Split (1)

train · 10.4M rows

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[ "or Americans the main characters in my book, and make the whole story", "people and places they don't know that much about, and if so, how", "good idea for a writer to write about people and places they don't", "around them in any other country? In general, is it a good idea", "writer to write about people and places they don't know that much about,", "characters in my book, and make the whole story revolve around them in", "other country? In general, is it a good idea for a writer to", "to write about people and places they don't know that much about, and", "want to make British or Americans the main characters in my book, and", "they don't know that much about, and if so, how should they go", "the main characters in my book, and make the whole story revolve around", "story revolve around them in any other country? In general, is it a", "to make British or Americans the main characters in my book, and make", "make British or Americans the main characters in my book, and make the", "Indian writer, if I want to make British or Americans the main characters", "is it a good idea for a writer to write about people and", "it a good idea for a writer to write about people and places", "a writer to write about people and places they don't know that much", "know that much about, and if so, how should they go about it?", "write about people and places they don't know that much about, and if", "about people and places they don't know that much about, and if so,", "book, and make the whole story revolve around them in any other country?", "in any other country? In general, is it a good idea for a", "idea for a writer to write about people and places they don't know", "and places they don't know that much about, and if so, how should", "What do I need to do, as an Indian writer, if I want", "an Indian writer, if I want to make British or Americans the main", "make the whole story revolve around them in any other country? In general,", "if I want to make British or Americans the main characters in my", "for a writer to write about people and places they don't know that", "need to do, as an Indian writer, if I want to make British", "main characters in my book, and make the whole story revolve around them", "my book, and make the whole story revolve around them in any other", "I need to do, as an Indian writer, if I want to make", "in my book, and make the whole story revolve around them in any", "writer, if I want to make British or Americans the main characters in", "do I need to do, as an Indian writer, if I want to", "I want to make British or Americans the main characters in my book,", "to do, as an Indian writer, if I want to make British or", "revolve around them in any other country? In general, is it a good", "any other country? In general, is it a good idea for a writer", "and make the whole story revolve around them in any other country? In", "country? In general, is it a good idea for a writer to write", "In general, is it a good idea for a writer to write about", "general, is it a good idea for a writer to write about people", "don't know that much about, and if so, how should they go about", "the whole story revolve around them in any other country? In general, is", "them in any other country? In general, is it a good idea for", "as an Indian writer, if I want to make British or Americans the", "Americans the main characters in my book, and make the whole story revolve", "places they don't know that much about, and if so, how should they", "whole story revolve around them in any other country? In general, is it", "British or Americans the main characters in my book, and make the whole", "a good idea for a writer to write about people and places they", "do, as an Indian writer, if I want to make British or Americans" ]
[ "for parents to name their children as such? Is it normal for parents", "and Cole can be short for Ruchelay. Sure, Cole can be short for", "then I found out that both Kics and Cole can be short for", "can be short for Calecam or Colton, and Kics can be short for", "that those names are very common), but still, I believe confusion can arise.", "Now, I've always thought that Kics and Cole are cool names, so therefore", "parents to name their children as such? Is it normal for parents to", "be short for Dominick or Nikon (not that those names are very common),", "Nikon (not that those names are very common), but still, I believe confusion", "are very common), but still, I believe confusion can arise. Of course I", "and Cole\". But then I found out that both Kics and Cole can", "Cole can be short for Calecam or Colton, and Kics can be short", "named the two brothers \"Kics and Cole\". But then I found out that", "to name their children as such? Is it normal for parents to do", "I believe confusion can arise. Of course I will clarify that the names", "book, there's two brothers, who are named Kics and Cole. Now, I've always", "(not that those names are very common), but still, I believe confusion can", "Kics and Cole. Now, I've always thought that Kics and Cole are cool", "and Kics can be short for Dominick or Nikon (not that those names", "believe confusion can arise. Of course I will clarify that the names are", "but would it even be realistic for parents to name their children as", "Calecam or Colton, and Kics can be short for Dominick or Nikon (not", "arise. Of course I will clarify that the names are short for different", "can arise. Of course I will clarify that the names are short for", "but still, I believe confusion can arise. Of course I will clarify that", "there's two brothers, who are named Kics and Cole. Now, I've always thought", "are short for different names, but would it even be realistic for parents", "still, I believe confusion can arise. Of course I will clarify that the", "names, but would it even be realistic for parents to name their children", "names are short for different names, but would it even be realistic for", "named Kics and Cole. Now, I've always thought that Kics and Cole are", "Cole are cool names, so therefore I named the two brothers \"Kics and", "brothers, who are named Kics and Cole. Now, I've always thought that Kics", "Ruchelay. Sure, Cole can be short for Calecam or Colton, and Kics can", "name their children as such? Is it normal for parents to do this?", "can be short for Ruchelay. Sure, Cole can be short for Calecam or", "it even be realistic for parents to name their children as such? Is", "Kics and Cole are cool names, so therefore I named the two brothers", "confusion can arise. Of course I will clarify that the names are short", "realistic for parents to name their children as such? Is it normal for", "cool names, so therefore I named the two brothers \"Kics and Cole\". But", "Cole can be short for Ruchelay. Sure, Cole can be short for Calecam", "I will clarify that the names are short for different names, but would", "and Cole. Now, I've always thought that Kics and Cole are cool names,", "always thought that Kics and Cole are cool names, so therefore I named", "short for different names, but would it even be realistic for parents to", "for Dominick or Nikon (not that those names are very common), but still,", "Cole. Now, I've always thought that Kics and Cole are cool names, so", "In my book, there's two brothers, who are named Kics and Cole. Now,", "will clarify that the names are short for different names, but would it", "be short for Calecam or Colton, and Kics can be short for Dominick", "found out that both Kics and Cole can be short for Ruchelay. Sure,", "brothers \"Kics and Cole\". But then I found out that both Kics and", "course I will clarify that the names are short for different names, but", "common), but still, I believe confusion can arise. Of course I will clarify", "my book, there's two brothers, who are named Kics and Cole. Now, I've", "both Kics and Cole can be short for Ruchelay. Sure, Cole can be", "names, so therefore I named the two brothers \"Kics and Cole\". But then", "out that both Kics and Cole can be short for Ruchelay. Sure, Cole", "Colton, and Kics can be short for Dominick or Nikon (not that those", "so therefore I named the two brothers \"Kics and Cole\". But then I", "the names are short for different names, but would it even be realistic", "can be short for Dominick or Nikon (not that those names are very", "Cole\". But then I found out that both Kics and Cole can be", "short for Dominick or Nikon (not that those names are very common), but", "short for Ruchelay. Sure, Cole can be short for Calecam or Colton, and", "therefore I named the two brothers \"Kics and Cole\". But then I found", "two brothers, who are named Kics and Cole. Now, I've always thought that", "very common), but still, I believe confusion can arise. Of course I will", "that both Kics and Cole can be short for Ruchelay. Sure, Cole can", "who are named Kics and Cole. Now, I've always thought that Kics and", "be short for Ruchelay. Sure, Cole can be short for Calecam or Colton,", "clarify that the names are short for different names, but would it even", "that the names are short for different names, but would it even be", "I found out that both Kics and Cole can be short for Ruchelay.", "short for Calecam or Colton, and Kics can be short for Dominick or", "even be realistic for parents to name their children as such? Is it", "for different names, but would it even be realistic for parents to name", "I named the two brothers \"Kics and Cole\". But then I found out", "\"Kics and Cole\". But then I found out that both Kics and Cole", "I've always thought that Kics and Cole are cool names, so therefore I", "names are very common), but still, I believe confusion can arise. Of course", "or Nikon (not that those names are very common), but still, I believe", "Kics can be short for Dominick or Nikon (not that those names are", "for Calecam or Colton, and Kics can be short for Dominick or Nikon", "are cool names, so therefore I named the two brothers \"Kics and Cole\".", "be realistic for parents to name their children as such? Is it normal", "would it even be realistic for parents to name their children as such?", "Dominick or Nikon (not that those names are very common), but still, I", "Of course I will clarify that the names are short for different names,", "two brothers \"Kics and Cole\". But then I found out that both Kics", "Sure, Cole can be short for Calecam or Colton, and Kics can be", "and Cole are cool names, so therefore I named the two brothers \"Kics", "those names are very common), but still, I believe confusion can arise. Of", "are named Kics and Cole. Now, I've always thought that Kics and Cole", "different names, but would it even be realistic for parents to name their", "for Ruchelay. Sure, Cole can be short for Calecam or Colton, and Kics", "the two brothers \"Kics and Cole\". But then I found out that both", "Kics and Cole can be short for Ruchelay. Sure, Cole can be short", "thought that Kics and Cole are cool names, so therefore I named the", "But then I found out that both Kics and Cole can be short", "that Kics and Cole are cool names, so therefore I named the two", "or Colton, and Kics can be short for Dominick or Nikon (not that" ]
[ "meet the following criteria: 1. They are the vilest character in their respective", "[Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically evil for", "and has little to no redeeming traits whatsoever. In order to qualify as", "to no redeeming traits whatsoever. In order to qualify as a Complete Monster,", "villains. 2. [They are taken seriously, causing fear, revulsion, and hatred from other", "Monster, a villain has to meet the following criteria: 1. They are the", "implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an [act", "a believable character without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the", "respective universe and must stand out from the crowd of other villains. 2.", "any writer to make a villain that is irredeemably terrible, bit it's hard", "single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically evil", "[Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in my series, The Ragnarǫk Cycle (which", "series, The Ragnarǫk Cycle (which has no more than four CMs) their own", "criteria: 1. They are the vilest character in their respective universe and must", "causing fear, revulsion, and hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They", "redeeming traits whatsoever. In order to qualify as a Complete Monster, a villain", "must have performed an [act that puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon)", "is the worst kind of villain imaginable: one that is evil to the", "Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain imaginable: one", "comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell", "irredeemably terrible, bit it's hard to make such a villain come across as", "They are never presented in a positive way. 4. They display no remorse", "Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically evil for the", "those of you who are unfamiliar with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster)", "towards those who they have hurt, nor do they express any empathy for", "[empty shell of a person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried", "without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely", "In order to qualify as a Complete Monster, a villain has to meet", "in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in a positive way. 4.", "the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in a positive way. 4. They", "the worst kind of villain imaginable: one that is evil to the core", "no remorse towards those who they have hurt, nor do they express any", "They are the vilest character in their respective universe and must stand out", "[Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain imaginable: one that is evil", "the vilest character in their respective universe and must stand out from the", "reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every single [Complete Monster", "[Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is", "sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or", "fully aware that it's quite easy for any writer to make a villain", "such a villain come across as a believable character without making them into", "as well. 5. The atrocities that they commit are shown to the audience", "beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite easy for", "easy for any writer to make a villain that is irredeemably terrible, bit", "in a positive way. 4. They display no remorse towards those who they", "believable character without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons", "that is [comically evil for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is", "has no more than four CMs) their own distinct personalities and motives for", "personalities and motives for villainy. Would this be a good way to write", "have hurt, nor do they express any empathy for others as well. 5.", "is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a person", "person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem", "have performed an [act that puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm", "across as a believable character without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One", "of other villains. 2. [They are taken seriously, causing fear, revulsion, and hatred", "character without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I", "Monster in my series, The Ragnarǫk Cycle (which has no more than four", "a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a person with no", "puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite", "imaginable: one that is evil to the core and has little to no", "avoid this problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete", "must stand out from the crowd of other villains. 2. [They are taken", "distinct personalities and motives for villainy. Would this be a good way to", "I've tried to avoid this problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and", "taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in my series,", "motives for villainy. Would this be a good way to write a Complete", "story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in a positive way. 4. They display", "presented in a positive way. 4. They display no remorse towards those who", "who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a", "their own distinct personalities and motives for villainy. Would this be a good", "making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely despise", "a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain imaginable: one that is", "is a manic that is [comically evil for the sake of being comically", "this problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster", "character in their respective universe and must stand out from the crowd of", "The atrocities that they commit are shown to the audience or implied and", "The Ragnarǫk Cycle (which has no more than four CMs) their own distinct", "the audience or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have", "it's quite easy for any writer to make a villain that is irredeemably", "They display no remorse towards those who they have hurt, nor do they", "Cycle* (which has no more than four CMs) their own distinct personalities and", "For those of you who are unfamiliar with TV Tropes lingo, a [Complete", "well. 5. The atrocities that they commit are shown to the audience or", "except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem by taking a page", "that is evil to the core and has little to no redeeming traits", "no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem by taking", "one that is evil to the core and has little to no redeeming", "shown to the audience or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They", "that puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's", "in my series, The Ragnarǫk Cycle (which has no more than four CMs)", "that it's quite easy for any writer to make a villain that is", "never presented in a positive way. 4. They display no remorse towards those", "that is irredeemably terrible, bit it's hard to make such a villain come", "a villain come across as a believable character without making them into a", "do they express any empathy for others as well. 5. The atrocities that", "are shown to the audience or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6.", "way. 4. They display no remorse towards those who they have hurt, nor", "is irredeemably terrible, bit it's hard to make such a villain come across", "own distinct personalities and motives for villainy. Would this be a good way", "from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in my series, The Ragnarǫk Cycle", "empathy for others as well. 5. The atrocities that they commit are shown", "Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline)* is that every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a", "to make such a villain come across as a believable character without making", "a villain has to meet the following criteria: 1. They are the vilest", "they have hurt, nor do they express any empathy for others as well.", "four CMs) their own distinct personalities and motives for villainy. Would this be", "and must stand out from the crowd of other villains. 2. [They are", "and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an [act that", "universe and must stand out from the crowd of other villains. 2. [They", "make such a villain come across as a believable character without making them", "characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in a positive way.", "absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every single [Complete Monster in the", "[megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a person with no motivation,", "a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in my series, The", "worst kind of villain imaginable: one that is evil to the core and", "to the audience or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must", "of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite easy for any writer to", "the crowd of other villains. 2. [They are taken seriously, causing fear, revulsion,", "a manic that is [comically evil for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz),", "has to meet the following criteria: 1. They are the vilest character in", "that they commit are shown to the audience or implied and [must not", "seriously, causing fear, revulsion, and hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3.", "and hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented", "[one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline)* is", "display no remorse towards those who they have hurt, nor do they express", "to avoid this problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each", "are never presented in a positive way. 4. They display no remorse towards", "Complete Monster, a villain has to meet the following criteria: 1. They are", "by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in my", "order to qualify as a Complete Monster, a villain has to meet the", "1. They are the vilest character in their respective universe and must stand", "express any empathy for others as well. 5. The atrocities that they commit", "with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain", "writer to make a villain that is irredeemably terrible, bit it's hard to", "6. They must have performed an [act that puts them beyond any chance", "not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an [act that puts them", "evil to the core and has little to no redeeming traits whatsoever. In", "a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline)", "the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil)", "TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain imaginable:", "it's hard to make such a villain come across as a believable character", "a positive way. 4. They display no remorse towards those who they have", "are the vilest character in their respective universe and must stand out from", "[They are taken seriously, causing fear, revulsion, and hatred from other characters in", "is that every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that", "[must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an [act that puts", "kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk)", "Complete Monster in my series, The Ragnarǫk Cycle (which has no more than", "Ragnarǫk Cycle* (which has no more than four CMs) their own distinct personalities", "evil for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI),", "despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline)", "those who they have hurt, nor do they express any empathy for others", "They must have performed an [act that puts them beyond any chance of", "hard to make such a villain come across as a believable character without", "manic that is [comically evil for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who", "of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an", "an [empty shell of a person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've", "no more than four CMs) their own distinct personalities and motives for villainy.", "than four CMs) their own distinct personalities and motives for villainy. Would this", "giving each Complete Monster in my series, The Ragnarǫk Cycle (which has no", "out from the crowd of other villains. 2. [They are taken seriously, causing", "CMs) their own distinct personalities and motives for villainy. Would this be a", "are taken seriously, causing fear, revulsion, and hatred from other characters in the", "audience or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed", "as a believable character without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of", "following criteria: 1. They are the vilest character in their respective universe and", "more than four CMs) their own distinct personalities and motives for villainy. Would", "vilest character in their respective universe and must stand out from the crowd", "lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain imaginable: one that", "little to no redeeming traits whatsoever. In order to qualify as a Complete", "villain come across as a believable character without making them into a [one-dimensional", "is [comically evil for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either", "who are unfamiliar with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst", "for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a", "who they have hurt, nor do they express any empathy for others as", "evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of", "core and has little to no redeeming traits whatsoever. In order to qualify", "every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically", "from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in a", "you who are unfamiliar with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the", "3. They are never presented in a positive way. 4. They display no", "other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in a positive", "remorse towards those who they have hurt, nor do they express any empathy", "the core and has little to no redeeming traits whatsoever. In order to", "(which has no more than four CMs) their own distinct personalities and motives", "redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite easy for any writer to make", "villain that is irredeemably terrible, bit it's hard to make such a villain", "Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline)* is that every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic", "bit it's hard to make such a villain come across as a believable", "atrocities that they commit are shown to the audience or implied and [must", "them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely despise [Sword", "they express any empathy for others as well. 5. The atrocities that they", "caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline)* is that", "with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem by", "series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically evil for the sake of being", "qualify as a Complete Monster, a villain has to meet the following criteria:", "of you who are unfamiliar with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is", "to make a villain that is irredeemably terrible, bit it's hard to make", "to qualify as a Complete Monster, a villain has to meet the following", "come across as a believable character without making them into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain).", "the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically evil for the sake of", "I'm fully aware that it's quite easy for any writer to make a", "is evil to the core and has little to no redeeming traits whatsoever.", "each Complete Monster in my series, The Ragnarǫk Cycle (which has no more", "from the crowd of other villains. 2. [They are taken seriously, causing fear,", "and motives for villainy. Would this be a good way to write a", "an [act that puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware", "of the reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every single", "shell of a person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to", "fear, revulsion, and hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are", "no redeeming traits whatsoever. In order to qualify as a Complete Monster, a", "in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is [comically evil for the sake", "the following criteria: 1. They are the vilest character in their respective universe", "to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem by taking a page from", "villain has to meet the following criteria: 1. They are the vilest character", "a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a person with no motivation, except", "in their respective universe and must stand out from the crowd of other", "for others as well. 5. The atrocities that they commit are shown to", "them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite easy", "into a [one-dimensional caricature](http://tvtropes.org/pmwiki/pmwiki.php/Main/CardCarryingVillain). One of the reasons I absolutely despise [Sword Art", "traits whatsoever. In order to qualify as a Complete Monster, a villain has", "performed an [act that puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully", "positive way. 4. They display no remorse towards those who they have hurt,", "crowd of other villains. 2. [They are taken seriously, causing fear, revulsion, and", "for villainy. Would this be a good way to write a Complete Monster?", "commit are shown to the audience or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy).", "whatsoever. In order to qualify as a Complete Monster, a villain has to", "quite easy for any writer to make a villain that is irredeemably terrible,", "motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this problem by taking a", "the reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline)* is that every single [Complete", "being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty", "as a Complete Monster, a villain has to meet the following criteria: 1.", "hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never presented in", "has little to no redeeming traits whatsoever. In order to qualify as a", "terrible, bit it's hard to make such a villain come across as a", "of villain imaginable: one that is evil to the core and has little", "One of the reasons I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every", "[comically evil for the sake of being comically evil](http://tvtropes.org/pmwiki/pmwiki.php/Main/ForTheEvulz), who is either a", "villain imaginable: one that is evil to the core and has little to", "revulsion, and hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus) 3. They are never", "any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite easy for any", "make a villain that is irredeemably terrible, bit it's hard to make such", "Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of villain imaginable: one that is evil to", "their respective universe and must stand out from the crowd of other villains.", "kind of villain imaginable: one that is evil to the core and has", "either a [megalomaniac](http://tvtropes.org/pmwiki/pmwiki.php/Main/AGodAmI), a [rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a person with", "and giving each Complete Monster in my series, The Ragnarǫk Cycle (which has", "stand out from the crowd of other villains. 2. [They are taken seriously,", "[rapist](http://tvtropes.org/pmwiki/pmwiki.php/Main/RapeIsASpecialKindOfEvil) or an [empty shell of a person with no motivation, except to", "a villain that is irredeemably terrible, bit it's hard to make such a", "of a person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid", "others as well. 5. The atrocities that they commit are shown to the", "or implied and [must not be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an", "4. They display no remorse towards those who they have hurt, nor do", "hurt, nor do they express any empathy for others as well. 5. The", "to the core and has little to no redeeming traits whatsoever. In order", "taken seriously, causing fear, revulsion, and hatred from other characters in the story.](http://tvtropes.org/pmwiki/pmwiki.php/Main/KnightOfCerebus)", "told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an [act that puts them beyond any", "for any writer to make a villain that is irredeemably terrible, bit it's", "be told](http://tvtropes.org/pmwiki/pmwiki.php/Main/OffstageVillainy). 6. They must have performed an [act that puts them beyond", "to meet the following criteria: 1. They are the vilest character in their", "2. [They are taken seriously, causing fear, revulsion, and hatred from other characters", "5. The atrocities that they commit are shown to the audience or implied", "nor do they express any empathy for others as well. 5. The atrocities", "I absolutely despise [Sword Art Online](http://tvtropes.org/pmwiki/pmwiki.php/LightNovel/SwordArtOnline) is that every single [Complete Monster in", "my series, The Ragnarǫk Cycle (which has no more than four CMs) their", "they commit are shown to the audience or implied and [must not be", "aware that it's quite easy for any writer to make a villain that", "tried to avoid this problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving", "problem by taking a page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in", "that every single [Complete Monster in the series](http://tvtropes.org/pmwiki/pmwiki.php/Monster/SwordArtOnline) is a manic that is", "page from [Berserk](http://tvtropes.org/pmwiki/pmwiki.php/Manga/Berserk) and giving each Complete Monster in my series, *The Ragnarǫk", "[act that puts them beyond any chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that", "chance of redemption.](http://tvtropes.org/pmwiki/pmwiki.php/Main/MoralEventHorizon) I'm fully aware that it's quite easy for any writer", "any empathy for others as well. 5. The atrocities that they commit are", "a person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy). I've tried to avoid this", "unfamiliar with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind of", "or an [empty shell of a person with no motivation, except to kill](http://tvtropes.org/pmwiki/pmwiki.php/Main/AxCrazy).", "a Complete Monster, a villain has to meet the following criteria: 1. They", "are unfamiliar with TV Tropes lingo, a [Complete Monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) is the worst kind", "other villains. 2. [They are taken seriously, causing fear, revulsion, and hatred from" ]
[ "I am still trying to decide what to call the book but it", "the mountains on horseback that is very treacherous. Later on one of the", "the girls gets injured and the girls have to find a new member", "to go into a part of the mountains on horseback that is very", "am still trying to decide what to call the book but it is", "what to call the book but it is about a group of five", "of the mountains on horseback that is very treacherous. Later on one of", "based off of the short story I wrote back in first grade. I", "find a new member for the team because they have a big competition", "because they have a big competition coming up. I want to know how", "currently 10 years old and am writing a story based off of the", "a group of five young girls who have a horse riding group who", "go into a part of the mountains on horseback that is very treacherous.", "story based off of the short story I wrote back in first grade.", "part of the mountains on horseback that is very treacherous. Later on one", "trying to decide what to call the book but it is about a", "on one of the girls gets injured and the girls have to find", "one day decide to go into a part of the mountains on horseback", "and the girls have to find a new member for the team because", "grade. I am still trying to decide what to call the book but", "call the book but it is about a group of five young girls", "that is very treacherous. Later on one of the girls gets injured and", "and am writing a story based off of the short story I wrote", "writing a story based off of the short story I wrote back in", "mountains on horseback that is very treacherous. Later on one of the girls", "years old and am writing a story based off of the short story", "injured and the girls have to find a new member for the team", "gets injured and the girls have to find a new member for the", "new member for the team because they have a big competition coming up.", "riding group who one day decide to go into a part of the", "the team because they have a big competition coming up. I want to", "to call the book but it is about a group of five young", "is very treacherous. Later on one of the girls gets injured and the", "have a horse riding group who one day decide to go into a", "day decide to go into a part of the mountains on horseback that", "group of five young girls who have a horse riding group who one", "they have a big competition coming up. I want to know how to", "but it is about a group of five young girls who have a", "member for the team because they have a big competition coming up. I", "on horseback that is very treacherous. Later on one of the girls gets", "a big competition coming up. I want to know how to get published.", "is about a group of five young girls who have a horse riding", "am writing a story based off of the short story I wrote back", "Later on one of the girls gets injured and the girls have to", "young girls who have a horse riding group who one day decide to", "team because they have a big competition coming up. I want to know", "horseback that is very treacherous. Later on one of the girls gets injured", "I am currently 10 years old and am writing a story based off", "decide to go into a part of the mountains on horseback that is", "of the short story I wrote back in first grade. I am still", "story I wrote back in first grade. I am still trying to decide", "in first grade. I am still trying to decide what to call the", "have to find a new member for the team because they have a", "very treacherous. Later on one of the girls gets injured and the girls", "the book but it is about a group of five young girls who", "girls gets injured and the girls have to find a new member for", "horse riding group who one day decide to go into a part of", "into a part of the mountains on horseback that is very treacherous. Later", "a part of the mountains on horseback that is very treacherous. Later on", "of the girls gets injured and the girls have to find a new", "group who one day decide to go into a part of the mountains", "first grade. I am still trying to decide what to call the book", "it is about a group of five young girls who have a horse", "for the team because they have a big competition coming up. I want", "to find a new member for the team because they have a big", "short story I wrote back in first grade. I am still trying to", "have a big competition coming up. I want to know how to get", "I wrote back in first grade. I am still trying to decide what", "am currently 10 years old and am writing a story based off of", "who have a horse riding group who one day decide to go into", "to decide what to call the book but it is about a group", "of five young girls who have a horse riding group who one day", "girls who have a horse riding group who one day decide to go", "a story based off of the short story I wrote back in first", "back in first grade. I am still trying to decide what to call", "old and am writing a story based off of the short story I", "wrote back in first grade. I am still trying to decide what to", "about a group of five young girls who have a horse riding group", "decide what to call the book but it is about a group of", "a new member for the team because they have a big competition coming", "a horse riding group who one day decide to go into a part", "who one day decide to go into a part of the mountains on", "one of the girls gets injured and the girls have to find a", "still trying to decide what to call the book but it is about", "the girls have to find a new member for the team because they", "girls have to find a new member for the team because they have", "book but it is about a group of five young girls who have", "five young girls who have a horse riding group who one day decide", "10 years old and am writing a story based off of the short", "treacherous. Later on one of the girls gets injured and the girls have", "off of the short story I wrote back in first grade. I am", "the short story I wrote back in first grade. I am still trying" ]
[ "I'm writing something and the font is Alegreya in 13 font size. So", "font size. So far I have 891 words and 4 pages. How many", "far I have 891 words and 4 pages. How many pages would that", "something and the font is Alegreya in 13 font size. So far I", "is Alegreya in 13 font size. So far I have 891 words and", "So far I have 891 words and 4 pages. How many pages would", "Alegreya in 13 font size. So far I have 891 words and 4", "font is Alegreya in 13 font size. So far I have 891 words", "have 891 words and 4 pages. How many pages would that be in", "13 font size. So far I have 891 words and 4 pages. How", "words and 4 pages. How many pages would that be in a book?", "891 words and 4 pages. How many pages would that be in a", "in 13 font size. So far I have 891 words and 4 pages.", "writing something and the font is Alegreya in 13 font size. So far", "and the font is Alegreya in 13 font size. So far I have", "the font is Alegreya in 13 font size. So far I have 891", "I have 891 words and 4 pages. How many pages would that be", "size. So far I have 891 words and 4 pages. How many pages" ]
[ "my own question. > > > Or something like: > > X's statement", "that the values of X are particularly high when considering Y, suggesting that...", "here I start to build the answer > > > Are there actually", "these kinds of structures? Does anyone know about a resource where something like", "particularly high when considering Y, suggesting that... Blablaa. Bla. Could this be interpreted", "the case that Z, if ...? > > > And here I start", "values of X are particularly high when considering Y, suggesting that... Blablaa. Bla.", "saw that the values of X are particularly high when considering Y, suggesting", "help of explicit questions, something like: > > In the previous section we", "avoiding these kinds of structures? Does anyone know about a resource where something", "> > And here I start to build the answer > > >", "statement does seem credible in light of Y. This interpretation, however, poses another", "on and answer my own question. > > > Or something like: >", "is it the case that Z, if ...? > > > And here", "Y, suggesting that... Blablaa. Bla. Could this be interpreted as a result of", "answer my own question. > > > Or something like: > > X's", "it the case that Z, if ...? > > > And here I", "question. > > > Or something like: > > X's statement does seem", "> And then I go on and answer my own question. > >", "ago I remember being told that when writing, for instance, a journal article", "And then I go on and answer my own question. > > >", "this be interpreted as a result of Z? > > > And then", "seem credible in light of Y. This interpretation, however, poses another question: Why", "writing course some years ago I remember being told that when writing, for", "academic writing course some years ago I remember being told that when writing,", "the answer > > > Are there actually some stylistic guidelines that would", "considering Y, suggesting that... Blablaa. Bla. Could this be interpreted as a result", "interpreted as a result of Z? > > > And then I go", "recommend avoiding these kinds of structures? Does anyone know about a resource where", "being told that when writing, for instance, a journal article in English, one", "one's text with the help of explicit questions, something like: > > In", "kinds of structures? Does anyone know about a resource where something like this", "instance, a journal article in English, one should usually avoid structuring one's text", "Could this be interpreted as a result of Z? > > > And", "Or something like: > > X's statement does seem credible in light of", "to build the answer > > > Are there actually some stylistic guidelines", "of structures? Does anyone know about a resource where something like this would", "be interpreted as a result of Z? > > > And then I", "that... Blablaa. Bla. Could this be interpreted as a result of Z? >", "> > X's statement does seem credible in light of Y. This interpretation,", "then I go on and answer my own question. > > > Or", "build the answer > > > Are there actually some stylistic guidelines that", "when considering Y, suggesting that... Blablaa. Bla. Could this be interpreted as a", "as a result of Z? > > > And then I go on", "a journal article in English, one should usually avoid structuring one's text with", "are particularly high when considering Y, suggesting that... Blablaa. Bla. Could this be", "result of Z? > > > And then I go on and answer", "would recommend avoiding these kinds of structures? Does anyone know about a resource", "avoid structuring one's text with the help of explicit questions, something like: >", "a result of Z? > > > And then I go on and", "> Are there actually some stylistic guidelines that would recommend avoiding these kinds", "that when writing, for instance, a journal article in English, one should usually", "should usually avoid structuring one's text with the help of explicit questions, something", "high when considering Y, suggesting that... Blablaa. Bla. Could this be interpreted as", "of Y. This interpretation, however, poses another question: Why is it the case", "structuring one's text with the help of explicit questions, something like: > >", "questions, something like: > > In the previous section we saw that the", "another question: Why is it the case that Z, if ...? > >", "structures? Does anyone know about a resource where something like this would be", "Are there actually some stylistic guidelines that would recommend avoiding these kinds of", "Why is it the case that Z, if ...? > > > And", "> > > Or something like: > > X's statement does seem credible", "Bla. Could this be interpreted as a result of Z? > > >", "poses another question: Why is it the case that Z, if ...? >", "like: > > In the previous section we saw that the values of", "article in English, one should usually avoid structuring one's text with the help", "previous section we saw that the values of X are particularly high when", "own question. > > > Or something like: > > X's statement does", "in light of Y. This interpretation, however, poses another question: Why is it", "told that when writing, for instance, a journal article in English, one should", "Y. This interpretation, however, poses another question: Why is it the case that", "X are particularly high when considering Y, suggesting that... Blablaa. Bla. Could this", "English, one should usually avoid structuring one's text with the help of explicit", "go on and answer my own question. > > > Or something like:", "text with the help of explicit questions, something like: > > In the", "case that Z, if ...? > > > And here I start to", "> > And then I go on and answer my own question. >", "...? > > > And here I start to build the answer >", "start to build the answer > > > Are there actually some stylistic", "explicit questions, something like: > > In the previous section we saw that", "credible in light of Y. This interpretation, however, poses another question: Why is", "suggesting that... Blablaa. Bla. Could this be interpreted as a result of Z?", "the help of explicit questions, something like: > > In the previous section", "Does anyone know about a resource where something like this would be mentioned?", "some years ago I remember being told that when writing, for instance, a", "there actually some stylistic guidelines that would recommend avoiding these kinds of structures?", "some stylistic guidelines that would recommend avoiding these kinds of structures? Does anyone", "> And here I start to build the answer > > > Are", "> > Or something like: > > X's statement does seem credible in", "X's statement does seem credible in light of Y. This interpretation, however, poses", "however, poses another question: Why is it the case that Z, if ...?", "I start to build the answer > > > Are there actually some", "And here I start to build the answer > > > Are there", "In the previous section we saw that the values of X are particularly", "with the help of explicit questions, something like: > > In the previous", "journal article in English, one should usually avoid structuring one's text with the", "> > Are there actually some stylistic guidelines that would recommend avoiding these", "years ago I remember being told that when writing, for instance, a journal", "> > > And here I start to build the answer > >", "answer > > > Are there actually some stylistic guidelines that would recommend", "of explicit questions, something like: > > In the previous section we saw", "I go on and answer my own question. > > > Or something", "> > In the previous section we saw that the values of X", "Z? > > > And then I go on and answer my own", "> > > And then I go on and answer my own question.", "guidelines that would recommend avoiding these kinds of structures? Does anyone know about", "we saw that the values of X are particularly high when considering Y,", "> Or something like: > > X's statement does seem credible in light", "something like: > > X's statement does seem credible in light of Y.", "and answer my own question. > > > Or something like: > >", "In an academic writing course some years ago I remember being told that", "when writing, for instance, a journal article in English, one should usually avoid", "one should usually avoid structuring one's text with the help of explicit questions,", "course some years ago I remember being told that when writing, for instance,", "remember being told that when writing, for instance, a journal article in English,", "in English, one should usually avoid structuring one's text with the help of", "of Z? > > > And then I go on and answer my", "stylistic guidelines that would recommend avoiding these kinds of structures? Does anyone know", "usually avoid structuring one's text with the help of explicit questions, something like:", "the previous section we saw that the values of X are particularly high", "for instance, a journal article in English, one should usually avoid structuring one's", "of X are particularly high when considering Y, suggesting that... Blablaa. Bla. Could", "light of Y. This interpretation, however, poses another question: Why is it the", "Blablaa. Bla. Could this be interpreted as a result of Z? > >", "actually some stylistic guidelines that would recommend avoiding these kinds of structures? Does", "that would recommend avoiding these kinds of structures? Does anyone know about a", "an academic writing course some years ago I remember being told that when", "interpretation, however, poses another question: Why is it the case that Z, if", "Z, if ...? > > > And here I start to build the", "section we saw that the values of X are particularly high when considering", "> > > Are there actually some stylistic guidelines that would recommend avoiding", "like: > > X's statement does seem credible in light of Y. This", "that Z, if ...? > > > And here I start to build", "> X's statement does seem credible in light of Y. This interpretation, however,", "does seem credible in light of Y. This interpretation, however, poses another question:", "This interpretation, however, poses another question: Why is it the case that Z,", "the values of X are particularly high when considering Y, suggesting that... Blablaa.", "something like: > > In the previous section we saw that the values", "I remember being told that when writing, for instance, a journal article in", "> In the previous section we saw that the values of X are", "writing, for instance, a journal article in English, one should usually avoid structuring", "if ...? > > > And here I start to build the answer", "question: Why is it the case that Z, if ...? > > >" ]
[ "know this is my consistent pattern, it is almost impossible for me to", "work. Does anyone else deal with this, and if so, have they found", "sends me into a depression, and makes it hard for me to edit", "(longer) writing, it seems like the most fantastic thing in the world to", "experience it as truth. The \"brilliant!\" phase is actually kind of helpful, because", "phase is actually kind of helpful, because it makes me happy and excited", "not experience it as truth. The \"brilliant!\" phase is actually kind of helpful,", "finish it, it seems like the most horrible, talentless, unreadable trash. Intellectually, I", "my consistent pattern, it is almost impossible for me to not experience it", "as truth. The \"brilliant!\" phase is actually kind of helpful, because it makes", "every word is brilliant. But as soon as I finish it, it seems", "fantastic thing in the world to me. I think every word is brilliant.", "is brilliant. But as soon as I finish it, it seems like the", "excited to write, and keeps me going. But the \"horrible!\" phase sends me", "people have similar issues: When I am working on my (longer) writing, it", "it seems like the most horrible, talentless, unreadable trash. Intellectually, I know neither", "me going. But the \"horrible!\" phase sends me into a depression, and makes", "oddity when it comes to my own writing (particularly fiction, and particularly longer", "fiction, and particularly longer work). Obviously it may just be a personal problem,", "criticism, or to feel good about submitting the work. Does anyone else deal", "work). Obviously it may just be a personal problem, but perhaps other people", "in the world to me. I think every word is brilliant. But as", "write, and keeps me going. But the \"horrible!\" phase sends me into a", "as soon as I finish it, it seems like the most horrible, talentless,", "working on my (longer) writing, it seems like the most fantastic thing in", "world to me. I think every word is brilliant. But as soon as", "to write, and keeps me going. But the \"horrible!\" phase sends me into", "truth. The \"brilliant!\" phase is actually kind of helpful, because it makes me", "impossible for me to not experience it as truth. The \"brilliant!\" phase is", "\"horrible!\" phase sends me into a depression, and makes it hard for me", "personal problem, but perhaps other people have similar issues: When I am working", "other people read it, to respond appropriately to criticism, or to feel good", "word is brilliant. But as soon as I finish it, it seems like", "I am working on my (longer) writing, it seems like the most fantastic", "on my (longer) writing, it seems like the most fantastic thing in the", "about submitting the work. Does anyone else deal with this, and if so,", "be a personal problem, but perhaps other people have similar issues: When I", "it hard for me to edit my work, to let other people read", "know neither impression is likely to be correct. But even though I know", "appropriately to criticism, or to feel good about submitting the work. Does anyone", "makes it hard for me to edit my work, to let other people", "depression, and makes it hard for me to edit my work, to let", "correct. But even though I know this is my consistent pattern, it is", "When I am working on my (longer) writing, it seems like the most", "just be a personal problem, but perhaps other people have similar issues: When", "let other people read it, to respond appropriately to criticism, or to feel", "have similar issues: When I am working on my (longer) writing, it seems", "think every word is brilliant. But as soon as I finish it, it", "problem, but perhaps other people have similar issues: When I am working on", "brilliant. But as soon as I finish it, it seems like the most", "is my consistent pattern, it is almost impossible for me to not experience", "happy and excited to write, and keeps me going. But the \"horrible!\" phase", "I have a psychological oddity when it comes to my own writing (particularly", "issues: When I am working on my (longer) writing, it seems like the", "into a depression, and makes it hard for me to edit my work,", "for me to edit my work, to let other people read it, to", "and makes it hard for me to edit my work, to let other", "phase sends me into a depression, and makes it hard for me to", "to my own writing (particularly fiction, and particularly longer work). Obviously it may", "be correct. But even though I know this is my consistent pattern, it", "I know neither impression is likely to be correct. But even though I", "Intellectually, I know neither impression is likely to be correct. But even though", "is actually kind of helpful, because it makes me happy and excited to", "kind of helpful, because it makes me happy and excited to write, and", "it is almost impossible for me to not experience it as truth. The", "good about submitting the work. Does anyone else deal with this, and if", "it, to respond appropriately to criticism, or to feel good about submitting the", "when it comes to my own writing (particularly fiction, and particularly longer work).", "it makes me happy and excited to write, and keeps me going. But", "my own writing (particularly fiction, and particularly longer work). Obviously it may just", "the work. Does anyone else deal with this, and if so, have they", "my (longer) writing, it seems like the most fantastic thing in the world", "Obviously it may just be a personal problem, but perhaps other people have", "work, to let other people read it, to respond appropriately to criticism, or", "psychological oddity when it comes to my own writing (particularly fiction, and particularly", "as I finish it, it seems like the most horrible, talentless, unreadable trash.", "to feel good about submitting the work. Does anyone else deal with this,", "like the most horrible, talentless, unreadable trash. Intellectually, I know neither impression is", "me to not experience it as truth. The \"brilliant!\" phase is actually kind", "similar issues: When I am working on my (longer) writing, it seems like", "like the most fantastic thing in the world to me. I think every", "talentless, unreadable trash. Intellectually, I know neither impression is likely to be correct.", "most fantastic thing in the world to me. I think every word is", "even though I know this is my consistent pattern, it is almost impossible", "deal with this, and if so, have they found a way around it?", "I think every word is brilliant. But as soon as I finish it,", "am working on my (longer) writing, it seems like the most fantastic thing", "to not experience it as truth. The \"brilliant!\" phase is actually kind of", "my work, to let other people read it, to respond appropriately to criticism,", "perhaps other people have similar issues: When I am working on my (longer)", "But even though I know this is my consistent pattern, it is almost", "longer work). Obviously it may just be a personal problem, but perhaps other", "edit my work, to let other people read it, to respond appropriately to", "going. But the \"horrible!\" phase sends me into a depression, and makes it", "consistent pattern, it is almost impossible for me to not experience it as", "it, it seems like the most horrible, talentless, unreadable trash. Intellectually, I know", "other people have similar issues: When I am working on my (longer) writing,", "likely to be correct. But even though I know this is my consistent", "keeps me going. But the \"horrible!\" phase sends me into a depression, and", "almost impossible for me to not experience it as truth. The \"brilliant!\" phase", "respond appropriately to criticism, or to feel good about submitting the work. Does", "actually kind of helpful, because it makes me happy and excited to write,", "me into a depression, and makes it hard for me to edit my", "else deal with this, and if so, have they found a way around", "have a psychological oddity when it comes to my own writing (particularly fiction,", "unreadable trash. Intellectually, I know neither impression is likely to be correct. But", "The \"brilliant!\" phase is actually kind of helpful, because it makes me happy", "people read it, to respond appropriately to criticism, or to feel good about", "because it makes me happy and excited to write, and keeps me going.", "to edit my work, to let other people read it, to respond appropriately", "to criticism, or to feel good about submitting the work. Does anyone else", "the most horrible, talentless, unreadable trash. Intellectually, I know neither impression is likely", "I finish it, it seems like the most horrible, talentless, unreadable trash. Intellectually,", "own writing (particularly fiction, and particularly longer work). Obviously it may just be", "pattern, it is almost impossible for me to not experience it as truth.", "is almost impossible for me to not experience it as truth. The \"brilliant!\"", "Does anyone else deal with this, and if so, have they found a", "impression is likely to be correct. But even though I know this is", "it as truth. The \"brilliant!\" phase is actually kind of helpful, because it", "it seems like the most fantastic thing in the world to me. I", "makes me happy and excited to write, and keeps me going. But the", "neither impression is likely to be correct. But even though I know this", "But as soon as I finish it, it seems like the most horrible,", "I know this is my consistent pattern, it is almost impossible for me", "me happy and excited to write, and keeps me going. But the \"horrible!\"", "and particularly longer work). Obviously it may just be a personal problem, but", "particularly longer work). Obviously it may just be a personal problem, but perhaps", "anyone else deal with this, and if so, have they found a way", "the world to me. I think every word is brilliant. But as soon", "writing, it seems like the most fantastic thing in the world to me.", "most horrible, talentless, unreadable trash. Intellectually, I know neither impression is likely to", "to respond appropriately to criticism, or to feel good about submitting the work.", "and excited to write, and keeps me going. But the \"horrible!\" phase sends", "the \"horrible!\" phase sends me into a depression, and makes it hard for", "feel good about submitting the work. Does anyone else deal with this, and", "soon as I finish it, it seems like the most horrible, talentless, unreadable", "though I know this is my consistent pattern, it is almost impossible for", "to me. I think every word is brilliant. But as soon as I", "writing (particularly fiction, and particularly longer work). Obviously it may just be a", "a personal problem, but perhaps other people have similar issues: When I am", "trash. Intellectually, I know neither impression is likely to be correct. But even", "to be correct. But even though I know this is my consistent pattern,", "\"brilliant!\" phase is actually kind of helpful, because it makes me happy and", "this is my consistent pattern, it is almost impossible for me to not", "and keeps me going. But the \"horrible!\" phase sends me into a depression,", "it may just be a personal problem, but perhaps other people have similar", "or to feel good about submitting the work. Does anyone else deal with", "a depression, and makes it hard for me to edit my work, to", "but perhaps other people have similar issues: When I am working on my", "me to edit my work, to let other people read it, to respond", "horrible, talentless, unreadable trash. Intellectually, I know neither impression is likely to be", "read it, to respond appropriately to criticism, or to feel good about submitting", "to let other people read it, to respond appropriately to criticism, or to", "the most fantastic thing in the world to me. I think every word", "thing in the world to me. I think every word is brilliant. But", "me. I think every word is brilliant. But as soon as I finish", "But the \"horrible!\" phase sends me into a depression, and makes it hard", "submitting the work. Does anyone else deal with this, and if so, have", "of helpful, because it makes me happy and excited to write, and keeps", "seems like the most fantastic thing in the world to me. I think", "may just be a personal problem, but perhaps other people have similar issues:", "it comes to my own writing (particularly fiction, and particularly longer work). Obviously", "comes to my own writing (particularly fiction, and particularly longer work). Obviously it", "hard for me to edit my work, to let other people read it,", "for me to not experience it as truth. The \"brilliant!\" phase is actually", "helpful, because it makes me happy and excited to write, and keeps me", "is likely to be correct. But even though I know this is my", "(particularly fiction, and particularly longer work). Obviously it may just be a personal", "seems like the most horrible, talentless, unreadable trash. Intellectually, I know neither impression", "a psychological oddity when it comes to my own writing (particularly fiction, and" ]
[ "to keep up with? What can I do to make this a comprehensible", "my game, the player may run into deadends in the story, which causes", "not happening. Sometimes, you might be in chapter 5 and realize you need", "the story plays out differently, doesn't mean that other elements don't exist anymore.", "quick recap of what happened up until that point. This should allow the", "have a save system in place that allows the player to easily go", "whole game. If a player, for example, wants to go back to the", "afterwards may turn out to be very different depending on what they do", "differently in chapter 2 to progress in the game, otherwise you can't continue", "deadends in the story, which causes the game to end prematurely. This can", "what happens in later chapters. I am unsure if this would cause confusion", "very different depending on what they do differently this time around. Remembering what", "the story getting killed or an important event happening or not happening. Sometimes,", "happened before this point and what they remember to have happened after this", "from playing all the different paths and putting the pieces together based on", "the pieces together based on knowledge the character shouldn't have at this point,", "from the player simply getting killed, another important character in the story getting", "5 and realize you need to do something differently in chapter 2 to", "might just get their hands on another unfortunate victim instead, drastically changing what", "they also get a quick recap of what happened up until that point.", "Yeah, they are still in the place you avoided going to, they might", "game, the player may run into deadends in the story, which causes the", "wants to go back to the point in chapter 2, where their character", "are still in the place you avoided going to, they might just get", "story plays out differently, doesn't mean that other elements don't exist anymore. That", "too much for the player to keep up with? What can I do", "need to do something differently in chapter 2 to progress in the game,", "getting killed, another important character in the story getting killed or an important", "and find the right one, while finding out more info from playing all", "I have a save system in place that allows the player to easily", "in chapter 2 to progress in the game, otherwise you can't continue to", "simply getting killed, another important character in the story getting killed or an", "drastically changing what happens in later chapters. I am unsure if this would", "playthrough? Yeah, they are still in the place you avoided going to, they", "otherwise you can't continue to chapter 6. Thankfully, I have a save system", "happening or not happening. Sometimes, you might be in chapter 5 and realize", "in the place you avoided going to, they might just get their hands", "the story without having to replay the whole game. If a player, for", "a player, for example, wants to go back to the point in chapter", "the whole game. If a player, for example, wants to go back to", "hands on another unfortunate victim instead, drastically changing what happens in later chapters.", "on what they do differently this time around. Remembering what happened in other", "back to specific points in the story without having to replay the whole", "do to make this a comprehensible experience (such as the recaps I mentioned)?", "chapter 5 and realize you need to do something differently in chapter 2", "around. Remembering what happened in other playthroughs is still important. Just because the", "differently, doesn't mean that other elements don't exist anymore. That gang you managed", "or get too complicated to keep up with over time. The whole point", "If a player, for example, wants to go back to the point in", "chapter 2 to progress in the game, otherwise you can't continue to chapter", "to easily go back to specific points in the story without having to", "Just because the story plays out differently, doesn't mean that other elements don't", "because the story plays out differently, doesn't mean that other elements don't exist", "This can range from the player simply getting killed, another important character in", "to clearly separate what happened before this point and what they remember to", "info from playing all the different paths and putting the pieces together based", "the different paths and putting the pieces together based on knowledge the character", "pieces together based on knowledge the character shouldn't have at this point, because", "going to, they might just get their hands on another unfortunate victim instead,", "time around. Remembering what happened in other playthroughs is still important. Just because", "to the point in chapter 2, where their character crosses a bridge, they", "specific points in the story without having to replay the whole game. If", "getting killed or an important event happening or not happening. Sometimes, you might", "what happened up until that point. This should allow the player to clearly", "after this point, as what happens afterwards may turn out to be very", "am unsure if this would cause confusion for the player or get too", "a save system in place that allows the player to easily go back", "the place you avoided going to, they might just get their hands on", "continue to chapter 6. Thankfully, I have a save system in place that", "causes the game to end prematurely. This can range from the player simply", "resetting to an earlier state. Could this be too much for the player", "your current playthrough? Yeah, they are still in the place you avoided going", "to progress in the game, otherwise you can't continue to chapter 6. Thankfully,", "do differently this time around. Remembering what happened in other playthroughs is still", "because the game keeps resetting to an earlier state. Could this be too", "time. The whole point of the game is to go through many paths", "that point. This should allow the player to clearly separate what happened before", "what happened before this point and what they remember to have happened after", "do something differently in chapter 2 to progress in the game, otherwise you", "don't exist anymore. That gang you managed to avoid in your current playthrough?", "can range from the player simply getting killed, another important character in the", "to keep up with over time. The whole point of the game is", "their character crosses a bridge, they can. When they return there, they also", "instead, drastically changing what happens in later chapters. I am unsure if this", "more info from playing all the different paths and putting the pieces together", "chapter 2, where their character crosses a bridge, they can. When they return", "depending on what they do differently this time around. Remembering what happened in", "exist anymore. That gang you managed to avoid in your current playthrough? Yeah,", "return there, they also get a quick recap of what happened up until", "playing all the different paths and putting the pieces together based on knowledge", "can I do to make this a comprehensible experience (such as the recaps", "chapter 6. Thankfully, I have a save system in place that allows the", "save system in place that allows the player to easily go back to", "they are still in the place you avoided going to, they might just", "important character in the story getting killed or an important event happening or", "this would cause confusion for the player or get too complicated to keep", "having to replay the whole game. If a player, for example, wants to", "you might be in chapter 5 and realize you need to do something", "may run into deadends in the story, which causes the game to end", "for example, wants to go back to the point in chapter 2, where", "story without having to replay the whole game. If a player, for example,", "you managed to avoid in your current playthrough? Yeah, they are still in", "changing what happens in later chapters. I am unsure if this would cause", "allow the player to clearly separate what happened before this point and what", "game, otherwise you can't continue to chapter 6. Thankfully, I have a save", "point, as what happens afterwards may turn out to be very different depending", "avoided going to, they might just get their hands on another unfortunate victim", "2 to progress in the game, otherwise you can't continue to chapter 6.", "player to clearly separate what happened before this point and what they remember", "to do something differently in chapter 2 to progress in the game, otherwise", "out differently, doesn't mean that other elements don't exist anymore. That gang you", "complicated to keep up with over time. The whole point of the game", "out more info from playing all the different paths and putting the pieces", "can. When they return there, they also get a quick recap of what", "right one, while finding out more info from playing all the different paths", "out to be very different depending on what they do differently this time", "Thankfully, I have a save system in place that allows the player to", "playthroughs is still important. Just because the story plays out differently, doesn't mean", "the game, otherwise you can't continue to chapter 6. Thankfully, I have a", "in place that allows the player to easily go back to specific points", "Could this be too much for the player to keep up with? What", "this point, as what happens afterwards may turn out to be very different", "there, they also get a quick recap of what happened up until that", "this point, because the game keeps resetting to an earlier state. Could this", "state. Could this be too much for the player to keep up with?", "the right one, while finding out more info from playing all the different", "unfortunate victim instead, drastically changing what happens in later chapters. I am unsure", "game is to go through many paths and find the right one, while", "you need to do something differently in chapter 2 to progress in the", "turn out to be very different depending on what they do differently this", "killed or an important event happening or not happening. Sometimes, you might be", "what happened in other playthroughs is still important. Just because the story plays", "Remembering what happened in other playthroughs is still important. Just because the story", "should allow the player to clearly separate what happened before this point and", "the player to keep up with? What can I do to make this", "also get a quick recap of what happened up until that point. This", "keep up with over time. The whole point of the game is to", "with over time. The whole point of the game is to go through", "of the game is to go through many paths and find the right", "whole point of the game is to go through many paths and find", "point and what they remember to have happened after this point, as what", "up with over time. The whole point of the game is to go", "differently this time around. Remembering what happened in other playthroughs is still important.", "as what happens afterwards may turn out to be very different depending on", "in your current playthrough? Yeah, they are still in the place you avoided", "on another unfortunate victim instead, drastically changing what happens in later chapters. I", "may turn out to be very different depending on what they do differently", "into deadends in the story, which causes the game to end prematurely. This", "this be too much for the player to keep up with? What can", "get their hands on another unfortunate victim instead, drastically changing what happens in", "example, wants to go back to the point in chapter 2, where their", "you can't continue to chapter 6. Thankfully, I have a save system in", "points in the story without having to replay the whole game. If a", "realize you need to do something differently in chapter 2 to progress in", "you avoided going to, they might just get their hands on another unfortunate", "get too complicated to keep up with over time. The whole point of", "they do differently this time around. Remembering what happened in other playthroughs is", "based on knowledge the character shouldn't have at this point, because the game", "where their character crosses a bridge, they can. When they return there, they", "get a quick recap of what happened up until that point. This should", "an earlier state. Could this be too much for the player to keep", "recap of what happened up until that point. This should allow the player", "the player may run into deadends in the story, which causes the game", "place you avoided going to, they might just get their hands on another", "This should allow the player to clearly separate what happened before this point", "or an important event happening or not happening. Sometimes, you might be in", "that other elements don't exist anymore. That gang you managed to avoid in", "story, which causes the game to end prematurely. This can range from the", "too complicated to keep up with over time. The whole point of the", "unsure if this would cause confusion for the player or get too complicated", "another important character in the story getting killed or an important event happening", "doesn't mean that other elements don't exist anymore. That gang you managed to", "replay the whole game. If a player, for example, wants to go back", "can't continue to chapter 6. Thankfully, I have a save system in place", "gang you managed to avoid in your current playthrough? Yeah, they are still", "which causes the game to end prematurely. This can range from the player", "earlier state. Could this be too much for the player to keep up", "to chapter 6. Thankfully, I have a save system in place that allows", "the point in chapter 2, where their character crosses a bridge, they can.", "the player simply getting killed, another important character in the story getting killed", "until that point. This should allow the player to clearly separate what happened", "player or get too complicated to keep up with over time. The whole", "of what happened up until that point. This should allow the player to", "killed, another important character in the story getting killed or an important event", "system in place that allows the player to easily go back to specific", "would cause confusion for the player or get too complicated to keep up", "before this point and what they remember to have happened after this point,", "up with? What can I do to make this a comprehensible experience (such", "still important. Just because the story plays out differently, doesn't mean that other", "if this would cause confusion for the player or get too complicated to", "place that allows the player to easily go back to specific points in", "have at this point, because the game keeps resetting to an earlier state.", "happened up until that point. This should allow the player to clearly separate", "the game keeps resetting to an earlier state. Could this be too much", "keep up with? What can I do to make this a comprehensible experience", "player may run into deadends in the story, which causes the game to", "in the story getting killed or an important event happening or not happening.", "to avoid in your current playthrough? Yeah, they are still in the place", "other elements don't exist anymore. That gang you managed to avoid in your", "they return there, they also get a quick recap of what happened up", "to be very different depending on what they do differently this time around.", "point in chapter 2, where their character crosses a bridge, they can. When", "that allows the player to easily go back to specific points in the", "something differently in chapter 2 to progress in the game, otherwise you can't", "character in the story getting killed or an important event happening or not", "they remember to have happened after this point, as what happens afterwards may", "with? What can I do to make this a comprehensible experience (such as", "current playthrough? Yeah, they are still in the place you avoided going to,", "over time. The whole point of the game is to go through many", "the player or get too complicated to keep up with over time. The", "just get their hands on another unfortunate victim instead, drastically changing what happens", "chapters. I am unsure if this would cause confusion for the player or", "in the game, otherwise you can't continue to chapter 6. Thankfully, I have", "range from the player simply getting killed, another important character in the story", "through many paths and find the right one, while finding out more info", "What can I do to make this a comprehensible experience (such as the", "much for the player to keep up with? What can I do to", "later chapters. I am unsure if this would cause confusion for the player", "player simply getting killed, another important character in the story getting killed or", "allows the player to easily go back to specific points in the story", "the character shouldn't have at this point, because the game keeps resetting to", "what they do differently this time around. Remembering what happened in other playthroughs", "together based on knowledge the character shouldn't have at this point, because the", "keeps resetting to an earlier state. Could this be too much for the", "character shouldn't have at this point, because the game keeps resetting to an", "game keeps resetting to an earlier state. Could this be too much for", "this point and what they remember to have happened after this point, as", "player to keep up with? What can I do to make this a", "have happened after this point, as what happens afterwards may turn out to", "different depending on what they do differently this time around. Remembering what happened", "the game is to go through many paths and find the right one,", "and what they remember to have happened after this point, as what happens", "putting the pieces together based on knowledge the character shouldn't have at this", "the story, which causes the game to end prematurely. This can range from", "in the story without having to replay the whole game. If a player,", "prematurely. This can range from the player simply getting killed, another important character", "victim instead, drastically changing what happens in later chapters. I am unsure if", "without having to replay the whole game. If a player, for example, wants", "point. This should allow the player to clearly separate what happened before this", "be in chapter 5 and realize you need to do something differently in", "for the player or get too complicated to keep up with over time.", "bridge, they can. When they return there, they also get a quick recap", "story getting killed or an important event happening or not happening. Sometimes, you", "paths and putting the pieces together based on knowledge the character shouldn't have", "still in the place you avoided going to, they might just get their", "different paths and putting the pieces together based on knowledge the character shouldn't", "be very different depending on what they do differently this time around. Remembering", "a bridge, they can. When they return there, they also get a quick", "in chapter 5 and realize you need to do something differently in chapter", "managed to avoid in your current playthrough? Yeah, they are still in the", "important event happening or not happening. Sometimes, you might be in chapter 5", "cause confusion for the player or get too complicated to keep up with", "run into deadends in the story, which causes the game to end prematurely.", "2, where their character crosses a bridge, they can. When they return there,", "the player to easily go back to specific points in the story without", "what happens afterwards may turn out to be very different depending on what", "In my game, the player may run into deadends in the story, which", "game. If a player, for example, wants to go back to the point", "finding out more info from playing all the different paths and putting the", "or not happening. Sometimes, you might be in chapter 5 and realize you", "knowledge the character shouldn't have at this point, because the game keeps resetting", "other playthroughs is still important. Just because the story plays out differently, doesn't", "go back to specific points in the story without having to replay the", "is still important. Just because the story plays out differently, doesn't mean that", "the player to clearly separate what happened before this point and what they", "they can. When they return there, they also get a quick recap of", "in chapter 2, where their character crosses a bridge, they can. When they", "at this point, because the game keeps resetting to an earlier state. Could", "important. Just because the story plays out differently, doesn't mean that other elements", "might be in chapter 5 and realize you need to do something differently", "point, because the game keeps resetting to an earlier state. Could this be", "be too much for the player to keep up with? What can I", "remember to have happened after this point, as what happens afterwards may turn", "in other playthroughs is still important. Just because the story plays out differently,", "is to go through many paths and find the right one, while finding", "the game to end prematurely. This can range from the player simply getting", "end prematurely. This can range from the player simply getting killed, another important", "separate what happened before this point and what they remember to have happened", "their hands on another unfortunate victim instead, drastically changing what happens in later", "another unfortunate victim instead, drastically changing what happens in later chapters. I am", "event happening or not happening. Sometimes, you might be in chapter 5 and", "When they return there, they also get a quick recap of what happened", "this time around. Remembering what happened in other playthroughs is still important. Just", "to an earlier state. Could this be too much for the player to", "to go back to the point in chapter 2, where their character crosses", "go through many paths and find the right one, while finding out more", "The whole point of the game is to go through many paths and", "happened in other playthroughs is still important. Just because the story plays out", "go back to the point in chapter 2, where their character crosses a", "to go through many paths and find the right one, while finding out", "progress in the game, otherwise you can't continue to chapter 6. Thankfully, I", "happens in later chapters. I am unsure if this would cause confusion for", "what they remember to have happened after this point, as what happens afterwards", "happened after this point, as what happens afterwards may turn out to be", "happens afterwards may turn out to be very different depending on what they", "That gang you managed to avoid in your current playthrough? Yeah, they are", "elements don't exist anymore. That gang you managed to avoid in your current", "in the story, which causes the game to end prematurely. This can range", "clearly separate what happened before this point and what they remember to have", "confusion for the player or get too complicated to keep up with over", "I do to make this a comprehensible experience (such as the recaps I", "anymore. That gang you managed to avoid in your current playthrough? Yeah, they", "to replay the whole game. If a player, for example, wants to go", "an important event happening or not happening. Sometimes, you might be in chapter", "mean that other elements don't exist anymore. That gang you managed to avoid", "a quick recap of what happened up until that point. This should allow", "they might just get their hands on another unfortunate victim instead, drastically changing", "and putting the pieces together based on knowledge the character shouldn't have at", "6. Thankfully, I have a save system in place that allows the player", "up until that point. This should allow the player to clearly separate what", "I am unsure if this would cause confusion for the player or get", "crosses a bridge, they can. When they return there, they also get a", "player, for example, wants to go back to the point in chapter 2,", "and realize you need to do something differently in chapter 2 to progress", "find the right one, while finding out more info from playing all the", "one, while finding out more info from playing all the different paths and", "shouldn't have at this point, because the game keeps resetting to an earlier", "while finding out more info from playing all the different paths and putting", "game to end prematurely. This can range from the player simply getting killed,", "for the player to keep up with? What can I do to make", "plays out differently, doesn't mean that other elements don't exist anymore. That gang", "on knowledge the character shouldn't have at this point, because the game keeps", "easily go back to specific points in the story without having to replay", "character crosses a bridge, they can. When they return there, they also get", "to, they might just get their hands on another unfortunate victim instead, drastically", "many paths and find the right one, while finding out more info from", "avoid in your current playthrough? Yeah, they are still in the place you", "in later chapters. I am unsure if this would cause confusion for the", "paths and find the right one, while finding out more info from playing", "to have happened after this point, as what happens afterwards may turn out", "to end prematurely. This can range from the player simply getting killed, another", "Sometimes, you might be in chapter 5 and realize you need to do", "player to easily go back to specific points in the story without having", "to specific points in the story without having to replay the whole game.", "all the different paths and putting the pieces together based on knowledge the", "happening. Sometimes, you might be in chapter 5 and realize you need to", "back to the point in chapter 2, where their character crosses a bridge,", "point of the game is to go through many paths and find the" ]
[ "methodologies, I was curious if there is an alternative method that could be", "it ahead of time. But without meaning to incite a debate between these", "contents even be acceptable in an essay? If not, are there any other", "and more often simply starting a discussion without indicating anything about it ahead", "be used—one that relies neither on narrative signposts nor on questions. One idea", "of the essay. However, I can't recall this being used in any of", "are there any other methods that could be used to point readers to", "I used to use a very moderate amount of both techniques, relaying on", "a debate between these two methodologies, I was curious if there is an", "curious if there is an alternative method that could be used—one that relies", "with headings that describe content, avoiding the need to either signpost or ask", "describe content, avoiding the need to either signpost or ask questions in the", "and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative. Shortly after that, almost", "neither on narrative signposts nor on questions. One idea that came to mind", "recall this being used in any of the essays I've been exposed to", "by students for instructors in a course.) Would a table of contents even", "to avoid the use of signposts (\"the next paragraph discusses . . .\"),", "topics in academic essays. I first read a question and answer that suggested", "Would a table of contents even be acceptable in an essay? If not,", "two methodologies, I was curious if there is an alternative method that could", "about it ahead of time. But without meaning to incite a debate between", "headings used, without a table of contents, in some academic articles, but not", "instructors in a course.) Would a table of contents even be acceptable in", "by accident, I discovered a different question and answer that indicated asking questions", "without a table of contents, in some academic articles, but not by students", "questions. One idea that came to mind is the use of a table", "was left with contradictory advice. When I was in university many years ago,", "reading both, I was left with contradictory advice. When I was in university", "discovered a different question and answer that indicated asking questions of any kind", "with contradictory advice. When I was in university many years ago, I used", "at all), and more often simply starting a discussion without indicating anything about", "ahead of time. But without meaning to incite a debate between these two", "without indicating anything about it ahead of time. But without meaning to incite", "the essays I've been exposed to in the past. (I have seen headings", "that indicated asking questions of any kind in an essay should be avoided,", "classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I found this humorous,", "of time. But without meaning to incite a debate between these two methodologies,", "there any other methods that could be used to point readers to upcoming", "content, avoiding the need to either signpost or ask questions in the body", "was in university many years ago, I used to use a very moderate", "all), and more often simply starting a discussion without indicating anything about it", "to incite a debate between these two methodologies, I was curious if there", "a question and answer that suggested it's better in modern essays to avoid", "instead. I found this humorous, because, after reading both, I was left with", "that came to mind is the use of a table of contents. This,", "in the past. (I have seen headings used, without a table of contents,", "accident, I discovered a different question and answer that indicated asking questions of", "was curious if there is an alternative method that could be used—one that", "headings that describe content, avoiding the need to either signpost or ask questions", "I first read a question and answer that suggested it's better in modern", "a table of contents even be acceptable in an essay? If not, are", "essay should be avoided, and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be", "left with contradictory advice. When I was in university many years ago, I", "read two opposing viewpoints on how to introduce topics in academic essays. I", "One idea that came to mind is the use of a table of", "in university many years ago, I used to use a very moderate amount", "that relies neither on narrative signposts nor on questions. One idea that came", "used—one that relies neither on narrative signposts nor on questions. One idea that", "I discovered a different question and answer that indicated asking questions of any", "different question and answer that indicated asking questions of any kind in an", "avoiding the need to either signpost or ask questions in the body of", "and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I", "of any kind in an essay should be avoided, and that the classic", "suggested it's better in modern essays to avoid the use of signposts (\"the", "as an alternative. Shortly after that, almost by accident, I discovered a different", "to in the past. (I have seen headings used, without a table of", "academic essays. I first read a question and answer that suggested it's better", "If not, are there any other methods that could be used to point", "either signpost or ask questions in the body of the essay. However, I", "a very moderate amount of both techniques, relaying on neither much (if at", "much (if at all), and more often simply starting a discussion without indicating", "(if at all), and more often simply starting a discussion without indicating anything", "of the essays I've been exposed to in the past. (I have seen", "that could be used—one that relies neither on narrative signposts nor on questions.", "the essay. However, I can't recall this being used in any of the", "of contents, in some academic articles, but not by students for instructors in", "answer that suggested it's better in modern essays to avoid the use of", "almost by accident, I discovered a different question and answer that indicated asking", "should be avoided, and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered", "ask questions in the body of the essay. However, I can't recall this", "should be adhered to instead. I found this humorous, because, after reading both,", "to mind is the use of a table of contents. This, on its", "nor on questions. One idea that came to mind is the use of", "on its own, could visually point readers to sections with headings that describe", "seen headings used, without a table of contents, in some academic articles, but", "been exposed to in the past. (I have seen headings used, without a", "When I was in university many years ago, I used to use a", "narrative signposts nor on questions. One idea that came to mind is the", "in an essay should be avoided, and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided)", "use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I found this humorous, because,", "to either signpost or ask questions in the body of the essay. However,", "time. But without meaning to incite a debate between these two methodologies, I", "be adhered to instead. I found this humorous, because, after reading both, I", "used in any of the essays I've been exposed to in the past.", "a different question and answer that indicated asking questions of any kind in", "in the past two days I've read two opposing viewpoints on how to", "any other methods that could be used to point readers to upcoming content?", "contents. This, on its own, could visually point readers to sections with headings", "two days I've read two opposing viewpoints on how to introduce topics in", "readers to sections with headings that describe content, avoiding the need to either", "I can't recall this being used in any of the essays I've been", "meaning to incite a debate between these two methodologies, I was curious if", "have seen headings used, without a table of contents, in some academic articles,", "use a very moderate amount of both techniques, relaying on neither much (if", "between these two methodologies, I was curious if there is an alternative method", "two opposing viewpoints on how to introduce topics in academic essays. I first", "years ago, I used to use a very moderate amount of both techniques,", "if there is an alternative method that could be used—one that relies neither", "there is an alternative method that could be used—one that relies neither on", "on narrative signposts nor on questions. One idea that came to mind is", "This, on its own, could visually point readers to sections with headings that", "essays I've been exposed to in the past. (I have seen headings used,", "both, I was left with contradictory advice. When I was in university many", "questions of any kind in an essay should be avoided, and that the", "it's better in modern essays to avoid the use of signposts (\"the next", "modern essays to avoid the use of signposts (\"the next paragraph discusses .", "However, I can't recall this being used in any of the essays I've", "to instead. I found this humorous, because, after reading both, I was left", "used, without a table of contents, in some academic articles, but not by", "that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I found", "kind in an essay should be avoided, and that the classic use of", "in academic essays. I first read a question and answer that suggested it's", "in an essay? If not, are there any other methods that could be", "even be acceptable in an essay? If not, are there any other methods", "a table of contents, in some academic articles, but not by students for", "[signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I found this humorous, because, after reading", "the use of a table of contents. This, on its own, could visually", "both techniques, relaying on neither much (if at all), and more often simply", "table of contents, in some academic articles, but not by students for instructors", ".\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative. Shortly after that,", "next paragraph discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as", "of a table of contents. This, on its own, could visually point readers", "its own, could visually point readers to sections with headings that describe content,", "past. (I have seen headings used, without a table of contents, in some", "articles, but not by students for instructors in a course.) Would a table", ". .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative. Shortly after", "for instructors in a course.) Would a table of contents even be acceptable", "adhered to instead. I found this humorous, because, after reading both, I was", "questions in the body of the essay. However, I can't recall this being", "be used as an alternative. Shortly after that, almost by accident, I discovered", "of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I found this humorous, because, after", "point readers to sections with headings that describe content, avoiding the need to", "many years ago, I used to use a very moderate amount of both", "course.) Would a table of contents even be acceptable in an essay? If", "could be used—one that relies neither on narrative signposts nor on questions. One", "Shortly after that, almost by accident, I discovered a different question and answer", "relaying on neither much (if at all), and more often simply starting a", "need to either signpost or ask questions in the body of the essay.", "discussion without indicating anything about it ahead of time. But without meaning to", "on how to introduce topics in academic essays. I first read a question", "read a question and answer that suggested it's better in modern essays to", "signpost or ask questions in the body of the essay. However, I can't", "an alternative. Shortly after that, almost by accident, I discovered a different question", "essay. However, I can't recall this being used in any of the essays", "some academic articles, but not by students for instructors in a course.) Would", "signposts (\"the next paragraph discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be", "method that could be used—one that relies neither on narrative signposts nor on", "in a course.) Would a table of contents even be acceptable in an", "techniques, relaying on neither much (if at all), and more often simply starting", "I was curious if there is an alternative method that could be used—one", "humorous, because, after reading both, I was left with contradictory advice. When I", "I found this humorous, because, after reading both, I was left with contradictory", "alternative method that could be used—one that relies neither on narrative signposts nor", "starting a discussion without indicating anything about it ahead of time. But without", "of both techniques, relaying on neither much (if at all), and more often", "that suggested it's better in modern essays to avoid the use of signposts", "an essay should be avoided, and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should", "indicating anything about it ahead of time. But without meaning to incite a", "own, could visually point readers to sections with headings that describe content, avoiding", "this being used in any of the essays I've been exposed to in", "mind is the use of a table of contents. This, on its own,", "essay? If not, are there any other methods that could be used to", "found this humorous, because, after reading both, I was left with contradictory advice.", "after that, almost by accident, I discovered a different question and answer that", "and answer that indicated asking questions of any kind in an essay should", "indicated asking questions of any kind in an essay should be avoided, and", "asking questions of any kind in an essay should be avoided, and that", "Strangely, in the past two days I've read two opposing viewpoints on how", "I've read two opposing viewpoints on how to introduce topics in academic essays.", "how to introduce topics in academic essays. I first read a question and", "be avoided, and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to", "visually point readers to sections with headings that describe content, avoiding the need", "days I've read two opposing viewpoints on how to introduce topics in academic", "sections with headings that describe content, avoiding the need to either signpost or", "idea that came to mind is the use of a table of contents.", "answer that indicated asking questions of any kind in an essay should be", "body of the essay. However, I can't recall this being used in any", "academic articles, but not by students for instructors in a course.) Would a", "moderate amount of both techniques, relaying on neither much (if at all), and", "neither much (if at all), and more often simply starting a discussion without", "advice. When I was in university many years ago, I used to use", "avoid the use of signposts (\"the next paragraph discusses . . .\"), and", "the past two days I've read two opposing viewpoints on how to introduce", "could be used as an alternative. Shortly after that, almost by accident, I", "this humorous, because, after reading both, I was left with contradictory advice. When", "any of the essays I've been exposed to in the past. (I have", "not, are there any other methods that could be used to point readers", "But without meaning to incite a debate between these two methodologies, I was", "use of a table of contents. This, on its own, could visually point", "that, almost by accident, I discovered a different question and answer that indicated", "first read a question and answer that suggested it's better in modern essays", "question and answer that indicated asking questions of any kind in an essay", "a discussion without indicating anything about it ahead of time. But without meaning", "that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative. Shortly after that, almost by", "on neither much (if at all), and more often simply starting a discussion", ". . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative. Shortly", "a course.) Would a table of contents even be acceptable in an essay?", "(\"the next paragraph discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used", "any kind in an essay should be avoided, and that the classic use", "the use of signposts (\"the next paragraph discusses . . .\"), and that", "came to mind is the use of a table of contents. This, on", "in any of the essays I've been exposed to in the past. (I", "relies neither on narrative signposts nor on questions. One idea that came to", "in modern essays to avoid the use of signposts (\"the next paragraph discusses", "signposts nor on questions. One idea that came to mind is the use", "the need to either signpost or ask questions in the body of the", "without meaning to incite a debate between these two methodologies, I was curious", "university many years ago, I used to use a very moderate amount of", "essays to avoid the use of signposts (\"the next paragraph discusses . .", "past two days I've read two opposing viewpoints on how to introduce topics", "these two methodologies, I was curious if there is an alternative method that", "I've been exposed to in the past. (I have seen headings used, without", "to sections with headings that describe content, avoiding the need to either signpost", "after reading both, I was left with contradictory advice. When I was in", "incite a debate between these two methodologies, I was curious if there is", "(I have seen headings used, without a table of contents, in some academic", "amount of both techniques, relaying on neither much (if at all), and more", "but not by students for instructors in a course.) Would a table of", "more often simply starting a discussion without indicating anything about it ahead of", "the past. (I have seen headings used, without a table of contents, in", "can't recall this being used in any of the essays I've been exposed", "opposing viewpoints on how to introduce topics in academic essays. I first read", "ago, I used to use a very moderate amount of both techniques, relaying", "being used in any of the essays I've been exposed to in the", "on questions. One idea that came to mind is the use of a", "to introduce topics in academic essays. I first read a question and answer", "the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead. I found this", "discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative.", "essays. I first read a question and answer that suggested it's better in", "a table of contents. This, on its own, could visually point readers to", "in the body of the essay. However, I can't recall this being used", "exposed to in the past. (I have seen headings used, without a table", "introduce topics in academic essays. I first read a question and answer that", "of contents even be acceptable in an essay? If not, are there any", "is the use of a table of contents. This, on its own, could", "of signposts (\"the next paragraph discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could", "better in modern essays to avoid the use of signposts (\"the next paragraph", "alternative. Shortly after that, almost by accident, I discovered a different question and", "and answer that suggested it's better in modern essays to avoid the use", "debate between these two methodologies, I was curious if there is an alternative", "be acceptable in an essay? If not, are there any other methods that", "question and answer that suggested it's better in modern essays to avoid the", "avoided, and that the classic use of [signposts](https://writing.stackexchange.com/questions/36105/should-structuring-an-academic-text-with-the-help-of-questions-be-avoided) should be adhered to instead.", "very moderate amount of both techniques, relaying on neither much (if at all),", "anything about it ahead of time. But without meaning to incite a debate", "I was left with contradictory advice. When I was in university many years", "is an alternative method that could be used—one that relies neither on narrative", "table of contents. This, on its own, could visually point readers to sections", "of contents. This, on its own, could visually point readers to sections with", "table of contents even be acceptable in an essay? If not, are there", "acceptable in an essay? If not, are there any other methods that could", "an essay? If not, are there any other methods that could be used", "use of signposts (\"the next paragraph discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader)", "[questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an alternative. Shortly after that, almost by accident,", "paragraph discusses . . .\"), and that [questions](https://writing.stackexchange.com/questions/36096/how-to-introduce-the-content-of-my-essay-for-ielts-to-my-reader) could be used as an", "used as an alternative. Shortly after that, almost by accident, I discovered a", "used to use a very moderate amount of both techniques, relaying on neither", "contents, in some academic articles, but not by students for instructors in a", "I was in university many years ago, I used to use a very", "students for instructors in a course.) Would a table of contents even be", "contradictory advice. When I was in university many years ago, I used to", "to use a very moderate amount of both techniques, relaying on neither much", "could visually point readers to sections with headings that describe content, avoiding the", "or ask questions in the body of the essay. However, I can't recall", "an alternative method that could be used—one that relies neither on narrative signposts", "that describe content, avoiding the need to either signpost or ask questions in", "often simply starting a discussion without indicating anything about it ahead of time.", "simply starting a discussion without indicating anything about it ahead of time. But", "the body of the essay. However, I can't recall this being used in", "because, after reading both, I was left with contradictory advice. When I was", "viewpoints on how to introduce topics in academic essays. I first read a", "in some academic articles, but not by students for instructors in a course.)", "not by students for instructors in a course.) Would a table of contents" ]
[ "of poetry, but not only of poetry. > > Tenor and vehicle [are]", "it's the visualization and the logic that leads to the intuition. So, does", "visualization and the logic that leads to the intuition. So, does visualization form", "person meant, and the vehicle being the image that carries the weight of", "get an idea from something, it feels like sometimes an abstract, inexplicable intuition", "me this is related to \"tenor and vehicle.\" I'm thinking here of poetry,", "and which is better? It seems to me this is related to \"tenor", "the visualization and the logic that leads to the intuition. So, does visualization", "visualization, and which is better? It seems to me this is related to", "to \"tenor and vehicle.\" I'm thinking here of poetry, but not only of", "like sometimes an abstract, inexplicable intuition leads to a concrete visualization (and a", "the image that carries the weight of the comparison. > > > <https://www.britannica.com/art/tenor-literature>", "seems to me this is related to \"tenor and vehicle.\" I'm thinking here", "to me this is related to \"tenor and vehicle.\" I'm thinking here of", "the vehicle being the image that carries the weight of the comparison. >", "inexplicable intuition leads to a concrete visualization (and a chain of logic), and", "abstract, inexplicable intuition leads to a concrete visualization (and a chain of logic),", "this is related to \"tenor and vehicle.\" I'm thinking here of poetry, but", "I'm thinking here of poetry, but not only of poetry. > > Tenor", "to the intuition. So, does visualization form intuitions, or do intuitions lead to", "meant, and the vehicle being the image that carries the weight of the", "leads to the intuition. So, does visualization form intuitions, or do intuitions lead", "thinking here of poetry, but not only of poetry. > > Tenor and", "a chain of logic), and sometimes it's the visualization and the logic that", "> > Tenor and vehicle [are] the components of a metaphor, with the", "components of a metaphor, with the tenor referring to the concept, object, or", "feels like sometimes an abstract, inexplicable intuition leads to a concrete visualization (and", "is related to \"tenor and vehicle.\" I'm thinking here of poetry, but not", "tenor referring to the concept, object, or person meant, and the vehicle being", "concrete visualization (and a chain of logic), and sometimes it's the visualization and", "or do intuitions lead to visualization, and which is better? It seems to", "I get an idea from something, it feels like sometimes an abstract, inexplicable", "When I get an idea from something, it feels like sometimes an abstract,", "that carries the weight of the comparison. > > > <https://www.britannica.com/art/tenor-literature> > >", "to visualization, and which is better? It seems to me this is related", "the concept, object, or person meant, and the vehicle being the image that", "and vehicle.\" I'm thinking here of poetry, but not only of poetry. >", "and vehicle [are] the components of a metaphor, with the tenor referring to", "sometimes an abstract, inexplicable intuition leads to a concrete visualization (and a chain", "an idea from something, it feels like sometimes an abstract, inexplicable intuition leads", "to a concrete visualization (and a chain of logic), and sometimes it's the", "of logic), and sometimes it's the visualization and the logic that leads to", "vehicle being the image that carries the weight of the comparison. > >", "carries the weight of the comparison. > > > <https://www.britannica.com/art/tenor-literature> > > >", "intuition leads to a concrete visualization (and a chain of logic), and sometimes", "that leads to the intuition. So, does visualization form intuitions, or do intuitions", "the intuition. So, does visualization form intuitions, or do intuitions lead to visualization,", "visualization (and a chain of logic), and sometimes it's the visualization and the", "intuitions, or do intuitions lead to visualization, and which is better? It seems", "(and a chain of logic), and sometimes it's the visualization and the logic", "better? It seems to me this is related to \"tenor and vehicle.\" I'm", "an abstract, inexplicable intuition leads to a concrete visualization (and a chain of", "image that carries the weight of the comparison. > > > <https://www.britannica.com/art/tenor-literature> >", "does visualization form intuitions, or do intuitions lead to visualization, and which is", "and the logic that leads to the intuition. So, does visualization form intuitions,", "visualization form intuitions, or do intuitions lead to visualization, and which is better?", "sometimes it's the visualization and the logic that leads to the intuition. So,", "it feels like sometimes an abstract, inexplicable intuition leads to a concrete visualization", "a concrete visualization (and a chain of logic), and sometimes it's the visualization", "metaphor, with the tenor referring to the concept, object, or person meant, and", "a metaphor, with the tenor referring to the concept, object, or person meant,", "the components of a metaphor, with the tenor referring to the concept, object,", "with the tenor referring to the concept, object, or person meant, and the", "object, or person meant, and the vehicle being the image that carries the", "which is better? It seems to me this is related to \"tenor and", "logic that leads to the intuition. So, does visualization form intuitions, or do", "vehicle [are] the components of a metaphor, with the tenor referring to the", "[are] the components of a metaphor, with the tenor referring to the concept,", "referring to the concept, object, or person meant, and the vehicle being the", "related to \"tenor and vehicle.\" I'm thinking here of poetry, but not only", "Tenor and vehicle [are] the components of a metaphor, with the tenor referring", "and the vehicle being the image that carries the weight of the comparison.", "intuition. So, does visualization form intuitions, or do intuitions lead to visualization, and", "and sometimes it's the visualization and the logic that leads to the intuition.", "\"tenor and vehicle.\" I'm thinking here of poetry, but not only of poetry.", "poetry, but not only of poetry. > > Tenor and vehicle [are] the", "do intuitions lead to visualization, and which is better? It seems to me", "from something, it feels like sometimes an abstract, inexplicable intuition leads to a", "or person meant, and the vehicle being the image that carries the weight", "logic), and sometimes it's the visualization and the logic that leads to the", "idea from something, it feels like sometimes an abstract, inexplicable intuition leads to", "leads to a concrete visualization (and a chain of logic), and sometimes it's", "poetry. > > Tenor and vehicle [are] the components of a metaphor, with", "to the concept, object, or person meant, and the vehicle being the image", "of poetry. > > Tenor and vehicle [are] the components of a metaphor,", "being the image that carries the weight of the comparison. > > >", "here of poetry, but not only of poetry. > > Tenor and vehicle", "the logic that leads to the intuition. So, does visualization form intuitions, or", "form intuitions, or do intuitions lead to visualization, and which is better? It", "intuitions lead to visualization, and which is better? It seems to me this", "vehicle.\" I'm thinking here of poetry, but not only of poetry. > >", "chain of logic), and sometimes it's the visualization and the logic that leads", "only of poetry. > > Tenor and vehicle [are] the components of a", "not only of poetry. > > Tenor and vehicle [are] the components of", "It seems to me this is related to \"tenor and vehicle.\" I'm thinking", "concept, object, or person meant, and the vehicle being the image that carries", "> Tenor and vehicle [are] the components of a metaphor, with the tenor", "something, it feels like sometimes an abstract, inexplicable intuition leads to a concrete", "is better? It seems to me this is related to \"tenor and vehicle.\"", "the tenor referring to the concept, object, or person meant, and the vehicle", "lead to visualization, and which is better? It seems to me this is", "So, does visualization form intuitions, or do intuitions lead to visualization, and which", "of a metaphor, with the tenor referring to the concept, object, or person", "but not only of poetry. > > Tenor and vehicle [are] the components" ]
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She and the main character have done a lot of", "character have done a lot of things that are still affecting the future", "was probably his girlfriend or something\". Her (their) backstory is not that interesting", "post-death storyline so I don't really want to start with 5 chapters of", "story will take place several years after the murder so he has gotten", "quite what will happen but easier to explain) and I want to both", "answers gives an interesting approach about basically not telling the backstory it is", "far as the readers know anyway) or at least sympathize with the other", "time together. 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The backstory is not just about her. She", "several years after the murder so he has gotten over the initial shock", "to deal with the consequences of their time together. An example would be", "the main character might replace her with a android that they built together", "(not quite what will happen but easier to explain) and I want to", "without confusing the reader. How can I write these flashbacks in a reader-friendly", "still affecting the future either directly or indirectly. The main story will take", "the main characters getting murdered. I'm wondering how to get readers to care", "interesting without the context of the current, post-death storyline so I don't really", "if anyone have some completely different idea of how to write something like", "what the \"Arrow\" TV series does, but I am unsure how to write", "future either directly or indirectly. 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The main", "I want to both tell the background story of how they built that", "to both tell the background story of how they built that android as", "other main character and their relationship other than \"She was probably his girlfriend", "one of the main characters getting murdered. I'm wondering how to get readers", "different idea of how to write something like this. EDIT: While several of", "flashbacks in a reader-friendly way? Or if anyone have some completely different idea", "his girlfriend or something\". Her (their) backstory is not that interesting without the", "her) but he still has to deal with the consequences of their time", "main characters getting murdered. I'm wondering how to get readers to care about", "completely different idea of how to write something like this. EDIT: While several", "easier to explain) and I want to both tell the background story of", "some kind of flashbacks, something I later realised wuold be quite similar to", "together (not quite what will happen but easier to explain) and I want", "place several years after the murder so he has gotten over the initial", "with 5 chapters of backstory that will be boring for the reader until", "is not just about her. She and the main character have done a", "or something\". Her (their) backstory is not that interesting without the context of", "that interesting without the context of the current, post-death storyline so I don't", "to start with 5 chapters of backstory that will be boring for the", "and their relationship other than \"She was probably his girlfriend or something\". Her", "characters getting murdered. I'm wondering how to get readers to care about someone", "idea about doing some kind of flashbacks, something I later realised wuold be", "for so I thought I should give more information. The backstory is not", "a reader-friendly way? Or if anyone have some completely different idea of how", "might replace her with a android that they built together (not quite what", "the initial shock (i.e. he is not lying awake at night crying about", "later realised wuold be quite similar to what the \"Arrow\" TV series does,", "something like this. EDIT: While several of the answers gives an interesting approach" ]
[ "this one's a classic. You have a character with an ego so large,", "make it into a comic relief but instead, end up with an irritating", "You want to make it into a comic relief but instead, end up", "but instead, end up with an irritating pain in the a\\\\\\* that ruins", "of your average narcissist, by replacing them with the weird goals and delusions,", "narcissist, by replacing them with the weird goals and delusions, like believing that", "the a\\\\\\ that ruins the mood. Such character would be Mephistopheles, a shady", "all religions and replace them with atheism in God's name.* Of course, I", "main irritating elements of your average narcissist, by replacing them with the weird", "believing that God spoke to him in his dreams and ordered Mephisto to", "You have a character with an ego so large, it's on the verge", "an intellectual black hole. You want to make it into a comic relief", "end up with an irritating pain in the a\\\\\\* that ruins the mood.", "instead, end up with an irritating pain in the a\\\\\\* that ruins the", "with atheism in God's name.* Of course, I can't keep that up forever,", "avoided the main irritating elements of your average narcissist, by replacing them with", "would be Mephistopheles, a shady creature, serving as the quest-giver and a complete", "black hole. You want to make it into a comic relief but instead,", "replace them with atheism in God's name.* Of course, I can't keep that", "one's a classic. You have a character with an ego so large, it's", "creature, serving as the quest-giver and a complete rip-off of Christian Weston Clavddar.", "Christian Weston Clavddar. So far, I avoided the main irritating elements of your", "I avoided the main irritating elements of your average narcissist, by replacing them", "Oh, this one's a classic. You have a character with an ego so", "replacing them with the weird goals and delusions, like believing that God spoke", "that ruins the mood. Such character would be Mephistopheles, a shady creature, serving", "with an ego so large, it's on the verge of collapsing into an", "Such character would be Mephistopheles, a shady creature, serving as the quest-giver and", "his dreams and ordered Mephisto to abolish all religions and replace them with", "forever, that would be just too unrealistic, less hilarious traits* will crop up", "large, it's on the verge of collapsing into an intellectual black hole. You", "crop up and I have zero ideas on how should I handle them.", "God spoke to him in his dreams and ordered Mephisto to abolish all", "be just too unrealistic, less hilarious traits will crop up and I have", "in the a\\\\\\* that ruins the mood. Such character would be Mephistopheles, a", "an ego so large, it's on the verge of collapsing into an intellectual", "unrealistic, less hilarious traits will crop up and I have zero ideas on", "the quest-giver and a complete rip-off of Christian Weston Clavddar. So far, I", "as the quest-giver and a complete rip-off of Christian Weston Clavddar. So far,", "character with an ego so large, it's on the verge of collapsing into", "average narcissist, by replacing them with the weird goals and delusions, like believing", "spoke to him in his dreams and ordered Mephisto to abolish all religions", "a\\\\\\ that ruins the mood. Such character would be Mephistopheles, a shady creature,", "hilarious traits will crop up and I have zero ideas on how should", "classic. You have a character with an ego so large, it's on the", "Of course, I can't keep that up forever, that would be just too", "quest-giver and a complete rip-off of Christian Weston Clavddar. So far, I avoided", "by replacing them with the weird goals and delusions, like believing that God", "up forever, that would be just too unrealistic, less hilarious traits* will crop", "a comic relief but instead, end up with an irritating pain in the", "course, I can't keep that up forever, that would be just too unrealistic,", "just too unrealistic, less hilarious traits will crop up and I have zero", "goals and delusions, like believing that God spoke to him in his dreams", "in God's name. Of course, I can't keep that up forever, that would", "Mephisto to abolish all religions and replace them with atheism in God's name.", "name. Of course, I can't keep that up forever, that would be just", "of collapsing into an intellectual black hole. You want to make it into", "and replace them with atheism in God's name.* Of course, I can't keep", "to abolish all religions and replace them with atheism in God's name.* Of", "complete rip-off of Christian Weston Clavddar. So far, I avoided the main irritating", "have a character with an ego so large, it's on the verge of", "hole. You want to make it into a comic relief but instead, end", "in his dreams and ordered Mephisto to abolish all religions and replace them", "be Mephistopheles, a shady creature, serving as the quest-giver and a complete rip-off", "a character with an ego so large, it's on the verge of collapsing", "relief but instead, end up with an irritating pain in the a\\\\\\* that", "delusions, like believing that God spoke to him in his dreams and ordered", "I can't keep that up forever, that would be just too unrealistic, less", "that up forever, that would be just too unrealistic, less hilarious traits* will", "like believing that God spoke to him in his dreams and ordered Mephisto", "can't keep that up forever, that would be just too unrealistic, less hilarious", "shady creature, serving as the quest-giver and a complete rip-off of Christian Weston", "collapsing into an intellectual black hole. You want to make it into a", "it's on the verge of collapsing into an intellectual black hole. You want", "into an intellectual black hole. You want to make it into a comic", "the verge of collapsing into an intellectual black hole. You want to make", "will crop up and I have zero ideas on how should I handle", "rip-off of Christian Weston Clavddar. So far, I avoided the main irritating elements", "a classic. You have a character with an ego so large, it's on", "abolish all religions and replace them with atheism in God's name. Of course,", "elements of your average narcissist, by replacing them with the weird goals and", "too unrealistic, less hilarious traits will crop up and I have zero ideas", "on the verge of collapsing into an intellectual black hole. You want to", "with the weird goals and delusions, like believing that God spoke to him", "religions and replace them with atheism in God's name. Of course, I can't", "comic relief but instead, end up with an irritating pain in the a\\\\\\", "character would be Mephistopheles, a shady creature, serving as the quest-giver and a", "far, I avoided the main irritating elements of your average narcissist, by replacing", "dreams and ordered Mephisto to abolish all religions and replace them with atheism", "mood. Such character would be Mephistopheles, a shady creature, serving as the quest-giver", "an irritating pain in the a\\\\\\ that ruins the mood. Such character would", "irritating elements of your average narcissist, by replacing them with the weird goals", "and ordered Mephisto to abolish all religions and replace them with atheism in", "the main irritating elements of your average narcissist, by replacing them with the", "pain in the a\\\\\\* that ruins the mood. Such character would be Mephistopheles,", "into a comic relief but instead, end up with an irritating pain in", "and delusions, like believing that God spoke to him in his dreams and", "that would be just too unrealistic, less hilarious traits* will crop up and", "him in his dreams and ordered Mephisto to abolish all religions and replace", "to make it into a comic relief but instead, end up with an", "a complete rip-off of Christian Weston Clavddar. So far, I avoided the main", "intellectual black hole. You want to make it into a comic relief but", "to him in his dreams and ordered Mephisto to abolish all religions and", "serving as the quest-giver and a complete rip-off of Christian Weston Clavddar. So", "the weird goals and delusions, like believing that God spoke to him in", "Mephistopheles, a shady creature, serving as the quest-giver and a complete rip-off of", "ordered Mephisto to abolish all religions and replace them with atheism in God's", "So far, I avoided the main irritating elements of your average narcissist, by", "atheism in God's name. Of course, I can't keep that up forever, that", "want to make it into a comic relief but instead, end up with", "weird goals and delusions, like believing that God spoke to him in his", "a shady creature, serving as the quest-giver and a complete rip-off of Christian", "that God spoke to him in his dreams and ordered Mephisto to abolish", "keep that up forever, that would be just too unrealistic, less hilarious traits", "would be just too unrealistic, less hilarious traits* will crop up and I", "of Christian Weston Clavddar. So far, I avoided the main irritating elements of", "it into a comic relief but instead, end up with an irritating pain", "up with an irritating pain in the a\\\\\\* that ruins the mood. Such", "your average narcissist, by replacing them with the weird goals and delusions, like", "ruins the mood. Such character would be Mephistopheles, a shady creature, serving as", "God's name. Of course, I can't keep that up forever, that would be", "less hilarious traits will crop up and I have zero ideas on *how", "them with the weird goals and delusions, like believing that God spoke to", "verge of collapsing into an intellectual black hole. You want to make it", "them with atheism in God's name.* Of course, I can't keep that up", "irritating pain in the a\\\\\\* that ruins the mood. Such character would be", "and a complete rip-off of Christian Weston Clavddar. So far, I avoided the", "the mood. Such character would be Mephistopheles, a shady creature, serving as the", "so large, it's on the verge of collapsing into an intellectual black hole.", "traits will crop up and I have zero ideas on how should I", "Weston Clavddar. So far, I avoided the main irritating elements of your average", "ego so large, it's on the verge of collapsing into an intellectual black", "with an irritating pain in the a\\\\\\* that ruins the mood. Such character", "Clavddar. So far, I avoided the main irritating elements of your average narcissist," ]
[ "Dan Cefy, his mentor, at age 17. What gives Kics the \"right\" to", "person. Kics gets to see a lot, but not all of Gatsby's dealings.", "but not all of Gatsby's dealings. A case in point is Gatsby's early", "on my \"Liwk Carsozuy\" hat and commented on the story that I was", "see a lot, but not all of Gatsby's dealings. A case in point", "it in third person from \"Gatsby's\" point of view. Then I put on", "17. What gives Kics the \"right\" to relate these dealings? Can a narrator", "I created a story within a story as follows: First, I wrote it", "age 17. What gives Kics the \"right\" to relate these dealings? Can a", "from \"Gatsby's\" point of view. Then I put on my \"Liwk Carsozuy\" hat", "Liwk Carsozuy by name, with Kics using the first person. Kics gets to", "created a story within a story as follows: First, I wrote it in", "First, I wrote it in third person from \"Gatsby's\" point of view. Then", "between Gatsby and Cefy? Or must he limit himself to a second hand", "to a second hand narrative of those dealings? Actually, I created a story", "to see a lot, but not all of Gatsby's dealings. A case in", "narrator \"show, rather than tell,\" by featuring dialog and interaction between Gatsby and", "told from the point of view of Gatsby's neighbor, Liwk Carsozuy by name,", "I wrote it in third person from \"Gatsby's\" point of view. Then I", "those dealings? Actually, I created a story within a story as follows: First,", "within a story as follows: First, I wrote it in third person from", "a story within a story as follows: First, I wrote it in third", "Carsozuy\" hat and commented on the story that I was now able to", "in point is Gatsby's early dealings with Dan Cefy, his mentor, at age", "dialog and interaction between Gatsby and Cefy? Or must he limit himself to", "must he limit himself to a second hand narrative of those dealings? Actually,", "Gatsby's neighbor, Liwk Carsozuy by name, with Kics using the first person. Kics", "\"The Great Gatsby\" was told from the point of view of Gatsby's neighbor,", "point of view of Gatsby's neighbor, Liwk Carsozuy by name, with Kics using", "a second hand narrative of those dealings? Actually, I created a story within", "Kics using the first person. Kics gets to see a lot, but not", "by name, with Kics using the first person. Kics gets to see a", "interaction between Gatsby and Cefy? Or must he limit himself to a second", "as follows: First, I wrote it in third person from \"Gatsby's\" point of", "by featuring dialog and interaction between Gatsby and Cefy? Or must he limit", "of view of Gatsby's neighbor, Liwk Carsozuy by name, with Kics using the", "mentor, at age 17. What gives Kics the \"right\" to relate these dealings?", "Great Gatsby\" was told from the point of view of Gatsby's neighbor, Liwk", "Then I put on my \"Liwk Carsozuy\" hat and commented on the story", "I was now able to read. Can a format like this make sense?", "not all of Gatsby's dealings. A case in point is Gatsby's early dealings", "in third person from \"Gatsby's\" point of view. Then I put on my", "he limit himself to a second hand narrative of those dealings? Actually, I", "\"show, rather than tell,\" by featuring dialog and interaction between Gatsby and Cefy?", "these dealings? Can a narrator \"show, rather than tell,\" by featuring dialog and", "of those dealings? Actually, I created a story within a story as follows:", "Cefy? Or must he limit himself to a second hand narrative of those", "Gatsby's dealings. A case in point is Gatsby's early dealings with Dan Cefy,", "the first person. Kics gets to see a lot, but not all of", "dealings. A case in point is Gatsby's early dealings with Dan Cefy, his", "dealings? Can a narrator \"show, rather than tell,\" by featuring dialog and interaction", "story that I was now able to read. Can a format like this", "gets to see a lot, but not all of Gatsby's dealings. A case", "that I was now able to read. Can a format like this make", "A case in point is Gatsby's early dealings with Dan Cefy, his mentor,", "than tell,\" by featuring dialog and interaction between Gatsby and Cefy? Or must", "the \"right\" to relate these dealings? Can a narrator \"show, rather than tell,\"", "to relate these dealings? Can a narrator \"show, rather than tell,\" by featuring", "of view. Then I put on my \"Liwk Carsozuy\" hat and commented on", "Or must he limit himself to a second hand narrative of those dealings?", "story as follows: First, I wrote it in third person from \"Gatsby's\" point", "\"Liwk Carsozuy\" hat and commented on the story that I was now able", "at age 17. What gives Kics the \"right\" to relate these dealings? Can", "wrote it in third person from \"Gatsby's\" point of view. Then I put", "is Gatsby's early dealings with Dan Cefy, his mentor, at age 17. What", "lot, but not all of Gatsby's dealings. A case in point is Gatsby's", "first person. Kics gets to see a lot, but not all of Gatsby's", "tell,\" by featuring dialog and interaction between Gatsby and Cefy? Or must he", "of Gatsby's neighbor, Liwk Carsozuy by name, with Kics using the first person.", "I put on my \"Liwk Carsozuy\" hat and commented on the story that", "hat and commented on the story that I was now able to read.", "Carsozuy by name, with Kics using the first person. Kics gets to see", "gives Kics the \"right\" to relate these dealings? Can a narrator \"show, rather", "story within a story as follows: First, I wrote it in third person", "view of Gatsby's neighbor, Liwk Carsozuy by name, with Kics using the first", "dealings? Actually, I created a story within a story as follows: First, I", "and Cefy? Or must he limit himself to a second hand narrative of", "dealings with Dan Cefy, his mentor, at age 17. What gives Kics the", "with Dan Cefy, his mentor, at age 17. What gives Kics the \"right\"", "of Gatsby's dealings. A case in point is Gatsby's early dealings with Dan", "What gives Kics the \"right\" to relate these dealings? Can a narrator \"show,", "name, with Kics using the first person. Kics gets to see a lot,", "put on my \"Liwk Carsozuy\" hat and commented on the story that I", "limit himself to a second hand narrative of those dealings? Actually, I created", "a lot, but not all of Gatsby's dealings. A case in point is", "view. Then I put on my \"Liwk Carsozuy\" hat and commented on the", "person from \"Gatsby's\" point of view. Then I put on my \"Liwk Carsozuy\"", "was told from the point of view of Gatsby's neighbor, Liwk Carsozuy by", "the story that I was now able to read. Can a format like", "second hand narrative of those dealings? Actually, I created a story within a", "with Kics using the first person. Kics gets to see a lot, but", "and commented on the story that I was now able to read. Can", "on the story that I was now able to read. Can a format", "Cefy, his mentor, at age 17. What gives Kics the \"right\" to relate", "my \"Liwk Carsozuy\" hat and commented on the story that I was now", "case in point is Gatsby's early dealings with Dan Cefy, his mentor, at", "Gatsby and Cefy? Or must he limit himself to a second hand narrative", "and interaction between Gatsby and Cefy? Or must he limit himself to a", "narrative of those dealings? Actually, I created a story within a story as", "relate these dealings? Can a narrator \"show, rather than tell,\" by featuring dialog", "a story as follows: First, I wrote it in third person from \"Gatsby's\"", "\"right\" to relate these dealings? Can a narrator \"show, rather than tell,\" by", "neighbor, Liwk Carsozuy by name, with Kics using the first person. Kics gets", "all of Gatsby's dealings. A case in point is Gatsby's early dealings with", "point is Gatsby's early dealings with Dan Cefy, his mentor, at age 17.", "Gatsby's early dealings with Dan Cefy, his mentor, at age 17. What gives", "a narrator \"show, rather than tell,\" by featuring dialog and interaction between Gatsby", "using the first person. Kics gets to see a lot, but not all", "Actually, I created a story within a story as follows: First, I wrote", "his mentor, at age 17. What gives Kics the \"right\" to relate these", "commented on the story that I was now able to read. Can a", "hand narrative of those dealings? Actually, I created a story within a story", "Gatsby\" was told from the point of view of Gatsby's neighbor, Liwk Carsozuy", "point of view. Then I put on my \"Liwk Carsozuy\" hat and commented", "follows: First, I wrote it in third person from \"Gatsby's\" point of view.", "Kics gets to see a lot, but not all of Gatsby's dealings. A", "from the point of view of Gatsby's neighbor, Liwk Carsozuy by name, with", "Can a narrator \"show, rather than tell,\" by featuring dialog and interaction between", "featuring dialog and interaction between Gatsby and Cefy? Or must he limit himself", "himself to a second hand narrative of those dealings? Actually, I created a", "\"Gatsby's\" point of view. Then I put on my \"Liwk Carsozuy\" hat and", "rather than tell,\" by featuring dialog and interaction between Gatsby and Cefy? Or", "the point of view of Gatsby's neighbor, Liwk Carsozuy by name, with Kics", "Kics the \"right\" to relate these dealings? Can a narrator \"show, rather than", "third person from \"Gatsby's\" point of view. Then I put on my \"Liwk", "early dealings with Dan Cefy, his mentor, at age 17. What gives Kics" ]
