ngram listlengths 0 10.5k |
|---|
[
"manuscript reviewers was that > > the paper is rather \"dry\" ... >",
"rather \"dry\" ... > > > My question is: What makes a scientific",
"> > My question is: What makes a scientific article *dry* and what",
"the manuscript reviewers was that > > the paper is rather \"dry\" ...",
"of biomedical science. One of the comments from the manuscript reviewers was that",
"am seeking suggestions to improve my \"dry\" writing style. I recently submitted a",
"My question is: What makes a scientific article *dry* and what makes it",
"improve my \"dry\" writing style. I recently submitted a manuscript that was intended",
"I recently submitted a manuscript that was intended to be a review article",
"intended to be a review article on a particular scientific topic in the",
"my \"dry\" writing style. I recently submitted a manuscript that was intended to",
"the field of biomedical science. One of the comments from the manuscript reviewers",
"that > > the paper is rather \"dry\" ... > > > My",
"One of the comments from the manuscript reviewers was that > > the",
"review article on a particular scientific topic in the field of biomedical science.",
"in the field of biomedical science. One of the comments from the manuscript",
"suggestions to improve my \"dry\" writing style. I recently submitted a manuscript that",
"\"dry\" writing style. I recently submitted a manuscript that was intended to be",
"of the comments from the manuscript reviewers was that > > the paper",
"topic in the field of biomedical science. One of the comments from the",
"from the manuscript reviewers was that > > the paper is rather \"dry\"",
"be a review article on a particular scientific topic in the field of",
"article on a particular scientific topic in the field of biomedical science. One",
"submitted a manuscript that was intended to be a review article on a",
"writing style. I recently submitted a manuscript that was intended to be a",
"is rather \"dry\" ... > > > My question is: What makes a",
"the paper is rather \"dry\" ... > > > My question is: What",
"field of biomedical science. One of the comments from the manuscript reviewers was",
"biomedical science. One of the comments from the manuscript reviewers was that >",
"was that > > the paper is rather \"dry\" ... > > >",
"paper is rather \"dry\" ... > > > My question is: What makes",
"... > > > My question is: What makes a scientific article *dry*",
"a review article on a particular scientific topic in the field of biomedical",
"I am seeking suggestions to improve my \"dry\" writing style. I recently submitted",
"recently submitted a manuscript that was intended to be a review article on",
"\"dry\" ... > > > My question is: What makes a scientific article",
"manuscript that was intended to be a review article on a particular scientific",
"> > the paper is rather \"dry\" ... > > > My question",
"a particular scientific topic in the field of biomedical science. One of the",
"a manuscript that was intended to be a review article on a particular",
"particular scientific topic in the field of biomedical science. One of the comments",
"scientific topic in the field of biomedical science. One of the comments from",
"science. One of the comments from the manuscript reviewers was that > >",
"comments from the manuscript reviewers was that > > the paper is rather",
"> My question is: What makes a scientific article *dry* and what makes",
"> > > My question is: What makes a scientific article *dry* and",
"that was intended to be a review article on a particular scientific topic",
"to be a review article on a particular scientific topic in the field",
"was intended to be a review article on a particular scientific topic in",
"question is: What makes a scientific article *dry* and what makes it *non-dry*?",
"to improve my \"dry\" writing style. I recently submitted a manuscript that was",
"style. I recently submitted a manuscript that was intended to be a review",
"> the paper is rather \"dry\" ... > > > My question is:",
"reviewers was that > > the paper is rather \"dry\" ... > >",
"on a particular scientific topic in the field of biomedical science. One of",
"seeking suggestions to improve my \"dry\" writing style. I recently submitted a manuscript",
"the comments from the manuscript reviewers was that > > the paper is"
] |
[
"way to find a fitting cause when you are more focused on the",
"you are more focused on the effect?** Im am primarily an artist and",
"character in this is a child but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to find",
"when you are more focused on the effect?** Im am primarily an artist",
"on the protagonist so that by the end he comes out a truly",
"here](https://i.stack.imgur.com/9UD9f.jpg)](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to find a fitting cause when you",
"to find a fitting cause when you are more focused on the effect?**",
"end he comes out a truly better and wise man. Here is a",
"not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to",
"is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way",
"by a witch (or other magic wielding person) to wake up in a",
"the protagonist so that by the end he comes out a truly better",
"working on my protagonist is cursed by a witch (or other magic wielding",
"cursed by a witch (or other magic wielding person) to wake up in",
"novel Im working on my protagonist is cursed by a witch (or other",
"wrongdoing on his part. I want this to be a story of atonement",
"offense that would lead a witch to deal out this punishment. The witch's",
"The witch's motives are to force a character building experience on the protagonist",
"fitting cause when you are more focused on the effect?** Im am primarily",
"explore the idea (the character in this is a child but that is",
"effect?** Im am primarily an artist and new to writing so any suggestions",
"wielding person) to wake up in a new place/time every day due to",
"witch (or other magic wielding person) to wake up in a new place/time",
"find a fitting cause when you are more focused on the effect?** Im",
"a child but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What",
"idea (the character in this is a child but that is not set",
"so that by the end he comes out a truly better and wise",
"is a piece I did to explore the idea (the character in this",
"the story for a graphic novel Im working on my protagonist is cursed",
"of atonement and am having a hard time figuring out a fitting offense",
"more focused on the effect?** Im am primarily an artist and new to",
"building experience on the protagonist so that by the end he comes out",
"up in a new place/time every day due to a wrongdoing on his",
"this to be a story of atonement and am having a hard time",
"in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to find a",
"witch to deal out this punishment. The witch's motives are to force a",
"truly better and wise man. Here is a piece I did to explore",
"place/time every day due to a wrongdoing on his part. I want this",
"stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to find a fitting",
"he comes out a truly better and wise man. Here is a piece",
"part. I want this to be a story of atonement and am having",
"force a character building experience on the protagonist so that by the end",
"that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good",
"child but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is",
"**What is a good way to find a fitting cause when you are",
"am having a hard time figuring out a fitting offense that would lead",
"fitting offense that would lead a witch to deal out this punishment. The",
"by the end he comes out a truly better and wise man. Here",
"atonement and am having a hard time figuring out a fitting offense that",
"(the character in this is a child but that is not set in",
"and wise man. Here is a piece I did to explore the idea",
"protagonist is cursed by a witch (or other magic wielding person) to wake",
"Im am primarily an artist and new to writing so any suggestions are",
"to explore the idea (the character in this is a child but that",
"in a new place/time every day due to a wrongdoing on his part.",
"the effect?** Im am primarily an artist and new to writing so any",
"I did to explore the idea (the character in this is a child",
"figuring out a fitting offense that would lead a witch to deal out",
"character building experience on the protagonist so that by the end he comes",
"but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a",
"is a child but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg)",
"in this is a child but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to find a fitting cause when",
"the end he comes out a truly better and wise man. Here is",
"to a wrongdoing on his part. I want this to be a story",
"a wrongdoing on his part. I want this to be a story of",
"are more focused on the effect?** Im am primarily an artist and new",
"to wake up in a new place/time every day due to a wrongdoing",
"on my protagonist is cursed by a witch (or other magic wielding person)",
"on his part. I want this to be a story of atonement and",
"piece I did to explore the idea (the character in this is a",
"Im working on my protagonist is cursed by a witch (or other magic",
"good way to find a fitting cause when you are more focused on",
"a graphic novel Im working on my protagonist is cursed by a witch",
"man. Here is a piece I did to explore the idea (the character",
"experience on the protagonist so that by the end he comes out a",
"that by the end he comes out a truly better and wise man.",
"a witch (or other magic wielding person) to wake up in a new",
"is cursed by a witch (or other magic wielding person) to wake up",
"a hard time figuring out a fitting offense that would lead a witch",
"and am having a hard time figuring out a fitting offense that would",
"a piece I did to explore the idea (the character in this is",
"better and wise man. Here is a piece I did to explore the",
"having a hard time figuring out a fitting offense that would lead a",
"story of atonement and am having a hard time figuring out a fitting",
"graphic novel Im working on my protagonist is cursed by a witch (or",
"on the effect?** Im am primarily an artist and new to writing so",
"that would lead a witch to deal out this punishment. The witch's motives",
"punishment. The witch's motives are to force a character building experience on the",
"to force a character building experience on the protagonist so that by the",
"(or other magic wielding person) to wake up in a new place/time every",
"deal out this punishment. The witch's motives are to force a character building",
"be a story of atonement and am having a hard time figuring out",
"a story of atonement and am having a hard time figuring out a",
"magic wielding person) to wake up in a new place/time every day due",
"a new place/time every day due to a wrongdoing on his part. I",
"witch's motives are to force a character building experience on the protagonist so",
"the idea (the character in this is a child but that is not",
"a fitting offense that would lead a witch to deal out this punishment.",
"want this to be a story of atonement and am having a hard",
"this punishment. The witch's motives are to force a character building experience on",
"out a fitting offense that would lead a witch to deal out this",
"did to explore the idea (the character in this is a child but",
"person) to wake up in a new place/time every day due to a",
"would lead a witch to deal out this punishment. The witch's motives are",
"time figuring out a fitting offense that would lead a witch to deal",
"other magic wielding person) to wake up in a new place/time every day",
"to be a story of atonement and am having a hard time figuring",
"comes out a truly better and wise man. Here is a piece I",
"wake up in a new place/time every day due to a wrongdoing on",
"his part. I want this to be a story of atonement and am",
"my protagonist is cursed by a witch (or other magic wielding person) to",
"story for a graphic novel Im working on my protagonist is cursed by",
"every day due to a wrongdoing on his part. I want this to",
"day due to a wrongdoing on his part. I want this to be",
"protagonist so that by the end he comes out a truly better and",
"In the story for a graphic novel Im working on my protagonist is",
"out this punishment. The witch's motives are to force a character building experience",
"for a graphic novel Im working on my protagonist is cursed by a",
"due to a wrongdoing on his part. I want this to be a",
"new place/time every day due to a wrongdoing on his part. I want",
"am primarily an artist and new to writing so any suggestions are appreciated.",
"a witch to deal out this punishment. The witch's motives are to force",
"I want this to be a story of atonement and am having a",
"this is a child but that is not set in stone)[](https://i.stack.imgur.com/9UD9f.jpg) **What is a good way to find a fitting cause",
"a character building experience on the protagonist so that by the end he",
"motives are to force a character building experience on the protagonist so that"
] |
[
"new character and a new location, both are going to be involved for",
"put first? The character becomes close friends with the protagonist and is significant",
"description should I put first? The character becomes close friends with the protagonist",
"while, which description should I put first? The character becomes close friends with",
"significant throughout, the room is where the main characters spend a lot of",
"friends with the protagonist and is significant throughout, the room is where the",
"are introducing a new character and a new location, both are going to",
"is significant throughout, the room is where the main characters spend a lot",
"and is significant throughout, the room is where the main characters spend a",
"going to be involved for a while, which description should I put first?",
"with the protagonist and is significant throughout, the room is where the main",
"I put first? The character becomes close friends with the protagonist and is",
"The character becomes close friends with the protagonist and is significant throughout, the",
"the room is where the main characters spend a lot of time throughout.",
"you are introducing a new character and a new location, both are going",
"a new character and a new location, both are going to be involved",
"and a new location, both are going to be involved for a while,",
"involved for a while, which description should I put first? The character becomes",
"should I put first? The character becomes close friends with the protagonist and",
"which description should I put first? The character becomes close friends with the",
"first? The character becomes close friends with the protagonist and is significant throughout,",
"be involved for a while, which description should I put first? The character",
"a while, which description should I put first? The character becomes close friends",
"the protagonist and is significant throughout, the room is where the main characters",
"location, both are going to be involved for a while, which description should",
"close friends with the protagonist and is significant throughout, the room is where",
"If you are introducing a new character and a new location, both are",
"both are going to be involved for a while, which description should I",
"a new location, both are going to be involved for a while, which",
"character and a new location, both are going to be involved for a",
"new location, both are going to be involved for a while, which description",
"for a while, which description should I put first? The character becomes close",
"introducing a new character and a new location, both are going to be",
"protagonist and is significant throughout, the room is where the main characters spend",
"are going to be involved for a while, which description should I put",
"throughout, the room is where the main characters spend a lot of time",
"becomes close friends with the protagonist and is significant throughout, the room is",
"to be involved for a while, which description should I put first? The",
"character becomes close friends with the protagonist and is significant throughout, the room"
] |
[
"without it becoming annoying or it overlapping with the formatting already present in",
"knight isn't particularly fast, but the next time he miraculously jumps in front",
"knight is using his special skill whenever he safes someone I found it",
"appeared between the two, his shield deflecting the attack with ease. > >",
"italics are used to sign the words being in a foreign language or",
"first sentence the reader might become confused at the foreign words, were you",
"you to remove the italics from the first sentence the reader might become",
"are assigned job-classes and corresponding skills they can use. When battling against monsters",
"it becoming annoying or it overlapping with the formatting already present in the",
"stone. The knight isn't particularly fast, but the next time he miraculously jumps",
"course there aren't any skills in the story called \"I Don't Care\", but",
"of someone just in time to block an attack, the reader shouldn't be",
"reducing him to ashes. > > > and > > He brought his",
"words, were you to remove it in the second sentence the phrase loses",
"> and > > He brought his mace down with overwhelming force, but",
"> In these examples italics are used to sign the words being in",
"in the story, since who can use which skill is set in stone.",
"the formatting already present in the story. --- I'm writing a story in",
"repeat over and over that the knight is using his special skill whenever",
"the first sentence the reader might become confused at the foreign words, were",
"make contact the weapon was forced back with a loud metallic screech. >",
"in the genre, characters are assigned job-classes and corresponding skills they can use.",
"a skill. However, this poses a problem when writing sentences like > >",
"an attack, the reader shouldn't be surprised. The knight has a special ability",
"weapon was forced back with a loud metallic screech. > > \"*Stand Behind",
"is a staple in the genre, characters are assigned job-classes and corresponding skills",
"battle, however, skills tend to be used in quick succession, so rather than",
"any skills in the story called \"I Don't Care\", but it's confusing nonetheless",
"sign the words being in a foreign language or emphasising someone's speech. Like",
"attack with ease. > > > In the second example the knight isn't",
"> > In these examples italics are used to sign the words being",
"I need a way to emphasise the names of special skills without it",
"reader shouldn't be surprised. The knight has a special ability that allows him",
"be surprised. The knight has a special ability that allows him to do",
"way to emphasise the names of special skills without it becoming annoying or",
"can use. When battling against monsters or other players they use them like",
"using italics as skill activation already. Were you to remove the italics from",
"were trying to make a hyperlink. Is there a good way to do",
"time he miraculously jumps in front of someone just in time to block",
"poses a problem when writing sentences like > > \"*Et tu?*\" > >",
"someone's speech. Like how it is normally used. Of course there aren't any",
"In the second example the knight isn't actually telling the person he's protecting",
"he miraculously jumps in front of someone just in time to block an",
"A knight appeared between the two, his shield deflecting the attack with ease.",
"some kind of formatting rule to sign that I'm talking about a skill.",
"goblin and reducing him to ashes. > > > and > > He",
"being in a foreign language or emphasising someone's speech. Like how it is",
"in an RPG-like setting (Role Playing Game). As is a staple in the",
"force, but before it could make contact the weapon was forced back with",
"annoying or it overlapping with the formatting already present in the story. ---",
"his special skill whenever he safes someone I found it neater and clearer",
"skill whenever he safes someone I found it neater and clearer to have",
"story called \"I Don't Care\", but it's confusing nonetheless because I established using",
"this because of moments like in the first example, italics signing the use",
"reader to pick up on this because of moments like in the first",
"players they use them like so > > \"*Fireball!*\" > Fire conjured itself",
"have tried using **bold text**, but this became very annoying very fast, especially",
"block an attack, the reader shouldn't be surprised. The knight has a special",
"--- I'm writing a story in an RPG-like setting (Role Playing Game). As",
"I have tried using **bold text**, but this became very annoying very fast,",
"person he's protecting to stand behind him, he is calling out the name",
"skills without it becoming annoying or it overlapping with the formatting already present",
"a staple in the genre, characters are assigned job-classes and corresponding skills they",
"the story, since who can use which skill is set in stone. The",
"\"*Stand Behind Me!*\" > > A knight appeared between the two, his shield",
"neater and clearer to have some kind of formatting rule to sign that",
"miraculously jumps in front of someone just in time to block an attack,",
"sentences like > > \"*Et tu?*\" > > > or > > \"*I",
"expect the reader to pick up on this because of moments like in",
"the reader to pick up on this because of moments like in the",
"established using italics as skill activation already. Were you to remove the italics",
"actually telling the person he's protecting to stand behind him, he is calling",
"He brought his mace down with overwhelming force, but before it could make",
"been searching for some other way to show the characters using skills. I",
"or > > \"*I don't care.*\" > > > In these examples italics",
"it neater and clearer to have some kind of formatting rule to sign",
"overlapping with the formatting already present in the story. --- I'm writing a",
"I'm writing a story in an RPG-like setting (Role Playing Game). As is",
"skill is set in stone. The knight isn't particularly fast, but the next",
"> > A knight appeared between the two, his shield deflecting the attack",
"he's protecting to stand behind him, he is calling out the name of",
"I expect the reader to pick up on this because of moments like",
"between the two, his shield deflecting the attack with ease. > > >",
"However, this poses a problem when writing sentences like > > \"*Et tu?*\"",
"characters are assigned job-classes and corresponding skills they can use. When battling against",
"of moments like in the first example, italics signing the use of a",
"or other players they use them like so > > \"*Fireball!*\" > Fire",
"sentence the reader might become confused at the foreign words, were you to",
"stand behind him, he is calling out the name of the skill \"Stand",
"calling out the name of the skill \"Stand Behind Me\" as an invocation",
"\"*I don't care.*\" > > > In these examples italics are used to",
"skill. Skills are a fairly important part in the story, since who can",
"the first example, italics signing the use of a skill. Skills are a",
"in the story. --- I'm writing a story in an RPG-like setting (Role",
"that the knight is using his special skill whenever he safes someone I",
"assigned job-classes and corresponding skills they can use. When battling against monsters or",
"(Role Playing Game). As is a staple in the genre, characters are assigned",
"tl;dr : I need a way to emphasise the names of special skills",
"speech. Like how it is normally used. Of course there aren't any skills",
"where one skill is used after another. Underlining it felt strange. As if",
"he is calling out the name of the skill \"Stand Behind Me\" as",
"the italics from the first sentence the reader might become confused at the",
"during fight scenes where one skill is used after another. Underlining it felt",
"RPG-like setting (Role Playing Game). As is a staple in the genre, characters",
"sorts. I expect the reader to pick up on this because of moments",
"its impact. As such I've been searching for some other way to show",
"examples italics are used to sign the words being in a foreign language",
"Behind Me!*\" > > A knight appeared between the two, his shield deflecting",
"italics as skill activation already. Were you to remove the italics from the",
"pick up on this because of moments like in the first example, italics",
"shield deflecting the attack with ease. > > > In the second example",
"I were trying to make a hyperlink. Is there a good way to",
"against monsters or other players they use them like so > > \"*Fireball!*\"",
"whenever he safes someone I found it neater and clearer to have some",
"tried using **bold text**, but this became very annoying very fast, especially during",
"sign that I'm talking about a skill. However, this poses a problem when",
"Were you to remove the italics from the first sentence the reader might",
"to sign that I'm talking about a skill. However, this poses a problem",
"problem when writing sentences like > > \"*Et tu?*\" > > > or",
"so > > \"*Fireball!*\" > Fire conjured itself from X's staff, enveloping the",
"ability that allows him to do just that, after all. In battle, however,",
"in a foreign language or emphasising someone's speech. Like how it is normally",
"present in the story. --- I'm writing a story in an RPG-like setting",
"the genre, characters are assigned job-classes and corresponding skills they can use. When",
"like so > > \"*Fireball!*\" > Fire conjured itself from X's staff, enveloping",
"in the first example, italics signing the use of a skill. Skills are",
"strange. As if I were trying to make a hyperlink. Is there a",
"The knight has a special ability that allows him to do just that,",
"using skills. I have tried using **bold text**, but this became very annoying",
"after all. In battle, however, skills tend to be used in quick succession,",
"already present in the story. --- I'm writing a story in an RPG-like",
"before it could make contact the weapon was forced back with a loud",
"especially during fight scenes where one skill is used after another. Underlining it",
"the use of a skill. Skills are a fairly important part in the",
"knight has a special ability that allows him to do just that, after",
"it in the second sentence the phrase loses its impact. As such I've",
"fast, but the next time he miraculously jumps in front of someone just",
"the foreign words, were you to remove it in the second sentence the",
"\"*Et tu?*\" > > > or > > \"*I don't care.*\" > >",
"back with a loud metallic screech. > > \"*Stand Behind Me!*\" > >",
"in front of someone just in time to block an attack, the reader",
"skills they can use. When battling against monsters or other players they use",
"characters using skills. I have tried using **bold text**, but this became very",
"from the first sentence the reader might become confused at the foreign words,",
"remove the italics from the first sentence the reader might become confused at",
"isn't particularly fast, but the next time he miraculously jumps in front of",
"them like so > > \"*Fireball!*\" > Fire conjured itself from X's staff,",
"As if I were trying to make a hyperlink. Is there a good",
"Me!*\" > > A knight appeared between the two, his shield deflecting the",
"for some other way to show the characters using skills. I have tried",
"and corresponding skills they can use. When battling against monsters or other players",
"using his special skill whenever he safes someone I found it neater and",
"is used after another. Underlining it felt strange. As if I were trying",
"could make contact the weapon was forced back with a loud metallic screech.",
"in quick succession, so rather than repeat over and over that the knight",
"and reducing him to ashes. > > > and > > He brought",
"I established using italics as skill activation already. Were you to remove the",
"knight appeared between the two, his shield deflecting the attack with ease. >",
"on this because of moments like in the first example, italics signing the",
"staple in the genre, characters are assigned job-classes and corresponding skills they can",
"> > > or > > \"*I don't care.*\" > > > In",
"an RPG-like setting (Role Playing Game). As is a staple in the genre,",
"foreign words, were you to remove it in the second sentence the phrase",
"the second sentence the phrase loses its impact. As such I've been searching",
"a skill. Skills are a fairly important part in the story, since who",
"use. When battling against monsters or other players they use them like so",
"words being in a foreign language or emphasising someone's speech. Like how it",
"trying to make a hyperlink. Is there a good way to do this?",
"with overwhelming force, but before it could make contact the weapon was forced",
"Skills are a fairly important part in the story, since who can use",
"confusing nonetheless because I established using italics as skill activation already. Were you",
"very annoying very fast, especially during fight scenes where one skill is used",
"be used in quick succession, so rather than repeat over and over that",
"use which skill is set in stone. The knight isn't particularly fast, but",
"show the characters using skills. I have tried using **bold text**, but this",
"nonetheless because I established using italics as skill activation already. Were you to",
"an invocation of sorts. I expect the reader to pick up on this",
"forced back with a loud metallic screech. > > \"*Stand Behind Me!*\" >",
"skills tend to be used in quick succession, so rather than repeat over",
"> He brought his mace down with overwhelming force, but before it could",
"over that the knight is using his special skill whenever he safes someone",
"story in an RPG-like setting (Role Playing Game). As is a staple in",
"it felt strange. As if I were trying to make a hyperlink. Is",
"down with overwhelming force, but before it could make contact the weapon was",
"remove it in the second sentence the phrase loses its impact. As such",
"the weapon was forced back with a loud metallic screech. > > \"*Stand",
"the name of the skill \"Stand Behind Me\" as an invocation of sorts.",
"very fast, especially during fight scenes where one skill is used after another.",
"impact. As such I've been searching for some other way to show the",
"emphasising someone's speech. Like how it is normally used. Of course there aren't",
"way to show the characters using skills. I have tried using **bold text**,",
"Me\" as an invocation of sorts. I expect the reader to pick up",
"set in stone. The knight isn't particularly fast, but the next time he",
"confused at the foreign words, were you to remove it in the second",
"> In the second example the knight isn't actually telling the person he's",
"to be used in quick succession, so rather than repeat over and over",
"to do just that, after all. In battle, however, skills tend to be",
"another. Underlining it felt strange. As if I were trying to make a",
"and > > He brought his mace down with overwhelming force, but before",
"used after another. Underlining it felt strange. As if I were trying to",
"sentence the phrase loses its impact. As such I've been searching for some",
"are used to sign the words being in a foreign language or emphasising",
"since who can use which skill is set in stone. The knight isn't",
"fast, especially during fight scenes where one skill is used after another. Underlining",
"skills. I have tried using **bold text**, but this became very annoying very",
"these examples italics are used to sign the words being in a foreign",
"became very annoying very fast, especially during fight scenes where one skill is",
"skill. However, this poses a problem when writing sentences like > > \"*Et",
"> \"*Stand Behind Me!*\" > > A knight appeared between the two, his",
"foreign language or emphasising someone's speech. Like how it is normally used. Of",
"is set in stone. The knight isn't particularly fast, but the next time",
"part in the story, since who can use which skill is set in",
"formatting already present in the story. --- I'm writing a story in an",
"particularly fast, but the next time he miraculously jumps in front of someone",
"Don't Care\", but it's confusing nonetheless because I established using italics as skill",
"> > \"*Fireball!*\" > Fire conjured itself from X's staff, enveloping the goblin",
"Underlining it felt strange. As if I were trying to make a hyperlink.",
"used. Of course there aren't any skills in the story called \"I Don't",
"activation already. Were you to remove the italics from the first sentence the",
"> > \"*Et tu?*\" > > > or > > \"*I don't care.*\"",
"or emphasising someone's speech. Like how it is normally used. Of course there",
"one skill is used after another. Underlining it felt strange. As if I",
"the knight is using his special skill whenever he safes someone I found",
"in stone. The knight isn't particularly fast, but the next time he miraculously",
"use of a skill. Skills are a fairly important part in the story,",
"as skill activation already. Were you to remove the italics from the first",
"the words being in a foreign language or emphasising someone's speech. Like how",
"moments like in the first example, italics signing the use of a skill.",
"staff, enveloping the goblin and reducing him to ashes. > > > and",
"because of moments like in the first example, italics signing the use of",
"but before it could make contact the weapon was forced back with a",
"screech. > > \"*Stand Behind Me!*\" > > A knight appeared between the",
"invocation of sorts. I expect the reader to pick up on this because",
"who can use which skill is set in stone. The knight isn't particularly",
"Behind Me\" as an invocation of sorts. I expect the reader to pick",
"to show the characters using skills. I have tried using **bold text**, but",
"to stand behind him, he is calling out the name of the skill",
"mace down with overwhelming force, but before it could make contact the weapon",
"to emphasise the names of special skills without it becoming annoying or it",
"> A knight appeared between the two, his shield deflecting the attack with",
"him to do just that, after all. In battle, however, skills tend to",
"of a skill. Skills are a fairly important part in the story, since",
"so rather than repeat over and over that the knight is using his",
"surprised. The knight has a special ability that allows him to do just",
"aren't any skills in the story called \"I Don't Care\", but it's confusing",
"isn't actually telling the person he's protecting to stand behind him, he is",
"important part in the story, since who can use which skill is set",
"becoming annoying or it overlapping with the formatting already present in the story.",
"tend to be used in quick succession, so rather than repeat over and",
"found it neater and clearer to have some kind of formatting rule to",
"called \"I Don't Care\", but it's confusing nonetheless because I established using italics",
"loud metallic screech. > > \"*Stand Behind Me!*\" > > A knight appeared",
"which skill is set in stone. The knight isn't particularly fast, but the",
"reader might become confused at the foreign words, were you to remove it",
"in the story called \"I Don't Care\", but it's confusing nonetheless because I",
"tu?*\" > > > or > > \"*I don't care.*\" > > >",
"to have some kind of formatting rule to sign that I'm talking about",
"italics signing the use of a skill. Skills are a fairly important part",
"next time he miraculously jumps in front of someone just in time to",
"front of someone just in time to block an attack, the reader shouldn't",
"skill is used after another. Underlining it felt strange. As if I were",
"Playing Game). As is a staple in the genre, characters are assigned job-classes",
"you to remove it in the second sentence the phrase loses its impact.",
"has a special ability that allows him to do just that, after all.",
"such I've been searching for some other way to show the characters using",
"used to sign the words being in a foreign language or emphasising someone's",
"skill activation already. Were you to remove the italics from the first sentence",
"is calling out the name of the skill \"Stand Behind Me\" as an",
"emphasise the names of special skills without it becoming annoying or it overlapping",
"they use them like so > > \"*Fireball!*\" > Fire conjured itself from",
"it could make contact the weapon was forced back with a loud metallic",
"but it's confusing nonetheless because I established using italics as skill activation already.",
"the reader shouldn't be surprised. The knight has a special ability that allows",
"kind of formatting rule to sign that I'm talking about a skill. However,",
"a fairly important part in the story, since who can use which skill",
"job-classes and corresponding skills they can use. When battling against monsters or other",
"at the foreign words, were you to remove it in the second sentence",
"ashes. > > > and > > He brought his mace down with",
"it is normally used. Of course there aren't any skills in the story",
"safes someone I found it neater and clearer to have some kind of",
"scenes where one skill is used after another. Underlining it felt strange. As",
"protecting to stand behind him, he is calling out the name of the",
"normally used. Of course there aren't any skills in the story called \"I",
"shouldn't be surprised. The knight has a special ability that allows him to",
"a foreign language or emphasising someone's speech. Like how it is normally used.",
"to pick up on this because of moments like in the first example,",
"enveloping the goblin and reducing him to ashes. > > > and >",
"just that, after all. In battle, however, skills tend to be used in",
"X's staff, enveloping the goblin and reducing him to ashes. > > >",
"knight isn't actually telling the person he's protecting to stand behind him, he",
"and clearer to have some kind of formatting rule to sign that I'm",
"out the name of the skill \"Stand Behind Me\" as an invocation of",
"the attack with ease. > > > In the second example the knight",
"in time to block an attack, the reader shouldn't be surprised. The knight",
"used in quick succession, so rather than repeat over and over that the",
"battling against monsters or other players they use them like so > >",
"I found it neater and clearer to have some kind of formatting rule",
"like in the first example, italics signing the use of a skill. Skills",
"rule to sign that I'm talking about a skill. However, this poses a",
"need a way to emphasise the names of special skills without it becoming",
"brought his mace down with overwhelming force, but before it could make contact",
"the person he's protecting to stand behind him, he is calling out the",
"up on this because of moments like in the first example, italics signing",
"Game). As is a staple in the genre, characters are assigned job-classes and",
"itself from X's staff, enveloping the goblin and reducing him to ashes. >",
"that allows him to do just that, after all. In battle, however, skills",
"of the skill \"Stand Behind Me\" as an invocation of sorts. I expect",
"but the next time he miraculously jumps in front of someone just in",
"loses its impact. As such I've been searching for some other way to",
"writing sentences like > > \"*Et tu?*\" > > > or > >",
"story, since who can use which skill is set in stone. The knight",
"> > He brought his mace down with overwhelming force, but before it",
"clearer to have some kind of formatting rule to sign that I'm talking",
"Fire conjured itself from X's staff, enveloping the goblin and reducing him to",
"> > In the second example the knight isn't actually telling the person",
": I need a way to emphasise the names of special skills without",
"In battle, however, skills tend to be used in quick succession, so rather",
"As such I've been searching for some other way to show the characters",
"> Fire conjured itself from X's staff, enveloping the goblin and reducing him",
"the second example the knight isn't actually telling the person he's protecting to",
"of formatting rule to sign that I'm talking about a skill. However, this",
"all. In battle, however, skills tend to be used in quick succession, so",
"like > > \"*Et tu?*\" > > > or > > \"*I don't",
"the story called \"I Don't Care\", but it's confusing nonetheless because I established",
"of special skills without it becoming annoying or it overlapping with the formatting",
"from X's staff, enveloping the goblin and reducing him to ashes. > >",
"care.*\" > > > In these examples italics are used to sign the",
"have some kind of formatting rule to sign that I'm talking about a",
"when writing sentences like > > \"*Et tu?*\" > > > or >",
"with ease. > > > In the second example the knight isn't actually",
"the reader might become confused at the foreign words, were you to remove",
"were you to remove it in the second sentence the phrase loses its",
"some other way to show the characters using skills. I have tried using",
"someone I found it neater and clearer to have some kind of formatting",
"to sign the words being in a foreign language or emphasising someone's speech.",
"> \"*Et tu?*\" > > > or > > \"*I don't care.*\" >",
"if I were trying to make a hyperlink. Is there a good way",
"overwhelming force, but before it could make contact the weapon was forced back",
"become confused at the foreign words, were you to remove it in the",
"fight scenes where one skill is used after another. Underlining it felt strange.",
"names of special skills without it becoming annoying or it overlapping with the",
"the two, his shield deflecting the attack with ease. > > > In",
"felt strange. As if I were trying to make a hyperlink. Is there",
"his mace down with overwhelming force, but before it could make contact the",
"conjured itself from X's staff, enveloping the goblin and reducing him to ashes.",
"can use which skill is set in stone. The knight isn't particularly fast,",
"> > \"*I don't care.*\" > > > In these examples italics are",
"because I established using italics as skill activation already. Were you to remove",
"the story. --- I'm writing a story in an RPG-like setting (Role Playing",
"the names of special skills without it becoming annoying or it overlapping with",
"with the formatting already present in the story. --- I'm writing a story",
"is using his special skill whenever he safes someone I found it neater",
"signing the use of a skill. Skills are a fairly important part in",
"> > and > > He brought his mace down with overwhelming force,",
"> \"*Fireball!*\" > Fire conjured itself from X's staff, enveloping the goblin and",
"> > > In these examples italics are used to sign the words",
"special ability that allows him to do just that, after all. In battle,",
"When battling against monsters or other players they use them like so >",
"a story in an RPG-like setting (Role Playing Game). As is a staple",
"I've been searching for some other way to show the characters using skills.",
"quick succession, so rather than repeat over and over that the knight is",
"attack, the reader shouldn't be surprised. The knight has a special ability that",
"\"*Fireball!*\" > Fire conjured itself from X's staff, enveloping the goblin and reducing",
"the goblin and reducing him to ashes. > > > and > >",
"**bold text**, but this became very annoying very fast, especially during fight scenes",
"this poses a problem when writing sentences like > > \"*Et tu?*\" >",
"> > > and > > He brought his mace down with overwhelming",
"it's confusing nonetheless because I established using italics as skill activation already. Were",
"other players they use them like so > > \"*Fireball!*\" > Fire conjured",
"Care\", but it's confusing nonetheless because I established using italics as skill activation",
"writing a story in an RPG-like setting (Role Playing Game). As is a",
"formatting rule to sign that I'm talking about a skill. However, this poses",
"to block an attack, the reader shouldn't be surprised. The knight has a",
"the knight isn't actually telling the person he's protecting to stand behind him,",
"skill \"Stand Behind Me\" as an invocation of sorts. I expect the reader",
"a way to emphasise the names of special skills without it becoming annoying",
"As is a staple in the genre, characters are assigned job-classes and corresponding",
"talking about a skill. However, this poses a problem when writing sentences like",
"second sentence the phrase loses its impact. As such I've been searching for",
"than repeat over and over that the knight is using his special skill",
"he safes someone I found it neater and clearer to have some kind",
"deflecting the attack with ease. > > > In the second example the",
"example, italics signing the use of a skill. Skills are a fairly important",
"already. Were you to remove the italics from the first sentence the reader",
"in the second sentence the phrase loses its impact. As such I've been",
"The knight isn't particularly fast, but the next time he miraculously jumps in",
"over and over that the knight is using his special skill whenever he",
"In these examples italics are used to sign the words being in a",
"using **bold text**, but this became very annoying very fast, especially during fight",
"text**, but this became very annoying very fast, especially during fight scenes where",
"rather than repeat over and over that the knight is using his special",
"a special ability that allows him to do just that, after all. In",
"of sorts. I expect the reader to pick up on this because of",
"might become confused at the foreign words, were you to remove it in",
"I'm talking about a skill. However, this poses a problem when writing sentences",
"contact the weapon was forced back with a loud metallic screech. > >",
"just in time to block an attack, the reader shouldn't be surprised. The",
"is normally used. Of course there aren't any skills in the story called",
"but this became very annoying very fast, especially during fight scenes where one",
"this became very annoying very fast, especially during fight scenes where one skill",
"story. --- I'm writing a story in an RPG-like setting (Role Playing Game).",
"with a loud metallic screech. > > \"*Stand Behind Me!*\" > > A",
"> > or > > \"*I don't care.*\" > > > In these",
"skills in the story called \"I Don't Care\", but it's confusing nonetheless because",
"corresponding skills they can use. When battling against monsters or other players they",
"telling the person he's protecting to stand behind him, he is calling out",
"it overlapping with the formatting already present in the story. --- I'm writing",
"searching for some other way to show the characters using skills. I have",
"ease. > > > In the second example the knight isn't actually telling",
"other way to show the characters using skills. I have tried using **bold",
"however, skills tend to be used in quick succession, so rather than repeat",
"example the knight isn't actually telling the person he's protecting to stand behind",
"as an invocation of sorts. I expect the reader to pick up on",
"two, his shield deflecting the attack with ease. > > > In the",
"Of course there aren't any skills in the story called \"I Don't Care\",",
"special skill whenever he safes someone I found it neater and clearer to",
"italics from the first sentence the reader might become confused at the foreign",
"> \"*I don't care.*\" > > > In these examples italics are used",
"> or > > \"*I don't care.*\" > > > In these examples",
"\"Stand Behind Me\" as an invocation of sorts. I expect the reader to",
"a problem when writing sentences like > > \"*Et tu?*\" > > >",
"to remove the italics from the first sentence the reader might become confused",
"that I'm talking about a skill. However, this poses a problem when writing",
"about a skill. However, this poses a problem when writing sentences like >",
"there aren't any skills in the story called \"I Don't Care\", but it's",
"the next time he miraculously jumps in front of someone just in time",
"> > > In the second example the knight isn't actually telling the",
"how it is normally used. Of course there aren't any skills in the",
"are a fairly important part in the story, since who can use which",
"setting (Role Playing Game). As is a staple in the genre, characters are",
"the skill \"Stand Behind Me\" as an invocation of sorts. I expect the",
"succession, so rather than repeat over and over that the knight is using",
"him, he is calling out the name of the skill \"Stand Behind Me\"",
"genre, characters are assigned job-classes and corresponding skills they can use. When battling",
"his shield deflecting the attack with ease. > > > In the second",
"Like how it is normally used. Of course there aren't any skills in",
"the characters using skills. I have tried using **bold text**, but this became",
"him to ashes. > > > and > > He brought his mace",
"name of the skill \"Stand Behind Me\" as an invocation of sorts. I",
"or it overlapping with the formatting already present in the story. --- I'm",
"first example, italics signing the use of a skill. Skills are a fairly",
"allows him to do just that, after all. In battle, however, skills tend",
"\"I Don't Care\", but it's confusing nonetheless because I established using italics as",
"they can use. When battling against monsters or other players they use them",
"and over that the knight is using his special skill whenever he safes",
"phrase loses its impact. As such I've been searching for some other way",
"was forced back with a loud metallic screech. > > \"*Stand Behind Me!*\"",
"language or emphasising someone's speech. Like how it is normally used. Of course",
"annoying very fast, especially during fight scenes where one skill is used after",
"the phrase loses its impact. As such I've been searching for some other",
"to ashes. > > > and > > He brought his mace down",
"> > \"*Stand Behind Me!*\" > > A knight appeared between the two,",
"behind him, he is calling out the name of the skill \"Stand Behind",
"after another. Underlining it felt strange. As if I were trying to make",
"jumps in front of someone just in time to block an attack, the",
"metallic screech. > > \"*Stand Behind Me!*\" > > A knight appeared between",
"time to block an attack, the reader shouldn't be surprised. The knight has",
"do just that, after all. In battle, however, skills tend to be used",
"second example the knight isn't actually telling the person he's protecting to stand",
"fairly important part in the story, since who can use which skill is",
"special skills without it becoming annoying or it overlapping with the formatting already",
"a loud metallic screech. > > \"*Stand Behind Me!*\" > > A knight",
"someone just in time to block an attack, the reader shouldn't be surprised.",
"don't care.*\" > > > In these examples italics are used to sign",
"to remove it in the second sentence the phrase loses its impact. As",
"that, after all. In battle, however, skills tend to be used in quick",
"use them like so > > \"*Fireball!*\" > Fire conjured itself from X's",
"monsters or other players they use them like so > > \"*Fireball!*\" >"
] |
[
"find the other attractive, Vana is fine with it and there's no jealousy",
"the book. He doesn't plan on killing them, however, and you can probably",
"experience and it influences their future actions and interactions with each other. They",
"on them, and it's not even his fault. He's a puppet being used",
"being forced into doing it with her best friend's boyfriend. Even worse, and",
"time. Zotn is good friends with Sarlb. Even though Sarlb and Zotn admit",
"with her best friend's boyfriend. Even worse, and that's a massive red flag",
"Even worse, and that's a massive red flag to her, she secretly enjoyed",
"number. How do I tackle this topic gracefully and tactfully? What are some",
"to each other and would never think to do anything behind the other's",
"on? How could they deal with such an experience? Side note: one thing",
"pleasure in causing pain, it would seem fitting for him to do something",
"such an experience? Side note: one thing I kinda fear is that it",
"but I also don't want to offend anyone, especially not victims of actual",
"them Vana, Sarlb and Zotn. Vana and Sarlb have been best friends since",
"are some things I should build on / mention / focus on? How",
"used, being put in a situation where he's the one doing all those",
"kinda excited with what kind of opportunities this would open for the plot,",
"(Vana), but also does the same to Sarlb, right in front of Vana's",
"a crime, and both women are fully aware of this. Sarlb's body is",
"\"shown\", just heavily implied to have happened, and none of it is in",
"a situation where he's the one doing all those heinous things against his",
"three of them as they were a massive thorn in his side up",
"Vana and Sarlb have been best friends since childhood and Vana has been",
"tool being used, being put in a situation where he's the one doing",
"and Vana has been in a relationship with Zotn for a very long",
"party.* That's roughly what I had planned, anyway. I didn't think I would",
"had planned, anyway. I didn't think I would try to include a rape",
"happened, and none of it is in any way eroticised. Every second of",
"is in any way eroticised. Every second of it is pure horror for",
"doing based on the title. He takes control over Zotn and not only",
"Every second of it is pure horror for all three. Let's recap: Vana",
"body and his free will taken. Not only does he attack her, but",
"fine with it and there's no jealousy involved. Both partners are faithful to",
"and despite not having had a choice, feels a lot of guilt and",
"against his will and effectively has a front row seat to the crimes",
"could the characters act from then on? How could they deal with such",
"in their mid twenties. Two women and one man. For simplicity, lets call",
"shame for being forced into doing it with her best friend's boyfriend. Even",
"a rape scene in one of my stories, but given how I characterized",
"crime, and both women are fully aware of this. Sarlb's body is used",
"is obviously a very risqué topic to tackle and I'm not sure if",
"main heroines a bit too much - even if that was kinda the",
"Zotn admit they find the other attractive, Vana is fine with it and",
"end up deeply scarred from the experience and it influences their future actions",
"and both women are fully aware of this. Sarlb's body is used to",
"be offended, I'm just looking for a way to reduce that number. How",
"way eroticised. Every second of it is pure horror for all three. Let's",
"the big bad, a powerful spirit capable of possessing people, imprisons all three",
"to torture them, after all. I worry especially because both of them are",
"lightly: most of it isn't directly \"shown\", just heavily implied to have happened,",
"but given how I characterized the big bad as an irredeemable monster who",
"for all three of them as they were a massive thorn in his",
"jealousy involved. Both partners are faithful to each other and would never think",
"focus on? How could the characters act from then on? How could they",
"it. All three of them end up deeply scarred from the experience and",
"being used, being put in a situation where he's the one doing all",
"both care about be forced on them, and it's not even his fault.",
"but her best friend as well. Both women have a man they both",
"to offend anyone, especially not victims of actual sexual abuse. Obviously someone is",
"main characters in the story, all three of them in their mid twenties.",
"a very long time. Zotn is good friends with Sarlb. Even though Sarlb",
"get in-between the two, despite her feelings for Zotn.* *Somewhere half-way through the",
"friend's boyfriend. Even worse, and that's a massive red flag to her, she",
"on / mention / focus on? How could the characters act from then",
"that number. How do I tackle this topic gracefully and tactfully? What are",
"a lot of guilt and shame for being forced into doing it with",
"Zotn's girlfriend (Vana), but also does the same to Sarlb, right in front",
"best friend's boyfriend. Even worse, and that's a massive red flag to her,",
"even his fault. He's a puppet being used for a crime, and both",
"equipped to handle it. The scene isn't taken very lightly: most of it",
"been in a relationship with Zotn for a very long time. Zotn is",
"the main heroines a bit too much - even if that was kinda",
"having had a choice, feels a lot of guilt and shame for being",
"and it influences their future actions and interactions with each other. They end",
"much - even if that was kinda the goal. The big bad wants",
"their mid twenties. Two women and one man. For simplicity, lets call them",
"but can't do anything to stop it. All three of them end up",
"this topic gracefully and tactfully? What are some things I should build on",
"has immense hatred for all three of them as they were a massive",
"had a choice, feels a lot of guilt and shame for being forced",
"put in a situation where he's the one doing all those heinous things",
"a massive red flag to her, she secretly enjoyed it a bit, which",
"and tactfully? What are some things I should build on / mention /",
"obviously a very risqué topic to tackle and I'm not sure if I'm",
"all three of them. He has immense hatred for all three of them",
"with Sarlb. Even though Sarlb and Zotn admit they find the other attractive,",
"friend as well. Both women have a man they both care about be",
"is pure horror for all three. Let's recap: Vana sees her loved one",
"are shown to be capable fighters, yet they still end up in a",
"forced on them, and it's not even his fault. He's a puppet being",
"each other. They end up being saved from the spirit by a third",
"and Zotn admit they find the other attractive, Vana is fine with it",
"possessing people, imprisons all three of them. He has immense hatred for all",
"his side up until this point in the book. He doesn't plan on",
"the spirit by a third party.* That's roughly what I had planned, anyway.",
"killing them, however, and you can probably guess what he ends up doing",
"and Sarlb have been best friends since childhood and Vana has been in",
"bad as an irredeemable monster who takes pleasure in causing pain, it would",
"twenties. Two women and one man. For simplicity, lets call them Vana, Sarlb",
"there are three main characters in the story, all three of them in",
"*Somewhere half-way through the book, the big bad, a powerful spirit capable of",
"takes control over Zotn and not only rapes Zotn's girlfriend (Vana), but also",
"especially because both of them are shown to be capable fighters, yet they",
"they still end up in a horrible situation like that, to no fault",
"one of my stories, but given how I characterized the big bad as",
"up doing based on the title. He takes control over Zotn and not",
"and you can probably guess what he ends up doing based on the",
"tackle this topic gracefully and tactfully? What are some things I should build",
"abuse. Obviously someone is always going to be offended, I'm just looking for",
"of it is pure horror for all three. Let's recap: Vana sees her",
"them, and it's not even his fault. He's a puppet being used for",
"the characters act from then on? How could they deal with such an",
"people, imprisons all three of them. He has immense hatred for all three",
"hatred for all three of them as they were a massive thorn in",
"all three of them as they were a massive thorn in his side",
"it isn't directly \"shown\", just heavily implied to have happened, and none of",
"takes pleasure in causing pain, it would seem fitting for him to do",
"does the same to Sarlb, right in front of Vana's eyes. Zotn is",
"would open for the plot, but I also don't want to offend anyone,",
"each other and would never think to do anything behind the other's back.",
"ends up doing based on the title. He takes control over Zotn and",
"and interactions with each other. They end up being saved from the spirit",
"fear is that it would demean the main heroines a bit too much",
"those heinous things against his will and effectively has a front row seat",
"in his side up until this point in the book. He doesn't plan",
"would seem fitting for him to do something so horrible. Rape is obviously",
"control over Zotn and not only rapes Zotn's girlfriend (Vana), but also does",
"friends since childhood and Vana has been in a relationship with Zotn for",
"would never think to do anything behind the other's back. Likewise, Sarlb doesn't",
"lets call them Vana, Sarlb and Zotn. Vana and Sarlb have been best",
"for Zotn.* *Somewhere half-way through the book, the big bad, a powerful spirit",
"try to include a rape scene in one of my stories, but given",
"care about be forced on them, and it's not even his fault. He's",
"in any way eroticised. Every second of it is pure horror for all",
"the same to Sarlb, right in front of Vana's eyes. Zotn is fully",
"anyway. I didn't think I would try to include a rape scene in",
"to do anything behind the other's back. Likewise, Sarlb doesn't do anything to",
"I'm just looking for a way to reduce that number. How do I",
"since childhood and Vana has been in a relationship with Zotn for a",
"this. Sarlb's body is used to spite Vana, and despite not having had",
"be forced on them, and it's not even his fault. He's a puppet",
"doesn't plan on killing them, however, and you can probably guess what he",
"second of it is pure horror for all three. Let's recap: Vana sees",
"spirit capable of possessing people, imprisons all three of them. He has immense",
"kinda the goal. The big bad wants to torture them, after all. I",
"one Zotn have his body and his free will taken. Not only does",
"seem fitting for him to do something so horrible. Rape is obviously a",
"- even if that was kinda the goal. The big bad wants to",
"aware of what is going on, but can't do anything to stop it.",
"something so horrible. Rape is obviously a very risqué topic to tackle and",
"both of them are shown to be capable fighters, yet they still end",
"tactfully? What are some things I should build on / mention / focus",
"can probably guess what he ends up doing based on the title. He",
"involved. Both partners are faithful to each other and would never think to",
"of my stories, but given how I characterized the big bad as an",
"of opportunities this would open for the plot, but I also don't want",
"big bad, a powerful spirit capable of possessing people, imprisons all three of",
"they were a massive thorn in his side up until this point in",
"women have a man they both care about be forced on them, and",
"on, but can't do anything to stop it. All three of them end",
"topic gracefully and tactfully? What are some things I should build on /",
"and not only rapes Zotn's girlfriend (Vana), but also does the same to",
"one thing I kinda fear is that it would demean the main heroines",
"Zotn. Vana and Sarlb have been best friends since childhood and Vana has",
"some things I should build on / mention / focus on? How could",
"Sarlb, right in front of Vana's eyes. Zotn is fully aware of what",
"she secretly enjoyed it a bit, which makes her feel even more guilty.",
"side up until this point in the book. He doesn't plan on killing",
"topic to tackle and I'm not sure if I'm equipped to handle it.",
"as they were a massive thorn in his side up until this point",
"book. He doesn't plan on killing them, however, and you can probably guess",
"fault. He's a puppet being used for a crime, and both women are",
"is going on, but can't do anything to stop it. All three of",
"only does he attack her, but her best friend as well. Both women",
"of it is in any way eroticised. Every second of it is pure",
"will taken. Not only does he attack her, but her best friend as",
"two, despite her feelings for Zotn.* *Somewhere half-way through the book, the big",
"things against his will and effectively has a front row seat to the",
"How do I tackle this topic gracefully and tactfully? What are some things",
"actual sexual abuse. Obviously someone is always going to be offended, I'm just",
"fighters, yet they still end up in a horrible situation like that, to",
"I had planned, anyway. I didn't think I would try to include a",
"even more guilty. Zotn meanwhile is just a tool being used, being put",
"with it and there's no jealousy involved. Both partners are faithful to each",
"want to offend anyone, especially not victims of actual sexual abuse. Obviously someone",
"with each other. They end up being saved from the spirit by a",
"doesn't do anything to get in-between the two, despite her feelings for Zotn.*",
"pure horror for all three. Let's recap: Vana sees her loved one Zotn",
"puppet being used for a crime, and both women are fully aware of",
"it is in any way eroticised. Every second of it is pure horror",
"the plot, but I also don't want to offend anyone, especially not victims",
"The big bad wants to torture them, after all. I worry especially because",
"Zotn and not only rapes Zotn's girlfriend (Vana), but also does the same",
"handle it. The scene isn't taken very lightly: most of it isn't directly",
"from then on? How could they deal with such an experience? Side note:",
"excited with what kind of opportunities this would open for the plot, but",
"feelings for Zotn.* *Somewhere half-way through the book, the big bad, a powerful",
"Vana's eyes. Zotn is fully aware of what is going on, but can't",
"shown to be capable fighters, yet they still end up in a horrible",
"it with her best friend's boyfriend. Even worse, and that's a massive red",
"Obviously, I'm a bit nervous, but also kinda excited with what kind of",
"but also kinda excited with what kind of opportunities this would open for",
"her, but her best friend as well. Both women have a man they",
"that was kinda the goal. The big bad wants to torture them, after",
"someone is always going to be offended, I'm just looking for a way",
"half-way through the book, the big bad, a powerful spirit capable of possessing",
"planned, anyway. I didn't think I would try to include a rape scene",
"all those heinous things against his will and effectively has a front row",
"especially not victims of actual sexual abuse. Obviously someone is always going to",
"based on the title. He takes control over Zotn and not only rapes",
"*Preface: there are three main characters in the story, all three of them",
"to handle it. The scene isn't taken very lightly: most of it isn't",
"What are some things I should build on / mention / focus on?",
"back. Likewise, Sarlb doesn't do anything to get in-between the two, despite her",
"though Sarlb and Zotn admit they find the other attractive, Vana is fine",
"is fully aware of what is going on, but can't do anything to",
"else. Obviously, I'm a bit nervous, but also kinda excited with what kind",
"up until this point in the book. He doesn't plan on killing them,",
"best friends since childhood and Vana has been in a relationship with Zotn",
"Even though Sarlb and Zotn admit they find the other attractive, Vana is",
"boyfriend. Even worse, and that's a massive red flag to her, she secretly",
"but also does the same to Sarlb, right in front of Vana's eyes.",
"well. Both women have a man they both care about be forced on",
"will and effectively has a front row seat to the crimes of someone",
"loved one Zotn have his body and his free will taken. Not only",
"do anything to get in-between the two, despite her feelings for Zotn.* *Somewhere",
"also does the same to Sarlb, right in front of Vana's eyes. Zotn",
"all three. Let's recap: Vana sees her loved one Zotn have his body",
"man they both care about be forced on them, and it's not even",
"most of it isn't directly \"shown\", just heavily implied to have happened, and",
"that it would demean the main heroines a bit too much - even",
"I'm a bit nervous, but also kinda excited with what kind of opportunities",
"her, she secretly enjoyed it a bit, which makes her feel even more",
"wants to torture them, after all. I worry especially because both of them",
"Sarlb. Even though Sarlb and Zotn admit they find the other attractive, Vana",
"That's roughly what I had planned, anyway. I didn't think I would try",
"would demean the main heroines a bit too much - even if that",
"in-between the two, despite her feelings for Zotn.* *Somewhere half-way through the book,",
"of them end up deeply scarred from the experience and it influences their",
"is fine with it and there's no jealousy involved. Both partners are faithful",
"characterized the big bad as an irredeemable monster who takes pleasure in causing",
"three. Let's recap: Vana sees her loved one Zotn have his body and",
"secretly enjoyed it a bit, which makes her feel even more guilty. Zotn",
"up in a horrible situation like that, to no fault of their own.",
"opportunities this would open for the plot, but I also don't want to",
"one man. For simplicity, lets call them Vana, Sarlb and Zotn. Vana and",
"choice, feels a lot of guilt and shame for being forced into doing",
"think to do anything behind the other's back. Likewise, Sarlb doesn't do anything",
"I kinda fear is that it would demean the main heroines a bit",
"and it's not even his fault. He's a puppet being used for a",
"meanwhile is just a tool being used, being put in a situation where",
"a front row seat to the crimes of someone else. Obviously, I'm a",
"never think to do anything behind the other's back. Likewise, Sarlb doesn't do",
"just a tool being used, being put in a situation where he's the",
"all three of them in their mid twenties. Two women and one man.",
"red flag to her, she secretly enjoyed it a bit, which makes her",
"to be offended, I'm just looking for a way to reduce that number.",
"of them in their mid twenties. Two women and one man. For simplicity,",
"other and would never think to do anything behind the other's back. Likewise,",
"act from then on? How could they deal with such an experience? Side",
"I characterized the big bad as an irredeemable monster who takes pleasure in",
"plan on killing them, however, and you can probably guess what he ends",
"Zotn for a very long time. Zotn is good friends with Sarlb. Even",
"experience? Side note: one thing I kinda fear is that it would demean",
"none of it is in any way eroticised. Every second of it is",
"his fault. He's a puppet being used for a crime, and both women",
"also don't want to offend anyone, especially not victims of actual sexual abuse.",
"Both women have a man they both care about be forced on them,",
"seat to the crimes of someone else. Obviously, I'm a bit nervous, but",
"kind of opportunities this would open for the plot, but I also don't",
"pain, it would seem fitting for him to do something so horrible. Rape",
"they both care about be forced on them, and it's not even his",
"going on, but can't do anything to stop it. All three of them",
"given how I characterized the big bad as an irredeemable monster who takes",
"anything to stop it. All three of them end up deeply scarred from",
"nervous, but also kinda excited with what kind of opportunities this would open",
"he attack her, but her best friend as well. Both women have a",
"a powerful spirit capable of possessing people, imprisons all three of them. He",
"the two, despite her feelings for Zotn.* *Somewhere half-way through the book, the",
"more guilty. Zotn meanwhile is just a tool being used, being put in",
"yet they still end up in a horrible situation like that, to no",
"and there's no jealousy involved. Both partners are faithful to each other and",
"has been in a relationship with Zotn for a very long time. Zotn",
"the other attractive, Vana is fine with it and there's no jealousy involved.",
"and shame for being forced into doing it with her best friend's boyfriend.",
"this point in the book. He doesn't plan on killing them, however, and",
"what I had planned, anyway. I didn't think I would try to include",
"to reduce that number. How do I tackle this topic gracefully and tactfully?",
"rape scene in one of my stories, but given how I characterized the",
"horror for all three. Let's recap: Vana sees her loved one Zotn have",
"are faithful to each other and would never think to do anything behind",
"not only rapes Zotn's girlfriend (Vana), but also does the same to Sarlb,",
"Zotn have his body and his free will taken. Not only does he",
"his free will taken. Not only does he attack her, but her best",
"relationship with Zotn for a very long time. Zotn is good friends with",
"/ focus on? How could the characters act from then on? How could",
"do I tackle this topic gracefully and tactfully? What are some things I",
"Obviously someone is always going to be offended, I'm just looking for a",
"I'm not sure if I'm equipped to handle it. The scene isn't taken",
"to stop it. All three of them end up deeply scarred from the",
"makes her feel even more guilty. Zotn meanwhile is just a tool being",
"implied to have happened, and none of it is in any way eroticised.",
"Rape is obviously a very risqué topic to tackle and I'm not sure",
"used to spite Vana, and despite not having had a choice, feels a",
"flag to her, she secretly enjoyed it a bit, which makes her feel",
"just looking for a way to reduce that number. How do I tackle",
"women are fully aware of this. Sarlb's body is used to spite Vana,",
"an irredeemable monster who takes pleasure in causing pain, it would seem fitting",
"enjoyed it a bit, which makes her feel even more guilty. Zotn meanwhile",
"a bit too much - even if that was kinda the goal. The",
"row seat to the crimes of someone else. Obviously, I'm a bit nervous,",
"her feelings for Zotn.* *Somewhere half-way through the book, the big bad, a",
"directly \"shown\", just heavily implied to have happened, and none of it is",
"and that's a massive red flag to her, she secretly enjoyed it a",
"however, and you can probably guess what he ends up doing based on",
"include a rape scene in one of my stories, but given how I",
"didn't think I would try to include a rape scene in one of",
"a puppet being used for a crime, and both women are fully aware",
"and none of it is in any way eroticised. Every second of it",
"then on? How could they deal with such an experience? Side note: one",
"very lightly: most of it isn't directly \"shown\", just heavily implied to have",
"been best friends since childhood and Vana has been in a relationship with",
"feels a lot of guilt and shame for being forced into doing it",
"heavily implied to have happened, and none of it is in any way",
"have his body and his free will taken. Not only does he attack",
"her loved one Zotn have his body and his free will taken. Not",
"just heavily implied to have happened, and none of it is in any",
"he ends up doing based on the title. He takes control over Zotn",
"looking for a way to reduce that number. How do I tackle this",
"mid twenties. Two women and one man. For simplicity, lets call them Vana,",
"thorn in his side up until this point in the book. He doesn't",
"him to do something so horrible. Rape is obviously a very risqué topic",
"recap: Vana sees her loved one Zotn have his body and his free",
"doing it with her best friend's boyfriend. Even worse, and that's a massive",
"simplicity, lets call them Vana, Sarlb and Zotn. Vana and Sarlb have been",
"have happened, and none of it is in any way eroticised. Every second",
"The scene isn't taken very lightly: most of it isn't directly \"shown\", just",
"a very risqué topic to tackle and I'm not sure if I'm equipped",
"very risqué topic to tackle and I'm not sure if I'm equipped to",
"on the title. He takes control over Zotn and not only rapes Zotn's",
"He doesn't plan on killing them, however, and you can probably guess what",
"isn't directly \"shown\", just heavily implied to have happened, and none of it",
"not even his fault. He's a puppet being used for a crime, and",
"despite her feelings for Zotn.* *Somewhere half-way through the book, the big bad,",
"things I should build on / mention / focus on? How could the",
"if I'm equipped to handle it. The scene isn't taken very lightly: most",
"what is going on, but can't do anything to stop it. All three",
"them in their mid twenties. Two women and one man. For simplicity, lets",
"tackle and I'm not sure if I'm equipped to handle it. The scene",
"from the spirit by a third party.* That's roughly what I had planned,",
"forced into doing it with her best friend's boyfriend. Even worse, and that's",
"to have happened, and none of it is in any way eroticised. Every",
"guess what he ends up doing based on the title. He takes control",
"to Sarlb, right in front of Vana's eyes. Zotn is fully aware of",
"a man they both care about be forced on them, and it's not",
"being put in a situation where he's the one doing all those heinous",
"on? How could the characters act from then on? How could they deal",
"fully aware of this. Sarlb's body is used to spite Vana, and despite",
"being saved from the spirit by a third party.* That's roughly what I",
"irredeemable monster who takes pleasure in causing pain, it would seem fitting for",
"heroines a bit too much - even if that was kinda the goal.",
"going to be offended, I'm just looking for a way to reduce that",
"even if that was kinda the goal. The big bad wants to torture",
"the other's back. Likewise, Sarlb doesn't do anything to get in-between the two,",
"it is pure horror for all three. Let's recap: Vana sees her loved",
"into doing it with her best friend's boyfriend. Even worse, and that's a",
"an experience? Side note: one thing I kinda fear is that it would",
"of Vana's eyes. Zotn is fully aware of what is going on, but",
"actions and interactions with each other. They end up being saved from the",
"he's the one doing all those heinous things against his will and effectively",
"front of Vana's eyes. Zotn is fully aware of what is going on,",
"Not only does he attack her, but her best friend as well. Both",
"Sarlb and Zotn. Vana and Sarlb have been best friends since childhood and",
"them, however, and you can probably guess what he ends up doing based",
"one doing all those heinous things against his will and effectively has a",
"bad, a powerful spirit capable of possessing people, imprisons all three of them.",
"offend anyone, especially not victims of actual sexual abuse. Obviously someone is always",
"a bit, which makes her feel even more guilty. Zotn meanwhile is just",
"very long time. Zotn is good friends with Sarlb. Even though Sarlb and",
"as well. Both women have a man they both care about be forced",
"big bad as an irredeemable monster who takes pleasure in causing pain, it",
"too much - even if that was kinda the goal. The big bad",
"worse, and that's a massive red flag to her, she secretly enjoyed it",
"was kinda the goal. The big bad wants to torture them, after all.",
"They end up being saved from the spirit by a third party.* That's",
"stories, but given how I characterized the big bad as an irredeemable monster",
"attack her, but her best friend as well. Both women have a man",
"body is used to spite Vana, and despite not having had a choice,",
"third party.* That's roughly what I had planned, anyway. I didn't think I",
"I tackle this topic gracefully and tactfully? What are some things I should",
"of them as they were a massive thorn in his side up until",
"a relationship with Zotn for a very long time. Zotn is good friends",
"I should build on / mention / focus on? How could the characters",
"on killing them, however, and you can probably guess what he ends up",
"and one man. For simplicity, lets call them Vana, Sarlb and Zotn. Vana",
"a way to reduce that number. How do I tackle this topic gracefully",
"is good friends with Sarlb. Even though Sarlb and Zotn admit they find",
"three of them in their mid twenties. Two women and one man. For",
"girlfriend (Vana), but also does the same to Sarlb, right in front of",
"plot, but I also don't want to offend anyone, especially not victims of",
"scene isn't taken very lightly: most of it isn't directly \"shown\", just heavily",
"them as they were a massive thorn in his side up until this",
"their future actions and interactions with each other. They end up being saved",
"open for the plot, but I also don't want to offend anyone, especially",
"there's no jealousy involved. Both partners are faithful to each other and would",
"and Zotn. Vana and Sarlb have been best friends since childhood and Vana",
"in front of Vana's eyes. Zotn is fully aware of what is going",
"not victims of actual sexual abuse. Obviously someone is always going to be",
"build on / mention / focus on? How could the characters act from",
"to spite Vana, and despite not having had a choice, feels a lot",
"doing all those heinous things against his will and effectively has a front",
"for the plot, but I also don't want to offend anyone, especially not",
"characters act from then on? How could they deal with such an experience?",
"up being saved from the spirit by a third party.* That's roughly what",
"stop it. All three of them end up deeply scarred from the experience",
"for a way to reduce that number. How do I tackle this topic",
"the one doing all those heinous things against his will and effectively has",
"to get in-between the two, despite her feelings for Zotn.* *Somewhere half-way through",
"note: one thing I kinda fear is that it would demean the main",
"spirit by a third party.* That's roughly what I had planned, anyway. I",
"until this point in the book. He doesn't plan on killing them, however,",
"anyone, especially not victims of actual sexual abuse. Obviously someone is always going",
"about be forced on them, and it's not even his fault. He's a",
"used for a crime, and both women are fully aware of this. Sarlb's",
"same to Sarlb, right in front of Vana's eyes. Zotn is fully aware",
"her best friend as well. Both women have a man they both care",
"other attractive, Vana is fine with it and there's no jealousy involved. Both",
"no jealousy involved. Both partners are faithful to each other and would never",
"what he ends up doing based on the title. He takes control over",
"with what kind of opportunities this would open for the plot, but I",
"my stories, but given how I characterized the big bad as an irredeemable",
"for him to do something so horrible. Rape is obviously a very risqué",
"other's back. Likewise, Sarlb doesn't do anything to get in-between the two, despite",
"Let's recap: Vana sees her loved one Zotn have his body and his",
"situation where he's the one doing all those heinous things against his will",
"taken very lightly: most of it isn't directly \"shown\", just heavily implied to",
"sees her loved one Zotn have his body and his free will taken.",
"future actions and interactions with each other. They end up being saved from",
"for being forced into doing it with her best friend's boyfriend. Even worse,",
"of them are shown to be capable fighters, yet they still end up",
"up deeply scarred from the experience and it influences their future actions and",
"capable of possessing people, imprisons all three of them. He has immense hatred",
"How could the characters act from then on? How could they deal with",
"I'm equipped to handle it. The scene isn't taken very lightly: most of",
"He has immense hatred for all three of them as they were a",
"for all three. Let's recap: Vana sees her loved one Zotn have his",
"to include a rape scene in one of my stories, but given how",
"not having had a choice, feels a lot of guilt and shame for",
"you can probably guess what he ends up doing based on the title.",
"childhood and Vana has been in a relationship with Zotn for a very",
"to tackle and I'm not sure if I'm equipped to handle it. The",
"front row seat to the crimes of someone else. Obviously, I'm a bit",
"right in front of Vana's eyes. Zotn is fully aware of what is",
"I also don't want to offend anyone, especially not victims of actual sexual",
"in the story, all three of them in their mid twenties. Two women",
"I would try to include a rape scene in one of my stories,",
"monster who takes pleasure in causing pain, it would seem fitting for him",
"guilty. Zotn meanwhile is just a tool being used, being put in a",
"is just a tool being used, being put in a situation where he's",
"the experience and it influences their future actions and interactions with each other.",
"of them. He has immense hatred for all three of them as they",
"long time. Zotn is good friends with Sarlb. Even though Sarlb and Zotn",
"her best friend's boyfriend. Even worse, and that's a massive red flag to",
"effectively has a front row seat to the crimes of someone else. Obviously,",
"is always going to be offended, I'm just looking for a way to",
"to do something so horrible. Rape is obviously a very risqué topic to",
"offended, I'm just looking for a way to reduce that number. How do",
"after all. I worry especially because both of them are shown to be",
"how I characterized the big bad as an irredeemable monster who takes pleasure",
"Zotn.* *Somewhere half-way through the book, the big bad, a powerful spirit capable",
"mention / focus on? How could the characters act from then on? How",
"as an irredeemable monster who takes pleasure in causing pain, it would seem",
"they deal with such an experience? Side note: one thing I kinda fear",
"eyes. Zotn is fully aware of what is going on, but can't do",
"it a bit, which makes her feel even more guilty. Zotn meanwhile is",
"point in the book. He doesn't plan on killing them, however, and you",
"in causing pain, it would seem fitting for him to do something so",
"the title. He takes control over Zotn and not only rapes Zotn's girlfriend",
"man. For simplicity, lets call them Vana, Sarlb and Zotn. Vana and Sarlb",
"powerful spirit capable of possessing people, imprisons all three of them. He has",
"in a relationship with Zotn for a very long time. Zotn is good",
"free will taken. Not only does he attack her, but her best friend",
"capable fighters, yet they still end up in a horrible situation like that,",
"way to reduce that number. How do I tackle this topic gracefully and",
"so horrible. Rape is obviously a very risqué topic to tackle and I'm",
"lot of guilt and shame for being forced into doing it with her",
"reduce that number. How do I tackle this topic gracefully and tactfully? What",
"his body and his free will taken. Not only does he attack her,",
"and effectively has a front row seat to the crimes of someone else.",
"should build on / mention / focus on? How could the characters act",
"has a front row seat to the crimes of someone else. Obviously, I'm",
"a third party.* That's roughly what I had planned, anyway. I didn't think",
"kinda fear is that it would demean the main heroines a bit too",
"Sarlb and Zotn admit they find the other attractive, Vana is fine with",
"could they deal with such an experience? Side note: one thing I kinda",
"over Zotn and not only rapes Zotn's girlfriend (Vana), but also does the",
"horrible. Rape is obviously a very risqué topic to tackle and I'm not",
"end up being saved from the spirit by a third party.* That's roughly",
"massive red flag to her, she secretly enjoyed it a bit, which makes",
"story, all three of them in their mid twenties. Two women and one",
"scarred from the experience and it influences their future actions and interactions with",
"fitting for him to do something so horrible. Rape is obviously a very",
"still end up in a horrible situation like that, to no fault of",
"them are shown to be capable fighters, yet they still end up in",
"it. The scene isn't taken very lightly: most of it isn't directly \"shown\",",
"probably guess what he ends up doing based on the title. He takes",
"Vana, and despite not having had a choice, feels a lot of guilt",
"it would demean the main heroines a bit too much - even if",
"of someone else. Obviously, I'm a bit nervous, but also kinda excited with",
"scene in one of my stories, but given how I characterized the big",
"behind the other's back. Likewise, Sarlb doesn't do anything to get in-between the",
"them, after all. I worry especially because both of them are shown to",
"the story, all three of them in their mid twenties. Two women and",
"women and one man. For simplicity, lets call them Vana, Sarlb and Zotn.",
"demean the main heroines a bit too much - even if that was",
"also kinda excited with what kind of opportunities this would open for the",
"Likewise, Sarlb doesn't do anything to get in-between the two, despite her feelings",
"How could they deal with such an experience? Side note: one thing I",
"that's a massive red flag to her, she secretly enjoyed it a bit,",
"does he attack her, but her best friend as well. Both women have",
"Two women and one man. For simplicity, lets call them Vana, Sarlb and",
"victims of actual sexual abuse. Obviously someone is always going to be offended,",
"because both of them are shown to be capable fighters, yet they still",
"with Zotn for a very long time. Zotn is good friends with Sarlb.",
"feel even more guilty. Zotn meanwhile is just a tool being used, being",
"I didn't think I would try to include a rape scene in one",
"to the crimes of someone else. Obviously, I'm a bit nervous, but also",
"have been best friends since childhood and Vana has been in a relationship",
"don't want to offend anyone, especially not victims of actual sexual abuse. Obviously",
"three of them. He has immense hatred for all three of them as",
"his will and effectively has a front row seat to the crimes of",
"imprisons all three of them. He has immense hatred for all three of",
"this would open for the plot, but I also don't want to offend",
"guilt and shame for being forced into doing it with her best friend's",
"partners are faithful to each other and would never think to do anything",
"both women are fully aware of this. Sarlb's body is used to spite",
"Zotn is fully aware of what is going on, but can't do anything",
"Zotn meanwhile is just a tool being used, being put in a situation",
"the book, the big bad, a powerful spirit capable of possessing people, imprisons",
"All three of them end up deeply scarred from the experience and it",
"through the book, the big bad, a powerful spirit capable of possessing people,",
"can't do anything to stop it. All three of them end up deeply",
"are fully aware of this. Sarlb's body is used to spite Vana, and",
"call them Vana, Sarlb and Zotn. Vana and Sarlb have been best friends",
"do something so horrible. Rape is obviously a very risqué topic to tackle",
"always going to be offended, I'm just looking for a way to reduce",
"sure if I'm equipped to handle it. The scene isn't taken very lightly:",
"her feel even more guilty. Zotn meanwhile is just a tool being used,",
"a massive thorn in his side up until this point in the book.",
"were a massive thorn in his side up until this point in the",
"saved from the spirit by a third party.* That's roughly what I had",
"think I would try to include a rape scene in one of my",
"/ mention / focus on? How could the characters act from then on?",
"to be capable fighters, yet they still end up in a horrible situation",
"bit too much - even if that was kinda the goal. The big",
"in one of my stories, but given how I characterized the big bad",
"is used to spite Vana, and despite not having had a choice, feels",
"would try to include a rape scene in one of my stories, but",
"Vana sees her loved one Zotn have his body and his free will",
"Sarlb have been best friends since childhood and Vana has been in a",
"be capable fighters, yet they still end up in a horrible situation like",
"are three main characters in the story, all three of them in their",
"admit they find the other attractive, Vana is fine with it and there's",
"despite not having had a choice, feels a lot of guilt and shame",
"Vana has been in a relationship with Zotn for a very long time.",
"Zotn is good friends with Sarlb. Even though Sarlb and Zotn admit they",
"attractive, Vana is fine with it and there's no jealousy involved. Both partners",
"He takes control over Zotn and not only rapes Zotn's girlfriend (Vana), but",
"bit, which makes her feel even more guilty. Zotn meanwhile is just a",
"big bad wants to torture them, after all. I worry especially because both",
"all. I worry especially because both of them are shown to be capable",
"interactions with each other. They end up being saved from the spirit by",
"Vana is fine with it and there's no jealousy involved. Both partners are",
"do anything behind the other's back. Likewise, Sarlb doesn't do anything to get",
"anything behind the other's back. Likewise, Sarlb doesn't do anything to get in-between",
"title. He takes control over Zotn and not only rapes Zotn's girlfriend (Vana),",
"taken. Not only does he attack her, but her best friend as well.",
"of this. Sarlb's body is used to spite Vana, and despite not having",
"by a third party.* That's roughly what I had planned, anyway. I didn't",
"Sarlb's body is used to spite Vana, and despite not having had a",
"worry especially because both of them are shown to be capable fighters, yet",
"it influences their future actions and interactions with each other. They end up",
"heinous things against his will and effectively has a front row seat to",
"of guilt and shame for being forced into doing it with her best",
"book, the big bad, a powerful spirit capable of possessing people, imprisons all",
"fully aware of what is going on, but can't do anything to stop",
"for a crime, and both women are fully aware of this. Sarlb's body",
"in the book. He doesn't plan on killing them, however, and you can",
"in a situation where he's the one doing all those heinous things against",
"good friends with Sarlb. Even though Sarlb and Zotn admit they find the",
"of what is going on, but can't do anything to stop it. All",
"eroticised. Every second of it is pure horror for all three. Let's recap:",
"rapes Zotn's girlfriend (Vana), but also does the same to Sarlb, right in",
"of actual sexual abuse. Obviously someone is always going to be offended, I'm",
"friends with Sarlb. Even though Sarlb and Zotn admit they find the other",
"the goal. The big bad wants to torture them, after all. I worry",
"what kind of opportunities this would open for the plot, but I also",
"bad wants to torture them, after all. I worry especially because both of",
"spite Vana, and despite not having had a choice, feels a lot of",
"deal with such an experience? Side note: one thing I kinda fear is",
"a bit nervous, but also kinda excited with what kind of opportunities this",
"crimes of someone else. Obviously, I'm a bit nervous, but also kinda excited",
"Vana, Sarlb and Zotn. Vana and Sarlb have been best friends since childhood",
"faithful to each other and would never think to do anything behind the",
"the big bad as an irredeemable monster who takes pleasure in causing pain,",
"causing pain, it would seem fitting for him to do something so horrible.",
"aware of this. Sarlb's body is used to spite Vana, and despite not",
"which makes her feel even more guilty. Zotn meanwhile is just a tool",
"not sure if I'm equipped to handle it. The scene isn't taken very",
"them. He has immense hatred for all three of them as they were",
"gracefully and tactfully? What are some things I should build on / mention",
"from the experience and it influences their future actions and interactions with each",
"isn't taken very lightly: most of it isn't directly \"shown\", just heavily implied",
"end up in a horrible situation like that, to no fault of their",
"of possessing people, imprisons all three of them. He has immense hatred for",
"influences their future actions and interactions with each other. They end up being",
"three main characters in the story, all three of them in their mid",
"best friend as well. Both women have a man they both care about",
"For simplicity, lets call them Vana, Sarlb and Zotn. Vana and Sarlb have",
"someone else. Obviously, I'm a bit nervous, but also kinda excited with what",
"of it isn't directly \"shown\", just heavily implied to have happened, and none",
"if that was kinda the goal. The big bad wants to torture them,",
"a choice, feels a lot of guilt and shame for being forced into",
"immense hatred for all three of them as they were a massive thorn",
"goal. The big bad wants to torture them, after all. I worry especially",
"He's a puppet being used for a crime, and both women are fully",
"to her, she secretly enjoyed it a bit, which makes her feel even",
"it and there's no jealousy involved. Both partners are faithful to each other",
"characters in the story, all three of them in their mid twenties. Two",
"massive thorn in his side up until this point in the book. He",
"a tool being used, being put in a situation where he's the one",
"anything to get in-between the two, despite her feelings for Zotn.* *Somewhere half-way",
"risqué topic to tackle and I'm not sure if I'm equipped to handle",
"sexual abuse. Obviously someone is always going to be offended, I'm just looking",
"for a very long time. Zotn is good friends with Sarlb. Even though",
"with such an experience? Side note: one thing I kinda fear is that",
"and his free will taken. Not only does he attack her, but her",
"torture them, after all. I worry especially because both of them are shown",
"other. They end up being saved from the spirit by a third party.*",
"Side note: one thing I kinda fear is that it would demean the",
"who takes pleasure in causing pain, it would seem fitting for him to",
"being used for a crime, and both women are fully aware of this.",
"they find the other attractive, Vana is fine with it and there's no",
"them end up deeply scarred from the experience and it influences their future",
"and would never think to do anything behind the other's back. Likewise, Sarlb",
"only rapes Zotn's girlfriend (Vana), but also does the same to Sarlb, right",
"and I'm not sure if I'm equipped to handle it. The scene isn't",
"it would seem fitting for him to do something so horrible. Rape is",
"deeply scarred from the experience and it influences their future actions and interactions",
"three of them end up deeply scarred from the experience and it influences",
"where he's the one doing all those heinous things against his will and",
"Sarlb doesn't do anything to get in-between the two, despite her feelings for",
"it's not even his fault. He's a puppet being used for a crime,",
"I worry especially because both of them are shown to be capable fighters,",
"any way eroticised. Every second of it is pure horror for all three.",
"bit nervous, but also kinda excited with what kind of opportunities this would",
"Both partners are faithful to each other and would never think to do",
"do anything to stop it. All three of them end up deeply scarred",
"thing I kinda fear is that it would demean the main heroines a",
"the crimes of someone else. Obviously, I'm a bit nervous, but also kinda",
"is that it would demean the main heroines a bit too much -",
"roughly what I had planned, anyway. I didn't think I would try to",
"have a man they both care about be forced on them, and it's"
] |
[
"in the end. It's not as thoroughly depressing as \"All Quiet on the",
"At this point my MC is eager and full of hope. What gets",
"It's that every scene I write brings my character one step closer to",
"- on the contrary. At this point my MC is eager and full",
"writing is too painful for me to continue. It's not that I'm writing",
"and continue writing it. It's not a writer's block: I have whole scenes",
"particularly depressing passage - on the contrary. At this point my MC is",
"continue. It's not that I'm writing a particularly depressing passage - on the",
"eager and full of hope. What gets to me is the projection of",
"many ups, there's love and camaraderie, but the ultimate trend is down, until",
"(sci-fi) novel. The MC dies in the end. It's not as thoroughly depressing",
"there's love and camaraderie, but the ultimate trend is down, until finally, inevitably,",
"brings my character one step closer to his inevitable death. **How do I",
"to me is the projection of the story: there are many ups, there's",
"but at the same time, I find myself unable to sit down and",
"writing?** I want to write this story - not another, and I don't",
"too painful for me to continue. It's not that I'm writing a particularly",
"the contrary. At this point my MC is eager and full of hope.",
"you name it. It's that every scene I write brings my character one",
"and continue writing?** I want to write this story - not another, and",
"full of hope. What gets to me is the projection of the story:",
"course, the reader, unlike me, would not know the end until it happens.)",
"to tear at the reader. (Of course, the reader, unlike me, would not",
"Western Front\", but Remarque's work is definitely one source of inspiration. Now, partway",
"passage - on the contrary. At this point my MC is eager and",
"the projection of the story: there are many ups, there's love and camaraderie,",
"of hope. What gets to me is the projection of the story: there",
"name it. It's that every scene I write brings my character one step",
"definitely one source of inspiration. Now, partway through writing, I find that writing",
"lighter and softer - I want it to tear at the reader. (Of",
"It's not a writer's block: I have whole scenes sitting in my head,",
"this story - not another, and I don't want it lighter and softer",
"is eager and full of hope. What gets to me is the projection",
"scenes sitting in my head, dialogues, you name it. It's that every scene",
"that every scene I write brings my character one step closer to his",
"death. **How do I manage this/get through this, and continue writing?** I want",
"MC is killed. I desperately want to write this story, but at the",
"is the projection of the story: there are many ups, there's love and",
"the MC is killed. I desperately want to write this story, but at",
"want to write this story, but at the same time, I find myself",
"this, and continue writing?** I want to write this story - not another,",
"that I'm writing a particularly depressing passage - on the contrary. At this",
"dies in the end. It's not as thoroughly depressing as \"All Quiet on",
"to write this story, but at the same time, I find myself unable",
"it to tear at the reader. (Of course, the reader, unlike me, would",
"every scene I write brings my character one step closer to his inevitable",
"writing a war (sci-fi) novel. The MC dies in the end. It's not",
"killed. I desperately want to write this story, but at the same time,",
"down, until finally, inevitably, the MC is killed. I desperately want to write",
"not a writer's block: I have whole scenes sitting in my head, dialogues,",
"one step closer to his inevitable death. **How do I manage this/get through",
"writing, I find that writing is too painful for me to continue. It's",
"there are many ups, there's love and camaraderie, but the ultimate trend is",
"contrary. At this point my MC is eager and full of hope. What",
"It's not that I'm writing a particularly depressing passage - on the contrary.",
"ultimate trend is down, until finally, inevitably, the MC is killed. I desperately",
"is too painful for me to continue. It's not that I'm writing a",
"work is definitely one source of inspiration. Now, partway through writing, I find",
"this story, but at the same time, I find myself unable to sit",
"the end. It's not as thoroughly depressing as \"All Quiet on the Western",
"want to write this story - not another, and I don't want it",
"tear at the reader. (Of course, the reader, unlike me, would not know",
"\"All Quiet on the Western Front\", but Remarque's work is definitely one source",
"projection of the story: there are many ups, there's love and camaraderie, but",
"through writing, I find that writing is too painful for me to continue.",
"inevitably, the MC is killed. I desperately want to write this story, but",
"sit down and continue writing it. It's not a writer's block: I have",
"don't want it lighter and softer - I want it to tear at",
"through this, and continue writing?** I want to write this story - not",
"I find that writing is too painful for me to continue. It's not",
"continue writing?** I want to write this story - not another, and I",
"want it to tear at the reader. (Of course, the reader, unlike me,",
"reader. (Of course, the reader, unlike me, would not know the end until",
"inspiration. Now, partway through writing, I find that writing is too painful for",
"it lighter and softer - I want it to tear at the reader.",
"a writer's block: I have whole scenes sitting in my head, dialogues, you",
"at the same time, I find myself unable to sit down and continue",
"at the reader. (Of course, the reader, unlike me, would not know the",
"on the Western Front\", but Remarque's work is definitely one source of inspiration.",
"want it lighter and softer - I want it to tear at the",
"ups, there's love and camaraderie, but the ultimate trend is down, until finally,",
"time, I find myself unable to sit down and continue writing it. It's",
"softer - I want it to tear at the reader. (Of course, the",
"do I manage this/get through this, and continue writing?** I want to write",
"end. It's not as thoroughly depressing as \"All Quiet on the Western Front\",",
"the same time, I find myself unable to sit down and continue writing",
"finally, inevitably, the MC is killed. I desperately want to write this story,",
"same time, I find myself unable to sit down and continue writing it.",
"are many ups, there's love and camaraderie, but the ultimate trend is down,",
"have whole scenes sitting in my head, dialogues, you name it. It's that",
"war (sci-fi) novel. The MC dies in the end. It's not as thoroughly",
"unable to sit down and continue writing it. It's not a writer's block:",
"the reader. (Of course, the reader, unlike me, would not know the end",
"and softer - I want it to tear at the reader. (Of course,",
"story: there are many ups, there's love and camaraderie, but the ultimate trend",
"(Of course, the reader, unlike me, would not know the end until it",
"trend is down, until finally, inevitably, the MC is killed. I desperately want",
"writing it. It's not a writer's block: I have whole scenes sitting in",
"my character one step closer to his inevitable death. **How do I manage",
"I find myself unable to sit down and continue writing it. It's not",
"find myself unable to sit down and continue writing it. It's not a",
"a war (sci-fi) novel. The MC dies in the end. It's not as",
"dialogues, you name it. It's that every scene I write brings my character",
"it. It's not a writer's block: I have whole scenes sitting in my",
"character one step closer to his inevitable death. **How do I manage this/get",
"What gets to me is the projection of the story: there are many",
"write brings my character one step closer to his inevitable death. **How do",
"I want it to tear at the reader. (Of course, the reader, unlike",
"of the story: there are many ups, there's love and camaraderie, but the",
"manage this/get through this, and continue writing?** I want to write this story",
"I manage this/get through this, and continue writing?** I want to write this",
"and I don't want it lighter and softer - I want it to",
"and camaraderie, but the ultimate trend is down, until finally, inevitably, the MC",
"**How do I manage this/get through this, and continue writing?** I want to",
"depressing passage - on the contrary. At this point my MC is eager",
"my MC is eager and full of hope. What gets to me is",
"inevitable death. **How do I manage this/get through this, and continue writing?** I",
"that writing is too painful for me to continue. It's not that I'm",
"writing a particularly depressing passage - on the contrary. At this point my",
"is down, until finally, inevitably, the MC is killed. I desperately want to",
"it. It's that every scene I write brings my character one step closer",
"but the ultimate trend is down, until finally, inevitably, the MC is killed.",
"his inevitable death. **How do I manage this/get through this, and continue writing?**",
"Now, partway through writing, I find that writing is too painful for me",
"I have whole scenes sitting in my head, dialogues, you name it. It's",
"novel. The MC dies in the end. It's not as thoroughly depressing as",
"source of inspiration. Now, partway through writing, I find that writing is too",
"The MC dies in the end. It's not as thoroughly depressing as \"All",
"Quiet on the Western Front\", but Remarque's work is definitely one source of",
"MC dies in the end. It's not as thoroughly depressing as \"All Quiet",
"in my head, dialogues, you name it. It's that every scene I write",
"thoroughly depressing as \"All Quiet on the Western Front\", but Remarque's work is",
"to continue. It's not that I'm writing a particularly depressing passage - on",
"desperately want to write this story, but at the same time, I find",
"- not another, and I don't want it lighter and softer - I",
"I'm writing a particularly depressing passage - on the contrary. At this point",
"love and camaraderie, but the ultimate trend is down, until finally, inevitably, the",
"and full of hope. What gets to me is the projection of the",
"whole scenes sitting in my head, dialogues, you name it. It's that every",
"sitting in my head, dialogues, you name it. It's that every scene I",
"step closer to his inevitable death. **How do I manage this/get through this,",
"the Western Front\", but Remarque's work is definitely one source of inspiration. Now,",
"this/get through this, and continue writing?** I want to write this story -",
"on the contrary. At this point my MC is eager and full of",
"I don't want it lighter and softer - I want it to tear",
"to write this story - not another, and I don't want it lighter",
"a particularly depressing passage - on the contrary. At this point my MC",
"I want to write this story - not another, and I don't want",
"closer to his inevitable death. **How do I manage this/get through this, and",
"not as thoroughly depressing as \"All Quiet on the Western Front\", but Remarque's",
"head, dialogues, you name it. It's that every scene I write brings my",
"I write brings my character one step closer to his inevitable death. **How",
"continue writing it. It's not a writer's block: I have whole scenes sitting",
"find that writing is too painful for me to continue. It's not that",
"It's not as thoroughly depressing as \"All Quiet on the Western Front\", but",
"down and continue writing it. It's not a writer's block: I have whole",
"write this story - not another, and I don't want it lighter and",
"the story: there are many ups, there's love and camaraderie, but the ultimate",
"not that I'm writing a particularly depressing passage - on the contrary. At",
"MC is eager and full of hope. What gets to me is the",
"I'm writing a war (sci-fi) novel. The MC dies in the end. It's",
"gets to me is the projection of the story: there are many ups,",
"is definitely one source of inspiration. Now, partway through writing, I find that",
"of inspiration. Now, partway through writing, I find that writing is too painful",
"depressing as \"All Quiet on the Western Front\", but Remarque's work is definitely",
"I desperately want to write this story, but at the same time, I",
"to sit down and continue writing it. It's not a writer's block: I",
"block: I have whole scenes sitting in my head, dialogues, you name it.",
"story, but at the same time, I find myself unable to sit down",
"writer's block: I have whole scenes sitting in my head, dialogues, you name",
"point my MC is eager and full of hope. What gets to me",
"but Remarque's work is definitely one source of inspiration. Now, partway through writing,",
"myself unable to sit down and continue writing it. It's not a writer's",
"me to continue. It's not that I'm writing a particularly depressing passage -",
"scene I write brings my character one step closer to his inevitable death.",
"camaraderie, but the ultimate trend is down, until finally, inevitably, the MC is",
"write this story, but at the same time, I find myself unable to",
"- I want it to tear at the reader. (Of course, the reader,",
"as \"All Quiet on the Western Front\", but Remarque's work is definitely one",
"story - not another, and I don't want it lighter and softer -",
"me is the projection of the story: there are many ups, there's love",
"for me to continue. It's not that I'm writing a particularly depressing passage",
"Remarque's work is definitely one source of inspiration. Now, partway through writing, I",
"this point my MC is eager and full of hope. What gets to",
"my head, dialogues, you name it. It's that every scene I write brings",
"the ultimate trend is down, until finally, inevitably, the MC is killed. I",
"painful for me to continue. It's not that I'm writing a particularly depressing",
"not another, and I don't want it lighter and softer - I want",
"hope. What gets to me is the projection of the story: there are",
"as thoroughly depressing as \"All Quiet on the Western Front\", but Remarque's work",
"to his inevitable death. **How do I manage this/get through this, and continue",
"partway through writing, I find that writing is too painful for me to",
"another, and I don't want it lighter and softer - I want it",
"until finally, inevitably, the MC is killed. I desperately want to write this",
"one source of inspiration. Now, partway through writing, I find that writing is",
"is killed. I desperately want to write this story, but at the same",
"Front\", but Remarque's work is definitely one source of inspiration. Now, partway through"
] |
[
"the end of a paper, just mention that it inspired some specific thing.",
"my inspirations. I reference many books like so: > > This part was",
"a blog post? I'm not looking to give in-text citations or create a",
"post? I'm not looking to give in-text citations or create a works cited",
"too. Right now I've written: > > I was also inspired by Vana",
"a book, and in the appendix I explain many of my inspirations. I",
"article \"Blog Article\" on her blog, Vana's Blog. > > > Is this",
"how a specific blog post inspired me, too. Right now I've written: >",
"I'm writing a book, and in the appendix I explain many of my",
"cited page at the end of a paper, just mention that it inspired",
"\"Blog Article\" on her blog, Vana's Blog. > > > Is this the",
"realized I also wanted to mention how a specific blog post inspired me,",
"way to reference a blog post? I'm not looking to give in-text citations",
"> > > However, I realized I also wanted to mention how a",
"explain many of my inspirations. I reference many books like so: > >",
"> > This part was inspired by John Smith's famous book *Famous Book*.",
"I realized I also wanted to mention how a specific blog post inspired",
"by Vana Smith's article \"Blog Article\" on her blog, Vana's Blog. > >",
"of my inspirations. I reference many books like so: > > This part",
"Blog. > > > Is this the correct way to reference a blog",
"and in the appendix I explain many of my inspirations. I reference many",
"mention how a specific blog post inspired me, too. Right now I've written:",
"by John Smith's famous book *Famous Book*. > > > However, I realized",
"I explain many of my inspirations. I reference many books like so: >",
"Vana Smith's article \"Blog Article\" on her blog, Vana's Blog. > > >",
"was inspired by John Smith's famous book *Famous Book*. > > > However,",
"specific blog post inspired me, too. Right now I've written: > > I",
"citations or create a works cited page at the end of a paper,",
"now I've written: > > I was also inspired by Vana Smith's article",
"works cited page at the end of a paper, just mention that it",
"also wanted to mention how a specific blog post inspired me, too. Right",
"on her blog, Vana's Blog. > > > Is this the correct way",
"Book*. > > > However, I realized I also wanted to mention how",
"in the appendix I explain many of my inspirations. I reference many books",
"writing a book, and in the appendix I explain many of my inspirations.",
"> > Is this the correct way to reference a blog post? I'm",
"or create a works cited page at the end of a paper, just",
"However, I realized I also wanted to mention how a specific blog post",
"I'm not looking to give in-text citations or create a works cited page",
"looking to give in-text citations or create a works cited page at the",
"part was inspired by John Smith's famous book *Famous Book*. > > >",
"this the correct way to reference a blog post? I'm not looking to",
"> I was also inspired by Vana Smith's article \"Blog Article\" on her",
"to give in-text citations or create a works cited page at the end",
"wanted to mention how a specific blog post inspired me, too. Right now",
"at the end of a paper, just mention that it inspired some specific",
"was also inspired by Vana Smith's article \"Blog Article\" on her blog, Vana's",
"reference many books like so: > > This part was inspired by John",
"inspired by John Smith's famous book *Famous Book*. > > > However, I",
"Right now I've written: > > I was also inspired by Vana Smith's",
"book, and in the appendix I explain many of my inspirations. I reference",
"not looking to give in-text citations or create a works cited page at",
"> However, I realized I also wanted to mention how a specific blog",
"blog, Vana's Blog. > > > Is this the correct way to reference",
"> > > Is this the correct way to reference a blog post?",
"books like so: > > This part was inspired by John Smith's famous",
"John Smith's famous book *Famous Book*. > > > However, I realized I",
"post inspired me, too. Right now I've written: > > I was also",
"correct way to reference a blog post? I'm not looking to give in-text",
"give in-text citations or create a works cited page at the end of",
"Is this the correct way to reference a blog post? I'm not looking",
"a specific blog post inspired me, too. Right now I've written: > >",
"> Is this the correct way to reference a blog post? I'm not",
"like so: > > This part was inspired by John Smith's famous book",
"so: > > This part was inspired by John Smith's famous book *Famous",
"I also wanted to mention how a specific blog post inspired me, too.",
"blog post? I'm not looking to give in-text citations or create a works",
"Smith's article \"Blog Article\" on her blog, Vana's Blog. > > > Is",
"inspired me, too. Right now I've written: > > I was also inspired",
"Vana's Blog. > > > Is this the correct way to reference a",
"Article\" on her blog, Vana's Blog. > > > Is this the correct",
"I've written: > > I was also inspired by Vana Smith's article \"Blog",
"book *Famous Book*. > > > However, I realized I also wanted to",
"famous book *Famous Book*. > > > However, I realized I also wanted",
"to reference a blog post? I'm not looking to give in-text citations or",
"in-text citations or create a works cited page at the end of a",
"blog post inspired me, too. Right now I've written: > > I was",
"the appendix I explain many of my inspirations. I reference many books like",
"> This part was inspired by John Smith's famous book *Famous Book*. >",
"> > However, I realized I also wanted to mention how a specific",
"inspired by Vana Smith's article \"Blog Article\" on her blog, Vana's Blog. >",
"reference a blog post? I'm not looking to give in-text citations or create",
"I was also inspired by Vana Smith's article \"Blog Article\" on her blog,",
"written: > > I was also inspired by Vana Smith's article \"Blog Article\"",
"her blog, Vana's Blog. > > > Is this the correct way to",
"page at the end of a paper, just mention that it inspired some",
"also inspired by Vana Smith's article \"Blog Article\" on her blog, Vana's Blog.",
"many of my inspirations. I reference many books like so: > > This",
"the correct way to reference a blog post? I'm not looking to give",
"create a works cited page at the end of a paper, just mention",
"me, too. Right now I've written: > > I was also inspired by",
"*Famous Book*. > > > However, I realized I also wanted to mention",
"inspirations. I reference many books like so: > > This part was inspired",
"Smith's famous book *Famous Book*. > > > However, I realized I also",
"I reference many books like so: > > This part was inspired by",
"appendix I explain many of my inspirations. I reference many books like so:",
"This part was inspired by John Smith's famous book *Famous Book*. > >",
"> > I was also inspired by Vana Smith's article \"Blog Article\" on",
"to mention how a specific blog post inspired me, too. Right now I've",
"many books like so: > > This part was inspired by John Smith's",
"a works cited page at the end of a paper, just mention that"
] |
[
"say you have two sides who are basically no better than the other.",
"the other. The audience may get bored with this since there are no",
"Think COBRA and HYDRA going to war. They both have plans for world",
"Both are criminals with no redeeming qualities, and both are at war. Think",
"you have two sides who are basically no better than the other. Both",
"going to war. They both have plans for world domination and are ruthless",
"kill or corrupt anyone in their way. With both sides being evil, it",
"domination and are ruthless in their pursuit of it, willing to kill or",
"of it, willing to kill or corrupt anyone in their way. With both",
"the other. Both are criminals with no redeeming qualities, and both are at",
"guys, and the world will suffer regardless of who wins. How can you",
"war. Think COBRA and HYDRA going to war. They both have plans for",
"it, willing to kill or corrupt anyone in their way. With both sides",
"With both sides being evil, it would be hard to root for one",
"world will suffer regardless of who wins. How can you make a setting",
"basically no better than the other. Both are criminals with no redeeming qualities,",
"The audience may get bored with this since there are no good guys,",
"qualities, and both are at war. Think COBRA and HYDRA going to war.",
"their way. With both sides being evil, it would be hard to root",
"for world domination and are ruthless in their pursuit of it, willing to",
"sides who are basically no better than the other. Both are criminals with",
"evil, it would be hard to root for one over the other. The",
"redeeming qualities, and both are at war. Think COBRA and HYDRA going to",
"at war. Think COBRA and HYDRA going to war. They both have plans",
"no redeeming qualities, and both are at war. Think COBRA and HYDRA going",
"two sides who are basically no better than the other. Both are criminals",
"or corrupt anyone in their way. With both sides being evil, it would",
"Let's say you have two sides who are basically no better than the",
"it would be hard to root for one over the other. The audience",
"willing to kill or corrupt anyone in their way. With both sides being",
"and the world will suffer regardless of who wins. How can you make",
"in their way. With both sides being evil, it would be hard to",
"over the other. The audience may get bored with this since there are",
"bored with this since there are no good guys, and the world will",
"both are at war. Think COBRA and HYDRA going to war. They both",
"wins. How can you make a setting like this interesting and keep your",
"have two sides who are basically no better than the other. Both are",
"may get bored with this since there are no good guys, and the",
"who are basically no better than the other. Both are criminals with no",
"regardless of who wins. How can you make a setting like this interesting",
"be hard to root for one over the other. The audience may get",
"root for one over the other. The audience may get bored with this",
"in their pursuit of it, willing to kill or corrupt anyone in their",
"good guys, and the world will suffer regardless of who wins. How can",
"plans for world domination and are ruthless in their pursuit of it, willing",
"with no redeeming qualities, and both are at war. Think COBRA and HYDRA",
"ruthless in their pursuit of it, willing to kill or corrupt anyone in",
"are basically no better than the other. Both are criminals with no redeeming",
"pursuit of it, willing to kill or corrupt anyone in their way. With",
"are at war. Think COBRA and HYDRA going to war. They both have",
"their pursuit of it, willing to kill or corrupt anyone in their way.",
"suffer regardless of who wins. How can you make a setting like this",
"and HYDRA going to war. They both have plans for world domination and",
"and are ruthless in their pursuit of it, willing to kill or corrupt",
"other. The audience may get bored with this since there are no good",
"than the other. Both are criminals with no redeeming qualities, and both are",
"criminals with no redeeming qualities, and both are at war. Think COBRA and",
"How can you make a setting like this interesting and keep your audience",
"there are no good guys, and the world will suffer regardless of who",
"to root for one over the other. The audience may get bored with",
"both sides being evil, it would be hard to root for one over",
"no better than the other. Both are criminals with no redeeming qualities, and",
"COBRA and HYDRA going to war. They both have plans for world domination",
"anyone in their way. With both sides being evil, it would be hard",
"HYDRA going to war. They both have plans for world domination and are",
"way. With both sides being evil, it would be hard to root for",
"both have plans for world domination and are ruthless in their pursuit of",
"to war. They both have plans for world domination and are ruthless in",
"are criminals with no redeeming qualities, and both are at war. Think COBRA",
"will suffer regardless of who wins. How can you make a setting like",
"who wins. How can you make a setting like this interesting and keep",
"corrupt anyone in their way. With both sides being evil, it would be",
"world domination and are ruthless in their pursuit of it, willing to kill",
"with this since there are no good guys, and the world will suffer",
"sides being evil, it would be hard to root for one over the",
"would be hard to root for one over the other. The audience may",
"this since there are no good guys, and the world will suffer regardless",
"for one over the other. The audience may get bored with this since",
"since there are no good guys, and the world will suffer regardless of",
"to kill or corrupt anyone in their way. With both sides being evil,",
"can you make a setting like this interesting and keep your audience engaged?",
"hard to root for one over the other. The audience may get bored",
"the world will suffer regardless of who wins. How can you make a",
"better than the other. Both are criminals with no redeeming qualities, and both",
"being evil, it would be hard to root for one over the other.",
"war. They both have plans for world domination and are ruthless in their",
"They both have plans for world domination and are ruthless in their pursuit",
"of who wins. How can you make a setting like this interesting and",
"get bored with this since there are no good guys, and the world",
"other. Both are criminals with no redeeming qualities, and both are at war.",
"are ruthless in their pursuit of it, willing to kill or corrupt anyone",
"have plans for world domination and are ruthless in their pursuit of it,",
"one over the other. The audience may get bored with this since there",
"are no good guys, and the world will suffer regardless of who wins.",
"audience may get bored with this since there are no good guys, and",
"and both are at war. Think COBRA and HYDRA going to war. They",
"no good guys, and the world will suffer regardless of who wins. How"
] |
[
"were the illustrations to fall short of the descriptions, or the other way",
"of that, were the illustrations to fall short of the descriptions, or the",
"notable features of these characters even if their picture is right next to",
"next to said description? I could imagine it being necessary to get a",
"very redundant. On top of that, were the illustrations to fall short of",
"other way around, the reader might become conflicted on how to view the",
"Most if not all named characters will have their 'picture' presented to the",
"descriptions, or the other way around, the reader might become conflicted on how",
"POV character perceives his peers, but I could also imagine it getting very",
"their 'picture' presented to the reader as soon as they are introduced. Should",
"as soon as they are introduced. Should I bother describing the appearance or",
"YA fantasy novel in my free time that I plan to illustrate myself.",
"introduced. Should I bother describing the appearance or most notable features of these",
"these characters even if their picture is right next to said description? I",
"the reader as soon as they are introduced. Should I bother describing the",
"fall short of the descriptions, or the other way around, the reader might",
"myself. Most if not all named characters will have their 'picture' presented to",
"description? I could imagine it being necessary to get a feeling of how",
"time that I plan to illustrate myself. Most if not all named characters",
"illustrations to fall short of the descriptions, or the other way around, the",
"getting very redundant. On top of that, were the illustrations to fall short",
"features of these characters even if their picture is right next to said",
"named characters will have their 'picture' presented to the reader as soon as",
"as they are introduced. Should I bother describing the appearance or most notable",
"a YA fantasy novel in my free time that I plan to illustrate",
"imagine it getting very redundant. On top of that, were the illustrations to",
"are introduced. Should I bother describing the appearance or most notable features of",
"bother describing the appearance or most notable features of these characters even if",
"of these characters even if their picture is right next to said description?",
"a feeling of how the POV character perceives his peers, but I could",
"free time that I plan to illustrate myself. Most if not all named",
"his peers, but I could also imagine it getting very redundant. On top",
"right next to said description? I could imagine it being necessary to get",
"soon as they are introduced. Should I bother describing the appearance or most",
"my free time that I plan to illustrate myself. Most if not all",
"it being necessary to get a feeling of how the POV character perceives",
"top of that, were the illustrations to fall short of the descriptions, or",
"or the other way around, the reader might become conflicted on how to",
"if their picture is right next to said description? I could imagine it",
"is right next to said description? I could imagine it being necessary to",
"necessary to get a feeling of how the POV character perceives his peers,",
"to said description? I could imagine it being necessary to get a feeling",
"imagine it being necessary to get a feeling of how the POV character",
"writing a YA fantasy novel in my free time that I plan to",
"that I plan to illustrate myself. Most if not all named characters will",
"to fall short of the descriptions, or the other way around, the reader",
"character perceives his peers, but I could also imagine it getting very redundant.",
"being necessary to get a feeling of how the POV character perceives his",
"picture is right next to said description? I could imagine it being necessary",
"it getting very redundant. On top of that, were the illustrations to fall",
"peers, but I could also imagine it getting very redundant. On top of",
"of how the POV character perceives his peers, but I could also imagine",
"how the POV character perceives his peers, but I could also imagine it",
"even if their picture is right next to said description? I could imagine",
"characters will have their 'picture' presented to the reader as soon as they",
"most notable features of these characters even if their picture is right next",
"could also imagine it getting very redundant. On top of that, were the",
"the illustrations to fall short of the descriptions, or the other way around,",
"illustrate myself. Most if not all named characters will have their 'picture' presented",
"their picture is right next to said description? I could imagine it being",
"the other way around, the reader might become conflicted on how to view",
"the appearance or most notable features of these characters even if their picture",
"get a feeling of how the POV character perceives his peers, but I",
"fantasy novel in my free time that I plan to illustrate myself. Most",
"redundant. On top of that, were the illustrations to fall short of the",
"reader as soon as they are introduced. Should I bother describing the appearance",
"describing the appearance or most notable features of these characters even if their",
"the descriptions, or the other way around, the reader might become conflicted on",
"I plan to illustrate myself. Most if not all named characters will have",
"said description? I could imagine it being necessary to get a feeling of",
"presented to the reader as soon as they are introduced. Should I bother",
"to the reader as soon as they are introduced. Should I bother describing",
"I could also imagine it getting very redundant. On top of that, were",
"all named characters will have their 'picture' presented to the reader as soon",
"but I could also imagine it getting very redundant. On top of that,",
"to get a feeling of how the POV character perceives his peers, but",
"feeling of how the POV character perceives his peers, but I could also",
"will have their 'picture' presented to the reader as soon as they are",
"they are introduced. Should I bother describing the appearance or most notable features",
"novel in my free time that I plan to illustrate myself. Most if",
"of the descriptions, or the other way around, the reader might become conflicted",
"I'm writing a YA fantasy novel in my free time that I plan",
"the POV character perceives his peers, but I could also imagine it getting",
"'picture' presented to the reader as soon as they are introduced. Should I",
"or most notable features of these characters even if their picture is right",
"in my free time that I plan to illustrate myself. Most if not",
"Should I bother describing the appearance or most notable features of these characters",
"could imagine it being necessary to get a feeling of how the POV",
"that, were the illustrations to fall short of the descriptions, or the other",
"short of the descriptions, or the other way around, the reader might become",
"appearance or most notable features of these characters even if their picture is",
"perceives his peers, but I could also imagine it getting very redundant. On",
"I bother describing the appearance or most notable features of these characters even",
"way around, the reader might become conflicted on how to view the characters.",
"On top of that, were the illustrations to fall short of the descriptions,",
"have their 'picture' presented to the reader as soon as they are introduced.",
"if not all named characters will have their 'picture' presented to the reader",
"characters even if their picture is right next to said description? I could",
"I could imagine it being necessary to get a feeling of how the",
"also imagine it getting very redundant. On top of that, were the illustrations",
"to illustrate myself. Most if not all named characters will have their 'picture'",
"plan to illustrate myself. Most if not all named characters will have their",
"not all named characters will have their 'picture' presented to the reader as"
] |
[
"the harsh reality of a loved one suddenly being gone. However, this same",
"to deal with the trauma somehow? The problem is that he's in a",
"fighting for his survival and the story takes place over the course of",
"when they find the severed head of that person. Obviously that would mess",
"matter) died. Worse still: they find out about it when they find the",
"course of only a month, so there's not much time for him, and",
"this same character hears a little kid scream in the other room, one",
"for most of the story. Should I give my character more time to",
"still: they find out about it when they find the severed head of",
"- obviously he won't talk to the innocent little child about it and",
"a looooooong time to cope with the harsh reality of a loved one",
"child about it and will do his best to hide it from the",
"go and save that child right after. He would look after the child",
"month, so there's not much time for him, and he doesn't have anyone",
"a loved one suddenly being gone. However, this same character hears a little",
"the course of only a month, so there's not much time for him,",
"suddenly being gone. However, this same character hears a little kid scream in",
"story. Should I give my character more time to deal with the trauma",
"there's not much time for him, and he doesn't have anyone to really",
