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[ "thumb regarding when to use the existing brand, and when to make up", "traditional publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to", "if they're rich, or Volkswagen Beetles if they're poor. Depending on the setting,", "not *BlackSugarWater* and *FancySparklingWine*. So where does one draw the line? Is there", "there a rule of thumb regarding when to use the existing brand, and", "of characters driving *InventedCarBrand* rather than Porches and Rolls-Royces if they're rich, or", "you google it?\". Similarly, I haven't yet heard of characters driving *InventedCarBrand* rather", "regarding when to use the existing brand, and when to make up one's", "driving *InventedCarBrand* rather than Porches and Rolls-Royces if they're rich, or Volkswagen Beetles", "associated with a fictional work because of suspected endorsement, and might get replaced", "and *FancySparklingWine*. So where does one draw the line? Is there a rule", "as a verb, as in \"why don't you google it?\". Similarly, I haven't", "[Will traditional publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want", "*FancySparklingWine*. So where does one draw the line? Is there a rule of", "don't you google it?\". Similarly, I haven't yet heard of characters driving *InventedCarBrand*", "in \"why don't you google it?\". Similarly, I haven't yet heard of characters", "So it's all-around advantageous to make up my own. But what about a", "that isn't google - we even use 'google' as a verb, as in", "or Volkswagen Beetles if they're poor. Depending on the setting, characters drink coke", "- we even use 'google' as a verb, as in \"why don't you", "characters to use a search engine that isn't google - we even use", "and might get replaced next year by a better brand, turning my work", "it?\". Similarly, I haven't yet heard of characters driving *InventedCarBrand* rather than Porches", "also be unfamiliar with a small brand. So it's all-around advantageous to make", "a small brand in my work: a small brand might not want to", "might not want to be associated with a fictional work because of suspected", "to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to mention a brand name", "one draw the line? Is there a rule of thumb regarding when to", "and Rolls-Royces if they're rich, or Volkswagen Beetles if they're poor. Depending on", "Beetles if they're poor. Depending on the setting, characters drink coke or Dom", "time, it would be rather weird for the characters to use a search", "would be rather weird for the characters to use a search engine that", "work: a small brand might not want to be associated with a fictional", "fictional work because of suspected endorsement, and might get replaced next year by", "be rather weird for the characters to use a search engine that isn't", "of suspected endorsement, and might get replaced next year by a better brand,", "brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to mention a brand name of a", "even use 'google' as a verb, as in \"why don't you google it?\".", "all-around advantageous to make up my own. But what about a big known", "what about a big known brand, like Google? In a story set in", "does one draw the line? Is there a rule of thumb regarding when", "Is there a rule of thumb regarding when to use the existing brand,", "question [Will traditional publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not", "in my work: a small brand might not want to be associated with", "make up my own. But what about a big known brand, like Google?", "the line? Is there a rule of thumb regarding when to use the", "google it?\". Similarly, I haven't yet heard of characters driving *InventedCarBrand* rather than", "they're rich, or Volkswagen Beetles if they're poor. Depending on the setting, characters", "our time, it would be rather weird for the characters to use a", "use a search engine that isn't google - we even use 'google' as", "Similarly, I haven't yet heard of characters driving *InventedCarBrand* rather than Porches and", "mention a brand name of a small brand in my work: a small", "known brand, like Google? In a story set in our time, it would", "brand might not want to be associated with a fictional work because of", "a better brand, turning my work into a period piece. Readers might also", "like Google? In a story set in our time, it would be rather", "with a small brand. So it's all-around advantageous to make up my own.", "a small brand. So it's all-around advantageous to make up my own. But", "better brand, turning my work into a period piece. Readers might also be", "Rolls-Royces if they're rich, or Volkswagen Beetles if they're poor. Depending on the", "a fictional work because of suspected endorsement, and might get replaced next year", "draw the line? Is there a rule of thumb regarding when to use", "verb, as in \"why don't you google it?\". Similarly, I haven't yet heard", "characters driving *InventedCarBrand* rather than Porches and Rolls-Royces if they're rich, or Volkswagen", "setting, characters drink coke or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where", "rich, or Volkswagen Beetles if they're poor. Depending on the setting, characters drink", "Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where does one draw the line? Is", "on the setting, characters drink coke or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*.", "name of a small brand in my work: a small brand might not", "rule of thumb regarding when to use the existing brand, and when to", "probably not want to mention a brand name of a small brand in", "brand in my work: a small brand might not want to be associated", "search engine that isn't google - we even use 'google' as a verb,", "be associated with a fictional work because of suspected endorsement, and might get", "*BlackSugarWater* and *FancySparklingWine*. So where does one draw the line? Is there a", "where does one draw the line? Is there a rule of thumb regarding", "a search engine that isn't google - we even use 'google' as a", "poor. Depending on the setting, characters drink coke or Dom Pérignon, not *BlackSugarWater*", "when to use the existing brand, and when to make up one's own?", "*InventedCarBrand* rather than Porches and Rolls-Royces if they're rich, or Volkswagen Beetles if", "if they're poor. Depending on the setting, characters drink coke or Dom Pérignon,", "brand, turning my work into a period piece. Readers might also be unfamiliar", "about a big known brand, like Google? In a story set in our", "small brand might not want to be associated with a fictional work because", "heard of characters driving *InventedCarBrand* rather than Porches and Rolls-Royces if they're rich,", "with a fictional work because of suspected endorsement, and might get replaced next", "a big known brand, like Google? In a story set in our time,", "drink coke or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where does one", "piece. Readers might also be unfamiliar with a small brand. So it's all-around", "big known brand, like Google? In a story set in our time, it", "Volkswagen Beetles if they're poor. Depending on the setting, characters drink coke or", "So where does one draw the line? Is there a rule of thumb", "story set in our time, it would be rather weird for the characters", "my own. But what about a big known brand, like Google? In a", "a brand name of a small brand in my work: a small brand", "in our time, it would be rather weird for the characters to use", "use 'google' as a verb, as in \"why don't you google it?\". Similarly,", "engine that isn't google - we even use 'google' as a verb, as", "it's all-around advantageous to make up my own. But what about a big", "Porches and Rolls-Royces if they're rich, or Volkswagen Beetles if they're poor. Depending", "weird for the characters to use a search engine that isn't google -", "I haven't yet heard of characters driving *InventedCarBrand* rather than Porches and Rolls-Royces", "a period piece. Readers might also be unfamiliar with a small brand. So", "replaced next year by a better brand, turning my work into a period", "suspected endorsement, and might get replaced next year by a better brand, turning", "period piece. Readers might also be unfamiliar with a small brand. So it's", "force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to mention a", "into a period piece. Readers might also be unfamiliar with a small brand.", "would probably not want to mention a brand name of a small brand", "rather weird for the characters to use a search engine that isn't google", "Inspired by GGx's question [Will traditional publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I", "the setting, characters drink coke or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So", "But what about a big known brand, like Google? In a story set", "the characters to use a search engine that isn't google - we even", "might get replaced next year by a better brand, turning my work into", "isn't google - we even use 'google' as a verb, as in \"why", "to mention a brand name of a small brand in my work: a", "advantageous to make up my own. But what about a big known brand,", "I would probably not want to mention a brand name of a small", "it would be rather weird for the characters to use a search engine", "Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where does one draw the line?", "to use a search engine that isn't google - we even use 'google'", "set in our time, it would be rather weird for the characters to", "of thumb regarding when to use the existing brand, and when to make", "a small brand might not want to be associated with a fictional work", "up my own. But what about a big known brand, like Google? In", "not want to be associated with a fictional work because of suspected endorsement,", "characters drink coke or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where does", "might also be unfamiliar with a small brand. So it's all-around advantageous to", "unfamiliar with a small brand. So it's all-around advantageous to make up my", "want to mention a brand name of a small brand in my work:", "by a better brand, turning my work into a period piece. Readers might", "google - we even use 'google' as a verb, as in \"why don't", "Readers might also be unfamiliar with a small brand. So it's all-around advantageous", "a verb, as in \"why don't you google it?\". Similarly, I haven't yet", "'google' as a verb, as in \"why don't you google it?\". Similarly, I", "as in \"why don't you google it?\". Similarly, I haven't yet heard of", "line? Is there a rule of thumb regarding when to use the existing", "by GGx's question [Will traditional publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would", "they're poor. Depending on the setting, characters drink coke or Dom Pérignon, not", "coke or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where does one draw", "In a story set in our time, it would be rather weird for", "be unfamiliar with a small brand. So it's all-around advantageous to make up", "a story set in our time, it would be rather weird for the", "year by a better brand, turning my work into a period piece. Readers", "to make up my own. But what about a big known brand, like", "own. But what about a big known brand, like Google? In a story", "small brand. So it's all-around advantageous to make up my own. But what", "GGx's question [Will traditional publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably", "a rule of thumb regarding when to use the existing brand, and when", "brand. So it's all-around advantageous to make up my own. But what about", "work into a period piece. Readers might also be unfamiliar with a small", "than Porches and Rolls-Royces if they're rich, or Volkswagen Beetles if they're poor.", "to be associated with a fictional work because of suspected endorsement, and might", "turning my work into a period piece. Readers might also be unfamiliar with", "endorsement, and might get replaced next year by a better brand, turning my", "we even use 'google' as a verb, as in \"why don't you google", "or Dom Pérignon, not *BlackSugarWater* and *FancySparklingWine*. So where does one draw the", "my work into a period piece. Readers might also be unfamiliar with a", "brand name of a small brand in my work: a small brand might", "brand, like Google? In a story set in our time, it would be", "get replaced next year by a better brand, turning my work into a", "remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to mention a brand name of", "rather than Porches and Rolls-Royces if they're rich, or Volkswagen Beetles if they're", "small brand in my work: a small brand might not want to be", "of a small brand in my work: a small brand might not want", "haven't yet heard of characters driving *InventedCarBrand* rather than Porches and Rolls-Royces if", "work because of suspected endorsement, and might get replaced next year by a", "next year by a better brand, turning my work into a period piece.", "\"why don't you google it?\". Similarly, I haven't yet heard of characters driving", "you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to mention a brand", "want to be associated with a fictional work because of suspected endorsement, and", "publishers force you to remove brands?](https://writing.stackexchange.com/questions/36744/will-traditional-publishers-force-you-to-remove-brands) I would probably not want to mention", "because of suspected endorsement, and might get replaced next year by a better", "for the characters to use a search engine that isn't google - we", "yet heard of characters driving *InventedCarBrand* rather than Porches and Rolls-Royces if they're", "Depending on the setting, characters drink coke or Dom Pérignon, not *BlackSugarWater* and", "Google? In a story set in our time, it would be rather weird", "my work: a small brand might not want to be associated with a", "not want to mention a brand name of a small brand in my" ]
[ "a mysterious new creature which fell from the heavens in a fire ball", "true answer, does provide some excellent advice for anyone else with a similar", "to design has expanded beyond the confines of my fantasy world. There are", "on outside the little fantasy world. **Would this be a problem?** Would my", "fire ball and died shortly after. That type of thing. Now to the", "fell from the heavens in a fire ball and died shortly after. That", "the need for more novels. Hence my plan. Don't worry, I'm not assuming", "full of life going on outside the little fantasy world. **Would this be", "your traditional fantasy setup: elves, dwarves, dragons, magic, wizards, quests, all that. Because", "happen. I know this is all speculation. Now, I know not to sell", "the novel is successful and popular and the publisher agrees to a series", "novel. While I'm striving to make the world as original as I can,", "encourage curiosity about what's really going on outside the world? I realize readers", "know this is all speculation. Now, I know not to sell something as", "more novels. Hence my plan. Don't worry, I'm not assuming this will happen.", "outside the little fantasy world. **Would this be a problem?** Would my fantasy", "publisher agrees to a series proposal, the little hints that there is more", "little fantasy world. **Would this be a problem?** Would my fantasy readers be", "I cannot for the life of me stop worldbuilding, my insatiable need to", "something is high tech, or of alien origin, or that the star people", "the star people see moving oddly is in fact an orbiting space ship.", "them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does", "and not rely on many of the popular fantasy tropes, for the purposes", "world could tantalize readers into speculation about exactly what's out there, and the", "sci-fi, even though it is never really defined as that? Or would such", "my fantasy novel. I think, if the novel is successful and popular and", "it's obvious that these things are not of fantasy origin. They can easily", "That speculation could in turn boost sales and popularity, which the publisher would", "nature of things. That speculation could in turn boost sales and popularity, which", "quests, all that. Because I cannot for the life of me stop worldbuilding,", "could in turn boost sales and popularity, which the publisher would love, thus", "the heavens in a fire ball and died shortly after. That type of", "the fantasy world could tantalize readers into speculation about exactly what's out there,", "point in the novel(s) would I explicitly say something is high tech, or", "think, if the novel is successful and popular and the publisher agrees to", "for the life of me stop worldbuilding, my insatiable need to design has", "speculation. Now, I know not to sell something as fantasy and give my", "a 'rock' or 'metal' they've never seen before, or even a mysterious new", "The whole nine yards. I would like to incorporate some of these ideas", "are orbiting spaceships, alien species, and perhaps even a whole galaxy full of", "hints that there is more beyond the fantasy world could tantalize readers into", "oddly is in fact an orbiting space ship. It would be on a", "**Would this be a problem?** Would my fantasy readers be displeased at being", "at sci-fi only encourage curiosity about what's really going on outside the world?", "that the star people see moving oddly is in fact an orbiting space", "something as fantasy and give my readers sci-fi. At no point in the", "say something is high tech, or of alien origin, or that the star", "a problem?** Would my fantasy readers be displeased at being drawn into sci-fi,", "problem?** Would my fantasy readers be displeased at being drawn into sci-fi, even", "type of thing. Now to the reader, it's obvious that these things are", "world as original as I can, and not rely on many of the", "the publisher would love, thus creating the need for more novels. Hence my", "not of fantasy origin. They can easily put two and two together and", "whole nine yards. I would like to incorporate some of these ideas into", "know not to sell something as fantasy and give my readers sci-fi. At", "'stars', a 'rock' or 'metal' they've never seen before, or even a mysterious", "It would be on a level the inhabitants of my fantasy world could", "Strangely moving 'stars', a 'rock' or 'metal' they've never seen before, or even", "assuming this will happen. I know this is all speculation. Now, I know", "At no point in the novel(s) would I explicitly say something is high", "died shortly after. That type of thing. Now to the reader, it's obvious", "Don't worry, I'm not assuming this will happen. I know this is all", "space ship. It would be on a level the inhabitants of my fantasy", "make the world as original as I can, and not rely on many", "what the majority would think. I realize this is very open to speculation,", "and died shortly after. That type of thing. Now to the reader, it's", "assume the world is your traditional fantasy setup: elves, dwarves, dragons, magic, wizards,", "moving oddly is in fact an orbiting space ship. It would be on", "fantasy novel. While I'm striving to make the world as original as I", "curiosity about what's really going on outside the world? I realize readers will", "will go both ways, but I'm looking for what the majority would think.", "the world as original as I can, and not rely on many of", "inhabitants of my fantasy world could understand. Strangely moving 'stars', a 'rock' or", "popular fantasy tropes, for the purposes of this question you can assume the", "this will happen. I know this is all speculation. Now, I know not", "agrees to a series proposal, the little hints that there is more beyond", "stop worldbuilding, my insatiable need to design has expanded beyond the confines of", "Or would such hints at sci-fi only encourage curiosity about what's really going", "think. I realize this is very open to speculation, so if you have", "people see moving oddly is in fact an orbiting space ship. It would", "proposal, the little hints that there is more beyond the fantasy world could", "thus creating the need for more novels. Hence my plan. Don't worry, I'm", "design has expanded beyond the confines of my fantasy world. There are other", "novel is successful and popular and the publisher agrees to a series proposal,", "perhaps even a whole galaxy full of life going on outside the little", "species. Advanced technology. Spaceships. Defensive shields. The whole nine yards. I would like", "the inhabitants of my fantasy world could understand. Strangely moving 'stars', a 'rock'", "writing a fantasy novel. While I'm striving to make the world as original", "worldbuilding, my insatiable need to design has expanded beyond the confines of my", "go both ways, but I'm looking for what the majority would think. I", "beyond the fantasy world could tantalize readers into speculation about exactly what's out", "successful and popular and the publisher agrees to a series proposal, the little", "any sources, please cite them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not", "fantasy setup: elves, dwarves, dragons, magic, wizards, quests, all that. Because I cannot", "seen before, or even a mysterious new creature which fell from the heavens", "though it is never really defined as that? Or would such hints at", "to speculation, so if you have any sources, please cite them. EDIT: [The", "realize readers will go both ways, but I'm looking for what the majority", "readers be displeased at being drawn into sci-fi, even though it is never", "Now, I know not to sell something as fantasy and give my readers", "EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does provide", "while not a true answer, does provide some excellent advice for anyone else", "origin. They can easily put two and two together and realize that there", "readers sci-fi. At no point in the novel(s) would I explicitly say something", "is successful and popular and the publisher agrees to a series proposal, the", "question you can assume the world is your traditional fantasy setup: elves, dwarves,", "That type of thing. Now to the reader, it's obvious that these things", "star people see moving oddly is in fact an orbiting space ship. It", "fact an orbiting space ship. It would be on a level the inhabitants", "my fantasy world could understand. Strangely moving 'stars', a 'rock' or 'metal' they've", "the majority would think. I realize this is very open to speculation, so", "I realize this is very open to speculation, so if you have any", "beyond the confines of my fantasy world. There are other alien species. Advanced", "for the purposes of this question you can assume the world is your", "open to speculation, so if you have any sources, please cite them. EDIT:", "life of me stop worldbuilding, my insatiable need to design has expanded beyond", "and two together and realize that there are orbiting spaceships, alien species, and", "before, or even a mysterious new creature which fell from the heavens in", "can, and not rely on many of the popular fantasy tropes, for the", "of things. That speculation could in turn boost sales and popularity, which the", "into speculation about exactly what's out there, and the true nature of things.", "world? I realize readers will go both ways, but I'm looking for what", "popular and the publisher agrees to a series proposal, the little hints that", "sci-fi. At no point in the novel(s) would I explicitly say something is", "to the reader, it's obvious that these things are not of fantasy origin.", "is very open to speculation, so if you have any sources, please cite", "is in fact an orbiting space ship. It would be on a level", "novel(s) would I explicitly say something is high tech, or of alien origin,", "more beyond the fantasy world could tantalize readers into speculation about exactly what's", "shortly after. That type of thing. Now to the reader, it's obvious that", "that these things are not of fantasy origin. They can easily put two", "have any sources, please cite them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while", "for more novels. Hence my plan. Don't worry, I'm not assuming this will", "about what's really going on outside the world? I realize readers will go", "other alien species. Advanced technology. Spaceships. Defensive shields. The whole nine yards. I", "my fantasy readers be displeased at being drawn into sci-fi, even though it", "Because I cannot for the life of me stop worldbuilding, my insatiable need", "I realize readers will go both ways, but I'm looking for what the", "is your traditional fantasy setup: elves, dwarves, dragons, magic, wizards, quests, all that.", "an orbiting space ship. It would be on a level the inhabitants of", "tropes, for the purposes of this question you can assume the world is", "of my fantasy world. There are other alien species. Advanced technology. Spaceships. Defensive", "creature which fell from the heavens in a fire ball and died shortly", "which fell from the heavens in a fire ball and died shortly after.", "could tantalize readers into speculation about exactly what's out there, and the true", "after. That type of thing. Now to the reader, it's obvious that these", "creating the need for more novels. Hence my plan. Don't worry, I'm not", "world is your traditional fantasy setup: elves, dwarves, dragons, magic, wizards, quests, all", "on many of the popular fantasy tropes, for the purposes of this question", "and give my readers sci-fi. At no point in the novel(s) would I", "need to design has expanded beyond the confines of my fantasy world. There", "not rely on many of the popular fantasy tropes, for the purposes of", "I know not to sell something as fantasy and give my readers sci-fi.", "things are not of fantasy origin. They can easily put two and two", "that. Because I cannot for the life of me stop worldbuilding, my insatiable", "fantasy tropes, for the purposes of this question you can assume the world", "I explicitly say something is high tech, or of alien origin, or that", "a fantasy novel. While I'm striving to make the world as original as", "the confines of my fantasy world. There are other alien species. Advanced technology.", "mysterious new creature which fell from the heavens in a fire ball and", "or that the star people see moving oddly is in fact an orbiting", "new creature which fell from the heavens in a fire ball and died", "sell something as fantasy and give my readers sci-fi. At no point in", "out there, and the true nature of things. That speculation could in turn", "into sci-fi, even though it is never really defined as that? Or would", "please cite them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true", "world. There are other alien species. Advanced technology. Spaceships. Defensive shields. The whole", "[The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does provide some", "that there are orbiting spaceships, alien species, and perhaps even a whole galaxy", "will happen. I know this is all speculation. Now, I know not to", "They can easily put two and two together and realize that there are", "be displeased at being drawn into sci-fi, even though it is never really", "fantasy world could understand. Strangely moving 'stars', a 'rock' or 'metal' they've never", "I'm considering writing a fantasy novel. While I'm striving to make the world", "in a fire ball and died shortly after. That type of thing. Now", "incorporate some of these ideas into my fantasy novel. I think, if the", "would think. I realize this is very open to speculation, so if you", "of life going on outside the little fantasy world. **Would this be a", "my insatiable need to design has expanded beyond the confines of my fantasy", "going on outside the little fantasy world. **Would this be a problem?** Would", "really defined as that? Or would such hints at sci-fi only encourage curiosity", "elves, dwarves, dragons, magic, wizards, quests, all that. Because I cannot for the", "defined as that? Or would such hints at sci-fi only encourage curiosity about", "together and realize that there are orbiting spaceships, alien species, and perhaps even", "speculation about exactly what's out there, and the true nature of things. That", "fantasy world could tantalize readers into speculation about exactly what's out there, and", "majority would think. I realize this is very open to speculation, so if", "of my fantasy world could understand. Strangely moving 'stars', a 'rock' or 'metal'", "the reader, it's obvious that these things are not of fantasy origin. They", "two together and realize that there are orbiting spaceships, alien species, and perhaps", "not to sell something as fantasy and give my readers sci-fi. At no", "if the novel is successful and popular and the publisher agrees to a", "the purposes of this question you can assume the world is your traditional", "alien species. Advanced technology. Spaceships. Defensive shields. The whole nine yards. I would", "things. That speculation could in turn boost sales and popularity, which the publisher", "orbiting space ship. It would be on a level the inhabitants of my", "what's really going on outside the world? I realize readers will go both", "all speculation. Now, I know not to sell something as fantasy and give", "the world is your traditional fantasy setup: elves, dwarves, dragons, magic, wizards, quests,", "Advanced technology. Spaceships. Defensive shields. The whole nine yards. I would like to", "or of alien origin, or that the star people see moving oddly is", "understand. Strangely moving 'stars', a 'rock' or 'metal' they've never seen before, or", "fantasy readers be displeased at being drawn into sci-fi, even though it is", "no point in the novel(s) would I explicitly say something is high tech,", "dwarves, dragons, magic, wizards, quests, all that. Because I cannot for the life", "and popularity, which the publisher would love, thus creating the need for more", "for what the majority would think. I realize this is very open to", "fantasy world. **Would this be a problem?** Would my fantasy readers be displeased", "to sell something as fantasy and give my readers sci-fi. At no point", "true nature of things. That speculation could in turn boost sales and popularity,", "the popular fantasy tropes, for the purposes of this question you can assume", "There are other alien species. Advanced technology. Spaceships. Defensive shields. The whole nine", "Now to the reader, it's obvious that these things are not of fantasy", "many of the popular fantasy tropes, for the purposes of this question you", "or 'metal' they've never seen before, or even a mysterious new creature which", "not a true answer, does provide some excellent advice for anyone else with", "that? Or would such hints at sci-fi only encourage curiosity about what's really", "whole galaxy full of life going on outside the little fantasy world. **Would", "cite them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer,", "of this question you can assume the world is your traditional fantasy setup:", "tantalize readers into speculation about exactly what's out there, and the true nature", "answer, does provide some excellent advice for anyone else with a similar problem.", "my fantasy world. There are other alien species. Advanced technology. Spaceships. Defensive shields.", "be a problem?** Would my fantasy readers be displeased at being drawn into", "even a mysterious new creature which fell from the heavens in a fire", "high tech, or of alien origin, or that the star people see moving", "outside the world? I realize readers will go both ways, but I'm looking", "these things are not of fantasy origin. They can easily put two and", "the little fantasy world. **Would this be a problem?** Would my fantasy readers", "and the true nature of things. That speculation could in turn boost sales", "only encourage curiosity about what's really going on outside the world? I realize", "and the publisher agrees to a series proposal, the little hints that there", "striving to make the world as original as I can, and not rely", "technology. Spaceships. Defensive shields. The whole nine yards. I would like to incorporate", "heavens in a fire ball and died shortly after. That type of thing.", "level the inhabitants of my fantasy world could understand. Strangely moving 'stars', a", "answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does provide some excellent", "can easily put two and two together and realize that there are orbiting", "'rock' or 'metal' they've never seen before, or even a mysterious new creature", "plan. Don't worry, I'm not assuming this will happen. I know this is", "drawn into sci-fi, even though it is never really defined as that? Or", "I think, if the novel is successful and popular and the publisher agrees", "it is never really defined as that? Or would such hints at sci-fi", "a true answer, does provide some excellent advice for anyone else with a", "the novel(s) would I explicitly say something is high tech, or of alien", "can assume the world is your traditional fantasy setup: elves, dwarves, dragons, magic,", "sci-fi only encourage curiosity about what's really going on outside the world? I", "looking for what the majority would think. I realize this is very open", "the world? I realize readers will go both ways, but I'm looking for", "me stop worldbuilding, my insatiable need to design has expanded beyond the confines", "purposes of this question you can assume the world is your traditional fantasy", "the true nature of things. That speculation could in turn boost sales and", "at being drawn into sci-fi, even though it is never really defined as", "there, and the true nature of things. That speculation could in turn boost", "readers will go both ways, but I'm looking for what the majority would", "give my readers sci-fi. At no point in the novel(s) would I explicitly", "the little hints that there is more beyond the fantasy world could tantalize", "boost sales and popularity, which the publisher would love, thus creating the need", "which the publisher would love, thus creating the need for more novels. Hence", "and popular and the publisher agrees to a series proposal, the little hints", "is high tech, or of alien origin, or that the star people see", "I'm striving to make the world as original as I can, and not", "a level the inhabitants of my fantasy world could understand. Strangely moving 'stars',", "from the heavens in a fire ball and died shortly after. That type", "I can, and not rely on many of the popular fantasy tropes, for", "but I'm looking for what the majority would think. I realize this is", "you can assume the world is your traditional fantasy setup: elves, dwarves, dragons,", "hints at sci-fi only encourage curiosity about what's really going on outside the", "cannot for the life of me stop worldbuilding, my insatiable need to design", "some of these ideas into my fantasy novel. I think, if the novel", "of fantasy origin. They can easily put two and two together and realize", "While I'm striving to make the world as original as I can, and", "would love, thus creating the need for more novels. Hence my plan. Don't", "this question you can assume the world is your traditional fantasy setup: elves,", "on outside the world? I realize readers will go both ways, but I'm", "is never really defined as that? Or would such hints at sci-fi only", "yards. I would like to incorporate some of these ideas into my fantasy", "would I explicitly say something is high tech, or of alien origin, or", "both ways, but I'm looking for what the majority would think. I realize", "in fact an orbiting space ship. It would be on a level the", "would like to incorporate some of these ideas into my fantasy novel. I", "Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does provide some excellent advice for anyone", "of the popular fantasy tropes, for the purposes of this question you can", "by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does provide some excellent advice for", "you have any sources, please cite them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394),", "in the novel(s) would I explicitly say something is high tech, or of", "origin, or that the star people see moving oddly is in fact an", "Defensive shields. The whole nine yards. I would like to incorporate some of", "turn boost sales and popularity, which the publisher would love, thus creating the", "what's out there, and the true nature of things. That speculation could in", "very open to speculation, so if you have any sources, please cite them.", "or even a mysterious new creature which fell from the heavens in a", "ball and died shortly after. That type of thing. Now to the reader,", "insatiable need to design has expanded beyond the confines of my fantasy world.", "a whole galaxy full of life going on outside the little fantasy world.", "moving 'stars', a 'rock' or 'metal' they've never seen before, or even a", "ideas into my fantasy novel. I think, if the novel is successful and", "explicitly say something is high tech, or of alien origin, or that the", "they've never seen before, or even a mysterious new creature which fell from", "are not of fantasy origin. They can easily put two and two together", "and realize that there are orbiting spaceships, alien species, and perhaps even a", "fantasy world. There are other alien species. Advanced technology. Spaceships. Defensive shields. The", "would be on a level the inhabitants of my fantasy world could understand.", "even though it is never really defined as that? Or would such hints", "thing. Now to the reader, it's obvious that these things are not of", "rely on many of the popular fantasy tropes, for the purposes of this", "a series proposal, the little hints that there is more beyond the fantasy", "of these ideas into my fantasy novel. I think, if the novel is", "is more beyond the fantasy world could tantalize readers into speculation about exactly", "two and two together and realize that there are orbiting spaceships, alien species,", "realize that there are orbiting spaceships, alien species, and perhaps even a whole", "confines of my fantasy world. There are other alien species. Advanced technology. Spaceships.", "sources, please cite them. EDIT: [The answer provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a", "so if you have any sources, please cite them. EDIT: [The answer provided", "nine yards. I would like to incorporate some of these ideas into my", "sales and popularity, which the publisher would love, thus creating the need for", "species, and perhaps even a whole galaxy full of life going on outside", "Would my fantasy readers be displeased at being drawn into sci-fi, even though", "into my fantasy novel. I think, if the novel is successful and popular", "as fantasy and give my readers sci-fi. At no point in the novel(s)", "shields. The whole nine yards. I would like to incorporate some of these", "novels. Hence my plan. Don't worry, I'm not assuming this will happen. I", "not assuming this will happen. I know this is all speculation. Now, I", "original as I can, and not rely on many of the popular fantasy", "exactly what's out there, and the true nature of things. That speculation could", "is all speculation. Now, I know not to sell something as fantasy and", "world. **Would this be a problem?** Would my fantasy readers be displeased at", "expanded beyond the confines of my fantasy world. There are other alien species.", "in turn boost sales and popularity, which the publisher would love, thus creating", "of thing. Now to the reader, it's obvious that these things are not", "are other alien species. Advanced technology. Spaceships. Defensive shields. The whole nine yards.", "to a series proposal, the little hints that there is more beyond the", "realize this is very open to speculation, so if you have any sources,", "ship. It would be on a level the inhabitants of my fantasy world", "as that? Or would such hints at sci-fi only encourage curiosity about what's", "such hints at sci-fi only encourage curiosity about what's really going on outside", "put two and two together and realize that there are orbiting spaceships, alien", "I know this is all speculation. Now, I know not to sell something", "displeased at being drawn into sci-fi, even though it is never really defined", "traditional fantasy setup: elves, dwarves, dragons, magic, wizards, quests, all that. Because I", "speculation, so if you have any sources, please cite them. EDIT: [The answer", "never really defined as that? Or would such hints at sci-fi only encourage", "this is very open to speculation, so if you have any sources, please", "readers into speculation about exactly what's out there, and the true nature of", "fantasy and give my readers sci-fi. At no point in the novel(s) would", "a fire ball and died shortly after. That type of thing. Now to", "be on a level the inhabitants of my fantasy world could understand. Strangely", "little hints that there is more beyond the fantasy world could tantalize readers", "fantasy origin. They can easily put two and two together and realize that", "never seen before, or even a mysterious new creature which fell from the", "there are orbiting spaceships, alien species, and perhaps even a whole galaxy full", "alien species, and perhaps even a whole galaxy full of life going on", "worry, I'm not assuming this will happen. I know this is all speculation.", "the publisher agrees to a series proposal, the little hints that there is", "Hence my plan. Don't worry, I'm not assuming this will happen. I know", "life going on outside the little fantasy world. **Would this be a problem?**", "these ideas into my fantasy novel. I think, if the novel is successful", "that there is more beyond the fantasy world could tantalize readers into speculation", "about exactly what's out there, and the true nature of things. That speculation", "speculation could in turn boost sales and popularity, which the publisher would love,", "reader, it's obvious that these things are not of fantasy origin. They can", "ways, but I'm looking for what the majority would think. I realize this", "could understand. Strangely moving 'stars', a 'rock' or 'metal' they've never seen before,", "my plan. Don't worry, I'm not assuming this will happen. I know this", "considering writing a fantasy novel. While I'm striving to make the world as", "to make the world as original as I can, and not rely on", "need for more novels. Hence my plan. Don't worry, I'm not assuming this", "this be a problem?** Would my fantasy readers be displeased at being drawn", "tech, or of alien origin, or that the star people see moving oddly", "easily put two and two together and realize that there are orbiting spaceships,", "really going on outside the world? I realize readers will go both ways,", "popularity, which the publisher would love, thus creating the need for more novels.", "on a level the inhabitants of my fantasy world could understand. Strangely moving", "see moving oddly is in fact an orbiting space ship. It would be", "orbiting spaceships, alien species, and perhaps even a whole galaxy full of life", "if you have any sources, please cite them. EDIT: [The answer provided by", "even a whole galaxy full of life going on outside the little fantasy", "Spaceships. Defensive shields. The whole nine yards. I would like to incorporate some", "series proposal, the little hints that there is more beyond the fantasy world", "to incorporate some of these ideas into my fantasy novel. I think, if", "magic, wizards, quests, all that. Because I cannot for the life of me", "this is all speculation. Now, I know not to sell something as fantasy", "wizards, quests, all that. Because I cannot for the life of me stop", "world could understand. Strangely moving 'stars', a 'rock' or 'metal' they've never seen", "obvious that these things are not of fantasy origin. They can easily put", "being drawn into sci-fi, even though it is never really defined as that?", "publisher would love, thus creating the need for more novels. Hence my plan.", "going on outside the world? I realize readers will go both ways, but", "as I can, and not rely on many of the popular fantasy tropes,", "alien origin, or that the star people see moving oddly is in fact", "I would like to incorporate some of these ideas into my fantasy novel.", "dragons, magic, wizards, quests, all that. Because I cannot for the life of", "and perhaps even a whole galaxy full of life going on outside the", "I'm not assuming this will happen. I know this is all speculation. Now,", "fantasy novel. I think, if the novel is successful and popular and the", "there is more beyond the fantasy world could tantalize readers into speculation about", "all that. Because I cannot for the life of me stop worldbuilding, my", "has expanded beyond the confines of my fantasy world. There are other alien", "my readers sci-fi. At no point in the novel(s) would I explicitly say", "setup: elves, dwarves, dragons, magic, wizards, quests, all that. Because I cannot for", "'metal' they've never seen before, or even a mysterious new creature which fell", "novel. I think, if the novel is successful and popular and the publisher", "galaxy full of life going on outside the little fantasy world. **Would this", "of me stop worldbuilding, my insatiable need to design has expanded beyond the", "as original as I can, and not rely on many of the popular", "would such hints at sci-fi only encourage curiosity about what's really going on", "provided by Phillip](https://writing.stackexchange.com/a/36802/10394), while not a true answer, does provide some excellent advice", "I'm looking for what the majority would think. I realize this is very", "like to incorporate some of these ideas into my fantasy novel. I think,", "love, thus creating the need for more novels. Hence my plan. Don't worry,", "the life of me stop worldbuilding, my insatiable need to design has expanded", "of alien origin, or that the star people see moving oddly is in", "spaceships, alien species, and perhaps even a whole galaxy full of life going" ]
[ "is still a planning phase, though, and I can already see it would", "I won't become the next Oda Eiichiro, let alone Tolkien. Therefore, primarily for", "characters (which would take ridiculously much time at the current pacing), I'd like", "however, is that for irrelevant reasons, some of the locations visited and introduced", "can already see it would span much, **much** longer than suitable for a", "the scope. The problem, however, is that for irrelevant reasons, some of the", "fixed already. Some are only relevant for one arc/chapter, but I can't really", "huge chances are I won't become the next Oda Eiichiro, let alone Tolkien.", "much, **much** longer than suitable for a beginner. I consider the scope of", "the length of the story? I know, leaving little time at each location", "current pacing), I'd like to tweak on the scope. The problem, however, is", "though, and I can already see it would span much, **much** longer than", "but huge chances are I won't become the next Oda Eiichiro, let alone", "for a beginner. I consider the scope of the story quite epic, but", "some rules of thumb I can use to cut down the length of", "epic, but huge chances are I won't become the next Oda Eiichiro, let", "introduction of new major characters (which would take ridiculously much time at the", "story are rather fixed already. Some are only relevant for one arc/chapter, but", "span much, **much** longer than suitable for a beginner. I consider the scope", "story? I know, leaving little time at each location is one option, but", "and including a set of locations, characters and events, as well as some", "really let them out. With this in mind, what are some rules of", "time at each location is one option, but that is quite vague of", "like to write a story and I have plenty of elements for it,", "new major characters (which would take ridiculously much time at the current pacing),", "scope. The problem, however, is that for irrelevant reasons, some of the locations", "to and including a set of locations, characters and events, as well as", "write a story and I have plenty of elements for it, up to", "those. This is still a planning phase, though, and I can already see", "than suitable for a beginner. I consider the scope of the story quite", "them out. With this in mind, what are some rules of thumb I", "of thumb I can use to cut down the length of the story?", "I consider the scope of the story quite epic, but huge chances are", "already see it would span much, **much** longer than suitable for a beginner.", "major characters (which would take ridiculously much time at the current pacing), I'd", "the story quite epic, but huge chances are I won't become the next", "and introduced in the story are rather fixed already. Some are only relevant", "of speeding up the introduction of new major characters (which would take ridiculously", "a planning phase, though, and I can already see it would span much,", "the story? I know, leaving little time at each location is one option,", "length of the story? I know, leaving little time at each location is", "already. Some are only relevant for one arc/chapter, but I can't really let", "the next Oda Eiichiro, let alone Tolkien. Therefore, primarily for the purpose of", "set of locations, characters and events, as well as some loose sequence for", "loose sequence for those. This is still a planning phase, though, and I", "I can't really let them out. With this in mind, what are some", "this in mind, what are some rules of thumb I can use to", "what are some rules of thumb I can use to cut down the", "to write a story and I have plenty of elements for it, up", "have plenty of elements for it, up to and including a set of", "the current pacing), I'd like to tweak on the scope. The problem, however,", "but I can't really let them out. With this in mind, what are", "well as some loose sequence for those. This is still a planning phase,", "a story and I have plenty of elements for it, up to and", "I know, leaving little time at each location is one option, but that", "With this in mind, what are some rules of thumb I can use", "down the length of the story? I know, leaving little time at each", "the purpose of speeding up the introduction of new major characters (which would", "only relevant for one arc/chapter, but I can't really let them out. With", "elements for it, up to and including a set of locations, characters and", "can use to cut down the length of the story? I know, leaving", "visited and introduced in the story are rather fixed already. Some are only", "in mind, what are some rules of thumb I can use to cut", "much time at the current pacing), I'd like to tweak on the scope.", "story and I have plenty of elements for it, up to and including", "consider the scope of the story quite epic, but huge chances are I", "for the purpose of speeding up the introduction of new major characters (which", "up to and including a set of locations, characters and events, as well", "I have plenty of elements for it, up to and including a set", "as well as some loose sequence for those. This is still a planning", "can't really let them out. With this in mind, what are some rules", "of the story? I know, leaving little time at each location is one", "are only relevant for one arc/chapter, but I can't really let them out.", "I can already see it would span much, **much** longer than suitable for", "let them out. With this in mind, what are some rules of thumb", "are rather fixed already. Some are only relevant for one arc/chapter, but I", "use to cut down the length of the story? I know, leaving little", "still a planning phase, though, and I can already see it would span", "the locations visited and introduced in the story are rather fixed already. Some", "longer than suitable for a beginner. I consider the scope of the story", "of the locations visited and introduced in the story are rather fixed already.", "of new major characters (which would take ridiculously much time at the current", "a beginner. I consider the scope of the story quite epic, but huge", "it, up to and including a set of locations, characters and events, as", "The problem, however, is that for irrelevant reasons, some of the locations visited", "problem, however, is that for irrelevant reasons, some of the locations visited and", "reasons, some of the locations visited and introduced in the story are rather", "rather fixed already. Some are only relevant for one arc/chapter, but I can't", "a set of locations, characters and events, as well as some loose sequence", "is that for irrelevant reasons, some of the locations visited and introduced in", "and I can already see it would span much, **much** longer than suitable", "won't become the next Oda Eiichiro, let alone Tolkien. Therefore, primarily for the", "in the story are rather fixed already. Some are only relevant for one", "for one arc/chapter, but I can't really let them out. With this in", "Eiichiro, let alone Tolkien. Therefore, primarily for the purpose of speeding up the", "Tolkien. Therefore, primarily for the purpose of speeding up the introduction of new", "some of the locations visited and introduced in the story are rather fixed", "relevant for one arc/chapter, but I can't really let them out. With this", "I'd like to tweak on the scope. The problem, however, is that for", "mind, what are some rules of thumb I can use to cut down", "irrelevant reasons, some of the locations visited and introduced in the story are", "chances are I won't become the next Oda Eiichiro, let alone Tolkien. Therefore,", "Some are only relevant for one arc/chapter, but I can't really let them", "leaving little time at each location is one option, but that is quite", "rules of thumb I can use to cut down the length of the", "scope of the story quite epic, but huge chances are I won't become", "including a set of locations, characters and events, as well as some loose", "purpose of speeding up the introduction of new major characters (which would take", "to tweak on the scope. The problem, however, is that for irrelevant reasons,", "I can use to cut down the length of the story? I know,", "of elements for it, up to and including a set of locations, characters", "it would span much, **much** longer than suitable for a beginner. I consider", "would take ridiculously much time at the current pacing), I'd like to tweak", "story quite epic, but huge chances are I won't become the next Oda", "time at the current pacing), I'd like to tweak on the scope. The", "know, leaving little time at each location is one option, but that is", "plenty of elements for it, up to and including a set of locations,", "Oda Eiichiro, let alone Tolkien. Therefore, primarily for the purpose of speeding up", "are some rules of thumb I can use to cut down the length", "phase, though, and I can already see it would span much, **much** longer", "for irrelevant reasons, some of the locations visited and introduced in the story", "as some loose sequence for those. This is still a planning phase, though,", "take ridiculously much time at the current pacing), I'd like to tweak on", "primarily for the purpose of speeding up the introduction of new major characters", "at the current pacing), I'd like to tweak on the scope. The problem,", "of locations, characters and events, as well as some loose sequence for those.", "at each location is one option, but that is quite vague of an", "ridiculously much time at the current pacing), I'd like to tweak on the", "Therefore, primarily for the purpose of speeding up the introduction of new major", "see it would span much, **much** longer than suitable for a beginner. I", "the introduction of new major characters (which would take ridiculously much time at", "little time at each location is one option, but that is quite vague", "speeding up the introduction of new major characters (which would take ridiculously much", "the story are rather fixed already. Some are only relevant for one arc/chapter,", "out. With this in mind, what are some rules of thumb I can", "cut down the length of the story? I know, leaving little time at", "that for irrelevant reasons, some of the locations visited and introduced in the", "and I have plenty of elements for it, up to and including a", "This is still a planning phase, though, and I can already see it", "pacing), I'd like to tweak on the scope. The problem, however, is that", "suitable for a beginner. I consider the scope of the story quite epic,", "I'd like to write a story and I have plenty of elements for", "events, as well as some loose sequence for those. This is still a", "of the story quite epic, but huge chances are I won't become the", "sequence for those. This is still a planning phase, though, and I can", "would span much, **much** longer than suitable for a beginner. I consider the", "one arc/chapter, but I can't really let them out. With this in mind,", "each location is one option, but that is quite vague of an idea.", "and events, as well as some loose sequence for those. This is still", "locations visited and introduced in the story are rather fixed already. Some are", "for those. This is still a planning phase, though, and I can already", "beginner. I consider the scope of the story quite epic, but huge chances", "for it, up to and including a set of locations, characters and events,", "planning phase, though, and I can already see it would span much, **much**", "introduced in the story are rather fixed already. Some are only relevant for", "let alone Tolkien. Therefore, primarily for the purpose of speeding up the introduction", "characters and events, as well as some loose sequence for those. This is", "**much** longer than suitable for a beginner. I consider the scope of the", "some loose sequence for those. This is still a planning phase, though, and", "locations, characters and events, as well as some loose sequence for those. This", "up the introduction of new major characters (which would take ridiculously much time", "(which would take ridiculously much time at the current pacing), I'd like to", "tweak on the scope. The problem, however, is that for irrelevant reasons, some", "to cut down the length of the story? I know, leaving little time", "are I won't become the next Oda Eiichiro, let alone Tolkien. Therefore, primarily", "the scope of the story quite epic, but huge chances are I won't", "arc/chapter, but I can't really let them out. With this in mind, what", "thumb I can use to cut down the length of the story? I", "alone Tolkien. Therefore, primarily for the purpose of speeding up the introduction of", "become the next Oda Eiichiro, let alone Tolkien. Therefore, primarily for the purpose", "next Oda Eiichiro, let alone Tolkien. Therefore, primarily for the purpose of speeding", "like to tweak on the scope. The problem, however, is that for irrelevant", "on the scope. The problem, however, is that for irrelevant reasons, some of", "quite epic, but huge chances are I won't become the next Oda Eiichiro," ]
[ "I currently commute by bus (not train) so there isn't exactly a table", "or find things quickly on a phone. Does a portable computer exist that", "on a phone, as I wanted to make the most of the daily", "isn't as strong for editing as it's not easy to highlight and remove", "a table or other surface I could rest a computer on. My other", "I had done most of the work on a phone, as I wanted", "to make the most of the daily commute. This worked well enough and", "Can any writers recommend any suitable tools? If not, how did you keep", "bus (not train) so there isn't exactly a table or other surface I", "A tiny laptop could work but I currently commute by bus (not train)", "currently commute by bus (not train) so there isn't exactly a table or", "a computer on. My other option is just working weekends, but I'd rather", "drafting I had done most of the work on a phone, as I", "task? A tiny laptop could work but I currently commute by bus (not", "writers recommend any suitable tools? If not, how did you keep productive during", "up to the task? A tiny laptop could work but I currently commute", "there isn't exactly a table or other surface I could rest a computer", "make the most of the daily commute. This worked well enough and the", "suitable tools? If not, how did you keep productive during the editing stage?", "not easy to highlight and remove words or find things quickly on a", "any writers recommend any suitable tools? If not, how did you keep productive", "most of the work on a phone, as I wanted to make the", "would be up to the task? A tiny laptop could work but I", "other option is just working weekends, but I'd rather avoid this if possible.", "train) so there isn't exactly a table or other surface I could rest", "had done most of the work on a phone, as I wanted to", "the drafting I had done most of the work on a phone, as", "wanted to make the most of the daily commute. This worked well enough", "done. However, I'm finding the same approach just isn't as strong for editing", "rest a computer on. My other option is just working weekends, but I'd", "rough draft is done. However, I'm finding the same approach just isn't as", "work but I currently commute by bus (not train) so there isn't exactly", "easy to highlight and remove words or find things quickly on a phone.", "isn't exactly a table or other surface I could rest a computer on.", "could rest a computer on. My other option is just working weekends, but", "This worked well enough and the first rough draft is done. However, I'm", "I've just started editing my novel. For the drafting I had done most", "novel. For the drafting I had done most of the work on a", "computer exist that would be up to the task? A tiny laptop could", "laptop could work but I currently commute by bus (not train) so there", "recommend any suitable tools? If not, how did you keep productive during the", "working weekends, but I'd rather avoid this if possible. Can any writers recommend", "be up to the task? A tiny laptop could work but I currently", "editing my novel. For the drafting I had done most of the work", "find things quickly on a phone. Does a portable computer exist that would", "this if possible. Can any writers recommend any suitable tools? If not, how", "rather avoid this if possible. Can any writers recommend any suitable tools? If", "work on a phone, as I wanted to make the most of the", "or other surface I could rest a computer on. My other option is", "commute. This worked well enough and the first rough draft is done. However,", "could work but I currently commute by bus (not train) so there isn't", "a portable computer exist that would be up to the task? A tiny", "as I wanted to make the most of the daily commute. This worked", "and remove words or find things quickly on a phone. Does a portable", "as it's not easy to highlight and remove words or find things quickly", "is done. However, I'm finding the same approach just isn't as strong for", "(not train) so there isn't exactly a table or other surface I could", "any suitable tools? If not, how did you keep productive during the editing", "to highlight and remove words or find things quickly on a phone. Does", "However, I'm finding the same approach just isn't as strong for editing as", "strong for editing as it's not easy to highlight and remove words or", "weekends, but I'd rather avoid this if possible. Can any writers recommend any", "enough and the first rough draft is done. However, I'm finding the same", "it's not easy to highlight and remove words or find things quickly on", "and the first rough draft is done. However, I'm finding the same approach", "remove words or find things quickly on a phone. Does a portable computer", "on a phone. Does a portable computer exist that would be up to", "on. My other option is just working weekends, but I'd rather avoid this", "phone, as I wanted to make the most of the daily commute. This", "first rough draft is done. However, I'm finding the same approach just isn't", "My other option is just working weekends, but I'd rather avoid this if", "computer on. My other option is just working weekends, but I'd rather avoid", "surface I could rest a computer on. My other option is just working", "for editing as it's not easy to highlight and remove words or find", "that would be up to the task? A tiny laptop could work but", "highlight and remove words or find things quickly on a phone. Does a", "if possible. Can any writers recommend any suitable tools? If not, how did", "For the drafting I had done most of the work on a phone,", "things quickly on a phone. Does a portable computer exist that would be", "my novel. For the drafting I had done most of the work on", "same approach just isn't as strong for editing as it's not easy to", "a phone. Does a portable computer exist that would be up to the", "just working weekends, but I'd rather avoid this if possible. Can any writers", "of the work on a phone, as I wanted to make the most", "phone. Does a portable computer exist that would be up to the task?", "as strong for editing as it's not easy to highlight and remove words", "other surface I could rest a computer on. My other option is just", "table or other surface I could rest a computer on. My other option", "a phone, as I wanted to make the most of the daily commute.", "the first rough draft is done. However, I'm finding the same approach just", "worked well enough and the first rough draft is done. However, I'm finding", "the most of the daily commute. This worked well enough and the first", "done most of the work on a phone, as I wanted to make", "of the daily commute. This worked well enough and the first rough draft", "exist that would be up to the task? A tiny laptop could work", "most of the daily commute. This worked well enough and the first rough", "well enough and the first rough draft is done. However, I'm finding the", "words or find things quickly on a phone. Does a portable computer exist", "the task? A tiny laptop could work but I currently commute by bus", "I'd rather avoid this if possible. Can any writers recommend any suitable tools?", "commute by bus (not train) so there isn't exactly a table or other", "finding the same approach just isn't as strong for editing as it's not", "approach just isn't as strong for editing as it's not easy to highlight", "editing as it's not easy to highlight and remove words or find things", "is just working weekends, but I'd rather avoid this if possible. Can any", "avoid this if possible. Can any writers recommend any suitable tools? If not,", "draft is done. However, I'm finding the same approach just isn't as strong", "option is just working weekends, but I'd rather avoid this if possible. Can", "I'm finding the same approach just isn't as strong for editing as it's", "started editing my novel. For the drafting I had done most of the", "tiny laptop could work but I currently commute by bus (not train) so", "just isn't as strong for editing as it's not easy to highlight and", "Does a portable computer exist that would be up to the task? A", "daily commute. This worked well enough and the first rough draft is done.", "so there isn't exactly a table or other surface I could rest a", "the same approach just isn't as strong for editing as it's not easy", "just started editing my novel. For the drafting I had done most of", "but I'd rather avoid this if possible. Can any writers recommend any suitable", "I could rest a computer on. My other option is just working weekends,", "to the task? A tiny laptop could work but I currently commute by", "by bus (not train) so there isn't exactly a table or other surface", "exactly a table or other surface I could rest a computer on. My", "the daily commute. This worked well enough and the first rough draft is", "portable computer exist that would be up to the task? A tiny laptop", "possible. Can any writers recommend any suitable tools? If not, how did you", "I wanted to make the most of the daily commute. This worked well", "quickly on a phone. Does a portable computer exist that would be up", "the work on a phone, as I wanted to make the most of", "but I currently commute by bus (not train) so there isn't exactly a" ]
[ "by sentence, in two texts that might be organized and structured very differently.", "synchronize them forth and back, probably with me in the loop confirming each", "to integrate some of those changes. Of course this is a tedious process,", "some smaller publications such as papers. The work is in parallel. Often it", "paper, rewriting and reorganizing some of the copied text. When I work on", "and structured very differently. I'm looking for a software tool that can automatically", "want to integrate some of those changes. Of course this is a tedious", "might want to integrate some of those changes. Of course this is a", "tedious process, because one has to compare sentence by sentence, in two texts", "and reorganizing some of the copied text. When I work on the thesis", "the paper, rewriting and reorganizing some of the copied text. When I work", "text. When I work on the thesis again, I might want to integrate", "it happens that I copy some paragraphs from the thesis into a paper.", "might be organized and structured very differently. I'm looking for a software tool", "of those changes. Of course this is a tedious process, because one has", "differently. I'm looking for a software tool that can automatically find corresponding sentences", "rewriting and reorganizing some of the copied text. When I work on the", "papers. The work is in parallel. Often it happens that I copy some", "some of those changes. Of course this is a tedious process, because one", "organized and structured very differently. I'm looking for a software tool that can", "paper. Then I work on the paper, rewriting and reorganizing some of the", "a tedious process, because one has to compare sentence by sentence, in two", "the thesis again, I might want to integrate some of those changes. Of", "thesis into a paper. Then I work on the paper, rewriting and reorganizing", "a paper. Then I work on the paper, rewriting and reorganizing some of", "those changes. Of course this is a tedious process, because one has to", "because one has to compare sentence by sentence, in two texts that might", "for a software tool that can automatically find corresponding sentences in two texts", "process, because one has to compare sentence by sentence, in two texts that", "paragraphs from the thesis into a paper. Then I work on the paper,", "is a tedious process, because one has to compare sentence by sentence, in", "currently working on a large thesis, from which I derive some smaller publications", "a software tool that can automatically find corresponding sentences in two texts and", "can automatically find corresponding sentences in two texts and synchronize them forth and", "course this is a tedious process, because one has to compare sentence by", "work on the thesis again, I might want to integrate some of those", "in parallel. Often it happens that I copy some paragraphs from the thesis", "changes. Of course this is a tedious process, because one has to compare", "as papers. The work is in parallel. Often it happens that I copy", "the copied text. When I work on the thesis again, I might want", "sentence by sentence, in two texts that might be organized and structured very", "find corresponding sentences in two texts and synchronize them forth and back, probably", "two texts that might be organized and structured very differently. I'm looking for", "that can automatically find corresponding sentences in two texts and synchronize them forth", "very differently. I'm looking for a software tool that can automatically find corresponding", "work on the paper, rewriting and reorganizing some of the copied text. When", "integrate some of those changes. Of course this is a tedious process, because", "texts and synchronize them forth and back, probably with me in the loop", "When I work on the thesis again, I might want to integrate some", "software tool that can automatically find corresponding sentences in two texts and synchronize", "has to compare sentence by sentence, in two texts that might be organized", "and synchronize them forth and back, probably with me in the loop confirming", "automatically find corresponding sentences in two texts and synchronize them forth and back,", "on the thesis again, I might want to integrate some of those changes.", "from the thesis into a paper. Then I work on the paper, rewriting", "on a large thesis, from which I derive some smaller publications such as", "which I derive some smaller publications such as papers. The work is in", "one has to compare sentence by sentence, in two texts that might be", "be organized and structured very differently. I'm looking for a software tool that", "some paragraphs from the thesis into a paper. Then I work on the", "publications such as papers. The work is in parallel. Often it happens that", "such as papers. The work is in parallel. Often it happens that I", "this is a tedious process, because one has to compare sentence by sentence,", "compare sentence by sentence, in two texts that might be organized and structured", "I'm currently working on a large thesis, from which I derive some smaller", "from which I derive some smaller publications such as papers. The work is", "Often it happens that I copy some paragraphs from the thesis into a", "to compare sentence by sentence, in two texts that might be organized and", "that might be organized and structured very differently. I'm looking for a software", "thesis again, I might want to integrate some of those changes. Of course", "that I copy some paragraphs from the thesis into a paper. Then I", "looking for a software tool that can automatically find corresponding sentences in two", "corresponding sentences in two texts and synchronize them forth and back, probably with", "a large thesis, from which I derive some smaller publications such as papers.", "smaller publications such as papers. The work is in parallel. Often it happens", "into a paper. Then I work on the paper, rewriting and reorganizing some", "I work on the paper, rewriting and reorganizing some of the copied text.", "in two texts and synchronize them forth and back, probably with me in", "I'm looking for a software tool that can automatically find corresponding sentences in", "texts that might be organized and structured very differently. I'm looking for a", "sentences in two texts and synchronize them forth and back, probably with me", "I work on the thesis again, I might want to integrate some of", "two texts and synchronize them forth and back, probably with me in the", "I might want to integrate some of those changes. Of course this is", "The work is in parallel. Often it happens that I copy some paragraphs", "on the paper, rewriting and reorganizing some of the copied text. When I", "of the copied text. When I work on the thesis again, I might", "some of the copied text. When I work on the thesis again, I", "large thesis, from which I derive some smaller publications such as papers. The", "work is in parallel. Often it happens that I copy some paragraphs from", "working on a large thesis, from which I derive some smaller publications such", "parallel. Often it happens that I copy some paragraphs from the thesis into", "I copy some paragraphs from the thesis into a paper. Then I work", "tool that can automatically find corresponding sentences in two texts and synchronize them", "again, I might want to integrate some of those changes. Of course this", "sentence, in two texts that might be organized and structured very differently. I'm", "thesis, from which I derive some smaller publications such as papers. The work", "Then I work on the paper, rewriting and reorganizing some of the copied", "I derive some smaller publications such as papers. The work is in parallel.", "in two texts that might be organized and structured very differently. I'm looking", "copied text. When I work on the thesis again, I might want to", "them forth and back, probably with me in the loop confirming each modification.", "happens that I copy some paragraphs from the thesis into a paper. Then", "copy some paragraphs from the thesis into a paper. Then I work on", "structured very differently. I'm looking for a software tool that can automatically find", "reorganizing some of the copied text. When I work on the thesis again,", "derive some smaller publications such as papers. The work is in parallel. Often", "is in parallel. Often it happens that I copy some paragraphs from the", "the thesis into a paper. Then I work on the paper, rewriting and", "Of course this is a tedious process, because one has to compare sentence" ]
[ "and red pills I usually had in my system. Heavy enough, that the", "my skin irritated my senses enough to hold sleep at bay. Slowly >", "Heavy enough, that the > moment I opened my eyes, my body wanted", "again. The urge > to sleep was strong, but the scratchy texture of", "the feeling of being disconnected from my > limbs. Only this was much", "beneath > my skin irritated my senses enough to hold sleep at bay.", "to hold sleep at bay. Slowly > blinking, the room came into focus.", "A drug induced daze. > > > I recognized it instantly, the feeling", "was much heavier than the brain fog of the little > blue and", "I usually had in my system. Heavy enough, that the > moment I", "texture of cheap sheets beneath > my skin irritated my senses enough to", "cheap sheets beneath > my skin irritated my senses enough to hold sleep", "sleep was strong, but the scratchy texture of cheap sheets beneath > my", "enough, that the > moment I opened my eyes, my body wanted them", "in my system. Heavy enough, that the > moment I opened my eyes,", "example, would you say this section of copy has too many \"I's\" or", "them to close again. The urge > to sleep was strong, but the", "> blinking, the room came into focus. > > > I was all", "skin irritated my senses enough to hold sleep at bay. Slowly > blinking,", "this was much heavier than the brain fog of the little > blue", "of being disconnected from my > limbs. Only this was much heavier than", "\"my's\"? > > I woke in a daze. A drug induced daze. >", "instantly, the feeling of being disconnected from my > limbs. Only this was", "than the brain fog of the little > blue and red pills I", "of the little > blue and red pills I usually had in my", "came into focus. > > > I was all alone. > > >", "induced daze. > > > I recognized it instantly, the feeling of being", "this section of copy has too many \"I's\" or even \"my's\"? > >", "bay. Slowly > blinking, the room came into focus. > > > I", "woke in a daze. A drug induced daze. > > > I recognized", "sheets beneath > my skin irritated my senses enough to hold sleep at", "the > moment I opened my eyes, my body wanted them to close", "little > blue and red pills I usually had in my system. Heavy", "blinking, the room came into focus. > > > I was all alone.", "The urge > to sleep was strong, but the scratchy texture of cheap", "copy has too many \"I's\" or even \"my's\"? > > I woke in", "Slowly > blinking, the room came into focus. > > > I was", "many \"I's\" or even \"my's\"? > > I woke in a daze. A", "being disconnected from my > limbs. Only this was much heavier than the", "urge > to sleep was strong, but the scratchy texture of cheap sheets", "strong, but the scratchy texture of cheap sheets beneath > my skin irritated", "> > I woke in a daze. A drug induced daze. > >", "my senses enough to hold sleep at bay. Slowly > blinking, the room", "would you say this section of copy has too many \"I's\" or even", "had in my system. Heavy enough, that the > moment I opened my", "my system. Heavy enough, that the > moment I opened my eyes, my", "For example, would you say this section of copy has too many \"I's\"", "I woke in a daze. A drug induced daze. > > > I", "senses enough to hold sleep at bay. Slowly > blinking, the room came", "much heavier than the brain fog of the little > blue and red", "room came into focus. > > > I was all alone. > >", "you say this section of copy has too many \"I's\" or even \"my's\"?", "section of copy has too many \"I's\" or even \"my's\"? > > I", "but the scratchy texture of cheap sheets beneath > my skin irritated my", "> > > I recognized it instantly, the feeling of being disconnected from", "body wanted them to close again. The urge > to sleep was strong,", "I opened my eyes, my body wanted them to close again. The urge", "heavier than the brain fog of the little > blue and red pills", "> to sleep was strong, but the scratchy texture of cheap sheets beneath", "> moment I opened my eyes, my body wanted them to close again.", "to sleep was strong, but the scratchy texture of cheap sheets beneath >", "> limbs. Only this was much heavier than the brain fog of the", "too many \"I's\" or even \"my's\"? > > I woke in a daze.", "brain fog of the little > blue and red pills I usually had", "blue and red pills I usually had in my system. Heavy enough, that", "of copy has too many \"I's\" or even \"my's\"? > > I woke", "moment I opened my eyes, my body wanted them to close again. The", "daze. > > > I recognized it instantly, the feeling of being disconnected", "> my skin irritated my senses enough to hold sleep at bay. Slowly", "pills I usually had in my system. Heavy enough, that the > moment", "at bay. Slowly > blinking, the room came into focus. > > >", "> > I recognized it instantly, the feeling of being disconnected from my", "the brain fog of the little > blue and red pills I usually", "was strong, but the scratchy texture of cheap sheets beneath > my skin", "daze. A drug induced daze. > > > I recognized it instantly, the", "disconnected from my > limbs. Only this was much heavier than the brain", "> I woke in a daze. A drug induced daze. > > >", "it instantly, the feeling of being disconnected from my > limbs. Only this", "sleep at bay. Slowly > blinking, the room came into focus. > >", "the room came into focus. > > > I was all alone. >", "my body wanted them to close again. The urge > to sleep was", "from my > limbs. Only this was much heavier than the brain fog", "that the > moment I opened my eyes, my body wanted them to", "usually had in my system. Heavy enough, that the > moment I opened", "say this section of copy has too many \"I's\" or even \"my's\"? >", "feeling of being disconnected from my > limbs. Only this was much heavier", "I recognized it instantly, the feeling of being disconnected from my > limbs.", "close again. The urge > to sleep was strong, but the scratchy texture", "> I recognized it instantly, the feeling of being disconnected from my >", "the little > blue and red pills I usually had in my system.", "drug induced daze. > > > I recognized it instantly, the feeling of", "or even \"my's\"? > > I woke in a daze. A drug induced", "in a daze. A drug induced daze. > > > I recognized it", "eyes, my body wanted them to close again. The urge > to sleep", "enough to hold sleep at bay. Slowly > blinking, the room came into", "irritated my senses enough to hold sleep at bay. Slowly > blinking, the", "to close again. The urge > to sleep was strong, but the scratchy", "system. Heavy enough, that the > moment I opened my eyes, my body", "a daze. A drug induced daze. > > > I recognized it instantly,", "red pills I usually had in my system. Heavy enough, that the >", "the scratchy texture of cheap sheets beneath > my skin irritated my senses", "of cheap sheets beneath > my skin irritated my senses enough to hold", "hold sleep at bay. Slowly > blinking, the room came into focus. >", "opened my eyes, my body wanted them to close again. The urge >", "has too many \"I's\" or even \"my's\"? > > I woke in a", "recognized it instantly, the feeling of being disconnected from my > limbs. Only", "wanted them to close again. The urge > to sleep was strong, but", "limbs. Only this was much heavier than the brain fog of the little", "scratchy texture of cheap sheets beneath > my skin irritated my senses enough", "Only this was much heavier than the brain fog of the little >", "even \"my's\"? > > I woke in a daze. A drug induced daze.", "fog of the little > blue and red pills I usually had in", "\"I's\" or even \"my's\"? > > I woke in a daze. A drug", "my > limbs. Only this was much heavier than the brain fog of", "my eyes, my body wanted them to close again. The urge > to", "> blue and red pills I usually had in my system. Heavy enough," ]
[ "am not looking for unsupported opinion; I'd like to see data, research, personal", "often have trouble deciding whether (or how often) to take breaks from writing,", "unsupported opinion; I'd like to see data, research, personal experience, or well-regarded advice", "eliminate anything distracting me from that. I am not looking for unsupported opinion;", "(or how often) to take breaks from writing, or to \"double down\" and", "distracting me from that. I am not looking for unsupported opinion; I'd like", "to take breaks from writing, or to \"double down\" and try to write,", "take breaks from writing, or to \"double down\" and try to write, and", "to write, and try to eliminate anything distracting me from that. I am", "not looking for unsupported opinion; I'd like to see data, research, personal experience,", "try to eliminate anything distracting me from that. I am not looking for", "to eliminate anything distracting me from that. I am not looking for unsupported", "down\" and try to write, and try to eliminate anything distracting me from", "or to \"double down\" and try to write, and try to eliminate anything", "I'd like to see data, research, personal experience, or well-regarded advice from pros.", "I often have trouble deciding whether (or how often) to take breaks from", "breaks from writing, or to \"double down\" and try to write, and try", "and try to write, and try to eliminate anything distracting me from that.", "to \"double down\" and try to write, and try to eliminate anything distracting", "whether (or how often) to take breaks from writing, or to \"double down\"", "writing, or to \"double down\" and try to write, and try to eliminate", "write, and try to eliminate anything distracting me from that. I am not", "me from that. I am not looking for unsupported opinion; I'd like to", "\"double down\" and try to write, and try to eliminate anything distracting me", "I am not looking for unsupported opinion; I'd like to see data, research,", "for unsupported opinion; I'd like to see data, research, personal experience, or well-regarded", "try to write, and try to eliminate anything distracting me from that. I", "and try to eliminate anything distracting me from that. I am not looking", "often) to take breaks from writing, or to \"double down\" and try to", "trouble deciding whether (or how often) to take breaks from writing, or to", "that. I am not looking for unsupported opinion; I'd like to see data,", "from that. I am not looking for unsupported opinion; I'd like to see", "from writing, or to \"double down\" and try to write, and try to", "opinion; I'd like to see data, research, personal experience, or well-regarded advice from", "anything distracting me from that. I am not looking for unsupported opinion; I'd", "deciding whether (or how often) to take breaks from writing, or to \"double", "looking for unsupported opinion; I'd like to see data, research, personal experience, or", "have trouble deciding whether (or how often) to take breaks from writing, or", "how often) to take breaks from writing, or to \"double down\" and try" ]
[ "(and *have* enjoyed) reading about**. I don't have any statistics for this claim,", "I don't have any statistics for this claim, but I'm fairly certain that", "subset of dystopian fiction (one where the protagonist suffers heavy losses), and the", "that their authors enjoy reading. My Question: **Should I write books focusing on", "same set of ideas) 2. **Writing about ideas that you would enjoy (and", "books that their authors enjoy reading. My Question: **Should I write books focusing", "to those that appear in the books that their authors enjoy reading. My", "where the protagonist suffers heavy losses), and the book which I'm planning to", "specific subset of dystopian fiction (one where the protagonist suffers heavy losses), and", "the protagonist suffers heavy losses), and the book which I'm planning to write", "like when the Hunger Games came out, many authors quickly released books which", "came out, many authors quickly released books which incorporated the same set of", "any statistics for this claim, but I'm fairly certain that many authors are", "enjoyed) reading about**. I don't have any statistics for this claim, but I'm", "have any statistics for this claim, but I'm fairly certain that many authors", "I can't verify this (yet) but it's certainly true for me; I enjoy", "it's certainly true for me; I enjoy reading a specific subset of dystopian", "of books they enjoy. I can't verify this (yet) but it's certainly true", "certainly true for me; I enjoy reading a specific subset of dystopian fiction", "of dystopian fiction (one where the protagonist suffers heavy losses), and the book", "authors quickly released books which incorporated the same set of ideas) 2. **Writing", "in the market** (a bit like when the Hunger Games came out, many", "that, ideas which appear in books are *very* similar to those that appear", "enjoy reading a specific subset of dystopian fiction (one where the protagonist suffers", "type of books they enjoy. I can't verify this (yet) but it's certainly", "similar to those that appear in the books that their authors enjoy reading.", "currently 'hot' in the market** (a bit like when the Hunger Games came", "set of ideas) 2. **Writing about ideas that you would enjoy (and *have*", "reading a specific subset of dystopian fiction (one where the protagonist suffers heavy", "the same set of ideas) 2. **Writing about ideas that you would enjoy", "reading about**. I don't have any statistics for this claim, but I'm fairly", "ideas which appear in the type of books they enjoy. I can't verify", "market** (a bit like when the Hunger Games came out, many authors quickly", "the type of books they enjoy. I can't verify this (yet) but it's", "when the Hunger Games came out, many authors quickly released books which incorporated", "fairly certain that many authors are influenced by the type of books they", "out, many authors quickly released books which incorporated the same set of ideas)", "that are currently 'hot' in the market** (a bit like when the Hunger", "to write features this key idea heavily. It seems to me, that, ideas", "(one where the protagonist suffers heavy losses), and the book which I'm planning", "type of books they read, and are heavily influenced by the ideas which", "ideas that you would enjoy (and *have* enjoyed) reading about**. I don't have", "this (yet) but it's certainly true for me; I enjoy reading a specific", "me; I enjoy reading a specific subset of dystopian fiction (one where the", "to me, that, ideas which appear in books are *very* similar to those", "*very* similar to those that appear in the books that their authors enjoy", "by the ideas which appear in the type of books they enjoy. I", "of books they read, and are heavily influenced by the ideas which appear", "(yet) but it's certainly true for me; I enjoy reading a specific subset", "the books that their authors enjoy reading. My Question: **Should I write books", "which appear in books are *very* similar to those that appear in the", "influenced by the type of books they read, and are heavily influenced by", "certain that many authors are influenced by the type of books they read,", "about**. I don't have any statistics for this claim, but I'm fairly certain", "planning to write features this key idea heavily. It seems to me, that,", "to writing: 1. **Writing about ideas that are currently 'hot' in the market**", "I'm planning to write features this key idea heavily. It seems to me,", "'hot' in the market** (a bit like when the Hunger Games came out,", "you would enjoy (and *have* enjoyed) reading about**. I don't have any statistics", "released books which incorporated the same set of ideas) 2. **Writing about ideas", "verify this (yet) but it's certainly true for me; I enjoy reading a", "idea heavily. It seems to me, that, ideas which appear in books are", "this claim, but I'm fairly certain that many authors are influenced by the", "and are heavily influenced by the ideas which appear in the type of", "authors enjoy reading. My Question: **Should I write books focusing on the market's", "heavy losses), and the book which I'm planning to write features this key", "are currently 'hot' in the market** (a bit like when the Hunger Games", "writing: 1. **Writing about ideas that are currently 'hot' in the market** (a", "but I'm fairly certain that many authors are influenced by the type of", "I'm fairly certain that many authors are influenced by the type of books", "authors are influenced by the type of books they read, and are heavily", "me, that, ideas which appear in books are *very* similar to those that", "that many authors are influenced by the type of books they read, and", "those that appear in the books that their authors enjoy reading. My Question:", "are heavily influenced by the ideas which appear in the type of books", "enjoy. I can't verify this (yet) but it's certainly true for me; I", "the type of books they read, and are heavily influenced by the ideas", "for me; I enjoy reading a specific subset of dystopian fiction (one where", "fiction (one where the protagonist suffers heavy losses), and the book which I'm", "true for me; I enjoy reading a specific subset of dystopian fiction (one", "I enjoy reading a specific subset of dystopian fiction (one where the protagonist", "incorporated the same set of ideas) 2. **Writing about ideas that you would", "My Question: **Should I write books focusing on the market's interests, or my", "are *very* similar to those that appear in the books that their authors", "heavily. It seems to me, that, ideas which appear in books are *very*", "this key idea heavily. It seems to me, that, ideas which appear in", "the market** (a bit like when the Hunger Games came out, many authors", "*have* enjoyed) reading about**. I don't have any statistics for this claim, but", "**Writing about ideas that are currently 'hot' in the market** (a bit like", "they read, and are heavily influenced by the ideas which appear in the", "losses), and the book which I'm planning to write features this key idea", "appear in the type of books they enjoy. I can't verify this (yet)", "about ideas that you would enjoy (and *have* enjoyed) reading about**. I don't", "can't verify this (yet) but it's certainly true for me; I enjoy reading", "in the books that their authors enjoy reading. My Question: **Should I write", "for this claim, but I'm fairly certain that many authors are influenced by", "books they read, and are heavily influenced by the ideas which appear in", "features this key idea heavily. It seems to me, that, ideas which appear", "don't have any statistics for this claim, but I'm fairly certain that many", "they enjoy. I can't verify this (yet) but it's certainly true for me;", "ideas that are currently 'hot' in the market** (a bit like when the", "influenced by the ideas which appear in the type of books they enjoy.", "bit like when the Hunger Games came out, many authors quickly released books", "which appear in the type of books they enjoy. I can't verify this", "are influenced by the type of books they read, and are heavily influenced", "which incorporated the same set of ideas) 2. **Writing about ideas that you", "quickly released books which incorporated the same set of ideas) 2. **Writing about", "Two approaches to writing: 1. **Writing about ideas that are currently 'hot' in", "the book which I'm planning to write features this key idea heavily. It", "claim, but I'm fairly certain that many authors are influenced by the type", "and the book which I'm planning to write features this key idea heavily.", "ideas which appear in books are *very* similar to those that appear in", "ideas) 2. **Writing about ideas that you would enjoy (and *have* enjoyed) reading", "book which I'm planning to write features this key idea heavily. It seems", "the Hunger Games came out, many authors quickly released books which incorporated the", "would enjoy (and *have* enjoyed) reading about**. I don't have any statistics for", "a specific subset of dystopian fiction (one where the protagonist suffers heavy losses),", "It seems to me, that, ideas which appear in books are *very* similar", "that appear in the books that their authors enjoy reading. My Question: **Should", "**Writing about ideas that you would enjoy (and *have* enjoyed) reading about**. I", "by the type of books they read, and are heavily influenced by the", "1. **Writing about ideas that are currently 'hot' in the market** (a bit", "heavily influenced by the ideas which appear in the type of books they", "Question: **Should I write books focusing on the market's interests, or my interests?**", "dystopian fiction (one where the protagonist suffers heavy losses), and the book which", "many authors quickly released books which incorporated the same set of ideas) 2.", "enjoy (and *have* enjoyed) reading about**. I don't have any statistics for this", "seems to me, that, ideas which appear in books are *very* similar to", "their authors enjoy reading. My Question: **Should I write books focusing on the", "suffers heavy losses), and the book which I'm planning to write features this", "Games came out, many authors quickly released books which incorporated the same set", "that you would enjoy (and *have* enjoyed) reading about**. I don't have any", "approaches to writing: 1. **Writing about ideas that are currently 'hot' in the", "about ideas that are currently 'hot' in the market** (a bit like when", "key idea heavily. It seems to me, that, ideas which appear in books", "appear in the books that their authors enjoy reading. My Question: **Should I", "of ideas) 2. **Writing about ideas that you would enjoy (and *have* enjoyed)", "books they enjoy. I can't verify this (yet) but it's certainly true for", "2. **Writing about ideas that you would enjoy (and *have* enjoyed) reading about**.", "many authors are influenced by the type of books they read, and are", "but it's certainly true for me; I enjoy reading a specific subset of", "enjoy reading. My Question: **Should I write books focusing on the market's interests,", "books which incorporated the same set of ideas) 2. **Writing about ideas that", "the ideas which appear in the type of books they enjoy. I can't", "(a bit like when the Hunger Games came out, many authors quickly released", "reading. My Question: **Should I write books focusing on the market's interests, or", "read, and are heavily influenced by the ideas which appear in the type", "protagonist suffers heavy losses), and the book which I'm planning to write features", "write features this key idea heavily. It seems to me, that, ideas which", "in books are *very* similar to those that appear in the books that", "appear in books are *very* similar to those that appear in the books", "statistics for this claim, but I'm fairly certain that many authors are influenced", "Hunger Games came out, many authors quickly released books which incorporated the same", "in the type of books they enjoy. I can't verify this (yet) but", "books are *very* similar to those that appear in the books that their", "which I'm planning to write features this key idea heavily. It seems to" ]
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When he comes back to his town, he", "But, I'm still worried that the background similarities and the similarities of the", "The Wattpad story is a slow-burn romance, while mine is more like love", "youngest sister's best friend, and she used to have a crush on him", "with their friends. Marlyo goes with Dived's sister and Dived goes with two", "large family, namely three sisters, a brother, and his parents. When he comes", "good friend and the girl who lives next door, Sophie. Sophie is several", "the two scenes might make it copyright infringing or plagiarism. What would you", "male protagonist, Dived, she is also his youngest sister's best friend, and she", "is a fall season themed romance. Now, I was reading online, and I", "everything is completely different. But these above similarities are there, along with two", "this story before writing my story. However, I'm worried my story sounds like", "internship. They meet again when they both go to Dived's family summerhouse for", "my story sounds like a rip-off. The plot points, events, incidents, dialogues, everything", "his mom, but his dad died years ago. Marlyo had a neglecting, unloving", "is a bonfire scene in my story, and there is a bonfire scene", "again, has a large family, consisting of four sisters and his mom, but", "a swim. Secondly, there is a bonfire scene in my story, and there", "a summer-themed romance. In there, the female protagonist, Marlyo is in college and", "fall season themed romance. Now, I was reading online, and I found a", "I know copyright infringement and plagiarism are different, but would my story fall", "goes with Dived's sister and Dived goes with two of his male friends.", "in my story is completely different than the Wattpad story. The Wattpad story", "unloving mother and her father walked out on her when she was a", "neglecting, unloving mother and her father walked out on her when she was", "when Pedez sees the beautiful woman Sophie has grown into from being a", "her mother passed away when she was in high school. It is a", "scenes are executed completely different. But apart from these two scenes, and the", "Now, I was reading online, and I found a story on Wattpad that", "story as well. The bonfire scenes are executed completely different. But apart from", "story. However, I'm worried my story sounds like a rip-off. The plot points,", "LA. In the fall, he comes back to his hometown, a small town", "family summerhouse for a vacation with their friends. Marlyo goes with Dived's sister", "go to Dived's family summerhouse for a vacation with their friends. Marlyo goes", "ago. Marlyo had a neglecting, unloving mother and her father walked out on", "are there, along with two scenes. In a scene of my story, Pedez", "years. He has a large family, namely three sisters, a brother, and his", "years ago. Marlyo had a neglecting, unloving mother and her father walked out", "protagonist, Marlyo is in college and eight years younger than the male protagonist,", "know the plot of both the stories sound similar, but I had not", "other story as well. The bonfire scenes are executed completely different. But apart", "are neighbours and their rooms are opposite to each other with windows facing", "the town, and her mother passed away when she was in high school.", "town in New Jersey, after a gap of three years. He has a", "found a story on Wattpad that is quite similar to my story. The", "sounds like a rip-off. The plot points, events, incidents, dialogues, everything is completely", "story is completely different than the Wattpad story. The Wattpad story is a", "are opposite to each other with windows facing each other. And in the", "his town, he meets his youngest sister's good friend and the girl who", "So, I'm writing a novella about this guy named Pedez, who is an", "best friend, and she used to have a crush on him when she", "these two scenes, and the obvious background similarities, nothing else is similar. The", "and her mother passed away when she was in high school. It is", "at first sight. But, I'm still worried that the background similarities and the", "a one-sided love, and led to heartbreak when Pedez moved to LA. Sophie's", "doctor, entering his internship. They meet again when they both go to Dived's", "they both go to Dived's family summerhouse for a vacation with their friends.", "their friends. Marlyo goes with Dived's sister and Dived goes with two of", "What would you say? I know copyright infringement and plagiarism are different, but", "she was in high school. It is a fall season themed romance. Now,", "a small town in New Jersey, after a gap of three years. He", "the girl who lives next door, Sophie. Sophie is several years younger than", "was in high school. It is a fall season themed romance. Now, I", "is in college and eight years younger than the male protagonist, Dived, she", "father is the sheriff of the town, and her mother passed away when", "is similar. The development of the romance in my story is completely different", "two scenes, and the obvious background similarities, nothing else is similar. The development", "Dived watches Marlyo naked on the docks as she goes out for a", "when she was a little kid. Now, I know the plot of both", "They feel attracted towards each other. Dived, again, has a large family, consisting", "windows facing each other. And in the Wattpad story, Dived watches Marlyo naked", "The bonfire scenes are executed completely different. But apart from these two scenes,", "The plot points, events, incidents, dialogues, everything is completely different. But these above", "Dived is a doctor, entering his internship. They meet again when they both", "Dived, she is also his youngest sister's best friend, and she used to", "When he comes back to his town, he meets his youngest sister's good", "had a neglecting, unloving mother and her father walked out on her when", "there is a bonfire scene in my story, and there is a bonfire", "sophomore year of college. Naturally, when Pedez sees the beautiful woman Sophie has", "has a large family, consisting of four sisters and his mom, but his", "dad died years ago. Marlyo had a neglecting, unloving mother and her father", "And in the Wattpad story, Dived watches Marlyo naked on the docks as", "mine is more like love at first sight. But, I'm still worried that", "Wattpad that is quite similar to my story. The Wattpad story is a", "vacation with their friends. Marlyo goes with Dived's sister and Dived goes with", "a little kid. Now, I know the plot of both the stories sound", "kid, he feels attracted to her. Now, Sophie secretly used to love Pedez", "a kid. Dived is a doctor, entering his internship. They meet again when", "writing my story. However, I'm worried my story sounds like a rip-off. The", "on her when she was a little kid. Now, I know the plot", "have a crush on him when she was a kid. Dived is a", "story before writing my story. However, I'm worried my story sounds like a", "gap of three years. He has a large family, namely three sisters, a", "sound similar, but I had not read this story before writing my story.", "docks as she goes out for a swim. Secondly, there is a bonfire", "Pedez, and is in sophomore year of college. Naturally, when Pedez sees the", "feel attracted towards each other. Dived, again, has a large family, consisting of", "and the similarities of the two scenes might make it copyright infringing or", "Pedez sees the beautiful woman Sophie has grown into from being a little", "but I had not read this story before writing my story. However, I'm", "back to his town, he meets his youngest sister's good friend and the", "similarities and the similarities of the two scenes might make it copyright infringing", "above similarities are there, along with two scenes. In a scene of my", "there, the female protagonist, Marlyo is in college and eight years younger than", "Sophie secretly used to love Pedez before he left for LA, but it", "two scenes might make it copyright infringing or plagiarism. What would you say?", "rooms are opposite to each other with windows facing each other. And in", "he feels attracted to her. Now, Sophie secretly used to love Pedez before", "his male friends. They feel attracted towards each other. Dived, again, has a", "meets his youngest sister's good friend and the girl who lives next door,", "scene in my story, and there is a bonfire scene in the other", "a rip-off. The plot points, events, incidents, dialogues, everything is completely different. But", "Wattpad story is a summer-themed romance. In there, the female protagonist, Marlyo is", "scenes, and the obvious background similarities, nothing else is similar. The development of", "living in LA. In the fall, he comes back to his hometown, a", "Dived's sister and Dived goes with two of his male friends. They feel", "male friends. They feel attracted towards each other. Dived, again, has a large", "Sophie undress from his room because they are neighbours and their rooms are", "college. Naturally, when Pedez sees the beautiful woman Sophie has grown into from", "from these two scenes, and the obvious background similarities, nothing else is similar.", "a story on Wattpad that is quite similar to my story. The Wattpad", "watches Marlyo naked on the docks as she goes out for a swim.", "completely different. But these above similarities are there, along with two scenes. In", "a gap of three years. He has a large family, namely three sisters,", "completely different. But apart from these two scenes, and the obvious background similarities,", "completely different than the Wattpad story. The Wattpad story is a slow-burn romance,", "apart from these two scenes, and the obvious background similarities, nothing else is", "three years. He has a large family, namely three sisters, a brother, and", "he meets his youngest sister's good friend and the girl who lives next", "moved to LA. Sophie's father is the sheriff of the town, and her", "with Dived's sister and Dived goes with two of his male friends. They", "sisters, a brother, and his parents. When he comes back to his town,", "mother passed away when she was in high school. It is a fall", "of four sisters and his mom, but his dad died years ago. Marlyo", "than the male protagonist, Dived, she is also his youngest sister's best friend,", "along with two scenes. In a scene of my story, Pedez watches Sophie", "fall, he comes back to his hometown, a small town in New Jersey,", "than the Wattpad story. The Wattpad story is a slow-burn romance, while mine", "is several years younger than Pedez, and is in sophomore year of college.", "story. The Wattpad story is a summer-themed romance. In there, the female protagonist,", "Pedez moved to LA. Sophie's father is the sheriff of the town, and", "four sisters and his mom, but his dad died years ago. Marlyo had", "for LA, but it was a one-sided love, and led to heartbreak when", "with two of his male friends. They feel attracted towards each other. Dived,", "his hometown, a small town in New Jersey, after a gap of three", "romance in my story is completely different than the Wattpad story. The Wattpad", "a crush on him when she was a kid. Dived is a doctor,", "to her. Now, Sophie secretly used to love Pedez before he left for", "I had not read this story before writing my story. However, I'm worried", "family, namely three sisters, a brother, and his parents. When he comes back", "In there, the female protagonist, Marlyo is in college and eight years younger", "a little kid, he feels attracted to her. Now, Sophie secretly used to", "before he left for LA, but it was a one-sided love, and led", "However, I'm worried my story sounds like a rip-off. The plot points, events,", "different. But these above similarities are there, along with two scenes. In a", "Sophie has grown into from being a little kid, he feels attracted to", "to his hometown, a small town in New Jersey, after a gap of", "school. It is a fall season themed romance. Now, I was reading online,", "and plagiarism are different, but would my story fall in either categories? Thank", "his parents. When he comes back to his town, he meets his youngest", "romance, while mine is more like love at first sight. But, I'm still", "different, but would my story fall in either categories? Thank you in advance.", "family, consisting of four sisters and his mom, but his dad died years", "nothing else is similar. The development of the romance in my story is", "similar, but I had not read this story before writing my story. However,", "that the background similarities and the similarities of the two scenes might make", "she is also his youngest sister's best friend, and she used to have", "she was a little kid. Now, I know the plot of both the", "scene of my story, Pedez watches Sophie undress from his room because they", "after a gap of three years. He has a large family, namely three", "when Pedez moved to LA. Sophie's father is the sheriff of the town,", "consisting of four sisters and his mom, but his dad died years ago.", "to my story. The Wattpad story is a summer-themed romance. In there, the", "small town in New Jersey, after a gap of three years. He has", "rip-off. The plot points, events, incidents, dialogues, everything is completely different. But these", "story is a summer-themed romance. In there, the female protagonist, Marlyo is in", "a large family, namely three sisters, a brother, and his parents. When he", "of three years. He has a large family, namely three sisters, a brother,", "next door, Sophie. Sophie is several years younger than Pedez, and is in", "there, along with two scenes. In a scene of my story, Pedez watches", "his youngest sister's best friend, and she used to have a crush on", "and eight years younger than the male protagonist, Dived, she is also his", "was a one-sided love, and led to heartbreak when Pedez moved to LA.", "before writing my story. However, I'm worried my story sounds like a rip-off.", "there is a bonfire scene in the other story as well. The bonfire", "namely three sisters, a brother, and his parents. When he comes back to", "my story. The Wattpad story is a summer-themed romance. In there, the female", "of my story, Pedez watches Sophie undress from his room because they are", "girl who lives next door, Sophie. Sophie is several years younger than Pedez,", "to heartbreak when Pedez moved to LA. Sophie's father is the sheriff of", "brother, and his parents. When he comes back to his town, he meets", "years younger than the male protagonist, Dived, she is also his youngest sister's", "a fall season themed romance. Now, I was reading online, and I found", "town, he meets his youngest sister's good friend and the girl who lives", "this guy named Pedez, who is an actor living in LA. In the", "on Wattpad that is quite similar to my story. The Wattpad story is", "the docks as she goes out for a swim. Secondly, there is a", "friends. Marlyo goes with Dived's sister and Dived goes with two of his", "Marlyo goes with Dived's sister and Dived goes with two of his male", "had not read this story before writing my story. However, I'm worried my", "obvious background similarities, nothing else is similar. The development of the romance in", "one-sided love, and led to heartbreak when Pedez moved to LA. Sophie's father", "each other with windows facing each other. And in the Wattpad story, Dived", "It is a fall season themed romance. Now, I was reading online, and", "about this guy named Pedez, who is an actor living in LA. In", "scenes might make it copyright infringing or plagiarism. What would you say? I", "In a scene of my story, Pedez watches Sophie undress from his room", "my story. However, I'm worried my story sounds like a rip-off. The plot", "or plagiarism. What would you say? I know copyright infringement and plagiarism are", "I'm worried my story sounds like a rip-off. The plot points, events, incidents,", "with two scenes. In a scene of my story, Pedez watches Sophie undress", "to each other with windows facing each other. And in the Wattpad story,", "from being a little kid, he feels attracted to her. Now, Sophie secretly", "kid. Now, I know the plot of both the stories sound similar, but", "who is an actor living in LA. In the fall, he comes back", "out for a swim. Secondly, there is a bonfire scene in my story,", "New Jersey, after a gap of three years. He has a large family,", "of the town, and her mother passed away when she was in high", "who lives next door, Sophie. Sophie is several years younger than Pedez, and", "a vacation with their friends. Marlyo goes with Dived's sister and Dived goes", "plot of both the stories sound similar, but I had not read this", "Marlyo naked on the docks as she goes out for a swim. Secondly,", "online, and I found a story on Wattpad that is quite similar to", "goes out for a swim. Secondly, there is a bonfire scene in my", "as she goes out for a swim. Secondly, there is a bonfire scene", "parents. When he comes back to his town, he meets his youngest sister's", "beautiful woman Sophie has grown into from being a little kid, he feels", "summer-themed romance. In there, the female protagonist, Marlyo is in college and eight", "being a little kid, he feels attracted to her. Now, Sophie secretly used", "opposite to each other with windows facing each other. And in the Wattpad", "and the obvious background similarities, nothing else is similar. The development of the", "but his dad died years ago. Marlyo had a neglecting, unloving mother and", "a neglecting, unloving mother and her father walked out on her when she", "copyright infringement and plagiarism are different, but would my story fall in either", "woman Sophie has grown into from being a little kid, he feels attracted", "Sophie is several years younger than Pedez, and is in sophomore year of", "scenes. In a scene of my story, Pedez watches Sophie undress from his", "is quite similar to my story. The Wattpad story is a summer-themed romance.", "first sight. But, I'm still worried that the background similarities and the similarities", "as well. The bonfire scenes are executed completely different. But apart from these", "is a slow-burn romance, while mine is more like love at first sight.", "the fall, he comes back to his hometown, a small town in New", "you say? I know copyright infringement and plagiarism are different, but would my", "they are neighbours and their rooms are opposite to each other with windows", "female protagonist, Marlyo is in college and eight years younger than the male", "she goes out for a swim. Secondly, there is a bonfire scene in", "her. Now, Sophie secretly used to love Pedez before he left for LA,", "Sophie's father is the sheriff of the town, and her mother passed away", "several years younger than Pedez, and is in sophomore year of college. Naturally,", "I'm writing a novella about this guy named Pedez, who is an actor", "Pedez, who is an actor living in LA. In the fall, he comes", "attracted towards each other. Dived, again, has a large family, consisting of four", "on him when she was a kid. Dived is a doctor, entering his", "The Wattpad story is a summer-themed romance. In there, the female protagonist, Marlyo", "love Pedez before he left for LA, but it was a one-sided love,", "worried that the background similarities and the similarities of the two scenes might", "used to love Pedez before he left for LA, but it was a", "he comes back to his hometown, a small town in New Jersey, after", "slow-burn romance, while mine is more like love at first sight. But, I'm", "novella about this guy named Pedez, who is an actor living in LA.", "mother and her father walked out on her when she was a little", "points, events, incidents, dialogues, everything is completely different. But these above similarities are", "and his parents. When he comes back to his town, he meets his", "Secondly, there is a bonfire scene in my story, and there is a", "was a kid. Dived is a doctor, entering his internship. They meet again", "has grown into from being a little kid, he feels attracted to her.", "Now, Sophie secretly used to love Pedez before he left for LA, but", "worried my story sounds like a rip-off. The plot points, events, incidents, dialogues,", "is in sophomore year of college. Naturally, when Pedez sees the beautiful woman", "left for LA, but it was a one-sided love, and led to heartbreak", "Naturally, when Pedez sees the beautiful woman Sophie has grown into from being", "friend and the girl who lives next door, Sophie. Sophie is several years", "But apart from these two scenes, and the obvious background similarities, nothing else", "heartbreak when Pedez moved to LA. Sophie's father is the sheriff of the", "died years ago. Marlyo had a neglecting, unloving mother and her father walked", "and I found a story on Wattpad that is quite similar to my", "high school. It is a fall season themed romance. Now, I was reading", "mom, but his dad died years ago. Marlyo had a neglecting, unloving mother", "year of college. Naturally, when Pedez sees the beautiful woman Sophie has grown", "I'm still worried that the background similarities and the similarities of the two", "and the girl who lives next door, Sophie. Sophie is several years younger", "similarities, nothing else is similar. The development of the romance in my story", "story sounds like a rip-off. The plot points, events, incidents, dialogues, everything is", "my story is completely different than the Wattpad story. The Wattpad story is", "Pedez before he left for LA, but it was a one-sided love, and", "actor living in LA. In the fall, he comes back to his hometown,", "reading online, and I found a story on Wattpad that is quite similar", "their rooms are opposite to each other with windows facing each other. And", "younger than the male protagonist, Dived, she is also his youngest sister's best", "to have a crush on him when she was a kid. Dived is", "a scene of my story, Pedez watches Sophie undress from his room because", "well. The bonfire scenes are executed completely different. But apart from these two", "his youngest sister's good friend and the girl who lives next door, Sophie.", "is more like love at first sight. But, I'm still worried that the", "than Pedez, and is in sophomore year of college. Naturally, when Pedez sees", "grown into from being a little kid, he feels attracted to her. Now,", "it was a one-sided love, and led to heartbreak when Pedez moved to", "because they are neighbours and their rooms are opposite to each other with", "secretly used to love Pedez before he left for LA, but it was", "in LA. In the fall, he comes back to his hometown, a small", "it copyright infringing or plagiarism. What would you say? I know copyright infringement", "more like love at first sight. But, I'm still worried that the background", "walked out on her when she was a little kid. Now, I know", "other. Dived, again, has a large family, consisting of four sisters and his", "stories sound similar, but I had not read this story before writing my", "the sheriff of the town, and her mother passed away when she was", "the plot of both the stories sound similar, but I had not read", "Pedez watches Sophie undress from his room because they are neighbours and their", "swim. Secondly, there is a bonfire scene in my story, and there is", "meet again when they both go to Dived's family summerhouse for a vacation", "of the two scenes might make it copyright infringing or plagiarism. What would", "bonfire scene in my story, and there is a bonfire scene in the", "younger than Pedez, and is in sophomore year of college. Naturally, when Pedez", "friends. They feel attracted towards each other. Dived, again, has a large family,", "guy named Pedez, who is an actor living in LA. In the fall,", "plagiarism are different, but would my story fall in either categories? Thank you", "back to his hometown, a small town in New Jersey, after a gap", "friend, and she used to have a crush on him when she was", "I know the plot of both the stories sound similar, but I had", "of college. Naturally, when Pedez sees the beautiful woman Sophie has grown into", "for a vacation with their friends. Marlyo goes with Dived's sister and Dived", "while mine is more like love at first sight. But, I'm still worried", "plagiarism. What would you say? I know copyright infringement and plagiarism are different,", "comes back to his town, he meets his youngest sister's good friend and", "are different, but would my story fall in either categories? Thank you in", "is the sheriff of the town, and her mother passed away when she", "into from being a little kid, he feels attracted to her. Now, Sophie", "also his youngest sister's best friend, and she used to have a crush", "the background similarities and the similarities of the two scenes might make it", "quite similar to my story. The Wattpad story is a summer-themed romance. In", "and led to heartbreak when Pedez moved to LA. Sophie's father is the", "the similarities of the two scenes might make it copyright infringing or plagiarism.", "plot points, events, incidents, dialogues, everything is completely different. But these above similarities", "in the other story as well. The bonfire scenes are executed completely different.", "say? I know copyright infringement and plagiarism are different, but would my story", "little kid, he feels attracted to her. Now, Sophie secretly used to love", "door, Sophie. Sophie is several years younger than Pedez, and is in sophomore", "still worried that the background similarities and the similarities of the two scenes", "sight. But, I'm still worried that the background similarities and the similarities of", "Now, I know the plot of both the stories sound similar, but I", "and Dived goes with two of his male friends. They feel attracted towards", "the Wattpad story, Dived watches Marlyo naked on the docks as she goes", "bonfire scene in the other story as well. The bonfire scenes are executed", "in high school. It is a fall season themed romance. Now, I was", "other with windows facing each other. And in the Wattpad story, Dived watches", "neighbours and their rooms are opposite to each other with windows facing each", "are executed completely different. But apart from these two scenes, and the obvious", "in sophomore year of college. Naturally, when Pedez sees the beautiful woman Sophie", "scene in the other story as well. The bonfire scenes are executed completely", "like love at first sight. But, I'm still worried that the background similarities", "three sisters, a brother, and his parents. When he comes back to his", "has a large family, namely three sisters, a brother, and his parents. When", "I was reading online, and I found a story on Wattpad that is", "attracted to her. Now, Sophie secretly used to love Pedez before he left", "and his mom, but his dad died years ago. Marlyo had a neglecting,", "college and eight years younger than the male protagonist, Dived, she is also", "is also his youngest sister's best friend, and she used to have a", "love at first sight. But, I'm still worried that the background similarities and", "little kid. Now, I know the plot of both the stories sound similar,", "of his male friends. They feel attracted towards each other. Dived, again, has", "similarities of the two scenes might make it copyright infringing or plagiarism. What", "infringing or plagiarism. What would you say? I know copyright infringement and plagiarism", "sister and Dived goes with two of his male friends. They feel attracted", "I found a story on Wattpad that is quite similar to my story.", "writing a novella about this guy named Pedez, who is an actor living", "of the romance in my story is completely different than the Wattpad story.", "to LA. Sophie's father is the sheriff of the town, and her mother", "sheriff of the town, and her mother passed away when she was in", "the stories sound similar, but I had not read this story before writing", "But these above similarities are there, along with two scenes. In a scene", "might make it copyright infringing or plagiarism. What would you say? I know", "infringement and plagiarism are different, but would my story fall in either categories?", "an actor living in LA. In the fall, he comes back to his", "Dived goes with two of his male friends. They feel attracted towards each", "towards each other. Dived, again, has a large family, consisting of four sisters", "facing each other. And in the Wattpad story, Dived watches Marlyo naked on", "named Pedez, who is an actor living in LA. In the fall, he", "is completely different than the Wattpad story. The Wattpad story is a slow-burn", "Marlyo is in college and eight years younger than the male protagonist, Dived,", "she used to have a crush on him when she was a kid.", "In the fall, he comes back to his hometown, a small town in", "but it was a one-sided love, and led to heartbreak when Pedez moved", "these above similarities are there, along with two scenes. In a scene of", "a doctor, entering his internship. They meet again when they both go to", "sister's good friend and the girl who lives next door, Sophie. Sophie is", "LA. Sophie's father is the sheriff of the town, and her mother passed", "that is quite similar to my story. The Wattpad story is a summer-themed", "They meet again when they both go to Dived's family summerhouse for a", "Marlyo had a neglecting, unloving mother and her father walked out on her", "naked on the docks as she goes out for a swim. Secondly, there", "similar to my story. The Wattpad story is a summer-themed romance. In there,", "and her father walked out on her when she was a little kid.", "both go to Dived's family summerhouse for a vacation with their friends. Marlyo", "she was a kid. Dived is a doctor, entering his internship. They meet", "two scenes. In a scene of my story, Pedez watches Sophie undress from", "different than the Wattpad story. The Wattpad story is a slow-burn romance, while", "out on her when she was a little kid. Now, I know the", "when she was a kid. Dived is a doctor, entering his internship. They", "background similarities and the similarities of the two scenes might make it copyright", "large family, consisting of four sisters and his mom, but his dad died", "read this story before writing my story. However, I'm worried my story sounds", "town, and her mother passed away when she was in high school. It", "is an actor living in LA. In the fall, he comes back to", "his internship. They meet again when they both go to Dived's family summerhouse", "story. The Wattpad story is a slow-burn romance, while mine is more like", "for a swim. Secondly, there is a bonfire scene in my story, and", "sisters and his mom, but his dad died years ago. Marlyo had a", "not read this story before writing my story. However, I'm worried my story", "incidents, dialogues, everything is completely different. But these above similarities are there, along", "my story, Pedez watches Sophie undress from his room because they are neighbours", "youngest sister's good friend and the girl who lives next door, Sophie. Sophie", "the romance in my story is completely different than the Wattpad story. The", "the female protagonist, Marlyo is in college and eight years younger than the", "used to have a crush on him when she was a kid. Dived", "Wattpad story, Dived watches Marlyo naked on the docks as she goes out", "of both the stories sound similar, but I had not read this story", "years younger than Pedez, and is in sophomore year of college. Naturally, when", "romance. In there, the female protagonist, Marlyo is in college and eight years", "in college and eight years younger than the male protagonist, Dived, she is", "the obvious background similarities, nothing else is similar. The development of the romance", "to his town, he meets his youngest sister's good friend and the girl", "He has a large family, namely three sisters, a brother, and his parents.", "when she was in high school. It is a fall season themed romance.", "story, Dived watches Marlyo naked on the docks as she goes out for", "a bonfire scene in the other story as well. The bonfire scenes are", "her father walked out on her when she was a little kid. Now,", "events, incidents, dialogues, everything is completely different. But these above similarities are there,", "hometown, a small town in New Jersey, after a gap of three years.", "lives next door, Sophie. Sophie is several years younger than Pedez, and is", "in my story, and there is a bonfire scene in the other story", "is completely different. But these above similarities are there, along with two scenes.", "room because they are neighbours and their rooms are opposite to each other", "story is a slow-burn romance, while mine is more like love at first", "his room because they are neighbours and their rooms are opposite to each", "to love Pedez before he left for LA, but it was a one-sided", "romance. Now, I was reading online, and I found a story on Wattpad", "each other. And in the Wattpad story, Dived watches Marlyo naked on the", "like a rip-off. The plot points, events, incidents, dialogues, everything is completely different.", "dialogues, everything is completely different. But these above similarities are there, along with", "else is similar. The development of the romance in my story is completely", "away when she was in high school. It is a fall season themed", "a large family, consisting of four sisters and his mom, but his dad", "him when she was a kid. Dived is a doctor, entering his internship.", "entering his internship. They meet again when they both go to Dived's family", "was a little kid. Now, I know the plot of both the stories", "led to heartbreak when Pedez moved to LA. Sophie's father is the sheriff", "was reading online, and I found a story on Wattpad that is quite", "when they both go to Dived's family summerhouse for a vacation with their", "Dived's family summerhouse for a vacation with their friends. Marlyo goes with Dived's", "kid. Dived is a doctor, entering his internship. They meet again when they", "summerhouse for a vacation with their friends. Marlyo goes with Dived's sister and", "make it copyright infringing or plagiarism. What would you say? I know copyright", "each other. Dived, again, has a large family, consisting of four sisters and", "season themed romance. Now, I was reading online, and I found a story", "sees the beautiful woman Sophie has grown into from being a little kid,", "love, and led to heartbreak when Pedez moved to LA. Sophie's father is", "he comes back to his town, he meets his youngest sister's good friend", "sister's best friend, and she used to have a crush on him when", "her when she was a little kid. Now, I know the plot of", "LA, but it was a one-sided love, and led to heartbreak when Pedez", "with windows facing each other. And in the Wattpad story, Dived watches Marlyo", "and is in sophomore year of college. Naturally, when Pedez sees the beautiful", "protagonist, Dived, she is also his youngest sister's best friend, and she used", "would you say? I know copyright infringement and plagiarism are different, but would", "to Dived's family summerhouse for a vacation with their friends. Marlyo goes with", "in New Jersey, after a gap of three years. He has a large", "a bonfire scene in my story, and there is a bonfire scene in", "two of his male friends. They feel attracted towards each other. Dived, again,", "watches Sophie undress from his room because they are neighbours and their rooms", "passed away when she was in high school. It is a fall season", "from his room because they are neighbours and their rooms are opposite to", "similar. The development of the romance in my story is completely different than", "he left for LA, but it was a one-sided love, and led to", "his dad died years ago. Marlyo had a neglecting, unloving mother and her", "know copyright infringement and plagiarism are different, but would my story fall in", "is a bonfire scene in the other story as well. The bonfire scenes", "Wattpad story. The Wattpad story is a slow-burn romance, while mine is more", "copyright infringing or plagiarism. What would you say? I know copyright infringement and", "undress from his room because they are neighbours and their rooms are opposite", "crush on him when she was a kid. Dived is a doctor, entering", "eight years younger than the male protagonist, Dived, she is also his youngest", "father walked out on her when she was a little kid. Now, I", "Sophie. Sophie is several years younger than Pedez, and is in sophomore year", "similarities are there, along with two scenes. In a scene of my story,", "and there is a bonfire scene in the other story as well. The", "and she used to have a crush on him when she was a", "again when they both go to Dived's family summerhouse for a vacation with", "is a summer-themed romance. In there, the female protagonist, Marlyo is in college", "the Wattpad story. The Wattpad story is a slow-burn romance, while mine is", "development of the romance in my story is completely different than the Wattpad", "both the stories sound similar, but I had not read this story before", "other. And in the Wattpad story, Dived watches Marlyo naked on the docks", "a slow-burn romance, while mine is more like love at first sight. But,", "story, Pedez watches Sophie undress from his room because they are neighbours and", "story, and there is a bonfire scene in the other story as well.", "The development of the romance in my story is completely different than the", "background similarities, nothing else is similar. The development of the romance in my", "my story, and there is a bonfire scene in the other story as", "executed completely different. But apart from these two scenes, and the obvious background", "is a doctor, entering his internship. They meet again when they both go", "bonfire scenes are executed completely different. But apart from these two scenes, and", "Wattpad story is a slow-burn romance, while mine is more like love at", "in the Wattpad story, Dived watches Marlyo naked on the docks as she", "a novella about this guy named Pedez, who is an actor living in", "comes back to his hometown, a small town in New Jersey, after a", "Dived, again, has a large family, consisting of four sisters and his mom,", "the beautiful woman Sophie has grown into from being a little kid, he" ]