[ "there but it feels like I'm doing just that - padding. I know", "ideas' for books. I'm a big sci-fi fan, especially Michael Crichton. I'm not", "right, right? Roll forward a few hours (or days) and I've written a", "produce, even if it never sees the light of day. How do I", "of what I want to happen, figure out bios for all the major", "like I'm doing just that - padding. I know word/page count shouldn't matter", "fan, especially Michael Crichton. I'm not sure if that's relevant but there it", "I produce, even if it never sees the light of day. How do", "Crichton. I'm not sure if that's relevant but there it is. I want", "I want to write a full length book, not a short story, a", "a few pages, maybe 5 or 6 and I'm half way though my", "keyboard. All sounds right, right? Roll forward a few hours (or days) and", "few pages, maybe 5 or 6 and I'm half way though my plot.", "energy and see what I produce, even if it never sees the light", "what I produce, even if it never sees the light of day. How", "the time and energy and see what I produce, even if it never", "to happen, figure out bios for all the major characters, then hit the", "pages long book. I draw up a plot of what I want to", "Roll forward a few hours (or days) and I've written a few pages,", "long story. I want to invest the time and energy and see what", "is my issue. I could go back though and pad random paragraphs here", "but I want to write a long story. I want to invest the", "and energy and see what I produce, even if it never sees the", "time and energy and see what I produce, even if it never sees", "book, not a short story, a full length hundreds of pages long book.", "know word/page count shouldn't matter but I want to write a long story.", "never sees the light of day. How do I make my stories longer", "written a few pages, maybe 5 or 6 and I'm half way though", "few hours (or days) and I've written a few pages, maybe 5 or", "story, a full length hundreds of pages long book. I draw up a", "I'm not sure if that's relevant but there it is. I want to", "though my plot. This is my issue. I could go back though and", "bios for all the major characters, then hit the keyboard. All sounds right,", "a few hours (or days) and I've written a few pages, maybe 5", "sounds right, right? Roll forward a few hours (or days) and I've written", "count shouldn't matter but I want to write a long story. I want", "I make my stories longer without just padding for the sake of padding?", "hours (or days) and I've written a few pages, maybe 5 or 6", "characters, then hit the keyboard. All sounds right, right? Roll forward a few", "to write a long story. I want to invest the time and energy", "length hundreds of pages long book. I draw up a plot of what", "want to happen, figure out bios for all the major characters, then hit", "major characters, then hit the keyboard. All sounds right, right? Roll forward a", "I'm doing just that - padding. I know word/page count shouldn't matter but", "write a full length book, not a short story, a full length hundreds", "books. I'm a big sci-fi fan, especially Michael Crichton. I'm not sure if", "relevant but there it is. I want to write a full length book,", "but there it is. I want to write a full length book, not", "I want to happen, figure out bios for all the major characters, then", "want to write a long story. I want to invest the time and", "of pages long book. I draw up a plot of what I want", "shouldn't matter but I want to write a long story. I want to", "but it feels like I'm doing just that - padding. I know word/page", "doing just that - padding. I know word/page count shouldn't matter but I", "here and there but it feels like I'm doing just that - padding.", "and see what I produce, even if it never sees the light of", "out bios for all the major characters, then hit the keyboard. All sounds", "for all the major characters, then hit the keyboard. All sounds right, right?", "to invest the time and energy and see what I produce, even if", "book. I draw up a plot of what I want to happen, figure", "right? Roll forward a few hours (or days) and I've written a few", "and I'm half way though my plot. This is my issue. I could", "to write a full length book, not a short story, a full length", "pages, maybe 5 or 6 and I'm half way though my plot. This", "the light of day. How do I make my stories longer without just", "a few 'great ideas' for books. I'm a big sci-fi fan, especially Michael", "though and pad random paragraphs here and there but it feels like I'm", "How do I make my stories longer without just padding for the sake", "want to write a full length book, not a short story, a full", "see what I produce, even if it never sees the light of day.", "for books. I'm a big sci-fi fan, especially Michael Crichton. I'm not sure", "is. I want to write a full length book, not a short story,", "it feels like I'm doing just that - padding. I know word/page count", "way though my plot. This is my issue. I could go back though", "figure out bios for all the major characters, then hit the keyboard. All", "short story, a full length hundreds of pages long book. I draw up", "'great ideas' for books. I'm a big sci-fi fan, especially Michael Crichton. I'm", "word/page count shouldn't matter but I want to write a long story. I", "I want to write a long story. I want to invest the time", "my plot. This is my issue. I could go back though and pad", "hit the keyboard. All sounds right, right? Roll forward a few hours (or", "happen, figure out bios for all the major characters, then hit the keyboard.", "back though and pad random paragraphs here and there but it feels like", "padding. I know word/page count shouldn't matter but I want to write a", "6 and I'm half way though my plot. This is my issue. I", "paragraphs here and there but it feels like I'm doing just that -", "I'm half way though my plot. This is my issue. I could go", "matter but I want to write a long story. I want to invest", "if it never sees the light of day. How do I make my", "a full length hundreds of pages long book. I draw up a plot", "especially Michael Crichton. I'm not sure if that's relevant but there it is.", "and pad random paragraphs here and there but it feels like I'm doing", "a long story. I want to invest the time and energy and see", "a full length book, not a short story, a full length hundreds of", "or 6 and I'm half way though my plot. This is my issue.", "there it is. I want to write a full length book, not a", "big sci-fi fan, especially Michael Crichton. I'm not sure if that's relevant but", "a big sci-fi fan, especially Michael Crichton. I'm not sure if that's relevant", "my issue. I could go back though and pad random paragraphs here and", "up a plot of what I want to happen, figure out bios for", "plot of what I want to happen, figure out bios for all the", "invest the time and energy and see what I produce, even if it", "feels like I'm doing just that - padding. I know word/page count shouldn't", "sure if that's relevant but there it is. I want to write a", "5 or 6 and I'm half way though my plot. This is my", "even if it never sees the light of day. How do I make", "of day. How do I make my stories longer without just padding for", "a plot of what I want to happen, figure out bios for all", "the major characters, then hit the keyboard. All sounds right, right? Roll forward", "then hit the keyboard. All sounds right, right? Roll forward a few hours", "This is my issue. I could go back though and pad random paragraphs", "go back though and pad random paragraphs here and there but it feels", "that - padding. I know word/page count shouldn't matter but I want to", "(or days) and I've written a few pages, maybe 5 or 6 and", "full length hundreds of pages long book. I draw up a plot of", "all the major characters, then hit the keyboard. All sounds right, right? Roll", "it is. I want to write a full length book, not a short", "hundreds of pages long book. I draw up a plot of what I", "issue. I could go back though and pad random paragraphs here and there", "plot. This is my issue. I could go back though and pad random", "what I want to happen, figure out bios for all the major characters,", "I've had a few 'great ideas' for books. I'm a big sci-fi fan,", "had a few 'great ideas' for books. I'm a big sci-fi fan, especially", "could go back though and pad random paragraphs here and there but it", "just that - padding. I know word/page count shouldn't matter but I want", "I draw up a plot of what I want to happen, figure out", "draw up a plot of what I want to happen, figure out bios", "write a long story. I want to invest the time and energy and", "day. How do I make my stories longer without just padding for the", "I could go back though and pad random paragraphs here and there but", "maybe 5 or 6 and I'm half way though my plot. This is", "story. I want to invest the time and energy and see what I", "and there but it feels like I'm doing just that - padding. I", "I want to invest the time and energy and see what I produce,", "pad random paragraphs here and there but it feels like I'm doing just", "the keyboard. All sounds right, right? Roll forward a few hours (or days)", "I'm a big sci-fi fan, especially Michael Crichton. I'm not sure if that's", "sees the light of day. How do I make my stories longer without", "do I make my stories longer without just padding for the sake of", "that's relevant but there it is. I want to write a full length", "light of day. How do I make my stories longer without just padding", "days) and I've written a few pages, maybe 5 or 6 and I'm", "sci-fi fan, especially Michael Crichton. I'm not sure if that's relevant but there", "not a short story, a full length hundreds of pages long book. I", "few 'great ideas' for books. I'm a big sci-fi fan, especially Michael Crichton.", "length book, not a short story, a full length hundreds of pages long", "forward a few hours (or days) and I've written a few pages, maybe", "random paragraphs here and there but it feels like I'm doing just that", "want to invest the time and energy and see what I produce, even", "it never sees the light of day. How do I make my stories", "- padding. I know word/page count shouldn't matter but I want to write", "Michael Crichton. I'm not sure if that's relevant but there it is. I", "and I've written a few pages, maybe 5 or 6 and I'm half", "full length book, not a short story, a full length hundreds of pages", "long book. I draw up a plot of what I want to happen,", "if that's relevant but there it is. I want to write a full", "a short story, a full length hundreds of pages long book. I draw", "I know word/page count shouldn't matter but I want to write a long", "not sure if that's relevant but there it is. I want to write", "half way though my plot. This is my issue. I could go back", "I've written a few pages, maybe 5 or 6 and I'm half way", "All sounds right, right? Roll forward a few hours (or days) and I've" ]
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He sees that they have both been", "gaslighting to undermine her authority at work, to ruin her professionally, etc. before", "struggling to find the event that triggered his sociopathy and what could motivate", "her authority at work, to ruin her professionally, etc. before pretending to swoop", "seduce and bring my MC under his control, but she's too strong-willed and", "sergeant making a living in close protection services. He sees that they have", "child abuse/neglect) He will attempt to seduce and bring my MC under his", "that triggered his sociopathy and what could motivate him to do what he", "hacks her personal and medical record when he becomes infatuated with her and", "his sociopathy and what could motivate him to do what he does (and", "the obvious route of child abuse/neglect) He will attempt to seduce and bring", "becomes infatuated with her and this hacking will escalate as his attacks get", "the event that triggered his sociopathy and what could motivate him to do", "he does (and I don't want to go the obvious route of child", "this hacking will escalate as his attacks get worse) But I'm struggling to", "living in close protection services. He sees that they have both been treated", "with my MC who is an Ex-Army sergeant making a living in close", "He becomes infatuated with my MC who is an Ex-Army sergeant making a", "But I'm struggling to find the event that triggered his sociopathy and what", "to go the obvious route of child abuse/neglect) He will attempt to seduce", "motivate him to do what he does (and I don't want to go", "obvious route of child abuse/neglect) He will attempt to seduce and bring my", "there he will turn to gaslighting to undermine her authority at work, to", "record when he becomes infatuated with her and this hacking will escalate as", "been treated unfairly by the \"system\" (he hacks her personal and medical record", "does (and I don't want to go the obvious route of child abuse/neglect)", "do what he does (and I don't want to go the obvious route", "close protection services. He sees that they have both been treated unfairly by", "could motivate him to do what he does (and I don't want to", "(he hacks her personal and medical record when he becomes infatuated with her", "and medical record when he becomes infatuated with her and this hacking will", "work, to ruin her professionally, etc. before pretending to swoop in and save", "escalate as his attacks get worse) But I'm struggling to find the event", "under his control, but she's too strong-willed and sees through it. From there", "he will turn to gaslighting to undermine her authority at work, to ruin", "treated unfairly by the \"system\" (he hacks her personal and medical record when", "authority at work, to ruin her professionally, etc. before pretending to swoop in", "at work, to ruin her professionally, etc. before pretending to swoop in and", "an Ex-Army sergeant making a living in close protection services. He sees that", "what he does (and I don't want to go the obvious route of", "professionally, etc. before pretending to swoop in and save the day. Any suggestions?", "sociopathy and what could motivate him to do what he does (and I", "his attacks get worse) But I'm struggling to find the event that triggered", "by the \"system\" (he hacks her personal and medical record when he becomes", "to find the event that triggered his sociopathy and what could motivate him", "the \"system\" (he hacks her personal and medical record when he becomes infatuated", "it. From there he will turn to gaslighting to undermine her authority at", "as a sociopath and narcissist. He becomes infatuated with my MC who is", "route of child abuse/neglect) He will attempt to seduce and bring my MC", "to ruin her professionally, etc. before pretending to swoop in and save the", "sociopath and narcissist. 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From there he will turn to gaslighting to undermine her", "of child abuse/neglect) He will attempt to seduce and bring my MC under", "I'm struggling to find the event that triggered his sociopathy and what could", "have both been treated unfairly by the \"system\" (he hacks her personal and", "find the event that triggered his sociopathy and what could motivate him to", "to gaslighting to undermine her authority at work, to ruin her professionally, etc.", "him to do what he does (and I don't want to go the", "who is an Ex-Army sergeant making a living in close protection services. He", "abuse/neglect) He will attempt to seduce and bring my MC under his control,", "is classified as a sociopath and narcissist. He becomes infatuated with my MC", "has an Antagonist who is classified as a sociopath and narcissist. He becomes", "will attempt to seduce and bring my MC under his control, but she's", "that they have both been treated unfairly by the \"system\" (he hacks her", "through it. From there he will turn to gaslighting to undermine her authority", "turn to gaslighting to undermine her authority at work, to ruin her professionally,", "worse) But I'm struggling to find the event that triggered his sociopathy and", "get worse) But I'm struggling to find the event that triggered his sociopathy", "to do what he does (and I don't want to go the obvious", "and what could motivate him to do what he does (and I don't", "unfairly by the \"system\" (he hacks her personal and medical record when he", "hacking will escalate as his attacks get worse) But I'm struggling to find", "her professionally, etc. before pretending to swoop in and save the day. Any", "too strong-willed and sees through it. From there he will turn to gaslighting", "my MC under his control, but she's too strong-willed and sees through it.", "my MC who is an Ex-Army sergeant making a living in close protection", "narcissist. He becomes infatuated with my MC who is an Ex-Army sergeant making", "who is classified as a sociopath and narcissist. He becomes infatuated with my", "don't want to go the obvious route of child abuse/neglect) He will attempt", "and narcissist. He becomes infatuated with my MC who is an Ex-Army sergeant", "He sees that they have both been treated unfairly by the \"system\" (he", "triggered his sociopathy and what could motivate him to do what he does", "services. He sees that they have both been treated unfairly by the \"system\"", "I don't want to go the obvious route of child abuse/neglect) He will", "attempt to seduce and bring my MC under his control, but she's too", "medical record when he becomes infatuated with her and this hacking will escalate", "her personal and medical record when he becomes infatuated with her and this", "in close protection services. He sees that they have both been treated unfairly", "making a living in close protection services. He sees that they have both", "when he becomes infatuated with her and this hacking will escalate as his", "protection services. He sees that they have both been treated unfairly by the", "what could motivate him to do what he does (and I don't want", "Antagonist who is classified as a sociopath and narcissist. 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He", "attacks get worse) But I'm struggling to find the event that triggered his", "From there he will turn to gaslighting to undermine her authority at work,", "to undermine her authority at work, to ruin her professionally, etc. before pretending", "classified as a sociopath and narcissist. He becomes infatuated with my MC who", "a sociopath and narcissist. He becomes infatuated with my MC who is an", "control, but she's too strong-willed and sees through it. From there he will", "Ex-Army sergeant making a living in close protection services. He sees that they", "MC under his control, but she's too strong-willed and sees through it. From", "becomes infatuated with my MC who is an Ex-Army sergeant making a living", "his control, but she's too strong-willed and sees through it. From there he", "with her and this hacking will escalate as his attacks get worse) But", "want to go the obvious route of child abuse/neglect) He will attempt to", "and sees through it. From there he will turn to gaslighting to undermine", "an Antagonist who is classified as a sociopath and narcissist. He becomes infatuated" ]
[ "started a story of my life in the first person. Do I have", "have started a story of my life in the first person. Do I", "life in the first person. Do I have to have dialogue? Or would", "I have to have dialogue? Or would it be very boring without it?", "in the first person. Do I have to have dialogue? Or would it", "person. Do I have to have dialogue? Or would it be very boring", "of my life in the first person. Do I have to have dialogue?", "a story of my life in the first person. Do I have to", "story of my life in the first person. Do I have to have", "the first person. Do I have to have dialogue? Or would it be", "I have started a story of my life in the first person. Do", "first person. Do I have to have dialogue? Or would it be very", "Do I have to have dialogue? Or would it be very boring without", "my life in the first person. Do I have to have dialogue? Or" ]
[ "think my protagonist is too depressed/has no fight and the whole setup is", "as they fail to save the patient’s life. I’m now struggling with Chapter", "they fail to save the patient’s life. I’m now struggling with Chapter 2", "start: the moment my protagonist’s life changes forever. She makes a mistake and", "act to follow; they make a promise you can’t possibly fulfil; etc.) but", "explode, but it is fraught with tension and action as they fail to", "life changes forever. She makes a mistake and someone dies. It’s not a", "is too depressed/has no fight and the whole setup is a bit boring).", "the engine (and it started with a bang) what tips do you have", "set the expectation that that level of action and excitement will continue; they’re", "particular chapter (they think my protagonist is too depressed/has no fight and the", "volcano openings and why they’re problematic (they set the expectation that that level", "a mistake and someone dies. It’s not a volcano opening as such; no", "while my protagonist deals with her mistake and I thought it was okay", "behind volcano openings and why they’re problematic (they set the expectation that that", "but it is fraught with tension and action as they fail to save", "really started yet? In short, once you have cranked the engine (and it", "hard act to follow; they make a promise you can’t possibly fulfil; etc.)", "openings and why they’re problematic (they set the expectation that that level of", "and excitement will continue; they’re a hard act to follow; they make a", "to start: the moment my protagonist’s life changes forever. She makes a mistake", "deals with her mistake and I thought it was okay to give the", "chapter (they think my protagonist is too depressed/has no fight and the whole", "a promise you can’t possibly fulfil; etc.) but it is the natural place", "why they’re problematic (they set the expectation that that level of action and", "your reader with your opening, what do you set out to do next?", "continue; they’re a hard act to follow; they make a promise you can’t", "you set out to do next? How do you introduce your characters without", "a volcano opening as such; no helicopters explode, but it is fraught with", "to fix it. It may offer some inspiration to hear what you all", "your opening, what do you set out to do next? How do you", "someone dies. It’s not a volcano opening as such; no helicopters explode, but", "get on with the story? How do you gather and maintain momentum when", "know the logic behind volcano openings and why they’re problematic (they set the", "and action as they fail to save the patient’s life. I’m now struggling", "It’s not a volcano opening as such; no helicopters explode, but it is", "set out to do next? How do you introduce your characters without boring", "and maintain momentum when the story hasn’t really started yet? In short, once", "do you gather and maintain momentum when the story hasn’t really started yet?", "okay to give the reader a bit of a breather. But my editor", "to follow; they make a promise you can’t possibly fulfil; etc.) but it", "boring). I’m not sure how to fix it. It may offer some inspiration", "Chapter 2 and the natural lull after such an exciting opening. I introduce", "an exciting opening. 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In short, once you have cranked the", "excitement will continue; they’re a hard act to follow; they make a promise", "it is fraught with tension and action as they fail to save the", "with tension and action as they fail to save the patient’s life. I’m", "short, once you have cranked the engine (and it started with a bang)", "promise you can’t possibly fulfil; etc.) but it is the natural place for", "story hasn’t really started yet? In short, once you have cranked the engine", "moment my protagonist’s life changes forever. She makes a mistake and someone dies.", "reader with your opening, what do you set out to do next? How", "can’t possibly fulfil; etc.) but it is the natural place for my story", "and the natural lull after such an exciting opening. I introduce my characters", "the reader? Do you try to keep your beginnings brief and punchy and", "punchy and get on with the story? How do you gather and maintain", "struggling with Chapter 2 and the natural lull after such an exciting opening.", "action and excitement will continue; they’re a hard act to follow; they make", "a breather. But my editor and agents both have issues with this particular", "and agents both have issues with this particular chapter (they think my protagonist", "How do you gather and maintain momentum when the story hasn’t really started", "to save the patient’s life. I’m now struggling with Chapter 2 and the", "thought it was okay to give the reader a bit of a breather.", "your Chapter 2s: After you have hooked your reader with your opening, what", "hooked your reader with your opening, what do you set out to do", "story to start: the moment my protagonist’s life changes forever. She makes a", "depressed/has no fight and the whole setup is a bit boring). I’m not", "the natural place for my story to start: the moment my protagonist’s life", "my protagonist’s life changes forever. 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How do you gather", "that that level of action and excitement will continue; they’re a hard act", "gather and maintain momentum when the story hasn’t really started yet? In short,", "do you set out to do next? How do you introduce your characters", "the expectation that that level of action and excitement will continue; they’re a", "In short, once you have cranked the engine (and it started with a", "a hard act to follow; they make a promise you can’t possibly fulfil;", "what you all do with your Chapter 2s: After you have hooked your", "a bang) what tips do you have to stop it stalling right away?", "hear what you all do with your Chapter 2s: After you have hooked", "with your Chapter 2s: After you have hooked your reader with your opening,", "(they think my protagonist is too depressed/has no fight and the whole setup", "they make a promise you can’t possibly fulfil; etc.) but it is the", "make a promise you can’t possibly fulfil; etc.) but it is the natural", "your characters without boring the reader? Do you try to keep your beginnings", "and I thought it was okay to give the reader a bit of", "to give the reader a bit of a breather. But my editor and", "my protagonist is too depressed/has no fight and the whole setup is a", "after such an exciting opening. I introduce my characters while my protagonist deals", "with the story? How do you gather and maintain momentum when the story", "no helicopters explode, but it is fraught with tension and action as they", "is fraught with tension and action as they fail to save the patient’s", "forever. She makes a mistake and someone dies. It’s not a volcano opening", "possibly fulfil; etc.) but it is the natural place for my story to", "volcano opening as such; no helicopters explode, but it is fraught with tension", "mistake and I thought it was okay to give the reader a bit", "it. It may offer some inspiration to hear what you all do with", "started with a bang) what tips do you have to stop it stalling", "give the reader a bit of a breather. But my editor and agents", "all do with your Chapter 2s: After you have hooked your reader with", "reader? Do you try to keep your beginnings brief and punchy and get", "may offer some inspiration to hear what you all do with your Chapter", "natural lull after such an exciting opening. I introduce my characters while my", "I introduce my characters while my protagonist deals with her mistake and I", "issues with this particular chapter (they think my protagonist is too depressed/has no" ]
[ "has been set in stone and never the more shall be added to.", "to be able to carry it around) and I just can't believe that", "be able to carry it around) and I just can't believe that the", "Plots* by Christopher Booker (yes, it was so heavy that I had to", "I had to cut into two books just to be able to carry", "Seven Basic Plots* by Christopher Booker (yes, it was so heavy that I", "into two books just to be able to carry it around) and I", "number of plots we have available to us has been set in stone", "books just to be able to carry it around) and I just can't", "stone and never the more shall be added to. Please - is there", "(yes, it was so heavy that I had to cut into two books", "and I just can't believe that the number of plots we have available", "it was so heavy that I had to cut into two books just", "around) and I just can't believe that the number of plots we have", "read The Seven Basic Plots by Christopher Booker (yes, it was so heavy", "just to be able to carry it around) and I just can't believe", "plots we have available to us has been set in stone and never", "the more shall be added to. Please - is there some hope for", "- is there some hope for us? What new plots have been dreamed", "us has been set in stone and never the more shall be added", "I read The Seven Basic Plots by Christopher Booker (yes, it was so", "hope for us? What new plots have been dreamed up in recent times?", "to us has been set in stone and never the more shall be", "Christopher Booker (yes, it was so heavy that I had to cut into", "be added to. Please - is there some hope for us? What new", "added to. Please - is there some hope for us? What new plots", "by Christopher Booker (yes, it was so heavy that I had to cut", "available to us has been set in stone and never the more shall", "some hope for us? What new plots have been dreamed up in recent", "had to cut into two books just to be able to carry it", "can't believe that the number of plots we have available to us has", "have available to us has been set in stone and never the more", "that the number of plots we have available to us has been set", "carry it around) and I just can't believe that the number of plots", "two books just to be able to carry it around) and I just", "more shall be added to. Please - is there some hope for us?", "is there some hope for us? What new plots have been dreamed up", "I just can't believe that the number of plots we have available to", "to cut into two books just to be able to carry it around)", "been set in stone and never the more shall be added to. Please", "the number of plots we have available to us has been set in", "and never the more shall be added to. Please - is there some", "it around) and I just can't believe that the number of plots we", "never the more shall be added to. Please - is there some hope", "so heavy that I had to cut into two books just to be", "there some hope for us? What new plots have been dreamed up in", "to carry it around) and I just can't believe that the number of", "Please - is there some hope for us? What new plots have been", "Booker (yes, it was so heavy that I had to cut into two", "of plots we have available to us has been set in stone and", "believe that the number of plots we have available to us has been", "shall be added to. Please - is there some hope for us? What", "that I had to cut into two books just to be able to", "set in stone and never the more shall be added to. Please -", "cut into two books just to be able to carry it around) and", "heavy that I had to cut into two books just to be able", "just can't believe that the number of plots we have available to us", "in stone and never the more shall be added to. Please - is", "to. Please - is there some hope for us? What new plots have", "The Seven Basic Plots by Christopher Booker (yes, it was so heavy that", "Basic Plots* by Christopher Booker (yes, it was so heavy that I had", "was so heavy that I had to cut into two books just to", "able to carry it around) and I just can't believe that the number", "we have available to us has been set in stone and never the" ]
[ "real is safe (for now). It's just isn't an \"adventure-friendly world\" sure, you", "they are all vegetables, and can't climb walls, so Is real is safe", "learn that they are all vegetables, and can't climb walls, so Is real", "marsh deer (127 cm at the shoulder and 2 meters long, plus a", "live streams from the parliament were so interesting, I would be watching them", "sources, but with no real stakes. If we took the focus away from", "dragons?* They're at around the size of a marsh deer (127 cm at", "it's closer to gardening. But what about dragons?* They're at around the size", "world\" sure, you can kill the veggies, but for FIVE level 17-19 characters,", "that death in this setting is not as much of a commonplace, how", "don't want people to die within the world. There are monsters, with unlimited", "the shoulder and 2 meters long, plus a 1 m long tail), and", "away from Mephisto's overly-sad backstory, the mystery of Sunny Hills and the Dark", "course: zombies, skeletons, creepers... ...Until we learn that they are all vegetables, and", "this setting is not as much of a commonplace, how can I still", "2 meters long, plus a 1 m long tail), and ever since Mephistopheles", "we would have nothing. So, considering that death in this setting is not", "the world. There are monsters, with unlimited reserves of course: zombies, skeletons, creepers...", "Hills and the Dark Barrier, we would have nothing. So, considering that death", "from the past century, they're more concerned with BUSINESS and the POLITICS of", "into a Saturday morning cartoon. I just, don't want people to die within", "isn't an \"adventure-friendly world\" sure, you can kill the veggies, but for FIVE", "world. There are monsters, with unlimited reserves of course: zombies, skeletons, creepers... ...Until", "1 m long tail), and ever since Mephistopheles ended the human-dragon war with", "\"adventure-friendly world\" sure, you can kill the veggies, but for FIVE level 17-19", "not doing. So, there are conflict sources, but with no real stakes. If", "skeletons, creepers... ...Until we learn that they are all vegetables, and can't climb", "no real stakes. If we took the focus away from Mephisto's overly-sad backstory,", "STDs from the past century, they're more concerned with BUSINESS and the POLITICS", "cartoon. I just, don't want people to die within the world. There are", "the veggies, but for FIVE level 17-19 characters, it's closer to gardening. But", "with no real stakes. If we took the focus away from Mephisto's overly-sad", "of this site, which I'm evidently not doing. So, there are conflict sources,", "vegetables, and can't climb walls, so Is real is safe (for now). It's", "magical STDs from the past century, they're more concerned with BUSINESS and the", "from the parliament were so interesting, I would be watching them instead of", "gardening. But what about dragons?* They're at around the size of a marsh", "human-dragon war with the help of magical STDs from the past century, they're", "to die within the world. There are monsters, with unlimited reserves of course:", "took the focus away from Mephisto's overly-sad backstory, the mystery of Sunny Hills", "and the POLITICS of their domains. If live streams from the parliament were", "an \"adventure-friendly world\" sure, you can kill the veggies, but for FIVE level", "can I still raise the stakes in a meaningful way for the reader?*", "commonplace, how can I still raise the stakes in a meaningful way for", "just have turned my fantasy setting into a Saturday morning cartoon. I just,", "how can I still raise the stakes in a meaningful way for the", "is not as much of a commonplace, how can I still raise the", "the parliament were so interesting, I would be watching them instead of this", "There are monsters, with unlimited reserves of course: zombies, skeletons, creepers... ...Until we", "If we took the focus away from Mephisto's overly-sad backstory, the mystery of", "people to die within the world. There are monsters, with unlimited reserves of", "cm at the shoulder and 2 meters long, plus a 1 m long", "at the shoulder and 2 meters long, plus a 1 m long tail),", "the focus away from Mephisto's overly-sad backstory, the mystery of Sunny Hills and", "(127 cm at the shoulder and 2 meters long, plus a 1 m", "that they are all vegetables, and can't climb walls, so Is real is", "from Mephisto's overly-sad backstory, the mystery of Sunny Hills and the Dark Barrier,", "the help of magical STDs from the past century, they're more concerned with", "we took the focus away from Mephisto's overly-sad backstory, the mystery of Sunny", "So, considering that death in this setting is not as much of a", "and 2 meters long, plus a 1 m long tail), and ever since", "the size of a marsh deer (127 cm at the shoulder and 2", "at around the size of a marsh deer (127 cm at the shoulder", "in this setting is not as much of a commonplace, how can I", "which I'm evidently not doing. So, there are conflict sources, but with no", "focus away from Mephisto's overly-sad backstory, the mystery of Sunny Hills and the", "I would be watching them instead of this site, which I'm evidently not", "you can kill the veggies, but for FIVE level 17-19 characters, it's closer", "would be watching them instead of this site, which I'm evidently not doing.", "If live streams from the parliament were so interesting, I would be watching", "can kill the veggies, but for FIVE level 17-19 characters, it's closer to", "around the size of a marsh deer (127 cm at the shoulder and", "not as much of a commonplace, how can I still raise the stakes", "setting is not as much of a commonplace, how can I still raise", "war with the help of magical STDs from the past century, they're more", "there are conflict sources, but with no real stakes. If we took the", "of a commonplace, how can I still raise the stakes in a meaningful", "about dragons?* They're at around the size of a marsh deer (127 cm", "want people to die within the world. There are monsters, with unlimited reserves", "of their domains. If live streams from the parliament were so interesting, I", "concerned with BUSINESS and the POLITICS of their domains. If live streams from", "POLITICS of their domains. If live streams from the parliament were so interesting,", "But what about dragons?* They're at around the size of a marsh deer", "tail), and ever since Mephistopheles ended the human-dragon war with the help of", "zombies, skeletons, creepers... ...Until we learn that they are all vegetables, and can't", "FIVE level 17-19 characters, it's closer to gardening. But what about dragons?* They're", "of course: zombies, skeletons, creepers... ...Until we learn that they are all vegetables,", "Mephistopheles ended the human-dragon war with the help of magical STDs from the", "Sunny Hills and the Dark Barrier, we would have nothing. *So, considering that", "a marsh deer (127 cm at the shoulder and 2 meters long, plus", "safe (for now). It's just isn't an \"adventure-friendly world\" sure, you can kill", "we learn that they are all vegetables, and can't climb walls, so Is", "die within the world. There are monsters, with unlimited reserves of course: zombies,", "just isn't an \"adventure-friendly world\" sure, you can kill the veggies, but for", "site, which I'm evidently not doing. So, there are conflict sources, but with", "watching them instead of this site, which I'm evidently not doing. So, there", "but with no real stakes. If we took the focus away from Mephisto's", "setting into a Saturday morning cartoon. I just, don't want people to die", "death in this setting is not as much of a commonplace, how can", "be watching them instead of this site, which I'm evidently not doing. So,", "so interesting, I would be watching them instead of this site, which I'm", "real stakes. If we took the focus away from Mephisto's overly-sad backstory, the", "were so interesting, I would be watching them instead of this site, which", "...Until we learn that they are all vegetables, and can't climb walls, so", "So, I think I might just have turned my fantasy setting into a", "can't climb walls, so Is real is safe (for now). It's just isn't", "are all vegetables, and can't climb walls, so Is real is safe (for", "morning cartoon. I just, don't want people to die within the world. There", "turned my fantasy setting into a Saturday morning cartoon. I just, don't want", "the POLITICS of their domains. If live streams from the parliament were so", "considering that death in this setting is not as much of a commonplace,", "so Is real is safe (for now). It's just isn't an \"adventure-friendly world\"", "size of a marsh deer (127 cm at the shoulder and 2 meters", "are monsters, with unlimited reserves of course: zombies, skeletons, creepers... ...Until we learn", "might just have turned my fantasy setting into a Saturday morning cartoon. I", "of magical STDs from the past century, they're more concerned with BUSINESS and", "and the Dark Barrier, we would have nothing. So, considering that death in", "for FIVE level 17-19 characters, it's closer to gardening. But what about dragons?", "and ever since Mephistopheles ended the human-dragon war with the help of magical", "plus a 1 m long tail), and ever since Mephistopheles ended the human-dragon", "Saturday morning cartoon. I just, don't want people to die within the world.", "but for FIVE level 17-19 characters, it's closer to gardening. *But what about", "long, plus a 1 m long tail), and ever since Mephistopheles ended the", "now). It's just isn't an \"adventure-friendly world\" sure, you can kill the veggies,", "So, there are conflict sources, but with no real stakes. If we took", "doing. So, there are conflict sources, but with no real stakes. If we", "of Sunny Hills and the Dark Barrier, we would have nothing. *So, considering", "They're at around the size of a marsh deer (127 cm at the", "sure, you can kill the veggies, but for FIVE level 17-19 characters, it's", "I'm evidently not doing. So, there are conflict sources, but with no real", "Barrier, we would have nothing. So, considering that death in this setting is", "kill the veggies, but for FIVE level 17-19 characters, it's closer to gardening.", "a commonplace, how can I still raise the stakes in a meaningful way", "have nothing. So, considering that death in this setting is not as much", "creepers... ...Until we learn that they are all vegetables, and can't climb walls,", "them instead of this site, which I'm evidently not doing. So, there are", "would have nothing. So, considering that death in this setting is not as", "what about dragons? They're at around the size of a marsh deer (127", "shoulder and 2 meters long, plus a 1 m long tail), and ever", "this site, which I'm evidently not doing. So, there are conflict sources, but", "of a marsh deer (127 cm at the shoulder and 2 meters long,", "as much of a commonplace, how can I still raise the stakes in", "interesting, I would be watching them instead of this site, which I'm evidently", "backstory, the mystery of Sunny Hills and the Dark Barrier, we would have", "think I might just have turned my fantasy setting into a Saturday morning", "monsters, with unlimited reserves of course: zombies, skeletons, creepers... ...Until we learn that", "a 1 m long tail), and ever since Mephistopheles ended the human-dragon war", "unlimited reserves of course: zombies, skeletons, creepers... ...Until we learn that they are", "much of a commonplace, how can I still raise the stakes in a", "ended the human-dragon war with the help of magical STDs from the past", "with the help of magical STDs from the past century, they're more concerned", "to gardening. But what about dragons? They're at around the size of a", "just, don't want people to die within the world. There are monsters, with", "evidently not doing. So, there are conflict sources, but with no real stakes.", "more concerned with BUSINESS and the POLITICS of their domains. If live streams", "Is real is safe (for now). It's just isn't an \"adventure-friendly world\" sure,", "is safe (for now). It's just isn't an \"adventure-friendly world\" sure, you can", "with BUSINESS and the POLITICS of their domains. If live streams from the", "long tail), and ever since Mephistopheles ended the human-dragon war with the help", "characters, it's closer to gardening. But what about dragons?* They're at around the", "nothing. So, considering that death in this setting is not as much of", "mystery of Sunny Hills and the Dark Barrier, we would have nothing. So,", "deer (127 cm at the shoulder and 2 meters long, plus a 1", "the human-dragon war with the help of magical STDs from the past century,", "streams from the parliament were so interesting, I would be watching them instead", "parliament were so interesting, I would be watching them instead of this site,", "instead of this site, which I'm evidently not doing. So, there are conflict", "since Mephistopheles ended the human-dragon war with the help of magical STDs from", "level 17-19 characters, it's closer to gardening. But what about dragons?* They're at", "walls, so Is real is safe (for now). It's just isn't an \"adventure-friendly", "are conflict sources, but with no real stakes. If we took the focus", "stakes. If we took the focus away from Mephisto's overly-sad backstory, the mystery", "the past century, they're more concerned with BUSINESS and the POLITICS of their", "reserves of course: zombies, skeletons, creepers... ...Until we learn that they are all", "Mephisto's overly-sad backstory, the mystery of Sunny Hills and the Dark Barrier, we", "help of magical STDs from the past century, they're more concerned with BUSINESS", "the mystery of Sunny Hills and the Dark Barrier, we would have nothing.", "the Dark Barrier, we would have nothing. So, considering that death in this", "and can't climb walls, so Is real is safe (for now). It's just", "veggies, but for FIVE level 17-19 characters, it's closer to gardening. But what", "ever since Mephistopheles ended the human-dragon war with the help of magical STDs", "overly-sad backstory, the mystery of Sunny Hills and the Dark Barrier, we would", "a Saturday morning cartoon. I just, don't want people to die within the", "all vegetables, and can't climb walls, so Is real is safe (for now).", "(for now). It's just isn't an \"adventure-friendly world\" sure, you can kill the", "I think I might just have turned my fantasy setting into a Saturday", "It's just isn't an \"adventure-friendly world\" sure, you can kill the veggies, but", "domains. If live streams from the parliament were so interesting, I would be", "I might just have turned my fantasy setting into a Saturday morning cartoon.", "m long tail), and ever since Mephistopheles ended the human-dragon war with the", "I just, don't want people to die within the world. There are monsters,", "within the world. There are monsters, with unlimited reserves of course: zombies, skeletons,", "their domains. If live streams from the parliament were so interesting, I would", "BUSINESS and the POLITICS of their domains. If live streams from the parliament", "have turned my fantasy setting into a Saturday morning cartoon. I just, don't", "with unlimited reserves of course: zombies, skeletons, creepers... ...Until we learn that they", "they're more concerned with BUSINESS and the POLITICS of their domains. If live", "closer to gardening. But what about dragons?* They're at around the size of", "climb walls, so Is real is safe (for now). It's just isn't an", "meters long, plus a 1 m long tail), and ever since Mephistopheles ended", "my fantasy setting into a Saturday morning cartoon. I just, don't want people", "Dark Barrier, we would have nothing. So, considering that death in this setting", "conflict sources, but with no real stakes. If we took the focus away", "fantasy setting into a Saturday morning cartoon. I just, don't want people to", "past century, they're more concerned with BUSINESS and the POLITICS of their domains.", "17-19 characters, it's closer to gardening. But what about dragons?* They're at around", "century, they're more concerned with BUSINESS and the POLITICS of their domains. If" ]
[ "ebook version as well. Dover immediately came to mind since I know they", "I'd like to get a publisher to produce an inexpensive paperback version, and", "know they have a hand in the market for public domain content, as", "an ebook version as well. Dover immediately came to mind since I know", "I've tried a few indexes, but I couldn't figure out how to spot", "work in the public domain. It is a diamond in the rough which", "the rough which was unpalatable due to its prose. The new manuscript is", "with emails for a half year now without ever saying yes or no.", "nice.) Unfortunately, they have been stringing me along with emails for a half", "due to its prose. The new manuscript is a modernized and polished up", "to make an inexpensive print version and/or electronic version. In case it is", "rough which was unpalatable due to its prose. The new manuscript is a", "spot the publishers that serve this sort of niche. The goal is to", "they have been stringing me along with emails for a half year now", "in the public domain. It is a diamond in the rough which was", "immediately came to mind since I know they have a hand in the", "is a derivative of a mathematical work in the public domain. It is", "which was unpalatable due to its prose. The new manuscript is a modernized", "historical context and footnotes. I'd like to get a publisher to produce an", "as well as inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are", "to mind since I know they have a hand in the market for", "a diamond in the rough which was unpalatable due to its prose. The", "I know they have a hand in the market for public domain content,", "'inexpensive', the figure I have in mind is: no more than $12 USD.", "paperback version, and hopefully an ebook version as well. Dover immediately came to", "context and footnotes. I'd like to get a publisher to produce an inexpensive", "yes or no. How does one go about seeking alternative publishers of this", "tried a few indexes, but I couldn't figure out how to spot the", "Unfortunately, they have been stringing me along with emails for a half year", "have a manuscript that is a derivative of a mathematical work in the", "in the market for public domain content, as well as inexpensive original content", "[Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they have been stringing me along", "How does one go about seeking alternative publishers of this sort? I've tried", "unpalatable due to its prose. The new manuscript is a modernized and polished", "helpful to know what I have in mind for 'inexpensive', the figure I", "was unpalatable due to its prose. The new manuscript is a modernized and", "have in mind is: no more than $12 USD. Advice is appreciated: thank", "is a diamond in the rough which was unpalatable due to its prose.", "The new manuscript is a modernized and polished up version with added historical", "market for public domain content, as well as inexpensive original content (for example,", "but I couldn't figure out how to spot the publishers that serve this", "like to get a publisher to produce an inexpensive paperback version, and hopefully", "Dover immediately came to mind since I know they have a hand in", "example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they have been stringing me", "In case it is helpful to know what I have in mind for", "The goal is to make an inexpensive print version and/or electronic version. In", "serve this sort of niche. The goal is to make an inexpensive print", "prose. The new manuscript is a modernized and polished up version with added", "for a half year now without ever saying yes or no. How does", "version and/or electronic version. In case it is helpful to know what I", "have in mind for 'inexpensive', the figure I have in mind is: no", "mathematical work in the public domain. It is a diamond in the rough", "niche. The goal is to make an inexpensive print version and/or electronic version.", "electronic version. In case it is helpful to know what I have in", "I have in mind for 'inexpensive', the figure I have in mind is:", "publisher to produce an inexpensive paperback version, and hopefully an ebook version as", "half year now without ever saying yes or no. How does one go", "is to make an inexpensive print version and/or electronic version. In case it", "the publishers that serve this sort of niche. The goal is to make", "mind for 'inexpensive', the figure I have in mind is: no more than", "been stringing me along with emails for a half year now without ever", "derivative of a mathematical work in the public domain. It is a diamond", "I couldn't figure out how to spot the publishers that serve this sort", "manuscript that is a derivative of a mathematical work in the public domain.", "footnotes. I'd like to get a publisher to produce an inexpensive paperback version,", "publishers of this sort? I've tried a few indexes, but I couldn't figure", "of niche. The goal is to make an inexpensive print version and/or electronic", "now without ever saying yes or no. How does one go about seeking", "get a publisher to produce an inexpensive paperback version, and hopefully an ebook", "for 'inexpensive', the figure I have in mind is: no more than $12", "a mathematical work in the public domain. It is a diamond in the", "hopefully an ebook version as well. Dover immediately came to mind since I", "a few indexes, but I couldn't figure out how to spot the publishers", "know what I have in mind for 'inexpensive', the figure I have in", "indexes, but I couldn't figure out how to spot the publishers that serve", "to get a publisher to produce an inexpensive paperback version, and hopefully an", "the figure I have in mind is: no more than $12 USD. Advice", "public domain. It is a diamond in the rough which was unpalatable due", "its prose. The new manuscript is a modernized and polished up version with", "for public domain content, as well as inexpensive original content (for example, [Rumerz", "along with emails for a half year now without ever saying yes or", "in mind for 'inexpensive', the figure I have in mind is: no more", "the market for public domain content, as well as inexpensive original content (for", "go about seeking alternative publishers of this sort? I've tried a few indexes,", "that is a derivative of a mathematical work in the public domain. It", "about seeking alternative publishers of this sort? I've tried a few indexes, but", "diamond in the rough which was unpalatable due to its prose. The new", "and polished up version with added historical context and footnotes. I'd like to", "is helpful to know what I have in mind for 'inexpensive', the figure", "emails for a half year now without ever saying yes or no. How", "a manuscript that is a derivative of a mathematical work in the public", "does one go about seeking alternative publishers of this sort? I've tried a", "figure I have in mind is: no more than $12 USD. Advice is", "I have a manuscript that is a derivative of a mathematical work in", "hand in the market for public domain content, as well as inexpensive original", "polished up version with added historical context and footnotes. I'd like to get", "a modernized and polished up version with added historical context and footnotes. I'd", "modernized and polished up version with added historical context and footnotes. I'd like", "sort? I've tried a few indexes, but I couldn't figure out how to", "to its prose. The new manuscript is a modernized and polished up version", "domain content, as well as inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books,", "a derivative of a mathematical work in the public domain. It is a", "version with added historical context and footnotes. I'd like to get a publisher", "came to mind since I know they have a hand in the market", "version, and hopefully an ebook version as well. Dover immediately came to mind", "I have in mind is: no more than $12 USD. Advice is appreciated:", "content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they have been", "publishers that serve this sort of niche. The goal is to make an", "new manuscript is a modernized and polished up version with added historical context", "year now without ever saying yes or no. How does one go about", "are nice.) Unfortunately, they have been stringing me along with emails for a", "alternative publishers of this sort? I've tried a few indexes, but I couldn't", "an inexpensive print version and/or electronic version. In case it is helpful to", "or no. How does one go about seeking alternative publishers of this sort?", "this sort of niche. The goal is to make an inexpensive print version", "print version and/or electronic version. In case it is helpful to know what", "this sort? I've tried a few indexes, but I couldn't figure out how", "produce an inexpensive paperback version, and hopefully an ebook version as well. Dover", "original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they have", "public domain content, as well as inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561)", "up version with added historical context and footnotes. I'd like to get a", "that serve this sort of niche. The goal is to make an inexpensive", "added historical context and footnotes. I'd like to get a publisher to produce", "to produce an inexpensive paperback version, and hopefully an ebook version as well.", "which are nice.) Unfortunately, they have been stringing me along with emails for", "have been stringing me along with emails for a half year now without", "version. In case it is helpful to know what I have in mind", "inexpensive paperback version, and hopefully an ebook version as well. Dover immediately came", "seeking alternative publishers of this sort? I've tried a few indexes, but I", "sort of niche. The goal is to make an inexpensive print version and/or", "no. How does one go about seeking alternative publishers of this sort? I've", "It is a diamond in the rough which was unpalatable due to its", "to know what I have in mind for 'inexpensive', the figure I have", "a hand in the market for public domain content, as well as inexpensive", "mind since I know they have a hand in the market for public", "they have a hand in the market for public domain content, as well", "books, which are nice.) Unfortunately, they have been stringing me along with emails", "ever saying yes or no. How does one go about seeking alternative publishers", "a publisher to produce an inexpensive paperback version, and hopefully an ebook version", "to spot the publishers that serve this sort of niche. The goal is", "and/or electronic version. In case it is helpful to know what I have", "domain. It is a diamond in the rough which was unpalatable due to", "goal is to make an inexpensive print version and/or electronic version. In case", "figure out how to spot the publishers that serve this sort of niche.", "well. Dover immediately came to mind since I know they have a hand", "case it is helpful to know what I have in mind for 'inexpensive',", "and hopefully an ebook version as well. Dover immediately came to mind since", "it is helpful to know what I have in mind for 'inexpensive', the", "in mind is: no more than $12 USD. Advice is appreciated: thank you.", "how to spot the publishers that serve this sort of niche. The goal", "inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they", "as inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately,", "what I have in mind for 'inexpensive', the figure I have in mind", "the public domain. It is a diamond in the rough which was unpalatable", "with added historical context and footnotes. I'd like to get a publisher to", "since I know they have a hand in the market for public domain", "content, as well as inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which", "a half year now without ever saying yes or no. How does one", "one go about seeking alternative publishers of this sort? I've tried a few", "couldn't figure out how to spot the publishers that serve this sort of", "of a mathematical work in the public domain. It is a diamond in", "stringing me along with emails for a half year now without ever saying", "and footnotes. I'd like to get a publisher to produce an inexpensive paperback", "in the rough which was unpalatable due to its prose. The new manuscript", "version as well. Dover immediately came to mind since I know they have", "as well. Dover immediately came to mind since I know they have a", "make an inexpensive print version and/or electronic version. In case it is helpful", "have a hand in the market for public domain content, as well as", "manuscript is a modernized and polished up version with added historical context and", "(for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they have been stringing", "is a modernized and polished up version with added historical context and footnotes.", "Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.) Unfortunately, they have been stringing me along with", "an inexpensive paperback version, and hopefully an ebook version as well. Dover immediately", "of this sort? I've tried a few indexes, but I couldn't figure out", "well as inexpensive original content (for example, [Rumerz Ash's](https://rads.stackoverflow.com/amzn/click/0486453561) books, which are nice.)", "saying yes or no. How does one go about seeking alternative publishers of", "few indexes, but I couldn't figure out how to spot the publishers that", "without ever saying yes or no. How does one go about seeking alternative", "inexpensive print version and/or electronic version. In case it is helpful to know", "me along with emails for a half year now without ever saying yes", "out how to spot the publishers that serve this sort of niche. The" ]
[ "``` “Certainly.”, she replied cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure", "the answer about using comma's within quotes, if I type: ``` “Certainly,” she", "Is there a way of fixing this issue relative to dialog that doesn't", "globally? UPDATE: based on answers, if remove the erroneous comma, when I type:", "Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied cheerfully and vanished. ``` Scrivener is", "that doesn't involved turning off auto-correct globally? UPDATE: based on answers, if remove", "diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied cheerfully and vanished. ```", "understand. Is there a way of fixing this issue relative to dialog that", "``` Scrivener is auto-correcting/auto-captializing (not sure which) 'She' as shown below. ``` “Certainly.”", "when I type: ``` “Certainly.” she replied cheerfully and vanished. ``` Scrivener still", "in Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied cheerfully and vanished. ``` Scrivener", "auto-correct globally? UPDATE: based on answers, if remove the erroneous comma, when I", "auto-correcting/auto-captializing (not sure which) 'She' as shown below. ``` “Certainly.” She replied cheerfully", "that I don't understand. Is there a way of fixing this issue relative", "(1504) ``` “Certainly.”, she replied cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing (not", "of diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied cheerfully and vanished.", "replied cheerfully and vanished. ``` However, per the answer about using comma's within", "if remove the erroneous comma, when I type: ``` “Certainly.” she replied cheerfully", "replied cheerfully and vanished. ``` Scrivener doesn't correct anything. This seems to be", "of fixing this issue relative to dialog that doesn't involved turning off auto-correct", "doesn't correct anything. This seems to be inline with the American style of", "is auto-correcting/auto-captializing (not sure which) 'She' as shown below. ``` “Certainly.” She replied", "don't understand. Is there a way of fixing this issue relative to dialog", "``` However, per the answer about using comma's within quotes, if I type:", "if I type: ``` “Certainly,” she replied cheerfully and vanished. ``` Scrivener doesn't", "cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure which) 'She' as shown", "“Certainly.” She replied cheerfully and vanished. ``` I'm not sure if this is", "vanished. ``` Scrivener still auto corrects to ``` “Certainly.” She replied cheerfully and", "answers, if remove the erroneous comma, when I type: ``` “Certainly.” she replied", "not sure if this is a bug or a option that I don't", "sure which) 'She' as shown below. ``` “Certainly.” She replied cheerfully and vanished.", "based on answers, if remove the erroneous comma, when I type: ``` “Certainly.”", "sure if this is a bug or a option that I don't understand.", "per the answer about using comma's within quotes, if I type: ``` “Certainly,”", "and vanished. ``` Scrivener doesn't correct anything. This seems to be inline with", "comma's within quotes, if I type: ``` “Certainly,” she replied cheerfully and vanished.", "type: ``` “Certainly,” she replied cheerfully and vanished. ``` Scrivener doesn't correct anything.", "a way of fixing this issue relative to dialog that doesn't involved turning", "about using comma's within quotes, if I type: ``` “Certainly,” she replied cheerfully", "“Certainly.” She replied cheerfully and vanished. ``` However, per the answer about using", "anything. This seems to be inline with the American style of dialogue described", "I type: ``` “Certainly.” she replied cheerfully and vanished. ``` Scrivener still auto", "this issue relative to dialog that doesn't involved turning off auto-correct globally? UPDATE:", "this piece of diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied cheerfully", "Scrivener is auto-correcting/auto-captializing (not sure which) 'She' as shown below. ``` “Certainly.” She", "below. ``` “Certainly.” She replied cheerfully and vanished. ``` I'm not sure if", "a typed this piece of diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”, she", "fixing this issue relative to dialog that doesn't involved turning off auto-correct globally?", "cheerfully and vanished. ``` I'm not sure if this is a bug or", "vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure which) 'She' as shown below. ```", "this is a bug or a option that I don't understand. Is there", "cheerfully and vanished. ``` Scrivener doesn't correct anything. This seems to be inline", "“Certainly,” she replied cheerfully and vanished. ``` Scrivener doesn't correct anything. This seems", "“Certainly.”, she replied cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure which)", "quotes, if I type: ``` “Certainly,” she replied cheerfully and vanished. ``` Scrivener", "she replied cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure which) 'She'", "off auto-correct globally? UPDATE: based on answers, if remove the erroneous comma, when", "vanished. ``` However, per the answer about using comma's within quotes, if I", "a bug or a option that I don't understand. Is there a way", "shown below. ``` “Certainly.” She replied cheerfully and vanished. ``` I'm not sure", "answer about using comma's within quotes, if I type: ``` “Certainly,” she replied", "``` “Certainly.” she replied cheerfully and vanished. ``` Scrivener still auto corrects to", "This seems to be inline with the American style of dialogue described below.", "cheerfully and vanished. ``` Scrivener still auto corrects to ``` “Certainly.” She replied", "and vanished. ``` Scrivener still auto corrects to ``` “Certainly.” She replied cheerfully", "I don't understand. Is there a way of fixing this issue relative to", "She replied cheerfully and vanished. ``` I'm not sure if this is a", "UPDATE: based on answers, if remove the erroneous comma, when I type: ```", "'She' as shown below. ``` “Certainly.” She replied cheerfully and vanished. ``` I'm", "using comma's within quotes, if I type: ``` “Certainly,” she replied cheerfully and", "Scrivener still auto corrects to ``` “Certainly.” She replied cheerfully and vanished. ```", "relative to dialog that doesn't involved turning off auto-correct globally? UPDATE: based on", "she replied cheerfully and vanished. ``` Scrivener still auto corrects to ``` “Certainly.”", "to ``` “Certainly.” She replied cheerfully and vanished. ``` However, per the answer", "and vanished. ``` I'm not sure if this is a bug or a", "on answers, if remove the erroneous comma, when I type: ``` “Certainly.” she", "vanished. ``` I'm not sure if this is a bug or a option", "vanished. ``` Scrivener doesn't correct anything. This seems to be inline with the", "3.0.2 (1504) ``` “Certainly.”, she replied cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing", "option that I don't understand. Is there a way of fixing this issue", "just a typed this piece of diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”,", "erroneous comma, when I type: ``` “Certainly.” she replied cheerfully and vanished. ```", "(not sure which) 'She' as shown below. ``` “Certainly.” She replied cheerfully and", "the erroneous comma, when I type: ``` “Certainly.” she replied cheerfully and vanished.", "piece of diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied cheerfully and", "comma, when I type: ``` “Certainly.” she replied cheerfully and vanished. ``` Scrivener", "replied cheerfully and vanished. ``` Scrivener still auto corrects to ``` “Certainly.” She", "issue relative to dialog that doesn't involved turning off auto-correct globally? UPDATE: based", "``` Scrivener doesn't correct anything. This seems to be inline with the American", "I just a typed this piece of diaglogue in Scrivener 3.0.2 (1504) ```", "within quotes, if I type: ``` “Certainly,” she replied cheerfully and vanished. ```", "remove the erroneous comma, when I type: ``` “Certainly.” she replied cheerfully and", "there a way of fixing this issue relative to dialog that doesn't involved", "corrects to ``` “Certainly.” She replied cheerfully and vanished. ``` However, per the", "Scrivener doesn't correct anything. This seems to be inline with the American style", "as shown below. ``` “Certainly.” She replied cheerfully and vanished. ``` I'm not", "is a bug or a option that I don't understand. Is there a", "way of fixing this issue relative to dialog that doesn't involved turning off", "to dialog that doesn't involved turning off auto-correct globally? UPDATE: based on answers,", "turning off auto-correct globally? UPDATE: based on answers, if remove the erroneous comma,", "or a option that I don't understand. Is there a way of fixing", "I type: ``` “Certainly,” she replied cheerfully and vanished. ``` Scrivener doesn't correct", "a option that I don't understand. Is there a way of fixing this", "replied cheerfully and vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure which) 'She' as", "type: ``` “Certainly.” she replied cheerfully and vanished. ``` Scrivener still auto corrects", "I'm not sure if this is a bug or a option that I", "cheerfully and vanished. ``` However, per the answer about using comma's within quotes,", "she replied cheerfully and vanished. ``` Scrivener doesn't correct anything. This seems to", "if this is a bug or a option that I don't understand. Is", "However, per the answer about using comma's within quotes, if I type: ```", "``` “Certainly.” She replied cheerfully and vanished. ``` I'm not sure if this", "typed this piece of diaglogue in Scrivener 3.0.2 (1504) ``` “Certainly.”, she replied", "and vanished. ``` Scrivener is auto-correcting/auto-captializing (not sure which) 'She' as shown below.", "still auto corrects to ``` “Certainly.” She replied cheerfully and vanished. ``` However,", "involved turning off auto-correct globally? UPDATE: based on answers, if remove the erroneous", "replied cheerfully and vanished. ``` I'm not sure if this is a bug", "dialog that doesn't involved turning off auto-correct globally? UPDATE: based on answers, if", "``` Scrivener still auto corrects to ``` “Certainly.” She replied cheerfully and vanished.", "“Certainly.” she replied cheerfully and vanished. ``` Scrivener still auto corrects to ```", "doesn't involved turning off auto-correct globally? UPDATE: based on answers, if remove the", "auto corrects to ``` “Certainly.” She replied cheerfully and vanished. ``` However, per", "``` “Certainly.” She replied cheerfully and vanished. ``` However, per the answer about", "correct anything. This seems to be inline with the American style of dialogue", "and vanished. ``` However, per the answer about using comma's within quotes, if", "which) 'She' as shown below. ``` “Certainly.” She replied cheerfully and vanished. ```", "bug or a option that I don't understand. Is there a way of", "``` “Certainly,” she replied cheerfully and vanished. ``` Scrivener doesn't correct anything. This", "She replied cheerfully and vanished. ``` However, per the answer about using comma's", "``` I'm not sure if this is a bug or a option that" ]
[ "the best. (technically). O/C ... you can see them. O/S ... you can", "see their lips move. V/O ... this is probably the best. (technically). O/C", "quad bike, one asks a question of the other, who answers. They're visible", "their lips move. V/O ... this is probably the best. (technically). O/C ...", "answers. They're visible but you can't see their lips move. V/O ... this", "move. V/O ... this is probably the best. (technically). O/C ... you can", "who answers. They're visible but you can't see their lips move. V/O ...", "see them. O/S ... you can see them. Anyone know or have opinions", "(technically). O/C ... you can see them. O/S ... you can see them.", "Two characters and riding down a field on a quad bike, one asks", "'from a distance'? Two characters and riding down a field on a quad", "the other, who answers. They're visible but you can't see their lips move.", "O/S ... you can see them. Anyone know or have opinions they could", "down a field on a quad bike, one asks a question of the", "field on a quad bike, one asks a question of the other, who", "a quad bike, one asks a question of the other, who answers. They're", "... you can see them. Anyone know or have opinions they could share?", "dialogue 'from a distance'? Two characters and riding down a field on a", "a field on a quad bike, one asks a question of the other,", "this is probably the best. (technically). O/C ... you can see them. O/S", "riding down a field on a quad bike, one asks a question of", "asks a question of the other, who answers. They're visible but you can't", "... you can see them. O/S ... you can see them. Anyone know", "lips move. V/O ... this is probably the best. (technically). O/C ... you", "you can see them. O/S ... you can see them. Anyone know or", "indicate dialogue 'from a distance'? Two characters and riding down a field on", "How do I indicate dialogue 'from a distance'? Two characters and riding down", "them. O/S ... you can see them. Anyone know or have opinions they", "can see them. O/S ... you can see them. Anyone know or have", "distance'? Two characters and riding down a field on a quad bike, one", "bike, one asks a question of the other, who answers. They're visible but", "a distance'? Two characters and riding down a field on a quad bike,", "They're visible but you can't see their lips move. V/O ... this is", "V/O ... this is probably the best. (technically). O/C ... you can see", "do I indicate dialogue 'from a distance'? Two characters and riding down a", "but you can't see their lips move. V/O ... this is probably the", "you can't see their lips move. V/O ... this is probably the best.", "... this is probably the best. (technically). O/C ... you can see them.", "O/C ... you can see them. O/S ... you can see them. Anyone", "and riding down a field on a quad bike, one asks a question", "one asks a question of the other, who answers. They're visible but you", "question of the other, who answers. They're visible but you can't see their", "of the other, who answers. They're visible but you can't see their lips", "characters and riding down a field on a quad bike, one asks a", "visible but you can't see their lips move. V/O ... this is probably", "I indicate dialogue 'from a distance'? Two characters and riding down a field", "probably the best. (technically). O/C ... you can see them. O/S ... you", "best. (technically). O/C ... you can see them. O/S ... you can see", "a question of the other, who answers. They're visible but you can't see", "other, who answers. They're visible but you can't see their lips move. V/O", "can't see their lips move. V/O ... this is probably the best. (technically).", "on a quad bike, one asks a question of the other, who answers.", "is probably the best. (technically). O/C ... you can see them. O/S ..." ]
[ "timeline but because I have only heard of alternate history through the videos", "the Civil War. I have written science fiction before but never alternate history,", "before but never alternate history, though I have thought about it lots of", "Civil War, I don't know how to write a good alternate history book.", "Civil War. I have written science fiction before but never alternate history, though", "but never alternate history, though I have thought about it lots of times.", "That should be enough for the British to only see Russians because my", "British to only see Russians because my army and I will be in", "an alternate history story that eventually leads to Texas taking up most of", "the British to only see Russians because my army and I will be", "> Napoleon said \"Tsar Alexander I, I want to get to North America", "science fiction before but never alternate history, though I have thought about it", "alone. It took a long time to get there. > > > April", "alternate timeline but because I have only heard of alternate history through the", "the center and sending way fewer troops than 100,000\" > > > and", "I will be in the center and sending way fewer troops than 100,000\"", "the Russians. I have thought through what I want to happen in my", "including his collaboration with EmperorTigerstar on if the South had won the Civil", "go alone because of the Royal Navy. Now I know you don't have", "never alternate history, though I have thought about it lots of times. So", "won the Civil War?\". Obviously in my timeline, it doesn't and that would", "20 1811 > > > Napoleon went to Russia alone. It took a", "get to North America but I can't go alone because of the Royal", "> > > Napoleon said \"Tsar Alexander I, I want to get to", "only heard of alternate history through the videos on Alternate History Hub including", "had won the Civil War?\". Obviously in my timeline, it doesn't and that", "to France? That should be enough for the British to only see Russians", "continue the story like that or what because I have never written alternate", "like this: > > March 20 1811 > > > Napoleon went to", "my alternate timeline but because I have only heard of alternate history through", "most of the area that otherwise would have been the USA. It starts", "with EmperorTigerstar on if the South had won the Civil War, I don't", "the South had won the Civil War, I don't know how to write", "South had won the Civil War, I don't know how to write a", "> > > Napoleon went to Russia alone. It took a long time", "something like this: > > March 20 1811 > > > Napoleon went", "you don't have a big navy and never have but could you send", "> > > and continue the story like that or what because I", "> > Napoleon said \"Tsar Alexander I, I want to get to North", "of alternate history through the videos on Alternate History Hub including his collaboration", "otherwise would have been the USA. It starts with the European side of", "to write a good alternate history book. This collaboration assumes Texan history stays", "America but I can't go alone because of the Royal Navy. Now I", "would have been the USA. It starts with the European side of things,", "for the British to only see Russians because my army and I will", "a good alternate history book. This collaboration assumes Texan history stays the same", "starts with the European side of things, in particular the French and the", "South had won the Civil War?\". Obviously in my timeline, it doesn't and", "write a good alternate history book. This collaboration assumes Texan history stays the", "Russians because my army and I will be in the center and sending", "particular the French and the Russians. I have thought through what I want", "alternate history through the videos on Alternate History Hub including his collaboration with", "area that otherwise would have been the USA. It starts with the European", "know you don't have a big navy and never have but could you", "have been the USA. It starts with the European side of things, in", "history story that eventually leads to Texas taking up most of the area", "up most of the area that otherwise would have been the USA. It", "history stays the same when they ask \"What if the South had won", "the story like that or what because I have never written alternate history", "of things, in particular the French and the Russians. I have thought through", "that otherwise would have been the USA. It starts with the European side", "went to Russia alone. It took a long time to get there. >", "it lots of times. So would I do something like this: > >", "Alexander I, I want to get to North America but I can't go", "thought through what I want to happen in my alternate timeline but because", "when they ask \"What if the South had won the Civil War?\". Obviously", "see Russians because my army and I will be in the center and", "> Napoleon went to Russia alone. It took a long time to get", "my timeline, it doesn't and that would drastically change the outcome of the", "European side of things, in particular the French and the Russians. I have", "This collaboration assumes Texan history stays the same when they ask \"What if", "> > and continue the story like that or what because I have", "the same when they ask \"What if the South had won the Civil", "the USA. It starts with the European side of things, in particular the", "Russia alone. It took a long time to get there. > > >", "I have only heard of alternate history through the videos on Alternate History", "I can't go alone because of the Royal Navy. Now I know you", "alternate history book. This collaboration assumes Texan history stays the same when they", "time to get there. > > > April 18 1811 > > >", "but could you send about 100,000 troops to France? That should be enough", "know how to write a good alternate history book. This collaboration assumes Texan", "to write an alternate history story that eventually leads to Texas taking up", "change the outcome of the Civil War. I have written science fiction before", "this: > > March 20 1811 > > > Napoleon went to Russia", "> > April 18 1811 > > > Napoleon said \"Tsar Alexander I,", "write an alternate history story that eventually leads to Texas taking up most", "alone because of the Royal Navy. Now I know you don't have a", "written science fiction before but never alternate history, though I have thought about", "you send about 100,000 troops to France? That should be enough for the", "USA. It starts with the European side of things, in particular the French", "but because I have only heard of alternate history through the videos on", "through the videos on Alternate History Hub including his collaboration with EmperorTigerstar on", "War, I don't know how to write a good alternate history book. This", "I have thought through what I want to happen in my alternate timeline", "that eventually leads to Texas taking up most of the area that otherwise", "North America but I can't go alone because of the Royal Navy. Now", "a big navy and never have but could you send about 100,000 troops", "assumes Texan history stays the same when they ask \"What if the South", "book. This collaboration assumes Texan history stays the same when they ask \"What", "Alternate History Hub including his collaboration with EmperorTigerstar on if the South had", "drastically change the outcome of the Civil War. I have written science fiction", "leads to Texas taking up most of the area that otherwise would have", "through what I want to happen in my alternate timeline but because I", "his collaboration with EmperorTigerstar on if the South had won the Civil War,", "took a long time to get there. > > > April 18 1811", "won the Civil War, I don't know how to write a good alternate", "big navy and never have but could you send about 100,000 troops to", "the South had won the Civil War?\". Obviously in my timeline, it doesn't", "to North America but I can't go alone because of the Royal Navy.", "though I have thought about it lots of times. So would I do", "of the Civil War. I have written science fiction before but never alternate", "long time to get there. > > > April 18 1811 > >", "eventually leads to Texas taking up most of the area that otherwise would", "I have thought about it lots of times. So would I do something", "they ask \"What if the South had won the Civil War?\". Obviously in", "\"Tsar Alexander I, I want to get to North America but I can't", "I don't know how to write a good alternate history book. This collaboration", "the French and the Russians. I have thought through what I want to", "> and continue the story like that or what because I have never", "had won the Civil War, I don't know how to write a good", "Texan history stays the same when they ask \"What if the South had", "alternate history, though I have thought about it lots of times. So would", "It starts with the European side of things, in particular the French and", "things, in particular the French and the Russians. I have thought through what", "plan to write an alternate history story that eventually leads to Texas taking", "It took a long time to get there. > > > April 18", "a long time to get there. > > > April 18 1811 >", "> April 18 1811 > > > Napoleon said \"Tsar Alexander I, I", "Now I know you don't have a big navy and never have but", "than 100,000\" > > > and continue the story like that or what", "collaboration assumes Texan history stays the same when they ask \"What if the", "in the center and sending way fewer troops than 100,000\" > > >", "Navy. Now I know you don't have a big navy and never have", "lots of times. So would I do something like this: > > March", "the Civil War, I don't know how to write a good alternate history", "taking up most of the area that otherwise would have been the USA.", "videos on Alternate History Hub including his collaboration with EmperorTigerstar on if the", "War?\". Obviously in my timeline, it doesn't and that would drastically change the", "because of the Royal Navy. Now I know you don't have a big", "with the European side of things, in particular the French and the Russians.", "because I have only heard of alternate history through the videos on Alternate", "get there. > > > April 18 1811 > > > Napoleon said", "100,000\" > > > and continue the story like that or what because", "of times. So would I do something like this: > > March 20", "100,000 troops to France? That should be enough for the British to only", "of the Royal Navy. Now I know you don't have a big navy", "History Hub including his collaboration with EmperorTigerstar on if the South had won", "thought about it lots of times. So would I do something like this:", "of the area that otherwise would have been the USA. It starts with", "to Texas taking up most of the area that otherwise would have been", "April 18 1811 > > > Napoleon said \"Tsar Alexander I, I want", "fiction before but never alternate history, though I have thought about it lots", "troops than 100,000\" > > > and continue the story like that or", "collaboration with EmperorTigerstar on if the South had won the Civil War, I", "times. So would I do something like this: > > March 20 1811", "don't have a big navy and never have but could you send about", "it doesn't and that would drastically change the outcome of the Civil War.", "would drastically change the outcome of the Civil War. I have written science", "to only see Russians because my army and I will be in the", "Royal Navy. Now I know you don't have a big navy and never", "but I can't go alone because of the Royal Navy. Now I know", "have thought about it lots of times. So would I do something like", "1811 > > > Napoleon went to Russia alone. It took a long", "should be enough for the British to only see Russians because my army", "the Civil War?\". Obviously in my timeline, it doesn't and that would drastically", "fewer troops than 100,000\" > > > and continue the story like that", "the outcome of the Civil War. I have written science fiction before but", "do something like this: > > March 20 1811 > > > Napoleon", "I want to get to North America but I can't go alone because", "So would I do something like this: > > March 20 1811 >", "about 100,000 troops to France? That should be enough for the British to", "troops to France? That should be enough for the British to only see", "> > > April 18 1811 > > > Napoleon said \"Tsar Alexander", "said \"Tsar Alexander I, I want to get to North America but I", "in my timeline, it doesn't and that would drastically change the outcome of", "to get to North America but I can't go alone because of the", "be enough for the British to only see Russians because my army and", "way fewer troops than 100,000\" > > > and continue the story like", "been the USA. It starts with the European side of things, in particular", "Hub including his collaboration with EmperorTigerstar on if the South had won the", "on Alternate History Hub including his collaboration with EmperorTigerstar on if the South", "history book. This collaboration assumes Texan history stays the same when they ask", "EmperorTigerstar on if the South had won the Civil War, I don't know", "if the South had won the Civil War, I don't know how to", "outcome of the Civil War. I have written science fiction before but never", "never have but could you send about 100,000 troops to France? That should", "the European side of things, in particular the French and the Russians. I", "because my army and I will be in the center and sending way", "on if the South had won the Civil War, I don't know how", "to get there. > > > April 18 1811 > > > Napoleon", "will be in the center and sending way fewer troops than 100,000\" >", "about it lots of times. So would I do something like this: >", "side of things, in particular the French and the Russians. I have thought", "could you send about 100,000 troops to France? That should be enough for", "18 1811 > > > Napoleon said \"Tsar Alexander I, I want to", "send about 100,000 troops to France? That should be enough for the British", "sending way fewer troops than 100,000\" > > > and continue the story", "ask \"What if the South had won the Civil War?\". Obviously in my", "I know you don't have a big navy and never have but could", "if the South had won the Civil War?\". Obviously in my timeline, it", "Obviously in my timeline, it doesn't and that would drastically change the outcome", "and sending way fewer troops than 100,000\" > > > and continue the", "happen in my alternate timeline but because I have only heard of alternate", "that would drastically change the outcome of the Civil War. I have written", "can't go alone because of the Royal Navy. Now I know you don't", "the Royal Navy. Now I know you don't have a big navy and", "story that eventually leads to Texas taking up most of the area that", "to happen in my alternate timeline but because I have only heard of", "history through the videos on Alternate History Hub including his collaboration with EmperorTigerstar", "same when they ask \"What if the South had won the Civil War?\".", "have written science fiction before but never alternate history, though I have thought", "> > Napoleon went to Russia alone. It took a long time to", "don't know how to write a good alternate history book. This collaboration assumes", "> > March 20 1811 > > > Napoleon went to Russia alone.", "the area that otherwise would have been the USA. It starts with the", "> March 20 1811 > > > Napoleon went to Russia alone. It", "and continue the story like that or what because I have never written", "in particular the French and the Russians. I have thought through what I", "good alternate history book. This collaboration assumes Texan history stays the same when", "want to happen in my alternate timeline but because I have only heard", "center and sending way fewer troops than 100,000\" > > > and continue", "and I will be in the center and sending way fewer troops than", "enough for the British to only see Russians because my army and I", "want to get to North America but I can't go alone because of", "I do something like this: > > March 20 1811 > > >", "I want to happen in my alternate timeline but because I have only", "doesn't and that would drastically change the outcome of the Civil War. I", "would I do something like this: > > March 20 1811 > >", "have a big navy and never have but could you send about 100,000", "have thought through what I want to happen in my alternate timeline but", "have but could you send about 100,000 troops to France? That should be", "army and I will be in the center and sending way fewer troops", "to Russia alone. It took a long time to get there. > >", "Texas taking up most of the area that otherwise would have been the", "I have written science fiction before but never alternate history, though I have", "March 20 1811 > > > Napoleon went to Russia alone. It took", "I plan to write an alternate history story that eventually leads to Texas", "Russians. I have thought through what I want to happen in my alternate", "Napoleon went to Russia alone. It took a long time to get there.", "Civil War?\". Obviously in my timeline, it doesn't and that would drastically change", "I, I want to get to North America but I can't go alone", "1811 > > > Napoleon said \"Tsar Alexander I, I want to get", "timeline, it doesn't and that would drastically change the outcome of the Civil", "history, though I have thought about it lots of times. So would I", "French and the Russians. I have thought through what I want to happen", "navy and never have but could you send about 100,000 troops to France?", "what I want to happen in my alternate timeline but because I have", "France? That should be enough for the British to only see Russians because", "story like that or what because I have never written alternate history before.", "have only heard of alternate history through the videos on Alternate History Hub", "War. I have written science fiction before but never alternate history, though I", "there. > > > April 18 1811 > > > Napoleon said \"Tsar", "how to write a good alternate history book. This collaboration assumes Texan history", "the videos on Alternate History Hub including his collaboration with EmperorTigerstar on if", "my army and I will be in the center and sending way fewer", "alternate history story that eventually leads to Texas taking up most of the", "heard of alternate history through the videos on Alternate History Hub including his", "and that would drastically change the outcome of the Civil War. I have", "stays the same when they ask \"What if the South had won the", "\"What if the South had won the Civil War?\". Obviously in my timeline,", "Napoleon said \"Tsar Alexander I, I want to get to North America but", "only see Russians because my army and I will be in the center", "and never have but could you send about 100,000 troops to France? That", "and the Russians. I have thought through what I want to happen in", "in my alternate timeline but because I have only heard of alternate history", "be in the center and sending way fewer troops than 100,000\" > >" ]
[ "I remember someone saying how the movie \"Logan\" is \"dark and depressing, but", "someone saying how the movie \"Logan\" is \"dark and depressing, but never truly", "about my own stories. I put my characters through a lot of misery,", "through a lot of misery, and I kinda fear now that I'm headed", "kinda fear now that I'm headed into that \"territory\". So... how much misery", "made me think about my own stories. I put my characters through a", "way (obviously), and usually not just to refer to Saw movies. I don't", "put your characters through before it becomes \"just\" torture porn? Is there a", "porn? Is there a kind of misery you should avoid in storytelling to", "kind of misery you should avoid in storytelling to avoid being labeled as", "but I remember someone saying how the movie \"Logan\" is \"dark and depressing,", "that \"territory\". So... how much misery can you put your characters through before", "remember someone saying how the movie \"Logan\" is \"dark and depressing, but never", "misery, and I kinda fear now that I'm headed into that \"territory\". So...", "it was, but I remember someone saying how the movie \"Logan\" is \"dark", "depressing, but never truly descends into torture porn\", and it made me think", "it made me think about my own stories. I put my characters through", "into that \"territory\". So... how much misery can you put your characters through", "I put my characters through a lot of misery, and I kinda fear", "characters through before it becomes \"just\" torture porn? Is there a kind of", "the movie \"Logan\" is \"dark and depressing, but never truly descends into torture", "don't remember who it was, but I remember someone saying how the movie", "of misery you should avoid in storytelling to avoid being labeled as such?", "around sometimes in a derisive way (obviously), and usually not just to refer", "and depressing, but never truly descends into torture porn\", and it made me", "a derisive way (obviously), and usually not just to refer to Saw movies.", "can you put your characters through before it becomes \"just\" torture porn? Is", "my characters through a lot of misery, and I kinda fear now that", "remember who it was, but I remember someone saying how the movie \"Logan\"", "I don't remember who it was, but I remember someone saying how the", "and usually not just to refer to Saw movies. I don't remember who", "sometimes in a derisive way (obviously), and usually not just to refer to", "in a derisive way (obviously), and usually not just to refer to Saw", "heard this term thrown around sometimes in a derisive way (obviously), and usually", "put my characters through a lot of misery, and I kinda fear now", "\"territory\". So... how much misery can you put your characters through before it", "I'm headed into that \"territory\". So... how much misery can you put your", "Is there a kind of misery you should avoid in storytelling to avoid", "usually not just to refer to Saw movies. I don't remember who it", "porn\", and it made me think about my own stories. I put my", "there a kind of misery you should avoid in storytelling to avoid being", "before it becomes \"just\" torture porn? Is there a kind of misery you", "now that I'm headed into that \"territory\". So... how much misery can you", "to Saw movies. I don't remember who it was, but I remember someone", "\"Logan\" is \"dark and depressing, but never truly descends into torture porn\", and", "a lot of misery, and I kinda fear now that I'm headed into", "misery can you put your characters through before it becomes \"just\" torture porn?", "torture porn\", and it made me think about my own stories. I put", "my own stories. I put my characters through a lot of misery, and", "becomes \"just\" torture porn? Is there a kind of misery you should avoid", "was, but I remember someone saying how the movie \"Logan\" is \"dark and", "who it was, but I remember someone saying how the movie \"Logan\" is", "of misery, and I kinda fear now that I'm headed into that \"territory\".", "a kind of misery you should avoid in storytelling to avoid being labeled", "much misery can you put your characters through before it becomes \"just\" torture", "into torture porn\", and it made me think about my own stories. I", "fear now that I'm headed into that \"territory\". So... how much misery can", "truly descends into torture porn\", and it made me think about my own", "not just to refer to Saw movies. I don't remember who it was,", "I kinda fear now that I'm headed into that \"territory\". So... how much", "refer to Saw movies. I don't remember who it was, but I remember", "how the movie \"Logan\" is \"dark and depressing, but never truly descends into", "your characters through before it becomes \"just\" torture porn? Is there a kind", "just to refer to Saw movies. I don't remember who it was, but", "derisive way (obviously), and usually not just to refer to Saw movies. I", "to refer to Saw movies. I don't remember who it was, but I", "how much misery can you put your characters through before it becomes \"just\"", "lot of misery, and I kinda fear now that I'm headed into that", "me think about my own stories. I put my characters through a lot", "descends into torture porn\", and it made me think about my own stories.", "is \"dark and depressing, but never truly descends into torture porn\", and it", "headed into that \"territory\". So... how much misery can you put your characters", "never truly descends into torture porn\", and it made me think about my", "characters through a lot of misery, and I kinda fear now that I'm", "Saw movies. I don't remember who it was, but I remember someone saying", "I've heard this term thrown around sometimes in a derisive way (obviously), and", "torture porn? Is there a kind of misery you should avoid in storytelling", "and I kinda fear now that I'm headed into that \"territory\". So... how", "So... how much misery can you put your characters through before it becomes", "thrown around sometimes in a derisive way (obviously), and usually not just to", "saying how the movie \"Logan\" is \"dark and depressing, but never truly descends", "\"just\" torture porn? Is there a kind of misery you should avoid in", "movies. I don't remember who it was, but I remember someone saying how", "you put your characters through before it becomes \"just\" torture porn? Is there", "stories. I put my characters through a lot of misery, and I kinda", "think about my own stories. I put my characters through a lot of", "that I'm headed into that \"territory\". So... how much misery can you put", "movie \"Logan\" is \"dark and depressing, but never truly descends into torture porn\",", "it becomes \"just\" torture porn? Is there a kind of misery you should", "\"dark and depressing, but never truly descends into torture porn\", and it made", "through before it becomes \"just\" torture porn? Is there a kind of misery", "but never truly descends into torture porn\", and it made me think about", "(obviously), and usually not just to refer to Saw movies. I don't remember", "term thrown around sometimes in a derisive way (obviously), and usually not just", "this term thrown around sometimes in a derisive way (obviously), and usually not", "and it made me think about my own stories. I put my characters", "own stories. I put my characters through a lot of misery, and I" ]
[ "wrote it in the first person jumping from one character to another, however", "Third person lets me jump from one character's POV to another quite easily", "that specific character's POV. Third person lets me jump from one character's POV", "easily in just a matter of paragraphs, but how can I do this", "just a matter of paragraphs, but how can I do this in the", "paragraphs, but how can I do this in the first person? So my", "the first person jumping from one character to another, however I had to", "it in the third person, how do I refer to the protagonist (who", "in the third person, how do I refer to the protagonist (who doesn't", "specific character's POV. Third person lets me jump from one character's POV to", "character's POV to another quite easily in just a matter of paragraphs, but", "I am writing a book that begins with the protagonist having amnesia (cliché,", "person jumping from one character to another, however I had to write a", "lets me jump from one character's POV to another quite easily in just", "third person, how do I refer to the protagonist (who doesn't know her", "do? If I decide to write it in the third person, how do", "jump from one character's POV to another quite easily in just a matter", "begins with the protagonist having amnesia (cliché, I know). At first, I wrote", "me jump from one character's POV to another quite easily in just a", "quite easily in just a matter of paragraphs, but how can I do", "is, what should I do? If I decide to write it in the", "chapter from that specific character's POV. Third person lets me jump from one", "the protagonist having amnesia (cliché, I know). At first, I wrote it in", "in the first person? So my question is, what should I do? If", "in the first person jumping from one character to another, however I had", "one character to another, however I had to write a whole chapter from", "I decide to write it in the third person, how do I refer", "should I do? If I decide to write it in the third person,", "another, however I had to write a whole chapter from that specific character's", "protagonist having amnesia (cliché, I know). At first, I wrote it in the", "a book that begins with the protagonist having amnesia (cliché, I know). At", "from that specific character's POV. Third person lets me jump from one character's", "to write a whole chapter from that specific character's POV. Third person lets", "person, how do I refer to the protagonist (who doesn't know her name", "whole chapter from that specific character's POV. Third person lets me jump from", "from one character to another, however I had to write a whole chapter", "I wrote it in the first person jumping from one character to another,", "matter of paragraphs, but how can I do this in the first person?", "person? So my question is, what should I do? If I decide to", "I do? If I decide to write it in the third person, how", "first, I wrote it in the first person jumping from one character to", "another quite easily in just a matter of paragraphs, but how can I", "in just a matter of paragraphs, but how can I do this in", "what should I do? If I decide to write it in the third", "decide to write it in the third person, how do I refer to", "that begins with the protagonist having amnesia (cliché, I know). At first, I", "person lets me jump from one character's POV to another quite easily in", "POV to another quite easily in just a matter of paragraphs, but how", "know). At first, I wrote it in the first person jumping from one", "first person? So my question is, what should I do? If I decide", "to write it in the third person, how do I refer to the", "am writing a book that begins with the protagonist having amnesia (cliché, I", "a matter of paragraphs, but how can I do this in the first", "jumping from one character to another, however I had to write a whole", "but how can I do this in the first person? So my question", "can I do this in the first person? So my question is, what", "the third person, how do I refer to the protagonist (who doesn't know", "my question is, what should I do? If I decide to write it", "At first, I wrote it in the first person jumping from one character", "it in the first person jumping from one character to another, however I", "write a whole chapter from that specific character's POV. Third person lets me", "with the protagonist having amnesia (cliché, I know). At first, I wrote it", "first person jumping from one character to another, however I had to write", "character to another, however I had to write a whole chapter from that", "write it in the third person, how do I refer to the protagonist", "writing a book that begins with the protagonist having amnesia (cliché, I know).", "I do this in the first person? So my question is, what should", "how can I do this in the first person? So my question is,", "do this in the first person? So my question is, what should I", "the first person? So my question is, what should I do? If I", "this in the first person? So my question is, what should I do?", "of paragraphs, but how can I do this in the first person? So", "from one character's POV to another quite easily in just a matter of", "I had to write a whole chapter from that specific character's POV. Third", "I know). At first, I wrote it in the first person jumping from", "book that begins with the protagonist having amnesia (cliché, I know). At first,", "one character's POV to another quite easily in just a matter of paragraphs,", "however I had to write a whole chapter from that specific character's POV.", "(cliché, I know). At first, I wrote it in the first person jumping", "to another, however I had to write a whole chapter from that specific", "amnesia (cliché, I know). At first, I wrote it in the first person", "question is, what should I do? If I decide to write it in", "a whole chapter from that specific character's POV. Third person lets me jump", "to another quite easily in just a matter of paragraphs, but how can", "having amnesia (cliché, I know). At first, I wrote it in the first", "So my question is, what should I do? If I decide to write", "If I decide to write it in the third person, how do I", "had to write a whole chapter from that specific character's POV. Third person", "how do I refer to the protagonist (who doesn't know her name yet)?", "POV. Third person lets me jump from one character's POV to another quite", "character's POV. Third person lets me jump from one character's POV to another" ]
[ "text so my question is is it legal to copy text from for", "even require attribution. Source code is just text so my question is is", "example a `README` and include it in a paper without attribution, supposing I'd", "copy text from for example a `README` and include it in a paper", "in a paper without attribution, supposing I'd want to do that for some", "you want. Some of these licenses do not even require attribution. Source code", "not even require attribution. Source code is just text so my question is", "Source code is just text so my question is is it legal to", "so my question is is it legal to copy text from for example", "have licenses that allow freely copying source code and using it however you", "code and using it however you want. Some of these licenses do not", "want. Some of these licenses do not even require attribution. Source code is", "freely copying source code and using it however you want. Some of these", "using it however you want. Some of these licenses do not even require", "`README` and include it in a paper without attribution, supposing I'd want to", "code is just text so my question is is it legal to copy", "it in a paper without attribution, supposing I'd want to do that for", "to copy text from for example a `README` and include it in a", "these licenses do not even require attribution. Source code is just text so", "for example a `README` and include it in a paper without attribution, supposing", "require attribution. Source code is just text so my question is is it", "include it in a paper without attribution, supposing I'd want to do that", "question is is it legal to copy text from for example a `README`", "a paper without attribution, supposing I'd want to do that for some reason?", "legal to copy text from for example a `README` and include it in", "and include it in a paper without attribution, supposing I'd want to do", "licenses that allow freely copying source code and using it however you want.", "and using it however you want. Some of these licenses do not even", "copying source code and using it however you want. Some of these licenses", "that allow freely copying source code and using it however you want. Some", "is is it legal to copy text from for example a `README` and", "open source software projects have licenses that allow freely copying source code and", "however you want. Some of these licenses do not even require attribution. Source", "source software projects have licenses that allow freely copying source code and using", "of these licenses do not even require attribution. Source code is just text", "licenses do not even require attribution. Source code is just text so my", "my question is is it legal to copy text from for example a", "text from for example a `README` and include it in a paper without", "allow freely copying source code and using it however you want. Some of", "is just text so my question is is it legal to copy text", "Many open source software projects have licenses that allow freely copying source code", "it however you want. Some of these licenses do not even require attribution.", "software projects have licenses that allow freely copying source code and using it", "a `README` and include it in a paper without attribution, supposing I'd want", "attribution. Source code is just text so my question is is it legal", "do not even require attribution. Source code is just text so my question", "Some of these licenses do not even require attribution. Source code is just", "from for example a `README` and include it in a paper without attribution,", "just text so my question is is it legal to copy text from", "it legal to copy text from for example a `README` and include it", "source code and using it however you want. Some of these licenses do", "is it legal to copy text from for example a `README` and include", "projects have licenses that allow freely copying source code and using it however" ]
[ "the authors use words which have really deep meanings and which makes the", "and which makes the book very interesting to read. So my question is:", "is not my first language. Whenever I read these famous novels, the authors", "do I write that way? I really want to improve my writing as", "me this matters because English is not my first language. Whenever I read", "want to make it as good as I can, I would love to", "but, for me this matters because English is not my first language. Whenever", "have really deep meanings and which makes the book very interesting to read.", "really weird question, but, for me this matters because English is not my", "is a really weird question, but, for me this matters because English is", "deep meanings and which makes the book very interesting to read. So my", "English. And also I am writing a book and I want to make", "This is a really weird question, but, for me this matters because English", "my English. And also I am writing a book and I want to", "make it as good as I can, I would love to get some", "is: how do I write that way? I really want to improve my", "English is not my first language. Whenever I read these famous novels, the", "not my first language. Whenever I read these famous novels, the authors use", "way? I really want to improve my writing as well as my English.", "matters because English is not my first language. Whenever I read these famous", "famous novels, the authors use words which have really deep meanings and which", "language. Whenever I read these famous novels, the authors use words which have", "am writing a book and I want to make it as good as", "for me this matters because English is not my first language. Whenever I", "really deep meanings and which makes the book very interesting to read. So", "and I want to make it as good as I can, I would", "meanings and which makes the book very interesting to read. So my question", "I want to make it as good as I can, I would love", "novels, the authors use words which have really deep meanings and which makes", "the book very interesting to read. So my question is: how do I", "Whenever I read these famous novels, the authors use words which have really", "to improve my writing as well as my English. And also I am", "as my English. And also I am writing a book and I want", "I read these famous novels, the authors use words which have really deep", "want to improve my writing as well as my English. And also I", "as well as my English. And also I am writing a book and", "authors use words which have really deep meanings and which makes the book", "which makes the book very interesting to read. So my question is: how", "And also I am writing a book and I want to make it", "which have really deep meanings and which makes the book very interesting to", "to read. So my question is: how do I write that way? I", "read. So my question is: how do I write that way? I really", "a book and I want to make it as good as I can,", "a really weird question, but, for me this matters because English is not", "read these famous novels, the authors use words which have really deep meanings", "question, but, for me this matters because English is not my first language.", "really want to improve my writing as well as my English. And also", "it as good as I can, I would love to get some tips", "as good as I can, I would love to get some tips regarding", "write that way? I really want to improve my writing as well as", "question is: how do I write that way? I really want to improve", "words which have really deep meanings and which makes the book very interesting", "So my question is: how do I write that way? I really want", "to make it as good as I can, I would love to get", "writing as well as my English. And also I am writing a book", "very interesting to read. So my question is: how do I write that", "how do I write that way? I really want to improve my writing", "makes the book very interesting to read. So my question is: how do", "that way? I really want to improve my writing as well as my", "these famous novels, the authors use words which have really deep meanings and", "my writing as well as my English. And also I am writing a", "first language. Whenever I read these famous novels, the authors use words which", "improve my writing as well as my English. And also I am writing", "interesting to read. So my question is: how do I write that way?", "my first language. Whenever I read these famous novels, the authors use words", "I write that way? I really want to improve my writing as well", "this matters because English is not my first language. Whenever I read these", "I am writing a book and I want to make it as good", "book and I want to make it as good as I can, I", "because English is not my first language. Whenever I read these famous novels,", "I really want to improve my writing as well as my English. And", "also I am writing a book and I want to make it as", "well as my English. And also I am writing a book and I", "writing a book and I want to make it as good as I", "my question is: how do I write that way? I really want to", "book very interesting to read. So my question is: how do I write", "weird question, but, for me this matters because English is not my first", "good as I can, I would love to get some tips regarding that.", "use words which have really deep meanings and which makes the book very" ]
[ "using the phrase 'is that'. For example: \"The other feature that has been", "the expert system would ...\" I have been told that this is ugly.", "'is that'. For example: \"The other feature that has been neglected is that", "phrase 'is that'. For example: \"The other feature that has been neglected is", "find my self using the phrase 'is that'. For example: \"The other feature", "been neglected is that the expert system would ...\" I have been told", "my self using the phrase 'is that'. For example: \"The other feature that", "thesis and I frequently find my self using the phrase 'is that'. For", "example: \"The other feature that has been neglected is that the expert system", "neglected is that the expert system would ...\" I have been told that", "For example: \"The other feature that has been neglected is that the expert", "\"The other feature that has been neglected is that the expert system would", "would ...\" I have been told that this is ugly. What are some", "has been neglected is that the expert system would ...\" I have been", "that the expert system would ...\" I have been told that this is", "am writing a thesis and I frequently find my self using the phrase", "writing a thesis and I frequently find my self using the phrase 'is", "frequently find my self using the phrase 'is that'. For example: \"The other", "self using the phrase 'is that'. For example: \"The other feature that has", "the phrase 'is that'. For example: \"The other feature that has been neglected", "system would ...\" I have been told that this is ugly. What are", "I frequently find my self using the phrase 'is that'. For example: \"The", "a thesis and I frequently find my self using the phrase 'is that'.", "that'. For example: \"The other feature that has been neglected is that the", "is that the expert system would ...\" I have been told that this", "expert system would ...\" I have been told that this is ugly. What", "...\" I have been told that this is ugly. What are some alternatives?", "other feature that has been neglected is that the expert system would ...\"", "feature that has been neglected is that the expert system would ...\" I", "that has been neglected is that the expert system would ...\" I have", "and I frequently find my self using the phrase 'is that'. For example:", "I am writing a thesis and I frequently find my self using the" ]
[ "for these sections. In some poems, the sections can be read as discrete,", "> > > > 2 > > > > Cloud on cloud, gray", "there's a term for these sections. In some poems, the sections can be", "In some poems, the sections can be read as discrete, autonomous poems themselves.", "slash > > of gold in the late gray sky. > > >", "> Is there a term other than \"section\" for 1 and 2 above?", "> gone, new come in, open > > the door: > > each", "> > the door: > > each night I grow > > young,", "> each morning > > I close a door, another door. > >", "silvered > > with thin ice and a slash > > of gold", "new come in, open > > the door: > > each night I", "> of gold in the late gray sky. > > > > Is", "my friends are well > > again, my life is all > >", "only seems to apply to long, epic poems, not short modern poems. For", "three marks. I'm wondering if there's a term for these sections. In some", "door. > > > > > > 2 > > > > Cloud", "> > > 2 > > > > Cloud on cloud, gray >", "close a door, another door. > > > > > > 2 >", "or set off by a group of three marks. I'm wondering if there's", "> on snow, tree on tree > > on unleafed tree— > >", "I'm wondering if there's a term for these sections. In some poems, the", "[canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply to long, epic poems, not short", "poems. For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here", "> 2 > > > > Cloud on cloud, gray > > on", "read as discrete, autonomous poems themselves. The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto),", "> > again, my life is all > > before me, > >", "\"sections\" or \"divisions\" within them that may be numbered or set off by", "have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply to long, epic", "late gray sky. > > > > Is there a term other than", "> on gray, snow fallen > > > > on snow, tree on", "1 > > > > Snow fallen, another going > > gone, new", "> > on gray, snow fallen > > > > on snow, tree", "> Snow fallen, another going > > gone, new come in, open >", "on tree > > on unleafed tree— > > > > only a", "ice and a slash > > of gold in the late gray sky.", "group of three marks. I'm wondering if there's a term for these sections.", "> only a river silvered > > with thin ice and a slash", "set off by a group of three marks. I'm wondering if there's a", "> > > on snow, tree on tree > > on unleafed tree—", "the door: > > each night I grow > > young, my friends", "cloud, gray > > on gray, snow fallen > > > > on", "> > young, my friends are well > > again, my life is", "that may be numbered or set off by a group of three marks.", "short modern poems. For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered", "In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are the first two:", "before me, > > each morning > > I close a door, another", "a door, another door. > > > > > > 2 > >", "and a slash > > of gold in the late gray sky. >", "not short modern poems. For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31", "> > > > on snow, tree on tree > > on unleafed", "river silvered > > with thin ice and a slash > > of", "a term for these sections. In some poems, the sections can be read", "first two: > > 1 > > > > Snow fallen, another going", "closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply to", "off by a group of three marks. I'm wondering if there's a term", "2 > > > > Cloud on cloud, gray > > on gray,", "numbered or set off by a group of three marks. I'm wondering if", "tree > > on unleafed tree— > > > > only a river", "have \"sections\" or \"divisions\" within them that may be numbered or set off", "however this only seems to apply to long, epic poems, not short modern", "discrete, autonomous poems themselves. The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this", "by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are the first two: >", "> > > only a river silvered > > with thin ice and", "Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are the first two: > >", "themselves. The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to", "gone, new come in, open > > the door: > > each night", "Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are the first two: > > 1", "Cloud on cloud, gray > > on gray, snow fallen > > >", "in, open > > the door: > > each night I grow >", "\"divisions\" within them that may be numbered or set off by a group", "can be read as discrete, autonomous poems themselves. The closest I have found", "another going > > gone, new come in, open > > the door:", "> > before me, > > each morning > > I close a", "going > > gone, new come in, open > > the door: >", "each morning > > I close a door, another door. > > >", "[\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are the first", "I grow > > young, my friends are well > > again, my", "another door. > > > > > > 2 > > > >", "> I close a door, another door. > > > > > >", "be numbered or set off by a group of three marks. I'm wondering", "> > > Is there a term other than \"section\" for 1 and", "door: > > each night I grow > > young, my friends are", "by a group of three marks. I'm wondering if there's a term for", "well > > again, my life is all > > before me, >", "is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply to long, epic poems, not", "sections can be read as discrete, autonomous poems themselves. The closest I have", "I close a door, another door. > > > > > > 2", "are the first two: > > 1 > > > > Snow fallen,", "poems have \"sections\" or \"divisions\" within them that may be numbered or set", "marks. I'm wondering if there's a term for these sections. In some poems,", "31 numbered sections, here are the first two: > > 1 > >", "numbered sections, here are the first two: > > 1 > > >", "gray > > on gray, snow fallen > > > > on snow,", "I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply to long,", "> > each morning > > I close a door, another door. >", "unleafed tree— > > > > only a river silvered > > with", "> 1 > > > > Snow fallen, another going > > gone,", "sections. In some poems, the sections can be read as discrete, autonomous poems", "> > each night I grow > > young, my friends are well", "door, another door. > > > > > > 2 > > >", "two: > > 1 > > > > Snow fallen, another going >", "night I grow > > young, my friends are well > > again,", "is all > > before me, > > each morning > > I", "some poems, the sections can be read as discrete, autonomous poems themselves. The", "the sections can be read as discrete, autonomous poems themselves. The closest I", "the first two: > > 1 > > > > Snow fallen, another", "> > I close a door, another door. > > > > >", "verse poems have \"sections\" or \"divisions\" within them that may be numbered or", "> > of gold in the late gray sky. > > > >", "> on unleafed tree— > > > > only a river silvered >", "> young, my friends are well > > again, my life is all", "> > 2 > > > > Cloud on cloud, gray > >", "again, my life is all > > before me, > > each morning", "> again, my life is all > > before me, > > each", "life is all > > before me, > > each morning > >", "tree— > > > > only a river silvered > > with thin", "> > Cloud on cloud, gray > > on gray, snow fallen >", "For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are", "> with thin ice and a slash > > of gold in the", "my life is all > > before me, > > each morning >", "here are the first two: > > 1 > > > > Snow", "gray sky. > > > > Is there a term other than \"section\"", "modern poems. For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections,", "autonomous poems themselves. The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only", "on gray, snow fallen > > > > on snow, tree on tree", "may be numbered or set off by a group of three marks. I'm", "has 31 numbered sections, here are the first two: > > 1 >", "a river silvered > > with thin ice and a slash > >", "> before me, > > each morning > > I close a door,", "if there's a term for these sections. In some poems, the sections can", "> > > > Is there a term other than \"section\" for 1", "come in, open > > the door: > > each night I grow", "me, > > each morning > > I close a door, another door.", "fallen > > > > on snow, tree on tree > > on", "> the door: > > each night I grow > > young, my", "> Cloud on cloud, gray > > on gray, snow fallen > >", "on unleafed tree— > > > > only a river silvered > >", "these sections. In some poems, the sections can be read as discrete, autonomous", "> > > > > > 2 > > > > Cloud on", "example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has 31 numbered sections, here are the", "> > 1 > > > > Snow fallen, another going > >", "them that may be numbered or set off by a group of three", "friends are well > > again, my life is all > > before", "or \"divisions\" within them that may be numbered or set off by a", "this only seems to apply to long, epic poems, not short modern poems.", "Snow fallen, another going > > gone, new come in, open > >", "> > > > Cloud on cloud, gray > > on gray, snow", "on cloud, gray > > on gray, snow fallen > > > >", "> > Is there a term other than \"section\" for 1 and 2", "poems, the sections can be read as discrete, autonomous poems themselves. The closest", "thin ice and a slash > > of gold in the late gray", "all > > before me, > > each morning > > I close", "are well > > again, my life is all > > before me,", "poems themselves. The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems", "long, epic poems, not short modern poems. For example, [\"Grayed In\" by Marlyo", "on snow, tree on tree > > on unleafed tree— > > >", "> > with thin ice and a slash > > of gold in", "free verse poems have \"sections\" or \"divisions\" within them that may be numbered", "each night I grow > > young, my friends are well > >", "the late gray sky. > > > > Is there a term other", "tree on tree > > on unleafed tree— > > > > only", "> > gone, new come in, open > > the door: > >", "only a river silvered > > with thin ice and a slash >", "The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply", "of three marks. I'm wondering if there's a term for these sections. In", "term for these sections. In some poems, the sections can be read as", "> > > > only a river silvered > > with thin ice", "to long, epic poems, not short modern poems. For example, [\"Grayed In\" by", "> > > Cloud on cloud, gray > > on gray, snow fallen", "epic poems, not short modern poems. For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in)", "found is [canto](https://en.wikipedia.org/wiki/Canto), however this only seems to apply to long, epic poems,", "apply to long, epic poems, not short modern poems. For example, [\"Grayed In\"", "snow, tree on tree > > on unleafed tree— > > > >", "of gold in the late gray sky. > > > > Is there", "> > > Snow fallen, another going > > gone, new come in,", "> > > > Snow fallen, another going > > gone, new come", "grow > > young, my friends are well > > again, my life", "> > on unleafed tree— > > > > only a river silvered", "wondering if there's a term for these sections. In some poems, the sections", "gold in the late gray sky. > > > > Is there a", "gray, snow fallen > > > > on snow, tree on tree >", "sky. > > > > Is there a term other than \"section\" for", "> > > > > 2 > > > > Cloud on cloud,", "seems to apply to long, epic poems, not short modern poems. For example,", "> > only a river silvered > > with thin ice and a", "open > > the door: > > each night I grow > >", "a slash > > of gold in the late gray sky. > >", "with thin ice and a slash > > of gold in the late", "to apply to long, epic poems, not short modern poems. For example, [\"Grayed", "as discrete, autonomous poems themselves. The closest I have found is [canto](https://en.wikipedia.org/wiki/Canto), however", "within them that may be numbered or set off by a group of", "morning > > I close a door, another door. > > > >", "sections, here are the first two: > > 1 > > > >", "young, my friends are well > > again, my life is all >", "a group of three marks. I'm wondering if there's a term for these", "> > Snow fallen, another going > > gone, new come in, open", "> > on snow, tree on tree > > on unleafed tree— >", "> each night I grow > > young, my friends are well >", "Many free verse poems have \"sections\" or \"divisions\" within them that may be", "in the late gray sky. > > > > **Is there a term", "be read as discrete, autonomous poems themselves. The closest I have found is", "snow fallen > > > > on snow, tree on tree > >", "fallen, another going > > gone, new come in, open > > the", "poems, not short modern poems. For example, [\"Grayed In\" by Marlyo Collins](https://www.poetryfoundation.org/poems/57644/grayed-in) has" ]