"not much time for him, and he doesn't have anyone to really talk",
"find the severed head of that person. Obviously that would mess up that",
"problem is that he's in a hostile environment fighting for his survival and",
"right after. He would look after the child for most of the story.",
"him to go and save that child right after. He would look after",
"about it when they find the severed head of that person. Obviously that",
"doesn't have anyone to really talk to - obviously he won't talk to",
"loved one suddenly being gone. However, this same character hears a little kid",
"talk to the innocent little child about it and will do his best",
"little child about it and will do his best to hide it from",
"The problem is that he's in a hostile environment fighting for his survival",
"would look after the child for most of the story. Should I give",
"scream in the other room, one who is presumably about to suffer the",
"my character more time to deal with the trauma somehow? The problem is",
"about to suffer the same fate. I planned for him to go and",
"the severed head of that person. Obviously that would mess up that character",
"(to put it mildly), and it would take a looooooong time to cope",
"that would mess up that character pretty badly (to put it mildly), and",
"after. He would look after the child for most of the story. Should",
"head of that person. Obviously that would mess up that character pretty badly",
"have anyone to really talk to - obviously he won't talk to the",
"up that character pretty badly (to put it mildly), and it would take",
"he's in a hostile environment fighting for his survival and the story takes",
"of a loved one suddenly being gone. However, this same character hears a",
"a hostile environment fighting for his survival and the story takes place over",
"deal with the trauma somehow? The problem is that he's in a hostile",
"it mildly), and it would take a looooooong time to cope with the",
"to go and save that child right after. He would look after the",
"story, one of the main characters finds out that a loved one (parent,",
"that character pretty badly (to put it mildly), and it would take a",
"it would take a looooooong time to cope with the harsh reality of",
"the same fate. I planned for him to go and save that child",
"a loved one (parent, lover, friend, doesn't matter) died. Worse still: they find",
"him, and he doesn't have anyone to really talk to - obviously he",
"the main characters finds out that a loved one (parent, lover, friend, doesn't",
"lover, friend, doesn't matter) died. Worse still: they find out about it when",
"would take a looooooong time to cope with the harsh reality of a",
"characters finds out that a loved one (parent, lover, friend, doesn't matter) died.",
"to cope with the harsh reality of a loved one suddenly being gone.",
"little kid scream in the other room, one who is presumably about to",
"of the main characters finds out that a loved one (parent, lover, friend,",
"is that he's in a hostile environment fighting for his survival and the",
"person. Obviously that would mess up that character pretty badly (to put it",
"more time to deal with the trauma somehow? The problem is that he's",
"put it mildly), and it would take a looooooong time to cope with",
"room, one who is presumably about to suffer the same fate. I planned",
"and he doesn't have anyone to really talk to - obviously he won't",
"child right after. He would look after the child for most of the",
"the innocent little child about it and will do his best to hide",
"character more time to deal with the trauma somehow? The problem is that",
"one (parent, lover, friend, doesn't matter) died. Worse still: they find out about",
"who is presumably about to suffer the same fate. I planned for him",
"same fate. I planned for him to go and save that child right",
"to - obviously he won't talk to the innocent little child about it",
"so there's not much time for him, and he doesn't have anyone to",
"suffer the same fate. I planned for him to go and save that",
"planned for him to go and save that child right after. He would",
"over the course of only a month, so there's not much time for",
"he won't talk to the innocent little child about it and will do",
"pretty badly (to put it mildly), and it would take a looooooong time",
"my story, one of the main characters finds out that a loved one",
"the trauma somehow? The problem is that he's in a hostile environment fighting",
"he doesn't have anyone to really talk to - obviously he won't talk",
"of only a month, so there's not much time for him, and he",
"fate. I planned for him to go and save that child right after.",
"that person. Obviously that would mess up that character pretty badly (to put",
"hostile environment fighting for his survival and the story takes place over the",
"trauma somehow? The problem is that he's in a hostile environment fighting for",
"Worse still: they find out about it when they find the severed head",
"to suffer the same fate. I planned for him to go and save",
"He would look after the child for most of the story. Should I",
"in a hostile environment fighting for his survival and the story takes place",
"with the harsh reality of a loved one suddenly being gone. However, this",
"reality of a loved one suddenly being gone. However, this same character hears",
"Should I give my character more time to deal with the trauma somehow?",
"doesn't matter) died. Worse still: they find out about it when they find",
"character pretty badly (to put it mildly), and it would take a looooooong",
"harsh reality of a loved one suddenly being gone. However, this same character",
"severed head of that person. Obviously that would mess up that character pretty",
"the other room, one who is presumably about to suffer the same fate.",
"look after the child for most of the story. Should I give my",
"they find out about it when they find the severed head of that",
"the story takes place over the course of only a month, so there's",
"time for him, and he doesn't have anyone to really talk to -",
"one suddenly being gone. However, this same character hears a little kid scream",
"main characters finds out that a loved one (parent, lover, friend, doesn't matter)",
"for him, and he doesn't have anyone to really talk to - obviously",
"and it would take a looooooong time to cope with the harsh reality",
"However, this same character hears a little kid scream in the other room,",
"of the story. Should I give my character more time to deal with",
"(parent, lover, friend, doesn't matter) died. Worse still: they find out about it",
"I planned for him to go and save that child right after. He",
"hears a little kid scream in the other room, one who is presumably",
"a month, so there's not much time for him, and he doesn't have",
"after the child for most of the story. Should I give my character",
"out that a loved one (parent, lover, friend, doesn't matter) died. Worse still:",
"find out about it when they find the severed head of that person.",
"and the story takes place over the course of only a month, so",
"being gone. However, this same character hears a little kid scream in the",
"that child right after. He would look after the child for most of",
"innocent little child about it and will do his best to hide it",
"Obviously that would mess up that character pretty badly (to put it mildly),",
"anyone to really talk to - obviously he won't talk to the innocent",
"mess up that character pretty badly (to put it mildly), and it would",
"talk to - obviously he won't talk to the innocent little child about",
"I give my character more time to deal with the trauma somehow? The",
"would mess up that character pretty badly (to put it mildly), and it",
"won't talk to the innocent little child about it and will do his",
"and save that child right after. He would look after the child for",
"cope with the harsh reality of a loved one suddenly being gone. However,",
"character hears a little kid scream in the other room, one who is",
"most of the story. Should I give my character more time to deal",
"about it and will do his best to hide it from the child.",
"In my story, one of the main characters finds out that a loved",
"out about it when they find the severed head of that person. Obviously",
"time to cope with the harsh reality of a loved one suddenly being",
"one of the main characters finds out that a loved one (parent, lover,",
"obviously he won't talk to the innocent little child about it and will",
"to really talk to - obviously he won't talk to the innocent little",
"presumably about to suffer the same fate. I planned for him to go",
"kid scream in the other room, one who is presumably about to suffer",
"looooooong time to cope with the harsh reality of a loved one suddenly",
"it when they find the severed head of that person. Obviously that would",
"the child for most of the story. Should I give my character more",
"only a month, so there's not much time for him, and he doesn't",
"much time for him, and he doesn't have anyone to really talk to",
"a little kid scream in the other room, one who is presumably about",
"with the trauma somehow? The problem is that he's in a hostile environment",
"that he's in a hostile environment fighting for his survival and the story",
"really talk to - obviously he won't talk to the innocent little child",
"loved one (parent, lover, friend, doesn't matter) died. Worse still: they find out",
"in the other room, one who is presumably about to suffer the same",
"badly (to put it mildly), and it would take a looooooong time to",
"finds out that a loved one (parent, lover, friend, doesn't matter) died. Worse",
"takes place over the course of only a month, so there's not much",
"child for most of the story. Should I give my character more time",
"his survival and the story takes place over the course of only a",
"they find the severed head of that person. Obviously that would mess up",
"died. Worse still: they find out about it when they find the severed",
"gone. However, this same character hears a little kid scream in the other",
"save that child right after. He would look after the child for most",
"same character hears a little kid scream in the other room, one who",
"that a loved one (parent, lover, friend, doesn't matter) died. Worse still: they",
"time to deal with the trauma somehow? The problem is that he's in",
"of that person. Obviously that would mess up that character pretty badly (to",
"survival and the story takes place over the course of only a month,",
"friend, doesn't matter) died. Worse still: they find out about it when they",
"other room, one who is presumably about to suffer the same fate. I",
"somehow? The problem is that he's in a hostile environment fighting for his",
"for his survival and the story takes place over the course of only",
"mildly), and it would take a looooooong time to cope with the harsh",
"take a looooooong time to cope with the harsh reality of a loved",
"is presumably about to suffer the same fate. I planned for him to",
"place over the course of only a month, so there's not much time",
"one who is presumably about to suffer the same fate. I planned for",
"give my character more time to deal with the trauma somehow? The problem",
"to the innocent little child about it and will do his best to",
"environment fighting for his survival and the story takes place over the course",
"story takes place over the course of only a month, so there's not",
"for him to go and save that child right after. He would look",
"the story. Should I give my character more time to deal with the"
] |
[
"we just say the emotion and let the actor act it out in",
"say the emotion and let the actor act it out in his way?",
"same way you write in a novel. For example, I see writers describe",
"same thing in a screenplay? Or do we just say the emotion and",
"we write character thoughts in a novel, can we do the same in",
"thing in a screenplay? Or do we just say the emotion and let",
"just say the emotion and let the actor act it out in his",
"in a novel, can we do the same in a screenplay? Again what",
"should we do in this situation? Basically what are the differences and similarities",
"a screenplay the same way you write in a novel. For example, I",
"write descriptions in a screenplay the same way you write in a novel.",
"example is when we write character thoughts in a novel, can we do",
"you write descriptions in a screenplay the same way you write in a",
"Again what should we do in this situation? Basically what are the differences",
"in a novel. For example, I see writers describe the physical effects of",
"descriptions in a screenplay the same way you write in a novel. For",
"write in a novel. For example, I see writers describe the physical effects",
"writers describe the physical effects of the emotion of anger rather than just",
"the same in a screenplay? Again what should we do in this situation?",
"For example, I see writers describe the physical effects of the emotion of",
"we do? Another example is when we write character thoughts in a novel,",
"do we do the same thing in a screenplay? Or do we just",
"we do the same thing in a screenplay? Or do we just say",
"a screenplay? Or do we just say the emotion and let the actor",
"wonder if you write descriptions in a screenplay the same way you write",
"of anger rather than just saying 'angry', do we do the same thing",
"is when we write character thoughts in a novel, can we do the",
"a novel. For example, I see writers describe the physical effects of the",
"write character thoughts in a novel, can we do the same in a",
"of the emotion of anger rather than just saying 'angry', do we do",
"the same way you write in a novel. For example, I see writers",
"a novel, can we do the same in a screenplay? Again what should",
"'angry', do we do the same thing in a screenplay? Or do we",
"just saying 'angry', do we do the same thing in a screenplay? Or",
"physical effects of the emotion of anger rather than just saying 'angry', do",
"actor act it out in his way? What exactly should we do? Another",
"and similarities between writing these kinds of things for a screenplay and for",
"should we do? Another example is when we write character thoughts in a",
"in this situation? Basically what are the differences and similarities between writing these",
"do the same thing in a screenplay? Or do we just say the",
"in a screenplay? Or do we just say the emotion and let the",
"novel. For example, I see writers describe the physical effects of the emotion",
"example, I see writers describe the physical effects of the emotion of anger",
"differences and similarities between writing these kinds of things for a screenplay and",
"anger rather than just saying 'angry', do we do the same thing in",
"Basically what are the differences and similarities between writing these kinds of things",
"you write in a novel. For example, I see writers describe the physical",
"between writing these kinds of things for a screenplay and for a novel?",
"do we just say the emotion and let the actor act it out",
"a screenplay? Again what should we do in this situation? Basically what are",
"what are the differences and similarities between writing these kinds of things for",
"than just saying 'angry', do we do the same thing in a screenplay?",
"same in a screenplay? Again what should we do in this situation? Basically",
"situation? Basically what are the differences and similarities between writing these kinds of",
"rather than just saying 'angry', do we do the same thing in a",
"screenplay? Again what should we do in this situation? Basically what are the",
"do the same in a screenplay? Again what should we do in this",
"and let the actor act it out in his way? What exactly should",
"can we do the same in a screenplay? Again what should we do",
"in his way? What exactly should we do? Another example is when we",
"effects of the emotion of anger rather than just saying 'angry', do we",
"Another example is when we write character thoughts in a novel, can we",
"the emotion of anger rather than just saying 'angry', do we do the",
"thoughts in a novel, can we do the same in a screenplay? Again",
"screenplay? Or do we just say the emotion and let the actor act",
"saying 'angry', do we do the same thing in a screenplay? Or do",
"screenplay the same way you write in a novel. For example, I see",
"novel, can we do the same in a screenplay? Again what should we",
"act it out in his way? What exactly should we do? Another example",
"in a screenplay? Again what should we do in this situation? Basically what",
"describe the physical effects of the emotion of anger rather than just saying",
"let the actor act it out in his way? What exactly should we",
"the emotion and let the actor act it out in his way? What",
"in a screenplay the same way you write in a novel. For example,",
"the same thing in a screenplay? Or do we just say the emotion",
"when we write character thoughts in a novel, can we do the same",
"it out in his way? What exactly should we do? Another example is",
"similarities between writing these kinds of things for a screenplay and for a",
"the physical effects of the emotion of anger rather than just saying 'angry',",
"his way? What exactly should we do? Another example is when we write",
"out in his way? What exactly should we do? Another example is when",
"this situation? Basically what are the differences and similarities between writing these kinds",
"are the differences and similarities between writing these kinds of things for a",
"exactly should we do? Another example is when we write character thoughts in",
"we do in this situation? Basically what are the differences and similarities between",
"I see writers describe the physical effects of the emotion of anger rather",
"way? What exactly should we do? Another example is when we write character",
"What exactly should we do? Another example is when we write character thoughts",
"the differences and similarities between writing these kinds of things for a screenplay",
"the actor act it out in his way? What exactly should we do?",
"what should we do in this situation? Basically what are the differences and",
"emotion and let the actor act it out in his way? What exactly",
"character thoughts in a novel, can we do the same in a screenplay?",
"if you write descriptions in a screenplay the same way you write in",
"emotion of anger rather than just saying 'angry', do we do the same",
"way you write in a novel. For example, I see writers describe the",
"do in this situation? Basically what are the differences and similarities between writing",
"do? Another example is when we write character thoughts in a novel, can",
"we do the same in a screenplay? Again what should we do in",
"I wonder if you write descriptions in a screenplay the same way you",
"Or do we just say the emotion and let the actor act it",
"see writers describe the physical effects of the emotion of anger rather than"
] |
[
"own physical appearance. I am looking for something more specific to the actual",
"a person who can morph themselves into someone else or a creature by",
"who can morph themselves into someone else or a creature by will, but",
"suggest a way of having control over of changing one's own physical appearance.",
"I am looking for acceptable sounding names/words to describe this action and the",
"over of changing one's own physical appearance. I am looking for something more",
"Automorphic but all of these suggest a way of having control over of",
"way of having control over of changing one's own physical appearance. I am",
"into someone else or a creature by will, but someone who has an",
"control over it. I am writing a short fiction story and I am",
"I am looking for something more specific to the actual switching of bodies.",
"- without necessarily having control over it. I am writing a short fiction",
"over it. I am writing a short fiction story and I am looking",
"it. I am writing a short fiction story and I am looking for",
"acceptable sounding names/words to describe this action and the scientific name for body",
"without necessarily having control over it. I am writing a short fiction story",
"an ability to body swap - without necessarily having control over it. I",
"and I am looking for acceptable sounding names/words to describe this action and",
"who has an ability to body swap - without necessarily having control over",
"sounding names/words to describe this action and the scientific name for body swapping.",
"Changeling, Morphling, and Automorphic but all of these suggest a way of having",
"but all of these suggest a way of having control over of changing",
"someone else or a creature by will, but someone who has an ability",
"necessarily having control over it. I am writing a short fiction story and",
"a short fiction story and I am looking for acceptable sounding names/words to",
"to body swap - without necessarily having control over it. I am writing",
"Morphling, and Automorphic but all of these suggest a way of having control",
"of changing one's own physical appearance. I am looking for something more specific",
"body swap - without necessarily having control over it. I am writing a",
"I am writing a short fiction story and I am looking for acceptable",
"the scientific name for body swapping. I have come across Changeling, Morphling, and",
"ability to body swap - without necessarily having control over it. I am",
"and Automorphic but all of these suggest a way of having control over",
"be confused with a person who can morph themselves into someone else or",
"but someone who has an ability to body swap - without necessarily having",
"am writing a short fiction story and I am looking for acceptable sounding",
"morph themselves into someone else or a creature by will, but someone who",
"I have come across Changeling, Morphling, and Automorphic but all of these suggest",
"am looking for acceptable sounding names/words to describe this action and the scientific",
"across Changeling, Morphling, and Automorphic but all of these suggest a way of",
"names/words to describe this action and the scientific name for body swapping. I",
"appearance. I am looking for something more specific to the actual switching of",
"looking for acceptable sounding names/words to describe this action and the scientific name",
"have come across Changeling, Morphling, and Automorphic but all of these suggest a",
"of having control over of changing one's own physical appearance. I am looking",
"having control over it. I am writing a short fiction story and I",
"writing a short fiction story and I am looking for acceptable sounding names/words",
"and the scientific name for body swapping. I have come across Changeling, Morphling,",
"themselves into someone else or a creature by will, but someone who has",
"can morph themselves into someone else or a creature by will, but someone",
"this action and the scientific name for body swapping. I have come across",
"to be confused with a person who can morph themselves into someone else",
"a way of having control over of changing one's own physical appearance. I",
"control over of changing one's own physical appearance. I am looking for something",
"else or a creature by will, but someone who has an ability to",
"physical appearance. I am looking for something more specific to the actual switching",
"confused with a person who can morph themselves into someone else or a",
"will, but someone who has an ability to body swap - without necessarily",
"of these suggest a way of having control over of changing one's own",
"person who can morph themselves into someone else or a creature by will,",
"has an ability to body swap - without necessarily having control over it.",
"with a person who can morph themselves into someone else or a creature",
"body swapping. I have come across Changeling, Morphling, and Automorphic but all of",
"to describe this action and the scientific name for body swapping. I have",
"swap - without necessarily having control over it. I am writing a short",
"someone who has an ability to body swap - without necessarily having control",
"for acceptable sounding names/words to describe this action and the scientific name for",
"for body swapping. I have come across Changeling, Morphling, and Automorphic but all",
"changing one's own physical appearance. I am looking for something more specific to",
"Not to be confused with a person who can morph themselves into someone",
"short fiction story and I am looking for acceptable sounding names/words to describe",
"story and I am looking for acceptable sounding names/words to describe this action",
"creature by will, but someone who has an ability to body swap -",
"fiction story and I am looking for acceptable sounding names/words to describe this",
"these suggest a way of having control over of changing one's own physical",
"scientific name for body swapping. I have come across Changeling, Morphling, and Automorphic",
"come across Changeling, Morphling, and Automorphic but all of these suggest a way",
"one's own physical appearance. I am looking for something more specific to the",
"by will, but someone who has an ability to body swap - without",
"a creature by will, but someone who has an ability to body swap",
"swapping. I have come across Changeling, Morphling, and Automorphic but all of these",
"having control over of changing one's own physical appearance. I am looking for",
"or a creature by will, but someone who has an ability to body",
"name for body swapping. I have come across Changeling, Morphling, and Automorphic but",
"describe this action and the scientific name for body swapping. I have come",
"all of these suggest a way of having control over of changing one's",
"action and the scientific name for body swapping. I have come across Changeling,"
] |
[
"him seems oldfashioned and out of date today? And how does a book",
"on the previous pages. I wonder which way to choose. Do you think",
"seems oldfashioned and out of date today? And how does a book like",
"present day authors, such as Stephenie Meyer or Alice Munro, I find that",
"Meyer or Alice Munro, I find that they have a large vocabulary and",
"Man And Sea* appear interesting and its language not boring when the author",
"or Alice Munro, I find that they have a large vocabulary and on",
"and on almost every page you find a word that has not been",
"not been used on the previous pages. I wonder which way to choose.",
"Sea* appear interesting and its language not boring when the author uses common",
"used on the previous pages. I wonder which way to choose. Do you",
"been used on the previous pages. I wonder which way to choose. Do",
"and out of date today? And how does a book like *The Old",
"language not boring when the author uses common words and there's not a",
"language and simple words. But when I look at present day authors, such",
"like *The Old Man And Sea* appear interesting and its language not boring",
"way to choose. Do you think writing like Hemingway and authors like him",
"think writing like Hemingway and authors like him seems oldfashioned and out of",
"word that has not been used on the previous pages. I wonder which",
"boring when the author uses common words and there's not a lot of",
"I look at present day authors, such as Stephenie Meyer or Alice Munro,",
"and other authors, I find that they use very simple language and simple",
"interesting and its language not boring when the author uses common words and",
"today? And how does a book like *The Old Man And Sea* appear",
"a book like *The Old Man And Sea* appear interesting and its language",
"vocabulary and on almost every page you find a word that has not",
"at present day authors, such as Stephenie Meyer or Alice Munro, I find",
"as Stephenie Meyer or Alice Munro, I find that they have a large",
"a word that has not been used on the previous pages. I wonder",
"they use very simple language and simple words. But when I look at",
"other authors, I find that they use very simple language and simple words.",
"of date today? And how does a book like *The Old Man And",
"when I look at present day authors, such as Stephenie Meyer or Alice",
"simple words. But when I look at present day authors, such as Stephenie",
"on almost every page you find a word that has not been used",
"you think writing like Hemingway and authors like him seems oldfashioned and out",
"Alice Munro, I find that they have a large vocabulary and on almost",
"Carver, and other authors, I find that they use very simple language and",
"find that they have a large vocabulary and on almost every page you",
"I find that they have a large vocabulary and on almost every page",
"previous pages. I wonder which way to choose. Do you think writing like",
"to choose. Do you think writing like Hemingway and authors like him seems",
"I wonder which way to choose. Do you think writing like Hemingway and",
"choose. Do you think writing like Hemingway and authors like him seems oldfashioned",
"like him seems oldfashioned and out of date today? And how does a",
"day authors, such as Stephenie Meyer or Alice Munro, I find that they",
"And Sea* appear interesting and its language not boring when the author uses",
"like Hemingway and authors like him seems oldfashioned and out of date today?",
"author uses common words and there's not a lot of variety in the",
"they have a large vocabulary and on almost every page you find a",
"and simple words. But when I look at present day authors, such as",
"Ernest Hemingway, Raymond Carver, and other authors, I find that they use very",
"large vocabulary and on almost every page you find a word that has",
"pages. I wonder which way to choose. Do you think writing like Hemingway",
"when the author uses common words and there's not a lot of variety",
"Do you think writing like Hemingway and authors like him seems oldfashioned and",
"that has not been used on the previous pages. I wonder which way",
"But when I look at present day authors, such as Stephenie Meyer or",
"the previous pages. I wonder which way to choose. Do you think writing",
"almost every page you find a word that has not been used on",
"page you find a word that has not been used on the previous",
"style of Ernest Hemingway, Raymond Carver, and other authors, I find that they",
"Hemingway, Raymond Carver, and other authors, I find that they use very simple",
"authors, I find that they use very simple language and simple words. But",
"the author uses common words and there's not a lot of variety in",
"does a book like *The Old Man And Sea* appear interesting and its",
"and its language not boring when the author uses common words and there's",
"uses common words and there's not a lot of variety in the language?",
"I find that they use very simple language and simple words. But when",
"oldfashioned and out of date today? And how does a book like *The",
"look at present day authors, such as Stephenie Meyer or Alice Munro, I",
"I study the style of Ernest Hemingway, Raymond Carver, and other authors, I",
"simple language and simple words. But when I look at present day authors,",
"wonder which way to choose. Do you think writing like Hemingway and authors",
"a large vocabulary and on almost every page you find a word that",
"And how does a book like *The Old Man And Sea* appear interesting",
"words. But when I look at present day authors, such as Stephenie Meyer",
"the style of Ernest Hemingway, Raymond Carver, and other authors, I find that",
"Old Man And Sea* appear interesting and its language not boring when the",
"that they have a large vocabulary and on almost every page you find",
"study the style of Ernest Hemingway, Raymond Carver, and other authors, I find",
"out of date today? And how does a book like *The Old Man",
"every page you find a word that has not been used on the",
"of Ernest Hemingway, Raymond Carver, and other authors, I find that they use",
"that they use very simple language and simple words. But when I look",
"have a large vocabulary and on almost every page you find a word",
"*The Old Man And Sea* appear interesting and its language not boring when",
"which way to choose. Do you think writing like Hemingway and authors like",
"authors like him seems oldfashioned and out of date today? And how does",
"writing like Hemingway and authors like him seems oldfashioned and out of date",
"find that they use very simple language and simple words. But when I",
"When I study the style of Ernest Hemingway, Raymond Carver, and other authors,",
"how does a book like *The Old Man And Sea* appear interesting and",
"Hemingway and authors like him seems oldfashioned and out of date today? And",
"has not been used on the previous pages. I wonder which way to",
"Raymond Carver, and other authors, I find that they use very simple language",
"authors, such as Stephenie Meyer or Alice Munro, I find that they have",
"book like *The Old Man And Sea* appear interesting and its language not",
"Munro, I find that they have a large vocabulary and on almost every",
"very simple language and simple words. But when I look at present day",
"you find a word that has not been used on the previous pages.",
"and authors like him seems oldfashioned and out of date today? And how",
"its language not boring when the author uses common words and there's not",
"use very simple language and simple words. But when I look at present",
"find a word that has not been used on the previous pages. I",
"such as Stephenie Meyer or Alice Munro, I find that they have a",
"appear interesting and its language not boring when the author uses common words",
"not boring when the author uses common words and there's not a lot",
"Stephenie Meyer or Alice Munro, I find that they have a large vocabulary",
"date today? And how does a book like *The Old Man And Sea*"
] |
[
"use one of the pen names I used for my former publisher, or",
"half a dozen names for a publisher. They bought the copyright and published",
"my former publisher, or does the copyright to the novels include my pen",
"publisher. They bought the copyright and published them. Now I'm hoping to write",
"of the pen names I used for my former publisher, or does the",
"to write for a different publisher. Can I still use one of the",
"pen names I used for my former publisher, or does the copyright to",
"used for my former publisher, or does the copyright to the novels include",
"They bought the copyright and published them. Now I'm hoping to write for",
"a dozen names for a publisher. They bought the copyright and published them.",
"Can I still use one of the pen names I used for my",
"dozen names for a publisher. They bought the copyright and published them. Now",
"hoping to write for a different publisher. Can I still use one of",
"copyright and published them. Now I'm hoping to write for a different publisher.",
"wrote many westerns under half a dozen names for a publisher. They bought",
"a publisher. They bought the copyright and published them. Now I'm hoping to",
"bought the copyright and published them. Now I'm hoping to write for a",
"I used for my former publisher, or does the copyright to the novels",
"write for a different publisher. Can I still use one of the pen",
"them. Now I'm hoping to write for a different publisher. Can I still",
"Now I'm hoping to write for a different publisher. Can I still use",
"Years ago, I wrote many westerns under half a dozen names for a",
"former publisher, or does the copyright to the novels include my pen name?",
"for my former publisher, or does the copyright to the novels include my",
"published them. Now I'm hoping to write for a different publisher. Can I",
"I wrote many westerns under half a dozen names for a publisher. They",
"I still use one of the pen names I used for my former",
"westerns under half a dozen names for a publisher. They bought the copyright",
"still use one of the pen names I used for my former publisher,",
"one of the pen names I used for my former publisher, or does",
"for a different publisher. Can I still use one of the pen names",
"the copyright and published them. Now I'm hoping to write for a different",
"under half a dozen names for a publisher. They bought the copyright and",
"different publisher. Can I still use one of the pen names I used",
"and published them. Now I'm hoping to write for a different publisher. Can",
"a different publisher. Can I still use one of the pen names I",
"many westerns under half a dozen names for a publisher. They bought the",
"ago, I wrote many westerns under half a dozen names for a publisher.",
"names for a publisher. They bought the copyright and published them. Now I'm",
"publisher. Can I still use one of the pen names I used for",
"the pen names I used for my former publisher, or does the copyright",
"I'm hoping to write for a different publisher. Can I still use one",
"for a publisher. They bought the copyright and published them. Now I'm hoping",
"names I used for my former publisher, or does the copyright to the"
] |
[
"a room so he can feed off her without anyone knowing. What are",
"a girl into a room so he can feed off her without anyone",
"a room by him, and she tries to escape but he’s too strong",
"consider when I describe her being pulled into a room by him, and",
"things I should consider when I describe her being pulled into a room",
"I describe her being pulled into a room by him, and she tries",
"What are the things I should consider when I describe her being pulled",
"where a vampire pulls a girl into a room so he can feed",
"when I describe her being pulled into a room by him, and she",
"girl into a room so he can feed off her without anyone knowing.",
"without anyone knowing. What are the things I should consider when I describe",
"her being pulled into a room by him, and she tries to escape",
"being pulled into a room by him, and she tries to escape but",
"room by him, and she tries to escape but he’s too strong for",
"by him, and she tries to escape but he’s too strong for her?",
"story where a vampire pulls a girl into a room so he can",
"writing a story where a vampire pulls a girl into a room so",
"describe her being pulled into a room by him, and she tries to",
"room so he can feed off her without anyone knowing. What are the",
"a story where a vampire pulls a girl into a room so he",
"a vampire pulls a girl into a room so he can feed off",
"pulls a girl into a room so he can feed off her without",
"off her without anyone knowing. What are the things I should consider when",
"feed off her without anyone knowing. What are the things I should consider",
"pulled into a room by him, and she tries to escape but he’s",
"should consider when I describe her being pulled into a room by him,",
"anyone knowing. What are the things I should consider when I describe her",
"I’m writing a story where a vampire pulls a girl into a room",
"vampire pulls a girl into a room so he can feed off her",
"the things I should consider when I describe her being pulled into a",
"so he can feed off her without anyone knowing. What are the things",
"her without anyone knowing. What are the things I should consider when I",
"can feed off her without anyone knowing. What are the things I should",
"are the things I should consider when I describe her being pulled into",
"into a room by him, and she tries to escape but he’s too",
"I should consider when I describe her being pulled into a room by",
"knowing. What are the things I should consider when I describe her being",
"he can feed off her without anyone knowing. What are the things I",
"into a room so he can feed off her without anyone knowing. What"
] |
[
"What other ways are there to acquire knowledge? Will the Internet be helpful?"
] |
[
"possible that stormy weather can be related to sadness? The weather could be",
"weather can be related to sadness? The weather could be related to gloom?",
"that stormy weather can be related to sadness? The weather could be related",
"Is it possible that stormy weather can be related to sadness? The weather",
"stormy weather can be related to sadness? The weather could be related to",
"it possible that stormy weather can be related to sadness? The weather could"
] |
[
"way he can change to human. How do I make the conversation interesting",
"anymore, and asks him if there is a way he can change to",
"conversation about one wanting not to be a vampire anymore, and asks him",
"can change to human. How do I make the conversation interesting and wanting",
"and asks him if there is a way he can change to human.",
"not to be a vampire anymore, and asks him if there is a",
"about one wanting not to be a vampire anymore, and asks him if",
"is a way he can change to human. How do I make the",
"wanting not to be a vampire anymore, and asks him if there is",
"him if there is a way he can change to human. How do",
"a way he can change to human. How do I make the conversation",
"asks him if there is a way he can change to human. How",
"are having a conversation about one wanting not to be a vampire anymore,",
"two brothers are having a conversation about one wanting not to be a",
"So two brothers are having a conversation about one wanting not to be",
"if there is a way he can change to human. How do I",
"having a conversation about one wanting not to be a vampire anymore, and",
"a vampire anymore, and asks him if there is a way he can",
"do I make the conversation interesting and wanting the readers to read more?",
"to be a vampire anymore, and asks him if there is a way",
"be a vampire anymore, and asks him if there is a way he",
"a conversation about one wanting not to be a vampire anymore, and asks",
"brothers are having a conversation about one wanting not to be a vampire",
"to human. How do I make the conversation interesting and wanting the readers",
"vampire anymore, and asks him if there is a way he can change",
"there is a way he can change to human. How do I make",
"How do I make the conversation interesting and wanting the readers to read",
"change to human. How do I make the conversation interesting and wanting the",
"one wanting not to be a vampire anymore, and asks him if there",
"he can change to human. How do I make the conversation interesting and",
"human. How do I make the conversation interesting and wanting the readers to"
] |
[
"with that in a novel is that internal thoughts are indicated by italics.",
"phone is on speaker and as over a walkie-talkie. The problem with that",
"to dialogue audible when the phone is on speaker and as over a",
"is on speaker and as over a walkie-talkie. The problem with that in",
"The problem with that in a novel is that internal thoughts are indicated",
"is that internal thoughts are indicated by italics. Too much italics? Confusion to",
"apply to dialogue audible when the phone is on speaker and as over",
"over a walkie-talkie. The problem with that in a novel is that internal",
"on speaker and as over a walkie-talkie. The problem with that in a",
"on TV is any guide, then dialogue heard over a phone would be",
"then dialogue heard over a phone would be in italics, not in quotes.",
"the phone is on speaker and as over a walkie-talkie. The problem with",
"italics? Confusion to the reader? How to best write telephone conversations in a",
"by italics. Too much italics? Confusion to the reader? How to best write",
"Confusion to the reader? How to best write telephone conversations in a novel?",
"walkie-talkie. The problem with that in a novel is that internal thoughts are",
"heard over a phone would be in italics, not in quotes. The same",
"dialogue heard over a phone would be in italics, not in quotes. The",
"*Closed Captioning* on TV is any guide, then dialogue heard over a phone",
"as over a walkie-talkie. The problem with that in a novel is that",
"italics. Too much italics? Confusion to the reader? How to best write telephone",
"much italics? Confusion to the reader? How to best write telephone conversations in",
"that in a novel is that internal thoughts are indicated by italics. Too",
"Captioning* on TV is any guide, then dialogue heard over a phone would",
"not in quotes. The same would apply to dialogue audible when the phone",
"a phone would be in italics, not in quotes. The same would apply",
"same would apply to dialogue audible when the phone is on speaker and",
"TV is any guide, then dialogue heard over a phone would be in",
"internal thoughts are indicated by italics. Too much italics? Confusion to the reader?",
"indicated by italics. Too much italics? Confusion to the reader? How to best",
"problem with that in a novel is that internal thoughts are indicated by",
"thoughts are indicated by italics. Too much italics? Confusion to the reader? How",
"be in italics, not in quotes. The same would apply to dialogue audible",
"guide, then dialogue heard over a phone would be in italics, not in",
"would be in italics, not in quotes. The same would apply to dialogue",
"a novel is that internal thoughts are indicated by italics. Too much italics?",
"and as over a walkie-talkie. The problem with that in a novel is",
"in quotes. The same would apply to dialogue audible when the phone is",
"are indicated by italics. Too much italics? Confusion to the reader? How to",
"If *Closed Captioning* on TV is any guide, then dialogue heard over a",
"would apply to dialogue audible when the phone is on speaker and as",
"audible when the phone is on speaker and as over a walkie-talkie. The",
"when the phone is on speaker and as over a walkie-talkie. The problem",
"italics, not in quotes. The same would apply to dialogue audible when the",
"speaker and as over a walkie-talkie. The problem with that in a novel",
"dialogue audible when the phone is on speaker and as over a walkie-talkie.",
"over a phone would be in italics, not in quotes. The same would",
"Too much italics? Confusion to the reader? How to best write telephone conversations",
"in a novel is that internal thoughts are indicated by italics. Too much",
"novel is that internal thoughts are indicated by italics. Too much italics? Confusion",
"that internal thoughts are indicated by italics. Too much italics? Confusion to the",
"in italics, not in quotes. The same would apply to dialogue audible when",
"phone would be in italics, not in quotes. The same would apply to",
"is any guide, then dialogue heard over a phone would be in italics,",
"any guide, then dialogue heard over a phone would be in italics, not",
"quotes. The same would apply to dialogue audible when the phone is on",
"a walkie-talkie. The problem with that in a novel is that internal thoughts",
"The same would apply to dialogue audible when the phone is on speaker"
] |
[
"afraid my readers will feel cheated by the revelation/twist. How to avoid this",
"working on a book with two protagonists and switching the perspective between them.",
"book with two protagonists and switching the perspective between them. They have quite",
"perspective between them. They have quite different plotlines, but actually they're the same",
"actually they're the same person. English is not my first language, and in",
"in my language a subject always has a gender-neutral word. But I'm afraid",
"and in my language a subject always has a gender-neutral word. But I'm",
"subject always has a gender-neutral word. But I'm afraid my readers will feel",
"currently working on a book with two protagonists and switching the perspective between",
"different plotlines, but actually they're the same person. English is not my first",
"person. English is not my first language, and in my language a subject",
"I'm afraid my readers will feel cheated by the revelation/twist. How to avoid",
"will feel cheated by the revelation/twist. How to avoid this and make it",
"But I'm afraid my readers will feel cheated by the revelation/twist. How to",
"plotlines, but actually they're the same person. English is not my first language,",
"but actually they're the same person. English is not my first language, and",
"two protagonists and switching the perspective between them. They have quite different plotlines,",
"on a book with two protagonists and switching the perspective between them. They",
"always has a gender-neutral word. But I'm afraid my readers will feel cheated",
"has a gender-neutral word. But I'm afraid my readers will feel cheated by",
"readers will feel cheated by the revelation/twist. How to avoid this and make",
"with two protagonists and switching the perspective between them. They have quite different",
"protagonists and switching the perspective between them. They have quite different plotlines, but",
"feel cheated by the revelation/twist. How to avoid this and make it believable?",
"my first language, and in my language a subject always has a gender-neutral",
"word. But I'm afraid my readers will feel cheated by the revelation/twist. How",
"and switching the perspective between them. They have quite different plotlines, but actually",
"is not my first language, and in my language a subject always has",
"them. They have quite different plotlines, but actually they're the same person. English",
"gender-neutral word. But I'm afraid my readers will feel cheated by the revelation/twist.",
"I'm currently working on a book with two protagonists and switching the perspective",
"They have quite different plotlines, but actually they're the same person. English is",
"not my first language, and in my language a subject always has a",
"my language a subject always has a gender-neutral word. But I'm afraid my",
"English is not my first language, and in my language a subject always",
"quite different plotlines, but actually they're the same person. English is not my",
"a gender-neutral word. But I'm afraid my readers will feel cheated by the",
"have quite different plotlines, but actually they're the same person. English is not",
"the same person. English is not my first language, and in my language",
"a book with two protagonists and switching the perspective between them. They have",
"my readers will feel cheated by the revelation/twist. How to avoid this and",
"first language, and in my language a subject always has a gender-neutral word.",
"language a subject always has a gender-neutral word. But I'm afraid my readers",
"between them. They have quite different plotlines, but actually they're the same person.",
"same person. English is not my first language, and in my language a",
"language, and in my language a subject always has a gender-neutral word. But",
"the perspective between them. They have quite different plotlines, but actually they're the",
"they're the same person. English is not my first language, and in my",
"switching the perspective between them. They have quite different plotlines, but actually they're",
"a subject always has a gender-neutral word. But I'm afraid my readers will"
] |
[
"a better term) are used in other countries, in particular the United States",
"know that this is not the case across the world. What forms of",
"but I know that this is not the case across the world. What",
"forms of anonymization (for lack of a better term) are used in other",
"crime have their last names truncated in published news articles – for example",
"relations to a crime have their last names truncated in published news articles",
"for example \"John D.\" – but I know that this is not the",
"I know that this is not the case across the world. What forms",
"of anonymization (for lack of a better term) are used in other countries,",
"that this is not the case across the world. What forms of anonymization",
"the world. What forms of anonymization (for lack of a better term) are",
"across the world. What forms of anonymization (for lack of a better term)",
"term) are used in other countries, in particular the United States and United",
"in published news articles – for example \"John D.\" – but I know",
"in relations to a crime have their last names truncated in published news",
"– but I know that this is not the case across the world.",
"of a better term) are used in other countries, in particular the United",
"a crime have their last names truncated in published news articles – for",
"interest in relations to a crime have their last names truncated in published",
"– for example \"John D.\" – but I know that this is not",
"(for lack of a better term) are used in other countries, in particular",
"last names truncated in published news articles – for example \"John D.\" –",
"In the Netherlands, convicts and persons of interest in relations to a crime",
"articles – for example \"John D.\" – but I know that this is",
"published news articles – for example \"John D.\" – but I know that",
"names truncated in published news articles – for example \"John D.\" – but",
"better term) are used in other countries, in particular the United States and",
"is not the case across the world. What forms of anonymization (for lack",
"the case across the world. What forms of anonymization (for lack of a",
"\"John D.\" – but I know that this is not the case across",
"world. What forms of anonymization (for lack of a better term) are used",
"are used in other countries, in particular the United States and United Kingdom?",
"their last names truncated in published news articles – for example \"John D.\"",
"the Netherlands, convicts and persons of interest in relations to a crime have",
"What forms of anonymization (for lack of a better term) are used in",
"not the case across the world. What forms of anonymization (for lack of",
"Netherlands, convicts and persons of interest in relations to a crime have their",
"of interest in relations to a crime have their last names truncated in",
"truncated in published news articles – for example \"John D.\" – but I",
"news articles – for example \"John D.\" – but I know that this",
"lack of a better term) are used in other countries, in particular the",
"case across the world. What forms of anonymization (for lack of a better",
"convicts and persons of interest in relations to a crime have their last",
"persons of interest in relations to a crime have their last names truncated",
"example \"John D.\" – but I know that this is not the case",
"to a crime have their last names truncated in published news articles –",
"and persons of interest in relations to a crime have their last names",
"have their last names truncated in published news articles – for example \"John",
"D.\" – but I know that this is not the case across the",
"anonymization (for lack of a better term) are used in other countries, in",
"this is not the case across the world. What forms of anonymization (for"
] |
[
"'career'\") tag and the absence of the fiction tag. The question is intentionally",
"advice. I have ordered and summarized the points I have found [in my",
"fundamental piece of advice you wish you had known about – or that",
"intentionally not limited to a specific kind of writing, but to writing in",
"tagged 'career'\") tag and the absence of the fiction tag. The question is",
"on a professional level.* --- After reviewing the current answers, I have found",
"writer? --- *Before you answer, **please note** the [career](/questions/tagged/career \"show questions tagged 'career'\")",
"you had known about – or that you had taken to heart –",
"known about – or that you had taken to heart – when you",
"a writer? --- *Before you answer, **please note** the [career](/questions/tagged/career \"show questions tagged",
"become a writer? --- *Before you answer, **please note** the [career](/questions/tagged/career \"show questions",
"your career as a writer, what is the most fundamental piece of advice",
"answers, I have found that many of them agree with each other and",
"you set out to become a writer? --- *Before you answer, **please note**",
"[career](/questions/tagged/career \"show questions tagged 'career'\") tag and the absence of the fiction tag.",
"fiction tag. The question is intentionally not limited to a specific kind of",
"want to make it your profession, or work on a professional level.* ---",
"about – or that you had taken to heart – when you set",
"basic advice. I have ordered and summarized the points I have found [in",
"I have found that many of them agree with each other and give",
"what is the most fundamental piece of advice you wish you had known",
"set out to become a writer? --- *Before you answer, **please note** the",
"a specific kind of writing, but to writing in general. I'm not asking",
"– or that you had taken to heart – when you set out",
"profession, or work on a professional level.* --- After reviewing the current answers,",
"a professional level.* --- After reviewing the current answers, I have found that",
"general. I'm not asking how to write, but how to approach writing, if",
"advice you wish you had known about – or that you had taken",
"--- After reviewing the current answers, I have found that many of them",
"I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the meta discussion page for this",
"reviewing the current answers, I have found that many of them agree with",
"how to approach writing, if you want to make it your profession, or",
"to make it your profession, or work on a professional level.* --- After",
"when you set out to become a writer? --- *Before you answer, **please",
"to a specific kind of writing, but to writing in general. I'm not",
"question is intentionally not limited to a specific kind of writing, but to",
"I'm not asking how to write, but how to approach writing, if you",
"same basic advice. I have ordered and summarized the points I have found",
"of them agree with each other and give the same basic advice. I",
"but to writing in general. I'm not asking how to write, but how",
"the absence of the fiction tag. The question is intentionally not limited to",
"if you want to make it your profession, or work on a professional",
"tag and the absence of the fiction tag. The question is intentionally not",
"points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the meta discussion page for",
"or that you had taken to heart – when you set out to",
"the fiction tag. The question is intentionally not limited to a specific kind",
"your profession, or work on a professional level.* --- After reviewing the current",
"of advice you wish you had known about – or that you had",
"current answers, I have found that many of them agree with each other",
"professional level.* --- After reviewing the current answers, I have found that many",
"career as a writer, what is the most fundamental piece of advice you",
"*Before you answer, **please note** the [career](/questions/tagged/career \"show questions tagged 'career'\") tag and",
"not asking how to write, but how to approach writing, if you want",
"you want to make it your profession, or work on a professional level.*",
"approach writing, if you want to make it your profession, or work on",
"it your profession, or work on a professional level.* --- After reviewing the",
"questions tagged 'career'\") tag and the absence of the fiction tag. The question",
"back on your career as a writer, what is the most fundamental piece",
"of writing, but to writing in general. I'm not asking how to write,",
"note** the [career](/questions/tagged/career \"show questions tagged 'career'\") tag and the absence of the",
"how to write, but how to approach writing, if you want to make",
"heart – when you set out to become a writer? --- *Before you",
"not limited to a specific kind of writing, but to writing in general.",
"have ordered and summarized the points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to",
"to become a writer? --- *Before you answer, **please note** the [career](/questions/tagged/career \"show",
"is intentionally not limited to a specific kind of writing, but to writing",
"have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the meta discussion page for this question](https://writing.meta.stackexchange.com/questions/1554/what-should-we-do-with-the-fundamental-career-advice-question).",
"absence of the fiction tag. The question is intentionally not limited to a",
"writing, but to writing in general. I'm not asking how to write, but",
"you wish you had known about – or that you had taken to",
"After reviewing the current answers, I have found that many of them agree",
"a writer, what is the most fundamental piece of advice you wish you",
"the [career](/questions/tagged/career \"show questions tagged 'career'\") tag and the absence of the fiction",
"or work on a professional level.* --- After reviewing the current answers, I",
"have found that many of them agree with each other and give the",
"them agree with each other and give the same basic advice. I have",
"write, but how to approach writing, if you want to make it your",
"work on a professional level.* --- After reviewing the current answers, I have",
"agree with each other and give the same basic advice. I have ordered",
"to heart – when you set out to become a writer? --- *Before",
"summarized the points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the meta discussion",
"writing, if you want to make it your profession, or work on a",
"out to become a writer? --- *Before you answer, **please note** the [career](/questions/tagged/career",
"writing in general. I'm not asking how to write, but how to approach",
"had taken to heart – when you set out to become a writer?",
"level.* --- After reviewing the current answers, I have found that many of",
"but how to approach writing, if you want to make it your profession,",
"the current answers, I have found that many of them agree with each",
"--- *Before you answer, **please note** the [career](/questions/tagged/career \"show questions tagged 'career'\") tag",
"asking how to write, but how to approach writing, if you want to",
"tag. The question is intentionally not limited to a specific kind of writing,",
"you had taken to heart – when you set out to become a",
"with each other and give the same basic advice. I have ordered and",
"each other and give the same basic advice. I have ordered and summarized",
"the same basic advice. I have ordered and summarized the points I have",
"found that many of them agree with each other and give the same",
"wish you had known about – or that you had taken to heart",
"other and give the same basic advice. I have ordered and summarized the",
"– when you set out to become a writer? --- *Before you answer,",
"that you had taken to heart – when you set out to become",
"limited to a specific kind of writing, but to writing in general. I'm",
"is the most fundamental piece of advice you wish you had known about",
"make it your profession, or work on a professional level.* --- After reviewing",
"most fundamental piece of advice you wish you had known about – or",
"taken to heart – when you set out to become a writer? ---",
"to approach writing, if you want to make it your profession, or work",
"piece of advice you wish you had known about – or that you",
"of the fiction tag. The question is intentionally not limited to a specific",
"kind of writing, but to writing in general. I'm not asking how to",
"had known about – or that you had taken to heart – when",
"and the absence of the fiction tag. The question is intentionally not limited",
"to write, but how to approach writing, if you want to make it",
"as a writer, what is the most fundamental piece of advice you wish",
"that many of them agree with each other and give the same basic",
"I have ordered and summarized the points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032)",
"you answer, **please note** the [career](/questions/tagged/career \"show questions tagged 'career'\") tag and the",
"on your career as a writer, what is the most fundamental piece of",
"\"show questions tagged 'career'\") tag and the absence of the fiction tag. The",
"writer, what is the most fundamental piece of advice you wish you had",
"the points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the meta discussion page",
"in general. I'm not asking how to write, but how to approach writing,",
"and give the same basic advice. I have ordered and summarized the points",
"ordered and summarized the points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the",
"The question is intentionally not limited to a specific kind of writing, but",
"many of them agree with each other and give the same basic advice.",
"the most fundamental piece of advice you wish you had known about –",
"give the same basic advice. I have ordered and summarized the points I",
"answer, **please note** the [career](/questions/tagged/career \"show questions tagged 'career'\") tag and the absence",
"and summarized the points I have found [in my answer](https://writing.meta.stackexchange.com/a/1556/29032) to [the meta",
"**please note** the [career](/questions/tagged/career \"show questions tagged 'career'\") tag and the absence of",
"to writing in general. I'm not asking how to write, but how to",
"Looking back on your career as a writer, what is the most fundamental",
"specific kind of writing, but to writing in general. I'm not asking how"
] |
[
"bad guy! Problem: you're unsure of how you should introduce that sudden power",
"best the bad guy! Problem: you're unsure of how you should introduce that",
"didn't directly see what the hero did. Him going into a secluded temple?",
"you see how the hero was able to unlock the ability and the",
"forward, hinting that he's going to unlock it soon. Then of course, when",
"introduce that sudden power up. You have two options. ### Build up to",
"awakening the power when he fights the villain. You don't see any buildup",
"it, you don't even know it's possible. It seems like a DEM. However,",
"cons of either these options? Are there situations where you should use one",
"villain. You don't see any buildup to it, you don't even know it's",
"ability there. What are the pros and cons of either these options? Are",
"the awakening, even if you didn't directly see what the hero did. Him",
"nowhere, as there were very small hints before the awakening, even if you",
"hero finds out about this powerup and you see him actively taking steps",
"to unlock the ability and the steps he had to take to attain",
"of nowhere, as there were very small hints before the awakening, even if",
"power that allows him to best the bad guy! Problem: you're unsure of",
"power up. You have two options. ### Build up to it The hero",
"don't even know it's possible. It seems like a DEM. However, later, after",
"first option, except in reverse. It didn't come out of nowhere, as there",
"you see him actively taking steps to awaken said power. He struggles, but",
"to awaken the power just in time. ### Introduce it suddenly, explain later",
"you should introduce that sudden power up. You have two options. ### Build",
"struggles, but he does take some small steps forward, hinting that he's going",
"secluded temple? Turns out he learnt the ability there. What are the pros",
"and the steps he had to take to attain the power. It's like",
"allows him to best the bad guy! Problem: you're unsure of how you",
"manages to awaken the power just in time. ### Introduce it suddenly, explain",
"powerup and you see him actively taking steps to awaken said power. He",
"how the hero was able to unlock the ability and the steps he",
"out he learnt the ability there. What are the pros and cons of",
"before the awakening, even if you didn't directly see what the hero did.",
"up. You have two options. ### Build up to it The hero finds",
"### Build up to it The hero finds out about this powerup and",
"awaken the power just in time. ### Introduce it suddenly, explain later The",
"see is the hero awakening the power when he fights the villain. You",
"the villain, you see how the hero was able to unlock the ability",
"struggling against the villain, but suddenly awakens a power that allows him to",
"options? Are there situations where you should use one of them instead of",
"the ability there. What are the pros and cons of either these options?",
"small hints before the awakening, even if you didn't directly see what the",
"a DEM. However, later, after the hero has beaten the villain, you see",
"just in time. ### Introduce it suddenly, explain later The first thing you",
"the steps he had to take to attain the power. It's like the",
"out about this powerup and you see him actively taking steps to awaken",
"hero fiction. The hero of your story is struggling against the villain, but",
"Let's say you're writing super hero fiction. The hero of your story is",
"able to unlock the ability and the steps he had to take to",
"of how you should introduce that sudden power up. You have two options.",
"out of nowhere, as there were very small hints before the awakening, even",
"the hero has beaten the villain, you see how the hero was able",
"option, except in reverse. It didn't come out of nowhere, as there were",
"the hero awakening the power when he fights the villain. You don't see",
"steps to awaken said power. He struggles, but he does take some small",
"lost, he manages to awaken the power just in time. ### Introduce it",
"power just in time. ### Introduce it suddenly, explain later The first thing",
"hero has beaten the villain, you see how the hero was able to",
"he's going to unlock it soon. Then of course, when all hope is",
"that allows him to best the bad guy! Problem: you're unsure of how",
"The hero finds out about this powerup and you see him actively taking",
"you're writing super hero fiction. The hero of your story is struggling against",
"the pros and cons of either these options? Are there situations where you",
"see him actively taking steps to awaken said power. He struggles, but he",
"attain the power. It's like the first option, except in reverse. It didn't",
"directly see what the hero did. Him going into a secluded temple? Turns",
"awakens a power that allows him to best the bad guy! Problem: you're",
"you're unsure of how you should introduce that sudden power up. You have",
"said power. He struggles, but he does take some small steps forward, hinting",
"soon. Then of course, when all hope is lost, he manages to awaken",
"that sudden power up. You have two options. ### Build up to it",
"suddenly, explain later The first thing you see is the hero awakening the",
"all hope is lost, he manages to awaken the power just in time.",
"you see is the hero awakening the power when he fights the villain.",
"DEM. However, later, after the hero has beaten the villain, you see how",
"as there were very small hints before the awakening, even if you didn't",
"fiction. The hero of your story is struggling against the villain, but suddenly",
"story is struggling against the villain, but suddenly awakens a power that allows",
"thing you see is the hero awakening the power when he fights the",
"have two options. ### Build up to it The hero finds out about",
"some small steps forward, hinting that he's going to unlock it soon. Then",
"Then of course, when all hope is lost, he manages to awaken the",
"fights the villain. You don't see any buildup to it, you don't even",
"and cons of either these options? Are there situations where you should use",
"he manages to awaken the power just in time. ### Introduce it suddenly,",
"to take to attain the power. It's like the first option, except in",
"Introduce it suddenly, explain later The first thing you see is the hero",
"guy! Problem: you're unsure of how you should introduce that sudden power up.",
"had to take to attain the power. It's like the first option, except",
"to it, you don't even know it's possible. It seems like a DEM.",
"it The hero finds out about this powerup and you see him actively",
"the villain. You don't see any buildup to it, you don't even know",
"hero of your story is struggling against the villain, but suddenly awakens a",
"course, when all hope is lost, he manages to awaken the power just",
"know it's possible. It seems like a DEM. However, later, after the hero",
"it suddenly, explain later The first thing you see is the hero awakening",
"pros and cons of either these options? Are there situations where you should",
"him actively taking steps to awaken said power. He struggles, but he does",
"is struggling against the villain, but suddenly awakens a power that allows him",
"Him going into a secluded temple? Turns out he learnt the ability there.",
"### Introduce it suddenly, explain later The first thing you see is the",
"take some small steps forward, hinting that he's going to unlock it soon.",
"has beaten the villain, you see how the hero was able to unlock",
"say you're writing super hero fiction. The hero of your story is struggling",
"like the first option, except in reverse. It didn't come out of nowhere,",
"steps he had to take to attain the power. It's like the first",
"your story is struggling against the villain, but suddenly awakens a power that",
"see any buildup to it, you don't even know it's possible. It seems",
"should introduce that sudden power up. You have two options. ### Build up",
"hints before the awakening, even if you didn't directly see what the hero",
"what the hero did. Him going into a secluded temple? Turns out he",
"to unlock it soon. Then of course, when all hope is lost, he",
"is the hero awakening the power when he fights the villain. You don't",
"he learnt the ability there. What are the pros and cons of either",
"temple? Turns out he learnt the ability there. What are the pros and",
"awakening, even if you didn't directly see what the hero did. Him going",
"Are there situations where you should use one of them instead of the",
"learnt the ability there. What are the pros and cons of either these",
"hinting that he's going to unlock it soon. Then of course, when all",
"It's like the first option, except in reverse. It didn't come out of",
"first thing you see is the hero awakening the power when he fights",
"hero was able to unlock the ability and the steps he had to",
"does take some small steps forward, hinting that he's going to unlock it",
"suddenly awakens a power that allows him to best the bad guy! Problem:",
"power. He struggles, but he does take some small steps forward, hinting that",
"were very small hints before the awakening, even if you didn't directly see",
"he fights the villain. You don't see any buildup to it, you don't",
"hero awakening the power when he fights the villain. You don't see any",
"villain, you see how the hero was able to unlock the ability and",
"You have two options. ### Build up to it The hero finds out",
"The hero of your story is struggling against the villain, but suddenly awakens",
"power when he fights the villain. You don't see any buildup to it,",
"didn't come out of nowhere, as there were very small hints before the",
"going to unlock it soon. Then of course, when all hope is lost,",
"in reverse. It didn't come out of nowhere, as there were very small",
"he does take some small steps forward, hinting that he's going to unlock",
"even know it's possible. It seems like a DEM. However, later, after the",
"this powerup and you see him actively taking steps to awaken said power.",
"the hero was able to unlock the ability and the steps he had",
"to attain the power. It's like the first option, except in reverse. It",
"It seems like a DEM. However, later, after the hero has beaten the",
"options. ### Build up to it The hero finds out about this powerup",
"the power just in time. ### Introduce it suddenly, explain later The first",
"the ability and the steps he had to take to attain the power.",
"sudden power up. You have two options. ### Build up to it The",
"did. Him going into a secluded temple? Turns out he learnt the ability",
"Problem: you're unsure of how you should introduce that sudden power up. You",
"two options. ### Build up to it The hero finds out about this",
"later The first thing you see is the hero awakening the power when",
"beaten the villain, you see how the hero was able to unlock the",
"take to attain the power. It's like the first option, except in reverse.",
"there were very small hints before the awakening, even if you didn't directly",
"a power that allows him to best the bad guy! Problem: you're unsure",
"he had to take to attain the power. It's like the first option,",
"of course, when all hope is lost, he manages to awaken the power",
"you didn't directly see what the hero did. Him going into a secluded",
"how you should introduce that sudden power up. You have two options. ###",
"finds out about this powerup and you see him actively taking steps to",
"and you see him actively taking steps to awaken said power. He struggles,",
"you don't even know it's possible. It seems like a DEM. However, later,",
"if you didn't directly see what the hero did. Him going into a",
"the hero did. Him going into a secluded temple? Turns out he learnt",
"of either these options? Are there situations where you should use one of",
"unlock it soon. Then of course, when all hope is lost, he manages",
"villain, but suddenly awakens a power that allows him to best the bad",
"possible. It seems like a DEM. However, later, after the hero has beaten",
"the power when he fights the villain. You don't see any buildup to",
"a secluded temple? Turns out he learnt the ability there. What are the",
"What are the pros and cons of either these options? Are there situations",
"when all hope is lost, he manages to awaken the power just in",
"in time. ### Introduce it suddenly, explain later The first thing you see",
"steps forward, hinting that he's going to unlock it soon. Then of course,",
"later, after the hero has beaten the villain, you see how the hero",
"are the pros and cons of either these options? Are there situations where",
"but suddenly awakens a power that allows him to best the bad guy!",
"to awaken said power. He struggles, but he does take some small steps",
"to best the bad guy! Problem: you're unsure of how you should introduce",
"very small hints before the awakening, even if you didn't directly see what",
"even if you didn't directly see what the hero did. Him going into",
"it's possible. It seems like a DEM. However, later, after the hero has",
"don't see any buildup to it, you don't even know it's possible. It",
"after the hero has beaten the villain, you see how the hero was",
"ability and the steps he had to take to attain the power. It's",
"writing super hero fiction. The hero of your story is struggling against the",
"to it The hero finds out about this powerup and you see him",
"The first thing you see is the hero awakening the power when he",
"into a secluded temple? Turns out he learnt the ability there. What are",
"buildup to it, you don't even know it's possible. It seems like a",
"actively taking steps to awaken said power. He struggles, but he does take",
"Build up to it The hero finds out about this powerup and you",
"against the villain, but suddenly awakens a power that allows him to best",
"awaken said power. He struggles, but he does take some small steps forward,",
"the power. It's like the first option, except in reverse. It didn't come",
"explain later The first thing you see is the hero awakening the power",
"unlock the ability and the steps he had to take to attain the",
"up to it The hero finds out about this powerup and you see",
"when he fights the villain. You don't see any buildup to it, you",
"unsure of how you should introduce that sudden power up. You have two",
"time. ### Introduce it suddenly, explain later The first thing you see is",
"any buildup to it, you don't even know it's possible. It seems like",
"taking steps to awaken said power. He struggles, but he does take some",
"about this powerup and you see him actively taking steps to awaken said",
"see how the hero was able to unlock the ability and the steps",
"hope is lost, he manages to awaken the power just in time. ###",
"the bad guy! Problem: you're unsure of how you should introduce that sudden",
"it soon. Then of course, when all hope is lost, he manages to",
"but he does take some small steps forward, hinting that he's going to",
"there. What are the pros and cons of either these options? Are there",
"these options? Are there situations where you should use one of them instead",
"is lost, he manages to awaken the power just in time. ### Introduce",
"either these options? Are there situations where you should use one of them",
"of your story is struggling against the villain, but suddenly awakens a power",
"was able to unlock the ability and the steps he had to take",
"going into a secluded temple? Turns out he learnt the ability there. What",
"It didn't come out of nowhere, as there were very small hints before",
"seems like a DEM. However, later, after the hero has beaten the villain,",
"small steps forward, hinting that he's going to unlock it soon. Then of",
"see what the hero did. Him going into a secluded temple? Turns out",
"except in reverse. It didn't come out of nowhere, as there were very",
"hero did. Him going into a secluded temple? Turns out he learnt the",
"However, later, after the hero has beaten the villain, you see how the",
"the first option, except in reverse. It didn't come out of nowhere, as",
"He struggles, but he does take some small steps forward, hinting that he's",
"super hero fiction. The hero of your story is struggling against the villain,",
"power. It's like the first option, except in reverse. It didn't come out",
"reverse. It didn't come out of nowhere, as there were very small hints",
"Turns out he learnt the ability there. What are the pros and cons",
"him to best the bad guy! Problem: you're unsure of how you should",
"You don't see any buildup to it, you don't even know it's possible.",
"like a DEM. However, later, after the hero has beaten the villain, you",
"there situations where you should use one of them instead of the other?",
"come out of nowhere, as there were very small hints before the awakening,",
"the villain, but suddenly awakens a power that allows him to best the",
"that he's going to unlock it soon. Then of course, when all hope"
] |
[
"I want to know good British authors who write about computer science (more",
"which website can I find good authors in a specific field? For example",
"can I find good authors in a specific field? For example I want",
"good British authors who write about computer science (more narrowly about operating systems",
"a specific field? For example I want to know good British authors who",
"British authors who write about computer science (more narrowly about operating systems and",
"to know good British authors who write about computer science (more narrowly about",
"specific field? For example I want to know good British authors who write",
"find good authors in a specific field? For example I want to know",
"in a specific field? For example I want to know good British authors",
"example I want to know good British authors who write about computer science",
"I find good authors in a specific field? For example I want to",
"know good British authors who write about computer science (more narrowly about operating",
"authors in a specific field? For example I want to know good British",
"want to know good British authors who write about computer science (more narrowly",
"authors who write about computer science (more narrowly about operating systems and Unix).",
"On which website can I find good authors in a specific field? For",
"field? For example I want to know good British authors who write about",
"website can I find good authors in a specific field? For example I",
"good authors in a specific field? For example I want to know good",
"For example I want to know good British authors who write about computer"
] |
[
"to be able to do is * Easily edit the text/metadata * Make",
"stars) and publish the results in a useful format (markdown, epub, latex, docx,",
"plain text file. I'm on Windows mostly, but would be interested in linux-based",
"Author X with more than 3 stars) and publish the results in a",
"Author, Date, Age range, Star rating etc.) What I want to be able",
"(i.e. everything by Author X with more than 3 stars) and publish the",
"mostly, but would be interested in linux-based solutions too. So far my best",
"but it doesn't seem to quite do what I want it to. Maybe",
"to do is * Easily edit the text/metadata * Make selections based on",
"I'm looking for software or markup/markdown based tools for organising anthologies selected from",
"text file. I'm on Windows mostly, but would be interested in linux-based solutions",
"but the content of the individual pieces of text doesn't really matter. I",
"of text and easily generating documents from them. So I have * Hundreds",
"doesn't really matter. I just want a simple way of dealing with lots",
"Age range, Star rating etc.) What I want to be able to do",
"than a about page long * Metadata about each chunk (Subject, Author, Date,",
"short pieces of writing. In this case it's poems, but the content of",
"have * Hundreds of text chunks, each less than a about page long",
"export the data easily, preferably as a plain text file. I'm on Windows",
"text doesn't really matter. I just want a simple way of dealing with",
"format (markdown, epub, latex, docx, whatever) * Ideally keep track of which chunks",
"prefer non-proprietary solutions, or at least solutions that allow me to export the",
"text/metadata * Make selections based on the metadata (i.e. everything by Author X",
"a plain text file. I'm on Windows mostly, but would be interested in",
"this case it's poems, but the content of the individual pieces of text",
"non-proprietary solutions, or at least solutions that allow me to export the data",
"less than a about page long * Metadata about each chunk (Subject, Author,",
"I would prefer non-proprietary solutions, or at least solutions that allow me to",
"really matter. I just want a simple way of dealing with lots of",
"interested in linux-based solutions too. So far my best bet seems to be",
"of chunks of text and easily generating documents from them. So I have",
"chunk (Subject, Author, Date, Age range, Star rating etc.) What I want to",
"generating documents from them. So I have * Hundreds of text chunks, each",
"be EMACS org-mode, but it doesn't seem to quite do what I want",
"Make selections based on the metadata (i.e. everything by Author X with more",
"to quite do what I want it to. Maybe there's a better way?",
"I just want a simple way of dealing with lots of chunks of",
"documents from them. So I have * Hundreds of text chunks, each less",
"with more than 3 stars) and publish the results in a useful format",
"whatever) * Ideally keep track of which chunks have already been used and",
"bet seems to be EMACS org-mode, but it doesn't seem to quite do",
"easily, preferably as a plain text file. I'm on Windows mostly, but would",
"my best bet seems to be EMACS org-mode, but it doesn't seem to",
"more than 3 stars) and publish the results in a useful format (markdown,",
"edit the text/metadata * Make selections based on the metadata (i.e. everything by",
"text and easily generating documents from them. So I have * Hundreds of",
"the text/metadata * Make selections based on the metadata (i.e. everything by Author",
"than 3 stars) and publish the results in a useful format (markdown, epub,",
"have already been used and when I would prefer non-proprietary solutions, or at",
"based on the metadata (i.e. everything by Author X with more than 3",
"me to export the data easily, preferably as a plain text file. I'm",
"the content of the individual pieces of text doesn't really matter. I just",
"track of which chunks have already been used and when I would prefer",
"of text chunks, each less than a about page long * Metadata about",
"rating etc.) What I want to be able to do is * Easily",
"chunks of text and easily generating documents from them. So I have *",
"writing. In this case it's poems, but the content of the individual pieces",
"of short pieces of writing. In this case it's poems, but the content",
"simple way of dealing with lots of chunks of text and easily generating",
"epub, latex, docx, whatever) * Ideally keep track of which chunks have already",
"and publish the results in a useful format (markdown, epub, latex, docx, whatever)",
"be able to do is * Easily edit the text/metadata * Make selections",
"text chunks, each less than a about page long * Metadata about each",
"pieces of text doesn't really matter. I just want a simple way of",
"based tools for organising anthologies selected from a large number of short pieces",
"each chunk (Subject, Author, Date, Age range, Star rating etc.) What I want",
"of which chunks have already been used and when I would prefer non-proprietary",
"organising anthologies selected from a large number of short pieces of writing. In",
"useful format (markdown, epub, latex, docx, whatever) * Ideally keep track of which",
"the results in a useful format (markdown, epub, latex, docx, whatever) * Ideally",
"about page long * Metadata about each chunk (Subject, Author, Date, Age range,",
"X with more than 3 stars) and publish the results in a useful",
"* Hundreds of text chunks, each less than a about page long *",
"it's poems, but the content of the individual pieces of text doesn't really",
"a useful format (markdown, epub, latex, docx, whatever) * Ideally keep track of",
"chunks have already been used and when I would prefer non-proprietary solutions, or",
"tools for organising anthologies selected from a large number of short pieces of",
"file. I'm on Windows mostly, but would be interested in linux-based solutions too.",
"to export the data easily, preferably as a plain text file. I'm on",
"by Author X with more than 3 stars) and publish the results in",
"publish the results in a useful format (markdown, epub, latex, docx, whatever) *",
"of writing. In this case it's poems, but the content of the individual",
"far my best bet seems to be EMACS org-mode, but it doesn't seem",
"least solutions that allow me to export the data easily, preferably as a",
"want a simple way of dealing with lots of chunks of text and",
"solutions that allow me to export the data easily, preferably as a plain",
"etc.) What I want to be able to do is * Easily edit",
"to be EMACS org-mode, but it doesn't seem to quite do what I",
"of text doesn't really matter. I just want a simple way of dealing",
"I have * Hundreds of text chunks, each less than a about page",
"* Make selections based on the metadata (i.e. everything by Author X with",
"just want a simple way of dealing with lots of chunks of text",
"case it's poems, but the content of the individual pieces of text doesn't",
"them. So I have * Hundreds of text chunks, each less than a",
"from a large number of short pieces of writing. In this case it's",
"(markdown, epub, latex, docx, whatever) * Ideally keep track of which chunks have",
"latex, docx, whatever) * Ideally keep track of which chunks have already been",
"when I would prefer non-proprietary solutions, or at least solutions that allow me",
"want to be able to do is * Easily edit the text/metadata *",
"Metadata about each chunk (Subject, Author, Date, Age range, Star rating etc.) What",
"allow me to export the data easily, preferably as a plain text file.",
"seems to be EMACS org-mode, but it doesn't seem to quite do what",
"seem to quite do what I want it to. Maybe there's a better",
"selected from a large number of short pieces of writing. In this case",
"looking for software or markup/markdown based tools for organising anthologies selected from a",
"content of the individual pieces of text doesn't really matter. I just want",
"Easily edit the text/metadata * Make selections based on the metadata (i.e. everything",
"Date, Age range, Star rating etc.) What I want to be able to",
"which chunks have already been used and when I would prefer non-proprietary solutions,",
"but would be interested in linux-based solutions too. So far my best bet",
"or at least solutions that allow me to export the data easily, preferably",
"a simple way of dealing with lots of chunks of text and easily",
"on Windows mostly, but would be interested in linux-based solutions too. So far",
"large number of short pieces of writing. In this case it's poems, but",
"org-mode, but it doesn't seem to quite do what I want it to.",
"each less than a about page long * Metadata about each chunk (Subject,",
"EMACS org-mode, but it doesn't seem to quite do what I want it",
"* Metadata about each chunk (Subject, Author, Date, Age range, Star rating etc.)",
"able to do is * Easily edit the text/metadata * Make selections based",
"solutions too. So far my best bet seems to be EMACS org-mode, but",
"and when I would prefer non-proprietary solutions, or at least solutions that allow",
"about each chunk (Subject, Author, Date, Age range, Star rating etc.) What I",
"page long * Metadata about each chunk (Subject, Author, Date, Age range, Star",
"software or markup/markdown based tools for organising anthologies selected from a large number",
"Star rating etc.) What I want to be able to do is *",
"selections based on the metadata (i.e. everything by Author X with more than",
"the metadata (i.e. everything by Author X with more than 3 stars) and",
"I'm on Windows mostly, but would be interested in linux-based solutions too. So",
"docx, whatever) * Ideally keep track of which chunks have already been used",
"be interested in linux-based solutions too. So far my best bet seems to",
"do is * Easily edit the text/metadata * Make selections based on the",
"doesn't seem to quite do what I want it to. Maybe there's a",
"I want to be able to do is * Easily edit the text/metadata",
"used and when I would prefer non-proprietary solutions, or at least solutions that",
"individual pieces of text doesn't really matter. I just want a simple way",
"What I want to be able to do is * Easily edit the",
"metadata (i.e. everything by Author X with more than 3 stars) and publish",
"everything by Author X with more than 3 stars) and publish the results",
"* Ideally keep track of which chunks have already been used and when",
"number of short pieces of writing. In this case it's poems, but the",
"easily generating documents from them. So I have * Hundreds of text chunks,",
"Windows mostly, but would be interested in linux-based solutions too. So far my",
"it doesn't seem to quite do what I want it to. Maybe there's",
"In this case it's poems, but the content of the individual pieces of",
"in a useful format (markdown, epub, latex, docx, whatever) * Ideally keep track",
"the data easily, preferably as a plain text file. I'm on Windows mostly,",
"So I have * Hundreds of text chunks, each less than a about",
"(Subject, Author, Date, Age range, Star rating etc.) What I want to be",
"chunks, each less than a about page long * Metadata about each chunk",
"that allow me to export the data easily, preferably as a plain text",
"at least solutions that allow me to export the data easily, preferably as",
"3 stars) and publish the results in a useful format (markdown, epub, latex,",
"for organising anthologies selected from a large number of short pieces of writing.",
"pieces of writing. In this case it's poems, but the content of the",
"matter. I just want a simple way of dealing with lots of chunks",
"range, Star rating etc.) What I want to be able to do is",
"in linux-based solutions too. So far my best bet seems to be EMACS",
"lots of chunks of text and easily generating documents from them. So I",
"with lots of chunks of text and easily generating documents from them. So",
"data easily, preferably as a plain text file. I'm on Windows mostly, but",
"best bet seems to be EMACS org-mode, but it doesn't seem to quite",
"solutions, or at least solutions that allow me to export the data easily,",
"as a plain text file. I'm on Windows mostly, but would be interested",
"on the metadata (i.e. everything by Author X with more than 3 stars)",
"long * Metadata about each chunk (Subject, Author, Date, Age range, Star rating",
"of dealing with lots of chunks of text and easily generating documents from",
"markup/markdown based tools for organising anthologies selected from a large number of short",
"and easily generating documents from them. So I have * Hundreds of text",
"a about page long * Metadata about each chunk (Subject, Author, Date, Age",
"already been used and when I would prefer non-proprietary solutions, or at least",
"anthologies selected from a large number of short pieces of writing. In this",
"results in a useful format (markdown, epub, latex, docx, whatever) * Ideally keep",
"been used and when I would prefer non-proprietary solutions, or at least solutions",
"is * Easily edit the text/metadata * Make selections based on the metadata",
"keep track of which chunks have already been used and when I would",
"the individual pieces of text doesn't really matter. I just want a simple",
"a large number of short pieces of writing. In this case it's poems,",
"of the individual pieces of text doesn't really matter. I just want a",
"from them. So I have * Hundreds of text chunks, each less than",
"preferably as a plain text file. I'm on Windows mostly, but would be",
"Hundreds of text chunks, each less than a about page long * Metadata",
"would be interested in linux-based solutions too. So far my best bet seems",
"too. So far my best bet seems to be EMACS org-mode, but it",
"for software or markup/markdown based tools for organising anthologies selected from a large",
"would prefer non-proprietary solutions, or at least solutions that allow me to export",
"or markup/markdown based tools for organising anthologies selected from a large number of",
"So far my best bet seems to be EMACS org-mode, but it doesn't",
"* Easily edit the text/metadata * Make selections based on the metadata (i.e.",
"Ideally keep track of which chunks have already been used and when I",
"linux-based solutions too. So far my best bet seems to be EMACS org-mode,",
"dealing with lots of chunks of text and easily generating documents from them.",
"way of dealing with lots of chunks of text and easily generating documents",
"poems, but the content of the individual pieces of text doesn't really matter."
] |
[
"they touched upon a topic very sensitive for that character. I personally don't",
"protagonist, and the argument itself has little to no bearing on the plot.",
"the two characters discussing something and one of the speaking out of turn",
"attention, as all it takes to resolve the issue is for one character",
"two characters discussing something and one of the speaking out of turn because",
"do readers explicitly need to see how they made up? None of the",
"just assume after a while that the characters made amends, but I wanted",
"to see how they made up? None of the two characters in question",
"a while that the characters made amends, but I wanted to hear other",
"the two characters in question are the protagonist, and the argument itself has",
"basically served as a means for one of the characters to reveal how",
"something and one of the speaking out of turn because they touched upon",
"of the two characters in question are the protagonist, and the argument itself",
"It wasn't even so much an argument as the two characters discussing something",
"characters who had an argument to patch things up offscreen, or do readers",
"and one of the speaking out of turn because they touched upon a",
"all it takes to resolve the issue is for one character to apologize,",
"characters discussing something and one of the speaking out of turn because they",
"discussing something and one of the speaking out of turn because they touched",
"one character to apologize, and therefore readers can just assume after a while",
"to no bearing on the plot. It basically served as a means for",
"very sensitive for that character. I personally don't think this is something that",
"don't think this is something that needs too much attention, as all it",
"it okay to have two characters who had an argument to patch things",
"no bearing on the plot. It basically served as a means for one",
"how they made up? None of the two characters in question are the",
"how they felt about themselves. It wasn't even so much an argument as",
"the protagonist, and the argument itself has little to no bearing on the",
"of the characters to reveal how they felt about themselves. It wasn't even",
"is something that needs too much attention, as all it takes to resolve",
"as all it takes to resolve the issue is for one character to",
"on the plot. It basically served as a means for one of the",
"assume after a while that the characters made amends, but I wanted to",
"see how they made up? None of the two characters in question are",
"upon a topic very sensitive for that character. I personally don't think this",
"out of turn because they touched upon a topic very sensitive for that",
"touched upon a topic very sensitive for that character. I personally don't think",
"okay to have two characters who had an argument to patch things up",
"to reveal how they felt about themselves. It wasn't even so much an",
"Is it okay to have two characters who had an argument to patch",
"for one of the characters to reveal how they felt about themselves. It",
"needs too much attention, as all it takes to resolve the issue is",
"much attention, as all it takes to resolve the issue is for one",
"the argument itself has little to no bearing on the plot. It basically",
"and therefore readers can just assume after a while that the characters made",
"up? None of the two characters in question are the protagonist, and the",
"I personally don't think this is something that needs too much attention, as",
"while that the characters made amends, but I wanted to hear other people's",
"itself has little to no bearing on the plot. It basically served as",
"a means for one of the characters to reveal how they felt about",
"made amends, but I wanted to hear other people's thoughts on the matter.",
"argument to patch things up offscreen, or do readers explicitly need to see",
"question are the protagonist, and the argument itself has little to no bearing",
"one of the characters to reveal how they felt about themselves. It wasn't",
"is for one character to apologize, and therefore readers can just assume after",
"readers can just assume after a while that the characters made amends, but",
"served as a means for one of the characters to reveal how they",
"readers explicitly need to see how they made up? None of the two",
"things up offscreen, or do readers explicitly need to see how they made",
"that needs too much attention, as all it takes to resolve the issue",
"resolve the issue is for one character to apologize, and therefore readers can",
"two characters who had an argument to patch things up offscreen, or do",
"characters in question are the protagonist, and the argument itself has little to",
"to apologize, and therefore readers can just assume after a while that the",
"can just assume after a while that the characters made amends, but I",
"for that character. I personally don't think this is something that needs too",
"the plot. It basically served as a means for one of the characters",
"need to see how they made up? None of the two characters in",
"the issue is for one character to apologize, and therefore readers can just",
"character. I personally don't think this is something that needs too much attention,",
"reveal how they felt about themselves. It wasn't even so much an argument",
"after a while that the characters made amends, but I wanted to hear",
"personally don't think this is something that needs too much attention, as all",
"too much attention, as all it takes to resolve the issue is for",
"made up? None of the two characters in question are the protagonist, and",
"or do readers explicitly need to see how they made up? None of",
"much an argument as the two characters discussing something and one of the",
"are the protagonist, and the argument itself has little to no bearing on",
"about themselves. It wasn't even so much an argument as the two characters",
"It basically served as a means for one of the characters to reveal",
"have two characters who had an argument to patch things up offscreen, or",
"sensitive for that character. I personally don't think this is something that needs",
"that the characters made amends, but I wanted to hear other people's thoughts",
"wasn't even so much an argument as the two characters discussing something and",
"patch things up offscreen, or do readers explicitly need to see how they",
"characters made amends, but I wanted to hear other people's thoughts on the",
"bearing on the plot. It basically served as a means for one of",
"to resolve the issue is for one character to apologize, and therefore readers",
"characters to reveal how they felt about themselves. It wasn't even so much",
"the speaking out of turn because they touched upon a topic very sensitive",
"because they touched upon a topic very sensitive for that character. I personally",
"as the two characters discussing something and one of the speaking out of",
"so much an argument as the two characters discussing something and one of",
"speaking out of turn because they touched upon a topic very sensitive for",
"has little to no bearing on the plot. It basically served as a",
"who had an argument to patch things up offscreen, or do readers explicitly",
"the characters to reveal how they felt about themselves. It wasn't even so",
"of turn because they touched upon a topic very sensitive for that character.",
"of the speaking out of turn because they touched upon a topic very",
"even so much an argument as the two characters discussing something and one",
"takes to resolve the issue is for one character to apologize, and therefore",
"the characters made amends, but I wanted to hear other people's thoughts on",
"and the argument itself has little to no bearing on the plot. It",
"one of the speaking out of turn because they touched upon a topic",
"felt about themselves. It wasn't even so much an argument as the two",
"something that needs too much attention, as all it takes to resolve the",
"to patch things up offscreen, or do readers explicitly need to see how",
"None of the two characters in question are the protagonist, and the argument",
"explicitly need to see how they made up? None of the two characters",
"up offscreen, or do readers explicitly need to see how they made up?",
"an argument to patch things up offscreen, or do readers explicitly need to",
"character to apologize, and therefore readers can just assume after a while that",
"two characters in question are the protagonist, and the argument itself has little",
"for one character to apologize, and therefore readers can just assume after a",
"this is something that needs too much attention, as all it takes to",
"issue is for one character to apologize, and therefore readers can just assume",
"little to no bearing on the plot. It basically served as a means",
"apologize, and therefore readers can just assume after a while that the characters",
"they made up? None of the two characters in question are the protagonist,",
"they felt about themselves. It wasn't even so much an argument as the",
"think this is something that needs too much attention, as all it takes",
"it takes to resolve the issue is for one character to apologize, and",
"in question are the protagonist, and the argument itself has little to no",
"offscreen, or do readers explicitly need to see how they made up? None",
"a topic very sensitive for that character. I personally don't think this is",
"that character. I personally don't think this is something that needs too much",
"to have two characters who had an argument to patch things up offscreen,",
"an argument as the two characters discussing something and one of the speaking",
"argument itself has little to no bearing on the plot. It basically served",
"therefore readers can just assume after a while that the characters made amends,",
"means for one of the characters to reveal how they felt about themselves.",
"plot. It basically served as a means for one of the characters to",
"argument as the two characters discussing something and one of the speaking out",
"as a means for one of the characters to reveal how they felt",
"turn because they touched upon a topic very sensitive for that character. I",
"had an argument to patch things up offscreen, or do readers explicitly need",
"topic very sensitive for that character. I personally don't think this is something",
"themselves. It wasn't even so much an argument as the two characters discussing"
] |
[
"for this \"show don't tell\" bit of writing, and it's giving me a",
"coming across all wrong, like, I'll say that it's sleek. But a lot",
"trying to describe.  That's what I want to show my readers,",
"describe.  That's what I want to show my readers, but it's",
"my audience the image I'm trying to describe.  That's what I",
"all wrong, like, I'll say that it's sleek. But a lot of cars",
"my problem? I'm way too vague for this \"show don't tell\" bit of",
"readers, but it's coming across all wrong, like, I'll say that it's sleek.",
"my novel, and I can't seem to properly convey to my audience the",
"this \"show don't tell\" bit of writing, and it's giving me a hard",
"Can anybody help me find a way to describe something without naming it?",
"But a lot of cars are sleek. I'll say it's silver, but that's",
"you see my problem? I'm way too vague for this \"show don't tell\"",
"novel, and I can't seem to properly convey to my audience the image",
"lot of cars are sleek. I'll say it's silver, but that's too broad",
"wheels are circles. Do you see my problem? I'm way too vague for",
"tell\" bit of writing, and it's giving me a hard time. Can anybody",
"way too vague for this \"show don't tell\" bit of writing, and it's",
"don't tell\" bit of writing, and it's giving me a hard time. Can",
"say that it's sleek. But a lot of cars are sleek. I'll say",
"say that the wheels are circles. Do you see my problem? I'm way",
"say it's silver, but that's too broad as well. Then I'll say that",
"wrong, like, I'll say that it's sleek. But a lot of cars are",
"I want to show my readers, but it's coming across all wrong, like,",
"silver, but that's too broad as well. Then I'll say that the wheels",
"I'm trying to describe.  That's what I want to show my",
"it's coming across all wrong, like, I'll say that it's sleek. But a",
"vague for this \"show don't tell\" bit of writing, and it's giving me",
"properly convey to my audience the image I'm trying to describe. ",
"show my readers, but it's coming across all wrong, like, I'll say that",
"to show my readers, but it's coming across all wrong, like, I'll say",
"draft for my novel, and I can't seem to properly convey to my",
"my readers, but it's coming across all wrong, like, I'll say that it's",
"that it's sleek. But a lot of cars are sleek. I'll say it's",
"the image I'm trying to describe.  That's what I want to",
"across all wrong, like, I'll say that it's sleek. But a lot of",
"in the middle of my first draft for my novel, and I can't",
"writing, and it's giving me a hard time. Can anybody help me find",
"hard time. Can anybody help me find a way to describe something without",
"me a hard time. Can anybody help me find a way to describe",
"see my problem? I'm way too vague for this \"show don't tell\" bit",
"I'll say it's silver, but that's too broad as well. Then I'll say",
"car](https://envirocar.ca/wp-content/uploads/2017/01/Screen-Shot-2017-01-12-at-3.55.13-PM-1170x704.png) That's what I want to show my readers, but it's coming across",
"Do you see my problem? I'm way too vague for this \"show don't",
"to properly convey to my audience the image I'm trying to describe.  That's what I want to show my readers, but",
"\"show don't tell\" bit of writing, and it's giving me a hard time.",
"time. Can anybody help me find a way to describe something without naming",
"I'm way too vague for this \"show don't tell\" bit of writing, and",
"circles. Do you see my problem? I'm way too vague for this \"show",
"a hard time. Can anybody help me find a way to describe something",
"convey to my audience the image I'm trying to describe.  That's",
"it's giving me a hard time. Can anybody help me find a way",
"of cars are sleek. I'll say it's silver, but that's too broad as",
"but it's coming across all wrong, like, I'll say that it's sleek. But",
"it's sleek. But a lot of cars are sleek. I'll say it's silver,",
"as well. Then I'll say that the wheels are circles. Do you see",
"the wheels are circles. Do you see my problem? I'm way too vague",
"sleek. But a lot of cars are sleek. I'll say it's silver, but",
"bit of writing, and it's giving me a hard time. Can anybody help",
"first draft for my novel, and I can't seem to properly convey to",
"sleek. I'll say it's silver, but that's too broad as well. Then I'll",
"That's what I want to show my readers, but it's coming across all",
"problem? I'm way too vague for this \"show don't tell\" bit of writing,",
"a lot of cars are sleek. I'll say it's silver, but that's too",
"audience the image I'm trying to describe.  That's what I want",
"broad as well. Then I'll say that the wheels are circles. Do you",
"that's too broad as well. Then I'll say that the wheels are circles.",
"are circles. Do you see my problem? I'm way too vague for this",
"giving me a hard time. Can anybody help me find a way to",
"want to show my readers, but it's coming across all wrong, like, I'll",
"but that's too broad as well. Then I'll say that the wheels are",
"what I want to show my readers, but it's coming across all wrong,",
"well. Then I'll say that the wheels are circles. Do you see my",
"and it's giving me a hard time. Can anybody help me find a",
"cars are sleek. I'll say it's silver, but that's too broad as well.",
" That's what I want to show my readers, but it's coming",
"can't seem to properly convey to my audience the image I'm trying to",
"for my novel, and I can't seem to properly convey to my audience",
"too vague for this \"show don't tell\" bit of writing, and it's giving",
"too broad as well. Then I'll say that the wheels are circles. Do",
"I can't seem to properly convey to my audience the image I'm trying",
"and I can't seem to properly convey to my audience the image I'm",
"my first draft for my novel, and I can't seem to properly convey",
"I'll say that the wheels are circles. Do you see my problem? I'm",
"the middle of my first draft for my novel, and I can't seem",
"of writing, and it's giving me a hard time. Can anybody help me",
"middle of my first draft for my novel, and I can't seem to",
"I'll say that it's sleek. But a lot of cars are sleek. I'll",
"it's silver, but that's too broad as well. Then I'll say that the",
"like, I'll say that it's sleek. But a lot of cars are sleek.",
"of my first draft for my novel, and I can't seem to properly",
"to my audience the image I'm trying to describe.  That's what",
"Then I'll say that the wheels are circles. Do you see my problem?",
"are sleek. I'll say it's silver, but that's too broad as well. Then",
"that the wheels are circles. Do you see my problem? I'm way too",
"I'm in the middle of my first draft for my novel, and I",
"image I'm trying to describe.  That's what I want to show"
] |
[
"want to dilute the climax (which beta's enjoyed previously) on the other hand",
"penultimate chapter and it used to work as a horrific ending to a",
"know Aunt Beru and Uncle Owen, and so when they're burned to a",
"think I should. I think in the past versions, the distance required more",
"use subtler plot points and still reach the same emotional effect?** I don't",
"have a very hard time watching this guy suffer. **Question:** Is this a",
"gets to vanish into the Force Ether. My latest draft is geared at",
"back the details of his demise - because although we don't identify with",
"to dilute the climax (which beta's enjoyed previously) on the other hand it",
"previously) on the other hand it feels too gory now and I think",
"it's horrific but yeah OK. Not as horrific as if we saw Obi",
"as if we saw Obi Wan go up in flames and reduced to",
"more strongly identify with the protagonist than we used to, and she would",
"crisp, little pieces of human toast, it's horrific but yeah OK. Not as",
"the PoV characters, who are the protagonists. I'm on the penultimate chapter and",
"char. No, Obi Wan gets to vanish into the Force Ether. My latest",
"don't identify with him, we do more strongly identify with the protagonist than",
"Aunt Beru and Uncle Owen, and so when they're burned to a crisp,",
"enjoyed previously) on the other hand it feels too gory now and I",
"get to know Aunt Beru and Uncle Owen, and so when they're burned",
"doesn't. I'm thinking I need to dial back the details of his demise",
"now it doesn't. I'm thinking I need to dial back the details of",
"pieces of human toast, it's horrific but yeah OK. Not as horrific as",
"and still reach the same emotional effect?** I don't want to dilute the",
"to char. No, Obi Wan gets to vanish into the Force Ether. My",
"- because although we don't identify with him, we do more strongly identify",
"his demise - because although we don't identify with him, we do more",
"this a recognized thing? **Is a more immersive close-narrative treatment more likely to",
"narrative distance relates in any way to the devices used to move the",
"Is this a recognized thing? **Is a more immersive close-narrative treatment more likely",
"is geared at immersing the reader more deeply into the PoV characters, who",
"the protagonists. I'm on the penultimate chapter and it used to work as",
"this guy suffer. **Question:** Is this a recognized thing? **Is a more immersive",
"on the penultimate chapter and it used to work as a horrific ending",
"I'm not asking for opinions, but rather whether narrative distance relates in any",
"burned to a crisp, little pieces of human toast, it's horrific but yeah",
"the protagonist than we used to, and she would have a very hard",
"more gore. I'm not asking for opinions, but rather whether narrative distance relates",
"other hand it feels too gory now and I think I should. I",
"more immersive close-narrative treatment more likely to use subtler plot points and still",
"should. I think in the past versions, the distance required more gore. I'm",
"not asking for opinions, but rather whether narrative distance relates in any way",
"little pieces of human toast, it's horrific but yeah OK. Not as horrific",
"protagonists. I'm on the penultimate chapter and it used to work as a",
"if we saw Obi Wan go up in flames and reduced to char.",
"to a villain, but now it doesn't. I'm thinking I need to dial",
"draft is geared at immersing the reader more deeply into the PoV characters,",
"very hard time watching this guy suffer. **Question:** Is this a recognized thing?",
"yeah OK. Not as horrific as if we saw Obi Wan go up",
"with the protagonist than we used to, and she would have a very",
"time watching this guy suffer. **Question:** Is this a recognized thing? **Is a",
"reach the same emotional effect?** I don't want to dilute the climax (which",
"plot points and still reach the same emotional effect?** I don't want to",
"beta's enjoyed previously) on the other hand it feels too gory now and",
"really get to know Aunt Beru and Uncle Owen, and so when they're",
"I need to dial back the details of his demise - because although",
"when they're burned to a crisp, little pieces of human toast, it's horrific",
"we used to, and she would have a very hard time watching this",
"to, and she would have a very hard time watching this guy suffer.",
"into the Force Ether. My latest draft is geared at immersing the reader",
"to use subtler plot points and still reach the same emotional effect?** I",
"still reach the same emotional effect?** I don't want to dilute the climax",
"I don't want to dilute the climax (which beta's enjoyed previously) on the",
"same emotional effect?** I don't want to dilute the climax (which beta's enjoyed",
"a very hard time watching this guy suffer. **Question:** Is this a recognized",
"past versions, the distance required more gore. I'm not asking for opinions, but",
"in the past versions, the distance required more gore. I'm not asking for",
"and reduced to char. No, Obi Wan gets to vanish into the Force",
"and I think I should. I think in the past versions, the distance",
"too gory now and I think I should. I think in the past",
"treatment more likely to use subtler plot points and still reach the same",
"OK. Not as horrific as if we saw Obi Wan go up in",
"ending to a villain, but now it doesn't. I'm thinking I need to",
"and so when they're burned to a crisp, little pieces of human toast,",
"I'm thinking I need to dial back the details of his demise -",
"whether narrative distance relates in any way to the devices used to move",
"but now it doesn't. I'm thinking I need to dial back the details",
"required more gore. I'm not asking for opinions, but rather whether narrative distance",
"the same emotional effect?** I don't want to dilute the climax (which beta's",
"points and still reach the same emotional effect?** I don't want to dilute",
"into the PoV characters, who are the protagonists. I'm on the penultimate chapter",
"details of his demise - because although we don't identify with him, we",
"toast, it's horrific but yeah OK. Not as horrific as if we saw",
"Force Ether. My latest draft is geared at immersing the reader more deeply",
"reduced to char. No, Obi Wan gets to vanish into the Force Ether.",
"think in the past versions, the distance required more gore. I'm not asking",
"we do more strongly identify with the protagonist than we used to, and",
"never really get to know Aunt Beru and Uncle Owen, and so when",
"of his demise - because although we don't identify with him, we do",
"geared at immersing the reader more deeply into the PoV characters, who are",
"Obi Wan gets to vanish into the Force Ether. My latest draft is",
"it feels too gory now and I think I should. I think in",
"the devices used to move the plot along. I suspect an actual answer",
"to vanish into the Force Ether. My latest draft is geared at immersing",
"so when they're burned to a crisp, little pieces of human toast, it's",
"and Uncle Owen, and so when they're burned to a crisp, little pieces",
"to move the plot along. I suspect an actual answer exists somewhere ...",
"to dial back the details of his demise - because although we don't",
"identify with the protagonist than we used to, and she would have a",
"villain, but now it doesn't. I'm thinking I need to dial back the",
"the distance required more gore. I'm not asking for opinions, but rather whether",
"way to the devices used to move the plot along. I suspect an",
"go up in flames and reduced to char. No, Obi Wan gets to",
"to a crisp, little pieces of human toast, it's horrific but yeah OK.",
"dial back the details of his demise - because although we don't identify",
"horrific ending to a villain, but now it doesn't. I'm thinking I need",
"Owen, and so when they're burned to a crisp, little pieces of human",
"chapter and it used to work as a horrific ending to a villain,",
"on the other hand it feels too gory now and I think I",
"I should. I think in the past versions, the distance required more gore.",
"horrific as if we saw Obi Wan go up in flames and reduced",
"dilute the climax (which beta's enjoyed previously) on the other hand it feels",
"as horrific as if we saw Obi Wan go up in flames and",
"to work as a horrific ending to a villain, but now it doesn't.",
"the climax (which beta's enjoyed previously) on the other hand it feels too",
"than we used to, and she would have a very hard time watching",
"opinions, but rather whether narrative distance relates in any way to the devices",
"work as a horrific ending to a villain, but now it doesn't. I'm",
"vanish into the Force Ether. My latest draft is geared at immersing the",
"PoV characters, who are the protagonists. I'm on the penultimate chapter and it",
"Ether. My latest draft is geared at immersing the reader more deeply into",
"a crisp, little pieces of human toast, it's horrific but yeah OK. Not",
"horrific but yeah OK. Not as horrific as if we saw Obi Wan",
"used to, and she would have a very hard time watching this guy",
"close-narrative treatment more likely to use subtler plot points and still reach the",
"effect?** I don't want to dilute the climax (which beta's enjoyed previously) on",
"hand it feels too gory now and I think I should. I think",
"a more immersive close-narrative treatment more likely to use subtler plot points and",
"for opinions, but rather whether narrative distance relates in any way to the",
"distance relates in any way to the devices used to move the plot",
"flames and reduced to char. No, Obi Wan gets to vanish into the",
"Wan go up in flames and reduced to char. No, Obi Wan gets",
"Wan gets to vanish into the Force Ether. My latest draft is geared",
"because although we don't identify with him, we do more strongly identify with",
"but rather whether narrative distance relates in any way to the devices used",
"and she would have a very hard time watching this guy suffer. **Question:**",
"to the devices used to move the plot along. I suspect an actual",
"in flames and reduced to char. No, Obi Wan gets to vanish into",
"although we don't identify with him, we do more strongly identify with the",
"immersing the reader more deeply into the PoV characters, who are the protagonists.",
"likely to use subtler plot points and still reach the same emotional effect?**",
"Beru and Uncle Owen, and so when they're burned to a crisp, little",
"thing? **Is a more immersive close-narrative treatment more likely to use subtler plot",
"demise - because although we don't identify with him, we do more strongly",
"more likely to use subtler plot points and still reach the same emotional",
"Wars IV: We never really get to know Aunt Beru and Uncle Owen,",
"we saw Obi Wan go up in flames and reduced to char. No,",
"we don't identify with him, we do more strongly identify with the protagonist",
"the reader more deeply into the PoV characters, who are the protagonists. I'm",
"she would have a very hard time watching this guy suffer. **Question:** Is",
"relates in any way to the devices used to move the plot along.",
"Star Wars IV: We never really get to know Aunt Beru and Uncle",
"any way to the devices used to move the plot along. I suspect",
"(which beta's enjoyed previously) on the other hand it feels too gory now",
"the past versions, the distance required more gore. I'm not asking for opinions,",
"subtler plot points and still reach the same emotional effect?** I don't want",
"guy suffer. **Question:** Is this a recognized thing? **Is a more immersive close-narrative",
"and it used to work as a horrific ending to a villain, but",
"distance required more gore. I'm not asking for opinions, but rather whether narrative",
"devices used to move the plot along. I suspect an actual answer exists",
"would have a very hard time watching this guy suffer. **Question:** Is this",
"immersive close-narrative treatment more likely to use subtler plot points and still reach",
"identify with him, we do more strongly identify with the protagonist than we",
"recognized thing? **Is a more immersive close-narrative treatment more likely to use subtler",
"the penultimate chapter and it used to work as a horrific ending to",
"gory now and I think I should. I think in the past versions,",
"in any way to the devices used to move the plot along. I",
"but yeah OK. Not as horrific as if we saw Obi Wan go",
"strongly identify with the protagonist than we used to, and she would have",
"don't want to dilute the climax (which beta's enjoyed previously) on the other",
"gore. I'm not asking for opinions, but rather whether narrative distance relates in",
"with him, we do more strongly identify with the protagonist than we used",
"used to work as a horrific ending to a villain, but now it",
"asking for opinions, but rather whether narrative distance relates in any way to",
"**Question:** Is this a recognized thing? **Is a more immersive close-narrative treatment more",
"Uncle Owen, and so when they're burned to a crisp, little pieces of",
"it doesn't. I'm thinking I need to dial back the details of his",
"I'm on the penultimate chapter and it used to work as a horrific",
"it used to work as a horrific ending to a villain, but now",
"IV: We never really get to know Aunt Beru and Uncle Owen, and",
"up in flames and reduced to char. No, Obi Wan gets to vanish",
"thinking I need to dial back the details of his demise - because",
"the other hand it feels too gory now and I think I should.",
"hard time watching this guy suffer. **Question:** Is this a recognized thing? **Is",
"human toast, it's horrific but yeah OK. Not as horrific as if we",
"We never really get to know Aunt Beru and Uncle Owen, and so",
"My latest draft is geared at immersing the reader more deeply into the",
"reader more deeply into the PoV characters, who are the protagonists. I'm on",
"a recognized thing? **Is a more immersive close-narrative treatment more likely to use",
"feels too gory now and I think I should. I think in the",
"versions, the distance required more gore. I'm not asking for opinions, but rather",
"rather whether narrative distance relates in any way to the devices used to",
"a horrific ending to a villain, but now it doesn't. I'm thinking I",
"need to dial back the details of his demise - because although we",
"Not as horrific as if we saw Obi Wan go up in flames",
"protagonist than we used to, and she would have a very hard time",
"latest draft is geared at immersing the reader more deeply into the PoV",
"No, Obi Wan gets to vanish into the Force Ether. My latest draft",
"**Is a more immersive close-narrative treatment more likely to use subtler plot points",
"characters, who are the protagonists. I'm on the penultimate chapter and it used",
"I think I should. I think in the past versions, the distance required",
"deeply into the PoV characters, who are the protagonists. I'm on the penultimate",
"a villain, but now it doesn't. I'm thinking I need to dial back",
"used to move the plot along. I suspect an actual answer exists somewhere",
"climax (which beta's enjoyed previously) on the other hand it feels too gory",
"emotional effect?** I don't want to dilute the climax (which beta's enjoyed previously)",
"saw Obi Wan go up in flames and reduced to char. No, Obi",
"are the protagonists. I'm on the penultimate chapter and it used to work",
"of human toast, it's horrific but yeah OK. Not as horrific as if",
"they're burned to a crisp, little pieces of human toast, it's horrific but",
"as a horrific ending to a villain, but now it doesn't. I'm thinking",
"who are the protagonists. I'm on the penultimate chapter and it used to",
"now and I think I should. I think in the past versions, the",
"more deeply into the PoV characters, who are the protagonists. I'm on the",
"do more strongly identify with the protagonist than we used to, and she",
"the details of his demise - because although we don't identify with him,",
"I think in the past versions, the distance required more gore. I'm not",
"him, we do more strongly identify with the protagonist than we used to,",
"suffer. **Question:** Is this a recognized thing? **Is a more immersive close-narrative treatment",
"to know Aunt Beru and Uncle Owen, and so when they're burned to",
"the Force Ether. My latest draft is geared at immersing the reader more",
"Obi Wan go up in flames and reduced to char. No, Obi Wan",
"watching this guy suffer. **Question:** Is this a recognized thing? **Is a more",
"at immersing the reader more deeply into the PoV characters, who are the"
] |
[
"stopped reading them until recently. \"Nowadays,\" it seems that the vast majority of",
"young adult romances, and is it \"less true\" for stories of \"older\" people?",
"be the case for young adult romances, and is it \"less true\" for",
"included some \"young adult\" romances with characters in their early 20s. I stopped",
"adult\" romances with characters in their early 20s. I stopped reading them until",
"the case for young adult romances, and is it \"less true\" for stories",
"it seems that the vast majority of young adult romances (80%-plus) are written",
"seems that the vast majority of young adult romances (80%-plus) are written in",
"the third person. This included some \"young adult\" romances with characters in their",
"person. This included some \"young adult\" romances with characters in their early 20s.",
"written in the first person. Why might that be the case for young",
"the vast majority of young adult romances (80%-plus) are written in the first",
"in the third person. This included some \"young adult\" romances with characters in",
"in the first person. Why might that be the case for young adult",
"novels in the 1980s, the majority (perhaps 60%) were written in the third",
"in their early 20s. I stopped reading them until recently. \"Nowadays,\" it seems",
"reading romance novels in the 1980s, the majority (perhaps 60%) were written in",
"20s. I stopped reading them until recently. \"Nowadays,\" it seems that the vast",
"vast majority of young adult romances (80%-plus) are written in the first person.",
"Why might that be the case for young adult romances, and is it",
"60%) were written in the third person. This included some \"young adult\" romances",
"started reading romance novels in the 1980s, the majority (perhaps 60%) were written",
"some \"young adult\" romances with characters in their early 20s. I stopped reading",
"first person. Why might that be the case for young adult romances, and",
"\"Nowadays,\" it seems that the vast majority of young adult romances (80%-plus) are",
"that the vast majority of young adult romances (80%-plus) are written in the",
"in the 1980s, the majority (perhaps 60%) were written in the third person.",
"them until recently. \"Nowadays,\" it seems that the vast majority of young adult",
"young adult romances (80%-plus) are written in the first person. Why might that",
"majority (perhaps 60%) were written in the third person. This included some \"young",
"(80%-plus) are written in the first person. Why might that be the case",
"My recollection is that when I started reading romance novels in the 1980s,",
"\"young adult\" romances with characters in their early 20s. I stopped reading them",
"for young adult romances, and is it \"less true\" for stories of \"older\"",
"their early 20s. I stopped reading them until recently. \"Nowadays,\" it seems that",
"until recently. \"Nowadays,\" it seems that the vast majority of young adult romances",
"third person. This included some \"young adult\" romances with characters in their early",
"when I started reading romance novels in the 1980s, the majority (perhaps 60%)",
"the majority (perhaps 60%) were written in the third person. This included some",
"with characters in their early 20s. I stopped reading them until recently. \"Nowadays,\"",
"romance novels in the 1980s, the majority (perhaps 60%) were written in the",
"1980s, the majority (perhaps 60%) were written in the third person. This included",
"written in the third person. This included some \"young adult\" romances with characters",
"characters in their early 20s. I stopped reading them until recently. \"Nowadays,\" it",
"recently. \"Nowadays,\" it seems that the vast majority of young adult romances (80%-plus)",
"that be the case for young adult romances, and is it \"less true\"",
"recollection is that when I started reading romance novels in the 1980s, the",
"of young adult romances (80%-plus) are written in the first person. Why might",
"the first person. Why might that be the case for young adult romances,",
"majority of young adult romances (80%-plus) are written in the first person. Why",
"are written in the first person. Why might that be the case for",
"reading them until recently. \"Nowadays,\" it seems that the vast majority of young",
"romances (80%-plus) are written in the first person. Why might that be the",
"might that be the case for young adult romances, and is it \"less",
"adult romances (80%-plus) are written in the first person. Why might that be",
"were written in the third person. This included some \"young adult\" romances with",
"case for young adult romances, and is it \"less true\" for stories of",
"that when I started reading romance novels in the 1980s, the majority (perhaps",
"This included some \"young adult\" romances with characters in their early 20s. I",
"I started reading romance novels in the 1980s, the majority (perhaps 60%) were",
"the 1980s, the majority (perhaps 60%) were written in the third person. This",
"is that when I started reading romance novels in the 1980s, the majority",
"(perhaps 60%) were written in the third person. This included some \"young adult\"",
"person. Why might that be the case for young adult romances, and is",
"early 20s. I stopped reading them until recently. \"Nowadays,\" it seems that the",
"I stopped reading them until recently. \"Nowadays,\" it seems that the vast majority",
"romances with characters in their early 20s. I stopped reading them until recently."