[ "(If this is classed as too-broad or should be put in a different", "you'll recall the line \"No resurrections this time\" being said in the scene", "and just as ways for the writer to prolong their story if they're", "to be resurrected later on in the series. They can be quite effective", "around the theme of resurrections. Many successful books (and movies/comics) have had main", "hands (literally) of the antagonist. My question revolves around the theme of resurrections.", "characters killed off, only to be resurrected later on in the series. They", "of Loki in the MCU), but can also be seen as lazy writing", "as ways for the writer to prolong their story if they're not used", "question revolves around the theme of resurrections. Many successful books (and movies/comics) have", "*Avengers: Infinity War*, you'll recall the line \"No resurrections this time\" being said", "a successful resurrection?** How can a writer successfully write a resurrection which is", "a main character at the hands (literally) of the antagonist. My question revolves", "implemented correctly (such as those of Loki in the MCU), but can also", "(and movies/comics) have had main characters killed off, only to be resurrected later", "as those of Loki in the MCU), but can also be seen as", "a resurrection which is effective and isn't seen as a cheap way out?", "to prolong their story if they're not used correctly. As resurrections have been", "had main characters killed off, only to be resurrected later on in the", "of a main character at the hands (literally) of the antagonist. My question", "my book contains a few resurrections (/this-character-never-died moments) I was wondering ... **what", "main character? (If this is classed as too-broad or should be put in", "Many successful books (and movies/comics) have had main characters killed off, only to", "the first (arguably second) on-screen death of a main character at the hands", "used correctly. As resurrections have been carried out to varying levels of success,", "Infinity War*, you'll recall the line \"No resurrections this time\" being said in", "theme of resurrections. Many successful books (and movies/comics) have had main characters killed", "the same main character? (If this is classed as too-broad or should be", "If you've seen *Avengers: Infinity War*, you'll recall the line \"No resurrections this", "successfully write a resurrection which is effective and isn't seen as a cheap", "was wondering ... **what makes a successful resurrection?** How can a writer successfully", "put in a different question, I'll edit this bit out and do as", "(/this-character-never-died moments) I was wondering ... **what makes a successful resurrection?** How can", "if they're not used correctly. As resurrections have been carried out to varying", "resurrections. Many successful books (and movies/comics) have had main characters killed off, only", "be quite effective if they're implemented correctly (such as those of Loki in", "in the series. They can be quite effective if they're implemented correctly (such", "they're implemented correctly (such as those of Loki in the MCU), but can", "varying levels of success, and as my book contains a few resurrections (/this-character-never-died", "have had main characters killed off, only to be resurrected later on in", "moments) I was wondering ... **what makes a successful resurrection?** How can a", "seen as a cheap way out? Note: If possible, please can answers include", "you've seen *Avengers: Infinity War*, you'll recall the line \"No resurrections this time\"", "can be quite effective if they're implemented correctly (such as those of Loki", "have been carried out to varying levels of success, and as my book", "as too-broad or should be put in a different question, I'll edit this", "How can a writer successfully write a resurrection which is effective and isn't", "in a different question, I'll edit this bit out and do as suggested)", "successful resurrection?** How can a writer successfully write a resurrection which is effective", "this time\" being said in the scene just after the first (arguably second)", "seen as lazy writing and just as ways for the writer to prolong", "carried out to varying levels of success, and as my book contains a", "wondering ... **what makes a successful resurrection?** How can a writer successfully write", "recall the line \"No resurrections this time\" being said in the scene just", "can also be seen as lazy writing and just as ways for the", "resurrections (/this-character-never-died moments) I was wondering ... **what makes a successful resurrection?** How", "to varying levels of success, and as my book contains a few resurrections", "possible, please can answers include advice regarding multiple resurrections of the same main", "a cheap way out? Note: If possible, please can answers include advice regarding", "classed as too-broad or should be put in a different question, I'll edit", "in the scene just after the first (arguably second) on-screen death of a", "resurrected later on in the series. They can be quite effective if they're", "the writer to prolong their story if they're not used correctly. As resurrections", "second) on-screen death of a main character at the hands (literally) of the", "been carried out to varying levels of success, and as my book contains", "if they're implemented correctly (such as those of Loki in the MCU), but", "As resurrections have been carried out to varying levels of success, and as", "makes a successful resurrection?** How can a writer successfully write a resurrection which", "resurrection which is effective and isn't seen as a cheap way out? Note:", "the scene just after the first (arguably second) on-screen death of a main", "at the hands (literally) of the antagonist. My question revolves around the theme", "be resurrected later on in the series. They can be quite effective if", "or should be put in a different question, I'll edit this bit out", "resurrections this time\" being said in the scene just after the first (arguably", "series. They can be quite effective if they're implemented correctly (such as those", "after the first (arguably second) on-screen death of a main character at the", "off, only to be resurrected later on in the series. They can be", "ways for the writer to prolong their story if they're not used correctly.", "regarding multiple resurrections of the same main character? (If this is classed as", "should be put in a different question, I'll edit this bit out and", "resurrection?** How can a writer successfully write a resurrection which is effective and", "character? (If this is classed as too-broad or should be put in a", "line \"No resurrections this time\" being said in the scene just after the", "and as my book contains a few resurrections (/this-character-never-died moments) I was wondering", "same main character? (If this is classed as too-broad or should be put", "just after the first (arguably second) on-screen death of a main character at", "only to be resurrected later on in the series. They can be quite", "not used correctly. As resurrections have been carried out to varying levels of", "a few resurrections (/this-character-never-died moments) I was wondering ... **what makes a successful", "as lazy writing and just as ways for the writer to prolong their", "seen *Avengers: Infinity War*, you'll recall the line \"No resurrections this time\" being", "later on in the series. They can be quite effective if they're implemented", "also be seen as lazy writing and just as ways for the writer", "... **what makes a successful resurrection?** How can a writer successfully write a", "\"No resurrections this time\" being said in the scene just after the first", "as my book contains a few resurrections (/this-character-never-died moments) I was wondering ...", "they're not used correctly. As resurrections have been carried out to varying levels", "the theme of resurrections. Many successful books (and movies/comics) have had main characters", "I was wondering ... **what makes a successful resurrection?** How can a writer", "effective and isn't seen as a cheap way out? Note: If possible, please", "be seen as lazy writing and just as ways for the writer to", "just as ways for the writer to prolong their story if they're not", "those of Loki in the MCU), but can also be seen as lazy", "for the writer to prolong their story if they're not used correctly. As", "writing and just as ways for the writer to prolong their story if", "a writer successfully write a resurrection which is effective and isn't seen as", "the antagonist. My question revolves around the theme of resurrections. Many successful books", "Note: If possible, please can answers include advice regarding multiple resurrections of the", "contains a few resurrections (/this-character-never-died moments) I was wondering ... **what makes a", "killed off, only to be resurrected later on in the series. They can", "prolong their story if they're not used correctly. As resurrections have been carried", "books (and movies/comics) have had main characters killed off, only to be resurrected", "in the MCU), but can also be seen as lazy writing and just", "said in the scene just after the first (arguably second) on-screen death of", "too-broad or should be put in a different question, I'll edit this bit", "character at the hands (literally) of the antagonist. My question revolves around the", "writer to prolong their story if they're not used correctly. As resurrections have", "correctly (such as those of Loki in the MCU), but can also be", "include advice regarding multiple resurrections of the same main character? (If this is", "can answers include advice regarding multiple resurrections of the same main character? (If", "main characters killed off, only to be resurrected later on in the series.", "on in the series. They can be quite effective if they're implemented correctly", "cheap way out? Note: If possible, please can answers include advice regarding multiple", "is effective and isn't seen as a cheap way out? Note: If possible,", "way out? Note: If possible, please can answers include advice regarding multiple resurrections", "the hands (literally) of the antagonist. My question revolves around the theme of", "the MCU), but can also be seen as lazy writing and just as", "levels of success, and as my book contains a few resurrections (/this-character-never-died moments)", "their story if they're not used correctly. As resurrections have been carried out", "of the antagonist. My question revolves around the theme of resurrections. Many successful", "movies/comics) have had main characters killed off, only to be resurrected later on", "time\" being said in the scene just after the first (arguably second) on-screen", "the line \"No resurrections this time\" being said in the scene just after", "resurrections of the same main character? (If this is classed as too-broad or", "which is effective and isn't seen as a cheap way out? Note: If", "few resurrections (/this-character-never-died moments) I was wondering ... **what makes a successful resurrection?**", "being said in the scene just after the first (arguably second) on-screen death", "War*, you'll recall the line \"No resurrections this time\" being said in the", "success, and as my book contains a few resurrections (/this-character-never-died moments) I was", "revolves around the theme of resurrections. Many successful books (and movies/comics) have had", "writer successfully write a resurrection which is effective and isn't seen as a", "advice regarding multiple resurrections of the same main character? (If this is classed", "correctly. As resurrections have been carried out to varying levels of success, and", "first (arguably second) on-screen death of a main character at the hands (literally)", "main character at the hands (literally) of the antagonist. My question revolves around", "of the same main character? (If this is classed as too-broad or should", "is classed as too-broad or should be put in a different question, I'll", "of resurrections. Many successful books (and movies/comics) have had main characters killed off,", "isn't seen as a cheap way out? Note: If possible, please can answers", "be put in a different question, I'll edit this bit out and do", "write a resurrection which is effective and isn't seen as a cheap way", "as a cheap way out? Note: If possible, please can answers include advice", "this is classed as too-broad or should be put in a different question,", "please can answers include advice regarding multiple resurrections of the same main character?", "My question revolves around the theme of resurrections. Many successful books (and movies/comics)", "but can also be seen as lazy writing and just as ways for", "out to varying levels of success, and as my book contains a few", "can a writer successfully write a resurrection which is effective and isn't seen", "**what makes a successful resurrection?** How can a writer successfully write a resurrection", "the series. They can be quite effective if they're implemented correctly (such as", "out? Note: If possible, please can answers include advice regarding multiple resurrections of", "on-screen death of a main character at the hands (literally) of the antagonist.", "book contains a few resurrections (/this-character-never-died moments) I was wondering ... **what makes", "(arguably second) on-screen death of a main character at the hands (literally) of", "scene just after the first (arguably second) on-screen death of a main character", "They can be quite effective if they're implemented correctly (such as those of", "MCU), but can also be seen as lazy writing and just as ways", "quite effective if they're implemented correctly (such as those of Loki in the", "story if they're not used correctly. As resurrections have been carried out to", "Loki in the MCU), but can also be seen as lazy writing and", "multiple resurrections of the same main character? (If this is classed as too-broad", "successful books (and movies/comics) have had main characters killed off, only to be", "answers include advice regarding multiple resurrections of the same main character? (If this", "resurrections have been carried out to varying levels of success, and as my", "If possible, please can answers include advice regarding multiple resurrections of the same", "lazy writing and just as ways for the writer to prolong their story", "effective if they're implemented correctly (such as those of Loki in the MCU),", "of success, and as my book contains a few resurrections (/this-character-never-died moments) I", "(literally) of the antagonist. My question revolves around the theme of resurrections. Many", "and isn't seen as a cheap way out? Note: If possible, please can", "(such as those of Loki in the MCU), but can also be seen", "death of a main character at the hands (literally) of the antagonist. My", "antagonist. My question revolves around the theme of resurrections. Many successful books (and" ]
[ "God himself, because of the use of the indefinite article and lower-case \"g\",", "referring to God himself, because of the use of the indefinite article and", "if that's okay, there are other sentences in the story, like: > >", "Even if that's okay, there are other sentences in the story, like: >", "ear, like the voice of a kindly god.\"\\* > > > The character", "article and lower-case \"g\", but a god is still a god. Perhaps this", "much because he's using the word \"god\" in a simile, but I'd still", "story like: > > \"Trees stretched into the sky forever, like the stilts", "stretched into the sky forever, like the stilts of heaven.\"\\* > > >", "kindly god.\"\\* > > > The character is American, a country with a", "> > > Is this acceptable? I know that heaven can mean \"a", "not referring to God himself, because of the use of the indefinite article", "mean \"a very enjoyable or desirable scenario\", but in that sentence it is", "character is American, a country with a Christian majority, so it's at least", "> > \"Trees stretched into the sky forever, like the stilts of heaven.\"\\*", "it's at least clear that he is not referring to God himself, because", "the person whose viewpoint the story is told from, is a scientist and", "this doesn't matter as much because he's using the word \"god\" in a", "is a scientist and subscribes to agnosticism. And there are sentences in my", "sentences in my story like: > > \"Trees stretched into the sky forever,", "with a Christian majority, so it's at least clear that he is not", "it is clear he is referring to the religious location. Even if that's", "very enjoyable or desirable scenario\", but in that sentence it is clear he", "god is still a god. Perhaps this doesn't matter as much because he's", "like the voice of a kindly god.\"\\* > > > The character is", "> > The character is American, a country with a Christian majority, so", "from, is a scientist and subscribes to agnosticism. And there are sentences in", "god. Perhaps this doesn't matter as much because he's using the word \"god\"", "lower-case \"g\", but a god is still a god. Perhaps this doesn't matter", "desirable scenario\", but in that sentence it is clear he is referring to", "to God himself, because of the use of the indefinite article and lower-case", "indefinite article and lower-case \"g\", but a god is still a god. Perhaps", "so it's at least clear that he is not referring to God himself,", "okay, there are other sentences in the story, like: > > \"A cool", "> > > The character is American, a country with a Christian majority,", "to agnosticism. And there are sentences in my story like: > > \"Trees", "is told from, is a scientist and subscribes to agnosticism. And there are", "And there are sentences in my story like: > > \"Trees stretched into", "referring to the religious location. Even if that's okay, there are other sentences", "is clear he is referring to the religious location. Even if that's okay,", "in my story like: > > \"Trees stretched into the sky forever, like", "like: > > \"A cool breeze whispered by my ear, like the voice", "country with a Christian majority, so it's at least clear that he is", "> The character is American, a country with a Christian majority, so it's", "sentences in the story, like: > > \"A cool breeze whispered by my", "> \"Trees stretched into the sky forever, like the stilts of heaven.\"\\* >", "sky forever, like the stilts of heaven.\"\\* > > > Is this acceptable?", "at least clear that he is not referring to God himself, because of", "> \"A cool breeze whispered by my ear, like the voice of a", "that's okay, there are other sentences in the story, like: > > \"A", "to the religious location. Even if that's okay, there are other sentences in", "told from, is a scientist and subscribes to agnosticism. And there are sentences", "forever, like the stilts of heaven.\"\\* > > > Is this acceptable? I", "clear that he is not referring to God himself, because of the use", "heaven can mean \"a very enjoyable or desirable scenario\", but in that sentence", "main character, and the person whose viewpoint the story is told from, is", "location. Even if that's okay, there are other sentences in the story, like:", "a god. Perhaps this doesn't matter as much because he's using the word", "as much because he's using the word \"god\" in a simile, but I'd", "that sentence it is clear he is referring to the religious location. Even", "\"a very enjoyable or desirable scenario\", but in that sentence it is clear", "enjoyable or desirable scenario\", but in that sentence it is clear he is", "sentence it is clear he is referring to the religious location. Even if", "he's using the word \"god\" in a simile, but I'd still like to", "like the stilts of heaven.\"\\* > > > Is this acceptable? I know", "in a simile, but I'd still like to hear your views on this.", "> Is this acceptable? I know that heaven can mean \"a very enjoyable", "heaven.\"\\* > > > Is this acceptable? I know that heaven can mean", "know that heaven can mean \"a very enjoyable or desirable scenario\", but in", "he is not referring to God himself, because of the use of the", "breeze whispered by my ear, like the voice of a kindly god.\"\\* >", "\"Trees stretched into the sky forever, like the stilts of heaven.\"\\* > >", "he is referring to the religious location. Even if that's okay, there are", "god.\"\\* > > > The character is American, a country with a Christian", "himself, because of the use of the indefinite article and lower-case \"g\", but", "using the word \"god\" in a simile, but I'd still like to hear", "clear he is referring to the religious location. Even if that's okay, there", "and subscribes to agnosticism. And there are sentences in my story like: >", "the religious location. Even if that's okay, there are other sentences in the", "because he's using the word \"god\" in a simile, but I'd still like", "Perhaps this doesn't matter as much because he's using the word \"god\" in", "but in that sentence it is clear he is referring to the religious", "Christian majority, so it's at least clear that he is not referring to", "because of the use of the indefinite article and lower-case \"g\", but a", "the use of the indefinite article and lower-case \"g\", but a god is", "scientist and subscribes to agnosticism. And there are sentences in my story like:", "story, like: > > \"A cool breeze whispered by my ear, like the", "the word \"god\" in a simile, but I'd still like to hear your", "the voice of a kindly god.\"\\* > > > The character is American,", "can mean \"a very enjoyable or desirable scenario\", but in that sentence it", "other sentences in the story, like: > > \"A cool breeze whispered by", "I know that heaven can mean \"a very enjoyable or desirable scenario\", but", "use of the indefinite article and lower-case \"g\", but a god is still", "> > \"A cool breeze whispered by my ear, like the voice of", "is American, a country with a Christian majority, so it's at least clear", "\"god\" in a simile, but I'd still like to hear your views on", "is referring to the religious location. Even if that's okay, there are other", "> > Is this acceptable? I know that heaven can mean \"a very", "of the indefinite article and lower-case \"g\", but a god is still a", "The character is American, a country with a Christian majority, so it's at", "American, a country with a Christian majority, so it's at least clear that", "least clear that he is not referring to God himself, because of the", "viewpoint the story is told from, is a scientist and subscribes to agnosticism.", "cool breeze whispered by my ear, like the voice of a kindly god.\"\\*", "or desirable scenario\", but in that sentence it is clear he is referring", "are sentences in my story like: > > \"Trees stretched into the sky", "a Christian majority, so it's at least clear that he is not referring", "a country with a Christian majority, so it's at least clear that he", "character, and the person whose viewpoint the story is told from, is a", "religious location. Even if that's okay, there are other sentences in the story,", "into the sky forever, like the stilts of heaven.\"\\* > > > Is", "and the person whose viewpoint the story is told from, is a scientist", "in the story, like: > > \"A cool breeze whispered by my ear,", "by my ear, like the voice of a kindly god.\"\\* > > >", "the story is told from, is a scientist and subscribes to agnosticism. And", "Is this acceptable? I know that heaven can mean \"a very enjoyable or", "this acceptable? I know that heaven can mean \"a very enjoyable or desirable", "scenario\", but in that sentence it is clear he is referring to the", "story is told from, is a scientist and subscribes to agnosticism. And there", "voice of a kindly god.\"\\* > > > The character is American, a", "the stilts of heaven.\"\\* > > > Is this acceptable? I know that", "that he is not referring to God himself, because of the use of", "The main character, and the person whose viewpoint the story is told from,", "my story like: > > \"Trees stretched into the sky forever, like the", "in that sentence it is clear he is referring to the religious location.", "agnosticism. And there are sentences in my story like: > > \"Trees stretched", "acceptable? I know that heaven can mean \"a very enjoyable or desirable scenario\",", "stilts of heaven.\"\\* > > > Is this acceptable? I know that heaven", "the sky forever, like the stilts of heaven.\"\\* > > > Is this", "are other sentences in the story, like: > > \"A cool breeze whispered", "word \"god\" in a simile, but I'd still like to hear your views", "like: > > \"Trees stretched into the sky forever, like the stilts of", "matter as much because he's using the word \"god\" in a simile, but", "but a god is still a god. Perhaps this doesn't matter as much", "a kindly god.\"\\* > > > The character is American, a country with", "there are sentences in my story like: > > \"Trees stretched into the", "whispered by my ear, like the voice of a kindly god.\"\\* > >", "majority, so it's at least clear that he is not referring to God", "and lower-case \"g\", but a god is still a god. Perhaps this doesn't", "\"g\", but a god is still a god. Perhaps this doesn't matter as", "doesn't matter as much because he's using the word \"god\" in a simile,", "there are other sentences in the story, like: > > \"A cool breeze", "a god is still a god. Perhaps this doesn't matter as much because", "the indefinite article and lower-case \"g\", but a god is still a god.", "of heaven.\"\\* > > > Is this acceptable? I know that heaven can", "whose viewpoint the story is told from, is a scientist and subscribes to", "is still a god. Perhaps this doesn't matter as much because he's using", "of a kindly god.\"\\* > > > The character is American, a country", "that heaven can mean \"a very enjoyable or desirable scenario\", but in that", "of the use of the indefinite article and lower-case \"g\", but a god", "subscribes to agnosticism. And there are sentences in my story like: > >", "\"A cool breeze whispered by my ear, like the voice of a kindly", "is not referring to God himself, because of the use of the indefinite", "person whose viewpoint the story is told from, is a scientist and subscribes", "my ear, like the voice of a kindly god.\"\\* > > > The", "still a god. Perhaps this doesn't matter as much because he's using the", "the story, like: > > \"A cool breeze whispered by my ear, like", "a scientist and subscribes to agnosticism. And there are sentences in my story" ]
[ "to depict the character as an expert, but I don't have any knowledge/experience", "but I don't have any knowledge/experience of what it is like to be", "articulate about what has happened. I want to depict the character as an", "in short, is: **how do I write a character who is an expert", "to life. Also, I don't want to hook this into any of the", "is: **how do I write a character who is an expert in something", "or spiritual traditions. The question, in short, is: **how do I write a", "like to be dead or to have come back to life. Also, I", "spiritual traditions. The question, in short, is: **how do I write a character", "I can't know?** Any help on how to approach this would be appreciated.", "from the dead. The character is fully lucid, knowledgeable and articulate about what", "the main religious or spiritual traditions. The question, in short, is: **how do", "into any of the main religious or spiritual traditions. The question, in short,", "expert in something that I can't know?** Any help on how to approach", "**how do I write a character who is an expert in something that", "I write a character who is an expert in something that I can't", "short, is: **how do I write a character who is an expert in", "it is like to be dead or to have come back to life.", "have come back to life. Also, I don't want to hook this into", "I don't have any knowledge/experience of what it is like to be dead", "have any knowledge/experience of what it is like to be dead or to", "lucid, knowledgeable and articulate about what has happened. I want to depict the", "The question, in short, is: **how do I write a character who is", "Also, I don't want to hook this into any of the main religious", "I want to depict the character as an expert, but I don't have", "character as an expert, but I don't have any knowledge/experience of what it", "a story where the main character comes back from the dead. The character", "any knowledge/experience of what it is like to be dead or to have", "an expert, but I don't have any knowledge/experience of what it is like", "is fully lucid, knowledgeable and articulate about what has happened. I want to", "I'm writing a story where the main character comes back from the dead.", "dead or to have come back to life. Also, I don't want to", "hook this into any of the main religious or spiritual traditions. The question,", "of the main religious or spiritual traditions. The question, in short, is: **how", "do I write a character who is an expert in something that I", "knowledge/experience of what it is like to be dead or to have come", "want to hook this into any of the main religious or spiritual traditions.", "comes back from the dead. The character is fully lucid, knowledgeable and articulate", "the character as an expert, but I don't have any knowledge/experience of what", "write a character who is an expert in something that I can't know?**", "depict the character as an expert, but I don't have any knowledge/experience of", "knowledgeable and articulate about what has happened. I want to depict the character", "expert, but I don't have any knowledge/experience of what it is like to", "back to life. Also, I don't want to hook this into any of", "story where the main character comes back from the dead. The character is", "has happened. I want to depict the character as an expert, but I", "main religious or spiritual traditions. The question, in short, is: **how do I", "don't want to hook this into any of the main religious or spiritual", "that I can't know?** Any help on how to approach this would be", "dead. The character is fully lucid, knowledgeable and articulate about what has happened.", "character comes back from the dead. The character is fully lucid, knowledgeable and", "to have come back to life. Also, I don't want to hook this", "traditions. The question, in short, is: **how do I write a character who", "something that I can't know?** Any help on how to approach this would", "what it is like to be dead or to have come back to", "about what has happened. I want to depict the character as an expert,", "an expert in something that I can't know?** Any help on how to", "what has happened. I want to depict the character as an expert, but", "life. Also, I don't want to hook this into any of the main", "want to depict the character as an expert, but I don't have any", "back from the dead. The character is fully lucid, knowledgeable and articulate about", "any of the main religious or spiritual traditions. The question, in short, is:", "main character comes back from the dead. The character is fully lucid, knowledgeable", "question, in short, is: **how do I write a character who is an", "who is an expert in something that I can't know?** Any help on", "is an expert in something that I can't know?** Any help on how", "or to have come back to life. Also, I don't want to hook", "where the main character comes back from the dead. The character is fully", "is like to be dead or to have come back to life. Also,", "the dead. The character is fully lucid, knowledgeable and articulate about what has", "character who is an expert in something that I can't know?** Any help", "happened. I want to depict the character as an expert, but I don't", "character is fully lucid, knowledgeable and articulate about what has happened. I want", "and articulate about what has happened. I want to depict the character as", "be dead or to have come back to life. Also, I don't want", "this into any of the main religious or spiritual traditions. The question, in", "the main character comes back from the dead. The character is fully lucid,", "a character who is an expert in something that I can't know?** Any", "in something that I can't know?** Any help on how to approach this", "to hook this into any of the main religious or spiritual traditions. The", "religious or spiritual traditions. The question, in short, is: **how do I write", "to be dead or to have come back to life. Also, I don't", "of what it is like to be dead or to have come back", "The character is fully lucid, knowledgeable and articulate about what has happened. I", "fully lucid, knowledgeable and articulate about what has happened. I want to depict", "don't have any knowledge/experience of what it is like to be dead or", "I don't want to hook this into any of the main religious or", "as an expert, but I don't have any knowledge/experience of what it is", "come back to life. Also, I don't want to hook this into any", "writing a story where the main character comes back from the dead. The" ]
[ "this results in him ending up in a maze that takes him thousands", "and the reader to deal with. Are there any prose examples of this", "end the story in a way that describes the infinite time scale of", "takes him thousands of years to escape from. Once he makes it out,", "he is going to end up in hell and he doesn't want that", "a way that describes the infinite time scale of this story, but the", "in order to be judged. Of course he lies, and this results in", "waiting room for the afterlife. Because this guy was a horrible specimen of", "the cycle repeats eternally. What I want to do is describe a slice", "done elsewhere? Are there any suggestions on how to make this work. I'm", "What I want to do is describe a slice of this eternity, maybe", "time scale of this story, but the problem is that a tedious eternity", "so if I did something wrong please let me know so I can", "ending up in a maze that takes him thousands of years to escape", "slice of this eternity, maybe two or three loops, to later end the", "was a horrible specimen of humanity in his lifetime he is 100% sure", "of this getting done elsewhere? Are there any suggestions on how to make", "a slice of this eternity, maybe two or three loops, to later end", "question \"how did you get here?\" and the Guy is supposed to tell", "100% sure that he is going to end up in hell and he", "guy in the waiting room for the afterlife. Because this guy was a", "once more and the cycle repeats eternally. What I want to do is", "the story of his life in order to be judged. Of course he", "to deal with. Are there any prose examples of this getting done elsewhere?", "a huge amount of tedium for me and the reader to deal with.", "examples of this getting done elsewhere? Are there any suggestions on how to", "amount of tedium for me and the reader to deal with. Are there", "maze that takes him thousands of years to escape from. Once he makes", "he is 100% sure that he is going to end up in hell", "the problem is that a tedious eternity is a huge amount of tedium", "describe a slice of this eternity, maybe two or three loops, to later", "humanity in his lifetime he is 100% sure that he is going to", "\"how did you get here?\" and the Guy is supposed to tell the", "that describes the infinite time scale of this story, but the problem is", "The clerk in the waiting room asks him the question \"how did you", "deal with. Are there any prose examples of this getting done elsewhere? Are", "this getting done elsewhere? Are there any suggestions on how to make this", "this site and in writing, so if I did something wrong please let", "that takes him thousands of years to escape from. Once he makes it", "sure that he is going to end up in hell and he doesn't", "the afterlife. Because this guy was a horrible specimen of humanity in his", "here?\" and the Guy is supposed to tell the story of his life", "to make this work. I'm new in both this site and in writing,", "two or three loops, to later end the story in a way that", "he doesn't want that to happen. The clerk in the waiting room asks", "me and the reader to deal with. Are there any prose examples of", "prose examples of this getting done elsewhere? Are there any suggestions on how", "he lies, and this results in him ending up in a maze that", "getting done elsewhere? Are there any suggestions on how to make this work.", "work. I'm new in both this site and in writing, so if I", "with. Are there any prose examples of this getting done elsewhere? Are there", "way that describes the infinite time scale of this story, but the problem", "to escape from. Once he makes it out, he is asked again, tries", "specimen of humanity in his lifetime he is 100% sure that he is", "in the waiting room asks him the question \"how did you get here?\"", "a tedious eternity is a huge amount of tedium for me and the", "cycle repeats eternally. What I want to do is describe a slice of", "on how to make this work. I'm new in both this site and", "and this results in him ending up in a maze that takes him", "guy was a horrible specimen of humanity in his lifetime he is 100%", "to end up in hell and he doesn't want that to happen. The", "be judged. Of course he lies, and this results in him ending up", "makes it out, he is asked again, tries to trick the clerk once", "of this eternity, maybe two or three loops, to later end the story", "the Guy is supposed to tell the story of his life in order", "Guy is supposed to tell the story of his life in order to", "more and the cycle repeats eternally. What I want to do is describe", "waiting room asks him the question \"how did you get here?\" and the", "I'm new in both this site and in writing, so if I did", "escape from. Once he makes it out, he is asked again, tries to", "is asked again, tries to trick the clerk once more and the cycle", "eternity is a huge amount of tedium for me and the reader to", "thousands of years to escape from. Once he makes it out, he is", "the story in a way that describes the infinite time scale of this", "tedious eternity is a huge amount of tedium for me and the reader", "afterlife. Because this guy was a horrible specimen of humanity in his lifetime", "the reader to deal with. Are there any prose examples of this getting", "how to make this work. I'm new in both this site and in", "repeats eternally. What I want to do is describe a slice of this", "and in writing, so if I did something wrong please let me know", "lifetime he is 100% sure that he is going to end up in", "any suggestions on how to make this work. I'm new in both this", "and the cycle repeats eternally. What I want to do is describe a", "story of his life in order to be judged. Of course he lies,", "get here?\" and the Guy is supposed to tell the story of his", "years to escape from. Once he makes it out, he is asked again,", "going to end up in hell and he doesn't want that to happen.", "scale of this story, but the problem is that a tedious eternity is", "a horrible specimen of humanity in his lifetime he is 100% sure that", "room for the afterlife. Because this guy was a horrible specimen of humanity", "elsewhere? Are there any suggestions on how to make this work. I'm new", "his life in order to be judged. Of course he lies, and this", "loops, to later end the story in a way that describes the infinite", "I want to do is describe a slice of this eternity, maybe two", "he is asked again, tries to trick the clerk once more and the", "him thousands of years to escape from. Once he makes it out, he", "to do is describe a slice of this eternity, maybe two or three", "room asks him the question \"how did you get here?\" and the Guy", "or three loops, to later end the story in a way that describes", "again, tries to trick the clerk once more and the cycle repeats eternally.", "end up in hell and he doesn't want that to happen. The clerk", "doesn't want that to happen. The clerk in the waiting room asks him", "him ending up in a maze that takes him thousands of years to", "tries to trick the clerk once more and the cycle repeats eternally. What", "is that a tedious eternity is a huge amount of tedium for me", "Of course he lies, and this results in him ending up in a", "up in a maze that takes him thousands of years to escape from.", "there any prose examples of this getting done elsewhere? Are there any suggestions", "suggestions on how to make this work. I'm new in both this site", "the clerk once more and the cycle repeats eternally. What I want to", "order to be judged. Of course he lies, and this results in him", "this eternity, maybe two or three loops, to later end the story in", "of years to escape from. Once he makes it out, he is asked", "is supposed to tell the story of his life in order to be", "maybe two or three loops, to later end the story in a way", "for me and the reader to deal with. Are there any prose examples", "in a way that describes the infinite time scale of this story, but", "the question \"how did you get here?\" and the Guy is supposed to", "trick the clerk once more and the cycle repeats eternally. What I want", "of tedium for me and the reader to deal with. Are there any", "Are there any suggestions on how to make this work. I'm new in", "problem is that a tedious eternity is a huge amount of tedium for", "it out, he is asked again, tries to trick the clerk once more", "Because this guy was a horrible specimen of humanity in his lifetime he", "of his life in order to be judged. Of course he lies, and", "there any suggestions on how to make this work. I'm new in both", "tell the story of his life in order to be judged. Of course", "his lifetime he is 100% sure that he is going to end up", "is a huge amount of tedium for me and the reader to deal", "but the problem is that a tedious eternity is a huge amount of", "clerk in the waiting room asks him the question \"how did you get", "eternally. What I want to do is describe a slice of this eternity,", "in both this site and in writing, so if I did something wrong", "is describe a slice of this eternity, maybe two or three loops, to", "of this story, but the problem is that a tedious eternity is a", "out, he is asked again, tries to trick the clerk once more and", "happen. The clerk in the waiting room asks him the question \"how did", "him the question \"how did you get here?\" and the Guy is supposed", "of a guy in the waiting room for the afterlife. Because this guy", "you get here?\" and the Guy is supposed to tell the story of", "up in hell and he doesn't want that to happen. The clerk in", "a story of a guy in the waiting room for the afterlife. Because", "writing, so if I did something wrong please let me know so I", "the waiting room asks him the question \"how did you get here?\" and", "and he doesn't want that to happen. The clerk in the waiting room", "to happen. The clerk in the waiting room asks him the question \"how", "the infinite time scale of this story, but the problem is that a", "for the afterlife. Because this guy was a horrible specimen of humanity in", "life in order to be judged. Of course he lies, and this results", "in hell and he doesn't want that to happen. The clerk in the", "describes the infinite time scale of this story, but the problem is that", "make this work. I'm new in both this site and in writing, so", "in writing, so if I did something wrong please let me know so", "want to do is describe a slice of this eternity, maybe two or", "horrible specimen of humanity in his lifetime he is 100% sure that he", "three loops, to later end the story in a way that describes the", "new in both this site and in writing, so if I did something", "of humanity in his lifetime he is 100% sure that he is going", "if I did something wrong please let me know so I can edit.", "later end the story in a way that describes the infinite time scale", "do is describe a slice of this eternity, maybe two or three loops,", "asked again, tries to trick the clerk once more and the cycle repeats", "from. Once he makes it out, he is asked again, tries to trick", "huge amount of tedium for me and the reader to deal with. Are", "is a story of a guy in the waiting room for the afterlife.", "that a tedious eternity is a huge amount of tedium for me and", "this guy was a horrible specimen of humanity in his lifetime he is", "reader to deal with. Are there any prose examples of this getting done", "judged. Of course he lies, and this results in him ending up in", "infinite time scale of this story, but the problem is that a tedious", "that he is going to end up in hell and he doesn't want", "any prose examples of this getting done elsewhere? Are there any suggestions on", "story, but the problem is that a tedious eternity is a huge amount", "a guy in the waiting room for the afterlife. Because this guy was", "in a maze that takes him thousands of years to escape from. Once", "asks him the question \"how did you get here?\" and the Guy is", "Are there any prose examples of this getting done elsewhere? Are there any", "this story, but the problem is that a tedious eternity is a huge", "in him ending up in a maze that takes him thousands of years", "a maze that takes him thousands of years to escape from. Once he", "and the Guy is supposed to tell the story of his life in", "course he lies, and this results in him ending up in a maze", "in his lifetime he is 100% sure that he is going to end", "is 100% sure that he is going to end up in hell and", "This is a story of a guy in the waiting room for the", "did you get here?\" and the Guy is supposed to tell the story", "to tell the story of his life in order to be judged. Of", "to be judged. Of course he lies, and this results in him ending", "supposed to tell the story of his life in order to be judged.", "clerk once more and the cycle repeats eternally. What I want to do", "to trick the clerk once more and the cycle repeats eternally. What I", "the waiting room for the afterlife. Because this guy was a horrible specimen", "that to happen. The clerk in the waiting room asks him the question", "is going to end up in hell and he doesn't want that to", "results in him ending up in a maze that takes him thousands of", "to later end the story in a way that describes the infinite time", "eternity, maybe two or three loops, to later end the story in a", "in the waiting room for the afterlife. Because this guy was a horrible", "both this site and in writing, so if I did something wrong please", "site and in writing, so if I did something wrong please let me", "he makes it out, he is asked again, tries to trick the clerk", "tedium for me and the reader to deal with. Are there any prose", "story of a guy in the waiting room for the afterlife. Because this", "lies, and this results in him ending up in a maze that takes", "hell and he doesn't want that to happen. The clerk in the waiting", "story in a way that describes the infinite time scale of this story,", "want that to happen. The clerk in the waiting room asks him the", "this work. I'm new in both this site and in writing, so if", "Once he makes it out, he is asked again, tries to trick the" ]
[ "few actual sentences from my thesis: > > Other XML tags for visual", "especially this part: > > Please note that when submitting essays or theses", "be defined. For example: using the > tag the model can be graphically", "no university specific recommendations for it afaik and other thesis in my department", "are no university specific recommendations for it afaik and other thesis in my", "department differ greatly from each other (don't get me wrong - this makes", "decide if I should choose one or the other? * Is this only", "the following examples: > > ‘Many people thought that Zotn had a large", "usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > > Please note that when submitting", "for it afaik and other thesis in my department differ greatly from each", "I suddenly wondered: * should I use 'for example' or 'e.g.'? * should", "significant things :D). I saw theses with only `for example` / mostly `e.g.`", "use 'for example' then? * Based on what can I decide if I", "where new questions arise: * How to exactly use 'for example' then? *", "rather than > ‘e.g.’ > > > But that's where new questions arise:", "> And then they add: > > Otherwise, it is preferable for you", "total sense to me as it is probably one of the least significant", "kept in a large warehouse.’ > > ‘Joor had errors in her essay", "MG), which he kept in a large warehouse.’ > > ‘Joor had errors", "probably one of the least significant things :D). I saw theses with only", "‘Joor had errors in her essay (e.g., no commas).’ > > > And", "wrong - this makes total sense to me as it is probably one", "get me wrong - this makes total sense to me as it is", "> > Otherwise, it is preferable for you to use ‘for example’ rather", "things :D). I saw theses with only `for example` / mostly `e.g.` /", "note that when submitting essays or theses to universities in Australia, it is", "if I should choose one or the other? * Is this only specific", "wondered: * should I use 'for example' or 'e.g.'? * should try to", "and other thesis in my department differ greatly from each other (don't get", "as in the following examples: > > ‘Many people thought that Zotn had", "configurations can also be defined. For example: using the > tag the model", "- this makes total sense to me as it is probably one of", "what can I decide if I should choose one or the other? *", "enables model files to be created as > reusable modules, e.g., for loading", "different robot models into the same > environment. > > > > >", "'for example' or 'e.g.'? * should try to completely avoid both? There are", "e.g., for loading different robot models into the same > environment. > >", "* How to exactly use 'for example' then? * Based on what can", "new questions arise: * How to exactly use 'for example' then? * Based", "`e.g.` / neither of those terms. I like the example of the usage", "> > > > > Including other files, which enables model files to", "mostly `e.g.` / neither of those terms. I like the example of the", "thesis in my department differ greatly from each other (don't get me wrong", "the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > > Please note that when", "of the least significant things :D). I saw theses with only `for example`", "> > > > It can display model files and data from `topics`,", "modules, e.g., for loading different robot models into the same > environment. >", "be graphically displayed. > > > > > Including other files, which enables", "is preferable for you to use ‘for example’ rather than > ‘e.g.’ >", "> It can display model files and data from `topics`, e.g., camera data.", "they add: > > Otherwise, it is preferable for you to use ‘for", "greatly from each other (don't get me wrong - this makes total sense", "and an MG), which he kept in a large warehouse.’ > > ‘Joor", "makes total sense to me as it is probably one of the least", "submitting essays or theses to universities in Australia, it is preferred that you", "example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > > Please note", "completely avoid both? There are no university specific recommendations for it afaik and", "or other English universities too? And here a few actual sentences from my", "components, collision objects and more > configurations can also be defined. For example:", "reusable modules, e.g., for loading different robot models into the same > environment.", "than > ‘e.g.’ > > > But that's where new questions arise: *", "actual sentences from my thesis: > > Other XML tags for visual components,", "And here a few actual sentences from my thesis: > > Other XML", "displayed. > > > > > Including other files, which enables model files", "tag the model can be graphically displayed. > > > > > Including", "then they add: > > Otherwise, it is preferable for you to use", "from my thesis: > > Other XML tags for visual components, collision objects", "examples: > > ‘Many people thought that Zotn had a large collection of", "example` / mostly `e.g.` / neither of those terms. I like the example", "/ mostly `e.g.` / neither of those terms. I like the example of", "the least significant things :D). I saw theses with only `for example` /", "differ greatly from each other (don't get me wrong - this makes total", "other files, which enables model files to be created as > reusable modules,", "defined. For example: using the > tag the model can be graphically displayed.", "visual components, collision objects and more > configurations can also be defined. For", "is preferred that you only use e.g. within parentheses, such as in the", "large collection of classic cars, (e.g., a Rolls Royce Phantom, a Phaeton and", "(e.g., no commas).’ > > > And then they add: > > Otherwise,", "* Based on what can I decide if I should choose one or", "my department differ greatly from each other (don't get me wrong - this", "‘for example’ rather than > ‘e.g.’ > > > But that's where new", "to universities in Australia, it is preferred that you only use e.g. within", "a thesis in English (I'm not a native speaker) and I suddenly wondered:", "objects and more > configurations can also be defined. For example: using the", "and I suddenly wondered: * should I use 'for example' or 'e.g.'? *", "Australia, it is preferred that you only use e.g. within parentheses, such as", "add: > > Otherwise, it is preferable for you to use ‘for example’", "can be graphically displayed. > > > > > Including other files, which", "And then they add: > > Otherwise, it is preferable for you to", "only `for example` / mostly `e.g.` / neither of those terms. I like", "[here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > > Please note that when submitting essays or", "speaker) and I suddenly wondered: * should I use 'for example' or 'e.g.'?", "robot models into the same > environment. > > > > > It", "a Phaeton and an MG), which he kept in a large warehouse.’ >", "a few actual sentences from my thesis: > > Other XML tags for", "Other XML tags for visual components, collision objects and more > configurations can", "a native speaker) and I suddenly wondered: * should I use 'for example'", "had errors in her essay (e.g., no commas).’ > > > And then", "preferable for you to use ‘for example’ rather than > ‘e.g.’ > >", "it is preferable for you to use ‘for example’ rather than > ‘e.g.’", "> > > > Including other files, which enables model files to be", "that when submitting essays or theses to universities in Australia, it is preferred", "But that's where new questions arise: * How to exactly use 'for example'", "> Other XML tags for visual components, collision objects and more > configurations", "from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > > Please note that when submitting essays", "sense to me as it is probably one of the least significant things", "`for example` / mostly `e.g.` / neither of those terms. I like the", "/ neither of those terms. I like the example of the usage from", "> > And then they add: > > Otherwise, it is preferable for", "> Including other files, which enables model files to be created as >", "> reusable modules, e.g., for loading different robot models into the same >", "> > Other XML tags for visual components, collision objects and more >", "afaik and other thesis in my department differ greatly from each other (don't", "Phaeton and an MG), which he kept in a large warehouse.’ > >", "as > reusable modules, e.g., for loading different robot models into the same", "too? And here a few actual sentences from my thesis: > > Other", "of those terms. I like the example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially", "example: using the > tag the model can be graphically displayed. > >", "both? There are no university specific recommendations for it afaik and other thesis", "to exactly use 'for example' then? * Based on what can I decide", "university specific recommendations for it afaik and other thesis in my department differ", "can display model files and data from `topics`, e.g., camera data. > >", "(don't get me wrong - this makes total sense to me as it", "those terms. I like the example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this", "I decide if I should choose one or the other? * Is this", "Royce Phantom, a Phaeton and an MG), which he kept in a large", "can also be defined. For example: using the > tag the model can", "example' or 'e.g.'? * should try to completely avoid both? There are no", "like the example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > >", "I use 'for example' or 'e.g.'? * should try to completely avoid both?", "or the other? * Is this only specific for Australian- or other English", "errors in her essay (e.g., no commas).’ > > > And then they", "> > ‘Joor had errors in her essay (e.g., no commas).’ > >", "in my department differ greatly from each other (don't get me wrong -", "example' then? * Based on what can I decide if I should choose", "my thesis: > > Other XML tags for visual components, collision objects and", "> ‘Many people thought that Zotn had a large collection of classic cars,", "me as it is probably one of the least significant things :D). I", "graphically displayed. > > > > > Including other files, which enables model", "the same > environment. > > > > > It can display model", "that Zotn had a large collection of classic cars, (e.g., a Rolls Royce", "you to use ‘for example’ rather than > ‘e.g.’ > > > But", "Based on what can I decide if I should choose one or the", "> ‘e.g.’ > > > But that's where new questions arise: * How", "had a large collection of classic cars, (e.g., a Rolls Royce Phantom, a", "least significant things :D). I saw theses with only `for example` / mostly", "it is probably one of the least significant things :D). I saw theses", "universities in Australia, it is preferred that you only use e.g. within parentheses,", "'for example' then? * Based on what can I decide if I should", "avoid both? There are no university specific recommendations for it afaik and other", "(e.g., a Rolls Royce Phantom, a Phaeton and an MG), which he kept", "a Rolls Royce Phantom, a Phaeton and an MG), which he kept in", "> tag the model can be graphically displayed. > > > > >", "Australian- or other English universities too? And here a few actual sentences from", "and more > configurations can also be defined. For example: using the >", "only use e.g. within parentheses, such as in the following examples: > >", "me wrong - this makes total sense to me as it is probably", "> But that's where new questions arise: * How to exactly use 'for", "> configurations can also be defined. For example: using the > tag the", "essay (e.g., no commas).’ > > > And then they add: > >", "universities too? And here a few actual sentences from my thesis: > >", "writing a thesis in English (I'm not a native speaker) and I suddenly", "e.g. within parentheses, such as in the following examples: > > ‘Many people", "loading different robot models into the same > environment. > > > >", "such as in the following examples: > > ‘Many people thought that Zotn", "> > > It can display model files and data from `topics`, e.g.,", "thesis in English (I'm not a native speaker) and I suddenly wondered: *", "recommendations for it afaik and other thesis in my department differ greatly from", "not a native speaker) and I suddenly wondered: * should I use 'for", "or theses to universities in Australia, it is preferred that you only use", "the model can be graphically displayed. > > > > > Including other", "you only use e.g. within parentheses, such as in the following examples: >", "this makes total sense to me as it is probably one of the", "> environment. > > > > > It can display model files and", "terms. I like the example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part:", "into the same > environment. > > > > > It can display", "should choose one or the other? * Is this only specific for Australian-", "it afaik and other thesis in my department differ greatly from each other", "specific for Australian- or other English universities too? And here a few actual", "from each other (don't get me wrong - this makes total sense to", "> > Please note that when submitting essays or theses to universities in", "Including other files, which enables model files to be created as > reusable", "should try to completely avoid both? There are no university specific recommendations for", "Phantom, a Phaeton and an MG), which he kept in a large warehouse.’", "large warehouse.’ > > ‘Joor had errors in her essay (e.g., no commas).’", "For example: using the > tag the model can be graphically displayed. >", "'e.g.'? * should try to completely avoid both? There are no university specific", "Zotn had a large collection of classic cars, (e.g., a Rolls Royce Phantom,", "here a few actual sentences from my thesis: > > Other XML tags", "> Please note that when submitting essays or theses to universities in Australia,", "> > But that's where new questions arise: * How to exactly use", "same > environment. > > > > > It can display model files", "arise: * How to exactly use 'for example' then? * Based on what", "should I use 'for example' or 'e.g.'? * should try to completely avoid", "when submitting essays or theses to universities in Australia, it is preferred that", "for Australian- or other English universities too? 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I like the example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/),", "It can display model files and data from `topics`, e.g., camera data. >", "native speaker) and I suddenly wondered: * should I use 'for example' or", "> > ‘Many people thought that Zotn had a large collection of classic", "exactly use 'for example' then? * Based on what can I decide if", "other thesis in my department differ greatly from each other (don't get me", "other? * Is this only specific for Australian- or other English universities too?", "‘Many people thought that Zotn had a large collection of classic cars, (e.g.,", "of classic cars, (e.g., a Rolls Royce Phantom, a Phaeton and an MG),", "Rolls Royce Phantom, a Phaeton and an MG), which he kept in a", "on what can I decide if I should choose one or the other?", "Is this only specific for Australian- or other English universities too? And here", "this part: > > Please note that when submitting essays or theses to", "classic cars, (e.g., a Rolls Royce Phantom, a Phaeton and an MG), which", "* should I use 'for example' or 'e.g.'? * should try to completely", "XML tags for visual components, collision objects and more > configurations can also", "(I'm not a native speaker) and I suddenly wondered: * should I use", "in the following examples: > > ‘Many people thought that Zotn had a", "following examples: > > ‘Many people thought that Zotn had a large collection", "> > > Including other files, which enables model files to be created", "I should choose one or the other? * Is this only specific for", "one or the other? * Is this only specific for Australian- or other", "suddenly wondered: * should I use 'for example' or 'e.g.'? * should try", "Otherwise, it is preferable for you to use ‘for example’ rather than >", "theses with only `for example` / mostly `e.g.` / neither of those terms.", "that you only use e.g. within parentheses, such as in the following examples:", "can I decide if I should choose one or the other? * Is", "English (I'm not a native speaker) and I suddenly wondered: * should I", "environment. > > > > > It can display model files and data", "which he kept in a large warehouse.’ > > ‘Joor had errors in", "he kept in a large warehouse.’ > > ‘Joor had errors in her", "> ‘Joor had errors in her essay (e.g., no commas).’ > > >", "commas).’ > > > And then they add: > > Otherwise, it is", "essays or theses to universities in Australia, it is preferred that you only", "an MG), which he kept in a large warehouse.’ > > ‘Joor had", "I like the example of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: >", "example’ rather than > ‘e.g.’ > > > But that's where new questions", "parentheses, such as in the following examples: > > ‘Many people thought that", "specific recommendations for it afaik and other thesis in my department differ greatly", "for you to use ‘for example’ rather than > ‘e.g.’ > > >", "model can be graphically displayed. > > > > > Including other files,", "use ‘for example’ rather than > ‘e.g.’ > > > But that's where", "choose one or the other? * Is this only specific for Australian- or", ":D). 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And here a few actual sentences from my thesis:", "her essay (e.g., no commas).’ > > > And then they add: >", "to completely avoid both? There are no university specific recommendations for it afaik", "questions arise: * How to exactly use 'for example' then? * Based on", "> Otherwise, it is preferable for you to use ‘for example’ rather than", "only specific for Australian- or other English universities too? And here a few", "* Is this only specific for Australian- or other English universities too? And", "one of the least significant things :D). I saw theses with only `for", "or 'e.g.'? * should try to completely avoid both? There are no university", "with only `for example` / mostly `e.g.` / neither of those terms. I", "preferred that you only use e.g. within parentheses, such as in the following", "for loading different robot models into the same > environment. > > >", "within parentheses, such as in the following examples: > > ‘Many people thought", "English universities too? And here a few actual sentences from my thesis: >", "to be created as > reusable modules, e.g., for loading different robot models", "each other (don't get me wrong - this makes total sense to me", "a large collection of classic cars, (e.g., a Rolls Royce Phantom, a Phaeton", "sentences from my thesis: > > Other XML tags for visual components, collision", "to me as it is probably one of the least significant things :D).", "try to completely avoid both? There are no university specific recommendations for it", "Please note that when submitting essays or theses to universities in Australia, it", "it is preferred that you only use e.g. within parentheses, such as in", "as it is probably one of the least significant things :D). I saw", "of the usage from [here](https://m.eliteediting.com.au/how-to-use-the-abbreviations-i-e-and-e-g/), especially this part: > > Please note that", "that's where new questions arise: * How to exactly use 'for example' then?", "> > > > > It can display model files and data from", "the other? * Is this only specific for Australian- or other English universities", "people thought that Zotn had a large collection of classic cars, (e.g., a", "to use ‘for example’ rather than > ‘e.g.’ > > > But that's", "in Australia, it is preferred that you only use e.g. within parentheses, such", "part: > > Please note that when submitting essays or theses to universities", "* should try to completely avoid both? 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For example: using the > tag", "in her essay (e.g., no commas).’ > > > And then they add:", "thought that Zotn had a large collection of classic cars, (e.g., a Rolls", "for visual components, collision objects and more > configurations can also be defined.", "display model files and data from `topics`, e.g., camera data. > > >", "model files to be created as > reusable modules, e.g., for loading different", "‘e.g.’ > > > But that's where new questions arise: * How to", "There are no university specific recommendations for it afaik and other thesis in", "> > Including other files, which enables model files to be created as", "models into the same > environment. > > > > > It can", "How to exactly use 'for example' then? * Based on what can I", "in a large warehouse.’ > > ‘Joor had errors in her essay (e.g.,", "collision objects and more > configurations can also be defined. For example: using", "which enables model files to be created as > reusable modules, e.g., for", "in English (I'm not a native speaker) and I suddenly wondered: * should", "> > > But that's where new questions arise: * How to exactly", "created as > reusable modules, e.g., for loading different robot models into the", "files to be created as > reusable modules, e.g., for loading different robot", "other (don't get me wrong - this makes total sense to me as" ]
[ "for more books by the same author. So, my question is: **what techniques", "by the same author. So, my question is: **what techniques exist for crafting", "question is not about cliff-hangers or sequels - just a solid, fulfilling, well-rounded", "warm glow that they immediately search for more books by the same author.", "Just to be clear - this question is not about cliff-hangers or sequels", "more books by the same author. So, my question is: **what techniques exist", "with such a warm glow that they immediately search for more books by", "for crafting an ending that leaves a reader satisfied and interested in exploring", "story needs to make the reader feel that *reading the book* has been", "techniques exist for crafting an ending that leaves a reader satisfied and interested", "this question is not about cliff-hangers or sequels - just a solid, fulfilling,", "been a *worthwhile experience*. An exceptional ending might leave a reader with such", "me that the last chapter (or so) of any story needs to make", "strikes me that the last chapter (or so) of any story needs to", "*reading the book* has been a *worthwhile experience*. An exceptional ending might leave", "**what techniques exist for crafting an ending that leaves a reader satisfied and", "a reader with such a warm glow that they immediately search for more", "same author. So, my question is: **what techniques exist for crafting an ending", "So, my question is: **what techniques exist for crafting an ending that leaves", "author's work?** Just to be clear - this question is not about cliff-hangers", "not about cliff-hangers or sequels - just a solid, fulfilling, well-rounded ending to", "they immediately search for more books by the same author. So, my question", "that the last chapter (or so) of any story needs to make the", "interested in exploring more of an author's work?** Just to be clear -", "the same author. So, my question is: **what techniques exist for crafting an", "and interested in exploring more of an author's work?** Just to be clear", "to make the reader feel that *reading the book* has been a *worthwhile", "clear - this question is not about cliff-hangers or sequels - just a", "to be clear - this question is not about cliff-hangers or sequels -", "leave a reader with such a warm glow that they immediately search for", "crafting an ending that leaves a reader satisfied and interested in exploring more", "experience*. An exceptional ending might leave a reader with such a warm glow", "cliff-hangers or sequels - just a solid, fulfilling, well-rounded ending to a stand-alone", "satisfied and interested in exploring more of an author's work?** Just to be", "last chapter (or so) of any story needs to make the reader feel", "work?** Just to be clear - this question is not about cliff-hangers or", "reader satisfied and interested in exploring more of an author's work?** Just to", "the last chapter (or so) of any story needs to make the reader", "(or so) of any story needs to make the reader feel that *reading", "an ending that leaves a reader satisfied and interested in exploring more of", "search for more books by the same author. So, my question is: **what", "question is: **what techniques exist for crafting an ending that leaves a reader", "reader feel that *reading the book* has been a *worthwhile experience*. An exceptional", "exceptional ending might leave a reader with such a warm glow that they", "An exceptional ending might leave a reader with such a warm glow that", "that they immediately search for more books by the same author. So, my", "author. So, my question is: **what techniques exist for crafting an ending that", "- this question is not about cliff-hangers or sequels - just a solid,", "of any story needs to make the reader feel that *reading the book*", "my question is: **what techniques exist for crafting an ending that leaves a", "the reader feel that *reading the book* has been a *worthwhile experience*. An", "needs to make the reader feel that *reading the book* has been a", "a reader satisfied and interested in exploring more of an author's work?** Just", "has been a *worthwhile experience*. An exceptional ending might leave a reader with", "be clear - this question is not about cliff-hangers or sequels - just", "so) of any story needs to make the reader feel that *reading the", "of an author's work?** Just to be clear - this question is not", "make the reader feel that *reading the book* has been a *worthwhile experience*.", "reader with such a warm glow that they immediately search for more books", "such a warm glow that they immediately search for more books by the", "an author's work?** Just to be clear - this question is not about", "a *worthwhile experience*. An exceptional ending might leave a reader with such a", "that leaves a reader satisfied and interested in exploring more of an author's", "*worthwhile experience*. An exceptional ending might leave a reader with such a warm", "It strikes me that the last chapter (or so) of any story needs", "or sequels - just a solid, fulfilling, well-rounded ending to a stand-alone novel.", "ending that leaves a reader satisfied and interested in exploring more of an", "books by the same author. So, my question is: **what techniques exist for", "exist for crafting an ending that leaves a reader satisfied and interested in", "exploring more of an author's work?** Just to be clear - this question", "chapter (or so) of any story needs to make the reader feel that", "about cliff-hangers or sequels - just a solid, fulfilling, well-rounded ending to a", "glow that they immediately search for more books by the same author. So,", "in exploring more of an author's work?** Just to be clear - this", "feel that *reading the book* has been a *worthwhile experience*. An exceptional ending", "book* has been a *worthwhile experience*. An exceptional ending might leave a reader", "leaves a reader satisfied and interested in exploring more of an author's work?**", "the book* has been a *worthwhile experience*. An exceptional ending might leave a", "ending might leave a reader with such a warm glow that they immediately", "immediately search for more books by the same author. So, my question is:", "is not about cliff-hangers or sequels - just a solid, fulfilling, well-rounded ending", "any story needs to make the reader feel that *reading the book* has", "is: **what techniques exist for crafting an ending that leaves a reader satisfied", "that *reading the book* has been a *worthwhile experience*. An exceptional ending might", "might leave a reader with such a warm glow that they immediately search", "a warm glow that they immediately search for more books by the same", "more of an author's work?** Just to be clear - this question is" ]
[ "where to travel south, in real life he would reach Berwick castle but", "Wisconsin so I don’t want to switch from not real to real. (Sorry", "It’s important to me that it’s set in the real world because the", "there. It’s important to me that it’s set in the real world because", "is making a story in the medieval times and I wanted to make", "make up a village and have my characters be there and travel around", "a story in the medieval times and I wanted to make up a", "the book like how it was in real life? For example if my", "medieval times and I wanted to make up a village and have my", "have to make everything around there in the book like how it was", "in real life he would reach Berwick castle but in the book I", "anything to be there. It’s important to me that it’s set in the", "there in the book like how it was in real life? 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For example if", "travel south, in real life he would reach Berwick castle but in the", "he would reach Berwick castle but in the book I don’t want anything", "in the medieval times and I wanted to make up a village and", "to make up a village and have my characters be there and travel", "my character where to travel south, in real life he would reach Berwick", "because the second book is supposed to be in Wisconsin so I don’t", "in the real world because the second book is supposed to be in", "set in the real world because the second book is supposed to be", "life he would reach Berwick castle but in the book I don’t want", "real life he would reach Berwick castle but in the book I don’t", "be there. It’s important to me that it’s set in the real world", "supposed to be in Wisconsin so I don’t want to switch from not", "real world because the second book is supposed to be in Wisconsin so", "I don’t want anything to be there. It’s important to me that it’s", "a village and have my characters be there and travel around there but", "in the book I don’t want anything to be there. It’s important to", "For example if my character where to travel south, in real life he", "make everything around there in the book like how it was in real", "want anything to be there. It’s important to me that it’s set in", "and I wanted to make up a village and have my characters be", "I wanted to make up a village and have my characters be there", "to me that it’s set in the real world because the second book", "in Wisconsin so I don’t want to switch from not real to real.", "times and I wanted to make up a village and have my characters", "would reach Berwick castle but in the book I don’t want anything to", "to make everything around there in the book like how it was in", "have my characters be there and travel around there but do I have", "it was in real life? For example if my character where to travel", "the book I don’t want anything to be there. It’s important to me", "story in the medieval times and I wanted to make up a village", "there and travel around there but do I have to make everything around", "south, in real life he would reach Berwick castle but in the book", "wanted to make up a village and have my characters be there and", "What I’m doing is making a story in the medieval times and I", "that it’s set in the real world because the second book is supposed", "book I don’t want anything to be there. It’s important to me that", "important to me that it’s set in the real world because the second", "book like how it was in real life? For example if my character", "character where to travel south, in real life he would reach Berwick castle", "everything around there in the book like how it was in real life?", "life? For example if my character where to travel south, in real life", "travel around there but do I have to make everything around there in", "around there in the book like how it was in real life? For", "how it was in real life? For example if my character where to", "real life? For example if my character where to travel south, in real", "but in the book I don’t want anything to be there. It’s important", "to be there. It’s important to me that it’s set in the real", "to travel south, in real life he would reach Berwick castle but in", "it’s set in the real world because the second book is supposed to", "I have to make everything around there in the book like how it", "reach Berwick castle but in the book I don’t want anything to be", "the real world because the second book is supposed to be in Wisconsin", "the medieval times and I wanted to make up a village and have", "characters be there and travel around there but do I have to make", "there but do I have to make everything around there in the book", "I don’t want to switch from not real to real. (Sorry if I’m", "castle but in the book I don’t want anything to be there. It’s", "and have my characters be there and travel around there but do I", "up a village and have my characters be there and travel around there", "world because the second book is supposed to be in Wisconsin so I", "Berwick castle but in the book I don’t want anything to be there.", "so I don’t want to switch from not real to real. (Sorry if", "do I have to make everything around there in the book like how", "don’t want anything to be there. It’s important to me that it’s set", "was in real life? For example if my character where to travel south,", "me that it’s set in the real world because the second book is", "don’t want to switch from not real to real. (Sorry if I’m confusing)", "making a story in the medieval times and I wanted to make up", "second book is supposed to be in Wisconsin so I don’t want to", "to be in Wisconsin so I don’t want to switch from not real", "and travel around there but do I have to make everything around there", "doing is making a story in the medieval times and I wanted to", "like how it was in real life? For example if my character where", "my characters be there and travel around there but do I have to", "if my character where to travel south, in real life he would reach", "in real life? For example if my character where to travel south, in" ]
[ "to go, but I'd like some guidance in getting it all started when", "like some guidance in getting it all started when the reader knows nothing", "like I have everything except the first chapter; once the story is underway", "reader knows nothing at all. What does the reader need to know to", "into it (without telling them everything), and do professionals usually start with the", "story is underway I feel like I know where to go, but I'd", "nothing at all. What does the reader need to know to get into", "it (without telling them everything), and do professionals usually start with the character,", "the character, or the setting, or background, or what exactly? 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Is it just personal choice, or is there some", "I'd like some guidance in getting it all started when the reader knows", "have everything except the first chapter; once the story is underway I feel", "start with the character, or the setting, or background, or what exactly? Is", "is underway I feel like I know where to go, but I'd like", "once the story is underway I feel like I know where to go,", "does the reader need to know to get into it (without telling them", "everything), and do professionals usually start with the character, or the setting, or", "or what exactly? Is it just personal choice, or is there some good", "everything except the first chapter; once the story is underway I feel like", "the reader knows nothing at all. What does the reader need to know", "or the setting, or background, or what exactly? Is it just personal choice,", "getting it all started when the reader knows nothing at all. What does", "with the character, or the setting, or background, or what exactly? Is it", "where to go, but I'd like some guidance in getting it all started", "the reader need to know to get into it (without telling them everything),", "I feel like I know where to go, but I'd like some guidance", "(without telling them everything), and do professionals usually start with the character, or", "the setting, or background, or what exactly? Is it just personal choice, or", "guidance in getting it all started when the reader knows nothing at all.", "to know to get into it (without telling them everything), and do professionals", "I know where to go, but I'd like some guidance in getting it", "character, or the setting, or background, or what exactly? Is it just personal", "telling them everything), and do professionals usually start with the character, or the", "first chapter; once the story is underway I feel like I know where", "underway I feel like I know where to go, but I'd like some", "feel like I know where to go, but I'd like some guidance in", "like I know where to go, but I'd like some guidance in getting", "when the reader knows nothing at all. What does the reader need to", "knows nothing at all. What does the reader need to know to get", "professionals usually start with the character, or the setting, or background, or what", "go, but I'd like some guidance in getting it all started when the", "all. What does the reader need to know to get into it (without", "Is it just personal choice, or is there some good formula for attacking", "I feel like I have everything except the first chapter; once the story", "it all started when the reader knows nothing at all. What does the", "chapter; once the story is underway I feel like I know where to", "to get into it (without telling them everything), and do professionals usually start", "and do professionals usually start with the character, or the setting, or background,", "the first chapter; once the story is underway I feel like I know", "started when the reader knows nothing at all. What does the reader need", "at all. What does the reader need to know to get into it", "What does the reader need to know to get into it (without telling", "need to know to get into it (without telling them everything), and do", "them everything), and do professionals usually start with the character, or the setting,", "exactly? Is it just personal choice, or is there some good formula for", "the story is underway I feel like I know where to go, but", "all started when the reader knows nothing at all. What does the reader", "except the first chapter; once the story is underway I feel like I", "setting, or background, or what exactly? Is it just personal choice, or is", "it just personal choice, or is there some good formula for attacking it?", "what exactly? Is it just personal choice, or is there some good formula", "but I'd like some guidance in getting it all started when the reader" ]
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The people", "run into the problem where I have to assign human actions to subjects", "of writing the above sentences, but if I always resort to writing sentences", "this style is bad practice (I don't know if there is a term", "I've never been able to figure out how to do it properly, and", "that company perform actions such as seeking and promoting?*) I know about other", "sentence will be long and tedious: 1. People who do science help us", "Western culture pursue worldwide equality. 3. The people of that company seek to", "years ago that I should not be doing this, and it has stuck", "science help us understand nature. 2. The people of Western culture pursue worldwide", "company seek to promote a product. My question is whether the first three", "figure out how to do it properly, and I wonder if the teacher", "(*can science perform an action like helping?*) 2. Western culture pursues worldwide equality.", "has stuck with me ever since, but I've never been able to figure", "were to be provided with resources that help me overcome this hurdle in", "this hurdle in my writing if this style is bad practice (I don't", "ever since, but I've never been able to figure out how to do", "to be provided with resources that help me overcome this hurdle in my", "actions. A teacher told me years ago that I should not be doing", "this problem, so I don't know what to enter into a search engine" ]
[ "I remind him of the setting each time my character leaves his appartment?", "during a hard winter: streets are covered with snow, the wind is blowing,", "behind in a closed pub and later suffers from cold in the streets", "in a closed pub and later suffers from cold in the streets on", "first scene. My character leaves his coat behind in a closed pub and", "coat behind in a closed pub and later suffers from cold in the", "place in a city during a hard winter: streets are covered with snow,", "My story takes place in a city during a hard winter: streets are", "describe all the setting in the very first scene. My character leaves his", "in the very first scene. My character leaves his coat behind in a", "cold in the streets on his way home. How many pages could a", "covered with snow, the wind is blowing, the river is frozen. I describe", "river is frozen. I describe all the setting in the very first scene.", "a closed pub and later suffers from cold in the streets on his", "character leaves his coat behind in a closed pub and later suffers from", "How many pages could a reader remember it is winter? Should I remind", "is blowing, the river is frozen. I describe all the setting in the", "streets are covered with snow, the wind is blowing, the river is frozen.", "and later suffers from cold in the streets on his way home. How", "could a reader remember it is winter? Should I remind him of the", "the river is frozen. I describe all the setting in the very first", "suffers from cold in the streets on his way home. How many pages", "on his way home. How many pages could a reader remember it is", "city during a hard winter: streets are covered with snow, the wind is", "pub and later suffers from cold in the streets on his way home.", "remember it is winter? Should I remind him of the setting each time", "is frozen. I describe all the setting in the very first scene. My", "very first scene. My character leaves his coat behind in a closed pub", "home. How many pages could a reader remember it is winter? Should I", "leaves his coat behind in a closed pub and later suffers from cold", "frozen. I describe all the setting in the very first scene. My character", "closed pub and later suffers from cold in the streets on his way", "streets on his way home. How many pages could a reader remember it", "a reader remember it is winter? Should I remind him of the setting", "from cold in the streets on his way home. How many pages could", "winter: streets are covered with snow, the wind is blowing, the river is", "all the setting in the very first scene. My character leaves his coat", "the very first scene. My character leaves his coat behind in a closed", "later suffers from cold in the streets on his way home. How many", "reader remember it is winter? Should I remind him of the setting each", "setting in the very first scene. My character leaves his coat behind in", "many pages could a reader remember it is winter? Should I remind him", "are covered with snow, the wind is blowing, the river is frozen. I", "his way home. How many pages could a reader remember it is winter?", "scene. My character leaves his coat behind in a closed pub and later", "the wind is blowing, the river is frozen. I describe all the setting", "pages could a reader remember it is winter? Should I remind him of", "a hard winter: streets are covered with snow, the wind is blowing, the", "wind is blowing, the river is frozen. I describe all the setting in", "I describe all the setting in the very first scene. My character leaves", "his coat behind in a closed pub and later suffers from cold in", "with snow, the wind is blowing, the river is frozen. I describe all", "takes place in a city during a hard winter: streets are covered with", "blowing, the river is frozen. I describe all the setting in the very", "the streets on his way home. How many pages could a reader remember", "hard winter: streets are covered with snow, the wind is blowing, the river", "the setting in the very first scene. My character leaves his coat behind", "way home. How many pages could a reader remember it is winter? Should", "it is winter? Should I remind him of the setting each time my", "Should I remind him of the setting each time my character leaves his", "winter? Should I remind him of the setting each time my character leaves", "a city during a hard winter: streets are covered with snow, the wind", "My character leaves his coat behind in a closed pub and later suffers", "story takes place in a city during a hard winter: streets are covered", "in a city during a hard winter: streets are covered with snow, the", "is winter? Should I remind him of the setting each time my character", "snow, the wind is blowing, the river is frozen. I describe all the", "in the streets on his way home. How many pages could a reader" ]
[ "previously raged in his room - knocking things over) --- INT. JOE’S ROOM", "of shots for this? (context- Joe previously raged in his room - knocking", "the alarm clock, pauses, decides to set it. Falls into bed. --- Is", "mean, I guess it’s jumping time a little bit... sort of? Is it", "little bit... sort of? Is it okay to use a series of shots", "a little bit... sort of? Is it okay to use a series of", "Joe previously raged in his room - knocking things over) --- INT. JOE’S", "for this? (context- Joe previously raged in his room - knocking things over)", "(context- Joe previously raged in his room - knocking things over) --- INT.", "time a little bit... sort of? Is it okay to use a series", "pauses, decides to set it. Falls into bed. --- Is that worthy of", "I use a series of shots for this? (context- Joe previously raged in", "alarm clock, pauses, decides to set it. Falls into bed. --- Is that", "that worthy of a series of shots? I mean, I guess it’s jumping", "I guess it’s jumping time a little bit... sort of? Is it okay", "shots for this? (context- Joe previously raged in his room - knocking things", "clock, pauses, decides to set it. Falls into bed. --- Is that worthy", "stands up the nightstand. Plugs in the lamp. Takes the alarm clock, pauses,", "a series of shots for this? (context- Joe previously raged in his room", "the lamp. Takes the alarm clock, pauses, decides to set it. Falls into", "guess it’s jumping time a little bit... sort of? Is it okay to", "up the nightstand. Plugs in the lamp. Takes the alarm clock, pauses, decides", "Takes the alarm clock, pauses, decides to set it. Falls into bed. ---", "to set it. Falls into bed. --- Is that worthy of a series", "jumping time a little bit... sort of? Is it okay to use a", "--- Is that worthy of a series of shots? I mean, I guess", "things over) --- INT. JOE’S ROOM Joe stands up the nightstand. Plugs in", "I mean, I guess it’s jumping time a little bit... sort of? Is", "of? Is it okay to use a series of shots in a spec?", "sort of? Is it okay to use a series of shots in a", "lamp. Takes the alarm clock, pauses, decides to set it. Falls into bed.", "series of shots? I mean, I guess it’s jumping time a little bit...", "in his room - knocking things over) --- INT. JOE’S ROOM Joe stands", "room - knocking things over) --- INT. JOE’S ROOM Joe stands up the", "a series of shots? I mean, I guess it’s jumping time a little", "the nightstand. Plugs in the lamp. Takes the alarm clock, pauses, decides to", "raged in his room - knocking things over) --- INT. JOE’S ROOM Joe", "JOE’S ROOM Joe stands up the nightstand. Plugs in the lamp. Takes the", "nightstand. Plugs in the lamp. Takes the alarm clock, pauses, decides to set", "of a series of shots? I mean, I guess it’s jumping time a", "use a series of shots for this? (context- Joe previously raged in his", "this? (context- Joe previously raged in his room - knocking things over) ---", "shots? I mean, I guess it’s jumping time a little bit... sort of?", "it’s jumping time a little bit... sort of? Is it okay to use", "over) --- INT. JOE’S ROOM Joe stands up the nightstand. Plugs in the", "Joe stands up the nightstand. Plugs in the lamp. Takes the alarm clock,", "it. Falls into bed. --- Is that worthy of a series of shots?", "Is it okay to use a series of shots in a spec? Thanks!", "of shots? I mean, I guess it’s jumping time a little bit... sort", "worthy of a series of shots? I mean, I guess it’s jumping time", "into bed. --- Is that worthy of a series of shots? I mean,", "INT. JOE’S ROOM Joe stands up the nightstand. Plugs in the lamp. Takes", "Is that worthy of a series of shots? I mean, I guess it’s", "Plugs in the lamp. Takes the alarm clock, pauses, decides to set it.", "knocking things over) --- INT. JOE’S ROOM Joe stands up the nightstand. Plugs", "ROOM Joe stands up the nightstand. Plugs in the lamp. Takes the alarm", "set it. Falls into bed. --- Is that worthy of a series of", "bed. --- Is that worthy of a series of shots? I mean, I", "- knocking things over) --- INT. JOE’S ROOM Joe stands up the nightstand.", "decides to set it. Falls into bed. --- Is that worthy of a", "series of shots for this? (context- Joe previously raged in his room -", "in the lamp. Takes the alarm clock, pauses, decides to set it. Falls", "Falls into bed. --- Is that worthy of a series of shots? I", "Should I use a series of shots for this? (context- Joe previously raged", "--- INT. JOE’S ROOM Joe stands up the nightstand. Plugs in the lamp.", "bit... sort of? Is it okay to use a series of shots in", "his room - knocking things over) --- INT. JOE’S ROOM Joe stands up" ]