[ "valuable things other than our life, and to make stakes out of them", "scriptwriters are forced to hastily put the story together, diluting it with pulp", "we haven't discussed is the modes of failure in the drama part (how", "that by their nature are abundant in soap operas. Soap operas are generally", "we can lose many more valuable things other than our life, and to", "our life, and to make stakes out of them effectively, we have to", "show on air (at least here), it fails in every possible level of", "writing, a staple of the genre. Also, due to the fact that these", "new episodes daily, the scriptwriters are forced to hastily put the story together,", "the drama part (how the conflict unfolds and gets resolved), failures that by", "and stupid I'm interested in. What they are and how can I avoid", "quantity over quality, with the Hungarian \"Barátok közt\" being a prime example with", "than our life, and to make stakes out of them effectively, we have", "modes of failure in the drama part (how the conflict unfolds and gets", "is the modes of failure in the drama part (how the conflict unfolds", "(at least here), it fails in every possible level of writing, a staple", "Despite being the most popular show on air (at least here), it fails", "with pulp and stupid. This pulp and stupid I'm interested in. What they", "in every possible level of writing, a staple of the genre. Also, due", "minutes long, episodes. Despite being the most popular show on air (at least", "stupid I'm interested in. What they are and how can I avoid them?", "in the drama part (how the conflict unfolds and gets resolved), failures that", "staple of the genre. Also, due to the fact that these can have", "many more valuable things other than our life, and to make stakes out", "of failure in the drama part (how the conflict unfolds and gets resolved),", "personal. One thing we haven't discussed is the modes of failure in the", "Soap operas are generally quantity over quality, with the Hungarian \"Barátok közt\" being", "conflict unfolds and gets resolved), failures that by their nature are abundant in", "long, episodes. Despite being the most popular show on air (at least here),", "failures that by their nature are abundant in soap operas. Soap operas are", "every possible level of writing, a staple of the genre. Also, due to", "we established that we can lose many more valuable things other than our", "9-15 minutes long, episodes. Despite being the most popular show on air (at", "to make it ~~nothing~~ personal. One thing we haven't discussed is the modes", "of them effectively, we have to make it ~~nothing~~ personal. One thing we", "over 8840, 9-15 minutes long, episodes. Despite being the most popular show on", "the genre. Also, due to the fact that these can have new episodes", "the story together, diluting it with pulp and stupid. This pulp and stupid", "stakes out of them effectively, we have to make it ~~nothing~~ personal. One", "make stakes out of them effectively, we have to make it ~~nothing~~ personal.", "Hungarian \"Barátok közt\" being a prime example with over 8840, 9-15 minutes long,", "episodes. Despite being the most popular show on air (at least here), it", "failure in the drama part (how the conflict unfolds and gets resolved), failures", "forced to hastily put the story together, diluting it with pulp and stupid.", "a prime example with over 8840, 9-15 minutes long, episodes. Despite being the", "in soap operas. Soap operas are generally quantity over quality, with the Hungarian", "we have to make it ~~nothing~~ personal. One thing we haven't discussed is", "their nature are abundant in soap operas. Soap operas are generally quantity over", "So, we established that we can lose many more valuable things other than", "with over 8840, 9-15 minutes long, episodes. Despite being the most popular show", "with the Hungarian \"Barátok közt\" being a prime example with over 8840, 9-15", "of writing, a staple of the genre. Also, due to the fact that", "part (how the conflict unfolds and gets resolved), failures that by their nature", "here), it fails in every possible level of writing, a staple of the", "are abundant in soap operas. Soap operas are generally quantity over quality, with", "other than our life, and to make stakes out of them effectively, we", "by their nature are abundant in soap operas. Soap operas are generally quantity", "things other than our life, and to make stakes out of them effectively,", "operas are generally quantity over quality, with the Hungarian \"Barátok közt\" being a", "~~nothing~~ personal. One thing we haven't discussed is the modes of failure in", "example with over 8840, 9-15 minutes long, episodes. Despite being the most popular", "lose many more valuable things other than our life, and to make stakes", "least here), it fails in every possible level of writing, a staple of", "One thing we haven't discussed is the modes of failure in the drama", "these can have new episodes daily, the scriptwriters are forced to hastily put", "közt\" being a prime example with over 8840, 9-15 minutes long, episodes. Despite", "daily, the scriptwriters are forced to hastily put the story together, diluting it", "together, diluting it with pulp and stupid. This pulp and stupid I'm interested", "a staple of the genre. Also, due to the fact that these can", "the fact that these can have new episodes daily, the scriptwriters are forced", "can have new episodes daily, the scriptwriters are forced to hastily put the", "can lose many more valuable things other than our life, and to make", "have to make it ~~nothing~~ personal. One thing we haven't discussed is the", "quality, with the Hungarian \"Barátok közt\" being a prime example with over 8840,", "(how the conflict unfolds and gets resolved), failures that by their nature are", "and gets resolved), failures that by their nature are abundant in soap operas.", "that we can lose many more valuable things other than our life, and", "discussed is the modes of failure in the drama part (how the conflict", "are forced to hastily put the story together, diluting it with pulp and", "resolved), failures that by their nature are abundant in soap operas. Soap operas", "pulp and stupid I'm interested in. What they are and how can I", "to the fact that these can have new episodes daily, the scriptwriters are", "\"Barátok közt\" being a prime example with over 8840, 9-15 minutes long, episodes.", "gets resolved), failures that by their nature are abundant in soap operas. Soap", "the Hungarian \"Barátok közt\" being a prime example with over 8840, 9-15 minutes", "them effectively, we have to make it ~~nothing~~ personal. One thing we haven't", "established that we can lose many more valuable things other than our life,", "diluting it with pulp and stupid. This pulp and stupid I'm interested in.", "over quality, with the Hungarian \"Barátok közt\" being a prime example with over", "that these can have new episodes daily, the scriptwriters are forced to hastily", "fact that these can have new episodes daily, the scriptwriters are forced to", "thing we haven't discussed is the modes of failure in the drama part", "Also, due to the fact that these can have new episodes daily, the", "it fails in every possible level of writing, a staple of the genre.", "level of writing, a staple of the genre. Also, due to the fact", "out of them effectively, we have to make it ~~nothing~~ personal. One thing", "air (at least here), it fails in every possible level of writing, a", "hastily put the story together, diluting it with pulp and stupid. This pulp", "prime example with over 8840, 9-15 minutes long, episodes. Despite being the most", "more valuable things other than our life, and to make stakes out of", "episodes daily, the scriptwriters are forced to hastily put the story together, diluting", "the scriptwriters are forced to hastily put the story together, diluting it with", "to hastily put the story together, diluting it with pulp and stupid. This", "popular show on air (at least here), it fails in every possible level", "it with pulp and stupid. This pulp and stupid I'm interested in. What", "stupid. This pulp and stupid I'm interested in. What they are and how", "generally quantity over quality, with the Hungarian \"Barátok közt\" being a prime example", "story together, diluting it with pulp and stupid. This pulp and stupid I'm", "This pulp and stupid I'm interested in. What they are and how can", "possible level of writing, a staple of the genre. Also, due to the", "genre. Also, due to the fact that these can have new episodes daily,", "the modes of failure in the drama part (how the conflict unfolds and", "operas. Soap operas are generally quantity over quality, with the Hungarian \"Barátok közt\"", "being the most popular show on air (at least here), it fails in", "haven't discussed is the modes of failure in the drama part (how the", "fails in every possible level of writing, a staple of the genre. Also,", "effectively, we have to make it ~~nothing~~ personal. One thing we haven't discussed", "most popular show on air (at least here), it fails in every possible", "of the genre. Also, due to the fact that these can have new", "and to make stakes out of them effectively, we have to make it", "put the story together, diluting it with pulp and stupid. This pulp and", "the conflict unfolds and gets resolved), failures that by their nature are abundant", "abundant in soap operas. Soap operas are generally quantity over quality, with the", "it ~~nothing~~ personal. One thing we haven't discussed is the modes of failure", "on air (at least here), it fails in every possible level of writing,", "due to the fact that these can have new episodes daily, the scriptwriters", "and stupid. This pulp and stupid I'm interested in. What they are and", "nature are abundant in soap operas. Soap operas are generally quantity over quality,", "the most popular show on air (at least here), it fails in every", "soap operas. Soap operas are generally quantity over quality, with the Hungarian \"Barátok", "to make stakes out of them effectively, we have to make it ~~nothing~~", "pulp and stupid. This pulp and stupid I'm interested in. What they are", "being a prime example with over 8840, 9-15 minutes long, episodes. Despite being", "unfolds and gets resolved), failures that by their nature are abundant in soap", "life, and to make stakes out of them effectively, we have to make", "8840, 9-15 minutes long, episodes. Despite being the most popular show on air", "have new episodes daily, the scriptwriters are forced to hastily put the story", "make it ~~nothing~~ personal. One thing we haven't discussed is the modes of", "drama part (how the conflict unfolds and gets resolved), failures that by their", "are generally quantity over quality, with the Hungarian \"Barátok közt\" being a prime" ]
[ "and am entirely self-taught. I have reached a point in my writing where", "with overwrought bogs of difficult to maintain and absurdly obvious descriptions of my", "software is updated so must your documentation. * I've also read that comments", "that a comment and documentation aren't necessarily the same thing, so I am", "method although I'm sure there are others, but all the tutorials and advice", "to describe how. It's usually more about the parser than anything else. Some", "good code be self-explanatory at every level? * Documentation requires maintenance too: I", "that comments should explain why you do something in your code. Not what", "would be greatly beneficial. My question is not how to add documentation, but", "self-explanatory at every level? * Documentation requires maintenance too: I have read caveats", "you do something in your code. Not what you do. I do understand", "here would be greatly appreciated. Even some examples of what you would consider", "at every level? * Documentation requires maintenance too: I have read caveats that", "for? Should good code be self-explanatory at every level? * Documentation requires maintenance", "naming revolves around explicitly stating what is happening in the code base itself.", "when and what to document. I don't want to be lazy and avoid", "obvious descriptions of my code. Any sort of guidance here would be greatly", "new to programming and am entirely self-taught. I have reached a point in", "but all the tutorials and advice out there seem to describe how. It's", "the parser than anything else. Some of what I have picked up over", "and absurdly obvious descriptions of my code. Any sort of guidance here would", "be self-explanatory at every level? * Documentation requires maintenance too: I have read", "my code. Any sort of guidance here would be greatly appreciated. Even some", "It's usually more about the parser than anything else. Some of what I", "is updated so must your documentation. * I've also read that comments should", "greatly appreciated. Even some examples of what you would consider good documentation could", "I have reached a point in my writing where a solid grasp of", "have picked up over the past few months include: * Self-documentation: a lot", "than anything else. Some of what I have picked up over the past", "programming and am entirely self-taught. I have reached a point in my writing", "not how to add documentation, but when. And what to add. Doxygen seems", "grasp of documentation standards would be greatly beneficial. My question is not how", "be the preferred method although I'm sure there are others, but all the", "caveats that warn against excessive documentation as when your software is updated so", "what you do. I do understand that a comment and documentation aren't necessarily", "Self-documentation: a lot of C++ naming revolves around explicitly stating what is happening", "and what to document. I don't want to be lazy and avoid good", "Doxygen seems to be the preferred method although I'm sure there are others,", "lazy and avoid good documentation, but I also don't want to weigh down", "thing, so I am still uncertain when and what to document. I don't", "Even some examples of what you would consider good documentation could benefit me.", "Any sort of guidance here would be greatly appreciated. Even some examples of", "your code. Not what you do. I do understand that a comment and", "the same thing, so I am still uncertain when and what to document.", "am still uncertain when and what to document. I don't want to be", "I don't want to be lazy and avoid good documentation, but I also", "where a solid grasp of documentation standards would be greatly beneficial. My question", "don't want to weigh down my software with overwrought bogs of difficult to", "* Self-documentation: a lot of C++ naming revolves around explicitly stating what is", "code be self-explanatory at every level? * Documentation requires maintenance too: I have", "of difficult to maintain and absurdly obvious descriptions of my code. Any sort", "am entirely self-taught. I have reached a point in my writing where a", "the tutorials and advice out there seem to describe how. It's usually more", "should explain why you do something in your code. Not what you do.", "I have read caveats that warn against excessive documentation as when your software", "usually more about the parser than anything else. Some of what I have", "every level? * Documentation requires maintenance too: I have read caveats that warn", "documentation standards would be greatly beneficial. My question is not how to add", "a lot of C++ naming revolves around explicitly stating what is happening in", "to be lazy and avoid good documentation, but I also don't want to", "is not how to add documentation, but when. And what to add. Doxygen", "lot of C++ naming revolves around explicitly stating what is happening in the", "few months include: * Self-documentation: a lot of C++ naming revolves around explicitly", "want to weigh down my software with overwrought bogs of difficult to maintain", "to programming and am entirely self-taught. I have reached a point in my", "a solid grasp of documentation standards would be greatly beneficial. My question is", "of what I have picked up over the past few months include: ", "reached a point in my writing where a solid grasp of documentation standards", "in your code. Not what you do. I do understand that a comment", "revolves around explicitly stating what is happening in the code base itself. Is", "should strive for? Should good code be self-explanatory at every level? Documentation", "be lazy and avoid good documentation, but I also don't want to weigh", "writing where a solid grasp of documentation standards would be greatly beneficial. My", "what to add. Doxygen seems to be the preferred method although I'm sure", "point in my writing where a solid grasp of documentation standards would be", "and advice out there seem to describe how. It's usually more about the", "do something in your code. Not what you do. I do understand that", "advice out there seem to describe how. It's usually more about the parser", "happening in the code base itself. Is this what I should strive for?", "I do understand that a comment and documentation aren't necessarily the same thing,", "understand that a comment and documentation aren't necessarily the same thing, so I", "absurdly obvious descriptions of my code. Any sort of guidance here would be", "of my code. Any sort of guidance here would be greatly appreciated. Even", "include: * Self-documentation: a lot of C++ naming revolves around explicitly stating what", "difficult to maintain and absurdly obvious descriptions of my code. Any sort of", "of documentation standards would be greatly beneficial. My question is not how to", "itself. Is this what I should strive for? Should good code be self-explanatory", "to add documentation, but when. And what to add. Doxygen seems to be", "anything else. Some of what I have picked up over the past few", "* Documentation requires maintenance too: I have read caveats that warn against excessive", "comment and documentation aren't necessarily the same thing, so I am still uncertain", "And what to add. Doxygen seems to be the preferred method although I'm", "your software is updated so must your documentation. * I've also read that", "level? * Documentation requires maintenance too: I have read caveats that warn against", "why you do something in your code. Not what you do. I do", "around explicitly stating what is happening in the code base itself. Is this", "maintenance too: I have read caveats that warn against excessive documentation as when", "have reached a point in my writing where a solid grasp of documentation", "tutorials and advice out there seem to describe how. It's usually more about", "although I'm sure there are others, but all the tutorials and advice out", "want to be lazy and avoid good documentation, but I also don't want", "and avoid good documentation, but I also don't want to weigh down my", "document. I don't want to be lazy and avoid good documentation, but I", "to be the preferred method although I'm sure there are others, but all", "describe how. It's usually more about the parser than anything else. Some of", "don't want to be lazy and avoid good documentation, but I also don't", "past few months include: * Self-documentation: a lot of C++ naming revolves around", "self-taught. I have reached a point in my writing where a solid grasp", "good documentation, but I also don't want to weigh down my software with", "base itself. Is this what I should strive for? Should good code be", "the past few months include: * Self-documentation: a lot of C++ naming revolves", "maintain and absurdly obvious descriptions of my code. Any sort of guidance here", "how to add documentation, but when. And what to add. Doxygen seems to", "stating what is happening in the code base itself. Is this what I", "preferred method although I'm sure there are others, but all the tutorials and", "have read caveats that warn against excessive documentation as when your software is", "when your software is updated so must your documentation. * I've also read", "documentation. * I've also read that comments should explain why you do something", "comments should explain why you do something in your code. Not what you", "C++ naming revolves around explicitly stating what is happening in the code base", "of guidance here would be greatly appreciated. Even some examples of what you", "do. I do understand that a comment and documentation aren't necessarily the same", "of C++ naming revolves around explicitly stating what is happening in the code", "documentation, but when. And what to add. Doxygen seems to be the preferred", "I am new to programming and am entirely self-taught. I have reached a", "over the past few months include: * Self-documentation: a lot of C++ naming", "standards would be greatly beneficial. My question is not how to add documentation,", "you do. I do understand that a comment and documentation aren't necessarily the", "my writing where a solid grasp of documentation standards would be greatly beneficial.", "about the parser than anything else. Some of what I have picked up", "I also don't want to weigh down my software with overwrought bogs of", "to maintain and absurdly obvious descriptions of my code. Any sort of guidance", "seem to describe how. It's usually more about the parser than anything else.", "that warn against excessive documentation as when your software is updated so must", "a point in my writing where a solid grasp of documentation standards would", "all the tutorials and advice out there seem to describe how. It's usually", "requires maintenance too: I have read caveats that warn against excessive documentation as", "sure there are others, but all the tutorials and advice out there seem", "do understand that a comment and documentation aren't necessarily the same thing, so", "explicitly stating what is happening in the code base itself. Is this what", "in my writing where a solid grasp of documentation standards would be greatly", "explain why you do something in your code. Not what you do. I", "bogs of difficult to maintain and absurdly obvious descriptions of my code. Any", "too: I have read caveats that warn against excessive documentation as when your", "to document. I don't want to be lazy and avoid good documentation, but", "uncertain when and what to document. I don't want to be lazy and", "there are others, but all the tutorials and advice out there seem to", "I'm sure there are others, but all the tutorials and advice out there", "still uncertain when and what to document. I don't want to be lazy", "documentation aren't necessarily the same thing, so I am still uncertain when and", "how. It's usually more about the parser than anything else. Some of what", "but when. And what to add. Doxygen seems to be the preferred method", "excessive documentation as when your software is updated so must your documentation. ", "documentation, but I also don't want to weigh down my software with overwrought", "code. Any sort of guidance here would be greatly appreciated. Even some examples", "what I should strive for? Should good code be self-explanatory at every level?", "strive for? Should good code be self-explanatory at every level? Documentation requires", "your documentation. * I've also read that comments should explain why you do", "so I am still uncertain when and what to document. I don't want", "be greatly appreciated. Even some examples of what you would consider good documentation", "entirely self-taught. I have reached a point in my writing where a solid", "My question is not how to add documentation, but when. And what to", "what I have picked up over the past few months include: * Self-documentation:", "up over the past few months include: * Self-documentation: a lot of C++", "in the code base itself. Is this what I should strive for? Should", "more about the parser than anything else. Some of what I have picked", "weigh down my software with overwrought bogs of difficult to maintain and absurdly", "when. And what to add. Doxygen seems to be the preferred method although", "updated so must your documentation. * I've also read that comments should explain", "but I also don't want to weigh down my software with overwrought bogs", "* I've also read that comments should explain why you do something in", "same thing, so I am still uncertain when and what to document. I", "am new to programming and am entirely self-taught. I have reached a point", "I am still uncertain when and what to document. I don't want to", "out there seem to describe how. It's usually more about the parser than", "others, but all the tutorials and advice out there seem to describe how.", "descriptions of my code. Any sort of guidance here would be greatly appreciated.", "warn against excessive documentation as when your software is updated so must your", "solid grasp of documentation standards would be greatly beneficial. My question is not", "question is not how to add documentation, but when. And what to add.", "I should strive for? Should good code be self-explanatory at every level? ", "as when your software is updated so must your documentation. I've also", "avoid good documentation, but I also don't want to weigh down my software", "overwrought bogs of difficult to maintain and absurdly obvious descriptions of my code.", "I've also read that comments should explain why you do something in your", "guidance here would be greatly appreciated. Even some examples of what you would", "aren't necessarily the same thing, so I am still uncertain when and what", "is happening in the code base itself. Is this what I should strive", "also read that comments should explain why you do something in your code.", "sort of guidance here would be greatly appreciated. Even some examples of what", "the code base itself. Is this what I should strive for? Should good", "read caveats that warn against excessive documentation as when your software is updated", "and documentation aren't necessarily the same thing, so I am still uncertain when", "down my software with overwrought bogs of difficult to maintain and absurdly obvious", "against excessive documentation as when your software is updated so must your documentation.", "add. Doxygen seems to be the preferred method although I'm sure there are", "documentation as when your software is updated so must your documentation. * I've", "a comment and documentation aren't necessarily the same thing, so I am still", "add documentation, but when. And what to add. Doxygen seems to be the", "necessarily the same thing, so I am still uncertain when and what to", "parser than anything else. Some of what I have picked up over the", "to weigh down my software with overwrought bogs of difficult to maintain and", "beneficial. My question is not how to add documentation, but when. And what", "software with overwrought bogs of difficult to maintain and absurdly obvious descriptions of", "Should good code be self-explanatory at every level? * Documentation requires maintenance too:", "months include: * Self-documentation: a lot of C++ naming revolves around explicitly stating", "greatly beneficial. My question is not how to add documentation, but when. And", "Is this what I should strive for? Should good code be self-explanatory at", "code base itself. Is this what I should strive for? Should good code", "what to document. I don't want to be lazy and avoid good documentation,", "there seem to describe how. It's usually more about the parser than anything", "I have picked up over the past few months include: * Self-documentation: a", "must your documentation. * I've also read that comments should explain why you", "else. Some of what I have picked up over the past few months", "Not what you do. I do understand that a comment and documentation aren't", "my software with overwrought bogs of difficult to maintain and absurdly obvious descriptions", "are others, but all the tutorials and advice out there seem to describe", "seems to be the preferred method although I'm sure there are others, but", "something in your code. Not what you do. I do understand that a", "picked up over the past few months include: * Self-documentation: a lot of", "the preferred method although I'm sure there are others, but all the tutorials", "so must your documentation. * I've also read that comments should explain why", "code. Not what you do. I do understand that a comment and documentation", "Documentation requires maintenance too: I have read caveats that warn against excessive documentation", "also don't want to weigh down my software with overwrought bogs of difficult", "be greatly beneficial. My question is not how to add documentation, but when.", "this what I should strive for? Should good code be self-explanatory at every", "appreciated. Even some examples of what you would consider good documentation could benefit", "read that comments should explain why you do something in your code. Not", "to add. Doxygen seems to be the preferred method although I'm sure there", "would be greatly appreciated. Even some examples of what you would consider good", "Some of what I have picked up over the past few months include:", "what is happening in the code base itself. Is this what I should" ]
[ "Alright, I can't figure out how to write a scene. I have a", "to write a scene. I have a character that has never revealed the", "to tell her confidant about this, what are some things she could do", "things she could do that would make the revelation just a bit easier", "both the confidant and our shapeshifter. \\Edit: This is a world where magic,", "things that go bump in the night, and what not haven’t been revealed.", "are more like her, but has yet to find any more of her", "she could do that would make the revelation just a bit easier for", "and our shapeshifter. \\Edit: This is a world where magic, things that go", "revealed. The Shapeshifter, presumes that there are more like her, but has yet", "the night, and what not haven’t been revealed. The Shapeshifter, presumes that there", "character is planning to tell her confidant about this, what are some things", "the fact that she can turn into animals, not even to her family.", "our shapeshifter. \\Edit: This is a world where magic, things that go bump", "magic, things that go bump in the night, and what not haven’t been", "that would make the revelation just a bit easier for both the confidant", "has never revealed the fact that she can turn into animals, not even", "that she can turn into animals, not even to her family. If the", "confidant about this, what are some things she could do that would make", "out how to write a scene. I have a character that has never", "the confidant and our shapeshifter. \\Edit: This is a world where magic, things", "in the night, and what not haven’t been revealed. The Shapeshifter, presumes that", "that go bump in the night, and what not haven’t been revealed. The", "and what not haven’t been revealed. The Shapeshifter, presumes that there are more", "write a scene. I have a character that has never revealed the fact", "can turn into animals, not even to her family. If the character is", "can't figure out how to write a scene. I have a character that", "what are some things she could do that would make the revelation just", "world where magic, things that go bump in the night, and what not", "would make the revelation just a bit easier for both the confidant and", "haven’t been revealed. The Shapeshifter, presumes that there are more like her, but", "revealed the fact that she can turn into animals, not even to her", "a scene. I have a character that has never revealed the fact that", "just a bit easier for both the confidant and our shapeshifter. \\Edit: This", "there are more like her, but has yet to find any more of", "\\Edit: This is a world where magic, things that go bump in the", "I have a character that has never revealed the fact that she can", "the revelation just a bit easier for both the confidant and our shapeshifter.", "even to her family. If the character is planning to tell her confidant", "this, what are some things she could do that would make the revelation", "that there are more like her, but has yet to find any more", "bump in the night, and what not haven’t been revealed. The Shapeshifter, presumes", "what not haven’t been revealed. The Shapeshifter, presumes that there are more like", "how to write a scene. I have a character that has never revealed", "make the revelation just a bit easier for both the confidant and our", "scene. I have a character that has never revealed the fact that she", "a world where magic, things that go bump in the night, and what", "have a character that has never revealed the fact that she can turn", "to her family. If the character is planning to tell her confidant about", "If the character is planning to tell her confidant about this, what are", "more like her, but has yet to find any more of her kind.", "is planning to tell her confidant about this, what are some things she", "she can turn into animals, not even to her family. If the character", "about this, what are some things she could do that would make the", "for both the confidant and our shapeshifter. \\Edit: This is a world where", "The Shapeshifter, presumes that there are more like her, but has yet to", "her confidant about this, what are some things she could do that would", "a bit easier for both the confidant and our shapeshifter. \\Edit: This is", "not even to her family. If the character is planning to tell her", "turn into animals, not even to her family. If the character is planning", "revelation just a bit easier for both the confidant and our shapeshifter. \\Edit:", "never revealed the fact that she can turn into animals, not even to", "easier for both the confidant and our shapeshifter. \\Edit: This is a world", "character that has never revealed the fact that she can turn into animals,", "where magic, things that go bump in the night, and what not haven’t", "could do that would make the revelation just a bit easier for both", "fact that she can turn into animals, not even to her family. If", "is a world where magic, things that go bump in the night, and", "I can't figure out how to write a scene. I have a character", "her family. If the character is planning to tell her confidant about this,", "presumes that there are more like her, but has yet to find any", "tell her confidant about this, what are some things she could do that", "bit easier for both the confidant and our shapeshifter. \\Edit: This is a", "some things she could do that would make the revelation just a bit", "figure out how to write a scene. I have a character that has", "This is a world where magic, things that go bump in the night,", "Shapeshifter, presumes that there are more like her, but has yet to find", "that has never revealed the fact that she can turn into animals, not", "been revealed. The Shapeshifter, presumes that there are more like her, but has", "shapeshifter. \\Edit: This is a world where magic, things that go bump in", "family. If the character is planning to tell her confidant about this, what", "night, and what not haven’t been revealed. The Shapeshifter, presumes that there are", "are some things she could do that would make the revelation just a", "planning to tell her confidant about this, what are some things she could", "a character that has never revealed the fact that she can turn into", "animals, not even to her family. If the character is planning to tell", "confidant and our shapeshifter. \\*Edit: This is a world where magic, things that", "do that would make the revelation just a bit easier for both the", "not haven’t been revealed. The Shapeshifter, presumes that there are more like her,", "into animals, not even to her family. If the character is planning to", "go bump in the night, and what not haven’t been revealed. The Shapeshifter,", "the character is planning to tell her confidant about this, what are some" ]
[ "that when the car reaches the end of the conveyer belt, it is", "take to make it more likely that our 'first drafts' are good enough", "fix it up when you've finished.' No - there are rules, systems and", "customer. But don't get hung up on the example (every metaphor breaks down", "be published. Edit: Just to be clear - I'm not trying to change", "there are rules, systems and procedures in place that ensure that when the", "writing is the editing process. I'd much rather get it right first time,", "writers have to the craft. Imagine a car manufacturer saying to their workers", "suggestions) 'planning, detailed outlining and world-building and character building' (things I do enjoy).", "that afterwards. Other industries would not tolerate the rather curious approach writers have", "when the car reaches the end of the conveyer belt, it is ready", "work, or the reduce time it takes, I'm merely asking for ways to", "for ways to avoid excessive editing (something I don't enjoy) by doing other", "ready to be delivered to the customer. But don't get hung up on", "the end of the conveyer belt, it is ready to be delivered to", "Imagine a car manufacturer saying to their workers 'oh, just build the car", "to make it more likely that our 'first drafts' are good enough to", "not trying to change the amount of work, or the reduce time it", "I'd much rather get it right first time, rather than chop this and", "I'm asking here for positive steps we can take to make it more", "it more likely that our 'first drafts' are good enough to be published.", "- there are rules, systems and procedures in place that ensure that when", "to Amaheor for his suggestions) 'planning, detailed outlining and world-building and character building'", "amount of work, or the reduce time it takes, I'm merely asking for", "end of the conveyer belt, it is ready to be delivered to the", "to the customer. But don't get hung up on the example (every metaphor", "other things such as (thanks to Amaheor for his suggestions) 'planning, detailed outlining", "or the reduce time it takes, I'm merely asking for ways to avoid", "delivered to the customer. But don't get hung up on the example (every", "that ensure that when the car reaches the end of the conveyer belt,", "afterwards. Other industries would not tolerate the rather curious approach writers have to", "much rather get it right first time, rather than chop this and change", "to the craft. Imagine a car manufacturer saying to their workers 'oh, just", "up on the example (every metaphor breaks down somewhere). I'm asking here for", "Other industries would not tolerate the rather curious approach writers have to the", "are rules, systems and procedures in place that ensure that when the car", "- I'm not trying to change the amount of work, or the reduce", "clear - I'm not trying to change the amount of work, or the", "be clear - I'm not trying to change the amount of work, or", "for positive steps we can take to make it more likely that our", "example (every metaphor breaks down somewhere). I'm asking here for positive steps we", "that our 'first drafts' are good enough to be published. Edit: Just to", "editing (something I don't enjoy) by doing other things such as (thanks to", "the editing process. I'd much rather get it right first time, rather than", "be delivered to the customer. But don't get hung up on the example", "finished.' No - there are rules, systems and procedures in place that ensure", "in place that ensure that when the car reaches the end of the", "change that afterwards. Other industries would not tolerate the rather curious approach writers", "don't enjoy) by doing other things such as (thanks to Amaheor for his", "somewhere). I'm asking here for positive steps we can take to make it", "curious approach writers have to the craft. Imagine a car manufacturer saying to", "likely that our 'first drafts' are good enough to be published. Edit: Just", "I'm not trying to change the amount of work, or the reduce time", "the example (every metaphor breaks down somewhere). I'm asking here for positive steps", "enough to be published. Edit: Just to be clear - I'm not trying", "to be clear - I'm not trying to change the amount of work,", "to change the amount of work, or the reduce time it takes, I'm", "the customer. But don't get hung up on the example (every metaphor breaks", "get it right first time, rather than chop this and change that afterwards.", "(every metaphor breaks down somewhere). I'm asking here for positive steps we can", "of my bugbears about writing is the editing process. I'd much rather get", "avoid excessive editing (something I don't enjoy) by doing other things such as", "takes, I'm merely asking for ways to avoid excessive editing (something I don't", "as (thanks to Amaheor for his suggestions) 'planning, detailed outlining and world-building and", "and change that afterwards. Other industries would not tolerate the rather curious approach", "Amaheor for his suggestions) 'planning, detailed outlining and world-building and character building' (things", "reaches the end of the conveyer belt, it is ready to be delivered", "it up when you've finished.' No - there are rules, systems and procedures", "time it takes, I'm merely asking for ways to avoid excessive editing (something", "things such as (thanks to Amaheor for his suggestions) 'planning, detailed outlining and", "car - we'll fix it up when you've finished.' No - there are", "asking for ways to avoid excessive editing (something I don't enjoy) by doing", "for his suggestions) 'planning, detailed outlining and world-building and character building' (things I", "process. I'd much rather get it right first time, rather than chop this", "procedures in place that ensure that when the car reaches the end of", "it right first time, rather than chop this and change that afterwards. Other", "the craft. Imagine a car manufacturer saying to their workers 'oh, just build", "Just to be clear - I'm not trying to change the amount of", "published. Edit: Just to be clear - I'm not trying to change the", "craft. Imagine a car manufacturer saying to their workers 'oh, just build the", "get hung up on the example (every metaphor breaks down somewhere). I'm asking", "Edit: Just to be clear - I'm not trying to change the amount", "manufacturer saying to their workers 'oh, just build the car - we'll fix", "we can take to make it more likely that our 'first drafts' are", "you've finished.' No - there are rules, systems and procedures in place that", "a car manufacturer saying to their workers 'oh, just build the car -", "are good enough to be published. Edit: Just to be clear - I'm", "to be published. Edit: Just to be clear - I'm not trying to", "we'll fix it up when you've finished.' No - there are rules, systems", "car reaches the end of the conveyer belt, it is ready to be", "here for positive steps we can take to make it more likely that", "rather get it right first time, rather than chop this and change that", "down somewhere). I'm asking here for positive steps we can take to make", "right first time, rather than chop this and change that afterwards. Other industries", "of work, or the reduce time it takes, I'm merely asking for ways", "time, rather than chop this and change that afterwards. Other industries would not", "up when you've finished.' No - there are rules, systems and procedures in", "his suggestions) 'planning, detailed outlining and world-building and character building' (things I do", "workers 'oh, just build the car - we'll fix it up when you've", "metaphor breaks down somewhere). I'm asking here for positive steps we can take", "would not tolerate the rather curious approach writers have to the craft. Imagine", "car manufacturer saying to their workers 'oh, just build the car - we'll", "enjoy) by doing other things such as (thanks to Amaheor for his suggestions)", "first time, rather than chop this and change that afterwards. Other industries would", "trying to change the amount of work, or the reduce time it takes,", "their workers 'oh, just build the car - we'll fix it up when", "No - there are rules, systems and procedures in place that ensure that", "'first drafts' are good enough to be published. Edit: Just to be clear", "steps we can take to make it more likely that our 'first drafts'", "the amount of work, or the reduce time it takes, I'm merely asking", "saying to their workers 'oh, just build the car - we'll fix it", "is the editing process. I'd much rather get it right first time, rather", "place that ensure that when the car reaches the end of the conveyer", "make it more likely that our 'first drafts' are good enough to be", "have to the craft. Imagine a car manufacturer saying to their workers 'oh,", "excessive editing (something I don't enjoy) by doing other things such as (thanks", "(something I don't enjoy) by doing other things such as (thanks to Amaheor", "such as (thanks to Amaheor for his suggestions) 'planning, detailed outlining and world-building", "(thanks to Amaheor for his suggestions) 'planning, detailed outlining and world-building and character", "rules, systems and procedures in place that ensure that when the car reaches", "drafts' are good enough to be published. Edit: Just to be clear -", "editing process. I'd much rather get it right first time, rather than chop", "the conveyer belt, it is ready to be delivered to the customer. But", "bugbears about writing is the editing process. I'd much rather get it right", "One of my bugbears about writing is the editing process. I'd much rather", "rather than chop this and change that afterwards. Other industries would not tolerate", "about writing is the editing process. I'd much rather get it right first", "can take to make it more likely that our 'first drafts' are good", "it is ready to be delivered to the customer. But don't get hung", "the car reaches the end of the conveyer belt, it is ready to", "conveyer belt, it is ready to be delivered to the customer. But don't", "this and change that afterwards. Other industries would not tolerate the rather curious", "breaks down somewhere). I'm asking here for positive steps we can take to", "doing other things such as (thanks to Amaheor for his suggestions) 'planning, detailed", "to avoid excessive editing (something I don't enjoy) by doing other things such", "the reduce time it takes, I'm merely asking for ways to avoid excessive", "chop this and change that afterwards. Other industries would not tolerate the rather", "But don't get hung up on the example (every metaphor breaks down somewhere).", "belt, it is ready to be delivered to the customer. But don't get", "reduce time it takes, I'm merely asking for ways to avoid excessive editing", "ensure that when the car reaches the end of the conveyer belt, it", "not tolerate the rather curious approach writers have to the craft. Imagine a", "good enough to be published. Edit: Just to be clear - I'm not", "rather curious approach writers have to the craft. Imagine a car manufacturer saying", "ways to avoid excessive editing (something I don't enjoy) by doing other things", "to be delivered to the customer. But don't get hung up on the", "change the amount of work, or the reduce time it takes, I'm merely", "more likely that our 'first drafts' are good enough to be published. Edit:", "it takes, I'm merely asking for ways to avoid excessive editing (something I", "I don't enjoy) by doing other things such as (thanks to Amaheor for", "to their workers 'oh, just build the car - we'll fix it up", "than chop this and change that afterwards. Other industries would not tolerate the", "just build the car - we'll fix it up when you've finished.' No", "'oh, just build the car - we'll fix it up when you've finished.'", "on the example (every metaphor breaks down somewhere). I'm asking here for positive", "industries would not tolerate the rather curious approach writers have to the craft.", "hung up on the example (every metaphor breaks down somewhere). I'm asking here", "of the conveyer belt, it is ready to be delivered to the customer.", "asking here for positive steps we can take to make it more likely", "is ready to be delivered to the customer. But don't get hung up", "my bugbears about writing is the editing process. I'd much rather get it", "build the car - we'll fix it up when you've finished.' No -", "approach writers have to the craft. Imagine a car manufacturer saying to their", "positive steps we can take to make it more likely that our 'first", "merely asking for ways to avoid excessive editing (something I don't enjoy) by", "- we'll fix it up when you've finished.' No - there are rules,", "our 'first drafts' are good enough to be published. Edit: Just to be", "and procedures in place that ensure that when the car reaches the end", "when you've finished.' No - there are rules, systems and procedures in place", "the rather curious approach writers have to the craft. Imagine a car manufacturer", "the car - we'll fix it up when you've finished.' No - there", "systems and procedures in place that ensure that when the car reaches the", "I'm merely asking for ways to avoid excessive editing (something I don't enjoy)", "by doing other things such as (thanks to Amaheor for his suggestions) 'planning,", "don't get hung up on the example (every metaphor breaks down somewhere). I'm", "tolerate the rather curious approach writers have to the craft. Imagine a car" ]
[ "gameplay not being consistent with the story, but I'm unsure if that would", "sense. Should I worry about these kinds of things? Is it ok to", "know many games would simply throw story or lore out of the window", "gameplay, the companion basically acts like an activated ability, where he becomes a", "unsure if that would be ok for my game, which is a lot", "for you. After receiving enough damage, the ability goes on cooldown for a", "my game, you have a companion with you, who offers you assistance in", "acknowledges the dash ability the player has (it only alludes to it in", "for the gameplay, however it clashes with the story of the game: the", "never once acknowledges the dash ability the player has (it only alludes to", "worry about these kinds of things? Is it ok to bend the rules", "throw story or lore out of the window for the sake of gameplay", "the game: the companion is invulnerable. He literally can't be killed in any", "that, just saying). Celeste for example never once acknowledges the dash ability the", "die. However, having an ability that can always block damage for you would", "out of the window for the sake of gameplay (I'm not criticising them", "the gameplay, however it clashes with the story of the game: the companion", "the story? I know many games would simply throw story or lore out", "you would make the game incredibly boring to play, hence why I wanted", "and absorbs incoming fire for you. After receiving enough damage, the ability goes", "However, having an ability that can always block damage for you would make", "ability goes on cooldown for a few seconds. This is all fine for", "be ok with the gameplay not being consistent with the story, but I'm", "these kinds of things? Is it ok to bend the rules of the", "fun to play, but I also want the story to make sense. Should", "Or should I keep gameplay consistent with the story? I know many games", "wanted to limit him for the gameplay. I want the game to be", "saying). Celeste for example never once acknowledges the dash ability the player has", "him for the gameplay. I want the game to be fun to play,", "the sake of the gameplay or would that take the player out of", "story for the sake of the gameplay or would that take the player", "out of the story too much? Or should I keep gameplay consistent with", "for the sake of gameplay (I'm not criticising them for that, just saying).", "player has (it only alludes to it in the last chapter) and Overwatch", "I also want the story to make sense. Should I worry about these", "games would simply throw story or lore out of the window for the", "the gameplay. I want the game to be fun to play, but I", "companion is invulnerable. He literally can't be killed in any way, that's why", "to play, hence why I wanted to limit him for the gameplay. I", "can't be killed in any way, that's why he acts like a human", "the story/lore. I assume most players would be ok with the gameplay not", "want the story to make sense. Should I worry about these kinds of", "an activated ability, where he becomes a human shield and absorbs incoming fire", "where he becomes a human shield and absorbs incoming fire for you. After", "much? Or should I keep gameplay consistent with the story? I know many", "human shield and absorbs incoming fire for you. After receiving enough damage, the", "gameplay, however it clashes with the story of the game: the companion is", "for example never once acknowledges the dash ability the player has (it only", "alludes to it in the last chapter) and Overwatch give characters abilities in", "gameplay that they're not supposed to have in the story/lore. I assume most", "for a few seconds. This is all fine for the gameplay, however it", "is invulnerable. He literally can't be killed in any way, that's why he", "I worry about these kinds of things? 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I know many games would simply throw story or lore out of", "the dash ability the player has (it only alludes to it in the", "literally can't be killed in any way, that's why he acts like a", "In my game, you have a companion with you, who offers you assistance", "play, hence why I wanted to limit him for the gameplay. I want", "the gameplay or would that take the player out of the story too", "would make the game incredibly boring to play, hence why I wanted to", "During gameplay, the companion basically acts like an activated ability, where he becomes", "to bend the rules of the story for the sake of the gameplay", "I wanted to limit him for the gameplay. I want the game to", "the rules of the story for the sake of the gameplay or would", "player out of the story too much? 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I assume most players would be ok with the gameplay not being", "After receiving enough damage, the ability goes on cooldown for a few seconds.", "incredibly boring to play, hence why I wanted to limit him for the", "sake of the gameplay or would that take the player out of the", "goes on cooldown for a few seconds. This is all fine for the", "Should I worry about these kinds of things? Is it ok to bend", "few seconds. This is all fine for the gameplay, however it clashes with" ]
[ "now begin with the same clause (\"In response,...\"). Worst of all, the article", "placed with ten-dollar words, and two sentences in a row now begin with", "racist individuals will receive consequences. In brief, the article makes me look preachy", "original draft (which I still have) presents the facts and lets the reader", "a university newspaper that summarizes incidents involving racism on campus. After edits, the", "Now it ends by stating that the events describe will make it clear", "draw his/her own conclusions. Now it ends by stating that the events describe", "wrote an article for a university newspaper that summarizes incidents involving racism on", "involving racism on campus. After edits, the sentence structure became uniformly long instead", "superior to the previous. The article's going to show up if people Google", "The original draft (which I still have) presents the facts and lets the", "reader draw his/her own conclusions. Now it ends by stating that the events", "his/her own conclusions. Now it ends by stating that the events describe will", "(\"In response,...\"). Worst of all, the article now ends by telling the reader", "it clear that racist individuals will receive consequences. In brief, the article makes", "Worst of all, the article now ends by telling the reader how to", "event is racist\", rather than letting the reader think for himself/herself. The editor", "himself/herself. The editor is confident that the new version is superior to the", "lets the reader draw his/her own conclusions. Now it ends by stating that", "make it clear that racist individuals will receive consequences. In brief, the article", "my name. I'm unsettled and unhappy about this. Is there anything I can", "sentences in a row now begin with the same clause (\"In response,...\"). Worst", "presents the facts and lets the reader draw his/her own conclusions. Now it", "racism on campus. After edits, the sentence structure became uniformly long instead of", "preachy and bad at writing. It also disrespects the smarts of the reader,", "row now begin with the same clause (\"In response,...\"). Worst of all, the", "begin with the same clause (\"In response,...\"). Worst of all, the article now", "events describe will make it clear that racist individuals will receive consequences. In", "I'm unsettled and unhappy about this. Is there anything I can do to", "unsettled and unhappy about this. Is there anything I can do to distance", "the reader how to think. The original draft (which I still have) presents", "In brief, the article makes me look preachy and bad at writing. It", "writing. It also disrespects the smarts of the reader, by essentially repetitively stating", "that summarizes incidents involving racism on campus. After edits, the sentence structure became", "\"...and this event is racist\", rather than letting the reader think for himself/herself.", "article's going to show up if people Google my name. I'm unsettled and", "draft (which I still have) presents the facts and lets the reader draw", "became uniformly long instead of varied, straightforward vocabulary was placed with ten-dollar words,", "letting the reader think for himself/herself. The editor is confident that the new", "article now ends by telling the reader how to think. The original draft", "receive consequences. In brief, the article makes me look preachy and bad at", "telling the reader how to think. The original draft (which I still have)", "words, and two sentences in a row now begin with the same clause", "about this. Is there anything I can do to distance myself from the", "and two sentences in a row now begin with the same clause (\"In", "also disrespects the smarts of the reader, by essentially repetitively stating \"...and this", "will receive consequences. In brief, the article makes me look preachy and bad", "to the previous. The article's going to show up if people Google my", "people Google my name. I'm unsettled and unhappy about this. Is there anything", "the sentence structure became uniformly long instead of varied, straightforward vocabulary was placed", "same clause (\"In response,...\"). Worst of all, the article now ends by telling", "response,...\"). Worst of all, the article now ends by telling the reader how", "now ends by telling the reader how to think. The original draft (which", "makes me look preachy and bad at writing. It also disrespects the smarts", "the article makes me look preachy and bad at writing. It also disrespects", "look preachy and bad at writing. It also disrespects the smarts of the", "is superior to the previous. The article's going to show up if people", "campus. After edits, the sentence structure became uniformly long instead of varied, straightforward", "ten-dollar words, and two sentences in a row now begin with the same", "for a university newspaper that summarizes incidents involving racism on campus. After edits,", "vocabulary was placed with ten-dollar words, and two sentences in a row now", "up if people Google my name. I'm unsettled and unhappy about this. Is", "newspaper that summarizes incidents involving racism on campus. After edits, the sentence structure", "in a row now begin with the same clause (\"In response,...\"). Worst of", "the article now ends by telling the reader how to think. The original", "will make it clear that racist individuals will receive consequences. In brief, the", "disrespects the smarts of the reader, by essentially repetitively stating \"...and this event", "the reader draw his/her own conclusions. Now it ends by stating that the", "the reader, by essentially repetitively stating \"...and this event is racist\", rather than", "of the reader, by essentially repetitively stating \"...and this event is racist\", rather", "clause (\"In response,...\"). Worst of all, the article now ends by telling the", "by essentially repetitively stating \"...and this event is racist\", rather than letting the", "article for a university newspaper that summarizes incidents involving racism on campus. After", "(which I still have) presents the facts and lets the reader draw his/her", "if people Google my name. I'm unsettled and unhappy about this. Is there", "an article for a university newspaper that summarizes incidents involving racism on campus.", "think for himself/herself. The editor is confident that the new version is superior", "by telling the reader how to think. The original draft (which I still", "instead of varied, straightforward vocabulary was placed with ten-dollar words, and two sentences", "brief, the article makes me look preachy and bad at writing. It also", "own conclusions. Now it ends by stating that the events describe will make", "me look preachy and bad at writing. It also disrespects the smarts of", "version is superior to the previous. The article's going to show up if", "After edits, the sentence structure became uniformly long instead of varied, straightforward vocabulary", "long instead of varied, straightforward vocabulary was placed with ten-dollar words, and two", "The editor is confident that the new version is superior to the previous.", "to think. The original draft (which I still have) presents the facts and", "individuals will receive consequences. In brief, the article makes me look preachy and", "how to think. The original draft (which I still have) presents the facts", "varied, straightforward vocabulary was placed with ten-dollar words, and two sentences in a", "confident that the new version is superior to the previous. The article's going", "name. I'm unsettled and unhappy about this. Is there anything I can do", "for himself/herself. The editor is confident that the new version is superior to", "that the events describe will make it clear that racist individuals will receive", "the previous. The article's going to show up if people Google my name.", "reader how to think. The original draft (which I still have) presents the", "show up if people Google my name. I'm unsettled and unhappy about this.", "that the new version is superior to the previous. The article's going to", "still have) presents the facts and lets the reader draw his/her own conclusions.", "than letting the reader think for himself/herself. The editor is confident that the", "the facts and lets the reader draw his/her own conclusions. Now it ends", "all, the article now ends by telling the reader how to think. The", "smarts of the reader, by essentially repetitively stating \"...and this event is racist\",", "think. The original draft (which I still have) presents the facts and lets", "the new version is superior to the previous. The article's going to show", "bad at writing. It also disrespects the smarts of the reader, by essentially", "and lets the reader draw his/her own conclusions. Now it ends by stating", "stating that the events describe will make it clear that racist individuals will", "and unhappy about this. Is there anything I can do to distance myself", "of varied, straightforward vocabulary was placed with ten-dollar words, and two sentences in", "it ends by stating that the events describe will make it clear that", "of all, the article now ends by telling the reader how to think.", "is confident that the new version is superior to the previous. The article's", "consequences. In brief, the article makes me look preachy and bad at writing.", "I still have) presents the facts and lets the reader draw his/her own", "that racist individuals will receive consequences. In brief, the article makes me look", "reader, by essentially repetitively stating \"...and this event is racist\", rather than letting", "the events describe will make it clear that racist individuals will receive consequences.", "essentially repetitively stating \"...and this event is racist\", rather than letting the reader", "The article's going to show up if people Google my name. I'm unsettled", "the same clause (\"In response,...\"). Worst of all, the article now ends by", "two sentences in a row now begin with the same clause (\"In response,...\").", "structure became uniformly long instead of varied, straightforward vocabulary was placed with ten-dollar", "It also disrespects the smarts of the reader, by essentially repetitively stating \"...and", "have) presents the facts and lets the reader draw his/her own conclusions. Now", "previous. The article's going to show up if people Google my name. I'm", "the reader think for himself/herself. The editor is confident that the new version", "conclusions. Now it ends by stating that the events describe will make it", "and bad at writing. It also disrespects the smarts of the reader, by", "Google my name. I'm unsettled and unhappy about this. Is there anything I", "I wrote an article for a university newspaper that summarizes incidents involving racism", "university newspaper that summarizes incidents involving racism on campus. After edits, the sentence", "edits, the sentence structure became uniformly long instead of varied, straightforward vocabulary was", "on campus. After edits, the sentence structure became uniformly long instead of varied,", "by stating that the events describe will make it clear that racist individuals", "new version is superior to the previous. The article's going to show up", "editor is confident that the new version is superior to the previous. The", "at writing. It also disrespects the smarts of the reader, by essentially repetitively", "stating \"...and this event is racist\", rather than letting the reader think for", "uniformly long instead of varied, straightforward vocabulary was placed with ten-dollar words, and", "this event is racist\", rather than letting the reader think for himself/herself. The", "summarizes incidents involving racism on campus. After edits, the sentence structure became uniformly", "clear that racist individuals will receive consequences. In brief, the article makes me", "this. Is there anything I can do to distance myself from the article?", "with ten-dollar words, and two sentences in a row now begin with the", "was placed with ten-dollar words, and two sentences in a row now begin", "with the same clause (\"In response,...\"). Worst of all, the article now ends", "rather than letting the reader think for himself/herself. The editor is confident that", "is racist\", rather than letting the reader think for himself/herself. The editor is", "the smarts of the reader, by essentially repetitively stating \"...and this event is", "to show up if people Google my name. I'm unsettled and unhappy about", "racist\", rather than letting the reader think for himself/herself. The editor is confident", "ends by telling the reader how to think. The original draft (which I", "article makes me look preachy and bad at writing. It also disrespects the", "a row now begin with the same clause (\"In response,...\"). Worst of all,", "incidents involving racism on campus. After edits, the sentence structure became uniformly long", "sentence structure became uniformly long instead of varied, straightforward vocabulary was placed with", "ends by stating that the events describe will make it clear that racist", "describe will make it clear that racist individuals will receive consequences. In brief,", "unhappy about this. Is there anything I can do to distance myself from", "straightforward vocabulary was placed with ten-dollar words, and two sentences in a row", "facts and lets the reader draw his/her own conclusions. Now it ends by", "reader think for himself/herself. The editor is confident that the new version is", "repetitively stating \"...and this event is racist\", rather than letting the reader think", "going to show up if people Google my name. I'm unsettled and unhappy" ]
[ "approach used in that research project. Later on, in a section about methods", "Bibtex. In the introduction, I cite a book about the general approach used", "them into a LaTeX file using Bibtex. In the introduction, I cite a", "references with Mendeley, and import them into a LaTeX file using Bibtex. In", "manage my references with Mendeley, and import them into a LaTeX file using", "the context of a paper and a thesis in the area of computational", "computer science and chemistry. I manage my references with Mendeley, and import them", "context of a paper and a thesis in the area of computational science,", "LaTeX file using Bibtex. In the introduction, I cite a book about the", "the general approach used in that research project. Later on, in a section", "Later on, in a section about methods and computer implementation, I'd like to", "to refer to a specific chapter in that book from where some algorithms", "science and chemistry. I manage my references with Mendeley, and import them into", "Mendeley, and import them into a LaTeX file using Bibtex. In the introduction,", "chemistry. I manage my references with Mendeley, and import them into a LaTeX", "and computer implementation, I'd like to refer to a specific chapter in that", "of computational science, computer science and chemistry. I manage my references with Mendeley,", "science, computer science and chemistry. I manage my references with Mendeley, and import", "methods and computer implementation, I'd like to refer to a specific chapter in", "I manage my references with Mendeley, and import them into a LaTeX file", "a thesis in the area of computational science, computer science and chemistry. I", "the area of computational science, computer science and chemistry. I manage my references", "like to refer to a specific chapter in that book from where some", "a section about methods and computer implementation, I'd like to refer to a", "in the context of a paper and a thesis in the area of", "the correct way to cite that book in general and then the chapter", "research project. Later on, in a section about methods and computer implementation, I'd", "thesis in the area of computational science, computer science and chemistry. I manage", "import them into a LaTeX file using Bibtex. In the introduction, I cite", "a paper and a thesis in the area of computational science, computer science", "in that book from where some algorithms were taken. What's the correct way", "computer implementation, I'd like to refer to a specific chapter in that book", "I cite a book about the general approach used in that research project.", "paper and a thesis in the area of computational science, computer science and", "about methods and computer implementation, I'd like to refer to a specific chapter", "from where some algorithms were taken. What's the correct way to cite that", "a book about the general approach used in that research project. Later on,", "project. Later on, in a section about methods and computer implementation, I'd like", "introduction, I cite a book about the general approach used in that research", "section about methods and computer implementation, I'd like to refer to a specific", "using Bibtex. In the introduction, I cite a book about the general approach", "specific chapter in that book from where some algorithms were taken. What's the", "with Mendeley, and import them into a LaTeX file using Bibtex. In the", "and chemistry. I manage my references with Mendeley, and import them into a", "implementation, I'd like to refer to a specific chapter in that book from", "In the introduction, I cite a book about the general approach used in", "The question is in the context of a paper and a thesis in", "in a section about methods and computer implementation, I'd like to refer to", "about the general approach used in that research project. Later on, in a", "correct way to cite that book in general and then the chapter in", "some algorithms were taken. What's the correct way to cite that book in", "that research project. Later on, in a section about methods and computer implementation,", "in the area of computational science, computer science and chemistry. I manage my", "on, in a section about methods and computer implementation, I'd like to refer", "file using Bibtex. In the introduction, I cite a book about the general", "book from where some algorithms were taken. What's the correct way to cite", "of a paper and a thesis in the area of computational science, computer", "algorithms were taken. What's the correct way to cite that book in general", "were taken. What's the correct way to cite that book in general and", "to a specific chapter in that book from where some algorithms were taken.", "the introduction, I cite a book about the general approach used in that", "book about the general approach used in that research project. Later on, in", "refer to a specific chapter in that book from where some algorithms were", "chapter in that book from where some algorithms were taken. What's the correct", "used in that research project. Later on, in a section about methods and", "a specific chapter in that book from where some algorithms were taken. What's", "that book from where some algorithms were taken. What's the correct way to", "computational science, computer science and chemistry. I manage my references with Mendeley, and", "in that research project. Later on, in a section about methods and computer", "and a thesis in the area of computational science, computer science and chemistry.", "taken. What's the correct way to cite that book in general and then", "question is in the context of a paper and a thesis in the", "general approach used in that research project. Later on, in a section about", "I'd like to refer to a specific chapter in that book from where", "way to cite that book in general and then the chapter in particular?", "into a LaTeX file using Bibtex. In the introduction, I cite a book", "where some algorithms were taken. What's the correct way to cite that book", "area of computational science, computer science and chemistry. I manage my references with", "a LaTeX file using Bibtex. In the introduction, I cite a book about", "What's the correct way to cite that book in general and then the", "and import them into a LaTeX file using Bibtex. In the introduction, I", "is in the context of a paper and a thesis in the area", "my references with Mendeley, and import them into a LaTeX file using Bibtex.", "cite a book about the general approach used in that research project. Later" ]
[ "have a term for something like eyeliner or traffic lights, how do you", "1st person POV, if your story's universe or your main character uses made", "uses made up values of measurement or doesn't have a term for something", "doesn't have a term for something like eyeliner or traffic lights, how do", "measurement or doesn't have a term for something like eyeliner or traffic lights,", "up values of measurement or doesn't have a term for something like eyeliner", "eyeliner or traffic lights, how do you clarify what's happening to the reader?", "or doesn't have a term for something like eyeliner or traffic lights, how", "term for something like eyeliner or traffic lights, how do you clarify what's", "writing in 1st person POV, if your story's universe or your main character", "character uses made up values of measurement or doesn't have a term for", "for something like eyeliner or traffic lights, how do you clarify what's happening", "story's universe or your main character uses made up values of measurement or", "your main character uses made up values of measurement or doesn't have a", "a term for something like eyeliner or traffic lights, how do you clarify", "universe or your main character uses made up values of measurement or doesn't", "values of measurement or doesn't have a term for something like eyeliner or", "like eyeliner or traffic lights, how do you clarify what's happening to the", "in 1st person POV, if your story's universe or your main character uses", "or your main character uses made up values of measurement or doesn't have", "made up values of measurement or doesn't have a term for something like", "When writing in 1st person POV, if your story's universe or your main", "something like eyeliner or traffic lights, how do you clarify what's happening to", "POV, if your story's universe or your main character uses made up values", "your story's universe or your main character uses made up values of measurement", "person POV, if your story's universe or your main character uses made up", "if your story's universe or your main character uses made up values of", "of measurement or doesn't have a term for something like eyeliner or traffic", "main character uses made up values of measurement or doesn't have a term" ]
[ "neighboring kingdom, the politics, etc. Of course, I do plan on drawing influence", "basest of them? This would extend to the royal family members, the king's", "is whether I can completely disregard the rules and regulations of real-life monarchies,", "but could I simply make up my own rules for how this monarchy", "harem, the deals with a neighboring kingdom, the politics, etc. Of course, I", "regulations of real-life monarchies, except for the very basest of them? This would", "influence from certain real-life events and such, but could I simply make up", "deals with a neighboring kingdom, the politics, etc. Of course, I do plan", "make up his own rules, for a monarchy he created, in a world", "would extend to the royal family members, the king's harem, the deals with", "from certain real-life events and such, but could I simply make up my", "certain real-life events and such, but could I simply make up my own", "question is whether I can completely disregard the rules and regulations of real-life", "My question is whether I can completely disregard the rules and regulations of", "the politics, etc. Of course, I do plan on drawing influence from certain", "could I simply make up my own rules for how this monarchy operates?", "real-life events and such, but could I simply make up my own rules", "own making? My question is whether I can completely disregard the rules and", "whether I can completely disregard the rules and regulations of real-life monarchies, except", "rules, for a monarchy he created, in a world of his own making?", "etc. Of course, I do plan on drawing influence from certain real-life events", "to the royal family members, the king's harem, the deals with a neighboring", "except for the very basest of them? This would extend to the royal", "them? This would extend to the royal family members, the king's harem, the", "disregard the rules and regulations of real-life monarchies, except for the very basest", "for a monarchy he created, in a world of his own making? My", "plan on drawing influence from certain real-life events and such, but could I", "king's harem, the deals with a neighboring kingdom, the politics, etc. Of course,", "his own rules, for a monarchy he created, in a world of his", "extend to the royal family members, the king's harem, the deals with a", "politics, etc. Of course, I do plan on drawing influence from certain real-life", "own rules, for a monarchy he created, in a world of his own", "completely disregard the rules and regulations of real-life monarchies, except for the very", "Could a writer make up his own rules, for a monarchy he created,", "for the very basest of them? This would extend to the royal family", "monarchies, except for the very basest of them? 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My question is whether I can completely disregard the rules and regulations", "on drawing influence from certain real-life events and such, but could I simply", "a world of his own making? My question is whether I can completely", "with a neighboring kingdom, the politics, etc. Of course, I do plan on", "up his own rules, for a monarchy he created, in a world of", "the deals with a neighboring kingdom, the politics, etc. Of course, I do", "the very basest of them? This would extend to the royal family members,", "members, the king's harem, the deals with a neighboring kingdom, the politics, etc.", "of them? This would extend to the royal family members, the king's harem,", "events and such, but could I simply make up my own rules for", "drawing influence from certain real-life events and such, but could I simply make", "his own making? 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This", "the royal family members, the king's harem, the deals with a neighboring kingdom,", "real-life monarchies, except for the very basest of them? This would extend to", "the king's harem, the deals with a neighboring kingdom, the politics, etc. Of", "course, I do plan on drawing influence from certain real-life events and such,", "of his own making? My question is whether I can completely disregard the", "created, in a world of his own making? My question is whether I", "monarchy he created, in a world of his own making? My question is" ]
[ "succession of `p.table-of-contents` containing one link each is a table of contents.\" Recently", "quality notice that my book should have an NCX table of contents. I've", "clicks when they want to jump to a part of your book. Activate", "Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted from submitted, handcrafted, single-page", "feasible within an HTML source, and/or ask Amazon to stop asking for ePub-specific", "an option in a single HTML file: ``` 2. Use your TOC as", "works open with front matter, including a table of contents built in HTML,", "explain how to do that with a plain old HTML original, or withdraw", "the instructions given are ePub-specific and not an option in a single HTML", "menu to make a link to the HTML TOC accessible from anywhere in", "Amazon either explain how to do that with a plain old HTML original,", "if any, options are there to make any appropriate changes that are feasible", "with \"toc\" as the value. Sample code: 1. [Table of Contents](table-of-contents.xhtml) ``` What,", "should have an NCX table of contents. I've repeatedly asked that Amazon either", "a table of contents built in HTML, clearly intelligible but without any markup", "seeing a clue. My Kindle collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is", "For customers on older devices, this saves many clicks when they want to", "your TOC in the navigation document with a landmarks nav element (sample code", "with Amazon, and am still not seeing a clue. My Kindle collection, including", "HTML original documents. This and other works open with front matter, including a", "the epub:type attribute, add a link with \"toc\" as the value. Sample code:", "and failed completely in my efforts to communicate that the instructions given are", "each is a table of contents.\" Recently I received a Kindle quality notice", "to jump to a part of your book. Activate a guide item in", "link to the HTML TOC accessible from anywhere in the book. To do", "Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted from submitted, handcrafted, single-page HTML original", "are feasible within an HTML source, and/or ask Amazon to stop asking for", "HTML, clearly intelligible but without any markup saying \"This succession of `p.table-of-contents` containing", "notice that my book should have an NCX table of contents. I've repeatedly", "option in a single HTML file: ``` 2. Use your TOC as an", "submitted, handcrafted, single-page HTML original documents. This and other works open with front", "by physical construction converted from submitted, handcrafted, single-page HTML original documents. This and", "single-page HTML original documents. This and other works open with front matter, including", "``` What, if any, options are there to make any appropriate changes that", "any appropriate changes that are feasible within an HTML source, and/or ask Amazon", "NCX table of contents. I've repeatedly asked that Amazon either explain how to", "the value. In the epub:type attribute, add a link with \"toc\" as the", "efforts to communicate that the instructions given are ePub-specific and not an option", "link each is a table of contents.\" Recently I received a Kindle quality", "changes that are feasible within an HTML source, and/or ask Amazon to stop", "that Amazon either explain how to do that with a plain old HTML", "when they want to jump to a part of your book. Activate a", "is a table of contents.\" Recently I received a Kindle quality notice that", "item in the Kindle Go To menu to make a link to the", "intelligible but without any markup saying \"This succession of `p.table-of-contents` containing one link", "a guide item in the Kindle Go To menu to make a link", "customers on older devices, this saves many clicks when they want to jump", "there to make any appropriate changes that are feasible within an HTML source,", "\"This succession of `p.table-of-contents` containing one link each is a table of contents.\"", "do this, reference your TOC in the navigation document with a landmarks nav", "of contents.\" Recently I received a Kindle quality notice that my book should", "to the HTML TOC accessible from anywhere in the book. To do this,", "I've repeatedly asked that Amazon either explain how to do that with a", "saves many clicks when they want to jump to a part of your", "converted from submitted, handcrafted, single-page HTML original documents. This and other works open", "appropriate changes that are feasible within an HTML source, and/or ask Amazon to", "original documents. This and other works open with front matter, including a table", "TOC as an HTML TOC (recommended) For customers on older devices, this saves", "to do that with a plain old HTML original, or withdraw the request.", "markup saying \"This succession of `p.table-of-contents` containing one link each is a table", "a dozen iterations with Amazon, and am still not seeing a clue. My", "nav element (sample code below). In the epub:type attribute, set \"landmarks\" as the", "an NCX table of contents. I've repeatedly asked that Amazon either explain how", "attribute, set \"landmarks\" as the value. In the epub:type attribute, add a link", "with a landmarks nav element (sample code below). In the epub:type attribute, set", "any, options are there to make any appropriate changes that are feasible within", "but without any markup saying \"This succession of `p.table-of-contents` containing one link each", "a single HTML file: ``` 2. Use your TOC as an HTML TOC", "or withdraw the request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely", "a Kindle quality notice that my book should have an NCX table of", "HTML TOC accessible from anywhere in the book. To do this, reference your", "not seeing a clue. My Kindle collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ),", "anywhere in the book. To do this, reference your TOC in the navigation", "make any appropriate changes that are feasible within an HTML source, and/or ask", "to make a link to the HTML TOC accessible from anywhere in the", "original, or withdraw the request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed", "navigation document with a landmarks nav element (sample code below). In the epub:type", "In the epub:type attribute, set \"landmarks\" as the value. In the epub:type attribute,", "accessible from anywhere in the book. To do this, reference your TOC in", "an HTML TOC (recommended) For customers on older devices, this saves many clicks", "are there to make any appropriate changes that are feasible within an HTML", "and other works open with front matter, including a table of contents built", "<https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts to communicate that the instructions given", "physical construction converted from submitted, handcrafted, single-page HTML original documents. This and other", "in the book. To do this, reference your TOC in the navigation document", "to communicate that the instructions given are ePub-specific and not an option in", "This and other works open with front matter, including a table of contents", "Recently I received a Kindle quality notice that my book should have an", "Sample code: 1. [Table of Contents](table-of-contents.xhtml) ``` What, if any, options are there", "In the epub:type attribute, add a link with \"toc\" as the value. Sample", "Contents](table-of-contents.xhtml) ``` What, if any, options are there to make any appropriate changes", "a link with \"toc\" as the value. Sample code: 1. [Table of Contents](table-of-contents.xhtml)", "the request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my", "``` 2. Use your TOC as an HTML TOC (recommended) For customers on", "guide item in the Kindle Go To menu to make a link to", "reference your TOC in the navigation document with a landmarks nav element (sample", "link with \"toc\" as the value. Sample code: 1. [Table of Contents](table-of-contents.xhtml) ```", "make a link to the HTML TOC accessible from anywhere in the book.", "withdraw the request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in", "HTML original, or withdraw the request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and", "landmarks nav element (sample code below). In the epub:type attribute, set \"landmarks\" as", "I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts to", "the Kindle Go To menu to make a link to the HTML TOC", "without any markup saying \"This succession of `p.table-of-contents` containing one link each is", "have an NCX table of contents. I've repeatedly asked that Amazon either explain", "to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts to communicate that the instructions", "Amazon to stop asking for ePub-specific features on a single non-ePub HTML source?", "as the value. Sample code: 1. [Table of Contents](table-of-contents.xhtml) ``` What, if any,", "Works](https://amzn.to/2LlzDRQ), is by physical construction converted from submitted, handcrafted, single-page HTML original documents.", "either explain how to do that with a plain old HTML original, or", "element (sample code below). In the epub:type attribute, set \"landmarks\" as the value.", "handcrafted, single-page HTML original documents. This and other works open with front matter,", "my book should have an NCX table of contents. I've repeatedly asked that", "(sample code below). In the epub:type attribute, set \"landmarks\" as the value. In", "collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted from", "book should have an NCX table of contents. I've repeatedly asked that Amazon", "older devices, this saves many clicks when they want to jump to a", "single HTML file: ``` 2. Use your TOC as an HTML TOC (recommended)", "table of contents built in HTML, clearly intelligible but without any markup saying", "of contents. I've repeatedly asked that Amazon either explain how to do that", "as the value. In the epub:type attribute, add a link with \"toc\" as", "open with front matter, including a table of contents built in HTML, clearly", "2. Use your TOC as an HTML TOC (recommended) For customers on older", "clearly intelligible but without any markup saying \"This succession of `p.table-of-contents` containing one", "in a single HTML file: ``` 2. Use your TOC as an HTML", "devices, this saves many clicks when they want to jump to a part", "the value. Sample code: 1. [Table of Contents](table-of-contents.xhtml) ``` What, if any, options", "and not an option in a single HTML file: ``` 2. Use your", "an HTML source, and/or ask Amazon to stop asking for ePub-specific features on", "your TOC as an HTML TOC (recommended) For customers on older devices, this", "Go To menu to make a link to the HTML TOC accessible from", "jump to a part of your book. Activate a guide item in the", "instructions given are ePub-specific and not an option in a single HTML file:", "epub:type attribute, add a link with \"toc\" as the value. Sample code: 1.", "that with a plain old HTML original, or withdraw the request. I've repeatedly", "containing one link each is a table of contents.\" Recently I received a", "repeatedly asked that Amazon either explain how to do that with a plain", "source, and/or ask Amazon to stop asking for ePub-specific features on a single", "contents.\" Recently I received a Kindle quality notice that my book should have", "front matter, including a table of contents built in HTML, clearly intelligible but", "HTML TOC (recommended) For customers on older devices, this saves many clicks when", "of your book. Activate a guide item in the Kindle Go To menu", "To menu to make a link to the HTML TOC accessible from anywhere", "the navigation document with a landmarks nav element (sample code below). In the", "set \"landmarks\" as the value. In the epub:type attribute, add a link with", "What, if any, options are there to make any appropriate changes that are", "failed completely in my efforts to communicate that the instructions given are ePub-specific", "communicate that the instructions given are ePub-specific and not an option in a", "given are ePub-specific and not an option in a single HTML file: ```", "TOC (recommended) For customers on older devices, this saves many clicks when they", "they want to jump to a part of your book. Activate a guide", "other works open with front matter, including a table of contents built in", "code: 1. [Table of Contents](table-of-contents.xhtml) ``` What, if any, options are there to", "HTML file: ``` 2. Use your TOC as an HTML TOC (recommended) For", "received a Kindle quality notice that my book should have an NCX table", "Activate a guide item in the Kindle Go To menu to make a", "a link to the HTML TOC accessible from anywhere in the book. To", "iterations with Amazon, and am still not seeing a clue. My Kindle collection,", "Kindle collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted", "how to do that with a plain old HTML original, or withdraw the", "asked that Amazon either explain how to do that with a plain old", "dozen iterations with Amazon, and am still not seeing a clue. My Kindle", "to a part of your book. Activate a guide item in the Kindle", "ask Amazon to stop asking for ePub-specific features on a single non-ePub HTML", "do that with a plain old HTML original, or withdraw the request. I've", "in the Kindle Go To menu to make a link to the HTML", "value. In the epub:type attribute, add a link with \"toc\" as the value.", "in my efforts to communicate that the instructions given are ePub-specific and not", "[C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted from submitted, handcrafted,", "built in HTML, clearly intelligible but without any markup saying \"This succession of", "from anywhere in the book. To do this, reference your TOC in the", "have had half a dozen iterations with Amazon, and am still not seeing", "TOC accessible from anywhere in the book. To do this, reference your TOC", "request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts", "attribute, add a link with \"toc\" as the value. Sample code: 1. [Table", "repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts to communicate", "within an HTML source, and/or ask Amazon to stop asking for ePub-specific features", "(recommended) For customers on older devices, this saves many clicks when they want", "the book. To do this, reference your TOC in the navigation document with", "value. Sample code: 1. [Table of Contents](table-of-contents.xhtml) ``` What, if any, options are", "including a table of contents built in HTML, clearly intelligible but without any", "of Contents](table-of-contents.xhtml) ``` What, if any, options are there to make any appropriate", "your book. Activate a guide item in the Kindle Go To menu to", "a clue. My Kindle collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by", "on older devices, this saves many clicks when they want to jump to", "in the navigation document with a landmarks nav element (sample code below). In", "table of contents. I've repeatedly asked that Amazon either explain how to do", "many clicks when they want to jump to a part of your book.", "had half a dozen iterations with Amazon, and am still not seeing a", "and/or ask Amazon to stop asking for ePub-specific features on a single non-ePub", "add a link with \"toc\" as the value. Sample code: 1. [Table of", "saying \"This succession of `p.table-of-contents` containing one link each is a table of", "a landmarks nav element (sample code below). In the epub:type attribute, set \"landmarks\"", "\"toc\" as the value. Sample code: 1. [Table of Contents](table-of-contents.xhtml) ``` What, if", "as an HTML TOC (recommended) For customers on older devices, this saves many", "clue. My Kindle collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical", "book. Activate a guide item in the Kindle Go To menu to make", "[Table of Contents](table-of-contents.xhtml) ``` What, if any, options are there to make any", "Amazon, and am still not seeing a clue. My Kindle collection, including [C.J.S.", "are ePub-specific and not an option in a single HTML file: ``` 2.", "options are there to make any appropriate changes that are feasible within an", "ePub-specific and not an option in a single HTML file: ``` 2. Use", "a table of contents.\" Recently I received a Kindle quality notice that my", "code below). In the epub:type attribute, set \"landmarks\" as the value. In the", "been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts to communicate that", "not an option in a single HTML file: ``` 2. Use your TOC", "including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted from submitted,", "Use your TOC as an HTML TOC (recommended) For customers on older devices,", "contents. I've repeatedly asked that Amazon either explain how to do that with", "this, reference your TOC in the navigation document with a landmarks nav element", "construction converted from submitted, handcrafted, single-page HTML original documents. This and other works", "matter, including a table of contents built in HTML, clearly intelligible but without", "still not seeing a clue. My Kindle collection, including [C.J.S. Hayward: The Complete", "that my book should have an NCX table of contents. I've repeatedly asked", "I have had half a dozen iterations with Amazon, and am still not", "part of your book. Activate a guide item in the Kindle Go To", "the epub:type attribute, set \"landmarks\" as the value. In the epub:type attribute, add", "the HTML TOC accessible from anywhere in the book. To do this, reference", "with front matter, including a table of contents built in HTML, clearly intelligible", "and am still not seeing a clue. My Kindle collection, including [C.J.S. Hayward:", "that the instructions given are ePub-specific and not an option in a single", "document with a landmarks nav element (sample code below). In the epub:type attribute,", "contents built in HTML, clearly intelligible but without any markup saying \"This succession", "of `p.table-of-contents` containing one link each is a table of contents.\" Recently I", "plain old HTML original, or withdraw the request. I've repeatedly been pointed to", "pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710> and failed completely in my efforts to communicate that the", "file: ``` 2. Use your TOC as an HTML TOC (recommended) For customers", "1. [Table of Contents](table-of-contents.xhtml) ``` What, if any, options are there to make", "with a plain old HTML original, or withdraw the request. I've repeatedly been", "am still not seeing a clue. My Kindle collection, including [C.J.S. Hayward: The", "in HTML, clearly intelligible but without any markup saying \"This succession of `p.table-of-contents`", "Kindle quality notice that my book should have an NCX table of contents.", "want to jump to a part of your book. Activate a guide item", "below). In the epub:type attribute, set \"landmarks\" as the value. In the epub:type", "HTML source, and/or ask Amazon to stop asking for ePub-specific features on a", "My Kindle collection, including [C.J.S. Hayward: The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction", "of contents built in HTML, clearly intelligible but without any markup saying \"This", "old HTML original, or withdraw the request. I've repeatedly been pointed to <https://kdp.amazon.com/en_US/help/topic/G201605710>", "documents. This and other works open with front matter, including a table of", "completely in my efforts to communicate that the instructions given are ePub-specific and", "\"landmarks\" as the value. In the epub:type attribute, add a link with \"toc\"", "that are feasible within an HTML source, and/or ask Amazon to stop asking", "a plain old HTML original, or withdraw the request. I've repeatedly been pointed", "from submitted, handcrafted, single-page HTML original documents. This and other works open with", "half a dozen iterations with Amazon, and am still not seeing a clue.", "`p.table-of-contents` containing one link each is a table of contents.\" Recently I received", "a part of your book. Activate a guide item in the Kindle Go", "one link each is a table of contents.\" Recently I received a Kindle", "my efforts to communicate that the instructions given are ePub-specific and not an", "this saves many clicks when they want to jump to a part of", "TOC in the navigation document with a landmarks nav element (sample code below).", "The Complete Works](https://amzn.to/2LlzDRQ), is by physical construction converted from submitted, handcrafted, single-page HTML", "any markup saying \"This succession of `p.table-of-contents` containing one link each is a", "to make any appropriate changes that are feasible within an HTML source, and/or", "is by physical construction converted from submitted, handcrafted, single-page HTML original documents. This", "table of contents.\" Recently I received a Kindle quality notice that my book", "Kindle Go To menu to make a link to the HTML TOC accessible", "epub:type attribute, set \"landmarks\" as the value. In the epub:type attribute, add a", "To do this, reference your TOC in the navigation document with a landmarks", "I received a Kindle quality notice that my book should have an NCX", "book. To do this, reference your TOC in the navigation document with a" ]
[ "conflict/plot point/scene to be picked up in a later story. I'm just not", "few short stories that are in a shared universe of sorts and I'm", "them, just for my own collection. Maybe eventually bundle them together to have", "I need to have a definitive ending to a story. I'm thinking that", "to have a definitive ending to a story. I'm thinking that the \"end\"", "protagonist resolving some situation and moving towards the next conflict/plot point/scene to be", "itself. I don't plan on selling these stories or publish them, just for", "resolving some situation and moving towards the next conflict/plot point/scene to be picked", "or morph them into a connected novel. Long winded explanation aside, I'm wondering", "to be picked up in a later story. I'm just not sure if", "I'm thinking that the \"end\" would be more of a cliffhanger or something", "own collection. Maybe eventually bundle them together to have the entire universe experience", "from the story itself. I don't plan on selling these stories or publish", "this would take away from the story itself. I don't plan on selling", "Maybe eventually bundle them together to have the entire universe experience or morph", "story. I'm thinking that the \"end\" would be more of a cliffhanger or", "don't plan on selling these stories or publish them, just for my own", "some situation and moving towards the next conflict/plot point/scene to be picked up", "stories that are in a shared universe of sorts and I'm curious whether", "if short stories need to have a definitive ending and resolution. Thanks in", "and I'm curious whether or not I need to have a definitive ending", "together to have the entire universe experience or morph them into a connected", "a connected novel. Long winded explanation aside, I'm wondering if short stories need", "publish them, just for my own collection. Maybe eventually bundle them together to", "these stories or publish them, just for my own collection. Maybe eventually bundle", "I'm just not sure if this would take away from the story itself.", "take away from the story itself. I don't plan on selling these stories", "wondering if short stories need to have a definitive ending and resolution. Thanks", "more of a cliffhanger or something along the lines of the protagonist resolving", "connected novel. Long winded explanation aside, I'm wondering if short stories need to", "I'm wondering if short stories need to have a definitive ending and resolution.", "story. I'm just not sure if this would take away from the story", "up in a later story. I'm just not sure if this would take", "I'm curious whether or not I need to have a definitive ending to", "short stories that are in a shared universe of sorts and I'm curious", "situation and moving towards the next conflict/plot point/scene to be picked up in", "I don't plan on selling these stories or publish them, just for my", "curious whether or not I need to have a definitive ending to a", "the protagonist resolving some situation and moving towards the next conflict/plot point/scene to", "stories or publish them, just for my own collection. Maybe eventually bundle them", "bundle them together to have the entire universe experience or morph them into", "have a definitive ending to a story. I'm thinking that the \"end\" would", "novel. Long winded explanation aside, I'm wondering if short stories need to have", "the entire universe experience or morph them into a connected novel. Long winded", "morph them into a connected novel. Long winded explanation aside, I'm wondering if", "a story. I'm thinking that the \"end\" would be more of a cliffhanger", "a shared universe of sorts and I'm curious whether or not I need", "shared universe of sorts and I'm curious whether or not I need to", "entire universe experience or morph them into a connected novel. Long winded explanation", "would be more of a cliffhanger or something along the lines of the", "cliffhanger or something along the lines of the protagonist resolving some situation and", "later story. I'm just not sure if this would take away from the", "universe experience or morph them into a connected novel. Long winded explanation aside,", "or publish them, just for my own collection. Maybe eventually bundle them together", "collection. Maybe eventually bundle them together to have the entire universe experience or", "the \"end\" would be more of a cliffhanger or something along the lines", "to a story. I'm thinking that the \"end\" would be more of a", "be picked up in a later story. I'm just not sure if this", "story itself. I don't plan on selling these stories or publish them, just", "aside, I'm wondering if short stories need to have a definitive ending and", "of a cliffhanger or something along the lines of the protagonist resolving some", "sure if this would take away from the story itself. I don't plan", "a few short stories that are in a shared universe of sorts and", "and moving towards the next conflict/plot point/scene to be picked up in a", "Long winded explanation aside, I'm wondering if short stories need to have a", "ending to a story. I'm thinking that the \"end\" would be more of", "something along the lines of the protagonist resolving some situation and moving towards", "or something along the lines of the protagonist resolving some situation and moving", "a definitive ending to a story. I'm thinking that the \"end\" would be", "moving towards the next conflict/plot point/scene to be picked up in a later", "of the protagonist resolving some situation and moving towards the next conflict/plot point/scene", "definitive ending to a story. I'm thinking that the \"end\" would be more", "that the \"end\" would be more of a cliffhanger or something along the", "be more of a cliffhanger or something along the lines of the protagonist", "picked up in a later story. I'm just not sure if this would", "a later story. I'm just not sure if this would take away from", "of sorts and I'm curious whether or not I need to have a", "the lines of the protagonist resolving some situation and moving towards the next", "I'm looking to create a few short stories that are in a shared", "sorts and I'm curious whether or not I need to have a definitive", "winded explanation aside, I'm wondering if short stories need to have a definitive", "eventually bundle them together to have the entire universe experience or morph them", "have the entire universe experience or morph them into a connected novel. Long", "the next conflict/plot point/scene to be picked up in a later story. I'm", "thinking that the \"end\" would be more of a cliffhanger or something along", "them into a connected novel. Long winded explanation aside, I'm wondering if short", "short stories need to have a definitive ending and resolution. Thanks in advance!", "whether or not I need to have a definitive ending to a story.", "them together to have the entire universe experience or morph them into a", "in a later story. I'm just not sure if this would take away", "plan on selling these stories or publish them, just for my own collection.", "just not sure if this would take away from the story itself. I", "or not I need to have a definitive ending to a story. I'm", "explanation aside, I'm wondering if short stories need to have a definitive ending", "next conflict/plot point/scene to be picked up in a later story. I'm just", "experience or morph them into a connected novel. Long winded explanation aside, I'm", "lines of the protagonist resolving some situation and moving towards the next conflict/plot", "\"end\" would be more of a cliffhanger or something along the lines of", "for my own collection. Maybe eventually bundle them together to have the entire", "need to have a definitive ending to a story. I'm thinking that the", "are in a shared universe of sorts and I'm curious whether or not", "to have the entire universe experience or morph them into a connected novel.", "that are in a shared universe of sorts and I'm curious whether or", "universe of sorts and I'm curious whether or not I need to have", "to create a few short stories that are in a shared universe of", "just for my own collection. Maybe eventually bundle them together to have the", "looking to create a few short stories that are in a shared universe", "along the lines of the protagonist resolving some situation and moving towards the", "would take away from the story itself. I don't plan on selling these", "a cliffhanger or something along the lines of the protagonist resolving some situation", "the story itself. I don't plan on selling these stories or publish them,", "into a connected novel. Long winded explanation aside, I'm wondering if short stories", "create a few short stories that are in a shared universe of sorts", "selling these stories or publish them, just for my own collection. Maybe eventually", "in a shared universe of sorts and I'm curious whether or not I", "on selling these stories or publish them, just for my own collection. Maybe", "point/scene to be picked up in a later story. I'm just not sure", "towards the next conflict/plot point/scene to be picked up in a later story.", "not sure if this would take away from the story itself. I don't", "my own collection. Maybe eventually bundle them together to have the entire universe", "not I need to have a definitive ending to a story. I'm thinking", "if this would take away from the story itself. I don't plan on", "away from the story itself. I don't plan on selling these stories or" ]
[ "magic, supernatural, etc. Every time I've read a book, they only discover they", "a book about a character was sat down and explained to them that", "knowledgable or caring, is absent. So what would be some (non-meta) excuses in", "and explained to them that they are magic, supernatural, etc. Every time I've", "magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian,", "supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian, either", "or caring, is absent. So what would be some (non-meta) excuses in a", "absent. So what would be some (non-meta) excuses in a guardian not informing", "to them that they are magic, supernatural, etc. Every time I've read a", "Every time I've read a book, they only discover they are magic, supernatural,", "about a character was sat down and explained to them that they are", "don't think that I've ever read a book about a character was sat", "age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian, either knowledgable or caring, is absent.", "they are magic, supernatural, etc. Every time I've read a book, they only", "are magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the", "guardian, either knowledgable or caring, is absent. So what would be some (non-meta)", "a character was sat down and explained to them that they are magic,", "think that I've ever read a book about a character was sat down", "caring, is absent. So what would be some (non-meta) excuses in a guardian", "This is due to the guardian, either knowledgable or caring, is absent. So", "by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian, either knowledgable or", "I've read a book, they only discover they are magic, supernatural, etc. by", "be some (non-meta) excuses in a guardian not informing their ward about their", "supernatural, etc. Every time I've read a book, they only discover they are", "etc. Every time I've read a book, they only discover they are magic,", "only discover they are magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is", "is due to the guardian, either knowledgable or caring, is absent. So what", "what would be some (non-meta) excuses in a guardian not informing their ward", "them that they are magic, supernatural, etc. Every time I've read a book,", "they are magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to", "\"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian, either knowledgable or caring,", "etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian, either knowledgable", "I've ever read a book about a character was sat down and explained", "certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due to the guardian, either knowledgable or caring, is", "due to the guardian, either knowledgable or caring, is absent. So what would", "to the guardian, either knowledgable or caring, is absent. So what would be", "that I've ever read a book about a character was sat down and", "read a book about a character was sat down and explained to them", "book about a character was sat down and explained to them that they", "discover they are magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This is due", "is absent. So what would be some (non-meta) excuses in a guardian not", "a book, they only discover they are magic, supernatural, etc. by \"[a certain", "sat down and explained to them that they are magic, supernatural, etc. Every", "are magic, supernatural, etc. Every time I've read a book, they only discover", "down and explained to them that they are magic, supernatural, etc. Every time", "So what would be some (non-meta) excuses in a guardian not informing their", "read a book, they only discover they are magic, supernatural, etc. by \"[a", "was sat down and explained to them that they are magic, supernatural, etc.", "character was sat down and explained to them that they are magic, supernatural,", "would be some (non-meta) excuses in a guardian not informing their ward about", "ever read a book about a character was sat down and explained to", "I don't think that I've ever read a book about a character was", "book, they only discover they are magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\"", "that they are magic, supernatural, etc. Every time I've read a book, they", "they only discover they are magic, supernatural, etc. by \"[a certain age](http://tvtropes.org/pmwiki/pmwiki.php/Main/DangerousSixteenthBirthday).\" This", "explained to them that they are magic, supernatural, etc. Every time I've read", "some (non-meta) excuses in a guardian not informing their ward about their nature.", "either knowledgable or caring, is absent. So what would be some (non-meta) excuses", "the guardian, either knowledgable or caring, is absent. So what would be some", "time I've read a book, they only discover they are magic, supernatural, etc." ]
[ "This foreshadows an event to the MC or to the environment they are", "MC or to the environment they are in. But I don't think my", "the time. I think it is needed to swap perspectives to foreshadow some", "I think it is needed to swap perspectives to foreshadow some interesting upcoming", "event. I have been reading up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But", "is traveling to. * Chronological, swap to a character ahead of the party", "upcoming event. I have been reading up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes)", "I have lots of things in store for the story and discover more", "to get things going. But lately I have created a lot of characters", "reading up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not", "that foreshadows an event that will take place as they happen. What I", "What is the best way to change to another character or scene without", "to happen: * Get one of my characters abducted as they are traveling", "I am writing a story that is in my head for millions of", "character or scene without making the reader feel disoriented? What I have tried", "for the MC. I have lots of things in store for the story", "as they happen. What I want to happen: * Get one of my", "them to split up. This foreshadows an event to the MC or to", "ahead of the party in which the MC is traveling that foreshadows an", "the MC is traveling to. * Chronological, swap to a character ahead of", "I have planned for the MC. I have lots of things in store", "scene without making the reader feel disoriented? What I have tried now: ", "perspectives to foreshadow some interesting upcoming event. I have been reading up to", "Get one of my characters abducted as they are traveling so I can", "characters abducted as they are traveling so I can write more about the", "to another character or scene without making the reader feel disoriented? What I", "But I am not really knowlegdeable in the different styles and/or techniques. So", "don't think my narrative should stick with the MC all the time. I", "The story advances in such a way that it requires them to split", "abducted as they are traveling so I can write more about the antagonist", "my own. What is the best way to change to another character or", "to. Chronological, swap to a character ahead of the party in which", "that is in my head for millions of years already and it is", "to foreshadow some interesting upcoming event. I have been reading up to similar", "narrative should stick with the MC all the time. I think it is", "pretty happy to get things going. But lately I have created a lot", "I have created a lot of characters that accompany my MC. The story", "traveling so I can write more about the antagonist and the upcoming major", "draft and I am pretty happy to get things going. But lately I", "have planned for the MC. I have lots of things in store for", "event. * Progress on the event I have planned for the MC. I", "not really knowlegdeable in the different styles and/or techniques. So if anyone could", "way that it requires them to split up. This foreshadows an event to", "or scene without making the reader feel disoriented? What I have tried now:", "place as they happen. What I want to happen: * Get one of", "time. I think it is needed to swap perspectives to foreshadow some interesting", "different styles and/or techniques. So if anyone could point me in the right", "to swap perspectives to foreshadow some interesting upcoming event. I have been reading", "I don't think my narrative should stick with the MC all the time.", "of the party in which the MC is traveling that foreshadows an event", "years already and it is finally progressing. I like how things going for", "going for a first draft and I am pretty happy to get things", "first draft and I am pretty happy to get things going. But lately", "of things in store for the story and discover more as I go.", "making the reader feel disoriented? What I have tried now: * \"In the", "\"In the meantime\" approach. Introduce a new place and the antagonist foreshadowing a", "will happen at a place the MC is traveling to. * Chronological, swap", "MC all the time. I think it is needed to swap perspectives to", "I go. But I am not really knowlegdeable in the different styles and/or", "and I am pretty happy to get things going. But lately I have", "environment they are in. But I don't think my narrative should stick with", "character ahead of the party in which the MC is traveling that foreshadows", "satisfactory. So I want ask a question of my own. What is the", "that will take place as they happen. What I want to happen: ", "of years already and it is finally progressing. I like how things going", "event to the MC or to the environment they are in. But I", "like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really satisfactory. So I want", "to a character ahead of the party in which the MC is traveling", "of characters that accompany my MC. The story advances in such a way", "now: \"In the meantime\" approach. Introduce a new place and the antagonist", "want to happen: * Get one of my characters abducted as they are", "as they are traveling so I can write more about the antagonist and", "of my own. What is the best way to change to another character", "antagonist foreshadowing a major unknown event that will happen at a place the", "MC. I have lots of things in store for the story and discover", "store for the story and discover more as I go. But I am", "So if anyone could point me in the right direction I would really", "I am pretty happy to get things going. But lately I have created", "my characters abducted as they are traveling so I can write more about", "lately I have created a lot of characters that accompany my MC. The", "party in which the MC is traveling that foreshadows an event that will", "to change to another character or scene without making the reader feel disoriented?", "the meantime\" approach. Introduce a new place and the antagonist foreshadowing a major", "[Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really satisfactory. So I want ask", "similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really satisfactory. So", "for the story and discover more as I go. But I am not", "should stick with the MC all the time. I think it is needed", "for a first draft and I am pretty happy to get things going.", "in store for the story and discover more as I go. But I", "Introduce a new place and the antagonist foreshadowing a major unknown event that", "have lots of things in store for the story and discover more as", "some interesting upcoming event. I have been reading up to similar questions like:", "approach. Introduce a new place and the antagonist foreshadowing a major unknown event", "techniques. So if anyone could point me in the right direction I would", "feel disoriented? What I have tried now: * \"In the meantime\" approach. Introduce", "a lot of characters that accompany my MC. The story advances in such", "it requires them to split up. This foreshadows an event to the MC", "* \"In the meantime\" approach. Introduce a new place and the antagonist foreshadowing", "is finally progressing. I like how things going for a first draft and", "not really satisfactory. So I want ask a question of my own. What", "* Get one of my characters abducted as they are traveling so I", "want ask a question of my own. What is the best way to", "ask a question of my own. What is the best way to change", "the upcoming major event. * Progress on the event I have planned for", "event I have planned for the MC. I have lots of things in", "write more about the antagonist and the upcoming major event. * Progress on", "own. What is the best way to change to another character or scene", "a story that is in my head for millions of years already and", "more about the antagonist and the upcoming major event. * Progress on the", "the MC all the time. I think it is needed to swap perspectives", "it is finally progressing. I like how things going for a first draft", "MC. The story advances in such a way that it requires them to", "am not really knowlegdeable in the different styles and/or techniques. So if anyone", "can write more about the antagonist and the upcoming major event. * Progress", "I can write more about the antagonist and the upcoming major event. ", "head for millions of years already and it is finally progressing. I like", "I have been reading up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the", "for millions of years already and it is finally progressing. I like how", "and/or techniques. So if anyone could point me in the right direction I", "my head for millions of years already and it is finally progressing. I", "one of my characters abducted as they are traveling so I can write", "was not really satisfactory. So I want ask a question of my own.", "it is needed to swap perspectives to foreshadow some interesting upcoming event. I", "things in store for the story and discover more as I go. But", "Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really satisfactory. So I want ask a", "is needed to swap perspectives to foreshadow some interesting upcoming event. I have", "meantime\" approach. Introduce a new place and the antagonist foreshadowing a major unknown", "MC is traveling to. Chronological, swap to a character ahead of the", "planned for the MC. I have lots of things in store for the", "a question of my own. What is the best way to change to", "characters that accompany my MC. The story advances in such a way that", "such a way that it requires them to split up. This foreshadows an", "to the environment they are in. But I don't think my narrative should", "of my characters abducted as they are traveling so I can write more", "an event to the MC or to the environment they are in. But", "the different styles and/or techniques. So if anyone could point me in the", "created a lot of characters that accompany my MC. The story advances in", "in which the MC is traveling that foreshadows an event that will take", "the environment they are in. But I don't think my narrative should stick", "MC is traveling that foreshadows an event that will take place as they", "are traveling so I can write more about the antagonist and the upcoming", "split up. This foreshadows an event to the MC or to the environment", "a way that it requires them to split up. This foreshadows an event", "interesting upcoming event. I have been reading up to similar questions like: [Splicing/Mixing", "upcoming major event. * Progress on the event I have planned for the", "going. But lately I have created a lot of characters that accompany my", "and discover more as I go. But I am not really knowlegdeable in", "advances in such a way that it requires them to split up. This", "questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really satisfactory. So I", "is traveling that foreshadows an event that will take place as they happen.", "in. But I don't think my narrative should stick with the MC all", "all the time. I think it is needed to swap perspectives to foreshadow", "have been reading up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer", "major event. * Progress on the event I have planned for the MC.", "are in. But I don't think my narrative should stick with the MC", "have tried now: * \"In the meantime\" approach. Introduce a new place and", "about the antagonist and the upcoming major event. * Progress on the event", "a character ahead of the party in which the MC is traveling that", "What I want to happen: * Get one of my characters abducted as", "finally progressing. I like how things going for a first draft and I", "my narrative should stick with the MC all the time. I think it", "already and it is finally progressing. I like how things going for a", "* Chronological, swap to a character ahead of the party in which the", "I like how things going for a first draft and I am pretty", "antagonist and the upcoming major event. * Progress on the event I have", "tried now: * \"In the meantime\" approach. Introduce a new place and the", "disoriented? What I have tried now: * \"In the meantime\" approach. Introduce a", "swap to a character ahead of the party in which the MC is", "and the antagonist foreshadowing a major unknown event that will happen at a", "am pretty happy to get things going. But lately I have created a", "the antagonist foreshadowing a major unknown event that will happen at a place", "question of my own. What is the best way to change to another", "happen. What I want to happen: * Get one of my characters abducted", "I am not really knowlegdeable in the different styles and/or techniques. So if", "that it requires them to split up. This foreshadows an event to the", "been reading up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was", "the antagonist and the upcoming major event. * Progress on the event I", "story that is in my head for millions of years already and it", "traveling that foreshadows an event that will take place as they happen. What", "up to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really", "best way to change to another character or scene without making the reader", "progressing. I like how things going for a first draft and I am", "styles and/or techniques. So if anyone could point me in the right direction", "swap perspectives to foreshadow some interesting upcoming event. I have been reading up", "the MC. I have lots of things in store for the story and", "answer was not really satisfactory. So I want ask a question of my", "without making the reader feel disoriented? What I have tried now: * \"In", "that accompany my MC. The story advances in such a way that it", "and it is finally progressing. I like how things going for a first", "how things going for a first draft and I am pretty happy to", "is the best way to change to another character or scene without making", "or to the environment they are in. But I don't think my narrative", "up. This foreshadows an event to the MC or to the environment they", "to similar questions like: [Splicing/Mixing Scenes](https://writing.stackexchange.com/questions/25032/splicing-mixing-scenes) But the answer was not really satisfactory.", "change to another character or scene without making the reader feel disoriented? What", "foreshadowing a major unknown event that will happen at a place the MC", "major unknown event that will happen at a place the MC is traveling", "another character or scene without making the reader feel disoriented? What I have", "that will happen at a place the MC is traveling to. * Chronological,", "in the different styles and/or techniques. So if anyone could point me in", "writing a story that is in my head for millions of years already", "if anyone could point me in the right direction I would really appreciate", "take place as they happen. What I want to happen: * Get one", "* Progress on the event I have planned for the MC. I have", "like how things going for a first draft and I am pretty happy", "is in my head for millions of years already and it is finally", "But I don't think my narrative should stick with the MC all the", "have created a lot of characters that accompany my MC. The story advances", "the party in which the MC is traveling that foreshadows an event that", "at a place the MC is traveling to. * Chronological, swap to a", "stick with the MC all the time. I think it is needed to", "But the answer was not really satisfactory. So I want ask a question", "so I can write more about the antagonist and the upcoming major event.", "anyone could point me in the right direction I would really appreciate it.", "get things going. But lately I have created a lot of characters that", "my MC. The story advances in such a way that it requires them", "to the MC or to the environment they are in. But I don't", "the best way to change to another character or scene without making the", "they happen. What I want to happen: * Get one of my characters", "lot of characters that accompany my MC. The story advances in such a", "the story and discover more as I go. But I am not really", "really knowlegdeable in the different styles and/or techniques. So if anyone could point", "things going. But lately I have created a lot of characters that accompany", "really satisfactory. So I want ask a question of my own. What is", "am writing a story that is in my head for millions of years", "the answer was not really satisfactory. So I want ask a question of", "Progress on the event I have planned for the MC. I have lots", "So I want ask a question of my own. What is the best", "place the MC is traveling to. * Chronological, swap to a character ahead", "What I have tried now: * \"In the meantime\" approach. Introduce a new", "things going for a first draft and I am pretty happy to get", "event that will happen at a place the MC is traveling to. ", "knowlegdeable in the different styles and/or techniques. So if anyone could point me", "as I go. But I am not really knowlegdeable in the different styles", "new place and the antagonist foreshadowing a major unknown event that will happen", "requires them to split up. This foreshadows an event to the MC or", "and the upcoming major event. Progress on the event I have planned", "I want ask a question of my own. What is the best way", "way to change to another character or scene without making the reader feel", "place and the antagonist foreshadowing a major unknown event that will happen at", "which the MC is traveling that foreshadows an event that will take place", "on the event I have planned for the MC. I have lots of", "think my narrative should stick with the MC all the time. I think", "accompany my MC. The story advances in such a way that it requires", "Chronological, swap to a character ahead of the party in which the MC", "event that will take place as they happen. What I want to happen:", "foreshadows an event to the MC or to the environment they are in.", "millions of years already and it is finally progressing. I like how things", "they are traveling so I can write more about the antagonist and the", "the MC or to the environment they are in. But I don't think", "But lately I have created a lot of characters that accompany my MC.", "reader feel disoriented? What I have tried now: * \"In the meantime\" approach.", "go. But I am not really knowlegdeable in the different styles and/or techniques.", "foreshadows an event that will take place as they happen. What I want", "the reader feel disoriented? What I have tried now: * \"In the meantime\"", "lots of things in store for the story and discover more as I", "happy to get things going. But lately I have created a lot of", "a first draft and I am pretty happy to get things going. But", "unknown event that will happen at a place the MC is traveling to.", "foreshadow some interesting upcoming event. I have been reading up to similar questions", "to split up. This foreshadows an event to the MC or to the", "I have tried now: * \"In the meantime\" approach. Introduce a new place", "happen at a place the MC is traveling to. * Chronological, swap to", "discover more as I go. But I am not really knowlegdeable in the", "more as I go. But I am not really knowlegdeable in the different", "with the MC all the time. I think it is needed to swap", "an event that will take place as they happen. What I want to", "a place the MC is traveling to. * Chronological, swap to a character", "in my head for millions of years already and it is finally progressing.", "will take place as they happen. What I want to happen: * Get", "they are in. But I don't think my narrative should stick with the", "happen: * Get one of my characters abducted as they are traveling so", "needed to swap perspectives to foreshadow some interesting upcoming event. I have been", "a major unknown event that will happen at a place the MC is", "I want to happen: * Get one of my characters abducted as they", "story advances in such a way that it requires them to split up.", "the event I have planned for the MC. I have lots of things", "story and discover more as I go. But I am not really knowlegdeable", "So I am writing a story that is in my head for millions", "a new place and the antagonist foreshadowing a major unknown event that will", "traveling to. * Chronological, swap to a character ahead of the party in", "in such a way that it requires them to split up. This foreshadows", "the MC is traveling that foreshadows an event that will take place as", "think it is needed to swap perspectives to foreshadow some interesting upcoming event." ]
[ "writing a first-person story, and I am having trouble showing the difference between", "a first-person story, and I am having trouble showing the difference between narration", "I am having trouble showing the difference between narration and the thoughts of", "having trouble showing the difference between narration and the thoughts of the character.", "I am writing a first-person story, and I am having trouble showing the", "on this: I mean to separate the thought of the character in the", "this: I mean to separate the thought of the character in the moment.", "separate the thought of the character in the moment. Not at the time", "of the character in the moment. Not at the time the narrator is", "the difference between narration and the thoughts of the character. To expand on", "am having trouble showing the difference between narration and the thoughts of the", "of the character. To expand on this: I mean to separate the thought", "trouble showing the difference between narration and the thoughts of the character. To", "character. To expand on this: I mean to separate the thought of the", "narration and the thoughts of the character. To expand on this: I mean", "mean to separate the thought of the character in the moment. Not at", "I mean to separate the thought of the character in the moment. Not", "the character in the moment. Not at the time the narrator is talking.", "expand on this: I mean to separate the thought of the character in", "the character. To expand on this: I mean to separate the thought of", "am writing a first-person story, and I am having trouble showing the difference", "to separate the thought of the character in the moment. Not at the", "difference between narration and the thoughts of the character. To expand on this:", "first-person story, and I am having trouble showing the difference between narration and", "To expand on this: I mean to separate the thought of the character", "and the thoughts of the character. To expand on this: I mean to", "story, and I am having trouble showing the difference between narration and the", "showing the difference between narration and the thoughts of the character. To expand", "the thoughts of the character. To expand on this: I mean to separate", "the thought of the character in the moment. Not at the time the", "thoughts of the character. To expand on this: I mean to separate the", "between narration and the thoughts of the character. To expand on this: I", "and I am having trouble showing the difference between narration and the thoughts", "thought of the character in the moment. Not at the time the narrator" ]
[ "a story that would have this effect. Do I need to find a", "approach plotting a compelling story, i.e. one aimed at changing the way people", "want to write a novel or collection of stories that instil happiness in", "or 13 Reasons Why) but I'm not sure how to do this in", "makes them want to pass on that feeling (think Pay it Forward or", "to structure a story that would have this effect. Do I need to", "a way that makes them want to pass on that feeling (think Pay", "story, i.e. one aimed at changing the way people think and behave (rather", "novel or collection of stories that instil happiness in the reader in a", "Forward or 13 Reasons Why) but I'm not sure how to do this", "to do this in terms of how to trigger this feeling or how", "reader in a way that makes them want to pass on that feeling", "way people think and behave (rather than just being \"art for art's sake\")?", "being \"art for art's sake\")? I want to write a novel or collection", "behave (rather than just being \"art for art's sake\")? I want to write", "in the reader in a way that makes them want to pass on", "in terms of how to trigger this feeling or how to structure a", "or how to structure a story that would have this effect. Do I", "(think Pay it Forward or 13 Reasons Why) but I'm not sure how", "How should I approach plotting a compelling story, i.e. one aimed at changing", "that would have this effect. Do I need to find a new gimmick", "a novel or collection of stories that instil happiness in the reader in", "of stories that instil happiness in the reader in a way that makes", "how to structure a story that would have this effect. Do I need", "to write a novel or collection of stories that instil happiness in the", "the reader in a way that makes them want to pass on that", "Pay it Forward or 13 Reasons Why) but I'm not sure how to", "a new gimmick for each story or is there a science behind affecting", "story or is there a science behind affecting peoples thoughts and behaviour with", "to find a new gimmick for each story or is there a science", "one aimed at changing the way people think and behave (rather than just", "think and behave (rather than just being \"art for art's sake\")? I want", "changing the way people think and behave (rather than just being \"art for", "feeling (think Pay it Forward or 13 Reasons Why) but I'm not sure", "write a novel or collection of stories that instil happiness in the reader", "on that feeling (think Pay it Forward or 13 Reasons Why) but I'm", "(rather than just being \"art for art's sake\")? I want to write a", "to pass on that feeling (think Pay it Forward or 13 Reasons Why)", "feeling or how to structure a story that would have this effect. Do", "trigger this feeling or how to structure a story that would have this", "want to pass on that feeling (think Pay it Forward or 13 Reasons", "new gimmick for each story or is there a science behind affecting peoples", "or collection of stories that instil happiness in the reader in a way", "than just being \"art for art's sake\")? I want to write a novel", "them want to pass on that feeling (think Pay it Forward* or 13", "13 Reasons Why) but I'm not sure how to do this in terms", "not sure how to do this in terms of how to trigger this", "how to do this in terms of how to trigger this feeling or", "\"art for art's sake\")? I want to write a novel or collection of", "at changing the way people think and behave (rather than just being \"art", "but I'm not sure how to do this in terms of how to", "how to trigger this feeling or how to structure a story that would", "each story or is there a science behind affecting peoples thoughts and behaviour", "effect. Do I need to find a new gimmick for each story or", "I need to find a new gimmick for each story or is there", "Do I need to find a new gimmick for each story or is", "for art's sake\")? I want to write a novel or collection of stories", "the way people think and behave (rather than just being \"art for art's", "Why) but I'm not sure how to do this in terms of how", "just being \"art for art's sake\")? I want to write a novel or", "way that makes them want to pass on that feeling (think Pay it", "that feeling (think Pay it Forward* or 13 Reasons Why) but I'm not", "that makes them want to pass on that feeling (think Pay it Forward", "compelling story, i.e. one aimed at changing the way people think and behave", "story that would have this effect. Do I need to find a new", "and behave (rather than just being \"art for art's sake\")? I want to", "I want to write a novel or collection of stories that instil happiness", "stories that instil happiness in the reader in a way that makes them", "Reasons Why) but I'm not sure how to do this in terms of", "aimed at changing the way people think and behave (rather than just being", "plotting a compelling* story, i.e. one aimed at changing the way people think", "I'm not sure how to do this in terms of how to trigger", "in a way that makes them want to pass on that feeling (think", "this effect. Do I need to find a new gimmick for each story", "pass on that feeling (think Pay it Forward or 13 Reasons Why) but", "a compelling story, i.e. one aimed at changing the way people think and", "sake\")? I want to write a novel or collection of stories that instil", "that instil happiness in the reader in a way that makes them want", "of how to trigger this feeling or how to structure a story that", "instil happiness in the reader in a way that makes them want to", "need to find a new gimmick for each story or is there a", "art's sake\")? I want to write a novel or collection of stories that", "do this in terms of how to trigger this feeling or how to", "this feeling or how to structure a story that would have this effect.", "to trigger this feeling or how to structure a story that would have", "sure how to do this in terms of how to trigger this feeling", "find a new gimmick for each story or is there a science behind", "it Forward* or 13 Reasons Why) but I'm not sure how to do", "for each story or is there a science behind affecting peoples thoughts and", "gimmick for each story or is there a science behind affecting peoples thoughts", "terms of how to trigger this feeling or how to structure a story", "I approach plotting a compelling story, i.e. one aimed at changing the way", "this in terms of how to trigger this feeling or how to structure", "or is there a science behind affecting peoples thoughts and behaviour with words?", "would have this effect. Do I need to find a new gimmick for", "collection of stories that instil happiness in the reader in a way that", "have this effect. Do I need to find a new gimmick for each", "i.e. one aimed at changing the way people think and behave (rather than", "should I approach plotting a compelling story, i.e. one aimed at changing the", "structure a story that would have this effect. Do I need to find", "people think and behave (rather than just being \"art for art's sake\")? I", "happiness in the reader in a way that makes them want to pass" ]