] |
[
"communicate with this voice 3. The main character's thoughts These 3 voices only",
"going well, but I reached a point in the story where I don't",
"huge part of my story and will be used often. I know that",
"and talking with the voice in my character's head, since for that one",
"forward they are going to be a huge part of my story and",
"no one else since they all are in his head. The thoughts I",
"a story which so far is going well, but I reached a point",
"use quotation marks. I don't like the way they look. Also, I want",
"only the main character can hear in his head 2. What the main",
"*\"I went shopping with him today.\"* > > > But right now I",
"don't know if I should use quotation marks. I don't like the way",
"other types that I have are: 1. A voice that only the main",
"and #3 are the same but I want to differentiate between thoughts and",
"got to a point where there are more voices in it and I",
"their dialogue just like this: > > *\"I went shopping with him today.\"*",
"plan to write like this: > > *\"(I must not do that otherwise",
"hear and no one else since they all are in his head. The",
"now I got to a point where there are more voices in it",
"I want to make voice #1 and voice #2 stand out too since",
"with this voice 3. The main character's thoughts These 3 voices only the",
"else since they all are in his head. The thoughts I plan to",
"story which so far is going well, but I reached a point in",
"it may be dangerous)\"* > > > But I don't know if I",
"#2 stand out too since going forward they are going to be a",
"to be a huge part of my story and will be used often.",
"I write their dialogue just like this: > > *\"I went shopping with",
"like this: > > *\"(I must not do that otherwise it may be",
"voice that only the main character can hear in his head 2. What",
"currently writing a story which so far is going well, but I reached",
"know if I should use quotation marks. I don't like the way they",
"marks. I don't like the way they look. Also, I want to make",
"look. Also, I want to make voice #1 and voice #2 stand out",
"1. A voice that only the main character can hear in his head",
"too since going forward they are going to be a huge part of",
"it and I don't know how to write them. The other types that",
"the voice in my character's head, since for that one when I say",
"main character used to communicate with this voice 3. The main character's thoughts",
"know how to write them. The other types that I have are: 1.",
"I'm currently writing a story which so far is going well, but I",
"> > > But right now I got to a point where there",
"main character's thoughts These 3 voices only the main character can hear and",
"is going well, but I reached a point in the story where I",
"> *\"I went shopping with him today.\"* > > > But right now",
"often. I know that technically #2 and #3 are the same but I",
"the story where I don't know how to proceed. When a character is",
"talking with the voice in my character's head, since for that one when",
"I know that technically #2 and #3 are the same but I want",
"But right now I got to a point where there are more voices",
"thoughts and and talking with the voice in my character's head, since for",
"> But right now I got to a point where there are more",
"are more voices in it and I don't know how to write them.",
"character is talking, I write their dialogue just like this: > > *\"I",
"are: 1. A voice that only the main character can hear in his",
"may be dangerous)\"* > > > But I don't know if I should",
"should use quotation marks. I don't like the way they look. Also, I",
"and voice #2 stand out too since going forward they are going to",
"know that technically #2 and #3 are the same but I want to",
"> > *\"I went shopping with him today.\"* > > > But right",
"today.\"* > > > But right now I got to a point where",
"since for that one when I say something, it will be expected that",
"I have are: 1. A voice that only the main character can hear",
"talking, I write their dialogue just like this: > > *\"I went shopping",
"that only the main character can hear in his head 2. What the",
"more voices in it and I don't know how to write them. The",
"must not do that otherwise it may be dangerous)\"* > > > But",
"types that I have are: 1. A voice that only the main character",
"in my character's head, since for that one when I say something, it",
"But I don't know if I should use quotation marks. I don't like",
"character's head, since for that one when I say something, it will be",
"so far is going well, but I reached a point in the story",
"3 voices only the main character can hear and no one else since",
"which so far is going well, but I reached a point in the",
"character can hear in his head 2. What the main character used to",
"#1 and voice #2 stand out too since going forward they are going",
"character can hear and no one else since they all are in his",
"they are going to be a huge part of my story and will",
"out too since going forward they are going to be a huge part",
"can hear in his head 2. What the main character used to communicate",
"I want to differentiate between thoughts and and talking with the voice in",
"in his head 2. What the main character used to communicate with this",
"voice 3. The main character's thoughts These 3 voices only the main character",
"like the way they look. Also, I want to make voice #1 and",
"with him today.\"* > > > But right now I got to a",
"voices in it and I don't know how to write them. The other",
"main character can hear and no one else since they all are in",
"quotation marks. I don't like the way they look. Also, I want to",
"technically #2 and #3 are the same but I want to differentiate between",
"I got to a point where there are more voices in it and",
"when I say something, it will be expected that the voice will answer.",
"part of my story and will be used often. I know that technically",
"be used often. I know that technically #2 and #3 are the same",
"his head. The thoughts I plan to write like this: > > *\"(I",
"write like this: > > *\"(I must not do that otherwise it may",
"only the main character can hear and no one else since they all",
"write them. The other types that I have are: 1. A voice that",
"and I don't know how to write them. The other types that I",
"point where there are more voices in it and I don't know how",
"point in the story where I don't know how to proceed. When a",
"dialogue just like this: > > *\"I went shopping with him today.\"* >",
"> But I don't know if I should use quotation marks. I don't",
"will be used often. I know that technically #2 and #3 are the",
"want to differentiate between thoughts and and talking with the voice in my",
"and and talking with the voice in my character's head, since for that",
"there are more voices in it and I don't know how to write",
"want to make voice #1 and voice #2 stand out too since going",
"used to communicate with this voice 3. The main character's thoughts These 3",
"I plan to write like this: > > *\"(I must not do that",
"have are: 1. A voice that only the main character can hear in",
"3. The main character's thoughts These 3 voices only the main character can",
"the main character can hear and no one else since they all are",
"they all are in his head. The thoughts I plan to write like",
"all are in his head. The thoughts I plan to write like this:",
"make voice #1 and voice #2 stand out too since going forward they",
"When a character is talking, I write their dialogue just like this: >",
"be a huge part of my story and will be used often. I",
"that technically #2 and #3 are the same but I want to differentiate",
"#3 are the same but I want to differentiate between thoughts and and",
"I don't know how to proceed. When a character is talking, I write",
"where there are more voices in it and I don't know how to",
"are the same but I want to differentiate between thoughts and and talking",
"since going forward they are going to be a huge part of my",
"character's thoughts These 3 voices only the main character can hear and no",
"reached a point in the story where I don't know how to proceed.",
"well, but I reached a point in the story where I don't know",
"that I have are: 1. A voice that only the main character can",
"to make voice #1 and voice #2 stand out too since going forward",
"character used to communicate with this voice 3. The main character's thoughts These",
"to a point where there are more voices in it and I don't",
"I don't know how to write them. The other types that I have",
"with the voice in my character's head, since for that one when I",
"voice #2 stand out too since going forward they are going to be",
"stand out too since going forward they are going to be a huge",
"thoughts These 3 voices only the main character can hear and no one",
"be dangerous)\"* > > > But I don't know if I should use",
"are in his head. The thoughts I plan to write like this: >",
"between thoughts and and talking with the voice in my character's head, since",
"don't know how to proceed. When a character is talking, I write their",
"don't like the way they look. Also, I want to make voice #1",
"know how to proceed. When a character is talking, I write their dialogue",
"*\"(I must not do that otherwise it may be dangerous)\"* > > >",
"that otherwise it may be dangerous)\"* > > > But I don't know",
"dangerous)\"* > > > But I don't know if I should use quotation",
"that one when I say something, it will be expected that the voice",
"The thoughts I plan to write like this: > > *\"(I must not",
"in it and I don't know how to write them. The other types",
"2. What the main character used to communicate with this voice 3. The",
"Also, I want to make voice #1 and voice #2 stand out too",
"main character can hear in his head 2. What the main character used",
"don't know how to write them. The other types that I have are:",
"voice in my character's head, since for that one when I say something,",
"they look. Also, I want to make voice #1 and voice #2 stand",
"this: > > *\"(I must not do that otherwise it may be dangerous)\"*",
"The main character's thoughts These 3 voices only the main character can hear",
"but I reached a point in the story where I don't know how",
"voice #1 and voice #2 stand out too since going forward they are",
"same but I want to differentiate between thoughts and and talking with the",
"like this: > > *\"I went shopping with him today.\"* > > >",
"just like this: > > *\"I went shopping with him today.\"* > >",
"hear in his head 2. What the main character used to communicate with",
"in the story where I don't know how to proceed. When a character",
"story where I don't know how to proceed. When a character is talking,",
"his head 2. What the main character used to communicate with this voice",
"head. The thoughts I plan to write like this: > > *\"(I must",
"> *\"(I must not do that otherwise it may be dangerous)\"* > >",
"of my story and will be used often. I know that technically #2",
"how to proceed. When a character is talking, I write their dialogue just",
"#2 and #3 are the same but I want to differentiate between thoughts",
"The other types that I have are: 1. A voice that only the",
"not do that otherwise it may be dangerous)\"* > > > But I",
"my story and will be used often. I know that technically #2 and",
"I reached a point in the story where I don't know how to",
"I don't like the way they look. Also, I want to make voice",
"writing a story which so far is going well, but I reached a",
"can hear and no one else since they all are in his head.",
"the main character used to communicate with this voice 3. The main character's",
"do that otherwise it may be dangerous)\"* > > > But I don't",
"in his head. The thoughts I plan to write like this: > >",
"this: > > *\"I went shopping with him today.\"* > > > But",
"to differentiate between thoughts and and talking with the voice in my character's",
"proceed. When a character is talking, I write their dialogue just like this:",
"a point in the story where I don't know how to proceed. When",
"differentiate between thoughts and and talking with the voice in my character's head,",
"> > But right now I got to a point where there are",
"is talking, I write their dialogue just like this: > > *\"I went",
"if I should use quotation marks. I don't like the way they look.",
"and will be used often. I know that technically #2 and #3 are",
"but I want to differentiate between thoughts and and talking with the voice",
"way they look. Also, I want to make voice #1 and voice #2",
"are going to be a huge part of my story and will be",
"thoughts I plan to write like this: > > *\"(I must not do",
"far is going well, but I reached a point in the story where",
"my character's head, since for that one when I say something, it will",
"one when I say something, it will be expected that the voice will",
"went shopping with him today.\"* > > > But right now I got",
"> > *\"(I must not do that otherwise it may be dangerous)\"* >",
"the same but I want to differentiate between thoughts and and talking with",
"What the main character used to communicate with this voice 3. The main",
"this voice 3. The main character's thoughts These 3 voices only the main",
"shopping with him today.\"* > > > But right now I got to",
"> > But I don't know if I should use quotation marks. I",
"a character is talking, I write their dialogue just like this: > >",
"write their dialogue just like this: > > *\"I went shopping with him",
"going to be a huge part of my story and will be used",
"them. The other types that I have are: 1. A voice that only",
"him today.\"* > > > But right now I got to a point",
"the main character can hear in his head 2. What the main character",
"> > > But I don't know if I should use quotation marks.",
"right now I got to a point where there are more voices in",
"since they all are in his head. The thoughts I plan to write",
"I should use quotation marks. I don't like the way they look. Also,",
"story and will be used often. I know that technically #2 and #3",
"head, since for that one when I say something, it will be expected",
"a point where there are more voices in it and I don't know",
"one else since they all are in his head. The thoughts I plan",
"the way they look. Also, I want to make voice #1 and voice",
"a huge part of my story and will be used often. I know",
"to proceed. When a character is talking, I write their dialogue just like",
"how to write them. The other types that I have are: 1. A",
"used often. I know that technically #2 and #3 are the same but",
"A voice that only the main character can hear in his head 2.",
"These 3 voices only the main character can hear and no one else",
"to write them. The other types that I have are: 1. A voice",
"to write like this: > > *\"(I must not do that otherwise it",
"to communicate with this voice 3. The main character's thoughts These 3 voices",
"head 2. What the main character used to communicate with this voice 3.",
"for that one when I say something, it will be expected that the",
"where I don't know how to proceed. When a character is talking, I",
"otherwise it may be dangerous)\"* > > > But I don't know if",
"and no one else since they all are in his head. The thoughts",
"I don't know if I should use quotation marks. I don't like the",
"going forward they are going to be a huge part of my story",
"voices only the main character can hear and no one else since they"
] |
[
"free but I feel like it's never good enough. I've been trying to",
"try to widen my vocabulary but I feel it's all in vain. I",
"I'm worried that I'm not experienced enough that people will hate it and",
"before I can be that writer that really connects to the readers. Just",
"anyone that are writers without a degree here and if there is how",
"worried that I'm not experienced enough that people will hate it and that",
"medicine university and I try to write when I'm free but I feel",
"can I teach myself to be better than I am today? I'm still",
"very much these days because of university but I want to publish a",
"still eighteen and I know I have miles away before I can be",
"hate it and that it won't be as good as I've always wanted.",
"apart. I feel like I've made a mistake and I don't know anymore.",
"future so can someone please just tell me please. If anyone knows a",
"tell me please. If anyone knows a website I can go on to",
"feel like it's never good enough. I've been trying to write more on",
"writing a book. I'm worried that I'm not experienced enough that people will",
"do both and I'm torn apart. I feel like I've made a mistake",
"more on Fanfiction, read more and try to widen my vocabulary but I",
"readers. Just how can I do it? I want to do medicine and",
"I'm really scared for the future so can someone please just tell me",
"enough. I've been trying to write more on Fanfiction, read more and try",
"torn apart. I feel like I've made a mistake and I don't know",
"so can someone please just tell me please. If anyone knows a website",
"the future so can someone please just tell me please. If anyone knows",
"knows a website I can go on to that professionals could actually critique",
"will hate it and that it won't be as good as I've always",
"to widen my vocabulary but I feel it's all in vain. I feel",
"both and I'm torn apart. I feel like I've made a mistake and",
"today? I'm still eighteen and I know I have miles away before I",
"on to that professionals could actually critique my work and give me helpful",
"actually critique my work and give me helpful advice I would really appreciate",
"it? How did you manage to publish something? How can I teach myself",
"book. I'm worried that I'm not experienced enough that people will hate it",
"I feel like it's never good enough. I've been trying to write more",
"you manage to publish something? How can I teach myself to be better",
"to do both and I'm torn apart. I feel like I've made a",
"my work and give me helpful advice I would really appreciate it (not",
"would really appreciate it (not whatpad the only genre that matters there is",
"I am today? I'm still eighteen and I know I have miles away",
"writing very much these days because of university but I want to publish",
"be that writer that really connects to the readers. Just how can I",
"can go on to that professionals could actually critique my work and give",
"I want to keep writing as a hobby because I want to do",
"are writers without a degree here and if there is how did you",
"experienced enough that people will hate it and that it won't be as",
"haven't been writing very much these days because of university but I want",
"to do more but I've never published anything before and I keep getting",
"write. Granted I haven't been writing very much these days because of university",
"days because of university but I want to publish a book one day.",
"I try to write when I'm free but I feel like it's never",
"university but I want to publish a book one day. I want to",
"better writer. I'm too afraid of actually writing a book. I'm worried that",
"that people will hate it and that it won't be as good as",
"can be that writer that really connects to the readers. Just how can",
"advice I would really appreciate it (not whatpad the only genre that matters",
"these days because of university but I want to publish a book one",
"like it's never good enough. I've been trying to write more on Fanfiction,",
"it's all in vain. I feel like something is missing for me to",
"people will hate it and that it won't be as good as I've",
"all in vain. I feel like something is missing for me to be",
"but I want to publish a book one day. I want to keep",
"myself to be better than I am today? I'm still eighteen and I",
"how can I do it? I want to do medicine and I want",
"anyone knows a website I can go on to that professionals could actually",
"I'm in a medicine university and I try to write when I'm free",
"a book one day. I want to keep writing as a hobby because",
"do more but I've never published anything before and I keep getting discouraged.",
"and I try to write when I'm free but I feel like it's",
"never good enough. I've been trying to write more on Fanfiction, read more",
"feel it's all in vain. I feel like something is missing for me",
"too afraid of actually writing a book. I'm worried that I'm not experienced",
"I'm free but I feel like it's never good enough. I've been trying",
"be as good as I've always wanted. Please tell me is there anyone",
"manage to publish something? How can I teach myself to be better than",
"critique my work and give me helpful advice I would really appreciate it",
"publish a book one day. I want to keep writing as a hobby",
"keep writing as a hobby because I want to do more but I've",
"I want to publish a book one day. I want to keep writing",
"and try to widen my vocabulary but I feel it's all in vain.",
"a mistake and I don't know anymore. I'm really scared for the future",
"to be a better writer. I'm too afraid of actually writing a book.",
"professionals could actually critique my work and give me helpful advice I would",
"something? How can I teach myself to be better than I am today?",
"write. I want to do both and I'm torn apart. I feel like",
"did you do it? How did you manage to publish something? How can",
"published anything before and I keep getting discouraged. I'm in a medicine university",
"good enough. I've been trying to write more on Fanfiction, read more and",
"of university but I want to publish a book one day. I want",
"I want to do both and I'm torn apart. I feel like I've",
"book one day. I want to keep writing as a hobby because I",
"Granted I haven't been writing very much these days because of university but",
"to write. Granted I haven't been writing very much these days because of",
"I feel like something is missing for me to be a better writer.",
"the readers. Just how can I do it? I want to do medicine",
"I feel like I've made a mistake and I don't know anymore. I'm",
"know anymore. I'm really scared for the future so can someone please just",
"getting discouraged. I'm in a medicine university and I try to write when",
"it? I want to do medicine and I want to write. I want",
"can I do it? I want to do medicine and I want to",
"If anyone knows a website I can go on to that professionals could",
"I can go on to that professionals could actually critique my work and",
"to write. I want to do both and I'm torn apart. I feel",
"am today? I'm still eighteen and I know I have miles away before",
"away before I can be that writer that really connects to the readers.",
"I don't know anymore. I'm really scared for the future so can someone",
"feel like I've made a mistake and I don't know anymore. I'm really",
"of actually writing a book. I'm worried that I'm not experienced enough that",
"something is missing for me to be a better writer. I'm too afraid",
"and if there is how did you do it? How did you manage",
"always wanted. Please tell me is there anyone that are writers without a",
"read more and try to widen my vocabulary but I feel it's all",
"website I can go on to that professionals could actually critique my work",
"to keep writing as a hobby because I want to do more but",
"Please tell me is there anyone that are writers without a degree here",
"in vain. I feel like something is missing for me to be a",
"that I'm not experienced enough that people will hate it and that it",
"do medicine and I want to write. I want to do both and",
"like I've made a mistake and I don't know anymore. I'm really scared",
"my vocabulary but I feel it's all in vain. I feel like something",
"publish something? How can I teach myself to be better than I am",
"won't be as good as I've always wanted. Please tell me is there",
"and I don't know anymore. I'm really scared for the future so can",
"and that it won't be as good as I've always wanted. Please tell",
"that writer that really connects to the readers. Just how can I do",
"write when I'm free but I feel like it's never good enough. I've",
"discouraged. I'm in a medicine university and I try to write when I'm",
"a medicine university and I try to write when I'm free but I",
"connects to the readers. Just how can I do it? I want to",
"as good as I've always wanted. Please tell me is there anyone that",
"I would really appreciate it (not whatpad the only genre that matters there",
"a hobby because I want to do more but I've never published anything",
"could actually critique my work and give me helpful advice I would really",
"more but I've never published anything before and I keep getting discouraged. I'm",
"scared for the future so can someone please just tell me please. If",
"as a hobby because I want to do more but I've never published",
"How can I teach myself to be better than I am today? I'm",
"to be better than I am today? I'm still eighteen and I know",
"I want to do more but I've never published anything before and I",
"keep getting discouraged. I'm in a medicine university and I try to write",
"how did you do it? How did you manage to publish something? How",
"I've always wanted. Please tell me is there anyone that are writers without",
"a book. I'm worried that I'm not experienced enough that people will hate",
"is there anyone that are writers without a degree here and if there",
"and give me helpful advice I would really appreciate it (not whatpad the",
"feel like something is missing for me to be a better writer. I'm",
"enough that people will hate it and that it won't be as good",
"teach myself to be better than I am today? I'm still eighteen and",
"that it won't be as good as I've always wanted. Please tell me",
"to publish a book one day. I want to keep writing as a",
"for me to be a better writer. I'm too afraid of actually writing",
"writer that really connects to the readers. Just how can I do it?",
"than I am today? I'm still eighteen and I know I have miles",
"good as I've always wanted. Please tell me is there anyone that are",
"anymore. I'm really scared for the future so can someone please just tell",
"want to do both and I'm torn apart. I feel like I've made",
"I haven't been writing very much these days because of university but I",
"hobby because I want to do more but I've never published anything before",
"I'm too afraid of actually writing a book. I'm worried that I'm not",
"a website I can go on to that professionals could actually critique my",
"like something is missing for me to be a better writer. I'm too",
"I teach myself to be better than I am today? I'm still eighteen",
"tell me is there anyone that are writers without a degree here and",
"it's never good enough. I've been trying to write more on Fanfiction, read",
"I want to do medicine and I want to write. I want to",
"I'm torn apart. I feel like I've made a mistake and I don't",
"and I'm torn apart. I feel like I've made a mistake and I",
"made a mistake and I don't know anymore. I'm really scared for the",
"loved to write. Granted I haven't been writing very much these days because",
"want to keep writing as a hobby because I want to do more",
"eighteen and I know I have miles away before I can be that",
"I've made a mistake and I don't know anymore. I'm really scared for",
"but I feel it's all in vain. I feel like something is missing",
"on Fanfiction, read more and try to widen my vocabulary but I feel",
"a degree here and if there is how did you do it? How",
"it won't be as good as I've always wanted. Please tell me is",
"a better writer. I'm too afraid of actually writing a book. I'm worried",
"want to publish a book one day. I want to keep writing as",
"missing for me to be a better writer. I'm too afraid of actually",
"did you manage to publish something? How can I teach myself to be",
"try to write when I'm free but I feel like it's never good",
"vocabulary but I feel it's all in vain. I feel like something is",
"here and if there is how did you do it? How did you",
"never published anything before and I keep getting discouraged. I'm in a medicine",
"I'm not experienced enough that people will hate it and that it won't",
"really connects to the readers. Just how can I do it? I want",
"it and that it won't be as good as I've always wanted. Please",
"to write when I'm free but I feel like it's never good enough.",
"you do it? How did you manage to publish something? How can I",
"to that professionals could actually critique my work and give me helpful advice",
"to publish something? How can I teach myself to be better than I",
"miles away before I can be that writer that really connects to the",
"that professionals could actually critique my work and give me helpful advice I",
"I know I have miles away before I can be that writer that",
"to write more on Fanfiction, read more and try to widen my vocabulary",
"really appreciate it (not whatpad the only genre that matters there is romance).",
"one day. I want to keep writing as a hobby because I want",
"I've been trying to write more on Fanfiction, read more and try to",
"as I've always wanted. Please tell me is there anyone that are writers",
"just tell me please. If anyone knows a website I can go on",
"if there is how did you do it? How did you manage to",
"that are writers without a degree here and if there is how did",
"I keep getting discouraged. I'm in a medicine university and I try to",
"but I feel like it's never good enough. I've been trying to write",
"writers without a degree here and if there is how did you do",
"someone please just tell me please. If anyone knows a website I can",
"know I have miles away before I can be that writer that really",
"do it? How did you manage to publish something? How can I teach",
"before and I keep getting discouraged. I'm in a medicine university and I",
"I have miles away before I can be that writer that really connects",
"there anyone that are writers without a degree here and if there is",
"for the future so can someone please just tell me please. If anyone",
"me please. If anyone knows a website I can go on to that",
"I do it? I want to do medicine and I want to write.",
"there is how did you do it? How did you manage to publish",
"better than I am today? I'm still eighteen and I know I have",
"without a degree here and if there is how did you do it?",
"I've always loved to write. Granted I haven't been writing very much these",
"been trying to write more on Fanfiction, read more and try to widen",
"me is there anyone that are writers without a degree here and if",
"to the readers. Just how can I do it? I want to do",
"in a medicine university and I try to write when I'm free but",
"and I keep getting discouraged. I'm in a medicine university and I try",
"to do medicine and I want to write. I want to do both",
"medicine and I want to write. I want to do both and I'm",
"can someone please just tell me please. If anyone knows a website I",
"give me helpful advice I would really appreciate it (not whatpad the only",
"mistake and I don't know anymore. I'm really scared for the future so",
"because I want to do more but I've never published anything before and",
"day. I want to keep writing as a hobby because I want to",
"How did you manage to publish something? How can I teach myself to",
"vain. I feel like something is missing for me to be a better",
"anything before and I keep getting discouraged. I'm in a medicine university and",
"afraid of actually writing a book. I'm worried that I'm not experienced enough",
"wanted. Please tell me is there anyone that are writers without a degree",
"write more on Fanfiction, read more and try to widen my vocabulary but",
"please. If anyone knows a website I can go on to that professionals",
"been writing very much these days because of university but I want to",
"work and give me helpful advice I would really appreciate it (not whatpad",
"much these days because of university but I want to publish a book",
"don't know anymore. I'm really scared for the future so can someone please",
"I want to write. I want to do both and I'm torn apart.",
"and I know I have miles away before I can be that writer",
"but I've never published anything before and I keep getting discouraged. I'm in",
"want to do medicine and I want to write. I want to do",
"helpful advice I would really appreciate it (not whatpad the only genre that",
"I can be that writer that really connects to the readers. Just how",
"that really connects to the readers. Just how can I do it? I",
"want to do more but I've never published anything before and I keep",
"university and I try to write when I'm free but I feel like",
"is how did you do it? How did you manage to publish something?",
"I'm still eighteen and I know I have miles away before I can",
"widen my vocabulary but I feel it's all in vain. I feel like",
"always loved to write. Granted I haven't been writing very much these days",
"me helpful advice I would really appreciate it (not whatpad the only genre",
"I feel it's all in vain. I feel like something is missing for",
"actually writing a book. I'm worried that I'm not experienced enough that people",
"trying to write more on Fanfiction, read more and try to widen my",
"and I want to write. I want to do both and I'm torn",
"because of university but I want to publish a book one day. I",
"writing as a hobby because I want to do more but I've never",
"please just tell me please. If anyone knows a website I can go",
"Just how can I do it? I want to do medicine and I",
"writer. I'm too afraid of actually writing a book. I'm worried that I'm",
"have miles away before I can be that writer that really connects to",
"more and try to widen my vocabulary but I feel it's all in",
"really scared for the future so can someone please just tell me please.",
"me to be a better writer. I'm too afraid of actually writing a",
"go on to that professionals could actually critique my work and give me",
"when I'm free but I feel like it's never good enough. I've been",
"not experienced enough that people will hate it and that it won't be",
"degree here and if there is how did you do it? How did",
"I've never published anything before and I keep getting discouraged. I'm in a",
"be better than I am today? I'm still eighteen and I know I",
"want to write. I want to do both and I'm torn apart. I",
"is missing for me to be a better writer. I'm too afraid of",
"be a better writer. I'm too afraid of actually writing a book. I'm",
"Fanfiction, read more and try to widen my vocabulary but I feel it's",
"do it? I want to do medicine and I want to write. I"
] |
[
"are translated into Japanese? Or would that simply be the job of the",
"how fictional words from that work are translated? In the above example, I'm",
"decides how fictional words from that work are translated? In the above example,",
"Japanese? Or would that simply be the job of the Japanese translators to",
"translated into many languages not native to the author, who decides how fictional",
"languages not native to the author, who decides how fictional words from that",
"*Hijrp Potfeq*) that's translated into many languages not native to the author, who",
"an author produces a popular fictional work (take *Hijrp Potfeq*) that's translated into",
"words at their own discretion based on what they know of the fictional",
"at their own discretion based on what they know of the fictional words",
"the job of the Japanese translators to create words at their own discretion",
"When an author produces a popular fictional work (take *Hijrp Potfeq*) that's translated",
"simply be the job of the Japanese translators to create words at their",
"speak, say, Japanese, does she have a say in just how these words",
"Potfeq*) that's translated into many languages not native to the author, who decides",
"Japanese translators to create words at their own discretion based on what they",
"the author, who decides how fictional words from that work are translated? In",
"just how these words are translated into Japanese? Or would that simply be",
"\"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling presumably doesn't speak, say, Japanese, does",
"into many languages not native to the author, who decides how fictional words",
"say in just how these words are translated into Japanese? Or would that",
"\"squib.\" Since J.K. Rowling presumably doesn't speak, say, Japanese, does she have a",
"work are translated? In the above example, I'm thinking specifically of words like",
"a say in just how these words are translated into Japanese? Or would",
"translated into Japanese? Or would that simply be the job of the Japanese",
"produces a popular fictional work (take *Hijrp Potfeq*) that's translated into many languages",
"Since J.K. Rowling presumably doesn't speak, say, Japanese, does she have a say",
"based on what they know of the fictional words as Ms. Rowling used",
"fictional words from that work are translated? In the above example, I'm thinking",
"would that simply be the job of the Japanese translators to create words",
"that simply be the job of the Japanese translators to create words at",
"thinking specifically of words like \"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling presumably",
"In the above example, I'm thinking specifically of words like \"muggle\", \"quidditch\", and",
"what they know of the fictional words as Ms. Rowling used them in",
"example, I'm thinking specifically of words like \"muggle\", \"quidditch\", and \"squib.\" Since J.K.",
"Or would that simply be the job of the Japanese translators to create",
"Japanese, does she have a say in just how these words are translated",
"popular fictional work (take *Hijrp Potfeq*) that's translated into many languages not native",
"the above example, I'm thinking specifically of words like \"muggle\", \"quidditch\", and \"squib.\"",
"\"quidditch\", and \"squib.\" Since J.K. Rowling presumably doesn't speak, say, Japanese, does she",
"in just how these words are translated into Japanese? Or would that simply",
"translators to create words at their own discretion based on what they know",
"presumably doesn't speak, say, Japanese, does she have a say in just how",
"from that work are translated? In the above example, I'm thinking specifically of",
"not native to the author, who decides how fictional words from that work",
"does she have a say in just how these words are translated into",
"she have a say in just how these words are translated into Japanese?",
"on what they know of the fictional words as Ms. Rowling used them",
"be the job of the Japanese translators to create words at their own",
"a popular fictional work (take *Hijrp Potfeq*) that's translated into many languages not",
"these words are translated into Japanese? Or would that simply be the job",
"Rowling presumably doesn't speak, say, Japanese, does she have a say in just",
"to the author, who decides how fictional words from that work are translated?",
"author, who decides how fictional words from that work are translated? In the",
"author produces a popular fictional work (take *Hijrp Potfeq*) that's translated into many",
"words are translated into Japanese? Or would that simply be the job of",
"like \"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling presumably doesn't speak, say, Japanese,",
"fictional work (take *Hijrp Potfeq*) that's translated into many languages not native to",
"of words like \"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling presumably doesn't speak,",
"work (take *Hijrp Potfeq*) that's translated into many languages not native to the",
"words from that work are translated? In the above example, I'm thinking specifically",
"into Japanese? Or would that simply be the job of the Japanese translators",
"specifically of words like \"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling presumably doesn't",
"the Japanese translators to create words at their own discretion based on what",
"that work are translated? In the above example, I'm thinking specifically of words",
"job of the Japanese translators to create words at their own discretion based",
"doesn't speak, say, Japanese, does she have a say in just how these",
"translated? In the above example, I'm thinking specifically of words like \"muggle\", \"quidditch\",",
"above example, I'm thinking specifically of words like \"muggle\", \"quidditch\", and \"squib.\" Since",
"to create words at their own discretion based on what they know of",
"discretion based on what they know of the fictional words as Ms. Rowling",
"they know of the fictional words as Ms. Rowling used them in English?",
"how these words are translated into Japanese? Or would that simply be the",
"and \"squib.\" Since J.K. Rowling presumably doesn't speak, say, Japanese, does she have",
"that's translated into many languages not native to the author, who decides how",
"I'm thinking specifically of words like \"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling",
"own discretion based on what they know of the fictional words as Ms.",
"say, Japanese, does she have a say in just how these words are",
"have a say in just how these words are translated into Japanese? Or",
"their own discretion based on what they know of the fictional words as",
"many languages not native to the author, who decides how fictional words from",
"are translated? In the above example, I'm thinking specifically of words like \"muggle\",",
"(take *Hijrp Potfeq*) that's translated into many languages not native to the author,",
"native to the author, who decides how fictional words from that work are",
"J.K. Rowling presumably doesn't speak, say, Japanese, does she have a say in",
"create words at their own discretion based on what they know of the",
"who decides how fictional words from that work are translated? In the above",
"of the Japanese translators to create words at their own discretion based on",
"words like \"muggle\", \"quidditch\", and \"squib.\" Since J.K. Rowling presumably doesn't speak, say,"
] |
[
"story. Of course, not all competitions accept fanfic, and most of the time",
"the word count upper limit halfway into the story I want to tell.",
"competitions, at least in Israel, set a theme and a word count: up",
"of what I've written without sacrificing story. But surely not 50% or more.",
"within the word count is when writing fanfic: I didn't need to do",
"hitting the word count upper limit halfway into the story I want to",
"and could thus dive directly into the story. Of course, not all competitions",
"So it would appear my stories are from the outset too big for",
"there a way to plan a story for a shorter word count? A",
"Writing that is more concise can shave off about 10%-20% of what I've",
"dive directly into the story. Of course, not all competitions accept fanfic, and",
"I often find myself starting short stories for such competitions, and hitting the",
"competitions accept fanfic, and most of the time it wouldn't fit the theme",
"know from the beginning that a story is likely to fit or not",
"and hitting the word count upper limit halfway into the story I want",
"tell. The only times I managed to stay within the word count is",
"to plan a story for a shorter word count? A way to know",
"sacrificing story. But surely not 50% or more. So it would appear my",
"I've written without sacrificing story. But surely not 50% or more. So it",
"of the competition in the first place. Writing that is more concise can",
"course, not all competitions accept fanfic, and most of the time it wouldn't",
"of the time it wouldn't fit the theme of the competition in the",
"concise can shave off about 10%-20% of what I've written without sacrificing story.",
"fanfic: I didn't need to do much of an introduction for the setting",
"from the outset too big for the format. Is there a way to",
"is likely to fit or not to fit into the limit I've been",
"surely not 50% or more. So it would appear my stories are from",
"accept fanfic, and most of the time it wouldn't fit the theme of",
"short story competitions, at least in Israel, set a theme and a word",
"would appear my stories are from the outset too big for the format.",
"theme and a word count: up to 2500 words, 2000-5000 words, etc. I",
"from the beginning that a story is likely to fit or not to",
"wouldn't fit the theme of the competition in the first place. Writing that",
"10%-20% of what I've written without sacrificing story. But surely not 50% or",
"need to do much of an introduction for the setting and the characters,",
"more. So it would appear my stories are from the outset too big",
"shave off about 10%-20% of what I've written without sacrificing story. But surely",
"the word count is when writing fanfic: I didn't need to do much",
"for such competitions, and hitting the word count upper limit halfway into the",
"story I want to tell. The only times I managed to stay within",
"too big for the format. Is there a way to plan a story",
"etc. I often find myself starting short stories for such competitions, and hitting",
"only times I managed to stay within the word count is when writing",
"first place. Writing that is more concise can shave off about 10%-20% of",
"50% or more. So it would appear my stories are from the outset",
"the format. Is there a way to plan a story for a shorter",
"count? A way to know from the beginning that a story is likely",
"the theme of the competition in the first place. Writing that is more",
"appear my stories are from the outset too big for the format. Is",
"managed to stay within the word count is when writing fanfic: I didn't",
"most of the time it wouldn't fit the theme of the competition in",
"find myself starting short stories for such competitions, and hitting the word count",
"up to 2500 words, 2000-5000 words, etc. I often find myself starting short",
"could thus dive directly into the story. Of course, not all competitions accept",
"when writing fanfic: I didn't need to do much of an introduction for",
"way to plan a story for a shorter word count? A way to",
"can shave off about 10%-20% of what I've written without sacrificing story. But",
"in Israel, set a theme and a word count: up to 2500 words,",
"and most of the time it wouldn't fit the theme of the competition",
"limit halfway into the story I want to tell. The only times I",
"I didn't need to do much of an introduction for the setting and",
"theme of the competition in the first place. Writing that is more concise",
"the competition in the first place. Writing that is more concise can shave",
"The only times I managed to stay within the word count is when",
"at least in Israel, set a theme and a word count: up to",
"my stories are from the outset too big for the format. Is there",
"for the format. Is there a way to plan a story for a",
"likely to fit or not to fit into the limit I've been set?",
"count upper limit halfway into the story I want to tell. The only",
"to know from the beginning that a story is likely to fit or",
"what I've written without sacrificing story. But surely not 50% or more. So",
"thus dive directly into the story. Of course, not all competitions accept fanfic,",
"story competitions, at least in Israel, set a theme and a word count:",
"fit the theme of the competition in the first place. Writing that is",
"without sacrificing story. But surely not 50% or more. So it would appear",
"often find myself starting short stories for such competitions, and hitting the word",
"and a word count: up to 2500 words, 2000-5000 words, etc. I often",
"the beginning that a story is likely to fit or not to fit",
"stay within the word count is when writing fanfic: I didn't need to",
"I managed to stay within the word count is when writing fanfic: I",
"story for a shorter word count? A way to know from the beginning",
"a shorter word count? A way to know from the beginning that a",
"the story. Of course, not all competitions accept fanfic, and most of the",
"to 2500 words, 2000-5000 words, etc. I often find myself starting short stories",
"a word count: up to 2500 words, 2000-5000 words, etc. I often find",
"short stories for such competitions, and hitting the word count upper limit halfway",
"the characters, and could thus dive directly into the story. Of course, not",
"want to tell. The only times I managed to stay within the word",
"about 10%-20% of what I've written without sacrificing story. But surely not 50%",
"story is likely to fit or not to fit into the limit I've",
"times I managed to stay within the word count is when writing fanfic:",
"word count: up to 2500 words, 2000-5000 words, etc. I often find myself",
"stories for such competitions, and hitting the word count upper limit halfway into",
"story. But surely not 50% or more. So it would appear my stories",
"a theme and a word count: up to 2500 words, 2000-5000 words, etc.",
"outset too big for the format. Is there a way to plan a",
"least in Israel, set a theme and a word count: up to 2500",
"is when writing fanfic: I didn't need to do much of an introduction",
"for a shorter word count? A way to know from the beginning that",
"words, 2000-5000 words, etc. I often find myself starting short stories for such",
"2500 words, 2000-5000 words, etc. I often find myself starting short stories for",
"to tell. The only times I managed to stay within the word count",
"Is there a way to plan a story for a shorter word count?",
"a way to plan a story for a shorter word count? A way",
"directly into the story. Of course, not all competitions accept fanfic, and most",
"a story for a shorter word count? A way to know from the",
"plan a story for a shorter word count? A way to know from",
"it wouldn't fit the theme of the competition in the first place. Writing",
"time it wouldn't fit the theme of the competition in the first place.",
"stories are from the outset too big for the format. Is there a",
"word count is when writing fanfic: I didn't need to do much of",
"to do much of an introduction for the setting and the characters, and",
"words, etc. I often find myself starting short stories for such competitions, and",
"introduction for the setting and the characters, and could thus dive directly into",
"starting short stories for such competitions, and hitting the word count upper limit",
"beginning that a story is likely to fit or not to fit into",
"Many short story competitions, at least in Israel, set a theme and a",
"I want to tell. The only times I managed to stay within the",
"competitions, and hitting the word count upper limit halfway into the story I",
"that is more concise can shave off about 10%-20% of what I've written",
"way to know from the beginning that a story is likely to fit",
"off about 10%-20% of what I've written without sacrificing story. But surely not",
"count is when writing fanfic: I didn't need to do much of an",
"But surely not 50% or more. So it would appear my stories are",
"writing fanfic: I didn't need to do much of an introduction for the",
"A way to know from the beginning that a story is likely to",
"not 50% or more. So it would appear my stories are from the",
"that a story is likely to fit or not to fit into the",
"such competitions, and hitting the word count upper limit halfway into the story",
"an introduction for the setting and the characters, and could thus dive directly",
"not all competitions accept fanfic, and most of the time it wouldn't fit",
"the setting and the characters, and could thus dive directly into the story.",
"written without sacrificing story. But surely not 50% or more. So it would",
"upper limit halfway into the story I want to tell. The only times",
"halfway into the story I want to tell. The only times I managed",
"the outset too big for the format. Is there a way to plan",
"Israel, set a theme and a word count: up to 2500 words, 2000-5000",
"in the first place. Writing that is more concise can shave off about",
"set a theme and a word count: up to 2500 words, 2000-5000 words,",
"the first place. Writing that is more concise can shave off about 10%-20%",
"place. Writing that is more concise can shave off about 10%-20% of what",
"to stay within the word count is when writing fanfic: I didn't need",
"shorter word count? A way to know from the beginning that a story",
"Of course, not all competitions accept fanfic, and most of the time it",
"are from the outset too big for the format. Is there a way",
"word count upper limit halfway into the story I want to tell. The",
"into the story I want to tell. The only times I managed to",
"into the story. Of course, not all competitions accept fanfic, and most of",
"fanfic, and most of the time it wouldn't fit the theme of the",
"word count? A way to know from the beginning that a story is",
"and the characters, and could thus dive directly into the story. Of course,",
"format. Is there a way to plan a story for a shorter word",
"do much of an introduction for the setting and the characters, and could",
"is more concise can shave off about 10%-20% of what I've written without",
"the time it wouldn't fit the theme of the competition in the first",
"the story I want to tell. The only times I managed to stay",
"didn't need to do much of an introduction for the setting and the",
"it would appear my stories are from the outset too big for the",
"characters, and could thus dive directly into the story. Of course, not all",
"much of an introduction for the setting and the characters, and could thus",
"count: up to 2500 words, 2000-5000 words, etc. I often find myself starting",
"myself starting short stories for such competitions, and hitting the word count upper",
"or more. So it would appear my stories are from the outset too",
"competition in the first place. Writing that is more concise can shave off",
"big for the format. Is there a way to plan a story for",
"2000-5000 words, etc. I often find myself starting short stories for such competitions,",
"a story is likely to fit or not to fit into the limit",
"all competitions accept fanfic, and most of the time it wouldn't fit the",
"of an introduction for the setting and the characters, and could thus dive",
"more concise can shave off about 10%-20% of what I've written without sacrificing",
"for the setting and the characters, and could thus dive directly into the",
"setting and the characters, and could thus dive directly into the story. Of"
] |
[
"fellow students for the part (by a margin of one vote). After a",
"The event is the high school play, the \"Sound of Music,\" in which",
"a fault when it comes to her playing Liesl? That is, B, a",
"life, is awarded the role of Liesl, and plays \"herself'. \"I am sixteen,",
"to her playing Liesl? That is, B, a shy, reserved girl plays a",
"because I'm not that innocent.'\" B, who has dated only one boy in",
"only one boy in her life, is awarded the role of Liesl, and",
"innocent.'\" B, who has dated only one boy in her life, is awarded",
"Liesl, than the other girl who is too slick? Especially when she \"compensates\"",
"initially elected by her fellow students for the part (by a margin of",
"boy-chasing girl, is initially elected by her fellow students for the part (by",
"Speadv would say, \"Oops I did it again, because I'm not that innocent.'\"",
"and lesser life experience is actually a \"virtue\" or at least not a",
"I did it again, because I'm not that innocent.'\" B, who has dated",
"lesser life experience is actually a \"virtue\" or at least not a fault",
"elected by her fellow students for the part (by a margin of one",
"(by a margin of one vote). After a week, she is shifted to",
"one vote). After a week, she is shifted to playing the worldly and",
"That is, B, a shy, reserved girl plays a better Liesl, than the",
"received in drama class. A, a very worldly, boy-chasing girl, is initially elected",
"which there are two main contestants for the role of Liesl. They are",
"it plausible that B's weaker overall acting abilities and lesser life experience is",
"acting abilities and lesser life experience is actually a \"virtue\" or at least",
"on a teen romance. The event is the high school play, the \"Sound",
"there are two main contestants for the role of Liesl. They are designated",
"girl who is too slick? Especially when she \"compensates\" by being \"Rolf's\" everyday",
"\"virtue\" or at least not a fault when it comes to her playing",
"boy in her life, is awarded the role of Liesl, and plays \"herself'.",
"school play, the \"Sound of Music,\" in which there are two main contestants",
"in drama class. A, a very worldly, boy-chasing girl, is initially elected by",
"von Schroeder, (who loses the Captain to Barii), because in A's own words,",
"for the role of Liesl. They are designated \"A\" and \"B,\" because those",
"Liesl, and plays \"herself'. \"I am sixteen, going on seventeen, I know that",
"part (by a margin of one vote). After a week, she is shifted",
"playing the worldly and seductive Baroness von Schroeder, (who loses the Captain to",
"play, the \"Sound of Music,\" in which there are two main contestants for",
"again, because I'm not that innocent.'\" B, who has dated only one boy",
"naive.\" Is it plausible that B's weaker overall acting abilities and lesser life",
"A's own words, \"As Dnuqnay Speadv would say, \"Oops I did it again,",
"say, \"Oops I did it again, because I'm not that innocent.'\" B, who",
"\"As Dnuqnay Speadv would say, \"Oops I did it again, because I'm not",
"a \"virtue\" or at least not a fault when it comes to her",
"because in A's own words, \"As Dnuqnay Speadv would say, \"Oops I did",
"B's weaker overall acting abilities and lesser life experience is actually a \"virtue\"",
"\"A\" and \"B,\" because those are the grades they received in drama class.",
"fault when it comes to her playing Liesl? That is, B, a shy,",
"to playing the worldly and seductive Baroness von Schroeder, (who loses the Captain",
"I'm working on a teen romance. The event is the high school play,",
"know that I'm naive.\" Is it plausible that B's weaker overall acting abilities",
"Liesl. They are designated \"A\" and \"B,\" because those are the grades they",
"main contestants for the role of Liesl. They are designated \"A\" and \"B,\"",
"and seductive Baroness von Schroeder, (who loses the Captain to Barii), because in",
"worldly, boy-chasing girl, is initially elected by her fellow students for the part",
"I'm naive.\" Is it plausible that B's weaker overall acting abilities and lesser",
"those are the grades they received in drama class. A, a very worldly,",
"worldly and seductive Baroness von Schroeder, (who loses the Captain to Barii), because",
"role of Liesl. They are designated \"A\" and \"B,\" because those are the",
"weaker overall acting abilities and lesser life experience is actually a \"virtue\" or",
"I know that I'm naive.\" Is it plausible that B's weaker overall acting",
"she is shifted to playing the worldly and seductive Baroness von Schroeder, (who",
"Liesl? That is, B, a shy, reserved girl plays a better Liesl, than",
"than the other girl who is too slick? Especially when she \"compensates\" by",
"\"Oops I did it again, because I'm not that innocent.'\" B, who has",
"the high school play, the \"Sound of Music,\" in which there are two",
"the Captain to Barii), because in A's own words, \"As Dnuqnay Speadv would",
"two main contestants for the role of Liesl. They are designated \"A\" and",
"Barii), because in A's own words, \"As Dnuqnay Speadv would say, \"Oops I",
"plays a better Liesl, than the other girl who is too slick? Especially",
"by her fellow students for the part (by a margin of one vote).",
"loses the Captain to Barii), because in A's own words, \"As Dnuqnay Speadv",
"because those are the grades they received in drama class. A, a very",
"shifted to playing the worldly and seductive Baroness von Schroeder, (who loses the",
"experience is actually a \"virtue\" or at least not a fault when it",
"to Barii), because in A's own words, \"As Dnuqnay Speadv would say, \"Oops",
"and \"B,\" because those are the grades they received in drama class. A,",
"words, \"As Dnuqnay Speadv would say, \"Oops I did it again, because I'm",
"\"B,\" because those are the grades they received in drama class. A, a",
"very worldly, boy-chasing girl, is initially elected by her fellow students for the",
"contestants for the role of Liesl. They are designated \"A\" and \"B,\" because",
"B, who has dated only one boy in her life, is awarded the",
"overall acting abilities and lesser life experience is actually a \"virtue\" or at",
"Baroness von Schroeder, (who loses the Captain to Barii), because in A's own",
"who is too slick? Especially when she \"compensates\" by being \"Rolf's\" everyday girlfriend?",
"better Liesl, than the other girl who is too slick? Especially when she",
"are two main contestants for the role of Liesl. They are designated \"A\"",
"in A's own words, \"As Dnuqnay Speadv would say, \"Oops I did it",
"a shy, reserved girl plays a better Liesl, than the other girl who",
"(who loses the Captain to Barii), because in A's own words, \"As Dnuqnay",
"is, B, a shy, reserved girl plays a better Liesl, than the other",
"it comes to her playing Liesl? That is, B, a shy, reserved girl",
"role of Liesl, and plays \"herself'. \"I am sixteen, going on seventeen, I",
"class. A, a very worldly, boy-chasing girl, is initially elected by her fellow",
"a week, she is shifted to playing the worldly and seductive Baroness von",
"teen romance. The event is the high school play, the \"Sound of Music,\"",
"the worldly and seductive Baroness von Schroeder, (who loses the Captain to Barii),",
"going on seventeen, I know that I'm naive.\" Is it plausible that B's",
"girl plays a better Liesl, than the other girl who is too slick?",
"other girl who is too slick? Especially when she \"compensates\" by being \"Rolf's\"",
"of Liesl. They are designated \"A\" and \"B,\" because those are the grades",
"for the part (by a margin of one vote). After a week, she",
"has dated only one boy in her life, is awarded the role of",
"that I'm naive.\" Is it plausible that B's weaker overall acting abilities and",
"grades they received in drama class. A, a very worldly, boy-chasing girl, is",
"are the grades they received in drama class. A, a very worldly, boy-chasing",
"on seventeen, I know that I'm naive.\" Is it plausible that B's weaker",
"is the high school play, the \"Sound of Music,\" in which there are",
"They are designated \"A\" and \"B,\" because those are the grades they received",
"her life, is awarded the role of Liesl, and plays \"herself'. \"I am",
"Is it plausible that B's weaker overall acting abilities and lesser life experience",
"plausible that B's weaker overall acting abilities and lesser life experience is actually",
"awarded the role of Liesl, and plays \"herself'. \"I am sixteen, going on",
"week, she is shifted to playing the worldly and seductive Baroness von Schroeder,",
"the part (by a margin of one vote). After a week, she is",
"it again, because I'm not that innocent.'\" B, who has dated only one",
"a teen romance. The event is the high school play, the \"Sound of",
"margin of one vote). After a week, she is shifted to playing the",
"playing Liesl? That is, B, a shy, reserved girl plays a better Liesl,",
"Music,\" in which there are two main contestants for the role of Liesl.",
"\"Sound of Music,\" in which there are two main contestants for the role",
"the role of Liesl. They are designated \"A\" and \"B,\" because those are",
"B, a shy, reserved girl plays a better Liesl, than the other girl",
"a very worldly, boy-chasing girl, is initially elected by her fellow students for",
"the \"Sound of Music,\" in which there are two main contestants for the",
"Schroeder, (who loses the Captain to Barii), because in A's own words, \"As",
"working on a teen romance. The event is the high school play, the",
"A, a very worldly, boy-chasing girl, is initially elected by her fellow students",
"Captain to Barii), because in A's own words, \"As Dnuqnay Speadv would say,",
"\"I am sixteen, going on seventeen, I know that I'm naive.\" Is it",
"not that innocent.'\" B, who has dated only one boy in her life,",
"that innocent.'\" B, who has dated only one boy in her life, is",
"reserved girl plays a better Liesl, than the other girl who is too",
"a margin of one vote). After a week, she is shifted to playing",
"dated only one boy in her life, is awarded the role of Liesl,",
"they received in drama class. A, a very worldly, boy-chasing girl, is initially",
"high school play, the \"Sound of Music,\" in which there are two main",
"is actually a \"virtue\" or at least not a fault when it comes",
"in her life, is awarded the role of Liesl, and plays \"herself'. \"I",
"of Liesl, and plays \"herself'. \"I am sixteen, going on seventeen, I know",
"I'm not that innocent.'\" B, who has dated only one boy in her",
"students for the part (by a margin of one vote). After a week,",
"vote). After a week, she is shifted to playing the worldly and seductive",
"is shifted to playing the worldly and seductive Baroness von Schroeder, (who loses",
"am sixteen, going on seventeen, I know that I'm naive.\" Is it plausible",
"event is the high school play, the \"Sound of Music,\" in which there",
"would say, \"Oops I did it again, because I'm not that innocent.'\" B,",
"designated \"A\" and \"B,\" because those are the grades they received in drama",
"not a fault when it comes to her playing Liesl? That is, B,",
"when it comes to her playing Liesl? That is, B, a shy, reserved",
"drama class. A, a very worldly, boy-chasing girl, is initially elected by her",
"the grades they received in drama class. A, a very worldly, boy-chasing girl,",
"did it again, because I'm not that innocent.'\" B, who has dated only",
"the role of Liesl, and plays \"herself'. \"I am sixteen, going on seventeen,",
"that B's weaker overall acting abilities and lesser life experience is actually a",
"seventeen, I know that I'm naive.\" Is it plausible that B's weaker overall",
"her playing Liesl? That is, B, a shy, reserved girl plays a better",
"abilities and lesser life experience is actually a \"virtue\" or at least not",
"least not a fault when it comes to her playing Liesl? That is,",
"shy, reserved girl plays a better Liesl, than the other girl who is",
"romance. The event is the high school play, the \"Sound of Music,\" in",
"After a week, she is shifted to playing the worldly and seductive Baroness",
"of one vote). After a week, she is shifted to playing the worldly",
"actually a \"virtue\" or at least not a fault when it comes to",
"or at least not a fault when it comes to her playing Liesl?",
"\"herself'. \"I am sixteen, going on seventeen, I know that I'm naive.\" Is",
"one boy in her life, is awarded the role of Liesl, and plays",
"sixteen, going on seventeen, I know that I'm naive.\" Is it plausible that",
"in which there are two main contestants for the role of Liesl. They",
"Dnuqnay Speadv would say, \"Oops I did it again, because I'm not that",
"life experience is actually a \"virtue\" or at least not a fault when",
"the other girl who is too slick? Especially when she \"compensates\" by being",
"seductive Baroness von Schroeder, (who loses the Captain to Barii), because in A's",
"plays \"herself'. \"I am sixteen, going on seventeen, I know that I'm naive.\"",
"her fellow students for the part (by a margin of one vote). After",
"a better Liesl, than the other girl who is too slick? Especially when",
"is awarded the role of Liesl, and plays \"herself'. \"I am sixteen, going",
"and plays \"herself'. \"I am sixteen, going on seventeen, I know that I'm",
"of Music,\" in which there are two main contestants for the role of",
"comes to her playing Liesl? That is, B, a shy, reserved girl plays",
"are designated \"A\" and \"B,\" because those are the grades they received in",
"at least not a fault when it comes to her playing Liesl? That",
"who has dated only one boy in her life, is awarded the role",
"own words, \"As Dnuqnay Speadv would say, \"Oops I did it again, because",
"is initially elected by her fellow students for the part (by a margin",
"girl, is initially elected by her fellow students for the part (by a"
] |
[
"are rather a mix of many other artworks instead of something completely new.",
"best writing? Do you also mix your own writing style with works of",
"favourite writers like Garcia Marquez or Haruki Murakami and stealing some of their",
"quote often reminds me that the best artworks are rather a mix of",
"mix of many other artworks instead of something completely new. Walt Disney made",
"of many other artworks instead of something completely new. Walt Disney made a",
"the best writing? Do you also mix your own writing style with works",
"like Garcia Marquez or Haruki Murakami and stealing some of their phrases to",
"who is copying my most favourite writers like Garcia Marquez or Haruki Murakami",
"was curious whether I am the only one who is copying my most",
"I am the only one who is copying my most favourite writers like",
"steal. > > > This famous Picasso quote often reminds me that the",
"completely new. Walt Disney made a new version of old fairytales, as Lhate",
"mind, I was curious whether I am the only one who is copying",
"instead of something completely new. Walt Disney made a new version of old",
"curious whether I am the only one who is copying my most favourite",
"new. Walt Disney made a new version of old fairytales, as Lhate Jubs",
"artworks are rather a mix of many other artworks instead of something completely",
"their phrases to come up with the best writing? Do you also mix",
"technologies into one beautiful thing. Having this in mind, I was curious whether",
"a new version of old fairytales, as Lhate Jubs mixed all the previous",
"is copying my most favourite writers like Garcia Marquez or Haruki Murakami and",
"as Lhate Jubs mixed all the previous technologies into one beautiful thing. Having",
"to come up with the best writing? Do you also mix your own",
"some of their phrases to come up with the best writing? Do you",
"> > This famous Picasso quote often reminds me that the best artworks",
"me that the best artworks are rather a mix of many other artworks",
"writing? Do you also mix your own writing style with works of other",
"my most favourite writers like Garcia Marquez or Haruki Murakami and stealing some",
"all the previous technologies into one beautiful thing. Having this in mind, I",
"copy; great artists steal. > > > This famous Picasso quote often reminds",
"thing. Having this in mind, I was curious whether I am the only",
"old fairytales, as Lhate Jubs mixed all the previous technologies into one beautiful",
"artworks instead of something completely new. Walt Disney made a new version of",
"am the only one who is copying my most favourite writers like Garcia",
"Marquez or Haruki Murakami and stealing some of their phrases to come up",
"Lhate Jubs mixed all the previous technologies into one beautiful thing. Having this",
"Do you also mix your own writing style with works of other writers?",
"Good artists copy; great artists steal. > > > This famous Picasso quote",
"previous technologies into one beautiful thing. Having this in mind, I was curious",
"fairytales, as Lhate Jubs mixed all the previous technologies into one beautiful thing.",
"one beautiful thing. Having this in mind, I was curious whether I am",
"famous Picasso quote often reminds me that the best artworks are rather a",
"artists steal. > > > This famous Picasso quote often reminds me that",
"great artists steal. > > > This famous Picasso quote often reminds me",
"beautiful thing. Having this in mind, I was curious whether I am the",
"Disney made a new version of old fairytales, as Lhate Jubs mixed all",
"Haruki Murakami and stealing some of their phrases to come up with the",
"the best artworks are rather a mix of many other artworks instead of",
"Murakami and stealing some of their phrases to come up with the best",
"other artworks instead of something completely new. Walt Disney made a new version",
"of their phrases to come up with the best writing? Do you also",
"new version of old fairytales, as Lhate Jubs mixed all the previous technologies",
"the only one who is copying my most favourite writers like Garcia Marquez",
"stealing some of their phrases to come up with the best writing? Do",
"of old fairytales, as Lhate Jubs mixed all the previous technologies into one",
"into one beautiful thing. Having this in mind, I was curious whether I",
"Walt Disney made a new version of old fairytales, as Lhate Jubs mixed",
"writers like Garcia Marquez or Haruki Murakami and stealing some of their phrases",
"this in mind, I was curious whether I am the only one who",
"Jubs mixed all the previous technologies into one beautiful thing. Having this in",
"the previous technologies into one beautiful thing. Having this in mind, I was",
"only one who is copying my most favourite writers like Garcia Marquez or",
"many other artworks instead of something completely new. Walt Disney made a new",
"> > > This famous Picasso quote often reminds me that the best",
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"best artworks are rather a mix of many other artworks instead of something",
"in mind, I was curious whether I am the only one who is",
"something completely new. Walt Disney made a new version of old fairytales, as",
"Picasso quote often reminds me that the best artworks are rather a mix",
"> Good artists copy; great artists steal. > > > This famous Picasso",
"up with the best writing? Do you also mix your own writing style",
"> This famous Picasso quote often reminds me that the best artworks are",
"come up with the best writing? Do you also mix your own writing",
"whether I am the only one who is copying my most favourite writers",
"with the best writing? Do you also mix your own writing style with",
"that the best artworks are rather a mix of many other artworks instead",
"reminds me that the best artworks are rather a mix of many other",
"Garcia Marquez or Haruki Murakami and stealing some of their phrases to come",
"artists copy; great artists steal. > > > This famous Picasso quote often",
"version of old fairytales, as Lhate Jubs mixed all the previous technologies into",
"most favourite writers like Garcia Marquez or Haruki Murakami and stealing some of",
"phrases to come up with the best writing? Do you also mix your",
"This famous Picasso quote often reminds me that the best artworks are rather",
"one who is copying my most favourite writers like Garcia Marquez or Haruki",
"and stealing some of their phrases to come up with the best writing?",
"Having this in mind, I was curious whether I am the only one",
"copying my most favourite writers like Garcia Marquez or Haruki Murakami and stealing",
"or Haruki Murakami and stealing some of their phrases to come up with",
"made a new version of old fairytales, as Lhate Jubs mixed all the",
"mixed all the previous technologies into one beautiful thing. Having this in mind,",
"I was curious whether I am the only one who is copying my",
"rather a mix of many other artworks instead of something completely new. Walt",
"> > Good artists copy; great artists steal. > > > This famous",
"a mix of many other artworks instead of something completely new. Walt Disney",
"often reminds me that the best artworks are rather a mix of many"
] |
[
"tells the absolute truth about the universe. Even if Qilno Wagsuns meets Gandalf",
"weird that the author starts to worry that the reader will think it",
"without ambiguity. Let's say the situations around the characters get so weird that",
"a dream. Another such devices I commonly see is using small children. If",
"characters get so weird that the author starts to worry that the reader",
"truth about the universe. Even if Qilno Wagsuns meets Gandalf in a weird",
"they are not evil. It's that simple. Now in my work I don't",
"the reader saying it is not, getting past that hangup and moving further.",
"work I don't have a mentor or a small child available. What is",
"simple. Now in my work I don't have a mentor or a small",
"most commonly done in fiction is with the mentor character. Gandalf always tells",
"situations around the characters get so weird that the author starts to worry",
"I see this most commonly done in fiction is with the mentor character.",
"not a dream. Another such devices I commonly see is using small children.",
"evil. It's that simple. Now in my work I don't have a mentor",
"a small child likes a character they are not evil. It's that simple.",
"moving further. The way I see this most commonly done in fiction is",
"it's not a dream. Another such devices I commonly see is using small",
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"in fiction is with the mentor character. Gandalf always tells the absolute truth",
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"commonly done in fiction is with the mentor character. Gandalf always tells the",
"see this most commonly done in fiction is with the mentor character. Gandalf",
"if Qilno Wagsuns meets Gandalf in a weird situation if Gandalf says this",
"or a small child available. What is another way I can signal the",
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"fiction where the author needs to convey something to the reader without ambiguity.",
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"author starts to worry that the reader will think it is all a",
"say the situations around the characters get so weird that the author starts",
"will believe it's not a dream. Another such devices I commonly see is",
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"author needs to convey something to the reader without ambiguity. Let's say the",
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"and moving further. The way I see this most commonly done in fiction",
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"is another way I can signal the reader that something is absolutely true,",
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"is with the mentor character. Gandalf always tells the absolute truth about the",
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"the mentor character. Gandalf always tells the absolute truth about the universe. Even",
"needs to convey an absolute truth to the reader saying it is not,",
"devices I commonly see is using small children. If a small child likes",
"get so weird that the author starts to worry that the reader will",
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"can signal the reader that something is absolutely true, and they do not",
"child available. What is another way I can signal the reader that something",
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"always tells the absolute truth about the universe. Even if Qilno Wagsuns meets",
"a small child available. What is another way I can signal the reader",
"another way I can signal the reader that something is absolutely true, and",
"where the author needs to convey something to the reader without ambiguity. Let's",
"convey something to the reader without ambiguity. Let's say the situations around the",
"reader will think it is all a dream. The author needs to convey",
"in my work I don't have a mentor or a small child available.",
"in a weird situation if Gandalf says this is not a dream, the",
"children. If a small child likes a character they are not evil. It's",
"Gandalf in a weird situation if Gandalf says this is not a dream,",
"of fiction where the author needs to convey something to the reader without",
"signal the reader that something is absolutely true, and they do not need",
"a dream. The author needs to convey an absolute truth to the reader",
"that simple. Now in my work I don't have a mentor or a",
"the reader without ambiguity. Let's say the situations around the characters get so",
"think it is all a dream. The author needs to convey an absolute",
"that the author starts to worry that the reader will think it is",
"is not a dream, the reader will believe it's not a dream. Another",
"is all a dream. The author needs to convey an absolute truth to",
"to the reader without ambiguity. Let's say the situations around the characters get",
"a mentor or a small child available. What is another way I can",
"the characters get so weird that the author starts to worry that the",
"Let's say the situations around the characters get so weird that the author",
"to the reader saying it is not, getting past that hangup and moving",
"not evil. It's that simple. Now in my work I don't have a",
"If a small child likes a character they are not evil. It's that",
"dream. The author needs to convey an absolute truth to the reader saying",
"the universe. Even if Qilno Wagsuns meets Gandalf in a weird situation if",
"the author needs to convey something to the reader without ambiguity. Let's say",
"starts to worry that the reader will think it is all a dream.",
"Even if Qilno Wagsuns meets Gandalf in a weird situation if Gandalf says",
"believe it's not a dream. Another such devices I commonly see is using",
"the reader that something is absolutely true, and they do not need to",
"the situations around the characters get so weird that the author starts to",
"reader that something is absolutely true, and they do not need to worry",
"around the characters get so weird that the author starts to worry that",
"I don't have a mentor or a small child available. What is another",
"saying it is not, getting past that hangup and moving further. The way",
"worry that the reader will think it is all a dream. The author",
"small child available. What is another way I can signal the reader that",
"reader will believe it's not a dream. Another such devices I commonly see",
"meets Gandalf in a weird situation if Gandalf says this is not a",
"so weird that the author starts to worry that the reader will think"
] |
[
"but instead continued to modern day and beyond. The structure of the story",
"by multiple characters over multiple time periods. The protagonist of the first story,",
"engineering or general scientific research. Crucially, the slaves would remain in bondage. This",
"would remain in bondage. This idea isn't liked at first but ultimately makes",
"story, let's call him Nathan, is the son of a plantation owner where",
"of the first story, let's call him Nathan, is the son of a",
"still a slaver. To generalise: **Do you have any tips for keeping a",
"by Issac Asimov where the theme is explored by multiple characters over multiple",
"into the short story his father dies. Unlike his father, Nathan thinks highly",
"reader to like Nathan despite the fact that he is still a slaver.",
"will be similar to The Last Question by Issac Asimov where the theme",
"could be doing taxes, engineering or general scientific research. Crucially, the slaves would",
"bondage. This idea isn't liked at first but ultimately makes Nathan rich... blah",
"The structure of the story will be similar to The Last Question by",
"the reader to like Nathan despite the fact that he is still a",
"the theme is explored by multiple characters over multiple time periods. The protagonist",
"for a short story. In the story, slavery didn't abruptly end but instead",
"of the slaves and believes that with some education they could be doing",
"call him Nathan, is the son of a plantation owner where slaves perform",
"the short story his father dies. Unlike his father, Nathan thinks highly of",
"Asimov where the theme is explored by multiple characters over multiple time periods.",
"the rest of the story. I'd like the reader to like Nathan despite",
"an idea for a short story. In the story, slavery didn't abruptly end",
"that with some education they could be doing taxes, engineering or general scientific",
"believes that with some education they could be doing taxes, engineering or general",
"like Nathan despite the fact that he is still a slaver. To generalise:",
"didn't abruptly end but instead continued to modern day and beyond. The structure",
"abruptly end but instead continued to modern day and beyond. The structure of",
"his father dies. Unlike his father, Nathan thinks highly of the slaves and",
"I'm planning out an idea for a short story. In the story, slavery",
"and beyond. The structure of the story will be similar to The Last",
"the story. I'd like the reader to like Nathan despite the fact that",
"blah the rest of the story. I'd like the reader to like Nathan",
"despite the fact that he is still a slaver. To generalise: **Do you",
"To generalise: **Do you have any tips for keeping a protagonist likeable despite",
"Last Question by Issac Asimov where the theme is explored by multiple characters",
"labour. Shortly into the short story his father dies. Unlike his father, Nathan",
"Shortly into the short story his father dies. Unlike his father, Nathan thinks",
"in bondage. This idea isn't liked at first but ultimately makes Nathan rich...",
"liked at first but ultimately makes Nathan rich... blah blah the rest of",
"the fact that he is still a slaver. To generalise: **Do you have",
"day and beyond. The structure of the story will be similar to The",
"periods. The protagonist of the first story, let's call him Nathan, is the",
"they could be doing taxes, engineering or general scientific research. Crucially, the slaves",
"blah blah the rest of the story. I'd like the reader to like",
"him Nathan, is the son of a plantation owner where slaves perform only",
"for keeping a protagonist likeable despite being on the wrong side of history?**",
"generalise: **Do you have any tips for keeping a protagonist likeable despite being",
"scientific research. Crucially, the slaves would remain in bondage. This idea isn't liked",
"first story, let's call him Nathan, is the son of a plantation owner",
"father dies. Unlike his father, Nathan thinks highly of the slaves and believes",
"thinks highly of the slaves and believes that with some education they could",
"time periods. The protagonist of the first story, let's call him Nathan, is",
"perform only manual labour. Shortly into the short story his father dies. Unlike",
"In the story, slavery didn't abruptly end but instead continued to modern day",
"like the reader to like Nathan despite the fact that he is still",
"I'd like the reader to like Nathan despite the fact that he is",
"the slaves would remain in bondage. This idea isn't liked at first but",
"short story his father dies. Unlike his father, Nathan thinks highly of the",
"modern day and beyond. The structure of the story will be similar to",
"Nathan, is the son of a plantation owner where slaves perform only manual",
"son of a plantation owner where slaves perform only manual labour. Shortly into",
"father, Nathan thinks highly of the slaves and believes that with some education",
"story. In the story, slavery didn't abruptly end but instead continued to modern",
"to The Last Question by Issac Asimov where the theme is explored by",
"is still a slaver. To generalise: **Do you have any tips for keeping",
"dies. Unlike his father, Nathan thinks highly of the slaves and believes that",
"plantation owner where slaves perform only manual labour. Shortly into the short story",
"idea for a short story. In the story, slavery didn't abruptly end but",
"is explored by multiple characters over multiple time periods. The protagonist of the",
"protagonist of the first story, let's call him Nathan, is the son of",
"you have any tips for keeping a protagonist likeable despite being on the",
"instead continued to modern day and beyond. The structure of the story will",
"multiple characters over multiple time periods. The protagonist of the first story, let's",
"story will be similar to The Last Question by Issac Asimov where the",
"let's call him Nathan, is the son of a plantation owner where slaves",
"of the story. I'd like the reader to like Nathan despite the fact",
"is the son of a plantation owner where slaves perform only manual labour.",
"explored by multiple characters over multiple time periods. The protagonist of the first",
"end but instead continued to modern day and beyond. The structure of the",
"general scientific research. Crucially, the slaves would remain in bondage. This idea isn't",
"Nathan rich... blah blah the rest of the story. I'd like the reader",
"slaves would remain in bondage. This idea isn't liked at first but ultimately",
"continued to modern day and beyond. The structure of the story will be",
"the slaves and believes that with some education they could be doing taxes,",
"his father, Nathan thinks highly of the slaves and believes that with some",
"Unlike his father, Nathan thinks highly of the slaves and believes that with",
"The Last Question by Issac Asimov where the theme is explored by multiple",
"This idea isn't liked at first but ultimately makes Nathan rich... blah blah",
"story his father dies. Unlike his father, Nathan thinks highly of the slaves",
"beyond. The structure of the story will be similar to The Last Question",
"the first story, let's call him Nathan, is the son of a plantation",
"**Do you have any tips for keeping a protagonist likeable despite being on",
"but ultimately makes Nathan rich... blah blah the rest of the story. I'd",
"Question by Issac Asimov where the theme is explored by multiple characters over",
"of a plantation owner where slaves perform only manual labour. Shortly into the",
"Crucially, the slaves would remain in bondage. This idea isn't liked at first",
"makes Nathan rich... blah blah the rest of the story. I'd like the",
"the son of a plantation owner where slaves perform only manual labour. Shortly",
"first but ultimately makes Nathan rich... blah blah the rest of the story.",
"the story will be similar to The Last Question by Issac Asimov where",
"doing taxes, engineering or general scientific research. Crucially, the slaves would remain in",
"taxes, engineering or general scientific research. Crucially, the slaves would remain in bondage.",
"at first but ultimately makes Nathan rich... blah blah the rest of the",
"with some education they could be doing taxes, engineering or general scientific research.",
"structure of the story will be similar to The Last Question by Issac",
"tips for keeping a protagonist likeable despite being on the wrong side of",
"slavery didn't abruptly end but instead continued to modern day and beyond. The",
"remain in bondage. This idea isn't liked at first but ultimately makes Nathan",
"where the theme is explored by multiple characters over multiple time periods. The",
"to modern day and beyond. The structure of the story will be similar",
"story. I'd like the reader to like Nathan despite the fact that he",
"where slaves perform only manual labour. Shortly into the short story his father",
"Nathan thinks highly of the slaves and believes that with some education they",
"slaver. To generalise: **Do you have any tips for keeping a protagonist likeable",
"The protagonist of the first story, let's call him Nathan, is the son",
"to like Nathan despite the fact that he is still a slaver. To",
"short story. In the story, slavery didn't abruptly end but instead continued to",
"be similar to The Last Question by Issac Asimov where the theme is",
"Nathan despite the fact that he is still a slaver. To generalise: **Do",
"ultimately makes Nathan rich... blah blah the rest of the story. I'd like",
"have any tips for keeping a protagonist likeable despite being on the wrong",
"manual labour. Shortly into the short story his father dies. Unlike his father,",
"research. Crucially, the slaves would remain in bondage. This idea isn't liked at",
"a short story. In the story, slavery didn't abruptly end but instead continued",
"a slaver. To generalise: **Do you have any tips for keeping a protagonist",
"a plantation owner where slaves perform only manual labour. Shortly into the short",
"some education they could be doing taxes, engineering or general scientific research. Crucially,",
"that he is still a slaver. To generalise: **Do you have any tips",
"rich... blah blah the rest of the story. I'd like the reader to",
"any tips for keeping a protagonist likeable despite being on the wrong side",
"or general scientific research. Crucially, the slaves would remain in bondage. This idea",
"multiple time periods. The protagonist of the first story, let's call him Nathan,",
"education they could be doing taxes, engineering or general scientific research. Crucially, the",
"slaves and believes that with some education they could be doing taxes, engineering",
"planning out an idea for a short story. In the story, slavery didn't",
"and believes that with some education they could be doing taxes, engineering or",
"theme is explored by multiple characters over multiple time periods. The protagonist of",
"out an idea for a short story. In the story, slavery didn't abruptly",
"story, slavery didn't abruptly end but instead continued to modern day and beyond.",
"isn't liked at first but ultimately makes Nathan rich... blah blah the rest",
"rest of the story. I'd like the reader to like Nathan despite the",
"only manual labour. Shortly into the short story his father dies. Unlike his",
"highly of the slaves and believes that with some education they could be",
"slaves perform only manual labour. Shortly into the short story his father dies.",
"of the story will be similar to The Last Question by Issac Asimov",
"characters over multiple time periods. The protagonist of the first story, let's call",
"over multiple time periods. The protagonist of the first story, let's call him",
"owner where slaves perform only manual labour. Shortly into the short story his",
"he is still a slaver. To generalise: **Do you have any tips for",
"the story, slavery didn't abruptly end but instead continued to modern day and",
"similar to The Last Question by Issac Asimov where the theme is explored",
"idea isn't liked at first but ultimately makes Nathan rich... blah blah the",
"Issac Asimov where the theme is explored by multiple characters over multiple time",
"fact that he is still a slaver. To generalise: **Do you have any",
"be doing taxes, engineering or general scientific research. Crucially, the slaves would remain"
] |
[
"question of mine, so I have to clarify that this question pertains to",
"being similar to another question of mine, so I have to clarify that",
"I should introduce a paragraph's concluding sentence without making it appear forced and",
"trouble beginning concluding sentences with anything other than \"For these reasons\", \"Thus\", or",
"writing concluding sentences that don't appear redundant, and it often feels abrupt if",
"sentence?** I have attempted to learn about this through simple sample paragraphs, but",
"the other question.* I wonder how I should introduce a paragraph's concluding sentence",
"I have trouble with this since the supporting sentences often have already done",
"have to clarify that this question pertains to how I should introduce the",
"of the topic sentence, so I have trouble writing concluding sentences that don't",
"similar to another question of mine, so I have to clarify that this",
"sentence should occupy in a paragraph of the body text. These are not",
"words to begin each conclusion. This all pertains to the same problem: **how",
"if needed. Therefore, answers containing explanations that make use of difficult sample paragraphs",
"pertains to how I should introduce the concluding sentence, whereas the other one",
"to another question of mine, so I have to clarify that this question",
"since I'm already assuming that the paragraph contains a proper concluding sentence in",
"a proper concluding sentence in the other question.* I wonder how I should",
"how I should introduce the concluding sentence, whereas the other one pertains to",
"the supporting sentences. I have trouble with this since the supporting sentences often",
"simple paragraphs, if needed. Therefore, answers containing explanations that make use of difficult",
"to which position a bridge sentence should occupy in a paragraph of the",
"Therefore, answers containing explanations that make use of difficult sample paragraphs would be",
"at all the same questions, especially since I'm already assuming that the paragraph",
"abrupt if I insert a concluding sentence. Because of this, I have trouble",
"concluding sentence?** I have attempted to learn about this through simple sample paragraphs,",
"add a concluding sentence to simple paragraphs, if needed. Therefore, answers containing explanations",
"whereas the other one pertains to which position a bridge sentence should occupy",
"sentences. I have trouble with this since the supporting sentences often have already",
"also wonder if I should use such words to begin each conclusion. This",
"redundant, and it often feels abrupt if I insert a concluding sentence. Because",
"that this question pertains to how I should introduce the concluding sentence, whereas",
"I should introduce the concluding sentence, whereas the other one pertains to which",
"so I have trouble writing concluding sentences that don't appear redundant, and it",
"to the same problem: **how do I begin writing a concluding sentence?** I",
"bridge sentence should occupy in a paragraph of the body text. These are",
"introduce a paragraph's concluding sentence without making it appear forced and detached from",
"especially since I'm already assuming that the paragraph contains a proper concluding sentence",
"I'm already assuming that the paragraph contains a proper concluding sentence in the",
"paragraph contains a proper concluding sentence in the other question.* I wonder how",
"it appear forced and detached from the supporting sentences. I have trouble with",
"to clarify that this question pertains to how I should introduce the concluding",
"wonder how I should introduce a paragraph's concluding sentence without making it appear",
"the reader of the topic sentence, so I have trouble writing concluding sentences",
"if I should use such words to begin each conclusion. This all pertains",
"through simple sample paragraphs, but they've only taught me how to add a",
"making it appear forced and detached from the supporting sentences. I have trouble",
"writing a concluding sentence?** I have attempted to learn about this through simple",
"beginning concluding sentences with anything other than \"For these reasons\", \"Thus\", or \"Therefore\"",
"have attempted to learn about this through simple sample paragraphs, but they've only",
"the paragraph contains a proper concluding sentence in the other question.* I wonder",
"proper concluding sentence in the other question.* I wonder how I should introduce",
"done enough to convince the reader of the topic sentence, so I have",
"anything other than \"For these reasons\", \"Thus\", or \"Therefore\" as well, and I",
"sentences often have already done enough to convince the reader of the topic",
"paragraphs, but they've only taught me how to add a concluding sentence to",
"the same problem: **how do I begin writing a concluding sentence?** I have",
"feels abrupt if I insert a concluding sentence. Because of this, I have",
"trouble writing concluding sentences that don't appear redundant, and it often feels abrupt",
"all pertains to the same problem: **how do I begin writing a concluding",
"sentence to simple paragraphs, if needed. Therefore, answers containing explanations that make use",
"a paragraph's concluding sentence without making it appear forced and detached from the",
"in a paragraph of the body text. These are not at all the",
"insert a concluding sentence. Because of this, I have trouble beginning concluding sentences",
"begin writing a concluding sentence?** I have attempted to learn about this through",
"reader of the topic sentence, so I have trouble writing concluding sentences that",
"paragraph of the body text. These are not at all the same questions,",
"\"Therefore\" as well, and I also wonder if I should use such words",
"containing explanations that make use of difficult sample paragraphs would be of tremendous",
"sentence without making it appear forced and detached from the supporting sentences. I",
"concluding sentences that don't appear redundant, and it often feels abrupt if I",
"so I have to clarify that this question pertains to how I should",
"the concluding sentence, whereas the other one pertains to which position a bridge",
"to how I should introduce the concluding sentence, whereas the other one pertains",
"that don't appear redundant, and it often feels abrupt if I insert a",
"me how to add a concluding sentence to simple paragraphs, if needed. Therefore,",
"pertains to which position a bridge sentence should occupy in a paragraph of",
"as well, and I also wonder if I should use such words to",
"concluding sentence in the other question.* I wonder how I should introduce a",
"appear redundant, and it often feels abrupt if I insert a concluding sentence.",
"convince the reader of the topic sentence, so I have trouble writing concluding",
"how to add a concluding sentence to simple paragraphs, if needed. Therefore, answers",
"these reasons\", \"Thus\", or \"Therefore\" as well, and I also wonder if I",
"question was flagged as being similar to another question of mine, so I",
"the body text. These are not at all the same questions, especially since",
"in the other question.* I wonder how I should introduce a paragraph's concluding",
"simple sample paragraphs, but they've only taught me how to add a concluding",
"but they've only taught me how to add a concluding sentence to simple",
"another question of mine, so I have to clarify that this question pertains",
"I also wonder if I should use such words to begin each conclusion.",
"of the body text. These are not at all the same questions, especially",
"concluding sentence. Because of this, I have trouble beginning concluding sentences with anything",
"conclusion. This all pertains to the same problem: **how do I begin writing",
"This all pertains to the same problem: **how do I begin writing a",
"use such words to begin each conclusion. This all pertains to the same",
"*This question was flagged as being similar to another question of mine, so",
"often have already done enough to convince the reader of the topic sentence,",
"of this, I have trouble beginning concluding sentences with anything other than \"For",
"introduce the concluding sentence, whereas the other one pertains to which position a",
"to convince the reader of the topic sentence, so I have trouble writing",
"answers containing explanations that make use of difficult sample paragraphs would be of",
"sentence in the other question.* I wonder how I should introduce a paragraph's",
"mine, so I have to clarify that this question pertains to how I",
"all the same questions, especially since I'm already assuming that the paragraph contains",
"problem: **how do I begin writing a concluding sentence?** I have attempted to",
"questions, especially since I'm already assuming that the paragraph contains a proper concluding",
"sentence. Because of this, I have trouble beginning concluding sentences with anything other",
"text. These are not at all the same questions, especially since I'm already",
"paragraph's concluding sentence without making it appear forced and detached from the supporting",
"should introduce a paragraph's concluding sentence without making it appear forced and detached",
"sentences with anything other than \"For these reasons\", \"Thus\", or \"Therefore\" as well,",
"or \"Therefore\" as well, and I also wonder if I should use such",
"and I also wonder if I should use such words to begin each",
"begin each conclusion. This all pertains to the same problem: **how do I",
"\"For these reasons\", \"Thus\", or \"Therefore\" as well, and I also wonder if",
"should occupy in a paragraph of the body text. These are not at",
"the topic sentence, so I have trouble writing concluding sentences that don't appear",
"only taught me how to add a concluding sentence to simple paragraphs, if",
"attempted to learn about this through simple sample paragraphs, but they've only taught",
"paragraphs, if needed. Therefore, answers containing explanations that make use of difficult sample",
"this since the supporting sentences often have already done enough to convince the",
"needed. Therefore, answers containing explanations that make use of difficult sample paragraphs would",
"occupy in a paragraph of the body text. These are not at all",
"to add a concluding sentence to simple paragraphs, if needed. Therefore, answers containing",
"one pertains to which position a bridge sentence should occupy in a paragraph",
"I should use such words to begin each conclusion. This all pertains to",
"trouble with this since the supporting sentences often have already done enough to",
"I insert a concluding sentence. Because of this, I have trouble beginning concluding",
"**how do I begin writing a concluding sentence?** I have attempted to learn",
"I have attempted to learn about this through simple sample paragraphs, but they've",
"a concluding sentence to simple paragraphs, if needed. Therefore, answers containing explanations that",
"of mine, so I have to clarify that this question pertains to how",
"explanations that make use of difficult sample paragraphs would be of tremendous help.",
"was flagged as being similar to another question of mine, so I have",
"from the supporting sentences. I have trouble with this since the supporting sentences",
"to learn about this through simple sample paragraphs, but they've only taught me",
"they've only taught me how to add a concluding sentence to simple paragraphs,",
"as being similar to another question of mine, so I have to clarify",
"this, I have trouble beginning concluding sentences with anything other than \"For these",
"sentence, whereas the other one pertains to which position a bridge sentence should",
"have trouble with this since the supporting sentences often have already done enough",
"other one pertains to which position a bridge sentence should occupy in a",
"the other one pertains to which position a bridge sentence should occupy in",
"such words to begin each conclusion. This all pertains to the same problem:",
"have trouble writing concluding sentences that don't appear redundant, and it often feels",
"a concluding sentence?** I have attempted to learn about this through simple sample",
"concluding sentence without making it appear forced and detached from the supporting sentences.",
"without making it appear forced and detached from the supporting sentences. I have",
"already assuming that the paragraph contains a proper concluding sentence in the other",
"reasons\", \"Thus\", or \"Therefore\" as well, and I also wonder if I should",
"I have trouble writing concluding sentences that don't appear redundant, and it often",
"detached from the supporting sentences. I have trouble with this since the supporting",
"have trouble beginning concluding sentences with anything other than \"For these reasons\", \"Thus\",",
"wonder if I should use such words to begin each conclusion. This all",
"topic sentence, so I have trouble writing concluding sentences that don't appear redundant,",
"it often feels abrupt if I insert a concluding sentence. Because of this,",
"about this through simple sample paragraphs, but they've only taught me how to",
"other question.* I wonder how I should introduce a paragraph's concluding sentence without",
"since the supporting sentences often have already done enough to convince the reader",
"this question pertains to how I should introduce the concluding sentence, whereas the",
"I have trouble beginning concluding sentences with anything other than \"For these reasons\",",
"Because of this, I have trouble beginning concluding sentences with anything other than",
"forced and detached from the supporting sentences. I have trouble with this since",
"each conclusion. This all pertains to the same problem: **how do I begin",
"concluding sentence to simple paragraphs, if needed. Therefore, answers containing explanations that make",
"sentences that don't appear redundant, and it often feels abrupt if I insert",
"body text. These are not at all the same questions, especially since I'm",
"to begin each conclusion. This all pertains to the same problem: **how do",
"pertains to the same problem: **how do I begin writing a concluding sentence?**",
"same questions, especially since I'm already assuming that the paragraph contains a proper",
"I have to clarify that this question pertains to how I should introduce",
"have already done enough to convince the reader of the topic sentence, so",
"to simple paragraphs, if needed. Therefore, answers containing explanations that make use of",
"These are not at all the same questions, especially since I'm already assuming",
"well, and I also wonder if I should use such words to begin",
"are not at all the same questions, especially since I'm already assuming that",
"other than \"For these reasons\", \"Thus\", or \"Therefore\" as well, and I also",
"often feels abrupt if I insert a concluding sentence. Because of this, I",
"question pertains to how I should introduce the concluding sentence, whereas the other",
"learn about this through simple sample paragraphs, but they've only taught me how",
"appear forced and detached from the supporting sentences. I have trouble with this",
"already done enough to convince the reader of the topic sentence, so I",
"and detached from the supporting sentences. I have trouble with this since the",
"do I begin writing a concluding sentence?** I have attempted to learn about",
"a bridge sentence should occupy in a paragraph of the body text. These",
"supporting sentences. I have trouble with this since the supporting sentences often have",
"a concluding sentence. Because of this, I have trouble beginning concluding sentences with",
"which position a bridge sentence should occupy in a paragraph of the body",
"sentence, so I have trouble writing concluding sentences that don't appear redundant, and",
"concluding sentences with anything other than \"For these reasons\", \"Thus\", or \"Therefore\" as",
"than \"For these reasons\", \"Thus\", or \"Therefore\" as well, and I also wonder",
"the same questions, especially since I'm already assuming that the paragraph contains a",
"supporting sentences often have already done enough to convince the reader of the",
"if I insert a concluding sentence. Because of this, I have trouble beginning",
"with this since the supporting sentences often have already done enough to convince",
"that the paragraph contains a proper concluding sentence in the other question.* I",
"I wonder how I should introduce a paragraph's concluding sentence without making it",
"don't appear redundant, and it often feels abrupt if I insert a concluding",
"sample paragraphs, but they've only taught me how to add a concluding sentence",
"clarify that this question pertains to how I should introduce the concluding sentence,",
"this through simple sample paragraphs, but they've only taught me how to add",
"a paragraph of the body text. These are not at all the same",
"how I should introduce a paragraph's concluding sentence without making it appear forced",
"assuming that the paragraph contains a proper concluding sentence in the other question.*",
"flagged as being similar to another question of mine, so I have to",
"and it often feels abrupt if I insert a concluding sentence. Because of",
"\"Thus\", or \"Therefore\" as well, and I also wonder if I should use",
"enough to convince the reader of the topic sentence, so I have trouble",
"not at all the same questions, especially since I'm already assuming that the",
"I begin writing a concluding sentence?** I have attempted to learn about this",
"with anything other than \"For these reasons\", \"Thus\", or \"Therefore\" as well, and",
"should use such words to begin each conclusion. This all pertains to the",
"should introduce the concluding sentence, whereas the other one pertains to which position",
"taught me how to add a concluding sentence to simple paragraphs, if needed.",
"concluding sentence, whereas the other one pertains to which position a bridge sentence",
"same problem: **how do I begin writing a concluding sentence?** I have attempted",
"position a bridge sentence should occupy in a paragraph of the body text.",
"contains a proper concluding sentence in the other question.* I wonder how I",
"question.* I wonder how I should introduce a paragraph's concluding sentence without making",
"the supporting sentences often have already done enough to convince the reader of"
] |
[
"pointed out that this was a particularly unfortunate time to confuse the facts",
"fact that your characters should be doing the heavy lifting. Was I right,",
"find this \"disconcerting?\" Under what circumstances is this kind of alternate history desirable,",
"actual events of the time were so dramatic and well-known (the overthrow of",
"well-known (the overthrow of Louis XVI and the rise of Napoleon. I was",
"I was taught (30 years ago), that in a historical novel, you should",
"or at least with my rights to find this \"disconcerting?\" Under what circumstances",
"and well-known (the overthrow of Louis XVI and the rise of Napoleon. I",
"unfortunate time to confuse the facts because the actual events of the time",
"should be doing the heavy lifting. Was I right, or at least with",
"letter-perfect), and the only thing that should be \"fictitious\" is the fact that",
"the facts because the actual events of the time were so dramatic and",
"what circumstances is this kind of alternate history desirable, or at least acceptable?",
"another site, I wrote a critical review of a book that featured a",
"a critical review of a book that featured a \"King Frederic II\" of",
"(not necessarily letter-perfect), and the only thing that should be \"fictitious\" is the",
"the only thing that should be \"fictitious\" is the fact that your characters",
"review of a book that featured a \"King Frederic II\" of France who",
"book that featured a \"King Frederic II\" of France who reigned between 1777-1819.",
"and the rise of Napoleon. I was taught (30 years ago), that in",
"that your characters should be doing the heavy lifting. Was I right, or",
"reigned between 1777-1819. I pointed out that this was a particularly unfortunate time",
"particularly unfortunate time to confuse the facts because the actual events of the",
"not \"rewrite history.\" That is, your historical facts should be reasonably accurate (not",
"Under what circumstances is this kind of alternate history desirable, or at least",
"accurate (not necessarily letter-perfect), and the only thing that should be \"fictitious\" is",
"Napoleon. I was taught (30 years ago), that in a historical novel, you",
"that featured a \"King Frederic II\" of France who reigned between 1777-1819. I",
"Frederic II\" of France who reigned between 1777-1819. I pointed out that this",
"facts should be reasonably accurate (not necessarily letter-perfect), and the only thing that",
"site, I wrote a critical review of a book that featured a \"King",
"of Napoleon. I was taught (30 years ago), that in a historical novel,",
"critical review of a book that featured a \"King Frederic II\" of France",
"doing the heavy lifting. Was I right, or at least with my rights",
"with my rights to find this \"disconcerting?\" Under what circumstances is this kind",
"reasonably accurate (not necessarily letter-perfect), and the only thing that should be \"fictitious\"",
"to find this \"disconcerting?\" Under what circumstances is this kind of alternate history",
"is, your historical facts should be reasonably accurate (not necessarily letter-perfect), and the",
"was taught (30 years ago), that in a historical novel, you should not",
"the rise of Napoleon. I was taught (30 years ago), that in a",
"of Louis XVI and the rise of Napoleon. I was taught (30 years",
"\"fictitious\" is the fact that your characters should be doing the heavy lifting.",
"1777-1819. I pointed out that this was a particularly unfortunate time to confuse",
"dramatic and well-known (the overthrow of Louis XVI and the rise of Napoleon.",
"confuse the facts because the actual events of the time were so dramatic",
"the actual events of the time were so dramatic and well-known (the overthrow",
"of a book that featured a \"King Frederic II\" of France who reigned",
"this was a particularly unfortunate time to confuse the facts because the actual",
"should be reasonably accurate (not necessarily letter-perfect), and the only thing that should",
"\"rewrite history.\" That is, your historical facts should be reasonably accurate (not necessarily",
"be doing the heavy lifting. Was I right, or at least with my",
"lifting. Was I right, or at least with my rights to find this",
"that this was a particularly unfortunate time to confuse the facts because the",
"least with my rights to find this \"disconcerting?\" Under what circumstances is this",
"because the actual events of the time were so dramatic and well-known (the",
"time to confuse the facts because the actual events of the time were",
"facts because the actual events of the time were so dramatic and well-known",
"so dramatic and well-known (the overthrow of Louis XVI and the rise of",
"years ago), that in a historical novel, you should not \"rewrite history.\" That",
"should be \"fictitious\" is the fact that your characters should be doing the",
"your historical facts should be reasonably accurate (not necessarily letter-perfect), and the only",
"in a historical novel, you should not \"rewrite history.\" That is, your historical",
"of France who reigned between 1777-1819. I pointed out that this was a",
"Louis XVI and the rise of Napoleon. I was taught (30 years ago),",
"thing that should be \"fictitious\" is the fact that your characters should be",
"(the overthrow of Louis XVI and the rise of Napoleon. I was taught",
"a particularly unfortunate time to confuse the facts because the actual events of",
"historical facts should be reasonably accurate (not necessarily letter-perfect), and the only thing",
"the heavy lifting. Was I right, or at least with my rights to",
"is the fact that your characters should be doing the heavy lifting. Was",
"time were so dramatic and well-known (the overthrow of Louis XVI and the",
"I pointed out that this was a particularly unfortunate time to confuse the",
"that should be \"fictitious\" is the fact that your characters should be doing",
"were so dramatic and well-known (the overthrow of Louis XVI and the rise",
"ago), that in a historical novel, you should not \"rewrite history.\" That is,",
"XVI and the rise of Napoleon. I was taught (30 years ago), that",
"of the time were so dramatic and well-known (the overthrow of Louis XVI",
"Was I right, or at least with my rights to find this \"disconcerting?\"",
"That is, your historical facts should be reasonably accurate (not necessarily letter-perfect), and",
"be \"fictitious\" is the fact that your characters should be doing the heavy",
"the fact that your characters should be doing the heavy lifting. Was I",
"I right, or at least with my rights to find this \"disconcerting?\" Under",
"a \"King Frederic II\" of France who reigned between 1777-1819. I pointed out",
"historical novel, you should not \"rewrite history.\" That is, your historical facts should",
"between 1777-1819. I pointed out that this was a particularly unfortunate time to",
"who reigned between 1777-1819. I pointed out that this was a particularly unfortunate",
"\"King Frederic II\" of France who reigned between 1777-1819. I pointed out that",
"right, or at least with my rights to find this \"disconcerting?\" Under what",
"I wrote a critical review of a book that featured a \"King Frederic",
"taught (30 years ago), that in a historical novel, you should not \"rewrite",
"necessarily letter-perfect), and the only thing that should be \"fictitious\" is the fact",
"heavy lifting. Was I right, or at least with my rights to find",
"should not \"rewrite history.\" That is, your historical facts should be reasonably accurate",
"that in a historical novel, you should not \"rewrite history.\" That is, your",
"out that this was a particularly unfortunate time to confuse the facts because",
"rise of Napoleon. I was taught (30 years ago), that in a historical",
"this \"disconcerting?\" Under what circumstances is this kind of alternate history desirable, or",
"II\" of France who reigned between 1777-1819. I pointed out that this was",
"your characters should be doing the heavy lifting. Was I right, or at",
"was a particularly unfortunate time to confuse the facts because the actual events",
"a historical novel, you should not \"rewrite history.\" That is, your historical facts",
"only thing that should be \"fictitious\" is the fact that your characters should",
"featured a \"King Frederic II\" of France who reigned between 1777-1819. I pointed",
"to confuse the facts because the actual events of the time were so",
"you should not \"rewrite history.\" That is, your historical facts should be reasonably",
"the time were so dramatic and well-known (the overthrow of Louis XVI and",
"overthrow of Louis XVI and the rise of Napoleon. I was taught (30",
"\"disconcerting?\" Under what circumstances is this kind of alternate history desirable, or at",
"and the only thing that should be \"fictitious\" is the fact that your",
"wrote a critical review of a book that featured a \"King Frederic II\"",
"(30 years ago), that in a historical novel, you should not \"rewrite history.\"",
"be reasonably accurate (not necessarily letter-perfect), and the only thing that should be",
"novel, you should not \"rewrite history.\" That is, your historical facts should be",
"characters should be doing the heavy lifting. Was I right, or at least",
"On another site, I wrote a critical review of a book that featured",
"events of the time were so dramatic and well-known (the overthrow of Louis",
"history.\" That is, your historical facts should be reasonably accurate (not necessarily letter-perfect),",
"France who reigned between 1777-1819. I pointed out that this was a particularly",
"my rights to find this \"disconcerting?\" Under what circumstances is this kind of",
"at least with my rights to find this \"disconcerting?\" Under what circumstances is",
"a book that featured a \"King Frederic II\" of France who reigned between",
"rights to find this \"disconcerting?\" Under what circumstances is this kind of alternate"
] |
[
"third of my works. In my military historical novel, that is literally the",
"I take my readers through the soldiers' drills to show how they shoot",
"there a deluge of seemingly unrelated issues.\" The answer was that I was",
"put my readers through \"boot camp\" in the first third of my works.",
"make this \"foreshadowing\" more attractive in the early going? For instance, is there",
"everything each time. How can I make this \"foreshadowing\" more attractive in the",
"the later chapters. Apparently, I put my readers through \"boot camp\" in the",
"1-3 had echoes in the later chapters. Apparently, I put my readers through",
"I put into Chapters 1-3 had echoes in the later chapters. Apparently, I",
"of seemingly unrelated issues.\" The answer was that I was \"foreshadowing.\" Everything I",
"in the first third of my works. In my military historical novel, that",
"reads more smoothly because I don't have to explain everything each time. How",
"I put my readers through \"boot camp\" in the first third of my",
"put into Chapters 1-3 had echoes in the later chapters. Apparently, I put",
"\"foreshadowing\" more attractive in the early going? For instance, is there such a",
"who read Chapters 1-3 of one of my novels (and then stopped), asked",
"faster than the enemy. The second two thirds is fun, because the soldiers",
"in the early going? For instance, is there such a thing as \"foreshadowing",
"my readers through \"boot camp\" in the first third of my works. In",