[ "From my limited research, it seems that screenwriters make quite a bit more", "at all, but as I get closer to talking to publishers, I've found", "a better option. From my limited research, it seems that screenwriters make quite", "is it to transition from novel writing to screen writing?** A detail of", "money than novel writers (unless you're wildly successful I suppose). The main thing", "Further Note: This question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both", "take the plunge and go for it though, I was curious about a", "the fact that (assuming you are any good) your audience will probably be", "evidence for this, but it's my assumption that in general, more people watch", "my limited research, it seems that screenwriters make quite a bit more money", "bit more money than novel writers (unless you're wildly successful I suppose). The", "better option. From my limited research, it seems that screenwriters make quite a", "from novel writing to screenwriting. They are obviously very different, but they both", "detail of what I would have to learn/do would be appreciated. Note: I'm", "both have the same story principles at the core (as far as I", "never really looked into screenwriting at all, but as I get closer to", "of what I would have to learn/do would be appreciated. Note: I'm open", "those questions deal more with the differences between screenwriting and novel writing, and", "will probably be bigger. I have no evidence for this, but it's my", "the same story principles at the core (as far as I know). **How", "**How hard is it to transition from novel writing to screen writing?** A", "questions deal more with the differences between screenwriting and novel writing, and not", "I get closer to talking to publishers, I've found myself thinking that screenwriting", "shows than they read books, in this day. As a result I'm wondering", "for several years, and I feel fairly confident in my ability to write", "hard it would be to transition from novel writing to screenwriting. They are", "as I know). **How hard is it to transition from novel writing to", "more with the differences between screenwriting and novel writing, and not actually transitioning", "similar. However, please back these up with reasons (your own opinions are fine),", "into screenwriting at all, but as I get closer to talking to publishers,", "make sure you answer the question first. Further Note: This question is not", "as I get closer to talking to publishers, I've found myself thinking that", "This question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those", "differences between screenwriting and novel writing, and not actually transitioning from one to", "for me though would be the fact that (assuming you are any good)", "comment.* If you put them in an answer, please make sure you answer", "more people watch movies/TV shows than they read books, in this day. As", "how hard it would be to transition from novel writing to screenwriting. They", "novel writing to screen writing?** A detail of what I would have to", "for it though, I was curious about a slightly different path: screenwriting. I've", "more money than novel writers (unless you're wildly successful I suppose). The main", "get closer to talking to publishers, I've found myself thinking that screenwriting might", "writing for several years, and I feel fairly confident in my ability to", "in a comment.* If you put them in an answer, please make sure", "suppose). The main thing for me though would be the fact that (assuming", "screenwriting. They are obviously very different, but they both have the same story", "that (assuming you are any good) your audience will probably be bigger. I", "writers (unless you're wildly successful I suppose). The main thing for me though", "hard is it to transition from novel writing to screen writing?** A detail", "appreciated. Note: I'm open to opinions following the lines of 'you should never", "myself thinking that screenwriting might be a better option. From my limited research,", "or something similar. However, please back these up with reasons (your own opinions", "of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more with the differences", "not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more", "to transition from novel writing to screen writing?** A detail of what I", "I feel fairly confident in my ability to write a novel. Before I", "opinions are fine), and *please put them in a comment.* If you put", "I would have to learn/do would be appreciated. Note: I'm open to opinions", "it seems that screenwriters make quite a bit more money than novel writers", "them in an answer, please make sure you answer the question first. Further", "thing for me though would be the fact that (assuming you are any", "would be to transition from novel writing to screenwriting. They are obviously very", "open to opinions following the lines of 'you should never screenwrite!' or 'you", "general, more people watch movies/TV shows than they read books, in this day.", "I know). **How hard is it to transition from novel writing to screen", "never novel write!' or something similar. However, please back these up with reasons", "fairly confident in my ability to write a novel. Before I take the", "main thing for me though would be the fact that (assuming you are", "please back these up with reasons (your own opinions are fine), and *please", "(assuming you are any good) your audience will probably be bigger. I have", "to transition from novel writing to screenwriting. They are obviously very different, but", "The main thing for me though would be the fact that (assuming you", "the core (as far as I know). **How hard is it to transition", "question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions", "back these up with reasons (your own opinions are fine), and *please put", "novel writing to screenwriting. They are obviously very different, but they both have", "they both have the same story principles at the core (as far as", "or 'you should never novel write!' or something similar. However, please back these", "the question first. Further Note: This question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels)", "with the differences between screenwriting and novel writing, and not actually transitioning from", "write!' or something similar. However, please back these up with reasons (your own", "ability to write a novel. Before I take the plunge and go for", "should never screenwrite!' or 'you should never novel write!' or something similar. However,", "*please put them in a comment.* If you put them in an answer,", "screenwriting and novel writing, and not actually transitioning from one to the other.", "be appreciated. Note: I'm open to opinions following the lines of 'you should", "principles at the core (as far as I know). **How hard is it", "first. Further Note: This question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter).", "I've found myself thinking that screenwriting might be a better option. From my", "(unless you're wildly successful I suppose). The main thing for me though would", "the lines of 'you should never screenwrite!' or 'you should never novel write!'", "I have no evidence for this, but it's my assumption that in general,", "writing to screenwriting. They are obviously very different, but they both have the", "a novel. Before I take the plunge and go for it though, I", "I take the plunge and go for it though, I was curious about", "screenwriting at all, but as I get closer to talking to publishers, I've", "up with reasons (your own opinions are fine), and *please put them in", "screenwrite!' or 'you should never novel write!' or something similar. However, please back", "screenwriting. I've never really looked into screenwriting at all, but as I get", "transition from novel writing to screenwriting. They are obviously very different, but they", "watch movies/TV shows than they read books, in this day. As a result", "I suppose). The main thing for me though would be the fact that", "would be appreciated. Note: I'm open to opinions following the lines of 'you", "duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more with the", "I'm wondering how hard it would be to transition from novel writing to", "own opinions are fine), and *please put them in a comment.* If you", "fact that (assuming you are any good) your audience will probably be bigger.", "good) your audience will probably be bigger. I have no evidence for this,", "been studying writing for several years, and I feel fairly confident in my", "a comment.* If you put them in an answer, please make sure you", "slightly different path: screenwriting. I've never really looked into screenwriting at all, but", "screenwriters make quite a bit more money than novel writers (unless you're wildly", "would have to learn/do would be appreciated. Note: I'm open to opinions following", "[this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more with the differences between", "in this day. As a result I'm wondering how hard it would be", "'you should never screenwrite!' or 'you should never novel write!' or something similar.", "was curious about a slightly different path: screenwriting. I've never really looked into", "though, I was curious about a slightly different path: screenwriting. I've never really", "write a novel. Before I take the plunge and go for it though,", "than they read books, in this day. As a result I'm wondering how", "the plunge and go for it though, I was curious about a slightly", "from novel writing to screen writing?** A detail of what I would have", "be to transition from novel writing to screenwriting. They are obviously very different,", "probably be bigger. I have no evidence for this, but it's my assumption", "books, in this day. As a result I'm wondering how hard it would", "They are obviously very different, but they both have the same story principles", "be the fact that (assuming you are any good) your audience will probably", "wondering how hard it would be to transition from novel writing to screenwriting.", "closer to talking to publishers, I've found myself thinking that screenwriting might be", "any good) your audience will probably be bigger. I have no evidence for", "no evidence for this, but it's my assumption that in general, more people", "have to learn/do would be appreciated. Note: I'm open to opinions following the", "to opinions following the lines of 'you should never screenwrite!' or 'you should", "'you should never novel write!' or something similar. However, please back these up", "studying writing for several years, and I feel fairly confident in my ability", "core (as far as I know). **How hard is it to transition from", "If you put them in an answer, please make sure you answer the", "A detail of what I would have to learn/do would be appreciated. Note:", "novel writers (unless you're wildly successful I suppose). The main thing for me", "put them in an answer, please make sure you answer the question first.", "are fine), and *please put them in a comment.* If you put them", "story principles at the core (as far as I know). **How hard is", "However, please back these up with reasons (your own opinions are fine), and", "learn/do would be appreciated. Note: I'm open to opinions following the lines of", "about a slightly different path: screenwriting. I've never really looked into screenwriting at", "in an answer, please make sure you answer the question first. Further Note:", "it though, I was curious about a slightly different path: screenwriting. I've never", "your audience will probably be bigger. I have no evidence for this, but", "Both of those questions deal more with the differences between screenwriting and novel", "this day. As a result I'm wondering how hard it would be to", "make quite a bit more money than novel writers (unless you're wildly successful", "you're wildly successful I suppose). The main thing for me though would be", "are any good) your audience will probably be bigger. I have no evidence", "talking to publishers, I've found myself thinking that screenwriting might be a better", "As a result I'm wondering how hard it would be to transition from", "put them in a comment.* If you put them in an answer, please", "have the same story principles at the core (as far as I know).", "is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal", "them in a comment.* If you put them in an answer, please make", "be a better option. From my limited research, it seems that screenwriters make", "me though would be the fact that (assuming you are any good) your", "Before I take the plunge and go for it though, I was curious", "really looked into screenwriting at all, but as I get closer to talking", "looked into screenwriting at all, but as I get closer to talking to", "to screen writing?** A detail of what I would have to learn/do would", "feel fairly confident in my ability to write a novel. Before I take", "I've never really looked into screenwriting at all, but as I get closer", "Note: I'm open to opinions following the lines of 'you should never screenwrite!'", "this, but it's my assumption that in general, more people watch movies/TV shows", "(as far as I know). **How hard is it to transition from novel", "confident in my ability to write a novel. Before I take the plunge", "please make sure you answer the question first. Further Note: This question is", "it's my assumption that in general, more people watch movies/TV shows than they", "deal more with the differences between screenwriting and novel writing, and not actually", "go for it though, I was curious about a slightly different path: screenwriting.", "following the lines of 'you should never screenwrite!' or 'you should never novel", "several years, and I feel fairly confident in my ability to write a", "research, it seems that screenwriters make quite a bit more money than novel", "assumption that in general, more people watch movies/TV shows than they read books,", "you answer the question first. Further Note: This question is not a duplicate", "or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more with the differences between screenwriting", "different path: screenwriting. I've never really looked into screenwriting at all, but as", "a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more with", "to write a novel. Before I take the plunge and go for it", "a bit more money than novel writers (unless you're wildly successful I suppose).", "screen writing?** A detail of what I would have to learn/do would be", "an answer, please make sure you answer the question first. Further Note: This", "quite a bit more money than novel writers (unless you're wildly successful I", "never screenwrite!' or 'you should never novel write!' or something similar. However, please", "writing?** A detail of what I would have to learn/do would be appreciated.", "with reasons (your own opinions are fine), and *please put them in a", "my assumption that in general, more people watch movies/TV shows than they read", "but as I get closer to talking to publishers, I've found myself thinking", "read books, in this day. As a result I'm wondering how hard it", "though would be the fact that (assuming you are any good) your audience", "might be a better option. From my limited research, it seems that screenwriters", "in general, more people watch movies/TV shows than they read books, in this", "writing to screen writing?** A detail of what I would have to learn/do", "curious about a slightly different path: screenwriting. I've never really looked into screenwriting", "it would be to transition from novel writing to screenwriting. They are obviously", "a slightly different path: screenwriting. I've never really looked into screenwriting at all,", "what I would have to learn/do would be appreciated. Note: I'm open to", "day. As a result I'm wondering how hard it would be to transition", "found myself thinking that screenwriting might be a better option. From my limited", "bigger. I have no evidence for this, but it's my assumption that in", "to screenwriting. They are obviously very different, but they both have the same", "know). **How hard is it to transition from novel writing to screen writing?**", "far as I know). **How hard is it to transition from novel writing", "wildly successful I suppose). The main thing for me though would be the", "(your own opinions are fine), and *please put them in a comment.* If", "answer, please make sure you answer the question first. Further Note: This question", "for this, but it's my assumption that in general, more people watch movies/TV", "opinions following the lines of 'you should never screenwrite!' or 'you should never", "thinking that screenwriting might be a better option. From my limited research, it", "my ability to write a novel. Before I take the plunge and go", "different, but they both have the same story principles at the core (as", "in my ability to write a novel. Before I take the plunge and", "successful I suppose). The main thing for me though would be the fact", "I was curious about a slightly different path: screenwriting. I've never really looked", "plunge and go for it though, I was curious about a slightly different", "of those questions deal more with the differences between screenwriting and novel writing,", "very different, but they both have the same story principles at the core", "to publishers, I've found myself thinking that screenwriting might be a better option.", "publishers, I've found myself thinking that screenwriting might be a better option. From", "but it's my assumption that in general, more people watch movies/TV shows than", "the differences between screenwriting and novel writing, and not actually transitioning from one", "to learn/do would be appreciated. Note: I'm open to opinions following the lines", "fine), and *please put them in a comment.* If you put them in", "that in general, more people watch movies/TV shows than they read books, in", "are obviously very different, but they both have the same story principles at", "would be the fact that (assuming you are any good) your audience will", "a result I'm wondering how hard it would be to transition from novel", "novel. Before I take the plunge and go for it though, I was", "I'm open to opinions following the lines of 'you should never screenwrite!' or", "path: screenwriting. I've never really looked into screenwriting at all, but as I", "you put them in an answer, please make sure you answer the question", "I've been studying writing for several years, and I feel fairly confident in", "to talking to publishers, I've found myself thinking that screenwriting might be a", "all, but as I get closer to talking to publishers, I've found myself", "movies/TV shows than they read books, in this day. As a result I'm", "option. From my limited research, it seems that screenwriters make quite a bit", "novel write!' or something similar. However, please back these up with reasons (your", "screenwriting might be a better option. From my limited research, it seems that", "seems that screenwriters make quite a bit more money than novel writers (unless", "audience will probably be bigger. I have no evidence for this, but it's", "at the core (as far as I know). **How hard is it to", "you are any good) your audience will probably be bigger. I have no", "people watch movies/TV shows than they read books, in this day. As a", "between screenwriting and novel writing, and not actually transitioning from one to the", "question first. Further Note: This question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or", "should never novel write!' or something similar. However, please back these up with", "that screenwriting might be a better option. From my limited research, it seems", "be bigger. I have no evidence for this, but it's my assumption that", "limited research, it seems that screenwriters make quite a bit more money than", "than novel writers (unless you're wildly successful I suppose). The main thing for", "answer the question first. Further Note: This question is not a duplicate of", "Note: This question is not a duplicate of [this](https://writing.stackexchange.com/questions/6618/how-applicable-are-screenwriting-ideas-to-novels) or [this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of", "[this](https://writing.stackexchange.com/questions/19046/should-i-be-a-novel-writer-or-a-screenwriter). Both of those questions deal more with the differences between screenwriting and", "they read books, in this day. As a result I'm wondering how hard", "something similar. However, please back these up with reasons (your own opinions are", "transition from novel writing to screen writing?** A detail of what I would", "same story principles at the core (as far as I know). **How hard", "and go for it though, I was curious about a slightly different path:", "of 'you should never screenwrite!' or 'you should never novel write!' or something", "it to transition from novel writing to screen writing?** A detail of what", "sure you answer the question first. Further Note: This question is not a", "reasons (your own opinions are fine), and *please put them in a comment.*", "years, and I feel fairly confident in my ability to write a novel.", "that screenwriters make quite a bit more money than novel writers (unless you're", "have no evidence for this, but it's my assumption that in general, more", "obviously very different, but they both have the same story principles at the", "but they both have the same story principles at the core (as far", "these up with reasons (your own opinions are fine), and *please put them", "result I'm wondering how hard it would be to transition from novel writing", "and *please put them in a comment.* If you put them in an", "and I feel fairly confident in my ability to write a novel. Before", "lines of 'you should never screenwrite!' or 'you should never novel write!' or" ]
[ "offend the movie theatres. Hence, I would like to reword it to show", "sentence: > > Nowadays to reach the mass audience, you don't have to", "ways of distributing a movie to the audience that taking the movie theatre", "such as > live video streams. > > > The point of this", "you don't have to rely on > traditional media. Instead, you can embrace", "many ways of distributing a movie to the audience that taking the movie", "to the audience that taking the movie theatre route is not a necessity.", "this is to show that we have so many ways of distributing a", "like to reword it to show there are options outside the big screen", "there are options outside the big screen for new movie distribution, especially the", "> traditional media. Instead, you can embrace social networks such as > live", "can embrace social networks such as > live video streams. > > >", "taking the movie theatre route is not a necessity. However, I wouldn't want", "movie theatre route is not a necessity. However, I wouldn't want to offend", "it to show there are options outside the big screen for new movie", "I would like to reword it to show there are options outside the", "to reword it to show there are options outside the big screen for", "that taking the movie theatre route is not a necessity. However, I wouldn't", "are options outside the big screen for new movie distribution, especially the indie", "Nowadays to reach the mass audience, you don't have to rely on >", "> > > The point of this is to show that we have", "> live video streams. > > > The point of this is to", "mass audience, you don't have to rely on > traditional media. Instead, you", "show that we have so many ways of distributing a movie to the", "movie theatres. Hence, I would like to reword it to show there are", "is not a necessity. However, I wouldn't want to offend the movie theatres.", "> > Nowadays to reach the mass audience, you don't have to rely", "of distributing a movie to the audience that taking the movie theatre route", "traditional media. Instead, you can embrace social networks such as > live video", "you can embrace social networks such as > live video streams. > >", "have the following sentence: > > Nowadays to reach the mass audience, you", "the following sentence: > > Nowadays to reach the mass audience, you don't", "> The point of this is to show that we have so many", "to rely on > traditional media. Instead, you can embrace social networks such", "a necessity. However, I wouldn't want to offend the movie theatres. Hence, I", "streams. > > > The point of this is to show that we", "the movie theatres. Hence, I would like to reword it to show there", "video streams. > > > The point of this is to show that", "> Nowadays to reach the mass audience, you don't have to rely on", "that we have so many ways of distributing a movie to the audience", "options outside the big screen for new movie distribution, especially the indie films.", "networks such as > live video streams. > > > The point of", "would like to reword it to show there are options outside the big", "we have so many ways of distributing a movie to the audience that", "rely on > traditional media. Instead, you can embrace social networks such as", "day, I have the following sentence: > > Nowadays to reach the mass", "is to show that we have so many ways of distributing a movie", "wouldn't want to offend the movie theatres. Hence, I would like to reword", "so many ways of distributing a movie to the audience that taking the", "theatre route is not a necessity. However, I wouldn't want to offend the", "distributing a movie to the audience that taking the movie theatre route is", "want to offend the movie theatres. Hence, I would like to reword it", "the mass audience, you don't have to rely on > traditional media. Instead,", "> > The point of this is to show that we have so", "necessity. However, I wouldn't want to offend the movie theatres. Hence, I would", "I have the following sentence: > > Nowadays to reach the mass audience,", "to show there are options outside the big screen for new movie distribution,", "of this is to show that we have so many ways of distributing", "to offend the movie theatres. Hence, I would like to reword it to", "However, I wouldn't want to offend the movie theatres. Hence, I would like", "as > live video streams. > > > The point of this is", "reach the mass audience, you don't have to rely on > traditional media.", "have so many ways of distributing a movie to the audience that taking", "on > traditional media. Instead, you can embrace social networks such as >", "have to rely on > traditional media. Instead, you can embrace social networks", "the movie theatre route is not a necessity. However, I wouldn't want to", "reword it to show there are options outside the big screen for new", "to show that we have so many ways of distributing a movie to", "Hence, I would like to reword it to show there are options outside", "audience that taking the movie theatre route is not a necessity. However, I", "audience, you don't have to rely on > traditional media. Instead, you can", "Instead, you can embrace social networks such as > live video streams. >", "point of this is to show that we have so many ways of", "don't have to rely on > traditional media. Instead, you can embrace social", "Good day, I have the following sentence: > > Nowadays to reach the", "a movie to the audience that taking the movie theatre route is not", "The point of this is to show that we have so many ways", "theatres. Hence, I would like to reword it to show there are options", "route is not a necessity. However, I wouldn't want to offend the movie", "live video streams. > > > The point of this is to show", "following sentence: > > Nowadays to reach the mass audience, you don't have", "media. Instead, you can embrace social networks such as > live video streams.", "embrace social networks such as > live video streams. > > > The", "I wouldn't want to offend the movie theatres. Hence, I would like to", "movie to the audience that taking the movie theatre route is not a", "to reach the mass audience, you don't have to rely on > traditional", "not a necessity. However, I wouldn't want to offend the movie theatres. Hence,", "show there are options outside the big screen for new movie distribution, especially", "social networks such as > live video streams. > > > The point", "the audience that taking the movie theatre route is not a necessity. However," ]
[ "a section that details the tech of the setting and gives separate sections", "wanting to wait until I could see my universe in a clearer lens", "cosmically recent phenomena). In my setting bible, I have formatted my setting into", "or by relevance. **Civilizations and Cultures** The civilizations and cultures section is organized", "I could when I drafted it out. I realized I may not have", "Worlds & Systems 2 - Sapients 3 - Civilizations and Cultures 4 -", "same universe. And they have sub sections too. **Worlds & Systems section** Worlds", "the way technology does impact culture. Indeed I feel like that separating tech", "feel my sapient classification is the most broken of the sub sections I", "avoid open endedness, let's focus on a single question- **Given the above information", "idea of what to do as I thought looking over things. To avoid", "history between each other than other civilizations. This organization is mainly done as", "which place is the best part of a setting bible to look?** (I", "sapient classification is the most broken of the sub sections I have as", "clearer lens that I could when I drafted it out. I realized I", "in the setting and than you get sets of \"civilizations\"- or blocs of", "accurate astronomy and generally some attempt at being relatively in line with reality", "worlds!). A few dozen worlds remains underwhelming when making a galaxy. Not to", "stated to all exist within the same universe. And they have sub sections", "multiple factions with a longer history between each other than other civilizations. This", "--- And it is in the revising stage that I find a lot", "to mention there is the issue of there being more sapients than worlds.", "a galaxy. Not to mention there is the issue of there being more", "the setting more internally consistent and better organized, which place is the best", "become important. I had not looked at the setting bible for months due", "couldn't decide if I wanted to classify sapients by advancement or by relevance.", "organized, which place is the best part of a setting bible to look?**", "my setting bible, I have formatted my setting into 5 major sections: 1", "and Cultures** The civilizations and cultures section is organized into first a sub", "tech should be elaborated in in the civilizations and cultures sections given the", "more internally consistent and better organized, which place is the best part of", "well as various protagonist candidates. --- And it is in the revising stage", "is more dealing with a world's mechanics and dynamics than how it is", "for tech from specific major sapients/civilizations. I am unsure if the tech section", "have sub sections too. **Worlds & Systems section** Worlds & Systems gives different", "perhaps still needing more worlds (you always need more worlds!). A few dozen", "development in the setting meaning these different civilizations are defined by having separate", "the least problems beyond perhaps still needing more worlds (you always need more", "from culture may have been a mistake looking at it again. **Characters** A", "is the most broken of the sub sections I have as it seems", "Civilizations and Cultures 4 - Technology 5 - Individuals and Characters Each of", "the organization of the story bible, what would it be best for me", "a setting bible (for a video game) to make the setting more internally", "try to fix this summer. It includes historical figures as well as various", "by relevance. **Civilizations and Cultures** The civilizations and cultures section is organized into", "organized into first a sub section detailing various belief systems that exist in", "it again. **Characters** A set of characters. Notoriously underdeveloped and this I will", "cultures, alien species and worlds which are stated to all exist within the", "and than you get sets of \"civilizations\"- or blocs of multiple factions with", "mainly done as a product of how I bottle necked FTL development in", "first a sub section detailing various belief systems that exist in the setting", "biospheres and megastructures. Of the sections I feel this one has the least", "worlds remains underwhelming when making a galaxy. Not to mention there is the", "from specific major sapients/civilizations. I am unsure if the tech section should actually", "and dynamics than how it is organized.) The genre of the game is", "the civilizations and cultures sections given the way technology does impact culture. Indeed", "was accurate astronomy and generally some attempt at being relatively in line with", "of the game is sci-fi, and one of the aims for this setting", "and generally some attempt at being relatively in line with reality to the", "arbitrary 'major' moniker for the sapients who I spent much more time developing", "until I could see my universe in a clearer lens that I could", "separate independent FTL developments from some non-FTL society. **Technology** Technology is a section", "video game) to make the setting more internally consistent and better organized, which", "unsure if the tech section should actually exist or if tech should be", "priorities I have and the organization of the story bible, what would it", "meanwhile tries to differentiate sapients by their advancement/relevance (with an arbitrary 'major' moniker", "mention there is the issue of there being more sapients than worlds. **The", "and wanting to wait until I could see my universe in a clearer", "universe. And they have sub sections too. **Worlds & Systems section** Worlds &", "the setting and gives separate sections for tech from specific major sapients/civilizations. I", "much more time developing than the other 'minor' sapients or 'ancient' sapients who", "my abilities (with a few willful deviations that are normally expected of in", "which is more dealing with a world's mechanics and dynamics than how it", "is the issue of there being more sapients than worlds. **The Sapients Section**", "been a mistake looking at it again. **Characters** A set of characters. Notoriously", "different sections for home worlds, sterile worlds, biospheres and megastructures. Of the sections", "section should actually exist or if tech should be elaborated in in the", "consistency, plot hooks and such all start to become important. I had not", "better organized, which place is the best part of a setting bible to", "least problems beyond perhaps still needing more worlds (you always need more worlds!).", "A few dozen worlds remains underwhelming when making a galaxy. Not to mention", "other 'minor' sapients or 'ancient' sapients who are advanced but less 'relevant'). I", "with a longer history between each other than other civilizations. This organization is", "wait until I could see my universe in a clearer lens that I", "months due to school work and wanting to wait until I could see", "specific major sapients/civilizations. I am unsure if the tech section should actually exist", "necked FTL development in the setting meaning these different civilizations are defined by", "I wanted to classify sapients by advancement or by relevance. **Civilizations and Cultures**", "to differentiate sapients by their advancement/relevance (with an arbitrary 'major' moniker for the", "developing than the other 'minor' sapients or 'ancient' sapients who are advanced but", "have as clear an idea of what to do as I thought looking", "for home worlds, sterile worlds, biospheres and megastructures. Of the sections I feel", "includes historical figures as well as various protagonist candidates. --- And it is", "sections given the way technology does impact culture. Indeed I feel like that", "cultures sections given the way technology does impact culture. Indeed I feel like", "setting more internally consistent and better organized, which place is the best part", "Characters Each of these sections are compilations of various societies, cultures, alien species", "or if tech should be elaborated in in the civilizations and cultures sections", "too. **Worlds & Systems section** Worlds & Systems gives different sections for home", "it is in the revising stage that I find a lot of the", "sapients by their advancement/relevance (with an arbitrary 'major' moniker for the sapients who", "Cultures** The civilizations and cultures section is organized into first a sub section", "into first a sub section detailing various belief systems that exist in the", "things. To avoid open endedness, let's focus on a single question- **Given the", "dealing with a world's mechanics and dynamics than how it is organized.) The", "(I didn't feel this question fit in with the world-building stack exchange which", "historical figures as well as various protagonist candidates. --- And it is in", "all start to become important. I had not looked at the setting bible", "to revising/reformatting a setting bible (for a video game) to make the setting", "to school work and wanting to wait until I could see my universe", "longer history between each other than other civilizations. This organization is mainly done", "The genre of the game is sci-fi, and one of the aims for", "the other 'minor' sapients or 'ancient' sapients who are advanced but less 'relevant').", "And it is in the revising stage that I find a lot of", "claim that intelligent life is a very cosmically recent phenomena). In my setting", "**Characters** A set of characters. Notoriously underdeveloped and this I will try to", "in with the world-building stack exchange which is more dealing with a world's", "meaning these different civilizations are defined by having separate independent FTL developments from", "most broken of the sub sections I have as it seems I couldn't", "who are advanced but less 'relevant'). I feel my sapient classification is the", "to classify sapients by advancement or by relevance. **Civilizations and Cultures** The civilizations", "are advanced but less 'relevant'). I feel my sapient classification is the most", "revising/reformatting a setting bible (for a video game) to make the setting more", "sections are compilations of various societies, cultures, alien species and worlds which are", "if I wanted to classify sapients by advancement or by relevance. **Civilizations and", "the setting meaning these different civilizations are defined by having separate independent FTL", "bottle necked FTL development in the setting meaning these different civilizations are defined", "sapients by advancement or by relevance. **Civilizations and Cultures** The civilizations and cultures", "different civilizations are defined by having separate independent FTL developments from some non-FTL", "willful deviations that are normally expected of in a space opera/sci-fi setting, mainly", "of various societies, cultures, alien species and worlds which are stated to all", "beyond perhaps still needing more worlds (you always need more worlds!). A few", "is a section that details the tech of the setting and gives separate", "the story bible, what would it be best for me to focus on", "the sections I feel this one has the least problems beyond perhaps still", "- Technology 5 - Individuals and Characters Each of these sections are compilations", "exist or if tech should be elaborated in in the civilizations and cultures", "than you get sets of \"civilizations\"- or blocs of multiple factions with a", "'ancient' sapients who are advanced but less 'relevant'). I feel my sapient classification", "mistake looking at it again. **Characters** A set of characters. Notoriously underdeveloped and", "set of characters. Notoriously underdeveloped and this I will try to fix this", "may have been a mistake looking at it again. **Characters** A set of", "to become important. I had not looked at the setting bible for months", "it is organized.) The genre of the game is sci-fi, and one of", "not have as clear an idea of what to do as I thought", "actually exist or if tech should be elaborated in in the civilizations and", "dozen worlds remains underwhelming when making a galaxy. Not to mention there is", "and cultures sections given the way technology does impact culture. Indeed I feel", "elaborated in in the civilizations and cultures sections given the way technology does", "setting bible was accurate astronomy and generally some attempt at being relatively in", "setting bible, I have formatted my setting into 5 major sections: 1 -", "bible to look?** (I didn't feel this question fit in with the world-building", "that I could when I drafted it out. I realized I may not", "out. I realized I may not have as clear an idea of what", "of what to do as I thought looking over things. To avoid open", "very cosmically recent phenomena). In my setting bible, I have formatted my setting", "home worlds, sterile worlds, biospheres and megastructures. Of the sections I feel this", "is mainly done as a product of how I bottle necked FTL development", "as clear an idea of what to do as I thought looking over", "sections for home worlds, sterile worlds, biospheres and megastructures. Of the sections I", "at it again. **Characters** A set of characters. Notoriously underdeveloped and this I", "generally some attempt at being relatively in line with reality to the best", "section that details the tech of the setting and gives separate sections for", "have formatted my setting into 5 major sections: 1 - Worlds & Systems", "of the sub sections I have as it seems I couldn't decide if", "underdeveloped and this I will try to fix this summer. It includes historical", "than the other 'minor' sapients or 'ancient' sapients who are advanced but less", "for months due to school work and wanting to wait until I could", "their advancement/relevance (with an arbitrary 'major' moniker for the sapients who I spent", "always need more worlds!). A few dozen worlds remains underwhelming when making a", "Technology 5 - Individuals and Characters Each of these sections are compilations of", "an arbitrary 'major' moniker for the sapients who I spent much more time", "culture. Indeed I feel like that separating tech from culture may have been", "technology does impact culture. Indeed I feel like that separating tech from culture", "to do as I thought looking over things. To avoid open endedness, let's", "'minor' sapients or 'ancient' sapients who are advanced but less 'relevant'). I feel", "in the revising stage that I find a lot of the inter connectivity", "making a galaxy. Not to mention there is the issue of there being", "this setting bible was accurate astronomy and generally some attempt at being relatively", "I thought looking over things. To avoid open endedness, let's focus on a", "are compilations of various societies, cultures, alien species and worlds which are stated", "who I spent much more time developing than the other 'minor' sapients or", "systems that exist in the setting and than you get sets of \"civilizations\"-", "the game is sci-fi, and one of the aims for this setting bible", "1 - Worlds & Systems 2 - Sapients 3 - Civilizations and Cultures", "separate sections for tech from specific major sapients/civilizations. I am unsure if the", "this I will try to fix this summer. It includes historical figures as", "work and wanting to wait until I could see my universe in a", "'relevant'). I feel my sapient classification is the most broken of the sub", "didn't feel this question fit in with the world-building stack exchange which is", "major sections: 1 - Worlds & Systems 2 - Sapients 3 - Civilizations", "may not have as clear an idea of what to do as I", "Each of these sections are compilations of various societies, cultures, alien species and", "other than other civilizations. This organization is mainly done as a product of", "exchange which is more dealing with a world's mechanics and dynamics than how", "stack exchange which is more dealing with a world's mechanics and dynamics than", "relevance. **Civilizations and Cultures** The civilizations and cultures section is organized into first", "**Civilizations and Cultures** The civilizations and cultures section is organized into first a", "as it seems I couldn't decide if I wanted to classify sapients by", "a longer history between each other than other civilizations. This organization is mainly", "of the setting and gives separate sections for tech from specific major sapients/civilizations.", "the setting and than you get sets of \"civilizations\"- or blocs of multiple", "having separate independent FTL developments from some non-FTL society. **Technology** Technology is a", "various belief systems that exist in the setting and than you get sets", "I realized I may not have as clear an idea of what to", "a very cosmically recent phenomena). In my setting bible, I have formatted my", "I couldn't decide if I wanted to classify sapients by advancement or by", "Notoriously underdeveloped and this I will try to fix this summer. It includes", "to make the setting more internally consistent and better organized, which place is", "sapients who are advanced but less 'relevant'). I feel my sapient classification is", "world-building stack exchange which is more dealing with a world's mechanics and dynamics", "hooks and such all start to become important. I had not looked at", "In my setting bible, I have formatted my setting into 5 major sections:", "civilizations and cultures section is organized into first a sub section detailing various", "feel like that separating tech from culture may have been a mistake looking", "I had not looked at the setting bible for months due to school", "that exist in the setting and than you get sets of \"civilizations\"- or", "sets of \"civilizations\"- or blocs of multiple factions with a longer history between", "consistent and better organized, which place is the best part of a setting", "a space opera/sci-fi setting, mainly FTL usage and the claim that intelligent life", "The civilizations and cultures section is organized into first a sub section detailing", "non-FTL society. **Technology** Technology is a section that details the tech of the", "given the way technology does impact culture. Indeed I feel like that separating", "the sub sections I have as it seems I couldn't decide if I", "expected of in a space opera/sci-fi setting, mainly FTL usage and the claim", "with the world-building stack exchange which is more dealing with a world's mechanics", "internally consistent and better organized, which place is the best part of a", "than other civilizations. This organization is mainly done as a product of how", "and better organized, which place is the best part of a setting bible", "sections I feel this one has the least problems beyond perhaps still needing", "to all exist within the same universe. And they have sub sections too.", "a clearer lens that I could when I drafted it out. I realized", "question fit in with the world-building stack exchange which is more dealing with", "worlds, biospheres and megastructures. Of the sections I feel this one has the", "mechanics and dynamics than how it is organized.) The genre of the game", "sections for tech from specific major sapients/civilizations. I am unsure if the tech", "sections I have as it seems I couldn't decide if I wanted to", "is formed as internal consistency, plot hooks and such all start to become", "internal consistency, plot hooks and such all start to become important. I had", "organization of the story bible, what would it be best for me to", "within the same universe. And they have sub sections too. **Worlds & Systems", "& Systems section** Worlds & Systems gives different sections for home worlds, sterile", "such all start to become important. I had not looked at the setting", "blocs of multiple factions with a longer history between each other than other", "by having separate independent FTL developments from some non-FTL society. **Technology** Technology is", "Individuals and Characters Each of these sections are compilations of various societies, cultures,", "megastructures. Of the sections I feel this one has the least problems beyond", "that I find a lot of the inter connectivity of a setting is", "deviations that are normally expected of in a space opera/sci-fi setting, mainly FTL", "and gives separate sections for tech from specific major sapients/civilizations. I am unsure", "and the organization of the story bible, what would it be best for", "these sections are compilations of various societies, cultures, alien species and worlds which", "tries to differentiate sapients by their advancement/relevance (with an arbitrary 'major' moniker for", "of the story bible, what would it be best for me to focus", "section detailing various belief systems that exist in the setting and than you", "need more worlds!). A few dozen worlds remains underwhelming when making a galaxy.", "spent much more time developing than the other 'minor' sapients or 'ancient' sapients", "is organized into first a sub section detailing various belief systems that exist", "my sapient classification is the most broken of the sub sections I have", "recent phenomena). In my setting bible, I have formatted my setting into 5", "for this setting bible was accurate astronomy and generally some attempt at being", "and Cultures 4 - Technology 5 - Individuals and Characters Each of these", "sterile worlds, biospheres and megastructures. Of the sections I feel this one has", "if tech should be elaborated in in the civilizations and cultures sections given", "product of how I bottle necked FTL development in the setting meaning these", "you get sets of \"civilizations\"- or blocs of multiple factions with a longer", "there being more sapients than worlds. **The Sapients Section** Sapients meanwhile tries to", "when making a galaxy. Not to mention there is the issue of there", "and the claim that intelligent life is a very cosmically recent phenomena). In", "lens that I could when I drafted it out. I realized I may", "in in the civilizations and cultures sections given the way technology does impact", "usage and the claim that intelligent life is a very cosmically recent phenomena).", "belief systems that exist in the setting and than you get sets of", "society. **Technology** Technology is a section that details the tech of the setting", "(you always need more worlds!). A few dozen worlds remains underwhelming when making", "setting into 5 major sections: 1 - Worlds & Systems 2 - Sapients", "Systems section** Worlds & Systems gives different sections for home worlds, sterile worlds,", "of my abilities (with a few willful deviations that are normally expected of", "of the inter connectivity of a setting is formed as internal consistency, plot", "formatted my setting into 5 major sections: 1 - Worlds & Systems 2", "more worlds!). A few dozen worlds remains underwhelming when making a galaxy. Not", "I drafted it out. I realized I may not have as clear an", "normally expected of in a space opera/sci-fi setting, mainly FTL usage and the", "looking over things. To avoid open endedness, let's focus on a single question-", "at the setting bible for months due to school work and wanting to", "species and worlds which are stated to all exist within the same universe.", "again. **Characters** A set of characters. Notoriously underdeveloped and this I will try", "what to do as I thought looking over things. To avoid open endedness,", "the best of my abilities (with a few willful deviations that are normally", "FTL development in the setting meaning these different civilizations are defined by having", "- Civilizations and Cultures 4 - Technology 5 - Individuals and Characters Each", "in the setting meaning these different civilizations are defined by having separate independent", "there is the issue of there being more sapients than worlds. **The Sapients", "in line with reality to the best of my abilities (with a few", "gives separate sections for tech from specific major sapients/civilizations. I am unsure if", "that intelligent life is a very cosmically recent phenomena). In my setting bible,", "Sapients meanwhile tries to differentiate sapients by their advancement/relevance (with an arbitrary 'major'", "some attempt at being relatively in line with reality to the best of", "looking at it again. **Characters** A set of characters. Notoriously underdeveloped and this", "FTL developments from some non-FTL society. **Technology** Technology is a section that details", "best part of a setting bible to look?** (I didn't feel this question", "& Systems gives different sections for home worlds, sterile worlds, biospheres and megastructures.", "the issue of there being more sapients than worlds. **The Sapients Section** Sapients", "setting bible to look?** (I didn't feel this question fit in with the", "the world-building stack exchange which is more dealing with a world's mechanics and", "**Worlds & Systems section** Worlds & Systems gives different sections for home worlds,", "the best part of a setting bible to look?** (I didn't feel this", "than worlds. **The Sapients Section** Sapients meanwhile tries to differentiate sapients by their", "of in a space opera/sci-fi setting, mainly FTL usage and the claim that", "this question fit in with the world-building stack exchange which is more dealing", "various protagonist candidates. --- And it is in the revising stage that I", "2 - Sapients 3 - Civilizations and Cultures 4 - Technology 5 -", "in a space opera/sci-fi setting, mainly FTL usage and the claim that intelligent", "game is sci-fi, and one of the aims for this setting bible was", "defined by having separate independent FTL developments from some non-FTL society. **Technology** Technology", "tech of the setting and gives separate sections for tech from specific major", "(with an arbitrary 'major' moniker for the sapients who I spent much more", "important. I had not looked at the setting bible for months due to", "summer. It includes historical figures as well as various protagonist candidates. --- And", "section** Worlds & Systems gives different sections for home worlds, sterile worlds, biospheres", "And they have sub sections too. **Worlds & Systems section** Worlds & Systems", "civilizations are defined by having separate independent FTL developments from some non-FTL society.", "stage that I find a lot of the inter connectivity of a setting", "of the aims for this setting bible was accurate astronomy and generally some", "sapients than worlds. **The Sapients Section** Sapients meanwhile tries to differentiate sapients by", "if the tech section should actually exist or if tech should be elaborated", "done as a product of how I bottle necked FTL development in the", "the tech of the setting and gives separate sections for tech from specific", "could see my universe in a clearer lens that I could when I", "in a clearer lens that I could when I drafted it out. I", "I find a lot of the inter connectivity of a setting is formed", "fit in with the world-building stack exchange which is more dealing with a", "It includes historical figures as well as various protagonist candidates. --- And it", "worlds which are stated to all exist within the same universe. And they", "that details the tech of the setting and gives separate sections for tech", "to the best of my abilities (with a few willful deviations that are", "(for a video game) to make the setting more internally consistent and better", "worlds (you always need more worlds!). A few dozen worlds remains underwhelming when", "a single question- **Given the above information about the priorities I have and", "space opera/sci-fi setting, mainly FTL usage and the claim that intelligent life is", "do as I thought looking over things. To avoid open endedness, let's focus", "by advancement or by relevance. **Civilizations and Cultures** The civilizations and cultures section", "it out. I realized I may not have as clear an idea of", "I could see my universe in a clearer lens that I could when", "**The Sapients Section** Sapients meanwhile tries to differentiate sapients by their advancement/relevance (with", "developments from some non-FTL society. **Technology** Technology is a section that details the", "less 'relevant'). I feel my sapient classification is the most broken of the", "a video game) to make the setting more internally consistent and better organized,", "few dozen worlds remains underwhelming when making a galaxy. Not to mention there", "Sapients 3 - Civilizations and Cultures 4 - Technology 5 - Individuals and", "aims for this setting bible was accurate astronomy and generally some attempt at", "due to school work and wanting to wait until I could see my", "as internal consistency, plot hooks and such all start to become important. I", "detailing various belief systems that exist in the setting and than you get", "setting bible (for a video game) to make the setting more internally consistent", "wanted to classify sapients by advancement or by relevance. **Civilizations and Cultures** The", "societies, cultures, alien species and worlds which are stated to all exist within", "one of the aims for this setting bible was accurate astronomy and generally", "- Sapients 3 - Civilizations and Cultures 4 - Technology 5 - Individuals", "of a setting bible to look?** (I didn't feel this question fit in", "place is the best part of a setting bible to look?** (I didn't", "5 major sections: 1 - Worlds & Systems 2 - Sapients 3 -", "my universe in a clearer lens that I could when I drafted it", "universe in a clearer lens that I could when I drafted it out.", "being more sapients than worlds. **The Sapients Section** Sapients meanwhile tries to differentiate", "all exist within the same universe. And they have sub sections too. **Worlds", "when I drafted it out. I realized I may not have as clear", "has the least problems beyond perhaps still needing more worlds (you always need", "the inter connectivity of a setting is formed as internal consistency, plot hooks", "each other than other civilizations. This organization is mainly done as a product", "to wait until I could see my universe in a clearer lens that", "intelligent life is a very cosmically recent phenomena). In my setting bible, I", "seems I couldn't decide if I wanted to classify sapients by advancement or", "advancement or by relevance. **Civilizations and Cultures** The civilizations and cultures section is", "candidates. --- And it is in the revising stage that I find a", "time developing than the other 'minor' sapients or 'ancient' sapients who are advanced", "how I bottle necked FTL development in the setting meaning these different civilizations", "genre of the game is sci-fi, and one of the aims for this", "a few willful deviations that are normally expected of in a space opera/sci-fi", "broken of the sub sections I have as it seems I couldn't decide", "moniker for the sapients who I spent much more time developing than the", "I am unsure if the tech section should actually exist or if tech", "one has the least problems beyond perhaps still needing more worlds (you always", "the priorities I have and the organization of the story bible, what would", "FTL usage and the claim that intelligent life is a very cosmically recent", "advanced but less 'relevant'). I feel my sapient classification is the most broken", "figures as well as various protagonist candidates. --- And it is in the", "sub sections too. **Worlds & Systems section** Worlds & Systems gives different sections", "underwhelming when making a galaxy. Not to mention there is the issue of", "lot of the inter connectivity of a setting is formed as internal consistency,", "attempt at being relatively in line with reality to the best of my", "and megastructures. Of the sections I feel this one has the least problems", "sapients or 'ancient' sapients who are advanced but less 'relevant'). I feel my", "Of the sections I feel this one has the least problems beyond perhaps", "**Technology** Technology is a section that details the tech of the setting and", "on a single question- **Given the above information about the priorities I have", "as well as various protagonist candidates. --- And it is in the revising", "of there being more sapients than worlds. **The Sapients Section** Sapients meanwhile tries", "issue of there being more sapients than worlds. **The Sapients Section** Sapients meanwhile", "revising stage that I find a lot of the inter connectivity of a", "start to become important. I had not looked at the setting bible for", "a product of how I bottle necked FTL development in the setting meaning", "drafted it out. I realized I may not have as clear an idea", "bible for months due to school work and wanting to wait until I", "which are stated to all exist within the same universe. And they have", "5 - Individuals and Characters Each of these sections are compilations of various", "Section** Sapients meanwhile tries to differentiate sapients by their advancement/relevance (with an arbitrary", "of multiple factions with a longer history between each other than other civilizations.", "the aims for this setting bible was accurate astronomy and generally some attempt", "protagonist candidates. --- And it is in the revising stage that I find", "& Systems 2 - Sapients 3 - Civilizations and Cultures 4 - Technology", "of these sections are compilations of various societies, cultures, alien species and worlds", "connectivity of a setting is formed as internal consistency, plot hooks and such", "setting, mainly FTL usage and the claim that intelligent life is a very", "is in the revising stage that I find a lot of the inter", "endedness, let's focus on a single question- **Given the above information about the", "A set of characters. Notoriously underdeveloped and this I will try to fix", "culture may have been a mistake looking at it again. **Characters** A set", "it seems I couldn't decide if I wanted to classify sapients by advancement", "more dealing with a world's mechanics and dynamics than how it is organized.)", "the same universe. And they have sub sections too. **Worlds & Systems section**", "and cultures section is organized into first a sub section detailing various belief", "\"civilizations\"- or blocs of multiple factions with a longer history between each other", "- Worlds & Systems 2 - Sapients 3 - Civilizations and Cultures 4", "life is a very cosmically recent phenomena). In my setting bible, I have", "more worlds (you always need more worlds!). A few dozen worlds remains underwhelming", "This organization is mainly done as a product of how I bottle necked", "relatively in line with reality to the best of my abilities (with a", "I have formatted my setting into 5 major sections: 1 - Worlds &", "more sapients than worlds. **The Sapients Section** Sapients meanwhile tries to differentiate sapients", "tech from culture may have been a mistake looking at it again. **Characters**", "problems beyond perhaps still needing more worlds (you always need more worlds!). A", "the above information about the priorities I have and the organization of the", "still needing more worlds (you always need more worlds!). A few dozen worlds", "to look?** (I didn't feel this question fit in with the world-building stack", "galaxy. Not to mention there is the issue of there being more sapients", "from some non-FTL society. **Technology** Technology is a section that details the tech", "have and the organization of the story bible, what would it be best", "is organized.) The genre of the game is sci-fi, and one of the", "are stated to all exist within the same universe. And they have sub", "with reality to the best of my abilities (with a few willful deviations", "inter connectivity of a setting is formed as internal consistency, plot hooks and", "I have and the organization of the story bible, what would it be", "impact culture. Indeed I feel like that separating tech from culture may have", "the revising stage that I find a lot of the inter connectivity of", "that separating tech from culture may have been a mistake looking at it", "needing more worlds (you always need more worlds!). A few dozen worlds remains", "civilizations. This organization is mainly done as a product of how I bottle", "gives different sections for home worlds, sterile worlds, biospheres and megastructures. Of the", "to fix this summer. It includes historical figures as well as various protagonist", "see my universe in a clearer lens that I could when I drafted", "Worlds & Systems gives different sections for home worlds, sterile worlds, biospheres and", "sections: 1 - Worlds & Systems 2 - Sapients 3 - Civilizations and", "than how it is organized.) The genre of the game is sci-fi, and", "the claim that intelligent life is a very cosmically recent phenomena). In my", "dynamics than how it is organized.) The genre of the game is sci-fi,", "information about the priorities I have and the organization of the story bible,", "opera/sci-fi setting, mainly FTL usage and the claim that intelligent life is a", "into 5 major sections: 1 - Worlds & Systems 2 - Sapients 3", "being relatively in line with reality to the best of my abilities (with", "that are normally expected of in a space opera/sci-fi setting, mainly FTL usage", "of how I bottle necked FTL development in the setting meaning these different", "does impact culture. Indeed I feel like that separating tech from culture may", "abilities (with a few willful deviations that are normally expected of in a", "single question- **Given the above information about the priorities I have and the", "question- **Given the above information about the priorities I have and the organization", "I bottle necked FTL development in the setting meaning these different civilizations are", "formed as internal consistency, plot hooks and such all start to become important.", "and this I will try to fix this summer. It includes historical figures", "cultures section is organized into first a sub section detailing various belief systems", "exist in the setting and than you get sets of \"civilizations\"- or blocs", "various societies, cultures, alien species and worlds which are stated to all exist", "is the best part of a setting bible to look?** (I didn't feel", "**When it comes to revising/reformatting a setting bible (for a video game) to", "an idea of what to do as I thought looking over things. To", "I will try to fix this summer. It includes historical figures as well", "of \"civilizations\"- or blocs of multiple factions with a longer history between each", "have as it seems I couldn't decide if I wanted to classify sapients", "and worlds which are stated to all exist within the same universe. And", "tech from specific major sapients/civilizations. I am unsure if the tech section should", "am unsure if the tech section should actually exist or if tech should", "I have as it seems I couldn't decide if I wanted to classify", "Systems 2 - Sapients 3 - Civilizations and Cultures 4 - Technology 5", "organized.) The genre of the game is sci-fi, and one of the aims", "bible was accurate astronomy and generally some attempt at being relatively in line", "Indeed I feel like that separating tech from culture may have been a", "factions with a longer history between each other than other civilizations. This organization", "sub sections I have as it seems I couldn't decide if I wanted", "open endedness, let's focus on a single question- **Given the above information about", "independent FTL developments from some non-FTL society. **Technology** Technology is a section that", "I spent much more time developing than the other 'minor' sapients or 'ancient'", "Systems gives different sections for home worlds, sterile worlds, biospheres and megastructures. Of", "mainly FTL usage and the claim that intelligent life is a very cosmically", "classification is the most broken of the sub sections I have as it", "above information about the priorities I have and the organization of the story", "feel this one has the least problems beyond perhaps still needing more worlds", "way technology does impact culture. Indeed I feel like that separating tech from", "like that separating tech from culture may have been a mistake looking at", "clear an idea of what to do as I thought looking over things.", "over things. To avoid open endedness, let's focus on a single question- **Given", "are defined by having separate independent FTL developments from some non-FTL society. **Technology**", "make the setting more internally consistent and better organized, which place is the", "worlds. **The Sapients Section** Sapients meanwhile tries to differentiate sapients by their advancement/relevance", "Technology is a section that details the tech of the setting and gives", "worlds, sterile worlds, biospheres and megastructures. Of the sections I feel this one", "between each other than other civilizations. This organization is mainly done as a", "and one of the aims for this setting bible was accurate astronomy and", "in the civilizations and cultures sections given the way technology does impact culture.", "section is organized into first a sub section detailing various belief systems that", "the sapients who I spent much more time developing than the other 'minor'", "remains underwhelming when making a galaxy. Not to mention there is the issue", "line with reality to the best of my abilities (with a few willful", "my setting into 5 major sections: 1 - Worlds & Systems 2 -", "the setting bible for months due to school work and wanting to wait", "or blocs of multiple factions with a longer history between each other than", "a setting bible to look?** (I didn't feel this question fit in with", "it comes to revising/reformatting a setting bible (for a video game) to make", "a lot of the inter connectivity of a setting is formed as internal", "looked at the setting bible for months due to school work and wanting", "and such all start to become important. I had not looked at the", "sub section detailing various belief systems that exist in the setting and than", "civilizations and cultures sections given the way technology does impact culture. Indeed I", "I feel like that separating tech from culture may have been a mistake", "let's focus on a single question- **Given the above information about the priorities", "setting and gives separate sections for tech from specific major sapients/civilizations. I am", "this one has the least problems beyond perhaps still needing more worlds (you", "Sapients Section** Sapients meanwhile tries to differentiate sapients by their advancement/relevance (with an", "they have sub sections too. **Worlds & Systems section** Worlds & Systems gives", "are normally expected of in a space opera/sci-fi setting, mainly FTL usage and", "and Characters Each of these sections are compilations of various societies, cultures, alien", "school work and wanting to wait until I could see my universe in", "setting meaning these different civilizations are defined by having separate independent FTL developments", "could when I drafted it out. I realized I may not have as", "astronomy and generally some attempt at being relatively in line with reality to", "decide if I wanted to classify sapients by advancement or by relevance. **Civilizations", "details the tech of the setting and gives separate sections for tech from", "I feel this one has the least problems beyond perhaps still needing more", "about the priorities I have and the organization of the story bible, what", "thought looking over things. To avoid open endedness, let's focus on a single", "with a world's mechanics and dynamics than how it is organized.) The genre", "game) to make the setting more internally consistent and better organized, which place", "is a very cosmically recent phenomena). In my setting bible, I have formatted", "I may not have as clear an idea of what to do as", "sci-fi, and one of the aims for this setting bible was accurate astronomy", "should actually exist or if tech should be elaborated in in the civilizations", "setting is formed as internal consistency, plot hooks and such all start to", "part of a setting bible to look?** (I didn't feel this question fit", "advancement/relevance (with an arbitrary 'major' moniker for the sapients who I spent much", "separating tech from culture may have been a mistake looking at it again.", "the most broken of the sub sections I have as it seems I", "exist within the same universe. And they have sub sections too. **Worlds &", "(with a few willful deviations that are normally expected of in a space", "of a setting is formed as internal consistency, plot hooks and such all", "comes to revising/reformatting a setting bible (for a video game) to make the", "sections too. **Worlds & Systems section** Worlds & Systems gives different sections for", "will try to fix this summer. It includes historical figures as well as", "tech section should actually exist or if tech should be elaborated in in", "fix this summer. It includes historical figures as well as various protagonist candidates.", "feel this question fit in with the world-building stack exchange which is more", "characters. Notoriously underdeveloped and this I will try to fix this summer. It", "bible (for a video game) to make the setting more internally consistent and", "have been a mistake looking at it again. **Characters** A set of characters.", "classify sapients by advancement or by relevance. **Civilizations and Cultures** The civilizations and", "major sapients/civilizations. I am unsure if the tech section should actually exist or", "phenomena). In my setting bible, I have formatted my setting into 5 major", "world's mechanics and dynamics than how it is organized.) The genre of the", "best of my abilities (with a few willful deviations that are normally expected", "- Individuals and Characters Each of these sections are compilations of various societies,", "bible, I have formatted my setting into 5 major sections: 1 - Worlds", "be elaborated in in the civilizations and cultures sections given the way technology", "find a lot of the inter connectivity of a setting is formed as", "at being relatively in line with reality to the best of my abilities", "setting bible for months due to school work and wanting to wait until", "Cultures 4 - Technology 5 - Individuals and Characters Each of these sections", "of characters. Notoriously underdeveloped and this I will try to fix this summer.", "4 - Technology 5 - Individuals and Characters Each of these sections are", "sapients/civilizations. I am unsure if the tech section should actually exist or if", "a mistake looking at it again. **Characters** A set of characters. Notoriously underdeveloped", "or 'ancient' sapients who are advanced but less 'relevant'). I feel my sapient", "more time developing than the other 'minor' sapients or 'ancient' sapients who are", "setting and than you get sets of \"civilizations\"- or blocs of multiple factions", "should be elaborated in in the civilizations and cultures sections given the way", "organization is mainly done as a product of how I bottle necked FTL", "as various protagonist candidates. --- And it is in the revising stage that", "story bible, what would it be best for me to focus on first?**", "few willful deviations that are normally expected of in a space opera/sci-fi setting,", "a world's mechanics and dynamics than how it is organized.) The genre of", "get sets of \"civilizations\"- or blocs of multiple factions with a longer history", "Not to mention there is the issue of there being more sapients than", "is sci-fi, and one of the aims for this setting bible was accurate", "3 - Civilizations and Cultures 4 - Technology 5 - Individuals and Characters", "not looked at the setting bible for months due to school work and", "To avoid open endedness, let's focus on a single question- **Given the above", "other civilizations. This organization is mainly done as a product of how I", "for the sapients who I spent much more time developing than the other", "'major' moniker for the sapients who I spent much more time developing than", "this summer. It includes historical figures as well as various protagonist candidates. ---", "a setting is formed as internal consistency, plot hooks and such all start", "plot hooks and such all start to become important. I had not looked", "I feel my sapient classification is the most broken of the sub sections", "as I thought looking over things. To avoid open endedness, let's focus on", "look?** (I didn't feel this question fit in with the world-building stack exchange", "how it is organized.) The genre of the game is sci-fi, and one", "by their advancement/relevance (with an arbitrary 'major' moniker for the sapients who I", "a sub section detailing various belief systems that exist in the setting and", "some non-FTL society. **Technology** Technology is a section that details the tech of", "but less 'relevant'). I feel my sapient classification is the most broken of", "realized I may not have as clear an idea of what to do", "reality to the best of my abilities (with a few willful deviations that", "sapients who I spent much more time developing than the other 'minor' sapients", "alien species and worlds which are stated to all exist within the same", "as a product of how I bottle necked FTL development in the setting", "the tech section should actually exist or if tech should be elaborated in", "focus on a single question- **Given the above information about the priorities I", "**Given the above information about the priorities I have and the organization of", "had not looked at the setting bible for months due to school work", "differentiate sapients by their advancement/relevance (with an arbitrary 'major' moniker for the sapients", "compilations of various societies, cultures, alien species and worlds which are stated to", "these different civilizations are defined by having separate independent FTL developments from some" ]
[ "more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to", "fictional work and won't care what happens next, lose interest or want all", "is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall", "to be insane, uses her [religious faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion)", "a military organization crippled by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a", "a fictional work and won't care what happens next, lose interest or want", "care what happens next, lose interest or want all the characters to die", "dark nature of a fictional work and won't care what happens next, lose", "in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate all forms of discrimination,", "military organization crippled by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more", "swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine),", "Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its cynical tone, characters making morally questionable", "that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people through", "each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will still think that I'm trying", "when the audience is put off by the incredibly dark nature of a", "reason I'm bringing this up is that my trilogy, *The Ragnarǫk Cycle* is", "[people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later", "of countless interstellar civilizations. I plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn", "suffering from depression. The only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily", "characters making morally questionable decisions in order to achieve their goals and many", "get even worse when later into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with", "Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy) is when the audience is put off by the incredibly dark", "eliminate all forms of discrimination, by turning humans in genderless parasitized humanoids and", "self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to be suffering from depression. The only", "[its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict", "Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its cynical tone,", "justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said", "humanoids, who seek to eliminate all forms of discrimination, by turning humans in", "the characters to die off. For example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)*", "a cult that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss)", "feel that readers will still think that I'm trying way too hard to", "*[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its cynical", "of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up is", "through the power of character development and the series [becoming less cynical with", "too hard to be controversial and \"edgy,\" rather than being concerned with trying", "later into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships", "Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its cynical tone, characters making", "Cycle* is pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and", "parasitized humanoids, who seek to eliminate all forms of discrimination, by turning humans", "and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns of a", "when later into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that", "incredibly dark nature of a fictional work and won't care what happens next,", "the series (although I'll trying my best to ensure that they don't cause", "and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its cynical tone, characters making morally", "moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll trying my best to", "discrimination, by turning humans in genderless parasitized humanoids and \"cleansing\" themselves of [people", "off by the incredibly dark nature of a fictional work and won't care", "to tell a good story. So, what are ways to avoid Darkness-Induced Audience", "in genderless parasitized humanoids and \"cleansing\" themselves of [people with disabilities and other", "and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the", "is when the audience is put off by the incredibly dark nature of", "its cynical tone, characters making morally questionable decisions in order to achieve their", "other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later into the series, this", "of a fictional work and won't care what happens next, lose interest or", "power of character development and the series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull).", "\"cleansing\" themselves of [people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even", "I plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although", "levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll trying my best to ensure that", "still think that I'm trying way too hard to be controversial and \"edgy,\"", "\"edgy,\" rather than being concerned with trying to tell a good story. So,", "The reason I'm bringing this up is that my trilogy, *The Ragnarǫk Cycle*", "plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll", "rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and", "than being concerned with trying to tell a good story. So, what are", "best to ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become", "pawns of a military organization crippled by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad)", "[conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate all forms of discrimination, by", "tell a good story. So, what are ways to avoid Darkness-Induced Audience Apathy?", "uses her [religious faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and", "committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns of", "all forms of discrimination, by turning humans in genderless parasitized humanoids and \"cleansing\"", "[irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up is that my trilogy, *The", "of discrimination, by turning humans in genderless parasitized humanoids and \"cleansing\" themselves of", "version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate all", "way too hard to be controversial and \"edgy,\" rather than being concerned with", "and \"edgy,\" rather than being concerned with trying to tell a good story.", "Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy) is when the audience is put off by the incredibly dark nature", "evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up is that my trilogy, *The Ragnarǫk", "countless interstellar civilizations. I plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout", "[incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to be suffering from depression. The", "of a military organization crippled by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think", "into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and", "undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later into the series, this organisation", "better people through the power of character development and the series [becoming less", "humans in genderless parasitized humanoids and \"cleansing\" themselves of [people with disabilities and", "[Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate all forms of", "tone, characters making morally questionable decisions in order to achieve their goals and", "I'm trying way too hard to be controversial and \"edgy,\" rather than being", "to achieve their goals and many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The", "to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns of a military organization crippled", "be suffering from depression. The only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is", "nihilist and suggested to be suffering from depression. The only person [serving as", "many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up", "humanoids and \"cleansing\" themselves of [people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things", "due to its cynical tone, characters making morally questionable decisions in order to", "dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids,", "happens next, lose interest or want all the characters to die off. For", "development and the series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel", "what happens next, lose interest or want all the characters to die off.", "being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up is that my trilogy,", "protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to be suffering from", "trying my best to ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my", "the incredibly dark nature of a fictional work and won't care what happens", "less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will still think", "[monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless interstellar civilizations. I plan on having", "an existential nihilist and suggested to be suffering from depression. The only person", "suggested to be suffering from depression. The only person [serving as his moral", "traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later into the series, this organisation [crosses", "nature of a fictional work and won't care what happens next, lose interest", "[aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless interstellar civilizations. I plan on", "won't care what happens next, lose interest or want all the characters to", "with a cult that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac),", "worse when later into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult", "turning humans in genderless parasitized humanoids and \"cleansing\" themselves of [people with disabilities", "disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people through the power of character development", "and the series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that", "moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane, uses her [religious faith to", "(think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who", "Said protagonist and deuteragonist are pawns of a military organization crippled by corruption", "[religious faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants", "even worse when later into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a", "installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will still think that I'm trying way", "correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized", "Ragnarǫk Cycle* is pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist", "rather than being concerned with trying to tell a good story. So, what", "my best to ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads", "I'll trying my best to ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having", "that readers will still think that I'm trying way too hard to be", "of [people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when", "[crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a", "[tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people through the power of character", "I feel that readers will still think that I'm trying way too hard", "pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to", "The only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be", "become better people through the power of character development and the series [becoming", "her [religious faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly", "person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane, uses", "\"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate", "downfall of countless interstellar civilizations. I plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene)", "(although I'll trying my best to ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)),", "of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate all forms", "by turning humans in genderless parasitized humanoids and \"cleansing\" themselves of [people with", "organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan)", "[unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless interstellar", "characters to die off. For example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can", "to be controversial and \"edgy,\" rather than being concerned with trying to tell", "their goals and many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm", "this due to its cynical tone, characters making morally questionable decisions in order", "work and won't care what happens next, lose interest or want all the", "want all the characters to die off. For example, *[A Song of Ice", "ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people", "example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its", "next, lose interest or want all the characters to die off. For example,", "is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to be suffering from depression.", "the downfall of countless interstellar civilizations. I plan on having [several moments of", "and suggested to be suffering from depression. The only person [serving as his", "interstellar civilizations. I plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the", "and won't care what happens next, lose interest or want all the characters", "organization crippled by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\"", "civilizations. I plan on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series", "put off by the incredibly dark nature of a fictional work and won't", "don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people through the power", "a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless interstellar civilizations.", "throughout the series (although I'll trying my best to ensure that they don't", "having my leads become better people through the power of character development and", "by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of", "goals and many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing", "lose interest or want all the characters to die off. For example, *[A", "think that I'm trying way too hard to be controversial and \"edgy,\" rather", "and deuteragonist are pawns of a military organization crippled by corruption and [its", "dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to be", "trilogy, *The Ragnarǫk Cycle* is pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an", "actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are", "that my trilogy, *The Ragnarǫk Cycle* is pretty dark. The protagonist is [incredibly", "dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist", "forms of discrimination, by turning humans in genderless parasitized humanoids and \"cleansing\" themselves", "hard to be controversial and \"edgy,\" rather than being concerned with trying to", "seek to eliminate all forms of discrimination, by turning humans in genderless parasitized", "that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible", "order to achieve their goals and many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire).", "dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of", "is that my trilogy, *The Ragnarǫk Cycle* is pretty dark. The protagonist is", "The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested to be suffering", "cult that worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination)", "*The Ragnarǫk Cycle* is pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential", "compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane, uses her [religious faith to justify", "for the downfall of countless interstellar civilizations. I plan on having [several moments", "of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to its cynical tone, characters", "trying way too hard to be controversial and \"edgy,\" rather than being concerned", "achieve their goals and many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason", "who seek to eliminate all forms of discrimination, by turning humans in genderless", "concerned with trying to tell a good story. So, what are ways to", "corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch))", "worships and is dedicated to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for", "questionable decisions in order to achieve their goals and many of the villains", "and \"cleansing\" themselves of [people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get", "is heavily implied to be insane, uses her [religious faith to justify some", "up is that my trilogy, *The Ragnarǫk Cycle* is pretty dark. The protagonist", "to be suffering from depression. The only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience)", "a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek", "I'm bringing this up is that my trilogy, *The Ragnarǫk Cycle* is pretty", "[becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will still", "cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will still think that", "some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist", "people through the power of character development and the series [becoming less cynical", "[several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll trying my best", "of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll trying my best to ensure", "be insane, uses her [religious faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she", "that I'm trying way too hard to be controversial and \"edgy,\" rather than", "they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people through the", "However, I feel that readers will still think that I'm trying way too", "to eliminate all forms of discrimination, by turning humans in genderless parasitized humanoids", "and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later into the series,", "villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up is that my", "from depression. The only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied", "cause this due to its cynical tone, characters making morally questionable decisions in", "cynical tone, characters making morally questionable decisions in order to achieve their goals", "only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane,", "to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker).", "my trilogy, *The Ragnarǫk Cycle* is pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe),", "his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane, uses her [religious faith", "heavily implied to be insane, uses her [religious faith to justify some rather...", "this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and is dedicated to", "audience is put off by the incredibly dark nature of a fictional work", "protagonist and deuteragonist are pawns of a military organization crippled by corruption and", "with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later into", "to die off. For example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause", "themselves of [people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse", "depression. The only person [serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to", "and many of the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this", "faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed and [secretly wants to", "series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and is dedicated", "being concerned with trying to tell a good story. So, what are ways", "insane, uses her [religious faith to justify some rather... dubious actions](http://tvtropes.org/pmwiki/pmwiki.php/Main/HidingBehindReligion) she committed", "or want all the characters to die off. For example, *[A Song of", "[serving as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane, uses her", "series (although I'll trying my best to ensure that they don't cause [tonal", "are pawns of a military organization crippled by corruption and [its politically correct", "having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll trying my", "controversial and \"edgy,\" rather than being concerned with trying to tell a good", "responsible for the downfall of countless interstellar civilizations. I plan on having [several", "implied to be insane, uses her [religious faith to justify some rather... dubious", "can cause this due to its cynical tone, characters making morally questionable decisions", "the series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers", "on having [several moments of levity](http://tvtropes.org/pmwiki/pmwiki.php/Main/ActionFilmQuietDramaScene) strewn throughout the series (although I'll trying", "is put off by the incredibly dark nature of a fictional work and", "the audience is put off by the incredibly dark nature of a fictional", "she committed and [secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns", "wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns of a military organization", "strewn throughout the series (although I'll trying my best to ensure that they", "making morally questionable decisions in order to achieve their goals and many of", "deuteragonist are pawns of a military organization crippled by corruption and [its politically", "is pretty dark. The protagonist is [incredibly self-centred](http://tvtropes.org/pmwiki/pmwiki.php/Main/ItsAllAboutMe), an existential nihilist and suggested", "die off. For example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this", "and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in", "For example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due to", "Things get even worse when later into the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality)", "the series, this organisation [crosses swords](http://tvtropes.org/pmwiki/pmwiki.php/Main/BlackAndGrayMorality) with a cult that worships and is", "series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will", "be controversial and \"edgy,\" rather than being concerned with trying to tell a", "die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns of a military organization crippled by", "[soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless interstellar civilizations. I", "with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality) parasitized humanoids, who seek to eliminate all forms of discrimination, by turning", "leads become better people through the power of character development and the series", "the power of character development and the series [becoming less cynical with each", "cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better people through the power of", "of character development and the series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However,", "all the characters to die off. For example, *[A Song of Ice and", "disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled). Things get even worse when later into the", "existential nihilist and suggested to be suffering from depression. The only person [serving", "parasitized humanoids and \"cleansing\" themselves of [people with disabilities and other undesirable traits](http://tvtropes.org/pmwiki/pmwiki.php/Main/BuryYourDisabled).", "will still think that I'm trying way too hard to be controversial and", "to its cynical tone, characters making morally questionable decisions in order to achieve", "decisions in order to achieve their goals and many of the villains being", "character development and the series [becoming less cynical with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I", "readers will still think that I'm trying way too hard to be controversial", "[Darkness-Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy) is when the audience is put off by the incredibly", "my leads become better people through the power of character development and the", "in order to achieve their goals and many of the villains being [irredeemably", "[omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless interstellar civilizations. I plan", "off. For example, *[A Song of Ice and Fire](http://tvtropes.org/pmwiki/pmwiki.php/Literature/ASongOfIceAndFire)* can cause this due", "this up is that my trilogy, *The Ragnarǫk Cycle* is pretty dark. The", "as his moral compass](http://tvtropes.org/pmwiki/pmwiki.php/Main/TheConscience) is heavily implied to be insane, uses her [religious", "to ensure that they don't cause [tonal disparity](http://tvtropes.org/pmwiki/pmwiki.php/Main/Bathos)), having my leads become better", "to [unleashing](http://tvtropes.org/pmwiki/pmwiki.php/Main/SealedEvilInACan) a [soul-devouring](http://tvtropes.org/pmwiki/pmwiki.php/Main/YourSoulIsMine), [omnicidal](http://tvtropes.org/pmwiki/pmwiki.php/Main/OmnicidalManiac), [aeons-old](http://tvtropes.org/pmwiki/pmwiki.php/Main/TimeAbyss) [monstrosity](http://tvtropes.org/pmwiki/pmwiki.php/Main/EldritchAbomination) responsible for the downfall of countless", "bringing this up is that my trilogy, *The Ragnarǫk Cycle* is pretty dark.", "with each installment](http://tvtropes.org/pmwiki/pmwiki.php/Main/AWorldHalfFull). However, I feel that readers will still think that I'm", "[secretly wants to die](http://tvtropes.org/pmwiki/pmwiki.php/Main/DeathSeeker). Said protagonist and deuteragonist are pawns of a military", "the villains being [irredeemably evil](http://tvtropes.org/pmwiki/pmwiki.php/Monster/ASongOfIceAndFire). The reason I'm bringing this up is that", "morally questionable decisions in order to achieve their goals and many of the", "genderless parasitized humanoids and \"cleansing\" themselves of [people with disabilities and other undesirable", "by the incredibly dark nature of a fictional work and won't care what", "crippled by corruption and [its politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version", "politically correct dogma](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoliticalCorrectnessGoneMad) (think a more \"progressive\" version of [Blackwatch](http://villains.wikia.com/wiki/Blackwatch)) in [conflict with](http://tvtropes.org/pmwiki/pmwiki.php/Main/GreyAndGrayMorality)", "trying to tell a good story. So, what are ways to avoid Darkness-Induced", "interest or want all the characters to die off. For example, *[A Song", "with trying to tell a good story. So, what are ways to avoid" ]
[ "of novels as a (sometimes fictional) narrator telling me a historical story. I", "find it quite strange and I'm almost imagining someone sat in the room", "and a couple of pages in I realised that the entire book is", "I find it very jarring. I've always thought of novels as a (sometimes", "the 1st person because I want the reader to see the story from", "point that the author wanted to write in the present tense. I imagine", "I find it quite strange and I'm almost imagining someone sat in the", "of > > She sat on the sofa > > > Since I've", "as a (sometimes fictional) narrator telling me a historical story. I find it", "the entire book is in the present tense. > > She sits on", "some point that the author wanted to write in the present tense. I", "on the sofa > > > instead of > > She sat on", "on a radio telling me what's going on. There was obviously a conscious", "person because I want the reader to see the story from a limited", "in the present tense. > > She sits on the sofa > >", "me a historical story. I find it quite strange and I'm almost imagining", "to ones we make when we think \"I'm going to write in the", "perspective.\" What benefits are there to writing in the present, as opposed to", "almost imagining someone sat in the room on a radio telling me what's", "ones we make when we think \"I'm going to write in the 1st", "the story from a limited perspective.\" What benefits are there to writing in", "couple of pages in I realised that the entire book is in the", "I'm almost imagining someone sat in the room on a radio telling me", "telling me what's going on. There was obviously a conscious decision made at", "it very jarring. I've always thought of novels as a (sometimes fictional) narrator", "sat on the sofa > > > Since I've noticed this I find", "She sat on the sofa > > > Since I've noticed this I", "we think \"I'm going to write in the 1st person because I want", "realised that the entire book is in the present tense. > > She", "always thought of novels as a (sometimes fictional) narrator telling me a historical", "sits on the sofa > > > instead of > > She sat", "in the 1st person because I want the reader to see the story", "very jarring. I've always thought of novels as a (sometimes fictional) narrator telling", "think \"I'm going to write in the 1st person because I want the", "> > She sits on the sofa > > > instead of >", "see the story from a limited perspective.\" What benefits are there to writing", "sat in the room on a radio telling me what's going on. There", "> Since I've noticed this I find it very jarring. I've always thought", "sofa > > > instead of > > She sat on the sofa", "room on a radio telling me what's going on. There was obviously a", "strange and I'm almost imagining someone sat in the room on a radio", "I've noticed this I find it very jarring. I've always thought of novels", "of pages in I realised that the entire book is in the present", "obviously a conscious decision made at some point that the author wanted to", "pages in I realised that the entire book is in the present tense.", "> instead of > > She sat on the sofa > > >", "a limited perspective.\" What benefits are there to writing in the present, as", "wanted to write in the present tense. I imagine it was similar to", "\"I'm going to write in the 1st person because I want the reader", "in I realised that the entire book is in the present tense. >", "> She sat on the sofa > > > Since I've noticed this", "it quite strange and I'm almost imagining someone sat in the room on", "the sofa > > > Since I've noticed this I find it very", "to write in the present tense. I imagine it was similar to ones", "in the present tense. I imagine it was similar to ones we make", "I want the reader to see the story from a limited perspective.\" What", "want the reader to see the story from a limited perspective.\" What benefits", "1st person because I want the reader to see the story from a", "entire book is in the present tense. > > She sits on the", "by Ellie Griffiths and a couple of pages in I realised that the", "to see the story from a limited perspective.\" What benefits are there to", "make when we think \"I'm going to write in the 1st person because", "I've always thought of novels as a (sometimes fictional) narrator telling me a", "decision made at some point that the author wanted to write in the", "(sometimes fictional) narrator telling me a historical story. I find it quite strange", "was similar to ones we make when we think \"I'm going to write", "I'm currently reading The Crossing Place by Ellie Griffiths and a couple of", "radio telling me what's going on. There was obviously a conscious decision made", "currently reading The Crossing Place by Ellie Griffiths and a couple of pages", "What benefits are there to writing in the present, as opposed to the", "I realised that the entire book is in the present tense. > >", "quite strange and I'm almost imagining someone sat in the room on a", "reading The Crossing Place by Ellie Griffiths and a couple of pages in", "> > instead of > > She sat on the sofa > >", "when we think \"I'm going to write in the 1st person because I", "a conscious decision made at some point that the author wanted to write", "that the author wanted to write in the present tense. I imagine it", "book is in the present tense. > > She sits on the sofa", "the reader to see the story from a limited perspective.\" What benefits are", "author wanted to write in the present tense. I imagine it was similar", "imagine it was similar to ones we make when we think \"I'm going", "going on. There was obviously a conscious decision made at some point that", "because I want the reader to see the story from a limited perspective.\"", "thought of novels as a (sometimes fictional) narrator telling me a historical story.", "the present tense. I imagine it was similar to ones we make when", "sofa > > > Since I've noticed this I find it very jarring.", "> > > Since I've noticed this I find it very jarring. I've", "story from a limited perspective.\" What benefits are there to writing in the", "a (sometimes fictional) narrator telling me a historical story. I find it quite", "> She sits on the sofa > > > instead of > >", "telling me a historical story. I find it quite strange and I'm almost", "There was obviously a conscious decision made at some point that the author", "narrator telling me a historical story. I find it quite strange and I'm", "and I'm almost imagining someone sat in the room on a radio telling", "Ellie Griffiths and a couple of pages in I realised that the entire", "me what's going on. There was obviously a conscious decision made at some", "Place by Ellie Griffiths and a couple of pages in I realised that", "a radio telling me what's going on. There was obviously a conscious decision", "novels as a (sometimes fictional) narrator telling me a historical story. I find", "we make when we think \"I'm going to write in the 1st person", "the room on a radio telling me what's going on. There was obviously", "noticed this I find it very jarring. I've always thought of novels as", "are there to writing in the present, as opposed to the past tense?", "> > Since I've noticed this I find it very jarring. I've always", "similar to ones we make when we think \"I'm going to write in", "that the entire book is in the present tense. > > She sits", "present tense. > > She sits on the sofa > > > instead", "reader to see the story from a limited perspective.\" What benefits are there", "find it very jarring. I've always thought of novels as a (sometimes fictional)", "historical story. I find it quite strange and I'm almost imagining someone sat", "instead of > > She sat on the sofa > > > Since", "going to write in the 1st person because I want the reader to", "conscious decision made at some point that the author wanted to write in", "write in the 1st person because I want the reader to see the", "was obviously a conscious decision made at some point that the author wanted", "Crossing Place by Ellie Griffiths and a couple of pages in I realised", "the sofa > > > instead of > > She sat on the", "jarring. I've always thought of novels as a (sometimes fictional) narrator telling me", "someone sat in the room on a radio telling me what's going on.", "the author wanted to write in the present tense. I imagine it was", "I imagine it was similar to ones we make when we think \"I'm", "write in the present tense. I imagine it was similar to ones we", "this I find it very jarring. I've always thought of novels as a", "imagining someone sat in the room on a radio telling me what's going", "Since I've noticed this I find it very jarring. I've always thought of", "the present tense. > > She sits on the sofa > > >", "> > She sat on the sofa > > > Since I've noticed", "The Crossing Place by Ellie Griffiths and a couple of pages in I", "to write in the 1st person because I want the reader to see", "on. There was obviously a conscious decision made at some point that the", "from a limited perspective.\" What benefits are there to writing in the present,", "limited perspective.\" What benefits are there to writing in the present, as opposed", "benefits are there to writing in the present, as opposed to the past", "tense. > > She sits on the sofa > > > instead of", "on the sofa > > > Since I've noticed this I find it", "a historical story. I find it quite strange and I'm almost imagining someone", "tense. I imagine it was similar to ones we make when we think", "story. I find it quite strange and I'm almost imagining someone sat in", "made at some point that the author wanted to write in the present", "Griffiths and a couple of pages in I realised that the entire book", "at some point that the author wanted to write in the present tense.", "present tense. I imagine it was similar to ones we make when we", "in the room on a radio telling me what's going on. There was", "it was similar to ones we make when we think \"I'm going to", "is in the present tense. > > She sits on the sofa >", "fictional) narrator telling me a historical story. I find it quite strange and", "> > > instead of > > She sat on the sofa >", "She sits on the sofa > > > instead of > > She", "what's going on. There was obviously a conscious decision made at some point", "a couple of pages in I realised that the entire book is in" ]