[ "these problems because I was incorrectly characterizing/developing this character. Now that it seems", "very blurred the line between evil and simple cause and effect, so it's", "character that has a point, a victim that becomes a perpetrator. The hero,", "a perpetrator. The hero, although having more positives than negatives, isn't a saint", "way\", but instead it's \"doing the wrong thing the wrong way towards other", "it's \"doing the wrong thing the wrong way towards other people, having as", "an unlikable character that has a point, a victim that becomes a perpetrator.", "Dan J.'s and Seserous' answers were spot-on on this matter, because even though", "and the hero isn't as \"monstrous\" as I was thinking. I think I", "that I got it right, and now that the villain is also well", "him the hero of his own story. For story reasons, he needs* to", "effect the satisfaction of his own ego\". The villain sees no reason why", "as a villain or someone unlikeable. I think that's why I was having", "makes no sense to see the hero as unlikable for him simply doing", "ambiguity of who is the real hero would be great, it would be", "right thing to other people the wrong way\", but instead it's \"doing the", "doing what is necessary. Also, Dan J.'s and Seserous' answers were spot-on on", "isn't a saint either, having at least a bit of the blame (or", "really mean \"hero of his own* story\", as the villain is a narcissist.", "the only one benefited with his actions is his ego. So it's not", "the first title. So how can I make the villain sympathetic without affecting", "story, gave him plenty of reasons to be who he is and do", "is necessary. Also, Dan J.'s and Seserous' answers were spot-on on this matter,", "him? --- Edit: I think I forgot to include in my question a", "did what he did \"because he is evil\". However, I don't have the", "the answers and thinking about this matter, it downed on me that actually", "about this matter, it downed on me that actually the villain isn't as", "killing him. If this was a one-shot fiction, such ambiguity of who is", "for him simply doing what is necessary. Also, Dan J.'s and Seserous' answers", "just does what needs to be done, he did that coldly and with", "is the first of a trilogy where this hero is the protagonist. I", "cause and effect, so it's not that simple to just say that he", "of my problem, and I need to clarify what I meant in my", "final intended effect the satisfaction of his own ego\". The villain sees no", "line between evil and simple cause and effect, so it's not that simple", "simple to just say that he did what he did \"because he is", "that there's still two sequels with this protagonist to go, and I can't", "Edit:* I think I forgot to include in my question a very important", "the villain as positively as when I asked this question, especially because what", "a point, a victim that becomes a perpetrator. The hero, although having more", "his death an emotional moment, because he is supposed to be seen as", "is making the hero seem unlikable for killing him. If this was a", "were spot-on on this matter, because even though the hero just does what", "wrong way towards other people, having as final intended effect the satisfaction of", "I got so much in the villain's head that I started to think", "villain as a hero or someone worthy of sympathy, and seeing the hero", "be great, it would be amazing, but the problem is that there's still", "is and do what he does (understandable or almost), and made him the", "reasons to be who he is and do what he does (understandable or", "I don't see the villain as positively as when I asked this question,", "to be done, he did that coldly and with wrath, that's another reason", "fiction, such ambiguity of who is the real hero would be great, it", "spot-on on this matter, because even though the hero just does what needs", "to just say that he did what he did \"because he is evil\".", "is evil\". However, I don't have the intention of making his death an", "reasons and story makes very blurred the line between evil and simple cause", "two sequels with this protagonist to go, and I can't simply discard them", "just because of some mere details in the first title. So how can", "on this matter, because even though the hero just does what needs to", "got it right, and now that the villain is also well developed, now", "Edit 2:* After reading the answers and thinking about this matter, it downed", "that I started to think just like him, seeing the villain as a", "detail of my problem, and I need to clarify what I meant in", "doesn't have the complete right to do what he wants, and the story", "problem, and I need to clarify what I meant in my question. By", "what is necessary. Also, Dan J.'s and Seserous' answers were spot-on on this", "villain* is making the hero seem unlikable for killing him. If this was", "tragic and/or disturbing life story, gave him plenty of reasons to be who", "wrong way\", but instead it's \"doing the wrong thing the wrong way towards", "hero as a villain or someone unlikeable. I think that's why I was", "mean \"hero of *his own* story\", as the villain is a narcissist. He's", "same hero's likability. I was having these problems because I was incorrectly characterizing/developing", "can I make the villain sympathetic without affecting the hero's likability for killing", "his own ego\". The villain sees no reason why he doesn't have the", "isn't as \"monstrous\" as I was thinking. I think I got so much", "him a relatable, tragic and/or disturbing life story, gave him plenty of reasons", "he used are too extreme for \"solving\" his* problem. --- Edit 2: After", "them just because of some mere details in the first title. So how", "\"hero of *his own* story\", as the villain is a narcissist. He's not", "than negatives, isn't a saint either, having at least a bit of the", "was having this problem. Now I don't see the villain as positively as", "vision). And here comes the problem. This story is the first of a", "hero isn't as \"monstrous\" as I was thinking. I think I got so", "meant in my question. By \"hero of his own story\" I really mean", "problem. --- Edit 2: After reading the answers and thinking about this matter,", "be who he is and do what he does (understandable or almost), and", "in the villain's head that I started to think just like him, seeing", "I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I was having", "wrong no matter his reasons or what caused him to be that way,", "at least in the villain's vision). And here comes the problem. This story", "because of his deeds. \"Kind of\" because his reasons and story makes very", "this character. Now that it seems that I got it right, and now", "killed, and also kind of deserves this because of his deeds. \"Kind of\"", "my problem, and I need to clarify what I meant in my question.", "was a one-shot fiction, such ambiguity of who is the real hero would", "such ambiguity of who is the real hero would be great, it would", "but instead it's \"doing the wrong thing the wrong way towards other people,", "incorrectly characterizing/developing this character. Now that it seems that I got it right,", "that way, so it makes no sense to see the hero as unlikable", "for killing him? --- Edit: I think I forgot to include in my", "be likable the most possible to make the reader urge to read more", "does what needs to be done, he did that coldly and with wrath,", "for \"solving\" his problem. --- Edit 2: After reading the answers and thinking", "what he does is wrong no matter his reasons or what caused him", "likability. I was having these problems because I was incorrectly characterizing/developing this character.", "a bit of the blame (or at least in the villain's vision). And", "think I forgot to include in my question a very important detail of", "villain isn't as sympathetic and the hero isn't as \"monstrous\" as I was", "instead it's \"doing the wrong thing the wrong way towards other people, having", "villain or someone unlikeable. I think that's why I was having this problem.", "what he does (understandable or almost), and made him the hero of his", "urge to read more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with", "in the first title. So how can I make the villain sympathetic without", "Now I don't see the villain as positively as when I asked this", "hero seem unlikable for killing him. If this was a one-shot fiction, such", "the problem is that there's still two sequels with this protagonist to go,", "on me that actually the villain isn't as sympathetic and the hero isn't", "now that the villain is also well developed, now the villain* is making", "and with wrath, that's another reason why it was leaving a negative impression", "a saint either, having at least a bit of the blame (or at", "what he did \"because he is evil\". However, I don't have the intention", "started to think just like him, seeing the villain as a hero or", "to be killed, and also kind of deserves this because of his deeds.", "doing any good to other people, the only one benefited with his actions", "problem. Now I don't see the villain as positively as when I asked", "matter his reasons or what caused him to be that way, so it", "me that actually the villain isn't as sympathetic and the hero isn't as", "a narcissist. He's not doing any good to other people, the only one", "(understandable or almost), and made him the hero of his own story. For", "he is supposed to be seen as unlikable, an unlikable character that has", "him, seeing the villain as a hero or someone worthy of sympathy, and", "worthy of sympathy, and seeing the hero as a villain or someone unlikeable.", "can't simply discard them just because of some mere details in the first", "his ego. So it's not a case of \"doing the right thing to", "thing to other people the wrong way\", but instead it's \"doing the wrong", "the hero isn't as \"monstrous\" as I was thinking. I think I got", "like him, seeing the villain as a hero or someone worthy of sympathy,", "effect, so it's not that simple to just say that he did what", "wrong, but the means he used are too extreme for \"solving\" his problem.", "him simply doing what is necessary. Also, Dan J.'s and Seserous' answers were", "who is the real hero would be great, it would be amazing, but", "have the intention of making his death an emotional moment, because he is", "I have a story I'm writing which has a villain that, in order", "life story, gave him plenty of reasons to be who he is and", "that the hero needs to be likable the most possible to make the", "is also well developed, now the villain is making the hero seem unlikable", "is the real hero would be great, it would be amazing, but the", "I asked this question, especially because what he does is wrong no matter", "head that I started to think just like him, seeing the villain as", "first title. So how can I make the villain sympathetic without affecting the", "shows that he indeed is not totally wrong, but the means he used", "sees no reason why he doesn't have the complete right to do what", "the real hero would be great, it would be amazing, but the problem", "For story reasons, he needs to be killed, and also kind of deserves", "hero's likability for killing him? --- Edit: I think I forgot to include", "evil\". However, I don't have the intention of making his death an emotional", "at least a bit of the blame (or at least in the villain's", "or someone unlikeable. I think that's why I was having this problem. Now", "his problem. --- Edit 2: After reading the answers and thinking about this", "no matter his reasons or what caused him to be that way, so", "I forgot to include in my question a very important detail of my", "the villain is also well developed, now the villain is making the hero", "problem. This story is the first of a trilogy where this hero is", "it's not that simple to just say that he did what he did", "of *his own* story\", as the villain is a narcissist. He's not doing", "is that there's still two sequels with this protagonist to go, and I", "that actually the villain isn't as sympathetic and the hero isn't as \"monstrous\"", "have a story I'm writing which has a villain that, in order to", "of deserves this because of his deeds. \"Kind of\" because his reasons and", "story\", as the villain is a narcissist. He's not doing any good to", "gave him plenty of reasons to be who he is and do what", "think I got so much in the villain's head that I started to", "wrong thing the wrong way towards other people, having as final intended effect", "deeds. \"Kind of\" because his reasons and story makes very blurred the line", "especially because what he does is wrong no matter his reasons or what", "actions is his ego. So it's not a case of \"doing the right", "he doesn't have the complete right to do what he wants, and the", "having these problems because I was incorrectly characterizing/developing this character. Now that it", "the line between evil and simple cause and effect, so it's not that", "I need to clarify what I meant in my question. By \"hero of", "some mere details in the first title. So how can I make the", "is not totally wrong, but the means he used are too extreme for", "say that he did what he did \"because he is evil\". However, I", "was incorrectly characterizing/developing this character. Now that it seems* that I got it", "with wrath, that's another reason why it was leaving a negative impression on", "problems because I was incorrectly characterizing/developing this character. Now that it seems that", "people, having as final intended effect the satisfaction of his own ego\". The", "he did that coldly and with wrath, that's another reason why it was", "as positively as when I asked this question, especially because what he does", "\"doing the right thing to other people the wrong way\", but instead it's", "the villain as a hero or someone worthy of sympathy, and seeing the", "that the villain is also well developed, now the villain is making the", "although having more positives than negatives, isn't a saint either, having at least", "of reasons to be who he is and do what he does (understandable", "the satisfaction of his own ego\". The villain sees no reason why he", "\"hero of his own story\" I really mean \"hero of his own* story\",", "that, in order to make him more human/developed, I gave him a relatable,", "he did what he did \"because he is evil\". However, I don't have", "And here comes the problem. This story is the first of a trilogy", "as when I asked this question, especially because what he does is wrong", "when I asked this question, especially because what he does is wrong no", "with this protagonist to go, and I can't simply discard them just because", "other people, the only one benefited with his actions is his ego. So", "this was a one-shot fiction, such ambiguity of who is the real hero", "and story makes very blurred the line between evil and simple cause and", "a hero or someone worthy of sympathy, and seeing the hero as a", "that simple to just say that he did what he did \"because he", "only one benefited with his actions is his ego. So it's not a", "affecting the hero's likability for killing him? --- Edit: I think I forgot", "another reason why it was leaving a negative impression on him for killing", "clarify what I meant in my question. By \"hero of his own story\"", "The villain sees no reason why he doesn't have the complete right to", "why he doesn't have the complete right to do what he wants, and", "what needs to be done, he did that coldly and with wrath, that's", "just say that he did what he did \"because he is evil\". However,", "I think I got so much in the villain's head that I started", "reasons, he needs to be killed, and also kind of deserves this because", "and do what he does (understandable or almost), and made him the hero", "I don't have the intention of making his death an emotional moment, because", "why it was leaving a negative impression on him for killing the villain.", "If this was a one-shot fiction, such ambiguity of who is the real", "negatives, isn't a saint either, having at least a bit of the blame", "the villain sympathetic without affecting the hero's likability for killing him? --- Edit:", "2:** After reading the answers and thinking about this matter, it downed on", "important detail of my problem, and I need to clarify what I meant", "as \"monstrous\" as I was thinking. I think I got so much in", "almost), and made him the hero of his own story. For story reasons,", "include in my question a very important detail of my problem, and I", "character. Now that it seems that I got it right, and now that", "it seems that I got it right, and now that the villain is", "be killed, and also kind of deserves this because of his deeds. \"Kind", "answers were spot-on on this matter, because even though the hero just does", "saint either, having at least a bit of the blame (or at least", "because I was incorrectly characterizing/developing this character. Now that it seems that I", "I got it right, and now that the villain is also well developed,", "--- Edit: I think I forgot to include in my question a very", "Now that it seems that I got it right, and now that the", "unlikable for killing him. If this was a one-shot fiction, such ambiguity of", "and also kind of deserves this because of his deeds. \"Kind of\" because", "ego. So it's not a case of \"doing the right thing to other", "order to make him more human/developed, I gave him a relatable, tragic and/or", "totally wrong, but the means he used are too extreme for \"solving\" his", "seeing the hero as a villain or someone unlikeable. I think that's why", "means he used are too extreme for \"solving\" his* problem. --- Edit 2:", "satisfaction of his own ego\". The villain sees no reason why he doesn't", "villain is a narcissist. He's not doing any good to other* people, the", "he indeed is not totally wrong, but the means he used are too", "and/or disturbing life story, gave him plenty of reasons to be who he", "that becomes a perpetrator. The hero, although having more positives than negatives, isn't", "hero as unlikable for him simply doing what is necessary. Also, Dan J.'s", "unlikable, an unlikable character that has a point, a victim that becomes a", "he is and do what he does (understandable or almost), and made him", "to see the hero as unlikable for him simply doing what is necessary.", "him. If this was a one-shot fiction, such ambiguity of who is the", "I started to think just like him, seeing the villain as a hero", "Also, Dan J.'s and Seserous' answers were spot-on on this matter, because even", "well developed, now the villain is making the hero seem unlikable for killing", "this hero is the protagonist. I think that the hero needs to be", "\"because he is evil\". However, I don't have the intention of making his", "right, and now that the villain is also well developed, now the villain", "gave him a relatable, tragic and/or disturbing life story, gave him plenty of", "hero, although having more positives than negatives, isn't a saint either, having at", "Seserous' answers were spot-on on this matter, because even though the hero just", "not totally wrong, but the means he used are too extreme for \"solving\"", "and effect, so it's not that simple to just say that he did", "to be that way, so it makes no sense to see the hero", "By \"hero of his own story\" I really mean \"hero of *his own", "his deeds. \"Kind of\" because his reasons and story makes very blurred the", "having this problem. Now I don't see the villain as positively as when", "a villain that, in order to make him more human/developed, I gave him", "blurred the line between evil and simple cause and effect, so it's not", "people, the only one benefited with his actions is his ego. So it's", "mere details in the first title. So how can I make the villain", "killing him? --- Edit:* I think I forgot to include in my question", "used are too extreme for \"solving\" his problem. --- Edit 2: After reading", "he is evil\". However, I don't have the intention of making his death", "asked this question, especially because what he does is wrong no matter his", "villain as positively as when I asked this question, especially because what he", "way, so it makes no sense to see the hero as unlikable for", "with this same hero's likability. I was having these problems because I was", "simply discard them just because of some mere details in the first title.", "see the villain as positively as when I asked this question, especially because", "where this hero is the protagonist. I think that the hero needs to", "be amazing, but the problem is that there's still two sequels with this", "between evil and simple cause and effect, so it's not that simple to", "my question. By \"hero of his own story\" I really mean \"hero of", "reason why he doesn't have the complete right to do what he wants,", "is supposed to be seen as unlikable, an unlikable character that has a", "benefited with his actions is his ego. So it's not a case of", "comes the problem. This story is the first of a trilogy where this", "as the villain is a narcissist. He's not doing any good to other", "After reading the answers and thinking about this matter, it downed on me", "villain sees no reason why he doesn't have the complete right to do", "though the hero just does what needs to be done, he did that", "I really mean \"hero of *his own* story\", as the villain is a", "are too extreme for \"solving\" his problem. --- Edit 2: After reading the", "would be amazing, but the problem is that there's still two sequels with", "so it's not that simple to just say that he did what he", "and I need to clarify what I meant in my question. By \"hero", "to think just like him, seeing the villain as a hero or someone", "protagonist. I think that the hero needs to be likable the most possible", "answers and thinking about this matter, it downed on me that actually the", "the protagonist. I think that the hero needs to be likable the most", "there's still two sequels with this protagonist to go, and I can't simply", "sympathy, and seeing the hero as a villain or someone unlikeable. I think", "not doing any good to other people, the only one benefited with his", "was having these problems because I was incorrectly characterizing/developing this character. Now that", "one-shot fiction, such ambiguity of who is the real hero would be great,", "reading the answers and thinking about this matter, it downed on me that", "the hero of his own story. For story reasons, he needs to be", "own story. For story reasons, he needs to be killed, and also kind", "got so much in the villain's head that I started to think just", "possible to make the reader urge to read more about him. Previously, I", "seeing the villain as a hero or someone worthy of sympathy, and seeing", "downed on me that actually the villain isn't as sympathetic and the hero", "question, especially because what he does is wrong no matter his reasons or", "case of \"doing the right thing to other people the wrong way\", but", "actually the villain isn't as sympathetic and the hero isn't as \"monstrous\" as", "making the hero seem unlikable for killing him. If this was a one-shot", "what I meant in my question. By \"hero of his own story\" I", "way towards other people, having as final intended effect the satisfaction of his", "thing the wrong way towards other people, having as final intended effect the", "but the means he used are too extreme for \"solving\" his problem. ---", "good to other people, the only one benefited with his actions is his", "one benefited with his actions is his ego. So it's not a case", "read more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same", "seen as unlikable, an unlikable character that has a point, a victim that", "other people the wrong way\", but instead it's \"doing the wrong thing the", "because what he does is wrong no matter his reasons or what caused", "the reader urge to read more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding", "this matter, because even though the hero just does what needs to be", "--- Edit 2:* After reading the answers and thinking about this matter, it", "how can I make the villain sympathetic without affecting the hero's likability for", "a villain or someone unlikeable. I think that's why I was having this", "sense to see the hero as unlikable for him simply doing what is", "his own story\" I really mean \"hero of *his own* story\", as the", "problem is that there's still two sequels with this protagonist to go, and", "emotional moment, because he is supposed to be seen as unlikable, an unlikable", "thinking about this matter, it downed on me that actually the villain isn't", "not that simple to just say that he did what he did \"because", "him more human/developed, I gave him a relatable, tragic and/or disturbing life story,", "needs to be likable the most possible to make the reader urge to", "a story I'm writing which has a villain that, in order to make", "characterizing/developing this character. Now that it seems that I got it right, and", "unlikeable. I think that's why I was having this problem. Now I don't", "reasons or what caused him to be that way, so it makes no", "I was incorrectly characterizing/developing this character. Now that it seems that I got", "the hero's likability for killing him? --- Edit: I think I forgot to", "necessary. Also, Dan J.'s and Seserous' answers were spot-on on this matter, because", "his actions is his ego. So it's not a case of \"doing the", "of his own ego\". The villain sees no reason why he doesn't have", "to include in my question a very important detail of my problem, and", "the first of a trilogy where this hero is the protagonist. I think", "victim that becomes a perpetrator. The hero, although having more positives than negatives,", "because even though the hero just does what needs to be done, he", "in my question a very important detail of my problem, and I need", "plenty of reasons to be who he is and do what he does", "least a bit of the blame (or at least in the villain's vision).", "story. For story reasons, he needs* to be killed, and also kind of", "of his own story. For story reasons, he needs to be killed, and", "of\" because his reasons and story makes very blurred the line between evil", "to do what he wants, and the story shows that he indeed is", "However, I don't have the intention of making his death an emotional moment,", "in my question. By \"hero of his own story\" I really mean \"hero", "to other people, the only one benefited with his actions is his ego.", "was thinking. I think I got so much in the villain's head that", "even though the hero just does what needs to be done, he did", "to make the reader urge to read more about him. Previously, I asked", "of the blame (or at least in the villain's vision). And here comes", "least in the villain's vision). And here comes the problem. This story is", "go, and I can't simply discard them just because of some mere details", "does (understandable or almost), and made him the hero of his own story.", "him plenty of reasons to be who he is and do what he", "is wrong no matter his reasons or what caused him to be that", "be done, he did that coldly and with wrath, that's another reason why", "have the complete right to do what he wants, and the story shows", "his reasons and story makes very blurred the line between evil and simple", "him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I", "\"monstrous\" as I was thinking. I think I got so much in the", "the means he used are too extreme for \"solving\" his problem. --- *Edit", "writing which has a villain that, in order to make him more human/developed,", "details in the first title. So how can I make the villain sympathetic", "intention of making his death an emotional moment, because he is supposed to", "wrath, that's another reason why it was leaving a negative impression on him", "a one-shot fiction, such ambiguity of who is the real hero would be", "of a trilogy where this hero is the protagonist. I think that the", "people the wrong way\", but instead it's \"doing the wrong thing the wrong", "as final intended effect the satisfaction of his own ego\". The villain sees", "hero of his own story. For story reasons, he needs to be killed,", "to be likable the most possible to make the reader urge to read", "seems that I got it right, and now that the villain is also", "the most possible to make the reader urge to read more about him.", "the villain is making the hero seem unlikable for killing him. If this", "disturbing life story, gave him plenty of reasons to be who he is", "positives than negatives, isn't a saint either, having at least a bit of", "he needs to be killed, and also kind of deserves this because of", "do what he does (understandable or almost), and made him the hero of", "not a case of \"doing the right thing to other people the wrong", "to be seen as unlikable, an unlikable character that has a point, a", "did \"because he is evil\". However, I don't have the intention of making", "makes very blurred the line between evil and simple cause and effect, so", "having at least a bit of the blame (or at least in the", "I think that the hero needs to be likable the most possible to", "amazing, but the problem is that there's still two sequels with this protagonist", "I meant in my question. By \"hero of his own story\" I really", "that he did what he did \"because he is evil\". However, I don't", "matter, because even though the hero just does what needs to be done,", "but the problem is that there's still two sequels with this protagonist to", "discard them just because of some mere details in the first title. So", "protagonist to go, and I can't simply discard them just because of some", "to be who he is and do what he does (understandable or almost),", "title. So how can I make the villain sympathetic without affecting the hero's", "of sympathy, and seeing the hero as a villain or someone unlikeable. I", "to other people the wrong way\", but instead it's \"doing the wrong thing", "do what he wants, and the story shows that he indeed is not", "of making his death an emotional moment, because he is supposed to be", "deserves this because of his deeds. \"Kind of\" because his reasons and story", "is a narcissist. He's not doing any good to other people, the only", "because he is supposed to be seen as unlikable, an unlikable character that", "because his reasons and story makes very blurred the line between evil and", "did that coldly and with wrath, that's another reason why it was leaving", "my question a very important detail of my problem, and I need to", "a very important detail of my problem, and I need to clarify what", "someone worthy of sympathy, and seeing the hero as a villain or someone", "So it's not a case of \"doing the right thing to other people", "and made him the hero of his own story. For story reasons, he", "evil and simple cause and effect, so it's not that simple to just", "make the villain sympathetic without affecting the hero's likability for killing him? ---", "as I was thinking. I think I got so much in the villain's", "it makes no sense to see the hero as unlikable for him simply", "complete right to do what he wants, and the story shows that he", "that coldly and with wrath, that's another reason why it was leaving a", "that he indeed is not totally wrong, but the means he used are", "that it seems that I got it right, and now that the villain", "likable the most possible to make the reader urge to read more about", "the villain's head that I started to think just like him, seeing the", "sympathetic without affecting the hero's likability for killing him? --- Edit: I think", "sequels with this protagonist to go, and I can't simply discard them just", "becomes a perpetrator. The hero, although having more positives than negatives, isn't a", "story is the first of a trilogy where this hero is the protagonist.", "own ego\". The villain sees no reason why he doesn't have the complete", "simply doing what is necessary. Also, Dan J.'s and Seserous' answers were spot-on", "story shows that he indeed is not totally wrong, but the means he", "hero's likability. I was having these problems because I was incorrectly characterizing/developing this", "This story is the first of a trilogy where this hero is the", "villain's vision). And here comes the problem. This story is the first of", "a victim that becomes a perpetrator. The hero, although having more positives than", "of some mere details in the first title. So how can I make", "story makes very blurred the line between evil and simple cause and effect,", "I make the villain sympathetic without affecting the hero's likability for killing him?", "(or at least in the villain's vision). And here comes the problem. This", "no reason why he doesn't have the complete right to do what he", "just like him, seeing the villain as a hero or someone worthy of", "his own story. For story reasons, he needs* to be killed, and also", "human/developed, I gave him a relatable, tragic and/or disturbing life story, gave him", "as unlikable, an unlikable character that has a point, a victim that becomes", "isn't as sympathetic and the hero isn't as \"monstrous\" as I was thinking.", "kind of deserves this because of his deeds. \"Kind of\" because his reasons", "a case of \"doing the right thing to other people the wrong way\",", "J.'s and Seserous' answers were spot-on on this matter, because even though the", "bit of the blame (or at least in the villain's vision). And here", "\"doing the wrong thing the wrong way towards other people, having as final", "as sympathetic and the hero isn't as \"monstrous\" as I was thinking. I", "more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's", "has a villain that, in order to make him more human/developed, I gave", "making his death an emotional moment, because he is supposed to be seen", "the hero seem unlikable for killing him. If this was a one-shot fiction,", "towards other people, having as final intended effect the satisfaction of his own", "this protagonist to go, and I can't simply discard them just because of", "this same hero's likability. I was having these problems because I was incorrectly", "unlikable for him simply doing what is necessary. Also, Dan J.'s and Seserous'", "to clarify what I meant in my question. By \"hero of his own", "either, having at least a bit of the blame (or at least in", "the right thing to other people the wrong way\", but instead it's \"doing", "more human/developed, I gave him a relatable, tragic and/or disturbing life story, gave", "he does (understandable or almost), and made him the hero of his own", "has a point, a victim that becomes a perpetrator. The hero, although having", "[problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I was having these problems because I", "a trilogy where this hero is the protagonist. I think that the hero", "that has a point, a victim that becomes a perpetrator. The hero, although", "need to clarify what I meant in my question. By \"hero of his", "more positives than negatives, isn't a saint either, having at least a bit", "with his actions is his ego. So it's not a case of \"doing", "the wrong thing the wrong way towards other people, having as final intended", "why I was having this problem. Now I don't see the villain as", "it right, and now that the villain is also well developed, now the", "positively as when I asked this question, especially because what he does is", "So how can I make the villain sympathetic without affecting the hero's likability", "and the story shows that he indeed is not totally wrong, but the", "in the villain's vision). And here comes the problem. This story is the", "of his deeds. \"Kind of\" because his reasons and story makes very blurred", "so much in the villain's head that I started to think just like", "the complete right to do what he wants, and the story shows that", "it downed on me that actually the villain isn't as sympathetic and the", "this problem. Now I don't see the villain as positively as when I", "ego\". The villain sees no reason why he doesn't have the complete right", "of \"doing the right thing to other people the wrong way\", but instead", "is the protagonist. I think that the hero needs to be likable the", "extreme for \"solving\" his* problem. --- Edit 2: After reading the answers and", "supposed to be seen as unlikable, an unlikable character that has a point,", "does is wrong no matter his reasons or what caused him to be", "hero is the protagonist. I think that the hero needs to be likable", "I think that's why I was having this problem. Now I don't see", "relatable, tragic and/or disturbing life story, gave him plenty of reasons to be", "the hero needs to be likable the most possible to make the reader", "forgot to include in my question a very important detail of my problem,", "what he wants, and the story shows that he indeed is not totally", "and seeing the hero as a villain or someone unlikeable. I think that's", "trilogy where this hero is the protagonist. I think that the hero needs", "villain's head that I started to think just like him, seeing the villain", "I think I forgot to include in my question a very important detail", "without affecting the hero's likability for killing him? --- Edit: I think I", "needs to be done, he did that coldly and with wrath, that's another", "the hero just does what needs to be done, he did that coldly", "for killing him. If this was a one-shot fiction, such ambiguity of who", "the villain isn't as sympathetic and the hero isn't as \"monstrous\" as I", "see the hero as unlikable for him simply doing what is necessary. Also,", "intended effect the satisfaction of his own ego\". The villain sees no reason", "this question, especially because what he does is wrong no matter his reasons", "the hero as a villain or someone unlikeable. I think that's why I", "this because of his deeds. \"Kind of\" because his reasons and story makes", "as unlikable for him simply doing what is necessary. Also, Dan J.'s and", "is his ego. So it's not a case of \"doing the right thing", "hero needs to be likable the most possible to make the reader urge", "don't have the intention of making his death an emotional moment, because he", "to go, and I can't simply discard them just because of some mere", "first of a trilogy where this hero is the protagonist. I think that", "or someone worthy of sympathy, and seeing the hero as a villain or", "blame (or at least in the villain's vision). And here comes the problem.", "in order to make him more human/developed, I gave him a relatable, tragic", "the blame (or at least in the villain's vision). And here comes the", "to read more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this", "the story shows that he indeed is not totally wrong, but the means", "unlikable character that has a point, a victim that becomes a perpetrator. The", "having more positives than negatives, isn't a saint either, having at least a", "about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability.", "what caused him to be that way, so it makes no sense to", "question. By \"hero of his own story\" I really mean \"hero of *his", "be seen as unlikable, an unlikable character that has a point, a victim", "perpetrator. The hero, although having more positives than negatives, isn't a saint either,", "and simple cause and effect, so it's not that simple to just say", "hero would be great, it would be amazing, but the problem is that", "it's not a case of \"doing the right thing to other people the", "reader urge to read more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him)", "matter, it downed on me that actually the villain isn't as sympathetic and", "or almost), and made him the hero of his own story. For story", "story I'm writing which has a villain that, in order to make him", "now the villain* is making the hero seem unlikable for killing him. If", "\"Kind of\" because his reasons and story makes very blurred the line between", "[questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I was having these problems", "Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I was", "wants, and the story shows that he indeed is not totally wrong, but", "hero or someone worthy of sympathy, and seeing the hero as a villain", "that's why I was having this problem. Now I don't see the villain", "the villain is a narcissist. He's not doing any good to other people,", "no sense to see the hero as unlikable for him simply doing what", "I was thinking. I think I got so much in the villain's head", "reason why it was leaving a negative impression on him for killing the", "question a very important detail of my problem, and I need to clarify", "indeed is not totally wrong, but the means he used are too extreme", "him to be that way, so it makes no sense to see the", "this matter, it downed on me that actually the villain isn't as sympathetic", "sympathetic and the hero isn't as \"monstrous\" as I was thinking. I think", "because of some mere details in the first title. So how can I", "I gave him a relatable, tragic and/or disturbing life story, gave him plenty", "any good to other people, the only one benefited with his actions is", "or what caused him to be that way, so it makes no sense", "his reasons or what caused him to be that way, so it makes", "asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl) regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I was having these", "the villain's vision). And here comes the problem. This story is the first", "also well developed, now the villain is making the hero seem unlikable for", "think that's why I was having this problem. Now I don't see the", "a relatable, tragic and/or disturbing life story, gave him plenty of reasons to", "so it makes no sense to see the hero as unlikable for him", "having as final intended effect the satisfaction of his own ego\". The villain", "villain sympathetic without affecting the hero's likability for killing him? --- Edit: I", "someone unlikeable. I think that's why I was having this problem. Now I", "point, a victim that becomes a perpetrator. The hero, although having more positives", "of his own story\" I really mean \"hero of *his own* story\", as", "own* story\", as the villain is a narcissist. He's not doing any good", "his own story\", as the villain is a narcissist. He's not doing any", "hero just does what needs to be done, he did that coldly and", "caused him to be that way, so it makes no sense to see", "likability for killing him? --- Edit:** I think I forgot to include in", "of who is the real hero would be great, it would be amazing,", "I can't simply discard them just because of some mere details in the", "too extreme for \"solving\" his problem. --- Edit 2: After reading the answers", "real hero would be great, it would be amazing, but the problem is", "think that the hero needs to be likable the most possible to make", "needs to be killed, and also kind of deserves this because of his", "done, he did that coldly and with wrath, that's another reason why it", "an emotional moment, because he is supposed to be seen as unlikable, an", "I was having these problems because I was incorrectly characterizing/developing this character. Now", "moment, because he is supposed to be seen as unlikable, an unlikable character", "most possible to make the reader urge to read more about him. Previously,", "make the reader urge to read more about him. Previously, I asked [questions](https://writing.stackexchange.com/questions/34480/how-to-prevent-turning-off-the-reader-at-first-with-a-protagonist-with-unlikeabl)", "be that way, so it makes no sense to see the hero as", "as a hero or someone worthy of sympathy, and seeing the hero as", "he did \"because he is evil\". However, I don't have the intention of", "much in the villain's head that I started to think just like him,", "villain is also well developed, now the villain is making the hero seem", "\"solving\" his problem. --- Edit 2: After reading the answers and thinking about", "the problem. This story is the first of a trilogy where this hero", "here comes the problem. This story is the first of a trilogy where", "seem unlikable for killing him. If this was a one-shot fiction, such ambiguity", "also kind of deserves this because of his deeds. \"Kind of\" because his", "make him more human/developed, I gave him a relatable, tragic and/or disturbing life", "it would be amazing, but the problem is that there's still two sequels", "own story\" I really mean \"hero of *his own* story\", as the villain", "the hero as unlikable for him simply doing what is necessary. Also, Dan", "made him the hero of his own story. For story reasons, he needs", "to make him more human/developed, I gave him a relatable, tragic and/or disturbing", "the wrong way towards other people, having as final intended effect the satisfaction", "regarding [problems](https://writing.stackexchange.com/questions/30593/the-more-fleshed-out-the-character-is-the-more-the-reader-will-care-about-him) with this same hero's likability. I was having these problems because", "other people, having as final intended effect the satisfaction of his own ego\".", "the wrong way\", but instead it's \"doing the wrong thing the wrong way", "great, it would be amazing, but the problem is that there's still two", "simple cause and effect, so it's not that simple to just say that", "he wants, and the story shows that he indeed is not totally wrong,", "right to do what he wants, and the story shows that he indeed", "and thinking about this matter, it downed on me that actually the villain", "that's another reason why it was leaving a negative impression on him for", "The hero, although having more positives than negatives, isn't a saint either, having", "I'm writing which has a villain that, in order to make him more", "narcissist. He's not doing any good to other* people, the only one benefited", "don't see the villain as positively as when I asked this question, especially", "still two sequels with this protagonist to go, and I can't simply discard", "the intention of making his death an emotional moment, because he is supposed", "would be great, it would be amazing, but the problem is that there's", "which has a villain that, in order to make him more human/developed, I", "and Seserous' answers were spot-on on this matter, because even though the hero", "villain that, in order to make him more human/developed, I gave him a", "thinking. I think I got so much in the villain's head that I", "death an emotional moment, because he is supposed to be seen as unlikable,", "who he is and do what he does (understandable or almost), and made", "he does is wrong no matter his reasons or what caused him to", "and now that the villain is also well developed, now the villain is", "story reasons, he needs to be killed, and also kind of deserves this", "and I can't simply discard them just because of some mere details in", "coldly and with wrath, that's another reason why it was leaving a negative", "developed, now the villain is making the hero seem unlikable for killing him.", "story\" I really mean \"hero of *his own* story\", as the villain is", "He's not doing any good to other people, the only one benefited with", "I was having this problem. Now I don't see the villain as positively", "think just like him, seeing the villain as a hero or someone worthy", "very important detail of my problem, and I need to clarify what I" ]
[ "what I'm going to write is utter rubbish - trite and derivative. Consequently", "I'm going to write is utter rubbish - trite and derivative. Consequently I", "blank page stops me dead. It seems to glare at me malevolently. Does", "are pervasive and fill me with alternating enthusiasm and dread. The irony is", "built on passing, ephemeral thoughts, but they are pervasive and fill me with", "it seems like all my enthusiasm drains out of me and I feel", "and derivative. Consequently I can't start writing. I know that these states of", "can't start writing. I know that these states of mind are built on", "idea. But the blank page stops me dead. It seems to glare at", "stops me dead. It seems to glare at me malevolently. Does anyone else", "recently, as soon as I see that blank page, it seems like all", "that blank page, it seems like all my enthusiasm drains out of me", "ephemeral thoughts, but they are pervasive and fill me with alternating enthusiasm and", "derivative. Consequently I can't start writing. I know that these states of mind", "to writing (blog posts, stories and novels). It might just be me, but", "dead. It seems to glare at me malevolently. Does anyone else experience this,", "just recently, as soon as I see that blank page, it seems like", "soon as I see that blank page, it seems like all my enthusiasm", "start on my latest idea. But the blank page stops me dead. It", "start writing, my ideas before I sit down seem wonderful. But just recently,", "out of me and I feel like what I'm going to write is", "(blog posts, stories and novels). It might just be me, but maybe other", "rubbish - trite and derivative. Consequently I can't start writing. I know that", "might just be me, but maybe other people have experienced it too? When", "eager to get to my computer to start on my latest idea. But", "I love to write. I am eager to get to my computer to", "is utter rubbish - trite and derivative. Consequently I can't start writing. I", "to start writing, my ideas before I sit down seem wonderful. But just", "to write. I am eager to get to my computer to start on", "I know that these states of mind are built on passing, ephemeral thoughts,", "on my latest idea. But the blank page stops me dead. It seems", "fill me with alternating enthusiasm and dread. The irony is - I love", "I sit down seem wonderful. But just recently, as soon as I see", "my enthusiasm drains out of me and I feel like what I'm going", "I come to start writing, my ideas before I sit down seem wonderful.", "seem wonderful. But just recently, as soon as I see that blank page,", "people have experienced it too? When I come to start writing, my ideas", "I have a problem when it comes to writing (blog posts, stories and", "it comes to writing (blog posts, stories and novels). It might just be", "have experienced it too? When I come to start writing, my ideas before", "am eager to get to my computer to start on my latest idea.", "too? When I come to start writing, my ideas before I sit down", "on passing, ephemeral thoughts, but they are pervasive and fill me with alternating", "come to start writing, my ideas before I sit down seem wonderful. But", "my latest idea. But the blank page stops me dead. It seems to", "maybe other people have experienced it too? When I come to start writing,", "it too? When I come to start writing, my ideas before I sit", "page stops me dead. It seems to glare at me malevolently. Does anyone", "wonderful. But just recently, as soon as I see that blank page, it", "feel like what I'm going to write is utter rubbish - trite and", "but they are pervasive and fill me with alternating enthusiasm and dread. The", "else experience this, and if so, have they found a way around it?", "love to write. I am eager to get to my computer to start", "It might just be me, but maybe other people have experienced it too?", "alternating enthusiasm and dread. The irony is - I love to write. I", "computer to start on my latest idea. But the blank page stops me", "have a problem when it comes to writing (blog posts, stories and novels).", "experienced it too? When I come to start writing, my ideas before I", "passing, ephemeral thoughts, but they are pervasive and fill me with alternating enthusiasm", "page, it seems like all my enthusiasm drains out of me and I", "is - I love to write. I am eager to get to my", "start writing. I know that these states of mind are built on passing,", "states of mind are built on passing, ephemeral thoughts, but they are pervasive", "me malevolently. Does anyone else experience this, and if so, have they found", "me dead. It seems to glare at me malevolently. Does anyone else experience", "they are pervasive and fill me with alternating enthusiasm and dread. The irony", "thoughts, but they are pervasive and fill me with alternating enthusiasm and dread.", "It seems to glare at me malevolently. Does anyone else experience this, and", "to glare at me malevolently. Does anyone else experience this, and if so,", "posts, stories and novels). It might just be me, but maybe other people", "writing, my ideas before I sit down seem wonderful. But just recently, as", "- I love to write. I am eager to get to my computer", "these states of mind are built on passing, ephemeral thoughts, but they are", "latest idea. But the blank page stops me dead. It seems to glare", "sit down seem wonderful. But just recently, as soon as I see that", "irony is - I love to write. I am eager to get to", "Consequently I can't start writing. I know that these states of mind are", "to write is utter rubbish - trite and derivative. Consequently I can't start", "and I feel like what I'm going to write is utter rubbish -", "drains out of me and I feel like what I'm going to write", "get to my computer to start on my latest idea. But the blank", "just be me, but maybe other people have experienced it too? When I", "utter rubbish - trite and derivative. Consequently I can't start writing. I know", "of mind are built on passing, ephemeral thoughts, but they are pervasive and", "as soon as I see that blank page, it seems like all my", "as I see that blank page, it seems like all my enthusiasm drains", "I see that blank page, it seems like all my enthusiasm drains out", "me with alternating enthusiasm and dread. The irony is - I love to", "when it comes to writing (blog posts, stories and novels). It might just", "my ideas before I sit down seem wonderful. But just recently, as soon", "pervasive and fill me with alternating enthusiasm and dread. The irony is -", "seems like all my enthusiasm drains out of me and I feel like", "and fill me with alternating enthusiasm and dread. The irony is - I", "The irony is - I love to write. I am eager to get", "Does anyone else experience this, and if so, have they found a way", "writing. I know that these states of mind are built on passing, ephemeral", "be me, but maybe other people have experienced it too? When I come", "I am eager to get to my computer to start on my latest", "blank page, it seems like all my enthusiasm drains out of me and", "novels). It might just be me, but maybe other people have experienced it", "ideas before I sit down seem wonderful. But just recently, as soon as", "When I come to start writing, my ideas before I sit down seem", "I feel like what I'm going to write is utter rubbish - trite", "down seem wonderful. But just recently, as soon as I see that blank", "seems to glare at me malevolently. Does anyone else experience this, and if", "me and I feel like what I'm going to write is utter rubbish", "to start on my latest idea. But the blank page stops me dead.", "at me malevolently. Does anyone else experience this, and if so, have they", "mind are built on passing, ephemeral thoughts, but they are pervasive and fill", "and dread. The irony is - I love to write. I am eager", "enthusiasm and dread. The irony is - I love to write. I am", "before I sit down seem wonderful. But just recently, as soon as I", "But just recently, as soon as I see that blank page, it seems", "enthusiasm drains out of me and I feel like what I'm going to", "but maybe other people have experienced it too? When I come to start", "glare at me malevolently. Does anyone else experience this, and if so, have", "know that these states of mind are built on passing, ephemeral thoughts, but", "a problem when it comes to writing (blog posts, stories and novels). It", "that these states of mind are built on passing, ephemeral thoughts, but they", "writing (blog posts, stories and novels). It might just be me, but maybe", "stories and novels). It might just be me, but maybe other people have", "dread. The irony is - I love to write. I am eager to", "to get to my computer to start on my latest idea. But the", "But the blank page stops me dead. It seems to glare at me", "with alternating enthusiasm and dread. The irony is - I love to write.", "all my enthusiasm drains out of me and I feel like what I'm", "are built on passing, ephemeral thoughts, but they are pervasive and fill me", "going to write is utter rubbish - trite and derivative. Consequently I can't", "anyone else experience this, and if so, have they found a way around", "my computer to start on my latest idea. But the blank page stops", "like what I'm going to write is utter rubbish - trite and derivative.", "like all my enthusiasm drains out of me and I feel like what", "see that blank page, it seems like all my enthusiasm drains out of", "write is utter rubbish - trite and derivative. Consequently I can't start writing.", "problem when it comes to writing (blog posts, stories and novels). It might", "I can't start writing. I know that these states of mind are built", "malevolently. Does anyone else experience this, and if so, have they found a", "to my computer to start on my latest idea. But the blank page", "- trite and derivative. Consequently I can't start writing. I know that these", "comes to writing (blog posts, stories and novels). It might just be me,", "the blank page stops me dead. It seems to glare at me malevolently.", "of me and I feel like what I'm going to write is utter", "and novels). It might just be me, but maybe other people have experienced", "me, but maybe other people have experienced it too? When I come to", "other people have experienced it too? When I come to start writing, my", "trite and derivative. Consequently I can't start writing. I know that these states", "write. I am eager to get to my computer to start on my" ]
[ "All this raises some questions. What is the deal with chapter sizes? How", "3000 and 5000 words. And people around here thought so too: [What is", "I use? Should I be consistent in sizing? Wouldn't variable sizing be annoying", "people around here thought so too: [What is a normal length for a", "considered it normal for a chapter to have between 3000 and 5000 words.", "some questions. What is the deal with chapter sizes? How many should I", "How many should I use? Should I be consistent in sizing? Wouldn't variable", "\"Scene switching\" question recommended way smaller amounts. I tried looking for a different", "this raises some questions. What is the deal with chapter sizes? How many", "outdated? All this raises some questions. What is the deal with chapter sizes?", "from my \"Scene switching\" question recommended way smaller amounts. I tried looking for", "recommended way smaller amounts. I tried looking for a different approach which is", "I tried looking for a different approach which is read on here: [When", "is read on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked", "here thought so too: [What is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But", "comments I got from my \"Scene switching\" question recommended way smaller amounts. I", "many should I use? Should I be consistent in sizing? Wouldn't variable sizing", "I got from my \"Scene switching\" question recommended way smaller amounts. I tried", "here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was of", "And people around here thought so too: [What is a normal length for", "question I asked here: [Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always", "deal with chapter sizes? How many should I use? Should I be consistent", "the deal with chapter sizes? How many should I use? Should I be", "is basically a follow-up question I asked here: [Scene switching and how to", "should I use? Should I be consistent in sizing? Wouldn't variable sizing be", "do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for a chapter to have between", "The answer I liked most was of \"Lauren Ipsum\". But it seems outdated?", "is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from", "it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for a chapter to have between 3000", "between 3000 and 5000 words. And people around here thought so too: [What", "here: [Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal", "seems outdated? All this raises some questions. What is the deal with chapter", "basically a follow-up question I asked here: [Scene switching and how to do", "thought so too: [What is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the", "for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from my \"Scene switching\" question", "how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for a chapter to", "Ipsum\". But it seems outdated? All this raises some questions. What is the", "chapter sizes? How many should I use? Should I be consistent in sizing?", "my \"Scene switching\" question recommended way smaller amounts. I tried looking for a", "a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was of \"Lauren Ipsum\". But", "is the deal with chapter sizes? How many should I use? Should I", "way smaller amounts. I tried looking for a different approach which is read", "a follow-up question I asked here: [Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/)", "switching\" question recommended way smaller amounts. I tried looking for a different approach", "a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from my", "around here thought so too: [What is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter)", "approach which is read on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer", "This is basically a follow-up question I asked here: [Scene switching and how", "raises some questions. What is the deal with chapter sizes? How many should", "for a different approach which is read on here: [When should a chapter", "I liked most was of \"Lauren Ipsum\". But it seems outdated? All this", "on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was", "with chapter sizes? How many should I use? Should I be consistent in", "[Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for", "a chapter to have between 3000 and 5000 words. And people around here", "What is the deal with chapter sizes? How many should I use? Should", "of \"Lauren Ipsum\". But it seems outdated? All this raises some questions. What", "Should I be consistent in sizing? Wouldn't variable sizing be annoying to readers?", "I asked here: [Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered", "got from my \"Scene switching\" question recommended way smaller amounts. I tried looking", "tried looking for a different approach which is read on here: [When should", "looking for a different approach which is read on here: [When should a", "so too: [What is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments", "to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for a chapter to have", "asked here: [Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it", "was of \"Lauren Ipsum\". But it seems outdated? All this raises some questions.", "use? Should I be consistent in sizing? Wouldn't variable sizing be annoying to", "a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from my \"Scene switching\" question recommended", "for a chapter to have between 3000 and 5000 words. And people around", "[When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was of \"Lauren", "length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from my \"Scene switching\"", "words. And people around here thought so too: [What is a normal length", "too: [What is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I", "normal for a chapter to have between 3000 and 5000 words. And people", "which is read on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I", "normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from my \"Scene", "it normal for a chapter to have between 3000 and 5000 words. And", "liked most was of \"Lauren Ipsum\". But it seems outdated? All this raises", "But the comments I got from my \"Scene switching\" question recommended way smaller", "chapter to have between 3000 and 5000 words. And people around here thought", "answer I liked most was of \"Lauren Ipsum\". But it seems outdated? All", "different approach which is read on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The", "questions. What is the deal with chapter sizes? How many should I use?", "to have between 3000 and 5000 words. And people around here thought so", "read on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most", "chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got from my \"Scene switching\" question recommended way", "I always considered it normal for a chapter to have between 3000 and", "end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was of \"Lauren Ipsum\". But it seems", "amounts. I tried looking for a different approach which is read on here:", "the comments I got from my \"Scene switching\" question recommended way smaller amounts.", "follow-up question I asked here: [Scene switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I", "a different approach which is read on here: [When should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end)", "chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was of \"Lauren Ipsum\". But it", "question recommended way smaller amounts. I tried looking for a different approach which", "have between 3000 and 5000 words. And people around here thought so too:", "and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for a chapter", "\"Lauren Ipsum\". But it seems outdated? All this raises some questions. What is", "smaller amounts. I tried looking for a different approach which is read on", "always considered it normal for a chapter to have between 3000 and 5000", "and 5000 words. And people around here thought so too: [What is a", "most was of \"Lauren Ipsum\". But it seems outdated? All this raises some", "5000 words. And people around here thought so too: [What is a normal", "switching and how to do it?](https://writing.stackexchange.com/questions/36308/scene-switching-and-how-to-do-it/) I always considered it normal for a", "should a chapter end?](https://writing.stackexchange.com/questions/1806/when-should-a-chapter-end) The answer I liked most was of \"Lauren Ipsum\".", "[What is a normal length for a chapter?](https://writing.stackexchange.com/questions/41/what-is-a-normal-length-for-a-chapter) But the comments I got", "sizes? How many should I use? Should I be consistent in sizing? Wouldn't", "it seems outdated? All this raises some questions. What is the deal with", "But it seems outdated? All this raises some questions. What is the deal" ]
[ "find a way for a character to refer to the person he's speaking", "it's third person, I can't just be like \"Mom said this. Mom did", "said something without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue", "and I can't switch it up without being untrue to the way that", "way, and I can't switch it up without being untrue to the way", "up without being untrue to the way that the POV character thinks of", "referring to her the same way, and I can't switch it up without", "“said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm trying to find", "without being untrue to the way that the POV character thinks of her.", "that thing. > > \"I resent you thinking I always do that thing.\"", "way for a character to refer to the person he's speaking to that", "it up without being untrue to the way that the POV character thinks", "an issue with constructing a scene in third person in which the POV", "in third person in which the POV character is having a conversation with", "her by name. (Or can I?) I'm mostly having to overuse \"his mother\"", "overuse \"his mother\" to the point where even I'M annoyed by it. The", "to that isn't repetitive. As an example: > > His mother did a", "that for example [How do I say that a character said something without", "always do that thing.\" > > \"Sorry, Mom, but you totally always do", "said. His mother stormed away. > > > I'm always referring to her", "that the POV character thinks of her. What are ways to fix this?", "[How do I say that a character said something without resorting to “said", "mother stormed away. > > > I'm always referring to her the same", "that thing,\" he said. His mother stormed away. > > > I'm always", "his mom, I can't just refer to her by name. (Or can I?)", "mom, I can't just refer to her by name. (Or can I?) I'm", "referring to dialogue tags. I'm trying to find a way for a character", "a scene in third person in which the POV character is having a", "tags. I'm trying to find a way for a character to refer to", "said this. Mom did that.\" And, since it's his mom, I can't just", "to her by name. (Or can I?) I'm mostly having to overuse \"his", "character to refer to the person he's speaking to that isn't repetitive. As", "person, I can't just be like \"Mom said this. Mom did that.\" And,", "(Or can I?) I'm mostly having to overuse \"his mother\" to the point", "to the person he's speaking to that isn't repetitive. As an example: >", "\"Mom said this. Mom did that.\" And, since it's his mom, I can't", "thinking I always do that thing.\" > > \"Sorry, Mom, but you totally", "just refer to her by name. (Or can I?) I'm mostly having to", "And, since it's his mom, I can't just refer to her by name.", "mother\" to the point where even I'M annoyed by it. The problem is", "third person, I can't just be like \"Mom said this. Mom did that.\"", "is referring to dialogue tags. I'm trying to find a way for a", "> > \"Sorry, Mom, but you totally always do that thing,\" he said.", "that thing.\" > > \"Sorry, Mom, but you totally always do that thing,\"", "is having a conversation with his mother. Since it's third person, I can't", "thing. > > \"I resent you thinking I always do that thing.\" >", "but you totally always do that thing,\" he said. His mother stormed away.", "is that for example [How do I say that a character said something", "the person he's speaking to that isn't repetitive. As an example: > >", "into an issue with constructing a scene in third person in which the", "to overuse \"his mother\" to the point where even I'M annoyed by it.", "was always doing that thing. > > \"I resent you thinking I always", "like \"Mom said this. Mom did that.\" And, since it's his mom, I", "I'm trying to find a way for a character to refer to the", "I'm running into an issue with constructing a scene in third person in", "I always do that thing.\" > > \"Sorry, Mom, but you totally always", "do I say that a character said something without resorting to “said Phihactor”", "trying to find a way for a character to refer to the person", "Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm trying to find a", "conversation with his mother. Since it's third person, I can't just be like", "stormed away. > > > I'm always referring to her the same way,", "totally always do that thing,\" he said. His mother stormed away. > >", "the point where even I'M annoyed by it. The problem is that for", "> \"I resent you thinking I always do that thing.\" > > \"Sorry,", "something without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags.", "> \"Sorry, Mom, but you totally always do that thing,\" he said. His", "His mother stormed away. > > > I'm always referring to her the", "this. Mom did that.\" And, since it's his mom, I can't just refer", "a character said something without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring", "did a thing. She was always doing that thing. > > \"I resent", "with constructing a scene in third person in which the POV character is", "having a conversation with his mother. Since it's third person, I can't just", "the POV character is having a conversation with his mother. Since it's third", "for example [How do I say that a character said something without resorting", "which the POV character is having a conversation with his mother. Since it's", "person he's speaking to that isn't repetitive. As an example: > > His", "he's speaking to that isn't repetitive. As an example: > > His mother", "mostly having to overuse \"his mother\" to the point where even I'M annoyed", "a conversation with his mother. Since it's third person, I can't just be", "say that a character said something without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159)", "His mother did a thing. She was always doing that thing. > >", "do that thing,\" he said. His mother stormed away. > > > I'm", "isn't repetitive. As an example: > > His mother did a thing. She", "to the way that the POV character thinks of her. What are ways", "problem is that for example [How do I say that a character said", "where even I'M annoyed by it. The problem is that for example [How", "the same way, and I can't switch it up without being untrue to", "> His mother did a thing. She was always doing that thing. >", "speaking to that isn't repetitive. As an example: > > His mother did", "I can't just refer to her by name. (Or can I?) I'm mostly", "for a character to refer to the person he's speaking to that isn't", "She was always doing that thing. > > \"I resent you thinking I", "character is having a conversation with his mother. Since it's third person, I", "untrue to the way that the POV character thinks of her. What are", "mother did a thing. She was always doing that thing. > > \"I", "character said something without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to", "a character to refer to the person he's speaking to that isn't repetitive.", "As an example: > > His mother did a thing. She was always", "switch it up without being untrue to the way that the POV character", "thing,\" he said. His mother stormed away. > > > I'm always referring", "can't switch it up without being untrue to the way that the POV", "to dialogue tags. I'm trying to find a way for a character to", "repetitive. As an example: > > His mother did a thing. She was", "thing. She was always doing that thing. > > \"I resent you thinking", "his mother. Since it's third person, I can't just be like \"Mom said", "mother. Since it's third person, I can't just be like \"Mom said this.", "a thing. She was always doing that thing. > > \"I resent you", "The problem is that for example [How do I say that a character", "that isn't repetitive. As an example: > > His mother did a thing.", "> > His mother did a thing. She was always doing that thing.", "dialogue tags. I'm trying to find a way for a character to refer", "\"Sorry, Mom, but you totally always do that thing,\" he said. His mother", "annoyed by it. The problem is that for example [How do I say", "resent you thinking I always do that thing.\" > > \"Sorry, Mom, but", "doing that thing. > > \"I resent you thinking I always do that", "Mom did that.\" And, since it's his mom, I can't just refer to", "in which the POV character is having a conversation with his mother. Since", "thing.\" > > \"Sorry, Mom, but you totally always do that thing,\" he", "can I?) I'm mostly having to overuse \"his mother\" to the point where", "> I'm always referring to her the same way, and I can't switch", "with his mother. Since it's third person, I can't just be like \"Mom", "it's his mom, I can't just refer to her by name. (Or can", "that.\" And, since it's his mom, I can't just refer to her by", "by it. The problem is that for example [How do I say that", "time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm trying to find a way for", "her the same way, and I can't switch it up without being untrue", "can't just be like \"Mom said this. Mom did that.\" And, since it's", "resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm trying", "since it's his mom, I can't just refer to her by name. (Or", "running into an issue with constructing a scene in third person in which", "> > I'm always referring to her the same way, and I can't", "to the point where even I'M annoyed by it. The problem is that", "to find a way for a character to refer to the person he's", "issue with constructing a scene in third person in which the POV character", "away. > > > I'm always referring to her the same way, and", "I'M annoyed by it. The problem is that for example [How do I", "it. The problem is that for example [How do I say that a", "being untrue to the way that the POV character thinks of her. What", "person in which the POV character is having a conversation with his mother.", "do that thing.\" > > \"Sorry, Mom, but you totally always do that", "> > \"I resent you thinking I always do that thing.\" > >", "an example: > > His mother did a thing. She was always doing", "third person in which the POV character is having a conversation with his", "\"his mother\" to the point where even I'M annoyed by it. The problem", "> > > I'm always referring to her the same way, and I", "having to overuse \"his mother\" to the point where even I'M annoyed by", "refer to her by name. (Or can I?) I'm mostly having to overuse", "point where even I'M annoyed by it. The problem is that for example", "name. (Or can I?) I'm mostly having to overuse \"his mother\" to the", "I'm always referring to her the same way, and I can't switch it", "to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm trying to", "always do that thing,\" he said. His mother stormed away. > > >", "without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm", "he said. His mother stormed away. > > > I'm always referring to", "can't just refer to her by name. (Or can I?) I'm mostly having", "you totally always do that thing,\" he said. His mother stormed away. >", "even I'M annoyed by it. The problem is that for example [How do", "I can't just be like \"Mom said this. Mom did that.\" And, since", "way that the POV character thinks of her. What are ways to fix", "always doing that thing. > > \"I resent you thinking I always do", "I?) I'm mostly having to overuse \"his mother\" to the point where even", "same way, and I can't switch it up without being untrue to the", "be like \"Mom said this. Mom did that.\" And, since it's his mom,", "to her the same way, and I can't switch it up without being", "the way that the POV character thinks of her. What are ways to", "did that.\" And, since it's his mom, I can't just refer to her", "I can't switch it up without being untrue to the way that the", "every time?](https://writing.stackexchange.com/q/31151/23159) is referring to dialogue tags. I'm trying to find a way", "constructing a scene in third person in which the POV character is having", "I say that a character said something without resorting to “said Phihactor” every", "just be like \"Mom said this. Mom did that.\" And, since it's his", "by name. (Or can I?) I'm mostly having to overuse \"his mother\" to", "Mom, but you totally always do that thing,\" he said. His mother stormed", "Currently, I'm running into an issue with constructing a scene in third person", "I'm mostly having to overuse \"his mother\" to the point where even I'M", "to refer to the person he's speaking to that isn't repetitive. As an", "always referring to her the same way, and I can't switch it up", "example [How do I say that a character said something without resorting to", "POV character is having a conversation with his mother. Since it's third person,", "you thinking I always do that thing.\" > > \"Sorry, Mom, but you", "that a character said something without resorting to “said Phihactor” every time?](https://writing.stackexchange.com/q/31151/23159) is", "a way for a character to refer to the person he's speaking to", "Since it's third person, I can't just be like \"Mom said this. Mom", "scene in third person in which the POV character is having a conversation", "example: > > His mother did a thing. She was always doing that", "refer to the person he's speaking to that isn't repetitive. As an example:", "\"I resent you thinking I always do that thing.\" > > \"Sorry, Mom," ]
[ "definite advantages to writing comprehensive character maps, but one downside that I've found", "When a character in my (my, gosh-darned it!) story wants to do one", "gosh-darned it!) story wants to do one thing and I want her/him to", "a character is fully fleshed out, she/he tries to take on a life", "I've found is that when a character is fully fleshed out, she/he tries", "in my (my, gosh-darned it!) story wants to do one thing and I", "the story that I have carefully plotted. When a character in my (my,", "when a character is fully fleshed out, she/he tries to take on a", "comprehensive character maps, but one downside that I've found is that when a", "it!) story wants to do one thing and I want her/him to do", "that when a character is fully fleshed out, she/he tries to take on", "that I have carefully plotted. When a character in my (my, gosh-darned it!)", "to do one thing and I want her/him to do something else, how", "maps, but one downside that I've found is that when a character is", "wants to do one thing and I want her/him to do something else,", "be to the detriment of the story that I have carefully plotted. When", "life of her/his own and sometimes this can be to the detriment of", "I have carefully plotted. When a character in my (my, gosh-darned it!) story", "that I've found is that when a character is fully fleshed out, she/he", "downside that I've found is that when a character is fully fleshed out,", "plotted. When a character in my (my, gosh-darned it!) story wants to do", "character in my (my, gosh-darned it!) story wants to do one thing and", "can be to the detriment of the story that I have carefully plotted.", "of the story that I have carefully plotted. When a character in my", "do one thing and I want her/him to do something else, how should", "one downside that I've found is that when a character is fully fleshed", "out, she/he tries to take on a life of her/his own and sometimes", "take on a life of her/his own and sometimes this can be to", "have carefully plotted. When a character in my (my, gosh-darned it!) story wants", "found is that when a character is fully fleshed out, she/he tries to", "own and sometimes this can be to the detriment of the story that", "(my, gosh-darned it!) story wants to do one thing and I want her/him", "thing and I want her/him to do something else, how should I handle", "story wants to do one thing and I want her/him to do something", "a character in my (my, gosh-darned it!) story wants to do one thing", "of her/his own and sometimes this can be to the detriment of the", "to writing comprehensive character maps, but one downside that I've found is that", "but one downside that I've found is that when a character is fully", "carefully plotted. When a character in my (my, gosh-darned it!) story wants to", "is that when a character is fully fleshed out, she/he tries to take", "one thing and I want her/him to do something else, how should I", "character maps, but one downside that I've found is that when a character", "and sometimes this can be to the detriment of the story that I", "to take on a life of her/his own and sometimes this can be", "is fully fleshed out, she/he tries to take on a life of her/his", "and I want her/him to do something else, how should I handle the", "character is fully fleshed out, she/he tries to take on a life of", "sometimes this can be to the detriment of the story that I have", "the detriment of the story that I have carefully plotted. When a character", "are definite advantages to writing comprehensive character maps, but one downside that I've", "I want her/him to do something else, how should I handle the situation?", "on a life of her/his own and sometimes this can be to the", "she/he tries to take on a life of her/his own and sometimes this", "my (my, gosh-darned it!) story wants to do one thing and I want", "this can be to the detriment of the story that I have carefully", "There are definite advantages to writing comprehensive character maps, but one downside that", "fleshed out, she/he tries to take on a life of her/his own and", "advantages to writing comprehensive character maps, but one downside that I've found is", "tries to take on a life of her/his own and sometimes this can", "a life of her/his own and sometimes this can be to the detriment", "story that I have carefully plotted. When a character in my (my, gosh-darned", "fully fleshed out, she/he tries to take on a life of her/his own", "detriment of the story that I have carefully plotted. When a character in", "to the detriment of the story that I have carefully plotted. When a", "writing comprehensive character maps, but one downside that I've found is that when", "her/his own and sometimes this can be to the detriment of the story" ]
[ "about isn't necessarily infodumping, however. It's just long stretches where my characters are", "to use a lot of dialogue in my writing, which sometimes results in", "thing to write. I tend to use a lot of dialogue in my", "-- a bit similar to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue", "a sign of deeper, structural issues? Or is it something that can be", "infodumping, however. It's just long stretches where my characters are mainly talking to", "best way to make this more interesting for the reader? Is it a", "write. I tend to use a lot of dialogue in my writing, which", "[this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't necessarily", "dialogue I'm talking about isn't necessarily infodumping, however. It's just long stretches where", "more interesting for the reader? Is it a sign of deeper, structural issues?", "favorite thing to write. I tend to use a lot of dialogue in", "however. It's just long stretches where my characters are mainly talking to each", "are mainly talking to each other. What's the best way to make this", "exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't necessarily infodumping, however. It's just long", "stretches where my characters are mainly talking to each other. What's the best", "What's the best way to make this more interesting for the reader? Is", "dialogue in my writing, which sometimes results in long, talky passages -- a", "sometimes results in long, talky passages -- a bit similar to [this question", "for the reader? Is it a sign of deeper, structural issues? Or is", "tend to use a lot of dialogue in my writing, which sometimes results", "to write. I tend to use a lot of dialogue in my writing,", "a bit similar to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm", "each other. What's the best way to make this more interesting for the", "other. What's the best way to make this more interesting for the reader?", "necessarily infodumping, however. It's just long stretches where my characters are mainly talking", "characters are mainly talking to each other. What's the best way to make", "results in long, talky passages -- a bit similar to [this question about", "this more interesting for the reader? Is it a sign of deeper, structural", "reader? Is it a sign of deeper, structural issues? Or is it something", "my characters are mainly talking to each other. What's the best way to", "just long stretches where my characters are mainly talking to each other. What's", "long stretches where my characters are mainly talking to each other. What's the", "in long, talky passages -- a bit similar to [this question about breaking", "isn't necessarily infodumping, however. It's just long stretches where my characters are mainly", "my writing, which sometimes results in long, talky passages -- a bit similar", "use a lot of dialogue in my writing, which sometimes results in long,", "the reader? Is it a sign of deeper, structural issues? Or is it", "Dialogue is my favorite thing to write. I tend to use a lot", "a lot of dialogue in my writing, which sometimes results in long, talky", "The dialogue I'm talking about isn't necessarily infodumping, however. It's just long stretches", "the best way to make this more interesting for the reader? Is it", "lot of dialogue in my writing, which sometimes results in long, talky passages", "writing, which sometimes results in long, talky passages -- a bit similar to", "it a sign of deeper, structural issues? Or is it something that can", "Is it a sign of deeper, structural issues? Or is it something that", "I tend to use a lot of dialogue in my writing, which sometimes", "mainly talking to each other. What's the best way to make this more", "is my favorite thing to write. I tend to use a lot of", "talking about isn't necessarily infodumping, however. It's just long stretches where my characters", "passages -- a bit similar to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The", "where my characters are mainly talking to each other. What's the best way", "interesting for the reader? Is it a sign of deeper, structural issues? Or", "up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't necessarily infodumping, however. It's just", "to each other. What's the best way to make this more interesting for", "to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't", "breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't necessarily infodumping, however. It's", "my favorite thing to write. I tend to use a lot of dialogue", "talking to each other. What's the best way to make this more interesting", "about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't necessarily infodumping, however.", "make this more interesting for the reader? Is it a sign of deeper,", "similar to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about", "to make this more interesting for the reader? Is it a sign of", "It's just long stretches where my characters are mainly talking to each other.", "way to make this more interesting for the reader? Is it a sign", "question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking about isn't necessarily infodumping,", "sign of deeper, structural issues? Or is it something that can be tweaked?", "I'm talking about isn't necessarily infodumping, however. It's just long stretches where my", "in my writing, which sometimes results in long, talky passages -- a bit", "talky passages -- a bit similar to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation).", "bit similar to [this question about breaking up exposition](https://writing.stackexchange.com/questions/3811/how-can-i-break-up-a-lengthy-explanation). The dialogue I'm talking", "long, talky passages -- a bit similar to [this question about breaking up", "of dialogue in my writing, which sometimes results in long, talky passages --", "which sometimes results in long, talky passages -- a bit similar to [this" ]
[ "every so often, I run into a need for poetry. I might need", "stories. It's just that sometimes the story calls for verse, and I can't", "is not how you learn to write in this case. At least not", "write in this case. At least not how I learn. And to clarify", "prophecy, or a ritual blessing, or a character might be serenading another, or", "might need a prophecy, or a ritual blessing, or a character might be", "tools. I can't do anything useful with them either.) Is there a solution?", "read quite a lot of poetry, in English, French, Hebrew and Russian, and", "if I give them good plot? Is there a way I could learn", "in High Fantasy. Do I pretend that the prophet/serenader was also a lame", "I could learn to write better poetry? I should add that I read", "poet, and hope the readers can forgive the cringe-worthy small bit of verse", "and I can't write decent poetry in any language. At all. So apparently", "all. So apparently reading is not how you learn to write in this", "to write better poetry? I should add that I read quite a lot", "I'm not looking to become a poet. My passion is telling stories. It's", "often, I run into a need for poetry. I might need a prophecy,", "small bit of verse if I give them good plot? Is there a", "The plot demands it. Trouble is, I'm not a poet. I find myself", "limits me considerably in the fantasy genre, particularly in High Fantasy. Do I", "passion is telling stories. It's just that sometimes the story calls for verse,", "blessing, or a character might be serenading another, or some piece of information", "my way around the verse, change the plot so it isn't needed? That", "be serenading another, or some piece of information should be hidden in an", "the verse, change the plot so it isn't needed? That limits me considerably", "telling stories. It's just that sometimes the story calls for verse, and I", "that I specifically need rhyme. I am aware of alliteration, and other tools.", "learn to write in this case. At least not how I learn. And", "It's just that sometimes the story calls for verse, and I can't seem", "character might be serenading another, or some piece of information should be hidden", "cringe-worthy small bit of verse if I give them good plot? Is there", "sometimes the story calls for verse, and I can't seem to give it", "hidden in an old song: I need verse. The plot demands it. Trouble", "that sometimes the story calls for verse, and I can't seem to give", "write decent poetry in any language. At all. So apparently reading is not", "poetry. I might need a prophecy, or a ritual blessing, or a character", "I need verse. The plot demands it. Trouble is, I'm not a poet.", "I give them good plot? Is there a way I could learn to", "Is there a solution? Do I write my way around the verse, change", "Hebrew and Russian, and I can't write decent poetry in any language. At", "there a solution? Do I write my way around the verse, change the", "fantasy genre, particularly in High Fantasy. Do I pretend that the prophet/serenader was", "needed? That limits me considerably in the fantasy genre, particularly in High Fantasy.", "I learn. And to clarify yet again, I'm not looking to become a", "in any language. At all. So apparently reading is not how you learn", "just that sometimes the story calls for verse, and I can't seem to", "I am aware of alliteration, and other tools. I can't do anything useful", "piece of information should be hidden in an old song: I need verse.", "the fantasy genre, particularly in High Fantasy. Do I pretend that the prophet/serenader", "better poetry? I should add that I read quite a lot of poetry,", "I write my way around the verse, change the plot so it isn't", "Is there a way I could learn to write better poetry? I should", "or a character might be serenading another, or some piece of information should", "how you learn to write in this case. At least not how I", "find myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I", "and hope the readers can forgive the cringe-worthy small bit of verse if", "other tools. I can't do anything useful with them either.) Is there a", "is, I'm not a poet. I find myself beating my head against [RhymeZone](https://www.rhymezone.com/),", "old song: I need verse. The plot demands it. Trouble is, I'm not", "with them either.) Is there a solution? Do I write my way around", "can forgive the cringe-worthy small bit of verse if I give them good", "At all. So apparently reading is not how you learn to write in", "clarify yet again, I'm not looking to become a poet. My passion is", "Trouble is, I'm not a poet. I find myself beating my head against", "looking to become a poet. My passion is telling stories. It's just that", "I write prose. However, every so often, I run into a need for", "them good plot? Is there a way I could learn to write better", "a way I could learn to write better poetry? I should add that", "rhyme. I am aware of alliteration, and other tools. I can't do anything", "need verse. The plot demands it. Trouble is, I'm not a poet. I", "serenading another, or some piece of information should be hidden in an old", "either.) Is there a solution? Do I write my way around the verse,", "I can't do anything useful with them either.) Is there a solution? Do", "the plot so it isn't needed? That limits me considerably in the fantasy", "learn. And to clarify yet again, I'm not looking to become a poet.", "forgive the cringe-worthy small bit of verse if I give them good plot?", "need a prophecy, or a ritual blessing, or a character might be serenading", "fiction writer. I write prose. However, every so often, I run into a", "write better poetry? I should add that I read quite a lot of", "I am an (aspiring) fiction writer. I write prose. However, every so often,", "quite a lot of poetry, in English, French, Hebrew and Russian, and I", "My passion is telling stories. It's just that sometimes the story calls for", "write my way around the verse, change the plot so it isn't needed?", "isn't needed? That limits me considerably in the fantasy genre, particularly in High", "in this case. At least not how I learn. And to clarify yet", "and Russian, and I can't write decent poetry in any language. At all.", "However, every so often, I run into a need for poetry. I might", "a ritual blessing, or a character might be serenading another, or some piece", "of verse if I give them good plot? Is there a way I", "writer. I write prose. However, every so often, I run into a need", "anything useful with them either.) Is there a solution? Do I write my", "not looking to become a poet. My passion is telling stories. It's just", "a character might be serenading another, or some piece of information should be", "manure. (Not that I specifically need rhyme. I am aware of alliteration, and", "and other tools. I can't do anything useful with them either.) Is there", "song: I need verse. The plot demands it. Trouble is, I'm not a", "English, French, Hebrew and Russian, and I can't write decent poetry in any", "am an (aspiring) fiction writer. I write prose. However, every so often, I", "might be serenading another, or some piece of information should be hidden in", "be hidden in an old song: I need verse. The plot demands it.", "a lame poet, and hope the readers can forgive the cringe-worthy small bit", "French, Hebrew and Russian, and I can't write decent poetry in any language.", "a poet. My passion is telling stories. It's just that sometimes the story", "head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I specifically need rhyme. I", "useful with them either.) Is there a solution? Do I write my way", "And to clarify yet again, I'm not looking to become a poet. My", "add that I read quite a lot of poetry, in English, French, Hebrew", "me considerably in the fantasy genre, particularly in High Fantasy. Do I pretend", "plot? Is there a way I could learn to write better poetry? I", "I should add that I read quite a lot of poetry, in English,", "(aspiring) fiction writer. I write prose. However, every so often, I run into", "lot of poetry, in English, French, Hebrew and Russian, and I can't write", "case. At least not how I learn. And to clarify yet again, I'm", "I can't write decent poetry in any language. At all. So apparently reading", "bit of verse if I give them good plot? Is there a way", "in an old song: I need verse. The plot demands it. Trouble is,", "I find myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that", "to become a poet. My passion is telling stories. It's just that sometimes", "I might need a prophecy, or a ritual blessing, or a character might", "verse if I give them good plot? Is there a way I could", "some piece of information should be hidden in an old song: I need", "against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I specifically need rhyme. I am", "least not how I learn. And to clarify yet again, I'm not looking", "cringe-worthy manure. (Not that I specifically need rhyme. I am aware of alliteration,", "of information should be hidden in an old song: I need verse. The", "can't do anything useful with them either.) Is there a solution? Do I", "poetry in any language. At all. So apparently reading is not how you", "(Not that I specifically need rhyme. I am aware of alliteration, and other", "was also a lame poet, and hope the readers can forgive the cringe-worthy", "So apparently reading is not how you learn to write in this case.", "to write in this case. At least not how I learn. And to", "beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I specifically need", "demands it. Trouble is, I'm not a poet. I find myself beating my", "change the plot so it isn't needed? That limits me considerably in the", "in the fantasy genre, particularly in High Fantasy. Do I pretend that the", "Do I write my way around the verse, change the plot so it", "an (aspiring) fiction writer. I write prose. However, every so often, I run", "way around the verse, change the plot so it isn't needed? That limits", "this case. At least not how I learn. And to clarify yet again,", "verse. The plot demands it. Trouble is, I'm not a poet. I find", "hope the readers can forgive the cringe-worthy small bit of verse if I", "[RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I specifically need rhyme. I am aware", "a solution? Do I write my way around the verse, change the plot", "considerably in the fantasy genre, particularly in High Fantasy. Do I pretend that", "in English, French, Hebrew and Russian, and I can't write decent poetry in", "or a ritual blessing, or a character might be serenading another, or some", "reading is not how you learn to write in this case. At least", "need for poetry. I might need a prophecy, or a ritual blessing, or", "around the verse, change the plot so it isn't needed? That limits me", "learn to write better poetry? I should add that I read quite a", "give them good plot? Is there a way I could learn to write", "High Fantasy. Do I pretend that the prophet/serenader was also a lame poet,", "write prose. However, every so often, I run into a need for poetry.", "it. Trouble is, I'm not a poet. I find myself beating my head", "verse, change the plot so it isn't needed? That limits me considerably in", "not how you learn to write in this case. At least not how", "prophet/serenader was also a lame poet, and hope the readers can forgive the", "is telling stories. It's just that sometimes the story calls for verse, and", "am aware of alliteration, and other tools. I can't do anything useful with", "language. At all. So apparently reading is not how you learn to write", "so often, I run into a need for poetry. I might need a", "aware of alliteration, and other tools. I can't do anything useful with them", "also a lame poet, and hope the readers can forgive the cringe-worthy small", "again, I'm not looking to become a poet. My passion is telling stories.", "yet again, I'm not looking to become a poet. My passion is telling", "into a need for poetry. I might need a prophecy, or a ritual", "them either.) Is there a solution? Do I write my way around the", "poet. My passion is telling stories. It's just that sometimes the story calls", "alliteration, and other tools. I can't do anything useful with them either.) Is", "so it isn't needed? That limits me considerably in the fantasy genre, particularly", "a lot of poetry, in English, French, Hebrew and Russian, and I can't", "poetry? I should add that I read quite a lot of poetry, in", "not a poet. I find myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy", "That limits me considerably in the fantasy genre, particularly in High Fantasy. Do", "I'm not a poet. I find myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing", "genre, particularly in High Fantasy. Do I pretend that the prophet/serenader was also", "lame poet, and hope the readers can forgive the cringe-worthy small bit of", "should be hidden in an old song: I need verse. The plot demands", "poet. I find myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not", "readers can forgive the cringe-worthy small bit of verse if I give them", "information should be hidden in an old song: I need verse. The plot", "I pretend that the prophet/serenader was also a lame poet, and hope the", "that the prophet/serenader was also a lame poet, and hope the readers can", "become a poet. My passion is telling stories. It's just that sometimes the", "a prophecy, or a ritual blessing, or a character might be serenading another,", "a need for poetry. I might need a prophecy, or a ritual blessing,", "solution? Do I write my way around the verse, change the plot so", "plot so it isn't needed? That limits me considerably in the fantasy genre,", "a poet. I find myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure.", "ritual blessing, or a character might be serenading another, or some piece of", "decent poetry in any language. At all. So apparently reading is not how", "need rhyme. I am aware of alliteration, and other tools. I can't do", "how I learn. And to clarify yet again, I'm not looking to become", "you learn to write in this case. At least not how I learn.", "that I read quite a lot of poetry, in English, French, Hebrew and", "another, or some piece of information should be hidden in an old song:", "specifically need rhyme. I am aware of alliteration, and other tools. I can't", "producing cringe-worthy manure. (Not that I specifically need rhyme. I am aware of", "good plot? Is there a way I could learn to write better poetry?", "or some piece of information should be hidden in an old song: I", "plot demands it. Trouble is, I'm not a poet. I find myself beating", "there a way I could learn to write better poetry? I should add", "of poetry, in English, French, Hebrew and Russian, and I can't write decent", "the readers can forgive the cringe-worthy small bit of verse if I give", "do anything useful with them either.) Is there a solution? Do I write", "Fantasy. Do I pretend that the prophet/serenader was also a lame poet, and", "for poetry. I might need a prophecy, or a ritual blessing, or a", "it isn't needed? That limits me considerably in the fantasy genre, particularly in", "the cringe-worthy small bit of verse if I give them good plot? Is", "can't write decent poetry in any language. At all. So apparently reading is", "to clarify yet again, I'm not looking to become a poet. My passion", "myself beating my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I specifically", "could learn to write better poetry? I should add that I read quite", "should add that I read quite a lot of poetry, in English, French,", "of alliteration, and other tools. I can't do anything useful with them either.)", "the prophet/serenader was also a lame poet, and hope the readers can forgive", "not how I learn. And to clarify yet again, I'm not looking to", "the story calls for verse, and I can't seem to give it that.", "an old song: I need verse. The plot demands it. Trouble is, I'm", "any language. At all. So apparently reading is not how you learn to", "I run into a need for poetry. I might need a prophecy, or", "prose. However, every so often, I run into a need for poetry. I", "pretend that the prophet/serenader was also a lame poet, and hope the readers", "my head against [RhymeZone](https://www.rhymezone.com/), producing cringe-worthy manure. (Not that I specifically need rhyme.", "way I could learn to write better poetry? I should add that I", "poetry, in English, French, Hebrew and Russian, and I can't write decent poetry", "I specifically need rhyme. I am aware of alliteration, and other tools. I", "At least not how I learn. And to clarify yet again, I'm not", "run into a need for poetry. I might need a prophecy, or a", "I read quite a lot of poetry, in English, French, Hebrew and Russian,", "particularly in High Fantasy. Do I pretend that the prophet/serenader was also a", "apparently reading is not how you learn to write in this case. At", "Do I pretend that the prophet/serenader was also a lame poet, and hope", "Russian, and I can't write decent poetry in any language. At all. So" ]
[ "already. What I'm asking is when is it okay to write a complete", "and evil-happenings-in-childhood that can make the character someone a reader can sympathise with", "character someone a reader can sympathise with - no matter what the character", "character. So, under what circumstances is it okay to write a thoroughly despicable", "it got me to wondering about the circumstances around thoroughly despicable characters. When", "(something like): each character deserves a chance to be liked by the reader.", "me to wondering about the circumstances around thoroughly despicable characters. When I think", "can sympathise with - no matter what the character does. But still, I'd", "under what circumstances is it okay to write a thoroughly despicable character with", "- no matter what the character does. But still, I'd like to write", "with - no matter what the character does. But still, I'd like to", "character with no redeemable qualities? Just to clarify - I don't need to", "midway through a Masters in Creative Writing. My tutor recently told me (something", "seems to be that there are always extenuating circumstances and excuses and evil-happenings-in-childhood", "working on and so it got me to wondering about the circumstances around", "to write such a character. I mean, it seems to be that there", "monsters because I can do that already. What I'm asking is when is", "monster in terms of producing a story that will get a good reaction", "terms of producing a story that will get a good reaction from readers.", "about it, I don't even know if it's advisable* to write such a", "mean, it seems to be that there are always extenuating circumstances and excuses", "complete monsters because I can do that already. What I'm asking is when", "I'd like to write an irredeemable character. So, under what circumstances is it", "in terms of producing a story that will get a good reaction from", "what circumstances is it okay to write a thoroughly despicable character with no", "is it okay to write a thoroughly despicable character with no redeemable qualities?", "always extenuating circumstances and excuses and evil-happenings-in-childhood that can make the character someone", "no matter what the character does. But still, I'd like to write an", "to be that there are always extenuating circumstances and excuses and evil-happenings-in-childhood that", "to write complete monsters because I can do that already. What I'm asking", "despicable character with no redeemable qualities? Just to clarify - I don't need", "But still, I'd like to write an irredeemable character. So, under what circumstances", "so it got me to wondering about the circumstances around thoroughly despicable characters.", "recently told me (something like): each character deserves a chance to be liked", "know if it's advisable* to write such a character. I mean, it seems", "on and so it got me to wondering about the circumstances around thoroughly", "like to write an irredeemable character. So, under what circumstances is it okay", "reader. I didn't want people to like the particular character I was working", "need to know how to write complete monsters because I can do that", "and excuses and evil-happenings-in-childhood that can make the character someone a reader can", "like the particular character I was working on and so it got me", "is when is it okay to write a complete monster in terms of", "redeemable qualities? Just to clarify - I don't need to know how to", "sympathise with - no matter what the character does. But still, I'd like", "someone a reader can sympathise with - no matter what the character does.", "deserves a chance to be liked by the reader. I didn't want people", "circumstances around thoroughly despicable characters. When I think about it, I don't even", "circumstances and excuses and evil-happenings-in-childhood that can make the character someone a reader", "matter what the character does. But still, I'd like to write an irredeemable", "the character does. But still, I'd like to write an irredeemable character. So,", "okay to write a thoroughly despicable character with no redeemable qualities? Just to", "when is it okay to write a complete monster in terms of producing", "character I was working on and so it got me to wondering about", "I think about it, I don't even know if it's advisable to write", "I'm asking is when is it okay to write a complete monster in", "the circumstances around thoroughly despicable characters. When I think about it, I don't", "advisable to write such a character. I mean, it seems to be that", "reader can sympathise with - no matter what the character does. But still,", "qualities? Just to clarify - I don't need to know how to write", "can make the character someone a reader can sympathise with - no matter", "So, under what circumstances is it okay to write a thoroughly despicable character", "to be liked by the reader. I didn't want people to like the", "like): each character deserves a chance to be liked by the reader. I", "What I'm asking is when is it okay to write a complete monster", "character deserves a chance to be liked by the reader. I didn't want", "be liked by the reader. I didn't want people to like the particular", "My tutor recently told me (something like): each character deserves a chance to", "wondering about the circumstances around thoroughly despicable characters. When I think about it,", "don't even know if it's advisable to write such a character. I mean,", "about the circumstances around thoroughly despicable characters. When I think about it, I", "if it's advisable to write such a character. I mean, it seems to", "even know if it's advisable to write such a character. I mean, it", "tutor recently told me (something like): each character deserves a chance to be", "thoroughly despicable characters. When I think about it, I don't even know if", "want people to like the particular character I was working on and so", "know how to write complete monsters because I can do that already. What", "to clarify - I don't need to know how to write complete monsters", "by the reader. I didn't want people to like the particular character I", "I was working on and so it got me to wondering about the", "a Masters in Creative Writing. My tutor recently told me (something like): each", "to like the particular character I was working on and so it got", "despicable characters. When I think about it, I don't even know if it's", "told me (something like): each character deserves a chance to be liked by", "extenuating circumstances and excuses and evil-happenings-in-childhood that can make the character someone a", "do that already. What I'm asking is when is it okay to write", "no redeemable qualities? Just to clarify - I don't need to know how", "- I don't need to know how to write complete monsters because I", "a chance to be liked by the reader. I didn't want people to", "I mean, it seems to be that there are always extenuating circumstances and", "to write a thoroughly despicable character with no redeemable qualities? Just to clarify", "to know how to write complete monsters because I can do that already.", "the character someone a reader can sympathise with - no matter what the", "still, I'd like to write an irredeemable character. So, under what circumstances is", "thoroughly despicable character with no redeemable qualities? Just to clarify - I don't", "a reader can sympathise with - no matter what the character does. But", "a complete monster in terms of producing a story that will get a", "to write an irredeemable character. So, under what circumstances is it okay to", "that can make the character someone a reader can sympathise with - no", "I don't even know if it's advisable to write such a character. I", "does. But still, I'd like to write an irredeemable character. So, under what", "clarify - I don't need to know how to write complete monsters because", "to wondering about the circumstances around thoroughly despicable characters. When I think about", "it, I don't even know if it's advisable to write such a character.", "particular character I was working on and so it got me to wondering", "be that there are always extenuating circumstances and excuses and evil-happenings-in-childhood that can", "can do that already. What I'm asking is when is it okay to", "I don't need to know how to write complete monsters because I can", "to write a complete monster in terms of producing a story that will", "don't need to know how to write complete monsters because I can do", "Masters in Creative Writing. My tutor recently told me (something like): each character", "evil-happenings-in-childhood that can make the character someone a reader can sympathise with -", "I didn't want people to like the particular character I was working on", "Writing. My tutor recently told me (something like): each character deserves a chance", "characters. When I think about it, I don't even know if it's advisable", "it seems to be that there are always extenuating circumstances and excuses and", "write an irredeemable character. So, under what circumstances is it okay to write", "excuses and evil-happenings-in-childhood that can make the character someone a reader can sympathise", "it okay* to write a complete monster in terms of producing a story", "and so it got me to wondering about the circumstances around thoroughly despicable", "When I think about it, I don't even know if it's advisable to", "an irredeemable character. So, under what circumstances is it okay to write a", "irredeemable character. So, under what circumstances is it okay to write a thoroughly", "a character. I mean, it seems to be that there are always extenuating", "it okay to write a thoroughly despicable character with no redeemable qualities? Just", "how to write complete monsters because I can do that already. What I'm", "is it okay* to write a complete monster in terms of producing a", "write a thoroughly despicable character with no redeemable qualities? Just to clarify -", "was working on and so it got me to wondering about the circumstances", "through a Masters in Creative Writing. My tutor recently told me (something like):", "that already. What I'm asking is when is it okay to write a", "chance to be liked by the reader. I didn't want people to like", "a thoroughly despicable character with no redeemable qualities? Just to clarify - I", "around thoroughly despicable characters. When I think about it, I don't even know", "Just to clarify - I don't need to know how to write complete", "got me to wondering about the circumstances around thoroughly despicable characters. When I", "the reader. I didn't want people to like the particular character I was", "it's advisable to write such a character. I mean, it seems to be", "the particular character I was working on and so it got me to", "Creative Writing. My tutor recently told me (something like): each character deserves a", "me (something like): each character deserves a chance to be liked by the", "think about it, I don't even know if it's advisable to write such", "write complete monsters because I can do that already. What I'm asking is", "character. I mean, it seems to be that there are always extenuating circumstances", "each character deserves a chance to be liked by the reader. I didn't", "character does. But still, I'd like to write an irredeemable character. So, under", "there are always extenuating circumstances and excuses and evil-happenings-in-childhood that can make the", "write a complete monster in terms of producing a story that will get", "I'm midway through a Masters in Creative Writing. My tutor recently told me", "write such a character. I mean, it seems to be that there are", "with no redeemable qualities? Just to clarify - I don't need to know", "didn't want people to like the particular character I was working on and", "asking is when is it okay to write a complete monster in terms", "people to like the particular character I was working on and so it", "liked by the reader. I didn't want people to like the particular character", "are always extenuating circumstances and excuses and evil-happenings-in-childhood that can make the character", "complete monster in terms of producing a story that will get a good", "make the character someone a reader can sympathise with - no matter what", "I can do that already. What I'm asking is when is it okay", "okay* to write a complete monster in terms of producing a story that", "such a character. I mean, it seems to be that there are always", "what the character does. But still, I'd like to write an irredeemable character.", "in Creative Writing. My tutor recently told me (something like): each character deserves", "that there are always extenuating circumstances and excuses and evil-happenings-in-childhood that can make", "circumstances is it okay to write a thoroughly despicable character with no redeemable", "because I can do that already. What I'm asking is *when is it" ]
[ "I'm keeping this name. But I wanted a list of the pros and", "Thankfully, there aren't that many such names and they're not used much. And,", "enlightening, often humorous footnotes. I've gotten so, so many great answers, and I'll", "words via enlightening, often humorous footnotes. I've gotten so, so many great answers,", "The sect are a group within a different species that are named (the", "are the pros/cons of very long names? ### Update To note all your", "the translations/meanings/histories of the words via enlightening, often humorous footnotes. I've gotten so,", "### Update To note all your notes on frequency: Many of the names", "my world. One example are a particular political sect. The sect are a", "a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm planning are completely different. And", "city they are in is called \"(Earth's) Shadow\" (lit translation.) Combined, the political", "no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm planning are", "(per recommendations). Thankfully, there aren't that many such names and they're not used", "isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm planning are completely different.", "the pros/cons of very long names? ### Update To note all your notes", "the political group of this species in this place are \"Sun's children of", "it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ### Question", "I've gotten so, so many great answers, and I'll never be able to", "so, so many great answers, and I'll never be able to pick just", "answers, and I'll never be able to pick just one ... *so I", "Combined, the political group of this species in this place are \"Sun's children", "are a group within* a different species that are named (the species in", "on frequency: Many of the names I build are unusual, but only a", "the city they are in is called \"(Earth's) Shadow\" (lit translation.) Combined, the", "children\" (lit. translation.) and the city they are in is called \"(Earth's) Shadow\"", "(lit. translation.) and the city they are in is called \"(Earth's) Shadow\" (lit", "of the words via enlightening, often humorous footnotes. I've gotten so, so many", "example. ### Question What are the pros/cons of very long names? ### Update", "I build are unusual, but only a handful of them reach the length", "One example are a particular political sect. The sect are a group within", "adding an \"a\" acts as an apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\"", "The actual name (not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya", "humorous footnotes. I've gotten so, so many great answers, and I'll never be", "Earth's Shadow\". The actual name (not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more", "\"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm keeping this name. But I wanted", "and they're not used much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of", "Now, I'm keeping this name. But I wanted a list of the pros", "places/characters/races/etc. in my world. One example are a particular political sect. The sect", "I started a canonical bounty for it!** Please provide a complete list and", "of Earth's Shadow\". The actual name (not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\"", "long names? ### Update To note all your notes on frequency: Many of", "the long names I'm planning are completely different. And I provide the translations/meanings/histories", "names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ### Question What are the", "the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as", "And I provide the translations/meanings/histories of the words via enlightening, often humorous footnotes.", "syllables like Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random", "I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that many such", "accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts as an apostrophe plus an", "\"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ### Question What are the pros/cons of", "in my world. One example are a particular political sect. The sect are", "species in this place are \"Sun's children of Earth's Shadow\". The actual name", "group within a different species that are named (the species in general) \"Sun's", "pick just one ... so I started a canonical bounty for it! Please", "be able to pick just one ... *so I started a canonical bounty", "length of ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there", "a different species that are named (the species in general) \"Sun's children\" (lit.", "sect. The sect are a group within* a different species that are named", "since adding an \"a\" acts as an apostrophe plus an \"s\". \"Tey-filen\" means", "like Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example.", "footnotes. I've gotten so, so many great answers, and I'll never be able", "are \"Sun's children of Earth's Shadow\". The actual name (not the translation) is", "Coopersmithbrown\" as a random example. ### Question What are the pros/cons of very", "started a canonical bounty for it!** Please provide a complete list and see", "But I wanted a list of the pros and cons of long names", "an \"a\" acts as an apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\" and", "sect are a group within a different species that are named (the species", "\"(Earth's) Shadow\" (lit translation.) Combined, the political group of this species in this", "include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ### Question What are", "(not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding", "could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ### Question What", "name. But I wanted a list of the pros and cons of long", "of the pros and cons of long names like this--never mind the obscurity/tangled", "so many great answers, and I'll never be able to pick just one", "pros and cons of long names like this--never mind the obscurity/tangled syllables like", "\"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm", "are a particular political sect. The sect are a group within a different", "translates to \"Exopeildelivur's shadow.\" Now, I'm keeping this name. But I wanted a", "cons of long names like this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it", "Background: I'm developing names for places/characters/races/etc. in my world. One example are a", "names? ### Update To note all your notes on frequency: Many of the", "like this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include names like", "Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now,", "used much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names", "list of the pros and cons of long names like this--never mind the", "long names I'm planning are completely different. And I provide the translations/meanings/histories of", "just one ... so I started a canonical bounty for it! Please provide", "the words via enlightening, often humorous footnotes. I've gotten so, so many great", "I'm developing names for places/characters/races/etc. in my world. One example are a particular", "obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a", "\"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to", "particular political sect. The sect are a group within a different species that", "a handful of them reach the length of ExoathTeyfilen, as I've decided to", "### Question What are the pros/cons of very long names? ### Update To", "names I'm planning are completely different. And I provide the translations/meanings/histories of the", "of the names I build are unusual, but only a handful of them", "often humorous footnotes. I've gotten so, so many great answers, and I'll never", "and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm keeping this name. But I", "a list of the pros and cons of long names like this--never mind", "names like this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include names", "for it!** Please provide a complete list and see the bounty message below.", "this name. But I wanted a list of the pros and cons of", "translations/meanings/histories of the words via enlightening, often humorous footnotes. I've gotten so, so", "Tey-filen,\" since adding an \"a\" acts as an apostrophe plus an \"s\". \"Tey-filen\"", "different species that are named (the species in general) \"Sun's children\" (lit. translation.)", "build are unusual, but only a handful of them reach the length of", "\"Sun's children\" (lit. translation.) and the city they are in is called \"(Earth's)", "an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to", "the length of ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully,", "What are the pros/cons of very long names? ### Update To note all", "there aren't that many such names and they're not used much. And, no,", "world. One example are a particular political sect. The sect are a group", "\"Sun's children of Earth's Shadow\". The actual name (not the translation) is the", "name (not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since", "names and they're not used much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All", "means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and", "All of the long names I'm planning are completely different. And I provide", "Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that many such names and they're not", "### Background: I'm developing names for places/characters/races/etc. in my world. One example are", "mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\"", "but only a handful of them reach the length of ExoathTeyfilen, as I've", "\"a\" acts as an apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\"", "aren't that many such names and they're not used much. And, no, there", "ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that", "\"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts as an apostrophe", "means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's", "translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm keeping", "in is called \"(Earth's) Shadow\" (lit translation.) Combined, the political group of this", "translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\"", "decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that many such names", "able to pick just one ... so I started a canonical bounty for", "handful of them reach the length of ExoathTeyfilen, as I've decided to shorten", "gotten so, so many great answers, and I'll never be able to pick", "actual name (not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\"", "is called \"(Earth's) Shadow\" (lit translation.) Combined, the political group of this species", "I'm planning are completely different. And I provide the translations/meanings/histories of the words", "to pick just one ... so I started a canonical bounty for it!*", "a group within* a different species that are named (the species in general)", "all your notes on frequency: Many of the names I build are unusual,", "is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts", "many such names and they're not used much. And, no, there isn't a", "And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm planning", "random example. ### Question What are the pros/cons of very long names? ###", "this species in this place are \"Sun's children of Earth's Shadow\". The actual", "children of Earth's Shadow\". The actual name (not the translation) is the tonguetwister", "in this place are \"Sun's children of Earth's Shadow\". The actual name (not", "\"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm planning are completely different. And I", "called \"(Earth's) Shadow\" (lit translation.) Combined, the political group of this species in", "of the long names I'm planning are completely different. And I provide the", "acts as an apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means", "are named (the species in general) \"Sun's children\" (lit. translation.) and the city", "recommendations). Thankfully, there aren't that many such names and they're not used much.", "plus an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates", "your notes on frequency: Many of the names I build are unusual, but", "and cons of long names like this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen,", "group of this species in this place are \"Sun's children of Earth's Shadow\".", "To note all your notes on frequency: Many of the names I build", "\"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm keeping this name.", "like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ### Question What are the pros/cons", "of ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't", "translation.) and the city they are in is called \"(Earth's) Shadow\" (lit translation.)", "Many of the names I build are unusual, but only a handful of", "there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm planning are completely", "translation.) Combined, the political group of this species in this place are \"Sun's", "long names like this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include", "only a handful of them reach the length of ExoathTeyfilen, as I've decided", "political sect. The sect are a group within a different species that are", "an apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\"", "shadow.\" Now, I'm keeping this name. But I wanted a list of the", "a canonical bounty for it! Please provide a complete list and see the", "Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm keeping this name. But", "keeping this name. But I wanted a list of the pros and cons", "of this species in this place are \"Sun's children of Earth's Shadow\". The", "this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel", "frequency: Many of the names I build are unusual, but only a handful", "political group of this species in this place are \"Sun's children of Earth's", "Question What are the pros/cons of very long names? ### Update To note", "are in is called \"(Earth's) Shadow\" (lit translation.) Combined, the political group of", "\"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\"", "never be able to pick just one ... so I started a canonical", "wanted a list of the pros and cons of long names like this--never", "... so I started a canonical bounty for it! Please provide a complete", "Shadow\" (lit translation.) Combined, the political group of this species in this place", "\"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\"", "planning are completely different. And I provide the translations/meanings/histories of the words via", "I'll never be able to pick just one ... *so I started a", "tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts as an", "them reach the length of ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen (per", "are completely different. And I provide the translations/meanings/histories of the words via enlightening,", "and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates", "so I started a canonical bounty for it!* Please provide a complete list", "(lit translation.) Combined, the political group of this species in this place are", "of long names like this--never mind the obscurity/tangled syllables like Exopeildelivurathneyateyafilen, it could", "example are a particular political sect. The sect are a group within a", "many great answers, and I'll never be able to pick just one ...", "of them reach the length of ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen", "provide the translations/meanings/histories of the words via enlightening, often humorous footnotes. I've gotten", "Update To note all your notes on frequency: Many of the names I", "and the city they are in is called \"(Earth's) Shadow\" (lit translation.) Combined,", "place are \"Sun's children of Earth's Shadow\". The actual name (not the translation)", "more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts as an apostrophe plus", "canonical bounty for it! Please provide a complete list and see the bounty", "shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that many such names and they're", "different. And I provide the translations/meanings/histories of the words via enlightening, often humorous", "not used much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen*.\" All of the long", "within* a different species that are named (the species in general) \"Sun's children\"", "species that are named (the species in general) \"Sun's children\" (lit. translation.) and", "named (the species in general) \"Sun's children\" (lit. translation.) and the city they", "as a random example. ### Question What are the pros/cons of very long", "names for places/characters/races/etc. in my world. One example are a particular political sect.", "\"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur", "that many such names and they're not used much. And, no, there isn't", "and I'll never be able to pick just one ... *so I started", "I wanted a list of the pros and cons of long names like", "of very long names? ### Update To note all your notes on frequency:", "Exopeildelivurathneyateyafilen, it could include names like \"Bobjohnmarkdaniel Coopersmithbrown\" as a random example. ###", "reach the length of ExoathTeyfilen, as I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations).", "to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that many such names and", "Shadow\". The actual name (not the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately", "this place are \"Sun's children of Earth's Shadow\". The actual name (not the", "very long names? ### Update To note all your notes on frequency: Many", "a particular political sect. The sect are a group within* a different species", "\"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\" translates to \"Exopeildelivur Shadow\"", "the names I build are unusual, but only a handful of them reach", "names I build are unusual, but only a handful of them reach the", "I provide the translations/meanings/histories of the words via enlightening, often humorous footnotes. I've", "the pros and cons of long names like this--never mind the obscurity/tangled syllables", "much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\" All of the long names I'm", "note all your notes on frequency: Many of the names I build are", "general) \"Sun's children\" (lit. translation.) and the city they are in is called", "a random example. ### Question What are the pros/cons of very long names?", "(the species in general) \"Sun's children\" (lit. translation.) and the city they are", "for places/characters/races/etc. in my world. One example are a particular political sect. The", "apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's Children.\" \"Exopeildelivur-thneya\"", "that are named (the species in general) \"Sun's children\" (lit. translation.) and the", "via enlightening, often humorous footnotes. I've gotten so, so many great answers, and", "bounty for it! Please provide a complete list and see the bounty message", "developing names for places/characters/races/etc. in my world. One example are a particular political", "in general) \"Sun's children\" (lit. translation.) and the city they are in is", "the translation) is the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an", "they're not used much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen*.\" All of the", "are unusual, but only a handful of them reach the length of ExoathTeyfilen,", "unusual, but only a handful of them reach the length of ExoathTeyfilen, as", "\"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts as an apostrophe plus an \"s\".", "as an apostrophe plus an \"s\". \"Tey-filen\" means \"Tey-children\" and \"Teyafilen\" means \"Tey's", "such names and they're not used much. And, no, there isn't a \"ExopeildelivurathnuyaTeyfoolen.\"", "the tonguetwister \"Exopeildelivurathneyateyafilen,\" more accurately \"Exopeildelivur-thneya Tey-filen,\" since adding an \"a\" acts as", "great answers, and I'll never be able to pick just one ... so", "one ... so I started a canonical bounty for it!* Please provide a", "to \"Exopeildelivur Shadow\" and \"Exopeildelivurathneya\" translates to \"Exopeildelivur's shadow.\" Now, I'm keeping this", "as I've decided to shorten Exopeildelivurathneyateyafilen (per recommendations). Thankfully, there aren't that many", "completely different. And I provide the translations/meanings/histories of the words via enlightening, often", "pros/cons of very long names? ### Update To note all your notes on", "\"Exopeildelivur's shadow.\" Now, I'm keeping this name. But I wanted a list of", "to \"Exopeildelivur's shadow.\" Now, I'm keeping this name. But I wanted a list", "species in general) \"Sun's children\" (lit. translation.) and the city they are in", "they are in is called \"(Earth's) Shadow\" (lit translation.) Combined, the political group", "notes on frequency: Many of the names I build are unusual, but only" ]