"don't have to explain everything each time. How can I make this \"foreshadowing\"",
"unrelated issues.\" The answer was that I was \"foreshadowing.\" Everything I put into",
"the enemy. The second two thirds is fun, because the soldiers win victory",
"seemingly unrelated issues.\" The answer was that I was \"foreshadowing.\" Everything I put",
"than the enemy. The second two thirds is fun, because the soldiers win",
"victory after victory, and the book reads more smoothly because I don't have",
"soldiers' drills to show how they shoot and march faster than the enemy.",
"\"why is there a deluge of seemingly unrelated issues.\" The answer was that",
"of my works. In my military historical novel, that is literally the case;",
"can I make this \"foreshadowing\" more attractive in the early going? For instance,",
"historical novel, that is literally the case; I take my readers through the",
"read Chapters 1-3 of one of my novels (and then stopped), asked me,",
"I was \"foreshadowing.\" Everything I put into Chapters 1-3 had echoes in the",
"through the soldiers' drills to show how they shoot and march faster than",
"the case; I take my readers through the soldiers' drills to show how",
"take my readers through the soldiers' drills to show how they shoot and",
"\"foreshadowing.\" Everything I put into Chapters 1-3 had echoes in the later chapters.",
"is fun, because the soldiers win victory after victory, and the book reads",
"the early going? For instance, is there such a thing as \"foreshadowing of",
"I have identified a key issue. Someone who read Chapters 1-3 of one",
"key issue. Someone who read Chapters 1-3 of one of my novels (and",
"literally the case; I take my readers through the soldiers' drills to show",
"book reads more smoothly because I don't have to explain everything each time.",
"to explain everything each time. How can I make this \"foreshadowing\" more attractive",
"then stopped), asked me, \"why is there a deluge of seemingly unrelated issues.\"",
"asked me, \"why is there a deluge of seemingly unrelated issues.\" The answer",
"1-3 of one of my novels (and then stopped), asked me, \"why is",
"victory, and the book reads more smoothly because I don't have to explain",
"second two thirds is fun, because the soldiers win victory after victory, and",
"time. How can I make this \"foreshadowing\" more attractive in the early going?",
"case; I take my readers through the soldiers' drills to show how they",
"how they shoot and march faster than the enemy. The second two thirds",
"I don't have to explain everything each time. How can I make this",
"Chapters 1-3 had echoes in the later chapters. Apparently, I put my readers",
"the book reads more smoothly because I don't have to explain everything each",
"thirds is fun, because the soldiers win victory after victory, and the book",
"Someone who read Chapters 1-3 of one of my novels (and then stopped),",
"this \"foreshadowing\" more attractive in the early going? For instance, is there such",
"that is literally the case; I take my readers through the soldiers' drills",
"is there a deluge of seemingly unrelated issues.\" The answer was that I",
"is the latest version of [this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I",
"answer was that I was \"foreshadowing.\" Everything I put into Chapters 1-3 had",
"works. In my military historical novel, that is literally the case; I take",
"my readers through the soldiers' drills to show how they shoot and march",
"(and then stopped), asked me, \"why is there a deluge of seemingly unrelated",
"smoothly because I don't have to explain everything each time. How can I",
"each time. How can I make this \"foreshadowing\" more attractive in the early",
"after victory, and the book reads more smoothly because I don't have to",
"novel, that is literally the case; I take my readers through the soldiers'",
"Here is the latest version of [this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that",
"shoot and march faster than the enemy. The second two thirds is fun,",
"readers through \"boot camp\" in the first third of my works. In my",
"in the later chapters. Apparently, I put my readers through \"boot camp\" in",
"the first third of my works. In my military historical novel, that is",
"through \"boot camp\" in the first third of my works. In my military",
"have identified a key issue. Someone who read Chapters 1-3 of one of",
"explain everything each time. How can I make this \"foreshadowing\" more attractive in",
"[this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I have identified a key issue.",
"my military historical novel, that is literally the case; I take my readers",
"I believe that I have identified a key issue. Someone who read Chapters",
"was \"foreshadowing.\" Everything I put into Chapters 1-3 had echoes in the later",
"version of [this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I have identified a",
"latest version of [this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I have identified",
"of one of my novels (and then stopped), asked me, \"why is there",
"chapters. Apparently, I put my readers through \"boot camp\" in the first third",
"that I was \"foreshadowing.\" Everything I put into Chapters 1-3 had echoes in",
"The answer was that I was \"foreshadowing.\" Everything I put into Chapters 1-3",
"military historical novel, that is literally the case; I take my readers through",
"a key issue. Someone who read Chapters 1-3 of one of my novels",
"camp\" in the first third of my works. In my military historical novel,",
"readers through the soldiers' drills to show how they shoot and march faster",
"more smoothly because I don't have to explain everything each time. How can",
"Chapters 1-3 of one of my novels (and then stopped), asked me, \"why",
"they shoot and march faster than the enemy. The second two thirds is",
"and march faster than the enemy. The second two thirds is fun, because",
"my novels (and then stopped), asked me, \"why is there a deluge of",
"first third of my works. In my military historical novel, that is literally",
"deluge of seemingly unrelated issues.\" The answer was that I was \"foreshadowing.\" Everything",
"The second two thirds is fun, because the soldiers win victory after victory,",
"because I don't have to explain everything each time. How can I make",
"my works. In my military historical novel, that is literally the case; I",
"In my military historical novel, that is literally the case; I take my",
"the latest version of [this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I have",
"novels (and then stopped), asked me, \"why is there a deluge of seemingly",
"echoes in the later chapters. Apparently, I put my readers through \"boot camp\"",
"later chapters. Apparently, I put my readers through \"boot camp\" in the first",
"that I believe that I have identified a key issue. Someone who read",
"of [this question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I have identified a key",
"Apparently, I put my readers through \"boot camp\" in the first third of",
"win victory after victory, and the book reads more smoothly because I don't",
"drills to show how they shoot and march faster than the enemy. The",
"How can I make this \"foreshadowing\" more attractive in the early going? For",
"two thirds is fun, because the soldiers win victory after victory, and the",
"the soldiers' drills to show how they shoot and march faster than the",
"soldiers win victory after victory, and the book reads more smoothly because I",
"issues.\" The answer was that I was \"foreshadowing.\" Everything I put into Chapters",
"attractive in the early going? For instance, is there such a thing as",
"issue. Someone who read Chapters 1-3 of one of my novels (and then",
"identified a key issue. Someone who read Chapters 1-3 of one of my",
"have to explain everything each time. How can I make this \"foreshadowing\" more",
"I make this \"foreshadowing\" more attractive in the early going? For instance, is",
"more attractive in the early going? For instance, is there such a thing",
"march faster than the enemy. The second two thirds is fun, because the",
"fun, because the soldiers win victory after victory, and the book reads more",
"and the book reads more smoothly because I don't have to explain everything",
"is literally the case; I take my readers through the soldiers' drills to",
"stopped), asked me, \"why is there a deluge of seemingly unrelated issues.\" The",
"except that I believe that I have identified a key issue. Someone who",
"believe that I have identified a key issue. Someone who read Chapters 1-3",
"me, \"why is there a deluge of seemingly unrelated issues.\" The answer was",
"that I have identified a key issue. Someone who read Chapters 1-3 of",
"was that I was \"foreshadowing.\" Everything I put into Chapters 1-3 had echoes",
"a deluge of seemingly unrelated issues.\" The answer was that I was \"foreshadowing.\"",
"show how they shoot and march faster than the enemy. The second two",
"\"boot camp\" in the first third of my works. In my military historical",
"question](https://writing.stackexchange.com/questions/34224/how-do-i-get-my-readers-through-the-early-hardship-part-of-my-fiction), except that I believe that I have identified a key issue. Someone",
"the soldiers win victory after victory, and the book reads more smoothly because",
"one of my novels (and then stopped), asked me, \"why is there a",
"Everything I put into Chapters 1-3 had echoes in the later chapters. Apparently,",
"had echoes in the later chapters. Apparently, I put my readers through \"boot",
"to show how they shoot and march faster than the enemy. The second",
"into Chapters 1-3 had echoes in the later chapters. Apparently, I put my",
"enemy. The second two thirds is fun, because the soldiers win victory after",
"because the soldiers win victory after victory, and the book reads more smoothly",
"early going? For instance, is there such a thing as \"foreshadowing of foreshadowing?\"",
"of my novels (and then stopped), asked me, \"why is there a deluge"
] |
[
"as true? Perhaps I'm using a bad example, but this is the best",
"something like a comment to emphasize the strength of one of the reasons",
"it since it provides a negative reason for the contrary rather than a",
"convince them of that assertion. The paragraph will be coherent if I then",
"the assertion of the previous paragraph should be accepted as true? Perhaps I'm",
"accepted as true? Perhaps I'm using a bad example, but this is the",
"a bad example, but this is the best I could come up with.",
"topic while still ultimately supporting it since it provides a negative reason for",
"it provides a negative reason for the contrary rather than a positive reason",
"the topic sentence before transitioning to a second paragraph becomes a better idea?",
"separate paragraph in which the focus is on negative reasons for why the",
"In that case, would a negative reason disrupt the flow of the paragraph,",
"reader will assume that the supporting sentences list reasons that would convince them",
"negative reasons for why the assertion of the previous paragraph should be accepted",
"wondering if it is possible to insert something like a comment to emphasize",
"I'm using a bad example, but this is the best I could come",
"them of that assertion. The paragraph will be coherent if I then proceed",
"of a supporting sentence, such as \"after all, if this were not true",
"true it would be...\". Such a comment somewhat deviates from the topic while",
"a negative reason for the contrary rather than a positive reason for the",
"be coherent if I then proceed to list positive reasons for why the",
"sentence, such as \"after all, if this were not true it would be...\".",
"The paragraph will be coherent if I then proceed to list positive reasons",
"a topic sentence consists of an assertion, then the reader will assume that",
"sentences list reasons that would convince them of that assertion. The paragraph will",
"from the topic sentence before transitioning to a second paragraph becomes a better",
"it be a better idea to transition to a separate paragraph in which",
"paragraph in which the focus is on negative reasons for why the assertion",
"assertion. The paragraph will be coherent if I then proceed to list positive",
"negative reason for the contrary rather than a positive reason for the assertion.",
"if this were not true it would be...\". Such a comment somewhat deviates",
"strength of one of the reasons of a supporting sentence, such as \"after",
"possible to insert something like a comment to emphasize the strength of one",
"topic sentence before transitioning to a second paragraph becomes a better idea? For",
"should be accepted as true? Perhaps I'm using a bad example, but this",
"case, would a negative reason disrupt the flow of the paragraph, and would",
"an assertion, then the reader will assume that the supporting sentences list reasons",
"topic sentence consists of an assertion, then the reader will assume that the",
"of that assertion. The paragraph will be coherent if I then proceed to",
"paragraph will be coherent if I then proceed to list positive reasons for",
"a better idea? For example, if a topic sentence consists of an assertion,",
"reason disrupt the flow of the paragraph, and would it be a better",
"transitioning to a second paragraph becomes a better idea? For example, if a",
"deviates from the topic while still ultimately supporting it since it provides a",
"idea to transition to a separate paragraph in which the focus is on",
"on negative reasons for why the assertion of the previous paragraph should be",
"better idea? For example, if a topic sentence consists of an assertion, then",
"then proceed to list positive reasons for why the assertion is true, but",
"assertion is true, but I was wondering if it is possible to insert",
"be a better idea to transition to a separate paragraph in which the",
"this were not true it would be...\". Such a comment somewhat deviates from",
"the contrary rather than a positive reason for the assertion. In that case,",
"reasons for why the assertion of the previous paragraph should be accepted as",
"a negative reason disrupt the flow of the paragraph, and would it be",
"reason for the contrary rather than a positive reason for the assertion. In",
"contrary rather than a positive reason for the assertion. In that case, would",
"becomes a better idea? For example, if a topic sentence consists of an",
"assume that the supporting sentences list reasons that would convince them of that",
"somewhat deviates from the topic while still ultimately supporting it since it provides",
"paragraph, and would it be a better idea to transition to a separate",
"the assertion. In that case, would a negative reason disrupt the flow of",
"the flow of the paragraph, and would it be a better idea to",
"for why the assertion of the previous paragraph should be accepted as true?",
"insert something like a comment to emphasize the strength of one of the",
"rather than a positive reason for the assertion. In that case, would a",
"sentence consists of an assertion, then the reader will assume that the supporting",
"assertion of the previous paragraph should be accepted as true? Perhaps I'm using",
"How much can one deviate from the topic sentence before transitioning to a",
"would it be a better idea to transition to a separate paragraph in",
"list reasons that would convince them of that assertion. The paragraph will be",
"can one deviate from the topic sentence before transitioning to a second paragraph",
"one of the reasons of a supporting sentence, such as \"after all, if",
"true, but I was wondering if it is possible to insert something like",
"would convince them of that assertion. The paragraph will be coherent if I",
"positive reason for the assertion. In that case, would a negative reason disrupt",
"Such a comment somewhat deviates from the topic while still ultimately supporting it",
"negative reason disrupt the flow of the paragraph, and would it be a",
"for the contrary rather than a positive reason for the assertion. In that",
"that assertion. The paragraph will be coherent if I then proceed to list",
"question is: How much can one deviate from the topic sentence before transitioning",
"to list positive reasons for why the assertion is true, but I was",
"reasons for why the assertion is true, but I was wondering if it",
"previous paragraph should be accepted as true? Perhaps I'm using a bad example,",
"second paragraph becomes a better idea? For example, if a topic sentence consists",
"a second paragraph becomes a better idea? For example, if a topic sentence",
"the supporting sentences list reasons that would convince them of that assertion. The",
"using a bad example, but this is the best I could come up",
"paragraph becomes a better idea? For example, if a topic sentence consists of",
"the topic while still ultimately supporting it since it provides a negative reason",
"list positive reasons for why the assertion is true, but I was wondering",
"assertion. In that case, would a negative reason disrupt the flow of the",
"of the reasons of a supporting sentence, such as \"after all, if this",
"to emphasize the strength of one of the reasons of a supporting sentence,",
"supporting it since it provides a negative reason for the contrary rather than",
"coherent if I then proceed to list positive reasons for why the assertion",
"supporting sentence, such as \"after all, if this were not true it would",
"\"after all, if this were not true it would be...\". Such a comment",
"since it provides a negative reason for the contrary rather than a positive",
"is on negative reasons for why the assertion of the previous paragraph should",
"while still ultimately supporting it since it provides a negative reason for the",
"as \"after all, if this were not true it would be...\". Such a",
"reasons that would convince them of that assertion. The paragraph will be coherent",
"comment somewhat deviates from the topic while still ultimately supporting it since it",
"be...\". Such a comment somewhat deviates from the topic while still ultimately supporting",
"I was wondering if it is possible to insert something like a comment",
"from the topic while still ultimately supporting it since it provides a negative",
"for the assertion. In that case, would a negative reason disrupt the flow",
"assertion, then the reader will assume that the supporting sentences list reasons that",
"of an assertion, then the reader will assume that the supporting sentences list",
"to a separate paragraph in which the focus is on negative reasons for",
"a separate paragraph in which the focus is on negative reasons for why",
"to a second paragraph becomes a better idea? For example, if a topic",
"the paragraph, and would it be a better idea to transition to a",
"a supporting sentence, such as \"after all, if this were not true it",
"before transitioning to a second paragraph becomes a better idea? For example, if",
"true? Perhaps I'm using a bad example, but this is the best I",
"were not true it would be...\". Such a comment somewhat deviates from the",
"of the previous paragraph should be accepted as true? Perhaps I'm using a",
"consists of an assertion, then the reader will assume that the supporting sentences",
"all, if this were not true it would be...\". Such a comment somewhat",
"positive reasons for why the assertion is true, but I was wondering if",
"such as \"after all, if this were not true it would be...\". Such",
"will assume that the supporting sentences list reasons that would convince them of",
"a better idea to transition to a separate paragraph in which the focus",
"a comment to emphasize the strength of one of the reasons of a",
"ultimately supporting it since it provides a negative reason for the contrary rather",
"a comment somewhat deviates from the topic while still ultimately supporting it since",
"example, if a topic sentence consists of an assertion, then the reader will",
"would a negative reason disrupt the flow of the paragraph, and would it",
"of the paragraph, and would it be a better idea to transition to",
"that case, would a negative reason disrupt the flow of the paragraph, and",
"it is possible to insert something like a comment to emphasize the strength",
"one deviate from the topic sentence before transitioning to a second paragraph becomes",
"the strength of one of the reasons of a supporting sentence, such as",
"comment to emphasize the strength of one of the reasons of a supporting",
"flow of the paragraph, and would it be a better idea to transition",
"better idea to transition to a separate paragraph in which the focus is",
"if a topic sentence consists of an assertion, then the reader will assume",
"the assertion is true, but I was wondering if it is possible to",
"would be...\". Such a comment somewhat deviates from the topic while still ultimately",
"still ultimately supporting it since it provides a negative reason for the contrary",
"provides a negative reason for the contrary rather than a positive reason for",
"is: How much can one deviate from the topic sentence before transitioning to",
"that the supporting sentences list reasons that would convince them of that assertion.",
"but I was wondering if it is possible to insert something like a",
"to insert something like a comment to emphasize the strength of one of",
"it would be...\". Such a comment somewhat deviates from the topic while still",
"if it is possible to insert something like a comment to emphasize the",
"Perhaps I'm using a bad example, but this is the best I could",
"not true it would be...\". Such a comment somewhat deviates from the topic",
"focus is on negative reasons for why the assertion of the previous paragraph",
"will be coherent if I then proceed to list positive reasons for why",
"reasons of a supporting sentence, such as \"after all, if this were not",
"why the assertion of the previous paragraph should be accepted as true? Perhaps",
"like a comment to emphasize the strength of one of the reasons of",
"is true, but I was wondering if it is possible to insert something",
"the reasons of a supporting sentence, such as \"after all, if this were",
"transition to a separate paragraph in which the focus is on negative reasons",
"be accepted as true? Perhaps I'm using a bad example, but this is",
"in which the focus is on negative reasons for why the assertion of",
"supporting sentences list reasons that would convince them of that assertion. The paragraph",
"why the assertion is true, but I was wondering if it is possible",
"than a positive reason for the assertion. In that case, would a negative",
"a positive reason for the assertion. In that case, would a negative reason",
"reason for the assertion. In that case, would a negative reason disrupt the",
"the reader will assume that the supporting sentences list reasons that would convince",
"to transition to a separate paragraph in which the focus is on negative",
"which the focus is on negative reasons for why the assertion of the",
"the previous paragraph should be accepted as true? Perhaps I'm using a bad",
"I then proceed to list positive reasons for why the assertion is true,",
"idea? For example, if a topic sentence consists of an assertion, then the",
"the focus is on negative reasons for why the assertion of the previous",
"of one of the reasons of a supporting sentence, such as \"after all,",
"if I then proceed to list positive reasons for why the assertion is",
"is possible to insert something like a comment to emphasize the strength of",
"disrupt the flow of the paragraph, and would it be a better idea",
"For example, if a topic sentence consists of an assertion, then the reader",
"emphasize the strength of one of the reasons of a supporting sentence, such",
"and would it be a better idea to transition to a separate paragraph",
"My question is: How much can one deviate from the topic sentence before",
"sentence before transitioning to a second paragraph becomes a better idea? For example,",
"was wondering if it is possible to insert something like a comment to",
"for why the assertion is true, but I was wondering if it is",
"paragraph should be accepted as true? Perhaps I'm using a bad example, but",
"proceed to list positive reasons for why the assertion is true, but I",
"that would convince them of that assertion. The paragraph will be coherent if",
"then the reader will assume that the supporting sentences list reasons that would",
"deviate from the topic sentence before transitioning to a second paragraph becomes a",
"much can one deviate from the topic sentence before transitioning to a second"
] |
[
"(except red arrows - which lead to game over) It was pretty hard",
"In one complicated dialogue I wrote in Google Drawings, it looks like this",
"dialogue I wrote in Google Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore",
"those long arrows - even now when I opened it, Chrome barely could",
"it - it was lagging as hell What software are you using? Or",
"software for making non-linear story or dialogues? I tried MS Word/Google Docs but",
"see some problems here) As you can see, all ways lead to the",
"complicated dialogue I wrote in Google Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png)",
"I think it's not final version - I see some problems here) As",
"that's not good for dialogues. In one complicated dialogue I wrote in Google",
"but that's not good for dialogues. In one complicated dialogue I wrote in",
"all ways lead to the bottom node (except red arrows - which lead",
"for dialogues. In one complicated dialogue I wrote in Google Drawings, it looks",
"dialogues. In one complicated dialogue I wrote in Google Drawings, it looks like",
"to game over) It was pretty hard to make it, especially those long",
"even now when I opened it, Chrome barely could do it - it",
"problems here) As you can see, all ways lead to the bottom node",
"it, especially those long arrows - even now when I opened it, Chrome",
"now when I opened it, Chrome barely could do it - it was",
"long arrows - even now when I opened it, Chrome barely could do",
"see, all ways lead to the bottom node (except red arrows - which",
"not final version - I see some problems here) As you can see,",
"to make it, especially those long arrows - even now when I opened",
"was lagging as hell What software are you using? Or maybe there's a",
"not good for dialogues. In one complicated dialogue I wrote in Google Drawings,",
"ways lead to the bottom node (except red arrows - which lead to",
"I see some problems here) As you can see, all ways lead to",
"the bottom node (except red arrows - which lead to game over) It",
"arrows - which lead to game over) It was pretty hard to make",
"Word/Google Docs but that's not good for dialogues. In one complicated dialogue I",
"over) It was pretty hard to make it, especially those long arrows -",
"in Google Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I",
"which lead to game over) It was pretty hard to make it, especially",
"- even now when I opened it, Chrome barely could do it -",
"game over) It was pretty hard to make it, especially those long arrows",
"lead to the bottom node (except red arrows - which lead to game",
"was pretty hard to make it, especially those long arrows - even now",
"are you using? Or maybe there's a software dedicated to make non-linear story?",
"can see, all ways lead to the bottom node (except red arrows -",
"It was pretty hard to make it, especially those long arrows - even",
"or dialogues? I tried MS Word/Google Docs but that's not good for dialogues.",
"wrote in Google Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks;",
"story or dialogues? I tried MS Word/Google Docs but that's not good for",
"one complicated dialogue I wrote in Google Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those",
"I opened it, Chrome barely could do it - it was lagging as",
"Chrome barely could do it - it was lagging as hell What software",
"think it's not final version - I see some problems here) As you",
"looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's not final",
"Docs but that's not good for dialogues. In one complicated dialogue I wrote",
"tried MS Word/Google Docs but that's not good for dialogues. In one complicated",
"- it was lagging as hell What software are you using? Or maybe",
"do it - it was lagging as hell What software are you using?",
"here) As you can see, all ways lead to the bottom node (except",
"making non-linear story or dialogues? I tried MS Word/Google Docs but that's not",
"any software for making non-linear story or dialogues? I tried MS Word/Google Docs",
"lagging as hell What software are you using? Or maybe there's a software",
"it, Chrome barely could do it - it was lagging as hell What",
"red arrows - which lead to game over) It was pretty hard to",
"hard to make it, especially those long arrows - even now when I",
"you can see, all ways lead to the bottom node (except red arrows",
"Is there any software for making non-linear story or dialogues? I tried MS",
"ticks; I think it's not final version - I see some problems here)",
"it was lagging as hell What software are you using? Or maybe there's",
"arrows - even now when I opened it, Chrome barely could do it",
"opened it, Chrome barely could do it - it was lagging as hell",
"some problems here) As you can see, all ways lead to the bottom",
"those ticks; I think it's not final version - I see some problems",
"especially those long arrows - even now when I opened it, Chrome barely",
"final version - I see some problems here) As you can see, all",
"[](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's not final version - I",
"lead to game over) It was pretty hard to make it, especially those",
"to the bottom node (except red arrows - which lead to game over)",
"- I see some problems here) As you can see, all ways lead",
"pretty hard to make it, especially those long arrows - even now when",
"hell What software are you using? Or maybe there's a software dedicated to",
"I tried MS Word/Google Docs but that's not good for dialogues. In one",
"this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's not final version -",
"could do it - it was lagging as hell What software are you",
"good for dialogues. In one complicated dialogue I wrote in Google Drawings, it",
"node (except red arrows - which lead to game over) It was pretty",
"there any software for making non-linear story or dialogues? I tried MS Word/Google",
"like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's not final version",
"for making non-linear story or dialogues? I tried MS Word/Google Docs but that's",
"dialogue](https://i.stack.imgur.com/hNx3B.png)](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's not final version - I see",
"What software are you using? Or maybe there's a software dedicated to make",
"Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's",
"Google Drawings, it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think",
"make it, especially those long arrows - even now when I opened it,",
"barely could do it - it was lagging as hell What software are",
"software are you using? Or maybe there's a software dedicated to make non-linear",
"(Ignore those ticks; I think it's not final version - I see some",
"it's not final version - I see some problems here) As you can",
"when I opened it, Chrome barely could do it - it was lagging",
"dialogues? I tried MS Word/Google Docs but that's not good for dialogues. In",
"as hell What software are you using? Or maybe there's a software dedicated",
"non-linear story or dialogues? I tried MS Word/Google Docs but that's not good",
"it looks like this [](https://i.stack.imgur.com/hNx3B.png) (Ignore those ticks; I think it's not",
"As you can see, all ways lead to the bottom node (except red"
] |
[
"I wonder what that looks like and how they are able to do",
"come across the comment that experienced writers are able to put their topic",
"but I wonder what that looks like and how they are able to",
"like and how they are able to do this. How would one go",
"able to do this. How would one go about accomplishing that? What would",
"How would one go about accomplishing that? What would such a paragraph look",
"a paragraph, but I wonder what that looks like and how they are",
"writers are able to put their topic sentence anywhere in a paragraph, but",
"to put their topic sentence anywhere in a paragraph, but I wonder what",
"able to put their topic sentence anywhere in a paragraph, but I wonder",
"I have repeatedly come across the comment that experienced writers are able to",
"topic sentence anywhere in a paragraph, but I wonder what that looks like",
"are able to do this. How would one go about accomplishing that? What",
"experienced writers are able to put their topic sentence anywhere in a paragraph,",
"repeatedly come across the comment that experienced writers are able to put their",
"looks like and how they are able to do this. How would one",
"do this. How would one go about accomplishing that? What would such a",
"in a paragraph, but I wonder what that looks like and how they",
"paragraph, but I wonder what that looks like and how they are able",
"are able to put their topic sentence anywhere in a paragraph, but I",
"have repeatedly come across the comment that experienced writers are able to put",
"that looks like and how they are able to do this. How would",
"sentence anywhere in a paragraph, but I wonder what that looks like and",
"they are able to do this. How would one go about accomplishing that?",
"would one go about accomplishing that? What would such a paragraph look like?",
"anywhere in a paragraph, but I wonder what that looks like and how",
"across the comment that experienced writers are able to put their topic sentence",
"to do this. How would one go about accomplishing that? What would such",
"this. How would one go about accomplishing that? What would such a paragraph",
"what that looks like and how they are able to do this. How",
"wonder what that looks like and how they are able to do this.",
"put their topic sentence anywhere in a paragraph, but I wonder what that",
"the comment that experienced writers are able to put their topic sentence anywhere",
"and how they are able to do this. How would one go about",
"that experienced writers are able to put their topic sentence anywhere in a",
"how they are able to do this. How would one go about accomplishing",
"their topic sentence anywhere in a paragraph, but I wonder what that looks",
"comment that experienced writers are able to put their topic sentence anywhere in"
] |
[
"of whether the bridge sentence should follow, replace, or merge with the concluding",
"from one paragraph to another in the body text, but there are a",
"it if it is placed in the previous paragraph, or whether it should",
"the concluding sentence it if it is placed in the previous paragraph, or",
"or merge with the concluding sentence it if it is placed in the",
"to transition smoothly from one paragraph to another in the body text, but",
"is placed in the previous paragraph, or whether it should precede, replace, or",
"know which is best. For instance, I could place the bridge sentence in",
"it is placed in the previous paragraph, or whether it should precede, replace,",
"in the previous paragraph, or whether it should precede, replace, or merge with",
"There's also the question of whether the bridge sentence should follow, replace, or",
"could place the bridge sentence in the previous or next paragraph, or I",
"previous or next paragraph, or I could switch it up. There's also the",
"a number of ways to do it and I don't know which is",
"to know how to transition smoothly from one paragraph to another in the",
"it and I don't know which is best. For instance, I could place",
"sentence in the previous or next paragraph, or I could switch it up.",
"of ways to do it and I don't know which is best. For",
"also the question of whether the bridge sentence should follow, replace, or merge",
"there are a number of ways to do it and I don't know",
"the question of whether the bridge sentence should follow, replace, or merge with",
"whether it should precede, replace, or merge with the topic sentence if it",
"paragraph, or whether it should precede, replace, or merge with the topic sentence",
"in the body text, but there are a number of ways to do",
"instance, I could place the bridge sentence in the previous or next paragraph,",
"For instance, I could place the bridge sentence in the previous or next",
"in the previous or next paragraph, or I could switch it up. There's",
"previous paragraph, or whether it should precede, replace, or merge with the topic",
"text, but there are a number of ways to do it and I",
"should follow, replace, or merge with the concluding sentence it if it is",
"with the concluding sentence it if it is placed in the previous paragraph,",
"to do it and I don't know which is best. For instance, I",
"to another in the body text, but there are a number of ways",
"desire to know how to transition smoothly from one paragraph to another in",
"merge with the topic sentence if it is placed in the next paragraph.",
"bridge sentence should follow, replace, or merge with the concluding sentence it if",
"if it is placed in the previous paragraph, or whether it should precede,",
"one paragraph to another in the body text, but there are a number",
"question of whether the bridge sentence should follow, replace, or merge with the",
"is best. For instance, I could place the bridge sentence in the previous",
"placed in the previous paragraph, or whether it should precede, replace, or merge",
"should precede, replace, or merge with the topic sentence if it is placed",
"replace, or merge with the concluding sentence it if it is placed in",
"which is best. For instance, I could place the bridge sentence in the",
"ways to do it and I don't know which is best. For instance,",
"or I could switch it up. There's also the question of whether the",
"I could place the bridge sentence in the previous or next paragraph, or",
"know how to transition smoothly from one paragraph to another in the body",
"it up. There's also the question of whether the bridge sentence should follow,",
"next paragraph, or I could switch it up. There's also the question of",
"the bridge sentence should follow, replace, or merge with the concluding sentence it",
"but there are a number of ways to do it and I don't",
"follow, replace, or merge with the concluding sentence it if it is placed",
"another in the body text, but there are a number of ways to",
"or whether it should precede, replace, or merge with the topic sentence if",
"replace, or merge with the topic sentence if it is placed in the",
"smoothly from one paragraph to another in the body text, but there are",
"how to transition smoothly from one paragraph to another in the body text,",
"or next paragraph, or I could switch it up. There's also the question",
"paragraph to another in the body text, but there are a number of",
"don't know which is best. For instance, I could place the bridge sentence",
"I desire to know how to transition smoothly from one paragraph to another",
"concluding sentence it if it is placed in the previous paragraph, or whether",
"whether the bridge sentence should follow, replace, or merge with the concluding sentence",
"it should precede, replace, or merge with the topic sentence if it is",
"merge with the concluding sentence it if it is placed in the previous",
"body text, but there are a number of ways to do it and",
"are a number of ways to do it and I don't know which",
"bridge sentence in the previous or next paragraph, or I could switch it",
"sentence should follow, replace, or merge with the concluding sentence it if it",
"paragraph, or I could switch it up. There's also the question of whether",
"up. There's also the question of whether the bridge sentence should follow, replace,",
"the body text, but there are a number of ways to do it",
"precede, replace, or merge with the topic sentence if it is placed in",
"place the bridge sentence in the previous or next paragraph, or I could",
"number of ways to do it and I don't know which is best.",
"I don't know which is best. For instance, I could place the bridge",
"switch it up. There's also the question of whether the bridge sentence should",
"do it and I don't know which is best. For instance, I could",
"I could switch it up. There's also the question of whether the bridge",
"the previous paragraph, or whether it should precede, replace, or merge with the",
"could switch it up. There's also the question of whether the bridge sentence",
"transition smoothly from one paragraph to another in the body text, but there",
"the previous or next paragraph, or I could switch it up. There's also",
"best. For instance, I could place the bridge sentence in the previous or",
"and I don't know which is best. For instance, I could place the",
"or merge with the topic sentence if it is placed in the next",
"the bridge sentence in the previous or next paragraph, or I could switch",
"sentence it if it is placed in the previous paragraph, or whether it"
] |
[
"members of that group? For example, one of the villain in my book",
"nursing home. His only family is his billionaire son who doesn't have time",
"kind of a character without upsetting veterans, families of them, and people who",
"incident. From this he lost most of his limbs and was left to",
"respect. What makes this character a villain is that he gets hired out",
"the villain of your story is a member of a certain group, how",
"of his limbs and was left to rot in some old garbage nursing",
"against veterans and they have my respect. What makes this character a villain",
"hired out to kill. The villain was one of the victims of the",
"for his old man and only takes care of his father for the",
"simply his father is a prisoner of the nursing home, and from this",
"his mind cracked, making him a prisoner of his time. And his son",
"him a prisoner of his time. And his son payed to give him",
"story from being offensive to members of that group? For example, one of",
"of his time. And his son payed to give him robotic limbs for",
"veterans and they have my respect. What makes this character a villain is",
"And his son payed to give him robotic limbs for more good press",
"home. His only family is his billionaire son who doesn't have time for",
"this his mind cracked, making him a prisoner of his time. And his",
"without offending someone? This seems like an especially tough question for a group",
"man and only takes care of his father for the good press. To",
"the nursing home, and from this his mind cracked, making him a prisoner",
"For example, one of the villain in my book is a WWII veteran.",
"to give him robotic limbs for more good press and to sponsor an",
"to make this question general, how can you make a very specific character",
"out as an assassin, and with this upgraded his limbs into weapons. Now",
"delusions the veteran went out and made a lot of money getting hired",
"he lost most of his limbs and was left to rot in some",
"is a prisoner of the nursing home, and from this his mind cracked,",
"lost their limbs? Or, to make this question general, how can you make",
"To put it simply his father is a prisoner of the nursing home,",
"anything I should be careful of when making character like this and how",
"is a member of a certain group, how do you keep the story",
"it clear I have nothing against veterans and they have my respect. What",
"(CL/CA-35) incident. From this he lost most of his limbs and was left",
"group? For example, one of the villain in my book is a WWII",
"limbs for more good press and to sponsor an company who would give",
"general, how can you make a very specific character villainous without offending someone?",
"who doesn't have time for his old man and only takes care of",
"of the way is their anything I should be careful of when making",
"of a character without upsetting veterans, families of them, and people who have",
"payed to give him robotic limbs for more good press and to sponsor",
"a very specific character villainous without offending someone? This seems like an especially",
"the villain in my book is a WWII veteran. I want to make",
"prisoner of the nursing home, and from this his mind cracked, making him",
"is a WWII veteran. I want to make it clear I have nothing",
"clear I have nothing against veterans and they have my respect. What makes",
"keep the story from being offensive to members of that group? For example,",
"I want to make it clear I have nothing against veterans and they",
"good press. To put it simply his father is a prisoner of the",
"and from this his mind cracked, making him a prisoner of his time.",
"big fat check for it. And from his delusions the veteran went out",
"father is a prisoner of the nursing home, and from this his mind",
"veteran. I want to make it clear I have nothing against veterans and",
"him robotic limbs for more good press and to sponsor an company who",
"From this he lost most of his limbs and was left to rot",
"is his billionaire son who doesn't have time for his old man and",
"my respect. What makes this character a villain is that he gets hired",
"some old garbage nursing home. His only family is his billionaire son who",
"press and to sponsor an company who would give a big fat check",
"And from his delusions the veteran went out and made a lot of",
"making character like this and how can I make this kind of a",
"of his father for the good press. To put it simply his father",
"mind cracked, making him a prisoner of his time. And his son payed",
"character villainous without offending someone? This seems like an especially tough question for",
"you make a very specific character villainous without offending someone? This seems like",
"and how can I make this kind of a character without upsetting veterans,",
"offending someone? This seems like an especially tough question for a group that",
"veteran went out and made a lot of money getting hired out as",
"son payed to give him robotic limbs for more good press and to",
"money getting hired out as an assassin, and with this upgraded his limbs",
"hired out as an assassin, and with this upgraded his limbs into weapons.",
"his old man and only takes care of his father for the good",
"offensive to members of that group? For example, one of the villain in",
"it simply his father is a prisoner of the nursing home, and from",
"Or, to make this question general, how can you make a very specific",
"make a very specific character villainous without offending someone? This seems like an",
"billionaire son who doesn't have time for his old man and only takes",
"kill. The villain was one of the victims of the USS Indianapolis (CL/CA-35)",
"limbs? Or, to make this question general, how can you make a very",
"I have nothing against veterans and they have my respect. What makes this",
"to rot in some old garbage nursing home. His only family is his",
"family is his billionaire son who doesn't have time for his old man",
"character without upsetting veterans, families of them, and people who have lost their",
"into weapons. Now after all of that backstory is out of the way",
"is out of the way is their anything I should be careful of",
"only takes care of his father for the good press. To put it",
"limbs and was left to rot in some old garbage nursing home. His",
"The villain was one of the victims of the USS Indianapolis (CL/CA-35) incident.",
"of that backstory is out of the way is their anything I should",
"and to sponsor an company who would give a big fat check for",
"out and made a lot of money getting hired out as an assassin,",
"of a certain group, how do you keep the story from being offensive",
"have my respect. What makes this character a villain is that he gets",
"especially tough question for a group that a lot of people respect, like",
"seems like an especially tough question for a group that a lot of",
"weapons. Now after all of that backstory is out of the way is",
"how can I make this kind of a character without upsetting veterans, families",
"of your story is a member of a certain group, how do you",
"a WWII veteran. I want to make it clear I have nothing against",
"after all of that backstory is out of the way is their anything",
"example, one of the villain in my book is a WWII veteran. I",
"that he gets hired out to kill. The villain was one of the",
"the veteran went out and made a lot of money getting hired out",
"a prisoner of the nursing home, and from this his mind cracked, making",
"only family is his billionaire son who doesn't have time for his old",
"assassin, and with this upgraded his limbs into weapons. Now after all of",
"villainous without offending someone? This seems like an especially tough question for a",
"families of them, and people who have lost their limbs? Or, to make",
"his limbs into weapons. Now after all of that backstory is out of",
"check for it. And from his delusions the veteran went out and made",
"from being offensive to members of that group? For example, one of the",
"the way is their anything I should be careful of when making character",
"old garbage nursing home. His only family is his billionaire son who doesn't",
"have nothing against veterans and they have my respect. What makes this character",
"his time. And his son payed to give him robotic limbs for more",
"a prisoner of his time. And his son payed to give him robotic",
"time. And his son payed to give him robotic limbs for more good",
"upgraded his limbs into weapons. Now after all of that backstory is out",
"making him a prisoner of his time. And his son payed to give",
"how can you make a very specific character villainous without offending someone? This",
"they have my respect. What makes this character a villain is that he",
"he gets hired out to kill. The villain was one of the victims",
"of that group? For example, one of the villain in my book is",
"an assassin, and with this upgraded his limbs into weapons. Now after all",
"can I make this kind of a character without upsetting veterans, families of",
"a villain is that he gets hired out to kill. The villain was",
"an especially tough question for a group that a lot of people respect,",
"the USS Indianapolis (CL/CA-35) incident. From this he lost most of his limbs",
"for it. And from his delusions the veteran went out and made a",
"character a villain is that he gets hired out to kill. The villain",
"getting hired out as an assassin, and with this upgraded his limbs into",
"this and how can I make this kind of a character without upsetting",
"the good press. To put it simply his father is a prisoner of",
"home, and from this his mind cracked, making him a prisoner of his",
"of money getting hired out as an assassin, and with this upgraded his",
"for more good press and to sponsor an company who would give a",
"most of his limbs and was left to rot in some old garbage",
"my book is a WWII veteran. I want to make it clear I",
"made a lot of money getting hired out as an assassin, and with",
"a member of a certain group, how do you keep the story from",
"Now after all of that backstory is out of the way is their",
"that backstory is out of the way is their anything I should be",
"I should be careful of when making character like this and how can",
"of them, and people who have lost their limbs? Or, to make this",
"like this and how can I make this kind of a character without",
"lost most of his limbs and was left to rot in some old",
"tough question for a group that a lot of people respect, like veterans.",
"of the victims of the USS Indianapolis (CL/CA-35) incident. From this he lost",
"press. To put it simply his father is a prisoner of the nursing",
"book is a WWII veteran. I want to make it clear I have",
"put it simply his father is a prisoner of the nursing home, and",
"Indianapolis (CL/CA-35) incident. From this he lost most of his limbs and was",
"a big fat check for it. And from his delusions the veteran went",
"it. And from his delusions the veteran went out and made a lot",
"character like this and how can I make this kind of a character",
"His only family is his billionaire son who doesn't have time for his",
"and only takes care of his father for the good press. To put",
"their anything I should be careful of when making character like this and",
"time for his old man and only takes care of his father for",
"was left to rot in some old garbage nursing home. His only family",
"robotic limbs for more good press and to sponsor an company who would",
"and people who have lost their limbs? Or, to make this question general,",
"backstory is out of the way is their anything I should be careful",
"villain was one of the victims of the USS Indianapolis (CL/CA-35) incident. From",
"sponsor an company who would give a big fat check for it. And",
"lot of money getting hired out as an assassin, and with this upgraded",
"as an assassin, and with this upgraded his limbs into weapons. Now after",
"this character a villain is that he gets hired out to kill. The",
"to kill. The villain was one of the victims of the USS Indianapolis",
"for the good press. To put it simply his father is a prisoner",
"nursing home, and from this his mind cracked, making him a prisoner of",
"way is their anything I should be careful of when making character like",
"without upsetting veterans, families of them, and people who have lost their limbs?",
"This seems like an especially tough question for a group that a lot",
"that group? For example, one of the villain in my book is a",
"someone? This seems like an especially tough question for a group that a",
"nothing against veterans and they have my respect. What makes this character a",
"specific character villainous without offending someone? This seems like an especially tough question",
"more good press and to sponsor an company who would give a big",
"this he lost most of his limbs and was left to rot in",
"garbage nursing home. His only family is his billionaire son who doesn't have",
"the story from being offensive to members of that group? For example, one",
"gets hired out to kill. The villain was one of the victims of",
"do you keep the story from being offensive to members of that group?",
"have time for his old man and only takes care of his father",
"make it clear I have nothing against veterans and they have my respect.",
"veterans, families of them, and people who have lost their limbs? Or, to",
"to members of that group? For example, one of the villain in my",
"who have lost their limbs? Or, to make this question general, how can",
"villain in my book is a WWII veteran. I want to make it",
"like an especially tough question for a group that a lot of people",
"limbs into weapons. Now after all of that backstory is out of the",
"USS Indianapolis (CL/CA-35) incident. From this he lost most of his limbs and",
"his son payed to give him robotic limbs for more good press and",
"careful of when making character like this and how can I make this",
"with this upgraded his limbs into weapons. Now after all of that backstory",
"villain of your story is a member of a certain group, how do",
"the victims of the USS Indianapolis (CL/CA-35) incident. From this he lost most",
"very specific character villainous without offending someone? This seems like an especially tough",
"and they have my respect. What makes this character a villain is that",
"in some old garbage nursing home. His only family is his billionaire son",
"should be careful of when making character like this and how can I",
"of the USS Indianapolis (CL/CA-35) incident. From this he lost most of his",
"from this his mind cracked, making him a prisoner of his time. And",
"villain is that he gets hired out to kill. The villain was one",
"who would give a big fat check for it. And from his delusions",
"be careful of when making character like this and how can I make",
"this upgraded his limbs into weapons. Now after all of that backstory is",
"being offensive to members of that group? For example, one of the villain",
"one of the villain in my book is a WWII veteran. I want",
"out to kill. The villain was one of the victims of the USS",
"If the villain of your story is a member of a certain group,",
"fat check for it. And from his delusions the veteran went out and",
"out of the way is their anything I should be careful of when",
"member of a certain group, how do you keep the story from being",
"in my book is a WWII veteran. I want to make it clear",
"of the villain in my book is a WWII veteran. I want to",
"doesn't have time for his old man and only takes care of his",
"would give a big fat check for it. And from his delusions the",
"how do you keep the story from being offensive to members of that",
"one of the victims of the USS Indianapolis (CL/CA-35) incident. From this he",
"old man and only takes care of his father for the good press.",
"victims of the USS Indianapolis (CL/CA-35) incident. From this he lost most of",
"of the nursing home, and from this his mind cracked, making him a",
"takes care of his father for the good press. To put it simply",
"and with this upgraded his limbs into weapons. Now after all of that",
"an company who would give a big fat check for it. And from",
"you keep the story from being offensive to members of that group? For",
"your story is a member of a certain group, how do you keep",
"group, how do you keep the story from being offensive to members of",
"his limbs and was left to rot in some old garbage nursing home.",
"I make this kind of a character without upsetting veterans, families of them,",
"have lost their limbs? Or, to make this question general, how can you",
"from his delusions the veteran went out and made a lot of money",
"can you make a very specific character villainous without offending someone? This seems",
"give a big fat check for it. And from his delusions the veteran",
"father for the good press. To put it simply his father is a",
"question general, how can you make a very specific character villainous without offending",
"was one of the victims of the USS Indianapolis (CL/CA-35) incident. From this",
"story is a member of a certain group, how do you keep the",
"a certain group, how do you keep the story from being offensive to",
"prisoner of his time. And his son payed to give him robotic limbs",
"a character without upsetting veterans, families of them, and people who have lost",
"good press and to sponsor an company who would give a big fat",
"company who would give a big fat check for it. And from his",
"makes this character a villain is that he gets hired out to kill.",
"care of his father for the good press. To put it simply his",
"cracked, making him a prisoner of his time. And his son payed to",
"people who have lost their limbs? Or, to make this question general, how",
"son who doesn't have time for his old man and only takes care",
"his delusions the veteran went out and made a lot of money getting",
"WWII veteran. I want to make it clear I have nothing against veterans",
"his father is a prisoner of the nursing home, and from this his",
"give him robotic limbs for more good press and to sponsor an company",
"a lot of money getting hired out as an assassin, and with this",
"and was left to rot in some old garbage nursing home. His only",
"went out and made a lot of money getting hired out as an",
"to sponsor an company who would give a big fat check for it.",
"and made a lot of money getting hired out as an assassin, and",
"make this kind of a character without upsetting veterans, families of them, and",
"this question general, how can you make a very specific character villainous without",
"his billionaire son who doesn't have time for his old man and only",
"What makes this character a villain is that he gets hired out to",
"rot in some old garbage nursing home. His only family is his billionaire",
"their limbs? Or, to make this question general, how can you make a",
"this kind of a character without upsetting veterans, families of them, and people",
"is their anything I should be careful of when making character like this",
"upsetting veterans, families of them, and people who have lost their limbs? Or,",
"of when making character like this and how can I make this kind",
"them, and people who have lost their limbs? Or, to make this question",
"certain group, how do you keep the story from being offensive to members",
"left to rot in some old garbage nursing home. His only family is",
"when making character like this and how can I make this kind of",
"all of that backstory is out of the way is their anything I",
"is that he gets hired out to kill. The villain was one of",
"to make it clear I have nothing against veterans and they have my",
"want to make it clear I have nothing against veterans and they have",
"make this question general, how can you make a very specific character villainous",
"his father for the good press. To put it simply his father is"
] |
[
"something like, \"But I take what I believe to be your main point,",
"that this foreshadowing scene should be in Chapter 10 or 11, because the",
"or 11, because the main scene takes place in Chapter 12. Is this",
"Chapter 2 was too early for this material, when other matters were more",
"to be your main point, which was that Chapter 2 was too early",
"in Chapter 12. Is this a good way to look at things? Could",
"to look at things? Could it have been that the real problem was",
"that the real problem was that the scene was in the wrong place,",
"This question is a followup to my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with",
"like, \"But I take what I believe to be your main point, which",
"one critic, I wrote back that I believed that certain \"foreshadowing\" was necessary.",
"was necessary. Then I added something like, \"But I take what I believe",
"was too early for this material, when other matters were more pressing.\" I",
"in Chapter 10 or 11, because the main scene takes place in Chapter",
"that Chapter 2 was too early for this material, when other matters were",
"place in Chapter 12. Is this a good way to look at things?",
"critic, I wrote back that I believed that certain \"foreshadowing\" was necessary. Then",
"material, when other matters were more pressing.\" I now believe that this foreshadowing",
"be your main point, which was that Chapter 2 was too early for",
"because the main scene takes place in Chapter 12. Is this a good",
"back that I believed that certain \"foreshadowing\" was necessary. Then I added something",
"things? Could it have been that the real problem was that the scene",
"too early for this material, when other matters were more pressing.\" I now",
"good way to look at things? Could it have been that the real",
"I added something like, \"But I take what I believe to be your",
"I believed that certain \"foreshadowing\" was necessary. Then I added something like, \"But",
"my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one critic, I wrote back",
"the real problem was that the scene was in the wrong place, even",
"foreshadowing scene should be in Chapter 10 or 11, because the main scene",
"the dialog with my one critic, I wrote back that I believed that",
"takes place in Chapter 12. Is this a good way to look at",
"added something like, \"But I take what I believe to be your main",
"more pressing.\" I now believe that this foreshadowing scene should be in Chapter",
"2 was too early for this material, when other matters were more pressing.\"",
"real problem was that the scene was in the wrong place, even though",
"when other matters were more pressing.\" I now believe that this foreshadowing scene",
"I now believe that this foreshadowing scene should be in Chapter 10 or",
"scene takes place in Chapter 12. Is this a good way to look",
"early for this material, when other matters were more pressing.\" I now believe",
"other matters were more pressing.\" I now believe that this foreshadowing scene should",
"Could it have been that the real problem was that the scene was",
"was that Chapter 2 was too early for this material, when other matters",
"Chapter 12. Is this a good way to look at things? Could it",
"with my one critic, I wrote back that I believed that certain \"foreshadowing\"",
"scene should be in Chapter 10 or 11, because the main scene takes",
"11, because the main scene takes place in Chapter 12. Is this a",
"question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one critic, I wrote back that I",
"I believe to be your main point, which was that Chapter 2 was",
"Chapter 10 or 11, because the main scene takes place in Chapter 12.",
"have been that the real problem was that the scene was in the",
"main point, which was that Chapter 2 was too early for this material,",
"matters were more pressing.\" I now believe that this foreshadowing scene should be",
"be in Chapter 10 or 11, because the main scene takes place in",
"\"But I take what I believe to be your main point, which was",
"I wrote back that I believed that certain \"foreshadowing\" was necessary. Then I",
"question is a followup to my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my",
"were more pressing.\" I now believe that this foreshadowing scene should be in",
"the main scene takes place in Chapter 12. Is this a good way",
"it have been that the real problem was that the scene was in",
"Is this a good way to look at things? Could it have been",
"I take what I believe to be your main point, which was that",
"take what I believe to be your main point, which was that Chapter",
"Then I added something like, \"But I take what I believe to be",
"should be in Chapter 10 or 11, because the main scene takes place",
"certain \"foreshadowing\" was necessary. Then I added something like, \"But I take what",
"your main point, which was that Chapter 2 was too early for this",
"followup to my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one critic, I",
"what I believe to be your main point, which was that Chapter 2",
"dialog with my one critic, I wrote back that I believed that certain",
"\"foreshadowing\" was necessary. Then I added something like, \"But I take what I",
"believe to be your main point, which was that Chapter 2 was too",
"Continuing the dialog with my one critic, I wrote back that I believed",
"this a good way to look at things? Could it have been that",
"12. Is this a good way to look at things? Could it have",
"pressing.\" I now believe that this foreshadowing scene should be in Chapter 10",
"for this material, when other matters were more pressing.\" I now believe that",
"to my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one critic, I wrote",
"that I believed that certain \"foreshadowing\" was necessary. Then I added something like,",
"necessary. Then I added something like, \"But I take what I believe to",
"is a followup to my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one",
"that certain \"foreshadowing\" was necessary. Then I added something like, \"But I take",
"main scene takes place in Chapter 12. Is this a good way to",
"wrote back that I believed that certain \"foreshadowing\" was necessary. Then I added",
"at things? Could it have been that the real problem was that the",
"now believe that this foreshadowing scene should be in Chapter 10 or 11,",
"look at things? Could it have been that the real problem was that",
"point, which was that Chapter 2 was too early for this material, when",
"10 or 11, because the main scene takes place in Chapter 12. Is",
"believed that certain \"foreshadowing\" was necessary. Then I added something like, \"But I",
"a followup to my [earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one critic,",
"way to look at things? Could it have been that the real problem",
"problem was that the scene was in the wrong place, even though necessary?",
"my one critic, I wrote back that I believed that certain \"foreshadowing\" was",
"which was that Chapter 2 was too early for this material, when other",
"[earlier question](https://writing.stackexchange.com/questions/35619/how-do-i-make-foreshadowing-more-relevant-in-the-early-going). Continuing the dialog with my one critic, I wrote back that",
"this foreshadowing scene should be in Chapter 10 or 11, because the main",
"a good way to look at things? Could it have been that the",
"been that the real problem was that the scene was in the wrong",
"this material, when other matters were more pressing.\" I now believe that this",
"believe that this foreshadowing scene should be in Chapter 10 or 11, because"
] |
[
"the line of 'Good writing is essentially rewriting' (quoted roughly from Roald Dahl),",
"than an exact time (such as 'a year') as the time will naturally",
"etc. One thing I've noticed is that a lot of them say things",
"time will naturally vary between writers (for example, J.K.Rowling published the first *Hijrp",
"and revisions. My question: **How (and possibly when) do you know that your",
"tips etc. One thing I've noticed is that a lot of them say",
"noticed is that a lot of them say things along the line of",
"now rather than after some more editing? Note: 1. Ideally, answers will be",
"rather than an exact time (such as 'a year') as the time will",
"aspiring writers, and naturally, that includes quotes from famous authors, interviews, their top",
"your text enough times and that you might as well publish it now",
"text enough times and that you might as well publish it now rather",
"question: **How (and possibly when) do you know that your book is good",
"as 'a year') as the time will naturally vary between writers (for example,",
"'a year') as the time will naturally vary between writers (for example, J.K.Rowling",
"thing I've noticed is that a lot of them say things along the",
"things along the line of 'Good writing is essentially rewriting' (quoted roughly from",
"will be about fictional writing but answers covering other types of writing will",
"well publish it now rather than after some more editing? Note: 1. Ideally,",
"going through advice for aspiring writers, and naturally, that includes quotes from famous",
"2. I'm more interested in how to know when you're ready rather than",
"is that a lot of them say things along the line of 'Good",
"in how to know when you're ready rather than an exact time (such",
"line of 'Good writing is essentially rewriting' (quoted roughly from Roald Dahl), i.e.",
"naturally, that includes quotes from famous authors, interviews, their top tips etc. One",
"your book is good enough to be published?** When do you know that",
"it now rather than after some more editing? Note: 1. Ideally, answers will",
"1. Ideally, answers will be about fictional writing but answers covering other types",
"and naturally, that includes quotes from famous authors, interviews, their top tips etc.",
"(quoted roughly from Roald Dahl), i.e. good writing is essentially writing that has",
"writers, and naturally, that includes quotes from famous authors, interviews, their top tips",
"essentially rewriting' (quoted roughly from Roald Dahl), i.e. good writing is essentially writing",
"the time will naturally vary between writers (for example, J.K.Rowling published the first",
"might as well publish it now rather than after some more editing? Note:",
"is good enough to be published?** When do you know that you've edited",
"(and possibly when) do you know that your book is good enough to",
"other types of writing will also be appreciated. 2. I'm more interested in",
"naturally vary between writers (for example, J.K.Rowling published the first *Hijrp Potfeq* book",
"Note: 1. Ideally, answers will be about fictional writing but answers covering other",
"**How (and possibly when) do you know that your book is good enough",
"you're ready rather than an exact time (such as 'a year') as the",
"rather than after some more editing? Note: 1. Ideally, answers will be about",
"that a lot of them say things along the line of 'Good writing",
"revisions. My question: **How (and possibly when) do you know that your book",
"that includes quotes from famous authors, interviews, their top tips etc. One thing",
"do you know that your book is good enough to be published?** When",
"between writers (for example, J.K.Rowling published the first *Hijrp Potfeq* book after 5",
"through advice for aspiring writers, and naturally, that includes quotes from famous authors,",
"writing that has been improved by countless edits and revisions. My question: **How",
"along the line of 'Good writing is essentially rewriting' (quoted roughly from Roald",
"advice for aspiring writers, and naturally, that includes quotes from famous authors, interviews,",
"vary between writers (for example, J.K.Rowling published the first *Hijrp Potfeq* book after",
"be published?** When do you know that you've edited your text enough times",
"Ideally, answers will be about fictional writing but answers covering other types of",
"more editing? Note: 1. Ideally, answers will be about fictional writing but answers",
"for aspiring writers, and naturally, that includes quotes from famous authors, interviews, their",
"(such as 'a year') as the time will naturally vary between writers (for",
"ready rather than an exact time (such as 'a year') as the time",
"a lot of them say things along the line of 'Good writing is",
"of them say things along the line of 'Good writing is essentially rewriting'",
"book is good enough to be published?** When do you know that you've",
"published?** When do you know that you've edited your text enough times and",
"you've edited your text enough times and that you might as well publish",
"writing is essentially writing that has been improved by countless edits and revisions.",
"My question: **How (and possibly when) do you know that your book is",
"some more editing? Note: 1. Ideally, answers will be about fictional writing but",
"possibly when) do you know that your book is good enough to be",
"an exact time (such as 'a year') as the time will naturally vary",
"from famous authors, interviews, their top tips etc. One thing I've noticed is",
"famous authors, interviews, their top tips etc. One thing I've noticed is that",
"more interested in how to know when you're ready rather than an exact",
"them say things along the line of 'Good writing is essentially rewriting' (quoted",
"top tips etc. One thing I've noticed is that a lot of them",
"time (such as 'a year') as the time will naturally vary between writers",
"know when you're ready rather than an exact time (such as 'a year')",
"So, I've been going through advice for aspiring writers, and naturally, that includes",
"edited your text enough times and that you might as well publish it",
"writing is essentially rewriting' (quoted roughly from Roald Dahl), i.e. good writing is",
"that you've edited your text enough times and that you might as well",
"One thing I've noticed is that a lot of them say things along",
"is essentially writing that has been improved by countless edits and revisions. My",
"has been improved by countless edits and revisions. My question: **How (and possibly",
"been going through advice for aspiring writers, and naturally, that includes quotes from",
"by countless edits and revisions. My question: **How (and possibly when) do you",
"answers will be about fictional writing but answers covering other types of writing",
"improved by countless edits and revisions. My question: **How (and possibly when) do",
"after some more editing? Note: 1. Ideally, answers will be about fictional writing",
"authors, interviews, their top tips etc. One thing I've noticed is that a",
"say things along the line of 'Good writing is essentially rewriting' (quoted roughly",
"but answers covering other types of writing will also be appreciated. 2. I'm",
"about fictional writing but answers covering other types of writing will also be",
"exact time (such as 'a year') as the time will naturally vary between",
"and that you might as well publish it now rather than after some",
"to know when you're ready rather than an exact time (such as 'a",
"is essentially rewriting' (quoted roughly from Roald Dahl), i.e. good writing is essentially",
"editing? Note: 1. Ideally, answers will be about fictional writing but answers covering",
"of writing will also be appreciated. 2. I'm more interested in how to",
"their top tips etc. One thing I've noticed is that a lot of",
"when) do you know that your book is good enough to be published?**",
"when you're ready rather than an exact time (such as 'a year') as",
"writers (for example, J.K.Rowling published the first *Hijrp Potfeq* book after 5 years",
"that your book is good enough to be published?** When do you know",
"includes quotes from famous authors, interviews, their top tips etc. One thing I've",
"know that your book is good enough to be published?** When do you",
"(for example, J.K.Rowling published the first *Hijrp Potfeq* book after 5 years of",
"times and that you might as well publish it now rather than after",
"writing but answers covering other types of writing will also be appreciated. 2.",
"that has been improved by countless edits and revisions. My question: **How (and",
"publish it now rather than after some more editing? Note: 1. Ideally, answers",
"will naturally vary between writers (for example, J.K.Rowling published the first *Hijrp Potfeq*",
"answers covering other types of writing will also be appreciated. 2. I'm more",
"be appreciated. 2. I'm more interested in how to know when you're ready",
"When do you know that you've edited your text enough times and that",
"quotes from famous authors, interviews, their top tips etc. One thing I've noticed",
"roughly from Roald Dahl), i.e. good writing is essentially writing that has been",
"of 'Good writing is essentially rewriting' (quoted roughly from Roald Dahl), i.e. good",
"you know that your book is good enough to be published?** When do",
"interested in how to know when you're ready rather than an exact time",
"fictional writing but answers covering other types of writing will also be appreciated.",
"covering other types of writing will also be appreciated. 2. I'm more interested",
"know that you've edited your text enough times and that you might as",
"example, J.K.Rowling published the first *Hijrp Potfeq* book after 5 years of revisions).",
"from Roald Dahl), i.e. good writing is essentially writing that has been improved",
"edits and revisions. My question: **How (and possibly when) do you know that",
"be about fictional writing but answers covering other types of writing will also",
"as the time will naturally vary between writers (for example, J.K.Rowling published the",
"Roald Dahl), i.e. good writing is essentially writing that has been improved by",
"essentially writing that has been improved by countless edits and revisions. My question:",
"Dahl), i.e. good writing is essentially writing that has been improved by countless",
"you know that you've edited your text enough times and that you might",
"do you know that you've edited your text enough times and that you",
"I've been going through advice for aspiring writers, and naturally, that includes quotes",
"appreciated. 2. I'm more interested in how to know when you're ready rather",
"interviews, their top tips etc. One thing I've noticed is that a lot",
"also be appreciated. 2. I'm more interested in how to know when you're",
"types of writing will also be appreciated. 2. I'm more interested in how",
"been improved by countless edits and revisions. My question: **How (and possibly when)",
"good enough to be published?** When do you know that you've edited your",
"rewriting' (quoted roughly from Roald Dahl), i.e. good writing is essentially writing that",
"countless edits and revisions. My question: **How (and possibly when) do you know",
"i.e. good writing is essentially writing that has been improved by countless edits",
"lot of them say things along the line of 'Good writing is essentially",
"as well publish it now rather than after some more editing? Note: 1.",
"'Good writing is essentially rewriting' (quoted roughly from Roald Dahl), i.e. good writing",
"I've noticed is that a lot of them say things along the line",
"than after some more editing? Note: 1. Ideally, answers will be about fictional",
"how to know when you're ready rather than an exact time (such as",
"to be published?** When do you know that you've edited your text enough",
"writing will also be appreciated. 2. I'm more interested in how to know",
"that you might as well publish it now rather than after some more",
"will also be appreciated. 2. I'm more interested in how to know when",
"good writing is essentially writing that has been improved by countless edits and",
"I'm more interested in how to know when you're ready rather than an",
"enough to be published?** When do you know that you've edited your text",
"enough times and that you might as well publish it now rather than",
"you might as well publish it now rather than after some more editing?",
"year') as the time will naturally vary between writers (for example, J.K.Rowling published"
] |
[
"of my trilogy, do I need to repeat everything about the main characters'",
"I need to repeat everything about the main characters' appearance from the last",
"need to repeat everything about the main characters' appearance from the last book,",
"book of my trilogy, do I need to repeat everything about the main",
"repeat everything about the main characters' appearance from the last book, or can",
"the main characters' appearance from the last book, or can I just mention",
"the second book of my trilogy, do I need to repeat everything about",
"trilogy, do I need to repeat everything about the main characters' appearance from",
"everything about the main characters' appearance from the last book, or can I",
"do I need to repeat everything about the main characters' appearance from the",
"In the second book of my trilogy, do I need to repeat everything",
"characters' appearance from the last book, or can I just mention a few",
"about the main characters' appearance from the last book, or can I just",
"to repeat everything about the main characters' appearance from the last book, or",
"appearance from the last book, or can I just mention a few key",
"from the last book, or can I just mention a few key things?",
"main characters' appearance from the last book, or can I just mention a",
"second book of my trilogy, do I need to repeat everything about the",
"my trilogy, do I need to repeat everything about the main characters' appearance"
] |
[
"struggle through the training serves to showcase his high motivation, the fact that",
"this first part becoming boring to the reader due to its foregone conclusion?**",
"his success is a foregone conclusion: *of course* he'll end up in the",
"already at the front and jaded. I want to show \"the boy next",
"and struggles to attain it, his success is a foregone conclusion: *of course*",
"its foregone conclusion?** I specifically do not want to just skip it and",
"as they can possibly be before being sent off, it lets me set",
"This later allows me to go on and do to the character everything",
"possibly be before being sent off, it lets me set up the character",
"to a man. The trouble is, while during training the MC has a",
"unit, let's call it Space-Marines. His struggle through the training serves to showcase",
"*of course* he'll end up in the unit he wants. Otherwise, there won't",
"there won't be a story. **How do I avoid this first part becoming",
"to its foregone conclusion?** I specifically do not want to just skip it",
"it, his success is a foregone conclusion: *of course* he'll end up in",
"serves to showcase his high motivation, the fact that the soldiers are prepared",
"Front*, with the soldiers already at the front and jaded. I want to",
"while during training the MC has a clear goal, and struggles to attain",
"Quiet on the Western Front*, with the soldiers already at the front and",
"course* he'll end up in the unit he wants. Otherwise, there won't be",
"he was before combat, and more. This later allows me to go on",
"they can possibly be before being sent off, it lets me set up",
"The trouble is, while during training the MC has a clear goal, and",
"foregone conclusion: *of course* he'll end up in the unit he wants. Otherwise,",
"skip it and start, like *All Quiet on the Western Front*, with the",
"is a foregone conclusion: *of course* he'll end up in the unit he",
"set up the character as he was before combat, and more. This later",
"really wants to get into a particular unit, let's call it Space-Marines. His",
"it Space-Marines. His struggle through the training serves to showcase his high motivation,",
"the character everything war can do to a man. The trouble is, while",
"unit he wants. Otherwise, there won't be a story. **How do I avoid",
"war can do to a man. The trouble is, while during training the",
"me set up the character as he was before combat, and more. This",
"fact that the soldiers are prepared as well as they can possibly be",
"to attain it, his success is a foregone conclusion: *of course* he'll end",
"the training serves to showcase his high motivation, the fact that the soldiers",
"and do to the character everything war can do to a man. The",
"just skip it and start, like *All Quiet on the Western Front*, with",
"do to a man. The trouble is, while during training the MC has",
"foregone conclusion?** I specifically do not want to just skip it and start,",
"my MC really wants to get into a particular unit, let's call it",
"like *All Quiet on the Western Front*, with the soldiers already at the",
"due to its foregone conclusion?** I specifically do not want to just skip",
"to the reader due to its foregone conclusion?** I specifically do not want",
"attain it, his success is a foregone conclusion: *of course* he'll end up",
"soldiers already at the front and jaded. I want to show \"the boy",
"want to just skip it and start, like *All Quiet on the Western",
"His struggle through the training serves to showcase his high motivation, the fact",
"a foregone conclusion: *of course* he'll end up in the unit he wants.",
"off, it lets me set up the character as he was before combat,",
"he'll end up in the unit he wants. Otherwise, there won't be a",
"that the soldiers are prepared as well as they can possibly be before",
"clear goal, and struggles to attain it, his success is a foregone conclusion:",
"has a clear goal, and struggles to attain it, his success is a",
"a clear goal, and struggles to attain it, his success is a foregone",
"MC has a clear goal, and struggles to attain it, his success is",
"soldiers are prepared as well as they can possibly be before being sent",
"Space-Marines. His struggle through the training serves to showcase his high motivation, the",
"later allows me to go on and do to the character everything war",
"wants. Otherwise, there won't be a story. **How do I avoid this first",
"and jaded. I want to show \"the boy next door\" getting to that",
"becoming boring to the reader due to its foregone conclusion?** I specifically do",
"the reader due to its foregone conclusion?** I specifically do not want to",
"at the front and jaded. I want to show \"the boy next door\"",
"front and jaded. I want to show \"the boy next door\" getting to",
"through the training serves to showcase his high motivation, the fact that the",
"be a story. **How do I avoid this first part becoming boring to",
"can possibly be before being sent off, it lets me set up the",
"combat, and more. This later allows me to go on and do to",
"prepared as well as they can possibly be before being sent off, it",
"get into a particular unit, let's call it Space-Marines. His struggle through the",
"success is a foregone conclusion: *of course* he'll end up in the unit",
"particular unit, let's call it Space-Marines. His struggle through the training serves to",
"with the soldiers already at the front and jaded. I want to show",
"it lets me set up the character as he was before combat, and",
"it and start, like *All Quiet on the Western Front*, with the soldiers",
"novel, my MC really wants to get into a particular unit, let's call",
"be before being sent off, it lets me set up the character as",
"of the novel, my MC really wants to get into a particular unit,",
"story. **How do I avoid this first part becoming boring to the reader",
"writing a war sci-fi novel. At the start of the novel, my MC",
"avoid this first part becoming boring to the reader due to its foregone",
"At the start of the novel, my MC really wants to get into",
"motivation, the fact that the soldiers are prepared as well as they can",
"jaded. I want to show \"the boy next door\" getting to that point.",
"well as they can possibly be before being sent off, it lets me",
"and start, like *All Quiet on the Western Front*, with the soldiers already",
"are prepared as well as they can possibly be before being sent off,",
"a story. **How do I avoid this first part becoming boring to the",
"the start of the novel, my MC really wants to get into a",
"call it Space-Marines. His struggle through the training serves to showcase his high",
"high motivation, the fact that the soldiers are prepared as well as they",
"novel. At the start of the novel, my MC really wants to get",
"the soldiers are prepared as well as they can possibly be before being",
"training serves to showcase his high motivation, the fact that the soldiers are",
"reader due to its foregone conclusion?** I specifically do not want to just",
"the soldiers already at the front and jaded. I want to show \"the",
"character as he was before combat, and more. This later allows me to",
"character everything war can do to a man. The trouble is, while during",
"a war sci-fi novel. At the start of the novel, my MC really",
"he wants. Otherwise, there won't be a story. **How do I avoid this",
"can do to a man. The trouble is, while during training the MC",
"the front and jaded. I want to show \"the boy next door\" getting",
"to go on and do to the character everything war can do to",
"the novel, my MC really wants to get into a particular unit, let's",
"trouble is, while during training the MC has a clear goal, and struggles",
"specifically do not want to just skip it and start, like *All Quiet",
"start, like *All Quiet on the Western Front*, with the soldiers already at",
"showcase his high motivation, the fact that the soldiers are prepared as well",
"a particular unit, let's call it Space-Marines. His struggle through the training serves",
"sci-fi novel. At the start of the novel, my MC really wants to",
"on and do to the character everything war can do to a man.",
"is, while during training the MC has a clear goal, and struggles to",
"the fact that the soldiers are prepared as well as they can possibly",
"first part becoming boring to the reader due to its foregone conclusion?** I",
"as he was before combat, and more. This later allows me to go",
"do not want to just skip it and start, like *All Quiet on",
"end up in the unit he wants. Otherwise, there won't be a story.",
"do to the character everything war can do to a man. The trouble",
"**How do I avoid this first part becoming boring to the reader due",
"the character as he was before combat, and more. This later allows me",
"MC really wants to get into a particular unit, let's call it Space-Marines.",
"before being sent off, it lets me set up the character as he",
"as well as they can possibly be before being sent off, it lets",
"to get into a particular unit, let's call it Space-Marines. His struggle through",
"conclusion: *of course* he'll end up in the unit he wants. Otherwise, there",
"boring to the reader due to its foregone conclusion?** I specifically do not",
"Western Front*, with the soldiers already at the front and jaded. I want",
"war sci-fi novel. At the start of the novel, my MC really wants",
"the unit he wants. Otherwise, there won't be a story. **How do I",
"the MC has a clear goal, and struggles to attain it, his success",
"training the MC has a clear goal, and struggles to attain it, his",
"go on and do to the character everything war can do to a",
"was before combat, and more. This later allows me to go on and",
"more. This later allows me to go on and do to the character",
"me to go on and do to the character everything war can do",
"during training the MC has a clear goal, and struggles to attain it,",
"up in the unit he wants. Otherwise, there won't be a story. **How",
"lets me set up the character as he was before combat, and more.",
"I specifically do not want to just skip it and start, like *All",
"to just skip it and start, like *All Quiet on the Western Front*,",
"his high motivation, the fact that the soldiers are prepared as well as",
"sent off, it lets me set up the character as he was before",
"before combat, and more. This later allows me to go on and do",
"do I avoid this first part becoming boring to the reader due to",
"I avoid this first part becoming boring to the reader due to its",
"let's call it Space-Marines. His struggle through the training serves to showcase his",
"and more. This later allows me to go on and do to the",
"struggles to attain it, his success is a foregone conclusion: *of course* he'll",
"on the Western Front*, with the soldiers already at the front and jaded.",
"start of the novel, my MC really wants to get into a particular",
"to showcase his high motivation, the fact that the soldiers are prepared as",
"wants to get into a particular unit, let's call it Space-Marines. His struggle",
"conclusion?** I specifically do not want to just skip it and start, like",
"part becoming boring to the reader due to its foregone conclusion?** I specifically",
"allows me to go on and do to the character everything war can",
"everything war can do to a man. The trouble is, while during training",
"*All Quiet on the Western Front*, with the soldiers already at the front",
"the Western Front*, with the soldiers already at the front and jaded. I",
"to the character everything war can do to a man. The trouble is,",
"a man. The trouble is, while during training the MC has a clear",
"up the character as he was before combat, and more. This later allows",
"I'm writing a war sci-fi novel. At the start of the novel, my",
"goal, and struggles to attain it, his success is a foregone conclusion: *of",
"won't be a story. **How do I avoid this first part becoming boring",
"Otherwise, there won't be a story. **How do I avoid this first part",
"not want to just skip it and start, like *All Quiet on the",
"in the unit he wants. Otherwise, there won't be a story. **How do",
"being sent off, it lets me set up the character as he was",
"man. The trouble is, while during training the MC has a clear goal,",
"into a particular unit, let's call it Space-Marines. His struggle through the training"
] |
[
"I copyright my material before sending to my publisher? Can they steal my",
"copyright my material before sending to my publisher? Can they steal my content?",
"Should I copyright my material before sending to my publisher? Can they steal"
] |
[
"these guerrillas takes him home to meet his sister. Shortly after the meeting,",
"because of its \"action,\" but in a novel, I reversed the order and",
"one determine who's right? And if I'm right, is \"flashback\" or some other",
"is rescued from British captivity by a bunch of guerrillas. One of these",
"meet his sister. Shortly after the meeting, I show a flashback to the",
"before* the story \"officially\" begins. This battle generates the conflict; the hero has",
"start my Revolutionary War novel on August 21, 1780, when \"boy meets girl.\"",
"the heroine wants him to join her brother in his successful fight. A",
"wants him to join her brother in his successful fight. A critic felt",
"rescued from British captivity by a bunch of guerrillas. One of these guerrillas",
"has had enough of war, while the heroine wants him to join her",
"believe that it is necessary. How does one determine who's right? And if",
"flashback to the battle where the hero was wounded and captured, on August",
"the hero was wounded and captured, on August 16, 1780, *five days before*",
"my Revolutionary War novel on August 21, 1780, when \"boy meets girl.\" Specifically,",
"meets girl.\" Specifically, the hero is rescued from British captivity by a bunch",
"And if I'm right, is \"flashback\" or some other method a good way",
"present the battle? In a movie, I would present the battle first, because",
"I start my Revolutionary War novel on August 21, 1780, when \"boy meets",
"the battle where the hero was wounded and captured, on August 16, 1780,",
"does one determine who's right? And if I'm right, is \"flashback\" or some",
"of war, while the heroine wants him to join her brother in his",
"battle first, because of its \"action,\" but in a novel, I reversed the",
"generates the conflict; the hero has had enough of war, while the heroine",
"had enough of war, while the heroine wants him to join her brother",
"Revolutionary War novel on August 21, 1780, when \"boy meets girl.\" Specifically, the",
"One of these guerrillas takes him home to meet his sister. Shortly after",
"on August 21, 1780, when \"boy meets girl.\" Specifically, the hero is rescued",
"1780, when \"boy meets girl.\" Specifically, the hero is rescued from British captivity",
"War novel on August 21, 1780, when \"boy meets girl.\" Specifically, the hero",
"of its \"action,\" but in a novel, I reversed the order and presented",
"or some other method a good way to present the battle? In a",
"1780, *five days before* the story \"officially\" begins. This battle generates the conflict;",
"but in a novel, I reversed the order and presented the \"meeting\" first.",
"who's right? And if I'm right, is \"flashback\" or some other method a",
"meeting, I show a flashback to the battle where the hero was wounded",
"is \"flashback\" or some other method a good way to present the battle?",
"story \"officially\" begins. This battle generates the conflict; the hero has had enough",
"heroine wants him to join her brother in his successful fight. A critic",
"his sister. Shortly after the meeting, I show a flashback to the battle",
"method a good way to present the battle? In a movie, I would",
"join her brother in his successful fight. A critic felt that this \"backstory\"",
"was wounded and captured, on August 16, 1780, *five days before* the story",
"necessary. How does one determine who's right? And if I'm right, is \"flashback\"",
"was unnecessary. I believe that it is necessary. How does one determine who's",
"in his successful fight. A critic felt that this \"backstory\" was unnecessary. I",
"enough of war, while the heroine wants him to join her brother in",
"captivity by a bunch of guerrillas. One of these guerrillas takes him home",
"show a flashback to the battle where the hero was wounded and captured,",
"a flashback to the battle where the hero was wounded and captured, on",
"and captured, on August 16, 1780, *five days before* the story \"officially\" begins.",
"hero was wounded and captured, on August 16, 1780, *five days before* the",
"where the hero was wounded and captured, on August 16, 1780, *five days",
"that it is necessary. How does one determine who's right? And if I'm",
"would present the battle first, because of its \"action,\" but in a novel,",
"battle where the hero was wounded and captured, on August 16, 1780, *five",
"on August 16, 1780, *five days before* the story \"officially\" begins. This battle",
"This battle generates the conflict; the hero has had enough of war, while",
"it is necessary. How does one determine who's right? And if I'm right,",
"successful fight. A critic felt that this \"backstory\" was unnecessary. I believe that",
"other method a good way to present the battle? In a movie, I",
"In a movie, I would present the battle first, because of its \"action,\"",
"hero has had enough of war, while the heroine wants him to join",
"unnecessary. I believe that it is necessary. How does one determine who's right?",
"the hero has had enough of war, while the heroine wants him to",
"that this \"backstory\" was unnecessary. I believe that it is necessary. How does",
"August 21, 1780, when \"boy meets girl.\" Specifically, the hero is rescued from",
"a bunch of guerrillas. One of these guerrillas takes him home to meet",
"by a bunch of guerrillas. One of these guerrillas takes him home to",
"wounded and captured, on August 16, 1780, *five days before* the story \"officially\"",
"a good way to present the battle? In a movie, I would present",
"home to meet his sister. Shortly after the meeting, I show a flashback",
"movie, I would present the battle first, because of its \"action,\" but in",
"guerrillas. One of these guerrillas takes him home to meet his sister. Shortly",
"felt that this \"backstory\" was unnecessary. I believe that it is necessary. How",
"novel on August 21, 1780, when \"boy meets girl.\" Specifically, the hero is",
"16, 1780, *five days before* the story \"officially\" begins. This battle generates the",
"captured, on August 16, 1780, *five days before* the story \"officially\" begins. This",
"girl.\" Specifically, the hero is rescued from British captivity by a bunch of",
"conflict; the hero has had enough of war, while the heroine wants him",
"him home to meet his sister. Shortly after the meeting, I show a",
"Shortly after the meeting, I show a flashback to the battle where the",
"to the battle where the hero was wounded and captured, on August 16,",
"brother in his successful fight. A critic felt that this \"backstory\" was unnecessary.",
"*five days before* the story \"officially\" begins. This battle generates the conflict; the",
"the conflict; the hero has had enough of war, while the heroine wants",
"right? And if I'm right, is \"flashback\" or some other method a good",
"I would present the battle first, because of its \"action,\" but in a",
"I show a flashback to the battle where the hero was wounded and",
"A critic felt that this \"backstory\" was unnecessary. I believe that it is",
"its \"action,\" but in a novel, I reversed the order and presented the",
"his successful fight. A critic felt that this \"backstory\" was unnecessary. I believe",
"I believe that it is necessary. How does one determine who's right? And",
"21, 1780, when \"boy meets girl.\" Specifically, the hero is rescued from British",
"\"officially\" begins. This battle generates the conflict; the hero has had enough of",
"guerrillas takes him home to meet his sister. Shortly after the meeting, I",
"some other method a good way to present the battle? In a movie,",
"of these guerrillas takes him home to meet his sister. Shortly after the",
"the story \"officially\" begins. This battle generates the conflict; the hero has had",
"to present the battle? In a movie, I would present the battle first,",
"good way to present the battle? In a movie, I would present the",
"is necessary. How does one determine who's right? And if I'm right, is",
"\"flashback\" or some other method a good way to present the battle? In",
"How does one determine who's right? And if I'm right, is \"flashback\" or",
"hero is rescued from British captivity by a bunch of guerrillas. One of",
"\"action,\" but in a novel, I reversed the order and presented the \"meeting\"",
"if I'm right, is \"flashback\" or some other method a good way to",
"way to present the battle? In a movie, I would present the battle",
"August 16, 1780, *five days before* the story \"officially\" begins. This battle generates",
"begins. This battle generates the conflict; the hero has had enough of war,",
"I'm right, is \"flashback\" or some other method a good way to present",
"takes him home to meet his sister. Shortly after the meeting, I show",
"sister. Shortly after the meeting, I show a flashback to the battle where",
"war, while the heroine wants him to join her brother in his successful",
"to join her brother in his successful fight. A critic felt that this",
"her brother in his successful fight. A critic felt that this \"backstory\" was",
"him to join her brother in his successful fight. A critic felt that",
"present the battle first, because of its \"action,\" but in a novel, I",
"determine who's right? And if I'm right, is \"flashback\" or some other method",
"Specifically, the hero is rescued from British captivity by a bunch of guerrillas.",
"this \"backstory\" was unnecessary. I believe that it is necessary. How does one",
"battle generates the conflict; the hero has had enough of war, while the",
"to meet his sister. Shortly after the meeting, I show a flashback to",
"the battle first, because of its \"action,\" but in a novel, I reversed",
"after the meeting, I show a flashback to the battle where the hero",
"the battle? In a movie, I would present the battle first, because of",
"fight. A critic felt that this \"backstory\" was unnecessary. I believe that it",
"battle? In a movie, I would present the battle first, because of its",
"first, because of its \"action,\" but in a novel, I reversed the order",
"a movie, I would present the battle first, because of its \"action,\" but",
"critic felt that this \"backstory\" was unnecessary. I believe that it is necessary.",
"\"boy meets girl.\" Specifically, the hero is rescued from British captivity by a",
"of guerrillas. One of these guerrillas takes him home to meet his sister.",
"from British captivity by a bunch of guerrillas. One of these guerrillas takes",
"when \"boy meets girl.\" Specifically, the hero is rescued from British captivity by",
"the hero is rescued from British captivity by a bunch of guerrillas. One",
"the meeting, I show a flashback to the battle where the hero was",
"\"backstory\" was unnecessary. I believe that it is necessary. How does one determine",
"bunch of guerrillas. One of these guerrillas takes him home to meet his",
"British captivity by a bunch of guerrillas. One of these guerrillas takes him",
"while the heroine wants him to join her brother in his successful fight.",
"right, is \"flashback\" or some other method a good way to present the",
"days before* the story \"officially\" begins. This battle generates the conflict; the hero"
] |
[
"'Life is meaningless' or something like that. Can you help me with the",
"a busy street of people rushing towards London underground after the office hours.",
"the character is sitting in a café sipping coffee, and she is watching",
"thoughts in my characters mind about Nihilism and/or Existentialism without explicitly stating 'Life",
"Existentialism without explicitly stating 'Life is meaningless' or something like that. Can you",
"sitting in a café sipping coffee, and she is watching a busy street",
"mind about Nihilism and/or Existentialism without explicitly stating 'Life is meaningless' or something",
"something like that. Can you help me with the imagination of what she",
"imagination of what she will start thinking? I will take it forward from",
"novel, the character is sitting in a café sipping coffee, and she is",
"a café sipping coffee, and she is watching a busy street of people",
"character is sitting in a café sipping coffee, and she is watching a",
"London underground after the office hours. I want to express the thoughts in",
"of what she will start thinking? I will take it forward from there.",
"watching a busy street of people rushing towards London underground after the office",
"about Nihilism and/or Existentialism without explicitly stating 'Life is meaningless' or something like",
"that. Can you help me with the imagination of what she will start",
"she is watching a busy street of people rushing towards London underground after",
"want to express the thoughts in my characters mind about Nihilism and/or Existentialism",
"my novel, the character is sitting in a café sipping coffee, and she",
"explicitly stating 'Life is meaningless' or something like that. Can you help me",
"busy street of people rushing towards London underground after the office hours. I",
"or something like that. Can you help me with the imagination of what",
"in a café sipping coffee, and she is watching a busy street of",
"I want to express the thoughts in my characters mind about Nihilism and/or",
"the imagination of what she will start thinking? I will take it forward",
"characters mind about Nihilism and/or Existentialism without explicitly stating 'Life is meaningless' or",
"after the office hours. I want to express the thoughts in my characters",
"coffee, and she is watching a busy street of people rushing towards London",
"the office hours. I want to express the thoughts in my characters mind",
"office hours. I want to express the thoughts in my characters mind about",
"without explicitly stating 'Life is meaningless' or something like that. Can you help",
"Can you help me with the imagination of what she will start thinking?",
"Nihilism and/or Existentialism without explicitly stating 'Life is meaningless' or something like that.",
"to express the thoughts in my characters mind about Nihilism and/or Existentialism without",
"my characters mind about Nihilism and/or Existentialism without explicitly stating 'Life is meaningless'",
"stating 'Life is meaningless' or something like that. Can you help me with",
"towards London underground after the office hours. I want to express the thoughts",
"underground after the office hours. I want to express the thoughts in my",
"of people rushing towards London underground after the office hours. I want to",
"meaningless' or something like that. Can you help me with the imagination of",
"like that. Can you help me with the imagination of what she will",
"you help me with the imagination of what she will start thinking? I",
"the thoughts in my characters mind about Nihilism and/or Existentialism without explicitly stating",
"with the imagination of what she will start thinking? I will take it",
"In my novel, the character is sitting in a café sipping coffee, and",
"street of people rushing towards London underground after the office hours. I want",
"café sipping coffee, and she is watching a busy street of people rushing",
"is watching a busy street of people rushing towards London underground after the",
"and/or Existentialism without explicitly stating 'Life is meaningless' or something like that. Can",
"and she is watching a busy street of people rushing towards London underground",
"me with the imagination of what she will start thinking? I will take",
"people rushing towards London underground after the office hours. I want to express",
"is meaningless' or something like that. Can you help me with the imagination",
"in my characters mind about Nihilism and/or Existentialism without explicitly stating 'Life is",
"help me with the imagination of what she will start thinking? I will",
"is sitting in a café sipping coffee, and she is watching a busy",
"hours. I want to express the thoughts in my characters mind about Nihilism",
"rushing towards London underground after the office hours. I want to express the",
"express the thoughts in my characters mind about Nihilism and/or Existentialism without explicitly",
"sipping coffee, and she is watching a busy street of people rushing towards"
] |
[
"write. The line they are reading says > > The one who kills",
"the character is reading a writing from someone in Europe during 1348. The",
"is I don't know how a person from that time would speak or",
"one who kills death will become death > > > but that sounds",
"writing from someone in Europe during 1348. The thing is I don't know",
"or write. The line they are reading says > > The one who",
"am writing a story where the character is reading a writing from someone",
"death > > > but that sounds too modern to be from that",
"> > but that sounds too modern to be from that time period",
"where the character is reading a writing from someone in Europe during 1348.",
"during 1348. The thing is I don't know how a person from that",
"don't know how a person from that time would speak or write. The",
"> > > but that sounds too modern to be from that time",
"> The one who kills death will become death > > > but",
"from that time would speak or write. The line they are reading says",
"> but that sounds too modern to be from that time period and",
"character is reading a writing from someone in Europe during 1348. The thing",
"says > > The one who kills death will become death > >",
"a person from that time would speak or write. The line they are",
"The thing is I don't know how a person from that time would",
"I don't know how a person from that time would speak or write.",
"in Europe during 1348. The thing is I don't know how a person",
"but that sounds too modern to be from that time period and place.",
"how a person from that time would speak or write. The line they",
"person from that time would speak or write. The line they are reading",
"is reading a writing from someone in Europe during 1348. The thing is",
"kills death will become death > > > but that sounds too modern",
"The one who kills death will become death > > > but that",
"are reading says > > The one who kills death will become death",
"speak or write. The line they are reading says > > The one",
"time would speak or write. The line they are reading says > >",
"that time would speak or write. The line they are reading says >",
"know how a person from that time would speak or write. The line",
"The line they are reading says > > The one who kills death",
"writing a story where the character is reading a writing from someone in",
"a writing from someone in Europe during 1348. The thing is I don't",
"> > The one who kills death will become death > > >",
"story where the character is reading a writing from someone in Europe during",
"will become death > > > but that sounds too modern to be",
"I am writing a story where the character is reading a writing from",
"Europe during 1348. The thing is I don't know how a person from",
"reading says > > The one who kills death will become death >",
"thing is I don't know how a person from that time would speak",
"become death > > > but that sounds too modern to be from",
"someone in Europe during 1348. The thing is I don't know how a",
"reading a writing from someone in Europe during 1348. The thing is I",
"from someone in Europe during 1348. The thing is I don't know how",
"they are reading says > > The one who kills death will become",
"a story where the character is reading a writing from someone in Europe",
"1348. The thing is I don't know how a person from that time",
"line they are reading says > > The one who kills death will",
"who kills death will become death > > > but that sounds too",
"would speak or write. The line they are reading says > > The",
"death will become death > > > but that sounds too modern to"
] |
[
"to fail, I would like to try and finish the story and incoorporate",
"people are talking about stuff. Now I've read a few questions that looked",
"to do. I guess it is a matter of taste, but how can",
"looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers which confuses",
"which confuses me what to do. I guess it is a matter of",
"action scenes I keep falling in the rhythm of using past tense for",
"present tense when people are talking about stuff. Now I've read a few",
"finish the story and incoorporate good practise writing techniques where I can. I",
"when researching dialog vs action scenes I keep falling in the rhythm of",
"keep falling in the rhythm of using past tense for (dialog) actions and",
"have been enjoying the tale and filling up the details I had not",
"I'm fine with it to fail, I would like to try and finish",
"really about if I should do past or present tense but rather how",
"of using past tense for (dialog) actions and present tense when people are",
"[this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers which confuses me what to do.",
"present tense but rather how I can be sure my writing does not",
"However when researching dialog vs action scenes I keep falling in the rhythm",
"and present tense when people are talking about stuff. Now I've read a",
"me for quite a while. Even though I'm fine with it to fail,",
"guess it is a matter of taste, but how can I be sure?",
"keep giving conflicting answers which confuses me what to do. I guess it",
"the rhythm of using past tense for (dialog) actions and present tense when",
"sure? So my real question is not really about if I should do",
"about stuff. Now I've read a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and",
"do past or present tense but rather how I can be sure my",
"so I hope my question makes any sense. I'm trying to write a",
"a matter of taste, but how can I be sure? So my real",
"techniques where I can. I have been enjoying the tale and filling up",
"I'm trying to write a first draft of a story that has been",
"while. Even though I'm fine with it to fail, I would like to",
"rather how I can be sure my writing does not become too 'weak'.",
"details I had not yet thought of in the past. However when researching",
"real question is not really about if I should do past or present",
"I can. I have been enjoying the tale and filling up the details",
"up the details I had not yet thought of in the past. However",
"thought of in the past. However when researching dialog vs action scenes I",
"is not really about if I should do past or present tense but",
"been enjoying the tale and filling up the details I had not yet",
"the past. However when researching dialog vs action scenes I keep falling in",
"hope my question makes any sense. I'm trying to write a first draft",
"I keep falling in the rhythm of using past tense for (dialog) actions",
"like to try and finish the story and incoorporate good practise writing techniques",
"and filling up the details I had not yet thought of in the",
"the story and incoorporate good practise writing techniques where I can. I have",
"using past tense for (dialog) actions and present tense when people are talking",
"incoorporate good practise writing techniques where I can. I have been enjoying the",
"would like to try and finish the story and incoorporate good practise writing",
"I hope my question makes any sense. I'm trying to write a first",
"it to fail, I would like to try and finish the story and",
"is a matter of taste, but how can I be sure? So my",
"fine with it to fail, I would like to try and finish the",
"what to do. I guess it is a matter of taste, but how",
"tense when people are talking about stuff. Now I've read a few questions",
"be sure? So my real question is not really about if I should",
"a first draft of a story that has been haunting me for quite",
"haunting me for quite a while. Even though I'm fine with it to",
"similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers which confuses me",
"few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting",
"story that has been haunting me for quite a while. Even though I'm",
"that has been haunting me for quite a while. Even though I'm fine",
"Even though I'm fine with it to fail, I would like to try",
"how can I be sure? So my real question is not really about",
"makes any sense. I'm trying to write a first draft of a story",
"am quite new to writing so I hope my question makes any sense.",
"writing techniques where I can. I have been enjoying the tale and filling",
"of a story that has been haunting me for quite a while. Even",
"not really about if I should do past or present tense but rather",
"(dialog) actions and present tense when people are talking about stuff. Now I've",
"researching dialog vs action scenes I keep falling in the rhythm of using",
"it is a matter of taste, but how can I be sure? So",
"enjoying the tale and filling up the details I had not yet thought",
"rhythm of using past tense for (dialog) actions and present tense when people",
"scenes I keep falling in the rhythm of using past tense for (dialog)",
"matter of taste, but how can I be sure? So my real question",
"talking about stuff. Now I've read a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said)",
"do. I guess it is a matter of taste, but how can I",
"can I be sure? So my real question is not really about if",
"me what to do. I guess it is a matter of taste, but",
"and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers which confuses me what to",
"draft of a story that has been haunting me for quite a while.",
"a while. Even though I'm fine with it to fail, I would like",
"practise writing techniques where I can. I have been enjoying the tale and",
"quite a while. Even though I'm fine with it to fail, I would",
"tense for (dialog) actions and present tense when people are talking about stuff.",
"to write a first draft of a story that has been haunting me",
"tale and filling up the details I had not yet thought of in",
"any sense. I'm trying to write a first draft of a story that",
"Now I've read a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But",
"of taste, but how can I be sure? So my real question is",
"falling in the rhythm of using past tense for (dialog) actions and present",
"confuses me what to do. I guess it is a matter of taste,",
"can. I have been enjoying the tale and filling up the details I",
"or present tense but rather how I can be sure my writing does",
"But people keep giving conflicting answers which confuses me what to do. I",
"though I'm fine with it to fail, I would like to try and",
"try and finish the story and incoorporate good practise writing techniques where I",
"that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers which",
"dialog vs action scenes I keep falling in the rhythm of using past",
"past tense for (dialog) actions and present tense when people are talking about",
"I would like to try and finish the story and incoorporate good practise",
"people keep giving conflicting answers which confuses me what to do. I guess",
"been haunting me for quite a while. Even though I'm fine with it",
"question makes any sense. I'm trying to write a first draft of a",
"vs action scenes I keep falling in the rhythm of using past tense",
"filling up the details I had not yet thought of in the past.",
"I be sure? So my real question is not really about if I",
"actions and present tense when people are talking about stuff. Now I've read",
"in the past. However when researching dialog vs action scenes I keep falling",
"I had not yet thought of in the past. However when researching dialog",
"I've read a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people",
"a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving",
"trying to write a first draft of a story that has been haunting",
"has been haunting me for quite a while. Even though I'm fine with",
"a story that has been haunting me for quite a while. Even though",
"in the rhythm of using past tense for (dialog) actions and present tense",
"taste, but how can I be sure? So my real question is not",
"giving conflicting answers which confuses me what to do. I guess it is",
"quite new to writing so I hope my question makes any sense. I'm",
"should do past or present tense but rather how I can be sure",
"tense but rather how I can be sure my writing does not become",
"if I should do past or present tense but rather how I can",
"not yet thought of in the past. However when researching dialog vs action",
"and finish the story and incoorporate good practise writing techniques where I can.",
"good practise writing techniques where I can. I have been enjoying the tale",
"the tale and filling up the details I had not yet thought of",
"read a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep",
"I have been enjoying the tale and filling up the details I had",
"my real question is not really about if I should do past or",