[ "goal is a dynamic detective story where the outcome is undecided. Essentially, all", "(per act).** After a few scenes, the novel sees which branch the reader", "mystery with 3 subplots ------------------------- I'm writing a branching mystery novel. It's more", "branch the reader has discovered more of, and begins pushing clues to fill-out", "is getting the all the important information. I see two options, but I", "the novel will deliberately start showing clues from Plots B and C, so", "the crime are decided by the novel itself. The culprit is picked randomly,", "of the novel all 3 subplots are revealed piecemeal through the investigation. My", "so it is not necessarily a give-away of the ending). **A third option", "In my prototype, I've connected the discovery of each clue to a (behind-the-scenes)", "at a time. **In the former, the novel becomes \"self-correcting\" and presents the", "narrative doesn't favor any one suspect in particular. If the reader has learned", "the bean counters to learn which subplot the reader is currently pursuing, and", "the investigation. My question is specifically about how and when (narratively) the 3", "each have an extra level of their story that unlocks if they are", "ending). **A third option is to do nothing** and let the clues and", "be eliminated by murder, the novel doesn't *need* to assign a guilty character", "the story better: * Balance the clues, so the reader gains awareness of", "there are clues that can be uncovered, revealed through dialog with suspects. The", "so that all of the suspects \"fit\" the initial crime. Up until suspects", "will deliberately start showing clues from Plots B and C, so they all", "character until more than halfway through. (It's also possible to decide the murderer", "killer. The mystery is setup so that all of the suspects \"fit\" the", "\"fit\" the initial crime. Up until suspects begin to be eliminated by murder,", "clues in each scene through the choices they make. (What I didn't realize", "than a puzzle for the reader to solve. Following modern cop-show/detective tropes, the", "a mystery narrative than a game mechanic. I can use the bean counters", "various subplots in equal measure. * Weight the clues, so the reader sees", "After a few scenes, the novel sees which branch the reader has discovered", "choose an over-looked suspect, lead the reader astray then create a dramatic twist,", "sees which branch the reader has discovered more of, and begins pushing clues", "the counter that tracks Plot A; finding a clue about Plot B will", "the detective to uncover, meanwhile they each have an extra level of their", "not really a fair puzzle-mystery.) In my prototype, I've connected the discovery of", "necessarily a give-away of the ending). **A third option is to do nothing**", "time. **In the former, the novel becomes \"self-correcting\" and presents the 3 subplots", "Agatha Christie: the mystery is a driver-of-plot rather than a puzzle for the", "Christie: the mystery is a driver-of-plot rather than a puzzle for the reader", "(found murdered) 4. Act 4 – Discover and pursue the culprit before other", "this structure is that no matter how the reader chooses she will not", "I'm writing a branching mystery novel. It's more Raymond Chandler than Agatha Christie:", "a clue about Plot A will add 1 point to the counter that", "still end up being a suspect from a discarded subplot by revealing a", "branching narrative. The Question ------------ Since the branching novel is aware of the", "have secret agendas for the detective to uncover, meanwhile they each have an", "sure the reader is getting the all the important information. I see two", "their involvement to the crime 2. Act 2 – Re-interview suspects and address", "uncover 2 out of 3 possible clues in each scene through the choices", "Since the branching novel is aware of the clues the reader has uncovered,", "so the reader gains awareness of the various subplots in equal measure. *", "extra level of their story that unlocks if they are revealed as the", "and it's more about conventions of a mystery narrative than a game mechanic.", "narrative? ----------------------------------------------- This isn't strictly CYOA. The reader has influence over what questions", "crime. Up until suspects begin to be eliminated by murder, the novel doesn't", "next act), or should it carefully build all the subplots concurrently so as", "pursue the culprit before other suspects are killed What is the purpose of", "a dramatic twist, etc.) Which subplot is favored? ------------------------- Here comes the question,", "uncovered, should it \"lean in\" and favor the dominant subplot (changing focus at", "by revealing a twist, so it is not necessarily a give-away of the", "are decided by the novel itself. The culprit is picked randomly, as are", "one subplot (per act).** After a few scenes, the novel sees which branch", "build all the subplots concurrently so as not to predispose the reader to", "I can use the bean counters to learn which subplot the reader is", "for the detective to uncover, meanwhile they each have an extra level of", "all the important information. I see two options, but I don't know which", "and the plots fall where they land based on in-scene navigation. Inevitably one", "and their involvement to the crime 2. Act 2 – Re-interview suspects and", "of a mystery narrative than a game mechanic. I can use the bean", "few scenes, the novel sees which branch the reader has discovered more of,", "uncovered, revealed through dialog with suspects. The reader has the chance to uncover", "I've connected the discovery of each clue to a (behind-the-scenes) bean-counter. Finding a", "getting the all the important information. I see two options, but I don't", "about Plot A the novel will deliberately start showing clues from Plots B", "clue to a (behind-the-scenes) bean-counter. Finding a clue about Plot A will add", "concurrently so as not to predispose the reader to a single red herring?", "has learned the most about. A simple 4-act outline of the novel: 1.", "CYOA. The reader has influence over what questions the detectives ask, but major", "the most about. A simple 4-act outline of the novel: 1. Act 1", "most about. A simple 4-act outline of the novel: 1. Act 1 –", "mystery novel. It's more Raymond Chandler than Agatha Christie: the mystery is a", "scene there are clues that can be uncovered, revealed through dialog with suspects.", "gains awareness of the various subplots in equal measure. * Weight the clues,", "the majority of the clues will slant the mystery to one subplot (per", "can use the bean counters to learn which subplot the reader is currently", "have an extra level of their story that unlocks if they are revealed", "all 3 subplots are revealed piecemeal through the investigation. My question is specifically", "The goal is a dynamic detective story where the outcome is undecided. Essentially,", "question, and it's more about conventions of a mystery narrative than a game", "and more-or-less equally.** The narrative doesn't favor any one suspect in particular. If", "much about Plot A the novel will deliberately start showing clues from Plots", "mystery to one subplot (per act).** After a few scenes, the novel sees", "be revealed to the reader. Counting the clues ------------------ Within each scene there", "begin to be eliminated by murder, the novel doesn't *need* to assign a", "learn which subplot the reader is currently pursuing, and alter the clues that", "3 subplots are revealed piecemeal through the investigation. My question is specifically about", "the reader to solve. Following modern cop-show/detective tropes, the various suspects are involved", "ask, but major plot branches surrounding the crime are decided by the novel", "each scene there are clues that can be uncovered, revealed through dialog with", "mystery is setup so that all of the suspects \"fit\" the initial crime.", "puzzle for the reader to solve. Following modern cop-show/detective tropes, the various suspects", "it is not necessarily a give-away of the ending). **A third option is", "do nothing** and let the clues and the plots fall where they land", "1 of 3 hidden subplots. Over the course of the novel all 3", "*need* to assign a guilty character until more than halfway through. (It's also", "is favored? ------------------------- Here comes the question, and it's more about conventions of", "purpose of the branching narrative? ----------------------------------------------- This isn't strictly CYOA. The reader has", "that's the nature of a branching narrative. The Question ------------ Since the branching", "already occurred, ie: deliberately choose an over-looked suspect, lead the reader astray then", "Plot A will add 1 point to the counter that tracks Plot A;", "equally.** The narrative doesn't favor any one suspect in particular. If the reader", "is not necessarily a give-away of the ending). **A third option is to", "suspects and address inconsistencies 3. Act 3 – Eliminate 1 suspect (found murdered)", "so the reader sees one subplot more than others at a time. **In", "to know which of the subplots the reader has learned the most about.", "culprit is picked randomly, as are the victim(s). The goal is a dynamic", "A will add 1 point to the counter that tracks Plot A; finding", "where they land based on in-scene navigation. Inevitably one subplot will have more", "how the reader chooses she will not receive all the clues, hence it", "up being a suspect from a discarded subplot by revealing a twist, so", "story to best suit the narrative that has already occurred, ie: deliberately choose", "that tracks Plot A; finding a clue about Plot B will add 1", "unlocks if they are revealed as the killer. The mystery is setup so", "of the various subplots in equal measure. * Weight the clues, so the", "being shown to make sure the reader is getting the all the important", "is undecided. Essentially, all the suspects have secret agendas for the detective to", "the clues that are being shown to make sure the reader is getting", "Discover and pursue the culprit before other suspects are killed What is the", "the course of the novel all 3 subplots are revealed piecemeal through the", "about. A simple 4-act outline of the novel: 1. Act 1 – Introduce", "various suspects are involved in 1 of 3 hidden subplots. Over the course", "a game mechanic. I can use the bean counters to learn which subplot", "the clues, so the reader sees one subplot more than others at a", "clues that can be uncovered, revealed through dialog with suspects. The reader has", "too much about Plot A the novel will deliberately start showing clues from", "the all the important information. I see two options, but I don't know", "will slant the mystery to one subplot (per act).** After a few scenes,", "subplots in equal measure. * Weight the clues, so the reader sees one", "than Agatha Christie: the mystery is a driver-of-plot rather than a puzzle for", "Up until suspects begin to be eliminated by murder, the novel doesn't *need*", "driver-of-plot rather than a puzzle for the reader to solve. Following modern cop-show/detective", "discarded subplot by revealing a twist, so it is not necessarily a give-away", "2. Act 2 – Re-interview suspects and address inconsistencies 3. Act 3 –", "subplots should be revealed to the reader. Counting the clues ------------------ Within each", "all the suspects have secret agendas for the detective to uncover, meanwhile they", "the killer. The mystery is setup so that all of the suspects \"fit\"", "until suspects begin to be eliminated by murder, the novel doesn't *need* to", "the clues ------------------ Within each scene there are clues that can be uncovered,", "by the novel itself. The culprit is picked randomly, as are the victim(s).", "better: * Balance the clues, so the reader gains awareness of the various", "murderer late in the story to best suit the narrative that has already", "subplot will have more details discovered, but that's the nature of a branching", "the former, the novel becomes \"self-correcting\" and presents the 3 subplots early and", "no matter how the reader chooses she will not receive all the clues,", "and when (narratively) the 3 subplots should be revealed to the reader. Counting", "of 3 possible clues in each scene through the choices they make. (What", "which subplot the reader is currently pursuing, and alter the clues that are", "major plot branches surrounding the crime are decided by the novel itself. The", "subplot is favored (the murderer might still end up being a suspect from", "setup so that all of the suspects \"fit\" the initial crime. Up until", "sees one subplot more than others at a time. **In the former, the", "secret agendas for the detective to uncover, meanwhile they each have an extra", "will not receive all the clues, hence it is not really a fair", "counter, etc. At the end of each Act, I tally the score to", "a few scenes, the novel sees which branch the reader has discovered more", "the suspects have secret agendas for the detective to uncover, meanwhile they each", "isn't strictly CYOA. The reader has influence over what questions the detectives ask,", "is setup so that all of the suspects \"fit\" the initial crime. Up", "agendas for the detective to uncover, meanwhile they each have an extra level", "to fill-out that plot first. At the end of the act that subplot", "revealed piecemeal through the investigation. My question is specifically about how and when", "revealed to the reader. Counting the clues ------------------ Within each scene there are", "to the Plot B counter, etc. At the end of each Act, I", "not necessarily a give-away of the ending). **A third option is to do", "the latter, the majority of the clues will slant the mystery to one", "------------------ Within each scene there are clues that can be uncovered, revealed through", "Eliminate 1 suspect (found murdered) 4. Act 4 – Discover and pursue the", "reader has learned the most about. A simple 4-act outline of the novel:", "a dynamic detective story where the outcome is undecided. Essentially, all the suspects", "in\" and favor the dominant subplot (changing focus at the next act), or", "clues, hence it is not really a fair puzzle-mystery.) In my prototype, I've", "point to the Plot B counter, etc. At the end of each Act,", "by murder, the novel doesn't *need* to assign a guilty character until more", "decided by the novel itself. The culprit is picked randomly, as are the", "don't know which serves the story better: * Balance the clues, so the", "(behind-the-scenes) bean-counter. Finding a clue about Plot A will add 1 point to", "in equal measure. * Weight the clues, so the reader sees one subplot", "it's more about conventions of a mystery narrative than a game mechanic. I", "the discovery of each clue to a (behind-the-scenes) bean-counter. Finding a clue about", "learned too much about Plot A the novel will deliberately start showing clues", "the chance to uncover 2 out of 3 possible clues in each scene", "A mystery with 3 subplots ------------------------- I'm writing a branching mystery novel. It's", "1. Act 1 – Introduce the suspects and their involvement to the crime", "connected the discovery of each clue to a (behind-the-scenes) bean-counter. Finding a clue", "it \"lean in\" and favor the dominant subplot (changing focus at the next", "My question is specifically about how and when (narratively) the 3 subplots should", "and the next subplot is favored (the murderer might still end up being", "an over-looked suspect, lead the reader astray then create a dramatic twist, etc.)", "but that's the nature of a branching narrative. The Question ------------ Since the", "deliberately choose an over-looked suspect, lead the reader astray then create a dramatic", "when (narratively) the 3 subplots should be revealed to the reader. Counting the", "they are revealed as the killer. The mystery is setup so that all", "of the branching narrative? ----------------------------------------------- This isn't strictly CYOA. The reader has influence", "A; finding a clue about Plot B will add 1 point to the", "to the counter that tracks Plot A; finding a clue about Plot B", "be uncovered, revealed through dialog with suspects. The reader has the chance to", "a twist, so it is not necessarily a give-away of the ending). **A", "Plot A; finding a clue about Plot B will add 1 point to", "Act 3 – Eliminate 1 suspect (found murdered) 4. Act 4 – Discover", "twist, etc.) Which subplot is favored? ------------------------- Here comes the question, and it's", "course of the novel all 3 subplots are revealed piecemeal through the investigation.", "the score to know which of the subplots the reader has learned the", "Counting the clues ------------------ Within each scene there are clues that can be", "the detectives ask, but major plot branches surrounding the crime are decided by", "the narrative that has already occurred, ie: deliberately choose an over-looked suspect, lead", "the various subplots in equal measure. * Weight the clues, so the reader", "the 3 subplots should be revealed to the reader. Counting the clues ------------------", "to decide the murderer late in the story to best suit the narrative", "reader has discovered more of, and begins pushing clues to fill-out that plot", "from a discarded subplot by revealing a twist, so it is not necessarily", "involvement to the crime 2. Act 2 – Re-interview suspects and address inconsistencies", "lead the reader astray then create a dramatic twist, etc.) Which subplot is", "mechanic. I can use the bean counters to learn which subplot the reader", "is currently pursuing, and alter the clues that are being shown to make", "subplot by revealing a twist, so it is not necessarily a give-away of", "matter how the reader chooses she will not receive all the clues, hence", "pursuing, and alter the clues that are being shown to make sure the", "------------------------- I'm writing a branching mystery novel. It's more Raymond Chandler than Agatha", "mystery narrative than a game mechanic. I can use the bean counters to", "to the crime 2. Act 2 – Re-interview suspects and address inconsistencies 3.", "twist, so it is not necessarily a give-away of the ending). **A third", "assign a guilty character until more than halfway through. (It's also possible to", "in particular. If the reader has learned too much about Plot A the", "where the outcome is undecided. Essentially, all the suspects have secret agendas for", "outline of the novel: 1. Act 1 – Introduce the suspects and their", "the reader. Counting the clues ------------------ Within each scene there are clues that", "options, but I don't know which serves the story better: * Balance the", "and presents the 3 subplots early and more-or-less equally.** The narrative doesn't favor", "suspects. The reader has the chance to uncover 2 out of 3 possible", "reader is currently pursuing, and alter the clues that are being shown to", "are being shown to make sure the reader is getting the all the", "* Weight the clues, so the reader sees one subplot more than others", "progress in tandem. **In the latter, the majority of the clues will slant", "Inevitably one subplot will have more details discovered, but that's the nature of", "a puzzle for the reader to solve. Following modern cop-show/detective tropes, the various", "awareness of the various subplots in equal measure. * Weight the clues, so", "a (behind-the-scenes) bean-counter. Finding a clue about Plot A will add 1 point", "4-act outline of the novel: 1. Act 1 – Introduce the suspects and", "to the reader. Counting the clues ------------------ Within each scene there are clues", "the question, and it's more about conventions of a mystery narrative than a", "cop-show/detective tropes, the various suspects are involved in 1 of 3 hidden subplots.", "fall where they land based on in-scene navigation. Inevitably one subplot will have", "on in-scene navigation. Inevitably one subplot will have more details discovered, but that's", "killed What is the purpose of the branching narrative? ----------------------------------------------- This isn't strictly", "subplot is deemed to be a red herring and the next subplot is", "that has already occurred, ie: deliberately choose an over-looked suspect, lead the reader", "particular. If the reader has learned too much about Plot A the novel", "question is specifically about how and when (narratively) the 3 subplots should be", "didn't realize when I started this structure is that no matter how the", "the reader has learned too much about Plot A the novel will deliberately", "option is to do nothing** and let the clues and the plots fall", "– Eliminate 1 suspect (found murdered) 4. Act 4 – Discover and pursue", "being a suspect from a discarded subplot by revealing a twist, so it", "fill-out that plot first. At the end of the act that subplot is", "tropes, the various suspects are involved in 1 of 3 hidden subplots. Over", "(What I didn't realize when I started this structure is that no matter", "will have more details discovered, but that's the nature of a branching narrative.", "1 point to the counter that tracks Plot A; finding a clue about", "the important information. I see two options, but I don't know which serves", "have more details discovered, but that's the nature of a branching narrative. The", "to be eliminated by murder, the novel doesn't *need* to assign a guilty", "subplot the reader is currently pursuing, and alter the clues that are being", "**A third option is to do nothing** and let the clues and the", "novel will deliberately start showing clues from Plots B and C, so they", "of a branching narrative. The Question ------------ Since the branching novel is aware", "ie: deliberately choose an over-looked suspect, lead the reader astray then create a", "A the novel will deliberately start showing clues from Plots B and C,", "are killed What is the purpose of the branching narrative? ----------------------------------------------- This isn't", "3. Act 3 – Eliminate 1 suspect (found murdered) 4. Act 4 –", "(the murderer might still end up being a suspect from a discarded subplot", "\"lean in\" and favor the dominant subplot (changing focus at the next act),", "the reader astray then create a dramatic twist, etc.) Which subplot is favored?", "to uncover 2 out of 3 possible clues in each scene through the", "they each have an extra level of their story that unlocks if they", "occurred, ie: deliberately choose an over-looked suspect, lead the reader astray then create", "Chandler than Agatha Christie: the mystery is a driver-of-plot rather than a puzzle", "tracks Plot A; finding a clue about Plot B will add 1 point", "clue about Plot B will add 1 point to the Plot B counter,", "1 suspect (found murdered) 4. Act 4 – Discover and pursue the culprit", "aware of the clues the reader has uncovered, should it \"lean in\" and", "favor the dominant subplot (changing focus at the next act), or should it", "all the subplots concurrently so as not to predispose the reader to a", "the branching novel is aware of the clues the reader has uncovered, should", "branches surrounding the crime are decided by the novel itself. The culprit is", "itself. The culprit is picked randomly, as are the victim(s). The goal is", "subplots. Over the course of the novel all 3 subplots are revealed piecemeal", "showing clues from Plots B and C, so they all progress in tandem.", "the mystery to one subplot (per act).** After a few scenes, the novel", "favored (the murderer might still end up being a suspect from a discarded", "is that no matter how the reader chooses she will not receive all", "This isn't strictly CYOA. The reader has influence over what questions the detectives", "reader is getting the all the important information. I see two options, but", "The culprit is picked randomly, as are the victim(s). The goal is a", "involved in 1 of 3 hidden subplots. Over the course of the novel", "that subplot is deemed to be a red herring and the next subplot", "counters to learn which subplot the reader is currently pursuing, and alter the", "to uncover, meanwhile they each have an extra level of their story that", "two options, but I don't know which serves the story better: * Balance", "What is the purpose of the branching narrative? ----------------------------------------------- This isn't strictly CYOA.", "so they all progress in tandem. **In the latter, the majority of the", "will add 1 point to the Plot B counter, etc. At the end", "Balance the clues, so the reader gains awareness of the various subplots in", "revealing a twist, so it is not necessarily a give-away of the ending).", "reader has uncovered, should it \"lean in\" and favor the dominant subplot (changing", "subplots the reader has learned the most about. A simple 4-act outline of", "the dominant subplot (changing focus at the next act), or should it carefully", "about Plot B will add 1 point to the Plot B counter, etc.", "subplot more than others at a time. **In the former, the novel becomes", "the reader sees one subplot more than others at a time. **In the", "discovered more of, and begins pushing clues to fill-out that plot first. At", "make. (What I didn't realize when I started this structure is that no", "that no matter how the reader chooses she will not receive all the", "herring and the next subplot is favored (the murderer might still end up", "has discovered more of, and begins pushing clues to fill-out that plot first.", "when I started this structure is that no matter how the reader chooses", "clues that are being shown to make sure the reader is getting the", "in each scene through the choices they make. (What I didn't realize when", "culprit before other suspects are killed What is the purpose of the branching", "murder, the novel doesn't *need* to assign a guilty character until more than", "not receive all the clues, hence it is not really a fair puzzle-mystery.)", "the plots fall where they land based on in-scene navigation. Inevitably one subplot", "a branching mystery novel. It's more Raymond Chandler than Agatha Christie: the mystery", "reader has influence over what questions the detectives ask, but major plot branches", "becomes \"self-correcting\" and presents the 3 subplots early and more-or-less equally.** The narrative", "based on in-scene navigation. Inevitably one subplot will have more details discovered, but", "than a game mechanic. I can use the bean counters to learn which", "the story to best suit the narrative that has already occurred, ie: deliberately", "the reader is getting the all the important information. I see two options,", "**In the latter, the majority of the clues will slant the mystery to", "is aware of the clues the reader has uncovered, should it \"lean in\"", "narrative than a game mechanic. I can use the bean counters to learn", "more Raymond Chandler than Agatha Christie: the mystery is a driver-of-plot rather than", "the novel itself. The culprit is picked randomly, as are the victim(s). The", "clues, so the reader sees one subplot more than others at a time.", "writing a branching mystery novel. It's more Raymond Chandler than Agatha Christie: the", "murderer might still end up being a suspect from a discarded subplot by", "suspects have secret agendas for the detective to uncover, meanwhile they each have", "make sure the reader is getting the all the important information. I see", "give-away of the ending). **A third option is to do nothing** and let", "focus at the next act), or should it carefully build all the subplots", "Act 4 – Discover and pursue the culprit before other suspects are killed", "is deemed to be a red herring and the next subplot is favored", "detectives ask, but major plot branches surrounding the crime are decided by the", "subplot (changing focus at the next act), or should it carefully build all", "how and when (narratively) the 3 subplots should be revealed to the reader.", "but I don't know which serves the story better: * Balance the clues,", "dramatic twist, etc.) Which subplot is favored? ------------------------- Here comes the question, and", "suspect, lead the reader astray then create a dramatic twist, etc.) Which subplot", "clues will slant the mystery to one subplot (per act).** After a few", "of, and begins pushing clues to fill-out that plot first. At the end", "their story that unlocks if they are revealed as the killer. The mystery", "suspects are killed What is the purpose of the branching narrative? ----------------------------------------------- This", "but major plot branches surrounding the crime are decided by the novel itself.", "favored? ------------------------- Here comes the question, and it's more about conventions of a", "the reader is currently pursuing, and alter the clues that are being shown", "majority of the clues will slant the mystery to one subplot (per act).**", "nothing** and let the clues and the plots fall where they land based", "an extra level of their story that unlocks if they are revealed as", "and let the clues and the plots fall where they land based on", "before other suspects are killed What is the purpose of the branching narrative?", "– Re-interview suspects and address inconsistencies 3. Act 3 – Eliminate 1 suspect", "start showing clues from Plots B and C, so they all progress in", "fair puzzle-mystery.) In my prototype, I've connected the discovery of each clue to", "eliminated by murder, the novel doesn't *need* to assign a guilty character until", "novel sees which branch the reader has discovered more of, and begins pushing", "it carefully build all the subplots concurrently so as not to predispose the", "prototype, I've connected the discovery of each clue to a (behind-the-scenes) bean-counter. Finding", "3 hidden subplots. Over the course of the novel all 3 subplots are", "* Balance the clues, so the reader gains awareness of the various subplots", "reader gains awareness of the various subplots in equal measure. * Weight the", "know which serves the story better: * Balance the clues, so the reader", "It's more Raymond Chandler than Agatha Christie: the mystery is a driver-of-plot rather", "to solve. Following modern cop-show/detective tropes, the various suspects are involved in 1", "specifically about how and when (narratively) the 3 subplots should be revealed to", "really a fair puzzle-mystery.) In my prototype, I've connected the discovery of each", "At the end of the act that subplot is deemed to be a", "3 possible clues in each scene through the choices they make. (What I", "At the end of each Act, I tally the score to know which", "strictly CYOA. The reader has influence over what questions the detectives ask, but", "is the purpose of the branching narrative? ----------------------------------------------- This isn't strictly CYOA. The", "the crime 2. Act 2 – Re-interview suspects and address inconsistencies 3. Act", "to make sure the reader is getting the all the important information. I", "Act 2 – Re-interview suspects and address inconsistencies 3. Act 3 – Eliminate", "solve. Following modern cop-show/detective tropes, the various suspects are involved in 1 of", "the novel doesn't *need* to assign a guilty character until more than halfway", "the culprit before other suspects are killed What is the purpose of the", "detective story where the outcome is undecided. Essentially, all the suspects have secret", "a give-away of the ending). **A third option is to do nothing** and", "through. (It's also possible to decide the murderer late in the story to", "and address inconsistencies 3. Act 3 – Eliminate 1 suspect (found murdered) 4.", "– Discover and pursue the culprit before other suspects are killed What is", "with suspects. The reader has the chance to uncover 2 out of 3", "etc.) Which subplot is favored? ------------------------- Here comes the question, and it's more", "Within each scene there are clues that can be uncovered, revealed through dialog", "narrative. The Question ------------ Since the branching novel is aware of the clues", "1 point to the Plot B counter, etc. At the end of each", "one subplot will have more details discovered, but that's the nature of a", "see two options, but I don't know which serves the story better: *", "novel becomes \"self-correcting\" and presents the 3 subplots early and more-or-less equally.** The", "the Plot B counter, etc. At the end of each Act, I tally", "Following modern cop-show/detective tropes, the various suspects are involved in 1 of 3", "what questions the detectives ask, but major plot branches surrounding the crime are", "the subplots the reader has learned the most about. A simple 4-act outline", "best suit the narrative that has already occurred, ie: deliberately choose an over-looked", "The Question ------------ Since the branching novel is aware of the clues the", "investigation. My question is specifically about how and when (narratively) the 3 subplots", "with 3 subplots ------------------------- I'm writing a branching mystery novel. It's more Raymond", "than others at a time. **In the former, the novel becomes \"self-correcting\" and", "over what questions the detectives ask, but major plot branches surrounding the crime", "Act, I tally the score to know which of the subplots the reader", "The mystery is setup so that all of the suspects \"fit\" the initial", "I don't know which serves the story better: * Balance the clues, so", "is to do nothing** and let the clues and the plots fall where", "piecemeal through the investigation. My question is specifically about how and when (narratively)", "the initial crime. Up until suspects begin to be eliminated by murder, the", "rather than a puzzle for the reader to solve. Following modern cop-show/detective tropes,", "surrounding the crime are decided by the novel itself. The culprit is picked", "The reader has the chance to uncover 2 out of 3 possible clues", "Plot A the novel will deliberately start showing clues from Plots B and", "1 – Introduce the suspects and their involvement to the crime 2. Act", "inconsistencies 3. Act 3 – Eliminate 1 suspect (found murdered) 4. Act 4", "the mystery is a driver-of-plot rather than a puzzle for the reader to", "suspect (found murdered) 4. Act 4 – Discover and pursue the culprit before", "choices they make. (What I didn't realize when I started this structure is", "mystery is a driver-of-plot rather than a puzzle for the reader to solve.", "carefully build all the subplots concurrently so as not to predispose the reader", "uncover, meanwhile they each have an extra level of their story that unlocks", "for the reader to solve. Following modern cop-show/detective tropes, the various suspects are", "of the suspects \"fit\" the initial crime. Up until suspects begin to be", "has already occurred, ie: deliberately choose an over-looked suspect, lead the reader astray", "late in the story to best suit the narrative that has already occurred,", "a discarded subplot by revealing a twist, so it is not necessarily a", "point to the counter that tracks Plot A; finding a clue about Plot", "through the choices they make. (What I didn't realize when I started this", "the act that subplot is deemed to be a red herring and the", "Raymond Chandler than Agatha Christie: the mystery is a driver-of-plot rather than a", "etc. At the end of each Act, I tally the score to know", "they all progress in tandem. **In the latter, the majority of the clues", "counter that tracks Plot A; finding a clue about Plot B will add", "branching narrative? ----------------------------------------------- This isn't strictly CYOA. The reader has influence over what", "are the victim(s). The goal is a dynamic detective story where the outcome", "that unlocks if they are revealed as the killer. The mystery is setup", "and alter the clues that are being shown to make sure the reader", "navigation. Inevitably one subplot will have more details discovered, but that's the nature", "end of each Act, I tally the score to know which of the", "at the next act), or should it carefully build all the subplots concurrently", "chooses she will not receive all the clues, hence it is not really", "more details discovered, but that's the nature of a branching narrative. The Question", "details discovered, but that's the nature of a branching narrative. The Question ------------", "influence over what questions the detectives ask, but major plot branches surrounding the", "early and more-or-less equally.** The narrative doesn't favor any one suspect in particular.", "suit the narrative that has already occurred, ie: deliberately choose an over-looked suspect,", "clue about Plot A will add 1 point to the counter that tracks", "doesn't *need* to assign a guilty character until more than halfway through. (It's", "Weight the clues, so the reader sees one subplot more than others at", "the novel sees which branch the reader has discovered more of, and begins", "the clues will slant the mystery to one subplot (per act).** After a", "each Act, I tally the score to know which of the subplots the", "currently pursuing, and alter the clues that are being shown to make sure", "revealed through dialog with suspects. The reader has the chance to uncover 2", "the ending). **A third option is to do nothing** and let the clues", "bean-counter. Finding a clue about Plot A will add 1 point to the", "novel is aware of the clues the reader has uncovered, should it \"lean", "novel itself. The culprit is picked randomly, as are the victim(s). The goal", "deliberately start showing clues from Plots B and C, so they all progress", "that can be uncovered, revealed through dialog with suspects. The reader has the", "Plot B will add 1 point to the Plot B counter, etc. At", "story that unlocks if they are revealed as the killer. The mystery is", "I didn't realize when I started this structure is that no matter how", "novel. It's more Raymond Chandler than Agatha Christie: the mystery is a driver-of-plot", "I started this structure is that no matter how the reader chooses she", "victim(s). The goal is a dynamic detective story where the outcome is undecided.", "in 1 of 3 hidden subplots. Over the course of the novel all", "create a dramatic twist, etc.) Which subplot is favored? ------------------------- Here comes the", "B and C, so they all progress in tandem. **In the latter, the", "– Introduce the suspects and their involvement to the crime 2. Act 2", "are involved in 1 of 3 hidden subplots. Over the course of the", "plot first. At the end of the act that subplot is deemed to", "and pursue the culprit before other suspects are killed What is the purpose", "subplots concurrently so as not to predispose the reader to a single red", "B counter, etc. At the end of each Act, I tally the score", "has the chance to uncover 2 out of 3 possible clues in each", "of each Act, I tally the score to know which of the subplots", "of the ending). **A third option is to do nothing** and let the", "should be revealed to the reader. Counting the clues ------------------ Within each scene", "the reader chooses she will not receive all the clues, hence it is", "novel: 1. Act 1 – Introduce the suspects and their involvement to the", "to do nothing** and let the clues and the plots fall where they", "picked randomly, as are the victim(s). The goal is a dynamic detective story", "over-looked suspect, lead the reader astray then create a dramatic twist, etc.) Which", "land based on in-scene navigation. Inevitably one subplot will have more details discovered,", "plots fall where they land based on in-scene navigation. Inevitably one subplot will", "of the clues the reader has uncovered, should it \"lean in\" and favor", "------------------------- Here comes the question, and it's more about conventions of a mystery", "the branching narrative? ----------------------------------------------- This isn't strictly CYOA. The reader has influence over", "C, so they all progress in tandem. **In the latter, the majority of", "know which of the subplots the reader has learned the most about. A", "about Plot A will add 1 point to the counter that tracks Plot", "narrative that has already occurred, ie: deliberately choose an over-looked suspect, lead the", "suspect from a discarded subplot by revealing a twist, so it is not", "than halfway through. (It's also possible to decide the murderer late in the", "crime are decided by the novel itself. The culprit is picked randomly, as", "nature of a branching narrative. The Question ------------ Since the branching novel is", "to one subplot (per act).** After a few scenes, the novel sees which", "and begins pushing clues to fill-out that plot first. At the end of", "guilty character until more than halfway through. (It's also possible to decide the", "red herring and the next subplot is favored (the murderer might still end", "clues, so the reader gains awareness of the various subplots in equal measure.", "tally the score to know which of the subplots the reader has learned", "modern cop-show/detective tropes, the various suspects are involved in 1 of 3 hidden", "other suspects are killed What is the purpose of the branching narrative? -----------------------------------------------", "which branch the reader has discovered more of, and begins pushing clues to", "to learn which subplot the reader is currently pursuing, and alter the clues", "3 subplots ------------------------- I'm writing a branching mystery novel. It's more Raymond Chandler", "she will not receive all the clues, hence it is not really a", "reader sees one subplot more than others at a time. **In the former,", "the murderer late in the story to best suit the narrative that has", "discovered, but that's the nature of a branching narrative. The Question ------------ Since", "the end of each Act, I tally the score to know which of", "is a dynamic detective story where the outcome is undecided. Essentially, all the", "from Plots B and C, so they all progress in tandem. **In the", "is a driver-of-plot rather than a puzzle for the reader to solve. Following", "reader. Counting the clues ------------------ Within each scene there are clues that can", "of the subplots the reader has learned the most about. A simple 4-act", "Finding a clue about Plot A will add 1 point to the counter", "presents the 3 subplots early and more-or-less equally.** The narrative doesn't favor any", "2 out of 3 possible clues in each scene through the choices they", "more than halfway through. (It's also possible to decide the murderer late in", "about how and when (narratively) the 3 subplots should be revealed to the", "started this structure is that no matter how the reader chooses she will", "add 1 point to the Plot B counter, etc. At the end of", "equal measure. * Weight the clues, so the reader sees one subplot more", "tandem. **In the latter, the majority of the clues will slant the mystery", "possible to decide the murderer late in the story to best suit the", "the end of the act that subplot is deemed to be a red", "more-or-less equally.** The narrative doesn't favor any one suspect in particular. If the", "address inconsistencies 3. Act 3 – Eliminate 1 suspect (found murdered) 4. Act", "4. Act 4 – Discover and pursue the culprit before other suspects are", "game mechanic. I can use the bean counters to learn which subplot the", "scenes, the novel sees which branch the reader has discovered more of, and", "has influence over what questions the detectives ask, but major plot branches surrounding", "all progress in tandem. **In the latter, the majority of the clues will", "(narratively) the 3 subplots should be revealed to the reader. Counting the clues", "a red herring and the next subplot is favored (the murderer might still", "the clues the reader has uncovered, should it \"lean in\" and favor the", "I see two options, but I don't know which serves the story better:", "clues and the plots fall where they land based on in-scene navigation. Inevitably", "finding a clue about Plot B will add 1 point to the Plot", "clues the reader has uncovered, should it \"lean in\" and favor the dominant", "outcome is undecided. Essentially, all the suspects have secret agendas for the detective", "clues ------------------ Within each scene there are clues that can be uncovered, revealed", "clues to fill-out that plot first. At the end of the act that", "to assign a guilty character until more than halfway through. (It's also possible", "more about conventions of a mystery narrative than a game mechanic. I can", "a fair puzzle-mystery.) In my prototype, I've connected the discovery of each clue", "dominant subplot (changing focus at the next act), or should it carefully build", "and C, so they all progress in tandem. **In the latter, the majority", "is not really a fair puzzle-mystery.) In my prototype, I've connected the discovery", "the victim(s). The goal is a dynamic detective story where the outcome is", "serves the story better: * Balance the clues, so the reader gains awareness", "3 subplots early and more-or-less equally.** The narrative doesn't favor any one suspect", "------------ Since the branching novel is aware of the clues the reader has", "comes the question, and it's more about conventions of a mystery narrative than", "the next act), or should it carefully build all the subplots concurrently so", "about conventions of a mystery narrative than a game mechanic. I can use", "story better: * Balance the clues, so the reader gains awareness of the", "to be a red herring and the next subplot is favored (the murderer", "Plot B counter, etc. At the end of each Act, I tally the", "suspect in particular. If the reader has learned too much about Plot A", "Essentially, all the suspects have secret agendas for the detective to uncover, meanwhile", "of each clue to a (behind-the-scenes) bean-counter. Finding a clue about Plot A", "begins pushing clues to fill-out that plot first. At the end of the", "novel doesn't *need* to assign a guilty character until more than halfway through.", "the choices they make. (What I didn't realize when I started this structure", "revealed as the killer. The mystery is setup so that all of the", "discovery of each clue to a (behind-the-scenes) bean-counter. Finding a clue about Plot", "add 1 point to the counter that tracks Plot A; finding a clue", "of 3 hidden subplots. Over the course of the novel all 3 subplots", "conventions of a mystery narrative than a game mechanic. I can use the", "more than others at a time. **In the former, the novel becomes \"self-correcting\"", "measure. * Weight the clues, so the reader sees one subplot more than", "any one suspect in particular. If the reader has learned too much about", "favor any one suspect in particular. If the reader has learned too much", "scene through the choices they make. (What I didn't realize when I started", "the nature of a branching narrative. The Question ------------ Since the branching novel", "of the clues will slant the mystery to one subplot (per act).** After", "others at a time. **In the former, the novel becomes \"self-correcting\" and presents", "should it \"lean in\" and favor the dominant subplot (changing focus at the", "each scene through the choices they make. (What I didn't realize when I", "branching mystery novel. It's more Raymond Chandler than Agatha Christie: the mystery is", "branching novel is aware of the clues the reader has uncovered, should it", "will add 1 point to the counter that tracks Plot A; finding a", "a time. **In the former, the novel becomes \"self-correcting\" and presents the 3", "slant the mystery to one subplot (per act).** After a few scenes, the", "learned the most about. A simple 4-act outline of the novel: 1. Act", "----------------------------------------------- This isn't strictly CYOA. The reader has influence over what questions the", "Question ------------ Since the branching novel is aware of the clues the reader", "act), or should it carefully build all the subplots concurrently so as not", "might still end up being a suspect from a discarded subplot by revealing", "reader to solve. Following modern cop-show/detective tropes, the various suspects are involved in", "or should it carefully build all the subplots concurrently so as not to", "dynamic detective story where the outcome is undecided. Essentially, all the suspects have", "the subplots concurrently so as not to predispose the reader to a single", "Re-interview suspects and address inconsistencies 3. Act 3 – Eliminate 1 suspect (found", "halfway through. (It's also possible to decide the murderer late in the story", "next subplot is favored (the murderer might still end up being a suspect", "the outcome is undecided. Essentially, all the suspects have secret agendas for the", "of their story that unlocks if they are revealed as the killer. The", "they make. (What I didn't realize when I started this structure is that", "Over the course of the novel all 3 subplots are revealed piecemeal through", "undecided. Essentially, all the suspects have secret agendas for the detective to uncover,", "deemed to be a red herring and the next subplot is favored (the", "shown to make sure the reader is getting the all the important information.", "suspects are involved in 1 of 3 hidden subplots. Over the course of", "the next subplot is favored (the murderer might still end up being a", "third option is to do nothing** and let the clues and the plots", "Which subplot is favored? ------------------------- Here comes the question, and it's more about", "the clues, so the reader gains awareness of the various subplots in equal", "score to know which of the subplots the reader has learned the most", "plot branches surrounding the crime are decided by the novel itself. The culprit", "suspects begin to be eliminated by murder, the novel doesn't *need* to assign", "let the clues and the plots fall where they land based on in-scene", "story where the outcome is undecided. Essentially, all the suspects have secret agendas", "randomly, as are the victim(s). The goal is a dynamic detective story where", "the various suspects are involved in 1 of 3 hidden subplots. Over the", "the novel all 3 subplots are revealed piecemeal through the investigation. My question", "doesn't favor any one suspect in particular. If the reader has learned too", "Introduce the suspects and their involvement to the crime 2. Act 2 –", "novel all 3 subplots are revealed piecemeal through the investigation. My question is", "the reader has uncovered, should it \"lean in\" and favor the dominant subplot", "**In the former, the novel becomes \"self-correcting\" and presents the 3 subplots early", "realize when I started this structure is that no matter how the reader", "be a red herring and the next subplot is favored (the murderer might", "The reader has influence over what questions the detectives ask, but major plot", "are revealed piecemeal through the investigation. My question is specifically about how and", "the suspects \"fit\" the initial crime. Up until suspects begin to be eliminated", "the purpose of the branching narrative? ----------------------------------------------- This isn't strictly CYOA. The reader", "in-scene navigation. Inevitably one subplot will have more details discovered, but that's the", "which serves the story better: * Balance the clues, so the reader gains", "all the clues, hence it is not really a fair puzzle-mystery.) In my", "detective to uncover, meanwhile they each have an extra level of their story", "subplots early and more-or-less equally.** The narrative doesn't favor any one suspect in", "a suspect from a discarded subplot by revealing a twist, so it is", "decide the murderer late in the story to best suit the narrative that", "receive all the clues, hence it is not really a fair puzzle-mystery.) In", "The narrative doesn't favor any one suspect in particular. If the reader has", "important information. I see two options, but I don't know which serves the", "reader has the chance to uncover 2 out of 3 possible clues in", "out of 3 possible clues in each scene through the choices they make.", "alter the clues that are being shown to make sure the reader is", "a driver-of-plot rather than a puzzle for the reader to solve. Following modern", "to best suit the narrative that has already occurred, ie: deliberately choose an", "simple 4-act outline of the novel: 1. Act 1 – Introduce the suspects", "Plots B and C, so they all progress in tandem. **In the latter,", "act that subplot is deemed to be a red herring and the next", "reader chooses she will not receive all the clues, hence it is not", "a clue about Plot B will add 1 point to the Plot B", "until more than halfway through. (It's also possible to decide the murderer late", "the clues and the plots fall where they land based on in-scene navigation.", "information. I see two options, but I don't know which serves the story", "subplots ------------------------- I'm writing a branching mystery novel. It's more Raymond Chandler than", "possible clues in each scene through the choices they make. (What I didn't", "subplot (per act).** After a few scenes, the novel sees which branch the", "reader has learned too much about Plot A the novel will deliberately start", "through the investigation. My question is specifically about how and when (narratively) the", "dialog with suspects. The reader has the chance to uncover 2 out of", "chance to uncover 2 out of 3 possible clues in each scene through", "hidden subplots. Over the course of the novel all 3 subplots are revealed", "subplots are revealed piecemeal through the investigation. My question is specifically about how", "a branching narrative. The Question ------------ Since the branching novel is aware of", "meanwhile they each have an extra level of their story that unlocks if", "subplot is favored? ------------------------- Here comes the question, and it's more about conventions", "the 3 subplots early and more-or-less equally.** The narrative doesn't favor any one", "the reader gains awareness of the various subplots in equal measure. * Weight", "each clue to a (behind-the-scenes) bean-counter. Finding a clue about Plot A will", "which of the subplots the reader has learned the most about. A simple", "the novel: 1. Act 1 – Introduce the suspects and their involvement to", "are revealed as the killer. The mystery is setup so that all of", "of the act that subplot is deemed to be a red herring and", "the reader has learned the most about. A simple 4-act outline of the", "one suspect in particular. If the reader has learned too much about Plot", "first. At the end of the act that subplot is deemed to be", "are clues that can be uncovered, revealed through dialog with suspects. The reader", "3 – Eliminate 1 suspect (found murdered) 4. Act 4 – Discover and", "is favored (the murderer might still end up being a suspect from a", "murdered) 4. Act 4 – Discover and pursue the culprit before other suspects", "the reader has discovered more of, and begins pushing clues to fill-out that", "\"self-correcting\" and presents the 3 subplots early and more-or-less equally.** The narrative doesn't", "bean counters to learn which subplot the reader is currently pursuing, and alter", "(It's also possible to decide the murderer late in the story to best", "Here comes the question, and it's more about conventions of a mystery narrative", "former, the novel becomes \"self-correcting\" and presents the 3 subplots early and more-or-less", "latter, the majority of the clues will slant the mystery to one subplot", "crime 2. Act 2 – Re-interview suspects and address inconsistencies 3. Act 3", "reader astray then create a dramatic twist, etc.) Which subplot is favored? -------------------------", "has uncovered, should it \"lean in\" and favor the dominant subplot (changing focus", "questions the detectives ask, but major plot branches surrounding the crime are decided", "Act 1 – Introduce the suspects and their involvement to the crime 2.", "as are the victim(s). The goal is a dynamic detective story where the", "of the novel: 1. Act 1 – Introduce the suspects and their involvement", "pushing clues to fill-out that plot first. At the end of the act", "is specifically about how and when (narratively) the 3 subplots should be revealed", "end up being a suspect from a discarded subplot by revealing a twist,", "that all of the suspects \"fit\" the initial crime. Up until suspects begin", "end of the act that subplot is deemed to be a red herring", "it is not really a fair puzzle-mystery.) In my prototype, I've connected the", "clues from Plots B and C, so they all progress in tandem. **In", "to a (behind-the-scenes) bean-counter. Finding a clue about Plot A will add 1", "a guilty character until more than halfway through. (It's also possible to decide", "that plot first. At the end of the act that subplot is deemed", "in tandem. **In the latter, the majority of the clues will slant the", "is picked randomly, as are the victim(s). The goal is a dynamic detective", "one subplot more than others at a time. **In the former, the novel", "they land based on in-scene navigation. Inevitably one subplot will have more details", "level of their story that unlocks if they are revealed as the killer.", "3 subplots should be revealed to the reader. Counting the clues ------------------ Within", "4 – Discover and pursue the culprit before other suspects are killed What", "the suspects and their involvement to the crime 2. Act 2 – Re-interview", "all of the suspects \"fit\" the initial crime. Up until suspects begin to", "in the story to best suit the narrative that has already occurred, ie:", "if they are revealed as the killer. The mystery is setup so that", "I tally the score to know which of the subplots the reader has", "A simple 4-act outline of the novel: 1. Act 1 – Introduce the", "astray then create a dramatic twist, etc.) Which subplot is favored? ------------------------- Here", "more of, and begins pushing clues to fill-out that plot first. At the", "structure is that no matter how the reader chooses she will not receive", "hence it is not really a fair puzzle-mystery.) In my prototype, I've connected", "initial crime. Up until suspects begin to be eliminated by murder, the novel", "If the reader has learned too much about Plot A the novel will", "as the killer. The mystery is setup so that all of the suspects", "that are being shown to make sure the reader is getting the all", "through dialog with suspects. The reader has the chance to uncover 2 out", "has learned too much about Plot A the novel will deliberately start showing", "the clues, hence it is not really a fair puzzle-mystery.) In my prototype,", "suspects \"fit\" the initial crime. Up until suspects begin to be eliminated by", "also possible to decide the murderer late in the story to best suit", "suspects and their involvement to the crime 2. Act 2 – Re-interview suspects", "2 – Re-interview suspects and address inconsistencies 3. Act 3 – Eliminate 1", "can be uncovered, revealed through dialog with suspects. The reader has the chance", "act).** After a few scenes, the novel sees which branch the reader has", "B will add 1 point to the Plot B counter, etc. At the", "and favor the dominant subplot (changing focus at the next act), or should", "should it carefully build all the subplots concurrently so as not to predispose", "then create a dramatic twist, etc.) Which subplot is favored? ------------------------- Here comes", "(changing focus at the next act), or should it carefully build all the", "use the bean counters to learn which subplot the reader is currently pursuing,", "puzzle-mystery.) In my prototype, I've connected the discovery of each clue to a", "the novel becomes \"self-correcting\" and presents the 3 subplots early and more-or-less equally.**", "my prototype, I've connected the discovery of each clue to a (behind-the-scenes) bean-counter." ]
[ "with Chinese tones and sometimes the grammar, leading to misunderstandings. If the entire", "has trouble with Chinese tones and sometimes the grammar, leading to misunderstandings. If", "languages? Okay, what if something happens, and the main character makes a comment", "However, what about non-Latin-based languages and non-alphabetic languages? Okay, what if something happens,", "speaking Chinese, then is it okay to just include Mandarin Chinese in the", "Latin-based languages, the foreign term may be expressed in italics. *Gracias.* However, what", "leading to misunderstandings. If the entire work is written in English but some", "with a Chinese idiom, 对牛弹琴? Or a character knows another character does not", "Mandarin Chinese to illustrate the character's mistakes while speaking Chinese, then is it", "what if something happens, and the main character makes a comment with a", "does not speak/understand Chinese and mutters, 畜生, insulting the other character in a", "Or perhaps, a mother says 小心肝 to her child. A character may be", "some dialogue has to be in Mandarin Chinese to illustrate the character's mistakes", "trouble with Chinese tones and sometimes the grammar, leading to misunderstandings. If the", "other character in a language that the other character does not understand. Or", "another character does not speak/understand Chinese and mutters, 畜生, insulting the other character", "entire work is written in English but some dialogue has to be in", "foreign term may be expressed in italics. *Gracias.* However, what about non-Latin-based languages", "main character makes a comment with a Chinese idiom, 对牛弹琴? Or a character", "mother says 小心肝 to her child. A character may be a second-language Mandarin", "other character does not understand. Or perhaps, a mother says 小心肝 to her", "character knows another character does not speak/understand Chinese and mutters, 畜生, insulting the", "to misunderstandings. If the entire work is written in English but some dialogue", "畜生, insulting the other character in a language that the other character does", "character has trouble with Chinese tones and sometimes the grammar, leading to misunderstandings.", "language that the other character does not understand. Or perhaps, a mother says", "the other character does not understand. Or perhaps, a mother says 小心肝 to", "the main character makes a comment with a Chinese idiom, 对牛弹琴? Or a", "non-Latin-based languages and non-alphabetic languages? Okay, what if something happens, and the main", "work is written in English but some dialogue has to be in Mandarin", "a second-language Mandarin speaker and, like other second-language speakers, the character has trouble", "not speak/understand Chinese and mutters, 畜生, insulting the other character in a language", "has to be in Mandarin Chinese to illustrate the character's mistakes while speaking", "misunderstandings. If the entire work is written in English but some dialogue has", "mistakes while speaking Chinese, then is it okay to just include Mandarin Chinese", "Chinese tones and sometimes the grammar, leading to misunderstandings. If the entire work", "mutters, 畜生, insulting the other character in a language that the other character", "to illustrate the character's mistakes while speaking Chinese, then is it okay to", "understand. Or perhaps, a mother says 小心肝 to her child. A character may", "knows another character does not speak/understand Chinese and mutters, 畜生, insulting the other", "*Gracias.* However, what about non-Latin-based languages and non-alphabetic languages? Okay, what if something", "a language that the other character does not understand. Or perhaps, a mother", "and non-alphabetic languages? Okay, what if something happens, and the main character makes", "speaker and, like other second-language speakers, the character has trouble with Chinese tones", "but some dialogue has to be in Mandarin Chinese to illustrate the character's", "小心肝 to her child. A character may be a second-language Mandarin speaker and,", "in a language that the other character does not understand. Or perhaps, a", "child. A character may be a second-language Mandarin speaker and, like other second-language", "second-language Mandarin speaker and, like other second-language speakers, the character has trouble with", "the foreign term may be expressed in italics. *Gracias.* However, what about non-Latin-based", "character's mistakes while speaking Chinese, then is it okay to just include Mandarin", "what about non-Latin-based languages and non-alphabetic languages? Okay, what if something happens, and", "Chinese and mutters, 畜生, insulting the other character in a language that the", "to her child. A character may be a second-language Mandarin speaker and, like", "Mandarin speaker and, like other second-language speakers, the character has trouble with Chinese", "If the entire work is written in English but some dialogue has to", "speak/understand Chinese and mutters, 畜生, insulting the other character in a language that", "illustrate the character's mistakes while speaking Chinese, then is it okay to just", "tones and sometimes the grammar, leading to misunderstandings. If the entire work is", "non-alphabetic languages? Okay, what if something happens, and the main character makes a", "be a second-language Mandarin speaker and, like other second-language speakers, the character has", "italics. *Gracias.* However, what about non-Latin-based languages and non-alphabetic languages? Okay, what if", "may be expressed in italics. *Gracias.* However, what about non-Latin-based languages and non-alphabetic", "the other character in a language that the other character does not understand.", "Chinese to illustrate the character's mistakes while speaking Chinese, then is it okay", "expressed in italics. *Gracias.* However, what about non-Latin-based languages and non-alphabetic languages? Okay,", "her child. A character may be a second-language Mandarin speaker and, like other", "character in a language that the other character does not understand. Or perhaps,", "insulting the other character in a language that the other character does not", "that the other character does not understand. Or perhaps, a mother says 小心肝", "A character may be a second-language Mandarin speaker and, like other second-language speakers,", "speakers, the character has trouble with Chinese tones and sometimes the grammar, leading", "something happens, and the main character makes a comment with a Chinese idiom,", "perhaps, a mother says 小心肝 to her child. A character may be a", "happens, and the main character makes a comment with a Chinese idiom, 对牛弹琴?", "Chinese, then is it okay to just include Mandarin Chinese in the text?", "a Chinese idiom, 对牛弹琴? Or a character knows another character does not speak/understand", "other second-language speakers, the character has trouble with Chinese tones and sometimes the", "if something happens, and the main character makes a comment with a Chinese", "be expressed in italics. *Gracias.* However, what about non-Latin-based languages and non-alphabetic languages?", "about non-Latin-based languages and non-alphabetic languages? Okay, what if something happens, and the", "languages, the foreign term may be expressed in italics. *Gracias.* However, what about", "in italics. *Gracias.* However, what about non-Latin-based languages and non-alphabetic languages? Okay, what", "a mother says 小心肝 to her child. A character may be a second-language", "sometimes the grammar, leading to misunderstandings. If the entire work is written in", "languages and non-alphabetic languages? Okay, what if something happens, and the main character", "a comment with a Chinese idiom, 对牛弹琴? Or a character knows another character", "and sometimes the grammar, leading to misunderstandings. If the entire work is written", "and the main character makes a comment with a Chinese idiom, 对牛弹琴? Or", "character makes a comment with a Chinese idiom, 对牛弹琴? Or a character knows", "does not understand. Or perhaps, a mother says 小心肝 to her child. A", "says 小心肝 to her child. A character may be a second-language Mandarin speaker", "not understand. Or perhaps, a mother says 小心肝 to her child. A character", "English but some dialogue has to be in Mandarin Chinese to illustrate the", "character may be a second-language Mandarin speaker and, like other second-language speakers, the", "character does not speak/understand Chinese and mutters, 畜生, insulting the other character in", "the grammar, leading to misunderstandings. If the entire work is written in English", "while speaking Chinese, then is it okay to just include Mandarin Chinese in", "is written in English but some dialogue has to be in Mandarin Chinese", "makes a comment with a Chinese idiom, 对牛弹琴? Or a character knows another", "grammar, leading to misunderstandings. If the entire work is written in English but", "the character's mistakes while speaking Chinese, then is it okay to just include", "idiom, 对牛弹琴? Or a character knows another character does not speak/understand Chinese and", "may be a second-language Mandarin speaker and, like other second-language speakers, the character", "to be in Mandarin Chinese to illustrate the character's mistakes while speaking Chinese,", "character does not understand. Or perhaps, a mother says 小心肝 to her child.", "and, like other second-language speakers, the character has trouble with Chinese tones and", "written in English but some dialogue has to be in Mandarin Chinese to", "be in Mandarin Chinese to illustrate the character's mistakes while speaking Chinese, then", "dialogue has to be in Mandarin Chinese to illustrate the character's mistakes while", "like other second-language speakers, the character has trouble with Chinese tones and sometimes", "the entire work is written in English but some dialogue has to be", "the character has trouble with Chinese tones and sometimes the grammar, leading to", "Or a character knows another character does not speak/understand Chinese and mutters, 畜生,", "in English but some dialogue has to be in Mandarin Chinese to illustrate", "second-language speakers, the character has trouble with Chinese tones and sometimes the grammar,", "and mutters, 畜生, insulting the other character in a language that the other", "Chinese idiom, 对牛弹琴? Or a character knows another character does not speak/understand Chinese", "对牛弹琴? Or a character knows another character does not speak/understand Chinese and mutters,", "in Mandarin Chinese to illustrate the character's mistakes while speaking Chinese, then is", "comment with a Chinese idiom, 对牛弹琴? Or a character knows another character does", "Okay, what if something happens, and the main character makes a comment with", "term may be expressed in italics. *Gracias.* However, what about non-Latin-based languages and", "a character knows another character does not speak/understand Chinese and mutters, 畜生, insulting", "For Latin-based languages, the foreign term may be expressed in italics. *Gracias.* However," ]
[ "a mild sexualization of the girl, due to the addition of \"prominent cleavage\".", "the addition of \"prominent cleavage\". The reason I added this was to illustrate", "with a prominent cleavage, leather bands running up her arms and nails painted", "running up her arms and nails painted black. > > > In my", "clothing style with the above sentence. Now, this is a mild sexualization of", "cleavage\". The reason I added this was to illustrate what kind of person", "screamed bohemia, with a prominent cleavage, leather bands running up her arms and", "> Her clothes screamed bohemia, with a prominent cleavage, leather bands running up", "sexualization of the girl, due to the addition of \"prominent cleavage\". The reason", "wondering, is this kind of description acceptable? I'm simply using it to paint", "due to the addition of \"prominent cleavage\". The reason I added this was", "Her clothes screamed bohemia, with a prominent cleavage, leather bands running up her", "up her arms and nails painted black. > > > In my book", "and the book is from one of those 15-year-olds' perspective. Here, he describes", "girl is, and also give some reasoning to the guy's infatuation with her.", "a picture of the girl's \"edgy\" personality, not to appeal to sickos. The", "of those 15-year-olds' perspective. Here, he describes his romantic interest's clothing style with", "is a romance between two 15-year-olds, and the book is from one of", "a prominent cleavage, leather bands running up her arms and nails painted black.", "and also give some reasoning to the guy's infatuation with her. I'm just", "appeal to sickos. The book is after all targeted to millenials and teens.", "of the girl's \"edgy\" personality, not to appeal to sickos. The book is", "her. I'm just wondering, is this kind of description acceptable? I'm simply using", "person this girl is, and also give some reasoning to the guy's infatuation", "romantic interest's clothing style with the above sentence. Now, this is a mild", "this girl is, and also give some reasoning to the guy's infatuation with", "picture of the girl's \"edgy\" personality, not to appeal to sickos. The book", "nails painted black. > > > In my book there is a romance", "just wondering, is this kind of description acceptable? I'm simply using it to", "the girl, due to the addition of \"prominent cleavage\". The reason I added", "not to appeal to sickos. The book is after all targeted to millenials", "The reason I added this was to illustrate what kind of person this", "added this was to illustrate what kind of person this girl is, and", "is, and also give some reasoning to the guy's infatuation with her. I'm", "also give some reasoning to the guy's infatuation with her. I'm just wondering,", "black. > > > In my book there is a romance between two", "girl, due to the addition of \"prominent cleavage\". The reason I added this", "I'm simply using it to paint a picture of the girl's \"edgy\" personality,", "this was to illustrate what kind of person this girl is, and also", "was to illustrate what kind of person this girl is, and also give", "kind of person this girl is, and also give some reasoning to the", "\"edgy\" personality, not to appeal to sickos. The book is after all targeted", "bands running up her arms and nails painted black. > > > In", "interest's clothing style with the above sentence. Now, this is a mild sexualization", "to illustrate what kind of person this girl is, and also give some", "a romance between two 15-year-olds, and the book is from one of those", "to appeal to sickos. The book is after all targeted to millenials and", "infatuation with her. I'm just wondering, is this kind of description acceptable? I'm", "of person this girl is, and also give some reasoning to the guy's", "Here, he describes his romantic interest's clothing style with the above sentence. Now,", "style with the above sentence. Now, this is a mild sexualization of the", "I added this was to illustrate what kind of person this girl is,", "of description acceptable? I'm simply using it to paint a picture of the", "paint a picture of the girl's \"edgy\" personality, not to appeal to sickos.", "his romantic interest's clothing style with the above sentence. Now, this is a", "the above sentence. Now, this is a mild sexualization of the girl, due", "15-year-olds' perspective. Here, he describes his romantic interest's clothing style with the above", "> > > In my book there is a romance between two 15-year-olds,", "clothes screamed bohemia, with a prominent cleavage, leather bands running up her arms", "is this kind of description acceptable? I'm simply using it to paint a", "> > In my book there is a romance between two 15-year-olds, and", "arms and nails painted black. > > > In my book there is", "this is a mild sexualization of the girl, due to the addition of", "of the girl, due to the addition of \"prominent cleavage\". The reason I", "her arms and nails painted black. > > > In my book there", "description acceptable? I'm simply using it to paint a picture of the girl's", "prominent cleavage, leather bands running up her arms and nails painted black. >", "\"prominent cleavage\". The reason I added this was to illustrate what kind of", "my book there is a romance between two 15-year-olds, and the book is", "above sentence. Now, this is a mild sexualization of the girl, due to", "15-year-olds, and the book is from one of those 15-year-olds' perspective. Here, he", "painted black. > > > In my book there is a romance between", "Now, this is a mild sexualization of the girl, due to the addition", "using it to paint a picture of the girl's \"edgy\" personality, not to", "with the above sentence. Now, this is a mild sexualization of the girl,", "sentence. Now, this is a mild sexualization of the girl, due to the", "is a mild sexualization of the girl, due to the addition of \"prominent", "it to paint a picture of the girl's \"edgy\" personality, not to appeal", "between two 15-year-olds, and the book is from one of those 15-year-olds' perspective.", "> In my book there is a romance between two 15-year-olds, and the", "In my book there is a romance between two 15-year-olds, and the book", "the girl's \"edgy\" personality, not to appeal to sickos. The book is after", "and nails painted black. > > > In my book there is a", "> > Her clothes screamed bohemia, with a prominent cleavage, leather bands running", "this kind of description acceptable? I'm simply using it to paint a picture", "those 15-year-olds' perspective. Here, he describes his romantic interest's clothing style with the", "reason I added this was to illustrate what kind of person this girl", "book there is a romance between two 15-year-olds, and the book is from", "cleavage, leather bands running up her arms and nails painted black. > >", "romance between two 15-year-olds, and the book is from one of those 15-year-olds'", "girl's \"edgy\" personality, not to appeal to sickos. The book is after all", "perspective. Here, he describes his romantic interest's clothing style with the above sentence.", "some reasoning to the guy's infatuation with her. I'm just wondering, is this", "reasoning to the guy's infatuation with her. I'm just wondering, is this kind", "he describes his romantic interest's clothing style with the above sentence. Now, this", "the book is from one of those 15-year-olds' perspective. Here, he describes his", "book is from one of those 15-year-olds' perspective. Here, he describes his romantic", "guy's infatuation with her. I'm just wondering, is this kind of description acceptable?", "is from one of those 15-year-olds' perspective. Here, he describes his romantic interest's", "addition of \"prominent cleavage\". The reason I added this was to illustrate what", "leather bands running up her arms and nails painted black. > > >", "what kind of person this girl is, and also give some reasoning to", "acceptable? I'm simply using it to paint a picture of the girl's \"edgy\"", "to paint a picture of the girl's \"edgy\" personality, not to appeal to", "describes his romantic interest's clothing style with the above sentence. Now, this is", "simply using it to paint a picture of the girl's \"edgy\" personality, not", "with her. I'm just wondering, is this kind of description acceptable? I'm simply", "kind of description acceptable? I'm simply using it to paint a picture of", "the guy's infatuation with her. I'm just wondering, is this kind of description", "to the addition of \"prominent cleavage\". The reason I added this was to", "mild sexualization of the girl, due to the addition of \"prominent cleavage\". The", "illustrate what kind of person this girl is, and also give some reasoning", "two 15-year-olds, and the book is from one of those 15-year-olds' perspective. Here,", "personality, not to appeal to sickos. The book is after all targeted to", "one of those 15-year-olds' perspective. Here, he describes his romantic interest's clothing style", "to the guy's infatuation with her. I'm just wondering, is this kind of", "from one of those 15-year-olds' perspective. Here, he describes his romantic interest's clothing", "bohemia, with a prominent cleavage, leather bands running up her arms and nails", "of \"prominent cleavage\". The reason I added this was to illustrate what kind", "there is a romance between two 15-year-olds, and the book is from one", "I'm just wondering, is this kind of description acceptable? I'm simply using it", "give some reasoning to the guy's infatuation with her. I'm just wondering, is" ]
[ "with our writing? Can you suggest a writing tool that might help us", "we are based in different locations, how can we go on with our", "write collaborative a book, but since we are based in different locations, how", "of people who want to write collaborative a book, but since we are", "writing? Can you suggest a writing tool that might help us track each", "writing tool that might help us track each other's work remotely? Are there", "are a group of people who want to write collaborative a book, but", "want to write collaborative a book, but since we are based in different", "are based in different locations, how can we go on with our writing?", "different locations, how can we go on with our writing? Can you suggest", "Can you suggest a writing tool that might help us track each other's", "in different locations, how can we go on with our writing? Can you", "on with our writing? Can you suggest a writing tool that might help", "might help us track each other's work remotely? Are there tips that may", "to write collaborative a book, but since we are based in different locations,", "locations, how can we go on with our writing? Can you suggest a", "suggest a writing tool that might help us track each other's work remotely?", "who want to write collaborative a book, but since we are based in", "a book, but since we are based in different locations, how can we", "since we are based in different locations, how can we go on with", "based in different locations, how can we go on with our writing? Can", "go on with our writing? Can you suggest a writing tool that might", "we go on with our writing? Can you suggest a writing tool that", "each other's work remotely? Are there tips that may help us in writing", "help us track each other's work remotely? Are there tips that may help", "track each other's work remotely? Are there tips that may help us in", "how can we go on with our writing? Can you suggest a writing", "other's work remotely? Are there tips that may help us in writing efficiently?", "that might help us track each other's work remotely? Are there tips that", "tool that might help us track each other's work remotely? Are there tips", "a writing tool that might help us track each other's work remotely? Are", "but since we are based in different locations, how can we go on", "group of people who want to write collaborative a book, but since we", "a group of people who want to write collaborative a book, but since", "book, but since we are based in different locations, how can we go", "us track each other's work remotely? Are there tips that may help us", "you suggest a writing tool that might help us track each other's work", "our writing? Can you suggest a writing tool that might help us track", "people who want to write collaborative a book, but since we are based", "can we go on with our writing? Can you suggest a writing tool", "We are a group of people who want to write collaborative a book,", "collaborative a book, but since we are based in different locations, how can" ]
[ "Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should", "description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?* Kek. *Is a threat?* Only", "to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not", "populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire. **How can I make a harmless,", "borders and forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just", "*Is a threat?* Only to himself. Of course, there can still be some", "running from Sapphire. **How can I make a harmless, yet effective and threatening", "which is really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe,", "[Harmless villains](http://tvtropes.org/pmwiki/pmwiki.php/Main/HarmlessVillain) are the straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical", "[Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be", "legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his", "image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?* Kek. *Is a threat?*", "still be some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship", "[raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration, let's", "that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling", "can still be some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from", "However, there should still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight", "Just as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does", "[but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg)", "from Sapphire. **How can I make a harmless, yet effective and threatening villain?**", "the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one who can [raise", "*Excellent meme material?* Kek. *Is a threat?* Only to himself. Of course, there", "Kek. *Is a threat?* Only to himself. Of course, there can still be", "are the straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad)", "can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration,", "here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?* Kek. *Is a threat?* Only to", "straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy,", "as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very", "the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration, let's say", "threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil", "the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's", "Of course, there can still be some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin)", "fantasy, and so, creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast)", "illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service, [but sounds", "and forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community", "typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one who can [raise the", "[powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the", "are running from Sapphire. **How can I make a harmless, yet effective and", "is really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite?", "King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However,", "Not the scariest foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course.", "scariest foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme", "let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like", "Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension", "a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow)", "heroes are running from Sapphire. **How can I make a harmless, yet effective", "creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just", "say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly", "or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName),", "villains](http://tvtropes.org/pmwiki/pmwiki.php/Main/HarmlessVillain) are the straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil", "a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating", "alert!** [Harmless villains](http://tvtropes.org/pmwiki/pmwiki.php/Main/HarmlessVillain) are the straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the", "opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and", "a threat?* Only to himself. Of course, there can still be some legit", "should still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the", "sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?*", "there should still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow),", "of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire. **How", "the straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in", "aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover).", "the heroes are running from Sapphire. **How can I make a harmless, yet", "her domain's borders and forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is", "the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service, [but", "monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one who", "material?* Kek. *Is a threat?* Only to himself. Of course, there can still", "the scariest foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent", "just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? --- [![enter", "evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders and forcing the illegal aliens", "there can still be some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici", "eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of", "community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? --- [![enter image", "[napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire. **How can", "when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from", "and so, creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is", "steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration, let's say that", "[complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one", "some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives", "wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire. **How can I make a", "patroling her domain's borders and forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which", "instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire.", "[dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders and forcing", "like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a", "a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil", "still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes", "course, there can still be some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until", "labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest", "[look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the", "the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor)", "face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension when instead of", "himself. Of course, there can still be some legit threats like the [Night", "meme material?* Kek. *Is a threat?* Only to himself. Of course, there can", "to himself. Of course, there can still be some legit threats like the", "course. *Excellent meme material?* Kek. *Is a threat?* Only to himself. Of course,", "threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face", "[Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)).", "foe, amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?*", "domain's borders and forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really", "Only to himself. Of course, there can still be some legit threats like", "from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still", "overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or", "forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service,", "[debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil), which is really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the", "who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as a", "demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry),", "[![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?* Kek. *Is a", "one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard. Just as", "*Harmless?* Of course. *Excellent meme material?* Kek. *Is a threat?* Only to himself.", "of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so,", "tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running", "[does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders and forcing the", "things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders and forcing the illegal aliens to", "[brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local", "amirite? --- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?* Kek.", "like constantly patroling her domain's borders and forcing the illegal aliens to [debt", "in fantasy, and so, creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look", "be some legit threats like the [Night King](http://tvtropes.org/pmwiki/pmwiki.php/Creator/GeorgeRRMartin) (until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers)", "evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders", "and the typical [evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one who can", "[Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her", "**TvTropes alert!** [Harmless villains](http://tvtropes.org/pmwiki/pmwiki.php/Main/HarmlessVillain) are the straightforward opposite of a [complete monster](http://tvtropes.org/pmwiki/pmwiki.php/Main/CompleteMonster) and", "service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? --- [![enter image description", "threat?* Only to himself. Of course, there can still be some legit threats", "local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire. **How can I make", "[blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent) [does very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders and", "gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension when", "hard. Just as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience) [dragon](http://tvtropes.org/pmwiki/pmwiki.php/Main/OurDragonsAreDifferent)", "(until Mici from [Starship Troopers](http://tvtropes.org/pmwiki/pmwiki.php/Literature/StarshipTroopers) gives his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there", "[evil overlord](http://tvtropes.org/pmwiki/pmwiki.php/Main/BigBad) in fantasy, and so, creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/)", "very evil things](http://tvtropes.org/pmwiki/pmwiki.php/Main/ThatMakesMeFeelAngry), like constantly patroling her domain's borders and forcing the illegal", "really just community service, [but sounds eviler](http://tvtropes.org/pmwiki/pmwiki.php/Main/EvilMakeover). Not the scariest foe, amirite? ---", "--- [![enter image description here](https://i.stack.imgur.com/Ioutm.jpg)](https://i.stack.imgur.com/Ioutm.jpg) *Harmless?* Of course. *Excellent meme material?* Kek. *Is", "so, creating one who can [raise the steaks](https://writingexcuses.com/transcripts/12-41/) or [look threatening](http://tvtropes.org/pmwiki/pmwiki.php/Main/NamesToRunAwayFromReallyFast) is hard.", "is hard. Just as a demonstration, let's say that [Sapphire](http://tvtropes.org/pmwiki/pmwiki.php/Main/MeaningfulName), the evil [blue](http://tvtropes.org/pmwiki/pmwiki.php/Main/ColourCodedForYourConvenience)", "constantly patroling her domain's borders and forcing the illegal aliens to [debt labor](http://tvtropes.org/pmwiki/pmwiki.php/Main/SlaveryIsASpecialKindOfEvil),", "be tension when instead of [napalming](http://tvtropes.org/pmwiki/pmwiki.php/Film/ApocalypseNow) [the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are", "his face a [powered](http://tvtropes.org/pmwiki/pmwiki.php/Main/PoweredArmor?from=Main.PowerArmor) [brofist](http://tvtropes.org/pmwiki/pmwiki.php/Main/CruelAndUnusualDeath)). However, there should still be tension when instead", "[the local wight populace](http://tvtropes.org/pmwiki/pmwiki.php/Main/MookHorrorShow), the heroes are running from Sapphire. **How can I", "Of course. *Excellent meme material?* Kek. *Is a threat?* Only to himself. Of" ]
[ "I'm trying to write a story with characters that I already designed long", "bit, but I cannot come up with an interesting plot. What do you", "ago and also have planned the world for them a bit, but I", "come up with an interesting plot. What do you suggest I can do", "also have planned the world for them a bit, but I cannot come", "characters that I already designed long ago and also have planned the world", "to write a story with characters that I already designed long ago and", "the world for them a bit, but I cannot come up with an", "but I cannot come up with an interesting plot. What do you suggest", "with an interesting plot. What do you suggest I can do to come", "have planned the world for them a bit, but I cannot come up", "for them a bit, but I cannot come up with an interesting plot.", "story with characters that I already designed long ago and also have planned", "that I already designed long ago and also have planned the world for", "already designed long ago and also have planned the world for them a", "world for them a bit, but I cannot come up with an interesting", "interesting plot. What do you suggest I can do to come up with", "a bit, but I cannot come up with an interesting plot. What do", "a story with characters that I already designed long ago and also have", "cannot come up with an interesting plot. What do you suggest I can", "plot. What do you suggest I can do to come up with a", "trying to write a story with characters that I already designed long ago", "planned the world for them a bit, but I cannot come up with", "up with an interesting plot. What do you suggest I can do to", "I cannot come up with an interesting plot. What do you suggest I", "write a story with characters that I already designed long ago and also", "an interesting plot. What do you suggest I can do to come up", "with characters that I already designed long ago and also have planned the", "and also have planned the world for them a bit, but I cannot", "What do you suggest I can do to come up with a plot?", "long ago and also have planned the world for them a bit, but", "designed long ago and also have planned the world for them a bit,", "I already designed long ago and also have planned the world for them", "them a bit, but I cannot come up with an interesting plot. What" ]
[ "apply to logic, physics, science, etc? The Hijrp Potfeq series has been a", "works, without losing myself and my readers? Is there a simpler way to", "detail, and that means I have to research some crazy things. It takes", "logic, physics, science, etc? The Hijrp Potfeq series has been a major hit,", "readers? Is there a simpler way to explain complicated things without having to", "presented to them *as they were, because it was fiction*. But I keep", "to logic, physics, science, etc? The Hijrp Potfeq series has been a major", "the need to explain everything in hyper detail, and that means I have", "myself and my readers? Is there a simpler way to explain complicated things", "seem to just \"let things be\" in my writing, as J.K. Rowling has.", "it was fiction*. But I keep feeling the need to explain everything in", "I have to make everything apply to logic, physics, science, etc? The Hijrp", "means I have to research some crazy things. It takes so much effort,", "a major hit, and it is nowhere near to being scientifically possible. But", "and that means I have to research some crazy things. It takes so", "my writing, as J.K. Rowling has. She knew her readers would accept what", "was presented to them *as they were, because it was fiction*. But I", "physics, science, etc? The Hijrp Potfeq series has been a major hit, and", "accept what was presented to them *as they were, because it was fiction*.", "her readers would accept what was presented to them *as they were, because", "that I can't seem to just \"let things be\" in my writing, as", "that means I have to research some crazy things. It takes so much", "would accept what was presented to them *as they were, because it was", "were, because it was fiction*. But I keep feeling the need to explain", "But I've noticed that I can't seem to just \"let things be\" in", "hyper detail, and that means I have to research some crazy things. It", "to just \"let things be\" in my writing, as J.K. Rowling has. She", "I have to research some crazy things. It takes so much effort, and", "supposed to explain the way my world works, without losing myself and my", "my world works, without losing myself and my readers? Is there a simpler", "major hit, and it is nowhere near to being scientifically possible. But I've", "crazy things. It takes so much effort, and half the stuff even *I*", "feeling the need to explain everything in hyper detail, and that means I", "way my world works, without losing myself and my readers? Is there a", "as J.K. Rowling has. She knew her readers would accept what was presented", "takes so much effort, and half the stuff even *I* don't understand. How", "to make everything apply to logic, physics, science, etc? The Hijrp Potfeq series", "possible. But I've noticed that I can't seem to just \"let things be\"", "simpler way to explain complicated things without having to spend hours looking it", "so much effort, and half the stuff even *I* don't understand. How am", "and my readers? Is there a simpler way to explain complicated things without", "etc? The Hijrp Potfeq series has been a major hit, and it is", "nowhere near to being scientifically possible. But I've noticed that I can't seem", "been a major hit, and it is nowhere near to being scientifically possible.", "science, etc? The Hijrp Potfeq series has been a major hit, and it", "fiction*. But I keep feeling the need to explain everything in hyper detail,", "to them *as they were, because it was fiction*. But I keep feeling", "hit, and it is nowhere near to being scientifically possible. But I've noticed", "But I keep feeling the need to explain everything in hyper detail, and", "keep feeling the need to explain everything in hyper detail, and that means", "even *I* don't understand. How am I supposed to explain the way my", "world works, without losing myself and my readers? Is there a simpler way", "*as they were, because it was fiction*. But I keep feeling the need", "explain everything in hyper detail, and that means I have to research some", "to research some crazy things. It takes so much effort, and half the", "is nowhere near to being scientifically possible. But I've noticed that I can't", "knew her readers would accept what was presented to them *as they were,", "need to explain everything in hyper detail, and that means I have to", "Do I have to make everything apply to logic, physics, science, etc? The", "It takes so much effort, and half the stuff even *I* don't understand.", "Potfeq series has been a major hit, and it is nowhere near to", "them *as they were, because it was fiction*. But I keep feeling the", "writing, as J.K. Rowling has. She knew her readers would accept what was", "effort, and half the stuff even *I* don't understand. How am I supposed", "everything apply to logic, physics, science, etc? The Hijrp Potfeq series has been", "in hyper detail, and that means I have to research some crazy things.", "has been a major hit, and it is nowhere near to being scientifically", "the way my world works, without losing myself and my readers? Is there", "my readers? Is there a simpler way to explain complicated things without having", "scientifically possible. But I've noticed that I can't seem to just \"let things", "much effort, and half the stuff even *I* don't understand. How am I", "The Hijrp Potfeq series has been a major hit, and it is nowhere", "things be\" in my writing, as J.K. Rowling has. She knew her readers", "don't understand. How am I supposed to explain the way my world works,", "way to explain complicated things without having to spend hours looking it up?", "stuff even *I* don't understand. How am I supposed to explain the way", "be\" in my writing, as J.K. Rowling has. She knew her readers would", "everything in hyper detail, and that means I have to research some crazy", "near to being scientifically possible. But I've noticed that I can't seem to", "am I supposed to explain the way my world works, without losing myself", "the stuff even *I* don't understand. How am I supposed to explain the", "has. She knew her readers would accept what was presented to them *as", "there a simpler way to explain complicated things without having to spend hours", "because it was fiction*. But I keep feeling the need to explain everything", "a simpler way to explain complicated things without having to spend hours looking", "series has been a major hit, and it is nowhere near to being", "in my writing, as J.K. Rowling has. She knew her readers would accept", "I keep feeling the need to explain everything in hyper detail, and that", "I've noticed that I can't seem to just \"let things be\" in my", "explain the way my world works, without losing myself and my readers? Is", "losing myself and my readers? Is there a simpler way to explain complicated", "it is nowhere near to being scientifically possible. But I've noticed that I", "I can't seem to just \"let things be\" in my writing, as J.K.", "half the stuff even *I* don't understand. How am I supposed to explain", "make everything apply to logic, physics, science, etc? The Hijrp Potfeq series has", "How am I supposed to explain the way my world works, without losing", "without losing myself and my readers? Is there a simpler way to explain", "what was presented to them *as they were, because it was fiction*. But", "to being scientifically possible. But I've noticed that I can't seem to just", "have to research some crazy things. It takes so much effort, and half", "readers would accept what was presented to them *as they were, because it", "to explain everything in hyper detail, and that means I have to research", "Hijrp Potfeq series has been a major hit, and it is nowhere near", "She knew her readers would accept what was presented to them *as they", "being scientifically possible. But I've noticed that I can't seem to just \"let", "and it is nowhere near to being scientifically possible. But I've noticed that", "understand. How am I supposed to explain the way my world works, without", "I supposed to explain the way my world works, without losing myself and", "Is there a simpler way to explain complicated things without having to spend", "to explain the way my world works, without losing myself and my readers?", "things. It takes so much effort, and half the stuff even *I* don't", "noticed that I can't seem to just \"let things be\" in my writing,", "J.K. Rowling has. She knew her readers would accept what was presented to", "\"let things be\" in my writing, as J.K. Rowling has. She knew her", "Rowling has. She knew her readers would accept what was presented to them", "research some crazy things. It takes so much effort, and half the stuff", "just \"let things be\" in my writing, as J.K. Rowling has. She knew", "have to make everything apply to logic, physics, science, etc? The Hijrp Potfeq", "was fiction*. But I keep feeling the need to explain everything in hyper", "can't seem to just \"let things be\" in my writing, as J.K. Rowling", "some crazy things. It takes so much effort, and half the stuff even", "they were, because it was fiction*. But I keep feeling the need to", "*I* don't understand. How am I supposed to explain the way my world", "and half the stuff even *I* don't understand. How am I supposed to" ]
[ "sickness, but that's just a situation, something the girls need to deal with.", "We are used to stories being about conflict. There can be an antagonist,", "that friend or save the friend from \"normal humans\" - nothing of that", "that could be resolved? How does one write without a conflict to drive", "environment, or even an internal problem (like depression), but conflict is there. The", "Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is the mother's sickness, but that's", "on to save the world together with that friend or save the friend", "about conflict. There can be an antagonist, or a hostile environment, or even", "film proper. The story \"arc\", if it is an arc, is the girls", "\"arc\", if it is an arc, is the girls getting to know their", "girls' actions, and only happens in the credits - not in the film", "girls need to deal with. Her getting better is unrelated to the girls'", "getting better is unrelated to the girls' actions, and only happens in the", "friend or save the friend from \"normal humans\" - nothing of that sort.", "problem or other and growing in the process. But think of *[My Neighbour", "arc, is the girls getting to know their magical neighbour. They do not", "with some problem or other and growing in the process. But think of", "just make a friend. **How does such a story work?** What is it", "work?** What is it that makes it interesting? What drives the plot? What", "know their magical neighbour. They do not go on to save the world", "from \"normal humans\" - nothing of that sort. They just make a friend.", "or save the friend from \"normal humans\" - nothing of that sort. They", "if there is no conflict that could be resolved? How does one write", "is no conflict that could be resolved? How does one write without a", "not in the film proper. The story \"arc\", if it is an arc,", "save the world together with that friend or save the friend from \"normal", "involves dealing with some problem or other and growing in the process. But", "the friend from \"normal humans\" - nothing of that sort. They just make", "of that sort. They just make a friend. **How does such a story", "internal problem (like depression), but conflict is there. The story arc involves dealing", "What marks the end, if there is no conflict that could be resolved?", "but that's just a situation, something the girls need to deal with. Her", "There can be an antagonist, or a hostile environment, or even an internal", "it that makes it interesting? What drives the plot? What marks the end,", "is it that makes it interesting? What drives the plot? What marks the", "can be an antagonist, or a hostile environment, or even an internal problem", "just a situation, something the girls need to deal with. Her getting better", "credits - not in the film proper. The story \"arc\", if it is", "mother's sickness, but that's just a situation, something the girls need to deal", "the film proper. The story \"arc\", if it is an arc, is the", "makes it interesting? What drives the plot? What marks the end, if there", "a friend. **How does such a story work?** What is it that makes", "their magical neighbour. They do not go on to save the world together", "marks the end, if there is no conflict that could be resolved? How", "situation, something the girls need to deal with. Her getting better is unrelated", "friend. **How does such a story work?** What is it that makes it", "be an antagonist, or a hostile environment, or even an internal problem (like", "think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is the mother's", "girls getting to know their magical neighbour. They do not go on to", "there is no conflict that could be resolved? How does one write without", "is the girls getting to know their magical neighbour. They do not go", "antagonist. There is the mother's sickness, but that's just a situation, something the", "nothing of that sort. They just make a friend. **How does such a", "save the friend from \"normal humans\" - nothing of that sort. They just", "or a hostile environment, or even an internal problem (like depression), but conflict", "or other and growing in the process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*.", "happens in the credits - not in the film proper. The story \"arc\",", "other and growing in the process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No", "the credits - not in the film proper. The story \"arc\", if it", "the plot? What marks the end, if there is no conflict that could", "it interesting? What drives the plot? What marks the end, if there is", "make a friend. **How does such a story work?** What is it that", "are used to stories being about conflict. There can be an antagonist, or", "the girls' actions, and only happens in the credits - not in the", "in the film proper. The story \"arc\", if it is an arc, is", "magical neighbour. They do not go on to save the world together with", "an antagonist, or a hostile environment, or even an internal problem (like depression),", "that makes it interesting? What drives the plot? What marks the end, if", "conflict. There can be an antagonist, or a hostile environment, or even an", "They just make a friend. **How does such a story work?** What is", "is unrelated to the girls' actions, and only happens in the credits -", "is an arc, is the girls getting to know their magical neighbour. They", "better is unrelated to the girls' actions, and only happens in the credits", "No conflict. No antagonist. There is the mother's sickness, but that's just a", "the girls getting to know their magical neighbour. They do not go on", "deal with. Her getting better is unrelated to the girls' actions, and only", "there. The story arc involves dealing with some problem or other and growing", "and only happens in the credits - not in the film proper. The", "story work?** What is it that makes it interesting? What drives the plot?", "hostile environment, or even an internal problem (like depression), but conflict is there.", "do not go on to save the world together with that friend or", "in the credits - not in the film proper. The story \"arc\", if", "antagonist, or a hostile environment, or even an internal problem (like depression), but", "to the girls' actions, and only happens in the credits - not in", "story arc involves dealing with some problem or other and growing in the", "in the process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist.", "is the mother's sickness, but that's just a situation, something the girls need", "even an internal problem (like depression), but conflict is there. The story arc", "an internal problem (like depression), but conflict is there. The story arc involves", "process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is", "something the girls need to deal with. Her getting better is unrelated to", "the world together with that friend or save the friend from \"normal humans\"", "does such a story work?** What is it that makes it interesting? What", "(like depression), but conflict is there. The story arc involves dealing with some", "an arc, is the girls getting to know their magical neighbour. They do", "a story work?** What is it that makes it interesting? What drives the", "of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is the mother's sickness,", "arc involves dealing with some problem or other and growing in the process.", "The story arc involves dealing with some problem or other and growing in", "the end, if there is no conflict that could be resolved? How does", "end, if there is no conflict that could be resolved? How does one", "dealing with some problem or other and growing in the process. But think", "story \"arc\", if it is an arc, is the girls getting to know", "used to stories being about conflict. There can be an antagonist, or a", "that sort. They just make a friend. **How does such a story work?**", "or even an internal problem (like depression), but conflict is there. The story", "being about conflict. There can be an antagonist, or a hostile environment, or", "a hostile environment, or even an internal problem (like depression), but conflict is", "But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is the", "Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is the mother's sickness, but that's just", "to deal with. Her getting better is unrelated to the girls' actions, and", "world together with that friend or save the friend from \"normal humans\" -", "conflict. No antagonist. There is the mother's sickness, but that's just a situation,", "only happens in the credits - not in the film proper. The story", "the girls need to deal with. Her getting better is unrelated to the", "They do not go on to save the world together with that friend", "if it is an arc, is the girls getting to know their magical", "not go on to save the world together with that friend or save", "humans\" - nothing of that sort. They just make a friend. **How does", "stories being about conflict. There can be an antagonist, or a hostile environment,", "and growing in the process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict.", "problem (like depression), but conflict is there. The story arc involves dealing with", "**How does such a story work?** What is it that makes it interesting?", "with. Her getting better is unrelated to the girls' actions, and only happens", "unrelated to the girls' actions, and only happens in the credits - not", "to stories being about conflict. There can be an antagonist, or a hostile", "need to deal with. Her getting better is unrelated to the girls' actions,", "The story \"arc\", if it is an arc, is the girls getting to", "it is an arc, is the girls getting to know their magical neighbour.", "conflict is there. The story arc involves dealing with some problem or other", "interesting? What drives the plot? What marks the end, if there is no", "a situation, something the girls need to deal with. Her getting better is", "sort. They just make a friend. **How does such a story work?** What", "with that friend or save the friend from \"normal humans\" - nothing of", "go on to save the world together with that friend or save the", "What drives the plot? What marks the end, if there is no conflict", "getting to know their magical neighbour. They do not go on to save", "to save the world together with that friend or save the friend from", "but conflict is there. The story arc involves dealing with some problem or", "no conflict that could be resolved? How does one write without a conflict", "No antagonist. There is the mother's sickness, but that's just a situation, something", "the mother's sickness, but that's just a situation, something the girls need to", "growing in the process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No", "proper. The story \"arc\", if it is an arc, is the girls getting", "- nothing of that sort. They just make a friend. **How does such", "depression), but conflict is there. The story arc involves dealing with some problem", "There is the mother's sickness, but that's just a situation, something the girls", "*[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There is the mother's sickness, but", "to know their magical neighbour. They do not go on to save the", "- not in the film proper. The story \"arc\", if it is an", "conflict that could be resolved? How does one write without a conflict to", "neighbour. They do not go on to save the world together with that", "could be resolved? How does one write without a conflict to drive things?", "such a story work?** What is it that makes it interesting? What drives", "some problem or other and growing in the process. But think of *[My", "\"normal humans\" - nothing of that sort. They just make a friend. **How", "What is it that makes it interesting? What drives the plot? What marks", "the process. But think of *[My Neighbour Totoro](https://en.wikipedia.org/wiki/My_Neighbor_Totoro)*. No conflict. No antagonist. There", "Her getting better is unrelated to the girls' actions, and only happens in", "actions, and only happens in the credits - not in the film proper.", "is there. The story arc involves dealing with some problem or other and", "friend from \"normal humans\" - nothing of that sort. They just make a", "plot? What marks the end, if there is no conflict that could be", "together with that friend or save the friend from \"normal humans\" - nothing", "drives the plot? What marks the end, if there is no conflict that", "that's just a situation, something the girls need to deal with. Her getting" ]
[ "same time there's so much information I want to convey. Does anybody have", "I also don't want to throw too much at the reader, but at", "important, but I see it as an opportunity to show the world building", "and landscape is unlike our own. However, the characters who are traveling just", "and I was wondering if you guys had any writing resources to recommend.", "tips? I've been told that writers shouldn't spend too much time writing about", "I have created, where the creatures and landscape is unlike our own. However,", "the characters who are traveling just met and one of them is injured", "recommend. My goal is to use the journey as a way for the", "much information I want to convey. Does anybody have any tips? I've been", "the first portion of my science fiction story that involves two characters traveling,", "but at the same time there's so much information I want to convey.", "I see it as an opportunity to show the world building I've created", "so much information I want to convey. Does anybody have any tips? I've", "is more important, but I see it as an opportunity to show the", "to throw too much at the reader, but at the same time there's", "get immersed in to the world I have created, where the creatures and", "a way for the reader to get immersed in to the world I", "have any tips? I've been told that writers shouldn't spend too much time", "you guys had any writing resources to recommend. My goal is to use", "injured as well as hallucinating, so I don't want to leave out character", "more important, but I see it as an opportunity to show the world", "goal is to use the journey as a way for the reader to", "world I have created, where the creatures and landscape is unlike our own.", "one of them is injured as well as hallucinating, so I don't want", "way for the reader to get immersed in to the world I have", "to write the first portion of my science fiction story that involves two", "struggling to write the first portion of my science fiction story that involves", "that writers shouldn't spend too much time writing about the journey when the", "show the world building I've created as well as the characters' personalities as", "I've been told that writers shouldn't spend too much time writing about the", "I want to convey. Does anybody have any tips? I've been told that", "much time writing about the journey when the destination is more important, but", "traveling just met and one of them is injured as well as hallucinating,", "science fiction story that involves two characters traveling, and I was wondering if", "out character development and backstory. I also don't want to throw too much", "the same time there's so much information I want to convey. Does anybody", "of my science fiction story that involves two characters traveling, and I was", "information I want to convey. Does anybody have any tips? I've been told", "been told that writers shouldn't spend too much time writing about the journey", "guys had any writing resources to recommend. My goal is to use the", "landscape is unlike our own. However, the characters who are traveling just met", "spend too much time writing about the journey when the destination is more", "journey when the destination is more important, but I see it as an", "the world I have created, where the creatures and landscape is unlike our", "leave out character development and backstory. I also don't want to throw too", "characters who are traveling just met and one of them is injured as", "my science fiction story that involves two characters traveling, and I was wondering", "about the journey when the destination is more important, but I see it", "to show the world building I've created as well as the characters' personalities", "if you guys had any writing resources to recommend. My goal is to", "want to convey. Does anybody have any tips? I've been told that writers", "development and backstory. I also don't want to throw too much at the", "as a way for the reader to get immersed in to the world", "Does anybody have any tips? I've been told that writers shouldn't spend too", "just met and one of them is injured as well as hallucinating, so", "and backstory. I also don't want to throw too much at the reader,", "who are traveling just met and one of them is injured as well", "the destination is more important, but I see it as an opportunity to", "reader to get immersed in to the world I have created, where the", "don't want to throw too much at the reader, but at the same", "want to leave out character development and backstory. I also don't want to", "shouldn't spend too much time writing about the journey when the destination is", "is injured as well as hallucinating, so I don't want to leave out", "created as well as the characters' personalities as they interact with the environment.", "portion of my science fiction story that involves two characters traveling, and I", "two characters traveling, and I was wondering if you guys had any writing", "the world building I've created as well as the characters' personalities as they", "I was wondering if you guys had any writing resources to recommend. My", "the journey as a way for the reader to get immersed in to", "convey. Does anybody have any tips? I've been told that writers shouldn't spend", "resources to recommend. My goal is to use the journey as a way", "reader, but at the same time there's so much information I want to", "it as an opportunity to show the world building I've created as well", "that involves two characters traveling, and I was wondering if you guys had", "However, the characters who are traveling just met and one of them is", "writing about the journey when the destination is more important, but I see", "world building I've created as well as the characters' personalities as they interact", "immersed in to the world I have created, where the creatures and landscape", "to convey. Does anybody have any tips? I've been told that writers shouldn't", "own. However, the characters who are traveling just met and one of them", "hallucinating, so I don't want to leave out character development and backstory. I", "to recommend. My goal is to use the journey as a way for", "is to use the journey as a way for the reader to get", "destination is more important, but I see it as an opportunity to show", "want to throw too much at the reader, but at the same time", "story that involves two characters traveling, and I was wondering if you guys", "well as hallucinating, so I don't want to leave out character development and", "building I've created as well as the characters' personalities as they interact with", "see it as an opportunity to show the world building I've created as", "where the creatures and landscape is unlike our own. However, the characters who", "the creatures and landscape is unlike our own. However, the characters who are", "too much time writing about the journey when the destination is more important,", "use the journey as a way for the reader to get immersed in", "journey as a way for the reader to get immersed in to the", "as well as hallucinating, so I don't want to leave out character development", "unlike our own. However, the characters who are traveling just met and one", "I don't want to leave out character development and backstory. I also don't", "opportunity to show the world building I've created as well as the characters'", "was wondering if you guys had any writing resources to recommend. My goal", "there's so much information I want to convey. Does anybody have any tips?", "and one of them is injured as well as hallucinating, so I don't", "My goal is to use the journey as a way for the reader", "currently struggling to write the first portion of my science fiction story that", "wondering if you guys had any writing resources to recommend. My goal is", "the reader, but at the same time there's so much information I want", "characters traveling, and I was wondering if you guys had any writing resources", "any writing resources to recommend. My goal is to use the journey as", "told that writers shouldn't spend too much time writing about the journey when", "the reader to get immersed in to the world I have created, where", "time there's so much information I want to convey. Does anybody have any", "as an opportunity to show the world building I've created as well as", "for the reader to get immersed in to the world I have created,", "I'm currently struggling to write the first portion of my science fiction story", "of them is injured as well as hallucinating, so I don't want to", "at the same time there's so much information I want to convey. Does", "much at the reader, but at the same time there's so much information", "but I see it as an opportunity to show the world building I've", "are traveling just met and one of them is injured as well as", "creatures and landscape is unlike our own. However, the characters who are traveling", "to use the journey as a way for the reader to get immersed", "the journey when the destination is more important, but I see it as", "is unlike our own. However, the characters who are traveling just met and", "in to the world I have created, where the creatures and landscape is", "time writing about the journey when the destination is more important, but I", "had any writing resources to recommend. My goal is to use the journey", "have created, where the creatures and landscape is unlike our own. However, the", "as hallucinating, so I don't want to leave out character development and backstory.", "traveling, and I was wondering if you guys had any writing resources to", "anybody have any tips? I've been told that writers shouldn't spend too much", "so I don't want to leave out character development and backstory. I also", "to leave out character development and backstory. I also don't want to throw", "throw too much at the reader, but at the same time there's so", "at the reader, but at the same time there's so much information I", "I've created as well as the characters' personalities as they interact with the", "writers shouldn't spend too much time writing about the journey when the destination", "to the world I have created, where the creatures and landscape is unlike", "writing resources to recommend. My goal is to use the journey as a", "to get immersed in to the world I have created, where the creatures", "backstory. I also don't want to throw too much at the reader, but", "fiction story that involves two characters traveling, and I was wondering if you", "too much at the reader, but at the same time there's so much", "an opportunity to show the world building I've created as well as the", "write the first portion of my science fiction story that involves two characters", "met and one of them is injured as well as hallucinating, so I", "any tips? I've been told that writers shouldn't spend too much time writing", "also don't want to throw too much at the reader, but at the", "involves two characters traveling, and I was wondering if you guys had any", "when the destination is more important, but I see it as an opportunity", "our own. However, the characters who are traveling just met and one of", "first portion of my science fiction story that involves two characters traveling, and", "character development and backstory. I also don't want to throw too much at", "created, where the creatures and landscape is unlike our own. However, the characters", "don't want to leave out character development and backstory. I also don't want", "them is injured as well as hallucinating, so I don't want to leave" ]
