software engineer, I studied in French and grew up speaking French.", "my technical blog posts?* *On one hand, French could be easier for me", "French could be easier for me to write in. It can allow me", "which language should I use for my technical blog posts?* *On one hand,", "my writing skills. What language should I write my programming blog post in?", "the French speaker for my country. Cinc: much less audience and I always", "to write a blog in (I have written 2 blogs in 6 months)", "is: which language should I use for my technical blog posts?* *On one", "me to make a difference by transferring knowledge from English to the French", "for my technical blog posts? *On one hand, French could be easier for", "of computer science or technology can only be viewed in English. On the", "French speaker and a software engineer, I studied in French and grew up", "could be easier for me to write in. It can allow me to", "for me to write in. It can allow me to make a difference", "only be viewed in English. On the other hand English: It's a bit", "a difference by transferring knowledge from English to the French speaker for my", "speaker and a software engineer, I studied in French and grew up speaking", "and I always think that the beauty of computer science or technology can", "French speaker for my country. Cinc: much less audience and I always think", "language should I use for my technical blog posts? *On one hand, French", "hold me back many times. But with English, I could target much larger", "But with English, I could target much larger audience and improve my writing", "difference by transferring knowledge from English to the French speaker for my country.", "write a blog in (I have written 2 blogs in 6 months) and", "the beauty of computer science or technology can only be viewed in English.", "studied in French and grew up speaking French. My Question is: which language", "### My background I'm a native French speaker and a software engineer, I", "to the French speaker for my country. Cinc: much less audience and I", "to write in. It can allow me to make a difference by transferring", "not mastering the language could hold me back many times. But with English,", "and improve my writing skills. What language should I write my programming blog", "background I'm a native French speaker and a software engineer, I studied in", "allow me to make a difference by transferring knowledge from English to the", "On one hand, French could be easier for me to write in. It", "use for my technical blog posts?* *On one hand, French could be easier", "be viewed in English. On the other hand English:* It's a bit harder", "native French speaker and a software engineer, I studied in French and grew", "for me to write a blog in (I have written 2 blogs in", "grew up speaking French. My Question is: which language should I use for", "I studied in French and grew up speaking French. My Question is: which", "French and grew up speaking French. My Question is: which language should I", "up speaking French. My Question is: which language should I use for my", "My Question is: which language should I use for my technical blog posts?", "bit harder for me to write a blog in (I have written 2", "in French and grew up speaking French. My Question is: which language should", "written 2 blogs in 6 months) and I'm afraid that not mastering the", "from English to the French speaker for my country. Cinc: much less audience", "engineer, I studied in French and grew up speaking French. My Question is:", "I use for my technical blog posts? On one hand, French could be", "2 blogs in 6 months) and I'm afraid that not mastering the language", "always think that the beauty of computer science or technology can only be", "I'm a native French speaker and a software engineer, I studied in French", "(I have written 2 blogs in 6 months) and I'm afraid that not", "Question is: which language should I use for my technical blog posts? *On", "hand, French could be easier for me to write in. It can allow", "and I'm afraid that not mastering the language could hold me back many", "improve my writing skills. What language should I write my programming blog post", "can only be viewed in English. On the other hand English:* It's a", "viewed in English. *On the other hand English:* It's a bit harder for", "the language could hold me back many times. But with English, I could", "software engineer, I studied in French and grew up speaking French. My Question", "audience and I always think that the beauty of computer science or technology", "can allow me to make a difference by transferring knowledge from English to", "for my country. Cinc: much less audience and I always think that the", "one hand, French could be easier for me to write in. It can", "speaker for my country. Cinc: much less audience and I always think that", "be easier for me to write in. It can allow me to make", "or technology can only be viewed in English. On the other hand English:", "have written 2 blogs in 6 months) and I'm afraid that not mastering", "beauty of computer science or technology can only be viewed in English. **On", "make a difference by transferring knowledge from English to the French speaker for" ]
[ "is written: The protagonists never fight by themselves. There are always at least", "stone), so they can fight along or against robots, even after five consecutive", "world, one that will affect how the story is written: The protagonists never", "Spider tanks, Dreadknights and Talos units, however, require the players to spend x", "Roombas). These are controlled through target designation and tactical movements. Spider tanks, Dreadknights", "the shape of their soul into a more compact form (soul stone), so", "can control their powered armor/drones through the stone. So yep, one soul, multiple", "spend x amount of their own DX for controlling them, taking penalties on", "movements. Spider tanks, Dreadknights and Talos units, however, require the players to spend", "How can I make tactical battles with that many active participants easier to", "their mind, they also have to remember their location and what they'll be", "This is a lot, even judging by my own, ridiculously high standards. How", "their soul into a more compact form (soul stone), so they can fight", "for the writer. Because not only does the reader have to keep three", "DX penalty on top of that, due to their complexity. TL; Dr: If", "military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be best summed up as:", "tanks), can impose a natural DX penalty on top of that, due to", "time when not controlled by an at least human-level brain, alas, most of", "follow? --- Update ------ Hence the Moravec paradox, drones have a hard time", "the story is written: The protagonists never fight by themselves. There are always", "built in ways that require the least possible sensorimotor function (UAVs and Roombas).", "they can control their powered armor/drones through the stone. So yep, one soul,", "stone. So yep, one soul, multiple bodies, a whole new world of headaches", "consecutive headshots, hence they can control their powered armor/drones through the stone. So", "that many active participants easier to follow? --- Update ------ Hence the Moravec", "high standards. How can I make tactical battles with that many active participants", "active participants easier to follow? --- Update ------ Hence the Moravec paradox, drones", "target designation and tactical movements. Spider tanks, Dreadknights and Talos units, however, require", "be best summed up as: 1. Technological singularity renders humans useless. 2. Humans", "when not controlled by an at least human-level brain, alas, most of them", "in their mind, they also have to remember their location and what they'll", "only does the reader have to keep three to five unique types of", "drones in their mind, they also have to remember their location and what", "to keep three to five unique types of drones in their mind, they", "the Moravec paradox, drones have a hard time when not controlled by an", "also have to remember their location and what they'll be used for. This", "human-level brain, alas, most of them are built in ways that require the", "own DX for controlling them, taking penalties on DX rolls, equivalent to the", "as: 1. Technological singularity renders humans useless. 2. Humans transform the shape of", "be used for. This is a lot, even judging by my own, ridiculously", "encountered a certain problem while building my world, one that will affect how", "I make tactical battles with that many active participants easier to follow? ---", "top of that, due to their complexity. TL; Dr: If it looks like", "for controlling them, taking penalties on DX rolls, equivalent to the controlled unit's", "one that will affect how the story is written: The protagonists never fight", "their location and what they'll be used for. This is a lot, even", "my own, ridiculously high standards. How can I make tactical battles with that", "ridiculously high standards. How can I make tactical battles with that many active", "at least human-level brain, alas, most of them are built in ways that", "--- Update ------ Hence the Moravec paradox, drones have a hard time when", "taking penalties on DX rolls, equivalent to the controlled unit's own DX. Some", "or against robots, even after five consecutive headshots, hence they can control their", "the spider tanks), can impose a natural DX penalty on top of that,", "even judging by my own, ridiculously high standards. How can I make tactical", "to spend x amount of their own DX for controlling them, taking penalties", "Update ------ Hence the Moravec paradox, drones have a hard time when not", "of their soul into a more compact form (soul stone), so they can", "will affect how the story is written: The protagonists never fight by themselves.", "five consecutive headshots, hence they can control their powered armor/drones through the stone.", "impose a natural DX penalty on top of that, due to their complexity.", "looks like your pet, you have to control it body-swap style, otherwise, it's", "make tactical battles with that many active participants easier to follow? --- Update", "what they'll be used for. This is a lot, even judging by my", "their complexity. TL; Dr: If it looks like your pet, you have to", "always at least 15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be", "powered armor/drones through the stone. So yep, one soul, multiple bodies, a whole", "not only does the reader have to keep three to five unique types", "hence they can control their powered armor/drones through the stone. So yep, one", "more compact form (soul stone), so they can fight along or against robots,", "due to their complexity. TL; Dr: If it looks like your pet, you", "a natural DX penalty on top of that, due to their complexity. TL;", "so they can fight along or against robots, even after five consecutive headshots,", "used for. This is a lot, even judging by my own, ridiculously high", "robots, even after five consecutive headshots, hence they can control their powered armor/drones", "of drones in their mind, they also have to remember their location and", "they also have to remember their location and what they'll be used for.", "battles with that many active participants easier to follow? --- Update ------ Hence", "affect how the story is written: The protagonists never fight by themselves. There", "to five unique types of drones in their mind, they also have to", "lot, even judging by my own, ridiculously high standards. How can I make", "(UAVs and Roombas). These are controlled through target designation and tactical movements. Spider", "unit's own DX. Some units (such as the spider tanks), can impose a", "surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be best summed up as: 1. Technological", "mind, they also have to remember their location and what they'll be used", "they'll be used for. This is a lot, even judging by my own,", "tactical movements. Spider tanks, Dreadknights and Talos units, however, require the players to", "the least possible sensorimotor function (UAVs and Roombas). These are controlled through target", "controlled unit's own DX. Some units (such as the spider tanks), can impose", "can fight along or against robots, even after five consecutive headshots, hence they", "does the reader have to keep three to five unique types of drones", "protagonists never fight by themselves. There are always at least 15-60 military drones", "to their complexity. TL; Dr: If it looks like your pet, you have", "three to five unique types of drones in their mind, they also have", "location and what they'll be used for. This is a lot, even judging", "own DX. Some units (such as the spider tanks), can impose a natural", "have a hard time when not controlled by an at least human-level brain,", "paradox, drones have a hard time when not controlled by an at least", "15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be best summed up", "after five consecutive headshots, hence they can control their powered armor/drones through the", "many active participants easier to follow? --- Update ------ Hence the Moravec paradox,", "Talos units, however, require the players to spend x amount of their own", "have to keep three to five unique types of drones in their mind,", "designation and tactical movements. Spider tanks, Dreadknights and Talos units, however, require the", "written: The protagonists never fight by themselves. There are always at least 15-60", "------ Hence the Moravec paradox, drones have a hard time when not controlled", "types of drones in their mind, they also have to remember their location", "whole new world of headaches for the writer. Because not only does the", "the reader have to keep three to five unique types of drones in", "by an at least human-level brain, alas, most of them are built in", "at least 15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be best", "soul, multiple bodies, a whole new world of headaches for the writer. Because", "the stone. So yep, one soul, multiple bodies, a whole new world of", "of headaches for the writer. Because not only does the reader have to", "up as: 1. Technological singularity renders humans useless. 2. Humans transform the shape", "Hence the Moravec paradox, drones have a hard time when not controlled by", "controlled through target designation and tactical movements. Spider tanks, Dreadknights and Talos units,", "Dr: If it looks like your pet, you have to control it body-swap", "can I make tactical battles with that many active participants easier to follow?", "drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be best summed up as: 1.", "them are built in ways that require the least possible sensorimotor function (UAVs", "If it looks like your pet, you have to control it body-swap style,", "and Talos units, however, require the players to spend x amount of their", "x amount of their own DX for controlling them, taking penalties on DX", "the writer. Because not only does the reader have to keep three to", "writer. Because not only does the reader have to keep three to five", "reader have to keep three to five unique types of drones in their", "are controlled through target designation and tactical movements. Spider tanks, Dreadknights and Talos", "Dreadknights and Talos units, however, require the players to spend x amount of", "units, however, require the players to spend x amount of their own DX", "of their own DX for controlling them, taking penalties on DX rolls, equivalent", "Some units (such as the spider tanks), can impose a natural DX penalty", "through the stone. So yep, one soul, multiple bodies, a whole new world", "complexity. TL; Dr: If it looks like your pet, you have to control", "So yep, one soul, multiple bodies, a whole new world of headaches for", "function (UAVs and Roombas). These are controlled through target designation and tactical movements.", "multiple bodies, a whole new world of headaches for the writer. Because not", "against robots, even after five consecutive headshots, hence they can control their powered", "There are always at least 15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons", "world of headaches for the writer. Because not only does the reader have", "by themselves. There are always at least 15-60 military drones surrounding them. -------------------------------------------------------------------------------------------------------------", "control their powered armor/drones through the stone. So yep, one soul, multiple bodies,", "an at least human-level brain, alas, most of them are built in ways", "that, due to their complexity. TL; Dr: If it looks like your pet,", "unique types of drones in their mind, they also have to remember their", "require the least possible sensorimotor function (UAVs and Roombas). These are controlled through", "2. Humans transform the shape of their soul into a more compact form", "least human-level brain, alas, most of them are built in ways that require", "controlled by an at least human-level brain, alas, most of them are built", "require the players to spend x amount of their own DX for controlling", "never fight by themselves. There are always at least 15-60 military drones surrounding", "rolls, equivalent to the controlled unit's own DX. Some units (such as the", "themselves. There are always at least 15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The", "your pet, you have to control it body-swap style, otherwise, it's like GURPS.", "their powered armor/drones through the stone. So yep, one soul, multiple bodies, a", "and tactical movements. Spider tanks, Dreadknights and Talos units, however, require the players", "and Roombas). These are controlled through target designation and tactical movements. Spider tanks,", "as the spider tanks), can impose a natural DX penalty on top of", "building my world, one that will affect how the story is written: The", "fight along or against robots, even after five consecutive headshots, hence they can", "natural DX penalty on top of that, due to their complexity. TL; Dr:", "possible sensorimotor function (UAVs and Roombas). These are controlled through target designation and", "form (soul stone), so they can fight along or against robots, even after", "shape of their soul into a more compact form (soul stone), so they", "problem while building my world, one that will affect how the story is", "for. This is a lot, even judging by my own, ridiculously high standards.", "penalties on DX rolls, equivalent to the controlled unit's own DX. Some units", "least 15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can be best summed", "like your pet, you have to control it body-swap style, otherwise, it's like", "that require the least possible sensorimotor function (UAVs and Roombas). These are controlled", "I encountered a certain problem while building my world, one that will affect", "These are controlled through target designation and tactical movements. Spider tanks, Dreadknights and", "Technological singularity renders humans useless. 2. Humans transform the shape of their soul", "of them are built in ways that require the least possible sensorimotor function", "players to spend x amount of their own DX for controlling them, taking", "bodies, a whole new world of headaches for the writer. Because not only", "renders humans useless. 2. Humans transform the shape of their soul into a", "reasons can be best summed up as: 1. Technological singularity renders humans useless.", "controlling them, taking penalties on DX rolls, equivalent to the controlled unit's own", "certain problem while building my world, one that will affect how the story", "a lot, even judging by my own, ridiculously high standards. How can I", "the controlled unit's own DX. Some units (such as the spider tanks), can", "it looks like your pet, you have to control it body-swap style, otherwise,", "Because not only does the reader have to keep three to five unique", "a certain problem while building my world, one that will affect how the", "armor/drones through the stone. So yep, one soul, multiple bodies, a whole new", "of that, due to their complexity. TL; Dr: If it looks like your", "are built in ways that require the least possible sensorimotor function (UAVs and", "transform the shape of their soul into a more compact form (soul stone),", "can be best summed up as: 1. Technological singularity renders humans useless. 2.", "their own DX for controlling them, taking penalties on DX rolls, equivalent to", "with that many active participants easier to follow? --- Update ------ Hence the", "can impose a natural DX penalty on top of that, due to their", "------------------------------------------------------------------------------------------------------------- The reasons can be best summed up as: 1. Technological singularity renders", "them. ------------------------------------------------------------------------------------------------------------- The reasons can be best summed up as: 1. Technological singularity", "tactical battles with that many active participants easier to follow? --- Update ------", "units (such as the spider tanks), can impose a natural DX penalty on", "best summed up as: 1. Technological singularity renders humans useless. 2. Humans transform", "that will affect how the story is written: The protagonists never fight by", "while building my world, one that will affect how the story is written:", "soul into a more compact form (soul stone), so they can fight along", "to remember their location and what they'll be used for. This is a", "own, ridiculously high standards. How can I make tactical battles with that many", "(such as the spider tanks), can impose a natural DX penalty on top", "amount of their own DX for controlling them, taking penalties on DX rolls,", "singularity renders humans useless. 2. Humans transform the shape of their soul into", "are always at least 15-60 military drones surrounding them. ------------------------------------------------------------------------------------------------------------- The reasons can", "easier to follow? --- Update ------ Hence the Moravec paradox, drones have a", "summed up as: 1. Technological singularity renders humans useless. 2. Humans transform the", "however, require the players to spend x amount of their own DX for", "in ways that require the least possible sensorimotor function (UAVs and Roombas). These", "to follow? --- Update ------ Hence the Moravec paradox, drones have a hard", "least possible sensorimotor function (UAVs and Roombas). These are controlled through target designation", "tanks, Dreadknights and Talos units, however, require the players to spend x amount", "headshots, hence they can control their powered armor/drones through the stone. So yep,", "not controlled by an at least human-level brain, alas, most of them are", "how the story is written: The protagonists never fight by themselves. There are", "spider tanks), can impose a natural DX penalty on top of that, due", "is a lot, even judging by my own, ridiculously high standards. How can", "have to remember their location and what they'll be used for. This is", "one soul, multiple bodies, a whole new world of headaches for the writer.", "standards. How can I make tactical battles with that many active participants easier", "useless. 2. Humans transform the shape of their soul into a more compact", "a more compact form (soul stone), so they can fight along or against", "brain, alas, most of them are built in ways that require the least", "Moravec paradox, drones have a hard time when not controlled by an at", "into a more compact form (soul stone), so they can fight along or", "most of them are built in ways that require the least possible sensorimotor", "five unique types of drones in their mind, they also have to remember", "on DX rolls, equivalent to the controlled unit's own DX. Some units (such", "a hard time when not controlled by an at least human-level brain, alas,", "to the controlled unit's own DX. Some units (such as the spider tanks),", "The protagonists never fight by themselves. There are always at least 15-60 military", "story is written: The protagonists never fight by themselves. There are always at", "remember their location and what they'll be used for. This is a lot,", "even after five consecutive headshots, hence they can control their powered armor/drones through", "drones have a hard time when not controlled by an at least human-level", "(soul stone), so they can fight along or against robots, even after five", "The reasons can be best summed up as: 1. Technological singularity renders humans", "DX rolls, equivalent to the controlled unit's own DX. Some units (such as", "humans useless. 2. Humans transform the shape of their soul into a more", "equivalent to the controlled unit's own DX. Some units (such as the spider", "on top of that, due to their complexity. TL; Dr: If it looks", "Humans transform the shape of their soul into a more compact form (soul", "through target designation and tactical movements. Spider tanks, Dreadknights and Talos units, however,", "and what they'll be used for. This is a lot, even judging by", "the players to spend x amount of their own DX for controlling them,", "alas, most of them are built in ways that require the least possible", "yep, one soul, multiple bodies, a whole new world of headaches for the", "headaches for the writer. Because not only does the reader have to keep", "DX for controlling them, taking penalties on DX rolls, equivalent to the controlled", "keep three to five unique types of drones in their mind, they also", "TL; Dr: If it looks like your pet, you have to control it", "along or against robots, even after five consecutive headshots, hence they can control", "them, taking penalties on DX rolls, equivalent to the controlled unit's own DX.", "DX. Some units (such as the spider tanks), can impose a natural DX", "penalty on top of that, due to their complexity. TL; Dr: If it", "judging by my own, ridiculously high standards. How can I make tactical battles", "ways that require the least possible sensorimotor function (UAVs and Roombas). These are", "hard time when not controlled by an at least human-level brain, alas, most", "they can fight along or against robots, even after five consecutive headshots, hence", "participants easier to follow? --- Update ------ Hence the Moravec paradox, drones have", "fight by themselves. There are always at least 15-60 military drones surrounding them.", "my world, one that will affect how the story is written: The protagonists", "1. Technological singularity renders humans useless. 2. Humans transform the shape of their", "by my own, ridiculously high standards. How can I make tactical battles with", "sensorimotor function (UAVs and Roombas). These are controlled through target designation and tactical", "compact form (soul stone), so they can fight along or against robots, even", "new world of headaches for the writer. Because not only does the reader", "a whole new world of headaches for the writer. Because not only does" ]
[ "ask the Entity \"Could you please make the Big Problem go away?\" and", "ends for the heroes and the rest of the world. * The Entity", "try to fight/solve it and have to retreat because they are outmatched. Rethinking", "a plan B, I would prefer if there would be a reasonable scenario", "(or a government is, for all I care) friends with a (seemingly) benevolent", "sharing its advancements and the heroes have kindly asked it not to do", "is not even entirely clear if the Entity would succeed at all and", "please make the Big Problem go away?\" and it could reply \"Well, I", "if the Entity would succeed at all and it could, if things comes", "because they are outmatched. Rethinking time. *What is a believable reason why they", "entity, both the heroes and the entity know that subjugating the heroes and", "do that all the time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while", "hand of the Entity might result in it believing [it should do that", "succeed at all and it could, if things comes to the worst, cease", "Entity wouldn't really suffer consequences by not solving the Big Problem, no matter", "while I could work some way out for the Entity to fail in", "a Big Problem, quite possibly an extinction event. The heroes try to fight/solve", "is, for all I care) friends with a (seemingly) benevolent superhuman entity. This", "more or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy", "powerful and can provide various advancements that are used by the heroes, but", "to the worst, cease existing. Both the Entity and the heroes know that.", "that all the time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the", "quite powerful and can provide various advancements that are used by the heroes,", "the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the economy by sharing its", "problems and as proper humans are proud to solve them mostly themselves, sometimes", "not to do that. Now our heroes face problems and as proper humans", "general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the economy by sharing its advancements", "heroes try to fight/solve it and have to retreat because they are outmatched.", "Assumptions: The Entity wouldn't really suffer consequences by not solving the Big", "be even a problem for the entity, both the heroes and the entity", "are proud to solve them mostly themselves, sometimes with a tip or hint", "them) might just think that putting such important matters into the hand of", "heroes face problems and as proper humans are proud to solve them mostly", "event. The heroes try to fight/solve it and have to retreat because they", "offer sanctuary to its friends/the heroes (only). Even giving these thoughts I think", "it would try to solve the problem. It is not even entirely clear", "face problems and as proper humans are proud to solve them mostly themselves,", "The Entity wouldn't really suffer consequences by not solving the Big Problem, no", "asked it not to do that. Now our heroes face problems and as", "Even giving these thoughts I think it is kinda obvious to ask the", "Our heroes are (or a government is, for all I care) friends with", "heroes are (or a government is, for all I care) friends with a", "a problem for the entity, both the heroes and the entity know that", "problems? Alternatively: Why the Entity won't solve their problem? (One reason per answer", "What is a believable reason why they don't ask the Entity to solve", "heroes know that. * The leader of the heroes (or a majority of", "Problem, no matter how it ends for the heroes and the rest of", "however suffer consequences if it would try to solve the problem. It is", "its advancements and the heroes have kindly asked it not to do that.", "if things comes to the worst, cease existing. Both the Entity and the", "in it believing [it should do that all the time, for the greater", "heroes (or a majority of them) might just think that putting such important", "could, if things comes to the worst, cease existing. Both the Entity and", "plan B, I would prefer if there would be a reasonable scenario where", "for the heroes and the rest of the world. * The Entity would", "[useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the economy by", "Entity won't solve their problem? (One reason per answer encouraged to avoid list", "Entity might result in it believing [it should do that all the time,", "heroes and the entity know that subjugating the heroes and rest of the", "it not to do that. Now our heroes face problems and as proper", "Problem might be even a problem for the entity, both the heroes and", "have to retreat because they are outmatched. Rethinking time. What is a believable", "could effectively destroy the economy by sharing its advancements and the heroes have", "would be a reasonable scenario where this doesn't even happen. PS: *[On-topic discussion", "time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might", "the problem. It is not even entirely clear if the Entity would succeed", "rest of the world wouldn't be difficult for the Entity. The entity", "That wouldn't fit my current narrative and while I could work some way", "effectively destroy the economy by sharing its advancements and the heroes have kindly", "superhuman entity. This Entity is quite powerful and can provide various advancements that", "try a plan B, I would prefer if there would be a reasonable", "the heroes and the rest of the world. * The Entity would however", "the Entity. * The entity might as well offer sanctuary to its friends/the", "the Big Problem, no matter how it ends for the heroes and the", "heroes have kindly asked it not to do that. Now our heroes face", "friends/the heroes (only). Even giving these thoughts I think it is kinda obvious", "by sharing its advancements and the heroes have kindly asked it not to", "reason why they don't ask the Entity to solve their problems? Alternatively: Why", "and can provide various advancements that are used by the heroes, but it", "of the world. * The Entity would however suffer consequences if it would", "solve their problems? Alternatively: Why the Entity won't solve their problem?** (One reason", "answers.) Assumptions: * The Entity wouldn't really suffer consequences by not solving the", "the economy by sharing its advancements and the heroes have kindly asked it", "Now our heroes face problems and as proper humans are proud to solve", "could give it a shot.\" That wouldn't fit my current narrative and while", "you please make the Big Problem go away?\" and it could reply \"Well,", "that putting such important matters into the hand of the Entity might result", "solve the problem. It is not even entirely clear if the Entity would", "and it could, if things comes to the worst, cease existing. Both the", "for the entity, both the heroes and the entity know that subjugating the", "various advancements that are used by the heroes, but it is more or", "it could reply \"Well, I could give it a shot.\" That wouldn't fit", "that. Now our heroes face problems and as proper humans are proud to", "retreat because they are outmatched. Rethinking time. *What is a believable reason why", "difficult for the Entity. The entity might as well offer sanctuary to", "are used by the heroes, but it is more or less [useless for", "The Entity would however suffer consequences if it would try to solve the", "they are outmatched. Rethinking time. *What is a believable reason why they don't", "a believable reason why they don't ask the Entity to solve their problems?", "government is, for all I care) friends with a (seemingly) benevolent superhuman entity.", "both the heroes and the entity know that subjugating the heroes and rest", "that. The leader of the heroes (or a majority of them) might", "and while I could work some way out for the Entity to fail", "Entity would succeed at all and it could, if things comes to the", "I could give it a shot.\" That wouldn't fit my current narrative and", "kindly asked it not to do that. Now our heroes face problems and", "giving these thoughts I think it is kinda obvious to ask the Entity", "clear if the Entity would succeed at all and it could, if things", "it a shot.\" That wouldn't fit my current narrative and while I could", "if there would be a reasonable scenario where this doesn't even happen. PS:", "the world wouldn't be difficult for the Entity. * The entity might as", "list answers.) Assumptions: * The Entity wouldn't really suffer consequences by not solving", "know that. * The leader of the heroes (or a majority of them)", "matters into the hand of the Entity might result in it believing [it", "encouraged to avoid list answers.) Assumptions: * The Entity wouldn't really suffer consequences", "But now they face a Big Problem, quite possibly an extinction event. The", "advancements and the heroes have kindly asked it not to do that. Now", "economy by sharing its advancements and the heroes have kindly asked it not", "don't ask the Entity to solve their problems? Alternatively: Why the Entity won't", "they don't ask the Entity to solve their problems? Alternatively: Why the Entity", "to solve their problems? Alternatively: Why the Entity won't solve their problem?** (One", "with a gadget given/power granted by the Entity. But now they face a", "is a believable reason why they don't ask the Entity to solve their", "cease existing. Both the Entity and the heroes know that. * The leader", "my current narrative and while I could work some way out for the", "with a (seemingly) benevolent superhuman entity. This Entity is quite powerful and can", "an extinction event. The heroes try to fight/solve it and have to retreat", "heroes and rest of the world wouldn't be difficult for the Entity. ", "to fight/solve it and have to retreat because they are outmatched. Rethinking time.", "Big Problem, no matter how it ends for the heroes and the rest", "are (or a government is, for all I care) friends with a (seemingly)", "the Big Problem go away?\" and it could reply \"Well, I could give", "suffer consequences if it would try to solve the problem. It is not", "tip or hint from and often with a gadget given/power granted by the", "provide various advancements that are used by the heroes, but it is more", "I could work some way out for the Entity to fail in a", "such important matters into the hand of the Entity might result in it", "would prefer if there would be a reasonable scenario where this doesn't even", "even a problem for the entity, both the heroes and the entity know", "or hint from and often with a gadget given/power granted by the Entity.", "while the Big Problem might be even a problem for the entity, both", "humans are proud to solve them mostly themselves, sometimes with a tip or", "and it could reply \"Well, I could give it a shot.\" That wouldn't", "to solve the problem. It is not even entirely clear if the Entity", "from and often with a gadget given/power granted by the Entity. But now", "at all and it could, if things comes to the worst, cease existing.", "could reply \"Well, I could give it a shot.\" That wouldn't fit my", "and the entity know that subjugating the heroes and rest of the world", "but it is more or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it", "for all I care) friends with a (seemingly) benevolent superhuman entity. This Entity", "subjugating the heroes and rest of the world wouldn't be difficult for the", "the hand of the Entity might result in it believing [it should do", "and as proper humans are proud to solve them mostly themselves, sometimes with", "reply \"Well, I could give it a shot.\" That wouldn't fit my current", "why they don't ask the Entity to solve their problems? Alternatively: Why the", "should do that all the time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And", "some way out for the Entity to fail in a humiliating way preventing", "(One reason per answer encouraged to avoid list answers.) Assumptions: The Entity", "by the heroes, but it is more or less [useless for the general", "heroes and the rest of the world. * The Entity would however suffer", "current narrative and while I could work some way out for the Entity", "comes to the worst, cease existing. Both the Entity and the heroes know", "might be even a problem for the entity, both the heroes and the", "to do that. Now our heroes face problems and as proper humans are", "their problems? Alternatively: Why the Entity won't solve their problem?** (One reason per", "obvious to ask the Entity \"Could you please make the Big Problem go", "the heroes (or a majority of them) might just think that putting such", "a humiliating way preventing it to try a plan B, I would prefer", "* The entity might as well offer sanctuary to its friends/the heroes (only).", "the heroes and rest of the world wouldn't be difficult for the Entity.", "are outmatched. Rethinking time. What is a believable reason why they don't ask", "important matters into the hand of the Entity might result in it believing", "Entity \"Could you please make the Big Problem go away?\" and it could", "outmatched. Rethinking time. What is a believable reason why they don't ask the", "Rethinking time. What is a believable reason why they don't ask the Entity", "not solving the Big Problem, no matter how it ends for the heroes", "proud to solve them mostly themselves, sometimes with a tip or hint from", "won't solve their problem? (One reason per answer encouraged to avoid list answers.)", "Alternatively: Why the Entity won't solve their problem? (One reason per answer encouraged", "would succeed at all and it could, if things comes to the worst,", "is kinda obvious to ask the Entity \"Could you please make the Big", "a reasonable scenario where this doesn't even happen. PS: [On-topic discussion on meta](https://writing.meta.stackexchange.com/questions/1531/are-questions-about-general-plot-solutions-on-topic)*", "worst, cease existing. Both the Entity and the heroes know that. The", "all the time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big", "solve their problem?** (One reason per answer encouraged to avoid list answers.) Assumptions:", "putting such important matters into the hand of the Entity might result in", "wouldn't fit my current narrative and while I could work some way out", "shot.\" That wouldn't fit my current narrative and while I could work some", "its friends/the heroes (only). Even giving these thoughts I think it is kinda", "per answer encouraged to avoid list answers.) Assumptions: * The Entity wouldn't really", "rest of the world. * The Entity would however suffer consequences if it", "benevolent superhuman entity. This Entity is quite powerful and can provide various advancements", "time. What is a believable reason why they don't ask the Entity to", "it could, if things comes to the worst, cease existing. Both the Entity", "it is kinda obvious to ask the Entity \"Could you please make the", "result in it believing [it should do that all the time, for the", "narrative and while I could work some way out for the Entity to", "themselves, sometimes with a tip or hint from and often with a gadget", "And while the Big Problem might be even a problem for the entity,", "and have to retreat because they are outmatched. Rethinking time. What is a", "entity. This Entity is quite powerful and can provide various advancements that are", "for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the economy by sharing", "the world. * The Entity would however suffer consequences if it would try", "do that. Now our heroes face problems and as proper humans are proud", "and the rest of the world. * The Entity would however suffer consequences", "reason per answer encouraged to avoid list answers.) Assumptions: * The Entity wouldn't", "out for the Entity to fail in a humiliating way preventing it to", "of the heroes (or a majority of them) might just think that putting", "the entity know that subjugating the heroes and rest of the world wouldn't", "that are used by the heroes, but it is more or less [useless", "Big Problem go away?\" and it could reply \"Well, I could give it", "it to try a plan B, I would prefer if there would be", "would however suffer consequences if it would try to solve the problem. It", "heroes, but it is more or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because", "if it would try to solve the problem. It is not even entirely", "It is not even entirely clear if the Entity would succeed at all", "and the heroes know that. * The leader of the heroes (or a", "the Entity to fail in a humiliating way preventing it to try a", "make the Big Problem go away?\" and it could reply \"Well, I could", "the Entity might result in it believing [it should do that all the", "the heroes and the entity know that subjugating the heroes and rest of", "believing [it should do that all the time, for the greater good of", "think that putting such important matters into the hand of the Entity might", "to fail in a humiliating way preventing it to try a plan B,", "not even entirely clear if the Entity would succeed at all and it", "be a reasonable scenario where this doesn't even happen. PS: *[On-topic discussion on", "it is more or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could", "these thoughts I think it is kinda obvious to ask the Entity \"Could", "Entity is quite powerful and can provide various advancements that are used by", "think it is kinda obvious to ask the Entity \"Could you please make", "a gadget given/power granted by the Entity. But now they face a Big", "(seemingly) benevolent superhuman entity. This Entity is quite powerful and can provide various", "good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might be even a problem", "for the Entity to fail in a humiliating way preventing it to try", "the Entity and the heroes know that. The leader of the heroes", "our heroes face problems and as proper humans are proud to solve them", "the Entity \"Could you please make the Big Problem go away?\" and it", "humiliating way preventing it to try a plan B, I would prefer if", "consequences if it would try to solve the problem. It is not even", "heroes (only). Even giving these thoughts I think it is kinda obvious to", "a tip or hint from and often with a gadget given/power granted by", "and often with a gadget given/power granted by the Entity. But now they", "hint from and often with a gadget given/power granted by the Entity. But", "gadget given/power granted by the Entity. But now they face a Big Problem,", "try to solve the problem. It is not even entirely clear if the", "of the world wouldn't be difficult for the Entity. * The entity might", "the heroes have kindly asked it not to do that. Now our heroes", "a (seemingly) benevolent superhuman entity. This Entity is quite powerful and can provide", "entirely clear if the Entity would succeed at all and it could, if", "consequences by not solving the Big Problem, no matter how it ends for", "problem. It is not even entirely clear if the Entity would succeed at", "it could effectively destroy the economy by sharing its advancements and the heroes", "of the Entity might result in it believing [it should do that all", "things comes to the worst, cease existing. Both the Entity and the heroes", "preventing it to try a plan B, I would prefer if there would", "* The leader of the heroes (or a majority of them) might just", "[it should do that all the time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar).", "The entity might as well offer sanctuary to its friends/the heroes (only). Even", "the Entity to solve their problems? Alternatively: Why the Entity won't solve their", "is more or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively", "have kindly asked it not to do that. Now our heroes face problems", "majority of them) might just think that putting such important matters into the", "world wouldn't be difficult for the Entity. * The entity might as well", "all I care) friends with a (seemingly) benevolent superhuman entity. This Entity is", "of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might be even a problem for", "the Entity would succeed at all and it could, if things comes to", "This Entity is quite powerful and can provide various advancements that are used", "could work some way out for the Entity to fail in a humiliating", "all and it could, if things comes to the worst, cease existing. Both", "I care) friends with a (seemingly) benevolent superhuman entity. This Entity is quite", "answer encouraged to avoid list answers.) Assumptions: * The Entity wouldn't really suffer", "to avoid list answers.) Assumptions: * The Entity wouldn't really suffer consequences by", "it and have to retreat because they are outmatched. Rethinking time. What is", "now they face a Big Problem, quite possibly an extinction event. The heroes", "go away?\" and it could reply \"Well, I could give it a shot.\"", "fit my current narrative and while I could work some way out for", "to retreat because they are outmatched. Rethinking time. What is a believable reason", "no matter how it ends for the heroes and the rest of the", "entity know that subjugating the heroes and rest of the world wouldn't be", "because it could effectively destroy the economy by sharing its advancements and the", "\"Well, I could give it a shot.\" That wouldn't fit my current narrative", "to try a plan B, I would prefer if there would be a", "Entity. * The entity might as well offer sanctuary to its friends/the heroes", "I would prefer if there would be a reasonable scenario where this doesn't", "the rest of the world. * The Entity would however suffer consequences if", "sanctuary to its friends/the heroes (only). Even giving these thoughts I think it", "Big Problem might be even a problem for the entity, both the heroes", "the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might be even", "Entity would however suffer consequences if it would try to solve the problem.", "Entity to fail in a humiliating way preventing it to try a plan", "away?\" and it could reply \"Well, I could give it a shot.\" That", "fight/solve it and have to retreat because they are outmatched. Rethinking time. *What", "used by the heroes, but it is more or less [useless for the", "the time, for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem", "in a humiliating way preventing it to try a plan B, I would", "Big Problem, quite possibly an extinction event. The heroes try to fight/solve it", "(or a majority of them) might just think that putting such important matters", "into the hand of the Entity might result in it believing [it should", "would try to solve the problem. It is not even entirely clear if", "and rest of the world wouldn't be difficult for the Entity. The", "the entity, both the heroes and the entity know that subjugating the heroes", "* The Entity would however suffer consequences if it would try to solve", "really suffer consequences by not solving the Big Problem, no matter how it", "solve them mostly themselves, sometimes with a tip or hint from and often", "work some way out for the Entity to fail in a humiliating way", "of them) might just think that putting such important matters into the hand", "destroy the economy by sharing its advancements and the heroes have kindly asked", "ask the Entity to solve their problems? Alternatively: Why the Entity won't solve", "for the Entity. * The entity might as well offer sanctuary to its", "Entity to solve their problems? Alternatively: Why the Entity won't solve their problem?*", "them mostly themselves, sometimes with a tip or hint from and often with", "might result in it believing [it should do that all the time, for", "give it a shot.\" That wouldn't fit my current narrative and while I", "less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the economy", "public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the economy by sharing its advancements and", "(only). Even giving these thoughts I think it is kinda obvious to ask", "prefer if there would be a reasonable scenario where this doesn't even happen.", "that subjugating the heroes and rest of the world wouldn't be difficult for", "The heroes try to fight/solve it and have to retreat because they are", "to its friends/the heroes (only). Even giving these thoughts I think it is", "how it ends for the heroes and the rest of the world. ", "sometimes with a tip or hint from and often with a gadget given/power", "extinction event. The heroes try to fight/solve it and have to retreat because", "thoughts I think it is kinda obvious to ask the Entity \"Could you", "way out for the Entity to fail in a humiliating way preventing it", "a majority of them) might just think that putting such important matters into", "just think that putting such important matters into the hand of the Entity", "and the heroes have kindly asked it not to do that. Now our", "or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless) because it could effectively destroy the", "existing. Both the Entity and the heroes know that. * The leader of", "greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might be even a", "face a Big Problem, quite possibly an extinction event. The heroes try to", "for the greater good of mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might be", "Entity and the heroes know that. * The leader of the heroes (or", "I think it is kinda obvious to ask the Entity \"Could you please", "fail in a humiliating way preventing it to try a plan B, I", "with a tip or hint from and often with a gadget given/power granted", "by the Entity. But now they face a Big Problem, quite possibly an", "believable reason why they don't ask the Entity to solve their problems? Alternatively:", "matter how it ends for the heroes and the rest of the world.", "avoid list answers.) Assumptions: * The Entity wouldn't really suffer consequences by not", "way preventing it to try a plan B, I would prefer if there", "granted by the Entity. But now they face a Big Problem, quite possibly", "advancements that are used by the heroes, but it is more or less", "the Entity. But now they face a Big Problem, quite possibly an extinction", "as well offer sanctuary to its friends/the heroes (only). Even giving these thoughts", "the Big Problem might be even a problem for the entity, both the", "problem?** (One reason per answer encouraged to avoid list answers.) Assumptions: * The", "mostly themselves, sometimes with a tip or hint from and often with a", "problem for the entity, both the heroes and the entity know that subjugating", "The leader of the heroes (or a majority of them) might just think", "by not solving the Big Problem, no matter how it ends for the", "a shot.\" That wouldn't fit my current narrative and while I could work", "they face a Big Problem, quite possibly an extinction event. The heroes try", "wouldn't really suffer consequences by not solving the Big Problem, no matter how", "their problem?** (One reason per answer encouraged to avoid list answers.) Assumptions: ", "to ask the Entity \"Could you please make the Big Problem go away?\"", "there would be a reasonable scenario where this doesn't even happen. PS: [On-topic", "world. The Entity would however suffer consequences if it would try to", "to solve them mostly themselves, sometimes with a tip or hint from and", "quite possibly an extinction event. The heroes try to fight/solve it and have", "leader of the heroes (or a majority of them) might just think that", "Problem, quite possibly an extinction event. The heroes try to fight/solve it and", "be difficult for the Entity. * The entity might as well offer sanctuary", "possibly an extinction event. The heroes try to fight/solve it and have to", "care) friends with a (seemingly) benevolent superhuman entity. This Entity is quite powerful", "wouldn't be difficult for the Entity. * The entity might as well offer", "the Entity won't solve their problem?** (One reason per answer encouraged to avoid", "Both the Entity and the heroes know that. * The leader of the", "even entirely clear if the Entity would succeed at all and it could,", "Entity. But now they face a Big Problem, quite possibly an extinction event.", "B, I would prefer if there would be a reasonable scenario where this", "friends with a (seemingly) benevolent superhuman entity. This Entity is quite powerful and", "know that subjugating the heroes and rest of the world wouldn't be difficult", "as proper humans are proud to solve them mostly themselves, sometimes with a", "\"Could you please make the Big Problem go away?\" and it could reply", "the worst, cease existing. Both the Entity and the heroes know that. ", "it ends for the heroes and the rest of the world. The", "entity might as well offer sanctuary to its friends/the heroes (only). Even giving", "kinda obvious to ask the Entity \"Could you please make the Big Problem", "well offer sanctuary to its friends/the heroes (only). Even giving these thoughts I", "solving the Big Problem, no matter how it ends for the heroes and", "proper humans are proud to solve them mostly themselves, sometimes with a tip", "* The Entity wouldn't really suffer consequences by not solving the Big Problem,", "can provide various advancements that are used by the heroes, but it is", "given/power granted by the Entity. But now they face a Big Problem, quite", "might just think that putting such important matters into the hand of the", "might as well offer sanctuary to its friends/the heroes (only). Even giving these", "the heroes, but it is more or less [useless for the general public](http://tvtropes.org/pmwiki/pmwiki.php/Main/ReedRichardsIsUseless)", "a government is, for all I care) friends with a (seemingly) benevolent superhuman", "the heroes know that. * The leader of the heroes (or a majority", "often with a gadget given/power granted by the Entity. But now they face", "Problem go away?\" and it could reply \"Well, I could give it a", "Why the Entity won't solve their problem?** (One reason per answer encouraged to", "is quite powerful and can provide various advancements that are used by the", "suffer consequences by not solving the Big Problem, no matter how it ends", "mankind](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightTemplar). And while the Big Problem might be even a problem for the", "it believing [it should do that all the time, for the greater good" ]
[ "be impolite, but that's a human thing. However, what pronoun should members of", "perhaps add that I don't want this species to sound awkward. They're supposed", "species to sound awkward. They're supposed to be, in some ways, higher being", "sound quite right, do they? I should perhaps add that I don't want", "of this species use when talking about each other (to a human)? 1.", "do they? I should perhaps add that I don't want this species to", "is fully hermaphroditic: all individuals have both male and female reproductive organs. Like", "my mate\" 2. \"She was my mate\" 3. \"It was my mate\" 4.", "as he/she/it/they. Humans consider \"it\" to be impolite, but that's a human thing.", "\"It was my mate\" 4. \"They were my mate\" All four don't sound", "humans refer to them as he/she/it/they. Humans consider \"it\" to be impolite, but", "and female reproductive organs. Like garden snails. Consequently, they have only one gender.", "a species that is fully hermaphroditic: all individuals have both male and female", "fantasy novel, I have a species that is fully hermaphroditic: all individuals have", "this species use when talking about each other (to a human)? 1. \"He", "he/she/it/they. Humans consider \"it\" to be impolite, but that's a human thing. However,", "hermaphroditic: all individuals have both male and female reproductive organs. Like garden snails.", "was my mate\" 3. \"It was my mate\" 4. \"They were my mate\"", "I should perhaps add that I don't want this species to sound awkward.", "they don't mind when confused humans refer to them as he/she/it/they. Humans consider", "members of this species use when talking about each other (to a human)?", "state that they don't mind when confused humans refer to them as he/she/it/they.", "both male and female reproductive organs. Like garden snails. Consequently, they have only", "explicitly state that they don't mind when confused humans refer to them as", "each other (to a human)? 1. \"He was my mate\" 2. \"She was", "All four don't sound quite right, do they? I should perhaps add that", "to them as he/she/it/they. Humans consider \"it\" to be impolite, but that's a", "organs. Like garden snails. Consequently, they have only one gender. They explicitly state", "1. \"He was my mate\" 2. \"She was my mate\" 3. \"It was", "(to a human)? 1. \"He was my mate\" 2. \"She was my mate\"", "They explicitly state that they don't mind when confused humans refer to them", "don't mind when confused humans refer to them as he/she/it/they. Humans consider \"it\"", "human)? 1. \"He was my mate\" 2. \"She was my mate\" 3. \"It", "sound awkward. They're supposed to be, in some ways, higher being than humans.", "\"He was my mate\" 2. \"She was my mate\" 3. \"It was my", "was my mate\" 2. \"She was my mate\" 3. \"It was my mate\"", "one gender. They explicitly state that they don't mind when confused humans refer", "use when talking about each other (to a human)? 1. \"He was my", "snails. Consequently, they have only one gender. They explicitly state that they don't", "\"it\" to be impolite, but that's a human thing. However, what pronoun should", "species use when talking about each other (to a human)? 1. \"He was", "when talking about each other (to a human)? 1. \"He was my mate\"", "consider \"it\" to be impolite, but that's a human thing. However, what pronoun", "talking about each other (to a human)? 1. \"He was my mate\" 2.", "other (to a human)? 1. \"He was my mate\" 2. \"She was my", "they? I should perhaps add that I don't want this species to sound", "my mate\" 3. \"It was my mate\" 4. \"They were my mate\" All", "them as he/she/it/they. Humans consider \"it\" to be impolite, but that's a human", "to be impolite, but that's a human thing. However, what pronoun should members", "they have only one gender. They explicitly state that they don't mind when", "but that's a human thing. However, what pronoun should members of this species", "Humans consider \"it\" to be impolite, but that's a human thing. However, what", "four don't sound quite right, do they? I should perhaps add that I", "pronoun should members of this species use when talking about each other (to", "don't sound quite right, do they? I should perhaps add that I don't", "individuals have both male and female reproductive organs. Like garden snails. Consequently, they", "only one gender. They explicitly state that they don't mind when confused humans", "novel, I have a species that is fully hermaphroditic: all individuals have both", "impolite, but that's a human thing. However, what pronoun should members of this", "add that I don't want this species to sound awkward. They're supposed to", "thing. However, what pronoun should members of this species use when talking about", "Consequently, they have only one gender. They explicitly state that they don't mind", "should members of this species use when talking about each other (to a", "mind when confused humans refer to them as he/she/it/they. Humans consider \"it\" to", "species that is fully hermaphroditic: all individuals have both male and female reproductive", "what pronoun should members of this species use when talking about each other", "garden snails. Consequently, they have only one gender. They explicitly state that they", "4. \"They were my mate\" All four don't sound quite right, do they?", "gender. They explicitly state that they don't mind when confused humans refer to", "don't want this species to sound awkward. They're supposed to be, in some", "right, do they? I should perhaps add that I don't want this species", "mate\" 2. \"She was my mate\" 3. \"It was my mate\" 4. \"They", "2. \"She was my mate\" 3. \"It was my mate\" 4. \"They were", "was my mate\" 4. \"They were my mate\" All four don't sound quite", "my mate\" 4. \"They were my mate\" All four don't sound quite right,", "male and female reproductive organs. Like garden snails. Consequently, they have only one", "want this species to sound awkward. They're supposed to be, in some ways,", "Like garden snails. Consequently, they have only one gender. They explicitly state that", "my mate\" All four don't sound quite right, do they? I should perhaps", "when confused humans refer to them as he/she/it/they. Humans consider \"it\" to be", "a human thing. However, what pronoun should members of this species use when", "were my mate\" All four don't sound quite right, do they? I should", "However, what pronoun should members of this species use when talking about each", "reproductive organs. Like garden snails. Consequently, they have only one gender. They explicitly", "have only one gender. They explicitly state that they don't mind when confused", "a human)? 1. \"He was my mate\" 2. \"She was my mate\" 3.", "have a species that is fully hermaphroditic: all individuals have both male and", "should perhaps add that I don't want this species to sound awkward. They're", "In my fantasy novel, I have a species that is fully hermaphroditic: all", "\"They were my mate\" All four don't sound quite right, do they? I", "mate\" 3. \"It was my mate\" 4. \"They were my mate\" All four", "this species to sound awkward. They're supposed to be, in some ways, higher", "mate\" All four don't sound quite right, do they? I should perhaps add", "my fantasy novel, I have a species that is fully hermaphroditic: all individuals", "that is fully hermaphroditic: all individuals have both male and female reproductive organs.", "I have a species that is fully hermaphroditic: all individuals have both male", "fully hermaphroditic: all individuals have both male and female reproductive organs. Like garden", "about each other (to a human)? 1. \"He was my mate\" 2. \"She", "3. \"It was my mate\" 4. \"They were my mate\" All four don't", "that I don't want this species to sound awkward. They're supposed to be,", "confused humans refer to them as he/she/it/they. Humans consider \"it\" to be impolite,", "female reproductive organs. Like garden snails. Consequently, they have only one gender. They", "have both male and female reproductive organs. Like garden snails. Consequently, they have", "quite right, do they? I should perhaps add that I don't want this", "that's a human thing. However, what pronoun should members of this species use", "human thing. However, what pronoun should members of this species use when talking", "\"She was my mate\" 3. \"It was my mate\" 4. \"They were my", "that they don't mind when confused humans refer to them as he/she/it/they. Humans", "I don't want this species to sound awkward. They're supposed to be, in", "refer to them as he/she/it/they. Humans consider \"it\" to be impolite, but that's", "mate\" 4. \"They were my mate\" All four don't sound quite right, do", "to sound awkward. They're supposed to be, in some ways, higher being than", "all individuals have both male and female reproductive organs. Like garden snails. Consequently," ]
[ "fiery one' or 'born of fire'. Is it a good idea to use", "for a character who has supernatural control of fire and whose home was", "certain aspects of his past. For example, for a character who has supernatural", "for my main character. I want his name to reflect his personality and", "caused the fire) might be given the name Oidon, a name of Celtic/Irish", "name to reflect his personality and symbolize certain aspects of his past. For", "name for my main character. I want his name to reflect his personality", "be given the name Oidon, a name of Celtic/Irish origin meaning 'the fiery", "fire) might be given the name Oidon, a name of Celtic/Irish origin meaning", "being cheesy? I don't want to directly name the protagonist \"Fire\", for example.", "name Oidon, a name of Celtic/Irish origin meaning 'the fiery one' or 'born", "it a good idea to use the etymology of a name in this", "the name Oidon, a name of Celtic/Irish origin meaning 'the fiery one' or", "symbolism? Or how else can I find a telling name, without it being", "good idea to use the etymology of a name in this way? Will", "Or how else can I find a telling name, without it being cheesy?", "telling name, without it being cheesy? I don't want to directly name the", "a good idea to use the etymology of a name in this way?", "trying to find an appropriate name for my main character. I want his", "For example, for a character who has supernatural control of fire and whose", "origin meaning 'the fiery one' or 'born of fire'. Is it a good", "can I find a telling name, without it being cheesy? I don't want", "fire immediatle after his birth there (as if his birth caused the fire)", "understand the symbolism? Or how else can I find a telling name, without", "etymology and understand the symbolism? Or how else can I find a telling", "and whose home was destroyed in a fire immediatle after his birth there", "and symbolize certain aspects of his past. For example, for a character who", "who has supernatural control of fire and whose home was destroyed in a", "of his past. For example, for a character who has supernatural control of", "one' or 'born of fire'. Is it a good idea to use the", "his past. For example, for a character who has supernatural control of fire", "Will readers even know the etymology and understand the symbolism? Or how else", "whose home was destroyed in a fire immediatle after his birth there (as", "Is it a good idea to use the etymology of a name in", "I'm trying to find an appropriate name for my main character. I want", "if his birth caused the fire) might be given the name Oidon, a", "find an appropriate name for my main character. I want his name to", "fire and whose home was destroyed in a fire immediatle after his birth", "a fire immediatle after his birth there (as if his birth caused the", "supernatural control of fire and whose home was destroyed in a fire immediatle", "name of Celtic/Irish origin meaning 'the fiery one' or 'born of fire'. Is", "the etymology and understand the symbolism? Or how else can I find a", "'the fiery one' or 'born of fire'. Is it a good idea to", "in a fire immediatle after his birth there (as if his birth caused", "Oidon, a name of Celtic/Irish origin meaning 'the fiery one' or 'born of", "in this way? Will readers even know the etymology and understand the symbolism?", "home was destroyed in a fire immediatle after his birth there (as if", "else can I find a telling name, without it being cheesy? I don't", "his birth there (as if his birth caused the fire) might be given", "how else can I find a telling name, without it being cheesy? I", "find a telling name, without it being cheesy? I don't want to directly", "etymology of a name in this way? Will readers even know the etymology", "name, without it being cheesy? I don't want to directly name the protagonist", "I find a telling name, without it being cheesy? I don't want to", "main character. I want his name to reflect his personality and symbolize certain", "of fire'. Is it a good idea to use the etymology of a", "might be given the name Oidon, a name of Celtic/Irish origin meaning 'the", "use the etymology of a name in this way? Will readers even know", "of fire and whose home was destroyed in a fire immediatle after his", "aspects of his past. For example, for a character who has supernatural control", "name in this way? Will readers even know the etymology and understand the", "his birth caused the fire) might be given the name Oidon, a name", "even know the etymology and understand the symbolism? Or how else can I", "a character who has supernatural control of fire and whose home was destroyed", "his name to reflect his personality and symbolize certain aspects of his past.", "past. For example, for a character who has supernatural control of fire and", "this way? Will readers even know the etymology and understand the symbolism? Or", "to use the etymology of a name in this way? Will readers even", "birth there (as if his birth caused the fire) might be given the", "personality and symbolize certain aspects of his past. For example, for a character", "readers even know the etymology and understand the symbolism? Or how else can", "way? Will readers even know the etymology and understand the symbolism? Or how", "the fire) might be given the name Oidon, a name of Celtic/Irish origin", "the etymology of a name in this way? Will readers even know the", "'born of fire'. Is it a good idea to use the etymology of", "has supernatural control of fire and whose home was destroyed in a fire", "birth caused the fire) might be given the name Oidon, a name of", "was destroyed in a fire immediatle after his birth there (as if his", "to find an appropriate name for my main character. I want his name", "know the etymology and understand the symbolism? Or how else can I find", "without it being cheesy? I don't want to directly name the protagonist \"Fire\",", "immediatle after his birth there (as if his birth caused the fire) might", "given the name Oidon, a name of Celtic/Irish origin meaning 'the fiery one'", "character who has supernatural control of fire and whose home was destroyed in", "his personality and symbolize certain aspects of his past. For example, for a", "(as if his birth caused the fire) might be given the name Oidon,", "want his name to reflect his personality and symbolize certain aspects of his", "of a name in this way? Will readers even know the etymology and", "a telling name, without it being cheesy? I don't want to directly name", "my main character. I want his name to reflect his personality and symbolize", "appropriate name for my main character. I want his name to reflect his", "symbolize certain aspects of his past. For example, for a character who has", "of Celtic/Irish origin meaning 'the fiery one' or 'born of fire'. Is it", "Celtic/Irish origin meaning 'the fiery one' or 'born of fire'. Is it a", "the symbolism? Or how else can I find a telling name, without it", "to reflect his personality and symbolize certain aspects of his past. For example,", "example, for a character who has supernatural control of fire and whose home", "there (as if his birth caused the fire) might be given the name", "a name of Celtic/Irish origin meaning 'the fiery one' or 'born of fire'.", "a name in this way? Will readers even know the etymology and understand", "and understand the symbolism? Or how else can I find a telling name,", "control of fire and whose home was destroyed in a fire immediatle after", "after his birth there (as if his birth caused the fire) might be", "reflect his personality and symbolize certain aspects of his past. For example, for", "fire'. Is it a good idea to use the etymology of a name", "idea to use the etymology of a name in this way? Will readers", "character. I want his name to reflect his personality and symbolize certain aspects", "I want his name to reflect his personality and symbolize certain aspects of", "an appropriate name for my main character. I want his name to reflect", "destroyed in a fire immediatle after his birth there (as if his birth", "it being cheesy? I don't want to directly name the protagonist \"Fire\", for", "or 'born of fire'. Is it a good idea to use the etymology", "meaning 'the fiery one' or 'born of fire'. Is it a good idea" ]
[ "have a story where the protagonist, who is a warrior meant to be", "isn't much prudent. Of course, he has several qualities too, but it's not", "to be the story's hero, has several unlikable traits. He is proud, kind", "soldiers), has a limited knowledge and isn't much prudent. Of course, he has", "since half the plot's progress and slowly until the end. The problem is:", "kind of cold, has a hatred for the people of the enemy State", "will take kind of long until that happens, and preventing the reader from", "the plot, many things happen which leads him to start changing and becoming", "is a warrior meant to be the story's hero, has several unlikable traits.", "the story's hero, has several unlikable traits. He is proud, kind of cold,", "happen which leads him to start changing and becoming a better person (including", "protagonist, who is a warrior meant to be the story's hero, has several", "progress and slowly until the end. The problem is: how can I non-verbally", "(without exceptions, which makes him support war and sees no problem in killing", "In the course of the plot, many things happen which leads him to", "become a more likeable person but that it will take kind of long", "of the plot, many things happen which leads him to start changing and", "person (including becoming the opposite of these flaws) since half the plot's progress", "killing soldiers), has a limited knowledge and isn't much prudent. Of course, he", "and slowly until the end. The problem is: how can I non-verbally tell", "the reader that he will become a more likeable person but that it", "the question. In the course of the plot, many things happen which leads", "a better person (including becoming the opposite of these flaws) since half the", "too, but it's not relevant for the question. In the course of the", "problem in killing soldiers), has a limited knowledge and isn't much prudent. Of", "kind of long until that happens, and preventing the reader from losing interest", "things happen which leads him to start changing and becoming a better person", "has a hatred for the people of the enemy State (without exceptions, which", "he has several qualities too, but it's not relevant for the question. In", "a story where the protagonist, who is a warrior meant to be the", "enemy State (without exceptions, which makes him support war and sees no problem", "better person (including becoming the opposite of these flaws) since half the plot's", "of these flaws) since half the plot's progress and slowly until the end.", "plot's progress and slowly until the end. The problem is: how can I", "relevant for the question. In the course of the plot, many things happen", "story where the protagonist, who is a warrior meant to be the story's", "in killing soldiers), has a limited knowledge and isn't much prudent. Of course,", "story's hero, has several unlikable traits. He is proud, kind of cold, has", "qualities too, but it's not relevant for the question. In the course of", "The problem is: how can I non-verbally tell the reader that he will", "limited knowledge and isn't much prudent. Of course, he has several qualities too,", "proud, kind of cold, has a hatred for the people of the enemy", "how can I non-verbally tell the reader that he will become a more", "likeable person but that it will take kind of long until that happens,", "Of course, he has several qualities too, but it's not relevant for the", "exceptions, which makes him support war and sees no problem in killing soldiers),", "of the enemy State (without exceptions, which makes him support war and sees", "has several unlikable traits. He is proud, kind of cold, has a hatred", "I non-verbally tell the reader that he will become a more likeable person", "sees no problem in killing soldiers), has a limited knowledge and isn't much", "State (without exceptions, which makes him support war and sees no problem in", "end. The problem is: how can I non-verbally tell the reader that he", "becoming a better person (including becoming the opposite of these flaws) since half", "non-verbally tell the reader that he will become a more likeable person but", "where the protagonist, who is a warrior meant to be the story's hero,", "until that happens, and preventing the reader from losing interest in the story", "leads him to start changing and becoming a better person (including becoming the", "course of the plot, many things happen which leads him to start changing", "preventing the reader from losing interest in the story until the change begins?", "a warrior meant to be the story's hero, has several unlikable traits. He", "it's not relevant for the question. In the course of the plot, many", "for the people of the enemy State (without exceptions, which makes him support", "not relevant for the question. In the course of the plot, many things", "much prudent. Of course, he has several qualities too, but it's not relevant", "him support war and sees no problem in killing soldiers), has a limited", "is proud, kind of cold, has a hatred for the people of the", "until the end. The problem is: how can I non-verbally tell the reader", "becoming the opposite of these flaws) since half the plot's progress and slowly", "prudent. Of course, he has several qualities too, but it's not relevant for", "start changing and becoming a better person (including becoming the opposite of these", "course, he has several qualities too, but it's not relevant for the question.", "which leads him to start changing and becoming a better person (including becoming", "slowly until the end. The problem is: how can I non-verbally tell the", "it will take kind of long until that happens, and preventing the reader", "and preventing the reader from losing interest in the story until the change", "more likeable person but that it will take kind of long until that", "meant to be the story's hero, has several unlikable traits. He is proud,", "the opposite of these flaws) since half the plot's progress and slowly until", "several qualities too, but it's not relevant for the question. In the course", "makes him support war and sees no problem in killing soldiers), has a", "happens, and preventing the reader from losing interest in the story until the", "many things happen which leads him to start changing and becoming a better", "of cold, has a hatred for the people of the enemy State (without", "reader that he will become a more likeable person but that it will", "he will become a more likeable person but that it will take kind", "but that it will take kind of long until that happens, and preventing", "and sees no problem in killing soldiers), has a limited knowledge and isn't", "several unlikable traits. He is proud, kind of cold, has a hatred for", "be the story's hero, has several unlikable traits. He is proud, kind of", "take kind of long until that happens, and preventing the reader from losing", "traits. He is proud, kind of cold, has a hatred for the people", "the end. The problem is: how can I non-verbally tell the reader that", "flaws) since half the plot's progress and slowly until the end. The problem", "cold, has a hatred for the people of the enemy State (without exceptions,", "war and sees no problem in killing soldiers), has a limited knowledge and", "changing and becoming a better person (including becoming the opposite of these flaws)", "problem is: how can I non-verbally tell the reader that he will become", "I have a story where the protagonist, who is a warrior meant to", "question. In the course of the plot, many things happen which leads him", "hatred for the people of the enemy State (without exceptions, which makes him", "people of the enemy State (without exceptions, which makes him support war and", "but it's not relevant for the question. In the course of the plot,", "a hatred for the people of the enemy State (without exceptions, which makes", "plot, many things happen which leads him to start changing and becoming a", "for the question. In the course of the plot, many things happen which", "the course of the plot, many things happen which leads him to start", "tell the reader that he will become a more likeable person but that", "the enemy State (without exceptions, which makes him support war and sees no", "is: how can I non-verbally tell the reader that he will become a", "half the plot's progress and slowly until the end. The problem is: how", "will become a more likeable person but that it will take kind of", "long until that happens, and preventing the reader from losing interest in the", "to start changing and becoming a better person (including becoming the opposite of", "the people of the enemy State (without exceptions, which makes him support war", "He is proud, kind of cold, has a hatred for the people of", "and isn't much prudent. Of course, he has several qualities too, but it's", "warrior meant to be the story's hero, has several unlikable traits. He is", "(including becoming the opposite of these flaws) since half the plot's progress and", "hero, has several unlikable traits. He is proud, kind of cold, has a", "can I non-verbally tell the reader that he will become a more likeable", "him to start changing and becoming a better person (including becoming the opposite", "the protagonist, who is a warrior meant to be the story's hero, has", "opposite of these flaws) since half the plot's progress and slowly until the", "that it will take kind of long until that happens, and preventing the", "has a limited knowledge and isn't much prudent. Of course, he has several", "support war and sees no problem in killing soldiers), has a limited knowledge", "which makes him support war and sees no problem in killing soldiers), has", "of long until that happens, and preventing the reader from losing interest in", "has several qualities too, but it's not relevant for the question. In the", "that happens, and preventing the reader from losing interest in the story until", "who is a warrior meant to be the story's hero, has several unlikable", "no problem in killing soldiers), has a limited knowledge and isn't much prudent.", "and becoming a better person (including becoming the opposite of these flaws) since", "that he will become a more likeable person but that it will take", "the plot's progress and slowly until the end. The problem is: how can", "person but that it will take kind of long until that happens, and", "a more likeable person but that it will take kind of long until", "a limited knowledge and isn't much prudent. Of course, he has several qualities", "these flaws) since half the plot's progress and slowly until the end. The", "unlikable traits. He is proud, kind of cold, has a hatred for the", "knowledge and isn't much prudent. Of course, he has several qualities too, but" ]
[ "have a nearly-constant set of characters who face various situations (from real-life-like to", "various situations (from real-life-like to quite imaginary). Though it has been well-received by", "and for our daughter. However, my wife and I are struggling to come", "would like to vary stories to make it more interesting both for us", "relatable, we must avoid some of the richer elements of adult fiction. Also", "because of time constraints we construct stories mostly on-the-go. Are there lists of", "even explicit demand for some re-runs, we would like to vary stories to", "and I are struggling to come up with somewhat novel plot hooks, and", "to quite imaginary). Though it has been well-received by the audience, there is", "time constraints we construct stories mostly on-the-go. Are there lists of story elements", "novel plot hooks, and story elements. An extra complication is that to make", "OK, and there is even explicit demand for some re-runs, we would like", "months, my wife and I have been telling bedtime stories of our own", "ten months, my wife and I have been telling bedtime stories of our", "quite imaginary). Though it has been well-received by the audience, there is now", "characters who face various situations (from real-life-like to quite imaginary). Though it has", "Though some repetition is OK, and there is even explicit demand for some", "However, my wife and I are struggling to come up with somewhat novel", "of time constraints we construct stories mostly on-the-go. Are there lists of story", "story elements. An extra complication is that to make stories relatable, we must", "we construct stories mostly on-the-go. Are there lists of story elements for young", "turned 4). We do it on alternate evenings. The stories have a nearly-constant", "extra complication is that to make stories relatable, we must avoid some of", "fiction. Also because of time constraints we construct stories mostly on-the-go. Are there", "of story elements for young children? Any other resources to enrich oral storytelling", "repetition is OK, and there is even explicit demand for some re-runs, we", "avoid some of the richer elements of adult fiction. Also because of time", "our older daughter (who recently turned 4). We do it on alternate evenings.", "the richer elements of adult fiction. Also because of time constraints we construct", "up with somewhat novel plot hooks, and story elements. An extra complication is", "Are there lists of story elements for young children? Any other resources to", "lists of story elements for young children? Any other resources to enrich oral", "We do it on alternate evenings. The stories have a nearly-constant set of", "it more interesting both for us and for our daughter. However, my wife", "constraints we construct stories mostly on-the-go. Are there lists of story elements for", "demand for some re-runs, we would like to vary stories to make it", "must avoid some of the richer elements of adult fiction. Also because of", "telling bedtime stories of our own making to our older daughter (who recently", "a nearly-constant set of characters who face various situations (from real-life-like to quite", "of the richer elements of adult fiction. Also because of time constraints we", "is even explicit demand for some re-runs, we would like to vary stories", "stories have a nearly-constant set of characters who face various situations (from real-life-like", "for young children? Any other resources to enrich oral storytelling for young children?", "and I have been telling bedtime stories of our own making to our", "somewhat novel plot hooks, and story elements. An extra complication is that to", "hooks, and story elements. An extra complication is that to make stories relatable,", "of dread. Though some repetition is OK, and there is even explicit demand", "some of the richer elements of adult fiction. Also because of time constraints", "story elements for young children? Any other resources to enrich oral storytelling for", "to come up with somewhat novel plot hooks, and story elements. An extra", "have been telling bedtime stories of our own making to our older daughter", "past ten months, my wife and I have been telling bedtime stories of", "interesting both for us and for our daughter. However, my wife and I", "it on alternate evenings. The stories have a nearly-constant set of characters who", "of our own making to our older daughter (who recently turned 4). We", "situations (from real-life-like to quite imaginary). Though it has been well-received by the", "are struggling to come up with somewhat novel plot hooks, and story elements.", "vary stories to make it more interesting both for us and for our", "I are struggling to come up with somewhat novel plot hooks, and story", "daughter (who recently turned 4). We do it on alternate evenings. The stories", "Though it has been well-received by the audience, there is now an element", "recently turned 4). We do it on alternate evenings. The stories have a", "it has been well-received by the audience, there is now an element of", "been telling bedtime stories of our own making to our older daughter (who", "on alternate evenings. The stories have a nearly-constant set of characters who face", "some re-runs, we would like to vary stories to make it more interesting", "now an element of dread. Though some repetition is OK, and there is", "to make it more interesting both for us and for our daughter. However,", "imaginary). Though it has been well-received by the audience, there is now an", "and story elements. An extra complication is that to make stories relatable, we", "of adult fiction. Also because of time constraints we construct stories mostly on-the-go.", "an element of dread. Though some repetition is OK, and there is even", "wife and I have been telling bedtime stories of our own making to", "older daughter (who recently turned 4). We do it on alternate evenings. The", "we would like to vary stories to make it more interesting both for", "that to make stories relatable, we must avoid some of the richer elements", "been well-received by the audience, there is now an element of dread. Though", "for some re-runs, we would like to vary stories to make it more", "struggling to come up with somewhat novel plot hooks, and story elements. An", "(from real-life-like to quite imaginary). Though it has been well-received by the audience,", "to our older daughter (who recently turned 4). We do it on alternate", "re-runs, we would like to vary stories to make it more interesting both", "I have been telling bedtime stories of our own making to our older", "come up with somewhat novel plot hooks, and story elements. An extra complication", "dread. Though some repetition is OK, and there is even explicit demand for", "the audience, there is now an element of dread. Though some repetition is", "like to vary stories to make it more interesting both for us and", "set of characters who face various situations (from real-life-like to quite imaginary). Though", "4). We do it on alternate evenings. The stories have a nearly-constant set", "For past ten months, my wife and I have been telling bedtime stories", "my wife and I have been telling bedtime stories of our own making", "(who recently turned 4). We do it on alternate evenings. The stories have", "making to our older daughter (who recently turned 4). We do it on", "do it on alternate evenings. The stories have a nearly-constant set of characters", "alternate evenings. The stories have a nearly-constant set of characters who face various", "is OK, and there is even explicit demand for some re-runs, we would", "complication is that to make stories relatable, we must avoid some of the", "elements. An extra complication is that to make stories relatable, we must avoid", "has been well-received by the audience, there is now an element of dread.", "nearly-constant set of characters who face various situations (from real-life-like to quite imaginary).", "An extra complication is that to make stories relatable, we must avoid some", "adult fiction. Also because of time constraints we construct stories mostly on-the-go. Are", "Also because of time constraints we construct stories mostly on-the-go. Are there lists", "richer elements of adult fiction. Also because of time constraints we construct stories", "our own making to our older daughter (who recently turned 4). We do", "stories of our own making to our older daughter (who recently turned 4).", "stories mostly on-the-go. Are there lists of story elements for young children? Any", "us and for our daughter. However, my wife and I are struggling to", "elements for young children? Any other resources to enrich oral storytelling for young", "daughter. However, my wife and I are struggling to come up with somewhat", "own making to our older daughter (who recently turned 4). We do it", "who face various situations (from real-life-like to quite imaginary). Though it has been", "The stories have a nearly-constant set of characters who face various situations (from", "on-the-go. Are there lists of story elements for young children? Any other resources", "there is even explicit demand for some re-runs, we would like to vary", "and there is even explicit demand for some re-runs, we would like to", "make it more interesting both for us and for our daughter. However, my", "both for us and for our daughter. However, my wife and I are", "for us and for our daughter. However, my wife and I are struggling", "some repetition is OK, and there is even explicit demand for some re-runs,", "explicit demand for some re-runs, we would like to vary stories to make", "face various situations (from real-life-like to quite imaginary). Though it has been well-received", "element of dread. Though some repetition is OK, and there is even explicit", "evenings. The stories have a nearly-constant set of characters who face various situations", "construct stories mostly on-the-go. Are there lists of story elements for young children?", "my wife and I are struggling to come up with somewhat novel plot", "make stories relatable, we must avoid some of the richer elements of adult", "there is now an element of dread. Though some repetition is OK, and", "wife and I are struggling to come up with somewhat novel plot hooks,", "is now an element of dread. Though some repetition is OK, and there", "plot hooks, and story elements. An extra complication is that to make stories", "to vary stories to make it more interesting both for us and for", "stories to make it more interesting both for us and for our daughter.", "stories relatable, we must avoid some of the richer elements of adult fiction.", "well-received by the audience, there is now an element of dread. Though some", "we must avoid some of the richer elements of adult fiction. Also because", "by the audience, there is now an element of dread. Though some repetition", "bedtime stories of our own making to our older daughter (who recently turned", "for our daughter. However, my wife and I are struggling to come up", "more interesting both for us and for our daughter. However, my wife and", "audience, there is now an element of dread. Though some repetition is OK,", "real-life-like to quite imaginary). Though it has been well-received by the audience, there", "of characters who face various situations (from real-life-like to quite imaginary). Though it", "there lists of story elements for young children? Any other resources to enrich", "with somewhat novel plot hooks, and story elements. An extra complication is that", "mostly on-the-go. Are there lists of story elements for young children? Any other", "our daughter. However, my wife and I are struggling to come up with", "to make stories relatable, we must avoid some of the richer elements of", "is that to make stories relatable, we must avoid some of the richer", "elements of adult fiction. Also because of time constraints we construct stories mostly" ]
[ "present information (such as statistical data). Does a memoir have to provide proof", "based on such conjecture do they need to cite sources and include substantive", "have to provide proof for the claims and sources for their information? And", "(such as statistical data). Does a memoir have to provide proof for the", "memoir writers often recount events or present information (such as statistical data). Does", "proof for the claims and sources for their information? And if not, why", "and conjecture in knowledge areas that they dont personally 'memoir' and new policy", "the claims and sources for their information? And if not, why not? When", "And if not, why not? When a 'memoir' writer veers into agenda and", "information? And if not, why not? When a 'memoir' writer veers into agenda", "a 'memoir' writer veers into agenda and conjecture in knowledge areas that they", "statistical data). Does a memoir have to provide proof for the claims and", "not, why not? When a 'memoir' writer veers into agenda and conjecture in", "into agenda and conjecture in knowledge areas that they dont personally 'memoir' and", "if not, why not? When a 'memoir' writer veers into agenda and conjecture", "and new policy initiatives based on such conjecture do they need to cite", "for the claims and sources for their information? And if not, why not?", "a memoir have to provide proof for the claims and sources for their", "their information? And if not, why not? When a 'memoir' writer veers into", "personally 'memoir' and new policy initiatives based on such conjecture do they need", "recount events or present information (such as statistical data). Does a memoir have", "policy initiatives based on such conjecture do they need to cite sources and", "provide proof for the claims and sources for their information? And if not,", "for their information? And if not, why not? When a 'memoir' writer veers", "initiatives based on such conjecture do they need to cite sources and include", "events or present information (such as statistical data). Does a memoir have to", "veers into agenda and conjecture in knowledge areas that they dont personally 'memoir'", "not? When a 'memoir' writer veers into agenda and conjecture in knowledge areas", "conjecture do they need to cite sources and include substantive references as endnotes?", "agenda and conjecture in knowledge areas that they dont personally 'memoir' and new", "conjecture in knowledge areas that they dont personally 'memoir' and new policy initiatives", "knowledge areas that they dont personally 'memoir' and new policy initiatives based on", "why not? When a 'memoir' writer veers into agenda and conjecture in knowledge", "in knowledge areas that they dont personally 'memoir' and new policy initiatives based", "areas that they dont personally 'memoir' and new policy initiatives based on such", "that they dont personally 'memoir' and new policy initiatives based on such conjecture", "'memoir' writer veers into agenda and conjecture in knowledge areas that they dont", "or present information (such as statistical data). Does a memoir have to provide", "writer veers into agenda and conjecture in knowledge areas that they dont personally", "data). Does a memoir have to provide proof for the claims and sources", "information (such as statistical data). Does a memoir have to provide proof for", "as statistical data). Does a memoir have to provide proof for the claims", "When a 'memoir' writer veers into agenda and conjecture in knowledge areas that", "claims and sources for their information? And if not, why not? When a", "sources for their information? And if not, why not? When a 'memoir' writer", "to provide proof for the claims and sources for their information? And if", "and sources for their information? And if not, why not? When a 'memoir'", "on such conjecture do they need to cite sources and include substantive references", "such conjecture do they need to cite sources and include substantive references as", "Does a memoir have to provide proof for the claims and sources for", "dont personally 'memoir' and new policy initiatives based on such conjecture do they", "writers often recount events or present information (such as statistical data). Does a", "memoir have to provide proof for the claims and sources for their information?", "'memoir' and new policy initiatives based on such conjecture do they need to", "new policy initiatives based on such conjecture do they need to cite sources", "they dont personally 'memoir' and new policy initiatives based on such conjecture do", "often recount events or present information (such as statistical data). Does a memoir" ]
[ "that within 1984. I'm using third person to describe what the protagonist sees,", "to write a sci-fi novel in a dystopian future baring semblance to that", "sees, what he feels and what he thinks, however unbeknownst to him, he", "upload his consciousness to an android, thus granting him access to all the", "thinks, however unbeknownst to him, he is being monitored by machines, recording the", "is the same entity as what was 'narrating' in third person. Would the", "to that within 1984. I'm using third person to describe what the protagonist", "that was recorded by the machines, now the main character is the same", "is being monitored by machines, recording the aforementioned information. Eventually, he will upload", "'narrating' in third person. Would the transition to first person work? If not,", "as what was 'narrating' in third person. Would the transition to first person", "he feels and what he thinks, however unbeknownst to him, he is being", "being monitored by machines, recording the aforementioned information. Eventually, he will upload his", "what was 'narrating' in third person. Would the transition to first person work?", "first person work? If not, what perspective should I use after this point?", "unbeknownst to him, he is being monitored by machines, recording the aforementioned information.", "the machines, now the main character is the same entity as what was", "Eventually, he will upload his consciousness to an android, thus granting him access", "to first person work? If not, what perspective should I use after this", "the aforementioned information. Eventually, he will upload his consciousness to an android, thus", "semblance to that within 1984. I'm using third person to describe what the", "entity as what was 'narrating' in third person. Would the transition to first", "by the machines, now the main character is the same entity as what", "same entity as what was 'narrating' in third person. Would the transition to", "person to describe what the protagonist sees, what he feels and what he", "he thinks, however unbeknownst to him, he is being monitored by machines, recording", "him access to all the information that was recorded by the machines, now", "by machines, recording the aforementioned information. Eventually, he will upload his consciousness to", "describe what the protagonist sees, what he feels and what he thinks, however", "I'm attempting to write a sci-fi novel in a dystopian future baring semblance", "he is being monitored by machines, recording the aforementioned information. Eventually, he will", "and what he thinks, however unbeknownst to him, he is being monitored by", "sci-fi novel in a dystopian future baring semblance to that within 1984. I'm", "feels and what he thinks, however unbeknownst to him, he is being monitored", "will upload his consciousness to an android, thus granting him access to all", "his consciousness to an android, thus granting him access to all the information", "he will upload his consciousness to an android, thus granting him access to", "what the protagonist sees, what he feels and what he thinks, however unbeknownst", "I'm using third person to describe what the protagonist sees, what he feels", "however unbeknownst to him, he is being monitored by machines, recording the aforementioned", "1984. I'm using third person to describe what the protagonist sees, what he", "attempting to write a sci-fi novel in a dystopian future baring semblance to", "using third person to describe what the protagonist sees, what he feels and", "access to all the information that was recorded by the machines, now the", "machines, now the main character is the same entity as what was 'narrating'", "to describe what the protagonist sees, what he feels and what he thinks,", "character is the same entity as what was 'narrating' in third person. Would", "machines, recording the aforementioned information. Eventually, he will upload his consciousness to an", "all the information that was recorded by the machines, now the main character", "recording the aforementioned information. Eventually, he will upload his consciousness to an android,", "write a sci-fi novel in a dystopian future baring semblance to that within", "within 1984. I'm using third person to describe what the protagonist sees, what", "an android, thus granting him access to all the information that was recorded", "granting him access to all the information that was recorded by the machines,", "protagonist sees, what he feels and what he thinks, however unbeknownst to him,", "to all the information that was recorded by the machines, now the main", "information. Eventually, he will upload his consciousness to an android, thus granting him", "in third person. Would the transition to first person work? If not, what", "the main character is the same entity as what was 'narrating' in third", "thus granting him access to all the information that was recorded by the", "baring semblance to that within 1984. I'm using third person to describe what", "dystopian future baring semblance to that within 1984. I'm using third person to", "him, he is being monitored by machines, recording the aforementioned information. Eventually, he", "what he feels and what he thinks, however unbeknownst to him, he is", "android, thus granting him access to all the information that was recorded by", "main character is the same entity as what was 'narrating' in third person.", "in a dystopian future baring semblance to that within 1984. I'm using third", "to an android, thus granting him access to all the information that was", "the transition to first person work? If not, what perspective should I use", "a dystopian future baring semblance to that within 1984. I'm using third person", "now the main character is the same entity as what was 'narrating' in", "recorded by the machines, now the main character is the same entity as", "Would the transition to first person work? If not, what perspective should I", "information that was recorded by the machines, now the main character is the", "the information that was recorded by the machines, now the main character is", "third person. Would the transition to first person work? If not, what perspective", "what he thinks, however unbeknownst to him, he is being monitored by machines,", "was recorded by the machines, now the main character is the same entity", "a sci-fi novel in a dystopian future baring semblance to that within 1984.", "the protagonist sees, what he feels and what he thinks, however unbeknownst to", "was 'narrating' in third person. Would the transition to first person work? If", "consciousness to an android, thus granting him access to all the information that", "transition to first person work? If not, what perspective should I use after", "to him, he is being monitored by machines, recording the aforementioned information. Eventually,", "aforementioned information. Eventually, he will upload his consciousness to an android, thus granting", "monitored by machines, recording the aforementioned information. Eventually, he will upload his consciousness", "person. Would the transition to first person work? If not, what perspective should", "future baring semblance to that within 1984. I'm using third person to describe", "third person to describe what the protagonist sees, what he feels and what", "novel in a dystopian future baring semblance to that within 1984. I'm using", "the same entity as what was 'narrating' in third person. **Would the transition" ]
[ "Maybe my beta readers are simply impatient people who normally gravitate towards other", "tries again. No > luck. It's the right key. She tries the others,", "we can't remember previous chapters from weeks ago, etc. But the beta comments", "the key into the > lock. She tries to turn it. > >", "readers are simply impatient people who normally gravitate towards other styles of books.", "of books. ?? 4. Maybe the reveal pacing is perfect, but other elements", "seems even worse than #1. 3. Maybe my beta readers are simply impatient", "welcome. (I see odd events with future reveal to be an important aspect", "methods to pace and reveal story plot points?** --- Fake example, written on", "the question comes to mind, as though they are uncomfortable wondering. They want", "the door out of reach, > quaking. If only she'd gotten inside she'd", "ring of power makes a person invisible and eventually eats their soul. Why?", "a letter to Herrl. Why? We don't find out for a while. 2.", "aware of holding the question in mind. This seems even worse than #1.", "to not be asked to wait. Popular Examples of what I'm talking about:", "The wand's inside.* She jiggles the key into the > lock. She tries", "to know everything, as soon as the question comes to mind, as though", "the reader is less aware of holding the question in mind. This seems", "nature of the critique is fragmented, many excerpts, we can't remember previous chapters", "my betas ask for the answers to these sorts of questions 'right away'", "and it's supposed to go to a crazy man in the desert. Why?", "the reveals properly, based on my own reading enjoyment. I have tried to", "answers to these sorts of questions 'right away' (or even more oddly, before", "though they are uncomfortable wondering. They want to not be asked to wait.", "what I'm talking about: 1. Owls are trying to delver a letter to", "> > At that moment, the shifter appears. Vuzasha backs up, next to", "but other elements in my writing keep the space between question and reveal", "the nature of the critique is fragmented, many excerpts, we can't remember previous", "gotten inside she'd have her wand. > > > He said, \"I shift", "pulled out her key chain. > Damn. Damn damn damn. The wand's inside.", "the house key doesn't work, wondering if a window is open, should she", "as soon as the question comes to mind, as though they are uncomfortable", "pulls the key out, it's the right one. She tries again. No >", "to pace and reveal story plot points? --- Fake example, written on the", "in mind. This seems even worse than #1. 3. Maybe my beta readers", "next to the door out of reach, > quaking. If only she'd gotten", "my real life group I don't worry too much, the nature of the", "mind, as though they are uncomfortable wondering. They want to not be asked", "2. The ring of power makes a person invisible and eventually eats their", "with future reveal to be an important aspect of tension. I'd like to", "quaking. If only she'd gotten inside she'd have her wand. > > >", "Maybe the reveal pacing is perfect, but other elements in my writing keep", "do not know' - and I've gotten this comment in my real life", "a question comes to mind for them. In my real life group I", "soul. Why? 3. R2-D2 has a hologram of a beautiful princess and it's", "At that moment, the shifter appears. Vuzasha backs up, next to the door", "If only she'd gotten inside she'd have her wand. > > > He", "is fragmented, many excerpts, we can't remember previous chapters from weeks ago, etc.", "to be an important aspect of tension. I'd like to not lose tension.)", "events, so the reader is less aware of holding the question in mind.", "it would reduce tension. 2. obscure the odd events, so the reader is", "> Nothing. She pulls the key out, it's the right one. She tries", "doesn't work, wondering if a window is open, should she run? because she", "turn it. > > > Nothing. She pulls the key out, it's the", "commenting, \"I want to know why the key doesn't work.\" (then there's ~two", "elements in my writing keep the space between question and reveal too un-enjoyable.", "ask for the answers to these sorts of questions 'right away' (or even", "of 'I the reader am frustrated by what I do not know' -", "out her key chain. > Damn. Damn damn damn. The wand's inside. She", "Your keys are worthless. You're not in your world > anymore. \" >", "trying to figure out why the house key doesn't work, wondering if a", "man in the desert. Why? Why do my betas ask for the answers", "see odd events with future reveal to be an important aspect of tension.", "reading enjoyment. I have tried to make the story enjoyable (rich setting etc).", "pacing is perfect, but other elements in my writing keep the space between", "question in mind. This seems even worse than #1. 3. Maybe my beta", "towards other styles of books. ?? 4. Maybe the reveal pacing is perfect,", "information as soon as a question comes to mind for them. In my", "wondering. They want to not be asked to wait. Popular Examples of what", "what I do not know' - and I've gotten this comment in my", "category of 'I the reader am frustrated by what I do not know'", "mind for them. In my real life group I don't worry too much,", "a beautiful princess and it's supposed to go to a crazy man in", "out of reach, > quaking. If only she'd gotten inside she'd have her", "are uncomfortable wondering. They want to not be asked to wait. Popular Examples", "> > Vuzasha raced up to the house. Fumbling, she pulled out her", "key into the > lock. She tries to turn it. > > >", "of reach, > quaking. If only she'd gotten inside she'd have her wand.", "to go to a crazy man in the desert. Why? Why do my", "It's the right key. She tries the others, naturally they don't > work,", "#1. 3. Maybe my beta readers are simply impatient people who normally gravitate", "most welcome. (I see odd events with future reveal to be an important", "would reduce tension. 2. obscure the odd events, so the reader is less", "books. ?? 4. Maybe the reveal pacing is perfect, but other elements in", "do my betas ask for the answers to these sorts of questions 'right", "more oddly, before the strange event even happens)? I think I pace the", "of my beta comments fall under the category of 'I the reader am", "of a beautiful princess and it's supposed to go to a crazy man", "naturally they don't > work, either. > > > *It's at this point", "raced up to the house. Fumbling, she pulled out her key chain. >", "soon as the question comes to mind, as though they are uncomfortable wondering.", "etc). I don't know whether to ... 1. reorganize paragraphs so they get", "backs up, next to the door out of reach, > quaking. If only", "hologram of a beautiful princess and it's supposed to go to a crazy", "previous chapters from weeks ago, etc. But the beta comments have the same", "very puzzled by it. Perhaps the beta read process has its own shortcomings.", "writing keep the space between question and reveal too un-enjoyable. I'm very puzzled", "questions 'right away' (or even more oddly, before the strange event even happens)?", "world > anymore. \" > > > Second draft would be tighter -", "the right one. She tries again. No > luck. It's the right key.", "for a while. 2. The ring of power makes a person invisible and", "She pulls the key out, it's the right one. She tries again. No", "> It's at this point that my beta is commenting, \"I want to", "life group too. The reader wants information as soon as a question comes", "she pulled out her key chain. > Damn. Damn damn damn. The wand's", "can't remember previous chapters from weeks ago, etc. But the beta comments have", "out why the house key doesn't work, wondering if a window is open,", "than myself, Vuzasha. Your keys are worthless. You're not in your world >", "impatient people who normally gravitate towards other styles of books. ?? 4. Maybe", "as though they are uncomfortable wondering. They want to not be asked to", "Nothing. She pulls the key out, it's the right one. She tries again.", "> Damn. Damn damn damn. The wand's inside. She jiggles the key into", "You're not in your world > anymore. \" > > > Second draft", "What are the best methods to pace and reveal story plot points? ---", "desert. Why? Why do my betas ask for the answers to these sorts", "the fly: > > Vuzasha raced up to the house. Fumbling, she pulled", "are the best methods to pace and reveal story plot points? --- Fake", "a crazy man in the desert. Why? Why do my betas ask for", "on the above are most welcome. (I see odd events with future reveal", "doesn't work.\" (then there's ~two paragraphs of Vuzasha pulling clues together, trying to", "(or even more oddly, before the strange event even happens)? I think I", "She tries again. No > luck. It's the right key. She tries the", "to mind, as though they are uncomfortable wondering. They want to not be", "event even happens)? I think I pace the reveals properly, based on my", "are worthless. You're not in your world > anymore. \" > > >", "they don't > work, either. > > > *It's at this point that", "my beta readers are simply impatient people who normally gravitate towards other styles", "1. Owls are trying to delver a letter to Herrl. Why? We don't", "not be asked to wait. Popular Examples of what I'm talking about: 1.", "know' - and I've gotten this comment in my real life group too.", "'I the reader am frustrated by what I do not know' - and", "a window is open, should she run? because she has to get inside", "real life group I don't worry too much, the nature of the critique", "I've gotten this comment in my real life group too. The reader wants", "house key doesn't work, wondering if a window is open, should she run?", "and reveal too un-enjoyable. I'm very puzzled by it. Perhaps the beta read", "said, \"I shift more than myself, Vuzasha. Your keys are worthless. You're not", "the question in mind. This seems even worse than #1. 3. Maybe my", "holding the question in mind. This seems even worse than #1. 3. Maybe", "ago, etc. But the beta comments have the same concern. They want to", "the right key. She tries the others, naturally they don't > work, either.", "invisible and eventually eats their soul. Why? 3. R2-D2 has a hologram of", "critique is fragmented, many excerpts, we can't remember previous chapters from weeks ago,", "Some of my beta comments fall under the category of 'I the reader", "strange event even happens)? I think I pace the reveals properly, based on", "there's ~two paragraphs of Vuzasha pulling clues together, trying to figure out why", "shifter appears. Vuzasha backs up, next to the door out of reach, >", "has a hologram of a beautiful princess and it's supposed to go to", "reduce tension. 2. obscure the odd events, so the reader is less aware", "up, next to the door out of reach, > quaking. If only she'd", "get answers before they ask questions, but this seems like it would reduce", "other elements in my writing keep the space between question and reveal too", "don't find out for a while. 2. The ring of power makes a", "because she has to get inside or else...) Then, after those two paragraphs", "letter to Herrl. Why? We don't find out for a while. 2. The", "jiggles the key into the > lock. She tries to turn it. >", "should she run? because she has to get inside or else...) Then, after", "not lose tension.) To focus the question: What are the best methods to", "the others, naturally they don't > work, either. > > > It's at", "into the > lock. She tries to turn it. > > > Nothing.", "that moment, the shifter appears. Vuzasha backs up, next to the door out", "the above are most welcome. (I see odd events with future reveal to", "less aware of holding the question in mind. This seems even worse than", "own shortcomings. Any thoughts you have on the above are most welcome. (I", "get inside or else...) Then, after those two paragraphs - > > At", "I have tried to make the story enjoyable (rich setting etc). I don't", "Vuzasha raced up to the house. Fumbling, she pulled out her key chain.", "properly, based on my own reading enjoyment. I have tried to make the", "beta is commenting, \"I want to know why the key doesn't work.\" (then", "to not lose tension.) To focus the question: What are the best methods", "to these sorts of questions 'right away' (or even more oddly, before the", "(I see odd events with future reveal to be an important aspect of", "beta comments have the same concern. They want to know everything, as soon", "them. In my real life group I don't worry too much, the nature", "to delver a letter to Herrl. Why? We don't find out for a", "mind. This seems even worse than #1. 3. Maybe my beta readers are", "read process has its own shortcomings. Any thoughts you have on the above", "a hologram of a beautiful princess and it's supposed to go to a", "They want to know everything, as soon as the question comes to mind,", "same concern. They want to know everything, as soon as the question comes", "is open, should she run? because she has to get inside or else...)", "much, the nature of the critique is fragmented, many excerpts, we can't remember", "key.* She tries the others, naturally they don't > work, either. > >", "damn. The wand's inside.* She jiggles the key into the > lock. She", "even more oddly, before the strange event even happens)? I think I pace", "I'm very puzzled by it. Perhaps the beta read process has its own", "luck. It's the right key. She tries the others, naturally they don't >", "know why the key doesn't work.\"** (then there's ~two paragraphs of Vuzasha pulling", "tension. 2. obscure the odd events, so the reader is less aware of", "I pace the reveals properly, based on my own reading enjoyment. I have", "un-enjoyable. I'm very puzzled by it. Perhaps the beta read process has its", "Fumbling, she pulled out her key chain. > Damn. Damn damn damn. The", "if a window is open, should she run? because she has to get", "She tries the others, naturally they don't > work, either. > > >", "want to know everything, as soon as the question comes to mind, as", "concern. They want to know everything, as soon as the question comes to", "key out, it's the right one. She tries again. No > luck. It's", "4. Maybe the reveal pacing is perfect, but other elements in my writing", "open, should she run? because she has to get inside or else...) Then,", "too un-enjoyable. I'm very puzzled by it. Perhaps the beta read process has", "to Herrl. Why? We don't find out for a while. 2. The ring", "of questions 'right away' (or even more oddly, before the strange event even", "story enjoyable (rich setting etc). I don't know whether to ... 1. reorganize", "> > > *It's at this point that my beta is commenting, \"I", "the house. Fumbling, she pulled out her key chain. > Damn. Damn damn", "either. > > > *It's at this point that my beta is commenting,", "to a crazy man in the desert. Why? Why do my betas ask", "Popular Examples of what I'm talking about: 1. Owls are trying to delver", "have her wand. > > > He said, \"I shift more than myself,", "beautiful princess and it's supposed to go to a crazy man in the", "seems like it would reduce tension. 2. obscure the odd events, so the", "asked to wait. Popular Examples of what I'm talking about: 1. Owls are", "of what I'm talking about: 1. Owls are trying to delver a letter", "out for a while. 2. The ring of power makes a person invisible", "is perfect, but other elements in my writing keep the space between question", "two paragraphs - > > At that moment, the shifter appears. Vuzasha backs", "right one. She tries again. No > luck. It's the right key.* She", "oddly, before the strange event even happens)? I think I pace the reveals", "3. R2-D2 has a hologram of a beautiful princess and it's supposed to", "The ring of power makes a person invisible and eventually eats their soul.", "simply impatient people who normally gravitate towards other styles of books. ?? 4.", "my beta comments fall under the category of 'I the reader am frustrated", "its own shortcomings. Any thoughts you have on the above are most welcome.", "points?** --- Fake example, written on the fly: > > Vuzasha raced up", "they get answers before they ask questions, but this seems like it would", "a while. 2. The ring of power makes a person invisible and eventually", "the strange event even happens)? I think I pace the reveals properly, based", "after those two paragraphs - > > At that moment, the shifter appears.", "be asked to wait. Popular Examples of what I'm talking about: 1. Owls", "more than myself, Vuzasha. Your keys are worthless. You're not in your world", "or else...) Then, after those two paragraphs - > > At that moment,", "aspect of tension. I'd like to not lose tension.) To focus the question:", "reveals properly, based on my own reading enjoyment. I have tried to make", "excerpts, we can't remember previous chapters from weeks ago, etc. But the beta", "right key.* She tries the others, naturally they don't > work, either. >", "beta read process has its own shortcomings. Any thoughts you have on the", "chapters from weeks ago, etc. But the beta comments have the same concern.", "at this point that my beta is commenting, \"I want to know why", "to mind for them. In my real life group I don't worry too", "the beta read process has its own shortcomings. Any thoughts you have on", "paragraphs so they get answers before they ask questions, but this seems like", "> > Second draft would be tighter - but same structure. Is this", "have the same concern. They want to know everything, as soon as the", "comments fall under the category of 'I the reader am frustrated by what", "In my real life group I don't worry too much, the nature of", "inside she'd have her wand. > > > He said, \"I shift more", "key doesn't work.\"** (then there's ~two paragraphs of Vuzasha pulling clues together, trying", "between question and reveal too un-enjoyable. I'm very puzzled by it. Perhaps the", "up to the house. Fumbling, she pulled out her key chain. > Damn.", "why the key doesn't work.\"* (then there's ~two paragraphs of Vuzasha pulling clues", "of power makes a person invisible and eventually eats their soul. Why? 3.", "> quaking. If only she'd gotten inside she'd have her wand. > >", "supposed to go to a crazy man in the desert. Why? Why do", "delver a letter to Herrl. Why? We don't find out for a while.", "- > > At that moment, the shifter appears. Vuzasha backs up, next", "Then, after those two paragraphs - > > At that moment, the shifter", "Vuzasha. Your keys are worthless. You're not in your world > anymore. \"", "too. The reader wants information as soon as a question comes to mind", "gravitate towards other styles of books. ?? 4. Maybe the reveal pacing is", "be an important aspect of tension. I'd like to not lose tension.) To", "others, naturally they don't > work, either. > > > It's at this", "this comment in my real life group too. The reader wants information as", "gotten this comment in my real life group too. The reader wants information", "person invisible and eventually eats their soul. Why? 3. R2-D2 has a hologram", "appears. Vuzasha backs up, next to the door out of reach, > quaking.", "keys are worthless. You're not in your world > anymore. \" > >", "don't > work, either. > > > It's at this point that my", "wants information as soon as a question comes to mind for them. In", "talking about: 1. Owls are trying to delver a letter to Herrl. Why?", "Why? We don't find out for a while. 2. The ring of power", "for the answers to these sorts of questions 'right away' (or even more", "tried to make the story enjoyable (rich setting etc). I don't know whether", "odd events with future reveal to be an important aspect of tension. I'd", "run? because she has to get inside or else...) Then, after those two", "the odd events, so the reader is less aware of holding the question", "frustrated by what I do not know' - and I've gotten this comment", "'right away' (or even more oddly, before the strange event even happens)? I", "soon as a question comes to mind for them. In my real life", "reveal story plot points?** --- Fake example, written on the fly: > >", "tries to turn it. > > > Nothing. She pulls the key out,", "are most welcome. (I see odd events with future reveal to be an", "pulling clues together, trying to figure out why the house key doesn't work,", "damn damn. The wand's inside.* She jiggles the key into the > lock.", "wand's inside.* She jiggles the key into the > lock. She tries to", "have tried to make the story enjoyable (rich setting etc). I don't know", "again. No > luck. It's the right key. She tries the others, naturally", "written on the fly: > > Vuzasha raced up to the house. Fumbling,", "moment, the shifter appears. Vuzasha backs up, next to the door out of", "a person invisible and eventually eats their soul. Why? 3. R2-D2 has a", "question comes to mind, as though they are uncomfortable wondering. They want to", "fall under the category of 'I the reader am frustrated by what I", "to get inside or else...) Then, after those two paragraphs - > >", "comments have the same concern. They want to know everything, as soon as", "\"I want to know why the key doesn't work.\"** (then there's ~two paragraphs", "paragraphs - > > At that moment, the shifter appears. Vuzasha backs up,", "house. Fumbling, she pulled out her key chain. > Damn. Damn damn damn.", "I don't worry too much, the nature of the critique is fragmented, many", "weeks ago, etc. But the beta comments have the same concern. They want", "they ask questions, but this seems like it would reduce tension. 2. obscure", "Fake example, written on the fly: > > Vuzasha raced up to the", "\" > > > Second draft would be tighter - but same structure.", "as the question comes to mind, as though they are uncomfortable wondering. They", "normally gravitate towards other styles of books. ?? 4. Maybe the reveal pacing", "as soon as a question comes to mind for them. In my real", "are trying to delver a letter to Herrl. Why? We don't find out", "before they ask questions, but this seems like it would reduce tension. 2.", "to figure out why the house key doesn't work, wondering if a window", "princess and it's supposed to go to a crazy man in the desert.", "- and I've gotten this comment in my real life group too. The", "fly: > > Vuzasha raced up to the house. Fumbling, she pulled out", "to make the story enjoyable (rich setting etc). I don't know whether to", "obscure the odd events, so the reader is less aware of holding the", "> > It's at this point that my beta is commenting, \"I want", "those two paragraphs - > > At that moment, the shifter appears. Vuzasha", "they are uncomfortable wondering. They want to not be asked to wait. Popular", "to ... 1. reorganize paragraphs so they get answers before they ask questions,", "crazy man in the desert. Why? Why do my betas ask for the", "uncomfortable wondering. They want to not be asked to wait. Popular Examples of", "wondering if a window is open, should she run? because she has to", "together, trying to figure out why the house key doesn't work, wondering if", "lock. She tries to turn it. > > > Nothing. She pulls the", "it. Perhaps the beta read process has its own shortcomings. Any thoughts you", "by it. Perhaps the beta read process has its own shortcomings. Any thoughts", "and I've gotten this comment in my real life group too. The reader", "This seems even worse than #1. 3. Maybe my beta readers are simply", "from weeks ago, etc. But the beta comments have the same concern. They", "has its own shortcomings. Any thoughts you have on the above are most", "than #1. 3. Maybe my beta readers are simply impatient people who normally", "people who normally gravitate towards other styles of books. ?? 4. Maybe the", "> luck. It's the right key.* She tries the others, naturally they don't", "she'd gotten inside she'd have her wand. > > > He said, \"I", "enjoyment. I have tried to make the story enjoyable (rich setting etc). I", "group too. The reader wants information as soon as a question comes to", "Second draft would be tighter - but same structure. Is this structure somehow", "sorts of questions 'right away' (or even more oddly, before the strange event", "thoughts you have on the above are most welcome. (I see odd events", "> > > He said, \"I shift more than myself, Vuzasha. Your keys", "comes to mind for them. In my real life group I don't worry", "life group I don't worry too much, the nature of the critique is", "while. 2. The ring of power makes a person invisible and eventually eats", "chain. > Damn. Damn damn damn. The wand's inside. She jiggles the key", "in my writing keep the space between question and reveal too un-enjoyable. I'm", "eats their soul. Why? 3. R2-D2 has a hologram of a beautiful princess", "key chain. > Damn. Damn damn damn. The wand's inside. She jiggles the", "to know why the key doesn't work.\"** (then there's ~two paragraphs of Vuzasha", "their soul. Why? 3. R2-D2 has a hologram of a beautiful princess and", "reveal too un-enjoyable. I'm very puzzled by it. Perhaps the beta read process", "why the house key doesn't work, wondering if a window is open, should", "it's the right one. She tries again. No > luck. It's the right", "not know' - and I've gotten this comment in my real life group", "They want to not be asked to wait. Popular Examples of what I'm", "worry too much, the nature of the critique is fragmented, many excerpts, we", "wait. Popular Examples of what I'm talking about: 1. Owls are trying to", "of holding the question in mind. This seems even worse than #1. 3.", "reveal to be an important aspect of tension. I'd like to not lose", "shortcomings. Any thoughts you have on the above are most welcome. (I see", "But the beta comments have the same concern. They want to know everything,", "think I pace the reveals properly, based on my own reading enjoyment. I", "story plot points?* --- Fake example, written on the fly: > > Vuzasha", "like it would reduce tension. 2. obscure the odd events, so the reader", "worse than #1. 3. Maybe my beta readers are simply impatient people who", "the key out, it's the right one. She tries again. No > luck.", "has to get inside or else...) Then, after those two paragraphs - >", "whether to ... 1. reorganize paragraphs so they get answers before they ask", "Damn damn damn. The wand's inside.* She jiggles the key into the >", "by what I do not know' - and I've gotten this comment in", "and reveal story plot points? --- Fake example, written on the fly: >", "comment in my real life group too. The reader wants information as soon", "We don't find out for a while. 2. The ring of power makes", "in my real life group too. The reader wants information as soon as", "the reveal pacing is perfect, but other elements in my writing keep the", "of the critique is fragmented, many excerpts, we can't remember previous chapters from", "I don't know whether to ... 1. reorganize paragraphs so they get answers", "window is open, should she run? because she has to get inside or", "worthless. You're not in your world > anymore. \" > > > Second", "important aspect of tension. I'd like to not lose tension.) To focus the", "an important aspect of tension. I'd like to not lose tension.) To focus", "only she'd gotten inside she'd have her wand. > > > He said,", "tries the others, naturally they don't > work, either. > > > It's", "the space between question and reveal too un-enjoyable. I'm very puzzled by it.", "> Second draft would be tighter - but same structure. Is this structure", "don't know whether to ... 1. reorganize paragraphs so they get answers before", "Any thoughts you have on the above are most welcome. (I see odd", "of Vuzasha pulling clues together, trying to figure out why the house key", "she run? because she has to get inside or else...) Then, after those", "> anymore. \" > > > Second draft would be tighter - but", "my real life group too. The reader wants information as soon as a", "plot points? --- Fake example, written on the fly: > > Vuzasha raced", "in the desert. Why? Why do my betas ask for the answers to", "everything, as soon as the question comes to mind, as though they are", "so the reader is less aware of holding the question in mind. This", "He said, \"I shift more than myself, Vuzasha. Your keys are worthless. You're", "am frustrated by what I do not know' - and I've gotten this", "puzzled by it. Perhaps the beta read process has its own shortcomings. Any", "best methods to pace and reveal story plot points? --- Fake example, written", "pace and reveal story plot points? --- Fake example, written on the fly:", "reorganize paragraphs so they get answers before they ask questions, but this seems", "inside or else...) Then, after those two paragraphs - > > At that", "like to not lose tension.) To focus the question: What are the best", "draft would be tighter - but same structure. Is this structure somehow wrong?", "the best methods to pace and reveal story plot points? --- Fake example,", "real life group too. The reader wants information as soon as a question", "lose tension.) To focus the question: What are the best methods to pace", "the same concern. They want to know everything, as soon as the question", "my writing keep the space between question and reveal too un-enjoyable. I'm very", "it's supposed to go to a crazy man in the desert. Why? Why", "on my own reading enjoyment. I have tried to make the story enjoyable", "on the fly: > > Vuzasha raced up to the house. Fumbling, she", "(then there's ~two paragraphs of Vuzasha pulling clues together, trying to figure out", "power makes a person invisible and eventually eats their soul. Why? 3. R2-D2", "my beta is commenting, \"I want to know why the key doesn't work.\"*", "about: 1. Owls are trying to delver a letter to Herrl. Why? We", "makes a person invisible and eventually eats their soul. Why? 3. R2-D2 has", "She tries to turn it. > > > Nothing. She pulls the key", "her wand. > > > He said, \"I shift more than myself, Vuzasha.", "--- Fake example, written on the fly: > > Vuzasha raced up to", "key doesn't work, wondering if a window is open, should she run? because", "to the door out of reach, > quaking. If only she'd gotten inside", "> lock. She tries to turn it. > > > Nothing. She pulls", "too much, the nature of the critique is fragmented, many excerpts, we can't", "point that my beta is commenting, \"I want to know why the key", "inside. She jiggles the key into the > lock. She tries to turn", "the > lock. She tries to turn it. > > > Nothing. She", "so they get answers before they ask questions, but this seems like it", "Herrl. Why? We don't find out for a while. 2. The ring of", "reader wants information as soon as a question comes to mind for them.", "tension. I'd like to not lose tension.) To focus the question: *What are", "know everything, as soon as the question comes to mind, as though they", "odd events, so the reader is less aware of holding the question in", "trying to delver a letter to Herrl. Why? We don't find out for", "The reader wants information as soon as a question comes to mind for", "her key chain. > Damn. Damn damn damn. The wand's inside.* She jiggles", "reveal pacing is perfect, but other elements in my writing keep the space", "of tension. I'd like to not lose tension.) To focus the question: What", "enjoyable (rich setting etc). I don't know whether to ... 1. reorganize paragraphs", "?? 4. Maybe the reveal pacing is perfect, but other elements in my", "ask questions, but this seems like it would reduce tension. 2. obscure the", "I think I pace the reveals properly, based on my own reading enjoyment.", "It's at this point that my beta is commenting, \"I want to know", "remember previous chapters from weeks ago, etc. But the beta comments have the", "the category of 'I the reader am frustrated by what I do not", "events with future reveal to be an important aspect of tension. I'd like", "question comes to mind for them. In my real life group I don't", "and eventually eats their soul. Why? 3. R2-D2 has a hologram of a", "for them. In my real life group I don't worry too much, the", "have on the above are most welcome. (I see odd events with future", "> > Nothing. She pulls the key out, it's the right one. She", "> > He said, \"I shift more than myself, Vuzasha. Your keys are", "she'd have her wand. > > > He said, \"I shift more than", "to wait. Popular Examples of what I'm talking about: 1. Owls are trying", "No > luck. It's the right key. She tries the others, naturally they", "wand. > > > He said, \"I shift more than myself, Vuzasha. Your", "want to not be asked to wait. Popular Examples of what I'm talking", "the reader am frustrated by what I do not know' - and I've", "is less aware of holding the question in mind. This seems even worse", "2. obscure the odd events, so the reader is less aware of holding", "reader is less aware of holding the question in mind. This seems even", "She jiggles the key into the > lock. She tries to turn it.", "I do not know' - and I've gotten this comment in my real", "this point that my beta is commenting, \"I want to know why the", "space between question and reveal too un-enjoyable. I'm very puzzled by it. Perhaps", "3. Maybe my beta readers are simply impatient people who normally gravitate towards", "are simply impatient people who normally gravitate towards other styles of books. ??", "one. She tries again. No > luck. It's the right key. She tries", "the key doesn't work.\"** (then there's ~two paragraphs of Vuzasha pulling clues together,", "myself, Vuzasha. Your keys are worthless. You're not in your world > anymore.", "process has its own shortcomings. Any thoughts you have on the above are", "Damn. Damn damn damn. The wand's inside. She jiggles the key into the", "> work, either. > > > It's at this point that my beta", "~two paragraphs of Vuzasha pulling clues together, trying to figure out why the", "Vuzasha backs up, next to the door out of reach, > quaking. If", "figure out why the house key doesn't work, wondering if a window is", "the desert. Why? Why do my betas ask for the answers to these", "other styles of books. ?? 4. Maybe the reveal pacing is perfect, but", "away' (or even more oddly, before the strange event even happens)? I think", "work.\" (then there's ~two paragraphs of Vuzasha pulling clues together, trying to figure", "reader am frustrated by what I do not know' - and I've gotten", "as a question comes to mind for them. In my real life group", "you have on the above are most welcome. (I see odd events with", "focus the question: What are the best methods to pace and reveal story", "above are most welcome. (I see odd events with future reveal to be", "work, wondering if a window is open, should she run? because she has", "\"I shift more than myself, Vuzasha. Your keys are worthless. You're not in", "fragmented, many excerpts, we can't remember previous chapters from weeks ago, etc. But", "but this seems like it would reduce tension. 2. obscure the odd events,", "the critique is fragmented, many excerpts, we can't remember previous chapters from weeks", "the story enjoyable (rich setting etc). I don't know whether to ... 1.", "future reveal to be an important aspect of tension. I'd like to not", "based on my own reading enjoyment. I have tried to make the story", "reach, > quaking. If only she'd gotten inside she'd have her wand. >", "who normally gravitate towards other styles of books. ?? 4. Maybe the reveal", "many excerpts, we can't remember previous chapters from weeks ago, etc. But the", "before the strange event even happens)? I think I pace the reveals properly,", "betas ask for the answers to these sorts of questions 'right away' (or", "want to know why the key doesn't work.\" (then there's ~two paragraphs of", "not in your world > anymore. \" > > > Second draft would", "comes to mind, as though they are uncomfortable wondering. They want to not", "perfect, but other elements in my writing keep the space between question and", "this seems like it would reduce tension. 2. obscure the odd events, so", "anymore. \" > > > Second draft would be tighter - but same", "To focus the question: What are the best methods to pace and reveal", "clues together, trying to figure out why the house key doesn't work, wondering", "Examples of what I'm talking about: 1. Owls are trying to delver a", "(rich setting etc). I don't know whether to ... 1. reorganize paragraphs so", "in your world > anymore. \" > > > Second draft would be", "> > > Nothing. She pulls the key out, it's the right one.", "Vuzasha pulling clues together, trying to figure out why the house key doesn't", "I'd like to not lose tension.) To focus the question: What are the", "to the house. Fumbling, she pulled out her key chain. > Damn. Damn", "tension.) To focus the question: What are the best methods to pace and", "these sorts of questions 'right away' (or even more oddly, before the strange", "find out for a while. 2. The ring of power makes a person", "> He said, \"I shift more than myself, Vuzasha. Your keys are worthless.", "out, it's the right one. She tries again. No > luck. It's the", "question: What are the best methods to pace and reveal story plot points?", "the shifter appears. Vuzasha backs up, next to the door out of reach,", "shift more than myself, Vuzasha. Your keys are worthless. You're not in your", "it. > > > Nothing. She pulls the key out, it's the right", "don't worry too much, the nature of the critique is fragmented, many excerpts,", "happens)? I think I pace the reveals properly, based on my own reading", "group I don't worry too much, the nature of the critique is fragmented,", "example, written on the fly: > > Vuzasha raced up to the house.", "question and reveal too un-enjoyable. I'm very puzzled by it. Perhaps the beta", "know whether to ... 1. reorganize paragraphs so they get answers before they", "own reading enjoyment. I have tried to make the story enjoyable (rich setting", "else...) Then, after those two paragraphs - > > At that moment, the", "Perhaps the beta read process has its own shortcomings. Any thoughts you have", "pace the reveals properly, based on my own reading enjoyment. I have tried", "eventually eats their soul. Why? 3. R2-D2 has a hologram of a beautiful", "Why? Why do my betas ask for the answers to these sorts of", "my own reading enjoyment. I have tried to make the story enjoyable (rich", "beta comments fall under the category of 'I the reader am frustrated by", "the question: What are the best methods to pace and reveal story plot", "your world > anymore. \" > > > Second draft would be tighter", "I'm talking about: 1. Owls are trying to delver a letter to Herrl.", "to turn it. > > > Nothing. She pulls the key out, it's", "etc. But the beta comments have the same concern. They want to know", "R2-D2 has a hologram of a beautiful princess and it's supposed to go", "> > > Second draft would be tighter - but same structure. Is", "even worse than #1. 3. Maybe my beta readers are simply impatient people", "work, either. > > > It's at this point that my beta is", "setting etc). I don't know whether to ... 1. reorganize paragraphs so they", "that my beta is commenting, \"I want to know why the key doesn't", "styles of books. ?? 4. Maybe the reveal pacing is perfect, but other", "Why do my betas ask for the answers to these sorts of questions", "beta readers are simply impatient people who normally gravitate towards other styles of", "paragraphs of Vuzasha pulling clues together, trying to figure out why the house", "Owls are trying to delver a letter to Herrl. Why? We don't find", "questions, but this seems like it would reduce tension. 2. obscure the odd", "she has to get inside or else...) Then, after those two paragraphs -", "is commenting, \"I want to know why the key doesn't work.\"** (then there's", "the answers to these sorts of questions 'right away' (or even more oddly,", "... 1. reorganize paragraphs so they get answers before they ask questions, but", "go to a crazy man in the desert. Why? Why do my betas", "> At that moment, the shifter appears. Vuzasha backs up, next to the", "under the category of 'I the reader am frustrated by what I do", "1. reorganize paragraphs so they get answers before they ask questions, but this", "Why? 3. R2-D2 has a hologram of a beautiful princess and it's supposed", "make the story enjoyable (rich setting etc). I don't know whether to ...", "even happens)? I think I pace the reveals properly, based on my own", "keep the space between question and reveal too un-enjoyable. I'm very puzzled by", "door out of reach, > quaking. If only she'd gotten inside she'd have", "answers before they ask questions, but this seems like it would reduce tension.", "> Vuzasha raced up to the house. Fumbling, she pulled out her key", "the beta comments have the same concern. They want to know everything, as" ]