[ "character (in the first third, second or last third part of the tale)", "of the tale) in order for a phoenix type resurrection of the character", "that a change must come. When is the most effective time (or if", "When is the most effective time (or if not - the normally accepted", "the normally accepted time) in the arc of a story to forcibly kill", "effective time (or if not - the normally accepted time) in the arc", "character who is bothering the people around him but just will not or", "first third, second or last third part of the tale) in order for", "about an obsessive character who is bothering the people around him but just", "the arc of a story to forcibly kill off the ego of the", "for a phoenix type resurrection of the character as a more balanced person", "a phoenix type resurrection of the character as a more balanced person to", "in the arc of a story to forcibly kill off the ego of", "phoenix type resurrection of the character as a more balanced person to occur?", "writing a novel about an obsessive character who is bothering the people around", "a novel about an obsessive character who is bothering the people around him", "in order for a phoenix type resurrection of the character as a more", "off the ego of the character (in the first third, second or last", "novel about an obsessive character who is bothering the people around him but", "come. When is the most effective time (or if not - the normally", "of the character (in the first third, second or last third part of", "must come. When is the most effective time (or if not - the", "second or last third part of the tale) in order for a phoenix", "the people around him but just will not or cannot accept that a", "cannot accept that a change must come. When is the most effective time", "the first third, second or last third part of the tale) in order", "third, second or last third part of the tale) in order for a", "the tale) in order for a phoenix type resurrection of the character as", "or cannot accept that a change must come. When is the most effective", "the most effective time (or if not - the normally accepted time) in", "most effective time (or if not - the normally accepted time) in the", "- the normally accepted time) in the arc of a story to forcibly", "not or cannot accept that a change must come. When is the most", "story to forcibly kill off the ego of the character (in the first", "but just will not or cannot accept that a change must come. When", "bothering the people around him but just will not or cannot accept that", "I'm writing a novel about an obsessive character who is bothering the people", "an obsessive character who is bothering the people around him but just will", "will not or cannot accept that a change must come. When is the", "normally accepted time) in the arc of a story to forcibly kill off", "accepted time) in the arc of a story to forcibly kill off the", "kill off the ego of the character (in the first third, second or", "the ego of the character (in the first third, second or last third", "just will not or cannot accept that a change must come. When is", "to forcibly kill off the ego of the character (in the first third,", "of a story to forcibly kill off the ego of the character (in", "change must come. When is the most effective time (or if not -", "last third part of the tale) in order for a phoenix type resurrection", "if not - the normally accepted time) in the arc of a story", "a story to forcibly kill off the ego of the character (in the", "a change must come. When is the most effective time (or if not", "order for a phoenix type resurrection of the character as a more balanced", "is the most effective time (or if not - the normally accepted time)", "obsessive character who is bothering the people around him but just will not", "accept that a change must come. When is the most effective time (or", "third part of the tale) in order for a phoenix type resurrection of", "tale) in order for a phoenix type resurrection of the character as a", "ego of the character (in the first third, second or last third part", "part of the tale) in order for a phoenix type resurrection of the", "arc of a story to forcibly kill off the ego of the character", "the character (in the first third, second or last third part of the", "who is bothering the people around him but just will not or cannot", "time (or if not - the normally accepted time) in the arc of", "people around him but just will not or cannot accept that a change", "around him but just will not or cannot accept that a change must", "(or if not - the normally accepted time) in the arc of a", "not - the normally accepted time) in the arc of a story to", "is bothering the people around him but just will not or cannot accept", "time) in the arc of a story to forcibly kill off the ego", "forcibly kill off the ego of the character (in the first third, second", "(in the first third, second or last third part of the tale) in", "him but just will not or cannot accept that a change must come.", "or last third part of the tale) in order for a phoenix type" ]
[ "she did not (and still does not) like who works for a mafia-like", "our plot, she's in her early 20s and hopes to gain a position", "the game: The game takes place in the mid-90's and involves sometimes-friendly monsters.", "about (or at least suspected) her uncle's involvement in crime, and did not", "players is running a character who was taken from her home at a", "still does not) like who works for a mafia-like criminal organization. She joined", "and occasionally by plain old petty theft. Many people keep pet monsters for", "Please help! Additional info about the game: The game takes place in the", "a plot twist or side plot, but I'm drawing a complete blank as", "drawing a complete blank as far as interesting ideas go. Please help! Additional", "by plain old petty theft. Many people keep pet monsters for personal protection.", "at least suspected) her uncle's involvement in crime, and did not approve of", "in the mid-90's and involves sometimes-friendly monsters. (Some are pets, some are killers)", "at some point for a plot twist or side plot, but I'm drawing", "complete blank as far as interesting ideas go. Please help! Additional info about", "the mid-90's and involves sometimes-friendly monsters. (Some are pets, some are killers) The", "plot for a tabletop game, and one of my players is running a", "to bring her parents into the story at some point for a plot", "does not) like who works for a mafia-like criminal organization. She joined up,", "knows nothing about her biological parents, but thinks they knew about (or at", "(Some are pets, some are killers) The criminal organization makes money by illegally", "far as interesting ideas go. Please help! Additional info about the game: The", "gain a position of power in the organization. She knows nothing about her", "who works for a mafia-like criminal organization. She joined up, too, once she", "at a very young age. (it's her earliest memory) She was raised from", "from her home at a very young age. (it's her earliest memory) She", "up, too, once she was old enough. At the time of our plot,", "not) like who works for a mafia-like criminal organization. She joined up, too,", "and involves sometimes-friendly monsters. (Some are pets, some are killers) The criminal organization", "info about the game: The game takes place in the mid-90's and involves", "She was raised from that point on by an uncle she did not", "raised from that point on by an uncle she did not (and still", "go. Please help! Additional info about the game: The game takes place in", "She joined up, too, once she was old enough. At the time of", "organization makes money by illegally catching and selling the monsters, and occasionally by", "of my players is running a character who was taken from her home", "her earliest memory) She was raised from that point on by an uncle", "character who was taken from her home at a very young age. (it's", "point for a plot twist or side plot, but I'm drawing a complete", "but I'm drawing a complete blank as far as interesting ideas go. Please", "and one of my players is running a character who was taken from", "she was old enough. At the time of our plot, she's in her", "work. I'd like to bring her parents into the story at some point", "not (and still does not) like who works for a mafia-like criminal organization.", "as far as interesting ideas go. Please help! Additional info about the game:", "power in the organization. She knows nothing about her biological parents, but thinks", "enough. At the time of our plot, she's in her early 20s and", "into the story at some point for a plot twist or side plot,", "criminal organization makes money by illegally catching and selling the monsters, and occasionally", "are killers) The criminal organization makes money by illegally catching and selling the", "occasionally by plain old petty theft. Many people keep pet monsters for personal", "like who works for a mafia-like criminal organization. She joined up, too, once", "a mafia-like criminal organization. She joined up, too, once she was old enough.", "her early 20s and hopes to gain a position of power in the", "who was taken from her home at a very young age. (it's her", "and hopes to gain a position of power in the organization. She knows", "time of our plot, she's in her early 20s and hopes to gain", "help! Additional info about the game: The game takes place in the mid-90's", "not approve of his work. I'd like to bring her parents into the", "running a character who was taken from her home at a very young", "catching and selling the monsters, and occasionally by plain old petty theft. Many", "taken from her home at a very young age. (it's her earliest memory)", "in her early 20s and hopes to gain a position of power in", "At the time of our plot, she's in her early 20s and hopes", "parents into the story at some point for a plot twist or side", "and did not approve of his work. I'd like to bring her parents", "they knew about (or at least suspected) her uncle's involvement in crime, and", "that point on by an uncle she did not (and still does not)", "her biological parents, but thinks they knew about (or at least suspected) her", "her parents into the story at some point for a plot twist or", "(and still does not) like who works for a mafia-like criminal organization. She", "a position of power in the organization. She knows nothing about her biological", "in crime, and did not approve of his work. I'd like to bring", "by illegally catching and selling the monsters, and occasionally by plain old petty", "plot, but I'm drawing a complete blank as far as interesting ideas go.", "earliest memory) She was raised from that point on by an uncle she", "least suspected) her uncle's involvement in crime, and did not approve of his", "knew about (or at least suspected) her uncle's involvement in crime, and did", "twist or side plot, but I'm drawing a complete blank as far as", "did not (and still does not) like who works for a mafia-like criminal", "some point for a plot twist or side plot, but I'm drawing a", "place in the mid-90's and involves sometimes-friendly monsters. (Some are pets, some are", "too, once she was old enough. At the time of our plot, she's", "pets, some are killers) The criminal organization makes money by illegally catching and", "20s and hopes to gain a position of power in the organization. She", "was raised from that point on by an uncle she did not (and", "or side plot, but I'm drawing a complete blank as far as interesting", "for a mafia-like criminal organization. She joined up, too, once she was old", "approve of his work. I'd like to bring her parents into the story", "sometimes-friendly monsters. (Some are pets, some are killers) The criminal organization makes money", "makes money by illegally catching and selling the monsters, and occasionally by plain", "thinks they knew about (or at least suspected) her uncle's involvement in crime,", "and selling the monsters, and occasionally by plain old petty theft. Many people", "hopes to gain a position of power in the organization. She knows nothing", "illegally catching and selling the monsters, and occasionally by plain old petty theft.", "for a plot twist or side plot, but I'm drawing a complete blank", "game, and one of my players is running a character who was taken", "my players is running a character who was taken from her home at", "in the organization. She knows nothing about her biological parents, but thinks they", "side plot, but I'm drawing a complete blank as far as interesting ideas", "early 20s and hopes to gain a position of power in the organization.", "some are killers) The criminal organization makes money by illegally catching and selling", "old enough. At the time of our plot, she's in her early 20s", "(it's her earliest memory) She was raised from that point on by an", "her uncle's involvement in crime, and did not approve of his work. I'd", "like to bring her parents into the story at some point for a", "home at a very young age. (it's her earliest memory) She was raised", "writing a plot for a tabletop game, and one of my players is", "the time of our plot, she's in her early 20s and hopes to", "parents, but thinks they knew about (or at least suspected) her uncle's involvement", "crime, and did not approve of his work. I'd like to bring her", "is running a character who was taken from her home at a very", "her home at a very young age. (it's her earliest memory) She was", "about her biological parents, but thinks they knew about (or at least suspected)", "a tabletop game, and one of my players is running a character who", "one of my players is running a character who was taken from her", "from that point on by an uncle she did not (and still does", "of our plot, she's in her early 20s and hopes to gain a", "uncle she did not (and still does not) like who works for a", "she's in her early 20s and hopes to gain a position of power", "a plot for a tabletop game, and one of my players is running", "mid-90's and involves sometimes-friendly monsters. (Some are pets, some are killers) The criminal", "a complete blank as far as interesting ideas go. Please help! Additional info", "young age. (it's her earliest memory) She was raised from that point on", "blank as far as interesting ideas go. Please help! Additional info about the", "was old enough. At the time of our plot, she's in her early", "memory) She was raised from that point on by an uncle she did", "nothing about her biological parents, but thinks they knew about (or at least", "organization. She joined up, too, once she was old enough. At the time", "suspected) her uncle's involvement in crime, and did not approve of his work.", "game takes place in the mid-90's and involves sometimes-friendly monsters. (Some are pets,", "I'm writing a plot for a tabletop game, and one of my players", "once she was old enough. At the time of our plot, she's in", "was taken from her home at a very young age. (it's her earliest", "age. (it's her earliest memory) She was raised from that point on by", "takes place in the mid-90's and involves sometimes-friendly monsters. (Some are pets, some", "money by illegally catching and selling the monsters, and occasionally by plain old", "by an uncle she did not (and still does not) like who works", "mafia-like criminal organization. She joined up, too, once she was old enough. At", "involvement in crime, and did not approve of his work. I'd like to", "point on by an uncle she did not (and still does not) like", "but thinks they knew about (or at least suspected) her uncle's involvement in", "selling the monsters, and occasionally by plain old petty theft. Many people keep", "monsters, and occasionally by plain old petty theft. Many people keep pet monsters", "for a tabletop game, and one of my players is running a character", "on by an uncle she did not (and still does not) like who", "the story at some point for a plot twist or side plot, but", "position of power in the organization. She knows nothing about her biological parents,", "plot, she's in her early 20s and hopes to gain a position of", "tabletop game, and one of my players is running a character who was", "works for a mafia-like criminal organization. She joined up, too, once she was", "The criminal organization makes money by illegally catching and selling the monsters, and", "bring her parents into the story at some point for a plot twist", "I'd like to bring her parents into the story at some point for", "his work. I'd like to bring her parents into the story at some", "of power in the organization. She knows nothing about her biological parents, but", "a very young age. (it's her earliest memory) She was raised from that", "She knows nothing about her biological parents, but thinks they knew about (or", "uncle's involvement in crime, and did not approve of his work. I'd like", "I'm drawing a complete blank as far as interesting ideas go. Please help!", "game: The game takes place in the mid-90's and involves sometimes-friendly monsters. (Some", "the monsters, and occasionally by plain old petty theft. Many people keep pet", "story at some point for a plot twist or side plot, but I'm", "an uncle she did not (and still does not) like who works for", "the organization. She knows nothing about her biological parents, but thinks they knew", "monsters. (Some are pets, some are killers) The criminal organization makes money by", "very young age. (it's her earliest memory) She was raised from that point", "of his work. I'd like to bring her parents into the story at", "a character who was taken from her home at a very young age.", "organization. She knows nothing about her biological parents, but thinks they knew about", "Additional info about the game: The game takes place in the mid-90's and", "involves sometimes-friendly monsters. (Some are pets, some are killers) The criminal organization makes", "about the game: The game takes place in the mid-90's and involves sometimes-friendly", "are pets, some are killers) The criminal organization makes money by illegally catching", "did not approve of his work. I'd like to bring her parents into", "joined up, too, once she was old enough. At the time of our", "to gain a position of power in the organization. She knows nothing about", "biological parents, but thinks they knew about (or at least suspected) her uncle's", "interesting ideas go. Please help! Additional info about the game: The game takes", "plot twist or side plot, but I'm drawing a complete blank as far", "criminal organization. She joined up, too, once she was old enough. At the", "killers) The criminal organization makes money by illegally catching and selling the monsters,", "as interesting ideas go. Please help! Additional info about the game: The game", "The game takes place in the mid-90's and involves sometimes-friendly monsters. (Some are", "ideas go. Please help! Additional info about the game: The game takes place", "(or at least suspected) her uncle's involvement in crime, and did not approve" ]
[ "I'm here. A few specific questions: how many team members should there be?", "they all be main characters, or just one? What kind of personalities and", "kind of personalities and dynamics are needed within a team to make it", "on the internet (at least that I could find), so I'm here. A", "isn't information about this on the internet (at least that I could find),", "are needed within a team to make it work? And any other general", "this on the internet (at least that I could find), so I'm here.", "internet (at least that I could find), so I'm here. A few specific", "so I'm here. A few specific questions: how many team members should there", "few specific questions: how many team members should there be? Should they all", "team members should there be? Should they all be main characters, or just", "specific questions: how many team members should there be? Should they all be", "A few specific questions: how many team members should there be? Should they", "least that I could find), so I'm here. A few specific questions: how", "should there be? Should they all be main characters, or just one? What", "main characters, or just one? What kind of personalities and dynamics are needed", "team to make it work? And any other general advice is greatly appreciated.", "the internet (at least that I could find), so I'm here. A few", "needed within a team to make it work? And any other general advice", "here. A few specific questions: how many team members should there be? Should", "about this on the internet (at least that I could find), so I'm", "just isn't information about this on the internet (at least that I could", "(at least that I could find), so I'm here. A few specific questions:", "There just isn't information about this on the internet (at least that I", "members should there be? Should they all be main characters, or just one?", "of personalities and dynamics are needed within a team to make it work?", "and dynamics are needed within a team to make it work? And any", "dynamics are needed within a team to make it work? And any other", "Should they all be main characters, or just one? What kind of personalities", "a team to make it work? And any other general advice is greatly", "many team members should there be? Should they all be main characters, or", "be main characters, or just one? What kind of personalities and dynamics are", "there be? Should they all be main characters, or just one? What kind", "I could find), so I'm here. A few specific questions: how many team", "within a team to make it work? And any other general advice is", "that I could find), so I'm here. A few specific questions: how many", "questions: how many team members should there be? Should they all be main", "characters, or just one? What kind of personalities and dynamics are needed within", "one? What kind of personalities and dynamics are needed within a team to", "information about this on the internet (at least that I could find), so", "What kind of personalities and dynamics are needed within a team to make", "personalities and dynamics are needed within a team to make it work? And", "just one? What kind of personalities and dynamics are needed within a team", "be? Should they all be main characters, or just one? What kind of", "could find), so I'm here. A few specific questions: how many team members", "or just one? What kind of personalities and dynamics are needed within a", "all be main characters, or just one? What kind of personalities and dynamics", "how many team members should there be? Should they all be main characters,", "find), so I'm here. A few specific questions: how many team members should" ]
[ "Just I must not copy the storyline and context in which its used.", "Since after all plenty of stories and movies have gotten hate for being", "your responses. I got the answer I was looking for. Now I understand", "can I use the bending of elements through martial arts in my story?", "but not use anything else from Avatar: The Last Airbender? To clarify, I", "you for your responses. I got the answer I was looking for. Now", "magic system. Just, can I use the same magic system of bending (not", "aspect (story,plot,etc.) of my fantasy story is my own design? For instance, can", "looking for. Now I understand that I can copy magic system ideas. Just", "anything else from Avatar: The Last Airbender? To clarify, I am not meaning", "world of Avatar word for word, and all the intrices of the magic", "it my own I just wanted clarity on how to go about that.", "system of another author if every other aspect (story,plot,etc.) of my fantasy story", "every other aspect (story,plot,etc.) of my fantasy story is my own design? For", "not meaning using the world of Avatar word for word, and all the", "movies have gotten hate for being rip-offs and flat out plagiarism of other", "and context in which its used. I can use bending the elements as", "for being rip-offs and flat out plagiarism of other sources. i.e. Nosferatu vs", "the magic system. Just, can I use the same magic system of bending", "manipulating the elements with martial arts? I was just using Avatar as a", "meant can I use manipulating the elements with martial arts? I was just", "out plagiarism of other sources. i.e. Nosferatu vs Dracula, Ants and A Bug's", "necessarily calling it bending), that is can I use the bending of elements", "that is can I use the bending of elements through martial arts in", "story? Not \"can I copy bending in its storytelling context within avatar. Just", "wanted clarity on how to go about that. Since after all plenty of", "own design? For instance, can I use bending from Avatar: The Last Airbender", "avatar. Just misworded it. I meant can I use manipulating the elements with", "plagiarism of other sources. i.e. Nosferatu vs Dracula, Ants and A Bug's Life.", "so people got an example of what I meant. Thank you for your", "from Avatar: The Last Airbender Comics but not use anything else from Avatar:", "meaning using the world of Avatar word for word, and all the intrices", "from Avatar: The Last Airbender? To clarify, I am not meaning using the", "stories. I guess I was not clear initially, but I was always planning", "I guess I was not clear initially, but I was always planning on", "(story,plot,etc.) of my fantasy story is my own design? For instance, can I", "I was just using Avatar as a reference point, so people got an", "responses. I got the answer I was looking for. Now I understand that", "gotten hate for being rip-offs and flat out plagiarism of other sources. i.e.", "Airbender Comics but not use anything else from Avatar: The Last Airbender? To", "calling it bending), that is can I use the bending of elements through", "appears in other stories. I guess I was not clear initially, but I", "to go about that. Since after all plenty of stories and movies have", "other stories. I guess I was not clear initially, but I was always", "stories and movies have gotten hate for being rip-offs and flat out plagiarism", "how to go about that. Since after all plenty of stories and movies", "was always planning on making it my own I just wanted clarity on", "I use the bending of elements through martial arts in my story? Not", "the intrices of the magic system. Just, can I use the same magic", "copy the storyline and context in which its used. I can use bending", "a reference point, so people got an example of what I meant. Thank", "use bending the elements as it appears in other stories. I guess I", "got an example of what I meant. Thank you for your responses. I", "design? For instance, can I use bending from Avatar: The Last Airbender Comics", "arts in my story? Not \"can I copy bending in its storytelling context", "what I meant. Thank you for your responses. I got the answer I", "I meant. Thank you for your responses. I got the answer I was", "of the magic system. Just, can I use the same magic system of", "word for word, and all the intrices of the magic system. Just, can", "hate for being rip-offs and flat out plagiarism of other sources. i.e. Nosferatu", "elements as it appears in other stories. I guess I was not clear", "Just misworded it. I meant can I use manipulating the elements with martial", "was looking for. Now I understand that I can copy magic system ideas.", "clarity on how to go about that. Since after all plenty of stories", "Is it fine for me to copy the magic system of another author", "fine for me to copy the magic system of another author if every", "Airbender? To clarify, I am not meaning using the world of Avatar word", "another author if every other aspect (story,plot,etc.) of my fantasy story is my", "an example of what I meant. Thank you for your responses. I got", "was just using Avatar as a reference point, so people got an example", "bending), that is can I use the bending of elements through martial arts", "magic system ideas. Just I must not copy the storyline and context in", "copy the magic system of another author if every other aspect (story,plot,etc.) of", "To clarify, I am not meaning using the world of Avatar word for", "bending (not necessarily calling it bending), that is can I use the bending", "being rip-offs and flat out plagiarism of other sources. i.e. Nosferatu vs Dracula,", "as a reference point, so people got an example of what I meant.", "bending the elements as it appears in other stories. I guess I was", "system ideas. Just I must not copy the storyline and context in which", "Avatar word for word, and all the intrices of the magic system. Just,", "can I use bending from Avatar: The Last Airbender* Comics but not use", "bending from Avatar: The Last Airbender Comics but not use anything else from", "all the intrices of the magic system. Just, can I use the same", "planning on making it my own I just wanted clarity on how to", "word, and all the intrices of the magic system. Just, can I use", "must not copy the storyline and context in which its used. I can", "I just wanted clarity on how to go about that. Since after all", "just wanted clarity on how to go about that. Since after all plenty", "martial arts? I was just using Avatar as a reference point, so people", "the world of Avatar word for word, and all the intrices of the", "storytelling context within avatar. Just misworded it. I meant can I use manipulating", "copy magic system ideas. Just I must not copy the storyline and context", "the elements with martial arts? I was just using Avatar as a reference", "people got an example of what I meant. Thank you for your responses.", "of what I meant. Thank you for your responses. I got the answer", "can use bending the elements as it appears in other stories. I guess", "guess I was not clear initially, but I was always planning on making", "use anything else from Avatar: The Last Airbender? To clarify, I am not", "misworded it. I meant can I use manipulating the elements with martial arts?", "its used. I can use bending the elements as it appears in other", "For instance, can I use bending from Avatar: The Last Airbender Comics but", "Just, can I use the same magic system of bending (not necessarily calling", "story is my own design? For instance, can I use bending from Avatar:", "that I can copy magic system ideas. Just I must not copy the", "in my story? Not \"can I copy bending in its storytelling context within", "rip-offs and flat out plagiarism of other sources. i.e. Nosferatu vs Dracula, Ants", "was not clear initially, but I was always planning on making it my", "me to copy the magic system of another author if every other aspect", "I was always planning on making it my own I just wanted clarity", "author if every other aspect (story,plot,etc.) of my fantasy story is my own", "martial arts in my story? Not \"can I copy bending in its storytelling", "Not \"can I copy bending in its storytelling context within avatar. Just misworded", "of my fantasy story is my own design? For instance, can I use", "Comics but not use anything else from Avatar: The Last Airbender? To clarify,", "elements through martial arts in my story? Not \"can I copy bending in", "initially, but I was always planning on making it my own I just", "but I was always planning on making it my own I just wanted", "in its storytelling context within avatar. Just misworded it. I meant can I", "arts? I was just using Avatar as a reference point, so people got", "for word, and all the intrices of the magic system. Just, can I", "in which its used. I can use bending the elements as it appears", "not clear initially, but I was always planning on making it my own", "used. I can use bending the elements as it appears in other stories.", "Thank you for your responses. I got the answer I was looking for.", "through martial arts in my story? Not \"can I copy bending in its", "my own I just wanted clarity on how to go about that. Since", "can I use the same magic system of bending (not necessarily calling it", "context within avatar. Just misworded it. I meant can I use manipulating the", "I was not clear initially, but I was always planning on making it", "storyline and context in which its used. I can use bending the elements", "am not meaning using the world of Avatar word for word, and all", "of elements through martial arts in my story? Not \"can I copy bending", "in other stories. I guess I was not clear initially, but I was", "within avatar. Just misworded it. I meant can I use manipulating the elements", "for. Now I understand that I can copy magic system ideas. Just I", "have gotten hate for being rip-offs and flat out plagiarism of other sources.", "system. Just, can I use the same magic system of bending (not necessarily", "I use the same magic system of bending (not necessarily calling it bending),", "the elements as it appears in other stories. I guess I was not", "I must not copy the storyline and context in which its used. I", "I copy bending in its storytelling context within avatar. Just misworded it. I", "and flat out plagiarism of other sources. i.e. Nosferatu vs Dracula, Ants and", "using Avatar as a reference point, so people got an example of what", "that. Since after all plenty of stories and movies have gotten hate for", "making it my own I just wanted clarity on how to go about", "flat out plagiarism of other sources. i.e. Nosferatu vs Dracula, Ants and A", "fantasy story is my own design? For instance, can I use bending from", "it fine for me to copy the magic system of another author if", "I was looking for. Now I understand that I can copy magic system", "magic system of another author if every other aspect (story,plot,etc.) of my fantasy", "is my own design? For instance, can I use bending from Avatar: The", "all plenty of stories and movies have gotten hate for being rip-offs and", "point, so people got an example of what I meant. Thank you for", "I got the answer I was looking for. Now I understand that I", "I can use bending the elements as it appears in other stories. I", "the bending of elements through martial arts in my story? Not \"can I", "my story? Not \"can I copy bending in its storytelling context within avatar.", "answer I was looking for. Now I understand that I can copy magic", "if every other aspect (story,plot,etc.) of my fantasy story is my own design?", "which its used. I can use bending the elements as it appears in", "The Last Airbender* Comics but not use anything else from Avatar: The Last", "using the world of Avatar word for word, and all the intrices of", "bending in its storytelling context within avatar. Just misworded it. I meant can", "my own design? For instance, can I use bending from Avatar: The Last", "the magic system of another author if every other aspect (story,plot,etc.) of my", "can I use manipulating the elements with martial arts? I was just using", "not copy the storyline and context in which its used. I can use", "intrices of the magic system. Just, can I use the same magic system", "it. I meant can I use manipulating the elements with martial arts? I", "go about that. Since after all plenty of stories and movies have gotten", "I meant can I use manipulating the elements with martial arts? I was", "elements with martial arts? I was just using Avatar as a reference point,", "my fantasy story is my own design? For instance, can I use bending", "The Last Airbender? To clarify, I am not meaning using the world of", "instance, can I use bending from Avatar: The Last Airbender* Comics but not", "I am not meaning using the world of Avatar word for word, and", "reference point, so people got an example of what I meant. Thank you", "I understand that I can copy magic system ideas. Just I must not", "context in which its used. I can use bending the elements as it", "about that. Since after all plenty of stories and movies have gotten hate", "clarify, I am not meaning using the world of Avatar word for word,", "of Avatar word for word, and all the intrices of the magic system.", "just using Avatar as a reference point, so people got an example of", "ideas. Just I must not copy the storyline and context in which its", "I use bending from Avatar: The Last Airbender Comics but not use anything", "bending of elements through martial arts in my story? Not \"can I copy", "always planning on making it my own I just wanted clarity on how", "not use anything else from Avatar: The Last Airbender? To clarify, I am", "it appears in other stories. I guess I was not clear initially, but", "on making it my own I just wanted clarity on how to go", "Last Airbender* Comics but not use anything else from Avatar: The Last Airbender?", "other aspect (story,plot,etc.) of my fantasy story is my own design? For instance,", "for your responses. I got the answer I was looking for. Now I", "after all plenty of stories and movies have gotten hate for being rip-offs", "of stories and movies have gotten hate for being rip-offs and flat out", "magic system of bending (not necessarily calling it bending), that is can I", "use bending from Avatar: The Last Airbender Comics but not use anything else", "of another author if every other aspect (story,plot,etc.) of my fantasy story is", "on how to go about that. Since after all plenty of stories and", "same magic system of bending (not necessarily calling it bending), that is can", "Avatar: The Last Airbender Comics but not use anything else from Avatar: The", "Last Airbender? To clarify, I am not meaning using the world of Avatar", "can copy magic system ideas. Just I must not copy the storyline and", "I use manipulating the elements with martial arts? I was just using Avatar", "example of what I meant. Thank you for your responses. I got the", "meant. Thank you for your responses. I got the answer I was looking", "use the bending of elements through martial arts in my story? Not \"can", "for me to copy the magic system of another author if every other", "copy bending in its storytelling context within avatar. Just misworded it. I meant", "its storytelling context within avatar. Just misworded it. I meant can I use", "I can copy magic system ideas. Just I must not copy the storyline", "the same magic system of bending (not necessarily calling it bending), that is", "Now I understand that I can copy magic system ideas. Just I must", "own I just wanted clarity on how to go about that. Since after", "Avatar: The Last Airbender? To clarify, I am not meaning using the world", "clear initially, but I was always planning on making it my own I", "system of bending (not necessarily calling it bending), that is can I use", "use manipulating the elements with martial arts? I was just using Avatar as", "the storyline and context in which its used. I can use bending the", "and movies have gotten hate for being rip-offs and flat out plagiarism of", "(not necessarily calling it bending), that is can I use the bending of", "to copy the magic system of another author if every other aspect (story,plot,etc.)", "the answer I was looking for. Now I understand that I can copy", "and all the intrices of the magic system. Just, can I use the", "of bending (not necessarily calling it bending), that is can I use the", "with martial arts? I was just using Avatar as a reference point, so", "is can I use the bending of elements through martial arts in my", "Avatar as a reference point, so people got an example of what I", "\"can I copy bending in its storytelling context within avatar. Just misworded it.", "else from Avatar: The Last Airbender? To clarify, I am not meaning using", "as it appears in other stories. I guess I was not clear initially,", "it bending), that is can I use the bending of elements through martial", "understand that I can copy magic system ideas. Just I must not copy", "got the answer I was looking for. Now I understand that I can", "plenty of stories and movies have gotten hate for being rip-offs and flat", "use the same magic system of bending (not necessarily calling it bending), that" ]
[ "just a little lost on what course to take and need some guidance.", "need some guidance. Is a creative writing course worth taking before taking a", "writing, but I've never taken any courses, I've only just written for fun.", "and need some guidance. Is a creative writing course worth taking before taking", "experience with writing, but I've never taken any courses, I've only just written", "lost on what course to take and need some guidance. Is a creative", "like to take a writing course, and I'm just a little lost on", "course, and I'm just a little lost on what course to take and", "worth taking before taking a fiction writing course? I have experience with writing,", "have experience with writing, but I've never taken any courses, I've only just", "course to take and need some guidance. Is a creative writing course worth", "to take a writing course, and I'm just a little lost on what", "fiction writing course? I have experience with writing, but I've never taken any", "to take and need some guidance. Is a creative writing course worth taking", "Is a creative writing course worth taking before taking a fiction writing course?", "a little lost on what course to take and need some guidance. Is", "writing course worth taking before taking a fiction writing course? I have experience", "course worth taking before taking a fiction writing course? I have experience with", "never taken any courses, I've only just written for fun. Can anyone offer", "a creative writing course worth taking before taking a fiction writing course? I", "take and need some guidance. Is a creative writing course worth taking before", "taking a fiction writing course? I have experience with writing, but I've never", "and I'm just a little lost on what course to take and need", "little lost on what course to take and need some guidance. Is a", "a fiction writing course? I have experience with writing, but I've never taken", "take a writing course, and I'm just a little lost on what course", "taken any courses, I've only just written for fun. Can anyone offer some", "I'd like to take a writing course, and I'm just a little lost", "writing course, and I'm just a little lost on what course to take", "writing course? I have experience with writing, but I've never taken any courses,", "what course to take and need some guidance. Is a creative writing course", "but I've never taken any courses, I've only just written for fun. Can", "I've never taken any courses, I've only just written for fun. Can anyone", "guidance. Is a creative writing course worth taking before taking a fiction writing", "with writing, but I've never taken any courses, I've only just written for", "some guidance. Is a creative writing course worth taking before taking a fiction", "creative writing course worth taking before taking a fiction writing course? I have", "I have experience with writing, but I've never taken any courses, I've only", "course? I have experience with writing, but I've never taken any courses, I've", "on what course to take and need some guidance. Is a creative writing", "I'm just a little lost on what course to take and need some", "a writing course, and I'm just a little lost on what course to", "any courses, I've only just written for fun. Can anyone offer some advice?", "before taking a fiction writing course? I have experience with writing, but I've", "taking before taking a fiction writing course? I have experience with writing, but" ]
[ "Does anyone know of a charity or an organization that would welcome a", "I can't receive royalties because the income stream is unpredictable and could jeopardize", "is that I am disabled and receive benefits, so I can't receive royalties", "world somehow by way of my contribution. Do people do that (and are", "by way of my contribution. Do people do that (and are there examples)?", "have had thoughts of writing anyway on a socially conscious topic that could", "thoughts of writing anyway on a socially conscious topic that could benefit the", "there examples)? Does anyone know of a charity or an organization that would", "examples)? Does anyone know of a charity or an organization that would welcome", "write a novel and have it published. Problem is that I am disabled", "and could jeopardize them. I have had thoughts of writing anyway on a", "because the income stream is unpredictable and could jeopardize them. I have had", "had thoughts of writing anyway on a socially conscious topic that could benefit", "that could benefit the world somehow by way of my contribution. Do people", "I am an aspiring author who wants to write a novel and have", "that I am disabled and receive benefits, so I can't receive royalties because", "receive benefits, so I can't receive royalties because the income stream is unpredictable", "and receive benefits, so I can't receive royalties because the income stream is", "anyone know of a charity or an organization that would welcome a socially", "wants to write a novel and have it published. Problem is that I", "the income stream is unpredictable and could jeopardize them. I have had thoughts", "who wants to write a novel and have it published. Problem is that", "them. I have had thoughts of writing anyway on a socially conscious topic", "a socially conscious topic that could benefit the world somehow by way of", "people do that (and are there examples)? Does anyone know of a charity", "I have had thoughts of writing anyway on a socially conscious topic that", "author who wants to write a novel and have it published. Problem is", "way of my contribution. Do people do that (and are there examples)? Does", "an aspiring author who wants to write a novel and have it published.", "socially conscious topic that could benefit the world somehow by way of my", "of my contribution. Do people do that (and are there examples)? Does anyone", "of a charity or an organization that would welcome a socially conscious novel?", "am disabled and receive benefits, so I can't receive royalties because the income", "writing anyway on a socially conscious topic that could benefit the world somehow", "on a socially conscious topic that could benefit the world somehow by way", "benefit the world somehow by way of my contribution. Do people do that", "aspiring author who wants to write a novel and have it published. Problem", "royalties because the income stream is unpredictable and could jeopardize them. I have", "published. Problem is that I am disabled and receive benefits, so I can't", "conscious topic that could benefit the world somehow by way of my contribution.", "Problem is that I am disabled and receive benefits, so I can't receive", "is unpredictable and could jeopardize them. I have had thoughts of writing anyway", "jeopardize them. I have had thoughts of writing anyway on a socially conscious", "a novel and have it published. Problem is that I am disabled and", "topic that could benefit the world somehow by way of my contribution. Do", "the world somehow by way of my contribution. Do people do that (and", "(and are there examples)? Does anyone know of a charity or an organization", "stream is unpredictable and could jeopardize them. I have had thoughts of writing", "have it published. Problem is that I am disabled and receive benefits, so", "somehow by way of my contribution. Do people do that (and are there", "of writing anyway on a socially conscious topic that could benefit the world", "am an aspiring author who wants to write a novel and have it", "are there examples)? Does anyone know of a charity or an organization that", "know of a charity or an organization that would welcome a socially conscious", "Do people do that (and are there examples)? Does anyone know of a", "novel and have it published. Problem is that I am disabled and receive", "income stream is unpredictable and could jeopardize them. I have had thoughts of", "it published. Problem is that I am disabled and receive benefits, so I", "contribution. Do people do that (and are there examples)? Does anyone know of", "benefits, so I can't receive royalties because the income stream is unpredictable and", "do that (and are there examples)? Does anyone know of a charity or", "I am disabled and receive benefits, so I can't receive royalties because the", "and have it published. Problem is that I am disabled and receive benefits,", "my contribution. Do people do that (and are there examples)? Does anyone know", "disabled and receive benefits, so I can't receive royalties because the income stream", "so I can't receive royalties because the income stream is unpredictable and could", "can't receive royalties because the income stream is unpredictable and could jeopardize them.", "anyway on a socially conscious topic that could benefit the world somehow by", "unpredictable and could jeopardize them. I have had thoughts of writing anyway on", "could benefit the world somehow by way of my contribution. Do people do", "that (and are there examples)? Does anyone know of a charity or an", "receive royalties because the income stream is unpredictable and could jeopardize them. I", "could jeopardize them. I have had thoughts of writing anyway on a socially", "to write a novel and have it published. Problem is that I am" ]
[ "of artists like Artaud, Crecsr, or Pirandello have extensive work on philosophical questions", "fiction and life dwell. I feel this way, but I am practically unable", "I don't get why I shouldn't be able to write fiction if they", "in this way I now abhor, rationalising everything so I can make living", "am practically unable to write fiction since everything I write feels too philosophical", "mystery where fiction and life dwell. I feel this way, but I am", "to enlighten the world instead of maintaining the mystery where fiction and life", "son to two philosophers, and maybe this shaped too much my way of", "write something that really satisfies me. My question is: Is there any hope", "my way of understanding the world. I think a lot, or maybe thinking", "get to write something that really satisfies me. My question is: Is there", "by me. Lots of artists like Artaud, Crecsr, or Pirandello have extensive work", "this way, but I am practically unable to write fiction since everything I", "I think a lot, or maybe thinking means a lot to me. And,", "question is: Is there any hope I will be able to write fiction?", "get why I shouldn't be able to write fiction if they did both", "is, I want to write fiction. And maybe nothing is farther from fiction", "and art philosophy. I was educated in this way I now abhor, rationalising", "is trying to enlighten the world instead of maintaining the mystery where fiction", "did both write philosophy and literature. But the doubt stands because I can't", "me. And, mainly, I think about art questions and art philosophy. I was", "be able to write fiction if they did both write philosophy and literature.", "mainly, I think about art questions and art philosophy. I was educated in", "philosophy, which is trying to enlighten the world instead of maintaining the mystery", "if they did both write philosophy and literature. But the doubt stands because", "too much my way of understanding the world. I think a lot, or", "But the doubt stands because I can't get to write something that really", "birth to lots of essays. So I don't get why I shouldn't be", "the mystery where fiction and life dwell. I feel this way, but I", "artists like Artaud, Crecsr, or Pirandello have extensive work on philosophical questions which", "I think about art questions and art philosophy. I was educated in this", "way I now abhor, rationalising everything so I can make living things thinkable,", "this way I now abhor, rationalising everything so I can make living things", "think about art questions and art philosophy. I was educated in this way", "than philosophy, which is trying to enlighten the world instead of maintaining the", "maybe this shaped too much my way of understanding the world. I think", "criticised in philosophical categories by me. Lots of artists like Artaud, Crecsr, or", "or can be criticised in philosophical categories by me. Lots of artists like", "life dwell. I feel this way, but I am practically unable to write", "want to write fiction. And maybe nothing is farther from fiction than philosophy,", "The problem is, I want to write fiction. And maybe nothing is farther", "be criticised in philosophical categories by me. Lots of artists like Artaud, Crecsr,", "farther from fiction than philosophy, which is trying to enlighten the world instead", "like Artaud, Crecsr, or Pirandello have extensive work on philosophical questions which gave", "and maybe this shaped too much my way of understanding the world. I", "problem is, I want to write fiction. And maybe nothing is farther from", "of understanding the world. I think a lot, or maybe thinking means a", "really satisfies me. My question is: Is there any hope I will be", "was educated in this way I now abhor, rationalising everything so I can", "So I don't get why I shouldn't be able to write fiction if", "fiction. And maybe nothing is farther from fiction than philosophy, which is trying", "or Pirandello have extensive work on philosophical questions which gave birth to lots", "think a lot, or maybe thinking means a lot to me. And, mainly,", "instead of maintaining the mystery where fiction and life dwell. I feel this", "abhor, rationalising everything so I can make living things thinkable, philosophical, conceptual. The", "categories by me. Lots of artists like Artaud, Crecsr, or Pirandello have extensive", "feel this way, but I am practically unable to write fiction since everything", "philosophical questions which gave birth to lots of essays. So I don't get", "philosophical, conceptual. The problem is, I want to write fiction. And maybe nothing", "can be criticised in philosophical categories by me. Lots of artists like Artaud,", "Crecsr, or Pirandello have extensive work on philosophical questions which gave birth to", "I can make living things thinkable, philosophical, conceptual. The problem is, I want", "shouldn't be able to write fiction if they did both write philosophy and", "art philosophy. I was educated in this way I now abhor, rationalising everything", "fiction if they did both write philosophy and literature. But the doubt stands", "in philosophical categories by me. Lots of artists like Artaud, Crecsr, or Pirandello", "this shaped too much my way of understanding the world. I think a", "philosophy and literature. But the doubt stands because I can't get to write", "write fiction. And maybe nothing is farther from fiction than philosophy, which is", "philosophy. I was educated in this way I now abhor, rationalising everything so", "everything I write feels too philosophical or can be criticised in philosophical categories", "to write fiction if they did both write philosophy and literature. But the", "which is trying to enlighten the world instead of maintaining the mystery where", "philosophical or can be criticised in philosophical categories by me. Lots of artists", "My question is: Is there any hope I will be able to write", "questions which gave birth to lots of essays. So I don't get why", "but I am practically unable to write fiction since everything I write feels", "two philosophers, and maybe this shaped too much my way of understanding the", "everything so I can make living things thinkable, philosophical, conceptual. The problem is,", "to write fiction. And maybe nothing is farther from fiction than philosophy, which", "fiction than philosophy, which is trying to enlighten the world instead of maintaining", "can make living things thinkable, philosophical, conceptual. The problem is, I want to", "me. Lots of artists like Artaud, Crecsr, or Pirandello have extensive work on", "feels too philosophical or can be criticised in philosophical categories by me. Lots", "doubt stands because I can't get to write something that really satisfies me.", "able to write fiction if they did both write philosophy and literature. But", "or maybe thinking means a lot to me. And, mainly, I think about", "something that really satisfies me. My question is: Is there any hope I", "about art questions and art philosophy. I was educated in this way I", "nothing is farther from fiction than philosophy, which is trying to enlighten the", "essays. So I don't get why I shouldn't be able to write fiction", "work on philosophical questions which gave birth to lots of essays. So I", "is farther from fiction than philosophy, which is trying to enlighten the world", "why I shouldn't be able to write fiction if they did both write", "lot to me. And, mainly, I think about art questions and art philosophy.", "I now abhor, rationalising everything so I can make living things thinkable, philosophical,", "where fiction and life dwell. I feel this way, but I am practically", "from fiction than philosophy, which is trying to enlighten the world instead of", "since everything I write feels too philosophical or can be criticised in philosophical", "write philosophy and literature. But the doubt stands because I can't get to", "art questions and art philosophy. I was educated in this way I now", "I was educated in this way I now abhor, rationalising everything so I", "conceptual. The problem is, I want to write fiction. And maybe nothing is", "And maybe nothing is farther from fiction than philosophy, which is trying to", "to lots of essays. So I don't get why I shouldn't be able", "Pirandello have extensive work on philosophical questions which gave birth to lots of", "can't get to write something that really satisfies me. My question is: Is", "of maintaining the mystery where fiction and life dwell. I feel this way,", "the world. I think a lot, or maybe thinking means a lot to", "that really satisfies me. My question is: Is there any hope I will", "to two philosophers, and maybe this shaped too much my way of understanding", "satisfies me. My question is: Is there any hope I will be able", "understanding the world. I think a lot, or maybe thinking means a lot", "things thinkable, philosophical, conceptual. The problem is, I want to write fiction. And", "now abhor, rationalising everything so I can make living things thinkable, philosophical, conceptual.", "I shouldn't be able to write fiction if they did both write philosophy", "both write philosophy and literature. But the doubt stands because I can't get", "thinking means a lot to me. And, mainly, I think about art questions", "world instead of maintaining the mystery where fiction and life dwell. I feel", "I feel this way, but I am practically unable to write fiction since", "me. My question is: Is there any hope I will be able to", "a lot to me. And, mainly, I think about art questions and art", "I'm son to two philosophers, and maybe this shaped too much my way", "questions and art philosophy. I was educated in this way I now abhor,", "rationalising everything so I can make living things thinkable, philosophical, conceptual. The problem", "to write fiction since everything I write feels too philosophical or can be", "I write feels too philosophical or can be criticised in philosophical categories by", "I want to write fiction. And maybe nothing is farther from fiction than", "Lots of artists like Artaud, Crecsr, or Pirandello have extensive work on philosophical", "way of understanding the world. I think a lot, or maybe thinking means", "gave birth to lots of essays. So I don't get why I shouldn't", "means a lot to me. And, mainly, I think about art questions and", "I am practically unable to write fiction since everything I write feels too", "have extensive work on philosophical questions which gave birth to lots of essays.", "philosophical categories by me. Lots of artists like Artaud, Crecsr, or Pirandello have", "the doubt stands because I can't get to write something that really satisfies", "to write something that really satisfies me. My question is: Is there any", "fiction since everything I write feels too philosophical or can be criticised in", "dwell. I feel this way, but I am practically unable to write fiction", "much my way of understanding the world. I think a lot, or maybe", "world. I think a lot, or maybe thinking means a lot to me.", "lot, or maybe thinking means a lot to me. And, mainly, I think", "which gave birth to lots of essays. So I don't get why I", "of essays. So I don't get why I shouldn't be able to write", "extensive work on philosophical questions which gave birth to lots of essays. So", "educated in this way I now abhor, rationalising everything so I can make", "Artaud, Crecsr, or Pirandello have extensive work on philosophical questions which gave birth", "stands because I can't get to write something that really satisfies me. My", "to me. And, mainly, I think about art questions and art philosophy. I", "living things thinkable, philosophical, conceptual. The problem is, I want to write fiction.", "thinkable, philosophical, conceptual. The problem is, I want to write fiction. And maybe", "enlighten the world instead of maintaining the mystery where fiction and life dwell.", "write fiction since everything I write feels too philosophical or can be criticised", "way, but I am practically unable to write fiction since everything I write", "on philosophical questions which gave birth to lots of essays. So I don't", "too philosophical or can be criticised in philosophical categories by me. Lots of", "make living things thinkable, philosophical, conceptual. The problem is, I want to write", "literature. But the doubt stands because I can't get to write something that", "I can't get to write something that really satisfies me. My question is:", "the world instead of maintaining the mystery where fiction and life dwell. I", "don't get why I shouldn't be able to write fiction if they did", "And, mainly, I think about art questions and art philosophy. I was educated", "shaped too much my way of understanding the world. I think a lot,", "because I can't get to write something that really satisfies me. My question", "write feels too philosophical or can be criticised in philosophical categories by me.", "so I can make living things thinkable, philosophical, conceptual. The problem is, I", "and life dwell. I feel this way, but I am practically unable to", "they did both write philosophy and literature. But the doubt stands because I", "and literature. But the doubt stands because I can't get to write something", "practically unable to write fiction since everything I write feels too philosophical or", "philosophers, and maybe this shaped too much my way of understanding the world.", "write fiction if they did both write philosophy and literature. But the doubt", "maybe nothing is farther from fiction than philosophy, which is trying to enlighten", "lots of essays. So I don't get why I shouldn't be able to", "trying to enlighten the world instead of maintaining the mystery where fiction and", "a lot, or maybe thinking means a lot to me. And, mainly, I", "maybe thinking means a lot to me. And, mainly, I think about art", "maintaining the mystery where fiction and life dwell. I feel this way, but", "unable to write fiction since everything I write feels too philosophical or can" ]
[ "chapter to do it from the point of view of Alaska when she's:", "doing an assignment where I have to add my own chapter into a", "it's from another person's point of view. I've chosen for my chapter to", "view. I've chosen for my chapter to do it from the point of", "point of view. I've chosen for my chapter to do it from the", "of view of Alaska when she's: > > in the car drunk and", "need help creating an emotional first person description of how she's feeling (uncontrollable", "Zraev. When: > > Alaska kills herself, > > > We don't know", "I have to add my own chapter into a book our class read", "a book our class read called Looking For Alaska by Pohg Zraev. When:", "view of Alaska when she's: > > in the car drunk and about", "she does it because it's from another person's point of view. I've chosen", "another person's point of view. I've chosen for my chapter to do it", "from another person's point of view. I've chosen for my chapter to do", "I've chosen for my chapter to do it from the point of view", "> in the car drunk and about to end her life. > >", "> > I need help creating an emotional first person description of how", "life. > > > I need help creating an emotional first person description", "of Alaska when she's: > > in the car drunk and about to", "read called Looking For Alaska by Pohg Zraev. When: > > Alaska kills", "what she's feeling when she does it because it's from another person's point", "Looking For Alaska by Pohg Zraev. When: > > Alaska kills herself, >", "she's feeling when she does it because it's from another person's point of", "to end her life. > > > I need help creating an emotional", "of how she's feeling (uncontrollable sadness). Has anyone got any ideas on how", "does it because it's from another person's point of view. I've chosen for", "know what she's feeling when she does it because it's from another person's", "end her life. > > > I need help creating an emotional first", "Alaska kills herself, > > > We don't know what she's feeling when", "class read called Looking For Alaska by Pohg Zraev. When: > > Alaska", "car drunk and about to end her life. > > > I need", "she's feeling (uncontrollable sadness). Has anyone got any ideas on how I can", "into a book our class read called Looking For Alaska by Pohg Zraev.", "anyone got any ideas on how I can go about showing this in", "to add my own chapter into a book our class read called Looking", "called Looking For Alaska* by Pohg Zraev. When: > > Alaska kills herself,", "book our class read called Looking For Alaska by Pohg Zraev. When: >", "have to add my own chapter into a book our class read called", "my own chapter into a book our class read called Looking For Alaska", "don't know what she's feeling when she does it because it's from another", "> > Alaska kills herself, > > > We don't know what she's", "Has anyone got any ideas on how I can go about showing this", "person's point of view. I've chosen for my chapter to do it from", "herself, > > > We don't know what she's feeling when she does", "When: > > Alaska kills herself, > > > We don't know what", "her life. > > > I need help creating an emotional first person", "Pohg Zraev. When: > > Alaska kills herself, > > > We don't", "first person description of how she's feeling (uncontrollable sadness). Has anyone got any", "of view. I've chosen for my chapter to do it from the point", "add my own chapter into a book our class read called Looking For", "point of view of Alaska when she's: > > in the car drunk", "chapter into a book our class read called Looking For Alaska* by Pohg", "Alaska* by Pohg Zraev. When: > > Alaska kills herself, > > >", "it from the point of view of Alaska when she's: > > in", "to do it from the point of view of Alaska when she's: >", "where I have to add my own chapter into a book our class", "and about to end her life. > > > I need help creating", "> Alaska kills herself, > > > We don't know what she's feeling", "it because it's from another person's point of view. I've chosen for my", "> I need help creating an emotional first person description of how she's", "I am doing an assignment where I have to add my own chapter", "because it's from another person's point of view. I've chosen for my chapter", "Alaska when she's: > > in the car drunk and about to end", "the car drunk and about to end her life. > > > I", "do it from the point of view of Alaska when she's: > >", "(uncontrollable sadness). Has anyone got any ideas on how I can go about", "any ideas on how I can go about showing this in my writing?", "own chapter into a book our class read called Looking For Alaska by", "emotional first person description of how she's feeling (uncontrollable sadness). Has anyone got", "how she's feeling (uncontrollable sadness). Has anyone got any ideas on how I", "am doing an assignment where I have to add my own chapter into", "We don't know what she's feeling when she does it because it's from", "in the car drunk and about to end her life. > > >", "assignment where I have to add my own chapter into a book our", "> > > I need help creating an emotional first person description of", "by Pohg Zraev. When: > > Alaska kills herself, > > > We", "> > We don't know what she's feeling when she does it because", "chosen for my chapter to do it from the point of view of", "creating an emotional first person description of how she's feeling (uncontrollable sadness). Has", "for my chapter to do it from the point of view of Alaska", "our class read called Looking For Alaska by Pohg Zraev. When: > >", "feeling when she does it because it's from another person's point of view.", "help creating an emotional first person description of how she's feeling (uncontrollable sadness).", "when she's: > > in the car drunk and about to end her", "sadness). Has anyone got any ideas on how I can go about showing", "from the point of view of Alaska when she's: > > in the", "drunk and about to end her life. > > > I need help", "when she does it because it's from another person's point of view. I've", "person description of how she's feeling (uncontrollable sadness). Has anyone got any ideas", "kills herself, > > > We don't know what she's feeling when she", "> > > We don't know what she's feeling when she does it", "got any ideas on how I can go about showing this in my", "she's: > > in the car drunk and about to end her life.", "about to end her life. > > > I need help creating an", "I need help creating an emotional first person description of how she's feeling", "description of how she's feeling (uncontrollable sadness). Has anyone got any ideas on", "For Alaska* by Pohg Zraev. When: > > Alaska kills herself, > >", "> We don't know what she's feeling when she does it because it's", "feeling (uncontrollable sadness). Has anyone got any ideas on how I can go", "> > in the car drunk and about to end her life. >", "the point of view of Alaska when she's: > > in the car", "my chapter to do it from the point of view of Alaska when", "an emotional first person description of how she's feeling (uncontrollable sadness). Has anyone", "an assignment where I have to add my own chapter into a book" ]
[ "or crappy. Please, it would mean a lot to get some feedback from", "a quest, to become human again, it is set in a medieval style", "is set in a medieval style era. It is somewhat of a romance", "but I don't want it to be too cliche or crappy. Please, it", "vampire couple who are on a quest, to become human again, it is", "set in a medieval style era. It is somewhat of a romance but", "somewhat of a romance but I don't want it to be too cliche", "it to be too cliche or crappy. Please, it would mean a lot", "I'm trying to write a story about a vampire couple who are on", "it would mean a lot to get some feedback from the story writing", "a vampire couple who are on a quest, to become human again, it", "would mean a lot to get some feedback from the story writing community!", "It is somewhat of a romance but I don't want it to be", "a medieval style era. It is somewhat of a romance but I don't", "of a romance but I don't want it to be too cliche or", "Please, it would mean a lot to get some feedback from the story", "on a quest, to become human again, it is set in a medieval", "I don't want it to be too cliche or crappy. Please, it would", "human again, it is set in a medieval style era. It is somewhat", "is somewhat of a romance but I don't want it to be too", "trying to write a story about a vampire couple who are on a", "couple who are on a quest, to become human again, it is set", "to write a story about a vampire couple who are on a quest,", "a romance but I don't want it to be too cliche or crappy.", "too cliche or crappy. Please, it would mean a lot to get some", "are on a quest, to become human again, it is set in a", "be too cliche or crappy. Please, it would mean a lot to get", "don't want it to be too cliche or crappy. Please, it would mean", "become human again, it is set in a medieval style era. It is", "crappy. Please, it would mean a lot to get some feedback from the", "who are on a quest, to become human again, it is set in", "to be too cliche or crappy. Please, it would mean a lot to", "a story about a vampire couple who are on a quest, to become", "want it to be too cliche or crappy. Please, it would mean a", "write a story about a vampire couple who are on a quest, to", "story about a vampire couple who are on a quest, to become human", "cliche or crappy. Please, it would mean a lot to get some feedback", "in a medieval style era. It is somewhat of a romance but I", "about a vampire couple who are on a quest, to become human again,", "So I'm trying to write a story about a vampire couple who are", "again, it is set in a medieval style era. It is somewhat of", "romance but I don't want it to be too cliche or crappy. Please,", "quest, to become human again, it is set in a medieval style era.", "to become human again, it is set in a medieval style era. It", "it is set in a medieval style era. It is somewhat of a", "style era. It is somewhat of a romance but I don't want it", "era. It is somewhat of a romance but I don't want it to", "medieval style era. It is somewhat of a romance but I don't want" ]
[ "used a lot. Capitalized ESP stands out in my sentences like yelling so", "I am using esp,lower case. Is that acceptable? Will a potential publisher object", "my sentences like yelling so I am using esp,lower case. Is that acceptable?", "out in my sentences like yelling so I am using esp,lower case. Is", "Some of my fiction sci fi characters are ESP sensitive and the term", "fiction sci fi characters are ESP sensitive and the term is used a", "so I am using esp,lower case. Is that acceptable? Will a potential publisher", "am using esp,lower case. Is that acceptable? Will a potential publisher object filing", "and the term is used a lot. Capitalized ESP stands out in my", "like yelling so I am using esp,lower case. Is that acceptable? Will a", "term is used a lot. Capitalized ESP stands out in my sentences like", "case. Is that acceptable? Will a potential publisher object filing my novel in", "of my fiction sci fi characters are ESP sensitive and the term is", "esp,lower case. Is that acceptable? Will a potential publisher object filing my novel", "my fiction sci fi characters are ESP sensitive and the term is used", "characters are ESP sensitive and the term is used a lot. Capitalized ESP", "Is that acceptable? Will a potential publisher object filing my novel in the", "fi characters are ESP sensitive and the term is used a lot. Capitalized", "yelling so I am using esp,lower case. Is that acceptable? Will a potential", "in my sentences like yelling so I am using esp,lower case. Is that", "sci fi characters are ESP sensitive and the term is used a lot.", "stands out in my sentences like yelling so I am using esp,lower case.", "the term is used a lot. Capitalized ESP stands out in my sentences", "using esp,lower case. Is that acceptable? Will a potential publisher object filing my", "a lot. Capitalized ESP stands out in my sentences like yelling so I", "lot. Capitalized ESP stands out in my sentences like yelling so I am", "sentences like yelling so I am using esp,lower case. Is that acceptable? Will", "are ESP sensitive and the term is used a lot. Capitalized ESP stands", "sensitive and the term is used a lot. Capitalized ESP stands out in", "ESP sensitive and the term is used a lot. Capitalized ESP stands out", "that acceptable? Will a potential publisher object filing my novel in the trash?", "ESP stands out in my sentences like yelling so I am using esp,lower", "is used a lot. Capitalized ESP stands out in my sentences like yelling", "Capitalized ESP stands out in my sentences like yelling so I am using" ]
[ "the eventual abandonment rather than prevent it. What might be some other strategies", "as is possible--usually within the span of a single day. This, however, is", "possible--usually within the span of a single day. This, however, is conducive to", "from the original ideas. 2. Limited the number of words written each day", "delay the eventual abandonment rather than prevent it. What might be some other", "so and abandoning it. I have developed two partially effective strategy for this:", "single day. This, however, is conducive to bad pacing and deviation of the", "a single day. This, however, is conducive to bad pacing and deviation of", "problem mostly, but seem to only delay the eventual abandonment rather than prevent", "of the final product from the original ideas. 2. Limited the number of", "but seem to only delay the eventual abandonment rather than prevent it. What", "the problem of starting a story with an idea—either one recently conceived or", "Limited the number of words written each day to no more than 500,", "frequently have the problem of starting a story with an idea—either one recently", "years—only to find it bland or boring after a day or so and", "ideas. 2. Limited the number of words written each day to no more", "day or so and abandoning it. I have developed two partially effective strategy", "story idea as quickly as is possible--usually within the span of a single", "Finish a story idea as quickly as is possible--usually within the span of", "and deviation of the final product from the original ideas. 2. Limited the", "or so and abandoning it. I have developed two partially effective strategy for", "a story with an idea—either one recently conceived or one held in mind", "idea—either one recently conceived or one held in mind for months, even years—only", "developed two partially effective strategy for this: 1. Finish a story idea as", "story with an idea—either one recently conceived or one held in mind for", "a day or so and abandoning it. I have developed two partially effective", "within the span of a single day. This, however, is conducive to bad", "is possible--usually within the span of a single day. This, however, is conducive", "I have developed two partially effective strategy for this: 1. Finish a story", "the original ideas. 2. Limited the number of words written each day to", "conceived or one held in mind for months, even years—only to find it", "to only delay the eventual abandonment rather than prevent it. What might be", "in mind for months, even years—only to find it bland or boring after", "or boring after a day or so and abandoning it. I have developed", "a story idea as quickly as is possible--usually within the span of a", "seem to only delay the eventual abandonment rather than prevent it. What might", "product from the original ideas. 2. Limited the number of words written each", "of a single day. This, however, is conducive to bad pacing and deviation", "to bad pacing and deviation of the final product from the original ideas.", "more than 500, this alleviates the pacing problem mostly, but seem to only", "original ideas. 2. Limited the number of words written each day to no", "an idea—either one recently conceived or one held in mind for months, even", "problem of starting a story with an idea—either one recently conceived or one", "number of words written each day to no more than 500, this alleviates", "the final product from the original ideas. 2. Limited the number of words", "one held in mind for months, even years—only to find it bland or", "span of a single day. This, however, is conducive to bad pacing and", "have developed two partially effective strategy for this: 1. Finish a story idea", "bad pacing and deviation of the final product from the original ideas. 2.", "deviation of the final product from the original ideas. 2. Limited the number", "is conducive to bad pacing and deviation of the final product from the", "with an idea—either one recently conceived or one held in mind for months,", "idea as quickly as is possible--usually within the span of a single day.", "effective strategy for this: 1. Finish a story idea as quickly as is", "conducive to bad pacing and deviation of the final product from the original", "rather than prevent it. What might be some other strategies for such a", "or one held in mind for months, even years—only to find it bland", "this: 1. Finish a story idea as quickly as is possible--usually within the", "words written each day to no more than 500, this alleviates the pacing", "mostly, but seem to only delay the eventual abandonment rather than prevent it.", "each day to no more than 500, this alleviates the pacing problem mostly,", "day. This, however, is conducive to bad pacing and deviation of the final", "and abandoning it. I have developed two partially effective strategy for this: 1.", "eventual abandonment rather than prevent it. What might be some other strategies for", "to find it bland or boring after a day or so and abandoning", "it. I have developed two partially effective strategy for this: 1. 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This, however,", "the number of words written each day to no more than 500, this", "this alleviates the pacing problem mostly, but seem to only delay the eventual", "after a day or so and abandoning it. I have developed two partially", "the span of a single day. This, however, is conducive to bad pacing", "two partially effective strategy for this: 1. Finish a story idea as quickly", "2. Limited the number of words written each day to no more than", "even years—only to find it bland or boring after a day or so", "it bland or boring after a day or so and abandoning it. I", "recently conceived or one held in mind for months, even years—only to find", "abandonment rather than prevent it. What might be some other strategies for such", "as quickly as is possible--usually within the span of a single day. This,", "of words written each day to no more than 500, this alleviates the", "one recently conceived or one held in mind for months, even years—only to", "however, is conducive to bad pacing and deviation of the final product from", "for months, even years—only to find it bland or boring after a day", "final product from the original ideas. 2. Limited the number of words written", "strategy for this: 1. Finish a story idea as quickly as is possible--usually", "only delay the eventual abandonment rather than prevent it. What might be some", "no more than 500, this alleviates the pacing problem mostly, but seem to", "pacing and deviation of the final product from the original ideas. 2. Limited", "than prevent it. What might be some other strategies for such a problem?", "for this: 1. Finish a story idea as quickly as is possible--usually within", "written each day to no more than 500, this alleviates the pacing problem", "held in mind for months, even years—only to find it bland or boring", "to no more than 500, this alleviates the pacing problem mostly, but seem", "starting a story with an idea—either one recently conceived or one held in", "months, even years—only to find it bland or boring after a day or", "mind for months, even years—only to find it bland or boring after a", "1. Finish a story idea as quickly as is possible--usually within the span", "500, this alleviates the pacing problem mostly, but seem to only delay the", "partially effective strategy for this: 1. Finish a story idea as quickly as", "find it bland or boring after a day or so and abandoning it.", "abandoning it. I have developed two partially effective strategy for this: 1. Finish" ]
[ "'yes, but not with humour'. And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): >", "(from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung to mind is the instructions", "my question: How challenging would it be to rewrite a (random) User Manual", "\"rules\" for > games. Some of these books can be so engaging that", "not with humour'. And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One", "technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding no (aside from X for", "I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung to mind", "'Can I make User Guides more engaging?. I was beaten to the punch", "write User Guides as part of my job and I need routes to", "innit! Specifically, then - how can I wrap a plot around something that", "I was beaten to the punch by this engaging question: [Can technical writing", "by this engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time", "(Posts question and then nips over to Warhammer to see how they do", "words - what would be the best technical approach to rewriting a User", "but not with humour'. And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > >", "writing' and how can I close that gap, in terms of converting one", "time were along the lines of 'yes, but not with humour'. And then", "this had already been asked ([How much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation))", "(I know I have, > and I notice people on discussion forums for", "> And this led me to wondering about writing rule books that are", "what would be the best technical approach to rewriting a User Guide as", "humour'. And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that", "a User Guide as a Story? Yeah, it's too broad, innit! Specifically, then", "instructions or \"rules\" for > games. Some of these books can be so", "to the punch by this engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The", "to wondering about writing rule books that are so entertaining that they are", "this question such as 'can I use humour in technical writing?' but found", "games. Some of these books can be so engaging that a lot of", "for > games. Some of these books can be so engaging that a", "User Manual as a tale of derring-do and intrigue? In other words -", "Guides more engaging?. I was beaten to the punch by this engaging question:", "need routes to make this into a more interesting exercise. Hence, I was", "And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung", "interesting exercise. Hence, I was actually looking for something completely different when I", "as 'can I use humour in technical writing?' but found that this had", "routes to make this into a more interesting exercise. Hence, I was actually", "been asked ([How much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer", "as a tale of derring-do and intrigue? In other words - what would", "'what is the difference between 'technical writing' and 'creative writing' and how can", "on discussion forums for e.g. roleplaying games > reporting the same fascination). >", "> reporting the same fascination). > > > And this led me to", "in terms of converting one to the other'? (Posts question and then nips", "- how can I wrap a plot around something that is plotless? Or", "writing' and 'creative writing' and how can I close that gap, in terms", "> read the rulebooks without actually playing the games (I know I have,", "no such beasts? Hmm. I suppose what my question comes down to is", "that they are capable of being read in much the same way that", "approach to rewriting a User Guide as a Story? Yeah, it's too broad,", "is my question: How challenging would it be to rewrite a (random) User", "be so engaging that a lot of fans just > read the rulebooks", "make this into a more interesting exercise. Hence, I was actually looking for", "like 'Can I make User Guides more engaging?. I was beaten to the", "writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along the lines of 'yes,", "engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along", "a more interesting exercise. Hence, I was actually looking for something completely different", "one to the other'? (Posts question and then nips over to Warhammer to", "User Guides as part of my job and I need routes to make", "a lot of fans just > read the rulebooks without actually playing the", "User Guides more engaging?. I was beaten to the punch by this engaging", "lines of 'yes, but not with humour'. And then I saw this (from", "of being read in much the same way that stories are. So, here", "Or insert characters into something that has no such beasts? Hmm. I suppose", "being a resounding no (aside from X for Dummies books). So then I", "Yeah, it's too broad, innit! Specifically, then - how can I wrap a", "question such as 'can I use humour in technical writing?' but found that", "(finally) is my question: How challenging would it be to rewrite a (random)", "(aside from X for Dummies books). So then I was thinking about asking", "actually playing the games (I know I have, > and I notice people", "the instructions or \"rules\" for > games. Some of these books can be", "along the lines of 'yes, but not with humour'. And then I saw", "of my job and I need routes to make this into a more", "then I was thinking about asking a question like 'Can I make User", "that is plotless? Or insert characters into something that has no such beasts?", "so entertaining that they are capable of being read in much the same", "into something that has no such beasts? Hmm. I suppose what my question", "'can I use humour in technical writing?' but found that this had already", "In other words - what would be the best technical approach to rewriting", "[Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung to mind is the instructions or", "in much the same way that stories are. So, here (finally) is my", "and how can I close that gap, in terms of converting one to", "know I have, > and I notice people on discussion forums for e.g.", "these books can be so engaging that a lot of fans just >", "games (I know I have, > and I notice people on discussion forums", "much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding", "much the same way that stories are. So, here (finally) is my question:", "I'm increasingly having to write User Guides as part of my job and", "have, > and I notice people on discussion forums for e.g. roleplaying games", "this engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were", "humour in technical writing?' but found that this had already been asked ([How", "So then I was thinking about asking a question like 'Can I make", "question: How challenging would it be to rewrite a (random) User Manual as", "into a more interesting exercise. Hence, I was actually looking for something completely", "people on discussion forums for e.g. roleplaying games > reporting the same fascination).", "fascination). > > > And this led me to wondering about writing rule", "a tale of derring-do and intrigue? In other words - what would be", "books that are so entertaining that they are capable of being read in", "with the answer being a resounding no (aside from X for Dummies books).", "a resounding no (aside from X for Dummies books). So then I was", "lot of fans just > read the rulebooks without actually playing the games", "(random) User Manual as a tale of derring-do and intrigue? In other words", "that are so entertaining that they are capable of being read in much", "asking a question like 'Can I make User Guides more engaging?. I was", "job and I need routes to make this into a more interesting exercise.", "I started writing this question such as 'can I use humour in technical", "answers this time were along the lines of 'yes, but not with humour'.", "intrigue? In other words - what would be the best technical approach to", "writing?' but found that this had already been asked ([How much humour is", "can I close that gap, in terms of converting one to the other'?", "the games (I know I have, > and I notice people on discussion", "technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along the lines of", "such as 'can I use humour in technical writing?' but found that this", "is this: 'what is the difference between 'technical writing' and 'creative writing' and", "books can be so engaging that a lot of fans just > read", "([How much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a", "'technical writing' and 'creative writing' and how can I close that gap, in", "in technical writing?' but found that this had already been asked ([How much", "were along the lines of 'yes, but not with humour'. And then I", "example that sprung to mind is the instructions or \"rules\" for > games.", "that this had already been asked ([How much humour is effective in technical", "question like 'Can I make User Guides more engaging?. I was beaten to", "notice people on discussion forums for e.g. roleplaying games > reporting the same", "of converting one to the other'? (Posts question and then nips over to", "plot around something that is plotless? Or insert characters into something that has", "Guide as a Story? Yeah, it's too broad, innit! Specifically, then - how", "rule books that are so entertaining that they are capable of being read", "with humour'. And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example", "just > read the rulebooks without actually playing the games (I know I", "derring-do and intrigue? In other words - what would be the best technical", "engaging?. I was beaten to the punch by this engaging question: [Can technical", "different when I started writing this question such as 'can I use humour", "completely different when I started writing this question such as 'can I use", "this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung to mind is the", "wrap a plot around something that is plotless? Or insert characters into something", "punch by this engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this", "being read in much the same way that stories are. So, here (finally)", "be to rewrite a (random) User Manual as a tale of derring-do and", "stories are. So, here (finally) is my question: How challenging would it be", "from X for Dummies books). So then I was thinking about asking a", "broad, innit! Specifically, then - how can I wrap a plot around something", "for something completely different when I started writing this question such as 'can", "humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding no", "beasts? Hmm. I suppose what my question comes down to is this: 'what", "documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding no (aside from X for Dummies", "How challenging would it be to rewrite a (random) User Manual as a", "same fascination). > > > And this led me to wondering about writing", "this into a more interesting exercise. Hence, I was actually looking for something", "of derring-do and intrigue? In other words - what would be the best", "suppose what my question comes down to is this: 'what is the difference", "of these books can be so engaging that a lot of fans just", "read in much the same way that stories are. So, here (finally) is", "same way that stories are. So, here (finally) is my question: How challenging", "led me to wondering about writing rule books that are so entertaining that", "I make User Guides more engaging?. I was beaten to the punch by", "was actually looking for something completely different when I started writing this question", "that stories are. So, here (finally) is my question: How challenging would it", "too broad, innit! Specifically, then - how can I wrap a plot around", "other words - what would be the best technical approach to rewriting a", "around something that is plotless? Or insert characters into something that has no", "writing rule books that are so entertaining that they are capable of being", "plotless? Or insert characters into something that has no such beasts? Hmm. I", "found that this had already been asked ([How much humour is effective in", "User Guide as a Story? Yeah, it's too broad, innit! Specifically, then -", "that a lot of fans just > read the rulebooks without actually playing", "something completely different when I started writing this question such as 'can I", "converting one to the other'? (Posts question and then nips over to Warhammer", "as a Story? Yeah, it's too broad, innit! Specifically, then - how can", "is plotless? Or insert characters into something that has no such beasts? Hmm.", "about asking a question like 'Can I make User Guides more engaging?. I", "to write User Guides as part of my job and I need routes", "no (aside from X for Dummies books). So then I was thinking about", "the other'? (Posts question and then nips over to Warhammer to see how", "and then nips over to Warhammer to see how they do it there.)", "without actually playing the games (I know I have, > and I notice", "> > One example that sprung to mind is the instructions or \"rules\"", "increasingly having to write User Guides as part of my job and I", "that has no such beasts? Hmm. I suppose what my question comes down", "> > > And this led me to wondering about writing rule books", "less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along the lines of 'yes, but not", "but found that this had already been asked ([How much humour is effective", "of 'yes, but not with humour'. And then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)):", "more interesting exercise. Hence, I was actually looking for something completely different when", "when I started writing this question such as 'can I use humour in", "effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding no (aside from", "and I notice people on discussion forums for e.g. roleplaying games > reporting", "to is this: 'what is the difference between 'technical writing' and 'creative writing'", "resounding no (aside from X for Dummies books). So then I was thinking", "make User Guides more engaging?. I was beaten to the punch by this", "> > And this led me to wondering about writing rule books that", "terms of converting one to the other'? (Posts question and then nips over", "in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding no (aside from X", "then I saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung to", "discussion forums for e.g. roleplaying games > reporting the same fascination). > >", "question and then nips over to Warhammer to see how they do it", "Manual as a tale of derring-do and intrigue? In other words - what", "- what would be the best technical approach to rewriting a User Guide", "to mind is the instructions or \"rules\" for > games. Some of these", "thinking about asking a question like 'Can I make User Guides more engaging?.", "the lines of 'yes, but not with humour'. And then I saw this", "then - how can I wrap a plot around something that is plotless?", "something that is plotless? Or insert characters into something that has no such", "to rewrite a (random) User Manual as a tale of derring-do and intrigue?", "a Story? Yeah, it's too broad, innit! Specifically, then - how can I", "part of my job and I need routes to make this into a", "entertaining that they are capable of being read in much the same way", "beaten to the punch by this engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less).", "about writing rule books that are so entertaining that they are capable of", "e.g. roleplaying games > reporting the same fascination). > > > And this", "technical writing?' but found that this had already been asked ([How much humour", "One example that sprung to mind is the instructions or \"rules\" for >", "Hence, I was actually looking for something completely different when I started writing", "are so entertaining that they are capable of being read in much the", "they are capable of being read in much the same way that stories", "how can I close that gap, in terms of converting one to the", "actually looking for something completely different when I started writing this question such", "me to wondering about writing rule books that are so entertaining that they", "was beaten to the punch by this engaging question: [Can technical writing suck", "gap, in terms of converting one to the other'? (Posts question and then", "mind is the instructions or \"rules\" for > games. Some of these books", "my job and I need routes to make this into a more interesting", "something that has no such beasts? Hmm. I suppose what my question comes", "challenging would it be to rewrite a (random) User Manual as a tale", "Guides as part of my job and I need routes to make this", "question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along the", "So, here (finally) is my question: How challenging would it be to rewrite", "is the difference between 'technical writing' and 'creative writing' and how can I", "difference between 'technical writing' and 'creative writing' and how can I close that", "I close that gap, in terms of converting one to the other'? (Posts", "engaging that a lot of fans just > read the rulebooks without actually", "read the rulebooks without actually playing the games (I know I have, >", "> One example that sprung to mind is the instructions or \"rules\" for", "the answer being a resounding no (aside from X for Dummies books). So", "use humour in technical writing?' but found that this had already been asked", "the best technical approach to rewriting a User Guide as a Story? Yeah,", "the difference between 'technical writing' and 'creative writing' and how can I close", "I need routes to make this into a more interesting exercise. Hence, I", "how can I wrap a plot around something that is plotless? Or insert", "insert characters into something that has no such beasts? Hmm. I suppose what", "between 'technical writing' and 'creative writing' and how can I close that gap,", "question comes down to is this: 'what is the difference between 'technical writing'", "or \"rules\" for > games. Some of these books can be so engaging", "looking for something completely different when I started writing this question such as", "I was thinking about asking a question like 'Can I make User Guides", "technical approach to rewriting a User Guide as a Story? Yeah, it's too", "close that gap, in terms of converting one to the other'? (Posts question", "down to is this: 'what is the difference between 'technical writing' and 'creative", "so engaging that a lot of fans just > read the rulebooks without", "way that stories are. So, here (finally) is my question: How challenging would", "Hmm. I suppose what my question comes down to is this: 'what is", "fans just > read the rulebooks without actually playing the games (I know", "> and I notice people on discussion forums for e.g. roleplaying games >", "saw this (from [Michael](https://writing.stackexchange.com/users/16176/michael)): > > One example that sprung to mind is", "characters into something that has no such beasts? Hmm. I suppose what my", "the punch by this engaging question: [Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers", "I notice people on discussion forums for e.g. roleplaying games > reporting the", "games > reporting the same fascination). > > > And this led me", "to the other'? (Posts question and then nips over to Warhammer to see", "I use humour in technical writing?' but found that this had already been", "a (random) User Manual as a tale of derring-do and intrigue? In other", "sprung to mind is the instructions or \"rules\" for > games. Some of", "I was actually looking for something completely different when I started writing this", "> games. Some of these books can be so engaging that a lot", "it's too broad, innit! Specifically, then - how can I wrap a plot", "reporting the same fascination). > > > And this led me to wondering", "it be to rewrite a (random) User Manual as a tale of derring-do", "a question like 'Can I make User Guides more engaging?. I was beaten", "already been asked ([How much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the", "is the instructions or \"rules\" for > games. Some of these books can", "are. So, here (finally) is my question: How challenging would it be to", "would be the best technical approach to rewriting a User Guide as a", "to rewriting a User Guide as a Story? Yeah, it's too broad, innit!", "the rulebooks without actually playing the games (I know I have, > and", "I have, > and I notice people on discussion forums for e.g. roleplaying", "I suppose what my question comes down to is this: 'what is the", "Specifically, then - how can I wrap a plot around something that is", "The answers this time were along the lines of 'yes, but not with", "asked ([How much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being", "can I wrap a plot around something that is plotless? Or insert characters", "exercise. Hence, I was actually looking for something completely different when I started", "would it be to rewrite a (random) User Manual as a tale of", "rewrite a (random) User Manual as a tale of derring-do and intrigue? In", "my question comes down to is this: 'what is the difference between 'technical", "and intrigue? In other words - what would be the best technical approach", "rewriting a User Guide as a Story? Yeah, it's too broad, innit! Specifically,", "such beasts? Hmm. I suppose what my question comes down to is this:", "forums for e.g. roleplaying games > reporting the same fascination). > > >", "and I need routes to make this into a more interesting exercise. Hence,", "Some of these books can be so engaging that a lot of fans", "'creative writing' and how can I close that gap, in terms of converting", "be the best technical approach to rewriting a User Guide as a Story?", "this led me to wondering about writing rule books that are so entertaining", "has no such beasts? Hmm. I suppose what my question comes down to", "had already been asked ([How much humour is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with", "books). So then I was thinking about asking a question like 'Can I", "to make this into a more interesting exercise. Hence, I was actually looking", "for e.g. roleplaying games > reporting the same fascination). > > > And", "comes down to is this: 'what is the difference between 'technical writing' and", "roleplaying games > reporting the same fascination). > > > And this led", "playing the games (I know I have, > and I notice people on", "and 'creative writing' and how can I close that gap, in terms of", "answer being a resounding no (aside from X for Dummies books). So then", "Dummies books). So then I was thinking about asking a question like 'Can", "best technical approach to rewriting a User Guide as a Story? Yeah, it's", "that sprung to mind is the instructions or \"rules\" for > games. Some", "was thinking about asking a question like 'Can I make User Guides more", "what my question comes down to is this: 'what is the difference between", "Story? Yeah, it's too broad, innit! Specifically, then - how can I wrap", "having to write User Guides as part of my job and I need", "for Dummies books). So then I was thinking about asking a question like", "And this led me to wondering about writing rule books that are so", "this: 'what is the difference between 'technical writing' and 'creative writing' and how", "other'? (Posts question and then nips over to Warhammer to see how they", "as part of my job and I need routes to make this into", "is effective in technical documentation?](https://writing.stackexchange.com/questions/33524/how-much-humour-is-effective-in-technical-documentation)) with the answer being a resounding no (aside", "[Can technical writing suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along the lines", "here (finally) is my question: How challenging would it be to rewrite a", "of fans just > read the rulebooks without actually playing the games (I", "tale of derring-do and intrigue? In other words - what would be the", "that gap, in terms of converting one to the other'? (Posts question and", "writing this question such as 'can I use humour in technical writing?' but", "X for Dummies books). So then I was thinking about asking a question", "I wrap a plot around something that is plotless? Or insert characters into", "are capable of being read in much the same way that stories are.", "a plot around something that is plotless? Or insert characters into something that", "capable of being read in much the same way that stories are. So,", "wondering about writing rule books that are so entertaining that they are capable", "more engaging?. I was beaten to the punch by this engaging question: [Can", "the same fascination). > > > And this led me to wondering about", "the same way that stories are. So, here (finally) is my question: How", "rulebooks without actually playing the games (I know I have, > and I", "this time were along the lines of 'yes, but not with humour'. And", "suck less](https://writing.stackexchange.com/questions/21091/can-technical-writing-suck-less). The answers this time were along the lines of 'yes, but", "can be so engaging that a lot of fans just > read the", "started writing this question such as 'can I use humour in technical writing?'" ]
[ "old project? PS I noticed this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but", "my head of how it pans out - so that's not an issue.", "as it does, has moved on since. Half a year after breaking off,", "it already (in my head) this kind of serves as a damper to", "have moved on and the issues in my novel don't seem as relevant", "issues in my novel don't seem as relevant to a readership and they", "scratch? And, if it's not too broad a question, how might one go", "because I have the end of the novel in my head, I have", "sure how palatable they would be to any audience anyway. Generally - is", "novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how to extend a novella into a", "would be to any audience anyway. Generally - is it a bad idea", "or would it be more productive to just start a new project from", "such an old project? PS I noticed this question: [How to restart a", "this kind of serves as a damper to my creativity. Lastly - the", "start a new project from scratch? And, if it's not too broad a", "- the world seems to have moved on and the issues in my", "required for the 'competition' but the story is not yet complete. I have", "part of NaNoWriMo). I stopped at that point because I had written the", "the story is not yet complete. I have an outline in my head", "I have an outline in my head of how it pans out -", "2015 and time, as it does, has moved on since. Half a year", "how palatable they would be to any audience anyway. Generally - is it", "after a long break or would it be more productive to just start", "go about restarting such an old project? PS I noticed this question: [How", "- is it a bad idea to try to finish a novel after", "'six months later' fashion, but I think that 'three years later' might be", "in my home town of York in 2015 and time, as it does,", "is that the novel was (is) set in my home town of York", "the 50,000 words required for the 'competition' but the story is not yet", "moved on and the issues in my novel don't seem as relevant to", "novel don't seem as relevant to a readership and they once were. Plus", "are around the karmic/rebirth aspects of child-abuse and I'm not sure how palatable", "the end of the novel in my head, I have less motivation to", "be to any audience anyway. Generally - is it a bad idea to", "novel in my head, I have less motivation to finish it. Because it", "to finish a novel after a long break or would it be more", "it be more productive to just start a new project from scratch? And,", "talk about how to extend a novella into a novel rather than how", "audience anyway. Generally - is it a bad idea to try to finish", "productive to just start a new project from scratch? And, if it's not", "be stretching it. Another problem is that because I have the end of", "my novel don't seem as relevant to a readership and they once were.", "serves as a damper to my creativity. Lastly - the world seems to", "it's not too broad a question, how might one go about restarting such", "as relevant to a readership and they once were. Plus - the issues", "the karmic/rebirth aspects of child-abuse and I'm not sure how palatable they would", "I wrote the first two thirds of a novel (as part of NaNoWriMo).", "a long break or would it be more productive to just start a", "2015 I wrote the first two thirds of a novel (as part of", "moved on since. Half a year after breaking off, I could have started", "third of the novel in a 'six months later' fashion, but I think", "but the answers talk about how to extend a novella into a novel", "home town of York in 2015 and time, as it does, has moved", "after breaking off, I could have started the final third of the novel", "a novel (as part of NaNoWriMo). I stopped at that point because I", "would it be more productive to just start a new project from scratch?", "question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how to", "head of how it pans out - so that's not an issue. One", "project? PS I noticed this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the", "it. Another problem is that because I have the end of the novel", "[How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how to extend", "this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how", "bad idea to try to finish a novel after a long break or", "problem is that because I have the end of the novel in my", "relevant to a readership and they once were. Plus - the issues are", "thirds of a novel (as part of NaNoWriMo). I stopped at that point", "outline in my head of how it pans out - so that's not", "was (is) set in my home town of York in 2015 and time,", "end of the novel in my head, I have less motivation to finish", "feels like I've finished it already (in my head) this kind of serves", "like I've finished it already (in my head) this kind of serves as", "not sure how palatable they would be to any audience anyway. Generally -", "and they once were. Plus - the issues are around the karmic/rebirth aspects", "broad a question, how might one go about restarting such an old project?", "In 2015 I wrote the first two thirds of a novel (as part", "could have started the final third of the novel in a 'six months", "to have moved on and the issues in my novel don't seem as", "don't seem as relevant to a readership and they once were. Plus -", "how it pans out - so that's not an issue. One problem is", "that the novel was (is) set in my home town of York in", "how might one go about restarting such an old project? PS I noticed", "restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how to extend a novella", "once were. Plus - the issues are around the karmic/rebirth aspects of child-abuse", "of a novel (as part of NaNoWriMo). I stopped at that point because", "a damper to my creativity. Lastly - the world seems to have moved", "I could have started the final third of the novel in a 'six", "the novel in my head, I have less motivation to finish it. Because", "pans out - so that's not an issue. One problem is that the", "a readership and they once were. Plus - the issues are around the", "world seems to have moved on and the issues in my novel don't", "more productive to just start a new project from scratch? And, if it's", "break or would it be more productive to just start a new project", "point because I had written the 50,000 words required for the 'competition' but", "the novel was (is) set in my home town of York in 2015", "but I think that 'three years later' might be stretching it. Another problem", "'competition' but the story is not yet complete. I have an outline in", "NaNoWriMo). I stopped at that point because I had written the 50,000 words", "in a 'six months later' fashion, but I think that 'three years later'", "of the novel in a 'six months later' fashion, but I think that", "has moved on since. Half a year after breaking off, I could have", "it does, has moved on since. Half a year after breaking off, I", "two thirds of a novel (as part of NaNoWriMo). I stopped at that", "not an issue. One problem is that the novel was (is) set in", "aspects of child-abuse and I'm not sure how palatable they would be to", "a bad idea to try to finish a novel after a long break", "head) this kind of serves as a damper to my creativity. Lastly -", "issue. One problem is that the novel was (is) set in my home", "that point because I had written the 50,000 words required for the 'competition'", "about restarting such an old project? PS I noticed this question: [How to", "of York in 2015 and time, as it does, has moved on since.", "of how it pans out - so that's not an issue. One problem", "final third of the novel in a 'six months later' fashion, but I", "One problem is that the novel was (is) set in my home town", "kind of serves as a damper to my creativity. Lastly - the world", "the answers talk about how to extend a novella into a novel rather", "since. Half a year after breaking off, I could have started the final", "finish it. Because it feels like I've finished it already (in my head)", "to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how to extend a", "yet complete. I have an outline in my head of how it pans", "started the final third of the novel in a 'six months later' fashion,", "try to finish a novel after a long break or would it be", "any audience anyway. Generally - is it a bad idea to try to", "not yet complete. I have an outline in my head of how it", "set in my home town of York in 2015 and time, as it", "palatable they would be to any audience anyway. Generally - is it a", "in my novel don't seem as relevant to a readership and they once", "novel in a 'six months later' fashion, but I think that 'three years", "had written the 50,000 words required for the 'competition' but the story is", "is not yet complete. I have an outline in my head of how", "but the story is not yet complete. I have an outline in my", "and I'm not sure how palatable they would be to any audience anyway.", "answers talk about how to extend a novella into a novel rather than", "(as part of NaNoWriMo). I stopped at that point because I had written", "readership and they once were. Plus - the issues are around the karmic/rebirth", "off, I could have started the final third of the novel in a", "I have the end of the novel in my head, I have less", "in my head of how it pans out - so that's not an", "were. Plus - the issues are around the karmic/rebirth aspects of child-abuse and", "seem as relevant to a readership and they once were. Plus - the", "months later' fashion, but I think that 'three years later' might be stretching", "might be stretching it. Another problem is that because I have the end", "a question, how might one go about restarting such an old project? PS", "an outline in my head of how it pans out - so that's", "later' fashion, but I think that 'three years later' might be stretching it.", "head, I have less motivation to finish it. Because it feels like I've", "PS I noticed this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers", "wrote the first two thirds of a novel (as part of NaNoWriMo). I", "have started the final third of the novel in a 'six months later'", "'three years later' might be stretching it. Another problem is that because I", "that because I have the end of the novel in my head, I", "new project from scratch? And, if it's not too broad a question, how", "York in 2015 and time, as it does, has moved on since. Half", "that 'three years later' might be stretching it. Another problem is that because", "finish a novel after a long break or would it be more productive", "from scratch? And, if it's not too broad a question, how might one", "have less motivation to finish it. Because it feels like I've finished it", "question, how might one go about restarting such an old project? PS I", "to a readership and they once were. Plus - the issues are around", "I stopped at that point because I had written the 50,000 words required", "a new project from scratch? And, if it's not too broad a question,", "it feels like I've finished it already (in my head) this kind of", "project from scratch? And, if it's not too broad a question, how might", "finished it already (in my head) this kind of serves as a damper", "my home town of York in 2015 and time, as it does, has", "novel (as part of NaNoWriMo). I stopped at that point because I had", "later' might be stretching it. Another problem is that because I have the", "I had written the 50,000 words required for the 'competition' but the story", "year after breaking off, I could have started the final third of the", "of child-abuse and I'm not sure how palatable they would be to any", "about how to extend a novella into a novel rather than how to", "if it's not too broad a question, how might one go about restarting", "does, has moved on since. Half a year after breaking off, I could", "first two thirds of a novel (as part of NaNoWriMo). I stopped at", "my creativity. Lastly - the world seems to have moved on and the", "less motivation to finish it. Because it feels like I've finished it already", "child-abuse and I'm not sure how palatable they would be to any audience", "just start a new project from scratch? And, if it's not too broad", "Another problem is that because I have the end of the novel in", "an old project? PS I noticed this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella)", "karmic/rebirth aspects of child-abuse and I'm not sure how palatable they would be", "- so that's not an issue. One problem is that the novel was", "because I had written the 50,000 words required for the 'competition' but the", "one go about restarting such an old project? PS I noticed this question:", "And, if it's not too broad a question, how might one go about", "that's not an issue. One problem is that the novel was (is) set", "already (in my head) this kind of serves as a damper to my", "- the issues are around the karmic/rebirth aspects of child-abuse and I'm not", "long break or would it be more productive to just start a new", "50,000 words required for the 'competition' but the story is not yet complete.", "it pans out - so that's not an issue. One problem is that", "words required for the 'competition' but the story is not yet complete. I", "I think that 'three years later' might be stretching it. Another problem is", "and time, as it does, has moved on since. Half a year after", "as a damper to my creativity. Lastly - the world seems to have", "the issues are around the karmic/rebirth aspects of child-abuse and I'm not sure", "town of York in 2015 and time, as it does, has moved on", "Half a year after breaking off, I could have started the final third", "a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about how to extend a novella into", "novel was (is) set in my home town of York in 2015 and", "the novel in a 'six months later' fashion, but I think that 'three", "the first two thirds of a novel (as part of NaNoWriMo). I stopped", "years later' might be stretching it. Another problem is that because I have", "(in my head) this kind of serves as a damper to my creativity.", "might one go about restarting such an old project? PS I noticed this", "Plus - the issues are around the karmic/rebirth aspects of child-abuse and I'm", "breaking off, I could have started the final third of the novel in", "seems to have moved on and the issues in my novel don't seem", "out - so that's not an issue. One problem is that the novel", "damper to my creativity. Lastly - the world seems to have moved on", "at that point because I had written the 50,000 words required for the", "(is) set in my home town of York in 2015 and time, as", "the final third of the novel in a 'six months later' fashion, but", "the world seems to have moved on and the issues in my novel", "the 'competition' but the story is not yet complete. I have an outline", "in 2015 and time, as it does, has moved on since. Half a", "on and the issues in my novel don't seem as relevant to a", "of the novel in my head, I have less motivation to finish it.", "motivation to finish it. Because it feels like I've finished it already (in", "time, as it does, has moved on since. Half a year after breaking", "I have less motivation to finish it. Because it feels like I've finished", "restarting such an old project? PS I noticed this question: [How to restart", "a year after breaking off, I could have started the final third of", "my head, I have less motivation to finish it. Because it feels like", "I'm not sure how palatable they would be to any audience anyway. Generally", "to any audience anyway. Generally - is it a bad idea to try", "Generally - is it a bad idea to try to finish a novel", "is it a bad idea to try to finish a novel after a", "novel after a long break or would it be more productive to just", "too broad a question, how might one go about restarting such an old", "Because it feels like I've finished it already (in my head) this kind", "idea to try to finish a novel after a long break or would", "a 'six months later' fashion, but I think that 'three years later' might", "to my creativity. Lastly - the world seems to have moved on and", "and the issues in my novel don't seem as relevant to a readership", "issues are around the karmic/rebirth aspects of child-abuse and I'm not sure how", "complete. I have an outline in my head of how it pans out", "be more productive to just start a new project from scratch? And, if", "on since. Half a year after breaking off, I could have started the", "anyway. Generally - is it a bad idea to try to finish a", "of NaNoWriMo). I stopped at that point because I had written the 50,000", "so that's not an issue. One problem is that the novel was (is)", "have the end of the novel in my head, I have less motivation", "written the 50,000 words required for the 'competition' but the story is not", "my head) this kind of serves as a damper to my creativity. Lastly", "of serves as a damper to my creativity. Lastly - the world seems", "stopped at that point because I had written the 50,000 words required for", "is that because I have the end of the novel in my head,", "for the 'competition' but the story is not yet complete. I have an", "a novel after a long break or would it be more productive to", "to finish it. Because it feels like I've finished it already (in my", "in my head, I have less motivation to finish it. Because it feels", "think that 'three years later' might be stretching it. Another problem is that", "Lastly - the world seems to have moved on and the issues in", "they once were. Plus - the issues are around the karmic/rebirth aspects of", "it. Because it feels like I've finished it already (in my head) this", "fashion, but I think that 'three years later' might be stretching it. Another", "around the karmic/rebirth aspects of child-abuse and I'm not sure how palatable they", "not too broad a question, how might one go about restarting such an", "story is not yet complete. I have an outline in my head of", "it a bad idea to try to finish a novel after a long", "they would be to any audience anyway. Generally - is it a bad", "an issue. One problem is that the novel was (is) set in my", "have an outline in my head of how it pans out - so", "I noticed this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk", "how to extend a novella into a novel rather than how to restart.", "to try to finish a novel after a long break or would it", "creativity. Lastly - the world seems to have moved on and the issues", "problem is that the novel was (is) set in my home town of", "stretching it. Another problem is that because I have the end of the", "I've finished it already (in my head) this kind of serves as a", "noticed this question: [How to restart a novel(la)?](https://writing.stackexchange.com/questions/4782/how-to-restart-a-novella) but the answers talk about", "to just start a new project from scratch? And, if it's not too", "the issues in my novel don't seem as relevant to a readership and" ]
[ "Rookmaaker, transcribed (double key) by AEL Data, corrections by John van Wyhe 2.2006.", "I was not able to check out a hard copy from my library.", "that had been transcribed online. The website provides the following citation information: RECORD:", "out a hard copy from my library. Instead, I found a version that", "format. I say \"book\" because I was not able to check out a", "trying to cite a \"book\" in APA format. I say \"book\" because I", "of animals and plants under domestication. London: Yony Mebray. First edition, first issue.", "in APA format. I say \"book\" because I was not able to check", "plants under domestication. London: Yony Mebray. First edition, first issue. Volume 1. REVISION", "Instead, I found a version that had been transcribed online. The website provides", "6.2008. RN6 Although this provides useful information, I'm not sure if I need", "a \"book\" in APA format. I say \"book\" because I was not able", "of how to consolidate it into one APA-approved citation for my reference list.", "to include all of it. Furthermore, I am unsure of how to consolidate", "unsure of how to consolidate it into one APA-approved citation for my reference", "hard copy from my library. Instead, I found a version that had been", "library. Instead, I found a version that had been transcribed online. The website", "AEL Data, corrections by John van Wyhe 2.2006. Proofread and corrected by Sue", "I'm not sure if I need to include all of it. Furthermore, I", "provides the following citation information: RECORD: Vorwit, C. R. 1868. The variation of", "a hard copy from my library. Instead, I found a version that had", "Kees Rookmaaker, transcribed (double key) by AEL Data, corrections by John van Wyhe", "Wyhe 2.2006. Proofread and corrected by Sue Asscher 6.2008. RN6 Although this provides", "Volume 1. REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed (double key) by AEL", "information, I'm not sure if I need to include all of it. Furthermore,", "R. 1868. The variation of animals and plants under domestication. London: Yony Mebray.", "found a version that had been transcribed online. The website provides the following", "First edition, first issue. Volume 1. REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed", "Mebray. First edition, first issue. Volume 1. REVISION HISTORY: Scanned by Kees Rookmaaker,", "copy from my library. Instead, I found a version that had been transcribed", "2.2006. Proofread and corrected by Sue Asscher 6.2008. RN6 Although this provides useful", "online. The website provides the following citation information: RECORD: Vorwit, C. R. 1868.", "I am unsure of how to consolidate it into one APA-approved citation for", "APA format. I say \"book\" because I was not able to check out", "I'm trying to cite a \"book\" in APA format. I say \"book\" because", "following citation information: RECORD: Vorwit, C. R. 1868. The variation of animals and", "The website provides the following citation information: RECORD: Vorwit, C. R. 1868. The", "RN6 Although this provides useful information, I'm not sure if I need to", "able to check out a hard copy from my library. Instead, I found", "John van Wyhe 2.2006. Proofread and corrected by Sue Asscher 6.2008. RN6 Although", "RECORD: Vorwit, C. R. 1868. The variation of animals and plants under domestication.", "was not able to check out a hard copy from my library. Instead,", "sure if I need to include all of it. Furthermore, I am unsure", "Asscher 6.2008. RN6 Although this provides useful information, I'm not sure if I", "Proofread and corrected by Sue Asscher 6.2008. RN6 Although this provides useful information,", "by AEL Data, corrections by John van Wyhe 2.2006. Proofread and corrected by", "version that had been transcribed online. The website provides the following citation information:", "from my library. Instead, I found a version that had been transcribed online.", "first issue. Volume 1. REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed (double key)", "\"book\" in APA format. I say \"book\" because I was not able to", "not sure if I need to include all of it. Furthermore, I am", "say \"book\" because I was not able to check out a hard copy", "am unsure of how to consolidate it into one APA-approved citation for my", "provides useful information, I'm not sure if I need to include all of", "under domestication. London: Yony Mebray. First edition, first issue. Volume 1. REVISION HISTORY:", "check out a hard copy from my library. Instead, I found a version", "by John van Wyhe 2.2006. Proofread and corrected by Sue Asscher 6.2008. RN6", "been transcribed online. The website provides the following citation information: RECORD: Vorwit, C.", "useful information, I'm not sure if I need to include all of it.", "REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed (double key) by AEL Data, corrections", "animals and plants under domestication. London: Yony Mebray. First edition, first issue. Volume", "C. R. 1868. The variation of animals and plants under domestication. London: Yony", "by Kees Rookmaaker, transcribed (double key) by AEL Data, corrections by John van", "because I was not able to check out a hard copy from my", "Vorwit, C. R. 1868. The variation of animals and plants under domestication. London:", "HISTORY: Scanned by Kees Rookmaaker, transcribed (double key) by AEL Data, corrections by", "variation of animals and plants under domestication. London: Yony Mebray. First edition, first", "corrections by John van Wyhe 2.2006. Proofread and corrected by Sue Asscher 6.2008.", "need to include all of it. Furthermore, I am unsure of how to", "the following citation information: RECORD: Vorwit, C. R. 1868. The variation of animals", "1. REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed (double key) by AEL Data,", "I found a version that had been transcribed online. The website provides the", "Yony Mebray. First edition, first issue. Volume 1. REVISION HISTORY: Scanned by Kees", "to cite a \"book\" in APA format. I say \"book\" because I was", "Sue Asscher 6.2008. RN6 Although this provides useful information, I'm not sure if", "I say \"book\" because I was not able to check out a hard", "Scanned by Kees Rookmaaker, transcribed (double key) by AEL Data, corrections by John", "Furthermore, I am unsure of how to consolidate it into one APA-approved citation", "this provides useful information, I'm not sure if I need to include all", "website provides the following citation information: RECORD: Vorwit, C. R. 1868. The variation", "my library. Instead, I found a version that had been transcribed online. The", "van Wyhe 2.2006. Proofread and corrected by Sue Asscher 6.2008. RN6 Although this", "(double key) by AEL Data, corrections by John van Wyhe 2.2006. Proofread and", "Data, corrections by John van Wyhe 2.2006. Proofread and corrected by Sue Asscher", "London: Yony Mebray. First edition, first issue. Volume 1. REVISION HISTORY: Scanned by", "not able to check out a hard copy from my library. Instead, I", "and plants under domestication. London: Yony Mebray. First edition, first issue. Volume 1.", "if I need to include all of it. Furthermore, I am unsure of", "include all of it. Furthermore, I am unsure of how to consolidate it", "had been transcribed online. The website provides the following citation information: RECORD: Vorwit,", "1868. The variation of animals and plants under domestication. London: Yony Mebray. First", "edition, first issue. Volume 1. REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed (double", "issue. Volume 1. REVISION HISTORY: Scanned by Kees Rookmaaker, transcribed (double key) by", "and corrected by Sue Asscher 6.2008. RN6 Although this provides useful information, I'm", "to check out a hard copy from my library. Instead, I found a", "all of it. Furthermore, I am unsure of how to consolidate it into", "cite a \"book\" in APA format. I say \"book\" because I was not", "of it. Furthermore, I am unsure of how to consolidate it into one", "transcribed (double key) by AEL Data, corrections by John van Wyhe 2.2006. Proofread", "The variation of animals and plants under domestication. London: Yony Mebray. First edition,", "domestication. London: Yony Mebray. First edition, first issue. Volume 1. REVISION HISTORY: Scanned", "by Sue Asscher 6.2008. RN6 Although this provides useful information, I'm not sure", "it. Furthermore, I am unsure of how to consolidate it into one APA-approved", "transcribed online. The website provides the following citation information: RECORD: Vorwit, C. R.", "corrected by Sue Asscher 6.2008. RN6 Although this provides useful information, I'm not", "Although this provides useful information, I'm not sure if I need to include", "a version that had been transcribed online. The website provides the following citation", "I need to include all of it. Furthermore, I am unsure of how", "key) by AEL Data, corrections by John van Wyhe 2.2006. Proofread and corrected", "citation information: RECORD: Vorwit, C. R. 1868. The variation of animals and plants", "\"book\" because I was not able to check out a hard copy from", "information: RECORD: Vorwit, C. R. 1868. The variation of animals and plants under" ]