[ "death as a \"person\" is something that follows me through my whole writing", "story (something like \"taking out the pressure of the scene\") or can death", "as a person be a serious part of the story? This is the", "the scene\") or can death as a person be a serious part of", "is not known to me. The thought of death as a \"person\" is", "as a \"person\" is something that follows me through my whole writing life.", "my whole writing life. But there is always the one question: Is death", "a person be a serious part of the story? This is the question", "\"Supernatural\" as one of the apocalyptic riders. Another approach in this case is", "as one of the apocalyptic riders. Another approach in this case is not", "pressure of the scene\") or can death as a person be a serious", "as a person is commonly known to any reader of the \"Discworld\" series", "only good for a small funny part of the story (something like \"taking", "\"person\" is something that follows me through my whole writing life. But there", "to me. The thought of death as a \"person\" is something that follows", "of the scene\") or can death as a person be a serious part", "approach in this case is not known to me. The thought of death", "me through my whole writing life. But there is always the one question:", "question: Is death as a person only good for a small funny part", "scene\") or can death as a person be a serious part of the", "be a serious part of the story? This is the question to you.", "series \"Supernatural\" as one of the apocalyptic riders. Another approach in this case", "the pressure of the scene\") or can death as a person be a", "of death as a \"person\" is something that follows me through my whole", "appears in the series \"Supernatural\" as one of the apocalyptic riders. Another approach", "part of the story (something like \"taking out the pressure of the scene\")", "any reader of the \"Discworld\" series from Terry Pratchett. Also death appears in", "thought of death as a \"person\" is something that follows me through my", "of the \"Discworld\" series from Terry Pratchett. Also death appears in the series", "like \"taking out the pressure of the scene\") or can death as a", "known to me. The thought of death as a \"person\" is something that", "life. But there is always the one question: Is death as a person", "good for a small funny part of the story (something like \"taking out", "the series \"Supernatural\" as one of the apocalyptic riders. Another approach in this", "a small funny part of the story (something like \"taking out the pressure", "\"Discworld\" series from Terry Pratchett. Also death appears in the series \"Supernatural\" as", "not known to me. The thought of death as a \"person\" is something", "funny part of the story (something like \"taking out the pressure of the", "whole writing life. But there is always the one question: Is death as", "me. The thought of death as a \"person\" is something that follows me", "commonly known to any reader of the \"Discworld\" series from Terry Pratchett. Also", "through my whole writing life. But there is always the one question: Is", "as a person only good for a small funny part of the story", "is commonly known to any reader of the \"Discworld\" series from Terry Pratchett.", "one of the apocalyptic riders. Another approach in this case is not known", "riders. Another approach in this case is not known to me. The thought", "out the pressure of the scene\") or can death as a person be", "the one question: Is death as a person only good for a small", "person be a serious part of the story? This is the question to", "in this case is not known to me. The thought of death as", "death appears in the series \"Supernatural\" as one of the apocalyptic riders. Another", "one question: Is death as a person only good for a small funny", "the \"Discworld\" series from Terry Pratchett. Also death appears in the series \"Supernatural\"", "in the series \"Supernatural\" as one of the apocalyptic riders. Another approach in", "(something like \"taking out the pressure of the scene\") or can death as", "case is not known to me. The thought of death as a \"person\"", "the apocalyptic riders. Another approach in this case is not known to me.", "that follows me through my whole writing life. But there is always the", "reader of the \"Discworld\" series from Terry Pratchett. Also death appears in the", "a person is commonly known to any reader of the \"Discworld\" series from", "always the one question: Is death as a person only good for a", "death as a person only good for a small funny part of the", "But there is always the one question: Is death as a person only", "known to any reader of the \"Discworld\" series from Terry Pratchett. Also death", "this case is not known to me. The thought of death as a", "is always the one question: Is death as a person only good for", "Death as a person is commonly known to any reader of the \"Discworld\"", "Is death as a person only good for a small funny part of", "the story (something like \"taking out the pressure of the scene\") or can", "writing life. But there is always the one question: Is death as a", "person is commonly known to any reader of the \"Discworld\" series from Terry", "series from Terry Pratchett. Also death appears in the series \"Supernatural\" as one", "\"taking out the pressure of the scene\") or can death as a person", "something that follows me through my whole writing life. But there is always", "death as a person be a serious part of the story? This is", "or can death as a person be a serious part of the story?", "Terry Pratchett. Also death appears in the series \"Supernatural\" as one of the", "of the apocalyptic riders. Another approach in this case is not known to", "small funny part of the story (something like \"taking out the pressure of", "there is always the one question: Is death as a person only good", "follows me through my whole writing life. But there is always the one", "Pratchett. Also death appears in the series \"Supernatural\" as one of the apocalyptic", "The thought of death as a \"person\" is something that follows me through", "is something that follows me through my whole writing life. But there is", "can death as a person be a serious part of the story? This", "for a small funny part of the story (something like \"taking out the", "Also death appears in the series \"Supernatural\" as one of the apocalyptic riders.", "a \"person\" is something that follows me through my whole writing life. But", "apocalyptic riders. Another approach in this case is not known to me. The", "from Terry Pratchett. Also death appears in the series \"Supernatural\" as one of", "Another approach in this case is not known to me. The thought of", "of the story (something like \"taking out the pressure of the scene\") or", "to any reader of the \"Discworld\" series from Terry Pratchett. Also death appears", "a person only good for a small funny part of the story (something", "person only good for a small funny part of the story (something like" ]
[ "say about the redraft phase. He explains his working method. 1. Write with", "and correcting typos etc. and then sending out and I've always felt that", "a drawer for a few weeks. Once I pull it out what practical", "Once I pull it out what practical steps should I carry out (beyond", "working method. 1. Write with the door closed, just for him and create", "Put the book in a drawer and don't look at it for 6-12", "typos etc. and then sending out and I've always felt that a proper", "3. Redraft I quite like this approach. I've found myself writing quickly, rereading", "door closed, just for him and create a 1st draft as quickly as", "lot to say about the redraft phase. He explains his working method. 1.", "and I've always felt that a proper redraft process would help me a", "method. 1. Write with the door closed, just for him and create a", "written my first draft and then buried it in a drawer for a", "do during a redraft phase? Should I transcribe each word and literally rewrite?", "Writing and he's got quite a lot to say about the redraft phase.", "a great deal. Imagine I've written my first draft and then buried it", "him and create a 1st draft as quickly as possible 2. Put the", "a drawer and don't look at it for 6-12 weeks, work on something", "for him and create a 1st draft as quickly as possible 2. Put", "for 6-12 weeks, work on something else 3. Redraft I quite like this", "possible 2. Put the book in a drawer and don't look at it", "(beyond just reading it). What should I practically do during a redraft phase?", "Write with the door closed, just for him and create a 1st draft", "practically do during a redraft phase? Should I transcribe each word and literally", "I carry out (beyond just reading it). What should I practically do during", "about the redraft phase. He explains his working method. 1. Write with the", "quite a lot to say about the redraft phase. He explains his working", "1. Write with the door closed, just for him and create a 1st", "and then buried it in a drawer for a few weeks. Once I", "phase? Should I transcribe each word and literally rewrite? Should I read and", "a few weeks. Once I pull it out what practical steps should I", "Should I transcribe each word and literally rewrite? Should I read and edit?", "drawer for a few weeks. Once I pull it out what practical steps", "out (beyond just reading it). What should I practically do during a redraft", "explains his working method. 1. Write with the door closed, just for him", "6-12 weeks, work on something else 3. Redraft I quite like this approach.", "I've written my first draft and then buried it in a drawer for", "Redraft I quite like this approach. I've found myself writing quickly, rereading and", "I quite like this approach. I've found myself writing quickly, rereading and correcting", "approach. I've found myself writing quickly, rereading and correcting typos etc. and then", "I've found myself writing quickly, rereading and correcting typos etc. and then sending", "I've always felt that a proper redraft process would help me a great", "draft and then buried it in a drawer for a few weeks. Once", "out what practical steps should I carry out (beyond just reading it). What", "something else 3. Redraft I quite like this approach. I've found myself writing", "proper redraft process would help me a great deal. Imagine I've written my", "phase. He explains his working method. 1. Write with the door closed, just", "would help me a great deal. Imagine I've written my first draft and", "just for him and create a 1st draft as quickly as possible 2.", "weeks. Once I pull it out what practical steps should I carry out", "he's got quite a lot to say about the redraft phase. He explains", "the redraft phase. He explains his working method. 1. Write with the door", "carry out (beyond just reading it). What should I practically do during a", "at it for 6-12 weeks, work on something else 3. Redraft I quite", "correcting typos etc. and then sending out and I've always felt that a", "got quite a lot to say about the redraft phase. He explains his", "felt that a proper redraft process would help me a great deal. Imagine", "redraft process would help me a great deal. Imagine I've written my first", "on something else 3. Redraft I quite like this approach. I've found myself", "his working method. 1. Write with the door closed, just for him and", "in a drawer and don't look at it for 6-12 weeks, work on", "found myself writing quickly, rereading and correcting typos etc. and then sending out", "in a drawer for a few weeks. Once I pull it out what", "I pull it out what practical steps should I carry out (beyond just", "as quickly as possible 2. Put the book in a drawer and don't", "work on something else 3. Redraft I quite like this approach. I've found", "deal. Imagine I've written my first draft and then buried it in a", "during a redraft phase? Should I transcribe each word and literally rewrite? Should", "rereading and correcting typos etc. and then sending out and I've always felt", "reading it). What should I practically do during a redraft phase? Should I", "weeks, work on something else 3. Redraft I quite like this approach. I've", "and don't look at it for 6-12 weeks, work on something else 3.", "a redraft phase? Should I transcribe each word and literally rewrite? Should I", "I practically do during a redraft phase? Should I transcribe each word and", "been reading Stephen King's On Writing and he's got quite a lot to", "quickly, rereading and correcting typos etc. and then sending out and I've always", "the book in a drawer and don't look at it for 6-12 weeks,", "closed, just for him and create a 1st draft as quickly as possible", "redraft phase. He explains his working method. 1. Write with the door closed,", "What should I practically do during a redraft phase? Should I transcribe each", "writing quickly, rereading and correcting typos etc. and then sending out and I've", "and then sending out and I've always felt that a proper redraft process", "my first draft and then buried it in a drawer for a few", "On Writing and he's got quite a lot to say about the redraft", "look at it for 6-12 weeks, work on something else 3. Redraft I", "what practical steps should I carry out (beyond just reading it). What should", "then buried it in a drawer for a few weeks. Once I pull", "myself writing quickly, rereading and correcting typos etc. and then sending out and", "and he's got quite a lot to say about the redraft phase. He", "just reading it). What should I practically do during a redraft phase? Should", "it for 6-12 weeks, work on something else 3. Redraft I quite like", "2. Put the book in a drawer and don't look at it for", "as possible 2. Put the book in a drawer and don't look at", "quickly as possible 2. Put the book in a drawer and don't look", "process would help me a great deal. Imagine I've written my first draft", "1st draft as quickly as possible 2. Put the book in a drawer", "He explains his working method. 1. Write with the door closed, just for", "steps should I carry out (beyond just reading it). What should I practically", "for a few weeks. Once I pull it out what practical steps should", "a lot to say about the redraft phase. He explains his working method.", "always felt that a proper redraft process would help me a great deal.", "Imagine I've written my first draft and then buried it in a drawer", "a proper redraft process would help me a great deal. Imagine I've written", "with the door closed, just for him and create a 1st draft as", "a 1st draft as quickly as possible 2. Put the book in a", "Stephen King's On Writing and he's got quite a lot to say about", "create a 1st draft as quickly as possible 2. Put the book in", "then sending out and I've always felt that a proper redraft process would", "help me a great deal. Imagine I've written my first draft and then", "great deal. Imagine I've written my first draft and then buried it in", "it in a drawer for a few weeks. Once I pull it out", "that a proper redraft process would help me a great deal. Imagine I've", "don't look at it for 6-12 weeks, work on something else 3. Redraft", "practical steps should I carry out (beyond just reading it). What should I", "should I practically do during a redraft phase? Should I transcribe each word", "reading Stephen King's On Writing and he's got quite a lot to say", "to say about the redraft phase. He explains his working method. 1. Write", "redraft phase? Should I transcribe each word and literally rewrite? Should I read", "this approach. I've found myself writing quickly, rereading and correcting typos etc. and", "the door closed, just for him and create a 1st draft as quickly", "sending out and I've always felt that a proper redraft process would help", "out and I've always felt that a proper redraft process would help me", "quite like this approach. I've found myself writing quickly, rereading and correcting typos", "I've been reading Stephen King's On Writing and he's got quite a lot", "King's On Writing and he's got quite a lot to say about the", "pull it out what practical steps should I carry out (beyond just reading", "should I carry out (beyond just reading it). What should I practically do", "it). What should I practically do during a redraft phase? Should I transcribe", "buried it in a drawer for a few weeks. Once I pull it", "it out what practical steps should I carry out (beyond just reading it).", "draft as quickly as possible 2. Put the book in a drawer and", "etc. and then sending out and I've always felt that a proper redraft", "and create a 1st draft as quickly as possible 2. Put the book", "few weeks. Once I pull it out what practical steps should I carry", "drawer and don't look at it for 6-12 weeks, work on something else", "me a great deal. Imagine I've written my first draft and then buried", "else 3. Redraft I quite like this approach. I've found myself writing quickly,", "like this approach. I've found myself writing quickly, rereading and correcting typos etc.", "first draft and then buried it in a drawer for a few weeks.", "book in a drawer and don't look at it for 6-12 weeks, work" ]
[ "The screen name is: ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine. Or JACK:", "correct - especially because this is one of the first lines in the", "one of the first lines in the script. The screen name is: ArgyleMan29", "this? JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man Twenty Nine.", "Like this? JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man Twenty", "screen name is: ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online", "script. The screen name is: ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine. Or", "want to get the formatting correct - especially because this is one of", "Online I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man Twenty Nine. Or JACK:", "this is one of the first lines in the script. The screen name", "formatting correct - especially because this is one of the first lines in", "Or JACK: Online I’m Argyle Man Twenty Nine. Or JACK: Online I’m Argyle-Man-Twenty-Nine.", "JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man Twenty Nine. Or", "is: ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle", "the script. The screen name is: ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine.", "is one of the first lines in the script. The screen name is:", "but I really want to get the formatting correct - especially because this", "especially because this is one of the first lines in the script. The", "get the formatting correct - especially because this is one of the first", "name is: ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online I’m", "to get the formatting correct - especially because this is one of the", "- but I really want to get the formatting correct - especially because", "nitpicky - but I really want to get the formatting correct - especially", "I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man Twenty Nine. Or JACK: Online", "the first lines in the script. The screen name is: ArgyleMan29 Like this?", "ArgyleMan29 Like this? JACK: Online I’m ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man", "ArgyleManTwentyNine. Or JACK: Online I’m Argyle Man Twenty Nine. Or JACK: Online I’m", "JACK: Online I’m Argyle Man Twenty Nine. Or JACK: Online I’m Argyle-Man-Twenty-Nine. Italics?", "in the script. The screen name is: ArgyleMan29 Like this? JACK: Online I’m", "first lines in the script. The screen name is: ArgyleMan29 Like this? JACK:", "Online I’m Argyle Man Twenty Nine. Or JACK: Online I’m Argyle-Man-Twenty-Nine. Italics? Thanks!", "be a bit nitpicky - but I really want to get the formatting", "Might be a bit nitpicky - but I really want to get the", "the formatting correct - especially because this is one of the first lines", "- especially because this is one of the first lines in the script.", "really want to get the formatting correct - especially because this is one", "a bit nitpicky - but I really want to get the formatting correct", "I really want to get the formatting correct - especially because this is", "bit nitpicky - but I really want to get the formatting correct -", "lines in the script. The screen name is: ArgyleMan29 Like this? JACK: Online", "of the first lines in the script. The screen name is: ArgyleMan29 Like", "because this is one of the first lines in the script. The screen" ]
[ "genre-savy. How do I ratchet down reader expectations within an existing genre? ~", "That doesn't actually solve my issue that this genre (with which admittedly I", "(Maybe it's just media I grew up with. He fits that era and", "cyborg partner who is hunting a serialkiller\"…. It honestly feels like the whole", "genre-bloat. I'm also afraid that I'm actually writing an outdated story with a", "that role) who hunts and resolves (neutralizes) occult objects. The character came from", "as a character somewhere in the early-to-mid 1970s. I was toying with setting", "and resolves (neutralizes) occult objects. The character came from a different project –", "ghosts!\" to today's \"Mary Sue Wolfenstein is a shapeshifting Wicca werebat lawyer with", "(with which admittedly I am not an expert) now seems played out to", "scope of the conflicts do too.) That doesn't actually solve my issue that", "extensive plotting for a Book 1 based around a \"detective\" (not a literal", "serialkiller\"…. It honestly feels like the whole genre (or at least the popular", "OG stories from Project Gutenberg, found tons of examples online from comics to", "that I was trying to be original, but my personal-genre is sci-fi so", "not that I was trying to be original, but my personal-genre is sci-fi", "story is set in a much smaller world, semi-historic, where not \"every mythology\"", "throwback to the genre-savy. How do I ratchet down reader expectations within an", "actually solve my issue that this genre (with which admittedly I am not", "– so I didn't bother to check what else had been previously created", "story in 1975 so his life could span certain historically relevant events in", "media I grew up with. He fits that era and the scope of", "conflicts do too.) That doesn't actually solve my issue that this genre (with", "and the scope of the conflicts do too.) That doesn't actually solve my", "things as ghosts!\" to today's \"Mary Sue Wolfenstein is a shapeshifting Wicca werebat", "the early years are essentially \"My stars, Col. Hastings, there are such things", "I set the story in 1975 so his life could span certain historically", "him. It's not that I was trying to be original, but my personal-genre", "a literal detective but someone who fills that role) who hunts and resolves", "actually writing an outdated story with a quaint old-timey character that will seem", "online from comics to TV, and explored reviews for current novels on Goodreads.", "thing was that I could place my grumpy retired detective within the popular", "semi-historic, where not \"every mythology\" is true. I feel like I have to", "stories from Project Gutenberg, found tons of examples online from comics to TV,", "and splashy. My story is set in a much smaller world, semi-historic, where", "that seems to be commercial and splashy. My story is set in a", "anything-goes romance-adventure kind of stuff that seems to be commercial and splashy. My", "within the popular timeline of that genre-evolution, as a character somewhere in the", "with setting it in the past, but that settled it. I set the", "is a well-established genre dating back over a century. Probably a bad idea", "in the early-to-mid 1970s. I was toying with setting it in the past,", "story is just never going to be the modern cross-genre anything-goes romance-adventure kind", "genre? ~ or, alternately ~ How can I be more confidant about carving", "historically relevant events in my alterna-world. (Maybe it's just media I grew up", "for a Book 1 based around a \"detective\" (not a literal detective but", "~ How can I be more confidant about carving my own niche within", "\"Mary Sue Wolfenstein is a shapeshifting Wicca werebat lawyer with an alien vampire", "his life could span certain historically relevant events in my alterna-world. (Maybe it's", "a \"detective\" (not a literal detective but someone who fills that role) who", "toying with setting it in the past, but that settled it. I set", "in the past, but that settled it. I set the story in 1975", "\"space\" before I started plotting a stand-alone novel around him. It's not that", "from comics to TV, and explored reviews for current novels on Goodreads. It's", "degree. My story is just never going to be the modern cross-genre anything-goes", "~ or, alternately ~ How can I be more confidant about carving my", "is hunting a serialkiller\"…. It honestly feels like the whole genre (or at", "but the early years are essentially \"My stars, Col. Hastings, there are such", "who fills that role) who hunts and resolves (neutralizes) occult objects. The character", "Hastings, there are such things as ghosts!\" to today's \"Mary Sue Wolfenstein is", "old-timey character that will seem like a throwback to the genre-savy. How do", "He fits that era and the scope of the conflicts do too.) That", "extra worldbuilding just to undo current genre-bloat. I'm also afraid that I'm actually", "current novels on Goodreads. It's a wide-genre but the early years are essentially", "be original, but my personal-genre is sci-fi so I didn't realize that \"occult", "absurdist degree. My story is just never going to be the modern cross-genre", "or, alternately ~ How can I be more confidant about carving my own", "detective within the popular timeline of that genre-evolution, as a character somewhere in", "carving my own niche within a genre that has already been widely played?", "I got curious about how everyone else has treated the subject. I downloaded", "My story is set in a much smaller world, semi-historic, where not \"every", "treated the subject. I downloaded the OG stories from Project Gutenberg, found tons", "is a shapeshifting Wicca werebat lawyer with an alien vampire boyfriend and an", "got curious about how everyone else has treated the subject. I downloaded the", "a character somewhere in the early-to-mid 1970s. I was toying with setting it", "a shapeshifting Wicca werebat lawyer with an alien vampire boyfriend and an undead", "as ghosts!\" to today's \"Mary Sue Wolfenstein is a shapeshifting Wicca werebat lawyer", "vampire boyfriend and an undead cyborg partner who is hunting a serialkiller\"…. It", "an undead cyborg partner who is hunting a serialkiller\"…. It honestly feels like", "but I got curious about how everyone else has treated the subject. I", "like I have to do extra worldbuilding just to undo current genre-bloat. I'm", "genre dating back over a century. Probably a bad idea but I got", "but my personal-genre is sci-fi so I didn't realize that \"occult detective\" is", "grew up with. He fits that era and the scope of the conflicts", "downloaded the OG stories from Project Gutenberg, found tons of examples online from", "from a different project – an anthology of oral ghost stories told from", "anthology of oral ghost stories told from an alternative narrator – so I", "a stand-alone novel around him. It's not that I was trying to be", "modern cross-genre anything-goes romance-adventure kind of stuff that seems to be commercial and", "the past, but that settled it. I set the story in 1975 so", "to the genre-savy. How do I ratchet down reader expectations within an existing", "my personal-genre is sci-fi so I didn't realize that \"occult detective\" is a", "\"occult detective\" is a well-established genre dating back over a century. Probably a", "is set in a much smaller world, semi-historic, where not \"every mythology\" is", "around him. It's not that I was trying to be original, but my", "TV, and explored reviews for current novels on Goodreads. It's a wide-genre but", "writing an outdated story with a quaint old-timey character that will seem like", "an existing genre? ~ or, alternately ~ How can I be more confidant", "to today's \"Mary Sue Wolfenstein is a shapeshifting Wicca werebat lawyer with an", "that settled it. I set the story in 1975 so his life could", "like a throwback to the genre-savy. How do I ratchet down reader expectations", "stories told from an alternative narrator – so I didn't bother to check", "Goodreads. It's a wide-genre but the early years are essentially \"My stars, Col.", "hunting a serialkiller\"…. It honestly feels like the whole genre (or at least", "was that I could place my grumpy retired detective within the popular timeline", "of stuff that seems to be commercial and splashy. My story is set", "image description here](https://i.stack.imgur.com/sodmv.png)](https://i.stack.imgur.com/sodmv.png) I've done worldbuilding and extensive plotting for a Book 1", "alternately ~ How can I be more confidant about carving my own niche", "I have to do extra worldbuilding just to undo current genre-bloat. I'm also", "an alien vampire boyfriend and an undead cyborg partner who is hunting a", "sci-fi so I didn't realize that \"occult detective\" is a well-established genre dating", "dating back over a century. Probably a bad idea but I got curious", "previously created in this \"space\" before I started plotting a stand-alone novel around", "didn't bother to check what else had been previously created in this \"space\"", "of the conflicts do too.) That doesn't actually solve my issue that this", "but someone who fills that role) who hunts and resolves (neutralizes) occult objects.", "which admittedly I am not an expert) now seems played out to an", "The character came from a different project – an anthology of oral ghost", "who is hunting a serialkiller\"…. It honestly feels like the whole genre (or", "from Project Gutenberg, found tons of examples online from comics to TV, and", "genre (or at least the popular surface) has jumped the wereshark. The awkward", "before I started plotting a stand-alone novel around him. It's not that I", "It's not that I was trying to be original, but my personal-genre is", "current genre-bloat. I'm also afraid that I'm actually writing an outdated story with", "else has treated the subject. I downloaded the OG stories from Project Gutenberg,", "bad idea but I got curious about how everyone else has treated the", "idea but I got curious about how everyone else has treated the subject.", "everyone else has treated the subject. I downloaded the OG stories from Project", "shapeshifting Wicca werebat lawyer with an alien vampire boyfriend and an undead cyborg", "the modern cross-genre anything-goes romance-adventure kind of stuff that seems to be commercial", "seems played out to an absurdist degree. My story is just never going", "events in my alterna-world. (Maybe it's just media I grew up with. He", "afraid that I'm actually writing an outdated story with a quaint old-timey character", "with. He fits that era and the scope of the conflicts do too.)", "am not an expert) now seems played out to an absurdist degree. My", "at least the popular surface) has jumped the wereshark. The awkward thing was", "just media I grew up with. He fits that era and the scope", "project – an anthology of oral ghost stories told from an alternative narrator", "objects. The character came from a different project – an anthology of oral", "be more confidant about carving my own niche within a genre that has", "well-established genre dating back over a century. Probably a bad idea but I", "subject. I downloaded the OG stories from Project Gutenberg, found tons of examples", "kind of stuff that seems to be commercial and splashy. My story is", "I didn't realize that \"occult detective\" is a well-established genre dating back over", "wide-genre but the early years are essentially \"My stars, Col. Hastings, there are", "My story is just never going to be the modern cross-genre anything-goes romance-adventure", "here](https://i.stack.imgur.com/sodmv.png)](https://i.stack.imgur.com/sodmv.png) I've done worldbuilding and extensive plotting for a Book 1 based around", "today's \"Mary Sue Wolfenstein is a shapeshifting Wicca werebat lawyer with an alien", "didn't realize that \"occult detective\" is a well-established genre dating back over a", "oral ghost stories told from an alternative narrator – so I didn't bother", "a wide-genre but the early years are essentially \"My stars, Col. Hastings, there", "(neutralizes) occult objects. The character came from a different project – an anthology", "what else had been previously created in this \"space\" before I started plotting", "settled it. I set the story in 1975 so his life could span", "cross-genre anything-goes romance-adventure kind of stuff that seems to be commercial and splashy.", "reader expectations within an existing genre? ~ or, alternately ~ How can I", "this \"space\" before I started plotting a stand-alone novel around him. It's not", "too.) That doesn't actually solve my issue that this genre (with which admittedly", "I'm also afraid that I'm actually writing an outdated story with a quaint", "just to undo current genre-bloat. I'm also afraid that I'm actually writing an", "more confidant about carving my own niche within a genre that has already", "about how everyone else has treated the subject. I downloaded the OG stories", "Project Gutenberg, found tons of examples online from comics to TV, and explored", "confidant about carving my own niche within a genre that has already been", "worldbuilding just to undo current genre-bloat. I'm also afraid that I'm actually writing", "created in this \"space\" before I started plotting a stand-alone novel around him.", "was toying with setting it in the past, but that settled it. I", "much smaller world, semi-historic, where not \"every mythology\" is true. I feel like", "a bad idea but I got curious about how everyone else has treated", "a quaint old-timey character that will seem like a throwback to the genre-savy.", "whole genre (or at least the popular surface) has jumped the wereshark. The", "to do extra worldbuilding just to undo current genre-bloat. I'm also afraid that", "seem like a throwback to the genre-savy. How do I ratchet down reader", "awkward thing was that I could place my grumpy retired detective within the", "original, but my personal-genre is sci-fi so I didn't realize that \"occult detective\"", "that will seem like a throwback to the genre-savy. How do I ratchet", "be commercial and splashy. My story is set in a much smaller world,", "I ratchet down reader expectations within an existing genre? ~ or, alternately ~", "done worldbuilding and extensive plotting for a Book 1 based around a \"detective\"", "else had been previously created in this \"space\" before I started plotting a", "the subject. I downloaded the OG stories from Project Gutenberg, found tons of", "so I didn't bother to check what else had been previously created in", "issue that this genre (with which admittedly I am not an expert) now", "a well-established genre dating back over a century. Probably a bad idea but", "plotting a stand-alone novel around him. It's not that I was trying to", "partner who is hunting a serialkiller\"…. It honestly feels like the whole genre", "expert) now seems played out to an absurdist degree. My story is just", "an alternative narrator – so I didn't bother to check what else had", "Sue Wolfenstein is a shapeshifting Wicca werebat lawyer with an alien vampire boyfriend", "ghost stories told from an alternative narrator – so I didn't bother to", "How can I be more confidant about carving my own niche within a", "in this \"space\" before I started plotting a stand-alone novel around him. It's", "setting it in the past, but that settled it. I set the story", "to be original, but my personal-genre is sci-fi so I didn't realize that", "with an alien vampire boyfriend and an undead cyborg partner who is hunting", "over a century. Probably a bad idea but I got curious about how", "jumped the wereshark. The awkward thing was that I could place my grumpy", "curious about how everyone else has treated the subject. I downloaded the OG", "Wolfenstein is a shapeshifting Wicca werebat lawyer with an alien vampire boyfriend and", "is just never going to be the modern cross-genre anything-goes romance-adventure kind of", "timeline of that genre-evolution, as a character somewhere in the early-to-mid 1970s. I", "now seems played out to an absurdist degree. My story is just never", "played out to an absurdist degree. My story is just never going to", "alien vampire boyfriend and an undead cyborg partner who is hunting a serialkiller\"….", "I was trying to be original, but my personal-genre is sci-fi so I", "(not a literal detective but someone who fills that role) who hunts and", "genre (with which admittedly I am not an expert) now seems played out", "realize that \"occult detective\" is a well-established genre dating back over a century.", "mythology\" is true. I feel like I have to do extra worldbuilding just", "but that settled it. I set the story in 1975 so his life", "been previously created in this \"space\" before I started plotting a stand-alone novel", "my issue that this genre (with which admittedly I am not an expert)", "going to be the modern cross-genre anything-goes romance-adventure kind of stuff that seems", "werebat lawyer with an alien vampire boyfriend and an undead cyborg partner who", "boyfriend and an undead cyborg partner who is hunting a serialkiller\"…. It honestly", "story with a quaint old-timey character that will seem like a throwback to", "stand-alone novel around him. It's not that I was trying to be original,", "in a much smaller world, semi-historic, where not \"every mythology\" is true. I", "honestly feels like the whole genre (or at least the popular surface) has", "I feel like I have to do extra worldbuilding just to undo current", "an expert) now seems played out to an absurdist degree. My story is", "who hunts and resolves (neutralizes) occult objects. The character came from a different", "my alterna-world. (Maybe it's just media I grew up with. He fits that", "the popular timeline of that genre-evolution, as a character somewhere in the early-to-mid", "was trying to be original, but my personal-genre is sci-fi so I didn't", "stars, Col. Hastings, there are such things as ghosts!\" to today's \"Mary Sue", "that I could place my grumpy retired detective within the popular timeline of", "fills that role) who hunts and resolves (neutralizes) occult objects. The character came", "that I'm actually writing an outdated story with a quaint old-timey character that", "I downloaded the OG stories from Project Gutenberg, found tons of examples online", "\"every mythology\" is true. I feel like I have to do extra worldbuilding", "character came from a different project – an anthology of oral ghost stories", "on Goodreads. It's a wide-genre but the early years are essentially \"My stars,", "are such things as ghosts!\" to today's \"Mary Sue Wolfenstein is a shapeshifting", "it's just media I grew up with. He fits that era and the", "\"detective\" (not a literal detective but someone who fills that role) who hunts", "is true. I feel like I have to do extra worldbuilding just to", "be the modern cross-genre anything-goes romance-adventure kind of stuff that seems to be", "I've done worldbuilding and extensive plotting for a Book 1 based around a", "Wicca werebat lawyer with an alien vampire boyfriend and an undead cyborg partner", "the popular surface) has jumped the wereshark. The awkward thing was that I", "resolves (neutralizes) occult objects. The character came from a different project – an", "about carving my own niche within a genre that has already been widely", "description here](https://i.stack.imgur.com/sodmv.png)](https://i.stack.imgur.com/sodmv.png) I've done worldbuilding and extensive plotting for a Book 1 based", "the conflicts do too.) That doesn't actually solve my issue that this genre", "comics to TV, and explored reviews for current novels on Goodreads. It's a", "relevant events in my alterna-world. (Maybe it's just media I grew up with.", "not an expert) now seems played out to an absurdist degree. My story", "novels on Goodreads. It's a wide-genre but the early years are essentially \"My", "check what else had been previously created in this \"space\" before I started", "How do I ratchet down reader expectations within an existing genre? ~ or,", "could span certain historically relevant events in my alterna-world. (Maybe it's just media", "started plotting a stand-alone novel around him. It's not that I was trying", "the scope of the conflicts do too.) That doesn't actually solve my issue", "\"My stars, Col. Hastings, there are such things as ghosts!\" to today's \"Mary", "I didn't bother to check what else had been previously created in this", "are essentially \"My stars, Col. Hastings, there are such things as ghosts!\" to", "early years are essentially \"My stars, Col. Hastings, there are such things as", "do too.) That doesn't actually solve my issue that this genre (with which", "– an anthology of oral ghost stories told from an alternative narrator –", "doesn't actually solve my issue that this genre (with which admittedly I am", "certain historically relevant events in my alterna-world. (Maybe it's just media I grew", "also afraid that I'm actually writing an outdated story with a quaint old-timey", "a different project – an anthology of oral ghost stories told from an", "Col. Hastings, there are such things as ghosts!\" to today's \"Mary Sue Wolfenstein", "smaller world, semi-historic, where not \"every mythology\" is true. I feel like I", "a Book 1 based around a \"detective\" (not a literal detective but someone", "popular surface) has jumped the wereshark. The awkward thing was that I could", "based around a \"detective\" (not a literal detective but someone who fills that", "a century. Probably a bad idea but I got curious about how everyone", "expectations within an existing genre? ~ or, alternately ~ How can I be", "detective but someone who fills that role) who hunts and resolves (neutralizes) occult", "set in a much smaller world, semi-historic, where not \"every mythology\" is true.", "narrator – so I didn't bother to check what else had been previously", "in 1975 so his life could span certain historically relevant events in my", "such things as ghosts!\" to today's \"Mary Sue Wolfenstein is a shapeshifting Wicca", "could place my grumpy retired detective within the popular timeline of that genre-evolution,", "an anthology of oral ghost stories told from an alternative narrator – so", "detective\" is a well-established genre dating back over a century. Probably a bad", "and explored reviews for current novels on Goodreads. It's a wide-genre but the", "found tons of examples online from comics to TV, and explored reviews for", "not \"every mythology\" is true. I feel like I have to do extra", "just never going to be the modern cross-genre anything-goes romance-adventure kind of stuff", "I'm actually writing an outdated story with a quaint old-timey character that will", "span certain historically relevant events in my alterna-world. (Maybe it's just media I", "novel around him. It's not that I was trying to be original, but", "stuff that seems to be commercial and splashy. My story is set in", "popular timeline of that genre-evolution, as a character somewhere in the early-to-mid 1970s.", "occult objects. The character came from a different project – an anthology of", "of oral ghost stories told from an alternative narrator – so I didn't", "character that will seem like a throwback to the genre-savy. How do I", "had been previously created in this \"space\" before I started plotting a stand-alone", "character somewhere in the early-to-mid 1970s. I was toying with setting it in", "fits that era and the scope of the conflicts do too.) That doesn't", "outdated story with a quaint old-timey character that will seem like a throwback", "an absurdist degree. My story is just never going to be the modern", "The awkward thing was that I could place my grumpy retired detective within", "(or at least the popular surface) has jumped the wereshark. The awkward thing", "so his life could span certain historically relevant events in my alterna-world. (Maybe", "bother to check what else had been previously created in this \"space\" before", "within an existing genre? ~ or, alternately ~ How can I be more", "I be more confidant about carving my own niche within a genre that", "came from a different project – an anthology of oral ghost stories told", "will seem like a throwback to the genre-savy. How do I ratchet down", "have to do extra worldbuilding just to undo current genre-bloat. I'm also afraid", "the wereshark. The awkward thing was that I could place my grumpy retired", "I grew up with. He fits that era and the scope of the", "around a \"detective\" (not a literal detective but someone who fills that role)", "wereshark. The awkward thing was that I could place my grumpy retired detective", "personal-genre is sci-fi so I didn't realize that \"occult detective\" is a well-established", "alterna-world. (Maybe it's just media I grew up with. He fits that era", "the early-to-mid 1970s. I was toying with setting it in the past, but", "of that genre-evolution, as a character somewhere in the early-to-mid 1970s. I was", "has jumped the wereshark. The awkward thing was that I could place my", "a much smaller world, semi-historic, where not \"every mythology\" is true. I feel", "I could place my grumpy retired detective within the popular timeline of that", "century. Probably a bad idea but I got curious about how everyone else", "undo current genre-bloat. I'm also afraid that I'm actually writing an outdated story", "to be commercial and splashy. My story is set in a much smaller", "with a quaint old-timey character that will seem like a throwback to the", "do I ratchet down reader expectations within an existing genre? ~ or, alternately", "to undo current genre-bloat. I'm also afraid that I'm actually writing an outdated", "Probably a bad idea but I got curious about how everyone else has", "tons of examples online from comics to TV, and explored reviews for current", "life could span certain historically relevant events in my alterna-world. (Maybe it's just", "there are such things as ghosts!\" to today's \"Mary Sue Wolfenstein is a", "somewhere in the early-to-mid 1970s. I was toying with setting it in the", "from an alternative narrator – so I didn't bother to check what else", "never going to be the modern cross-genre anything-goes romance-adventure kind of stuff that", "I am not an expert) now seems played out to an absurdist degree.", "my grumpy retired detective within the popular timeline of that genre-evolution, as a", "lawyer with an alien vampire boyfriend and an undead cyborg partner who is", "told from an alternative narrator – so I didn't bother to check what", "trying to be original, but my personal-genre is sci-fi so I didn't realize", "seems to be commercial and splashy. My story is set in a much", "surface) has jumped the wereshark. The awkward thing was that I could place", "a throwback to the genre-savy. How do I ratchet down reader expectations within", "out to an absurdist degree. My story is just never going to be", "solve my issue that this genre (with which admittedly I am not an", "world, semi-historic, where not \"every mythology\" is true. I feel like I have", "the story in 1975 so his life could span certain historically relevant events", "early-to-mid 1970s. I was toying with setting it in the past, but that", "has treated the subject. I downloaded the OG stories from Project Gutenberg, found", "up with. He fits that era and the scope of the conflicts do", "romance-adventure kind of stuff that seems to be commercial and splashy. My story", "literal detective but someone who fills that role) who hunts and resolves (neutralizes)", "Gutenberg, found tons of examples online from comics to TV, and explored reviews", "ratchet down reader expectations within an existing genre? ~ or, alternately ~ How", "genre-evolution, as a character somewhere in the early-to-mid 1970s. I was toying with", "to be the modern cross-genre anything-goes romance-adventure kind of stuff that seems to", "I was toying with setting it in the past, but that settled it.", "worldbuilding and extensive plotting for a Book 1 based around a \"detective\" (not", "it. I set the story in 1975 so his life could span certain", "do extra worldbuilding just to undo current genre-bloat. I'm also afraid that I'm", "it in the past, but that settled it. I set the story in", "down reader expectations within an existing genre? ~ or, alternately ~ How can", "and extensive plotting for a Book 1 based around a \"detective\" (not a", "grumpy retired detective within the popular timeline of that genre-evolution, as a character", "someone who fills that role) who hunts and resolves (neutralizes) occult objects. The", "role) who hunts and resolves (neutralizes) occult objects. The character came from a", "admittedly I am not an expert) now seems played out to an absurdist", "to TV, and explored reviews for current novels on Goodreads. It's a wide-genre", "reviews for current novels on Goodreads. It's a wide-genre but the early years", "like the whole genre (or at least the popular surface) has jumped the", "plotting for a Book 1 based around a \"detective\" (not a literal detective", "the whole genre (or at least the popular surface) has jumped the wereshark.", "and an undead cyborg partner who is hunting a serialkiller\"…. It honestly feels", "alternative narrator – so I didn't bother to check what else had been", "where not \"every mythology\" is true. I feel like I have to do", "how everyone else has treated the subject. I downloaded the OG stories from", "in my alterna-world. (Maybe it's just media I grew up with. He fits", "feels like the whole genre (or at least the popular surface) has jumped", "that \"occult detective\" is a well-established genre dating back over a century. Probably", "set the story in 1975 so his life could span certain historically relevant", "examples online from comics to TV, and explored reviews for current novels on", "least the popular surface) has jumped the wereshark. The awkward thing was that", "that era and the scope of the conflicts do too.) That doesn't actually", "the genre-savy. How do I ratchet down reader expectations within an existing genre?", "explored reviews for current novels on Goodreads. It's a wide-genre but the early", "place my grumpy retired detective within the popular timeline of that genre-evolution, as", "true. I feel like I have to do extra worldbuilding just to undo", "era and the scope of the conflicts do too.) That doesn't actually solve", "1975 so his life could span certain historically relevant events in my alterna-world.", "so I didn't realize that \"occult detective\" is a well-established genre dating back", "It's a wide-genre but the early years are essentially \"My stars, Col. Hastings,", "back over a century. Probably a bad idea but I got curious about", "to check what else had been previously created in this \"space\" before I", "of examples online from comics to TV, and explored reviews for current novels", "to an absurdist degree. My story is just never going to be the", "the OG stories from Project Gutenberg, found tons of examples online from comics", "that genre-evolution, as a character somewhere in the early-to-mid 1970s. I was toying", "essentially \"My stars, Col. Hastings, there are such things as ghosts!\" to today's", "past, but that settled it. I set the story in 1975 so his", "existing genre? ~ or, alternately ~ How can I be more confidant about", "commercial and splashy. My story is set in a much smaller world, semi-historic,", "is sci-fi so I didn't realize that \"occult detective\" is a well-established genre", "years are essentially \"My stars, Col. Hastings, there are such things as ghosts!\"", "different project – an anthology of oral ghost stories told from an alternative", "for current novels on Goodreads. It's a wide-genre but the early years are", "a serialkiller\"…. It honestly feels like the whole genre (or at least the", "It honestly feels like the whole genre (or at least the popular surface)", "1970s. I was toying with setting it in the past, but that settled", "retired detective within the popular timeline of that genre-evolution, as a character somewhere", "I started plotting a stand-alone novel around him. It's not that I was", "can I be more confidant about carving my own niche within a genre", "Book 1 based around a \"detective\" (not a literal detective but someone who", "1 based around a \"detective\" (not a literal detective but someone who fills", "that this genre (with which admittedly I am not an expert) now seems", "feel like I have to do extra worldbuilding just to undo current genre-bloat.", "an outdated story with a quaint old-timey character that will seem like a", "hunts and resolves (neutralizes) occult objects. The character came from a different project", "undead cyborg partner who is hunting a serialkiller\"…. It honestly feels like the", "splashy. My story is set in a much smaller world, semi-historic, where not", "[![enter image description here](https://i.stack.imgur.com/sodmv.png)](https://i.stack.imgur.com/sodmv.png) I've done worldbuilding and extensive plotting for a Book", "this genre (with which admittedly I am not an expert) now seems played", "quaint old-timey character that will seem like a throwback to the genre-savy. How" ]
[ "human beings in general? This slightly physical difference of characters between the alien", "human will increase the potential for me to write various stories of how", "This slightly physical difference of characters between the alien and human will increase", "use? or their more advanced aspects compared to human beings in general? This", "write a sci-fi story where the alien invaders will have slightly similar looks", "characters but I wonder how I can develop those characters? Will I need", "characters between the alien and human will increase the potential for me to", "write various stories of how they interact with each other as well as", "technology they use? or their more advanced aspects compared to human beings in", "a sci-fi story where the alien invaders will have slightly similar looks and", "compared to human beings in general? This slightly physical difference of characters between", "other as well as the possibility to share particular technology. Focusing on human", "the alien and human will increase the potential for me to write various", "and anatomy as humans. I mean they are still imaginative characters but I", "to share particular technology. Focusing on human survival rather than depicting the strange", "how I can develop those characters? Will I need to relate to their", "story where the alien invaders will have slightly similar looks and anatomy as", "I mean they are still imaginative characters but I wonder how I can", "physical difference of characters between the alien and human will increase the potential", "I need to relate to their original habitat, or focus more on the", "stories of how they interact with each other as well as the possibility", "they use? or their more advanced aspects compared to human beings in general?", "interact with each other as well as the possibility to share particular technology.", "for me to write various stories of how they interact with each other", "alien and human will increase the potential for me to write various stories", "will increase the potential for me to write various stories of how they", "original habitat, or focus more on the technology they use? or their more", "need to relate to their original habitat, or focus more on the technology", "mean they are still imaginative characters but I wonder how I can develop", "still imaginative characters but I wonder how I can develop those characters? Will", "alien invaders will have slightly similar looks and anatomy as humans. I mean", "starting to write a sci-fi story where the alien invaders will have slightly", "more on the technology they use? or their more advanced aspects compared to", "the possibility to share particular technology. Focusing on human survival rather than depicting", "as humans. I mean they are still imaginative characters but I wonder how", "share particular technology. Focusing on human survival rather than depicting the strange look", "possibility to share particular technology. Focusing on human survival rather than depicting the", "survival rather than depicting the strange look of aliens all the time in", "to write various stories of how they interact with each other as well", "their more advanced aspects compared to human beings in general? This slightly physical", "on the technology they use? or their more advanced aspects compared to human", "Focusing on human survival rather than depicting the strange look of aliens all", "slightly physical difference of characters between the alien and human will increase the", "with each other as well as the possibility to share particular technology. Focusing", "aspects compared to human beings in general? This slightly physical difference of characters", "difference of characters between the alien and human will increase the potential for", "those characters? Will I need to relate to their original habitat, or focus", "anatomy as humans. I mean they are still imaginative characters but I wonder", "can develop those characters? Will I need to relate to their original habitat,", "potential for me to write various stories of how they interact with each", "focus more on the technology they use? or their more advanced aspects compared", "to write a sci-fi story where the alien invaders will have slightly similar", "than depicting the strange look of aliens all the time in each chapter.", "looks and anatomy as humans. I mean they are still imaginative characters but", "invaders will have slightly similar looks and anatomy as humans. I mean they", "will have slightly similar looks and anatomy as humans. I mean they are", "they interact with each other as well as the possibility to share particular", "characters? Will I need to relate to their original habitat, or focus more", "as the possibility to share particular technology. Focusing on human survival rather than", "more advanced aspects compared to human beings in general? This slightly physical difference", "are still imaginative characters but I wonder how I can develop those characters?", "general? This slightly physical difference of characters between the alien and human will", "I wonder how I can develop those characters? Will I need to relate", "the technology they use? or their more advanced aspects compared to human beings", "of characters between the alien and human will increase the potential for me", "advanced aspects compared to human beings in general? This slightly physical difference of", "I can develop those characters? Will I need to relate to their original", "on human survival rather than depicting the strange look of aliens all the", "imaginative characters but I wonder how I can develop those characters? Will I", "develop those characters? Will I need to relate to their original habitat, or", "to their original habitat, or focus more on the technology they use? or", "but I wonder how I can develop those characters? Will I need to", "or their more advanced aspects compared to human beings in general? This slightly", "humans. I mean they are still imaginative characters but I wonder how I", "I'm starting to write a sci-fi story where the alien invaders will have", "have slightly similar looks and anatomy as humans. I mean they are still", "where the alien invaders will have slightly similar looks and anatomy as humans.", "the alien invaders will have slightly similar looks and anatomy as humans. I", "increase the potential for me to write various stories of how they interact", "the potential for me to write various stories of how they interact with", "me to write various stories of how they interact with each other as", "rather than depicting the strange look of aliens all the time in each", "similar looks and anatomy as humans. I mean they are still imaginative characters", "wonder how I can develop those characters? Will I need to relate to", "well as the possibility to share particular technology. Focusing on human survival rather", "in general? This slightly physical difference of characters between the alien and human", "their original habitat, or focus more on the technology they use? or their", "between the alien and human will increase the potential for me to write", "technology. Focusing on human survival rather than depicting the strange look of aliens", "and human will increase the potential for me to write various stories of", "various stories of how they interact with each other as well as the", "of how they interact with each other as well as the possibility to", "human survival rather than depicting the strange look of aliens all the time", "or focus more on the technology they use? or their more advanced aspects", "as well as the possibility to share particular technology. Focusing on human survival", "habitat, or focus more on the technology they use? or their more advanced", "to relate to their original habitat, or focus more on the technology they", "they are still imaginative characters but I wonder how I can develop those", "slightly similar looks and anatomy as humans. I mean they are still imaginative", "beings in general? This slightly physical difference of characters between the alien and", "to human beings in general? This slightly physical difference of characters between the", "particular technology. Focusing on human survival rather than depicting the strange look of", "how they interact with each other as well as the possibility to share", "Will I need to relate to their original habitat, or focus more on", "each other as well as the possibility to share particular technology. Focusing on", "sci-fi story where the alien invaders will have slightly similar looks and anatomy", "relate to their original habitat, or focus more on the technology they use?" ]
[ "a lot of books and it's quite likely that the way I write", "struck me today that one method of becoming a great writer could be", "influenced by other authors. My question is therefore: **what's the best way of", "other authors. My question is therefore: **what's the best way of making sure", "voice.' So that got me thinking about what *my own voice* actually is.", "own voice* actually is. I read a lot of books and it's quite", "(short) answer: 'no, find your own voice.' So that got me thinking about", "by other authors. My question is therefore: **what's the best way of making", "authors. My question is therefore: **what's the best way of making sure that", "of making sure that I am using my own voice when writing fiction", "could be to copy the style of one or more published authors. A", "one method of becoming a great writer could be to copy the style", "giants*. I was therefore going to ask a question relating to the best", "becoming a great writer could be to copy the style of one or", "question relating to the best way of doing so, but then I came", "your own voice.' So that got me thinking about what *my own voice*", "*my own voice* actually is. I read a lot of books and it's", "therefore: **what's the best way of making sure that I am using my", "then I came across this: [Is it okay to attempt to write in", "lot of books and it's quite likely that the way I write has", "great writer could be to copy the style of one or more published", "is only one (short) answer: 'no, find your own voice.' So that got", "likely that the way I write has already been influenced by other authors.", "I write has already been influenced by other authors. My question is therefore:", "has already been influenced by other authors. My question is therefore: **what's the", "across this: [Is it okay to attempt to write in the style of", "of another person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one", "was therefore going to ask a question relating to the best way of", "way of doing so, but then I came across this: [Is it okay", "like *standing on the shoulders of giants*. I was therefore going to ask", "own voice when writing fiction (as opposed to just copying subconsciously from the", "this: [Is it okay to attempt to write in the style of another", "ask a question relating to the best way of doing so, but then", "is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer: 'no, find your", "So that got me thinking about what *my own voice* actually is. I", "that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer: 'no, find your own", "the best way of making sure that I am using my own voice", "my own voice when writing fiction (as opposed to just copying subconsciously from", "well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer: 'no, find your own voice.' So", "done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer: 'no, find your own voice.'", "that one method of becoming a great writer could be to copy the", "a great writer could be to copy the style of one or more", "or more published authors. A bit like *standing on the shoulders of giants*.", "writer could be to copy the style of one or more published authors.", "but then I came across this: [Is it okay to attempt to write", "the shoulders of giants*. I was therefore going to ask a question relating", "books and it's quite likely that the way I write has already been", "shoulders of giants*. I was therefore going to ask a question relating to", "only one (short) answer: 'no, find your own voice.' So that got me", "that I am using my own voice when writing fiction (as opposed to", "using my own voice when writing fiction (as opposed to just copying subconsciously", "voice when writing fiction (as opposed to just copying subconsciously from the style", "got me thinking about what *my own voice* actually is. I read a", "person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer:", "making sure that I am using my own voice when writing fiction (as", "read a lot of books and it's quite likely that the way I", "when writing fiction (as opposed to just copying subconsciously from the style of", "so, but then I came across this: [Is it okay to attempt to", "relating to the best way of doing so, but then I came across", "to attempt to write in the style of another person, and how is", "am using my own voice when writing fiction (as opposed to just copying", "thinking about what *my own voice* actually is. I read a lot of", "is. I read a lot of books and it's quite likely that the", "already been influenced by other authors. My question is therefore: **what's the best", "I came across this: [Is it okay to attempt to write in the", "another person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short)", "one (short) answer: 'no, find your own voice.' So that got me thinking", "writing fiction (as opposed to just copying subconsciously from the style of others)?**", "style of one or more published authors. A bit like *standing on the", "the style of one or more published authors. A bit like *standing on", "My question is therefore: **what's the best way of making sure that I", "the way I write has already been influenced by other authors. My question", "I am using my own voice when writing fiction (as opposed to just", "I was therefore going to ask a question relating to the best way", "best way of doing so, but then I came across this: [Is it", "voice* actually is. I read a lot of books and it's quite likely", "came across this: [Is it okay to attempt to write in the style", "it's quite likely that the way I write has already been influenced by", "actually is. I read a lot of books and it's quite likely that", "be to copy the style of one or more published authors. A bit", "*standing on the shoulders of giants*. I was therefore going to ask a", "doing so, but then I came across this: [Is it okay to attempt", "method of becoming a great writer could be to copy the style of", "the style of another person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is", "to copy the style of one or more published authors. A bit like", "it okay to attempt to write in the style of another person, and", "me thinking about what *my own voice* actually is. I read a lot", "a question relating to the best way of doing so, but then I", "to the best way of doing so, but then I came across this:", "of one or more published authors. A bit like *standing on the shoulders", "'no, find your own voice.' So that got me thinking about what *my", "one or more published authors. A bit like *standing on the shoulders of", "the best way of doing so, but then I came across this: [Is", "that the way I write has already been influenced by other authors. My", "that got me thinking about what *my own voice* actually is. I read", "on the shoulders of giants*. I was therefore going to ask a question", "find your own voice.' So that got me thinking about what *my own", "attempt to write in the style of another person, and how is that", "way I write has already been influenced by other authors. My question is", "question is therefore: **what's the best way of making sure that I am", "going to ask a question relating to the best way of doing so,", "write in the style of another person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d)", "me today that one method of becoming a great writer could be to", "**what's the best way of making sure that I am using my own", "okay to attempt to write in the style of another person, and how", "own voice.' So that got me thinking about what *my own voice* actually", "bit like *standing on the shoulders of giants*. I was therefore going to", "write has already been influenced by other authors. My question is therefore: **what's", "more published authors. A bit like *standing on the shoulders of giants*. I", "A bit like *standing on the shoulders of giants*. I was therefore going", "and it's quite likely that the way I write has already been influenced", "about what *my own voice* actually is. I read a lot of books", "way of making sure that I am using my own voice when writing", "of giants*. I was therefore going to ask a question relating to the", "of books and it's quite likely that the way I write has already", "style of another person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only", "today that one method of becoming a great writer could be to copy", "been influenced by other authors. My question is therefore: **what's the best way", "is therefore: **what's the best way of making sure that I am using", "of becoming a great writer could be to copy the style of one", "therefore going to ask a question relating to the best way of doing", "in the style of another person, and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There", "published authors. A bit like *standing on the shoulders of giants*. I was", "copy the style of one or more published authors. A bit like *standing", "to ask a question relating to the best way of doing so, but", "answer: 'no, find your own voice.' So that got me thinking about what", "of doing so, but then I came across this: [Is it okay to", "and how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer: 'no,", "what *my own voice* actually is. I read a lot of books and", "how is that done well?](https://writing.stackexchange.com/questions/4713/is-it-okay-to-attempt-to-write-in-the-style-of-another-person-and-how-is-that-d) There is only one (short) answer: 'no, find", "There is only one (short) answer: 'no, find your own voice.' So that", "sure that I am using my own voice when writing fiction (as opposed", "authors. A bit like *standing on the shoulders of giants*. I was therefore", "quite likely that the way I write has already been influenced by other", "to write in the style of another person, and how is that done", "It struck me today that one method of becoming a great writer could", "[Is it okay to attempt to write in the style of another person,", "I read a lot of books and it's quite likely that the way", "best way of making sure that I am using my own voice when" ]
[ "shriek, something like \"AHHHHH!\" or \"AAAAH!\". However, I don't really want to use", "like \"AHHHHH!\" or \"AAAAH!\". However, I don't really want to use all caps", "something like \"AHHHHH!\" or \"AAAAH!\". However, I don't really want to use all", "use all caps and repeated letters. Does anyone know any other techniques of", "to use all caps and repeated letters. Does anyone know any other techniques", "write a shriek, something like \"AHHHHH!\" or \"AAAAH!\". However, I don't really want", "\"AAAAH!\". However, I don't really want to use all caps and repeated letters.", "letters. Does anyone know any other techniques of showing a scream occurred besides", "or \"AAAAH!\". However, I don't really want to use all caps and repeated", "\"AHHHHH!\" or \"AAAAH!\". However, I don't really want to use all caps and", "Does anyone know any other techniques of showing a scream occurred besides what", "a shriek, something like \"AHHHHH!\" or \"AAAAH!\". However, I don't really want to", "to write a shriek, something like \"AHHHHH!\" or \"AAAAH!\". However, I don't really", "know any other techniques of showing a scream occurred besides what I stated?", "and repeated letters. Does anyone know any other techniques of showing a scream", "repeated letters. Does anyone know any other techniques of showing a scream occurred", "all caps and repeated letters. Does anyone know any other techniques of showing", "I'm trying to write a shriek, something like \"AHHHHH!\" or \"AAAAH!\". However, I", "I don't really want to use all caps and repeated letters. Does anyone", "don't really want to use all caps and repeated letters. Does anyone know", "However, I don't really want to use all caps and repeated letters. Does", "trying to write a shriek, something like \"AHHHHH!\" or \"AAAAH!\". However, I don't", "anyone know any other techniques of showing a scream occurred besides what I", "really want to use all caps and repeated letters. Does anyone know any", "want to use all caps and repeated letters. Does anyone know any other", "caps and repeated letters. Does anyone know any other techniques of showing a" ]
[ "to their troubles through their reading. I’d much rather do this than suggest", "Given the wide number of books in this area it seems most appropriate", "a reading list at the end. Are their any ramifications of characters reading", "of books in this area it seems most appropriate to have characters discover", "troubles through their reading. I’d much rather do this than suggest the answers", "After all, characters have to work for their successes and it seems a", "reading list at the end. Are their any ramifications of characters reading real", "of business fiction to discuss some agile and testing principles. Given the wide", "at the end. Are their any ramifications of characters reading real books, following", "testing principles. Given the wide number of books in this area it seems", "it than adding a reading list at the end. Are their any ramifications", "wide number of books in this area it seems most appropriate to have", "for their successes and it seems a much better way of doing it", "considering writing a piece of business fiction to discuss some agile and testing", "discover the answers to their troubles through their reading. I’d much rather do", "it seems a much better way of doing it than adding a reading", "principles. Given the wide number of books in this area it seems most", "of characters reading real books, following real blogs, and using real websites? Could", "piece of business fiction to discuss some agile and testing principles. Given the", "of doing it than adding a reading list at the end. Are their", "any ramifications of characters reading real books, following real blogs, and using real", "I’m considering writing a piece of business fiction to discuss some agile and", "some agile and testing principles. Given the wide number of books in this", "and testing principles. Given the wide number of books in this area it", "suggest the answers popped into their heads with blasts of brilliance. After all,", "area it seems most appropriate to have characters discover the answers to their", "have to work for their successes and it seems a much better way", "have characters discover the answers to their troubles through their reading. I’d much", "a piece of business fiction to discuss some agile and testing principles. Given", "of brilliance. After all, characters have to work for their successes and it", "appropriate to have characters discover the answers to their troubles through their reading.", "than adding a reading list at the end. Are their any ramifications of", "do this than suggest the answers popped into their heads with blasts of", "much rather do this than suggest the answers popped into their heads with", "the answers popped into their heads with blasts of brilliance. After all, characters", "through their reading. I’d much rather do this than suggest the answers popped", "heads with blasts of brilliance. After all, characters have to work for their", "end. Are their any ramifications of characters reading real books, following real blogs,", "characters reading real books, following real blogs, and using real websites? Could I", "adding a reading list at the end. Are their any ramifications of characters", "books, following real blogs, and using real websites? Could I get into copyright", "number of books in this area it seems most appropriate to have characters", "doing it than adding a reading list at the end. Are their any", "with blasts of brilliance. After all, characters have to work for their successes", "better way of doing it than adding a reading list at the end.", "fiction to discuss some agile and testing principles. Given the wide number of", "seems most appropriate to have characters discover the answers to their troubles through", "I’d much rather do this than suggest the answers popped into their heads", "successes and it seems a much better way of doing it than adding", "most appropriate to have characters discover the answers to their troubles through their", "the end. Are their any ramifications of characters reading real books, following real", "to discuss some agile and testing principles. Given the wide number of books", "books in this area it seems most appropriate to have characters discover the", "characters have to work for their successes and it seems a much better", "following real blogs, and using real websites? Could I get into copyright trouble?", "all, characters have to work for their successes and it seems a much", "blasts of brilliance. After all, characters have to work for their successes and", "the wide number of books in this area it seems most appropriate to", "reading real books, following real blogs, and using real websites? Could I get", "their reading. I’d much rather do this than suggest the answers popped into", "real books, following real blogs, and using real websites? Could I get into", "writing a piece of business fiction to discuss some agile and testing principles.", "characters discover the answers to their troubles through their reading. I’d much rather", "seems a much better way of doing it than adding a reading list", "in this area it seems most appropriate to have characters discover the answers", "business fiction to discuss some agile and testing principles. Given the wide number", "their heads with blasts of brilliance. After all, characters have to work for", "brilliance. After all, characters have to work for their successes and it seems", "the answers to their troubles through their reading. I’d much rather do this", "reading. I’d much rather do this than suggest the answers popped into their", "their troubles through their reading. I’d much rather do this than suggest the", "their successes and it seems a much better way of doing it than", "agile and testing principles. Given the wide number of books in this area", "discuss some agile and testing principles. Given the wide number of books in", "ramifications of characters reading real books, following real blogs, and using real websites?", "answers to their troubles through their reading. I’d much rather do this than", "to work for their successes and it seems a much better way of", "a much better way of doing it than adding a reading list at", "to have characters discover the answers to their troubles through their reading. I’d", "this than suggest the answers popped into their heads with blasts of brilliance.", "popped into their heads with blasts of brilliance. After all, characters have to", "and it seems a much better way of doing it than adding a", "answers popped into their heads with blasts of brilliance. After all, characters have", "rather do this than suggest the answers popped into their heads with blasts", "this area it seems most appropriate to have characters discover the answers to", "into their heads with blasts of brilliance. After all, characters have to work", "their any ramifications of characters reading real books, following real blogs, and using", "list at the end. Are their any ramifications of characters reading real books,", "than suggest the answers popped into their heads with blasts of brilliance. After", "way of doing it than adding a reading list at the end. Are", "much better way of doing it than adding a reading list at the", "it seems most appropriate to have characters discover the answers to their troubles", "Are their any ramifications of characters reading real books, following real blogs, and", "work for their successes and it seems a much better way of doing" ]
[ "\"Breaking Bad\"). Furthermore, because he is pursuing a noble cause, I don't want", "along with the wounded character on his journey despite him wanting to travel", "pretty grumpy fellow. What's more, the character he's traveling with has a hybristophilia", "them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero of", "a protagonist must be likable in some way, even if they are an", "journey despite him wanting to travel on his own. What concerns me is", "be likable in some way, even if they are an antihero (think Wuhter", "travel on his own. What concerns me is even though this wounded character", "something noble, I don't think he'll be interpreted as a likable character. It", "want his character development to be thwarted by the archetype of a mythical", "journey, [with one of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character", "character on his journey despite him wanting to travel on his own. What", "that a protagonist must be likable in some way, even if they are", "traveling with has a hybristophilia of sorts, and tags along with the wounded", "What's more, the character he's traveling with has a hybristophilia of sorts, and", "archetype of a mythical hero (you know, the ones lacking personality and just", "character. It always seems that a protagonist must be likable in some way,", "thwarted by the archetype of a mythical hero (you know, the ones lacking", "wounded character on his journey despite him wanting to travel on his own.", "his sleep deprivation, hallucinations, and injury, he's a pretty grumpy fellow. What's more,", "sorts, and tags along with the wounded character on his journey despite him", "hallucinations, and injury, he's a pretty grumpy fellow. What's more, the character he's", "the ones lacking personality and just there to save the day). Any advice", "involving two characters partaking in a journey, [with one of them wounded and", "think he'll be interpreted as a likable character. It always seems that a", "character is on a journey to fulfill something noble, I don't think he'll", "cause, I don't want his character development to be thwarted by the archetype", "an earlier question I mentioned writing the first arc of my story involving", "likable in some way, even if they are an antihero (think Wuhter Choqi", "mythical hero (you know, the ones lacking personality and just there to save", "he's a pretty grumpy fellow. What's more, the character he's traveling with has", "and because of his sleep deprivation, hallucinations, and injury, he's a pretty grumpy", "grumpy fellow. What's more, the character he's traveling with has a hybristophilia of", "antihero of sorts, and because of his sleep deprivation, hallucinations, and injury, he's", "to travel on his own. What concerns me is even though this wounded", "is even though this wounded character is on a journey to fulfill something", "fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero of sorts, and because of", "noble cause, I don't want his character development to be thwarted by the", "always seems that a protagonist must be likable in some way, even if", "noble, I don't think he'll be interpreted as a likable character. It always", "as a likable character. It always seems that a protagonist must be likable", "is pursuing a noble cause, I don't want his character development to be", "by the archetype of a mythical hero (you know, the ones lacking personality", "a likable character. It always seems that a protagonist must be likable in", "first arc of my story involving two characters partaking in a journey, [with", "my story involving two characters partaking in a journey, [with one of them", "not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero of sorts, and because", "an antihero of sorts, and because of his sleep deprivation, hallucinations, and injury,", "in some way, even if they are an antihero (think Wuhter Choqi in", "if they are an antihero (think Wuhter Choqi in \"Breaking Bad\"). Furthermore, because", "hero (you know, the ones lacking personality and just there to save the", "of a mythical hero (you know, the ones lacking personality and just there", "It always seems that a protagonist must be likable in some way, even", "of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero", "they are an antihero (think Wuhter Choqi in \"Breaking Bad\"). Furthermore, because he", "way, even if they are an antihero (think Wuhter Choqi in \"Breaking Bad\").", "Wuhter Choqi in \"Breaking Bad\"). Furthermore, because he is pursuing a noble cause,", "concerns me is even though this wounded character is on a journey to", "even though this wounded character is on a journey to fulfill something noble,", "this wounded character is on a journey to fulfill something noble, I don't", "earlier question I mentioned writing the first arc of my story involving two", "character he's traveling with has a hybristophilia of sorts, and tags along with", "wounded character is on a journey to fulfill something noble, I don't think", "with the wounded character on his journey despite him wanting to travel on", "his own. What concerns me is even though this wounded character is on", "What concerns me is even though this wounded character is on a journey", "a journey to fulfill something noble, I don't think he'll be interpreted as", "likable character. It always seems that a protagonist must be likable in some", "seems that a protagonist must be likable in some way, even if they", "to fulfill something noble, I don't think he'll be interpreted as a likable", "I mentioned writing the first arc of my story involving two characters partaking", "sorts, and because of his sleep deprivation, hallucinations, and injury, he's a pretty", "because of his sleep deprivation, hallucinations, and injury, he's a pretty grumpy fellow.", "on his journey despite him wanting to travel on his own. What concerns", "of his sleep deprivation, hallucinations, and injury, he's a pretty grumpy fellow. What's", "has a hybristophilia of sorts, and tags along with the wounded character on", "Choqi in \"Breaking Bad\"). Furthermore, because he is pursuing a noble cause, I", "on his own. What concerns me is even though this wounded character is", "I don't think he'll be interpreted as a likable character. It always seems", "question I mentioned writing the first arc of my story involving two characters", "though this wounded character is on a journey to fulfill something noble, I", "(think Wuhter Choqi in \"Breaking Bad\"). Furthermore, because he is pursuing a noble", "are an antihero (think Wuhter Choqi in \"Breaking Bad\"). Furthermore, because he is", "he is pursuing a noble cause, I don't want his character development to", "one of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an", "to be thwarted by the archetype of a mythical hero (you know, the", "a journey, [with one of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded", "in \"Breaking Bad\"). Furthermore, because he is pursuing a noble cause, I don't", "character is an antihero of sorts, and because of his sleep deprivation, hallucinations,", "ones lacking personality and just there to save the day). Any advice on", "despite him wanting to travel on his own. What concerns me is even", "Furthermore, because he is pursuing a noble cause, I don't want his character", "he'll be interpreted as a likable character. It always seems that a protagonist", "don't want his character development to be thwarted by the archetype of a", "sleep deprivation, hallucinations, and injury, he's a pretty grumpy fellow. What's more, the", "own. What concerns me is even though this wounded character is on a", "the character he's traveling with has a hybristophilia of sorts, and tags along", "be thwarted by the archetype of a mythical hero (you know, the ones", "some way, even if they are an antihero (think Wuhter Choqi in \"Breaking", "Bad\"). Furthermore, because he is pursuing a noble cause, I don't want his", "his character development to be thwarted by the archetype of a mythical hero", "the first arc of my story involving two characters partaking in a journey,", "fellow. What's more, the character he's traveling with has a hybristophilia of sorts,", "arc of my story involving two characters partaking in a journey, [with one", "is on a journey to fulfill something noble, I don't think he'll be", "he's traveling with has a hybristophilia of sorts, and tags along with the", "journey to fulfill something noble, I don't think he'll be interpreted as a", "two characters partaking in a journey, [with one of them wounded and not", "characters partaking in a journey, [with one of them wounded and not fully", "of sorts, and tags along with the wounded character on his journey despite", "him wanting to travel on his own. What concerns me is even though", "me is even though this wounded character is on a journey to fulfill", "a hybristophilia of sorts, and tags along with the wounded character on his", "hybristophilia of sorts, and tags along with the wounded character on his journey", "interpreted as a likable character. It always seems that a protagonist must be", "lacking personality and just there to save the day). Any advice on this?", "a mythical hero (you know, the ones lacking personality and just there to", "wounded character is an antihero of sorts, and because of his sleep deprivation,", "more, the character he's traveling with has a hybristophilia of sorts, and tags", "and injury, he's a pretty grumpy fellow. What's more, the character he's traveling", "is an antihero of sorts, and because of his sleep deprivation, hallucinations, and", "injury, he's a pretty grumpy fellow. What's more, the character he's traveling with", "pursuing a noble cause, I don't want his character development to be thwarted", "partaking in a journey, [with one of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative).", "(you know, the ones lacking personality and just there to save the day).", "[with one of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is", "the archetype of a mythical hero (you know, the ones lacking personality and", "with has a hybristophilia of sorts, and tags along with the wounded character", "know, the ones lacking personality and just there to save the day). Any", "antihero (think Wuhter Choqi in \"Breaking Bad\"). Furthermore, because he is pursuing a", "story involving two characters partaking in a journey, [with one of them wounded", "of my story involving two characters partaking in a journey, [with one of", "be interpreted as a likable character. It always seems that a protagonist must", "an antihero (think Wuhter Choqi in \"Breaking Bad\"). Furthermore, because he is pursuing", "and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero of sorts, and", "a noble cause, I don't want his character development to be thwarted by", "and tags along with the wounded character on his journey despite him wanting", "must be likable in some way, even if they are an antihero (think", "character development to be thwarted by the archetype of a mythical hero (you", "tags along with the wounded character on his journey despite him wanting to", "deprivation, hallucinations, and injury, he's a pretty grumpy fellow. What's more, the character", "even if they are an antihero (think Wuhter Choqi in \"Breaking Bad\"). Furthermore,", "protagonist must be likable in some way, even if they are an antihero", "a pretty grumpy fellow. What's more, the character he's traveling with has a", "don't think he'll be interpreted as a likable character. It always seems that", "wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero of sorts,", "development to be thwarted by the archetype of a mythical hero (you know,", "the wounded character on his journey despite him wanting to travel on his", "on a journey to fulfill something noble, I don't think he'll be interpreted", "In an earlier question I mentioned writing the first arc of my story", "of sorts, and because of his sleep deprivation, hallucinations, and injury, he's a", "wanting to travel on his own. What concerns me is even though this", "writing the first arc of my story involving two characters partaking in a", "fulfill something noble, I don't think he'll be interpreted as a likable character.", "mentioned writing the first arc of my story involving two characters partaking in", "in a journey, [with one of them wounded and not fully cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This", "cognizant](https://writing.stackexchange.com/questions/37001/writing-a-good-travel-narrative). This wounded character is an antihero of sorts, and because of his", "because he is pursuing a noble cause, I don't want his character development", "I don't want his character development to be thwarted by the archetype of", "This wounded character is an antihero of sorts, and because of his sleep", "his journey despite him wanting to travel on his own. What concerns me" ]
[ "it describes writing about an issue in society. I'm a bit unsure of", "where it describes writing about an issue in society. I'm a bit unsure", "about exactly how to write such a poem, other than to write it", "proceed because the assignment doesn't describe much about exactly how to write such", "society. I'm a bit unsure of how to proceed because the assignment doesn't", "given a writing assignment to write a poem of witness, where it describes", "in society. I'm a bit unsure of how to proceed because the assignment", "of how to proceed because the assignment doesn't describe much about exactly how", "how to proceed because the assignment doesn't describe much about exactly how to", "other than to write it about something you care about. Anyone have a", "an issue in society. I'm a bit unsure of how to proceed because", "describe much about exactly how to write such a poem, other than to", "unsure of how to proceed because the assignment doesn't describe much about exactly", "of witness, where it describes writing about an issue in society. I'm a", "to write it about something you care about. Anyone have a good example", "describes writing about an issue in society. I'm a bit unsure of how", "write such a poem, other than to write it about something you care", "was given a writing assignment to write a poem of witness, where it", "writing assignment to write a poem of witness, where it describes writing about", "issue in society. I'm a bit unsure of how to proceed because the", "a bit unsure of how to proceed because the assignment doesn't describe much", "about an issue in society. I'm a bit unsure of how to proceed", "I was given a writing assignment to write a poem of witness, where", "to write a poem of witness, where it describes writing about an issue", "than to write it about something you care about. Anyone have a good", "I'm a bit unsure of how to proceed because the assignment doesn't describe", "bit unsure of how to proceed because the assignment doesn't describe much about", "a writing assignment to write a poem of witness, where it describes writing", "to proceed because the assignment doesn't describe much about exactly how to write", "doesn't describe much about exactly how to write such a poem, other than", "write it about something you care about. Anyone have a good example of", "poem, other than to write it about something you care about. Anyone have", "much about exactly how to write such a poem, other than to write", "a poem of witness, where it describes writing about an issue in society.", "writing about an issue in society. I'm a bit unsure of how to", "you care about. Anyone have a good example of this kind of poem?", "witness, where it describes writing about an issue in society. I'm a bit", "poem of witness, where it describes writing about an issue in society. I'm", "something you care about. Anyone have a good example of this kind of", "about something you care about. Anyone have a good example of this kind", "exactly how to write such a poem, other than to write it about", "write a poem of witness, where it describes writing about an issue in", "such a poem, other than to write it about something you care about.", "assignment to write a poem of witness, where it describes writing about an", "assignment doesn't describe much about exactly how to write such a poem, other", "it about something you care about. Anyone have a good example of this", "because the assignment doesn't describe much about exactly how to write such a", "the assignment doesn't describe much about exactly how to write such a poem,", "a poem, other than to write it about something you care about. Anyone", "how to write such a poem, other than to write it about something", "to write such a poem, other than to write it about something you" ]
[ "I'm not sure how to do that, and I'm not even really sure", "I'm thinking of building the story as focusing on several characters who each", "to do that, and I'm not even really sure what I'm trying to", "first began, I was much more militantly atheist than I am now, and", "I was much more militantly atheist than I am now, and my original", "plan was to build toward a grand exposure of a particular religion, as", "evolved. I'm still non-religious, but I better understand why some people have a", "the depth I desire. Now I'm at a loss. I'm thinking of building", "and I'm not even really sure what I'm trying to say. I've tried", "what I'm trying to say. I've tried listening to speakers discussing the philosophy", "and my original plan was to build toward a grand exposure of a", "my original plan was to build toward a grand exposure of a particular", "to my story lacks the depth I desire. Now I'm at a loss.", "a fantasy story that explores the creation and evolution of religion. But I'm", "atheist than I am now, and my original plan was to build toward", "the story as focusing on several characters who each view religion in different", "help. Where do I go from here, and how can I finish my", "lacks the depth I desire. Now I'm at a loss. I'm thinking of", "of religion. But I'm struggling with what I'm fundamentally trying to say regarding", "much-embellished portrayal of an event from ancient history. But since then my own", "working on a fantasy story that explores the creation and evolution of religion.", "not even really sure what I'm trying to say. I've tried listening to", "my story lacks the depth I desire. Now I'm at a loss. I'm", "to build toward a grand exposure of a particular religion, as being merely", "what I'm fundamentally trying to say regarding religion. When I first began, I", "non-religious, but I better understand why some people have a faith, and the", "evolution of religion. But I'm struggling with what I'm fundamentally trying to say", "with what I'm fundamentally trying to say regarding religion. When I first began,", "as focusing on several characters who each view religion in different ways, following", "focusing on several characters who each view religion in different ways, following their", "I've been working on a fantasy story that explores the creation and evolution", "but I better understand why some people have a faith, and the original", "story lacks the depth I desire. Now I'm at a loss. I'm thinking", "regarding religion. When I first began, I was much more militantly atheist than", "and evolution of religion. But I'm struggling with what I'm fundamentally trying to", "religion. But I'm struggling with what I'm fundamentally trying to say regarding religion.", "discussing the philosophy of religion, to try and find something that clicked for", "but that was no help. Where do I go from here, and how", "was no help. Where do I go from here, and how can I", "say. I've tried listening to speakers discussing the philosophy of religion, to try", "of religion, to try and find something that clicked for me, but that", "to speakers discussing the philosophy of religion, to try and find something that", "trying to say. I've tried listening to speakers discussing the philosophy of religion,", "religion, to try and find something that clicked for me, but that was", "have evolved. I'm still non-religious, but I better understand why some people have", "some people have a faith, and the original conclusion to my story lacks", "how to do that, and I'm not even really sure what I'm trying", "explores the creation and evolution of religion. But I'm struggling with what I'm", "people have a faith, and the original conclusion to my story lacks the", "characters who each view religion in different ways, following their growth. But I'm", "an event from ancient history. But since then my own views have evolved.", "a faith, and the original conclusion to my story lacks the depth I", "something that clicked for me, but that was no help. Where do I", "since then my own views have evolved. I'm still non-religious, but I better", "view religion in different ways, following their growth. But I'm not sure how", "try and find something that clicked for me, but that was no help.", "the creation and evolution of religion. But I'm struggling with what I'm fundamentally", "I'm still non-religious, but I better understand why some people have a faith,", "speakers discussing the philosophy of religion, to try and find something that clicked", "much more militantly atheist than I am now, and my original plan was", "I desire. Now I'm at a loss. I'm thinking of building the story", "and find something that clicked for me, but that was no help. Where", "have a faith, and the original conclusion to my story lacks the depth", "a grand exposure of a particular religion, as being merely an exaggerated, much-embellished", "story as focusing on several characters who each view religion in different ways,", "I am now, and my original plan was to build toward a grand", "of an event from ancient history. But since then my own views have", "no help. Where do I go from here, and how can I finish", "I'm trying to say. I've tried listening to speakers discussing the philosophy of", "to say regarding religion. When I first began, I was much more militantly", "listening to speakers discussing the philosophy of religion, to try and find something", "on several characters who each view religion in different ways, following their growth.", "event from ancient history. But since then my own views have evolved. I'm", "philosophy of religion, to try and find something that clicked for me, but", "being merely an exaggerated, much-embellished portrayal of an event from ancient history. But", "desire. Now I'm at a loss. I'm thinking of building the story as", "do that, and I'm not even really sure what I'm trying to say.", "tried listening to speakers discussing the philosophy of religion, to try and find", "I've tried listening to speakers discussing the philosophy of religion, to try and", "exaggerated, much-embellished portrayal of an event from ancient history. But since then my", "religion. When I first began, I was much more militantly atheist than I", "at a loss. I'm thinking of building the story as focusing on several", "of a particular religion, as being merely an exaggerated, much-embellished portrayal of an", "that, and I'm not even really sure what I'm trying to say. I've", "ancient history. But since then my own views have evolved. I'm still non-religious,", "find something that clicked for me, but that was no help. Where do", "been working on a fantasy story that explores the creation and evolution of", "conclusion to my story lacks the depth I desire. Now I'm at a", "Where do I go from here, and how can I finish my story?", "why some people have a faith, and the original conclusion to my story", "even really sure what I'm trying to say. I've tried listening to speakers", "that was no help. Where do I go from here, and how can", "sure what I'm trying to say. I've tried listening to speakers discussing the", "I better understand why some people have a faith, and the original conclusion", "original plan was to build toward a grand exposure of a particular religion,", "that explores the creation and evolution of religion. But I'm struggling with what", "original conclusion to my story lacks the depth I desire. Now I'm at", "religion in different ways, following their growth. But I'm not sure how to", "than I am now, and my original plan was to build toward a", "ways, following their growth. But I'm not sure how to do that, and", "my own views have evolved. I'm still non-religious, but I better understand why", "not sure how to do that, and I'm not even really sure what", "on a fantasy story that explores the creation and evolution of religion. But", "the original conclusion to my story lacks the depth I desire. Now I'm", "following their growth. But I'm not sure how to do that, and I'm", "own views have evolved. I'm still non-religious, but I better understand why some", "But I'm struggling with what I'm fundamentally trying to say regarding religion. When", "history. But since then my own views have evolved. I'm still non-religious, but", "began, I was much more militantly atheist than I am now, and my", "exposure of a particular religion, as being merely an exaggerated, much-embellished portrayal of", "struggling with what I'm fundamentally trying to say regarding religion. When I first", "loss. I'm thinking of building the story as focusing on several characters who", "in different ways, following their growth. But I'm not sure how to do", "I first began, I was much more militantly atheist than I am now,", "I'm fundamentally trying to say regarding religion. When I first began, I was", "militantly atheist than I am now, and my original plan was to build", "particular religion, as being merely an exaggerated, much-embellished portrayal of an event from", "then my own views have evolved. I'm still non-religious, but I better understand", "was to build toward a grand exposure of a particular religion, as being", "was much more militantly atheist than I am now, and my original plan", "better understand why some people have a faith, and the original conclusion to", "building the story as focusing on several characters who each view religion in", "several characters who each view religion in different ways, following their growth. But", "from ancient history. But since then my own views have evolved. I'm still", "growth. But I'm not sure how to do that, and I'm not even", "to say. I've tried listening to speakers discussing the philosophy of religion, to", "creation and evolution of religion. But I'm struggling with what I'm fundamentally trying", "am now, and my original plan was to build toward a grand exposure", "story that explores the creation and evolution of religion. But I'm struggling with", "faith, and the original conclusion to my story lacks the depth I desire.", "fundamentally trying to say regarding religion. When I first began, I was much", "religion, as being merely an exaggerated, much-embellished portrayal of an event from ancient", "I'm at a loss. I'm thinking of building the story as focusing on", "and the original conclusion to my story lacks the depth I desire. Now", "that clicked for me, but that was no help. Where do I go", "who each view religion in different ways, following their growth. But I'm not", "depth I desire. Now I'm at a loss. I'm thinking of building the", "their growth. But I'm not sure how to do that, and I'm not", "really sure what I'm trying to say. I've tried listening to speakers discussing", "I'm struggling with what I'm fundamentally trying to say regarding religion. When I", "each view religion in different ways, following their growth. But I'm not sure", "understand why some people have a faith, and the original conclusion to my", "But since then my own views have evolved. I'm still non-religious, but I", "build toward a grand exposure of a particular religion, as being merely an", "But I'm not sure how to do that, and I'm not even really", "portrayal of an event from ancient history. But since then my own views", "trying to say regarding religion. When I first began, I was much more", "When I first began, I was much more militantly atheist than I am", "the philosophy of religion, to try and find something that clicked for me,", "Now I'm at a loss. I'm thinking of building the story as focusing", "thinking of building the story as focusing on several characters who each view", "a loss. I'm thinking of building the story as focusing on several characters", "a particular religion, as being merely an exaggerated, much-embellished portrayal of an event", "clicked for me, but that was no help. Where do I go from", "say regarding religion. When I first began, I was much more militantly atheist", "now, and my original plan was to build toward a grand exposure of", "merely an exaggerated, much-embellished portrayal of an event from ancient history. But since", "me, but that was no help. Where do I go from here, and", "more militantly atheist than I am now, and my original plan was to", "different ways, following their growth. But I'm not sure how to do that,", "for me, but that was no help. Where do I go from here,", "toward a grand exposure of a particular religion, as being merely an exaggerated,", "grand exposure of a particular religion, as being merely an exaggerated, much-embellished portrayal", "fantasy story that explores the creation and evolution of religion. But I'm struggling", "an exaggerated, much-embellished portrayal of an event from ancient history. But since then", "still non-religious, but I better understand why some people have a faith, and", "of building the story as focusing on several characters who each view religion", "sure how to do that, and I'm not even really sure what I'm", "views have evolved. I'm still non-religious, but I better understand why some people", "I'm not even really sure what I'm trying to say. I've tried listening", "to try and find something that clicked for me, but that was no", "as being merely an exaggerated, much-embellished portrayal of an event from ancient history." ]
[]
[ "collapse come about etc) in my own book, but I'm afraid of borrowing", "it basically becomes stealing his concept, or perhaps worse, fan fiction. To be", "really want to explore this theme further (rediscovering old technology, how did the", "To be clear the only element I want to keep is the theme", "come about etc) in my own book, but I'm afraid of borrowing too", "read the Blood on the Stars series by Jay Allan and really enjoyed", "own book, but I'm afraid of borrowing too closely until it basically becomes", "splintered into factions and is now at war with itself. I really want", "afraid of borrowing too closely until it basically becomes stealing his concept, or", "by Jay Allan and really enjoyed the idea of a post-Golden Age human", "enjoyed the idea of a post-Golden Age human civilization that has splintered into", "of a post-apocalyptic space-faring human civilization: virtually everything else will change. How do", "becomes stealing his concept, or perhaps worse, fan fiction. To be clear the", "Allan and really enjoyed the idea of a post-Golden Age human civilization that", "element I want to keep is the theme of a post-apocalyptic space-faring human", "but I'm afraid of borrowing too closely until it basically becomes stealing his", "I really want to explore this theme further (rediscovering old technology, how did", "I'm afraid of borrowing too closely until it basically becomes stealing his concept,", "into factions and is now at war with itself. I really want to", "Stars series by Jay Allan and really enjoyed the idea of a post-Golden", "this theme further (rediscovering old technology, how did the collapse come about etc)", "of a post-Golden Age human civilization that has splintered into factions and is", "really enjoyed the idea of a post-Golden Age human civilization that has splintered", "the idea of a post-Golden Age human civilization that has splintered into factions", "closely until it basically becomes stealing his concept, or perhaps worse, fan fiction.", "a post-Golden Age human civilization that has splintered into factions and is now", "concept, or perhaps worse, fan fiction. To be clear the only element I", "stealing his concept, or perhaps worse, fan fiction. To be clear the only", "only element I want to keep is the theme of a post-apocalyptic space-faring", "is the theme of a post-apocalyptic space-faring human civilization: virtually everything else will", "and is now at war with itself. I really want to explore this", "Age human civilization that has splintered into factions and is now at war", "etc) in my own book, but I'm afraid of borrowing too closely until", "my own book, but I'm afraid of borrowing too closely until it basically", "or perhaps worse, fan fiction. To be clear the only element I want", "civilization that has splintered into factions and is now at war with itself.", "keep is the theme of a post-apocalyptic space-faring human civilization: virtually everything else", "want to explore this theme further (rediscovering old technology, how did the collapse", "Jay Allan and really enjoyed the idea of a post-Golden Age human civilization", "the only element I want to keep is the theme of a post-apocalyptic", "change. How do I know where the line is between inspiration and plagiarism?", "theme further (rediscovering old technology, how did the collapse come about etc) in", "that has splintered into factions and is now at war with itself. I", "how did the collapse come about etc) in my own book, but I'm", "borrowing too closely until it basically becomes stealing his concept, or perhaps worse,", "clear the only element I want to keep is the theme of a", "war with itself. I really want to explore this theme further (rediscovering old", "factions and is now at war with itself. I really want to explore", "technology, how did the collapse come about etc) in my own book, but", "of borrowing too closely until it basically becomes stealing his concept, or perhaps", "(rediscovering old technology, how did the collapse come about etc) in my own", "did the collapse come about etc) in my own book, but I'm afraid", "explore this theme further (rediscovering old technology, how did the collapse come about", "his concept, or perhaps worse, fan fiction. To be clear the only element", "a post-apocalyptic space-faring human civilization: virtually everything else will change. How do I", "now at war with itself. I really want to explore this theme further", "has splintered into factions and is now at war with itself. I really", "I recently read the Blood on the Stars series by Jay Allan and", "old technology, how did the collapse come about etc) in my own book,", "with itself. I really want to explore this theme further (rediscovering old technology,", "too closely until it basically becomes stealing his concept, or perhaps worse, fan", "else will change. How do I know where the line is between inspiration", "series by Jay Allan and really enjoyed the idea of a post-Golden Age", "human civilization that has splintered into factions and is now at war with", "the Blood on the Stars series by Jay Allan and really enjoyed the", "fan fiction. To be clear the only element I want to keep is", "perhaps worse, fan fiction. To be clear the only element I want to", "post-apocalyptic space-faring human civilization: virtually everything else will change. How do I know", "space-faring human civilization: virtually everything else will change. How do I know where", "want to keep is the theme of a post-apocalyptic space-faring human civilization: virtually", "basically becomes stealing his concept, or perhaps worse, fan fiction. To be clear", "the theme of a post-apocalyptic space-faring human civilization: virtually everything else will change.", "until it basically becomes stealing his concept, or perhaps worse, fan fiction. To", "to keep is the theme of a post-apocalyptic space-faring human civilization: virtually everything", "civilization: virtually everything else will change. How do I know where the line", "recently read the Blood on the Stars series by Jay Allan and really", "further (rediscovering old technology, how did the collapse come about etc) in my", "itself. I really want to explore this theme further (rediscovering old technology, how", "is now at war with itself. I really want to explore this theme", "the Stars series by Jay Allan and really enjoyed the idea of a", "everything else will change. How do I know where the line is between", "worse, fan fiction. To be clear the only element I want to keep", "human civilization: virtually everything else will change. How do I know where the", "post-Golden Age human civilization that has splintered into factions and is now at", "fiction. To be clear the only element I want to keep is the", "book, but I'm afraid of borrowing too closely until it basically becomes stealing", "Blood on the Stars series by Jay Allan and really enjoyed the idea", "will change. How do I know where the line is between inspiration and", "in my own book, but I'm afraid of borrowing too closely until it", "idea of a post-Golden Age human civilization that has splintered into factions and", "I want to keep is the theme of a post-apocalyptic space-faring human civilization:", "theme of a post-apocalyptic space-faring human civilization: virtually everything else will change. How", "about etc) in my own book, but I'm afraid of borrowing too closely", "and really enjoyed the idea of a post-Golden Age human civilization that has", "to explore this theme further (rediscovering old technology, how did the collapse come", "the collapse come about etc) in my own book, but I'm afraid of", "at war with itself. I really want to explore this theme further (rediscovering", "be clear the only element I want to keep is the theme of", "on the Stars series by Jay Allan and really enjoyed the idea of", "virtually everything else will change. How do I know where the line is" ]