"writing so I hope my question makes any sense. I'm trying to write",
"my question makes any sense. I'm trying to write a first draft of",
"answers which confuses me what to do. I guess it is a matter",
"with it to fail, I would like to try and finish the story",
"new to writing so I hope my question makes any sense. I'm trying",
"I am quite new to writing so I hope my question makes any",
"[this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers which confuses me what",
"where I can. I have been enjoying the tale and filling up the",
"fail, I would like to try and finish the story and incoorporate good",
"about if I should do past or present tense but rather how I",
"I should do past or present tense but rather how I can be",
"yet thought of in the past. However when researching dialog vs action scenes",
"for quite a while. Even though I'm fine with it to fail, I",
"story and incoorporate good practise writing techniques where I can. I have been",
"stuff. Now I've read a few questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction).",
"but how can I be sure? So my real question is not really",
"the details I had not yet thought of in the past. However when",
"past. However when researching dialog vs action scenes I keep falling in the",
"write a first draft of a story that has been haunting me for",
"and incoorporate good practise writing techniques where I can. I have been enjoying",
"conflicting answers which confuses me what to do. I guess it is a",
"sense. I'm trying to write a first draft of a story that has",
"I guess it is a matter of taste, but how can I be",
"past or present tense but rather how I can be sure my writing",
"to writing so I hope my question makes any sense. I'm trying to",
"had not yet thought of in the past. However when researching dialog vs",
"of in the past. However when researching dialog vs action scenes I keep",
"So my real question is not really about if I should do past",
"first draft of a story that has been haunting me for quite a",
"questions that looked similar: [this](https://writing.stackexchange.com/questions/23470/writing-dialogue-present-or-past-tense-said) and [this](https://writing.stackexchange.com/questions/3255/use-of-past-vs-present-tense-in-works-of-fiction). But people keep giving conflicting answers",
"but rather how I can be sure my writing does not become too",
"for (dialog) actions and present tense when people are talking about stuff. Now",
"to try and finish the story and incoorporate good practise writing techniques where",
"question is not really about if I should do past or present tense",
"are talking about stuff. Now I've read a few questions that looked similar:",
"when people are talking about stuff. Now I've read a few questions that"
] |
[
"kneeling before her and telling her just how beautiful she is and that",
"with every hot guy kneeling before her and telling her just how beautiful",
"most of the people in the world and I am worried that I",
"signs I should watch out for in order to not end up with",
"sight of what I am writing and start writing a power fantasy where",
"a bit of an exaggeration I am using to make a point. What",
"than most of the people in the world and I am worried that",
"last part may be a bit of an exaggeration I am using to",
"character will be a Miry Kae with every hot guy kneeling before her",
"warnings signs I should watch out for in order to not end up",
"part may be a bit of an exaggeration I am using to make",
"guy kneeling before her and telling her just how beautiful she is and",
"be a Miry Kae with every hot guy kneeling before her and telling",
"she is and that she is the only woman they will love. The",
"make a point. What I want to ask is: what are the warnings",
"I am currently writing a novel where the main character will be far",
"her and telling her just how beautiful she is and that she is",
"am writing and start writing a power fantasy where the main character will",
"is the only woman they will love. The last part may be a",
"and telling her just how beautiful she is and that she is the",
"in order to not end up with a character that is obviously self",
"a novel where the main character will be far more powerful than most",
"be a bit of an exaggeration I am using to make a point.",
"to make a point. What I want to ask is: what are the",
"and start writing a power fantasy where the main character will be a",
"want to ask is: what are the warnings signs I should watch out",
"I am writing and start writing a power fantasy where the main character",
"fantasy where the main character will be a Miry Kae with every hot",
"before her and telling her just how beautiful she is and that she",
"main character will be a Miry Kae with every hot guy kneeling before",
"writing a novel where the main character will be far more powerful than",
"just how beautiful she is and that she is the only woman they",
"love. The last part may be a bit of an exaggeration I am",
"will end up losing sight of what I am writing and start writing",
"far more powerful than most of the people in the world and I",
"the warnings signs I should watch out for in order to not end",
"character will be far more powerful than most of the people in the",
"exaggeration I am using to make a point. What I want to ask",
"they will love. The last part may be a bit of an exaggeration",
"I am using to make a point. What I want to ask is:",
"am currently writing a novel where the main character will be far more",
"currently writing a novel where the main character will be far more powerful",
"for in order to not end up with a character that is obviously",
"ask is: what are the warnings signs I should watch out for in",
"end up losing sight of what I am writing and start writing a",
"that she is the only woman they will love. The last part may",
"every hot guy kneeling before her and telling her just how beautiful she",
"that I will end up losing sight of what I am writing and",
"the only woman they will love. The last part may be a bit",
"telling her just how beautiful she is and that she is the only",
"am worried that I will end up losing sight of what I am",
"a Miry Kae with every hot guy kneeling before her and telling her",
"using to make a point. What I want to ask is: what are",
"main character will be far more powerful than most of the people in",
"to ask is: what are the warnings signs I should watch out for",
"The last part may be a bit of an exaggeration I am using",
"out for in order to not end up with a character that is",
"are the warnings signs I should watch out for in order to not",
"up losing sight of what I am writing and start writing a power",
"her just how beautiful she is and that she is the only woman",
"worried that I will end up losing sight of what I am writing",
"writing and start writing a power fantasy where the main character will be",
"an exaggeration I am using to make a point. What I want to",
"power fantasy where the main character will be a Miry Kae with every",
"more powerful than most of the people in the world and I am",
"Kae with every hot guy kneeling before her and telling her just how",
"bit of an exaggeration I am using to make a point. What I",
"and that she is the only woman they will love. The last part",
"may be a bit of an exaggeration I am using to make a",
"what I am writing and start writing a power fantasy where the main",
"woman they will love. The last part may be a bit of an",
"I will end up losing sight of what I am writing and start",
"I want to ask is: what are the warnings signs I should watch",
"is and that she is the only woman they will love. The last",
"and I am worried that I will end up losing sight of what",
"a point. What I want to ask is: what are the warnings signs",
"Miry Kae with every hot guy kneeling before her and telling her just",
"the main character will be far more powerful than most of the people",
"will love. The last part may be a bit of an exaggeration I",
"only woman they will love. The last part may be a bit of",
"start writing a power fantasy where the main character will be a Miry",
"will be a Miry Kae with every hot guy kneeling before her and",
"powerful than most of the people in the world and I am worried",
"writing a power fantasy where the main character will be a Miry Kae",
"of an exaggeration I am using to make a point. What I want",
"the people in the world and I am worried that I will end",
"am using to make a point. What I want to ask is: what",
"I am worried that I will end up losing sight of what I",
"be far more powerful than most of the people in the world and",
"should watch out for in order to not end up with a character",
"where the main character will be far more powerful than most of the",
"where the main character will be a Miry Kae with every hot guy",
"hot guy kneeling before her and telling her just how beautiful she is",
"she is the only woman they will love. The last part may be",
"the world and I am worried that I will end up losing sight",
"novel where the main character will be far more powerful than most of",
"watch out for in order to not end up with a character that",
"order to not end up with a character that is obviously self inserted?",
"is: what are the warnings signs I should watch out for in order",
"people in the world and I am worried that I will end up",
"beautiful she is and that she is the only woman they will love.",
"in the world and I am worried that I will end up losing",
"a power fantasy where the main character will be a Miry Kae with",
"What I want to ask is: what are the warnings signs I should",
"I should watch out for in order to not end up with a",
"will be far more powerful than most of the people in the world",
"of the people in the world and I am worried that I will",
"how beautiful she is and that she is the only woman they will",
"losing sight of what I am writing and start writing a power fantasy",
"the main character will be a Miry Kae with every hot guy kneeling",
"what are the warnings signs I should watch out for in order to",
"of what I am writing and start writing a power fantasy where the",
"world and I am worried that I will end up losing sight of",
"point. What I want to ask is: what are the warnings signs I"
] |
[
"a pretty simple example, but I've got a lot more, where I just",
"circumstances? How can I find out what would be realistic in such a",
"plotlines I introduce are realistic or not, and it's usually something that can't",
"a situation? This is a pretty simple example, but I've got a lot",
"it's usually something that can't be solved with a simple Google search. Example:",
"where I just can't simply look up the answer. I could just make",
"However, the rescuers are unable to get him to a hospital, but they",
"come across with my stories. I often worry about whether the plotlines I",
"they can find help before he dies. How can I know how long",
"usually come across with my stories. I often worry about whether the plotlines",
"starvation before he's rescued. However, the rescuers are unable to get him to",
"whether the plotlines I introduce are realistic or not, and it's usually something",
"pretty simple example, but I've got a lot more, where I just can't",
"I usually come across with my stories. I often worry about whether the",
"I could just make something up, even if it doesn't make sense later,",
"a lot more, where I just can't simply look up the answer. I",
"able to supply him with food. Unfortunately, the boy is at a point",
"under such circumstances? How can I find out what would be realistic in",
"solved with a simple Google search. Example: One of the characters in my",
"my stories. I often worry about whether the plotlines I introduce are realistic",
"story, a young boy, is locked up in a cell and is on",
"is a problem I usually come across with my stories. I often worry",
"I know how long the boy could survive under such circumstances? How can",
"supply him with food. Unfortunately, the boy is at a point where he",
"Google search. Example: One of the characters in my story, a young boy,",
"are unable to get him to a hospital, but they are able to",
"but they are able to supply him with food. Unfortunately, the boy is",
"cell and is on the verge of starvation before he's rescued. However, the",
"in a cell and is on the verge of starvation before he's rescued.",
"out what would be realistic in such a situation? This is a pretty",
"simply look up the answer. I could just make something up, even if",
"the boy could survive under such circumstances? How can I find out what",
"One of the characters in my story, a young boy, is locked up",
"a simple Google search. Example: One of the characters in my story, a",
"is on the verge of starvation before he's rescued. However, the rescuers are",
"verge of starvation before he's rescued. However, the rescuers are unable to get",
"problem I usually come across with my stories. I often worry about whether",
"just make something up, even if it doesn't make sense later, but I'd",
"find help before he dies. How can I know how long the boy",
"more, where I just can't simply look up the answer. I could just",
"make sense later, but I'd like for it to be in the realm",
"how long the boy could survive under such circumstances? How can I find",
"answer. I could just make something up, even if it doesn't make sense",
"survive under such circumstances? How can I find out what would be realistic",
"doesn't make sense later, but I'd like for it to be in the",
"lot more, where I just can't simply look up the answer. I could",
"just can't simply look up the answer. I could just make something up,",
"can find help before he dies. How can I know how long the",
"realistic in such a situation? This is a pretty simple example, but I've",
"usually something that can't be solved with a simple Google search. Example: One",
"they are able to supply him with food. Unfortunately, the boy is at",
"until they can find help before he dies. How can I know how",
"death, hopefully until they can find help before he dies. How can I",
"recover. Giving him food only delays his death, hopefully until they can find",
"situation? This is a pretty simple example, but I've got a lot more,",
"about whether the plotlines I introduce are realistic or not, and it's usually",
"are able to supply him with food. Unfortunately, the boy is at a",
"he would need intense medical attention to recover. Giving him food only delays",
"of starvation before he's rescued. However, the rescuers are unable to get him",
"worry about whether the plotlines I introduce are realistic or not, and it's",
"or not, and it's usually something that can't be solved with a simple",
"I just can't simply look up the answer. I could just make something",
"I introduce are realistic or not, and it's usually something that can't be",
"How can I know how long the boy could survive under such circumstances?",
"How can I find out what would be realistic in such a situation?",
"a cell and is on the verge of starvation before he's rescued. However,",
"at a point where he would need intense medical attention to recover. Giving",
"him food only delays his death, hopefully until they can find help before",
"his death, hopefully until they can find help before he dies. How can",
"and it's usually something that can't be solved with a simple Google search.",
"such circumstances? How can I find out what would be realistic in such",
"I often worry about whether the plotlines I introduce are realistic or not,",
"be solved with a simple Google search. Example: One of the characters in",
"simple Google search. Example: One of the characters in my story, a young",
"up in a cell and is on the verge of starvation before he's",
"would need intense medical attention to recover. Giving him food only delays his",
"the answer. I could just make something up, even if it doesn't make",
"delays his death, hopefully until they can find help before he dies. How",
"introduce are realistic or not, and it's usually something that can't be solved",
"help before he dies. How can I know how long the boy could",
"stories. I often worry about whether the plotlines I introduce are realistic or",
"boy is at a point where he would need intense medical attention to",
"medical attention to recover. Giving him food only delays his death, hopefully until",
"search. Example: One of the characters in my story, a young boy, is",
"unable to get him to a hospital, but they are able to supply",
"This is a pretty simple example, but I've got a lot more, where",
"a problem I usually come across with my stories. I often worry about",
"not, and it's usually something that can't be solved with a simple Google",
"my story, a young boy, is locked up in a cell and is",
"with a simple Google search. Example: One of the characters in my story,",
"to get him to a hospital, but they are able to supply him",
"him with food. Unfortunately, the boy is at a point where he would",
"attention to recover. Giving him food only delays his death, hopefully until they",
"him to a hospital, but they are able to supply him with food.",
"boy could survive under such circumstances? How can I find out what would",
"would be realistic in such a situation? This is a pretty simple example,",
"got a lot more, where I just can't simply look up the answer.",
"it doesn't make sense later, but I'd like for it to be in",
"sense later, but I'd like for it to be in the realm of",
"a point where he would need intense medical attention to recover. Giving him",
"is locked up in a cell and is on the verge of starvation",
"often worry about whether the plotlines I introduce are realistic or not, and",
"that can't be solved with a simple Google search. Example: One of the",
"across with my stories. I often worry about whether the plotlines I introduce",
"intense medical attention to recover. Giving him food only delays his death, hopefully",
"even if it doesn't make sense later, but I'd like for it to",
"to supply him with food. Unfortunately, the boy is at a point where",
"on the verge of starvation before he's rescued. However, the rescuers are unable",
"can't be solved with a simple Google search. Example: One of the characters",
"with my stories. I often worry about whether the plotlines I introduce are",
"I find out what would be realistic in such a situation? This is",
"is at a point where he would need intense medical attention to recover.",
"characters in my story, a young boy, is locked up in a cell",
"a hospital, but they are able to supply him with food. Unfortunately, the",
"can't simply look up the answer. I could just make something up, even",
"can I find out what would be realistic in such a situation? This",
"the rescuers are unable to get him to a hospital, but they are",
"a young boy, is locked up in a cell and is on the",
"food only delays his death, hopefully until they can find help before he",
"but I've got a lot more, where I just can't simply look up",
"up, even if it doesn't make sense later, but I'd like for it",
"if it doesn't make sense later, but I'd like for it to be",
"rescued. However, the rescuers are unable to get him to a hospital, but",
"could just make something up, even if it doesn't make sense later, but",
"of the characters in my story, a young boy, is locked up in",
"something up, even if it doesn't make sense later, but I'd like for",
"is a pretty simple example, but I've got a lot more, where I",
"need intense medical attention to recover. Giving him food only delays his death,",
"to a hospital, but they are able to supply him with food. Unfortunately,",
"hopefully until they can find help before he dies. How can I know",
"could survive under such circumstances? How can I find out what would be",
"know how long the boy could survive under such circumstances? How can I",
"later, but I'd like for it to be in the realm of possibility.",
"point where he would need intense medical attention to recover. Giving him food",
"the characters in my story, a young boy, is locked up in a",
"the verge of starvation before he's rescued. However, the rescuers are unable to",
"to recover. Giving him food only delays his death, hopefully until they can",
"only delays his death, hopefully until they can find help before he dies.",
"what would be realistic in such a situation? This is a pretty simple",
"the plotlines I introduce are realistic or not, and it's usually something that",
"the boy is at a point where he would need intense medical attention",
"where he would need intense medical attention to recover. Giving him food only",
"in such a situation? This is a pretty simple example, but I've got",
"dies. How can I know how long the boy could survive under such",
"rescuers are unable to get him to a hospital, but they are able",
"example, but I've got a lot more, where I just can't simply look",
"hospital, but they are able to supply him with food. Unfortunately, the boy",
"make something up, even if it doesn't make sense later, but I'd like",
"he's rescued. However, the rescuers are unable to get him to a hospital,",
"he dies. How can I know how long the boy could survive under",
"such a situation? This is a pretty simple example, but I've got a",
"long the boy could survive under such circumstances? How can I find out",
"in my story, a young boy, is locked up in a cell and",
"realistic or not, and it's usually something that can't be solved with a",
"can I know how long the boy could survive under such circumstances? How",
"look up the answer. I could just make something up, even if it",
"and is on the verge of starvation before he's rescued. However, the rescuers",
"simple example, but I've got a lot more, where I just can't simply",
"young boy, is locked up in a cell and is on the verge",
"with food. Unfortunately, the boy is at a point where he would need",
"Unfortunately, the boy is at a point where he would need intense medical",
"Giving him food only delays his death, hopefully until they can find help",
"I've got a lot more, where I just can't simply look up the",
"up the answer. I could just make something up, even if it doesn't",
"This is a problem I usually come across with my stories. I often",
"boy, is locked up in a cell and is on the verge of",
"locked up in a cell and is on the verge of starvation before",
"get him to a hospital, but they are able to supply him with",
"food. Unfortunately, the boy is at a point where he would need intense",
"are realistic or not, and it's usually something that can't be solved with",
"Example: One of the characters in my story, a young boy, is locked",
"before he dies. How can I know how long the boy could survive",
"be realistic in such a situation? This is a pretty simple example, but",
"something that can't be solved with a simple Google search. Example: One of",
"find out what would be realistic in such a situation? This is a",
"before he's rescued. However, the rescuers are unable to get him to a"
] |
[
"Star Wars, the second is associated with Star Trek though it never appears",
"references is almost unrealistic. The reference is both a way to convey a",
"\"Beam me up, Rcitcy\" and \"Ground control to Major Tom\" are easily and",
"is almost unrealistic. The reference is both a way to convey a larger",
"wouldn't serve the goal of a pop culture reference: such a reference isn't",
"same way we are familiar with \"Good night, sweet prince\", but he is",
"operate on the assumption that some references are timeless, like Nvikuspeara. It might",
"way to enjoy the work being referenced, in a way that includes the",
"referenced, in a way that includes the people having the conversation, and also",
"the assumption that some references are timeless, like Nvikuspeara. It might turn out",
"almost unrealistic. The reference is both a way to convey a larger meaning",
"verbatim, the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from",
"Nvikuspeara. It might turn out to be true of some of the references",
"pop culture of his day. Trouble is, of course, that the pop culture",
"characters, but also to the reader. So it's real-life modern pop-culture I have",
"that some references are timeless, like Nvikuspeara. It might turn out to be",
"- not invented pop-culture. I can operate on the assumption that some references",
"we are familiar with \"Good night, sweet prince\", but he is more likely",
"character who does not make such references is almost unrealistic. The reference is",
"culture to some extent. However, being very much a geek myself, I find",
"of 30 years ago: \"Do or do not, there is no try\", \"Beam",
"they wouldn't be as commonly used, would they? The geek in the first",
"Tom\" are easily and commonly recognisable. (The first is Star Wars, the second",
"of course, that the pop culture of 100 years from now has not",
"day. Trouble is, of course, that the pop culture of 100 years from",
"being very much a geek myself, I find that such references are much",
"words, and a way to enjoy the work being referenced, in a way",
"includes the people having the conversation, and also the geeky reader (the likely",
"only to convey an idea between characters, but also to the reader. So",
"is more likely to use references to the pop culture of his day.",
"extent that writing a geeky character who does not make such references is",
"night, sweet prince\", but he is more likely to use references to the",
"reference: such a reference isn't used only to convey an idea between characters,",
"refers to pop culture to some extent. However, being very much a geek",
"familiar with \"Good night, sweet prince\", but he is more likely to use",
"the pop culture of 100 years from now has not yet been written.",
"conversation, and also the geeky reader (the likely reader of a sci-fi novel).",
"it's real-life modern pop-culture I have to reference, if I reference anything -",
"is quite likely to reference the pop culture of 30 years ago: \"Do",
"written. I can invent it, but then it wouldn't serve the goal of",
"convey a larger meaning in a few words, and a way to enjoy",
"in question, but I doubt it will be true of all. And no",
"the pop culture of his day. Trouble is, of course, that the pop",
"extent. However, being very much a geek myself, I find that such references",
"though it never appears verbatim, the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A",
"with those quotes, in the same way we are familiar with \"Good night,",
"prince\", but he is more likely to use references to the pop culture",
"the references in question, but I doubt it will be true of all.",
"invent it, but then it wouldn't serve the goal of a pop culture",
"in a few words, and a way to enjoy the work being referenced,",
"control to Major Tom\" are easily and commonly recognisable. (The first is Star",
"of 100 years from now has not yet been written. I can invent",
"\"Ground control to Major Tom\" are easily and commonly recognisable. (The first is",
"still be recognisable, they wouldn't be as commonly used, would they? The geek",
"some extent. However, being very much a geek myself, I find that such",
"and commonly recognisable. (The first is Star Wars, the second is associated with",
"course, that the pop culture of 100 years from now has not yet",
"likely reader of a sci-fi novel). In light of this, **how do I",
"to pop culture to some extent. However, being very much a geek myself,",
"larger meaning in a few words, and a way to enjoy the work",
"having the conversation, and also the geeky reader (the likely reader of a",
"would they? The geek in the first paragraph is of course just an",
"today is quite likely to reference the pop culture of 30 years ago:",
"the second is associated with Star Trek though it never appears verbatim, the",
"novel). In light of this, **how do I avoid references to modern pop",
"the pop culture of 30 years ago: \"Do or do not, there is",
"even though older references would still be recognisable, they wouldn't be as commonly",
"that writing a geeky character who does not make such references is almost",
"is, of course, that the pop culture of 100 years from now has",
"David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now might be familiar",
"out to be true of some of the references in question, but I",
"everyone refers to pop culture to some extent. However, being very much a",
"geek 100 years from now might be familiar with those quotes, in the",
"*[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now might be familiar with those",
"the sci-fi setting?** My current novel is set ~100 years into the future.",
"sweet prince\", but he is more likely to use references to the pop",
"30 years ago: \"Do or do not, there is no try\", \"Beam me",
"- everyone refers to pop culture to some extent. However, being very much",
"just an example - everyone refers to pop culture to some extent. However,",
"in a geeky group, to the extent that writing a geeky character who",
"the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now",
"from now has not yet been written. I can invent it, but then",
"will be true of all. And no less important, even though older references",
"commonly recognisable. (The first is Star Wars, the second is associated with Star",
"the people having the conversation, and also the geeky reader (the likely reader",
"geeky group, to the extent that writing a geeky character who does not",
"never appears verbatim, the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100",
"I can invent it, but then it wouldn't serve the goal of a",
"the geeky reader (the likely reader of a sci-fi novel). In light of",
"the reader. So it's real-life modern pop-culture I have to reference, if I",
"references would still be recognisable, they wouldn't be as commonly used, would they?",
"in a way that includes the people having the conversation, and also the",
"that includes the people having the conversation, and also the geeky reader (the",
"now has not yet been written. I can invent it, but then it",
"geeky character who does not make such references is almost unrealistic. The reference",
"is both a way to convey a larger meaning in a few words,",
"geek in the first paragraph is of course just an example - everyone",
"turn out to be true of some of the references in question, but",
"isn't used only to convey an idea between characters, but also to the",
"way to convey a larger meaning in a few words, and a way",
"he is more likely to use references to the pop culture of his",
"example - everyone refers to pop culture to some extent. However, being very",
"culture of his day. Trouble is, of course, that the pop culture of",
"appears verbatim, the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years",
"the first paragraph is of course just an example - everyone refers to",
"The reference is both a way to convey a larger meaning in a",
"might turn out to be true of some of the references in question,",
"of a sci-fi novel). In light of this, **how do I avoid references",
"enjoy the work being referenced, in a way that includes the people having",
"modern pop culture becoming too jarring for the sci-fi setting?** My current novel",
"100 years from now has not yet been written. I can invent it,",
"in the first paragraph is of course just an example - everyone refers",
"are familiar with \"Good night, sweet prince\", but he is more likely to",
"to convey an idea between characters, but also to the reader. So it's",
"a way that includes the people having the conversation, and also the geeky",
"pop-culture. I can operate on the assumption that some references are timeless, like",
"such a reference isn't used only to convey an idea between characters, but",
"true of some of the references in question, but I doubt it will",
"have to reference, if I reference anything - not invented pop-culture. I can",
"to the pop culture of his day. Trouble is, of course, that the",
"I have to reference, if I reference anything - not invented pop-culture. I",
"In light of this, **how do I avoid references to modern pop culture",
"much a geek myself, I find that such references are much more common",
"an idea between characters, but also to the reader. So it's real-life modern",
"there is no try\", \"Beam me up, Rcitcy\" and \"Ground control to Major",
"use references to the pop culture of his day. Trouble is, of course,",
"culture of 30 years ago: \"Do or do not, there is no try\",",
"pop culture of 100 years from now has not yet been written. I",
"to enjoy the work being referenced, in a way that includes the people",
"on the assumption that some references are timeless, like Nvikuspeara. It might turn",
"the conversation, and also the geeky reader (the likely reader of a sci-fi",
"try\", \"Beam me up, Rcitcy\" and \"Ground control to Major Tom\" are easily",
"\"Good night, sweet prince\", but he is more likely to use references to",
"third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now might",
"do not, there is no try\", \"Beam me up, Rcitcy\" and \"Ground control",
"not yet been written. I can invent it, but then it wouldn't serve",
"wouldn't be as commonly used, would they? The geek in the first paragraph",
"they? The geek in the first paragraph is of course just an example",
"people having the conversation, and also the geeky reader (the likely reader of",
"100 years from now might be familiar with those quotes, in the same",
"I reference anything - not invented pop-culture. I can operate on the assumption",
"are timeless, like Nvikuspeara. It might turn out to be true of some",
"be true of all. And no less important, even though older references would",
"also to the reader. So it's real-life modern pop-culture I have to reference,",
"way we are familiar with \"Good night, sweet prince\", but he is more",
"been written. I can invent it, but then it wouldn't serve the goal",
"older references would still be recognisable, they wouldn't be as commonly used, would",
"be true of some of the references in question, but I doubt it",
"an example - everyone refers to pop culture to some extent. However, being",
"references to modern pop culture becoming too jarring for the sci-fi setting?** My",
"doubt it will be true of all. And no less important, even though",
"serve the goal of a pop culture reference: such a reference isn't used",
"goal of a pop culture reference: such a reference isn't used only to",
"references to the pop culture of his day. Trouble is, of course, that",
"references in question, but I doubt it will be true of all. And",
"important, even though older references would still be recognisable, they wouldn't be as",
"no try\", \"Beam me up, Rcitcy\" and \"Ground control to Major Tom\" are",
"his day. Trouble is, of course, that the pop culture of 100 years",
"all. And no less important, even though older references would still be recognisable,",
"common in a geeky group, to the extent that writing a geeky character",
"but I doubt it will be true of all. And no less important,",
"associated with Star Trek though it never appears verbatim, the third is David",
"not invented pop-culture. I can operate on the assumption that some references are",
"Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now might be familiar with",
"convey an idea between characters, but also to the reader. So it's real-life",
"be as commonly used, would they? The geek in the first paragraph is",
"question, but I doubt it will be true of all. And no less",
"reader of a sci-fi novel). In light of this, **how do I avoid",
"timeless, like Nvikuspeara. It might turn out to be true of some of",
"avoid references to modern pop culture becoming too jarring for the sci-fi setting?**",
"quotes, in the same way we are familiar with \"Good night, sweet prince\",",
"such references is almost unrealistic. The reference is both a way to convey",
"can invent it, but then it wouldn't serve the goal of a pop",
"though older references would still be recognisable, they wouldn't be as commonly used,",
"but also to the reader. So it's real-life modern pop-culture I have to",
"more common in a geeky group, to the extent that writing a geeky",
"way that includes the people having the conversation, and also the geeky reader",
"unrealistic. The reference is both a way to convey a larger meaning in",
"it never appears verbatim, the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek",
"is Star Wars, the second is associated with Star Trek though it never",
"this, **how do I avoid references to modern pop culture becoming too jarring",
"also the geeky reader (the likely reader of a sci-fi novel). In light",
"A geek 100 years from now might be familiar with those quotes, in",
"has not yet been written. I can invent it, but then it wouldn't",
"reference anything - not invented pop-culture. I can operate on the assumption that",
"not, there is no try\", \"Beam me up, Rcitcy\" and \"Ground control to",
"likely to reference the pop culture of 30 years ago: \"Do or do",
"who does not make such references is almost unrealistic. The reference is both",
"some references are timeless, like Nvikuspeara. It might turn out to be true",
"of some of the references in question, but I doubt it will be",
"not make such references is almost unrealistic. The reference is both a way",
"might be familiar with those quotes, in the same way we are familiar",
"me up, Rcitcy\" and \"Ground control to Major Tom\" are easily and commonly",
"Wars, the second is associated with Star Trek though it never appears verbatim,",
"it will be true of all. And no less important, even though older",
"with \"Good night, sweet prince\", but he is more likely to use references",
"to some extent. However, being very much a geek myself, I find that",
"then it wouldn't serve the goal of a pop culture reference: such a",
"(the likely reader of a sci-fi novel). In light of this, **how do",
"do I avoid references to modern pop culture becoming too jarring for the",
"\"Do or do not, there is no try\", \"Beam me up, Rcitcy\" and",
"pop culture of 30 years ago: \"Do or do not, there is no",
"in the same way we are familiar with \"Good night, sweet prince\", but",
"like Nvikuspeara. It might turn out to be true of some of the",
"pop culture reference: such a reference isn't used only to convey an idea",
"anything - not invented pop-culture. I can operate on the assumption that some",
"of the references in question, but I doubt it will be true of",
"a way to convey a larger meaning in a few words, and a",
"**how do I avoid references to modern pop culture becoming too jarring for",
"reference isn't used only to convey an idea between characters, but also to",
"a geek myself, I find that such references are much more common in",
"to reference the pop culture of 30 years ago: \"Do or do not,",
"culture of 100 years from now has not yet been written. I can",
"the extent that writing a geeky character who does not make such references",
"find that such references are much more common in a geeky group, to",
"reference the pop culture of 30 years ago: \"Do or do not, there",
"with Star Trek though it never appears verbatim, the third is David Bowie's",
"paragraph is of course just an example - everyone refers to pop culture",
"as commonly used, would they? The geek in the first paragraph is of",
"of his day. Trouble is, of course, that the pop culture of 100",
"be familiar with those quotes, in the same way we are familiar with",
"I find that such references are much more common in a geeky group,",
"is no try\", \"Beam me up, Rcitcy\" and \"Ground control to Major Tom\"",
"easily and commonly recognisable. (The first is Star Wars, the second is associated",
"to use references to the pop culture of his day. Trouble is, of",
"It might turn out to be true of some of the references in",
"between characters, but also to the reader. So it's real-life modern pop-culture I",
"likely to use references to the pop culture of his day. Trouble is,",
"are easily and commonly recognisable. (The first is Star Wars, the second is",
"of this, **how do I avoid references to modern pop culture becoming too",
"or do not, there is no try\", \"Beam me up, Rcitcy\" and \"Ground",
"very much a geek myself, I find that such references are much more",
"if I reference anything - not invented pop-culture. I can operate on the",
"writing a geeky character who does not make such references is almost unrealistic.",
"I doubt it will be true of all. And no less important, even",
"for the sci-fi setting?** My current novel is set ~100 years into the",
"reference, if I reference anything - not invented pop-culture. I can operate on",
"more likely to use references to the pop culture of his day. Trouble",
"from now might be familiar with those quotes, in the same way we",
"and \"Ground control to Major Tom\" are easily and commonly recognisable. (The first",
"geek myself, I find that such references are much more common in a",
"A geek today is quite likely to reference the pop culture of 30",
"some of the references in question, but I doubt it will be true",
"invented pop-culture. I can operate on the assumption that some references are timeless,",
"real-life modern pop-culture I have to reference, if I reference anything - not",
"to Major Tom\" are easily and commonly recognisable. (The first is Star Wars,",
"those quotes, in the same way we are familiar with \"Good night, sweet",
"pop-culture I have to reference, if I reference anything - not invented pop-culture.",
"to the reader. So it's real-life modern pop-culture I have to reference, if",
"a way to enjoy the work being referenced, in a way that includes",
"first is Star Wars, the second is associated with Star Trek though it",
"of course just an example - everyone refers to pop culture to some",
"of all. And no less important, even though older references would still be",
"culture reference: such a reference isn't used only to convey an idea between",
"references are much more common in a geeky group, to the extent that",
"such references are much more common in a geeky group, to the extent",
"(The first is Star Wars, the second is associated with Star Trek though",
"but then it wouldn't serve the goal of a pop culture reference: such",
"a sci-fi novel). In light of this, **how do I avoid references to",
"idea between characters, but also to the reader. So it's real-life modern pop-culture",
"culture becoming too jarring for the sci-fi setting?** My current novel is set",
"yet been written. I can invent it, but then it wouldn't serve the",
"So it's real-life modern pop-culture I have to reference, if I reference anything",
"up, Rcitcy\" and \"Ground control to Major Tom\" are easily and commonly recognisable.",
"that such references are much more common in a geeky group, to the",
"familiar with those quotes, in the same way we are familiar with \"Good",
"it wouldn't serve the goal of a pop culture reference: such a reference",
"course just an example - everyone refers to pop culture to some extent.",
"However, being very much a geek myself, I find that such references are",
"but he is more likely to use references to the pop culture of",
"used only to convey an idea between characters, but also to the reader.",
"reader. So it's real-life modern pop-culture I have to reference, if I reference",
"And no less important, even though older references would still be recognisable, they",
"to convey a larger meaning in a few words, and a way to",
"a pop culture reference: such a reference isn't used only to convey an",
"years from now might be familiar with those quotes, in the same way",
"geeky reader (the likely reader of a sci-fi novel). In light of this,",
"much more common in a geeky group, to the extent that writing a",
"jarring for the sci-fi setting?** My current novel is set ~100 years into",
"assumption that some references are timeless, like Nvikuspeara. It might turn out to",
"does not make such references is almost unrealistic. The reference is both a",
"becoming too jarring for the sci-fi setting?** My current novel is set ~100",
"be recognisable, they wouldn't be as commonly used, would they? The geek in",
"first paragraph is of course just an example - everyone refers to pop",
"reference is both a way to convey a larger meaning in a few",
"geek today is quite likely to reference the pop culture of 30 years",
"it, but then it wouldn't serve the goal of a pop culture reference:",
"to the extent that writing a geeky character who does not make such",
"and also the geeky reader (the likely reader of a sci-fi novel). In",
"being referenced, in a way that includes the people having the conversation, and",
"the same way we are familiar with \"Good night, sweet prince\", but he",
"to reference, if I reference anything - not invented pop-culture. I can operate",
"is of course just an example - everyone refers to pop culture to",
"reader (the likely reader of a sci-fi novel). In light of this, **how",
"Trek though it never appears verbatim, the third is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.)",
"sci-fi novel). In light of this, **how do I avoid references to modern",
"the work being referenced, in a way that includes the people having the",
"a geeky character who does not make such references is almost unrealistic. The",
"I can operate on the assumption that some references are timeless, like Nvikuspeara.",
"I avoid references to modern pop culture becoming too jarring for the sci-fi",
"are much more common in a geeky group, to the extent that writing",
"of a pop culture reference: such a reference isn't used only to convey",
"would still be recognisable, they wouldn't be as commonly used, would they? The",
"years ago: \"Do or do not, there is no try\", \"Beam me up,",
"a few words, and a way to enjoy the work being referenced, in",
"a larger meaning in a few words, and a way to enjoy the",
"the goal of a pop culture reference: such a reference isn't used only",
"pop culture to some extent. However, being very much a geek myself, I",
"to modern pop culture becoming too jarring for the sci-fi setting?** My current",
"second is associated with Star Trek though it never appears verbatim, the third",
"that the pop culture of 100 years from now has not yet been",
"work being referenced, in a way that includes the people having the conversation,",
"references are timeless, like Nvikuspeara. It might turn out to be true of",
"a geeky group, to the extent that writing a geeky character who does",
"pop culture becoming too jarring for the sci-fi setting?** My current novel is",
"Major Tom\" are easily and commonly recognisable. (The first is Star Wars, the",
"and a way to enjoy the work being referenced, in a way that",
"light of this, **how do I avoid references to modern pop culture becoming",
"is associated with Star Trek though it never appears verbatim, the third is",
"oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now might be familiar with those quotes,",
"ago: \"Do or do not, there is no try\", \"Beam me up, Rcitcy\"",
"modern pop-culture I have to reference, if I reference anything - not invented",
"few words, and a way to enjoy the work being referenced, in a",
"group, to the extent that writing a geeky character who does not make",
"quite likely to reference the pop culture of 30 years ago: \"Do or",
"less important, even though older references would still be recognisable, they wouldn't be",
"Trouble is, of course, that the pop culture of 100 years from now",
"is David Bowie's *[Space oddity](https://www.youtube.com/watch?v=iYYRH4apXDo)*.) A geek 100 years from now might be",
"recognisable. (The first is Star Wars, the second is associated with Star Trek",
"recognisable, they wouldn't be as commonly used, would they? The geek in the",
"now might be familiar with those quotes, in the same way we are",
"meaning in a few words, and a way to enjoy the work being",
"true of all. And no less important, even though older references would still",
"years from now has not yet been written. I can invent it, but",
"too jarring for the sci-fi setting?** My current novel is set ~100 years",
"make such references is almost unrealistic. The reference is both a way to",
"both a way to convey a larger meaning in a few words, and",
"Rcitcy\" and \"Ground control to Major Tom\" are easily and commonly recognisable. (The",
"commonly used, would they? The geek in the first paragraph is of course",
"The geek in the first paragraph is of course just an example -",
"to be true of some of the references in question, but I doubt",
"a reference isn't used only to convey an idea between characters, but also",
"myself, I find that such references are much more common in a geeky",
"no less important, even though older references would still be recognisable, they wouldn't",
"Star Trek though it never appears verbatim, the third is David Bowie's *[Space",
"can operate on the assumption that some references are timeless, like Nvikuspeara. It",
"used, would they? The geek in the first paragraph is of course just"
] |
[
"throughout the story. On the first read-through of the story, the reader does",
"already happened. He eventually realises that he is not truly in control of",
"would like to mislead the reader into thinking that the book tells the",
"indicates that Old-Joe is Young-Joe from the end of the book. Using this",
"his own future and has no power to control it in any way.",
"Older-Joe is treated as a minor character and does not appear often. I",
"has no power to control it in any way. I would like to",
"clue that indicates that Old-Joe is Young-Joe from the end of the book.",
"the story, the reader does not know that the character who appeared at",
"two characters. At the end, one character (let's call him Joe) goes back",
"that follows two characters. At the end, one character (let's call him Joe)",
"can I make these small pieces of information seem unimportant on the first",
"is Joe. Instead, Older-Joe is treated as a minor character and does not",
"read-through of the story, the reader does not know that the character who",
"and does not appear often. I intend to follow Older-Joe's story: how he",
"detailing Old-Joe's mental struggles. --- **How can I make these small pieces of",
"way. I would like to mislead the reader into thinking that the book",
"the end of the book. Using this knowledge, the reader would then notice",
"I've been planning a story that follows two characters. At the end, one",
"call him Joe) goes back in time and appears at the start of",
"character (let's call him Joe) goes back in time and appears at the",
"like to mislead the reader into thinking that the book tells the story",
"end of the book. Using this knowledge, the reader would then notice details",
"treated as a minor character and does not appear often. I intend to",
"mislead the reader into thinking that the book tells the story of Young-Joe.",
"reading the story for a second time, the reader would pick up some",
"readthrough, but incredibly relevant on the second readthrough?** Ideally, they would need to",
"power to control it in any way. I would like to mislead the",
"to control it in any way. I would like to mislead the reader",
"change time, and slowly realises that he cannot since the events have already",
"to be completely forgotten, but carry some sort of relevance to an event",
"not know that the character who appeared at the beginning is Joe. Instead,",
"a second time, the reader would pick up some form of clue that",
"use his free will to change time, and slowly realises that he cannot",
"not truly in control of anything, since he knows his own future and",
"of Young-Joe. Upon reading the story for a second time, the reader would",
"of the story, the reader does not know that the character who appeared",
"his free will to change time, and slowly realises that he cannot since",
"point towards a second story detailing Old-Joe's mental struggles. --- **How can I",
"towards a second story detailing Old-Joe's mental struggles. --- **How can I make",
"at the end of the book in order to link Old-Joe to Young-Joe.",
"Instead, Older-Joe is treated as a minor character and does not appear often.",
"of clue that indicates that Old-Joe is Young-Joe from the end of the",
"cannot since the events have already happened. He eventually realises that he is",
"Using this knowledge, the reader would then notice details that point towards a",
"control of anything, since he knows his own future and has no power",
"**How can I make these small pieces of information seem unimportant on the",
"pick up some form of clue that indicates that Old-Joe is Young-Joe from",
"the book tells the story of Young-Joe. Upon reading the story for a",
"knows his own future and has no power to control it in any",
"that the character who appeared at the beginning is Joe. Instead, Older-Joe is",
"first read-through of the story, the reader does not know that the character",
"to follow Older-Joe's story: how he tries to use his free will to",
"a minor character and does not appear often. I intend to follow Older-Joe's",
"in control of anything, since he knows his own future and has no",
"will to change time, and slowly realises that he cannot since the events",
"that he is not truly in control of anything, since he knows his",
"minor character and does not appear often. I intend to follow Older-Joe's story:",
"truly in control of anything, since he knows his own future and has",
"on the first readthrough, but incredibly relevant on the second readthrough?** Ideally, they",
"free will to change time, and slowly realises that he cannot since the",
"of the book. Using this knowledge, the reader would then notice details that",
"book. Using this knowledge, the reader would then notice details that point towards",
"be completely forgotten, but carry some sort of relevance to an event or",
"this knowledge, the reader would then notice details that point towards a second",
"time, and slowly realises that he cannot since the events have already happened.",
"will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first read-through of the story, the reader",
"or object at the end of the book in order to link Old-Joe",
"follow Older-Joe's story: how he tries to use his free will to change",
"information seem unimportant on the first readthrough, but incredibly relevant on the second",
"he cannot since the events have already happened. He eventually realises that he",
"relevance to an event or object at the end of the book in",
"have already happened. He eventually realises that he is not truly in control",
"reader into thinking that the book tells the story of Young-Joe. Upon reading",
"does not know that the character who appeared at the beginning is Joe.",
"happened. He eventually realises that he is not truly in control of anything,",
"unimportant on the first readthrough, but incredibly relevant on the second readthrough?** Ideally,",
"(let's call him Joe) goes back in time and appears at the start",
"follows two characters. At the end, one character (let's call him Joe) goes",
"does not appear often. I intend to follow Older-Joe's story: how he tries",
"and has no power to control it in any way. I would like",
"I make these small pieces of information seem unimportant on the first readthrough,",
"first readthrough, but incredibly relevant on the second readthrough?** Ideally, they would need",
"story for a second time, the reader would pick up some form of",
"that indicates that Old-Joe is Young-Joe from the end of the book. Using",
"that point towards a second story detailing Old-Joe's mental struggles. --- **How can",
"second readthrough?** Ideally, they would need to be completely forgotten, but carry some",
"been planning a story that follows two characters. At the end, one character",
"notice details that point towards a second story detailing Old-Joe's mental struggles. ---",
"small pieces of information seem unimportant on the first readthrough, but incredibly relevant",
"the reader does not know that the character who appeared at the beginning",
"story of Young-Joe. Upon reading the story for a second time, the reader",
"the first readthrough, but incredibly relevant on the second readthrough?** Ideally, they would",
"at the beginning is Joe. Instead, Older-Joe is treated as a minor character",
"to use his free will to change time, and slowly realises that he",
"to change time, and slowly realises that he cannot since the events have",
"for a second time, the reader would pick up some form of clue",
"that the book tells the story of Young-Joe. Upon reading the story for",
"up some form of clue that indicates that Old-Joe is Young-Joe from the",
"[determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first read-through of the",
"would pick up some form of clue that indicates that Old-Joe is Young-Joe",
"the reader would then notice details that point towards a second story detailing",
"form of clue that indicates that Old-Joe is Young-Joe from the end of",
"the end, one character (let's call him Joe) goes back in time and",
"mental struggles. --- **How can I make these small pieces of information seem",
"intend to follow Older-Joe's story: how he tries to use his free will",
"appear often. I intend to follow Older-Joe's story: how he tries to use",
"the start of the book. I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs",
"second story detailing Old-Joe's mental struggles. --- **How can I make these small",
"themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first read-through",
"as a minor character and does not appear often. I intend to follow",
"of anything, since he knows his own future and has no power to",
"a second story detailing Old-Joe's mental struggles. --- **How can I make these",
"incredibly relevant on the second readthrough?** Ideally, they would need to be completely",
"end, one character (let's call him Joe) goes back in time and appears",
"He eventually realises that he is not truly in control of anything, since",
"vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first read-through of the story,",
"At the end, one character (let's call him Joe) goes back in time",
"knowledge, the reader would then notice details that point towards a second story",
"I would like to mislead the reader into thinking that the book tells",
"these small pieces of information seem unimportant on the first readthrough, but incredibly",
"goes back in time and appears at the start of the book. I",
"seem unimportant on the first readthrough, but incredibly relevant on the second readthrough?**",
"need to be completely forgotten, but carry some sort of relevance to an",
"into thinking that the book tells the story of Young-Joe. Upon reading the",
"to mislead the reader into thinking that the book tells the story of",
"at the start of the book. I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism)",
"how he tries to use his free will to change time, and slowly",
"to an event or object at the end of the book in order",
"often. I intend to follow Older-Joe's story: how he tries to use his",
"explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first",
"Young-Joe from the end of the book. Using this knowledge, the reader would",
"Old-Joe's mental struggles. --- **How can I make these small pieces of information",
"of relevance to an event or object at the end of the book",
"it in any way. I would like to mislead the reader into thinking",
"that Old-Joe is Young-Joe from the end of the book. Using this knowledge,",
"details that point towards a second story detailing Old-Joe's mental struggles. --- **How",
"object at the end of the book in order to link Old-Joe to",
"relevant on the second readthrough?** Ideally, they would need to be completely forgotten,",
"in time and appears at the start of the book. I intend to",
"an event or object at the end of the book in order to",
"from the end of the book. Using this knowledge, the reader would then",
"thinking that the book tells the story of Young-Joe. Upon reading the story",
"to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the",
"story, the reader does not know that the character who appeared at the",
"eventually realises that he is not truly in control of anything, since he",
"Old-Joe is Young-Joe from the end of the book. Using this knowledge, the",
"carry some sort of relevance to an event or object at the end",
"tells the story of Young-Joe. Upon reading the story for a second time,",
"of information seem unimportant on the first readthrough, but incredibly relevant on the",
"realises that he is not truly in control of anything, since he knows",
"events have already happened. He eventually realises that he is not truly in",
"book. I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the",
"book tells the story of Young-Joe. Upon reading the story for a second",
"since he knows his own future and has no power to control it",
"appeared at the beginning is Joe. Instead, Older-Joe is treated as a minor",
"Young-Joe. Upon reading the story for a second time, the reader would pick",
"struggles. --- **How can I make these small pieces of information seem unimportant",
"one character (let's call him Joe) goes back in time and appears at",
"the story of Young-Joe. Upon reading the story for a second time, the",
"would then notice details that point towards a second story detailing Old-Joe's mental",
"slowly realises that he cannot since the events have already happened. He eventually",
"Ideally, they would need to be completely forgotten, but carry some sort of",
"back in time and appears at the start of the book. I intend",
"on the second readthrough?** Ideally, they would need to be completely forgotten, but",
"completely forgotten, but carry some sort of relevance to an event or object",
"and appears at the start of the book. I intend to explore themes",
"the events have already happened. He eventually realises that he is not truly",
"him Joe) goes back in time and appears at the start of the",
"know that the character who appeared at the beginning is Joe. Instead, Older-Joe",
"story that follows two characters. At the end, one character (let's call him",
"planning a story that follows two characters. At the end, one character (let's",
"then notice details that point towards a second story detailing Old-Joe's mental struggles.",
"sort of relevance to an event or object at the end of the",
"is not truly in control of anything, since he knows his own future",
"the story. On the first read-through of the story, the reader does not",
"but carry some sort of relevance to an event or object at the",
"story detailing Old-Joe's mental struggles. --- **How can I make these small pieces",
"anything, since he knows his own future and has no power to control",
"beginning is Joe. Instead, Older-Joe is treated as a minor character and does",
"control it in any way. I would like to mislead the reader into",
"no power to control it in any way. I would like to mislead",
"I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story.",
"is treated as a minor character and does not appear often. I intend",
"readthrough?** Ideally, they would need to be completely forgotten, but carry some sort",
"forgotten, but carry some sort of relevance to an event or object at",
"the beginning is Joe. Instead, Older-Joe is treated as a minor character and",
"the first read-through of the story, the reader does not know that the",
"realises that he cannot since the events have already happened. He eventually realises",
"reader would then notice details that point towards a second story detailing Old-Joe's",
"Joe) goes back in time and appears at the start of the book.",
"of the book. I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will)",
"On the first read-through of the story, the reader does not know that",
"future and has no power to control it in any way. I would",
"is Young-Joe from the end of the book. Using this knowledge, the reader",
"the book. I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout",
"that he cannot since the events have already happened. He eventually realises that",
"reader would pick up some form of clue that indicates that Old-Joe is",
"would need to be completely forgotten, but carry some sort of relevance to",
"appears at the start of the book. I intend to explore themes of",
"time and appears at the start of the book. I intend to explore",
"the character who appeared at the beginning is Joe. Instead, Older-Joe is treated",
"but incredibly relevant on the second readthrough?** Ideally, they would need to be",
"intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On",
"of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first read-through of",
"some form of clue that indicates that Old-Joe is Young-Joe from the end",
"Older-Joe's story: how he tries to use his free will to change time,",
"they would need to be completely forgotten, but carry some sort of relevance",
"[free will](https://en.wikipedia.org/wiki/Free_will) throughout the story. On the first read-through of the story, the",
"a story that follows two characters. At the end, one character (let's call",
"he is not truly in control of anything, since he knows his own",
"the reader into thinking that the book tells the story of Young-Joe. Upon",
"Joe. Instead, Older-Joe is treated as a minor character and does not appear",
"not appear often. I intend to follow Older-Joe's story: how he tries to",
"own future and has no power to control it in any way. I",
"he knows his own future and has no power to control it in",
"tries to use his free will to change time, and slowly realises that",
"second time, the reader would pick up some form of clue that indicates",
"--- **How can I make these small pieces of information seem unimportant on",
"in any way. I would like to mislead the reader into thinking that",
"characters. At the end, one character (let's call him Joe) goes back in",
"start of the book. I intend to explore themes of [determinism](https://en.wikipedia.org/wiki/Determinism) vs [free",
"character and does not appear often. I intend to follow Older-Joe's story: how",
"story. On the first read-through of the story, the reader does not know",
"pieces of information seem unimportant on the first readthrough, but incredibly relevant on",
"I intend to follow Older-Joe's story: how he tries to use his free",
"time, the reader would pick up some form of clue that indicates that",
"the second readthrough?** Ideally, they would need to be completely forgotten, but carry",
"event or object at the end of the book in order to link",
"reader does not know that the character who appeared at the beginning is",
"any way. I would like to mislead the reader into thinking that the",
"make these small pieces of information seem unimportant on the first readthrough, but",
"and slowly realises that he cannot since the events have already happened. He",
"the story for a second time, the reader would pick up some form",
"story: how he tries to use his free will to change time, and",
"since the events have already happened. He eventually realises that he is not",
"the reader would pick up some form of clue that indicates that Old-Joe",
"the book. Using this knowledge, the reader would then notice details that point",
"who appeared at the beginning is Joe. Instead, Older-Joe is treated as a",
"some sort of relevance to an event or object at the end of",
"he tries to use his free will to change time, and slowly realises",
"Upon reading the story for a second time, the reader would pick up",
"character who appeared at the beginning is Joe. Instead, Older-Joe is treated as"
] |
[
"the main character doesn't know whether slavery is something that is used in",
"all of the NPC's in her guild. As her reaction, she sent scouts",
"area in order to discover a settlement or something similar. As a result,",
"her scouts found a slave camp. So far she has been really worried",
"war on a kingdom. However she is currently considering attacking the slave camp",
"character I am reflecting my belief as a writer on to the character.",
"world in her avatar along with all of the NPC's in her guild.",
"My question is: Would a character who displays the opposite of one of",
"of the NPC's in her guild. As her reaction, she sent scouts around",
"similar. As a result, her scouts found a slave camp. So far she",
"The main character, while playing an [MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in",
"while playing an [MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in her avatar along",
"camp in order to free the slaves. I am afraid that rather than",
"the area in order to discover a settlement or something similar. As a",
"writing a rational character I am reflecting my belief as a writer on",
"afraid that rather than writing a rational character I am reflecting my belief",
"a character who displays the opposite of one of their characteristics due to",
"camp. So far she has been really worried about accidentally having her guild",
"kingdom. However she is currently considering attacking the slave camp in order to",
"slaves. I am afraid that rather than writing a rational character I am",
"declare war on a kingdom. However she is currently considering attacking the slave",
"a kingdom. However she is currently considering attacking the slave camp in order",
"in order to discover a settlement or something similar. As a result, her",
"used to cause the immersion to break? As a side note the main",
"order to free the slaves. I am afraid that rather than writing a",
"characteristics due to the moral code they are used to cause the immersion",
"that rather than writing a rational character I am reflecting my belief as",
"the NPC's in her guild. As her reaction, she sent scouts around the",
"to another world in her avatar along with all of the NPC's in",
"a result, her scouts found a slave camp. So far she has been",
"As a result, her scouts found a slave camp. So far she has",
"am reflecting my belief as a writer on to the character. My question",
"are used to cause the immersion to break? As a side note the",
"the slave camp in order to free the slaves. I am afraid that",
"or something similar. As a result, her scouts found a slave camp. So",
"rational character I am reflecting my belief as a writer on to the",
"reflecting my belief as a writer on to the character. My question is:",
"she sent scouts around the area in order to discover a settlement or",
"to discover a settlement or something similar. As a result, her scouts found",
"question is: Would a character who displays the opposite of one of their",
"worried about accidentally having her guild declare war on a kingdom. However she",
"considering attacking the slave camp in order to free the slaves. I am",
"to the moral code they are used to cause the immersion to break?",
"moral code they are used to cause the immersion to break? As a",
"am afraid that rather than writing a rational character I am reflecting my",
"her reaction, she sent scouts around the area in order to discover a",
"NPC's in her guild. As her reaction, she sent scouts around the area",
"she is currently considering attacking the slave camp in order to free the",
"reaction, she sent scouts around the area in order to discover a settlement",
"accidentally having her guild declare war on a kingdom. However she is currently",
"avatar along with all of the NPC's in her guild. As her reaction,",
"their characteristics due to the moral code they are used to cause the",
"note the main character doesn't know whether slavery is something that is used",
"know whether slavery is something that is used in this world or not.",
"displays the opposite of one of their characteristics due to the moral code",
"character doesn't know whether slavery is something that is used in this world",
"belief as a writer on to the character. My question is: Would a",
"a side note the main character doesn't know whether slavery is something that",
"[MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in her avatar along with all of",
"on to the character. My question is: Would a character who displays the",
"to cause the immersion to break? As a side note the main character",
"doesn't know whether slavery is something that is used in this world or",
"a settlement or something similar. As a result, her scouts found a slave",
"she has been really worried about accidentally having her guild declare war on",
"far she has been really worried about accidentally having her guild declare war",
"sent scouts around the area in order to discover a settlement or something",
"Would a character who displays the opposite of one of their characteristics due",
"side note the main character doesn't know whether slavery is something that is",
"in her avatar along with all of the NPC's in her guild. As",
"along with all of the NPC's in her guild. As her reaction, she",
"found a slave camp. So far she has been really worried about accidentally",
"So far she has been really worried about accidentally having her guild declare",
"having her guild declare war on a kingdom. However she is currently considering",
"slave camp. So far she has been really worried about accidentally having her",
"of one of their characteristics due to the moral code they are used",
"to free the slaves. I am afraid that rather than writing a rational",
"free the slaves. I am afraid that rather than writing a rational character",
"one of their characteristics due to the moral code they are used to",
"I am reflecting my belief as a writer on to the character. My",
"slave camp in order to free the slaves. I am afraid that rather",
"teleported to another world in her avatar along with all of the NPC's",
"than writing a rational character I am reflecting my belief as a writer",
"a slave camp. So far she has been really worried about accidentally having",
"they are used to cause the immersion to break? As a side note",
"on a kingdom. However she is currently considering attacking the slave camp in",
"the immersion to break? As a side note the main character doesn't know",
"main character, while playing an [MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in her",
"as a writer on to the character. My question is: Would a character",
"in order to free the slaves. I am afraid that rather than writing",
"been really worried about accidentally having her guild declare war on a kingdom.",
"scouts around the area in order to discover a settlement or something similar.",
"something similar. As a result, her scouts found a slave camp. So far",
"the slaves. I am afraid that rather than writing a rational character I",
"her guild. As her reaction, she sent scouts around the area in order",
"order to discover a settlement or something similar. As a result, her scouts",
"As her reaction, she sent scouts around the area in order to discover",
"to the character. My question is: Would a character who displays the opposite",
"has been really worried about accidentally having her guild declare war on a",
"break? As a side note the main character doesn't know whether slavery is",
"the moral code they are used to cause the immersion to break? As",
"to break? As a side note the main character doesn't know whether slavery",
"However she is currently considering attacking the slave camp in order to free",
"the opposite of one of their characteristics due to the moral code they",
"an [MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in her avatar along with all",
"rather than writing a rational character I am reflecting my belief as a",
"character. My question is: Would a character who displays the opposite of one",
"my belief as a writer on to the character. My question is: Would",
"playing an [MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in her avatar along with",
"a writer on to the character. My question is: Would a character who",
"of their characteristics due to the moral code they are used to cause",
"who displays the opposite of one of their characteristics due to the moral",
"in her guild. As her reaction, she sent scouts around the area in",
"discover a settlement or something similar. As a result, her scouts found a",
"writer on to the character. My question is: Would a character who displays",
"due to the moral code they are used to cause the immersion to",
"is currently considering attacking the slave camp in order to free the slaves.",
"guild declare war on a kingdom. However she is currently considering attacking the",
"guild. As her reaction, she sent scouts around the area in order to",
"the character. My question is: Would a character who displays the opposite of",
"character, while playing an [MMO](https://en.wikipedia.org/wiki/Massively_multiplayer_online_game), was teleported to another world in her avatar",
"around the area in order to discover a settlement or something similar. As",
"settlement or something similar. As a result, her scouts found a slave camp.",
"really worried about accidentally having her guild declare war on a kingdom. However",
"currently considering attacking the slave camp in order to free the slaves. I",
"another world in her avatar along with all of the NPC's in her",
"I am afraid that rather than writing a rational character I am reflecting",
"code they are used to cause the immersion to break? As a side",
"opposite of one of their characteristics due to the moral code they are",
"was teleported to another world in her avatar along with all of the",
"is: Would a character who displays the opposite of one of their characteristics",
"main character doesn't know whether slavery is something that is used in this",
"cause the immersion to break? As a side note the main character doesn't",
"scouts found a slave camp. So far she has been really worried about",
"As a side note the main character doesn't know whether slavery is something",
"character who displays the opposite of one of their characteristics due to the",
"result, her scouts found a slave camp. So far she has been really",
"about accidentally having her guild declare war on a kingdom. However she is",
"a rational character I am reflecting my belief as a writer on to",
"with all of the NPC's in her guild. As her reaction, she sent",
"attacking the slave camp in order to free the slaves. I am afraid",
"immersion to break? As a side note the main character doesn't know whether",
"her avatar along with all of the NPC's in her guild. As her",
"her guild declare war on a kingdom. However she is currently considering attacking"
] |
[
"bad decisions and has to start living and dealing with the consequences. Throughout,",
"way. I would compare it to how *She's the Man* is a modernized",
"is about how a teenage boy (who is notorious for being a bad",
"There are a few instances where my character quotes the book, or where",
"notorious for being a bad decision maker) makes a few bad decisions and",
"of morality resemble each other—in a roundabout way. I would compare it to",
"legitimate and proper as I can. My novel is about how a teenage",
"I still try to keep my writing as legitimate and proper as I",
"hobby and so my works are pretty amateur, but I still try to",
"teenage boy (who is notorious for being a bad decision maker) makes a",
"the Man* is a modernized version of Shakespeares *Twelfth Night*. My question is:",
"that his works fall under public domain, I just don't want to misuse",
"few instances where my character quotes the book, or where the narrator quotes",
"still try to keep my writing as legitimate and proper as I can.",
"with the consequences. Throughout, he's been reading Oscar Wilde's novel, *The Picture of",
"these quotes and make these comparisons? I understand Wilde has been dead for",
"as legitimate and proper as I can. My novel is about how a",
"decision maker) makes a few bad decisions and has to start living and",
"resemble each other—in a roundabout way. I would compare it to how *She's",
"use these quotes and make these comparisons? I understand Wilde has been dead",
"bad decision maker) makes a few bad decisions and has to start living",
"where the narrator quotes the book, and the themes of morality resemble each",
"is a modernized version of Shakespeares *Twelfth Night*. My question is: Is it",
"these comparisons? I understand Wilde has been dead for some time now, and",
"book, and the themes of morality resemble each other—in a roundabout way. I",
"quotes the book, or where the narrator quotes the book, and the themes",
"boy (who is notorious for being a bad decision maker) makes a few",
"a few instances where my character quotes the book, or where the narrator",
"(who is notorious for being a bad decision maker) makes a few bad",
"understand Wilde has been dead for some time now, and that his works",
"can. My novel is about how a teenage boy (who is notorious for",
"being a bad decision maker) makes a few bad decisions and has to",
"Throughout, he's been reading Oscar Wilde's novel, *The Picture of Dorian Gray*. There",
"is: Is it fine for me to use these quotes and make these",
"some time now, and that his works fall under public domain, I just",
"his works fall under public domain, I just don't want to misuse anything.",
"works are pretty amateur, but I still try to keep my writing as",
"try to keep my writing as legitimate and proper as I can. My",
"*Twelfth Night*. My question is: Is it fine for me to use these",
"instances where my character quotes the book, or where the narrator quotes the",
"and make these comparisons? I understand Wilde has been dead for some time",
"Man* is a modernized version of Shakespeares *Twelfth Night*. My question is: Is",
"version of Shakespeares *Twelfth Night*. My question is: Is it fine for me",
"to start living and dealing with the consequences. Throughout, he's been reading Oscar",
"to keep my writing as legitimate and proper as I can. My novel",
"the consequences. Throughout, he's been reading Oscar Wilde's novel, *The Picture of Dorian",
"Shakespeares *Twelfth Night*. My question is: Is it fine for me to use",
"decisions and has to start living and dealing with the consequences. Throughout, he's",
"narrator quotes the book, and the themes of morality resemble each other—in a",
"Wilde has been dead for some time now, and that his works fall",
"how a teenage boy (who is notorious for being a bad decision maker)",
"about how a teenage boy (who is notorious for being a bad decision",
"fine for me to use these quotes and make these comparisons? I understand",
"living and dealing with the consequences. Throughout, he's been reading Oscar Wilde's novel,",
"novel is about how a teenage boy (who is notorious for being a",
"My novel is about how a teenage boy (who is notorious for being",
"modernized version of Shakespeares *Twelfth Night*. My question is: Is it fine for",
"to use these quotes and make these comparisons? I understand Wilde has been",
"for me to use these quotes and make these comparisons? I understand Wilde",
"themes of morality resemble each other—in a roundabout way. I would compare it",
"roundabout way. I would compare it to how *She's the Man* is a",
"been dead for some time now, and that his works fall under public",
"it to how *She's the Man* is a modernized version of Shakespeares *Twelfth",
"are a few instances where my character quotes the book, or where the",
"but I still try to keep my writing as legitimate and proper as",
"and so my works are pretty amateur, but I still try to keep",
"I would compare it to how *She's the Man* is a modernized version",
"would compare it to how *She's the Man* is a modernized version of",
"a bad decision maker) makes a few bad decisions and has to start",
"*The Picture of Dorian Gray*. There are a few instances where my character",
"other—in a roundabout way. I would compare it to how *She's the Man*",
"consequences. Throughout, he's been reading Oscar Wilde's novel, *The Picture of Dorian Gray*.",
"of Shakespeares *Twelfth Night*. My question is: Is it fine for me to",
"and has to start living and dealing with the consequences. Throughout, he's been",
"as a hobby and so my works are pretty amateur, but I still",
"been reading Oscar Wilde's novel, *The Picture of Dorian Gray*. There are a",
"amateur, but I still try to keep my writing as legitimate and proper",
"Picture of Dorian Gray*. There are a few instances where my character quotes",
"My question is: Is it fine for me to use these quotes and",
"and that his works fall under public domain, I just don't want to",
"the book, or where the narrator quotes the book, and the themes of",
"the book, and the themes of morality resemble each other—in a roundabout way.",
"as I can. My novel is about how a teenage boy (who is",
"pretty amateur, but I still try to keep my writing as legitimate and",
"morality resemble each other—in a roundabout way. I would compare it to how",
"for being a bad decision maker) makes a few bad decisions and has",
"make these comparisons? I understand Wilde has been dead for some time now,",
"a hobby and so my works are pretty amateur, but I still try",
"few bad decisions and has to start living and dealing with the consequences.",
"a few bad decisions and has to start living and dealing with the",
"me to use these quotes and make these comparisons? I understand Wilde has",
"quotes and make these comparisons? I understand Wilde has been dead for some",
"Wilde's novel, *The Picture of Dorian Gray*. There are a few instances where",
"my works are pretty amateur, but I still try to keep my writing",
"proper as I can. My novel is about how a teenage boy (who",
"I can. My novel is about how a teenage boy (who is notorious",
"and proper as I can. My novel is about how a teenage boy",
"or where the narrator quotes the book, and the themes of morality resemble",
"dealing with the consequences. Throughout, he's been reading Oscar Wilde's novel, *The Picture",
"I write as a hobby and so my works are pretty amateur, but",
"write as a hobby and so my works are pretty amateur, but I",
"it fine for me to use these quotes and make these comparisons? I",
"maker) makes a few bad decisions and has to start living and dealing",
"book, or where the narrator quotes the book, and the themes of morality",
"the themes of morality resemble each other—in a roundabout way. I would compare",
"a modernized version of Shakespeares *Twelfth Night*. My question is: Is it fine",
"reading Oscar Wilde's novel, *The Picture of Dorian Gray*. There are a few",
"so my works are pretty amateur, but I still try to keep my",
"my writing as legitimate and proper as I can. My novel is about",
"start living and dealing with the consequences. Throughout, he's been reading Oscar Wilde's",
"each other—in a roundabout way. I would compare it to how *She's the",
"where my character quotes the book, or where the narrator quotes the book,",
"time now, and that his works fall under public domain, I just don't",
"Night*. My question is: Is it fine for me to use these quotes",
"of Dorian Gray*. There are a few instances where my character quotes the",
"quotes the book, and the themes of morality resemble each other—in a roundabout",
"keep my writing as legitimate and proper as I can. My novel is",
"character quotes the book, or where the narrator quotes the book, and the",
"for some time now, and that his works fall under public domain, I",
"Dorian Gray*. There are a few instances where my character quotes the book,",
"compare it to how *She's the Man* is a modernized version of Shakespeares",
"is notorious for being a bad decision maker) makes a few bad decisions",
"novel, *The Picture of Dorian Gray*. There are a few instances where my",
"a roundabout way. I would compare it to how *She's the Man* is",
"the narrator quotes the book, and the themes of morality resemble each other—in",
"question is: Is it fine for me to use these quotes and make",
"I understand Wilde has been dead for some time now, and that his",
"how *She's the Man* is a modernized version of Shakespeares *Twelfth Night*. My",
"has to start living and dealing with the consequences. Throughout, he's been reading",
"to how *She's the Man* is a modernized version of Shakespeares *Twelfth Night*.",
"Gray*. There are a few instances where my character quotes the book, or",
"*She's the Man* is a modernized version of Shakespeares *Twelfth Night*. My question",
"has been dead for some time now, and that his works fall under",
"comparisons? I understand Wilde has been dead for some time now, and that",
"and the themes of morality resemble each other—in a roundabout way. I would",
"and dealing with the consequences. Throughout, he's been reading Oscar Wilde's novel, *The",
"a teenage boy (who is notorious for being a bad decision maker) makes",
"dead for some time now, and that his works fall under public domain,",
"Oscar Wilde's novel, *The Picture of Dorian Gray*. There are a few instances",
"he's been reading Oscar Wilde's novel, *The Picture of Dorian Gray*. There are",
"my character quotes the book, or where the narrator quotes the book, and",
"writing as legitimate and proper as I can. My novel is about how",
"Is it fine for me to use these quotes and make these comparisons?",
"are pretty amateur, but I still try to keep my writing as legitimate",
"makes a few bad decisions and has to start living and dealing with",
"now, and that his works fall under public domain, I just don't want"
] |
[
"me, but when I look at what I have written, I cannot tell",
"I have written, I cannot tell if it works or not and if",
"what I have written, I cannot tell if it works or not and",
"I cannot tell if it works or not and if it is \"my",
"written, I cannot tell if it works or not and if it is",
"for me, but when I look at what I have written, I cannot",
"minimalistic and futuristic style works for me, but when I look at what",
"if it is \"my style\". How can I tell if that style is",
"works for me, but when I look at what I have written, I",
"not and if it is \"my style\". How can I tell if that",
"style works for me, but when I look at what I have written,",
"futuristic style works for me, but when I look at what I have",
"tell if it works or not and if it is \"my style\". How",
"find out if writing in a very minimalistic and futuristic style works for",
"I want to find out if writing in a very minimalistic and futuristic",
"look at what I have written, I cannot tell if it works or",
"but when I look at what I have written, I cannot tell if",
"and futuristic style works for me, but when I look at what I",
"it works or not and if it is \"my style\". How can I",
"have written, I cannot tell if it works or not and if it",
"works or not and if it is \"my style\". How can I tell",
"a very minimalistic and futuristic style works for me, but when I look",
"out if writing in a very minimalistic and futuristic style works for me,",
"cannot tell if it works or not and if it is \"my style\".",
"writing in a very minimalistic and futuristic style works for me, but when",
"and if it is \"my style\". How can I tell if that style",
"in a very minimalistic and futuristic style works for me, but when I",
"if it works or not and if it is \"my style\". How can",
"very minimalistic and futuristic style works for me, but when I look at",
"want to find out if writing in a very minimalistic and futuristic style",
"when I look at what I have written, I cannot tell if it",
"at what I have written, I cannot tell if it works or not",
"it is \"my style\". How can I tell if that style is for",
"I look at what I have written, I cannot tell if it works",
"is \"my style\". How can I tell if that style is for me?",
"to find out if writing in a very minimalistic and futuristic style works",
"or not and if it is \"my style\". How can I tell if",
"if writing in a very minimalistic and futuristic style works for me, but"
] |
[
"raise his affection level with DupeKx. DupeKx only has a single chance to",
"xp. I don't want DupeKx to be *strong* strong, but I do want",
"call him Bob. The Chosen. Bob is extremely strong and has a special",
"of Monsters. DupeKx is currently the kingdom's greatest swordsman and leads the royal",
"up camp the player isn't going to look at him anymore unless he",
"monster is strong!\", but rather something of an \"Haha, silly DupeKx got defeated",
"problem is that DupeKx is only human - he does not have the",
"defeats enemy after enemy effortlessly, becoming humanity's last hope. He is stationed in",
"single chance to prove himself as the competent knight he is. But I'm",
"chance to prove himself as the competent knight he is. But I'm afraid",
"tve Gride, the Virtuous, Vigilant Paragon of Hope, Knighted by the King, Slayer",
"He's beloved by the citizens because of how many of them he has",
"from the monster assaults. Word spreads about his deeds and a second character",
"competent knight he is. But I'm afraid that it doesn't matter how many",
"gets swatted aside it doesn't really give the wanted reaction of \"Goodness, that",
"of \"Goodness, that monster is strong!\", but rather something of an \"Haha, silly",
"second character is introduced: Sir Yeve tve Gride, the Virtuous, Vigilant Paragon of",
"defeat the bosses, the player is supposed to do that on his own.",
"a way to make DupeKx look like a competent knight without affecting his",
"the citizens because of how many of them he has saved. He and",
"that point on DupeKx serves as the face of the kingdom. The problem",
"have humanity cornered. Truly everything seems lost, that is, until our main character",
"and he gets swatted aside it doesn't really give the wanted reaction of",
"the competent knight he is. But I'm afraid that it doesn't matter how",
"to his own. I can't have him be strong enough to defeat the",
"a result he defeats enemy after enemy effortlessly, becoming humanity's last hope. He",
"player to acknowledge him. Is there a way to make DupeKx look like",
"- he does not have the unique superpowers Chosen like Bob have. He",
"I do want the player to acknowledge him. Is there a way to",
"But I'm afraid that it doesn't matter how many mobs I let him",
"want DupeKx to be *strong* strong, but I do want the player to",
"but I do want the player to acknowledge him. Is there a way",
"DupeKx. DupeKx only has a single chance to prove himself as the competent",
"the player to acknowledge him. Is there a way to make DupeKx look",
"and leads the royal knights against the forces of evil. He's beloved by",
"kills those in his free time to farm xp. I don't want DupeKx",
"he does not have the unique superpowers Chosen like Bob have. He is",
"strong, but I do want the player to acknowledge him. Is there a",
"a second character is introduced: Sir Yeve tve Gride, the Virtuous, Vigilant Paragon",
"informed attribute. Even if I let him defeat a few monsters on his",
"saved. He and his army set up camp in the village on order",
"storyline for a game where the forces of evil have humanity cornered. Truly",
"strong, but very strong for a human. After he set up camp the",
"wanted reaction of \"Goodness, that monster is strong!\", but rather something of an",
"swatted aside it doesn't really give the wanted reaction of \"Goodness, that monster",
"seemingly designed to counter the evil monsters. As a result he defeats enemy",
"is supposed to do that on his own. When he tags along to",
"but very strong for a human. After he set up camp the player",
"player will invariably compare those feats to his own. I can't have him",
"Word spreads about his deeds and a second character is introduced: Sir Yeve",
"player isn't going to look at him anymore unless he decides to raise",
"his own he still feels weak because the great Bob kills those in",
"and his army set up camp in the village on order and from",
"kingdom's greatest swordsman and leads the royal knights against the forces of evil.",
"an informed attribute. Even if I let him defeat a few monsters on",
"isn't going to look at him anymore unless he decides to raise his",
"is currently the kingdom's greatest swordsman and leads the royal knights against the",
"time to farm xp. I don't want DupeKx to be *strong* strong, but",
"lines where he gets to know the villagers and protects them from the",
"is, until our main character decides to step in. Let's call him Bob.",
"in a small village on the front lines where he gets to know",
"make DupeKx look like a competent knight without affecting his or Bob's power",
"monster assaults. Word spreads about his deeds and a second character is introduced:",
"that on his own. When he tags along to scout for one of",
"Knighted by the King, Slayer of Monsters. DupeKx is currently the kingdom's greatest",
"that DupeKx is only human - he does not have the unique superpowers",
"seems lost, that is, until our main character decides to step in. Let's",
"does not have the unique superpowers Chosen like Bob have. He is still",
"want the player to acknowledge him. Is there a way to make DupeKx",
"himself as the competent knight he is. But I'm afraid that it doesn't",
"he gets swatted aside it doesn't really give the wanted reaction of \"Goodness,",
"to prove himself as the competent knight he is. But I'm afraid that",
"for one of the bosses and he gets swatted aside it doesn't really",
"protects them from the monster assaults. Word spreads about his deeds and a",
"along to scout for one of the bosses and he gets swatted aside",
"them he has saved. He and his army set up camp in the",
"the village on order and from that point on DupeKx serves as the",
"a special ability that's seemingly designed to counter the evil monsters. As a",
"aside it doesn't really give the wanted reaction of \"Goodness, that monster is",
"invariably compare those feats to his own. I can't have him be strong",
"bosses, the player is supposed to do that on his own. When he",
"Bob kills those in his free time to farm xp. I don't want",
"those feats to his own. I can't have him be strong enough to",
"the wanted reaction of \"Goodness, that monster is strong!\", but rather something of",
"as the competent knight he is. But I'm afraid that it doesn't matter",
"superpowers Chosen like Bob have. He is still very strong, but very strong",
"a game where the forces of evil have humanity cornered. Truly everything seems",
"hope. He is stationed in a small village on the front lines where",
"the Virtuous, Vigilant Paragon of Hope, Knighted by the King, Slayer of Monsters.",
"free time to farm xp. I don't want DupeKx to be *strong* strong,",
"be *strong* strong, but I do want the player to acknowledge him. Is",
"is still very strong, but very strong for a human. After he set",
"is that DupeKx is only human - he does not have the unique",
"human - he does not have the unique superpowers Chosen like Bob have.",
"the forces of evil. He's beloved by the citizens because of how many",
"Truly everything seems lost, that is, until our main character decides to step",
"Monsters. DupeKx is currently the kingdom's greatest swordsman and leads the royal knights",
"do want the player to acknowledge him. Is there a way to make",
"scout for one of the bosses and he gets swatted aside it doesn't",
"him defeat, the player will invariably compare those feats to his own. I",
"The Chosen. Bob is extremely strong and has a special ability that's seemingly",
"farm xp. I don't want DupeKx to be *strong* strong, but I do",
"many mobs I let him defeat, the player will invariably compare those feats",
"defeated again.\" His competence as a swordsman has become an informed attribute. Even",
"still feels weak because the great Bob kills those in his free time",
"to be *strong* strong, but I do want the player to acknowledge him.",
"and from that point on DupeKx serves as the face of the kingdom.",
"leads the royal knights against the forces of evil. He's beloved by the",
"silly DupeKx got defeated again.\" His competence as a swordsman has become an",
"Bob is extremely strong and has a special ability that's seemingly designed to",
"DupeKx is only human - he does not have the unique superpowers Chosen",
"character decides to step in. Let's call him Bob. The Chosen. Bob is",
"of Hope, Knighted by the King, Slayer of Monsters. DupeKx is currently the",
"of evil have humanity cornered. Truly everything seems lost, that is, until our",
"and protects them from the monster assaults. Word spreads about his deeds and",
"is strong!\", but rather something of an \"Haha, silly DupeKx got defeated again.\"",
"because of how many of them he has saved. He and his army",
"evil have humanity cornered. Truly everything seems lost, that is, until our main",
"army set up camp in the village on order and from that point",
"it doesn't really give the wanted reaction of \"Goodness, that monster is strong!\",",
"the forces of evil have humanity cornered. Truly everything seems lost, that is,",
"I let him defeat a few monsters on his own he still feels",
"Even if I let him defeat a few monsters on his own he",
"He is still very strong, but very strong for a human. After he",
"because the great Bob kills those in his free time to farm xp.",
"serves as the face of the kingdom. The problem is that DupeKx is",
"only has a single chance to prove himself as the competent knight he",
"swordsman has become an informed attribute. Even if I let him defeat a",
"of how many of them he has saved. He and his army set",
"he tags along to scout for one of the bosses and he gets",
"those in his free time to farm xp. I don't want DupeKx to",
"at him anymore unless he decides to raise his affection level with DupeKx.",
"on order and from that point on DupeKx serves as the face of",
"the player is supposed to do that on his own. When he tags",
"kingdom. The problem is that DupeKx is only human - he does not",
"forces of evil. He's beloved by the citizens because of how many of",
"doesn't really give the wanted reaction of \"Goodness, that monster is strong!\", but",
"great Bob kills those in his free time to farm xp. I don't",
"matter how many mobs I let him defeat, the player will invariably compare",
"very strong for a human. After he set up camp the player isn't",
"the bosses and he gets swatted aside it doesn't really give the wanted",
"Chosen. Bob is extremely strong and has a special ability that's seemingly designed",
"way to make DupeKx look like a competent knight without affecting his or",
"step in. Let's call him Bob. The Chosen. Bob is extremely strong and",
"if I let him defeat a few monsters on his own he still",
"the kingdom. The problem is that DupeKx is only human - he does",
"\"Goodness, that monster is strong!\", but rather something of an \"Haha, silly DupeKx",
"he still feels weak because the great Bob kills those in his free",
"Virtuous, Vigilant Paragon of Hope, Knighted by the King, Slayer of Monsters. DupeKx",
"on his own he still feels weak because the great Bob kills those",
"I'm afraid that it doesn't matter how many mobs I let him defeat,",
"he is. But I'm afraid that it doesn't matter how many mobs I",
"introduced: Sir Yeve tve Gride, the Virtuous, Vigilant Paragon of Hope, Knighted by",
"humanity cornered. Truly everything seems lost, that is, until our main character decides",
"with DupeKx. DupeKx only has a single chance to prove himself as the",
"his free time to farm xp. I don't want DupeKx to be *strong*",
"of them he has saved. He and his army set up camp in",
"last hope. He is stationed in a small village on the front lines",
"don't want DupeKx to be *strong* strong, but I do want the player",
"the King, Slayer of Monsters. DupeKx is currently the kingdom's greatest swordsman and",
"he has saved. He and his army set up camp in the village",
"but rather something of an \"Haha, silly DupeKx got defeated again.\" His competence",
"has become an informed attribute. Even if I let him defeat a few",
"about his deeds and a second character is introduced: Sir Yeve tve Gride,",
"and has a special ability that's seemingly designed to counter the evil monsters.",
"to raise his affection level with DupeKx. DupeKx only has a single chance",
"own. I can't have him be strong enough to defeat the bosses, the",
"is only human - he does not have the unique superpowers Chosen like",
"to counter the evil monsters. As a result he defeats enemy after enemy",
"effortlessly, becoming humanity's last hope. He is stationed in a small village on",
"I can't have him be strong enough to defeat the bosses, the player",
"reaction of \"Goodness, that monster is strong!\", but rather something of an \"Haha,",
"spreads about his deeds and a second character is introduced: Sir Yeve tve",
"I let him defeat, the player will invariably compare those feats to his",
"of the bosses and he gets swatted aside it doesn't really give the",
"up camp in the village on order and from that point on DupeKx",
"game where the forces of evil have humanity cornered. Truly everything seems lost,",
"it doesn't matter how many mobs I let him defeat, the player will",
"strong!\", but rather something of an \"Haha, silly DupeKx got defeated again.\" His",
"let him defeat a few monsters on his own he still feels weak",
"supposed to do that on his own. When he tags along to scout",
"him Bob. The Chosen. Bob is extremely strong and has a special ability",
"special ability that's seemingly designed to counter the evil monsters. As a result",
"strong for a human. After he set up camp the player isn't going",
"\"Haha, silly DupeKx got defeated again.\" His competence as a swordsman has become",
"evil. He's beloved by the citizens because of how many of them he",
"his army set up camp in the village on order and from that",
"do that on his own. When he tags along to scout for one",
"Slayer of Monsters. DupeKx is currently the kingdom's greatest swordsman and leads the",
"Vigilant Paragon of Hope, Knighted by the King, Slayer of Monsters. DupeKx is",
"something of an \"Haha, silly DupeKx got defeated again.\" His competence as a",
"where the forces of evil have humanity cornered. Truly everything seems lost, that",
"Let's call him Bob. The Chosen. Bob is extremely strong and has a",
"to make DupeKx look like a competent knight without affecting his or Bob's",
"the player isn't going to look at him anymore unless he decides to",
"DupeKx got defeated again.\" His competence as a swordsman has become an informed",
"him. Is there a way to make DupeKx look like a competent knight",
"strong enough to defeat the bosses, the player is supposed to do that",
"gets to know the villagers and protects them from the monster assaults. Word",
"King, Slayer of Monsters. DupeKx is currently the kingdom's greatest swordsman and leads",
"look at him anymore unless he decides to raise his affection level with",
"monsters. As a result he defeats enemy after enemy effortlessly, becoming humanity's last",
"weak because the great Bob kills those in his free time to farm",
"He and his army set up camp in the village on order and",
"forces of evil have humanity cornered. Truly everything seems lost, that is, until",
"small village on the front lines where he gets to know the villagers",
"face of the kingdom. The problem is that DupeKx is only human -",
"feels weak because the great Bob kills those in his free time to",
"mobs I let him defeat, the player will invariably compare those feats to",
"for a human. After he set up camp the player isn't going to",
"bosses and he gets swatted aside it doesn't really give the wanted reaction",
"is extremely strong and has a special ability that's seemingly designed to counter",
"greatest swordsman and leads the royal knights against the forces of evil. He's",
"DupeKx is currently the kingdom's greatest swordsman and leads the royal knights against",
"knights against the forces of evil. He's beloved by the citizens because of",
"feats to his own. I can't have him be strong enough to defeat",
"give the wanted reaction of \"Goodness, that monster is strong!\", but rather something",
"rather something of an \"Haha, silly DupeKx got defeated again.\" His competence as",
"again.\" His competence as a swordsman has become an informed attribute. Even if",
"to farm xp. I don't want DupeKx to be *strong* strong, but I",
"His competence as a swordsman has become an informed attribute. Even if I",
"defeat a few monsters on his own he still feels weak because the",
"everything seems lost, that is, until our main character decides to step in.",
"of an \"Haha, silly DupeKx got defeated again.\" His competence as a swordsman",
"that is, until our main character decides to step in. Let's call him",
"be strong enough to defeat the bosses, the player is supposed to do",
"the monster assaults. Word spreads about his deeds and a second character is",
"own. When he tags along to scout for one of the bosses and",
"humanity's last hope. He is stationed in a small village on the front",
"can't have him be strong enough to defeat the bosses, the player is",
"to scout for one of the bosses and he gets swatted aside it",
"in his free time to farm xp. I don't want DupeKx to be",
"in the village on order and from that point on DupeKx serves as",
"extremely strong and has a special ability that's seemingly designed to counter the",
"compare those feats to his own. I can't have him be strong enough",
"on the front lines where he gets to know the villagers and protects",
"level with DupeKx. DupeKx only has a single chance to prove himself as",
"him be strong enough to defeat the bosses, the player is supposed to",
"result he defeats enemy after enemy effortlessly, becoming humanity's last hope. He is",
"As a result he defeats enemy after enemy effortlessly, becoming humanity's last hope.",
"monsters on his own he still feels weak because the great Bob kills",
"a single chance to prove himself as the competent knight he is. But",
"he gets to know the villagers and protects them from the monster assaults.",
"He is stationed in a small village on the front lines where he",
"main character decides to step in. Let's call him Bob. The Chosen. Bob",
"to step in. Let's call him Bob. The Chosen. Bob is extremely strong",
"the player will invariably compare those feats to his own. I can't have",
"very strong, but very strong for a human. After he set up camp",
"Paragon of Hope, Knighted by the King, Slayer of Monsters. DupeKx is currently",
"still very strong, but very strong for a human. After he set up",
"the kingdom's greatest swordsman and leads the royal knights against the forces of",
"by the King, Slayer of Monsters. DupeKx is currently the kingdom's greatest swordsman",
"human. After he set up camp the player isn't going to look at",
"Yeve tve Gride, the Virtuous, Vigilant Paragon of Hope, Knighted by the King,",
"counter the evil monsters. As a result he defeats enemy after enemy effortlessly,",
"has a special ability that's seemingly designed to counter the evil monsters. As",
"to know the villagers and protects them from the monster assaults. Word spreads",
"decides to raise his affection level with DupeKx. DupeKx only has a single",
"where he gets to know the villagers and protects them from the monster",
"them from the monster assaults. Word spreads about his deeds and a second",
"writing a storyline for a game where the forces of evil have humanity",
"acknowledge him. Is there a way to make DupeKx look like a competent",
"is introduced: Sir Yeve tve Gride, the Virtuous, Vigilant Paragon of Hope, Knighted",
"Gride, the Virtuous, Vigilant Paragon of Hope, Knighted by the King, Slayer of",
"he defeats enemy after enemy effortlessly, becoming humanity's last hope. He is stationed",
"Hope, Knighted by the King, Slayer of Monsters. DupeKx is currently the kingdom's",
"as the face of the kingdom. The problem is that DupeKx is only",
"Bob have. He is still very strong, but very strong for a human.",
"our main character decides to step in. Let's call him Bob. The Chosen.",
"DupeKx only has a single chance to prove himself as the competent knight",
"enemy after enemy effortlessly, becoming humanity's last hope. He is stationed in a",
"swordsman and leads the royal knights against the forces of evil. He's beloved",
"a human. After he set up camp the player isn't going to look",
"on his own. When he tags along to scout for one of the",
"character is introduced: Sir Yeve tve Gride, the Virtuous, Vigilant Paragon of Hope,",
"only human - he does not have the unique superpowers Chosen like Bob",
"become an informed attribute. Even if I let him defeat a few monsters",
"currently the kingdom's greatest swordsman and leads the royal knights against the forces",
"a few monsters on his own he still feels weak because the great",
"his deeds and a second character is introduced: Sir Yeve tve Gride, the",
"to acknowledge him. Is there a way to make DupeKx look like a",
"the villagers and protects them from the monster assaults. Word spreads about his",
"DupeKx look like a competent knight without affecting his or Bob's power level?",
"for a game where the forces of evil have humanity cornered. Truly everything",
"citizens because of how many of them he has saved. He and his",
"his own. When he tags along to scout for one of the bosses",
"the bosses, the player is supposed to do that on his own. When",
"until our main character decides to step in. Let's call him Bob. The",
"he decides to raise his affection level with DupeKx. DupeKx only has a",
"deeds and a second character is introduced: Sir Yeve tve Gride, the Virtuous,",
"that monster is strong!\", but rather something of an \"Haha, silly DupeKx got",
"has a single chance to prove himself as the competent knight he is.",
"the front lines where he gets to know the villagers and protects them",
"a small village on the front lines where he gets to know the",
"The problem is that DupeKx is only human - he does not have",
"villagers and protects them from the monster assaults. Word spreads about his deeds",
"beloved by the citizens because of how many of them he has saved.",
"Is there a way to make DupeKx look like a competent knight without",
"him anymore unless he decides to raise his affection level with DupeKx. DupeKx",
"evil monsters. As a result he defeats enemy after enemy effortlessly, becoming humanity's",
"village on the front lines where he gets to know the villagers and",
"set up camp in the village on order and from that point on",
"affection level with DupeKx. DupeKx only has a single chance to prove himself",
"has saved. He and his army set up camp in the village on",
"few monsters on his own he still feels weak because the great Bob",
"and a second character is introduced: Sir Yeve tve Gride, the Virtuous, Vigilant",
"designed to counter the evil monsters. As a result he defeats enemy after",
"the unique superpowers Chosen like Bob have. He is still very strong, but",
"competence as a swordsman has become an informed attribute. Even if I let",
"*strong* strong, but I do want the player to acknowledge him. Is there",
"royal knights against the forces of evil. He's beloved by the citizens because",
"on DupeKx serves as the face of the kingdom. The problem is that",
"camp in the village on order and from that point on DupeKx serves",
"enough to defeat the bosses, the player is supposed to do that on",
"unless he decides to raise his affection level with DupeKx. DupeKx only has",
"prove himself as the competent knight he is. But I'm afraid that it",
"enemy effortlessly, becoming humanity's last hope. He is stationed in a small village",
"order and from that point on DupeKx serves as the face of the",
"own he still feels weak because the great Bob kills those in his",
"DupeKx to be *strong* strong, but I do want the player to acknowledge",
"lost, that is, until our main character decides to step in. Let's call",
"strong and has a special ability that's seemingly designed to counter the evil",
"an \"Haha, silly DupeKx got defeated again.\" His competence as a swordsman has",
"doesn't matter how many mobs I let him defeat, the player will invariably",
"is stationed in a small village on the front lines where he gets",
"tags along to scout for one of the bosses and he gets swatted",
"I'm writing a storyline for a game where the forces of evil have",
"knight he is. But I'm afraid that it doesn't matter how many mobs",
"DupeKx serves as the face of the kingdom. The problem is that DupeKx",
"the great Bob kills those in his free time to farm xp. I",
"of the kingdom. The problem is that DupeKx is only human - he",
"in. Let's call him Bob. The Chosen. Bob is extremely strong and has",
"how many mobs I let him defeat, the player will invariably compare those",
"let him defeat, the player will invariably compare those feats to his own.",
"by the citizens because of how many of them he has saved. He",
"that's seemingly designed to counter the evil monsters. As a result he defeats",
"will invariably compare those feats to his own. I can't have him be",
"point on DupeKx serves as the face of the kingdom. The problem is",
"from that point on DupeKx serves as the face of the kingdom. The",
"village on order and from that point on DupeKx serves as the face",
"decides to step in. Let's call him Bob. The Chosen. Bob is extremely",
"unique superpowers Chosen like Bob have. He is still very strong, but very",
"he set up camp the player isn't going to look at him anymore",
"defeat, the player will invariably compare those feats to his own. I can't",
"cornered. Truly everything seems lost, that is, until our main character decides to",
"After he set up camp the player isn't going to look at him",
"to look at him anymore unless he decides to raise his affection level",
"after enemy effortlessly, becoming humanity's last hope. He is stationed in a small",
"his affection level with DupeKx. DupeKx only has a single chance to prove",
"really give the wanted reaction of \"Goodness, that monster is strong!\", but rather",
"him defeat a few monsters on his own he still feels weak because",
"many of them he has saved. He and his army set up camp",
"camp the player isn't going to look at him anymore unless he decides",
"like Bob have. He is still very strong, but very strong for a",
"there a way to make DupeKx look like a competent knight without affecting",
"have the unique superpowers Chosen like Bob have. He is still very strong,",
"set up camp the player isn't going to look at him anymore unless",
"ability that's seemingly designed to counter the evil monsters. As a result he",
"his own. I can't have him be strong enough to defeat the bosses,",
"assaults. Word spreads about his deeds and a second character is introduced: Sir",
"stationed in a small village on the front lines where he gets to",
"not have the unique superpowers Chosen like Bob have. He is still very",
"anymore unless he decides to raise his affection level with DupeKx. DupeKx only",
"Bob. The Chosen. Bob is extremely strong and has a special ability that's",
"have. He is still very strong, but very strong for a human. After",
"the royal knights against the forces of evil. He's beloved by the citizens",
"to do that on his own. When he tags along to scout for",
"Sir Yeve tve Gride, the Virtuous, Vigilant Paragon of Hope, Knighted by the",
"is. But I'm afraid that it doesn't matter how many mobs I let",
"that it doesn't matter how many mobs I let him defeat, the player",
"as a swordsman has become an informed attribute. Even if I let him",
"one of the bosses and he gets swatted aside it doesn't really give",
"got defeated again.\" His competence as a swordsman has become an informed attribute.",
"afraid that it doesn't matter how many mobs I let him defeat, the",
"have him be strong enough to defeat the bosses, the player is supposed",
"becoming humanity's last hope. He is stationed in a small village on the",
"player is supposed to do that on his own. When he tags along",
"a storyline for a game where the forces of evil have humanity cornered.",
"against the forces of evil. He's beloved by the citizens because of how",
"going to look at him anymore unless he decides to raise his affection",
"Chosen like Bob have. He is still very strong, but very strong for",
"the evil monsters. As a result he defeats enemy after enemy effortlessly, becoming",
"a swordsman has become an informed attribute. Even if I let him defeat",
"attribute. Even if I let him defeat a few monsters on his own",
"front lines where he gets to know the villagers and protects them from",
"the face of the kingdom. The problem is that DupeKx is only human",
"I don't want DupeKx to be *strong* strong, but I do want the",
"how many of them he has saved. He and his army set up",
"know the villagers and protects them from the monster assaults. Word spreads about",
"to defeat the bosses, the player is supposed to do that on his",
"When he tags along to scout for one of the bosses and he",
"of evil. He's beloved by the citizens because of how many of them"
] |
[
"writer of this crap should just kill herself.' and low ratings that accompany",
"However, I often see in comments sayings 'This fanfiction gave me cancer','The writer",
"as I write it. However, I often see in comments sayings 'This fanfiction",
"posting it online as I write it. However, I often see in comments",
"I am posting it online as I write it. However, I often see",
"see in comments sayings 'This fanfiction gave me cancer','The writer of this crap",
"should just kill herself.' and low ratings that accompany those comments. What I",
"want to ask is: How can I avoid doing things that will cause",
"recently started writing a fanfiction and I am posting it online as I",
"me cancer','The writer of this crap should just kill herself.' and low ratings",
"I often see in comments sayings 'This fanfiction gave me cancer','The writer of",
"How can I avoid doing things that will cause people to think of",
"it. However, I often see in comments sayings 'This fanfiction gave me cancer','The",
"doing things that will cause people to think of similar things about my",
"kill herself.' and low ratings that accompany those comments. What I want to",
"I write it. However, I often see in comments sayings 'This fanfiction gave",
"a fanfiction and I am posting it online as I write it. However,",
"that will cause people to think of similar things about my fanfiction novel?",
"fanfiction and I am posting it online as I write it. However, I",
"of this crap should just kill herself.' and low ratings that accompany those",
"and I am posting it online as I write it. However, I often",
"to ask is: How can I avoid doing things that will cause people",
"is: How can I avoid doing things that will cause people to think",
"sayings 'This fanfiction gave me cancer','The writer of this crap should just kill",
"started writing a fanfiction and I am posting it online as I write",
"comments. What I want to ask is: How can I avoid doing things",
"writing a fanfiction and I am posting it online as I write it.",
"herself.' and low ratings that accompany those comments. What I want to ask",
"things that will cause people to think of similar things about my fanfiction",
"gave me cancer','The writer of this crap should just kill herself.' and low",
"ratings that accompany those comments. What I want to ask is: How can",
"cancer','The writer of this crap should just kill herself.' and low ratings that",
"accompany those comments. What I want to ask is: How can I avoid",
"write it. However, I often see in comments sayings 'This fanfiction gave me",
"am posting it online as I write it. However, I often see in",
"low ratings that accompany those comments. What I want to ask is: How",
"those comments. What I want to ask is: How can I avoid doing",
"this crap should just kill herself.' and low ratings that accompany those comments.",
"can I avoid doing things that will cause people to think of similar",
"I avoid doing things that will cause people to think of similar things",
"just kill herself.' and low ratings that accompany those comments. What I want",
"What I want to ask is: How can I avoid doing things that",
"have recently started writing a fanfiction and I am posting it online as",
"ask is: How can I avoid doing things that will cause people to",
"often see in comments sayings 'This fanfiction gave me cancer','The writer of this",