[ "amnesia, which is quite shameful, but I want to know how to write", "and also how do I describe how an amnesia patient should feel about", "like the language for example, names of companies, names of alcohol and even", "how to write this book in a way that does not make it", "to write this book in a way that does not make it cliché.", "My protagonist doesn't remember her past but she does remember basic stuff like", "in a way that does not make it cliché. My protagonist doesn't remember", "a book about an amnesia patient. I do not know much about amnesia,", "of alcohol and even names of clothing brands. My book is supposed to", "to be a thriller and I do not see it going the way", "not make it cliché. My protagonist doesn't remember her past but she does", "doesn't remember her past but she does remember basic stuff like the language", "clothing brands. My book is supposed to be a thriller and I do", "but I want to know how to write this book in a way", "remember her past but she does remember basic stuff like the language for", "stuff like the language for example, names of companies, names of alcohol and", "shameful, but I want to know how to write this book in a", "past but she does remember basic stuff like the language for example, names", "and I do not see it going the way I wanted it to", "amnesia patient. I do not know much about amnesia, which is quite shameful,", "basic stuff like the language for example, names of companies, names of alcohol", "I am writing a book about an amnesia patient. I do not know", "see it going the way I wanted it to go. What do I", "remember basic stuff like the language for example, names of companies, names of", "of clothing brands. My book is supposed to be a thriller and I", "supposed to be a thriller and I do not see it going the", "wanted it to go. What do I do and also how do I", "do not see it going the way I wanted it to go. What", "going the way I wanted it to go. What do I do and", "What do I do and also how do I describe how an amnesia", "do I do and also how do I describe how an amnesia patient", "the language for example, names of companies, names of alcohol and even names", "that does not make it cliché. My protagonist doesn't remember her past but", "but she does remember basic stuff like the language for example, names of", "language for example, names of companies, names of alcohol and even names of", "patient. I do not know much about amnesia, which is quite shameful, but", "does not make it cliché. My protagonist doesn't remember her past but she", "also how do I describe how an amnesia patient should feel about everything?", "know how to write this book in a way that does not make", "brands. My book is supposed to be a thriller and I do not", "am writing a book about an amnesia patient. I do not know much", "way that does not make it cliché. My protagonist doesn't remember her past", "I wanted it to go. What do I do and also how do", "it to go. What do I do and also how do I describe", "a thriller and I do not see it going the way I wanted", "I do not know much about amnesia, which is quite shameful, but I", "an amnesia patient. I do not know much about amnesia, which is quite", "she does remember basic stuff like the language for example, names of companies,", "to know how to write this book in a way that does not", "is quite shameful, but I want to know how to write this book", "alcohol and even names of clothing brands. My book is supposed to be", "go. What do I do and also how do I describe how an", "protagonist doesn't remember her past but she does remember basic stuff like the", "want to know how to write this book in a way that does", "not know much about amnesia, which is quite shameful, but I want to", "I do and also how do I describe how an amnesia patient should", "is supposed to be a thriller and I do not see it going", "write this book in a way that does not make it cliché. My", "book in a way that does not make it cliché. My protagonist doesn't", "do not know much about amnesia, which is quite shameful, but I want", "I do not see it going the way I wanted it to go.", "a way that does not make it cliché. My protagonist doesn't remember her", "cliché. My protagonist doesn't remember her past but she does remember basic stuff", "of companies, names of alcohol and even names of clothing brands. My book", "it going the way I wanted it to go. What do I do", "book about an amnesia patient. I do not know much about amnesia, which", "even names of clothing brands. My book is supposed to be a thriller", "be a thriller and I do not see it going the way I", "this book in a way that does not make it cliché. My protagonist", "thriller and I do not see it going the way I wanted it", "names of alcohol and even names of clothing brands. My book is supposed", "it cliché. My protagonist doesn't remember her past but she does remember basic", "names of clothing brands. My book is supposed to be a thriller and", "writing a book about an amnesia patient. I do not know much about", "do and also how do I describe how an amnesia patient should feel", "example, names of companies, names of alcohol and even names of clothing brands.", "about an amnesia patient. I do not know much about amnesia, which is", "to go. What do I do and also how do I describe how", "her past but she does remember basic stuff like the language for example,", "companies, names of alcohol and even names of clothing brands. My book is", "the way I wanted it to go. What do I do and also", "not see it going the way I wanted it to go. What do", "for example, names of companies, names of alcohol and even names of clothing", "quite shameful, but I want to know how to write this book in", "which is quite shameful, but I want to know how to write this", "I want to know how to write this book in a way that", "make it cliché. My protagonist doesn't remember her past but she does remember", "does remember basic stuff like the language for example, names of companies, names", "know much about amnesia, which is quite shameful, but I want to know", "about amnesia, which is quite shameful, but I want to know how to", "names of companies, names of alcohol and even names of clothing brands. My", "book is supposed to be a thriller and I do not see it", "and even names of clothing brands. My book is supposed to be a", "way I wanted it to go. What do I do and also how", "much about amnesia, which is quite shameful, but I want to know how", "My book is supposed to be a thriller and I do not see" ]
[ "level of detail. I know the story, I know the pacing, and I", "Or should I start somewhere in the middle so I can explore a", "an outline, have explored my characters properly, and have properly broken down each", "the end so I know exactly where I’m trying to get to? Or", "Let’s say I’ve created an outline, have explored my characters properly, and have", "the pacing, and I know where I’m gonna got add conflict and emotion.", "have explored my characters properly, and have properly broken down each scene to", "the opening scene to explore the story as I go along? Should I", "characters properly, and have properly broken down each scene to an appropriate level", "go along? Should I start with the end so I know exactly where", "start somewhere in the middle so I can explore a little further before", "ready to put pen to page. Where should I start writing? Should I", "to an appropriate level of detail. I know the story, I know the", "middle so I can explore a little further before plunging into the big", "start writing? Should I start with the opening scene to explore the story", "add conflict and emotion. I’m ready to put pen to page. Where should", "start with the end so I know exactly where I’m trying to get", "know the pacing, and I know where I’m gonna got add conflict and", "as I go along? Should I start with the end so I know", "each scene to an appropriate level of detail. I know the story, I", "scene to an appropriate level of detail. I know the story, I know", "I know the story, I know the pacing, and I know where I’m", "properly broken down each scene to an appropriate level of detail. I know", "Where should I start writing? Should I start with the opening scene to", "along? Should I start with the end so I know exactly where I’m", "know where I’m gonna got add conflict and emotion. I’m ready to put", "page. Where should I start writing? Should I start with the opening scene", "put pen to page. Where should I start writing? Should I start with", "down each scene to an appropriate level of detail. I know the story,", "I’m ready to put pen to page. Where should I start writing? Should", "of detail. I know the story, I know the pacing, and I know", "pacing, and I know where I’m gonna got add conflict and emotion. I’m", "broken down each scene to an appropriate level of detail. I know the", "the story, I know the pacing, and I know where I’m gonna got", "to page. Where should I start writing? Should I start with the opening", "I’m trying to get to? Or should I start somewhere in the middle", "detail. I know the story, I know the pacing, and I know where", "properly, and have properly broken down each scene to an appropriate level of", "the story as I go along? Should I start with the end so", "opening scene to explore the story as I go along? Should I start", "and I know where I’m gonna got add conflict and emotion. I’m ready", "start with the opening scene to explore the story as I go along?", "and emotion. I’m ready to put pen to page. Where should I start", "emotion. I’m ready to put pen to page. Where should I start writing?", "I’ve created an outline, have explored my characters properly, and have properly broken", "I start somewhere in the middle so I can explore a little further", "and have properly broken down each scene to an appropriate level of detail.", "writing? Should I start with the opening scene to explore the story as", "to explore the story as I go along? Should I start with the", "to? Or should I start somewhere in the middle so I can explore", "story as I go along? Should I start with the end so I", "story, I know the pacing, and I know where I’m gonna got add", "exactly where I’m trying to get to? Or should I start somewhere in", "I know exactly where I’m trying to get to? Or should I start", "should I start somewhere in the middle so I can explore a little", "end so I know exactly where I’m trying to get to? Or should", "explored my characters properly, and have properly broken down each scene to an", "with the opening scene to explore the story as I go along? Should", "created an outline, have explored my characters properly, and have properly broken down", "I go along? Should I start with the end so I know exactly", "Should I start with the end so I know exactly where I’m trying", "the middle so I can explore a little further before plunging into the", "gonna got add conflict and emotion. I’m ready to put pen to page.", "where I’m gonna got add conflict and emotion. I’m ready to put pen", "an appropriate level of detail. I know the story, I know the pacing,", "outline, have explored my characters properly, and have properly broken down each scene", "where I’m trying to get to? Or should I start somewhere in the", "appropriate level of detail. I know the story, I know the pacing, and", "conflict and emotion. I’m ready to put pen to page. Where should I", "I start writing? Should I start with the opening scene to explore the", "have properly broken down each scene to an appropriate level of detail. I", "I start with the end so I know exactly where I’m trying to", "to get to? Or should I start somewhere in the middle so I", "somewhere in the middle so I can explore a little further before plunging", "I know where I’m gonna got add conflict and emotion. I’m ready to", "so I can explore a little further before plunging into the big chapters?", "say I’ve created an outline, have explored my characters properly, and have properly", "pen to page. Where should I start writing? Should I start with the", "in the middle so I can explore a little further before plunging into", "trying to get to? Or should I start somewhere in the middle so", "with the end so I know exactly where I’m trying to get to?", "I start with the opening scene to explore the story as I go", "to put pen to page. Where should I start writing? Should I start", "Should I start with the opening scene to explore the story as I", "explore the story as I go along? Should I start with the end", "my characters properly, and have properly broken down each scene to an appropriate", "got add conflict and emotion. I’m ready to put pen to page. Where", "scene to explore the story as I go along? Should I start with", "get to? Or should I start somewhere in the middle so I can", "should I start writing? Should I start with the opening scene to explore", "so I know exactly where I’m trying to get to? Or should I", "know the story, I know the pacing, and I know where I’m gonna", "know exactly where I’m trying to get to? Or should I start somewhere", "I know the pacing, and I know where I’m gonna got add conflict", "I’m gonna got add conflict and emotion. I’m ready to put pen to" ]
[ "really hard to do right. Currently I have like 4-5 story arcs running", "for better overview? Is there a general rule for this kind of things?", "have like 4-5 story arcs running next to each other. All contributing to", "a good thing or should I try to cut story arcs for better", "arcs running next to each other. All contributing to the theme and main", "named characters which all have something interesting to do in the next part", "connect again in some way. This doesn't feel bad, right now. But it", "a separate own path and will cause a change in POV up to", "contributing to the theme and main plotline in some way. It also adds", "to the theme and main plotline in some way. It also adds motivation", "each other. All contributing to the theme and main plotline in some way.", "try to cut story arcs for better overview? Is there a general rule", "adds motivation to some of the characters which makes me believe they are", "cut story arcs for better overview? Is there a general rule for this", "the plot is developing nicely. Perhaps a bit too nicely. I have about", "do right. Currently I have like 4-5 story arcs running next to each", "Should I consider this a good thing or should I try to cut", "some way. This doesn't feel bad, right now. But it seems really hard", "something uniquely to the plot. They all seem to go a separate own", "feel bad, right now. But it seems really hard to do right. Currently", "dozen of named characters which all have something interesting to do in the", "story. They will separately add something uniquely to the plot. They all seem", "bad, right now. But it seems really hard to do right. Currently I", "4-5 story arcs running next to each other. All contributing to the theme", "a change in POV up to where they will connect again in some", "up to where they will connect again in some way. This doesn't feel", "bit too nicely. I have about a dozen of named characters which all", "they are important. Should I consider this a good thing or should I", "words of my story now and the plot is developing nicely. Perhaps a", "about a dozen of named characters which all have something interesting to do", "have something interesting to do in the next part of the story. They", "nicely. Perhaps a bit too nicely. I have about a dozen of named", "all seem to go a separate own path and will cause a change", "about 15k words of my story now and the plot is developing nicely.", "they will connect again in some way. This doesn't feel bad, right now.", "plot is developing nicely. Perhaps a bit too nicely. I have about a", "my story now and the plot is developing nicely. Perhaps a bit too", "cause a change in POV up to where they will connect again in", "or should I try to cut story arcs for better overview? Is there", "now. But it seems really hard to do right. Currently I have like", "motivation to some of the characters which makes me believe they are important.", "separate own path and will cause a change in POV up to where", "the plot. They all seem to go a separate own path and will", "the next part of the story. They will separately add something uniquely to", "15k words of my story now and the plot is developing nicely. Perhaps", "and main plotline in some way. It also adds motivation to some of", "consider this a good thing or should I try to cut story arcs", "to cut story arcs for better overview? Is there a general rule for", "seem to go a separate own path and will cause a change in", "in the next part of the story. They will separately add something uniquely", "go a separate own path and will cause a change in POV up", "some way. It also adds motivation to some of the characters which makes", "of my story now and the plot is developing nicely. Perhaps a bit", "nicely. I have about a dozen of named characters which all have something", "the characters which makes me believe they are important. Should I consider this", "important. Should I consider this a good thing or should I try to", "to some of the characters which makes me believe they are important. Should", "to do right. Currently I have like 4-5 story arcs running next to", "seems really hard to do right. Currently I have like 4-5 story arcs", "of the characters which makes me believe they are important. Should I consider", "to do in the next part of the story. They will separately add", "own path and will cause a change in POV up to where they", "next to each other. All contributing to the theme and main plotline in", "which all have something interesting to do in the next part of the", "should I try to cut story arcs for better overview? Is there a", "developing nicely. Perhaps a bit too nicely. I have about a dozen of", "to each other. All contributing to the theme and main plotline in some", "a dozen of named characters which all have something interesting to do in", "to go a separate own path and will cause a change in POV", "change in POV up to where they will connect again in some way.", "doesn't feel bad, right now. But it seems really hard to do right.", "right now. But it seems really hard to do right. Currently I have", "other. All contributing to the theme and main plotline in some way. It", "All contributing to the theme and main plotline in some way. It also", "add something uniquely to the plot. They all seem to go a separate", "theme and main plotline in some way. It also adds motivation to some", "believe they are important. Should I consider this a good thing or should", "I try to cut story arcs for better overview? Is there a general", "way. It also adds motivation to some of the characters which makes me", "Perhaps a bit too nicely. I have about a dozen of named characters", "all have something interesting to do in the next part of the story.", "It also adds motivation to some of the characters which makes me believe", "I've written about 15k words of my story now and the plot is", "is developing nicely. Perhaps a bit too nicely. I have about a dozen", "path and will cause a change in POV up to where they will", "the story. They will separately add something uniquely to the plot. They all", "They will separately add something uniquely to the plot. They all seem to", "story arcs for better overview? Is there a general rule for this kind", "characters which makes me believe they are important. Should I consider this a", "written about 15k words of my story now and the plot is developing", "interesting to do in the next part of the story. They will separately", "right. Currently I have like 4-5 story arcs running next to each other.", "will separately add something uniquely to the plot. They all seem to go", "arcs for better overview? Is there a general rule for this kind of", "story now and the plot is developing nicely. Perhaps a bit too nicely.", "it seems really hard to do right. Currently I have like 4-5 story", "running next to each other. All contributing to the theme and main plotline", "will connect again in some way. This doesn't feel bad, right now. But", "do in the next part of the story. They will separately add something", "some of the characters which makes me believe they are important. Should I", "of named characters which all have something interesting to do in the next", "are important. Should I consider this a good thing or should I try", "this a good thing or should I try to cut story arcs for", "of the story. They will separately add something uniquely to the plot. They", "plot. They all seem to go a separate own path and will cause", "also adds motivation to some of the characters which makes me believe they", "They all seem to go a separate own path and will cause a", "the theme and main plotline in some way. It also adds motivation to", "good thing or should I try to cut story arcs for better overview?", "characters which all have something interesting to do in the next part of", "me believe they are important. Should I consider this a good thing or", "something interesting to do in the next part of the story. They will", "a bit too nicely. I have about a dozen of named characters which", "to where they will connect again in some way. This doesn't feel bad,", "plotline in some way. It also adds motivation to some of the characters", "POV up to where they will connect again in some way. This doesn't", "to the plot. They all seem to go a separate own path and", "like 4-5 story arcs running next to each other. All contributing to the", "in some way. It also adds motivation to some of the characters which", "which makes me believe they are important. Should I consider this a good", "in POV up to where they will connect again in some way. This", "makes me believe they are important. Should I consider this a good thing", "story arcs running next to each other. All contributing to the theme and", "uniquely to the plot. They all seem to go a separate own path", "too nicely. I have about a dozen of named characters which all have", "I have like 4-5 story arcs running next to each other. All contributing", "hard to do right. Currently I have like 4-5 story arcs running next", "and the plot is developing nicely. Perhaps a bit too nicely. I have", "way. This doesn't feel bad, right now. But it seems really hard to", "main plotline in some way. It also adds motivation to some of the", "thing or should I try to cut story arcs for better overview? Is", "again in some way. This doesn't feel bad, right now. But it seems", "have about a dozen of named characters which all have something interesting to", "I have about a dozen of named characters which all have something interesting", "in some way. This doesn't feel bad, right now. But it seems really", "now and the plot is developing nicely. Perhaps a bit too nicely. I", "next part of the story. They will separately add something uniquely to the", "will cause a change in POV up to where they will connect again", "where they will connect again in some way. This doesn't feel bad, right", "and will cause a change in POV up to where they will connect", "part of the story. They will separately add something uniquely to the plot.", "I consider this a good thing or should I try to cut story", "separately add something uniquely to the plot. They all seem to go a", "This doesn't feel bad, right now. But it seems really hard to do", "But it seems really hard to do right. Currently I have like 4-5", "Currently I have like 4-5 story arcs running next to each other. All" ]
[ "looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing genres", "included a story that sprinkled elements of humour (think Despicable Me) into a", "blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice about", "would it be acceptable to mix humour with something approaching horror? If possible,", "which this has worked? --- PS I looked at [Is blending genres well", "Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing genres rather than mixing them, as", "blending genres, but nothing that addresses the specific bleed style I am looking", "acceptable to mix humour with something approaching horror? If possible, can you give", "for submitting an assignment (Masters in Creative Writing) that included a story that", "that included a story that sprinkled elements of humour (think Despicable Me) into", "didn't get an explanation I could use to progress my writing. Under what", "think mostly because I didn't get an explanation I could use to progress", "sprinkled elements of humour (think Despicable Me) into a gritty and frankly disturbing", "the specific bleed style I am looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres)", "homeless man swapping bodies/minds with a teenage girl (think Freaky Friday spiked with", "has worked? --- PS I looked at [Is blending genres well received by", "be acceptable to mix humour with something approaching horror? If possible, can you", "mix humour with something approaching horror? If possible, can you give examples of", "some good general advice about blending genres, but nothing that addresses the specific", "(Masters in Creative Writing) that included a story that sprinkled elements of humour", "spiked with A Clockwork Orange). The dismissal of my experiment still rankles; I", "I didn't get an explanation I could use to progress my writing. Under", "general advice about blending genres, but nothing that addresses the specific bleed style", "(think Freaky Friday spiked with A Clockwork Orange). The dismissal of my experiment", "worked? --- PS I looked at [Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers)", "readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice about blending genres, but nothing that", "my writing. Under what circumstances would it be acceptable to mix humour with", "The dismissal of my experiment still rankles; I think mostly because I didn't", "of novels/screenplays in which this has worked? --- PS I looked at [Is", "could use to progress my writing. Under what circumstances would it be acceptable", "a teenage girl (think Freaky Friday spiked with A Clockwork Orange). The dismissal", "(think Despicable Me) into a gritty and frankly disturbing tale of a homeless", "received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice about blending genres, but", "humour with something approaching horror? If possible, can you give examples of novels/screenplays", "this has worked? --- PS I looked at [Is blending genres well received", "in which this has worked? --- PS I looked at [Is blending genres", "I looked at [Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some", "Under what circumstances would it be acceptable to mix humour with something approaching", "found some good general advice about blending genres, but nothing that addresses the", "with something approaching horror? If possible, can you give examples of novels/screenplays in", "girl (think Freaky Friday spiked with A Clockwork Orange). The dismissal of my", "explanation I could use to progress my writing. Under what circumstances would it", "advice about blending genres, but nothing that addresses the specific bleed style I", "Writing) that included a story that sprinkled elements of humour (think Despicable Me)", "Freaky Friday spiked with A Clockwork Orange). The dismissal of my experiment still", "looked at [Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good", "bleed style I am looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more", "addresses the specific bleed style I am looking at. Similarly, [Writing Across Multiple", "give examples of novels/screenplays in which this has worked? --- PS I looked", "nothing that addresses the specific bleed style I am looking at. Similarly, [Writing", "story that sprinkled elements of humour (think Despicable Me) into a gritty and", "of humour (think Despicable Me) into a gritty and frankly disturbing tale of", "I got into trouble last year for submitting an assignment (Masters in Creative", "--- PS I looked at [Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and", "writing. Under what circumstances would it be acceptable to mix humour with something", "into trouble last year for submitting an assignment (Masters in Creative Writing) that", "use to progress my writing. Under what circumstances would it be acceptable to", "specific bleed style I am looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is", "[Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing genres rather than mixing", "about blending genres, but nothing that addresses the specific bleed style I am", "into a gritty and frankly disturbing tale of a homeless man swapping bodies/minds", "dismissal of my experiment still rankles; I think mostly because I didn't get", "because I didn't get an explanation I could use to progress my writing.", "mostly because I didn't get an explanation I could use to progress my", "Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing genres rather than mixing them,", "still rankles; I think mostly because I didn't get an explanation I could", "I could use to progress my writing. Under what circumstances would it be", "I think mostly because I didn't get an explanation I could use to", "my experiment still rankles; I think mostly because I didn't get an explanation", "a story that sprinkled elements of humour (think Despicable Me) into a gritty", "horror? If possible, can you give examples of novels/screenplays in which this has", "experiment still rankles; I think mostly because I didn't get an explanation I", "genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice about blending", "it be acceptable to mix humour with something approaching horror? If possible, can", "genres, but nothing that addresses the specific bleed style I am looking at.", "Me) into a gritty and frankly disturbing tale of a homeless man swapping", "assignment (Masters in Creative Writing) that included a story that sprinkled elements of", "can you give examples of novels/screenplays in which this has worked? --- PS", "an assignment (Masters in Creative Writing) that included a story that sprinkled elements", "at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing* genres rather", "more about authors crossing genres rather than mixing them, as is [Writing different", "about authors crossing genres rather than mixing them, as is [Writing different genres](https://writing.stackexchange.com/questions/199/writing-different-genres?rq=1).", "submitting an assignment (Masters in Creative Writing) that included a story that sprinkled", "teenage girl (think Freaky Friday spiked with A Clockwork Orange). The dismissal of", "last year for submitting an assignment (Masters in Creative Writing) that included a", "of my experiment still rankles; I think mostly because I didn't get an", "by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice about blending genres, but nothing", "I am looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors", "in Creative Writing) that included a story that sprinkled elements of humour (think", "got into trouble last year for submitting an assignment (Masters in Creative Writing)", "Creative Writing) that included a story that sprinkled elements of humour (think Despicable", "rankles; I think mostly because I didn't get an explanation I could use", "a gritty and frankly disturbing tale of a homeless man swapping bodies/minds with", "with a teenage girl (think Freaky Friday* spiked with A Clockwork Orange). The", "that addresses the specific bleed style I am looking at. Similarly, [Writing Across", "Friday* spiked with A Clockwork Orange). The dismissal of my experiment still rankles;", "circumstances would it be acceptable to mix humour with something approaching horror? If", "to mix humour with something approaching horror? If possible, can you give examples", "examples of novels/screenplays in which this has worked? --- PS I looked at", "Clockwork Orange). The dismissal of my experiment still rankles; I think mostly because", "frankly disturbing tale of a homeless man swapping bodies/minds with a teenage girl", "an explanation I could use to progress my writing. Under what circumstances would", "A Clockwork Orange). The dismissal of my experiment still rankles; I think mostly", "tale of a homeless man swapping bodies/minds with a teenage girl (think Freaky", "Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing genres rather than mixing them, as is", "trouble last year for submitting an assignment (Masters in Creative Writing) that included", "PS I looked at [Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found", "disturbing tale of a homeless man swapping bodies/minds with a teenage girl (think", "at [Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general", "something approaching horror? If possible, can you give examples of novels/screenplays in which", "year for submitting an assignment (Masters in Creative Writing) that included a story", "swapping bodies/minds with a teenage girl (think Freaky Friday spiked with A Clockwork", "[Is blending genres well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice", "well received by readers?](https://writing.stackexchange.com/questions/28114/is-blending-genres-well-received-by-readers) and found some good general advice about blending genres,", "bodies/minds with a teenage girl (think Freaky Friday* spiked with A Clockwork Orange).", "style I am looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about", "of a homeless man swapping bodies/minds with a teenage girl (think Freaky Friday", "a homeless man swapping bodies/minds with a teenage girl (think Freaky Friday spiked", "that sprinkled elements of humour (think Despicable Me) into a gritty and frankly", "Despicable Me) into a gritty and frankly disturbing tale of a homeless man", "man swapping bodies/minds with a teenage girl (think Freaky Friday spiked with A", "good general advice about blending genres, but nothing that addresses the specific bleed", "with A Clockwork Orange). The dismissal of my experiment still rankles; I think", "possible, can you give examples of novels/screenplays in which this has worked? ---", "and frankly disturbing tale of a homeless man swapping bodies/minds with a teenage", "humour (think Despicable Me) into a gritty and frankly disturbing tale of a", "gritty and frankly disturbing tale of a homeless man swapping bodies/minds with a", "and found some good general advice about blending genres, but nothing that addresses", "novels/screenplays in which this has worked? --- PS* I looked at [Is blending", "but nothing that addresses the specific bleed style I am looking at. Similarly,", "you give examples of novels/screenplays in which this has worked? --- PS I", "get an explanation I could use to progress my writing. Under what circumstances", "to progress my writing. Under what circumstances would it be acceptable to mix", "am looking at. Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing", "what circumstances would it be acceptable to mix humour with something approaching horror?", "progress my writing. Under what circumstances would it be acceptable to mix humour", "Similarly, [Writing Across Multiple Genres](https://writing.stackexchange.com/questions/9508/writing-across-multiple-genres) is more about authors crossing genres rather than", "is more about authors crossing genres rather than mixing them, as is [Writing", "Orange). The dismissal of my experiment still rankles; I think mostly because I", "elements of humour (think Despicable Me*) into a gritty and frankly disturbing tale", "approaching horror? If possible, can you give examples of novels/screenplays in which this", "If possible, can you give examples of novels/screenplays in which this has worked?" ]
[ "been writing monsters for centuries; monster fiction seems to have died out because", "The Thing From Another World and Children’s Goosebumps Stories, all using grotesque imagery", "written books, such as The Thing From Another World and Children’s Goosebumps Stories,", "I sound as though I know a lot about monster movies and books,", "books, such as The Thing From Another World and Children’s Goosebumps Stories, all", "and grotesque puppets, back when CGI was something unheard of that was slowly", "such as The Thing From Another World and Children’s Goosebumps Stories, all using", "using grotesque imagery and emphasis of how creepy or unnatural the beings in", "that was slowly being practiced. But there were also written books, such as", "Century Fox used to make movie monsters with organic slime and grotesque puppets,", "know what I am looking for. I just know that people have been", "unheard of that was slowly being practiced. But there were also written books,", "From Another World* and Children’s Goosebumps Stories, all using grotesque imagery and emphasis", "are coming and going). Does anyone still write about monsters in Sci-Fi novels?", "do not know what I am looking for. I just know that people", "have been writing monsters for centuries; monster fiction seems to have died out", "of that was slowly being practiced. But there were also written books, such", "people have been writing monsters for centuries; monster fiction seems to have died", "been doing my research and I do not know what I am looking", "World* and Children’s Goosebumps Stories, all using grotesque imagery and emphasis of how", "human characters feel. I know I sound as though I know a lot", "used to make movie monsters with organic slime and grotesque puppets, back when", "don’t really, because I have been doing my research and I do not", "in the books make the human characters feel. I know I sound as", "of how creepy or unnatural the beings in the books make the human", "Another World* and Children’s Goosebumps Stories, all using grotesque imagery and emphasis of", "died out because the filming industry has grown (and zombies and dinosaurs are", "make the human characters feel. I know I sound as though I know", "with organic slime and grotesque puppets, back when CGI was something unheard of", "(and zombies and dinosaurs are coming and going). Does anyone still write about", "because I have been doing my research and I do not know what", "but I don’t really, because I have been doing my research and I", "movies and books, but I don’t really, because I have been doing my", "puppets, back when CGI was something unheard of that was slowly being practiced.", "sound as though I know a lot about monster movies and books, but", "But there were also written books, such as The Thing From Another World", "I do not know what I am looking for. I just know that", "for centuries; monster fiction seems to have died out because the filming industry", "really, because I have been doing my research and I do not know", "out because the filming industry has grown (and zombies and dinosaurs are coming", "back when CGI was something unheard of that was slowly being practiced. But", "looking for. I just know that people have been writing monsters for centuries;", "know a lot about monster movies and books, but I don’t really, because", "seems to have died out because the filming industry has grown (and zombies", "something unheard of that was slowly being practiced. But there were also written", "know that people have been writing monsters for centuries; monster fiction seems to", "Goosebumps Stories, all using grotesque imagery and emphasis of how creepy or unnatural", "make movie monsters with organic slime and grotesque puppets, back when CGI was", "slowly being practiced. But there were also written books, such as The Thing", "though I know a lot about monster movies and books, but I don’t", "slime and grotesque puppets, back when CGI was something unheard of that was", "organic slime and grotesque puppets, back when CGI was something unheard of that", "I know I sound as though I know a lot about monster movies", "about monster movies and books, but I don’t really, because I have been", "emphasis of how creepy or unnatural the beings in the books make the", "monster movies and books, but I don’t really, because I have been doing", "I am looking for. I just know that people have been writing monsters", "and Children’s Goosebumps Stories, all using grotesque imagery and emphasis of how creepy", "grotesque puppets, back when CGI was something unheard of that was slowly being", "not know what I am looking for. I just know that people have", "also written books, such as The Thing From Another World and Children’s Goosebumps", "centuries; monster fiction seems to have died out because the filming industry has", "lot about monster movies and books, but I don’t really, because I have", "fiction seems to have died out because the filming industry has grown (and", "zombies and dinosaurs are coming and going). Does anyone still write about monsters", "books, but I don’t really, because I have been doing my research and", "imagery and emphasis of how creepy or unnatural the beings in the books", "when CGI was something unheard of that was slowly being practiced. But there", "Hollywood and 20th Century Fox used to make movie monsters with organic slime", "were also written books, such as The Thing From Another World* and Children’s", "to have died out because the filming industry has grown (and zombies and", "for. I just know that people have been writing monsters for centuries; monster", "Thing From Another World and Children’s Goosebumps Stories, all using grotesque imagery and", "CGI was something unheard of that was slowly being practiced. But there were", "writing monsters for centuries; monster fiction seems to have died out because the", "as though I know a lot about monster movies and books, but I", "have died out because the filming industry has grown (and zombies and dinosaurs", "20th Century Fox used to make movie monsters with organic slime and grotesque", "dinosaurs are coming and going). Does anyone still write about monsters in Sci-Fi", "Stories, all using grotesque imagery and emphasis of how creepy or unnatural the", "and emphasis of how creepy or unnatural the beings in the books make", "how creepy or unnatural the beings in the books make the human characters", "as The Thing From Another World* and Children’s Goosebumps Stories, all using grotesque", "just know that people have been writing monsters for centuries; monster fiction seems", "grown (and zombies and dinosaurs are coming and going). Does anyone still write", "grotesque imagery and emphasis of how creepy or unnatural the beings in the", "doing my research and I do not know what I am looking for.", "has grown (and zombies and dinosaurs are coming and going). Does anyone still", "monsters with organic slime and grotesque puppets, back when CGI was something unheard", "Children’s Goosebumps Stories, all using grotesque imagery and emphasis of how creepy or", "monster fiction seems to have died out because the filming industry has grown", "a lot about monster movies and books, but I don’t really, because I", "my research and I do not know what I am looking for. I", "to make movie monsters with organic slime and grotesque puppets, back when CGI", "filming industry has grown (and zombies and dinosaurs are coming and going). Does", "research and I do not know what I am looking for. I just", "have been doing my research and I do not know what I am", "creepy or unnatural the beings in the books make the human characters feel.", "am looking for. I just know that people have been writing monsters for", "that people have been writing monsters for centuries; monster fiction seems to have", "Fox used to make movie monsters with organic slime and grotesque puppets, back", "being practiced. But there were also written books, such as The Thing From", "there were also written books, such as The Thing From Another World* and", "and 20th Century Fox used to make movie monsters with organic slime and", "was slowly being practiced. But there were also written books, such as The", "and I do not know what I am looking for. I just know", "practiced. But there were also written books, such as The Thing From Another", "I don’t really, because I have been doing my research and I do", "characters feel. I know I sound as though I know a lot about", "the beings in the books make the human characters feel. I know I", "or unnatural the beings in the books make the human characters feel. I", "I know a lot about monster movies and books, but I don’t really,", "beings in the books make the human characters feel. I know I sound", "all using grotesque imagery and emphasis of how creepy or unnatural the beings", "the books make the human characters feel. I know I sound as though", "because the filming industry has grown (and zombies and dinosaurs are coming and", "industry has grown (and zombies and dinosaurs are coming and going). Does anyone", "feel. I know I sound as though I know a lot about monster", "and books, but I don’t really, because I have been doing my research", "books make the human characters feel. I know I sound as though I", "what I am looking for. I just know that people have been writing", "I have been doing my research and I do not know what I", "unnatural the beings in the books make the human characters feel. I know", "was something unheard of that was slowly being practiced. But there were also", "I just know that people have been writing monsters for centuries; monster fiction", "and dinosaurs are coming and going). Does anyone still write about monsters in", "monsters for centuries; monster fiction seems to have died out because the filming", "know I sound as though I know a lot about monster movies and", "movie monsters with organic slime and grotesque puppets, back when CGI was something", "the filming industry has grown (and zombies and dinosaurs are coming and going).", "the human characters feel. I know I sound as though I know a" ]
[ "was also considering using plays on words, but those can be unnecessarily cryptic", "to hire us For titles, I'm thinking of either using the pattern \"How", "forced. I was also considering using plays on words, but those can be", "picture of what the study is about by just reading the headings 3.", "the reader to: 1. be motivated to read on 2. get a picture", "on 2. get a picture of what the study is about by just", "the study is about by just reading the headings 3. be inspired to", "pattern \"How \" (e.g. \"How Farmville got 32 million daily players\") or \":", "the pattern \"How \" (e.g. \"How Farmville got 32 million daily players\") or", "with an interrogative adverb or with a gerund. At the same time, I", "unnecessarily cryptic sometimes and a good pun isn't always readily available. Are there", "those can be unnecessarily cryptic sometimes and a good pun isn't always readily", "us For titles, I'm thinking of either using the pattern \"How \" (e.g.", "of what the study is about by just reading the headings 3. be", "I'm pondering what patterns to use for headings—both the case study title and", "2. get a picture of what the study is about by just reading", "for headings—both the case study title and headings within a case study. I'd", "always readily available. Are there any copywriting best practices on case studies or", "For titles, I'm thinking of either using the pattern \"How \" (e.g. \"How", "captivating a nation\"). For headings within a page, I'm not so sure. Every", "considering using plays on words, but those can be unnecessarily cryptic sometimes and", "but those can be unnecessarily cryptic sometimes and a good pun isn't always", "a page, I'm not so sure. Every heading could start with an interrogative", "pun isn't always readily available. Are there any copywriting best practices on case", "a gerund. At the same time, I don't want the titles to sound", "motivated to read on 2. get a picture of what the study is", "to sound repetitive or forced. I was also considering using plays on words,", "also considering using plays on words, but those can be unnecessarily cryptic sometimes", "For headings within a page, I'm not so sure. Every heading could start", "what patterns to use for headings—both the case study title and headings within", "not so sure. Every heading could start with an interrogative adverb or with", "so sure. Every heading could start with an interrogative adverb or with a", "don't want the titles to sound repetitive or forced. I was also considering", "a nation\"). For headings within a page, I'm not so sure. Every heading", "company and I'm pondering what patterns to use for headings—both the case study", "At the same time, I don't want the titles to sound repetitive or", "study is about by just reading the headings 3. be inspired to hire", "good pun isn't always readily available. Are there any copywriting best practices on", "\": \" (e.g \"Farmville: captivating a nation\"). For headings within a page, I'm", "1. be motivated to read on 2. get a picture of what the", "for my company and I'm pondering what patterns to use for headings—both the", "read on 2. get a picture of what the study is about by", "a good pun isn't always readily available. Are there any copywriting best practices", "studies for my company and I'm pondering what patterns to use for headings—both", "(e.g. \"How Farmville got 32 million daily players\") or \": \" (e.g \"Farmville:", "headings—both the case study title and headings within a case study. I'd like", "just reading the headings 3. be inspired to hire us For titles, I'm", "isn't always readily available. Are there any copywriting best practices on case studies", "cryptic sometimes and a good pun isn't always readily available. Are there any", "the case study title and headings within a case study. I'd like the", "my company and I'm pondering what patterns to use for headings—both the case", "the headings 3. be inspired to hire us For titles, I'm thinking of", "got 32 million daily players\") or \": \" (e.g \"Farmville: captivating a nation\").", "patterns to use for headings—both the case study title and headings within a", "or forced. I was also considering using plays on words, but those can", "study title and headings within a case study. I'd like the reader to:", "be inspired to hire us For titles, I'm thinking of either using the", "\" (e.g. \"How Farmville got 32 million daily players\") or \": \" (e.g", "reader to: 1. be motivated to read on 2. get a picture of", "interrogative adverb or with a gerund. At the same time, I don't want", "page, I'm not so sure. Every heading could start with an interrogative adverb", "plays on words, but those can be unnecessarily cryptic sometimes and a good", "title and headings within a case study. I'd like the reader to: 1.", "daily players\") or \": \" (e.g \"Farmville: captivating a nation\"). For headings within", "several case studies for my company and I'm pondering what patterns to use", "start with an interrogative adverb or with a gerund. At the same time,", "and I'm pondering what patterns to use for headings—both the case study title", "headings within a page, I'm not so sure. Every heading could start with", "gerund. At the same time, I don't want the titles to sound repetitive", "titles to sound repetitive or forced. I was also considering using plays on", "of either using the pattern \"How \" (e.g. \"How Farmville got 32 million", "I don't want the titles to sound repetitive or forced. I was also", "I'm going to be preparing several case studies for my company and I'm", "headings within a case study. I'd like the reader to: 1. be motivated", "I'm thinking of either using the pattern \"How \" (e.g. \"How Farmville got", "sure. Every heading could start with an interrogative adverb or with a gerund.", "be unnecessarily cryptic sometimes and a good pun isn't always readily available. Are", "like the reader to: 1. be motivated to read on 2. get a", "within a page, I'm not so sure. Every heading could start with an", "the titles to sound repetitive or forced. I was also considering using plays", "within a case study. I'd like the reader to: 1. be motivated to", "either using the pattern \"How \" (e.g. \"How Farmville got 32 million daily", "headings 3. be inspired to hire us For titles, I'm thinking of either", "words, but those can be unnecessarily cryptic sometimes and a good pun isn't", "32 million daily players\") or \": \" (e.g \"Farmville: captivating a nation\"). For", "can be unnecessarily cryptic sometimes and a good pun isn't always readily available.", "(e.g \"Farmville: captivating a nation\"). For headings within a page, I'm not so", "Are there any copywriting best practices on case studies or headings in general?", "get a picture of what the study is about by just reading the", "to read on 2. get a picture of what the study is about", "reading the headings 3. be inspired to hire us For titles, I'm thinking", "case study. I'd like the reader to: 1. be motivated to read on", "sometimes and a good pun isn't always readily available. Are there any copywriting", "the same time, I don't want the titles to sound repetitive or forced.", "\" (e.g \"Farmville: captivating a nation\"). For headings within a page, I'm not", "\"Farmville: captivating a nation\"). For headings within a page, I'm not so sure.", "could start with an interrogative adverb or with a gerund. At the same", "using the pattern \"How \" (e.g. \"How Farmville got 32 million daily players\")", "Farmville got 32 million daily players\") or \": \" (e.g \"Farmville: captivating a", "3. be inspired to hire us For titles, I'm thinking of either using", "time, I don't want the titles to sound repetitive or forced. I was", "nation\"). For headings within a page, I'm not so sure. Every heading could", "to use for headings—both the case study title and headings within a case", "be motivated to read on 2. get a picture of what the study", "what the study is about by just reading the headings 3. be inspired", "or with a gerund. At the same time, I don't want the titles", "is about by just reading the headings 3. be inspired to hire us", "I'd like the reader to: 1. be motivated to read on 2. get", "hire us For titles, I'm thinking of either using the pattern \"How \"", "with a gerund. At the same time, I don't want the titles to", "inspired to hire us For titles, I'm thinking of either using the pattern", "case studies for my company and I'm pondering what patterns to use for", "or \": \" (e.g \"Farmville: captivating a nation\"). For headings within a page,", "repetitive or forced. I was also considering using plays on words, but those", "about by just reading the headings 3. be inspired to hire us For", "I'm not so sure. Every heading could start with an interrogative adverb or", "and a good pun isn't always readily available. Are there any copywriting best", "heading could start with an interrogative adverb or with a gerund. At the", "sound repetitive or forced. I was also considering using plays on words, but", "a picture of what the study is about by just reading the headings", "\"How \" (e.g. \"How Farmville got 32 million daily players\") or \": \"", "on words, but those can be unnecessarily cryptic sometimes and a good pun", "preparing several case studies for my company and I'm pondering what patterns to", "same time, I don't want the titles to sound repetitive or forced. I", "case study title and headings within a case study. I'd like the reader", "available. Are there any copywriting best practices on case studies or headings in", "by just reading the headings 3. be inspired to hire us For titles,", "million daily players\") or \": \" (e.g \"Farmville: captivating a nation\"). 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I'd like the reader to: 1. be motivated to read", "I was also considering using plays on words, but those can be unnecessarily", "thinking of either using the pattern \"How \" (e.g. \"How Farmville got 32", "to: 1. be motivated to read on 2. get a picture of what", "using plays on words, but those can be unnecessarily cryptic sometimes and a", "and headings within a case study. I'd like the reader to: 1. be", "readily available. Are there any copywriting best practices on case studies or headings", "adverb or with a gerund. At the same time, I don't want the" ]
[ "something valuable and serious. Why are so many so-called \"historical novels\" with very", "novels\" with very little historical value published, and why there are others with", "why there are others with real historical value struggling to get any attention?", "historical novels takes time and motivation to research and study if you want", "want to write something valuable and serious. Why are so many so-called \"historical", "very little historical value published, and why there are others with real historical", "little historical value published, and why there are others with real historical value", "study if you want to write something valuable and serious. Why are so", "novels takes time and motivation to research and study if you want to", "published, and why there are others with real historical value struggling to get", "and why there are others with real historical value struggling to get any", "are so many so-called \"historical novels\" with very little historical value published, and", "so-called \"historical novels\" with very little historical value published, and why there are", "to write something valuable and serious. Why are so many so-called \"historical novels\"", "serious. Why are so many so-called \"historical novels\" with very little historical value", "Writing historical novels takes time and motivation to research and study if you", "motivation to research and study if you want to write something valuable and", "with very little historical value published, and why there are others with real", "time and motivation to research and study if you want to write something", "you want to write something valuable and serious. Why are so many so-called", "Why are so many so-called \"historical novels\" with very little historical value published,", "write something valuable and serious. Why are so many so-called \"historical novels\" with", "value published, and why there are others with real historical value struggling to", "to research and study if you want to write something valuable and serious.", "valuable and serious. Why are so many so-called \"historical novels\" with very little", "if you want to write something valuable and serious. Why are so many", "takes time and motivation to research and study if you want to write", "so many so-called \"historical novels\" with very little historical value published, and why", "and serious. Why are so many so-called \"historical novels\" with very little historical", "many so-called \"historical novels\" with very little historical value published, and why there", "and study if you want to write something valuable and serious. Why are", "\"historical novels\" with very little historical value published, and why there are others", "research and study if you want to write something valuable and serious. Why", "historical value published, and why there are others with real historical value struggling", "and motivation to research and study if you want to write something valuable" ]
[ "text documents don't follow 100% exactly the same format, though they all look", "the rules for authoring documents like these in plain text, or if I", "don't follow 100% exactly the same format, though they all look roughly alike.", "etc. Basically I'm wondering if there's a manual I can read that outlines", "I can read that outlines the rules for authoring documents like these in", "text, or if I should just do my best to mimic it. ---", "plain text, or if I should just do my best to mimic it.", "formal specification for authoring plain text documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>?", "a manual I can read that outlines the rules for authoring documents like", "screen,\" etc. Basically I'm wondering if there's a manual I can read that", "a guide/spec that would state the formatting rules like \"break sections apart with", "sections apart with the `-` character repeated the full length of the screen,\"", "for authoring plain text documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so,", "full length of the screen,\" etc. Basically I'm wondering if there's a manual", "I'm wondering if there's a manual I can read that outlines the rules", "are on <http://www.tldp.org/HOWTO/text/>? If so, what is it called? Where is it documented?", "there different versions of this specification, or is this just personal preference by", "on <http://www.tldp.org/HOWTO/text/>? If so, what is it called? Where is it documented? I'm", "if there's a manual I can read that outlines the rules for authoring", "Is there a formal specification for authoring plain text documents like they (mostly)", "<http://www.tldp.org/HOWTO/text/>? If so, what is it called? Where is it documented? I'm looking", "versions of this specification, or is this just personal preference by the authors?", "different versions of this specification, or is this just personal preference by the", "the same format, though they all look roughly alike. Are there different versions", "rules like \"break sections apart with the `-` character repeated the full length", "plain text documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what is", "character repeated the full length of the screen,\" etc. Basically I'm wondering if", "so, what is it called? Where is it documented? I'm looking for a", "a formal specification for authoring plain text documents like they (mostly) are on", "it. --- Aside: I noticed that several of these text documents don't follow", "documents like these in plain text, or if I should just do my", "there's a manual I can read that outlines the rules for authoring documents", "guide/spec that would state the formatting rules like \"break sections apart with the", "specification for authoring plain text documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If", "repeated the full length of the screen,\" etc. Basically I'm wondering if there's", "\"break sections apart with the `-` character repeated the full length of the", "follow 100% exactly the same format, though they all look roughly alike. Are", "they all look roughly alike. Are there different versions of this specification, or", "text documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what is it", "read that outlines the rules for authoring documents like these in plain text,", "documented? I'm looking for a guide/spec that would state the formatting rules like", "looking for a guide/spec that would state the formatting rules like \"break sections", "my best to mimic it. --- Aside: I noticed that several of these", "of these text documents don't follow 100% exactly the same format, though they", "outlines the rules for authoring documents like these in plain text, or if", "rules for authoring documents like these in plain text, or if I should", "to mimic it. --- Aside: I noticed that several of these text documents", "there a formal specification for authoring plain text documents like they (mostly) are", "is it documented? I'm looking for a guide/spec that would state the formatting", "can read that outlines the rules for authoring documents like these in plain", "in plain text, or if I should just do my best to mimic", "mimic it. --- Aside: I noticed that several of these text documents don't", "I'm looking for a guide/spec that would state the formatting rules like \"break", "should just do my best to mimic it. --- Aside: I noticed that", "formatting rules like \"break sections apart with the `-` character repeated the full", "`-` character repeated the full length of the screen,\" etc. Basically I'm wondering", "alike. Are there different versions of this specification, or is this just personal", "it documented? I'm looking for a guide/spec that would state the formatting rules", "Where is it documented? I'm looking for a guide/spec that would state the", "look roughly alike. Are there different versions of this specification, or is this", "noticed that several of these text documents don't follow 100% exactly the same", "the screen,\" etc. Basically I'm wondering if there's a manual I can read", "Basically I'm wondering if there's a manual I can read that outlines the", "apart with the `-` character repeated the full length of the screen,\" etc.", "the full length of the screen,\" etc. Basically I'm wondering if there's a", "would state the formatting rules like \"break sections apart with the `-` character", "If so, what is it called? Where is it documented? I'm looking for", "do my best to mimic it. --- Aside: I noticed that several of", "wondering if there's a manual I can read that outlines the rules for", "though they all look roughly alike. Are there different versions of this specification,", "is it called? Where is it documented? I'm looking for a guide/spec that", "or if I should just do my best to mimic it. --- Aside:", "the formatting rules like \"break sections apart with the `-` character repeated the", "the `-` character repeated the full length of the screen,\" etc. Basically I'm", "of the screen,\" etc. Basically I'm wondering if there's a manual I can", "like \"break sections apart with the `-` character repeated the full length of", "--- Aside: I noticed that several of these text documents don't follow 100%", "what is it called? Where is it documented? I'm looking for a guide/spec", "if I should just do my best to mimic it. --- Aside: I", "documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what is it called?", "authoring plain text documents like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what", "like they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what is it called? Where", "state the formatting rules like \"break sections apart with the `-` character repeated", "called? Where is it documented? I'm looking for a guide/spec that would state", "these text documents don't follow 100% exactly the same format, though they all", "format, though they all look roughly alike. Are there different versions of this", "manual I can read that outlines the rules for authoring documents like these", "I noticed that several of these text documents don't follow 100% exactly the", "that outlines the rules for authoring documents like these in plain text, or", "(mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what is it called? Where is it", "several of these text documents don't follow 100% exactly the same format, though", "these in plain text, or if I should just do my best to", "same format, though they all look roughly alike. Are there different versions of", "Are there different versions of this specification, or is this just personal preference", "that several of these text documents don't follow 100% exactly the same format,", "all look roughly alike. Are there different versions of this specification, or is", "like these in plain text, or if I should just do my best", "best to mimic it. --- Aside: I noticed that several of these text", "authoring documents like these in plain text, or if I should just do", "for a guide/spec that would state the formatting rules like \"break sections apart", "they (mostly) are on <http://www.tldp.org/HOWTO/text/>? If so, what is it called? Where is", "exactly the same format, though they all look roughly alike. Are there different", "100% exactly the same format, though they all look roughly alike. Are there", "it called? Where is it documented? I'm looking for a guide/spec that would", "with the `-` character repeated the full length of the screen,\" etc. Basically", "roughly alike. Are there different versions of this specification, or is this just", "that would state the formatting rules like \"break sections apart with the `-`", "length of the screen,\" etc. Basically I'm wondering if there's a manual I", "just do my best to mimic it. --- Aside: I noticed that several", "for authoring documents like these in plain text, or if I should just", "Aside: I noticed that several of these text documents don't follow 100% exactly", "I should just do my best to mimic it. --- Aside: I noticed", "documents don't follow 100% exactly the same format, though they all look roughly" ]
[ "me that I do not know how to write. I have read many", "many many pages, but nothing \"is worth saving for the dissertation\"(her words). 2.", "wish I could write one good paragraph and from there I would be", "have been studying sentences, paragraphs, essays etc... but I do not know how", "here. Please, help a fellow writer. 1. I am doing a PhD and", "how to put these elements together properly. 3. I was so happy about", "do not know how to write. I have read many books on academic", "In a sense, I cannot complain about it with my department because she", "working with this professor. Now the thought of writing makes me sick. 4.", "want to let me go. I have no clue what I should do", "and do something about it. Yet, nothing seems to work and my supervisor", "writing and they may want to let me go. I have no clue", "1. I am doing a PhD and my supervisor is telling me that", "with my department because she is right about my writing and they may", "write one good paragraph and from there I would be able to write", "work and my supervisor is always humiliating me. In a sense, I cannot", "could write one good paragraph and from there I would be able to", "I could write one good paragraph and from there I would be able", "right about my writing and they may want to let me go. I", "supervisor is telling me that I do not know how to write. I", "fellow writer. 1. I am doing a PhD and my supervisor is telling", "she is right about my writing and they may want to let me", "should do next. 5. My field is philosophy. In this field, I really", "better. I wrote many many pages, but nothing \"is worth saving for the", "wrote many many pages, but nothing \"is worth saving for the dissertation\"(her words).", "so happy about writing. I could write all day long. I did not", "started working with this professor. Now the thought of writing makes me sick.", "I cannot complain about it with my department because she is right about", "happy about writing. I could write all day long. I did not have", "any problems with \"what to write\" about until I started working with this", "about writing. I could write all day long. I did not have any", "me sick. 4. I want to improve and do something about it. Yet,", "telling me that I do not know how to write. I have read", "me go. I have no clue what I should do next. 5. My", "long. I did not have any problems with \"what to write\" about until", "to write\" about until I started working with this professor. Now the thought", "these elements together properly. 3. I was so happy about writing. I could", "my writing better. I wrote many many pages, but nothing \"is worth saving", "from there I would be able to write others. I have been studying", "but I do not know how to put these elements together properly. 3.", "I should do next. 5. My field is philosophy. In this field, I", "I wrote many many pages, but nothing \"is worth saving for the dissertation\"(her", "because she is right about my writing and they may want to let", "to write well and it is what I want the most. Thank you", "I was so happy about writing. I could write all day long. I", "somehow I cannot make my writing better. I wrote many many pages, but", "I will explain my question here. Please, help a fellow writer. 1. I", "4. I want to improve and do something about it. Yet, nothing seems", "not know how to put these elements together properly. 3. I was so", "Yet, nothing seems to work and my supervisor is always humiliating me. In", "makes me sick. 4. I want to improve and do something about it.", "sentences, paragraphs, essays etc... but I do not know how to put these", "field, I really need to write well and it is what I want", "to work and my supervisor is always humiliating me. In a sense, I", "worth saving for the dissertation\"(her words). 2. I wish I could write one", "help a fellow writer. 1. I am doing a PhD and my supervisor", "professor. Now the thought of writing makes me sick. 4. I want to", "and they may want to let me go. I have no clue what", "clue what I should do next. 5. My field is philosophy. In this", "writing better. I wrote many many pages, but nothing \"is worth saving for", "field is philosophy. In this field, I really need to write well and", "there I would be able to write others. I have been studying sentences,", "write all day long. I did not have any problems with \"what to", "not have any problems with \"what to write\" about until I started working", "really need to write well and it is what I want the most.", "until I started working with this professor. Now the thought of writing makes", "need to write well and it is what I want the most. Thank", "on academic writing, but somehow I cannot make my writing better. I wrote", "writing. I could write all day long. I did not have any problems", "essays etc... but I do not know how to put these elements together", "thought of writing makes me sick. 4. I want to improve and do", "paragraph and from there I would be able to write others. I have", "to improve and do something about it. Yet, nothing seems to work and", "studying sentences, paragraphs, essays etc... but I do not know how to put", "paragraphs, essays etc... but I do not know how to put these elements", "improve and do something about it. Yet, nothing seems to work and my", "me. In a sense, I cannot complain about it with my department because", "do not know how to put these elements together properly. 3. I was", "is philosophy. In this field, I really need to write well and it", "be able to write others. I have been studying sentences, paragraphs, essays etc...", "have any problems with \"what to write\" about until I started working with", "philosophy. In this field, I really need to write well and it is", "humiliating me. In a sense, I cannot complain about it with my department", "I really need to write well and it is what I want the", "properly. 3. I was so happy about writing. I could write all day", "day long. I did not have any problems with \"what to write\" about", "go. I have no clue what I should do next. 5. My field", "nothing seems to work and my supervisor is always humiliating me. In a", "department because she is right about my writing and they may want to", "is right about my writing and they may want to let me go.", "others. I have been studying sentences, paragraphs, essays etc... but I do not", "3. I was so happy about writing. I could write all day long.", "but nothing \"is worth saving for the dissertation\"(her words). 2. I wish I", "I did not have any problems with \"what to write\" about until I", "explain my question here. Please, help a fellow writer. 1. I am doing", "sick. 4. I want to improve and do something about it. Yet, nothing", "a fellow writer. 1. I am doing a PhD and my supervisor is", "2. I wish I could write one good paragraph and from there I", "this field, I really need to write well and it is what I", "my question here. Please, help a fellow writer. 1. I am doing a", "it with my department because she is right about my writing and they", "seems to work and my supervisor is always humiliating me. In a sense,", "about until I started working with this professor. Now the thought of writing", "what I should do next. 5. My field is philosophy. In this field,", "my supervisor is telling me that I do not know how to write.", "of writing makes me sick. 4. I want to improve and do something", "that I do not know how to write. I have read many books", "5. My field is philosophy. In this field, I really need to write", "all day long. I did not have any problems with \"what to write\"", "write others. I have been studying sentences, paragraphs, essays etc... but I do", "have read many books on academic writing, but somehow I cannot make my", "well and it is what I want the most. Thank you so much.", "with this professor. Now the thought of writing makes me sick. 4. I", "I have been studying sentences, paragraphs, essays etc... but I do not know", "for the dissertation\"(her words). 2. I wish I could write one good paragraph", "but somehow I cannot make my writing better. I wrote many many pages,", "\"what to write\" about until I started working with this professor. Now the", "a PhD and my supervisor is telling me that I do not know", "dissertation\"(her words). 2. I wish I could write one good paragraph and from", "have no clue what I should do next. 5. My field is philosophy.", "writing makes me sick. 4. I want to improve and do something about", "would be able to write others. I have been studying sentences, paragraphs, essays", "know how to write. I have read many books on academic writing, but", "writing, but somehow I cannot make my writing better. I wrote many many", "I started working with this professor. Now the thought of writing makes me", "read many books on academic writing, but somehow I cannot make my writing", "always humiliating me. In a sense, I cannot complain about it with my", "nothing \"is worth saving for the dissertation\"(her words). 2. I wish I could", "to write others. I have been studying sentences, paragraphs, essays etc... but I", "how to write. I have read many books on academic writing, but somehow", "about my writing and they may want to let me go. I have", "want to improve and do something about it. Yet, nothing seems to work", "My field is philosophy. In this field, I really need to write well", "academic writing, but somehow I cannot make my writing better. I wrote many", "Please, help a fellow writer. 1. I am doing a PhD and my", "books on academic writing, but somehow I cannot make my writing better. I", "am doing a PhD and my supervisor is telling me that I do", "I am doing a PhD and my supervisor is telling me that I", "many books on academic writing, but somehow I cannot make my writing better.", "let me go. I have no clue what I should do next. 5.", "not know how to write. I have read many books on academic writing,", "do next. 5. My field is philosophy. In this field, I really need", "the dissertation\"(her words). 2. I wish I could write one good paragraph and", "is always humiliating me. In a sense, I cannot complain about it with", "elements together properly. 3. I was so happy about writing. I could write", "the thought of writing makes me sick. 4. I want to improve and", "I have read many books on academic writing, but somehow I cannot make", "write well and it is what I want the most. Thank you so", "could write all day long. I did not have any problems with \"what", "together properly. 3. I was so happy about writing. I could write all", "problems with \"what to write\" about until I started working with this professor.", "no clue what I should do next. 5. My field is philosophy. In", "I would be able to write others. I have been studying sentences, paragraphs,", "saving for the dissertation\"(her words). 2. I wish I could write one good", "put these elements together properly. 3. I was so happy about writing. I", "question here. Please, help a fellow writer. 1. I am doing a PhD", "I want to improve and do something about it. Yet, nothing seems to", "supervisor is always humiliating me. In a sense, I cannot complain about it", "many pages, but nothing \"is worth saving for the dissertation\"(her words). 2. I", "Now the thought of writing makes me sick. 4. I want to improve", "my supervisor is always humiliating me. In a sense, I cannot complain about", "good paragraph and from there I would be able to write others. I", "to put these elements together properly. 3. I was so happy about writing.", "did not have any problems with \"what to write\" about until I started", "doing a PhD and my supervisor is telling me that I do not", "my department because she is right about my writing and they may want", "next. 5. My field is philosophy. In this field, I really need to", "is telling me that I do not know how to write. I have", "In this field, I really need to write well and it is what", "I could write all day long. I did not have any problems with", "pages, but nothing \"is worth saving for the dissertation\"(her words). 2. I wish", "know how to put these elements together properly. 3. I was so happy", "complain about it with my department because she is right about my writing", "I have no clue what I should do next. 5. My field is", "and from there I would be able to write others. I have been", "something about it. Yet, nothing seems to work and my supervisor is always", "they may want to let me go. I have no clue what I", "writer. 1. I am doing a PhD and my supervisor is telling me", "to write. I have read many books on academic writing, but somehow I", "able to write others. I have been studying sentences, paragraphs, essays etc... but", "do something about it. Yet, nothing seems to work and my supervisor is", "cannot complain about it with my department because she is right about my", "one good paragraph and from there I would be able to write others.", "\"is worth saving for the dissertation\"(her words). 2. I wish I could write", "I cannot make my writing better. I wrote many many pages, but nothing", "been studying sentences, paragraphs, essays etc... but I do not know how to", "it. Yet, nothing seems to work and my supervisor is always humiliating me.", "about it with my department because she is right about my writing and", "will explain my question here. Please, help a fellow writer. 1. I am", "and my supervisor is always humiliating me. In a sense, I cannot complain", "a sense, I cannot complain about it with my department because she is", "was so happy about writing. I could write all day long. I did", "this professor. Now the thought of writing makes me sick. 4. I want", "may want to let me go. I have no clue what I should", "my writing and they may want to let me go. I have no", "write\" about until I started working with this professor. Now the thought of", "I wish I could write one good paragraph and from there I would", "sense, I cannot complain about it with my department because she is right", "to let me go. I have no clue what I should do next.", "words). 2. I wish I could write one good paragraph and from there", "PhD and my supervisor is telling me that I do not know how", "I do not know how to put these elements together properly. 3. I", "cannot make my writing better. I wrote many many pages, but nothing \"is", "I do not know how to write. I have read many books on", "etc... but I do not know how to put these elements together properly.", "and my supervisor is telling me that I do not know how to", "with \"what to write\" about until I started working with this professor. Now", "make my writing better. I wrote many many pages, but nothing \"is worth", "about it. Yet, nothing seems to work and my supervisor is always humiliating", "write. I have read many books on academic writing, but somehow I cannot" ]
[ "somewhere before that writing about the future is not a good idea (the", "my idea. Let me explain it with more details. Since it's taking place", "far future but a few decades away from today. Could you please give", "It sound complicated and confusing. I'm not sure how to explain my idea.", "leaving it the same way it is now. It sound complicated and confusing.", "idea. Let me explain it with more details. Since it's taking place in", "begins). This event caused the future to stay the same as of today,", "to explain this clearly. I tried my best and I hope you understand", "So, I have this idea of writing a novel set in the future.", "future (where the story begins). This event caused the future to stay the", "to stay the same as of today, but there will be some minor", "concept. You might find this confusing to understand and like I said before,", "details. Since it's taking place in the future, I assume the readers will", "explain it with more details. Since it's taking place in the future, I", "today, but there will be some minor futuristic concept. You might find this", "and I hope you understand it, so you can help me with it.", "it's complicated for me to explain this clearly. I tried my best and", "I was thinking about excluding that concept. To explain the elimination of the", "I had read somewhere before that writing about the future is not a", "concept, I thought of having an \"event\" that happened in between the present", "it the same way it is now. It sound complicated and confusing. I'm", "future that we are expecting and leaving it the same way it is", "if I could change the future that we are expecting and leaving it", "technology. So, I was thinking about excluding that concept. To explain the elimination", "will be some minor futuristic concept. You might find this confusing to understand", "change the future that we are expecting and leaving it the same way", "to know if I could change the future that we are expecting and", "writing a novel set in the future. Not the far future but a", "there will be some minor futuristic concept. You might find this confusing to", "reason that I am asking this is that I had read somewhere before", "complicated for me to explain this clearly. I tried my best and I", "give me an advice for that. The reason that I am asking this", "story have to be connected?). So, I would like to know if I", "present and the future (where the story begins). This event caused the future", "the story begins). This event caused the future to stay the same as", "before, it's complicated for me to explain this clearly. I tried my best", "future to stay the same as of today, but there will be some", "\"event\" that happened in between the present and the future (where the story", "before that writing about the future is not a good idea (the readers", "had read somewhere before that writing about the future is not a good", "think about technology. So, I was thinking about excluding that concept. To explain", "this idea of writing a novel set in the future. Not the far", "the readers will think about technology. So, I was thinking about excluding that", "and the story have to be connected?). So, I would like to know", "this clearly. I tried my best and I hope you understand it, so", "was thinking about excluding that concept. To explain the elimination of the concept,", "the far future but a few decades away from today. Could you please", "this is that I had read somewhere before that writing about the future", "me to explain this clearly. I tried my best and I hope you", "about the future is not a good idea (the readers and the story", "is not a good idea (the readers and the story have to be", "(where the story begins). This event caused the future to stay the same", "connected?). So, I would like to know if I could change the future", "me explain it with more details. Since it's taking place in the future,", "I am asking this is that I had read somewhere before that writing", "sure how to explain my idea. Let me explain it with more details.", "I would like to know if I could change the future that we", "explain this clearly. I tried my best and I hope you understand it,", "said before, it's complicated for me to explain this clearly. I tried my", "event caused the future to stay the same as of today, but there", "idea (the readers and the story have to be connected?). So, I would", "about technology. So, I was thinking about excluding that concept. To explain the", "tried my best and I hope you understand it, so you can help", "excluding that concept. To explain the elimination of the concept, I thought of", "but a few decades away from today. Could you please give me an", "(the readers and the story have to be connected?). So, I would like", "and the future (where the story begins). This event caused the future to", "the same way it is now. It sound complicated and confusing. I'm not", "how to explain my idea. Let me explain it with more details. Since", "happened in between the present and the future (where the story begins). This", "story begins). This event caused the future to stay the same as of", "concept. To explain the elimination of the concept, I thought of having an", "writing about the future is not a good idea (the readers and the", "that I had read somewhere before that writing about the future is not", "in the future, I assume the readers will think about technology. So, I", "an \"event\" that happened in between the present and the future (where the", "it's taking place in the future, I assume the readers will think about", "some minor futuristic concept. You might find this confusing to understand and like", "the future to stay the same as of today, but there will be", "explain the elimination of the concept, I thought of having an \"event\" that", "of having an \"event\" that happened in between the present and the future", "futuristic concept. You might find this confusing to understand and like I said", "few decades away from today. Could you please give me an advice for", "that we are expecting and leaving it the same way it is now.", "the future, I assume the readers will think about technology. So, I was", "today. Could you please give me an advice for that. The reason that", "and leaving it the same way it is now. It sound complicated and", "will think about technology. So, I was thinking about excluding that concept. To", "I said before, it's complicated for me to explain this clearly. I tried", "the future. Not the far future but a few decades away from today.", "the same as of today, but there will be some minor futuristic concept.", "stay the same as of today, but there will be some minor futuristic", "we are expecting and leaving it the same way it is now. It", "elimination of the concept, I thought of having an \"event\" that happened in", "same as of today, but there will be some minor futuristic concept. You", "and confusing. I'm not sure how to explain my idea. Let me explain", "in between the present and the future (where the story begins). This event", "the present and the future (where the story begins). This event caused the", "best and I hope you understand it, so you can help me with", "to be connected?). So, I would like to know if I could change", "is that I had read somewhere before that writing about the future is", "Could you please give me an advice for that. The reason that I", "more details. Since it's taking place in the future, I assume the readers", "that concept. To explain the elimination of the concept, I thought of having", "thinking about excluding that concept. To explain the elimination of the concept, I", "would like to know if I could change the future that we are", "a good idea (the readers and the story have to be connected?). So,", "know if I could change the future that we are expecting and leaving", "be some minor futuristic concept. You might find this confusing to understand and", "good idea (the readers and the story have to be connected?). So, I", "that I am asking this is that I had read somewhere before that", "as of today, but there will be some minor futuristic concept. You might", "is now. It sound complicated and confusing. I'm not sure how to explain", "You might find this confusing to understand and like I said before, it's", "Since it's taking place in the future, I assume the readers will think", "future is not a good idea (the readers and the story have to", "future but a few decades away from today. Could you please give me", "assume the readers will think about technology. So, I was thinking about excluding", "the future that we are expecting and leaving it the same way it", "between the present and the future (where the story begins). This event caused", "my best and I hope you understand it, so you can help me", "but there will be some minor futuristic concept. You might find this confusing", "in the future. Not the far future but a few decades away from", "about excluding that concept. To explain the elimination of the concept, I thought", "I tried my best and I hope you understand it, so you can", "like I said before, it's complicated for me to explain this clearly. I", "am asking this is that I had read somewhere before that writing about", "asking this is that I had read somewhere before that writing about the", "future. Not the far future but a few decades away from today. Could", "Not the far future but a few decades away from today. Could you", "have this idea of writing a novel set in the future. Not the", "have to be connected?). So, I would like to know if I could", "that happened in between the present and the future (where the story begins).", "please give me an advice for that. The reason that I am asking", "might find this confusing to understand and like I said before, it's complicated", "understand and like I said before, it's complicated for me to explain this", "I thought of having an \"event\" that happened in between the present and", "idea of writing a novel set in the future. Not the far future", "readers will think about technology. So, I was thinking about excluding that concept.", "explain my idea. Let me explain it with more details. Since it's taking", "and like I said before, it's complicated for me to explain this clearly.", "place in the future, I assume the readers will think about technology. So,", "thought of having an \"event\" that happened in between the present and the", "a few decades away from today. Could you please give me an advice", "confusing to understand and like I said before, it's complicated for me to", "an advice for that. The reason that I am asking this is that", "the future is not a good idea (the readers and the story have", "expecting and leaving it the same way it is now. It sound complicated", "me an advice for that. The reason that I am asking this is", "taking place in the future, I assume the readers will think about technology.", "This event caused the future to stay the same as of today, but", "I have this idea of writing a novel set in the future. Not", "the concept, I thought of having an \"event\" that happened in between the", "having an \"event\" that happened in between the present and the future (where", "to understand and like I said before, it's complicated for me to explain", "clearly. I tried my best and I hope you understand it, so you", "like to know if I could change the future that we are expecting", "a novel set in the future. Not the far future but a few", "novel set in the future. Not the far future but a few decades", "sound complicated and confusing. I'm not sure how to explain my idea. Let", "for me to explain this clearly. I tried my best and I hope", "find this confusing to understand and like I said before, it's complicated for", "read somewhere before that writing about the future is not a good idea", "I could change the future that we are expecting and leaving it the", "minor futuristic concept. You might find this confusing to understand and like I", "this confusing to understand and like I said before, it's complicated for me", "not a good idea (the readers and the story have to be connected?).", "it is now. It sound complicated and confusing. I'm not sure how to", "way it is now. It sound complicated and confusing. I'm not sure how", "now. It sound complicated and confusing. I'm not sure how to explain my", "confusing. I'm not sure how to explain my idea. Let me explain it", "I assume the readers will think about technology. So, I was thinking about", "readers and the story have to be connected?). So, I would like to", "the future (where the story begins). This event caused the future to stay", "from today. Could you please give me an advice for that. The reason", "So, I was thinking about excluding that concept. To explain the elimination of", "The reason that I am asking this is that I had read somewhere", "you please give me an advice for that. The reason that I am", "Let me explain it with more details. Since it's taking place in the", "I'm not sure how to explain my idea. Let me explain it with", "To explain the elimination of the concept, I thought of having an \"event\"", "complicated and confusing. I'm not sure how to explain my idea. Let me", "it with more details. Since it's taking place in the future, I assume", "with more details. Since it's taking place in the future, I assume the", "the story have to be connected?). So, I would like to know if", "the elimination of the concept, I thought of having an \"event\" that happened", "be connected?). So, I would like to know if I could change the", "same way it is now. It sound complicated and confusing. I'm not sure", "that writing about the future is not a good idea (the readers and", "caused the future to stay the same as of today, but there will", "decades away from today. Could you please give me an advice for that.", "So, I would like to know if I could change the future that", "could change the future that we are expecting and leaving it the same", "for that. The reason that I am asking this is that I had", "set in the future. Not the far future but a few decades away", "of the concept, I thought of having an \"event\" that happened in between", "of writing a novel set in the future. Not the far future but", "of today, but there will be some minor futuristic concept. You might find", "not sure how to explain my idea. Let me explain it with more", "that. The reason that I am asking this is that I had read", "to explain my idea. Let me explain it with more details. Since it's", "are expecting and leaving it the same way it is now. It sound", "away from today. Could you please give me an advice for that. The", "advice for that. The reason that I am asking this is that I", "future, I assume the readers will think about technology. So, I was thinking" ]
[ "with their hands like this? I want to describe specific hand formation but", "do I describe if someone is doing symbols with their hands like this?", "it’ll be a whole paragraph just for one second of saying that his", "describe specific hand formation but that seems like it’ll be a whole paragraph", "describe if someone is doing symbols with their hands like this? I want", "Like how do I describe if someone is doing symbols with their hands", "hand formation but that seems like it’ll be a whole paragraph just for", "to describe specific hand formation but that seems like it’ll be a whole", "whole paragraph just for one second of saying that his hands are doing", "is doing symbols with their hands like this? I want to describe specific", "someone is doing symbols with their hands like this? I want to describe", "this? I want to describe specific hand formation but that seems like it’ll", "that seems like it’ll be a whole paragraph just for one second of", "be a whole paragraph just for one second of saying that his hands", "if someone is doing symbols with their hands like this? I want to", "a whole paragraph just for one second of saying that his hands are", "doing symbols with their hands like this? I want to describe specific hand", "but that seems like it’ll be a whole paragraph just for one second", "like this? I want to describe specific hand formation but that seems like", "specific hand formation but that seems like it’ll be a whole paragraph just", "I want to describe specific hand formation but that seems like it’ll be", "I describe if someone is doing symbols with their hands like this? I", "seems like it’ll be a whole paragraph just for one second of saying", "how do I describe if someone is doing symbols with their hands like", "hands like this? I want to describe specific hand formation but that seems", "like it’ll be a whole paragraph just for one second of saying that", "their hands like this? I want to describe specific hand formation but that", "symbols with their hands like this? I want to describe specific hand formation", "paragraph just for one second of saying that his hands are doing a", "want to describe specific hand formation but that seems like it’ll be a", "formation but that seems like it’ll be a whole paragraph just for one", "just for one second of saying that his hands are doing a symbol." ]
[ "way that is satisfying to readers? --- Research: I had a look at", "further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on", "the effect on the story of offing characters rather than what makes a", "it doesn't really focus on what I need. Similarly, [Killing off a character:", "could be disposed of, but perhaps this is not so. I was also", "coming to them) or uninspiring (they are no loss to anyone) characters in", "his/her attributes) in a way that is satisfying to readers? --- Research: I", "when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused on the effect on", "I've never seen or read Game of Thrones but I hear that the", "made-up story disposable (i.e. what are his/her attributes) in a way that is", "seen or read Game of Thrones but I hear that the author is", "need. Similarly, [Killing off a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising,", "answers focused on the effect on the story of offing characters rather than", "a detective story) but maybe not. So here's my question: what makes a", "readers? --- Research: I had a look at [Is killing a character to", "should only be killed off if it moves the story forward (they are", "fiction that could be disposed of, but perhaps this is not so. I", "thinking that perhaps a character should only be killed off if it moves", "on the story of offing characters rather than what makes a character inherently", "story forward (they are a murder victim in a detective story) but maybe", "in a novel and those that are disposable. Before this point my thinking", "--- Research: I had a look at [Is killing a character to further", "killing a character to further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it", "perhaps this is not so. I was also thinking that perhaps a character", "necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on what I need.", "the story forward (they are a murder victim in a detective story) but", "novel and those that are disposable. Before this point my thinking has been", "murder victim in a detective story) but maybe not. So here's my question:", "fictional character in a made-up story disposable (i.e. what are his/her attributes) in", "I need. Similarly, [Killing off a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked", "me thinking about the differences between characters that a writer would want to", "thinking has been that it is only immoral (they got it coming to", "anyone) characters in fiction that could be disposed of, but perhaps this is", "only immoral (they got it coming to them) or uninspiring (they are no", "only be killed off if it moves the story forward (they are a", "that it is only immoral (they got it coming to them) or uninspiring", "it is only immoral (they got it coming to them) or uninspiring (they", "story disposable (i.e. what are his/her attributes) in a way that is satisfying", "deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused on the", "really focus on what I need. Similarly, [Killing off a character: deciding if,", "are like (compared to the rest) and so it got me thinking about", "effect on the story of offing characters rather than what makes a character", "a writer would want to keep in a novel and those that are", "or uninspiring (they are no loss to anyone) characters in fiction that could", "the author is in the habit of killing characters off quite frequently. I", "story) but maybe not. So here's my question: what makes a fictional character", "be disposed of, but perhaps this is not so. I was also thinking", "it got me thinking about the differences between characters that a writer would", "maybe not. So here's my question: what makes a fictional character in a", "also thinking that perhaps a character should only be killed off if it", "look at [Is killing a character to further the plot necessarily a bad", "that could be disposed of, but perhaps this is not so. I was", "was also thinking that perhaps a character should only be killed off if", "not so. I was also thinking that perhaps a character should only be", "Similarly, [Killing off a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but", "is not so. I was also thinking that perhaps a character should only", "character in a made-up story disposable (i.e. what are his/her attributes) in a", "on the effect on the story of offing characters rather than what makes", "it coming to them) or uninspiring (they are no loss to anyone) characters", "disposable. Before this point my thinking has been that it is only immoral", "a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on what I need. Similarly,", "Before this point my thinking has been that it is only immoral (they", "the differences between characters that a writer would want to keep in a", "to readers? --- Research: I had a look at [Is killing a character", "about the differences between characters that a writer would want to keep in", "to keep in a novel and those that are disposable. Before this point", "no loss to anyone) characters in fiction that could be disposed of, but", "to further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus", "Game of Thrones but I hear that the author is in the habit", "killed off if it moves the story forward (they are a murder victim", "uninspiring (they are no loss to anyone) characters in fiction that could be", "but it doesn't really focus on what I need. Similarly, [Killing off a", "I hear that the author is in the habit of killing characters off", "characters in the series are like (compared to the rest) and so it", "Research: I had a look at [Is killing a character to further the", "hear that the author is in the habit of killing characters off quite", "that the author is in the habit of killing characters off quite frequently.", "the habit of killing characters off quite frequently. I have no idea what", "no idea what these particular characters in the series are like (compared to", "but the answers focused on the effect on the story of offing characters", "forward (they are a murder victim in a detective story) but maybe not.", "characters off quite frequently. I have no idea what these particular characters in", "my thinking has been that it is only immoral (they got it coming", "off a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers", "are his/her attributes) in a way that is satisfying to readers? --- Research:", "a fictional character in a made-up story disposable (i.e. what are his/her attributes)", "the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on what", "what I need. Similarly, [Killing off a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how)", "quite frequently. I have no idea what these particular characters in the series", "particular characters in the series are like (compared to the rest) and so", "never seen or read Game of Thrones but I hear that the author", "this is not so. I was also thinking that perhaps a character should", "author is in the habit of killing characters off quite frequently. I have", "these particular characters in the series are like (compared to the rest) and", "I have no idea what these particular characters in the series are like", "frequently. I have no idea what these particular characters in the series are", "rest) and so it got me thinking about the differences between characters that", "writer would want to keep in a novel and those that are disposable.", "(they got it coming to them) or uninspiring (they are no loss to", "character should only be killed off if it moves the story forward (they", "in a made-up story disposable (i.e. what are his/her attributes) in a way", "the rest) and so it got me thinking about the differences between characters", "plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on what I", "detective story) but maybe not. So here's my question: what makes a fictional", "off if it moves the story forward (they are a murder victim in", "[Killing off a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the", "character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused on", "thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on what I need. Similarly, [Killing off", "victim in a detective story) but maybe not. So here's my question: what", "bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really focus on what I need. Similarly, [Killing", "have no idea what these particular characters in the series are like (compared", "on what I need. Similarly, [Killing off a character: deciding if, when and", "keep in a novel and those that are disposable. Before this point my", "what are his/her attributes) in a way that is satisfying to readers? ---", "at [Is killing a character to further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing)", "them) or uninspiring (they are no loss to anyone) characters in fiction that", "characters in fiction that could be disposed of, but perhaps this is not", "a character to further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't", "if it moves the story forward (they are a murder victim in a", "it moves the story forward (they are a murder victim in a detective", "focus on what I need. Similarly, [Killing off a character: deciding if, when", "(i.e. what are his/her attributes) in a way that is satisfying to readers?", "of Thrones but I hear that the author is in the habit of", "not. 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I have no idea what these particular characters", "would want to keep in a novel and those that are disposable. Before", "this point my thinking has been that it is only immoral (they got", "are a murder victim in a detective story) but maybe not. So here's", "a look at [Is killing a character to further the plot necessarily a", "in a detective story) but maybe not. So here's my question: what makes", "those that are disposable. Before this point my thinking has been that it", "I had a look at [Is killing a character to further the plot", "Thrones but I hear that the author is in the habit of killing", "but maybe not. So here's my question: what makes a fictional character in", "loss to anyone) characters in fiction that could be disposed of, but perhaps", "(they are a murder victim in a detective story) but maybe not. So", "differences between characters that a writer would want to keep in a novel", "makes a fictional character in a made-up story disposable (i.e. what are his/her", "had a look at [Is killing a character to further the plot necessarily", "of, but perhaps this is not so. I was also thinking that perhaps", "that perhaps a character should only be killed off if it moves the", "a way that is satisfying to readers? --- Research: I had a look", "[Is killing a character to further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but", "So here's my question: what makes a fictional character in a made-up story", "character to further the plot necessarily a bad thing?](https://writing.stackexchange.com/questions/23396/is-killing-a-character-to-further-the-plot-necessarily-a-bad-thing) but it doesn't really", "a murder victim in a detective story) but maybe not. So here's my", "to them) or uninspiring (they are no loss to anyone) characters in fiction", "got it coming to them) or uninspiring (they are no loss to anyone)", "in the habit of killing characters off quite frequently. I have no idea", "off quite frequently. I have no idea what these particular characters in the", "thinking about the differences between characters that a writer would want to keep", "that are disposable. Before this point my thinking has been that it is", "the answers focused on the effect on the story of offing characters rather", "point my thinking has been that it is only immoral (they got it", "and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused on the effect on the", "of killing characters off quite frequently. I have no idea what these particular", "a made-up story disposable (i.e. what are his/her attributes) in a way that", "attributes) in a way that is satisfying to readers? --- Research: I had", "to the rest) and so it got me thinking about the differences between", "been that it is only immoral (they got it coming to them) or", "has been that it is only immoral (they got it coming to them)", "habit of killing characters off quite frequently. I have no idea what these", "is only immoral (they got it coming to them) or uninspiring (they are", "how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused on the effect on the story", "are disposable. Before this point my thinking has been that it is only", "be killed off if it moves the story forward (they are a murder", "the series are like (compared to the rest) and so it got me", "promising, but the answers focused on the effect on the story of offing", "(compared to the rest) and so it got me thinking about the differences", "satisfying to readers? --- Research: I had a look at [Is killing a", "moves the story forward (they are a murder victim in a detective story)", "is in the habit of killing characters off quite frequently. I have no", "immoral (they got it coming to them) or uninspiring (they are no loss", "but perhaps this is not so. I was also thinking that perhaps a", "like (compared to the rest) and so it got me thinking about the", "to anyone) characters in fiction that could be disposed of, but perhaps this", "so. I was also thinking that perhaps a character should only be killed", "between characters that a writer would want to keep in a novel and", "and those that are disposable. Before this point my thinking has been that", "or read Game of Thrones but I hear that the author is in", "here's my question: what makes a fictional character in a made-up story disposable", "a character: deciding if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused", "characters that a writer would want to keep in a novel and those", "what makes a fictional character in a made-up story disposable (i.e. what are", "I was also thinking that perhaps a character should only be killed off", "perhaps a character should only be killed off if it moves the story", "is satisfying to readers? --- Research: I had a look at [Is killing", "but I hear that the author is in the habit of killing characters", "if, when and how](https://writing.stackexchange.com/questions/7230/killing-off-a-character-deciding-if-when-and-how) looked promising, but the answers focused on the effect", "in a way that is satisfying to readers? --- Research: I had a", "doesn't really focus on what I need. Similarly, [Killing off a character: deciding", "focused on the effect on the story of offing characters rather than what", "want to keep in a novel and those that are disposable. Before this", "disposable (i.e. what are his/her attributes) in a way that is satisfying to", "got me thinking about the differences between characters that a writer would want", "what these particular characters in the series are like (compared to the rest)", "a novel and those that are disposable. Before this point my thinking has", "disposed of, but perhaps this is not so. I was also thinking that", "the story of offing characters rather than what makes a character inherently disposable.", "are no loss to anyone) characters in fiction that could be disposed of,", "looked promising, but the answers focused on the effect on the story of", "idea what these particular characters in the series are like (compared to the", "so it got me thinking about the differences between characters that a writer" ]
[ "that you hear stories about, but that doesn't really affect you or anyone", "much indirection. So what would be the “smells” I should watch out for", "the “smells” I should watch out for in order to identify if I've", "told stories about what other people told him about their experiences with a", "writing a chapter with a lot of indirection, and I'm wondering if I'm", "multiple indirection is not a bit too much indirection. So what would be", "writing analogue to “code smells” — something that by itself is not necessarily", "about their experiences with a far-away tribe that do terrible things to people.", "would be the “smells” I should watch out for in order to identify", "things to people. The idea is to both give some information about the", "overdone it? Here with “smells” I mean a writing analogue to “code smells”", "“smells” I mean a writing analogue to “code smells” — something that by", "the tribe (which, at the time of the story, is an imminent danger", "wondering if I'm doing too much of it. To be specific, it is", "and to give the understanding that back then it was a far-away tribe", "be specific, it is the main character remembering an event from his youth", "event from his youth when a merchant who stayed over night in his", "stayed over night in his home village told stories about what other people", "give the understanding that back then it was a far-away tribe that was", "for in order to identify if I've overdone it? Here with “smells” I", "people. The idea is to both give some information about the tribe (which,", "problem with what you wrote. If there's a more appropriate word for that,", "the main character remembering an event from his youth when a merchant who", "I've overdone it? Here with “smells” I mean a writing analogue to “code", "was no threat at the place of the protagonists, something so far away", "I'm not sure if that multiple indirection is not a bit too much", "with a far-away tribe that do terrible things to people. The idea is", "that doesn't really affect you or anyone you know. But I'm not sure", "indirection is not a bit too much indirection. So what would be the", "order to identify if I've overdone it? Here with “smells” I mean a", "an imminent danger to the protagonist's people), and to give the understanding that", "to both give some information about the tribe (which, at the time of", "something so far away that you hear stories about, but that doesn't really", "of it. To be specific, it is the main character remembering an event", "tribe that do terrible things to people. The idea is to both give", "if I've overdone it? Here with “smells” I mean a writing analogue to", "in order to identify if I've overdone it? Here with “smells” I mean", "danger to the protagonist's people), and to give the understanding that back then", "their experiences with a far-away tribe that do terrible things to people. The", "necessarily wrong, but whose presence is a strong hint that there's a deeper", "you or anyone you know. But I'm not sure if that multiple indirection", "night in his home village told stories about what other people told him", "much of it. To be specific, it is the main character remembering an", "the understanding that back then it was a far-away tribe that was no", "what would be the “smells” I should watch out for in order to", "presence is a strong hint that there's a deeper problem with what you", "a merchant who stayed over night in his home village told stories about", "village told stories about what other people told him about their experiences with", "to give the understanding that back then it was a far-away tribe that", "is a strong hint that there's a deeper problem with what you wrote.", "if I'm doing too much of it. 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To be specific, it is the main character", "away that you hear stories about, but that doesn't really affect you or", "stories about, but that doesn't really affect you or anyone you know. But", "home village told stories about what other people told him about their experiences", "that back then it was a far-away tribe that was no threat at", "it is the main character remembering an event from his youth when a", "to people. The idea is to both give some information about the tribe", "an event from his youth when a merchant who stayed over night in", "him about their experiences with a far-away tribe that do terrible things to", "I mean a writing analogue to “code smells” — something that by itself", "But I'm not sure if that multiple indirection is not a bit too", "in his home village told stories about what other people told him about", "his youth when a merchant who stayed over night in his home village", "sure if that multiple indirection is not a bit too much indirection. 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But I'm", "tribe that was no threat at the place of the protagonists, something so", "threat at the place of the protagonists, something so far away that you" ]
[ "if I said something like this when the book is set in a", "be bad if I said something like this when the book is set", "shiny like a brand new car” is it not ok? Should I only", "like a brand new car” is it not ok? Should I only reference", "when the book is set in a historical setting: “Edwards sword was black", "“Edwards sword was black and shiny like a brand new car” is it", "new car” is it not ok? Should I only reference things around that", "bad if I said something like this when the book is set in", "in a historical setting: “Edwards sword was black and shiny like a brand", "ok? Should I only reference things around that time period of late 1400’s?", "something like this when the book is set in a historical setting: “Edwards", "I said something like this when the book is set in a historical", "brand new car” is it not ok? Should I only reference things around", "it be bad if I said something like this when the book is", "this when the book is set in a historical setting: “Edwards sword was", "and shiny like a brand new car” is it not ok? Should I", "would it be bad if I said something like this when the book", "a brand new car” is it not ok? Should I only reference things", "the book is set in a historical setting: “Edwards sword was black and", "a random example but would it be bad if I said something like", "a historical setting: “Edwards sword was black and shiny like a brand new", "it not ok? Should I only reference things around that time period of", "is it not ok? Should I only reference things around that time period", "is set in a historical setting: “Edwards sword was black and shiny like", "is a random example but would it be bad if I said something", "set in a historical setting: “Edwards sword was black and shiny like a", "black and shiny like a brand new car” is it not ok? Should", "said something like this when the book is set in a historical setting:", "like this when the book is set in a historical setting: “Edwards sword", "but would it be bad if I said something like this when the", "This is a random example but would it be bad if I said", "example but would it be bad if I said something like this when", "setting: “Edwards sword was black and shiny like a brand new car” is", "sword was black and shiny like a brand new car” is it not", "car” is it not ok? Should I only reference things around that time", "random example but would it be bad if I said something like this", "not ok? Should I only reference things around that time period of late", "historical setting: “Edwards sword was black and shiny like a brand new car”", "was black and shiny like a brand new car” is it not ok?", "book is set in a historical setting: “Edwards sword was black and shiny" ]
[ "getting to the nitty-gritty of this kind of technique would be of enormous", "general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads but the question is about", "work and the answers are rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes", "getting them to feel and therefore closely identify with what the (angry) character", "trivial. To make it more focused, though - I would like answers to", "is about technical writing and the answers are consequently about how to inject", "I would like answers to concentrate on one emotion: anger. And so my", "me a tome called The Book of Human Emotions (by Tiffany Watt Smith).", "to concentrate on one emotion: anger. And so my question is: how can", "thinking about how a writer might arouse emotion in a reader (and not", "is experiencing? --- Research: [Does this writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes", "window in disgust). Emotions are perhaps not my forte - I tend to", "To make it more focused, though - I would like answers to concentrate", "my writing (and perhaps would benefit other left-brainers reading these answers too). Consequently", "experiencing? --- Research: [Does this writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a", "writing and the answers are consequently about how to inject personality in a", "logical in my thinking, and so getting to the nitty-gritty of this kind", "in terms of getting them to feel and therefore closely identify with what", "therefore closely identify with what the (angry) character is experiencing? --- Research: [Does", "of this kind of technique would be of enormous benefit to my writing", "I tend to be rather logical in my thinking, and so getting to", "(and perhaps would benefit other left-brainers reading these answers too). Consequently - no", "reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the question is about a particular piece", "book out of the window in disgust). Emotions are perhaps not my forte", "a particular piece of work and the answers are rather general. [What makes", "is about a particular piece of work and the answers are rather general.", "this kind of technique would be of enormous benefit to my writing (and", "benefit to my writing (and perhaps would benefit other left-brainers reading these answers", "tend to be rather logical in my thinking, and so getting to the", "called The Book of Human Emotions (by Tiffany Watt Smith). I just started", "to feel and therefore closely identify with what the (angry) character is experiencing?", "the question is about technical writing and the answers are consequently about how", "emotion in a reader (and not in terms of provoking them to throw", "technique would be of enormous benefit to my writing (and perhaps would benefit", "and therefore closely identify with what the (angry) character is experiencing? --- Research:", "- I would like answers to concentrate on one emotion: anger. And so", "writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the question", "rather logical in my thinking, and so getting to the nitty-gritty of this", "question is about technical writing and the answers are consequently about how to", "The Book of Human Emotions (by Tiffany Watt Smith). I just started reading", "writing (and perhaps would benefit other left-brainers reading these answers too). Consequently -", "Christmas my sister bought me a tome called The Book of Human Emotions", "make it more focused, though - I would like answers to concentrate on", "readers, in terms of getting them to feel and therefore closely identify with", "not in terms of provoking them to throw the book out of the", "question is about a particular piece of work and the answers are rather", "writer elicit the emotion/feeling of anger in readers, in terms of getting them", "about technical writing and the answers are consequently about how to inject personality", "the nitty-gritty of this kind of technique would be of enormous benefit to", "too). Consequently - no detail is too trivial. To make it more focused,", "benefit other left-brainers reading these answers too). Consequently - no detail is too", "more focused, though - I would like answers to concentrate on one emotion:", "the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the question is about a particular", "of technique would be of enormous benefit to my writing (and perhaps would", "answers to concentrate on one emotion: anger. And so my question is: how", "fiction writer elicit the emotion/feeling of anger in readers, in terms of getting", "are rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads but the question", "reading these answers too). Consequently - no detail is too trivial. To make", "one emotion: anger. And so my question is: how can a fiction writer", "in readers, in terms of getting them to feel and therefore closely identify", "--- Research: [Does this writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good", "perhaps would benefit other left-brainers reading these answers too). Consequently - no detail", "about how to inject personality in a paper. And, again - the advice", "inroads but the question is about technical writing and the answers are consequently", "- no detail is too trivial. To make it more focused, though -", "can a fiction writer elicit the emotion/feeling of anger in readers, in terms", "out of the window in disgust). Emotions are perhaps not my forte -", "a fiction writer elicit the emotion/feeling of anger in readers, in terms of", "other left-brainers reading these answers too). Consequently - no detail is too trivial.", "answers are rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads but the", "good start, but the question is about a particular piece of work and", "my thinking, and so getting to the nitty-gritty of this kind of technique", "arouse emotion in a reader (and not in terms of provoking them to", "Last Christmas my sister bought me a tome called The Book of Human", "in terms of provoking them to throw the book out of the window", "[Does this writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but", "and the answers are consequently about how to inject personality* in a paper.", "a good start, but the question is about a particular piece of work", "and the answers are rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads", "started reading it and it got me thinking about how a writer might", "in my thinking, and so getting to the nitty-gritty of this kind of", "Tiffany Watt Smith). I just started reading it and it got me thinking", "throw the book out of the window in disgust). Emotions are perhaps not", "focused, though - I would like answers to concentrate on one emotion: anger.", "these answers too). Consequently - no detail is too trivial. To make it", "but the question is about technical writing and the answers are consequently about", "emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the question is about", "not my forte - I tend to be rather logical in my thinking,", "of anger in readers, in terms of getting them to feel and therefore", "got me thinking about how a writer might arouse emotion in a reader", "enormous benefit to my writing (and perhaps would benefit other left-brainers reading these", "anger in readers, in terms of getting them to feel and therefore closely", "would benefit other left-brainers reading these answers too). Consequently - no detail is", "left-brainers reading these answers too). Consequently - no detail is too trivial. To", "the answers are rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads but", "answers are consequently about how to inject personality in a paper. And, again", "sister bought me a tome called The Book of Human Emotions (by Tiffany", "it and it got me thinking about how a writer might arouse emotion", "Human Emotions* (by Tiffany Watt Smith). I just started reading it and it", "the answers are consequently about how to inject personality in a paper. And,", "reader (and not in terms of provoking them to throw the book out", "my question is: how can a fiction writer elicit the emotion/feeling of anger", "Book of Human Emotions* (by Tiffany Watt Smith). I just started reading it", "are consequently about how to inject personality in a paper. And, again -", "is too trivial. To make it more focused, though - I would like", "elicit the emotion/feeling of anger in readers, in terms of getting them to", "makes a good start, but the question is about a particular piece of", "and it got me thinking about how a writer might arouse emotion in", "thinking, and so getting to the nitty-gritty of this kind of technique would", "and so getting to the nitty-gritty of this kind of technique would be", "on one emotion: anger. And so my question is: how can a fiction", "create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the question is", "detail is too trivial. To make it more focused, though - I would", "to inject personality in a paper. And, again - the advice (while good)", "rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads but the question is", "a tome called The Book of Human Emotions (by Tiffany Watt Smith). I", "the window in disgust). Emotions are perhaps not my forte - I tend", "no detail is too trivial. To make it more focused, though - I", "in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the question is about a", "what the (angry) character is experiencing? --- Research: [Does this writing create emotion", "the book out of the window in disgust). Emotions are perhaps not my", "perhaps not my forte - I tend to be rather logical in my", "concentrate on one emotion: anger. And so my question is: how can a", "but the question is about a particular piece of work and the answers", "be of enormous benefit to my writing (and perhaps would benefit other left-brainers", "inject personality in a paper. And, again - the advice (while good) is", "of enormous benefit to my writing (and perhaps would benefit other left-brainers reading", "would be of enormous benefit to my writing (and perhaps would benefit other", "writer might arouse emotion in a reader (and not in terms of provoking", "question is: how can a fiction writer elicit the emotion/feeling of anger in", "just started reading it and it got me thinking about how a writer", "it more focused, though - I would like answers to concentrate on one", "me thinking about how a writer might arouse emotion in a reader (and", "in disgust). Emotions are perhaps not my forte - I tend to be", "Consequently - no detail is too trivial. To make it more focused, though", "technical writing and the answers are consequently about how to inject personality in", "in a reader (and not in terms of provoking them to throw the", "Smith). I just started reading it and it got me thinking about how", "about a particular piece of work and the answers are rather general. [What", "emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also makes inroads but the question is about technical writing and the", "(and not in terms of provoking them to throw the book out of", "is: how can a fiction writer elicit the emotion/feeling of anger in readers,", "feel and therefore closely identify with what the (angry) character is experiencing? ---", "of provoking them to throw the book out of the window in disgust).", "nitty-gritty of this kind of technique would be of enormous benefit to my", "piece of work and the answers are rather general. 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I just started reading it and", "Emotions are perhaps not my forte - I tend to be rather logical", "character is experiencing? --- Research: [Does this writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader)", "forte - I tend to be rather logical in my thinking, and so", "too trivial. To make it more focused, though - I would like answers", "- I tend to be rather logical in my thinking, and so getting", "of work and the answers are rather general. [What makes writing emotional?](https://writing.stackexchange.com/questions/1674/what-makes-writing-emotional) also", "consequently about how to inject personality in a paper. And, again - the", "how can a fiction writer elicit the emotion/feeling of anger in readers, in", "identify with what the (angry) character is experiencing? --- Research: [Does this writing", "particular piece of work and the answers are rather general. [What makes writing", "them to throw the book out of the window in disgust). Emotions are", "about how a writer might arouse emotion in a reader (and not in", "how a writer might arouse emotion in a reader (and not in terms", "how to inject personality in a paper. And, again - the advice (while", "(by Tiffany Watt Smith). I just started reading it and it got me", "my sister bought me a tome called The Book of Human Emotions (by", "to be rather logical in my thinking, and so getting to the nitty-gritty", "be rather logical in my thinking, and so getting to the nitty-gritty of", "them to feel and therefore closely identify with what the (angry) character is", "makes inroads but the question is about technical writing and the answers are", "personality in a paper. And, again - the advice (while good) is general.", "though - I would like answers to concentrate on one emotion: anger. And", "closely identify with what the (angry) character is experiencing? --- Research: [Does this", "answers too). Consequently - no detail is too trivial. To make it more", "this writing create emotion in the reader?](https://writing.stackexchange.com/questions/5761/does-this-writing-create-emotion-in-the-reader) makes a good start, but the", "a reader (and not in terms of provoking them to throw the book", "anger. And so my question is: how can a fiction writer elicit the", "of the window in disgust). Emotions are perhaps not my forte - I" ]
[ "both of them apologise to each other after that, like a kiss that", "characters? I want to make it so they got caught up in the", "two main characters? I want to make it so they got caught up", "of them apologise to each other after that, like a kiss that is", "caught up in the situation and that both of them apologise to each", "I describe an accidental kiss between the two main characters? I want to", "main characters? I want to make it so they got caught up in", "an accidental kiss between the two main characters? I want to make it", "that, like a kiss that is supposed to be romantic as well as", "they got caught up in the situation and that both of them apologise", "accidental kiss between the two main characters? I want to make it so", "describe an accidental kiss between the two main characters? I want to make", "make it so they got caught up in the situation and that both", "got caught up in the situation and that both of them apologise to", "like a kiss that is supposed to be romantic as well as regretful.", "up in the situation and that both of them apologise to each other", "them apologise to each other after that, like a kiss that is supposed", "situation and that both of them apologise to each other after that, like", "to each other after that, like a kiss that is supposed to be", "to make it so they got caught up in the situation and that", "between the two main characters? I want to make it so they got", "and that both of them apologise to each other after that, like a", "kiss between the two main characters? I want to make it so they", "after that, like a kiss that is supposed to be romantic as well", "do I describe an accidental kiss between the two main characters? I want", "each other after that, like a kiss that is supposed to be romantic", "in the situation and that both of them apologise to each other after", "other after that, like a kiss that is supposed to be romantic as", "that both of them apologise to each other after that, like a kiss", "How do I describe an accidental kiss between the two main characters? I", "apologise to each other after that, like a kiss that is supposed to", "so they got caught up in the situation and that both of them", "the two main characters? I want to make it so they got caught", "I want to make it so they got caught up in the situation", "it so they got caught up in the situation and that both of", "the situation and that both of them apologise to each other after that,", "want to make it so they got caught up in the situation and" ]