[ "it to be somewhat challenging. Question is then: **what's the difference between the", "up other than to say that I've tried putting my poems to music", "somewhat challenging. Question is then: **what's the difference between the skillsets needed to", "is then: **what's the difference between the skillsets needed to write poetry and", "write poetry and song-lyrics**? It'd be nice to get actionable points so that", "so that I can practice writing some song-lyrics instead of trying to port", "then: **what's the difference between the skillsets needed to write poetry and song-lyrics**?", "that I've tried putting my poems to music and found it to be", "**what's the difference between the skillsets needed to write poetry and song-lyrics**? It'd", "my poems to music and found it to be somewhat challenging. Question is", "I've tried putting my poems to music and found it to be somewhat", "poetry and song-lyrics**? It'd be nice to get actionable points so that I", "sure how to jazz this question up other than to say that I've", "challenging. Question is then: **what's the difference between the skillsets needed to write", "can practice writing some song-lyrics instead of trying to port my poems across.", "the skillsets needed to write poetry and song-lyrics**? It'd be nice to get", "and song-lyrics**? It'd be nice to get actionable points so that I can", "song-lyrics**? It'd be nice to get actionable points so that I can practice", "Question is then: **what's the difference between the skillsets needed to write poetry", "question up other than to say that I've tried putting my poems to", "found it to be somewhat challenging. Question is then: **what's the difference between", "I can practice writing some song-lyrics instead of trying to port my poems", "other than to say that I've tried putting my poems to music and", "to write poetry and song-lyrics**? It'd be nice to get actionable points so", "jazz this question up other than to say that I've tried putting my", "how to jazz this question up other than to say that I've tried", "to jazz this question up other than to say that I've tried putting", "music and found it to be somewhat challenging. Question is then: **what's the", "and found it to be somewhat challenging. Question is then: **what's the difference", "difference between the skillsets needed to write poetry and song-lyrics**? It'd be nice", "this question up other than to say that I've tried putting my poems", "to say that I've tried putting my poems to music and found it", "be somewhat challenging. Question is then: **what's the difference between the skillsets needed", "say that I've tried putting my poems to music and found it to", "skillsets needed to write poetry and song-lyrics**? It'd be nice to get actionable", "between the skillsets needed to write poetry and song-lyrics**? It'd be nice to", "putting my poems to music and found it to be somewhat challenging. Question", "to music and found it to be somewhat challenging. Question is then: **what's", "tried putting my poems to music and found it to be somewhat challenging.", "Not sure how to jazz this question up other than to say that", "to get actionable points so that I can practice writing some song-lyrics instead", "that I can practice writing some song-lyrics instead of trying to port my", "get actionable points so that I can practice writing some song-lyrics instead of", "nice to get actionable points so that I can practice writing some song-lyrics", "than to say that I've tried putting my poems to music and found", "points so that I can practice writing some song-lyrics instead of trying to", "to be somewhat challenging. Question is then: **what's the difference between the skillsets", "It'd be nice to get actionable points so that I can practice writing", "actionable points so that I can practice writing some song-lyrics instead of trying", "the difference between the skillsets needed to write poetry and song-lyrics**? It'd be", "poems to music and found it to be somewhat challenging. Question is then:", "needed to write poetry and song-lyrics**? It'd be nice to get actionable points", "be nice to get actionable points so that I can practice writing some" ]
[ "fast-forwards, and most importantly, is the main focus, instead of an everlasting flashback", "I, and if yes, how should I make such prolonged training arc, without", "flashbacks. They show us a piece of information about the world or a", "Only real problem here is the lack of real danger. The mentor's techniques", "how should I make such prolonged training arc, without the reader getting bored?**", "is dead and mentor makes sure he stays that way. **Should I, and", "dead and mentor makes sure he stays that way. **Should I, and if", "that unusual, and unlike Hijrp Potfeq, the Big Bad Evil Guy is dead", "in flashbacks. They show us a piece of information about the world or", "something that ends in the prologue, or shows up in flashbacks. They show", "are typically viewed as backstory, something that ends in the prologue, or shows", "lack of real danger. The mentor's techniques aren't that unusual, and unlike Hijrp", "the lack of real danger. The mentor's techniques aren't that unusual, and unlike", "spans multiple chapters, though uses time skips and fast-forwards, and most importantly, is", "and unlike Hijrp Potfeq, the Big Bad Evil Guy is dead and mentor", "arcs are typically viewed as backstory, something that ends in the prologue, or", "techniques aren't that unusual, and unlike Hijrp Potfeq, the Big Bad Evil Guy", "character. This case is different. I want a full-fledged training that spans multiple", "of information about the world or a character. This case is different. I", "backstory, something that ends in the prologue, or shows up in flashbacks. They", "full-fledged training that spans multiple chapters, though uses time skips and fast-forwards, and", "the world or a character. This case is different. I want a full-fledged", "**Should I, and if yes, how should I make such prolonged training arc,", "real danger. The mentor's techniques aren't that unusual, and unlike Hijrp Potfeq, the", "problem here is the lack of real danger. The mentor's techniques aren't that", "multiple chapters, though uses time skips and fast-forwards, and most importantly, is the", "and fast-forwards, and most importantly, is the main focus, instead of an everlasting", "montages and arcs are typically viewed as backstory, something that ends in the", "case is different. I want a full-fledged training that spans multiple chapters, though", "time skips and fast-forwards, and most importantly, is the main focus, instead of", "information about the world or a character. This case is different. I want", "that way. **Should I, and if yes, how should I make such prolonged", "the Big Bad Evil Guy is dead and mentor makes sure he stays", "the main focus, instead of an everlasting flashback or prologue. Only real problem", "the prologue, or shows up in flashbacks. They show us a piece of", "of real danger. The mentor's techniques aren't that unusual, and unlike Hijrp Potfeq,", "shows up in flashbacks. They show us a piece of information about the", "importantly, is the main focus, instead of an everlasting flashback or prologue. Only", "instead of an everlasting flashback or prologue. Only real problem here is the", "training that spans multiple chapters, though uses time skips and fast-forwards, and most", "Guy is dead and mentor makes sure he stays that way. **Should I,", "Bad Evil Guy is dead and mentor makes sure he stays that way.", "or shows up in flashbacks. They show us a piece of information about", "sure he stays that way. **Should I, and if yes, how should I", "a full-fledged training that spans multiple chapters, though uses time skips and fast-forwards,", "skips and fast-forwards, and most importantly, is the main focus, instead of an", "way. **Should I, and if yes, how should I make such prolonged training", "a character. This case is different. I want a full-fledged training that spans", "an everlasting flashback or prologue. Only real problem here is the lack of", "though uses time skips and fast-forwards, and most importantly, is the main focus,", "here is the lack of real danger. The mentor's techniques aren't that unusual,", "he stays that way. **Should I, and if yes, how should I make", "chapters, though uses time skips and fast-forwards, and most importantly, is the main", "mentor makes sure he stays that way. **Should I, and if yes, how", "if yes, how should I make such prolonged training arc, without the reader", "ends in the prologue, or shows up in flashbacks. They show us a", "as backstory, something that ends in the prologue, or shows up in flashbacks.", "mentor's techniques aren't that unusual, and unlike Hijrp Potfeq, the Big Bad Evil", "show us a piece of information about the world or a character. This", "of an everlasting flashback or prologue. Only real problem here is the lack", "makes sure he stays that way. **Should I, and if yes, how should", "in the prologue, or shows up in flashbacks. They show us a piece", "prologue. Only real problem here is the lack of real danger. The mentor's", "prologue, or shows up in flashbacks. They show us a piece of information", "and arcs are typically viewed as backstory, something that ends in the prologue,", "world or a character. This case is different. I want a full-fledged training", "Hijrp Potfeq, the Big Bad Evil Guy is dead and mentor makes sure", "a piece of information about the world or a character. This case is", "up in flashbacks. They show us a piece of information about the world", "piece of information about the world or a character. This case is different.", "typically viewed as backstory, something that ends in the prologue, or shows up", "Big Bad Evil Guy is dead and mentor makes sure he stays that", "aren't that unusual, and unlike Hijrp Potfeq, the Big Bad Evil Guy is", "I want a full-fledged training that spans multiple chapters, though uses time skips", "flashback or prologue. Only real problem here is the lack of real danger.", "danger. The mentor's techniques aren't that unusual, and unlike Hijrp Potfeq, the Big", "main focus, instead of an everlasting flashback or prologue. Only real problem here", "stays that way. **Should I, and if yes, how should I make such", "and if yes, how should I make such prolonged training arc, without the", "and mentor makes sure he stays that way. **Should I, and if yes,", "most importantly, is the main focus, instead of an everlasting flashback or prologue.", "real problem here is the lack of real danger. The mentor's techniques aren't", "everlasting flashback or prologue. Only real problem here is the lack of real", "is the lack of real danger. The mentor's techniques aren't that unusual, and", "Potfeq, the Big Bad Evil Guy is dead and mentor makes sure he", "unlike Hijrp Potfeq, the Big Bad Evil Guy is dead and mentor makes", "unusual, and unlike Hijrp Potfeq, the Big Bad Evil Guy is dead and", "focus, instead of an everlasting flashback or prologue. Only real problem here is", "that ends in the prologue, or shows up in flashbacks. They show us", "us a piece of information about the world or a character. This case", "want a full-fledged training that spans multiple chapters, though uses time skips and", "different. I want a full-fledged training that spans multiple chapters, though uses time", "This case is different. I want a full-fledged training that spans multiple chapters,", "that spans multiple chapters, though uses time skips and fast-forwards, and most importantly,", "They show us a piece of information about the world or a character.", "and most importantly, is the main focus, instead of an everlasting flashback or", "is different. I want a full-fledged training that spans multiple chapters, though uses", "uses time skips and fast-forwards, and most importantly, is the main focus, instead", "yes, how should I make such prolonged training arc, without the reader getting", "Evil Guy is dead and mentor makes sure he stays that way. **Should", "viewed as backstory, something that ends in the prologue, or shows up in", "or a character. This case is different. I want a full-fledged training that", "or prologue. Only real problem here is the lack of real danger. The", "is the main focus, instead of an everlasting flashback or prologue. Only real", "The mentor's techniques aren't that unusual, and unlike Hijrp Potfeq, the Big Bad", "Training montages and arcs are typically viewed as backstory, something that ends in", "about the world or a character. This case is different. I want a" ]
[ "information that tells us why the character has turned out to be a", "**what innovative ways are available to deliver background information without preventing the reader", "thrills. The scene fades, the noise ends and then we are seeing a", "The scene fades, the noise ends and then we are seeing a child", "figures involved in the chase. It turns out that this scene is background", "buildings and into the mean streets of a crowded city. Think big guns,", "father-figure. It becomes clear, after an extended scene, that this is the past", "ends and then we are seeing a child being chastised by a father-figure.", "out that this scene is background information that tells us why the character", "other over rooftops, down through buildings and into the mean streets of a", "one of the figures involved in the chase. It turns out that this", "seeing a child being chastised by a father-figure. It becomes clear, after an", "danger. Think high-octane thrills. The scene fades, the noise ends and then we", "innovative ways are available to deliver background information without preventing the reader from", "child will become one of the figures involved in the chase. It turns", "all at the same time. Question: **what innovative ways are available to deliver", "of the figures involved in the chase. It turns out that this scene", "big guns, explosions and other loud noises. Think danger. Think high-octane thrills. The", "that this is the past and that the child will become one of", "a violent man. This is backstory, info-dump and (some might say) a darned", "are seeing a child being chastised by a father-figure. It becomes clear, after", "to be a violent man. This is backstory, info-dump and (some might say)", "has turned out to be a violent man. This is backstory, info-dump and", "and then we are seeing a child being chastised by a father-figure. It", "It turns out that this scene is background information that tells us why", "other loud noises. Think danger. Think high-octane thrills. The scene fades, the noise", "backstory, info-dump and (some might say) a darned nuisance all at the same", "the character has turned out to be a violent man. This is backstory,", "chase. It turns out that this scene is background information that tells us", "at the same time. Question: **what innovative ways are available to deliver background", "the child will become one of the figures involved in the chase. It", "scene is background information that tells us why the character has turned out", "Question: **what innovative ways are available to deliver background information without preventing the", "Think two heavily-armed men - one chasing the other over rooftops, down through", "Think high-octane thrills. The scene fades, the noise ends and then we are", "the mean streets of a crowded city. Think big guns, explosions and other", "info-dump and (some might say) a darned nuisance all at the same time.", "tells us why the character has turned out to be a violent man.", "an extended scene, that this is the past and that the child will", "turns out that this scene is background information that tells us why the", "It becomes clear, after an extended scene, that this is the past and", "a child being chastised by a father-figure. It becomes clear, after an extended", "by a father-figure. It becomes clear, after an extended scene, that this is", "explosions and other loud noises. Think danger. Think high-octane thrills. The scene fades,", "Think *action movie*. Think two heavily-armed men - one chasing the other over", "guns, explosions and other loud noises. Think danger. Think high-octane thrills. The scene", "are available to deliver background information without preventing the reader from enjoying the", "the same time. Question: **what innovative ways are available to deliver background information", "we are seeing a child being chastised by a father-figure. It becomes clear,", "one chasing the other over rooftops, down through buildings and into the mean", "that the child will become one of the figures involved in the chase.", "movie*. Think two heavily-armed men - one chasing the other over rooftops, down", "heavily-armed men - one chasing the other over rooftops, down through buildings and", "- one chasing the other over rooftops, down through buildings and into the", "fades, the noise ends and then we are seeing a child being chastised", "nuisance all at the same time. Question: **what innovative ways are available to", "that tells us why the character has turned out to be a violent", "the noise ends and then we are seeing a child being chastised by", "city. Think big guns, explosions and other loud noises. Think danger. Think high-octane", "down through buildings and into the mean streets of a crowded city. Think", "then we are seeing a child being chastised by a father-figure. It becomes", "is backstory, info-dump and (some might say) a darned nuisance all at the", "the figures involved in the chase. It turns out that this scene is", "why the character has turned out to be a violent man. This is", "turned out to be a violent man. This is backstory, info-dump and (some", "becomes clear, after an extended scene, that this is the past and that", "darned nuisance all at the same time. Question: **what innovative ways are available", "violent man. This is backstory, info-dump and (some might say) a darned nuisance", "(some might say) a darned nuisance all at the same time. Question: **what", "past and that the child will become one of the figures involved in", "same time. Question: **what innovative ways are available to deliver background information without", "two heavily-armed men - one chasing the other over rooftops, down through buildings", "character has turned out to be a violent man. This is backstory, info-dump", "this is the past and that the child will become one of the", "a darned nuisance all at the same time. Question: **what innovative ways are", "into the mean streets of a crowded city. Think big guns, explosions and", "in the chase. It turns out that this scene is background information that", "the chase. It turns out that this scene is background information that tells", "to deliver background information without preventing the reader from enjoying the main storyline?**", "chasing the other over rooftops, down through buildings and into the mean streets", "be a violent man. This is backstory, info-dump and (some might say) a", "the past and that the child will become one of the figures involved", "a crowded city. Think big guns, explosions and other loud noises. Think danger.", "and into the mean streets of a crowded city. Think big guns, explosions", "become one of the figures involved in the chase. It turns out that", "loud noises. Think danger. Think high-octane thrills. The scene fades, the noise ends", "chastised by a father-figure. It becomes clear, after an extended scene, that this", "is background information that tells us why the character has turned out to", "out to be a violent man. This is backstory, info-dump and (some might", "rooftops, down through buildings and into the mean streets of a crowded city.", "Think danger. Think high-octane thrills. The scene fades, the noise ends and then", "might say) a darned nuisance all at the same time. Question: **what innovative", "man. This is backstory, info-dump and (some might say) a darned nuisance all", "clear, after an extended scene, that this is the past and that the", "This is backstory, info-dump and (some might say) a darned nuisance all at", "noise ends and then we are seeing a child being chastised by a", "a father-figure. It becomes clear, after an extended scene, that this is the", "of a crowded city. Think big guns, explosions and other loud noises. Think", "scene fades, the noise ends and then we are seeing a child being", "over rooftops, down through buildings and into the mean streets of a crowded", "this scene is background information that tells us why the character has turned", "us why the character has turned out to be a violent man. This", "noises. Think danger. Think high-octane thrills. The scene fades, the noise ends and", "and other loud noises. Think danger. Think high-octane thrills. The scene fades, the", "after an extended scene, that this is the past and that the child", "ways are available to deliver background information without preventing the reader from enjoying", "extended scene, that this is the past and that the child will become", "through buildings and into the mean streets of a crowded city. Think big", "*action movie*. Think two heavily-armed men - one chasing the other over rooftops,", "child being chastised by a father-figure. It becomes clear, after an extended scene,", "is the past and that the child will become one of the figures", "high-octane thrills. The scene fades, the noise ends and then we are seeing", "being chastised by a father-figure. It becomes clear, after an extended scene, that", "crowded city. Think big guns, explosions and other loud noises. Think danger. Think", "will become one of the figures involved in the chase. It turns out", "streets of a crowded city. Think big guns, explosions and other loud noises.", "available to deliver background information without preventing the reader from enjoying the main", "men - one chasing the other over rooftops, down through buildings and into", "scene, that this is the past and that the child will become one", "mean streets of a crowded city. Think big guns, explosions and other loud", "Think big guns, explosions and other loud noises. Think danger. Think high-octane thrills.", "say) a darned nuisance all at the same time. Question: **what innovative ways", "that this scene is background information that tells us why the character has", "involved in the chase. It turns out that this scene is background information", "and (some might say) a darned nuisance all at the same time. Question:", "the other over rooftops, down through buildings and into the mean streets of", "time. Question: **what innovative ways are available to deliver background information without preventing", "background information that tells us why the character has turned out to be", "and that the child will become one of the figures involved in the" ]
[ "my readers. I'd hate to think that, to understand what I write, my", "much in my more creative fiction. When I get going, I include slang", "get going, I include slang words and phrases that sound fascinating and are", "instead. Question: **what resources exist to enable writers of jargon-filled prose to temper", "think that, to understand what I write, my readers have to resort to", "I get going, I include slang words and phrases that sound fascinating and", "express my personality too much in my more creative fiction. When I get", "have to resort to multiple internet searches. I imagine it would be frustrating", "interesting or understandable to my readers. I'd hate to think that, to understand", "I'd hate to think that, to understand what I write, my readers have", "in my more creative fiction. When I get going, I include slang words", "I write, my readers have to resort to multiple internet searches. I imagine", "to read something else instead. Question: **what resources exist to enable writers of", "exist to enable writers of jargon-filled prose to temper this tendency, yet still", "writers of jargon-filled prose to temper this tendency, yet still retain their precious", "to have to do this and would lead them to read something else", "searches. I imagine it would be frustrating for them to have to do", "may not be interesting or understandable to my readers. I'd hate to think", "sometime express my personality too much in my more creative fiction. When I", "would lead them to read something else instead. Question: **what resources exist to", "write, my readers have to resort to multiple internet searches. I imagine it", "frustrating for them to have to do this and would lead them to", "I imagine it would be frustrating for them to have to do this", "it would be frustrating for them to have to do this and would", "more creative fiction. When I get going, I include slang words and phrases", "jargon-filled prose to temper this tendency, yet still retain their precious individuality and", "too much in my more creative fiction. When I get going, I include", "something else instead. Question: **what resources exist to enable writers of jargon-filled prose", "slang words and phrases that sound fascinating and are comprehensible to me, but", "readers have to resort to multiple internet searches. I imagine it would be", "**what resources exist to enable writers of jargon-filled prose to temper this tendency,", "not be interesting or understandable to my readers. I'd hate to think that,", "this and would lead them to read something else instead. Question: **what resources", "words and phrases that sound fascinating and are comprehensible to me, but may", "When I get going, I include slang words and phrases that sound fascinating", "for them to have to do this and would lead them to read", "to my readers. I'd hate to think that, to understand what I write,", "my personality too much in my more creative fiction. When I get going,", "them to read something else instead. Question: **what resources exist to enable writers", "and phrases that sound fascinating and are comprehensible to me, but may not", "that, to understand what I write, my readers have to resort to multiple", "resort to multiple internet searches. I imagine it would be frustrating for them", "lead them to read something else instead. Question: **what resources exist to enable", "my readers have to resort to multiple internet searches. I imagine it would", "readers. I'd hate to think that, to understand what I write, my readers", "understand what I write, my readers have to resort to multiple internet searches.", "hate to think that, to understand what I write, my readers have to", "and would lead them to read something else instead. Question: **what resources exist", "sound fascinating and are comprehensible to me, but may not be interesting or", "going, I include slang words and phrases that sound fascinating and are comprehensible", "to do this and would lead them to read something else instead. Question:", "to me, but may not be interesting or understandable to my readers. I'd", "are comprehensible to me, but may not be interesting or understandable to my", "understandable to my readers. I'd hate to think that, to understand what I", "comprehensible to me, but may not be interesting or understandable to my readers.", "enable writers of jargon-filled prose to temper this tendency, yet still retain their", "or understandable to my readers. I'd hate to think that, to understand what", "to enable writers of jargon-filled prose to temper this tendency, yet still retain", "fiction. When I get going, I include slang words and phrases that sound", "be interesting or understandable to my readers. I'd hate to think that, to", "to understand what I write, my readers have to resort to multiple internet", "but may not be interesting or understandable to my readers. I'd hate to", "be frustrating for them to have to do this and would lead them", "internet searches. I imagine it would be frustrating for them to have to", "and are comprehensible to me, but may not be interesting or understandable to", "fascinating and are comprehensible to me, but may not be interesting or understandable", "my more creative fiction. When I get going, I include slang words and", "multiple internet searches. I imagine it would be frustrating for them to have", "I sometime express my personality too much in my more creative fiction. When", "me, but may not be interesting or understandable to my readers. I'd hate", "to multiple internet searches. I imagine it would be frustrating for them to", "I include slang words and phrases that sound fascinating and are comprehensible to", "what I write, my readers have to resort to multiple internet searches. I", "to think that, to understand what I write, my readers have to resort", "of jargon-filled prose to temper this tendency, yet still retain their precious individuality", "to resort to multiple internet searches. I imagine it would be frustrating for", "else instead. Question: **what resources exist to enable writers of jargon-filled prose to", "prose to temper this tendency, yet still retain their precious individuality and creativity?**", "resources exist to enable writers of jargon-filled prose to temper this tendency, yet", "imagine it would be frustrating for them to have to do this and", "read something else instead. Question: **what resources exist to enable writers of jargon-filled", "creative fiction. When I get going, I include slang words and phrases that", "them to have to do this and would lead them to read something", "that sound fascinating and are comprehensible to me, but may not be interesting", "include slang words and phrases that sound fascinating and are comprehensible to me,", "have to do this and would lead them to read something else instead.", "would be frustrating for them to have to do this and would lead", "Question: **what resources exist to enable writers of jargon-filled prose to temper this", "personality too much in my more creative fiction. When I get going, I", "phrases that sound fascinating and are comprehensible to me, but may not be", "do this and would lead them to read something else instead. Question: **what" ]
[ "where the camera will follow a character giving the impression you have their", "and feelings of many of the characters, most of which aren't the protagonist.", "no specific reason to say out loud, \"blah blah blah... the murder, *which", "writing the thoughts of either character? 1 Apologies if I am mixing up", "may be on their minds, the conversation may even be loosely related to", "This secret may be on their minds, the conversation may even be loosely", "feelings of many of the characters, most of which aren't the protagonist. The", "However, it will turn out she knows all along who did it, and", "the reader? Does it behoove the author to reveal it at this point?", "*which you committed*\", but wouldn't it be a bit dishonest of me, the", "author, to leave out this particular piece of information during this conversation, even", "when writing for readers, since I'm writing the actual thoughts of this character,", "specific reason to say out loud, \"blah blah blah... the murder, *which you", "which one of them will reveal or be found out at a dramatic", "the reader, which one of them will reveal or be found out at", "do see a similar thing done in, for example, in movies / TV", "the characters, most of which aren't the protagonist. The problem arises when some", "detective investigating a murder. However, it will turn out she knows all along", "of these characters are hiding a certain secret from the protagonist, the general", "conversation between two such characters? i.e. Two characters know something, and are having", "murder remains \"unsolved\". So her short-tempered sergeant1 enters and gives her an earful", "thoughts and feelings of many of the characters, most of which aren't the", "these characters are hiding a certain secret from the protagonist, the general public", "know something, and are having a private conversation. This secret may be on", "are trying to hide it from the reader? Does it behoove the author", "the murder remains \"unsolved\". So her short-tempered sergeant1 enters and gives her an", "friend, Bob. Now she can't find any evidence that doesn't implicate Bob, and", "something important they've seen - perhaps saving the surprise for later on. But", "actual thoughts of this character, this shouldn't be done. Should I just avoid", "from Aluke's POV, to portray her hatred and contempt for her annoying and", "the perspective of this character? But even then, what about a conversation between", "in, for example, in movies / TV shows, where the camera will follow", "Now, she has no specific reason to say out loud, \"blah blah blah...", "a character giving the impression you have their perspective, but not reveal something", "shouldn't be done. Should I just avoid writing from the perspective of this", "moment. This seems like it would be a bit off to me, because", "reveal it at this point? **Example** (to elaborate in response to comment) Aluke", "of like the style of writing the thoughts and feelings of many of", "particular piece of information during this conversation, even if I'm not writing the", "on. But I feel like, when writing for readers, since I'm writing the", "a bit off to me, because if the reader is \"inside their head\",", "perhaps saving the surprise for later on. But I feel like, when writing", "and Aluke are having a conversation, where Aluke is ranting about her sergeant", "if I'm not writing the thoughts of either character? 1 Apologies if I", "she knows it's Bob? Let's say I don't. But later, Bob and Aluke", "I kind of like the style of writing the thoughts and feelings of", "will follow a character giving the impression you have their perspective, but not", "from the perspective of this character? But even then, what about a conversation", "Bob. Now she can't find any evidence that doesn't implicate Bob, and she", "a conversation between two such characters? i.e. Two characters know something, and are", "the murder, *which you committed*\", but wouldn't it be a bit dishonest of", "the thoughts of either character? 1 Apologies if I am mixing up my", "the thoughts and feelings of many of the characters, most of which aren't", "the conversation may even be loosely related to it, but they don't speak", "their head\", surely they would be privy to this piece of information. However,", "is \"inside their head\", surely they would be privy to this piece of", "murder. However, it will turn out she knows all along who did it,", "a certain secret from the protagonist, the general public and the reader, which", "some of these characters are hiding a certain secret from the protagonist, the", "for later on. But I feel like, when writing for readers, since I'm", "But even then, what about a conversation between two such characters? i.e. Two", "will reveal or be found out at a dramatic moment. This seems like", "the aforementioned altercation. Now, she has no specific reason to say out loud,", "their perspective, but not reveal something important they've seen - perhaps saving the", "this point? **Example** (to elaborate in response to comment) Aluke is the lead", "out she knows all along who did it, and it's her friend, Bob.", "and it's her friend, Bob. Now she can't find any evidence that doesn't", "important they've seen - perhaps saving the surprise for later on. But I", "loosely related to it, but they don't speak it out loud. Would this", "saving the surprise for later on. But I feel like, when writing for", "I just avoid writing from the perspective of this character? But even then,", "during this conversation, even if I'm not writing the thoughts of either character?", "response to comment) Aluke is the lead detective investigating a murder. However, it", "sergeant and the aforementioned altercation. Now, she has no specific reason to say", "from the protagonist, the general public and the reader, which one of them", "bit off to me, because if the reader is \"inside their head\", surely", "in the case. Now, can I write from Aluke's POV, to portray her", "of this character? But even then, what about a conversation between two such", "I write from Aluke's POV, to portray her hatred and contempt for her", "reader? Does it behoove the author to reveal it at this point? **Example**", "that she knows it's Bob? Let's say I don't. But later, Bob and", "aren't the protagonist. The problem arises when some of these characters are hiding", "this feel almost like the characters themselves are trying to hide it from", "information during this conversation, even if I'm not writing the thoughts of either", "Aluke is the lead detective investigating a murder. However, it will turn out", "of information during this conversation, even if I'm not writing the thoughts of", "\"unsolved\". So her short-tempered sergeant1 enters and gives her an earful because of", "evidence that doesn't implicate Bob, and she wants to protect him, so to", "even then, what about a conversation between two such characters? i.e. Two characters", "revealing to the readers that she knows it's Bob? Let's say I don't.", "the lead detective investigating a murder. However, it will turn out she knows", "of either character? 1 Apologies if I am mixing up my ranks, I'm", "Now she can't find any evidence that doesn't implicate Bob, and she wants", "she has no specific reason to say out loud, \"blah blah blah... the", "like it would be a bit off to me, because if the reader", "feel like, when writing for readers, since I'm writing the actual thoughts of", "conversation may even be loosely related to it, but they don't speak it", "a bit dishonest of me, the author, to leave out this particular piece", "of progress in the case. Now, can I write from Aluke's POV, to", "short-tempered sergeant1 enters and gives her an earful because of the lack of", "lead detective investigating a murder. However, it will turn out she knows all", "this shouldn't be done. Should I just avoid writing from the perspective of", "even if I'm not writing the thoughts of either character? 1 Apologies if", "say I don't. But later, Bob and Aluke are having a conversation, where", "Bob, and she wants to protect him, so to everyone else the murder", "camera will follow a character giving the impression you have their perspective, but", "be a bit off to me, because if the reader is \"inside their", "from the reader? Does it behoove the author to reveal it at this", "is ranting about her sergeant and the aforementioned altercation. Now, she has no", "later on. But I feel like, when writing for readers, since I'm writing", "of information. However, I do see a similar thing done in, for example,", "follow a character giving the impression you have their perspective, but not reveal", "if I am mixing up my ranks, I'm assuming the sergeant is the", "conversation, even if I'm not writing the thoughts of either character? 1 Apologies", "enters and gives her an earful because of the lack of progress in", "like the style of writing the thoughts and feelings of many of the", "- perhaps saving the surprise for later on. But I feel like, when", "to it, but they don't speak it out loud. Would this feel almost", "related to it, but they don't speak it out loud. Would this feel", "problem arises when some of these characters are hiding a certain secret from", "she knows all along who did it, and it's her friend, Bob. Now", "wants to protect him, so to everyone else the murder remains \"unsolved\". So", "Bob and Aluke are having a conversation, where Aluke is ranting about her", "thoughts of this character, this shouldn't be done. Should I just avoid writing", "they've seen - perhaps saving the surprise for later on. But I feel", "so to everyone else the murder remains \"unsolved\". So her short-tempered sergeant1 enters", "piece of information. However, I do see a similar thing done in, for", "bit dishonest of me, the author, to leave out this particular piece of", "and the reader, which one of them will reveal or be found out", "her hatred and contempt for her annoying and ignorant sergeant, as well as", "off to me, because if the reader is \"inside their head\", surely they", "she's under, without revealing to the readers that she knows it's Bob? Let's", "head\", surely they would be privy to this piece of information. However, I", "them will reveal or be found out at a dramatic moment. This seems", "be a bit dishonest of me, the author, to leave out this particular", "But I feel like, when writing for readers, since I'm writing the actual", "elaborate in response to comment) Aluke is the lead detective investigating a murder.", "the camera will follow a character giving the impression you have their perspective,", "seems like it would be a bit off to me, because if the", "implicate Bob, and she wants to protect him, so to everyone else the", "are having a conversation, where Aluke is ranting about her sergeant and the", "seen - perhaps saving the surprise for later on. But I feel like,", "to this piece of information. However, I do see a similar thing done", "character? But even then, what about a conversation between two such characters? i.e.", "which aren't the protagonist. The problem arises when some of these characters are", "her annoying and ignorant sergeant, as well as the stress she's under, without", "like, when writing for readers, since I'm writing the actual thoughts of this", "secret may be on their minds, the conversation may even be loosely related", "between two such characters? i.e. Two characters know something, and are having a", "secret from the protagonist, the general public and the reader, which one of", "their minds, the conversation may even be loosely related to it, but they", "reason to say out loud, \"blah blah blah... the murder, *which you committed*\",", "you have their perspective, but not reveal something important they've seen - perhaps", "But later, Bob and Aluke are having a conversation, where Aluke is ranting", "writing from the perspective of this character? But even then, what about a", "avoid writing from the perspective of this character? But even then, what about", "the surprise for later on. But I feel like, when writing for readers,", "movies / TV shows, where the camera will follow a character giving the", "of them will reveal or be found out at a dramatic moment. This", "point? **Example** (to elaborate in response to comment) Aluke is the lead detective", "it at this point? **Example** (to elaborate in response to comment) Aluke is", "almost like the characters themselves are trying to hide it from the reader?", "would be a bit off to me, because if the reader is \"inside", "the readers that she knows it's Bob? Let's say I don't. But later,", "a murder. However, it will turn out she knows all along who did", "investigating a murder. However, it will turn out she knows all along who", "her short-tempered sergeant1 enters and gives her an earful because of the lack", "Apologies if I am mixing up my ranks, I'm assuming the sergeant is", "this particular piece of information during this conversation, even if I'm not writing", "So her short-tempered sergeant1 enters and gives her an earful because of the", "can I write from Aluke's POV, to portray her hatred and contempt for", "one of them will reveal or be found out at a dramatic moment.", "has no specific reason to say out loud, \"blah blah blah... the murder,", "this conversation, even if I'm not writing the thoughts of either character? 1", "then, what about a conversation between two such characters? i.e. Two characters know", "this piece of information. However, I do see a similar thing done in,", "**Example** (to elaborate in response to comment) Aluke is the lead detective investigating", "well as the stress she's under, without revealing to the readers that she", "conversation, where Aluke is ranting about her sergeant and the aforementioned altercation. Now,", "and are having a private conversation. This secret may be on their minds,", "The problem arises when some of these characters are hiding a certain secret", "the stress she's under, without revealing to the readers that she knows it's", "characters, most of which aren't the protagonist. The problem arises when some of", "dramatic moment. This seems like it would be a bit off to me,", "privy to this piece of information. However, I do see a similar thing", "protagonist, the general public and the reader, which one of them will reveal", "on their minds, the conversation may even be loosely related to it, but", "general public and the reader, which one of them will reveal or be", "an earful because of the lack of progress in the case. Now, can", "such characters? i.e. Two characters know something, and are having a private conversation.", "but they don't speak it out loud. Would this feel almost like the", "but wouldn't it be a bit dishonest of me, the author, to leave", "the characters themselves are trying to hide it from the reader? Does it", "else the murder remains \"unsolved\". So her short-tempered sergeant1 enters and gives her", "private conversation. This secret may be on their minds, the conversation may even", "I am mixing up my ranks, I'm assuming the sergeant is the detective's", "having a private conversation. This secret may be on their minds, the conversation", "may even be loosely related to it, but they don't speak it out", "altercation. Now, she has no specific reason to say out loud, \"blah blah", "character, this shouldn't be done. Should I just avoid writing from the perspective", "blah blah... the murder, *which you committed*\", but wouldn't it be a bit", "not writing the thoughts of either character? 1 Apologies if I am mixing", "who did it, and it's her friend, Bob. Now she can't find any", "of writing the thoughts and feelings of many of the characters, most of", "it would be a bit off to me, because if the reader is", "progress in the case. Now, can I write from Aluke's POV, to portray", "to reveal it at this point? **Example** (to elaborate in response to comment)", "him, so to everyone else the murder remains \"unsolved\". So her short-tempered sergeant1", "find any evidence that doesn't implicate Bob, and she wants to protect him,", "and the aforementioned altercation. Now, she has no specific reason to say out", "similar thing done in, for example, in movies / TV shows, where the", "later, Bob and Aluke are having a conversation, where Aluke is ranting about", "not reveal something important they've seen - perhaps saving the surprise for later", "the author to reveal it at this point? **Example** (to elaborate in response", "it's Bob? Let's say I don't. But later, Bob and Aluke are having", "reader, which one of them will reveal or be found out at a", "characters know something, and are having a private conversation. This secret may be", "it, but they don't speak it out loud. Would this feel almost like", "readers, since I'm writing the actual thoughts of this character, this shouldn't be", "portray her hatred and contempt for her annoying and ignorant sergeant, as well", "to say out loud, \"blah blah blah... the murder, *which you committed*\", but", "the protagonist, the general public and the reader, which one of them will", "done in, for example, in movies / TV shows, where the camera will", "but not reveal something important they've seen - perhaps saving the surprise for", "me, because if the reader is \"inside their head\", surely they would be", "you committed*\", but wouldn't it be a bit dishonest of me, the author,", "of this character, this shouldn't be done. Should I just avoid writing from", "i.e. Two characters know something, and are having a private conversation. This secret", "would be privy to this piece of information. However, I do see a", "to everyone else the murder remains \"unsolved\". So her short-tempered sergeant1 enters and", "even be loosely related to it, but they don't speak it out loud.", "to protect him, so to everyone else the murder remains \"unsolved\". So her", "ranting about her sergeant and the aforementioned altercation. Now, she has no specific", "of the characters, most of which aren't the protagonist. The problem arises when", "surely they would be privy to this piece of information. However, I do", "kind of like the style of writing the thoughts and feelings of many", "hiding a certain secret from the protagonist, the general public and the reader,", "turn out she knows all along who did it, and it's her friend,", "thing done in, for example, in movies / TV shows, where the camera", "a dramatic moment. This seems like it would be a bit off to", "out at a dramatic moment. This seems like it would be a bit", "it behoove the author to reveal it at this point? **Example** (to elaborate", "stress she's under, without revealing to the readers that she knows it's Bob?", "be on their minds, the conversation may even be loosely related to it,", "out loud, \"blah blah blah... the murder, *which you committed*\", but wouldn't it", "feel almost like the characters themselves are trying to hide it from the", "as the stress she's under, without revealing to the readers that she knows", "they would be privy to this piece of information. However, I do see", "where Aluke is ranting about her sergeant and the aforementioned altercation. Now, she", "wouldn't it be a bit dishonest of me, the author, to leave out", "is the lead detective investigating a murder. However, it will turn out she", "surprise for later on. But I feel like, when writing for readers, since", "what about a conversation between two such characters? i.e. Two characters know something,", "I'm not writing the thoughts of either character? 1 Apologies if I am", "themselves are trying to hide it from the reader? Does it behoove the", "sergeant, as well as the stress she's under, without revealing to the readers", "knows it's Bob? Let's say I don't. But later, Bob and Aluke are", "reveal something important they've seen - perhaps saving the surprise for later on.", "as well as the stress she's under, without revealing to the readers that", "her an earful because of the lack of progress in the case. Now,", "writing the thoughts and feelings of many of the characters, most of which", "\"inside their head\", surely they would be privy to this piece of information.", "the reader is \"inside their head\", surely they would be privy to this", "can't find any evidence that doesn't implicate Bob, and she wants to protect", "under, without revealing to the readers that she knows it's Bob? Let's say", "knows all along who did it, and it's her friend, Bob. Now she", "be found out at a dramatic moment. This seems like it would be", "reader is \"inside their head\", surely they would be privy to this piece", "the general public and the reader, which one of them will reveal or", "Now, can I write from Aluke's POV, to portray her hatred and contempt", "hide it from the reader? Does it behoove the author to reveal it", "arises when some of these characters are hiding a certain secret from the", "be privy to this piece of information. However, I do see a similar", "contempt for her annoying and ignorant sergeant, as well as the stress she's", "did it, and it's her friend, Bob. Now she can't find any evidence", "found out at a dramatic moment. This seems like it would be a", "shows, where the camera will follow a character giving the impression you have", "writing the actual thoughts of this character, this shouldn't be done. Should I", "/ TV shows, where the camera will follow a character giving the impression", "minds, the conversation may even be loosely related to it, but they don't", "be loosely related to it, but they don't speak it out loud. Would", "the author, to leave out this particular piece of information during this conversation,", "style of writing the thoughts and feelings of many of the characters, most", "and she wants to protect him, so to everyone else the murder remains", "it out loud. Would this feel almost like the characters themselves are trying", "all along who did it, and it's her friend, Bob. Now she can't", "the actual thoughts of this character, this shouldn't be done. Should I just", "are having a private conversation. This secret may be on their minds, the", "will turn out she knows all along who did it, and it's her", "about a conversation between two such characters? i.e. Two characters know something, and", "Two characters know something, and are having a private conversation. This secret may", "lack of progress in the case. Now, can I write from Aluke's POV,", "they don't speak it out loud. Would this feel almost like the characters", "case. Now, can I write from Aluke's POV, to portray her hatred and", "say out loud, \"blah blah blah... the murder, *which you committed*\", but wouldn't", "of me, the author, to leave out this particular piece of information during", "conversation. This secret may be on their minds, the conversation may even be", "and ignorant sergeant, as well as the stress she's under, without revealing to", "write from Aluke's POV, to portray her hatred and contempt for her annoying", "annoying and ignorant sergeant, as well as the stress she's under, without revealing", "most of which aren't the protagonist. The problem arises when some of these", "just avoid writing from the perspective of this character? But even then, what", "Would this feel almost like the characters themselves are trying to hide it", "at a dramatic moment. This seems like it would be a bit off", "aforementioned altercation. Now, she has no specific reason to say out loud, \"blah", "perspective of this character? But even then, what about a conversation between two", "Aluke are having a conversation, where Aluke is ranting about her sergeant and", "this character? But even then, what about a conversation between two such characters?", "the protagonist. The problem arises when some of these characters are hiding a", "everyone else the murder remains \"unsolved\". So her short-tempered sergeant1 enters and gives", "of many of the characters, most of which aren't the protagonist. The problem", "to me, because if the reader is \"inside their head\", surely they would", "or be found out at a dramatic moment. This seems like it would", "something, and are having a private conversation. This secret may be on their", "this character, this shouldn't be done. Should I just avoid writing from the", "blah... the murder, *which you committed*\", but wouldn't it be a bit dishonest", "behoove the author to reveal it at this point? **Example** (to elaborate in", "the lack of progress in the case. Now, can I write from Aluke's", "sergeant1 enters and gives her an earful because of the lack of progress", "character? 1 Apologies if I am mixing up my ranks, I'm assuming the", "readers that she knows it's Bob? Let's say I don't. But later, Bob", "be done. Should I just avoid writing from the perspective of this character?", "hatred and contempt for her annoying and ignorant sergeant, as well as the", "if the reader is \"inside their head\", surely they would be privy to", "Should I just avoid writing from the perspective of this character? But even", "she can't find any evidence that doesn't implicate Bob, and she wants to", "it from the reader? Does it behoove the author to reveal it at", "protect him, so to everyone else the murder remains \"unsolved\". So her short-tempered", "earful because of the lack of progress in the case. Now, can I", "However, I do see a similar thing done in, for example, in movies", "don't. But later, Bob and Aluke are having a conversation, where Aluke is", "about her sergeant and the aforementioned altercation. Now, she has no specific reason", "have their perspective, but not reveal something important they've seen - perhaps saving", "the style of writing the thoughts and feelings of many of the characters,", "at this point? **Example** (to elaborate in response to comment) Aluke is the", "am mixing up my ranks, I'm assuming the sergeant is the detective's boss...", "either character? 1 Apologies if I am mixing up my ranks, I'm assuming", "because of the lack of progress in the case. Now, can I write", "her friend, Bob. Now she can't find any evidence that doesn't implicate Bob,", "dishonest of me, the author, to leave out this particular piece of information", "committed*\", but wouldn't it be a bit dishonest of me, the author, to", "to portray her hatred and contempt for her annoying and ignorant sergeant, as", "it, and it's her friend, Bob. Now she can't find any evidence that", "when some of these characters are hiding a certain secret from the protagonist,", "see a similar thing done in, for example, in movies / TV shows,", "because if the reader is \"inside their head\", surely they would be privy", "piece of information during this conversation, even if I'm not writing the thoughts", "the case. Now, can I write from Aluke's POV, to portray her hatred", "she wants to protect him, so to everyone else the murder remains \"unsolved\".", "are hiding a certain secret from the protagonist, the general public and the", "it's her friend, Bob. Now she can't find any evidence that doesn't implicate", "I feel like, when writing for readers, since I'm writing the actual thoughts", "This seems like it would be a bit off to me, because if", "having a conversation, where Aluke is ranting about her sergeant and the aforementioned", "for readers, since I'm writing the actual thoughts of this character, this shouldn't", "I do see a similar thing done in, for example, in movies /", "her sergeant and the aforementioned altercation. Now, she has no specific reason to", "don't speak it out loud. Would this feel almost like the characters themselves", "murder, *which you committed*\", but wouldn't it be a bit dishonest of me,", "like the characters themselves are trying to hide it from the reader? Does", "in movies / TV shows, where the camera will follow a character giving", "out this particular piece of information during this conversation, even if I'm not", "and gives her an earful because of the lack of progress in the", "TV shows, where the camera will follow a character giving the impression you", "POV, to portray her hatred and contempt for her annoying and ignorant sergeant,", "Aluke is ranting about her sergeant and the aforementioned altercation. Now, she has", "example, in movies / TV shows, where the camera will follow a character", "since I'm writing the actual thoughts of this character, this shouldn't be done.", "comment) Aluke is the lead detective investigating a murder. However, it will turn", "any evidence that doesn't implicate Bob, and she wants to protect him, so", "speak it out loud. Would this feel almost like the characters themselves are", "giving the impression you have their perspective, but not reveal something important they've", "Aluke's POV, to portray her hatred and contempt for her annoying and ignorant", "loud. Would this feel almost like the characters themselves are trying to hide", "to the readers that she knows it's Bob? Let's say I don't. But", "characters themselves are trying to hide it from the reader? Does it behoove", "characters are hiding a certain secret from the protagonist, the general public and", "character giving the impression you have their perspective, but not reveal something important", "Let's say I don't. But later, Bob and Aluke are having a conversation,", "impression you have their perspective, but not reveal something important they've seen -", "information. However, I do see a similar thing done in, for example, in", "that doesn't implicate Bob, and she wants to protect him, so to everyone", "to comment) Aluke is the lead detective investigating a murder. However, it will", "characters? i.e. Two characters know something, and are having a private conversation. This", "and contempt for her annoying and ignorant sergeant, as well as the stress", "Bob? Let's say I don't. But later, Bob and Aluke are having a", "a conversation, where Aluke is ranting about her sergeant and the aforementioned altercation.", "ignorant sergeant, as well as the stress she's under, without revealing to the", "the impression you have their perspective, but not reveal something important they've seen", "of which aren't the protagonist. The problem arises when some of these characters", "a private conversation. This secret may be on their minds, the conversation may", "to leave out this particular piece of information during this conversation, even if", "I'm writing the actual thoughts of this character, this shouldn't be done. Should", "done. Should I just avoid writing from the perspective of this character? But", "author to reveal it at this point? **Example** (to elaborate in response to", "Does it behoove the author to reveal it at this point? **Example** (to", "loud, \"blah blah blah... the murder, *which you committed*\", but wouldn't it be", "certain secret from the protagonist, the general public and the reader, which one", "to hide it from the reader? Does it behoove the author to reveal", "many of the characters, most of which aren't the protagonist. The problem arises", "two such characters? i.e. Two characters know something, and are having a private", "for her annoying and ignorant sergeant, as well as the stress she's under,", "it be a bit dishonest of me, the author, to leave out this", "in response to comment) Aluke is the lead detective investigating a murder. However,", "without revealing to the readers that she knows it's Bob? Let's say I", "me, the author, to leave out this particular piece of information during this", "writing for readers, since I'm writing the actual thoughts of this character, this", "protagonist. The problem arises when some of these characters are hiding a certain", "it will turn out she knows all along who did it, and it's", "thoughts of either character? 1 Apologies if I am mixing up my ranks,", "a similar thing done in, for example, in movies / TV shows, where", "perspective, but not reveal something important they've seen - perhaps saving the surprise", "leave out this particular piece of information during this conversation, even if I'm", "for example, in movies / TV shows, where the camera will follow a", "out loud. Would this feel almost like the characters themselves are trying to", "gives her an earful because of the lack of progress in the case.", "reveal or be found out at a dramatic moment. This seems like it", "public and the reader, which one of them will reveal or be found", "of the lack of progress in the case. Now, can I write from", "trying to hide it from the reader? Does it behoove the author to", "along who did it, and it's her friend, Bob. Now she can't find", "remains \"unsolved\". So her short-tempered sergeant1 enters and gives her an earful because", "(to elaborate in response to comment) Aluke is the lead detective investigating a", "1 Apologies if I am mixing up my ranks, I'm assuming the sergeant", "I don't. But later, Bob and Aluke are having a conversation, where Aluke", "\"blah blah blah... the murder, *which you committed*\", but wouldn't it be a", "doesn't implicate Bob, and she wants to protect him, so to everyone else" ]
[ "tells me writers state of mind, or certain effects that a writer has", "mind, or certain effects that a writer has tried to create for a", "Like, what are the things that tells me writers state of mind, or", "piece of writing? Like, what are the things that tells me writers state", "the piece of writing? Like, what are the things that tells me writers", "of writing? Like, what are the things that tells me writers state of", "effects that a writer has tried to create for a purpose or why", "I analyze the piece of writing? Like, what are the things that tells", "for a purpose or why has the language used in the writing the", "are the things that tells me writers state of mind, or certain effects", "or why has the language used in the writing the way it is?", "analyze the piece of writing? Like, what are the things that tells me", "what are the things that tells me writers state of mind, or certain", "state of mind, or certain effects that a writer has tried to create", "writer has tried to create for a purpose or why has the language", "writing? Like, what are the things that tells me writers state of mind,", "writers state of mind, or certain effects that a writer has tried to", "to create for a purpose or why has the language used in the", "me writers state of mind, or certain effects that a writer has tried", "create for a purpose or why has the language used in the writing", "things that tells me writers state of mind, or certain effects that a", "a purpose or why has the language used in the writing the way", "can I analyze the piece of writing? Like, what are the things that", "On what basis can I analyze the piece of writing? Like, what are", "of mind, or certain effects that a writer has tried to create for", "that tells me writers state of mind, or certain effects that a writer", "that a writer has tried to create for a purpose or why has", "the things that tells me writers state of mind, or certain effects that", "a writer has tried to create for a purpose or why has the", "has tried to create for a purpose or why has the language used", "or certain effects that a writer has tried to create for a purpose", "purpose or why has the language used in the writing the way it", "basis can I analyze the piece of writing? Like, what are the things", "tried to create for a purpose or why has the language used in", "what basis can I analyze the piece of writing? Like, what are the", "certain effects that a writer has tried to create for a purpose or" ]
[ "cultures; my question is, **how can I write a male-dominated culture without implicitly", "inequality. I just want to accurately portray that type of culture, warts and", "I just want to accurately portray that type of culture, warts and all,", "a story focusing on that inequality. I just want to accurately portray that", "strongly biased against women. Women were effectively barred from the vast majority of", "cultures (and many other ones) were strongly biased against women. Women were effectively", "actively, and sometimes more insidiously. Women who defied this (eg. Joor of Arc)", "on that inequality. I just want to accurately portray that type of culture,", "of culture, warts and all, within the greater context of my story -", "insidiously. Women who defied this (eg. Joor of Arc) were rare, and often", "just want to accurately portray that type of culture, warts and all, within", "implicitly supporting it?** Just to be clear, I don't want to write a", "culture without implicitly supporting it?** Just to be clear, I don't want to", "my story - but without giving the impression that I consider it \"normal\".", "of Arc). I enjoy writing \"history-adjacent\" stories based around such western cultures; my", "Women were effectively barred from the vast majority of occupations - sometimes actively,", "that type of culture, warts and all, within the greater context of my", "to be clear, I don't want to write a story focusing on that", "(eg. Joor of Arc). I enjoy writing \"history-adjacent\" stories based around such western", "that inequality. I just want to accurately portray that type of culture, warts", "suffered greatly for their efforts (eg. Joor of Arc). I enjoy writing \"history-adjacent\"", "around such western cultures; my question is, **how can I write a male-dominated", "writing \"history-adjacent\" stories based around such western cultures; my question is, **how can", "greater context of my story - but without giving the impression that I", "Arc). I enjoy writing \"history-adjacent\" stories based around such western cultures; my question", "story focusing on that inequality. I just want to accurately portray that type", "the vast majority of occupations - sometimes actively, and sometimes more insidiously. Women", "of occupations - sometimes actively, and sometimes more insidiously. Women who defied this", "want to accurately portray that type of culture, warts and all, within the", "ones) were strongly biased against women. Women were effectively barred from the vast", "were strongly biased against women. Women were effectively barred from the vast majority", "who defied this (eg. Joor of Arc) were rare, and often suffered greatly", "of my story - but without giving the impression that I consider it", "type of culture, warts and all, within the greater context of my story", "barred from the vast majority of occupations - sometimes actively, and sometimes more", "against women. Women were effectively barred from the vast majority of occupations -", "I don't want to write a story focusing on that inequality. I just", "for their efforts (eg. Joor of Arc). I enjoy writing \"history-adjacent\" stories based", "without implicitly supporting it?** Just to be clear, I don't want to write", "vast majority of occupations - sometimes actively, and sometimes more insidiously. Women who", "enjoy writing \"history-adjacent\" stories based around such western cultures; my question is, **how", "I write a male-dominated culture without implicitly supporting it?** Just to be clear,", "often suffered greatly for their efforts (eg. Joor of Arc). I enjoy writing", "were effectively barred from the vast majority of occupations - sometimes actively, and", "such western cultures; my question is, **how can I write a male-dominated culture", "warts and all, within the greater context of my story - but without", "of Arc) were rare, and often suffered greatly for their efforts (eg. Joor", "sometimes actively, and sometimes more insidiously. Women who defied this (eg. Joor of", "sometimes more insidiously. Women who defied this (eg. Joor of Arc) were rare,", "Women who defied this (eg. Joor of Arc) were rare, and often suffered", "supporting it?** Just to be clear, I don't want to write a story", "to write a story focusing on that inequality. I just want to accurately", "many other ones) were strongly biased against women. Women were effectively barred from", "other ones) were strongly biased against women. Women were effectively barred from the", "a male-dominated culture without implicitly supporting it?** Just to be clear, I don't", "don't want to write a story focusing on that inequality. I just want", "efforts (eg. Joor of Arc). I enjoy writing \"history-adjacent\" stories based around such", "greatly for their efforts (eg. Joor of Arc). I enjoy writing \"history-adjacent\" stories", "and sometimes more insidiously. Women who defied this (eg. Joor of Arc) were", "were rare, and often suffered greatly for their efforts (eg. Joor of Arc).", "clear, I don't want to write a story focusing on that inequality. I", "male-dominated culture without implicitly supporting it?** Just to be clear, I don't want", "I enjoy writing \"history-adjacent\" stories based around such western cultures; my question is,", "occupations - sometimes actively, and sometimes more insidiously. Women who defied this (eg.", "and often suffered greatly for their efforts (eg. Joor of Arc). I enjoy", "(and many other ones) were strongly biased against women. Women were effectively barred", "the greater context of my story - but without giving the impression that", "is, **how can I write a male-dominated culture without implicitly supporting it?** Just", "defied this (eg. Joor of Arc) were rare, and often suffered greatly for", "(eg. Joor of Arc) were rare, and often suffered greatly for their efforts", "stories based around such western cultures; my question is, **how can I write", "write a male-dominated culture without implicitly supporting it?** Just to be clear, I", "biased against women. Women were effectively barred from the vast majority of occupations", "based around such western cultures; my question is, **how can I write a", "Arc) were rare, and often suffered greatly for their efforts (eg. Joor of", "- sometimes actively, and sometimes more insidiously. Women who defied this (eg. Joor", "women. Women were effectively barred from the vast majority of occupations - sometimes", "Joor of Arc). I enjoy writing \"history-adjacent\" stories based around such western cultures;", "from the vast majority of occupations - sometimes actively, and sometimes more insidiously.", "context of my story - but without giving the impression that I consider", "rare, and often suffered greatly for their efforts (eg. Joor of Arc). I", "western cultures; my question is, **how can I write a male-dominated culture without", "to accurately portray that type of culture, warts and all, within the greater", "this (eg. Joor of Arc) were rare, and often suffered greatly for their", "majority of occupations - sometimes actively, and sometimes more insidiously. Women who defied", "effectively barred from the vast majority of occupations - sometimes actively, and sometimes", "it?** Just to be clear, I don't want to write a story focusing", "portray that type of culture, warts and all, within the greater context of", "their efforts (eg. Joor of Arc). I enjoy writing \"history-adjacent\" stories based around", "and all, within the greater context of my story - but without giving", "within the greater context of my story - but without giving the impression", "Joor of Arc) were rare, and often suffered greatly for their efforts (eg.", "accurately portray that type of culture, warts and all, within the greater context", "all, within the greater context of my story - but without giving the", "most occidental cultures (and many other ones) were strongly biased against women. Women", "want to write a story focusing on that inequality. I just want to", "**how can I write a male-dominated culture without implicitly supporting it?** Just to", "Just to be clear, I don't want to write a story focusing on", "Historically, most occidental cultures (and many other ones) were strongly biased against women.", "be clear, I don't want to write a story focusing on that inequality.", "culture, warts and all, within the greater context of my story - but", "question is, **how can I write a male-dominated culture without implicitly supporting it?**", "write a story focusing on that inequality. I just want to accurately portray", "my question is, **how can I write a male-dominated culture without implicitly supporting", "occidental cultures (and many other ones) were strongly biased against women. Women were", "\"history-adjacent\" stories based around such western cultures; my question is, **how can I", "focusing on that inequality. I just want to accurately portray that type of", "can I write a male-dominated culture without implicitly supporting it?** Just to be", "more insidiously. Women who defied this (eg. Joor of Arc) were rare, and" ]
[ "maximise my chances of winning. So my question is: **what are the specific", "fiction?', but I want to be more specific here. I'm trying to get", "a piece of my flash-fiction in one of the many competitions I see", "**what are the specific writing techniques that can be used to make a", "can I write good fiction?', but I want to be more specific here.", "want to be more specific here. I'm trying to get at the things,", "short piece of fiction more likely to win a competition?** I'm aware that", "would be nice to enter a piece of my flash-fiction in one of", "piece of my flash-fiction in one of the many competitions I see advertised.", "that can be used to make a short piece of fiction more likely", "I do that, I'd like to try to maximise my chances of winning.", "compete with others. I've been thinking recently that it would be nice to", "thinking recently that it would be nice to enter a piece of my", "asking: 'how can I write good fiction?', but I want to be more", "with others. I've been thinking recently that it would be nice to enter", "never tried to compete with others. I've been thinking recently that it would", "So my question is: **what are the specific writing techniques that can be", "have received some good feedback but have never tried to compete with others.", "feedback but have never tried to compete with others. I've been thinking recently", "tried to compete with others. I've been thinking recently that it would be", "a competition?** I'm aware that this can be interpreted as asking: 'how can", "written many stories and have received some good feedback but have never tried", "of winning. So my question is: **what are the specific writing techniques that", "be nice to enter a piece of my flash-fiction in one of the", "write good fiction?', but I want to be more specific here. I'm trying", "and have received some good feedback but have never tried to compete with", "good feedback but have never tried to compete with others. I've been thinking", "question is: **what are the specific writing techniques that can be used to", "but I want to be more specific here. I'm trying to get at", "recently that it would be nice to enter a piece of my flash-fiction", "try to maximise my chances of winning. So my question is: **what are", "be interpreted as asking: 'how can I write good fiction?', but I want", "are the specific writing techniques that can be used to make a short", "to win a competition?** I'm aware that this can be interpreted as asking:", "the things, if they exist, that make *competitive* fiction-writing different from *general* fiction-writing.", "to try to maximise my chances of winning. So my question is: **what", "aware that this can be interpreted as asking: 'how can I write good", "specific here. I'm trying to get at the things, if they exist, that", "advertised. But before I do that, I'd like to try to maximise my", "my question is: **what are the specific writing techniques that can be used", "others. I've been thinking recently that it would be nice to enter a", "trying to get at the things, if they exist, that make *competitive* fiction-writing", "the specific writing techniques that can be used to make a short piece", "of my flash-fiction in one of the many competitions I see advertised. But", "have never tried to compete with others. I've been thinking recently that it", "to make a short piece of fiction more likely to win a competition?**", "make a short piece of fiction more likely to win a competition?** I'm", "some good feedback but have never tried to compete with others. I've been", "my flash-fiction in one of the many competitions I see advertised. But before", "interpreted as asking: 'how can I write good fiction?', but I want to", "I've written many stories and have received some good feedback but have never", "before I do that, I'd like to try to maximise my chances of", "I've been thinking recently that it would be nice to enter a piece", "competition?** I'm aware that this can be interpreted as asking: 'how can I", "that, I'd like to try to maximise my chances of winning. So my", "flash-fiction in one of the many competitions I see advertised. But before I", "do that, I'd like to try to maximise my chances of winning. So", "many stories and have received some good feedback but have never tried to", "can be interpreted as asking: 'how can I write good fiction?', but I", "competitions I see advertised. But before I do that, I'd like to try", "the many competitions I see advertised. But before I do that, I'd like", "received some good feedback but have never tried to compete with others. I've", "but have never tried to compete with others. I've been thinking recently that", "a short piece of fiction more likely to win a competition?** I'm aware", "piece of fiction more likely to win a competition?** I'm aware that this", "to enter a piece of my flash-fiction in one of the many competitions", "is: **what are the specific writing techniques that can be used to make", "to be more specific here. I'm trying to get at the things, if", "win a competition?** I'm aware that this can be interpreted as asking: 'how", "I want to be more specific here. I'm trying to get at the", "fiction more likely to win a competition?** I'm aware that this can be", "I'm trying to get at the things, if they exist, that make *competitive*", "in one of the many competitions I see advertised. But before I do", "enter a piece of my flash-fiction in one of the many competitions I", "of fiction more likely to win a competition?** I'm aware that this can", "likely to win a competition?** I'm aware that this can be interpreted as", "here. I'm trying to get at the things, if they exist, that make", "be more specific here. I'm trying to get at the things, if they", "that this can be interpreted as asking: 'how can I write good fiction?',", "many competitions I see advertised. But before I do that, I'd like to", "my chances of winning. So my question is: **what are the specific writing", "as asking: 'how can I write good fiction?', but I want to be", "see advertised. But before I do that, I'd like to try to maximise", "good fiction?', but I want to be more specific here. I'm trying to", "stories and have received some good feedback but have never tried to compete", "I'd like to try to maximise my chances of winning. So my question", "more likely to win a competition?** I'm aware that this can be interpreted", "to compete with others. I've been thinking recently that it would be nice", "one of the many competitions I see advertised. But before I do that,", "used to make a short piece of fiction more likely to win a", "this can be interpreted as asking: 'how can I write good fiction?', but", "I see advertised. But before I do that, I'd like to try to", "writing techniques that can be used to make a short piece of fiction", "that it would be nice to enter a piece of my flash-fiction in", "of the many competitions I see advertised. But before I do that, I'd", "techniques that can be used to make a short piece of fiction more", "winning. So my question is: **what are the specific writing techniques that can", "I'm aware that this can be interpreted as asking: 'how can I write", "been thinking recently that it would be nice to enter a piece of", "to maximise my chances of winning. So my question is: **what are the", "I write good fiction?', but I want to be more specific here. I'm", "more specific here. I'm trying to get at the things, if they exist,", "be used to make a short piece of fiction more likely to win", "get at the things, if they exist, that make *competitive* fiction-writing different from", "'how can I write good fiction?', but I want to be more specific", "to get at the things, if they exist, that make *competitive* fiction-writing different", "nice to enter a piece of my flash-fiction in one of the many", "at the things, if they exist, that make *competitive* fiction-writing different from *general*", "chances of winning. So my question is: **what are the specific writing techniques", "like to try to maximise my chances of winning. So my question is:", "specific writing techniques that can be used to make a short piece of", "can be used to make a short piece of fiction more likely to", "it would be nice to enter a piece of my flash-fiction in one", "But before I do that, I'd like to try to maximise my chances" ]
[ "distance from \"normal\" society and the protracted warfare on his psyche. Trouble is,", "as they should. They stand out and feel deliberately inserted rather than being", "clean language, almost comically clean, and as the plot progresses and the situation", "language in my day-to-day. At all. To the point that I'm known for", "novel (sci-fi). My initial plan was for my MC to start out with", "more colourful. Other characters were to use different levels of profanity, based on", "more FUBAR, his language would get more colourful. Other characters were to use", "the front. For the MC, the change in the language he uses was", "effect of the distance from \"normal\" society and the protracted warfare on his", "was for my MC to start out with a very clean language, almost", "part of the speech. And at the same time, they feel toned down,", "toned down, like the character should have used something stronger, if they were", "almost comically clean, and as the plot progresses and the situation gets more", "My initial plan was for my MC to start out with a very", "writing profanity, it feels awkward. The expletives don't feel as natural as they", "progresses and the situation gets more FUBAR, his language would get more colourful.", "different levels of profanity, based on their background and time on the front.", "stronger, if they were to use a strong word there. **How can I", "it among my friends. So when I come to writing profanity, it feels", "his language would get more colourful. Other characters were to use different levels", "a very clean language, almost comically clean, and as the plot progresses and", "the point that I'm known for it among my friends. So when I", "gets more FUBAR, his language would get more colourful. Other characters were to", "he uses was supposed to reflect the effect of the distance from \"normal\"", "working on a war novel (sci-fi). My initial plan was for my MC", "(sci-fi). My initial plan was for my MC to start out with a", "to start out with a very clean language, almost comically clean, and as", "of language, that I do not talk, not even as part of my", "rather than being part of the speech. And at the same time, they", "same time, they feel toned down, like the character should have used something", "profanity, it feels awkward. The expletives don't feel as natural as they should.", "plot progresses and the situation gets more FUBAR, his language would get more", "initial plan was for my MC to start out with a very clean", "of profanity, based on their background and time on the front. For the", "the character should have used something stronger, if they were to use a", "would get more colourful. Other characters were to use different levels of profanity,", "supposed to reflect the effect of the distance from \"normal\" society and the", "the plot progresses and the situation gets more FUBAR, his language would get", "it feels awkward. The expletives don't feel as natural as they should. They", "use different levels of profanity, based on their background and time on the", "to use a strong word there. **How can I write this kind of", "For the MC, the change in the language he uses was supposed to", "of the speech. And at the same time, they feel toned down, like", "feel toned down, like the character should have used something stronger, if they", "and time on the front. For the MC, the change in the language", "day-to-day. At all. To the point that I'm known for it among my", "background and time on the front. For the MC, the change in the", "point that I'm known for it among my friends. So when I come", "should. They stand out and feel deliberately inserted rather than being part of", "I'm working on a war novel (sci-fi). My initial plan was for my", "And at the same time, they feel toned down, like the character should", "feel as natural as they should. They stand out and feel deliberately inserted", "were to use a strong word there. **How can I write this kind", "a strong word there. **How can I write this kind of language, that", "I'm known for it among my friends. So when I come to writing", "out with a very clean language, almost comically clean, and as the plot", "**How can I write this kind of language, that I do not talk,", "deliberately inserted rather than being part of the speech. And at the same", "the distance from \"normal\" society and the protracted warfare on his psyche. Trouble", "to writing profanity, it feels awkward. The expletives don't feel as natural as", "speech. And at the same time, they feel toned down, like the character", "comically clean, and as the plot progresses and the situation gets more FUBAR,", "on the front. For the MC, the change in the language he uses", "come to writing profanity, it feels awkward. The expletives don't feel as natural", "They stand out and feel deliberately inserted rather than being part of the", "dirty language in my day-to-day. At all. To the point that I'm known", "language, almost comically clean, and as the plot progresses and the situation gets", "language would get more colourful. Other characters were to use different levels of", "down, like the character should have used something stronger, if they were to", "based on their background and time on the front. For the MC, the", "\"normal\" society and the protracted warfare on his psyche. Trouble is, I do", "very clean language, almost comically clean, and as the plot progresses and the", "than being part of the speech. And at the same time, they feel", "among my friends. So when I come to writing profanity, it feels awkward.", "the language he uses was supposed to reflect the effect of the distance", "front. For the MC, the change in the language he uses was supposed", "with a very clean language, almost comically clean, and as the plot progresses", "word there. **How can I write this kind of language, that I do", "time on the front. For the MC, the change in the language he", "to use different levels of profanity, based on their background and time on", "of the distance from \"normal\" society and the protracted warfare on his psyche.", "on his psyche. Trouble is, I do not use dirty language in my", "language, that I do not talk, not even as part of my internal", "start out with a very clean language, almost comically clean, and as the", "that I'm known for it among my friends. So when I come to", "I come to writing profanity, it feels awkward. The expletives don't feel as", "can I write this kind of language, that I do not talk, not", "as the plot progresses and the situation gets more FUBAR, his language would", "psyche. Trouble is, I do not use dirty language in my day-to-day. At", "and feel deliberately inserted rather than being part of the speech. And at", "write this kind of language, that I do not talk, not even as", "out and feel deliberately inserted rather than being part of the speech. And", "at the same time, they feel toned down, like the character should have", "inserted rather than being part of the speech. And at the same time,", "uses was supposed to reflect the effect of the distance from \"normal\" society", "characters were to use different levels of profanity, based on their background and", "natural as they should. They stand out and feel deliberately inserted rather than", "MC, the change in the language he uses was supposed to reflect the", "strong word there. **How can I write this kind of language, that I", "should have used something stronger, if they were to use a strong word", "this kind of language, that I do not talk, not even as part", "MC to start out with a very clean language, almost comically clean, and", "my friends. So when I come to writing profanity, it feels awkward. The", "war novel (sci-fi). My initial plan was for my MC to start out", "known for it among my friends. So when I come to writing profanity,", "is, I do not use dirty language in my day-to-day. At all. To", "the MC, the change in the language he uses was supposed to reflect", "the change in the language he uses was supposed to reflect the effect", "use dirty language in my day-to-day. At all. To the point that I'm", "to reflect the effect of the distance from \"normal\" society and the protracted", "his psyche. Trouble is, I do not use dirty language in my day-to-day.", "for it among my friends. So when I come to writing profanity, it", "and as the plot progresses and the situation gets more FUBAR, his language", "FUBAR, his language would get more colourful. Other characters were to use different", "feel deliberately inserted rather than being part of the speech. And at the", "in my day-to-day. At all. To the point that I'm known for it", "and the situation gets more FUBAR, his language would get more colourful. Other", "on their background and time on the front. For the MC, the change", "for my MC to start out with a very clean language, almost comically", "I do not use dirty language in my day-to-day. At all. To the", "there. **How can I write this kind of language, that I do not", "stand out and feel deliberately inserted rather than being part of the speech.", "as natural as they should. They stand out and feel deliberately inserted rather", "the protracted warfare on his psyche. Trouble is, I do not use dirty", "feels awkward. The expletives don't feel as natural as they should. They stand", "Other characters were to use different levels of profanity, based on their background", "and the protracted warfare on his psyche. Trouble is, I do not use", "not use dirty language in my day-to-day. At all. To the point that", "At all. To the point that I'm known for it among my friends.", "society and the protracted warfare on his psyche. Trouble is, I do not", "kind of language, that I do not talk, not even as part of", "awkward. The expletives don't feel as natural as they should. They stand out", "their background and time on the front. For the MC, the change in", "they were to use a strong word there. **How can I write this", "clean, and as the plot progresses and the situation gets more FUBAR, his", "To the point that I'm known for it among my friends. So when", "on a war novel (sci-fi). My initial plan was for my MC to", "warfare on his psyche. Trouble is, I do not use dirty language in", "they feel toned down, like the character should have used something stronger, if", "reflect the effect of the distance from \"normal\" society and the protracted warfare", "plan was for my MC to start out with a very clean language,", "they should. They stand out and feel deliberately inserted rather than being part", "the effect of the distance from \"normal\" society and the protracted warfare on", "if they were to use a strong word there. **How can I write", "change in the language he uses was supposed to reflect the effect of", "the speech. And at the same time, they feel toned down, like the", "used something stronger, if they were to use a strong word there. **How", "all. To the point that I'm known for it among my friends. So", "The expletives don't feel as natural as they should. They stand out and", "being part of the speech. And at the same time, they feel toned", "protracted warfare on his psyche. Trouble is, I do not use dirty language", "the situation gets more FUBAR, his language would get more colourful. Other characters", "use a strong word there. **How can I write this kind of language,", "colourful. Other characters were to use different levels of profanity, based on their", "do not use dirty language in my day-to-day. At all. To the point", "get more colourful. Other characters were to use different levels of profanity, based", "expletives don't feel as natural as they should. They stand out and feel", "something stronger, if they were to use a strong word there. **How can", "from \"normal\" society and the protracted warfare on his psyche. Trouble is, I", "like the character should have used something stronger, if they were to use", "have used something stronger, if they were to use a strong word there.", "don't feel as natural as they should. They stand out and feel deliberately", "the same time, they feel toned down, like the character should have used", "So when I come to writing profanity, it feels awkward. The expletives don't", "time, they feel toned down, like the character should have used something stronger,", "character should have used something stronger, if they were to use a strong", "Trouble is, I do not use dirty language in my day-to-day. At all.", "I write this kind of language, that I do not talk, not even", "was supposed to reflect the effect of the distance from \"normal\" society and", "levels of profanity, based on their background and time on the front. For", "my day-to-day. At all. To the point that I'm known for it among", "in the language he uses was supposed to reflect the effect of the", "a war novel (sci-fi). My initial plan was for my MC to start", "friends. So when I come to writing profanity, it feels awkward. The expletives", "were to use different levels of profanity, based on their background and time", "language he uses was supposed to reflect the effect of the distance from", "profanity, based on their background and time on the front. For the MC,", "that I do not talk, not even as part of my internal monologue?**", "when I come to writing profanity, it feels awkward. The expletives don't feel", "situation gets more FUBAR, his language would get more colourful. Other characters were", "my MC to start out with a very clean language, almost comically clean," ]
[ "difference between method and algorithm? Can a method be computed into an algorithm?", "please let me know the difference between method and algorithm? Can a method", "between method and algorithm? Can a method be computed into an algorithm? Can", "Can a method be computed into an algorithm? Can an algorithm be based", "and algorithm? Can a method be computed into an algorithm? Can an algorithm", "let me know the difference between method and algorithm? Can a method be", "the difference between method and algorithm? Can a method be computed into an", "algorithm? Can a method be computed into an algorithm? Can an algorithm be", "me know the difference between method and algorithm? Can a method be computed", "method and algorithm? Can a method be computed into an algorithm? Can an", "you please let me know the difference between method and algorithm? Can a", "a method be computed into an algorithm? Can an algorithm be based on", "method be computed into an algorithm? Can an algorithm be based on a", "be computed into an algorithm? Can an algorithm be based on a method?", "Could you please let me know the difference between method and algorithm? Can", "know the difference between method and algorithm? Can a method be computed into" ]
[ "express certain things or thought processes. For example a character breaking eye contact,", "I often think of little hints or gestures, to express certain things or", "I think of a scene, I often think of little hints or gestures,", "it to show and sometimes the interplay of gestures and facial features are", "get across, what I want it to show and sometimes the interplay of", "quickly looking back to not show subordinance. I'm having a hard time putting", "to show and sometimes the interplay of gestures and facial features are (seemingly)", "what I want it to show and sometimes the interplay of gestures and", "example a character breaking eye contact, but quickly looking back to not show", "solution to convey complex emotions or reactions without a character or the narrator", "think of a scene, I often think of little hints or gestures, to", "doesn't get across, what I want it to show and sometimes the interplay", "not show subordinance. I'm having a hard time putting these into words. Simply", "too long. Maybe I don't read enough, but I have not found a", "to describe fully, without it being too long. Maybe I don't read enough,", "I have not found a solution to convey complex emotions or reactions without", "to not show subordinance. I'm having a hard time putting these into words.", "having a hard time putting these into words. Simply describing the actions, I", "features are (seemingly) too complex to describe fully, without it being too long.", "or gestures, to express certain things or thought processes. For example a character", "or thought processes. For example a character breaking eye contact, but quickly looking", "little hints or gestures, to express certain things or thought processes. For example", "For example a character breaking eye contact, but quickly looking back to not", "the actions, I feel like doesn't get across, what I want it to", "don't read enough, but I have not found a solution to convey complex", "hints or gestures, to express certain things or thought processes. For example a", "fully, without it being too long. Maybe I don't read enough, but I", "back to not show subordinance. I'm having a hard time putting these into", "found a solution to convey complex emotions or reactions without a character or", "hard time putting these into words. Simply describing the actions, I feel like", "thought processes. For example a character breaking eye contact, but quickly looking back", "into words. Simply describing the actions, I feel like doesn't get across, what", "a character breaking eye contact, but quickly looking back to not show subordinance.", "show and sometimes the interplay of gestures and facial features are (seemingly) too", "Simply describing the actions, I feel like doesn't get across, what I want", "think of little hints or gestures, to express certain things or thought processes.", "eye contact, but quickly looking back to not show subordinance. I'm having a", "time putting these into words. Simply describing the actions, I feel like doesn't", "character breaking eye contact, but quickly looking back to not show subordinance. I'm", "actions, I feel like doesn't get across, what I want it to show", "breaking eye contact, but quickly looking back to not show subordinance. I'm having", "to convey complex emotions or reactions without a character or the narrator spelling", "I feel like doesn't get across, what I want it to show and", "to express certain things or thought processes. For example a character breaking eye", "certain things or thought processes. For example a character breaking eye contact, but", "convey complex emotions or reactions without a character or the narrator spelling them", "not found a solution to convey complex emotions or reactions without a character", "but I have not found a solution to convey complex emotions or reactions", "complex emotions or reactions without a character or the narrator spelling them out.", "read enough, but I have not found a solution to convey complex emotions", "When I think of a scene, I often think of little hints or", "it being too long. Maybe I don't read enough, but I have not", "being too long. Maybe I don't read enough, but I have not found", "of gestures and facial features are (seemingly) too complex to describe fully, without", "I'm having a hard time putting these into words. Simply describing the actions,", "of little hints or gestures, to express certain things or thought processes. For", "a solution to convey complex emotions or reactions without a character or the", "but quickly looking back to not show subordinance. I'm having a hard time", "feel like doesn't get across, what I want it to show and sometimes", "like doesn't get across, what I want it to show and sometimes the", "I want it to show and sometimes the interplay of gestures and facial", "and facial features are (seemingly) too complex to describe fully, without it being", "a scene, I often think of little hints or gestures, to express certain", "these into words. Simply describing the actions, I feel like doesn't get across,", "have not found a solution to convey complex emotions or reactions without a", "facial features are (seemingly) too complex to describe fully, without it being too", "often think of little hints or gestures, to express certain things or thought", "are (seemingly) too complex to describe fully, without it being too long. Maybe", "processes. For example a character breaking eye contact, but quickly looking back to", "complex to describe fully, without it being too long. Maybe I don't read", "scene, I often think of little hints or gestures, to express certain things", "describe fully, without it being too long. Maybe I don't read enough, but", "describing the actions, I feel like doesn't get across, what I want it", "contact, but quickly looking back to not show subordinance. I'm having a hard", "I don't read enough, but I have not found a solution to convey", "gestures and facial features are (seemingly) too complex to describe fully, without it", "without it being too long. Maybe I don't read enough, but I have", "across, what I want it to show and sometimes the interplay of gestures", "interplay of gestures and facial features are (seemingly) too complex to describe fully,", "too complex to describe fully, without it being too long. Maybe I don't", "and sometimes the interplay of gestures and facial features are (seemingly) too complex", "Maybe I don't read enough, but I have not found a solution to", "things or thought processes. For example a character breaking eye contact, but quickly", "words. Simply describing the actions, I feel like doesn't get across, what I", "of a scene, I often think of little hints or gestures, to express", "(seemingly) too complex to describe fully, without it being too long. Maybe I", "long. Maybe I don't read enough, but I have not found a solution", "putting these into words. Simply describing the actions, I feel like doesn't get", "the interplay of gestures and facial features are (seemingly) too complex to describe", "sometimes the interplay of gestures and facial features are (seemingly) too complex to", "enough, but I have not found a solution to convey complex emotions or", "gestures, to express certain things or thought processes. For example a character breaking", "subordinance. I'm having a hard time putting these into words. Simply describing the", "want it to show and sometimes the interplay of gestures and facial features", "show subordinance. I'm having a hard time putting these into words. Simply describing", "looking back to not show subordinance. I'm having a hard time putting these", "a hard time putting these into words. Simply describing the actions, I feel" ]
[ "general fiction; with 3 important twists that follow one by one at the", "added that it’s a general fiction so that the answers apply easier, also", "the ‘journey’ of the characters - is this a good strategy? I added", "I added that it’s a general fiction so that the answers apply easier,", "3 important twists that follow one by one at the end - I", "plot twists change the way we see the ‘journey’ of the characters -", "have set up the plot of a general fiction; with 3 important twists", "with 3 important twists that follow one by one at the end -", "that are red herrings and important twists at the same time) but this", "(where there are minor twists that are red herrings and important twists at", "up the plot of a general fiction; with 3 important twists that follow", "I figured that it was better than making it a thriller (where there", "but this is pure fiction, plot twists change the way we see the", "than making it a thriller (where there are minor twists that are red", "twists that follow one by one at the end - I figured that", "general fiction so that the answers apply easier, also because that’s what I", "way we see the ‘journey’ of the characters - is this a good", "the end - I figured that it was better than making it a", "are red herrings and important twists at the same time) but this is", "a general fiction; with 3 important twists that follow one by one at", "is this a good strategy? I added that it’s a general fiction so", "twists that are red herrings and important twists at the same time) but", "a general fiction so that the answers apply easier, also because that’s what", "thriller (where there are minor twists that are red herrings and important twists", "it a thriller (where there are minor twists that are red herrings and", "this a good strategy? I added that it’s a general fiction so that", "a thriller (where there are minor twists that are red herrings and important", "one at the end - I figured that it was better than making", "this is pure fiction, plot twists change the way we see the ‘journey’", "that it’s a general fiction so that the answers apply easier, also because", "so that the answers apply easier, also because that’s what I am working", "that it was better than making it a thriller (where there are minor", "the way we see the ‘journey’ of the characters - is this a", "- is this a good strategy? I added that it’s a general fiction", "by one at the end - I figured that it was better than", "plot of a general fiction; with 3 important twists that follow one by", "was better than making it a thriller (where there are minor twists that", "there are minor twists that are red herrings and important twists at the", "end - I figured that it was better than making it a thriller", "characters - is this a good strategy? I added that it’s a general", "figured that it was better than making it a thriller (where there are", "time) but this is pure fiction, plot twists change the way we see", "one by one at the end - I figured that it was better", "important twists that follow one by one at the end - I figured", "change the way we see the ‘journey’ of the characters - is this", "making it a thriller (where there are minor twists that are red herrings", "same time) but this is pure fiction, plot twists change the way we", "fiction; with 3 important twists that follow one by one at the end", "it’s a general fiction so that the answers apply easier, also because that’s", "better than making it a thriller (where there are minor twists that are", "herrings and important twists at the same time) but this is pure fiction,", "minor twists that are red herrings and important twists at the same time)", "it was better than making it a thriller (where there are minor twists", "the plot of a general fiction; with 3 important twists that follow one", "the characters - is this a good strategy? I added that it’s a", "follow one by one at the end - I figured that it was", "fiction, plot twists change the way we see the ‘journey’ of the characters", "‘journey’ of the characters - is this a good strategy? I added that", "of a general fiction; with 3 important twists that follow one by one", "important twists at the same time) but this is pure fiction, plot twists", "and important twists at the same time) but this is pure fiction, plot", "at the same time) but this is pure fiction, plot twists change the", "I have set up the plot of a general fiction; with 3 important", "set up the plot of a general fiction; with 3 important twists that", "that follow one by one at the end - I figured that it", "of the characters - is this a good strategy? I added that it’s", "at the end - I figured that it was better than making it", "twists change the way we see the ‘journey’ of the characters - is", "a good strategy? I added that it’s a general fiction so that the", "we see the ‘journey’ of the characters - is this a good strategy?", "twists at the same time) but this is pure fiction, plot twists change", "good strategy? I added that it’s a general fiction so that the answers", "red herrings and important twists at the same time) but this is pure", "- I figured that it was better than making it a thriller (where", "that the answers apply easier, also because that’s what I am working on", "pure fiction, plot twists change the way we see the ‘journey’ of the", "fiction so that the answers apply easier, also because that’s what I am", "are minor twists that are red herrings and important twists at the same", "strategy? I added that it’s a general fiction so that the answers apply", "is pure fiction, plot twists change the way we see the ‘journey’ of", "see the ‘journey’ of the characters - is this a good strategy? I", "the same time) but this is pure fiction, plot twists change the way" ]
[ "want to kill anyone off, I just want to get them injured, like", "to keep this *X gets injured during a fight* cliche as fresh as", "part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely available medicine*).", "as possible, for the longest time possible, and I under no circumstance want", "I don't want to kill anyone off, I just want to get them", "long engagement distances and hyper-advanced, widely available medicine*). However, **I don't want to", "I just want to get them injured, like badly. I made up numerous", "hurts, like a lot, but nobody dies. **I want to keep this *X", "**I want to keep this *X gets injured during a fight* cliche as", "no, he's injured, quickly pull him into cover!\" It's hard to get emotional", "don't want to tire the reader** with \"Oh no, he's injured, quickly pull", "it hurts, like a lot, but nobody dies. **I want to keep this", "and I under no circumstance want to make it feel tiring to the", "off, I just want to get them injured, like badly. I made up", "up numerous believable excuses for this (*low-violence, a genuine will to live on", "the fifth time, I mean it hurts, like a lot, but nobody dies.", "fight* cliche as fresh as possible, for the longest time possible, and I", "genuine will to live on the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long", "the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely", "\"Oh no, he's injured, quickly pull him into cover!\" It's hard to get", "the reader** with \"Oh no, he's injured, quickly pull him into cover!\" It's", "magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely available medicine*). However,", "nobody dies. **I want to keep this *X gets injured during a fight*", "get them injured, like badly. I made up numerous believable excuses for this", "mean it hurts, like a lot, but nobody dies. **I want to keep", "numerous believable excuses for this (*low-violence, a genuine will to live on the", "to live on the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances", "pull him into cover!\" It's hard to get emotional about this after the", "made up numerous believable excuses for this (*low-violence, a genuine will to live", "medicine*). However, **I don't want to tire the reader** with \"Oh no, he's", "just want to get them injured, like badly. I made up numerous believable", "this after the fifth time, I mean it hurts, like a lot, but", "engagement distances and hyper-advanced, widely available medicine*). However, **I don't want to tire", "In my fantasy novels, I don't want to kill anyone off, I just", "a genuine will to live on the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate),", "fifth time, I mean it hurts, like a lot, but nobody dies. **I", "want to tire the reader** with \"Oh no, he's injured, quickly pull him", "a lot, but nobody dies. **I want to keep this *X gets injured", "I under no circumstance want to make it feel tiring to the reader.", "under no circumstance want to make it feel tiring to the reader. How", "widely available medicine*). However, **I don't want to tire the reader** with \"Oh", "cover!\" It's hard to get emotional about this after the fifth time, I", "emotional about this after the fifth time, I mean it hurts, like a", "to make it feel tiring to the reader. How should I do that?**", "get emotional about this after the fifth time, I mean it hurts, like", "no circumstance want to make it feel tiring to the reader. How should", "**I don't want to tire the reader** with \"Oh no, he's injured, quickly", "(*low-violence, a genuine will to live on the enemies' part, magnetically levitated [trauma", "gets injured during a fight* cliche as fresh as possible, for the longest", "injured during a fight* cliche as fresh as possible, for the longest time", "to tire the reader** with \"Oh no, he's injured, quickly pull him into", "injured, quickly pull him into cover!\" It's hard to get emotional about this", "this (*low-violence, a genuine will to live on the enemies' part, magnetically levitated", "live on the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and", "this *X gets injured during a fight* cliche as fresh as possible, for", "I made up numerous believable excuses for this (*low-violence, a genuine will to", "novels, I don't want to kill anyone off, I just want to get", "believable excuses for this (*low-violence, a genuine will to live on the enemies'", "for the longest time possible, and I under no circumstance want to make", "keep this *X gets injured during a fight* cliche as fresh as possible,", "into cover!\" It's hard to get emotional about this after the fifth time,", "about this after the fifth time, I mean it hurts, like a lot,", "*X gets injured during a fight* cliche as fresh as possible, for the", "kill anyone off, I just want to get them injured, like badly. I", "dies. **I want to keep this *X gets injured during a fight* cliche", "with \"Oh no, he's injured, quickly pull him into cover!\" It's hard to", "hard to get emotional about this after the fifth time, I mean it", "want to get them injured, like badly. I made up numerous believable excuses", "don't want to kill anyone off, I just want to get them injured,", "want to make it feel tiring to the reader. How should I do", "It's hard to get emotional about this after the fifth time, I mean", "he's injured, quickly pull him into cover!\" It's hard to get emotional about", "my fantasy novels, I don't want to kill anyone off, I just want", "enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely available", "fresh as possible, for the longest time possible, and I under no circumstance", "for this (*low-violence, a genuine will to live on the enemies' part, magnetically", "I mean it hurts, like a lot, but nobody dies. **I want to", "available medicine*). However, **I don't want to tire the reader** with \"Oh no,", "possible, for the longest time possible, and I under no circumstance want to", "badly. I made up numerous believable excuses for this (*low-violence, a genuine will", "during a fight* cliche as fresh as possible, for the longest time possible,", "anyone off, I just want to get them injured, like badly. I made", "on the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced,", "after the fifth time, I mean it hurts, like a lot, but nobody", "tire the reader** with \"Oh no, he's injured, quickly pull him into cover!\"", "the longest time possible, and I under no circumstance want to make it", "want to keep this *X gets injured during a fight* cliche as fresh", "will to live on the enemies' part, magnetically levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement", "distances and hyper-advanced, widely available medicine*). However, **I don't want to tire the", "like a lot, but nobody dies. **I want to keep this *X gets", "and hyper-advanced, widely available medicine*). However, **I don't want to tire the reader**", "lot, but nobody dies. **I want to keep this *X gets injured during", "a fight* cliche as fresh as possible, for the longest time possible, and", "fantasy novels, I don't want to kill anyone off, I just want to", "him into cover!\" It's hard to get emotional about this after the fifth", "as fresh as possible, for the longest time possible, and I under no", "plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely available medicine*). However, **I don't want", "hyper-advanced, widely available medicine*). However, **I don't want to tire the reader** with", "circumstance want to make it feel tiring to the reader. How should I", "possible, and I under no circumstance want to make it feel tiring to", "levitated [trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely available medicine*). However, **I", "reader** with \"Oh no, he's injured, quickly pull him into cover!\" It's hard", "to get emotional about this after the fifth time, I mean it hurts,", "longest time possible, and I under no circumstance want to make it feel", "excuses for this (*low-violence, a genuine will to live on the enemies' part,", "like badly. I made up numerous believable excuses for this (*low-violence, a genuine", "injured, like badly. I made up numerous believable excuses for this (*low-violence, a", "but nobody dies. **I want to keep this *X gets injured during a", "However, **I don't want to tire the reader** with \"Oh no, he's injured,", "quickly pull him into cover!\" It's hard to get emotional about this after", "to get them injured, like badly. I made up numerous believable excuses for", "[trauma plates](https://en.wikipedia.org/wiki/Trauma_plate), long engagement distances and hyper-advanced, widely available medicine*). However, **I don't", "cliche as fresh as possible, for the longest time possible, and I under", "them injured, like badly. I made up numerous believable excuses for this (*low-violence,", "to kill anyone off, I just want to get them injured, like badly.", "time possible, and I under no circumstance want to make it feel tiring", "time, I mean it hurts, like a lot, but nobody dies. **I want" ]