[ "different, a little modern, but I think it'll be obvious where the idea", "but I think it'll be obvious where the idea about my storyline came", "characters but the main storyline is somewhat based on what actually happened. I'll", "came from a true historical event in the 1930's. I won't be using", "came from. Will that be considered rude or insensitive of me since actual", "that be considered rude or insensitive of me since actual people did die", "event in the 1930's. I won't be using real people for the characters", "a story in mind that basically came from a true historical event in", "I had a story in mind that basically came from a true historical", "what actually happened. I'll try making it a little different, a little modern,", "modern, but I think it'll be obvious where the idea about my storyline", "a little different, a little modern, but I think it'll be obvious where", "the characters but the main storyline is somewhat based on what actually happened.", "a little modern, but I think it'll be obvious where the idea about", "the main storyline is somewhat based on what actually happened. I'll try making", "my storyline came from. Will that be considered rude or insensitive of me", "the 1930's. I won't be using real people for the characters but the", "making it a little different, a little modern, but I think it'll be", "for the characters but the main storyline is somewhat based on what actually", "try making it a little different, a little modern, but I think it'll", "it'll be obvious where the idea about my storyline came from. Will that", "the idea about my storyline came from. Will that be considered rude or", "in the 1930's. I won't be using real people for the characters but", "on what actually happened. I'll try making it a little different, a little", "be using real people for the characters but the main storyline is somewhat", "actually happened. I'll try making it a little different, a little modern, but", "had a story in mind that basically came from a true historical event", "happened. I'll try making it a little different, a little modern, but I", "using real people for the characters but the main storyline is somewhat based", "be obvious where the idea about my storyline came from. Will that be", "rude or insensitive of me since actual people did die during those times", "or insensitive of me since actual people did die during those times in", "somewhat based on what actually happened. I'll try making it a little different,", "main storyline is somewhat based on what actually happened. I'll try making it", "from a true historical event in the 1930's. I won't be using real", "basically came from a true historical event in the 1930's. I won't be", "be considered rude or insensitive of me since actual people did die during", "considered rude or insensitive of me since actual people did die during those", "from. Will that be considered rude or insensitive of me since actual people", "but the main storyline is somewhat based on what actually happened. I'll try", "historical event in the 1930's. I won't be using real people for the", "about my storyline came from. Will that be considered rude or insensitive of", "1930's. I won't be using real people for the characters but the main", "story in mind that basically came from a true historical event in the", "storyline is somewhat based on what actually happened. I'll try making it a", "where the idea about my storyline came from. Will that be considered rude", "real people for the characters but the main storyline is somewhat based on", "in mind that basically came from a true historical event in the 1930's.", "insensitive of me since actual people did die during those times in the", "I think it'll be obvious where the idea about my storyline came from.", "that basically came from a true historical event in the 1930's. I won't", "storyline came from. Will that be considered rude or insensitive of me since", "of me since actual people did die during those times in the past?", "think it'll be obvious where the idea about my storyline came from. Will", "a true historical event in the 1930's. I won't be using real people", "I won't be using real people for the characters but the main storyline", "little modern, but I think it'll be obvious where the idea about my", "little different, a little modern, but I think it'll be obvious where the", "obvious where the idea about my storyline came from. Will that be considered", "idea about my storyline came from. Will that be considered rude or insensitive", "Will that be considered rude or insensitive of me since actual people did", "it a little different, a little modern, but I think it'll be obvious", "true historical event in the 1930's. I won't be using real people for", "mind that basically came from a true historical event in the 1930's. I", "is somewhat based on what actually happened. I'll try making it a little", "people for the characters but the main storyline is somewhat based on what", "based on what actually happened. I'll try making it a little different, a", "I'll try making it a little different, a little modern, but I think", "won't be using real people for the characters but the main storyline is" ]
[ "and the readers' language. For example, a person from Germany can be called", "are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\" pronounced like the \"ch\" in", "only way to evoke a sense of exoticism through the names, but might", "wrong. And children, who often have been exposed less to people and names", "culture that uses the Latin alphabet, but (some of) the letters are pronounced", "and diminish their reading pleasure. What is the common practice in MG books?", "singer, the Spanish name is common in the US, and you have heard", "that fact. If you use an \"international\" name like Pedez, you'll have to", "book. What I dislike about this solution is that such a name does", "president's name on the news. But there are other Latin-written languages and other", "would pronounce them wrong. And children, who often have been exposed less to", "have been exposed less to people and names from foreign cultures than adults,", "(Please give examples!) Or are they completely avoided? I'm not looking for your", "you use an \"international\" name like Pedez, you'll have to remind your readers", "the pronunciation of foreign names. This is the only way to evoke a", "names. This is the only way to evoke a sense of exoticism through", "when you write a Middle Grade book, for children between, say, 8 and", "in their mother tongue (such as the Polish name Kowalczyk for an English", "common in the US, and you have heard the Turkish president's name on", "Germany can be called Pedez in an English book. What I dislike about", "[ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\" pronounced like the \"ch\" in Scottish", "respectively. Now probably you all now how to pronounce these names, because you", "mother tongue (such as the Polish name Kowalczyk for an English speaker). So", "(whose name is mentioned often in the book) from a culture that uses", "pleasure. What is the common practice in MG books? Are there MG books", "provide a guide to the pronunciation of foreign names. This is the only", "Many languages are written using Latin letters, but often these seemingly familiar letters", "to the pronunciation of foreign names. This is the only way to evoke", "a culture that uses the Latin alphabet, but (some of) the letters are", "as in \"green\", while the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with", "on the news. But there are other Latin-written languages and other names that", "in Polish as it would be in English. This would avoild the pronunciation", "Jorge like George, and Erkogik with a \"g\" as in \"green\", while the", "\"g\" as in \"green\", while the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche", "you have heard the Turkish president's name on the news. But there are", "name Siobhán as siob-hen, pronounce Jorge like George, and Erkogik with a \"g\"", "Is there a sort of \"rule\" for this? --- I'm mostly interested in", "through the names, but might be difficult for many children to deal with", "done in non-self-published fiction. Is there a sort of \"rule\" for this? ---", "pronounced in the way that we are used to. For example, an English", "we are used to. For example, an English speaker might read the name", "and the readers' language but are uncommon in the latter. For example the", "sort of \"rule\" for this? --- I'm mostly interested in how this affects", "is common in the US, and you have heard the Turkish president's name", "common approach? 1. Use only names that exist both in the foreign and", "a name does not signify the person's foreign origin, while a foreign(-looking) name", "not signify the person's foreign origin, while a foreign(-looking) name clearly conveys that", "in English. This would avoild the pronunciation problem and convey the foreignness of", "chorche (with the \"x\" pronounced like the \"ch\" in Scottish loch), and [ɛrdoˈan],", "know how this is done in non-self-published fiction. Is there a sort of", "book, for children between, say, 8 and 12, and your book features a", "now and then. 2. Use only names that are pronounced (almost) the same", "and other names that you aren't familiar with, and you likely would pronounce", "is that such a name does not signify the person's foreign origin, while", "[ɛrdoˈan], respectively. Now probably you all now how to pronounce these names, because", "that you aren't familiar with, and you likely would pronounce them wrong. And", "only names that exist both in the foreign and the readers' language. For", "to remind your readers through other means that the character is a foreigner,", "language but are uncommon in the latter. For example the Polish name Piotr", "are pronounced differently from the way they are spoken in the language that", "in the language that you write in, what is the common approach? 1.", "then. 2. Use only names that are pronounced (almost) the same in the", "names, but might be difficult for many children to deal with and diminish", "might have even more difficulties reading foreign names, especially if the orthography would", "2. Use only names that are pronounced (almost) the same in the foreign", "from Germany can be called Pedez in an English book. What I dislike", "the \"x\" pronounced like the \"ch\" in Scottish loch), and [ɛrdoˈan], respectively. Now", "while a foreign(-looking) name clearly conveys that fact. If you use an \"international\"", "Polish name Kowalczyk for an English speaker). So when you write a Middle", "would avoild the pronunciation problem and convey the foreignness of the character. 3.", "a \"g\" as in \"green\", while the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe]", "but (some of) the letters are pronounced differently from the way they are", "you write a Middle Grade book, for children between, say, 8 and 12,", "familiar letters aren't pronounced in the way that we are used to. For", "it would be in English. This would avoild the pronunciation problem and convey", "same in the foreign and the readers' language but are uncommon in the", "the Irish singer, the Spanish name is common in the US, and you", "there are other Latin-written languages and other names that you aren't familiar with,", "in an English book. What I dislike about this solution is that such", "and Erkogik with a \"g\" as in \"green\", while the correct pronunciations are", "are written using Latin letters, but often these seemingly familiar letters aren't pronounced", "the only way to evoke a sense of exoticism through the names, but", "such as repeating the fact every now and then. 2. Use only names", "Pedez, you'll have to remind your readers through other means that the character", "person's foreign origin, while a foreign(-looking) name clearly conveys that fact. If you", "want to know how this is done in non-self-published fiction. Is there a", "how to pronounce these names, because you know the Irish singer, the Spanish", "an \"international\" name like Pedez, you'll have to remind your readers through other", "character is a foreigner, such as repeating the fact every now and then.", "orthography would be unpronouncable in their mother tongue (such as the Polish name", "US, and you have heard the Turkish president's name on the news. But", "a sense of exoticism through the names, but might be difficult for many", "the \"ch\" in Scottish loch), and [ɛrdoˈan], respectively. Now probably you all now", "is pronounced almost the same in Polish as it would be in English.", "children, who often have been exposed less to people and names from foreign", "name like Pedez, you'll have to remind your readers through other means that", "pronunciation problem and convey the foreignness of the character. 3. Use \"unpronouncable\" names.", "especially if the orthography would be unpronouncable in their mother tongue (such as", "What is the common practice in MG books? Are there MG books with", "likely would pronounce them wrong. And children, who often have been exposed less", "problem and convey the foreignness of the character. 3. Use \"unpronouncable\" names. Maybe", "means that the character is a foreigner, such as repeating the fact every", "names from foreign cultures than adults, might have even more difficulties reading foreign", "readers' language but are uncommon in the latter. For example the Polish name", "spoken in the language that you write in, what is the common approach?", "the readers' language. For example, a person from Germany can be called Pedez", "use an \"international\" name like Pedez, you'll have to remind your readers through", "such a name does not signify the person's foreign origin, while a foreign(-looking)", "If you use an \"international\" name like Pedez, you'll have to remind your", "a Middle Grade book, for children between, say, 8 and 12, and your", "of the character. 3. Use \"unpronouncable\" names. Maybe provide a guide to the", "there a sort of \"rule\" for this? --- I'm mostly interested in how", "there MG books with unpronouncable names? (Please give examples!) Or are they completely", "Latin-written languages and other names that you aren't familiar with, and you likely", "Grade book, for children between, say, 8 and 12, and your book features", "difficulties reading foreign names, especially if the orthography would be unpronouncable in their", "\"green\", while the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\"", "Now probably you all now how to pronounce these names, because you know", "a sort of \"rule\" for this? --- I'm mostly interested in how this", "they are spoken in the language that you write in, what is the", "George, and Erkogik with a \"g\" as in \"green\", while the correct pronunciations", "tongue (such as the Polish name Kowalczyk for an English speaker). So when", "the Latin alphabet, but (some of) the letters are pronounced differently from the", "adults, might have even more difficulties reading foreign names, especially if the orthography", "that you write in, what is the common approach? 1. Use only names", "that exist both in the foreign and the readers' language. For example, a", "foreign cultures than adults, might have even more difficulties reading foreign names, especially", "But there are other Latin-written languages and other names that you aren't familiar", "non-self-published fiction. Is there a sort of \"rule\" for this? --- I'm mostly", "pronounced differently from the way they are spoken in the language that you", "language. For example, a person from Germany can be called Pedez in an", "English book. What I dislike about this solution is that such a name", "other names that you aren't familiar with, and you likely would pronounce them", "the common approach? 1. Use only names that exist both in the foreign", "would be unpronouncable in their mother tongue (such as the Polish name Kowalczyk", "looking for your personal opinion on the matter, but want to know how", "repeating the fact every now and then. 2. Use only names that are", "English. This would avoild the pronunciation problem and convey the foreignness of the", "exist both in the foreign and the readers' language. For example, a person", "This is the only way to evoke a sense of exoticism through the", "central character (whose name is mentioned often in the book) from a culture", "with unpronouncable names? (Please give examples!) Or are they completely avoided? I'm not", "the way that we are used to. For example, an English speaker might", "even more difficulties reading foreign names, especially if the orthography would be unpronouncable", "diminish their reading pleasure. What is the common practice in MG books? Are", "how this is done in non-self-published fiction. Is there a sort of \"rule\"", "written using Latin letters, but often these seemingly familiar letters aren't pronounced in", "reading foreign names, especially if the orthography would be unpronouncable in their mother", "between, say, 8 and 12, and your book features a central character (whose", "but might be difficult for many children to deal with and diminish their", "in, what is the common approach? 1. Use only names that exist both", "name Kowalczyk for an English speaker). So when you write a Middle Grade", "unpronouncable in their mother tongue (such as the Polish name Kowalczyk for an", "as the Polish name Kowalczyk for an English speaker). So when you write", "the foreign and the readers' language. For example, a person from Germany can", "the same in Polish as it would be in English. This would avoild", "same in Polish as it would be in English. This would avoild the", "Polish as it would be in English. This would avoild the pronunciation problem", "the language that you write in, what is the common approach? 1. Use", "and 12, and your book features a central character (whose name is mentioned", "to pronounce these names, because you know the Irish singer, the Spanish name", "names, because you know the Irish singer, the Spanish name is common in", "the latter. For example the Polish name Piotr is pronounced almost the same", "Irish singer, the Spanish name is common in the US, and you have", "languages and other names that you aren't familiar with, and you likely would", "the orthography would be unpronouncable in their mother tongue (such as the Polish", "what is the common approach? 1. Use only names that exist both in", "unpronouncable names? (Please give examples!) Or are they completely avoided? I'm not looking", "with a \"g\" as in \"green\", while the correct pronunciations are [ʃəv'aːn] she-vaan),", "but often these seemingly familiar letters aren't pronounced in the way that we", "about this solution is that such a name does not signify the person's", "the book) from a culture that uses the Latin alphabet, but (some of)", "the character is a foreigner, such as repeating the fact every now and", "other Latin-written languages and other names that you aren't familiar with, and you", "and [ɛrdoˈan], respectively. Now probably you all now how to pronounce these names,", "to people and names from foreign cultures than adults, might have even more", "the foreign and the readers' language but are uncommon in the latter. For", "\"unpronouncable\" names. Maybe provide a guide to the pronunciation of foreign names. This", "names. Maybe provide a guide to the pronunciation of foreign names. This is", "deal with and diminish their reading pleasure. What is the common practice in", "to evoke a sense of exoticism through the names, but might be difficult", "if the orthography would be unpronouncable in their mother tongue (such as the", "these names, because you know the Irish singer, the Spanish name is common", "character. 3. Use \"unpronouncable\" names. Maybe provide a guide to the pronunciation of", "through other means that the character is a foreigner, such as repeating the", "both in the foreign and the readers' language. For example, a person from", "exposed less to people and names from foreign cultures than adults, might have", "What I dislike about this solution is that such a name does not", "So when you write a Middle Grade book, for children between, say, 8", "example the Polish name Piotr is pronounced almost the same in Polish as", "the readers' language but are uncommon in the latter. For example the Polish", "pronounce Jorge like George, and Erkogik with a \"g\" as in \"green\", while", "way that we are used to. For example, an English speaker might read", "read the name Siobhán as siob-hen, pronounce Jorge like George, and Erkogik with", "pronounced almost the same in Polish as it would be in English. This", "I'm not looking for your personal opinion on the matter, but want to", "an English speaker). So when you write a Middle Grade book, for children", "and convey the foreignness of the character. 3. Use \"unpronouncable\" names. Maybe provide", "know the Irish singer, the Spanish name is common in the US, and", "Use \"unpronouncable\" names. Maybe provide a guide to the pronunciation of foreign names.", "foreign and the readers' language but are uncommon in the latter. For example", "\"rule\" for this? --- I'm mostly interested in how this affects central characters,", "you all now how to pronounce these names, because you know the Irish", "not looking for your personal opinion on the matter, but want to know", "name is mentioned often in the book) from a culture that uses the", "a guide to the pronunciation of foreign names. This is the only way", "are other Latin-written languages and other names that you aren't familiar with, and", "an English speaker might read the name Siobhán as siob-hen, pronounce Jorge like", "name is common in the US, and you have heard the Turkish president's", "For example, an English speaker might read the name Siobhán as siob-hen, pronounce", "their mother tongue (such as the Polish name Kowalczyk for an English speaker).", "interested in how this affects central characters, that is, characters whose names appear", "you aren't familiar with, and you likely would pronounce them wrong. And children,", "the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\" pronounced like", "This would avoild the pronunciation problem and convey the foreignness of the character.", "who often have been exposed less to people and names from foreign cultures", "examples!) Or are they completely avoided? I'm not looking for your personal opinion", "books with unpronouncable names? (Please give examples!) Or are they completely avoided? I'm", "have to remind your readers through other means that the character is a", "and then. 2. Use only names that are pronounced (almost) the same in", "1. Use only names that exist both in the foreign and the readers'", "while the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\" pronounced", "name on the news. But there are other Latin-written languages and other names", "children between, say, 8 and 12, and your book features a central character", "does not signify the person's foreign origin, while a foreign(-looking) name clearly conveys", "foreigner, such as repeating the fact every now and then. 2. Use only", "correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\" pronounced like the", "to deal with and diminish their reading pleasure. What is the common practice", "12, and your book features a central character (whose name is mentioned often", "often in the book) from a culture that uses the Latin alphabet, but", "I'm mostly interested in how this affects central characters, that is, characters whose", "a foreign(-looking) name clearly conveys that fact. If you use an \"international\" name", "names that exist both in the foreign and the readers' language. For example,", "in the foreign and the readers' language but are uncommon in the latter.", "and your book features a central character (whose name is mentioned often in", "the matter, but want to know how this is done in non-self-published fiction.", "for many children to deal with and diminish their reading pleasure. What is", "aren't familiar with, and you likely would pronounce them wrong. And children, who", "evoke a sense of exoticism through the names, but might be difficult for", "of) the letters are pronounced differently from the way they are spoken in", "Latin letters, but often these seemingly familiar letters aren't pronounced in the way", "of foreign names. This is the only way to evoke a sense of", "(such as the Polish name Kowalczyk for an English speaker). So when you", "with and diminish their reading pleasure. What is the common practice in MG", "letters aren't pronounced in the way that we are used to. For example,", "personal opinion on the matter, but want to know how this is done", "differently from the way they are spoken in the language that you write", "in the book) from a culture that uses the Latin alphabet, but (some", "features a central character (whose name is mentioned often in the book) from", "conveys that fact. If you use an \"international\" name like Pedez, you'll have", "an English book. What I dislike about this solution is that such a", "from foreign cultures than adults, might have even more difficulties reading foreign names,", "the name Siobhán as siob-hen, pronounce Jorge like George, and Erkogik with a", "person from Germany can be called Pedez in an English book. What I", "than adults, might have even more difficulties reading foreign names, especially if the", "on the matter, but want to know how this is done in non-self-published", "the US, and you have heard the Turkish president's name on the news.", "matter, but want to know how this is done in non-self-published fiction. Is", "is a foreigner, such as repeating the fact every now and then. 2.", "languages are written using Latin letters, but often these seemingly familiar letters aren't", "Kowalczyk for an English speaker). So when you write a Middle Grade book,", "guide to the pronunciation of foreign names. This is the only way to", "like George, and Erkogik with a \"g\" as in \"green\", while the correct", "reading pleasure. What is the common practice in MG books? Are there MG", "Erkogik with a \"g\" as in \"green\", while the correct pronunciations are [ʃəv'aːn]", "letters, but often these seemingly familiar letters aren't pronounced in the way that", "all now how to pronounce these names, because you know the Irish singer,", "name Piotr is pronounced almost the same in Polish as it would be", "loch), and [ɛrdoˈan], respectively. Now probably you all now how to pronounce these", "a person from Germany can be called Pedez in an English book. What", "fact every now and then. 2. Use only names that are pronounced (almost)", "exoticism through the names, but might be difficult for many children to deal", "way they are spoken in the language that you write in, what is", "pronounce them wrong. And children, who often have been exposed less to people", "used to. For example, an English speaker might read the name Siobhán as", "Are there MG books with unpronouncable names? (Please give examples!) Or are they", "is the common practice in MG books? Are there MG books with unpronouncable", "you likely would pronounce them wrong. And children, who often have been exposed", "\"x\" pronounced like the \"ch\" in Scottish loch), and [ɛrdoˈan], respectively. Now probably", "practice in MG books? Are there MG books with unpronouncable names? (Please give", "the letters are pronounced differently from the way they are spoken in the", "foreign names, especially if the orthography would be unpronouncable in their mother tongue", "this affects central characters, that is, characters whose names appear frequently in the", "that we are used to. For example, an English speaker might read the", "For example, a person from Germany can be called Pedez in an English", "the Turkish president's name on the news. But there are other Latin-written languages", "in the way that we are used to. For example, an English speaker", "write a Middle Grade book, for children between, say, 8 and 12, and", "dislike about this solution is that such a name does not signify the", "foreign(-looking) name clearly conveys that fact. If you use an \"international\" name like", "are spoken in the language that you write in, what is the common", "signify the person's foreign origin, while a foreign(-looking) name clearly conveys that fact.", "might be difficult for many children to deal with and diminish their reading", "in Scottish loch), and [ɛrdoˈan], respectively. Now probably you all now how to", "names, especially if the orthography would be unpronouncable in their mother tongue (such", "the foreignness of the character. 3. Use \"unpronouncable\" names. Maybe provide a guide", "is done in non-self-published fiction. Is there a sort of \"rule\" for this?", "are uncommon in the latter. For example the Polish name Piotr is pronounced", "of \"rule\" for this? --- I'm mostly interested in how this affects central", "is the only way to evoke a sense of exoticism through the names,", "letters are pronounced differently from the way they are spoken in the language", "(almost) the same in the foreign and the readers' language but are uncommon", "to. For example, an English speaker might read the name Siobhán as siob-hen,", "as siob-hen, pronounce Jorge like George, and Erkogik with a \"g\" as in", "say, 8 and 12, and your book features a central character* (whose name", "mentioned often in the book) from a culture that uses the Latin alphabet,", "name clearly conveys that fact. If you use an \"international\" name like Pedez,", "[xoɾxe] chorche (with the \"x\" pronounced like the \"ch\" in Scottish loch), and", "example, an English speaker might read the name Siobhán as siob-hen, pronounce Jorge", "more difficulties reading foreign names, especially if the orthography would be unpronouncable in", "alphabet, but (some of) the letters are pronounced differently from the way they", "Latin alphabet, but (some of) the letters are pronounced differently from the way", "only names that are pronounced (almost) the same in the foreign and the", "MG books with unpronouncable names? (Please give examples!) Or are they completely avoided?", "Use only names that exist both in the foreign and the readers' language.", "the names, but might be difficult for many children to deal with and", "common practice in MG books? Are there MG books with unpronouncable names? (Please", "might read the name Siobhán as siob-hen, pronounce Jorge like George, and Erkogik", "familiar with, and you likely would pronounce them wrong. And children, who often", "Scottish loch), and [ɛrdoˈan], respectively. Now probably you all now how to pronounce", "completely avoided? I'm not looking for your personal opinion on the matter, but", "foreignness of the character. 3. Use \"unpronouncable\" names. Maybe provide a guide to", "for an English speaker). So when you write a Middle Grade book, for", "foreign origin, while a foreign(-looking) name clearly conveys that fact. If you use", "are they completely avoided? I'm not looking for your personal opinion on the", "seemingly familiar letters aren't pronounced in the way that we are used to.", "like Pedez, you'll have to remind your readers through other means that the", "English speaker might read the name Siobhán as siob-hen, pronounce Jorge like George,", "for this? --- I'm mostly interested in how this affects central characters, that", "8 and 12, and your book features a central character (whose name is", "Middle Grade book, for children between, say, 8 and 12, and your book", "is the common approach? 1. Use only names that exist both in the", "your readers through other means that the character is a foreigner, such as", "with, and you likely would pronounce them wrong. And children, who often have", "names that are pronounced (almost) the same in the foreign and the readers'", "because you know the Irish singer, the Spanish name is common in the", "them wrong. And children, who often have been exposed less to people and", "your personal opinion on the matter, but want to know how this is", "Turkish president's name on the news. But there are other Latin-written languages and", "these seemingly familiar letters aren't pronounced in the way that we are used", "been exposed less to people and names from foreign cultures than adults, might", "are used to. For example, an English speaker might read the name Siobhán", "readers through other means that the character is a foreigner, such as repeating", "clearly conveys that fact. If you use an \"international\" name like Pedez, you'll", "heard the Turkish president's name on the news. But there are other Latin-written", "using Latin letters, but often these seemingly familiar letters aren't pronounced in the", "news. But there are other Latin-written languages and other names that you aren't", "uses the Latin alphabet, but (some of) the letters are pronounced differently from", "often have been exposed less to people and names from foreign cultures than", "give examples!) Or are they completely avoided? I'm not looking for your personal", "many children to deal with and diminish their reading pleasure. What is the", "she-vaan), [xoɾxe] chorche (with the \"x\" pronounced like the \"ch\" in Scottish loch),", "for your personal opinion on the matter, but want to know how this", "foreign names. This is the only way to evoke a sense of exoticism", "for children between, say, 8 and 12, and your book features a central", "other means that the character is a foreigner, such as repeating the fact", "opinion on the matter, but want to know how this is done in", "from the way they are spoken in the language that you write in,", "as it would be in English. This would avoild the pronunciation problem and", "how this affects central characters, that is, characters whose names appear frequently in", "probably you all now how to pronounce these names, because you know the", "in \"green\", while the correct pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche* (with the", "like the \"ch\" in Scottish loch), and [ɛrdoˈan], respectively. Now probably you all", "Use only names that are pronounced (almost) the same in the foreign and", "fact. If you use an \"international\" name like Pedez, you'll have to remind", "readers' language. For example, a person from Germany can be called Pedez in", "almost the same in Polish as it would be in English. This would", "write in, what is the common approach? 1. Use only names that exist", "aren't pronounced in the way that we are used to. For example, an", "\"ch\" in Scottish loch), and [ɛrdoˈan], respectively. Now probably you all now how", "a foreigner, such as repeating the fact every now and then. 2. Use", "sense of exoticism through the names, but might be difficult for many children", "in MG books? Are there MG books with unpronouncable names? (Please give examples!)", "but want to know how this is done in non-self-published fiction. Is there", "less to people and names from foreign cultures than adults, might have even", "in the latter. For example the Polish name Piotr is pronounced almost the", "in non-self-published fiction. Is there a sort of \"rule\" for this? --- I'm", "from a culture that uses the Latin alphabet, but (some of) the letters", "you know the Irish singer, the Spanish name is common in the US,", "can be called Pedez in an English book. What I dislike about this", "example, a person from Germany can be called Pedez in an English book.", "as repeating the fact every now and then. 2. Use only names that", "often these seemingly familiar letters aren't pronounced in the way that we are", "pronunciations are [ʃəv'aːn] she-vaan), [xoɾxe] chorche (with the \"x\" pronounced like the \"ch\"", "now how to pronounce these names, because you know the Irish singer, the", "pronunciation of foreign names. This is the only way to evoke a sense", "the common practice in MG books? Are there MG books with unpronouncable names?", "be called Pedez in an English book. What I dislike about this solution", "remind your readers through other means that the character is a foreigner, such", "Maybe provide a guide to the pronunciation of foreign names. This is the", "the fact every now and then. 2. Use only names that are pronounced", "called Pedez in an English book. What I dislike about this solution is", "Siobhán as siob-hen, pronounce Jorge like George, and Erkogik with a \"g\" as", "latter. For example the Polish name Piotr is pronounced almost the same in", "your book features a central character (whose name is mentioned often in the", "that such a name does not signify the person's foreign origin, while a", "Spanish name is common in the US, and you have heard the Turkish", "the pronunciation problem and convey the foreignness of the character. 3. Use \"unpronouncable\"", "the news. But there are other Latin-written languages and other names that you", "--- I'm mostly interested in how this affects central characters, that is, characters", "and you likely would pronounce them wrong. And children, who often have been", "be unpronouncable in their mother tongue (such as the Polish name Kowalczyk for", "character* (whose name is mentioned often in the book) from a culture that", "Polish name Piotr is pronounced almost the same in Polish as it would", "uncommon in the latter. For example the Polish name Piotr is pronounced almost", "the character. 3. Use \"unpronouncable\" names. Maybe provide a guide to the pronunciation", "they completely avoided? I'm not looking for your personal opinion on the matter,", "but are uncommon in the latter. For example the Polish name Piotr is", "you write in, what is the common approach? 1. Use only names that", "pronounced like the \"ch\" in Scottish loch), and [ɛrdoˈan], respectively. Now probably you", "(some of) the letters are pronounced differently from the way they are spoken", "are pronounced (almost) the same in the foreign and the readers' language but", "and you have heard the Turkish president's name on the news. But there", "the same in the foreign and the readers' language but are uncommon in", "Or are they completely avoided? I'm not looking for your personal opinion on", "that uses the Latin alphabet, but (some of) the letters are pronounced differently", "people and names from foreign cultures than adults, might have even more difficulties", "pronounced (almost) the same in the foreign and the readers' language but are", "fiction. Is there a sort of \"rule\" for this? --- I'm mostly interested", "solution is that such a name does not signify the person's foreign origin,", "name does not signify the person's foreign origin, while a foreign(-looking) name clearly", "have even more difficulties reading foreign names, especially if the orthography would be", "children to deal with and diminish their reading pleasure. What is the common", "every now and then. 2. Use only names that are pronounced (almost) the", "names? (Please give examples!) Or are they completely avoided? I'm not looking for", "books? Are there MG books with unpronouncable names? (Please give examples!) Or are", "book) from a culture that uses the Latin alphabet, but (some of) the", "For example the Polish name Piotr is pronounced almost the same in Polish", "avoild the pronunciation problem and convey the foreignness of the character. 3. Use", "in the US, and you have heard the Turkish president's name on the", "book features a central character (whose name is mentioned often in the book)", "is mentioned often in the book) from a culture that uses the Latin", "MG books? Are there MG books with unpronouncable names? (Please give examples!) Or", "foreign and the readers' language. For example, a person from Germany can be", "avoided? I'm not looking for your personal opinion on the matter, but want", "their reading pleasure. What is the common practice in MG books? Are there", "have heard the Turkish president's name on the news. But there are other", "\"international\" name like Pedez, you'll have to remind your readers through other means", "and names from foreign cultures than adults, might have even more difficulties reading", "origin, while a foreign(-looking) name clearly conveys that fact. If you use an", "way to evoke a sense of exoticism through the names, but might be", "difficult for many children to deal with and diminish their reading pleasure. What", "in how this affects central characters, that is, characters whose names appear frequently", "the Polish name Kowalczyk for an English speaker). So when you write a", "Piotr is pronounced almost the same in Polish as it would be in", "speaker). So when you write a Middle Grade book, for children between, say,", "approach? 1. Use only names that exist both in the foreign and the", "that the character is a foreigner, such as repeating the fact every now", "of exoticism through the names, but might be difficult for many children to", "speaker might read the name Siobhán as siob-hen, pronounce Jorge like George, and", "be difficult for many children to deal with and diminish their reading pleasure.", "affects central characters, that is, characters whose names appear frequently in the book.", "I dislike about this solution is that such a name does not signify", "this solution is that such a name does not signify the person's foreign", "a central character (whose name is mentioned often in the book) from a", "convey the foreignness of the character. 3. Use \"unpronouncable\" names. Maybe provide a", "3. Use \"unpronouncable\" names. Maybe provide a guide to the pronunciation of foreign", "siob-hen, pronounce Jorge like George, and Erkogik with a \"g\" as in \"green\",", "Pedez in an English book. What I dislike about this solution is that", "(with the \"x\" pronounced like the \"ch\" in Scottish loch), and [ɛrdoˈan], respectively.", "the Polish name Piotr is pronounced almost the same in Polish as it", "this? --- I'm mostly interested in how this affects central characters, that is,", "the way they are spoken in the language that you write in, what", "in the foreign and the readers' language. For example, a person from Germany", "language that you write in, what is the common approach? 1. Use only", "to know how this is done in non-self-published fiction. Is there a sort", "you'll have to remind your readers through other means that the character is", "this is done in non-self-published fiction. Is there a sort of \"rule\" for", "that are pronounced (almost) the same in the foreign and the readers' language", "English speaker). So when you write a Middle Grade book, for children between,", "be in English. This would avoild the pronunciation problem and convey the foreignness", "would be in English. This would avoild the pronunciation problem and convey the", "pronounce these names, because you know the Irish singer, the Spanish name is", "names that you aren't familiar with, and you likely would pronounce them wrong.", "And children, who often have been exposed less to people and names from", "cultures than adults, might have even more difficulties reading foreign names, especially if", "the person's foreign origin, while a foreign(-looking) name clearly conveys that fact. If", "the Spanish name is common in the US, and you have heard the", "mostly interested in how this affects central characters, that is, characters whose names" ]
[ "won't receive any feedback at all. If they don't respond, I only will", "reviewed on Scribophile I would need to work for more than a month,", "self-publishing. The latter two options only make sense, if the quality of my", "won't know what exactly is my biggest problem. Also, they may reject the", "would need to work for more than a month, full-time to write reviews", "other people's works. On average, it takes at least an hour to write", "editor). Third, in order to get feedback on one chapter of your book,", "writing for a fee and tell you whether or not it is good", "is good enough? Known options: * Writing groups like Scribophile. There are several", "if you (like me) have a full-time job. * Coverage services. These are", "to write a good critique, so I have to spend 3 hours of", "my craft, * finding a publisher, or * building a platform for self-publishing.", "know a coverage service that does this for novels and is not a", "know that the quality is poor, but won't know what exactly is my", "but won't know what exactly is my biggest problem. Also, they may reject", "read a poorly written book, even if they can get it for free).", "only get feedback on the quality of the text (how well individual chapters", "book is not good enough I won't receive any feedback at all. If", "have my novel reviewed on Scribophile I would need to work for more", "to work for more than a month, full-time to write reviews for other", "scam, please tell me). * Sending my book to publishers. In case the", "good enough (nobody can sell a poorly written book, neither a publisher nor", "I am not sure that I can trust the feedback I get. I", "hours of my time to get my chapter reviewed. For a novel of", "and tell you whether or not it is good enough (incl. whether or", "I get. I don't know those people and have no idea about their", "are written), and not on such things as plot or emotional changes throughout", "quality of the text (how well individual chapters are written), and not on", "not an option, if you (like me) have a full-time job. * Coverage", "if the quality of my storytelling is already good enough (nobody can sell", "180 hours. In other words, in order to have my novel reviewed on", "Coverage services*. These are companies, which evaluate your writing for a fee and", "good enough (incl. whether or not this movie may be produced). However, they", "free). How can I get valuable feedback regarding whether or not my storytelling", "book, even if they can get it for free). How can I get", "sense, if the quality of my storytelling is already good enough (nobody can", "no idea about their qualification (a good writer isn't necessarily a good editor).", "to get feedback on one chapter of your book, you need to write", "good writer isn't necessarily a good editor). Third, in order to get feedback", "get my chapter reviewed. For a novel of 120 000 words with 2000", "for a fee and tell you whether or not it is good enough", "novel. Second, I am not sure that I can trust the feedback I", "I don't know those people and have no idea about their qualification (a", "latter two options only make sense, if the quality of my storytelling is", "idea about their qualification (a good writer isn't necessarily a good editor). Third,", "to write three critiques of other people's works. On average, it takes at", "hour to write a good critique, so I have to spend 3 hours", "on such things as plot or emotional changes throughout the novel. Second, I", "make sense, if the quality of my storytelling is already good enough (nobody", "is good enough (incl. whether or not this movie may be produced). However,", "enough I won't receive any feedback at all. If they don't respond, I", "reject the book for non-literary reasons (e. g. because it may hurt someone's", " Writing groups like Scribophile. There are several problems with this. First, you", "produced). However, they only work with screenplays (if you know a coverage service", "book, you need to write three critiques of other people's works. On average,", "These are companies, which evaluate your writing for a fee and tell you", "companies, which evaluate your writing for a fee and tell you whether or", "(incl. whether or not this movie may be produced). However, they only work", "full-time to write reviews for other people. That's not an option, if you", "not good enough I won't receive any feedback at all. If they don't", "or not this movie may be produced). However, they only work with screenplays", "nobody will read a poorly written book, even if they can get it", "any feedback at all. If they don't respond, I only will know that", "me; nobody will read a poorly written book, even if they can get", "is poor, but won't know what exactly is my biggest problem. Also, they", "chapter this amounts to 60 \\* 3 = 180 hours. In other words,", "people and have no idea about their qualification (a good writer isn't necessarily", "poor, but won't know what exactly is my biggest problem. Also, they may", "their qualification (a good writer isn't necessarily a good editor). Third, in order", "does this for novels and is not a scam, please tell me). ", "novels and is not a scam, please tell me). *Sending my book", "my storytelling is good enough? Known options: Writing groups like Scribophile. There", "sure that I can trust the feedback I get. I don't know those", "nor me; nobody will read a poorly written book, even if they can", "can get it for free). How can I get valuable feedback regarding whether", "activity among many, e. g. * improving my craft, * finding a publisher,", "book to publishers*. In case the book is not good enough I won't", "spend 3 hours of my time to get my chapter reviewed. For a", "is not a scam, please tell me). Sending my book to publishers.", "a poorly written book, neither a publisher nor me; nobody will read a", "my book to publishers. In case the book is not good enough I", "things as plot or emotional changes throughout the novel. Second, I am not", "and not on such things as plot or emotional changes throughout the novel.", "with screenplays (if you know a coverage service that does this for novels", "to publishers. In case the book is not good enough I won't receive", "I only will know that the quality is poor, but won't know what", "* Coverage services. These are companies, which evaluate your writing for a fee", "whether or not this movie may be produced). However, they only work with", "at all. If they don't respond, I only will know that the quality", "plot or emotional changes throughout the novel. Second, I am not sure that", "reviews for other people. That's not an option, if you (like me) have", "well individual chapters are written), and not on such things as plot or", "good editor). Third, in order to get feedback on one chapter of your", "have to spend 3 hours of my time to get my chapter reviewed.", "three critiques of other people's works. On average, it takes at least an", "need to work for more than a month, full-time to write reviews for", "any given moment I can focus on one activity among many, e. g.", "necessarily a good editor). Third, in order to get feedback on one chapter", "you (like me) have a full-time job. * Coverage services. These are companies,", "good enough I won't receive any feedback at all. If they don't respond,", "2000 words in every chapter this amounts to 60 \\* 3 = 180", "order to get feedback on one chapter of your book, you need to", "other people. That's not an option, if you (like me) have a full-time", "of my storytelling is already good enough (nobody can sell a poorly written", "novel reviewed on Scribophile I would need to work for more than a", "an option, if you (like me) have a full-time job. * Coverage services.", "improving my craft, * finding a publisher, or * building a platform for", "a platform for self-publishing. The latter two options only make sense, if the", "3 hours of my time to get my chapter reviewed. For a novel", "I can focus on one activity among many, e. g. * improving my", "for free). How can I get valuable feedback regarding whether or not my", "I have to spend 3 hours of my time to get my chapter", "in every chapter this amounts to 60 \\* 3 = 180 hours. In", "takes at least an hour to write a good critique, so I have", "you whether or not it is good enough (incl. whether or not this", "that the quality is poor, but won't know what exactly is my biggest", "the book for non-literary reasons (e. g. because it may hurt someone's feelings).", "month, full-time to write reviews for other people. That's not an option, if", "publisher nor me; nobody will read a poorly written book, even if they", "that I can trust the feedback I get. I don't know those people", "services*. These are companies, which evaluate your writing for a fee and tell", "isn't necessarily a good editor). Third, in order to get feedback on one", "two options only make sense, if the quality of my storytelling is already", "regarding whether or not my storytelling is good enough? Known options: *Writing", "g. improving my craft, * finding a publisher, or * building a", "changes throughout the novel. Second, I am not sure that I can trust", "least an hour to write a good critique, so I have to spend", "they don't respond, I only will know that the quality is poor, but", "amounts to 60 \\* 3 = 180 hours. In other words, in order", "text (how well individual chapters are written), and not on such things as", "more than a month, full-time to write reviews for other people. That's not", "for novels and is not a scam, please tell me). * *Sending my", "feedback regarding whether or not my storytelling is good enough? Known options: ", "the quality of the text (how well individual chapters are written), and not", "at least an hour to write a good critique, so I have to", "me) have a full-time job. * Coverage services. These are companies, which evaluate", "all. If they don't respond, I only will know that the quality is", "the feedback I get. I don't know those people and have no idea", "tell you whether or not it is good enough (incl. whether or not", "they may reject the book for non-literary reasons (e. g. because it may", "Sending my book to publishers. In case the book is not good enough", "(if you know a coverage service that does this for novels and is", "a full-time job. * Coverage services. These are companies, which evaluate your writing", "other words, in order to have my novel reviewed on Scribophile I would", "is not good enough I won't receive any feedback at all. If they", "for more than a month, full-time to write reviews for other people. That's", "that does this for novels and is not a scam, please tell me).", "poorly written book, neither a publisher nor me; nobody will read a poorly", "it for free). How can I get valuable feedback regarding whether or not", "the novel. Second, I am not sure that I can trust the feedback", "for self-publishing. The latter two options only make sense, if the quality of", "option, if you (like me) have a full-time job. * Coverage services. These", "Second, I am not sure that I can trust the feedback I get.", "written book, neither a publisher nor me; nobody will read a poorly written", "are several problems with this. First, you can only get feedback on the", "I won't receive any feedback at all. If they don't respond, I only", "it is good enough (incl. whether or not this movie may be produced).", "Scribophile. There are several problems with this. First, you can only get feedback", "know what exactly is my biggest problem. Also, they may reject the book", "to have my novel reviewed on Scribophile I would need to work for", "one chapter of your book, you need to write three critiques of other", "time to get my chapter reviewed. For a novel of 120 000 words", "of your book, you need to write three critiques of other people's works.", "case the book is not good enough I won't receive any feedback at", "you need to write three critiques of other people's works. On average, it", "your book, you need to write three critiques of other people's works. On", "can I get valuable feedback regarding whether or not my storytelling is good", "such things as plot or emotional changes throughout the novel. Second, I am", "(a good writer isn't necessarily a good editor). Third, in order to get", "problem. Also, they may reject the book for non-literary reasons (e. g. because", "a scam, please tell me). * Sending my book to publishers. In case", "poorly written book, even if they can get it for free). How can", "emotional changes throughout the novel. Second, I am not sure that I can", "get. I don't know those people and have no idea about their qualification", "to write reviews for other people. That's not an option, if you (like", "On average, it takes at least an hour to write a good critique,", "will read a poorly written book, even if they can get it for", "60 \\* 3 = 180 hours. In other words, in order to have", "works. On average, it takes at least an hour to write a good", "enough (incl. whether or not this movie may be produced). However, they only", "the text (how well individual chapters are written), and not on such things", "this movie may be produced). However, they only work with screenplays (if you", "publisher, or * building a platform for self-publishing. The latter two options only", "not it is good enough (incl. whether or not this movie may be", "can sell a poorly written book, neither a publisher nor me; nobody will", "my chapter reviewed. For a novel of 120 000 words with 2000 words", "please tell me). * Sending my book to publishers. In case the book", "not on such things as plot or emotional changes throughout the novel. Second,", "neither a publisher nor me; nobody will read a poorly written book, even", "moment I can focus on one activity among many, e. g. * improving", "on Scribophile I would need to work for more than a month, full-time", "of my time to get my chapter reviewed. For a novel of 120", "building a platform for self-publishing. The latter two options only make sense, if", "a publisher nor me; nobody will read a poorly written book, even if", "book, neither a publisher nor me; nobody will read a poorly written book,", "and is not a scam, please tell me). * *Sending my book to", " Sending my book to publishers. In case the book is not good", "I get valuable feedback regarding whether or not my storytelling is good enough?", "(nobody can sell a poorly written book, neither a publisher nor me; nobody", "words, in order to have my novel reviewed on Scribophile I would need", "are companies, which evaluate your writing for a fee and tell you whether", "several problems with this. First, you can only get feedback on the quality", "That's not an option, if you (like me) have a full-time job. ", "receive any feedback at all. If they don't respond, I only will know", "a publisher, or building a platform for self-publishing. The latter two options", "can focus on one activity among many, e. g. * improving my craft,", "write three critiques of other people's works. On average, it takes at least", "with this. First, you can only get feedback on the quality of the", "than a month, full-time to write reviews for other people. That's not an", "it takes at least an hour to write a good critique, so I", "have a full-time job. * Coverage services. These are companies, which evaluate your", "already good enough (nobody can sell a poorly written book, neither a publisher", "about their qualification (a good writer isn't necessarily a good editor). Third, in", "* building a platform for self-publishing. The latter two options only make sense,", "you know a coverage service that does this for novels and is not", "= 180 hours. In other words, in order to have my novel reviewed", "they only work with screenplays (if you know a coverage service that does", "is already good enough (nobody can sell a poorly written book, neither a", "critique, so I have to spend 3 hours of my time to get", "my novel reviewed on Scribophile I would need to work for more than", "or * building a platform for self-publishing. The latter two options only make", "of other people's works. On average, it takes at least an hour to", "valuable feedback regarding whether or not my storytelling is good enough? Known options:", "not my storytelling is good enough? Known options: * Writing groups like Scribophile.", "this for novels and is not a scam, please tell me). * *Sending", "write reviews for other people. That's not an option, if you (like me)", "good enough? Known options: Writing groups like Scribophile. There are several problems", "written book, even if they can get it for free). How can I", "quality is poor, but won't know what exactly is my biggest problem. Also,", "screenplays (if you know a coverage service that does this for novels and", "Known options: * Writing groups like Scribophile. There are several problems with this.", "a good editor). Third, in order to get feedback on one chapter of", "a fee and tell you whether or not it is good enough (incl.", "what exactly is my biggest problem. Also, they may reject the book for", "service that does this for novels and is not a scam, please tell", "to 60 \\* 3 = 180 hours. In other words, in order to", "Also, they may reject the book for non-literary reasons (e. g. because it", "my storytelling is already good enough (nobody can sell a poorly written book,", "The latter two options only make sense, if the quality of my storytelling", "only work with screenplays (if you know a coverage service that does this", "on one activity among many, e. g. * improving my craft, * finding", "for other people. That's not an option, if you (like me) have a", "on the quality of the text (how well individual chapters are written), and", "individual chapters are written), and not on such things as plot or emotional", "is my biggest problem. Also, they may reject the book for non-literary reasons", "to get my chapter reviewed. For a novel of 120 000 words with", "First, you can only get feedback on the quality of the text (how", "if they can get it for free). How can I get valuable feedback", "a poorly written book, even if they can get it for free). How", "enough (nobody can sell a poorly written book, neither a publisher nor me;", "every chapter this amounts to 60 \\* 3 = 180 hours. In other", "\\* 3 = 180 hours. In other words, in order to have my", "given moment I can focus on one activity among many, e. g. ", "In case the book is not good enough I won't receive any feedback", "my biggest problem. Also, they may reject the book for non-literary reasons (e.", "need to write three critiques of other people's works. On average, it takes", "chapters are written), and not on such things as plot or emotional changes", "have no idea about their qualification (a good writer isn't necessarily a good", "the quality of my storytelling is already good enough (nobody can sell a", "evaluate your writing for a fee and tell you whether or not it", "(like me) have a full-time job. Coverage services. These are companies, which", "you can only get feedback on the quality of the text (how well", "For a novel of 120 000 words with 2000 words in every chapter", "work for more than a month, full-time to write reviews for other people.", "this amounts to 60 \\* 3 = 180 hours. In other words, in", "average, it takes at least an hour to write a good critique, so", "may reject the book for non-literary reasons (e. g. because it may hurt", "movie may be produced). However, they only work with screenplays (if you know", "job. * Coverage services. These are companies, which evaluate your writing for a", "in order to get feedback on one chapter of your book, you need", "in order to have my novel reviewed on Scribophile I would need to", "will know that the quality is poor, but won't know what exactly is", "can only get feedback on the quality of the text (how well individual", "may be produced). However, they only work with screenplays (if you know a", "platform for self-publishing. The latter two options only make sense, if the quality", "problems with this. First, you can only get feedback on the quality of", "trust the feedback I get. I don't know those people and have no", "There are several problems with this. First, you can only get feedback on", "many, e. g. * improving my craft, * finding a publisher, or ", "qualification (a good writer isn't necessarily a good editor). Third, in order to", "feedback at all. If they don't respond, I only will know that the", "the book is not good enough I won't receive any feedback at all.", "or not my storytelling is good enough? Known options: Writing groups like", "good critique, so I have to spend 3 hours of my time to", "options only make sense, if the quality of my storytelling is already good", "sell a poorly written book, neither a publisher nor me; nobody will read", "tell me). * Sending my book to publishers. In case the book is", "among many, e. g. * improving my craft, * finding a publisher, or", "publishers*. In case the book is not good enough I won't receive any", "this. First, you can only get feedback on the quality of the text", "me). Sending my book to publishers. In case the book is not", "enough? Known options: * Writing groups like Scribophile. There are several problems with", "write a good critique, so I have to spend 3 hours of my", "people's works. On average, it takes at least an hour to write a", "or emotional changes throughout the novel. Second, I am not sure that I", "my time to get my chapter reviewed. For a novel of 120 000", "get feedback on one chapter of your book, you need to write three", "only make sense, if the quality of my storytelling is already good enough", "finding a publisher, or * building a platform for self-publishing. The latter two", "can trust the feedback I get. I don't know those people and have", "At any given moment I can focus on one activity among many, e.", "words with 2000 words in every chapter this amounts to 60 \\* 3", "of the text (how well individual chapters are written), and not on such", "feedback I get. I don't know those people and have no idea about", "your writing for a fee and tell you whether or not it is", "or not it is good enough (incl. whether or not this movie may", "written), and not on such things as plot or emotional changes throughout the", "e. g. * improving my craft, * finding a publisher, or * building", "a coverage service that does this for novels and is not a scam,", "and have no idea about their qualification (a good writer isn't necessarily a", "as plot or emotional changes throughout the novel. Second, I am not sure", "How can I get valuable feedback regarding whether or not my storytelling is", "storytelling is good enough? Known options: * Writing groups like Scribophile. There are", "even if they can get it for free). How can I get valuable", "only will know that the quality is poor, but won't know what exactly", "quality of my storytelling is already good enough (nobody can sell a poorly", "get valuable feedback regarding whether or not my storytelling is good enough? Known", "120 000 words with 2000 words in every chapter this amounts to 60", "order to have my novel reviewed on Scribophile I would need to work", "Scribophile I would need to work for more than a month, full-time to", "people. That's not an option, if you (like me) have a full-time job.", "a good critique, so I have to spend 3 hours of my time", "not a scam, please tell me). * Sending my book to publishers. In", "like Scribophile. There are several problems with this. First, you can only get", "with 2000 words in every chapter this amounts to 60 \\* 3 =", "the quality is poor, but won't know what exactly is my biggest problem.", "whether or not my storytelling is good enough? Known options: * Writing groups", "of 120 000 words with 2000 words in every chapter this amounts to", "* finding a publisher, or * building a platform for self-publishing. The latter", "don't know those people and have no idea about their qualification (a good", "biggest problem. Also, they may reject the book for non-literary reasons (e. g.", "options: * Writing groups like Scribophile. There are several problems with this. First,", "an hour to write a good critique, so I have to spend 3", "chapter reviewed. For a novel of 120 000 words with 2000 words in", "novel of 120 000 words with 2000 words in every chapter this amounts", "I can trust the feedback I get. I don't know those people and", "critiques of other people's works. On average, it takes at least an hour", "so I have to spend 3 hours of my time to get my", "feedback on the quality of the text (how well individual chapters are written),", "on one chapter of your book, you need to write three critiques of", "However, they only work with screenplays (if you know a coverage service that", "coverage service that does this for novels and is not a scam, please", "craft, * finding a publisher, or * building a platform for self-publishing. The", "Writing groups like Scribophile. There are several problems with this. First, you can", "groups** like Scribophile. There are several problems with this. First, you can only", "get feedback on the quality of the text (how well individual chapters are", "to spend 3 hours of my time to get my chapter reviewed. For", "which evaluate your writing for a fee and tell you whether or not", "I would need to work for more than a month, full-time to write", "(how well individual chapters are written), and not on such things as plot", "get it for free). How can I get valuable feedback regarding whether or", "one activity among many, e. g. * improving my craft, * finding a", "Third, in order to get feedback on one chapter of your book, you", "reviewed. For a novel of 120 000 words with 2000 words in every", "respond, I only will know that the quality is poor, but won't know", "they can get it for free). How can I get valuable feedback regarding", "a novel of 120 000 words with 2000 words in every chapter this", "am not sure that I can trust the feedback I get. I don't", "exactly is my biggest problem. Also, they may reject the book for non-literary", "focus on one activity among many, e. g. * improving my craft, ", "If they don't respond, I only will know that the quality is poor,", "storytelling is already good enough (nobody can sell a poorly written book, neither", "In other words, in order to have my novel reviewed on Scribophile I", "fee and tell you whether or not it is good enough (incl. whether", "not sure that I can trust the feedback I get. I don't know", "not this movie may be produced). However, they only work with screenplays (if", "words in every chapter this amounts to 60 \\ 3 = 180 hours.", "3 = 180 hours. In other words, in order to have my novel", "a month, full-time to write reviews for other people. That's not an option,", "chapter of your book, you need to write three critiques of other people's", "feedback on one chapter of your book, you need to write three critiques", "know those people and have no idea about their qualification (a good writer", "whether or not it is good enough (incl. whether or not this movie", "don't respond, I only will know that the quality is poor, but won't", "* improving my craft, * finding a publisher, or * building a platform", "000 words with 2000 words in every chapter this amounts to 60 \\", "hours. In other words, in order to have my novel reviewed on Scribophile", "be produced). However, they only work with screenplays (if you know a coverage", "throughout the novel. Second, I am not sure that I can trust the", "writer isn't necessarily a good editor). Third, in order to get feedback on", "work with screenplays (if you know a coverage service that does this for", "those people and have no idea about their qualification (a good writer isn't", "full-time job. Coverage services. These are companies, which evaluate your writing for" ]
[ "over, but for the most part I found that wasn't necessary. I'm now", "pointed out, that is not the greatest example. Or even an accurate one.", "go back and fix incorrectly conjugated verbs as I have done in this", "in past tense anyway! This is very frustrating. I don't mind it when", "reflecting on past events, and even then that, I feel, should be done", "start over, but for the most part I found that wasn't necessary. I'm", "necessary. I'm now going through and editing those scenes and finding that I", "narrative past tense. I have a similar problem when I'm writing in past", "roses` is fine, however if we want to convert that directly to present", "can go back and fix incorrectly conjugated verbs as I have done in", "I can go back and fix incorrectly conjugated verbs as I have done", "character is explicitly reflecting on past events, and even then that, I feel,", "as far as I can tell, doesn't really have an present tense analog", "of ways this is an extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without", "in present tense. So I go back and rewrite them paragraph by paragraph.", "that I keep slipping into narrative past. The entire purpose of rewriting was", "consistent is required. For most of the scenes, either both tenses can work", "them. For example what I'm trying to fix right now\": sitting around a", "don't think I can illustrate exactly how this is going wrong. My question", "\"down time\" scenes, I suppose you could call them. For example what I'm", "switching from one tense/structure to another aside from the age old solution of", "as Rahk Bokek suggested, work out better in past tense. However I can't", "I had given up on present tense and started writing in past tense,", "past tense, however I have since realized that I actually had a good", "tense. I have a similar problem when I'm writing in past tense if", "what I'm trying to fix right now\": sitting around a camp fire. These", "work out just as well, or present tense is giving me better results.", "painful, but so far I like the result). The rest is in the", "I'm trying to fix right now\": sitting around a camp fire. These would,", "the story is in present tense (which is painful, but so far I", "\"while\" and \"as\". Now, the past tense `The following day, while walking his", "dog` and `Zotn walked his dog` are both perfectly reasonable sentences, but they", "narrative past. The entire purpose of rewriting was to get rid of past", "fix incorrectly conjugated verbs as I have done in this very question (as", "\"the following day\", as far as I can tell, doesn't really have an", "had a good reason to write those scenes in present tense. So I", "At one point I had given up on present tense and started writing", "then that, I feel, should be done with care. So the question is,", "get excited. In such cases I slip into present tense, but these are", "he stopped to smell the roses`. There is more to these sentences, and", "present tense, but these are easy to fix since, as Bakub is quick", "think this illustrates my point. PPPP.S. As Cdoadchaser pointed out, that is not", "a question of grammar. I can go back and fix incorrectly conjugated verbs", "in the scene, the story is in present tense (which is painful, but", "not the greatest example. Or even an accurate one. In a lot of", "practice, which is in the works. P.S. A \"problem,\" if you want to", "isn't a great example, and that last sentence does have some issues, but", "in past tense if get excited. In such cases I slip into present", "if get excited. In such cases I slip into present tense, but these", "am rewriting parts of paragraphs in past tense anyway! This is very frustrating.", "of paragraphs in past tense anyway! This is very frustrating. I don't mind", "that consistent is required. For most of the scenes, either both tenses can", "I think this illustrates my point. PPPP.S. As Cdoadchaser pointed out, that is", "I slip into present tense, but these are easy to fix since, as", "found that wasn't necessary. I'm now going through and editing those scenes and", "narrative past tense. At one point I had given up on present tense", "fix since, as Bakub is quick to point out, past tense is like", "work out better in past tense. However I can't have it both ways,", "For example what I'm trying to fix right now\": sitting around a camp", "walking his dog, he stopped to smell the roses`. There is more to", "conjugated verbs as I have done in this very question (as Cdoad pointed", "on past events, but the story itself is always in the present. This", "as I have done in this very question (as Cdoad pointed out). The", "is, how do I avoid this slippage? Other than practice, which is in", "to deal with, and generally superior, narrative past tense. At one point I", "also quite simple. Compare `while walking his dog, Zotn stops to smell the", "present tense is giving me better results. There are some \"down time\" scenes,", "mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of paragraphs I don't think I can", "want to call it that, is that consistent is required. For most of", "this is going wrong. My question is the same as before -- how", "I just wipe the whole scene and start over, but for the most", "present tense we're going to have do some tinkering with the structure. The", "done with care. So the question is, how do I avoid this slippage?", "can make a simple example. If it's too simple it won't work. `Zotn", "reflect on past events, but the story itself is always in the present.", "mid paragraph, takes on the structure of narrative past tense. I have a", "a simple example. If it's too simple it won't work. `Zotn walks his", "up to the present, however when I'm going back and forth within a", "Army Knife. Its usually the tool for the job, and when it's not,", "the story itself is always in the present. This isn't a great example,", "work. `Zotn walks his dog` and `Zotn walked his dog` are both perfectly", "structure of narrative past tense. I have a similar problem when I'm writing", "make a simple example. If it's too simple it won't work. `Zotn walks", "and forth within a scene, that's inexcusable unless a character is explicitly reflecting", "these are easy to fix since, as Bakub is quick to point out,", "and pasting collections of paragraphs I don't think I can illustrate exactly how", "be conjugated differently, but also the conjunctions \"while\" and \"as\". Now, the past", "point. PPPP.S. As Cdoadchaser pointed out, that is not the greatest example. Or", "we're going to have do some tinkering with the structure. The inclusion of", "scene, the story is in present tense (which is painful, but so far", "of the stories I'm writing at the moment, when the narrator is in", "just as well, or present tense is giving me better results. There are", "rewriting was to get rid of past tense, yet somehow I am rewriting", "deal with, and generally superior, narrative past tense. At one point I had", "in past tense, however I have since realized that I actually had a", "Its usually the tool for the job, and when it's not, it's pretty", "past. The entire purpose of rewriting was to get rid of past tense,", "as before -- how to avoid switching from one tense/structure to another aside", "most of the scenes, either both tenses can work out just as well,", "the conjunctions \"while\" and \"as\". Now, the past tense `The following day, while", "the past tense `The following day, while walking his dog, Zotn stopped to", "and editing those scenes and finding that I keep slipping into narrative past.", "even then that, I feel, should be done with care. So the question", "part I found that wasn't necessary. I'm now going through and editing those", "problem when I'm writing in past tense if get excited. In such cases", "stops to smell the roses` against `As Zotn was walking his dog, he", "issues, but I think this illustrates my point. PPPP.S. As Cdoadchaser pointed out,", "back and forth within a scene, that's inexcusable unless a character is explicitly", "For most of the scenes, either both tenses can work out just as", "lets see if I can make a simple example. If it's too simple", "was to get rid of past tense, yet somehow I am rewriting parts", "is the same as before -- how to avoid switching from one tense/structure", "of the scenes, either both tenses can work out just as well, or", "have done in this very question (as Cdoad pointed out). The issue is", "and started writing in past tense, however I have since realized that I", "I have since realized that I actually had a good reason to write", "the scene, the story is in present tense (which is painful, but so", "started writing in past tense, however I have since realized that I actually", "tense is giving me better results. There are some \"down time\" scenes, I", "to smell the roses` against `As Zotn was walking his dog, he stopped", "Swiss Army Knife. Its usually the tool for the job, and when it's", "this illustrates my point. PPPP.S. As Cdoadchaser pointed out, that is not the", "A character can reflect on past events, but the story itself is always", "The inclusion of \"the following day\", as far as I can tell, doesn't", "reasonable sentences, but they are also quite simple. Compare `while walking his dog,", "conjunctions \"while\" and \"as\". Now, the past tense `The following day, while walking", "have since realized that I actually had a good reason to write those", "scene. To me that's just catching up to the present, however when I'm", "dog, he stopped to smell the roses`. There is more to these sentences,", "is in the much easier to deal with, and generally superior, narrative past", "into narrative past. The entire purpose of rewriting was to get rid of", "\"as\". Now, the past tense `The following day, while walking his dog, Zotn", "so far I like the result). The rest is in the much easier", "tense (which is painful, but so far I like the result). The rest", "To me that's just catching up to the present, however when I'm going", "on past events, and even then that, I feel, should be done with", "following day\", as far as I can tell, doesn't really have an present", "`while walking his dog, Zotn stops to smell the roses` against `As Zotn", "stopped to smell the roses` is fine, however if we want to convert", "of \"the following day\", as far as I can tell, doesn't really have", "in the works. P.S. A \"problem,\" if you want to call it that,", "(I may be wrong). P.P.S. This is not a question of grammar. I", "with the structure. The inclusion of \"the following day\", as far as I", "some issues, but I think this illustrates my point. PPPP.S. As Cdoadchaser pointed", "past tense. I have a similar problem when I'm writing in past tense", "tinkering with the structure. The inclusion of \"the following day\", as far as", "dog` are both perfectly reasonable sentences, but they are also quite simple. Compare", "`Zotn walks his dog` and `Zotn walked his dog` are both perfectly reasonable", "takes on the structure of narrative past tense. I have a similar problem", "paragraphs I don't think I can illustrate exactly how this is going wrong.", "stopped to smell the roses`. There is more to these sentences, and not", "fix right now\": sitting around a camp fire. These would, as Rahk Bokek", "walks his dog` and `Zotn walked his dog` are both perfectly reasonable sentences,", "sentences, and not only do the verbs need to be conjugated differently, but", "the tool for the job, and when it's not, it's pretty close. P.P.P.S.", "when I'm writing in past tense if get excited. In such cases I", "I can tell, doesn't really have an present tense analog since there is", "example. If it's too simple it won't work. `Zotn walks his dog` and", "question (as Cdoad pointed out). The issue is structural. The narrative, mid paragraph,", "the present. This isn't a great example, and that last sentence does have", "entire purpose of rewriting was to get rid of past tense, yet somehow", "wasn't necessary. I'm now going through and editing those scenes and finding that", "[a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of paragraphs I", "spots I just wipe the whole scene and start over, but for the", "tense. At one point I had given up on present tense and started", "doesn't really have an present tense analog since there is only \"now\". A", "back and fix incorrectly conjugated verbs as I have done in this very", "just wipe the whole scene and start over, but for the most part", "is very frustrating. I don't mind it when it occurs at the very", "As Cdoadchaser pointed out, that is not the greatest example. Or even an", "not, it's pretty close. P.P.P.S. Okay, so lets see if I can make", "believe (I may be wrong). P.P.S. This is not a question of grammar.", "paragraph, takes on the structure of narrative past tense. I have a similar", "the narrator is in the scene, the story is in present tense (which", "as I can tell, doesn't really have an present tense analog since there", "one of the stories I'm writing at the moment, when the narrator is", "my point. PPPP.S. As Cdoadchaser pointed out, that is not the greatest example.", "and fix incorrectly conjugated verbs as I have done in this very question", "the stories I'm writing at the moment, when the narrator is in the", "actually had a good reason to write those scenes in present tense. So", "have it both ways, or so I believe (I may be wrong). P.P.S.", "\"now\". A character can reflect on past events, but the story itself is", "of paragraphs I don't think I can illustrate exactly how this is going", "grammar. I can go back and fix incorrectly conjugated verbs as I have", "works. P.S. A \"problem,\" if you want to call it that, is that", "rest is in the much easier to deal with, and generally superior, narrative", "simple it won't work. `Zotn walks his dog` and `Zotn walked his dog`", "would, as Rahk Bokek suggested, work out better in past tense. However I", "of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of paragraphs", "day\", as far as I can tell, doesn't really have an present tense", "`The following day, while walking his dog, Zotn stopped to smell the roses`", "the structure. The inclusion of \"the following day\", as far as I can", "last sentence does have some issues, but I think this illustrates my point.", "paragraphs in past tense anyway! This is very frustrating. I don't mind it", "both ways, or so I believe (I may be wrong). P.P.S. This is", "of grammar. I can go back and fix incorrectly conjugated verbs as I", "similar problem when I'm writing in past tense if get excited. In such", "tense anyway! This is very frustrating. I don't mind it when it occurs", "into present tense, but these are easy to fix since, as Bakub is", "simple. Compare `while walking his dog, Zotn stops to smell the roses` against", "Zotn stopped to smell the roses` is fine, however if we want to", "could call them. For example what I'm trying to fix right now\": sitting", "also the conjunctions \"while\" and \"as\". Now, the past tense `The following day,", "well, or present tense is giving me better results. There are some \"down", "scenes, I suppose you could call them. For example what I'm trying to", "but so far I like the result). The rest is in the much", "excited. In such cases I slip into present tense, but these are easy", "the verbs need to be conjugated differently, but also the conjunctions \"while\" and", "with care. So the question is, how do I avoid this slippage? Other", "ways this is an extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying", "going through and editing those scenes and finding that I keep slipping into", "past tense anyway! This is very frustrating. I don't mind it when it", "generally superior, narrative past tense. At one point I had given up on", "see if I can make a simple example. If it's too simple it", "So the question is, how do I avoid this slippage? Other than practice,", "within a scene, that's inexcusable unless a character is explicitly reflecting on past", "explicitly reflecting on past events, and even then that, I feel, should be", "usually the tool for the job, and when it's not, it's pretty close.", "occurs at the very beginning of a scene. To me that's just catching", "in this very question (as Cdoad pointed out). The issue is structural. The", "the scenes, either both tenses can work out just as well, or present", "it won't work. `Zotn walks his dog` and `Zotn walked his dog` are", "inexcusable unless a character is explicitly reflecting on past events, and even then", "present tense (which is painful, but so far I like the result). The", "now\": sitting around a camp fire. These would, as Rahk Bokek suggested, work", "`As Zotn was walking his dog, he stopped to smell the roses`. There", "won't work. `Zotn walks his dog` and `Zotn walked his dog` are both", "either both tenses can work out just as well, or present tense is", "the roses`. There is more to these sentences, and not only do the", "illustrate exactly how this is going wrong. My question is the same as", "reason to write those scenes in present tense. So I go back and", "if we want to convert that directly to present tense we're going to", "I like the result). The rest is in the much easier to deal", "however I have since realized that I actually had a good reason to", "so I believe (I may be wrong). P.P.S. This is not a question", "greatest example. Or even an accurate one. In a lot of ways this", "In such cases I slip into present tense, but these are easy to", "is more to these sentences, and not only do the verbs need to", "walked his dog` are both perfectly reasonable sentences, but they are also quite", "is fine, however if we want to convert that directly to present tense", "wrong. My question is the same as before -- how to avoid switching", "suppose you could call them. For example what I'm trying to fix right", "a camp fire. These would, as Rahk Bokek suggested, work out better in", "how this is going wrong. My question is the same as before --", "tense and started writing in past tense, however I have since realized that", "a great example, and that last sentence does have some issues, but I", "we want to convert that directly to present tense we're going to have", "question is, how do I avoid this slippage? Other than practice, which is", "far as I can tell, doesn't really have an present tense analog since", "camp fire. These would, as Rahk Bokek suggested, work out better in past", "to convert that directly to present tense we're going to have do some", "avoid this slippage? Other than practice, which is in the works. P.S. A", "there is only \"now\". A character can reflect on past events, but the", "\"problem,\" if you want to call it that, is that consistent is required.", "Other than practice, which is in the works. P.S. A \"problem,\" if you", "tell, doesn't really have an present tense analog since there is only \"now\".", "can't have it both ways, or so I believe (I may be wrong).", "an present tense analog since there is only \"now\". A character can reflect", "story itself is always in the present. This isn't a great example, and", "The rest is in the much easier to deal with, and generally superior,", "PPPP.S. As Cdoadchaser pointed out, that is not the greatest example. Or even", "slip into present tense, but these are easy to fix since, as Bakub", "point out, past tense is like a Swiss Army Knife. Its usually the", "I go back and rewrite them paragraph by paragraph. In some spots I", "while walking his dog, Zotn stopped to smell the roses` is fine, however", "going wrong. My question is the same as before -- how to avoid", "stories I'm writing at the moment, when the narrator is in the scene,", "sentence does have some issues, but I think this illustrates my point. PPPP.S.", "up on present tense and started writing in past tense, however I have", "not only do the verbs need to be conjugated differently, but also the", "more to these sentences, and not only do the verbs need to be", "to avoid switching from one tense/structure to another aside from the age old", "may be wrong). P.P.S. This is not a question of grammar. I can", "it's not, it's pretty close. P.P.P.S. Okay, so lets see if I can", "past tense. At one point I had given up on present tense and", "tense analog since there is only \"now\". A character can reflect on past", "present, however when I'm going back and forth within a scene, that's inexcusable", "beginning of a scene. To me that's just catching up to the present,", "to write those scenes in present tense. So I go back and rewrite", "tenses can work out just as well, or present tense is giving me", "or present tense is giving me better results. There are some \"down time\"", "walking his dog, Zotn stopped to smell the roses` is fine, however if", "does have some issues, but I think this illustrates my point. PPPP.S. As", "moment, when the narrator is in the scene, the story is in present", "Okay, so lets see if I can make a simple example. If it's", "from one tense/structure to another aside from the age old solution of practice.", "present tense and started writing in past tense, however I have since realized", "it's too simple it won't work. `Zotn walks his dog` and `Zotn walked", "In some spots I just wipe the whole scene and start over, but", "on the structure of narrative past tense. I have a similar problem when", "are both perfectly reasonable sentences, but they are also quite simple. Compare `while", "a character is explicitly reflecting on past events, and even then that, I", "smell the roses` against `As Zotn was walking his dog, he stopped to", "which is in the works. P.S. A \"problem,\" if you want to call", "scenes, either both tenses can work out just as well, or present tense", "I suppose you could call them. For example what I'm trying to fix", "to smell the roses`. There is more to these sentences, and not only", "need to be conjugated differently, but also the conjunctions \"while\" and \"as\". Now,", "previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of paragraphs I don't", "better results. There are some \"down time\" scenes, I suppose you could call", "There are some \"down time\" scenes, I suppose you could call them. For", "around a camp fire. These would, as Rahk Bokek suggested, work out better", "giving me better results. There are some \"down time\" scenes, I suppose you", "to fix since, as Bakub is quick to point out, past tense is", "In one of the stories I'm writing at the moment, when the narrator", "sentences, but they are also quite simple. Compare `while walking his dog, Zotn", "the result). The rest is in the much easier to deal with, and", "however when I'm going back and forth within a scene, that's inexcusable unless", "A \"problem,\" if you want to call it that, is that consistent is", "one. In a lot of ways this is an extension of [a previous", "cases I slip into present tense, but these are easy to fix since,", "his dog, he stopped to smell the roses`. There is more to these", "some \"down time\" scenes, I suppose you could call them. For example what", "can work out just as well, or present tense is giving me better", "a similar problem when I'm writing in past tense if get excited. In", "to these sentences, and not only do the verbs need to be conjugated", "out better in past tense. However I can't have it both ways, or", "going to have do some tinkering with the structure. The inclusion of \"the", "far I like the result). The rest is in the much easier to", "tense. So I go back and rewrite them paragraph by paragraph. In some", "question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of paragraphs I don't think", "they are also quite simple. Compare `while walking his dog, Zotn stops to", "when the narrator is in the scene, the story is in present tense", "Now, the past tense `The following day, while walking his dog, Zotn stopped", "of rewriting was to get rid of past tense, yet somehow I am", "a Swiss Army Knife. Its usually the tool for the job, and when", "I can make a simple example. If it's too simple it won't work.", "There is more to these sentences, and not only do the verbs need", "his dog, Zotn stops to smell the roses` against `As Zotn was walking", "tense, however I have since realized that I actually had a good reason", "suggested, work out better in past tense. However I can't have it both", "better in past tense. However I can't have it both ways, or so", "sitting around a camp fire. These would, as Rahk Bokek suggested, work out", "present tense analog since there is only \"now\". A character can reflect on", "I don't mind it when it occurs at the very beginning of a", "and not only do the verbs need to be conjugated differently, but also", "are easy to fix since, as Bakub is quick to point out, past", "this slippage? Other than practice, which is in the works. P.S. A \"problem,\"", "call them. For example what I'm trying to fix right now\": sitting around", "The issue is structural. The narrative, mid paragraph, takes on the structure of", "such cases I slip into present tense, but these are easy to fix", "but I think this illustrates my point. PPPP.S. As Cdoadchaser pointed out, that", "care. So the question is, how do I avoid this slippage? Other than", "P.S. A \"problem,\" if you want to call it that, is that consistent", "example. Or even an accurate one. In a lot of ways this is", "is that consistent is required. For most of the scenes, either both tenses", "wrong). P.P.S. This is not a question of grammar. I can go back", "(which is painful, but so far I like the result). The rest is", "at the moment, when the narrator is in the scene, the story is", "on present tense and started writing in past tense, however I have since", "writing in past tense, however I have since realized that I actually had", "past events, and even then that, I feel, should be done with care.", "past tense. However I can't have it both ways, or so I believe", "illustrates my point. PPPP.S. As Cdoadchaser pointed out, that is not the greatest", "when I'm going back and forth within a scene, that's inexcusable unless a", "out, that is not the greatest example. Or even an accurate one. In", "wipe the whole scene and start over, but for the most part I", "to point out, past tense is like a Swiss Army Knife. Its usually", "I can illustrate exactly how this is going wrong. My question is the", "so lets see if I can make a simple example. If it's too", "a scene, that's inexcusable unless a character is explicitly reflecting on past events,", "This isn't a great example, and that last sentence does have some issues,", "is in the scene, the story is in present tense (which is painful,", "is required. For most of the scenes, either both tenses can work out", "and generally superior, narrative past tense. At one point I had given up", "is an extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting", "easy to fix since, as Bakub is quick to point out, past tense", "is like a Swiss Army Knife. Its usually the tool for the job,", "for the job, and when it's not, it's pretty close. P.P.P.S. Okay, so", "Or even an accurate one. In a lot of ways this is an", "point I had given up on present tense and started writing in past", "and start over, but for the most part I found that wasn't necessary.", "realized that I actually had a good reason to write those scenes in", "easier to deal with, and generally superior, narrative past tense. At one point", "forth within a scene, that's inexcusable unless a character is explicitly reflecting on", "is in present tense (which is painful, but so far I like the", "was walking his dog, he stopped to smell the roses`. There is more", "that is not the greatest example. Or even an accurate one. In a", "slippage? Other than practice, which is in the works. P.S. A \"problem,\" if", "but these are easy to fix since, as Bakub is quick to point", "is quick to point out, past tense is like a Swiss Army Knife.", "roses`. There is more to these sentences, and not only do the verbs", "tense we're going to have do some tinkering with the structure. The inclusion", "them paragraph by paragraph. In some spots I just wipe the whole scene", "how do I avoid this slippage? Other than practice, which is in the", "tense `The following day, while walking his dog, Zotn stopped to smell the", "out just as well, or present tense is giving me better results. There", "think I can illustrate exactly how this is going wrong. My question is", "perfectly reasonable sentences, but they are also quite simple. Compare `while walking his", "events, and even then that, I feel, should be done with care. So", "but also the conjunctions \"while\" and \"as\". Now, the past tense `The following", "P.P.S. This is not a question of grammar. I can go back and", "to present tense we're going to have do some tinkering with the structure.", "These would, as Rahk Bokek suggested, work out better in past tense. However", "it's pretty close. P.P.P.S. Okay, so lets see if I can make a", "yet somehow I am rewriting parts of paragraphs in past tense anyway! This", "same as before -- how to avoid switching from one tense/structure to another", "can tell, doesn't really have an present tense analog since there is only", "by paragraph. In some spots I just wipe the whole scene and start", "the whole scene and start over, but for the most part I found", "very beginning of a scene. To me that's just catching up to the", "events, but the story itself is always in the present. This isn't a", "scenes in present tense. So I go back and rewrite them paragraph by", "writing in past tense if get excited. In such cases I slip into", "paragraph by paragraph. In some spots I just wipe the whole scene and", "some spots I just wipe the whole scene and start over, but for", "the much easier to deal with, and generally superior, narrative past tense. At", "at the very beginning of a scene. To me that's just catching up", "close. P.P.P.S. Okay, so lets see if I can make a simple example.", "these sentences, and not only do the verbs need to be conjugated differently,", "I'm going back and forth within a scene, that's inexcusable unless a character", "like the result). The rest is in the much easier to deal with,", "Knife. Its usually the tool for the job, and when it's not, it's", "but for the most part I found that wasn't necessary. I'm now going", "it when it occurs at the very beginning of a scene. To me", "itself is always in the present. This isn't a great example, and that", "in the much easier to deal with, and generally superior, narrative past tense.", "have a similar problem when I'm writing in past tense if get excited.", "his dog` and `Zotn walked his dog` are both perfectly reasonable sentences, but", "me better results. There are some \"down time\" scenes, I suppose you could", "I'm now going through and editing those scenes and finding that I keep", "to the present, however when I'm going back and forth within a scene,", "a scene. To me that's just catching up to the present, however when", "directly to present tense we're going to have do some tinkering with the", "really have an present tense analog since there is only \"now\". A character", "as Bakub is quick to point out, past tense is like a Swiss", "question is the same as before -- how to avoid switching from one", "that last sentence does have some issues, but I think this illustrates my", "some tinkering with the structure. The inclusion of \"the following day\", as far", "those scenes in present tense. So I go back and rewrite them paragraph", "feel, should be done with care. So the question is, how do I", "Bokek suggested, work out better in past tense. However I can't have it", "if I can make a simple example. If it's too simple it won't", "don't mind it when it occurs at the very beginning of a scene.", "So I go back and rewrite them paragraph by paragraph. In some spots", "I keep slipping into narrative past. The entire purpose of rewriting was to", "too simple it won't work. `Zotn walks his dog` and `Zotn walked his", "example what I'm trying to fix right now\": sitting around a camp fire.", "scene, that's inexcusable unless a character is explicitly reflecting on past events, and", "I have a similar problem when I'm writing in past tense if get", "is structural. The narrative, mid paragraph, takes on the structure of narrative past", "can illustrate exactly how this is going wrong. My question is the same", "just catching up to the present, however when I'm going back and forth", "do some tinkering with the structure. The inclusion of \"the following day\", as", "is always in the present. This isn't a great example, and that last", "not a question of grammar. I can go back and fix incorrectly conjugated", "rewriting parts of paragraphs in past tense anyway! This is very frustrating. I", "the roses` is fine, however if we want to convert that directly to", "how to avoid switching from one tense/structure to another aside from the age", "story is in present tense (which is painful, but so far I like", "lot of ways this is an extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu).", "of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of paragraphs I don't think I", "an extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections", "Cdoadchaser pointed out, that is not the greatest example. Or even an accurate", "should be done with care. So the question is, how do I avoid", "that, I feel, should be done with care. So the question is, how", "quick to point out, past tense is like a Swiss Army Knife. Its", "to have do some tinkering with the structure. The inclusion of \"the following", "issue is structural. The narrative, mid paragraph, takes on the structure of narrative", "anyway! This is very frustrating. I don't mind it when it occurs at", "always in the present. This isn't a great example, and that last sentence", "in present tense (which is painful, but so far I like the result).", "against `As Zotn was walking his dog, he stopped to smell the roses`.", "I'm writing at the moment, when the narrator is in the scene, the", "tense. However I can't have it both ways, or so I believe (I", "purpose of rewriting was to get rid of past tense, yet somehow I", "keep slipping into narrative past. The entire purpose of rewriting was to get", "Compare `while walking his dog, Zotn stops to smell the roses` against `As", "The entire purpose of rewriting was to get rid of past tense, yet", "analog since there is only \"now\". A character can reflect on past events,", "character can reflect on past events, but the story itself is always in", "the works. P.S. A \"problem,\" if you want to call it that, is", "are also quite simple. Compare `while walking his dog, Zotn stops to smell", "`Zotn walked his dog` are both perfectly reasonable sentences, but they are also", "extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and pasting collections of", "pasting collections of paragraphs I don't think I can illustrate exactly how this", "both perfectly reasonable sentences, but they are also quite simple. Compare `while walking", "however if we want to convert that directly to present tense we're going", "In a lot of ways this is an extension of [a previous question", "I can't have it both ways, or so I believe (I may be", "through and editing those scenes and finding that I keep slipping into narrative", "finding that I keep slipping into narrative past. The entire purpose of rewriting", "time\" scenes, I suppose you could call them. For example what I'm trying", "that I actually had a good reason to write those scenes in present", "you could call them. For example what I'm trying to fix right now\":", "copying and pasting collections of paragraphs I don't think I can illustrate exactly", "do I avoid this slippage? Other than practice, which is in the works.", "given up on present tense and started writing in past tense, however I", "going back and forth within a scene, that's inexcusable unless a character is", "scene and start over, but for the most part I found that wasn't", "right now\": sitting around a camp fire. These would, as Rahk Bokek suggested,", "out, past tense is like a Swiss Army Knife. Its usually the tool", "differently, but also the conjunctions \"while\" and \"as\". Now, the past tense `The", "inclusion of \"the following day\", as far as I can tell, doesn't really", "I actually had a good reason to write those scenes in present tense.", "write those scenes in present tense. So I go back and rewrite them", "is giving me better results. There are some \"down time\" scenes, I suppose", "past events, but the story itself is always in the present. This isn't", "superior, narrative past tense. At one point I had given up on present", "an accurate one. In a lot of ways this is an extension of", "mind it when it occurs at the very beginning of a scene. To", "and when it's not, it's pretty close. P.P.P.S. Okay, so lets see if", "exactly how this is going wrong. My question is the same as before", "since there is only \"now\". A character can reflect on past events, but", "smell the roses`. There is more to these sentences, and not only do", "the job, and when it's not, it's pretty close. P.P.P.S. Okay, so lets", "job, and when it's not, it's pretty close. P.P.P.S. Okay, so lets see", "his dog, Zotn stopped to smell the roses` is fine, however if we", "before -- how to avoid switching from one tense/structure to another aside from", "it both ways, or so I believe (I may be wrong). P.P.S. This", "if you want to call it that, is that consistent is required. For", "tool for the job, and when it's not, it's pretty close. P.P.P.S. Okay,", "of narrative past tense. I have a similar problem when I'm writing in", "slipping into narrative past. The entire purpose of rewriting was to get rid", "smell the roses` is fine, however if we want to convert that directly", "is explicitly reflecting on past events, and even then that, I feel, should", "results. There are some \"down time\" scenes, I suppose you could call them.", "rid of past tense, yet somehow I am rewriting parts of paragraphs in", "is going wrong. My question is the same as before -- how to", "that directly to present tense we're going to have do some tinkering with", "very question (as Cdoad pointed out). The issue is structural. The narrative, mid", "past tense if get excited. In such cases I slip into present tense,", "do the verbs need to be conjugated differently, but also the conjunctions \"while\"", "writing at the moment, when the narrator is in the scene, the story", "result). The rest is in the much easier to deal with, and generally", "(as Cdoad pointed out). The issue is structural. The narrative, mid paragraph, takes", "a lot of ways this is an extension of [a previous question of", "and that last sentence does have some issues, but I think this illustrates", "but the story itself is always in the present. This isn't a great", "quite simple. Compare `while walking his dog, Zotn stops to smell the roses`", "when it occurs at the very beginning of a scene. To me that's", "This is very frustrating. I don't mind it when it occurs at the", "and `Zotn walked his dog` are both perfectly reasonable sentences, but they are", "Cdoad pointed out). The issue is structural. The narrative, mid paragraph, takes on", "I feel, should be done with care. So the question is, how do", "present. This isn't a great example, and that last sentence does have some", "structural. The narrative, mid paragraph, takes on the structure of narrative past tense.", "and even then that, I feel, should be done with care. So the", "the most part I found that wasn't necessary. I'm now going through and", "much easier to deal with, and generally superior, narrative past tense. At one", "a good reason to write those scenes in present tense. So I go", "narrator is in the scene, the story is in present tense (which is", "I found that wasn't necessary. I'm now going through and editing those scenes", "Zotn stops to smell the roses` against `As Zotn was walking his dog,", "rewrite them paragraph by paragraph. In some spots I just wipe the whole", "to call it that, is that consistent is required. For most of the", "most part I found that wasn't necessary. I'm now going through and editing", "past tense `The following day, while walking his dog, Zotn stopped to smell", "narrative, mid paragraph, takes on the structure of narrative past tense. I have", "one point I had given up on present tense and started writing in", "only do the verbs need to be conjugated differently, but also the conjunctions", "-- how to avoid switching from one tense/structure to another aside from the", "as well, or present tense is giving me better results. There are some", "very frustrating. I don't mind it when it occurs at the very beginning", "and rewrite them paragraph by paragraph. In some spots I just wipe the", "frustrating. I don't mind it when it occurs at the very beginning of", "Bakub is quick to point out, past tense is like a Swiss Army", "be wrong). P.P.S. This is not a question of grammar. I can go", "have do some tinkering with the structure. The inclusion of \"the following day\",", "to smell the roses` is fine, however if we want to convert that", "only \"now\". A character can reflect on past events, but the story itself", "My question is the same as before -- how to avoid switching from", "call it that, is that consistent is required. For most of the scenes,", "than practice, which is in the works. P.S. A \"problem,\" if you want", "fire. These would, as Rahk Bokek suggested, work out better in past tense.", "the moment, when the narrator is in the scene, the story is in", "good reason to write those scenes in present tense. So I go back", "paragraph. In some spots I just wipe the whole scene and start over,", "and \"as\". Now, the past tense `The following day, while walking his dog,", "The narrative, mid paragraph, takes on the structure of narrative past tense. I", "since, as Bakub is quick to point out, past tense is like a", "to be conjugated differently, but also the conjunctions \"while\" and \"as\". Now, the", "that wasn't necessary. I'm now going through and editing those scenes and finding", "However I can't have it both ways, or so I believe (I may", "both tenses can work out just as well, or present tense is giving", "whole scene and start over, but for the most part I found that", "incorrectly conjugated verbs as I have done in this very question (as Cdoad", "I have done in this very question (as Cdoad pointed out). The issue", "the greatest example. Or even an accurate one. In a lot of ways", "past tense is like a Swiss Army Knife. Its usually the tool for", "with, and generally superior, narrative past tense. At one point I had given", "pointed out). The issue is structural. The narrative, mid paragraph, takes on the", "and finding that I keep slipping into narrative past. The entire purpose of", "of past tense, yet somehow I am rewriting parts of paragraphs in past", "you want to call it that, is that consistent is required. For most", "If it's too simple it won't work. `Zotn walks his dog` and `Zotn", "be done with care. So the question is, how do I avoid this", "that's just catching up to the present, however when I'm going back and", "unless a character is explicitly reflecting on past events, and even then that,", "parts of paragraphs in past tense anyway! This is very frustrating. I don't", "the question is, how do I avoid this slippage? Other than practice, which", "the very beginning of a scene. To me that's just catching up to", "have an present tense analog since there is only \"now\". A character can", "like a Swiss Army Knife. Its usually the tool for the job, and", "are some \"down time\" scenes, I suppose you could call them. For example", "in past tense. However I can't have it both ways, or so I", "accurate one. In a lot of ways this is an extension of [a", "question of grammar. I can go back and fix incorrectly conjugated verbs as", "tense is like a Swiss Army Knife. Its usually the tool for the", "in the present. This isn't a great example, and that last sentence does", "for the most part I found that wasn't necessary. I'm now going through", "the structure of narrative past tense. I have a similar problem when I'm", "those scenes and finding that I keep slipping into narrative past. The entire", "that's inexcusable unless a character is explicitly reflecting on past events, and even", "tense if get excited. In such cases I slip into present tense, but", "editing those scenes and finding that I keep slipping into narrative past. The", "is only \"now\". A character can reflect on past events, but the story", "simple example. If it's too simple it won't work. `Zotn walks his dog`", "now going through and editing those scenes and finding that I keep slipping", "Rahk Bokek suggested, work out better in past tense. However I can't have", "it occurs at the very beginning of a scene. To me that's just", "required. For most of the scenes, either both tenses can work out just", "pretty close. P.P.P.S. Okay, so lets see if I can make a simple", "tense, yet somehow I am rewriting parts of paragraphs in past tense anyway!", "verbs need to be conjugated differently, but also the conjunctions \"while\" and \"as\".", "verbs as I have done in this very question (as Cdoad pointed out).", "had given up on present tense and started writing in past tense, however", "want to convert that directly to present tense we're going to have do", "I don't think I can illustrate exactly how this is going wrong. My", "walking his dog, Zotn stops to smell the roses` against `As Zotn was", "done in this very question (as Cdoad pointed out). The issue is structural.", "can reflect on past events, but the story itself is always in the", "roses` against `As Zotn was walking his dog, he stopped to smell the", "it that, is that consistent is required. For most of the scenes, either", "day, while walking his dog, Zotn stopped to smell the roses` is fine,", "convert that directly to present tense we're going to have do some tinkering", "great example, and that last sentence does have some issues, but I think", "to fix right now\": sitting around a camp fire. These would, as Rahk", "out). The issue is structural. The narrative, mid paragraph, takes on the structure", "Without copying and pasting collections of paragraphs I don't think I can illustrate", "get rid of past tense, yet somehow I am rewriting parts of paragraphs", "the present, however when I'm going back and forth within a scene, that's", "trying to fix right now\": sitting around a camp fire. These would, as", "avoid switching from one tense/structure to another aside from the age old solution", "somehow I am rewriting parts of paragraphs in past tense anyway! This is", "I am rewriting parts of paragraphs in past tense anyway! This is very", "This is not a question of grammar. I can go back and fix", "is painful, but so far I like the result). The rest is in", "present tense. So I go back and rewrite them paragraph by paragraph. In", "I believe (I may be wrong). P.P.S. This is not a question of", "dog, Zotn stops to smell the roses` against `As Zotn was walking his", "the roses` against `As Zotn was walking his dog, he stopped to smell", "following day, while walking his dog, Zotn stopped to smell the roses` is", "example, and that last sentence does have some issues, but I think this", "when it's not, it's pretty close. P.P.P.S. Okay, so lets see if I", "to get rid of past tense, yet somehow I am rewriting parts of", "Zotn was walking his dog, he stopped to smell the roses`. There is", "me that's just catching up to the present, however when I'm going back", "collections of paragraphs I don't think I can illustrate exactly how this is", "of a scene. To me that's just catching up to the present, however", "ways, or so I believe (I may be wrong). P.P.S. This is not", "this is an extension of [a previous question of mine](https://writing.stackexchange.com/questions/33368/converting-rewriting-present-tense-narratives-to-past-tense-gracefully-not-a-qu). Without copying and", "back and rewrite them paragraph by paragraph. In some spots I just wipe", "go back and rewrite them paragraph by paragraph. In some spots I just", "is not the greatest example. Or even an accurate one. In a lot", "the same as before -- how to avoid switching from one tense/structure to", "scenes and finding that I keep slipping into narrative past. The entire purpose", "past tense, yet somehow I am rewriting parts of paragraphs in past tense", "structure. The inclusion of \"the following day\", as far as I can tell,", "even an accurate one. In a lot of ways this is an extension", "but they are also quite simple. Compare `while walking his dog, Zotn stops", "since realized that I actually had a good reason to write those scenes", "have some issues, but I think this illustrates my point. PPPP.S. As Cdoadchaser", "dog, Zotn stopped to smell the roses` is fine, however if we want", "I'm writing in past tense if get excited. In such cases I slip", "catching up to the present, however when I'm going back and forth within", "or so I believe (I may be wrong). P.P.S. This is not a", "this very question (as Cdoad pointed out). The issue is structural. The narrative,", "P.P.P.S. Okay, so lets see if I can make a simple example. If", "I avoid this slippage? Other than practice, which is in the works. P.S.", "tense, but these are easy to fix since, as Bakub is quick to", "his dog` are both perfectly reasonable sentences, but they are also quite simple.", "conjugated differently, but also the conjunctions \"while\" and \"as\". Now, the past tense", "fine, however if we want to convert that directly to present tense we're", "that, is that consistent is required. For most of the scenes, either both", "is not a question of grammar. I can go back and fix incorrectly", "is in the works. P.S. A \"problem,\" if you want to call it" ]
[ "identify as LGBT. My problem is I'm worried that I might come across", "I might come across as \"trying to be politically correct\". How do I", "How do I write about characters who are LGBT so as to avoid", "characters now (two possibly three) who identify as LGBT. My problem is I'm", "do I write about characters who are LGBT so as to avoid the", "are LGBT so as to avoid the \"trying to be politically correct\" issue?", "My problem is I'm worried that I might come across as \"trying to", "LGBT. My problem is I'm worried that I might come across as \"trying", "(two possibly three) who identify as LGBT. My problem is I'm worried that", "So I have a few characters now (two possibly three) who identify as", "three) who identify as LGBT. My problem is I'm worried that I might", "a few characters now (two possibly three) who identify as LGBT. My problem", "worried that I might come across as \"trying to be politically correct\". How", "I write about characters who are LGBT so as to avoid the \"trying", "problem is I'm worried that I might come across as \"trying to be", "correct\". How do I write about characters who are LGBT so as to", "is I'm worried that I might come across as \"trying to be politically", "\"trying to be politically correct\". How do I write about characters who are", "have a few characters now (two possibly three) who identify as LGBT. My", "possibly three) who identify as LGBT. My problem is I'm worried that I", "characters who are LGBT so as to avoid the \"trying to be politically", "to be politically correct\". How do I write about characters who are LGBT", "write about characters who are LGBT so as to avoid the \"trying to", "who are LGBT so as to avoid the \"trying to be politically correct\"", "I have a few characters now (two possibly three) who identify as LGBT.", "come across as \"trying to be politically correct\". How do I write about", "now (two possibly three) who identify as LGBT. My problem is I'm worried", "as LGBT. My problem is I'm worried that I might come across as", "politically correct\". How do I write about characters who are LGBT so as", "might come across as \"trying to be politically correct\". How do I write", "about characters who are LGBT so as to avoid the \"trying to be", "I'm worried that I might come across as \"trying to be politically correct\".", "that I might come across as \"trying to be politically correct\". How do", "who identify as LGBT. My problem is I'm worried that I might come", "across as \"trying to be politically correct\". How do I write about characters", "few characters now (two possibly three) who identify as LGBT. My problem is", "be politically correct\". How do I write about characters who are LGBT so", "as \"trying to be politically correct\". How do I write about characters who" ]
[ "dollar for my work, or just outright phishing for bank data. Whats worse,", "to be anything but \"Facebook for con artists.\" Up-work, freelancer.com, Gevu etc etc", "from forcing me to pay them the 10% commission I \"owed\" them even", "never got paid. This didn't stop Freelancer.com from forcing me to pay them", "for my work, or just outright phishing for bank data. Whats worse, on", "my work, or just outright phishing for bank data. Whats worse, on freelancer", "of guys from India either promising me pennies on the dollar for my", "phishing for bank data. Whats worse, on freelancer I was finally contracted for", "a $500 short story project. When it was completed the person simply accepted", "from India either promising me pennies on the dollar for my work, or", "nowadays? I cannot find anywhere at all that isn't complete trash or a", "publications and journals, and I want to try my hand at freelancing. The", "for con artists.\" Up-work, freelancer.com, Gevu etc etc all only net me a", "accepted the submission and deleted their account. I never got paid. This didn't", "commission I \"owed\" them even though I wasn't actually paid anything by the", "person actually get started as a freelance writer nowadays? I cannot find anywhere", "Whats worse, on freelancer I was finally contracted for a $500 short story", "a fairly prolific writer and have been published by several free publications and", "writer nowadays? I cannot find anywhere at all that isn't complete trash or", "problem is that none of the freelance platforms I have tried seem to", "journals, and I want to try my hand at freelancing. The only problem", "at freelancing. The only problem is that none of the freelance platforms I", "wasn't actually paid anything by the client. So, where does a person actually", "none of the freelance platforms I have tried seem to be anything but", "just outright phishing for bank data. Whats worse, on freelancer I was finally", "So, where does a person actually get started as a freelance writer nowadays?", "by the client. So, where does a person actually get started as a", "published by several free publications and journals, and I want to try my", "was finally contracted for a $500 short story project. When it was completed", "10% commission I \"owed\" them even though I wasn't actually paid anything by", "anything but \"Facebook for con artists.\" Up-work, freelancer.com, Gevu etc etc all only", "ton of guys from India either promising me pennies on the dollar for", "data. Whats worse, on freelancer I was finally contracted for a $500 short", "pennies on the dollar for my work, or just outright phishing for bank", "prolific writer and have been published by several free publications and journals, and", "promising me pennies on the dollar for my work, or just outright phishing", "freelance platforms I have tried seem to be anything but \"Facebook for con", "This didn't stop Freelancer.com from forcing me to pay them the 10% commission", "writer and have been published by several free publications and journals, and I", "on freelancer I was finally contracted for a $500 short story project. When", "by several free publications and journals, and I want to try my hand", "even though I wasn't actually paid anything by the client. So, where does", "Gevu etc etc all only net me a ton of guys from India", "and deleted their account. I never got paid. This didn't stop Freelancer.com from", "deleted their account. I never got paid. This didn't stop Freelancer.com from forcing", "freelancing. The only problem is that none of the freelance platforms I have", "$500 short story project. When it was completed the person simply accepted the", "paid. This didn't stop Freelancer.com from forcing me to pay them the 10%", "simply accepted the submission and deleted their account. I never got paid. This", "etc all only net me a ton of guys from India either promising", "the person simply accepted the submission and deleted their account. I never got", "didn't stop Freelancer.com from forcing me to pay them the 10% commission I", "try my hand at freelancing. The only problem is that none of the", "guys from India either promising me pennies on the dollar for my work,", "I \"owed\" them even though I wasn't actually paid anything by the client.", "short story project. When it was completed the person simply accepted the submission", "When it was completed the person simply accepted the submission and deleted their", "as a freelance writer nowadays? I cannot find anywhere at all that isn't", "either promising me pennies on the dollar for my work, or just outright", "\"Facebook for con artists.\" Up-work, freelancer.com, Gevu etc etc all only net me", "is that none of the freelance platforms I have tried seem to be", "the submission and deleted their account. I never got paid. This didn't stop", "freelancer.com, Gevu etc etc all only net me a ton of guys from", "fairly prolific writer and have been published by several free publications and journals,", "freelance writer nowadays? I cannot find anywhere at all that isn't complete trash", "work, or just outright phishing for bank data. Whats worse, on freelancer I", "worse, on freelancer I was finally contracted for a $500 short story project.", "that none of the freelance platforms I have tried seem to be anything", "but \"Facebook for con artists.\" Up-work, freelancer.com, Gevu etc etc all only net", "person simply accepted the submission and deleted their account. I never got paid.", "I wasn't actually paid anything by the client. So, where does a person", "paid anything by the client. So, where does a person actually get started", "for bank data. Whats worse, on freelancer I was finally contracted for a", "stop Freelancer.com from forcing me to pay them the 10% commission I \"owed\"", "story project. When it was completed the person simply accepted the submission and", "account. I never got paid. This didn't stop Freelancer.com from forcing me to", "pay them the 10% commission I \"owed\" them even though I wasn't actually", "all only net me a ton of guys from India either promising me", "be anything but \"Facebook for con artists.\" Up-work, freelancer.com, Gevu etc etc all", "it was completed the person simply accepted the submission and deleted their account.", "them the 10% commission I \"owed\" them even though I wasn't actually paid", "a ton of guys from India either promising me pennies on the dollar", "the client. So, where does a person actually get started as a freelance", "though I wasn't actually paid anything by the client. So, where does a", "the freelance platforms I have tried seem to be anything but \"Facebook for", "seem to be anything but \"Facebook for con artists.\" Up-work, freelancer.com, Gevu etc", "to try my hand at freelancing. The only problem is that none of", "con artists.\" Up-work, freelancer.com, Gevu etc etc all only net me a ton", "I was finally contracted for a $500 short story project. When it was", "net me a ton of guys from India either promising me pennies on", "bank data. Whats worse, on freelancer I was finally contracted for a $500", "actually get started as a freelance writer nowadays? I cannot find anywhere at", "got paid. This didn't stop Freelancer.com from forcing me to pay them the", "a freelance writer nowadays? I cannot find anywhere at all that isn't complete", "platforms I have tried seem to be anything but \"Facebook for con artists.\"", "India either promising me pennies on the dollar for my work, or just", "only net me a ton of guys from India either promising me pennies", "outright phishing for bank data. Whats worse, on freelancer I was finally contracted", "forcing me to pay them the 10% commission I \"owed\" them even though", "I never got paid. This didn't stop Freelancer.com from forcing me to pay", "only problem is that none of the freelance platforms I have tried seem", "I want to try my hand at freelancing. The only problem is that", "me pennies on the dollar for my work, or just outright phishing for", "finally contracted for a $500 short story project. When it was completed the", "and I want to try my hand at freelancing. The only problem is", "or just outright phishing for bank data. Whats worse, on freelancer I was", "artists.\" Up-work, freelancer.com, Gevu etc etc all only net me a ton of", "them even though I wasn't actually paid anything by the client. So, where", "where does a person actually get started as a freelance writer nowadays? I", "and have been published by several free publications and journals, and I want", "tried seem to be anything but \"Facebook for con artists.\" Up-work, freelancer.com, Gevu", "me a ton of guys from India either promising me pennies on the", "completed the person simply accepted the submission and deleted their account. I never", "my hand at freelancing. The only problem is that none of the freelance", "I cannot find anywhere at all that isn't complete trash or a scam.", "get started as a freelance writer nowadays? I cannot find anywhere at all", "was completed the person simply accepted the submission and deleted their account. I", "I have tried seem to be anything but \"Facebook for con artists.\" Up-work,", "for a $500 short story project. When it was completed the person simply", "freelancer I was finally contracted for a $500 short story project. When it", "have tried seem to be anything but \"Facebook for con artists.\" Up-work, freelancer.com,", "does a person actually get started as a freelance writer nowadays? I cannot", "and journals, and I want to try my hand at freelancing. The only", "been published by several free publications and journals, and I want to try", "several free publications and journals, and I want to try my hand at", "submission and deleted their account. I never got paid. This didn't stop Freelancer.com", "a person actually get started as a freelance writer nowadays? I cannot find", "the 10% commission I \"owed\" them even though I wasn't actually paid anything", "of the freelance platforms I have tried seem to be anything but \"Facebook", "me to pay them the 10% commission I \"owed\" them even though I", "\"owed\" them even though I wasn't actually paid anything by the client. So,", "have been published by several free publications and journals, and I want to", "actually paid anything by the client. So, where does a person actually get", "to pay them the 10% commission I \"owed\" them even though I wasn't", "etc etc all only net me a ton of guys from India either", "The only problem is that none of the freelance platforms I have tried", "client. So, where does a person actually get started as a freelance writer", "contracted for a $500 short story project. When it was completed the person", "the dollar for my work, or just outright phishing for bank data. Whats", "free publications and journals, and I want to try my hand at freelancing.", "want to try my hand at freelancing. The only problem is that none", "anything by the client. So, where does a person actually get started as", "Freelancer.com from forcing me to pay them the 10% commission I \"owed\" them", "Up-work, freelancer.com, Gevu etc etc all only net me a ton of guys", "project. When it was completed the person simply accepted the submission and deleted", "I'm a fairly prolific writer and have been published by several free publications", "hand at freelancing. The only problem is that none of the freelance platforms", "on the dollar for my work, or just outright phishing for bank data.", "their account. I never got paid. This didn't stop Freelancer.com from forcing me", "started as a freelance writer nowadays? I cannot find anywhere at all that" ]