[ "usually tell where I left off when editing my work later, as the", "this, but I sure do! Right now I try to leave a one-liner", "of the chapter. What are some other techniques for maintaining fluidity of thoughts,", "outlining of the plot and know where I'm going; it seems like the", "thorough outlining of the plot and know where I'm going; it seems like", "lunch break of an hour or so). I can usually tell where I", "the break I re-read what I've written, usually from some logical place like", "disjointed. The plot isn't disjointed, I've done a thorough outlining of the plot", "chapter. What are some other techniques for maintaining fluidity of thoughts, ideas, and", "I've done a thorough outlining of the plot and know where I'm going;", "the chapter. What are some other techniques for maintaining fluidity of thoughts, ideas,", "the break. After the break I re-read what I've written, usually from some", "like the tone is different somehow. I'm not sure if other readers will", "on this, but I sure do! Right now I try to leave a", "a lunch break of an hour or so). I can usually tell where", "the start of the chapter. What are some other techniques for maintaining fluidity", "of writing what will probably become a novella length story. While I've written", "sure do! Right now I try to leave a one-liner note to remind", "as the writing seems slightly disjointed. The plot isn't disjointed, I've done a", "other readers will pick up on this, but I sure do! Right now", "plot and know where I'm going; it seems like the tone is different", "not sure if other readers will pick up on this, but I sure", "to leave a one-liner note to remind myself of the direction I was", "writing seems slightly disjointed. The plot isn't disjointed, I've done a thorough outlining", "before the break. After the break I re-read what I've written, usually from", "in the midst of writing what will probably become a novella length story.", "my work later, as the writing seems slightly disjointed. The plot isn't disjointed,", "I'm going; it seems like the tone is different somehow. I'm not sure", "work later, as the writing seems slightly disjointed. The plot isn't disjointed, I've", "a thorough outlining of the plot and know where I'm going; it seems", "some other techniques for maintaining fluidity of thoughts, ideas, and tones across breaks", "try to leave a one-liner note to remind myself of the direction I", "a break (for example, a lunch break of an hour or so). I", "tell where I left off when editing my work later, as the writing", "note to remind myself of the direction I was intending to write in", "where I left off when editing my work later, as the writing seems", "I sure do! Right now I try to leave a one-liner note to", "I left off when editing my work later, as the writing seems slightly", "will probably become a novella length story. While I've written every word of", "re-read what I've written, usually from some logical place like the start of", "myself of the direction I was intending to write in before the break.", "usually from some logical place like the start of the chapter. What are", "so). I can usually tell where I left off when editing my work", "can usually tell where I left off when editing my work later, as", "remind myself of the direction I was intending to write in before the", "While I've written every word of it, I find difficulty starting mid-chapter after", "other techniques for maintaining fluidity of thoughts, ideas, and tones across breaks in", "break. After the break I re-read what I've written, usually from some logical", "I'm in the midst of writing what will probably become a novella length", "but I sure do! Right now I try to leave a one-liner note", "done a thorough outlining of the plot and know where I'm going; it", "of an hour or so). I can usually tell where I left off", "now I try to leave a one-liner note to remind myself of the", "After the break I re-read what I've written, usually from some logical place", "of the direction I was intending to write in before the break. After", "slightly disjointed. The plot isn't disjointed, I've done a thorough outlining of the", "word of it, I find difficulty starting mid-chapter after a break (for example,", "seems like the tone is different somehow. I'm not sure if other readers", "to write in before the break. After the break I re-read what I've", "going; it seems like the tone is different somehow. I'm not sure if", "break (for example, a lunch break of an hour or so). I can", "the plot and know where I'm going; it seems like the tone is", "some logical place like the start of the chapter. What are some other", "off when editing my work later, as the writing seems slightly disjointed. The", "I can usually tell where I left off when editing my work later,", "intending to write in before the break. After the break I re-read what", "a one-liner note to remind myself of the direction I was intending to", "I find difficulty starting mid-chapter after a break (for example, a lunch break", "probably become a novella length story. While I've written every word of it,", "pick up on this, but I sure do! Right now I try to", "the direction I was intending to write in before the break. After the", "start of the chapter. What are some other techniques for maintaining fluidity of", "the writing seems slightly disjointed. The plot isn't disjointed, I've done a thorough", "the midst of writing what will probably become a novella length story. While", "length story. While I've written every word of it, I find difficulty starting", "every word of it, I find difficulty starting mid-chapter after a break (for", "later, as the writing seems slightly disjointed. The plot isn't disjointed, I've done", "where I'm going; it seems like the tone is different somehow. I'm not", "what I've written, usually from some logical place like the start of the", "one-liner note to remind myself of the direction I was intending to write", "to remind myself of the direction I was intending to write in before", "know where I'm going; it seems like the tone is different somehow. I'm", "are some other techniques for maintaining fluidity of thoughts, ideas, and tones across", "logical place like the start of the chapter. What are some other techniques", "find difficulty starting mid-chapter after a break (for example, a lunch break of", "readers will pick up on this, but I sure do! Right now I", "midst of writing what will probably become a novella length story. While I've", "when editing my work later, as the writing seems slightly disjointed. The plot", "plot isn't disjointed, I've done a thorough outlining of the plot and know", "Right now I try to leave a one-liner note to remind myself of", "different somehow. I'm not sure if other readers will pick up on this,", "it, I find difficulty starting mid-chapter after a break (for example, a lunch", "starting mid-chapter after a break (for example, a lunch break of an hour", "a novella length story. While I've written every word of it, I find", "direction I was intending to write in before the break. After the break", "hour or so). I can usually tell where I left off when editing", "break of an hour or so). I can usually tell where I left", "sure if other readers will pick up on this, but I sure do!", "from some logical place like the start of the chapter. What are some", "disjointed, I've done a thorough outlining of the plot and know where I'm", "it seems like the tone is different somehow. I'm not sure if other", "novella length story. While I've written every word of it, I find difficulty", "isn't disjointed, I've done a thorough outlining of the plot and know where", "leave a one-liner note to remind myself of the direction I was intending", "written every word of it, I find difficulty starting mid-chapter after a break", "write in before the break. After the break I re-read what I've written,", "editing my work later, as the writing seems slightly disjointed. The plot isn't", "was intending to write in before the break. After the break I re-read", "up on this, but I sure do! Right now I try to leave", "mid-chapter after a break (for example, a lunch break of an hour or", "The plot isn't disjointed, I've done a thorough outlining of the plot and", "I'm not sure if other readers will pick up on this, but I", "story. While I've written every word of it, I find difficulty starting mid-chapter", "I've written every word of it, I find difficulty starting mid-chapter after a", "if other readers will pick up on this, but I sure do! Right", "is different somehow. I'm not sure if other readers will pick up on", "like the start of the chapter. What are some other techniques for maintaining", "written, usually from some logical place like the start of the chapter. What", "of the plot and know where I'm going; it seems like the tone", "I've written, usually from some logical place like the start of the chapter.", "I try to leave a one-liner note to remind myself of the direction", "what will probably become a novella length story. While I've written every word", "become a novella length story. While I've written every word of it, I", "I re-read what I've written, usually from some logical place like the start", "do! Right now I try to leave a one-liner note to remind myself", "the tone is different somehow. I'm not sure if other readers will pick", "I was intending to write in before the break. After the break I", "example, a lunch break of an hour or so). I can usually tell", "after a break (for example, a lunch break of an hour or so).", "tone is different somehow. I'm not sure if other readers will pick up", "break I re-read what I've written, usually from some logical place like the", "writing what will probably become a novella length story. While I've written every", "in before the break. After the break I re-read what I've written, usually", "or so). I can usually tell where I left off when editing my", "difficulty starting mid-chapter after a break (for example, a lunch break of an", "What are some other techniques for maintaining fluidity of thoughts, ideas, and tones", "and know where I'm going; it seems like the tone is different somehow.", "(for example, a lunch break of an hour or so). I can usually", "somehow. I'm not sure if other readers will pick up on this, but", "left off when editing my work later, as the writing seems slightly disjointed.", "seems slightly disjointed. The plot isn't disjointed, I've done a thorough outlining of", "place like the start of the chapter. What are some other techniques for", "techniques for maintaining fluidity of thoughts, ideas, and tones across breaks in writing?", "an hour or so). I can usually tell where I left off when", "of it, I find difficulty starting mid-chapter after a break (for example, a", "will pick up on this, but I sure do! Right now I try" ]
[ "topic. The main point is being able to extract all the information for", "as too juvenile and wordy for a short, to-the-point article for a school", "to directly interact (in second person \"you\") with them, my target audience? However,", "newspaper article which deals with the typical struggles of the first day at", "audience? However, that doesn't seem much of a good idea because I can't", "itching your neck at the back of a stuffy classroom, are to be", "in the same form of writing) and you've to write a newspaper article,", "more. A job. > > > I'm aware that it is laden with", "young Medicine student, who has freshly graduated and has been \"awoken with a", "people who have already probably finished high school in the least. Who am", "good idea because I can't pretend they're my fellows. I, being someone sitting", "common theme (but not necessarily in the same form of writing) and you've", "> > Most of those, who have reached the end of the golden", "the experience easier and more productive. Now, the task is to > >", "300 words. > > > This is how my one starts: > >", "you've to write a newspaper article, letter, report, or speech on a similar", "the paper, you're basically given two passages (or sometimes more) with a common", "of those, who have reached the end of the golden era of gum", "pitied. Along with the “Adult” tag being superglued onto their very identities, a", "an IGCSE English question paper. In the paper, you're basically given two passages", "worries me the most. I'm afraid this might come off as too juvenile", "that it is laden with imagery, and that's what worries me the most.", "much isn't even close to one paragraph. At this rate, I doubt that", "at the back of a stuffy classroom, are to be pitied. Along with", "interact (in second person \"you\") with them, my target audience? However, that doesn't", "I to advise them about something I'm far from needing to tackle myself?", "school or college magazine entitled \"The difficulties of starting work and how to", "theme (but not necessarily in the same form of writing) and you've to", "college magazine entitled \"The difficulties of starting work and how to overcome them\".", "day at work and is about how you can make the experience easier", "article for a school or college magazine entitled \"The difficulties of starting work", "afraid this might come off as too juvenile and wordy for a short,", "and is about how you can make the experience easier and more productive.", "of you-know-who while itching your neck at the back of a stuffy classroom,", "to be pitied. Along with the “Adult” tag being superglued onto their very", "might come off as too juvenile and wordy for a short, to-the-point article", "paper, you're basically given two passages (or sometimes more) with a common theme", "junior to people who have already probably finished high school in the least.", "IGCSE English question paper. In the paper, you're basically given two passages (or", "can make the experience easier and more productive. Now, the task is to", "fellows. I, being someone sitting for the IGCSE exam, would obviously be junior", "> Most of those, who have reached the end of the golden era", "the back of a stuffy classroom, are to be pitied. Along with the", "seem much of a good idea because I can't pretend they're my fellows.", "basically given two passages (or sometimes more) with a common theme (but not", "two passages (or sometimes more) with a common theme (but not necessarily in", "> > > This is how my one starts: > > Most of", "is to > > Write an article for a school or college magazine", "the first day at work and is about how you can make the", "those who are \"starting work\". Am I supposed to directly interact (in second", "that I might even be able to stick to the word count, let", "chewing and doodling out exceedingly creative illustrations of you-know-who while itching your neck", "personal narrative of a young Medicine student, who has freshly graduated and has", "I supposed to directly interact (in second person \"you\") with them, my target", "or speech on a similar topic. The main point is being able to", "> > This is how my one starts: > > Most of those,", "Most of those, who have reached the end of the golden era of", "off as too juvenile and wordy for a short, to-the-point article for a", "a short, to-the-point article for a school magazine. And this much isn't even", "this might come off as too juvenile and wordy for a short, to-the-point", "the write-up from the given passages. Of course, direct copying will be penalised.", "the first passage was the personal narrative of a young Medicine student, who", "and how to overcome them\". You are advised to write approximately 300 words.", "how to address those who are \"starting work\". Am I supposed to directly", "Along with the “Adult” tag being superglued onto their very identities, a plethora", "question paper. In the paper, you're basically given two passages (or sometimes more)", "onto their very identities, a plethora of responsibilities get heaved onto their shoulders,", "article for a school magazine. And this much isn't even close to one", "work and is about how you can make the experience easier and more", "magazine entitled \"The difficulties of starting work and how to overcome them\". You", "However, that doesn't seem much of a good idea because I can't pretend", "difficulties of starting work and how to overcome them\". You are advised to", "> This is how my one starts: > > Most of those, who", "the content points in the passages. And I wasn't really sure how to", "writing) and you've to write a newspaper article, letter, report, or speech on", "At this rate, I doubt that I might even be able to stick", "the IGCSE exam, would obviously be junior to people who have already probably", "wasn't really sure how to address those who are \"starting work\". Am I", "of writing) and you've to write a newspaper article, letter, report, or speech", "direct copying will be penalised. In this case, the first passage was the", "heaved onto their shoulders, all with one vicious thrust. They bite their nails—there’s", "one vicious thrust. They bite their nails—there’s more. A job. > > >", "> > > I'm aware that it is laden with imagery, and that's", "being able to extract all the information for the write-up from the given", "starts: > > Most of those, who have reached the end of the", "the end of the golden era of gum chewing and doodling out exceedingly", "(but not necessarily in the same form of writing) and you've to write", "too juvenile and wordy for a short, to-the-point article for a school magazine.", "an article which is part of an IGCSE English question paper. In the", "obviously be junior to people who have already probably finished high school in", "typical struggles of the first day at work and is about how you", "passage was the personal narrative of a young Medicine student, who has freshly", "that's what worries me the most. I'm afraid this might come off as", "are advised to write approximately 300 words. > > > This is how", "advised to write approximately 300 words. > > > This is how my", "most. I'm afraid this might come off as too juvenile and wordy for", "(in second person \"you\") with them, my target audience? However, that doesn't seem", "pretend they're my fellows. I, being someone sitting for the IGCSE exam, would", "of responsibilities get heaved onto their shoulders, all with one vicious thrust. They", "vicious thrust. They bite their nails—there’s more. A job. > > > I'm", "information for the write-up from the given passages. Of course, direct copying will", "\"you\") with them, my target audience? However, that doesn't seem much of a", "my target audience? However, that doesn't seem much of a good idea because", "short, to-the-point article for a school magazine. And this much isn't even close", "I, being someone sitting for the IGCSE exam, would obviously be junior to", "struggles of the first day at work and is about how you can", "I might even be able to stick to the word count, let alone", "illustrations of you-know-who while itching your neck at the back of a stuffy", "with the “Adult” tag being superglued onto their very identities, a plethora of", "sometimes more) with a common theme (but not necessarily in the same form", "already probably finished high school in the least. Who am I to advise", "which is part of an IGCSE English question paper. In the paper, you're", "experience easier and more productive. Now, the task is to > > Write", "case, the first passage was the personal narrative of a young Medicine student,", "They bite their nails—there’s more. A job. > > > I'm aware that", "IGCSE exam, would obviously be junior to people who have already probably finished", "deals with the typical struggles of the first day at work and is", "This is how my one starts: > > Most of those, who have", "is laden with imagery, and that's what worries me the most. I'm afraid", "their shoulders, all with one vicious thrust. They bite their nails—there’s more. A", "juvenile and wordy for a short, to-the-point article for a school magazine. And", "You are advised to write approximately 300 words. > > > This is", "easier and more productive. Now, the task is to > > Write an", "write a newspaper article, letter, report, or speech on a similar topic. The", "speech on a similar topic. The main point is being able to extract", "> > I'm aware that it is laden with imagery, and that's what", "content points in the passages. And I wasn't really sure how to address", "how you can make the experience easier and more productive. Now, the task", "first day at work and is about how you can make the experience", "\"starting work\". Am I supposed to directly interact (in second person \"you\") with", "passages (or sometimes more) with a common theme (but not necessarily in the", "would obviously be junior to people who have already probably finished high school", "a common theme (but not necessarily in the same form of writing) and", "tag being superglued onto their very identities, a plethora of responsibilities get heaved", "a stuffy classroom, are to be pitied. Along with the “Adult” tag being", "shoulders, all with one vicious thrust. They bite their nails—there’s more. A job.", "have already probably finished high school in the least. Who am I to", "for a school magazine. And this much isn't even close to one paragraph.", "high school in the least. Who am I to advise them about something", "the word count, let alone cover all the content points in the passages.", "are to be pitied. Along with the “Adult” tag being superglued onto their", "in the least. Who am I to advise them about something I'm far", "second is a newspaper article which deals with the typical struggles of the", "to address those who are \"starting work\". Am I supposed to directly interact", "given two passages (or sometimes more) with a common theme (but not necessarily", "Of course, direct copying will be penalised. In this case, the first passage", "narrative of a young Medicine student, who has freshly graduated and has been", "to write a newspaper article, letter, report, or speech on a similar topic.", "article which is part of an IGCSE English question paper. In the paper,", "job. > > > I'm aware that it is laden with imagery, and", "wordy for a short, to-the-point article for a school magazine. And this much", "to overcome them\". You are advised to write approximately 300 words. > >", "word count, let alone cover all the content points in the passages. And", "close to one paragraph. At this rate, I doubt that I might even", "> > Write an article for a school or college magazine entitled \"The", "how my one starts: > > Most of those, who have reached the", "you-know-who while itching your neck at the back of a stuffy classroom, are", "their very identities, a plethora of responsibilities get heaved onto their shoulders, all", "productive. Now, the task is to > > Write an article for a", "creative illustrations of you-know-who while itching your neck at the back of a", "with a start\" to reality. The second is a newspaper article which deals", "stick to the word count, let alone cover all the content points in", "same form of writing) and you've to write a newspaper article, letter, report,", "for the write-up from the given passages. Of course, direct copying will be", "their nails—there’s more. A job. > > > I'm aware that it is", "reality. The second is a newspaper article which deals with the typical struggles", "about how you can make the experience easier and more productive. Now, the", "work and how to overcome them\". You are advised to write approximately 300", "of a stuffy classroom, are to be pitied. Along with the “Adult” tag", "it is laden with imagery, and that's what worries me the most. I'm", "the information for the write-up from the given passages. Of course, direct copying", "> Write an article for a school or college magazine entitled \"The difficulties", "doodling out exceedingly creative illustrations of you-know-who while itching your neck at the", "more) with a common theme (but not necessarily in the same form of", "get heaved onto their shoulders, all with one vicious thrust. They bite their", "paragraph. At this rate, I doubt that I might even be able to", "even be able to stick to the word count, let alone cover all", "The main point is being able to extract all the information for the", "a school or college magazine entitled \"The difficulties of starting work and how", "all the content points in the passages. And I wasn't really sure how", "and that's what worries me the most. I'm afraid this might come off", "have reached the end of the golden era of gum chewing and doodling", "has been \"awoken with a start\" to reality. The second is a newspaper", "of a good idea because I can't pretend they're my fellows. I, being", "on a similar topic. The main point is being able to extract all", "student, who has freshly graduated and has been \"awoken with a start\" to", "superglued onto their very identities, a plethora of responsibilities get heaved onto their", "article which deals with the typical struggles of the first day at work", "to the word count, let alone cover all the content points in the", "“Adult” tag being superglued onto their very identities, a plethora of responsibilities get", "person \"you\") with them, my target audience? However, that doesn't seem much of", "very identities, a plethora of responsibilities get heaved onto their shoulders, all with", "extract all the information for the write-up from the given passages. Of course,", "with imagery, and that's what worries me the most. I'm afraid this might", "I can't pretend they're my fellows. I, being someone sitting for the IGCSE", "penalised. In this case, the first passage was the personal narrative of a", "to write approximately 300 words. > > > This is how my one", "report, or speech on a similar topic. The main point is being able", "for a school or college magazine entitled \"The difficulties of starting work and", "(or sometimes more) with a common theme (but not necessarily in the same", "Medicine student, who has freshly graduated and has been \"awoken with a start\"", "with one vicious thrust. They bite their nails—there’s more. A job. > >", "to reality. The second is a newspaper article which deals with the typical", "main point is being able to extract all the information for the write-up", "and wordy for a short, to-the-point article for a school magazine. And this", "golden era of gum chewing and doodling out exceedingly creative illustrations of you-know-who", "for the IGCSE exam, would obviously be junior to people who have already", "am I to advise them about something I'm far from needing to tackle", "more productive. Now, the task is to > > Write an article for", "to extract all the information for the write-up from the given passages. Of", "given passages. Of course, direct copying will be penalised. In this case, the", "who have reached the end of the golden era of gum chewing and", "plethora of responsibilities get heaved onto their shoulders, all with one vicious thrust.", "them, my target audience? However, that doesn't seem much of a good idea", "is how my one starts: > > Most of those, who have reached", "I'm aware that it is laden with imagery, and that's what worries me", "course, direct copying will be penalised. In this case, the first passage was", "directly interact (in second person \"you\") with them, my target audience? However, that", "writing an article which is part of an IGCSE English question paper. In", "of a young Medicine student, who has freshly graduated and has been \"awoken", "out exceedingly creative illustrations of you-know-who while itching your neck at the back", "an article for a school or college magazine entitled \"The difficulties of starting", "doubt that I might even be able to stick to the word count,", "the least. Who am I to advise them about something I'm far from", "while itching your neck at the back of a stuffy classroom, are to", "Who am I to advise them about something I'm far from needing to", "the personal narrative of a young Medicine student, who has freshly graduated and", "I doubt that I might even be able to stick to the word", "from the given passages. Of course, direct copying will be penalised. In this", "write approximately 300 words. > > > This is how my one starts:", "neck at the back of a stuffy classroom, are to be pitied. Along", "this rate, I doubt that I might even be able to stick to", "a young Medicine student, who has freshly graduated and has been \"awoken with", "of the golden era of gum chewing and doodling out exceedingly creative illustrations", "be penalised. In this case, the first passage was the personal narrative of", "first passage was the personal narrative of a young Medicine student, who has", "form of writing) and you've to write a newspaper article, letter, report, or", "really sure how to address those who are \"starting work\". Am I supposed", "And I wasn't really sure how to address those who are \"starting work\".", "they're my fellows. I, being someone sitting for the IGCSE exam, would obviously", "isn't even close to one paragraph. At this rate, I doubt that I", "with them, my target audience? However, that doesn't seem much of a good", "I'm afraid this might come off as too juvenile and wordy for a", "laden with imagery, and that's what worries me the most. I'm afraid this", "a newspaper article which deals with the typical struggles of the first day", "reached the end of the golden era of gum chewing and doodling out", "paper. In the paper, you're basically given two passages (or sometimes more) with", "copying will be penalised. In this case, the first passage was the personal", "those, who have reached the end of the golden era of gum chewing", "to one paragraph. At this rate, I doubt that I might even be", "at work and is about how you can make the experience easier and", "might even be able to stick to the word count, let alone cover", "> I'm aware that it is laden with imagery, and that's what worries", "is about how you can make the experience easier and more productive. Now,", "entitled \"The difficulties of starting work and how to overcome them\". You are", "a plethora of responsibilities get heaved onto their shoulders, all with one vicious", "rate, I doubt that I might even be able to stick to the", "newspaper article, letter, report, or speech on a similar topic. The main point", "able to extract all the information for the write-up from the given passages.", "point is being able to extract all the information for the write-up from", "be junior to people who have already probably finished high school in the", "your neck at the back of a stuffy classroom, are to be pitied.", "The second is a newspaper article which deals with the typical struggles of", "you're basically given two passages (or sometimes more) with a common theme (but", "supposed to directly interact (in second person \"you\") with them, my target audience?", "can't pretend they're my fellows. I, being someone sitting for the IGCSE exam,", "for a short, to-the-point article for a school magazine. And this much isn't", "who are \"starting work\". Am I supposed to directly interact (in second person", "and doodling out exceedingly creative illustrations of you-know-who while itching your neck at", "freshly graduated and has been \"awoken with a start\" to reality. The second", "make the experience easier and more productive. Now, the task is to >", "because I can't pretend they're my fellows. I, being someone sitting for the", "school in the least. Who am I to advise them about something I'm", "imagery, and that's what worries me the most. I'm afraid this might come", "to stick to the word count, let alone cover all the content points", "passages. And I wasn't really sure how to address those who are \"starting", "the given passages. Of course, direct copying will be penalised. In this case,", "my one starts: > > Most of those, who have reached the end", "school magazine. And this much isn't even close to one paragraph. At this", "article, letter, report, or speech on a similar topic. 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Am I supposed to directly interact (in second person \"you\")", "of the first day at work and is about how you can make", "with the typical struggles of the first day at work and is about", "era of gum chewing and doodling out exceedingly creative illustrations of you-know-who while", "alone cover all the content points in the passages. And I wasn't really", "similar topic. The main point is being able to extract all the information", "overcome them\". You are advised to write approximately 300 words. > > >", "which deals with the typical struggles of the first day at work and", "least. Who am I to advise them about something I'm far from needing", "is part of an IGCSE English question paper. In the paper, you're basically", "doesn't seem much of a good idea because I can't pretend they're my", "points in the passages. And I wasn't really sure how to address those", "And this much isn't even close to one paragraph. At this rate, I", "start\" to reality. The second is a newspaper article which deals with the", "onto their shoulders, all with one vicious thrust. They bite their nails—there’s more.", "even close to one paragraph. At this rate, I doubt that I might", "how to overcome them\". You are advised to write approximately 300 words. >", "back of a stuffy classroom, are to be pitied. Along with the “Adult”", "the typical struggles of the first day at work and is about how", "second person \"you\") with them, my target audience? However, that doesn't seem much", "\"awoken with a start\" to reality. The second is a newspaper article which", "that doesn't seem much of a good idea because I can't pretend they're", "a good idea because I can't pretend they're my fellows. I, being someone", "probably finished high school in the least. Who am I to advise them", "aware that it is laden with imagery, and that's what worries me the", "part of an IGCSE English question paper. In the paper, you're basically given", "work\". Am I supposed to directly interact (in second person \"you\") with them,", "to-the-point article for a school magazine. And this much isn't even close to", "or college magazine entitled \"The difficulties of starting work and how to overcome", "stuffy classroom, are to be pitied. Along with the “Adult” tag being superglued", "my fellows. I, being someone sitting for the IGCSE exam, would obviously be", "much of a good idea because I can't pretend they're my fellows. I,", "classroom, are to be pitied. Along with the “Adult” tag being superglued onto", "in the passages. And I wasn't really sure how to address those who", "this much isn't even close to one paragraph. At this rate, I doubt", "a similar topic. The main point is being able to extract all the", "end of the golden era of gum chewing and doodling out exceedingly creative", "and more productive. Now, the task is to > > Write an article", "this case, the first passage was the personal narrative of a young Medicine", "of starting work and how to overcome them\". You are advised to write", "In this case, the first passage was the personal narrative of a young", "being superglued onto their very identities, a plethora of responsibilities get heaved onto", "bite their nails—there’s more. A job. > > > I'm aware that it", "sure how to address those who are \"starting work\". Am I supposed to", "Write an article for a school or college magazine entitled \"The difficulties of", "been \"awoken with a start\" to reality. The second is a newspaper article", "nails—there’s more. A job. > > > I'm aware that it is laden", "the task is to > > Write an article for a school or", "let alone cover all the content points in the passages. And I wasn't", "starting work and how to overcome them\". You are advised to write approximately", "and you've to write a newspaper article, letter, report, or speech on a", "idea because I can't pretend they're my fellows. I, being someone sitting for", "Am I supposed to directly interact (in second person \"you\") with them, my", "address those who are \"starting work\". Am I supposed to directly interact (in", "I'm writing an article which is part of an IGCSE English question paper.", "to > > Write an article for a school or college magazine entitled", "a start\" to reality. The second is a newspaper article which deals with", "the same form of writing) and you've to write a newspaper article, letter,", "cover all the content points in the passages. And I wasn't really sure", "In the paper, you're basically given two passages (or sometimes more) with a", "approximately 300 words. > > > This is how my one starts: >", "be pitied. Along with the “Adult” tag being superglued onto their very identities,", "gum chewing and doodling out exceedingly creative illustrations of you-know-who while itching your", "able to stick to the word count, let alone cover all the content", "sitting for the IGCSE exam, would obviously be junior to people who have", "a school magazine. And this much isn't even close to one paragraph. At", "with a common theme (but not necessarily in the same form of writing)", "be able to stick to the word count, let alone cover all the", "has freshly graduated and has been \"awoken with a start\" to reality. The", "to people who have already probably finished high school in the least. Who", "being someone sitting for the IGCSE exam, would obviously be junior to people", "who has freshly graduated and has been \"awoken with a start\" to reality.", "letter, report, or speech on a similar topic. The main point is being", "A job. > > > I'm aware that it is laden with imagery,", "who have already probably finished high school in the least. Who am I", "not necessarily in the same form of writing) and you've to write a", "one starts: > > Most of those, who have reached the end of", "them\". You are advised to write approximately 300 words. > > > This", "will be penalised. In this case, the first passage was the personal narrative", "of an IGCSE English question paper. In the paper, you're basically given two", "you can make the experience easier and more productive. Now, the task is", "thrust. They bite their nails—there’s more. A job. > > > I'm aware", "all the information for the write-up from the given passages. Of course, direct", "Now, the task is to > > Write an article for a school", "is a newspaper article which deals with the typical struggles of the first", "graduated and has been \"awoken with a start\" to reality. The second is", "the golden era of gum chewing and doodling out exceedingly creative illustrations of", "necessarily in the same form of writing) and you've to write a newspaper", "passages. Of course, direct copying will be penalised. In this case, the first", "the “Adult” tag being superglued onto their very identities, a plethora of responsibilities", "the most. I'm afraid this might come off as too juvenile and wordy", "come off as too juvenile and wordy for a short, to-the-point article for", "magazine. And this much isn't even close to one paragraph. At this rate,", "me the most. I'm afraid this might come off as too juvenile and" ]
[ "two have major self image problems and I was thinking that I didn’t", "you have to have self image problems if you are over-weight. But, the", "been trying very hard to create well rounded, and developed characters in my", "a choice, go along with a stereotype, or not provide proper representation of", "was thinking that I didn’t want to make them over-weight, because that may", "I don’t want to follow that stereotype either. This means that I have", "image problems if you are over-weight. But, the other main character is black,", "I have a choice, go along with a stereotype, or not provide proper", "that they are all very skinny. I have a a black, female, main", "that may suggest that you have to have self image problems if you", "to have self image problems if you are over-weight. But, the other main", "skinny. I have a a black, female, main character, a racially ambiguous (although", "a a black, female, main character, a racially ambiguous (although light skinned), female,", "female main character. Now, the second two have major self image problems and", "image problems and I was thinking that I didn’t want to make them", "This means that I have a choice, go along with a stereotype, or", "characters in my book. I have them all figured out, except, when looking", "I have them all figured out, except, when looking back, I realized that", "go along with a stereotype, or not provide proper representation of a large", "Now, the second two have major self image problems and I was thinking", "didn’t want to make them over-weight, because that may suggest that you have", "character, a racially ambiguous (although light skinned), female, main character, and a white,", "a racially ambiguous (although light skinned), female, main character, and a white, female", "in my book. I have them all figured out, except, when looking back,", "figured out, except, when looking back, I realized that they are all very", "you are over-weight. But, the other main character is black, and I don’t", "ambiguous (although light skinned), female, main character, and a white, female main character.", "to create well rounded, and developed characters in my book. I have them", "character is black, and I don’t want to follow that stereotype either. This", "and I was thinking that I didn’t want to make them over-weight, because", "out, except, when looking back, I realized that they are all very skinny.", "along with a stereotype, or not provide proper representation of a large group", "skinned), female, main character, and a white, female main character. Now, the second", "I have a a black, female, main character, a racially ambiguous (although light", "them all figured out, except, when looking back, I realized that they are", "have been trying very hard to create well rounded, and developed characters in", "I didn’t want to make them over-weight, because that may suggest that you", "racially ambiguous (although light skinned), female, main character, and a white, female main", "are all very skinny. I have a a black, female, main character, a", "very skinny. I have a a black, female, main character, a racially ambiguous", "is black, and I don’t want to follow that stereotype either. This means", "character, and a white, female main character. Now, the second two have major", "book. I have them all figured out, except, when looking back, I realized", "and developed characters in my book. I have them all figured out, except,", "(although light skinned), female, main character, and a white, female main character. Now,", "light skinned), female, main character, and a white, female main character. Now, the", "means that I have a choice, go along with a stereotype, or not", "white, female main character. Now, the second two have major self image problems", "all very skinny. I have a a black, female, main character, a racially", "female, main character, and a white, female main character. Now, the second two", "that I didn’t want to make them over-weight, because that may suggest that", "very hard to create well rounded, and developed characters in my book. I", "main character is black, and I don’t want to follow that stereotype either.", "that I have a choice, go along with a stereotype, or not provide", "main character, and a white, female main character. Now, the second two have", "with a stereotype, or not provide proper representation of a large group of", "black, and I don’t want to follow that stereotype either. This means that", "want to follow that stereotype either. This means that I have a choice,", "they are all very skinny. I have a a black, female, main character,", "and a white, female main character. Now, the second two have major self", "problems and I was thinking that I didn’t want to make them over-weight,", "choice, go along with a stereotype, or not provide proper representation of a", "and I don’t want to follow that stereotype either. This means that I", "have a a black, female, main character, a racially ambiguous (although light skinned),", "either. This means that I have a choice, go along with a stereotype,", "because that may suggest that you have to have self image problems if", "trying very hard to create well rounded, and developed characters in my book.", "have to have self image problems if you are over-weight. But, the other", "self image problems and I was thinking that I didn’t want to make", "follow that stereotype either. This means that I have a choice, go along", "I have been trying very hard to create well rounded, and developed characters", "I realized that they are all very skinny. I have a a black,", "when looking back, I realized that they are all very skinny. I have", "that stereotype either. This means that I have a choice, go along with", "back, I realized that they are all very skinny. I have a a", "female, main character, a racially ambiguous (although light skinned), female, main character, and", "make them over-weight, because that may suggest that you have to have self", "self image problems if you are over-weight. But, the other main character is", "stereotype either. This means that I have a choice, go along with a", "don’t want to follow that stereotype either. This means that I have a", "create well rounded, and developed characters in my book. I have them all", "may suggest that you have to have self image problems if you are", "that you have to have self image problems if you are over-weight. But,", "to follow that stereotype either. This means that I have a choice, go", "major self image problems and I was thinking that I didn’t want to", "want to make them over-weight, because that may suggest that you have to", "over-weight. But, the other main character is black, and I don’t want to", "hard to create well rounded, and developed characters in my book. I have", "But, the other main character is black, and I don’t want to follow", "well rounded, and developed characters in my book. I have them all figured", "second two have major self image problems and I was thinking that I", "the second two have major self image problems and I was thinking that", "if you are over-weight. But, the other main character is black, and I", "rounded, and developed characters in my book. I have them all figured out,", "realized that they are all very skinny. I have a a black, female,", "have major self image problems and I was thinking that I didn’t want", "my book. I have them all figured out, except, when looking back, I", "a white, female main character. Now, the second two have major self image", "have them all figured out, except, when looking back, I realized that they", "to make them over-weight, because that may suggest that you have to have", "over-weight, because that may suggest that you have to have self image problems", "main character, a racially ambiguous (although light skinned), female, main character, and a", "the other main character is black, and I don’t want to follow that", "developed characters in my book. I have them all figured out, except, when", "thinking that I didn’t want to make them over-weight, because that may suggest", "them over-weight, because that may suggest that you have to have self image", "black, female, main character, a racially ambiguous (although light skinned), female, main character,", "character. Now, the second two have major self image problems and I was", "a black, female, main character, a racially ambiguous (although light skinned), female, main", "main character. Now, the second two have major self image problems and I", "other main character is black, and I don’t want to follow that stereotype", "suggest that you have to have self image problems if you are over-weight.", "a stereotype, or not provide proper representation of a large group of people.", "problems if you are over-weight. But, the other main character is black, and", "all figured out, except, when looking back, I realized that they are all", "have self image problems if you are over-weight. But, the other main character", "are over-weight. But, the other main character is black, and I don’t want", "looking back, I realized that they are all very skinny. I have a", "except, when looking back, I realized that they are all very skinny. I", "I was thinking that I didn’t want to make them over-weight, because that", "have a choice, go along with a stereotype, or not provide proper representation" ]
[ "they’ve been together through it all since childhood. It’s kind of like Forrest", "started a book and although I wanted it to be dark, will the", "never win? Or are a lot of readers into that? In my book", "a lot of readers into that? In my book the two main characters'", "It’s kind of like Forrest Gump (and Kanny) but without any comedy, is", "the readers find it too dark if the characters almost never win? Or", "book the two main characters' whole lives are terrible, but the point is", "the characters almost never win? Or are a lot of readers into that?", "two main characters' whole lives are terrible, but the point is they’ve been", "a book and although I wanted it to be dark, will the readers", "to be dark, will the readers find it too dark if the characters", "wanted it to be dark, will the readers find it too dark if", "the point is they’ve been together through it all since childhood. It’s kind", "I wanted it to be dark, will the readers find it too dark", "readers into that? In my book the two main characters' whole lives are", "although I wanted it to be dark, will the readers find it too", "of readers into that? In my book the two main characters' whole lives", "my book the two main characters' whole lives are terrible, but the point", "since childhood. It’s kind of like Forrest Gump (and Kanny) but without any", "point is they’ve been together through it all since childhood. It’s kind of", "through it all since childhood. It’s kind of like Forrest Gump (and Kanny)", "book and although I wanted it to be dark, will the readers find", "been together through it all since childhood. It’s kind of like Forrest Gump", "characters almost never win? Or are a lot of readers into that? In", "find it too dark if the characters almost never win? Or are a", "readers find it too dark if the characters almost never win? Or are", "In my book the two main characters' whole lives are terrible, but the", "main characters' whole lives are terrible, but the point is they’ve been together", "whole lives are terrible, but the point is they’ve been together through it", "of like Forrest Gump (and Kanny) but without any comedy, is that too", "together through it all since childhood. It’s kind of like Forrest Gump (and", "all since childhood. It’s kind of like Forrest Gump (and Kanny) but without", "is they’ve been together through it all since childhood. It’s kind of like", "and although I wanted it to be dark, will the readers find it", "be dark, will the readers find it too dark if the characters almost", "terrible, but the point is they’ve been together through it all since childhood.", "but the point is they’ve been together through it all since childhood. It’s", "too dark if the characters almost never win? Or are a lot of", "Or are a lot of readers into that? In my book the two", "it to be dark, will the readers find it too dark if the", "it too dark if the characters almost never win? Or are a lot", "dark if the characters almost never win? Or are a lot of readers", "I started a book and although I wanted it to be dark, will", "dark, will the readers find it too dark if the characters almost never", "like Forrest Gump (and Kanny) but without any comedy, is that too much?", "if the characters almost never win? Or are a lot of readers into", "are a lot of readers into that? In my book the two main", "that? In my book the two main characters' whole lives are terrible, but", "lives are terrible, but the point is they’ve been together through it all", "childhood. It’s kind of like Forrest Gump (and Kanny) but without any comedy,", "kind of like Forrest Gump (and Kanny) but without any comedy, is that", "almost never win? Or are a lot of readers into that? In my", "are terrible, but the point is they’ve been together through it all since", "characters' whole lives are terrible, but the point is they’ve been together through", "into that? In my book the two main characters' whole lives are terrible,", "will the readers find it too dark if the characters almost never win?", "lot of readers into that? In my book the two main characters' whole", "win? Or are a lot of readers into that? In my book the", "the two main characters' whole lives are terrible, but the point is they’ve", "it all since childhood. It’s kind of like Forrest Gump (and Kanny) but" ]
[ "I think that I'm thinking too much as I'm writing and it seems", "looking over my shoulder, reading my prose and offering suggestions all the time.", "work whereas what I want is a strategy to radically change the way", "mind is working whilst writing. And finally, this: I watched Elizabeth Gilbert give", "way my mind is working whilst writing. And finally, this: I watched Elizabeth", "whilst writing. And finally, this: I watched Elizabeth Gilbert give a Ted Talk", "the outcome of that work ... > > > It seems to me", "I'm thinking too much as I'm writing and it seems to be interfering", "this isn't a metaphor) looking over my shoulder, reading my prose and offering", "flow. The thing is, I have a basic idea of what I want", "coming up about the current piece of work whereas what I want is", "think that I'm thinking too much as I'm writing and it seems to", "is a strategy to radically change the way my mind is working whilst", "me and yet still remain close enough to the story to retain a", "when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but the answers focus on short-term", "of control over its direction? Or, put more simply: how do I turn", "I found a nice question here: [How to organize your ideas, how to", "to literally live in the > walls of an artist's studio, kind of", "getting extra input from my mind. It keeps telling me that what I'm", "details). It's as if I have another person in the room (I don't", "trouble recently. In other words - I think that I'm thinking too much", "shape the outcome of that work ... > > > It seems to", "your ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat,", "modicum of control over its direction? Or, put more simply: how do I", "from my thinking about the story long enough for it to flow from", "close enough to the story to retain a modicum of control over its", "all the time. So my question is: how do I separate myself from", "off my inner critic whilst writing? Research: I found a nice question here:", "current piece of work whereas what I want is a strategy to radically", "that I'm thinking too much as I'm writing and it seems to be", "enough for it to flow from me and yet still remain close enough", "whilst writing? Research: I found a nice question here: [How to organize your", "and w and that I ought to be writing x, y and z", "> > It seems to me that my 'genius' has slipped into overdrive", "me that what I'm writing is u, v and w and that I", "in the room (I don't - this isn't a metaphor) looking over my", "inner critic whilst writing? Research: I found a nice question here: [How to", "this: I watched Elizabeth Gilbert give a Ted Talk called [Your elusive creative", "writing? Research: I found a nice question here: [How to organize your ideas,", "back where she talks about 'genius' being a: > > ... magical divine", "to organize your ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my", "to accomplish that, but I keep getting extra input from my mind. It", "The mental aspect of the physical act of writing is giving me some", "my shoulder, reading my prose and offering suggestions all the time. So my", "turn off my inner critic whilst writing? Research: I found a nice question", "the artist with their work > and would shape the outcome of that", "artist's studio, kind of like Dobby the house elf, and who > would", "watched Elizabeth Gilbert give a Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a", "extra input from my mind. It keeps telling me that what I'm writing", "that work ... > > > It seems to me that my 'genius'", "a while back where she talks about 'genius' being a: > > ...", "out and sort of invisibly assist the artist with their work > and", "studio, kind of like Dobby the house elf, and who > would come", "sort of invisibly assist the artist with their work > and would shape", "if I have another person in the room (I don't - this isn't", "of the physical act of writing is giving me some trouble recently. In", "is giving me some trouble recently. In other words - I think that", "The thing is, I have a basic idea of what I want to", "yet still remain close enough to the story to retain a modicum of", "entity, who was believed to literally live in the > walls of an", "suggestions all the time. So my question is: how do I separate myself", "of writing is giving me some trouble recently. In other words - I", "of invisibly assist the artist with their work > and would shape the", "have another person in the room (I don't - this isn't a metaphor)", "over my shoulder, reading my prose and offering suggestions all the time. So", "writing is u, v and w and that I ought to be writing", "keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but the answers focus", "divine entity, who was believed to literally live in the > walls of", "ought to be writing x, y and z (I'll not trouble your head", "a Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she", "thinking about the story long enough for it to flow from me and", "to retain a modicum of control over its direction? Or, put more simply:", "a metaphor) looking over my shoulder, reading my prose and offering suggestions all", "too much as I'm writing and it seems to be interfering with my", "> > > It seems to me that my 'genius' has slipped into", "to radically change the way my mind is working whilst writing. And finally,", "more simply: how do I turn off my inner critic whilst writing? Research:", "- I think that I'm thinking too much as I'm writing and it", "what I want is a strategy to radically change the way my mind", "retain a modicum of control over its direction? Or, put more simply: how", "head with the details). It's as if I have another person in the", "here: [How to organize your ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which", "talks about 'genius' being a: > > ... magical divine entity, who was", "story to retain a modicum of control over its direction? Or, put more", "and z (I'll not trouble your head with the details). It's as if", "ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but", "> walls of an artist's studio, kind of like Dobby the house elf,", "still remain close enough to the story to retain a modicum of control", "she talks about 'genius' being a: > > ... magical divine entity, who", "to flow from me and yet still remain close enough to the story", "called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks about 'genius'", "be writing x, y and z (I'll not trouble your head with the", "with the details). It's as if I have another person in the room", "question is: how do I separate myself from my thinking about the story", "the > walls of an artist's studio, kind of like Dobby the house", "recently. In other words - I think that I'm thinking too much as", "Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks", "how I'm going to accomplish that, but I keep getting extra input from", "do I turn off my inner critic whilst writing? Research: I found a", "change the way my mind is working whilst writing. And finally, this: I", "have a basic idea of what I want to write and how I'm", "elf, and who > would come out and sort of invisibly assist the", "physical act of writing is giving me some trouble recently. In other words", "but I keep getting extra input from my mind. It keeps telling me", "how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but the", "strategy to radically change the way my mind is working whilst writing. And", "critic whilst writing? Research: I found a nice question here: [How to organize", "other words - I think that I'm thinking too much as I'm writing", "seems to be interfering with my concentration and flow. The thing is, I", "(I'll not trouble your head with the details). It's as if I have", "that what I'm writing is u, v and w and that I ought", "ideas coming up about the current piece of work whereas what I want", "and how I'm going to accomplish that, but I keep getting extra input", "do I separate myself from my thinking about the story long enough for", "believed to literally live in the > walls of an artist's studio, kind", "my question is: how do I separate myself from my thinking about the", "is working whilst writing. And finally, this: I watched Elizabeth Gilbert give a", "live in the > walls of an artist's studio, kind of like Dobby", "invisibly assist the artist with their work > and would shape the outcome", "keep getting extra input from my mind. It keeps telling me that what", "simply: how do I turn off my inner critic whilst writing? Research: I", "to be interfering with my concentration and flow. The thing is, I have", "and would shape the outcome of that work ... > > > It", "I have another person in the room (I don't - this isn't a", "So my question is: how do I separate myself from my thinking about", "accomplish that, but I keep getting extra input from my mind. It keeps", "I want to write and how I'm going to accomplish that, but I", "magical divine entity, who was believed to literally live in the > walls", "write and how I'm going to accomplish that, but I keep getting extra", "it to flow from me and yet still remain close enough to the", "a nice question here: [How to organize your ideas, how to keep reasonable", "of that work ... > > > It seems to me that my", "I'm writing and it seems to be interfering with my concentration and flow.", "(I don't - this isn't a metaphor) looking over my shoulder, reading my", "is: how do I separate myself from my thinking about the story long", "on short-term tactics to cope with new ideas coming up about the current", "Dobby the house elf, and who > would come out and sort of", "I turn off my inner critic whilst writing? Research: I found a nice", "- this isn't a metaphor) looking over my shoulder, reading my prose and", "writing. And finally, this: I watched Elizabeth Gilbert give a Ted Talk called", "with new ideas coming up about the current piece of work whereas what", "telling me that what I'm writing is u, v and w and that", "with my concentration and flow. The thing is, I have a basic idea", "what I'm writing is u, v and w and that I ought to", "I have a basic idea of what I want to write and how", "the story long enough for it to flow from me and yet still", "It's as if I have another person in the room (I don't -", "'genius' being a: > > ... magical divine entity, who was believed to", "... magical divine entity, who was believed to literally live in the >", "words - I think that I'm thinking too much as I'm writing and", "to be writing x, y and z (I'll not trouble your head with", "basic idea of what I want to write and how I'm going to", "reading my prose and offering suggestions all the time. So my question is:", "of like Dobby the house elf, and who > would come out and", "assist the artist with their work > and would shape the outcome of", "and it seems to be interfering with my concentration and flow. The thing", "to the story to retain a modicum of control over its direction? Or,", "a strategy to radically change the way my mind is working whilst writing.", "me some trouble recently. In other words - I think that I'm thinking", "about 'genius' being a: > > ... magical divine entity, who was believed", "literally live in the > walls of an artist's studio, kind of like", "from me and yet still remain close enough to the story to retain", "new ideas coming up about the current piece of work whereas what I", "short-term tactics to cope with new ideas coming up about the current piece", "kind of like Dobby the house elf, and who > would come out", "z (I'll not trouble your head with the details). It's as if I", "flow from me and yet still remain close enough to the story to", "the physical act of writing is giving me some trouble recently. In other", "I ought to be writing x, y and z (I'll not trouble your", "trouble your head with the details). It's as if I have another person", "prose and offering suggestions all the time. So my question is: how do", "of what I want to write and how I'm going to accomplish that,", "seems to me that my 'genius' has slipped into overdrive (or gone bonkers).", "artist with their work > and would shape the outcome of that work", "nice question here: [How to organize your ideas, how to keep reasonable when", "shoulder, reading my prose and offering suggestions all the time. So my question", "Research: I found a nice question here: [How to organize your ideas, how", "my inner critic whilst writing? Research: I found a nice question here: [How", "come out and sort of invisibly assist the artist with their work >", "y and z (I'll not trouble your head with the details). It's as", "problem somewhat, but the answers focus on short-term tactics to cope with new", "as I'm writing and it seems to be interfering with my concentration and", "I watched Elizabeth Gilbert give a Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius)", "x, y and z (I'll not trouble your head with the details). It's", "Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks about", "while back where she talks about 'genius' being a: > > ... magical", "in the > walls of an artist's studio, kind of like Dobby the", "I'm writing is u, v and w and that I ought to be", "the way my mind is working whilst writing. And finally, this: I watched", "and who > would come out and sort of invisibly assist the artist", "give a Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where", "over its direction? Or, put more simply: how do I turn off my", "would come out and sort of invisibly assist the artist with their work", "remain close enough to the story to retain a modicum of control over", "another person in the room (I don't - this isn't a metaphor) looking", "an artist's studio, kind of like Dobby the house elf, and who >", "to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but the answers", "where she talks about 'genius' being a: > > ... magical divine entity,", "is, I have a basic idea of what I want to write and", "act of writing is giving me some trouble recently. In other words -", "separate myself from my thinking about the story long enough for it to", "my concentration and flow. The thing is, I have a basic idea of", "In other words - I think that I'm thinking too much as I'm", "who > would come out and sort of invisibly assist the artist with", "want to write and how I'm going to accomplish that, but I keep", "the details). It's as if I have another person in the room (I", "tactics to cope with new ideas coming up about the current piece of", "and yet still remain close enough to the story to retain a modicum", "writing x, y and z (I'll not trouble your head with the details).", "addresses my problem somewhat, but the answers focus on short-term tactics to cope", "the house elf, and who > would come out and sort of invisibly", "> > ... magical divine entity, who was believed to literally live in", "It keeps telling me that what I'm writing is u, v and w", "to cope with new ideas coming up about the current piece of work", "a: > > ... magical divine entity, who was believed to literally live", "which addresses my problem somewhat, but the answers focus on short-term tactics to", "want is a strategy to radically change the way my mind is working", "being a: > > ... magical divine entity, who was believed to literally", "answers focus on short-term tactics to cope with new ideas coming up about", "long enough for it to flow from me and yet still remain close", "to write and how I'm going to accomplish that, but I keep getting", "how do I separate myself from my thinking about the story long enough", "about the current piece of work whereas what I want is a strategy", "some trouble recently. In other words - I think that I'm thinking too", "your head with the details). It's as if I have another person in", "[Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks about 'genius' being", "enough to the story to retain a modicum of control over its direction?", "genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks about 'genius' being a: > >", "And finally, this: I watched Elizabeth Gilbert give a Ted Talk called [Your", "for it to flow from me and yet still remain close enough to", "I keep getting extra input from my mind. It keeps telling me that", "mental aspect of the physical act of writing is giving me some trouble", "the room (I don't - this isn't a metaphor) looking over my shoulder,", "what I want to write and how I'm going to accomplish that, but", "It seems to me that my 'genius' has slipped into overdrive (or gone", "writing is giving me some trouble recently. In other words - I think", "a basic idea of what I want to write and how I'm going", "creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks about 'genius' being a: >", "that, but I keep getting extra input from my mind. It keeps telling", "concentration and flow. The thing is, I have a basic idea of what", "w and that I ought to be writing x, y and z (I'll", "direction? Or, put more simply: how do I turn off my inner critic", "somewhat, but the answers focus on short-term tactics to cope with new ideas", "[How to organize your ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses", "finally, this: I watched Elizabeth Gilbert give a Ted Talk called [Your elusive", "of work whereas what I want is a strategy to radically change the", "thing is, I have a basic idea of what I want to write", "Elizabeth Gilbert give a Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while", "but the answers focus on short-term tactics to cope with new ideas coming", "I want is a strategy to radically change the way my mind is", "> ... magical divine entity, who was believed to literally live in the", "up about the current piece of work whereas what I want is a", "mind. It keeps telling me that what I'm writing is u, v and", "would shape the outcome of that work ... > > > It seems", "working whilst writing. And finally, this: I watched Elizabeth Gilbert give a Ted", "writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but the answers focus on short-term tactics", "story long enough for it to flow from me and yet still remain", "of an artist's studio, kind of like Dobby the house elf, and who", "piece of work whereas what I want is a strategy to radically change", "found a nice question here: [How to organize your ideas, how to keep", "person in the room (I don't - this isn't a metaphor) looking over", "the time. So my question is: how do I separate myself from my", "> It seems to me that my 'genius' has slipped into overdrive (or", "my thinking about the story long enough for it to flow from me", "work > and would shape the outcome of that work ... > >", "cope with new ideas coming up about the current piece of work whereas", "room (I don't - this isn't a metaphor) looking over my shoulder, reading", "Gilbert give a Ted Talk called [Your elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back", "and sort of invisibly assist the artist with their work > and would", "much as I'm writing and it seems to be interfering with my concentration", "elusive creative genius](https://www.ted.com/talks/elizabeth_gilbert_on_genius) a while back where she talks about 'genius' being a:", "about the story long enough for it to flow from me and yet", "v and w and that I ought to be writing x, y and", "their work > and would shape the outcome of that work ... >", "the story to retain a modicum of control over its direction? Or, put", "walls of an artist's studio, kind of like Dobby the house elf, and", "house elf, and who > would come out and sort of invisibly assist", "and offering suggestions all the time. So my question is: how do I", "time. So my question is: how do I separate myself from my thinking", "offering suggestions all the time. So my question is: how do I separate", "my prose and offering suggestions all the time. So my question is: how", "myself from my thinking about the story long enough for it to flow", "radically change the way my mind is working whilst writing. And finally, this:", "is u, v and w and that I ought to be writing x,", "my mind is working whilst writing. And finally, this: I watched Elizabeth Gilbert", "aspect of the physical act of writing is giving me some trouble recently.", "Or, put more simply: how do I turn off my inner critic whilst", "be interfering with my concentration and flow. The thing is, I have a", "its direction? Or, put more simply: how do I turn off my inner", "as if I have another person in the room (I don't - this", "that I ought to be writing x, y and z (I'll not trouble", "whereas what I want is a strategy to radically change the way my", "input from my mind. It keeps telling me that what I'm writing is", "who was believed to literally live in the > walls of an artist's", "don't - this isn't a metaphor) looking over my shoulder, reading my prose", "... > > > It seems to me that my 'genius' has slipped", "idea of what I want to write and how I'm going to accomplish", "the answers focus on short-term tactics to cope with new ideas coming up", "keeps telling me that what I'm writing is u, v and w and", "focus on short-term tactics to cope with new ideas coming up about the", "isn't a metaphor) looking over my shoulder, reading my prose and offering suggestions", "it seems to be interfering with my concentration and flow. The thing is,", "with their work > and would shape the outcome of that work ...", "was believed to literally live in the > walls of an artist's studio,", "and that I ought to be writing x, y and z (I'll not", "how do I turn off my inner critic whilst writing? Research: I found", "writing and it seems to be interfering with my concentration and flow. The", "reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem somewhat, but the answers focus on", "my problem somewhat, but the answers focus on short-term tactics to cope with", "work ... > > > It seems to me that my 'genius' has", "u, v and w and that I ought to be writing x, y", "I separate myself from my thinking about the story long enough for it", "I'm going to accomplish that, but I keep getting extra input from my", "put more simply: how do I turn off my inner critic whilst writing?", "a modicum of control over its direction? Or, put more simply: how do", "question here: [How to organize your ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing),", "like Dobby the house elf, and who > would come out and sort", "organize your ideas, how to keep reasonable when writing](https://writing.stackexchange.com/questions/31476/how-to-organize-your-ideas-how-to-keep-reasonable-when-writing), which addresses my problem", "interfering with my concentration and flow. The thing is, I have a basic", "not trouble your head with the details). It's as if I have another", "> would come out and sort of invisibly assist the artist with their", "going to accomplish that, but I keep getting extra input from my mind.", "metaphor) looking over my shoulder, reading my prose and offering suggestions all the", "and flow. The thing is, I have a basic idea of what I", "outcome of that work ... > > > It seems to me that", "giving me some trouble recently. In other words - I think that I'm", "from my mind. It keeps telling me that what I'm writing is u,", "control over its direction? Or, put more simply: how do I turn off", "thinking too much as I'm writing and it seems to be interfering with", "> and would shape the outcome of that work ... > > >", "the current piece of work whereas what I want is a strategy to", "my mind. It keeps telling me that what I'm writing is u, v" ]
[ "wanted to know if they’re were any better ways to get people interested", "new blog would be too hard to gain attention to because for me", "people interested in your book ( the books not done yet I’m just", "know if they’re were any better ways to get people interested in your", "that much even though I love to write so I just wanted to", "to because for me I don’t especially love talking about writing that much", "love talking about writing that much even though I love to write so", "hard to gain attention to because for me I don’t especially love talking", "even though I love to write so I just wanted to know if", "( the books not done yet I’m just preparing for the future )", "feel like a new blog would be too hard to gain attention to", "because for me I don’t especially love talking about writing that much even", "to write so I just wanted to know if they’re were any better", "ways to get people interested in your book ( the books not done", "don’t especially love talking about writing that much even though I love to", "I feel like a new blog would be too hard to gain attention", "a new blog would be too hard to gain attention to because for", "to gain attention to because for me I don’t especially love talking about", "book ( the books not done yet I’m just preparing for the future", "I don’t especially love talking about writing that much even though I love", "interested in your book ( the books not done yet I’m just preparing", "to get people interested in your book ( the books not done yet", "better ways to get people interested in your book ( the books not", "especially love talking about writing that much even though I love to write", "blog would be too hard to gain attention to because for me I", "attention to because for me I don’t especially love talking about writing that", "gain attention to because for me I don’t especially love talking about writing", "any better ways to get people interested in your book ( the books", "writing that much even though I love to write so I just wanted", "just wanted to know if they’re were any better ways to get people", "they’re were any better ways to get people interested in your book (", "would be too hard to gain attention to because for me I don’t", "though I love to write so I just wanted to know if they’re", "like a new blog would be too hard to gain attention to because", "about writing that much even though I love to write so I just", "get people interested in your book ( the books not done yet I’m", "for me I don’t especially love talking about writing that much even though", "love to write so I just wanted to know if they’re were any", "be too hard to gain attention to because for me I don’t especially", "too hard to gain attention to because for me I don’t especially love", "were any better ways to get people interested in your book ( the", "so I just wanted to know if they’re were any better ways to", "your book ( the books not done yet I’m just preparing for the", "I just wanted to know if they’re were any better ways to get", "talking about writing that much even though I love to write so I", "me I don’t especially love talking about writing that much even though I", "to know if they’re were any better ways to get people interested in", "in your book ( the books not done yet I’m just preparing for", "if they’re were any better ways to get people interested in your book", "much even though I love to write so I just wanted to know", "I love to write so I just wanted to know if they’re were", "write so I just wanted to know if they’re were any better ways" ]
[ "been writing for years and finally have the discipline of writing daily, but", "the narrators descriptions, then BAM... total stall. I know what to steer clear", "unusual and unique situations. But after the first few pages to support the", "how a plot is ‘structured’ and the elements that plots are made of", "of writing daily, but am hitting a wall. Is this chronic writer’s block?", "have been writing for years and finally have the discipline of writing daily,", "strong imagination, but I have come to the conclusion you can’t just teach", "writing daily, but am hitting a wall. Is this chronic writer’s block? I", "etc). I have been writing for years and finally have the discipline of", "some set up, the narrators descriptions, then BAM... total stall. I know what", "door. > > > Then I’d write some set up, the narrators descriptions,", "this chronic writer’s block? I have a strong imagination, but I have come", "then BAM... total stall. I know what to steer clear from, obvious cliches", "openings with (I humbly feel) unusual and unique situations. But after the first", "feel) unusual and unique situations. But after the first few pages to support", "you can’t just teach someone how to write a plot. An example of", "have great openings with (I humbly feel) unusual and unique situations. But after", "know where to go with it. I’ve researched on plot development but have", "first few pages to support the beginning, bam...no plot! It stalls and don’t", "plot, but can’t come up with the story. This feels like ‘duh, how", "can’t come up with the story. This feels like ‘duh, how do I", "> > Then I’d write some set up, the narrators descriptions, then BAM...", "a wall. Is this chronic writer’s block? I have a strong imagination, but", "the creative idea FOR a story plot, but can’t come up with the", "just teach someone how to write a plot. An example of one of", "a story plot, but can’t come up with the story. This feels like", "work: > > When I was in highschool, a family of albinos moved", "a family of albinos moved into the house next door. > > >", "cliches etc. In short, I’ve got the creative idea FOR a story plot,", "older work: > > When I was in highschool, a family of albinos", "(I humbly feel) unusual and unique situations. But after the first few pages", "moved into the house next door. > > > Then I’d write some", "to go with it. I’ve researched on plot development but have found that", "write a plot. An example of one of my situations in older work:", "I know what to steer clear from, obvious cliches etc. In short, I’ve", "but am hitting a wall. Is this chronic writer’s block? I have a", "In short, I’ve got the creative idea FOR a story plot, but can’t", "I was in highschool, a family of albinos moved into the house next", "BAM... total stall. I know what to steer clear from, obvious cliches etc.", "etc. In short, I’ve got the creative idea FOR a story plot, but", "that plots are made of (conflict, change, etc). I have been writing for", "plot development but have found that everything is about how a plot is", "into the house next door. > > > Then I’d write some set", "made of (conflict, change, etc). I have been writing for years and finally", "beginning, bam...no plot! It stalls and don’t know where to go with it.", "chronic writer’s block? I have a strong imagination, but I have come to", "a plot is ‘structured’ and the elements that plots are made of (conflict,", "can’t just teach someone how to write a plot. An example of one", "> > > Then I’d write some set up, the narrators descriptions, then", "descriptions, then BAM... total stall. I know what to steer clear from, obvious", "with the story. This feels like ‘duh, how do I write a story?’", "and finally have the discipline of writing daily, but am hitting a wall.", "but can’t come up with the story. This feels like ‘duh, how do", "and the elements that plots are made of (conflict, change, etc). I have", "FOR a story plot, but can’t come up with the story. This feels", "up with the story. This feels like ‘duh, how do I write a", "house next door. > > > Then I’d write some set up, the", "don’t know where to go with it. I’ve researched on plot development but", "plot is ‘structured’ and the elements that plots are made of (conflict, change,", "for years and finally have the discipline of writing daily, but am hitting", "with it. I’ve researched on plot development but have found that everything is", "a plot. An example of one of my situations in older work: >", "highschool, a family of albinos moved into the house next door. > >", "change, etc). I have been writing for years and finally have the discipline", "researched on plot development but have found that everything is about how a", "great openings with (I humbly feel) unusual and unique situations. But after the", "short, I’ve got the creative idea FOR a story plot, but can’t come", "wall. Is this chronic writer’s block? I have a strong imagination, but I", "have a strong imagination, but I have come to the conclusion you can’t", "example of one of my situations in older work: > > When I", "the first few pages to support the beginning, bam...no plot! It stalls and", "someone how to write a plot. An example of one of my situations", "writer’s block? I have a strong imagination, but I have come to the", "up, the narrators descriptions, then BAM... total stall. I know what to steer", "of one of my situations in older work: > > When I was", "plot. An example of one of my situations in older work: > >", "I have great openings with (I humbly feel) unusual and unique situations. But", "and unique situations. But after the first few pages to support the beginning,", "daily, but am hitting a wall. Is this chronic writer’s block? I have", "total stall. I know what to steer clear from, obvious cliches etc. In", "it. I’ve researched on plot development but have found that everything is about", "situations. But after the first few pages to support the beginning, bam...no plot!", "have come to the conclusion you can’t just teach someone how to write", "imagination, but I have come to the conclusion you can’t just teach someone", "few pages to support the beginning, bam...no plot! It stalls and don’t know", "‘structured’ and the elements that plots are made of (conflict, change, etc). I", "I have been writing for years and finally have the discipline of writing", "stalls and don’t know where to go with it. I’ve researched on plot", "but have found that everything is about how a plot is ‘structured’ and", "(conflict, change, etc). I have been writing for years and finally have the", "humbly feel) unusual and unique situations. But after the first few pages to", "development but have found that everything is about how a plot is ‘structured’", "on plot development but have found that everything is about how a plot", "bam...no plot! It stalls and don’t know where to go with it. I’ve", "Then I’d write some set up, the narrators descriptions, then BAM... total stall.", "story plot, but can’t come up with the story. This feels like ‘duh,", "the discipline of writing daily, but am hitting a wall. Is this chronic", "a strong imagination, but I have come to the conclusion you can’t just", "clear from, obvious cliches etc. In short, I’ve got the creative idea FOR", "plots are made of (conflict, change, etc). I have been writing for years", "situations in older work: > > When I was in highschool, a family", "I have a strong imagination, but I have come to the conclusion you", "one of my situations in older work: > > When I was in", "I’d write some set up, the narrators descriptions, then BAM... total stall. I", "creative idea FOR a story plot, but can’t come up with the story.", "about how a plot is ‘structured’ and the elements that plots are made", "writing for years and finally have the discipline of writing daily, but am", "finally have the discipline of writing daily, but am hitting a wall. Is", "in older work: > > When I was in highschool, a family of", "go with it. I’ve researched on plot development but have found that everything", "got the creative idea FOR a story plot, but can’t come up with", "my situations in older work: > > When I was in highschool, a", "with (I humbly feel) unusual and unique situations. But after the first few", "and don’t know where to go with it. I’ve researched on plot development", "elements that plots are made of (conflict, change, etc). I have been writing", "It stalls and don’t know where to go with it. I’ve researched on", "to write a plot. An example of one of my situations in older", "to support the beginning, bam...no plot! It stalls and don’t know where to", "plot! It stalls and don’t know where to go with it. I’ve researched", "narrators descriptions, then BAM... total stall. I know what to steer clear from,", "of my situations in older work: > > When I was in highschool,", "stall. I know what to steer clear from, obvious cliches etc. In short,", "where to go with it. I’ve researched on plot development but have found", "but I have come to the conclusion you can’t just teach someone how", "albinos moved into the house next door. > > > Then I’d write", "the beginning, bam...no plot! It stalls and don’t know where to go with", "pages to support the beginning, bam...no plot! It stalls and don’t know where", "obvious cliches etc. In short, I’ve got the creative idea FOR a story", "I’ve got the creative idea FOR a story plot, but can’t come up", "idea FOR a story plot, but can’t come up with the story. This", "in highschool, a family of albinos moved into the house next door. >", "years and finally have the discipline of writing daily, but am hitting a", "support the beginning, bam...no plot! It stalls and don’t know where to go", "teach someone how to write a plot. An example of one of my", "are made of (conflict, change, etc). I have been writing for years and", "know what to steer clear from, obvious cliches etc. In short, I’ve got", "what to steer clear from, obvious cliches etc. In short, I’ve got the", "of (conflict, change, etc). I have been writing for years and finally have", "to the conclusion you can’t just teach someone how to write a plot.", "An example of one of my situations in older work: > > When", "how to write a plot. An example of one of my situations in", "am hitting a wall. Is this chronic writer’s block? I have a strong", "I have come to the conclusion you can’t just teach someone how to", "is about how a plot is ‘structured’ and the elements that plots are", "steer clear from, obvious cliches etc. In short, I’ve got the creative idea", "set up, the narrators descriptions, then BAM... total stall. I know what to", "come up with the story. This feels like ‘duh, how do I write", "the conclusion you can’t just teach someone how to write a plot. An", "> > When I was in highschool, a family of albinos moved into", "next door. > > > Then I’d write some set up, the narrators", "have found that everything is about how a plot is ‘structured’ and the", "write some set up, the narrators descriptions, then BAM... total stall. I know", "come to the conclusion you can’t just teach someone how to write a", "from, obvious cliches etc. In short, I’ve got the creative idea FOR a", "everything is about how a plot is ‘structured’ and the elements that plots", "to steer clear from, obvious cliches etc. In short, I’ve got the creative", "found that everything is about how a plot is ‘structured’ and the elements", "the house next door. > > > Then I’d write some set up,", "block? I have a strong imagination, but I have come to the conclusion", "Is this chronic writer’s block? I have a strong imagination, but I have", "unique situations. But after the first few pages to support the beginning, bam...no", "But after the first few pages to support the beginning, bam...no plot! It", "after the first few pages to support the beginning, bam...no plot! It stalls", "When I was in highschool, a family of albinos moved into the house", "was in highschool, a family of albinos moved into the house next door.", "family of albinos moved into the house next door. > > > Then", "that everything is about how a plot is ‘structured’ and the elements that", "I’ve researched on plot development but have found that everything is about how", "the elements that plots are made of (conflict, change, etc). I have been", "is ‘structured’ and the elements that plots are made of (conflict, change, etc).", "of albinos moved into the house next door. > > > Then I’d", "discipline of writing daily, but am hitting a wall. Is this chronic writer’s", "have the discipline of writing daily, but am hitting a wall. Is this", "> When I was in highschool, a family of albinos moved into the", "conclusion you can’t just teach someone how to write a plot. An example", "hitting a wall. Is this chronic writer’s block? I have a strong imagination,", "> Then I’d write some set up, the narrators descriptions, then BAM... total" ]
[ "senses are the important ones for evoking a strong image for a reader", "reading The Book of Human Emotions by Tiffany Watt Smith (good stuff if", "question about [How to describe 4 main characters at once without overloading the", "i.e. which senses are the important ones for evoking a strong image for", "jelly, cries of bewilderment and > pain, the relentless rattle of wheel on", "nostrils, reluctant bodies thrust aside - reminders of > childhood, flesh with the", "with the opposite problem: [How to develop a more vivid and descriptive writing", "wheel on track punctuating ragged > breath, then unexpected darkness - a tunnel.", "won't do to have so much description. My question is, therefore: How do", "in our scenes in order to enable our readers to visualise the surroundings.", "interesting, but talks about characters rather than senses. I did actually find someone", "wielding Protag close on his rubber-clad heels > and the sourness of breakfast", "in a scene; i.e. which senses are the important ones for evoking a", "then unexpected darkness - a tunnel. > > > Even without the pernicious", "darkness - a tunnel. > > > Even without the pernicious tang of", "> pain, the relentless rattle of wheel on track punctuating ragged > breath,", "a reader and which can be safely left aside? Research: I had a", "the use of emotion in your writing), and I've just come across Overwhelmed", "> Even without the pernicious tang of adjective-overload, it surely just won't do", "can be safely left aside? Research: I had a good rummage through existing", "yet crowded > train with the knife wielding Protag close on his rubber-clad", "without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about characters", "amount of sensory information we are encouraged to include in our scenes in", "the pernicious tang of adjective-overload, it surely just won't do to have so", "once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about", "in your writing), and I've just come across Overwhelmed (feeling). It talks about", "How do we know at which point enough is enough* when it comes", "- a tunnel. > > > Even without the pernicious tang of adjective-overload,", "me think about the amount of sensory information we are encouraged to include", "to enable our readers to visualise the surroundings. It strikes me that with", "information into the prose, especially if it's an otherwise short scene. Consider: >", "evocatively sun-lit, yet crowded > train with the knife wielding Protag close on", "much information into the prose, especially if it's an otherwise short scene. Consider:", "make us feel uncomfortable. This made me think about the amount of sensory", "by Tiffany Watt Smith (good stuff if you want to inform the use", "can't find anything that's relevant. The nearest I can find is a question", "rattle of wheel on track punctuating ragged > breath, then unexpected darkness -", "of Human Emotions* by Tiffany Watt Smith (good stuff if you want to", "flesh with the feel of jelly, cries of bewilderment and > pain, the", "senses available to us, it might be that we could be in danger", "the ways in which a surfeit of information in the world can make", "order to enable our readers to visualise the surroundings. It strikes me that", "have so much description. My question is, therefore: How do we know at", "if you want to inform the use of emotion in your writing), and", "is a question about [How to describe 4 main characters at once without", "thrust aside - reminders of > childhood, flesh with the feel of jelly,", "frantically through the evocatively sun-lit, yet crowded > train with the knife wielding", "deodorant > scratched at nostrils, reluctant bodies thrust aside - reminders of >", "information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about characters rather than senses. I did", "sensory information we are encouraged to include in our scenes in order to", "you want to inform the use of emotion in your writing), and I've", "and the sourness of breakfast coffee in his mouth. Failing deodorant > scratched", "find is a question about [How to describe 4 main characters at once", "information we are encouraged to include in our scenes in order to enable", "existing questions but I can't find anything that's relevant. The nearest I can", "of bewilderment and > pain, the relentless rattle of wheel on track punctuating", "point enough is enough when it comes to including sensory information in a", "feel uncomfortable. This made me think about the amount of sensory information we", "> childhood, flesh with the feel of jelly, cries of bewilderment and >", "anything that's relevant. The nearest I can find is a question about [How", "describe 4 main characters at once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which", "to describe 4 main characters at once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in),", "mouth. Failing deodorant > scratched at nostrils, reluctant bodies thrust aside - reminders", "crowded > train with the knife wielding Protag close on his rubber-clad heels", "about characters rather than senses. I did actually find someone with the opposite", "(feeling). It talks about the ways in which a surfeit of information in", "on his rubber-clad heels > and the sourness of breakfast coffee in his", "adjective-overload, it surely just won't do to have so much description. My question", "we know at which point enough is enough* when it comes to including", "short scene. Consider: > > Antag grappled frantically through the evocatively sun-lit, yet", "a surfeit of information in the world can make us feel uncomfortable. This", "sensory information in a scene; i.e. which senses are the important ones for", "the knife wielding Protag close on his rubber-clad heels > and the sourness", "grappled frantically through the evocatively sun-lit, yet crowded > train with the knife", "the opposite problem: [How to develop a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style),", "sourness of breakfast coffee in his mouth. Failing deodorant > scratched at nostrils,", "Consider: > > Antag grappled frantically through the evocatively sun-lit, yet crowded >", "that with five senses available to us, it might be that we could", "made me think about the amount of sensory information we are encouraged to", "too much information into the prose, especially if it's an otherwise short scene.", "enough is enough when it comes to including sensory information in a scene;", "and > pain, the relentless rattle of wheel on track punctuating ragged >", "through existing questions but I can't find anything that's relevant. The nearest I", "Research: I had a good rummage through existing questions but I can't find", "the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about characters rather than", "Failing deodorant > scratched at nostrils, reluctant bodies thrust aside - reminders of", "unexpected darkness - a tunnel. > > > Even without the pernicious tang", "more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but that doesn't really help me much.", "world can make us feel uncomfortable. This made me think about the amount", "> train with the knife wielding Protag close on his rubber-clad heels >", "it surely just won't do to have so much description. My question is,", "a strong image for a reader and which can be safely left aside?", "with five senses available to us, it might be that we could be", "that's relevant. The nearest I can find is a question about [How to", "our scenes in order to enable our readers to visualise the surroundings. It", "in order to enable our readers to visualise the surroundings. It strikes me", "encouraged to include in our scenes in order to enable our readers to", "we could be in danger of inserting too much information into the prose,", "us, it might be that we could be in danger of inserting too", "did actually find someone with the opposite problem: [How to develop a more", "to have so much description. My question is, therefore: How do we know", "evoking a strong image for a reader and which can be safely left", "the sourness of breakfast coffee in his mouth. Failing deodorant > scratched at", "in his mouth. Failing deodorant > scratched at nostrils, reluctant bodies thrust aside", "without the pernicious tang of adjective-overload, it surely just won't do to have", "and I've just come across Overwhelmed (feeling). It talks about the ways in", "My question is, therefore: How do we know at which point enough is", "can find is a question about [How to describe 4 main characters at", "be that we could be in danger of inserting too much information into", "are the important ones for evoking a strong image for a reader and", "talks about the ways in which a surfeit of information in the world", "just won't do to have so much description. My question is, therefore: How", "I can find is a question about [How to describe 4 main characters", "ones for evoking a strong image for a reader and which can be", "at once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks", "but talks about characters rather than senses. I did actually find someone with", "enough when it comes to including sensory information in a scene; i.e. which", "our readers to visualise the surroundings. It strikes me that with five senses", "nearest I can find is a question about [How to describe 4 main", "writing), and I've just come across Overwhelmed (feeling). It talks about the ways", "in the world can make us feel uncomfortable. This made me think about", "opposite problem: [How to develop a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but", "otherwise short scene. Consider: > > Antag grappled frantically through the evocatively sun-lit,", "heels > and the sourness of breakfast coffee in his mouth. Failing deodorant", "about the ways in which a surfeit of information in the world can", "Tiffany Watt Smith (good stuff if you want to inform the use of", "had a good rummage through existing questions but I can't find anything that's", "knife wielding Protag close on his rubber-clad heels > and the sourness of", "ragged > breath, then unexpected darkness - a tunnel. > > > Even", "stuff if you want to inform the use of emotion in your writing),", "of breakfast coffee in his mouth. Failing deodorant > scratched at nostrils, reluctant", "(good stuff if you want to inform the use of emotion in your", "with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about characters rather than senses. I", "a question about [How to describe 4 main characters at once without overloading", "use of emotion in your writing), and I've just come across Overwhelmed (feeling).", "us feel uncomfortable. This made me think about the amount of sensory information", "with the knife wielding Protag close on his rubber-clad heels > and the", "train with the knife wielding Protag close on his rubber-clad heels > and", "across Overwhelmed (feeling). It talks about the ways in which a surfeit of", "the relentless rattle of wheel on track punctuating ragged > breath, then unexpected", "include in our scenes in order to enable our readers to visualise the", "The nearest I can find is a question about [How to describe 4", "a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but that doesn't really help me", "of wheel on track punctuating ragged > breath, then unexpected darkness - a", "the evocatively sun-lit, yet crowded > train with the knife wielding Protag close", "be in danger of inserting too much information into the prose, especially if", "feel of jelly, cries of bewilderment and > pain, the relentless rattle of", "the feel of jelly, cries of bewilderment and > pain, the relentless rattle", "want to inform the use of emotion in your writing), and I've just", "It strikes me that with five senses available to us, it might be", "can make us feel uncomfortable. This made me think about the amount of", "so much description. My question is, therefore: How do we know at which", "The Book of Human Emotions by Tiffany Watt Smith (good stuff if you", "left aside? Research: I had a good rummage through existing questions but I", "to include in our scenes in order to enable our readers to visualise", "which is interesting, but talks about characters rather than senses. I did actually", "I've just come across Overwhelmed (feeling). It talks about the ways in which", "of adjective-overload, it surely just won't do to have so much description. My", "problem: [How to develop a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but that", "think about the amount of sensory information we are encouraged to include in", "pernicious tang of adjective-overload, it surely just won't do to have so much", "Overwhelmed (feeling). It talks about the ways in which a surfeit of information", "therefore: How do we know at which point enough is enough when it", "rummage through existing questions but I can't find anything that's relevant. The nearest", "comes to including sensory information in a scene; i.e. which senses are the", "is interesting, but talks about characters rather than senses. I did actually find", "of jelly, cries of bewilderment and > pain, the relentless rattle of wheel", "inform the use of emotion in your writing), and I've just come across", "punctuating ragged > breath, then unexpected darkness - a tunnel. > > >", "but I can't find anything that's relevant. The nearest I can find is", "find someone with the opposite problem: [How to develop a more vivid and", "It talks about the ways in which a surfeit of information in the", "we are encouraged to include in our scenes in order to enable our", "the prose, especially if it's an otherwise short scene. Consider: > > Antag", "inserting too much information into the prose, especially if it's an otherwise short", "the surroundings. It strikes me that with five senses available to us, it", "might be that we could be in danger of inserting too much information", "characters rather than senses. I did actually find someone with the opposite problem:", "> > Even without the pernicious tang of adjective-overload, it surely just won't", "especially if it's an otherwise short scene. Consider: > > Antag grappled frantically", "danger of inserting too much information into the prose, especially if it's an", "rubber-clad heels > and the sourness of breakfast coffee in his mouth. Failing", "rather than senses. I did actually find someone with the opposite problem: [How", "Protag close on his rubber-clad heels > and the sourness of breakfast coffee", "through the evocatively sun-lit, yet crowded > train with the knife wielding Protag", "much description. My question is, therefore: How do we know at which point", "childhood, flesh with the feel of jelly, cries of bewilderment and > pain,", "reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about characters rather than senses.", "actually find someone with the opposite problem: [How to develop a more vivid", "when it comes to including sensory information in a scene; i.e. which senses", "which point enough is enough when it comes to including sensory information in", "characters at once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but", "bodies thrust aside - reminders of > childhood, flesh with the feel of", "aside? Research: I had a good rummage through existing questions but I can't", "> > > Even without the pernicious tang of adjective-overload, it surely just", "overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting, but talks about characters rather", "4 main characters at once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is", "a scene; i.e. which senses are the important ones for evoking a strong", "description. My question is, therefore: How do we know at which point enough", "- reminders of > childhood, flesh with the feel of jelly, cries of", "relevant. The nearest I can find is a question about [How to describe", "> and the sourness of breakfast coffee in his mouth. Failing deodorant >", "enable our readers to visualise the surroundings. It strikes me that with five", "it's an otherwise short scene. Consider: > > Antag grappled frantically through the", "strong image for a reader and which can be safely left aside? Research:", "into the prose, especially if it's an otherwise short scene. Consider: > >", "which can be safely left aside? Research: I had a good rummage through", "find anything that's relevant. The nearest I can find is a question about", "Emotions by Tiffany Watt Smith (good stuff if you want to inform the", "someone with the opposite problem: [How to develop a more vivid and descriptive", "Book of Human Emotions* by Tiffany Watt Smith (good stuff if you want", "the world can make us feel uncomfortable. This made me think about the", "his mouth. Failing deodorant > scratched at nostrils, reluctant bodies thrust aside -", "visualise the surroundings. It strikes me that with five senses available to us,", "of inserting too much information into the prose, especially if it's an otherwise", "which a surfeit of information in the world can make us feel uncomfortable.", "main characters at once without overloading the reader with information](https://writing.stackexchange.com/questions/34732/how-to-describe-4-main-characters-at-once-without-overloading-the-reader-with-in), which is interesting,", "close on his rubber-clad heels > and the sourness of breakfast coffee in", "five senses available to us, it might be that we could be in", "good rummage through existing questions but I can't find anything that's relevant. The", "is enough* when it comes to including sensory information in a scene; i.e.", "a tunnel. > > > Even without the pernicious tang of adjective-overload, it", "scene; i.e. which senses are the important ones for evoking a strong image", "could be in danger of inserting too much information into the prose, especially", "develop a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but that doesn't really help", "I'm reading The Book of Human Emotions by Tiffany Watt Smith (good stuff", "information in the world can make us feel uncomfortable. This made me think", "if it's an otherwise short scene. Consider: > > Antag grappled frantically through", "> > Antag grappled frantically through the evocatively sun-lit, yet crowded > train", "prose, especially if it's an otherwise short scene. Consider: > > Antag grappled", "[How to describe 4 main characters at once without overloading the reader with", "scenes in order to enable our readers to visualise the surroundings. It strikes", "your writing), and I've just come across Overwhelmed (feeling). It talks about the", "senses. I did actually find someone with the opposite problem: [How to develop", "of emotion in your writing), and I've just come across Overwhelmed (feeling). It", "> breath, then unexpected darkness - a tunnel. > > > Even without", "questions but I can't find anything that's relevant. The nearest I can find", "an otherwise short scene. Consider: > > Antag grappled frantically through the evocatively", "image for a reader and which can be safely left aside? Research: I", "which senses are the important ones for evoking a strong image for a", "reader and which can be safely left aside? Research: I had a good", "of > childhood, flesh with the feel of jelly, cries of bewilderment and", "cries of bewilderment and > pain, the relentless rattle of wheel on track", "coffee in his mouth. Failing deodorant > scratched at nostrils, reluctant bodies thrust", "be safely left aside? Research: I had a good rummage through existing questions", "about [How to describe 4 main characters at once without overloading the reader", "on track punctuating ragged > breath, then unexpected darkness - a tunnel. >", "in danger of inserting too much information into the prose, especially if it's", "This made me think about the amount of sensory information we are encouraged", "know at which point enough is enough when it comes to including sensory", "do we know at which point enough is enough when it comes to", "for evoking a strong image for a reader and which can be safely", "I can't find anything that's relevant. The nearest I can find is a", "reluctant bodies thrust aside - reminders of > childhood, flesh with the feel", "> scratched at nostrils, reluctant bodies thrust aside - reminders of > childhood,", "a good rummage through existing questions but I can't find anything that's relevant.", "it might be that we could be in danger of inserting too much", "Smith (good stuff if you want to inform the use of emotion in", "are encouraged to include in our scenes in order to enable our readers", "information in a scene; i.e. which senses are the important ones for evoking", "track punctuating ragged > breath, then unexpected darkness - a tunnel. > >", "in which a surfeit of information in the world can make us feel", "the amount of sensory information we are encouraged to include in our scenes", "I had a good rummage through existing questions but I can't find anything", "breakfast coffee in his mouth. Failing deodorant > scratched at nostrils, reluctant bodies", "safely left aside? Research: I had a good rummage through existing questions but", "just come across Overwhelmed (feeling). It talks about the ways in which a", "available to us, it might be that we could be in danger of", "at nostrils, reluctant bodies thrust aside - reminders of > childhood, flesh with", "tunnel. > > > Even without the pernicious tang of adjective-overload, it surely", "reminders of > childhood, flesh with the feel of jelly, cries of bewilderment", "relentless rattle of wheel on track punctuating ragged > breath, then unexpected darkness", "> Antag grappled frantically through the evocatively sun-lit, yet crowded > train with", "bewilderment and > pain, the relentless rattle of wheel on track punctuating ragged", "his rubber-clad heels > and the sourness of breakfast coffee in his mouth.", "than senses. I did actually find someone with the opposite problem: [How to", "sun-lit, yet crowded > train with the knife wielding Protag close on his", "surely just won't do to have so much description. My question is, therefore:", "strikes me that with five senses available to us, it might be that", "at which point enough is enough when it comes to including sensory information", "Human Emotions* by Tiffany Watt Smith (good stuff if you want to inform", "to inform the use of emotion in your writing), and I've just come", "[How to develop a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but that doesn't", "it comes to including sensory information in a scene; i.e. which senses are", "is, therefore: How do we know at which point enough is enough when", "tang of adjective-overload, it surely just won't do to have so much description.", "to visualise the surroundings. It strikes me that with five senses available to", "I did actually find someone with the opposite problem: [How to develop a", "of sensory information we are encouraged to include in our scenes in order", "pain, the relentless rattle of wheel on track punctuating ragged > breath, then", "scratched at nostrils, reluctant bodies thrust aside - reminders of > childhood, flesh", "to us, it might be that we could be in danger of inserting", "important ones for evoking a strong image for a reader and which can", "Watt Smith (good stuff if you want to inform the use of emotion", "surfeit of information in the world can make us feel uncomfortable. This made", "scene. Consider: > > Antag grappled frantically through the evocatively sun-lit, yet crowded", "readers to visualise the surroundings. It strikes me that with five senses available", "aside - reminders of > childhood, flesh with the feel of jelly, cries", "do to have so much description. My question is, therefore: How do we", "Even without the pernicious tang of adjective-overload, it surely just won't do to", "of information in the world can make us feel uncomfortable. This made me", "to including sensory information in a scene; i.e. which senses are the important", "to develop a more vivid and descriptive writing style](https://writing.stackexchange.com/questions/25554/how-to-develop-a-more-vivid-and-descriptive-writing-style), but that doesn't really", "and which can be safely left aside? Research: I had a good rummage", "that we could be in danger of inserting too much information into the", "including sensory information in a scene; i.e. which senses are the important ones", "with the feel of jelly, cries of bewilderment and > pain, the relentless", "talks about characters rather than senses. I did actually find someone with the", "Antag grappled frantically through the evocatively sun-lit, yet crowded > train with the", "for a reader and which can be safely left aside? Research: I had", "surroundings. It strikes me that with five senses available to us, it might", "me that with five senses available to us, it might be that we", "uncomfortable. This made me think about the amount of sensory information we are", "ways in which a surfeit of information in the world can make us", "about the amount of sensory information we are encouraged to include in our", "emotion in your writing), and I've just come across Overwhelmed (feeling). It talks", "breath, then unexpected darkness - a tunnel. > > > Even without the", "come across Overwhelmed (feeling). It talks about the ways in which a surfeit", "question is, therefore: How do we know at which point enough is enough", "the important ones for evoking a strong image for a reader and which" ]
[ "treat illnesses without relying on modern technology. But while I mostly enjoyed that", "render nearly all technology useless in the presence of anyone who wants it", "my cast with characters with rare but survival-necessary skills, and which problems I", "humans with the ability to use magic powers. 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The problem, obviously, is that the average modern person doesn't have that", "world where large-scale infrastructure is basically rendered impossible for the foreseeable future and", "grow crops, make and use medieval-style weapons, build shelter, and treat illnesses without", "a mysterious unknown entity suddenly imbues humans with the ability to use magic", "combustion engines useless, the main characters aren't going to survive unless they have", "risk of being incredibly contrived. One of the biggest complaints I've seen about", "luck at the story's start. Now obviously when you're put in a world", "act of the first book onward, the setting turns into a sort of", "laps, or otherwise run into ridiculous amounts of luck at the story's start.", "make and use medieval-style weapons, build shelter, and treat illnesses without relying on", "swiftly introduced to it when needed sounds like it runs the risk of", "solve. How can I work out what I can and can't get away", "too, and so I can choose to address some issues with characters' skills", "have been intentionally altered to render guns and electricity and combustion engines useless,", "completely destroy our modern infrastructure and render nearly all technology useless in the", "just seemed to have people with the necessary survival skills just drop into", "more obvious that life as we know it was not designed to handle", "suddenly imbues humans with the ability to use magic powers. While the story", "foreseeable future and humans need to supplement a tech level somewhere around your", "in rapid succession all throughout the first half of the book. Of course", "for them to have but still believable for them to solve. How can", "is that the average modern person doesn't have that many skills that would", "people then it would be a very short and unsatisfying story once this", "which should be solved with skill and hardship on the part of the", "modern infrastructure and render nearly all technology useless in the presence of anyone", "life and mystery involving the teenage protagonists, as the story progresses the situation", "don't accidentally sacrifice dramatic tension by getting rid of problems it would be", "obvious that life as we know it was not designed to handle humans", "in the cast or swiftly introduced to it when needed sounds like it", "all of modern technology useless, was that the two groups the story focused", "two groups the story focused on just seemed to have people with the", "survival-necessary skills, and which problems I should solve with luck and which should", "future and humans need to supplement a tech level somewhere around your average", "result is that from the third act of the first book onward, the", "is that from the third act of the first book onward, the setting", "handle humans having magic powers, until finally, in what appears to be a", "that many skills that would be relevant to surviving in a world without", "at the story's start. Now obviously when you're put in a world where", "the ability to use magic powers. While the story initially starts out as", "the unknown empowering entity, humanity is given access to powers that completely destroy", "have but still believable for them to solve. How can I work out", "just seemed to fall into the main characters' laps in rapid succession all", "that also seems to run the risk of being contrived if I don't", "it becomes more and more obvious that life as we know it was", "bit ridiculous how people with these absurdly rare skills just seemed to fall", "the story initially starts out as a more adult Harry Potter-esque mix of", "skills, and which problems I should solve with luck and which should be", "slice of life and mystery involving the teenage protagonists, as the story progresses", "self-sufficient by necessity. The problem, obviously, is that the average modern person doesn't", "calculated move by the unknown empowering entity, humanity is given access to powers", "modern person doesn't have that many skills that would be relevant to surviving", "post-apocalyptic \"power punk\" world where large-scale infrastructure is basically rendered impossible for the", "as it becomes more and more obvious that life as we know it", "it when needed sounds like it runs the risk of being incredibly contrived.", "a book about a mysterious event permanently rendering all of modern technology useless,", "useless in the presence of anyone who wants it to be useless. The", "many skills that would be relevant to surviving in a world without the", "believable for them to solve. How can I work out what I can", "contrived. One of the biggest complaints I've seen about another book that had", "contrived if I don't balance it properly and work out how much luck", "short and unsatisfying story once this went down, but having tons of people", "I mostly enjoyed that book, I can't help but agree that it was", "situation, Dies the Fire, a book about a mysterious event permanently rendering all", "I can and can't get away with in terms of populating my cast", "obviously, is that the average modern person doesn't have that many skills that", "into ridiculous amounts of luck at the story's start. Now obviously when you're", "should solve with luck and which should be solved with skill and hardship", "food, tools and other goods. Obviously if the story's cast didn't include such", "power plants, plumbing networks delivering running water, and the massive supply network producing", "they have people who can hunt, grow crops, make and use medieval-style weapons,", "mostly enjoyed that book, I can't help but agree that it was a", "run into ridiculous amounts of luck at the story's start. Now obviously when", "While the story initially starts out as a more adult Harry Potter-esque mix", "teenage protagonists, as the story progresses the situation is going to gradually deteriorate", "infrastructure is basically rendered impossible for the foreseeable future and humans need to", "was that the two groups the story focused on just seemed to have", "dramatic tension by getting rid of problems it would be far more interesting", "zombie apocalypse with supernatural powers they get access to in order to survive", "fantasy story about the modern day after a mysterious unknown entity suddenly imbues", "your average zombie apocalypse with supernatural powers they get access to in order", "can choose to address some issues with characters' skills and others with magical", "a more adult Harry Potter-esque mix of magical slice of life and mystery", "\"power punk\" world where large-scale infrastructure is basically rendered impossible for the foreseeable", "to powers that completely destroy our modern infrastructure and render nearly all technology", "presence of anyone who wants it to be useless. 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One of the biggest complaints I've seen about another book", "out as a more adult Harry Potter-esque mix of magical slice of life", "such people then it would be a very short and unsatisfying story once", "average zombie apocalypse with supernatural powers they get access to in order to", "the risk of being contrived if I don't balance it properly and work", "got magic at my disposal too, and so I can choose to address", "to have people with the necessary survival skills just drop into their laps,", "without the internet, power plants, plumbing networks delivering running water, and the massive", "is basically rendered impossible for the foreseeable future and humans need to supplement", "work out how much luck is necessary for survival and don't accidentally sacrifice", "story's cast didn't include such people then it would be a very short", "networks delivering running water, and the massive supply network producing and delivering food,", "third act of the first book onward, the setting turns into a sort", "to fall into the main characters' laps in rapid succession all throughout the", "story about the modern day after a mysterious unknown entity suddenly imbues humans", "supplement a tech level somewhere around your average zombie apocalypse with supernatural powers", "seemed to fall into the main characters' laps in rapid succession all throughout", "with characters with rare but survival-necessary skills, and which problems I should solve", "of the biggest complaints I've seen about another book that had characters put", "a sort of post-apocalyptic \"power punk\" world where large-scale infrastructure is basically rendered", "was a bit ridiculous how people with these absurdly rare skills just seemed", "sacrifice dramatic tension by getting rid of problems it would be far more", "book. 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The result is", "becomes more and more obvious that life as we know it was not", "skills and others with magical abilities, but that also seems to run the", "don't balance it properly and work out how much luck is necessary for", "them to solve. How can I work out what I can and can't", "use medieval-style weapons, build shelter, and treat illnesses without relying on modern technology.", "it would be a very short and unsatisfying story once this went down,", "guns and electricity and combustion engines useless, the main characters aren't going to", "the necessary survival skills just drop into their laps, or otherwise run into", "and the massive supply network producing and delivering food, tools and other goods.", "humans having magic powers, until finally, in what appears to be a maliciously", "the main characters aren't going to survive unless they have people who can", "the story focused on just seemed to have people with the necessary survival", "to be a maliciously calculated move by the unknown empowering entity, humanity is", "with supernatural powers they get access to in order to survive in far", "cast with characters with rare but survival-necessary skills, and which problems I should", "Potter-esque mix of magical slice of life and mystery involving the teenage protagonists,", "can and can't get away with in terms of populating my cast with", "supply network producing and delivering food, tools and other goods. Obviously if the", "be a maliciously calculated move by the unknown empowering entity, humanity is given", "survival skills just drop into their laps, or otherwise run into ridiculous amounts", "start. Now obviously when you're put in a world where the physical laws", "not designed to handle humans having magic powers, until finally, in what appears", "the cast or swiftly introduced to it when needed sounds like it runs", "down, but having tons of people with extremely rare skills readily at hand", "smaller communities that are largely self-sufficient by necessity. The problem, obviously, is that", "about the modern day after a mysterious unknown entity suddenly imbues humans with", "and render nearly all technology useless in the presence of anyone who wants", "very short and unsatisfying story once this went down, but having tons of", "the first book onward, the setting turns into a sort of post-apocalyptic \"power", "with characters' skills and others with magical abilities, but that also seems to", "survive unless they have people who can hunt, grow crops, make and use", "like it runs the risk of being incredibly contrived. One of the biggest", "in terms of populating my cast with characters with rare but survival-necessary skills,", "relying on modern technology. But while I mostly enjoyed that book, I can't", "of being incredibly contrived. One of the biggest complaints I've seen about another", "a world without the internet, power plants, plumbing networks delivering running water, and", "who can hunt, grow crops, make and use medieval-style weapons, build shelter, and", "amounts of luck at the story's start. Now obviously when you're put in", "was not designed to handle humans having magic powers, until finally, in what", "properly and work out how much luck is necessary for survival and don't", "people with these absurdly rare skills just seemed to fall into the main", "story once this went down, but having tons of people with extremely rare", "appears to be a maliciously calculated move by the unknown empowering entity, humanity", "powers that completely destroy our modern infrastructure and render nearly all technology useless", "skills readily at hand in the cast or swiftly introduced to it when", "progresses the situation is going to gradually deteriorate as it becomes more and", "problem, obviously, is that the average modern person doesn't have that many skills", "where the physical laws have been intentionally altered to render guns and electricity", "which problems I should solve with luck and which should be solved with", "that the average modern person doesn't have that many skills that would be", "the physical laws have been intentionally altered to render guns and electricity and", "far more isolated and smaller communities that are largely self-sufficient by necessity. The", "I'm writing an urban fantasy story about the modern day after a mysterious", "obviously when you're put in a world where the physical laws have been", "plumbing networks delivering running water, and the massive supply network producing and delivering", "more interesting for them to have but still believable for them to solve.", "work out what I can and can't get away with in terms of", "world where the physical laws have been intentionally altered to render guns and", "needed sounds like it runs the risk of being incredibly contrived. One of", "when you're put in a world where the physical laws have been intentionally", "luck is necessary for survival and don't accidentally sacrifice dramatic tension by getting", "of magical slice of life and mystery involving the teenage protagonists, as the", "characters' skills and others with magical abilities, but that also seems to run", "anyone who wants it to be useless. The result is that from the", "our modern infrastructure and render nearly all technology useless in the presence of", "rare but survival-necessary skills, and which problems I should solve with luck and", "sort of post-apocalyptic \"power punk\" world where large-scale infrastructure is basically rendered impossible", "access to in order to survive in far more isolated and smaller communities", "the foreseeable future and humans need to supplement a tech level somewhere around", "after a mysterious unknown entity suddenly imbues humans with the ability to use", "magical slice of life and mystery involving the teenage protagonists, as the story", "tech level somewhere around your average zombie apocalypse with supernatural powers they get", "Dies the Fire, a book about a mysterious event permanently rendering all of", "solve with luck and which should be solved with skill and hardship on", "disposal too, and so I can choose to address some issues with characters'", "them to have but still believable for them to solve. How can I", "and mystery involving the teenage protagonists, as the story progresses the situation is", "I work out what I can and can't get away with in terms", "and humans need to supplement a tech level somewhere around your average zombie", "story initially starts out as a more adult Harry Potter-esque mix of magical", "away with in terms of populating my cast with characters with rare but", "powers, until finally, in what appears to be a maliciously calculated move by", "with these absurdly rare skills just seemed to fall into the main characters'", "large-scale infrastructure is basically rendered impossible for the foreseeable future and humans need", "to it when needed sounds like it runs the risk of being incredibly", "getting rid of problems it would be far more interesting for them to", "crops, make and use medieval-style weapons, build shelter, and treat illnesses without relying", "water, and the massive supply network producing and delivering food, tools and other", "to gradually deteriorate as it becomes more and more obvious that life as", "infrastructure and render nearly all technology useless in the presence of anyone who", "survive in far more isolated and smaller communities that are largely self-sufficient by", "weapons, build shelter, and treat illnesses without relying on modern technology. But while", "book onward, the setting turns into a sort of post-apocalyptic \"power punk\" world", "but agree that it was a bit ridiculous how people with these absurdly", "or otherwise run into ridiculous amounts of luck at the story's start. Now", "of problems it would be far more interesting for them to have but", "to be useless. The result is that from the third act of the", "How can I work out what I can and can't get away with", "having tons of people with extremely rare skills readily at hand in the", "initially starts out as a more adult Harry Potter-esque mix of magical slice", "populating my cast with characters with rare but survival-necessary skills, and which problems", "access to powers that completely destroy our modern infrastructure and render nearly all", "plants, plumbing networks delivering running water, and the massive supply network producing and", "it was not designed to handle humans having magic powers, until finally, in", "it was a bit ridiculous how people with these absurdly rare skills just", "basically rendered impossible for the foreseeable future and humans need to supplement a", "aren't going to survive unless they have people who can hunt, grow crops,", "necessary for survival and don't accidentally sacrifice dramatic tension by getting rid of", "the massive supply network producing and delivering food, tools and other goods. Obviously", "the risk of being incredibly contrived. One of the biggest complaints I've seen", "if the story's cast didn't include such people then it would be a", "day after a mysterious unknown entity suddenly imbues humans with the ability to", "main characters aren't going to survive unless they have people who can hunt,", "get access to in order to survive in far more isolated and smaller", "and delivering food, tools and other goods. Obviously if the story's cast didn't", "to survive in far more isolated and smaller communities that are largely self-sufficient", "into their laps, or otherwise run into ridiculous amounts of luck at the", "can hunt, grow crops, make and use medieval-style weapons, build shelter, and treat", "while I mostly enjoyed that book, I can't help but agree that it", "mysterious event permanently rendering all of modern technology useless, was that the two", "also seems to run the risk of being contrived if I don't balance", "level somewhere around your average zombie apocalypse with supernatural powers they get access", "to render guns and electricity and combustion engines useless, the main characters aren't", "given access to powers that completely destroy our modern infrastructure and render nearly", "about another book that had characters put in a similar situation, Dies the", "for the foreseeable future and humans need to supplement a tech level somewhere", "issues with characters' skills and others with magical abilities, but that also seems", "out what I can and can't get away with in terms of populating", "largely self-sufficient by necessity. The problem, obviously, is that the average modern person", "a tech level somewhere around your average zombie apocalypse with supernatural powers they", "of the book. Of course I've got magic at my disposal too, and", "more and more obvious that life as we know it was not designed", "hunt, grow crops, make and use medieval-style weapons, build shelter, and treat illnesses", "can I work out what I can and can't get away with in", "went down, but having tons of people with extremely rare skills readily at", "first book onward, the setting turns into a sort of post-apocalyptic \"power punk\"", "magical abilities, but that also seems to run the risk of being contrived", "impossible for the foreseeable future and humans need to supplement a tech level", "can't help but agree that it was a bit ridiculous how people with", "One of the biggest complaints I've seen about another book that had characters", "out how much luck is necessary for survival and don't accidentally sacrifice dramatic", "intentionally altered to render guns and electricity and combustion engines useless, the main", "as we know it was not designed to handle humans having magic powers,", "didn't include such people then it would be a very short and unsatisfying", "modern technology. But while I mostly enjoyed that book, I can't help but", "So I'm writing an urban fantasy story about the modern day after a", "with the ability to use magic powers. While the story initially starts out", "starts out as a more adult Harry Potter-esque mix of magical slice of", "Obviously if the story's cast didn't include such people then it would be", "but that also seems to run the risk of being contrived if I", "for survival and don't accidentally sacrifice dramatic tension by getting rid of problems", "help but agree that it was a bit ridiculous how people with these", "be far more interesting for them to have but still believable for them", "seen about another book that had characters put in a similar situation, Dies", "it properly and work out how much luck is necessary for survival and", "once this went down, but having tons of people with extremely rare skills", "altered to render guns and electricity and combustion engines useless, the main characters", "are largely self-sufficient by necessity. The problem, obviously, is that the average modern", "rare skills readily at hand in the cast or swiftly introduced to it", "permanently rendering all of modern technology useless, was that the two groups the", "sounds like it runs the risk of being incredibly contrived. One of the", "being contrived if I don't balance it properly and work out how much", "the internet, power plants, plumbing networks delivering running water, and the massive supply", "an urban fantasy story about the modern day after a mysterious unknown entity", "the situation is going to gradually deteriorate as it becomes more and more", "running water, and the massive supply network producing and delivering food, tools and", "life as we know it was not designed to handle humans having magic", "people with extremely rare skills readily at hand in the cast or swiftly", "network producing and delivering food, tools and other goods. Obviously if the story's", "and so I can choose to address some issues with characters' skills and", "and which should be solved with skill and hardship on the part of", "another book that had characters put in a similar situation, Dies the Fire,", "to supplement a tech level somewhere around your average zombie apocalypse with supernatural", "been intentionally altered to render guns and electricity and combustion engines useless, the", "cast or swiftly introduced to it when needed sounds like it runs the", "move by the unknown empowering entity, humanity is given access to powers that", "the story's cast didn't include such people then it would be a very", "the main characters' laps in rapid succession all throughout the first half of", "Fire, a book about a mysterious event permanently rendering all of modern technology", "put in a similar situation, Dies the Fire, a book about a mysterious", "useless, was that the two groups the story focused on just seemed to", "complaints I've seen about another book that had characters put in a similar", "when needed sounds like it runs the risk of being incredibly contrived. One", "electricity and combustion engines useless, the main characters aren't going to survive unless", "at my disposal too, and so I can choose to address some issues", "in order to survive in far more isolated and smaller communities that are", "into a sort of post-apocalyptic \"power punk\" world where large-scale infrastructure is basically", "use magic powers. While the story initially starts out as a more adult", "to in order to survive in far more isolated and smaller communities that", "by necessity. The problem, obviously, is that the average modern person doesn't have", "focused on just seemed to have people with the necessary survival skills just", "unknown entity suddenly imbues humans with the ability to use magic powers. While", "But while I mostly enjoyed that book, I can't help but agree that", "physical laws have been intentionally altered to render guns and electricity and combustion", "the average modern person doesn't have that many skills that would be relevant", "illnesses without relying on modern technology. But while I mostly enjoyed that book,", "all technology useless in the presence of anyone who wants it to be", "protagonists, as the story progresses the situation is going to gradually deteriorate as", "people who can hunt, grow crops, make and use medieval-style weapons, build shelter,", "the book. Of course I've got magic at my disposal too, and so", "balance it properly and work out how much luck is necessary for survival", "The result is that from the third act of the first book onward,", "with magical abilities, but that also seems to run the risk of being", "course I've got magic at my disposal too, and so I can choose", "be useless. The result is that from the third act of the first", "agree that it was a bit ridiculous how people with these absurdly rare", "person doesn't have that many skills that would be relevant to surviving in", "in a world where the physical laws have been intentionally altered to render", "I can't help but agree that it was a bit ridiculous how people", "absurdly rare skills just seemed to fall into the main characters' laps in", "somewhere around your average zombie apocalypse with supernatural powers they get access to", "hand in the cast or swiftly introduced to it when needed sounds like", "turns into a sort of post-apocalyptic \"power punk\" world where large-scale infrastructure is", "designed to handle humans having magic powers, until finally, in what appears to", "the story's start. Now obviously when you're put in a world where the", "and combustion engines useless, the main characters aren't going to survive unless they", "communities that are largely self-sufficient by necessity. The problem, obviously, is that the", "characters aren't going to survive unless they have people who can hunt, grow", "and treat illnesses without relying on modern technology. But while I mostly enjoyed", "enjoyed that book, I can't help but agree that it was a bit", "technology useless in the presence of anyone who wants it to be useless.", "seemed to have people with the necessary survival skills just drop into their", "can't get away with in terms of populating my cast with characters with", "they get access to in order to survive in far more isolated and", "half of the book. Of course I've got magic at my disposal too,", "for them to solve. How can I work out what I can and", "have people who can hunt, grow crops, make and use medieval-style weapons, build", "incredibly contrived. One of the biggest complaints I've seen about another book that", "so I can choose to address some issues with characters' skills and others", "writing an urban fantasy story about the modern day after a mysterious unknown", "relevant to surviving in a world without the internet, power plants, plumbing networks", "setting turns into a sort of post-apocalyptic \"power punk\" world where large-scale infrastructure", "of luck at the story's start. Now obviously when you're put in a", "and unsatisfying story once this went down, but having tons of people with", "a bit ridiculous how people with these absurdly rare skills just seemed to", "interesting for them to have but still believable for them to solve. How", "rid of problems it would be far more interesting for them to have" ]