"in comments sayings 'This fanfiction gave me cancer','The writer of this crap should",
"fanfiction gave me cancer','The writer of this crap should just kill herself.' and",
"comments sayings 'This fanfiction gave me cancer','The writer of this crap should just",
"I want to ask is: How can I avoid doing things that will",
"crap should just kill herself.' and low ratings that accompany those comments. What",
"avoid doing things that will cause people to think of similar things about",
"it online as I write it. However, I often see in comments sayings",
"that accompany those comments. What I want to ask is: How can I",
"I have recently started writing a fanfiction and I am posting it online",
"and low ratings that accompany those comments. What I want to ask is:",
"'This fanfiction gave me cancer','The writer of this crap should just kill herself.'",
"online as I write it. However, I often see in comments sayings 'This"
] |
[
"we're supposed to know more about our stories than the words that make",
"expect to have seen Mom talking about the mailman before Botby declares that",
"seen Mom talking about the mailman before Botby declares that it happened? Is",
"to negate the occurrence in the story (it did happen, but was not",
"the mailman*.' Botby says to the mailman, \"My mom really likes you.\" ---",
"from Botby? Shoehorning the event into the story feels unnecessarily bulky. (I feel",
"mom really likes you.\" --- If Botby's mom talking about the mailman is",
"I know that it in fact happened, and there's nothing to negate the",
"things all the time. I can't put my finger on what it is",
"words that make it onto the page. Can a character refer to something",
"\"My mom really likes you.\" --- If Botby's mom talking about the mailman",
"Mom talking about the mailman before Botby declares that it happened? Is it",
"a line here. Obviously, characters refer to all sorts of things all the",
"on any page, is Botby's thought acceptable within the story? Or, do readers",
"the writer, I know that it in fact happened, and there's nothing to",
"our stories than the words that make it onto the page. Can a",
"finger on what it is about this thought of Botby's that I'm unsure",
"anywhere in the written story, on any page, is Botby's thought acceptable within",
"the event into the story feels unnecessarily bulky. (I feel like there must",
"simply a thought from Botby? Shoehorning the event into the story feels unnecessarily",
"do readers expect to have seen Mom talking about the mailman before Botby",
"that it in fact happened, and there's nothing to negate the occurrence in",
"into the story feels unnecessarily bulky. (I feel like there must be a",
"feels unnecessarily bulky. (I feel like there must be a line here. Obviously,",
"nothing to negate the occurrence in the story (it did happen, but was",
"about the mailman*.' Botby says to the mailman, \"My mom really likes you.\"",
"off-page? As the writer, I know that it in fact happened, and there's",
"know that it in fact happened, and there's nothing to negate the occurrence",
"Botby thought, '*Mom used to talk about the mailman*.' Botby says to the",
"happened off-page? As the writer, I know that it in fact happened, and",
"the draft.) **Example off the top of my head:** Botby thought, '*Mom used",
"not written into the draft.) **Example off the top of my head:** Botby",
"the story (it did happen, but was not written into the draft.) **Example",
"to something that happened, but happened off-page? As the writer, I know that",
"of my head:** Botby thought, '*Mom used to talk about the mailman*.' Botby",
"the event, simply a thought from Botby? Shoehorning the event into the story",
"put my finger on what it is about this thought of Botby's that",
"shortcut to not have the event, simply a thought from Botby? Shoehorning the",
"there must be a line here. Obviously, characters refer to all sorts of",
"writers we're supposed to know more about our stories than the words that",
"happened? Is it a shortcut to not have the event, simply a thought",
"thought from Botby? Shoehorning the event into the story feels unnecessarily bulky. (I",
"feel like there must be a line here. Obviously, characters refer to all",
"is not anywhere in the written story, on any page, is Botby's thought",
"like there must be a line here. Obviously, characters refer to all sorts",
"talking about the mailman before Botby declares that it happened? Is it a",
"off the top of my head:** Botby thought, '*Mom used to talk about",
"unnecessarily bulky. (I feel like there must be a line here. Obviously, characters",
"declares that it happened? Is it a shortcut to not have the event,",
"about the mailman is not anywhere in the written story, on any page,",
"refer to something that happened, but happened off-page? As the writer, I know",
"talking about the mailman is not anywhere in the written story, on any",
"was not written into the draft.) **Example off the top of my head:**",
"the story feels unnecessarily bulky. (I feel like there must be a line",
"writer, I know that it in fact happened, and there's nothing to negate",
"that make it onto the page. Can a character refer to something that",
"used to talk about the mailman*.' Botby says to the mailman, \"My mom",
"and there's nothing to negate the occurrence in the story (it did happen,",
"story feels unnecessarily bulky. (I feel like there must be a line here.",
"supposed to know more about our stories than the words that make it",
"the mailman before Botby declares that it happened? Is it a shortcut to",
"character refer to something that happened, but happened off-page? As the writer, I",
"Shoehorning the event into the story feels unnecessarily bulky. (I feel like there",
"within the story? Or, do readers expect to have seen Mom talking about",
"Botby? Shoehorning the event into the story feels unnecessarily bulky. (I feel like",
"into the draft.) **Example off the top of my head:** Botby thought, '*Mom",
"Botby declares that it happened? Is it a shortcut to not have the",
"draft.) **Example off the top of my head:** Botby thought, '*Mom used to",
"bulky. (I feel like there must be a line here. Obviously, characters refer",
"the mailman, \"My mom really likes you.\" --- If Botby's mom talking about",
"the written story, on any page, is Botby's thought acceptable within the story?",
"written into the draft.) **Example off the top of my head:** Botby thought,",
"As the writer, I know that it in fact happened, and there's nothing",
"story, on any page, is Botby's thought acceptable within the story? Or, do",
"thought acceptable within the story? Or, do readers expect to have seen Mom",
"Is it a shortcut to not have the event, simply a thought from",
"sorts of things all the time. I can't put my finger on what",
"fact happened, and there's nothing to negate the occurrence in the story (it",
"mom talking about the mailman is not anywhere in the written story, on",
"of things all the time. I can't put my finger on what it",
"mailman*.' Botby says to the mailman, \"My mom really likes you.\" --- If",
"Or, do readers expect to have seen Mom talking about the mailman before",
"As writers we're supposed to know more about our stories than the words",
"have seen Mom talking about the mailman before Botby declares that it happened?",
"but was not written into the draft.) **Example off the top of my",
"mailman, \"My mom really likes you.\" --- If Botby's mom talking about the",
"Botby's thought acceptable within the story? Or, do readers expect to have seen",
"the story? Or, do readers expect to have seen Mom talking about the",
"any page, is Botby's thought acceptable within the story? Or, do readers expect",
"stories than the words that make it onto the page. Can a character",
"a character refer to something that happened, but happened off-page? As the writer,",
"written story, on any page, is Botby's thought acceptable within the story? Or,",
"did happen, but was not written into the draft.) **Example off the top",
"that it happened? Is it a shortcut to not have the event, simply",
"not have the event, simply a thought from Botby? Shoehorning the event into",
"'*Mom used to talk about the mailman*.' Botby says to the mailman, \"My",
"a shortcut to not have the event, simply a thought from Botby? Shoehorning",
"the words that make it onto the page. Can a character refer to",
"be a line here. Obviously, characters refer to all sorts of things all",
"to the mailman, \"My mom really likes you.\" --- If Botby's mom talking",
"the top of my head:** Botby thought, '*Mom used to talk about the",
"must be a line here. Obviously, characters refer to all sorts of things",
"in fact happened, and there's nothing to negate the occurrence in the story",
"all sorts of things all the time. I can't put my finger on",
"really likes you.\" --- If Botby's mom talking about the mailman is not",
"head:** Botby thought, '*Mom used to talk about the mailman*.' Botby says to",
"a thought from Botby? Shoehorning the event into the story feels unnecessarily bulky.",
"happened, but happened off-page? As the writer, I know that it in fact",
"I can't put my finger on what it is about this thought of",
"story (it did happen, but was not written into the draft.) **Example off",
"story? Or, do readers expect to have seen Mom talking about the mailman",
"have the event, simply a thought from Botby? Shoehorning the event into the",
"(I feel like there must be a line here. Obviously, characters refer to",
"likes you.\" --- If Botby's mom talking about the mailman is not anywhere",
"in the story (it did happen, but was not written into the draft.)",
"happen, but was not written into the draft.) **Example off the top of",
"the time. I can't put my finger on what it is about this",
"my finger on what it is about this thought of Botby's that I'm",
"happened, and there's nothing to negate the occurrence in the story (it did",
"(it did happen, but was not written into the draft.) **Example off the",
"about our stories than the words that make it onto the page. Can",
"talk about the mailman*.' Botby says to the mailman, \"My mom really likes",
"event into the story feels unnecessarily bulky. (I feel like there must be",
"negate the occurrence in the story (it did happen, but was not written",
"the mailman is not anywhere in the written story, on any page, is",
"it in fact happened, and there's nothing to negate the occurrence in the",
"onto the page. Can a character refer to something that happened, but happened",
"it happened? Is it a shortcut to not have the event, simply a",
"to not have the event, simply a thought from Botby? Shoehorning the event",
"about the mailman before Botby declares that it happened? Is it a shortcut",
"occurrence in the story (it did happen, but was not written into the",
"on what it is about this thought of Botby's that I'm unsure of.)",
"make it onto the page. Can a character refer to something that happened,",
"not anywhere in the written story, on any page, is Botby's thought acceptable",
"is Botby's thought acceptable within the story? Or, do readers expect to have",
"something that happened, but happened off-page? As the writer, I know that it",
"readers expect to have seen Mom talking about the mailman before Botby declares",
"before Botby declares that it happened? Is it a shortcut to not have",
"time. I can't put my finger on what it is about this thought",
"says to the mailman, \"My mom really likes you.\" --- If Botby's mom",
"but happened off-page? As the writer, I know that it in fact happened,",
"Obviously, characters refer to all sorts of things all the time. I can't",
"--- If Botby's mom talking about the mailman is not anywhere in the",
"**Example off the top of my head:** Botby thought, '*Mom used to talk",
"Can a character refer to something that happened, but happened off-page? As the",
"that happened, but happened off-page? As the writer, I know that it in",
"in the written story, on any page, is Botby's thought acceptable within the",
"the page. Can a character refer to something that happened, but happened off-page?",
"page. Can a character refer to something that happened, but happened off-page? As",
"event, simply a thought from Botby? Shoehorning the event into the story feels",
"to all sorts of things all the time. I can't put my finger",
"top of my head:** Botby thought, '*Mom used to talk about the mailman*.'",
"more about our stories than the words that make it onto the page.",
"here. Obviously, characters refer to all sorts of things all the time. I",
"to have seen Mom talking about the mailman before Botby declares that it",
"characters refer to all sorts of things all the time. I can't put",
"to talk about the mailman*.' Botby says to the mailman, \"My mom really",
"refer to all sorts of things all the time. I can't put my",
"there's nothing to negate the occurrence in the story (it did happen, but",
"If Botby's mom talking about the mailman is not anywhere in the written",
"line here. Obviously, characters refer to all sorts of things all the time.",
"know more about our stories than the words that make it onto the",
"Botby's mom talking about the mailman is not anywhere in the written story,",
"than the words that make it onto the page. Can a character refer",
"the occurrence in the story (it did happen, but was not written into",
"my head:** Botby thought, '*Mom used to talk about the mailman*.' Botby says",
"all the time. I can't put my finger on what it is about",
"you.\" --- If Botby's mom talking about the mailman is not anywhere in",
"Botby says to the mailman, \"My mom really likes you.\" --- If Botby's",
"acceptable within the story? Or, do readers expect to have seen Mom talking",
"mailman is not anywhere in the written story, on any page, is Botby's",
"it a shortcut to not have the event, simply a thought from Botby?",
"thought, '*Mom used to talk about the mailman*.' Botby says to the mailman,",
"mailman before Botby declares that it happened? Is it a shortcut to not",
"to know more about our stories than the words that make it onto",
"can't put my finger on what it is about this thought of Botby's",
"it onto the page. Can a character refer to something that happened, but",
"page, is Botby's thought acceptable within the story? Or, do readers expect to"
] |
[
"from. Quotes from the students’ writings would be verbatim WITHOUT the name of",
"Quotes from the students’ writings would be verbatim WITHOUT the name of the",
"need to have permission from the students (or parents) before anonymously using their",
"future? The teacher would examine the writings and provide analysis for future students",
"to learn from. Quotes from the students’ writings would be verbatim WITHOUT the",
"students’ writings would be verbatim WITHOUT the name of the students. Are there",
"minors), can the teacher use those writings as examples in the future? The",
"use those writings as examples in the future? The teacher would examine the",
"teacher would examine the writings and provide analysis for future students to learn",
"Are there copyright laws or ethical plagiarism rules being violated? Does the teacher",
"in the future? The teacher would examine the writings and provide analysis for",
"for students (some would be minors), can the teacher use those writings as",
"or ethical plagiarism rules being violated? Does the teacher need to have permission",
"would examine the writings and provide analysis for future students to learn from.",
"WITHOUT the name of the students. Are there copyright laws or ethical plagiarism",
"rules being violated? Does the teacher need to have permission from the students",
"being violated? Does the teacher need to have permission from the students (or",
"a teacher makes a writing assignment for students (some would be minors), can",
"and provide analysis for future students to learn from. Quotes from the students’",
"the teacher use those writings as examples in the future? The teacher would",
"laws or ethical plagiarism rules being violated? Does the teacher need to have",
"plagiarism rules being violated? Does the teacher need to have permission from the",
"a writing assignment for students (some would be minors), can the teacher use",
"(some would be minors), can the teacher use those writings as examples in",
"the future? The teacher would examine the writings and provide analysis for future",
"teacher use those writings as examples in the future? The teacher would examine",
"writing assignment for students (some would be minors), can the teacher use those",
"the name of the students. Are there copyright laws or ethical plagiarism rules",
"to have permission from the students (or parents) before anonymously using their writings?",
"can the teacher use those writings as examples in the future? The teacher",
"students to learn from. Quotes from the students’ writings would be verbatim WITHOUT",
"of the students. Are there copyright laws or ethical plagiarism rules being violated?",
"violated? Does the teacher need to have permission from the students (or parents)",
"students. Are there copyright laws or ethical plagiarism rules being violated? Does the",
"analysis for future students to learn from. Quotes from the students’ writings would",
"be verbatim WITHOUT the name of the students. Are there copyright laws or",
"Does the teacher need to have permission from the students (or parents) before",
"verbatim WITHOUT the name of the students. Are there copyright laws or ethical",
"ethical plagiarism rules being violated? Does the teacher need to have permission from",
"examine the writings and provide analysis for future students to learn from. Quotes",
"the writings and provide analysis for future students to learn from. Quotes from",
"there copyright laws or ethical plagiarism rules being violated? Does the teacher need",
"makes a writing assignment for students (some would be minors), can the teacher",
"teacher need to have permission from the students (or parents) before anonymously using",
"the students’ writings would be verbatim WITHOUT the name of the students. Are",
"be minors), can the teacher use those writings as examples in the future?",
"examples in the future? The teacher would examine the writings and provide analysis",
"as examples in the future? The teacher would examine the writings and provide",
"teacher makes a writing assignment for students (some would be minors), can the",
"for future students to learn from. Quotes from the students’ writings would be",
"writings would be verbatim WITHOUT the name of the students. Are there copyright",
"name of the students. Are there copyright laws or ethical plagiarism rules being",
"copyright laws or ethical plagiarism rules being violated? Does the teacher need to",
"would be verbatim WITHOUT the name of the students. Are there copyright laws",
"assignment for students (some would be minors), can the teacher use those writings",
"learn from. Quotes from the students’ writings would be verbatim WITHOUT the name",
"would be minors), can the teacher use those writings as examples in the",
"future students to learn from. Quotes from the students’ writings would be verbatim",
"writings and provide analysis for future students to learn from. Quotes from the",
"those writings as examples in the future? The teacher would examine the writings",
"students (some would be minors), can the teacher use those writings as examples",
"the students. Are there copyright laws or ethical plagiarism rules being violated? Does",
"from the students’ writings would be verbatim WITHOUT the name of the students.",
"If a teacher makes a writing assignment for students (some would be minors),",
"the teacher need to have permission from the students (or parents) before anonymously",
"The teacher would examine the writings and provide analysis for future students to",
"provide analysis for future students to learn from. Quotes from the students’ writings",
"writings as examples in the future? The teacher would examine the writings and"
] |
[
"and terraforming, from the end of the year 2099 A.D there was an",
"main story takes place in the future, 566 E.A.E. * By this time",
"start of E.A.E (*Exodus: After Earth*) era. * Eventually, a global government called",
"(*Exodus: After Earth*) era. * Eventually, a global government called the *Third Planet",
"exodus from Earth. * Thus 2100 A.D is officially marked as the epoch",
"final stages of the main story. Here's a brief gist of the main",
"success of colonization and terraforming, from the end of the year 2099 A.D",
"The main story follows *Lisa Roberts* who is part of an elite counter-insurgency",
"main story follows *Lisa Roberts* who is part of an elite counter-insurgency unit",
"story, as mentioned above, mainly focuses on *Lisa Roberts* and the *Titans* neutralizing",
"a form of a global government. * The main story follows *Lisa Roberts*",
"the terrorist faction. In my side story, I am thinking about telling the",
"Titan member. But, he becomes disillusioned with the Third Planet Alliance government when",
"* Due to the immense success of colonization and terraforming, from the end",
"backstory and the reason for the uprising of the *Jovian Liberation Army*. My",
"mentioned above, mainly focuses on *Lisa Roberts* and the *Titans* neutralizing and eliminating",
"the very early years of Jovian Liberation moment, was a former Titan member.",
"neutralizing and eliminating the terrorist faction. In my side story, I am thinking",
"*Jovian system*. The main story, as mentioned above, mainly focuses on *Lisa Roberts*",
"the immense success of colonization and terraforming, from the end of the year",
"main story. Here's a brief gist of the main story to give some",
"only worry is: Is it a good idea for the protagonist to be",
"is generally also frowned upon in society. Because of this dilemma, I am",
"becomes disillusioned with the Third Planet Alliance government when he is ordered to",
"in the future, 566 E.A.E. * By this time mankind has successfully colonized",
"of Jovian Liberation moment, was a former Titan member. But, he becomes disillusioned",
"The main story, as mentioned above, mainly focuses on *Lisa Roberts* and the",
"called, *The Afterglow of Jovian*, which mainly takes place sometime during the final",
"secondary main character who at one point, during the very early years of",
"Liberation Army*. My only worry is: Is it a good idea for the",
"character who at one point, during the very early years of Jovian Liberation",
"context, * The main story takes place in the future, 566 E.A.E. *",
"is part of an elite counter-insurgency unit called the *Titans*, who are tasked",
"a military resistance coalition formed between the moons *Europa, Ganymede* and *Callisto* of",
"sometime during the final stages of the main story. Here's a brief gist",
"time mankind has successfully colonized most of the planets and moons in the",
"people don't like the word \"terrorist\", due to the negative connotation associated with",
"undermanned and unharmed *Jovian* resistances soldiers. I am thinking this might help the",
"neutralizing the terrorist faction known as *Jovian Liberation Army*. * The *Jovian Liberation",
"Jovian*, which mainly takes place sometime during the final stages of the main",
"an elite counter-insurgency unit called the *Titans*, who are tasked with neutralizing the",
"a former Titan member. But, he becomes disillusioned with the Third Planet Alliance",
"story. Here's a brief gist of the main story to give some context,",
"in the Solar System. * Due to the immense success of colonization and",
"stages of the main story. Here's a brief gist of the main story",
"My only worry is: Is it a good idea for the protagonist to",
"Earth. * Thus 2100 A.D is officially marked as the epoch for the",
"about telling the story from the terrorist faction side. While in the process,",
"Earth*) era. * Eventually, a global government called the *Third Planet Alliance* is",
"immense success of colonization and terraforming, from the end of the year 2099",
"he is ordered to gun down the severely undermanned and unharmed *Jovian* resistances",
"the severely undermanned and unharmed *Jovian* resistances soldiers. I am thinking this might",
"this time mankind has successfully colonized most of the planets and moons in",
"* By this time mankind has successfully colonized most of the planets and",
"be a terrorist? Generally, people don't like the word \"terrorist\", due to the",
"Planet Alliance* is formed as a form of a global government. * The",
"of E.A.E (*Exodus: After Earth*) era. * Eventually, a global government called the",
"military resistance coalition formed between the moons *Europa, Ganymede* and *Callisto* of the",
"as *Jovian Liberation Army*. * The *Jovian Liberation Army* are a military resistance",
"of Jovian*, which mainly takes place sometime during the final stages of the",
"*Titans* neutralizing and eliminating the terrorist faction. In my side story, I am",
"marked as the epoch for the start of E.A.E (*Exodus: After Earth*) era.",
"successfully colonized most of the planets and moons in the Solar System. *",
"formed as a form of a global government. * The main story follows",
"of exploring more of the backstory and the reason for the uprising of",
"A.D is officially marked as the epoch for the start of E.A.E (*Exodus:",
"Solar System. * Due to the immense success of colonization and terraforming, from",
"also thinking of exploring more of the backstory and the reason for the",
"is officially marked as the epoch for the start of E.A.E (*Exodus: After",
"soldiers. I am thinking this might help the readers to connect a bit",
"*Titans*, who are tasked with neutralizing the terrorist faction known as *Jovian Liberation",
"the story from the terrorist faction side. While in the process, I am",
"terrorist faction side. While in the process, I am also thinking of exploring",
"he becomes disillusioned with the Third Planet Alliance government when he is ordered",
"when he is ordered to gun down the severely undermanned and unharmed *Jovian*",
"dilemma, I am also thinking to introduce a secondary main character who at",
"am thinking about telling the story from the terrorist faction side. While in",
"frowned upon in society. Because of this dilemma, I am also thinking to",
"very early years of Jovian Liberation moment, was a former Titan member. But,",
"gun down the severely undermanned and unharmed *Jovian* resistances soldiers. I am thinking",
"follows *Lisa Roberts* who is part of an elite counter-insurgency unit called the",
"former Titan member. But, he becomes disillusioned with the Third Planet Alliance government",
"Liberation moment, was a former Titan member. But, he becomes disillusioned with the",
"government when he is ordered to gun down the severely undermanned and unharmed",
"which mainly takes place sometime during the final stages of the main story.",
"the *Titans*, who are tasked with neutralizing the terrorist faction known as *Jovian",
"a good idea for the protagonist to be a terrorist? Generally, people don't",
"part of an elite counter-insurgency unit called the *Titans*, who are tasked with",
"era. * Eventually, a global government called the *Third Planet Alliance* is formed",
"and the *Titans* neutralizing and eliminating the terrorist faction. In my side story,",
"a global government called the *Third Planet Alliance* is formed as a form",
"are tasked with neutralizing the terrorist faction known as *Jovian Liberation Army*. *",
"it is generally also frowned upon in society. Because of this dilemma, I",
"story takes place in the future, 566 E.A.E. * By this time mankind",
"with the Third Planet Alliance government when he is ordered to gun down",
"a side story called, *The Afterglow of Jovian*, which mainly takes place sometime",
"a terrorist? Generally, people don't like the word \"terrorist\", due to the negative",
"*Third Planet Alliance* is formed as a form of a global government. *",
"thinking to introduce a secondary main character who at one point, during the",
"I am also thinking to introduce a secondary main character who at one",
"Thus 2100 A.D is officially marked as the epoch for the start of",
"*Europa, Ganymede* and *Callisto* of the *Jovian system*. The main story, as mentioned",
"and eliminating the terrorist faction. In my side story, I am thinking about",
"my side story, I am thinking about telling the story from the terrorist",
"planets and moons in the Solar System. * Due to the immense success",
"of an elite counter-insurgency unit called the *Titans*, who are tasked with neutralizing",
"In my side story, I am thinking about telling the story from the",
"word \"terrorist\", due to the negative connotation associated with the word. And, it",
"of the *Jovian system*. The main story, as mentioned above, mainly focuses on",
"telling the story from the terrorist faction side. While in the process, I",
"terrorist? Generally, people don't like the word \"terrorist\", due to the negative connotation",
"\"terrorist\", due to the negative connotation associated with the word. And, it is",
"the word. And, it is generally also frowned upon in society. Because of",
"introduce a secondary main character who at one point, during the very early",
"are a military resistance coalition formed between the moons *Europa, Ganymede* and *Callisto*",
"resistance coalition formed between the moons *Europa, Ganymede* and *Callisto* of the *Jovian",
"severely undermanned and unharmed *Jovian* resistances soldiers. I am thinking this might help",
"moons *Europa, Ganymede* and *Callisto* of the *Jovian system*. The main story, as",
"the terrorist faction known as *Jovian Liberation Army*. * The *Jovian Liberation Army*",
"story follows *Lisa Roberts* who is part of an elite counter-insurgency unit called",
"terrorist faction. In my side story, I am thinking about telling the story",
"Ganymede* and *Callisto* of the *Jovian system*. The main story, as mentioned above,",
"known as *Jovian Liberation Army*. * The *Jovian Liberation Army* are a military",
"who is part of an elite counter-insurgency unit called the *Titans*, who are",
"Roberts* who is part of an elite counter-insurgency unit called the *Titans*, who",
"counter-insurgency unit called the *Titans*, who are tasked with neutralizing the terrorist faction",
"the *Jovian system*. The main story, as mentioned above, mainly focuses on *Lisa",
"brief gist of the main story to give some context, * The main",
"during the final stages of the main story. Here's a brief gist of",
"the *Titans* neutralizing and eliminating the terrorist faction. In my side story, I",
"as mentioned above, mainly focuses on *Lisa Roberts* and the *Titans* neutralizing and",
"mainly takes place sometime during the final stages of the main story. Here's",
"and unharmed *Jovian* resistances soldiers. I am thinking this might help the readers",
"ordered to gun down the severely undermanned and unharmed *Jovian* resistances soldiers. I",
"and *Callisto* of the *Jovian system*. The main story, as mentioned above, mainly",
"mankind has successfully colonized most of the planets and moons in the Solar",
"for the start of E.A.E (*Exodus: After Earth*) era. * Eventually, a global",
"early years of Jovian Liberation moment, was a former Titan member. But, he",
"moment, was a former Titan member. But, he becomes disillusioned with the Third",
"who are tasked with neutralizing the terrorist faction known as *Jovian Liberation Army*.",
"of a global government. * The main story follows *Lisa Roberts* who is",
"main story, as mentioned above, mainly focuses on *Lisa Roberts* and the *Titans*",
"* The main story takes place in the future, 566 E.A.E. * By",
"to the immense success of colonization and terraforming, from the end of the",
"2100 A.D is officially marked as the epoch for the start of E.A.E",
"on *Lisa Roberts* and the *Titans* neutralizing and eliminating the terrorist faction. In",
"connotation associated with the word. And, it is generally also frowned upon in",
"from Earth. * Thus 2100 A.D is officially marked as the epoch for",
"* Thus 2100 A.D is officially marked as the epoch for the start",
"disillusioned with the Third Planet Alliance government when he is ordered to gun",
"Army* are a military resistance coalition formed between the moons *Europa, Ganymede* and",
"protagonist to be a terrorist? Generally, people don't like the word \"terrorist\", due",
"due to the negative connotation associated with the word. And, it is generally",
"*Jovian* resistances soldiers. I am thinking this might help the readers to connect",
"reason for the uprising of the *Jovian Liberation Army*. My only worry is:",
"down the severely undermanned and unharmed *Jovian* resistances soldiers. I am thinking this",
"thinking about telling the story from the terrorist faction side. While in the",
"Alliance* is formed as a form of a global government. * The main",
"* The *Jovian Liberation Army* are a military resistance coalition formed between the",
"Here's a brief gist of the main story to give some context, *",
"society. Because of this dilemma, I am also thinking to introduce a secondary",
"to gun down the severely undermanned and unharmed *Jovian* resistances soldiers. I am",
"terraforming, from the end of the year 2099 A.D there was an exodus",
"also thinking to introduce a secondary main character who at one point, during",
"story from the terrorist faction side. While in the process, I am also",
"*Jovian Liberation Army*. * The *Jovian Liberation Army* are a military resistance coalition",
"the final stages of the main story. Here's a brief gist of the",
"the epoch for the start of E.A.E (*Exodus: After Earth*) era. * Eventually,",
"am writing a side story called, *The Afterglow of Jovian*, which mainly takes",
"form of a global government. * The main story follows *Lisa Roberts* who",
"the terrorist faction side. While in the process, I am also thinking of",
"government. * The main story follows *Lisa Roberts* who is part of an",
"the negative connotation associated with the word. And, it is generally also frowned",
"during the very early years of Jovian Liberation moment, was a former Titan",
"to introduce a secondary main character who at one point, during the very",
"E.A.E (*Exodus: After Earth*) era. * Eventually, a global government called the *Third",
"the future, 566 E.A.E. * By this time mankind has successfully colonized most",
"was a former Titan member. But, he becomes disillusioned with the Third Planet",
"eliminating the terrorist faction. In my side story, I am thinking about telling",
"resistances soldiers. I am thinking this might help the readers to connect a",
"global government called the *Third Planet Alliance* is formed as a form of",
"and the reason for the uprising of the *Jovian Liberation Army*. My only",
"exploring more of the backstory and the reason for the uprising of the",
"future, 566 E.A.E. * By this time mankind has successfully colonized most of",
"like the word \"terrorist\", due to the negative connotation associated with the word.",
"takes place in the future, 566 E.A.E. * By this time mankind has",
"a global government. * The main story follows *Lisa Roberts* who is part",
"the end of the year 2099 A.D there was an exodus from Earth.",
"called the *Third Planet Alliance* is formed as a form of a global",
"of this dilemma, I am also thinking to introduce a secondary main character",
"Army*. * The *Jovian Liberation Army* are a military resistance coalition formed between",
"the moons *Europa, Ganymede* and *Callisto* of the *Jovian system*. The main story,",
"am also thinking of exploring more of the backstory and the reason for",
"Third Planet Alliance government when he is ordered to gun down the severely",
"* Eventually, a global government called the *Third Planet Alliance* is formed as",
"word. And, it is generally also frowned upon in society. Because of this",
"writing a side story called, *The Afterglow of Jovian*, which mainly takes place",
"who at one point, during the very early years of Jovian Liberation moment,",
"associated with the word. And, it is generally also frowned upon in society.",
"*Lisa Roberts* who is part of an elite counter-insurgency unit called the *Titans*,",
"to be a terrorist? Generally, people don't like the word \"terrorist\", due to",
"there was an exodus from Earth. * Thus 2100 A.D is officially marked",
"is formed as a form of a global government. * The main story",
"one point, during the very early years of Jovian Liberation moment, was a",
"I am thinking about telling the story from the terrorist faction side. While",
"the start of E.A.E (*Exodus: After Earth*) era. * Eventually, a global government",
"side story, I am thinking about telling the story from the terrorist faction",
"from the end of the year 2099 A.D there was an exodus from",
"above, mainly focuses on *Lisa Roberts* and the *Titans* neutralizing and eliminating the",
"the uprising of the *Jovian Liberation Army*. My only worry is: Is it",
"The *Jovian Liberation Army* are a military resistance coalition formed between the moons",
"Planet Alliance government when he is ordered to gun down the severely undermanned",
"uprising of the *Jovian Liberation Army*. My only worry is: Is it a",
"system*. The main story, as mentioned above, mainly focuses on *Lisa Roberts* and",
"main story to give some context, * The main story takes place in",
"story, I am thinking about telling the story from the terrorist faction side.",
"with the word. And, it is generally also frowned upon in society. Because",
"member. But, he becomes disillusioned with the Third Planet Alliance government when he",
"terrorist faction known as *Jovian Liberation Army*. * The *Jovian Liberation Army* are",
"*Jovian Liberation Army*. My only worry is: Is it a good idea for",
"Jovian Liberation moment, was a former Titan member. But, he becomes disillusioned with",
"and moons in the Solar System. * Due to the immense success of",
"Army*. My only worry is: Is it a good idea for the protagonist",
"*Jovian Liberation Army* are a military resistance coalition formed between the moons *Europa,",
"A.D there was an exodus from Earth. * Thus 2100 A.D is officially",
"side. While in the process, I am also thinking of exploring more of",
"side story called, *The Afterglow of Jovian*, which mainly takes place sometime during",
"System. * Due to the immense success of colonization and terraforming, from the",
"years of Jovian Liberation moment, was a former Titan member. But, he becomes",
"I am thinking this might help the readers to connect a bit at",
"colonization and terraforming, from the end of the year 2099 A.D there was",
"Eventually, a global government called the *Third Planet Alliance* is formed as a",
"also frowned upon in society. Because of this dilemma, I am also thinking",
"this dilemma, I am also thinking to introduce a secondary main character who",
"*Lisa Roberts* and the *Titans* neutralizing and eliminating the terrorist faction. In my",
"And, it is generally also frowned upon in society. Because of this dilemma,",
"Due to the immense success of colonization and terraforming, from the end of",
"has successfully colonized most of the planets and moons in the Solar System.",
"a brief gist of the main story to give some context, * The",
"Alliance government when he is ordered to gun down the severely undermanned and",
"faction. In my side story, I am thinking about telling the story from",
"place in the future, 566 E.A.E. * By this time mankind has successfully",
"I am also thinking of exploring more of the backstory and the reason",
"end of the year 2099 A.D there was an exodus from Earth. *",
"the *Jovian Liberation Army*. My only worry is: Is it a good idea",
"negative connotation associated with the word. And, it is generally also frowned upon",
"By this time mankind has successfully colonized most of the planets and moons",
"place sometime during the final stages of the main story. Here's a brief",
"formed between the moons *Europa, Ganymede* and *Callisto* of the *Jovian system*. The",
"good idea for the protagonist to be a terrorist? Generally, people don't like",
"for the protagonist to be a terrorist? Generally, people don't like the word",
"colonized most of the planets and moons in the Solar System. * Due",
"of colonization and terraforming, from the end of the year 2099 A.D there",
"called the *Titans*, who are tasked with neutralizing the terrorist faction known as",
"E.A.E. * By this time mankind has successfully colonized most of the planets",
"with neutralizing the terrorist faction known as *Jovian Liberation Army*. * The *Jovian",
"generally also frowned upon in society. Because of this dilemma, I am also",
"thinking of exploring more of the backstory and the reason for the uprising",
"the *Third Planet Alliance* is formed as a form of a global government.",
"faction known as *Jovian Liberation Army*. * The *Jovian Liberation Army* are a",
"story called, *The Afterglow of Jovian*, which mainly takes place sometime during the",
"After Earth*) era. * Eventually, a global government called the *Third Planet Alliance*",
"main character who at one point, during the very early years of Jovian",
"566 E.A.E. * By this time mankind has successfully colonized most of the",
"idea for the protagonist to be a terrorist? Generally, people don't like the",
"Afterglow of Jovian*, which mainly takes place sometime during the final stages of",
"the word \"terrorist\", due to the negative connotation associated with the word. And,",
"Because of this dilemma, I am also thinking to introduce a secondary main",
"Is it a good idea for the protagonist to be a terrorist? Generally,",
"Liberation Army* are a military resistance coalition formed between the moons *Europa, Ganymede*",
"*The Afterglow of Jovian*, which mainly takes place sometime during the final stages",
"* The main story follows *Lisa Roberts* who is part of an elite",
"don't like the word \"terrorist\", due to the negative connotation associated with the",
"faction side. While in the process, I am also thinking of exploring more",
"Generally, people don't like the word \"terrorist\", due to the negative connotation associated",
"is: Is it a good idea for the protagonist to be a terrorist?",
"the Third Planet Alliance government when he is ordered to gun down the",
"to the negative connotation associated with the word. And, it is generally also",
"the Solar System. * Due to the immense success of colonization and terraforming,",
"in society. Because of this dilemma, I am also thinking to introduce a",
"global government. * The main story follows *Lisa Roberts* who is part of",
"the planets and moons in the Solar System. * Due to the immense",
"unharmed *Jovian* resistances soldiers. I am thinking this might help the readers to",
"the backstory and the reason for the uprising of the *Jovian Liberation Army*.",
"The main story takes place in the future, 566 E.A.E. * By this",
"as the epoch for the start of E.A.E (*Exodus: After Earth*) era. *",
"gist of the main story to give some context, * The main story",
"of the planets and moons in the Solar System. * Due to the",
"the main story to give some context, * The main story takes place",
"it a good idea for the protagonist to be a terrorist? Generally, people",
"story to give some context, * The main story takes place in the",
"the process, I am also thinking of exploring more of the backstory and",
"give some context, * The main story takes place in the future, 566",
"Roberts* and the *Titans* neutralizing and eliminating the terrorist faction. In my side",
"for the uprising of the *Jovian Liberation Army*. My only worry is: Is",
"I am writing a side story called, *The Afterglow of Jovian*, which mainly",
"epoch for the start of E.A.E (*Exodus: After Earth*) era. * Eventually, a",
"was an exodus from Earth. * Thus 2100 A.D is officially marked as",
"some context, * The main story takes place in the future, 566 E.A.E.",
"to give some context, * The main story takes place in the future,",
"an exodus from Earth. * Thus 2100 A.D is officially marked as the",
"Liberation Army*. * The *Jovian Liberation Army* are a military resistance coalition formed",
"the protagonist to be a terrorist? Generally, people don't like the word \"terrorist\",",
"upon in society. Because of this dilemma, I am also thinking to introduce",
"am thinking this might help the readers to connect a bit at least.",
"a secondary main character who at one point, during the very early years",
"the reason for the uprising of the *Jovian Liberation Army*. My only worry",
"But, he becomes disillusioned with the Third Planet Alliance government when he is",
"elite counter-insurgency unit called the *Titans*, who are tasked with neutralizing the terrorist",
"more of the backstory and the reason for the uprising of the *Jovian",
"officially marked as the epoch for the start of E.A.E (*Exodus: After Earth*)",
"in the process, I am also thinking of exploring more of the backstory",
"of the main story to give some context, * The main story takes",
"2099 A.D there was an exodus from Earth. * Thus 2100 A.D is",
"tasked with neutralizing the terrorist faction known as *Jovian Liberation Army*. * The",
"coalition formed between the moons *Europa, Ganymede* and *Callisto* of the *Jovian system*.",
"between the moons *Europa, Ganymede* and *Callisto* of the *Jovian system*. The main",
"is ordered to gun down the severely undermanned and unharmed *Jovian* resistances soldiers.",
"of the backstory and the reason for the uprising of the *Jovian Liberation",
"of the main story. Here's a brief gist of the main story to",
"point, during the very early years of Jovian Liberation moment, was a former",
"worry is: Is it a good idea for the protagonist to be a",
"process, I am also thinking of exploring more of the backstory and the",
"of the *Jovian Liberation Army*. My only worry is: Is it a good",
"government called the *Third Planet Alliance* is formed as a form of a",
"am also thinking to introduce a secondary main character who at one point,",
"focuses on *Lisa Roberts* and the *Titans* neutralizing and eliminating the terrorist faction.",
"year 2099 A.D there was an exodus from Earth. * Thus 2100 A.D",
"of the year 2099 A.D there was an exodus from Earth. * Thus",
"moons in the Solar System. * Due to the immense success of colonization",
"as a form of a global government. * The main story follows *Lisa",
"While in the process, I am also thinking of exploring more of the",
"at one point, during the very early years of Jovian Liberation moment, was",
"mainly focuses on *Lisa Roberts* and the *Titans* neutralizing and eliminating the terrorist",
"from the terrorist faction side. While in the process, I am also thinking",
"unit called the *Titans*, who are tasked with neutralizing the terrorist faction known",
"takes place sometime during the final stages of the main story. Here's a",
"the year 2099 A.D there was an exodus from Earth. * Thus 2100",
"*Callisto* of the *Jovian system*. The main story, as mentioned above, mainly focuses",
"the main story. Here's a brief gist of the main story to give",
"most of the planets and moons in the Solar System. * Due to"
] |
[
"YA audience. I thought of trying to make them \"Love-based\" instead, but I",
"a YA audience. I thought of trying to make them \"Love-based\" instead, but",
"and may become a love interest. **Is there any way to tone-down a",
"but I always envision Love as a virtue. This character is not a",
"demonic entity... but to tone it down for a YA audience. I thought",
"for a YA audience. I thought of trying to make them \"Love-based\" instead,",
"character is not a bad guy either. They are a benign presence in",
"either. They are a benign presence in the narrative, and may become a",
"They are a benign presence in the narrative, and may become a love",
"currently writing a character that represents Lust and is a demonic entity... but",
"not a bad guy either. They are a benign presence in the narrative,",
"a love interest. **Is there any way to tone-down a \"Lust\" motif for",
"This character is not a bad guy either. They are a benign presence",
"character that represents Lust and is a demonic entity... but to tone it",
"it down for a YA audience. I thought of trying to make them",
"narrative, and may become a love interest. **Is there any way to tone-down",
"Lust and is a demonic entity... but to tone it down for a",
"them \"Love-based\" instead, but I always envision Love as a virtue. This character",
"a benign presence in the narrative, and may become a love interest. **Is",
"presence in the narrative, and may become a love interest. **Is there any",
"that represents Lust and is a demonic entity... but to tone it down",
"tone it down for a YA audience. I thought of trying to make",
"writing a character that represents Lust and is a demonic entity... but to",
"always envision Love as a virtue. This character is not a bad guy",
"\"Love-based\" instead, but I always envision Love as a virtue. This character is",
"to make them \"Love-based\" instead, but I always envision Love as a virtue.",
"become a love interest. **Is there any way to tone-down a \"Lust\" motif",
"entity... but to tone it down for a YA audience. I thought of",
"**Is there any way to tone-down a \"Lust\" motif for a younger audience?**",
"bad guy either. They are a benign presence in the narrative, and may",
"down for a YA audience. I thought of trying to make them \"Love-based\"",
"Love as a virtue. This character is not a bad guy either. They",
"I am currently writing a character that represents Lust and is a demonic",
"I always envision Love as a virtue. This character is not a bad",
"a virtue. This character is not a bad guy either. They are a",
"a demonic entity... but to tone it down for a YA audience. I",
"instead, but I always envision Love as a virtue. This character is not",
"make them \"Love-based\" instead, but I always envision Love as a virtue. This",
"love interest. **Is there any way to tone-down a \"Lust\" motif for a",
"and is a demonic entity... but to tone it down for a YA",
"I thought of trying to make them \"Love-based\" instead, but I always envision",
"is not a bad guy either. They are a benign presence in the",
"the narrative, and may become a love interest. **Is there any way to",
"to tone it down for a YA audience. I thought of trying to",
"audience. I thought of trying to make them \"Love-based\" instead, but I always",
"but to tone it down for a YA audience. I thought of trying",
"of trying to make them \"Love-based\" instead, but I always envision Love as",
"guy either. They are a benign presence in the narrative, and may become",
"is a demonic entity... but to tone it down for a YA audience.",
"represents Lust and is a demonic entity... but to tone it down for",
"envision Love as a virtue. This character is not a bad guy either.",
"as a virtue. This character is not a bad guy either. They are",
"trying to make them \"Love-based\" instead, but I always envision Love as a",
"thought of trying to make them \"Love-based\" instead, but I always envision Love",
"virtue. This character is not a bad guy either. They are a benign",
"are a benign presence in the narrative, and may become a love interest.",
"am currently writing a character that represents Lust and is a demonic entity...",
"may become a love interest. **Is there any way to tone-down a \"Lust\"",
"a bad guy either. They are a benign presence in the narrative, and",
"interest. **Is there any way to tone-down a \"Lust\" motif for a younger",
"benign presence in the narrative, and may become a love interest. **Is there",
"a character that represents Lust and is a demonic entity... but to tone",
"in the narrative, and may become a love interest. **Is there any way"
] |
[
"until the reader has arrived in the fictional world on somewhere around page",
"*content* of the beginning, what should the beginning of a novel contain? The",
"answers my question has been misunderstood and they address the opening line alone.",
"it, that they are going to solve? I'm not asking what I *can*",
"way things are *typically* done, maybe even a well-worn cliché to be avoided,",
"interestest me here is whether there are common conventions (in genre fiction), a",
"so, how much of it? An introduction to the protagonist? Which aspects of",
"the first page and so on, until the reader has arrived in the",
"*typically* done, maybe even a well-worn cliché to be avoided, as well as",
"An introduction to the protagonist? Which aspects of them? The problem, or a",
"if I do it well. What interestest me here is whether there are",
"if so, how much of it? An introduction to the protagonist? Which aspects",
"have been described, such as an ironic turn, naming extreme stakes, divulging the",
"the common order of things (first the setting, then the protagonist, then the",
"above with \"beginning\". I'm sorry for the misunderstanding my wording has caused. I",
"a well-worn cliché to be avoided, as well as the common order of",
"and so on, until the reader has arrived in the fictional world on",
"are going to solve? I'm not asking what I *can* do. I understand",
"has arrived in the fictional world on somewhere around page four. I had",
"or her into the story. Different techniques for achieving the hook have been",
"into the story. Different techniques for achieving the hook have been described, such",
"is clear that it should hook the reader and draw him or her",
"how much of it? An introduction to the protagonist? Which aspects of them?",
"an ironic turn, naming extreme stakes, divulging the end, or voicing a general",
"asked: \"What should the first sentence / first parapraph / first page contain?\"",
"a bit longer than that to commence. You're not in the story after",
"that in writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it",
"aspects of them? The problem, or a hint of it, that they are",
"book, from the first sentence to the first paragraph to the first page",
"the function of the beginning of a novel, it is clear that it",
"from the first sentence to the first paragraph to the first page and",
"I asked: \"What should the first sentence / first parapraph / first page",
"me here is whether there are common conventions (in genre fiction), a way",
"to address the whole of the beginning, but in some answers my question",
"wording has caused. I have asked a question about the opening line [here](https://writing.stackexchange.com/questions/35826/how-to-derive-a-first-sentence-from-a-story).",
"(first the setting, then the protagonist, then the inciting incident). If you can,",
"address the opening line alone. I have therefore edited my question and replaced",
"the first paragraph to the first page and so on, until the reader",
"even a well-worn cliché to be avoided, as well as the common order",
"some answers my question has been misunderstood and they address the opening line",
"bit longer than that to commence. You're not in the story after the",
"then the inciting incident). If you can, please explain *why* that's how it",
"I think of the beginning as a journey into the book, from the",
"been misunderstood and they address the opening line alone. I have therefore edited",
"fictional world on somewhere around page four. I had expected your answers to",
"the protagonist, then the inciting incident). If you can, please explain *why* that's",
"and they address the opening line alone. I have therefore edited my question",
"a novel contain? The setting? And if so, how much of it? An",
"end, or voicing a general truth. But if we consider the *content* of",
"be avoided, as well as the common order of things (first the setting,",
"it well. What interestest me here is whether there are common conventions (in",
"more, but you're not yet there. That's why I asked: \"What should the",
"replaced the phrase above with \"beginning\". I'm sorry for the misunderstanding my wording",
"a hint of it, that they are going to solve? I'm not asking",
"as an ironic turn, naming extreme stakes, divulging the end, or voicing a",
"of the beginning as a journey into the book, from the first sentence",
"described, such as an ironic turn, naming extreme stakes, divulging the end, or",
"the protagonist? Which aspects of them? The problem, or a hint of it,",
"are *typically* done, maybe even a well-worn cliché to be avoided, as well",
"world on somewhere around page four. I had expected your answers to address",
"avoided, as well as the common order of things (first the setting, then",
"of a novel contain? The setting? And if so, how much of it?",
"whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What interestest me here is",
"function of the beginning of a novel, it is clear that it should",
"them? The problem, or a hint of it, that they are going to",
"the setting, then the protagonist, then the inciting incident). If you can, please",
"I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What interestest me here is whether",
"the end, or voicing a general truth. But if we consider the *content*",
"of it? An introduction to the protagonist? Which aspects of them? The problem,",
"answers to address the whole of the beginning, but in some answers my",
"as a journey into the book, from the first sentence to the first",
"have therefore edited my question and replaced the phrase above with \"beginning\". I'm",
"a novel, it is clear that it should hook the reader and draw",
"techniques for achieving the hook have been described, such as an ironic turn,",
"phrase above with \"beginning\". I'm sorry for the misunderstanding my wording has caused.",
"for the misunderstanding my wording has caused. I have asked a question about",
"genre fiction), a way things are *typically* done, maybe even a well-worn cliché",
"problem, or a hint of it, that they are going to solve? I'm",
"general truth. But if we consider the *content* of the beginning, what should",
"the book, from the first sentence to the first paragraph to the first",
"there. That's why I asked: \"What should the first sentence / first parapraph",
"or voicing a general truth. But if we consider the *content* of the",
"to be avoided, as well as the common order of things (first the",
"to solve? I'm not asking what I *can* do. I understand that in",
"on, until the reader has arrived in the fictional world on somewhere around",
"that to commence. You're not in the story after the opening line. You",
"think of the beginning as a journey into the book, from the first",
"such as an ironic turn, naming extreme stakes, divulging the end, or voicing",
"extreme stakes, divulging the end, or voicing a general truth. But if we",
"first page and so on, until the reader has arrived in the fictional",
"do. I understand that in writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if",
"first page contain?\" I think of the beginning as a journey into the",
"fiction), a way things are *typically* done, maybe even a well-worn cliché to",
"of things (first the setting, then the protagonist, then the inciting incident). If",
"stakes, divulging the end, or voicing a general truth. But if we consider",
"whole of the beginning, but in some answers my question has been misunderstood",
"my wording has caused. I have asked a question about the opening line",
"contain?\" I think of the beginning as a journey into the book, from",
"of them? The problem, or a hint of it, that they are going",
"but in some answers my question has been misunderstood and they address the",
"of the beginning of a novel, it is clear that it should hook",
"draw him or her into the story. Different techniques for achieving the hook",
"things (first the setting, then the protagonist, then the inciting incident). If you",
"common order of things (first the setting, then the protagonist, then the inciting",
"but you're not yet there. That's why I asked: \"What should the first",
"journey into the book, from the first sentence to the first paragraph to",
"voicing a general truth. But if we consider the *content* of the beginning,",
"a general truth. But if we consider the *content* of the beginning, what",
"as well as the common order of things (first the setting, then the",
"therefore edited my question and replaced the phrase above with \"beginning\". I'm sorry",
"at the function of the beginning of a novel, it is clear that",
"sentence / first parapraph / first page contain?\" I think of the beginning",
"around page four. I had expected your answers to address the whole of",
"page four. I had expected your answers to address the whole of the",
"the story after the opening line. You may be hooked to learn more,",
"commence. You're not in the story after the opening line. You may be",
"has been misunderstood and they address the opening line alone. I have therefore",
"it? An introduction to the protagonist? Which aspects of them? The problem, or",
"question and replaced the phrase above with \"beginning\". I'm sorry for the misunderstanding",
"the opening line alone. I have therefore edited my question and replaced the",
"opening line. You may be hooked to learn more, but you're not yet",
"or should be done. --- **Note.** *This question is not about first sentences!*",
"the first sentence to the first paragraph to the first page and so",
"You may be hooked to learn more, but you're not yet there. That's",
"to the first page and so on, until the reader has arrived in",
"than that to commence. You're not in the story after the opening line.",
"beginning as a journey into the book, from the first sentence to the",
"not about first sentences!* A novel takes a bit longer than that to",
"But if we consider the *content* of the beginning, what should the beginning",
"whether there are common conventions (in genre fiction), a way things are *typically*",
"what I *can* do. I understand that in writing, [I can do whatever",
"ironic turn, naming extreme stakes, divulging the end, or voicing a general truth.",
"please explain *why* that's how it is or should be done. --- **Note.**",
"in the story after the opening line. You may be hooked to learn",
"done, maybe even a well-worn cliché to be avoided, as well as the",
"the reader has arrived in the fictional world on somewhere around page four.",
"well-worn cliché to be avoided, as well as the common order of things",
"[I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What interestest",
"Which aspects of them? The problem, or a hint of it, that they",
"want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What interestest me here is whether there",
"cliché to be avoided, as well as the common order of things (first",
"the whole of the beginning, but in some answers my question has been",
"truth. But if we consider the *content* of the beginning, what should the",
"done. --- **Note.** *This question is not about first sentences!* A novel takes",
"address the whole of the beginning, but in some answers my question has",
"That's why I asked: \"What should the first sentence / first parapraph /",
"for achieving the hook have been described, such as an ironic turn, naming",
"Different techniques for achieving the hook have been described, such as an ironic",
"question is not about first sentences!* A novel takes a bit longer than",
"reader and draw him or her into the story. Different techniques for achieving",
"conventions (in genre fiction), a way things are *typically* done, maybe even a",
"is not about first sentences!* A novel takes a bit longer than that",
"protagonist, then the inciting incident). If you can, please explain *why* that's how",
"your answers to address the whole of the beginning, but in some answers",
"the beginning, but in some answers my question has been misunderstood and they",
"to learn more, but you're not yet there. That's why I asked: \"What",
"the beginning, what should the beginning of a novel contain? The setting? And",
"that's how it is or should be done. --- **Note.** *This question is",
"four. I had expected your answers to address the whole of the beginning,",
"on somewhere around page four. I had expected your answers to address the",
"naming extreme stakes, divulging the end, or voicing a general truth. But if",
"beginning of a novel, it is clear that it should hook the reader",
"the story. Different techniques for achieving the hook have been described, such as",
"A novel takes a bit longer than that to commence. You're not in",
"that it should hook the reader and draw him or her into the",
"here is whether there are common conventions (in genre fiction), a way things",
"\"What should the first sentence / first parapraph / first page contain?\" I",
"what should the beginning of a novel contain? The setting? And if so,",
"of it, that they are going to solve? I'm not asking what I",
"of the beginning, what should the beginning of a novel contain? The setting?",
"(in genre fiction), a way things are *typically* done, maybe even a well-worn",
"if we consider the *content* of the beginning, what should the beginning of",
"they address the opening line alone. I have therefore edited my question and",
"arrived in the fictional world on somewhere around page four. I had expected",
"*why* that's how it is or should be done. --- **Note.** *This question",
"*can* do. I understand that in writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that),",
"If you can, please explain *why* that's how it is or should be",
"the first sentence / first parapraph / first page contain?\" I think of",
"hooked to learn more, but you're not yet there. That's why I asked:",
"What interestest me here is whether there are common conventions (in genre fiction),",
"to commence. You're not in the story after the opening line. You may",
"been described, such as an ironic turn, naming extreme stakes, divulging the end,",
"into the book, from the first sentence to the first paragraph to the",
"I do it well. What interestest me here is whether there are common",
"my question has been misunderstood and they address the opening line alone. I",
"well. What interestest me here is whether there are common conventions (in genre",
"novel contain? The setting? And if so, how much of it? An introduction",
"asking what I *can* do. I understand that in writing, [I can do",
"her into the story. Different techniques for achieving the hook have been described,",
"they are going to solve? I'm not asking what I *can* do. I",
"misunderstanding my wording has caused. I have asked a question about the opening",
"to the first paragraph to the first page and so on, until the",
"line alone. I have therefore edited my question and replaced the phrase above",
"well as the common order of things (first the setting, then the protagonist,",
"is whether there are common conventions (in genre fiction), a way things are",
"my question and replaced the phrase above with \"beginning\". I'm sorry for the",
"and replaced the phrase above with \"beginning\". I'm sorry for the misunderstanding my",
"we consider the *content* of the beginning, what should the beginning of a",
"setting? And if so, how much of it? An introduction to the protagonist?",
"edited my question and replaced the phrase above with \"beginning\". I'm sorry for",
"hook the reader and draw him or her into the story. Different techniques",
"it is clear that it should hook the reader and draw him or",
"so on, until the reader has arrived in the fictional world on somewhere",
"inciting incident). If you can, please explain *why* that's how it is or",
"should the beginning of a novel contain? The setting? And if so, how",
"takes a bit longer than that to commence. You're not in the story",
"the misunderstanding my wording has caused. I have asked a question about the",
"*This question is not about first sentences!* A novel takes a bit longer",
"story. Different techniques for achieving the hook have been described, such as an",
"question has been misunderstood and they address the opening line alone. I have",
"do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What interestest me here",
"not in the story after the opening line. You may be hooked to",
"the beginning of a novel contain? The setting? And if so, how much",
"can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What interestest me",
"novel takes a bit longer than that to commence. You're not in the",
"introduction to the protagonist? Which aspects of them? The problem, or a hint",
"the fictional world on somewhere around page four. I had expected your answers",
"sorry for the misunderstanding my wording has caused. I have asked a question",
"sentence to the first paragraph to the first page and so on, until",
"to the protagonist? Which aspects of them? The problem, or a hint of",
"the beginning as a journey into the book, from the first sentence to",
"I had expected your answers to address the whole of the beginning, but",
"solve? I'm not asking what I *can* do. I understand that in writing,",
"that they are going to solve? I'm not asking what I *can* do.",
"beginning, what should the beginning of a novel contain? The setting? And if",
"the phrase above with \"beginning\". I'm sorry for the misunderstanding my wording has",
"in some answers my question has been misunderstood and they address the opening",
"the *content* of the beginning, what should the beginning of a novel contain?",
"understand that in writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do",
"reader has arrived in the fictional world on somewhere around page four. I",
"the beginning of a novel, it is clear that it should hook the",
"him or her into the story. Different techniques for achieving the hook have",
"consider the *content* of the beginning, what should the beginning of a novel",
"it is or should be done. --- **Note.** *This question is not about",
"not yet there. That's why I asked: \"What should the first sentence /",
"story after the opening line. You may be hooked to learn more, but",
"hint of it, that they are going to solve? I'm not asking what",
"of a novel, it is clear that it should hook the reader and",
"expected your answers to address the whole of the beginning, but in some",
"maybe even a well-worn cliché to be avoided, as well as the common",
"much of it? An introduction to the protagonist? Which aspects of them? The",
"the opening line. You may be hooked to learn more, but you're not",
"achieving the hook have been described, such as an ironic turn, naming extreme",
"may be hooked to learn more, but you're not yet there. That's why",
"I'm sorry for the misunderstanding my wording has caused. I have asked a",
"somewhere around page four. I had expected your answers to address the whole",
"divulging the end, or voicing a general truth. But if we consider the",
"about first sentences!* A novel takes a bit longer than that to commence.",
"yet there. That's why I asked: \"What should the first sentence / first",
"then the protagonist, then the inciting incident). If you can, please explain *why*",
"/ first page contain?\" I think of the beginning as a journey into",
"sentences!* A novel takes a bit longer than that to commence. You're not",
"opening line alone. I have therefore edited my question and replaced the phrase",
"order of things (first the setting, then the protagonist, then the inciting incident).",
"should be done. --- **Note.** *This question is not about first sentences!* A",
"with \"beginning\". I'm sorry for the misunderstanding my wording has caused. I have",
"first paragraph to the first page and so on, until the reader has",
"you're not yet there. That's why I asked: \"What should the first sentence",
"novel, it is clear that it should hook the reader and draw him",
"are common conventions (in genre fiction), a way things are *typically* done, maybe",
"and draw him or her into the story. Different techniques for achieving the",
"I have therefore edited my question and replaced the phrase above with \"beginning\".",
"\"beginning\". I'm sorry for the misunderstanding my wording has caused. I have asked",
"misunderstood and they address the opening line alone. I have therefore edited my",
"the hook have been described, such as an ironic turn, naming extreme stakes,",
"learn more, but you're not yet there. That's why I asked: \"What should",
"I understand that in writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I",
"going to solve? I'm not asking what I *can* do. I understand that",
"Looking at the function of the beginning of a novel, it is clear",
"in the fictional world on somewhere around page four. I had expected your",
"**Note.** *This question is not about first sentences!* A novel takes a bit",
"a way things are *typically* done, maybe even a well-worn cliché to be",
"had expected your answers to address the whole of the beginning, but in",
"--- **Note.** *This question is not about first sentences!* A novel takes a",
"it should hook the reader and draw him or her into the story.",
"you can, please explain *why* that's how it is or should be done.",
"paragraph to the first page and so on, until the reader has arrived",
"longer than that to commence. You're not in the story after the opening",
"common conventions (in genre fiction), a way things are *typically* done, maybe even",
"hook have been described, such as an ironic turn, naming extreme stakes, divulging",
"line. You may be hooked to learn more, but you're not yet there.",
"page and so on, until the reader has arrived in the fictional world",
"alone. I have therefore edited my question and replaced the phrase above with",
"there are common conventions (in genre fiction), a way things are *typically* done,",
"or a hint of it, that they are going to solve? I'm not",
"/ first parapraph / first page contain?\" I think of the beginning as",
"the reader and draw him or her into the story. Different techniques for",
"after the opening line. You may be hooked to learn more, but you're",
"beginning, but in some answers my question has been misunderstood and they address",
"should hook the reader and draw him or her into the story. Different",
"a journey into the book, from the first sentence to the first paragraph",
"first sentences!* A novel takes a bit longer than that to commence. You're",
"setting, then the protagonist, then the inciting incident). If you can, please explain",
"You're not in the story after the opening line. You may be hooked",
"parapraph / first page contain?\" I think of the beginning as a journey",
"not asking what I *can* do. I understand that in writing, [I can",
"explain *why* that's how it is or should be done. --- **Note.** *This",
"contain? The setting? And if so, how much of it? An introduction to",
"The setting? And if so, how much of it? An introduction to the",
"page contain?\" I think of the beginning as a journey into the book,",
"as the common order of things (first the setting, then the protagonist, then",
"I'm not asking what I *can* do. I understand that in writing, [I",
"protagonist? Which aspects of them? The problem, or a hint of it, that",
"turn, naming extreme stakes, divulging the end, or voicing a general truth. But",
"The problem, or a hint of it, that they are going to solve?",
"be done. --- **Note.** *This question is not about first sentences!* A novel",
"how it is or should be done. --- **Note.** *This question is not",
"is or should be done. --- **Note.** *This question is not about first",
"things are *typically* done, maybe even a well-worn cliché to be avoided, as",
"can, please explain *why* that's how it is or should be done. ---",
"first sentence / first parapraph / first page contain?\" I think of the",
"do it well. What interestest me here is whether there are common conventions",
"incident). If you can, please explain *why* that's how it is or should",
"clear that it should hook the reader and draw him or her into",
"writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well. What",
"of the beginning, but in some answers my question has been misunderstood and",
"why I asked: \"What should the first sentence / first parapraph / first",
"the inciting incident). If you can, please explain *why* that's how it is",
"And if so, how much of it? An introduction to the protagonist? Which",
"first sentence to the first paragraph to the first page and so on,",
"I *can* do. I understand that in writing, [I can do whatever I",
"should the first sentence / first parapraph / first page contain?\" I think",
"beginning of a novel contain? The setting? And if so, how much of",
"in writing, [I can do whatever I want](https://writing.stackexchange.com/questions/25819/writing-a-novel-can-i-do-this-or-that), if I do it well.",
"be hooked to learn more, but you're not yet there. That's why I",
"first parapraph / first page contain?\" I think of the beginning as a"
] |
[
"I have plotted, I cannot simply use the advice to write \"a statement",
"story*. Some way to boil down your story until the first sentence remains.",
"*my* story**. To find a first sentence for a story I have plotted,",
"the advice to write \"a statement of eternal principle\". A sentence such as",
"masterworks or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal",
"your story*. Some way to boil down your story until the first sentence",
"Usually these blog posts or how-to-write book chapters list examples of first sentences",
"opening line from a story? --- This question is not about *beginnings*, which",
"2. A statement of simple fact 3. A statement of paired facts and",
"to be some way to *find* the opening that is *inherent in your",
"has to be something more to writing an opening sentence. There has to",
"on. Using that advice, I can come up with a hundred intriguing opening",
"**opens *my* story**. To find a first sentence for a story I have",
"book*. Not just some random opening for a non-existent book, but one that",
"How to write a killer opening line *for my book*. Not just some",
"many books, although it is a statement of an eternal principle. So there",
"write a killer opening line *for my book*. Not just some random opening",
"books, although it is a statement of an eternal principle. So there has",
"your story until the first sentence remains. So what proven methods are there",
"first sentence remains. So what proven methods are there to derive an opening",
"hundred intriguing opening sentences, *none of which fit my book*. Because what none",
"statement of eternal principle 2. A statement of simple fact 3. A statement",
"of which fit my book*. Because what none of the advice out there",
"random opening for a non-existent book, but one that **opens *my* story**. To",
"chapters list examples of first sentences from recognized masterworks or group them into",
"to write a killer opening line *for my book*. Not just some random",
"in your story*. Some way to boil down your story until the first",
"statement of eternal principle\". A sentence such as \"The sun rises in the",
"advice to write \"a statement of eternal principle\". A sentence such as \"The",
"more to writing an opening sentence. There has to be some way to",
"such as \"The sun rises in the east\" does not fit many books,",
"be something more to writing an opening sentence. There has to be some",
"A statement of eternal principle 2. A statement of simple fact 3. A",
"a story? --- This question is not about *beginnings*, which I have asked",
"is *inherent in your story*. Some way to boil down your story until",
"principle\". A sentence such as \"The sun rises in the east\" does not",
"a statement of an eternal principle. So there has to be something more",
"opening line\". Usually these blog posts or how-to-write book chapters list examples of",
"fit my book*. Because what none of the advice out there tells me",
"just some random opening for a non-existent book, but one that **opens *my*",
"book, but one that **opens *my* story**. To find a first sentence for",
"into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle 2. A statement",
"that is *inherent in your story*. Some way to boil down your story",
"write a killer opening line\". Usually these blog posts or how-to-write book chapters",
"A statement of simple fact 3. A statement of paired facts and so",
"so on. Using that advice, I can come up with a hundred intriguing",
"there has to be something more to writing an opening sentence. There has",
"has to be some way to *find* the opening that is *inherent in",
"me is: How to write a killer opening line *for my book*. Not",
"in the east\" does not fit many books, although it is a statement",
"be some way to *find* the opening that is *inherent in your story*.",
"I can come up with a hundred intriguing opening sentences, *none of which",
"to writing an opening sentence. There has to be some way to *find*",
"of an eternal principle. So there has to be something more to writing",
"my book*. Because what none of the advice out there tells me is:",
"recognized masterworks or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of",
"first sentence for a story I have plotted, I cannot simply use the",
"an eternal principle. So there has to be something more to writing an",
"use the advice to write \"a statement of eternal principle\". A sentence such",
"remains. So what proven methods are there to derive an opening line from",
"story until the first sentence remains. So what proven methods are there to",
"simple fact 3. A statement of paired facts and so on. Using that",
"Using that advice, I can come up with a hundred intriguing opening sentences,",
"3. A statement of paired facts and so on. Using that advice, I",
"come up with a hundred intriguing opening sentences, *none of which fit my",
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"\"a statement of eternal principle\". A sentence such as \"The sun rises in",
"one that **opens *my* story**. To find a first sentence for a story",
"of eternal principle\". A sentence such as \"The sun rises in the east\"",
"killer opening line *for my book*. Not just some random opening for a",
"There has to be some way to *find* the opening that is *inherent",
"is much advice out there on \"how to write a killer opening line\".",
"book chapters list examples of first sentences from recognized masterworks or group them",
"there to derive an opening line from a story? --- This question is",
"is: How to write a killer opening line *for my book*. Not just",
"principle 2. A statement of simple fact 3. A statement of paired facts",
"the opening that is *inherent in your story*. Some way to boil down",
"story? --- This question is not about *beginnings*, which I have asked about",
"find a first sentence for a story I have plotted, I cannot simply",
"writing an opening sentence. There has to be some way to *find* the",
"the first sentence remains. So what proven methods are there to derive an",
"with a hundred intriguing opening sentences, *none of which fit my book*. Because",
"of eternal principle 2. A statement of simple fact 3. A statement of",
"blog posts or how-to-write book chapters list examples of first sentences from recognized",
"write \"a statement of eternal principle\". A sentence such as \"The sun rises",
"*find* the opening that is *inherent in your story*. Some way to boil",
"to boil down your story until the first sentence remains. So what proven",
"is a statement of an eternal principle. So there has to be something",
"posts or how-to-write book chapters list examples of first sentences from recognized masterworks",
"\"The sun rises in the east\" does not fit many books, although it",
"\"how to write a killer opening line\". Usually these blog posts or how-to-write",
"a first sentence for a story I have plotted, I cannot simply use",
"and so on. Using that advice, I can come up with a hundred",
"out there on \"how to write a killer opening line\". Usually these blog",
"as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle 2. A statement of simple fact",
"rises in the east\" does not fit many books, although it is a",
"how-to-write book chapters list examples of first sentences from recognized masterworks or group",
"sentences, *none of which fit my book*. Because what none of the advice",
"examples of first sentences from recognized masterworks or group them into categories [such",
"intriguing opening sentences, *none of which fit my book*. Because what none of",
"or how-to-write book chapters list examples of first sentences from recognized masterworks or",
"To find a first sentence for a story I have plotted, I cannot",
"boil down your story until the first sentence remains. So what proven methods",
"a story I have plotted, I cannot simply use the advice to write",
"story I have plotted, I cannot simply use the advice to write \"a",
"line *for my book*. Not just some random opening for a non-existent book,",
"not fit many books, although it is a statement of an eternal principle.",
"opening sentences, *none of which fit my book*. Because what none of the",
"A sentence such as \"The sun rises in the east\" does not fit",
"some way to *find* the opening that is *inherent in your story*. Some",
"some random opening for a non-existent book, but one that **opens *my* story**.",
"Not just some random opening for a non-existent book, but one that **opens",
"proven methods are there to derive an opening line from a story? ---",
"an opening sentence. There has to be some way to *find* the opening",
"advice out there on \"how to write a killer opening line\". Usually these",
"or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle",
"*none of which fit my book*. Because what none of the advice out",
"[such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle 2. A statement of simple",
"way to *find* the opening that is *inherent in your story*. Some way",
"to *find* the opening that is *inherent in your story*. Some way to",
"that **opens *my* story**. To find a first sentence for a story I",
"it is a statement of an eternal principle. So there has to be",
"non-existent book, but one that **opens *my* story**. To find a first sentence",
"although it is a statement of an eternal principle. So there has to",
"group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle 2.",
"simply use the advice to write \"a statement of eternal principle\". A sentence",
"my book*. Not just some random opening for a non-existent book, but one",
"opening line *for my book*. Not just some random opening for a non-existent",
"A statement of paired facts and so on. Using that advice, I can",
"sentence remains. So what proven methods are there to derive an opening line",
"opening that is *inherent in your story*. Some way to boil down your",
"there on \"how to write a killer opening line\". Usually these blog posts",
"of first sentences from recognized masterworks or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel):",
"from a story? --- This question is not about *beginnings*, which I have",
"to write a killer opening line\". Usually these blog posts or how-to-write book",
"sentence for a story I have plotted, I cannot simply use the advice",
"for a non-existent book, but one that **opens *my* story**. To find a",
"something more to writing an opening sentence. There has to be some way",
"line\". Usually these blog posts or how-to-write book chapters list examples of first",
"the advice out there tells me is: How to write a killer opening",
"are there to derive an opening line from a story? --- This question",
"to be something more to writing an opening sentence. There has to be",
"--- This question is not about *beginnings*, which I have asked about [here](https://writing.stackexchange.com/questions/35807/how-to-open-a-novel).",
"Some way to boil down your story until the first sentence remains. So",
"up with a hundred intriguing opening sentences, *none of which fit my book*.",
"facts and so on. Using that advice, I can come up with a",
"I cannot simply use the advice to write \"a statement of eternal principle\".",
"paired facts and so on. Using that advice, I can come up with",
"there tells me is: How to write a killer opening line *for my",
"derive an opening line from a story? --- This question is not about",
"none of the advice out there tells me is: How to write a",
"1. A statement of eternal principle 2. A statement of simple fact 3.",
"but one that **opens *my* story**. To find a first sentence for a",
"from recognized masterworks or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement",
"to write \"a statement of eternal principle\". A sentence such as \"The sun",
"much advice out there on \"how to write a killer opening line\". Usually",
"plotted, I cannot simply use the advice to write \"a statement of eternal",
"*for my book*. Not just some random opening for a non-existent book, but",
"what none of the advice out there tells me is: How to write",
"sentence such as \"The sun rises in the east\" does not fit many",
"on \"how to write a killer opening line\". Usually these blog posts or",
"cannot simply use the advice to write \"a statement of eternal principle\". A",
"eternal principle 2. A statement of simple fact 3. A statement of paired",
"of the advice out there tells me is: How to write a killer",
"methods are there to derive an opening line from a story? --- This",
"have plotted, I cannot simply use the advice to write \"a statement of",
"them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle 2. A",
"sentences from recognized masterworks or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A",
"advice out there tells me is: How to write a killer opening line",
"a killer opening line *for my book*. Not just some random opening for",
"does not fit many books, although it is a statement of an eternal",
"of paired facts and so on. Using that advice, I can come up",
"statement of paired facts and so on. Using that advice, I can come",
"story**. To find a first sentence for a story I have plotted, I",
"So there has to be something more to writing an opening sentence. There",
"So what proven methods are there to derive an opening line from a",
"There is much advice out there on \"how to write a killer opening",
"which fit my book*. Because what none of the advice out there tells",
"first sentences from recognized masterworks or group them into categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1.",
"these blog posts or how-to-write book chapters list examples of first sentences from",
"tells me is: How to write a killer opening line *for my book*.",
"statement of simple fact 3. A statement of paired facts and so on.",
"way to boil down your story until the first sentence remains. So what",
"eternal principle. So there has to be something more to writing an opening",
"can come up with a hundred intriguing opening sentences, *none of which fit",
"opening for a non-existent book, but one that **opens *my* story**. To find",
"sun rises in the east\" does not fit many books, although it is",
"that advice, I can come up with a hundred intriguing opening sentences, *none",
"until the first sentence remains. So what proven methods are there to derive",
"out there tells me is: How to write a killer opening line *for",
"east\" does not fit many books, although it is a statement of an",
"sentence. There has to be some way to *find* the opening that is",
"advice, I can come up with a hundred intriguing opening sentences, *none of",
"principle. So there has to be something more to writing an opening sentence.",
"a non-existent book, but one that **opens *my* story**. To find a first",
"the east\" does not fit many books, although it is a statement of",
"an opening line from a story? --- This question is not about *beginnings*,",
"Because what none of the advice out there tells me is: How to",
"fact 3. A statement of paired facts and so on. Using that advice,",
"a hundred intriguing opening sentences, *none of which fit my book*. Because what",
"list examples of first sentences from recognized masterworks or group them into categories",
"*inherent in your story*. Some way to boil down your story until the",
"line from a story? --- This question is not about *beginnings*, which I",
"as \"The sun rises in the east\" does not fit many books, although",
"killer opening line\". Usually these blog posts or how-to-write book chapters list examples",
"down your story until the first sentence remains. So what proven methods are",
"to derive an opening line from a story? --- This question is not",
"a killer opening line\". Usually these blog posts or how-to-write book chapters list",
"what proven methods are there to derive an opening line from a story?",
"for a story I have plotted, I cannot simply use the advice to",
"of simple fact 3. A statement of paired facts and so on. Using",
"categories [such as](http://www.writersdigest.com/online-editor/7-ways-to-create-a-killer-opening-line-for-your-novel): 1. A statement of eternal principle 2. A statement of",
"eternal principle\". A sentence such as \"The sun rises in the east\" does",
"fit many books, although it is a statement of an eternal principle. So",
"book*. Because what none of the advice out there tells me is: How",
"opening sentence. There has to be some way to *find* the opening that"
] |
[
"whether it is worth adding a third aspect (with 700 words spare) or",
"writing a 3000 word essay entitled 'Challenges and opportunities of future Civil Aviation'.",
"at the challenges of each aspect and weighing it against the positives. I",
"essay entitled 'Challenges and opportunities of future Civil Aviation'. For the essay, I",
"to add to my previous points? I am just hesitant as to whether",
"to go back to add to my previous points? I am just hesitant",
"adding a third aspect (with 700 words spare) or is better to go",
"opportunities of future Civil Aviation'. For the essay, I have taken two aspects",
"of future Civil Aviation'. For the essay, I have taken two aspects of",
"word essay entitled 'Challenges and opportunities of future Civil Aviation'. For the essay,",
"followed by looking at the challenges of each aspect and weighing it against",
"previous points? I am just hesitant as to whether only 2 aspects cover",
"or is better to go back to add to my previous points? I",
"entitled 'Challenges and opportunities of future Civil Aviation'. For the essay, I have",
"to my previous points? I am just hesitant as to whether only 2",
"challenges of each aspect and weighing it against the positives. I am now",
"of the future of civil aviation in supersonic flight and biofuels. I then",
"background followed by looking at the challenges of each aspect and weighing it",
"civil aviation in supersonic flight and biofuels. I then go into detail for",
"positives. I am now wondering whether it is worth adding a third aspect",
"and biofuels. I then go into detail for each giving a little background",
"hesitant as to whether only 2 aspects cover enough breadth of the 'future'.",
"spare) or is better to go back to add to my previous points?",
"and weighing it against the positives. I am now wondering whether it is",
"each giving a little background followed by looking at the challenges of each",
"words spare) or is better to go back to add to my previous",
"detail for each giving a little background followed by looking at the challenges",
"future of civil aviation in supersonic flight and biofuels. I then go into",
"aspect (with 700 words spare) or is better to go back to add",
"in supersonic flight and biofuels. I then go into detail for each giving",
"by looking at the challenges of each aspect and weighing it against the",
"just hesitant as to whether only 2 aspects cover enough breadth of the",
"go back to add to my previous points? I am just hesitant as",
"aspects of the future of civil aviation in supersonic flight and biofuels. I",
"better to go back to add to my previous points? I am just",
"of civil aviation in supersonic flight and biofuels. I then go into detail",
"I am now wondering whether it is worth adding a third aspect (with",
"I then go into detail for each giving a little background followed by",
"the future of civil aviation in supersonic flight and biofuels. I then go",
"the essay, I have taken two aspects of the future of civil aviation",
"future Civil Aviation'. For the essay, I have taken two aspects of the",
"700 words spare) or is better to go back to add to my",
"a little background followed by looking at the challenges of each aspect and",
"go into detail for each giving a little background followed by looking at",
"now wondering whether it is worth adding a third aspect (with 700 words",
"worth adding a third aspect (with 700 words spare) or is better to",
"biofuels. I then go into detail for each giving a little background followed",
"looking at the challenges of each aspect and weighing it against the positives.",
"3000 word essay entitled 'Challenges and opportunities of future Civil Aviation'. For the",
"add to my previous points? I am just hesitant as to whether only",
"the challenges of each aspect and weighing it against the positives. I am",
"(with 700 words spare) or is better to go back to add to",
"little background followed by looking at the challenges of each aspect and weighing",
"my previous points? I am just hesitant as to whether only 2 aspects",
"back to add to my previous points? I am just hesitant as to",
"wondering whether it is worth adding a third aspect (with 700 words spare)",
"taken two aspects of the future of civil aviation in supersonic flight and",
"giving a little background followed by looking at the challenges of each aspect",
"I am just hesitant as to whether only 2 aspects cover enough breadth",
"am now wondering whether it is worth adding a third aspect (with 700",
"For the essay, I have taken two aspects of the future of civil",
"is better to go back to add to my previous points? I am",
"'Challenges and opportunities of future Civil Aviation'. For the essay, I have taken",
"I have taken two aspects of the future of civil aviation in supersonic",
"is worth adding a third aspect (with 700 words spare) or is better",
"am writing a 3000 word essay entitled 'Challenges and opportunities of future Civil",
"Aviation'. For the essay, I have taken two aspects of the future of",
"against the positives. I am now wondering whether it is worth adding a",
"it is worth adding a third aspect (with 700 words spare) or is",
"I am writing a 3000 word essay entitled 'Challenges and opportunities of future",
"of each aspect and weighing it against the positives. I am now wondering",
"each aspect and weighing it against the positives. I am now wondering whether",
"a 3000 word essay entitled 'Challenges and opportunities of future Civil Aviation'. For",
"the positives. I am now wondering whether it is worth adding a third",
"am just hesitant as to whether only 2 aspects cover enough breadth of",
"it against the positives. I am now wondering whether it is worth adding",
"a third aspect (with 700 words spare) or is better to go back",
"aviation in supersonic flight and biofuels. I then go into detail for each",
"points? I am just hesitant as to whether only 2 aspects cover enough",
"weighing it against the positives. I am now wondering whether it is worth",
"essay, I have taken two aspects of the future of civil aviation in",
"Civil Aviation'. For the essay, I have taken two aspects of the future",
"and opportunities of future Civil Aviation'. For the essay, I have taken two",
"for each giving a little background followed by looking at the challenges of",
"third aspect (with 700 words spare) or is better to go back to",
"into detail for each giving a little background followed by looking at the",
"flight and biofuels. I then go into detail for each giving a little",
"then go into detail for each giving a little background followed by looking",
"supersonic flight and biofuels. I then go into detail for each giving a",
"aspect and weighing it against the positives. I am now wondering whether it",
"have taken two aspects of the future of civil aviation in supersonic flight",
"two aspects of the future of civil aviation in supersonic flight and biofuels."
] |
[
"Why is this so? Why aren't multiple characters developed simultaneously, randomly being killed",
"the story as a series of memories of the protagonist. The reader, knowing",
"first to die are the characters with least development. Those are the Non",
"Some authors even go as far as telling the story as a series",
"first book of a trilogy, knows the main character survives. Why is this",
"far as telling the story as a series of memories of the protagonist.",
"survives. Some authors even go as far as telling the story as a",
"go as far as telling the story as a series of memories of",
"of this, but also many books feature the rule. When the plot revolves",
"death situations, the first to die are the characters with least development. Those",
"games, the guy without a family name, introduced 20 pages ago in books,",
"the characters with least development. Those are the Non Player Characters in role",
"but also many books feature the rule. When the plot revolves around life",
"character survives. Why is this so? Why aren't multiple characters developed simultaneously, randomly",
"memories of the protagonist. The reader, knowing that they are reading the first",
"are the characters with least development. Those are the Non Player Characters in",
"role playing games, the guy without a family name, introduced 20 pages ago",
"that they are reading the first book of a trilogy, knows the main",
"a family name, introduced 20 pages ago in books, or the evil and",
"often. It destroys any uncertainty of the reader for the conclusion of an",
"for the conclusion of an extreme situation. It is known that The Protagonist",
"revolves around life and death situations, the first to die are the characters",
"used so often. It destroys any uncertainty of the reader for the conclusion",
"simultaneously, randomly being killed off, with just a random dude from the neighbouring",
"die are the characters with least development. Those are the Non Player Characters",
"the Non Player Characters in role playing games, the guy without a family",
"Those are the Non Player Characters in role playing games, the guy without",
"situation. It is known that The Protagonist survives. Some authors even go as",
"example of this, but also many books feature the rule. When the plot",
"rule is used so often. It destroys any uncertainty of the reader for",
"dumb antagonist henchman, who lacks depth. I can't figure why this rule is",
"as telling the story as a series of memories of the protagonist. The",
"characters with least development. Those are the Non Player Characters in role playing",
"is this so? Why aren't multiple characters developed simultaneously, randomly being killed off,",
"killed off, with just a random dude from the neighbouring village surviving the",
"the protagonist. The reader, knowing that they are reading the first book of",
"main character survives. Why is this so? Why aren't multiple characters developed simultaneously,",
"in books, or the evil and dumb antagonist henchman, who lacks depth. I",
"of the protagonist. The reader, knowing that they are reading the first book",
"a good example of this, but also many books feature the rule. When",
"rule. When the plot revolves around life and death situations, the first to",
"with least development. Those are the Non Player Characters in role playing games,",
"so? Why aren't multiple characters developed simultaneously, randomly being killed off, with just",
"feature the rule. When the plot revolves around life and death situations, the",
"ago in books, or the evil and dumb antagonist henchman, who lacks depth.",
"20 pages ago in books, or the evil and dumb antagonist henchman, who",
"many books feature the rule. When the plot revolves around life and death",
"are the Non Player Characters in role playing games, the guy without a",
"this, but also many books feature the rule. When the plot revolves around",
"developed simultaneously, randomly being killed off, with just a random dude from the",
"telling the story as a series of memories of the protagonist. The reader,",
"this so? Why aren't multiple characters developed simultaneously, randomly being killed off, with",
"The Protagonist survives. Some authors even go as far as telling the story",
"conclusion of an extreme situation. It is known that The Protagonist survives. Some",
"a trilogy, knows the main character survives. Why is this so? Why aren't",
"movies are a good example of this, but also many books feature the",
"who lacks depth. I can't figure why this rule is used so often.",
"characters developed simultaneously, randomly being killed off, with just a random dude from",
"without a family name, introduced 20 pages ago in books, or the evil",
"playing games, the guy without a family name, introduced 20 pages ago in",
"the reader for the conclusion of an extreme situation. It is known that",
"series of memories of the protagonist. The reader, knowing that they are reading",
"and death situations, the first to die are the characters with least development.",
"pages ago in books, or the evil and dumb antagonist henchman, who lacks",
"depth. I can't figure why this rule is used so often. It destroys",
"being killed off, with just a random dude from the neighbouring village surviving",
"is used so often. It destroys any uncertainty of the reader for the",
"also many books feature the rule. When the plot revolves around life and",
"in role playing games, the guy without a family name, introduced 20 pages",
"reading the first book of a trilogy, knows the main character survives. Why",
"guy without a family name, introduced 20 pages ago in books, or the",
"good example of this, but also many books feature the rule. When the",
"the guy without a family name, introduced 20 pages ago in books, or",
"the conclusion of an extreme situation. It is known that The Protagonist survives.",
"off, with just a random dude from the neighbouring village surviving the carnage?",
"plot revolves around life and death situations, the first to die are the",
"protagonist. The reader, knowing that they are reading the first book of a",
"When the plot revolves around life and death situations, the first to die",
"I can't figure why this rule is used so often. It destroys any",
"knowing that they are reading the first book of a trilogy, knows the",
"the plot revolves around life and death situations, the first to die are",
"can't figure why this rule is used so often. It destroys any uncertainty",
"so often. It destroys any uncertainty of the reader for the conclusion of",
"books feature the rule. When the plot revolves around life and death situations,",
"figure why this rule is used so often. It destroys any uncertainty of",
"Hollywood movies are a good example of this, but also many books feature",
"around life and death situations, the first to die are the characters with",
"the first to die are the characters with least development. Those are the",
"trilogy, knows the main character survives. Why is this so? Why aren't multiple",
"Player Characters in role playing games, the guy without a family name, introduced",
"the evil and dumb antagonist henchman, who lacks depth. I can't figure why",
"authors even go as far as telling the story as a series of",
"The reader, knowing that they are reading the first book of a trilogy,",
"extreme situation. It is known that The Protagonist survives. Some authors even go",
"family name, introduced 20 pages ago in books, or the evil and dumb",
"reader for the conclusion of an extreme situation. It is known that The",
"Why aren't multiple characters developed simultaneously, randomly being killed off, with just a",
"book of a trilogy, knows the main character survives. Why is this so?",
"Non Player Characters in role playing games, the guy without a family name,",
"henchman, who lacks depth. I can't figure why this rule is used so",
"situations, the first to die are the characters with least development. Those are",
"the rule. When the plot revolves around life and death situations, the first",
"they are reading the first book of a trilogy, knows the main character",
"evil and dumb antagonist henchman, who lacks depth. I can't figure why this",
"books, or the evil and dumb antagonist henchman, who lacks depth. I can't",
"least development. Those are the Non Player Characters in role playing games, the",
"why this rule is used so often. It destroys any uncertainty of the",
"Protagonist survives. Some authors even go as far as telling the story as",
"reader, knowing that they are reading the first book of a trilogy, knows",
"multiple characters developed simultaneously, randomly being killed off, with just a random dude",
"the main character survives. Why is this so? Why aren't multiple characters developed",
"as a series of memories of the protagonist. The reader, knowing that they",
"this rule is used so often. It destroys any uncertainty of the reader",
"destroys any uncertainty of the reader for the conclusion of an extreme situation.",
"of a trilogy, knows the main character survives. Why is this so? Why",
"It is known that The Protagonist survives. Some authors even go as far",
"is known that The Protagonist survives. Some authors even go as far as",
"survives. Why is this so? Why aren't multiple characters developed simultaneously, randomly being",
"a series of memories of the protagonist. The reader, knowing that they are",
"and dumb antagonist henchman, who lacks depth. I can't figure why this rule",
"any uncertainty of the reader for the conclusion of an extreme situation. It",
"knows the main character survives. Why is this so? Why aren't multiple characters",
"Characters in role playing games, the guy without a family name, introduced 20",
"to die are the characters with least development. Those are the Non Player",
"the first book of a trilogy, knows the main character survives. Why is",
"name, introduced 20 pages ago in books, or the evil and dumb antagonist",
"lacks depth. I can't figure why this rule is used so often. It",
"of the reader for the conclusion of an extreme situation. It is known",
"introduced 20 pages ago in books, or the evil and dumb antagonist henchman,",
"known that The Protagonist survives. Some authors even go as far as telling",
"aren't multiple characters developed simultaneously, randomly being killed off, with just a random",
"or the evil and dumb antagonist henchman, who lacks depth. I can't figure",
"antagonist henchman, who lacks depth. I can't figure why this rule is used",
"are reading the first book of a trilogy, knows the main character survives.",
"even go as far as telling the story as a series of memories",
"are a good example of this, but also many books feature the rule.",
"uncertainty of the reader for the conclusion of an extreme situation. It is",
"that The Protagonist survives. Some authors even go as far as telling the",
"life and death situations, the first to die are the characters with least",
"of an extreme situation. It is known that The Protagonist survives. Some authors",
"of memories of the protagonist. The reader, knowing that they are reading the",
"It destroys any uncertainty of the reader for the conclusion of an extreme",
"an extreme situation. It is known that The Protagonist survives. Some authors even",
"development. Those are the Non Player Characters in role playing games, the guy",
"story as a series of memories of the protagonist. The reader, knowing that",
"randomly being killed off, with just a random dude from the neighbouring village",
"as far as telling the story as a series of memories of the"
] |
[
"posted directly from Word to your website. I have read different terms for",
"about books that have undergone the selection process and aren't just posted directly",
"ebooks?) or \"trade published\" (but isn't self-publishing a trade as well?). Is there",
"and accepted by a publisher and was now being distributed through book stores.",
"opposed to ebooks?) or \"trade published\" (but isn't self-publishing a trade as well?).",
"distributed through book stores. Today, when you talk about publishing, you have to",
"selection process and aren't just posted directly from Word to your website. I",
"Once, when your book was \"published\", it was clear that you meant that",
"as opposed to ebooks?) or \"trade published\" (but isn't self-publishing a trade as",
"well?). Is there a term for \"non-self-published\" books? --- The purpose of this",
"undergone the selection process and aren't just posted directly from Word to your",
"clear that you meant that it had been reviewed and accepted by a",
"give us a term that fellow writers will understand, so we can more",
"a term that fellow writers will understand, so we can more easily communicate",
"you are talking about books that have undergone the selection process and aren't",
"meant that it had been reviewed and accepted by a publisher and was",
"question is to give us a term that fellow writers will understand, so",
"the publishing process. The answer therefore may well be a technical term or",
"as well?). Is there a term for \"non-self-published\" books? --- The purpose of",
"there a term for \"non-self-published\" books? --- The purpose of this question is",
"it had been reviewed and accepted by a publisher and was now being",
"book was \"published\", it was clear that you meant that it had been",
"is to give us a term that fellow writers will understand, so we",
"and aren't just posted directly from Word to your website. I have read",
"(but isn't self-publishing a trade as well?). Is there a term for \"non-self-published\"",
"writers will understand, so we can more easily communicate about the publishing process.",
"being distributed through book stores. Today, when you talk about publishing, you have",
"will understand, so we can more easily communicate about the publishing process. The",
"directly from Word to your website. I have read different terms for \"non-self-published\"",
"terms as \"non-self-published\", if you want to make clear that you are talking",
"published\" (but doesn't that rather mean printed books as opposed to ebooks?) or",
"that rather mean printed books as opposed to ebooks?) or \"trade published\" (but",
"such as \"traditionally published\" (but doesn't that rather mean printed books as opposed",
"published\" (but isn't self-publishing a trade as well?). Is there a term for",
"and was now being distributed through book stores. Today, when you talk about",
"communicate about the publishing process. The answer therefore may well be a technical",
"to make clear that you are talking about books that have undergone the",
"talking about books that have undergone the selection process and aren't just posted",
"\"non-self-published\" books? --- The purpose of this question is to give us a",
"stores. Today, when you talk about publishing, you have to use such convoluted",
"your book was \"published\", it was clear that you meant that it had",
"now being distributed through book stores. Today, when you talk about publishing, you",
"so we can more easily communicate about the publishing process. The answer therefore",
"aren't just posted directly from Word to your website. I have read different",
"for \"non-self-published\" books, such as \"traditionally published\" (but doesn't that rather mean printed",
"well be a technical term or moniker that those in the business use",
"as \"non-self-published\", if you want to make clear that you are talking about",
"a trade as well?). Is there a term for \"non-self-published\" books? --- The",
"that you meant that it had been reviewed and accepted by a publisher",
"that it had been reviewed and accepted by a publisher and was now",
"are talking about books that have undergone the selection process and aren't just",
"about the publishing process. The answer therefore may well be a technical term",
"understand, so we can more easily communicate about the publishing process. The answer",
"have undergone the selection process and aren't just posted directly from Word to",
"was \"published\", it was clear that you meant that it had been reviewed",
"--- The purpose of this question is to give us a term that",
"it was clear that you meant that it had been reviewed and accepted",
"your website. I have read different terms for \"non-self-published\" books, such as \"traditionally",
"have read different terms for \"non-self-published\" books, such as \"traditionally published\" (but doesn't",
"have to use such convoluted terms as \"non-self-published\", if you want to make",
"to ebooks?) or \"trade published\" (but isn't self-publishing a trade as well?). Is",
"we can more easily communicate about the publishing process. The answer therefore may",
"books that have undergone the selection process and aren't just posted directly from",
"that have undergone the selection process and aren't just posted directly from Word",
"rather mean printed books as opposed to ebooks?) or \"trade published\" (but isn't",
"Today, when you talk about publishing, you have to use such convoluted terms",
"therefore may well be a technical term or moniker that those in the",
"was clear that you meant that it had been reviewed and accepted by",
"when your book was \"published\", it was clear that you meant that it",
"\"non-self-published\", if you want to make clear that you are talking about books",
"us a term that fellow writers will understand, so we can more easily",
"process. The answer therefore may well be a technical term or moniker that",
"book stores. Today, when you talk about publishing, you have to use such",
"publishing process. The answer therefore may well be a technical term or moniker",
"you want to make clear that you are talking about books that have",
"want to make clear that you are talking about books that have undergone",
"mean printed books as opposed to ebooks?) or \"trade published\" (but isn't self-publishing",
"(but doesn't that rather mean printed books as opposed to ebooks?) or \"trade",
"Is there a term for \"non-self-published\" books? --- The purpose of this question",
"been reviewed and accepted by a publisher and was now being distributed through",
"fellow writers will understand, so we can more easily communicate about the publishing",
"\"trade published\" (but isn't self-publishing a trade as well?). Is there a term",
"by a publisher and was now being distributed through book stores. Today, when",
"\"published\", it was clear that you meant that it had been reviewed and",
"of this question is to give us a term that fellow writers will",
"if you want to make clear that you are talking about books that",
"the selection process and aren't just posted directly from Word to your website.",
"when you talk about publishing, you have to use such convoluted terms as",
"you meant that it had been reviewed and accepted by a publisher and",
"different terms for \"non-self-published\" books, such as \"traditionally published\" (but doesn't that rather",
"to your website. I have read different terms for \"non-self-published\" books, such as",
"that fellow writers will understand, so we can more easily communicate about the",
"answer therefore may well be a technical term or moniker that those in",
"just posted directly from Word to your website. I have read different terms",
"\"non-self-published\" books, such as \"traditionally published\" (but doesn't that rather mean printed books",
"use such convoluted terms as \"non-self-published\", if you want to make clear that",
"terms for \"non-self-published\" books, such as \"traditionally published\" (but doesn't that rather mean",
"be a technical term or moniker that those in the business use among",
"easily communicate about the publishing process. The answer therefore may well be a",
"Word to your website. I have read different terms for \"non-self-published\" books, such",
"publisher and was now being distributed through book stores. Today, when you talk",
"doesn't that rather mean printed books as opposed to ebooks?) or \"trade published\"",
"about publishing, you have to use such convoluted terms as \"non-self-published\", if you",
"you talk about publishing, you have to use such convoluted terms as \"non-self-published\",",
"a publisher and was now being distributed through book stores. Today, when you",
"books, such as \"traditionally published\" (but doesn't that rather mean printed books as",
"purpose of this question is to give us a term that fellow writers",
"self-publishing a trade as well?). Is there a term for \"non-self-published\" books? ---",
"to give us a term that fellow writers will understand, so we can",
"to use such convoluted terms as \"non-self-published\", if you want to make clear",
"term for \"non-self-published\" books? --- The purpose of this question is to give",
"term that fellow writers will understand, so we can more easily communicate about",
"that you are talking about books that have undergone the selection process and",
"The purpose of this question is to give us a term that fellow",
"can more easily communicate about the publishing process. The answer therefore may well",
"make clear that you are talking about books that have undergone the selection",
"\"traditionally published\" (but doesn't that rather mean printed books as opposed to ebooks?)",
"accepted by a publisher and was now being distributed through book stores. Today,",
"printed books as opposed to ebooks?) or \"trade published\" (but isn't self-publishing a",
"The answer therefore may well be a technical term or moniker that those",
"talk about publishing, you have to use such convoluted terms as \"non-self-published\", if",
"or \"trade published\" (but isn't self-publishing a trade as well?). Is there a",
"was now being distributed through book stores. Today, when you talk about publishing,",
"had been reviewed and accepted by a publisher and was now being distributed",
"trade as well?). Is there a term for \"non-self-published\" books? --- The purpose",
"a term for \"non-self-published\" books? --- The purpose of this question is to",
"from Word to your website. I have read different terms for \"non-self-published\" books,",
"I have read different terms for \"non-self-published\" books, such as \"traditionally published\" (but",
"may well be a technical term or moniker that those in the business",
"process and aren't just posted directly from Word to your website. I have",
"for \"non-self-published\" books? --- The purpose of this question is to give us",
"books as opposed to ebooks?) or \"trade published\" (but isn't self-publishing a trade",
"more easily communicate about the publishing process. The answer therefore may well be",
"through book stores. Today, when you talk about publishing, you have to use",
"you have to use such convoluted terms as \"non-self-published\", if you want to",
"such convoluted terms as \"non-self-published\", if you want to make clear that you",
"books? --- The purpose of this question is to give us a term",
"publishing, you have to use such convoluted terms as \"non-self-published\", if you want",
"website. I have read different terms for \"non-self-published\" books, such as \"traditionally published\"",
"convoluted terms as \"non-self-published\", if you want to make clear that you are",
"read different terms for \"non-self-published\" books, such as \"traditionally published\" (but doesn't that",
"isn't self-publishing a trade as well?). Is there a term for \"non-self-published\" books?",
"reviewed and accepted by a publisher and was now being distributed through book",
"clear that you are talking about books that have undergone the selection process",
"this question is to give us a term that fellow writers will understand,",
"as \"traditionally published\" (but doesn't that rather mean printed books as opposed to",
"a technical term or moniker that those in the business use among themselves."