[ "I respond politely to my supervisor without ruffling any feathers? If I were", "as writers rebut our editor's/supervisor's/thesis advisor's criticisms when we think they are clearly", "the methods and results of a pilot study we recently conducted. After drafting", "in a broader sense, how can we as writers rebut our editor's/supervisor's/thesis advisor's", "example was one of the most egregious, and in hindsight it doesn't seem", "doesn't seem like my text is near-perfect or that his edits are really", "them sully our writing, especially if our own names will be on the", "could be added to my sentence if it was important (IMO it's already", "> water cover, or when cover percentages did not equal 100%, points were", "Try To reduce sampling bias, input data points were removed when > variance", "sometimes (always?), simple language is best. I also believe the impenetrable \"academic\" writing", "was one of the most egregious, and in hindsight it doesn't seem like", "names will be on the published document. How have other authors in the", "think they care but they never do anything to actually improve. So, I'm", "shortcoming - it only hinders communication among scientists and isolates us from the", "they care but they never do anything to actually improve. So, I'm asking", "sentence structures, and lack of additional meaning in the revisions were a clear", "writing, I feel like I'd be calling his own writing skills and workplace", "days later I'm not really as worked up about it anymore. This particular", "on the published document. How have other authors in the community approached this", "too often, because a lot of people in science just don't seem to", "were > discarded. > > > 23 words, one sentence. His feedback: >", "If I were to defend my writing, I feel like I'd be calling", "revisions were a clear sign (to me, at least) that he was taking", "here's an example. My writing: > > When the difference between unique observations", "if it was important (IMO it's already obvious, given the context). Anyways, two", "my sentence if it was important (IMO it's already obvious, given the context).", "question, and one I have been dealing with for a long time. This", "two sentences. The only additional meaning added here is \"to reduce sampling bias,", "were also removed if the percent cover class did not equal > 100%.", "how can I respond politely to my supervisor without ruffling any feathers? If", "he was taking things in the wrong direction. I know there's room for", "in the wrong direction. I know there's room for subjectivity, but I honestly", "is best. I also believe the impenetrable \"academic\" writing style of many scientists", "be calling his own writing skills and workplace authority into question. At the", "believe that sometimes (always?), simple language is best. I also believe the impenetrable", "team and I are drafting a technical report to summarize the methods and", "observations. Input > data points were also removed if the percent cover class", "really as worked up about it anymore. This particular example was one of", "At the same time, I take pride in my writing and I want", "our own names will be on the published document. How have other authors", "which could be added to my sentence if it was important (IMO it's", "care but they never do anything to actually improve. So, I'm asking for", "drafting a technical report to summarize the methods and results of a pilot", "sense, how can we as writers rebut our editor's/supervisor's/thesis advisor's criticisms when we", "add extra words (or extra-technical words) just to \"sound smart.\" I believe that", "discarded. > > > 23 words, one sentence. His feedback: > > Too", "I'm asking for help in this specific instance, but also for guidance on", "language is best. I also believe the impenetrable \"academic\" writing style of many", "clarity and brevity. I avoid using slang or colloquialisms, but I never add", "I were to defend my writing, I feel like I'd be calling his", "are drafting a technical report to summarize the methods and results of a", "us from the public, who can't make sense of what we're trying to", "data points were also removed if the percent cover class did not equal", "that increased the word count and complexity of the sentences without adding any", "> > 23 words, one sentence. His feedback: > > Too conversational: >", "be added to my sentence if it was important (IMO it's already obvious,", "direction. I know there's room for subjectivity, but I honestly think the sentences", "think we should just \"go along with it\" and let them sully our", "particular example was one of the most egregious, and in hindsight it doesn't", "my writing and I want my published documents to reflect that. And in", "not equal 100%, points were > discarded. > > > 23 words, one", "and complexity of the sentences without adding any additional meaning. I disagree with", "- and I don't want to trash them. So, how can I respond", "them off to our supervisor for revisions and suggestions. One comment he repeated", "and workplace authority into question. At the same time, I take pride in", "it only hinders communication among scientists and isolates us from the public, who", "or when cover percentages did not equal 100%, points were > discarded. >", "extra-technical words) just to \"sound smart.\" I believe that sometimes (always?), simple language", "we're trying to say. The higher word counts, more complex sentence structures, and", "for clarity and brevity. I avoid using slang or colloquialisms, but I never", "writing skills and workplace authority into question. At the same time, I take", "sentence if it was important (IMO it's already obvious, given the context). Anyways,", "additional meaning in the revisions were a clear sign (to me, at least)", "improve. So, I'm asking for help in this specific instance, but also for", "brevity. I avoid using slang or colloquialisms, but I never add extra words", "specific instance, but also for guidance on how to handle these situations more", "impenetrable \"academic\" writing style of many scientists is a major shortcoming - it", "one of the most egregious, and in hindsight it doesn't seem like my", "public, who can't make sense of what we're trying to say. The higher", "to defend my writing, I feel like I'd be calling his own writing", "I disagree with those comments and I don't like the suggested edits, and", "the percent cover class did not equal > 100%. > > > 33", "equal > 100%. > > > 33 words, two sentences. The only additional", "> > 33 words, two sentences. The only additional meaning added here is", "think he meant that I didn't sound professional or academic enough. He also", "wrong direction. I know there's room for subjectivity, but I honestly think the", "times was that parts of my text sounded \"too conversational.\" I think he", "don't like the suggested edits, and here's why: I always strive for clarity", "suggestions. One comment he repeated several times was that parts of my text", "dealing with for a long time. This stuff comes up too often, because", "revisions and suggestions. One comment he repeated several times was that parts of", "greater than 10% between independent observations. Input > data points were also removed", "time, I take pride in my writing and I want my published documents", "that he was taking things in the wrong direction. I know there's room", "with those comments and I don't like the suggested edits, and here's why:", "were to defend my writing, I feel like I'd be calling his own", "and brevity. I avoid using slang or colloquialisms, but I never add extra", "meaning added here is \"to reduce sampling bias, which could be added to", "additional meaning. I disagree with those comments and I don't like the suggested", "the sentences without adding any additional meaning. I disagree with those comments and", "using slang or colloquialisms, but I never add extra words (or extra-technical words)", "who can't make sense of what we're trying to say. The higher word", "and results of a pilot study we recently conducted. After drafting a handful", "published document. How have other authors in the community approached this problem? Edit:", "variance was greater than 10% between independent observations. Input > data points were", "I always strive for clarity and brevity. I avoid using slang or colloquialisms,", "How have other authors in the community approached this problem? Edit: here's an", "After drafting a handful of sections, I passed them off to our supervisor", "words, two sentences. The only additional meaning added here is \"to reduce sampling", "added here is \"to reduce sampling bias, which could be added to my", "or academic enough. He also suggested revisions that increased the word count and", "to care about writing, or they think they care but they never do", "for revisions and suggestions. One comment he repeated several times was that parts", "points were > discarded. > > > 23 words, one sentence. His feedback:", "> 100%. > > > 33 words, two sentences. The only additional meaning", "independent observations. Input > data points were also removed if the percent cover", "conducted. After drafting a handful of sections, I passed them off to our", "how can we as writers rebut our editor's/supervisor's/thesis advisor's criticisms when we think", "complex sentence structures, and lack of additional meaning in the revisions were a", "I feel like I'd be calling his own writing skills and workplace authority", "This particular example was one of the most egregious, and in hindsight it", "our editor's/supervisor's/thesis advisor's criticisms when we think they are clearly misguided? I don't", "I passed them off to our supervisor for revisions and suggestions. One comment", "a broader sense, how can we as writers rebut our editor's/supervisor's/thesis advisor's criticisms", "text is near-perfect or that his edits are really that much worse. However,", "as worked up about it anymore. This particular example was one of the", "we recently conducted. After drafting a handful of sections, I passed them off", "will be on the published document. How have other authors in the community", "my text sounded \"too conversational.\" I think he meant that I didn't sound", "words, one sentence. His feedback: > > Too conversational: > > > Try", "document. How have other authors in the community approached this problem? Edit: here's", "any feathers? If I were to defend my writing, I feel like I'd", "So, I'm asking for help in this specific instance, but also for guidance", "can't make sense of what we're trying to say. The higher word counts,", "and I don't like the suggested edits, and here's why: I always strive", "methods and results of a pilot study we recently conducted. After drafting a", "professional or academic enough. He also suggested revisions that increased the word count", "to actually improve. So, I'm asking for help in this specific instance, but", "did not equal 100%, points were > discarded. > > > 23 words,", "was taking things in the wrong direction. I know there's room for subjectivity,", "input data points were removed when > variance was greater than 10% between", "increased the word count and complexity of the sentences without adding any additional", "don't want to trash them. So, how can I respond politely to my", "have been dealing with for a long time. This stuff comes up too", "drafting a handful of sections, I passed them off to our supervisor for", "of many scientists is a major shortcoming - it only hinders communication among", "for a long time. This stuff comes up too often, because a lot", "about writing, or they think they care but they never do anything to", "colloquialisms, but I never add extra words (or extra-technical words) just to \"sound", "I honestly think the sentences I crafted are just better - and I", "100%, points were > discarded. > > > 23 words, one sentence. His", "slang or colloquialisms, but I never add extra words (or extra-technical words) just", "into question. At the same time, I take pride in my writing and", "sentences without adding any additional meaning. I disagree with those comments and I", "results of a pilot study we recently conducted. After drafting a handful of", "to summarize the methods and results of a pilot study we recently conducted.", "most egregious, and in hindsight it doesn't seem like my text is near-perfect", "just better - and I don't want to trash them. So, how can", "data points were removed when > variance was greater than 10% between independent", "the same time, I take pride in my writing and I want my", "worked up about it anymore. This particular example was one of the most", "of the sentences without adding any additional meaning. I disagree with those comments", "when we think they are clearly misguided? I don't think we should just", "His feedback: > > Too conversational: > > > Try To reduce sampling", "points were also removed if the percent cover class did not equal >", "honestly think the sentences I crafted are just better - and I don't", "Anyways, two days later I'm not really as worked up about it anymore.", "> > Too conversational: > > > Try To reduce sampling bias, input", "off to our supervisor for revisions and suggestions. One comment he repeated several", "style of many scientists is a major shortcoming - it only hinders communication", "(IMO it's already obvious, given the context). Anyways, two days later I'm not", "sentences I crafted are just better - and I don't want to trash", "writing, especially if our own names will be on the published document. How", "water cover, or when cover percentages did not equal 100%, points were >", "My writing: > > When the difference between unique observations was greater than", "much worse. However, I still think this is an important question, and one", "percent cover class did not equal > 100%. > > > 33 words,", "My team and I are drafting a technical report to summarize the methods", "to trash them. So, how can I respond politely to my supervisor without", "them. So, how can I respond politely to my supervisor without ruffling any", "that sometimes (always?), simple language is best. I also believe the impenetrable \"academic\"", "when cover percentages did not equal 100%, points were > discarded. > >", "I don't want to trash them. So, how can I respond politely to", "just don't seem to care about writing, or they think they care but", "in science just don't seem to care about writing, or they think they", "100%. > > > 33 words, two sentences. The only additional meaning added", "enough. He also suggested revisions that increased the word count and complexity of", "this specific instance, but also for guidance on how to handle these situations", "conversational.\" I think he meant that I didn't sound professional or academic enough.", "it doesn't seem like my text is near-perfect or that his edits are", "Input > data points were also removed if the percent cover class did", "One comment he repeated several times was that parts of my text sounded", "but I never add extra words (or extra-technical words) just to \"sound smart.\"", "parts of my text sounded \"too conversational.\" I think he meant that I", "equal 100%, points were > discarded. > > > 23 words, one sentence.", "an important question, and one I have been dealing with for a long", "suggested revisions that increased the word count and complexity of the sentences without", "make sense of what we're trying to say. The higher word counts, more", "sections, I passed them off to our supervisor for revisions and suggestions. One", "context). Anyways, two days later I'm not really as worked up about it", "suggested edits, and here's why: I always strive for clarity and brevity. I", "that parts of my text sounded \"too conversational.\" I think he meant that", "calling his own writing skills and workplace authority into question. At the same", "meaning in the revisions were a clear sign (to me, at least) that", "about it anymore. This particular example was one of the most egregious, and", "for subjectivity, but I honestly think the sentences I crafted are just better", "technical report to summarize the methods and results of a pilot study we", "the most egregious, and in hindsight it doesn't seem like my text is", "rebut our editor's/supervisor's/thesis advisor's criticisms when we think they are clearly misguided? I", "summarize the methods and results of a pilot study we recently conducted. After", "scientists is a major shortcoming - it only hinders communication among scientists and", "the community approached this problem? Edit: here's an example. My writing: > >", "sentence. His feedback: > > Too conversational: > > > Try To reduce", "percentages did not equal 100%, points were > discarded. > > > 23", "to our supervisor for revisions and suggestions. One comment he repeated several times", "edits, and here's why: I always strive for clarity and brevity. I avoid", "sign (to me, at least) that he was taking things in the wrong", "bias, which could be added to my sentence if it was important (IMO", "report to summarize the methods and results of a pilot study we recently", "avoid using slang or colloquialisms, but I never add extra words (or extra-technical", "can I respond politely to my supervisor without ruffling any feathers? If I", "and lack of additional meaning in the revisions were a clear sign (to", "the word count and complexity of the sentences without adding any additional meaning.", "33 words, two sentences. The only additional meaning added here is \"to reduce", "two days later I'm not really as worked up about it anymore. This", "the revisions were a clear sign (to me, at least) that he was", "> Try To reduce sampling bias, input data points were removed when >", "points were removed when > variance was greater than 10% between independent observations.", "are just better - and I don't want to trash them. So, how", "it was important (IMO it's already obvious, given the context). Anyways, two days", "and suggestions. One comment he repeated several times was that parts of my", "extra words (or extra-technical words) just to \"sound smart.\" I believe that sometimes", "don't think we should just \"go along with it\" and let them sully", "my writing, I feel like I'd be calling his own writing skills and", "repeated several times was that parts of my text sounded \"too conversational.\" I", "cover, or when cover percentages did not equal 100%, points were > discarded.", "also removed if the percent cover class did not equal > 100%. >", "in hindsight it doesn't seem like my text is near-perfect or that his", "subjectivity, but I honestly think the sentences I crafted are just better -", "never do anything to actually improve. So, I'm asking for help in this", "criticisms when we think they are clearly misguided? I don't think we should", "a handful of sections, I passed them off to our supervisor for revisions", "own names will be on the published document. How have other authors in", "between unique observations was greater than 10% > water cover, or when cover", "difference between unique observations was greater than 10% > water cover, or when", "actually improve. So, I'm asking for help in this specific instance, but also", "in this specific instance, but also for guidance on how to handle these", "And in a broader sense, how can we as writers rebut our editor's/supervisor's/thesis", "also believe the impenetrable \"academic\" writing style of many scientists is a major", "it anymore. This particular example was one of the most egregious, and in", "along with it\" and let them sully our writing, especially if our own", "want my published documents to reflect that. And in a broader sense, how", "we think they are clearly misguided? I don't think we should just \"go", "a long time. This stuff comes up too often, because a lot of", "later I'm not really as worked up about it anymore. This particular example", "time. This stuff comes up too often, because a lot of people in", "handful of sections, I passed them off to our supervisor for revisions and", "\"go along with it\" and let them sully our writing, especially if our", "my text is near-perfect or that his edits are really that much worse.", "given the context). Anyways, two days later I'm not really as worked up", "unique observations was greater than 10% > water cover, or when cover percentages", "did not equal > 100%. > > > 33 words, two sentences. The", "communication among scientists and isolates us from the public, who can't make sense", "comment he repeated several times was that parts of my text sounded \"too", "better - and I don't want to trash them. So, how can I", "class did not equal > 100%. > > > 33 words, two sentences.", "take pride in my writing and I want my published documents to reflect", "any additional meaning. I disagree with those comments and I don't like the", "or colloquialisms, but I never add extra words (or extra-technical words) just to", "that I didn't sound professional or academic enough. He also suggested revisions that", "> variance was greater than 10% between independent observations. Input > data points", "this problem? Edit: here's an example. My writing: > > When the difference", "to my sentence if it was important (IMO it's already obvious, given the", "was that parts of my text sounded \"too conversational.\" I think he meant", "The higher word counts, more complex sentence structures, and lack of additional meaning", "I crafted are just better - and I don't want to trash them.", "than 10% > water cover, or when cover percentages did not equal 100%,", "what we're trying to say. The higher word counts, more complex sentence structures,", "added to my sentence if it was important (IMO it's already obvious, given", "feathers? If I were to defend my writing, I feel like I'd be", "the sentences I crafted are just better - and I don't want to", "the suggested edits, and here's why: I always strive for clarity and brevity.", "lack of additional meaning in the revisions were a clear sign (to me,", "with it\" and let them sully our writing, especially if our own names", "I avoid using slang or colloquialisms, but I never add extra words (or", "to my supervisor without ruffling any feathers? If I were to defend my", "word count and complexity of the sentences without adding any additional meaning. I", "often, because a lot of people in science just don't seem to care", "it\" and let them sully our writing, especially if our own names will", "here's why: I always strive for clarity and brevity. I avoid using slang", "at least) that he was taking things in the wrong direction. I know", "to say. The higher word counts, more complex sentence structures, and lack of", "with for a long time. This stuff comes up too often, because a", "greater than 10% > water cover, or when cover percentages did not equal", "disagree with those comments and I don't like the suggested edits, and here's", "but they never do anything to actually improve. So, I'm asking for help", "than 10% between independent observations. Input > data points were also removed if", "without ruffling any feathers? If I were to defend my writing, I feel", "I never add extra words (or extra-technical words) just to \"sound smart.\" I", "comments and I don't like the suggested edits, and here's why: I always", "I still think this is an important question, and one I have been", "of sections, I passed them off to our supervisor for revisions and suggestions.", "several times was that parts of my text sounded \"too conversational.\" I think", "revisions that increased the word count and complexity of the sentences without adding", "recently conducted. After drafting a handful of sections, I passed them off to", "(to me, at least) that he was taking things in the wrong direction.", "do anything to actually improve. So, I'm asking for help in this specific", "major shortcoming - it only hinders communication among scientists and isolates us from", "words) just to \"sound smart.\" I believe that sometimes (always?), simple language is", "my supervisor without ruffling any feathers? If I were to defend my writing,", "This stuff comes up too often, because a lot of people in science", "and one I have been dealing with for a long time. This stuff", "meaning. I disagree with those comments and I don't like the suggested edits,", "help in this specific instance, but also for guidance on how to handle", "> Too conversational: > > > Try To reduce sampling bias, input data", "an example. My writing: > > When the difference between unique observations was", "observations was greater than 10% > water cover, or when cover percentages did", "like the suggested edits, and here's why: I always strive for clarity and", "they think they care but they never do anything to actually improve. So,", "think they are clearly misguided? I don't think we should just \"go along", "He also suggested revisions that increased the word count and complexity of the", "his own writing skills and workplace authority into question. At the same time,", "same time, I take pride in my writing and I want my published", "scientists and isolates us from the public, who can't make sense of what", "like my text is near-perfect or that his edits are really that much", "documents to reflect that. And in a broader sense, how can we as", "or that his edits are really that much worse. However, I still think", "science just don't seem to care about writing, or they think they care", "complexity of the sentences without adding any additional meaning. I disagree with those", "other authors in the community approached this problem? Edit: here's an example. My", "if the percent cover class did not equal > 100%. > > >", "sully our writing, especially if our own names will be on the published", "writing, or they think they care but they never do anything to actually", "asking for help in this specific instance, but also for guidance on how", "I are drafting a technical report to summarize the methods and results of", "of additional meaning in the revisions were a clear sign (to me, at", "counts, more complex sentence structures, and lack of additional meaning in the revisions", "clear sign (to me, at least) that he was taking things in the", "respond politely to my supervisor without ruffling any feathers? If I were to", "and I are drafting a technical report to summarize the methods and results", "egregious, and in hindsight it doesn't seem like my text is near-perfect or", "removed if the percent cover class did not equal > 100%. > >", "believe the impenetrable \"academic\" writing style of many scientists is a major shortcoming", "for help in this specific instance, but also for guidance on how to", "we as writers rebut our editor's/supervisor's/thesis advisor's criticisms when we think they are", "care about writing, or they think they care but they never do anything", "words (or extra-technical words) just to \"sound smart.\" I believe that sometimes (always?),", "However, I still think this is an important question, and one I have", "edits are really that much worse. However, I still think this is an", "defend my writing, I feel like I'd be calling his own writing skills", "sampling bias, input data points were removed when > variance was greater than", "was important (IMO it's already obvious, given the context). Anyways, two days later", "> > > 33 words, two sentences. The only additional meaning added here", "supervisor for revisions and suggestions. One comment he repeated several times was that", "to \"sound smart.\" I believe that sometimes (always?), simple language is best. I", "up about it anymore. This particular example was one of the most egregious,", "- it only hinders communication among scientists and isolates us from the public,", "question. At the same time, I take pride in my writing and I", "lot of people in science just don't seem to care about writing, or", "the difference between unique observations was greater than 10% > water cover, or", "trying to say. The higher word counts, more complex sentence structures, and lack", "one I have been dealing with for a long time. This stuff comes", "not really as worked up about it anymore. This particular example was one", "in my writing and I want my published documents to reflect that. And", "I'm not really as worked up about it anymore. This particular example was", "worse. However, I still think this is an important question, and one I", "problem? Edit: here's an example. My writing: > > When the difference between", "if our own names will be on the published document. How have other", "without adding any additional meaning. I disagree with those comments and I don't", "were removed when > variance was greater than 10% between independent observations. Input", "reduce sampling bias, input data points were removed when > variance was greater", "that. And in a broader sense, how can we as writers rebut our", "seem to care about writing, or they think they care but they never", "misguided? I don't think we should just \"go along with it\" and let", "adding any additional meaning. I disagree with those comments and I don't like", "editor's/supervisor's/thesis advisor's criticisms when we think they are clearly misguided? I don't think", "and let them sully our writing, especially if our own names will be", "one sentence. His feedback: > > Too conversational: > > > Try To", "up too often, because a lot of people in science just don't seem", "I want my published documents to reflect that. And in a broader sense,", "I'd be calling his own writing skills and workplace authority into question. At", "cover class did not equal > 100%. > > > 33 words, two", "hinders communication among scientists and isolates us from the public, who can't make", "why: I always strive for clarity and brevity. I avoid using slang or", "is a major shortcoming - it only hinders communication among scientists and isolates", "> 33 words, two sentences. The only additional meaning added here is \"to", "supervisor without ruffling any feathers? If I were to defend my writing, I", "important question, and one I have been dealing with for a long time.", "published documents to reflect that. And in a broader sense, how can we", "should just \"go along with it\" and let them sully our writing, especially", "room for subjectivity, but I honestly think the sentences I crafted are just", "really that much worse. However, I still think this is an important question,", "strive for clarity and brevity. I avoid using slang or colloquialisms, but I", "always strive for clarity and brevity. I avoid using slang or colloquialisms, but", "example. My writing: > > When the difference between unique observations was greater", "ruffling any feathers? If I were to defend my writing, I feel like", "anything to actually improve. So, I'm asking for help in this specific instance,", "say. The higher word counts, more complex sentence structures, and lack of additional", "to reflect that. And in a broader sense, how can we as writers", "writers rebut our editor's/supervisor's/thesis advisor's criticisms when we think they are clearly misguided?", "> data points were also removed if the percent cover class did not", "seem like my text is near-perfect or that his edits are really that", "that his edits are really that much worse. However, I still think this", "(or extra-technical words) just to \"sound smart.\" I believe that sometimes (always?), simple", "the public, who can't make sense of what we're trying to say. The", "don't seem to care about writing, or they think they care but they", "clearly misguided? I don't think we should just \"go along with it\" and", "isolates us from the public, who can't make sense of what we're trying", "didn't sound professional or academic enough. He also suggested revisions that increased the", "is near-perfect or that his edits are really that much worse. However, I", "only hinders communication among scientists and isolates us from the public, who can't", "10% > water cover, or when cover percentages did not equal 100%, points", "meant that I didn't sound professional or academic enough. He also suggested revisions", "pride in my writing and I want my published documents to reflect that.", "they never do anything to actually improve. So, I'm asking for help in", "was greater than 10% > water cover, or when cover percentages did not", "I believe that sometimes (always?), simple language is best. I also believe the", "I didn't sound professional or academic enough. He also suggested revisions that increased", "can we as writers rebut our editor's/supervisor's/thesis advisor's criticisms when we think they", "like I'd be calling his own writing skills and workplace authority into question.", "I also believe the impenetrable \"academic\" writing style of many scientists is a", "many scientists is a major shortcoming - it only hinders communication among scientists", "the context). Anyways, two days later I'm not really as worked up about", "be on the published document. How have other authors in the community approached", "10% between independent observations. Input > data points were also removed if the", "\"too conversational.\" I think he meant that I didn't sound professional or academic", "authors in the community approached this problem? Edit: here's an example. 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Edit: here's an example. My writing: > > When the", "politely to my supervisor without ruffling any feathers? If I were to defend", "not equal > 100%. > > > 33 words, two sentences. The only", "smart.\" I believe that sometimes (always?), simple language is best. I also believe", "a clear sign (to me, at least) that he was taking things in", "> When the difference between unique observations was greater than 10% > water", "from the public, who can't make sense of what we're trying to say.", "when > variance was greater than 10% between independent observations. Input > data", "sampling bias, which could be added to my sentence if it was important", "community approached this problem? Edit: here's an example. My writing: > > When", "I think he meant that I didn't sound professional or academic enough. He", "removed when > variance was greater than 10% between independent observations. Input >", "here is \"to reduce sampling bias, which could be added to my sentence", "Edit: here's an example. My writing: > > When the difference between unique", "> discarded. > > > 23 words, one sentence. His feedback: > >", "own writing skills and workplace authority into question. At the same time, I", "also suggested revisions that increased the word count and complexity of the sentences", "taking things in the wrong direction. I know there's room for subjectivity, but", "I know there's room for subjectivity, but I honestly think the sentences I", "> > > 23 words, one sentence. His feedback: > > Too conversational:", "sound professional or academic enough. He also suggested revisions that increased the word", "obvious, given the context). Anyways, two days later I'm not really as worked", "trash them. So, how can I respond politely to my supervisor without ruffling", "this is an important question, and one I have been dealing with for", "writing style of many scientists is a major shortcoming - it only hinders", "broader sense, how can we as writers rebut our editor's/supervisor's/thesis advisor's criticisms when", "> > > Try To reduce sampling bias, input data points were removed", "text sounded \"too conversational.\" I think he meant that I didn't sound professional", "> 23 words, one sentence. His feedback: > > Too conversational: > >", "of a pilot study we recently conducted. After drafting a handful of sections,", "I have been dealing with for a long time. This stuff comes up", "but I honestly think the sentences I crafted are just better - and", "important (IMO it's already obvious, given the context). Anyways, two days later I'm", "crafted are just better - and I don't want to trash them. So,", "people in science just don't seem to care about writing, or they think", "sense of what we're trying to say. The higher word counts, more complex", "conversational: > > > Try To reduce sampling bias, input data points were", "more complex sentence structures, and lack of additional meaning in the revisions were", "among scientists and isolates us from the public, who can't make sense of", "his edits are really that much worse. However, I still think this is", "(always?), simple language is best. I also believe the impenetrable \"academic\" writing style", "things in the wrong direction. 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I also", "he meant that I didn't sound professional or academic enough. He also suggested", "pilot study we recently conducted. After drafting a handful of sections, I passed", "workplace authority into question. At the same time, I take pride in my", "is an important question, and one I have been dealing with for a", "let them sully our writing, especially if our own names will be on", "cover percentages did not equal 100%, points were > discarded. > > >", "between independent observations. Input > data points were also removed if the percent", "are clearly misguided? I don't think we should just \"go along with it\"", "best. I also believe the impenetrable \"academic\" writing style of many scientists is", "in the community approached this problem? Edit: here's an example. My writing: >", "reflect that. And in a broader sense, how can we as writers rebut", "simple language is best. I also believe the impenetrable \"academic\" writing style of", "the published document. How have other authors in the community approached this problem?", "feel like I'd be calling his own writing skills and workplace authority into", "structures, and lack of additional meaning in the revisions were a clear sign", "authority into question. At the same time, I take pride in my writing", "were a clear sign (to me, at least) that he was taking things", "or they think they care but they never do anything to actually improve.", "and I want my published documents to reflect that. And in a broader", "\"to reduce sampling bias, which could be added to my sentence if it", "count and complexity of the sentences without adding any additional meaning. I disagree", "have other authors in the community approached this problem? Edit: here's an example.", "When the difference between unique observations was greater than 10% > water cover,", "a major shortcoming - it only hinders communication among scientists and isolates us", "know there's room for subjectivity, but I honestly think the sentences I crafted", "23 words, one sentence. His feedback: > > Too conversational: > > >", "was greater than 10% between independent observations. Input > data points were also", "reduce sampling bias, which could be added to my sentence if it was", "hindsight it doesn't seem like my text is near-perfect or that his edits", "instance, but also for guidance on how to handle these situations more generally.", "The only additional meaning added here is \"to reduce sampling bias, which could", "study we recently conducted. After drafting a handful of sections, I passed them", "because a lot of people in science just don't seem to care about", "sounded \"too conversational.\" I think he meant that I didn't sound professional or", "still think this is an important question, and one I have been dealing", "of the most egregious, and in hindsight it doesn't seem like my text", "my published documents to reflect that. And in a broader sense, how can", "word counts, more complex sentence structures, and lack of additional meaning in the", "he repeated several times was that parts of my text sounded \"too conversational.\"", "are really that much worse. However, I still think this is an important", "advisor's criticisms when we think they are clearly misguided? I don't think we", "of my text sounded \"too conversational.\" I think he meant that I didn't", "the wrong direction. I know there's room for subjectivity, but I honestly think", "a technical report to summarize the methods and results of a pilot study", "I don't think we should just \"go along with it\" and let them", "sentences. The only additional meaning added here is \"to reduce sampling bias, which", "and isolates us from the public, who can't make sense of what we're", "Too conversational: > > > Try To reduce sampling bias, input data points", "me, at least) that he was taking things in the wrong direction. I", "the impenetrable \"academic\" writing style of many scientists is a major shortcoming -", "I take pride in my writing and I want my published documents to", "near-perfect or that his edits are really that much worse. However, I still", "and in hindsight it doesn't seem like my text is near-perfect or that", "just to \"sound smart.\" I believe that sometimes (always?), simple language is best.", "comes up too often, because a lot of people in science just don't", "already obvious, given the context). Anyways, two days later I'm not really as", "stuff comes up too often, because a lot of people in science just", "To reduce sampling bias, input data points were removed when > variance was", "\"academic\" writing style of many scientists is a major shortcoming - it only", "there's room for subjectivity, but I honestly think the sentences I crafted are", "only additional meaning added here is \"to reduce sampling bias, which could be", "want to trash them. So, how can I respond politely to my supervisor", "academic enough. He also suggested revisions that increased the word count and complexity", "is \"to reduce sampling bias, which could be added to my sentence if", "just \"go along with it\" and let them sully our writing, especially if", "that much worse. However, I still think this is an important question, and", "and I don't want to trash them. So, how can I respond politely", "> > Try To reduce sampling bias, input data points were removed when", "a pilot study we recently conducted. After drafting a handful of sections, I", "feedback: > > Too conversational: > > > Try To reduce sampling bias,", "of what we're trying to say. The higher word counts, more complex sentence", "writing and I want my published documents to reflect that. And in a", "long time. This stuff comes up too often, because a lot of people", "and here's why: I always strive for clarity and brevity. I avoid using", "those comments and I don't like the suggested edits, and here's why: I", "our supervisor for revisions and suggestions. One comment he repeated several times was" ]
[ "way to use names I really want to use and it be okay.", "if there is a way to use names I really want to use", "frustrating), or if there is a way to use names I really want", "taken at all (very frustrating), or if there is a way to use", "there is a way to use names I really want to use and", "that are not taken at all (very frustrating), or if there is a", "to know if I can only use names that are not taken at", "are not taken at all (very frustrating), or if there is a way", "know if I can only use names that are not taken at all", "can only use names that are not taken at all (very frustrating), or", "(very frustrating), or if there is a way to use names I really", "need to know if I can only use names that are not taken", "or if there is a way to use names I really want to", "I can only use names that are not taken at all (very frustrating),", "if I can only use names that are not taken at all (very", "not taken at all (very frustrating), or if there is a way to", "all (very frustrating), or if there is a way to use names I", "use names that are not taken at all (very frustrating), or if there", "at all (very frustrating), or if there is a way to use names", "only use names that are not taken at all (very frustrating), or if", "names that are not taken at all (very frustrating), or if there is", "a way to use names I really want to use and it be", "is a way to use names I really want to use and it", "I need to know if I can only use names that are not" ]
[ "Usually my ideas come very suddenly and I don't have paper or pencil", "by hand so I forget them; also, I do not know how to", "I do not know how to order these ideas in physics since they", "who give me advice for this one, I do not know if I", "my ideas come very suddenly and I don't have paper or pencil by", "also many people who give me advice for this one, I do not", "so I forget them; also, I do not know how to order these", "in physics since they are for a novel in process, there are also", "paper or pencil by hand so I forget them; also, I do not", "suddenly and I don't have paper or pencil by hand so I forget", "forget them; also, I do not know how to order these ideas in", "come very suddenly and I don't have paper or pencil by hand so", "them; also, I do not know how to order these ideas in physics", "do not know how to order these ideas in physics since they are", "to the same place. I would appreciate if you would give me advice", "advice for this one, I do not know if I should add them", "these ideas in physics since they are for a novel in process, there", "how to order these ideas in physics since they are for a novel", "order these ideas in physics since they are for a novel in process,", "are also many people who give me advice for this one, I do", "I don't have paper or pencil by hand so I forget them; also,", "since they are for a novel in process, there are also many people", "same place. I would appreciate if you would give me advice for this", "I forget them; also, I do not know how to order these ideas", "not know how to order these ideas in physics since they are for", "there are also many people who give me advice for this one, I", "ideas in physics since they are for a novel in process, there are", "novel in process, there are also many people who give me advice for", "should add them to the same place. I would appreciate if you would", "for a novel in process, there are also many people who give me", "have paper or pencil by hand so I forget them; also, I do", "I should add them to the same place. I would appreciate if you", "a novel in process, there are also many people who give me advice", "pencil by hand so I forget them; also, I do not know how", "don't have paper or pencil by hand so I forget them; also, I", "for this one, I do not know if I should add them to", "to order these ideas in physics since they are for a novel in", "also, I do not know how to order these ideas in physics since", "know how to order these ideas in physics since they are for a", "they are for a novel in process, there are also many people who", "and I don't have paper or pencil by hand so I forget them;", "this one, I do not know if I should add them to the", "know if I should add them to the same place. I would appreciate", "physics since they are for a novel in process, there are also many", "in process, there are also many people who give me advice for this", "are for a novel in process, there are also many people who give", "people who give me advice for this one, I do not know if", "me advice for this one, I do not know if I should add", "I do not know if I should add them to the same place.", "process, there are also many people who give me advice for this one,", "place. I would appreciate if you would give me advice for this situation.", "the same place. I would appreciate if you would give me advice for", "or pencil by hand so I forget them; also, I do not know", "them to the same place. I would appreciate if you would give me", "many people who give me advice for this one, I do not know", "if I should add them to the same place. I would appreciate if", "give me advice for this one, I do not know if I should", "ideas come very suddenly and I don't have paper or pencil by hand", "do not know if I should add them to the same place. I", "add them to the same place. I would appreciate if you would give", "not know if I should add them to the same place. I would", "one, I do not know if I should add them to the same", "hand so I forget them; also, I do not know how to order", "very suddenly and I don't have paper or pencil by hand so I" ]
[ "a sense of self-confidence is a good thing, but just churning out luke-warm", "(save from a few lovely friends and family). What is the most tactful", "approach this, and say, maybe work on your skills a bit more before", "sense of self-confidence is a good thing, but just churning out luke-warm books", "will not help (save from a few lovely friends and family). What is", "help (save from a few lovely friends and family). What is the most", "and has even self-published a couple of books. I know having a sense", "self-confidence is a good thing, but just churning out luke-warm books and blogs", "spend money on publishing your books? I strongly admire the work ethic, but", "your books? I strongly admire the work ethic, but I feel my friend", "is the most tactful way to approach this, and say, maybe work on", "self-published a couple of books. I know having a sense of self-confidence is", "which have little to no feed back will not help (save from a", "skills a bit more before you spend money on publishing your books? I", "I feel my friend desperately needs some guidance in the quality sphere. I'm", "a few lovely friends and family). What is the most tactful way to", "and family). What is the most tactful way to approach this, and say,", "friends and family). What is the most tactful way to approach this, and", "the most tactful way to approach this, and say, maybe work on your", "even self-published a couple of books. I know having a sense of self-confidence", "some guidance in the quality sphere. I'm not sure if this question is", "more before you spend money on publishing your books? I strongly admire the", "has even self-published a couple of books. I know having a sense of", "a couple of books. I know having a sense of self-confidence is a", "a good thing, but just churning out luke-warm books and blogs which have", "blogs which have little to no feed back will not help (save from", "back will not help (save from a few lovely friends and family). What", "rather ambitious (writing and otherwise), and has even self-published a couple of books.", "to no feed back will not help (save from a few lovely friends", "from a few lovely friends and family). What is the most tactful way", "of self-confidence is a good thing, but just churning out luke-warm books and", "I strongly admire the work ethic, but I feel my friend desperately needs", "a friend who is a rather ambitious (writing and otherwise), and has even", "few lovely friends and family). What is the most tactful way to approach", "What is the most tactful way to approach this, and say, maybe work", "but I feel my friend desperately needs some guidance in the quality sphere.", "needs some guidance in the quality sphere. I'm not sure if this question", "admire the work ethic, but I feel my friend desperately needs some guidance", "most tactful way to approach this, and say, maybe work on your skills", "I have a friend who is a rather ambitious (writing and otherwise), and", "is a rather ambitious (writing and otherwise), and has even self-published a couple", "little to no feed back will not help (save from a few lovely", "luke-warm books and blogs which have little to no feed back will not", "just churning out luke-warm books and blogs which have little to no feed", "tactful way to approach this, and say, maybe work on your skills a", "work on your skills a bit more before you spend money on publishing", "on your skills a bit more before you spend money on publishing your", "on publishing your books? I strongly admire the work ethic, but I feel", "friend who is a rather ambitious (writing and otherwise), and has even self-published", "way to approach this, and say, maybe work on your skills a bit", "and say, maybe work on your skills a bit more before you spend", "churning out luke-warm books and blogs which have little to no feed back", "good thing, but just churning out luke-warm books and blogs which have little", "who is a rather ambitious (writing and otherwise), and has even self-published a", "have a friend who is a rather ambitious (writing and otherwise), and has", "before you spend money on publishing your books? I strongly admire the work", "feed back will not help (save from a few lovely friends and family).", "but just churning out luke-warm books and blogs which have little to no", "ambitious (writing and otherwise), and has even self-published a couple of books. I", "a rather ambitious (writing and otherwise), and has even self-published a couple of", "to approach this, and say, maybe work on your skills a bit more", "ethic, but I feel my friend desperately needs some guidance in the quality", "you spend money on publishing your books? I strongly admire the work ethic,", "guidance in the quality sphere. I'm not sure if this question is better", "in the quality sphere. I'm not sure if this question is better suited", "no feed back will not help (save from a few lovely friends and", "know having a sense of self-confidence is a good thing, but just churning", "quality sphere. I'm not sure if this question is better suited in [interpersonal.se](https://interpersonal.stackexchange.com)", "feel my friend desperately needs some guidance in the quality sphere. I'm not", "friend desperately needs some guidance in the quality sphere. I'm not sure if", "money on publishing your books? I strongly admire the work ethic, but I", "say, maybe work on your skills a bit more before you spend money", "not help (save from a few lovely friends and family). What is the", "my friend desperately needs some guidance in the quality sphere. I'm not sure", "this, and say, maybe work on your skills a bit more before you", "and blogs which have little to no feed back will not help (save", "I know having a sense of self-confidence is a good thing, but just", "publishing your books? I strongly admire the work ethic, but I feel my", "maybe work on your skills a bit more before you spend money on", "books and blogs which have little to no feed back will not help", "having a sense of self-confidence is a good thing, but just churning out", "a bit more before you spend money on publishing your books? I strongly", "desperately needs some guidance in the quality sphere. I'm not sure if this", "thing, but just churning out luke-warm books and blogs which have little to", "family). What is the most tactful way to approach this, and say, maybe", "otherwise), and has even self-published a couple of books. I know having a", "and otherwise), and has even self-published a couple of books. I know having", "bit more before you spend money on publishing your books? I strongly admire", "out luke-warm books and blogs which have little to no feed back will", "(writing and otherwise), and has even self-published a couple of books. I know", "books. I know having a sense of self-confidence is a good thing, but", "strongly admire the work ethic, but I feel my friend desperately needs some", "is a good thing, but just churning out luke-warm books and blogs which", "of books. I know having a sense of self-confidence is a good thing,", "the work ethic, but I feel my friend desperately needs some guidance in", "the quality sphere. I'm not sure if this question is better suited in", "couple of books. I know having a sense of self-confidence is a good", "your skills a bit more before you spend money on publishing your books?", "work ethic, but I feel my friend desperately needs some guidance in the", "lovely friends and family). What is the most tactful way to approach this,", "have little to no feed back will not help (save from a few", "books? I strongly admire the work ethic, but I feel my friend desperately" ]
[ "spell it with an accent over the e) and the movie THAT popular", "Qalebeab was a name created by the comic. EDIT: It's not set in", "by Roman Emperors and Consuls and such. (I do not say in a", "THAT popular that I would run into issues naming a character Qalebeab? My", "french comics (which spell it with an accent over the e) and the", "with the names of my characters, however someone pointed out to me Qalebeab", "run into issues naming a character Qalebeab? My character is also in the", "not set in ancient Rome, but \"in a galaxy far, far away\"... just", "into issues naming a character Qalebeab? My character is also in the military", "a name created by the comic. EDIT: It's not set in ancient Rome,", "EDIT: It's not set in ancient Rome, but \"in a galaxy far, far", "also in the military :/ I mean, Emperor Qalebeab WAS first... it's not", "Consuls and such. (I do not say in a galaxy far far away", "Qalebeab is already a scifi character's name. Are the french comics (which spell", "by the comic. EDIT: It's not set in ancient Rome, but \"in a", "the names of my characters, however someone pointed out to me Qalebeab is", "the e) and the movie THAT popular that I would run into issues", "of my characters, however someone pointed out to me Qalebeab is already a", "is already a scifi character's name. Are the french comics (which spell it", "accent over the e) and the movie THAT popular that I would run", "me Qalebeab is already a scifi character's name. Are the french comics (which", "in a galaxy far far away in the book. THAT would get me", "was a name created by the comic. EDIT: It's not set in ancient", "Rome, but \"in a galaxy far, far away\"... just the names are inspired", "mean, Emperor Qalebeab WAS first... it's not like Qalebeab was a name created", "it with an accent over the e) and the movie THAT popular that", "the names are inspired by Roman Emperors and Consuls and such. (I do", "would run into issues naming a character Qalebeab? My character is also in", "over the e) and the movie THAT popular that I would run into", "but \"in a galaxy far, far away\"... just the names are inspired by", "military :/ I mean, Emperor Qalebeab WAS first... it's not like Qalebeab was", "galaxy far, far away\"... just the names are inspired by Roman Emperors and", "is also in the military :/ I mean, Emperor Qalebeab WAS first... it's", "comic. EDIT: It's not set in ancient Rome, but \"in a galaxy far,", "It's not set in ancient Rome, but \"in a galaxy far, far away\"...", "are inspired by Roman Emperors and Consuls and such. (I do not say", "the military :/ I mean, Emperor Qalebeab WAS first... it's not like Qalebeab", "WAS first... it's not like Qalebeab was a name created by the comic.", "naming a character Qalebeab? My character is also in the military :/ I", "(which spell it with an accent over the e) and the movie THAT", "pointed out to me Qalebeab is already a scifi character's name. Are the", "far far away in the book. THAT would get me sued for sure.)", "the french comics (which spell it with an accent over the e) and", "however someone pointed out to me Qalebeab is already a scifi character's name.", "just the names are inspired by Roman Emperors and Consuls and such. (I", "not like Qalebeab was a name created by the comic. EDIT: It's not", "ancient Rome, but \"in a galaxy far, far away\"... just the names are", "Emperor Qalebeab WAS first... it's not like Qalebeab was a name created by", "e) and the movie THAT popular that I would run into issues naming", "names of my characters, however someone pointed out to me Qalebeab is already", "a galaxy far far away in the book. THAT would get me sued", "my characters, however someone pointed out to me Qalebeab is already a scifi", "(I do not say in a galaxy far far away in the book.", "far away\"... just the names are inspired by Roman Emperors and Consuls and", "name. Are the french comics (which spell it with an accent over the", "an accent over the e) and the movie THAT popular that I would", "Qalebeab WAS first... it's not like Qalebeab was a name created by the", "have an Ancient Roman theme with the names of my characters, however someone", "a scifi character's name. Are the french comics (which spell it with an", "Qalebeab? My character is also in the military :/ I mean, Emperor Qalebeab", "not say in a galaxy far far away in the book. THAT would", "created by the comic. EDIT: It's not set in ancient Rome, but \"in", "say in a galaxy far far away in the book. THAT would get", "issues naming a character Qalebeab? My character is also in the military :/", "and the movie THAT popular that I would run into issues naming a", "Ancient Roman theme with the names of my characters, however someone pointed out", "scifi character's name. Are the french comics (which spell it with an accent", "that I would run into issues naming a character Qalebeab? My character is", "such. (I do not say in a galaxy far far away in the", "first... it's not like Qalebeab was a name created by the comic. EDIT:", "popular that I would run into issues naming a character Qalebeab? My character", "away\"... just the names are inspired by Roman Emperors and Consuls and such.", "I mean, Emperor Qalebeab WAS first... it's not like Qalebeab was a name", "with an accent over the e) and the movie THAT popular that I", "I have an Ancient Roman theme with the names of my characters, however", "already a scifi character's name. Are the french comics (which spell it with", "Emperors and Consuls and such. (I do not say in a galaxy far", "comics (which spell it with an accent over the e) and the movie", "it's not like Qalebeab was a name created by the comic. EDIT: It's", "out to me Qalebeab is already a scifi character's name. Are the french", "the comic. EDIT: It's not set in ancient Rome, but \"in a galaxy", "galaxy far far away in the book. THAT would get me sued for", "and such. (I do not say in a galaxy far far away in", "\"in a galaxy far, far away\"... just the names are inspired by Roman", "movie THAT popular that I would run into issues naming a character Qalebeab?", "far, far away\"... just the names are inspired by Roman Emperors and Consuls", "a galaxy far, far away\"... just the names are inspired by Roman Emperors", "in ancient Rome, but \"in a galaxy far, far away\"... just the names", "character is also in the military :/ I mean, Emperor Qalebeab WAS first...", "an Ancient Roman theme with the names of my characters, however someone pointed", "to me Qalebeab is already a scifi character's name. Are the french comics", "like Qalebeab was a name created by the comic. EDIT: It's not set", "names are inspired by Roman Emperors and Consuls and such. (I do not", "I would run into issues naming a character Qalebeab? My character is also", "character Qalebeab? My character is also in the military :/ I mean, Emperor", "the movie THAT popular that I would run into issues naming a character", "Roman theme with the names of my characters, however someone pointed out to", "do not say in a galaxy far far away in the book. THAT", "set in ancient Rome, but \"in a galaxy far, far away\"... just the", "someone pointed out to me Qalebeab is already a scifi character's name. Are", "and Consuls and such. (I do not say in a galaxy far far", "character's name. Are the french comics (which spell it with an accent over", "a character Qalebeab? My character is also in the military :/ I mean,", "in the military :/ I mean, Emperor Qalebeab WAS first... it's not like", "theme with the names of my characters, however someone pointed out to me", "My character is also in the military :/ I mean, Emperor Qalebeab WAS", "inspired by Roman Emperors and Consuls and such. (I do not say in", "name created by the comic. EDIT: It's not set in ancient Rome, but", "characters, however someone pointed out to me Qalebeab is already a scifi character's", "Are the french comics (which spell it with an accent over the e)", "Roman Emperors and Consuls and such. (I do not say in a galaxy", ":/ I mean, Emperor Qalebeab WAS first... it's not like Qalebeab was a" ]
[ "one (which was created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot", "cannot label (and drag?) the points in the chart. I know I can", "graphic (JPEG, PNG) or markup (HTML, SVG) The software doesn't have to be", "one chart every few months, and taking an afternoon to come up with", "by hand. A first version of such a narrative chart might look like", "me to: * set points with a mouse click (or by entering coordinates)", "more features (that I don't need), but it must not be expensive and", "don't need), but it must not be expensive and must be easier to", "clicks (like the connecting arrows in diagrams in PowerPoint or Word) * add", "for Mary E. Pearson's Remnant Chronicles, that I have been reading during my", "read, redrawing the whole diagram for each change becomes somewhat cumbersome. I'm therefore", "looking for a software that allows me to easily (!!!) draw and change", "the pen tool in Photoshop) or with a few mouse clicks (like the", "about one chart every few months, and taking an afternoon to come up", "hand. A first version of such a narrative chart might look like this", "my own plot (because then I only do about one chart every few", "label (with descriptive text) to a plot point * change the storyline by", "and I don't need its other features, and because I cannot label (and", "the right plot structure is fun), but when I draw them in the", "SVG) The software doesn't have to be specialized for writing or plotting, and", "storyline diagrams like this one (which was created using the screenwriting software [DramaQueen](https://dramaqueen.info/)", "Mary E. Pearson's Remnant Chronicles, that I have been reading during my research", "draw any kind of diagram I want in software like Adobe Illustrator, but", "Word) * add a text box or label (with descriptive text) to a", "version of such a narrative chart might look like this one (which shows", "point size, ...; not a must) * export as graphic (JPEG, PNG) or", "[DramaQueen](https://dramaqueen.info/) and shows the plot of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline", "visualize the dynamic of the storyline(s) in a diagram. Usually I draw this", "expensive and must be easier to use than drawing by hand. I'm on", "its other features, and because I cannot label (and drag?) the points in", "I have been reading during my research on YA romantic fantasy): [![handdrawn plot", "created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot of the fairy", "redrawing the whole diagram for each change becomes somewhat cumbersome. I'm therefore looking", "afternoon to come up with the right plot structure is fun), but when", "mouse clicks (like the connecting arrows in diagrams in PowerPoint or Word) ", "export as graphic (JPEG, PNG) or markup (HTML, SVG) The software doesn't have", "software that allows me to: set points with a mouse click (or", "than drawing by hand. I'm on a Mac, but for your answer, platform", "for a software that allows me to easily (!!!) draw and change storyline", "by dragging plot points * text labels and connecting lines move with the", "only do about one chart every few months, and taking an afternoon to", "taking an afternoon to come up with the right plot structure is fun),", "allows me to easily (!!!) draw and change storyline diagrams like this one", "the plot structure by hand is that I'll have to redraw the whole", "(chose line width, color, point size, ...; not a must) * export as", "up with the right plot structure is fun), but when I draw them", "a few mouse clicks (like the connecting arrows in diagrams in PowerPoint or", "than a minor change. That's not much of a problem if I only", "plot my own novels or analyze other works to understand their structure, I", "* change the storyline by dragging plot points * text labels and connecting", "297 Euros and I don't need its other features, and because I cannot", "chart. I know I can draw any kind of diagram I want in", "to visualize the dynamic of the storyline(s) in a diagram. Usually I draw", "screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot of the fairy tale \"[Hansel and", "analyze other works to understand their structure, I like to visualize the dynamic", "connecting lines move with the plot point when it is dragged * (chose", "might look like this one (which shows part of the plot for Mary", "but it must not be expensive and must be easier to use than", "connecting arrows in diagrams in PowerPoint or Word) * add a text box", "like to visualize the dynamic of the storyline(s) in a diagram. Usually I", "and may have more features (that I don't need), but it must not", "(that I don't need), but it must not be expensive and must be", "storyline(s) in a diagram. Usually I draw this by hand. A first version", "first version of such a narrative chart might look like this one (which", "mouse click (or by entering coordinates) * connect points with a line automatically", "in the course of analyzing books that I read, redrawing the whole diagram", "redrawing the chart by hand. What I am looking for is software that", "novels or analyze other works to understand their structure, I like to visualize", "kind of diagram I want in software like Adobe Illustrator, but creating (and", "in Photoshop) or with a few mouse clicks (like the connecting arrows in", "and connecting lines move with the plot point when it is dragged ", "that allows me to easily* (!!!) draw and change storyline diagrams like this", "that is even more complicated than redrawing the chart by hand. What I", "research on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the", "allows me to: * set points with a mouse click (or by entering", "the plot for Mary E. Pearson's Remnant Chronicles, that I have been reading", "costs 297 Euros and I don't need its other features, and because I", "use DramaQueen to draw these kinds of charts, though, because DramaQueen costs 297", "E. Pearson's Remnant Chronicles, that I have been reading during my research on", "text box or label (with descriptive text) to a plot point * change", "diagram. Usually I draw this by hand. A first version of such a", "software that allows me to easily (!!!) draw and change storyline diagrams like", "by hand. What I am looking for is software that allows me to:", "tool in Photoshop) or with a few mouse clicks (like the connecting arrows", "writing or plotting, and may have more features (that I don't need), but", "hand. What I am looking for is software that allows me to: ", "in software like Adobe Illustrator, but creating (and changing) a storyline chart in", "an afternoon to come up with the right plot structure is fun), but", "structure is fun), but when I draw them in the course of analyzing", "a line automatically (like the pen tool in Photoshop) or with a few", "The problem with drawing the plot structure by hand is that I'll have", "I'm therefore looking for a software that allows me to easily* (!!!) draw", "a graphic software like that is even more complicated than redrawing the chart", "to understand their structure, I like to visualize the dynamic of the storyline(s)", "I want in software like Adobe Illustrator, but creating (and changing) a storyline", "tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to", "their structure, I like to visualize the dynamic of the storyline(s) in a", "therefore looking for a software that allows me to easily (!!!) draw and", "Pearson's Remnant Chronicles, that I have been reading during my research on YA", "and must be easier to use than drawing by hand. I'm on a", "of the plot for Mary E. Pearson's Remnant Chronicles, that I have been", "more complicated than redrawing the chart by hand. What I am looking for", "can draw any kind of diagram I want in software like Adobe Illustrator,", "a diagram. Usually I draw this by hand. A first version of such", "text labels and connecting lines move with the plot point when it is", "* (chose line width, color, point size, ...; not a must) * export", "I only do it for my own plot (because then I only do", "in PowerPoint or Word) * add a text box or label (with descriptive", "be easier to use than drawing by hand. I'm on a Mac, but", "dragged * (chose line width, color, point size, ...; not a must) ", "(which shows part of the plot for Mary E. Pearson's Remnant Chronicles, that", "of such a narrative chart might look like this one (which shows part", "lines move with the plot point when it is dragged (chose line", "easier to use than drawing by hand. I'm on a Mac, but for", "storyline chart in a graphic software like that is even more complicated than", "the connecting arrows in diagrams in PowerPoint or Word) * add a text", "is software that allows me to: * set points with a mouse click", "the dynamic of the storyline(s) in a diagram. Usually I draw this by", "fun), but when I draw them in the course of analyzing books that", "if I only do it for my own plot (because then I only", "or analyze other works to understand their structure, I like to visualize the", "when I draw them in the course of analyzing books that I read,", "draw them in the course of analyzing books that I read, redrawing the", "YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot structure", "points * text labels and connecting lines move with the plot point when", "must not be expensive and must be easier to use than drawing by", "don't need its other features, and because I cannot label (and drag?) the", "minor change. That's not much of a problem if I only do it", "was created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot of the", "a must) * export as graphic (JPEG, PNG) or markup (HTML, SVG) The", "have more features (that I don't need), but it must not be expensive", "* set points with a mouse click (or by entering coordinates) * connect", "points in the chart. I know I can draw any kind of diagram", "may have more features (that I don't need), but it must not be", "is even more complicated than redrawing the chart by hand. What I am", "one (which shows part of the plot for Mary E. Pearson's Remnant Chronicles,", "come up with the right plot structure is fun), but when I draw", "\"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use", "draw these kinds of charts, though, because DramaQueen costs 297 Euros and I", "understand their structure, I like to visualize the dynamic of the storyline(s) in", "of analyzing books that I read, redrawing the whole diagram for each change", "me to easily (!!!) draw and change storyline diagrams like this one (which", "(with descriptive text) to a plot point * change the storyline by dragging", "not a must) * export as graphic (JPEG, PNG) or markup (HTML, SVG)", "when it is dragged * (chose line width, color, point size, ...; not", "is fun), but when I draw them in the course of analyzing books", "What I am looking for is software that allows me to: * set", "to a plot point * change the storyline by dragging plot points ", "change storyline diagrams like this one (which was created using the screenwriting software", "I cannot label (and drag?) the points in the chart. I know I", "software doesn't have to be specialized for writing or plotting, and may have", "own novels or analyze other works to understand their structure, I like to", "by hand. I'm on a Mac, but for your answer, platform does not", "easily* (!!!) draw and change storyline diagrams like this one (which was created", "graphic software like that is even more complicated than redrawing the chart by", "redraw the whole chart whenever I make more than a minor change. That's", "to be specialized for writing or plotting, and may have more features (that", "coordinates) * connect points with a line automatically (like the pen tool in", "that I read, redrawing the whole diagram for each change becomes somewhat cumbersome.", "it for my own plot (because then I only do about one chart", "(JPEG, PNG) or markup (HTML, SVG) The software doesn't have to be specialized", "structure, I like to visualize the dynamic of the storyline(s) in a diagram.", "points with a line automatically (like the pen tool in Photoshop) or with", "Euros and I don't need its other features, and because I cannot label", "to use than drawing by hand. I'm on a Mac, but for your", "plot for Mary E. Pearson's Remnant Chronicles, that I have been reading during", "on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot", "of a problem if I only do it for my own plot (because", "a problem if I only do it for my own plot (because then", "draw and change storyline diagrams like this one (which was created using the", "Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen to", "but when I draw them in the course of analyzing books that I", "I don't want to use DramaQueen to draw these kinds of charts, though,", "descriptive text) to a plot point * change the storyline by dragging plot", "course of analyzing books that I read, redrawing the whole diagram for each", "it is dragged * (chose line width, color, point size, ...; not a", "the chart by hand. What I am looking for is software that allows", "(HTML, SVG) The software doesn't have to be specialized for writing or plotting,", "I only do about one chart every few months, and taking an afternoon", "though, because DramaQueen costs 297 Euros and I don't need its other features,", "this by hand. A first version of such a narrative chart might look", "look like this one (which shows part of the plot for Mary E.", "I'll have to redraw the whole chart whenever I make more than a", "like this one (which was created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows", "plot structure by hand is that I'll have to redraw the whole chart", "reading during my research on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem", "do about one chart every few months, and taking an afternoon to come", "add a text box or label (with descriptive text) to a plot point", "automatically (like the pen tool in Photoshop) or with a few mouse clicks", "hand is that I'll have to redraw the whole chart whenever I make", "plotting, and may have more features (that I don't need), but it must", "click (or by entering coordinates) * connect points with a line automatically (like", "for is software that allows me to: * set points with a mouse", "and shows the plot of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph", "only do it for my own plot (because then I only do about", "be specialized for writing or plotting, and may have more features (that I", "changing) a storyline chart in a graphic software like that is even more", "I draw this by hand. A first version of such a narrative chart", "the chart. I know I can draw any kind of diagram I want", "move with the plot point when it is dragged * (chose line width,", "dynamic of the storyline(s) in a diagram. Usually I draw this by hand.", "complicated than redrawing the chart by hand. What I am looking for is", "* text labels and connecting lines move with the plot point when it", "do it for my own plot (because then I only do about one", "I don't need), but it must not be expensive and must be easier", "want to use DramaQueen to draw these kinds of charts, though, because DramaQueen", "diagram I want in software like Adobe Illustrator, but creating (and changing) a", "line width, color, point size, ...; not a must) * export as graphic", "know I can draw any kind of diagram I want in software like", "with the right plot structure is fun), but when I draw them in", "of diagram I want in software like Adobe Illustrator, but creating (and changing)", "any kind of diagram I want in software like Adobe Illustrator, but creating", "features (that I don't need), but it must not be expensive and must", "doesn't have to be specialized for writing or plotting, and may have more", "I like to visualize the dynamic of the storyline(s) in a diagram. Usually", "(!!!) draw and change storyline diagrams like this one (which was created using", "problem with drawing the plot structure by hand is that I'll have to", "plot structure is fun), but when I draw them in the course of", "diagrams like this one (which was created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and", "or markup (HTML, SVG) The software doesn't have to be specialized for writing", "in a graphic software like that is even more complicated than redrawing the", "by entering coordinates) * connect points with a line automatically (like the pen", "have to be specialized for writing or plotting, and may have more features", "drawing by hand. I'm on a Mac, but for your answer, platform does", "in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen to draw these kinds of", "a mouse click (or by entering coordinates) * connect points with a line", "the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot of the fairy tale \"[Hansel", "whole chart whenever I make more than a minor change. That's not much", "romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot structure by", "point when it is dragged * (chose line width, color, point size, ...;", "my research on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing", "or label (with descriptive text) to a plot point * change the storyline", "(and drag?) the points in the chart. I know I can draw any", "in the chart. I know I can draw any kind of diagram I", "(like the connecting arrows in diagrams in PowerPoint or Word) * add a", "need), but it must not be expensive and must be easier to use", "...; not a must) * export as graphic (JPEG, PNG) or markup (HTML,", "[![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot structure by hand is", "as graphic (JPEG, PNG) or markup (HTML, SVG) The software doesn't have to", "kinds of charts, though, because DramaQueen costs 297 Euros and I don't need", "the whole chart whenever I make more than a minor change. That's not", "line automatically (like the pen tool in Photoshop) or with a few mouse", "is that I'll have to redraw the whole chart whenever I make more", "because I cannot label (and drag?) the points in the chart. I know", "works to understand their structure, I like to visualize the dynamic of the", "with a mouse click (or by entering coordinates) * connect points with a", "the plot of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in", "the storyline(s) in a diagram. Usually I draw this by hand. A first", "this one (which was created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the", "every few months, and taking an afternoon to come up with the right", "hand. I'm on a Mac, but for your answer, platform does not matter.", "DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen to draw these kinds of charts,", "even more complicated than redrawing the chart by hand. What I am looking", "drawing the plot structure by hand is that I'll have to redraw the", "with the plot point when it is dragged * (chose line width, color,", "fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot structure by hand", "other works to understand their structure, I like to visualize the dynamic of", "make more than a minor change. That's not much of a problem if", "in diagrams in PowerPoint or Word) * add a text box or label", "creating (and changing) a storyline chart in a graphic software like that is", "narrative chart might look like this one (which shows part of the plot", "DramaQueen costs 297 Euros and I don't need its other features, and because", "I make more than a minor change. That's not much of a problem", "a text box or label (with descriptive text) to a plot point ", "a minor change. That's not much of a problem if I only do", "of charts, though, because DramaQueen costs 297 Euros and I don't need its", "I draw them in the course of analyzing books that I read, redrawing", "my own novels or analyze other works to understand their structure, I like", "The software doesn't have to be specialized for writing or plotting, and may", " export as graphic (JPEG, PNG) or markup (HTML, SVG) The software doesn't", "point * change the storyline by dragging plot points * text labels and", "plot of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png)", "other features, and because I cannot label (and drag?) the points in the", "the whole diagram for each change becomes somewhat cumbersome. I'm therefore looking for", "diagrams in PowerPoint or Word) * add a text box or label (with", "* add a text box or label (with descriptive text) to a plot", "diagram for each change becomes somewhat cumbersome. I'm therefore looking for a software", "draw this by hand. A first version of such a narrative chart might", "few mouse clicks (like the connecting arrows in diagrams in PowerPoint or Word)", "software like that is even more complicated than redrawing the chart by hand.", "graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen to draw these", "and change storyline diagrams like this one (which was created using the screenwriting", "text) to a plot point * change the storyline by dragging plot points", "chart in a graphic software like that is even more complicated than redrawing", "structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot structure by hand is that I'll", "that I'll have to redraw the whole chart whenever I make more than", "specialized for writing or plotting, and may have more features (that I don't", "plot point when it is dragged * (chose line width, color, point size,", "connect points with a line automatically (like the pen tool in Photoshop) or", "but creating (and changing) a storyline chart in a graphic software like that", "like that is even more complicated than redrawing the chart by hand. What", "change the storyline by dragging plot points * text labels and connecting lines", "PNG) or markup (HTML, SVG) The software doesn't have to be specialized for", "or Word) * add a text box or label (with descriptive text) to", "size, ...; not a must) * export as graphic (JPEG, PNG) or markup", "the plot point when it is dragged * (chose line width, color, point", "I can draw any kind of diagram I want in software like Adobe", "software [DramaQueen](https://dramaqueen.info/) and shows the plot of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"):", "or with a few mouse clicks (like the connecting arrows in diagrams in", "with a line automatically (like the pen tool in Photoshop) or with a", "for my own plot (because then I only do about one chart every", "chart whenever I make more than a minor change. That's not much of", "points with a mouse click (or by entering coordinates) * connect points with", "arrows in diagrams in PowerPoint or Word) * add a text box or", "set points with a mouse click (or by entering coordinates) * connect points", "problem if I only do it for my own plot (because then I", "DramaQueen to draw these kinds of charts, though, because DramaQueen costs 297 Euros", "Chronicles, that I have been reading during my research on YA romantic fantasy):", "than redrawing the chart by hand. What I am looking for is software", "for each change becomes somewhat cumbersome. I'm therefore looking for a software that", "is dragged (chose line width, color, point size, ...; not a must)", "have been reading during my research on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg)", "[![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen to draw", "plot point * change the storyline by dragging plot points * text labels", "of the storyline(s) in a diagram. Usually I draw this by hand. A", "don't want to use DramaQueen to draw these kinds of charts, though, because", "to draw these kinds of charts, though, because DramaQueen costs 297 Euros and", "that allows me to: * set points with a mouse click (or by", "analyzing books that I read, redrawing the whole diagram for each change becomes", "shows the plot of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created", "pen tool in Photoshop) or with a few mouse clicks (like the connecting", "to easily (!!!) draw and change storyline diagrams like this one (which was", "(or by entering coordinates) * connect points with a line automatically (like the", "Photoshop) or with a few mouse clicks (like the connecting arrows in diagrams", "am looking for is software that allows me to: * set points with", "software like Adobe Illustrator, but creating (and changing) a storyline chart in a", "a narrative chart might look like this one (which shows part of the", "to: * set points with a mouse click (or by entering coordinates) ", "drag?) the points in the chart. I know I can draw any kind", "right plot structure is fun), but when I draw them in the course", "this one (which shows part of the plot for Mary E. Pearson's Remnant", "box or label (with descriptive text) to a plot point * change the", "books that I read, redrawing the whole diagram for each change becomes somewhat", "shows part of the plot for Mary E. Pearson's Remnant Chronicles, that I", "(and changing) a storyline chart in a graphic software like that is even", "the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't", "part of the plot for Mary E. Pearson's Remnant Chronicles, that I have", "chart might look like this one (which shows part of the plot for", "each change becomes somewhat cumbersome. I'm therefore looking for a software that allows", "and taking an afternoon to come up with the right plot structure is", "then I only do about one chart every few months, and taking an", "the course of analyzing books that I read, redrawing the whole diagram for", "or plotting, and may have more features (that I don't need), but it", "with drawing the plot structure by hand is that I'll have to redraw", "a plot point * change the storyline by dragging plot points * text", "like Adobe Illustrator, but creating (and changing) a storyline chart in a graphic", "Remnant Chronicles, that I have been reading during my research on YA romantic", "becomes somewhat cumbersome. I'm therefore looking for a software that allows me to", "Usually I draw this by hand. A first version of such a narrative", "to redraw the whole chart whenever I make more than a minor change.", "dragging plot points * text labels and connecting lines move with the plot", "markup (HTML, SVG) The software doesn't have to be specialized for writing or", "width, color, point size, ...; not a must) * export as graphic (JPEG,", "to use DramaQueen to draw these kinds of charts, though, because DramaQueen costs", "with a few mouse clicks (like the connecting arrows in diagrams in PowerPoint", "not be expensive and must be easier to use than drawing by hand.", "want in software like Adobe Illustrator, but creating (and changing) a storyline chart", "A first version of such a narrative chart might look like this one", "need its other features, and because I cannot label (and drag?) the points", "I know I can draw any kind of diagram I want in software", "during my research on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with", "must be easier to use than drawing by hand. I'm on a Mac,", "for writing or plotting, and may have more features (that I don't need),", "the points in the chart. I know I can draw any kind of", "I plot my own novels or analyze other works to understand their structure,", "Adobe Illustrator, but creating (and changing) a storyline chart in a graphic software", "(like the pen tool in Photoshop) or with a few mouse clicks (like", "(which was created using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot of", "Illustrator, but creating (and changing) a storyline chart in a graphic software like", "structure by hand is that I'll have to redraw the whole chart whenever", "months, and taking an afternoon to come up with the right plot structure", "such a narrative chart might look like this one (which shows part of", "I don't need its other features, and because I cannot label (and drag?)", "entering coordinates) * connect points with a line automatically (like the pen tool", "to come up with the right plot structure is fun), but when I", "these kinds of charts, though, because DramaQueen costs 297 Euros and I don't", "a storyline chart in a graphic software like that is even more complicated", "because DramaQueen costs 297 Euros and I don't need its other features, and", "label (and drag?) the points in the chart. I know I can draw", "much of a problem if I only do it for my own plot", "be expensive and must be easier to use than drawing by hand. I'm", "using the screenwriting software [DramaQueen](https://dramaqueen.info/) and shows the plot of the fairy tale", "looking for is software that allows me to: * set points with a", "color, point size, ...; not a must) * export as graphic (JPEG, PNG)", "use than drawing by hand. I'm on a Mac, but for your answer,", "change. That's not much of a problem if I only do it for", "change becomes somewhat cumbersome. I'm therefore looking for a software that allows me", "cumbersome. I'm therefore looking for a software that allows me to easily (!!!)", "been reading during my research on YA romantic fantasy): [![handdrawn plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The", "few months, and taking an afternoon to come up with the right plot", "in a diagram. Usually I draw this by hand. A first version of", "I read, redrawing the whole diagram for each change becomes somewhat cumbersome. I'm", "chart by hand. What I am looking for is software that allows me", "storyline by dragging plot points * text labels and connecting lines move with", "plot structure](https://i.stack.imgur.com/4ThhE.jpg)](https://i.stack.imgur.com/4ThhE.jpg) The problem with drawing the plot structure by hand is that", "not much of a problem if I only do it for my own", "have to redraw the whole chart whenever I make more than a minor", "that I have been reading during my research on YA romantic fantasy): [![handdrawn", "them in the course of analyzing books that I read, redrawing the whole", "fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want", "it must not be expensive and must be easier to use than drawing", "(because then I only do about one chart every few months, and taking", "and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen", "of the fairy tale \"[Hansel and Gretel](https://en.wikipedia.org/wiki/Hansel_and_Gretel)\"): [![storyline graph created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I", "somewhat cumbersome. I'm therefore looking for a software that allows me to easily", "by hand is that I'll have to redraw the whole chart whenever I", "must) * export as graphic (JPEG, PNG) or markup (HTML, SVG) The software", "more than a minor change. That's not much of a problem if I", "and because I cannot label (and drag?) the points in the chart. I", "a software that allows me to easily (!!!) draw and change storyline diagrams", "I am looking for is software that allows me to: * set points", "PowerPoint or Word) * add a text box or label (with descriptive text)", "labels and connecting lines move with the plot point when it is dragged", "plot (because then I only do about one chart every few months, and", "whole diagram for each change becomes somewhat cumbersome. I'm therefore looking for a", "the storyline by dragging plot points * text labels and connecting lines move", "like this one (which shows part of the plot for Mary E. Pearson's", "That's not much of a problem if I only do it for my", "own plot (because then I only do about one chart every few months,", "charts, though, because DramaQueen costs 297 Euros and I don't need its other", "whenever I make more than a minor change. That's not much of a", "chart every few months, and taking an afternoon to come up with the", "* connect points with a line automatically (like the pen tool in Photoshop)", "When I plot my own novels or analyze other works to understand their", "created in DramaQueen](https://i.stack.imgur.com/JWMKL.png)](https://i.stack.imgur.com/JWMKL.png) I don't want to use DramaQueen to draw these kinds", "features, and because I cannot label (and drag?) the points in the chart.", "plot points * text labels and connecting lines move with the plot point" ]
[ "have on Facebook and YouTube or should I be moving on to the", "in my case, I write poems but don't have a wide audience for", "to become a successful poet? Well in my case, I write poems but", "to the next level? If so, what's the next level and how to", "feedback. So in this case what should I do? Should I keep on", "steps that one needs to follow to become a successful poet? Well in", "case what should I do? Should I keep on writing my poems and", "are the steps that one needs to follow to become a successful poet?", "my poems and show it to the stiver of audience I do have", "of audience I do have on Facebook and YouTube or should I be", "the stiver of audience I do have on Facebook and YouTube or should", "on to the next level? If so, what's the next level and how", "Facebook and YouTube or should I be moving on to the next level?", "a wide audience for the feedback. So in this case what should I", "moving on to the next level? If so, what's the next level and", "should I do? Should I keep on writing my poems and show it", "my case, I write poems but don't have a wide audience for the", "case, I write poems but don't have a wide audience for the feedback.", "the steps that one needs to follow to become a successful poet? Well", "do? Should I keep on writing my poems and show it to the", "on Facebook and YouTube or should I be moving on to the next", "So in this case what should I do? Should I keep on writing", "poet? Well in my case, I write poems but don't have a wide", "it? All in all I would like a layout of a poet's career.", "stiver of audience I do have on Facebook and YouTube or should I", "follow to become a successful poet? Well in my case, I write poems", "don't have a wide audience for the feedback. So in this case what", "If so, what's the next level and how to proceed towards it? All", "how to proceed towards it? All in all I would like a layout", "in this case what should I do? Should I keep on writing my", "wide audience for the feedback. So in this case what should I do?", "YouTube or should I be moving on to the next level? If so,", "Should I keep on writing my poems and show it to the stiver", "what's the next level and how to proceed towards it? All in all", "I do? Should I keep on writing my poems and show it to", "the feedback. So in this case what should I do? Should I keep", "keep on writing my poems and show it to the stiver of audience", "on writing my poems and show it to the stiver of audience I", "level and how to proceed towards it? All in all I would like", "for the feedback. So in this case what should I do? Should I", "write poems but don't have a wide audience for the feedback. So in", "What are the steps that one needs to follow to become a successful", "I write poems but don't have a wide audience for the feedback. So", "next level? If so, what's the next level and how to proceed towards", "be moving on to the next level? If so, what's the next level", "to follow to become a successful poet? Well in my case, I write", "the next level and how to proceed towards it? All in all I", "Well in my case, I write poems but don't have a wide audience", "and how to proceed towards it? All in all I would like a", "but don't have a wide audience for the feedback. So in this case", "writing my poems and show it to the stiver of audience I do", "poems but don't have a wide audience for the feedback. So in this", "or should I be moving on to the next level? If so, what's", "do have on Facebook and YouTube or should I be moving on to", "next level and how to proceed towards it? All in all I would", "successful poet? Well in my case, I write poems but don't have a", "audience for the feedback. So in this case what should I do? Should", "and YouTube or should I be moving on to the next level? If", "needs to follow to become a successful poet? Well in my case, I", "I be moving on to the next level? If so, what's the next", "one needs to follow to become a successful poet? Well in my case,", "I do have on Facebook and YouTube or should I be moving on", "towards it? All in all I would like a layout of a poet's", "a successful poet? Well in my case, I write poems but don't have", "have a wide audience for the feedback. So in this case what should", "poems and show it to the stiver of audience I do have on", "show it to the stiver of audience I do have on Facebook and", "and show it to the stiver of audience I do have on Facebook", "become a successful poet? Well in my case, I write poems but don't", "proceed towards it? All in all I would like a layout of a", "audience I do have on Facebook and YouTube or should I be moving", "should I be moving on to the next level? If so, what's the", "to proceed towards it? All in all I would like a layout of", "the next level? If so, what's the next level and how to proceed", "this case what should I do? Should I keep on writing my poems", "level? If so, what's the next level and how to proceed towards it?", "so, what's the next level and how to proceed towards it? All in", "I keep on writing my poems and show it to the stiver of", "it to the stiver of audience I do have on Facebook and YouTube", "to the stiver of audience I do have on Facebook and YouTube or", "what should I do? Should I keep on writing my poems and show", "that one needs to follow to become a successful poet? Well in my" ]
[ "dialog becomes formal, or people who aren't so personally familiar need to address", "honest I didn't consider it in a \"worldbuilding\" sense, but the idea is", "now I'm stumbling over it again and again in dialog, especially since the", "wouldn't be important, and that she has no family name to claim. To", "or people who aren't so personally familiar need to address her or talk", "is small enough that it wouldn't be important, and that she has no", "it. This doesn't work on the character with one name, and now I'm", "I was thinking her island/village is small enough that it wouldn't be important,", "name) after only a tenuous relationship with a millionaire. She also eventually gains", "name, and now I'm stumbling over it again and again in dialog, especially", "guess I was thinking her island/village is small enough that it wouldn't be", "claim. To be honest I didn't consider it in a \"worldbuilding\" sense, but", "signify social hierarchy and levels of familiarity. It happens without even thinking about", "and again in dialog, especially since the way she is perceived by other", "because I've lost this level of subtlety. I'm not sure how to address", "name, but I don't know what to do when the dialog becomes formal,", "also to signify she has no status of her own. The rest of", "about her. Are there ways I can signify these social layers and the", "to do when the dialog becomes formal, or people who aren't so personally", "up through society. While plotting, I never bothered to give her more than", "But in the early stage, while she is still servant caste and only", "to claim. To be honest I didn't consider it in a \"worldbuilding\" sense,", "characters refer to one another: \"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs", "first and last names, nicknames, and often ranks and titles. My problem is", "work on the character with one name, and now I'm stumbling over it", "a millionaire. She also eventually gains some infamy and at that point her", "of the novel – some see her as a naive girl, some see", "of her own. The rest of the characters come from societies modeled on", "in their society, and eventually she plays with these social perceptions, for example", "there ways I can signify these social layers and the personal perception of", "Karagi\" – I can easily signify social hierarchy and levels of familiarity. It", "has no status of her own. The rest of the characters come from", "subtlety. I'm not sure how to address her formally, and there is also", "social climb, it's become a dialog issue because I've lost this level of", "of the characters come from societies modeled on Western culture, so they have", "use? In casual dialog the people close to her would just use her", "don't know what to do when the dialog becomes formal, or people who", "and also give hints to the mindset of the speaker though the way", "name, I guess I was thinking her island/village is small enough that it", "name to claim. To be honest I didn't consider it in a \"worldbuilding\"", "appearing on legal documents. I'm not sure how to handle this as a", "the early stage, while she is still servant caste and only beginning her", "ways I can signify these social layers and the personal perception of the", "relationship with a millionaire. She also eventually gains some infamy and at that", "\"Joor\" vs \"Lieutenant Karagi\" – I can easily signify social hierarchy and levels", "millionaire. She also eventually gains some infamy and at that point her one-word", "would handle it. How would (Westernized) characters refer to to this person with", "I don't know what to do when the dialog becomes formal, or people", "use her name, but I don't know what to do when the dialog", "talk about her. Are there ways I can signify these social layers and", "point her one-word name works like Mudonre or Cdej. But in the early", "rest of the characters come from societies modeled on Western culture, so they", "modeled on Western culture, so they have first and last names, nicknames, and", "she is still servant caste and only beginning her social climb, it's become", "so personally familiar need to address her or talk about her. Are there", "insisting on being called \"Mrs Rothschild\" (not the actual name) after only a", "Rothschild\" (not the actual name) after only a tenuous relationship with a millionaire.", "I'm not sure how to address her formally, and there is also a", "person with only one name? Would they give her a last name out", "her a last name out of convenience (fix her, Ellis Island style) or", "idea is also to signify she has no status of her own. The", "character with one name, and now I'm stumbling over it again and again", "dialog the people close to her would just use her name, but I", "novel – some see her as a naive girl, some see her as", "dialog. I can signal the social hierarchy and also give hints to the", "see her as a scheming social climber, etc. Her status also changes over", "her as a scheming social climber, etc. Her status also changes over time", "or talk about her. Are there ways I can signify these social layers", "status of her own. The rest of the characters come from societies modeled", "more than one name, I guess I was thinking her island/village is small", "time as she \"levels up\" in their society, and eventually she plays with", "a \"worldbuilding\" sense, but the idea is also to signify she has no", "and now I'm stumbling over it again and again in dialog, especially since", "her more than one name, I guess I was thinking her island/village is", "the idea is also to signify she has no status of her own.", "her social climb, it's become a dialog issue because I've lost this level", "I'm stumbling over it again and again in dialog, especially since the way", "her or talk about her. Are there ways I can signify these social", "In casual dialog the people close to her would just use her name,", "problem is coming up in dialog. I can signal the social hierarchy and", "social climber, etc. Her status also changes over time as she \"levels up\"", "after only a tenuous relationship with a millionaire. She also eventually gains some", "characters refer to to this person with only one name? Would they give", "To be honest I didn't consider it in a \"worldbuilding\" sense, but the", "to the mindset of the speaker though the way characters refer to one", "a last name out of convenience (fix her, Ellis Island style) or are", "familiar need to address her or talk about her. Are there ways I", "this person with only one name? Would they give her a last name", "style) or are there other name conventions/euphemisms they would use? In casual dialog", "eventually she plays with these social perceptions, for example insisting on being called", "in dialog. I can signal the social hierarchy and also give hints to", "this as a writer, and I'm not sure how the characters themselves would", "some see her as a scheming social climber, etc. Her status also changes", "and only beginning her social climb, it's become a dialog issue because I've", "address her formally, and there is also a subplot about her name appearing", "also eventually gains some infamy and at that point her one-word name works", "I can signify these social layers and the personal perception of the speaker?", "other characters is a major theme of the novel – some see her", "speaker though the way characters refer to one another: \"Miss Karagi\" vs \"Joor", "can signal the social hierarchy and also give hints to the mindset of", "subplot about her name appearing on legal documents. I'm not sure how to", "the actual name) after only a tenuous relationship with a millionaire. She also", "when the dialog becomes formal, or people who aren't so personally familiar need", "with only one name? Would they give her a last name out of", "handle this as a writer, and I'm not sure how the characters themselves", "one name, I guess I was thinking her island/village is small enough that", "gains some infamy and at that point her one-word name works like Mudonre", "servant caste and rises up through society. While plotting, I never bothered to", "how to address her formally, and there is also a subplot about her", "hierarchy and levels of familiarity. It happens without even thinking about it. This", "caste and rises up through society. While plotting, I never bothered to give", "a character who starts as a low servant caste and rises up through", "she \"levels up\" in their society, and eventually she plays with these social", "Cdej. But in the early stage, while she is still servant caste and", "level of subtlety. I'm not sure how to address her formally, and there", "out of convenience (fix her, Ellis Island style) or are there other name", "characters is a major theme of the novel – some see her as", "she plays with these social perceptions, for example insisting on being called \"Mrs", "her as a naive girl, some see her as a scheming social climber,", "a naive girl, some see her as a scheming social climber, etc. Her", "a scheming social climber, etc. Her status also changes over time as she", "island/village is small enough that it wouldn't be important, and that she has", "works like Mudonre or Cdej. But in the early stage, while she is", "documents. I'm not sure how to handle this as a writer, and I'm", "who starts as a low servant caste and rises up through society. While", "small enough that it wouldn't be important, and that she has no family", "societies modeled on Western culture, so they have first and last names, nicknames,", "people close to her would just use her name, but I don't know", "thinking about it. This doesn't work on the character with one name, and", "family name to claim. To be honest I didn't consider it in a", "at that point her one-word name works like Mudonre or Cdej. But in", "casual dialog the people close to her would just use her name, but", "last names, nicknames, and often ranks and titles. My problem is coming up", "on legal documents. I'm not sure how to handle this as a writer,", "have a character who starts as a low servant caste and rises up", "for example insisting on being called \"Mrs Rothschild\" (not the actual name) after", "can easily signify social hierarchy and levels of familiarity. It happens without even", "way she is perceived by other characters is a major theme of the", "I'm not sure how the characters themselves would handle it. How would (Westernized)", "enough that it wouldn't be important, and that she has no family name", "plotting, I never bothered to give her more than one name, I guess", "people who aren't so personally familiar need to address her or talk about", "is coming up in dialog. I can signal the social hierarchy and also", "the people close to her would just use her name, but I don't", "with one name, and now I'm stumbling over it again and again in", "sense, but the idea is also to signify she has no status of", "her own. The rest of the characters come from societies modeled on Western", "their society, and eventually she plays with these social perceptions, for example insisting", "about it. This doesn't work on the character with one name, and now", "way characters refer to one another: \"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\"", "aren't so personally familiar need to address her or talk about her. Are", "she has no family name to claim. To be honest I didn't consider", "her name appearing on legal documents. I'm not sure how to handle this", "naive girl, some see her as a scheming social climber, etc. Her status", "has no family name to claim. To be honest I didn't consider it", "easily signify social hierarchy and levels of familiarity. It happens without even thinking", "caste and only beginning her social climb, it's become a dialog issue because", "than one name, I guess I was thinking her island/village is small enough", "the way she is perceived by other characters is a major theme of", "one name, and now I'm stumbling over it again and again in dialog,", "only one name? Would they give her a last name out of convenience", "give hints to the mindset of the speaker though the way characters refer", "not sure how the characters themselves would handle it. How would (Westernized) characters", "address her or talk about her. Are there ways I can signify these", "\"Lieutenant Karagi\" – I can easily signify social hierarchy and levels of familiarity.", "is a major theme of the novel – some see her as a", "her one-word name works like Mudonre or Cdej. But in the early stage,", "the dialog becomes formal, or people who aren't so personally familiar need to", "I never bothered to give her more than one name, I guess I", "to address her formally, and there is also a subplot about her name", "name works like Mudonre or Cdej. But in the early stage, while she", "happens without even thinking about it. This doesn't work on the character with", "I can signal the social hierarchy and also give hints to the mindset", "one another: \"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" –", "her formally, and there is also a subplot about her name appearing on", "close to her would just use her name, but I don't know what", "issue because I've lost this level of subtlety. I'm not sure how to", "of familiarity. It happens without even thinking about it. This doesn't work on", "(not the actual name) after only a tenuous relationship with a millionaire. She", "not sure how to address her formally, and there is also a subplot", "I can easily signify social hierarchy and levels of familiarity. It happens without", "doesn't work on the character with one name, and now I'm stumbling over", "the characters come from societies modeled on Western culture, so they have first", "again in dialog, especially since the way she is perceived by other characters", "as a naive girl, some see her as a scheming social climber, etc.", "what to do when the dialog becomes formal, or people who aren't so", "infamy and at that point her one-word name works like Mudonre or Cdej.", "culture, so they have first and last names, nicknames, and often ranks and", "on the character with one name, and now I'm stumbling over it again", "major theme of the novel – some see her as a naive girl,", "early stage, while she is still servant caste and only beginning her social", "\"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" – I can easily signify social", "to address her or talk about her. Are there ways I can signify", "My problem is coming up in dialog. I can signal the social hierarchy", "stage, while she is still servant caste and only beginning her social climb,", "that it wouldn't be important, and that she has no family name to", "these social perceptions, for example insisting on being called \"Mrs Rothschild\" (not the", "I guess I was thinking her island/village is small enough that it wouldn't", "How would (Westernized) characters refer to to this person with only one name?", "who aren't so personally familiar need to address her or talk about her.", "personally familiar need to address her or talk about her. Are there ways", "give her more than one name, I guess I was thinking her island/village", "plays with these social perceptions, for example insisting on being called \"Mrs Rothschild\"", "how to handle this as a writer, and I'm not sure how the", "in dialog, especially since the way she is perceived by other characters is", "convenience (fix her, Ellis Island style) or are there other name conventions/euphemisms they", "her would just use her name, but I don't know what to do", "thinking her island/village is small enough that it wouldn't be important, and that", "name appearing on legal documents. I'm not sure how to handle this as", "give her a last name out of convenience (fix her, Ellis Island style)", "the way characters refer to one another: \"Miss Karagi\" vs \"Joor Karagi\" vs", "as a low servant caste and rises up through society. While plotting, I", "It happens without even thinking about it. This doesn't work on the character", "beginning her social climb, it's become a dialog issue because I've lost this", "other name conventions/euphemisms they would use? In casual dialog the people close to", "or Cdej. But in the early stage, while she is still servant caste", "is also to signify she has no status of her own. The rest", "especially since the way she is perceived by other characters is a major", "social perceptions, for example insisting on being called \"Mrs Rothschild\" (not the actual", "girl, some see her as a scheming social climber, etc. Her status also", "and often ranks and titles. My problem is coming up in dialog. I", "name? Would they give her a last name out of convenience (fix her,", "ranks and titles. My problem is coming up in dialog. I can signal", "often ranks and titles. My problem is coming up in dialog. I can", "to give her more than one name, I guess I was thinking her", "there other name conventions/euphemisms they would use? In casual dialog the people close", "Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" – I can easily signify social hierarchy", "that point her one-word name works like Mudonre or Cdej. But in the", "dialog issue because I've lost this level of subtlety. I'm not sure how", "through society. While plotting, I never bothered to give her more than one", "would just use her name, but I don't know what to do when", "is perceived by other characters is a major theme of the novel –", "perceived by other characters is a major theme of the novel – some", "Mudonre or Cdej. But in the early stage, while she is still servant", "a major theme of the novel – some see her as a naive", "Island style) or are there other name conventions/euphemisms they would use? In casual", "perceptions, for example insisting on being called \"Mrs Rothschild\" (not the actual name)", "since the way she is perceived by other characters is a major theme", "and at that point her one-word name works like Mudonre or Cdej. But", "starts as a low servant caste and rises up through society. While plotting,", "come from societies modeled on Western culture, so they have first and last", "a tenuous relationship with a millionaire. She also eventually gains some infamy and", "vs \"Joor\" vs \"Lieutenant Karagi\" – I can easily signify social hierarchy and", "over it again and again in dialog, especially since the way she is", "and last names, nicknames, and often ranks and titles. My problem is coming", "it wouldn't be important, and that she has no family name to claim.", "without even thinking about it. This doesn't work on the character with one", "vs \"Lieutenant Karagi\" – I can easily signify social hierarchy and levels of", "again and again in dialog, especially since the way she is perceived by", "\"levels up\" in their society, and eventually she plays with these social perceptions,", "Ellis Island style) or are there other name conventions/euphemisms they would use? In", "no family name to claim. To be honest I didn't consider it in", "of subtlety. I'm not sure how to address her formally, and there is", "how the characters themselves would handle it. How would (Westernized) characters refer to", "was thinking her island/village is small enough that it wouldn't be important, and", "the speaker though the way characters refer to one another: \"Miss Karagi\" vs", "on being called \"Mrs Rothschild\" (not the actual name) after only a tenuous", "see her as a naive girl, some see her as a scheming social", "to signify she has no status of her own. The rest of the", "climb, it's become a dialog issue because I've lost this level of subtlety.", "didn't consider it in a \"worldbuilding\" sense, but the idea is also to", "also changes over time as she \"levels up\" in their society, and eventually", "there is also a subplot about her name appearing on legal documents. I'm", "theme of the novel – some see her as a naive girl, some", "formally, and there is also a subplot about her name appearing on legal", "a dialog issue because I've lost this level of subtlety. I'm not sure", "dialog, especially since the way she is perceived by other characters is a", "and there is also a subplot about her name appearing on legal documents.", "society, and eventually she plays with these social perceptions, for example insisting on", "names, nicknames, and often ranks and titles. My problem is coming up in", "I have a character who starts as a low servant caste and rises", "would use? In casual dialog the people close to her would just use", "up\" in their society, and eventually she plays with these social perceptions, for", "name out of convenience (fix her, Ellis Island style) or are there other", "and levels of familiarity. It happens without even thinking about it. This doesn't", "on Western culture, so they have first and last names, nicknames, and often", "refer to one another: \"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant", "as she \"levels up\" in their society, and eventually she plays with these", "need to address her or talk about her. Are there ways I can", "being called \"Mrs Rothschild\" (not the actual name) after only a tenuous relationship", "not sure how to handle this as a writer, and I'm not sure", "as a writer, and I'm not sure how the characters themselves would handle", "her island/village is small enough that it wouldn't be important, and that she", "lost this level of subtlety. I'm not sure how to address her formally,", "with a millionaire. She also eventually gains some infamy and at that point", "to one another: \"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\"", "no status of her own. The rest of the characters come from societies", "still servant caste and only beginning her social climb, it's become a dialog", "about her name appearing on legal documents. I'm not sure how to handle", "hints to the mindset of the speaker though the way characters refer to", "She also eventually gains some infamy and at that point her one-word name", "Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" – I can easily", "Western culture, so they have first and last names, nicknames, and often ranks", "it. How would (Westernized) characters refer to to this person with only one", "also a subplot about her name appearing on legal documents. I'm not sure", "coming up in dialog. I can signal the social hierarchy and also give", "or are there other name conventions/euphemisms they would use? In casual dialog the", "handle it. How would (Westernized) characters refer to to this person with only", "to to this person with only one name? Would they give her a", "sure how to address her formally, and there is also a subplot about", "While plotting, I never bothered to give her more than one name, I", "I've lost this level of subtlety. I'm not sure how to address her", "themselves would handle it. How would (Westernized) characters refer to to this person", "even thinking about it. This doesn't work on the character with one name,", "This doesn't work on the character with one name, and now I'm stumbling", "servant caste and only beginning her social climb, it's become a dialog issue", "in the early stage, while she is still servant caste and only beginning", "have first and last names, nicknames, and often ranks and titles. My problem", "\"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" – I can", "but I don't know what to do when the dialog becomes formal, or", "Would they give her a last name out of convenience (fix her, Ellis", "important, and that she has no family name to claim. To be honest", "by other characters is a major theme of the novel – some see", "etc. Her status also changes over time as she \"levels up\" in their", "Are there ways I can signify these social layers and the personal perception", "vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" – I can easily signify", "but the idea is also to signify she has no status of her", "she has no status of her own. The rest of the characters come", "mindset of the speaker though the way characters refer to one another: \"Miss", "titles. My problem is coming up in dialog. I can signal the social", "actual name) after only a tenuous relationship with a millionaire. She also eventually", "social hierarchy and levels of familiarity. It happens without even thinking about it.", "sure how the characters themselves would handle it. How would (Westernized) characters refer", "formal, or people who aren't so personally familiar need to address her or", "of convenience (fix her, Ellis Island style) or are there other name conventions/euphemisms", "one name? Would they give her a last name out of convenience (fix", "hierarchy and also give hints to the mindset of the speaker though the", "though the way characters refer to one another: \"Miss Karagi\" vs \"Joor Karagi\"", "with these social perceptions, for example insisting on being called \"Mrs Rothschild\" (not", "only beginning her social climb, it's become a dialog issue because I've lost", "(Westernized) characters refer to to this person with only one name? Would they", "never bothered to give her more than one name, I guess I was", "in a \"worldbuilding\" sense, but the idea is also to signify she has", "just use her name, but I don't know what to do when the", "changes over time as she \"levels up\" in their society, and eventually she", "scheming social climber, etc. Her status also changes over time as she \"levels", "she is perceived by other characters is a major theme of the novel", "sure how to handle this as a writer, and I'm not sure how", "climber, etc. Her status also changes over time as she \"levels up\" in", "The rest of the characters come from societies modeled on Western culture, so", "Her status also changes over time as she \"levels up\" in their society,", "\"Mrs Rothschild\" (not the actual name) after only a tenuous relationship with a", "up in dialog. I can signal the social hierarchy and also give hints", "character who starts as a low servant caste and rises up through society.", "and rises up through society. While plotting, I never bothered to give her", "legal documents. I'm not sure how to handle this as a writer, and", "low servant caste and rises up through society. While plotting, I never bothered", "(fix her, Ellis Island style) or are there other name conventions/euphemisms they would", "I didn't consider it in a \"worldbuilding\" sense, but the idea is also", "from societies modeled on Western culture, so they have first and last names,", "own. The rest of the characters come from societies modeled on Western culture,", "the social hierarchy and also give hints to the mindset of the speaker", "society. While plotting, I never bothered to give her more than one name,", "it again and again in dialog, especially since the way she is perceived", "know what to do when the dialog becomes formal, or people who aren't", "one-word name works like Mudonre or Cdej. But in the early stage, while", "a low servant caste and rises up through society. While plotting, I never", "also give hints to the mindset of the speaker though the way characters", "characters themselves would handle it. How would (Westernized) characters refer to to this", "would (Westernized) characters refer to to this person with only one name? Would", "they would use? In casual dialog the people close to her would just", "called \"Mrs Rothschild\" (not the actual name) after only a tenuous relationship with", "\"worldbuilding\" sense, but the idea is also to signify she has no status", "that she has no family name to claim. To be honest I didn't", "– some see her as a naive girl, some see her as a", "some see her as a naive girl, some see her as a scheming", "to handle this as a writer, and I'm not sure how the characters", "a subplot about her name appearing on legal documents. I'm not sure how", "familiarity. It happens without even thinking about it. This doesn't work on the", "only a tenuous relationship with a millionaire. She also eventually gains some infamy", "stumbling over it again and again in dialog, especially since the way she", "social hierarchy and also give hints to the mindset of the speaker though", "her, Ellis Island style) or are there other name conventions/euphemisms they would use?", "be honest I didn't consider it in a \"worldbuilding\" sense, but the idea", "is still servant caste and only beginning her social climb, it's become a", "some infamy and at that point her one-word name works like Mudonre or", "the novel – some see her as a naive girl, some see her", "of the speaker though the way characters refer to one another: \"Miss Karagi\"", "another: \"Miss Karagi\" vs \"Joor Karagi\" vs \"Joor\" vs \"Lieutenant Karagi\" – I", "bothered to give her more than one name, I guess I was thinking", "signal the social hierarchy and also give hints to the mindset of the", "become a dialog issue because I've lost this level of subtlety. I'm not", "the character with one name, and now I'm stumbling over it again and", "– I can easily signify social hierarchy and levels of familiarity. It happens", "example insisting on being called \"Mrs Rothschild\" (not the actual name) after only", "to her would just use her name, but I don't know what to", "while she is still servant caste and only beginning her social climb, it's", "levels of familiarity. It happens without even thinking about it. This doesn't work", "they give her a last name out of convenience (fix her, Ellis Island", "her name, but I don't know what to do when the dialog becomes", "so they have first and last names, nicknames, and often ranks and titles.", "and eventually she plays with these social perceptions, for example insisting on being", "and that she has no family name to claim. To be honest I", "the characters themselves would handle it. How would (Westernized) characters refer to to", "rises up through society. While plotting, I never bothered to give her more", "and titles. My problem is coming up in dialog. I can signal the", "to this person with only one name? Would they give her a last", "they have first and last names, nicknames, and often ranks and titles. My", "consider it in a \"worldbuilding\" sense, but the idea is also to signify", "this level of subtlety. I'm not sure how to address her formally, and", "are there other name conventions/euphemisms they would use? In casual dialog the people", "refer to to this person with only one name? Would they give her", "last name out of convenience (fix her, Ellis Island style) or are there", "a writer, and I'm not sure how the characters themselves would handle it.", "her. Are there ways I can signify these social layers and the personal", "signify she has no status of her own. The rest of the characters", "be important, and that she has no family name to claim. To be", "and I'm not sure how the characters themselves would handle it. How would", "over time as she \"levels up\" in their society, and eventually she plays", "eventually gains some infamy and at that point her one-word name works like", "as a scheming social climber, etc. Her status also changes over time as", "like Mudonre or Cdej. But in the early stage, while she is still", "is also a subplot about her name appearing on legal documents. I'm not", "it's become a dialog issue because I've lost this level of subtlety. I'm", "nicknames, and often ranks and titles. My problem is coming up in dialog.", "the mindset of the speaker though the way characters refer to one another:", "it in a \"worldbuilding\" sense, but the idea is also to signify she", "name conventions/euphemisms they would use? In casual dialog the people close to her", "conventions/euphemisms they would use? In casual dialog the people close to her would", "tenuous relationship with a millionaire. She also eventually gains some infamy and at", "becomes formal, or people who aren't so personally familiar need to address her", "do when the dialog becomes formal, or people who aren't so personally familiar", "characters come from societies modeled on Western culture, so they have first and", "I'm not sure how to handle this as a writer, and I'm not", "status also changes over time as she \"levels up\" in their society, and", "writer, and I'm not sure how the characters themselves would handle it. How" ]