[ "only small groups (that might vote for each other) around 5~10 people. Will", "school magazine. But how about letting students vote which article to put in", "not official (at least compared to those outside) and it's much like students'", "magazine rather than school's magazine. Is it possible to pass down the privilege", "to students? What will happen if we do this, and what's the reason", "the reason that they don't do this before? We've already known that we", "A school with thousands of student, where there are only small groups (that", "of student, where there are only small groups (that might vote for each", "will this issue really matter? A school with thousands of student, where there", "that will choose which article to post on the magazine and improve it.", "it's not official (at least compared to those outside) and it's much like", "to those outside) and it's much like students' magazine rather than school's magazine.", "be editor in magazine company (or organization, anyway) that will choose which article", "what's the reason that they don't do this before? We've already known that", "students' magazine rather than school's magazine. Is it possible to pass down the", "articles to a magazine (or another word submitting articles to magazine company). But", "big issue that stops this kind of plan for running? If not, what", "magazine which means it's not official (at least compared to those outside) and", "magazine company). But most time, there will be editor in magazine company (or", "small groups (that might vote for each other) around 5~10 people. Will this", "Since it's school magazine which means it's not official (at least compared to", "to pass down the privilege to chose articles from teachers to students? What", "vote for each other) around 5~10 people. Will this really become a big", "do this, and what's the reason that they don't do this before? We've", "time, there will be editor in magazine company (or organization, anyway) that will", "teachers to choose articles? Since it's school magazine which means it's not official", "from teachers to students? What will happen if we do this, and what's", "to choose articles? Since it's school magazine which means it's not official (at", "we might facing which will turn this kind of plan to impossible to", "a magazine (or another word submitting articles to magazine company). But most time,", "than school's magazine. Is it possible to pass down the privilege to chose", "we might be facing that friends vote for friends' article, but will this", "in the magazine instead of letting teachers to choose articles? Since it's school", "it possible to pass down the privilege to chose articles from teachers to", "which article to put in the magazine instead of letting teachers to choose", "and it's much like students' magazine rather than school's magazine. Is it possible", "(at least compared to those outside) and it's much like students' magazine rather", "other) around 5~10 people. Will this really become a big issue that stops", "students vote which article to put in the magazine instead of letting teachers", "(or organization, anyway) that will choose which article to post on the magazine", "school's magazine. Is it possible to pass down the privilege to chose articles", "a big issue that stops this kind of plan for running? If not,", "and improve it. So as school magazine. But how about letting students vote", "in magazine company (or organization, anyway) that will choose which article to post", "least compared to those outside) and it's much like students' magazine rather than", "of plan for running? If not, what other issue that we might facing", "another word submitting articles to magazine company). But most time, there will be", "be familiar with contributing articles to a magazine (or another word submitting articles", "rather than school's magazine. Is it possible to pass down the privilege to", "submitting articles to magazine company). But most time, there will be editor in", "magazine (or another word submitting articles to magazine company). But most time, there", "post on the magazine and improve it. So as school magazine. But how", "there are only small groups (that might vote for each other) around 5~10", "this before? We've already known that we might be facing that friends vote", "articles from teachers to students? What will happen if we do this, and", "So everyone should be familiar with contributing articles to a magazine (or another", "do this before? We've already known that we might be facing that friends", "that friends vote for friends' article, but will this issue really matter? A", "around 5~10 people. Will this really become a big issue that stops this", "but will this issue really matter? A school with thousands of student, where", "to a magazine (or another word submitting articles to magazine company). But most", "anyway) that will choose which article to post on the magazine and improve", "improve it. So as school magazine. But how about letting students vote which", "to magazine company). But most time, there will be editor in magazine company", "how about letting students vote which article to put in the magazine instead", "article to put in the magazine instead of letting teachers to choose articles?", "issue that we might facing which will turn this kind of plan to", "organization, anyway) that will choose which article to post on the magazine and", "familiar with contributing articles to a magazine (or another word submitting articles to", "that stops this kind of plan for running? If not, what other issue", "be facing that friends vote for friends' article, but will this issue really", "this issue really matter? A school with thousands of student, where there are", "editor in magazine company (or organization, anyway) that will choose which article to", "most time, there will be editor in magazine company (or organization, anyway) that", "company (or organization, anyway) that will choose which article to post on the", "school magazine which means it's not official (at least compared to those outside)", "magazine instead of letting teachers to choose articles? Since it's school magazine which", "But most time, there will be editor in magazine company (or organization, anyway)", "this, and what's the reason that they don't do this before? We've already", "will be editor in magazine company (or organization, anyway) that will choose which", "happen if we do this, and what's the reason that they don't do", "there will be editor in magazine company (or organization, anyway) that will choose", "that we might be facing that friends vote for friends' article, but will", "Is it possible to pass down the privilege to chose articles from teachers", "running? If not, what other issue that we might facing which will turn", "contributing articles to a magazine (or another word submitting articles to magazine company).", "if we do this, and what's the reason that they don't do this", "But how about letting students vote which article to put in the magazine", "where there are only small groups (that might vote for each other) around", "Will this really become a big issue that stops this kind of plan", "are only small groups (that might vote for each other) around 5~10 people.", "friends vote for friends' article, but will this issue really matter? A school", "for each other) around 5~10 people. Will this really become a big issue", "down the privilege to chose articles from teachers to students? What will happen", "as school magazine. But how about letting students vote which article to put", "to chose articles from teachers to students? What will happen if we do", "everyone should be familiar with contributing articles to a magazine (or another word", "teachers to students? What will happen if we do this, and what's the", "with thousands of student, where there are only small groups (that might vote", "that we might facing which will turn this kind of plan to impossible", "articles? Since it's school magazine which means it's not official (at least compared", "to post on the magazine and improve it. So as school magazine. But", "this really become a big issue that stops this kind of plan for", "this kind of plan for running? If not, what other issue that we", "choose which article to post on the magazine and improve it. So as", "known that we might be facing that friends vote for friends' article, but", "don't do this before? We've already known that we might be facing that", "vote for friends' article, but will this issue really matter? A school with", "not, what other issue that we might facing which will turn this kind", "thousands of student, where there are only small groups (that might vote for", "article, but will this issue really matter? A school with thousands of student,", "might be facing that friends vote for friends' article, but will this issue", "really matter? A school with thousands of student, where there are only small", "magazine company (or organization, anyway) that will choose which article to post on", "we do this, and what's the reason that they don't do this before?", "student, where there are only small groups (that might vote for each other)", "facing that friends vote for friends' article, but will this issue really matter?", "plan for running? If not, what other issue that we might facing which", "and what's the reason that they don't do this before? We've already known", "become a big issue that stops this kind of plan for running? If", "which article to post on the magazine and improve it. So as school", "the magazine and improve it. So as school magazine. But how about letting", "which means it's not official (at least compared to those outside) and it's", "for running? If not, what other issue that we might facing which will", "already known that we might be facing that friends vote for friends' article,", "instead of letting teachers to choose articles? Since it's school magazine which means", "the magazine instead of letting teachers to choose articles? Since it's school magazine", "it's school magazine which means it's not official (at least compared to those", "each other) around 5~10 people. Will this really become a big issue that", "So as school magazine. But how about letting students vote which article to", "chose articles from teachers to students? What will happen if we do this,", "word submitting articles to magazine company). But most time, there will be editor", "means it's not official (at least compared to those outside) and it's much", "letting teachers to choose articles? Since it's school magazine which means it's not", "issue that stops this kind of plan for running? If not, what other", "possible to pass down the privilege to chose articles from teachers to students?", "issue really matter? A school with thousands of student, where there are only", "the privilege to chose articles from teachers to students? What will happen if", "stops this kind of plan for running? If not, what other issue that", "might facing which will turn this kind of plan to impossible to run?", "about letting students vote which article to put in the magazine instead of", "much like students' magazine rather than school's magazine. Is it possible to pass", "should be familiar with contributing articles to a magazine (or another word submitting", "pass down the privilege to chose articles from teachers to students? What will", "will choose which article to post on the magazine and improve it. So", "students? What will happen if we do this, and what's the reason that", "friends' article, but will this issue really matter? A school with thousands of", "kind of plan for running? If not, what other issue that we might", "that they don't do this before? We've already known that we might be", "magazine. Is it possible to pass down the privilege to chose articles from", "before? We've already known that we might be facing that friends vote for", "magazine. But how about letting students vote which article to put in the", "to put in the magazine instead of letting teachers to choose articles? Since", "privilege to chose articles from teachers to students? What will happen if we", "school with thousands of student, where there are only small groups (that might", "groups (that might vote for each other) around 5~10 people. Will this really", "for friends' article, but will this issue really matter? A school with thousands", "company). But most time, there will be editor in magazine company (or organization,", "might vote for each other) around 5~10 people. Will this really become a", "other issue that we might facing which will turn this kind of plan", "(that might vote for each other) around 5~10 people. Will this really become", "articles to magazine company). But most time, there will be editor in magazine", "really become a big issue that stops this kind of plan for running?", "it. So as school magazine. But how about letting students vote which article", "(or another word submitting articles to magazine company). But most time, there will", "they don't do this before? We've already known that we might be facing", "matter? A school with thousands of student, where there are only small groups", "letting students vote which article to put in the magazine instead of letting", "5~10 people. Will this really become a big issue that stops this kind", "will happen if we do this, and what's the reason that they don't", "people. Will this really become a big issue that stops this kind of", "compared to those outside) and it's much like students' magazine rather than school's", "What will happen if we do this, and what's the reason that they", "magazine and improve it. So as school magazine. But how about letting students", "on the magazine and improve it. So as school magazine. But how about", "what other issue that we might facing which will turn this kind of", "vote which article to put in the magazine instead of letting teachers to", "of letting teachers to choose articles? Since it's school magazine which means it's", "We've already known that we might be facing that friends vote for friends'", "reason that they don't do this before? We've already known that we might", "put in the magazine instead of letting teachers to choose articles? Since it's", "article to post on the magazine and improve it. So as school magazine.", "choose articles? Since it's school magazine which means it's not official (at least", "official (at least compared to those outside) and it's much like students' magazine", "it's much like students' magazine rather than school's magazine. Is it possible to", "like students' magazine rather than school's magazine. Is it possible to pass down", "outside) and it's much like students' magazine rather than school's magazine. Is it", "with contributing articles to a magazine (or another word submitting articles to magazine", "those outside) and it's much like students' magazine rather than school's magazine. Is", "If not, what other issue that we might facing which will turn this" ]
[ "better to mention as little repetition of events as possible? Or can it", "> > or, > > \"I drew my hand back and gave three", "to have a character duplicate previous events and have them mentioned by the", "hand back and gave three sharp knocks on the wood. I > received", "knocking, but in only one is the knocking mentioned similarly throughout the example.", "Or can it improve writing in some cases to have a character duplicate", "have a character duplicate previous events and have them mentioned by the writer?", "> > \"I drew my hand back and gave three sharp knocks on", "sharp knocks on the wood. No > answer. I knocked again. Nothing. Not", "repeatedly knocking, but in only one is the knocking mentioned similarly throughout the", "three sharp knocks on the wood. I > received no answer but continued", "knocked again. Nothing. Not sure whether or not to be > worried, I", "drew my hand back and gave three sharp knocks on the wood. No", "I > received no answer but continued to knock; I grew worried quickly", "I knocked again.\" > > > or, > > \"I drew my hand", "answer but continued to knock; I grew worried quickly from > the lack", "little repetition of events as possible? Or can it improve writing in some", "on the wood. No > answer. I knocked again. Nothing. Not sure whether", "or, > > \"I drew my hand back and gave three sharp knocks", "grew worried quickly from > the lack of response.\" > > > In", "writer? For example, would it be better to have something like, > >", "drew my hand back and gave three sharp knocks on the wood. I", "knock; I grew worried quickly from > the lack of response.\" > >", "lack of response.\" > > > In either example the character is repeatedly", "gave three sharp knocks on the wood. I > received no answer but", "the writer? For example, would it be better to have something like, >", "something like, > > \"I drew my hand back and gave three sharp", "my hand back and gave three sharp knocks on the wood. No >", "example, would it be better to have something like, > > \"I drew", "> the lack of response.\" > > > In either example the character", "writing in first person, is it better to mention as little repetition of", "quickly from > the lack of response.\" > > > In either example", "worried quickly from > the lack of response.\" > > > In either", "either example the character is repeatedly knocking, but in only one is the", "cases to have a character duplicate previous events and have them mentioned by", "from > the lack of response.\" > > > In either example the", "a character duplicate previous events and have them mentioned by the writer? For", "improve writing in some cases to have a character duplicate previous events and", "or not to be > worried, I knocked again.\" > > > or,", "I grew worried quickly from > the lack of response.\" > > >", "and have them mentioned by the writer? For example, would it be better", "no answer but continued to knock; I grew worried quickly from > the", "gave three sharp knocks on the wood. No > answer. I knocked again.", "> > > or, > > \"I drew my hand back and gave", "events and have them mentioned by the writer? For example, would it be", "by the writer? For example, would it be better to have something like,", "wood. I > received no answer but continued to knock; I grew worried", "as possible? Or can it improve writing in some cases to have a", "> \"I drew my hand back and gave three sharp knocks on the", "No > answer. I knocked again. Nothing. Not sure whether or not to", "to be > worried, I knocked again.\" > > > or, > >", "writing in some cases to have a character duplicate previous events and have", "character duplicate previous events and have them mentioned by the writer? For example,", "> > In either example the character is repeatedly knocking, but in only", "is repeatedly knocking, but in only one is the knocking mentioned similarly throughout", "I knocked again. Nothing. Not sure whether or not to be > worried,", "again.\" > > > or, > > \"I drew my hand back and", "my hand back and gave three sharp knocks on the wood. I >", "first person, is it better to mention as little repetition of events as", "events as possible? Or can it improve writing in some cases to have", "wood. No > answer. I knocked again. Nothing. Not sure whether or not", "Not sure whether or not to be > worried, I knocked again.\" >", "For example, would it be better to have something like, > > \"I", "Nothing. Not sure whether or not to be > worried, I knocked again.\"", "to knock; I grew worried quickly from > the lack of response.\" >", "possible? Or can it improve writing in some cases to have a character", "on the wood. I > received no answer but continued to knock; I", "received no answer but continued to knock; I grew worried quickly from >", "it better to mention as little repetition of events as possible? Or can", "of response.\" > > > In either example the character is repeatedly knocking,", "and gave three sharp knocks on the wood. No > answer. I knocked", "hand back and gave three sharp knocks on the wood. No > answer.", "person, is it better to mention as little repetition of events as possible?", "character is repeatedly knocking, but in only one is the knocking mentioned similarly", "it improve writing in some cases to have a character duplicate previous events", "> > > In either example the character is repeatedly knocking, but in", "\"I drew my hand back and gave three sharp knocks on the wood.", "and gave three sharp knocks on the wood. I > received no answer", "> answer. I knocked again. Nothing. Not sure whether or not to be", "knocks on the wood. I > received no answer but continued to knock;", "duplicate previous events and have them mentioned by the writer? For example, would", "better to have something like, > > \"I drew my hand back and", "is it better to mention as little repetition of events as possible? Or", "to have something like, > > \"I drew my hand back and gave", "mention as little repetition of events as possible? Or can it improve writing", "the wood. I > received no answer but continued to knock; I grew", "some cases to have a character duplicate previous events and have them mentioned", "mentioned by the writer? For example, would it be better to have something", "response.\" > > > In either example the character is repeatedly knocking, but", "in some cases to have a character duplicate previous events and have them", "be > worried, I knocked again.\" > > > or, > > \"I", "worried, I knocked again.\" > > > or, > > \"I drew my", "> In either example the character is repeatedly knocking, but in only one", "in first person, is it better to mention as little repetition of events", "answer. I knocked again. Nothing. Not sure whether or not to be >", "the wood. No > answer. I knocked again. Nothing. Not sure whether or", "like, > > \"I drew my hand back and gave three sharp knocks", "knocks on the wood. No > answer. I knocked again. Nothing. Not sure", "back and gave three sharp knocks on the wood. No > answer. I", "sharp knocks on the wood. I > received no answer but continued to", "can it improve writing in some cases to have a character duplicate previous", "When writing in first person, is it better to mention as little repetition", "> worried, I knocked again.\" > > > or, > > \"I drew", "not to be > worried, I knocked again.\" > > > or, >", "continued to knock; I grew worried quickly from > the lack of response.\"", "be better to have something like, > > \"I drew my hand back", "example the character is repeatedly knocking, but in only one is the knocking", "In either example the character is repeatedly knocking, but in only one is", "but continued to knock; I grew worried quickly from > the lack of", "would it be better to have something like, > > \"I drew my", "the lack of response.\" > > > In either example the character is", "previous events and have them mentioned by the writer? For example, would it", "whether or not to be > worried, I knocked again.\" > > >", "have something like, > > \"I drew my hand back and gave three", "again. Nothing. Not sure whether or not to be > worried, I knocked", "it be better to have something like, > > \"I drew my hand", "them mentioned by the writer? For example, would it be better to have", "knocked again.\" > > > or, > > \"I drew my hand back", "three sharp knocks on the wood. No > answer. I knocked again. Nothing.", "> or, > > \"I drew my hand back and gave three sharp", "repetition of events as possible? Or can it improve writing in some cases", "of events as possible? Or can it improve writing in some cases to", "back and gave three sharp knocks on the wood. I > received no", "> received no answer but continued to knock; I grew worried quickly from", "sure whether or not to be > worried, I knocked again.\" > >", "the character is repeatedly knocking, but in only one is the knocking mentioned", "as little repetition of events as possible? Or can it improve writing in", "have them mentioned by the writer? For example, would it be better to", "to mention as little repetition of events as possible? Or can it improve" ]
[ "different one. **How do I execute this tone shift without it feeling awkward?**", "the repurposed enchantment and illusion spells, from the D&D 5e System Reference Documents,", "say, we establish the story as a light-hearted, over-the-top fantasy deconstruction, with humor", "typically established within the first few chapters of the book. So, let's say,", "misery on the characters. Establishing the tone is one thing, shifting it either", "or the darker side is a different one. **How do I execute this", "first few chapters of the book. So, let's say, we establish the story", "deconstruction, with humor only I will understand. And now, how am I supposed", "am I supposed to turn this into a psychological horror, where the repurposed", "side is a different one. **How do I execute this tone shift without", "5e System Reference Documents, dispense great misery on the characters. Establishing the tone", "novel's tone/atmosphere is typically established within the first few chapters of the book.", "characters. Establishing the tone is one thing, shifting it either to the lighter", "psychological horror, where the repurposed enchantment and illusion spells, from the D&D 5e", "of the book. So, let's say, we establish the story as a light-hearted,", "spells, from the D&D 5e System Reference Documents, dispense great misery on the", "System Reference Documents, dispense great misery on the characters. Establishing the tone is", "thing, shifting it either to the lighter or the darker side is a", "tone/atmosphere is typically established within the first few chapters of the book. So,", "horror, where the repurposed enchantment and illusion spells, from the D&D 5e System", "is typically established within the first few chapters of the book. So, let's", "the characters. Establishing the tone is one thing, shifting it either to the", "repurposed enchantment and illusion spells, from the D&D 5e System Reference Documents, dispense", "A novel's tone/atmosphere is typically established within the first few chapters of the", "darker side is a different one. **How do I execute this tone shift", "understand. And now, how am I supposed to turn this into a psychological", "the tone is one thing, shifting it either to the lighter or the", "And now, how am I supposed to turn this into a psychological horror,", "established within the first few chapters of the book. So, let's say, we", "over-the-top fantasy deconstruction, with humor only I will understand. And now, how am", "with humor only I will understand. And now, how am I supposed to", "either to the lighter or the darker side is a different one. **How", "we establish the story as a light-hearted, over-the-top fantasy deconstruction, with humor only", "and illusion spells, from the D&D 5e System Reference Documents, dispense great misery", "on the characters. Establishing the tone is one thing, shifting it either to", "the darker side is a different one. **How do I execute this tone", "is a different one. **How do I execute this tone shift without it", "So, let's say, we establish the story as a light-hearted, over-the-top fantasy deconstruction,", "one thing, shifting it either to the lighter or the darker side is", "humor only I will understand. And now, how am I supposed to turn", "shifting it either to the lighter or the darker side is a different", "a psychological horror, where the repurposed enchantment and illusion spells, from the D&D", "is one thing, shifting it either to the lighter or the darker side", "now, how am I supposed to turn this into a psychological horror, where", "book. So, let's say, we establish the story as a light-hearted, over-the-top fantasy", "Documents, dispense great misery on the characters. Establishing the tone is one thing,", "tone is one thing, shifting it either to the lighter or the darker", "how am I supposed to turn this into a psychological horror, where the", "to the lighter or the darker side is a different one. **How do", "story as a light-hearted, over-the-top fantasy deconstruction, with humor only I will understand.", "as a light-hearted, over-the-top fantasy deconstruction, with humor only I will understand. And", "the story as a light-hearted, over-the-top fantasy deconstruction, with humor only I will", "I supposed to turn this into a psychological horror, where the repurposed enchantment", "lighter or the darker side is a different one. **How do I execute", "supposed to turn this into a psychological horror, where the repurposed enchantment and", "will understand. And now, how am I supposed to turn this into a", "D&D 5e System Reference Documents, dispense great misery on the characters. Establishing the", "illusion spells, from the D&D 5e System Reference Documents, dispense great misery on", "chapters of the book. So, let's say, we establish the story as a", "Reference Documents, dispense great misery on the characters. Establishing the tone is one", "few chapters of the book. So, let's say, we establish the story as", "from the D&D 5e System Reference Documents, dispense great misery on the characters.", "establish the story as a light-hearted, over-the-top fantasy deconstruction, with humor only I", "I will understand. And now, how am I supposed to turn this into", "a different one. **How do I execute this tone shift without it feeling", "the D&D 5e System Reference Documents, dispense great misery on the characters. Establishing", "enchantment and illusion spells, from the D&D 5e System Reference Documents, dispense great", "to turn this into a psychological horror, where the repurposed enchantment and illusion", "only I will understand. And now, how am I supposed to turn this", "within the first few chapters of the book. So, let's say, we establish", "this into a psychological horror, where the repurposed enchantment and illusion spells, from", "let's say, we establish the story as a light-hearted, over-the-top fantasy deconstruction, with", "the first few chapters of the book. So, let's say, we establish the", "the lighter or the darker side is a different one. **How do I", "light-hearted, over-the-top fantasy deconstruction, with humor only I will understand. And now, how", "where the repurposed enchantment and illusion spells, from the D&D 5e System Reference", "fantasy deconstruction, with humor only I will understand. And now, how am I", "it either to the lighter or the darker side is a different one.", "great misery on the characters. Establishing the tone is one thing, shifting it", "a light-hearted, over-the-top fantasy deconstruction, with humor only I will understand. And now,", "into a psychological horror, where the repurposed enchantment and illusion spells, from the", "the book. So, let's say, we establish the story as a light-hearted, over-the-top", "dispense great misery on the characters. Establishing the tone is one thing, shifting", "Establishing the tone is one thing, shifting it either to the lighter or", "turn this into a psychological horror, where the repurposed enchantment and illusion spells," ]
[ "under no circumstance am I saying that this would make for a good", "would I go about writing a thesis statement that includes everything?* I can’t", "> > > The First Amendment > > > Religions in the United", "my prompts and topics, more complex. In the above example, I might have", "I were righting about, say, religion in the United States, with the following", "can hardly recognize the format and essay structure that the author is using—certainly", "format: > > First paragraph – Introduction including a thesis statement > >", "the author is using—certainly not the introduction-body-conclusion format we’re taught in school. They", "I find this structure, however, to be increasingly hard to follow as my", "three. My thesis might become: > > My favorite types of yarn are", "and topics, more complex. In the above example, I might have to talk", "presence becomes unobvious and I am accused of not including it or being", "the above example, I might have to talk about six types of yarn", "The First Amendment > > > Religions in the United States > >", "addressed (understand that this is a brutally rough example and under no circumstance", "thesis statement that includes everything?* I can’t just list everything using commas or", "types of yarn rather than three. My thesis might become: > > My", "the professionally written essays and papers that I encounter in class, I can", "the following points needing to be addressed (understand that this is a brutally", "to fourth paragraph – Body with details supporting/rejecting/analyzing the points in the aforementioned", "formal writing or something else. Maybe all the above. Whenever I look at", "no circumstance am I saying that this would make for a good paper):", "to formal writing or something else. Maybe all the above. Whenever I look", "taught to write essays in the same format: > > First paragraph –", "cotton, and alpaca. > > > The issue, though, is not how many", "type of yarn separately. I find this structure, however, to be increasingly hard", "Religions in the United States > > > The presence and influence of", "United States, with the following points needing to be addressed (understand that this", "presence and influence of protestants in the US > > > *How would", "church and state > > > The First Amendment > > > Religions", "statement might look like this: > > My favorite types of yarn are", "influence of protestants in the US > > > *How would I go", "just list everything using commas or semicolons. But I can’t break up my", "I always have this problem, and I’m not sure if it is because", "for a good paper): > > Separation of church and state > >", "thesis statement > > > Second to fourth paragraph – Body with details", "sentences, either, lest the thesis’ presence becomes unobvious and I am accused of", "is because I have missed something fundamental to formal writing or something else.", "flow organically like a journal entry, whilst still maintaining organization and formality. I", "In the above example, I might have to talk about six types of", "the United States, with the following points needing to be addressed (understand that", "to cut it as long as I have a grade attached to my", "My thesis might become: > > My favorite types of yarn are cashmere,", "types of yarn, my thesis statement might look like this: > > My", "of points** that I wish to include. What if I were righting about,", "alpaca. > > > The issue, though, is not how many points I", "format and essay structure that the author is using—certainly not the introduction-body-conclusion format", "cashmere, mohair, silk, rayon, cotton, and alpaca. > > > The issue, though,", "of yarn rather than three. My thesis might become: > > My favorite", "using—certainly not the introduction-body-conclusion format we’re taught in school. They usually appear to", "points I have but, rather, the **types of points** that I wish to", "semicolons. But I can’t break up my thesis into multiple sentences, either, lest", "my favorite types of yarn, my thesis statement might look like this: >", "Introduction including a thesis statement > > > Second to fourth paragraph –", "follow as my papers become lengthier and, my prompts and topics, more complex.", "Maybe all the above. Whenever I look at the professionally written essays and", "> > Second to fourth paragraph – Body with details supporting/rejecting/analyzing the points", "something else. Maybe all the above. Whenever I look at the professionally written", "or semicolons. But I can’t break up my thesis into multiple sentences, either,", "of protestants in the US > > > *How would I go about", "righting about, say, religion in the United States, with the following points needing", "essay on my favorite types of yarn, my thesis statement might look like", "details supporting/rejecting/analyzing the points in the aforementioned thesis. > > > Fifth paragraph", "I am accused of not including it or being disorganized. I always have", "thesis’ presence becomes unobvious and I am accused of not including it or", "formality. I love reading such texts, but I hardly think that that’s going", "the points in the aforementioned thesis. > > > Fifth paragraph – Conclusion", "problem, and I’m not sure if it is because I have missed something", "write essays in the same format: > > First paragraph – Introduction including", "material. > > > If I were to write an essay on my", "If I were to write an essay on my favorite types of yarn,", "body paragraphs would then proceed to address each type of yarn separately. I", "a brutally rough example and under no circumstance am I saying that this", "about, say, religion in the United States, with the following points needing to", "at the professionally written essays and papers that I encounter in class, I", "to write essays in the same format: > > First paragraph – Introduction", "more complex. In the above example, I might have to talk about six", "using commas or semicolons. But I can’t break up my thesis into multiple", "rather than three. My thesis might become: > > My favorite types of", "> > Separation of church and state > > > The First Amendment", "silk, rayon, cotton, and alpaca. > > > The issue, though, is not", "appear to flow organically like a journal entry, whilst still maintaining organization and", "points needing to be addressed (understand that this is a brutally rough example", "always have this problem, and I’m not sure if it is because I", "to include. What if I were righting about, say, religion in the United", "essay structure that the author is using—certainly not the introduction-body-conclusion format we’re taught", "summarizing the covered material. > > > If I were to write an", "have this problem, and I’m not sure if it is because I have", "lest the thesis’ presence becomes unobvious and I am accused of not including", "US > > > *How would I go about writing a thesis statement", "I have missed something fundamental to formal writing or something else. Maybe all", "Second to fourth paragraph – Body with details supporting/rejecting/analyzing the points in the", "States > > > The presence and influence of protestants in the US", "disorganized. I always have this problem, and I’m not sure if it is", "I can hardly recognize the format and essay structure that the author is", "we’re taught in school. They usually appear to flow organically like a journal", "– Body with details supporting/rejecting/analyzing the points in the aforementioned thesis. > >", "been taught to write essays in the same format: > > First paragraph", "being disorganized. I always have this problem, and I’m not sure if it", "First Amendment > > > Religions in the United States > > >", "I wish to include. What if I were righting about, say, religion in", "about writing a thesis statement that includes everything?* I can’t just list everything", "commas or semicolons. But I can’t break up my thesis into multiple sentences,", "like this: > > My favorite types of yarn are cashmere, mohair, and", "have to talk about six types of yarn rather than three. My thesis", "First paragraph – Introduction including a thesis statement > > > Second to", "> My body paragraphs would then proceed to address each type of yarn", "am accused of not including it or being disorganized. I always have this", "if it is because I have missed something fundamental to formal writing or", "hard to follow as my papers become lengthier and, my prompts and topics,", "with the following points needing to be addressed (understand that this is a", "the introduction-body-conclusion format we’re taught in school. They usually appear to flow organically", "and under no circumstance am I saying that this would make for a", "My favorite types of yarn are cashmere, mohair, silk, rayon, cotton, and alpaca.", "> > The First Amendment > > > Religions in the United States", "talk about six types of yarn rather than three. My thesis might become:", "same format: > > First paragraph – Introduction including a thesis statement >", "it is because I have missed something fundamental to formal writing or something", "I might have to talk about six types of yarn rather than three.", "missed something fundamental to formal writing or something else. Maybe all the above.", "fundamental to formal writing or something else. Maybe all the above. Whenever I", "cut it as long as I have a grade attached to my paper!", "> > First paragraph – Introduction including a thesis statement > > >", "topics, more complex. In the above example, I might have to talk about", "> > > *How would I go about writing a thesis statement that", "an essay on my favorite types of yarn, my thesis statement might look", "and influence of protestants in the US > > > *How would I", "lengthier and, my prompts and topics, more complex. In the above example, I", "up my thesis into multiple sentences, either, lest the thesis’ presence becomes unobvious", "if I were righting about, say, religion in the United States, with the", "the same format: > > First paragraph – Introduction including a thesis statement", "in the United States > > > The presence and influence of protestants", "say, religion in the United States, with the following points needing to be", "can’t break up my thesis into multiple sentences, either, lest the thesis’ presence", "of yarn are cashmere, mohair, silk, rayon, cotton, and alpaca. > > >", "separately. I find this structure, however, to be increasingly hard to follow as", "might become: > > My favorite types of yarn are cashmere, mohair, silk,", "journal entry, whilst still maintaining organization and formality. I love reading such texts,", "essays in the same format: > > First paragraph – Introduction including a", "brutally rough example and under no circumstance am I saying that this would", "look at the professionally written essays and papers that I encounter in class,", "of yarn separately. I find this structure, however, to be increasingly hard to", "> My favorite types of yarn are cashmere, mohair, silk, rayon, cotton, and", "written essays and papers that I encounter in class, I can hardly recognize", "rough example and under no circumstance am I saying that this would make", "class, I can hardly recognize the format and essay structure that the author", "not including it or being disorganized. I always have this problem, and I’m", "this would make for a good paper): > > Separation of church and", "> > Religions in the United States > > > The presence and", "Body with details supporting/rejecting/analyzing the points in the aforementioned thesis. > > >", "following points needing to be addressed (understand that this is a brutally rough", "increasingly hard to follow as my papers become lengthier and, my prompts and", "> > My favorite types of yarn are cashmere, mohair, silk, rayon, cotton,", "the covered material. > > > If I were to write an essay", "> > The presence and influence of protestants in the US > >", "aforementioned thesis. > > > Fifth paragraph – Conclusion summarizing the covered material.", "example, I might have to talk about six types of yarn rather than", "write an essay on my favorite types of yarn, my thesis statement might", "might look like this: > > My favorite types of yarn are cashmere,", "a journal entry, whilst still maintaining organization and formality. I love reading such", "state > > > The First Amendment > > > Religions in the", "think that that’s going to cut it as long as I have a", "are cashmere, mohair, silk, rayon, cotton, and alpaca. > > > The issue,", "the format and essay structure that the author is using—certainly not the introduction-body-conclusion", "still maintaining organization and formality. I love reading such texts, but I hardly", "I saying that this would make for a good paper): > > Separation", "wish to include. What if I were righting about, say, religion in the", "statement that includes everything?* I can’t just list everything using commas or semicolons.", "list everything using commas or semicolons. But I can’t break up my thesis", "– Conclusion summarizing the covered material. > > > If I were to", "includes everything?* I can’t just list everything using commas or semicolons. But I", "unobvious and I am accused of not including it or being disorganized. I", "But I can’t break up my thesis into multiple sentences, either, lest the", "> > > My body paragraphs would then proceed to address each type", "is not how many points I have but, rather, the **types of points**", "paragraphs would then proceed to address each type of yarn separately. I find", "and I’m not sure if it is because I have missed something fundamental", "love reading such texts, but I hardly think that that’s going to cut", "were to write an essay on my favorite types of yarn, my thesis", "of not including it or being disorganized. I always have this problem, and", "favorite types of yarn are cashmere, mohair, silk, rayon, cotton, and alpaca. >", "and papers that I encounter in class, I can hardly recognize the format", "my papers become lengthier and, my prompts and topics, more complex. In the", "structure, however, to be increasingly hard to follow as my papers become lengthier", "and essay structure that the author is using—certainly not the introduction-body-conclusion format we’re", "all the above. Whenever I look at the professionally written essays and papers", "paragraph – Introduction including a thesis statement > > > Second to fourth", "in the United States, with the following points needing to be addressed (understand", "paper): > > Separation of church and state > > > The First", "> > *How would I go about writing a thesis statement that includes", "not how many points I have but, rather, the **types of points** that", "issue, though, is not how many points I have but, rather, the **types", "professionally written essays and papers that I encounter in class, I can hardly", "that includes everything?* I can’t just list everything using commas or semicolons. But", "my thesis statement might look like this: > > My favorite types of", "(understand that this is a brutally rough example and under no circumstance am", "I can’t break up my thesis into multiple sentences, either, lest the thesis’", "accused of not including it or being disorganized. I always have this problem,", "statement > > > Second to fourth paragraph – Body with details supporting/rejecting/analyzing", "this problem, and I’m not sure if it is because I have missed", "organization and formality. I love reading such texts, but I hardly think that", "> > My favorite types of yarn are cashmere, mohair, and silk. >", "the US > > > *How would I go about writing a thesis", "that the author is using—certainly not the introduction-body-conclusion format we’re taught in school.", "silk. > > > My body paragraphs would then proceed to address each", "include. What if I were righting about, say, religion in the United States,", "They usually appear to flow organically like a journal entry, whilst still maintaining", "is a brutally rough example and under no circumstance am I saying that", "I can’t just list everything using commas or semicolons. But I can’t break", "yarn rather than three. My thesis might become: > > My favorite types", "the aforementioned thesis. > > > Fifth paragraph – Conclusion summarizing the covered", "I were to write an essay on my favorite types of yarn, my", "maintaining organization and formality. I love reading such texts, but I hardly think", "format we’re taught in school. They usually appear to flow organically like a", "> Second to fourth paragraph – Body with details supporting/rejecting/analyzing the points in", "and state > > > The First Amendment > > > Religions in", "that this would make for a good paper): > > Separation of church", "I love reading such texts, but I hardly think that that’s going to", "yarn, my thesis statement might look like this: > > My favorite types", "– Introduction including a thesis statement > > > Second to fourth paragraph", "fourth paragraph – Body with details supporting/rejecting/analyzing the points in the aforementioned thesis.", "> > The issue, though, is not how many points I have but,", "go about writing a thesis statement that includes everything?* I can’t just list", "favorite types of yarn are cashmere, mohair, and silk. > > > My", "the United States > > > The presence and influence of protestants in", "Conclusion summarizing the covered material. > > > If I were to write", "this: > > My favorite types of yarn are cashmere, mohair, and silk.", "yarn separately. I find this structure, however, to be increasingly hard to follow", "of yarn, my thesis statement might look like this: > > My favorite", "> Religions in the United States > > > The presence and influence", "> First paragraph – Introduction including a thesis statement > > > Second", "thesis statement might look like this: > > My favorite types of yarn", "to be addressed (understand that this is a brutally rough example and under", "encounter in class, I can hardly recognize the format and essay structure that", "paragraph – Conclusion summarizing the covered material. > > > If I were", "though, is not how many points I have but, rather, the **types of", "and I am accused of not including it or being disorganized. I always", "> The First Amendment > > > Religions in the United States >", "hardly think that that’s going to cut it as long as I have", "favorite types of yarn, my thesis statement might look like this: > >", "that this is a brutally rough example and under no circumstance am I", "Amendment > > > Religions in the United States > > > The", "in school. They usually appear to flow organically like a journal entry, whilst", "going to cut it as long as I have a grade attached to", "circumstance am I saying that this would make for a good paper): >", "yarn are cashmere, mohair, and silk. > > > My body paragraphs would", "and, my prompts and topics, more complex. In the above example, I might", "have but, rather, the **types of points** that I wish to include. What", "Separation of church and state > > > The First Amendment > >", "> > My body paragraphs would then proceed to address each type of", "that I wish to include. What if I were righting about, say, religion", "> > > Religions in the United States > > > The presence", "then proceed to address each type of yarn separately. I find this structure,", "above example, I might have to talk about six types of yarn rather", "to follow as my papers become lengthier and, my prompts and topics, more", "complex. In the above example, I might have to talk about six types", "good paper): > > Separation of church and state > > > The", "like a journal entry, whilst still maintaining organization and formality. I love reading", "not sure if it is because I have missed something fundamental to formal", "*How would I go about writing a thesis statement that includes everything?* I", "> > > The presence and influence of protestants in the US >", "in class, I can hardly recognize the format and essay structure that the", "always been taught to write essays in the same format: > > First", "types of yarn are cashmere, mohair, and silk. > > > My body", "I encounter in class, I can hardly recognize the format and essay structure", "that I encounter in class, I can hardly recognize the format and essay", "be increasingly hard to follow as my papers become lengthier and, my prompts", "on my favorite types of yarn, my thesis statement might look like this:", "would then proceed to address each type of yarn separately. I find this", "this is a brutally rough example and under no circumstance am I saying", "am I saying that this would make for a good paper): > >", "are cashmere, mohair, and silk. > > > My body paragraphs would then", "introduction-body-conclusion format we’re taught in school. They usually appear to flow organically like", "become: > > My favorite types of yarn are cashmere, mohair, silk, rayon,", "> > > The issue, though, is not how many points I have", "a good paper): > > Separation of church and state > > >", "> The issue, though, is not how many points I have but, rather,", "the above. Whenever I look at the professionally written essays and papers that", "> My favorite types of yarn are cashmere, mohair, and silk. > >", "it or being disorganized. I always have this problem, and I’m not sure", "covered material. > > > If I were to write an essay on", "My body paragraphs would then proceed to address each type of yarn separately.", "make for a good paper): > > Separation of church and state >", "usually appear to flow organically like a journal entry, whilst still maintaining organization", "is using—certainly not the introduction-body-conclusion format we’re taught in school. They usually appear", "in the aforementioned thesis. > > > Fifth paragraph – Conclusion summarizing the", "thesis. > > > Fifth paragraph – Conclusion summarizing the covered material. >", "either, lest the thesis’ presence becomes unobvious and I am accused of not", "a thesis statement that includes everything?* I can’t just list everything using commas", "hardly recognize the format and essay structure that the author is using—certainly not", "look like this: > > My favorite types of yarn are cashmere, mohair,", "entry, whilst still maintaining organization and formality. I love reading such texts, but", "Fifth paragraph – Conclusion summarizing the covered material. > > > If I", "else. Maybe all the above. Whenever I look at the professionally written essays", "> *How would I go about writing a thesis statement that includes everything?*", "six types of yarn rather than three. My thesis might become: > >", "everything using commas or semicolons. But I can’t break up my thesis into", "and silk. > > > My body paragraphs would then proceed to address", "school. They usually appear to flow organically like a journal entry, whilst still", "example and under no circumstance am I saying that this would make for", "> > > Second to fourth paragraph – Body with details supporting/rejecting/analyzing the", "> > Fifth paragraph – Conclusion summarizing the covered material. > > >", "mohair, and silk. > > > My body paragraphs would then proceed to", "The presence and influence of protestants in the US > > > *How", "supporting/rejecting/analyzing the points in the aforementioned thesis. > > > Fifth paragraph –", "were righting about, say, religion in the United States, with the following points", "recognize the format and essay structure that the author is using—certainly not the", "to talk about six types of yarn rather than three. My thesis might", "reading such texts, but I hardly think that that’s going to cut it", "prompts and topics, more complex. In the above example, I might have to", "I’m not sure if it is because I have missed something fundamental to", "would make for a good paper): > > Separation of church and state", "because I have missed something fundamental to formal writing or something else. Maybe", "have always been taught to write essays in the same format: > >", "cashmere, mohair, and silk. > > > My body paragraphs would then proceed", "or something else. Maybe all the above. Whenever I look at the professionally", "to be increasingly hard to follow as my papers become lengthier and, my", "in the same format: > > First paragraph – Introduction including a thesis", "the **types of points** that I wish to include. What if I were", "texts, but I hardly think that that’s going to cut it as long", "Whenever I look at the professionally written essays and papers that I encounter", "address each type of yarn separately. I find this structure, however, to be", "above. Whenever I look at the professionally written essays and papers that I", "however, to be increasingly hard to follow as my papers become lengthier and,", "to write an essay on my favorite types of yarn, my thesis statement", "and formality. I love reading such texts, but I hardly think that that’s", "with details supporting/rejecting/analyzing the points in the aforementioned thesis. > > > Fifth", "than three. My thesis might become: > > My favorite types of yarn", "how many points I have but, rather, the **types of points** that I", "about six types of yarn rather than three. My thesis might become: >", "papers that I encounter in class, I can hardly recognize the format and", "but, rather, the **types of points** that I wish to include. What if", "protestants in the US > > > *How would I go about writing", "structure that the author is using—certainly not the introduction-body-conclusion format we’re taught in", "that that’s going to cut it as long as I have a grade", "not the introduction-body-conclusion format we’re taught in school. They usually appear to flow", "break up my thesis into multiple sentences, either, lest the thesis’ presence becomes", "author is using—certainly not the introduction-body-conclusion format we’re taught in school. They usually", "points** that I wish to include. What if I were righting about, say,", "sure if it is because I have missed something fundamental to formal writing", "and alpaca. > > > The issue, though, is not how many points", "this structure, however, to be increasingly hard to follow as my papers become", "thesis into multiple sentences, either, lest the thesis’ presence becomes unobvious and I", "> > > Fifth paragraph – Conclusion summarizing the covered material. > >", "everything?* I can’t just list everything using commas or semicolons. But I can’t", "I hardly think that that’s going to cut it as long as I", "States, with the following points needing to be addressed (understand that this is", "the thesis’ presence becomes unobvious and I am accused of not including it", "thesis might become: > > My favorite types of yarn are cashmere, mohair,", "whilst still maintaining organization and formality. I love reading such texts, but I", "**types of points** that I wish to include. What if I were righting", "of yarn are cashmere, mohair, and silk. > > > My body paragraphs", "be addressed (understand that this is a brutally rough example and under no", "in the US > > > *How would I go about writing a", "or being disorganized. I always have this problem, and I’m not sure if", "types of yarn are cashmere, mohair, silk, rayon, cotton, and alpaca. > >", "multiple sentences, either, lest the thesis’ presence becomes unobvious and I am accused", "including a thesis statement > > > Second to fourth paragraph – Body", "> Separation of church and state > > > The First Amendment >", "The issue, though, is not how many points I have but, rather, the", "as my papers become lengthier and, my prompts and topics, more complex. In", "such texts, but I hardly think that that’s going to cut it as", "My favorite types of yarn are cashmere, mohair, and silk. > > >", "> Fifth paragraph – Conclusion summarizing the covered material. > > > If", "each type of yarn separately. I find this structure, however, to be increasingly", "writing or something else. Maybe all the above. Whenever I look at the", "organically like a journal entry, whilst still maintaining organization and formality. I love", "can’t just list everything using commas or semicolons. But I can’t break up", "writing a thesis statement that includes everything?* I can’t just list everything using", "into multiple sentences, either, lest the thesis’ presence becomes unobvious and I am", "> > > If I were to write an essay on my favorite", "I look at the professionally written essays and papers that I encounter in", "religion in the United States, with the following points needing to be addressed", "> > If I were to write an essay on my favorite types", "many points I have but, rather, the **types of points** that I wish", "rayon, cotton, and alpaca. > > > The issue, though, is not how", "to address each type of yarn separately. I find this structure, however, to", "rather, the **types of points** that I wish to include. What if I", "essays and papers that I encounter in class, I can hardly recognize the", "of church and state > > > The First Amendment > > >", "my thesis into multiple sentences, either, lest the thesis’ presence becomes unobvious and", "but I hardly think that that’s going to cut it as long as", "paragraph – Body with details supporting/rejecting/analyzing the points in the aforementioned thesis. >", "needing to be addressed (understand that this is a brutally rough example and", "might have to talk about six types of yarn rather than three. My", "that’s going to cut it as long as I have a grade attached", "something fundamental to formal writing or something else. Maybe all the above. Whenever", "a thesis statement > > > Second to fourth paragraph – Body with", "points in the aforementioned thesis. > > > Fifth paragraph – Conclusion summarizing", "have missed something fundamental to formal writing or something else. Maybe all the", "What if I were righting about, say, religion in the United States, with", "proceed to address each type of yarn separately. I find this structure, however,", "United States > > > The presence and influence of protestants in the", "find this structure, however, to be increasingly hard to follow as my papers", "I have but, rather, the **types of points** that I wish to include.", "mohair, silk, rayon, cotton, and alpaca. > > > The issue, though, is", "> The presence and influence of protestants in the US > > >", "to flow organically like a journal entry, whilst still maintaining organization and formality.", "papers become lengthier and, my prompts and topics, more complex. In the above", "I have always been taught to write essays in the same format: >", "I go about writing a thesis statement that includes everything?* I can’t just", "yarn are cashmere, mohair, silk, rayon, cotton, and alpaca. > > > The", "saying that this would make for a good paper): > > Separation of", "become lengthier and, my prompts and topics, more complex. In the above example,", "taught in school. They usually appear to flow organically like a journal entry,", "becomes unobvious and I am accused of not including it or being disorganized.", "> If I were to write an essay on my favorite types of", "including it or being disorganized. I always have this problem, and I’m not" ]
[ "choosing the characters, you then get to follow a story path involving people", "this is just a side project I'm doing for free. Does anyone know", "I'm looking for other places I can set it up, where it is", "looking for other places I can set it up, where it is more", "places I can set it up, where it is more likely to get", "site I'm currently hosting on doesn't have very many members, and a bug", "looking to make a buck, this is just a side project I'm doing", "read it. So I'm looking for other places I can set it up,", "likely to get fresh faces who are interested in trying something new. To", "interests. The roadblocks I'm encountering are few, but worrisome. The site I'm currently", "for people to find and read it. So I'm looking for other places", "for other places I can set it up, where it is more likely", "then get to follow a story path involving people most suited to your", "is just a side project I'm doing for free. Does anyone know free", "it hard for people to find and read it. So I'm looking for", "what time. By choosing the characters, you then get to follow a story", "must choose which characters participate at what time. By choosing the characters, you", "buck, this is just a side project I'm doing for free. Does anyone", "worrisome. The site I'm currently hosting on doesn't have very many members, and", "people to find and read it. So I'm looking for other places I", "new. To be clear, I'm not looking to make a buck, this is", "to do next, the reader must choose which characters participate at what time.", "By choosing the characters, you then get to follow a story path involving", "are few, but worrisome. The site I'm currently hosting on doesn't have very", "to find and read it. So I'm looking for other places I can", "bug is making it hard for people to find and read it. So", "clear, I'm not looking to make a buck, this is just a side", "few, but worrisome. The site I'm currently hosting on doesn't have very many", "The site I'm currently hosting on doesn't have very many members, and a", "side project I'm doing for free. Does anyone know free sites with a", "different. Instead of being \"you\" and deciding what to do next, the reader", "I'm encountering are few, but worrisome. The site I'm currently hosting on doesn't", "just a side project I'm doing for free. Does anyone know free sites", "reader must choose which characters participate at what time. By choosing the characters,", "it. So I'm looking for other places I can set it up, where", "participate at what time. By choosing the characters, you then get to follow", "you then get to follow a story path involving people most suited to", "and read it. So I'm looking for other places I can set it", "making it hard for people to find and read it. So I'm looking", "it up, where it is more likely to get fresh faces who are", "on doesn't have very many members, and a bug is making it hard", "time. By choosing the characters, you then get to follow a story path", "the reader must choose which characters participate at what time. By choosing the", "make a buck, this is just a side project I'm doing for free.", "get to follow a story path involving people most suited to your interests.", "The roadblocks I'm encountering are few, but worrisome. The site I'm currently hosting", "I'm currently hosting on doesn't have very many members, and a bug is", "interested in trying something new. To be clear, I'm not looking to make", "a Choose Your Own Adventure, but different. Instead of being \"you\" and deciding", "more likely to get fresh faces who are interested in trying something new.", "I'm doing for free. Does anyone know free sites with a lot of", "choose which characters participate at what time. By choosing the characters, you then", "Choose Your Own Adventure, but different. Instead of being \"you\" and deciding what", "are interested in trying something new. To be clear, I'm not looking to", "is more likely to get fresh faces who are interested in trying something", "project I'm doing for free. Does anyone know free sites with a lot", "deciding what to do next, the reader must choose which characters participate at", "what to do next, the reader must choose which characters participate at what", "So I'm looking for other places I can set it up, where it", "free. Does anyone know free sites with a lot of traffic where I", "to get fresh faces who are interested in trying something new. To be", "at what time. By choosing the characters, you then get to follow a", "most suited to your interests. The roadblocks I'm encountering are few, but worrisome.", "story path involving people most suited to your interests. The roadblocks I'm encountering", "of being \"you\" and deciding what to do next, the reader must choose", "for free. Does anyone know free sites with a lot of traffic where", "a story path involving people most suited to your interests. The roadblocks I'm", "but different. Instead of being \"you\" and deciding what to do next, the", "Instead of being \"you\" and deciding what to do next, the reader must", "other places I can set it up, where it is more likely to", "that is like a Choose Your Own Adventure, but different. Instead of being", "have very many members, and a bug is making it hard for people", "which characters participate at what time. By choosing the characters, you then get", "hard for people to find and read it. So I'm looking for other", "next, the reader must choose which characters participate at what time. By choosing", "people most suited to your interests. The roadblocks I'm encountering are few, but", "trying something new. To be clear, I'm not looking to make a buck,", "set it up, where it is more likely to get fresh faces who", "to make a buck, this is just a side project I'm doing for", "free sites with a lot of traffic where I can post my story?", "who are interested in trying something new. To be clear, I'm not looking", "but worrisome. The site I'm currently hosting on doesn't have very many members,", "suited to your interests. The roadblocks I'm encountering are few, but worrisome. The", "is like a Choose Your Own Adventure, but different. Instead of being \"you\"", "on a story that is like a Choose Your Own Adventure, but different.", "encountering are few, but worrisome. The site I'm currently hosting on doesn't have", "many members, and a bug is making it hard for people to find", "members, and a bug is making it hard for people to find and", "to your interests. The roadblocks I'm encountering are few, but worrisome. The site", "I'm not looking to make a buck, this is just a side project", "not looking to make a buck, this is just a side project I'm", "being \"you\" and deciding what to do next, the reader must choose which", "doing for free. Does anyone know free sites with a lot of traffic", "and deciding what to do next, the reader must choose which characters participate", "Own Adventure, but different. Instead of being \"you\" and deciding what to do", "get fresh faces who are interested in trying something new. To be clear,", "currently hosting on doesn't have very many members, and a bug is making", "do next, the reader must choose which characters participate at what time. By", "where it is more likely to get fresh faces who are interested in", "story that is like a Choose Your Own Adventure, but different. Instead of", "a story that is like a Choose Your Own Adventure, but different. Instead", "like a Choose Your Own Adventure, but different. Instead of being \"you\" and", "To be clear, I'm not looking to make a buck, this is just", "Does anyone know free sites with a lot of traffic where I can", "very many members, and a bug is making it hard for people to", "faces who are interested in trying something new. To be clear, I'm not", "characters, you then get to follow a story path involving people most suited", "involving people most suited to your interests. The roadblocks I'm encountering are few,", "Adventure, but different. Instead of being \"you\" and deciding what to do next,", "fresh faces who are interested in trying something new. To be clear, I'm", "the characters, you then get to follow a story path involving people most", "a side project I'm doing for free. Does anyone know free sites with", "roadblocks I'm encountering are few, but worrisome. The site I'm currently hosting on", "it is more likely to get fresh faces who are interested in trying", "to follow a story path involving people most suited to your interests. The", "a bug is making it hard for people to find and read it.", "a buck, this is just a side project I'm doing for free. Does", "doesn't have very many members, and a bug is making it hard for", "your interests. The roadblocks I'm encountering are few, but worrisome. The site I'm", "characters participate at what time. By choosing the characters, you then get to", "know free sites with a lot of traffic where I can post my", "can set it up, where it is more likely to get fresh faces", "is making it hard for people to find and read it. So I'm", "path involving people most suited to your interests. The roadblocks I'm encountering are", "up, where it is more likely to get fresh faces who are interested", "find and read it. So I'm looking for other places I can set", "I'm working on a story that is like a Choose Your Own Adventure,", "be clear, I'm not looking to make a buck, this is just a", "hosting on doesn't have very many members, and a bug is making it", "I can set it up, where it is more likely to get fresh", "something new. To be clear, I'm not looking to make a buck, this", "anyone know free sites with a lot of traffic where I can post", "follow a story path involving people most suited to your interests. The roadblocks", "working on a story that is like a Choose Your Own Adventure, but", "Your Own Adventure, but different. Instead of being \"you\" and deciding what to", "\"you\" and deciding what to do next, the reader must choose which characters", "and a bug is making it hard for people to find and read", "in trying something new. To be clear, I'm not looking to make a" ]
[ "at the end of the day Dumbledore, Picard, Gandalf, and Yoda are fictional", "motivation, and emotion each of her characters felt during the seven books and", "author. Literary critiques aside she's made millions of pounds from her writing. But", "arguments to justify their actions. There seems to be some kind of physiological", "plausible, reasonable, arguments to justify their actions. There seems to be some kind", "can create plausible, reasonable, arguments to justify their actions. There seems to be", "JKR isn't a talented author. Literary critiques aside she's made millions of pounds", "which ask about character motivation and why characters did particular things and people", "(with a LOT of reputation) can create plausible, reasonable, arguments to justify their", "readers to interpolate the missing information from what's there... Remembering that at the", "anticipated every single thought, motivation, and emotion each of her characters felt during", "characters and assuming that their creators cannot possibly delve into every single permutation", "made millions of pounds from her writing. But I cannot believe that she", "her characters felt during the seven books and associated works. Not to the", "the level of detail to stand up to the scrutiny of millions of", "create plausible, reasonable, arguments to justify their actions. There seems to be some", "some kind of physiological trick here which allows readers to interpolate the missing", "believe that she anticipated every single thought, motivation, and emotion each of her", "talented author. Literary critiques aside she's made millions of pounds from her writing.", "here which allows readers to interpolate the missing information from what's there... Remembering", "seems to be some kind of physiological trick here which allows readers to", "which can stand up to this sort of scrutiny? **In short, how does", "up to the scrutiny of millions of readers! SciFi has thousands of questions", "Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that JKR isn't a talented", "these questions drill right into the character's motivations and emotions such as [Why", "into every single permutation and action how do authors create characters which can", "people (with a LOT of reputation) can create plausible, reasonable, arguments to justify", "I cannot believe that she anticipated every single thought, motivation, and emotion each", "millions of pounds from her writing. But I cannot believe that she anticipated", "and action how do authors create characters which can stand up to this", "trick here which allows readers to interpolate the missing information from what's there...", "writing. But I cannot believe that she anticipated every single thought, motivation, and", "to suggest that JKR isn't a talented author. Literary critiques aside she's made", "thousands of questions which which ask about character motivation and why characters did", "to interpolate the missing information from what's there... Remembering that at the end", "creators cannot possibly delve into every single permutation and action how do authors", "There seems to be some kind of physiological trick here which allows readers", "detail to stand up to the scrutiny of millions of readers! SciFi has", "how do authors create characters which can stand up to this sort of", "Potfeq questions on SciFi and a further 165 on Movies. Many of these", "'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did", "up to this sort of scrutiny? **In short, how does an author shift", "165 on Movies. Many of these questions drill right into the character's motivations", "did particular things and people (with a LOT of reputation) can create plausible,", "LOT of reputation) can create plausible, reasonable, arguments to justify their actions. There", "SciFi has thousands of questions which which ask about character motivation and why", "to be some kind of physiological trick here which allows readers to interpolate", "that their creators cannot possibly delve into every single permutation and action how", "of scrutiny? **In short, how does an author shift a character in the", "right into the character's motivations and emotions such as [Why would Snape set", "does an author shift a character in the reader's perception from being a", "in the reader's perception from being a creation to a person in their", "the time of writing this question there are 5337 Hijrp Potfeq questions on", "Hijrp Potfeq questions on SciFi and a further 165 on Movies. Many of", "questions drill right into the character's motivations and emotions such as [Why would", "did the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire", "office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will),", "each of her characters felt during the seven books and associated works. Not", "Remembering that at the end of the day Dumbledore, Picard, Gandalf, and Yoda", "isn't a talented author. Literary critiques aside she's made millions of pounds from", "a talented author. Literary critiques aside she's made millions of pounds from her", "of physiological trick here which allows readers to interpolate the missing information from", "mean to suggest that JKR isn't a talented author. Literary critiques aside she's", "from what's there... Remembering that at the end of the day Dumbledore, Picard,", "readers! SciFi has thousands of questions which which ask about character motivation and", "action how do authors create characters which can stand up to this sort", "possibly delve into every single permutation and action how do authors create characters", "of pounds from her writing. But I cannot believe that she anticipated every", "Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I", "that JKR isn't a talented author. Literary critiques aside she's made millions of", "questions which which ask about character motivation and why characters did particular things", "and emotions such as [Why would Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore),", "associated works. Not to the level of detail to stand up to the", "motivations and emotions such as [Why would Snape set his office password to", "and people (with a LOT of reputation) can create plausible, reasonable, arguments to", "a further 165 on Movies. Many of these questions drill right into the", "single permutation and action how do authors create characters which can stand up", "of these questions drill right into the character's motivations and emotions such as", "which allows readers to interpolate the missing information from what's there... Remembering that", "Dumbledore, Picard, Gandalf, and Yoda are fictional characters and assuming that their creators", "I don't mean to suggest that JKR isn't a talented author. Literary critiques", "every single thought, motivation, and emotion each of her characters felt during the", "to justify their actions. There seems to be some kind of physiological trick", "scrutiny? **In short, how does an author shift a character in the reader's", "of questions which which ask about character motivation and why characters did particular", "level of detail to stand up to the scrutiny of millions of readers!", "emotions such as [Why would Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why", "But I cannot believe that she anticipated every single thought, motivation, and emotion", "has thousands of questions which which ask about character motivation and why characters", "writing this question there are 5337 Hijrp Potfeq questions on SciFi and a", "that she anticipated every single thought, motivation, and emotion each of her characters", "characters which can stand up to this sort of scrutiny? **In short, how", "drill right into the character's motivations and emotions such as [Why would Snape", "and Yoda are fictional characters and assuming that their creators cannot possibly delve", "motivation and why characters did particular things and people (with a LOT of", "Literary critiques aside she's made millions of pounds from her writing. But I", "from her writing. But I cannot believe that she anticipated every single thought,", "**In short, how does an author shift a character in the reader's perception", "pounds from her writing. But I cannot believe that she anticipated every single", "the character's motivations and emotions such as [Why would Snape set his office", "[Why would Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister", "single thought, motivation, and emotion each of her characters felt during the seven", "this sort of scrutiny? **In short, how does an author shift a character", "and why characters did particular things and people (with a LOT of reputation)", "physiological trick here which allows readers to interpolate the missing information from what's", "shift a character in the reader's perception from being a creation to a", "Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean", "reputation) can create plausible, reasonable, arguments to justify their actions. There seems to", "and assuming that their creators cannot possibly delve into every single permutation and", "permutation and action how do authors create characters which can stand up to", "SciFi and a further 165 on Movies. Many of these questions drill right", "characters felt during the seven books and associated works. Not to the level", "the seven books and associated works. Not to the level of detail to", "there are 5337 Hijrp Potfeq questions on SciFi and a further 165 on", "to the level of detail to stand up to the scrutiny of millions", "stand up to the scrutiny of millions of readers! SciFi has thousands of", "can stand up to this sort of scrutiny? **In short, how does an", "Picard, Gandalf, and Yoda are fictional characters and assuming that their creators cannot", "the missing information from what's there... Remembering that at the end of the", "character's motivations and emotions such as [Why would Snape set his office password", "suggest that JKR isn't a talented author. Literary critiques aside she's made millions", "character in the reader's perception from being a creation to a person in", "this question there are 5337 Hijrp Potfeq questions on SciFi and a further", "every single permutation and action how do authors create characters which can stand", "would Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of", "actions. There seems to be some kind of physiological trick here which allows", "a LOT of reputation) can create plausible, reasonable, arguments to justify their actions.", "are fictional characters and assuming that their creators cannot possibly delve into every", "assuming that their creators cannot possibly delve into every single permutation and action", "do authors create characters which can stand up to this sort of scrutiny?", "why characters did particular things and people (with a LOT of reputation) can", "of the day Dumbledore, Picard, Gandalf, and Yoda are fictional characters and assuming", "sort of scrutiny? **In short, how does an author shift a character in", "short, how does an author shift a character in the reader's perception from", "emotion each of her characters felt during the seven books and associated works.", "information from what's there... Remembering that at the end of the day Dumbledore,", "his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic execute Dumbledore's", "Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest", "on Movies. Many of these questions drill right into the character's motivations and", "an author shift a character in the reader's perception from being a creation", "fictional characters and assuming that their creators cannot possibly delve into every single", "allows readers to interpolate the missing information from what's there... Remembering that at", "ask about character motivation and why characters did particular things and people (with", "the day Dumbledore, Picard, Gandalf, and Yoda are fictional characters and assuming that", "to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why", "did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that JKR isn't a", "create characters which can stand up to this sort of scrutiny? **In short,", "books and associated works. Not to the level of detail to stand up", "of millions of readers! SciFi has thousands of questions which which ask about", "author shift a character in the reader's perception from being a creation to", "the scrutiny of millions of readers! SciFi has thousands of questions which which", "day Dumbledore, Picard, Gandalf, and Yoda are fictional characters and assuming that their", "she's made millions of pounds from her writing. But I cannot believe that", "aside she's made millions of pounds from her writing. But I cannot believe", "kind of physiological trick here which allows readers to interpolate the missing information", "what's there... Remembering that at the end of the day Dumbledore, Picard, Gandalf,", "character motivation and why characters did particular things and people (with a LOT", "as [Why would Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the", "[Why did the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore", "that at the end of the day Dumbledore, Picard, Gandalf, and Yoda are", "of her characters felt during the seven books and associated works. Not to", "about character motivation and why characters did particular things and people (with a", "the end of the day Dumbledore, Picard, Gandalf, and Yoda are fictional characters", "will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that", "millions of readers! SciFi has thousands of questions which which ask about character", "Not to the level of detail to stand up to the scrutiny of", "don't mean to suggest that JKR isn't a talented author. Literary critiques aside", "felt during the seven books and associated works. Not to the level of", "how does an author shift a character in the reader's perception from being", "of reputation) can create plausible, reasonable, arguments to justify their actions. There seems", "and associated works. Not to the level of detail to stand up to", "of readers! SciFi has thousands of questions which which ask about character motivation", "end of the day Dumbledore, Picard, Gandalf, and Yoda are fictional characters and", "on SciFi and a further 165 on Movies. Many of these questions drill", "Movies. Many of these questions drill right into the character's motivations and emotions", "her writing. But I cannot believe that she anticipated every single thought, motivation,", "things and people (with a LOT of reputation) can create plausible, reasonable, arguments", "password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and", "question there are 5337 Hijrp Potfeq questions on SciFi and a further 165", "5337 Hijrp Potfeq questions on SciFi and a further 165 on Movies. Many", "of detail to stand up to the scrutiny of millions of readers! SciFi", "to stand up to the scrutiny of millions of readers! SciFi has thousands", "execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to", "are 5337 Hijrp Potfeq questions on SciFi and a further 165 on Movies.", "thought, motivation, and emotion each of her characters felt during the seven books", "such as [Why would Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did", "during the seven books and associated works. Not to the level of detail", "she anticipated every single thought, motivation, and emotion each of her characters felt", "authors create characters which can stand up to this sort of scrutiny? **In", "time of writing this question there are 5337 Hijrp Potfeq questions on SciFi", "of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't", "hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that JKR isn't a talented author.", "critiques aside she's made millions of pounds from her writing. But I cannot", "their actions. There seems to be some kind of physiological trick here which", "further 165 on Movies. Many of these questions drill right into the character's", "cannot possibly delve into every single permutation and action how do authors create", "delve into every single permutation and action how do authors create characters which", "[Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that JKR isn't", "into the character's motivations and emotions such as [Why would Snape set his", "Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that JKR isn't a talented author. Literary", "missing information from what's there... Remembering that at the end of the day", "the Minister of Magic execute Dumbledore's will?](https://scifi.stackexchange.com/questions/182468/why-did-the-minister-of-magic-execute-dumbledores-will), and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart).", "which which ask about character motivation and why characters did particular things and", "justify their actions. There seems to be some kind of physiological trick here", "and [Why did Dumbledore hire Lockhart?](https://scifi.stackexchange.com/questions/40756/why-did-dumbledore-hire-lockhart). I don't mean to suggest that JKR", "be some kind of physiological trick here which allows readers to interpolate the", "a character in the reader's perception from being a creation to a person", "the reader's perception from being a creation to a person in their own", "of writing this question there are 5337 Hijrp Potfeq questions on SciFi and", "stand up to this sort of scrutiny? **In short, how does an author", "and a further 165 on Movies. Many of these questions drill right into", "characters did particular things and people (with a LOT of reputation) can create", "cannot believe that she anticipated every single thought, motivation, and emotion each of", "to this sort of scrutiny? **In short, how does an author shift a", "interpolate the missing information from what's there... Remembering that at the end of", "reasonable, arguments to justify their actions. There seems to be some kind of", "Many of these questions drill right into the character's motivations and emotions such", "set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic execute", "to the scrutiny of millions of readers! SciFi has thousands of questions which", "particular things and people (with a LOT of reputation) can create plausible, reasonable,", "At the time of writing this question there are 5337 Hijrp Potfeq questions", "questions on SciFi and a further 165 on Movies. Many of these questions", "scrutiny of millions of readers! SciFi has thousands of questions which which ask", "seven books and associated works. Not to the level of detail to stand", "there... Remembering that at the end of the day Dumbledore, Picard, Gandalf, and", "reader's perception from being a creation to a person in their own right?**", "works. Not to the level of detail to stand up to the scrutiny", "and emotion each of her characters felt during the seven books and associated", "Yoda are fictional characters and assuming that their creators cannot possibly delve into", "Gandalf, and Yoda are fictional characters and assuming that their creators cannot possibly", "Snape set his office password to 'Dumbledore'?](https://scifi.stackexchange.com/questions/146641/why-would-snape-set-his-office-password-to-dumbledore), [Why did the Minister of Magic", "their creators cannot possibly delve into every single permutation and action how do" ]
[ "of frisson when the narrator dies or is there always going to be", "narrative without the story being either A. a ghost story or B. a", "character who ultimately dies within the narrative without the story being either A.", "a moment of frisson when the narrator dies or is there always going", "dies or is there always going to be a jolt there? I'm trying", "is there always going to be a jolt there? I'm trying to gauge,", "fact by the dead character. What techniques can I use to write a", "a ghost story or B. a life/after-life retrospective narrated after the fact by", "the dead character. What techniques can I use to write a first person,", "the fact by the dead character. What techniques can I use to write", "I'm trying to gauge, among other things, whether I can kill a character", "to write a story from the point-of-view of a character who ultimately dies", "gauge, among other things, whether I can kill a character and still have", "give a post-mortem, for them, wrap without changing the narrative into something I", "retrospective narrated after the fact by the dead character. What techniques can I", "whether I can kill a character and still have them give a post-mortem,", "short I'd like to write a story from the point-of-view of a character", "a character and still have them give a post-mortem, for them, wrap without", "to be a jolt there? I'm trying to gauge, among other things, whether", "ghost story or B. a life/after-life retrospective narrated after the fact by the", "there? I'm trying to gauge, among other things, whether I can kill a", "to gauge, among other things, whether I can kill a character and still", "a life/after-life retrospective narrated after the fact by the dead character. What techniques", "moment of frisson when the narrator dies or is there always going to", "without the story being either A. a ghost story or B. a life/after-life", "narrator dies or is there always going to be a jolt there? I'm", "jolt there? I'm trying to gauge, among other things, whether I can kill", "character and still have them give a post-mortem, for them, wrap without changing", "or is there always going to be a jolt there? I'm trying to", "the point-of-view of a character who ultimately dies within the narrative without the", "narrated after the fact by the dead character. What techniques can I use", "tense, narrative from the point of view of a character who is clearly", "a first person, present tense, narrative from the point of view of a", "story from the point-of-view of a character who ultimately dies within the narrative", "there a trick to doing this without creating a moment of frisson when", "always going to be a jolt there? I'm trying to gauge, among other", "the story being either A. a ghost story or B. a life/after-life retrospective", "can kill a character and still have them give a post-mortem, for them,", "who is clearly dead. Is there a trick to doing this without creating", "present tense, narrative from the point of view of a character who is", "from the point of view of a character who is clearly dead. Is", "of a character who is clearly dead. Is there a trick to doing", "a post-mortem, for them, wrap without changing the narrative into something I don't", "dead. Is there a trick to doing this without creating a moment of", "the narrator dies or is there always going to be a jolt there?", "character who is clearly dead. Is there a trick to doing this without", "I'd like to write a story from the point-of-view of a character who", "have them give a post-mortem, for them, wrap without changing the narrative into", "can I use to write a first person, present tense, narrative from the", "story or B. a life/after-life retrospective narrated after the fact by the dead", "kill a character and still have them give a post-mortem, for them, wrap", "In short I'd like to write a story from the point-of-view of a", "still have them give a post-mortem, for them, wrap without changing the narrative", "trick to doing this without creating a moment of frisson when the narrator", "for them, wrap without changing the narrative into something I don't want it", "wrap without changing the narrative into something I don't want it to be.", "or B. a life/after-life retrospective narrated after the fact by the dead character.", "of a character who ultimately dies within the narrative without the story being", "ultimately dies within the narrative without the story being either A. a ghost", "A. a ghost story or B. a life/after-life retrospective narrated after the fact", "who ultimately dies within the narrative without the story being either A. a", "there always going to be a jolt there? I'm trying to gauge, among", "either A. a ghost story or B. a life/after-life retrospective narrated after the", "a character who ultimately dies within the narrative without the story being either", "post-mortem, for them, wrap without changing the narrative into something I don't want", "of view of a character who is clearly dead. Is there a trick", "the point of view of a character who is clearly dead. Is there", "after the fact by the dead character. What techniques can I use to", "like to write a story from the point-of-view of a character who ultimately", "things, whether I can kill a character and still have them give a", "is clearly dead. Is there a trick to doing this without creating a", "character. What techniques can I use to write a first person, present tense,", "clearly dead. Is there a trick to doing this without creating a moment", "by the dead character. What techniques can I use to write a first", "a jolt there? I'm trying to gauge, among other things, whether I can", "doing this without creating a moment of frisson when the narrator dies or", "without creating a moment of frisson when the narrator dies or is there", "other things, whether I can kill a character and still have them give", "and still have them give a post-mortem, for them, wrap without changing the", "creating a moment of frisson when the narrator dies or is there always", "them, wrap without changing the narrative into something I don't want it to", "dead character. What techniques can I use to write a first person, present", "going to be a jolt there? I'm trying to gauge, among other things,", "I can kill a character and still have them give a post-mortem, for", "a trick to doing this without creating a moment of frisson when the", "be a jolt there? I'm trying to gauge, among other things, whether I", "among other things, whether I can kill a character and still have them", "person, present tense, narrative from the point of view of a character who", "a character who is clearly dead. Is there a trick to doing this", "to doing this without creating a moment of frisson when the narrator dies", "story being either A. a ghost story or B. a life/after-life retrospective narrated", "write a first person, present tense, narrative from the point of view of", "frisson when the narrator dies or is there always going to be a", "life/after-life retrospective narrated after the fact by the dead character. What techniques can", "point-of-view of a character who ultimately dies within the narrative without the story", "a story from the point-of-view of a character who ultimately dies within the", "What techniques can I use to write a first person, present tense, narrative", "first person, present tense, narrative from the point of view of a character", "view of a character who is clearly dead. Is there a trick to", "trying to gauge, among other things, whether I can kill a character and", "to write a first person, present tense, narrative from the point of view", "techniques can I use to write a first person, present tense, narrative from", "being either A. a ghost story or B. a life/after-life retrospective narrated after", "from the point-of-view of a character who ultimately dies within the narrative without", "write a story from the point-of-view of a character who ultimately dies within", "I use to write a first person, present tense, narrative from the point", "the narrative without the story being either A. a ghost story or B.", "Is there a trick to doing this without creating a moment of frisson", "this without creating a moment of frisson when the narrator dies or is", "when the narrator dies or is there always going to be a jolt", "point of view of a character who is clearly dead. Is there a", "within the narrative without the story being either A. a ghost story or", "dies within the narrative without the story being either A. a ghost story", "B. a life/after-life retrospective narrated after the fact by the dead character. What", "them give a post-mortem, for them, wrap without changing the narrative into something", "narrative from the point of view of a character who is clearly dead.", "use to write a first person, present tense, narrative from the point of" ]
[ "the inhuman monster trying to eat him would be perceived as bad. I", "entirely on the man vs. beast narrative where the protagonist attempts to escape", "unstoppable, bloodthirsty creature for roughly 15 pages. From the first word to the", "I really assume that readers will care about my protagonist simply because he", "protagonist attempts to escape an unstoppable, bloodthirsty creature for roughly 15 pages. From", "initial drafts, I realized that I never explicitly *motivated* the protagonist's escape from", "In my mind, a reader would naturally root for him given that he", "an unstoppable, bloodthirsty creature for roughly 15 pages. From the first word to", "am against including such tropes if possible. My question is, is this good", "motivate his escape, perhaps with subtle references to loved ones he is attempting", "with an inhuman creature, or must I explicitly motivate the reasons to root", "given that he is human and the inhuman monster trying to eat him", "I am writing a short Sci-Fi story centered entirely on the man vs.", "beast narrative where the protagonist attempts to escape an unstoppable, bloodthirsty creature for", "a reader would naturally root for him given that he is human and", "attempting to return to, but I am against including such tropes if possible.", "perceived as bad. I know it isn't difficult to motivate his escape, perhaps", "of movements and surroundings to let the reader live the fast-paced scenes I", "galore with tight, bare-bones descriptions of movements and surroundings to let the reader", "care about my protagonist simply because he is human at odds with an", "I intended to create. Upon re-reading my initial drafts, I realized that I", "create. Upon re-reading my initial drafts, I realized that I never explicitly *motivated*", "scenes I intended to create. Upon re-reading my initial drafts, I realized that", "narrative where the protagonist attempts to escape an unstoppable, bloodthirsty creature for roughly", "I realized that I never explicitly *motivated* the protagonist's escape from the monster.", "vs. beast narrative where the protagonist attempts to escape an unstoppable, bloodthirsty creature", "I never explicitly *motivated* the protagonist's escape from the monster. In my mind,", "he is human at odds with an inhuman creature, or must I explicitly", "bad. I know it isn't difficult to motivate his escape, perhaps with subtle", "from the monster. In my mind, a reader would naturally root for him", "tropes if possible. My question is, is this good enough? Can I really", "is this good enough? Can I really assume that readers will care about", "that he is human and the inhuman monster trying to eat him would", "bare-bones descriptions of movements and surroundings to let the reader live the fast-paced", "drafts, I realized that I never explicitly *motivated* the protagonist's escape from the", "creature for roughly 15 pages. From the first word to the last, there", "and the inhuman monster trying to eat him would be perceived as bad.", "simply because he is human at odds with an inhuman creature, or must", "escape from the monster. In my mind, a reader would naturally root for", "Can I really assume that readers will care about my protagonist simply because", "would be perceived as bad. I know it isn't difficult to motivate his", "question is, is this good enough? Can I really assume that readers will", "Upon re-reading my initial drafts, I realized that I never explicitly *motivated* the", "there is action galore with tight, bare-bones descriptions of movements and surroundings to", "monster trying to eat him would be perceived as bad. I know it", "protagonist simply because he is human at odds with an inhuman creature, or", "the man vs. beast narrative where the protagonist attempts to escape an unstoppable,", "including such tropes if possible. My question is, is this good enough? Can", "a short Sci-Fi story centered entirely on the man vs. beast narrative where", "is, is this good enough? Can I really assume that readers will care", "the protagonist attempts to escape an unstoppable, bloodthirsty creature for roughly 15 pages.", "reader would naturally root for him given that he is human and the", "to, but I am against including such tropes if possible. My question is,", "to motivate his escape, perhaps with subtle references to loved ones he is", "his escape, perhaps with subtle references to loved ones he is attempting to", "an inhuman creature, or must I explicitly motivate the reasons to root for", "From the first word to the last, there is action galore with tight,", "is attempting to return to, but I am against including such tropes if", "that readers will care about my protagonist simply because he is human at", "my protagonist simply because he is human at odds with an inhuman creature,", "human at odds with an inhuman creature, or must I explicitly motivate the", "about my protagonist simply because he is human at odds with an inhuman", "enough? Can I really assume that readers will care about my protagonist simply", "intended to create. Upon re-reading my initial drafts, I realized that I never", "but I am against including such tropes if possible. My question is, is", "really assume that readers will care about my protagonist simply because he is", "story centered entirely on the man vs. beast narrative where the protagonist attempts", "for him given that he is human and the inhuman monster trying to", "to escape an unstoppable, bloodthirsty creature for roughly 15 pages. From the first", "action galore with tight, bare-bones descriptions of movements and surroundings to let the", "short Sci-Fi story centered entirely on the man vs. beast narrative where the", "inhuman creature, or must I explicitly motivate the reasons to root for him?", "attempts to escape an unstoppable, bloodthirsty creature for roughly 15 pages. From the", "monster. In my mind, a reader would naturally root for him given that", "the last, there is action galore with tight, bare-bones descriptions of movements and", "if possible. My question is, is this good enough? Can I really assume", "perhaps with subtle references to loved ones he is attempting to return to,", "let the reader live the fast-paced scenes I intended to create. Upon re-reading", "to loved ones he is attempting to return to, but I am against", "and surroundings to let the reader live the fast-paced scenes I intended to", "be perceived as bad. I know it isn't difficult to motivate his escape,", "references to loved ones he is attempting to return to, but I am", "the protagonist's escape from the monster. In my mind, a reader would naturally", "against including such tropes if possible. My question is, is this good enough?", "such tropes if possible. My question is, is this good enough? Can I", "pages. From the first word to the last, there is action galore with", "is human at odds with an inhuman creature, or must I explicitly motivate", "escape, perhaps with subtle references to loved ones he is attempting to return", "centered entirely on the man vs. beast narrative where the protagonist attempts to", "isn't difficult to motivate his escape, perhaps with subtle references to loved ones", "surroundings to let the reader live the fast-paced scenes I intended to create.", "naturally root for him given that he is human and the inhuman monster", "the reader live the fast-paced scenes I intended to create. Upon re-reading my", "human and the inhuman monster trying to eat him would be perceived as", "as bad. I know it isn't difficult to motivate his escape, perhaps with", "it isn't difficult to motivate his escape, perhaps with subtle references to loved", "him would be perceived as bad. I know it isn't difficult to motivate", "he is attempting to return to, but I am against including such tropes", "the monster. In my mind, a reader would naturally root for him given", "I am against including such tropes if possible. My question is, is this", "trying to eat him would be perceived as bad. I know it isn't", "last, there is action galore with tight, bare-bones descriptions of movements and surroundings", "to let the reader live the fast-paced scenes I intended to create. Upon", "odds with an inhuman creature, or must I explicitly motivate the reasons to", "mind, a reader would naturally root for him given that he is human", "possible. My question is, is this good enough? Can I really assume that", "protagonist's escape from the monster. In my mind, a reader would naturally root", "movements and surroundings to let the reader live the fast-paced scenes I intended", "because he is human at odds with an inhuman creature, or must I", "subtle references to loved ones he is attempting to return to, but I", "for roughly 15 pages. From the first word to the last, there is", "fast-paced scenes I intended to create. Upon re-reading my initial drafts, I realized", "never explicitly *motivated* the protagonist's escape from the monster. In my mind, a", "difficult to motivate his escape, perhaps with subtle references to loved ones he", "return to, but I am against including such tropes if possible. My question", "with tight, bare-bones descriptions of movements and surroundings to let the reader live", "to create. Upon re-reading my initial drafts, I realized that I never explicitly", "loved ones he is attempting to return to, but I am against including", "realized that I never explicitly *motivated* the protagonist's escape from the monster. In", "him given that he is human and the inhuman monster trying to eat", "assume that readers will care about my protagonist simply because he is human", "the fast-paced scenes I intended to create. Upon re-reading my initial drafts, I", "he is human and the inhuman monster trying to eat him would be", "know it isn't difficult to motivate his escape, perhaps with subtle references to", "readers will care about my protagonist simply because he is human at odds", "man vs. beast narrative where the protagonist attempts to escape an unstoppable, bloodthirsty", "ones he is attempting to return to, but I am against including such", "my initial drafts, I realized that I never explicitly *motivated* the protagonist's escape", "Sci-Fi story centered entirely on the man vs. beast narrative where the protagonist", "good enough? Can I really assume that readers will care about my protagonist", "is human and the inhuman monster trying to eat him would be perceived", "I know it isn't difficult to motivate his escape, perhaps with subtle references", "is action galore with tight, bare-bones descriptions of movements and surroundings to let", "with subtle references to loved ones he is attempting to return to, but", "where the protagonist attempts to escape an unstoppable, bloodthirsty creature for roughly 15", "root for him given that he is human and the inhuman monster trying", "on the man vs. beast narrative where the protagonist attempts to escape an", "that I never explicitly *motivated* the protagonist's escape from the monster. In my", "am writing a short Sci-Fi story centered entirely on the man vs. beast", "bloodthirsty creature for roughly 15 pages. From the first word to the last,", "writing a short Sci-Fi story centered entirely on the man vs. beast narrative", "roughly 15 pages. From the first word to the last, there is action", "at odds with an inhuman creature, or must I explicitly motivate the reasons", "inhuman monster trying to eat him would be perceived as bad. I know", "to return to, but I am against including such tropes if possible. My", "first word to the last, there is action galore with tight, bare-bones descriptions", "re-reading my initial drafts, I realized that I never explicitly *motivated* the protagonist's", "would naturally root for him given that he is human and the inhuman", "explicitly *motivated* the protagonist's escape from the monster. In my mind, a reader", "My question is, is this good enough? Can I really assume that readers", "descriptions of movements and surroundings to let the reader live the fast-paced scenes", "live the fast-paced scenes I intended to create. Upon re-reading my initial drafts,", "eat him would be perceived as bad. I know it isn't difficult to", "15 pages. From the first word to the last, there is action galore", "tight, bare-bones descriptions of movements and surroundings to let the reader live the", "my mind, a reader would naturally root for him given that he is", "will care about my protagonist simply because he is human at odds with", "to eat him would be perceived as bad. I know it isn't difficult", "this good enough? Can I really assume that readers will care about my", "the first word to the last, there is action galore with tight, bare-bones", "escape an unstoppable, bloodthirsty creature for roughly 15 pages. From the first word", "to the last, there is action galore with tight, bare-bones descriptions of movements", "word to the last, there is action galore with tight, bare-bones descriptions of", "reader live the fast-paced scenes I intended to create. Upon re-reading my initial", "*motivated* the protagonist's escape from the monster. In my mind, a reader would" ]
[ "one discussed in [How to prevent seeming like a Marty Stu-ish villain is", "kind of antagonist, my question is **how can such a \"genius\" be defeated?", "making him suddenly act like an idiot - out of character compared to", "the antagonist miss a glaring problem they should have seen, making him suddenly", "have often seen this problem being solved by [handing the idiot ball to", "a \"strategic mastermind\", similar to the one discussed in [How to prevent seeming", "out of character compared to the way they have been previously described. Are", "to the one discussed in [How to prevent seeming like a Marty Stu-ish", "**how can such a \"genius\" be defeated? How can I make the antagonist", "there other solutions - solutions that make sense, and do not break the", "suddenly act like an idiot - out of character compared to the way", "been previously described. Are there other solutions - solutions that make sense, and", "Proceeding from this kind of antagonist, my question is **how can such a", "be defeated? How can I make the antagonist not accounting for something, come", "character compared to the way they have been previously described. Are there other", "ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist miss a glaring", "like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist,", "Are there other solutions - solutions that make sense, and do not break", "my question is **how can such a \"genius\" be defeated? How can I", "from this kind of antagonist, my question is **how can such a \"genius\"", "I make the antagonist not accounting for something, come off as understandable?** I", "understandable?** I have often seen this problem being solved by [handing the idiot", "compared to the way they have been previously described. Are there other solutions", "such a \"genius\" be defeated? How can I make the antagonist not accounting", "defeated? How can I make the antagonist not accounting for something, come off", "discussed in [How to prevent seeming like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating)", "cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist, my question is **how can such", "solutions - solutions that make sense, and do not break the antagonist's \"mastermind\"", "being solved by [handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is,", "is **how can such a \"genius\" be defeated? How can I make the", "often seen this problem being solved by [handing the idiot ball to the", "antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist miss a glaring problem they should", "a glaring problem they should have seen, making him suddenly act like an", "have been previously described. Are there other solutions - solutions that make sense,", "[How to prevent seeming like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from", "prevent seeming like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind", "Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist, my question is", "the antagonist not accounting for something, come off as understandable?** I have often", "is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist, my question is **how can", "that is, making the antagonist miss a glaring problem they should have seen,", "glaring problem they should have seen, making him suddenly act like an idiot", "previously described. Are there other solutions - solutions that make sense, and do", "I have often seen this problem being solved by [handing the idiot ball", "- solutions that make sense, and do not break the antagonist's \"mastermind\" characterisation?", "described. Are there other solutions - solutions that make sense, and do not", "other solutions - solutions that make sense, and do not break the antagonist's", "\"genius\" be defeated? How can I make the antagonist not accounting for something,", "- that is, making the antagonist miss a glaring problem they should have", "is a \"strategic mastermind\", similar to the one discussed in [How to prevent", "as understandable?** I have often seen this problem being solved by [handing the", "make the antagonist not accounting for something, come off as understandable?** I have", "problem they should have seen, making him suddenly act like an idiot -", "a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist, my", "antagonist miss a glaring problem they should have seen, making him suddenly act", "they have been previously described. Are there other solutions - solutions that make", "How can I make the antagonist not accounting for something, come off as", "this kind of antagonist, my question is **how can such a \"genius\" be", "can such a \"genius\" be defeated? How can I make the antagonist not", "this problem being solved by [handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) -", "off as understandable?** I have often seen this problem being solved by [handing", "\"strategic mastermind\", similar to the one discussed in [How to prevent seeming like", "a \"genius\" be defeated? How can I make the antagonist not accounting for", "solved by [handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making", "have seen, making him suddenly act like an idiot - out of character", "seen this problem being solved by [handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall)", "in [How to prevent seeming like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding", "villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist, my question is **how", "Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of antagonist, my question", "seen, making him suddenly act like an idiot - out of character compared", "an idiot - out of character compared to the way they have been", "of antagonist, my question is **how can such a \"genius\" be defeated? How", "should have seen, making him suddenly act like an idiot - out of", "My antagonist is a \"strategic mastermind\", similar to the one discussed in [How", "they should have seen, making him suddenly act like an idiot - out", "question is **how can such a \"genius\" be defeated? How can I make", "to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist miss a glaring problem", "accounting for something, come off as understandable?** I have often seen this problem", "him suddenly act like an idiot - out of character compared to the", "like an idiot - out of character compared to the way they have", "act like an idiot - out of character compared to the way they", "mastermind\", similar to the one discussed in [How to prevent seeming like a", "not accounting for something, come off as understandable?** I have often seen this", "to prevent seeming like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this", "problem being solved by [handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that", "- out of character compared to the way they have been previously described.", "the way they have been previously described. Are there other solutions - solutions", "by [handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the", "to the way they have been previously described. Are there other solutions -", "similar to the one discussed in [How to prevent seeming like a Marty", "the one discussed in [How to prevent seeming like a Marty Stu-ish villain", "can I make the antagonist not accounting for something, come off as understandable?**", "antagonist not accounting for something, come off as understandable?** I have often seen", "seeming like a Marty Stu-ish villain is cheating?](https://writing.stackexchange.com/questions/35084/how-to-prevent-seeming-like-a-marty-stu-ish-villain-is-cheating) Proceeding from this kind of", "way they have been previously described. Are there other solutions - solutions that", "idiot - out of character compared to the way they have been previously", "the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist miss", "[handing the idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist", "for something, come off as understandable?** I have often seen this problem being", "of character compared to the way they have been previously described. Are there", "miss a glaring problem they should have seen, making him suddenly act like", "idiot ball to the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist miss a", "the antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/IdiotBall) - that is, making the antagonist miss a glaring problem they", "come off as understandable?** I have often seen this problem being solved by", "is, making the antagonist miss a glaring problem they should have seen, making", "making the antagonist miss a glaring problem they should have seen, making him", "antagonist is a \"strategic mastermind\", similar to the one discussed in [How to", "antagonist, my question is **how can such a \"genius\" be defeated? How can", "something, come off as understandable?** I have often seen this problem being solved" ]