] |
[
"I self-publish a book on Amazon using CreateSpace, when someone orders a copy,",
"do I need to go to a local printing company, have it printed,",
"a local printing company, have it printed, and shipped to them? Or does",
"printing company, have it printed, and shipped to them? Or does CreateSpace print",
"book on Amazon using CreateSpace, when someone orders a copy, do I need",
"the book and ship it to the customer? Is that how print-on-demand works?",
"I need to go to a local printing company, have it printed, and",
"it printed, and shipped to them? Or does CreateSpace print the book and",
"when someone orders a copy, do I need to go to a local",
"on Amazon using CreateSpace, when someone orders a copy, do I need to",
"orders a copy, do I need to go to a local printing company,",
"CreateSpace print the book and ship it to the customer? Is that how",
"print the book and ship it to the customer? Is that how print-on-demand",
"need to go to a local printing company, have it printed, and shipped",
"does CreateSpace print the book and ship it to the customer? Is that",
"them? Or does CreateSpace print the book and ship it to the customer?",
"company, have it printed, and shipped to them? Or does CreateSpace print the",
"a book on Amazon using CreateSpace, when someone orders a copy, do I",
"to a local printing company, have it printed, and shipped to them? Or",
"printed, and shipped to them? Or does CreateSpace print the book and ship",
"local printing company, have it printed, and shipped to them? Or does CreateSpace",
"self-publish a book on Amazon using CreateSpace, when someone orders a copy, do",
"someone orders a copy, do I need to go to a local printing",
"and shipped to them? Or does CreateSpace print the book and ship it",
"Amazon using CreateSpace, when someone orders a copy, do I need to go",
"go to a local printing company, have it printed, and shipped to them?",
"If I self-publish a book on Amazon using CreateSpace, when someone orders a",
"have it printed, and shipped to them? Or does CreateSpace print the book",
"a copy, do I need to go to a local printing company, have",
"shipped to them? Or does CreateSpace print the book and ship it to",
"to them? Or does CreateSpace print the book and ship it to the",
"to go to a local printing company, have it printed, and shipped to",
"CreateSpace, when someone orders a copy, do I need to go to a",
"copy, do I need to go to a local printing company, have it",
"using CreateSpace, when someone orders a copy, do I need to go to",
"Or does CreateSpace print the book and ship it to the customer? Is"
] |
[
"with too many subplots, and so many different events involved in the conflict",
"and the subplots relating to them you can't grasp their motivations and the",
"explain the plot anymore. I don't really want to cut characters, because even",
"unbelievably complex that I am the only one who can actually understand it.",
"of my favorites and still have important roles in the main storyline. Additionally,",
"behind their roles in the main plot. I'm currently using a plot outline",
"discovered that the plot and cast of characters of my novel is so",
"different events involved in the conflict that I can't even concisely explain the",
"is so unbelievably complex that I am the only one who can actually",
"actually understand it. I have too many characters, with too many subplots, and",
"Additionally, without understanding the histories of the characters and the subplots relating to",
"important they are some of my favorites and still have important roles in",
"without understanding the histories of the characters and the subplots relating to them",
"can actually understand it. I have too many characters, with too many subplots,",
"involved in the conflict that I can't even concisely explain the plot anymore.",
"and so many different events involved in the conflict that I can't even",
"I have recently discovered that the plot and cast of characters of my",
"have important roles in the main storyline. Additionally, without understanding the histories of",
"characters, because even though there are a few of them that aren't as",
"*is* necessary, and cutting out what just makes the plot hard to understand?",
"their roles in the main plot. I'm currently using a plot outline template",
"roles in the main storyline. Additionally, without understanding the histories of the characters",
"understanding the histories of the characters and the subplots relating to them you",
"cast of characters of my novel is so unbelievably complex that I am",
"even though there are a few of them that aren't as important they",
"really want to cut characters, because even though there are a few of",
"as important they are some of my favorites and still have important roles",
"relating to them you can't grasp their motivations and the reasoning behind their",
"subplots relating to them you can't grasp their motivations and the reasoning behind",
"the main plot. I'm currently using a plot outline template to try and",
"my novel is so unbelievably complex that I am the only one who",
"in the conflict that I can't even concisely explain the plot anymore. I",
"them that aren't as important they are some of my favorites and still",
"can't grasp their motivations and the reasoning behind their roles in the main",
"the reasoning behind their roles in the main plot. I'm currently using a",
"characters of my novel is so unbelievably complex that I am the only",
"figuring out what *is* necessary, and cutting out what just makes the plot",
"any advice on figuring out what *is* necessary, and cutting out what just",
"though there are a few of them that aren't as important they are",
"reasoning behind their roles in the main plot. I'm currently using a plot",
"I can't even concisely explain the plot anymore. I don't really want to",
"to cut characters, because even though there are a few of them that",
"a plot outline template to try and simplify the story, but all I'm",
"my favorites and still have important roles in the main storyline. Additionally, without",
"the story, but all I'm doing is confusing myself. Does anyone have any",
"still have important roles in the main storyline. Additionally, without understanding the histories",
"to try and simplify the story, but all I'm doing is confusing myself.",
"recently discovered that the plot and cast of characters of my novel is",
"many subplots, and so many different events involved in the conflict that I",
"many characters, with too many subplots, and so many different events involved in",
"on figuring out what *is* necessary, and cutting out what just makes the",
"doing is confusing myself. Does anyone have any advice on figuring out what",
"that I can't even concisely explain the plot anymore. I don't really want",
"there are a few of them that aren't as important they are some",
"am the only one who can actually understand it. I have too many",
"aren't as important they are some of my favorites and still have important",
"histories of the characters and the subplots relating to them you can't grasp",
"don't really want to cut characters, because even though there are a few",
"to them you can't grasp their motivations and the reasoning behind their roles",
"roles in the main plot. I'm currently using a plot outline template to",
"confusing myself. Does anyone have any advice on figuring out what *is* necessary,",
"plot and cast of characters of my novel is so unbelievably complex that",
"out what *is* necessary, and cutting out what just makes the plot hard",
"anymore. I don't really want to cut characters, because even though there are",
"events involved in the conflict that I can't even concisely explain the plot",
"subplots, and so many different events involved in the conflict that I can't",
"story, but all I'm doing is confusing myself. Does anyone have any advice",
"I'm doing is confusing myself. Does anyone have any advice on figuring out",
"understand it. I have too many characters, with too many subplots, and so",
"cut characters, because even though there are a few of them that aren't",
"novel is so unbelievably complex that I am the only one who can",
"characters, with too many subplots, and so many different events involved in the",
"of them that aren't as important they are some of my favorites and",
"few of them that aren't as important they are some of my favorites",
"important roles in the main storyline. Additionally, without understanding the histories of the",
"plot. I'm currently using a plot outline template to try and simplify the",
"want to cut characters, because even though there are a few of them",
"currently using a plot outline template to try and simplify the story, but",
"template to try and simplify the story, but all I'm doing is confusing",
"and cast of characters of my novel is so unbelievably complex that I",
"many different events involved in the conflict that I can't even concisely explain",
"who can actually understand it. I have too many characters, with too many",
"the histories of the characters and the subplots relating to them you can't",
"is confusing myself. Does anyone have any advice on figuring out what *is*",
"favorites and still have important roles in the main storyline. Additionally, without understanding",
"their motivations and the reasoning behind their roles in the main plot. I'm",
"I'm currently using a plot outline template to try and simplify the story,",
"have recently discovered that the plot and cast of characters of my novel",
"Does anyone have any advice on figuring out what *is* necessary, and cutting",
"the characters and the subplots relating to them you can't grasp their motivations",
"too many subplots, and so many different events involved in the conflict that",
"conflict that I can't even concisely explain the plot anymore. I don't really",
"using a plot outline template to try and simplify the story, but all",
"outline template to try and simplify the story, but all I'm doing is",
"that the plot and cast of characters of my novel is so unbelievably",
"that I am the only one who can actually understand it. I have",
"you can't grasp their motivations and the reasoning behind their roles in the",
"can't even concisely explain the plot anymore. I don't really want to cut",
"the main storyline. Additionally, without understanding the histories of the characters and the",
"simplify the story, but all I'm doing is confusing myself. Does anyone have",
"the conflict that I can't even concisely explain the plot anymore. I don't",
"some of my favorites and still have important roles in the main storyline.",
"motivations and the reasoning behind their roles in the main plot. I'm currently",
"that aren't as important they are some of my favorites and still have",
"I have too many characters, with too many subplots, and so many different",
"and the reasoning behind their roles in the main plot. I'm currently using",
"them you can't grasp their motivations and the reasoning behind their roles in",
"and simplify the story, but all I'm doing is confusing myself. Does anyone",
"main plot. I'm currently using a plot outline template to try and simplify",
"myself. Does anyone have any advice on figuring out what *is* necessary, and",
"even concisely explain the plot anymore. I don't really want to cut characters,",
"grasp their motivations and the reasoning behind their roles in the main plot.",
"the only one who can actually understand it. I have too many characters,",
"only one who can actually understand it. I have too many characters, with",
"the subplots relating to them you can't grasp their motivations and the reasoning",
"and still have important roles in the main storyline. Additionally, without understanding the",
"concisely explain the plot anymore. I don't really want to cut characters, because",
"it. I have too many characters, with too many subplots, and so many",
"anyone have any advice on figuring out what *is* necessary, and cutting out",
"because even though there are a few of them that aren't as important",
"too many characters, with too many subplots, and so many different events involved",
"I don't really want to cut characters, because even though there are a",
"what *is* necessary, and cutting out what just makes the plot hard to",
"a few of them that aren't as important they are some of my",
"they are some of my favorites and still have important roles in the",
"main storyline. Additionally, without understanding the histories of the characters and the subplots",
"I am the only one who can actually understand it. I have too",
"advice on figuring out what *is* necessary, and cutting out what just makes",
"plot outline template to try and simplify the story, but all I'm doing",
"of my novel is so unbelievably complex that I am the only one",
"the plot anymore. I don't really want to cut characters, because even though",
"but all I'm doing is confusing myself. Does anyone have any advice on",
"one who can actually understand it. I have too many characters, with too",
"the plot and cast of characters of my novel is so unbelievably complex",
"have any advice on figuring out what *is* necessary, and cutting out what",
"all I'm doing is confusing myself. Does anyone have any advice on figuring",
"characters and the subplots relating to them you can't grasp their motivations and",
"so unbelievably complex that I am the only one who can actually understand",
"are some of my favorites and still have important roles in the main",
"storyline. Additionally, without understanding the histories of the characters and the subplots relating",
"of characters of my novel is so unbelievably complex that I am the",
"in the main plot. I'm currently using a plot outline template to try",
"have too many characters, with too many subplots, and so many different events",
"complex that I am the only one who can actually understand it. I",
"so many different events involved in the conflict that I can't even concisely",
"try and simplify the story, but all I'm doing is confusing myself. Does",
"in the main storyline. Additionally, without understanding the histories of the characters and",
"of the characters and the subplots relating to them you can't grasp their",
"are a few of them that aren't as important they are some of",
"plot anymore. I don't really want to cut characters, because even though there"
] |
[
"and another about [what makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the",
"When should a writer kill their protagonist off? Inspired by a question about",
"a writer kill their protagonist off? Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often)",
"about how we might interpret the death of a character in literature, but",
"character die, or whether some other (positive or negative) outcome is more fitting",
"protagonist off? Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what",
"you consider answering this question, please keep in mind that we are Writing.SE.",
"This question is not about how we might interpret the death of a",
"my protagonist needs to die – or not. --- If you consider answering",
"writer kill their protagonist off? Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and",
"Writing.SE. This question is not about how we might interpret the death of",
"might interpret the death of a character in literature, but about guidelines and",
"wonder whether there are clues inherent to a story I might be writing",
"or whether some other (positive or negative) outcome is more fitting to our",
"die – or not. --- If you consider answering this question, please keep",
"please keep in mind that we are Writing.SE. This question is not about",
"a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the death of",
"writing that would tell me whether my protagonist needs to die – or",
"guidelines and conventions that might help us decide whether we should let a",
"a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun to wonder whether there",
"not. --- If you consider answering this question, please keep in mind that",
"or not. --- If you consider answering this question, please keep in mind",
"but about guidelines and conventions that might help us decide whether we should",
"how we might interpret the death of a character in literature, but about",
"in mind that we are Writing.SE. This question is not about how we",
"their protagonist off? Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about",
"decide whether we should let a character die, or whether some other (positive",
"I might be writing that would tell me whether my protagonist needs to",
"Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the",
"inherent to a story I might be writing that would tell me whether",
"might help us decide whether we should let a character die, or whether",
"by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the death",
"makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun",
"--- If you consider answering this question, please keep in mind that we",
"conventions that might help us decide whether we should let a character die,",
"character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun to wonder whether there are",
"whether some other (positive or negative) outcome is more fitting to our stories.",
"the reader, I have begun to wonder whether there are clues inherent to",
"this question, please keep in mind that we are Writing.SE. This question is",
"of a character in literature, but about guidelines and conventions that might help",
"be writing that would tell me whether my protagonist needs to die –",
"to a story I might be writing that would tell me whether my",
"I have begun to wonder whether there are clues inherent to a story",
"are Writing.SE. This question is not about how we might interpret the death",
"mind that we are Writing.SE. This question is not about how we might",
"– or not. --- If you consider answering this question, please keep in",
"kill their protagonist off? Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another",
"whether there are clues inherent to a story I might be writing that",
"are clues inherent to a story I might be writing that would tell",
"another about [what makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader,",
"the death of a character in literature, but about guidelines and conventions that",
"tell me whether my protagonist needs to die – or not. --- If",
"question, please keep in mind that we are Writing.SE. This question is not",
"not about how we might interpret the death of a character in literature,",
"to wonder whether there are clues inherent to a story I might be",
"that would tell me whether my protagonist needs to die – or not.",
"of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun to wonder whether",
"[character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying)",
"we are Writing.SE. This question is not about how we might interpret the",
"keep in mind that we are Writing.SE. This question is not about how",
"literature, but about guidelines and conventions that might help us decide whether we",
"protagonist needs to die – or not. --- If you consider answering this",
"and conventions that might help us decide whether we should let a character",
"satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun to wonder whether there are clues",
"whether my protagonist needs to die – or not. --- If you consider",
"death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun to wonder",
"have begun to wonder whether there are clues inherent to a story I",
"question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the death of a",
"clues inherent to a story I might be writing that would tell me",
"lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for",
"character in literature, but about guidelines and conventions that might help us decide",
"question is not about how we might interpret the death of a character",
"for the reader, I have begun to wonder whether there are clues inherent",
"die, or whether some other (positive or negative) outcome is more fitting to",
"a character in literature, but about guidelines and conventions that might help us",
"there are clues inherent to a story I might be writing that would",
"interpret the death of a character in literature, but about guidelines and conventions",
"we might interpret the death of a character in literature, but about guidelines",
"me whether my protagonist needs to die – or not. --- If you",
"that we are Writing.SE. This question is not about how we might interpret",
"reader, I have begun to wonder whether there are clues inherent to a",
"to die – or not. --- If you consider answering this question, please",
"answering this question, please keep in mind that we are Writing.SE. This question",
"a character die, or whether some other (positive or negative) outcome is more",
"help us decide whether we should let a character die, or whether some",
"us decide whether we should let a character die, or whether some other",
"the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have begun to",
"would tell me whether my protagonist needs to die – or not. ---",
"death of a character in literature, but about guidelines and conventions that might",
"off? Inspired by a question about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes",
"needs to die – or not. --- If you consider answering this question,",
"about [character lifetime](https://writing.stackexchange.com/questions/35862/why-is-character-lifetime-proportional-to-character-development-so-often) and another about [what makes the death of a character",
"whether we should let a character die, or whether some other (positive or",
"If you consider answering this question, please keep in mind that we are",
"should a writer kill their protagonist off? Inspired by a question about [character",
"should let a character die, or whether some other (positive or negative) outcome",
"in literature, but about guidelines and conventions that might help us decide whether",
"[what makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I have",
"that might help us decide whether we should let a character die, or",
"story I might be writing that would tell me whether my protagonist needs",
"might be writing that would tell me whether my protagonist needs to die",
"a story I might be writing that would tell me whether my protagonist",
"is not about how we might interpret the death of a character in",
"consider answering this question, please keep in mind that we are Writing.SE. This",
"let a character die, or whether some other (positive or negative) outcome is",
"we should let a character die, or whether some other (positive or negative)",
"about [what makes the death of a character satisfying](https://writing.stackexchange.com/questions/18945/what-makes-the-death-of-a-character-satisfying) for the reader, I",
"begun to wonder whether there are clues inherent to a story I might",
"about guidelines and conventions that might help us decide whether we should let"
] |
[
"paragon of good) is working her own proxy games to halt the machinations",
"A bit more information. The first branch has the chief protagonist who, at",
"their own branch based on the actions of the other branches, but ultimately",
"are three plot branches. These aren't subplots, but rather interconnected plots with their",
"the \"bad guy\" in the third branch, who has wronged the chief antagonist.",
"to accomplish so I don't have fluff subplots, or character interactions that neither",
"the very end all three converge in the climax. In the beginning characters",
"scene is meant to produce a certain feel and add to either the",
"feel and add to either the plot or help define characters, events, or",
"that count. It should also be pointed out that no one is actually",
"also be pointed out that no one is actually evil, and everyone is",
"the branches come into conflict with each other, however each branch has its",
"a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm doing falls into either",
"branches and found [Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure",
"but ultimately aren't interacting directly outside their own branch. The way I'm structuring",
"The second has the chief antagonist and the ultimate objective of the protagonist",
"ultimate objective of the protagonist (though the protagonist doesn't know it). However, the",
"\"Am I making the same mistake?\" If so I'd rather fix it soon",
"My Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am I making the same mistake?\"",
"against the \"bad guy\" in the third branch, who has wronged the chief",
"(who is actually introduced as a paragon of good) is working her own",
"three come into conflict with each other until at the very end all",
"scenes, chapters, and arcs I explicitly write out what each are suppose to",
"villainous sort (who is actually introduced as a paragon of good) is working",
"own branch. The way I'm structuring this is by giving each branch a",
"branch a collection of chapters that form into an arc before moving on",
"third branch, who has wronged the chief antagonist. This second villainous sort (who",
"arc before moving on to another branch. When outlining scenes, chapters, and arcs",
"doing falls into either of these, but I thought it would be good",
"about actualizing their vision of how things should be leads to some very",
"based on the actions of the other branches, but ultimately aren't interacting directly",
"be good to check. In one of the stories I'm working on (I'm",
"no one is actually evil, and everyone is motivated by love, but the",
"moving on to another branch. When outlining scenes, chapters, and arcs I explicitly",
"and add to either the plot or help define characters, events, or settings",
"characterization. Every scene is meant to produce a certain feel and add to",
"an arc before moving on to another branch. When outlining scenes, chapters, and",
"her own proxy games to halt the machinations of the chief antagonist. The",
"second branchs have two MCs each, and the third has one. The protagonist",
"for multiple plot branches and found [Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133).",
"I'm doing falls into either of these, but I thought it would be",
"that neither advance the story, nor advance a characterization. Every scene is meant",
"with each other until at the very end all three converge in the",
"is distinct in tone, and the source of the conflict. P.P.S. A bit",
"but the way they go about actualizing their vision of how things should",
"protagonist who, at first appearance is on a cliche fantasy quest. The second",
"interactions that neither advance the story, nor advance a characterization. Every scene is",
"these, but I thought it would be good to check. In one of",
"story, nor advance a characterization. Every scene is meant to produce a certain",
"interconnected plots with their own casts working towards their own ends. As the",
"explicitly write out what each are suppose to accomplish so I don't have",
"multiple plot branches and found [Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm",
"antagonist. This second villainous sort (who is actually introduced as a paragon of",
"so I'd rather fix it soon than later. I then did a search",
"actually evil, and everyone is motivated by love, but the way they go",
"is on a cliche fantasy quest. The second has the chief antagonist and",
"antagonist, isn't actually in conflict with protagonist but rather using her as an",
"then did a search for multiple plot branches and found [Are subplots necessary",
"cliche fantasy quest. The second has the chief antagonist and the ultimate objective",
"two MCs each, and the third has one. The protagonist is included in",
"falls into either of these, but I thought it would be good to",
"appearance is on a cliche fantasy quest. The second has the chief antagonist",
"rather interconnected plots with their own casts working towards their own ends. As",
"other, however each branch has its own internal conflict as well. Also, each",
"on a cliche fantasy quest. The second has the chief antagonist and the",
"at the very end all three converge in the climax. In the beginning",
"MCs each, and the third has one. The protagonist is included in that",
"aren't subplots, but rather interconnected plots with their own casts working towards their",
"wronged the chief antagonist. This second villainous sort (who is actually introduced as",
"the ultimate objective of the protagonist (though the protagonist doesn't know it). However,",
"of good) is working her own proxy games to halt the machinations of",
"information. The first branch has the chief protagonist who, at first appearance is",
"the way they go about actualizing their vision of how things should be",
"everyone is motivated by love, but the way they go about actualizing their",
"the stories I'm working on (I'm terrible at focusing on one thing) there",
"motivated by love, but the way they go about actualizing their vision of",
"on the actions of the other branches, but ultimately aren't interacting directly outside",
"did a search for multiple plot branches and found [Are subplots necessary for",
"bit more information. The first branch has the chief protagonist who, at first",
"define characters, events, or settings (showing instead of telling). My question is then",
"internal conflict as well. Also, each branch is distinct in tone, and the",
"suppose to accomplish so I don't have fluff subplots, or character interactions that",
"have fluff subplots, or character interactions that neither advance the story, nor advance",
"and everyone is motivated by love, but the way they go about actualizing",
"on to another branch. When outlining scenes, chapters, and arcs I explicitly write",
"proxy against the \"bad guy\" in the third branch, who has wronged the",
"is then \"is this okay?\" P.S. I mention that the branches come into",
"The protagonist is included in that count. It should also be pointed out",
"rather fix it soon than later. I then did a search for multiple",
"should also be pointed out that no one is actually evil, and everyone",
"converge in the climax. In the beginning characters are reacting within their own",
"other branches, but ultimately aren't interacting directly outside their own branch. The way",
"included in that count. It should also be pointed out that no one",
"in the third branch, who has wronged the chief antagonist. This second villainous",
"add to either the plot or help define characters, events, or settings (showing",
"search for multiple plot branches and found [Are subplots necessary for a successful",
"to either the plot or help define characters, events, or settings (showing instead",
"branches. These aren't subplots, but rather interconnected plots with their own casts working",
"and the third has one. The protagonist is included in that count. It",
"a certain feel and add to either the plot or help define characters,",
"soon than later. I then did a search for multiple plot branches and",
"into either of these, but I thought it would be good to check.",
"branch is distinct in tone, and the source of the conflict. P.P.S. A",
"found [Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what",
"protagonist but rather using her as an unwitting proxy against the \"bad guy\"",
"the chief antagonist, isn't actually in conflict with protagonist but rather using her",
"the other branches, but ultimately aren't interacting directly outside their own branch. The",
"so I don't have fluff subplots, or character interactions that neither advance the",
"conflict with each other, however each branch has its own internal conflict as",
"of the protagonist (though the protagonist doesn't know it). However, the the chief",
"well. Also, each branch is distinct in tone, and the source of the",
"ultimately aren't interacting directly outside their own branch. The way I'm structuring this",
"the story progresses the three come into conflict with each other until at",
"the same mistake?\" If so I'd rather fix it soon than later. I",
"at focusing on one thing) there are three plot branches. These aren't subplots,",
"advance the story, nor advance a characterization. Every scene is meant to produce",
"then \"is this okay?\" P.S. I mention that the branches come into conflict",
"The first and second branchs have two MCs each, and the third has",
"games to halt the machinations of the chief antagonist. The first and second",
"The way I'm structuring this is by giving each branch a collection of",
"good to check. In one of the stories I'm working on (I'm terrible",
"directly outside their own branch. The way I'm structuring this is by giving",
"telling). My question is then \"is this okay?\" P.S. I mention that the",
"reacting within their own branch based on the actions of the other branches,",
"plot branches. These aren't subplots, but rather interconnected plots with their own casts",
"the machinations of the chief antagonist. The first and second branchs have two",
"has wronged the chief antagonist. This second villainous sort (who is actually introduced",
"the chief antagonist. This second villainous sort (who is actually introduced as a",
"guy\" in the third branch, who has wronged the chief antagonist. This second",
"second has the chief antagonist and the ultimate objective of the protagonist (though",
"outside their own branch. The way I'm structuring this is by giving each",
"stories I'm working on (I'm terrible at focusing on one thing) there are",
"thing) there are three plot branches. These aren't subplots, but rather interconnected plots",
"chief antagonist and the ultimate objective of the protagonist (though the protagonist doesn't",
"antagonist and the ultimate objective of the protagonist (though the protagonist doesn't know",
"another branch. When outlining scenes, chapters, and arcs I explicitly write out what",
"to check. In one of the stories I'm working on (I'm terrible at",
"Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am I making the same mistake?\" If",
"I'd rather fix it soon than later. I then did a search for",
"the beginning characters are reacting within their own branch based on the actions",
"go about actualizing their vision of how things should be leads to some",
"the actions of the other branches, but ultimately aren't interacting directly outside their",
"sort (who is actually introduced as a paragon of good) is working her",
"the chief antagonist and the ultimate objective of the protagonist (though the protagonist",
"protagonist is included in that count. It should also be pointed out that",
"aren't interacting directly outside their own branch. The way I'm structuring this is",
"morning, and I thought \"Am I making the same mistake?\" If so I'd",
"conflict with protagonist but rather using her as an unwitting proxy against the",
"and arcs I explicitly write out what each are suppose to accomplish so",
"These aren't subplots, but rather interconnected plots with their own casts working towards",
"characters, events, or settings (showing instead of telling). My question is then \"is",
"branches, but ultimately aren't interacting directly outside their own branch. The way I'm",
"I don't have fluff subplots, or character interactions that neither advance the story,",
"it soon than later. I then did a search for multiple plot branches",
"end all three converge in the climax. In the beginning characters are reacting",
"is actually evil, and everyone is motivated by love, but the way they",
"branch has the chief protagonist who, at first appearance is on a cliche",
"own internal conflict as well. Also, each branch is distinct in tone, and",
"either of these, but I thought it would be good to check. In",
"subplots, but rather interconnected plots with their own casts working towards their own",
"P.S. I mention that the branches come into conflict with each other, however",
"to another branch. When outlining scenes, chapters, and arcs I explicitly write out",
"branch, who has wronged the chief antagonist. This second villainous sort (who is",
"as a paragon of good) is working her own proxy games to halt",
"of the conflict. P.P.S. A bit more information. The first branch has the",
"have two MCs each, and the third has one. The protagonist is included",
"I thought \"Am I making the same mistake?\" If so I'd rather fix",
"actually introduced as a paragon of good) is working her own proxy games",
"as an unwitting proxy against the \"bad guy\" in the third branch, who",
"I making the same mistake?\" If so I'd rather fix it soon than",
"In one of the stories I'm working on (I'm terrible at focusing on",
"character interactions that neither advance the story, nor advance a characterization. Every scene",
"who has wronged the chief antagonist. This second villainous sort (who is actually",
"using her as an unwitting proxy against the \"bad guy\" in the third",
"advance a characterization. Every scene is meant to produce a certain feel and",
"necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm doing falls",
"her as an unwitting proxy against the \"bad guy\" in the third branch,",
"However, the the chief antagonist, isn't actually in conflict with protagonist but rather",
"a collection of chapters that form into an arc before moving on to",
"each other, however each branch has its own internal conflict as well. Also,",
"good) is working her own proxy games to halt the machinations of the",
"of the chief antagonist. The first and second branchs have two MCs each,",
"certain feel and add to either the plot or help define characters, events,",
"either the plot or help define characters, events, or settings (showing instead of",
"by love, but the way they go about actualizing their vision of how",
"own ends. As the story progresses the three come into conflict with each",
"produce a certain feel and add to either the plot or help define",
"this morning, and I thought \"Am I making the same mistake?\" If so",
"working towards their own ends. As the story progresses the three come into",
"are reacting within their own branch based on the actions of the other",
"in that count. It should also be pointed out that no one is",
"who, at first appearance is on a cliche fantasy quest. The second has",
"on (I'm terrible at focusing on one thing) there are three plot branches.",
"progresses the three come into conflict with each other until at the very",
"in the climax. In the beginning characters are reacting within their own branch",
"[Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm",
"come into conflict with each other until at the very end all three",
"and the ultimate objective of the protagonist (though the protagonist doesn't know it).",
"way I'm structuring this is by giving each branch a collection of chapters",
"their own casts working towards their own ends. As the story progresses the",
"actualizing their vision of how things should be leads to some very twisted",
"conflict with each other until at the very end all three converge in",
"doesn't know it). However, the the chief antagonist, isn't actually in conflict with",
"is included in that count. It should also be pointed out that no",
"three plot branches. These aren't subplots, but rather interconnected plots with their own",
"very end all three converge in the climax. In the beginning characters are",
"later. I then did a search for multiple plot branches and found [Are",
"is working her own proxy games to halt the machinations of the chief",
"form into an arc before moving on to another branch. When outlining scenes,",
"thought \"Am I making the same mistake?\" If so I'd rather fix it",
"the story, nor advance a characterization. Every scene is meant to produce a",
"protagonist (though the protagonist doesn't know it). However, the the chief antagonist, isn't",
"I thought it would be good to check. In one of the stories",
"at first appearance is on a cliche fantasy quest. The second has the",
"events, or settings (showing instead of telling). My question is then \"is this",
"collection of chapters that form into an arc before moving on to another",
"other until at the very end all three converge in the climax. In",
"come into conflict with each other, however each branch has its own internal",
"fix it soon than later. I then did a search for multiple plot",
"each branch a collection of chapters that form into an arc before moving",
"by giving each branch a collection of chapters that form into an arc",
"but rather interconnected plots with their own casts working towards their own ends.",
"to produce a certain feel and add to either the plot or help",
"but rather using her as an unwitting proxy against the \"bad guy\" in",
"I mention that the branches come into conflict with each other, however each",
"know it). However, the the chief antagonist, isn't actually in conflict with protagonist",
"making the same mistake?\" If so I'd rather fix it soon than later.",
"climax. In the beginning characters are reacting within their own branch based on",
"the climax. In the beginning characters are reacting within their own branch based",
"the third branch, who has wronged the chief antagonist. This second villainous sort",
"don't have fluff subplots, or character interactions that neither advance the story, nor",
"introduced as a paragon of good) is working her own proxy games to",
"protagonist doesn't know it). However, the the chief antagonist, isn't actually in conflict",
"My question is then \"is this okay?\" P.S. I mention that the branches",
"has one. The protagonist is included in that count. It should also be",
"is by giving each branch a collection of chapters that form into an",
"to halt the machinations of the chief antagonist. The first and second branchs",
"distinct in tone, and the source of the conflict. P.P.S. A bit more",
"instead of telling). My question is then \"is this okay?\" P.S. I mention",
"and I thought \"Am I making the same mistake?\" If so I'd rather",
"one thing) there are three plot branches. These aren't subplots, but rather interconnected",
"pointed out that no one is actually evil, and everyone is motivated by",
"third has one. The protagonist is included in that count. It should also",
"plot branches and found [Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not",
"\"is this okay?\" P.S. I mention that the branches come into conflict with",
"first appearance is on a cliche fantasy quest. The second has the chief",
"conflict. P.P.S. A bit more information. The first branch has the chief protagonist",
"unwitting proxy against the \"bad guy\" in the third branch, who has wronged",
"The first branch has the chief protagonist who, at first appearance is on",
"proxy games to halt the machinations of the chief antagonist. The first and",
"fluff subplots, or character interactions that neither advance the story, nor advance a",
"subplots, or character interactions that neither advance the story, nor advance a characterization.",
"an unwitting proxy against the \"bad guy\" in the third branch, who has",
"it). However, the the chief antagonist, isn't actually in conflict with protagonist but",
"that no one is actually evil, and everyone is motivated by love, but",
"the chief protagonist who, at first appearance is on a cliche fantasy quest.",
"ends. As the story progresses the three come into conflict with each other",
"working on (I'm terrible at focusing on one thing) there are three plot",
"not sure if what I'm doing falls into either of these, but I",
"nor advance a characterization. Every scene is meant to produce a certain feel",
"Plotting My Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am I making the same",
"beginning characters are reacting within their own branch based on the actions of",
"branch has its own internal conflict as well. Also, each branch is distinct",
"one is actually evil, and everyone is motivated by love, but the way",
"halt the machinations of the chief antagonist. The first and second branchs have",
"story progresses the three come into conflict with each other until at the",
"each branch has its own internal conflict as well. Also, each branch is",
"has the chief antagonist and the ultimate objective of the protagonist (though the",
"subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm doing",
"each other until at the very end all three converge in the climax.",
"each, and the third has one. The protagonist is included in that count.",
"or help define characters, events, or settings (showing instead of telling). My question",
"mistake?\" If so I'd rather fix it soon than later. I then did",
"okay?\" P.S. I mention that the branches come into conflict with each other,",
"focusing on one thing) there are three plot branches. These aren't subplots, but",
"each are suppose to accomplish so I don't have fluff subplots, or character",
"three converge in the climax. In the beginning characters are reacting within their",
"the protagonist doesn't know it). However, the the chief antagonist, isn't actually in",
"branchs have two MCs each, and the third has one. The protagonist is",
"their vision of how things should be leads to some very twisted events.",
"on one thing) there are three plot branches. These aren't subplots, but rather",
"the source of the conflict. P.P.S. A bit more information. The first branch",
"that the branches come into conflict with each other, however each branch has",
"I then did a search for multiple plot branches and found [Are subplots",
"source of the conflict. P.P.S. A bit more information. The first branch has",
"chief antagonist, isn't actually in conflict with protagonist but rather using her as",
"is actually introduced as a paragon of good) is working her own proxy",
"I explicitly write out what each are suppose to accomplish so I don't",
"it would be good to check. In one of the stories I'm working",
"branches come into conflict with each other, however each branch has its own",
"help define characters, events, or settings (showing instead of telling). My question is",
"a cliche fantasy quest. The second has the chief antagonist and the ultimate",
"are suppose to accomplish so I don't have fluff subplots, or character interactions",
"plot or help define characters, events, or settings (showing instead of telling). My",
"(though the protagonist doesn't know it). However, the the chief antagonist, isn't actually",
"into conflict with each other until at the very end all three converge",
"out that no one is actually evil, and everyone is motivated by love,",
"actually in conflict with protagonist but rather using her as an unwitting proxy",
"In the beginning characters are reacting within their own branch based on the",
"plots with their own casts working towards their own ends. As the story",
"towards their own ends. As the story progresses the three come into conflict",
"with protagonist but rather using her as an unwitting proxy against the \"bad",
"as well. Also, each branch is distinct in tone, and the source of",
"be pointed out that no one is actually evil, and everyone is motivated",
"or settings (showing instead of telling). My question is then \"is this okay?\"",
"accomplish so I don't have fluff subplots, or character interactions that neither advance",
"there are three plot branches. These aren't subplots, but rather interconnected plots with",
"Also, each branch is distinct in tone, and the source of the conflict.",
"in tone, and the source of the conflict. P.P.S. A bit more information.",
"I'm not sure if what I'm doing falls into either of these, but",
"rather using her as an unwitting proxy against the \"bad guy\" in the",
"story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm doing falls into either of these,",
"chapters that form into an arc before moving on to another branch. When",
"write out what each are suppose to accomplish so I don't have fluff",
"same mistake?\" If so I'd rather fix it soon than later. I then",
"the protagonist (though the protagonist doesn't know it). However, the the chief antagonist,",
"objective of the protagonist (though the protagonist doesn't know it). However, the the",
"[Over Plotting My Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am I making the",
"first and second branchs have two MCs each, and the third has one.",
"interacting directly outside their own branch. The way I'm structuring this is by",
"neither advance the story, nor advance a characterization. Every scene is meant to",
"I'm working on (I'm terrible at focusing on one thing) there are three",
"count. It should also be pointed out that no one is actually evil,",
"one of the stories I'm working on (I'm terrible at focusing on one",
"giving each branch a collection of chapters that form into an arc before",
"question is then \"is this okay?\" P.S. I mention that the branches come",
"of these, but I thought it would be good to check. In one",
"of the stories I'm working on (I'm terrible at focusing on one thing)",
"So I saw [Over Plotting My Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am",
"the chief antagonist. The first and second branchs have two MCs each, and",
"structuring this is by giving each branch a collection of chapters that form",
"of chapters that form into an arc before moving on to another branch.",
"If so I'd rather fix it soon than later. I then did a",
"of the other branches, but ultimately aren't interacting directly outside their own branch.",
"mention that the branches come into conflict with each other, however each branch",
"P.P.S. A bit more information. The first branch has the chief protagonist who,",
"chapters, and arcs I explicitly write out what each are suppose to accomplish",
"way they go about actualizing their vision of how things should be leads",
"terrible at focusing on one thing) there are three plot branches. These aren't",
"the conflict. P.P.S. A bit more information. The first branch has the chief",
"conflict as well. Also, each branch is distinct in tone, and the source",
"This second villainous sort (who is actually introduced as a paragon of good)",
"this is by giving each branch a collection of chapters that form into",
"is motivated by love, but the way they go about actualizing their vision",
"love, but the way they go about actualizing their vision of how things",
"\"bad guy\" in the third branch, who has wronged the chief antagonist. This",
"branch. When outlining scenes, chapters, and arcs I explicitly write out what each",
"has its own internal conflict as well. Also, each branch is distinct in",
"meant to produce a certain feel and add to either the plot or",
"each branch is distinct in tone, and the source of the conflict. P.P.S.",
"in conflict with protagonist but rather using her as an unwitting proxy against",
"I'm structuring this is by giving each branch a collection of chapters that",
"antagonist. The first and second branchs have two MCs each, and the third",
"isn't actually in conflict with protagonist but rather using her as an unwitting",
"of telling). My question is then \"is this okay?\" P.S. I mention that",
"(I'm terrible at focusing on one thing) there are three plot branches. These",
"outlining scenes, chapters, and arcs I explicitly write out what each are suppose",
"saw [Over Plotting My Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am I making",
"quest. The second has the chief antagonist and the ultimate objective of the",
"before moving on to another branch. When outlining scenes, chapters, and arcs I",
"with their own casts working towards their own ends. As the story progresses",
"machinations of the chief antagonist. The first and second branchs have two MCs",
"would be good to check. In one of the stories I'm working on",
"with each other, however each branch has its own internal conflict as well.",
"and found [Are subplots necessary for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if",
"its own internal conflict as well. Also, each branch is distinct in tone,",
"but I thought it would be good to check. In one of the",
"if what I'm doing falls into either of these, but I thought it",
"branch. The way I'm structuring this is by giving each branch a collection",
"the three come into conflict with each other until at the very end",
"thought it would be good to check. In one of the stories I'm",
"their own ends. As the story progresses the three come into conflict with",
"It should also be pointed out that no one is actually evil, and",
"a characterization. Every scene is meant to produce a certain feel and add",
"the third has one. The protagonist is included in that count. It should",
"first branch has the chief protagonist who, at first appearance is on a",
"casts working towards their own ends. As the story progresses the three come",
"own branch based on the actions of the other branches, but ultimately aren't",
"a paragon of good) is working her own proxy games to halt the",
"that form into an arc before moving on to another branch. When outlining",
"this okay?\" P.S. I mention that the branches come into conflict with each",
"the the chief antagonist, isn't actually in conflict with protagonist but rather using",
"tone, and the source of the conflict. P.P.S. A bit more information. The",
"Every scene is meant to produce a certain feel and add to either",
"what each are suppose to accomplish so I don't have fluff subplots, or",
"evil, and everyone is motivated by love, but the way they go about",
"than later. I then did a search for multiple plot branches and found",
"or character interactions that neither advance the story, nor advance a characterization. Every",
"within their own branch based on the actions of the other branches, but",
"own proxy games to halt the machinations of the chief antagonist. The first",
"and second branchs have two MCs each, and the third has one. The",
"fantasy quest. The second has the chief antagonist and the ultimate objective of",
"As the story progresses the three come into conflict with each other until",
"all three converge in the climax. In the beginning characters are reacting within",
"own casts working towards their own ends. As the story progresses the three",
"chief antagonist. The first and second branchs have two MCs each, and the",
"is meant to produce a certain feel and add to either the plot",
"check. In one of the stories I'm working on (I'm terrible at focusing",
"what I'm doing falls into either of these, but I thought it would",
"sure if what I'm doing falls into either of these, but I thought",
"into conflict with each other, however each branch has its own internal conflict",
"actions of the other branches, but ultimately aren't interacting directly outside their own",
"and the source of the conflict. P.P.S. A bit more information. The first",
"one. The protagonist is included in that count. It should also be pointed",
"however each branch has its own internal conflict as well. Also, each branch",
"(showing instead of telling). My question is then \"is this okay?\" P.S. I",
"When outlining scenes, chapters, and arcs I explicitly write out what each are",
"their own branch. The way I'm structuring this is by giving each branch",
"chief antagonist. This second villainous sort (who is actually introduced as a paragon",
"out what each are suppose to accomplish so I don't have fluff subplots,",
"I saw [Over Plotting My Story](https://writing.stackexchange.com/questions/35874/over-plotting-my-story) this morning, and I thought \"Am I",
"working her own proxy games to halt the machinations of the chief antagonist.",
"characters are reacting within their own branch based on the actions of the",
"the plot or help define characters, events, or settings (showing instead of telling).",
"for a successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm doing falls into",
"branch based on the actions of the other branches, but ultimately aren't interacting",
"has the chief protagonist who, at first appearance is on a cliche fantasy",
"they go about actualizing their vision of how things should be leads to",
"second villainous sort (who is actually introduced as a paragon of good) is",
"until at the very end all three converge in the climax. In the",
"more information. The first branch has the chief protagonist who, at first appearance",
"a search for multiple plot branches and found [Are subplots necessary for a",
"into an arc before moving on to another branch. When outlining scenes, chapters,",
"settings (showing instead of telling). My question is then \"is this okay?\" P.S.",
"arcs I explicitly write out what each are suppose to accomplish so I",
"chief protagonist who, at first appearance is on a cliche fantasy quest. The",
"successful story?](https://writing.stackexchange.com/questions/26092/are-subplots-necessary-for-a-successful-story/26133#26133). I'm not sure if what I'm doing falls into either of"
] |
[
"syllables? **What would be criteria that make a name difficult for readers? Multiple",
"question so I thought I'd post here. A general idea of what my",
"images after 15 minutes of scrolling through pictures. It's kind of close enough.",
"particular question so I thought I'd post here. A general idea of what",
"looks like and does for a living: Image does not belong to me.",
"minutes of scrolling through pictures. It's kind of close enough. ",
"criteria that make a name difficult for readers? Multiple first names, apostrophes in",
"belong to me. It was found on google images after 15 minutes of",
"Everstar Luxanna * Nu'nah Lucia Luinir * Lumii Luxann * Lu'mii Luxe *",
"Or would that be terrible writing to put an apostrophe in there to",
"readers? Multiple first names, apostrophes in the middle of the name, amount of",
"latin, and possibly gaelic names for the book. Here's what I got. *",
"to easily break the name up into 2 syllables? **What would be criteria",
"using roman and latin, and possibly gaelic names for the book. Here's what",
"in there to easily break the name up into 2 syllables? **What would",
"* Nyuna Everstar Luxanna * Nu'nah Lucia Luinir * Lumii Luxann * Lu'mii",
"of the name, amount of syllables, ...? The above are examples of bizarre",
"the name Nyuna. (Pronounced Nuu-Nah) * Her full name (maybe): Nu'nah Lux *",
"of bizarre names I have thought about that I am unsure of.** Online",
"![This is what she looks like, except she glows a lot more and",
"got. * I really like the name Nyuna. (Pronounced Nuu-Nah) * Her full",
"me. It was found on google images after 15 minutes of scrolling through",
"what she looks like, except she glows a lot more and changes colors",
"would that be terrible writing to put an apostrophe in there to easily",
"through pictures. It's kind of close enough. ![This is what she looks like,",
"question. My question is: **What criteria would make a name hard for readers",
"**What would be criteria that make a name difficult for readers? Multiple first",
"unsure of.** Online sources aren't being helpful with this particular question so I",
"Nyuna Everstar Luxanna * Nu'nah Lucia Luinir * Lumii Luxann * Lu'mii Luxe",
"(Pronounced Nuu-Nah) * Her full name (maybe): Nu'nah Lux * Nyu to her",
"be criteria that make a name difficult for readers? Multiple first names, apostrophes",
"does for a living: Image does not belong to me. It was found",
"scrolling through pictures. It's kind of close enough. ![This is what she looks",
"pictures. It's kind of close enough. ![This is what she looks like, except",
"full name (maybe): Nu'nah Lux * Nyu to her friends. * Little One",
"to her friends. * Little One is her pet name. Others I have...",
"above are examples of bizarre names I have thought about that I am",
"in general but I will be focusing on my MC for the example",
"with this particular question so I thought I'd post here. A general idea",
"Lux * Nyu to her friends. * Little One is her pet name.",
"Lumii Luxann * Lu'mii Luxe * Reina Celestios * Nu'nah Lux Or would",
"of close enough. ![This is what she looks like, except she glows a",
"Nu'nah Lucia Luinir * Lumii Luxann * Lu'mii Luxe * Reina Celestios *",
"syllables, ...? The above are examples of bizarre names I have thought about",
"* Lu'mii Luxe * Reina Celestios * Nu'nah Lux Or would that be",
"but I will be focusing on my MC for the example of this",
"what I got. * I really like the name Nyuna. (Pronounced Nuu-Nah) *",
"and latin, and possibly gaelic names for the book. Here's what I got.",
"of this question. My question is: **What criteria would make a name hard",
"the book. Here's what I got. * I really like the name Nyuna.",
"One is her pet name. Others I have... * Nyuna Everstar Luxanna *",
"I will be focusing on my MC for the example of this question.",
"**What criteria would make a name hard for readers to read?** I'm thinking",
"readers to read?** I'm thinking of using roman and latin, and possibly gaelic",
"focusing on my MC for the example of this question. My question is:",
"enough. ![This is what she looks like, except she glows a lot more",
"a name difficult for readers? Multiple first names, apostrophes in the middle of",
"of syllables, ...? The above are examples of bizarre names I have thought",
"name Nyuna. (Pronounced Nuu-Nah) * Her full name (maybe): Nu'nah Lux * Nyu",
"* Reina Celestios * Nu'nah Lux Or would that be terrible writing to",
"* Nyu to her friends. * Little One is her pet name. Others",
"thinking of using roman and latin, and possibly gaelic names for the book.",
"of what my main character looks like and does for a living: Image",
"My question is: **What criteria would make a name hard for readers to",
"15 minutes of scrolling through pictures. It's kind of close enough. ![This is",
"for my main character and characters in general but I will be focusing"
] |
[
"me, as it makes the world seem lacking of variance. I also don't",
"them feel out of place for the time and location of the story.",
"following the same culture and customs. Thing is, this doesn't fall right with",
"how the \"more diverse\" characters get written. I'm setting an outline for a",
"This is not quite the same question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not",
"bare-bones, so I'm still coming up with characters and plots. However, after some",
"variance. I also don't want for it to feel like I'm against diversity",
"conscious effort not to include characters of specific categories for the sake of",
"to not tokenize them or make them feel out of place for the",
"to represent more cultures/minorities/ethnicity. It's also not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955)",
"Likewise, I'm making a conscious effort not to include characters of specific categories",
"any kind. Likewise, I'm making a conscious effort not to include characters of",
"of any kind. Likewise, I'm making a conscious effort not to include characters",
"It's very, very bare-bones, so I'm still coming up with characters and plots.",
"origin place, following the same culture and customs. Thing is, this doesn't fall",
"not quite the same question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention",
"will be of the same race, sexual orientation, religion and origin place, following",
"seem lacking of variance. I also don't want for it to feel like",
"sake of diversity exclusively, as to not tokenize them or make them feel",
"not tokenize them or make them feel out of place for the time",
"or make them feel out of place for the time and location of",
"the story. **How can I include diverse characters in a story with a",
"outline for a story I came up with. It's very, very bare-bones, so",
"focus too much on diversity for my story, nor am I struggling with",
"specific categories for the sake of diversity exclusively, as to not tokenize them",
"so I'm still coming up with characters and plots. However, after some thinking",
"most of the characters will be of the same race, sexual orientation, religion",
"exclusively, as to not tokenize them or make them feel out of place",
"I'm still coming up with characters and plots. However, after some thinking I",
"and location of the story. **How can I include diverse characters in a",
"an outline for a story I came up with. It's very, very bare-bones,",
"get written. I'm setting an outline for a story I came up with.",
"It's also not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't",
"lacking of variance. I also don't want for it to feel like I'm",
"the same culture and customs. Thing is, this doesn't fall right with me,",
"a conscious effort not to include characters of specific categories for the sake",
"as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how the \"more diverse\" characters",
"place for the time and location of the story. **How can I include",
"and origin place, following the same culture and customs. Thing is, this doesn't",
"for a story I came up with. It's very, very bare-bones, so I'm",
"I struggling with new ways to represent more cultures/minorities/ethnicity. It's also not quite",
"is, this doesn't fall right with me, as it makes the world seem",
"on diversity for my story, nor am I struggling with new ways to",
"However, after some thinking I realized that, given the time and place the",
"to include characters of specific categories for the sake of diversity exclusively, as",
"with how the \"more diverse\" characters get written. I'm setting an outline for",
"struggling with new ways to represent more cultures/minorities/ethnicity. It's also not quite the",
"with characters and plots. However, after some thinking I realized that, given the",
"include characters of specific categories for the sake of diversity exclusively, as to",
"of diversity exclusively, as to not tokenize them or make them feel out",
"the sake of diversity exclusively, as to not tokenize them or make them",
"some thinking I realized that, given the time and place the story takes",
"world seem lacking of variance. I also don't want for it to feel",
"of specific categories for the sake of diversity exclusively, as to not tokenize",
"represent more cultures/minorities/ethnicity. It's also not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because",
"want for it to feel like I'm against diversity of any kind. Likewise,",
"orientation, religion and origin place, following the same culture and customs. Thing is,",
"unfavorable for them, without making them feel out of place or serving as",
"I'm setting an outline for a story I came up with. It's very,",
"same culture and customs. Thing is, this doesn't fall right with me, as",
"I also don't want for it to feel like I'm against diversity of",
"same race, sexual orientation, religion and origin place, following the same culture and",
"culture and customs. Thing is, this doesn't fall right with me, as it",
"making a conscious effort not to include characters of specific categories for the",
"kind. Likewise, I'm making a conscious effort not to include characters of specific",
"more cultures/minorities/ethnicity. It's also not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my",
"the characters. By that I mean most of the characters will be of",
"include diverse characters in a story with a setting unfavorable for them, without",
"diversity for my story, nor am I struggling with new ways to represent",
"for it to feel like I'm against diversity of any kind. Likewise, I'm",
"setting unfavorable for them, without making them feel out of place or serving",
"as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to focus too much on",
"I'm making a conscious effort not to include characters of specific categories for",
"because it's not my intention to focus too much on diversity for my",
"coming up with characters and plots. However, after some thinking I realized that,",
"religion and origin place, following the same culture and customs. Thing is, this",
"no diversity between the characters. By that I mean most of the characters",
"mean most of the characters will be of the same race, sexual orientation,",
"story takes place in, there will be little to no diversity between the",
"also not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with",
"to feel like I'm against diversity of any kind. Likewise, I'm making a",
"cultures/minorities/ethnicity. It's also not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern",
"the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how the \"more",
"of variance. I also don't want for it to feel like I'm against",
"characters get written. I'm setting an outline for a story I came up",
"and place the story takes place in, there will be little to no",
"concern isn't with how the \"more diverse\" characters get written. I'm setting an",
"characters in a story with a setting unfavorable for them, without making them",
"that I mean most of the characters will be of the same race,",
"out of place for the time and location of the story. **How can",
"is not quite the same question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my",
"will be little to no diversity between the characters. By that I mean",
"setting an outline for a story I came up with. It's very, very",
"diversity of any kind. Likewise, I'm making a conscious effort not to include",
"\"more diverse\" characters get written. I'm setting an outline for a story I",
"can I include diverse characters in a story with a setting unfavorable for",
"new ways to represent more cultures/minorities/ethnicity. It's also not quite the same as",
"after some thinking I realized that, given the time and place the story",
"don't want for it to feel like I'm against diversity of any kind.",
"too much on diversity for my story, nor am I struggling with new",
"very bare-bones, so I'm still coming up with characters and plots. However, after",
"for my story, nor am I struggling with new ways to represent more",
"it to feel like I'm against diversity of any kind. Likewise, I'm making",
"with. It's very, very bare-bones, so I'm still coming up with characters and",
"came up with. It's very, very bare-bones, so I'm still coming up with",
"a story with a setting unfavorable for them, without making them feel out",
"effort not to include characters of specific categories for the sake of diversity",
"also don't want for it to feel like I'm against diversity of any",
"ways to represent more cultures/minorities/ethnicity. It's also not quite the same as [Avoiding",
"characters of specific categories for the sake of diversity exclusively, as to not",
"[Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to focus too much on diversity",
"between the characters. By that I mean most of the characters will be",
"fall right with me, as it makes the world seem lacking of variance.",
"quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how the",
"[Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how the \"more diverse\" characters get",
"characters will be of the same race, sexual orientation, religion and origin place,",
"realized that, given the time and place the story takes place in, there",
"makes the world seem lacking of variance. I also don't want for it",
"characters and plots. However, after some thinking I realized that, given the time",
"my intention to focus too much on diversity for my story, nor am",
"sexual orientation, religion and origin place, following the same culture and customs. Thing",
"story I came up with. It's very, very bare-bones, so I'm still coming",
"I came up with. It's very, very bare-bones, so I'm still coming up",
"categories for the sake of diversity exclusively, as to not tokenize them or",
"of the story. **How can I include diverse characters in a story with",
"the same question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to focus",
"the characters will be of the same race, sexual orientation, religion and origin",
"customs. Thing is, this doesn't fall right with me, as it makes the",
"very, very bare-bones, so I'm still coming up with characters and plots. However,",
"the story takes place in, there will be little to no diversity between",
"the time and location of the story. **How can I include diverse characters",
"place the story takes place in, there will be little to no diversity",
"be little to no diversity between the characters. By that I mean most",
"there will be little to no diversity between the characters. By that I",
"place, following the same culture and customs. Thing is, this doesn't fall right",
"feel like I'm against diversity of any kind. Likewise, I'm making a conscious",
"to focus too much on diversity for my story, nor am I struggling",
"takes place in, there will be little to no diversity between the characters.",
"I realized that, given the time and place the story takes place in,",
"story with a setting unfavorable for them, without making them feel out of",
"**How can I include diverse characters in a story with a setting unfavorable",
"the \"more diverse\" characters get written. I'm setting an outline for a story",
"like I'm against diversity of any kind. Likewise, I'm making a conscious effort",
"with me, as it makes the world seem lacking of variance. I also",
"of the characters will be of the same race, sexual orientation, religion and",
"a setting unfavorable for them, without making them feel out of place or",
"diverse\" characters get written. I'm setting an outline for a story I came",
"diverse characters in a story with a setting unfavorable for them, without making",
"them or make them feel out of place for the time and location",
"place in, there will be little to no diversity between the characters. By",
"feel out of place for the time and location of the story. **How",
"little to no diversity between the characters. By that I mean most of",
"diversity exclusively, as to not tokenize them or make them feel out of",
"that, given the time and place the story takes place in, there will",
"characters. By that I mean most of the characters will be of the",
"the world seem lacking of variance. I also don't want for it to",
"question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to focus too much",
"still coming up with characters and plots. However, after some thinking I realized",
"it's not my intention to focus too much on diversity for my story,",
"written. I'm setting an outline for a story I came up with. It's",
"in a story with a setting unfavorable for them, without making them feel",
"Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how the \"more diverse\" characters get written.",
"as it makes the world seem lacking of variance. I also don't want",
"I mean most of the characters will be of the same race, sexual",
"time and location of the story. **How can I include diverse characters in",
"up with. It's very, very bare-bones, so I'm still coming up with characters",
"Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to focus too much on diversity for",
"this doesn't fall right with me, as it makes the world seem lacking",
"up with characters and plots. However, after some thinking I realized that, given",
"for them, without making them feel out of place or serving as tokens?**",
"a story I came up with. It's very, very bare-bones, so I'm still",
"my story, nor am I struggling with new ways to represent more cultures/minorities/ethnicity.",
"the time and place the story takes place in, there will be little",
"thinking I realized that, given the time and place the story takes place",
"of the same race, sexual orientation, religion and origin place, following the same",
"isn't with how the \"more diverse\" characters get written. I'm setting an outline",
"same question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to focus too",
"as to not tokenize them or make them feel out of place for",
"plots. However, after some thinking I realized that, given the time and place",
"race, sexual orientation, religion and origin place, following the same culture and customs.",
"tokenize them or make them feel out of place for the time and",
"location of the story. **How can I include diverse characters in a story",
"for the time and location of the story. **How can I include diverse",
"make them feel out of place for the time and location of the",
"and plots. However, after some thinking I realized that, given the time and",
"By that I mean most of the characters will be of the same",
"nor am I struggling with new ways to represent more cultures/minorities/ethnicity. It's also",
"diversity between the characters. By that I mean most of the characters will",
"for the sake of diversity exclusively, as to not tokenize them or make",
"be of the same race, sexual orientation, religion and origin place, following the",
"intention to focus too much on diversity for my story, nor am I",
"because my concern isn't with how the \"more diverse\" characters get written. I'm",
"to no diversity between the characters. By that I mean most of the",
"am I struggling with new ways to represent more cultures/minorities/ethnicity. It's also not",
"same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how the \"more diverse\"",
"the same race, sexual orientation, religion and origin place, following the same culture",
"with new ways to represent more cultures/minorities/ethnicity. It's also not quite the same",
"my concern isn't with how the \"more diverse\" characters get written. I'm setting",
"and customs. Thing is, this doesn't fall right with me, as it makes",
"it makes the world seem lacking of variance. I also don't want for",
"with a setting unfavorable for them, without making them feel out of place",
"much on diversity for my story, nor am I struggling with new ways",
"I include diverse characters in a story with a setting unfavorable for them,",
"I'm against diversity of any kind. Likewise, I'm making a conscious effort not",
"not to include characters of specific categories for the sake of diversity exclusively,",
"story, nor am I struggling with new ways to represent more cultures/minorities/ethnicity. It's",
"quite the same question as [Writing Diversity](https://writing.stackexchange.com/q/33824/29955) because it's not my intention to",
"story. **How can I include diverse characters in a story with a setting",
"Thing is, this doesn't fall right with me, as it makes the world",
"of place for the time and location of the story. **How can I",
"not my intention to focus too much on diversity for my story, nor",
"not quite the same as [Avoiding Tokenism](https://writing.stackexchange.com/q/33813/29955) because my concern isn't with how",
"given the time and place the story takes place in, there will be",
"against diversity of any kind. Likewise, I'm making a conscious effort not to",
"doesn't fall right with me, as it makes the world seem lacking of",
"right with me, as it makes the world seem lacking of variance. I",
"in, there will be little to no diversity between the characters. By that",
"time and place the story takes place in, there will be little to"
] |
[
"a strange state where she is starting to EAT Ithac. 1. Ithac’s internal",
"of) antagonist The boy named Ithac is acting out in anger in front",
"child named Qoryii who deems revenge on Ithac for interfering, implied to be",
"lots of bug bites the next day. At school Debbie’s bites worsen, later",
"young love, which already has an unlikely (but not the first sort of)",
"against Ithac Debbie isn’t patient with Ithac after that,but she doesn’t give up",
"and Debbie has lots of bug bites the next day. At school Debbie’s",
"set in the year when The Iraq War started in 2003). Early in",
"Form (which is a reminiscent transformation for the dog in Stephen King’s Cujo)",
"(but not the first sort of) antagonist The boy named Ithac is acting",
"in Irwin’s Atonement) 3. Debbie’s Zombie Form (which is a reminiscent transformation for",
"The Iraq War started in 2003). Early in the story, Ithac lashes out",
"to a short-story about boy-meets-girl young love, which already has an unlikely (but",
"Ithac lashes out at a child named Qoryii who deems revenge on Ithac",
"At school Debbie’s bites worsen, later Qoryii finds her in a strange state",
"EAT Ithac. 1. Ithac’s internal struggle 2. Qoryii’s Grudge (The child who comes",
"it doesn’t seem to be realistic, a sudden zombie-outbreak in a love story.",
"when he feels better. One day she takes Ithac’s dog out with her,",
"1. Ithac’s internal struggle 2. Qoryii’s Grudge (The child who comes between a",
"to be realistic, a sudden zombie-outbreak in a love story. In any other",
"Early in the story, Ithac lashes out at a child named Qoryii who",
"in anger in front of Debbie, the girl, because his father is away",
"Debbie’s Zombie Form (which is a reminiscent transformation for the dog in Stephen",
"love story. In any other general story. Could I make the story great",
"out with her, the dog has fleas and Debbie has lots of bug",
"her, the dog has fleas and Debbie has lots of bug bites the",
"boy named Ithac is acting out in anger in front of Debbie, the",
"Cujo) So far it doesn’t seem to be realistic, a sudden zombie-outbreak in",
"is starting to EAT Ithac. 1. Ithac’s internal struggle 2. Qoryii’s Grudge (The",
"reminiscent transformation for the dog in Stephen King’s Cujo) So far it doesn’t",
"which already has an unlikely (but not the first sort of) antagonist The",
"antagonist The boy named Ithac is acting out in anger in front of",
"when The Iraq War started in 2003). Early in the story, Ithac lashes",
"realistic, a sudden zombie-outbreak in a love story. In any other general story.",
"strange state where she is starting to EAT Ithac. 1. Ithac’s internal struggle",
"he feels better. One day she takes Ithac’s dog out with her, the",
"2. Qoryii’s Grudge (The child who comes between a couple, like in Irwin’s",
"Ithac’s internal struggle 2. Qoryii’s Grudge (The child who comes between a couple,",
"she takes Ithac’s dog out with her, the dog has fleas and Debbie",
"Ithac after that,but she doesn’t give up on him, they still walk around",
"in front of Debbie, the girl, because his father is away fighting in",
"front of Debbie, the girl, because his father is away fighting in the",
"worsen, later Qoryii finds her in a strange state where she is starting",
"finds her in a strange state where she is starting to EAT Ithac.",
"zombie-outbreak in a love story. In any other general story. Could I make",
"in the Middle East (the story is set in the year when The",
"out at a child named Qoryii who deems revenge on Ithac for interfering,",
"her in a strange state where she is starting to EAT Ithac. 1.",
"acting out in anger in front of Debbie, the girl, because his father",
"is set in the year when The Iraq War started in 2003). Early",
"the year when The Iraq War started in 2003). Early in the story,",
"Qoryii who deems revenge on Ithac for interfering, implied to be a personal",
"is a reminiscent transformation for the dog in Stephen King’s Cujo) So far",
"(which is a reminiscent transformation for the dog in Stephen King’s Cujo) So",
"some dramatic ‘zombie-virus’ suspense to a short-story about boy-meets-girl young love, which already",
"(the story is set in the year when The Iraq War started in",
"Iraq War started in 2003). Early in the story, Ithac lashes out at",
"in a love story. In any other general story. Could I make the",
"One day she takes Ithac’s dog out with her, the dog has fleas",
"So far it doesn’t seem to be realistic, a sudden zombie-outbreak in a",
"Middle East (the story is set in the year when The Iraq War",
"(The child who comes between a couple, like in Irwin’s Atonement) 3. Debbie’s",
"him, they still walk around when he feels better. One day she takes",
"am trying to add some dramatic ‘zombie-virus’ suspense to a short-story about boy-meets-girl",
"state where she is starting to EAT Ithac. 1. Ithac’s internal struggle 2.",
"doesn’t give up on him, they still walk around when he feels better.",
"King’s Cujo) So far it doesn’t seem to be realistic, a sudden zombie-outbreak",
"named Ithac is acting out in anger in front of Debbie, the girl,",
"girl, because his father is away fighting in the Middle East (the story",
"started in 2003). Early in the story, Ithac lashes out at a child",
"hateful feeling against Ithac Debbie isn’t patient with Ithac after that,but she doesn’t",
"Ithac. 1. Ithac’s internal struggle 2. Qoryii’s Grudge (The child who comes between",
"who comes between a couple, like in Irwin’s Atonement) 3. Debbie’s Zombie Form",
"sort of) antagonist The boy named Ithac is acting out in anger in",
"transformation for the dog in Stephen King’s Cujo) So far it doesn’t seem",
"because his father is away fighting in the Middle East (the story is",
"walk around when he feels better. One day she takes Ithac’s dog out",
"named Qoryii who deems revenge on Ithac for interfering, implied to be a",
"better. One day she takes Ithac’s dog out with her, the dog has",
"takes Ithac’s dog out with her, the dog has fleas and Debbie has",
"In any other general story. Could I make the story great with these",
"has lots of bug bites the next day. At school Debbie’s bites worsen,",
"lashes out at a child named Qoryii who deems revenge on Ithac for",
"and hateful feeling against Ithac Debbie isn’t patient with Ithac after that,but she",
"for interfering, implied to be a personal and hateful feeling against Ithac Debbie",
"his father is away fighting in the Middle East (the story is set",
"Grudge (The child who comes between a couple, like in Irwin’s Atonement) 3.",
"love, which already has an unlikely (but not the first sort of) antagonist",
"add some dramatic ‘zombie-virus’ suspense to a short-story about boy-meets-girl young love, which",
"first sort of) antagonist The boy named Ithac is acting out in anger",
"patient with Ithac after that,but she doesn’t give up on him, they still",
"the next day. At school Debbie’s bites worsen, later Qoryii finds her in",
"Atonement) 3. Debbie’s Zombie Form (which is a reminiscent transformation for the dog",
"with her, the dog has fleas and Debbie has lots of bug bites",
"who deems revenge on Ithac for interfering, implied to be a personal and",
"far it doesn’t seem to be realistic, a sudden zombie-outbreak in a love",
"bug bites the next day. At school Debbie’s bites worsen, later Qoryii finds",
"unlikely (but not the first sort of) antagonist The boy named Ithac is",
"Debbie has lots of bug bites the next day. At school Debbie’s bites",
"already has an unlikely (but not the first sort of) antagonist The boy",
"suspense to a short-story about boy-meets-girl young love, which already has an unlikely",
"has fleas and Debbie has lots of bug bites the next day. At",
"school Debbie’s bites worsen, later Qoryii finds her in a strange state where",
"the Middle East (the story is set in the year when The Iraq",
"of Debbie, the girl, because his father is away fighting in the Middle",
"Qoryii finds her in a strange state where she is starting to EAT",
"the girl, because his father is away fighting in the Middle East (the",
"away fighting in the Middle East (the story is set in the year",
"a sudden zombie-outbreak in a love story. In any other general story. Could",
"deems revenge on Ithac for interfering, implied to be a personal and hateful",
"with Ithac after that,but she doesn’t give up on him, they still walk",
"boy-meets-girl young love, which already has an unlikely (but not the first sort",
"‘zombie-virus’ suspense to a short-story about boy-meets-girl young love, which already has an",
"be realistic, a sudden zombie-outbreak in a love story. In any other general",
"Irwin’s Atonement) 3. Debbie’s Zombie Form (which is a reminiscent transformation for the",
"Ithac for interfering, implied to be a personal and hateful feeling against Ithac",
"not the first sort of) antagonist The boy named Ithac is acting out",
"a couple, like in Irwin’s Atonement) 3. Debbie’s Zombie Form (which is a",
"is away fighting in the Middle East (the story is set in the",
"doesn’t seem to be realistic, a sudden zombie-outbreak in a love story. In",
"Ithac’s dog out with her, the dog has fleas and Debbie has lots",
"in a strange state where she is starting to EAT Ithac. 1. Ithac’s",
"other general story. Could I make the story great with these three elements?",
"Debbie isn’t patient with Ithac after that,but she doesn’t give up on him,",
"on him, they still walk around when he feels better. One day she",
"give up on him, they still walk around when he feels better. One",
"dog out with her, the dog has fleas and Debbie has lots of",
"War started in 2003). Early in the story, Ithac lashes out at a",
"for the dog in Stephen King’s Cujo) So far it doesn’t seem to",
"father is away fighting in the Middle East (the story is set in",
"Debbie, the girl, because his father is away fighting in the Middle East",
"the story, Ithac lashes out at a child named Qoryii who deems revenge",
"child who comes between a couple, like in Irwin’s Atonement) 3. Debbie’s Zombie",
"between a couple, like in Irwin’s Atonement) 3. Debbie’s Zombie Form (which is",
"year when The Iraq War started in 2003). Early in the story, Ithac",
"I am trying to add some dramatic ‘zombie-virus’ suspense to a short-story about",
"on Ithac for interfering, implied to be a personal and hateful feeling against",
"in the year when The Iraq War started in 2003). Early in the",
"isn’t patient with Ithac after that,but she doesn’t give up on him, they",
"fighting in the Middle East (the story is set in the year when",
"interfering, implied to be a personal and hateful feeling against Ithac Debbie isn’t",
"they still walk around when he feels better. One day she takes Ithac’s",
"still walk around when he feels better. One day she takes Ithac’s dog",
"a short-story about boy-meets-girl young love, which already has an unlikely (but not",
"implied to be a personal and hateful feeling against Ithac Debbie isn’t patient",
"Qoryii’s Grudge (The child who comes between a couple, like in Irwin’s Atonement)",
"3. Debbie’s Zombie Form (which is a reminiscent transformation for the dog in",
"later Qoryii finds her in a strange state where she is starting to",
"bites worsen, later Qoryii finds her in a strange state where she is",
"couple, like in Irwin’s Atonement) 3. Debbie’s Zombie Form (which is a reminiscent",
"anger in front of Debbie, the girl, because his father is away fighting",
"in the story, Ithac lashes out at a child named Qoryii who deems",
"internal struggle 2. Qoryii’s Grudge (The child who comes between a couple, like",
"fleas and Debbie has lots of bug bites the next day. At school",
"out in anger in front of Debbie, the girl, because his father is",
"The boy named Ithac is acting out in anger in front of Debbie,",
"about boy-meets-girl young love, which already has an unlikely (but not the first",
"like in Irwin’s Atonement) 3. Debbie’s Zombie Form (which is a reminiscent transformation",
"any other general story. Could I make the story great with these three",
"Stephen King’s Cujo) So far it doesn’t seem to be realistic, a sudden",
"short-story about boy-meets-girl young love, which already has an unlikely (but not the",
"has an unlikely (but not the first sort of) antagonist The boy named",
"Ithac Debbie isn’t patient with Ithac after that,but she doesn’t give up on",
"the dog has fleas and Debbie has lots of bug bites the next",
"comes between a couple, like in Irwin’s Atonement) 3. Debbie’s Zombie Form (which",
"around when he feels better. One day she takes Ithac’s dog out with",
"feels better. One day she takes Ithac’s dog out with her, the dog",
"in Stephen King’s Cujo) So far it doesn’t seem to be realistic, a",
"an unlikely (but not the first sort of) antagonist The boy named Ithac",
"a child named Qoryii who deems revenge on Ithac for interfering, implied to",
"starting to EAT Ithac. 1. Ithac’s internal struggle 2. Qoryii’s Grudge (The child",
"story, Ithac lashes out at a child named Qoryii who deems revenge on",
"be a personal and hateful feeling against Ithac Debbie isn’t patient with Ithac",
"Debbie’s bites worsen, later Qoryii finds her in a strange state where she",
"of bug bites the next day. At school Debbie’s bites worsen, later Qoryii",
"East (the story is set in the year when The Iraq War started",
"feeling against Ithac Debbie isn’t patient with Ithac after that,but she doesn’t give",
"Zombie Form (which is a reminiscent transformation for the dog in Stephen King’s",
"to EAT Ithac. 1. Ithac’s internal struggle 2. Qoryii’s Grudge (The child who",
"she is starting to EAT Ithac. 1. Ithac’s internal struggle 2. Qoryii’s Grudge",
"in 2003). Early in the story, Ithac lashes out at a child named",
"struggle 2. Qoryii’s Grudge (The child who comes between a couple, like in",
"dog in Stephen King’s Cujo) So far it doesn’t seem to be realistic,",
"sudden zombie-outbreak in a love story. In any other general story. Could I",
"dramatic ‘zombie-virus’ suspense to a short-story about boy-meets-girl young love, which already has",
"up on him, they still walk around when he feels better. One day",
"day she takes Ithac’s dog out with her, the dog has fleas and",
"seem to be realistic, a sudden zombie-outbreak in a love story. In any",
"dog has fleas and Debbie has lots of bug bites the next day.",
"is acting out in anger in front of Debbie, the girl, because his",
"day. At school Debbie’s bites worsen, later Qoryii finds her in a strange",
"next day. At school Debbie’s bites worsen, later Qoryii finds her in a",
"revenge on Ithac for interfering, implied to be a personal and hateful feeling",
"story. In any other general story. Could I make the story great with",
"story is set in the year when The Iraq War started in 2003).",
"to add some dramatic ‘zombie-virus’ suspense to a short-story about boy-meets-girl young love,",
"trying to add some dramatic ‘zombie-virus’ suspense to a short-story about boy-meets-girl young",
"2003). Early in the story, Ithac lashes out at a child named Qoryii",
"that,but she doesn’t give up on him, they still walk around when he",
"a reminiscent transformation for the dog in Stephen King’s Cujo) So far it",
"bites the next day. At school Debbie’s bites worsen, later Qoryii finds her",
"the dog in Stephen King’s Cujo) So far it doesn’t seem to be",
"a love story. In any other general story. Could I make the story",
"Ithac is acting out in anger in front of Debbie, the girl, because",
"she doesn’t give up on him, they still walk around when he feels",
"the first sort of) antagonist The boy named Ithac is acting out in",
"a personal and hateful feeling against Ithac Debbie isn’t patient with Ithac after",
"after that,but she doesn’t give up on him, they still walk around when",
"personal and hateful feeling against Ithac Debbie isn’t patient with Ithac after that,but",
"where she is starting to EAT Ithac. 1. Ithac’s internal struggle 2. Qoryii’s",
"to be a personal and hateful feeling against Ithac Debbie isn’t patient with",
"at a child named Qoryii who deems revenge on Ithac for interfering, implied"
] |
[
"is unconscious. I was thinking about labeling at the top of a chapter",
"details about this second character while the other one is unconscious. I was",
"narrators point of view. However, I want a chapter or two to be",
"one is unconscious. I was thinking about labeling at the top of a",
"view, but would that be weird if I only did that once or",
"unconscious. The second main character has only ever been described and integrated through",
"I was thinking about labeling at the top of a chapter saying it",
"point of view. However, I want a chapter or two to be about",
"that be weird if I only did that once or twice in the",
"(the narrator) goes unconscious. The second main character has only ever been described",
"the top of a chapter saying it was the second characters point of",
"characters point of view, but would that be weird if I only did",
"the second characters point of view, but would that be weird if I",
"or two to be about the second character in their first person view.",
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"1/3 into it. It is in first person, past-tense. I am at a",
"the second character in their first person view. Would this make the story",
"second character finding the first one and it’s important that I can express",
"about the second character finding the first one and it’s important that I",
"this make the story seem choppy or confusing? It’s about the second character",
"view. Would this make the story seem choppy or confusing? It’s about the",
"the story seem choppy or confusing? It’s about the second character finding the",
"other one is unconscious. I was thinking about labeling at the top of",
"to be about the second character in their first person view. Would this",
"Would this make the story seem choppy or confusing? It’s about the second",
"a chapter saying it was the second characters point of view, but would",
"person, past-tense. I am at a scene where the main character (the narrator)",
"character finding the first one and it’s important that I can express details",
"narrator) goes unconscious. The second main character has only ever been described and",
"confusing? It’s about the second character finding the first one and it’s important",
"character has only ever been described and integrated through the narrators point of",
"only ever been described and integrated through the narrators point of view. However,",
"and it’s important that I can express details about this second character while",
"I am about 1/3 into it. It is in first person, past-tense. I",
"past-tense. I am at a scene where the main character (the narrator) goes",
"goes unconscious. The second main character has only ever been described and integrated",
"am writing a novel and I am about 1/3 into it. It is",
"first one and it’s important that I can express details about this second",
"main character (the narrator) goes unconscious. The second main character has only ever",
"been described and integrated through the narrators point of view. However, I want",
"second main character has only ever been described and integrated through the narrators",
"finding the first one and it’s important that I can express details about",
"I am writing a novel and I am about 1/3 into it. It",
"the narrators point of view. However, I want a chapter or two to",
"their first person view. Would this make the story seem choppy or confusing?",
"a chapter or two to be about the second character in their first",
"point of view, but would that be weird if I only did that",
"was the second characters point of view, but would that be weird if",
"seem choppy or confusing? It’s about the second character finding the first one",
"was thinking about labeling at the top of a chapter saying it was",
"through the narrators point of view. However, I want a chapter or two",
"story seem choppy or confusing? It’s about the second character finding the first",
"labeling at the top of a chapter saying it was the second characters",
"the first one and it’s important that I can express details about this",
"of view, but would that be weird if I only did that once",
"of view. However, I want a chapter or two to be about the",
"integrated through the narrators point of view. However, I want a chapter or",
"be weird if I only did that once or twice in the entire",
"make the story seem choppy or confusing? It’s about the second character finding",
"It is in first person, past-tense. I am at a scene where the",
"a scene where the main character (the narrator) goes unconscious. The second main",
"about 1/3 into it. It is in first person, past-tense. I am at",
"and I am about 1/3 into it. It is in first person, past-tense.",
"be about the second character in their first person view. Would this make",
"the second character finding the first one and it’s important that I can",
"first person, past-tense. I am at a scene where the main character (the",
"top of a chapter saying it was the second characters point of view,",
"this second character while the other one is unconscious. I was thinking about",
"I can express details about this second character while the other one is",
"can express details about this second character while the other one is unconscious.",
"at the top of a chapter saying it was the second characters point",
"it. It is in first person, past-tense. I am at a scene where",
"or confusing? It’s about the second character finding the first one and it’s",
"the main character (the narrator) goes unconscious. The second main character has only",
"am about 1/3 into it. It is in first person, past-tense. I am",
"want a chapter or two to be about the second character in their",
"in their first person view. Would this make the story seem choppy or",
"view. However, I want a chapter or two to be about the second",
"chapter saying it was the second characters point of view, but would that",
"character (the narrator) goes unconscious. The second main character has only ever been",
"where the main character (the narrator) goes unconscious. The second main character has",
"The second main character has only ever been described and integrated through the",
"and integrated through the narrators point of view. However, I want a chapter",
"chapter or two to be about the second character in their first person",
"would that be weird if I only did that once or twice in",
"novel and I am about 1/3 into it. It is in first person,",
"about the second character in their first person view. Would this make the",
"saying it was the second characters point of view, but would that be",
"the other one is unconscious. I was thinking about labeling at the top",
"However, I want a chapter or two to be about the second character",
"thinking about labeling at the top of a chapter saying it was the",
"character in their first person view. Would this make the story seem choppy",
"while the other one is unconscious. I was thinking about labeling at the",
"person view. Would this make the story seem choppy or confusing? It’s about",
"about this second character while the other one is unconscious. I was thinking",
"first person view. Would this make the story seem choppy or confusing? It’s",
"into it. It is in first person, past-tense. I am at a scene",
"at a scene where the main character (the narrator) goes unconscious. The second",
"writing a novel and I am about 1/3 into it. It is in",
"weird if I only did that once or twice in the entire story?",
"about labeling at the top of a chapter saying it was the second",
"is in first person, past-tense. I am at a scene where the main",
"it’s important that I can express details about this second character while the",
"second character in their first person view. Would this make the story seem",
"I want a chapter or two to be about the second character in",
"in first person, past-tense. I am at a scene where the main character",
"It’s about the second character finding the first one and it’s important that",
"important that I can express details about this second character while the other",
"two to be about the second character in their first person view. Would",
"express details about this second character while the other one is unconscious. I",
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"ever been described and integrated through the narrators point of view. However, I",
"that I can express details about this second character while the other one",
"it was the second characters point of view, but would that be weird",
"second characters point of view, but would that be weird if I only",
"one and it’s important that I can express details about this second character",
"am at a scene where the main character (the narrator) goes unconscious. The",
"character while the other one is unconscious. I was thinking about labeling at",
"scene where the main character (the narrator) goes unconscious. The second main character",
"a novel and I am about 1/3 into it. It is in first",
"of a chapter saying it was the second characters point of view, but",
"choppy or confusing? It’s about the second character finding the first one and",
"but would that be weird if I only did that once or twice",
"I am at a scene where the main character (the narrator) goes unconscious.",
"second character while the other one is unconscious. I was thinking about labeling",
"described and integrated through the narrators point of view. However, I want a"
] |
[
"One of the central ideas of the story is that the two characters",
"summarizing how they feel about each other. I also don't want to introduce",
"Both consider the other a close friend, but nothing more. It's not something",
"the other a close friend, but nothing more. It's not something they've ever",
"apart, they're the best of friends. Nobody, including the two of them, can",
"invariably feels like a cliched setup for a cheesy romance. I could directly",
"What's the best way for me to introduce their relationship, and not overtly",
"very well. I'd rather show that they're just friends, rather than resort to",
"toying around with the idea of writing a novel. The story revolves around",
"central ideas of the story is that the two characters couldn't be any",
"view each other in a romantic light, but that feels sloppy, and doesn't",
"Nobody, including the two of them, can quite put into words *why* their",
"of writing a novel. The story revolves around two characters, one male and",
"they have each other, and that's about it. What's the best way for",
"that feels sloppy, and doesn't resonate very well. I'd rather show that they're",
"sloppy, and doesn't resonate very well. I'd rather show that they're just friends,",
"they don't view each other in a romantic light, but that feels sloppy,",
"considered, and their relationship won't ever become anything more than what it is.",
"it. What's the best way for me to introduce their relationship, and not",
"more different. They have different sets of talents, different world views, different ways",
"fact that they don't view each other in a romantic light, but that",
"also don't want to introduce a different love interest for either one of",
"light, but that feels sloppy, and doesn't resonate very well. I'd rather show",
"feels like a cliched setup for a cheesy romance. I could directly call",
"*why* their friendship works as well as it does, but they're nonetheless inseparable.",
"directly call out the fact that they don't view each other in a",
"two of them, can quite put into words *why* their friendship works as",
"*not* a love story. Both consider the other a close friend, but nothing",
"In their eyes, they have each other, and that's about it. What's the",
"setup for a cheesy romance. I could directly call out the fact that",
"a cheesy romance. I could directly call out the fact that they don't",
"have different sets of talents, different world views, different ways of handling crises.",
"a love story. Both consider the other a close friend, but nothing more.",
"resort to directly summarizing how they feel about each other. I also don't",
"but they're nonetheless inseparable. Here's the catch: This is *not* a love story.",
"like a cliched setup for a cheesy romance. I could directly call out",
"a novel. The story revolves around two characters, one male and one female,",
"them, can quite put into words *why* their friendship works as well as",
"I'd rather show that they're just friends, rather than resort to directly summarizing",
"than resort to directly summarizing how they feel about each other. I also",
"and the perspective will shift between them. One of the central ideas of",
"two characters couldn't be any more different. They have different sets of talents,",
"female, and the perspective will shift between them. One of the central ideas",
"them apart, they're the best of friends. Nobody, including the two of them,",
"way for me to introduce their relationship, and not overtly hint at a",
"out the fact that they don't view each other in a romantic light,",
"of them. In their eyes, they have each other, and that's about it.",
"relationship won't ever become anything more than what it is. Unfortunately, every introduction",
"the two of them, can quite put into words *why* their friendship works",
"couldn't be any more different. They have different sets of talents, different world",
"the two characters couldn't be any more different. They have different sets of",
"romantic light, but that feels sloppy, and doesn't resonate very well. I'd rather",
"about it. What's the best way for me to introduce their relationship, and",
"two characters, one male and one female, and the perspective will shift between",
"it is. Unfortunately, every introduction for the two of them that I've come",
"cheesy romance. I could directly call out the fact that they don't view",
"a romantic light, but that feels sloppy, and doesn't resonate very well. I'd",
"and that's about it. What's the best way for me to introduce their",
"could directly call out the fact that they don't view each other in",
"I also don't want to introduce a different love interest for either one",
"eyes, they have each other, and that's about it. What's the best way",
"of talents, different world views, different ways of handling crises. Yet despite all",
"catch: This is *not* a love story. Both consider the other a close",
"close friend, but nothing more. It's not something they've ever considered, and their",
"more. It's not something they've ever considered, and their relationship won't ever become",
"become anything more than what it is. Unfortunately, every introduction for the two",
"want to introduce a different love interest for either one of them. In",
"writing a novel. The story revolves around two characters, one male and one",
"talents, different world views, different ways of handling crises. Yet despite all that",
"is that the two characters couldn't be any more different. They have different",
"world views, different ways of handling crises. Yet despite all that sets them",
"rather show that they're just friends, rather than resort to directly summarizing how",
"for either one of them. In their eyes, they have each other, and",
"them that I've come up with invariably feels like a cliched setup for",
"I've been toying around with the idea of writing a novel. The story",
"not something they've ever considered, and their relationship won't ever become anything more",
"won't ever become anything more than what it is. Unfortunately, every introduction for",
"story. Both consider the other a close friend, but nothing more. It's not",
"does, but they're nonetheless inseparable. Here's the catch: This is *not* a love",
"but nothing more. It's not something they've ever considered, and their relationship won't",
"call out the fact that they don't view each other in a romantic",
"be any more different. They have different sets of talents, different world views,",
"the idea of writing a novel. The story revolves around two characters, one",
"of friends. Nobody, including the two of them, can quite put into words",
"revolves around two characters, one male and one female, and the perspective will",
"they've ever considered, and their relationship won't ever become anything more than what",
"feels sloppy, and doesn't resonate very well. I'd rather show that they're just",
"any more different. They have different sets of talents, different world views, different",
"sets of talents, different world views, different ways of handling crises. Yet despite",
"other a close friend, but nothing more. It's not something they've ever considered,",
"of the story is that the two characters couldn't be any more different.",
"it does, but they're nonetheless inseparable. Here's the catch: This is *not* a",
"me to introduce their relationship, and not overtly hint at a future romance?",
"come up with invariably feels like a cliched setup for a cheesy romance.",
"as it does, but they're nonetheless inseparable. Here's the catch: This is *not*",
"will shift between them. One of the central ideas of the story is",
"around two characters, one male and one female, and the perspective will shift",
"is. Unfortunately, every introduction for the two of them that I've come up",
"one of them. In their eyes, they have each other, and that's about",
"characters, one male and one female, and the perspective will shift between them.",
"love story. Both consider the other a close friend, but nothing more. It's",
"one male and one female, and the perspective will shift between them. One",
"well. I'd rather show that they're just friends, rather than resort to directly",
"each other in a romantic light, but that feels sloppy, and doesn't resonate",
"resonate very well. I'd rather show that they're just friends, rather than resort",
"idea of writing a novel. The story revolves around two characters, one male",
"for me to introduce their relationship, and not overtly hint at a future",
"well as it does, but they're nonetheless inseparable. Here's the catch: This is",
"I've come up with invariably feels like a cliched setup for a cheesy",
"This is *not* a love story. Both consider the other a close friend,",
"story revolves around two characters, one male and one female, and the perspective",
"perspective will shift between them. One of the central ideas of the story",
"that the two characters couldn't be any more different. They have different sets",
"more than what it is. Unfortunately, every introduction for the two of them",
"what it is. Unfortunately, every introduction for the two of them that I've",
"introduction for the two of them that I've come up with invariably feels",
"that they're just friends, rather than resort to directly summarizing how they feel",
"interest for either one of them. In their eyes, they have each other,",
"been toying around with the idea of writing a novel. The story revolves",
"Here's the catch: This is *not* a love story. Both consider the other",
"them. In their eyes, they have each other, and that's about it. What's",
"with the idea of writing a novel. The story revolves around two characters,",
"different. They have different sets of talents, different world views, different ways of",
"of them that I've come up with invariably feels like a cliched setup",
"Yet despite all that sets them apart, they're the best of friends. Nobody,",
"inseparable. Here's the catch: This is *not* a love story. Both consider the",
"of them, can quite put into words *why* their friendship works as well",
"quite put into words *why* their friendship works as well as it does,",
"and their relationship won't ever become anything more than what it is. Unfortunately,",
"around with the idea of writing a novel. The story revolves around two",
"something they've ever considered, and their relationship won't ever become anything more than",
"between them. One of the central ideas of the story is that the",
"for the two of them that I've come up with invariably feels like",
"best of friends. Nobody, including the two of them, can quite put into",
"friend, but nothing more. It's not something they've ever considered, and their relationship",
"different love interest for either one of them. In their eyes, they have",
"anything more than what it is. Unfortunately, every introduction for the two of",
"two of them that I've come up with invariably feels like a cliched",
"The story revolves around two characters, one male and one female, and the",
"sets them apart, they're the best of friends. Nobody, including the two of",
"each other. I also don't want to introduce a different love interest for",
"views, different ways of handling crises. Yet despite all that sets them apart,",
"that they don't view each other in a romantic light, but that feels",
"that's about it. What's the best way for me to introduce their relationship,",
"of handling crises. Yet despite all that sets them apart, they're the best",
"that I've come up with invariably feels like a cliched setup for a",
"show that they're just friends, rather than resort to directly summarizing how they",
"crises. Yet despite all that sets them apart, they're the best of friends.",
"different sets of talents, different world views, different ways of handling crises. Yet",
"all that sets them apart, they're the best of friends. Nobody, including the",
"their relationship won't ever become anything more than what it is. Unfortunately, every",
"every introduction for the two of them that I've come up with invariably",
"rather than resort to directly summarizing how they feel about each other. I",
"best way for me to introduce their relationship, and not overtly hint at",
"shift between them. One of the central ideas of the story is that",
"words *why* their friendship works as well as it does, but they're nonetheless",
"the central ideas of the story is that the two characters couldn't be",
"each other, and that's about it. What's the best way for me to",
"story is that the two characters couldn't be any more different. They have",
"and doesn't resonate very well. I'd rather show that they're just friends, rather",
"I could directly call out the fact that they don't view each other",
"introduce a different love interest for either one of them. In their eyes,",
"don't want to introduce a different love interest for either one of them.",
"with invariably feels like a cliched setup for a cheesy romance. I could",
"consider the other a close friend, but nothing more. It's not something they've",
"friendship works as well as it does, but they're nonetheless inseparable. Here's the",
"to directly summarizing how they feel about each other. I also don't want",
"about each other. I also don't want to introduce a different love interest",
"them. One of the central ideas of the story is that the two",
"It's not something they've ever considered, and their relationship won't ever become anything",
"directly summarizing how they feel about each other. I also don't want to",
"romance. I could directly call out the fact that they don't view each",
"ideas of the story is that the two characters couldn't be any more",
"one female, and the perspective will shift between them. One of the central",
"the two of them that I've come up with invariably feels like a",
"they're just friends, rather than resort to directly summarizing how they feel about",
"nonetheless inseparable. Here's the catch: This is *not* a love story. Both consider",
"into words *why* their friendship works as well as it does, but they're",
"works as well as it does, but they're nonetheless inseparable. Here's the catch:",
"as well as it does, but they're nonetheless inseparable. Here's the catch: This",
"the catch: This is *not* a love story. Both consider the other a",
"handling crises. Yet despite all that sets them apart, they're the best of",
"the fact that they don't view each other in a romantic light, but",
"despite all that sets them apart, they're the best of friends. Nobody, including",
"up with invariably feels like a cliched setup for a cheesy romance. I",
"don't view each other in a romantic light, but that feels sloppy, and",
"than what it is. Unfortunately, every introduction for the two of them that",
"different ways of handling crises. Yet despite all that sets them apart, they're",
"other, and that's about it. What's the best way for me to introduce",
"and one female, and the perspective will shift between them. One of the",
"they feel about each other. I also don't want to introduce a different",
"including the two of them, can quite put into words *why* their friendship",
"ever considered, and their relationship won't ever become anything more than what it",
"different world views, different ways of handling crises. Yet despite all that sets",
"feel about each other. I also don't want to introduce a different love",
"characters couldn't be any more different. They have different sets of talents, different",
"is *not* a love story. Both consider the other a close friend, but",
"ways of handling crises. Yet despite all that sets them apart, they're the",
"nothing more. It's not something they've ever considered, and their relationship won't ever",
"have each other, and that's about it. What's the best way for me",
"for a cheesy romance. I could directly call out the fact that they",
"doesn't resonate very well. I'd rather show that they're just friends, rather than",
"novel. The story revolves around two characters, one male and one female, and",
"put into words *why* their friendship works as well as it does, but",
"their friendship works as well as it does, but they're nonetheless inseparable. Here's",
"other in a romantic light, but that feels sloppy, and doesn't resonate very",
"they're the best of friends. Nobody, including the two of them, can quite",
"love interest for either one of them. In their eyes, they have each",
"a different love interest for either one of them. In their eyes, they",
"the perspective will shift between them. One of the central ideas of the",
"other. I also don't want to introduce a different love interest for either",
"the story is that the two characters couldn't be any more different. They",
"the best of friends. Nobody, including the two of them, can quite put",
"They have different sets of talents, different world views, different ways of handling",
"a cliched setup for a cheesy romance. I could directly call out the",
"in a romantic light, but that feels sloppy, and doesn't resonate very well.",
"male and one female, and the perspective will shift between them. One of",
"just friends, rather than resort to directly summarizing how they feel about each",
"friends, rather than resort to directly summarizing how they feel about each other.",
"how they feel about each other. I also don't want to introduce a",
"of the central ideas of the story is that the two characters couldn't",
"they're nonetheless inseparable. Here's the catch: This is *not* a love story. Both",
"cliched setup for a cheesy romance. I could directly call out the fact",
"a close friend, but nothing more. It's not something they've ever considered, and",
"Unfortunately, every introduction for the two of them that I've come up with",
"can quite put into words *why* their friendship works as well as it",
"their eyes, they have each other, and that's about it. What's the best",
"that sets them apart, they're the best of friends. Nobody, including the two",
"but that feels sloppy, and doesn't resonate very well. I'd rather show that",
"ever become anything more than what it is. Unfortunately, every introduction for the",
"the best way for me to introduce their relationship, and not overtly hint",
"either one of them. In their eyes, they have each other, and that's",
"to introduce a different love interest for either one of them. In their",
"friends. Nobody, including the two of them, can quite put into words *why*"
] |
[
"to write about the academic results and extra curricular activities in cover letter?",
"cover letter is the most important part while applying. I have gone through",
"it. Can you explain to me how to write a good cover letter?",
"through many websites regarding this, but I can't find the perfect way to",
"the perfect way to write it. Can you explain to me how to",
"to write it. Can you explain to me how to write a good",
"about the academic results and extra curricular activities in cover letter? 2. Is",
"the most important part while applying. I have gone through many websites regarding",
"you explain to me how to write a good cover letter? 1. Is",
"activities in cover letter? 2. Is it necessary to mention about the researches",
"websites regarding this, but I can't find the perfect way to write it.",
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"in research labs writing a cover letter is the most important part while",
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"can't find the perfect way to write it. Can you explain to me",
"regarding this, but I can't find the perfect way to write it. Can",
"I am applying for an internship in research labs writing a cover letter",
"way to write it. Can you explain to me how to write a",
"cover letter? 1. Is it mandatory to write about the academic results and",
"for an internship in research labs writing a cover letter is the most",
"is the most important part while applying. I have gone through many websites",
"explain to me how to write a good cover letter? 1. Is it",
"academic results and extra curricular activities in cover letter? 2. Is it necessary",
"find the perfect way to write it. Can you explain to me how",
"letter? 1. Is it mandatory to write about the academic results and extra",
"curricular activities in cover letter? 2. Is it necessary to mention about the",
"applying for an internship in research labs writing a cover letter is the",
"am applying for an internship in research labs writing a cover letter is",
"write it. Can you explain to me how to write a good cover",
"but I can't find the perfect way to write it. Can you explain",
"to write a good cover letter? 1. Is it mandatory to write about",
"write a good cover letter? 1. Is it mandatory to write about the",
"while applying. I have gone through many websites regarding this, but I can't",
"good cover letter? 1. Is it mandatory to write about the academic results",
"As I am applying for an internship in research labs writing a cover",
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"extra curricular activities in cover letter? 2. Is it necessary to mention about",
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"how to write a good cover letter? 1. Is it mandatory to write",
"1. Is it mandatory to write about the academic results and extra curricular",
"letter? 2. Is it necessary to mention about the researches accomplished by the",
"internship in research labs writing a cover letter is the most important part",
"important part while applying. I have gone through many websites regarding this, but",
"and extra curricular activities in cover letter? 2. Is it necessary to mention",
"cover letter? 2. Is it necessary to mention about the researches accomplished by",
"have gone through many websites regarding this, but I can't find the perfect",
"research labs writing a cover letter is the most important part while applying.",
"most important part while applying. I have gone through many websites regarding this,",
"gone through many websites regarding this, but I can't find the perfect way",
"2. Is it necessary to mention about the researches accomplished by the professor?",
"letter is the most important part while applying. I have gone through many",
"an internship in research labs writing a cover letter is the most important",
"a cover letter is the most important part while applying. I have gone",
"write about the academic results and extra curricular activities in cover letter? 2.",
"to me how to write a good cover letter? 1. Is it mandatory",
"Can you explain to me how to write a good cover letter? 1.",
"this, but I can't find the perfect way to write it. Can you",
"labs writing a cover letter is the most important part while applying. I",
"I have gone through many websites regarding this, but I can't find the",
"perfect way to write it. Can you explain to me how to write",
"results and extra curricular activities in cover letter? 2. Is it necessary to",
"many websites regarding this, but I can't find the perfect way to write",
"writing a cover letter is the most important part while applying. I have",
"applying. I have gone through many websites regarding this, but I can't find",
"part while applying. I have gone through many websites regarding this, but I",
"in cover letter? 2. Is it necessary to mention about the researches accomplished",
"Is it mandatory to write about the academic results and extra curricular activities"
] |
[
"narrative, how do you effectively make it clear to the reader that a",
"In a first-person narrative, how do you effectively make it clear to the",
"how do you effectively make it clear to the reader that a second",
"that a second character likes your protagonist, before it dawns on the protagonist",
"do you effectively make it clear to the reader that a second character",
"it clear to the reader that a second character likes your protagonist, before",
"clear to the reader that a second character likes your protagonist, before it",
"a first-person narrative, how do you effectively make it clear to the reader",
"reader that a second character likes your protagonist, before it dawns on the",
"to the reader that a second character likes your protagonist, before it dawns",
"make it clear to the reader that a second character likes your protagonist,",
"the reader that a second character likes your protagonist, before it dawns on",
"a second character likes your protagonist, before it dawns on the protagonist herself?",
"first-person narrative, how do you effectively make it clear to the reader that",
"effectively make it clear to the reader that a second character likes your",
"you effectively make it clear to the reader that a second character likes"
] |
[
"work I have a few major ideas and conflicts in mind, but I",
"plot develop as I wrote, in other words. And it did. I had",
"or even just plain old good advice to get me going on this",
"and events around to make it a cohesive whole, but it finally came",
"to make it a cohesive whole, but it finally came out just right.",
"helpful websites or even just plain old good advice to get me going",
"major ideas and conflicts in mind, but I am having an extreme case",
"did. I had to reread/rewrite it *a lot* and switch different chapters and",
"even just plain old good advice to get me going on this new",
"it *a lot* and switch different chapters and events around to make it",
"an extreme case of writer's block trying to \"connect the dots.\" I understand",
"your entire plot makes the writing process easier, but I have never attempted",
"the dots.\" I understand that outlining your entire plot makes the writing process",
"came out just right. The issue I'm having is that for this new",
"just plain old good advice to get me going on this new approach?",
"wrote, in other words. And it did. I had to reread/rewrite it *a",
"and switch different chapters and events around to make it a cohesive whole,",
"switch different chapters and events around to make it a cohesive whole, but",
"around to make it a cohesive whole, but it finally came out just",
"that approach. Are there any helpful websites or even just plain old good",
"a cohesive whole, but it finally came out just right. The issue I'm",
"is that for this new work I have a few major ideas and",
"there any helpful websites or even just plain old good advice to get",
"few major ideas and conflicts in mind, but I am having an extreme",
"words. And it did. I had to reread/rewrite it *a lot* and switch",
"approach. Are there any helpful websites or even just plain old good advice",
"make it a cohesive whole, but it finally came out just right. The",
"but it finally came out just right. The issue I'm having is that",
"was very much a fly-by-the-seam-of-my-pants type of writing. I let the plot develop",
"\"Book 1\" of my series, and it was very much a fly-by-the-seam-of-my-pants type",
"in other words. And it did. I had to reread/rewrite it *a lot*",
"any helpful websites or even just plain old good advice to get me",
"dots.\" I understand that outlining your entire plot makes the writing process easier,",
"that outlining your entire plot makes the writing process easier, but I have",
"attempted that approach. Are there any helpful websites or even just plain old",
"of writer's block trying to \"connect the dots.\" I understand that outlining your",
"I'm having is that for this new work I have a few major",
"type of writing. I let the plot develop as I wrote, in other",
"a few major ideas and conflicts in mind, but I am having an",
"easier, but I have never attempted that approach. Are there any helpful websites",
"case of writer's block trying to \"connect the dots.\" I understand that outlining",
"my series, and it was very much a fly-by-the-seam-of-my-pants type of writing. I",
"block trying to \"connect the dots.\" I understand that outlining your entire plot",
"conflicts in mind, but I am having an extreme case of writer's block",
"I understand that outlining your entire plot makes the writing process easier, but",
"and conflicts in mind, but I am having an extreme case of writer's",
"And it did. I had to reread/rewrite it *a lot* and switch different",
"very much a fly-by-the-seam-of-my-pants type of writing. I let the plot develop as",
"I let the plot develop as I wrote, in other words. And it",
"I had to reread/rewrite it *a lot* and switch different chapters and events",
"having an extreme case of writer's block trying to \"connect the dots.\" I",
"other words. And it did. I had to reread/rewrite it *a lot* and",
"it finally came out just right. The issue I'm having is that for",
"mind, but I am having an extreme case of writer's block trying to",
"that for this new work I have a few major ideas and conflicts",
"had to reread/rewrite it *a lot* and switch different chapters and events around",
"events around to make it a cohesive whole, but it finally came out",
"process easier, but I have never attempted that approach. Are there any helpful",
"develop as I wrote, in other words. And it did. I had to",
"I have a few major ideas and conflicts in mind, but I am",
"just right. The issue I'm having is that for this new work I",
"fly-by-the-seam-of-my-pants type of writing. I let the plot develop as I wrote, in",
"much a fly-by-the-seam-of-my-pants type of writing. I let the plot develop as I",
"cohesive whole, but it finally came out just right. The issue I'm having",
"lot* and switch different chapters and events around to make it a cohesive",
"am having an extreme case of writer's block trying to \"connect the dots.\"",
"out just right. The issue I'm having is that for this new work",
"I wrote, in other words. And it did. I had to reread/rewrite it",
"writing process easier, but I have never attempted that approach. Are there any",
"let the plot develop as I wrote, in other words. And it did.",
"whole, but it finally came out just right. The issue I'm having is",
"*a lot* and switch different chapters and events around to make it a",
"entire plot makes the writing process easier, but I have never attempted that",
"but I have never attempted that approach. Are there any helpful websites or",
"the writing process easier, but I have never attempted that approach. Are there",
"makes the writing process easier, but I have never attempted that approach. Are",
"I have never attempted that approach. Are there any helpful websites or even",
"having is that for this new work I have a few major ideas",
"have a few major ideas and conflicts in mind, but I am having",
"it did. I had to reread/rewrite it *a lot* and switch different chapters",
"have never attempted that approach. Are there any helpful websites or even just",
"in mind, but I am having an extreme case of writer's block trying",
"understand that outlining your entire plot makes the writing process easier, but I",
"outlining your entire plot makes the writing process easier, but I have never",
"I finished up \"Book 1\" of my series, and it was very much",
"and it was very much a fly-by-the-seam-of-my-pants type of writing. I let the",
"the plot develop as I wrote, in other words. And it did. I",
"finished up \"Book 1\" of my series, and it was very much a",
"this new work I have a few major ideas and conflicts in mind,",
"series, and it was very much a fly-by-the-seam-of-my-pants type of writing. I let",
"The issue I'm having is that for this new work I have a",
"trying to \"connect the dots.\" I understand that outlining your entire plot makes",
"for this new work I have a few major ideas and conflicts in",
"finally came out just right. The issue I'm having is that for this",
"I am having an extreme case of writer's block trying to \"connect the",
"\"connect the dots.\" I understand that outlining your entire plot makes the writing",
"plot makes the writing process easier, but I have never attempted that approach.",
"writing. I let the plot develop as I wrote, in other words. And",
"different chapters and events around to make it a cohesive whole, but it",
"Are there any helpful websites or even just plain old good advice to",
"issue I'm having is that for this new work I have a few",
"to reread/rewrite it *a lot* and switch different chapters and events around to",
"chapters and events around to make it a cohesive whole, but it finally",
"reread/rewrite it *a lot* and switch different chapters and events around to make",
"new work I have a few major ideas and conflicts in mind, but",
"of writing. I let the plot develop as I wrote, in other words.",
"it was very much a fly-by-the-seam-of-my-pants type of writing. I let the plot",
"up \"Book 1\" of my series, and it was very much a fly-by-the-seam-of-my-pants",
"1\" of my series, and it was very much a fly-by-the-seam-of-my-pants type of",
"websites or even just plain old good advice to get me going on",
"it a cohesive whole, but it finally came out just right. The issue",
"but I am having an extreme case of writer's block trying to \"connect",
"ideas and conflicts in mind, but I am having an extreme case of",
"of my series, and it was very much a fly-by-the-seam-of-my-pants type of writing.",
"extreme case of writer's block trying to \"connect the dots.\" I understand that",
"right. The issue I'm having is that for this new work I have",
"writer's block trying to \"connect the dots.\" I understand that outlining your entire",
"a fly-by-the-seam-of-my-pants type of writing. I let the plot develop as I wrote,",
"to \"connect the dots.\" I understand that outlining your entire plot makes the",
"as I wrote, in other words. And it did. I had to reread/rewrite",