[ "for the philosopher's stone). I have always heard that an author should steal", "book because I feel I'm doing something wrong. In my story I stole", "the idea of my character and his goal like Full Metal Alchemist (missing", "idea of my character and his goal like Full Metal Alchemist (missing a", "of dreams, where my main antagonist is someone in a place like the", "of taking over my enjoyment of writing my book because I feel I'm", "dreams, where my main antagonist is someone in a place like the hunter's", "are kind of taking over my enjoyment of writing my book because I", "I have always heard that an author should steal like an artist but", "not copy but my emotions make me feel like my work may be", "looking for the philosopher's stone). I have always heard that an author should", "a place like the hunter's dream. I took the idea of my character", "but my emotions make me feel like my work may be seen as", "hunter's dream. I took the idea of my character and his goal like", "of Bioshock's infinite society and parallel worlds. I took Bloodborne's ideas of dreams,", "parallel worlds. I took Bloodborne's ideas of dreams, where my main antagonist is", "in a place like the hunter's dream. I took the idea of my", "writing my book because I feel I'm doing something wrong. In my story", "like an artist but not copy but my emotions make me feel like", "the idea of Bioshock's infinite society and parallel worlds. I took Bloodborne's ideas", "doing something wrong. In my story I stole ideas from other stories. I", "stole ideas from other stories. I took the idea of Bioshock's infinite society", "like Full Metal Alchemist (missing a body part and looking for the philosopher's", "copy but my emotions make me feel like my work may be seen", "and his goal like Full Metal Alchemist (missing a body part and looking", "my fears are kind of taking over my enjoyment of writing my book", "but not copy but my emotions make me feel like my work may", "because I feel I'm doing something wrong. In my story I stole ideas", "the hunter's dream. I took the idea of my character and his goal", "goal like Full Metal Alchemist (missing a body part and looking for the", "steal like an artist but not copy but my emotions make me feel", "wrong. In my story I stole ideas from other stories. I took the", "have always heard that an author should steal like an artist but not", "the philosopher's stone). I have always heard that an author should steal like", "feel I'm doing something wrong. In my story I stole ideas from other", "of writing my book because I feel I'm doing something wrong. In my", "I feel I'm doing something wrong. In my story I stole ideas from", "my emotions make me feel like my work may be seen as plagiarized.", "fears are kind of taking over my enjoyment of writing my book because", "stone). I have always heard that an author should steal like an artist", "of my character and his goal like Full Metal Alchemist (missing a body", "an author should steal like an artist but not copy but my emotions", "my main antagonist is someone in a place like the hunter's dream. I", "part and looking for the philosopher's stone). I have always heard that an", "story I stole ideas from other stories. I took the idea of Bioshock's", "took the idea of my character and his goal like Full Metal Alchemist", "Alchemist (missing a body part and looking for the philosopher's stone). I have", "enjoyment of writing my book because I feel I'm doing something wrong. In", "I took the idea of my character and his goal like Full Metal", "that an author should steal like an artist but not copy but my", "kind of taking over my enjoyment of writing my book because I feel", "over my enjoyment of writing my book because I feel I'm doing something", "is someone in a place like the hunter's dream. I took the idea", "his goal like Full Metal Alchemist (missing a body part and looking for", "should steal like an artist but not copy but my emotions make me", "philosopher's stone). I have always heard that an author should steal like an", "I stole ideas from other stories. I took the idea of Bioshock's infinite", "dream. I took the idea of my character and his goal like Full", "heard that an author should steal like an artist but not copy but", "and parallel worlds. I took Bloodborne's ideas of dreams, where my main antagonist", "other stories. I took the idea of Bioshock's infinite society and parallel worlds.", "I'm doing something wrong. In my story I stole ideas from other stories.", "Bloodborne's ideas of dreams, where my main antagonist is someone in a place", "always heard that an author should steal like an artist but not copy", "my book because I feel I'm doing something wrong. In my story I", "taking over my enjoyment of writing my book because I feel I'm doing", "something wrong. In my story I stole ideas from other stories. I took", "took the idea of Bioshock's infinite society and parallel worlds. I took Bloodborne's", "an artist but not copy but my emotions make me feel like my", "infinite society and parallel worlds. I took Bloodborne's ideas of dreams, where my", "from other stories. I took the idea of Bioshock's infinite society and parallel", "where my main antagonist is someone in a place like the hunter's dream.", "ideas of dreams, where my main antagonist is someone in a place like", "my character and his goal like Full Metal Alchemist (missing a body part", "character and his goal like Full Metal Alchemist (missing a body part and", "Bioshock's infinite society and parallel worlds. I took Bloodborne's ideas of dreams, where", "society and parallel worlds. I took Bloodborne's ideas of dreams, where my main", "idea of Bioshock's infinite society and parallel worlds. I took Bloodborne's ideas of", "and looking for the philosopher's stone). I have always heard that an author", "antagonist is someone in a place like the hunter's dream. I took the", "ideas from other stories. I took the idea of Bioshock's infinite society and", "main antagonist is someone in a place like the hunter's dream. I took", "worlds. I took Bloodborne's ideas of dreams, where my main antagonist is someone", "someone in a place like the hunter's dream. I took the idea of", "I took the idea of Bioshock's infinite society and parallel worlds. I took", "author should steal like an artist but not copy but my emotions make", "my enjoyment of writing my book because I feel I'm doing something wrong.", "like the hunter's dream. I took the idea of my character and his", "I took Bloodborne's ideas of dreams, where my main antagonist is someone in", "my story I stole ideas from other stories. I took the idea of", "place like the hunter's dream. I took the idea of my character and", "body part and looking for the philosopher's stone). I have always heard that", "(missing a body part and looking for the philosopher's stone). I have always", "artist but not copy but my emotions make me feel like my work", "a body part and looking for the philosopher's stone). I have always heard", "So my fears are kind of taking over my enjoyment of writing my", "In my story I stole ideas from other stories. I took the idea", "stories. I took the idea of Bioshock's infinite society and parallel worlds. I", "Full Metal Alchemist (missing a body part and looking for the philosopher's stone).", "Metal Alchemist (missing a body part and looking for the philosopher's stone). I", "took Bloodborne's ideas of dreams, where my main antagonist is someone in a" ]
[ "also commonplace. In other words, I wonder if it's acceptable or prudent to", "country. We're all familiar with \"fictionalizing\" dialogue and situations within the lives of", "sister to Czar Nicholas II of Russia — someone who generally opposed the", "the country. We're all familiar with \"fictionalizing\" dialogue and situations within the lives", "lives of actual, historical figures. But I'm uncertain if what I'm describing is", "all familiar with \"fictionalizing\" dialogue and situations within the lives of actual, historical", "of Russia — someone who generally opposed the monarchy and specifically her brother's", "marry a commoner and leave the country. We're all familiar with \"fictionalizing\" dialogue", "II of Russia — someone who generally opposed the monarchy and specifically her", "between the First and Second World Wars. For purposes of the storyline I", "writing a manuscript of historical fiction depicting mostly fictional European characters in the", "about half-way into writing a manuscript of historical fiction depicting mostly fictional European", "into writing a manuscript of historical fiction depicting mostly fictional European characters in", "and decided to marry a commoner and leave the country. We're all familiar", "an imaginary third sister to Czar Nicholas II of Russia — someone who", "\"fictionalizing\" dialogue and situations within the lives of actual, historical figures. But I'm", "situations within the lives of actual, historical figures. But I'm uncertain if what", "I am about half-way into writing a manuscript of historical fiction depicting mostly", "someone who generally opposed the monarchy and specifically her brother's brutal regime, and", "mostly fictional European characters in the period between the First and Second World", "figures. But I'm uncertain if what I'm describing is also commonplace. In other", "other words, I wonder if it's acceptable or prudent to \"invent\" a sibling", "fictional European characters in the period between the First and Second World Wars.", "regime, and decided to marry a commoner and leave the country. We're all", "the First and Second World Wars. For purposes of the storyline I would", "to marry a commoner and leave the country. We're all familiar with \"fictionalizing\"", "commonplace. In other words, I wonder if it's acceptable or prudent to \"invent\"", "imaginary third sister to Czar Nicholas II of Russia — someone who generally", "Second World Wars. For purposes of the storyline I would like to create", "what I'm describing is also commonplace. In other words, I wonder if it's", "— someone who generally opposed the monarchy and specifically her brother's brutal regime,", "the storyline I would like to create an imaginary third sister to Czar", "third sister to Czar Nicholas II of Russia — someone who generally opposed", "familiar with \"fictionalizing\" dialogue and situations within the lives of actual, historical figures.", "Nicholas II of Russia — someone who generally opposed the monarchy and specifically", "actual, historical figures. But I'm uncertain if what I'm describing is also commonplace.", "if what I'm describing is also commonplace. In other words, I wonder if", "monarchy and specifically her brother's brutal regime, and decided to marry a commoner", "I wonder if it's acceptable or prudent to \"invent\" a sibling in this", "the lives of actual, historical figures. But I'm uncertain if what I'm describing", "like to create an imaginary third sister to Czar Nicholas II of Russia", "of actual, historical figures. But I'm uncertain if what I'm describing is also", "specifically her brother's brutal regime, and decided to marry a commoner and leave", "characters in the period between the First and Second World Wars. For purposes", "manuscript of historical fiction depicting mostly fictional European characters in the period between", "But I'm uncertain if what I'm describing is also commonplace. In other words,", "and leave the country. We're all familiar with \"fictionalizing\" dialogue and situations within", "dialogue and situations within the lives of actual, historical figures. But I'm uncertain", "I'm describing is also commonplace. In other words, I wonder if it's acceptable", "European characters in the period between the First and Second World Wars. For", "would like to create an imaginary third sister to Czar Nicholas II of", "to Czar Nicholas II of Russia — someone who generally opposed the monarchy", "leave the country. We're all familiar with \"fictionalizing\" dialogue and situations within the", "I'm uncertain if what I'm describing is also commonplace. In other words, I", "generally opposed the monarchy and specifically her brother's brutal regime, and decided to", "a commoner and leave the country. We're all familiar with \"fictionalizing\" dialogue and", "is also commonplace. In other words, I wonder if it's acceptable or prudent", "of the storyline I would like to create an imaginary third sister to", "uncertain if what I'm describing is also commonplace. In other words, I wonder", "First and Second World Wars. For purposes of the storyline I would like", "We're all familiar with \"fictionalizing\" dialogue and situations within the lives of actual,", "brother's brutal regime, and decided to marry a commoner and leave the country.", "words, I wonder if it's acceptable or prudent to \"invent\" a sibling in", "historical fiction depicting mostly fictional European characters in the period between the First", "a manuscript of historical fiction depicting mostly fictional European characters in the period", "create an imaginary third sister to Czar Nicholas II of Russia — someone", "purposes of the storyline I would like to create an imaginary third sister", "Wars. For purposes of the storyline I would like to create an imaginary", "World Wars. For purposes of the storyline I would like to create an", "fiction depicting mostly fictional European characters in the period between the First and", "the period between the First and Second World Wars. For purposes of the", "commoner and leave the country. We're all familiar with \"fictionalizing\" dialogue and situations", "of historical fiction depicting mostly fictional European characters in the period between the", "who generally opposed the monarchy and specifically her brother's brutal regime, and decided", "brutal regime, and decided to marry a commoner and leave the country. We're", "the monarchy and specifically her brother's brutal regime, and decided to marry a", "storyline I would like to create an imaginary third sister to Czar Nicholas", "and specifically her brother's brutal regime, and decided to marry a commoner and", "wonder if it's acceptable or prudent to \"invent\" a sibling in this manner.", "historical figures. But I'm uncertain if what I'm describing is also commonplace. In", "decided to marry a commoner and leave the country. We're all familiar with", "to create an imaginary third sister to Czar Nicholas II of Russia —", "am about half-way into writing a manuscript of historical fiction depicting mostly fictional", "opposed the monarchy and specifically her brother's brutal regime, and decided to marry", "her brother's brutal regime, and decided to marry a commoner and leave the", "in the period between the First and Second World Wars. For purposes of", "and Second World Wars. For purposes of the storyline I would like to", "In other words, I wonder if it's acceptable or prudent to \"invent\" a", "depicting mostly fictional European characters in the period between the First and Second", "For purposes of the storyline I would like to create an imaginary third", "within the lives of actual, historical figures. But I'm uncertain if what I'm", "and situations within the lives of actual, historical figures. But I'm uncertain if", "I would like to create an imaginary third sister to Czar Nicholas II", "with \"fictionalizing\" dialogue and situations within the lives of actual, historical figures. But", "period between the First and Second World Wars. For purposes of the storyline", "half-way into writing a manuscript of historical fiction depicting mostly fictional European characters", "Czar Nicholas II of Russia — someone who generally opposed the monarchy and", "Russia — someone who generally opposed the monarchy and specifically her brother's brutal", "describing is also commonplace. In other words, I wonder if it's acceptable or" ]
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Currently I'm writing", "own writing, but I am nor quite sure what the purpose of giving", "I go about if I wanted a similar kind of title for my", "set in Victorian times and I try to imitate the 19th century style.", "I wonder: What effects were authors trying to achieve with these \"double\" titles?", "> > There are countless examples from both fiction and non-fiction for this", "> > Varney the Vampire; or, the Feast of Blood > > >", "> There are countless examples from both fiction and non-fiction for this kind", "provide two alternative titles for a text. One example I just came across", "Currently I'm writing detective fiction stories set in Victorian times and I try", "times and I try to imitate the 19th century style. As these \"dual\"", "I think of using that style for my own writing, but I am", "example I just came across is: > > Varney the Vampire; or, the", "One example I just came across is: > > Varney the Vampire; or,", "Victorian times and I try to imitate the 19th century style. As these", "period, I think of using that style for my own writing, but I", "tendency to provide two alternative titles for a text. One example I just", "titles for a text. One example I just came across is: > >", "about if I wanted a similar kind of title for my own story?", "of \"dual\" title. Currently I'm writing detective fiction stories set in Victorian times", "from both fiction and non-fiction for this kind of \"dual\" title. Currently I'm", "I noticed a common tendency to provide two alternative titles for a text.", "title. Currently I'm writing detective fiction stories set in Victorian times and I", "typical of the period, I think of using that style for my own", "writing, but I am nor quite sure what the purpose of giving a", "for a text. One example I just came across is: > > Varney", "detective fiction stories set in Victorian times and I try to imitate the", "Feast of Blood > > > There are countless examples from both fiction", "noticed a common tendency to provide two alternative titles for a text. One", "across is: > > Varney the Vampire; or, the Feast of Blood >", "I am nor quite sure what the purpose of giving a text two", "In older literature - mostly 19th century - I noticed a common tendency", "think of using that style for my own writing, but I am nor", "in Victorian times and I try to imitate the 19th century style. As", "older literature - mostly 19th century - I noticed a common tendency to", "to achieve with these \"double\" titles? And how would I go about if", "and I try to imitate the 19th century style. As these \"dual\" titles", "came across is: > > Varney the Vampire; or, the Feast of Blood", "As these \"dual\" titles appear typical of the period, I think of using", "purpose of giving a text two titles is and how to employ this", "So I wonder: What effects were authors trying to achieve with these \"double\"", "There are countless examples from both fiction and non-fiction for this kind of", "effects were authors trying to achieve with these \"double\" titles? And how would", "mostly 19th century - I noticed a common tendency to provide two alternative", "of using that style for my own writing, but I am nor quite", "employ this format properly. So I wonder: What effects were authors trying to", "titles? And how would I go about if I wanted a similar kind", "of giving a text two titles is and how to employ this format", "stories set in Victorian times and I try to imitate the 19th century", "a common tendency to provide two alternative titles for a text. One example", "is and how to employ this format properly. So I wonder: What effects", "wonder: What effects were authors trying to achieve with these \"double\" titles? And", "the 19th century style. As these \"dual\" titles appear typical of the period,", "- I noticed a common tendency to provide two alternative titles for a", "two titles is and how to employ this format properly. So I wonder:", "\"dual\" title. Currently I'm writing detective fiction stories set in Victorian times and", "how would I go about if I wanted a similar kind of title" ]
[ "the theoretical part. A chapter in the theoretical part is about a process", "to put code examples as they make it easier to understand the concepts.", "literature, compare models and draw conclusions; and a part where I present my", "the software I created. Should I put code examples not directly connected to", "make it easier to understand the concepts. My code examples are not connected", "Or is it enough if I only define concepts without examples? (in the", "thesis? Or is it enough if I only define concepts without examples? (in", "connected to my app in the theoretical part of a thesis? Or is", "it enough if I only define concepts without examples? (in the second part", "engineering. It is split into two parts: a theoretical part where I analyze", "using the patterns defined in the theoretical part. A chapter in the theoretical", "in the theoretical part of a thesis? Or is it enough if I", "they make it easier to understand the concepts. My code examples are not", "to the software I created. Should I put code examples not directly connected", "compare models and draw conclusions; and a part where I present my software", "define concepts without examples? (in the second part they will be referenced anyways", "chapter in the theoretical part is about a process called Domain Driven Design,", "of a thesis? Or is it enough if I only define concepts without", "and a part where I present my software solution to a problem using", "examples as they make it easier to understand the concepts. My code examples", "to a problem using the patterns defined in the theoretical part. A chapter", "to my app in the theoretical part of a thesis? Or is it", "part where I present my software solution to a problem using the patterns", "if I only define concepts without examples? (in the second part they will", "my app in the theoretical part of a thesis? Or is it enough", "bachelor's thesis in software engineering. It is split into two parts: a theoretical", "created. Should I put code examples not directly connected to my app in", "software solution to a problem using the patterns defined in the theoretical part.", "split into two parts: a theoretical part where I analyze existing literature, compare", "code examples not directly connected to my app in the theoretical part of", "thesis in software engineering. It is split into two parts: a theoretical part", "not connected to the software I created. Should I put code examples not", "a part where I present my software solution to a problem using the", "in software engineering. It is split into two parts: a theoretical part where", "concepts. My code examples are not connected to the software I created. Should", "part is about a process called Domain Driven Design, where it is natural", "where I analyze existing literature, compare models and draw conclusions; and a part", "software I created. Should I put code examples not directly connected to my", "theoretical part. A chapter in the theoretical part is about a process called", "the patterns defined in the theoretical part. A chapter in the theoretical part", "am writing my bachelor's thesis in software engineering. It is split into two", "parts: a theoretical part where I analyze existing literature, compare models and draw", "into two parts: a theoretical part where I analyze existing literature, compare models", "where I present my software solution to a problem using the patterns defined", "I created. Should I put code examples not directly connected to my app", "draw conclusions; and a part where I present my software solution to a", "are not connected to the software I created. Should I put code examples", "part of a thesis? Or is it enough if I only define concepts", "two parts: a theoretical part where I analyze existing literature, compare models and", "the theoretical part of a thesis? Or is it enough if I only", "as they make it easier to understand the concepts. My code examples are", "part where I analyze existing literature, compare models and draw conclusions; and a", "called Domain Driven Design, where it is natural to put code examples as", "put code examples as they make it easier to understand the concepts. My", "put code examples not directly connected to my app in the theoretical part", "theoretical part of a thesis? Or is it enough if I only define", "where it is natural to put code examples as they make it easier", "software engineering. It is split into two parts: a theoretical part where I", "the theoretical part is about a process called Domain Driven Design, where it", "analyze existing literature, compare models and draw conclusions; and a part where I", "examples? (in the second part they will be referenced anyways during the analysis", "I analyze existing literature, compare models and draw conclusions; and a part where", "I only define concepts without examples? (in the second part they will be", "A chapter in the theoretical part is about a process called Domain Driven", "only define concepts without examples? (in the second part they will be referenced", "I present my software solution to a problem using the patterns defined in", "patterns defined in the theoretical part. A chapter in the theoretical part is", "problem using the patterns defined in the theoretical part. A chapter in the", "a process called Domain Driven Design, where it is natural to put code", "(in the second part they will be referenced anyways during the analysis of", "is about a process called Domain Driven Design, where it is natural to", "is it enough if I only define concepts without examples? (in the second", "a problem using the patterns defined in the theoretical part. A chapter in", "Driven Design, where it is natural to put code examples as they make", "it is natural to put code examples as they make it easier to", "existing literature, compare models and draw conclusions; and a part where I present", "in the theoretical part. A chapter in the theoretical part is about a", "solution to a problem using the patterns defined in the theoretical part. A", "examples are not connected to the software I created. Should I put code", "it easier to understand the concepts. My code examples are not connected to", "the concepts. My code examples are not connected to the software I created.", "directly connected to my app in the theoretical part of a thesis? Or", "theoretical part is about a process called Domain Driven Design, where it is", "second part they will be referenced anyways during the analysis of my app)", "concepts without examples? (in the second part they will be referenced anyways during", "is split into two parts: a theoretical part where I analyze existing literature,", "models and draw conclusions; and a part where I present my software solution", "Design, where it is natural to put code examples as they make it", "natural to put code examples as they make it easier to understand the", "a thesis? Or is it enough if I only define concepts without examples?", "I am writing my bachelor's thesis in software engineering. It is split into", "not directly connected to my app in the theoretical part of a thesis?", "Domain Driven Design, where it is natural to put code examples as they", "enough if I only define concepts without examples? (in the second part they", "is natural to put code examples as they make it easier to understand", "It is split into two parts: a theoretical part where I analyze existing", "process called Domain Driven Design, where it is natural to put code examples", "present my software solution to a problem using the patterns defined in the", "I put code examples not directly connected to my app in the theoretical", "theoretical part where I analyze existing literature, compare models and draw conclusions; and", "Should I put code examples not directly connected to my app in the", "the second part they will be referenced anyways during the analysis of my", "in the theoretical part is about a process called Domain Driven Design, where", "to understand the concepts. My code examples are not connected to the software", "app in the theoretical part of a thesis? Or is it enough if", "easier to understand the concepts. My code examples are not connected to the", "code examples as they make it easier to understand the concepts. My code", "writing my bachelor's thesis in software engineering. It is split into two parts:", "conclusions; and a part where I present my software solution to a problem", "defined in the theoretical part. A chapter in the theoretical part is about", "without examples? (in the second part they will be referenced anyways during the", "connected to the software I created. Should I put code examples not directly", "My code examples are not connected to the software I created. Should I", "about a process called Domain Driven Design, where it is natural to put", "my bachelor's thesis in software engineering. It is split into two parts: a", "a theoretical part where I analyze existing literature, compare models and draw conclusions;", "part. A chapter in the theoretical part is about a process called Domain", "code examples are not connected to the software I created. Should I put", "understand the concepts. My code examples are not connected to the software I", "and draw conclusions; and a part where I present my software solution to", "examples not directly connected to my app in the theoretical part of a", "my software solution to a problem using the patterns defined in the theoretical" ]
[ "soul and writing past your own defenses. * Fear because you don't feel", "subtler emotions than you've written before. One is a matter of content, the", "On the other hand, are you more likely to write a best-seller if", "- the scene requires more characters than you can juggle, or a more", "But then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about music performance, yes), which", "yes), which implies that the only way to perform perfectly is to hold", "seem to be multiple ways of writing scared: * Fear because you are", "juggle, or a more complex plot, or subtler emotions than you've written before.", "EDIT: I should add that there seem to be multiple ways of writing", "only created when you're writing scared? On the other hand, are you more", "a matter of content, the other of skill level. I'm interested in both.", "enough - the scene requires more characters than you can juggle, or a", "best-seller if you try something within your comfort zone? EDIT: I should add", "to push yourself in your writing? To attempt bigger and deeper stories than", "stories only created when you're writing scared? On the other hand, are you", "before. One is a matter of content, the other of skill level. I'm", "writing past your own defenses. * Fear because you don't feel skilled enough", "perfectly is to hold back just a little and do something that's comfortable", "multiple ways of writing scared: * Fear because you are baring your soul", "your own defenses. * Fear because you don't feel skilled enough - the", "is a matter of content, the other of skill level. I'm interested in", "you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which", "your comfort zone? EDIT: I should add that there seem to be multiple", "in your writing? To attempt bigger and deeper stories than you've done before?", "attempt bigger and deeper stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so.", "perform perfectly is to hold back just a little and do something that's", "is talking about music performance, yes), which implies that the only way to", "because you don't feel skilled enough - the scene requires more characters than", "a little and do something that's comfortable or easy for you What is", "of writing scared: * Fear because you are baring your soul and writing", "implies that the only way to perform perfectly is to hold back just", "should add that there seem to be multiple ways of writing scared: ", "which implies that the only way to perform perfectly is to hold back", "and do something that's comfortable or easy for you What is the value", "way to perform perfectly is to hold back just a little and do", "What is the value of each? Are lasting stories only created when you're", "than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this thread](https://music.stackexchange.com/a/69120)", "are baring your soul and writing past your own defenses. Fear because", "within your comfort zone? EDIT: I should add that there seem to be", "complex plot, or subtler emotions than you've written before. One is a matter", "then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about music performance, yes), which implies", "value of each? Are lasting stories only created when you're writing scared? On", "before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking", "each? Are lasting stories only created when you're writing scared? On the other", "don't feel skilled enough - the scene requires more characters than you can", "back just a little and do something that's comfortable or easy for you", "scared? On the other hand, are you more likely to write a best-seller", "deeper stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's", "push yourself in your writing? To attempt bigger and deeper stories than you've", "One is a matter of content, the other of skill level. I'm interested", "Are lasting stories only created when you're writing scared? On the other hand,", "to write a best-seller if you try something within your comfort zone? EDIT:", "better to push yourself in your writing? To attempt bigger and deeper stories", "the scene requires more characters than you can juggle, or a more complex", "you don't feel skilled enough - the scene requires more characters than you", "only way to perform perfectly is to hold back just a little and", "it better to push yourself in your writing? To attempt bigger and deeper", "other hand, are you more likely to write a best-seller if you try", "try something within your comfort zone? EDIT: I should add that there seem", "written before. One is a matter of content, the other of skill level.", "writing scared? On the other hand, are you more likely to write a", "you're writing scared? On the other hand, are you more likely to write", "or easy for you What is the value of each? Are lasting stories", "something within your comfort zone? EDIT: I should add that there seem to", "writing? To attempt bigger and deeper stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/)", "be multiple ways of writing scared: * Fear because you are baring your", "requires more characters than you can juggle, or a more complex plot, or", "scared: * Fear because you are baring your soul and writing past your", "that there seem to be multiple ways of writing scared: * Fear because", "hand, are you more likely to write a best-seller if you try something", "created when you're writing scared? On the other hand, are you more likely", "ways of writing scared: * Fear because you are baring your soul and", "thread](https://music.stackexchange.com/a/69120) (which is talking about music performance, yes), which implies that the only", "the only way to perform perfectly is to hold back just a little", "so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about music performance, yes),", "or a more complex plot, or subtler emotions than you've written before. One", "than you can juggle, or a more complex plot, or subtler emotions than", "skilled enough - the scene requires more characters than you can juggle, or", "of each? Are lasting stories only created when you're writing scared? On the", "zone? EDIT: I should add that there seem to be multiple ways of", "comfortable or easy for you What is the value of each? Are lasting", "you can juggle, or a more complex plot, or subtler emotions than you've", "performance, yes), which implies that the only way to perform perfectly is to", "that's comfortable or easy for you What is the value of each? Are", "if you try something within your comfort zone? EDIT: I should add that", "and writing past your own defenses. * Fear because you don't feel skilled", "hold back just a little and do something that's comfortable or easy for", "than you've written before. One is a matter of content, the other of", "is the value of each? Are lasting stories only created when you're writing", "I should add that there seem to be multiple ways of writing scared:", "Fear because you are baring your soul and writing past your own defenses.", "to perform perfectly is to hold back just a little and do something", "(which is talking about music performance, yes), which implies that the only way", "or subtler emotions than you've written before. One is a matter of content,", "Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about music", "you more likely to write a best-seller if you try something within your", "baring your soul and writing past your own defenses. * Fear because you", "you are baring your soul and writing past your own defenses. * Fear", "write a best-seller if you try something within your comfort zone? EDIT: I", "there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about music performance, yes), which implies that", "feel skilled enough - the scene requires more characters than you can juggle,", "add that there seem to be multiple ways of writing scared: * Fear", "your writing? To attempt bigger and deeper stories than you've done before? [K.M.", "lasting stories only created when you're writing scared? On the other hand, are", "a best-seller if you try something within your comfort zone? EDIT: I should", "you've written before. One is a matter of content, the other of skill", "you try something within your comfort zone? EDIT: I should add that there", "you What is the value of each? Are lasting stories only created when", "that the only way to perform perfectly is to hold back just a", "music performance, yes), which implies that the only way to perform perfectly is", "[K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about", "talking about music performance, yes), which implies that the only way to perform", "past your own defenses. * Fear because you don't feel skilled enough -", "characters than you can juggle, or a more complex plot, or subtler emotions", "is to hold back just a little and do something that's comfortable or", "to be multiple ways of writing scared: * Fear because you are baring", "likely to write a best-seller if you try something within your comfort zone?", "writing scared: * Fear because you are baring your soul and writing past", "easy for you What is the value of each? Are lasting stories only", "the other hand, are you more likely to write a best-seller if you", "To attempt bigger and deeper stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says", "own defenses. * Fear because you don't feel skilled enough - the scene", "because you are baring your soul and writing past your own defenses. ", "yourself in your writing? To attempt bigger and deeper stories than you've done", "plot, or subtler emotions than you've written before. One is a matter of", "there seem to be multiple ways of writing scared: Fear because you", "more likely to write a best-seller if you try something within your comfort", "defenses. * Fear because you don't feel skilled enough - the scene requires", "[this thread](https://music.stackexchange.com/a/69120) (which is talking about music performance, yes), which implies that the", "to hold back just a little and do something that's comfortable or easy", "something that's comfortable or easy for you What is the value of each?", "are you more likely to write a best-seller if you try something within", "stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this", "bigger and deeper stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But", "done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which is", "for you What is the value of each? Are lasting stories only created", "scene requires more characters than you can juggle, or a more complex plot,", "about music performance, yes), which implies that the only way to perform perfectly", "Is it better to push yourself in your writing? To attempt bigger and", "can juggle, or a more complex plot, or subtler emotions than you've written", "emotions than you've written before. One is a matter of content, the other", "do something that's comfortable or easy for you What is the value of", "the value of each? Are lasting stories only created when you're writing scared?", "more characters than you can juggle, or a more complex plot, or subtler", "little and do something that's comfortable or easy for you What is the", "more complex plot, or subtler emotions than you've written before. One is a", "a more complex plot, or subtler emotions than you've written before. One is", "* Fear because you don't feel skilled enough - the scene requires more", "Fear because you don't feel skilled enough - the scene requires more characters", "* Fear because you are baring your soul and writing past your own", "comfort zone? EDIT: I should add that there seem to be multiple ways", "when you're writing scared? On the other hand, are you more likely to", "your soul and writing past your own defenses. * Fear because you don't", "says so. But then there's [this thread](https://music.stackexchange.com/a/69120) (which is talking about music performance,", "and deeper stories than you've done before? [K.M. Weiland](https://www.helpingwritersbecomeauthors.com/why-you-should-be-writing-scared-2/) says so. But then", "just a little and do something that's comfortable or easy for you What" ]
[ "the story best. Knowing what works for the reader and what does not", "enjoyable scenes. A useful answer will clarify what it means to 'move the", "help the reader enjoy the story best. Knowing what works for the reader", "I 'don't need.' Here's one example of many: > > In SW:A new", "a way necessary to the reader, and can use any example it likes.", "is ever made of > this. It creates sexual tension between Tonb and", "we do not post excerpts of our work for feedback. I routinely hear", "it. If the scene doesn't progress the plot, cut it.* ?? I ask", "the plot forward. But I also (all the time!) see scenes that I", "promise! > > > I'm sticking my flag in, right here - we", "wookie wins > 'because a droid won't rip your arms out if he", "provided here. --- Edit: Just learned that Unkar Plutt (Simon Pegg) had arms", "and that every scene must move the plot forward. But I also (all", "the MF, the wookie wins > 'because a droid won't rip your arms", "this is an unfulfilled > promise! > > > I'm sticking my flag", "key skill for authors. Because WSE is not a critique site, we do", "scene on the MF, the wookie wins > 'because a droid won't rip", "scenes that I 'don't need.' Here's one example of many: > > In", "a droid won't rip your arms out if he loses.' > > >", "Here's a second example, from \"Hook.\" > > Tonber bell grows big and", "not feel constrained by the examples provided here. --- Edit: Just learned that", "in a way necessary to the reader, and can use any example it", "not a critique site, we do not post excerpts of our work for", "made of > this. It creates sexual tension between Tonb and Pedez. Definitely", "that I 'don't need.' Here's one example of many:** > > In SW:A", "value. Some are merely enjoyable scenes. A useful answer will clarify what it", "sexual tension between Tonb and Pedez. Definitely not > canon, and never used", "Plutt (Simon Pegg) had arms ripped out by Chewbacca. Scene was cut. <https://www.independent.co.uk/arts-entertainment/films/news/star-wars-the-force-awakens-deleted-scene-chewbacca-rips-arms-off-a7530976.html>", "what does not is a key skill for authors. Because WSE is not", "of > this. It creates sexual tension between Tonb and Pedez. Definitely not", "cut it.* ?? I ask because I've finished mapping my story to scene-sequel", "wookie is, falls short. > > > Give me a little dismemberment. Otherwise", "scene ... much as I like many of the scenes in my story.", "MF, the wookie wins > 'because a droid won't rip your arms out", "arms out if he loses.' > > > After 8 or more Star", "- we don't need the scene. But I like the scene ... much", "But I also (all the time!) see scenes that I 'don't need.' Here's", "which scenes in their stories to cut in order to help the reader", "dismemberment. Otherwise this is an unfulfilled > promise! > > > I'm sticking", "again in the story. > > > Again, I plant my flag. We", "every scene must move the plot forward. But I also (all the time!)", "is, falls short. > > > Give me a little dismemberment. Otherwise this", "in their stories to cut in order to help the reader enjoy the", "plant my flag. We do not need the scene. So, the question is,", "the scene. So, the question is, how reliable is the advice: If the", "arms. Even when they lose. They just moan a > lot. So even", "here - we don't need the scene. But I like the scene ...", "lot. So even the premise of what a wookie is, falls short. >", "to understand which scenes in their stories to cut in order to help", "will clarify what it means to 'move the plot' in a way necessary", "> Give me a little dismemberment. Otherwise this is an unfulfilled > promise!", "> > > I'm sticking my flag in, right here - we don't", "right here - we don't need the scene. But I like the scene", "and Pedez. Definitely not > canon, and never used again in the story.", "not need the scene. So, the question is, how reliable is the advice:", "cut in order to help the reader enjoy the story best. Knowing what", "a wookie rip out anybody's arms. Even when they lose. They just moan", "in order to help the reader enjoy the story best. Knowing what works", "Because WSE is not a critique site, we do not post excerpts of", "here. --- Edit: Just learned that Unkar Plutt (Simon Pegg) had arms ripped", "scenes in my story. Here's a second example, from \"Hook.\" > > Tonber", "ask because I've finished mapping my story to scene-sequel and am considering their", "that writers should cut anything the reader doesn't need, and that every scene", "Star Wars installments, we still have never seen > a wookie rip out", "that Unkar Plutt (Simon Pegg) had arms ripped out by Chewbacca. Scene was", "scene-sequel and am considering their individual value. Some are merely enjoyable scenes. A", "the examples provided here. --- Edit: Just learned that Unkar Plutt (Simon Pegg)", "my flag. We do not need the scene. So, the question is, how", "reliable is the advice: If the reader doesn't need it, cut it. If", "a second example, from \"Hook.\" > > Tonber bell grows big and then", "that every scene must move the plot forward. But I also (all the", "one example of many: > > In SW:A new hope, in the chess", "unfulfilled > promise! > > > I'm sticking my flag in, right here", "Pedez. Definitely not > canon, and never used again in the story. >", "the story. > > > Again, I plant my flag. We do not", "Otherwise this is an unfulfilled > promise! > > > I'm sticking my", "not > canon, and never used again in the story. > > >", "If the reader doesn't need it, cut it. If the scene doesn't progress", "need, and that every scene must move the plot forward. But I also", "droid won't rip your arms out if he loses.' > > > After", "can use any example it likes. Do not feel constrained by the examples", "--- Edit: Just learned that Unkar Plutt (Simon Pegg) had arms ripped out", "wookie rip out anybody's arms. Even when they lose. They just moan a", "?? I ask because I've finished mapping my story to scene-sequel and am", "But I like the scene ... much as I like many of the", "reader enjoy the story best. Knowing what works for the reader and what", "the chess scene on the MF, the wookie wins > 'because a droid", "or more Star Wars installments, we still have never seen > a wookie", "the time!) see scenes that I 'don't need.' Here's one example of many:", "in my story. Here's a second example, from \"Hook.\" > > Tonber bell", "the wookie wins > 'because a droid won't rip your arms out if", "does not is a key skill for authors. Because WSE is not a", "the reader doesn't need it, cut it. If the scene doesn't progress the", "flag in, right here - we don't need the scene. But I like", "falls short. > > > Give me a little dismemberment. Otherwise this is", "the scenes in my story. Here's a second example, from \"Hook.\" > >", "how reliable is the advice: If the reader doesn't need it, cut it.", "lose. They just moan a > lot. So even the premise of what", "Edit: Just learned that Unkar Plutt (Simon Pegg) had arms ripped out by", "am considering their individual value. Some are merely enjoyable scenes. A useful answer", "not is a key skill for authors. Because WSE is not a critique", "to cut in order to help the reader enjoy the story best. Knowing", "> > > Give me a little dismemberment. Otherwise this is an unfulfilled", "my story. Here's a second example, from \"Hook.\" > > Tonber bell grows", "an unfulfilled > promise! > > > I'm sticking my flag in, right", "> lot. So even the premise of what a wookie is, falls short.", "best. Knowing what works for the reader and what does not is a", "and what does not is a key skill for authors. Because WSE is", "won't rip your arms out if he loses.' > > > After 8", "> > After 8 or more Star Wars installments, we still have never", "small again. Nothing is ever made of > this. It creates sexual tension", "> this. It creates sexual tension between Tonb and Pedez. Definitely not >", "I plant my flag. We do not need the scene. So, the question", "grows big and then small again. Nothing is ever made of > this.", "it, cut it. If the scene doesn't progress the plot, cut it. ??", "> 'because a droid won't rip your arms out if he loses.' >", "loses.' > > > After 8 or more Star Wars installments, we still", "example of many:** > > In SW:A new hope, in the chess scene", "> > > Again, I plant my flag. We do not need the", "premise of what a wookie is, falls short. > > > Give me", "of our work for feedback. I routinely hear that writers should cut anything", "many of the scenes in my story. Here's a second example, from \"Hook.\"", "in the story. > > > Again, I plant my flag. We do", "it likes. Do not feel constrained by the examples provided here. --- Edit:", "of many:** > > In SW:A new hope, in the chess scene on", "reader doesn't need, and that every scene must move the plot forward. But", "feedback. I routinely hear that writers should cut anything the reader doesn't need,", "for the reader and what does not is a key skill for authors.", "> > > After 8 or more Star Wars installments, we still have", "the reader and what does not is a key skill for authors. Because", "After 8 or more Star Wars installments, we still have never seen >", "as I like many of the scenes in my story. Here's a second", "order to help the reader enjoy the story best. Knowing what works for", "bell grows big and then small again. Nothing is ever made of >", "the reader enjoy the story best. Knowing what works for the reader and", "... much as I like many of the scenes in my story. Here's", "the advice: If the reader doesn't need it, cut it. If the scene", "any example it likes. Do not feel constrained by the examples provided here.", "necessary to the reader, and can use any example it likes. Do not", "even the premise of what a wookie is, falls short. > > >", "8 or more Star Wars installments, we still have never seen > a", "story. > > > Again, I plant my flag. We do not need", "do not post excerpts of our work for feedback. I routinely hear that", "is, how reliable is the advice: If the reader doesn't need it, cut", "Again, I plant my flag. We do not need the scene. So, the", "flag. We do not need the scene. So, the question is, how reliable", "Even when they lose. They just moan a > lot. So even the", "what it means to 'move the plot' in a way necessary to the", "tension between Tonb and Pedez. Definitely not > canon, and never used again", "and never used again in the story. > > > Again, I plant", "constrained by the examples provided here. --- Edit: Just learned that Unkar Plutt", "moan a > lot. So even the premise of what a wookie is,", "Unkar Plutt (Simon Pegg) had arms ripped out by Chewbacca. Scene was cut.", "writers should cut anything the reader doesn't need, and that every scene must", "this. It creates sexual tension between Tonb and Pedez. Definitely not > canon,", "story. Here's a second example,** from \"Hook.\" > > Tonber bell grows big", "> > In SW:A new hope, in the chess scene on the MF,", "use any example it likes. Do not feel constrained by the examples provided", "reader doesn't need it, cut it. If the scene doesn't progress the plot,", "chess scene on the MF, the wookie wins > 'because a droid won't", "need it, cut it. If the scene doesn't progress the plot, cut it.*", "a > lot. So even the premise of what a wookie is, falls", "on the MF, the wookie wins > 'because a droid won't rip your", "never used again in the story. > > > Again, I plant my", "big and then small again. Nothing is ever made of > this. It", "plot' in a way necessary to the reader, and can use any example", "In SW:A new hope,* in the chess scene on the MF, the wookie", "hear that writers should cut anything the reader doesn't need, and that every", "example,** from \"Hook.\" > > Tonber bell grows big and then small again.", "new hope,* in the chess scene on the MF, the wookie wins >", "> I'm sticking my flag in, right here - we don't need the", "of what a wookie is, falls short. > > > Give me a", "the plot, cut it. ?? I ask because I've finished mapping my story", "more Star Wars installments, we still have never seen > a wookie rip", "if he loses.' > > > After 8 or more Star Wars installments,", "are merely enjoyable scenes. A useful answer will clarify what it means to", "> a wookie rip out anybody's arms. Even when they lose. They just", "doesn't need, and that every scene must move the plot forward. But I", "> In SW:A new hope, in the chess scene on the MF, the", "plot forward. But I also (all the time!) see scenes that I 'don't", "is not a critique site, we do not post excerpts of our work", "to the reader, and can use any example it likes. Do not feel", "wins > 'because a droid won't rip your arms out if he loses.'", "the question is, how reliable is the advice: If the reader doesn't need", "again. Nothing is ever made of > this. It creates sexual tension between", "'move the plot' in a way necessary to the reader, and can use", "what works for the reader and what does not is a key skill", "in, right here - we don't need the scene. But I like the", "a little dismemberment. Otherwise this is an unfulfilled > promise! > > >", "authors. Because WSE is not a critique site, we do not post excerpts", "little dismemberment. Otherwise this is an unfulfilled > promise! > > > I'm", "I also (all the time!) see scenes that I 'don't need.' Here's one", "> > Give me a little dismemberment. Otherwise this is an unfulfilled >", "canon, and never used again in the story. > > > Again, I", "WSE is not a critique site, we do not post excerpts of our", "progress the plot, cut it. ?? I ask because I've finished mapping my", "stories to cut in order to help the reader enjoy the story best.", "my story to scene-sequel and am considering their individual value. Some are merely", "skill for authors. Because WSE is not a critique site, we do not", "mapping my story to scene-sequel and am considering their individual value. Some are", "scene must move the plot forward. But I also (all the time!) see", "from \"Hook.\" > > Tonber bell grows big and then small again. Nothing", "we still have never seen > a wookie rip out anybody's arms. Even", "reader and what does not is a key skill for authors. Because WSE", "answer will clarify what it means to 'move the plot' in a way", "ever made of > this. It creates sexual tension between Tonb and Pedez.", "what a wookie is, falls short. > > > Give me a little", "I like many of the scenes in my story. Here's a second example,", "considering their individual value. Some are merely enjoyable scenes. A useful answer will", "scenes. A useful answer will clarify what it means to 'move the plot'", "between Tonb and Pedez. Definitely not > canon, and never used again in", "because I've finished mapping my story to scene-sequel and am considering their individual", "I ask because I've finished mapping my story to scene-sequel and am considering", "it. ?? I ask because I've finished mapping my story to scene-sequel and", "means to 'move the plot' in a way necessary to the reader, and", "story to scene-sequel and am considering their individual value. Some are merely enjoyable", "plot, cut it. ?? I ask because I've finished mapping my story to", "scenes in their stories to cut in order to help the reader enjoy", "So, the question is, how reliable is the advice: If the reader doesn't", "Just learned that Unkar Plutt (Simon Pegg) had arms ripped out by Chewbacca.", "reader, and can use any example it likes. Do not feel constrained by", "critique site, we do not post excerpts of our work for feedback. I", "a critique site, we do not post excerpts of our work for feedback.", "'don't need.' Here's one example of many:** > > In SW:A new hope,", "they lose. They just moan a > lot. So even the premise of", "the premise of what a wookie is, falls short. > > > Give", "he loses.' > > > After 8 or more Star Wars installments, we", "example it likes. Do not feel constrained by the examples provided here. ---", "scene. So, the question is, how reliable is the advice: If the reader", "me a little dismemberment. Otherwise this is an unfulfilled > promise! > >", "> After 8 or more Star Wars installments, we still have never seen", "learned that Unkar Plutt (Simon Pegg) had arms ripped out by Chewbacca. Scene", "and then small again. Nothing is ever made of > this. It creates", "(all the time!) see scenes that I 'don't need.' Here's one example of", "way necessary to the reader, and can use any example it likes. Do", "their stories to cut in order to help the reader enjoy the story", "> canon, and never used again in the story. > > > Again,", "also (all the time!) see scenes that I 'don't need.' Here's one example", "So even the premise of what a wookie is, falls short. > >", "I've finished mapping my story to scene-sequel and am considering their individual value.", "the plot' in a way necessary to the reader, and can use any", "A useful answer will clarify what it means to 'move the plot' in", "likes. Do not feel constrained by the examples provided here. --- Edit: Just", "Tonb and Pedez. Definitely not > canon, and never used again in the", "our work for feedback. I routinely hear that writers should cut anything the", "by the examples provided here. --- Edit: Just learned that Unkar Plutt (Simon", "my flag in, right here - we don't need the scene. But I", "we don't need the scene. But I like the scene ... much as", "examples provided here. --- Edit: Just learned that Unkar Plutt (Simon Pegg) had", "scene. But I like the scene ... much as I like many of", "anybody's arms. Even when they lose. They just moan a > lot. So", "Some are merely enjoyable scenes. A useful answer will clarify what it means", "the reader doesn't need, and that every scene must move the plot forward.", "They just moan a > lot. So even the premise of what a", "anything the reader doesn't need, and that every scene must move the plot", "to scene-sequel and am considering their individual value. Some are merely enjoyable scenes.", "do not need the scene. So, the question is, how reliable is the", "a wookie is, falls short. > > > Give me a little dismemberment.", "the scene ... much as I like many of the scenes in my", "doesn't need it, cut it. If the scene doesn't progress the plot, cut", "I like the scene ... much as I like many of the scenes", "individual value. Some are merely enjoyable scenes. A useful answer will clarify what", "for feedback. I routinely hear that writers should cut anything the reader doesn't", "'because a droid won't rip your arms out if he loses.' > >", "your arms out if he loses.' > > > After 8 or more", "many: > > In SW:A new hope, in the chess scene on the", "out if he loses.' > > > After 8 or more Star Wars", "hope,* in the chess scene on the MF, the wookie wins > 'because", "creates sexual tension between Tonb and Pedez. Definitely not > canon, and never", "is a key skill for authors. Because WSE is not a critique site,", "doesn't progress the plot, cut it. ?? I ask because I've finished mapping", "story best. Knowing what works for the reader and what does not is", "merely enjoyable scenes. A useful answer will clarify what it means to 'move", "Knowing what works for the reader and what does not is a key", "rip your arms out if he loses.' > > > After 8 or", "much as I like many of the scenes in my story. Here's a", "Authors need to understand which scenes in their stories to cut in order", "the scene. But I like the scene ... much as I like many", "out anybody's arms. Even when they lose. They just moan a > lot.", "\"Hook.\" > > Tonber bell grows big and then small again. Nothing is", "scene doesn't progress the plot, cut it. ?? I ask because I've finished", "finished mapping my story to scene-sequel and am considering their individual value. Some", "just moan a > lot. So even the premise of what a wookie", "Tonber bell grows big and then small again. Nothing is ever made of", "used again in the story. > > > Again, I plant my flag.", "Do not feel constrained by the examples provided here. --- Edit: Just learned", "Give me a little dismemberment. Otherwise this is an unfulfilled > promise! >", "SW:A new hope, in the chess scene on the MF, the wookie wins", "should cut anything the reader doesn't need, and that every scene must move", "rip out anybody's arms. Even when they lose. They just moan a >", "works for the reader and what does not is a key skill for", "see scenes that I 'don't need.' Here's one example of many: > >", "have never seen > a wookie rip out anybody's arms. Even when they", "cut it. If the scene doesn't progress the plot, cut it. ?? I", "must move the plot forward. But I also (all the time!) see scenes", "is the advice: If the reader doesn't need it, cut it. If the", "time!) see scenes that I 'don't need.' Here's one example of many: >", "when they lose. They just moan a > lot. So even the premise", "I'm sticking my flag in, right here - we don't need the scene.", "work for feedback. I routinely hear that writers should cut anything the reader", "still have never seen > a wookie rip out anybody's arms. Even when", "move the plot forward. But I also (all the time!) see scenes that", "to 'move the plot' in a way necessary to the reader, and can", "the reader, and can use any example it likes. Do not feel constrained", "Nothing is ever made of > this. It creates sexual tension between Tonb", "is an unfulfilled > promise! > > > I'm sticking my flag in,", "excerpts of our work for feedback. I routinely hear that writers should cut", "need the scene. But I like the scene ... much as I like", "cut anything the reader doesn't need, and that every scene must move the", "clarify what it means to 'move the plot' in a way necessary to", "installments, we still have never seen > a wookie rip out anybody's arms.", "> > Tonber bell grows big and then small again. Nothing is ever", "need.' Here's one example of many: > > In SW:A new hope, in", "We do not need the scene. So, the question is, how reliable is", "forward. But I also (all the time!) see scenes that I 'don't need.'", "Here's one example of many:** > > In SW:A new hope, in the", "site, we do not post excerpts of our work for feedback. I routinely", "> promise! > > > I'm sticking my flag in, right here -", "like the scene ... much as I like many of the scenes in", "and can use any example it likes. Do not feel constrained by the", "> Tonber bell grows big and then small again. Nothing is ever made", "in the chess scene on the MF, the wookie wins > 'because a", "and am considering their individual value. Some are merely enjoyable scenes. A useful", "Definitely not > canon, and never used again in the story. > >", "never seen > a wookie rip out anybody's arms. Even when they lose.", "If the scene doesn't progress the plot, cut it. ?? I ask because", "enjoy the story best. Knowing what works for the reader and what does", "not post excerpts of our work for feedback. I routinely hear that writers", "question is, how reliable is the advice: If the reader doesn't need it,", "a key skill for authors. Because WSE is not a critique site, we", "then small again. Nothing is ever made of > this. It creates sexual", "it means to 'move the plot' in a way necessary to the reader,", "> > Again, I plant my flag. We do not need the scene.", "It creates sexual tension between Tonb and Pedez. Definitely not > canon, and", "I routinely hear that writers should cut anything the reader doesn't need, and", "need to understand which scenes in their stories to cut in order to", "useful answer will clarify what it means to 'move the plot' in a", "> > I'm sticking my flag in, right here - we don't need", "of the scenes in my story. Here's a second example, from \"Hook.\" >", "second example, from \"Hook.\" > > Tonber bell grows big and then small", "advice: If the reader doesn't need it, cut it. If the scene doesn't", "for authors. Because WSE is not a critique site, we do not post", "need the scene. So, the question is, how reliable is the advice: If", "sticking my flag in, right here - we don't need the scene. But", "don't need the scene. But I like the scene ... much as I", "understand which scenes in their stories to cut in order to help the", "feel constrained by the examples provided here. --- Edit: Just learned that Unkar", "post excerpts of our work for feedback. I routinely hear that writers should", "routinely hear that writers should cut anything the reader doesn't need, and that", "to help the reader enjoy the story best. Knowing what works for the", "> Again, I plant my flag. We do not need the scene. So,", "like many of the scenes in my story. Here's a second example, from", "Wars installments, we still have never seen > a wookie rip out anybody's", "the scene doesn't progress the plot, cut it. ?? I ask because I've", "seen > a wookie rip out anybody's arms. Even when they lose. They", "their individual value. Some are merely enjoyable scenes. A useful answer will clarify", "short. > > > Give me a little dismemberment. Otherwise this is an" ]
[ "While I know the general age range for these genres (Children's (~8), middle", "there are any particular clues I could look out for when deciding which", "vs Evil, ancient-magic-awakening kind of story), so I assume that means it could", "adult. In the end, basically, I would like to ask: Are there any", "a fantasy novel, and I think it's leaning more towards middle grade rather", "I should class it as. While I know the general age range for", "be in the writing of one or another, I can't help but wonder", "not mortal danger, they learn from their mistakes), Susan Cooper's [The Dark is", "is described on Wikipedia as 'for older children and young adults' (more of", "clear cut distinctions between the themes/plots/stories for these genres. For example, while E.", "they learn from their mistakes), Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is", "their mistakes), Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia", "know the general age range for these genres (Children's (~8), middle grade (9~11),", "vs Dark, Good vs Evil, ancient-magic-awakening kind of story), so I assume that", "so I assume that means it could be classed as either middle grade", "be classed as either middle grade or young adult. In the end, basically,", "and I think it's leaning more towards middle grade rather than children's or", "help but wonder where one crosses over into another, and whether there are", "novel, and I think it's leaning more towards middle grade rather than children's", "Evil, ancient-magic-awakening kind of story), so I assume that means it could be", "as. While I know the general age range for these genres (Children's (~8),", "get themselves into trouble but not mortal danger, they learn from their mistakes),", "these genres (Children's (~8), middle grade (9~11), and young adult (12+)) and can", "like to know if there are any particular clues I could look out", "Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for older children and young adults' (more", "write a fantasy novel, and I think it's leaning more towards middle grade", "to be in the writing of one or another, I can't help but", "danger, they learn from their mistakes), Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence)", "Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for older", "learn from their mistakes), Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described", "much a children's fantasy (it's light hearted, the children get themselves into trouble", "Are there any definite rules such as 'stories like this are always children's", "while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy", "themes/plots/stories for these genres. For example, while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It)", "a children's fantasy (it's light hearted, the children get themselves into trouble but", "general age range for these genres (Children's (~8), middle grade (9~11), and young", "or young adult. In the end, basically, I would like to ask: Are", "and can think of some traits that tend to be in the writing", "another, and whether there are any clear cut distinctions between the themes/plots/stories for", "moment I'm trying to write a fantasy novel, and I think it's leaning", "can think of some traits that tend to be in the writing of", "leaning more towards middle grade rather than children's or young adult fantasy, but", "towards middle grade rather than children's or young adult fantasy, but I'd like", "and young adult (12+)) and can think of some traits that tend to", "wonder where one crosses over into another, and whether there are any clear", "a classic Light vs Dark, Good vs Evil, ancient-magic-awakening kind of story), so", "are always children's fantasy, and ones like this are always middle grade, young", "could look out for when deciding which I should class it as. While", "I'd like to know if there are any particular clues I could look", "themselves into trouble but not mortal danger, they learn from their mistakes), Susan", "[The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for older children", "assume that means it could be classed as either middle grade or young", "to know if there are any particular clues I could look out for", "on Wikipedia as 'for older children and young adults' (more of a classic", "for when deciding which I should class it as. While I know the", "for these genres (Children's (~8), middle grade (9~11), and young adult (12+)) and", "In the end, basically, I would like to ask: Are there any definite", "like to ask: Are there any definite rules such as 'stories like this", "for these genres. For example, while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is", "from their mistakes), Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on", "which I should class it as. While I know the general age range", "(12+)) and can think of some traits that tend to be in the", "one crosses over into another, and whether there are any clear cut distinctions", "grade (9~11), and young adult (12+)) and can think of some traits that", "trouble but not mortal danger, they learn from their mistakes), Susan Cooper's [The", "kind of story), so I assume that means it could be classed as", "(~8), middle grade (9~11), and young adult (12+)) and can think of some", "(Children's (~8), middle grade (9~11), and young adult (12+)) and can think of", "of some traits that tend to be in the writing of one or", "Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy (it's light hearted, the", "of story), so I assume that means it could be classed as either", "there any definite rules such as 'stories like this are always children's fantasy,", "the writing of one or another, I can't help but wonder where one", "the themes/plots/stories for these genres. For example, while E. Nesbit's [Five Children and", "[Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy (it's light hearted,", "hearted, the children get themselves into trouble but not mortal danger, they learn", "children and young adults' (more of a classic Light vs Dark, Good vs", "that means it could be classed as either middle grade or young adult.", "particular clues I could look out for when deciding which I should class", "that tend to be in the writing of one or another, I can't", "any clear cut distinctions between the themes/plots/stories for these genres. For example, while", "Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for older children and young adults'", "of a classic Light vs Dark, Good vs Evil, ancient-magic-awakening kind of story),", "and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy (it's light hearted, the children", "Dark, Good vs Evil, ancient-magic-awakening kind of story), so I assume that means", "story), so I assume that means it could be classed as either middle", "think it's leaning more towards middle grade rather than children's or young adult", "any particular clues I could look out for when deciding which I should", "children's fantasy (it's light hearted, the children get themselves into trouble but not", "'for older children and young adults' (more of a classic Light vs Dark,", "some traits that tend to be in the writing of one or another,", "E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy (it's", "or another, I can't help but wonder where one crosses over into another,", "fantasy, but I'd like to know if there are any particular clues I", "children's or young adult fantasy, but I'd like to know if there are", "I know the general age range for these genres (Children's (~8), middle grade", "think of some traits that tend to be in the writing of one", "adults' (more of a classic Light vs Dark, Good vs Evil, ancient-magic-awakening kind", "classic Light vs Dark, Good vs Evil, ancient-magic-awakening kind of story), so I", "middle grade or young adult. In the end, basically, I would like to", "should class it as. While I know the general age range for these", "basically, I would like to ask: Are there any definite rules such as", "as 'stories like this are always children's fantasy, and ones like this are", "Wikipedia as 'for older children and young adults' (more of a classic Light", "these genres. For example, while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very", "ask: Are there any definite rules such as 'stories like this are always", "class it as. While I know the general age range for these genres", "but wonder where one crosses over into another, and whether there are any", "very much a children's fantasy (it's light hearted, the children get themselves into", "to ask: Are there any definite rules such as 'stories like this are", "adult (12+)) and can think of some traits that tend to be in", "means it could be classed as either middle grade or young adult. In", "know if there are any particular clues I could look out for when", "over into another, and whether there are any clear cut distinctions between the", "rules such as 'stories like this are always children's fantasy, and ones like", "children's fantasy, and ones like this are always middle grade, young adult, etc.'?", "where one crosses over into another, and whether there are any clear cut", "and young adults' (more of a classic Light vs Dark, Good vs Evil,", "I'm trying to write a fantasy novel, and I think it's leaning more", "Good vs Evil, ancient-magic-awakening kind of story), so I assume that means it", "tend to be in the writing of one or another, I can't help", "fantasy novel, and I think it's leaning more towards middle grade rather than", "(it's light hearted, the children get themselves into trouble but not mortal danger,", "(more of a classic Light vs Dark, Good vs Evil, ancient-magic-awakening kind of", "any definite rules such as 'stories like this are always children's fantasy, and", "as 'for older children and young adults' (more of a classic Light vs", "At the moment I'm trying to write a fantasy novel, and I think", "young adult (12+)) and can think of some traits that tend to be", "young adults' (more of a classic Light vs Dark, Good vs Evil, ancient-magic-awakening", "out for when deciding which I should class it as. While I know", "and whether there are any clear cut distinctions between the themes/plots/stories for these", "I can't help but wonder where one crosses over into another, and whether", "mistakes), Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as", "children get themselves into trouble but not mortal danger, they learn from their", "as either middle grade or young adult. In the end, basically, I would", "genres. For example, while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much", "young adult. In the end, basically, I would like to ask: Are there", "clues I could look out for when deciding which I should class it", "it's leaning more towards middle grade rather than children's or young adult fantasy,", "Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for older children and", "is very much a children's fantasy (it's light hearted, the children get themselves", "older children and young adults' (more of a classic Light vs Dark, Good", "example, while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's", "middle grade (9~11), and young adult (12+)) and can think of some traits", "adult fantasy, but I'd like to know if there are any particular clues", "another, I can't help but wonder where one crosses over into another, and", "like this are always children's fantasy, and ones like this are always middle", "between the themes/plots/stories for these genres. For example, while E. Nesbit's [Five Children", "in the writing of one or another, I can't help but wonder where", "For example, while E. Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a", "definite rules such as 'stories like this are always children's fantasy, and ones", "I think it's leaning more towards middle grade rather than children's or young", "ancient-magic-awakening kind of story), so I assume that means it could be classed", "would like to ask: Are there any definite rules such as 'stories like", "are any particular clues I could look out for when deciding which I", "more towards middle grade rather than children's or young adult fantasy, but I'd", "the end, basically, I would like to ask: Are there any definite rules", "it as. While I know the general age range for these genres (Children's", "it could be classed as either middle grade or young adult. In the", "one or another, I can't help but wonder where one crosses over into", "deciding which I should class it as. While I know the general age", "into trouble but not mortal danger, they learn from their mistakes), Susan Cooper's", "grade rather than children's or young adult fantasy, but I'd like to know", "of one or another, I can't help but wonder where one crosses over", "either middle grade or young adult. In the end, basically, I would like", "Nesbit's [Five Children and It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy (it's light", "whether there are any clear cut distinctions between the themes/plots/stories for these genres.", "cut distinctions between the themes/plots/stories for these genres. For example, while E. Nesbit's", "Light vs Dark, Good vs Evil, ancient-magic-awakening kind of story), so I assume", "than children's or young adult fantasy, but I'd like to know if there", "end, basically, I would like to ask: Are there any definite rules such", "classed as either middle grade or young adult. In the end, basically, I", "(9~11), and young adult (12+)) and can think of some traits that tend", "look out for when deciding which I should class it as. While I", "there are any clear cut distinctions between the themes/plots/stories for these genres. For", "rather than children's or young adult fantasy, but I'd like to know if", "distinctions between the themes/plots/stories for these genres. For example, while E. Nesbit's [Five", "mortal danger, they learn from their mistakes), Susan Cooper's [The Dark is Rising", "genres (Children's (~8), middle grade (9~11), and young adult (12+)) and can think", "age range for these genres (Children's (~8), middle grade (9~11), and young adult", "crosses over into another, and whether there are any clear cut distinctions between", "traits that tend to be in the writing of one or another, I", "is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for older children and young", "when deciding which I should class it as. While I know the general", "could be classed as either middle grade or young adult. In the end,", "or young adult fantasy, but I'd like to know if there are any", "into another, and whether there are any clear cut distinctions between the themes/plots/stories", "if there are any particular clues I could look out for when deciding", "light hearted, the children get themselves into trouble but not mortal danger, they", "I could look out for when deciding which I should class it as.", "this are always children's fantasy, and ones like this are always middle grade,", "but not mortal danger, they learn from their mistakes), Susan Cooper's [The Dark", "fantasy (it's light hearted, the children get themselves into trouble but not mortal", "such as 'stories like this are always children's fantasy, and ones like this", "It](https://en.wikipedia.org/wiki/Five_Children_and_It) is very much a children's fantasy (it's light hearted, the children get", "the moment I'm trying to write a fantasy novel, and I think it's", "always children's fantasy, and ones like this are always middle grade, young adult,", "grade or young adult. In the end, basically, I would like to ask:", "middle grade rather than children's or young adult fantasy, but I'd like to", "'stories like this are always children's fantasy, and ones like this are always", "young adult fantasy, but I'd like to know if there are any particular", "I would like to ask: Are there any definite rules such as 'stories", "are any clear cut distinctions between the themes/plots/stories for these genres. For example,", "Susan Cooper's [The Dark is Rising Sequence](https://en.wikipedia.org/wiki/The_Dark_Is_Rising_Sequence) is described on Wikipedia as 'for", "the children get themselves into trouble but not mortal danger, they learn from", "I assume that means it could be classed as either middle grade or", "range for these genres (Children's (~8), middle grade (9~11), and young adult (12+))", "the general age range for these genres (Children's (~8), middle grade (9~11), and", "trying to write a fantasy novel, and I think it's leaning more towards", "writing of one or another, I can't help but wonder where one crosses", "described on Wikipedia as 'for older children and young adults' (more of a", "to write a fantasy novel, and I think it's leaning more towards middle", "can't help but wonder where one crosses over into another, and whether there", "but I'd like to know if there are any particular clues I could" ]
[ "Also, I need some advice on how to avoid word repetition. Please help", "I'm an amateur writer. I'm having problems with dialogue writing specifically with punctuation", "I need some advice on how to avoid word repetition. Please help this", "an amateur writer. I'm having problems with dialogue writing specifically with punctuation and", "with dialogue writing specifically with punctuation and capitalization. Also, I need some advice", "problems with dialogue writing specifically with punctuation and capitalization. Also, I need some", "I'm having problems with dialogue writing specifically with punctuation and capitalization. Also, I", "writer. I'm having problems with dialogue writing specifically with punctuation and capitalization. Also,", "specifically with punctuation and capitalization. Also, I need some advice on how to", "with punctuation and capitalization. Also, I need some advice on how to avoid", "dialogue writing specifically with punctuation and capitalization. Also, I need some advice on", "amateur writer. I'm having problems with dialogue writing specifically with punctuation and capitalization.", "and capitalization. Also, I need some advice on how to avoid word repetition.", "punctuation and capitalization. Also, I need some advice on how to avoid word", "having problems with dialogue writing specifically with punctuation and capitalization. Also, I need", "writing specifically with punctuation and capitalization. Also, I need some advice on how", "capitalization. Also, I need some advice on how to avoid word repetition. Please", "advice on how to avoid word repetition. Please help this new guy out.", "need some advice on how to avoid word repetition. Please help this new", "some advice on how to avoid word repetition. Please help this new guy" ]
[ "don't make it worse, it's simply dispensable. I, however, added these \"unnecessary\" observations", "have a character in my story who has the habit of making philosophic", "context of the situation, but they don't help progress the plot or add", "observations about life and the functioning of things, or his opinion/vision about something.", "who has the habit of making philosophic observations about life and the functioning", "life and the functioning of things, or his opinion/vision about something. Although most", "the habit of making philosophic observations about life and the functioning of things,", "added these \"unnecessary\" observations because I found them interesting and fitting in the", "these \"unnecessary\" observations because I found them interesting and fitting in the context", "a character in my story who has the habit of making philosophic observations", "simply dispensable. I, however, added these \"unnecessary\" observations because I found them interesting", "with them, some don't or not much, but they also don't make it", "fitting in the context of the situation, but they don't help progress the", "observation. So can I add/keep these or should I keep only what is", "of his observations make the story better with them, some don't or not", "making philosophic observations about life and the functioning of things, or his opinion/vision", "them interesting and fitting in the context of the situation, but they don't", "them, some don't or not much, but they also don't make it worse,", "opinion/vision about something. Although most of his observations make the story better with", "story better with them, some don't or not much, but they also don't", "found them interesting and fitting in the context of the situation, but they", "his observation. So can I add/keep these or should I keep only what", "or not much, but they also don't make it worse, it's simply dispensable.", "I, however, added these \"unnecessary\" observations because I found them interesting and fitting", "or his opinion/vision about something. Although most of his observations make the story", "the functioning of things, or his opinion/vision about something. Although most of his", "I have a character in my story who has the habit of making", "things, or his opinion/vision about something. Although most of his observations make the", "and the functioning of things, or his opinion/vision about something. Although most of", "worse, it's simply dispensable. I, however, added these \"unnecessary\" observations because I found", "observations make the story better with them, some don't or not much, but", "his observations make the story better with them, some don't or not much,", "it's simply dispensable. 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[ "novels usually center around nukes or terrorists, but my specialty niche is about", "to our invention. My question is, since another author is using my main", "pertinent to our invention. My question is, since another author is using my", "my first novel and shared it online with beta readers and those helping", "review from a newly created account, and this single review was the only", "on Goodreads where it received a single review from a newly created account,", "name in his novel with a plot very similar to my own, am", "nukes or terrorists, but my specialty niche is about 'Germ Spies'. I was", "own. The published novel used my main protagonist's same name in its title", "market of \"biological warfare\" spy novel remained uncrowded. Most spy novels usually center", "novel on Goodreads where it received a single review from a newly created", "surname with a unique spelling). The plot was indeed about espionage with biological", "online with beta readers and those helping me write query letters. I checked", "'Germ Spies'. I was shocked to find there is now one published novel", "the exact name of another of my main characters, a name that is", "published novel used my main protagonist's same name in its title (it is", "that is very rare. I have no real way of proving plagiarism of", "the other novel is self published, but in science we must disclose 'prior", "but in science we must disclose 'prior art' pertinent to our invention. My", "it received a single review from a newly created account, and this single", "there is now one published novel that is basically a version of my", "it online with beta readers and those helping me write query letters. I", "checked Google to see if my very narrow niche market of \"biological warfare\"", "that is basically a version of my own. The published novel used my", "my own novel. The author posted his novel on Goodreads where it received", "author is using my main character's name in his novel with a plot", "or terrorists, but my specialty niche is about 'Germ Spies'. I was shocked", "other novel is self published, but in science we must disclose 'prior art'", "we must disclose 'prior art' pertinent to our invention. My question is, since", "showed any activity. The reviewer also used the exact name of another of", "and characters, especially since the other novel is self published, but in science", "write query letters. I checked Google to see if my very narrow niche", "usually center around nukes or terrorists, but my specialty niche is about 'Germ", "science we must disclose 'prior art' pertinent to our invention. My question is,", "his novel on Goodreads where it received a single review from a newly", "first novel and shared it online with beta readers and those helping me", "is very rare. I have no real way of proving plagiarism of my", "of my plot and characters, especially since the other novel is self published,", "to find there is now one published novel that is basically a version", "specialty niche is about 'Germ Spies'. I was shocked to find there is", "name in its title (it is a rare surname with a unique spelling).", "proving plagiarism of my plot and characters, especially since the other novel is", "now required to change my characters name to avoid being accused of plagiarizing", "plot and characters, especially since the other novel is self published, but in", "Spies'. I was shocked to find there is now one published novel that", "characters, a name that is very rare. I have no real way of", "a name that is very rare. I have no real way of proving", "nearly exactly as my own novel. The author posted his novel on Goodreads", "novel. The author posted his novel on Goodreads where it received a single", "activity. The reviewer also used the exact name of another of my main", "I now required to change my characters name to avoid being accused of", "using my main character's name in his novel with a plot very similar", "espionage with biological weapons involving Russia, nearly exactly as my own novel. The", "if my very narrow niche market of \"biological warfare\" spy novel remained uncrowded.", "spy novel remained uncrowded. Most spy novels usually center around nukes or terrorists,", "my very narrow niche market of \"biological warfare\" spy novel remained uncrowded. Most", "about 'Germ Spies'. I was shocked to find there is now one published", "My question is, since another author is using my main character's name in", "helping me write query letters. I checked Google to see if my very", "in his novel with a plot very similar to my own, am I", "disclose 'prior art' pertinent to our invention. My question is, since another author", "rare surname with a unique spelling). The plot was indeed about espionage with", "about espionage with biological weapons involving Russia, nearly exactly as my own novel.", "account, and this single review was the only time that account showed any", "have no real way of proving plagiarism of my plot and characters, especially", "since the other novel is self published, but in science we must disclose", "spy novels usually center around nukes or terrorists, but my specialty niche is", "was shocked to find there is now one published novel that is basically", "only time that account showed any activity. The reviewer also used the exact", "protagonist's same name in its title (it is a rare surname with a", "another author is using my main character's name in his novel with a", "shocked to find there is now one published novel that is basically a", "of \"biological warfare\" spy novel remained uncrowded. Most spy novels usually center around", "'prior art' pertinent to our invention. My question is, since another author is", "his novel with a plot very similar to my own, am I now", "exactly as my own novel. The author posted his novel on Goodreads where", "one published novel that is basically a version of my own. The published", "in science we must disclose 'prior art' pertinent to our invention. My question", "my own. The published novel used my main protagonist's same name in its", "The plot was indeed about espionage with biological weapons involving Russia, nearly exactly", "Most spy novels usually center around nukes or terrorists, but my specialty niche", "a version of my own. The published novel used my main protagonist's same", "my main protagonist's same name in its title (it is a rare surname", "Goodreads where it received a single review from a newly created account, and", "to see if my very narrow niche market of \"biological warfare\" spy novel", "weapons involving Russia, nearly exactly as my own novel. The author posted his", "was the only time that account showed any activity. The reviewer also used", "where it received a single review from a newly created account, and this", "from a newly created account, and this single review was the only time", "the only time that account showed any activity. The reviewer also used the", "terrorists, but my specialty niche is about 'Germ Spies'. I was shocked to", "exact name of another of my main characters, a name that is very", "\"biological warfare\" spy novel remained uncrowded. Most spy novels usually center around nukes", "this single review was the only time that account showed any activity. The", "name of another of my main characters, a name that is very rare.", "beta readers and those helping me write query letters. I checked Google to", "with a unique spelling). The plot was indeed about espionage with biological weapons", "real way of proving plagiarism of my plot and characters, especially since the", "see if my very narrow niche market of \"biological warfare\" spy novel remained", "very narrow niche market of \"biological warfare\" spy novel remained uncrowded. Most spy", "of another of my main characters, a name that is very rare. I", "reviewer also used the exact name of another of my main characters, a", "with a plot very similar to my own, am I now required to", "is now one published novel that is basically a version of my own.", "me write query letters. I checked Google to see if my very narrow", "very rare. I have no real way of proving plagiarism of my plot", "involving Russia, nearly exactly as my own novel. The author posted his novel", "single review was the only time that account showed any activity. The reviewer", "those helping me write query letters. I checked Google to see if my", "shared it online with beta readers and those helping me write query letters.", "received a single review from a newly created account, and this single review", "created account, and this single review was the only time that account showed", "is using my main character's name in his novel with a plot very", "very similar to my own, am I now required to change my characters", "niche is about 'Germ Spies'. I was shocked to find there is now", "I have no real way of proving plagiarism of my plot and characters,", "my plot and characters, especially since the other novel is self published, but", "plot was indeed about espionage with biological weapons involving Russia, nearly exactly as", "remained uncrowded. Most spy novels usually center around nukes or terrorists, but my", "uncrowded. Most spy novels usually center around nukes or terrorists, but my specialty", "am I now required to change my characters name to avoid being accused", "is a rare surname with a unique spelling). The plot was indeed about", "a single review from a newly created account, and this single review was", "our invention. My question is, since another author is using my main character's", "is, since another author is using my main character's name in his novel", "with beta readers and those helping me write query letters. I checked Google", "but my specialty niche is about 'Germ Spies'. I was shocked to find", "any activity. The reviewer also used the exact name of another of my", "I have finished my first novel and shared it online with beta readers", "of my own. The published novel used my main protagonist's same name in", "version of my own. The published novel used my main protagonist's same name", "in its title (it is a rare surname with a unique spelling). The", "query letters. I checked Google to see if my very narrow niche market", "a unique spelling). The plot was indeed about espionage with biological weapons involving", "invention. My question is, since another author is using my main character's name", "with biological weapons involving Russia, nearly exactly as my own novel. The author", "biological weapons involving Russia, nearly exactly as my own novel. The author posted", "novel with a plot very similar to my own, am I now required", "novel and shared it online with beta readers and those helping me write", "of proving plagiarism of my plot and characters, especially since the other novel", "indeed about espionage with biological weapons involving Russia, nearly exactly as my own", "novel that is basically a version of my own. The published novel used", "used my main protagonist's same name in its title (it is a rare", "question is, since another author is using my main character's name in his", "of my main characters, a name that is very rare. I have no", "review was the only time that account showed any activity. The reviewer also", "plagiarism of my plot and characters, especially since the other novel is self", "have finished my first novel and shared it online with beta readers and", "plot very similar to my own, am I now required to change my", "find there is now one published novel that is basically a version of", "my main character's name in his novel with a plot very similar to", "my own, am I now required to change my characters name to avoid", "title (it is a rare surname with a unique spelling). The plot was", "narrow niche market of \"biological warfare\" spy novel remained uncrowded. Most spy novels", "also used the exact name of another of my main characters, a name", "letters. I checked Google to see if my very narrow niche market of", "The author posted his novel on Goodreads where it received a single review", "niche market of \"biological warfare\" spy novel remained uncrowded. Most spy novels usually", "rare. I have no real way of proving plagiarism of my plot and", "a plot very similar to my own, am I now required to change", "name that is very rare. I have no real way of proving plagiarism", "must disclose 'prior art' pertinent to our invention. My question is, since another", "and those helping me write query letters. I checked Google to see if", "time that account showed any activity. The reviewer also used the exact name", "self published, but in science we must disclose 'prior art' pertinent to our", "(it is a rare surname with a unique spelling). The plot was indeed", "required to change my characters name to avoid being accused of plagiarizing his", "account showed any activity. The reviewer also used the exact name of another", "to change my characters name to avoid being accused of plagiarizing his work?", "published novel that is basically a version of my own. The published novel", "that account showed any activity. The reviewer also used the exact name of", "its title (it is a rare surname with a unique spelling). The plot", "was indeed about espionage with biological weapons involving Russia, nearly exactly as my", "is basically a version of my own. The published novel used my main", "no real way of proving plagiarism of my plot and characters, especially since", "newly created account, and this single review was the only time that account", "character's name in his novel with a plot very similar to my own,", "similar to my own, am I now required to change my characters name", "as my own novel. The author posted his novel on Goodreads where it", "to my own, am I now required to change my characters name to", "same name in its title (it is a rare surname with a unique", "own novel. The author posted his novel on Goodreads where it received a", "single review from a newly created account, and this single review was the", "a newly created account, and this single review was the only time that", "my specialty niche is about 'Germ Spies'. I was shocked to find there", "warfare\" spy novel remained uncrowded. Most spy novels usually center around nukes or", "center around nukes or terrorists, but my specialty niche is about 'Germ Spies'.", "spelling). The plot was indeed about espionage with biological weapons involving Russia, nearly", "author posted his novel on Goodreads where it received a single review from", "is about 'Germ Spies'. I was shocked to find there is now one", "novel used my main protagonist's same name in its title (it is a", "I checked Google to see if my very narrow niche market of \"biological", "I was shocked to find there is now one published novel that is", "another of my main characters, a name that is very rare. I have", "The reviewer also used the exact name of another of my main characters,", "my main characters, a name that is very rare. I have no real", "art' pertinent to our invention. My question is, since another author is using", "unique spelling). The plot was indeed about espionage with biological weapons involving Russia,", "especially since the other novel is self published, but in science we must", "finished my first novel and shared it online with beta readers and those", "and shared it online with beta readers and those helping me write query", "is self published, but in science we must disclose 'prior art' pertinent to", "posted his novel on Goodreads where it received a single review from a", "main character's name in his novel with a plot very similar to my", "characters, especially since the other novel is self published, but in science we", "used the exact name of another of my main characters, a name that", "since another author is using my main character's name in his novel with", "now one published novel that is basically a version of my own. The", "published, but in science we must disclose 'prior art' pertinent to our invention.", "readers and those helping me write query letters. I checked Google to see", "a rare surname with a unique spelling). The plot was indeed about espionage", "around nukes or terrorists, but my specialty niche is about 'Germ Spies'. I", "way of proving plagiarism of my plot and characters, especially since the other", "Google to see if my very narrow niche market of \"biological warfare\" spy", "own, am I now required to change my characters name to avoid being", "main characters, a name that is very rare. I have no real way", "and this single review was the only time that account showed any activity.", "novel is self published, but in science we must disclose 'prior art' pertinent", "basically a version of my own. The published novel used my main protagonist's", "The published novel used my main protagonist's same name in its title (it", "main protagonist's same name in its title (it is a rare surname with", "Russia, nearly exactly as my own novel. The author posted his novel on", "novel remained uncrowded. Most spy novels usually center around nukes or terrorists, but" ]
[ "book all at once. How do write their descriptions so that the reader", "in the book all at once. How do write their descriptions so that", "the book all at once. How do write their descriptions so that the", "once. How do write their descriptions so that the reader isn't overloaded with", "My main characters first appear in the book all at once. How do", "write their descriptions so that the reader isn't overloaded with so much information", "all at once. How do write their descriptions so that the reader isn't", "main characters first appear in the book all at once. How do write", "so that the reader isn't overloaded with so much information all at once?", "at once. How do write their descriptions so that the reader isn't overloaded", "How do write their descriptions so that the reader isn't overloaded with so", "appear in the book all at once. How do write their descriptions so", "characters first appear in the book all at once. How do write their", "descriptions so that the reader isn't overloaded with so much information all at", "do write their descriptions so that the reader isn't overloaded with so much", "first appear in the book all at once. How do write their descriptions", "their descriptions so that the reader isn't overloaded with so much information all" ]
[ "smell, sound, etc.)? I know it's not okay to jump from one POV", "> Is the second example okay, or does it count as changing POVs?", "POVs if I'm describing what two or more characters are sensing (touch, smell,", "walked past the house. Kanny's > nostrils started to itch, and her eyes", "> Owna was afraid he'd notice she was embarrassed, but Ian thought she", "okay to jump from one POV to another. Example: > > Owna was", "sensing (touch, smell, sound, etc.)? I know it's not okay to jump from", "nostrils started to itch, and her eyes water when she took a whiff", "Am I changing POVs if I'm describing what two or more characters are", "etc.)? I know it's not okay to jump from one POV to another.", "I changing POVs if I'm describing what two or more characters are sensing", "what a character is sensing. Example: > > Nina was hit by lavender", "her eyes water when she took a whiff of > the flowers. >", "itch, and her eyes water when she took a whiff of > the", "past the house. Kanny's > nostrils started to itch, and her eyes water", "if I'm describing what two or more characters are sensing (touch, smell, sound,", "the flowers. > > > Is the second example okay, or does it", "is sensing. Example: > > Nina was hit by lavender smoke as she", "> > > However, I want to know whether that also counts for", "he'd ever seen. > > > However, I want to know whether that", "POV to another. Example: > > Owna was afraid he'd notice she was", "lavender smoke as she walked past the house. Kanny's > nostrils started to", "sensing. Example: > > Nina was hit by lavender smoke as she walked", "I'm describing what two or more characters are sensing (touch, smell, sound, etc.)?", "not okay to jump from one POV to another. Example: > > Owna", "explaining what a character is sensing. Example: > > Nina was hit by", "eyes water when she took a whiff of > the flowers. > >", "> However, I want to know whether that also counts for explaining what", "of > the flowers. > > > Is the second example okay, or", "she was embarrassed, but Ian thought she > was the most beautiful creature", "I know it's not okay to jump from one POV to another. Example:", "> nostrils started to itch, and her eyes water when she took a", "what two or more characters are sensing (touch, smell, sound, etc.)? I know", "> > However, I want to know whether that also counts for explaining", "two or more characters are sensing (touch, smell, sound, etc.)? I know it's", "was the most beautiful creature he'd ever seen. > > > However, I", "notice she was embarrassed, but Ian thought she > was the most beautiful", "creature he'd ever seen. > > > However, I want to know whether", "Example: > > Nina was hit by lavender smoke as she walked past", "by lavender smoke as she walked past the house. Kanny's > nostrils started", "she took a whiff of > the flowers. > > > Is the", "when she took a whiff of > the flowers. > > > Is", "seen. > > > However, I want to know whether that also counts", "another. Example: > > Owna was afraid he'd notice she was embarrassed, but", "smoke as she walked past the house. Kanny's > nostrils started to itch,", "Kanny's > nostrils started to itch, and her eyes water when she took", "it's not okay to jump from one POV to another. Example: > >", "flowers. > > > Is the second example okay, or does it count", "Example: > > Owna was afraid he'd notice she was embarrassed, but Ian", "> > Nina was hit by lavender smoke as she walked past the", "he'd notice she was embarrassed, but Ian thought she > was the most", "she walked past the house. Kanny's > nostrils started to itch, and her", "whiff of > the flowers. > > > Is the second example okay,", "> > Owna was afraid he'd notice she was embarrassed, but Ian thought", "was hit by lavender smoke as she walked past the house. Kanny's >", "(touch, smell, sound, etc.)? I know it's not okay to jump from one", "thought she > was the most beautiful creature he'd ever seen. > >", "counts for explaining what a character is sensing. Example: > > Nina was", "more characters are sensing (touch, smell, sound, etc.)? I know it's not okay", "jump from one POV to another. Example: > > Owna was afraid he'd", "from one POV to another. Example: > > Owna was afraid he'd notice", "water when she took a whiff of > the flowers. > > >", "> Nina was hit by lavender smoke as she walked past the house.", "ever seen. > > > However, I want to know whether that also", "for explaining what a character is sensing. Example: > > Nina was hit", "to jump from one POV to another. Example: > > Owna was afraid", "I want to know whether that also counts for explaining what a character", "was embarrassed, but Ian thought she > was the most beautiful creature he'd", "as she walked past the house. Kanny's > nostrils started to itch, and", "want to know whether that also counts for explaining what a character is", "describing what two or more characters are sensing (touch, smell, sound, etc.)? I", "took a whiff of > the flowers. > > > Is the second", "sound, etc.)? I know it's not okay to jump from one POV to", "house. Kanny's > nostrils started to itch, and her eyes water when she", "to know whether that also counts for explaining what a character is sensing.", "character is sensing. Example: > > Nina was hit by lavender smoke as", "started to itch, and her eyes water when she took a whiff of", "whether that also counts for explaining what a character is sensing. Example: >", "> > Is the second example okay, or does it count as changing", "> the flowers. > > > Is the second example okay, or does", "embarrassed, but Ian thought she > was the most beautiful creature he'd ever", "Owna was afraid he'd notice she was embarrassed, but Ian thought she >", "know it's not okay to jump from one POV to another. Example: >", "or more characters are sensing (touch, smell, sound, etc.)? I know it's not", "one POV to another. Example: > > Owna was afraid he'd notice she", "> was the most beautiful creature he'd ever seen. > > > However,", "and her eyes water when she took a whiff of > the flowers.", "but Ian thought she > was the most beautiful creature he'd ever seen.", "> > > Is the second example okay, or does it count as", "the most beautiful creature he'd ever seen. > > > However, I want", "Nina was hit by lavender smoke as she walked past the house. Kanny's", "hit by lavender smoke as she walked past the house. Kanny's > nostrils", "most beautiful creature he'd ever seen. > > > However, I want to", "a whiff of > the flowers. > > > Is the second example", "the house. Kanny's > nostrils started to itch, and her eyes water when", "However, I want to know whether that also counts for explaining what a", "afraid he'd notice she was embarrassed, but Ian thought she > was the", "she > was the most beautiful creature he'd ever seen. > > >", "know whether that also counts for explaining what a character is sensing. Example:", "was afraid he'd notice she was embarrassed, but Ian thought she > was", "to another. Example: > > Owna was afraid he'd notice she was embarrassed,", "changing POVs if I'm describing what two or more characters are sensing (touch,", "are sensing (touch, smell, sound, etc.)? I know it's not okay to jump", "Ian thought she > was the most beautiful creature he'd ever seen. >", "that also counts for explaining what a character is sensing. Example: > >", "to itch, and her eyes water when she took a whiff of >", "beautiful creature he'd ever seen. > > > However, I want to know", "characters are sensing (touch, smell, sound, etc.)? I know it's not okay to", "also counts for explaining what a character is sensing. Example: > > Nina", "a character is sensing. Example: > > Nina was hit by lavender smoke" ]
[ "etc... So that the person reading my script will know how the detective", "a Crime/Mystery/Thriller. When we first meet the lead detective character - he is", "the detective is supposed to act when the time comes for him to", "about not being able to work. Not at his best, but that is", "Or should I not describe how he normally is until he is normal?", "character - he is depressed about not being able to work. Not at", "(normally) he’s a calm/confident/wise etc... So that the person reading my script will", "he’s a calm/confident/wise etc... So that the person reading my script will know", "is depressed about not being able to work. Not at his best, but", "know how the detective is supposed to act when the time comes for", "about to change for him - sort of. I want to describe that", "depressed about not being able to work. Not at his best, but that", "to shine. Or should I not describe how he normally is until he", "to change for him - sort of. I want to describe that (normally)", "the lead detective character - he is depressed about not being able to", "- sort of. I want to describe that (normally) he’s a calm/confident/wise etc...", "the pilot for a Crime/Mystery/Thriller. When we first meet the lead detective character", "person reading my script will know how the detective is supposed to act", "When we first meet the lead detective character - he is depressed about", "he is depressed about not being able to work. Not at his best,", "that the person reading my script will know how the detective is supposed", "for a Crime/Mystery/Thriller. When we first meet the lead detective character - he", "is supposed to act when the time comes for him to shine. Or", "supposed to act when the time comes for him to shine. Or should", "comes for him to shine. Or should I not describe how he normally", "first meet the lead detective character - he is depressed about not being", "Not at his best, but that is about to change for him -", "detective character - he is depressed about not being able to work. Not", "for him - sort of. I want to describe that (normally) he’s a", "able to work. Not at his best, but that is about to change", "for him to shine. Or should I not describe how he normally is", "time comes for him to shine. Or should I not describe how he", "is about to change for him - sort of. I want to describe", "Crime/Mystery/Thriller. When we first meet the lead detective character - he is depressed", "at his best, but that is about to change for him - sort", "him - sort of. I want to describe that (normally) he’s a calm/confident/wise", "meet the lead detective character - he is depressed about not being able", "how the detective is supposed to act when the time comes for him", "- he is depressed about not being able to work. Not at his", "sort of. I want to describe that (normally) he’s a calm/confident/wise etc... So", "should I not describe how he normally is until he is normal? Thanks!", "the time comes for him to shine. Or should I not describe how", "I want to describe that (normally) he’s a calm/confident/wise etc... So that the", "work. Not at his best, but that is about to change for him", "the person reading my script will know how the detective is supposed to", "reading my script will know how the detective is supposed to act when", "detective is supposed to act when the time comes for him to shine.", "act when the time comes for him to shine. Or should I not", "we first meet the lead detective character - he is depressed about not", "when the time comes for him to shine. Or should I not describe", "but that is about to change for him - sort of. I want", "shine. Or should I not describe how he normally is until he is", "not being able to work. Not at his best, but that is about", "his best, but that is about to change for him - sort of.", "to work. Not at his best, but that is about to change for", "best, but that is about to change for him - sort of. I", "to describe that (normally) he’s a calm/confident/wise etc... So that the person reading", "that (normally) he’s a calm/confident/wise etc... So that the person reading my script", "a calm/confident/wise etc... So that the person reading my script will know how", "describe that (normally) he’s a calm/confident/wise etc... So that the person reading my", "calm/confident/wise etc... So that the person reading my script will know how the", "I’m writing the pilot for a Crime/Mystery/Thriller. When we first meet the lead", "want to describe that (normally) he’s a calm/confident/wise etc... So that the person", "writing the pilot for a Crime/Mystery/Thriller. When we first meet the lead detective", "that is about to change for him - sort of. I want to", "will know how the detective is supposed to act when the time comes", "to act when the time comes for him to shine. Or should I", "being able to work. Not at his best, but that is about to", "him to shine. Or should I not describe how he normally is until", "script will know how the detective is supposed to act when the time", "So that the person reading my script will know how the detective is", "my script will know how the detective is supposed to act when the", "lead detective character - he is depressed about not being able to work.", "of. I want to describe that (normally) he’s a calm/confident/wise etc... So that", "change for him - sort of. I want to describe that (normally) he’s", "pilot for a Crime/Mystery/Thriller. When we first meet the lead detective character -" ]
[ "takes place in Italy. However, I'm using it simply just to convey to", "it simply just to convey to the reader \"the car was going super", "hour! > > > Or should I convert them to miles or what", "them to miles or what have you? It's for a fiction novel that", "in US English (in non-dialog): > > The car was going at least", "I convert them to miles or what have you? It's for a fiction", "using it simply just to convey to the reader \"the car was going", "> The car was going at least 140 kilometers per hour! > >", "> > Or should I convert them to miles or what have you?", "what have you? It's for a fiction novel that takes place in Italy.", "fiction novel that takes place in Italy. However, I'm using it simply just", "Italy. However, I'm using it simply just to convey to the reader \"the", "if my book is written in US English (in non-dialog): > > The", "at least 140 kilometers per hour! > > > Or should I convert", "(in non-dialog): > > The car was going at least 140 kilometers per", "However, I'm using it simply just to convey to the reader \"the car", "simply just to convey to the reader \"the car was going super fast\"", "to convey to the reader \"the car was going super fast\" in a", "> > The car was going at least 140 kilometers per hour! >", "should I convert them to miles or what have you? It's for a", "or what have you? It's for a fiction novel that takes place in", "this if my book is written in US English (in non-dialog): > >", "you? It's for a fiction novel that takes place in Italy. However, I'm", "book is written in US English (in non-dialog): > > The car was", "miles or what have you? It's for a fiction novel that takes place", "US English (in non-dialog): > > The car was going at least 140", "in Italy. However, I'm using it simply just to convey to the reader", "car was going super fast\" in a fancier way. I'm self-publishing the book", "It's for a fiction novel that takes place in Italy. However, I'm using", "place in Italy. However, I'm using it simply just to convey to the", "for a fiction novel that takes place in Italy. However, I'm using it", "super fast\" in a fancier way. I'm self-publishing the book for the US/International", "is written in US English (in non-dialog): > > The car was going", "Or should I convert them to miles or what have you? It's for", "say this if my book is written in US English (in non-dialog): >", "a fiction novel that takes place in Italy. However, I'm using it simply", "going super fast\" in a fancier way. I'm self-publishing the book for the", "For example, can I say this if my book is written in US", "written in US English (in non-dialog): > > The car was going at", "The car was going at least 140 kilometers per hour! > > >", "> Or should I convert them to miles or what have you? It's", "novel that takes place in Italy. However, I'm using it simply just to", "I'm using it simply just to convey to the reader \"the car was", "was going at least 140 kilometers per hour! > > > Or should", "the reader \"the car was going super fast\" in a fancier way. I'm", "was going super fast\" in a fancier way. I'm self-publishing the book for", "fast\" in a fancier way. I'm self-publishing the book for the US/International market.", "I say this if my book is written in US English (in non-dialog):", "per hour! > > > Or should I convert them to miles or", "140 kilometers per hour! > > > Or should I convert them to", "just to convey to the reader \"the car was going super fast\" in", "least 140 kilometers per hour! > > > Or should I convert them", "English (in non-dialog): > > The car was going at least 140 kilometers", "that takes place in Italy. However, I'm using it simply just to convey", "to the reader \"the car was going super fast\" in a fancier way.", "non-dialog): > > The car was going at least 140 kilometers per hour!", "my book is written in US English (in non-dialog): > > The car", "convert them to miles or what have you? It's for a fiction novel", "to miles or what have you? It's for a fiction novel that takes", "going at least 140 kilometers per hour! > > > Or should I", "reader \"the car was going super fast\" in a fancier way. I'm self-publishing", "convey to the reader \"the car was going super fast\" in a fancier", "\"the car was going super fast\" in a fancier way. I'm self-publishing the", "car was going at least 140 kilometers per hour! > > > Or", "> > > Or should I convert them to miles or what have", "can I say this if my book is written in US English (in", "example, can I say this if my book is written in US English", "kilometers per hour! > > > Or should I convert them to miles", "have you? It's for a fiction novel that takes place in Italy. However," ]
[ "out > > I witnessed something being scratched into the floor, There was", "I also want it to inflict a sort of fear since it is", "the correct way to write that. It will write out death I wrote", "being scratched into the floor, There was a D then an E, then", "something being scratched into the floor, There was a D then an E,", "also want it to inflict a sort of fear since it is something", "but I don't know the correct way to write that. It will write", "infront of them letter by letter not just reading the word Death on", "will write out death I wrote out > > I witnessed something being", "E, then an A then a T and H > > > But", "the floor, There was a D then an E, then an A then", "flow at all but I am trying to show how it's not written", "right infront of them letter by letter not just reading the word Death", "something abnormal and they are not just reading something they found and are", "I am working on a story where a character is witnessing something being", "> > > But I can tell this is very wrong and doesn't", "> > > I want the reader to know it was being scratched", "a D then an E, then an A then a T and H", "out death I wrote out > > I witnessed something being scratched into", "being scratched right infront of them letter by letter not just reading the", "can tell this is very wrong and doesn't flow at all but I", "floor, There was a D then an E, then an A then a", "by letter not just reading the word Death on the floor I also", "I wrote out > > I witnessed something being scratched into the floor,", "story where a character is witnessing something being written out but I don't", "and doesn't flow at all but I am trying to show how it's", "witnessing something being written out but I don't know the correct way to", "doesn't flow at all but I am trying to show how it's not", "T H > > > I want the reader to know it was", "them letter by letter not just reading the word Death on the floor", "way to write that. It will write out death I wrote out >", "D E A T H > > > I want the reader to", "> > I witnessed something being scratched into the floor, There was a", "not just reading the word Death on the floor I also want it", "H > > > But I can tell this is very wrong and", "> I want the reader to know it was being scratched right infront", "> D E A T H > > > I want the reader", "all but I am trying to show how it's not written out as", "> > D E A T H > > > I want the", "then an A then a T and H > > > But I", "reading the word Death on the floor I also want it to inflict", "a T and H > > > But I can tell this is", "of fear since it is something abnormal and they are not just reading", "is very wrong and doesn't flow at all but I am trying to", "was a D then an E, then an A then a T and", "tell this is very wrong and doesn't flow at all but I am", "scratched right infront of them letter by letter not just reading the word", "show how it's not written out as > > D E A T", "witnessed something being scratched into the floor, There was a D then an", "T and H > > > But I can tell this is very", "> I witnessed something being scratched into the floor, There was a D", "an A then a T and H > > > But I can", "H > > > I want the reader to know it was being", "letter not just reading the word Death on the floor I also want", "> But I can tell this is very wrong and doesn't flow at", "I don't know the correct way to write that. It will write out", "it to inflict a sort of fear since it is something abnormal and", "am working on a story where a character is witnessing something being written", "is something abnormal and they are not just reading something they found and", "But I can tell this is very wrong and doesn't flow at all", "I can tell this is very wrong and doesn't flow at all but", "want the reader to know it was being scratched right infront of them", "and H > > > But I can tell this is very wrong", "it's not written out as > > D E A T H >", "written out as > > D E A T H > > >", "how it's not written out as > > D E A T H", "inflict a sort of fear since it is something abnormal and they are", "on the floor I also want it to inflict a sort of fear", "A T H > > > I want the reader to know it", "want it to inflict a sort of fear since it is something abnormal", "character is witnessing something being written out but I don't know the correct", "the reader to know it was being scratched right infront of them letter", "scratched into the floor, There was a D then an E, then an", "out but I don't know the correct way to write that. It will", "I want the reader to know it was being scratched right infront of", "out as > > D E A T H > > > I", "just reading the word Death on the floor I also want it to", "not written out as > > D E A T H > >", "the floor I also want it to inflict a sort of fear since", "correct way to write that. It will write out death I wrote out", "There was a D then an E, then an A then a T", "wrong and doesn't flow at all but I am trying to show how", "trying to show how it's not written out as > > D E", "was being scratched right infront of them letter by letter not just reading", "then a T and H > > > But I can tell this", "to know it was being scratched right infront of them letter by letter", "to inflict a sort of fear since it is something abnormal and they", "into the floor, There was a D then an E, then an A", "I witnessed something being scratched into the floor, There was a D then", "fear since it is something abnormal and they are not just reading something", "It will write out death I wrote out > > I witnessed something", "don't know the correct way to write that. It will write out death", "Death on the floor I also want it to inflict a sort of", "> > I want the reader to know it was being scratched right", "since it is something abnormal and they are not just reading something they", "but I am trying to show how it's not written out as >", "sort of fear since it is something abnormal and they are not just", "D then an E, then an A then a T and H >", "it is something abnormal and they are not just reading something they found", "letter by letter not just reading the word Death on the floor I", "to write that. It will write out death I wrote out > >", "at all but I am trying to show how it's not written out", "of them letter by letter not just reading the word Death on the", "know the correct way to write that. It will write out death I", "E A T H > > > I want the reader to know", "something being written out but I don't know the correct way to write", "then an E, then an A then a T and H > >", "am trying to show how it's not written out as > > D", "write that. It will write out death I wrote out > > I", "an E, then an A then a T and H > > >", "being written out but I don't know the correct way to write that.", "floor I also want it to inflict a sort of fear since it", "a sort of fear since it is something abnormal and they are not", "is witnessing something being written out but I don't know the correct way", "very wrong and doesn't flow at all but I am trying to show", "know it was being scratched right infront of them letter by letter not", "abnormal and they are not just reading something they found and are witnessing", "to show how it's not written out as > > D E A", "death I wrote out > > I witnessed something being scratched into the", "a character is witnessing something being written out but I don't know the", "A then a T and H > > > But I can tell", "I am trying to show how it's not written out as > >", "where a character is witnessing something being written out but I don't know", "wrote out > > I witnessed something being scratched into the floor, There", "reader to know it was being scratched right infront of them letter by", "the word Death on the floor I also want it to inflict a", "> > But I can tell this is very wrong and doesn't flow", "this is very wrong and doesn't flow at all but I am trying", "it was being scratched right infront of them letter by letter not just", "as > > D E A T H > > > I want", "a story where a character is witnessing something being written out but I", "word Death on the floor I also want it to inflict a sort", "write out death I wrote out > > I witnessed something being scratched", "on a story where a character is witnessing something being written out but", "working on a story where a character is witnessing something being written out", "that. It will write out death I wrote out > > I witnessed", "written out but I don't know the correct way to write that. It", "and they are not just reading something they found and are witnessing it." ]
[ "groaned at the turn in conversation. She rubbed the back of > her", "Curliam said, “Of course, you don’t need > to take over the family", "Eniraboch groaned at the turn in conversation. She > rubbed the back of", "at the turn in conversation. She > rubbed the back of her neck.", "several chunks of dialog where one character's response is a grunt or a", "OK (but don't really know) and am curious if one is better than", "my story, I've several chunks of dialog where one character's response is a", "said, “Of course, you don’t need > to take over the family business.”", "easy. But it is the > family business.” > > > Eniraboch groaned", "is not easy. But it is the > family business.” > > >", "technical question. In my story, I've several chunks of dialog where one character's", "neck. Curliam said, “Of course, you don’t need > to take over the", "In my story, I've several chunks of dialog where one character's response is", "or rude sound or a swear word, or whatever, but is not in", "don’t need to take over the family > business.” > > > I", "“Sweetie, raising greyhounds is not easy. But it is the > family business.”", "take over the family > business.” > > > I assume either is", "of dialog where one character's response is a grunt or a groan or", "She > rubbed the back of her neck. Curliam said, “Of course, you", "the turn in conversation. She rubbed the back of > her neck. >", "turn in conversation. She rubbed the back of > her neck. > >", "family business.” Eniraboch groaned at the turn in conversation. She > rubbed the", "and am curious if one is better than the other. Thanks in advance.", "broken into three, as below? > > Curliam said, “Sweetie, raising greyhounds is", "raising greyhounds is not easy. But it is the > family business.” >", "Curliam said, “Of course, you don’t need to take over the family >", "single paragraph, or should it be broken into three, as below? > >", "fake example: > > Curliam said, “Sweetie, raising greyhounds is not easy. But", "the back of her neck. Curliam said, “Of course, you don’t need >", "said, “Of course, you don’t need to take over the family > business.”", "is the > family business.” > > > Eniraboch groaned at the turn", "the back of > her neck. > > > Curliam said, “Of course,", "> Is this better as is, ^^^ shown above, a single paragraph, or", "> > > Eniraboch groaned at the turn in conversation. She rubbed the", "you don’t need > to take over the family business.” > > >", "> her neck. > > > Curliam said, “Of course, you don’t need", "> > > Is this better as is, ^^^ shown above, a single", "grunt or a groan or rude sound or a swear word, or whatever,", "I assume either is OK (but don't really know) and am curious if", "this better as is, ^^^ shown above, a single paragraph, or should it", "Eniraboch groaned at the turn in conversation. She rubbed the back of >", "one character's response is a grunt or a groan or rude sound or", "is not in quotes. As a fake example: > > Curliam said, “Sweetie,", "in conversation. She rubbed the back of > her neck. > > >", "greyhounds is not easy. But it is the > family business.” Eniraboch groaned", "of > her neck. > > > Curliam said, “Of course, you don’t", "groaned at the turn in conversation. She > rubbed the back of her", "rubbed the back of > her neck. > > > Curliam said, “Of", "But it is the > family business.” Eniraboch groaned at the turn in", "or a groan or rude sound or a swear word, or whatever, but", "But it is the > family business.” > > > Eniraboch groaned at", "her neck. Curliam said, “Of course, you don’t need > to take over", "at the turn in conversation. She rubbed the back of > her neck.", "have a technical question. In my story, I've several chunks of dialog where", "don't really know) and am curious if one is better than the other.", "> Curliam said, “Of course, you don’t need to take over the family", "into three, as below? > > Curliam said, “Sweetie, raising greyhounds is not", "it is the > family business.” Eniraboch groaned at the turn in conversation.", "quotes. As a fake example: > > Curliam said, “Sweetie, raising greyhounds is", "as below? > > Curliam said, “Sweetie, raising greyhounds is not easy. But", "As a fake example: > > Curliam said, “Sweetie, raising greyhounds is not", "> > > Curliam said, “Of course, you don’t need to take over", "^^^ shown above, a single paragraph, or should it be broken into three,", "in quotes. As a fake example: > > Curliam said, “Sweetie, raising greyhounds", "or a swear word, or whatever, but is not in quotes. As a", "business.” > > > I assume either is OK (but don't really know)", "I have a technical question. In my story, I've several chunks of dialog", "the turn in conversation. She > rubbed the back of her neck. Curliam", "turn in conversation. She > rubbed the back of her neck. Curliam said,", "her neck. > > > Curliam said, “Of course, you don’t need to", "is the > family business.” Eniraboch groaned at the turn in conversation. She", "rude sound or a swear word, or whatever, but is not in quotes.", "below? > > Curliam said, “Sweetie, raising greyhounds is not easy. But it", "know) and am curious if one is better than the other. Thanks in", "it be broken into three, as below? > > Curliam said, “Sweetie, raising", "family business.” > > > Eniraboch groaned at the turn in conversation. She", "be broken into three, as below? > > Curliam said, “Sweetie, raising greyhounds", "should it be broken into three, as below? > > Curliam said, “Sweetie,", "over the family > business.” > > > I assume either is OK", "> > Curliam said, “Of course, you don’t need to take over the", "three, as below? > > Curliam said, “Sweetie, raising greyhounds is not easy.", "> family business.” > > > Eniraboch groaned at the turn in conversation.", "of her neck. Curliam said, “Of course, you don’t need > to take", "said, “Sweetie, raising greyhounds is not easy. But it is the > family", "really know) and am curious if one is better than the other. Thanks", "neck. > > > Curliam said, “Of course, you don’t need to take", "need to take over the family > business.” > > > I assume", "sound or a swear word, or whatever, but is not in quotes. As", "business.” Eniraboch groaned at the turn in conversation. She > rubbed the back", "> family business.” Eniraboch groaned at the turn in conversation. She > rubbed", "the family > business.” > > > I assume either is OK (but", "not easy. But it is the > family business.” > > > Eniraboch", "either is OK (but don't really know) and am curious if one is", "or whatever, but is not in quotes. As a fake example: > >", "assume either is OK (but don't really know) and am curious if one", "where one character's response is a grunt or a groan or rude sound", "raising greyhounds is not easy. But it is the > family business.” Eniraboch", "She rubbed the back of > her neck. > > > Curliam said,", "you don’t need to take over the family > business.” > > >", "to take over the family business.” > > > Is this better as", "as is, ^^^ shown above, a single paragraph, or should it be broken", "(but don't really know) and am curious if one is better than the", "> to take over the family business.” > > > Is this better", "a grunt or a groan or rude sound or a swear word, or", "> business.” > > > I assume either is OK (but don't really", "the family business.” > > > Is this better as is, ^^^ shown", "> > Curliam said, “Sweetie, raising greyhounds is not easy. But it is", "paragraph, or should it be broken into three, as below? > > Curliam", "> rubbed the back of her neck. Curliam said, “Of course, you don’t", "take over the family business.” > > > Is this better as is,", "not in quotes. As a fake example: > > Curliam said, “Sweetie, raising", "a single paragraph, or should it be broken into three, as below? >", "not easy. But it is the > family business.” Eniraboch groaned at the", "the > family business.” Eniraboch groaned at the turn in conversation. She >", "Is this better as is, ^^^ shown above, a single paragraph, or should", "don’t need > to take over the family business.” > > > Is", "family business.” > > > Is this better as is, ^^^ shown above,", "shown above, a single paragraph, or should it be broken into three, as", "back of > her neck. > > > Curliam said, “Of course, you", "“Of course, you don’t need > to take over the family business.” >", "> Eniraboch groaned at the turn in conversation. She rubbed the back of", "easy. But it is the > family business.” Eniraboch groaned at the turn", "family > business.” > > > I assume either is OK (but don't", "> > > I assume either is OK (but don't really know) and", "business.” > > > Is this better as is, ^^^ shown above, a", "> > Eniraboch groaned at the turn in conversation. She rubbed the back", "groan or rude sound or a swear word, or whatever, but is not", "over the family business.” > > > Is this better as is, ^^^", "Curliam said, “Sweetie, raising greyhounds is not easy. But it is the >", "conversation. She > rubbed the back of her neck. Curliam said, “Of course,", "is, ^^^ shown above, a single paragraph, or should it be broken into", "is OK (but don't really know) and am curious if one is better", "is a grunt or a groan or rude sound or a swear word,", "back of her neck. Curliam said, “Of course, you don’t need > to", "a technical question. In my story, I've several chunks of dialog where one", "or should it be broken into three, as below? > > Curliam said,", "conversation. She rubbed the back of > her neck. > > > Curliam", "greyhounds is not easy. But it is the > family business.” > >", "story, I've several chunks of dialog where one character's response is a grunt", "in conversation. She > rubbed the back of her neck. Curliam said, “Of", "“Of course, you don’t need to take over the family > business.” >", "a swear word, or whatever, but is not in quotes. As a fake", "course, you don’t need to take over the family > business.” > >", "better as is, ^^^ shown above, a single paragraph, or should it be", "example: > > Curliam said, “Sweetie, raising greyhounds is not easy. But it", "dialog where one character's response is a grunt or a groan or rude", "to take over the family > business.” > > > I assume either", "a fake example: > > Curliam said, “Sweetie, raising greyhounds is not easy.", "above, a single paragraph, or should it be broken into three, as below?", "the > family business.” > > > Eniraboch groaned at the turn in", "> > Is this better as is, ^^^ shown above, a single paragraph,", "business.” > > > Eniraboch groaned at the turn in conversation. She rubbed", "> Curliam said, “Sweetie, raising greyhounds is not easy. But it is the", "a groan or rude sound or a swear word, or whatever, but is", "it is the > family business.” > > > Eniraboch groaned at the", "question. In my story, I've several chunks of dialog where one character's response", "character's response is a grunt or a groan or rude sound or a", "whatever, but is not in quotes. As a fake example: > > Curliam", "> > I assume either is OK (but don't really know) and am", "rubbed the back of her neck. Curliam said, “Of course, you don’t need", "is not easy. But it is the > family business.” Eniraboch groaned at", "course, you don’t need > to take over the family business.” > >", "chunks of dialog where one character's response is a grunt or a groan", "I've several chunks of dialog where one character's response is a grunt or", "response is a grunt or a groan or rude sound or a swear", "need > to take over the family business.” > > > Is this", "swear word, or whatever, but is not in quotes. As a fake example:", "> I assume either is OK (but don't really know) and am curious", "but is not in quotes. As a fake example: > > Curliam said,", "word, or whatever, but is not in quotes. As a fake example: >" ]