[ "to offer any mix of standardised advice and your personal experience. I'm sure", "\"doesn't feel like a real book yet\". But if you don't even know", "this has turned my attention to friends or friends' friends. Among them, an", "I'm sure I'm not the only person here who's tried getting feedback from", "meeting new potential beta readers online, or even at writing conferences, and this", "personal experience. I'm sure I'm not the only person here who's tried getting", "the \"non-readers\" that go with it.) And yes, I'm aware one can meet", "online, or even at writing conferences, and this has turned my attention to", "polished. I absolutely don't want to be close-minded; but I wonder whether non-readers'", "part of me feels that any excuse not to take someone's views too", "a shame if they're not, because every WIP needs several beta readers. I've", "misunderstood their circumstances, and that they're not the bookworm I imagined, but instead", "personally had much luck meeting new potential beta readers online, or even at", "to read quite a large body of my work, but I subsequently learned", "be a shame if they're not, because every WIP needs several beta readers.", "my attention to friends or friends' friends. Among them, an interest in reading", "the best beta readers are fellow writers, partly because they may have insight", "everyone has different media and genres of interest, and whatever you write there's", "light readers or whatever we call them. Can it work? Are there dos", "writers, partly because they may have insight others don't, but partly also because", "to be close-minded; but I wonder whether non-readers' advice does more harm than", "like consuming your chosen medium - novels, in my case - that leaves", "readers online, or even at writing conferences, and this has turned my attention", "an extent, I could do that even if they were a bookworm; writers", "stages, it seems to often have unusual expectations for how novels would be", "with the views of my previous beta readers, but also with what we're", "someone's views too seriously, no matter how \"logical\" that excuse may be, paves", "has different media and genres of interest, and whatever you write there's such", "about what they like or dislike to tell you where your WIP \"doesn't", "as judgemental, because everyone has different media and genres of interest, and whatever", "And feel free to offer any mix of standardised advice and your personal", "if they were a bookworm; writers are sometimes advised to accept opinions two", "accept opinions two people agree on, be it themselves and one reader or", "was advised this was so subjective it would likely be closed, so feel", "they were a bookworm; writers are sometimes advised to accept opinions two people", "judgemental, because everyone has different media and genres of interest, and whatever you", "too narrow a view of what advice to accept if one has only", "(This is far from a rare opinion; in fact, this special case has", "aware one can meet new readers and writers online, but this question concerns", "of standardised advice and your personal experience. I'm sure I'm not the only", "because every WIP needs several beta readers. I've not personally had much luck", "It would be a shame if they're not, because every WIP needs several", "a valuable resource. It would be a shame if they're not, because every", "readers?\" I was advised this was so subjective it would likely be closed,", "view of what advice to accept if one has only found a very", "interest, and whatever you write there's such a thing as the \"non-readers\" that", "readers or whatever we call them. Can it work? Are there dos and", "others don't, but partly also because you can agree to trade beta-reading responsibilities.", "of salt. To an extent, I could do that even if they were", "here who's tried getting feedback from non-readers, or light readers or whatever we", "things they like or dislike and the reasons why are at odds not", "least know enough from experience about what they like or dislike to tell", "feedback in their notes with a pinch of salt. To an extent, I", "and your personal experience. I'm sure I'm not the only person here who's", "\"How can non-readers be useful beta readers?\" I was advised this was so", "very small number of beta readers. And another part of me feels that", "or whatever we call them. Can it work? Are there dos and don'ts,", "no matter how \"logical\" that excuse may be, paves the road to declaring", "what we're usually told readers look for. Of course, a non-reader may judge", "wonder whether non-readers' advice does more harm than good. I'd planned on titling", "does more harm than good. I'd planned on titling this question something like,", "a very small number of beta readers. And another part of me feels", "one to read quite a large body of my work, but I subsequently", "but I wonder whether non-readers' advice does more harm than good. I'd planned", "any mix of standardised advice and your personal experience. I'm sure I'm not", "excuse not to take someone's views too seriously, no matter how \"logical\" that", "(This isn't meant as judgemental, because everyone has different media and genres of", "themselves and one reader or two readers but not themselves. However, I worry", "consume. Therefore, part of me feels I should take any critical feedback in", "mix of standardised advice and your personal experience. I'm sure I'm not the", "call non-readers. (This isn't meant as judgemental, because everyone has different media and", "circumstances, and that they're not the bookworm I imagined, but instead a non-reader.", "may have insight others don't, but partly also because you can agree to", "if you don't even know people who like consuming your chosen medium -", "that go with it.) And yes, I'm aware one can meet new readers", "this special case has its own name, critique partners.) Failing that, bookworms at", "readers. And another part of me feels that any excuse not to take", "you don't even know people who like consuming your chosen medium - novels,", "their notes with a pinch of salt. To an extent, I could do", "to often have unusual expectations for how novels would be structured, and the", "but instead a non-reader. Although the feedback is in its early stages, it", "with which they're unfamiliar by criteria more appropriate for what they normally consume.", "in fact, this special case has its own name, critique partners.) Failing that,", "road to declaring one's writing already polished. I absolutely don't want to be", "prefer. And feel free to offer any mix of standardised advice and your", "writing already polished. I absolutely don't want to be close-minded; but I wonder", "the only person here who's tried getting feedback from non-readers, or light readers", "non-reader. Although the feedback is in its early stages, it seems to often", "for what they normally consume. Therefore, part of me feels I should take", "non-readers are also a valuable resource. It would be a shame if they're", "and the things they like or dislike and the reasons why are at", "work, but I subsequently learned I had misunderstood their circumstances, and that they're", "insight others don't, but partly also because you can agree to trade beta-reading", "of my previous beta readers, but also with what we're usually told readers", "Of course, a non-reader may judge a medium with which they're unfamiliar by", "pinch of salt. To an extent, I could do that even if they", "would be structured, and the things they like or dislike and the reasons", "appropriate for what they normally consume. Therefore, part of me feels I should", "And another part of me feels that any excuse not to take someone's", "much luck meeting new potential beta readers online, or even at writing conferences,", "don't, but partly also because you can agree to trade beta-reading responsibilities. (This", "shame if they're not, because every WIP needs several beta readers. I've not", "you can agree to trade beta-reading responsibilities. (This is far from a rare", "also with what we're usually told readers look for. Of course, a non-reader", "or two readers but not themselves. However, I worry that that takes too", "writers are sometimes advised to accept opinions two people agree on, be it", "them, an interest in reading is hard to come by. I recently persuaded", "views of my previous beta readers, but also with what we're usually told", "what advice to accept if one has only found a very small number", "book yet\". But if you don't even know people who like consuming your", "not the bookworm I imagined, but instead a non-reader. Although the feedback is", "a real book yet\". But if you don't even know people who like", "even know people who like consuming your chosen medium - novels, in my", "several beta readers. I've not personally had much luck meeting new potential beta", "unusual expectations for how novels would be structured, and the things they like", "at least know enough from experience about what they like or dislike to", "readers are fellow writers, partly because they may have insight others don't, but", "the views of my previous beta readers, but also with what we're usually", "told readers look for. Of course, a non-reader may judge a medium with", "also a valuable resource. It would be a shame if they're not, because", "tried getting feedback from non-readers, or light readers or whatever we call them.", "reasons why are at odds not merely with the views of my previous", "by. I recently persuaded one to read quite a large body of my", "whatever you write there's such a thing as the \"non-readers\" that go with", "critical feedback in their notes with a pinch of salt. To an extent,", "reader or two readers but not themselves. However, I worry that that takes", "hard to come by. I recently persuaded one to read quite a large", "fellow writers, partly because they may have insight others don't, but partly also", "who like consuming your chosen medium - novels, in my case - that", "be closed, so feel free to answer whichever question you prefer. And feel", "not to take someone's views too seriously, no matter how \"logical\" that excuse", "case has its own name, critique partners.) Failing that, bookworms at least know", "previous beta readers, but also with what we're usually told readers look for.", "how \"logical\" that excuse may be, paves the road to declaring one's writing", "beta readers, but also with what we're usually told readers look for. Of", "two readers but not themselves. However, I worry that that takes too narrow", "in reading is hard to come by. I recently persuaded one to read", "needs several beta readers. I've not personally had much luck meeting new potential", "offer any mix of standardised advice and your personal experience. I'm sure I'm", "such a thing as the \"non-readers\" that go with it.) And yes, I'm", "readers look for. Of course, a non-reader may judge a medium with which", "attention to friends or friends' friends. Among them, an interest in reading is", "more appropriate for what they normally consume. Therefore, part of me feels I", "because everyone has different media and genres of interest, and whatever you write", "the bookworm I imagined, but instead a non-reader. Although the feedback is in", "sometimes advised to accept opinions two people agree on, be it themselves and", "don't even know people who like consuming your chosen medium - novels, in", "any excuse not to take someone's views too seriously, no matter how \"logical\"", "part of me feels I should take any critical feedback in their notes", "to friends or friends' friends. Among them, an interest in reading is hard", "who's tried getting feedback from non-readers, or light readers or whatever we call", "for how novels would be structured, and the things they like or dislike", "friends. Among them, an interest in reading is hard to come by. I", "isn't meant as judgemental, because everyone has different media and genres of interest,", "than good. I'd planned on titling this question something like, \"How can non-readers", "small number of beta readers. And another part of me feels that any", "another part of me feels that any excuse not to take someone's views", "harm than good. I'd planned on titling this question something like, \"How can", "feedback is in its early stages, it seems to often have unusual expectations", "they may have insight others don't, but partly also because you can agree", "I've not personally had much luck meeting new potential beta readers online, or", "Can it work? Are there dos and don'ts, beyond what normally applies to", "they like or dislike and the reasons why are at odds not merely", "to accept opinions two people agree on, be it themselves and one reader", "only found a very small number of beta readers. And another part of", "two people agree on, be it themselves and one reader or two readers", "partly also because you can agree to trade beta-reading responsibilities. (This is far", "Among them, an interest in reading is hard to come by. I recently", "take someone's views too seriously, no matter how \"logical\" that excuse may be,", "if one has only found a very small number of beta readers. And", "advice does more harm than good. I'd planned on titling this question something", "narrow a view of what advice to accept if one has only found", "I should take any critical feedback in their notes with a pinch of", "\"logical\" that excuse may be, paves the road to declaring one's writing already", "I recently persuaded one to read quite a large body of my work,", "too seriously, no matter how \"logical\" that excuse may be, paves the road", "of my work, but I subsequently learned I had misunderstood their circumstances, and", "we're usually told readers look for. Of course, a non-reader may judge a", "of me feels I should take any critical feedback in their notes with", "whichever question you prefer. And feel free to offer any mix of standardised", "novels, in my case - that leaves what I'll call non-readers. (This isn't", "normally consume. Therefore, part of me feels I should take any critical feedback", "feel free to offer any mix of standardised advice and your personal experience.", "persuaded one to read quite a large body of my work, but I", "concerns whether non-readers are also a valuable resource. It would be a shame", "can agree to trade beta-reading responsibilities. (This is far from a rare opinion;", "opinion, the best beta readers are fellow writers, partly because they may have", "experience. I'm sure I'm not the only person here who's tried getting feedback", "leaves what I'll call non-readers. (This isn't meant as judgemental, because everyone has", "standardised advice and your personal experience. I'm sure I'm not the only person", "the things they like or dislike and the reasons why are at odds", "far from a rare opinion; in fact, this special case has its own", "also because you can agree to trade beta-reading responsibilities. (This is far from", "but this question concerns whether non-readers are also a valuable resource. It would", "I could do that even if they were a bookworm; writers are sometimes", "own name, critique partners.) Failing that, bookworms at least know enough from experience", "early stages, it seems to often have unusual expectations for how novels would", "agree on, be it themselves and one reader or two readers but not", "worry that that takes too narrow a view of what advice to accept", "consuming your chosen medium - novels, in my case - that leaves what", "valuable resource. It would be a shame if they're not, because every WIP", "thing as the \"non-readers\" that go with it.) And yes, I'm aware one", "by criteria more appropriate for what they normally consume. Therefore, part of me", "it seems to often have unusual expectations for how novels would be structured,", "criteria more appropriate for what they normally consume. Therefore, part of me feels", "bookworms at least know enough from experience about what they like or dislike", "that even if they were a bookworm; writers are sometimes advised to accept", "them. Can it work? Are there dos and don'ts, beyond what normally applies", "people who like consuming your chosen medium - novels, in my case -", "genres of interest, and whatever you write there's such a thing as the", "to come by. I recently persuaded one to read quite a large body", "dislike and the reasons why are at odds not merely with the views", "large body of my work, but I subsequently learned I had misunderstood their", "even at writing conferences, and this has turned my attention to friends or", "was so subjective it would likely be closed, so feel free to answer", "free to answer whichever question you prefer. And feel free to offer any", "new readers and writers online, but this question concerns whether non-readers are also", "not merely with the views of my previous beta readers, but also with", "unfamiliar by criteria more appropriate for what they normally consume. Therefore, part of", "or even at writing conferences, and this has turned my attention to friends", "on titling this question something like, \"How can non-readers be useful beta readers?\"", "a large body of my work, but I subsequently learned I had misunderstood", "feels that any excuse not to take someone's views too seriously, no matter", "imagined, but instead a non-reader. Although the feedback is in its early stages,", "had much luck meeting new potential beta readers online, or even at writing", "why are at odds not merely with the views of my previous beta", "from non-readers, or light readers or whatever we call them. Can it work?", "their circumstances, and that they're not the bookworm I imagined, but instead a", "writing conferences, and this has turned my attention to friends or friends' friends.", "seriously, no matter how \"logical\" that excuse may be, paves the road to", "non-readers, or light readers or whatever we call them. Can it work? Are", "are sometimes advised to accept opinions two people agree on, be it themselves", "were a bookworm; writers are sometimes advised to accept opinions two people agree", "name, critique partners.) Failing that, bookworms at least know enough from experience about", "non-readers' advice does more harm than good. I'd planned on titling this question", "partly because they may have insight others don't, but partly also because you", "not themselves. However, I worry that that takes too narrow a view of", "I'm not the only person here who's tried getting feedback from non-readers, or", "which they're unfamiliar by criteria more appropriate for what they normally consume. Therefore,", "beta readers are fellow writers, partly because they may have insight others don't,", "at writing conferences, and this has turned my attention to friends or friends'", "can non-readers be useful beta readers?\" I was advised this was so subjective", "look for. Of course, a non-reader may judge a medium with which they're", "I was advised this was so subjective it would likely be closed, so", "bookworm; writers are sometimes advised to accept opinions two people agree on, be", "found a very small number of beta readers. And another part of me", "its early stages, it seems to often have unusual expectations for how novels", "an interest in reading is hard to come by. I recently persuaded one", "I'll call non-readers. (This isn't meant as judgemental, because everyone has different media", "not, because every WIP needs several beta readers. I've not personally had much", "bookworm I imagined, but instead a non-reader. Although the feedback is in its", "subjective it would likely be closed, so feel free to answer whichever question", "judge a medium with which they're unfamiliar by criteria more appropriate for what", "WIP needs several beta readers. I've not personally had much luck meeting new", "you where your WIP \"doesn't feel like a real book yet\". But if", "can meet new readers and writers online, but this question concerns whether non-readers", "non-readers. (This isn't meant as judgemental, because everyone has different media and genres", "you prefer. And feel free to offer any mix of standardised advice and", "meant as judgemental, because everyone has different media and genres of interest, and", "if they're not, because every WIP needs several beta readers. I've not personally", "be useful beta readers?\" I was advised this was so subjective it would", "know enough from experience about what they like or dislike to tell you", "it would likely be closed, so feel free to answer whichever question you", "best beta readers are fellow writers, partly because they may have insight others", "question concerns whether non-readers are also a valuable resource. It would be a", "new potential beta readers online, or even at writing conferences, and this has", "has its own name, critique partners.) Failing that, bookworms at least know enough", "it themselves and one reader or two readers but not themselves. However, I", "paves the road to declaring one's writing already polished. I absolutely don't want", "feel free to answer whichever question you prefer. And feel free to offer", "what they normally consume. Therefore, part of me feels I should take any", "of beta readers. And another part of me feels that any excuse not", "with a pinch of salt. To an extent, I could do that even", "structured, and the things they like or dislike and the reasons why are", "learned I had misunderstood their circumstances, and that they're not the bookworm I", "often have unusual expectations for how novels would be structured, and the things", "should take any critical feedback in their notes with a pinch of salt.", "and that they're not the bookworm I imagined, but instead a non-reader. Although", "tell you where your WIP \"doesn't feel like a real book yet\". But", "and this has turned my attention to friends or friends' friends. Among them,", "readers but not themselves. However, I worry that that takes too narrow a", "read quite a large body of my work, but I subsequently learned I", "accept if one has only found a very small number of beta readers.", "online, but this question concerns whether non-readers are also a valuable resource. It", "we call them. Can it work? Are there dos and don'ts, beyond what", "question something like, \"How can non-readers be useful beta readers?\" I was advised", "only person here who's tried getting feedback from non-readers, or light readers or", "that they're not the bookworm I imagined, but instead a non-reader. Although the", "and whatever you write there's such a thing as the \"non-readers\" that go", "expectations for how novels would be structured, and the things they like or", "but I subsequently learned I had misunderstood their circumstances, and that they're not", "\"non-readers\" that go with it.) And yes, I'm aware one can meet new", "readers. I've not personally had much luck meeting new potential beta readers online,", "as the \"non-readers\" that go with it.) And yes, I'm aware one can", "subsequently learned I had misunderstood their circumstances, and that they're not the bookworm", "is hard to come by. I recently persuaded one to read quite a", "had misunderstood their circumstances, and that they're not the bookworm I imagined, but", "they're not, because every WIP needs several beta readers. I've not personally had", "I worry that that takes too narrow a view of what advice to", "novels would be structured, and the things they like or dislike and the", "be, paves the road to declaring one's writing already polished. I absolutely don't", "Although the feedback is in its early stages, it seems to often have", "partners.) Failing that, bookworms at least know enough from experience about what they", "one reader or two readers but not themselves. However, I worry that that", "free to offer any mix of standardised advice and your personal experience. I'm", "or light readers or whatever we call them. Can it work? Are there", "there's such a thing as the \"non-readers\" that go with it.) And yes,", "special case has its own name, critique partners.) Failing that, bookworms at least", "a rare opinion; in fact, this special case has its own name, critique", "they're not the bookworm I imagined, but instead a non-reader. Although the feedback", "beta readers. And another part of me feels that any excuse not to", "I had misunderstood their circumstances, and that they're not the bookworm I imagined,", "quite a large body of my work, but I subsequently learned I had", "experience about what they like or dislike to tell you where your WIP", "or dislike and the reasons why are at odds not merely with the", "Therefore, part of me feels I should take any critical feedback in their", "do that even if they were a bookworm; writers are sometimes advised to", "you write there's such a thing as the \"non-readers\" that go with it.)", "non-reader may judge a medium with which they're unfamiliar by criteria more appropriate", "every WIP needs several beta readers. I've not personally had much luck meeting", "odds not merely with the views of my previous beta readers, but also", "But if you don't even know people who like consuming your chosen medium", "are also a valuable resource. It would be a shame if they're not,", "a non-reader may judge a medium with which they're unfamiliar by criteria more", "different media and genres of interest, and whatever you write there's such a", "trade beta-reading responsibilities. (This is far from a rare opinion; in fact, this", "one has only found a very small number of beta readers. And another", "would likely be closed, so feel free to answer whichever question you prefer.", "planned on titling this question something like, \"How can non-readers be useful beta", "your WIP \"doesn't feel like a real book yet\". But if you don't", "whatever we call them. Can it work? Are there dos and don'ts, beyond", "meet new readers and writers online, but this question concerns whether non-readers are", "me feels that any excuse not to take someone's views too seriously, no", "is far from a rare opinion; in fact, this special case has its", "medium - novels, in my case - that leaves what I'll call non-readers.", "they normally consume. Therefore, part of me feels I should take any critical", "my opinion, the best beta readers are fellow writers, partly because they may", "my case - that leaves what I'll call non-readers. (This isn't meant as", "I'd planned on titling this question something like, \"How can non-readers be useful", "seems to often have unusual expectations for how novels would be structured, and", "more harm than good. I'd planned on titling this question something like, \"How", "or friends' friends. Among them, an interest in reading is hard to come", "any critical feedback in their notes with a pinch of salt. To an", "feel like a real book yet\". But if you don't even know people", "something like, \"How can non-readers be useful beta readers?\" I was advised this", "because they may have insight others don't, but partly also because you can", "that, bookworms at least know enough from experience about what they like or", "media and genres of interest, and whatever you write there's such a thing", "responsibilities. (This is far from a rare opinion; in fact, this special case", "chosen medium - novels, in my case - that leaves what I'll call", "could do that even if they were a bookworm; writers are sometimes advised", "but also with what we're usually told readers look for. Of course, a", "titling this question something like, \"How can non-readers be useful beta readers?\" I", "salt. To an extent, I could do that even if they were a", "have unusual expectations for how novels would be structured, and the things they", "may be, paves the road to declaring one's writing already polished. I absolutely", "to take someone's views too seriously, no matter how \"logical\" that excuse may", "question you prefer. And feel free to offer any mix of standardised advice", "matter how \"logical\" that excuse may be, paves the road to declaring one's", "absolutely don't want to be close-minded; but I wonder whether non-readers' advice does", "beta readers. I've not personally had much luck meeting new potential beta readers", "with it.) And yes, I'm aware one can meet new readers and writers", "take any critical feedback in their notes with a pinch of salt. To", "not the only person here who's tried getting feedback from non-readers, or light", "that excuse may be, paves the road to declaring one's writing already polished.", "notes with a pinch of salt. To an extent, I could do that", "me feels I should take any critical feedback in their notes with a", "or dislike to tell you where your WIP \"doesn't feel like a real", "I'm aware one can meet new readers and writers online, but this question", "themselves. However, I worry that that takes too narrow a view of what", "this was so subjective it would likely be closed, so feel free to", "and genres of interest, and whatever you write there's such a thing as", "may judge a medium with which they're unfamiliar by criteria more appropriate for", "potential beta readers online, or even at writing conferences, and this has turned", "fact, this special case has its own name, critique partners.) Failing that, bookworms", "a thing as the \"non-readers\" that go with it.) And yes, I'm aware", "takes too narrow a view of what advice to accept if one has", "luck meeting new potential beta readers online, or even at writing conferences, and", "a non-reader. Although the feedback is in its early stages, it seems to", "readers, but also with what we're usually told readers look for. Of course,", "even if they were a bookworm; writers are sometimes advised to accept opinions", "dislike to tell you where your WIP \"doesn't feel like a real book", "advice and your personal experience. I'm sure I'm not the only person here", "write there's such a thing as the \"non-readers\" that go with it.) And", "to accept if one has only found a very small number of beta", "this question concerns whether non-readers are also a valuable resource. It would be", "come by. I recently persuaded one to read quite a large body of", "that leaves what I'll call non-readers. (This isn't meant as judgemental, because everyone", "are at odds not merely with the views of my previous beta readers,", "feels I should take any critical feedback in their notes with a pinch", "and the reasons why are at odds not merely with the views of", "my previous beta readers, but also with what we're usually told readers look", "advised to accept opinions two people agree on, be it themselves and one", "a bookworm; writers are sometimes advised to accept opinions two people agree on,", "of interest, and whatever you write there's such a thing as the \"non-readers\"", "want to be close-minded; but I wonder whether non-readers' advice does more harm", "so feel free to answer whichever question you prefer. And feel free to", "beta-reading responsibilities. (This is far from a rare opinion; in fact, this special", "Failing that, bookworms at least know enough from experience about what they like", "that takes too narrow a view of what advice to accept if one", "person here who's tried getting feedback from non-readers, or light readers or whatever", "non-readers be useful beta readers?\" I was advised this was so subjective it", "that any excuse not to take someone's views too seriously, no matter how", "advised this was so subjective it would likely be closed, so feel free", "whether non-readers' advice does more harm than good. I'd planned on titling this", "yet\". But if you don't even know people who like consuming your chosen", "writers online, but this question concerns whether non-readers are also a valuable resource.", "this question something like, \"How can non-readers be useful beta readers?\" I was", "opinion; in fact, this special case has its own name, critique partners.) Failing", "on, be it themselves and one reader or two readers but not themselves.", "a view of what advice to accept if one has only found a", "getting feedback from non-readers, or light readers or whatever we call them. Can", "enough from experience about what they like or dislike to tell you where", "one can meet new readers and writers online, but this question concerns whether", "turned my attention to friends or friends' friends. Among them, an interest in", "interest in reading is hard to come by. I recently persuaded one to", "but not themselves. However, I worry that that takes too narrow a view", "they're unfamiliar by criteria more appropriate for what they normally consume. Therefore, part", "declaring one's writing already polished. I absolutely don't want to be close-minded; but", "friends or friends' friends. Among them, an interest in reading is hard to", "feedback from non-readers, or light readers or whatever we call them. Can it", "your chosen medium - novels, in my case - that leaves what I'll", "what I'll call non-readers. (This isn't meant as judgemental, because everyone has different", "not personally had much luck meeting new potential beta readers online, or even", "how novels would be structured, and the things they like or dislike and", "likely be closed, so feel free to answer whichever question you prefer. And", "sure I'm not the only person here who's tried getting feedback from non-readers,", "know people who like consuming your chosen medium - novels, in my case", "yes, I'm aware one can meet new readers and writers online, but this", "to answer whichever question you prefer. And feel free to offer any mix", "closed, so feel free to answer whichever question you prefer. And feel free", "for. Of course, a non-reader may judge a medium with which they're unfamiliar", "course, a non-reader may judge a medium with which they're unfamiliar by criteria", "it work? Are there dos and don'ts, beyond what normally applies to getting", "have insight others don't, but partly also because you can agree to trade", "beta readers?\" I was advised this was so subjective it would likely be", "In my opinion, the best beta readers are fellow writers, partly because they", "like or dislike to tell you where your WIP \"doesn't feel like a", "answer whichever question you prefer. And feel free to offer any mix of", "usually told readers look for. Of course, a non-reader may judge a medium", "at odds not merely with the views of my previous beta readers, but", "readers and writers online, but this question concerns whether non-readers are also a", "to trade beta-reading responsibilities. (This is far from a rare opinion; in fact,", "be it themselves and one reader or two readers but not themselves. However,", "work? Are there dos and don'ts, beyond what normally applies to getting feedback?", "and one reader or two readers but not themselves. However, I worry that", "go with it.) And yes, I'm aware one can meet new readers and", "one's writing already polished. I absolutely don't want to be close-minded; but I", "where your WIP \"doesn't feel like a real book yet\". But if you", "call them. Can it work? Are there dos and don'ts, beyond what normally", "number of beta readers. And another part of me feels that any excuse", "be close-minded; but I wonder whether non-readers' advice does more harm than good.", "are fellow writers, partly because they may have insight others don't, but partly", "so subjective it would likely be closed, so feel free to answer whichever", "agree to trade beta-reading responsibilities. (This is far from a rare opinion; in", "And yes, I'm aware one can meet new readers and writers online, but", "I absolutely don't want to be close-minded; but I wonder whether non-readers' advice", "has only found a very small number of beta readers. And another part", "opinions two people agree on, be it themselves and one reader or two", "to tell you where your WIP \"doesn't feel like a real book yet\".", "I imagined, but instead a non-reader. Although the feedback is in its early", "resource. It would be a shame if they're not, because every WIP needs", "to declaring one's writing already polished. I absolutely don't want to be close-minded;", "excuse may be, paves the road to declaring one's writing already polished. I", "already polished. I absolutely don't want to be close-minded; but I wonder whether", "of me feels that any excuse not to take someone's views too seriously,", "my work, but I subsequently learned I had misunderstood their circumstances, and that", "real book yet\". But if you don't even know people who like consuming", "a pinch of salt. To an extent, I could do that even if", "from a rare opinion; in fact, this special case has its own name,", "conferences, and this has turned my attention to friends or friends' friends. Among", "in its early stages, it seems to often have unusual expectations for how", "like or dislike and the reasons why are at odds not merely with", "be structured, and the things they like or dislike and the reasons why", "merely with the views of my previous beta readers, but also with what", "the reasons why are at odds not merely with the views of my", "don't want to be close-minded; but I wonder whether non-readers' advice does more", "the road to declaring one's writing already polished. I absolutely don't want to", "it.) And yes, I'm aware one can meet new readers and writers online,", "the feedback is in its early stages, it seems to often have unusual", "extent, I could do that even if they were a bookworm; writers are", "I wonder whether non-readers' advice does more harm than good. I'd planned on", "beta readers online, or even at writing conferences, and this has turned my", "that that takes too narrow a view of what advice to accept if", "rare opinion; in fact, this special case has its own name, critique partners.)", "has turned my attention to friends or friends' friends. Among them, an interest", "what they like or dislike to tell you where your WIP \"doesn't feel", "instead a non-reader. Although the feedback is in its early stages, it seems", "they like or dislike to tell you where your WIP \"doesn't feel like", "medium with which they're unfamiliar by criteria more appropriate for what they normally", "people agree on, be it themselves and one reader or two readers but", "- that leaves what I'll call non-readers. (This isn't meant as judgemental, because", "close-minded; but I wonder whether non-readers' advice does more harm than good. I'd", "reading is hard to come by. I recently persuaded one to read quite", "and writers online, but this question concerns whether non-readers are also a valuable", "whether non-readers are also a valuable resource. It would be a shame if", "its own name, critique partners.) Failing that, bookworms at least know enough from", "in my case - that leaves what I'll call non-readers. (This isn't meant", "case - that leaves what I'll call non-readers. (This isn't meant as judgemental,", "WIP \"doesn't feel like a real book yet\". But if you don't even", "in their notes with a pinch of salt. To an extent, I could", "good. I'd planned on titling this question something like, \"How can non-readers be", "a medium with which they're unfamiliar by criteria more appropriate for what they", "like, \"How can non-readers be useful beta readers?\" I was advised this was", "critique partners.) Failing that, bookworms at least know enough from experience about what", "of what advice to accept if one has only found a very small", "your personal experience. I'm sure I'm not the only person here who's tried", "from experience about what they like or dislike to tell you where your", "useful beta readers?\" I was advised this was so subjective it would likely", "because you can agree to trade beta-reading responsibilities. (This is far from a", "is in its early stages, it seems to often have unusual expectations for", "recently persuaded one to read quite a large body of my work, but", "- novels, in my case - that leaves what I'll call non-readers. (This", "would be a shame if they're not, because every WIP needs several beta", "body of my work, but I subsequently learned I had misunderstood their circumstances,", "advice to accept if one has only found a very small number of", "To an extent, I could do that even if they were a bookworm;", "However, I worry that that takes too narrow a view of what advice", "friends' friends. Among them, an interest in reading is hard to come by.", "with what we're usually told readers look for. Of course, a non-reader may", "but partly also because you can agree to trade beta-reading responsibilities. (This is", "views too seriously, no matter how \"logical\" that excuse may be, paves the", "I subsequently learned I had misunderstood their circumstances, and that they're not the", "like a real book yet\". But if you don't even know people who" ]
[ "up with several levels at which such a decision might occur: Governmental level", "the captain of a ship. They will know exactly where they're going and", "which time travel exists, in a very limited form, but it's useless, at", "a ship. They will know exactly where they're going and it's their ship.", "the person making the decision follows through and sets things in motion? I", "who pushes the \"go\" button. And there is also the matter of timing;", "there is also the matter of timing; since decisions can be made long", "by admirals and CEOs. This is probably the highest level at which a", "decision might occur: Governmental level decisions are made by elected officials of one", "and sets things in motion? I know this is a bit metaphysical but", "are those made by admirals and CEOs. This is probably the highest level", "I'm interested in who can make a decision about dispatching a starship: I've", "the bridge who pushes the \"go\" button. And there is also the matter", "also the matter of timing; since decisions can be made long before any", "CEOs. This is probably the highest level at which a specific ship will", "or when the person making the decision follows through and sets things in", "is when and at what level should a binding decision logically sit within", "one kind or another these are likely to be general. Organisational level decisions", "a bit metaphysical but what I'm asking is when and at what level", "the scheme of things, a minor detail but the concept creates some very", "when the person making the decision follows through and sets things in motion?", "be general. Organisational level decisions are those made by admirals and CEOs. This", "what level should a binding decision logically sit within the causal narrative of", "decision as having been made. In particular I'm interested in who can make", "ship. They will know exactly where they're going and it's their ship. Execution", "This is probably the highest level at which a specific ship will be", "at least it's the intention that it be useless. To that end time", "This is, in the scheme of things, a minor detail but the concept", "be made long before any action can be taken when is a decision", "several levels at which such a decision might occur: Governmental level decisions are", "travel exists, in a very limited form, but it's useless, at least it's", "means the guy on the bridge who pushes the \"go\" button. And there", "made? When the action is considered or when the person making the decision", "level should a binding decision logically sit within the causal narrative of the", "once made, creates a point of departure that governs the events that follow;", "are made by elected officials of one kind or another these are likely", "but the concept creates some very interesting literary opportunities and rather strange problems", "decisional causality is that a decision, once made, creates a point of departure", "of decision-effect-cause. What I'm struggling with is creating a hard and fast logical", "the concept creates some very interesting literary opportunities and rather strange problems within", "is probably the highest level at which a specific ship will be named", "Organisational level decisions are those made by admirals and CEOs. This is probably", "likely to be general. Organisational level decisions are those made by admirals and", "who can make a decision about dispatching a starship: I've come up with", "fiction universe in which time travel exists, in a very limited form, but", "causality but not \"Decisional Causality\". This is, in the scheme of things, a", "the rare occasions that it occurs at all, can violate apparent physical causality", "decision, once made, creates a point of departure that governs the events that", "is creating a hard and fast logical framework that defines a decision as", "world. The idea of decisional causality is that a decision, once made, creates", "know exactly where they're going and it's their ship. Execution level means the", "decisions can be made long before any action can be taken when is", "is also the matter of timing; since decisions can be made long before", "creates some very interesting literary opportunities and rather strange problems within the world.", "the intention that it be useless. To that end time travel, on the", "When the action is considered or when the person making the decision follows", "The idea of decisional causality is that a decision, once made, creates a", "the guy on the bridge who pushes the \"go\" button. And there is", "literary opportunities and rather strange problems within the world. The idea of decisional", "captain of a ship. They will know exactly where they're going and it's", "is that a decision, once made, creates a point of departure that governs", "the matter of timing; since decisions can be made long before any action", "officials of one kind or another these are likely to be general. Organisational", "as having been made. In particular I'm interested in who can make a", "their ship. Execution level means the guy on the bridge who pushes the", "are likely to be general. Organisational level decisions are those made by admirals", "of one kind or another these are likely to be general. Organisational level", "occasions that it occurs at all, can violate apparent physical causality but not", "having been made. In particular I'm interested in who can make a decision", "starship: I've come up with several levels at which such a decision might", "concept creates some very interesting literary opportunities and rather strange problems within the", "is a bit metaphysical but what I'm asking is when and at what", "can violate apparent physical causality but not \"Decisional Causality\". This is, in the", "button. And there is also the matter of timing; since decisions can be", "can get cases of decision-effect-cause. What I'm struggling with is creating a hard", "point of departure that governs the events that follow; so rather than actions", "the highest level at which a specific ship will be named and assigned", "taken when is a decision then to be considered made? When the action", "level means the guy on the bridge who pushes the \"go\" button. And", "within the world. The idea of decisional causality is that a decision, once", "I'm struggling with is creating a hard and fast logical framework that defines", "decision about dispatching a starship: I've come up with several levels at which", "a decision as having been made. In particular I'm interested in who can", "on a science fiction universe in which time travel exists, in a very", "science fiction universe in which time travel exists, in a very limited form,", "a minor detail but the concept creates some very interesting literary opportunities and", "idea of decisional causality is that a decision, once made, creates a point", "be named and assigned a target. Command level is the captain of a", "Execution level means the guy on the bridge who pushes the \"go\" button.", "They will know exactly where they're going and it's their ship. Execution level", "it's their ship. Execution level means the guy on the bridge who pushes", "to follow a purely cause-effect framework you can get cases of decision-effect-cause. What", "specific ship will be named and assigned a target. Command level is the", "ship. Execution level means the guy on the bridge who pushes the \"go\"", "before any action can be taken when is a decision then to be", "guy on the bridge who pushes the \"go\" button. And there is also", "it be useless. To that end time travel, on the rare occasions that", "a target. Command level is the captain of a ship. They will know", "dispatching a starship: I've come up with several levels at which such a", "What I'm struggling with is creating a hard and fast logical framework that", "with is creating a hard and fast logical framework that defines a decision", "than actions having to follow a purely cause-effect framework you can get cases", "some very interesting literary opportunities and rather strange problems within the world. The", "going and it's their ship. Execution level means the guy on the bridge", "things, a minor detail but the concept creates some very interesting literary opportunities", "level decisions are made by elected officials of one kind or another these", "with several levels at which such a decision might occur: Governmental level decisions", "useless, at least it's the intention that it be useless. To that end", "working on a science fiction universe in which time travel exists, in a", "detail but the concept creates some very interesting literary opportunities and rather strange", "the action is considered or when the person making the decision follows through", "that end time travel, on the rare occasions that it occurs at all,", "sets things in motion? I know this is a bit metaphysical but what", "opportunities and rather strange problems within the world. The idea of decisional causality", "considered or when the person making the decision follows through and sets things", "exactly where they're going and it's their ship. Execution level means the guy", "that a decision, once made, creates a point of departure that governs the", "know this is a bit metaphysical but what I'm asking is when and", "highest level at which a specific ship will be named and assigned a", "the \"go\" button. And there is also the matter of timing; since decisions", "logical framework that defines a decision as having been made. In particular I'm", "admirals and CEOs. This is probably the highest level at which a specific", "Governmental level decisions are made by elected officials of one kind or another", "I'm working on a science fiction universe in which time travel exists, in", "rather than actions having to follow a purely cause-effect framework you can get", "it occurs at all, can violate apparent physical causality but not \"Decisional Causality\".", "make a decision about dispatching a starship: I've come up with several levels", "considered made? When the action is considered or when the person making the", "the events that follow; so rather than actions having to follow a purely", "made, creates a point of departure that governs the events that follow; so", "at which such a decision might occur: Governmental level decisions are made by", "timing; since decisions can be made long before any action can be taken", "target. Command level is the captain of a ship. They will know exactly", "what I'm asking is when and at what level should a binding decision", "since decisions can be made long before any action can be taken when", "a very limited form, but it's useless, at least it's the intention that", "And there is also the matter of timing; since decisions can be made", "To that end time travel, on the rare occasions that it occurs at", "level is the captain of a ship. They will know exactly where they're", "cases of decision-effect-cause. What I'm struggling with is creating a hard and fast", "causality is that a decision, once made, creates a point of departure that", "occur: Governmental level decisions are made by elected officials of one kind or", "travel, on the rare occasions that it occurs at all, can violate apparent", "it's useless, at least it's the intention that it be useless. To that", "rare occasions that it occurs at all, can violate apparent physical causality but", "be considered made? When the action is considered or when the person making", "so rather than actions having to follow a purely cause-effect framework you can", "time travel, on the rare occasions that it occurs at all, can violate", "a decision about dispatching a starship: I've come up with several levels at", "problems within the world. The idea of decisional causality is that a decision,", "physical causality but not \"Decisional Causality\". This is, in the scheme of things,", "a decision then to be considered made? When the action is considered or", "very interesting literary opportunities and rather strange problems within the world. The idea", "but what I'm asking is when and at what level should a binding", "on the bridge who pushes the \"go\" button. And there is also the", "when and at what level should a binding decision logically sit within the", "purely cause-effect framework you can get cases of decision-effect-cause. What I'm struggling with", "matter of timing; since decisions can be made long before any action can", "in who can make a decision about dispatching a starship: I've come up", "but it's useless, at least it's the intention that it be useless. To", "the decision follows through and sets things in motion? I know this is", "decision-effect-cause. What I'm struggling with is creating a hard and fast logical framework", "all, can violate apparent physical causality but not \"Decisional Causality\". This is, in", "by elected officials of one kind or another these are likely to be", "but not \"Decisional Causality\". This is, in the scheme of things, a minor", "these are likely to be general. Organisational level decisions are those made by", "will be named and assigned a target. Command level is the captain of", "and at what level should a binding decision logically sit within the causal", "departure that governs the events that follow; so rather than actions having to", "decision follows through and sets things in motion? I know this is a", "a decision might occur: Governmental level decisions are made by elected officials of", "then to be considered made? When the action is considered or when the", "been made. In particular I'm interested in who can make a decision about", "at all, can violate apparent physical causality but not \"Decisional Causality\". This is,", "in the scheme of things, a minor detail but the concept creates some", "to be general. Organisational level decisions are those made by admirals and CEOs.", "follow a purely cause-effect framework you can get cases of decision-effect-cause. What I'm", "and assigned a target. Command level is the captain of a ship. They", "universe in which time travel exists, in a very limited form, but it's", "those made by admirals and CEOs. This is probably the highest level at", "useless. To that end time travel, on the rare occasions that it occurs", "that it be useless. To that end time travel, on the rare occasions", "a starship: I've come up with several levels at which such a decision", "can be taken when is a decision then to be considered made? When", "events that follow; so rather than actions having to follow a purely cause-effect", "that follow; so rather than actions having to follow a purely cause-effect framework", "interested in who can make a decision about dispatching a starship: I've come", "things in motion? I know this is a bit metaphysical but what I'm", "creates a point of departure that governs the events that follow; so rather", "struggling with is creating a hard and fast logical framework that defines a", "minor detail but the concept creates some very interesting literary opportunities and rather", "made long before any action can be taken when is a decision then", "occurs at all, can violate apparent physical causality but not \"Decisional Causality\". This", "and rather strange problems within the world. The idea of decisional causality is", "through and sets things in motion? I know this is a bit metaphysical", "it's the intention that it be useless. To that end time travel, on", "probably the highest level at which a specific ship will be named and", "In particular I'm interested in who can make a decision about dispatching a", "Command level is the captain of a ship. They will know exactly where", "made by admirals and CEOs. This is probably the highest level at which", "is a decision then to be considered made? When the action is considered", "come up with several levels at which such a decision might occur: Governmental", "follows through and sets things in motion? I know this is a bit", "defines a decision as having been made. In particular I'm interested in who", "I know this is a bit metaphysical but what I'm asking is when", "be taken when is a decision then to be considered made? When the", "at which a specific ship will be named and assigned a target. Command", "about dispatching a starship: I've come up with several levels at which such", "which a specific ship will be named and assigned a target. Command level", "bridge who pushes the \"go\" button. And there is also the matter of", "interesting literary opportunities and rather strange problems within the world. The idea of", "\"go\" button. And there is also the matter of timing; since decisions can", "I'm asking is when and at what level should a binding decision logically", "elected officials of one kind or another these are likely to be general.", "I've come up with several levels at which such a decision might occur:", "assigned a target. Command level is the captain of a ship. They will", "which such a decision might occur: Governmental level decisions are made by elected", "ship will be named and assigned a target. Command level is the captain", "apparent physical causality but not \"Decisional Causality\". This is, in the scheme of", "time travel exists, in a very limited form, but it's useless, at least", "will know exactly where they're going and it's their ship. Execution level means", "in which time travel exists, in a very limited form, but it's useless,", "such a decision might occur: Governmental level decisions are made by elected officials", "intention that it be useless. To that end time travel, on the rare", "that defines a decision as having been made. In particular I'm interested in", "that governs the events that follow; so rather than actions having to follow", "in motion? I know this is a bit metaphysical but what I'm asking", "rather strange problems within the world. The idea of decisional causality is that", "should a binding decision logically sit within the causal narrative of the story?", "very limited form, but it's useless, at least it's the intention that it", "decision then to be considered made? When the action is considered or when", "named and assigned a target. Command level is the captain of a ship.", "decisions are made by elected officials of one kind or another these are", "can be made long before any action can be taken when is a", "this is a bit metaphysical but what I'm asking is when and at", "hard and fast logical framework that defines a decision as having been made.", "level decisions are those made by admirals and CEOs. This is probably the", "form, but it's useless, at least it's the intention that it be useless.", "of things, a minor detail but the concept creates some very interesting literary", "of a ship. They will know exactly where they're going and it's their", "you can get cases of decision-effect-cause. What I'm struggling with is creating a", "framework that defines a decision as having been made. In particular I'm interested", "made. In particular I'm interested in who can make a decision about dispatching", "levels at which such a decision might occur: Governmental level decisions are made", "level at which a specific ship will be named and assigned a target.", "made by elected officials of one kind or another these are likely to", "motion? I know this is a bit metaphysical but what I'm asking is", "or another these are likely to be general. Organisational level decisions are those", "Causality\". This is, in the scheme of things, a minor detail but the", "long before any action can be taken when is a decision then to", "at what level should a binding decision logically sit within the causal narrative", "and CEOs. This is probably the highest level at which a specific ship", "governs the events that follow; so rather than actions having to follow a", "where they're going and it's their ship. Execution level means the guy on", "particular I'm interested in who can make a decision about dispatching a starship:", "any action can be taken when is a decision then to be considered", "general. Organisational level decisions are those made by admirals and CEOs. This is", "not \"Decisional Causality\". This is, in the scheme of things, a minor detail", "is, in the scheme of things, a minor detail but the concept creates", "can make a decision about dispatching a starship: I've come up with several", "is considered or when the person making the decision follows through and sets", "bit metaphysical but what I'm asking is when and at what level should", "creating a hard and fast logical framework that defines a decision as having", "a hard and fast logical framework that defines a decision as having been", "kind or another these are likely to be general. Organisational level decisions are", "a purely cause-effect framework you can get cases of decision-effect-cause. What I'm struggling", "get cases of decision-effect-cause. What I'm struggling with is creating a hard and", "decisions are those made by admirals and CEOs. This is probably the highest", "exists, in a very limited form, but it's useless, at least it's the", "another these are likely to be general. Organisational level decisions are those made", "making the decision follows through and sets things in motion? I know this", "asking is when and at what level should a binding decision logically sit", "that it occurs at all, can violate apparent physical causality but not \"Decisional", "they're going and it's their ship. Execution level means the guy on the", "the world. The idea of decisional causality is that a decision, once made,", "might occur: Governmental level decisions are made by elected officials of one kind", "to be considered made? When the action is considered or when the person", "in a very limited form, but it's useless, at least it's the intention", "\"Decisional Causality\". This is, in the scheme of things, a minor detail but", "of decisional causality is that a decision, once made, creates a point of", "end time travel, on the rare occasions that it occurs at all, can", "cause-effect framework you can get cases of decision-effect-cause. What I'm struggling with is", "actions having to follow a purely cause-effect framework you can get cases of", "strange problems within the world. The idea of decisional causality is that a", "when is a decision then to be considered made? When the action is", "a point of departure that governs the events that follow; so rather than", "action is considered or when the person making the decision follows through and", "a specific ship will be named and assigned a target. Command level is", "person making the decision follows through and sets things in motion? I know", "metaphysical but what I'm asking is when and at what level should a", "least it's the intention that it be useless. To that end time travel,", "of timing; since decisions can be made long before any action can be", "fast logical framework that defines a decision as having been made. In particular", "and fast logical framework that defines a decision as having been made. In", "framework you can get cases of decision-effect-cause. What I'm struggling with is creating", "having to follow a purely cause-effect framework you can get cases of decision-effect-cause.", "limited form, but it's useless, at least it's the intention that it be", "action can be taken when is a decision then to be considered made?", "a science fiction universe in which time travel exists, in a very limited", "pushes the \"go\" button. And there is also the matter of timing; since", "a decision, once made, creates a point of departure that governs the events", "is the captain of a ship. They will know exactly where they're going", "on the rare occasions that it occurs at all, can violate apparent physical", "of departure that governs the events that follow; so rather than actions having", "scheme of things, a minor detail but the concept creates some very interesting", "be useless. To that end time travel, on the rare occasions that it", "follow; so rather than actions having to follow a purely cause-effect framework you", "violate apparent physical causality but not \"Decisional Causality\". This is, in the scheme", "and it's their ship. Execution level means the guy on the bridge who" ]
[ "to be aware that one's Universe is fictional, and > potentially use this", "that the events are set in 'reality', but what if they're not? I", "break the forth wall on my own experience here. But I'm not entirely", "of creative non-fiction about myself that would enable me to effectively break the", "fourth wall: [Can a writer joke with the reader without breaking the fourth", "be possible to break the forth wall on my own experience here. But", "is being staged for the benefit of beings from a higher dimension. If", "would just create a contradiction in terms somehow. So my question is: what", "universe. > > > When I make myself the focus of a piece", "I use when writing a piece of creative non-fiction about myself that would", "still make the piece viable to its readers? Research: It's not at all", "just create a contradiction in terms somehow. So my question is: what techniques", "is just a kind of play that is being staged for the benefit", "I went to see Deadpool 2 at the weekend and it got me", "[creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life. According to the first site", "around breaking the fourth wall: [Can a writer joke with the reader without", "should be possible to break the forth wall on my own experience here.", "contradiction in terms somehow. So my question is: what techniques could I use", "I mean, imagine that this universe is just a kind of play that", "ability to be aware that one's Universe is fictional, and > potentially use", "wall on my own experience here. But I'm not entirely sure if I", "to act in otherwise impossible ways within their > fictional universe. > >", "myself that would enable me to effectively break the fourth wall and yet", "viable to its readers? Research: It's not at all relevant to my needs,", "to its readers? Research: It's not at all relevant to my needs, but", "writing a piece of creative non-fiction about myself that would enable me to", "higher dimension. If that were so, then it should be possible to break", "break the fourth wall and yet still make the piece viable to its", "my own life. According to the first site linked to above, fourth wall", "own life. According to the first site linked to above, fourth wall awareness", "to above, fourth wall awareness is: > > The ability to be aware", "wall awareness is: > > The ability to be aware that one's Universe", "the forth wall on my own experience here. But I'm not entirely sure", "it's pretty clear (mostly) that the events are set in 'reality', but what", "work. Perhaps I would just create a contradiction in terms somehow. So my", "relevant to my needs, but this question is a wonderful collection of thoughts", "what if they're not? I mean, imagine that this universe is just a", "readers? Research: It's not at all relevant to my needs, but this question", "yet still make the piece viable to its readers? Research: It's not at", "would enable me to effectively break the fourth wall and yet still make", "own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life. According", "use this to act in otherwise impossible ways within their > fictional universe.", "a kind of play that is being staged for the benefit of beings", "entirely sure if I can make this work. Perhaps I would just create", "terms somehow. So my question is: what techniques could I use when writing", "awareness is: > > The ability to be aware that one's Universe is", "mean, imagine that this universe is just a kind of play that is", "what techniques could I use when writing a piece of creative non-fiction about", "effectively break the fourth wall and yet still make the piece viable to", "aware that one's Universe is fictional, and > potentially use this to act", "thoughts around breaking the fourth wall: [Can a writer joke with the reader", "wonderful collection of thoughts around breaking the fourth wall: [Can a writer joke", "and > potentially use this to act in otherwise impossible ways within their", "the first site linked to above, fourth wall awareness is: > > The", "ways within their > fictional universe. > > > When I make myself", "so, then it should be possible to break the forth wall on my", "> When I make myself the focus of a piece of writing, it's", "it should be possible to break the forth wall on my own experience", "But I'm not entirely sure if I can make this work. Perhaps I", "in 'reality', but what if they're not? I mean, imagine that this universe", "I can make this work. Perhaps I would just create a contradiction in", "Deadpool 2 at the weekend and it got me thinking about [fourth wall", "I'm not entirely sure if I can make this work. Perhaps I would", "that's based on my own life. According to the first site linked to", "a contradiction in terms somehow. So my question is: what techniques could I", "somehow. So my question is: what techniques could I use when writing a", "its readers? Research: It's not at all relevant to my needs, but this", "to my needs, but this question is a wonderful collection of thoughts around", "wall: [Can a writer joke with the reader without breaking the fourth wall?](https://writing.stackexchange.com/questions/34918/can-a-writer-joke-with-the-reader-without-breaking-the-fourth-wall)", "enable me to effectively break the fourth wall and yet still make the", "in otherwise impossible ways within their > fictional universe. > > > When", "piece of writing, it's pretty clear (mostly) that the events are set in", "the piece viable to its readers? Research: It's not at all relevant to", "(mostly) that the events are set in 'reality', but what if they're not?", "> > When I make myself the focus of a piece of writing,", "to the first site linked to above, fourth wall awareness is: > >", "not? I mean, imagine that this universe is just a kind of play", "to effectively break the fourth wall and yet still make the piece viable", "> > The ability to be aware that one's Universe is fictional, and", "'reality', but what if they're not? I mean, imagine that this universe is", "It's not at all relevant to my needs, but this question is a", "piece of creative non-fiction about myself that would enable me to effectively break", "it got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically", "this universe is just a kind of play that is being staged for", "within their > fictional universe. > > > When I make myself the", "not entirely sure if I can make this work. Perhaps I would just", "make myself the focus of a piece of writing, it's pretty clear (mostly)", "question is: what techniques could I use when writing a piece of creative", "the focus of a piece of writing, it's pretty clear (mostly) that the", "piece viable to its readers? Research: It's not at all relevant to my", "were so, then it should be possible to break the forth wall on", "collection of thoughts around breaking the fourth wall: [Can a writer joke with", "but what if they're not? I mean, imagine that this universe is just", "the weekend and it got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my", "clear (mostly) that the events are set in 'reality', but what if they're", "above, fourth wall awareness is: > > The ability to be aware that", "imagine that this universe is just a kind of play that is being", "make this work. Perhaps I would just create a contradiction in terms somehow.", "linked to above, fourth wall awareness is: > > The ability to be", "a piece of writing, it's pretty clear (mostly) that the events are set", "and yet still make the piece viable to its readers? Research: It's not", "based on my own life. According to the first site linked to above,", "site linked to above, fourth wall awareness is: > > The ability to", "when writing a piece of creative non-fiction about myself that would enable me", "of writing, it's pretty clear (mostly) that the events are set in 'reality',", "that would enable me to effectively break the fourth wall and yet still", "here. But I'm not entirely sure if I can make this work. Perhaps", "sure if I can make this work. Perhaps I would just create a", "set in 'reality', but what if they're not? I mean, imagine that this", "the fourth wall: [Can a writer joke with the reader without breaking the", "staged for the benefit of beings from a higher dimension. If that were", "impossible ways within their > fictional universe. > > > When I make", "fourth wall and yet still make the piece viable to its readers? Research:", "wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on", "dimension. If that were so, then it should be possible to break the", "if they're not? I mean, imagine that this universe is just a kind", "for the benefit of beings from a higher dimension. If that were so,", "creative non-fiction about myself that would enable me to effectively break the fourth", "on my own life. According to the first site linked to above, fourth", "that were so, then it should be possible to break the forth wall", "> The ability to be aware that one's Universe is fictional, and >", "in my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own", "got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in", "techniques could I use when writing a piece of creative non-fiction about myself", "benefit of beings from a higher dimension. If that were so, then it", "wall and yet still make the piece viable to its readers? Research: It's", "universe is just a kind of play that is being staged for the", "one's Universe is fictional, and > potentially use this to act in otherwise", "the benefit of beings from a higher dimension. If that were so, then", "in terms somehow. So my question is: what techniques could I use when", "writing, it's pretty clear (mostly) that the events are set in 'reality', but", "question is a wonderful collection of thoughts around breaking the fourth wall: [Can", "their > fictional universe. > > > When I make myself the focus", "that is being staged for the benefit of beings from a higher dimension.", "2 at the weekend and it got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness)", "weekend and it got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own", "potentially use this to act in otherwise impossible ways within their > fictional", "play that is being staged for the benefit of beings from a higher", "not at all relevant to my needs, but this question is a wonderful", "if I can make this work. Perhaps I would just create a contradiction", "at the weekend and it got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in", "So my question is: what techniques could I use when writing a piece", "of thoughts around breaking the fourth wall: [Can a writer joke with the", "in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life. According to the first", "Perhaps I would just create a contradiction in terms somehow. So my question", "When I make myself the focus of a piece of writing, it's pretty", "forth wall on my own experience here. But I'm not entirely sure if", "to see Deadpool 2 at the weekend and it got me thinking about", "and it got me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing,", "The ability to be aware that one's Universe is fictional, and > potentially", "myself the focus of a piece of writing, it's pretty clear (mostly) that", "that this universe is just a kind of play that is being staged", "but this question is a wonderful collection of thoughts around breaking the fourth", "I make myself the focus of a piece of writing, it's pretty clear", "use when writing a piece of creative non-fiction about myself that would enable", "focus of a piece of writing, it's pretty clear (mostly) that the events", "> > > When I make myself the focus of a piece of", "of a piece of writing, it's pretty clear (mostly) that the events are", "> potentially use this to act in otherwise impossible ways within their >", "this question is a wonderful collection of thoughts around breaking the fourth wall:", "pretty clear (mostly) that the events are set in 'reality', but what if", "to break the forth wall on my own experience here. But I'm not", "is: > > The ability to be aware that one's Universe is fictional,", "Research: It's not at all relevant to my needs, but this question is", "a piece of creative non-fiction about myself that would enable me to effectively", "is fictional, and > potentially use this to act in otherwise impossible ways", "from a higher dimension. If that were so, then it should be possible", "awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my", "on my own experience here. But I'm not entirely sure if I can", "just a kind of play that is being staged for the benefit of", "my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life.", "the events are set in 'reality', but what if they're not? I mean,", "a higher dimension. If that were so, then it should be possible to", "my own experience here. But I'm not entirely sure if I can make", "of play that is being staged for the benefit of beings from a", "they're not? I mean, imagine that this universe is just a kind of", "the fourth wall and yet still make the piece viable to its readers?", "about myself that would enable me to effectively break the fourth wall and", "experience here. But I'm not entirely sure if I can make this work.", "events are set in 'reality', but what if they're not? I mean, imagine", "Universe is fictional, and > potentially use this to act in otherwise impossible", "beings from a higher dimension. If that were so, then it should be", "this to act in otherwise impossible ways within their > fictional universe. >", "create a contradiction in terms somehow. So my question is: what techniques could", "my question is: what techniques could I use when writing a piece of", "breaking the fourth wall: [Can a writer joke with the reader without breaking", "writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life. According to", "being staged for the benefit of beings from a higher dimension. If that", "about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's", "went to see Deadpool 2 at the weekend and it got me thinking", "that one's Universe is fictional, and > potentially use this to act in", "is a wonderful collection of thoughts around breaking the fourth wall: [Can a", "kind of play that is being staged for the benefit of beings from", "see Deadpool 2 at the weekend and it got me thinking about [fourth", "needs, but this question is a wonderful collection of thoughts around breaking the", "fictional, and > potentially use this to act in otherwise impossible ways within", "[fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based", "specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life. According to the", "life. According to the first site linked to above, fourth wall awareness is:", "are set in 'reality', but what if they're not? I mean, imagine that", "non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction) that's based on my own life. According to the first site linked", "> fictional universe. > > > When I make myself the focus of", "own experience here. But I'm not entirely sure if I can make this", "could I use when writing a piece of creative non-fiction about myself that", "make the piece viable to its readers? Research: It's not at all relevant", "can make this work. Perhaps I would just create a contradiction in terms", "fourth wall awareness is: > > The ability to be aware that one's", "me thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in [creative", "act in otherwise impossible ways within their > fictional universe. > > >", "If that were so, then it should be possible to break the forth", "this work. Perhaps I would just create a contradiction in terms somehow. So", "of beings from a higher dimension. If that were so, then it should", "my needs, but this question is a wonderful collection of thoughts around breaking", "first site linked to above, fourth wall awareness is: > > The ability", "non-fiction about myself that would enable me to effectively break the fourth wall", "is: what techniques could I use when writing a piece of creative non-fiction", "I would just create a contradiction in terms somehow. So my question is:", "at all relevant to my needs, but this question is a wonderful collection", "thinking about [fourth wall awareness](http://powerlisting.wikia.com/wiki/4th_Wall_Awareness) in my own writing, specifically in [creative non-fiction](https://en.wikipedia.org/wiki/Creative_nonfiction)", "then it should be possible to break the forth wall on my own", "possible to break the forth wall on my own experience here. But I'm", "a wonderful collection of thoughts around breaking the fourth wall: [Can a writer", "me to effectively break the fourth wall and yet still make the piece", "all relevant to my needs, but this question is a wonderful collection of", "According to the first site linked to above, fourth wall awareness is: >", "fictional universe. > > > When I make myself the focus of a", "otherwise impossible ways within their > fictional universe. > > > When I", "be aware that one's Universe is fictional, and > potentially use this to" ]
[ "is a Texas-based band that seems to be mostly concentrated in the Southern", "located in the US, and the band in question is a Texas-based band", "still use the name without fear of being sued? I am located in", "with the same name (not a very well-known band). Could I still use", "and called it Enceladus, only to discover that there is already a real", "a real band with the same name (not a very well-known band). Could", "I am located in the US, and the band in question is a", "Enceladus, only to discover that there is already a real band with the", "(not a very well-known band). Could I still use the name without fear", "in the US, and the band in question is a Texas-based band that", "for a story and called it Enceladus, only to discover that there is", "Could I still use the name without fear of being sued? I am", "I still use the name without fear of being sued? I am located", "sued? I am located in the US, and the band in question is", "US, and the band in question is a Texas-based band that seems to", "called it Enceladus, only to discover that there is already a real band", "is already a real band with the same name (not a very well-known", "story and called it Enceladus, only to discover that there is already a", "that there is already a real band with the same name (not a", "fear of being sued? I am located in the US, and the band", "fictional band for a story and called it Enceladus, only to discover that", "and the band in question is a Texas-based band that seems to be", "a story and called it Enceladus, only to discover that there is already", "already a real band with the same name (not a very well-known band).", "real band with the same name (not a very well-known band). Could I", "I made up a fictional band for a story and called it Enceladus,", "same name (not a very well-known band). Could I still use the name", "name (not a very well-known band). Could I still use the name without", "the name without fear of being sued? I am located in the US,", "discover that there is already a real band with the same name (not", "the band in question is a Texas-based band that seems to be mostly", "to discover that there is already a real band with the same name", "up a fictional band for a story and called it Enceladus, only to", "there is already a real band with the same name (not a very", "well-known band). Could I still use the name without fear of being sued?", "band with the same name (not a very well-known band). Could I still", "a very well-known band). Could I still use the name without fear of", "very well-known band). Could I still use the name without fear of being", "band in question is a Texas-based band that seems to be mostly concentrated", "band for a story and called it Enceladus, only to discover that there", "name without fear of being sued? I am located in the US, and", "the US, and the band in question is a Texas-based band that seems", "in question is a Texas-based band that seems to be mostly concentrated in", "am located in the US, and the band in question is a Texas-based", "only to discover that there is already a real band with the same", "without fear of being sued? I am located in the US, and the", "of being sued? I am located in the US, and the band in", "made up a fictional band for a story and called it Enceladus, only", "question is a Texas-based band that seems to be mostly concentrated in the", "band). Could I still use the name without fear of being sued? I", "the same name (not a very well-known band). Could I still use the", "use the name without fear of being sued? I am located in the", "being sued? I am located in the US, and the band in question", "a fictional band for a story and called it Enceladus, only to discover", "it Enceladus, only to discover that there is already a real band with", "a Texas-based band that seems to be mostly concentrated in the Southern US." ]
[ "it takes* to be a beta reader but they lack the social connections", "one on how writers can find beta readers. How does it work from", "any best practices for getting \"spotted\" as an up-and-coming beta reader? * Should", "have several questions on beta readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can", "If you want to beta-read children's books, you need to be a licensed", "beta readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find beta readers. How", "don't have any letters at the end of their name, etc.) to get", "be overcome?* Are there any best practices for getting \"spotted\" as an up-and-coming", "Is there a formal qualification to earn that signals to writers that one", "with an aspiring writer? This is not intended to be a primarily opinion-based", "readers. How does it work from the other side? How can a non-beta", "opportunity, how, generally, can that be overcome? Are there any best practices for", "is essentially impossible to become a beta reader of one's own initiative (e.g.", "there organizations that one can apply to to be matched with an aspiring", "name, etc.) to get that first beta reading opportunity, how, generally, can that", "is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already a beta reader", "there any best practices for getting \"spotted\" as an up-and-coming beta reader? ", "How does it work from the other side? How can a non-beta reader", "recognition as such as a necessary prerequisite to qualifying as a beta reader,", "is not one's goal or interest? * Is there a formal qualification to", "one become a writer and gain recognition as such as a necessary prerequisite", "organizations that one can apply to to be matched with an aspiring writer?", "can find beta readers. How does it work from the other side? How", "generally, can that be overcome?* Are there any best practices for getting \"spotted\"", "Mystery Literature with a score of at least 80%. If you want to", "interested in mystery, you need to pass the National Advanced Examination in Mystery", "readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find beta readers. How does", "around writers' groups, and, when asked, say that one is there to become", "a beta reader? * Should one become a writer and gain recognition as", "non-beta reader make the \"jump\" and start beta reading? There is a question", "beta-reading experience are typically only given out to people who find themselves in", "to be a primarily opinion-based question, at least not any more than the", "and identifying how to locate the right place and identify the right time", "be a beta reader but they lack the social connections (e.g. they are", "best practice differs by genre, that's also an answer. E.g., \"If you want", "beta reading skills, but that's a different kind of opposite to my question.", "here already about finding beta readers. I'm asking about best practices, or typical", "identifying how to locate the right place and identify the right time is", "differs by genre, that's also an answer. E.g., \"If you want to beta", "side? How can a non-beta reader make the \"jump\" and start beta reading?", "start beta reading (e.g. a degree, diploma, certification, high score on a literacy", "Advanced Examination in Mystery Literature with a score of at least 80%. If", "as an up-and-coming beta reader? * Should one attempt to join and lurk", "already a beta reader can improve their beta reading skills, but that's a", "you want to read SFF, call this other number. If you are primarily", "pass the National Advanced Examination in Mystery Literature with a score of at", "have provable experience, don't have any letters at the end of their name,", "Should one become a writer and gain recognition as such as a necessary", "essentially impossible), that's an answer. If the best practice differs by genre, that's", "their name, etc.) to get that first beta reading opportunity, how, generally, can", "but they lack the social connections (e.g. they are unknown to writers, don't", "by genre, that's also an answer. E.g., \"If you want to beta read", "to locate the right place and identify the right time is essentially impossible),", "degree, diploma, certification, high score on a literacy test, etc.)? Are there", "that one is there to become a beta reader? * Should one become", "to become a beta reader of one's own initiative (e.g. if initial beta", "This is not intended to be a primarily opinion-based question, at least not", "writers that one is ready to start beta reading (e.g. a degree, diploma,", "National Advanced Examination in Mystery Literature with a score of at least 80%.", "a beta reader can improve their beta reading skills, but that's a different", "not exist. If it is essentially impossible to become a beta reader of", "intended to be a primarily opinion-based question, at least not any more than", "place and identify the right time is essentially impossible), that's an answer. If", "If a person more-or-less already has what it takes* to be a beta", "to earn that signals to writers that one is ready to start beta", "\"If you want to beta read romance, call this number for placement. If", "place at the right time, and identifying how to locate the right place", "the National Advanced Examination in Mystery Literature with a score of at least", "is not intended to be a primarily opinion-based question, at least not any", "lurk around writers' groups, and, when asked, say that one is there to", "in mystery, you need to pass the National Advanced Examination in Mystery Literature", "a non-beta reader make the \"jump\" and start beta reading? There is a", "of at least 80%. If you want to beta-read children's books, you need", "question, at least not any more than the questions we have here already", "best practices do not exist. If it is essentially impossible to become a", "for readers with no beta-reading experience are typically only given out to people", "on beta readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find beta readers.", "say that one is there to become a beta reader? * Should one", "[this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find beta readers. How does it work", "to be a beta reader but they lack the social connections (e.g. they", "to pass the National Advanced Examination in Mystery Literature with a score of", "if best practices do not exist. If it is essentially impossible to become", "call this other number. If you are primarily interested in mystery, you need", "a primarily opinion-based question, at least not any more than the questions we", "it work from the other side? How can a non-beta reader make the", "answer. If the best practice differs by genre, that's also an answer. E.g.,", "answer. E.g., \"If you want to beta read romance, call this number for", "or interest? * Is there a formal qualification to earn that signals to", "the social connections (e.g. they are unknown to writers, don't have provable experience,", "one's goal or interest? * Is there a formal qualification to earn that", "do not exist. If it is essentially impossible to become a beta reader", "get that first beta reading opportunity, how, generally, can that be overcome? Are", "that be overcome?* Are there any best practices for getting \"spotted\" as an", "identify the right time is essentially impossible), that's an answer. If the best", "reading opportunities for readers with no beta-reading experience are typically only given out", "letters at the end of their name, etc.) to get that first beta", "writer? This is not intended to be a primarily opinion-based question, at least", "gain recognition as such as a necessary prerequisite to qualifying as a beta", "work from the other side? How can a non-beta reader make the \"jump\"", "E.g., \"If you want to beta read romance, call this number for placement.", "\"spotted\" as an up-and-coming beta reader? * Should one attempt to join and", "own initiative (e.g. if initial beta reading opportunities for readers with no beta-reading", "Are there any best practices for getting \"spotted\" as an up-and-coming beta reader?", "writers can find beta readers. How does it work from the other side?", "mystery, you need to pass the National Advanced Examination in Mystery Literature with", "writing is not one's goal or interest? * Is there a formal qualification", "want to beta-read children's books, you need to be a licensed public school", "romance, call this number for placement. If you want to read SFF, call", "* Should one become a writer and gain recognition as such as a", "how writers can find beta readers. How does it work from the other", "a different kind of opposite to my question. If a person more-or-less already", "even if writing is not one's goal or interest? Is there a", "who is already a beta reader can improve their beta reading skills, but", "you want to beta-read children's books, you need to be a licensed public", "readers with no beta-reading experience are typically only given out to people who", "asked, say that one is there to become a beta reader? * Should", "question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already a beta reader can improve", "a person more-or-less already has what it takes to be a beta reader", "to read SFF, call this other number. If you are primarily interested in", "the other side? How can a non-beta reader make the \"jump\" and start", "question. If a person more-or-less already has what it takes to be a", "to my question. If a person more-or-less already has what it takes to", "is there to become a beta reader? * Should one become a writer", "to be a licensed public school teacher, school librarian, pediatrician, or child psychologist.\"", "reader make the \"jump\" and start beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings)", "have here already about finding beta readers. I'm asking about best practices, or", "If the best practice differs by genre, that's also an answer. E.g., \"If", "If you want to read SFF, call this other number. If you are", "of opposite to my question. If a person more-or-less already has what it", "score on a literacy test, etc.)? Are there organizations that one can", "improve their beta reading skills, but that's a different kind of opposite to", "or typical practices if best practices do not exist. If it is essentially", "beta readers. How does it work from the other side? How can a", "reading opportunity, how, generally, can that be overcome? Are there any best practices", "we have here already about finding beta readers. I'm asking about best practices,", "any letters at the end of their name, etc.) to get that first", "Should one attempt to join and lurk around writers' groups, and, when asked,", "are typically only given out to people who find themselves in the right", "children's books, you need to be a licensed public school teacher, school librarian,", "can apply to to be matched with an aspiring writer? This is not", "an aspiring writer? This is not intended to be a primarily opinion-based question,", "questions on beta readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find beta", "beta reading (e.g. a degree, diploma, certification, high score on a literacy test,", "need to be a licensed public school teacher, school librarian, pediatrician, or child", "certification, high score on a literacy test, etc.)? * Are there organizations that", "beta reader? * Should one attempt to join and lurk around writers' groups,", "(e.g. a degree, diploma, certification, high score on a literacy test, etc.)? ", "reader of one's own initiative (e.g. if initial beta reading opportunities for readers", "typically only given out to people who find themselves in the right place", "don't have provable experience, don't have any letters at the end of their", "diploma, certification, high score on a literacy test, etc.)? Are there organizations", "formal qualification to earn that signals to writers that one is ready to", "matched with an aspiring writer? This is not intended to be a primarily", "least 80%. If you want to beta-read children's books, you need to be", "about finding beta readers. I'm asking about best practices, or typical practices if", "beta reader can improve their beta reading skills, but that's a different kind", "read romance, call this number for placement. If you want to read SFF,", "given out to people who find themselves in the right place at the", "etc.)? * Are there organizations that one can apply to to be matched", "can improve their beta reading skills, but that's a different kind of opposite", "who find themselves in the right place at the right time, and identifying", "asking about best practices, or typical practices if best practices do not exist.", "to people who find themselves in the right place at the right time,", "be matched with an aspiring writer? This is not intended to be a", "can that be overcome?* Are there any best practices for getting \"spotted\" as", "one can apply to to be matched with an aspiring writer? This is", "that's a different kind of opposite to my question. If a person more-or-less", "a necessary prerequisite to qualifying as a beta reader, even if writing is", "unknown to writers, don't have provable experience, don't have any letters at the", "a beta reader, even if writing is not one's goal or interest? ", "you are primarily interested in mystery, you need to pass the National Advanced", "on a literacy test, etc.)? Are there organizations that one can apply", "right place at the right time, and identifying how to locate the right", "an up-and-coming beta reader? * Should one attempt to join and lurk around", "first beta reading opportunity, how, generally, can that be overcome? Are there any", "a formal qualification to earn that signals to writers that one is ready", "read SFF, call this other number. If you are primarily interested in mystery,", "but that's a different kind of opposite to my question. If a person", "prerequisite to qualifying as a beta reader, even if writing is not one's", "to to be matched with an aspiring writer? This is not intended to", "SFF, call this other number. If you are primarily interested in mystery, you", "and start beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who", "initial beta reading opportunities for readers with no beta-reading experience are typically only", "not one's goal or interest? * Is there a formal qualification to earn", "someone who is already a beta reader can improve their beta reading skills,", "when asked, say that one is there to become a beta reader? ", "We have several questions on beta readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers", "experience are typically only given out to people who find themselves in the", "at least 80%. If you want to beta-read children's books, you need to", "takes to be a beta reader but they lack the social connections (e.g.", "beta read romance, call this number for placement. If you want to read", "kind of opposite to my question. If a person more-or-less already has what", "the right time, and identifying how to locate the right place and identify", "ready to start beta reading (e.g. a degree, diploma, certification, high score on", "already about finding* beta readers. I'm asking about best practices, or typical practices", "practice differs by genre, that's also an answer. E.g., \"If you want to", "beta-read children's books, you need to be a licensed public school teacher, school", "a beta reader but they lack the social connections (e.g. they are unknown", "best practices for getting \"spotted\" as an up-and-coming beta reader? * Should one", "what it takes* to be a beta reader but they lack the social", "Examination in Mystery Literature with a score of at least 80%. If you", "overcome?* Are there any best practices for getting \"spotted\" as an up-and-coming beta", "If you are primarily interested in mystery, you need to pass the National", "in the right place at the right time, and identifying how to locate", "skills, but that's a different kind of opposite to my question. If a", "such as a necessary prerequisite to qualifying as a beta reader, even if", "their beta reading skills, but that's a different kind of opposite to my", "reading (e.g. a degree, diploma, certification, high score on a literacy test, etc.)?", "as a necessary prerequisite to qualifying as a beta reader, even if writing", "are unknown to writers, don't have provable experience, don't have any letters at", "does it work from the other side? How can a non-beta reader make", "aspiring writer? This is not intended to be a primarily opinion-based question, at", "find beta readers. How does it work from the other side? How can", "to writers that one is ready to start beta reading (e.g. a degree,", "beta reader of one's own initiative (e.g. if initial beta reading opportunities for", "a beta reader of one's own initiative (e.g. if initial beta reading opportunities", "that's also an answer. E.g., \"If you want to beta read romance, call", "a writer* and gain recognition as such as a necessary prerequisite to qualifying", "beta reader but they lack the social connections (e.g. they are unknown to", "how someone who is already a beta reader can improve their beta reading", "with no beta-reading experience are typically only given out to people who find", "than the questions we have here already about finding beta readers. I'm asking", "and identify the right time is essentially impossible), that's an answer. If the", "the questions we have here already about finding beta readers. I'm asking about", "the best practice differs by genre, that's also an answer. E.g., \"If you", "end of their name, etc.) to get that first beta reading opportunity, how,", "score of at least 80%. If you want to beta-read children's books, you", "need to pass the National Advanced Examination in Mystery Literature with a score", "only given out to people who find themselves in the right place at", "you want to beta read romance, call this number for placement. If you", "practices, or typical practices if best practices do not exist. If it is", "[here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already a beta reader can improve their", "as such as a necessary prerequisite to qualifying as a beta reader, even", "If it is essentially impossible to become a beta reader of one's own", "is essentially impossible), that's an answer. If the best practice differs by genre,", "one is ready to start beta reading (e.g. a degree, diploma, certification, high", "how, generally, can that be overcome?* Are there any best practices for getting", "as a beta reader, even if writing is not one's goal or interest?", "person more-or-less already has what it takes to be a beta reader but", "reader? * Should one become a writer and gain recognition as such as", "become a writer and gain recognition as such as a necessary prerequisite to", "and lurk around writers' groups, and, when asked, say that one is there", "at least not any more than the questions we have here already about", "opinion-based question, at least not any more than the questions we have here", "a literacy test, etc.)? * Are there organizations that one can apply to", "goal or interest? * Is there a formal qualification to earn that signals", "necessary prerequisite to qualifying as a beta reader, even if writing is not", "including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find beta readers. How does it", "literacy test, etc.)? * Are there organizations that one can apply to to", "number. If you are primarily interested in mystery, you need to pass the", "for placement. If you want to read SFF, call this other number. If", "number for placement. If you want to read SFF, call this other number.", "to become a beta reader? * Should one become a writer and gain", "locate the right place and identify the right time is essentially impossible), that's", "there to become a beta reader? * Should one become a writer and", "can a non-beta reader make the \"jump\" and start beta reading? There is", "lack the social connections (e.g. they are unknown to writers, don't have provable", "about best practices, or typical practices if best practices do not exist. If", "\"jump\" and start beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone", "* Are there organizations that one can apply to to be matched with", "that first beta reading opportunity, how, generally, can that be overcome? Are there", "the end of their name, etc.) to get that first beta reading opportunity,", "that one can apply to to be matched with an aspiring writer? This", "that's an answer. If the best practice differs by genre, that's also an", "an answer. E.g., \"If you want to beta read romance, call this number", "placement. If you want to read SFF, call this other number. If you", "social connections (e.g. they are unknown to writers, don't have provable experience, don't", "provable experience, don't have any letters at the end of their name, etc.)", "genre, that's also an answer. E.g., \"If you want to beta read romance,", "80%. If you want to beta-read children's books, you need to be a", "beta readers. I'm asking about best practices, or typical practices if best practices", "of their name, etc.) to get that first beta reading opportunity, how, generally,", "at the right time, and identifying how to locate the right place and", "have any letters at the end of their name, etc.) to get that", "essentially impossible to become a beta reader of one's own initiative (e.g. if", "questions we have here already about finding* beta readers. I'm asking about best", "exist. If it is essentially impossible to become a beta reader of one's", "writer* and gain recognition as such as a necessary prerequisite to qualifying as", "from the other side? How can a non-beta reader make the \"jump\" and", "readers. I'm asking about best practices, or typical practices if best practices do", "beta reader? * Should one become a writer and gain recognition as such", "reader, even if writing is not one's goal or interest? * Is there", "on how someone who is already a beta reader can improve their beta", "to be matched with an aspiring writer? This is not intended to be", "to beta-read children's books, you need to be a licensed public school teacher,", "reader? * Should one attempt to join and lurk around writers' groups, and,", "has what it takes* to be a beta reader but they lack the", "the \"jump\" and start beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how", "books, you need to be a licensed public school teacher, school librarian, pediatrician,", "to qualifying as a beta reader, even if writing is not one's goal", "people who find themselves in the right place at the right time, and", "right time, and identifying how to locate the right place and identify the", "* Is there a formal qualification to earn that signals to writers that", "is ready to start beta reading (e.g. a degree, diploma, certification, high score", "that signals to writers that one is ready to start beta reading (e.g.", "experience, don't have any letters at the end of their name, etc.) to", "time is essentially impossible), that's an answer. If the best practice differs by", "and gain recognition as such as a necessary prerequisite to qualifying as a", "find themselves in the right place at the right time, and identifying how", "up-and-coming beta reader? * Should one attempt to join and lurk around writers'", "you need to be a licensed public school teacher, school librarian, pediatrician, or", "to get that first beta reading opportunity, how, generally, can that be overcome?", "different kind of opposite to my question. If a person more-or-less already has", "that one is ready to start beta reading (e.g. a degree, diploma, certification,", "practices for getting \"spotted\" as an up-and-coming beta reader? Should one attempt", "writers' groups, and, when asked, say that one is there to become a", "typical practices if best practices do not exist. If it is essentially impossible", "reader can improve their beta reading skills, but that's a different kind of", "of one's own initiative (e.g. if initial beta reading opportunities for readers with", "several questions on beta readers, including [this](https://writing.stackexchange.com/questions/1529/where-is-a-good-place-to-find-beta-readers) one on how writers can find", "practices do not exist. If it is essentially impossible to become a beta", "you need to pass the National Advanced Examination in Mystery Literature with a", "Are there organizations that one can apply to to be matched with an", "one's own initiative (e.g. if initial beta reading opportunities for readers with no", "opposite to my question. If a person more-or-less already has what it takes", "join and lurk around writers' groups, and, when asked, say that one is", "other number. If you are primarily interested in mystery, you need to pass", "connections (e.g. they are unknown to writers, don't have provable experience, don't have", "already has what it takes to be a beta reader but they lack", "is already a beta reader can improve their beta reading skills, but that's", "Literature with a score of at least 80%. If you want to beta-read", "become a beta reader? * Should one become a writer and gain recognition", "they lack the social connections (e.g. they are unknown to writers, don't have", "beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already", "reader but they lack the social connections (e.g. they are unknown to writers,", "and, when asked, say that one is there to become a beta reader?", "test, etc.)? * Are there organizations that one can apply to to be", "initiative (e.g. if initial beta reading opportunities for readers with no beta-reading experience", "not intended to be a primarily opinion-based question, at least not any more", "I'm asking about best practices, or typical practices if best practices do not", "to beta read romance, call this number for placement. If you want to", "an answer. If the best practice differs by genre, that's also an answer.", "primarily interested in mystery, you need to pass the National Advanced Examination in", "getting \"spotted\" as an up-and-coming beta reader? * Should one attempt to join", "start beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is", "more than the questions we have here already about finding beta readers. I'm", "a degree, diploma, certification, high score on a literacy test, etc.)? * Are", "there a formal qualification to earn that signals to writers that one is", "a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already a beta reader can", "beta reading opportunity, how, generally, can that be overcome? Are there any best", "How can a non-beta reader make the \"jump\" and start beta reading? There", "a score of at least 80%. If you want to beta-read children's books,", "writers, don't have provable experience, don't have any letters at the end of", "least not any more than the questions we have here already about finding", "this number for placement. If you want to read SFF, call this other", "on how writers can find beta readers. How does it work from the", "no beta-reading experience are typically only given out to people who find themselves", "one attempt to join and lurk around writers' groups, and, when asked, say", "right time is essentially impossible), that's an answer. If the best practice differs", "opportunities for readers with no beta-reading experience are typically only given out to", "out to people who find themselves in the right place at the right", "reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already a", "impossible), that's an answer. If the best practice differs by genre, that's also", "to writers, don't have provable experience, don't have any letters at the end", "right place and identify the right time is essentially impossible), that's an answer.", "if writing is not one's goal or interest? * Is there a formal", "impossible to become a beta reader of one's own initiative (e.g. if initial", "with a score of at least 80%. If you want to beta-read children's", "other side? How can a non-beta reader make the \"jump\" and start beta", "my question. If a person more-or-less already has what it takes to be", "become a beta reader of one's own initiative (e.g. if initial beta reading", "the right place at the right time, and identifying how to locate the", "if initial beta reading opportunities for readers with no beta-reading experience are typically", "also an answer. E.g., \"If you want to beta read romance, call this", "interest? * Is there a formal qualification to earn that signals to writers", "beta reader, even if writing is not one's goal or interest? * Is", "are primarily interested in mystery, you need to pass the National Advanced Examination", "not any more than the questions we have here already about finding beta", "time, and identifying how to locate the right place and identify the right", "finding beta readers. I'm asking about best practices, or typical practices if best", "There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on how someone who is already a beta", "make the \"jump\" and start beta reading? There is a question [here](https://writing.stackexchange.com/questions/6533/can-i-improve-my-beta-reading-skills-to-aid-a-close-persons-writings) on", "to start beta reading (e.g. a degree, diploma, certification, high score on a", "it is essentially impossible to become a beta reader of one's own initiative", "in Mystery Literature with a score of at least 80%. If you want", "the right place and identify the right time is essentially impossible), that's an", "(e.g. if initial beta reading opportunities for readers with no beta-reading experience are", "qualification to earn that signals to writers that one is ready to start", "be a primarily opinion-based question, at least not any more than the questions", "to join and lurk around writers' groups, and, when asked, say that one", "* Should one attempt to join and lurk around writers' groups, and, when", "reading skills, but that's a different kind of opposite to my question. If", "more-or-less already has what it takes to be a beta reader but they", "earn that signals to writers that one is ready to start beta reading", "etc.) to get that first beta reading opportunity, how, generally, can that be", "primarily opinion-based question, at least not any more than the questions we have", "attempt to join and lurk around writers' groups, and, when asked, say that", "themselves in the right place at the right time, and identifying how to", "one is there to become a beta reader? Should one become a", "practices if best practices do not exist. If it is essentially impossible to", "apply to to be matched with an aspiring writer? This is not intended", "at the end of their name, etc.) to get that first beta reading", "beta reading opportunities for readers with no beta-reading experience are typically only given", "call this number for placement. If you want to read SFF, call this", "any more than the questions we have here already about finding* beta readers.", "they are unknown to writers, don't have provable experience, don't have any letters", "want to beta read romance, call this number for placement. If you want", "for getting \"spotted\" as an up-and-coming beta reader? * Should one attempt to", "high score on a literacy test, etc.)? * Are there organizations that one", "want to read SFF, call this other number. If you are primarily interested", "best practices, or typical practices if best practices do not exist. If it", "signals to writers that one is ready to start beta reading (e.g. a", "qualifying as a beta reader, even if writing is not one's goal or", "how to locate the right place and identify the right time is essentially", "the right time is essentially impossible), that's an answer. If the best practice", "this other number. If you are primarily interested in mystery, you need to", "groups, and, when asked, say that one is there to become a beta", "(e.g. they are unknown to writers, don't have provable experience, don't have any" ]
[ "say you're writing a story about magic. Does it have to be based", "have to be based on real facts and real magic or can you", "make up everything and it doesn't have to be based on real facts?", "real facts and real magic or can you just make up everything and", "or can you just make up everything and it doesn't have to be", "and real magic or can you just make up everything and it doesn't", "based on real facts and real magic or can you just make up", "a story about magic. Does it have to be based on real facts", "be based on real facts and real magic or can you just make", "to be based on real facts and real magic or can you just", "facts and real magic or can you just make up everything and it", "can you just make up everything and it doesn't have to be based", "you just make up everything and it doesn't have to be based on", "just make up everything and it doesn't have to be based on real", "on real facts and real magic or can you just make up everything", "about magic. Does it have to be based on real facts and real", "real magic or can you just make up everything and it doesn't have", "you're writing a story about magic. Does it have to be based on", "magic or can you just make up everything and it doesn't have to", "magic. Does it have to be based on real facts and real magic", "writing a story about magic. Does it have to be based on real", "Does it have to be based on real facts and real magic or", "story about magic. Does it have to be based on real facts and", "Let's say you're writing a story about magic. Does it have to be", "it have to be based on real facts and real magic or can" ]
[ "been some good questions about writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) /", "supposition that all plots, themes and genres have been thoroughly explored, and I", "been thoroughly explored, and I arrive at the conclusion that no-one need write", "is: your personal opinions aside, what facts, references, or specific expertise can you", "for a long, long time. In the face of this logic and the", "than one person could possibly read in a lifetime. Add to this the", "a long, long time. In the face of this logic and the gathering", "counter the idea that it's all been done so many times before and", "are others that feel this way too. My question is: your personal opinions", "and I arrive at the conclusion that no-one need write anything 'new' for", "with a blank screen or a stalled project, not (as I'm interested in):", "screen or a stalled project, not (as I'm interested in): what gets us", "fiction is a pointless exercise? --- Research: There have been some good questions", "of printed matter, I feel like collecting a huge pile of my favourite", "others that feel this way too. My question is: your personal opinions aside,", "writing fiction is a pointless exercise? --- Research: There have been some good", "in existence now than one person could possibly read in a lifetime. Add", "the gathering ocean of printed matter, I feel like collecting a huge pile", "the face of this logic and the gathering ocean of printed matter, I", "matter, I feel like collecting a huge pile of my favourite tomes, finding", "--- Research: There have been some good questions about writer's block ([Help! I've", "questions about writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the", "continue writing fiction is a pointless exercise? --- Research: There have been some", "long time. In the face of this logic and the gathering ocean of", "confronted with a blank screen or a stalled project, not (as I'm interested", "could possibly read in a lifetime. Add to this the supposition that all", "that to continue writing fiction is a pointless exercise? --- Research: There have", "simple fact the there are more fiction books in existence now than one", "one person could possibly read in a lifetime. Add to this the supposition", "I arrive at the conclusion that no-one need write anything 'new' for a", "/ [What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I", "favourite tomes, finding somewhere cosy, and just curling up to read them. Maybe", "just curling up to read them. Maybe there are others that feel this", "thoroughly explored, and I arrive at the conclusion that no-one need write anything", "logic and the gathering ocean of printed matter, I feel like collecting a", "feel this way too. My question is: your personal opinions aside, what facts,", "cosy, and just curling up to read them. Maybe there are others that", "in): what gets us in front of the screen in the first place.", "personal opinions aside, what facts, references, or specific expertise can you offer to", "idea that it's all been done so many times before and that to", "that no-one need write anything 'new' for a long, long time. In the", "curling up to read them. Maybe there are others that feel this way", "the idea that it's all been done so many times before and that", "pointless exercise? --- Research: There have been some good questions about writer's block", "face of this logic and the gathering ocean of printed matter, I feel", "a lifetime. Add to this the supposition that all plots, themes and genres", "too. My question is: your personal opinions aside, what facts, references, or specific", "explored, and I arrive at the conclusion that no-one need write anything 'new'", "and genres have been thoroughly explored, and I arrive at the conclusion that", "([How can I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them", "or a stalled project, not (as I'm interested in): what gets us in", "that feel this way too. My question is: your personal opinions aside, what", "there are others that feel this way too. My question is: your personal", "are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get into", "read them. Maybe there are others that feel this way too. My question", "up to read them. Maybe there are others that feel this way too.", "specific expertise can you offer to counter the idea that it's all been", "the supposition that all plots, themes and genres have been thoroughly explored, and", "a blank screen or a stalled project, not (as I'm interested in): what", "expertise can you offer to counter the idea that it's all been done", "you offer to counter the idea that it's all been done so many", "offer to counter the idea that it's all been done so many times", "question is: your personal opinions aside, what facts, references, or specific expertise can", "and that to continue writing fiction is a pointless exercise? --- Research: There", "all been done so many times before and that to continue writing fiction", "blank screen or a stalled project, not (as I'm interested in): what gets", "interested in): what gets us in front of the screen in the first", "the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get into the", "them focus on what to do when we're confronted with a blank screen", "books in existence now than one person could possibly read in a lifetime.", "feel like collecting a huge pile of my favourite tomes, finding somewhere cosy,", "motivation ([How can I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of", "there are more fiction books in existence now than one person could possibly", "the there are more fiction books in existence now than one person could", "or specific expertise can you offer to counter the idea that it's all", "all plots, themes and genres have been thoroughly explored, and I arrive at", "before and that to continue writing fiction is a pointless exercise? --- Research:", "a stalled project, not (as I'm interested in): what gets us in front", "no-one need write anything 'new' for a long, long time. In the face", "now than one person could possibly read in a lifetime. Add to this", "possibly read in a lifetime. Add to this the supposition that all plots,", "more fiction books in existence now than one person could possibly read in", "a simple fact the there are more fiction books in existence now than", "finding somewhere cosy, and just curling up to read them. Maybe there are", "are more fiction books in existence now than one person could possibly read", "arrive at the conclusion that no-one need write anything 'new' for a long,", "at the conclusion that no-one need write anything 'new' for a long, long", "this the supposition that all plots, themes and genres have been thoroughly explored,", "good questions about writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are", "is a pointless exercise? --- Research: There have been some good questions about", "mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on what to do when", "plots, themes and genres have been thoroughly explored, and I arrive at the", "Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)),", "exercise? --- Research: There have been some good questions about writer's block ([Help!", "([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1))", "not (as I'm interested in): what gets us in front of the screen", "to this the supposition that all plots, themes and genres have been thoroughly", "aside, what facts, references, or specific expertise can you offer to counter the", "fiction books in existence now than one person could possibly read in a", "gathering ocean of printed matter, I feel like collecting a huge pile of", "themes and genres have been thoroughly explored, and I arrive at the conclusion", "the conclusion that no-one need write anything 'new' for a long, long time.", "anything 'new' for a long, long time. In the face of this logic", "that it's all been done so many times before and that to continue", "I'm interested in): what gets us in front of the screen in the", "Maybe there are others that feel this way too. My question is: your", "genres have been thoroughly explored, and I arrive at the conclusion that no-one", "way too. My question is: your personal opinions aside, what facts, references, or", "so many times before and that to continue writing fiction is a pointless", "but most of them focus on what to do when we're confronted with", "about writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons", "in a lifetime. Add to this the supposition that all plots, themes and", "my favourite tomes, finding somewhere cosy, and just curling up to read them.", "I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on", "block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but", "like collecting a huge pile of my favourite tomes, finding somewhere cosy, and", "write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on what to do when we're confronted", "and just curling up to read them. Maybe there are others that feel", "read in a lifetime. Add to this the supposition that all plots, themes", "facts, references, or specific expertise can you offer to counter the idea that", "have been some good questions about writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block)", "them. Maybe there are others that feel this way too. My question is:", "My question is: your personal opinions aside, what facts, references, or specific expertise", "what to do when we're confronted with a blank screen or a stalled", "a huge pile of my favourite tomes, finding somewhere cosy, and just curling", "been done so many times before and that to continue writing fiction is", "to do when we're confronted with a blank screen or a stalled project,", "printed matter, I feel like collecting a huge pile of my favourite tomes,", "fact the there are more fiction books in existence now than one person", "[What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get", "what facts, references, or specific expertise can you offer to counter the idea", "time. In the face of this logic and the gathering ocean of printed", "person could possibly read in a lifetime. Add to this the supposition that", "ocean of printed matter, I feel like collecting a huge pile of my", "when we're confronted with a blank screen or a stalled project, not (as", "Add to this the supposition that all plots, themes and genres have been", "done so many times before and that to continue writing fiction is a", "do when we're confronted with a blank screen or a stalled project, not", "huge pile of my favourite tomes, finding somewhere cosy, and just curling up", "reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get into the mindset", "Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How", "that all plots, themes and genres have been thoroughly explored, and I arrive", "Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can", "this way too. My question is: your personal opinions aside, what facts, references,", "can you offer to counter the idea that it's all been done so", "we're confronted with a blank screen or a stalled project, not (as I'm", "references, or specific expertise can you offer to counter the idea that it's", "have been thoroughly explored, and I arrive at the conclusion that no-one need", "long, long time. In the face of this logic and the gathering ocean", "on what to do when we're confronted with a blank screen or a", "There have been some good questions about writer's block ([Help! I've got Writer's", "conclusion that no-one need write anything 'new' for a long, long time. In", "the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on what to do", "project, not (as I'm interested in): what gets us in front of the", "pile of my favourite tomes, finding somewhere cosy, and just curling up to", "writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind", "opinions aside, what facts, references, or specific expertise can you offer to counter", "behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation ([How can I get into the mindset to", "this logic and the gathering ocean of printed matter, I feel like collecting", "times before and that to continue writing fiction is a pointless exercise? ---", "get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on what", "collecting a huge pile of my favourite tomes, finding somewhere cosy, and just", "I feel like collecting a huge pile of my favourite tomes, finding somewhere", "to read them. Maybe there are others that feel this way too. My", "many times before and that to continue writing fiction is a pointless exercise?", "into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on what to", "of them focus on what to do when we're confronted with a blank", "a pointless exercise? --- Research: There have been some good questions about writer's", "write anything 'new' for a long, long time. In the face of this", "got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and motivation", "tomes, finding somewhere cosy, and just curling up to read them. Maybe there", "to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus on what to do when we're", "your personal opinions aside, what facts, references, or specific expertise can you offer", "and motivation ([How can I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most", "I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind Writer's block?](https://writing.stackexchange.com/questions/17128/what-are-the-reasons-behind-writers-block?noredirect=1&lq=1)) and", "In the face of this logic and the gathering ocean of printed matter,", "focus on what to do when we're confronted with a blank screen or", "somewhere cosy, and just curling up to read them. Maybe there are others", "Research: There have been some good questions about writer's block ([Help! I've got", "need write anything 'new' for a long, long time. In the face of", "block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What are the reasons behind Writer's", "most of them focus on what to do when we're confronted with a", "of this logic and the gathering ocean of printed matter, I feel like", "existence now than one person could possibly read in a lifetime. Add to", "to counter the idea that it's all been done so many times before", "it's all been done so many times before and that to continue writing", "of my favourite tomes, finding somewhere cosy, and just curling up to read", "and the gathering ocean of printed matter, I feel like collecting a huge", "'new' for a long, long time. In the face of this logic and", "to continue writing fiction is a pointless exercise? --- Research: There have been", "can I get into the mindset to write?](https://writing.stackexchange.com/questions/31421/how-can-i-get-into-the-mindset-to-write)), but most of them focus", "lifetime. Add to this the supposition that all plots, themes and genres have", "stalled project, not (as I'm interested in): what gets us in front of", "(as I'm interested in): what gets us in front of the screen in", "some good questions about writer's block ([Help! I've got Writer's Block](https://writing.stackexchange.com/questions/2100/help-ive-got-writers-block) / [What", "It's a simple fact the there are more fiction books in existence now" ]
[ "tailor who makes suits for presidents and film stars referenced several times in", "tailor. If the publisher will likely force me to remove this, I’d rather", "For those writers out there who have been traditionally published, did your publisher", "to risk the wrath of corporate lawyers’ (or trademark lawyers) others have said", "and film stars referenced several times in my book. I’ve used it to", "in reality in traditional publishing? For those writers out there who have been", "do that now in this draft and come up with a fictional famous", "make you remove brands from your books? I’m working on my final draft", "topic but the answers seem contradictory and somewhat opinion-based. Some posters have said", "to demonstrate the wealth of one of my characters, that all his suits", "your books? I’m working on my final draft which my agents will submit", "said that using brands is good for specificity. What I want to know", "in my book. I’ve used it to demonstrate the wealth of one of", "of my characters, that all his suits are handmade by this very famous", "times in my book. I’ve used it to demonstrate the wealth of one", "publisher will likely force me to remove this, I’d rather do that now", "this topic but the answers seem contradictory and somewhat opinion-based. Some posters have", "brands is good for specificity. What I want to know is what actually", "one of my characters, that all his suits are handmade by this very", "I have a well-known tailor who makes suits for presidents and film stars", "know is what actually happens in reality in traditional publishing? For those writers", "for presidents and film stars referenced several times in my book. I’ve used", "suits for presidents and film stars referenced several times in my book. I’ve", "have said you ‘don't want to risk the wrath of corporate lawyers’ (or", "you remove brands from your books? I’m working on my final draft which", "submit to publishers shortly, and I have a well-known tailor who makes suits", "I’ve used it to demonstrate the wealth of one of my characters, that", "shortly, and I have a well-known tailor who makes suits for presidents and", "reality in traditional publishing? For those writers out there who have been traditionally", "well-known tailor who makes suits for presidents and film stars referenced several times", "my final draft which my agents will submit to publishers shortly, and I", "answers seem contradictory and somewhat opinion-based. Some posters have said you ‘don't want", "on my final draft which my agents will submit to publishers shortly, and", "a well-known tailor who makes suits for presidents and film stars referenced several", "If the publisher will likely force me to remove this, I’d rather do", "will likely force me to remove this, I’d rather do that now in", "have said that using brands is good for specificity. 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