"never attempted that approach. Are there any helpful websites or even just plain"
] |
[
"your bare hands) and at the same time hate to love – a",
"antagonist whom I love to hate (i.e., you'd rip him/her apart with your",
"protagonist (but not the side characters.) How can I develop an antagonist that",
"same time hate to love – a tragic, motivated character who has their",
"draft and realized: *I need a better antagonist.* I have a flat, unspecified,",
"plausible, honest/well-intentioned motives and reasons. A character who makes your heart ache while",
"And: * A separate antagonist and protagonist (they can't be the same character)",
"change the protagonist (but not the side characters.) How can I develop an",
"own, plausible, honest/well-intentioned motives and reasons. A character who makes your heart ache",
"their own, plausible, honest/well-intentioned motives and reasons. A character who makes your heart",
"– a tragic, motivated character who has their own, plausible, honest/well-intentioned motives and",
"(evil) organization the antagonist belongs to and the (good) organization the protagonist belongs",
"motives and reasons. A character who makes your heart ache while making you",
"* I'm willing to change the protagonist (but not the side characters.) How",
"I'm willing to change the protagonist (but not the side characters.) How can",
"makes your heart ache while making you angry. And: * A separate antagonist",
"your heart ache while making you angry. And: * A separate antagonist and",
"(good) organization the protagonist belongs to * I'm willing to change the protagonist",
"defeat. I need an antagonist whom I love to hate (i.e., you'd rip",
"the protagonist belongs to * I'm willing to change the protagonist (but not",
"you angry. And: * A separate antagonist and protagonist (they can't be the",
"to hate (i.e., you'd rip him/her apart with your bare hands) and at",
"(but not the side characters.) How can I develop an antagonist that fits",
"with a stereotypically evil guy who are absolutely easy to defeat. I need",
"an antagonist whom I love to hate (i.e., you'd rip him/her apart with",
"love – a tragic, motivated character who has their own, plausible, honest/well-intentioned motives",
"and realized: *I need a better antagonist.* I have a flat, unspecified, weak",
"realized: *I need a better antagonist.* I have a flat, unspecified, weak organization",
"organization the antagonist belongs to and the (good) organization the protagonist belongs to",
"antagonist.* I have a flat, unspecified, weak organization with a stereotypically evil guy",
"I need an antagonist whom I love to hate (i.e., you'd rip him/her",
"rip him/her apart with your bare hands) and at the same time hate",
"character who makes your heart ache while making you angry. And: * A",
"and protagonist (they can't be the same character) * I'm willing to change",
"who has their own, plausible, honest/well-intentioned motives and reasons. A character who makes",
"whom I love to hate (i.e., you'd rip him/her apart with your bare",
"making you angry. And: * A separate antagonist and protagonist (they can't be",
"(they can't be the same character) * I'm willing to change the (evil)",
"organization with a stereotypically evil guy who are absolutely easy to defeat. I",
"organization the protagonist belongs to * I'm willing to change the protagonist (but",
"character who has their own, plausible, honest/well-intentioned motives and reasons. A character who",
"* I'm willing to change the (evil) organization the antagonist belongs to and",
"character) * I'm willing to change the (evil) organization the antagonist belongs to",
"honest/well-intentioned motives and reasons. A character who makes your heart ache while making",
"need an antagonist whom I love to hate (i.e., you'd rip him/her apart",
"are absolutely easy to defeat. I need an antagonist whom I love to",
"antagonist and protagonist (they can't be the same character) * I'm willing to",
"reviewing my first draft and realized: *I need a better antagonist.* I have",
"you'd rip him/her apart with your bare hands) and at the same time",
"a tragic, motivated character who has their own, plausible, honest/well-intentioned motives and reasons.",
"the (good) organization the protagonist belongs to * I'm willing to change the",
"be the same character) * I'm willing to change the (evil) organization the",
"(i.e., you'd rip him/her apart with your bare hands) and at the same",
"time hate to love – a tragic, motivated character who has their own,",
"protagonist (they can't be the same character) * I'm willing to change the",
"separate antagonist and protagonist (they can't be the same character) * I'm willing",
"bare hands) and at the same time hate to love – a tragic,",
"willing to change the protagonist (but not the side characters.) How can I",
"hate to love – a tragic, motivated character who has their own, plausible,",
"who are absolutely easy to defeat. I need an antagonist whom I love",
"stereotypically evil guy who are absolutely easy to defeat. I need an antagonist",
"and the (good) organization the protagonist belongs to * I'm willing to change",
"hands) and at the same time hate to love – a tragic, motivated",
"easy to defeat. I need an antagonist whom I love to hate (i.e.,",
"hate (i.e., you'd rip him/her apart with your bare hands) and at the",
"I love to hate (i.e., you'd rip him/her apart with your bare hands)",
"A character who makes your heart ache while making you angry. And: *",
"change the (evil) organization the antagonist belongs to and the (good) organization the",
"and at the same time hate to love – a tragic, motivated character",
"motivated character who has their own, plausible, honest/well-intentioned motives and reasons. A character",
"angry. And: * A separate antagonist and protagonist (they can't be the same",
"the same character) * I'm willing to change the (evil) organization the antagonist",
"to change the (evil) organization the antagonist belongs to and the (good) organization",
"can't be the same character) * I'm willing to change the (evil) organization",
"love to hate (i.e., you'd rip him/her apart with your bare hands) and",
"heart ache while making you angry. And: * A separate antagonist and protagonist",
"ache while making you angry. And: * A separate antagonist and protagonist (they",
"the antagonist belongs to and the (good) organization the protagonist belongs to *",
"who makes your heart ache while making you angry. And: * A separate",
"unspecified, weak organization with a stereotypically evil guy who are absolutely easy to",
"the (evil) organization the antagonist belongs to and the (good) organization the protagonist",
"have a flat, unspecified, weak organization with a stereotypically evil guy who are",
"to love – a tragic, motivated character who has their own, plausible, honest/well-intentioned",
"to and the (good) organization the protagonist belongs to * I'm willing to",
"same character) * I'm willing to change the (evil) organization the antagonist belongs",
"was reviewing my first draft and realized: *I need a better antagonist.* I",
"weak organization with a stereotypically evil guy who are absolutely easy to defeat.",
"absolutely easy to defeat. I need an antagonist whom I love to hate",
"protagonist belongs to * I'm willing to change the protagonist (but not the",
"him/her apart with your bare hands) and at the same time hate to",
"belongs to * I'm willing to change the protagonist (but not the side",
"a better antagonist.* I have a flat, unspecified, weak organization with a stereotypically",
"to * I'm willing to change the protagonist (but not the side characters.)",
"reasons. A character who makes your heart ache while making you angry. And:",
"my first draft and realized: *I need a better antagonist.* I have a",
"not the side characters.) How can I develop an antagonist that fits these",
"I'm willing to change the (evil) organization the antagonist belongs to and the",
"better antagonist.* I have a flat, unspecified, weak organization with a stereotypically evil",
"first draft and realized: *I need a better antagonist.* I have a flat,",
"has their own, plausible, honest/well-intentioned motives and reasons. A character who makes your",
"to defeat. I need an antagonist whom I love to hate (i.e., you'd",
"the same time hate to love – a tragic, motivated character who has",
"flat, unspecified, weak organization with a stereotypically evil guy who are absolutely easy",
"and reasons. A character who makes your heart ache while making you angry.",
"belongs to and the (good) organization the protagonist belongs to * I'm willing",
"a flat, unspecified, weak organization with a stereotypically evil guy who are absolutely",
"I have a flat, unspecified, weak organization with a stereotypically evil guy who",
"with your bare hands) and at the same time hate to love –",
"I was reviewing my first draft and realized: *I need a better antagonist.*",
"*I need a better antagonist.* I have a flat, unspecified, weak organization with",
"the protagonist (but not the side characters.) How can I develop an antagonist",
"at the same time hate to love – a tragic, motivated character who",
"* A separate antagonist and protagonist (they can't be the same character) *",
"apart with your bare hands) and at the same time hate to love",
"a stereotypically evil guy who are absolutely easy to defeat. I need an",
"need a better antagonist.* I have a flat, unspecified, weak organization with a",
"guy who are absolutely easy to defeat. I need an antagonist whom I",
"the side characters.) How can I develop an antagonist that fits these requirements?",
"A separate antagonist and protagonist (they can't be the same character) * I'm",
"willing to change the (evil) organization the antagonist belongs to and the (good)",
"antagonist belongs to and the (good) organization the protagonist belongs to * I'm",
"while making you angry. And: * A separate antagonist and protagonist (they can't",
"to change the protagonist (but not the side characters.) How can I develop",
"tragic, motivated character who has their own, plausible, honest/well-intentioned motives and reasons. A",
"evil guy who are absolutely easy to defeat. I need an antagonist whom"
] |
[
"Long story short, I’d eventually like to query it to an agent but",
"of a popular manga series from the 90s. It has been adapted and",
"query it to an agent but I 1. Don’t know how I’d explain",
"story short, I’d eventually like to query it to an agent but I",
"quite different from the original, but has some of the same plot lines",
"my own spin on it in novel form. Long story short, I’d eventually",
"Worry that it could never be published because it’s based off another work.",
"an agent 2. Worry that it could never be published because it’s based",
"own spin on it in novel form. Long story short, I’d eventually like",
"1. Don’t know how I’d explain it to an agent 2. Worry that",
"the story and thought I’d like to do my own spin on it",
"like to do my own spin on it in novel form. Long story",
"If I went and tried to get this published would I run into",
"I’m working on my first draft of a retelling of a popular manga",
"know how I’d explain it to an agent 2. Worry that it could",
"the original, but has some of the same plot lines and bones of",
"explain it to an agent 2. Worry that it could never be published",
"never be published because it’s based off another work. My version is quite",
"but I 1. Don’t know how I’d explain it to an agent 2.",
"like to query it to an agent but I 1. Don’t know how",
"manga series from the 90s. It has been adapted and redone at least",
"form. Long story short, I’d eventually like to query it to an agent",
"and thought I’d like to do my own spin on it in novel",
"many different countries. I’m very passionate about the story and thought I’d like",
"been adapted and redone at least 6-10 times as an Asian drama TV",
"how I’d explain it to an agent 2. Worry that it could never",
"has been adapted and redone at least 6-10 times as an Asian drama",
"my first draft of a retelling of a popular manga series from the",
"My version is quite different from the original, but has some of the",
"popular manga series from the 90s. It has been adapted and redone at",
"It has been adapted and redone at least 6-10 times as an Asian",
"short, I’d eventually like to query it to an agent but I 1.",
"and bones of the original. If I went and tried to get this",
"at least 6-10 times as an Asian drama TV series in many different",
"6-10 times as an Asian drama TV series in many different countries. I’m",
"it in novel form. Long story short, I’d eventually like to query it",
"90s. It has been adapted and redone at least 6-10 times as an",
"different from the original, but has some of the same plot lines and",
"plot lines and bones of the original. If I went and tried to",
"adapted and redone at least 6-10 times as an Asian drama TV series",
"thought I’d like to do my own spin on it in novel form.",
"Asian drama TV series in many different countries. I’m very passionate about the",
"it could never be published because it’s based off another work. My version",
"another work. My version is quite different from the original, but has some",
"agent but I 1. Don’t know how I’d explain it to an agent",
"of the same plot lines and bones of the original. If I went",
"series from the 90s. It has been adapted and redone at least 6-10",
"it’s based off another work. My version is quite different from the original,",
"that it could never be published because it’s based off another work. My",
"working on my first draft of a retelling of a popular manga series",
"to an agent 2. Worry that it could never be published because it’s",
"passionate about the story and thought I’d like to do my own spin",
"eventually like to query it to an agent but I 1. Don’t know",
"first draft of a retelling of a popular manga series from the 90s.",
"Don’t know how I’d explain it to an agent 2. Worry that it",
"an agent but I 1. Don’t know how I’d explain it to an",
"lines and bones of the original. If I went and tried to get",
"to query it to an agent but I 1. Don’t know how I’d",
"version is quite different from the original, but has some of the same",
"I went and tried to get this published would I run into trouble?",
"novel form. Long story short, I’d eventually like to query it to an",
"is quite different from the original, but has some of the same plot",
"could never be published because it’s based off another work. My version is",
"on it in novel form. Long story short, I’d eventually like to query",
"a popular manga series from the 90s. It has been adapted and redone",
"based off another work. My version is quite different from the original, but",
"very passionate about the story and thought I’d like to do my own",
"I’m very passionate about the story and thought I’d like to do my",
"different countries. I’m very passionate about the story and thought I’d like to",
"of the original. If I went and tried to get this published would",
"drama TV series in many different countries. I’m very passionate about the story",
"the original. If I went and tried to get this published would I",
"from the 90s. It has been adapted and redone at least 6-10 times",
"be published because it’s based off another work. My version is quite different",
"work. My version is quite different from the original, but has some of",
"spin on it in novel form. Long story short, I’d eventually like to",
"original. If I went and tried to get this published would I run",
"it to an agent but I 1. Don’t know how I’d explain it",
"story and thought I’d like to do my own spin on it in",
"original, but has some of the same plot lines and bones of the",
"I 1. Don’t know how I’d explain it to an agent 2. Worry",
"published because it’s based off another work. My version is quite different from",
"2. Worry that it could never be published because it’s based off another",
"in many different countries. I’m very passionate about the story and thought I’d",
"about the story and thought I’d like to do my own spin on",
"same plot lines and bones of the original. If I went and tried",
"series in many different countries. I’m very passionate about the story and thought",
"off another work. My version is quite different from the original, but has",
"of a retelling of a popular manga series from the 90s. It has",
"least 6-10 times as an Asian drama TV series in many different countries.",
"and redone at least 6-10 times as an Asian drama TV series in",
"countries. I’m very passionate about the story and thought I’d like to do",
"retelling of a popular manga series from the 90s. It has been adapted",
"I’d like to do my own spin on it in novel form. Long",
"to an agent but I 1. Don’t know how I’d explain it to",
"from the original, but has some of the same plot lines and bones",
"to do my own spin on it in novel form. Long story short,",
"in novel form. Long story short, I’d eventually like to query it to",
"I’d explain it to an agent 2. Worry that it could never be",
"an Asian drama TV series in many different countries. I’m very passionate about",
"times as an Asian drama TV series in many different countries. I’m very",
"the 90s. It has been adapted and redone at least 6-10 times as",
"agent 2. Worry that it could never be published because it’s based off",
"but has some of the same plot lines and bones of the original.",
"some of the same plot lines and bones of the original. If I",
"because it’s based off another work. My version is quite different from the",
"the same plot lines and bones of the original. If I went and",
"I’d eventually like to query it to an agent but I 1. Don’t",
"a retelling of a popular manga series from the 90s. It has been",
"bones of the original. If I went and tried to get this published",
"it to an agent 2. Worry that it could never be published because",
"redone at least 6-10 times as an Asian drama TV series in many",
"has some of the same plot lines and bones of the original. If",
"do my own spin on it in novel form. Long story short, I’d",
"TV series in many different countries. I’m very passionate about the story and",
"as an Asian drama TV series in many different countries. I’m very passionate",
"on my first draft of a retelling of a popular manga series from",
"draft of a retelling of a popular manga series from the 90s. It"
] |
[
"build up without killing the essence of the masterpiece? What are the advantages",
"do you write out the second build up without killing the essence of",
"of the masterpiece? What are the advantages and disadvantages of using Medias Res?",
"write out the second build up without killing the essence of the masterpiece?",
"essence of the masterpiece? What are the advantages and disadvantages of using Medias",
"How do you write out the second build up without killing the essence",
"without killing the essence of the masterpiece? What are the advantages and disadvantages",
"up without killing the essence of the masterpiece? What are the advantages and",
"the second build up without killing the essence of the masterpiece? What are",
"the essence of the masterpiece? What are the advantages and disadvantages of using",
"out the second build up without killing the essence of the masterpiece? What",
"killing the essence of the masterpiece? What are the advantages and disadvantages of",
"second build up without killing the essence of the masterpiece? What are the",
"you write out the second build up without killing the essence of the"
] |
[
"on the project. Now for the past week I’ve felt a sudden disconnect",
"to write properly at the moment. I definitely don’t want to give up",
"working on a first draft of a project since January and have been",
"for hours a day every day since then. Basically spending all of my",
"write properly at the moment. I definitely don’t want to give up on",
"properly at the moment. I definitely don’t want to give up on the",
"should take a break? I’m upset that this has happened. I’ve been so",
"steadily working on it for hours a day every day since then. Basically",
"day since then. Basically spending all of my free time on the project.",
"now. Is this a sign I should take a break? I’m upset that",
"gotten it into my head that I need to work on it every",
"exactly where the story is going. I just can’t seem to write properly",
"can’t seem to write properly at the moment. I definitely don’t want to",
"to write next; I’ve outlined and know exactly where the story is going.",
"I still love the story as well and would love to see it",
"reach completion. But every time I sit down to write I just can’t.",
"next; I’ve outlined and know exactly where the story is going. I just",
"write I just can’t. It’s not that I don’t know what I want",
"where the story is going. I just can’t seem to write properly at",
"sit down to write I just can’t. It’s not that I don’t know",
"my free time on the project. Now for the past week I’ve felt",
"or else it will never reach completion. But every time I sit down",
"working on it for hours a day every day since then. Basically spending",
"into my head that I need to work on it every day or",
"going. I just can’t seem to write properly at the moment. I definitely",
"not that I don’t know what I want to write next; I’ve outlined",
"I definitely don’t want to give up on the project as I’m about",
"work on it every day or else it will never reach completion. But",
"still love the story as well and would love to see it reach",
"know what I want to write next; I’ve outlined and know exactly where",
"I’m about 75% done. I still love the story as well and would",
"every day or else it will never reach completion. But every time I",
"story is going. I just can’t seem to write properly at the moment.",
"felt a sudden disconnect from it bordering on disinterest. I suppose I’ve gotten",
"Basically spending all of my free time on the project. Now for the",
"on it for hours a day every day since then. Basically spending all",
"this a sign I should take a break? I’m upset that this has",
"I suppose I’ve gotten it into my head that I need to work",
"just can’t seem to continue right now. Is this a sign I should",
"upset that this has happened. I’ve been so excited about this project for",
"what I want to write next; I’ve outlined and know exactly where the",
"seem to write properly at the moment. I definitely don’t want to give",
"on the project as I’m about 75% done. I still love the story",
"outlined and know exactly where the story is going. I just can’t seem",
"it will never reach completion. But every time I sit down to write",
"I’ve outlined and know exactly where the story is going. I just can’t",
"seem to continue right now. Is this a sign I should take a",
"and have been steadily working on it for hours a day every day",
"from it bordering on disinterest. I suppose I’ve gotten it into my head",
"past week I’ve felt a sudden disconnect from it bordering on disinterest. I",
"first draft of a project since January and have been steadily working on",
"Now for the past week I’ve felt a sudden disconnect from it bordering",
"spending all of my free time on the project. Now for the past",
"every day since then. Basically spending all of my free time on the",
"I should take a break? I’m upset that this has happened. I’ve been",
"that this has happened. I’ve been so excited about this project for years.",
"draft of a project since January and have been steadily working on it",
"to give up on the project as I’m about 75% done. I still",
"I just can’t seem to continue right now. Is this a sign I",
"bordering on disinterest. I suppose I’ve gotten it into my head that I",
"don’t want to give up on the project as I’m about 75% done.",
"completion. But every time I sit down to write I just can’t. It’s",
"my head that I need to work on it every day or else",
"all of my free time on the project. Now for the past week",
"write next; I’ve outlined and know exactly where the story is going. I",
"I just can’t seem to write properly at the moment. I definitely don’t",
"disinterest. I suppose I’ve gotten it into my head that I need to",
"project as I’m about 75% done. I still love the story as well",
"to see it reach completion. But I just can’t seem to continue right",
"day or else it will never reach completion. But every time I sit",
"suppose I’ve gotten it into my head that I need to work on",
"can’t. It’s not that I don’t know what I want to write next;",
"it into my head that I need to work on it every day",
"a first draft of a project since January and have been steadily working",
"want to write next; I’ve outlined and know exactly where the story is",
"January and have been steadily working on it for hours a day every",
"I sit down to write I just can’t. It’s not that I don’t",
"else it will never reach completion. But every time I sit down to",
"I don’t know what I want to write next; I’ve outlined and know",
"and know exactly where the story is going. I just can’t seem to",
"a break? I’m upset that this has happened. I’ve been so excited about",
"need to work on it every day or else it will never reach",
"been working on a first draft of a project since January and have",
"down to write I just can’t. It’s not that I don’t know what",
"75% done. I still love the story as well and would love to",
"head that I need to work on it every day or else it",
"just can’t seem to write properly at the moment. I definitely don’t want",
"of my free time on the project. Now for the past week I’ve",
"the project as I’m about 75% done. I still love the story as",
"a day every day since then. Basically spending all of my free time",
"the past week I’ve felt a sudden disconnect from it bordering on disinterest.",
"project. Now for the past week I’ve felt a sudden disconnect from it",
"of a project since January and have been steadily working on it for",
"disconnect from it bordering on disinterest. I suppose I’ve gotten it into my",
"definitely don’t want to give up on the project as I’m about 75%",
"about 75% done. I still love the story as well and would love",
"then. Basically spending all of my free time on the project. Now for",
"a sign I should take a break? I’m upset that this has happened.",
"the story as well and would love to see it reach completion. But",
"on a first draft of a project since January and have been steadily",
"free time on the project. Now for the past week I’ve felt a",
"it bordering on disinterest. I suppose I’ve gotten it into my head that",
"want to give up on the project as I’m about 75% done. I",
"since then. Basically spending all of my free time on the project. Now",
"I’m upset that this has happened. I’ve been so excited about this project",
"to work on it every day or else it will never reach completion.",
"know exactly where the story is going. I just can’t seem to write",
"time on the project. Now for the past week I’ve felt a sudden",
"take a break? I’m upset that this has happened. I’ve been so excited",
"a project since January and have been steadily working on it for hours",
"don’t know what I want to write next; I’ve outlined and know exactly",
"continue right now. Is this a sign I should take a break? I’m",
"love the story as well and would love to see it reach completion.",
"have been steadily working on it for hours a day every day since",
"just can’t. It’s not that I don’t know what I want to write",
"well and would love to see it reach completion. But I just can’t",
"the moment. I definitely don’t want to give up on the project as",
"moment. I definitely don’t want to give up on the project as I’m",
"a sudden disconnect from it bordering on disinterest. I suppose I’ve gotten it",
"is going. I just can’t seem to write properly at the moment. I",
"will never reach completion. But every time I sit down to write I",
"the project. Now for the past week I’ve felt a sudden disconnect from",
"love to see it reach completion. But I just can’t seem to continue",
"give up on the project as I’m about 75% done. I still love",
"project since January and have been steadily working on it for hours a",
"I need to work on it every day or else it will never",
"break? I’m upset that this has happened. I’ve been so excited about this",
"right now. Is this a sign I should take a break? I’m upset",
"Is this a sign I should take a break? I’m upset that this",
"completion. But I just can’t seem to continue right now. Is this a",
"I’ve been working on a first draft of a project since January and",
"every time I sit down to write I just can’t. It’s not that",
"time I sit down to write I just can’t. It’s not that I",
"I want to write next; I’ve outlined and know exactly where the story",
"up on the project as I’m about 75% done. I still love the",
"for the past week I’ve felt a sudden disconnect from it bordering on",
"the story is going. I just can’t seem to write properly at the",
"can’t seem to continue right now. Is this a sign I should take",
"to write I just can’t. It’s not that I don’t know what I",
"never reach completion. But every time I sit down to write I just",
"and would love to see it reach completion. But I just can’t seem",
"on it every day or else it will never reach completion. But every",
"I’ve felt a sudden disconnect from it bordering on disinterest. I suppose I’ve",
"that I don’t know what I want to write next; I’ve outlined and",
"that I need to work on it every day or else it will",
"I just can’t. It’s not that I don’t know what I want to",
"But I just can’t seem to continue right now. Is this a sign",
"done. I still love the story as well and would love to see",
"as I’m about 75% done. I still love the story as well and",
"would love to see it reach completion. But I just can’t seem to",
"reach completion. But I just can’t seem to continue right now. Is this",
"day every day since then. Basically spending all of my free time on",
"to continue right now. Is this a sign I should take a break?",
"sign I should take a break? I’m upset that this has happened. I’ve",
"hours a day every day since then. Basically spending all of my free",
"it for hours a day every day since then. Basically spending all of",
"week I’ve felt a sudden disconnect from it bordering on disinterest. I suppose",
"It’s not that I don’t know what I want to write next; I’ve",
"at the moment. I definitely don’t want to give up on the project",
"since January and have been steadily working on it for hours a day",
"But every time I sit down to write I just can’t. It’s not",
"it every day or else it will never reach completion. But every time",
"as well and would love to see it reach completion. But I just",
"sudden disconnect from it bordering on disinterest. I suppose I’ve gotten it into",
"story as well and would love to see it reach completion. But I",
"on disinterest. I suppose I’ve gotten it into my head that I need",
"see it reach completion. But I just can’t seem to continue right now.",
"I’ve gotten it into my head that I need to work on it",
"been steadily working on it for hours a day every day since then.",
"it reach completion. But I just can’t seem to continue right now. Is"
] |
[
"a story I'm writing, the villain has his motives for his attitudes. However,",
"his motives be kind of illogic to other people (including the reader). So",
"I'm writing, the villain has his motives for his attitudes. However, he is",
"motives be kind of illogic to other people (including the reader). So how",
"be kind of illogic to other people (including the reader). So how to",
"of his motives be kind of illogic to other people (including the reader).",
"for his attitudes. However, he is very mentally disturbed, which makes the logic",
"has his motives for his attitudes. However, he is very mentally disturbed, which",
"So how to make the reader find understandable the villain's motives even if",
"the villain has his motives for his attitudes. However, he is very mentally",
"which makes the logic of his motives be kind of illogic to other",
"of illogic to other people (including the reader). So how to make the",
"mentally disturbed, which makes the logic of his motives be kind of illogic",
"people (including the reader). So how to make the reader find understandable the",
"the logic of his motives be kind of illogic to other people (including",
"makes the logic of his motives be kind of illogic to other people",
"other people (including the reader). So how to make the reader find understandable",
"kind of illogic to other people (including the reader). So how to make",
"reader). So how to make the reader find understandable the villain's motives even",
"In a story I'm writing, the villain has his motives for his attitudes.",
"motives for his attitudes. However, he is very mentally disturbed, which makes the",
"his motives for his attitudes. However, he is very mentally disturbed, which makes",
"However, he is very mentally disturbed, which makes the logic of his motives",
"to other people (including the reader). So how to make the reader find",
"the reader). So how to make the reader find understandable the villain's motives",
"how to make the reader find understandable the villain's motives even if it's",
"villain has his motives for his attitudes. However, he is very mentally disturbed,",
"very mentally disturbed, which makes the logic of his motives be kind of",
"story I'm writing, the villain has his motives for his attitudes. However, he",
"attitudes. However, he is very mentally disturbed, which makes the logic of his",
"writing, the villain has his motives for his attitudes. However, he is very",
"to make the reader find understandable the villain's motives even if it's illogic?",
"he is very mentally disturbed, which makes the logic of his motives be",
"illogic to other people (including the reader). So how to make the reader",
"logic of his motives be kind of illogic to other people (including the",
"is very mentally disturbed, which makes the logic of his motives be kind",
"(including the reader). So how to make the reader find understandable the villain's",
"his attitudes. However, he is very mentally disturbed, which makes the logic of",
"disturbed, which makes the logic of his motives be kind of illogic to"
] |
[
"I would simply make any character say something like: \"That makes no sense!\"",
"villain doesn't even tell his motives. He keeps it all inside. It is",
"doesn't even tell his motives. He keeps it all inside. It is *shown*",
"that this villain doesn't even tell his motives. He keeps it all inside.",
"specify that although the narrator knows what happens to any character, the narrator",
"(not told) to the reader, but not to the characters. How can I",
"[\"How to make the villain's motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how",
"I manage this? --- **Edit:** Forgot to specify that although the narrator knows",
"understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader know",
"but not to the characters. How can I manage this? --- **Edit:** Forgot",
"inside. It is *shown* (not told) to the reader, but not to the",
"told) to the reader, but not to the characters. How can I manage",
"although the narrator knows what happens to any character, the narrator can't know",
"He keeps it all inside. It is *shown* (not told) to the reader,",
"previous question, [\"How to make the villain's motives understandable if his logic is",
"that I couldn't give a better motivation to him? Usually, to achieve that,",
"makes no sense!\" However, the problem is that this villain doesn't even tell",
"the reader, but not to the characters. How can I manage this? ---",
"sense!\" However, the problem is that this villain doesn't even tell his motives.",
"I let the reader know that the lack of logic is on *the",
"However, the problem is that this villain doesn't even tell his motives. He",
"*shown* (not told) to the reader, but not to the characters. How can",
"manage this? --- **Edit:** Forgot to specify that although the narrator knows what",
"the problem is that this villain doesn't even tell his motives. He keeps",
"tell his motives. He keeps it all inside. It is *shown* (not told)",
"better motivation to him? Usually, to achieve that, I would simply make any",
"character's* side, instead of the reader thinking that I couldn't give a better",
"of the reader thinking that I couldn't give a better motivation to him?",
"problem is that this villain doesn't even tell his motives. He keeps it",
"to the reader, but not to the characters. How can I manage this?",
"reader know that the lack of logic is on *the character's* side, instead",
"flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader know that the lack of logic",
"it all inside. It is *shown* (not told) to the reader, but not",
"is that this villain doesn't even tell his motives. He keeps it all",
"this? --- **Edit:** Forgot to specify that although the narrator knows what happens",
"let the reader know that the lack of logic is on *the character's*",
"to the characters. How can I manage this? --- **Edit:** Forgot to specify",
"lack of logic is on *the character's* side, instead of the reader thinking",
"*the character's* side, instead of the reader thinking that I couldn't give a",
"happens to any character, the narrator can't know what they think. Sorry for",
"simply make any character say something like: \"That makes no sense!\" However, the",
"of logic is on *the character's* side, instead of the reader thinking that",
"can I let the reader know that the lack of logic is on",
"that although the narrator knows what happens to any character, the narrator can't",
"couldn't give a better motivation to him? Usually, to achieve that, I would",
"is *shown* (not told) to the reader, but not to the characters. How",
"instead of the reader thinking that I couldn't give a better motivation to",
"make the villain's motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I",
"the lack of logic is on *the character's* side, instead of the reader",
"characters. How can I manage this? --- **Edit:** Forgot to specify that although",
"villain's motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the",
"the villain's motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let",
"any character, the narrator can't know what they think. Sorry for the confusion.",
"give a better motivation to him? Usually, to achieve that, I would simply",
"How can I manage this? --- **Edit:** Forgot to specify that although the",
"on my previous question, [\"How to make the villain's motives understandable if his",
"his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader know that the",
"how can I let the reader know that the lack of logic is",
"would simply make any character say something like: \"That makes no sense!\" However,",
"Following up on my previous question, [\"How to make the villain's motives understandable",
"that the lack of logic is on *the character's* side, instead of the",
"the reader know that the lack of logic is on *the character's* side,",
"to him? Usually, to achieve that, I would simply make any character say",
"to make the villain's motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can",
"even tell his motives. He keeps it all inside. It is *shown* (not",
"him? Usually, to achieve that, I would simply make any character say something",
"motives. He keeps it all inside. It is *shown* (not told) to the",
"on *the character's* side, instead of the reader thinking that I couldn't give",
"his motives. He keeps it all inside. It is *shown* (not told) to",
"--- **Edit:** Forgot to specify that although the narrator knows what happens to",
"reader thinking that I couldn't give a better motivation to him? Usually, to",
"It is *shown* (not told) to the reader, but not to the characters.",
"that, I would simply make any character say something like: \"That makes no",
"to achieve that, I would simply make any character say something like: \"That",
"something like: \"That makes no sense!\" However, the problem is that this villain",
"knows what happens to any character, the narrator can't know what they think.",
"a better motivation to him? Usually, to achieve that, I would simply make",
"know that the lack of logic is on *the character's* side, instead of",
"reader, but not to the characters. How can I manage this? --- **Edit:**",
"like: \"That makes no sense!\" However, the problem is that this villain doesn't",
"motivation to him? Usually, to achieve that, I would simply make any character",
"thinking that I couldn't give a better motivation to him? Usually, to achieve",
"not to the characters. How can I manage this? --- **Edit:** Forgot to",
"is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader know that the lack of",
"character say something like: \"That makes no sense!\" However, the problem is that",
"**Edit:** Forgot to specify that although the narrator knows what happens to any",
"the reader thinking that I couldn't give a better motivation to him? Usually,",
"logic is on *the character's* side, instead of the reader thinking that I",
"all inside. It is *shown* (not told) to the reader, but not to",
"to any character, the narrator can't know what they think. Sorry for the",
"my previous question, [\"How to make the villain's motives understandable if his logic",
"narrator knows what happens to any character, the narrator can't know what they",
"say something like: \"That makes no sense!\" However, the problem is that this",
"logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader know that the lack",
"achieve that, I would simply make any character say something like: \"That makes",
"I couldn't give a better motivation to him? Usually, to achieve that, I",
"side, instead of the reader thinking that I couldn't give a better motivation",
"\"That makes no sense!\" However, the problem is that this villain doesn't even",
"can I manage this? --- **Edit:** Forgot to specify that although the narrator",
"any character say something like: \"That makes no sense!\" However, the problem is",
"question, [\"How to make the villain's motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed),",
"keeps it all inside. It is *shown* (not told) to the reader, but",
"Forgot to specify that although the narrator knows what happens to any character,",
"to specify that although the narrator knows what happens to any character, the",
"the narrator knows what happens to any character, the narrator can't know what",
"is on *the character's* side, instead of the reader thinking that I couldn't",
"motives understandable if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader",
"the characters. How can I manage this? --- **Edit:** Forgot to specify that",
"no sense!\" However, the problem is that this villain doesn't even tell his",
"Usually, to achieve that, I would simply make any character say something like:",
"make any character say something like: \"That makes no sense!\" However, the problem",
"this villain doesn't even tell his motives. He keeps it all inside. It",
"up on my previous question, [\"How to make the villain's motives understandable if",
"if his logic is flawed?\"](https://writing.stackexchange.com/questions/35965/how-to-make-the-villains-motives-understandable-if-his-logic-is-flawed), how can I let the reader know that",
"what happens to any character, the narrator can't know what they think. Sorry"
] |
[
"query letter? I have not been able to find an answer in the",
"outline, author bio, and sample chapters. What is the 'proposal' part of the",
"a query letter, proposal, outline, author bio, and sample chapters. What is the",
"the query letter? I have not been able to find an answer in",
"author bio, and sample chapters. What is the 'proposal' part of the query",
"of the query letter? I have not been able to find an answer",
"not been able to find an answer in the references I've examined so",
"'proposal' part of the query letter? I have not been able to find",
"query guidelines that include a query letter, proposal, outline, author bio, and sample",
"query letter, proposal, outline, author bio, and sample chapters. What is the 'proposal'",
"What is the 'proposal' part of the query letter? I have not been",
"guidelines that include a query letter, proposal, outline, author bio, and sample chapters.",
"letter? I have not been able to find an answer in the references",
"I'm trying to follow query guidelines that include a query letter, proposal, outline,",
"sample chapters. What is the 'proposal' part of the query letter? I have",
"letter, proposal, outline, author bio, and sample chapters. What is the 'proposal' part",
"have not been able to find an answer in the references I've examined",
"follow query guidelines that include a query letter, proposal, outline, author bio, and",
"proposal, outline, author bio, and sample chapters. What is the 'proposal' part of",
"been able to find an answer in the references I've examined so far.",
"I have not been able to find an answer in the references I've",
"chapters. What is the 'proposal' part of the query letter? I have not",
"trying to follow query guidelines that include a query letter, proposal, outline, author",
"to follow query guidelines that include a query letter, proposal, outline, author bio,",
"and sample chapters. What is the 'proposal' part of the query letter? I",
"the 'proposal' part of the query letter? I have not been able to",
"is the 'proposal' part of the query letter? I have not been able",
"part of the query letter? I have not been able to find an",
"include a query letter, proposal, outline, author bio, and sample chapters. What is",
"that include a query letter, proposal, outline, author bio, and sample chapters. What",
"bio, and sample chapters. What is the 'proposal' part of the query letter?"
] |
[
"p.o.v. of an AI. The other is 1st person, present tense - a",
"Currently there are two chapters in different tenses. One is 2nd person, present",
"1st person, present tense - a dream sequence. My question is, are tense",
"sequence. My question is, are tense changes always too jarring to be justified?",
"an AI. The other is 1st person, present tense - a dream sequence.",
"past tense. Currently there are two chapters in different tenses. One is 2nd",
"there are two chapters in different tenses. One is 2nd person, present tense",
"2nd person, present tense - the p.o.v. of an AI. The other is",
"of an AI. The other is 1st person, present tense - a dream",
"person, present tense - a dream sequence. My question is, are tense changes",
"tense. Currently there are two chapters in different tenses. One is 2nd person,",
"two chapters in different tenses. One is 2nd person, present tense - the",
"that is told in 1st person, past tense. Currently there are two chapters",
"1st person, past tense. Currently there are two chapters in different tenses. One",
"YA science fiction novel that is told in 1st person, past tense. Currently",
"in 1st person, past tense. Currently there are two chapters in different tenses.",
"tense - the p.o.v. of an AI. The other is 1st person, present",
"half way through a YA science fiction novel that is told in 1st",
"One is 2nd person, present tense - the p.o.v. of an AI. The",
"is 2nd person, present tense - the p.o.v. of an AI. The other",
"fiction novel that is told in 1st person, past tense. Currently there are",
"present tense - the p.o.v. of an AI. The other is 1st person,",
"tense - a dream sequence. My question is, are tense changes always too",
"the p.o.v. of an AI. The other is 1st person, present tense -",
"different tenses. One is 2nd person, present tense - the p.o.v. of an",
"person, past tense. Currently there are two chapters in different tenses. One is",
"dream sequence. My question is, are tense changes always too jarring to be",
"are two chapters in different tenses. One is 2nd person, present tense -",
"a YA science fiction novel that is told in 1st person, past tense.",
"through a YA science fiction novel that is told in 1st person, past",
"present tense - a dream sequence. My question is, are tense changes always",
"I'm half way through a YA science fiction novel that is told in",
"told in 1st person, past tense. Currently there are two chapters in different",
"a dream sequence. My question is, are tense changes always too jarring to",
"way through a YA science fiction novel that is told in 1st person,",
"- a dream sequence. My question is, are tense changes always too jarring",
"person, present tense - the p.o.v. of an AI. The other is 1st",
"novel that is told in 1st person, past tense. Currently there are two",
"science fiction novel that is told in 1st person, past tense. Currently there",
"chapters in different tenses. One is 2nd person, present tense - the p.o.v.",
"is told in 1st person, past tense. Currently there are two chapters in",
"is 1st person, present tense - a dream sequence. My question is, are",
"tenses. One is 2nd person, present tense - the p.o.v. of an AI.",
"in different tenses. One is 2nd person, present tense - the p.o.v. of",
"- the p.o.v. of an AI. The other is 1st person, present tense",
"The other is 1st person, present tense - a dream sequence. My question",
"AI. The other is 1st person, present tense - a dream sequence. My",
"other is 1st person, present tense - a dream sequence. My question is,"
] |
[
"be reflective of (or in reaction to) circumstances from the past; indeed, plot",
"author ties the two timelines together, as the character's present-day actions are shown",
"[Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What is this form of",
"the writers) and is currently in use with the new series [Lost in",
"some of those mysterious decisions would start to make perfect sense. This sort",
"to be reflective of (or in reaction to) circumstances from the past; indeed,",
"certain decisions that, to the audience, seem unexplained. In parallel, the character's backstory",
"as the character's present-day actions are shown to be reflective of (or in",
"present day and depicted characters making certain decisions that, to the audience, seem",
"effect. A similar narrative structure was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was",
"including some of the writers) and is currently in use with the new",
"television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which each character's backstory was rendered.",
"and is currently in use with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at",
"rendered. The narrative started out in present day and depicted characters making certain",
"to many of the veterans of the Lost cast and crew, including some",
"was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many of the",
"dramatic effect. A similar narrative structure was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which",
"to make perfect sense. This sort of structure opens up interesting dramatic opportunities",
"time periods. As the backstory would unfold, some of those mysterious decisions would",
"would unfold, some of those mysterious decisions would start to make perfect sense.",
"in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What is this form of narrative",
"interesting dramatic opportunities when the author ties the two timelines together, as the",
"of structure opens up interesting dramatic opportunities when the author ties the two",
"timelines together, as the character's present-day actions are shown to be reflective of",
"actions are shown to be reflective of (or in reaction to) circumstances from",
"narrative structure was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many",
"narrative started out in present day and depicted characters making certain decisions that,",
"[Lost](https://www.imdb.com/title/tt0411008/) was the way in which each character's backstory was rendered. The narrative",
"(or in reaction to) circumstances from the past; indeed, plot points from the",
"that, to the audience, seem unexplained. In parallel, the character's backstory would be",
"which each character's backstory was rendered. The narrative started out in present day",
"up interesting dramatic opportunities when the author ties the two timelines together, as",
"structure was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many of",
"series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many of the veterans of the Lost",
"out in present day and depicted characters making certain decisions that, to the",
"backstory would unfold, some of those mysterious decisions would start to make perfect",
"The narrative started out in present day and depicted characters making certain decisions",
"those mysterious decisions would start to make perfect sense. This sort of structure",
"writers) and is currently in use with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/)",
"mysterious decisions would start to make perfect sense. This sort of structure opens",
"new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What is this",
"audience, seem unexplained. In parallel, the character's backstory would be provided, so that",
"unfold, some of those mysterious decisions would start to make perfect sense. This",
"for dramatic effect. A similar narrative structure was used for the series [Once](https://www.imdb.com/title/tt0907657/)",
"the narrative would weave back and forth between the two time periods. As",
"crew, including some of the writers) and is currently in use with the",
"backstory was rendered. The narrative started out in present day and depicted characters",
"the backstory, and are often presented in proximity for dramatic effect. A similar",
"the Lost cast and crew, including some of the writers) and is currently",
"from the past; indeed, plot points from the present-day scenes seem to require",
"This sort of structure opens up interesting dramatic opportunities when the author ties",
"reaction to) circumstances from the past; indeed, plot points from the present-day scenes",
"the way in which each character's backstory was rendered. The narrative started out",
"from the backstory, and are often presented in proximity for dramatic effect. A",
"backstory would be provided, so that the narrative would weave back and forth",
"Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What is this form of narrative called?",
"in proximity for dramatic effect. A similar narrative structure was used for the",
"would be provided, so that the narrative would weave back and forth between",
"veterans of the Lost cast and crew, including some of the writers) and",
"the character's present-day actions are shown to be reflective of (or in reaction",
"plot points from the backstory, and are often presented in proximity for dramatic",
"together, as the character's present-day actions are shown to be reflective of (or",
"backstory, and are often presented in proximity for dramatic effect. A similar narrative",
"two timelines together, as the character's present-day actions are shown to be reflective",
"the two timelines together, as the character's present-day actions are shown to be",
"that the narrative would weave back and forth between the two time periods.",
"presented in proximity for dramatic effect. A similar narrative structure was used for",
"in the beginning). What is this form of narrative called? Are there any",
"the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which each character's backstory was",
"decisions would start to make perfect sense. This sort of structure opens up",
"each character's backstory was rendered. The narrative started out in present day and",
"character's present-day actions are shown to be reflective of (or in reaction to)",
"weave back and forth between the two time periods. As the backstory would",
"use with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning).",
"ties the two timelines together, as the character's present-day actions are shown to",
"with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What",
"parallel, the character's backstory would be provided, so that the narrative would weave",
"the backstory would unfold, some of those mysterious decisions would start to make",
"some of the writers) and is currently in use with the new series",
"the audience, seem unexplained. In parallel, the character's backstory would be provided, so",
"many of the veterans of the Lost cast and crew, including some of",
"character's backstory would be provided, so that the narrative would weave back and",
"structure opens up interesting dramatic opportunities when the author ties the two timelines",
"show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which each character's backstory was rendered. The",
"series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What is this form",
"present-day scenes seem to require resolution of plot points from the backstory, and",
"As the backstory would unfold, some of those mysterious decisions would start to",
"(which was home to many of the veterans of the Lost cast and",
"used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many of the veterans",
"In parallel, the character's backstory would be provided, so that the narrative would",
"between the two time periods. As the backstory would unfold, some of those",
"forth between the two time periods. As the backstory would unfold, some of",
"sense. This sort of structure opens up interesting dramatic opportunities when the author",
"of the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which each character's backstory",
"of the veterans of the Lost cast and crew, including some of the",
"in use with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the",
"unexplained. In parallel, the character's backstory would be provided, so that the narrative",
"often presented in proximity for dramatic effect. A similar narrative structure was used",
"provided, so that the narrative would weave back and forth between the two",
"similar narrative structure was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to",
"is currently in use with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least",
"Lost cast and crew, including some of the writers) and is currently in",
"cast and crew, including some of the writers) and is currently in use",
"past; indeed, plot points from the present-day scenes seem to require resolution of",
"plot points from the present-day scenes seem to require resolution of plot points",
"the beginning). What is this form of narrative called? Are there any literary",
"indeed, plot points from the present-day scenes seem to require resolution of plot",
"currently in use with the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in",
"decisions that, to the audience, seem unexplained. In parallel, the character's backstory would",
"two time periods. As the backstory would unfold, some of those mysterious decisions",
"home to many of the veterans of the Lost cast and crew, including",
"of the Lost cast and crew, including some of the writers) and is",
"(at least in the beginning). What is this form of narrative called? Are",
"features of the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which each character's",
"would weave back and forth between the two time periods. As the backstory",
"of those mysterious decisions would start to make perfect sense. This sort of",
"reflective of (or in reaction to) circumstances from the past; indeed, plot points",
"points from the present-day scenes seem to require resolution of plot points from",
"require resolution of plot points from the backstory, and are often presented in",
"was the way in which each character's backstory was rendered. The narrative started",
"in which each character's backstory was rendered. The narrative started out in present",
"in reaction to) circumstances from the past; indeed, plot points from the present-day",
"depicted characters making certain decisions that, to the audience, seem unexplained. In parallel,",
"the present-day scenes seem to require resolution of plot points from the backstory,",
"circumstances from the past; indeed, plot points from the present-day scenes seem to",
"resolution of plot points from the backstory, and are often presented in proximity",
"proximity for dramatic effect. A similar narrative structure was used for the series",
"perfect sense. This sort of structure opens up interesting dramatic opportunities when the",
"make perfect sense. This sort of structure opens up interesting dramatic opportunities when",
"[Once](https://www.imdb.com/title/tt0907657/) (which was home to many of the veterans of the Lost cast",
"was home to many of the veterans of the Lost cast and crew,",
"to the audience, seem unexplained. In parallel, the character's backstory would be provided,",
"periods. As the backstory would unfold, some of those mysterious decisions would start",
"are often presented in proximity for dramatic effect. A similar narrative structure was",
"shown to be reflective of (or in reaction to) circumstances from the past;",
"dramatic opportunities when the author ties the two timelines together, as the character's",
"the new series [Lost in Space](https://www.imdb.com/title/tt5232792/) (at least in the beginning). What is",
"least in the beginning). What is this form of narrative called? Are there",
"started out in present day and depicted characters making certain decisions that, to",
"so that the narrative would weave back and forth between the two time",
"start to make perfect sense. This sort of structure opens up interesting dramatic",
"the hallmark features of the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which",
"opens up interesting dramatic opportunities when the author ties the two timelines together,",
"be provided, so that the narrative would weave back and forth between the",
"for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many of the veterans of",
"the series [Once](https://www.imdb.com/title/tt0907657/) (which was home to many of the veterans of the",
"One of the hallmark features of the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way",
"the past; indeed, plot points from the present-day scenes seem to require resolution",
"and are often presented in proximity for dramatic effect. A similar narrative structure",
"A similar narrative structure was used for the series [Once](https://www.imdb.com/title/tt0907657/) (which was home",
"of (or in reaction to) circumstances from the past; indeed, plot points from",
"are shown to be reflective of (or in reaction to) circumstances from the",
"characters making certain decisions that, to the audience, seem unexplained. In parallel, the",
"and crew, including some of the writers) and is currently in use with",
"hallmark features of the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in which each",
"making certain decisions that, to the audience, seem unexplained. In parallel, the character's",
"the character's backstory would be provided, so that the narrative would weave back",
"from the present-day scenes seem to require resolution of plot points from the",
"points from the backstory, and are often presented in proximity for dramatic effect.",
"beginning). What is this form of narrative called? Are there any literary examples?",
"when the author ties the two timelines together, as the character's present-day actions",
"of the hallmark features of the television show [Lost](https://www.imdb.com/title/tt0411008/) was the way in",
"and forth between the two time periods. As the backstory would unfold, some",
"and depicted characters making certain decisions that, to the audience, seem unexplained. In",
"present-day actions are shown to be reflective of (or in reaction to) circumstances",
"of the writers) and is currently in use with the new series [Lost",
"narrative would weave back and forth between the two time periods. As the",
"the two time periods. As the backstory would unfold, some of those mysterious",
"to require resolution of plot points from the backstory, and are often presented",
"was rendered. The narrative started out in present day and depicted characters making",
"back and forth between the two time periods. As the backstory would unfold,",
"scenes seem to require resolution of plot points from the backstory, and are",
"of plot points from the backstory, and are often presented in proximity for",
"way in which each character's backstory was rendered. The narrative started out in",
"sort of structure opens up interesting dramatic opportunities when the author ties the",
"the veterans of the Lost cast and crew, including some of the writers)",
"seem unexplained. In parallel, the character's backstory would be provided, so that the",
"seem to require resolution of plot points from the backstory, and are often",
"day and depicted characters making certain decisions that, to the audience, seem unexplained.",
"character's backstory was rendered. The narrative started out in present day and depicted",
"the author ties the two timelines together, as the character's present-day actions are",
"to) circumstances from the past; indeed, plot points from the present-day scenes seem",
"would start to make perfect sense. This sort of structure opens up interesting",
"in present day and depicted characters making certain decisions that, to the audience,",
"opportunities when the author ties the two timelines together, as the character's present-day"
] |
[
"aspects of the personalities are completely different? I wrote this book keeping in",
"just delusional or something, or do people really not catch on more subtle",
"or something, or do people really not catch on more subtle differences that",
"critique of my novel, saying some characters were too similar, and that they",
"though their motivations, goals, and more subtle aspects of the personalities are completely",
"and dislikes and flaws. The characters she mentioned were exactly the characters whose",
"their actions throughout the story, rather than dialog and me (the narrator) flat",
"whose personalities were more shown through their actions throughout the story, rather than",
"more shown through their actions throughout the story, rather than dialog and me",
"aren't cartooney and extreme. Is it really true I can't have two characters",
"have two characters be, for example both jolly or both stern and serious",
"I wrote this book keeping in mind that people thought I was treating",
"wrote this book keeping in mind that people thought I was treating my",
"and overexplaining. Now that I finally tried to back away from that, it",
"and extreme. Is it really true I can't have two characters be, for",
"mind that people thought I was treating my audience like idiots, constantly spelling",
"or both stern and serious because then people think they're the same even",
"story, rather than dialog and me (the narrator) flat out pointing it out",
"were exactly the characters whose personalities were more shown through their actions throughout",
"to back away from that, it backlashes. I'm not sure what or who",
"really true I can't have two characters be, for example both jolly or",
"jolly or both stern and serious because then people think they're the same",
"in mind that people thought I was treating my audience like idiots, constantly",
"out for them and overexplaining. Now that I finally tried to back away",
"that they had the same likes and dislikes and flaws. The characters she",
"returned to me with her initial critique of my novel, saying some characters",
"narrator) flat out pointing it out to the reader. Who's in the right",
"Is it really true I can't have two characters be, for example both",
"they're the same even though their motivations, goals, and more subtle aspects of",
"I finally tried to back away from that, it backlashes. I'm not sure",
"my novel, saying some characters were too similar, and that they had the",
"something, or do people really not catch on more subtle differences that aren't",
"The characters she mentioned were exactly the characters whose personalities were more shown",
"the right here? Am I just delusional or something, or do people really",
"dislikes and flaws. The characters she mentioned were exactly the characters whose personalities",
"more subtle differences that aren't cartooney and extreme. Is it really true I",
"and more subtle aspects of the personalities are completely different? I wrote this",
"differences that aren't cartooney and extreme. Is it really true I can't have",
"in the right here? Am I just delusional or something, or do people",
"same likes and dislikes and flaws. The characters she mentioned were exactly the",
"actions throughout the story, rather than dialog and me (the narrator) flat out",
"exactly the characters whose personalities were more shown through their actions throughout the",
"cartooney and extreme. Is it really true I can't have two characters be,",
"their motivations, goals, and more subtle aspects of the personalities are completely different?",
"things out for them and overexplaining. Now that I finally tried to back",
"my audience like idiots, constantly spelling things out for them and overexplaining. Now",
"the characters whose personalities were more shown through their actions throughout the story,",
"subtle aspects of the personalities are completely different? I wrote this book keeping",
"initial critique of my novel, saying some characters were too similar, and that",
"both jolly or both stern and serious because then people think they're the",
"personalities are completely different? I wrote this book keeping in mind that people",
"spelling things out for them and overexplaining. Now that I finally tried to",
"than dialog and me (the narrator) flat out pointing it out to the",
"catch on more subtle differences that aren't cartooney and extreme. Is it really",
"had the same likes and dislikes and flaws. The characters she mentioned were",
"keeping in mind that people thought I was treating my audience like idiots,",
"her initial critique of my novel, saying some characters were too similar, and",
"them and overexplaining. Now that I finally tried to back away from that,",
"the story, rather than dialog and me (the narrator) flat out pointing it",
"personalities were more shown through their actions throughout the story, rather than dialog",
"even though their motivations, goals, and more subtle aspects of the personalities are",
"I just delusional or something, or do people really not catch on more",
"of my novel, saying some characters were too similar, and that they had",
"dialog and me (the narrator) flat out pointing it out to the reader.",
"true I can't have two characters be, for example both jolly or both",
"she mentioned were exactly the characters whose personalities were more shown through their",
"like idiots, constantly spelling things out for them and overexplaining. Now that I",
"flaws. The characters she mentioned were exactly the characters whose personalities were more",
"and serious because then people think they're the same even though their motivations,",
"book keeping in mind that people thought I was treating my audience like",
"to me with her initial critique of my novel, saying some characters were",
"not catch on more subtle differences that aren't cartooney and extreme. Is it",
"back away from that, it backlashes. I'm not sure what or who to",
"throughout the story, rather than dialog and me (the narrator) flat out pointing",
"delusional or something, or do people really not catch on more subtle differences",
"the personalities are completely different? I wrote this book keeping in mind that",
"characters be, for example both jolly or both stern and serious because then",
"different? I wrote this book keeping in mind that people thought I was",
"extreme. Is it really true I can't have two characters be, for example",
"do people really not catch on more subtle differences that aren't cartooney and",
"constantly spelling things out for them and overexplaining. Now that I finally tried",
"novel, saying some characters were too similar, and that they had the same",
"to the reader. Who's in the right here? Am I just delusional or",
"people think they're the same even though their motivations, goals, and more subtle",
"mentioned were exactly the characters whose personalities were more shown through their actions",
"the same even though their motivations, goals, and more subtle aspects of the",
"was treating my audience like idiots, constantly spelling things out for them and",
"on more subtle differences that aren't cartooney and extreme. Is it really true",
"out to the reader. Who's in the right here? Am I just delusional",
"I was treating my audience like idiots, constantly spelling things out for them",
"idiots, constantly spelling things out for them and overexplaining. Now that I finally",
"Who's in the right here? Am I just delusional or something, or do",
"it really true I can't have two characters be, for example both jolly",
"completely different? I wrote this book keeping in mind that people thought I",
"saying some characters were too similar, and that they had the same likes",
"and that they had the same likes and dislikes and flaws. The characters",
"are completely different? I wrote this book keeping in mind that people thought",
"me with her initial critique of my novel, saying some characters were too",
"too similar, and that they had the same likes and dislikes and flaws.",
"then people think they're the same even though their motivations, goals, and more",
"of the personalities are completely different? I wrote this book keeping in mind",
"thought I was treating my audience like idiots, constantly spelling things out for",
"that aren't cartooney and extreme. Is it really true I can't have two",
"with her initial critique of my novel, saying some characters were too similar,",
"flat out pointing it out to the reader. Who's in the right here?",
"out pointing it out to the reader. Who's in the right here? Am",
"treating my audience like idiots, constantly spelling things out for them and overexplaining.",
"(the narrator) flat out pointing it out to the reader. Who's in the",
"because then people think they're the same even though their motivations, goals, and",
"reader. Who's in the right here? Am I just delusional or something, or",
"were more shown through their actions throughout the story, rather than dialog and",
"characters whose personalities were more shown through their actions throughout the story, rather",
"this book keeping in mind that people thought I was treating my audience",
"tried to back away from that, it backlashes. I'm not sure what or",
"the same likes and dislikes and flaws. The characters she mentioned were exactly",
"me (the narrator) flat out pointing it out to the reader. Who's in",
"serious because then people think they're the same even though their motivations, goals,",
"Now that I finally tried to back away from that, it backlashes. I'm",
"rather than dialog and me (the narrator) flat out pointing it out to",
"editor returned to me with her initial critique of my novel, saying some",
"shown through their actions throughout the story, rather than dialog and me (the",
"similar, and that they had the same likes and dislikes and flaws. The",
"I can't have two characters be, for example both jolly or both stern",
"likes and dislikes and flaws. The characters she mentioned were exactly the characters",
"Am I just delusional or something, or do people really not catch on",
"pointing it out to the reader. Who's in the right here? Am I",
"it out to the reader. Who's in the right here? Am I just",
"for example both jolly or both stern and serious because then people think",
"motivations, goals, and more subtle aspects of the personalities are completely different? I",
"here? Am I just delusional or something, or do people really not catch",
"stern and serious because then people think they're the same even though their",
"that I finally tried to back away from that, it backlashes. I'm not",
"more subtle aspects of the personalities are completely different? I wrote this book",
"overexplaining. Now that I finally tried to back away from that, it backlashes.",
"audience like idiots, constantly spelling things out for them and overexplaining. Now that",
"the reader. Who's in the right here? Am I just delusional or something,",
"two characters be, for example both jolly or both stern and serious because",
"both stern and serious because then people think they're the same even though",
"through their actions throughout the story, rather than dialog and me (the narrator)",
"goals, and more subtle aspects of the personalities are completely different? I wrote",
"example both jolly or both stern and serious because then people think they're",
"that people thought I was treating my audience like idiots, constantly spelling things",
"right here? Am I just delusional or something, or do people really not",
"subtle differences that aren't cartooney and extreme. Is it really true I can't",
"characters she mentioned were exactly the characters whose personalities were more shown through",
"My editor returned to me with her initial critique of my novel, saying",
"from that, it backlashes. I'm not sure what or who to believe anymore.",
"for them and overexplaining. Now that I finally tried to back away from",
"and me (the narrator) flat out pointing it out to the reader. Who's",
"or do people really not catch on more subtle differences that aren't cartooney",
"be, for example both jolly or both stern and serious because then people",
"characters were too similar, and that they had the same likes and dislikes",
"finally tried to back away from that, it backlashes. I'm not sure what",
"some characters were too similar, and that they had the same likes and",
"away from that, it backlashes. I'm not sure what or who to believe",
"people really not catch on more subtle differences that aren't cartooney and extreme.",
"same even though their motivations, goals, and more subtle aspects of the personalities",
"they had the same likes and dislikes and flaws. The characters she mentioned",
"can't have two characters be, for example both jolly or both stern and",
"were too similar, and that they had the same likes and dislikes and",
"really not catch on more subtle differences that aren't cartooney and extreme. Is",
"think they're the same even though their motivations, goals, and more subtle aspects",
"people thought I was treating my audience like idiots, constantly spelling things out",
"and flaws. The characters she mentioned were exactly the characters whose personalities were"
] |
[
"hotel. You think about it for a while and then you tell me",
"I know that a **first-person narrative** is written from the point of view",
"story writer and I want to learn more about this style by searching",
"past tense or in the present tense, like the examples below? --- Example",
"I can't search for them if I don't even know what it's called.",
"wanted to go drop our things off at the hotel. You thought about",
"related specific \"sub-types\" of perspective where you are speaking to the reader, either",
"right away, or wanted to go drop our things off at the hotel.",
"narrative** is written from the point of view of the narrator, relaying events",
"you wanted start sight-seeing right away, or wanted to go drop our things",
"ask you if you want to start sight-seeing right away, or if you",
"first want to get some lunch.\" > > > I am an amateur",
"I want to learn more about this style by searching for existing stories",
"get some lunch.* > > > --- Example 2: **Present Tense:** > >",
"name/term for each of the related specific \"sub-types\" of perspective where you are",
"wanted start sight-seeing right away, or wanted to go drop our things off",
"of view of the narrator, relaying events from their own point of view",
"at the hotel. You think about it for a while and then you",
"it for a while and then you tell me you are hungry and",
"the present tense, like the examples below? --- Example 1: **Past Tense**: >",
"**first-person narrative** is written from the point of view of the narrator, relaying",
"relaying events from their own point of view using the first person (i.e.",
"for each of the related specific \"sub-types\" of perspective where you are speaking",
"right away, or if you want to go drop our things off at",
"the narrator, relaying events from their own point of view using the first",
"you tell me you are hungry and that you first want to get",
"you want to go drop our things off at the hotel. You think",
"from their own point of view using the first person (i.e. **`I`** or",
"> > > I am an amateur story writer and I want to",
"> When our train arrives in Paris, I ask you if you want",
"and that you first want to get some lunch.\" > > > I",
"speaking to the reader, either in the past tense or in the present",
"asked you if you wanted start sight-seeing right away, or wanted to go",
"and I want to learn more about this style by searching for existing",
"in Paris, I ask you if you want to start sight-seeing right away,",
"the first person (i.e. **`I`** or ***`we`***, etc). Is there a name/term for",
"Is there a name/term for each of the related specific \"sub-types\" of perspective",
"or if you want to go drop our things off at the hotel.",
"start sight-seeing right away, or wanted to go drop our things off at",
"away, or if you want to go drop our things off at the",
"I am an amateur story writer and I want to learn more about",
"style by searching for existing stories in those points-of-view, but I can't search",
"**`I`** or ***`we`***, etc). Is there a name/term for each of the related",
"perspective where you are speaking to the reader, either in the past tense",
"if you want to go drop our things off at the hotel. You",
"our train arrives in Paris, I ask you if you want to start",
"or wanted to go drop our things off at the hotel. You thought",
"me you were hungry and that you first wanted to get some lunch.*",
"specific \"sub-types\" of perspective where you are speaking to the reader, either in",
"the point of view of the narrator, relaying events from their own point",
"drop our things off at the hotel. You think about it for a",
"Example 2: **Present Tense:** > > When our train arrives in Paris, I",
"are speaking to the reader, either in the past tense or in the",
"You think about it for a while and then you tell me you",
"think about it for a while and then you tell me you are",
"go drop our things off at the hotel. You thought about it and",
"that you first wanted to get some lunch.* > > > --- Example",
"the reader, either in the past tense or in the present tense, like",
"> > --- Example 2: **Present Tense:** > > When our train arrives",
"> --- Example 2: **Present Tense:** > > When our train arrives in",
"narrator, relaying events from their own point of view using the first person",
"in those points-of-view, but I can't search for them if I don't even",
"by searching for existing stories in those points-of-view, but I can't search for",
"want to get some lunch.\" > > > I am an amateur story",
"in Paris, I asked you if you wanted start sight-seeing right away, or",
"lunch.* > > > --- Example 2: **Present Tense:** > > When our",
"sight-seeing right away, or wanted to go drop our things off at the",
"Tense:** > > When our train arrives in Paris, I ask you if",
"You thought about it and then told me you were hungry and that",
"for existing stories in those points-of-view, but I can't search for them if",
"first wanted to get some lunch.* > > > --- Example 2: **Present",
"first person (i.e. **`I`** or ***`we`***, etc). Is there a name/term for each",
"off at the hotel. You think about it for a while and then",
"you if you want to start sight-seeing right away, or if you want",
"drop our things off at the hotel. You thought about it and then",
"our things off at the hotel. You think about it for a while",
"off at the hotel. You thought about it and then told me you",
"you want to start sight-seeing right away, or if you want to go",
"of the related specific \"sub-types\" of perspective where you are speaking to the",
"1: **Past Tense**: > > *When our train arrived in Paris, I asked",
"about this style by searching for existing stories in those points-of-view, but I",
"***`we`***, etc). Is there a name/term for each of the related specific \"sub-types\"",
"lunch.\" > > > I am an amateur story writer and I want",
"using the first person (i.e. **`I`** or ***`we`***, etc). Is there a name/term",
"> > *When our train arrived in Paris, I asked you if you",
"to get some lunch.* > > > --- Example 2: **Present Tense:** >",
"start sight-seeing right away, or if you want to go drop our things",
"but I can't search for them if I don't even know what it's",
"were hungry and that you first wanted to get some lunch.* > >",
"is written from the point of view of the narrator, relaying events from",
"our things off at the hotel. You thought about it and then told",
"point of view using the first person (i.e. **`I`** or ***`we`***, etc). Is",
"train arrives in Paris, I ask you if you want to start sight-seeing",
"stories in those points-of-view, but I can't search for them if I don't",
"want to go drop our things off at the hotel. You think about",
"each of the related specific \"sub-types\" of perspective where you are speaking to",
"a name/term for each of the related specific \"sub-types\" of perspective where you",
"more about this style by searching for existing stories in those points-of-view, but",
"of the narrator, relaying events from their own point of view using the",
"our train arrived in Paris, I asked you if you wanted start sight-seeing",
"this style by searching for existing stories in those points-of-view, but I can't",
"thought about it and then told me you were hungry and that you",
"want to learn more about this style by searching for existing stories in",
"like the examples below? --- Example 1: **Past Tense**: > > *When our",
"a **first-person narrative** is written from the point of view of the narrator,",
"train arrived in Paris, I asked you if you wanted start sight-seeing right",
"tense, like the examples below? --- Example 1: **Past Tense**: > > *When",
"wanted to get some lunch.* > > > --- Example 2: **Present Tense:**",
"(i.e. **`I`** or ***`we`***, etc). Is there a name/term for each of the",
"**Past Tense**: > > *When our train arrived in Paris, I asked you",
"and then you tell me you are hungry and that you first want",
"of perspective where you are speaking to the reader, either in the past",
"to the reader, either in the past tense or in the present tense,",
"or in the present tense, like the examples below? --- Example 1: **Past",
"sight-seeing right away, or if you want to go drop our things off",
"> > I am an amateur story writer and I want to learn",
"if you want to start sight-seeing right away, or if you want to",
"learn more about this style by searching for existing stories in those points-of-view,",
"present tense, like the examples below? --- Example 1: **Past Tense**: > >",
"Example 1: **Past Tense**: > > *When our train arrived in Paris, I",
"know that a **first-person narrative** is written from the point of view of",
"to go drop our things off at the hotel. You think about it",
"> > When our train arrives in Paris, I ask you if you",
"the hotel. You think about it for a while and then you tell",
"from the point of view of the narrator, relaying events from their own",
"points-of-view, but I can't search for them if I don't even know what",
"events from their own point of view using the first person (i.e. **`I`**",
"point of view of the narrator, relaying events from their own point of",
"either in the past tense or in the present tense, like the examples",
"while and then you tell me you are hungry and that you first",
"at the hotel. You thought about it and then told me you were",
"--- Example 1: **Past Tense**: > > *When our train arrived in Paris,",
"hungry and that you first want to get some lunch.\" > > >",
"and then told me you were hungry and that you first wanted to",
"get some lunch.\" > > > I am an amateur story writer and",
"those points-of-view, but I can't search for them if I don't even know",
"reader, either in the past tense or in the present tense, like the",
"the examples below? --- Example 1: **Past Tense**: > > *When our train",
"it and then told me you were hungry and that you first wanted",
"When our train arrives in Paris, I ask you if you want to",
"that you first want to get some lunch.\" > > > I am",
"in the present tense, like the examples below? --- Example 1: **Past Tense**:",
"below? --- Example 1: **Past Tense**: > > *When our train arrived in",
"I asked you if you wanted start sight-seeing right away, or wanted to",
"if you wanted start sight-seeing right away, or wanted to go drop our",
"you first want to get some lunch.\" > > > I am an",
"hotel. You thought about it and then told me you were hungry and",
"away, or wanted to go drop our things off at the hotel. You",
"> I am an amateur story writer and I want to learn more",
"or ***`we`***, etc). Is there a name/term for each of the related specific",
"Tense**: > > *When our train arrived in Paris, I asked you if",
"etc). Is there a name/term for each of the related specific \"sub-types\" of",
"that a **first-person narrative** is written from the point of view of the",
"own point of view using the first person (i.e. **`I`** or ***`we`***, etc).",
"for a while and then you tell me you are hungry and that",
"about it for a while and then you tell me you are hungry",
"> > > --- Example 2: **Present Tense:** > > When our train",
"existing stories in those points-of-view, but I can't search for them if I",
"there a name/term for each of the related specific \"sub-types\" of perspective where",
"*When our train arrived in Paris, I asked you if you wanted start",
"then told me you were hungry and that you first wanted to get",
"I ask you if you want to start sight-seeing right away, or if",
"to start sight-seeing right away, or if you want to go drop our",
"am an amateur story writer and I want to learn more about this",
"the related specific \"sub-types\" of perspective where you are speaking to the reader,",
"told me you were hungry and that you first wanted to get some",
"hungry and that you first wanted to get some lunch.* > > >",
"then you tell me you are hungry and that you first want to",
"arrives in Paris, I ask you if you want to start sight-seeing right",
"\"sub-types\" of perspective where you are speaking to the reader, either in the",
"want to start sight-seeing right away, or if you want to go drop",
"tense or in the present tense, like the examples below? --- Example 1:",
"person (i.e. **`I`** or ***`we`***, etc). Is there a name/term for each of",
"a while and then you tell me you are hungry and that you",
"you first wanted to get some lunch.* > > > --- Example 2:",
"written from the point of view of the narrator, relaying events from their",
"view of the narrator, relaying events from their own point of view using",
"some lunch.* > > > --- Example 2: **Present Tense:** > > When",
"the hotel. You thought about it and then told me you were hungry",
"about it and then told me you were hungry and that you first",
"and that you first wanted to get some lunch.* > > > ---",
"of view using the first person (i.e. **`I`** or ***`we`***, etc). Is there",
"Paris, I ask you if you want to start sight-seeing right away, or",
"tell me you are hungry and that you first want to get some",
"arrived in Paris, I asked you if you wanted start sight-seeing right away,",
"amateur story writer and I want to learn more about this style by",
"where you are speaking to the reader, either in the past tense or",
"the past tense or in the present tense, like the examples below? ---",
"an amateur story writer and I want to learn more about this style",
"things off at the hotel. You think about it for a while and",
"in the past tense or in the present tense, like the examples below?",
"go drop our things off at the hotel. You think about it for",
"their own point of view using the first person (i.e. **`I`** or ***`we`***,",
"me you are hungry and that you first want to get some lunch.\"",
"**Present Tense:** > > When our train arrives in Paris, I ask you",
"examples below? --- Example 1: **Past Tense**: > > *When our train arrived",
"> *When our train arrived in Paris, I asked you if you wanted",
"Paris, I asked you if you wanted start sight-seeing right away, or wanted",
"things off at the hotel. You thought about it and then told me",
"you were hungry and that you first wanted to get some lunch.* >",
"to learn more about this style by searching for existing stories in those",
"are hungry and that you first want to get some lunch.\" > >",
"2: **Present Tense:** > > When our train arrives in Paris, I ask",
"writer and I want to learn more about this style by searching for",
"you if you wanted start sight-seeing right away, or wanted to go drop",
"you are speaking to the reader, either in the past tense or in",
"--- Example 2: **Present Tense:** > > When our train arrives in Paris,",
"to get some lunch.\" > > > I am an amateur story writer",
"some lunch.\" > > > I am an amateur story writer and I",
"view using the first person (i.e. **`I`** or ***`we`***, etc). Is there a",
"to go drop our things off at the hotel. You thought about it",
"you are hungry and that you first want to get some lunch.\" >",
"searching for existing stories in those points-of-view, but I can't search for them"
] |
[
"English speaking foreign friend. My character and the country he is in don't",
"they communicate in, but they can speak it. My problem is that their",
"is translated like how everyone in the Mulan movie spoke \"Chinese\" but speaks",
"in, but they can speak it. My problem is that their language is",
"speaking his language. I'm thinking of italicizing their English conversations, but I'm not",
"foreign friend was just speaking his language. I'm thinking of italicizing their English",
"he is in don't really use English as the language they communicate in,",
"Chinese?\" when she misheard him. I'm trying to have my character have a",
"one of my main character's English speaking foreign friend. My character and the",
"Mushu telling Mulan \"Don't you understand Chinese?\" when she misheard him. I'm trying",
"their language is translated like how everyone in the Mulan movie spoke \"Chinese\"",
"character and the country he is in don't really use English as the",
"language is translated like how everyone in the Mulan movie spoke \"Chinese\" but",
"trouble with portraying one of my main character's English speaking foreign friend. My",
"thinking of italicizing their English conversations, but I'm not that sure about it.",
"but I'm not that sure about it. I hope someone could help me",
"with portraying one of my main character's English speaking foreign friend. My character",
"conversations, but I'm not that sure about it. I hope someone could help",
"understood by the non-Chinese audience, with Mushu telling Mulan \"Don't you understand Chinese?\"",
"my character have a conversation with his friend without it looking like the",
"portraying one of my main character's English speaking foreign friend. My character and",
"in the Mulan movie spoke \"Chinese\" but speaks in English to be understood",
"not that sure about it. I hope someone could help me on this.",
"really use English as the language they communicate in, but they can speak",
"conversation with his friend without it looking like the foreign friend was just",
"main character's English speaking foreign friend. My character and the country he is",
"have my character have a conversation with his friend without it looking like",
"foreign friend. My character and the country he is in don't really use",
"Mulan \"Don't you understand Chinese?\" when she misheard him. I'm trying to have",
"\"Don't you understand Chinese?\" when she misheard him. I'm trying to have my",
"the foreign friend was just speaking his language. I'm thinking of italicizing their",
"but they can speak it. My problem is that their language is translated",
"looking like the foreign friend was just speaking his language. I'm thinking of",
"friend without it looking like the foreign friend was just speaking his language.",
"My character and the country he is in don't really use English as",
"English conversations, but I'm not that sure about it. I hope someone could",
"like how everyone in the Mulan movie spoke \"Chinese\" but speaks in English",
"you understand Chinese?\" when she misheard him. I'm trying to have my character",
"how everyone in the Mulan movie spoke \"Chinese\" but speaks in English to",
"speaking foreign friend. My character and the country he is in don't really",
"just speaking his language. I'm thinking of italicizing their English conversations, but I'm",
"friend was just speaking his language. I'm thinking of italicizing their English conversations,",
"can speak it. My problem is that their language is translated like how",
"his friend without it looking like the foreign friend was just speaking his",
"non-Chinese audience, with Mushu telling Mulan \"Don't you understand Chinese?\" when she misheard",
"of italicizing their English conversations, but I'm not that sure about it. I",
"my main character's English speaking foreign friend. My character and the country he",
"is in don't really use English as the language they communicate in, but",
"with Mushu telling Mulan \"Don't you understand Chinese?\" when she misheard him. I'm",
"be understood by the non-Chinese audience, with Mushu telling Mulan \"Don't you understand",
"I'm thinking of italicizing their English conversations, but I'm not that sure about",
"English to be understood by the non-Chinese audience, with Mushu telling Mulan \"Don't",
"don't really use English as the language they communicate in, but they can",
"have a conversation with his friend without it looking like the foreign friend",
"character have a conversation with his friend without it looking like the foreign",
"a conversation with his friend without it looking like the foreign friend was",
"she misheard him. I'm trying to have my character have a conversation with",
"trying to have my character have a conversation with his friend without it",
"My problem is that their language is translated like how everyone in the",
"the non-Chinese audience, with Mushu telling Mulan \"Don't you understand Chinese?\" when she",
"audience, with Mushu telling Mulan \"Don't you understand Chinese?\" when she misheard him.",
"in English to be understood by the non-Chinese audience, with Mushu telling Mulan",
"as the language they communicate in, but they can speak it. My problem",
"of my main character's English speaking foreign friend. My character and the country",
"their English conversations, but I'm not that sure about it. I hope someone",
"Mulan movie spoke \"Chinese\" but speaks in English to be understood by the",
"with his friend without it looking like the foreign friend was just speaking",
"when she misheard him. I'm trying to have my character have a conversation",
"everyone in the Mulan movie spoke \"Chinese\" but speaks in English to be",
"to have my character have a conversation with his friend without it looking",
"character's English speaking foreign friend. My character and the country he is in",
"friend. My character and the country he is in don't really use English",
"him. I'm trying to have my character have a conversation with his friend",
"but speaks in English to be understood by the non-Chinese audience, with Mushu",
"the country he is in don't really use English as the language they",
"problem is that their language is translated like how everyone in the Mulan",
"English as the language they communicate in, but they can speak it. My",
"kind of having trouble with portraying one of my main character's English speaking",
"misheard him. I'm trying to have my character have a conversation with his",
"was just speaking his language. I'm thinking of italicizing their English conversations, but",
"they can speak it. My problem is that their language is translated like",
"communicate in, but they can speak it. My problem is that their language",
"it. My problem is that their language is translated like how everyone in",
"speak it. My problem is that their language is translated like how everyone",
"I'm not that sure about it. I hope someone could help me on",
"to be understood by the non-Chinese audience, with Mushu telling Mulan \"Don't you",
"movie spoke \"Chinese\" but speaks in English to be understood by the non-Chinese",
"translated like how everyone in the Mulan movie spoke \"Chinese\" but speaks in",
"of having trouble with portraying one of my main character's English speaking foreign",
"his language. I'm thinking of italicizing their English conversations, but I'm not that",
"the Mulan movie spoke \"Chinese\" but speaks in English to be understood by",
"and the country he is in don't really use English as the language",
"I'm kind of having trouble with portraying one of my main character's English",
"that their language is translated like how everyone in the Mulan movie spoke",
"in don't really use English as the language they communicate in, but they",
"telling Mulan \"Don't you understand Chinese?\" when she misheard him. I'm trying to",
"by the non-Chinese audience, with Mushu telling Mulan \"Don't you understand Chinese?\" when",
"italicizing their English conversations, but I'm not that sure about it. I hope",
"it looking like the foreign friend was just speaking his language. I'm thinking",
"spoke \"Chinese\" but speaks in English to be understood by the non-Chinese audience,",
"use English as the language they communicate in, but they can speak it.",
"the language they communicate in, but they can speak it. My problem is",
"speaks in English to be understood by the non-Chinese audience, with Mushu telling",
"language. I'm thinking of italicizing their English conversations, but I'm not that sure",
"\"Chinese\" but speaks in English to be understood by the non-Chinese audience, with",
"understand Chinese?\" when she misheard him. I'm trying to have my character have",
"country he is in don't really use English as the language they communicate",
"like the foreign friend was just speaking his language. I'm thinking of italicizing",
"is that their language is translated like how everyone in the Mulan movie",
"I'm trying to have my character have a conversation with his friend without",
"without it looking like the foreign friend was just speaking his language. I'm",
"language they communicate in, but they can speak it. My problem is that",
"having trouble with portraying one of my main character's English speaking foreign friend."
] |
[
"in there. Can you please help me wrap my head around this logic?",
"argumentative paper for my Language Arts AP class, and I got docked points",
"person in a formal essay? I was writing an argumentative paper for my",
"is it unprofessional to use the first person in a formal essay? I",
"writing an argumentative paper for my Language Arts AP class, and I got",
"it unprofessional to use the first person in a formal essay? I was",
"Language Arts AP class, and I got docked points for having \"I\" in",
"to use the first person in a formal essay? I was writing an",
"for having \"I\" in there. Can you please help me wrap my head",
"the first person in a formal essay? I was writing an argumentative paper",
"for my Language Arts AP class, and I got docked points for having",
"paper for my Language Arts AP class, and I got docked points for",
"points for having \"I\" in there. Can you please help me wrap my",
"first person in a formal essay? I was writing an argumentative paper for",
"docked points for having \"I\" in there. Can you please help me wrap",
"an argumentative paper for my Language Arts AP class, and I got docked",
"I got docked points for having \"I\" in there. Can you please help",
"having \"I\" in there. Can you please help me wrap my head around",
"class, and I got docked points for having \"I\" in there. Can you",
"a formal essay? I was writing an argumentative paper for my Language Arts",
"AP class, and I got docked points for having \"I\" in there. Can",
"essay? I was writing an argumentative paper for my Language Arts AP class,",
"got docked points for having \"I\" in there. Can you please help me",
"Arts AP class, and I got docked points for having \"I\" in there.",
"formal essay? I was writing an argumentative paper for my Language Arts AP",
"was writing an argumentative paper for my Language Arts AP class, and I",
"\"I\" in there. Can you please help me wrap my head around this",
"use the first person in a formal essay? I was writing an argumentative",
"my Language Arts AP class, and I got docked points for having \"I\"",
"and I got docked points for having \"I\" in there. Can you please",
"in a formal essay? I was writing an argumentative paper for my Language",
"I was writing an argumentative paper for my Language Arts AP class, and",
"unprofessional to use the first person in a formal essay? I was writing",
"Why is it unprofessional to use the first person in a formal essay?"
] |
[
"biting me in the behind now! In recent years I have made efforts",
"them the next day, but rarely do I end up with something I",
"my sentences are either too long, too short (and therefore paragraphs have no",
"good you don't really notice it and the story takes over - this",
"rarely do I end up with something I feel is engaging to a",
"what I would like to achieve, even if only in small doses. I",
"what good writing is, and yet because the writing is good you don't",
"suggest to keep writing and somehow it gets better - but I don't",
"construction when writing? I am a native English speaker and fairly well educated,",
"confess I didn't pay much attention in English class at school, something that's",
"to write more regularly (mostly non-fiction such as a blog) and some technical",
"have made efforts to write more regularly (mostly non-fiction such as a blog)",
"no flow) or I use commas or words in the wrong places. I",
"I do read a lot myself so it's not like I can't tell",
"resources online, but they tend to be one extreme or the other: either",
"in small doses. I know there are resources online, but they tend to",
"In recent years I have made efforts to write more regularly (mostly non-fiction",
"therefore paragraphs have no flow) or I use commas or words in the",
"have no flow) or I use commas or words in the wrong places.",
"use to improve my sentence construction when writing? I am a native English",
"do generally follow, or just suggest to keep writing and somehow it gets",
"tend to find my writing isn't particularly nice to read. I find my",
"to be one extreme or the other: either basic grammar rules that I",
"or I use commas or words in the wrong places. I am often",
"didn't pay much attention in English class at school, something that's biting me",
"story takes over - this is what I would like to achieve, even",
"native English speaker and fairly well educated, but confess I didn't pay much",
"and some technical writing at work, but I tend to find my writing",
"it and the story takes over - this is what I would like",
"it's not like I can't tell what good writing is, and yet because",
"is, and yet because the writing is good you don't really notice it",
"good writing is, and yet because the writing is good you don't really",
"and fairly well educated, but confess I didn't pay much attention in English",
"can use to improve my sentence construction when writing? I am a native",
"my writing isn't particularly nice to read. I find my sentences are either",
"generally follow, or just suggest to keep writing and somehow it gets better",
"techniques I can use to improve my sentence construction when writing? I am",
"made efforts to write more regularly (mostly non-fiction such as a blog) and",
"one extreme or the other: either basic grammar rules that I do generally",
"and yet because the writing is good you don't really notice it and",
"resources or techniques I can use to improve my sentence construction when writing?",
"how this can happen if I don't have some guides or lessons to",
"with something I feel is engaging to a reader. I do read a",
"attention in English class at school, something that's biting me in the behind",
"a blog) and some technical writing at work, but I tend to find",
"even if only in small doses. I know there are resources online, but",
"to improve my sentence construction when writing? I am a native English speaker",
"if only in small doses. I know there are resources online, but they",
"I know there are resources online, but they tend to be one extreme",
"such as a blog) and some technical writing at work, but I tend",
"small doses. I know there are resources online, but they tend to be",
"school, something that's biting me in the behind now! In recent years I",
"that I do generally follow, or just suggest to keep writing and somehow",
"online, but they tend to be one extreme or the other: either basic",
"as a blog) and some technical writing at work, but I tend to",
"by re-reading and editing them the next day, but rarely do I end",
"and the story takes over - this is what I would like to",
"extreme or the other: either basic grammar rules that I do generally follow,",
"the behind now! In recent years I have made efforts to write more",
"my sentence construction when writing? I am a native English speaker and fairly",
"there are resources online, but they tend to be one extreme or the",
"somehow it gets better - but I don't see how this can happen",
"writing isn't particularly nice to read. I find my sentences are either too",
"in the behind now! In recent years I have made efforts to write",
"to improve things by re-reading and editing them the next day, but rarely",
"improve my sentence construction when writing? I am a native English speaker and",
"places. I am often able to improve things by re-reading and editing them",
"English class at school, something that's biting me in the behind now! In",
"often able to improve things by re-reading and editing them the next day,",
"I can't tell what good writing is, and yet because the writing is",
"long, too short (and therefore paragraphs have no flow) or I use commas",
"a reader. I do read a lot myself so it's not like I",
"better - but I don't see how this can happen if I don't",
"like I can't tell what good writing is, and yet because the writing",
"words in the wrong places. I am often able to improve things by",
"improve things by re-reading and editing them the next day, but rarely do",
"see how this can happen if I don't have some guides or lessons",
"can't tell what good writing is, and yet because the writing is good",
"but they tend to be one extreme or the other: either basic grammar",
"and editing them the next day, but rarely do I end up with",
"like to achieve, even if only in small doses. I know there are",
"or the other: either basic grammar rules that I do generally follow, or",
"much attention in English class at school, something that's biting me in the",
"feel is engaging to a reader. I do read a lot myself so",
"regularly (mostly non-fiction such as a blog) and some technical writing at work,",
"Can anyone suggest resources or techniques I can use to improve my sentence",
"short (and therefore paragraphs have no flow) or I use commas or words",
"or techniques I can use to improve my sentence construction when writing? I",
"you don't really notice it and the story takes over - this is",
"editing them the next day, but rarely do I end up with something",
"something I feel is engaging to a reader. I do read a lot",
"- this is what I would like to achieve, even if only in",
"yet because the writing is good you don't really notice it and the",
"I feel is engaging to a reader. I do read a lot myself",
"over - this is what I would like to achieve, even if only",
"but rarely do I end up with something I feel is engaging to",
"anyone suggest resources or techniques I can use to improve my sentence construction",
"I am a native English speaker and fairly well educated, but confess I",
"the story takes over - this is what I would like to achieve,",
"things by re-reading and editing them the next day, but rarely do I",
"don't see how this can happen if I don't have some guides or",
"follow, or just suggest to keep writing and somehow it gets better -",
"I am often able to improve things by re-reading and editing them the",
"or words in the wrong places. I am often able to improve things",
"particularly nice to read. I find my sentences are either too long, too",
"I didn't pay much attention in English class at school, something that's biting",
"efforts to write more regularly (mostly non-fiction such as a blog) and some",
"but I tend to find my writing isn't particularly nice to read. I",
"in the wrong places. I am often able to improve things by re-reading",
"lot myself so it's not like I can't tell what good writing is,",
"writing is, and yet because the writing is good you don't really notice",
"in English class at school, something that's biting me in the behind now!",
"more regularly (mostly non-fiction such as a blog) and some technical writing at",
"tend to be one extreme or the other: either basic grammar rules that",
"is engaging to a reader. I do read a lot myself so it's",
"sentences are either too long, too short (and therefore paragraphs have no flow)",
"I would like to achieve, even if only in small doses. I know",
"be one extreme or the other: either basic grammar rules that I do",
"behind now! In recent years I have made efforts to write more regularly",
"writing? I am a native English speaker and fairly well educated, but confess",
"to read. I find my sentences are either too long, too short (and",
"they tend to be one extreme or the other: either basic grammar rules",
"commas or words in the wrong places. I am often able to improve",
"either too long, too short (and therefore paragraphs have no flow) or I",
"the other: either basic grammar rules that I do generally follow, or just",
"am often able to improve things by re-reading and editing them the next",
"other: either basic grammar rules that I do generally follow, or just suggest",
"writing is good you don't really notice it and the story takes over",
"is what I would like to achieve, even if only in small doses.",
"takes over - this is what I would like to achieve, even if",
"read. I find my sentences are either too long, too short (and therefore",
"use commas or words in the wrong places. I am often able to",
"now! In recent years I have made efforts to write more regularly (mostly",
"to a reader. I do read a lot myself so it's not like",
"I end up with something I feel is engaging to a reader. I",
"speaker and fairly well educated, but confess I didn't pay much attention in",
"just suggest to keep writing and somehow it gets better - but I",
"well educated, but confess I didn't pay much attention in English class at",
"do read a lot myself so it's not like I can't tell what",
"write more regularly (mostly non-fiction such as a blog) and some technical writing",
"is good you don't really notice it and the story takes over -",
"next day, but rarely do I end up with something I feel is",
"basic grammar rules that I do generally follow, or just suggest to keep",
"to keep writing and somehow it gets better - but I don't see",
"- but I don't see how this can happen if I don't have",
"but I don't see how this can happen if I don't have some",
"at school, something that's biting me in the behind now! In recent years",
"read a lot myself so it's not like I can't tell what good",
"or just suggest to keep writing and somehow it gets better - but",
"to find my writing isn't particularly nice to read. I find my sentences",
"find my writing isn't particularly nice to read. I find my sentences are",
"reader. I do read a lot myself so it's not like I can't",
"I tend to find my writing isn't particularly nice to read. I find",
"wrong places. I am often able to improve things by re-reading and editing",
"writing at work, but I tend to find my writing isn't particularly nice",
"recent years I have made efforts to write more regularly (mostly non-fiction such",
"able to improve things by re-reading and editing them the next day, but",
"do I end up with something I feel is engaging to a reader.",
"only in small doses. I know there are resources online, but they tend",
"fairly well educated, but confess I didn't pay much attention in English class",
"notice it and the story takes over - this is what I would",
"doses. I know there are resources online, but they tend to be one",
"this can happen if I don't have some guides or lessons to learn.",
"am a native English speaker and fairly well educated, but confess I didn't",
"I have made efforts to write more regularly (mostly non-fiction such as a",
"engaging to a reader. I do read a lot myself so it's not",
"are either too long, too short (and therefore paragraphs have no flow) or",
"and somehow it gets better - but I don't see how this can",
"would like to achieve, even if only in small doses. I know there",
"keep writing and somehow it gets better - but I don't see how",
"non-fiction such as a blog) and some technical writing at work, but I",
"are resources online, but they tend to be one extreme or the other:",
"rules that I do generally follow, or just suggest to keep writing and",
"too long, too short (and therefore paragraphs have no flow) or I use",
"I can use to improve my sentence construction when writing? I am a",
"either basic grammar rules that I do generally follow, or just suggest to",
"know there are resources online, but they tend to be one extreme or",
"the wrong places. I am often able to improve things by re-reading and",
"paragraphs have no flow) or I use commas or words in the wrong",
"I don't see how this can happen if I don't have some guides",
"day, but rarely do I end up with something I feel is engaging",
"but confess I didn't pay much attention in English class at school, something",
"(mostly non-fiction such as a blog) and some technical writing at work, but",
"flow) or I use commas or words in the wrong places. I am",
"sentence construction when writing? I am a native English speaker and fairly well",
"English speaker and fairly well educated, but confess I didn't pay much attention",
"something that's biting me in the behind now! In recent years I have",
"myself so it's not like I can't tell what good writing is, and",
"so it's not like I can't tell what good writing is, and yet",
"nice to read. I find my sentences are either too long, too short",
"re-reading and editing them the next day, but rarely do I end up",
"end up with something I feel is engaging to a reader. I do",
"too short (and therefore paragraphs have no flow) or I use commas or",
"achieve, even if only in small doses. I know there are resources online,",
"I use commas or words in the wrong places. I am often able",
"to achieve, even if only in small doses. I know there are resources",
"blog) and some technical writing at work, but I tend to find my",
"when writing? I am a native English speaker and fairly well educated, but",
"pay much attention in English class at school, something that's biting me in",
"a lot myself so it's not like I can't tell what good writing",
"educated, but confess I didn't pay much attention in English class at school,",
"writing and somehow it gets better - but I don't see how this",
"some technical writing at work, but I tend to find my writing isn't",
"this is what I would like to achieve, even if only in small",
"class at school, something that's biting me in the behind now! In recent",
"work, but I tend to find my writing isn't particularly nice to read.",
"tell what good writing is, and yet because the writing is good you",
"isn't particularly nice to read. I find my sentences are either too long,",
"find my sentences are either too long, too short (and therefore paragraphs have",
"it gets better - but I don't see how this can happen if",
"don't really notice it and the story takes over - this is what",
"at work, but I tend to find my writing isn't particularly nice to",
"that's biting me in the behind now! In recent years I have made",
"because the writing is good you don't really notice it and the story",
"grammar rules that I do generally follow, or just suggest to keep writing",
"(and therefore paragraphs have no flow) or I use commas or words in",
"the next day, but rarely do I end up with something I feel",
"years I have made efforts to write more regularly (mostly non-fiction such as",
"I do generally follow, or just suggest to keep writing and somehow it",
"not like I can't tell what good writing is, and yet because the",
"I find my sentences are either too long, too short (and therefore paragraphs",
"the writing is good you don't really notice it and the story takes",
"really notice it and the story takes over - this is what I",
"gets better - but I don't see how this can happen if I",
"a native English speaker and fairly well educated, but confess I didn't pay",
"me in the behind now! In recent years I have made efforts to",
"suggest resources or techniques I can use to improve my sentence construction when",
"technical writing at work, but I tend to find my writing isn't particularly",
"up with something I feel is engaging to a reader. I do read"
] |
[
"that is too fast, then the story calms down and the things continue",
"between \"They will not even notice that\" and \"They will laught and think",
"some writers can be helpful for me. How you know if the story",
"a story about a teenager that is problem child, so my collaborator said",
"day of a week happens something bad to him because it's a problem",
"I'm not aiming to an 100% realistic novel, it's YA fiction and my",
"that the people just stop reading because it's complete unbelievable. I'm between \"They",
"then the story calms down and the things continue happened after few days",
"An abrupt change. For one side, I'm not aiming to an 100% realistic",
"side, I'm not aiming to an 100% realistic novel, it's YA fiction and",
"common sense I think... The conjunction of experience of some writers can be",
"first draft. But I don't want that the people just stop reading because",
"happens something bad to him because it's a problem child after all... But",
"I don't want that the people just stop reading because it's complete unbelievable.",
"about a teenager that is problem child, so my collaborator said its ok",
"think what would happened next? An alien abduction before the dinner?\" If someone",
"I'm between \"They will not even notice that\" and \"They will laught and",
"problem child after all... But I still thinking that is too fast, then",
"continue happened after few days or even weeks. An abrupt change. For one",
"subjective, part common sense I think... The conjunction of experience of some writers",
"writers can be helpful for me. How you know if the story is",
"is too fast, then the story calms down and the things continue happened",
"something bad to him because it's a problem child after all... But I",
"know it's not too fast how the problems or obstacles hit the protagonist?",
"you know if the story is balanced? ...I mean,how you know it's not",
"happened next? An alien abduction before the dinner?\" If someone knows material about",
"it's complete unbelievable. I'm between \"They will not even notice that\" and \"They",
"protagonist? I'm writing a story about a teenager that is problem child, so",
"aiming to an 100% realistic novel, it's YA fiction and my first draft.",
"But I don't want that the people just stop reading because it's complete",
"part common sense I think... The conjunction of experience of some writers can",
"fast how the problems or obstacles hit the protagonist? I'm writing a story",
"down and the things continue happened after few days or even weeks. An",
"that is problem child, so my collaborator said its ok that every day",
"my first draft. But I don't want that the people just stop reading",
"all... But I still thinking that is too fast, then the story calms",
"...I mean,how you know it's not too fast how the problems or obstacles",
"and think what would happened next? An alien abduction before the dinner?\" If",
"how the problems or obstacles hit the protagonist? I'm writing a story about",
"that every day of a week happens something bad to him because it's",
"will not even notice that\" and \"They will laught and think what would",
"someone knows material about rhythm or pacing in writing I can read I'll",
"the protagonist? I'm writing a story about a teenager that is problem child,",
"weeks. An abrupt change. For one side, I'm not aiming to an 100%",
"I'm writing a story about a teenager that is problem child, so my",
"even notice that\" and \"They will laught and think what would happened next?",
"my collaborator said its ok that every day of a week happens something",
"and \"They will laught and think what would happened next? An alien abduction",
"just stop reading because it's complete unbelievable. I'm between \"They will not even",
"too fast, then the story calms down and the things continue happened after",
"one side, I'm not aiming to an 100% realistic novel, it's YA fiction",
"it's YA fiction and my first draft. But I don't want that the",
"after few days or even weeks. An abrupt change. For one side, I'm",
"100% realistic novel, it's YA fiction and my first draft. But I don't",
"problems or obstacles hit the protagonist? I'm writing a story about a teenager",
"mean,how you know it's not too fast how the problems or obstacles hit",
"alien abduction before the dinner?\" If someone knows material about rhythm or pacing",
"dinner?\" If someone knows material about rhythm or pacing in writing I can",
"can be helpful for me. How you know if the story is balanced?",
"stop reading because it's complete unbelievable. I'm between \"They will not even notice",
"If someone knows material about rhythm or pacing in writing I can read",
"and the things continue happened after few days or even weeks. An abrupt",
"\"They will laught and think what would happened next? An alien abduction before",
"knows material about rhythm or pacing in writing I can read I'll be",
"obstacles hit the protagonist? I'm writing a story about a teenager that is",
"because it's a problem child after all... But I still thinking that is",
"the dinner?\" If someone knows material about rhythm or pacing in writing I",
"sense I think... The conjunction of experience of some writers can be helpful",
"said its ok that every day of a week happens something bad to",
"of experience of some writers can be helpful for me. How you know",
"because it's complete unbelievable. I'm between \"They will not even notice that\" and",
"thinking that is too fast, then the story calms down and the things",
"complete unbelievable. I'm between \"They will not even notice that\" and \"They will",
"fast, then the story calms down and the things continue happened after few",
"story calms down and the things continue happened after few days or even",
"even weeks. An abrupt change. For one side, I'm not aiming to an",
"think... The conjunction of experience of some writers can be helpful for me.",
"a teenager that is problem child, so my collaborator said its ok that",
"The conjunction of experience of some writers can be helpful for me. How",
"story about a teenager that is problem child, so my collaborator said its",
"after all... But I still thinking that is too fast, then the story",
"the story calms down and the things continue happened after few days or",
"me. How you know if the story is balanced? ...I mean,how you know",
"bad to him because it's a problem child after all... But I still",
"unbelievable. I'm between \"They will not even notice that\" and \"They will laught",
"it's not too fast how the problems or obstacles hit the protagonist? I'm",
"days or even weeks. An abrupt change. For one side, I'm not aiming",
"him because it's a problem child after all... But I still thinking that",
"YA fiction and my first draft. But I don't want that the people",
"draft. But I don't want that the people just stop reading because it's",
"novel, it's YA fiction and my first draft. But I don't want that",
"ok that every day of a week happens something bad to him because",
"be helpful for me. How you know if the story is balanced? ...I",
"the story is balanced? ...I mean,how you know it's not too fast how",
"have a question, part subjective, part common sense I think... The conjunction of",
"I think... The conjunction of experience of some writers can be helpful for",
"teenager that is problem child, so my collaborator said its ok that every",
"every day of a week happens something bad to him because it's a",
"I have a question, part subjective, part common sense I think... The conjunction",
"too fast how the problems or obstacles hit the protagonist? I'm writing a",
"notice that\" and \"They will laught and think what would happened next? An",
"the things continue happened after few days or even weeks. An abrupt change.",
"question, part subjective, part common sense I think... The conjunction of experience of",
"and my first draft. But I don't want that the people just stop",
"will laught and think what would happened next? An alien abduction before the",
"if the story is balanced? ...I mean,how you know it's not too fast",
"about rhythm or pacing in writing I can read I'll be so happy.",
"its ok that every day of a week happens something bad to him",
"But I still thinking that is too fast, then the story calms down",
"so my collaborator said its ok that every day of a week happens",
"story is balanced? ...I mean,how you know it's not too fast how the",
"of some writers can be helpful for me. How you know if the",
"a problem child after all... But I still thinking that is too fast,",
"\"They will not even notice that\" and \"They will laught and think what",
"of a week happens something bad to him because it's a problem child",
"would happened next? An alien abduction before the dinner?\" If someone knows material",
"problem child, so my collaborator said its ok that every day of a",
"a question, part subjective, part common sense I think... The conjunction of experience",
"still thinking that is too fast, then the story calms down and the",
"the people just stop reading because it's complete unbelievable. I'm between \"They will",
"is balanced? ...I mean,how you know it's not too fast how the problems",
"change. For one side, I'm not aiming to an 100% realistic novel, it's",
"an 100% realistic novel, it's YA fiction and my first draft. But I",
"laught and think what would happened next? An alien abduction before the dinner?\"",
"balanced? ...I mean,how you know it's not too fast how the problems or",
"want that the people just stop reading because it's complete unbelievable. I'm between",
"How you know if the story is balanced? ...I mean,how you know it's",
"what would happened next? An alien abduction before the dinner?\" If someone knows",
"few days or even weeks. An abrupt change. For one side, I'm not",
"collaborator said its ok that every day of a week happens something bad",
"abduction before the dinner?\" If someone knows material about rhythm or pacing in",
"material about rhythm or pacing in writing I can read I'll be so",
"for me. How you know if the story is balanced? ...I mean,how you",
"you know it's not too fast how the problems or obstacles hit the",
"realistic novel, it's YA fiction and my first draft. But I don't want",
"An alien abduction before the dinner?\" If someone knows material about rhythm or",
"people just stop reading because it's complete unbelievable. I'm between \"They will not",
"the problems or obstacles hit the protagonist? I'm writing a story about a",
"abrupt change. For one side, I'm not aiming to an 100% realistic novel,",
"before the dinner?\" If someone knows material about rhythm or pacing in writing",
"hit the protagonist? I'm writing a story about a teenager that is problem",
"things continue happened after few days or even weeks. An abrupt change. For",
"helpful for me. How you know if the story is balanced? ...I mean,how",
"reading because it's complete unbelievable. I'm between \"They will not even notice that\"",
"I still thinking that is too fast, then the story calms down and",
"child, so my collaborator said its ok that every day of a week",
"part subjective, part common sense I think... The conjunction of experience of some",
"is problem child, so my collaborator said its ok that every day of",
"experience of some writers can be helpful for me. How you know if",
"next? An alien abduction before the dinner?\" If someone knows material about rhythm",
"or obstacles hit the protagonist? I'm writing a story about a teenager that",
"to him because it's a problem child after all... But I still thinking",
"a week happens something bad to him because it's a problem child after",
"not aiming to an 100% realistic novel, it's YA fiction and my first",
"conjunction of experience of some writers can be helpful for me. How you",
"writing a story about a teenager that is problem child, so my collaborator",
"not too fast how the problems or obstacles hit the protagonist? I'm writing",
"it's a problem child after all... But I still thinking that is too",
"know if the story is balanced? ...I mean,how you know it's not too",
"calms down and the things continue happened after few days or even weeks.",
"to an 100% realistic novel, it's YA fiction and my first draft. But",
"not even notice that\" and \"They will laught and think what would happened",
"or even weeks. An abrupt change. For one side, I'm not aiming to",
"For one side, I'm not aiming to an 100% realistic novel, it's YA",
"week happens something bad to him because it's a problem child after all...",
"happened after few days or even weeks. An abrupt change. For one side,",
"don't want that the people just stop reading because it's complete unbelievable. I'm",
"that\" and \"They will laught and think what would happened next? An alien",
"child after all... But I still thinking that is too fast, then the",
"fiction and my first draft. But I don't want that the people just"
] |
[
"author and I want to mention names of people who helped during my",
"Acknowledgement page in a novel? I looked in many novels by famous authors",
"I include Acknowledgement page in a novel? I looked in many novels by",
"(I am not talking about dedications.) Additionally, are there any novels that include",
"page in a novel? I looked in many novels by famous authors and",
"include Acknowledgement page in a novel? I looked in many novels by famous",
"writing. Can I include Acknowledgement page in a novel? I looked in many",
"by famous authors and they don't seem to add Acknowledgement. (I am not",
"want to mention names of people who helped during my writing. Can I",
"famous authors and they don't seem to add Acknowledgement. (I am not talking",
"looked in many novels by famous authors and they don't seem to add",
"novels by famous authors and they don't seem to add Acknowledgement. (I am",
"am a new author and I want to mention names of people who",
"novel? I looked in many novels by famous authors and they don't seem",
"who helped during my writing. Can I include Acknowledgement page in a novel?",
"many novels by famous authors and they don't seem to add Acknowledgement. (I",
"names of people who helped during my writing. Can I include Acknowledgement page",
"and they don't seem to add Acknowledgement. (I am not talking about dedications.)",
"I am a new author and I want to mention names of people",
"authors and they don't seem to add Acknowledgement. (I am not talking about",
"seem to add Acknowledgement. (I am not talking about dedications.) Additionally, are there",
"I want to mention names of people who helped during my writing. Can",
"helped during my writing. Can I include Acknowledgement page in a novel? I",
"and I want to mention names of people who helped during my writing.",
"my writing. Can I include Acknowledgement page in a novel? I looked in",
"during my writing. Can I include Acknowledgement page in a novel? I looked",
"don't seem to add Acknowledgement. (I am not talking about dedications.) Additionally, are",
"am not talking about dedications.) Additionally, are there any novels that include it?",
"they don't seem to add Acknowledgement. (I am not talking about dedications.) Additionally,",
"people who helped during my writing. Can I include Acknowledgement page in a",
"Can I include Acknowledgement page in a novel? I looked in many novels",
"I looked in many novels by famous authors and they don't seem to",
"new author and I want to mention names of people who helped during",
"a novel? I looked in many novels by famous authors and they don't",
"of people who helped during my writing. Can I include Acknowledgement page in",
"add Acknowledgement. (I am not talking about dedications.) Additionally, are there any novels",
"a new author and I want to mention names of people who helped",
"to mention names of people who helped during my writing. Can I include",
"in many novels by famous authors and they don't seem to add Acknowledgement.",
"in a novel? I looked in many novels by famous authors and they",
"to add Acknowledgement. (I am not talking about dedications.) Additionally, are there any",
"Acknowledgement. (I am not talking about dedications.) Additionally, are there any novels that",
"mention names of people who helped during my writing. Can I include Acknowledgement"
] |