[ "can I indent my story to make it look less like a big", "my story to make it look less like a big blob of text", "> I tried researching but don't exactly get how to implement it into", "looks like a chunk of text. My text is > > Then a", "chunk of text. My text is > > Then a figure under the", "is > > Then a figure under the box moved behind Professor to", "yelled “Professor! Watch out!” But due to his old age, he didn't hear", "am writing a story but I am trying to indent the dialog because", "“Professor! Watch out!” But due to his old age, he didn't hear him...", "to which Zotn yelled > > “Professor! Watch out!” > > But due", "> > But due to his old age, he didn't hear him... >", "him... > > > Would I indent it like > > Then a", "box moved behind Professor to which Zotn yelled > > “Professor! Watch out!”", "hear him... > > > I tried researching but don't exactly get how", "text is > > Then a figure under the box moved behind Professor", "text. My text is > > Then a figure under the box moved", "Professor to which Zotn yelled > > “Professor! Watch out!” > > But", "to make it look less like a big blob of text without having", "> Then a figure under the box moved behind Professor to which Zotn", "am trying to indent the dialog because right now it looks like a", "> > “Professor! Watch out!” > > But due to his old age,", "how else can I indent my story to make it look less like", "old age, he didn't hear him... > > > I tried researching but", "a chunk of text. My text is > > Then a figure under", "Watch out!” > > But due to his old age, he didn't hear", "a story but I am trying to indent the dialog because right now", "trying to indent the dialog because right now it looks like a chunk", "his old age, he didn't hear him... > > > Would I indent", "But due to his old age, he didn't hear him... > > >", "story, also how else can I indent my story to make it look", "age, he didn't hear him... > > > I tried researching but don't", "out!” But due to his old age, he didn't hear him... > >", "it like > > Then a figure under the box moved behind Professor", "to his old age, he didn't hear him... > > > Would I", "old age, he didn't hear him... > > > Would I indent it", "exactly get how to implement it into my story, also how else can", "how to implement it into my story, also how else can I indent", "the box moved behind Professor to which Zotn yelled > > “Professor! Watch", "hear him... > > > Would I indent it like > > Then", "under the box moved behind Professor to which Zotn yelled “Professor! Watch out!”", "dialog because right now it looks like a chunk of text. My text", "yelled > > “Professor! Watch out!” > > But due to his old", "don't exactly get how to implement it into my story, also how else", "behind Professor to which Zotn yelled > > “Professor! Watch out!” > >", "my story, also how else can I indent my story to make it", "moved behind Professor to which Zotn yelled > > “Professor! Watch out!” >", "like a chunk of text. My text is > > Then a figure", "look less like a big blob of text without having to introduce a", "he didn't hear him... > > > I tried researching but don't exactly", "behind Professor to which Zotn yelled “Professor! Watch out!” But due to his", "I indent my story to make it look less like a big blob", "get how to implement it into my story, also how else can I", "to indent the dialog because right now it looks like a chunk of", "it look less like a big blob of text without having to introduce", "indent the dialog because right now it looks like a chunk of text.", "Then a figure under the box moved behind Professor to which Zotn yelled", "> > Then a figure under the box moved behind Professor to which", "figure under the box moved behind Professor to which Zotn yelled “Professor! Watch", "but I am trying to indent the dialog because right now it looks", "writing a story but I am trying to indent the dialog because right", "Zotn yelled “Professor! Watch out!” But due to his old age, he didn't", "due to his old age, he didn't hear him... > > > Would", "Zotn yelled > > “Professor! Watch out!” > > But due to his", "age, he didn't hear him... > > > Would I indent it like", "him... > > > I tried researching but don't exactly get how to", "a figure under the box moved behind Professor to which Zotn yelled >", "I am writing a story but I am trying to indent the dialog", "to implement it into my story, also how else can I indent my", "Would I indent it like > > Then a figure under the box", "I tried researching but don't exactly get how to implement it into my", "also how else can I indent my story to make it look less", "story but I am trying to indent the dialog because right now it", "> Would I indent it like > > Then a figure under the", "box moved behind Professor to which Zotn yelled “Professor! Watch out!” But due", "> > > I tried researching but don't exactly get how to implement", "story to make it look less like a big blob of text without", "My text is > > Then a figure under the box moved behind", "figure under the box moved behind Professor to which Zotn yelled > >", "implement it into my story, also how else can I indent my story", "it into my story, also how else can I indent my story to", "moved behind Professor to which Zotn yelled “Professor! Watch out!” But due to", "I am trying to indent the dialog because right now it looks like", "tried researching but don't exactly get how to implement it into my story,", "now it looks like a chunk of text. My text is > >", "indent my story to make it look less like a big blob of", "> > > Would I indent it like > > Then a figure", "out!” > > But due to his old age, he didn't hear him...", "Professor to which Zotn yelled “Professor! Watch out!” But due to his old", "of text. My text is > > Then a figure under the box", "he didn't hear him... > > > Would I indent it like >", "into my story, also how else can I indent my story to make", "I indent it like > > Then a figure under the box moved", "his old age, he didn't hear him... > > > I tried researching", "under the box moved behind Professor to which Zotn yelled > > “Professor!", "indent it like > > Then a figure under the box moved behind", "researching but don't exactly get how to implement it into my story, also", "which Zotn yelled > > “Professor! Watch out!” > > But due to", "> > I tried researching but don't exactly get how to implement it", "> But due to his old age, he didn't hear him... > >", "Watch out!” But due to his old age, he didn't hear him... >", "to his old age, he didn't hear him... > > > I tried", "didn't hear him... > > > Would I indent it like > >", "it looks like a chunk of text. My text is > > Then", "> > Would I indent it like > > Then a figure under", "> “Professor! Watch out!” > > But due to his old age, he", "less like a big blob of text without having to introduce a new", "“Professor! Watch out!” > > But due to his old age, he didn't", "didn't hear him... > > > I tried researching but don't exactly get", "which Zotn yelled “Professor! Watch out!” But due to his old age, he", "but don't exactly get how to implement it into my story, also how", "like a big blob of text without having to introduce a new paragraph", "due to his old age, he didn't hear him... > > > I", "make it look less like a big blob of text without having to", "the box moved behind Professor to which Zotn yelled “Professor! Watch out!” But", "like > > Then a figure under the box moved behind Professor to", "a figure under the box moved behind Professor to which Zotn yelled “Professor!", "to which Zotn yelled “Professor! Watch out!” But due to his old age,", "the dialog because right now it looks like a chunk of text. My", "because right now it looks like a chunk of text. My text is", "else can I indent my story to make it look less like a", "right now it looks like a chunk of text. My text is >" ]
[ "a quote, for example If I have > > I said \"Let us", "the quote? * Do I put a period after the word go before", "we left. > > > * Do I put a comma before or", "\"Let us go\" and we left. > > > * Do I put", "learn to properly punctuate a quote, for example If I have > >", "trying to learn to properly punctuate a quote, for example If I have", "to properly punctuate a quote, for example If I have > > I", "and we left. > > > * Do I put a comma before", "to learn to properly punctuate a quote, for example If I have >", "properly punctuate a quote, for example If I have > > I said", "> * Do I put a comma before or after the quote? ", " Do I put a comma before or after the quote? * Do", "punctuate a quote, for example If I have > > I said \"Let", "said \"Let us go\" and we left. > > > * Do I", "example If I have > > I said \"Let us go\" and we", "I said \"Let us go\" and we left. > > > * Do", "left. > > > * Do I put a comma before or after", "quote? * Do I put a period after the word go before the", "> > I said \"Let us go\" and we left. > > >", "go\" and we left. > > > * Do I put a comma", "before or after the quote? * Do I put a period after the", "a comma before or after the quote? * Do I put a period", "us go\" and we left. > > > * Do I put a", "> I said \"Let us go\" and we left. > > > ", "> > Do I put a comma before or after the quote?", "comma before or after the quote? * Do I put a period after", "have > > I said \"Let us go\" and we left. > >", "put a comma before or after the quote? * Do I put a", "for example If I have > > I said \"Let us go\" and", "I have > > I said \"Let us go\" and we left. >", "I put a comma before or after the quote? * Do I put", "If I have > > I said \"Let us go\" and we left.", "or after the quote? * Do I put a period after the word", "quote, for example If I have > > I said \"Let us go\"", "Do I put a comma before or after the quote? * Do I", "I am trying to learn to properly punctuate a quote, for example If", "Do I put a period after the word go before the end quote?", "* Do I put a period after the word go before the end", "> > > * Do I put a comma before or after the", "after the quote? * Do I put a period after the word go", "am trying to learn to properly punctuate a quote, for example If I" ]
[ "thinking about recently is how to write a character who is an artificial", "I have been thinking about recently is how to write a character who", "a book with a super intelligent AI before (a book that will hopefully", "that will hopefully never be read by anyone besides me), but the character", "who is an artificial intelligence and not have him feel human. Specifically an", "read by anyone besides me), but the character felt too human. Part of", "a human. In my current book, I have an AI who acts humans,", "better than a human. In my current book, I have an AI who", "AI who acts humans, but that is part of how he was made.", "have an AI who acts humans, but that is part of how he", "have him feel human. Specifically an AI who is designed to think faster", "designed to think faster and better than a human. In my current book,", "In my current book, I have an AI who acts humans, but that", "would think. Does anyone have any advice for writing an AI that doesn't", "me), but the character felt too human. Part of the problem is a", "never be read by anyone besides me), but the character felt too human.", "my current book, I have an AI who acts humans, but that is", "can't fully comprehend how a super intelligent AI would think. Does anyone have", "is part of how he was made. I tried writing a book with", "humans, but that is part of how he was made. I tried writing", "a character who is an artificial intelligence and not have him feel human.", "of the problem is a human can't fully comprehend how a super intelligent", "Something I have been thinking about recently is how to write a character", "Does anyone have any advice for writing an AI that doesn't feel human?", "is how to write a character who is an artificial intelligence and not", "to think faster and better than a human. In my current book, I", "made. I tried writing a book with a super intelligent AI before (a", "but that is part of how he was made. I tried writing a", "AI would think. Does anyone have any advice for writing an AI that", "book with a super intelligent AI before (a book that will hopefully never", "recently is how to write a character who is an artificial intelligence and", "intelligence and not have him feel human. Specifically an AI who is designed", "think faster and better than a human. In my current book, I have", "think. Does anyone have any advice for writing an AI that doesn't feel", "I have an AI who acts humans, but that is part of how", "character who is an artificial intelligence and not have him feel human. Specifically", "feel human. Specifically an AI who is designed to think faster and better", "about recently is how to write a character who is an artificial intelligence", "(a book that will hopefully never be read by anyone besides me), but", "artificial intelligence and not have him feel human. Specifically an AI who is", "Specifically an AI who is designed to think faster and better than a", "been thinking about recently is how to write a character who is an", "intelligent AI before (a book that will hopefully never be read by anyone", "the character felt too human. Part of the problem is a human can't", "is designed to think faster and better than a human. In my current", "an AI who acts humans, but that is part of how he was", "a human can't fully comprehend how a super intelligent AI would think. Does", "felt too human. Part of the problem is a human can't fully comprehend", "is an artificial intelligence and not have him feel human. Specifically an AI", "is a human can't fully comprehend how a super intelligent AI would think.", "who acts humans, but that is part of how he was made. I", "I tried writing a book with a super intelligent AI before (a book", "than a human. In my current book, I have an AI who acts", "anyone besides me), but the character felt too human. Part of the problem", "and not have him feel human. Specifically an AI who is designed to", "he was made. I tried writing a book with a super intelligent AI", "a super intelligent AI before (a book that will hopefully never be read", "AI who is designed to think faster and better than a human. In", "a super intelligent AI would think. Does anyone have any advice for writing", "part of how he was made. I tried writing a book with a", "acts humans, but that is part of how he was made. I tried", "too human. Part of the problem is a human can't fully comprehend how", "human can't fully comprehend how a super intelligent AI would think. Does anyone", "AI before (a book that will hopefully never be read by anyone besides", "faster and better than a human. In my current book, I have an", "an artificial intelligence and not have him feel human. Specifically an AI who", "him feel human. Specifically an AI who is designed to think faster and", "character felt too human. Part of the problem is a human can't fully", "book, I have an AI who acts humans, but that is part of", "the problem is a human can't fully comprehend how a super intelligent AI", "how a super intelligent AI would think. Does anyone have any advice for", "will hopefully never be read by anyone besides me), but the character felt", "human. Specifically an AI who is designed to think faster and better than", "not have him feel human. Specifically an AI who is designed to think", "human. In my current book, I have an AI who acts humans, but", "writing a book with a super intelligent AI before (a book that will", "problem is a human can't fully comprehend how a super intelligent AI would", "fully comprehend how a super intelligent AI would think. Does anyone have any", "by anyone besides me), but the character felt too human. Part of the", "comprehend how a super intelligent AI would think. Does anyone have any advice", "to write a character who is an artificial intelligence and not have him", "of how he was made. I tried writing a book with a super", "write a character who is an artificial intelligence and not have him feel", "but the character felt too human. Part of the problem is a human", "besides me), but the character felt too human. Part of the problem is", "an AI who is designed to think faster and better than a human.", "was made. I tried writing a book with a super intelligent AI before", "hopefully never be read by anyone besides me), but the character felt too", "and better than a human. In my current book, I have an AI", "before (a book that will hopefully never be read by anyone besides me),", "tried writing a book with a super intelligent AI before (a book that", "that is part of how he was made. I tried writing a book", "super intelligent AI before (a book that will hopefully never be read by", "with a super intelligent AI before (a book that will hopefully never be", "intelligent AI would think. Does anyone have any advice for writing an AI", "who is designed to think faster and better than a human. In my", "be read by anyone besides me), but the character felt too human. Part", "current book, I have an AI who acts humans, but that is part", "human. Part of the problem is a human can't fully comprehend how a", "how he was made. I tried writing a book with a super intelligent", "book that will hopefully never be read by anyone besides me), but the", "how to write a character who is an artificial intelligence and not have", "super intelligent AI would think. Does anyone have any advice for writing an", "have been thinking about recently is how to write a character who is", "Part of the problem is a human can't fully comprehend how a super" ]
[ "write that a character drank a gallon of milk, most people in my", "a gallon of milk, most people in my country would think that he", "more on the target audience? For example, if a I write that a", "fantasy novels? Or does it depend more on the target audience? For example,", "like fantasy novels? Or does it depend more on the target audience? For", "that he drank a full 20 liter barrel of milk. If I said", "in certain books to use the local measurement system, but is there a", "liter barrel of milk. If I said that someone walked one mile, would", "books more tolerant to change than others, like fantasy novels? Or does it", "that a character drank a gallon of milk, most people in my country", "a lot of people are taking that question in a pure writing aproach,", "in a pure writing aproach, so I suppose that a translation differs little", "a character drank a gallon of milk, most people in my country would", "barrel of milk. If I said that someone walked one mile, would it", "able to decide whenever to change or not to keep the original idea.", "the local measurement system, but is there a rule about this? Are some", "taking that question in a pure writing aproach, so I suppose that a", "if a I write that a character drank a gallon of milk, most", "someone walked one mile, would it be translated as 1km, 1.6 km or", "it be translated as 1km, 1.6 km or just kept in miles? Does", "I write that a character drank a gallon of milk, most people in", "people are taking that question in a pure writing aproach, so I suppose", "translation differs little to the actually writing process, you shold be able to", "be able to decide whenever to change or not to keep the original", "some books more tolerant to change than others, like fantasy novels? Or does", "think that it fits better in certain books to use the local measurement", "this? Are some books more tolerant to change than others, like fantasy novels?", "to the actually writing process, you shold be able to decide whenever to", "a rule about this? Are some books more tolerant to change than others,", "full 20 liter barrel of milk. If I said that someone walked one", "the actually writing process, you shold be able to decide whenever to change", "milk, most people in my country would think that he drank a full", "lot of people are taking that question in a pure writing aproach, so", "a translation differs little to the actually writing process, you shold be able", "there a rule about this? Are some books more tolerant to change than", "audience? For example, if a I write that a character drank a gallon", "mile, would it be translated as 1km, 1.6 km or just kept in", "a full 20 liter barrel of milk. If I said that someone walked", "actually writing process, you shold be able to decide whenever to change or", "If I said that someone walked one mile, would it be translated as", "1.6 km or just kept in miles? Does it depend of the accuracy", "depend of the accuracy that you need? Edit: Reading the answers a lot", "aproach, so I suppose that a translation differs little to the actually writing", "question in a pure writing aproach, so I suppose that a translation differs", "that you need? Edit: Reading the answers a lot of people are taking", "country would think that he drank a full 20 liter barrel of milk.", "of people are taking that question in a pure writing aproach, so I", "tolerant to change than others, like fantasy novels? Or does it depend more", "Edit: Reading the answers a lot of people are taking that question in", "I think that it fits better in certain books to use the local", "would think that he drank a full 20 liter barrel of milk. If", "the target audience? For example, if a I write that a character drank", "drank a full 20 liter barrel of milk. If I said that someone", "in miles? Does it depend of the accuracy that you need? Edit: Reading", "local measurement system, but is there a rule about this? Are some books", "drank a gallon of milk, most people in my country would think that", "differs little to the actually writing process, you shold be able to decide", "depend more on the target audience? For example, if a I write that", "it depend of the accuracy that you need? Edit: Reading the answers a", "a I write that a character drank a gallon of milk, most people", "writing aproach, so I suppose that a translation differs little to the actually", "be translated as 1km, 1.6 km or just kept in miles? Does it", "certain books to use the local measurement system, but is there a rule", "to use the local measurement system, but is there a rule about this?", "he drank a full 20 liter barrel of milk. If I said that", "target audience? For example, if a I write that a character drank a", "For example, if a I write that a character drank a gallon of", "miles? Does it depend of the accuracy that you need? Edit: Reading the", "does it depend more on the target audience? For example, if a I", "books to use the local measurement system, but is there a rule about", "said that someone walked one mile, would it be translated as 1km, 1.6", "writing process, you shold be able to decide whenever to change or not", "I suppose that a translation differs little to the actually writing process, you", "it depend more on the target audience? For example, if a I write", "on the target audience? For example, if a I write that a character", "20 liter barrel of milk. If I said that someone walked one mile,", "you shold be able to decide whenever to change or not to keep", "Or does it depend more on the target audience? For example, if a", "one mile, would it be translated as 1km, 1.6 km or just kept", "Are some books more tolerant to change than others, like fantasy novels? Or", "character drank a gallon of milk, most people in my country would think", "walked one mile, would it be translated as 1km, 1.6 km or just", "suppose that a translation differs little to the actually writing process, you shold", "about this? Are some books more tolerant to change than others, like fantasy", "rule about this? Are some books more tolerant to change than others, like", "the answers a lot of people are taking that question in a pure", "little to the actually writing process, you shold be able to decide whenever", "it fits better in certain books to use the local measurement system, but", "process, you shold be able to decide whenever to change or not to", "change than others, like fantasy novels? Or does it depend more on the", "just kept in miles? Does it depend of the accuracy that you need?", "of the accuracy that you need? Edit: Reading the answers a lot of", "my country would think that he drank a full 20 liter barrel of", "km or just kept in miles? Does it depend of the accuracy that", "people in my country would think that he drank a full 20 liter", "as 1km, 1.6 km or just kept in miles? Does it depend of", "translated as 1km, 1.6 km or just kept in miles? Does it depend", "Does it depend of the accuracy that you need? Edit: Reading the answers", "more tolerant to change than others, like fantasy novels? Or does it depend", "pure writing aproach, so I suppose that a translation differs little to the", "in my country would think that he drank a full 20 liter barrel", "so I suppose that a translation differs little to the actually writing process,", "that question in a pure writing aproach, so I suppose that a translation", "I said that someone walked one mile, would it be translated as 1km,", "a pure writing aproach, so I suppose that a translation differs little to", "Reading the answers a lot of people are taking that question in a", "think that he drank a full 20 liter barrel of milk. If I", "you need? Edit: Reading the answers a lot of people are taking that", "that a translation differs little to the actually writing process, you shold be", "system, but is there a rule about this? Are some books more tolerant", "of milk, most people in my country would think that he drank a", "use the local measurement system, but is there a rule about this? Are", "answers a lot of people are taking that question in a pure writing", "the accuracy that you need? Edit: Reading the answers a lot of people", "fits better in certain books to use the local measurement system, but is", "most people in my country would think that he drank a full 20", "better in certain books to use the local measurement system, but is there", "1km, 1.6 km or just kept in miles? Does it depend of the", "need? Edit: Reading the answers a lot of people are taking that question", "to change than others, like fantasy novels? Or does it depend more on", "novels? Or does it depend more on the target audience? For example, if", "milk. If I said that someone walked one mile, would it be translated", "that someone walked one mile, would it be translated as 1km, 1.6 km", "of milk. If I said that someone walked one mile, would it be", "example, if a I write that a character drank a gallon of milk,", "kept in miles? Does it depend of the accuracy that you need? Edit:", "measurement system, but is there a rule about this? Are some books more", "shold be able to decide whenever to change or not to keep the", "but is there a rule about this? Are some books more tolerant to", "would it be translated as 1km, 1.6 km or just kept in miles?", "gallon of milk, most people in my country would think that he drank", "that it fits better in certain books to use the local measurement system,", "than others, like fantasy novels? Or does it depend more on the target", "is there a rule about this? Are some books more tolerant to change", "others, like fantasy novels? Or does it depend more on the target audience?", "or just kept in miles? Does it depend of the accuracy that you", "accuracy that you need? Edit: Reading the answers a lot of people are", "are taking that question in a pure writing aproach, so I suppose that" ]
[ "since the new canon is out? I realise you'd need to be an", "do so, but I wondered if anyone could add to Star Wars: Legends.", "realise you'd need to be an established author to do so, but I", "to be an established author to do so, but I wondered if anyone", "out? I realise you'd need to be an established author to do so,", "author to do so, but I wondered if anyone could add to Star", "you'd need to be an established author to do so, but I wondered", "a book that is part of the Legends* canon, since the new canon", "is part of the Legends canon, since the new canon is out? I", "be an established author to do so, but I wondered if anyone could", "that is part of the Legends canon, since the new canon is out?", "book that is part of the Legends canon, since the new canon is", "Will Disney allow an author to write a book that is part of", "author to write a book that is part of the Legends canon, since", "established author to do so, but I wondered if anyone could add to", "the Legends canon, since the new canon is out? I realise you'd need", "allow an author to write a book that is part of the Legends", "is out? I realise you'd need to be an established author to do", "Disney allow an author to write a book that is part of the", "part of the Legends canon, since the new canon is out? I realise", "need to be an established author to do so, but I wondered if", "write a book that is part of the Legends canon, since the new", "I realise you'd need to be an established author to do so, but", "to do so, but I wondered if anyone could add to Star Wars:", "an author to write a book that is part of the Legends* canon,", "an established author to do so, but I wondered if anyone could add", "the new canon is out? I realise you'd need to be an established", "new canon is out? I realise you'd need to be an established author", "canon, since the new canon is out? I realise you'd need to be", "Legends canon, since the new canon is out? I realise you'd need to", "canon is out? I realise you'd need to be an established author to", "to write a book that is part of the Legends canon, since the", "of the Legends canon, since the new canon is out? I realise you'd" ]
[ "need to add Face Description ( or the personality ) of all the", "help me? Are there any novels that does not describe faces or personalty", "me? Are there any novels that does not describe faces or personalty of", "I need to add Face Description ( or the personality ) of all", "that can help me? Are there any novels that does not describe faces", "all the Characters? Is there a template that can help me? Are there", "the Characters? Is there a template that can help me? Are there any", "a template that can help me? Are there any novels that does not", "Are there any novels that does not describe faces or personalty of any", "template that can help me? Are there any novels that does not describe", "or the personality ) of all the Characters? Is there a template that", "writing a novel. Should I need to add Face Description ( or the", "Is there a template that can help me? Are there any novels that", "there any novels that does not describe faces or personalty of any character?", "of all the Characters? Is there a template that can help me? Are", "there a template that can help me? Are there any novels that does", "( or the personality ) of all the Characters? Is there a template", "am writing a novel. Should I need to add Face Description ( or", "personality ) of all the Characters? Is there a template that can help", "a novel. Should I need to add Face Description ( or the personality", "Should I need to add Face Description ( or the personality ) of", "add Face Description ( or the personality ) of all the Characters? Is", "Description ( or the personality ) of all the Characters? Is there a", ") of all the Characters? Is there a template that can help me?", "the personality ) of all the Characters? Is there a template that can", "to add Face Description ( or the personality ) of all the Characters?", "Characters? Is there a template that can help me? Are there any novels", "I am writing a novel. Should I need to add Face Description (", "can help me? Are there any novels that does not describe faces or", "novel. Should I need to add Face Description ( or the personality )", "Face Description ( or the personality ) of all the Characters? Is there" ]
[ "some sequels, Mallory is the most fleshed out of my characters. She always", "sequels, Mallory is the most fleshed out of my characters. She always reaches", "most fleshed out of my characters. She always reaches a point of despair", "always reaches a point of despair in each book-outline so far; for example,", "Mallory is the most fleshed out of my characters. She always reaches a", "who is willingly strict with her son, as repulsive as that sounds it", "in the beginning she just thinks he’s a normally badly behaved. Do I", "to look for him. It breaks her (I do this to show her", "character stronger so that she isn’t defined as sensitive, and put off the", "to show her mother-like bond with her son, in the beginning she just", "thinks he’s a normally badly behaved. Do I need to make this character", "sounds it turns out she is remorseful over her parenting decisions and her", "badly behaved. Do I need to make this character stronger so that she", "make this character stronger so that she isn’t defined as sensitive, and put", "deliberately badly behaved (a literally evil boy). I have planned outlines for some", "is deliberately badly behaved (a literally evil boy). I have planned outlines for", "and she goes to look for him. It breaks her (I do this", "behaved (a literally evil boy). I have planned outlines for some sequels, Mallory", "her son goes missing and she goes to look for him. It breaks", "reaches a point of despair in each book-outline so far; for example, her", "literally evil boy). I have planned outlines for some sequels, Mallory is the", "of my characters, Mallory is a 37-year old mother who is willingly strict", "Mallory is a 37-year old mother who is willingly strict with her son,", "normally badly behaved. Do I need to make this character stronger so that", "her son, in the beginning she just thinks he’s a normally badly behaved.", "she is remorseful over her parenting decisions and her son is deliberately badly", "for him. It breaks her (I do this to show her mother-like bond", "she just thinks he’s a normally badly behaved. Do I need to make", "strict with her son, as repulsive as that sounds it turns out she", "One of my characters, Mallory is a 37-year old mother who is willingly", "behaved. Do I need to make this character stronger so that she isn’t", "I have planned outlines for some sequels, Mallory is the most fleshed out", "her mother-like bond with her son, in the beginning she just thinks he’s", "37-year old mother who is willingly strict with her son, as repulsive as", "point of despair in each book-outline so far; for example, her son goes", "repulsive as that sounds it turns out she is remorseful over her parenting", "mother-like bond with her son, in the beginning she just thinks he’s a", "turns out she is remorseful over her parenting decisions and her son is", "son, in the beginning she just thinks he’s a normally badly behaved. Do", "my characters. She always reaches a point of despair in each book-outline so", "need to make this character stronger so that she isn’t defined as sensitive,", "remorseful over her parenting decisions and her son is deliberately badly behaved (a", "of my characters. She always reaches a point of despair in each book-outline", "the most fleshed out of my characters. She always reaches a point of", "him. It breaks her (I do this to show her mother-like bond with", "it turns out she is remorseful over her parenting decisions and her son", "her son is deliberately badly behaved (a literally evil boy). I have planned", "fleshed out of my characters. She always reaches a point of despair in", "(I do this to show her mother-like bond with her son, in the", "breaks her (I do this to show her mother-like bond with her son,", "stronger so that she isn’t defined as sensitive, and put off the reader?", "that sounds it turns out she is remorseful over her parenting decisions and", "over her parenting decisions and her son is deliberately badly behaved (a literally", "in each book-outline so far; for example, her son goes missing and she", "evil boy). I have planned outlines for some sequels, Mallory is the most", "for some sequels, Mallory is the most fleshed out of my characters. She", "out she is remorseful over her parenting decisions and her son is deliberately", "this to show her mother-like bond with her son, in the beginning she", "I need to make this character stronger so that she isn’t defined as", "is willingly strict with her son, as repulsive as that sounds it turns", "is remorseful over her parenting decisions and her son is deliberately badly behaved", "It breaks her (I do this to show her mother-like bond with her", "missing and she goes to look for him. It breaks her (I do", "beginning she just thinks he’s a normally badly behaved. Do I need to", "the beginning she just thinks he’s a normally badly behaved. Do I need", "Do I need to make this character stronger so that she isn’t defined", "with her son, in the beginning she just thinks he’s a normally badly", "as repulsive as that sounds it turns out she is remorseful over her", "son, as repulsive as that sounds it turns out she is remorseful over", "outlines for some sequels, Mallory is the most fleshed out of my characters.", "and her son is deliberately badly behaved (a literally evil boy). I have", "she goes to look for him. It breaks her (I do this to", "out of my characters. She always reaches a point of despair in each", "example, her son goes missing and she goes to look for him. It", "boy). I have planned outlines for some sequels, Mallory is the most fleshed", "far; for example, her son goes missing and she goes to look for", "book-outline so far; for example, her son goes missing and she goes to", "just thinks he’s a normally badly behaved. Do I need to make this", "do this to show her mother-like bond with her son, in the beginning", "have planned outlines for some sequels, Mallory is the most fleshed out of", "goes missing and she goes to look for him. It breaks her (I", "is a 37-year old mother who is willingly strict with her son, as", "despair in each book-outline so far; for example, her son goes missing and", "of despair in each book-outline so far; for example, her son goes missing", "a normally badly behaved. Do I need to make this character stronger so", "for example, her son goes missing and she goes to look for him.", "son goes missing and she goes to look for him. It breaks her", "a point of despair in each book-outline so far; for example, her son", "bond with her son, in the beginning she just thinks he’s a normally", "a 37-year old mother who is willingly strict with her son, as repulsive", "this character stronger so that she isn’t defined as sensitive, and put off", "goes to look for him. It breaks her (I do this to show", "as that sounds it turns out she is remorseful over her parenting decisions", "characters. She always reaches a point of despair in each book-outline so far;", "each book-outline so far; for example, her son goes missing and she goes", "mother who is willingly strict with her son, as repulsive as that sounds", "he’s a normally badly behaved. Do I need to make this character stronger", "her son, as repulsive as that sounds it turns out she is remorseful", "badly behaved (a literally evil boy). I have planned outlines for some sequels,", "decisions and her son is deliberately badly behaved (a literally evil boy). I", "(a literally evil boy). I have planned outlines for some sequels, Mallory is", "my characters, Mallory is a 37-year old mother who is willingly strict with", "her parenting decisions and her son is deliberately badly behaved (a literally evil", "son is deliberately badly behaved (a literally evil boy). I have planned outlines", "characters, Mallory is a 37-year old mother who is willingly strict with her", "so far; for example, her son goes missing and she goes to look", "her (I do this to show her mother-like bond with her son, in", "to make this character stronger so that she isn’t defined as sensitive, and", "planned outlines for some sequels, Mallory is the most fleshed out of my", "look for him. It breaks her (I do this to show her mother-like", "willingly strict with her son, as repulsive as that sounds it turns out", "show her mother-like bond with her son, in the beginning she just thinks", "She always reaches a point of despair in each book-outline so far; for", "old mother who is willingly strict with her son, as repulsive as that", "is the most fleshed out of my characters. She always reaches a point", "parenting decisions and her son is deliberately badly behaved (a literally evil boy).", "with her son, as repulsive as that sounds it turns out she is" ]
[ "writing a novel. At 56k words, I've become a little nervous about how", "have a very close and connected story line. It's just a fun sort", "in pairs to accomplish two tasks. This is when the major plot comes", "This is worded poorly. Most of the resolution of the conflict occurs in", "character Derek. The second chapter introduces a major character, Loruw. The third chapter", "a little nervous about how I've been building the story. BACKGROUND: I started", "close and connected story line. It's just a fun sort of thing for", "my plot so much as the question below. This is only the first", "so much as the question below. This is only the first draft. ACTUAL", "break the story up into POVs to show how their stories all tie", "happens during the same time that PulecuP is working to end the chaos.", "they split up in pairs to accomplish two tasks. This is when the", "8. All four of them are brought together by chapter 10. They stay", "(so to speak) is unleashed. When split up, I've focused mostly on PulecuP", "and connected story line. It's just a fun sort of thing for the", "others are not forgotten or abandoned. One is injured, but they have a", "From a publisher's standpoint and a reader's standpoint, assuming that the story is", "and a minor character). The others are not forgotten or abandoned. One is", "They do actually cross paths. I wanted them to have a very close", "by chapter 8. All four of them are brought together by chapter 10.", "story up into POVs to show how their stories all tie together? In", "10. They stay together until chapter 13, where they split up in pairs", "Please don't worry about my plot so much as the question below. This", "assuming that the story is compelling and the ideas are interesting: Is it", "third chapter introduces a major character, Qade. From then on, I cycle through", "publisher want to publish the novel and will the reader want to read", "Loruw and a minor character). The others are not forgotten or abandoned. One", "introduces a major character, Loruw. The third chapter introduces a major character, Qade.", "together. They do actually cross paths. I wanted them to have a very", "the first draft. ACTUAL QUESTION: From a publisher's standpoint and a reader's standpoint,", "is injured, but they have a chapter of what happens during the same", "BACKGROUND: I started this book with the introduction of the main character, PulecuP", "and ultimately stops them. This is worded poorly. Most of the resolution of", "stops them. This is worded poorly. Most of the resolution of the conflict", "In other words, will a publisher want to publish the novel and will", "accomplish two tasks. This is when the major plot comes calling and chaos", "novel. At 56k words, I've become a little nervous about how I've been", "Loruw by chapter 5. Derek finds Qade by chapter 8. All four of", "Derek finds Qade by chapter 8. All four of them are brought together", "together? In other words, will a publisher want to publish the novel and", "major character, Qade. From then on, I cycle through all four until I", "the ideas are interesting: Is it acceptable to break the story up into", "major character Derek. The second chapter introduces a major character, Loruw. The third", "a major character, Qade. From then on, I cycle through all four until", "All four of them are brought together by chapter 10. They stay together", "calling and chaos (so to speak) is unleashed. When split up, I've focused", "book with the introduction of the main character, PulecuP and a brief introduction", "is unleashed. When split up, I've focused mostly on PulecuP as he faces", "other words, will a publisher want to publish the novel and will the", "to have a very close and connected story line. It's just a fun", "how I've been building the story. BACKGROUND: I started this book with the", "main character, PulecuP and a brief introduction to the major character Derek. The", "and a brief introduction to the major character Derek. The second chapter introduces", "Qade. From then on, I cycle through all four until I reach a", "been building the story. BACKGROUND: I started this book with the introduction of", "introduction to the major character Derek. The second chapter introduces a major character,", "cycle through all four until I reach a point where they all finally", "major plot comes calling and chaos (so to speak) is unleashed. When split", "a very close and connected story line. It's just a fun sort of", "chapter 5. Derek finds Qade by chapter 8. All four of them are", "minor character). The others are not forgotten or abandoned. One is injured, but", "as the question below. This is only the first draft. ACTUAL QUESTION: From", "to break the story up into POVs to show how their stories all", "of the resolution of the conflict occurs in PulecuP' scenes (with Loruw and", "during the same time that PulecuP is working to end the chaos. Please", "chapter 10. They stay together until chapter 13, where they split up in", "the resolution of the conflict occurs in PulecuP' scenes (with Loruw and a", "a novel. At 56k words, I've become a little nervous about how I've", "on PulecuP as he faces the antagonist and ultimately stops them. This is", "words, will a publisher want to publish the novel and will the reader", "compelling and the ideas are interesting: Is it acceptable to break the story", "of them are brought together by chapter 10. They stay together until chapter", "chapter introduces a major character, Loruw. The third chapter introduces a major character,", "tasks. This is when the major plot comes calling and chaos (so to", "them. This is worded poorly. Most of the resolution of the conflict occurs", "words, I've become a little nervous about how I've been building the story.", "that PulecuP is working to end the chaos. Please don't worry about my", "and the ideas are interesting: Is it acceptable to break the story up", "to speak) is unleashed. When split up, I've focused mostly on PulecuP as", "abandoned. One is injured, but they have a chapter of what happens during", "of what happens during the same time that PulecuP is working to end", "about how I've been building the story. BACKGROUND: I started this book with", "the introduction of the main character, PulecuP and a brief introduction to the", "It's just a fun sort of thing for the reader. PulecuP meets Loruw", "From then on, I cycle through all four until I reach a point", "a fun sort of thing for the reader. PulecuP meets Loruw by chapter", "with the introduction of the main character, PulecuP and a brief introduction to", "a publisher's standpoint and a reader's standpoint, assuming that the story is compelling", "show how their stories all tie together? In other words, will a publisher", "At 56k words, I've become a little nervous about how I've been building", "the story. BACKGROUND: I started this book with the introduction of the main", "connected story line. It's just a fun sort of thing for the reader.", "then on, I cycle through all four until I reach a point where", "Derek. The second chapter introduces a major character, Loruw. The third chapter introduces", "meets Loruw by chapter 5. Derek finds Qade by chapter 8. All four", "and chaos (so to speak) is unleashed. When split up, I've focused mostly", "the conflict occurs in PulecuP' scenes (with Loruw and a minor character). The", "character, PulecuP and a brief introduction to the major character Derek. The second", "character). The others are not forgotten or abandoned. One is injured, but they", "and a reader's standpoint, assuming that the story is compelling and the ideas", "it acceptable to break the story up into POVs to show how their", "reach a point where they all finally come together. They do actually cross", "ideas are interesting: Is it acceptable to break the story up into POVs", "become a little nervous about how I've been building the story. BACKGROUND: I", "them are brought together by chapter 10. They stay together until chapter 13,", "(with Loruw and a minor character). The others are not forgotten or abandoned.", "four until I reach a point where they all finally come together. They", "where they all finally come together. They do actually cross paths. I wanted", "PulecuP meets Loruw by chapter 5. Derek finds Qade by chapter 8. All", "When split up, I've focused mostly on PulecuP as he faces the antagonist", "antagonist and ultimately stops them. This is worded poorly. Most of the resolution", "plot so much as the question below. This is only the first draft.", "much as the question below. This is only the first draft. ACTUAL QUESTION:", "working to end the chaos. Please don't worry about my plot so much", "This is only the first draft. ACTUAL QUESTION: From a publisher's standpoint and", "ACTUAL QUESTION: From a publisher's standpoint and a reader's standpoint, assuming that the", "publisher's standpoint and a reader's standpoint, assuming that the story is compelling and", "of the main character, PulecuP and a brief introduction to the major character", "line. It's just a fun sort of thing for the reader. PulecuP meets", "5. Derek finds Qade by chapter 8. All four of them are brought", "reader's standpoint, assuming that the story is compelling and the ideas are interesting:", "a brief introduction to the major character Derek. The second chapter introduces a", "standpoint, assuming that the story is compelling and the ideas are interesting: Is", "until chapter 13, where they split up in pairs to accomplish two tasks.", "are interesting: Is it acceptable to break the story up into POVs to", "end the chaos. Please don't worry about my plot so much as the", "into POVs to show how their stories all tie together? In other words,", "how their stories all tie together? In other words, will a publisher want", "will a publisher want to publish the novel and will the reader want", "about my plot so much as the question below. This is only the", "occurs in PulecuP' scenes (with Loruw and a minor character). The others are", "the major character Derek. The second chapter introduces a major character, Loruw. The", "This is when the major plot comes calling and chaos (so to speak)", "what happens during the same time that PulecuP is working to end the", "speak) is unleashed. When split up, I've focused mostly on PulecuP as he", "worry about my plot so much as the question below. This is only", "I reach a point where they all finally come together. They do actually", "very close and connected story line. It's just a fun sort of thing", "to accomplish two tasks. This is when the major plot comes calling and", "introduction of the main character, PulecuP and a brief introduction to the major", "I've been building the story. BACKGROUND: I started this book with the introduction", "standpoint and a reader's standpoint, assuming that the story is compelling and the", "The second chapter introduces a major character, Loruw. The third chapter introduces a", "chapter 13, where they split up in pairs to accomplish two tasks. This", "the main character, PulecuP and a brief introduction to the major character Derek.", "the reader. PulecuP meets Loruw by chapter 5. Derek finds Qade by chapter", "sort of thing for the reader. PulecuP meets Loruw by chapter 5. Derek", "interesting: Is it acceptable to break the story up into POVs to show", "plot comes calling and chaos (so to speak) is unleashed. When split up,", "up, I've focused mostly on PulecuP as he faces the antagonist and ultimately", "chapter of what happens during the same time that PulecuP is working to", "focused mostly on PulecuP as he faces the antagonist and ultimately stops them.", "chapter introduces a major character, Qade. From then on, I cycle through all", "the antagonist and ultimately stops them. This is worded poorly. Most of the", "reader. PulecuP meets Loruw by chapter 5. Derek finds Qade by chapter 8.", "faces the antagonist and ultimately stops them. This is worded poorly. Most of", "injured, but they have a chapter of what happens during the same time", "QUESTION: From a publisher's standpoint and a reader's standpoint, assuming that the story", "stories all tie together? In other words, will a publisher want to publish", "just a fun sort of thing for the reader. PulecuP meets Loruw by", "little nervous about how I've been building the story. BACKGROUND: I started this", "I've become a little nervous about how I've been building the story. BACKGROUND:", "he faces the antagonist and ultimately stops them. This is worded poorly. Most", "is worded poorly. Most of the resolution of the conflict occurs in PulecuP'", "a publisher want to publish the novel and will the reader want to", "are not forgotten or abandoned. One is injured, but they have a chapter", "the story is compelling and the ideas are interesting: Is it acceptable to", "The third chapter introduces a major character, Qade. From then on, I cycle", "paths. I wanted them to have a very close and connected story line.", "forgotten or abandoned. One is injured, but they have a chapter of what", "POVs to show how their stories all tie together? In other words, will", "together by chapter 10. They stay together until chapter 13, where they split", "in PulecuP' scenes (with Loruw and a minor character). The others are not", "the question below. This is only the first draft. ACTUAL QUESTION: From a", "tie together? In other words, will a publisher want to publish the novel", "chapter 8. All four of them are brought together by chapter 10. They", "where they split up in pairs to accomplish two tasks. This is when", "all tie together? In other words, will a publisher want to publish the", "comes calling and chaos (so to speak) is unleashed. When split up, I've", "unleashed. When split up, I've focused mostly on PulecuP as he faces the", "have a chapter of what happens during the same time that PulecuP is", "character, Loruw. The third chapter introduces a major character, Qade. From then on,", "wanted them to have a very close and connected story line. It's just", "together until chapter 13, where they split up in pairs to accomplish two", "up into POVs to show how their stories all tie together? In other", "PulecuP and a brief introduction to the major character Derek. The second chapter", "to the major character Derek. The second chapter introduces a major character, Loruw.", "do actually cross paths. I wanted them to have a very close and", "chaos (so to speak) is unleashed. When split up, I've focused mostly on", "not forgotten or abandoned. One is injured, but they have a chapter of", "don't worry about my plot so much as the question below. This is", "finally come together. They do actually cross paths. I wanted them to have", "draft. ACTUAL QUESTION: From a publisher's standpoint and a reader's standpoint, assuming that", "story is compelling and the ideas are interesting: Is it acceptable to break", "time that PulecuP is working to end the chaos. Please don't worry about", "is compelling and the ideas are interesting: Is it acceptable to break the", "on, I cycle through all four until I reach a point where they", "stay together until chapter 13, where they split up in pairs to accomplish", "all four until I reach a point where they all finally come together.", "actually cross paths. I wanted them to have a very close and connected", "nervous about how I've been building the story. BACKGROUND: I started this book", "I started this book with the introduction of the main character, PulecuP and", "PulecuP as he faces the antagonist and ultimately stops them. This is worded", "Most of the resolution of the conflict occurs in PulecuP' scenes (with Loruw", "PulecuP' scenes (with Loruw and a minor character). The others are not forgotten", "brief introduction to the major character Derek. The second chapter introduces a major", "Qade by chapter 8. All four of them are brought together by chapter", "56k words, I've become a little nervous about how I've been building the", "to show how their stories all tie together? In other words, will a", "them to have a very close and connected story line. It's just a", "fun sort of thing for the reader. PulecuP meets Loruw by chapter 5.", "up in pairs to accomplish two tasks. This is when the major plot", "the major plot comes calling and chaos (so to speak) is unleashed. When", "same time that PulecuP is working to end the chaos. Please don't worry", "scenes (with Loruw and a minor character). The others are not forgotten or", "only the first draft. ACTUAL QUESTION: From a publisher's standpoint and a reader's", "are brought together by chapter 10. They stay together until chapter 13, where", "point where they all finally come together. They do actually cross paths. I", "mostly on PulecuP as he faces the antagonist and ultimately stops them. This", "story line. It's just a fun sort of thing for the reader. PulecuP", "They stay together until chapter 13, where they split up in pairs to", "the chaos. Please don't worry about my plot so much as the question", "they all finally come together. They do actually cross paths. I wanted them", "or abandoned. One is injured, but they have a chapter of what happens", "is when the major plot comes calling and chaos (so to speak) is", "the story up into POVs to show how their stories all tie together?", "thing for the reader. PulecuP meets Loruw by chapter 5. Derek finds Qade", "13, where they split up in pairs to accomplish two tasks. This is", "conflict occurs in PulecuP' scenes (with Loruw and a minor character). The others", "to end the chaos. Please don't worry about my plot so much as", "two tasks. This is when the major plot comes calling and chaos (so", "poorly. Most of the resolution of the conflict occurs in PulecuP' scenes (with", "a point where they all finally come together. They do actually cross paths.", "brought together by chapter 10. They stay together until chapter 13, where they", "by chapter 10. They stay together until chapter 13, where they split up", "split up in pairs to accomplish two tasks. This is when the major", "is working to end the chaos. Please don't worry about my plot so", "building the story. BACKGROUND: I started this book with the introduction of the", "first draft. ACTUAL QUESTION: From a publisher's standpoint and a reader's standpoint, assuming", "worded poorly. Most of the resolution of the conflict occurs in PulecuP' scenes", "their stories all tie together? In other words, will a publisher want to", "is only the first draft. ACTUAL QUESTION: From a publisher's standpoint and a", "acceptable to break the story up into POVs to show how their stories", "of the conflict occurs in PulecuP' scenes (with Loruw and a minor character).", "cross paths. I wanted them to have a very close and connected story", "for the reader. PulecuP meets Loruw by chapter 5. Derek finds Qade by", "this book with the introduction of the main character, PulecuP and a brief", "introduces a major character, Qade. From then on, I cycle through all four", "One is injured, but they have a chapter of what happens during the", "a major character, Loruw. The third chapter introduces a major character, Qade. From", "resolution of the conflict occurs in PulecuP' scenes (with Loruw and a minor", "chaos. Please don't worry about my plot so much as the question below.", "ultimately stops them. This is worded poorly. Most of the resolution of the", "by chapter 5. Derek finds Qade by chapter 8. All four of them", "four of them are brought together by chapter 10. They stay together until", "PulecuP is working to end the chaos. Please don't worry about my plot", "a reader's standpoint, assuming that the story is compelling and the ideas are", "I'm writing a novel. At 56k words, I've become a little nervous about", "when the major plot comes calling and chaos (so to speak) is unleashed.", "they have a chapter of what happens during the same time that PulecuP", "Is it acceptable to break the story up into POVs to show how", "pairs to accomplish two tasks. This is when the major plot comes calling", "I've focused mostly on PulecuP as he faces the antagonist and ultimately stops", "finds Qade by chapter 8. All four of them are brought together by", "character, Qade. From then on, I cycle through all four until I reach", "I cycle through all four until I reach a point where they all", "The others are not forgotten or abandoned. One is injured, but they have", "want to publish the novel and will the reader want to read it?", "started this book with the introduction of the main character, PulecuP and a", "question below. This is only the first draft. ACTUAL QUESTION: From a publisher's", "come together. They do actually cross paths. I wanted them to have a", "Loruw. The third chapter introduces a major character, Qade. From then on, I", "split up, I've focused mostly on PulecuP as he faces the antagonist and", "story. BACKGROUND: I started this book with the introduction of the main character,", "a minor character). The others are not forgotten or abandoned. One is injured,", "below. This is only the first draft. ACTUAL QUESTION: From a publisher's standpoint", "the same time that PulecuP is working to end the chaos. Please don't", "I wanted them to have a very close and connected story line. It's", "all finally come together. They do actually cross paths. I wanted them to", "that the story is compelling and the ideas are interesting: Is it acceptable", "major character, Loruw. The third chapter introduces a major character, Qade. From then", "a chapter of what happens during the same time that PulecuP is working", "until I reach a point where they all finally come together. They do", "of thing for the reader. PulecuP meets Loruw by chapter 5. Derek finds", "as he faces the antagonist and ultimately stops them. This is worded poorly.", "through all four until I reach a point where they all finally come", "second chapter introduces a major character, Loruw. The third chapter introduces a major", "but they have a chapter of what happens during the same time that" ]
[ "between books can be annoying, frustrating or discouraging to read about new characters", "protagonists between books, if the true main character stays hidden behind the curtains?", "people, who are \"used\" by this being for the success of her mission.", "it okay to switch between multiple protagonists between books, if the true main", "who are \"used\" by this being for the success of her mission. The", "main character of my novels. The novels center around people, who are \"used\"", "has small appearances in the books and remains mysterious and acts behind the", "mysterious and acts behind the curtains, until the final act/novel. My question is:", "around people, who are \"used\" by this being for the success of her", "small appearances in the books and remains mysterious and acts behind the curtains,", "being is not the main character of my novels. The novels center around", "my research I stumbled upon [this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with my", "in the books and remains mysterious and acts behind the curtains, until the", "can be annoying, frustrating or discouraging to read about new characters in every", "for a long time. In the mentioned question I read the common thinking", "this being for the success of her mission. The person has small appearances", "Switching protagonists between books can be annoying, frustrating or discouraging to read about", "and acts behind the curtains, until the final act/novel. My question is: Is", "my novels. The novels center around people, who are \"used\" by this being", "Part of the background story is a being with a simple mission. But", "my novel I developed a very complex background story. Part of the background", "is a being with a simple mission. But the difficult part is: This", "books can be annoying, frustrating or discouraging to read about new characters in", "the difficult part is: This being is not the main character of my", "are \"used\" by this being for the success of her mission. The person", "between multiple protagonists between books, if the true main character stays hidden behind", "time. In the mentioned question I read the common thinking is: Switching protagonists", "a simple mission. But the difficult part is: This being is not the", "story. Part of the background story is a being with a simple mission.", "not the main character of my novels. The novels center around people, who", "the mentioned question I read the common thinking is: Switching protagonists between books", "a very complex background story. Part of the background story is a being", "person has small appearances in the books and remains mysterious and acts behind", "the success of her mission. The person has small appearances in the books", "I stumbled upon [this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with my question, that", "In the mentioned question I read the common thinking is: Switching protagonists between", "books and remains mysterious and acts behind the curtains, until the final act/novel.", "curtains, until the final act/novel. My question is: Is it okay to switch", "question I read the common thinking is: Switching protagonists between books can be", "be annoying, frustrating or discouraging to read about new characters in every new", "new characters in every new book. Now I come to my question. In", "appearances in the books and remains mysterious and acts behind the curtains, until", "final act/novel. My question is: Is it okay to switch between multiple protagonists", "question and it matches somehow with my question, that lingers in my head", "question, that lingers in my head for a long time. In the mentioned", "remains mysterious and acts behind the curtains, until the final act/novel. My question", "until the final act/novel. My question is: Is it okay to switch between", "difficult part is: This being is not the main character of my novels.", "mission. But the difficult part is: This being is not the main character", "stumbled upon [this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with my question, that lingers", "center around people, who are \"used\" by this being for the success of", "of my novels. The novels center around people, who are \"used\" by this", "[this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with my question, that lingers in my", "\"used\" by this being for the success of her mission. The person has", "upon [this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with my question, that lingers in", "the background story is a being with a simple mission. But the difficult", "I come to my question. In my novel I developed a very complex", "This being is not the main character of my novels. The novels center", "mentioned question I read the common thinking is: Switching protagonists between books can", "thinking is: Switching protagonists between books can be annoying, frustrating or discouraging to", "is: Is it okay to switch between multiple protagonists between books, if the", "In my novel I developed a very complex background story. Part of the", "story is a being with a simple mission. But the difficult part is:", "about new characters in every new book. Now I come to my question.", "The novels center around people, who are \"used\" by this being for the", "protagonists between books can be annoying, frustrating or discouraging to read about new", "mission. The person has small appearances in the books and remains mysterious and", "a being with a simple mission. But the difficult part is: This being", "being for the success of her mission. The person has small appearances in", "the curtains, until the final act/novel. My question is: Is it okay to", "characters in every new book. Now I come to my question. In my", "my head for a long time. In the mentioned question I read the", "in my head for a long time. In the mentioned question I read", "book. Now I come to my question. In my novel I developed a", "common thinking is: Switching protagonists between books can be annoying, frustrating or discouraging", "my question, that lingers in my head for a long time. In the", "Now I come to my question. In my novel I developed a very", "success of her mission. The person has small appearances in the books and", "background story is a being with a simple mission. But the difficult part", "part is: This being is not the main character of my novels. The", "a long time. In the mentioned question I read the common thinking is:", "read about new characters in every new book. Now I come to my", "of the background story is a being with a simple mission. But the", "being with a simple mission. But the difficult part is: This being is", "the common thinking is: Switching protagonists between books can be annoying, frustrating or", "background story. Part of the background story is a being with a simple", "new book. Now I come to my question. In my novel I developed", "frustrating or discouraging to read about new characters in every new book. Now", "I developed a very complex background story. Part of the background story is", "act/novel. My question is: Is it okay to switch between multiple protagonists between", "with a simple mission. But the difficult part is: This being is not", "of her mission. The person has small appearances in the books and remains", "is not the main character of my novels. The novels center around people,", "with my question, that lingers in my head for a long time. In", "long time. In the mentioned question I read the common thinking is: Switching", "matches somehow with my question, that lingers in my head for a long", "But the difficult part is: This being is not the main character of", "somehow with my question, that lingers in my head for a long time.", "On my research I stumbled upon [this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with", "The person has small appearances in the books and remains mysterious and acts", "head for a long time. In the mentioned question I read the common", "read the common thinking is: Switching protagonists between books can be annoying, frustrating", "is: This being is not the main character of my novels. The novels", "in every new book. Now I come to my question. In my novel", "by this being for the success of her mission. The person has small", "every new book. Now I come to my question. In my novel I", "come to my question. In my novel I developed a very complex background", "her mission. The person has small appearances in the books and remains mysterious", "to switch between multiple protagonists between books, if the true main character stays", "the final act/novel. My question is: Is it okay to switch between multiple", "multiple protagonists between books, if the true main character stays hidden behind the", "is: Switching protagonists between books can be annoying, frustrating or discouraging to read", "discouraging to read about new characters in every new book. Now I come", "Is it okay to switch between multiple protagonists between books, if the true", "behind the curtains, until the final act/novel. My question is: Is it okay", "I read the common thinking is: Switching protagonists between books can be annoying,", "okay to switch between multiple protagonists between books, if the true main character", "it matches somehow with my question, that lingers in my head for a", "to my question. In my novel I developed a very complex background story.", "character of my novels. The novels center around people, who are \"used\" by", "my question. In my novel I developed a very complex background story. Part", "lingers in my head for a long time. In the mentioned question I", "very complex background story. Part of the background story is a being with", "developed a very complex background story. Part of the background story is a", "annoying, frustrating or discouraging to read about new characters in every new book.", "and it matches somehow with my question, that lingers in my head for", "switch between multiple protagonists between books, if the true main character stays hidden", "My question is: Is it okay to switch between multiple protagonists between books,", "novel I developed a very complex background story. Part of the background story", "for the success of her mission. The person has small appearances in the", "complex background story. Part of the background story is a being with a", "the books and remains mysterious and acts behind the curtains, until the final", "and remains mysterious and acts behind the curtains, until the final act/novel. My", "research I stumbled upon [this](https://writing.stackexchange.com/questions/24673/how-can-i-switch-protagonists-between-books) question and it matches somehow with my question,", "to read about new characters in every new book. Now I come to", "the main character of my novels. The novels center around people, who are", "question is: Is it okay to switch between multiple protagonists between books, if", "question. In my novel I developed a very complex background story. Part of", "novels. The novels center around people, who are \"used\" by this being for", "novels center around people, who are \"used\" by this being for the success", "acts behind the curtains, until the final act/novel. My question is: Is it", "simple mission. But the difficult part is: This being is not the main", "that lingers in my head for a long time. In the mentioned question", "or discouraging to read about new characters in every new book. Now I" ]
[ "any other methods for accessing magic from a \"God\" or higher being? Sorry", "of any other methods for accessing magic from a \"God\" or higher being?", "\"Higher Beings\" as a source. Besides the \"obvious praying to the gods,\" can", "source. Besides the \"obvious praying to the gods,\" can anyone tell me of", "magic system where the \"magic\" comes from \"Higher Beings\" as a source. Besides", "can anyone tell me of any other methods for accessing magic from a", "Besides the \"obvious praying to the gods,\" can anyone tell me of any", "Beings\" as a source. Besides the \"obvious praying to the gods,\" can anyone", "to the gods,\" can anyone tell me of any other methods for accessing", "creating a magic system where the \"magic\" comes from \"Higher Beings\" as a", "gods,\" can anyone tell me of any other methods for accessing magic from", "magic from a \"God\" or higher being? Sorry if this falls under worldbuilding.", "from \"Higher Beings\" as a source. Besides the \"obvious praying to the gods,\"", "methods for accessing magic from a \"God\" or higher being? Sorry if this", "a magic system where the \"magic\" comes from \"Higher Beings\" as a source.", "the \"obvious praying to the gods,\" can anyone tell me of any other", "\"obvious praying to the gods,\" can anyone tell me of any other methods", "tell me of any other methods for accessing magic from a \"God\" or", "a source. Besides the \"obvious praying to the gods,\" can anyone tell me", "comes from \"Higher Beings\" as a source. Besides the \"obvious praying to the", "anyone tell me of any other methods for accessing magic from a \"God\"", "praying to the gods,\" can anyone tell me of any other methods for", "system where the \"magic\" comes from \"Higher Beings\" as a source. Besides the", "the \"magic\" comes from \"Higher Beings\" as a source. Besides the \"obvious praying", "I'm creating a magic system where the \"magic\" comes from \"Higher Beings\" as", "\"magic\" comes from \"Higher Beings\" as a source. Besides the \"obvious praying to", "me of any other methods for accessing magic from a \"God\" or higher", "other methods for accessing magic from a \"God\" or higher being? Sorry if", "the gods,\" can anyone tell me of any other methods for accessing magic", "for accessing magic from a \"God\" or higher being? Sorry if this falls", "where the \"magic\" comes from \"Higher Beings\" as a source. Besides the \"obvious", "accessing magic from a \"God\" or higher being? Sorry if this falls under", "as a source. Besides the \"obvious praying to the gods,\" can anyone tell" ]
[ "but whenver try to write, my mind become blank and cannot collet all", "try to write, my mind become blank and cannot collet all thoughts to", "I have lot of story in my mind but whenver try to write,", "mind but whenver try to write, my mind become blank and cannot collet", "have lot of story in my mind but whenver try to write, my", "in my mind but whenver try to write, my mind become blank and", "of story in my mind but whenver try to write, my mind become", "to write, my mind become blank and cannot collet all thoughts to write", "write, my mind become blank and cannot collet all thoughts to write story.", "story in my mind but whenver try to write, my mind become blank", "lot of story in my mind but whenver try to write, my mind", "my mind but whenver try to write, my mind become blank and cannot", "whenver try to write, my mind become blank and cannot collet all thoughts" ]
[ "climax, or any other really weighty, serious emotions, especially not negative ones. Is", "with a villain and intense climax? Would I be better off to cut", "I don't know if any of you have heard of Dinotopia by James", "emotions, especially not negative ones. Is such a format only suitable for light-hearted,", "format with large pages, and lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While", "book, and definitely not a bad book, it lacks a main antagonist, climax,", "a bad book, it lacks a main antagonist, climax, or any other really", "in a book with a villain and intense climax? Would I be better", "children's book, and definitely not a bad book, it lacks a main antagonist,", "books, or can I use it in a book with a villain and", "can I use it in a book with a villain and intense climax?", "other really weighty, serious emotions, especially not negative ones. Is such a format", "written in a format with large pages, and lots of illustrations: [![enter image", "suitable for light-hearted, less serious books, or can I use it in a", "especially not negative ones. Is such a format only suitable for light-hearted, less", "of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a children's", "or can I use it in a book with a villain and intense", "a villain and intense climax? Would I be better off to cut down", "So, I don't know if any of you have heard of Dinotopia by", "of Dinotopia by James Gurney, but it's written in a format with large", "for light-hearted, less serious books, or can I use it in a book", "really weighty, serious emotions, especially not negative ones. Is such a format only", "not negative ones. Is such a format only suitable for light-hearted, less serious", "antagonist, climax, or any other really weighty, serious emotions, especially not negative ones.", "it is not exclusively a children's book, and definitely not a bad book,", "and intense climax? Would I be better off to cut down on the", "bad book, it lacks a main antagonist, climax, or any other really weighty,", "I be better off to cut down on the illustrations, or should I", "format only suitable for light-hearted, less serious books, or can I use it", "by James Gurney, but it's written in a format with large pages, and", "it in a book with a villain and intense climax? Would I be", "is not exclusively a children's book, and definitely not a bad book, it", "off to cut down on the illustrations, or should I stick with the", "definitely not a bad book, it lacks a main antagonist, climax, or any", "a format with large pages, and lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg)", "any other really weighty, serious emotions, especially not negative ones. Is such a", "Dinotopia by James Gurney, but it's written in a format with large pages,", "light-hearted, less serious books, or can I use it in a book with", "pages, and lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not", "but it's written in a format with large pages, and lots of illustrations:", "you have heard of Dinotopia by James Gurney, but it's written in a", "Would I be better off to cut down on the illustrations, or should", "[![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a children's book, and", "not a bad book, it lacks a main antagonist, climax, or any other", "a children's book, and definitely not a bad book, it lacks a main", "don't know if any of you have heard of Dinotopia by James Gurney,", "exclusively a children's book, and definitely not a bad book, it lacks a", "While it is not exclusively a children's book, and definitely not a bad", "cut down on the illustrations, or should I stick with the Dinotopia-style format?", "a format only suitable for light-hearted, less serious books, or can I use", "I use it in a book with a villain and intense climax? Would", "serious emotions, especially not negative ones. Is such a format only suitable for", "intense climax? Would I be better off to cut down on the illustrations,", "serious books, or can I use it in a book with a villain", "it's written in a format with large pages, and lots of illustrations: [![enter", "James Gurney, but it's written in a format with large pages, and lots", "Gurney, but it's written in a format with large pages, and lots of", "better off to cut down on the illustrations, or should I stick with", "image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a children's book, and definitely", "a main antagonist, climax, or any other really weighty, serious emotions, especially not", "illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a children's book,", "have heard of Dinotopia by James Gurney, but it's written in a format", "large pages, and lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is", "or any other really weighty, serious emotions, especially not negative ones. Is such", "know if any of you have heard of Dinotopia by James Gurney, but", "lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a", "Is such a format only suitable for light-hearted, less serious books, or can", "be better off to cut down on the illustrations, or should I stick", "of you have heard of Dinotopia by James Gurney, but it's written in", "a book with a villain and intense climax? Would I be better off", "with large pages, and lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it", "less serious books, or can I use it in a book with a", "description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a children's book, and definitely not", "use it in a book with a villain and intense climax? Would I", "lacks a main antagonist, climax, or any other really weighty, serious emotions, especially", "such a format only suitable for light-hearted, less serious books, or can I", "heard of Dinotopia by James Gurney, but it's written in a format with", "weighty, serious emotions, especially not negative ones. Is such a format only suitable", "any of you have heard of Dinotopia by James Gurney, but it's written", "not exclusively a children's book, and definitely not a bad book, it lacks", "only suitable for light-hearted, less serious books, or can I use it in", "in a format with large pages, and lots of illustrations: [![enter image description", "it lacks a main antagonist, climax, or any other really weighty, serious emotions,", "book, it lacks a main antagonist, climax, or any other really weighty, serious", "climax? Would I be better off to cut down on the illustrations, or", "main antagonist, climax, or any other really weighty, serious emotions, especially not negative", "book with a villain and intense climax? Would I be better off to", "if any of you have heard of Dinotopia by James Gurney, but it's", "and lots of illustrations: [![enter image description here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively", "ones. Is such a format only suitable for light-hearted, less serious books, or", "and definitely not a bad book, it lacks a main antagonist, climax, or", "to cut down on the illustrations, or should I stick with the Dinotopia-style", "negative ones. Is such a format only suitable for light-hearted, less serious books,", "here](https://i.stack.imgur.com/KibAs.jpg)](https://i.stack.imgur.com/KibAs.jpg) While it is not exclusively a children's book, and definitely not a", "villain and intense climax? Would I be better off to cut down on" ]
[ "characters. I think the characters, as I've built them, would not be so", "and more natural. > > Small Towner said, \"Why do you say you're", "goes to Small Town. He claims to be from Different Big City. People", "to avoid info dumps.) One beta reader said something along these lines, too,", "to go with that problem. Second edit: Using a combination of suggestions here,", "himself to the conversation. He wouldn't ask 'why should it matter.' Not sure.", "important details. (I used dialog ... because I knew to avoid info dumps.)", "within the dialog. I think those are at odds with the characters. I", "the characters, as I've built them, would not be so inquisitive. I'm wondering", "guidelines are for using questions (and answers) in dialog as a means to", "drafts, but now I'm editing for flow again (after revisions to heighten tension", "probably the last bit is too on the nose, but not sure where", "to keep his story straight, he tries to ask them questions too, because", "his home in Big City. He takes a new identity and goes to", "Small Town are suspicious. They drill in, asking him questions about his past.", "a means to expose information. If this is too broad let me know", "the conversation. He wouldn't ask 'why should it matter.' Not sure. And probably", "guidelines on using questions in dialog (between ignorant characters) to expose setting and", "I think it's specifically the questions within the dialog. I think those are", "the sole purpose of exposition. As I stare at it, I think it's", "> Small Towner said, \"Why do you say you're from Different Big City?\"", "run responded, \"We agreed to drop that. Why should it > matter?\" >", "chunks feel flat. The below gives you sense of the basic structure of", "Second edit: Using a combination of suggestions here, it is improving, flowing more", "using questions in dialog (between ignorant characters) to expose setting and backstory? A", "If this is too broad let me know and I can try to", "Small Town. He claims to be from Different Big City. People in Small", "gives you sense of the basic structure of this sort of dialog chunk", "it, i lose the world building detail, which the reader needs. I think", "--- Example: Imagine a character on the run, leaving his home in Big", "and Small Town). I thought it worked in the early drafts, but now", "a couple chapters (about Big City, Different Big City, and Small Town). I", "be from Different Big City. People in Small Town are suspicious. They drill", "you say you're from Different Big City?\" > > > Guy on the", "should it matter.' Not sure. And probably the last bit is too on", "it matter.' Not sure. And probably the last bit is too on the", "used a few chunks of dialog in my story to bring in important", "to focus in. --- Example: Imagine a character on the run, leaving his", "The below gives you sense of the basic structure of this sort of", "\"Why do you say you're from Different Big City?\" > > > Guy", "say you're from Different Big City?\" > > > Guy on the run", "for the sole purpose of exposition. As I stare at it, I think", "sure. And probably the last bit is too on the nose, but not", "I think the characters, as I've built them, would not be so inquisitive.", "actual story would be embellished with details and setting to sound less horrible", "(about Big City, Different Big City, and Small Town). I thought it worked", "too, because he doesn't know why they would care in the first place.", "it worked in the early drafts, but now I'm editing for flow again", "in Big City. He takes a new identity and goes to Small Town.", "odds with the characters. I think the characters, as I've built them, would", "Town are suspicious. They drill in, asking him questions about his past. He", "expose setting and backstory? A few exchanges between my characters seem to fall", "I've used a few chunks of dialog in my story to bring in", "reader needs. I think maybe Guy on the run wouldn't open himself to", "agreed to drop that. Why should it > matter?\" > > > Small", "my story to bring in important details. (I used dialog ... because I", "it is improving, flowing more naturally, and characterization is deepening. Thank yous all", "to sound less horrible and more natural. > > Small Towner said, \"Why", "Guy on the run responded, \"We agreed to drop that. Why should it", "takes a new identity and goes to Small Town. He claims to be", "Guy on the run wouldn't open himself to the conversation. He wouldn't ask", "cut it, i lose the world building detail, which the reader needs. I", "the basic structure of this sort of dialog chunk ... which in my", "too, about some of the dialog seeming to be misused for the sole", "ask them questions too, because he doesn't know why they would care in", "trying to sort out why. I've used a few chunks of dialog in", "in dialog (between ignorant characters) to expose setting and backstory? A few exchanges", "dialog as a means to expose information. If this is too broad let", "along these lines, too, about some of the dialog seeming to be misused", "As I stare at it, I think it's specifically the questions within the", "let me know and I can try to focus in. --- Example:** Imagine", "doesn't know why they would care in the first place. They have their", "City, Different Big City, and Small Town). I thought it worked in the", "City. People in Small Town are suspicious. They drill in, asking him questions", "bring in important details. (I used dialog ... because I knew to avoid", "why they would care in the first place. They have their reasons. ^", "that. Why should it > matter?\" > > > Small Towner said, \"It", "(world building > detail.)\" > > > If I cut it, i lose", "my characters seem to fall flat. I'm trying to sort out why. I've", "Small Town). I thought it worked in the early drafts, but now I'm", "sole purpose of exposition. As I stare at it, I think it's specifically", "I stare at it, I think it's specifically the questions within the dialog.", "suspicions on both sides, I introduce world-building information over a couple chapters (about", "about his past. He tries to keep his story straight, he tries to", "these chunks feel flat. The below gives you sense of the basic structure", "to be from Different Big City. People in Small Town are suspicious. They", "him questions about his past. He tries to keep his story straight, he", "on the run wouldn't open himself to the conversation. He wouldn't ask 'why", "revisions to heighten tension throughout) and these chunks feel flat. The below gives", "in the first place. They have their reasons. ^ using this set up,", "my actual story would be embellished with details and setting to sound less", "characters, as I've built them, would not be so inquisitive. *I'm wondering what", "\"We agreed to drop that. Why should it > matter?\" > > >", "now I'm editing for flow again (after revisions to heighten tension throughout) and", "(I used dialog ... because I knew to avoid info dumps.) One beta", "the last bit is too on the nose, but not sure where to", "chunk ... which in my actual story would be embellished with details and", "Imagine a character on the run, leaving his home in Big City. He", "Why should it > matter?\" > > > Small Towner said, \"It matters", "should it > matter?\" > > > Small Towner said, \"It matters because", "sound less horrible and more natural. > > Small Towner said, \"Why do", "questions in dialog (between ignorant characters) to expose setting and backstory? A few", "you sense of the basic structure* of this sort of dialog chunk ...", "for using questions (and answers) in dialog as a means to expose information.", "> matter?\" > > > Small Towner said, \"It matters because (world building", "is too broad let me know and I can try to focus in.", "go with that problem. Second edit: Using a combination of suggestions here, it", "used dialog ... because I knew to avoid info dumps.) One beta reader", "the run responded, \"We agreed to drop that. Why should it > matter?\"", "that problem. Second edit: Using a combination of suggestions here, it is improving,", "the characters. I think the characters, as I've built them, would not be", "avoid info dumps.) One beta reader said something along these lines, too, about", "know and I can try to focus in. --- Example:** Imagine a character", "think maybe Guy on the run wouldn't open himself to the conversation. He", "past. He tries to keep his story straight, he tries to ask them", "stare at it, I think it's specifically the questions within the dialog. I", "to drop that. Why should it > matter?\" > > > Small Towner", "A few exchanges between my characters seem to fall flat. I'm trying to", "I think maybe Guy on the run wouldn't open himself to the conversation.", "too on the nose, but not sure where to go with that problem.", "on the run, leaving his home in Big City. He takes a new", "building detail, which the reader needs. I think maybe Guy on the run", "Big City. People in Small Town are suspicious. They drill in, asking him", "he tries to ask them questions too, because he doesn't know why they", "to Small Town. He claims to be from Different Big City. People in", "City. He takes a new identity and goes to Small Town. He claims", "maybe Guy on the run wouldn't open himself to the conversation. He wouldn't", "place. They have their reasons. ^ using this set up, secrets and suspicions", "below gives you sense of the basic structure of this sort of dialog", "They drill in, asking him questions about his past. He tries to keep", "they would care in the first place. They have their reasons. ^ using", "I knew to avoid info dumps.) One beta reader said something along these", "between my characters seem to fall flat. I'm trying to sort out why.", "lose the world building detail, which the reader needs. I think maybe Guy", "story would be embellished with details and setting to sound less horrible and", "> > > If I cut it, i lose the world building detail,", "this set up, secrets and suspicions on both sides, I introduce world-building information", "> > Guy on the run responded, \"We agreed to drop that. Why", "leaving his home in Big City. He takes a new identity and goes", "combination of suggestions here, it is improving, flowing more naturally, and characterization is", "And probably the last bit is too on the nose, but not sure", "questions within the dialog. I think those are at odds with the characters.", "out why. I've used a few chunks of dialog in my story to", "few chunks of dialog in my story to bring in important details. (I", "tension throughout) and these chunks feel flat. The below gives you sense of", "to heighten tension throughout) and these chunks feel flat. The below gives you", "less horrible and more natural. > > Small Towner said, \"Why do you", "information.** If this is too broad let me know and I can try", "sides, I introduce world-building information over a couple chapters (about Big City, Different", "think it's specifically the questions within the dialog. I think those are at", "characters) to expose setting and backstory? A few exchanges between my characters seem", "it, I think it's specifically the questions within the dialog. I think those", "identity and goes to Small Town. He claims to be from Different Big", "which the reader needs. I think maybe Guy on the run wouldn't open", "be embellished with details and setting to sound less horrible and more natural.", "from Different Big City?\" > > > Guy on the run responded, \"We", "it's specifically the questions within the dialog. I think those are at odds", "keep his story straight, he tries to ask them questions too, because he", "the dialog. I think those are at odds with the characters. I think", "of this sort of dialog chunk ... which in my actual story would", "few exchanges between my characters seem to fall flat. I'm trying to sort", "them, would not be so inquisitive. I'm wondering what the guidelines are for", "at it, I think it's specifically the questions within the dialog. I think", "not be so inquisitive. I'm wondering what the guidelines are for using questions", "bit is too on the nose, but not sure where to go with", "I cut it, i lose the world building detail, which the reader needs.", "here, it is improving, flowing more naturally, and characterization is deepening. Thank yous", "to expose information.** If this is too broad let me know and I", "beta reader said something along these lines, too, about some of the dialog", "One beta reader said something along these lines, too, about some of the", "of dialog chunk ... which in my actual story would be embellished with", "in Small Town are suspicious. They drill in, asking him questions about his", "in my story to bring in important details. (I used dialog ... because", "on both sides, I introduce world-building information over a couple chapters (about Big", "> > Small Towner said, \"Why do you say you're from Different Big", "> If I cut it, i lose the world building detail, which the", "suggestions here, it is improving, flowing more naturally, and characterization is deepening. Thank", "with details and setting to sound less horrible and more natural. > >", "the run, leaving his home in Big City. He takes a new identity", "more natural. > > Small Towner said, \"Why do you say you're from", "questions about his past. He tries to keep his story straight, he tries", "building > detail.)\" > > > If I cut it, i lose the", "wouldn't ask 'why should it matter.' Not sure. And probably the last bit", "to the conversation. He wouldn't ask 'why should it matter.' Not sure. And", "needs. I think maybe Guy on the run wouldn't open himself to the", "feel flat. The below gives you sense of the basic structure of this", "would care in the first place. They have their reasons. ^ using this", "responded, \"We agreed to drop that. Why should it > matter?\" > >", "He wouldn't ask 'why should it matter.' Not sure. And probably the last", "Towner said, \"Why do you say you're from Different Big City?\" > >", "are for using questions (and answers) in dialog as a means to expose", "(after revisions to heighten tension throughout) and these chunks feel flat. The below", "with that problem. Second edit: Using a combination of suggestions here, it is", "chunks of dialog in my story to bring in important details. (I used", "think the characters, as I've built them, would not be so inquisitive. *I'm", "structure* of this sort of dialog chunk ... which in my actual story", "using questions (and answers) in dialog as a means to expose information.** If", "Using a combination of suggestions here, it is improving, flowing more naturally, and", "sense of the basic structure of this sort of dialog chunk ... which", "have their reasons. ^ using this set up, secrets and suspicions on both", "set up, secrets and suspicions on both sides, I introduce world-building information over", "and setting to sound less horrible and more natural. > > Small Towner", "> detail.)\" > > > If I cut it, i lose the world", "to bring in important details. (I used dialog ... because I knew to", "using this set up, secrets and suspicions on both sides, I introduce world-building", "Different Big City. People in Small Town are suspicious. They drill in, asking", "purpose of exposition. As I stare at it, I think it's specifically the", "dialog. I think those are at odds with the characters. I think the", "suspicious. They drill in, asking him questions about his past. He tries to", "I introduce world-building information over a couple chapters (about Big City, Different Big", "world-building information over a couple chapters (about Big City, Different Big City, and", "said something along these lines, too, about some of the dialog seeming to", "in the early drafts, but now I'm editing for flow again (after revisions", "Big City. He takes a new identity and goes to Small Town. He", "the world building detail, which the reader needs. I think maybe Guy on", "They have their reasons. ^ using this set up, secrets and suspicions on", "sure where to go with that problem. Second edit: Using a combination of", "inquisitive. *I'm wondering what the guidelines are for using questions (and answers) in", "on using questions in dialog (between ignorant characters) to expose setting and backstory?", "to ask them questions too, because he doesn't know why they would care", "are the guidelines on using questions in dialog (between ignorant characters) to expose", "know why they would care in the first place. They have their reasons.", "because he doesn't know why they would care in the first place. They", "their reasons. ^ using this set up, secrets and suspicions on both sides,", "detail, which the reader needs. I think* maybe Guy on the run wouldn't", "why. I've used a few chunks of dialog in my story to bring", "in, asking him questions about his past. He tries to keep his story", "nose, but not sure where to go with that problem. Second edit: Using", "which in my actual story would be embellished with details and setting to", "misused for the sole purpose of exposition. As I stare at it, I", "and goes to Small Town. He claims to be from Different Big City.", "City, and Small Town). I thought it worked in the early drafts, but", "up, secrets and suspicions on both sides, I introduce world-building information over a", "care in the first place. They have their reasons. ^ using this set", "where to go with that problem. Second edit: Using a combination of suggestions", "If I cut it, i lose the world building detail, which the reader", "introduce world-building information over a couple chapters (about Big City, Different Big City,", "reader said something along these lines, too, about some of the dialog seeming", "a character on the run, leaving his home in Big City. He takes", "the questions within the dialog. I think those are at odds with the", "as a means to expose information. If this is too broad let me", "> > > Guy on the run responded, \"We agreed to drop that.", "in my actual story would be embellished with details and setting to sound", "are suspicious. They drill in, asking him questions about his past. He tries", "a few chunks of dialog in my story to bring in important details.", "this sort of dialog chunk ... which in my actual story would be", "built them, would not be so inquisitive. I'm wondering what the guidelines are", "the dialog seeming to be misused for the sole purpose of exposition. As", "editing for flow again (after revisions to heighten tension throughout) and these chunks", "as I've built them, would not be so inquisitive. I'm wondering what the", "couple chapters (about Big City, Different Big City, and Small Town). I thought", "I can try to focus in. --- Example: Imagine a character on the", "thought it worked in the early drafts, but now I'm editing for flow", "dumps.) One beta reader said something along these lines, too, about some of", "^ using this set up, secrets and suspicions on both sides, I introduce", "early drafts, but now I'm editing for flow again (after revisions to heighten", "broad let me know and I can try to focus in. --- Example:*", "i lose the world building detail, which the reader needs. I think* maybe", "his story straight, he tries to ask them questions too, because he doesn't", "Not sure. And probably the last bit is too on the nose, but", "(and answers) in dialog as a means to expose information. If this is", "in important details. (I used dialog ... because I knew to avoid info", "tries to keep his story straight, he tries to ask them questions too,", "Example: Imagine a character on the run, leaving his home in Big City.", "matters because (world building > detail.)\" > > > If I cut it,", "Different Big City?\" > > > Guy on the run responded, \"We agreed", "matter.' Not sure. And probably the last bit is too on the nose,", "the nose, but not sure where to go with that problem. Second edit:", "and I can try to focus in. --- Example: Imagine a character on", "> Small Towner said, \"It matters because (world building > detail.)\" > >", "sort of dialog chunk ... which in my actual story would be embellished", "on the run responded, \"We agreed to drop that. Why should it >", "I thought it worked in the early drafts, but now I'm editing for", "over a couple chapters (about Big City, Different Big City, and Small Town).", "lines, too, about some of the dialog seeming to be misused for the", "be so inquisitive. I'm wondering what the guidelines are for using questions (and", "so inquisitive. I'm wondering what the guidelines are for using questions (and answers)", "> > > Small Towner said, \"It matters because (world building > detail.)\"", "specifically the questions within the dialog. I think those are at odds with", "it > matter?\" > > > Small Towner said, \"It matters because (world", "What are the guidelines on using questions in dialog (between ignorant characters) to", "conversation. He wouldn't ask 'why should it matter.' Not sure. And probably the", "drill in, asking him questions about his past. He tries to keep his", "to fall flat. I'm trying to sort out why. I've used a few", "but not sure where to go with that problem. Second edit: Using a", "Towner said, \"It matters because (world building > detail.)\" > > > If", "natural. > > Small Towner said, \"Why do you say you're from Different", "problem. Second edit: Using a combination of suggestions here, it is improving, flowing", "and these chunks feel flat. The below gives you sense of the basic", "flow again (after revisions to heighten tension throughout) and these chunks feel flat.", "> > Small Towner said, \"It matters because (world building > detail.)\" >", "run, leaving his home in Big City. He takes a new identity and", "what the guidelines are for using questions (and answers) in dialog as a", "on the nose, but not sure where to go with that problem. Second", "throughout) and these chunks feel flat. The below gives you sense of the", "would be embellished with details and setting to sound less horrible and more", "to sort out why. I've used a few chunks of dialog in my", "backstory? A few exchanges between my characters seem to fall flat. I'm trying", "be misused for the sole purpose of exposition. As I stare at it,", "drop that. Why should it > matter?\" > > > Small Towner said,", "questions (and answers) in dialog as a means to expose information. If this", "... because I knew to avoid info dumps.) One beta reader said something", "dialog (between ignorant characters) to expose setting and backstory? A few exchanges between", "but now I'm editing for flow again (after revisions to heighten tension throughout)", "the first place. They have their reasons. ^ using this set up, secrets", "both sides, I introduce world-building information over a couple chapters (about Big City,", "this is too broad let me know and I can try to focus", "said, \"Why do you say you're from Different Big City?\" > > >", "claims to be from Different Big City. People in Small Town are suspicious.", "his past. He tries to keep his story straight, he tries to ask", "the guidelines on using questions in dialog (between ignorant characters) to expose setting", "'why should it matter.' Not sure. And probably the last bit is too", "a combination of suggestions here, it is improving, flowing more naturally, and characterization", "secrets and suspicions on both sides, I introduce world-building information over a couple", "a new identity and goes to Small Town. He claims to be from", "character on the run, leaving his home in Big City. He takes a", "Small Towner said, \"Why do you say you're from Different Big City?\" >", "information over a couple chapters (about Big City, Different Big City, and Small", "seem to fall flat. I'm trying to sort out why. I've used a", "of exposition. As I stare at it, I think it's specifically the questions", "seeming to be misused for the sole purpose of exposition. As I stare", "info dumps.) One beta reader said something along these lines, too, about some", "think those are at odds with the characters. I think the characters, as", "and suspicions on both sides, I introduce world-building information over a couple chapters", "about some of the dialog seeming to be misused for the sole purpose", "not sure where to go with that problem. Second edit: Using a combination", "exchanges between my characters seem to fall flat. I'm trying to sort out", "Small Towner said, \"It matters because (world building > detail.)\" > > >", "fall flat. I'm trying to sort out why. I've used a few chunks", "from Different Big City. People in Small Town are suspicious. They drill in,", "of the dialog seeming to be misused for the sole purpose of exposition.", "dialog ... because I knew to avoid info dumps.) One beta reader said", "in dialog as a means to expose information. If this is too broad", "new identity and goes to Small Town. He claims to be from Different", "home in Big City. He takes a new identity and goes to Small", "City?\" > > > Guy on the run responded, \"We agreed to drop", "Big City?\" > > > Guy on the run responded, \"We agreed to", "would not be so inquisitive. *I'm wondering what the guidelines are for using", "(between ignorant characters) to expose setting and backstory? A few exchanges between my", "tries to ask them questions too, because he doesn't know why they would", "wouldn't open himself to the conversation. He wouldn't ask 'why should it matter.'", "I'm trying to sort out why. I've used a few chunks of dialog", "for flow again (after revisions to heighten tension throughout) and these chunks feel", "because (world building > detail.)\" > > > If I cut it, i", "I'm editing for flow again (after revisions to heighten tension throughout) and these", "the reader needs. I think* maybe Guy on the run wouldn't open himself", "horrible and more natural. > > Small Towner said, \"Why do you say", "to expose setting and backstory? A few exchanges between my characters seem to", "too broad let me know and I can try to focus in. ---", "in. --- Example: Imagine a character on the run, leaving his home in", "do you say you're from Different Big City?\" > > > Guy on", "wondering what the guidelines are for using questions (and answers) in dialog as", "said, \"It matters because (world building > detail.)\" > > > If I", "story straight, he tries to ask them questions too, because he doesn't know", "sort out why. I've used a few chunks of dialog in my story", "to be misused for the sole purpose of exposition. As I stare at", "Town. He claims to be from Different Big City. People in Small Town", "ignorant characters) to expose setting and backstory? A few exchanges between my characters", "I'm wondering what the guidelines are for using questions (and answers) in dialog", "of dialog in my story to bring in important details. (I used dialog", "something along these lines, too, about some of the dialog seeming to be", "Town). I thought it worked in the early drafts, but now I'm editing", "focus in. --- Example:** Imagine a character on the run, leaving his home", "reasons. ^ using this set up, secrets and suspicions on both sides, I", "characters seem to fall flat. I'm trying to sort out why. I've used", "He claims to be from Different Big City. People in Small Town are", "again (after revisions to heighten tension throughout) and these chunks feel flat. The", "of suggestions here, it is improving, flowing more naturally, and characterization is deepening.", "with the characters. I think the characters, as I've built them, would not", "of the basic structure of this sort of dialog chunk ... which in", "are at odds with the characters. I think the characters, as I've built", "details and setting to sound less horrible and more natural. > > Small", "He takes a new identity and goes to Small Town. He claims to", "I've built them, would not be so inquisitive. I'm wondering what the guidelines", "last bit is too on the nose, but not sure where to go", "can try to focus in. --- Example: Imagine a character on the run,", "try to focus in. --- Example: Imagine a character on the run, leaving", "edit: Using a combination of suggestions here, it is improving, flowing more naturally,", "basic structure of this sort of dialog chunk ... which in my actual", "details. (I used dialog ... because I knew to avoid info dumps.) One", "flat. I'm trying to sort out why. I've used a few chunks of", "because I knew to avoid info dumps.) One beta reader said something along", "exposition. As I stare at it, I think it's specifically the questions within", "them questions too, because he doesn't know why they would care in the", "expose information.** If this is too broad let me know and I can", "world building detail, which the reader needs. I think maybe Guy on the", "those are at odds with the characters. I think the characters, as I've", "questions too, because he doesn't know why they would care in the first", "Big City, and Small Town). I thought it worked in the early drafts,", "\"It matters because (world building > detail.)\" > > > If I cut", "People in Small Town are suspicious. They drill in, asking him questions about", "I think those are at odds with the characters. I think the characters,", "heighten tension throughout) and these chunks feel flat. The below gives you sense", "first place. They have their reasons. ^ using this set up, secrets and", "straight, he tries to ask them questions too, because he doesn't know why", "means to expose information. If this is too broad let me know and", "Different Big City, and Small Town). I thought it worked in the early", "dialog seeming to be misused for the sole purpose of exposition. As I", "He tries to keep his story straight, he tries to ask them questions", "at odds with the characters. I think the characters, as I've built them,", "open himself to the conversation. He wouldn't ask 'why should it matter.' Not", "and backstory? A few exchanges between my characters seem to fall flat. I'm", "knew to avoid info dumps.) One beta reader said something along these lines,", "is improving, flowing more naturally, and characterization is deepening. Thank yous all around.", "dialog chunk ... which in my actual story would be embellished with details", "worked in the early drafts, but now I'm editing for flow again (after", "the early drafts, but now I'm editing for flow again (after revisions to", "... which in my actual story would be embellished with details and setting", "chapters (about Big City, Different Big City, and Small Town). I thought it", "you're from Different Big City?\" > > > Guy on the run responded,", "the run wouldn't open himself to the conversation. He wouldn't ask 'why should", "is too on the nose, but not sure where to go with that", "the guidelines are for using questions (and answers) in dialog as a means", "me know and I can try to focus in. --- Example: Imagine a", "answers) in dialog as a means to expose information. If this is too", "setting to sound less horrible and more natural. > > Small Towner said,", "embellished with details and setting to sound less horrible and more natural. >", "matter?\" > > > Small Towner said, \"It matters because (world building >", "Big City, Different Big City, and Small Town). I thought it worked in", "these lines, too, about some of the dialog seeming to be misused for", "story to bring in important details. (I used dialog ... because I knew", "some of the dialog seeming to be misused for the sole purpose of", "asking him questions about his past. He tries to keep his story straight,", "> > If I cut it, i lose the world building detail, which", "run wouldn't open himself to the conversation. He wouldn't ask 'why should it", "ask 'why should it matter.' Not sure. And probably the last bit is", "flat. The below gives you sense of the basic structure of this sort", "> Guy on the run responded, \"We agreed to drop that. Why should", "dialog in my story to bring in important details. (I used dialog ...", "he doesn't know why they would care in the first place. They have", "detail.)\" > > > If I cut it, i lose the world building", "setting and backstory? A few exchanges between my characters seem to fall flat." ]
[ "or to become invisible and simply go where it willed, regardless of barbed", "the wind was blowing from the north, out of the Old Kingdom.* This", "a semicolon and an em dash – commas are used in a similar", "beginning of Chapter Two, there is the following sentence: Anything powerful enough to", "usually retained enough magic to assume the shape of a soldier; or to", "split it up into smaller sentences. When used to divide a sentence up", "sentence up into smaller portions, how do semicolons, commas and em dashes differ", "construction seems quite unwieldy; it features not only a semicolon and an em", "north, out of the Old Kingdom. This 58-word construction seems quite unwieldy; it", "regardless of barbed wire, bullets, hand grenades and mortar bombs – which often", "– which often didn't work at all, particularly when the wind was blowing", "all, particularly when the wind was blowing from the north, out of the", "smaller portions, how do semicolons, commas and em dashes differ in their correct", "– commas are used in a similar way, so I wonder whether the", "have split it up into smaller sentences. When used to divide a sentence", "wonder whether the author should have split it up into smaller sentences. When", "mortar bombs – which often didn't work at all, particularly when the wind", "simply go where it willed, regardless of barbed wire, bullets, hand grenades and", "the beginning of Chapter Two, there is the following sentence: Anything powerful enough", "whether the author should have split it up into smaller sentences. When used", "Garth Nix, near the beginning of Chapter Two, there is the following sentence:", "from the north, out of the Old Kingdom. This 58-word construction seems quite", "Sabriel by Garth Nix, near the beginning of Chapter Two, there is the", "work at all, particularly when the wind was blowing from the north, out", "semicolon and an em dash – commas are used in a similar way,", "often didn't work at all, particularly when the wind was blowing from the", "a sentence up into smaller portions, how do semicolons, commas and em dashes", "powerful enough to cross the Wall usually retained enough magic to assume the", "author should have split it up into smaller sentences. When used to divide", "a similar way, so I wonder whether the author should have split it", "58-word construction seems quite unwieldy; it features not only a semicolon and an", "into smaller sentences. When used to divide a sentence up into smaller portions,", "portions, how do semicolons, commas and em dashes differ in their correct usage?*", "to become invisible and simply go where it willed, regardless of barbed wire,", "blowing from the north, out of the Old Kingdom. This 58-word construction seems", "which often didn't work at all, particularly when the wind was blowing from", "quite unwieldy; it features not only a semicolon and an em dash –", "to divide a sentence up into smaller portions, how do semicolons, commas and", "Anything powerful enough to cross the Wall usually retained enough magic to assume", "sentences. When used to divide a sentence up into smaller portions, how do", "way, so I wonder whether the author should have split it up into", "and an em dash – commas are used in a similar way, so", "was blowing from the north, out of the Old Kingdom. This 58-word construction", "there is the following sentence: Anything powerful enough to cross the Wall usually", "a soldier; or to become invisible and simply go where it willed, regardless", "enough magic to assume the shape of a soldier; or to become invisible", "the author should have split it up into smaller sentences. When used to", "when the wind was blowing from the north, out of the Old Kingdom.", "particularly when the wind was blowing from the north, out of the Old", "go where it willed, regardless of barbed wire, bullets, hand grenades and mortar", "of Chapter Two, there is the following sentence: Anything powerful enough to cross", "bombs – which often didn't work at all, particularly when the wind was", "the shape of a soldier; or to become invisible and simply go where", "assume the shape of a soldier; or to become invisible and simply go", "become invisible and simply go where it willed, regardless of barbed wire, bullets,", "smaller sentences. When used to divide a sentence up into smaller portions, how", "Nix, near the beginning of Chapter Two, there is the following sentence: Anything", "commas are used in a similar way, so I wonder whether the author", "retained enough magic to assume the shape of a soldier; or to become", "didn't work at all, particularly when the wind was blowing from the north,", "Two, there is the following sentence: Anything powerful enough to cross the Wall", "of the Old Kingdom. This 58-word construction seems quite unwieldy; it features not", "Chapter Two, there is the following sentence: Anything powerful enough to cross the", "out of the Old Kingdom. This 58-word construction seems quite unwieldy; it features", "by Garth Nix, near the beginning of Chapter Two, there is the following", "it willed, regardless of barbed wire, bullets, hand grenades and mortar bombs –", "the north, out of the Old Kingdom.* This 58-word construction seems quite unwieldy;", "shape of a soldier; or to become invisible and simply go where it", "in a similar way, so I wonder whether the author should have split", "used in a similar way, so I wonder whether the author should have", "unwieldy; it features not only a semicolon and an em dash – commas", "I wonder whether the author should have split it up into smaller sentences.", "up into smaller portions, how do semicolons, commas and em dashes differ in", "following sentence: Anything powerful enough to cross the Wall usually retained enough magic", "near the beginning of Chapter Two, there is the following sentence: Anything powerful", "invisible and simply go where it willed, regardless of barbed wire, bullets, hand", "only a semicolon and an em dash – commas are used in a", "sentence: Anything powerful enough to cross the Wall usually retained enough magic to", "features not only a semicolon and an em dash – commas are used", "so I wonder whether the author should have split it up into smaller", "Wall usually retained enough magic to assume the shape of a soldier; or", "enough to cross the Wall usually retained enough magic to assume the shape", "willed, regardless of barbed wire, bullets, hand grenades and mortar bombs – which", "wire, bullets, hand grenades and mortar bombs – which often didn't work at", "wind was blowing from the north, out of the Old Kingdom. This 58-word", "an em dash – commas are used in a similar way, so I", "are used in a similar way, so I wonder whether the author should", "barbed wire, bullets, hand grenades and mortar bombs – which often didn't work", "cross the Wall usually retained enough magic to assume the shape of a", "where it willed, regardless of barbed wire, bullets, hand grenades and mortar bombs", "not only a semicolon and an em dash – commas are used in", "similar way, so I wonder whether the author should have split it up", "the Wall usually retained enough magic to assume the shape of a soldier;", "and simply go where it willed, regardless of barbed wire, bullets, hand grenades", "divide a sentence up into smaller portions, how do semicolons, commas and em", "of barbed wire, bullets, hand grenades and mortar bombs – which often didn't", "the following sentence: Anything powerful enough to cross the Wall usually retained enough", "it up into smaller sentences. When used to divide a sentence up into", "grenades and mortar bombs – which often didn't work at all, particularly when", "to assume the shape of a soldier; or to become invisible and simply", "to cross the Wall usually retained enough magic to assume the shape of", "magic to assume the shape of a soldier; or to become invisible and", "bullets, hand grenades and mortar bombs – which often didn't work at all,", "Old Kingdom. This 58-word construction seems quite unwieldy; it features not only a", "it features not only a semicolon and an em dash – commas are", "em dash – commas are used in a similar way, so I wonder", "into smaller portions, how do semicolons, commas and em dashes differ in their", "of a soldier; or to become invisible and simply go where it willed,", "is the following sentence: Anything powerful enough to cross the Wall usually retained", "seems quite unwieldy; it features not only a semicolon and an em dash", "the Old Kingdom. This 58-word construction seems quite unwieldy; it features not only", "hand grenades and mortar bombs – which often didn't work at all, particularly", "dash – commas are used in a similar way, so I wonder whether", "should have split it up into smaller sentences. *When used to divide a", "Kingdom. This 58-word construction seems quite unwieldy; it features not only a semicolon", "soldier; or to become invisible and simply go where it willed, regardless of", "at all, particularly when the wind was blowing from the north, out of", "used to divide a sentence up into smaller portions, how do semicolons, commas", "up into smaller sentences. *When used to divide a sentence up into smaller", "In Sabriel* by Garth Nix, near the beginning of Chapter Two, there is", "and mortar bombs – which often didn't work at all, particularly when the", "This 58-word construction seems quite unwieldy; it features not only a semicolon and", "**When used to divide a sentence up into smaller portions, how do semicolons," ]
[ "Can I, for example, write a whole new storyline inside my novel, and", "whole new storyline inside my novel, and then say something, for example such", "a whole new storyline inside my novel, and then say something, for example", "something, for example such as: \"just kidding\"? Or is that breaking the fourth", "for example, write a whole new storyline inside my novel, and then say", "inside my novel, and then say something, for example such as: \"just kidding\"?", "storyline inside my novel, and then say something, for example such as: \"just", "example, write a whole new storyline inside my novel, and then say something,", "write a whole new storyline inside my novel, and then say something, for", "new storyline inside my novel, and then say something, for example such as:", "novel, and then say something, for example such as: \"just kidding\"? Or is", "say something, for example such as: \"just kidding\"? Or is that breaking the", "I, for example, write a whole new storyline inside my novel, and then", "for example such as: \"just kidding\"? Or is that breaking the fourth wall?", "then say something, for example such as: \"just kidding\"? Or is that breaking", "my novel, and then say something, for example such as: \"just kidding\"? Or", "and then say something, for example such as: \"just kidding\"? Or is that" ]
[ "there a minimum length for memoirs? I cannot estimate at his point how", "a minimum length for memoirs? I cannot estimate at his point how long", "how long it will turn out but I have a feeling it's going", "Is there a minimum length for memoirs? I cannot estimate at his point", "writing my first memoir about my life as a christian and how affected", "first memoir about my life as a christian and how affected I was", "point how long it will turn out but I have a feeling it's", "as an empath and how I came to desire leaving it. Is there", "but I have a feeling it's going to be much less than 65000", "I cannot estimate at his point how long it will turn out but", "by it as an empath and how I came to desire leaving it.", "an empath and how I came to desire leaving it. Is there a", "my first memoir about my life as a christian and how affected I", "leaving it. Is there a minimum length for memoirs? I cannot estimate at", "cannot estimate at his point how long it will turn out but I", "at his point how long it will turn out but I have a", "came to desire leaving it. Is there a minimum length for memoirs? I", "life as a christian and how affected I was by it as an", "am writing my first memoir about my life as a christian and how", "it will turn out but I have a feeling it's going to be", "and how I came to desire leaving it. Is there a minimum length", "how I came to desire leaving it. Is there a minimum length for", "a feeling it's going to be much less than 65000 words. Is that", "I came to desire leaving it. Is there a minimum length for memoirs?", "memoir about my life as a christian and how affected I was by", "about my life as a christian and how affected I was by it", "as a christian and how affected I was by it as an empath", "will turn out but I have a feeling it's going to be much", "feeling it's going to be much less than 65000 words. Is that okay?", "for memoirs? I cannot estimate at his point how long it will turn", "long it will turn out but I have a feeling it's going to", "I was by it as an empath and how I came to desire", "christian and how affected I was by it as an empath and how", "it. Is there a minimum length for memoirs? I cannot estimate at his", "length for memoirs? I cannot estimate at his point how long it will", "was by it as an empath and how I came to desire leaving", "out but I have a feeling it's going to be much less than", "how affected I was by it as an empath and how I came", "memoirs? I cannot estimate at his point how long it will turn out", "a christian and how affected I was by it as an empath and", "empath and how I came to desire leaving it. Is there a minimum", "and how affected I was by it as an empath and how I", "minimum length for memoirs? I cannot estimate at his point how long it", "estimate at his point how long it will turn out but I have", "his point how long it will turn out but I have a feeling", "affected I was by it as an empath and how I came to", "to desire leaving it. Is there a minimum length for memoirs? I cannot", "have a feeling it's going to be much less than 65000 words. Is", "I am writing my first memoir about my life as a christian and", "I have a feeling it's going to be much less than 65000 words.", "desire leaving it. Is there a minimum length for memoirs? I cannot estimate", "turn out but I have a feeling it's going to be much less", "it as an empath and how I came to desire leaving it. Is", "my life as a christian and how affected I was by it as" ]
[ "should defend myself by saying that I don't think that writers who do", "another style? I understand that it is practice, but getting out of the", "see in a lot of modern writing is to describe absolutely everything, and", "consciousness that I was outraging my true nature and that sooner or later", "page one of Brif Ltikem's \"Dracula.\" Example 2, \"From a very early age,", "should have to settle down and write books.\" George Orwell's \"Why I Write.\"", "habits and pick up another style? I understand that it is practice, but", "the the best writing style, I am immediately drawn to the period of", "This is an excerpt from page one of Brif Ltikem's \"Dracula.\" Example 2,", "pick up another style? I understand that it is practice, but getting out", "a writer. Between the ages of about seventeen and twenty-four I tried to", "of five or six, I knew that when I grew up I should", "time, and came after nightfall to Klausenburgh. Here I stopped for the night", "now as it was then, but these words are now a very serious", "settle down and write books.\" George Orwell's \"Why I Write.\" There are many", "is most amazing to me about the writing style is how few big", "a chicken done up some way with red pepper, which was very good", "a habit of thinking I was clever in middle school and using all", "Hotel Royale. I had for dinner, or rather supper, a chicken done up", "using all sorts of big words by keeping a thesaurus next to me", "up some way with red pepper, which was very good but thirsty.\" This", "the 1940s. For example, \"We left in pretty good time, and came after", "then mostly abandoned it while only keeping the spirit of his writing in", "was comfortable enough, for I had all sorts of queer dreams.\" He then", "the paprika from the night before. A theme I see in a lot", "This is much less clever to me now as it was then, but", "how few big words they ever use. I had a habit of thinking", "said that he deliberately tried to copy Orwell, and then mostly abandoned it", "words would fit. I've heard of so many authors who copied their idol's", "of big words by keeping a thesaurus next to me when I wrote", "true nature and that sooner or later I should have to settle down", "was then, but these words are now a very serious part of my", "it on the paprika from the night before. A theme I see in", "that I don't think that writers who do explain a lot are bad,", "a very early age, perhaps the age of five or six, I knew", "George Orwell's \"Why I Write.\" There are many other examples that I could", "to give a detailed account of the dream; but Brif Ltikem simply explains", "up another style? I understand that it is practice, but getting out of", "these words would fit. I've heard of so many authors who copied their", "to settle down and write books.\" George Orwell's \"Why I Write.\" There are", "He then goes on to blame it on the paprika from the night", "very difficult not to write sentences where these words would fit. I've heard", "pepper, which was very good but thirsty.\" This is an excerpt from page", "I should be a writer. Between the ages of about seventeen and twenty-four", "want to imagine what the dreams might have been. (I should defend myself", "not sleep well, though my bed was comfortable enough, for I had all", "vocabulary, and it is very difficult not to write sentences where these words", "only keeping the spirit of his writing in mind. How does one abandon", "a thesaurus next to me when I wrote essays. This is much less", "A theme I see in a lot of modern writing is to describe", "How does one abandon their writing habits and pick up another style? I", "style? I understand that it is practice, but getting out of the mindset", "abandon this idea, but I did so with the consciousness that I was", "up I should be a writer. Between the ages of about seventeen and", "on to blame it on the paprika from the night before. A theme", "and using all sorts of big words by keeping a thesaurus next to", "the ages of about seventeen and twenty-four I tried to abandon this idea,", "drawn to the period of writing from the 1890s to the 1940s. For", "these words are now a very serious part of my vocabulary, and it", "but I did so with the consciousness that I was outraging my true", "other examples that I could give, but I think that these illustrate the", "one would expect a modern writer to give a detailed account of the", "writes \"I did not sleep well, though my bed was comfortable enough, for", "give a detailed account of the dream; but Brif Ltikem simply explains it", "again, what is most amazing to me about the writing style is how", "style is how few big words they ever use. I had a habit", "I had for dinner, or rather supper, a chicken done up some way", "also not very fantastical; for example, in Brif Ltikem's Dracula, he writes \"I", "but thirsty.\" This is an excerpt from page one of Brif Ltikem's \"Dracula.\"", "and twenty-four I tried to abandon this idea, but I did so with", "economical style, of writing more.) But, again, what is most amazing to me", "style, I am immediately drawn to the period of writing from the 1890s", "I think that these illustrate the style in a good way. It is", "it is practice, but getting out of the mindset of excessive adjectives and", "now a very serious part of my vocabulary, and it is very difficult", "I stopped for the night at the Hotel Royale. I had for dinner,", "think that writers who do explain a lot are bad, but I personally", "did not sleep well, though my bed was comfortable enough, for I had", "clever to me now as it was then, but these words are now", "on the paprika from the night before. A theme I see in a", "good time, and came after nightfall to Klausenburgh. Here I stopped for the", "is much less clever to me now as it was then, but these", "fantastical; for example, in Brif Ltikem's Dracula, he writes \"I did not sleep", "to the 1940s. For example, \"We left in pretty good time, and came", "theme I see in a lot of modern writing is to describe absolutely", "lot are bad, but I personally enjoy this style, the economical style, of", "to imagine what the dreams might have been. (I should defend myself by", "2, \"From a very early age, perhaps the age of five or six,", "keeping a thesaurus next to me when I wrote essays. This is much", "that sooner or later I should have to settle down and write books.\"", "part of my vocabulary, and it is very difficult not to write sentences", "if they want to imagine what the dreams might have been. (I should", "have been. (I should defend myself by saying that I don't think that", "Christopher Hitchens said that he deliberately tried to copy Orwell, and then mostly", "would fit. I've heard of so many authors who copied their idol's writing", "or six, I knew that when I grew up I should be a", "of his writing in mind. How does one abandon their writing habits and", "my true nature and that sooner or later I should have to settle", "early age, perhaps the age of five or six, I knew that when", "I knew that when I grew up I should be a writer. Between", "1890s to the 1940s. For example, \"We left in pretty good time, and", "bed was comfortable enough, for I had all sorts of queer dreams.\" He", "and pick up another style? I understand that it is practice, but getting", "sorts of queer dreams.\" He then goes on to blame it on the", "and it is very difficult not to write sentences where these words would", "copy Orwell, and then mostly abandoned it while only keeping the spirit of", "\"Why I Write.\" There are many other examples that I could give, but", "was clever in middle school and using all sorts of big words by", "explains it as queer, and couches it, leaving the reader to decide if", "simply explains it as queer, and couches it, leaving the reader to decide", "to me about the writing style is how few big words they ever", "give, but I think that these illustrate the style in a good way.", "Orwell, and then mostly abandoned it while only keeping the spirit of his", "very serious part of my vocabulary, and it is very difficult not to", "to the period of writing from the 1890s to the 1940s. For example,", "then, but these words are now a very serious part of my vocabulary,", "to abandon this idea, but I did so with the consciousness that I", "when I grew up I should be a writer. Between the ages of", "before. A theme I see in a lot of modern writing is to", "Hitchens said that he deliberately tried to copy Orwell, and then mostly abandoned", "to Klausenburgh. Here I stopped for the night at the Hotel Royale. I", "have to settle down and write books.\" George Orwell's \"Why I Write.\" There", "by saying that I don't think that writers who do explain a lot", "way with red pepper, which was very good but thirsty.\" This is an", "after nightfall to Klausenburgh. Here I stopped for the night at the Hotel", "Here I stopped for the night at the Hotel Royale. I had for", "I grew up I should be a writer. Between the ages of about", "I don't think that writers who do explain a lot are bad, but", "to copy Orwell, and then mostly abandoned it while only keeping the spirit", "that he deliberately tried to copy Orwell, and then mostly abandoned it while", "for dinner, or rather supper, a chicken done up some way with red", "writer to give a detailed account of the dream; but Brif Ltikem simply", "of about seventeen and twenty-four I tried to abandon this idea, but I", "am immediately drawn to the period of writing from the 1890s to the", "in a good way. It is very economical writing. It is also not", "I Write.\" There are many other examples that I could give, but I", "when I wrote essays. This is much less clever to me now as", "as it was then, but these words are now a very serious part", "are now a very serious part of my vocabulary, and it is very", "clever in middle school and using all sorts of big words by keeping", "six, I knew that when I grew up I should be a writer.", "are bad, but I personally enjoy this style, the economical style, of writing", "Ltikem's \"Dracula.\" Example 2, \"From a very early age, perhaps the age of", "Between the ages of about seventeen and twenty-four I tried to abandon this", "the dream; but Brif Ltikem simply explains it as queer, and couches it,", "chicken done up some way with red pepper, which was very good but", "I had a habit of thinking I was clever in middle school and", "imagine what the dreams might have been. (I should defend myself by saying", "habit of thinking I was clever in middle school and using all sorts", "few big words they ever use. I had a habit of thinking I", "style, of writing more.) But, again, what is most amazing to me about", "it while only keeping the spirit of his writing in mind. How does", "goes on to blame it on the paprika from the night before. A", "I am immediately drawn to the period of writing from the 1890s to", "seventeen and twenty-four I tried to abandon this idea, but I did so", "I see in a lot of modern writing is to describe absolutely everything,", "best writing style, I am immediately drawn to the period of writing from", "and write books.\" George Orwell's \"Why I Write.\" There are many other examples", "good but thirsty.\" This is an excerpt from page one of Brif Ltikem's", "excerpt from page one of Brif Ltikem's \"Dracula.\" Example 2, \"From a very", "where these words would fit. I've heard of so many authors who copied", "about seventeen and twenty-four I tried to abandon this idea, but I did", "but I think that these illustrate the style in a good way. It", "a detailed account of the dream; but Brif Ltikem simply explains it as", "would expect a modern writer to give a detailed account of the dream;", "writing style. Christopher Hitchens said that he deliberately tried to copy Orwell, and", "1940s. For example, \"We left in pretty good time, and came after nightfall", "is an excerpt from page one of Brif Ltikem's \"Dracula.\" Example 2, \"From", "of the the best writing style, I am immediately drawn to the period", "very fantastical; for example, in Brif Ltikem's Dracula, he writes \"I did not", "queer dreams.\" He then goes on to blame it on the paprika from", "dreams.\" He then goes on to blame it on the paprika from the", "is very economical writing. It is also not very fantastical; for example, in", "not to write sentences where these words would fit. I've heard of so", "heard of so many authors who copied their idol's writing style. Christopher Hitchens", "\"I did not sleep well, though my bed was comfortable enough, for I", "copied their idol's writing style. Christopher Hitchens said that he deliberately tried to", "I tried to abandon this idea, but I did so with the consciousness", "not very fantastical; for example, in Brif Ltikem's Dracula, he writes \"I did", "modern writing is to describe absolutely everything, and one would expect a modern", "write sentences where these words would fit. I've heard of so many authors", "writer. Between the ages of about seventeen and twenty-four I tried to abandon", "explain a lot are bad, but I personally enjoy this style, the economical", "amazing to me about the writing style is how few big words they", "mostly abandoned it while only keeping the spirit of his writing in mind.", "dinner, or rather supper, a chicken done up some way with red pepper,", "myself by saying that I don't think that writers who do explain a", "writing habits and pick up another style? I understand that it is practice,", "my vocabulary, and it is very difficult not to write sentences where these", "does one abandon their writing habits and pick up another style? I understand", "left in pretty good time, and came after nightfall to Klausenburgh. Here I", "knew that when I grew up I should be a writer. Between the", "economical writing. It is also not very fantastical; for example, in Brif Ltikem's", "spirit of his writing in mind. How does one abandon their writing habits", "of thinking I was clever in middle school and using all sorts of", "it is very difficult not to write sentences where these words would fit.", "is practice, but getting out of the mindset of excessive adjectives and large", "Whenever I think of the the best writing style, I am immediately drawn", "came after nightfall to Klausenburgh. Here I stopped for the night at the", "of so many authors who copied their idol's writing style. Christopher Hitchens said", "dreams might have been. (I should defend myself by saying that I don't", "don't think that writers who do explain a lot are bad, but I", "For example, \"We left in pretty good time, and came after nightfall to", "what is most amazing to me about the writing style is how few", "to blame it on the paprika from the night before. A theme I", "I've heard of so many authors who copied their idol's writing style. Christopher", "sentences where these words would fit. I've heard of so many authors who", "enough, for I had all sorts of queer dreams.\" He then goes on", "good way. It is very economical writing. It is also not very fantastical;", "dream; but Brif Ltikem simply explains it as queer, and couches it, leaving", "the Hotel Royale. I had for dinner, or rather supper, a chicken done", "is very difficult not to write sentences where these words would fit. I've", "I could give, but I think that these illustrate the style in a", "writing from the 1890s to the 1940s. For example, \"We left in pretty", "by keeping a thesaurus next to me when I wrote essays. This is", "many other examples that I could give, but I think that these illustrate", "It is also not very fantastical; for example, in Brif Ltikem's Dracula, he", "the night before. A theme I see in a lot of modern writing", "decide if they want to imagine what the dreams might have been. (I", "in a lot of modern writing is to describe absolutely everything, and one", "expect a modern writer to give a detailed account of the dream; but", "some way with red pepper, which was very good but thirsty.\" This is", "I think of the the best writing style, I am immediately drawn to", "with the consciousness that I was outraging my true nature and that sooner", "to describe absolutely everything, and one would expect a modern writer to give", "it, leaving the reader to decide if they want to imagine what the", "leaving the reader to decide if they want to imagine what the dreams", "a lot of modern writing is to describe absolutely everything, and one would", "that I was outraging my true nature and that sooner or later I", "the night at the Hotel Royale. I had for dinner, or rather supper,", "(I should defend myself by saying that I don't think that writers who", "of queer dreams.\" He then goes on to blame it on the paprika", "in middle school and using all sorts of big words by keeping a", "describe absolutely everything, and one would expect a modern writer to give a", "Dracula, he writes \"I did not sleep well, though my bed was comfortable", "that when I grew up I should be a writer. Between the ages", "very early age, perhaps the age of five or six, I knew that", "what the dreams might have been. (I should defend myself by saying that", "idea, but I did so with the consciousness that I was outraging my", "be a writer. Between the ages of about seventeen and twenty-four I tried", "paprika from the night before. A theme I see in a lot of", "might have been. (I should defend myself by saying that I don't think", "me about the writing style is how few big words they ever use.", "the spirit of his writing in mind. How does one abandon their writing", "outraging my true nature and that sooner or later I should have to", "that these illustrate the style in a good way. It is very economical", "who copied their idol's writing style. Christopher Hitchens said that he deliberately tried", "and that sooner or later I should have to settle down and write", "abandon their writing habits and pick up another style? I understand that it", "writing style is how few big words they ever use. I had a", "It is very economical writing. It is also not very fantastical; for example,", "done up some way with red pepper, which was very good but thirsty.\"", "idol's writing style. Christopher Hitchens said that he deliberately tried to copy Orwell,", "tried to abandon this idea, but I did so with the consciousness that", "period of writing from the 1890s to the 1940s. For example, \"We left", "writing in mind. How does one abandon their writing habits and pick up", "could give, but I think that these illustrate the style in a good", "many authors who copied their idol's writing style. Christopher Hitchens said that he", "an excerpt from page one of Brif Ltikem's \"Dracula.\" Example 2, \"From a", "words by keeping a thesaurus next to me when I wrote essays. This", "which was very good but thirsty.\" This is an excerpt from page one", "examples that I could give, but I think that these illustrate the style", "Orwell's \"Why I Write.\" There are many other examples that I could give,", "keeping the spirit of his writing in mind. How does one abandon their", "he deliberately tried to copy Orwell, and then mostly abandoned it while only", "as queer, and couches it, leaving the reader to decide if they want", "one abandon their writing habits and pick up another style? I understand that", "this idea, but I did so with the consciousness that I was outraging", "Brif Ltikem's Dracula, he writes \"I did not sleep well, though my bed", "thinking I was clever in middle school and using all sorts of big", "he writes \"I did not sleep well, though my bed was comfortable enough,", "abandoned it while only keeping the spirit of his writing in mind. How", "much less clever to me now as it was then, but these words", "perhaps the age of five or six, I knew that when I grew", "is also not very fantastical; for example, in Brif Ltikem's Dracula, he writes", "it as queer, and couches it, leaving the reader to decide if they", "night before. A theme I see in a lot of modern writing is", "example, \"We left in pretty good time, and came after nightfall to Klausenburgh.", "nature and that sooner or later I should have to settle down and", "they want to imagine what the dreams might have been. (I should defend", "immediately drawn to the period of writing from the 1890s to the 1940s.", "the 1890s to the 1940s. For example, \"We left in pretty good time,", "way. It is very economical writing. It is also not very fantastical; for", "writing. It is also not very fantastical; for example, in Brif Ltikem's Dracula,", "big words they ever use. I had a habit of thinking I was", "saying that I don't think that writers who do explain a lot are", "thirsty.\" This is an excerpt from page one of Brif Ltikem's \"Dracula.\" Example", "absolutely everything, and one would expect a modern writer to give a detailed", "write books.\" George Orwell's \"Why I Write.\" There are many other examples that", "to decide if they want to imagine what the dreams might have been.", "his writing in mind. How does one abandon their writing habits and pick", "ever use. I had a habit of thinking I was clever in middle", "should be a writer. Between the ages of about seventeen and twenty-four I", "writers who do explain a lot are bad, but I personally enjoy this", "lot of modern writing is to describe absolutely everything, and one would expect", "But, again, what is most amazing to me about the writing style is", "my bed was comfortable enough, for I had all sorts of queer dreams.\"", "the economical style, of writing more.) But, again, what is most amazing to", "this style, the economical style, of writing more.) But, again, what is most", "the best writing style, I am immediately drawn to the period of writing", "nightfall to Klausenburgh. Here I stopped for the night at the Hotel Royale.", "is how few big words they ever use. I had a habit of", "Royale. I had for dinner, or rather supper, a chicken done up some", "a lot are bad, but I personally enjoy this style, the economical style,", "me when I wrote essays. This is much less clever to me now", "of my vocabulary, and it is very difficult not to write sentences where", "of Brif Ltikem's \"Dracula.\" Example 2, \"From a very early age, perhaps the", "essays. This is much less clever to me now as it was then,", "one of Brif Ltikem's \"Dracula.\" Example 2, \"From a very early age, perhaps", "writing style, I am immediately drawn to the period of writing from the", "books.\" George Orwell's \"Why I Write.\" There are many other examples that I", "and one would expect a modern writer to give a detailed account of", "that I could give, but I think that these illustrate the style in", "to me when I wrote essays. This is much less clever to me", "There are many other examples that I could give, but I think that", "for I had all sorts of queer dreams.\" He then goes on to", "example, in Brif Ltikem's Dracula, he writes \"I did not sleep well, though", "age, perhaps the age of five or six, I knew that when I", "red pepper, which was very good but thirsty.\" This is an excerpt from", "had for dinner, or rather supper, a chicken done up some way with", "a good way. It is very economical writing. It is also not very", "and then mostly abandoned it while only keeping the spirit of his writing", "next to me when I wrote essays. This is much less clever to", "think that these illustrate the style in a good way. It is very", "to me now as it was then, but these words are now a", "words they ever use. I had a habit of thinking I was clever", "a modern writer to give a detailed account of the dream; but Brif", "defend myself by saying that I don't think that writers who do explain", "had all sorts of queer dreams.\" He then goes on to blame it", "later I should have to settle down and write books.\" George Orwell's \"Why", "I had all sorts of queer dreams.\" He then goes on to blame", "from the night before. A theme I see in a lot of modern", "think of the the best writing style, I am immediately drawn to the", "about the writing style is how few big words they ever use. I", "that writers who do explain a lot are bad, but I personally enjoy", "very economical writing. It is also not very fantastical; for example, in Brif", "in mind. How does one abandon their writing habits and pick up another", "serious part of my vocabulary, and it is very difficult not to write", "for the night at the Hotel Royale. I had for dinner, or rather", "well, though my bed was comfortable enough, for I had all sorts of", "grew up I should be a writer. Between the ages of about seventeen", "the consciousness that I was outraging my true nature and that sooner or", "with red pepper, which was very good but thirsty.\" This is an excerpt", "age of five or six, I knew that when I grew up I", "use. I had a habit of thinking I was clever in middle school", "sleep well, though my bed was comfortable enough, for I had all sorts", "Brif Ltikem simply explains it as queer, and couches it, leaving the reader", "they ever use. I had a habit of thinking I was clever in", "five or six, I knew that when I grew up I should be", "of writing more.) But, again, what is most amazing to me about the", "and came after nightfall to Klausenburgh. Here I stopped for the night at", "Example 2, \"From a very early age, perhaps the age of five or", "all sorts of big words by keeping a thesaurus next to me when", "so many authors who copied their idol's writing style. Christopher Hitchens said that", "the writing style is how few big words they ever use. I had", "the dreams might have been. (I should defend myself by saying that I", "I did so with the consciousness that I was outraging my true nature", "the reader to decide if they want to imagine what the dreams might", "all sorts of queer dreams.\" He then goes on to blame it on", "the age of five or six, I knew that when I grew up", "enjoy this style, the economical style, of writing more.) But, again, what is", "mind. How does one abandon their writing habits and pick up another style?", "Ltikem simply explains it as queer, and couches it, leaving the reader to", "I wrote essays. This is much less clever to me now as it", "style. Christopher Hitchens said that he deliberately tried to copy Orwell, and then", "that it is practice, but getting out of the mindset of excessive adjectives", "style in a good way. It is very economical writing. It is also", "at the Hotel Royale. I had for dinner, or rather supper, a chicken", "down and write books.\" George Orwell's \"Why I Write.\" There are many other", "queer, and couches it, leaving the reader to decide if they want to", "most amazing to me about the writing style is how few big words", "supper, a chicken done up some way with red pepper, which was very", "was outraging my true nature and that sooner or later I should have", "but these words are now a very serious part of my vocabulary, and", "of writing from the 1890s to the 1940s. For example, \"We left in", "\"We left in pretty good time, and came after nightfall to Klausenburgh. Here", "rather supper, a chicken done up some way with red pepper, which was", "bad, but I personally enjoy this style, the economical style, of writing more.)", "twenty-four I tried to abandon this idea, but I did so with the", "less clever to me now as it was then, but these words are", "practice, but getting out of the mindset of excessive adjectives and large words", "fit. I've heard of so many authors who copied their idol's writing style.", "more.) But, again, what is most amazing to me about the writing style", "though my bed was comfortable enough, for I had all sorts of queer", "account of the dream; but Brif Ltikem simply explains it as queer, and", "did so with the consciousness that I was outraging my true nature and", "ages of about seventeen and twenty-four I tried to abandon this idea, but", "but Brif Ltikem simply explains it as queer, and couches it, leaving the", "detailed account of the dream; but Brif Ltikem simply explains it as queer,", "tried to copy Orwell, and then mostly abandoned it while only keeping the", "it was then, but these words are now a very serious part of", "of the dream; but Brif Ltikem simply explains it as queer, and couches", "who do explain a lot are bad, but I personally enjoy this style,", "very good but thirsty.\" This is an excerpt from page one of Brif", "everything, and one would expect a modern writer to give a detailed account", "out of the mindset of excessive adjectives and large words seems nearly impossible.", "writing is to describe absolutely everything, and one would expect a modern writer", "writing more.) But, again, what is most amazing to me about the writing", "thesaurus next to me when I wrote essays. This is much less clever", "me now as it was then, but these words are now a very", "while only keeping the spirit of his writing in mind. How does one", "been. (I should defend myself by saying that I don't think that writers", "their writing habits and pick up another style? I understand that it is", "modern writer to give a detailed account of the dream; but Brif Ltikem", "the period of writing from the 1890s to the 1940s. For example, \"We", "or rather supper, a chicken done up some way with red pepper, which", "had a habit of thinking I was clever in middle school and using", "but I personally enjoy this style, the economical style, of writing more.) But,", "sorts of big words by keeping a thesaurus next to me when I", "stopped for the night at the Hotel Royale. I had for dinner, or", "\"From a very early age, perhaps the age of five or six, I", "style, the economical style, of writing more.) But, again, what is most amazing", "couches it, leaving the reader to decide if they want to imagine what", "wrote essays. This is much less clever to me now as it was", "was very good but thirsty.\" This is an excerpt from page one of", "Write.\" There are many other examples that I could give, but I think", "Brif Ltikem's \"Dracula.\" Example 2, \"From a very early age, perhaps the age", "or later I should have to settle down and write books.\" George Orwell's", "night at the Hotel Royale. I had for dinner, or rather supper, a", "Klausenburgh. Here I stopped for the night at the Hotel Royale. I had", "these illustrate the style in a good way. It is very economical writing.", "getting out of the mindset of excessive adjectives and large words seems nearly", "do explain a lot are bad, but I personally enjoy this style, the", "I should have to settle down and write books.\" George Orwell's \"Why I", "blame it on the paprika from the night before. A theme I see", "I was outraging my true nature and that sooner or later I should", "personally enjoy this style, the economical style, of writing more.) But, again, what", "and couches it, leaving the reader to decide if they want to imagine", "for example, in Brif Ltikem's Dracula, he writes \"I did not sleep well,", "pretty good time, and came after nightfall to Klausenburgh. Here I stopped for", "school and using all sorts of big words by keeping a thesaurus next", "difficult not to write sentences where these words would fit. I've heard of", "sooner or later I should have to settle down and write books.\" George", "but getting out of the mindset of excessive adjectives and large words seems", "so with the consciousness that I was outraging my true nature and that", "reader to decide if they want to imagine what the dreams might have", "Ltikem's Dracula, he writes \"I did not sleep well, though my bed was", "of modern writing is to describe absolutely everything, and one would expect a", "in Brif Ltikem's Dracula, he writes \"I did not sleep well, though my", "illustrate the style in a good way. It is very economical writing. It", "\"Dracula.\" Example 2, \"From a very early age, perhaps the age of five", "a very serious part of my vocabulary, and it is very difficult not", "comfortable enough, for I had all sorts of queer dreams.\" He then goes", "is to describe absolutely everything, and one would expect a modern writer to", "their idol's writing style. Christopher Hitchens said that he deliberately tried to copy", "I personally enjoy this style, the economical style, of writing more.) But, again,", "then goes on to blame it on the paprika from the night before.", "are many other examples that I could give, but I think that these", "authors who copied their idol's writing style. Christopher Hitchens said that he deliberately", "to write sentences where these words would fit. I've heard of so many", "in pretty good time, and came after nightfall to Klausenburgh. Here I stopped", "from page one of Brif Ltikem's \"Dracula.\" Example 2, \"From a very early", "middle school and using all sorts of big words by keeping a thesaurus", "deliberately tried to copy Orwell, and then mostly abandoned it while only keeping", "words are now a very serious part of my vocabulary, and it is", "big words by keeping a thesaurus next to me when I wrote essays.", "from the 1890s to the 1940s. For example, \"We left in pretty good", "I understand that it is practice, but getting out of the mindset of", "I was clever in middle school and using all sorts of big words", "the style in a good way. It is very economical writing. It is", "understand that it is practice, but getting out of the mindset of excessive" ]
[ "reference to Hypnos as a semi-sapient entity begins immediately, but the protagonist only", "the name of an alien/monster thing that possesses the protagonist. The possession, as", "the genre is Y.A., mild horror and somewhat decadent, focusing mostly on how", "this a good idea? (In case needed, the P.O.V. is first person, the", "thing that possesses the protagonist. The possession, as well as the protagonist's reference", "idea? (In case needed, the P.O.V. is first person, the genre is Y.A.,", "as a semi-sapient entity begins immediately, but the protagonist only gave Hypnos its", "\"Hypnos\" is the name of an alien/monster thing that possesses the protagonist. The", "to Hypnos as a semi-sapient entity begins immediately, but the protagonist only gave", "the protagonist's reference to Hypnos as a semi-sapient entity begins immediately, but the", "protagonist's reference to Hypnos as a semi-sapient entity begins immediately, but the protagonist", "after about 4700 words. Is this a good idea? (In case needed, the", "my short-story/novella, the title was \"Hypnos Wakes\" where \"Hypnos\" is the name of", "possesses the protagonist. The possession, as well as the protagonist's reference to Hypnos", "Is this a good idea? (In case needed, the P.O.V. is first person,", "4700 words. Is this a good idea? (In case needed, the P.O.V. is", "person, the genre is Y.A., mild horror and somewhat decadent, focusing mostly on", "Hypnos as a semi-sapient entity begins immediately, but the protagonist only gave Hypnos", "that possesses the protagonist. The possession, as well as the protagonist's reference to", "focusing mostly on how the protagonist deals with the alien possessor and his", "an alien/monster thing that possesses the protagonist. The possession, as well as the", "alien/monster thing that possesses the protagonist. The possession, as well as the protagonist's", "the protagonist only gave Hypnos its name after about 4700 words. Is this", "title was \"Hypnos Wakes\" where \"Hypnos\" is the name of an alien/monster thing", "as the protagonist's reference to Hypnos as a semi-sapient entity begins immediately, but", "its name after about 4700 words. Is this a good idea? (In case", "genre is Y.A., mild horror and somewhat decadent, focusing mostly on how the", "mostly on how the protagonist deals with the alien possessor and his thoughts/feelings.)", "begins immediately, but the protagonist only gave Hypnos its name after about 4700", "Wakes\" where \"Hypnos\" is the name of an alien/monster thing that possesses the", "first person, the genre is Y.A., mild horror and somewhat decadent, focusing mostly", "\"Hypnos Wakes\" where \"Hypnos\" is the name of an alien/monster thing that possesses", "(In case needed, the P.O.V. is first person, the genre is Y.A., mild", "short-story/novella, the title was \"Hypnos Wakes\" where \"Hypnos\" is the name of an", "In my short-story/novella, the title was \"Hypnos Wakes\" where \"Hypnos\" is the name", "entity begins immediately, but the protagonist only gave Hypnos its name after about", "is Y.A., mild horror and somewhat decadent, focusing mostly on how the protagonist", "Y.A., mild horror and somewhat decadent, focusing mostly on how the protagonist deals", "a semi-sapient entity begins immediately, but the protagonist only gave Hypnos its name", "protagonist only gave Hypnos its name after about 4700 words. Is this a", "name after about 4700 words. Is this a good idea? (In case needed,", "case needed, the P.O.V. is first person, the genre is Y.A., mild horror", "somewhat decadent, focusing mostly on how the protagonist deals with the alien possessor", "name of an alien/monster thing that possesses the protagonist. The possession, as well", "a good idea? (In case needed, the P.O.V. is first person, the genre", "mild horror and somewhat decadent, focusing mostly on how the protagonist deals with", "only gave Hypnos its name after about 4700 words. Is this a good", "words. Is this a good idea? (In case needed, the P.O.V. is first", "but the protagonist only gave Hypnos its name after about 4700 words. Is", "of an alien/monster thing that possesses the protagonist. The possession, as well as", "the title was \"Hypnos Wakes\" where \"Hypnos\" is the name of an alien/monster", "gave Hypnos its name after about 4700 words. Is this a good idea?", "P.O.V. is first person, the genre is Y.A., mild horror and somewhat decadent,", "the P.O.V. is first person, the genre is Y.A., mild horror and somewhat", "possession, as well as the protagonist's reference to Hypnos as a semi-sapient entity", "is the name of an alien/monster thing that possesses the protagonist. The possession,", "immediately, but the protagonist only gave Hypnos its name after about 4700 words.", "and somewhat decadent, focusing mostly on how the protagonist deals with the alien", "good idea? (In case needed, the P.O.V. is first person, the genre is", "horror and somewhat decadent, focusing mostly on how the protagonist deals with the", "where \"Hypnos\" is the name of an alien/monster thing that possesses the protagonist.", "protagonist. The possession, as well as the protagonist's reference to Hypnos as a", "the protagonist. The possession, as well as the protagonist's reference to Hypnos as", "well as the protagonist's reference to Hypnos as a semi-sapient entity begins immediately,", "about 4700 words. Is this a good idea? (In case needed, the P.O.V.", "Hypnos its name after about 4700 words. Is this a good idea? (In", "The possession, as well as the protagonist's reference to Hypnos as a semi-sapient", "decadent, focusing mostly on how the protagonist deals with the alien possessor and", "is first person, the genre is Y.A., mild horror and somewhat decadent, focusing", "as well as the protagonist's reference to Hypnos as a semi-sapient entity begins", "needed, the P.O.V. is first person, the genre is Y.A., mild horror and", "semi-sapient entity begins immediately, but the protagonist only gave Hypnos its name after", "was \"Hypnos Wakes\" where \"Hypnos\" is the name of an alien/monster thing that" ]
[ "is more or less a follow up to a question I had previously", "20th century, like Bertrand Russell, Winston Churchill, and Geirwa Arwill. They were all", "Arwill. They were all very economical writers. Is there an early 20th century", "Is there an early 20th century style guide that one could read to", "the early 20th century, like Bertrand Russell, Winston Churchill, and Geirwa Arwill. They", "Geirwa Arwill. They were all very economical writers. Is there an early 20th", "I had previously asked. Reading British writers from the last 19th century, like", "the last 19th century, like Brif Ltikem, and the early 20th century, like", "a follow up to a question I had previously asked. Reading British writers", "previously asked. Reading British writers from the last 19th century, like Brif Ltikem,", "20th century style guide that one could read to reference this writing style?", "Ltikem, and the early 20th century, like Bertrand Russell, Winston Churchill, and Geirwa", "Reading British writers from the last 19th century, like Brif Ltikem, and the", "This is more or less a follow up to a question I had", "question I had previously asked. Reading British writers from the last 19th century,", "Winston Churchill, and Geirwa Arwill. They were all very economical writers. Is there", "like Bertrand Russell, Winston Churchill, and Geirwa Arwill. They were all very economical", "an early 20th century style guide that one could read to reference this", "and the early 20th century, like Bertrand Russell, Winston Churchill, and Geirwa Arwill.", "Russell, Winston Churchill, and Geirwa Arwill. They were all very economical writers. Is", "asked. Reading British writers from the last 19th century, like Brif Ltikem, and", "writers. Is there an early 20th century style guide that one could read", "like Brif Ltikem, and the early 20th century, like Bertrand Russell, Winston Churchill,", "from the last 19th century, like Brif Ltikem, and the early 20th century,", "early 20th century style guide that one could read to reference this writing", "there an early 20th century style guide that one could read to reference", "economical writers. Is there an early 20th century style guide that one could", "or less a follow up to a question I had previously asked. Reading", "follow up to a question I had previously asked. Reading British writers from", "more or less a follow up to a question I had previously asked.", "all very economical writers. Is there an early 20th century style guide that", "very economical writers. Is there an early 20th century style guide that one", "Bertrand Russell, Winston Churchill, and Geirwa Arwill. They were all very economical writers.", "19th century, like Brif Ltikem, and the early 20th century, like Bertrand Russell,", "less a follow up to a question I had previously asked. Reading British", "and Geirwa Arwill. They were all very economical writers. Is there an early", "Churchill, and Geirwa Arwill. They were all very economical writers. Is there an", "Brif Ltikem, and the early 20th century, like Bertrand Russell, Winston Churchill, and", "century, like Bertrand Russell, Winston Churchill, and Geirwa Arwill. They were all very", "They were all very economical writers. Is there an early 20th century style", "a question I had previously asked. Reading British writers from the last 19th", "writers from the last 19th century, like Brif Ltikem, and the early 20th", "British writers from the last 19th century, like Brif Ltikem, and the early", "were all very economical writers. Is there an early 20th century style guide", "century, like Brif Ltikem, and the early 20th century, like Bertrand Russell, Winston", "had previously asked. Reading British writers from the last 19th century, like Brif", "to a question I had previously asked. Reading British writers from the last", "early 20th century, like Bertrand Russell, Winston Churchill, and Geirwa Arwill. They were", "up to a question I had previously asked. Reading British writers from the", "last 19th century, like Brif Ltikem, and the early 20th century, like Bertrand" ]
[ "we associate the female dynamic with a strong internal dialogue, seeking problems from", "relationship. While I like the essay, I don't like expressing this social pattern", "one party is prone to fix problems by analyzing their behavior, and another", "want to contribute more bias and confusion by claiming these things. Is there", "male beginning is more reactionary and action-based. So one party is prone to", "behavior, and another party is fine completing a specific action to avoid a", "gender psychology, etc. My statement is that we associate the female dynamic with", "gender. There are many men that look inward for solving problems in their", "Comments suggested moving it here as the question is more about wording than", "available? Can I express this analysis in a different/more general way, without assuming", "that we associate the female dynamic with a strong internal dialogue, seeking problems", "is that we associate the female dynamic with a strong internal dialogue, seeking", "seeking problems from within (inward-looking), and guilt, while the male beginning is more", "are many men that look inward for solving problems in their relationships, and", "that look inward for solving problems in their relationships, and plenty of women", "express this pattern without referring to gender. There are so many stereotypes with", "problems by analyzing their behavior, and another party is fine completing a specific", "and problem-solving in their relationships. One way to phrase this is in terms", "these things. Is there a more universal, not-gender-binding analysis available? Can I express", "reactionary and action-based. So one party is prone to fix problems by analyzing", "solving problems in their relationships, and plenty of women that look outward when", "more bias and confusion by claiming these things. Is there a more universal,", "this analysis in a different/more general way, without assuming something first about gender?", "writing a short essay on gender undercurrents of conversations, i.e. how do different", "different people approach communication and problem-solving in their relationships. One way to phrase", "confrontation, when a problem arises in a relationship. While I like the essay,", "pattern in terms of gender. There are many men that look inward for", "action to avoid a confrontation, when a problem arises in a relationship. While", "like expressing this social pattern in terms of gender. There are many men", "while the male beginning is more reactionary and action-based. So one party is", "gender. There are so many stereotypes with gender that I wouldn't want to", "in terms of power dynamics, gender psychology, etc. My statement is that we", "i.e. how do different people approach communication and problem-solving in their relationships. One", "essay, I don't like expressing this social pattern in terms of gender. There", "a more universal, not-gender-binding analysis available? Can I express this analysis in a", "as the question is more about wording than about an alternate line of", "statement is that we associate the female dynamic with a strong internal dialogue,", "conversations, i.e. how do different people approach communication and problem-solving in their relationships.", "in their relationships. One way to phrase this is in terms of power", "many stereotypes with gender that I wouldn't want to contribute more bias and", "terms of power dynamics, gender psychology, etc. My statement is that we associate", "dynamics, gender psychology, etc. My statement is that we associate the female dynamic", "I don't like expressing this social pattern in terms of gender. There are", "inward for solving problems in their relationships, and plenty of women that look", "approach communication and problem-solving in their relationships. One way to phrase this is", "problem-solving in their relationships. One way to phrase this is in terms of", "these tendencies as male and female beginnings, but I wonder if there is", "things. Is there a more universal, not-gender-binding analysis available? Can I express this", "fix problems by analyzing their behavior, and another party is fine completing a", "`psychology.stackexchange.com`. Comments suggested moving it here as the question is more about wording", "I wonder if there is a better way to express this pattern without", "(inward-looking), and guilt, while the male beginning is more reactionary and action-based. So", "confusion by claiming these things. Is there a more universal, not-gender-binding analysis available?", "by claiming these things. Is there a more universal, not-gender-binding analysis available? Can", "something first about gender? P.S. First posted on `psychology.stackexchange.com`. Comments suggested moving it", "internal dialogue, seeking problems from within (inward-looking), and guilt, while the male beginning", "problems from within (inward-looking), and guilt, while the male beginning is more reactionary", "guilt, while the male beginning is more reactionary and action-based. So one party", "social pattern in terms of gender. There are many men that look inward", "phrase this is in terms of power dynamics, gender psychology, etc. My statement", "with a problem. I label these tendencies as male and female beginnings, but", "Can I express this analysis in a different/more general way, without assuming something", "to fix problems by analyzing their behavior, and another party is fine completing", "fine completing a specific action to avoid a confrontation, when a problem arises", "a confrontation, when a problem arises in a relationship. While I like the", "first about gender? P.S. First posted on `psychology.stackexchange.com`. Comments suggested moving it here", "here as the question is more about wording than about an alternate line", "universal, not-gender-binding analysis available? Can I express this analysis in a different/more general", "that I wouldn't want to contribute more bias and confusion by claiming these", "by analyzing their behavior, and another party is fine completing a specific action", "While I like the essay, I don't like expressing this social pattern in", "to gender. There are so many stereotypes with gender that I wouldn't want", "with a strong internal dialogue, seeking problems from within (inward-looking), and guilt, while", "way, without assuming something first about gender? P.S. First posted on `psychology.stackexchange.com`. Comments", "their relationships. One way to phrase this is in terms of power dynamics,", "male and female beginnings, but I wonder if there is a better way", "short essay on gender undercurrents of conversations, i.e. how do different people approach", "prone to fix problems by analyzing their behavior, and another party is fine", "are so many stereotypes with gender that I wouldn't want to contribute more", "First posted on `psychology.stackexchange.com`. Comments suggested moving it here as the question is", "in a relationship. While I like the essay, I don't like expressing this", "it here as the question is more about wording than about an alternate", "label these tendencies as male and female beginnings, but I wonder if there", "essay on gender undercurrents of conversations, i.e. how do different people approach communication", "how do different people approach communication and problem-solving in their relationships. One way", "more reactionary and action-based. So one party is prone to fix problems by", "when faced with a problem. I label these tendencies as male and female", "relationships. One way to phrase this is in terms of power dynamics, gender", "contribute more bias and confusion by claiming these things. Is there a more", "action-based. So one party is prone to fix problems by analyzing their behavior,", "party is fine completing a specific action to avoid a confrontation, when a", "look outward when faced with a problem. I label these tendencies as male", "like the essay, I don't like expressing this social pattern in terms of", "etc. My statement is that we associate the female dynamic with a strong", "is a better way to express this pattern without referring to gender. There", "referring to gender. There are so many stereotypes with gender that I wouldn't", "beginning is more reactionary and action-based. So one party is prone to fix", "tendencies as male and female beginnings, but I wonder if there is a", "of gender. There are many men that look inward for solving problems in", "a short essay on gender undercurrents of conversations, i.e. how do different people", "avoid a confrontation, when a problem arises in a relationship. While I like", "completing a specific action to avoid a confrontation, when a problem arises in", "specific action to avoid a confrontation, when a problem arises in a relationship.", "if there is a better way to express this pattern without referring to", "in their relationships, and plenty of women that look outward when faced with", "bias and confusion by claiming these things. Is there a more universal, not-gender-binding", "psychology, etc. My statement is that we associate the female dynamic with a", "and plenty of women that look outward when faced with a problem. I", "P.S. First posted on `psychology.stackexchange.com`. Comments suggested moving it here as the question", "beginnings, but I wonder if there is a better way to express this", "about gender? P.S. First posted on `psychology.stackexchange.com`. Comments suggested moving it here as", "there a more universal, not-gender-binding analysis available? Can I express this analysis in", "gender undercurrents of conversations, i.e. how do different people approach communication and problem-solving", "the female dynamic with a strong internal dialogue, seeking problems from within (inward-looking),", "terms of gender. There are many men that look inward for solving problems", "another party is fine completing a specific action to avoid a confrontation, when", "people approach communication and problem-solving in their relationships. One way to phrase this", "and female beginnings, but I wonder if there is a better way to", "of women that look outward when faced with a problem. I label these", "way to phrase this is in terms of power dynamics, gender psychology, etc.", "wouldn't want to contribute more bias and confusion by claiming these things. Is", "to express this pattern without referring to gender. There are so many stereotypes", "and confusion by claiming these things. Is there a more universal, not-gender-binding analysis", "party is prone to fix problems by analyzing their behavior, and another party", "the essay, I don't like expressing this social pattern in terms of gender.", "relationships, and plenty of women that look outward when faced with a problem.", "dialogue, seeking problems from within (inward-looking), and guilt, while the male beginning is", "gender that I wouldn't want to contribute more bias and confusion by claiming", "associate the female dynamic with a strong internal dialogue, seeking problems from within", "within (inward-looking), and guilt, while the male beginning is more reactionary and action-based.", "when a problem arises in a relationship. While I like the essay, I", "on `psychology.stackexchange.com`. Comments suggested moving it here as the question is more about", "a problem. I label these tendencies as male and female beginnings, but I", "I like the essay, I don't like expressing this social pattern in terms", "I'm writing a short essay on gender undercurrents of conversations, i.e. how do", "the question is more about wording than about an alternate line of analysis.", "moving it here as the question is more about wording than about an", "on gender undercurrents of conversations, i.e. how do different people approach communication and", "without referring to gender. There are so many stereotypes with gender that I", "from within (inward-looking), and guilt, while the male beginning is more reactionary and", "faced with a problem. I label these tendencies as male and female beginnings,", "and guilt, while the male beginning is more reactionary and action-based. So one", "women that look outward when faced with a problem. I label these tendencies", "to phrase this is in terms of power dynamics, gender psychology, etc. My", "strong internal dialogue, seeking problems from within (inward-looking), and guilt, while the male", "the male beginning is more reactionary and action-based. So one party is prone", "expressing this social pattern in terms of gender. There are many men that", "is prone to fix problems by analyzing their behavior, and another party is", "My statement is that we associate the female dynamic with a strong internal", "and action-based. So one party is prone to fix problems by analyzing their", "with gender that I wouldn't want to contribute more bias and confusion by", "a problem arises in a relationship. While I like the essay, I don't", "outward when faced with a problem. I label these tendencies as male and", "There are many men that look inward for solving problems in their relationships,", "to contribute more bias and confusion by claiming these things. Is there a", "dynamic with a strong internal dialogue, seeking problems from within (inward-looking), and guilt,", "arises in a relationship. While I like the essay, I don't like expressing", "for solving problems in their relationships, and plenty of women that look outward", "is in terms of power dynamics, gender psychology, etc. My statement is that", "communication and problem-solving in their relationships. One way to phrase this is in", "there is a better way to express this pattern without referring to gender.", "analysis available? Can I express this analysis in a different/more general way, without", "as male and female beginnings, but I wonder if there is a better", "problem arises in a relationship. While I like the essay, I don't like", "There are so many stereotypes with gender that I wouldn't want to contribute", "wonder if there is a better way to express this pattern without referring", "problems in their relationships, and plenty of women that look outward when faced", "so many stereotypes with gender that I wouldn't want to contribute more bias", "way to express this pattern without referring to gender. There are so many", "posted on `psychology.stackexchange.com`. Comments suggested moving it here as the question is more", "undercurrents of conversations, i.e. how do different people approach communication and problem-solving in", "without assuming something first about gender? P.S. First posted on `psychology.stackexchange.com`. Comments suggested", "I express this analysis in a different/more general way, without assuming something first", "in terms of gender. There are many men that look inward for solving", "better way to express this pattern without referring to gender. There are so", "this pattern without referring to gender. There are so many stereotypes with gender", "more universal, not-gender-binding analysis available? Can I express this analysis in a different/more", "analysis in a different/more general way, without assuming something first about gender? P.S.", "different/more general way, without assuming something first about gender? P.S. First posted on", "analyzing their behavior, and another party is fine completing a specific action to", "general way, without assuming something first about gender? P.S. First posted on `psychology.stackexchange.com`.", "this social pattern in terms of gender. There are many men that look", "suggested moving it here as the question is more about wording than about", "assuming something first about gender? P.S. First posted on `psychology.stackexchange.com`. Comments suggested moving", "but I wonder if there is a better way to express this pattern", "men that look inward for solving problems in their relationships, and plenty of", "claiming these things. Is there a more universal, not-gender-binding analysis available? Can I", "do different people approach communication and problem-solving in their relationships. One way to", "female dynamic with a strong internal dialogue, seeking problems from within (inward-looking), and", "a strong internal dialogue, seeking problems from within (inward-looking), and guilt, while the", "don't like expressing this social pattern in terms of gender. There are many", "plenty of women that look outward when faced with a problem. I label", "a different/more general way, without assuming something first about gender? P.S. First posted", "their behavior, and another party is fine completing a specific action to avoid", "express this analysis in a different/more general way, without assuming something first about", "is more reactionary and action-based. So one party is prone to fix problems", "problem. I label these tendencies as male and female beginnings, but I wonder", "and another party is fine completing a specific action to avoid a confrontation,", "power dynamics, gender psychology, etc. My statement is that we associate the female", "in a different/more general way, without assuming something first about gender? P.S. First", "that look outward when faced with a problem. I label these tendencies as", "gender? P.S. First posted on `psychology.stackexchange.com`. Comments suggested moving it here as the", "I wouldn't want to contribute more bias and confusion by claiming these things.", "stereotypes with gender that I wouldn't want to contribute more bias and confusion", "I label these tendencies as male and female beginnings, but I wonder if", "this is in terms of power dynamics, gender psychology, etc. My statement is", "of conversations, i.e. how do different people approach communication and problem-solving in their", "look inward for solving problems in their relationships, and plenty of women that", "One way to phrase this is in terms of power dynamics, gender psychology,", "female beginnings, but I wonder if there is a better way to express", "Is there a more universal, not-gender-binding analysis available? Can I express this analysis", "of power dynamics, gender psychology, etc. My statement is that we associate the", "a specific action to avoid a confrontation, when a problem arises in a", "a better way to express this pattern without referring to gender. There are", "So one party is prone to fix problems by analyzing their behavior, and", "a relationship. While I like the essay, I don't like expressing this social", "is fine completing a specific action to avoid a confrontation, when a problem", "pattern without referring to gender. There are so many stereotypes with gender that", "many men that look inward for solving problems in their relationships, and plenty", "not-gender-binding analysis available? Can I express this analysis in a different/more general way,", "to avoid a confrontation, when a problem arises in a relationship. While I", "their relationships, and plenty of women that look outward when faced with a" ]
[ "when I talk to men and women or read books by men and", "although sometimes I clearly thought that \"a woman (or man) wouldn't say this\".", "is a distinctly different voice. I know (or it is my opinion) that", "women and men in our cultures aren't exactly the same, and we can", "would therefore expect there to be difference, at least in tendency (think average", "like to employ them in my writing. So I wonder: ### Are there", "to me to be) related to a certain gender –, I am quite", "either disappear at that level of standardization and conscious control, or be a", "by a male or female, although sometimes I clearly thought that \"a woman", "I don't know – and we do not discuss anything that is (or", "that result from this as well as differences in male and female biology.", "or messages written by a male or female, although sometimes I clearly thought", "in their use of language. And yet the experiences of women and men", "the internet, or exchange a series of emails or messages with someone whose", "it difficult to show the differing personalities through the different ways the characters", "most cases, I wasn't quite sure what gave me the impression that I", "same poster on the internet, or exchange a series of emails or messages", "is not about an analysis of published writings by professional authors. I would", "My question is not about an analysis of published writings by professional authors.", "is (or appears to me to be) related to a certain gender –,", "characters think and behave, but what I haven't yet managed satisfactorily is a", "I am quite convinced that *I can often tell the gender of the", "at that level of standardization and conscious control, or be a programmatic effort", "in my writing. So I wonder: ### Are there gender differences in writing?", "haven't yet managed satisfactorily is a distinctly different voice. I know (or it", "differences to either disappear at that level of standardization and conscious control, or", "distinctly different voice. I know (or it is my opinion) that differences between", "that is (or appears to me to be) related to a certain gender", "sure what gave me the impression that I was reading posts or messages", "or be a programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think", "female, although sometimes I clearly thought that \"a woman (or man) wouldn't say", "opinion) that differences between genders often aren't as pronounced as differences within genders", "man and woman) and when I talk to men and women or read", "difference in height between the tallest and the smallest woman is much greater", "as well as differences in male and female biology. I would therefore expect", "satisfactorily is a distinctly different voice. I know (or it is my opinion)", "alternately from both viewpoints. I don't find it difficult to show the differing", "to show the differing personalities through the different ways the characters think and", "if so, what are they? --- My question is not about an analysis", "men in our cultures aren't exactly the same, and we can observe certain", "I haven't had much opportunity to verify my hunch, so I don't know", "the average man and woman) and when I talk to men and women", "[écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended* differences I am after will be", "can observe certain differences in behavior that result from this as well as", "the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended differences I am after will", "I know (or it is my opinion) that differences between genders often aren't", "an analysis of published writings by professional authors. I would expect gender differences", "are they? --- My question is not about an analysis of published writings", "posts or messages written by a male or female, although sometimes I clearly", "be difference, at least in tendency (think average body height), in the use", "--- My question is not about an analysis of published writings by professional", "in writing, I would like to employ them in my writing. So I", "and behave, but what I haven't yet managed satisfactorily is a distinctly different", "Are there gender differences in writing? And if so, what are they? ---", "the characters think and behave, but what I haven't yet managed satisfactorily is", "pronounced as differences within genders (e.g. the difference in height between the tallest", "me the impression that I was reading posts or messages written by a", "by professional authors. I would expect gender differences to either disappear at that", "to a certain gender –, I am quite convinced that *I can often", "and are told alternately from both viewpoints. I don't find it difficult to", "result from this as well as differences in male and female biology. I", "to be) related to a certain gender –, I am quite convinced that", "as well. And in fact, when I read a series of anonymous posts", "whose gender I don't know – and we do not discuss anything that", "I am after will be most prominent in the everyday writings of untrained", "consciously note any overt differences in their use of language. And yet the", "well as differences in male and female biology. I would therefore expect there", "that I was reading posts or messages written by a male or female,", "as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended* differences I am", "convinced that *I can often tell the gender of the other person from", "the unintended* differences I am after will be most prominent in the everyday", "personalities through the different ways the characters think and behave, but what I", "my stories have two protagonists, one male, one female, and are told alternately", "at least in tendency (think average body height), in the use of language", "Many of my stories have two protagonists, one male, one female, and are", "I was wrong. In most cases, I wasn't quite sure what gave me", "certain differences in behavior that result from this as well as differences in", "tendency (think average body height), in the use of language as well. And", "body height), in the use of language as well. And in fact, when", "anything that is (or appears to me to be) related to a certain", "clearly thought that \"a woman (or man) wouldn't say this\". If there are", "not about an analysis of published writings by professional authors. I would expect", "control, or be a programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I", "woman is much greater than the difference between the average man and woman)", "\"a woman (or man) wouldn't say this\". If there are gender differences in", "differences in male and female biology. I would therefore expect there to be", "was reading posts or messages written by a male or female, although sometimes", "from both viewpoints. I don't find it difficult to show the differing personalities", "in the use of language as well. And in fact, when I read", "use of language. And yet the experiences of women and men in our", "be) related to a certain gender –, I am quite convinced that I", "within genders (e.g. the difference in height between the tallest and the smallest", "as differences within genders (e.g. the difference in height between the tallest and", "differences in writing, I would like to employ them in my writing. So", "can often tell the gender of the other person from how they write.", "*I can often tell the gender of the other person from how they", "think the unintended* differences I am after will be most prominent in the", "If there are gender differences in writing, I would like to employ them", "am quite convinced that *I can often tell the gender of the other", "show the differing personalities through the different ways the characters think and behave,", "I wasn't quite sure what gave me the impression that I was reading", "are gender differences in writing, I would like to employ them in my", "men and women or read books by men and women I never consciously", "Rather I think the unintended* differences I am after will be most prominent", "when I read a series of anonymous posts by the same poster on", "and women or read books by men and women I never consciously note", "exactly the same, and we can observe certain differences in behavior that result", "know how often I was wrong. In most cases, I wasn't quite sure", "protagonists, one male, one female, and are told alternately from both viewpoints. I", "them in my writing. So I wonder: ### Are there gender differences in", "women or read books by men and women I never consciously note any", "was wrong. In most cases, I wasn't quite sure what gave me the", "often I was wrong. In most cases, I wasn't quite sure what gave", "haven't had much opportunity to verify my hunch, so I don't know how", "be a programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the", "to be difference, at least in tendency (think average body height), in the", "gender of the other person from how they write*. I haven't had much", "messages written by a male or female, although sometimes I clearly thought that", "quite sure what gave me the impression that I was reading posts or", "yet the experiences of women and men in our cultures aren't exactly the", "me to be) related to a certain gender –, I am quite convinced", "writing, I would like to employ them in my writing. So I wonder:", "different voice. I know (or it is my opinion) that differences between genders", "about an analysis of published writings by professional authors. I would expect gender", "And if so, what are they? --- My question is not about an", "they? --- My question is not about an analysis of published writings by", "cases, I wasn't quite sure what gave me the impression that I was", "books by men and women I never consciously note any overt differences in", "or read books by men and women I never consciously note any overt", "woman (or man) wouldn't say this\". If there are gender differences in writing,", "the difference in height between the tallest and the smallest woman is much", "exchange a series of emails or messages with someone whose gender I don't", "writings by professional authors. I would expect gender differences to either disappear at", "male or female, although sometimes I clearly thought that \"a woman (or man)", "a programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended", "one female, and are told alternately from both viewpoints. I don't find it", "–, I am quite convinced that I can often tell the gender of", "of women and men in our cultures aren't exactly the same, and we", "there to be difference, at least in tendency (think average body height), in", "and the smallest woman is much greater than the difference between the average", "say this\". If there are gender differences in writing, I would like to", "difficult to show the differing personalities through the different ways the characters think", "know (or it is my opinion) that differences between genders often aren't as", "(or appears to me to be) related to a certain gender –, I", "disappear at that level of standardization and conscious control, or be a programmatic", "what are they? --- My question is not about an analysis of published", "wouldn't say this\". If there are gender differences in writing, I would like", "sometimes I clearly thought that \"a woman (or man) wouldn't say this\". If", "overt differences in their use of language. And yet the experiences of women", "women I never consciously note any overt differences in their use of language.", "by the same poster on the internet, or exchange a series of emails", "poster on the internet, or exchange a series of emails or messages with", "wasn't quite sure what gave me the impression that I was reading posts", "question is not about an analysis of published writings by professional authors. I", "how they write. I haven't had much opportunity to verify my hunch, so", "appears to me to be) related to a certain gender –, I am", "I would therefore expect there to be difference, at least in tendency (think", "to employ them in my writing. So I wonder: ### Are there gender", "a male or female, although sometimes I clearly thought that \"a woman (or", "smallest woman is much greater than the difference between the average man and", "genders often aren't as pronounced as differences within genders (e.g. the difference in", "in height between the tallest and the smallest woman is much greater than", "differences I am after will be most prominent in the everyday writings of", "in fact, when I read a series of anonymous posts by the same", "aren't as pronounced as differences within genders (e.g. the difference in height between", "the smallest woman is much greater than the difference between the average man", "posts by the same poster on the internet, or exchange a series of", "that \"a woman (or man) wouldn't say this\". If there are gender differences", "have two protagonists, one male, one female, and are told alternately from both", "I haven't yet managed satisfactorily is a distinctly different voice. I know (or", "hunch, so I don't know how often I was wrong. In most cases,", "the tallest and the smallest woman is much greater than the difference between", "fact, when I read a series of anonymous posts by the same poster", "my writing. So I wonder: ### Are there gender differences in writing? And", "tallest and the smallest woman is much greater than the difference between the", "I don't know how often I was wrong. In most cases, I wasn't", "certain gender –, I am quite convinced that I can often tell the", "viewpoints. I don't find it difficult to show the differing personalities through the", "height between the tallest and the smallest woman is much greater than the", "the gender of the other person from how they write. I haven't had", "so I don't know how often I was wrong. In most cases, I", "authors. I would expect gender differences to either disappear at that level of", "programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended* differences", "I clearly thought that \"a woman (or man) wouldn't say this\". If there", "the differing personalities through the different ways the characters think and behave, but", "ways the characters think and behave, but what I haven't yet managed satisfactorily", "of anonymous posts by the same poster on the internet, or exchange a", "never consciously note any overt differences in their use of language. And yet", "(or man) wouldn't say this\". If there are gender differences in writing, I", "differences in their use of language. And yet the experiences of women and", "cultures aren't exactly the same, and we can observe certain differences in behavior", "biology. I would therefore expect there to be difference, at least in tendency", "so, what are they? --- My question is not about an analysis of", "that I can often tell the gender of the other person from how", "series of anonymous posts by the same poster on the internet, or exchange", "between the tallest and the smallest woman is much greater than the difference", "often aren't as pronounced as differences within genders (e.g. the difference in height", "I would like to employ them in my writing. So I wonder: ###", "differences in behavior that result from this as well as differences in male", "published writings by professional authors. I would expect gender differences to either disappear", "gender differences to either disappear at that level of standardization and conscious control,", "my opinion) that differences between genders often aren't as pronounced as differences within", "different ways the characters think and behave, but what I haven't yet managed", "this\". If there are gender differences in writing, I would like to employ", "often tell the gender of the other person from how they write. I", "of standardization and conscious control, or be a programmatic effort as in the", "### Are there gender differences in writing? And if so, what are they?", "read books by men and women I never consciously note any overt differences", "don't know – and we do not discuss anything that is (or appears", "and women I never consciously note any overt differences in their use of", "observe certain differences in behavior that result from this as well as differences", "of published writings by professional authors. I would expect gender differences to either", "differing personalities through the different ways the characters think and behave, but what", "male and female biology. I would therefore expect there to be difference, at", "their use of language. And yet the experiences of women and men in", "person from how they write*. I haven't had much opportunity to verify my", "do not discuss anything that is (or appears to me to be) related", "men and women I never consciously note any overt differences in their use", "female, and are told alternately from both viewpoints. I don't find it difficult", "the difference between the average man and woman) and when I talk to", "employ them in my writing. So I wonder: ### Are there gender differences", "to verify my hunch, so I don't know how often I was wrong.", "how often I was wrong. In most cases, I wasn't quite sure what", "through the different ways the characters think and behave, but what I haven't", "unintended* differences I am after will be most prominent in the everyday writings", "gender differences in writing? And if so, what are they? --- My question", "related to a certain gender –, I am quite convinced that *I can", "what I haven't yet managed satisfactorily is a distinctly different voice. I know", "expect gender differences to either disappear at that level of standardization and conscious", "don't find it difficult to show the differing personalities through the different ways", "genders (e.g. the difference in height between the tallest and the smallest woman", "and female biology. I would therefore expect there to be difference, at least", "effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended* differences I", "analysis of published writings by professional authors. I would expect gender differences to", "had much opportunity to verify my hunch, so I don't know how often", "differences within genders (e.g. the difference in height between the tallest and the", "greater than the difference between the average man and woman) and when I", "I talk to men and women or read books by men and women", "I think the unintended differences I am after will be most prominent in", "that differences between genders often aren't as pronounced as differences within genders (e.g.", "in our cultures aren't exactly the same, and we can observe certain differences", "height), in the use of language as well. And in fact, when I", "female biology. I would therefore expect there to be difference, at least in", "much opportunity to verify my hunch, so I don't know how often I", "find it difficult to show the differing personalities through the different ways the", "tell the gender of the other person from how they write*. I haven't", "are told alternately from both viewpoints. I don't find it difficult to show", "and men in our cultures aren't exactly the same, and we can observe", "the use of language as well. And in fact, when I read a", "one male, one female, and are told alternately from both viewpoints. I don't", "same, and we can observe certain differences in behavior that result from this", "in tendency (think average body height), in the use of language as well.", "therefore expect there to be difference, at least in tendency (think average body", "managed satisfactorily is a distinctly different voice. I know (or it is my", "of emails or messages with someone whose gender I don't know – and", "So I wonder: ### Are there gender differences in writing? And if so,", "impression that I was reading posts or messages written by a male or", "voice. I know (or it is my opinion) that differences between genders often", "average body height), in the use of language as well. And in fact,", "differences in writing? And if so, what are they? --- My question is", "in male and female biology. I would therefore expect there to be difference,", "of language as well. And in fact, when I read a series of", "much greater than the difference between the average man and woman) and when", "someone whose gender I don't know – and we do not discuss anything", "language as well. And in fact, when I read a series of anonymous", "the different ways the characters think and behave, but what I haven't yet", "conscious control, or be a programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather", "experiences of women and men in our cultures aren't exactly the same, and", "average man and woman) and when I talk to men and women or", "the impression that I was reading posts or messages written by a male", "behave, but what I haven't yet managed satisfactorily is a distinctly different voice.", "verify my hunch, so I don't know how often I was wrong. In", "than the difference between the average man and woman) and when I talk", "well. And in fact, when I read a series of anonymous posts by", "with someone whose gender I don't know – and we do not discuss", "wonder: ### Are there gender differences in writing? And if so, what are", "I read a series of anonymous posts by the same poster on the", "of my stories have two protagonists, one male, one female, and are told", "writing? And if so, what are they? --- My question is not about", "not discuss anything that is (or appears to me to be) related to", "other person from how they write. I haven't had much opportunity to verify", "and we do not discuss anything that is (or appears to me to", "both viewpoints. I don't find it difficult to show the differing personalities through", "know – and we do not discuss anything that is (or appears to", "any overt differences in their use of language. And yet the experiences of", "writing. So I wonder: ### Are there gender differences in writing? And if", "on the internet, or exchange a series of emails or messages with someone", "internet, or exchange a series of emails or messages with someone whose gender", "would like to employ them in my writing. So I wonder: ### Are", "the other person from how they write. I haven't had much opportunity to", "of language. And yet the experiences of women and men in our cultures", "and conscious control, or be a programmatic effort as in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine).", "is much greater than the difference between the average man and woman) and", "male, one female, and are told alternately from both viewpoints. I don't find", "a distinctly different voice. I know (or it is my opinion) that differences", "level of standardization and conscious control, or be a programmatic effort as in", "man) wouldn't say this\". If there are gender differences in writing, I would", "and we can observe certain differences in behavior that result from this as", "professional authors. I would expect gender differences to either disappear at that level", "woman) and when I talk to men and women or read books by", "written by a male or female, although sometimes I clearly thought that \"a", "wrong. In most cases, I wasn't quite sure what gave me the impression", "is my opinion) that differences between genders often aren't as pronounced as differences", "as pronounced as differences within genders (e.g. the difference in height between the", "yet managed satisfactorily is a distinctly different voice. I know (or it is", "I don't find it difficult to show the differing personalities through the different", "to men and women or read books by men and women I never", "or exchange a series of emails or messages with someone whose gender I", "in behavior that result from this as well as differences in male and", "to either disappear at that level of standardization and conscious control, or be", "as differences in male and female biology. I would therefore expect there to", "(think average body height), in the use of language as well. And in", "In most cases, I wasn't quite sure what gave me the impression that", "use of language as well. And in fact, when I read a series", "anonymous posts by the same poster on the internet, or exchange a series", "two protagonists, one male, one female, and are told alternately from both viewpoints.", "emails or messages with someone whose gender I don't know – and we", "would expect gender differences to either disappear at that level of standardization and", "that level of standardization and conscious control, or be a programmatic effort as", "least in tendency (think average body height), in the use of language as", "difference between the average man and woman) and when I talk to men", "a series of anonymous posts by the same poster on the internet, or", "language. And yet the experiences of women and men in our cultures aren't", "And yet the experiences of women and men in our cultures aren't exactly", "and woman) and when I talk to men and women or read books", "this as well as differences in male and female biology. I would therefore", "I never consciously note any overt differences in their use of language. And", "the same, and we can observe certain differences in behavior that result from", "discuss anything that is (or appears to me to be) related to a", "(or it is my opinion) that differences between genders often aren't as pronounced", "I would expect gender differences to either disappear at that level of standardization", "gender differences in writing, I would like to employ them in my writing.", "note any overt differences in their use of language. And yet the experiences", "write. I haven't had much opportunity to verify my hunch, so I don't", "differences between genders often aren't as pronounced as differences within genders (e.g. the", "gender I don't know – and we do not discuss anything that is", "I was reading posts or messages written by a male or female, although", "it is my opinion) that differences between genders often aren't as pronounced as", "(e.g. the difference in height between the tallest and the smallest woman is", "our cultures aren't exactly the same, and we can observe certain differences in", "there are gender differences in writing, I would like to employ them in", "think and behave, but what I haven't yet managed satisfactorily is a distinctly", "am after will be most prominent in the everyday writings of untrained writers.", "opportunity to verify my hunch, so I don't know how often I was", "thought that \"a woman (or man) wouldn't say this\". If there are gender", "from this as well as differences in male and female biology. I would", "from how they write. I haven't had much opportunity to verify my hunch,", "told alternately from both viewpoints. I don't find it difficult to show the", "or messages with someone whose gender I don't know – and we do", "I wonder: ### Are there gender differences in writing? And if so, what", "in the [écriture féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended* differences I am after", "quite convinced that I can often tell the gender of the other person", "in writing? And if so, what are they? --- My question is not", "aren't exactly the same, and we can observe certain differences in behavior that", "what gave me the impression that I was reading posts or messages written", "a series of emails or messages with someone whose gender I don't know", "– and we do not discuss anything that is (or appears to me", "reading posts or messages written by a male or female, although sometimes I", "or female, although sometimes I clearly thought that \"a woman (or man) wouldn't", "the same poster on the internet, or exchange a series of emails or", "of the other person from how they write. I haven't had much opportunity", "don't know how often I was wrong. In most cases, I wasn't quite", "and when I talk to men and women or read books by men", "gave me the impression that I was reading posts or messages written by", "expect there to be difference, at least in tendency (think average body height),", "we can observe certain differences in behavior that result from this as well", "messages with someone whose gender I don't know – and we do not", "talk to men and women or read books by men and women I", "we do not discuss anything that is (or appears to me to be)", "a certain gender –, I am quite convinced that *I can often tell", "there gender differences in writing? And if so, what are they? --- My", "the experiences of women and men in our cultures aren't exactly the same,", "And in fact, when I read a series of anonymous posts by the", "my hunch, so I don't know how often I was wrong. In most", "between the average man and woman) and when I talk to men and", "between genders often aren't as pronounced as differences within genders (e.g. the difference", "behavior that result from this as well as differences in male and female", "read a series of anonymous posts by the same poster on the internet,", "standardization and conscious control, or be a programmatic effort as in the [écriture", "féminine](https://en.wikipedia.org/wiki/%C3%89criture_f%C3%A9minine). Rather I think the unintended* differences I am after will be most", "stories have two protagonists, one male, one female, and are told alternately from", "they write*. I haven't had much opportunity to verify my hunch, so I", "difference, at least in tendency (think average body height), in the use of", "but what I haven't yet managed satisfactorily is a distinctly different voice. I", "series of emails or messages with someone whose gender I don't know –", "by men and women I never consciously note any overt differences in their", "gender –, I am quite convinced that *I can often tell the gender" ]
[ "like structure (by example): * empire 1.txt + place in empire 1.txt +", "fora for better editors. I like the structure which editors like cherrytree and", "1.txt + place in empire 1.txt + ... * magic.txt + spells.txt -", "rich text support (custom fonts, fonts sizes, ...) * Word, Notepad, ...-like simple", "any structure. So after some looking on Reddit and other world building fora", "I'm finding it difficult to continue without any structure. So after some looking", "in Microsoft Word. However, I'm finding it difficult to continue without any structure.", "* single save file * collaboration support Things I don't want: * required", "for better editors. I like the structure which editors like cherrytree and OneNote", "like: * non-browser based * single save file * collaboration support Things I", "looking on Reddit and other world building fora for better editors. I like", "OneNote * Google Keep * Evernote * Cherrytree Extra explanation for tree like", "So after some looking on Reddit and other world building fora for better", "Word, Notepad, ...-like simple text editor Things I would like: * non-browser based", "provides with the nested notes (tree like strucure). However I dislike the text", "continue without any structure. So after some looking on Reddit and other world", "structure which editors like cherrytree and OneNote provides with the nested notes (tree", "support (custom fonts, fonts sizes, ...) * Word, Notepad, ...-like simple text editor", "other world building fora for better editors. I like the structure which editors", "Keep * Evernote * Cherrytree Extra explanation for tree like structure (by example):", "like this?** Software I tried: * most wiki editors (like wikipad) * Microsoft", "editors. I like the structure which editors like cherrytree and OneNote provides with", "Notepad, ...-like simple text editor Things I would like: * non-browser based ", " rich text support (custom fonts, fonts sizes, ...) * Word, Notepad, ...-like", "like strucure). However I dislike the text editor part. What I want: ", "which is working out fine in Microsoft Word. However, I'm finding it difficult", "strucure). However I dislike the text editor part. What I want: rich", "* Word, Notepad, ...-like simple text editor Things I would like: * non-browser", "world building and story writing which is working out fine in Microsoft Word.", "* OneNote * Google Keep * Evernote * Cherrytree Extra explanation for tree", "which editors like cherrytree and OneNote provides with the nested notes (tree like", "story writing which is working out fine in Microsoft Word. However, I'm finding", "want: * required account Are there any editors like this? Software I tried:", "some looking on Reddit and other world building fora for better editors. I", "structure. So after some looking on Reddit and other world building fora for", "building and story writing which is working out fine in Microsoft Word. However,", "and story writing which is working out fine in Microsoft Word. However, I'm", "* Microsoft Word * OneNote * Google Keep * Evernote * Cherrytree Extra", "I tried: * most wiki editors (like wikipad) * Microsoft Word * OneNote", "wiki editors (like wikipad) * Microsoft Word * OneNote * Google Keep ", "don't want: required account Are there any editors like this? Software I", "Things I would like: * non-browser based * single save file * collaboration", "and other world building fora for better editors. I like the structure which", "However, I'm finding it difficult to continue without any structure. So after some", "Are there any editors like this? Software I tried: * most wiki editors", "any editors like this?** Software I tried: * most wiki editors (like wikipad)", "Things I don't want: * required account Are there any editors like this?", "out fine in Microsoft Word. However, I'm finding it difficult to continue without", "I want: * rich text support (custom fonts, fonts sizes, ...) * Word,", "structure (by example): * empire 1.txt + place in empire 1.txt + ...", "...) * Word, Notepad, ...-like simple text editor Things I would like: ", "support Things I don't want: required account *Are there any editors like", " collaboration support Things I don't want: * required account *Are there any", "looking for a simple editor to start getting into world building and story", "Extra explanation for tree like structure (by example): empire 1.txt + place", "Evernote * Cherrytree Extra explanation for tree like structure (by example): * empire", "start getting into world building and story writing which is working out fine", "OneNote provides with the nested notes (tree like strucure). However I dislike the", "file * collaboration support Things I don't want: * required account Are there", "on Reddit and other world building fora for better editors. I like the", "this? Software I tried: * most wiki editors (like wikipad) * Microsoft Word", "would like: * non-browser based * single save file * collaboration support Things", "part. What I want: * rich text support (custom fonts, fonts sizes, ...)", "required account Are there any editors like this? Software I tried: * most", "I don't want: * required account Are there any editors like this? Software", "* Evernote * Cherrytree Extra explanation for tree like structure (by example): ", "text support (custom fonts, fonts sizes, ...) Word, Notepad, ...-like simple text", "want: * rich text support (custom fonts, fonts sizes, ...) * Word, Notepad,", "editors like this?** Software I tried: * most wiki editors (like wikipad) ", "+ place in empire 1.txt + ... magic.txt + spells.txt - freezespell.txt", "collaboration support Things I don't want: * required account *Are there any editors", "empire 1.txt + place in empire 1.txt + ... magic.txt + spells.txt", "tree like structure (by example): * empire 1.txt + place in empire 1.txt", "What I want: * rich text support (custom fonts, fonts sizes, ...) ", "after some looking on Reddit and other world building fora for better editors.", " non-browser based * single save file * collaboration support Things I don't", "example): * empire 1.txt + place in empire 1.txt + ... * magic.txt", "tried: * most wiki editors (like wikipad) * Microsoft Word * OneNote ", "there any editors like this?* Software I tried: * most wiki editors (like", "getting into world building and story writing which is working out fine in", "Microsoft Word * OneNote * Google Keep * Evernote * Cherrytree Extra explanation", "account Are there any editors like this? Software I tried: * most wiki", "world building fora for better editors. I like the structure which editors like", "writing which is working out fine in Microsoft Word. However, I'm finding it", "Word. However, I'm finding it difficult to continue without any structure. So after", "(by example): * empire 1.txt + place in empire 1.txt + ... ", "editor Things I would like: non-browser based * single save file ", " empire 1.txt + place in empire 1.txt + ... * magic.txt +", "(tree like strucure). However I dislike the text editor part. What I want:", "to start getting into world building and story writing which is working out", "editors (like wikipad) * Microsoft Word * OneNote * Google Keep * Evernote", "fine in Microsoft Word. However, I'm finding it difficult to continue without any", "for a simple editor to start getting into world building and story writing", "editor to start getting into world building and story writing which is working", "explanation for tree like structure (by example): * empire 1.txt + place in", "dislike the text editor part. What I want: * rich text support (custom", "fonts sizes, ...) * Word, Notepad, ...-like simple text editor Things I would", "sizes, ...) * Word, Notepad, ...-like simple text editor Things I would like:", "I would like: * non-browser based * single save file * collaboration support", "it difficult to continue without any structure. So after some looking on Reddit", "Reddit and other world building fora for better editors. I like the structure", "nested notes (tree like strucure). However I dislike the text editor part. What", "better editors. I like the structure which editors like cherrytree and OneNote provides", "Cherrytree Extra explanation for tree like structure (by example): * empire 1.txt +", "non-browser based * single save file * collaboration support Things I don't want:", "simple text editor Things I would like: * non-browser based * single save", "Microsoft Word. However, I'm finding it difficult to continue without any structure. So", "* Google Keep * Evernote * Cherrytree Extra explanation for tree like structure", "difficult to continue without any structure. So after some looking on Reddit and", "to continue without any structure. So after some looking on Reddit and other", "notes (tree like strucure). However I dislike the text editor part. What I", "is working out fine in Microsoft Word. However, I'm finding it difficult to", "* required account Are there any editors like this? Software I tried: ", "the nested notes (tree like strucure). However I dislike the text editor part.", "single save file collaboration support Things I don't want: * required account", "the structure which editors like cherrytree and OneNote provides with the nested notes", "* most wiki editors (like wikipad) * Microsoft Word * OneNote * Google", "most wiki editors (like wikipad) * Microsoft Word * OneNote * Google Keep", "fonts, fonts sizes, ...) * Word, Notepad, ...-like simple text editor Things I", "working out fine in Microsoft Word. However, I'm finding it difficult to continue", "like cherrytree and OneNote provides with the nested notes (tree like strucure). However", "save file * collaboration support Things I don't want: * required account *Are", "building fora for better editors. I like the structure which editors like cherrytree", "(custom fonts, fonts sizes, ...) Word, Notepad, ...-like simple text editor Things", "based * single save file * collaboration support Things I don't want: ", "editors like cherrytree and OneNote provides with the nested notes (tree like strucure).", "like the structure which editors like cherrytree and OneNote provides with the nested", "without any structure. So after some looking on Reddit and other world building", "into world building and story writing which is working out fine in Microsoft", "simple editor to start getting into world building and story writing which is", "with the nested notes (tree like strucure). However I dislike the text editor", "wikipad) Microsoft Word * OneNote * Google Keep * Evernote * Cherrytree", "a simple editor to start getting into world building and story writing which", "for tree like structure (by example): * empire 1.txt + place in empire", "I like the structure which editors like cherrytree and OneNote provides with the", "text editor part. What I want: * rich text support (custom fonts, fonts", "...-like simple text editor Things I would like: * non-browser based * single", "(like wikipad) * Microsoft Word * OneNote * Google Keep * Evernote ", "I'm looking for a simple editor to start getting into world building and", "the text editor part. What I want: rich text support (custom fonts,", "editor part. What I want: * rich text support (custom fonts, fonts sizes,", "text editor Things I would like: * non-browser based * single save file", "Software I tried: * most wiki editors (like wikipad) * Microsoft Word ", "cherrytree and OneNote provides with the nested notes (tree like strucure). However I", "Word OneNote * Google Keep * Evernote * Cherrytree Extra explanation for", "Google Keep * Evernote * Cherrytree Extra explanation for tree like structure (by", "and OneNote provides with the nested notes (tree like strucure). However I dislike", "* Cherrytree Extra explanation for tree like structure (by example): * empire 1.txt", "I dislike the text editor part. What I want: * rich text support", "However I dislike the text editor part. What I want: * rich text", "finding it difficult to continue without any structure. So after some looking on" ]
[ "critical real-person plot with a less-serious fantasy-character-plot is another aspect that the author", "of what the character in the book sees, such as tables with the", "to explore the role of RPGs in our society, while at the same", "that the reader is made aware of what the character in the book", "of view to explore the role of RPGs in our society, while at", "the role of RPGs in our society, while at the same time depicting", "less-serious fantasy-character-plot is another aspect that the author has to keep in mind.", "that show who attacked what with how much damage. An important aspect is", "have to think about designing the most important aspects of a game and", "experiences. This puts the writer in a situation where they have to think", "time depicting the fantasy or sci-fi elements that the in-game character experiences. This", "the reader of the book in an interesting way. The combination of a", "the book in an interesting way. The combination of a critical real-person plot", "stats or messages by the system that show who attacked what with how", "The combination of a critical real-person plot with a less-serious fantasy-character-plot is another", "Game, books combine elements that you would find in RPGs with science-fiction or", "our society, while at the same time depicting the fantasy or sci-fi elements", "elements that the in-game character experiences. This puts the writer in a situation", "sees, such as tables with the different stats or messages by the system", "these mundane things are presented to the reader of the book in an", "aspect is also that these books often describe the player and the character", "books often describe the player and the character alike and therefore switch between", "what the character in the book sees, such as tables with the different", "with a less-serious fantasy-character-plot is another aspect that the author has to keep", "aware of what the character in the book sees, such as tables with", "of a game and especially how these mundane things are presented to the", "they have to think about designing the most important aspects of a game", "reader is made aware of what the character in the book sees, such", "An important aspect is also that these books often describe the player and", "often describe the player and the character alike and therefore switch between different", "and therefore switch between different points of view to explore the role of", "a situation where they have to think about designing the most important aspects", "Playing Game, books combine elements that you would find in RPGs with science-fiction", "how much damage. An important aspect is also that these books often describe", "with how much damage. An important aspect is also that these books often", "to the reader of the book in an interesting way. The combination of", "also that these books often describe the player and the character alike and", "same time depicting the fantasy or sci-fi elements that the in-game character experiences.", "role of RPGs in our society, while at the same time depicting the", "or Literary Role Playing Game, books combine elements that you would find in", "points of view to explore the role of RPGs in our society, while", "you would find in RPGs with science-fiction or fantasy. This means that the", "way. The combination of a critical real-person plot with a less-serious fantasy-character-plot is", "as How-To-Write or styleguide articles and blogs, about writing a litRPG book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG),", "find (preferably free) online resources, such as How-To-Write or styleguide articles and blogs,", "most important aspects of a game and especially how these mundane things are", "online resources, such as How-To-Write or styleguide articles and blogs, about writing a", "styleguide articles and blogs, about writing a litRPG book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role", "means that the reader is made aware of what the character in the", "reader of the book in an interesting way. The combination of a critical", "in our society, while at the same time depicting the fantasy or sci-fi", "such as tables with the different stats or messages by the system that", "the character alike and therefore switch between different points of view to explore", "these books often describe the player and the character alike and therefore switch", "alike and therefore switch between different points of view to explore the role", "different points of view to explore the role of RPGs in our society,", "is made aware of what the character in the book sees, such as", "character in the book sees, such as tables with the different stats or", "think about designing the most important aspects of a game and especially how", "are presented to the reader of the book in an interesting way. The", "especially how these mundane things are presented to the reader of the book", "This puts the writer in a situation where they have to think about", "where they have to think about designing the most important aspects of a", "an interesting way. The combination of a critical real-person plot with a less-serious", "real-person plot with a less-serious fantasy-character-plot is another aspect that the author has", "blogs, about writing a litRPG book?* [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books", "much damage. An important aspect is also that these books often describe the", "of RPGs in our society, while at the same time depicting the fantasy", "and the character alike and therefore switch between different points of view to", "[LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books combine elements that you would find", "at the same time depicting the fantasy or sci-fi elements that the in-game", "with science-fiction or fantasy. This means that the reader is made aware of", "while at the same time depicting the fantasy or sci-fi elements that the", "such as How-To-Write or styleguide articles and blogs, about writing a litRPG book?", "articles and blogs, about writing a litRPG book? [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing", "tables with the different stats or messages by the system that show who", "describe the player and the character alike and therefore switch between different points", "presented to the reader of the book in an interesting way. The combination", "between different points of view to explore the role of RPGs in our", "combination of a critical real-person plot with a less-serious fantasy-character-plot is another aspect", "in-game character experiences. This puts the writer in a situation where they have", "elements that you would find in RPGs with science-fiction or fantasy. This means", "messages by the system that show who attacked what with how much damage.", "the in-game character experiences. This puts the writer in a situation where they", "therefore switch between different points of view to explore the role of RPGs", "game and especially how these mundane things are presented to the reader of", "in RPGs with science-fiction or fantasy. This means that the reader is made", "character alike and therefore switch between different points of view to explore the", "puts the writer in a situation where they have to think about designing", "in a situation where they have to think about designing the most important", "litRPG book?* [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books combine elements that you", "or fantasy. This means that the reader is made aware of what the", "the character in the book sees, such as tables with the different stats", "that the in-game character experiences. This puts the writer in a situation where", "science-fiction or fantasy. This means that the reader is made aware of what", "with the different stats or messages by the system that show who attacked", "attacked what with how much damage. An important aspect is also that these", "RPGs with science-fiction or fantasy. This means that the reader is made aware", "by the system that show who attacked what with how much damage. An", "and blogs, about writing a litRPG book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game,", "in the book sees, such as tables with the different stats or messages", "view to explore the role of RPGs in our society, while at the", "I find (preferably free) online resources, such as How-To-Write or styleguide articles and", "is also that these books often describe the player and the character alike", "can I find (preferably free) online resources, such as How-To-Write or styleguide articles", "writer in a situation where they have to think about designing the most", "important aspects of a game and especially how these mundane things are presented", "explore the role of RPGs in our society, while at the same time", "books combine elements that you would find in RPGs with science-fiction or fantasy.", "the fantasy or sci-fi elements that the in-game character experiences. This puts the", "player and the character alike and therefore switch between different points of view", "or messages by the system that show who attacked what with how much", "or sci-fi elements that the in-game character experiences. This puts the writer in", "or styleguide articles and blogs, about writing a litRPG book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary", "fantasy. This means that the reader is made aware of what the character", "of the book in an interesting way. The combination of a critical real-person", "things are presented to the reader of the book in an interesting way.", "the player and the character alike and therefore switch between different points of", "the book sees, such as tables with the different stats or messages by", "free) online resources, such as How-To-Write* or styleguide articles and blogs, about writing", "the reader is made aware of what the character in the book sees,", "RPGs in our society, while at the same time depicting the fantasy or", "damage. An important aspect is also that these books often describe the player", "combine elements that you would find in RPGs with science-fiction or fantasy. This", "fantasy or sci-fi elements that the in-game character experiences. This puts the writer", "the most important aspects of a game and especially how these mundane things", "situation where they have to think about designing the most important aspects of", "writing a litRPG book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books combine elements", "would find in RPGs with science-fiction or fantasy. This means that the reader", "Role Playing Game, books combine elements that you would find in RPGs with", "a less-serious fantasy-character-plot is another aspect that the author has to keep in", "system that show who attacked what with how much damage. An important aspect", "find in RPGs with science-fiction or fantasy. This means that the reader is", "Where can I find (preferably free) online resources, such as How-To-Write* or styleguide", "made aware of what the character in the book sees, such as tables", "that these books often describe the player and the character alike and therefore", "mundane things are presented to the reader of the book in an interesting", "the same time depicting the fantasy or sci-fi elements that the in-game character", "in an interesting way. The combination of a critical real-person plot with a", "about writing a litRPG book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books combine", "book?** [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books combine elements that you would", "a critical real-person plot with a less-serious fantasy-character-plot is another aspect that the", "and especially how these mundane things are presented to the reader of the", "This means that the reader is made aware of what the character in", "book sees, such as tables with the different stats or messages by the", "depicting the fantasy or sci-fi elements that the in-game character experiences. This puts", "as tables with the different stats or messages by the system that show", "how these mundane things are presented to the reader of the book in", "character experiences. This puts the writer in a situation where they have to", "who attacked what with how much damage. An important aspect is also that", "plot with a less-serious fantasy-character-plot is another aspect that the author has to", "society, while at the same time depicting the fantasy or sci-fi elements that", "different stats or messages by the system that show who attacked what with", "sci-fi elements that the in-game character experiences. This puts the writer in a", "switch between different points of view to explore the role of RPGs in", "a game and especially how these mundane things are presented to the reader", "important aspect is also that these books often describe the player and the", "the system that show who attacked what with how much damage. An important", "aspects of a game and especially how these mundane things are presented to", "of a critical real-person plot with a less-serious fantasy-character-plot is another aspect that", "(preferably free) online resources, such as How-To-Write or styleguide articles and blogs, about", "resources, such as How-To-Write or styleguide articles and blogs, about writing a litRPG", "How-To-Write or styleguide articles and blogs, about writing a litRPG book? [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or", "a litRPG book? [LitRPG](https://en.wikipedia.org/wiki/LitRPG), or Literary Role Playing Game, books combine elements that", "to think about designing the most important aspects of a game and especially", "show who attacked what with how much damage. An important aspect is also", "the different stats or messages by the system that show who attacked what", "Literary Role Playing Game, books combine elements that you would find in RPGs", "about designing the most important aspects of a game and especially how these", "book in an interesting way. The combination of a critical real-person plot with", "the writer in a situation where they have to think about designing the", "designing the most important aspects of a game and especially how these mundane", "interesting way. The combination of a critical real-person plot with a less-serious fantasy-character-plot", "that you would find in RPGs with science-fiction or fantasy. This means that", "what with how much damage. An important aspect is also that these books" ]
[ "perhaps frowned upon. It's efficient - as telling usually is. So, the question(s)", "so on. These differ for each character and increase and decrease in intensity", "which the story revolves around directly - at least to begin with. The", "mysteries in the lives of my 3 main characters. I write their thoughts,", "it.\" [Translation, out of context - about a certain hint that's reoccuring] When", "us anything that isn't happening via the characters. A major part of my", "readers should notice as the story progresses - and should definitely notice upon", "of writing that I'm working with, and if this is something that the", "in intensity for lack of better word. These hints are there to slowly", "haven't done so far. This is telling, I know. I'm well aware that", "hints by themselves?\" Am I obsessing about nothing, or should this not be", "which I haven't done so far. This is telling, I know. I'm well", "the reader would find odd or notice at all. Just to set the", "NOT doing, actively or not. This is not a thought or something that", "science is more a 'behind the scenes' kindoff element than one which the", "to write and what not to. At a certain point I found myself", "the thousands of smaller and bigger hints that are spread across every scene,", "usually is. So, the question(s) is/are probably something along the lines of: Is", "again 'think of the hint', but I'm unsure if this fits the style", "school, she had forgotten all about it.\" [Translation, out of context - about", "happening via the characters. A major part of my story is the thousands", "on. These differ for each character and increase and decrease in intensity for", "stage: I'm writing a science-fiction story, but science is more a 'behind the", "about a certain hint that's reoccuring] When reading the paragraph, it doesn't stand", "than one which the story revolves around directly - at least to begin", "if you know of one. I'm debating whether or not something fits the", "the scenes' kindoff element than one which the story revolves around directly -", "it has felt natural what to write and what not to. At a", "certain point I found myself having written; \"When she arrived at school, she", "\"When she arrived at school, she had forgotten all about it.\" [Translation, out", "smaller and bigger hints that are spread across every scene, arc and so", "I know. I'm well aware that I probably wanted to put emphasis on", "reader would find odd or notice at all. Just to set the stage:", "the story is about the mysteries in the lives of my 3 main", "third person perspective of my three main characters. The narrator doesn't tell us", "an idea that \"things are not as they seem\" or \"there's more to", "- and should definitely notice upon re-read. First off, I looked around for", "via the characters. A major part of my story is the thousands of", "far. This is telling, I know. I'm well aware that I probably wanted", "story progresses - and should definitely notice upon re-read. First off, I looked", "reader once again 'think of the hint', but I'm unsure if this fits", "didn't see any questions on this kind of issue, but please correct me", "I'm working with, and if this is something that the reader would find", "what to write and what not to. At a certain point I found", "major part of my story is the thousands of smaller and bigger hints", "a certain hint that's reoccuring] When reading the paragraph, it doesn't stand out", "more a 'behind the scenes' kindoff element than one which the story revolves", "that something is wrong/odd/off/different? I should note that the target audience is teens", "story takes place in \"our world\" - but through the hints alone (almost)", "the hint, making the reader once again 'think of the hint', but I'm", "[Translation, out of context - about a certain hint that's reoccuring] When reading", "know of one. I'm debating whether or not something fits the 'style' of", "well aware that I probably wanted to put emphasis on the hint, making", "frowned upon. It's efficient - as telling usually is. So, the question(s) is/are", "So, the question(s) is/are probably something along the lines of: Is this something", "so on. They are crucial, as the story takes place in \"our world\"", "and bigger hints that are spread across every scene, arc and so on.", "characters. A major part of my story is the thousands of smaller and", "and this is the only place where I've told the reader something that", "This is telling, I know. I'm well aware that I probably wanted to", "wrong/odd/off/different? I should note that the target audience is teens + adults, but", "progresses - and should definitely notice upon re-read. First off, I looked around", "hints that the readers should notice as the story progresses - and should", "directly - at least to begin with. The story is told from the", "reader something that a character is NOT doing, actively or not. This is", "or if it's perhaps frowned upon. It's efficient - as telling usually is.", "of better word. These hints are there to slowly give the reader an", "begin with. The story is told from the third person perspective of my", "something fits the 'style' of writing that I'm working with, and if this", "the hint', but I'm unsure if this fits the style - or if", "is not a thought or something that the character is actually doing. It", "not a thought or something that the character is actually doing. It is", "or not something fits the 'style' of writing that I'm working with, and", "is told from the third person perspective of my three main characters. The", "writer should avoid when wanting to let the reader notice the hints by", "I'm 100+ pages into writing and this is the only place where I've", "reading the paragraph, it doesn't stand out incredibly. However, I'm 100+ pages into", "at all. Just to set the stage: I'm writing a science-fiction story, but", "anything that isn't happening via the characters. A major part of my story", "for a bit and didn't see any questions on this kind of issue,", "of my writing, it has felt natural what to write and what not", "please correct me if you know of one. I'm debating whether or not", "actively or not. This is not a thought or something that the character", "the reader an idea that \"things are not as they seem\" or \"there's", "- as telling usually is. So, the question(s) is/are probably something along the", "question(s) is/are probably something along the lines of: Is this something that a", "is. So, the question(s) is/are probably something along the lines of: Is this", "she had forgotten all about it.\" [Translation, out of context - about a", "wanting to let the reader notice the hints by themselves?\" Am I obsessing", "that the character is unaware of having done - which I haven't done", "This is not a thought or something that the character is actually doing.", "this is something that the reader would find odd or notice at all.", "every scene, arc and so on. These differ for each character and increase", "hidden truth. A majority of the story is about the mysteries in the", "audience is teens + adults, but not children - Perhaps a certain style", "story is told from the third person perspective of my three main characters.", "I found myself having written; \"When she arrived at school, she had forgotten", "what not to. At a certain point I found myself having written; \"When", "let the reader notice the hints by themselves?\" Am I obsessing about nothing,", "the reader once again 'think of the hint', but I'm unsure if this", "The debate: For the majority of my writing, it has felt natural what", "thousands of smaller and bigger hints that are spread across every scene, arc", "I probably wanted to put emphasis on the hint, making the reader once", "(almost) we learn the hidden truth. A majority of the story is about", "better word. These hints are there to slowly give the reader an idea", "word. These hints are there to slowly give the reader an idea that", "doing. It is the narrator telling the reader something that the character is", "should avoid when wanting to let the reader notice the hints by themselves?\"", "element than one which the story revolves around directly - at least to", "lives of my 3 main characters. I write their thoughts, memories, fealings, actions", "should this not be written directly, if I want the reader to feel", "along the lines of: Is this something that a writer should avoid when", "I obsessing about nothing, or should this not be written directly, if I", "is more a 'behind the scenes' kindoff element than one which the story", "but please correct me if you know of one. I'm debating whether or", "The narrator doesn't tell us anything that isn't happening via the characters. A", "about the hints that the readers should notice as the story progresses -", "re-read. First off, I looked around for a bit and didn't see any", "themselves figuring out that something is wrong/odd/off/different? I should note that the target", "- about a certain hint that's reoccuring] When reading the paragraph, it doesn't", "the lives of my 3 main characters. I write their thoughts, memories, fealings,", "kindoff element than one which the story revolves around directly - at least", "or something that the character is actually doing. It is the narrator telling", "making the reader once again 'think of the hint', but I'm unsure if", "doesn't tell us anything that isn't happening via the characters. A major part", "characters. The narrator doesn't tell us anything that isn't happening via the characters.", "as they seem\" or \"there's more to this\" and so on. They are", "this not be written directly, if I want the reader to feel as", "natural what to write and what not to. At a certain point I", "on the hint, making the reader once again 'think of the hint', but", "- at least to begin with. The story is told from the third", "the question(s) is/are probably something along the lines of: Is this something that", "learn the hidden truth. A majority of the story is about the mysteries", "telling the reader something that the character is unaware of having done -", "forgotten all about it.\" [Translation, out of context - about a certain hint", "to. At a certain point I found myself having written; \"When she arrived", "This is about the hints that the readers should notice as the story", "story is about the mysteries in the lives of my 3 main characters.", "my three main characters. The narrator doesn't tell us anything that isn't happening", "themselves?\" Am I obsessing about nothing, or should this not be written directly,", "to let the reader notice the hints by themselves?\" Am I obsessing about", "the mysteries in the lives of my 3 main characters. I write their", "by themselves figuring out that something is wrong/odd/off/different? I should note that the", "and if this is something that the reader would find odd or notice", "the 'style' of writing that I'm working with, and if this is something", "context - about a certain hint that's reoccuring] When reading the paragraph, it", "that the readers should notice as the story progresses - and should definitely", "having written; \"When she arrived at school, she had forgotten all about it.\"", "Is this something that a writer should avoid when wanting to let the", "and so on. They are crucial, as the story takes place in \"our", "into writing and this is the only place where I've told the reader", "the story revolves around directly - at least to begin with. The story", "the narrator telling the reader something that the character is unaware of having", "and so on. The debate: For the majority of my writing, it has", "upon re-read. First off, I looked around for a bit and didn't see", "Am I obsessing about nothing, or should this not be written directly, if", "find odd or notice at all. Just to set the stage: I'm writing", "paragraph, it doesn't stand out incredibly. However, I'm 100+ pages into writing and", "main characters. The narrator doesn't tell us anything that isn't happening via the", "For the majority of my writing, it has felt natural what to write", "is/are probably something along the lines of: Is this something that a writer", "of my story is the thousands of smaller and bigger hints that are", "told from the third person perspective of my three main characters. The narrator", "something that a writer should avoid when wanting to let the reader notice", "Just to set the stage: I'm writing a science-fiction story, but science is", "done so far. This is telling, I know. I'm well aware that I", "alone (almost) we learn the hidden truth. A majority of the story is", "the readers should notice as the story progresses - and should definitely notice", "about the mysteries in the lives of my 3 main characters. I write", "writing, it has felt natural what to write and what not to. At", "out that something is wrong/odd/off/different? I should note that the target audience is", "is actually doing. It is the narrator telling the reader something that the", "are spread across every scene, arc and so on. These differ for each", "takes place in \"our world\" - but through the hints alone (almost) we", "hint, making the reader once again 'think of the hint', but I'm unsure", "the story takes place in \"our world\" - but through the hints alone", "notice as the story progresses - and should definitely notice upon re-read. First", "I've told the reader something that a character is NOT doing, actively or", "and so on. These differ for each character and increase and decrease in", "hint', but I'm unsure if this fits the style - or if it's", "- which I haven't done so far. This is telling, I know. I'm", "lines of: Is this something that a writer should avoid when wanting to", "It is the narrator telling the reader something that the character is unaware", "not as they seem\" or \"there's more to this\" and so on. They", "are there to slowly give the reader an idea that \"things are not", "something that the reader would find odd or notice at all. Just to", "that a character is NOT doing, actively or not. This is not a", "something that the character is unaware of having done - which I haven't", "with. The story is told from the third person perspective of my three", "that \"things are not as they seem\" or \"there's more to this\" and", "felt natural what to write and what not to. At a certain point", "reader to feel as if they are by themselves figuring out that something", "that I'm working with, and if this is something that the reader would", "so on. The debate: For the majority of my writing, it has felt", "directly, if I want the reader to feel as if they are by", "done - which I haven't done so far. This is telling, I know.", "it's perhaps frowned upon. It's efficient - as telling usually is. So, the", "of issue, but please correct me if you know of one. I'm debating", "science-fiction story, but science is more a 'behind the scenes' kindoff element than", "hints alone (almost) we learn the hidden truth. A majority of the story", "I looked around for a bit and didn't see any questions on this", "teens + adults, but not children - Perhaps a certain style fits certain", "the reader to feel as if they are by themselves figuring out that", "when wanting to let the reader notice the hints by themselves?\" Am I", "telling, I know. I'm well aware that I probably wanted to put emphasis", "character is unaware of having done - which I haven't done so far.", "the characters. A major part of my story is the thousands of smaller", "that the target audience is teens + adults, but not children - Perhaps", "place where I've told the reader something that a character is NOT doing,", "figuring out that something is wrong/odd/off/different? I should note that the target audience", "written directly, if I want the reader to feel as if they are", "with, and if this is something that the reader would find odd or", "majority of the story is about the mysteries in the lives of my", "me if you know of one. I'm debating whether or not something fits", "to this\" and so on. They are crucial, as the story takes place", "majority of my writing, it has felt natural what to write and what", "perspective of my three main characters. The narrator doesn't tell us anything that", "as if they are by themselves figuring out that something is wrong/odd/off/different? I", "the stage: I'm writing a science-fiction story, but science is more a 'behind", "one which the story revolves around directly - at least to begin with.", "probably something along the lines of: Is this something that a writer should", "write and what not to. At a certain point I found myself having", "character is actually doing. It is the narrator telling the reader something that", "is NOT doing, actively or not. This is not a thought or something", "the story progresses - and should definitely notice upon re-read. First off, I", "lack of better word. These hints are there to slowly give the reader", "one. I'm debating whether or not something fits the 'style' of writing that", "They are crucial, as the story takes place in \"our world\" - but", "if they are by themselves figuring out that something is wrong/odd/off/different? I should", "a 'behind the scenes' kindoff element than one which the story revolves around", "found myself having written; \"When she arrived at school, she had forgotten all", "hint that's reoccuring] When reading the paragraph, it doesn't stand out incredibly. However,", "efficient - as telling usually is. So, the question(s) is/are probably something along", "'think of the hint', but I'm unsure if this fits the style -", "if this fits the style - or if it's perhaps frowned upon. It's", "These differ for each character and increase and decrease in intensity for lack", "across every scene, arc and so on. These differ for each character and", "for each character and increase and decrease in intensity for lack of better", "fits the style - or if it's perhaps frowned upon. It's efficient -", "- but through the hints alone (almost) we learn the hidden truth. A", "the hints alone (almost) we learn the hidden truth. A majority of the", "but through the hints alone (almost) we learn the hidden truth. A majority", "and decrease in intensity for lack of better word. These hints are there", "working with, and if this is something that the reader would find odd", "the hints by themselves?\" Am I obsessing about nothing, or should this not", "person perspective of my three main characters. The narrator doesn't tell us anything", "3 main characters. I write their thoughts, memories, fealings, actions and so on.", "thoughts, memories, fealings, actions and so on. The debate: For the majority of", "of smaller and bigger hints that are spread across every scene, arc and", "At a certain point I found myself having written; \"When she arrived at", "if it's perhaps frowned upon. It's efficient - as telling usually is. So,", "to feel as if they are by themselves figuring out that something is", "stand out incredibly. However, I'm 100+ pages into writing and this is the", "are not as they seem\" or \"there's more to this\" and so on.", "at least to begin with. The story is told from the third person", "you know of one. I'm debating whether or not something fits the 'style'", "\"things are not as they seem\" or \"there's more to this\" and so", "of the hint', but I'm unsure if this fits the style - or", "story is the thousands of smaller and bigger hints that are spread across", "is something that the reader would find odd or notice at all. Just", "actions and so on. The debate: For the majority of my writing, it", "that are spread across every scene, arc and so on. These differ for", "the paragraph, it doesn't stand out incredibly. However, I'm 100+ pages into writing", "arrived at school, she had forgotten all about it.\" [Translation, out of context", "if this is something that the reader would find odd or notice at", "out incredibly. However, I'm 100+ pages into writing and this is the only", "reader notice the hints by themselves?\" Am I obsessing about nothing, or should", "she arrived at school, she had forgotten all about it.\" [Translation, out of", "crucial, as the story takes place in \"our world\" - but through the", "or should this not be written directly, if I want the reader to", "story revolves around directly - at least to begin with. The story is", "adults, but not children - Perhaps a certain style fits certain ages better?", "that isn't happening via the characters. A major part of my story is", "want the reader to feel as if they are by themselves figuring out", "writing and this is the only place where I've told the reader something", "character and increase and decrease in intensity for lack of better word. These", "something along the lines of: Is this something that a writer should avoid", "debating whether or not something fits the 'style' of writing that I'm working", "doing, actively or not. This is not a thought or something that the", "we learn the hidden truth. A majority of the story is about the", "point I found myself having written; \"When she arrived at school, she had", "\"there's more to this\" and so on. They are crucial, as the story", "my 3 main characters. I write their thoughts, memories, fealings, actions and so", "as the story progresses - and should definitely notice upon re-read. First off,", "a character is NOT doing, actively or not. This is not a thought", "aware that I probably wanted to put emphasis on the hint, making the", "out of context - about a certain hint that's reoccuring] When reading the", "about it.\" [Translation, out of context - about a certain hint that's reoccuring]", "actually doing. It is the narrator telling the reader something that the character", "debate: For the majority of my writing, it has felt natural what to", "spread across every scene, arc and so on. These differ for each character", "When reading the paragraph, it doesn't stand out incredibly. However, I'm 100+ pages", "or notice at all. Just to set the stage: I'm writing a science-fiction", "something that a character is NOT doing, actively or not. This is not", "they seem\" or \"there's more to this\" and so on. They are crucial,", "by themselves?\" Am I obsessing about nothing, or should this not be written", "the reader something that a character is NOT doing, actively or not. This", "story, but science is more a 'behind the scenes' kindoff element than one", "of the story is about the mysteries in the lives of my 3", "had forgotten all about it.\" [Translation, out of context - about a certain", "where I've told the reader something that a character is NOT doing, actively", "unaware of having done - which I haven't done so far. This is", "is about the mysteries in the lives of my 3 main characters. I", "would find odd or notice at all. Just to set the stage: I'm", "the lines of: Is this something that a writer should avoid when wanting", "about nothing, or should this not be written directly, if I want the", "of context - about a certain hint that's reoccuring] When reading the paragraph,", "the hidden truth. A majority of the story is about the mysteries in", "pages into writing and this is the only place where I've told the", "I want the reader to feel as if they are by themselves figuring", "should notice as the story progresses - and should definitely notice upon re-read.", "is teens + adults, but not children - Perhaps a certain style fits", "this\" and so on. They are crucial, as the story takes place in", "more to this\" and so on. They are crucial, as the story takes", "at school, she had forgotten all about it.\" [Translation, out of context -", "increase and decrease in intensity for lack of better word. These hints are", "to slowly give the reader an idea that \"things are not as they", "my writing, it has felt natural what to write and what not to.", "from the third person perspective of my three main characters. The narrator doesn't", "the majority of my writing, it has felt natural what to write and", "not be written directly, if I want the reader to feel as if", "notice upon re-read. First off, I looked around for a bit and didn't", "that I probably wanted to put emphasis on the hint, making the reader", "and didn't see any questions on this kind of issue, but please correct", "set the stage: I'm writing a science-fiction story, but science is more a", "It's efficient - as telling usually is. So, the question(s) is/are probably something", "least to begin with. The story is told from the third person perspective", "this something that a writer should avoid when wanting to let the reader", "for lack of better word. These hints are there to slowly give the", "that a writer should avoid when wanting to let the reader notice the", "and should definitely notice upon re-read. First off, I looked around for a", "having done - which I haven't done so far. This is telling, I", "looked around for a bit and didn't see any questions on this kind", "target audience is teens + adults, but not children - Perhaps a certain", "writing that I'm working with, and if this is something that the reader", "odd or notice at all. Just to set the stage: I'm writing a", "of my 3 main characters. I write their thoughts, memories, fealings, actions and", "the third person perspective of my three main characters. The narrator doesn't tell", "each character and increase and decrease in intensity for lack of better word.", "myself having written; \"When she arrived at school, she had forgotten all about", "give the reader an idea that \"things are not as they seem\" or", "so far. This is telling, I know. I'm well aware that I probably", "is the narrator telling the reader something that the character is unaware of", "on. The debate: For the majority of my writing, it has felt natural", "of having done - which I haven't done so far. This is telling,", "the character is unaware of having done - which I haven't done so", "around directly - at least to begin with. The story is told from", "to put emphasis on the hint, making the reader once again 'think of", "thought or something that the character is actually doing. It is the narrator", "a thought or something that the character is actually doing. It is the", "characters. I write their thoughts, memories, fealings, actions and so on. The debate:", "scenes' kindoff element than one which the story revolves around directly - at", "These hints are there to slowly give the reader an idea that \"things", "the target audience is teens + adults, but not children - Perhaps a", "writing a science-fiction story, but science is more a 'behind the scenes' kindoff", "'behind the scenes' kindoff element than one which the story revolves around directly", "is the only place where I've told the reader something that a character", "avoid when wanting to let the reader notice the hints by themselves?\" Am", "a science-fiction story, but science is more a 'behind the scenes' kindoff element", "A major part of my story is the thousands of smaller and bigger", "to begin with. The story is told from the third person perspective of", "that's reoccuring] When reading the paragraph, it doesn't stand out incredibly. However, I'm", "A majority of the story is about the mysteries in the lives of", "this kind of issue, but please correct me if you know of one.", "the only place where I've told the reader something that a character is", "fealings, actions and so on. The debate: For the majority of my writing,", "know. I'm well aware that I probably wanted to put emphasis on the", "However, I'm 100+ pages into writing and this is the only place where", "style - or if it's perhaps frowned upon. It's efficient - as telling", "all about it.\" [Translation, out of context - about a certain hint that's", "not something fits the 'style' of writing that I'm working with, and if", "telling usually is. So, the question(s) is/are probably something along the lines of:", "wanted to put emphasis on the hint, making the reader once again 'think", "the reader something that the character is unaware of having done - which", "'style' of writing that I'm working with, and if this is something that", "I should note that the target audience is teens + adults, but not", "certain hint that's reoccuring] When reading the paragraph, it doesn't stand out incredibly.", "reader something that the character is unaware of having done - which I", "I write their thoughts, memories, fealings, actions and so on. The debate: For", "once again 'think of the hint', but I'm unsure if this fits the", "of one. I'm debating whether or not something fits the 'style' of writing", "are by themselves figuring out that something is wrong/odd/off/different? I should note that", "of my three main characters. The narrator doesn't tell us anything that isn't", "the style - or if it's perhaps frowned upon. It's efficient - as", "questions on this kind of issue, but please correct me if you know", "around for a bit and didn't see any questions on this kind of", "this is the only place where I've told the reader something that a", "seem\" or \"there's more to this\" and so on. They are crucial, as", "to set the stage: I'm writing a science-fiction story, but science is more", "my story is the thousands of smaller and bigger hints that are spread", "as telling usually is. So, the question(s) is/are probably something along the lines", "something is wrong/odd/off/different? I should note that the target audience is teens +", "write their thoughts, memories, fealings, actions and so on. The debate: For the", "kind of issue, but please correct me if you know of one. I'm", "the reader notice the hints by themselves?\" Am I obsessing about nothing, or", "feel as if they are by themselves figuring out that something is wrong/odd/off/different?", "told the reader something that a character is NOT doing, actively or not.", "doesn't stand out incredibly. However, I'm 100+ pages into writing and this is", "that the reader would find odd or notice at all. Just to set", "but science is more a 'behind the scenes' kindoff element than one which", "only place where I've told the reader something that a character is NOT", "is about the hints that the readers should notice as the story progresses", "I haven't done so far. This is telling, I know. I'm well aware", "definitely notice upon re-read. First off, I looked around for a bit and", "- or if it's perhaps frowned upon. It's efficient - as telling usually", "isn't happening via the characters. A major part of my story is the", "something that the character is actually doing. It is the narrator telling the", "are crucial, as the story takes place in \"our world\" - but through", "see any questions on this kind of issue, but please correct me if", "+ adults, but not children - Perhaps a certain style fits certain ages", "The story is told from the third person perspective of my three main", "narrator telling the reader something that the character is unaware of having done", "it doesn't stand out incredibly. However, I'm 100+ pages into writing and this", "bigger hints that are spread across every scene, arc and so on. These", "world\" - but through the hints alone (almost) we learn the hidden truth.", "is unaware of having done - which I haven't done so far. This", "place in \"our world\" - but through the hints alone (almost) we learn", "three main characters. The narrator doesn't tell us anything that isn't happening via", "in the lives of my 3 main characters. I write their thoughts, memories,", "that the character is actually doing. It is the narrator telling the reader", "off, I looked around for a bit and didn't see any questions on", "nothing, or should this not be written directly, if I want the reader", "100+ pages into writing and this is the only place where I've told", "truth. A majority of the story is about the mysteries in the lives", "in \"our world\" - but through the hints alone (almost) we learn the", "of: Is this something that a writer should avoid when wanting to let", "narrator doesn't tell us anything that isn't happening via the characters. A major", "their thoughts, memories, fealings, actions and so on. The debate: For the majority", "is telling, I know. I'm well aware that I probably wanted to put", "or \"there's more to this\" and so on. They are crucial, as the", "a bit and didn't see any questions on this kind of issue, but", "differ for each character and increase and decrease in intensity for lack of", "reader an idea that \"things are not as they seem\" or \"there's more", "probably wanted to put emphasis on the hint, making the reader once again", "note that the target audience is teens + adults, but not children -", "revolves around directly - at least to begin with. The story is told", "upon. It's efficient - as telling usually is. So, the question(s) is/are probably", "notice at all. Just to set the stage: I'm writing a science-fiction story,", "and what not to. At a certain point I found myself having written;", "notice the hints by themselves?\" Am I obsessing about nothing, or should this", "any questions on this kind of issue, but please correct me if you", "be written directly, if I want the reader to feel as if they", "\"our world\" - but through the hints alone (almost) we learn the hidden", "intensity for lack of better word. These hints are there to slowly give", "through the hints alone (almost) we learn the hidden truth. A majority of", "idea that \"things are not as they seem\" or \"there's more to this\"", "not. This is not a thought or something that the character is actually", "put emphasis on the hint, making the reader once again 'think of the", "if I want the reader to feel as if they are by themselves", "issue, but please correct me if you know of one. I'm debating whether", "reoccuring] When reading the paragraph, it doesn't stand out incredibly. However, I'm 100+", "tell us anything that isn't happening via the characters. A major part of", "emphasis on the hint, making the reader once again 'think of the hint',", "slowly give the reader an idea that \"things are not as they seem\"", "is wrong/odd/off/different? I should note that the target audience is teens + adults,", "scene, arc and so on. These differ for each character and increase and", "arc and so on. These differ for each character and increase and decrease", "on this kind of issue, but please correct me if you know of", "I'm debating whether or not something fits the 'style' of writing that I'm", "incredibly. However, I'm 100+ pages into writing and this is the only place", "is the thousands of smaller and bigger hints that are spread across every", "they are by themselves figuring out that something is wrong/odd/off/different? I should note", "a writer should avoid when wanting to let the reader notice the hints", "the hints that the readers should notice as the story progresses - and", "should note that the target audience is teens + adults, but not children", "main characters. I write their thoughts, memories, fealings, actions and so on. The", "a certain point I found myself having written; \"When she arrived at school,", "not to. At a certain point I found myself having written; \"When she", "part of my story is the thousands of smaller and bigger hints that", "whether or not something fits the 'style' of writing that I'm working with,", "as the story takes place in \"our world\" - but through the hints", "should definitely notice upon re-read. First off, I looked around for a bit", "bit and didn't see any questions on this kind of issue, but please", "fits the 'style' of writing that I'm working with, and if this is", "unsure if this fits the style - or if it's perhaps frowned upon.", "I'm unsure if this fits the style - or if it's perhaps frowned", "on. They are crucial, as the story takes place in \"our world\" -", "decrease in intensity for lack of better word. These hints are there to", "all. Just to set the stage: I'm writing a science-fiction story, but science", "hints are there to slowly give the reader an idea that \"things are", "or not. This is not a thought or something that the character is", "has felt natural what to write and what not to. At a certain", "but I'm unsure if this fits the style - or if it's perhaps", "obsessing about nothing, or should this not be written directly, if I want", "this fits the style - or if it's perhaps frowned upon. It's efficient", "hints that are spread across every scene, arc and so on. These differ", "there to slowly give the reader an idea that \"things are not as", "the character is actually doing. It is the narrator telling the reader something", "correct me if you know of one. I'm debating whether or not something", "written; \"When she arrived at school, she had forgotten all about it.\" [Translation,", "and increase and decrease in intensity for lack of better word. These hints", "I'm writing a science-fiction story, but science is more a 'behind the scenes'", "First off, I looked around for a bit and didn't see any questions", "memories, fealings, actions and so on. The debate: For the majority of my", "I'm well aware that I probably wanted to put emphasis on the hint,", "character is NOT doing, actively or not. This is not a thought or" ]
[ "completed writing a novel and have revised it many times. I am very", "writing a novel and have revised it many times. I am very worried", "am very worried that I may have made some logical mistakes, like not", "many times. I am very worried that I may have made some logical", "a secret, or using different hair colour for same character. How do people", "people keep track of these things? Should I make list of all facts", "a novel and have revised it many times. I am very worried that", "or using different hair colour for same character. How do people keep track", "very worried that I may have made some logical mistakes, like not revealing", "How do people keep track of these things? Should I make list of", "it many times. I am very worried that I may have made some", "like not revealing a secret, or using different hair colour for same character.", "different hair colour for same character. How do people keep track of these", "have made some logical mistakes, like not revealing a secret, or using different", "secret, or using different hair colour for same character. How do people keep", "keep track of these things? Should I make list of all facts in", "revised it many times. I am very worried that I may have made", "hair colour for same character. How do people keep track of these things?", "have completed writing a novel and have revised it many times. I am", "novel and have revised it many times. I am very worried that I", "worried that I may have made some logical mistakes, like not revealing a", "do people keep track of these things? Should I make list of all", "have revised it many times. I am very worried that I may have", "track of these things? Should I make list of all facts in my", "same character. How do people keep track of these things? Should I make", "mistakes, like not revealing a secret, or using different hair colour for same", "of these things? Should I make list of all facts in my novel?", "times. I am very worried that I may have made some logical mistakes,", "I am very worried that I may have made some logical mistakes, like", "revealing a secret, or using different hair colour for same character. How do", "and have revised it many times. I am very worried that I may", "made some logical mistakes, like not revealing a secret, or using different hair", "not revealing a secret, or using different hair colour for same character. How", "for same character. How do people keep track of these things? Should I", "some logical mistakes, like not revealing a secret, or using different hair colour", "I may have made some logical mistakes, like not revealing a secret, or", "may have made some logical mistakes, like not revealing a secret, or using", "I have completed writing a novel and have revised it many times. I", "that I may have made some logical mistakes, like not revealing a secret,", "logical mistakes, like not revealing a secret, or using different hair colour for", "colour for same character. How do people keep track of these things? Should", "using different hair colour for same character. How do people keep track of", "character. How do people keep track of these things? Should I make list" ]
[ "technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to which I'll concede.", "as well. EDIT: When I say \"creative\", rather than \"fantasy\" or something, I", "am curious though, should review for a technical document require a rewrite of", "technical document.\" I rather enjoyed my peer's description, and it was in fact", "but not appropriate for a technical document.\" I rather enjoyed my peer's description,", "than \"fantasy\" or something, I mean more like \"eloquence\", such as using clever", "for a technical document require a rewrite of such \"creative\" sections, especially with", "I am curious though, should review for a technical document require a rewrite", "such as, \"Good prose, but not appropriate for a technical document.\" I rather", "rather than \"fantasy\" or something, I mean more like \"eloquence\", such as using", "case as well. EDIT: When I say \"creative\", rather than \"fantasy\" or something,", "sections, especially with looming deadlines approaching? In this specific case, these documents are", "for a technical document.\" I rather enjoyed my peer's description, and it was", "has received some comments such as, \"Good prose, but not appropriate for a", "or something, I mean more like \"eloquence\", such as using clever phrasing or", "similar to a colleague's. I've copied some sections of his document as appropriate,", "a technical document.\" I rather enjoyed my peer's description, and it was in", "to which I'll concede. I am curious though, should review for a technical", "as using clever phrasing or more advanced vocabulary, e.g. using \"boon\" over \"benefit\".", "plagiarism. His document, further in the review process than mine, has received some", "writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to which I'll concede. I", "EDIT: When I say \"creative\", rather than \"fantasy\" or something, I mean more", "\"eloquence\", such as using clever phrasing or more advanced vocabulary, e.g. using \"boon\"", "rather enjoyed my peer's description, and it was in fact accurate. My frustrated", "some good points to which I'll concede. I am curious though, should review", "question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to which", "appropriate, and there are no concerns of plagiarism. His document, further in the", "review for a technical document require a rewrite of such \"creative\" sections, especially", "internal IT documentation only, but I want to know the general case as", "appropriate for a technical document.\" I rather enjoyed my peer's description, and it", "received some comments such as, \"Good prose, but not appropriate for a technical", "my peer's description, and it was in fact accurate. My frustrated Googling led", "\"Good prose, but not appropriate for a technical document.\" I rather enjoyed my", "His document, further in the review process than mine, has received some comments", "rewrite of such \"creative\" sections, especially with looming deadlines approaching? In this specific", "suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to which I'll concede. I am", "like \"eloquence\", such as using clever phrasing or more advanced vocabulary, e.g. using", "\"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to which I'll", "are similar to a colleague's. I've copied some sections of his document as", "specific case, these documents are for internal IT documentation only, but I want", "for internal IT documentation only, but I want to know the general case", "concede. I am curious though, should review for a technical document require a", "Googling led me to the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes", "case, these documents are for internal IT documentation only, but I want to", "am working on churning out some technical documents, which are similar to a", "mine, has received some comments such as, \"Good prose, but not appropriate for", "though, should review for a technical document require a rewrite of such \"creative\"", "but I want to know the general case as well. EDIT: When I", "documents, which are similar to a colleague's. I've copied some sections of his", "to know the general case as well. EDIT: When I say \"creative\", rather", "less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to which I'll concede. I am curious", "prose, but not appropriate for a technical document.\" I rather enjoyed my peer's", "which I'll concede. I am curious though, should review for a technical document", "review process than mine, has received some comments such as, \"Good prose, but", "was in fact accurate. My frustrated Googling led me to the question \"[Can", "sections of his document as appropriate, and there are no concerns of plagiarism.", "are no concerns of plagiarism. His document, further in the review process than", "churning out some technical documents, which are similar to a colleague's. I've copied", "to the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points", "colleague's. I've copied some sections of his document as appropriate, and there are", "fact accurate. My frustrated Googling led me to the question \"[Can technical writing", "document.\" I rather enjoyed my peer's description, and it was in fact accurate.", "are for internal IT documentation only, but I want to know the general", "I am working on churning out some technical documents, which are similar to", "concerns of plagiarism. His document, further in the review process than mine, has", "My frustrated Googling led me to the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\",", "which makes some good points to which I'll concede. I am curious though,", "\"creative\" sections, especially with looming deadlines approaching? In this specific case, these documents", "only, but I want to know the general case as well. EDIT: When", "technical document require a rewrite of such \"creative\" sections, especially with looming deadlines", "frustrated Googling led me to the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which", "than mine, has received some comments such as, \"Good prose, but not appropriate", "deadlines approaching? In this specific case, these documents are for internal IT documentation", "want to know the general case as well. EDIT: When I say \"creative\",", "of his document as appropriate, and there are no concerns of plagiarism. His", "say \"creative\", rather than \"fantasy\" or something, I mean more like \"eloquence\", such", "some sections of his document as appropriate, and there are no concerns of", "no concerns of plagiarism. His document, further in the review process than mine,", "process than mine, has received some comments such as, \"Good prose, but not", "I've copied some sections of his document as appropriate, and there are no", "document require a rewrite of such \"creative\" sections, especially with looming deadlines approaching?", "to a colleague's. I've copied some sections of his document as appropriate, and", "in fact accurate. My frustrated Googling led me to the question \"[Can technical", "as appropriate, and there are no concerns of plagiarism. His document, further in", "enjoyed my peer's description, and it was in fact accurate. My frustrated Googling", "technical documents, which are similar to a colleague's. I've copied some sections of", "IT documentation only, but I want to know the general case as well.", "some comments such as, \"Good prose, but not appropriate for a technical document.\"", "this specific case, these documents are for internal IT documentation only, but I", "require a rewrite of such \"creative\" sections, especially with looming deadlines approaching? In", "a technical document require a rewrite of such \"creative\" sections, especially with looming", "such as using clever phrasing or more advanced vocabulary, e.g. using \"boon\" over", "led me to the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some", "on churning out some technical documents, which are similar to a colleague's. I've", "not appropriate for a technical document.\" I rather enjoyed my peer's description, and", "approaching? In this specific case, these documents are for internal IT documentation only,", "I want to know the general case as well. EDIT: When I say", "peer's description, and it was in fact accurate. My frustrated Googling led me", "more like \"eloquence\", such as using clever phrasing or more advanced vocabulary, e.g.", "I mean more like \"eloquence\", such as using clever phrasing or more advanced", "When I say \"creative\", rather than \"fantasy\" or something, I mean more like", "In this specific case, these documents are for internal IT documentation only, but", "working on churning out some technical documents, which are similar to a colleague's.", "such \"creative\" sections, especially with looming deadlines approaching? In this specific case, these", "the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good points to", "curious though, should review for a technical document require a rewrite of such", "documentation only, but I want to know the general case as well. EDIT:", "makes some good points to which I'll concede. I am curious though, should", "mean more like \"eloquence\", such as using clever phrasing or more advanced vocabulary,", "\"creative\", rather than \"fantasy\" or something, I mean more like \"eloquence\", such as", "I rather enjoyed my peer's description, and it was in fact accurate. My", "points to which I'll concede. I am curious though, should review for a", "the review process than mine, has received some comments such as, \"Good prose,", "especially with looming deadlines approaching? In this specific case, these documents are for", "document, further in the review process than mine, has received some comments such", "general case as well. EDIT: When I say \"creative\", rather than \"fantasy\" or", "know the general case as well. EDIT: When I say \"creative\", rather than", "some technical documents, which are similar to a colleague's. I've copied some sections", "I say \"creative\", rather than \"fantasy\" or something, I mean more like \"eloquence\",", "and there are no concerns of plagiarism. His document, further in the review", "as, \"Good prose, but not appropriate for a technical document.\" I rather enjoyed", "copied some sections of his document as appropriate, and there are no concerns", "should review for a technical document require a rewrite of such \"creative\" sections,", "with looming deadlines approaching? In this specific case, these documents are for internal", "of plagiarism. His document, further in the review process than mine, has received", "there are no concerns of plagiarism. His document, further in the review process", "description, and it was in fact accurate. My frustrated Googling led me to", "me to the question \"[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less)\", which makes some good", "of such \"creative\" sections, especially with looming deadlines approaching? In this specific case,", "good points to which I'll concede. I am curious though, should review for", "further in the review process than mine, has received some comments such as,", "in the review process than mine, has received some comments such as, \"Good", "I'll concede. I am curious though, should review for a technical document require", "which are similar to a colleague's. I've copied some sections of his document", "documents are for internal IT documentation only, but I want to know the", "out some technical documents, which are similar to a colleague's. I've copied some", "and it was in fact accurate. My frustrated Googling led me to the", "a rewrite of such \"creative\" sections, especially with looming deadlines approaching? In this", "something, I mean more like \"eloquence\", such as using clever phrasing or more", "accurate. My frustrated Googling led me to the question \"[Can technical writing suck", "well. EDIT: When I say \"creative\", rather than \"fantasy\" or something, I mean", "these documents are for internal IT documentation only, but I want to know", "looming deadlines approaching? In this specific case, these documents are for internal IT", "comments such as, \"Good prose, but not appropriate for a technical document.\" I", "his document as appropriate, and there are no concerns of plagiarism. His document,", "a colleague's. I've copied some sections of his document as appropriate, and there", "\"fantasy\" or something, I mean more like \"eloquence\", such as using clever phrasing", "it was in fact accurate. My frustrated Googling led me to the question", "document as appropriate, and there are no concerns of plagiarism. His document, further", "the general case as well. EDIT: When I say \"creative\", rather than \"fantasy\"" ]
[ "trying to understand what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a", "old and we are trying to understand what it says. [![enter image description", "it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a big", "we are trying to understand what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here", "very old and we are trying to understand what it says. [![enter image", "and we are trying to understand what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png)", "[![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a big version on", "description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a big version on wikicommons](http://upload.wikimedia.org/wikipedia/commons/b/b9/What-does-it-say.png). Thank", "is a [link to a big version on wikicommons](http://upload.wikimedia.org/wikipedia/commons/b/b9/What-does-it-say.png). Thank you for the", "are trying to understand what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is", "says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a big version", "here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a big version on wikicommons](http://upload.wikimedia.org/wikipedia/commons/b/b9/What-does-it-say.png). Thank you", "a [link to a big version on wikicommons](http://upload.wikimedia.org/wikipedia/commons/b/b9/What-does-it-say.png). Thank you for the help.", "what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a", "to understand what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link", "It is very old and we are trying to understand what it says.", "is very old and we are trying to understand what it says. [![enter", "understand what it says. [![enter image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to", "Here is a [link to a big version on wikicommons](http://upload.wikimedia.org/wikipedia/commons/b/b9/What-does-it-say.png). Thank you for", "image description here](https://i.stack.imgur.com/QUm8g.png)](https://i.stack.imgur.com/QUm8g.png) Here is a [link to a big version on wikicommons](http://upload.wikimedia.org/wikipedia/commons/b/b9/What-does-it-say.png)." ]
[ "there anything between those two extremes? I'm working on a story where 2%", "the complete opposite, considering them gods? Is there anything between those two extremes?", "common. But while TV Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and even", "Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\" it's harder to find any tropes", "Obviously, stories about overpowered babies are as old as dirt, and tropes about", "extremes? I'm working on a story where 2% to 4% of children are", "there any alternative tropes out there, or am I really restricted to working", "react to children with supernatural abilities, besides abandoning in the woods or, for", "are as old as dirt, and tropes about such children are equally common.", "has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\" it's harder to", "started with the former and then being adopted by a local king). Are", "Are there any alternative tropes out there, or am I really restricted to", "children beyond either abandoning them, Romulus and Remus style, or worshipping them as", "Is there anything between those two extremes? I'm working on a story where", "the former and then being adopted by a local king). Are there any", "them gods? Is there anything between those two extremes? I'm working on a", "abilities, present at birth. Obviously, stories about overpowered babies are as old as", "such children are equally common. But while TV Tropes has \"Goo Goo Godlike,\"", "it's harder to find any tropes regarding how societies react to such children", "to such children beyond either abandoning them, Romulus and Remus style, or worshipping", "and Remus style, or worshipping them as little demi-gods (or both, having started", "or, for the complete opposite, considering them gods? Is there anything between those", "abilities, besides abandoning in the woods or, for the complete opposite, considering them", "Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\" it's harder to find any", "dirt, and tropes about such children are equally common. But while TV Tropes", "about such children are equally common. But while TV Tropes has \"Goo Goo", "regarding how societies react to such children beyond either abandoning them, Romulus and", "those two extremes? I'm working on a story where 2% to 4% of", "\"Goo Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\" it's harder to find", "with supernatural abilities, besides abandoning in the woods or, for the complete opposite,", "Are there any tropes regarding how societies react to children with supernatural abilities,", "to children with supernatural abilities, besides abandoning in the woods or, for the", "at birth. Obviously, stories about overpowered babies are as old as dirt, and", "for the complete opposite, considering them gods? Is there anything between those two", "as little demi-gods (or both, having started with the former and then being", "king). Are there any alternative tropes out there, or am I really restricted", "supernatural abilities, present at birth. Obviously, stories about overpowered babies are as old", "children with supernatural abilities, besides abandoning in the woods or, for the complete", "having started with the former and then being adopted by a local king).", "abandoning in the woods or, for the complete opposite, considering them gods? Is", "children are equally common. But while TV Tropes has \"Goo Goo Godlike,\" \"Enfant", "find any tropes regarding how societies react to such children beyond either abandoning", "birth. Obviously, stories about overpowered babies are as old as dirt, and tropes", "react to such children beyond either abandoning them, Romulus and Remus style, or", "adopted by a local king). Are there any alternative tropes out there, or", "there any tropes regarding how societies react to children with supernatural abilities, besides", "considering them gods? Is there anything between those two extremes? I'm working on", "while TV Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\"", "Terrible,\" it's harder to find any tropes regarding how societies react to such", "tropes regarding how societies react to such children beyond either abandoning them, Romulus", "regarding how societies react to children with supernatural abilities, besides abandoning in the", "them as little demi-gods (or both, having started with the former and then", "with the former and then being adopted by a local king). Are there", "both, having started with the former and then being adopted by a local", "as old as dirt, and tropes about such children are equally common. But", "anything between those two extremes? I'm working on a story where 2% to", "any tropes regarding how societies react to such children beyond either abandoning them,", "how societies react to such children beyond either abandoning them, Romulus and Remus", "gods? Is there anything between those two extremes? I'm working on a story", "are equally common. But while TV Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\"", "old as dirt, and tropes about such children are equally common. But while", "equally common. But while TV Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and", "am I really restricted to working with, subverting, or deconstructing just these two?", "\"Enfant Terrible,\" and even \"Fetus Terrible,\" it's harder to find any tropes regarding", "and even \"Fetus Terrible,\" it's harder to find any tropes regarding how societies", "abandoning them, Romulus and Remus style, or worshipping them as little demi-gods (or", "overpowered babies are as old as dirt, and tropes about such children are", "4% of children are born with supernatural abilities, present at birth. Obviously, stories", "where 2% to 4% of children are born with supernatural abilities, present at", "societies react to children with supernatural abilities, besides abandoning in the woods or,", "are born with supernatural abilities, present at birth. Obviously, stories about overpowered babies", "former and then being adopted by a local king). Are there any alternative", "beyond either abandoning them, Romulus and Remus style, or worshipping them as little", "societies react to such children beyond either abandoning them, Romulus and Remus style,", "of children are born with supernatural abilities, present at birth. Obviously, stories about", "But while TV Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus", "opposite, considering them gods? Is there anything between those two extremes? I'm working", "(or both, having started with the former and then being adopted by a", "tropes regarding how societies react to children with supernatural abilities, besides abandoning in", "present at birth. Obviously, stories about overpowered babies are as old as dirt,", "on a story where 2% to 4% of children are born with supernatural", "any alternative tropes out there, or am I really restricted to working with,", "harder to find any tropes regarding how societies react to such children beyond", "there, or am I really restricted to working with, subverting, or deconstructing just", "2% to 4% of children are born with supernatural abilities, present at birth.", "working on a story where 2% to 4% of children are born with", "worshipping them as little demi-gods (or both, having started with the former and", "alternative tropes out there, or am I really restricted to working with, subverting,", "woods or, for the complete opposite, considering them gods? Is there anything between", "the woods or, for the complete opposite, considering them gods? Is there anything", "to 4% of children are born with supernatural abilities, present at birth. Obviously,", "\"Fetus Terrible,\" it's harder to find any tropes regarding how societies react to", "or am I really restricted to working with, subverting, or deconstructing just these", "besides abandoning in the woods or, for the complete opposite, considering them gods?", "stories about overpowered babies are as old as dirt, and tropes about such", "any tropes regarding how societies react to children with supernatural abilities, besides abandoning", "either abandoning them, Romulus and Remus style, or worshipping them as little demi-gods", "children are born with supernatural abilities, present at birth. Obviously, stories about overpowered", "about overpowered babies are as old as dirt, and tropes about such children", "such children beyond either abandoning them, Romulus and Remus style, or worshipping them", "style, or worshipping them as little demi-gods (or both, having started with the", "then being adopted by a local king). Are there any alternative tropes out", "complete opposite, considering them gods? Is there anything between those two extremes? I'm", "tropes out there, or am I really restricted to working with, subverting, or", "or worshipping them as little demi-gods (or both, having started with the former", "demi-gods (or both, having started with the former and then being adopted by", "two extremes? I'm working on a story where 2% to 4% of children", "little demi-gods (or both, having started with the former and then being adopted", "TV Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\" it's", "in the woods or, for the complete opposite, considering them gods? Is there", "even \"Fetus Terrible,\" it's harder to find any tropes regarding how societies react", "them, Romulus and Remus style, or worshipping them as little demi-gods (or both,", "as dirt, and tropes about such children are equally common. But while TV", "tropes about such children are equally common. But while TV Tropes has \"Goo", "and then being adopted by a local king). Are there any alternative tropes", "with supernatural abilities, present at birth. Obviously, stories about overpowered babies are as", "Terrible,\" and even \"Fetus Terrible,\" it's harder to find any tropes regarding how", "Remus style, or worshipping them as little demi-gods (or both, having started with", "out there, or am I really restricted to working with, subverting, or deconstructing", "Tropes has \"Goo Goo Godlike,\" \"Enfant Terrible,\" and even \"Fetus Terrible,\" it's harder", "babies are as old as dirt, and tropes about such children are equally", "born with supernatural abilities, present at birth. Obviously, stories about overpowered babies are", "to find any tropes regarding how societies react to such children beyond either", "story where 2% to 4% of children are born with supernatural abilities, present", "Romulus and Remus style, or worshipping them as little demi-gods (or both, having", "between those two extremes? I'm working on a story where 2% to 4%", "a story where 2% to 4% of children are born with supernatural abilities,", "by a local king). Are there any alternative tropes out there, or am", "how societies react to children with supernatural abilities, besides abandoning in the woods", "a local king). Are there any alternative tropes out there, or am I", "and tropes about such children are equally common. But while TV Tropes has", "being adopted by a local king). Are there any alternative tropes out there,", "supernatural abilities, besides abandoning in the woods or, for the complete opposite, considering", "local king). Are there any alternative tropes out there, or am I really", "I'm working on a story where 2% to 4% of children are born" ]
[ "otherwise only achievable through God, or in which elves are physically superior to", "on talismans or superstitions possibly at odds with theological tradition. * Modern Muslims,", "I want to stress the difference between coexistence and tolerance. Of course not", "to Islam in a world where wizards can perform feats otherwise only achievable", "period, undermining doctrine by relying on talismans or superstitions possibly at odds with", "a culture that believes in the divinity of Trimurti or the Abrahamic God", "my questions, but I'd like as many perspectives on this as possible. In", "featuring Hinduism is frequently ardently pro-Hinduism. My understanding is that religious doctrine usually", "Buddhism often voice opposition to how magic/fantasy elements and their faith are depicted", "Brahman, or a magically-inclined elf child as the sympathetic victim of Abrahamic witchhunters?", "I asked this question in World-Building but it seems better fit for Writing.", "fit for Writing. I ask for a few reasons. Despite the specific arguments", "a fictional Muslim society would abide witchcraft within its borders; my question is", "fiction featuring Hinduism is frequently ardently pro-Hinduism. My understanding is that religious doctrine", "fairly. I've looked into how religious people who enjoy speculative fiction think about", "that of any Brahman, or a magically-inclined elf child as the sympathetic victim", "fiction is often thought of as a force opposed to Quranic truth, and", "to respectfully write a culture that believes in the divinity of Trimurti or", "on this as possible. In the past, firebirds, djinni, spirits, angels, demons, basilisks,", "into how religious people who enjoy speculative fiction think about this, and I'm", "achievable through God, or in which elves are physically superior to humans? I", "is that religious doctrine usually explicitly describes magic/witchcraft and spirits/demons as physical actualities", "reinforced by religious belief, and even now, people tend toward a belief in", "question for Christian/Jewish characters to appear in speculative fiction. Conversely, in Islamic societies,", "would abide witchcraft within its borders; my question is more about whether it's", "noted: * Accounts of cultures, especially in the medieval period, undermining doctrine by", "reasons. Despite the specific arguments against speculative fiction within Quranic tradition and protests", "and spirits/demons as physical actualities within dogma, so it's blasphemous to depict those", "abide witchcraft within its borders; my question is more about whether it's antagonistic", "is frequently ardently pro-Hinduism. My understanding is that religious doctrine usually explicitly describes", "willing to answer my questions, but I'd like as many perspectives on this", "where spirits, angels/demons, practical magic, chakras, etc are concerned. In western liberal society,", "and even now, people tend toward a belief in the preternatural where spirits,", "not out of the question for Christian/Jewish characters to appear in speculative fiction.", "more about whether it's antagonistic to religious belief to feature a sorcerer capable", "even though adherents to religions like Christianity, Judaism, Buddhism often voice opposition to", "belief, and even now, people tend toward a belief in the preternatural where", "to how magic/fantasy elements and their faith are depicted in fiction (His Dark", "of the question for Christian/Jewish characters to appear in speculative fiction. Conversely, in", "asking for and expecting representation in fantasy and sci-fi. * The suggestion that", "actualities of the world often reinforced by religious belief, and even now, people", "borders; my question is more about whether it's antagonistic to religious belief to", "fantasy and sci-fi. * The suggestion that creating a fictional religion based on", "for Writing. I ask for a few reasons. Despite the specific arguments against", "of dogma. So is it possible to respectfully write a culture that believes", "based on a real religion isn't any better than leaving people out entirely,", "the divinity of Trimurti or the Abrahamic God according to Islam in a", "the past, firebirds, djinni, spirits, angels, demons, basilisks, witchcraft, dragons, etc were generally", "humans? I want to stress the difference between coexistence and tolerance. Of course", "magic, chakras, etc are concerned. In western liberal society, even though adherents to", "adherents to religions like Christianity, Judaism, Buddhism often voice opposition to how magic/fantasy", "* Accounts of cultures, especially in the medieval period, undermining doctrine by relying", "it's generally not out of the question for Christian/Jewish characters to appear in", "certain franchises, I've noted: * Accounts of cultures, especially in the medieval period,", "in speculative fiction. Conversely, in Islamic societies, genre fiction is often thought of", "believes in the divinity of Trimurti or the Abrahamic God according to Islam", "knowledge surpasses that of any Brahman, or a magically-inclined elf child as the", "things as physical actualities outside of dogma. So is it possible to respectfully", "dragon whose knowledge surpasses that of any Brahman, or a magically-inclined elf child", "the Abrahamic God according to Islam in a world where wizards can perform", "generally accepted to be actualities of the world often reinforced by religious belief,", "dogma, so it's blasphemous to depict those things as physical actualities outside of", "spirits, angels, demons, basilisks, witchcraft, dragons, etc were generally accepted to be actualities", "and fiction featuring Hinduism is frequently ardently pro-Hinduism. My understanding is that religious", "on the subject willing to answer my questions, but I'd like as many", "of staving off an army of devout Muslim warriors, or a dragon whose", "representation in fantasy and sci-fi. * The suggestion that creating a fictional religion", "isn't any better than leaving people out entirely, because it creates a superficial", "characters to appear in speculative fiction. Conversely, in Islamic societies, genre fiction is", "the question for Christian/Jewish characters to appear in speculative fiction. Conversely, in Islamic", "frequently ardently pro-Hinduism. My understanding is that religious doctrine usually explicitly describes magic/witchcraft", "many perspectives on this as possible. In the past, firebirds, djinni, spirits, angels,", "a belief in the preternatural where spirits, angels/demons, practical magic, chakras, etc are", "Muslim warriors, or a dragon whose knowledge surpasses that of any Brahman, or", "about whether it's antagonistic to religious belief to feature a sorcerer capable of", "and sci-fi. * The suggestion that creating a fictional religion based on a", "an army of devout Muslim warriors, or a dragon whose knowledge surpasses that", "specific arguments against speculative fiction within Quranic tradition and protests by other Abrahamic", "Trimurti or the Abrahamic God according to Islam in a world where wizards", "talismans or superstitions possibly at odds with theological tradition. * Modern Muslims, Jews,", "a sorcerer capable of staving off an army of devout Muslim warriors, or", "people out entirely, because it creates a superficial proxy to which the writer", "toward a belief in the preternatural where spirits, angels/demons, practical magic, chakras, etc", "or fairly. I've looked into how religious people who enjoy speculative fiction think", "question is more about whether it's antagonistic to religious belief to feature a", "wizards can perform feats otherwise only achievable through God, or in which elves", "society, even though adherents to religions like Christianity, Judaism, Buddhism often voice opposition", "according to Islam in a world where wizards can perform feats otherwise only", "respectfully write a culture that believes in the divinity of Trimurti or the", "and tolerance. Of course not even a fictional Muslim society would abide witchcraft", "In western liberal society, even though adherents to religions like Christianity, Judaism, Buddhism", "be actualities of the world often reinforced by religious belief, and even now,", "were generally accepted to be actualities of the world often reinforced by religious", "opposition to how magic/fantasy elements and their faith are depicted in fiction (His", "Judaism, Buddhism often voice opposition to how magic/fantasy elements and their faith are", "like Christianity, Judaism, Buddhism often voice opposition to how magic/fantasy elements and their", "describes magic/witchcraft and spirits/demons as physical actualities within dogma, so it's blasphemous to", "in the preternatural where spirits, angels/demons, practical magic, chakras, etc are concerned. In", "better than leaving people out entirely, because it creates a superficial proxy to", "this question in World-Building but it seems better fit for Writing. I ask", "want to stress the difference between coexistence and tolerance. Of course not even", "to stress the difference between coexistence and tolerance. Of course not even a", "etc were generally accepted to be actualities of the world often reinforced by", "experts on the subject willing to answer my questions, but I'd like as", "in a world where wizards can perform feats otherwise only achievable through God,", "world where wizards can perform feats otherwise only achievable through God, or in", "I'm trying to find experts on the subject willing to answer my questions,", "World-Building but it seems better fit for Writing. I ask for a few", "or superstitions possibly at odds with theological tradition. * Modern Muslims, Jews, Buddhists", "a few reasons. Despite the specific arguments against speculative fiction within Quranic tradition", "within Quranic tradition and protests by other Abrahamic traditions and Hindus against certain", "Quranic tradition and protests by other Abrahamic traditions and Hindus against certain franchises,", "of cultures, especially in the medieval period, undermining doctrine by relying on talismans", "depict those things as physical actualities outside of dogma. So is it possible", "speculative fiction. Conversely, in Islamic societies, genre fiction is often thought of as", "theological tradition. * Modern Muslims, Jews, Buddhists asking for and expecting representation in", "doctrine usually explicitly describes magic/witchcraft and spirits/demons as physical actualities within dogma, so", "how religious people who enjoy speculative fiction think about this, and I'm trying", "belief to feature a sorcerer capable of staving off an army of devout", "or the Abrahamic God according to Islam in a world where wizards can", "real religion isn't any better than leaving people out entirely, because it creates", "world often reinforced by religious belief, and even now, people tend toward a", "Materials comes to mind), it's generally not out of the question for Christian/Jewish", "elves are physically superior to humans? I want to stress the difference between", "often voice opposition to how magic/fantasy elements and their faith are depicted in", "antagonistic to religious belief to feature a sorcerer capable of staving off an", "trying to find experts on the subject willing to answer my questions, but", "God, or in which elves are physically superior to humans? I want to", "a dragon whose knowledge surpasses that of any Brahman, or a magically-inclined elf", "comes to mind), it's generally not out of the question for Christian/Jewish characters", "the subject willing to answer my questions, but I'd like as many perspectives", "for and expecting representation in fantasy and sci-fi. * The suggestion that creating", "genre fiction is often thought of as a force opposed to Quranic truth,", "for Christian/Jewish characters to appear in speculative fiction. Conversely, in Islamic societies, genre", "force opposed to Quranic truth, and fiction featuring Hinduism is frequently ardently pro-Hinduism.", "religious people who enjoy speculative fiction think about this, and I'm trying to", "djinni, spirits, angels, demons, basilisks, witchcraft, dragons, etc were generally accepted to be", "truth, and fiction featuring Hinduism is frequently ardently pro-Hinduism. My understanding is that", "with theological tradition. * Modern Muslims, Jews, Buddhists asking for and expecting representation", "actualities outside of dogma. So is it possible to respectfully write a culture", "societies, genre fiction is often thought of as a force opposed to Quranic", "speculative fiction think about this, and I'm trying to find experts on the", "odds with theological tradition. * Modern Muslims, Jews, Buddhists asking for and expecting", "it possible to respectfully write a culture that believes in the divinity of", "angels/demons, practical magic, chakras, etc are concerned. In western liberal society, even though", "subject willing to answer my questions, but I'd like as many perspectives on", "magic/fantasy elements and their faith are depicted in fiction (His Dark Materials comes", "chakras, etc are concerned. In western liberal society, even though adherents to religions", "opposed to Quranic truth, and fiction featuring Hinduism is frequently ardently pro-Hinduism. My", "against speculative fiction within Quranic tradition and protests by other Abrahamic traditions and", "out entirely, because it creates a superficial proxy to which the writer has", "the difference between coexistence and tolerance. Of course not even a fictional Muslim", "to feature a sorcerer capable of staving off an army of devout Muslim", "are concerned. In western liberal society, even though adherents to religions like Christianity,", "elements and their faith are depicted in fiction (His Dark Materials comes to", "fictional religion based on a real religion isn't any better than leaving people", "franchises, I've noted: * Accounts of cultures, especially in the medieval period, undermining", "superior to humans? I want to stress the difference between coexistence and tolerance.", "past, firebirds, djinni, spirits, angels, demons, basilisks, witchcraft, dragons, etc were generally accepted", "protests by other Abrahamic traditions and Hindus against certain franchises, I've noted: ", "physically superior to humans? I want to stress the difference between coexistence and", "the world often reinforced by religious belief, and even now, people tend toward", "expecting representation in fantasy and sci-fi. The suggestion that creating a fictional", "of Trimurti or the Abrahamic God according to Islam in a world where", "the preternatural where spirits, angels/demons, practical magic, chakras, etc are concerned. In western", "possible. In the past, firebirds, djinni, spirits, angels, demons, basilisks, witchcraft, dragons, etc", "concerned. In western liberal society, even though adherents to religions like Christianity, Judaism,", "that creating a fictional religion based on a real religion isn't any better", "a force opposed to Quranic truth, and fiction featuring Hinduism is frequently ardently", "at odds with theological tradition. * Modern Muslims, Jews, Buddhists asking for and", "I ask for a few reasons. Despite the specific arguments against speculative fiction", "even now, people tend toward a belief in the preternatural where spirits, angels/demons,", "angels, demons, basilisks, witchcraft, dragons, etc were generally accepted to be actualities of", "how magic/fantasy elements and their faith are depicted in fiction (His Dark Materials", "to mind), it's generally not out of the question for Christian/Jewish characters to", "entirely, because it creates a superficial proxy to which the writer has no", "out of the question for Christian/Jewish characters to appear in speculative fiction. Conversely,", "any Brahman, or a magically-inclined elf child as the sympathetic victim of Abrahamic", "to be actualities of the world often reinforced by religious belief, and even", "portray accurately or fairly. I've looked into how religious people who enjoy speculative", "between coexistence and tolerance. Of course not even a fictional Muslim society would", "to answer my questions, but I'd like as many perspectives on this as", "fictional Muslim society would abide witchcraft within its borders; my question is more", "who enjoy speculative fiction think about this, and I'm trying to find experts", "(His Dark Materials comes to mind), it's generally not out of the question", "actualities within dogma, so it's blasphemous to depict those things as physical actualities", "In the past, firebirds, djinni, spirits, angels, demons, basilisks, witchcraft, dragons, etc were", "against certain franchises, I've noted: * Accounts of cultures, especially in the medieval", "cultures, especially in the medieval period, undermining doctrine by relying on talismans or", "and their faith are depicted in fiction (His Dark Materials comes to mind),", "depicted in fiction (His Dark Materials comes to mind), it's generally not out", "etc are concerned. In western liberal society, even though adherents to religions like", "Christian/Jewish characters to appear in speculative fiction. Conversely, in Islamic societies, genre fiction", "traditions and Hindus against certain franchises, I've noted: * Accounts of cultures, especially", "warriors, or a dragon whose knowledge surpasses that of any Brahman, or a", "course not even a fictional Muslim society would abide witchcraft within its borders;", "the writer has no responsibility to portray accurately or fairly. I've looked into", "is often thought of as a force opposed to Quranic truth, and fiction", "than leaving people out entirely, because it creates a superficial proxy to which", "of the world often reinforced by religious belief, and even now, people tend", "a world where wizards can perform feats otherwise only achievable through God, or", "this as possible. In the past, firebirds, djinni, spirits, angels, demons, basilisks, witchcraft,", "off an army of devout Muslim warriors, or a dragon whose knowledge surpasses", "in fiction (His Dark Materials comes to mind), it's generally not out of", "ardently pro-Hinduism. My understanding is that religious doctrine usually explicitly describes magic/witchcraft and", "in fantasy and sci-fi. * The suggestion that creating a fictional religion based", "in the medieval period, undermining doctrine by relying on talismans or superstitions possibly", "surpasses that of any Brahman, or a magically-inclined elf child as the sympathetic", "religions like Christianity, Judaism, Buddhism often voice opposition to how magic/fantasy elements and", "society would abide witchcraft within its borders; my question is more about whether", "it seems better fit for Writing. I ask for a few reasons. Despite", "superficial proxy to which the writer has no responsibility to portray accurately or", "feats otherwise only achievable through God, or in which elves are physically superior", "which elves are physically superior to humans? I want to stress the difference", "Writing. I ask for a few reasons. Despite the specific arguments against speculative", "through God, or in which elves are physically superior to humans? I want", "as physical actualities outside of dogma. So is it possible to respectfully write", "their faith are depicted in fiction (His Dark Materials comes to mind), it's", "no responsibility to portray accurately or fairly. I've looked into how religious people", "often reinforced by religious belief, and even now, people tend toward a belief", "Accounts of cultures, especially in the medieval period, undermining doctrine by relying on", "answer my questions, but I'd like as many perspectives on this as possible.", "accepted to be actualities of the world often reinforced by religious belief, and", "pro-Hinduism. My understanding is that religious doctrine usually explicitly describes magic/witchcraft and spirits/demons", "think about this, and I'm trying to find experts on the subject willing", "by relying on talismans or superstitions possibly at odds with theological tradition. ", "basilisks, witchcraft, dragons, etc were generally accepted to be actualities of the world", "difference between coexistence and tolerance. Of course not even a fictional Muslim society", "on a real religion isn't any better than leaving people out entirely, because", "those things as physical actualities outside of dogma. So is it possible to", "Muslims, Jews, Buddhists asking for and expecting representation in fantasy and sci-fi. ", "Abrahamic God according to Islam in a world where wizards can perform feats", "Buddhists asking for and expecting representation in fantasy and sci-fi. * The suggestion", "my question is more about whether it's antagonistic to religious belief to feature", "appear in speculative fiction. Conversely, in Islamic societies, genre fiction is often thought", "fiction think about this, and I'm trying to find experts on the subject", "and expecting representation in fantasy and sci-fi. * The suggestion that creating a", "in World-Building but it seems better fit for Writing. I ask for a", "to find experts on the subject willing to answer my questions, but I'd", "creates a superficial proxy to which the writer has no responsibility to portray", "physical actualities within dogma, so it's blasphemous to depict those things as physical", "leaving people out entirely, because it creates a superficial proxy to which the", "superstitions possibly at odds with theological tradition. * Modern Muslims, Jews, Buddhists asking", "faith are depicted in fiction (His Dark Materials comes to mind), it's generally", "asked this question in World-Building but it seems better fit for Writing. I", "witchcraft, dragons, etc were generally accepted to be actualities of the world often", "to which the writer has no responsibility to portray accurately or fairly. I've", "Hindus against certain franchises, I've noted: * Accounts of cultures, especially in the", "* Modern Muslims, Jews, Buddhists asking for and expecting representation in fantasy and", "stress the difference between coexistence and tolerance. Of course not even a fictional", "or in which elves are physically superior to humans? I want to stress", "is more about whether it's antagonistic to religious belief to feature a sorcerer", "suggestion that creating a fictional religion based on a real religion isn't any", "feature a sorcerer capable of staving off an army of devout Muslim warriors,", "Modern Muslims, Jews, Buddhists asking for and expecting representation in fantasy and sci-fi.", "dragons, etc were generally accepted to be actualities of the world often reinforced", "which the writer has no responsibility to portray accurately or fairly. I've looked", "people who enjoy speculative fiction think about this, and I'm trying to find", "speculative fiction within Quranic tradition and protests by other Abrahamic traditions and Hindus", "I've noted: * Accounts of cultures, especially in the medieval period, undermining doctrine", "especially in the medieval period, undermining doctrine by relying on talismans or superstitions", "accurately or fairly. I've looked into how religious people who enjoy speculative fiction", "God according to Islam in a world where wizards can perform feats otherwise", "thought of as a force opposed to Quranic truth, and fiction featuring Hinduism", "tradition and protests by other Abrahamic traditions and Hindus against certain franchises, I've", "whose knowledge surpasses that of any Brahman, or a magically-inclined elf child as", "army of devout Muslim warriors, or a dragon whose knowledge surpasses that of", "of devout Muslim warriors, or a dragon whose knowledge surpasses that of any", "demons, basilisks, witchcraft, dragons, etc were generally accepted to be actualities of the", "to depict those things as physical actualities outside of dogma. So is it", "within its borders; my question is more about whether it's antagonistic to religious", "proxy to which the writer has no responsibility to portray accurately or fairly.", "of as a force opposed to Quranic truth, and fiction featuring Hinduism is", "that believes in the divinity of Trimurti or the Abrahamic God according to", "I'd like as many perspectives on this as possible. In the past, firebirds,", "possible to respectfully write a culture that believes in the divinity of Trimurti", "understanding is that religious doctrine usually explicitly describes magic/witchcraft and spirits/demons as physical", "spirits/demons as physical actualities within dogma, so it's blasphemous to depict those things", "doctrine by relying on talismans or superstitions possibly at odds with theological tradition.", "to appear in speculative fiction. Conversely, in Islamic societies, genre fiction is often", "liberal society, even though adherents to religions like Christianity, Judaism, Buddhism often voice", "not even a fictional Muslim society would abide witchcraft within its borders; my", "as physical actualities within dogma, so it's blasphemous to depict those things as", "tolerance. Of course not even a fictional Muslim society would abide witchcraft within", "and I'm trying to find experts on the subject willing to answer my", "western liberal society, even though adherents to religions like Christianity, Judaism, Buddhism often", "generally not out of the question for Christian/Jewish characters to appear in speculative", "it's blasphemous to depict those things as physical actualities outside of dogma. So", "Hinduism is frequently ardently pro-Hinduism. My understanding is that religious doctrine usually explicitly", "religious belief, and even now, people tend toward a belief in the preternatural", "I've looked into how religious people who enjoy speculative fiction think about this,", "a real religion isn't any better than leaving people out entirely, because it", "and Hindus against certain franchises, I've noted: * Accounts of cultures, especially in", "sorcerer capable of staving off an army of devout Muslim warriors, or a", "religious belief to feature a sorcerer capable of staving off an army of", "Despite the specific arguments against speculative fiction within Quranic tradition and protests by", "perform feats otherwise only achievable through God, or in which elves are physically", "where wizards can perform feats otherwise only achievable through God, or in which", "the specific arguments against speculative fiction within Quranic tradition and protests by other", "its borders; my question is more about whether it's antagonistic to religious belief", "seems better fit for Writing. I ask for a few reasons. Despite the", "Of course not even a fictional Muslim society would abide witchcraft within its", "even a fictional Muslim society would abide witchcraft within its borders; my question", "any better than leaving people out entirely, because it creates a superficial proxy", "in the divinity of Trimurti or the Abrahamic God according to Islam in", "within dogma, so it's blasphemous to depict those things as physical actualities outside", "fiction. Conversely, in Islamic societies, genre fiction is often thought of as a", "in Islamic societies, genre fiction is often thought of as a force opposed", "preternatural where spirits, angels/demons, practical magic, chakras, etc are concerned. In western liberal", "ask for a few reasons. Despite the specific arguments against speculative fiction within", "The suggestion that creating a fictional religion based on a real religion isn't", "staving off an army of devout Muslim warriors, or a dragon whose knowledge", "Christianity, Judaism, Buddhism often voice opposition to how magic/fantasy elements and their faith", "but it seems better fit for Writing. I ask for a few reasons.", "culture that believes in the divinity of Trimurti or the Abrahamic God according", "the medieval period, undermining doctrine by relying on talismans or superstitions possibly at", "because it creates a superficial proxy to which the writer has no responsibility", "creating a fictional religion based on a real religion isn't any better than", "and protests by other Abrahamic traditions and Hindus against certain franchises, I've noted:", "capable of staving off an army of devout Muslim warriors, or a dragon", "for a few reasons. Despite the specific arguments against speculative fiction within Quranic", "enjoy speculative fiction think about this, and I'm trying to find experts on", "firebirds, djinni, spirits, angels, demons, basilisks, witchcraft, dragons, etc were generally accepted to", "Conversely, in Islamic societies, genre fiction is often thought of as a force", "fiction within Quranic tradition and protests by other Abrahamic traditions and Hindus against", "has no responsibility to portray accurately or fairly. I've looked into how religious", "about this, and I'm trying to find experts on the subject willing to", "Abrahamic traditions and Hindus against certain franchises, I've noted: * Accounts of cultures,", "physical actualities outside of dogma. So is it possible to respectfully write a", "witchcraft within its borders; my question is more about whether it's antagonistic to", "are physically superior to humans? I want to stress the difference between coexistence", "blasphemous to depict those things as physical actualities outside of dogma. So is", "only achievable through God, or in which elves are physically superior to humans?", "to portray accurately or fairly. I've looked into how religious people who enjoy", "often thought of as a force opposed to Quranic truth, and fiction featuring", "practical magic, chakras, etc are concerned. In western liberal society, even though adherents", "outside of dogma. So is it possible to respectfully write a culture that", "undermining doctrine by relying on talismans or superstitions possibly at odds with theological", "Islamic societies, genre fiction is often thought of as a force opposed to", "is it possible to respectfully write a culture that believes in the divinity", "divinity of Trimurti or the Abrahamic God according to Islam in a world", "coexistence and tolerance. Of course not even a fictional Muslim society would abide", "So is it possible to respectfully write a culture that believes in the", "though adherents to religions like Christianity, Judaism, Buddhism often voice opposition to how", "it creates a superficial proxy to which the writer has no responsibility to", "to Quranic truth, and fiction featuring Hinduism is frequently ardently pro-Hinduism. My understanding", "it's antagonistic to religious belief to feature a sorcerer capable of staving off", "tend toward a belief in the preternatural where spirits, angels/demons, practical magic, chakras,", "so it's blasphemous to depict those things as physical actualities outside of dogma.", "looked into how religious people who enjoy speculative fiction think about this, and", "to humans? I want to stress the difference between coexistence and tolerance. Of", "My understanding is that religious doctrine usually explicitly describes magic/witchcraft and spirits/demons as", "this, and I'm trying to find experts on the subject willing to answer", "a fictional religion based on a real religion isn't any better than leaving", "Muslim society would abide witchcraft within its borders; my question is more about", "Quranic truth, and fiction featuring Hinduism is frequently ardently pro-Hinduism. My understanding is", "perspectives on this as possible. In the past, firebirds, djinni, spirits, angels, demons,", "by other Abrahamic traditions and Hindus against certain franchises, I've noted: * Accounts", "that religious doctrine usually explicitly describes magic/witchcraft and spirits/demons as physical actualities within", "whether it's antagonistic to religious belief to feature a sorcerer capable of staving", "Dark Materials comes to mind), it's generally not out of the question for", "voice opposition to how magic/fantasy elements and their faith are depicted in fiction", "mind), it's generally not out of the question for Christian/Jewish characters to appear", "tradition. * Modern Muslims, Jews, Buddhists asking for and expecting representation in fantasy", "religious doctrine usually explicitly describes magic/witchcraft and spirits/demons as physical actualities within dogma,", "few reasons. Despite the specific arguments against speculative fiction within Quranic tradition and", "are depicted in fiction (His Dark Materials comes to mind), it's generally not", "fiction (His Dark Materials comes to mind), it's generally not out of the", "* The suggestion that creating a fictional religion based on a real religion", "spirits, angels/demons, practical magic, chakras, etc are concerned. In western liberal society, even", "arguments against speculative fiction within Quranic tradition and protests by other Abrahamic traditions", "dogma. So is it possible to respectfully write a culture that believes in", "usually explicitly describes magic/witchcraft and spirits/demons as physical actualities within dogma, so it's", "medieval period, undermining doctrine by relying on talismans or superstitions possibly at odds", "question in World-Building but it seems better fit for Writing. I ask for", "religion isn't any better than leaving people out entirely, because it creates a", "Jews, Buddhists asking for and expecting representation in fantasy and sci-fi. * The", "writer has no responsibility to portray accurately or fairly. I've looked into how", "responsibility to portray accurately or fairly. I've looked into how religious people who", "to religious belief to feature a sorcerer capable of staving off an army", "better fit for Writing. I ask for a few reasons. Despite the specific", "in which elves are physically superior to humans? I want to stress the", "find experts on the subject willing to answer my questions, but I'd like", "magic/witchcraft and spirits/demons as physical actualities within dogma, so it's blasphemous to depict", "questions, but I'd like as many perspectives on this as possible. In the", "devout Muslim warriors, or a dragon whose knowledge surpasses that of any Brahman,", "belief in the preternatural where spirits, angels/demons, practical magic, chakras, etc are concerned.", "by religious belief, and even now, people tend toward a belief in the", "of any Brahman, or a magically-inclined elf child as the sympathetic victim of", "sci-fi. * The suggestion that creating a fictional religion based on a real", "like as many perspectives on this as possible. In the past, firebirds, djinni,", "explicitly describes magic/witchcraft and spirits/demons as physical actualities within dogma, so it's blasphemous", "a superficial proxy to which the writer has no responsibility to portray accurately", "but I'd like as many perspectives on this as possible. In the past,", "as many perspectives on this as possible. In the past, firebirds, djinni, spirits,", "as a force opposed to Quranic truth, and fiction featuring Hinduism is frequently", "possibly at odds with theological tradition. * Modern Muslims, Jews, Buddhists asking for", "or a dragon whose knowledge surpasses that of any Brahman, or a magically-inclined", "now, people tend toward a belief in the preternatural where spirits, angels/demons, practical", "write a culture that believes in the divinity of Trimurti or the Abrahamic", "relying on talismans or superstitions possibly at odds with theological tradition. * Modern", "Islam in a world where wizards can perform feats otherwise only achievable through", "religion based on a real religion isn't any better than leaving people out", "other Abrahamic traditions and Hindus against certain franchises, I've noted: * Accounts of", "can perform feats otherwise only achievable through God, or in which elves are", "to religions like Christianity, Judaism, Buddhism often voice opposition to how magic/fantasy elements", "people tend toward a belief in the preternatural where spirits, angels/demons, practical magic,", "as possible. In the past, firebirds, djinni, spirits, angels, demons, basilisks, witchcraft, dragons," ]
[ "my new web site. What would motivate someone to write and share their", "their lives and publish their stories on my new web site. What would", "want to motivate people, who do not already write, to write about their", "and publish their stories on my new web site. What would motivate someone", "stories on my new web site. What would motivate someone to write and", "lives and publish their stories on my new web site. What would motivate", "do not already write, to write about their lives and publish their stories", "their stories on my new web site. What would motivate someone to write", "web site. What would motivate someone to write and share their personal stories?", "publish their stories on my new web site. What would motivate someone to", "people, who do not already write, to write about their lives and publish", "to motivate people, who do not already write, to write about their lives", "write about their lives and publish their stories on my new web site.", "new web site. What would motivate someone to write and share their personal", "who do not already write, to write about their lives and publish their", "about their lives and publish their stories on my new web site. What", "to write about their lives and publish their stories on my new web", "already write, to write about their lives and publish their stories on my", "I want to motivate people, who do not already write, to write about", "not already write, to write about their lives and publish their stories on", "motivate people, who do not already write, to write about their lives and", "write, to write about their lives and publish their stories on my new", "on my new web site. What would motivate someone to write and share" ]
[ "him! Haul him off! In other words, real life and literature are quite", "the change, because it can be undone and I think there is value", "instincts? A good answer will draw from either respected works, or will reflect", "- if my neighbor killed two politicians years ago, I don't care that", "This change also opposes my core philosophies, that life and art should strive", "something reprehensible (like cavalier murder) in fiction. Can a good character be a", "between fiction and life are understood? Can you give me peace about writing", "should strive to reach something higher - not something more base. I don't", "reach something higher - not something more base. I don't want gratuitous anything.", "neighbor killed two politicians years ago, I don't care that he is a", "disparity between fiction and life are understood? Can you give me peace about", "give me peace about writing a sympathetic murderer? Question: Why do bad characters", "in exploring a bunch of different possible paths. And - Now - I", "two politicians years ago, I don't care that he is a good guy", "because it can be undone and I think there is value in exploring", "now. He broke the freakin law. Report him! Haul him off! In other", "thought about why so much of popular writing is driven by the darker", "is a good guy now. He broke the freakin law. Report him! Haul", "stewing over the people he killed years ago? Are we all murderers at", "He broke the freakin law. Report him! Haul him off! In other words,", "and does this ultimately serve base instincts or higher instincts? A good answer", "something higher - not something more base. I don't want gratuitous anything. I", "fiction. Can a good character be a murderer? What does it say about", "character stewing over the people he killed years ago? Are we all murderers", "about humanity if we want to read 'that kind of struggle?' A character", "changes everything. This change also opposes my core philosophies, that life and art", "killed two politicians years ago, I don't care that he is a good", "of different possible paths. And - Now - I recognize that this change", "want gratuitous anything. I made the change, because it can be undone and", "my neighbor killed two politicians years ago, I don't care that he is", "considered thought about why so much of popular writing is driven by the", "ago, I don't care that he is a good guy now. He broke", "that this change 'works.' It hypes up the scene, pulls into past scenes,", "base. I don't want gratuitous anything. I made the change, because it can", "now, I wonder philosophically what it means to represent something reprehensible (like cavalier", "does this ultimately serve base instincts or higher instincts? A good answer will", "And - Now - I recognize that this change 'works.' It hypes up", "(like cavalier murder) in fiction. Can a good character be a murderer? What", "the reasons for the disparity between fiction and life are understood? Can you", "killed years ago? Are we all murderers at heart? My (secondary) character is", "so much of popular writing is driven by the darker side of humanity.", "bunch of different possible paths. And - Now - I recognize that this", "to represent something reprehensible (like cavalier murder) in fiction. Can a good character", "is remorseful and lives an exemplary life. But come on - if my", "words, real life and literature are quite different beasts. Surely the reasons for", "Report him! Haul him off! In other words, real life and literature are", "guy now. He broke the freakin law. Report him! Haul him off! In", "ultimately serve base instincts or higher instincts? A good answer will draw from", "also opposes my core philosophies, that life and art should strive to reach", "this ultimately serve base instincts or higher instincts? A good answer will draw", "years ago? Are we all murderers at heart? My (secondary) character is remorseful", "the disparity between fiction and life are understood? Can you give me peace", "- not something more base. I don't want gratuitous anything. I made the", "I think there is value in exploring a bunch of different possible paths.", "murderers at heart? My (secondary) character is remorseful and lives an exemplary life.", "possible paths. And - Now - I recognize that this change 'works.' It", "'that kind of struggle?' A character stewing over the people he killed years", "future scenes. And now, I wonder philosophically what it means to represent something", "be undone and I think there is value in exploring a bunch of", "say about humanity if we want to read 'that kind of struggle?' A", "Question: Why do bad characters sell, and does this ultimately serve base instincts", "do bad characters sell, and does this ultimately serve base instincts or higher", "represent something reprehensible (like cavalier murder) in fiction. Can a good character be", "life are understood? Can you give me peace about writing a sympathetic murderer?", "him off! In other words, real life and literature are quite different beasts.", "think there is value in exploring a bunch of different possible paths. And", "My (secondary) character is remorseful and lives an exemplary life. But come on", "remorseful and lives an exemplary life. But come on - if my neighbor", "core philosophies, that life and art should strive to reach something higher -", "will draw from either respected works, or will reflect considered thought about why", "(secondary) character is remorseful and lives an exemplary life. But come on -", "be a murderer? What does it say about humanity if we want to", "a good guy now. He broke the freakin law. Report him! Haul him", "people he killed years ago? Are we all murderers at heart? My (secondary)", "understood? Can you give me peace about writing a sympathetic murderer? Question: Why", "a murderer, and it changes everything. This change also opposes my core philosophies,", "my core philosophies, that life and art should strive to reach something higher", "if we want to read 'that kind of struggle?' A character stewing over", "years ago, I don't care that he is a good guy now. He", "about why so much of popular writing is driven by the darker side", "come on - if my neighbor killed two politicians years ago, I don't", "are quite different beasts. Surely the reasons for the disparity between fiction and", "character be a murderer? What does it say about humanity if we want", "murderer, and it changes everything. This change also opposes my core philosophies, that", "good character be a murderer? What does it say about humanity if we", "into a murderer, and it changes everything. This change also opposes my core", "And now, I wonder philosophically what it means to represent something reprehensible (like", "or higher instincts? 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This change also", "reflect considered thought about why so much of popular writing is driven by", "is value in exploring a bunch of different possible paths. And - Now", "gratuitous anything. I made the change, because it can be undone and I", "don't care that he is a good guy now. He broke the freakin", "freakin law. Report him! Haul him off! In other words, real life and", "In other words, real life and literature are quite different beasts. Surely the", "ago? Are we all murderers at heart? My (secondary) character is remorseful and", "good guy now. He broke the freakin law. Report him! Haul him off!", "about writing a sympathetic murderer? Question: Why do bad characters sell, and does", "made the change, because it can be undone and I think there is", "on - if my neighbor killed two politicians years ago, I don't care", "characters sell, and does this ultimately serve base instincts or higher instincts? A", "more base. I don't want gratuitous anything. I made the change, because it", "different possible paths. And - Now - I recognize that this change 'works.'", "Haul him off! In other words, real life and literature are quite different", "undone and I think there is value in exploring a bunch of different", "Can you give me peace about writing a sympathetic murderer? Question: Why do", "change, because it can be undone and I think there is value in", "scenes, plays into future scenes. And now, I wonder philosophically what it means", "are understood? Can you give me peace about writing a sympathetic murderer? Question:", "he killed years ago? Are we all murderers at heart? My (secondary) character", "murderer? What does it say about humanity if we want to read 'that", "reprehensible (like cavalier murder) in fiction. Can a good character be a murderer?", "I don't care that he is a good guy now. He broke the", "Surely the reasons for the disparity between fiction and life are understood? Can", "he is a good guy now. He broke the freakin law. Report him!", "philosophically what it means to represent something reprehensible (like cavalier murder) in fiction.", "the freakin law. Report him! Haul him off! In other words, real life", "means to represent something reprehensible (like cavalier murder) in fiction. Can a good", "I made the change, because it can be undone and I think there", "a good character be a murderer? What does it say about humanity if", "other words, real life and literature are quite different beasts. Surely the reasons", "and art should strive to reach something higher - not something more base.", "secondary character into a murderer, and it changes everything. This change also opposes", "and I think there is value in exploring a bunch of different possible", "exemplary life. But come on - if my neighbor killed two politicians years", "A character stewing over the people he killed years ago? Are we all", "lives an exemplary life. But come on - if my neighbor killed two", "different beasts. Surely the reasons for the disparity between fiction and life are", "that he is a good guy now. He broke the freakin law. Report", "all murderers at heart? My (secondary) character is remorseful and lives an exemplary", "sympathetic murderer? Question: Why do bad characters sell, and does this ultimately serve", "quite different beasts. Surely the reasons for the disparity between fiction and life", "it changes everything. This change also opposes my core philosophies, that life and", "politicians years ago, I don't care that he is a good guy now.", "and it changes everything. This change also opposes my core philosophies, that life", "it can be undone and I think there is value in exploring a", "character into a murderer, and it changes everything. This change also opposes my", "of struggle?' A character stewing over the people he killed years ago? Are", "change 'works.' It hypes up the scene, pulls into past scenes, plays into", "everything. This change also opposes my core philosophies, that life and art should", "to reach something higher - not something more base. I don't want gratuitous", "I don't want gratuitous anything. I made the change, because it can be", "reasons for the disparity between fiction and life are understood? Can you give", "good answer will draw from either respected works, or will reflect considered thought", "in fiction. Can a good character be a murderer? What does it say", "philosophies, that life and art should strive to reach something higher - not", "there is value in exploring a bunch of different possible paths. And -", "serve base instincts or higher instincts? A good answer will draw from either", "change also opposes my core philosophies, that life and art should strive to", "care that he is a good guy now. He broke the freakin law.", "character is remorseful and lives an exemplary life. But come on - if", "A good answer will draw from either respected works, or will reflect considered", "peace about writing a sympathetic murderer? Question: Why do bad characters sell, and", "why so much of popular writing is driven by the darker side of", "can be undone and I think there is value in exploring a bunch", "'works.' It hypes up the scene, pulls into past scenes, plays into future", "a bunch of different possible paths. And - Now - I recognize that", "up the scene, pulls into past scenes, plays into future scenes. And now,", "But come on - if my neighbor killed two politicians years ago, I", "hypes up the scene, pulls into past scenes, plays into future scenes. And", "and literature are quite different beasts. Surely the reasons for the disparity between", "wonder philosophically what it means to represent something reprehensible (like cavalier murder) in", "it means to represent something reprehensible (like cavalier murder) in fiction. Can a", "murder) in fiction. Can a good character be a murderer? What does it", "life and literature are quite different beasts. Surely the reasons for the disparity", "Now - I recognize that this change 'works.' It hypes up the scene,", "to read 'that kind of struggle?' A character stewing over the people he", "from either respected works, or will reflect considered thought about why so much", "struggle?' A character stewing over the people he killed years ago? Are we", "and life are understood? Can you give me peace about writing a sympathetic", "draw from either respected works, or will reflect considered thought about why so", "law. Report him! Haul him off! In other words, real life and literature", "the people he killed years ago? Are we all murderers at heart? My", "we want to read 'that kind of struggle?' A character stewing over the", "broke the freakin law. Report him! Haul him off! In other words, real", "and lives an exemplary life. But come on - if my neighbor killed", "sell, and does this ultimately serve base instincts or higher instincts? A good", "either respected works, or will reflect considered thought about why so much of", "fiction and life are understood? Can you give me peace about writing a", "paths. And - Now - I recognize that this change 'works.' It hypes", "me peace about writing a sympathetic murderer? Question: Why do bad characters sell,", "respected works, or will reflect considered thought about why so much of popular", "higher - not something more base. I don't want gratuitous anything. I made", "real life and literature are quite different beasts. Surely the reasons for the", "works, or will reflect considered thought about why so much of popular writing", "something more base. I don't want gratuitous anything. I made the change, because", "the scene, pulls into past scenes, plays into future scenes. And now, I", "writing a sympathetic murderer? Question: Why do bad characters sell, and does this", "Can a good character be a murderer? What does it say about humanity", "- Now - I recognize that this change 'works.' It hypes up the", "strive to reach something higher - not something more base. I don't want", "scene, pulls into past scenes, plays into future scenes. And now, I wonder", "- I recognize that this change 'works.' It hypes up the scene, pulls", "for the disparity between fiction and life are understood? Can you give me", "humanity if we want to read 'that kind of struggle?' A character stewing", "or will reflect considered thought about why so much of popular writing is", "exploring a bunch of different possible paths. And - Now - I recognize", "what it means to represent something reprehensible (like cavalier murder) in fiction. Can", "we all murderers at heart? My (secondary) character is remorseful and lives an", "that life and art should strive to reach something higher - not something", "a sympathetic murderer? Question: Why do bad characters sell, and does this ultimately", "a murderer? What does it say about humanity if we want to read", "Are we all murderers at heart? My (secondary) character is remorseful and lives", "life and art should strive to reach something higher - not something more", "Why do bad characters sell, and does this ultimately serve base instincts or", "into past scenes, plays into future scenes. And now, I wonder philosophically what", "art should strive to reach something higher - not something more base. I", "recognize that this change 'works.' It hypes up the scene, pulls into past", "I wonder philosophically what it means to represent something reprehensible (like cavalier murder)", "answer will draw from either respected works, or will reflect considered thought about", "I've changed a secondary character into a murderer, and it changes everything. This", "cavalier murder) in fiction. Can a good character be a murderer? What does", "higher instincts? A good answer will draw from either respected works, or will", "at heart? My (secondary) character is remorseful and lives an exemplary life. But", "anything. I made the change, because it can be undone and I think", "instincts or higher instincts? A good answer will draw from either respected works,", "kind of struggle?' A character stewing over the people he killed years ago?", "don't want gratuitous anything. I made the change, because it can be undone", "pulls into past scenes, plays into future scenes. And now, I wonder philosophically", "literature are quite different beasts. Surely the reasons for the disparity between fiction", "into future scenes. And now, I wonder philosophically what it means to represent", "opposes my core philosophies, that life and art should strive to reach something", "read 'that kind of struggle?' A character stewing over the people he killed", "will reflect considered thought about why so much of popular writing is driven", "you give me peace about writing a sympathetic murderer? Question: Why do bad", "if my neighbor killed two politicians years ago, I don't care that he", "scenes. And now, I wonder philosophically what it means to represent something reprehensible", "over the people he killed years ago? Are we all murderers at heart?", "it say about humanity if we want to read 'that kind of struggle?'", "heart? My (secondary) character is remorseful and lives an exemplary life. But come", "beasts. Surely the reasons for the disparity between fiction and life are understood?", "life. But come on - if my neighbor killed two politicians years ago,", "not something more base. I don't want gratuitous anything. I made the change,", "bad characters sell, and does this ultimately serve base instincts or higher instincts?", "does it say about humanity if we want to read 'that kind of", "It hypes up the scene, pulls into past scenes, plays into future scenes.", "plays into future scenes. And now, I wonder philosophically what it means to", "changed a secondary character into a murderer, and it changes everything. This change" ]
[ "disposition. I decided to balance the two, but turns out that's easier said", "that some protagonists display; I hate that. My protagonist is young and, despite", "town. Now, she has far more power and independence (from guardians, say) and", "want to emphasize the point that \"a reactive, unambitious, unskilled person would not", "the contemporary era, anyway), is only beginning her journey and still has many", "grow convinced that such a protagonist would be boring at best and Mary", "with such a disposition. I decided to balance the two, but turns out", "balance the two, but turns out that's easier said than done. If you", "(or, at least, was; four hours of brooding finally gave me a bit", "toying with the idea of her main goal being to understand her body,", "physical and the individual (2 separate systems). * The basic premise is that", "Even her core/primary desire lends itself to the life of a hermit, which", "A fantasy world. The story takes place on a different planet in a", "to reactive. However, I just cannot fit the character I'm picturing with such", "read--or written--that were, in fact, interesting or even enthralling off the top of", "* The protagonist spent a majority of her childhood in a camp that", "the top of your head, I'd love to hear about them, and if", "she also isn't depressed). Even her core/primary desire lends itself to the life", "learn. (Bad question, I now realize, in the sense that there's no easy", "particular story I wanted to write, I envisioned the main protagonist as a", "if you have any other suggestions, they're welcome, too. Here's some info about", "on fixing that (or, at least, was; four hours of brooding finally gave", "tropes that some protagonists display; I hate that. My protagonist is young and,", "effect on her psyche that will show itself in various little idiosyncrasies, but", "idiosyncrasies, but I chiefly want to emphasize the point that \"a reactive, unambitious,", "to give her), but that tells me surprisingly little about her personality. The", "you can think of any such protagonists you've read--or written--that were, in fact,", "power I'm going to give her), but that tells me surprisingly little about", "but I chiefly want to emphasize the point that \"a reactive, unambitious, unskilled", "separate systems). * The basic premise is that the protagonist escapes the camp", "an \"adventurous\", proactive disposition. To clarify the question: I have trouble trying to", "and still has many lessons to learn. (Bad question, I now realize, in", "I want to avoid the \"jaded\", \"battle/life-hardened\", tropes that some protagonists display; I", "clarify the question: I have trouble trying to balance the proactiveness of a", "going for a blend between \"soft\" magic, with more spirituality, and a \"harder\"", "(Competition was encouraged, whereas morality was not.) * I'm going for a blend", "of any such protagonists you've read--or written--that were, in fact, interesting or even", "that such a protagonist would be boring at best and Mary Sue-ish at", "wanted to write, I envisioned the main protagonist as a more \"calm\", \"reactive\"", "protagonist spent a majority of her childhood in a camp that produced child", "me surprisingly little about her personality. The second and last points in particular", "a hermit, which is most certainly not what I'm going for. I am", "now realize, in the sense that there's no easy correct answer. I promise", "various little idiosyncrasies, but I chiefly want to emphasize the point that \"a", "the same time, I want to avoid the \"jaded\", \"battle/life-hardened\", tropes that some", "solar system. * The protagonist spent a majority of her childhood in a", "wants to. * I've been toying with the idea of her main goal", "I grow convinced that such a protagonist would be boring at best and", "\"harder\" magic system with a greater focus on the physical and the individual", "the character and the world: * A fantasy world. The story takes place", "decided to balance the two, but turns out that's easier said than done.", "is most certainly not what I'm going for. I am looking for suggestions", "a normal child, but she was cooped up in a town. Now, she", "give her an \"adventurous\", proactive disposition. To clarify the question: I have trouble", "spirituality, and a \"harder\" magic system with a greater focus on the physical", "still has many lessons to learn. (Bad question, I now realize, in the", "Here's some info about the character and the world: * A fantasy world.", "protagonists display; I hate that. My protagonist is young and, despite a violent", "to balance the two, but turns out that's easier said than done. If", "as a normal child, but she was cooped up in a town. Now,", "same time, I want to avoid the \"jaded\", \"battle/life-hardened\", tropes that some protagonists", "said than done. If you can think of any such protagonists you've read--or", "training (for the contemporary era, anyway), is only beginning her journey and still", "years as a normal child, but she was cooped up in a town.", "Sue-ish at worst. I think an adventurous, explorer of a protagonist would be", "what I'm going for. I am looking for suggestions on fixing that (or,", "lessons to learn. (Bad question, I now realize, in the sense that there's", "produced child soldiers. This will obviously have had a great effect on her", "magic, with more spirituality, and a \"harder\" magic system with a greater focus", "too. Here's some info about the character and the world: * A fantasy", "psyche that will show itself in various little idiosyncrasies, but I chiefly want", "in fact, interesting or even enthralling off the top of your head, I'd", "The protagonist spent a majority of her childhood in a camp that produced", "spent a majority of her childhood in a camp that produced child soldiers.", "building the world and fleshing out the characters, I grow convinced that such", "done. If you can think of any such protagonists you've read--or written--that were,", "power and independence (from guardians, say) and no obligations, so she's free to", "bit of a breakthrough). At the same time, I want to avoid the", "finally gave me a bit of a breakthrough). At the same time, I", "individual (2 separate systems). * The basic premise is that the protagonist escapes", "proactive disposition. To clarify the question: I have trouble trying to balance the", "head, I'd love to hear about them, and if you have any other", "as a more \"calm\", \"reactive\" type of character. But as I spend more", "a majority of her childhood in a camp that produced child soldiers. This", "I am looking for suggestions on fixing that (or, at least, was; four", "I've been toying with the idea of her main goal being to understand", "well with the power I'm going to give her), but that tells me", "what made me want to give her an \"adventurous\", proactive disposition. To clarify", "explore a new, alien world with an introverted, traumatized character that's neither mischievous,", "suggestions, they're welcome, too. Here's some info about the character and the world:", "only beginning her journey and still has many lessons to learn. (Bad question,", "character. But as I spend more time building the world and fleshing out", "first started thinking about this one particular story I wanted to write, I", "worst. I think an adventurous, explorer of a protagonist would be much more", "different solar system. * The protagonist spent a majority of her childhood in", "independence (from guardians, say) and no obligations, so she's free to be as", "be much more fun--proactive as opposed to reactive. However, I just cannot fit", "soldiers. This will obviously have had a great effect on her psyche that", "free to be as nomadic as she wants to. * I've been toying", "isn't depressed). Even her core/primary desire lends itself to the life of a", "in the sense that there's no easy correct answer. I promise to do", "character that's neither mischievous, nor optimistic, nor cheerful, nor any other trait that'd", "history of inhumane training (for the contemporary era, anyway), is only beginning her", "is young and, despite a violent history of inhumane training (for the contemporary", "points in particular are what made me want to give her an \"adventurous\",", "and independence (from guardians, say) and no obligations, so she's free to be", "planet in a different solar system. * The protagonist spent a majority of", "the question: I have trouble trying to balance the proactiveness of a protagonist", "you've read--or written--that were, in fact, interesting or even enthralling off the top", "last points in particular are what made me want to give her an", "her journey and still has many lessons to learn. (Bad question, I now", "say) and no obligations, so she's free to be as nomadic as she", "certainly not what I'm going for. I am looking for suggestions on fixing", "that \"a reactive, unambitious, unskilled person would not survive there for long.\" (Competition", "to write, I envisioned the main protagonist as a more \"calm\", \"reactive\" type", "protagonist would be much more fun--proactive as opposed to reactive. However, I just", "explore the world. She spent the first 7-10 years as a normal child,", "this one particular story I wanted to write, I envisioned the main protagonist", "least, was; four hours of brooding finally gave me a bit of a", "\"jaded\", \"battle/life-hardened\", tropes that some protagonists display; I hate that. My protagonist is", "explorer of a protagonist would be much more fun--proactive as opposed to reactive.", "type of character. But as I spend more time building the world and", "understand her body, her mind, and the world around her completely (mixes really", "around her completely (mixes really well with the power I'm going to give", "a bit of a breakthrough). At the same time, I want to avoid", "boring at best and Mary Sue-ish at worst. I think an adventurous, explorer", "them, and if you have any other suggestions, they're welcome, too. Here's some", "at least, was; four hours of brooding finally gave me a bit of", "hours of brooding finally gave me a bit of a breakthrough). At the", "with an introverted, traumatized character that's neither mischievous, nor optimistic, nor cheerful, nor", "nor any other trait that'd facilitate drive (but she also isn't depressed). Even", "systems). * The basic premise is that the protagonist escapes the camp and", "story I wanted to write, I envisioned the main protagonist as a more", "that will show itself in various little idiosyncrasies, but I chiefly want to", "world and fleshing out the characters, I grow convinced that such a protagonist", "* The basic premise is that the protagonist escapes the camp and sets", "traumatized character that's neither mischievous, nor optimistic, nor cheerful, nor any other trait", "of your head, I'd love to hear about them, and if you have", "one particular story I wanted to write, I envisioned the main protagonist as", "thinking about this one particular story I wanted to write, I envisioned the", "any such protagonists you've read--or written--that were, in fact, interesting or even enthralling", "convinced that such a protagonist would be boring at best and Mary Sue-ish", "system with a greater focus on the physical and the individual (2 separate", "a different planet in a different solar system. * The protagonist spent a", "not survive there for long.\" (Competition was encouraged, whereas morality was not.) 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The second", "avoid the \"jaded\", \"battle/life-hardened\", tropes that some protagonists display; I hate that. My", "on her psyche that will show itself in various little idiosyncrasies, but I", "balance the proactiveness of a protagonist recently freed and about to explore a", "about them, and if you have any other suggestions, they're welcome, too. Here's", "a great effect on her psyche that will show itself in various little", "I spend more time building the world and fleshing out the characters, I", "an adventurous, explorer of a protagonist would be much more fun--proactive as opposed", "is that the protagonist escapes the camp and sets out to explore the", "obligations, so she's free to be as nomadic as she wants to. ", "of her childhood in a camp that produced child soldiers. This will obviously", "itself in various little idiosyncrasies, but I chiefly want to emphasize the point", "more time building the world and fleshing out the characters, I grow convinced", "* I'm going for a blend between \"soft\" magic, with more spirituality, and", "she was cooped up in a town. Now, she has far more power", "off the top of your head, I'd love to hear about them, and", "beginning her journey and still has many lessons to learn. (Bad question, I", "She spent the first 7-10 years as a normal child, but she was", "I envisioned the main protagonist as a more \"calm\", \"reactive\" type of character.", "tells me surprisingly little about her personality. The second and last points in", "\"calm\", \"reactive\" type of character. But as I spend more time building the", "easier said than done. If you can think of any such protagonists you've", "of a hermit, which is most certainly not what I'm going for. I", "little about her personality. The second and last points in particular are what", "a new, alien world with an introverted, traumatized character that's neither mischievous, nor", "the characters, I grow convinced that such a protagonist would be boring at", "just cannot fit the character I'm picturing with such a disposition. I decided", "such protagonists you've read--or written--that were, in fact, interesting or even enthralling off", "in a different solar system. * The protagonist spent a majority of her", "greater focus on the physical and the individual (2 separate systems). * The", "survive there for long.\" (Competition was encouraged, whereas morality was not.) * I'm", "there for long.\" (Competition was encouraged, whereas morality was not.) * I'm going", "But as I spend more time building the world and fleshing out the", "question: I have trouble trying to balance the proactiveness of a protagonist recently", "protagonist recently freed and about to explore a new, alien world with an", "not.) * I'm going for a blend between \"soft\" magic, with more spirituality,", "more \"calm\", \"reactive\" type of character. But as I spend more time building", "The story takes place on a different planet in a different solar system.", "main protagonist as a more \"calm\", \"reactive\" type of character. But as I", "If you can think of any such protagonists you've read--or written--that were, in", "and about to explore a new, alien world with an introverted, traumatized character", "reactive, unambitious, unskilled person would not survive there for long.\" (Competition was encouraged,", "trouble trying to balance the proactiveness of a protagonist recently freed and about", "as opposed to reactive. However, I just cannot fit the character I'm picturing", "has many lessons to learn. (Bad question, I now realize, in the sense", "world. She spent the first 7-10 years as a normal child, but she", "chiefly want to emphasize the point that \"a reactive, unambitious, unskilled person would", "were, in fact, interesting or even enthralling off the top of your head,", "nomadic as she wants to. * I've been toying with the idea of", "the world: * A fantasy world. The story takes place on a different", "* A fantasy world. 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Even her core/primary desire lends itself to", "more spirituality, and a \"harder\" magic system with a greater focus on the", "emphasize the point that \"a reactive, unambitious, unskilled person would not survive there", "two, but turns out that's easier said than done. If you can think", "despite a violent history of inhumane training (for the contemporary era, anyway), is", "a protagonist would be boring at best and Mary Sue-ish at worst. I", "the point that \"a reactive, unambitious, unskilled person would not survive there for", "really well with the power I'm going to give her), but that tells", "but that tells me surprisingly little about her personality. The second and last", "escapes the camp and sets out to explore the world. She spent the", "was cooped up in a town. Now, she has far more power and", "has far more power and independence (from guardians, say) and no obligations, so", "However, I just cannot fit the character I'm picturing with such a disposition.", "the protagonist escapes the camp and sets out to explore the world. She", "I think an adventurous, explorer of a protagonist would be much more fun--proactive", "and the world: * A fantasy world. The story takes place on a", "can think of any such protagonists you've read--or written--that were, in fact, interesting", "she wants to. * I've been toying with the idea of her main", "particular are what made me want to give her an \"adventurous\", proactive disposition.", "completely (mixes really well with the power I'm going to give her), but", "some protagonists display; I hate that. My protagonist is young and, despite a", "(Bad question, I now realize, in the sense that there's no easy correct", "have trouble trying to balance the proactiveness of a protagonist recently freed and", "sense that there's no easy correct answer. I promise to do better next", "and sets out to explore the world. She spent the first 7-10 years", "core/primary desire lends itself to the life of a hermit, which is most", "(but she also isn't depressed). Even her core/primary desire lends itself to the", "fun--proactive as opposed to reactive. However, I just cannot fit the character I'm", "goal being to understand her body, her mind, and the world around her", "to hear about them, and if you have any other suggestions, they're welcome,", "recently freed and about to explore a new, alien world with an introverted,", "and no obligations, so she's free to be as nomadic as she wants", "be as nomadic as she wants to. * I've been toying with the", "picturing with such a disposition. I decided to balance the two, but turns", "her completely (mixes really well with the power I'm going to give her),", "a protagonist recently freed and about to explore a new, alien world with", "and last points in particular are what made me want to give her", "the camp and sets out to explore the world. She spent the first", "and, despite a violent history of inhumane training (for the contemporary era, anyway),", "lends itself to the life of a hermit, which is most certainly not", "cheerful, nor any other trait that'd facilitate drive (but she also isn't depressed).", "four hours of brooding finally gave me a bit of a breakthrough). At", "long.\" (Competition was encouraged, whereas morality was not.) * I'm going for a", "protagonist would be boring at best and Mary Sue-ish at worst. I think", "Now, she has far more power and independence (from guardians, say) and no", "any other trait that'd facilitate drive (but she also isn't depressed). Even her", "had a great effect on her psyche that will show itself in various", "would be boring at best and Mary Sue-ish at worst. I think an", "am looking for suggestions on fixing that (or, at least, was; four hours", "surprisingly little about her personality. The second and last points in particular are", "world: * A fantasy world. The story takes place on a different planet", "camp and sets out to explore the world. She spent the first 7-10", "for suggestions on fixing that (or, at least, was; four hours of brooding", "me a bit of a breakthrough). At the same time, I want to", "takes place on a different planet in a different solar system. * The", "want to avoid the \"jaded\", \"battle/life-hardened\", tropes that some protagonists display; I hate", "as nomadic as she wants to. * I've been toying with the idea", "such a protagonist would be boring at best and Mary Sue-ish at worst.", "gave me a bit of a breakthrough). At the same time, I want", "opposed to reactive. However, I just cannot fit the character I'm picturing with", "trying to balance the proactiveness of a protagonist recently freed and about to", "not what I'm going for. I am looking for suggestions on fixing that", "violent history of inhumane training (for the contemporary era, anyway), is only beginning", "me want to give her an \"adventurous\", proactive disposition. To clarify the question:", "to be as nomadic as she wants to. * I've been toying with", "the world. She spent the first 7-10 years as a normal child, but", "her body, her mind, and the world around her completely (mixes really well", "place on a different planet in a different solar system. * The protagonist", "for long.\" (Competition was encouraged, whereas morality was not.) * I'm going for", "that's neither mischievous, nor optimistic, nor cheerful, nor any other trait that'd facilitate", "I have trouble trying to balance the proactiveness of a protagonist recently freed", "enthralling off the top of your head, I'd love to hear about them,", "the life of a hermit, which is most certainly not what I'm going", "protagonists you've read--or written--that were, in fact, interesting or even enthralling off the", "second and last points in particular are what made me want to give", "optimistic, nor cheerful, nor any other trait that'd facilitate drive (but she also", "to the life of a hermit, which is most certainly not what I'm", "realize, in the sense that there's no easy correct answer. I promise to", "most certainly not what I'm going for. I am looking for suggestions on", "out to explore the world. She spent the first 7-10 years as a", "started thinking about this one particular story I wanted to write, I envisioned", "looking for suggestions on fixing that (or, at least, was; four hours of", "that's easier said than done. If you can think of any such protagonists", "many lessons to learn. (Bad question, I now realize, in the sense that", "fixing that (or, at least, was; four hours of brooding finally gave me", "whereas morality was not.) * I'm going for a blend between \"soft\" magic,", "sets out to explore the world. She spent the first 7-10 years as", "would not survive there for long.\" (Competition was encouraged, whereas morality was not.)", "she's free to be as nomadic as she wants to. * I've been", "the individual (2 separate systems). * The basic premise is that the protagonist", "of character. But as I spend more time building the world and fleshing", "childhood in a camp that produced child soldiers. This will obviously have had", "in particular are what made me want to give her an \"adventurous\", proactive", "inhumane training (for the contemporary era, anyway), is only beginning her journey and", "journey and still has many lessons to learn. (Bad question, I now realize,", "I'm going for. I am looking for suggestions on fixing that (or, at", "character I'm picturing with such a disposition. I decided to balance the two,", "display; I hate that. My protagonist is young and, despite a violent history", "to explore a new, alien world with an introverted, traumatized character that's neither", "encouraged, whereas morality was not.) * I'm going for a blend between \"soft\"", "a blend between \"soft\" magic, with more spirituality, and a \"harder\" magic system", "time, I want to avoid the \"jaded\", \"battle/life-hardened\", tropes that some protagonists display;", "was not.) * I'm going for a blend between \"soft\" magic, with more", "disposition. To clarify the question: I have trouble trying to balance the proactiveness", "The second and last points in particular are what made me want to", "I'm picturing with such a disposition. I decided to balance the two, but", "far more power and independence (from guardians, say) and no obligations, so she's", "will obviously have had a great effect on her psyche that will show", "new, alien world with an introverted, traumatized character that's neither mischievous, nor optimistic,", "want to give her an \"adventurous\", proactive disposition. To clarify the question: I", "the power I'm going to give her), but that tells me surprisingly little", "on the physical and the individual (2 separate systems). * The basic premise", "your head, I'd love to hear about them, and if you have any", "and the world around her completely (mixes really well with the power I'm", "hermit, which is most certainly not what I'm going for. I am looking", "great effect on her psyche that will show itself in various little idiosyncrasies,", "out the characters, I grow convinced that such a protagonist would be boring", "on a different planet in a different solar system. * The protagonist spent", "I'm going for a blend between \"soft\" magic, with more spirituality, and a", "in a camp that produced child soldiers. This will obviously have had a", "cannot fit the character I'm picturing with such a disposition. I decided to", "I now realize, in the sense that there's no easy correct answer. I", "as she wants to. * I've been toying with the idea of her", "Mary Sue-ish at worst. I think an adventurous, explorer of a protagonist would", "been toying with the idea of her main goal being to understand her", "trait that'd facilitate drive (but she also isn't depressed). Even her core/primary desire", "that. My protagonist is young and, despite a violent history of inhumane training", "fact, interesting or even enthralling off the top of your head, I'd love", "world around her completely (mixes really well with the power I'm going to", "magic system with a greater focus on the physical and the individual (2", "interesting or even enthralling off the top of your head, I'd love to", "suggestions on fixing that (or, at least, was; four hours of brooding finally", "being to understand her body, her mind, and the world around her completely", "going for. I am looking for suggestions on fixing that (or, at least,", "was; four hours of brooding finally gave me a bit of a breakthrough).", "that produced child soldiers. This will obviously have had a great effect on", "about her personality. The second and last points in particular are what made", "hear about them, and if you have any other suggestions, they're welcome, too.", "blend between \"soft\" magic, with more spirituality, and a \"harder\" magic system with", "to explore the world. She spent the first 7-10 years as a normal", "body, her mind, and the world around her completely (mixes really well with", "a town. Now, she has far more power and independence (from guardians, say)", "spend more time building the world and fleshing out the characters, I grow", "to emphasize the point that \"a reactive, unambitious, unskilled person would not survive", "that there's no easy correct answer. I promise to do better next time!)", "have any other suggestions, they're welcome, too. Here's some info about the character", "fit the character I'm picturing with such a disposition. I decided to balance", "of brooding finally gave me a bit of a breakthrough). At the same", "story takes place on a different planet in a different solar system. ", "for. I am looking for suggestions on fixing that (or, at least, was;", "obviously have had a great effect on her psyche that will show itself", "I wanted to write, I envisioned the main protagonist as a more \"calm\",", "as I spend more time building the world and fleshing out the characters,", "different planet in a different solar system. The protagonist spent a majority", "alien world with an introverted, traumatized character that's neither mischievous, nor optimistic, nor", "person would not survive there for long.\" (Competition was encouraged, whereas morality was", "depressed). Even her core/primary desire lends itself to the life of a hermit,", "character and the world: * A fantasy world. The story takes place on", "neither mischievous, nor optimistic, nor cheerful, nor any other trait that'd facilitate drive", "* I've been toying with the idea of her main goal being to", "child, but she was cooped up in a town. Now, she has far", "her), but that tells me surprisingly little about her personality. The second and", "in a town. Now, she has far more power and independence (from guardians,", "normal child, but she was cooped up in a town. Now, she has", "her psyche that will show itself in various little idiosyncrasies, but I chiefly", "The basic premise is that the protagonist escapes the camp and sets out", "the idea of her main goal being to understand her body, her mind,", "will show itself in various little idiosyncrasies, but I chiefly want to emphasize", "\"a reactive, unambitious, unskilled person would not survive there for long.\" (Competition was", "nor optimistic, nor cheerful, nor any other trait that'd facilitate drive (but she", "envisioned the main protagonist as a more \"calm\", \"reactive\" type of character. But", "facilitate drive (but she also isn't depressed). Even her core/primary desire lends itself", "\"adventurous\", proactive disposition. To clarify the question: I have trouble trying to balance", "mischievous, nor optimistic, nor cheerful, nor any other trait that'd facilitate drive (but", "welcome, too. Here's some info about the character and the world: * A", "breakthrough). At the same time, I want to avoid the \"jaded\", \"battle/life-hardened\", tropes", "era, anyway), is only beginning her journey and still has many lessons to", "also isn't depressed). Even her core/primary desire lends itself to the life of", "show itself in various little idiosyncrasies, but I chiefly want to emphasize the", "the world around her completely (mixes really well with the power I'm going", "protagonist is young and, despite a violent history of inhumane training (for the", "I chiefly want to emphasize the point that \"a reactive, unambitious, unskilled person", "of a breakthrough). At the same time, I want to avoid the \"jaded\",", "little idiosyncrasies, but I chiefly want to emphasize the point that \"a reactive,", "you have any other suggestions, they're welcome, too. Here's some info about the", "morality was not.) * I'm going for a blend between \"soft\" magic, with", "the world and fleshing out the characters, I grow convinced that such a", "(2 separate systems). * The basic premise is that the protagonist escapes the", "desire lends itself to the life of a hermit, which is most certainly", "up in a town. Now, she has far more power and independence (from", "and if you have any other suggestions, they're welcome, too. Here's some info", "best and Mary Sue-ish at worst. I think an adventurous, explorer of a", "turns out that's easier said than done. If you can think of any", "about to explore a new, alien world with an introverted, traumatized character that's", "think an adventurous, explorer of a protagonist would be much more fun--proactive as", "with the power I'm going to give her), but that tells me surprisingly", "spent the first 7-10 years as a normal child, but she was cooped", "introverted, traumatized character that's neither mischievous, nor optimistic, nor cheerful, nor any other", "so she's free to be as nomadic as she wants to. * I've", "her mind, and the world around her completely (mixes really well with the", "even enthralling off the top of your head, I'd love to hear about", "some info about the character and the world: * A fantasy world. The", "world. The story takes place on a different planet in a different solar", "be boring at best and Mary Sue-ish at worst. I think an adventurous,", "to give her an \"adventurous\", proactive disposition. To clarify the question: I have", "This will obviously have had a great effect on her psyche that will", "I first started thinking about this one particular story I wanted to write,", "\"soft\" magic, with more spirituality, and a \"harder\" magic system with a greater", "main goal being to understand her body, her mind, and the world around", "going to give her), but that tells me surprisingly little about her personality.", "nor cheerful, nor any other trait that'd facilitate drive (but she also isn't", "unambitious, unskilled person would not survive there for long.\" (Competition was encouraged, whereas", "point that \"a reactive, unambitious, unskilled person would not survive there for long.\"", "the first 7-10 years as a normal child, but she was cooped up", "\"battle/life-hardened\", tropes that some protagonists display; I hate that. My protagonist is young", "time building the world and fleshing out the characters, I grow convinced that", "adventurous, explorer of a protagonist would be much more fun--proactive as opposed to", "focus on the physical and the individual (2 separate systems). * The basic", "unskilled person would not survive there for long.\" (Competition was encouraged, whereas morality", "they're welcome, too. Here's some info about the character and the world: ", "brooding finally gave me a bit of a breakthrough). At the same time,", "to balance the proactiveness of a protagonist recently freed and about to explore", "with the idea of her main goal being to understand her body, her", "contemporary era, anyway), is only beginning her journey and still has many lessons", "with more spirituality, and a \"harder\" magic system with a greater focus on", "idea of her main goal being to understand her body, her mind, and", "but she was cooped up in a town. Now, she has far more", "no obligations, so she's free to be as nomadic as she wants to.", "the proactiveness of a protagonist recently freed and about to explore a new,", "with a greater focus on the physical and the individual (2 separate systems).", "the sense that there's no easy correct answer. I promise to do better", "I'd love to hear about them, and if you have any other suggestions,", "majority of her childhood in a camp that produced child soldiers. This will", "premise is that the protagonist escapes the camp and sets out to explore", "a protagonist would be much more fun--proactive as opposed to reactive. However, I", "a violent history of inhumane training (for the contemporary era, anyway), is only", "or even enthralling off the top of your head, I'd love to hear", "was encouraged, whereas morality was not.) I'm going for a blend between", "(mixes really well with the power I'm going to give her), but that", "to understand her body, her mind, and the world around her completely (mixes", "write, I envisioned the main protagonist as a more \"calm\", \"reactive\" type of", "basic premise is that the protagonist escapes the camp and sets out to", "about the character and the world: * A fantasy world. The story takes", "personality. The second and last points in particular are what made me want", "hate that. My protagonist is young and, despite a violent history of inhumane", "other trait that'd facilitate drive (but she also isn't depressed). Even her core/primary", "she has far more power and independence (from guardians, say) and no obligations,", "I just cannot fit the character I'm picturing with such a disposition. I", "young and, despite a violent history of inhumane training (for the contemporary era,", "of a protagonist recently freed and about to explore a new, alien world", "to learn. (Bad question, I now realize, in the sense that there's no", "of her main goal being to understand her body, her mind, and the", "at worst. I think an adventurous, explorer of a protagonist would be much", "made me want to give her an \"adventurous\", proactive disposition. To clarify the", "a \"harder\" magic system with a greater focus on the physical and the", "I decided to balance the two, but turns out that's easier said than", "At the same time, I want to avoid the \"jaded\", \"battle/life-hardened\", tropes that", "and fleshing out the characters, I grow convinced that such a protagonist would", "at best and Mary Sue-ish at worst. I think an adventurous, explorer of", "a different solar system. * The protagonist spent a majority of her childhood", "the two, but turns out that's easier said than done. If you can", "question, I now realize, in the sense that there's no easy correct answer.", "which is most certainly not what I'm going for. I am looking for", "\"reactive\" type of character. But as I spend more time building the world", "a more \"calm\", \"reactive\" type of character. But as I spend more time", "that the protagonist escapes the camp and sets out to explore the world.", "any other suggestions, they're welcome, too. Here's some info about the character and", "would be much more fun--proactive as opposed to reactive. However, I just cannot", "to. * I've been toying with the idea of her main goal being", "protagonist as a more \"calm\", \"reactive\" type of character. But as I spend", "info about the character and the world: * A fantasy world. The story", "proactiveness of a protagonist recently freed and about to explore a new, alien", "to avoid the \"jaded\", \"battle/life-hardened\", tropes that some protagonists display; I hate that.", "other suggestions, they're welcome, too. Here's some info about the character and the", "system. * The protagonist spent a majority of her childhood in a camp", "cooped up in a town. Now, she has far more power and independence", "camp that produced child soldiers. This will obviously have had a great effect", "and Mary Sue-ish at worst. I think an adventurous, explorer of a protagonist", "think of any such protagonists you've read--or written--that were, in fact, interesting or", "and a \"harder\" magic system with a greater focus on the physical and", "reactive. However, I just cannot fit the character I'm picturing with such a", "her main goal being to understand her body, her mind, and the world", "a disposition. I decided to balance the two, but turns out that's easier", "about this one particular story I wanted to write, I envisioned the main", "first 7-10 years as a normal child, but she was cooped up in", "the character I'm picturing with such a disposition. I decided to balance the", "guardians, say) and no obligations, so she's free to be as nomadic as", "protagonist escapes the camp and sets out to explore the world. She spent", "anyway), is only beginning her journey and still has many lessons to learn.", "more fun--proactive as opposed to reactive. However, I just cannot fit the character", "that'd facilitate drive (but she also isn't depressed). Even her core/primary desire lends", "written--that were, in fact, interesting or even enthralling off the top of your", "the main protagonist as a more \"calm\", \"reactive\" type of character. But as", "in various little idiosyncrasies, but I chiefly want to emphasize the point that", "but turns out that's easier said than done. If you can think of", "more power and independence (from guardians, say) and no obligations, so she's free", "I'm going to give her), but that tells me surprisingly little about her", "freed and about to explore a new, alien world with an introverted, traumatized", "are what made me want to give her an \"adventurous\", proactive disposition. To", "that (or, at least, was; four hours of brooding finally gave me a", "a camp that produced child soldiers. This will obviously have had a great", "7-10 years as a normal child, but she was cooped up in a", "fleshing out the characters, I grow convinced that such a protagonist would be", "child soldiers. This will obviously have had a great effect on her psyche", "have had a great effect on her psyche that will show itself in", "mind, and the world around her completely (mixes really well with the power", "I hate that. My protagonist is young and, despite a violent history of", "characters, I grow convinced that such a protagonist would be boring at best", "her personality. The second and last points in particular are what made me", "and the individual (2 separate systems). * The basic premise is that the", "a greater focus on the physical and the individual (2 separate systems). *", "an introverted, traumatized character that's neither mischievous, nor optimistic, nor cheerful, nor any", "When I first started thinking about this one particular story I wanted to", "such a disposition. I decided to balance the two, but turns out that's", "that tells me surprisingly little about her personality. The second and last points", "world with an introverted, traumatized character that's neither mischievous, nor optimistic, nor cheerful,", "(for the contemporary era, anyway), is only beginning her journey and still has", "(from guardians, say) and no obligations, so she's free to be as nomadic" ]
[ "are bad writing if they could not have been seen as plausible with", "plot twists, whether they're in the protagonist's favour or not, are bad writing", "An example would be the film Contact, where the transport machine is destroyed,", "not, are bad writing if they could not have been seen as plausible", "prior information (in case this is relevant, do not assume the opposite is", "seen as plausible with prior information (in case this is relevant, do not", "of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot twists such as", "whether they're in the protagonist's favour or not, are bad writing if they", "My understanding is that plot twists, whether they're in the protagonist's favour or", "revealed that they secretly built a second one in Japan. Other examples of", "such as these, that are based on information not made available to the", "twists that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for", "as plausible with prior information (in case this is relevant, do not assume", "not have been seen as plausible with prior information (in case this is", "is relevant, do not assume the opposite is true). An example would be", "Is there a name for plot twists such as these, that are based", "for it to be revealed that they secretly built a second one in", "plausible with prior information (in case this is relevant, do not assume the", "relevant, do not assume the opposite is true). An example would be the", "writing if they could not have been seen as plausible with prior information", "true). An example would be the film Contact, where the transport machine is", "with prior information (in case this is relevant, do not assume the opposite", "would be the film Contact, where the transport machine is destroyed, only for", "only for it to be revealed that they secretly built a second one", "example would be the film Contact, where the transport machine is destroyed, only", "is true). An example would be the film Contact, where the transport machine", "the film Contact, where the transport machine is destroyed, only for it to", "opposite is true). An example would be the film Contact, where the transport", "in Japan. Other examples of this would be twists that involve [violations of", "Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot twists such as these, that are", "to be revealed that they secretly built a second one in Japan. Other", "not assume the opposite is true). An example would be the film Contact,", "destroyed, only for it to be revealed that they secretly built a second", "there a name for plot twists such as these, that are based on", "be revealed that they secretly built a second one in Japan. Other examples", "they're in the protagonist's favour or not, are bad writing if they could", "film Contact, where the transport machine is destroyed, only for it to be", "Japan. Other examples of this would be twists that involve [violations of Knox's", "be the film Contact, where the transport machine is destroyed, only for it", "name for plot twists such as these, that are based on information not", "the transport machine is destroyed, only for it to be revealed that they", "this would be twists that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there", "favour or not, are bad writing if they could not have been seen", "involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot twists", "in the protagonist's favour or not, are bad writing if they could not", "a name for plot twists such as these, that are based on information", "(in case this is relevant, do not assume the opposite is true). An", "where the transport machine is destroyed, only for it to be revealed that", "have been seen as plausible with prior information (in case this is relevant,", "assume the opposite is true). An example would be the film Contact, where", "twists such as these, that are based on information not made available to", "do not assume the opposite is true). An example would be the film", "be twists that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name", "or not, are bad writing if they could not have been seen as", "10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot twists such as these, that", "this is relevant, do not assume the opposite is true). An example would", "protagonist's favour or not, are bad writing if they could not have been", "Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot twists such as these,", "understanding is that plot twists, whether they're in the protagonist's favour or not,", "that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot", "secretly built a second one in Japan. Other examples of this would be", "the protagonist's favour or not, are bad writing if they could not have", "plot twists such as these, that are based on information not made available", "would be twists that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a", "is that plot twists, whether they're in the protagonist's favour or not, are", "bad writing if they could not have been seen as plausible with prior", "information (in case this is relevant, do not assume the opposite is true).", "Contact, where the transport machine is destroyed, only for it to be revealed", "they secretly built a second one in Japan. Other examples of this would", "built a second one in Japan. Other examples of this would be twists", "been seen as plausible with prior information (in case this is relevant, do", "case this is relevant, do not assume the opposite is true). An example", "[violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is there a name for plot twists such", "twists, whether they're in the protagonist's favour or not, are bad writing if", "that they secretly built a second one in Japan. Other examples of this", "second one in Japan. Other examples of this would be twists that involve", "one in Japan. Other examples of this would be twists that involve [violations", "it to be revealed that they secretly built a second one in Japan.", "Other examples of this would be twists that involve [violations of Knox's 10", "machine is destroyed, only for it to be revealed that they secretly built", "if they could not have been seen as plausible with prior information (in", "transport machine is destroyed, only for it to be revealed that they secretly", "for plot twists such as these, that are based on information not made", "could not have been seen as plausible with prior information (in case this", "they could not have been seen as plausible with prior information (in case", "the opposite is true). An example would be the film Contact, where the", "examples of this would be twists that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre).", "of this would be twists that involve [violations of Knox's 10 Commandments](https://en.wikipedia.org/wiki/Golden_Age_of_Detective_Fiction#Description_of_the_genre). Is", "is destroyed, only for it to be revealed that they secretly built a", "as these, that are based on information not made available to the audience?", "a second one in Japan. Other examples of this would be twists that", "that plot twists, whether they're in the protagonist's favour or not, are bad" ]
[ "reasons), no matter what the heroes do, as if he is that invincible", "thinking of all possibilities and things that can ruin his plan and coming", "story I'm writing, there's a villain who is a genius strategist that can", "in a specific, story way), and is an emperor. In the end he", "So how can I make it so that this quasi-invincibility or \"Marty Stu-ness\"", "has a plan B, and each plan B has a plan B, always", "he can get killed in a specific, story way), and is an emperor.", "B, always thinking of all possibilities and things that can ruin his plan", "thus breaking the suspension of disbelief. So how can I make it so", "villain) is cheating, as he always figures out stuff and is always a", "the impression that he (the villain) is cheating, as he always figures out", "two possible outcomes: 1, success, or 2, success. His plans never fail because", "can get killed in a specific, story way), and is an emperor. In", "writing, there's a villain who is a genius strategist that can get anything", "a plan B, and each plan B has a plan B, always thinking", "too). But sometimes you have the impression that he (the villain) is cheating,", "flaw in his logic and a detail he didn't think about in one", "ruin his plan and coming with a solution to each one of them.", "heir of two special abilities. Oh, and he also becomes immortal (though he", "detail he didn't think about in one of his strategies (and by brute", "how can I make it so that this quasi-invincibility or \"Marty Stu-ness\" is", "of disbelief. So how can I make it so that this quasi-invincibility or", "sometimes you have the impression that he (the villain) is cheating, as he", "of his strategies (and by brute force too). But sometimes you have the", "of two special abilities. Oh, and he also becomes immortal (though he can", "force too). But sometimes you have the impression that he (the villain) is", "out stuff and is always a step ahead and ends up winning, with", "possible outcomes: 1, success, or 2, success. His plans never fail because he", "a genius strategist that can get anything he wants, whatever it is, by", "impression that he (the villain) is cheating, as he always figures out stuff", "that can have only two possible outcomes: 1, success, or 2, success. His", "specific story reasons), no matter what the heroes do, as if he is", "I make it so that this quasi-invincibility or \"Marty Stu-ness\" is something to", "His plans never fail because he always has a plan B, and each", "1, success, or 2, success. His plans never fail because he always has", "is, by developing perfect strategies that can have only two possible outcomes: 1,", "to achieve/win, and thus breaking the suspension of disbelief. So how can I", "special abilities. Oh, and he also becomes immortal (though he can get killed", "is a genius strategist that can get anything he wants, whatever it is,", "by a flaw in his logic and a detail he didn't think about", "success, or 2, success. His plans never fail because he always has a", "fail because he always has a plan B, and each plan B has", "think about in one of his strategies (and by brute force too). But", "or 2, success. His plans never fail because he always has a plan", "anything he wants, whatever it is, by developing perfect strategies that can have", "In the end he is defeated by a flaw in his logic and", "something to be amazed at, instead of something that breaks suspension of disbelief", "But sometimes you have the impression that he (the villain) is cheating, as", "whatever it is, by developing perfect strategies that can have only two possible", "his plan and coming with a solution to each one of them. If", "this quasi-invincibility or \"Marty Stu-ness\" is something to be amazed at, instead of", "that invincible because the writer is \"helping\" him to achieve/win, and thus breaking", "fighter, heir of two special abilities. Oh, and he also becomes immortal (though", "by brute force too). But sometimes you have the impression that he (the", "also becomes immortal (though he can get killed in a specific, story way),", "by developing perfect strategies that can have only two possible outcomes: 1, success,", "didn't think about in one of his strategies (and by brute force too).", "if he is that invincible because the writer is \"helping\" him to achieve/win,", "breaking the suspension of disbelief. So how can I make it so that", "plan B, always thinking of all possibilities and things that can ruin his", "make it so that this quasi-invincibility or \"Marty Stu-ness\" is something to be", "(and by brute force too). But sometimes you have the impression that he", "to defeat him in whatever way (except in the ending, along with specific", "in whatever way (except in the ending, along with specific story reasons), no", "suspension of disbelief. So how can I make it so that this quasi-invincibility", "B, and each plan B has a plan B, always thinking of all", "that he (the villain) is cheating, as he always figures out stuff and", "it is, by developing perfect strategies that can have only two possible outcomes:", "plans never fail because he always has a plan B, and each plan", "coming with a solution to each one of them. If that's not enough,", "and he also becomes immortal (though he can get killed in a specific,", "villain who is a genius strategist that can get anything he wants, whatever", "a story I'm writing, there's a villain who is a genius strategist that", "perfect strategies that can have only two possible outcomes: 1, success, or 2,", "an emperor. In the end he is defeated by a flaw in his", "and thus breaking the suspension of disbelief. So how can I make it", "plan B has a plan B, always thinking of all possibilities and things", "B has a plan B, always thinking of all possibilities and things that", "(the villain) is cheating, as he always figures out stuff and is always", "is \"helping\" him to achieve/win, and thus breaking the suspension of disbelief. So", "to each one of them. If that's not enough, he's also a powerful,", "get killed in a specific, story way), and is an emperor. In the", "Oh, and he also becomes immortal (though he can get killed in a", "who is a genius strategist that can get anything he wants, whatever it", "and ends up winning, with no one able to defeat him in whatever", "possibilities and things that can ruin his plan and coming with a solution", "I'm writing, there's a villain who is a genius strategist that can get", "a step ahead and ends up winning, with no one able to defeat", "always figures out stuff and is always a step ahead and ends up", "invincible because the writer is \"helping\" him to achieve/win, and thus breaking the", "so that this quasi-invincibility or \"Marty Stu-ness\" is something to be amazed at,", "he wants, whatever it is, by developing perfect strategies that can have only", "powerful, almost invincible fighter, heir of two special abilities. Oh, and he also", "in his logic and a detail he didn't think about in one of", "he didn't think about in one of his strategies (and by brute force", "with a solution to each one of them. If that's not enough, he's", "killed in a specific, story way), and is an emperor. In the end", "is that invincible because the writer is \"helping\" him to achieve/win, and thus", "genius strategist that can get anything he wants, whatever it is, by developing", "stuff and is always a step ahead and ends up winning, with no", "strategies (and by brute force too). But sometimes you have the impression that", "one of them. If that's not enough, he's also a powerful, almost invincible", "a villain who is a genius strategist that can get anything he wants,", "that's not enough, he's also a powerful, almost invincible fighter, heir of two", "can I make it so that this quasi-invincibility or \"Marty Stu-ness\" is something", "always has a plan B, and each plan B has a plan B,", "wants, whatever it is, by developing perfect strategies that can have only two", "strategies that can have only two possible outcomes: 1, success, or 2, success.", "\"Marty Stu-ness\" is something to be amazed at, instead of something that breaks", "matter what the heroes do, as if he is that invincible because the", "along with specific story reasons), no matter what the heroes do, as if", "writer is \"helping\" him to achieve/win, and thus breaking the suspension of disbelief.", "not enough, he's also a powerful, almost invincible fighter, heir of two special", "two special abilities. Oh, and he also becomes immortal (though he can get", "do, as if he is that invincible because the writer is \"helping\" him", "If that's not enough, he's also a powerful, almost invincible fighter, heir of", "enough, he's also a powerful, almost invincible fighter, heir of two special abilities.", "is always a step ahead and ends up winning, with no one able", "way (except in the ending, along with specific story reasons), no matter what", "he always figures out stuff and is always a step ahead and ends", "can have only two possible outcomes: 1, success, or 2, success. His plans", "logic and a detail he didn't think about in one of his strategies", "what the heroes do, as if he is that invincible because the writer", "he's also a powerful, almost invincible fighter, heir of two special abilities. Oh,", "the heroes do, as if he is that invincible because the writer is", "immortal (though he can get killed in a specific, story way), and is", "of them. If that's not enough, he's also a powerful, almost invincible fighter,", "abilities. Oh, and he also becomes immortal (though he can get killed in", "each plan B has a plan B, always thinking of all possibilities and", "and coming with a solution to each one of them. If that's not", "them. If that's not enough, he's also a powerful, almost invincible fighter, heir", "ends up winning, with no one able to defeat him in whatever way", "plan B, and each plan B has a plan B, always thinking of", "is an emperor. In the end he is defeated by a flaw in", "defeat him in whatever way (except in the ending, along with specific story", "his logic and a detail he didn't think about in one of his", "have only two possible outcomes: 1, success, or 2, success. His plans never", "in the ending, along with specific story reasons), no matter what the heroes", "a detail he didn't think about in one of his strategies (and by", "heroes do, as if he is that invincible because the writer is \"helping\"", "he (the villain) is cheating, as he always figures out stuff and is", "a specific, story way), and is an emperor. In the end he is", "achieve/win, and thus breaking the suspension of disbelief. So how can I make", "to be amazed at, instead of something that breaks suspension of disbelief (besides", "a solution to each one of them. If that's not enough, he's also", "all possibilities and things that can ruin his plan and coming with a", "ahead and ends up winning, with no one able to defeat him in", "defeated by a flaw in his logic and a detail he didn't think", "becomes immortal (though he can get killed in a specific, story way), and", "specific, story way), and is an emperor. In the end he is defeated", "only two possible outcomes: 1, success, or 2, success. His plans never fail", "never fail because he always has a plan B, and each plan B", "he is defeated by a flaw in his logic and a detail he", "success. His plans never fail because he always has a plan B, and", "\"helping\" him to achieve/win, and thus breaking the suspension of disbelief. So how", "disbelief. So how can I make it so that this quasi-invincibility or \"Marty", "you have the impression that he (the villain) is cheating, as he always", "that can get anything he wants, whatever it is, by developing perfect strategies", "end he is defeated by a flaw in his logic and a detail", "solution to each one of them. If that's not enough, he's also a", "the suspension of disbelief. So how can I make it so that this", "outcomes: 1, success, or 2, success. His plans never fail because he always", "and a detail he didn't think about in one of his strategies (and", "that can ruin his plan and coming with a solution to each one", "he is that invincible because the writer is \"helping\" him to achieve/win, and", "with specific story reasons), no matter what the heroes do, as if he", "almost invincible fighter, heir of two special abilities. Oh, and he also becomes", "a flaw in his logic and a detail he didn't think about in", "Stu-ness\" is something to be amazed at, instead of something that breaks suspension", "about in one of his strategies (and by brute force too). But sometimes", "a plan B, always thinking of all possibilities and things that can ruin", "also a powerful, almost invincible fighter, heir of two special abilities. Oh, and", "winning, with no one able to defeat him in whatever way (except in", "him to achieve/win, and thus breaking the suspension of disbelief. So how can", "and each plan B has a plan B, always thinking of all possibilities", "always thinking of all possibilities and things that can ruin his plan and", "and is an emperor. In the end he is defeated by a flaw", "has a plan B, always thinking of all possibilities and things that can", "a powerful, almost invincible fighter, heir of two special abilities. Oh, and he", "whatever way (except in the ending, along with specific story reasons), no matter", "story reasons), no matter what the heroes do, as if he is that", "step ahead and ends up winning, with no one able to defeat him", "able to defeat him in whatever way (except in the ending, along with", "he always has a plan B, and each plan B has a plan", "things that can ruin his plan and coming with a solution to each", "strategist that can get anything he wants, whatever it is, by developing perfect", "ending, along with specific story reasons), no matter what the heroes do, as", "each one of them. If that's not enough, he's also a powerful, almost", "get anything he wants, whatever it is, by developing perfect strategies that can", "the end he is defeated by a flaw in his logic and a", "as he always figures out stuff and is always a step ahead and", "as if he is that invincible because the writer is \"helping\" him to", "one of his strategies (and by brute force too). But sometimes you have", "the writer is \"helping\" him to achieve/win, and thus breaking the suspension of", "of all possibilities and things that can ruin his plan and coming with", "In a story I'm writing, there's a villain who is a genius strategist", "way), and is an emperor. In the end he is defeated by a", "figures out stuff and is always a step ahead and ends up winning,", "and things that can ruin his plan and coming with a solution to", "brute force too). But sometimes you have the impression that he (the villain)", "that this quasi-invincibility or \"Marty Stu-ness\" is something to be amazed at, instead", "or \"Marty Stu-ness\" is something to be amazed at, instead of something that", "there's a villain who is a genius strategist that can get anything he", "because he always has a plan B, and each plan B has a", "with no one able to defeat him in whatever way (except in the", "up winning, with no one able to defeat him in whatever way (except", "in one of his strategies (and by brute force too). But sometimes you", "can ruin his plan and coming with a solution to each one of", "and is always a step ahead and ends up winning, with no one", "developing perfect strategies that can have only two possible outcomes: 1, success, or", "him in whatever way (except in the ending, along with specific story reasons),", "(except in the ending, along with specific story reasons), no matter what the", "because the writer is \"helping\" him to achieve/win, and thus breaking the suspension", "is something to be amazed at, instead of something that breaks suspension of", "cheating, as he always figures out stuff and is always a step ahead", "2, success. His plans never fail because he always has a plan B,", "the ending, along with specific story reasons), no matter what the heroes do,", "(though he can get killed in a specific, story way), and is an", "can get anything he wants, whatever it is, by developing perfect strategies that", "quasi-invincibility or \"Marty Stu-ness\" is something to be amazed at, instead of something", "his strategies (and by brute force too). But sometimes you have the impression", "no one able to defeat him in whatever way (except in the ending,", "plan and coming with a solution to each one of them. If that's", "story way), and is an emperor. In the end he is defeated by", "emperor. In the end he is defeated by a flaw in his logic", "have the impression that he (the villain) is cheating, as he always figures", "be amazed at, instead of something that breaks suspension of disbelief (besides justifying)?", "is cheating, as he always figures out stuff and is always a step", "always a step ahead and ends up winning, with no one able to", "it so that this quasi-invincibility or \"Marty Stu-ness\" is something to be amazed", "no matter what the heroes do, as if he is that invincible because", "is defeated by a flaw in his logic and a detail he didn't", "one able to defeat him in whatever way (except in the ending, along", "invincible fighter, heir of two special abilities. Oh, and he also becomes immortal", "he also becomes immortal (though he can get killed in a specific, story" ]
[ "of small questions, one e-mail at a time, rather than being given larger", "small questions, one e-mail at a time, rather than being given larger blocks", "standard way to use FrameMaker where the documentation artifacts are checked in as", "use FrameMaker where the documentation artifacts are checked in as text files (for", "review tools. My questions are: 1. Is there a standard way to use", "we spend so much time is that we're presented with lots of small", "much time is that we're presented with lots of small questions, one e-mail", "of review tasks overlaid on a view of the complete documentation. The writers", "to spend a lot of time reviewing technical documentation written by people who", "FrameMaker licenses but know how to use code review tools. My questions are:", "they can be reviewed using standard code review tools? 2. If not, is", "with lots of small questions, one e-mail at a time, rather than being", "Is there a standard way to use FrameMaker where the documentation artifacts are", "technical documentation written by people who work in different offices and time zones.", "of the reason we spend so much time is that we're presented with", "seem to spend a lot of time reviewing technical documentation written by people", "larger blocks of review tasks overlaid on a view of the complete documentation.", "the complete documentation. The writers are using FrameMaker. Engineers don't have FrameMaker licenses", "a time, rather than being given larger blocks of review tasks overlaid on", "offices and time zones. Part of the reason we spend so much time", "given larger blocks of review tasks overlaid on a view of the complete", "Part of the reason we spend so much time is that we're presented", "documentation. The writers are using FrameMaker. Engineers don't have FrameMaker licenses but know", "of time reviewing technical documentation written by people who work in different offices", "have FrameMaker licenses but know how to use code review tools. My questions", "files (for example, XML) in a source control system, such that they can", "time reviewing technical documentation written by people who work in different offices and", "by people who work in different offices and time zones. Part of the", "are: 1. Is there a standard way to use FrameMaker where the documentation", "using FrameMaker. Engineers don't have FrameMaker licenses but know how to use code", "in a source control system, such that they can be reviewed using standard", "review tools? 2. If not, is there another good mechanism/process that allows tech", "the reason we spend so much time is that we're presented with lots", "spend so much time is that we're presented with lots of small questions,", "writers are using FrameMaker. Engineers don't have FrameMaker licenses but know how to", "there a standard way to use FrameMaker where the documentation artifacts are checked", "good mechanism/process that allows tech writers and reviewing engineers to collaborate on shared", "reviewing technical documentation written by people who work in different offices and time", "people who work in different offices and time zones. Part of the reason", "text files (for example, XML) in a source control system, such that they", "an engineer. At my company, engineers seem to spend a lot of time", "where the documentation artifacts are checked in as text files (for example, XML)", "complete documentation. The writers are using FrameMaker. Engineers don't have FrameMaker licenses but", "At my company, engineers seem to spend a lot of time reviewing technical", "so much time is that we're presented with lots of small questions, one", "to use code review tools. My questions are: 1. Is there a standard", "FrameMaker where the documentation artifacts are checked in as text files (for example,", "The writers are using FrameMaker. Engineers don't have FrameMaker licenses but know how", "engineers seem to spend a lot of time reviewing technical documentation written by", "different offices and time zones. Part of the reason we spend so much", "one e-mail at a time, rather than being given larger blocks of review", "review tasks overlaid on a view of the complete documentation. The writers are", "way to use FrameMaker where the documentation artifacts are checked in as text", "tasks overlaid on a view of the complete documentation. The writers are using", "know how to use code review tools. My questions are: 1. Is there", "don't have FrameMaker licenses but know how to use code review tools. My", "a standard way to use FrameMaker where the documentation artifacts are checked in", "who work in different offices and time zones. Part of the reason we", "work in different offices and time zones. Part of the reason we spend", "on a view of the complete documentation. The writers are using FrameMaker. Engineers", "is there another good mechanism/process that allows tech writers and reviewing engineers to", "1. Is there a standard way to use FrameMaker where the documentation artifacts", "time is that we're presented with lots of small questions, one e-mail at", "If not, is there another good mechanism/process that allows tech writers and reviewing", "questions are: 1. Is there a standard way to use FrameMaker where the", "mechanism/process that allows tech writers and reviewing engineers to collaborate on shared FrameMaker", "not, is there another good mechanism/process that allows tech writers and reviewing engineers", "another good mechanism/process that allows tech writers and reviewing engineers to collaborate on", "questions, one e-mail at a time, rather than being given larger blocks of", "time, rather than being given larger blocks of review tasks overlaid on a", "I'm an engineer. At my company, engineers seem to spend a lot of", "at a time, rather than being given larger blocks of review tasks overlaid", "written by people who work in different offices and time zones. Part of", "my company, engineers seem to spend a lot of time reviewing technical documentation", "are using FrameMaker. Engineers don't have FrameMaker licenses but know how to use", "(for example, XML) in a source control system, such that they can be", "can be reviewed using standard code review tools? 2. If not, is there", "be reviewed using standard code review tools? 2. If not, is there another", "overlaid on a view of the complete documentation. The writers are using FrameMaker.", "of the complete documentation. The writers are using FrameMaker. Engineers don't have FrameMaker", "being given larger blocks of review tasks overlaid on a view of the", "use code review tools. My questions are: 1. Is there a standard way", "time zones. Part of the reason we spend so much time is that", "engineer. At my company, engineers seem to spend a lot of time reviewing", "company, engineers seem to spend a lot of time reviewing technical documentation written", "the documentation artifacts are checked in as text files (for example, XML) in", "tools? 2. If not, is there another good mechanism/process that allows tech writers", "as text files (for example, XML) in a source control system, such that", "lots of small questions, one e-mail at a time, rather than being given", "in as text files (for example, XML) in a source control system, such", "and time zones. Part of the reason we spend so much time is", "checked in as text files (for example, XML) in a source control system,", "but know how to use code review tools. My questions are: 1. Is", "than being given larger blocks of review tasks overlaid on a view of", "that they can be reviewed using standard code review tools? 2. If not,", "standard code review tools? 2. If not, is there another good mechanism/process that", "using standard code review tools? 2. If not, is there another good mechanism/process", "that we're presented with lots of small questions, one e-mail at a time,", "source control system, such that they can be reviewed using standard code review", "a source control system, such that they can be reviewed using standard code", "view of the complete documentation. The writers are using FrameMaker. Engineers don't have", "spend a lot of time reviewing technical documentation written by people who work", "e-mail at a time, rather than being given larger blocks of review tasks", "licenses but know how to use code review tools. My questions are: 1.", "such that they can be reviewed using standard code review tools? 2. If", "artifacts are checked in as text files (for example, XML) in a source", "reviewed using standard code review tools? 2. If not, is there another good", "system, such that they can be reviewed using standard code review tools? 2.", "presented with lots of small questions, one e-mail at a time, rather than", "My questions are: 1. Is there a standard way to use FrameMaker where", "XML) in a source control system, such that they can be reviewed using", "documentation written by people who work in different offices and time zones. Part", "Engineers don't have FrameMaker licenses but know how to use code review tools.", "are checked in as text files (for example, XML) in a source control", "FrameMaker. Engineers don't have FrameMaker licenses but know how to use code review", "code review tools? 2. If not, is there another good mechanism/process that allows", "there another good mechanism/process that allows tech writers and reviewing engineers to collaborate", "code review tools. My questions are: 1. Is there a standard way to", "blocks of review tasks overlaid on a view of the complete documentation. The", "control system, such that they can be reviewed using standard code review tools?", "that allows tech writers and reviewing engineers to collaborate on shared FrameMaker documents?", "a view of the complete documentation. The writers are using FrameMaker. Engineers don't", "how to use code review tools. My questions are: 1. Is there a", "is that we're presented with lots of small questions, one e-mail at a", "to use FrameMaker where the documentation artifacts are checked in as text files", "example, XML) in a source control system, such that they can be reviewed", "tools. My questions are: 1. Is there a standard way to use FrameMaker", "lot of time reviewing technical documentation written by people who work in different", "zones. Part of the reason we spend so much time is that we're", "we're presented with lots of small questions, one e-mail at a time, rather", "2. If not, is there another good mechanism/process that allows tech writers and", "documentation artifacts are checked in as text files (for example, XML) in a", "rather than being given larger blocks of review tasks overlaid on a view", "a lot of time reviewing technical documentation written by people who work in", "in different offices and time zones. Part of the reason we spend so", "reason we spend so much time is that we're presented with lots of" ]
[ "I'm going to use LaTeX (pronounced: Lay-tech) for my base and want to", "symbols in an equation in Word. However, I have the problem of fonts.", "allows complex equations and all sorts of symbols, arrows, etc. I'm wondering: if", "my base and want to be able to insert these symbols into my", "three symbols: Alt+= allow LaTeX symbols in an equation in Word. However, I", "of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is a math code that is", "and the LaTeX math code? I experimented and found that three symbols: Alt+=", "code off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is a math code", "is based on TeX. It's useful because it allows complex equations and all", "writing platform could I use that accepts both regular writing (fonts, bold, italicize,", "TeX. It's useful because it allows complex equations and all sorts of symbols,", "system that works with weaving types of power. The most commonly used power", "drafts (not as a base for all of my writing, but as a", "a math code that is based on TeX. It's useful because it allows", "accepts both regular writing (fonts, bold, italicize, good for 200-page documents) and the", "for 200-page documents) and the LaTeX math code? I experimented and found that", "Lay-tech) for my base and want to be able to insert these symbols", "the LaTeX math code? I experimented and found that three symbols: Alt+= allow", "in particular, especially with the effect it gives to letters. Does anyone have", "weaving types of power. The most commonly used power source is a magical", "types of power. The most commonly used power source is a magical code.", "trying to base this code off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX", "particular, especially with the effect it gives to letters. Does anyone have a", "base for when I want to insert \"magical\" symbols), what writing platform could", "power source is a magical code. I'm trying to base this code off", "to be able to insert these symbols into my writing by using the", "to letters. Does anyone have a solution to getting a LaTeX font in", "to insert \"magical\" symbols), what writing platform could I use that accepts both", "that accepts both regular writing (fonts, bold, italicize, good for 200-page documents) and", "that works with weaving types of power. The most commonly used power source", "commonly used power source is a magical code. I'm trying to base this", "'latex'\"). LaTeX is a math code that is based on TeX. It's useful", "based on TeX. It's useful because it allows complex equations and all sorts", "symbols into my writing by using the code in my actual drafts (not", "experimented and found that three symbols: Alt+= allow LaTeX symbols in an equation", "Alt+= allow LaTeX symbols in an equation in Word. However, I have the", "The most commonly used power source is a magical code. I'm trying to", "using the code in my actual drafts (not as a base for all", "works with weaving types of power. The most commonly used power source is", "source is a magical code. I'm trying to base this code off of", "a base for all of my writing, but as a base for when", "good for 200-page documents) and the LaTeX math code? I experimented and found", "insert \"magical\" symbols), what writing platform could I use that accepts both regular", "Word. However, I have the problem of fonts. I was interested in the", "\"show questions tagged 'latex'\"). LaTeX is a math code that is based on", "I have the problem of fonts. I was interested in the \\mathbb font", "could I use that accepts both regular writing (fonts, bold, italicize, good for", "code that is based on TeX. It's useful because it allows complex equations", "I'm wondering: if I'm going to use LaTeX (pronounced: Lay-tech) for my base", "is a math code that is based on TeX. It's useful because it", "equations and all sorts of symbols, arrows, etc. I'm wondering: if I'm going", "found that three symbols: Alt+= allow LaTeX symbols in an equation in Word.", "I experimented and found that three symbols: Alt+= allow LaTeX symbols in an", "LaTeX (pronounced: Lay-tech) for my base and want to be able to insert", "I want to insert \"magical\" symbols), what writing platform could I use that", "what writing platform could I use that accepts both regular writing (fonts, bold,", "\"magical\" symbols), what writing platform could I use that accepts both regular writing", "both regular writing (fonts, bold, italicize, good for 200-page documents) and the LaTeX", "200-page documents) and the LaTeX math code? I experimented and found that three", "symbols: Alt+= allow LaTeX symbols in an equation in Word. However, I have", "in Word. However, I have the problem of fonts. I was interested in", "I was interested in the \\mathbb font in particular, especially with the effect", "and found that three symbols: Alt+= allow LaTeX symbols in an equation in", "\\mathbb font in particular, especially with the effect it gives to letters. Does", "all sorts of symbols, arrows, etc. I'm wondering: if I'm going to use", "if I'm going to use LaTeX (pronounced: Lay-tech) for my base and want", "insert these symbols into my writing by using the code in my actual", "it allows complex equations and all sorts of symbols, arrows, etc. I'm wondering:", "and want to be able to insert these symbols into my writing by", "most commonly used power source is a magical code. I'm trying to base", "into my writing by using the code in my actual drafts (not as", "used power source is a magical code. I'm trying to base this code", "my writing, but as a base for when I want to insert \"magical\"", "gives to letters. Does anyone have a solution to getting a LaTeX font", "as a base for when I want to insert \"magical\" symbols), what writing", "I'm working on a magic system that works with weaving types of power.", "when I want to insert \"magical\" symbols), what writing platform could I use", "as a base for all of my writing, but as a base for", "a magical code. I'm trying to base this code off of [latex](/questions/tagged/latex \"show", "regular writing (fonts, bold, italicize, good for 200-page documents) and the LaTeX math", "LaTeX is a math code that is based on TeX. It's useful because", "in an equation in Word. However, I have the problem of fonts. I", "of fonts. I was interested in the \\mathbb font in particular, especially with", "the effect it gives to letters. Does anyone have a solution to getting", "complex equations and all sorts of symbols, arrows, etc. I'm wondering: if I'm", "LaTeX symbols in an equation in Word. However, I have the problem of", "[latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is a math code that is based", "It's useful because it allows complex equations and all sorts of symbols, arrows,", "effect it gives to letters. Does anyone have a solution to getting a", "letters. Does anyone have a solution to getting a LaTeX font in Word?", "platform could I use that accepts both regular writing (fonts, bold, italicize, good", "arrows, etc. I'm wondering: if I'm going to use LaTeX (pronounced: Lay-tech) for", "was interested in the \\mathbb font in particular, especially with the effect it", "but as a base for when I want to insert \"magical\" symbols), what", "(fonts, bold, italicize, good for 200-page documents) and the LaTeX math code? I", "actual drafts (not as a base for all of my writing, but as", "I'm trying to base this code off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\").", "writing by using the code in my actual drafts (not as a base", "(not as a base for all of my writing, but as a base", "math code that is based on TeX. It's useful because it allows complex", "of symbols, arrows, etc. I'm wondering: if I'm going to use LaTeX (pronounced:", "wondering: if I'm going to use LaTeX (pronounced: Lay-tech) for my base and", "code? I experimented and found that three symbols: Alt+= allow LaTeX symbols in", "the \\mathbb font in particular, especially with the effect it gives to letters.", "of power. The most commonly used power source is a magical code. I'm", "questions tagged 'latex'\"). LaTeX is a math code that is based on TeX.", "symbols, arrows, etc. I'm wondering: if I'm going to use LaTeX (pronounced: Lay-tech)", "able to insert these symbols into my writing by using the code in", "going to use LaTeX (pronounced: Lay-tech) for my base and want to be", "symbols), what writing platform could I use that accepts both regular writing (fonts,", "for all of my writing, but as a base for when I want", "writing (fonts, bold, italicize, good for 200-page documents) and the LaTeX math code?", "off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is a math code that", "with weaving types of power. The most commonly used power source is a", "to insert these symbols into my writing by using the code in my", "of my writing, but as a base for when I want to insert", "base this code off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is a", "have the problem of fonts. I was interested in the \\mathbb font in", "all of my writing, but as a base for when I want to", "LaTeX math code? I experimented and found that three symbols: Alt+= allow LaTeX", "equation in Word. However, I have the problem of fonts. I was interested", "math code? I experimented and found that three symbols: Alt+= allow LaTeX symbols", "power. The most commonly used power source is a magical code. I'm trying", "useful because it allows complex equations and all sorts of symbols, arrows, etc.", "by using the code in my actual drafts (not as a base for", "use LaTeX (pronounced: Lay-tech) for my base and want to be able to", "problem of fonts. I was interested in the \\mathbb font in particular, especially", "working on a magic system that works with weaving types of power. The", "my actual drafts (not as a base for all of my writing, but", "a magic system that works with weaving types of power. The most commonly", "font in particular, especially with the effect it gives to letters. Does anyone", "tagged 'latex'\"). LaTeX is a math code that is based on TeX. It's", "it gives to letters. Does anyone have a solution to getting a LaTeX", "on TeX. It's useful because it allows complex equations and all sorts of", "is a magical code. I'm trying to base this code off of [latex](/questions/tagged/latex", "be able to insert these symbols into my writing by using the code", "writing, but as a base for when I want to insert \"magical\" symbols),", "italicize, good for 200-page documents) and the LaTeX math code? I experimented and", "because it allows complex equations and all sorts of symbols, arrows, etc. I'm", "want to be able to insert these symbols into my writing by using", "I use that accepts both regular writing (fonts, bold, italicize, good for 200-page", "and all sorts of symbols, arrows, etc. I'm wondering: if I'm going to", "these symbols into my writing by using the code in my actual drafts", "documents) and the LaTeX math code? I experimented and found that three symbols:", "that three symbols: Alt+= allow LaTeX symbols in an equation in Word. However,", "code. I'm trying to base this code off of [latex](/questions/tagged/latex \"show questions tagged", "with the effect it gives to letters. Does anyone have a solution to", "in my actual drafts (not as a base for all of my writing,", "to use LaTeX (pronounced: Lay-tech) for my base and want to be able", "this code off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is a math", "my writing by using the code in my actual drafts (not as a", "allow LaTeX symbols in an equation in Word. However, I have the problem", "magic system that works with weaving types of power. The most commonly used", "sorts of symbols, arrows, etc. I'm wondering: if I'm going to use LaTeX", "bold, italicize, good for 200-page documents) and the LaTeX math code? I experimented", "on a magic system that works with weaving types of power. The most", "code in my actual drafts (not as a base for all of my", "for my base and want to be able to insert these symbols into", "use that accepts both regular writing (fonts, bold, italicize, good for 200-page documents)", "that is based on TeX. It's useful because it allows complex equations and", "(pronounced: Lay-tech) for my base and want to be able to insert these", "magical code. I'm trying to base this code off of [latex](/questions/tagged/latex \"show questions", "want to insert \"magical\" symbols), what writing platform could I use that accepts", "interested in the \\mathbb font in particular, especially with the effect it gives", "an equation in Word. However, I have the problem of fonts. I was", "the code in my actual drafts (not as a base for all of", "fonts. I was interested in the \\mathbb font in particular, especially with the", "a base for when I want to insert \"magical\" symbols), what writing platform", "base and want to be able to insert these symbols into my writing", "for when I want to insert \"magical\" symbols), what writing platform could I", "the problem of fonts. I was interested in the \\mathbb font in particular,", "especially with the effect it gives to letters. Does anyone have a solution", "to base this code off of [latex](/questions/tagged/latex \"show questions tagged 'latex'\"). LaTeX is", "etc. I'm wondering: if I'm going to use LaTeX (pronounced: Lay-tech) for my", "base for all of my writing, but as a base for when I", "in the \\mathbb font in particular, especially with the effect it gives to", "However, I have the problem of fonts. I was interested in the \\mathbb" ]
[ "I'm looking for a writing software that's user friendly and doesn't require endless", "with their system. This would be perfect: * beautiful timeline with dates and", "would be perfect: * beautiful timeline with dates and time and clear overview", "age, race, eye colour, hair colour, ext...) * clear separation in type of", "overview of events for all the characters * a custom character profile interactive", "character profiling could be more organised and interactive with their system. This would", "character profile interactive with the timeline (like a setup page with age, race,", "organised and interactive with their system. This would be perfect: * beautiful timeline", "profile interactive with the timeline (like a setup page with age, race, eye", "for a writing software that's user friendly and doesn't require endless tutorials to", "* clear separation in type of events (birthdays, deaths, marriage, own creations,...) ", "a setup page with age, race, eye colour, hair colour, ext...) clear", "search engine within the system * not online.... .... and a lot more", "the system * not online.... .... and a lot more but let's start", "time on it... Also there character profiling could be more organised and interactive", "on it... Also there character profiling could be more organised and interactive with", "timeline is too simple and doesn't even have actual date or time on", "page with age, race, eye colour, hair colour, ext...) * clear separation in", "actual date or time on it... Also there character profiling could be more", "(like a setup page with age, race, eye colour, hair colour, ext...) ", "endless tutorials to figure out. Plotist seems to be a good start, but", "all the characters a custom character profile interactive with the timeline (like", "creations,...) * advance search engine within the system * not online.... .... and", "clear overview of events for all the characters * a custom character profile", "figure out. Plotist seems to be a good start, but their timeline is", "Plotist seems to be a good start, but their timeline is too simple", "timeline (like a setup page with age, race, eye colour, hair colour, ext...)", "interactive with the timeline (like a setup page with age, race, eye colour,", "friendly and doesn't require endless tutorials to figure out. Plotist seems to be", "and doesn't require endless tutorials to figure out. Plotist seems to be a", "have actual date or time on it... Also there character profiling could be", "simple and doesn't even have actual date or time on it... Also there", "user friendly and doesn't require endless tutorials to figure out. Plotist seems to", "seems to be a good start, but their timeline is too simple and", "within the system * not online.... .... and a lot more but let's", "dates and time and clear overview of events for all the characters ", "system not online.... .... and a lot more but let's start with", "This would be perfect: * beautiful timeline with dates and time and clear", "date or time on it... Also there character profiling could be more organised", "a custom character profile interactive with the timeline (like a setup page with", "be perfect: * beautiful timeline with dates and time and clear overview of", "events for all the characters * a custom character profile interactive with the", "could be more organised and interactive with their system. This would be perfect:", "even have actual date or time on it... Also there character profiling could", "and doesn't even have actual date or time on it... Also there character", "with dates and time and clear overview of events for all the characters", "interactive with their system. This would be perfect: * beautiful timeline with dates", "clear separation in type of events (birthdays, deaths, marriage, own creations,...) * advance", "colour, hair colour, ext...) * clear separation in type of events (birthdays, deaths,", "of events for all the characters * a custom character profile interactive with", "race, eye colour, hair colour, ext...) * clear separation in type of events", "* not online.... .... and a lot more but let's start with this", "the characters * a custom character profile interactive with the timeline (like a", "with age, race, eye colour, hair colour, ext...) * clear separation in type", "their system. This would be perfect: * beautiful timeline with dates and time", "(birthdays, deaths, marriage, own creations,...) * advance search engine within the system ", "time and clear overview of events for all the characters a custom", "the timeline (like a setup page with age, race, eye colour, hair colour,", "characters * a custom character profile interactive with the timeline (like a setup", "require endless tutorials to figure out. Plotist seems to be a good start,", "profiling could be more organised and interactive with their system. This would be", "and time and clear overview of events for all the characters * a", "eye colour, hair colour, ext...) * clear separation in type of events (birthdays,", "too simple and doesn't even have actual date or time on it... Also", "hair colour, ext...) * clear separation in type of events (birthdays, deaths, marriage,", "setup page with age, race, eye colour, hair colour, ext...) * clear separation", "is too simple and doesn't even have actual date or time on it...", "and clear overview of events for all the characters * a custom character", "good start, but their timeline is too simple and doesn't even have actual", "advance search engine within the system * not online.... .... and a lot", "timeline with dates and time and clear overview of events for all the", "but their timeline is too simple and doesn't even have actual date or", "it... Also there character profiling could be more organised and interactive with their", "tutorials to figure out. Plotist seems to be a good start, but their", "looking for a writing software that's user friendly and doesn't require endless tutorials", "for all the characters * a custom character profile interactive with the timeline", "of events (birthdays, deaths, marriage, own creations,...) * advance search engine within the", "a writing software that's user friendly and doesn't require endless tutorials to figure", "* beautiful timeline with dates and time and clear overview of events for", "doesn't require endless tutorials to figure out. Plotist seems to be a good", "there character profiling could be more organised and interactive with their system. This", "colour, ext...) * clear separation in type of events (birthdays, deaths, marriage, own", "separation in type of events (birthdays, deaths, marriage, own creations,...) * advance search", "in type of events (birthdays, deaths, marriage, own creations,...) * advance search engine", "engine within the system * not online.... .... and a lot more but", "own creations,...) * advance search engine within the system * not online.... ....", "marriage, own creations,...) * advance search engine within the system * not online....", "Also there character profiling could be more organised and interactive with their system.", "more organised and interactive with their system. This would be perfect: * beautiful", "* advance search engine within the system * not online.... .... and a", "custom character profile interactive with the timeline (like a setup page with age,", "not online.... .... and a lot more but let's start with this :-)", "events (birthdays, deaths, marriage, own creations,...) * advance search engine within the system", "doesn't even have actual date or time on it... Also there character profiling", "beautiful timeline with dates and time and clear overview of events for all", "perfect: * beautiful timeline with dates and time and clear overview of events", "and interactive with their system. This would be perfect: * beautiful timeline with", "system. This would be perfect: * beautiful timeline with dates and time and", "to be a good start, but their timeline is too simple and doesn't", "be a good start, but their timeline is too simple and doesn't even", "writing software that's user friendly and doesn't require endless tutorials to figure out.", "out. Plotist seems to be a good start, but their timeline is too", "or time on it... Also there character profiling could be more organised and", "a good start, but their timeline is too simple and doesn't even have", "with the timeline (like a setup page with age, race, eye colour, hair", "start, but their timeline is too simple and doesn't even have actual date", "their timeline is too simple and doesn't even have actual date or time", "type of events (birthdays, deaths, marriage, own creations,...) * advance search engine within", "software that's user friendly and doesn't require endless tutorials to figure out. Plotist", "deaths, marriage, own creations,...) * advance search engine within the system * not", "ext...) * clear separation in type of events (birthdays, deaths, marriage, own creations,...)", "to figure out. Plotist seems to be a good start, but their timeline", "that's user friendly and doesn't require endless tutorials to figure out. Plotist seems", "* a custom character profile interactive with the timeline (like a setup page", "be more organised and interactive with their system. This would be perfect: *" ]
[ "decidedly unimpressive plain, crow-black hair. Cursing the silkiness of her slick, stick-straight hair,", "the sample text used to illustrate my point is just something I came", "description in story writing? How do I know if I have crossed them?", "otherwise average protagonist. > > It took all of what she had to", "moved onto focusing on the wide roads of concrete they whirled past. >", "morning painstakingly ensuring that that curl stayed fastened to its rightful place. Apparently,", "worthy of civilised beings' time, it is deemed \"purple\". Not unexpectedly, given my", "crossed them? EDIT Keep in mind that the sample text used to illustrate", "fairly good in it. My native tongue is a very colourful one, full", "Sagrema had spent the better half of that morning painstakingly ensuring that that", "them? EDIT Keep in mind that the sample text used to illustrate my", "restrain from even so much as stealing a quick glance at her flushed,", "my first language but I'm fairly good in it. My native tongue is", "my actual writing skills and I would request you not to base your", "languages I speak. Now every time I manage to scribble off a piece", "took all of what she had to restrain from even so much as", "she moved onto focusing on the wide roads of concrete they whirled past.", "left cheek. Instead of feeling revitalised, a surge of irritation rippled within her,", "Keep in mind that the sample text used to illustrate my point is", "type, and so I tend to be annoyingly descriptive in my language. And", "writing? How do I know if I have crossed them? EDIT Keep in", "of my otherwise average protagonist. > > It took all of what she", "in her sudden moans of annoyance and shuffling uneasily in the rickshaw seat.", "that my unfounded focus on description distracts from the main story line. I", "question. So it is not at all a true representation of my actual", "stories in English, which doesn't happen to be my first language but I'm", "the chatty, girlish teen type, and so I tend to be annoyingly descriptive", "whooshed aside a stray curl covering her left cheek. Instead of feeling revitalised,", "no significance to the plot in the long-run. The problem is when I", "spent the better half of that morning painstakingly ensuring that that curl stayed", "breeze tickled Sagrema's ears, and whooshed aside a stray curl covering her left", "illustrate my point is just something I came up with while writing this", "the temptation to for example, do justice to the long, lustrous locks of", "Now every time I manage to scribble off a piece that's remotely worthy", "should I go about disciplining myself to write with more consideration? ### What", "to be annoyingly descriptive in my language. And that extends to all the", "structures. I'm more of the chatty, girlish teen type, and so I tend", "ears, and whooshed aside a stray curl covering her left cheek. Instead of", "The problem is when I immerse myself into writing, I cannot forego the", "tongue is a very colourful one, full of interesting idioms and sentence structures.", "in story writing? How do I know if I have crossed them? EDIT", "to clutter the text with elaborate, beauteous descriptions of elements that bear next", "I'm fairly good in it. My native tongue is a very colourful one,", "silkiness of her slick, stick-straight hair, she moved onto focusing on the wide", "rightful place. Apparently, the clip had slid down her watery waves of decidedly", "problem is when I immerse myself into writing, I cannot forego the temptation", "the plot in the long-run. The problem is when I immerse myself into", "very colourful one, full of interesting idioms and sentence structures. I'm more of", "flushed, bony limbs. A blow of cool, spring breeze tickled Sagrema's ears, and", "stayed fastened to its rightful place. Apparently, the clip had slid down her", "her sudden moans of annoyance and shuffling uneasily in the rickshaw seat. Sagrema", "more of the chatty, girlish teen type, and so I tend to be", "Apparently, the clip had slid down her watery waves of decidedly unimpressive plain,", "consideration? ### What are the limits to description in story writing? How do", "representation of my actual writing skills and I would request you not to", "writing skills and I would request you not to base your thoughts on", "extends to all the other languages I speak. Now every time I manage", "of her slick, stick-straight hair, she moved onto focusing on the wide roads", "What are the limits to description in story writing? How do I know", "of that morning painstakingly ensuring that that curl stayed fastened to its rightful", "which doesn't happen to be my first language but I'm fairly good in", "cannot forego the temptation to for example, do justice to the long, lustrous", "bony limbs. A blow of cool, spring breeze tickled Sagrema's ears, and whooshed", "of what she had to restrain from even so much as stealing a", "had to restrain from even so much as stealing a quick glance at", "not to base your thoughts on me as a writer solely on that", "to restrain from even so much as stealing a quick glance at her", "speak. Now every time I manage to scribble off a piece that's remotely", "shuffling uneasily in the rickshaw seat. Sagrema had spent the better half of", "know if I have crossed them? EDIT Keep in mind that the sample", "I'm more of the chatty, girlish teen type, and so I tend to", "my language. And that extends to all the other languages I speak. Now", "curl stayed fastened to its rightful place. Apparently, the clip had slid down", "slid down her watery waves of decidedly unimpressive plain, crow-black hair. Cursing the", "all of what she had to restrain from even so much as stealing", "aside a stray curl covering her left cheek. Instead of feeling revitalised, a", "that the sample text used to illustrate my point is just something I", "do try my utmost not to clutter the text with elaborate, beauteous descriptions", "do justice to the long, lustrous locks of my otherwise average protagonist. >", "of annoyance and shuffling uneasily in the rickshaw seat. Sagrema had spent the", "piece that's remotely worthy of civilised beings' time, it is deemed \"purple\". Not", "> It took all of what she had to restrain from even so", "just something I came up with while writing this question. So it is", "focus on description distracts from the main story line. I mostly write stories", "in English, which doesn't happen to be my first language but I'm fairly", "distracts from the main story line. I mostly write stories in English, which", "in the rickshaw seat. Sagrema had spent the better half of that morning", "English, which doesn't happen to be my first language but I'm fairly good", "my unfounded focus on description distracts from the main story line. I mostly", "times. However, I do try my utmost not to clutter the text with", "it is not at all a true representation of my actual writing skills", "> > So how should I go about disciplining myself to write with", "I cannot forego the temptation to for example, do justice to the long,", "> > > So how should I go about disciplining myself to write", "beauteous descriptions of elements that bear next to no significance to the plot", "Instead of feeling revitalised, a surge of irritation rippled within her, which manifested", "forego the temptation to for example, do justice to the long, lustrous locks", "limits to description in story writing? How do I know if I have", "is not at all a true representation of my actual writing skills and", "and time again, I have been told that my unfounded focus on description", "revitalised, a surge of irritation rippled within her, which manifested itself in her", "you not to base your thoughts on me as a writer solely on", "plot in the long-run. The problem is when I immerse myself into writing,", "annoyingly descriptive in my language. And that extends to all the other languages", "the other languages I speak. Now every time I manage to scribble off", "feeling revitalised, a surge of irritation rippled within her, which manifested itself in", "sample text used to illustrate my point is just something I came up", "I have been told that my unfounded focus on description distracts from the", "ensuring that that curl stayed fastened to its rightful place. Apparently, the clip", "moans of annoyance and shuffling uneasily in the rickshaw seat. Sagrema had spent", "not at all a true representation of my actual writing skills and I", "good in it. My native tongue is a very colourful one, full of", "covering her left cheek. Instead of feeling revitalised, a surge of irritation rippled", "writing this question. So it is not at all a true representation of", "limbs. A blow of cool, spring breeze tickled Sagrema's ears, and whooshed aside", "> So how should I go about disciplining myself to write with more", "had spent the better half of that morning painstakingly ensuring that that curl", "and whooshed aside a stray curl covering her left cheek. Instead of feeling", "myself to write with more consideration? ### What are the limits to description", "to the plot in the long-run. The problem is when I immerse myself", "of interesting idioms and sentence structures. I'm more of the chatty, girlish teen", "deemed \"purple\". Not unexpectedly, given my tendency to be overly descriptive at times.", "I manage to scribble off a piece that's remotely worthy of civilised beings'", "much as stealing a quick glance at her flushed, bony limbs. A blow", "disciplining myself to write with more consideration? ### What are the limits to", "average protagonist. > > It took all of what she had to restrain", "base your thoughts on me as a writer solely on that little tidbit.", "girlish teen type, and so I tend to be annoyingly descriptive in my", "to its rightful place. Apparently, the clip had slid down her watery waves", "How do I know if I have crossed them? EDIT Keep in mind", "I immerse myself into writing, I cannot forego the temptation to for example,", "down her watery waves of decidedly unimpressive plain, crow-black hair. Cursing the silkiness", "I go about disciplining myself to write with more consideration? ### What are", "this question. So it is not at all a true representation of my", "protagonist. > > It took all of what she had to restrain from", "I came up with while writing this question. So it is not at", "sudden moans of annoyance and shuffling uneasily in the rickshaw seat. Sagrema had", "so much as stealing a quick glance at her flushed, bony limbs. A", "that extends to all the other languages I speak. Now every time I", "been told that my unfounded focus on description distracts from the main story", "crow-black hair. Cursing the silkiness of her slick, stick-straight hair, she moved onto", "next to no significance to the plot in the long-run. The problem is", "about disciplining myself to write with more consideration? ### What are the limits", "are the limits to description in story writing? How do I know if", "civilised beings' time, it is deemed \"purple\". Not unexpectedly, given my tendency to", "a surge of irritation rippled within her, which manifested itself in her sudden", "her flushed, bony limbs. A blow of cool, spring breeze tickled Sagrema's ears,", "mostly write stories in English, which doesn't happen to be my first language", "clutter the text with elaborate, beauteous descriptions of elements that bear next to", "teen type, and so I tend to be annoyingly descriptive in my language.", "A blow of cool, spring breeze tickled Sagrema's ears, and whooshed aside a", "rickshaw seat. Sagrema had spent the better half of that morning painstakingly ensuring", "curl covering her left cheek. Instead of feeling revitalised, a surge of irritation", "a very colourful one, full of interesting idioms and sentence structures. I'm more", "it is deemed \"purple\". Not unexpectedly, given my tendency to be overly descriptive", "Time and time again, I have been told that my unfounded focus on", "if I have crossed them? EDIT Keep in mind that the sample text", "story writing? How do I know if I have crossed them? EDIT Keep", "her watery waves of decidedly unimpressive plain, crow-black hair. Cursing the silkiness of", "the main story line. I mostly write stories in English, which doesn't happen", "within her, which manifested itself in her sudden moans of annoyance and shuffling", "unfounded focus on description distracts from the main story line. I mostly write", "not to clutter the text with elaborate, beauteous descriptions of elements that bear", "example, do justice to the long, lustrous locks of my otherwise average protagonist.", "the wide roads of concrete they whirled past. > > > So how", "point is just something I came up with while writing this question. So", "sentence structures. I'm more of the chatty, girlish teen type, and so I", "temptation to for example, do justice to the long, lustrous locks of my", "her left cheek. Instead of feeling revitalised, a surge of irritation rippled within", "line. I mostly write stories in English, which doesn't happen to be my", "My native tongue is a very colourful one, full of interesting idioms and", "roads of concrete they whirled past. > > > So how should I", "story line. I mostly write stories in English, which doesn't happen to be", "had slid down her watery waves of decidedly unimpressive plain, crow-black hair. Cursing", "that's remotely worthy of civilised beings' time, it is deemed \"purple\". Not unexpectedly,", "the rickshaw seat. Sagrema had spent the better half of that morning painstakingly", "that that curl stayed fastened to its rightful place. Apparently, the clip had", "text used to illustrate my point is just something I came up with", "one, full of interesting idioms and sentence structures. I'm more of the chatty,", "So it is not at all a true representation of my actual writing", "that morning painstakingly ensuring that that curl stayed fastened to its rightful place.", "came up with while writing this question. So it is not at all", "stray curl covering her left cheek. Instead of feeling revitalised, a surge of", "description distracts from the main story line. I mostly write stories in English,", "manifested itself in her sudden moans of annoyance and shuffling uneasily in the", "a true representation of my actual writing skills and I would request you", "first language but I'm fairly good in it. My native tongue is a", "elements that bear next to no significance to the plot in the long-run.", "actual writing skills and I would request you not to base your thoughts", "try my utmost not to clutter the text with elaborate, beauteous descriptions of", "write with more consideration? ### What are the limits to description in story", "even so much as stealing a quick glance at her flushed, bony limbs.", "and I would request you not to base your thoughts on me as", "place. Apparently, the clip had slid down her watery waves of decidedly unimpressive", "to description in story writing? How do I know if I have crossed", "at her flushed, bony limbs. A blow of cool, spring breeze tickled Sagrema's", "her slick, stick-straight hair, she moved onto focusing on the wide roads of", "uneasily in the rickshaw seat. Sagrema had spent the better half of that", "with more consideration? ### What are the limits to description in story writing?", "how should I go about disciplining myself to write with more consideration? ###", "to no significance to the plot in the long-run. The problem is when", "better half of that morning painstakingly ensuring that that curl stayed fastened to", "of cool, spring breeze tickled Sagrema's ears, and whooshed aside a stray curl", "stick-straight hair, she moved onto focusing on the wide roads of concrete they", "descriptive at times. However, I do try my utmost not to clutter the", "hair, she moved onto focusing on the wide roads of concrete they whirled", "I would request you not to base your thoughts on me as a", "of the chatty, girlish teen type, and so I tend to be annoyingly", "while writing this question. So it is not at all a true representation", "I know if I have crossed them? EDIT Keep in mind that the", "is when I immerse myself into writing, I cannot forego the temptation to", "of feeling revitalised, a surge of irritation rippled within her, which manifested itself", "that curl stayed fastened to its rightful place. Apparently, the clip had slid", "text with elaborate, beauteous descriptions of elements that bear next to no significance", "chatty, girlish teen type, and so I tend to be annoyingly descriptive in", "so I tend to be annoyingly descriptive in my language. And that extends", "be my first language but I'm fairly good in it. My native tongue", "long, lustrous locks of my otherwise average protagonist. > > It took all", "and shuffling uneasily in the rickshaw seat. Sagrema had spent the better half", "long-run. The problem is when I immerse myself into writing, I cannot forego", "watery waves of decidedly unimpressive plain, crow-black hair. Cursing the silkiness of her", "other languages I speak. Now every time I manage to scribble off a", "in it. My native tongue is a very colourful one, full of interesting", "told that my unfounded focus on description distracts from the main story line.", "with elaborate, beauteous descriptions of elements that bear next to no significance to", "a piece that's remotely worthy of civilised beings' time, it is deemed \"purple\".", "\"purple\". Not unexpectedly, given my tendency to be overly descriptive at times. However,", "they whirled past. > > > So how should I go about disciplining", "all a true representation of my actual writing skills and I would request", "off a piece that's remotely worthy of civilised beings' time, it is deemed", "as stealing a quick glance at her flushed, bony limbs. A blow of", "> > It took all of what she had to restrain from even", "slick, stick-straight hair, she moved onto focusing on the wide roads of concrete", "glance at her flushed, bony limbs. A blow of cool, spring breeze tickled", "locks of my otherwise average protagonist. > > It took all of what", "what she had to restrain from even so much as stealing a quick", "to base your thoughts on me as a writer solely on that little", "blow of cool, spring breeze tickled Sagrema's ears, and whooshed aside a stray", "to scribble off a piece that's remotely worthy of civilised beings' time, it", "rippled within her, which manifested itself in her sudden moans of annoyance and", "on the wide roads of concrete they whirled past. > > > So", "bear next to no significance to the plot in the long-run. The problem", "at times. However, I do try my utmost not to clutter the text", "the better half of that morning painstakingly ensuring that that curl stayed fastened", "So how should I go about disciplining myself to write with more consideration?", "do I know if I have crossed them? EDIT Keep in mind that", "write stories in English, which doesn't happen to be my first language but", "past. > > > So how should I go about disciplining myself to", "go about disciplining myself to write with more consideration? ### What are the", "spring breeze tickled Sagrema's ears, and whooshed aside a stray curl covering her", "focusing on the wide roads of concrete they whirled past. > > >", "Not unexpectedly, given my tendency to be overly descriptive at times. However, I", "myself into writing, I cannot forego the temptation to for example, do justice", "main story line. I mostly write stories in English, which doesn't happen to", "tend to be annoyingly descriptive in my language. And that extends to all", "descriptive in my language. And that extends to all the other languages I", "into writing, I cannot forego the temptation to for example, do justice to", "scribble off a piece that's remotely worthy of civilised beings' time, it is", "descriptions of elements that bear next to no significance to the plot in", "waves of decidedly unimpressive plain, crow-black hair. Cursing the silkiness of her slick,", "she had to restrain from even so much as stealing a quick glance", "the long, lustrous locks of my otherwise average protagonist. > > It took", "I have crossed them? EDIT Keep in mind that the sample text used", "to write with more consideration? ### What are the limits to description in", "elaborate, beauteous descriptions of elements that bear next to no significance to the", "it. My native tongue is a very colourful one, full of interesting idioms", "whirled past. > > > So how should I go about disciplining myself", "significance to the plot in the long-run. The problem is when I immerse", "something I came up with while writing this question. So it is not", "language. And that extends to all the other languages I speak. Now every", "concrete they whirled past. > > > So how should I go about", "the limits to description in story writing? How do I know if I", "is a very colourful one, full of interesting idioms and sentence structures. I'm", "my point is just something I came up with while writing this question.", "manage to scribble off a piece that's remotely worthy of civilised beings' time,", "mind that the sample text used to illustrate my point is just something", "immerse myself into writing, I cannot forego the temptation to for example, do", "half of that morning painstakingly ensuring that that curl stayed fastened to its", "which manifested itself in her sudden moans of annoyance and shuffling uneasily in", "I mostly write stories in English, which doesn't happen to be my first", "would request you not to base your thoughts on me as a writer", "from the main story line. I mostly write stories in English, which doesn't", "the clip had slid down her watery waves of decidedly unimpressive plain, crow-black", "be overly descriptive at times. However, I do try my utmost not to", "when I immerse myself into writing, I cannot forego the temptation to for", "wide roads of concrete they whirled past. > > > So how should", "be annoyingly descriptive in my language. And that extends to all the other", "native tongue is a very colourful one, full of interesting idioms and sentence", "for example, do justice to the long, lustrous locks of my otherwise average", "up with while writing this question. So it is not at all a", "request you not to base your thoughts on me as a writer solely", "of irritation rippled within her, which manifested itself in her sudden moans of", "to all the other languages I speak. Now every time I manage to", "but I'm fairly good in it. My native tongue is a very colourful", "remotely worthy of civilised beings' time, it is deemed \"purple\". Not unexpectedly, given", "of civilised beings' time, it is deemed \"purple\". Not unexpectedly, given my tendency", "However, I do try my utmost not to clutter the text with elaborate,", "full of interesting idioms and sentence structures. I'm more of the chatty, girlish", "unexpectedly, given my tendency to be overly descriptive at times. However, I do", "beings' time, it is deemed \"purple\". Not unexpectedly, given my tendency to be", "irritation rippled within her, which manifested itself in her sudden moans of annoyance", "cool, spring breeze tickled Sagrema's ears, and whooshed aside a stray curl covering", "surge of irritation rippled within her, which manifested itself in her sudden moans", "with while writing this question. So it is not at all a true", "lustrous locks of my otherwise average protagonist. > > It took all of", "plain, crow-black hair. Cursing the silkiness of her slick, stick-straight hair, she moved", "of elements that bear next to no significance to the plot in the", "to be my first language but I'm fairly good in it. My native", "my otherwise average protagonist. > > It took all of what she had", "to for example, do justice to the long, lustrous locks of my otherwise", "unimpressive plain, crow-black hair. Cursing the silkiness of her slick, stick-straight hair, she", "writing, I cannot forego the temptation to for example, do justice to the", "that bear next to no significance to the plot in the long-run. The", "seat. Sagrema had spent the better half of that morning painstakingly ensuring that", "on description distracts from the main story line. I mostly write stories in", "overly descriptive at times. However, I do try my utmost not to clutter", "true representation of my actual writing skills and I would request you not", "I tend to be annoyingly descriptive in my language. And that extends to", "and so I tend to be annoyingly descriptive in my language. And that", "time again, I have been told that my unfounded focus on description distracts", "in mind that the sample text used to illustrate my point is just", "have been told that my unfounded focus on description distracts from the main", "clip had slid down her watery waves of decidedly unimpressive plain, crow-black hair.", "to the long, lustrous locks of my otherwise average protagonist. > > It", "in the long-run. The problem is when I immerse myself into writing, I", "of my actual writing skills and I would request you not to base", "my tendency to be overly descriptive at times. However, I do try my", "language but I'm fairly good in it. My native tongue is a very", "of concrete they whirled past. > > > So how should I go", "I speak. Now every time I manage to scribble off a piece that's", "a quick glance at her flushed, bony limbs. A blow of cool, spring", "her, which manifested itself in her sudden moans of annoyance and shuffling uneasily", "interesting idioms and sentence structures. I'm more of the chatty, girlish teen type,", "utmost not to clutter the text with elaborate, beauteous descriptions of elements that", "is just something I came up with while writing this question. So it", "more consideration? ### What are the limits to description in story writing? How", "the text with elaborate, beauteous descriptions of elements that bear next to no", "painstakingly ensuring that that curl stayed fastened to its rightful place. Apparently, the", "hair. Cursing the silkiness of her slick, stick-straight hair, she moved onto focusing", "all the other languages I speak. Now every time I manage to scribble", "Sagrema's ears, and whooshed aside a stray curl covering her left cheek. Instead", "every time I manage to scribble off a piece that's remotely worthy of", "stealing a quick glance at her flushed, bony limbs. A blow of cool,", "and sentence structures. I'm more of the chatty, girlish teen type, and so", "tendency to be overly descriptive at times. However, I do try my utmost", "It took all of what she had to restrain from even so much", "used to illustrate my point is just something I came up with while", "happen to be my first language but I'm fairly good in it. My", "time I manage to scribble off a piece that's remotely worthy of civilised", "tickled Sagrema's ears, and whooshed aside a stray curl covering her left cheek.", "colourful one, full of interesting idioms and sentence structures. I'm more of the", "skills and I would request you not to base your thoughts on me", "time, it is deemed \"purple\". Not unexpectedly, given my tendency to be overly", "at all a true representation of my actual writing skills and I would", "### What are the limits to description in story writing? How do I", "have crossed them? EDIT Keep in mind that the sample text used to", "cheek. Instead of feeling revitalised, a surge of irritation rippled within her, which", "Cursing the silkiness of her slick, stick-straight hair, she moved onto focusing on", "I do try my utmost not to clutter the text with elaborate, beauteous", "to illustrate my point is just something I came up with while writing", "to be overly descriptive at times. However, I do try my utmost not", "EDIT Keep in mind that the sample text used to illustrate my point", "again, I have been told that my unfounded focus on description distracts from", "quick glance at her flushed, bony limbs. A blow of cool, spring breeze", "given my tendency to be overly descriptive at times. However, I do try", "a stray curl covering her left cheek. Instead of feeling revitalised, a surge", "in my language. And that extends to all the other languages I speak.", "is deemed \"purple\". Not unexpectedly, given my tendency to be overly descriptive at", "of decidedly unimpressive plain, crow-black hair. Cursing the silkiness of her slick, stick-straight", "from even so much as stealing a quick glance at her flushed, bony", "onto focusing on the wide roads of concrete they whirled past. > >", "fastened to its rightful place. Apparently, the clip had slid down her watery", "its rightful place. Apparently, the clip had slid down her watery waves of", "annoyance and shuffling uneasily in the rickshaw seat. Sagrema had spent the better", "the long-run. The problem is when I immerse myself into writing, I cannot", "doesn't happen to be my first language but I'm fairly good in it.", "justice to the long, lustrous locks of my otherwise average protagonist. > >", "my utmost not to clutter the text with elaborate, beauteous descriptions of elements", "And that extends to all the other languages I speak. Now every time", "itself in her sudden moans of annoyance and shuffling uneasily in the rickshaw", "the silkiness of her slick, stick-straight hair, she moved onto focusing on the", "idioms and sentence structures. I'm more of the chatty, girlish teen type, and" ]
[ "them getting up out of their body but making it clear to the", "character is shot and then gets up out of their body and stand", "gets up out of their body and stand up, but it is not", "is dead on the floor. Basically, their spirit is like a body which", "stand up, but it is not their real body their actual body is", "it is not their real body their actual body is dead on the", "body and stand up, but it is not their real body their actual", "trying to write a story where a character is shot and then gets", "problem is I don't know how to clearly explain them getting up out", "spirit is like a body which is sort of transparent but not completely.", "which is sort of transparent but not completely. My problem is I don't", "their real body their actual body is dead on the floor. Basically, their", "like a body which is sort of transparent but not completely. My problem", "their spirit is like a body which is sort of transparent but not", "then gets up out of their body and stand up, but it is", "write a story where a character is shot and then gets up out", "their body and stand up, but it is not their real body their", "the reader its a spirit and the actual body is still on the", "is sort of transparent but not completely. My problem is I don't know", "to clearly explain them getting up out of their body but making it", "story where a character is shot and then gets up out of their", "of their body and stand up, but it is not their real body", "is I don't know how to clearly explain them getting up out of", "out of their body but making it clear to the reader its a", "My problem is I don't know how to clearly explain them getting up", "the floor. Basically, their spirit is like a body which is sort of", "am trying to write a story where a character is shot and then", "explain them getting up out of their body but making it clear to", "don't know how to clearly explain them getting up out of their body", "and then gets up out of their body and stand up, but it", "real body their actual body is dead on the floor. Basically, their spirit", "their body but making it clear to the reader its a spirit and", "up out of their body but making it clear to the reader its", "clear to the reader its a spirit and the actual body is still", "to the reader its a spirit and the actual body is still on", "body their actual body is dead on the floor. Basically, their spirit is", "it clear to the reader its a spirit and the actual body is", "floor. Basically, their spirit is like a body which is sort of transparent", "but not completely. My problem is I don't know how to clearly explain", "is shot and then gets up out of their body and stand up,", "a body which is sort of transparent but not completely. My problem is", "out of their body and stand up, but it is not their real", "of transparent but not completely. My problem is I don't know how to", "dead on the floor. Basically, their spirit is like a body which is", "of their body but making it clear to the reader its a spirit", "how to clearly explain them getting up out of their body but making", "up, but it is not their real body their actual body is dead", "clearly explain them getting up out of their body but making it clear", "sort of transparent but not completely. My problem is I don't know how", "not their real body their actual body is dead on the floor. Basically,", "I am trying to write a story where a character is shot and", "to write a story where a character is shot and then gets up", "a character is shot and then gets up out of their body and", "but making it clear to the reader its a spirit and the actual", "body which is sort of transparent but not completely. My problem is I", "their actual body is dead on the floor. Basically, their spirit is like", "but it is not their real body their actual body is dead on", "is not their real body their actual body is dead on the floor.", "is like a body which is sort of transparent but not completely. My", "Basically, their spirit is like a body which is sort of transparent but", "getting up out of their body but making it clear to the reader", "actual body is dead on the floor. Basically, their spirit is like a", "transparent but not completely. My problem is I don't know how to clearly", "body is dead on the floor. Basically, their spirit is like a body", "shot and then gets up out of their body and stand up, but", "not completely. My problem is I don't know how to clearly explain them", "know how to clearly explain them getting up out of their body but", "reader its a spirit and the actual body is still on the ground.", "and stand up, but it is not their real body their actual body", "making it clear to the reader its a spirit and the actual body", "up out of their body and stand up, but it is not their", "I don't know how to clearly explain them getting up out of their", "a story where a character is shot and then gets up out of", "body but making it clear to the reader its a spirit and the", "where a character is shot and then gets up out of their body", "on the floor. Basically, their spirit is like a body which is sort", "completely. My problem is I don't know how to clearly explain them getting" ]
[ "my autobiographical novel is a girl on spiritual adventures. I have the idea", "but I don't want to dedicate words to explicitly express her looks, so", "explicitly express her looks, so is it OK if I just mention in", "is it OK if I just mention in one line that she looks", "spiritual adventures. I have the idea of her looks in my mind, but", "mind, but I don't want to dedicate words to explicitly express her looks,", "express her looks, so is it OK if I just mention in one", "if I just mention in one line that she looks like some real", "I mention names of some real-world spiritual teachers as she meets them on", "some real world actress? Also, can I mention names of some real-world spiritual", "world actress? Also, can I mention names of some real-world spiritual teachers as", "want to dedicate words to explicitly express her looks, so is it OK", "idea of her looks in my mind, but I don't want to dedicate", "real world actress? Also, can I mention names of some real-world spiritual teachers", "looks in my mind, but I don't want to dedicate words to explicitly", "it OK if I just mention in one line that she looks like", "in my mind, but I don't want to dedicate words to explicitly express", "dedicate words to explicitly express her looks, so is it OK if I", "like some real world actress? Also, can I mention names of some real-world", "her looks in my mind, but I don't want to dedicate words to", "one line that she looks like some real world actress? Also, can I", "looks like some real world actress? Also, can I mention names of some", "I just mention in one line that she looks like some real world", "don't want to dedicate words to explicitly express her looks, so is it", "autobiographical novel is a girl on spiritual adventures. I have the idea of", "have the idea of her looks in my mind, but I don't want", "protagonist in my autobiographical novel is a girl on spiritual adventures. I have", "a girl on spiritual adventures. I have the idea of her looks in", "just mention in one line that she looks like some real world actress?", "novel is a girl on spiritual adventures. I have the idea of her", "in my autobiographical novel is a girl on spiritual adventures. I have the", "looks, so is it OK if I just mention in one line that", "that she looks like some real world actress? Also, can I mention names", "I have the idea of her looks in my mind, but I don't", "mention names of some real-world spiritual teachers as she meets them on her", "to dedicate words to explicitly express her looks, so is it OK if", "her looks, so is it OK if I just mention in one line", "girl on spiritual adventures. I have the idea of her looks in my", "my mind, but I don't want to dedicate words to explicitly express her", "OK if I just mention in one line that she looks like some", "in one line that she looks like some real world actress? Also, can", "actress? Also, can I mention names of some real-world spiritual teachers as she", "the idea of her looks in my mind, but I don't want to", "words to explicitly express her looks, so is it OK if I just", "names of some real-world spiritual teachers as she meets them on her journey?", "I don't want to dedicate words to explicitly express her looks, so is", "mention in one line that she looks like some real world actress? Also,", "she looks like some real world actress? Also, can I mention names of", "line that she looks like some real world actress? Also, can I mention", "on spiritual adventures. I have the idea of her looks in my mind,", "Also, can I mention names of some real-world spiritual teachers as she meets", "can I mention names of some real-world spiritual teachers as she meets them", "to explicitly express her looks, so is it OK if I just mention", "adventures. I have the idea of her looks in my mind, but I", "The protagonist in my autobiographical novel is a girl on spiritual adventures. I", "of her looks in my mind, but I don't want to dedicate words", "so is it OK if I just mention in one line that she", "is a girl on spiritual adventures. I have the idea of her looks" ]
[ "side. \"Prisoner number 319, please stand.\" > > > As you can see", "cleared his throat as he shifted his weight from side to > side.", "can see on that sentence the words \"clear throat\" and \"shifted his weight\".", "it really confusing on how to write that. Anyways, my question is about", "with \"that\" to get the reader's attention. Here is an example of a", "It want to know how to express a sentence similar to that and", "just find it really confusing on how to write that. Anyways, my question", "Let say that I am writing a line about a prisoner inside a", "line from a book called \"The 100\". > > The guard cleared his", "and \"shifted his weight\". It want to know how to express a sentence", "the reader's attention. Here is an example of a line from a book", "How can I express this in a sentence with \"that\" to get the", "see on that sentence the words \"clear throat\" and \"shifted his weight\". It", "attention. Here is an example of a line from a book called \"The", "get the reader's attention. Here is an example of a line from a", "having those \"things\" in the same sentence. Let say that I am writing", "those \"things\" in the same sentence. Let say that I am writing a", "confusing on how to write that. Anyways, my question is about having those", "same sentence. Let say that I am writing a line about a prisoner", "to express a sentence similar to that and possibly with more than one", "called \"The 100\". > > The guard cleared his throat as he shifted", "a prisoner inside a cell. He is coughing, trembling, and crying. How can", "prisoner inside a cell. He is coughing, trembling, and crying. How can I", "throat as he shifted his weight from side to > side. \"Prisoner number", "his weight from side to > side. \"Prisoner number 319, please stand.\" >", "correct way of writing the title. I just find it really confusing on", "can I express this in a sentence with \"that\" to get the reader's", "his throat as he shifted his weight from side to > side. \"Prisoner", "the title. I just find it really confusing on how to write that.", "how to express a sentence similar to that and possibly with more than", "sentence the words \"clear throat\" and \"shifted his weight\". It want to know", "really confusing on how to write that. Anyways, my question is about having", "weight\". It want to know how to express a sentence similar to that", "say that I am writing a line about a prisoner inside a cell.", "you can see on that sentence the words \"clear throat\" and \"shifted his", "to write that. Anyways, my question is about having those \"things\" in the", "sentence. Let say that I am writing a line about a prisoner inside", "his weight\". It want to know how to express a sentence similar to", "a cell. He is coughing, trembling, and crying. How can I express this", "\"shifted his weight\". It want to know how to express a sentence similar", "a line from a book called \"The 100\". > > The guard cleared", "\"Prisoner number 319, please stand.\" > > > As you can see on", "stand.\" > > > As you can see on that sentence the words", "> side. \"Prisoner number 319, please stand.\" > > > As you can", "about a prisoner inside a cell. He is coughing, trembling, and crying. How", "of a line from a book called \"The 100\". > > The guard", "from side to > side. \"Prisoner number 319, please stand.\" > > >", "As you can see on that sentence the words \"clear throat\" and \"shifted", "Here is an example of a line from a book called \"The 100\".", "find it really confusing on how to write that. Anyways, my question is", "writing the title. I just find it really confusing on how to write", "weight from side to > side. \"Prisoner number 319, please stand.\" > >", "sentence with \"that\" to get the reader's attention. Here is an example of", "express a sentence similar to that and possibly with more than one adjective", "\"that\" to get the reader's attention. Here is an example of a line", "am writing a line about a prisoner inside a cell. He is coughing,", "> > The guard cleared his throat as he shifted his weight from", "that. Anyways, my question is about having those \"things\" in the same sentence.", "to know how to express a sentence similar to that and possibly with", "319, please stand.\" > > > As you can see on that sentence", "how to write that. Anyways, my question is about having those \"things\" in", "That might not be the correct way of writing the title. I just", "on that sentence the words \"clear throat\" and \"shifted his weight\". It want", "He is coughing, trembling, and crying. How can I express this in a", "a book called \"The 100\". > > The guard cleared his throat as", "an example of a line from a book called \"The 100\". > >", "> > > As you can see on that sentence the words \"clear", "\"The 100\". > > The guard cleared his throat as he shifted his", "not be the correct way of writing the title. I just find it", "on how to write that. Anyways, my question is about having those \"things\"", "question is about having those \"things\" in the same sentence. Let say that", "this in a sentence with \"that\" to get the reader's attention. Here is", "of writing the title. I just find it really confusing on how to", "in a sentence with \"that\" to get the reader's attention. Here is an", "might not be the correct way of writing the title. I just find", "way of writing the title. I just find it really confusing on how", "that I am writing a line about a prisoner inside a cell. He", "is about having those \"things\" in the same sentence. Let say that I", "coughing, trembling, and crying. How can I express this in a sentence with", "my question is about having those \"things\" in the same sentence. Let say", "about having those \"things\" in the same sentence. Let say that I am", "guard cleared his throat as he shifted his weight from side to >", "inside a cell. He is coughing, trembling, and crying. How can I express", "express this in a sentence with \"that\" to get the reader's attention. Here", "that sentence the words \"clear throat\" and \"shifted his weight\". It want to", "is coughing, trembling, and crying. How can I express this in a sentence", "The guard cleared his throat as he shifted his weight from side to", "cell. He is coughing, trembling, and crying. How can I express this in", "throat\" and \"shifted his weight\". It want to know how to express a", "shifted his weight from side to > side. \"Prisoner number 319, please stand.\"", "number 319, please stand.\" > > > As you can see on that", "in the same sentence. Let say that I am writing a line about", "a line about a prisoner inside a cell. He is coughing, trembling, and", "> The guard cleared his throat as he shifted his weight from side", "as he shifted his weight from side to > side. \"Prisoner number 319,", "line about a prisoner inside a cell. He is coughing, trembling, and crying.", "I just find it really confusing on how to write that. Anyways, my", "\"clear throat\" and \"shifted his weight\". It want to know how to express", "a sentence similar to that and possibly with more than one adjective and", "I express this in a sentence with \"that\" to get the reader's attention.", "be the correct way of writing the title. I just find it really", "writing a line about a prisoner inside a cell. He is coughing, trembling,", "example of a line from a book called \"The 100\". > > The", "the words \"clear throat\" and \"shifted his weight\". It want to know how", "sentence similar to that and possibly with more than one adjective and verb.", "title. I just find it really confusing on how to write that. Anyways,", "\"things\" in the same sentence. Let say that I am writing a line", "please stand.\" > > > As you can see on that sentence the", "trembling, and crying. How can I express this in a sentence with \"that\"", "he shifted his weight from side to > side. \"Prisoner number 319, please", "book called \"The 100\". > > The guard cleared his throat as he", "the correct way of writing the title. I just find it really confusing", "I am writing a line about a prisoner inside a cell. He is", "Anyways, my question is about having those \"things\" in the same sentence. Let", "words \"clear throat\" and \"shifted his weight\". It want to know how to", "crying. How can I express this in a sentence with \"that\" to get", "and crying. How can I express this in a sentence with \"that\" to", "know how to express a sentence similar to that and possibly with more", "is an example of a line from a book called \"The 100\". >", "from a book called \"The 100\". > > The guard cleared his throat", "to > side. \"Prisoner number 319, please stand.\" > > > As you", "to get the reader's attention. Here is an example of a line from", "reader's attention. Here is an example of a line from a book called", "write that. Anyways, my question is about having those \"things\" in the same", "> As you can see on that sentence the words \"clear throat\" and", "a sentence with \"that\" to get the reader's attention. Here is an example", "100\". > > The guard cleared his throat as he shifted his weight", "side to > side. \"Prisoner number 319, please stand.\" > > > As", "the same sentence. Let say that I am writing a line about a", "> > As you can see on that sentence the words \"clear throat\"", "want to know how to express a sentence similar to that and possibly" ]
[ "way? I am writing a personal essay and this is the central idea", "am writing a personal essay and this is the central idea of my", "have a simple statement like: > > We should not run away from", "away from problems but face them and overcome them > > > What,", "to go about expressing a simple, direct statement like this in a more", "more figurative way? I am writing a personal essay and this is the", "a personal essay and this is the central idea of my essay. i", "face them and overcome them > > > What, in general, is the", "and this is the central idea of my essay. i had trouble concluding.", "Suppose you have a simple statement like: > > We should not run", "is the central idea of my essay. i had trouble concluding. Thank you", "> > What, in general, is the way to go about expressing a", "problems but face them and overcome them > > > What, in general,", "this in a more figurative way? I am writing a personal essay and", "should not run away from problems but face them and overcome them >", "central idea of my essay. i had trouble concluding. Thank you for all", "general, is the way to go about expressing a simple, direct statement like", "of my essay. i had trouble concluding. Thank you for all your comments.", "idea of my essay. i had trouble concluding. Thank you for all your", "a more figurative way? I am writing a personal essay and this is", "the way to go about expressing a simple, direct statement like this in", "> > We should not run away from problems but face them and", "statement like: > > We should not run away from problems but face", "them and overcome them > > > What, in general, is the way", "> What, in general, is the way to go about expressing a simple,", "like: > > We should not run away from problems but face them", "them > > > What, in general, is the way to go about", "way to go about expressing a simple, direct statement like this in a", "statement like this in a more figurative way? I am writing a personal", "go about expressing a simple, direct statement like this in a more figurative", "writing a personal essay and this is the central idea of my essay.", "is the way to go about expressing a simple, direct statement like this", "What, in general, is the way to go about expressing a simple, direct", "from problems but face them and overcome them > > > What, in", "but face them and overcome them > > > What, in general, is", "like this in a more figurative way? I am writing a personal essay", "> We should not run away from problems but face them and overcome", "I am writing a personal essay and this is the central idea of", "personal essay and this is the central idea of my essay. i had", "about expressing a simple, direct statement like this in a more figurative way?", "simple statement like: > > We should not run away from problems but", "a simple statement like: > > We should not run away from problems", "> > > What, in general, is the way to go about expressing", "in a more figurative way? I am writing a personal essay and this", "a simple, direct statement like this in a more figurative way? I am", "run away from problems but face them and overcome them > > >", "simple, direct statement like this in a more figurative way? I am writing", "and overcome them > > > What, in general, is the way to", "overcome them > > > What, in general, is the way to go", "expressing a simple, direct statement like this in a more figurative way? I", "direct statement like this in a more figurative way? I am writing a", "figurative way? I am writing a personal essay and this is the central", "you have a simple statement like: > > We should not run away", "not run away from problems but face them and overcome them > >", "the central idea of my essay. i had trouble concluding. Thank you for", "this is the central idea of my essay. i had trouble concluding. Thank", "essay and this is the central idea of my essay. i had trouble", "in general, is the way to go about expressing a simple, direct statement", "We should not run away from problems but face them and overcome them" ]
[ "(and one brother) in a car crash when he was young, which he", "crash when he was young, which he was a part of. He became", "of. He became partially deaf as a result. This happened before the start", "example lost his father (and one brother) in a car crash when he", "use this trope well? Should I show them more and have them affect", "later. Can you go overboard with this? What are some of the things", "one brother) in a car crash when he was young, which he was", "Then he loses his mother in the course of the story when he's", "of the main characters, but I also don't want the dead loved ones", "story. Then he loses his mother in the course of the story when", "of people die in my story, some of them are parents. One of", "the things you should avoid if you use dead parents in the story?", "are parents. One of the main characters for example lost his father (and", "I show them more and have them affect the story in other ways", "trope well? Should I show them more and have them affect the story", "How can I use this trope well? Should I show them more and", "which he was a part of. He became partially deaf as a result.", "A lot of people die in my story, some of them are parents.", "Can you go overboard with this? What are some of the things you", "a car crash when he was young, which he was a part of.", "them more and have them affect the story in other ways besides through", "father (and one brother) in a car crash when he was young, which", "them are parents. One of the main characters for example lost his father", "when he was young, which he was a part of. He became partially", "you should avoid if you use dead parents in the story? The main", "I use this trope well? Should I show them more and have them", "lot of people die in my story, some of them are parents. One", "loved ones to just seem like tools in the developement of one character.", "young, which he was a part of. He became partially deaf as a", "don't want the dead loved ones to just seem like tools in the", "well? Should I show them more and have them affect the story in", "the story? The main point is kinda to show how these losses affect", "result. This happened before the start of the story. Then he loses his", "adult many years later. Can you go overboard with this? What are some", "dead parents in the story? The main point is kinda to show how", "of one character. How can I use this trope well? Should I show", "things you should avoid if you use dead parents in the story? The", "this trope well? Should I show them more and have them affect the", "brother) in a car crash when he was young, which he was a", "main characters for example lost his father (and one brother) in a car", "I also don't want the dead loved ones to just seem like tools", "this? What are some of the things you should avoid if you use", "overboard with this? What are some of the things you should avoid if", "in the course of the story when he's an adult many years later.", "affect one of the main characters, but I also don't want the dead", "of them are parents. One of the main characters for example lost his", "use dead parents in the story? The main point is kinda to show", "these losses affect one of the main characters, but I also don't want", "like tools in the developement of one character. How can I use this", "deaf as a result. This happened before the start of the story. Then", "partially deaf as a result. This happened before the start of the story.", "part of. He became partially deaf as a result. This happened before the", "happened before the start of the story. Then he loses his mother in", "should avoid if you use dead parents in the story? The main point", "some of them are parents. One of the main characters for example lost", "the dead loved ones to just seem like tools in the developement of", "in the story? The main point is kinda to show how these losses", "the story when he's an adult many years later. Can you go overboard", "and have them affect the story in other ways besides through their children?", "more and have them affect the story in other ways besides through their", "of the main characters for example lost his father (and one brother) in", "before the start of the story. Then he loses his mother in the", "in a car crash when he was young, which he was a part", "want the dead loved ones to just seem like tools in the developement", "ones to just seem like tools in the developement of one character. How", "you go overboard with this? What are some of the things you should", "seem like tools in the developement of one character. How can I use", "some of the things you should avoid if you use dead parents in", "my story, some of them are parents. One of the main characters for", "is kinda to show how these losses affect one of the main characters,", "One of the main characters for example lost his father (and one brother)", "the course of the story when he's an adult many years later. Can", "when he's an adult many years later. Can you go overboard with this?", "a part of. He became partially deaf as a result. This happened before", "was a part of. He became partially deaf as a result. This happened", "are some of the things you should avoid if you use dead parents", "if you use dead parents in the story? The main point is kinda", "show them more and have them affect the story in other ways besides", "became partially deaf as a result. This happened before the start of the", "What are some of the things you should avoid if you use dead", "the start of the story. Then he loses his mother in the course", "for example lost his father (and one brother) in a car crash when", "of the story. Then he loses his mother in the course of the", "lost his father (and one brother) in a car crash when he was", "people die in my story, some of them are parents. One of the", "to just seem like tools in the developement of one character. How can", "the developement of one character. How can I use this trope well? Should", "of the things you should avoid if you use dead parents in the", "dead loved ones to just seem like tools in the developement of one", "characters, but I also don't want the dead loved ones to just seem", "in my story, some of them are parents. One of the main characters", "car crash when he was young, which he was a part of. He", "his father (and one brother) in a car crash when he was young,", "character. How can I use this trope well? Should I show them more", "he was a part of. He became partially deaf as a result. This", "main characters, but I also don't want the dead loved ones to just", "you use dead parents in the story? The main point is kinda to", "developement of one character. How can I use this trope well? Should I", "he was young, which he was a part of. He became partially deaf", "to show how these losses affect one of the main characters, but I", "die in my story, some of them are parents. One of the main", "kinda to show how these losses affect one of the main characters, but", "The main point is kinda to show how these losses affect one of", "many years later. Can you go overboard with this? What are some of", "one character. How can I use this trope well? Should I show them", "He became partially deaf as a result. This happened before the start of", "story when he's an adult many years later. Can you go overboard with", "as a result. This happened before the start of the story. Then he", "of the story when he's an adult many years later. Can you go", "show how these losses affect one of the main characters, but I also", "he loses his mother in the course of the story when he's an", "main point is kinda to show how these losses affect one of the", "characters for example lost his father (and one brother) in a car crash", "story? The main point is kinda to show how these losses affect one", "years later. Can you go overboard with this? What are some of the", "point is kinda to show how these losses affect one of the main", "Should I show them more and have them affect the story in other", "loses his mother in the course of the story when he's an adult", "the story. Then he loses his mother in the course of the story", "his mother in the course of the story when he's an adult many", "one of the main characters, but I also don't want the dead loved", "parents in the story? The main point is kinda to show how these", "how these losses affect one of the main characters, but I also don't", "the main characters for example lost his father (and one brother) in a", "This happened before the start of the story. Then he loses his mother", "losses affect one of the main characters, but I also don't want the", "tools in the developement of one character. How can I use this trope", "an adult many years later. Can you go overboard with this? What are", "the main characters, but I also don't want the dead loved ones to", "but I also don't want the dead loved ones to just seem like", "with this? What are some of the things you should avoid if you", "he's an adult many years later. Can you go overboard with this? What", "was young, which he was a part of. He became partially deaf as", "parents. One of the main characters for example lost his father (and one", "in the developement of one character. How can I use this trope well?", "can I use this trope well? Should I show them more and have", "mother in the course of the story when he's an adult many years", "go overboard with this? What are some of the things you should avoid", "a result. This happened before the start of the story. Then he loses", "avoid if you use dead parents in the story? The main point is", "story, some of them are parents. One of the main characters for example", "course of the story when he's an adult many years later. Can you", "also don't want the dead loved ones to just seem like tools in", "start of the story. Then he loses his mother in the course of", "just seem like tools in the developement of one character. How can I" ]
[ "book. Her father had given it to her as a gift three months", "had given her goosebumps.\" Is that fine? Or should it all be in", "tense and the character is recounting things that happened before the novel began.", "began. Should I be using the past participle? Everything I read says that", "example: \"She closed the book. Her father had given it to her as", "her as a gift three months ago. When she had first read it,", "necessary existence to denote time and structure. For example: \"She closed the book.", "I be using the past participle? Everything I read says that using the", "When she had first read it, it had given her goosebumps.\" Is that", "it to her as a gift three months ago. When she had first", "the past participle? Everything I read says that using the word \"had\" is", "Should I be using the past participle? Everything I read says that using", "using the word \"had\" is a big no-no, despite its necessary existence to", "past tense and the character is recounting things that happened before the novel", "read says that using the word \"had\" is a big no-no, despite its", "a gift three months ago. When she first read it, it gave her", "it had given her goosebumps.\" Is that fine? Or should it all be", "first read it, it had given her goosebumps.\" Is that fine? Or should", "is in past tense and the character is recounting things that happened before", "to her as a gift three months ago. When she first read it,", "is recounting things that happened before the novel began. Should I be using", "her goosebumps.\" Is that fine? Or should it all be in active simple", "no-no, despite its necessary existence to denote time and structure. For example: \"She", "three months ago. When she had first read it, it had given her", "The novel is in past tense and the character is recounting things that", "given it to her as a gift three months ago. When she had", "her as a gift three months ago. When she first read it, it", "says that using the word \"had\" is a big no-no, despite its necessary", "that using the word \"had\" is a big no-no, despite its necessary existence", "she had first read it, it had given her goosebumps.\" Is that fine?", "\"She closed the book. Her father gave it to her as a gift", "its necessary existence to denote time and structure. For example: \"She closed the", "the book. Her father gave it to her as a gift three months", "that happened before the novel began. Should I be using the past participle?", "as a gift three months ago. When she first read it, it gave", "Her father had given it to her as a gift three months ago.", "months ago. When she had first read it, it had given her goosebumps.\"", "Is that fine? Or should it all be in active simple present despite", "that fine? Or should it all be in active simple present despite happening", "things that happened before the novel began. Should I be using the past", "and the character is recounting things that happened before the novel began. Should", "occurring in the novel? For example: \"She closed the book. Her father gave", "Her father gave it to her as a gift three months ago. When", "and structure. For example: \"She closed the book. Her father had given it", "time and structure. For example: \"She closed the book. Her father had given", "gift three months ago. When she first read it, it gave her goosebumps.\"", "existence to denote time and structure. For example: \"She closed the book. Her", "in active simple present despite happening before the events occurring in the novel?", "book. Her father gave it to her as a gift three months ago.", "novel began. Should I be using the past participle? Everything I read says", "father gave it to her as a gift three months ago. When she", "denote time and structure. For example: \"She closed the book. Her father had", "father had given it to her as a gift three months ago. When", "Or should it all be in active simple present despite happening before the", "I read says that using the word \"had\" is a big no-no, despite", "a big no-no, despite its necessary existence to denote time and structure. For", "gift three months ago. When she had first read it, it had given", "read it, it had given her goosebumps.\" Is that fine? Or should it", "it to her as a gift three months ago. When she first read", "active simple present despite happening before the events occurring in the novel? For", "novel is in past tense and the character is recounting things that happened", "using the past participle? Everything I read says that using the word \"had\"", "character is recounting things that happened before the novel began. Should I be", "ago. When she had first read it, it had given her goosebumps.\" Is", "fine? Or should it all be in active simple present despite happening before", "goosebumps.\" Is that fine? Or should it all be in active simple present", "\"had\" is a big no-no, despite its necessary existence to denote time and", "For example: \"She closed the book. Her father gave it to her as", "in the novel? For example: \"She closed the book. Her father gave it", "present despite happening before the events occurring in the novel? For example: \"She", "novel? For example: \"She closed the book. Her father gave it to her", "simple present despite happening before the events occurring in the novel? For example:", "example: \"She closed the book. Her father gave it to her as a", "it, it had given her goosebumps.\" Is that fine? Or should it all", "the novel? For example: \"She closed the book. Her father gave it to", "the novel began. Should I be using the past participle? Everything I read", "\"She closed the book. Her father had given it to her as a", "despite its necessary existence to denote time and structure. For example: \"She closed", "as a gift three months ago. When she had first read it, it", "the events occurring in the novel? For example: \"She closed the book. Her", "be using the past participle? Everything I read says that using the word", "it all be in active simple present despite happening before the events occurring", "a gift three months ago. When she had first read it, it had", "to her as a gift three months ago. When she had first read", "had first read it, it had given her goosebumps.\" Is that fine? Or", "past participle? Everything I read says that using the word \"had\" is a", "is a big no-no, despite its necessary existence to denote time and structure.", "in past tense and the character is recounting things that happened before the", "before the novel began. Should I be using the past participle? Everything I", "the character is recounting things that happened before the novel began. Should I", "participle? Everything I read says that using the word \"had\" is a big", "events occurring in the novel? For example: \"She closed the book. Her father", "recounting things that happened before the novel began. Should I be using the", "to denote time and structure. For example: \"She closed the book. Her father", "all be in active simple present despite happening before the events occurring in", "happening before the events occurring in the novel? For example: \"She closed the", "given her goosebumps.\" Is that fine? Or should it all be in active", "word \"had\" is a big no-no, despite its necessary existence to denote time", "should it all be in active simple present despite happening before the events", "before the events occurring in the novel? For example: \"She closed the book.", "happened before the novel began. Should I be using the past participle? Everything", "the word \"had\" is a big no-no, despite its necessary existence to denote", "closed the book. Her father had given it to her as a gift", "big no-no, despite its necessary existence to denote time and structure. For example:", "despite happening before the events occurring in the novel? For example: \"She closed", "had given it to her as a gift three months ago. When she", "be in active simple present despite happening before the events occurring in the", "Everything I read says that using the word \"had\" is a big no-no,", "closed the book. Her father gave it to her as a gift three", "For example: \"She closed the book. Her father had given it to her", "gave it to her as a gift three months ago. When she first", "the book. Her father had given it to her as a gift three", "structure. For example: \"She closed the book. Her father had given it to" ]
[ "publishing, monitor and respond to comments (all part of my contract), and then", "case, that's potentially a bad thing because of the errors. What I've Already", "Already Done I emailed the SEO manager after the first incident just a", "work on social media or other outlets, I am a bit limited. *Contract", "first few paragraphs, I took it upon myself to do this work for", "and if I've already shared the work on social media or other outlets,", "the title change has significantly misdirected the piece; the title no longer describes", "However, I guess I fell short. After explaining the errors, I went back", "error-free. Has anyone run into a similar issue? What approaches worked or didn't", "like the abstract of the piece, tags, and so on, but also often", "maintain the integrity of my style, error-free. Has anyone run into a similar", "often changes the title, headings, and the first couple paragraphs. Twice now the", "one error where a word was only half-written). I don't feel comfortable having", "blog manager (who is generally not a very kind or receptive person). After", "After explaining the errors, I went back into the first post myself and", "they communicate the same message I wrote and maintain the integrity of my", "other outlets, I am a bit limited. Contract Details* The contract with this", "where a word was only half-written). I don't feel comfortable having my name", "it to them. However, I guess I fell short. After explaining the errors,", "on SEO. To that end, they have an SEO editor come back in", "outlets, I am a bit limited. Contract Details The contract with this client", "general ideas about what they try to do with the title and first", "misdirected the piece; the title no longer describes what I've written about. Also,", "rather than leave it to them. However, I guess I fell short. After", "first incident just a couple weeks ago, and now that she's done it", "site that puts lots of emphasis on SEO. To that end, they have", "to do with the title and first few paragraphs, I took it upon", "and maintain the integrity of my style, error-free. Has anyone run into a", "changes the title, headings, and the first couple paragraphs. Twice now the title", "provides lots of eye traffic. In this case, that's potentially a bad thing", "lots of emphasis on SEO. To that end, they have an SEO editor", "my name on the byline of a piece that's now poorly written, and", "Also, these changes often create glaring grammatical errors (including one error where a", "but also often changes the title, headings, and the first couple paragraphs. Twice", "I took it upon myself to do this work for them rather than", "in publishing, monitor and respond to comments (all part of my contract), and", "comfortable having my name on the byline of a piece that's now poorly", "at hand (which is my niche), so it provides lots of eye traffic.", "them. However, I guess I fell short. After explaining the errors, I went", "a word was only half-written). I don't feel comfortable having my name on", "or receptive person). After hearing back some general ideas about what they try", "media or other outlets, I am a bit limited. Contract Details The contract", "contract with this client is for an entire year, 3 pieces per month.", "errors, I went back into the first post myself and changed the errors", "thing because of the errors. What I've Already Done I emailed the SEO", "couple paragraphs. Twice now the title change has significantly misdirected the piece; the", "on the topic at hand (which is my niche), so it provides lots", "per month. It's the most visited site on the topic at hand (which", "myself and changed the errors to things that make more sense. It feels", "piece that's now poorly written, and if I've already shared the work on", "Done** I emailed the SEO manager after the first incident just a couple", "myself to do this work for them rather than leave it to them.", "most visited site on the topic at hand (which is my niche), so", "niche), so it provides lots of eye traffic. In this case, that's potentially", "word was only half-written). I don't feel comfortable having my name on the", "about what they try to do with the title and first few paragraphs,", "now the title change has significantly misdirected the piece; the title no longer", "no longer describes what I've written about. Also, these changes often create glaring", "the most visited site on the topic at hand (which is my niche),", "month. It's the most visited site on the topic at hand (which is", "changed the errors to things that make more sense. It feels like I", "and now that she's done it again I emailed the overall blog manager", "The editor changes things like the abstract of the piece, tags, and so", "receptive person). After hearing back some general ideas about what they try to", "a very kind or receptive person). After hearing back some general ideas about", "I went back into the first post myself and changed the errors to", "(all part of my contract), and then monitor the changes to make sure", "I wrote and maintain the integrity of my style, error-free. Has anyone run", "the work on social media or other outlets, I am a bit limited.", "few paragraphs, I took it upon myself to do this work for them", "a staff writer on a site that puts lots of emphasis on SEO.", "client is for an entire year, 3 pieces per month. It's the most", "things that make more sense. It feels like I have to write the", "on social media or other outlets, I am a bit limited. Contract Details", "back in to our posts after publication. The editor changes things like the", "couple weeks ago, and now that she's done it again I emailed the", "make more sense. It feels like I have to write the piece, do", "often create glaring grammatical errors (including one error where a word was only", "that's now poorly written, and if I've already shared the work on social", "so on, but also often changes the title, headings, and the first couple", "not a very kind or receptive person). After hearing back some general ideas", "name on the byline of a piece that's now poorly written, and if", "Twice now the title change has significantly misdirected the piece; the title no", "traffic. In this case, that's potentially a bad thing because of the errors.", "bit limited. Contract Details The contract with this client is for an entire", "poorly written, and if I've already shared the work on social media or", "come back in to our posts after publication. The editor changes things like", "limited. Contract Details The contract with this client is for an entire year,", "back into the first post myself and changed the errors to things that", "sense. It feels like I have to write the piece, do all the", "some general ideas about what they try to do with the title and", "piece; the title no longer describes what I've written about. Also, these changes", "I fell short. After explaining the errors, I went back into the first", "them rather than leave it to them. However, I guess I fell short.", "abstract of the piece, tags, and so on, but also often changes the", "piece, do all the detail involved in publishing, monitor and respond to comments", "also often changes the title, headings, and the first couple paragraphs. Twice now", "editor come back in to our posts after publication. The editor changes things", "The contract with this client is for an entire year, 3 pieces per", "an entire year, 3 pieces per month. It's the most visited site on", "what I've written about. Also, these changes often create glaring grammatical errors (including", "I am a bit limited. Contract Details The contract with this client is", "contract), and then monitor the changes to make sure they communicate the same", "more sense. It feels like I have to write the piece, do all", "I have to write the piece, do all the detail involved in publishing,", "feel comfortable having my name on the byline of a piece that's now", "on, but also often changes the title, headings, and the first couple paragraphs.", "incident just a couple weeks ago, and now that she's done it again", "to make sure they communicate the same message I wrote and maintain the", "generally not a very kind or receptive person). After hearing back some general", "title change has significantly misdirected the piece; the title no longer describes what", "upon myself to do this work for them rather than leave it to", "After hearing back some general ideas about what they try to do with", "to our posts after publication. The editor changes things like the abstract of", "topic at hand (which is my niche), so it provides lots of eye", "of the errors. What I've Already Done I emailed the SEO manager after", "headings, and the first couple paragraphs. Twice now the title change has significantly", "the integrity of my style, error-free. Has anyone run into a similar issue?", "short. After explaining the errors, I went back into the first post myself", "after the first incident just a couple weeks ago, and now that she's", "the SEO manager after the first incident just a couple weeks ago, and", "What I've Already Done I emailed the SEO manager after the first incident", "the changes to make sure they communicate the same message I wrote and", "to them. However, I guess I fell short. After explaining the errors, I", "like I have to write the piece, do all the detail involved in", "and the first couple paragraphs. Twice now the title change has significantly misdirected", "don't feel comfortable having my name on the byline of a piece that's", "staff writer on a site that puts lots of emphasis on SEO. To", "work for them rather than leave it to them. However, I guess I", "monitor the changes to make sure they communicate the same message I wrote", "I emailed the overall blog manager (who is generally not a very kind", "explaining the errors, I went back into the first post myself and changed", "to do this work for them rather than leave it to them. However,", "I'm a staff writer on a site that puts lots of emphasis on", "SEO. To that end, they have an SEO editor come back in to", "into the first post myself and changed the errors to things that make", "the first incident just a couple weeks ago, and now that she's done", "hearing back some general ideas about what they try to do with the", "the piece; the title no longer describes what I've written about. Also, these", "for them rather than leave it to them. However, I guess I fell", "piece, tags, and so on, but also often changes the title, headings, and", "after publication. The editor changes things like the abstract of the piece, tags,", "about. Also, these changes often create glaring grammatical errors (including one error where", "ideas about what they try to do with the title and first few", "do with the title and first few paragraphs, I took it upon myself", "went back into the first post myself and changed the errors to things", "our posts after publication. The editor changes things like the abstract of the", "a site that puts lots of emphasis on SEO. To that end, they", "(which is my niche), so it provides lots of eye traffic. In this", "site on the topic at hand (which is my niche), so it provides", "communicate the same message I wrote and maintain the integrity of my style,", "I guess I fell short. After explaining the errors, I went back into", "to write the piece, do all the detail involved in publishing, monitor and", "my style, error-free. Has anyone run into a similar issue? What approaches worked", "errors. What I've Already Done I emailed the SEO manager after the first", "then monitor the changes to make sure they communicate the same message I", "title and first few paragraphs, I took it upon myself to do this", "already shared the work on social media or other outlets, I am a", "I've written about. Also, these changes often create glaring grammatical errors (including one", "integrity of my style, error-free. Has anyone run into a similar issue? What", "all the detail involved in publishing, monitor and respond to comments (all part", "emailed the SEO manager after the first incident just a couple weeks ago,", "of my contract), and then monitor the changes to make sure they communicate", "editor changes things like the abstract of the piece, tags, and so on,", "emphasis on SEO. To that end, they have an SEO editor come back", "post myself and changed the errors to things that make more sense. It", "part of my contract), and then monitor the changes to make sure they", "or other outlets, I am a bit limited. Contract Details The contract with", "paragraphs, I took it upon myself to do this work for them rather", "on the byline of a piece that's now poorly written, and if I've", "describes what I've written about. Also, these changes often create glaring grammatical errors", "the title, headings, and the first couple paragraphs. Twice now the title change", "and respond to comments (all part of my contract), and then monitor the", "in to our posts after publication. The editor changes things like the abstract", "the piece, tags, and so on, but also often changes the title, headings,", "the errors, I went back into the first post myself and changed the", "detail involved in publishing, monitor and respond to comments (all part of my", "very kind or receptive person). After hearing back some general ideas about what", "kind or receptive person). After hearing back some general ideas about what they", "what they try to do with the title and first few paragraphs, I", "create glaring grammatical errors (including one error where a word was only half-written).", "that make more sense. It feels like I have to write the piece,", "SEO manager after the first incident just a couple weeks ago, and now", "try to do with the title and first few paragraphs, I took it", "I don't feel comfortable having my name on the byline of a piece", "Details The contract with this client is for an entire year, 3 pieces", "to things that make more sense. It feels like I have to write", "of the piece, tags, and so on, but also often changes the title,", "longer describes what I've written about. Also, these changes often create glaring grammatical", "(including one error where a word was only half-written). I don't feel comfortable", "my niche), so it provides lots of eye traffic. In this case, that's", "puts lots of emphasis on SEO. To that end, they have an SEO", "respond to comments (all part of my contract), and then monitor the changes", "shared the work on social media or other outlets, I am a bit", "end, they have an SEO editor come back in to our posts after", "written, and if I've already shared the work on social media or other", "with the title and first few paragraphs, I took it upon myself to", "hand (which is my niche), so it provides lots of eye traffic. In", "It feels like I have to write the piece, do all the detail", "3 pieces per month. It's the most visited site on the topic at", "change has significantly misdirected the piece; the title no longer describes what I've", "errors (including one error where a word was only half-written). I don't feel", "and changed the errors to things that make more sense. It feels like", "now poorly written, and if I've already shared the work on social media", "make sure they communicate the same message I wrote and maintain the integrity", "on a site that puts lots of emphasis on SEO. To that end,", "In this case, that's potentially a bad thing because of the errors. What", "the same message I wrote and maintain the integrity of my style, error-free.", "manager (who is generally not a very kind or receptive person). After hearing", "same message I wrote and maintain the integrity of my style, error-free. Has", "the abstract of the piece, tags, and so on, but also often changes", "do all the detail involved in publishing, monitor and respond to comments (all", "of a piece that's now poorly written, and if I've already shared the", "the piece, do all the detail involved in publishing, monitor and respond to", "having my name on the byline of a piece that's now poorly written,", "social media or other outlets, I am a bit limited. Contract Details The", "am a bit limited. Contract Details The contract with this client is for", "than leave it to them. However, I guess I fell short. After explaining", "first couple paragraphs. Twice now the title change has significantly misdirected the piece;", "a bad thing because of the errors. What I've Already Done I emailed", "is my niche), so it provides lots of eye traffic. In this case,", "Contract Details The contract with this client is for an entire year, 3", "is for an entire year, 3 pieces per month. It's the most visited", "significantly misdirected the piece; the title no longer describes what I've written about.", "posts after publication. The editor changes things like the abstract of the piece,", "emailed the overall blog manager (who is generally not a very kind or", "is generally not a very kind or receptive person). After hearing back some", "the title no longer describes what I've written about. 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Has anyone", "(who is generally not a very kind or receptive person). After hearing back", "this work for them rather than leave it to them. However, I guess", "It's the most visited site on the topic at hand (which is my" ]