[ "bad.\" > > **Metaphor:** \"Oh come on, he's such a plushie heart, I", "analogy, if that's shoddy you fail. What I can't figure out is what", "accurate. **How to know if my analogy is as weak as my will", "the key is somewhere in the analogy, if that's shoddy you fail. What", "mood with a bad one and make yourself a laughing stock. Metaphors are", "either get something very good, or your eyes will melt off. I mean,", "if my analogy is as weak as my will to live?** --- Note:", "(scientifically speaking) accurate. **How to know if my analogy is as weak as", "out is what makes an analogy shoddy when it's (scientifically speaking) accurate. **How", "What I can't figure out is what makes an analogy shoddy when it's", "don't want to make him feel bad.\" > > > In both cases,", "> want to make him feel bad.\" > > **Metaphor:** \"Oh come on,", "**Metaphor:** \"Oh come on, he's such a plushie heart, I don't want to", "Similies are like the Reddit 50/50 challenge: you either get something very good,", "mean, you can ruin the mood with a bad one and make yourself", "make him feel bad.\" > > **Metaphor:** \"Oh come on, he's such a", "my analogy is as weak as my will to live?** --- Note: I", "is as weak as my will to live?** --- Note: I won't commit", "or your eyes will melt off. I mean, you can ruin the mood", "feel bad.\" > > > In both cases, the key is somewhere in", "analogy is as weak as my will to live?** --- Note: I won't", "key is somewhere in the analogy, if that's shoddy you fail. What I", "to live?** --- Note: I won't commit suicide, that goes against my programming.", "are like the Reddit 50/50 challenge: you either get something very good, or", "50/50 challenge: you either get something very good, or your eyes will melt", "plush toy, I don't > want to make him feel bad.\" > >", "somewhere in the analogy, if that's shoddy you fail. What I can't figure", "that's shoddy you fail. What I can't figure out is what makes an", "I can't figure out is what makes an analogy shoddy when it's (scientifically", "are more, well: > > **Simile:** \"Oh come on, his heart is soft", "feel bad.\" > > **Metaphor:** \"Oh come on, he's such a plushie heart,", "to make him feel bad.\" > > > In both cases, the key", "the Reddit 50/50 challenge: you either get something very good, or your eyes", "fail. What I can't figure out is what makes an analogy shoddy when", "off. I mean, you can ruin the mood with a bad one and", "when it's (scientifically speaking) accurate. **How to know if my analogy is as", "on, his heart is soft like a plush toy, I don't > want", "I don't > want to make him feel bad.\" > > **Metaphor:** \"Oh", "laughing stock. Metaphors are more, well: > > **Simile:** \"Oh come on, his", "can't figure out is what makes an analogy shoddy when it's (scientifically speaking)", "as my will to live?** --- Note: I won't commit suicide, that goes", "want to make him feel bad.\" > > **Metaphor:** \"Oh come on, he's", "both cases, the key is somewhere in the analogy, if that's shoddy you", "your eyes will melt off. I mean, you can ruin the mood with", "to make him feel bad.\" > > **Metaphor:** \"Oh come on, he's such", "challenge: you either get something very good, or your eyes will melt off.", "a plush toy, I don't > want to make him feel bad.\" >", "you fail. What I can't figure out is what makes an analogy shoddy", "a laughing stock. Metaphors are more, well: > > **Simile:** \"Oh come on,", "as weak as my will to live?** --- Note: I won't commit suicide,", "come on, his heart is soft like a plush toy, I don't >", "make him feel bad.\" > > > In both cases, the key is", "\"Oh come on, he's such a plushie heart, I don't want to make", "> > In both cases, the key is somewhere in the analogy, if", "analogy shoddy when it's (scientifically speaking) accurate. **How to know if my analogy", "like a plush toy, I don't > want to make him feel bad.\"", "Metaphors are more, well: > > **Simile:** \"Oh come on, his heart is", "is what makes an analogy shoddy when it's (scientifically speaking) accurate. **How to", "**Simile:** \"Oh come on, his heart is soft like a plush toy, I", "figure out is what makes an analogy shoddy when it's (scientifically speaking) accurate.", "heart is soft like a plush toy, I don't > want to make", "want to make him feel bad.\" > > > In both cases, the", "> > > In both cases, the key is somewhere in the analogy,", "to know if my analogy is as weak as my will to live?**", "him feel bad.\" > > **Metaphor:** \"Oh come on, he's such a plushie", "shoddy when it's (scientifically speaking) accurate. **How to know if my analogy is", "if that's shoddy you fail. What I can't figure out is what makes", "plushie heart, I don't want to make him feel bad.\" > > >", "bad.\" > > > In both cases, the key is somewhere in the", "the mood with a bad one and make yourself a laughing stock. Metaphors", "you can ruin the mood with a bad one and make yourself a", "in the analogy, if that's shoddy you fail. What I can't figure out", "and make yourself a laughing stock. Metaphors are more, well: > > **Simile:**", "I mean, you can ruin the mood with a bad one and make", "will melt off. I mean, you can ruin the mood with a bad", "a plushie heart, I don't want to make him feel bad.\" > >", "heart, I don't want to make him feel bad.\" > > > In", "melt off. I mean, you can ruin the mood with a bad one", "bad one and make yourself a laughing stock. Metaphors are more, well: >", "stock. Metaphors are more, well: > > **Simile:** \"Oh come on, his heart", "what makes an analogy shoddy when it's (scientifically speaking) accurate. **How to know", "such a plushie heart, I don't want to make him feel bad.\" >", "can ruin the mood with a bad one and make yourself a laughing", "soft like a plush toy, I don't > want to make him feel", "yourself a laughing stock. Metaphors are more, well: > > **Simile:** \"Oh come", "with a bad one and make yourself a laughing stock. Metaphors are more,", "shoddy you fail. What I can't figure out is what makes an analogy", "his heart is soft like a plush toy, I don't > want to", "> **Simile:** \"Oh come on, his heart is soft like a plush toy,", "makes an analogy shoddy when it's (scientifically speaking) accurate. **How to know if", "I don't want to make him feel bad.\" > > > In both", "get something very good, or your eyes will melt off. I mean, you", "come on, he's such a plushie heart, I don't want to make him", "is soft like a plush toy, I don't > want to make him", "In both cases, the key is somewhere in the analogy, if that's shoddy", "one and make yourself a laughing stock. Metaphors are more, well: > >", "know if my analogy is as weak as my will to live?** ---", "on, he's such a plushie heart, I don't want to make him feel", "make yourself a laughing stock. Metaphors are more, well: > > **Simile:** \"Oh", "well: > > **Simile:** \"Oh come on, his heart is soft like a", "\"Oh come on, his heart is soft like a plush toy, I don't", "toy, I don't > want to make him feel bad.\" > > **Metaphor:**", "don't > want to make him feel bad.\" > > **Metaphor:** \"Oh come", "an analogy shoddy when it's (scientifically speaking) accurate. **How to know if my", "good, or your eyes will melt off. I mean, you can ruin the", "speaking) accurate. **How to know if my analogy is as weak as my", "**How to know if my analogy is as weak as my will to", "Reddit 50/50 challenge: you either get something very good, or your eyes will", "my will to live?** --- Note: I won't commit suicide, that goes against", "like the Reddit 50/50 challenge: you either get something very good, or your", "cases, the key is somewhere in the analogy, if that's shoddy you fail.", "is somewhere in the analogy, if that's shoddy you fail. What I can't", "weak as my will to live?** --- Note: I won't commit suicide, that", "> > **Simile:** \"Oh come on, his heart is soft like a plush", "> > **Metaphor:** \"Oh come on, he's such a plushie heart, I don't", "eyes will melt off. I mean, you can ruin the mood with a", "will to live?** --- Note: I won't commit suicide, that goes against my", "him feel bad.\" > > > In both cases, the key is somewhere", "more, well: > > **Simile:** \"Oh come on, his heart is soft like", "ruin the mood with a bad one and make yourself a laughing stock.", "something very good, or your eyes will melt off. I mean, you can", "the analogy, if that's shoddy you fail. What I can't figure out is", "a bad one and make yourself a laughing stock. Metaphors are more, well:", "> **Metaphor:** \"Oh come on, he's such a plushie heart, I don't want", "> In both cases, the key is somewhere in the analogy, if that's", "he's such a plushie heart, I don't want to make him feel bad.\"", "you either get something very good, or your eyes will melt off. I", "very good, or your eyes will melt off. I mean, you can ruin", "it's (scientifically speaking) accurate. **How to know if my analogy is as weak" ]
[ "specific questions? Not vague and broad ones like \"how SWATs work in general\",", "a prolonged hostage situation is a very rare occurrence, particularly in my little", "serious situations are handled in any modern country. I've tried asking on Quora", "There are plenty of cops there, but they don't respond. They probably think", "are handled in any modern country. I've tried asking on Quora already, but", "family. However a prolonged hostage situation is a very rare occurrence, particularly in", "situation is a very rare occurrence, particularly in my little Eastern European country,", "has sent a remote controlled robot into the bank with a bomb. I", "on how such serious situations are handled in any modern country. I've tried", "the bank with a bomb. I have a pretty good understanding of police", "respond. They probably think that I'm actually plotting a real robbery. So guys,", "things on how decisions are made, how various experts consult on matters and", "a SWAT officer do or don't do certain things. I believe there can't", "real robbery. So guys, can someone recommend me someone who would help me", "got zero answers. There are plenty of cops there, but they don't respond.", "understanding of police procedures. I've worked with the police for several years, even", "my family. However a prolonged hostage situation is a very rare occurrence, particularly", "Eastern European country, so none of my contacts can answer a good couple", "the perpetrator is not present at the scene. He has sent a remote", "I've tried asking on Quora already, but I got zero answers. There are", "actually plotting a real robbery. So guys, can someone recommend me someone who", "like \"how SWATs work in general\", but something like \"if the hostage negotiator", "tried asking on Quora already, but I got zero answers. There are plenty", "into the bank with a bomb. I have a pretty good understanding of", "what would cause a SWAT officer do or don't do certain things. I", "officer do or don't do certain things. I believe there can't be a", "how decisions are made, how various experts consult on matters and what would", "can't be a major difference on how such serious situations are handled in", "the hostage negotiator suggests not to take action, can the commander ignore it\",", "a remote controlled robot into the bank with a bomb. I have a", "do or don't do certain things. I believe there can't be a major", "a few specific questions? Not vague and broad ones like \"how SWATs work", "experts consult on matters and what would cause a SWAT officer do or", "recommend me someone who would help me out on a few specific questions?", "on matters and what would cause a SWAT officer do or don't do", "country. I've tried asking on Quora already, but I got zero answers. There", "a techno-thriller novel revolving about a hostage situation during a bank robbery. The", "is not present at the scene. He has sent a remote controlled robot", "someone recommend me someone who would help me out on a few specific", "something like \"if the hostage negotiator suggests not to take action, can the", "can answer a good couple of things on how decisions are made, how", "bank robbery. The twist is that the perpetrator is not present at the", "the police for several years, even have cops in my family. However a", "police for several years, even have cops in my family. However a prolonged", "remote controlled robot into the bank with a bomb. I have a pretty", "help me out on a few specific questions? Not vague and broad ones", "already, but I got zero answers. There are plenty of cops there, but", "twist is that the perpetrator is not present at the scene. He has", "particularly in my little Eastern European country, so none of my contacts can", "bomb. I have a pretty good understanding of police procedures. I've worked with", "difference on how such serious situations are handled in any modern country. I've", "but I got zero answers. There are plenty of cops there, but they", "The twist is that the perpetrator is not present at the scene. He", "\"how SWATs work in general\", but something like \"if the hostage negotiator suggests", "SWAT officer do or don't do certain things. I believe there can't be", "are made, how various experts consult on matters and what would cause a", "asking on Quora already, but I got zero answers. There are plenty of", "a hostage situation during a bank robbery. The twist is that the perpetrator", "pretty good understanding of police procedures. I've worked with the police for several", "out on a few specific questions? Not vague and broad ones like \"how", "on Quora already, but I got zero answers. There are plenty of cops", "someone who would help me out on a few specific questions? Not vague", "none of my contacts can answer a good couple of things on how", "there can't be a major difference on how such serious situations are handled", "questions? Not vague and broad ones like \"how SWATs work in general\", but", "ones like \"how SWATs work in general\", but something like \"if the hostage", "SWATs work in general\", but something like \"if the hostage negotiator suggests not", "European country, so none of my contacts can answer a good couple of", "or don't do certain things. I believe there can't be a major difference", "not present at the scene. He has sent a remote controlled robot into", "in my little Eastern European country, so none of my contacts can answer", "decisions are made, how various experts consult on matters and what would cause", "robot into the bank with a bomb. I have a pretty good understanding", "in any modern country. I've tried asking on Quora already, but I got", "do certain things. I believe there can't be a major difference on how", "sent a remote controlled robot into the bank with a bomb. I have", "any modern country. I've tried asking on Quora already, but I got zero", "on a techno-thriller novel revolving about a hostage situation during a bank robbery.", "my contacts can answer a good couple of things on how decisions are", "have cops in my family. However a prolonged hostage situation is a very", "\"if the hostage negotiator suggests not to take action, can the commander ignore", "would help me out on a few specific questions? Not vague and broad", "hostage situation is a very rare occurrence, particularly in my little Eastern European", "of things on how decisions are made, how various experts consult on matters", "techno-thriller novel revolving about a hostage situation during a bank robbery. The twist", "a bank robbery. The twist is that the perpetrator is not present at", "a real robbery. So guys, can someone recommend me someone who would help", "suggests not to take action, can the commander ignore it\", and so on.", "but something like \"if the hostage negotiator suggests not to take action, can", "consult on matters and what would cause a SWAT officer do or don't", "Not vague and broad ones like \"how SWATs work in general\", but something", "are plenty of cops there, but they don't respond. They probably think that", "little Eastern European country, so none of my contacts can answer a good", "for several years, even have cops in my family. However a prolonged hostage", "rare occurrence, particularly in my little Eastern European country, so none of my", "He has sent a remote controlled robot into the bank with a bomb.", "be a major difference on how such serious situations are handled in any", "on how decisions are made, how various experts consult on matters and what", "of cops there, but they don't respond. They probably think that I'm actually", "major difference on how such serious situations are handled in any modern country.", "various experts consult on matters and what would cause a SWAT officer do", "such serious situations are handled in any modern country. I've tried asking on", "how various experts consult on matters and what would cause a SWAT officer", "have a pretty good understanding of police procedures. I've worked with the police", "probably think that I'm actually plotting a real robbery. So guys, can someone", "a pretty good understanding of police procedures. I've worked with the police for", "few specific questions? Not vague and broad ones like \"how SWATs work in", "is that the perpetrator is not present at the scene. He has sent", "the scene. He has sent a remote controlled robot into the bank with", "answer a good couple of things on how decisions are made, how various", "how such serious situations are handled in any modern country. I've tried asking", "during a bank robbery. The twist is that the perpetrator is not present", "police procedures. I've worked with the police for several years, even have cops", "like \"if the hostage negotiator suggests not to take action, can the commander", "handled in any modern country. I've tried asking on Quora already, but I", "am working on a techno-thriller novel revolving about a hostage situation during a", "I'm actually plotting a real robbery. So guys, can someone recommend me someone", "me out on a few specific questions? Not vague and broad ones like", "scene. He has sent a remote controlled robot into the bank with a", "robbery. So guys, can someone recommend me someone who would help me out", "broad ones like \"how SWATs work in general\", but something like \"if the", "cause a SWAT officer do or don't do certain things. I believe there", "I believe there can't be a major difference on how such serious situations", "my little Eastern European country, so none of my contacts can answer a", "plotting a real robbery. So guys, can someone recommend me someone who would", "don't do certain things. I believe there can't be a major difference on", "in general\", but something like \"if the hostage negotiator suggests not to take", "modern country. I've tried asking on Quora already, but I got zero answers.", "they don't respond. They probably think that I'm actually plotting a real robbery.", "who would help me out on a few specific questions? Not vague and", "of my contacts can answer a good couple of things on how decisions", "plenty of cops there, but they don't respond. They probably think that I'm", "I have a pretty good understanding of police procedures. I've worked with the", "can someone recommend me someone who would help me out on a few", "controlled robot into the bank with a bomb. I have a pretty good", "so none of my contacts can answer a good couple of things on", "negotiator suggests not to take action, can the commander ignore it\", and so", "that the perpetrator is not present at the scene. He has sent a", "of police procedures. I've worked with the police for several years, even have", "I got zero answers. There are plenty of cops there, but they don't", "situation during a bank robbery. The twist is that the perpetrator is not", "country, so none of my contacts can answer a good couple of things", "good understanding of police procedures. I've worked with the police for several years,", "and broad ones like \"how SWATs work in general\", but something like \"if", "is a very rare occurrence, particularly in my little Eastern European country, so", "general\", but something like \"if the hostage negotiator suggests not to take action,", "me someone who would help me out on a few specific questions? Not", "However a prolonged hostage situation is a very rare occurrence, particularly in my", "situations are handled in any modern country. I've tried asking on Quora already,", "present at the scene. He has sent a remote controlled robot into the", "a bomb. I have a pretty good understanding of police procedures. I've worked", "prolonged hostage situation is a very rare occurrence, particularly in my little Eastern", "perpetrator is not present at the scene. He has sent a remote controlled", "very rare occurrence, particularly in my little Eastern European country, so none of", "a good couple of things on how decisions are made, how various experts", "work in general\", but something like \"if the hostage negotiator suggests not to", "guys, can someone recommend me someone who would help me out on a", "procedures. I've worked with the police for several years, even have cops in", "that I'm actually plotting a real robbery. So guys, can someone recommend me", "with a bomb. I have a pretty good understanding of police procedures. I've", "couple of things on how decisions are made, how various experts consult on", "working on a techno-thriller novel revolving about a hostage situation during a bank", "certain things. I believe there can't be a major difference on how such", "robbery. The twist is that the perpetrator is not present at the scene.", "matters and what would cause a SWAT officer do or don't do certain", "would cause a SWAT officer do or don't do certain things. I believe", "cops there, but they don't respond. They probably think that I'm actually plotting", "worked with the police for several years, even have cops in my family.", "answers. There are plenty of cops there, but they don't respond. They probably", "don't respond. They probably think that I'm actually plotting a real robbery. So", "at the scene. He has sent a remote controlled robot into the bank", "hostage negotiator suggests not to take action, can the commander ignore it\", and", "on a few specific questions? Not vague and broad ones like \"how SWATs", "occurrence, particularly in my little Eastern European country, so none of my contacts", "hostage situation during a bank robbery. The twist is that the perpetrator is", "about a hostage situation during a bank robbery. The twist is that the", "bank with a bomb. I have a pretty good understanding of police procedures.", "and what would cause a SWAT officer do or don't do certain things.", "good couple of things on how decisions are made, how various experts consult", "a major difference on how such serious situations are handled in any modern", "believe there can't be a major difference on how such serious situations are", "So guys, can someone recommend me someone who would help me out on", "novel revolving about a hostage situation during a bank robbery. The twist is", "even have cops in my family. However a prolonged hostage situation is a", "made, how various experts consult on matters and what would cause a SWAT", "things. I believe there can't be a major difference on how such serious", "years, even have cops in my family. However a prolonged hostage situation is", "in my family. However a prolonged hostage situation is a very rare occurrence,", "cops in my family. However a prolonged hostage situation is a very rare", "several years, even have cops in my family. However a prolonged hostage situation", "vague and broad ones like \"how SWATs work in general\", but something like", "think that I'm actually plotting a real robbery. So guys, can someone recommend", "I am working on a techno-thriller novel revolving about a hostage situation during", "a very rare occurrence, particularly in my little Eastern European country, so none", "contacts can answer a good couple of things on how decisions are made,", "but they don't respond. They probably think that I'm actually plotting a real", "They probably think that I'm actually plotting a real robbery. So guys, can", "there, but they don't respond. They probably think that I'm actually plotting a", "Quora already, but I got zero answers. There are plenty of cops there,", "I've worked with the police for several years, even have cops in my", "with the police for several years, even have cops in my family. However", "zero answers. There are plenty of cops there, but they don't respond. They", "revolving about a hostage situation during a bank robbery. The twist is that" ]
[ "wish to keep hidden. The first is the series' deuteragonist, who is heavily", "of *Hveðrungr*, until he reveals himself towards the end of the series and", "identities I wish to keep hidden. The first is the series' deuteragonist, who", "have no real way to justify why characters featured these flashbacks [would be", "throughout the series, the audience is given hints about his identity. For example,", "for reasons unknown decided to use her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/)", "from the protagonist's perspective that recount major events from Juopne's life, which are", "trilogy features two important characters whose identities I wish to keep hidden. The", "identity. For example, Lomo goes by the name of *Hveðrungr*, until he reveals", "eventually revealed via a series of flashbacks/dream sequences written from the protagonist's perspective", "first is the series' deuteragonist, who is heavily implied to be Juopne d'Arc", "history and mythology and a major plot point is him trying to discover", "conversations. How, then, can I disguise the identities of these characters? **EDIT: This", "and throughout the series, the audience is given hints about his identity. For", "plot point is him trying to discover Juopne's identity. The second character is", "life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way", "disguise the identities of these characters? **EDIT: This trilogy of mine is set", "flashbacks [would be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to", "series of flashbacks/dream sequences written from the protagonist's perspective that recount major events", "I'm trying to not make the protagonist look like a complete and utter", "myths are sometimes alluded to in several conversations. How, then, can I disguise", "name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her identity from the main protagonist. Juopne's", "a pseudonym to disguise her identity from the main protagonist. Juopne's identity eventually", "revealed via a series of flashbacks/dream sequences written from the protagonist's perspective that", "decided to use her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym", "hints about his identity. For example, Lomo goes by the name of *Hveðrungr*,", "and utter fool because one of his major traits is his in-depth knowledge", "his major traits is his in-depth knowledge of world history and mythology and", "Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to use", "d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to use her", "events from Juopne's life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have", "her identity from the main protagonist. Juopne's identity eventually revealed via a series", "[Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to use her [sister's forename and", "of world history and mythology and a major plot point is him trying", "THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to use her [sister's forename", "to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make the protagonist", "featured these flashbacks [would be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm", "of his major traits is his in-depth knowledge of world history and mythology", "discover Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's", "he reveals himself towards the end of the series and several of the", "why characters featured these flashbacks [would be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)).", "disguise her identity from the main protagonist. Juopne's identity eventually revealed via a", "English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make the protagonist look like a complete", "is heavily implied to be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for", "major plot point is him trying to discover Juopne's identity. The second character", "heavily implied to be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons", "of the Norse myths are sometimes alluded to in several conversations. How, then,", "justify why characters featured these flashbacks [would be able to speak perfect modern", "audience is given hints about his identity. For example, Lomo goes by the", "these flashbacks [would be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying", "the series and several of the Norse myths are sometimes alluded to in", "is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series,", "reveals himself towards the end of the series and several of the Norse", "[sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her identity", "sometimes alluded to in several conversations. How, then, can I disguise the identities", "My trilogy features two important characters whose identities I wish to keep hidden.", "characters whose identities I wish to keep hidden. The first is the series'", "of these characters? **EDIT: This trilogy of mine is set in modern time**", "hidden. The first is the series' deuteragonist, who is heavily implied to be", "point is him trying to discover Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology),", "deuteragonist, who is heavily implied to be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)),", "via a series of flashbacks/dream sequences written from the protagonist's perspective that recount", "antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience is given hints about his identity.", "speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make the protagonist look", "For example, Lomo goes by the name of *Hveðrungr*, until he reveals himself", "(yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to use her [sister's", "Juopne's identity eventually revealed via a series of flashbacks/dream sequences written from the", "his identity. For example, Lomo goes by the name of *Hveðrungr*, until he", "of the series and several of the Norse myths are sometimes alluded to", "[secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience is given hints about his", "and several of the Norse myths are sometimes alluded to in several conversations.", "given hints about his identity. For example, Lomo goes by the name of", "reasons unknown decided to use her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as", "the audience is given hints about his identity. For example, Lomo goes by", "two important characters whose identities I wish to keep hidden. The first is", "use her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise", "him trying to discover Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts", "the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience is given hints", "major events from Juopne's life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I", "of flashbacks/dream sequences written from the protagonist's perspective that recount major events from", "perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make the protagonist look like", "acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience is", "in several conversations. How, then, can I disguise the identities of these characters?", "to keep hidden. The first is the series' deuteragonist, who is heavily implied", "and a major plot point is him trying to discover Juopne's identity. The", "who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience", "How, then, can I disguise the identities of these characters? **EDIT: This trilogy", "is the series' deuteragonist, who is heavily implied to be Juopne d'Arc (yes,", "keep hidden. The first is the series' deuteragonist, who is heavily implied to", "the series' deuteragonist, who is heavily implied to be Juopne d'Arc (yes, THAT", "whose identities I wish to keep hidden. The first is the series' deuteragonist,", "who is heavily implied to be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who", "the protagonist look like a complete and utter fool because one of his", "traits is his in-depth knowledge of world history and mythology and a major", "a major plot point is him trying to discover Juopne's identity. The second", "trying to not make the protagonist look like a complete and utter fool", "name of *Hveðrungr*, until he reveals himself towards the end of the series", "the identities of these characters? **EDIT: This trilogy of mine is set in", "sequences written from the protagonist's perspective that recount major events from Juopne's life,", "goes by the name of *Hveðrungr*, until he reveals himself towards the end", "example, Lomo goes by the name of *Hveðrungr*, until he reveals himself towards", "a series of flashbacks/dream sequences written from the protagonist's perspective that recount major", "I disguise the identities of these characters? **EDIT: This trilogy of mine is", "flashbacks/dream sequences written from the protagonist's perspective that recount major events from Juopne's", "end of the series and several of the Norse myths are sometimes alluded", "Juopne's life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real", "important characters whose identities I wish to keep hidden. The first is the", "because one of his major traits is his in-depth knowledge of world history", "several conversations. How, then, can I disguise the identities of these characters? **EDIT:", "one of his major traits is his in-depth knowledge of world history and", "world history and mythology and a major plot point is him trying to", "the name of *Hveðrungr*, until he reveals himself towards the end of the", "protagonist. Juopne's identity eventually revealed via a series of flashbacks/dream sequences written from", "perspective that recount major events from Juopne's life, which are [completely devoid of", "identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon)", "be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make", "series' deuteragonist, who is heavily implied to be Juopne d'Arc (yes, THAT [Juopne", "(because I have no real way to justify why characters featured these flashbacks", "towards the end of the series and several of the Norse myths are", "the main protagonist. Juopne's identity eventually revealed via a series of flashbacks/dream sequences", "modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make the protagonist look like a", "as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience is given", "her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her", "pseudonym to disguise her identity from the main protagonist. Juopne's identity eventually revealed", "character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the", "himself towards the end of the series and several of the Norse myths", "Lomo goes by the name of *Hveðrungr*, until he reveals himself towards the", "to in several conversations. How, then, can I disguise the identities of these", "and mythology and a major plot point is him trying to discover Juopne's", "knowledge of world history and mythology and a major plot point is him", "to be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided", "Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary", "the series, the audience is given hints about his identity. For example, Lomo", "[would be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not", "trying to discover Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as", "identities of these characters? **EDIT: This trilogy of mine is set in modern", "are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way to justify", "able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although, I'm trying to not make the", "identity eventually revealed via a series of flashbacks/dream sequences written from the protagonist's", "no real way to justify why characters featured these flashbacks [would be able", "utter fool because one of his major traits is his in-depth knowledge of", "is him trying to discover Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who", "can I disguise the identities of these characters? **EDIT: This trilogy of mine", "then, can I disguise the identities of these characters? **EDIT: This trilogy of", "from Juopne's life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no", "recount major events from Juopne's life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because", "Norse myths are sometimes alluded to in several conversations. How, then, can I", "the Norse myths are sometimes alluded to in several conversations. How, then, can", "by the name of *Hveðrungr*, until he reveals himself towards the end of", "the end of the series and several of the Norse myths are sometimes", "make the protagonist look like a complete and utter fool because one of", "trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the audience is given hints about", "to disguise her identity from the main protagonist. Juopne's identity eventually revealed via", "until he reveals himself towards the end of the series and several of", "Although, I'm trying to not make the protagonist look like a complete and", "I wish to keep hidden. The first is the series' deuteragonist, who is", "second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout", "series, the audience is given hints about his identity. For example, Lomo goes", "alluded to in several conversations. How, then, can I disguise the identities of", "major traits is his in-depth knowledge of world history and mythology and a", "dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way to justify why characters featured these", "way to justify why characters featured these flashbacks [would be able to speak", "several of the Norse myths are sometimes alluded to in several conversations. How,", "mythology and a major plot point is him trying to discover Juopne's identity.", "to justify why characters featured these flashbacks [would be able to speak perfect", "look like a complete and utter fool because one of his major traits", "forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her identity from", "and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her identity from the", "identity from the main protagonist. Juopne's identity eventually revealed via a series of", "[Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and throughout the series, the", "mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her identity from the main", "I have no real way to justify why characters featured these flashbacks [would", "main protagonist. Juopne's identity eventually revealed via a series of flashbacks/dream sequences written", "like a complete and utter fool because one of his major traits is", "who for reasons unknown decided to use her [sister's forename and mother's maiden", "fool because one of his major traits is his in-depth knowledge of world", "are sometimes alluded to in several conversations. How, then, can I disguise the", "of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way to justify why characters featured", "to not make the protagonist look like a complete and utter fool because", "to use her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to", "the protagonist's perspective that recount major events from Juopne's life, which are [completely", "from the main protagonist. Juopne's identity eventually revealed via a series of flashbacks/dream", "a complete and utter fool because one of his major traits is his", "series and several of the Norse myths are sometimes alluded to in several", "in-depth knowledge of world history and mythology and a major plot point is", "his in-depth knowledge of world history and mythology and a major plot point", "is given hints about his identity. For example, Lomo goes by the name", "about his identity. For example, Lomo goes by the name of *Hveðrungr*, until", "that recount major events from Juopne's life, which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode)", "protagonist look like a complete and utter fool because one of his major", "real way to justify why characters featured these flashbacks [would be able to", "to discover Juopne's identity. The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the", "is his in-depth knowledge of world history and mythology and a major plot", "as a pseudonym to disguise her identity from the main protagonist. Juopne's identity", "d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to use her [sister's forename and mother's", "*Hveðrungr*, until he reveals himself towards the end of the series and several", "protagonist's perspective that recount major events from Juopne's life, which are [completely devoid", "which are [completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way to", "be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown decided to", "complete and utter fool because one of his major traits is his in-depth", "written from the protagonist's perspective that recount major events from Juopne's life, which", "features two important characters whose identities I wish to keep hidden. The first", "The first is the series' deuteragonist, who is heavily implied to be Juopne", "unknown decided to use her [sister's forename and mother's maiden name](https://www.jeanne-darc.info/biography/family/) as a", "characters featured these flashbacks [would be able to speak perfect modern English](https://tvtropes.org/pmwiki/pmwiki.php/Main/TranslationConvention)). Although,", "The second character is [Lomo](https://tvtropes.org/pmwiki/pmwiki.php/Characters/NorseMythology), who acts as the trilogy's [secondary antagonist](https://tvtropes.org/pmwiki/pmwiki.php/Main/TheDragon) and", "implied to be Juopne d'Arc (yes, THAT [Juopne d'Arc](http://tvtropes.org/pmwiki/pmwiki.php/UsefulNotes/JoanOfArc)), who for reasons unknown", "[completely devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way to justify why", "devoid of dialogue](https://tvtropes.org/pmwiki/pmwiki.php/Main/NoDialogueEpisode) (because I have no real way to justify why characters", "not make the protagonist look like a complete and utter fool because one", "maiden name](https://www.jeanne-darc.info/biography/family/) as a pseudonym to disguise her identity from the main protagonist." ]
[ "is a refugee from another country. She comes to the protagonist, and they", "everything using described gestures, broken grammar and disconnected words - as it would", "from another country. She comes to the protagonist, and they have a couple", "character who is a refugee from another country. She comes to the protagonist,", "protagonist, and they have a couple of scenes together, viewed from the protagonist.", "I have a character who is a refugee from another country. She comes", "country. She comes to the protagonist, and they have a couple of scenes", "disconnected words - as it would realistically be - that person will quickly", "important it is to make dialogue convey information about the character, to prevent", "is intelligent but should not have that vocabulary? If I write everything using", "have that vocabulary? If I write everything using described gestures, broken grammar and", "a character who is a refugee from another country. She comes to the", "I read about how important it is to make dialogue convey information about", "read about how important it is to make dialogue convey information about the", "not have that vocabulary? If I write everything using described gestures, broken grammar", "how important it is to make dialogue convey information about the character, to", "a couple of scenes together, viewed from the protagonist. I read about how", "it would realistically be - that person will quickly sound like an idiot.", "it is to make dialogue convey information about the character, to prevent adverb", "using described gestures, broken grammar and disconnected words - as it would realistically", "someone is intelligent but should not have that vocabulary? If I write everything", "viewed from the protagonist. I read about how important it is to make", "vocabulary. But how do I do that when someone is intelligent but should", "have a couple of scenes together, viewed from the protagonist. I read about", "about the character, to prevent adverb overdose (e.g. \"Blabla, he said wisely.\"). Intelligence", "gestures, broken grammar and disconnected words - as it would realistically be -", "broader vocabulary. But how do I do that when someone is intelligent but", "information about the character, to prevent adverb overdose (e.g. \"Blabla, he said wisely.\").", "would indicate with a broader vocabulary. But how do I do that when", "the character, to prevent adverb overdose (e.g. \"Blabla, he said wisely.\"). Intelligence I", "I would indicate with a broader vocabulary. But how do I do that", "protagonist. I read about how important it is to make dialogue convey information", "about how important it is to make dialogue convey information about the character,", "I do that when someone is intelligent but should not have that vocabulary?", "and they have a couple of scenes together, viewed from the protagonist. I", "dialogue convey information about the character, to prevent adverb overdose (e.g. \"Blabla, he", "of scenes together, viewed from the protagonist. I read about how important it", "do I do that when someone is intelligent but should not have that", "described gestures, broken grammar and disconnected words - as it would realistically be", "with a broader vocabulary. But how do I do that when someone is", "a broader vocabulary. But how do I do that when someone is intelligent", "have a character who is a refugee from another country. She comes to", "indicate with a broader vocabulary. But how do I do that when someone", "that vocabulary? If I write everything using described gestures, broken grammar and disconnected", "(e.g. \"Blabla, he said wisely.\"). Intelligence I would indicate with a broader vocabulary.", "who is a refugee from another country. She comes to the protagonist, and", "to prevent adverb overdose (e.g. \"Blabla, he said wisely.\"). Intelligence I would indicate", "another country. She comes to the protagonist, and they have a couple of", "do that when someone is intelligent but should not have that vocabulary? If", "when someone is intelligent but should not have that vocabulary? If I write", "comes to the protagonist, and they have a couple of scenes together, viewed", "wisely.\"). Intelligence I would indicate with a broader vocabulary. But how do I", "grammar and disconnected words - as it would realistically be - that person", "scenes together, viewed from the protagonist. I read about how important it is", "I write everything using described gestures, broken grammar and disconnected words - as", "But how do I do that when someone is intelligent but should not", "to make dialogue convey information about the character, to prevent adverb overdose (e.g.", "refugee from another country. She comes to the protagonist, and they have a", "together, viewed from the protagonist. I read about how important it is to", "the protagonist, and they have a couple of scenes together, viewed from the", "- as it would realistically be - that person will quickly sound like", "broken grammar and disconnected words - as it would realistically be - that", "words - as it would realistically be - that person will quickly sound", "She comes to the protagonist, and they have a couple of scenes together,", "from the protagonist. I read about how important it is to make dialogue", "make dialogue convey information about the character, to prevent adverb overdose (e.g. \"Blabla,", "intelligent but should not have that vocabulary? If I write everything using described", "how do I do that when someone is intelligent but should not have", "adverb overdose (e.g. \"Blabla, he said wisely.\"). Intelligence I would indicate with a", "vocabulary? If I write everything using described gestures, broken grammar and disconnected words", "a refugee from another country. She comes to the protagonist, and they have", "that when someone is intelligent but should not have that vocabulary? If I", "\"Blabla, he said wisely.\"). Intelligence I would indicate with a broader vocabulary. But", "as it would realistically be - that person will quickly sound like an", "convey information about the character, to prevent adverb overdose (e.g. \"Blabla, he said", "should not have that vocabulary? If I write everything using described gestures, broken", "overdose (e.g. \"Blabla, he said wisely.\"). Intelligence I would indicate with a broader", "he said wisely.\"). Intelligence I would indicate with a broader vocabulary. But how", "character, to prevent adverb overdose (e.g. \"Blabla, he said wisely.\"). Intelligence I would", "and disconnected words - as it would realistically be - that person will", "they have a couple of scenes together, viewed from the protagonist. I read", "but should not have that vocabulary? If I write everything using described gestures,", "to the protagonist, and they have a couple of scenes together, viewed from", "is to make dialogue convey information about the character, to prevent adverb overdose", "couple of scenes together, viewed from the protagonist. I read about how important", "said wisely.\"). Intelligence I would indicate with a broader vocabulary. But how do", "Intelligence I would indicate with a broader vocabulary. But how do I do", "If I write everything using described gestures, broken grammar and disconnected words -", "the protagonist. I read about how important it is to make dialogue convey", "write everything using described gestures, broken grammar and disconnected words - as it", "prevent adverb overdose (e.g. \"Blabla, he said wisely.\"). Intelligence I would indicate with" ]
[ "Psychopaths like this are sometimes hard to take seriously because most bad guys", "most bad guys believe they are doing the right thing. The most compelling", "cost. Psychopaths like this are sometimes hard to take seriously because most bad", "have a villain who is more or less a complete monster. She has", "to take seriously because most bad guys believe they are doing the right", "a motivation that makes the audience sympathize with them, or some redeeming quality", "them relatable, such as a code of honor. This villain is simply in", "monster. She has no goals other than gaining immortality at any cost. Psychopaths", "is simply in for the pursuit of power. How can I make them", "less a complete monster. She has no goals other than gaining immortality at", "of honor. This villain is simply in for the pursuit of power. How", "other than gaining immortality at any cost. Psychopaths like this are sometimes hard", "seriously because most bad guys believe they are doing the right thing. The", "audience sympathize with them, or some redeeming quality to make them relatable, such", "redeeming quality to make them relatable, such as a code of honor. This", "complete monster. She has no goals other than gaining immortality at any cost.", "villain who is more or less a complete monster. She has no goals", "a villain who is more or less a complete monster. She has no", "believe they are doing the right thing. The most compelling villians have a", "bad guys believe they are doing the right thing. The most compelling villians", "them, or some redeeming quality to make them relatable, such as a code", "take seriously because most bad guys believe they are doing the right thing.", "a code of honor. This villain is simply in for the pursuit of", "villain is simply in for the pursuit of power. How can I make", "who is more or less a complete monster. She has no goals other", "as a code of honor. This villain is simply in for the pursuit", "a complete monster. She has no goals other than gaining immortality at any", "are doing the right thing. The most compelling villians have a motivation that", "than gaining immortality at any cost. Psychopaths like this are sometimes hard to", "sometimes hard to take seriously because most bad guys believe they are doing", "are sometimes hard to take seriously because most bad guys believe they are", "is more or less a complete monster. She has no goals other than", "immortality at any cost. Psychopaths like this are sometimes hard to take seriously", "doing the right thing. The most compelling villians have a motivation that makes", "at any cost. Psychopaths like this are sometimes hard to take seriously because", "like this are sometimes hard to take seriously because most bad guys believe", "villians have a motivation that makes the audience sympathize with them, or some", "some redeeming quality to make them relatable, such as a code of honor.", "most compelling villians have a motivation that makes the audience sympathize with them,", "for the pursuit of power. How can I make them interesting for the", "any cost. Psychopaths like this are sometimes hard to take seriously because most", "simply in for the pursuit of power. How can I make them interesting", "compelling villians have a motivation that makes the audience sympathize with them, or", "code of honor. This villain is simply in for the pursuit of power.", "has no goals other than gaining immortality at any cost. Psychopaths like this", "gaining immortality at any cost. Psychopaths like this are sometimes hard to take", "honor. This villain is simply in for the pursuit of power. How can", "this are sometimes hard to take seriously because most bad guys believe they", "sympathize with them, or some redeeming quality to make them relatable, such as", "hard to take seriously because most bad guys believe they are doing the", "This villain is simply in for the pursuit of power. How can I", "relatable, such as a code of honor. This villain is simply in for", "because most bad guys believe they are doing the right thing. The most", "more or less a complete monster. She has no goals other than gaining", "I have a villain who is more or less a complete monster. She", "the pursuit of power. How can I make them interesting for the readers?", "or less a complete monster. She has no goals other than gaining immortality", "the right thing. The most compelling villians have a motivation that makes the", "have a motivation that makes the audience sympathize with them, or some redeeming", "or some redeeming quality to make them relatable, such as a code of", "with them, or some redeeming quality to make them relatable, such as a", "motivation that makes the audience sympathize with them, or some redeeming quality to", "they are doing the right thing. The most compelling villians have a motivation", "the audience sympathize with them, or some redeeming quality to make them relatable,", "The most compelling villians have a motivation that makes the audience sympathize with", "such as a code of honor. This villain is simply in for the", "no goals other than gaining immortality at any cost. Psychopaths like this are", "to make them relatable, such as a code of honor. This villain is", "right thing. The most compelling villians have a motivation that makes the audience", "She has no goals other than gaining immortality at any cost. Psychopaths like", "thing. The most compelling villians have a motivation that makes the audience sympathize", "in for the pursuit of power. How can I make them interesting for", "that makes the audience sympathize with them, or some redeeming quality to make", "makes the audience sympathize with them, or some redeeming quality to make them", "goals other than gaining immortality at any cost. Psychopaths like this are sometimes", "make them relatable, such as a code of honor. This villain is simply", "guys believe they are doing the right thing. The most compelling villians have", "quality to make them relatable, such as a code of honor. This villain" ]
[ "to a friend he's protective of. When he was beating up the people", "In general, **how do you write an authentic emotional experience for a character", "make him always hold back in a fight. But I don't know what", "almost killed one of them by breaking his rib cage. I wanted this", "he was young he was still discovering how strong he was. This incident", "I don't know what this would feel like. In general, **how do you", "wanted this to be a moment in his story that would later on", "what this would feel like. In general, **how do you write an authentic", "feel like. In general, **how do you write an authentic emotional experience for", "write an authentic emotional experience for a character if you've never experienced it", "friend, he almost killed one of them by breaking his rib cage. I", "have this young character who grows up to be very strong and powerful", "and powerful but while he was young he was still discovering how strong", "to be a moment in his story that would later on make him", "was beating up the people who attacked his friend, he almost killed one", "**how do you write an authentic emotional experience for a character if you've", "rib cage. I wanted this to be a moment in his story that", "this would feel like. In general, **how do you write an authentic emotional", "attacked his friend, he almost killed one of them by breaking his rib", "would feel like. In general, **how do you write an authentic emotional experience", "This incident happened to a friend he's protective of. When he was beating", "a moment in his story that would later on make him always hold", "in a fight. But I don't know what this would feel like. In", "I wanted this to be a moment in his story that would later", "character who grows up to be very strong and powerful but while he", "them by breaking his rib cage. I wanted this to be a moment", "I have this young character who grows up to be very strong and", "young he was still discovering how strong he was. This incident happened to", "still discovering how strong he was. This incident happened to a friend he's", "on make him always hold back in a fight. But I don't know", "strong he was. This incident happened to a friend he's protective of. When", "general, **how do you write an authentic emotional experience for a character if", "discovering how strong he was. This incident happened to a friend he's protective", "happened to a friend he's protective of. When he was beating up the", "in his story that would later on make him always hold back in", "was. This incident happened to a friend he's protective of. When he was", "strong and powerful but while he was young he was still discovering how", "that would later on make him always hold back in a fight. But", "people who attacked his friend, he almost killed one of them by breaking", "like. In general, **how do you write an authentic emotional experience for a", "very strong and powerful but while he was young he was still discovering", "his rib cage. I wanted this to be a moment in his story", "while he was young he was still discovering how strong he was. This", "who attacked his friend, he almost killed one of them by breaking his", "to be very strong and powerful but while he was young he was", "his friend, he almost killed one of them by breaking his rib cage.", "an authentic emotional experience for a character if you've never experienced it yourself?**", "But I don't know what this would feel like. In general, **how do", "incident happened to a friend he's protective of. When he was beating up", "back in a fight. But I don't know what this would feel like.", "he was still discovering how strong he was. This incident happened to a", "later on make him always hold back in a fight. But I don't", "fight. But I don't know what this would feel like. In general, **how", "grows up to be very strong and powerful but while he was young", "this young character who grows up to be very strong and powerful but", "of them by breaking his rib cage. I wanted this to be a", "be a moment in his story that would later on make him always", "powerful but while he was young he was still discovering how strong he", "was still discovering how strong he was. This incident happened to a friend", "the people who attacked his friend, he almost killed one of them by", "hold back in a fight. But I don't know what this would feel", "would later on make him always hold back in a fight. But I", "he was beating up the people who attacked his friend, he almost killed", "protective of. When he was beating up the people who attacked his friend,", "friend he's protective of. When he was beating up the people who attacked", "do you write an authentic emotional experience for a character if you've never", "but while he was young he was still discovering how strong he was.", "he was. This incident happened to a friend he's protective of. When he", "killed one of them by breaking his rib cage. I wanted this to", "know what this would feel like. In general, **how do you write an", "don't know what this would feel like. In general, **how do you write", "beating up the people who attacked his friend, he almost killed one of", "this to be a moment in his story that would later on make", "of. When he was beating up the people who attacked his friend, he", "by breaking his rib cage. I wanted this to be a moment in", "cage. I wanted this to be a moment in his story that would", "always hold back in a fight. But I don't know what this would", "was young he was still discovering how strong he was. This incident happened", "you write an authentic emotional experience for a character if you've never experienced", "a friend he's protective of. When he was beating up the people who", "he almost killed one of them by breaking his rib cage. I wanted", "When he was beating up the people who attacked his friend, he almost", "his story that would later on make him always hold back in a", "one of them by breaking his rib cage. I wanted this to be", "moment in his story that would later on make him always hold back", "be very strong and powerful but while he was young he was still", "story that would later on make him always hold back in a fight.", "he's protective of. When he was beating up the people who attacked his", "him always hold back in a fight. But I don't know what this", "young character who grows up to be very strong and powerful but while", "how strong he was. This incident happened to a friend he's protective of.", "a fight. But I don't know what this would feel like. In general,", "up the people who attacked his friend, he almost killed one of them", "up to be very strong and powerful but while he was young he", "who grows up to be very strong and powerful but while he was", "breaking his rib cage. I wanted this to be a moment in his" ]
[ "You start learning and using your powers in the upper school which is", "school also has math, science, history, and english. The characters learn about something", "school for wizards. The school also has math, science, history, and english. The", "when you are lying, one can move objects with their minds, and one", "worked so hard on building the world and everything and just realized. How", "just like the wizards call them muggles. The characters are about a year", "group of 3 sort of mean girls. There is also a mean boy", "his friends, but I plan on making it a series, and following them", "a series, and following them year by year until their last. There are", "the book of destiny they go through this room and they have to", "The school also has math, science, history, and english. The characters learn about", "wizards. The school also has math, science, history, and english. The characters learn", "created. There are 6 main characters, 3 girls and 3 boys. They are", "muggles. The characters are about a year older than Herrl and his friends,", "their country. You start learning and using your powers in the upper school", "destiny they go through this room and they have to complete a series", "until they ultimately end up finding it and destroying it themselves. Which kind", "they find the book of destiny they go through this room and they", "is a group of 3 sort of mean girls. There is also a", "and they have to complete a series of tasks that take them through", "your powers in the upper school which is 7th-12th grade. Which might be", "differences, but are they too similar? I worked so hard on building the", "to find it. Which is like the Philosophers stone. This isn't final, but", "through different rooms until they ultimately end up finding it and destroying it", "about a year older than Herrl and his friends, but I plan on", "them year by year until their last. There are also many differences, but", "I created. There are 6 main characters, 3 girls and 3 boys. They", "and following them year by year until their last. There are also many", "book of destiny which basically the whole plot of this book is them", "call them muggles. The characters are about a year older than Herrl and", "than Herrl and his friends, but I plan on making it a series,", "building the world and everything and just realized. How can I make it", "7th-12th grade. Which might be like Hogwarts since it's a school for wizards.", "learning and using your powers in the upper school which is 7th-12th grade.", "with their minds, and one can control fire and water. They go to", "They are all \"gifted\" which are people with special abilities. There are 3", "destroying it themselves. Which kind of reminds me of the trap door. There", "making it a series, and following them year by year until their last.", "lying, one can move objects with their minds, and one can control fire", "objects with their minds, and one can control fire and water. They go", "start learning and using your powers in the upper school which is 7th-12th", "I am planning that when they find the book of destiny they go", "with special abilities. There are 3 types of gifted, which have names. One", "their minds, and one can control fire and water. They go to a", "the Philosophers stone. This isn't final, but I am planning that when they", "of reminds me of the trap door. There is a group of 3", "and one can control fire and water. They go to a day school", "and his friends, but I plan on making it a series, and following", "takes place in a fictional country I created. There are 6 main characters,", "by year until their last. There are also many differences, but are they", "who might make people think of Draco. They call normal people a name", "school for gifteds in their country. You start learning and using your powers", "that take them through different rooms until they ultimately end up finding it", "for gifteds in their country. You start learning and using your powers in", "are they too similar? I worked so hard on building the world and", "girls and 3 boys. They are all \"gifted\" which are people with special", "There are 3 types of gifted, which have names. One can detect when", "in the upper school which is 7th-12th grade. Which might be like Hogwarts", "up finding it and destroying it themselves. Which kind of reminds me of", "sort of mean girls. There is also a mean boy who might make", "they too similar? I worked so hard on building the world and everything", "it. Which is like the Philosophers stone. This isn't final, but I am", "place in a fictional country I created. There are 6 main characters, 3", "gifteds in their country. You start learning and using your powers in the", "can control fire and water. They go to a day school for gifteds", "One can detect when you are lying, one can move objects with their", "fictional country I created. There are 6 main characters, 3 girls and 3", "a series of tasks that take them through different rooms until they ultimately", "There are also many differences, but are they too similar? I worked so", "friends, but I plan on making it a series, and following them year", "grade. Which might be like Hogwarts since it's a school for wizards. The", "country. You start learning and using your powers in the upper school which", "last. There are also many differences, but are they too similar? I worked", "room and they have to complete a series of tasks that take them", "can move objects with their minds, and one can control fire and water.", "book is them trying to find it. Which is like the Philosophers stone.", "\"gifted\" which are people with special abilities. There are 3 types of gifted,", "something called the book of destiny which basically the whole plot of this", "book of destiny they go through this room and they have to complete", "characters learn about something called the book of destiny which basically the whole", "boy who might make people think of Draco. They call normal people a", "6 main characters, 3 girls and 3 boys. They are all \"gifted\" which", "name just like the wizards call them muggles. The characters are about a", "detect when you are lying, one can move objects with their minds, and", "and water. They go to a day school for gifteds in their country.", "kind of reminds me of the trap door. There is a group of", "go through this room and they have to complete a series of tasks", "wizards call them muggles. The characters are about a year older than Herrl", "people with special abilities. There are 3 types of gifted, which have names.", "3 types of gifted, which have names. One can detect when you are", "series, and following them year by year until their last. There are also", "a mean boy who might make people think of Draco. They call normal", "on building the world and everything and just realized. How can I make", "a name just like the wizards call them muggles. The characters are about", "story takes place in a fictional country I created. There are 6 main", "Which is like the Philosophers stone. This isn't final, but I am planning", "of destiny they go through this room and they have to complete a", "reminds me of the trap door. There is a group of 3 sort", "have names. One can detect when you are lying, one can move objects", "water. They go to a day school for gifteds in their country. You", "whole plot of this book is them trying to find it. Which is", "of gifted, which have names. One can detect when you are lying, one", "They go to a day school for gifteds in their country. You start", "a fictional country I created. There are 6 main characters, 3 girls and", "finding it and destroying it themselves. Which kind of reminds me of the", "also a mean boy who might make people think of Draco. They call", "boys. They are all \"gifted\" which are people with special abilities. There are", "is also a mean boy who might make people think of Draco. They", "the world and everything and just realized. How can I make it less", "a group of 3 sort of mean girls. There is also a mean", "a school for wizards. The school also has math, science, history, and english.", "trying to find it. Which is like the Philosophers stone. This isn't final,", "science, history, and english. The characters learn about something called the book of", "rooms until they ultimately end up finding it and destroying it themselves. Which", "There is also a mean boy who might make people think of Draco.", "can detect when you are lying, one can move objects with their minds,", "fire and water. They go to a day school for gifteds in their", "The characters learn about something called the book of destiny which basically the", "is like the Philosophers stone. This isn't final, but I am planning that", "There are 6 main characters, 3 girls and 3 boys. They are all", "country I created. There are 6 main characters, 3 girls and 3 boys.", "Hogwarts since it's a school for wizards. The school also has math, science,", "learn about something called the book of destiny which basically the whole plot", "following them year by year until their last. There are also many differences,", "you are lying, one can move objects with their minds, and one can", "3 girls and 3 boys. They are all \"gifted\" which are people with", "and english. The characters learn about something called the book of destiny which", "since it's a school for wizards. The school also has math, science, history,", "it and destroying it themselves. Which kind of reminds me of the trap", "Herrl and his friends, but I plan on making it a series, and", "is them trying to find it. Which is like the Philosophers stone. This", "isn't final, but I am planning that when they find the book of", "are about a year older than Herrl and his friends, but I plan", "many differences, but are they too similar? I worked so hard on building", "a year older than Herrl and his friends, but I plan on making", "also many differences, but are they too similar? I worked so hard on", "too similar? I worked so hard on building the world and everything and", "planning that when they find the book of destiny they go through this", "but I am planning that when they find the book of destiny they", "for wizards. The school also has math, science, history, and english. The characters", "main characters, 3 girls and 3 boys. They are all \"gifted\" which are", "This isn't final, but I am planning that when they find the book", "it themselves. Which kind of reminds me of the trap door. There is", "The characters are about a year older than Herrl and his friends, but", "the upper school which is 7th-12th grade. Which might be like Hogwarts since", "until their last. There are also many differences, but are they too similar?", "of mean girls. There is also a mean boy who might make people", "tasks that take them through different rooms until they ultimately end up finding", "called the book of destiny which basically the whole plot of this book", "history, and english. The characters learn about something called the book of destiny", "the trap door. There is a group of 3 sort of mean girls.", "a day school for gifteds in their country. You start learning and using", "it's a school for wizards. The school also has math, science, history, and", "ultimately end up finding it and destroying it themselves. Which kind of reminds", "and using your powers in the upper school which is 7th-12th grade. Which", "the book of destiny which basically the whole plot of this book is", "similar? I worked so hard on building the world and everything and just", "which have names. One can detect when you are lying, one can move", "plot of this book is them trying to find it. Which is like", "3 boys. They are all \"gifted\" which are people with special abilities. There", "go to a day school for gifteds in their country. You start learning", "are lying, one can move objects with their minds, and one can control", "the whole plot of this book is them trying to find it. Which", "The story takes place in a fictional country I created. There are 6", "english. The characters learn about something called the book of destiny which basically", "one can control fire and water. They go to a day school for", "using your powers in the upper school which is 7th-12th grade. Which might", "so hard on building the world and everything and just realized. How can", "them muggles. The characters are about a year older than Herrl and his", "minds, and one can control fire and water. They go to a day", "has math, science, history, and english. The characters learn about something called the", "about something called the book of destiny which basically the whole plot of", "the wizards call them muggles. The characters are about a year older than", "all \"gifted\" which are people with special abilities. There are 3 types of", "but I plan on making it a series, and following them year by", "find the book of destiny they go through this room and they have", "special abilities. There are 3 types of gifted, which have names. One can", "school which is 7th-12th grade. Which might be like Hogwarts since it's a", "older than Herrl and his friends, but I plan on making it a", "think of Draco. They call normal people a name just like the wizards", "day school for gifteds in their country. You start learning and using your", "destiny which basically the whole plot of this book is them trying to", "Which kind of reminds me of the trap door. There is a group", "call normal people a name just like the wizards call them muggles. The", "like the wizards call them muggles. The characters are about a year older", "they ultimately end up finding it and destroying it themselves. Which kind of", "them trying to find it. Which is like the Philosophers stone. This isn't", "3 sort of mean girls. There is also a mean boy who might", "plan on making it a series, and following them year by year until", "their last. There are also many differences, but are they too similar? I", "gifted, which have names. One can detect when you are lying, one can", "final, but I am planning that when they find the book of destiny", "in their country. You start learning and using your powers in the upper", "but are they too similar? I worked so hard on building the world", "people think of Draco. They call normal people a name just like the", "end up finding it and destroying it themselves. Which kind of reminds me", "They call normal people a name just like the wizards call them muggles.", "control fire and water. They go to a day school for gifteds in", "are 6 main characters, 3 girls and 3 boys. They are all \"gifted\"", "to a day school for gifteds in their country. You start learning and", "move objects with their minds, and one can control fire and water. They", "and destroying it themselves. Which kind of reminds me of the trap door.", "which is 7th-12th grade. Which might be like Hogwarts since it's a school", "of this book is them trying to find it. Which is like the", "one can move objects with their minds, and one can control fire and", "are all \"gifted\" which are people with special abilities. There are 3 types", "math, science, history, and english. The characters learn about something called the book", "normal people a name just like the wizards call them muggles. The characters", "which basically the whole plot of this book is them trying to find", "it a series, and following them year by year until their last. There", "in a fictional country I created. There are 6 main characters, 3 girls", "I worked so hard on building the world and everything and just realized.", "are 3 types of gifted, which have names. One can detect when you", "of destiny which basically the whole plot of this book is them trying", "when they find the book of destiny they go through this room and", "and 3 boys. They are all \"gifted\" which are people with special abilities.", "of 3 sort of mean girls. There is also a mean boy who", "are also many differences, but are they too similar? I worked so hard", "world and everything and just realized. How can I make it less similar?", "might be like Hogwarts since it's a school for wizards. The school also", "characters, 3 girls and 3 boys. They are all \"gifted\" which are people", "different rooms until they ultimately end up finding it and destroying it themselves.", "that when they find the book of destiny they go through this room", "abilities. There are 3 types of gifted, which have names. One can detect", "on making it a series, and following them year by year until their", "people a name just like the wizards call them muggles. The characters are", "complete a series of tasks that take them through different rooms until they", "characters are about a year older than Herrl and his friends, but I", "Which might be like Hogwarts since it's a school for wizards. The school", "Philosophers stone. This isn't final, but I am planning that when they find", "they go through this room and they have to complete a series of", "door. There is a group of 3 sort of mean girls. There is", "through this room and they have to complete a series of tasks that", "names. One can detect when you are lying, one can move objects with", "this room and they have to complete a series of tasks that take", "like the Philosophers stone. This isn't final, but I am planning that when", "types of gifted, which have names. One can detect when you are lying,", "of Draco. They call normal people a name just like the wizards call", "hard on building the world and everything and just realized. How can I", "year older than Herrl and his friends, but I plan on making it", "to complete a series of tasks that take them through different rooms until", "basically the whole plot of this book is them trying to find it.", "find it. Which is like the Philosophers stone. This isn't final, but I", "powers in the upper school which is 7th-12th grade. Which might be like", "are people with special abilities. There are 3 types of gifted, which have", "might make people think of Draco. They call normal people a name just", "which are people with special abilities. There are 3 types of gifted, which", "series of tasks that take them through different rooms until they ultimately end", "girls. There is also a mean boy who might make people think of", "mean boy who might make people think of Draco. They call normal people", "make people think of Draco. They call normal people a name just like", "Draco. They call normal people a name just like the wizards call them", "year by year until their last. There are also many differences, but are", "of the trap door. There is a group of 3 sort of mean", "I plan on making it a series, and following them year by year", "upper school which is 7th-12th grade. Which might be like Hogwarts since it's", "stone. This isn't final, but I am planning that when they find the", "they have to complete a series of tasks that take them through different", "me of the trap door. There is a group of 3 sort of", "them through different rooms until they ultimately end up finding it and destroying", "There is a group of 3 sort of mean girls. There is also", "of tasks that take them through different rooms until they ultimately end up", "mean girls. There is also a mean boy who might make people think", "trap door. There is a group of 3 sort of mean girls. There", "this book is them trying to find it. Which is like the Philosophers", "like Hogwarts since it's a school for wizards. The school also has math,", "take them through different rooms until they ultimately end up finding it and", "is 7th-12th grade. Which might be like Hogwarts since it's a school for", "themselves. Which kind of reminds me of the trap door. There is a", "be like Hogwarts since it's a school for wizards. The school also has", "have to complete a series of tasks that take them through different rooms", "year until their last. There are also many differences, but are they too", "also has math, science, history, and english. The characters learn about something called", "am planning that when they find the book of destiny they go through" ]
[ "within a week! (With detailed comments on each story.) Clarkesworld is another example.", "few people reading and yet they respond within two days! So why do", "only a few people reading and yet they respond within two days! So", "a week! (With detailed comments on each story.) Clarkesworld is another example. They", "why do other (lower tier) magazines, which presumably don't receive as much submissions,", "is another example. They have only a few people reading and yet they", "week! (With detailed comments on each story.) Clarkesworld is another example. They have", "have only a few people reading and yet they respond within two days!", "always responds within a week! (With detailed comments on each story.) Clarkesworld is", "within two days! So why do other (lower tier) magazines, which presumably don't", "heard that the the editor of F&SF (Finlay) is the only one who", "So why do other (lower tier) magazines, which presumably don't receive as much", "magazines, which presumably don't receive as much submissions, take so long (several weeks", "Clarkesworld is another example. They have only a few people reading and yet", "reading and yet they respond within two days! So why do other (lower", "all the submissions. Yet he always responds within a week! (With detailed comments", "do other (lower tier) magazines, which presumably don't receive as much submissions, take", "reads all the submissions. Yet he always responds within a week! (With detailed", "editor of F&SF (Finlay) is the only one who reads all the submissions.", "only one who reads all the submissions. Yet he always responds within a", "story.) Clarkesworld is another example. They have only a few people reading and", "people reading and yet they respond within two days! So why do other", "yet they respond within two days! So why do other (lower tier) magazines,", "They have only a few people reading and yet they respond within two", "each story.) Clarkesworld is another example. They have only a few people reading", "two days! So why do other (lower tier) magazines, which presumably don't receive", "days! So why do other (lower tier) magazines, which presumably don't receive as", "the only one who reads all the submissions. Yet he always responds within", "example. They have only a few people reading and yet they respond within", "(Finlay) is the only one who reads all the submissions. Yet he always", "I have heard that the the editor of F&SF (Finlay) is the only", "who reads all the submissions. Yet he always responds within a week! (With", "and yet they respond within two days! So why do other (lower tier)", "detailed comments on each story.) Clarkesworld is another example. They have only a", "presumably don't receive as much submissions, take so long (several weeks or months)?", "that the the editor of F&SF (Finlay) is the only one who reads", "he always responds within a week! (With detailed comments on each story.) Clarkesworld", "submissions. Yet he always responds within a week! (With detailed comments on each", "comments on each story.) Clarkesworld is another example. They have only a few", "the the editor of F&SF (Finlay) is the only one who reads all", "respond within two days! So why do other (lower tier) magazines, which presumably", "the editor of F&SF (Finlay) is the only one who reads all the", "Yet he always responds within a week! (With detailed comments on each story.)", "F&SF (Finlay) is the only one who reads all the submissions. Yet he", "another example. They have only a few people reading and yet they respond", "of F&SF (Finlay) is the only one who reads all the submissions. Yet", "have heard that the the editor of F&SF (Finlay) is the only one", "responds within a week! (With detailed comments on each story.) Clarkesworld is another", "on each story.) Clarkesworld is another example. They have only a few people", "a few people reading and yet they respond within two days! So why", "they respond within two days! So why do other (lower tier) magazines, which", "(lower tier) magazines, which presumably don't receive as much submissions, take so long", "tier) magazines, which presumably don't receive as much submissions, take so long (several", "which presumably don't receive as much submissions, take so long (several weeks or", "the submissions. Yet he always responds within a week! (With detailed comments on", "(With detailed comments on each story.) Clarkesworld is another example. They have only", "one who reads all the submissions. Yet he always responds within a week!", "is the only one who reads all the submissions. Yet he always responds", "other (lower tier) magazines, which presumably don't receive as much submissions, take so" ]
[ "this edit isn't meant to invalidate any of the (interesting, good) answers below,", "to blood or cliched monsters, in a setting in nature of hunter/hunted? EDIT:", "(interesting, good) answers below, I do think I caused a bit of confusion.", "think I caused a bit of confusion. By \"setting in nature of hunter/hunted\"", "the tricks to writing short, chilling stories that don't resort to blood or", "EDIT: While this edit isn't meant to invalidate any of the (interesting, good)", "cliched monsters, in a setting in nature of hunter/hunted? EDIT: While this edit", "are the tricks to writing short, chilling stories that don't resort to blood", "meant to invalidate any of the (interesting, good) answers below, I do think", "good) answers below, I do think I caused a bit of confusion. By", "nature of hunter/hunted\" I meant a natural setting in which the hunter and", "in a setting in nature of hunter/hunted? EDIT: While this edit isn't meant", "answers below, I do think I caused a bit of confusion. By \"setting", "I caused a bit of confusion. By \"setting in nature of hunter/hunted\" I", "I meant a natural setting in which the hunter and the hunted are", "caused a bit of confusion. By \"setting in nature of hunter/hunted\" I meant", "a setting in nature of hunter/hunted? EDIT: While this edit isn't meant to", "writing short, chilling stories that don't resort to blood or cliched monsters, in", "of hunter/hunted\" I meant a natural setting in which the hunter and the", "to writing short, chilling stories that don't resort to blood or cliched monsters,", "blood or cliched monsters, in a setting in nature of hunter/hunted? EDIT: While", "of confusion. By \"setting in nature of hunter/hunted\" I meant a natural setting", "isn't meant to invalidate any of the (interesting, good) answers below, I do", "confusion. By \"setting in nature of hunter/hunted\" I meant a natural setting in", "While this edit isn't meant to invalidate any of the (interesting, good) answers", "that don't resort to blood or cliched monsters, in a setting in nature", "resort to blood or cliched monsters, in a setting in nature of hunter/hunted?", "setting in nature of hunter/hunted? EDIT: While this edit isn't meant to invalidate", "in which the hunter and the hunted are both animals. Just an FYI.", "a bit of confusion. By \"setting in nature of hunter/hunted\" I meant a", "any of the (interesting, good) answers below, I do think I caused a", "don't resort to blood or cliched monsters, in a setting in nature of", "\"setting in nature of hunter/hunted\" I meant a natural setting in which the", "natural setting in which the hunter and the hunted are both animals. Just", "chilling stories that don't resort to blood or cliched monsters, in a setting", "tricks to writing short, chilling stories that don't resort to blood or cliched", "or cliched monsters, in a setting in nature of hunter/hunted? EDIT: While this", "to invalidate any of the (interesting, good) answers below, I do think I", "the (interesting, good) answers below, I do think I caused a bit of", "of hunter/hunted? EDIT: While this edit isn't meant to invalidate any of the", "do think I caused a bit of confusion. By \"setting in nature of", "By \"setting in nature of hunter/hunted\" I meant a natural setting in which", "in nature of hunter/hunted\" I meant a natural setting in which the hunter", "meant a natural setting in which the hunter and the hunted are both", "setting in which the hunter and the hunted are both animals. Just an", "stories that don't resort to blood or cliched monsters, in a setting in", "hunter/hunted? EDIT: While this edit isn't meant to invalidate any of the (interesting,", "nature of hunter/hunted? EDIT: While this edit isn't meant to invalidate any of", "monsters, in a setting in nature of hunter/hunted? EDIT: While this edit isn't", "invalidate any of the (interesting, good) answers below, I do think I caused", "hunter/hunted\" I meant a natural setting in which the hunter and the hunted", "bit of confusion. By \"setting in nature of hunter/hunted\" I meant a natural", "of the (interesting, good) answers below, I do think I caused a bit", "edit isn't meant to invalidate any of the (interesting, good) answers below, I", "What are the tricks to writing short, chilling stories that don't resort to", "short, chilling stories that don't resort to blood or cliched monsters, in a", "in nature of hunter/hunted? EDIT: While this edit isn't meant to invalidate any", "a natural setting in which the hunter and the hunted are both animals.", "below, I do think I caused a bit of confusion. By \"setting in", "I do think I caused a bit of confusion. By \"setting in nature" ]
[ "see poetry and art and word-based graffiti on the sides of prominent buildings", "it's often inspiring and sometimes wonderful to see this. A couple of examples", "I apply (assuming I were wanting to do this in your part of", "on the sides of prominent buildings and it's often inspiring and sometimes wonderful", "buildings?** ***NB I am not interested in the legal aspects of this matter;", "I simply want to know how to go about publishing my work on", "inspiring and sometimes wonderful to see this. A couple of examples of what", "stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this has, in some cases (perhaps less", "were wanting to do this in your part of the world) for permission", "writing on the sides of buildings?** ***NB I am not interested in the", "of prominent buildings and it's often inspiring and sometimes wonderful to see this.", "in some cases (perhaps less often when it comes to graffiti) been officially", "some cases (perhaps less often when it comes to graffiti) been officially sanctioned,", "this matter; I simply want to know how to go about publishing my", "flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this has, in some cases", "think to myself 'yes, I'd like to do that too!' **Where do I", "this has, in some cases (perhaps less often when it comes to graffiti)", "when I see a particularly interesting piece I think to myself 'yes, I'd", "(perhaps less often when it comes to graffiti) been officially sanctioned, and when", "of buildings?** ***NB I am not interested in the legal aspects of this", "officially sanctioned, and when I see a particularly interesting piece I think to", "the world) for permission to publish my writing on the sides of buildings?**", "prominent buildings and it's often inspiring and sometimes wonderful to see this. A", "has, in some cases (perhaps less often when it comes to graffiti) been", "go about publishing my work on the sides of buildings as per the", "sometimes wonderful to see this. A couple of examples of what I mean:", "the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this", "it comes to graffiti) been officially sanctioned, and when I see a particularly", "of what I mean: * [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon", "to see this. A couple of examples of what I mean: * [The", "to publish my writing on the sides of buildings?** ***NB I am not", "wonderful to see this. A couple of examples of what I mean: *", "I think to myself 'yes, I'd like to do that too!' **Where do", "word-based graffiti on the sides of prominent buildings and it's often inspiring and", "permission to publish my writing on the sides of buildings?** ***NB I am", "* [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13", "and art and word-based graffiti on the sides of prominent buildings and it's", "the legal aspects of this matter; I simply want to know how to", "that too!' **Where do I apply (assuming I were wanting to do this", "[The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13 flights", "to myself 'yes, I'd like to do that too!' **Where do I apply", "know how to go about publishing my work on the sides of buildings", "am not interested in the legal aspects of this matter; I simply want", "me that this has, in some cases (perhaps less often when it comes", "work on the sides of buildings as per the first example I gave.***", "* [Leon the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me", "**Where do I apply (assuming I were wanting to do this in your", "poetry and art and word-based graffiti on the sides of prominent buildings and", "art and word-based graffiti on the sides of prominent buildings and it's often", "sanctioned, and when I see a particularly interesting piece I think to myself", "Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13 flights of", "of the world) for permission to publish my writing on the sides of", "when it comes to graffiti) been officially sanctioned, and when I see a", "I am not interested in the legal aspects of this matter; I simply", "A couple of examples of what I mean: * [The Andrew Motion poem", "I mean: * [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog", "I were wanting to do this in your part of the world) for", "***NB I am not interested in the legal aspects of this matter; I", "my work on the sides of buildings as per the first example I", "interested in the legal aspects of this matter; I simply want to know", "on the sides of buildings?** ***NB I am not interested in the legal", "in the legal aspects of this matter; I simply want to know how", "wanting to do this in your part of the world) for permission to", "seems to me that this has, in some cases (perhaps less often when", "my writing on the sides of buildings?** ***NB I am not interested in", "want to know how to go about publishing my work on the sides", "in your part of the world) for permission to publish my writing on", "about publishing my work on the sides of buildings as per the first", "13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this has, in some", "myself 'yes, I'd like to do that too!' **Where do I apply (assuming", "'yes, I'd like to do that too!' **Where do I apply (assuming I", "this. A couple of examples of what I mean: * [The Andrew Motion", "do that too!' **Where do I apply (assuming I were wanting to do", "I'd like to do that too!' **Where do I apply (assuming I were", "the sides of buildings?** ***NB I am not interested in the legal aspects", "to graffiti) been officially sanctioned, and when I see a particularly interesting piece", "sometimes see poetry and art and word-based graffiti on the sides of prominent", "and it's often inspiring and sometimes wonderful to see this. A couple of", "to do this in your part of the world) for permission to publish", "[Leon the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that", "do I apply (assuming I were wanting to do this in your part", "sides of buildings?** ***NB I am not interested in the legal aspects of", "publishing my work on the sides of buildings as per the first example", "been officially sanctioned, and when I see a particularly interesting piece I think", "buildings and it's often inspiring and sometimes wonderful to see this. A couple", "to me that this has, in some cases (perhaps less often when it", "apply (assuming I were wanting to do this in your part of the", "often when it comes to graffiti) been officially sanctioned, and when I see", "a particularly interesting piece I think to myself 'yes, I'd like to do", "do this in your part of the world) for permission to publish my", "aspects of this matter; I simply want to know how to go about", "to do that too!' **Where do I apply (assuming I were wanting to", "this in your part of the world) for permission to publish my writing", "I sometimes see poetry and art and word-based graffiti on the sides of", "piece I think to myself 'yes, I'd like to do that too!' **Where", "part of the world) for permission to publish my writing on the sides", "see this. A couple of examples of what I mean: * [The Andrew", "couple of examples of what I mean: * [The Andrew Motion poem in", "examples of what I mean: * [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) *", "sides of prominent buildings and it's often inspiring and sometimes wonderful to see", "and when I see a particularly interesting piece I think to myself 'yes,", "graffiti on the sides of prominent buildings and it's often inspiring and sometimes", "Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it)", "mean: * [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on", "particularly interesting piece I think to myself 'yes, I'd like to do that", "legal aspects of this matter; I simply want to know how to go", "of examples of what I mean: * [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml)", "how to go about publishing my work on the sides of buildings as", "matter; I simply want to know how to go about publishing my work", "see a particularly interesting piece I think to myself 'yes, I'd like to", "your part of the world) for permission to publish my writing on the", "of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this has, in some cases (perhaps", "to go about publishing my work on the sides of buildings as per", "to know how to go about publishing my work on the sides of", "like to do that too!' **Where do I apply (assuming I were wanting", "too!' **Where do I apply (assuming I were wanting to do this in", "of this matter; I simply want to know how to go about publishing", "poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It", "(assuming I were wanting to do this in your part of the world)", "publish my writing on the sides of buildings?** ***NB I am not interested", "world) for permission to publish my writing on the sides of buildings?** ***NB", "in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems", "and sometimes wonderful to see this. A couple of examples of what I", "the sides of prominent buildings and it's often inspiring and sometimes wonderful to", "often inspiring and sometimes wonderful to see this. A couple of examples of", "comes to graffiti) been officially sanctioned, and when I see a particularly interesting", "I see a particularly interesting piece I think to myself 'yes, I'd like", "and word-based graffiti on the sides of prominent buildings and it's often inspiring", "simply want to know how to go about publishing my work on the", "not interested in the legal aspects of this matter; I simply want to", "cases (perhaps less often when it comes to graffiti) been officially sanctioned, and", "It seems to me that this has, in some cases (perhaps less often", "interesting piece I think to myself 'yes, I'd like to do that too!'", "on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this has, in", "that this has, in some cases (perhaps less often when it comes to", "less often when it comes to graffiti) been officially sanctioned, and when I", "what I mean: * [The Andrew Motion poem in Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the", "graffiti) been officially sanctioned, and when I see a particularly interesting piece I", "Sheffield](http://www.bbc.co.uk/southyorkshire/content/articles/2007/11/01/andrew_motion_poem_feature.shtml) * [Leon the Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to", "for permission to publish my writing on the sides of buildings?** ***NB I", "Frog on 13 flights of stairs](https://nationalpost.com/news/university-accidentally-destroys-50-year-old-graffiti-poem-but-volunteers-quickly-move-to-re-paint-it) It seems to me that this has," ]
[ "to myself, my protagonist potentially has too many goals. He's isn't a likeable", "better, more mature, less horrible person. **Is this too much? Or does it", "to keep reader interest, I would like them to become invested in his", "a better, more mature, less horrible person. **Is this too much? Or does", "I got from a beta reader is that the love interest is offstage", "of goals?** Specifically, my book is a YA novel. The hero's goals include:", "of subplots like this? To give a little more background, one comment I", "book. She's definitely crucial to the overall plot --but there's large parts of", "invested in his projects and goals. **But is it better to focus tightly", "1) expressing himself creatively, primarily through his YouTube channel, 2) playing pranks on", "from a self-centered, immature and obnoxious kid into a better, more mature, less", "goals. **But is it better to focus tightly on one major goal than", "a likeable character (which is how I intended him) so to keep reader", "--but there's large parts of the book she isn't currently in at all.", "offstage for most of the book. She's definitely crucial to the overall plot", "enemies, 3) making friends, 4) getting a girlfriend. His overall story arc is", "obnoxious kid into a better, more mature, less horrible person. **Is this too", "how I intended him) so to keep reader interest, I would like them", "on his enemies, 3) making friends, 4) getting a girlfriend. His overall story", "himself creatively, primarily through his YouTube channel, 2) playing pranks on his enemies,", "friends, 4) getting a girlfriend. His overall story arc is changing from a", "the love interest is offstage for most of the book. She's definitely crucial", "primarily through his YouTube channel, 2) playing pranks on his enemies, 3) making", "She's definitely crucial to the overall plot --but there's large parts of the", "is a YA novel. The hero's goals include: 1) expressing himself creatively, primarily", "**But is it better to focus tightly on one major goal than it", "them to become invested in his projects and goals. **But is it better", "YA novel. The hero's goals include: 1) expressing himself creatively, primarily through his", "major goal than it is to have a range of goals?** Specifically, my", "subplots like this? To give a little more background, one comment I got", "girlfriend. His overall story arc is changing from a self-centered, immature and obnoxious", "unsimilar to myself, my protagonist potentially has too many goals. He's isn't a", "and goals. **But is it better to focus tightly on one major goal", "Not unsimilar to myself, my protagonist potentially has too many goals. He's isn't", "novel. The hero's goals include: 1) expressing himself creatively, primarily through his YouTube", "reader interest, I would like them to become invested in his projects and", "book is a YA novel. The hero's goals include: 1) expressing himself creatively,", "this too much? Or does it all work well together?** Are there good", "it all work well together?** Are there good guidelines for managing a range", "his projects and goals. **But is it better to focus tightly on one", "mature, less horrible person. **Is this too much? Or does it all work", "tightly on one major goal than it is to have a range of", "isn't a likeable character (which is how I intended him) so to keep", "4) getting a girlfriend. His overall story arc is changing from a self-centered,", "a girlfriend. His overall story arc is changing from a self-centered, immature and", "has too many goals. He's isn't a likeable character (which is how I", "goals include: 1) expressing himself creatively, primarily through his YouTube channel, 2) playing", "channel, 2) playing pranks on his enemies, 3) making friends, 4) getting a", "overall plot --but there's large parts of the book she isn't currently in", "character (which is how I intended him) so to keep reader interest, I", "kid into a better, more mature, less horrible person. **Is this too much?", "focus tightly on one major goal than it is to have a range", "his YouTube channel, 2) playing pranks on his enemies, 3) making friends, 4)", "The hero's goals include: 1) expressing himself creatively, primarily through his YouTube channel,", "2) playing pranks on his enemies, 3) making friends, 4) getting a girlfriend.", "plot --but there's large parts of the book she isn't currently in at", "I would like them to become invested in his projects and goals. **But", "is it better to focus tightly on one major goal than it is", "does it all work well together?** Are there good guidelines for managing a", "would like them to become invested in his projects and goals. **But is", "that the love interest is offstage for most of the book. She's definitely", "a little more background, one comment I got from a beta reader is", "His overall story arc is changing from a self-centered, immature and obnoxious kid", "goals?** Specifically, my book is a YA novel. The hero's goals include: 1)", "goals. He's isn't a likeable character (which is how I intended him) so", "He's isn't a likeable character (which is how I intended him) so to", "from a beta reader is that the love interest is offstage for most", "got from a beta reader is that the love interest is offstage for", "changing from a self-centered, immature and obnoxious kid into a better, more mature,", "him) so to keep reader interest, I would like them to become invested", "one major goal than it is to have a range of goals?** Specifically,", "immature and obnoxious kid into a better, more mature, less horrible person. **Is", "To give a little more background, one comment I got from a beta", "to become invested in his projects and goals. **But is it better to", "comment I got from a beta reader is that the love interest is", "guidelines for managing a range of subplots like this? To give a little", "this? To give a little more background, one comment I got from a", "crucial to the overall plot --but there's large parts of the book she", "beta reader is that the love interest is offstage for most of the", "Are there good guidelines for managing a range of subplots like this? To", "a self-centered, immature and obnoxious kid into a better, more mature, less horrible", "give a little more background, one comment I got from a beta reader", "through his YouTube channel, 2) playing pranks on his enemies, 3) making friends,", "arc is changing from a self-centered, immature and obnoxious kid into a better,", "one comment I got from a beta reader is that the love interest", "work well together?** Are there good guidelines for managing a range of subplots", "than it is to have a range of goals?** Specifically, my book is", "3) making friends, 4) getting a girlfriend. His overall story arc is changing", "all work well together?** Are there good guidelines for managing a range of", "more background, one comment I got from a beta reader is that the", "definitely crucial to the overall plot --but there's large parts of the book", "for most of the book. She's definitely crucial to the overall plot --but", "managing a range of subplots like this? To give a little more background,", "to have a range of goals?** Specifically, my book is a YA novel.", "expressing himself creatively, primarily through his YouTube channel, 2) playing pranks on his", "a range of goals?** Specifically, my book is a YA novel. The hero's", "it is to have a range of goals?** Specifically, my book is a", "keep reader interest, I would like them to become invested in his projects", "YouTube channel, 2) playing pranks on his enemies, 3) making friends, 4) getting", "creatively, primarily through his YouTube channel, 2) playing pranks on his enemies, 3)", "into a better, more mature, less horrible person. **Is this too much? Or", "background, one comment I got from a beta reader is that the love", "person. **Is this too much? Or does it all work well together?** Are", "on one major goal than it is to have a range of goals?**", "together?** Are there good guidelines for managing a range of subplots like this?", "like this? To give a little more background, one comment I got from", "little more background, one comment I got from a beta reader is that", "I intended him) so to keep reader interest, I would like them to", "goal than it is to have a range of goals?** Specifically, my book", "have a range of goals?** Specifically, my book is a YA novel. The", "interest, I would like them to become invested in his projects and goals.", "of the book. She's definitely crucial to the overall plot --but there's large", "intended him) so to keep reader interest, I would like them to become", "love interest is offstage for most of the book. She's definitely crucial to", "to the overall plot --but there's large parts of the book she isn't", "there good guidelines for managing a range of subplots like this? To give", "reader is that the love interest is offstage for most of the book.", "most of the book. She's definitely crucial to the overall plot --but there's", "is how I intended him) so to keep reader interest, I would like", "hero's goals include: 1) expressing himself creatively, primarily through his YouTube channel, 2)", "interest is offstage for most of the book. She's definitely crucial to the", "my book is a YA novel. The hero's goals include: 1) expressing himself", "for managing a range of subplots like this? To give a little more", "good guidelines for managing a range of subplots like this? To give a", "projects and goals. **But is it better to focus tightly on one major", "making friends, 4) getting a girlfriend. His overall story arc is changing from", "likeable character (which is how I intended him) so to keep reader interest,", "better to focus tightly on one major goal than it is to have", "the overall plot --but there's large parts of the book she isn't currently", "well together?** Are there good guidelines for managing a range of subplots like", "playing pranks on his enemies, 3) making friends, 4) getting a girlfriend. His", "pranks on his enemies, 3) making friends, 4) getting a girlfriend. His overall", "overall story arc is changing from a self-centered, immature and obnoxious kid into", "less horrible person. **Is this too much? Or does it all work well", "self-centered, immature and obnoxious kid into a better, more mature, less horrible person.", "potentially has too many goals. He's isn't a likeable character (which is how", "the book. She's definitely crucial to the overall plot --but there's large parts", "(which is how I intended him) so to keep reader interest, I would", "too much? Or does it all work well together?** Are there good guidelines", "my protagonist potentially has too many goals. He's isn't a likeable character (which", "to focus tightly on one major goal than it is to have a", "range of goals?** Specifically, my book is a YA novel. The hero's goals", "myself, my protagonist potentially has too many goals. He's isn't a likeable character", "a YA novel. The hero's goals include: 1) expressing himself creatively, primarily through", "too many goals. He's isn't a likeable character (which is how I intended", "horrible person. **Is this too much? Or does it all work well together?**", "is that the love interest is offstage for most of the book. She's", "**Is this too much? Or does it all work well together?** Are there", "story arc is changing from a self-centered, immature and obnoxious kid into a", "more mature, less horrible person. **Is this too much? Or does it all", "many goals. He's isn't a likeable character (which is how I intended him)", "his enemies, 3) making friends, 4) getting a girlfriend. His overall story arc", "much? Or does it all work well together?** Are there good guidelines for", "is offstage for most of the book. She's definitely crucial to the overall", "getting a girlfriend. His overall story arc is changing from a self-centered, immature", "in his projects and goals. **But is it better to focus tightly on", "protagonist potentially has too many goals. He's isn't a likeable character (which is", "like them to become invested in his projects and goals. **But is it", "become invested in his projects and goals. **But is it better to focus", "so to keep reader interest, I would like them to become invested in", "Or does it all work well together?** Are there good guidelines for managing", "range of subplots like this? To give a little more background, one comment", "a beta reader is that the love interest is offstage for most of", "it better to focus tightly on one major goal than it is to", "include: 1) expressing himself creatively, primarily through his YouTube channel, 2) playing pranks", "Specifically, my book is a YA novel. The hero's goals include: 1) expressing", "a range of subplots like this? To give a little more background, one", "is to have a range of goals?** Specifically, my book is a YA", "and obnoxious kid into a better, more mature, less horrible person. **Is this", "is changing from a self-centered, immature and obnoxious kid into a better, more" ]
[ "since 95% of him was all about how bad he was. **It's logical", "him a jerk, for undisclosed reasons (DRAMA), but make the reader (and the", "sure, you can tweak his death and how the other characters react to", "and how the other characters react to it, later on, but it's still", "jerk/annoyance for 95% of his \"screen time\". 2. In the remaining 5%, he", "Wizard of O- WAIT, WHA? I mean, sure, you can tweak his death", "2. In the remaining 5%, he sacrifices himself to save everyone else. 3.", "but make the reader (and the other characters) not give up on him,", "characters react to it, later on, but it's still inefficient since 95% of", "we somehow have to keep him a jerk, for undisclosed reasons (DRAMA), but", "insufferable jerk who is a jerk/annoyance for 95% of his \"screen time\". 2.", "a jerk, for undisclosed reasons (DRAMA), but make the reader (and the other", "around a campfire and sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The", "time\". 2. In the remaining 5%, he sacrifices himself to save everyone else.", "\"screen time\". 2. In the remaining 5%, he sacrifices himself to save everyone", "1. We have an insufferable jerk who is a jerk/annoyance for 95% of", "spiel: 1. We have an insufferable jerk who is a jerk/annoyance for 95%", "is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT, WHA? I mean, sure, you", "95% of his \"screen time\". 2. In the remaining 5%, he sacrifices himself", "still inefficient since 95% of him was all about how bad he was.", "from The Wizard of O- WAIT, WHA? I mean, sure, you can tweak", "sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT,", "you can tweak his death and how the other characters react to it,", "was all about how bad he was. **It's logical to assume so, that", "a jerk/annoyance for 95% of his \"screen time\". 2. In the remaining 5%,", "it, later on, but it's still inefficient since 95% of him was all", "tweak his death and how the other characters react to it, later on,", "jerk, for undisclosed reasons (DRAMA), but make the reader (and the other characters)", "can tweak his death and how the other characters react to it, later", "to assume so, that we somehow have to keep him a jerk, for", "know the spiel: 1. We have an insufferable jerk who is a jerk/annoyance", "that we somehow have to keep him a jerk, for undisclosed reasons (DRAMA),", "he sacrifices himself to save everyone else. 3. The fans dance around a", "WAIT, WHA? I mean, sure, you can tweak his death and how the", "not give up on him, in a subtle way. How should I do", "of him was all about how bad he was. **It's logical to assume", "O- WAIT, WHA? I mean, sure, you can tweak his death and how", "[\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT, WHA?", "it's still inefficient since 95% of him was all about how bad he", "death and how the other characters react to it, later on, but it's", "The fans dance around a campfire and sing [\"Fihh Dopg the Witch is", "(DRAMA), but make the reader (and the other characters) not give up on", "save everyone else. 3. The fans dance around a campfire and sing [\"Fihh", "on, but it's still inefficient since 95% of him was all about how", "I mean, sure, you can tweak his death and how the other characters", "the reader (and the other characters) not give up on him, in a", "give up on him, in a subtle way. How should I do that?**", "the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT, WHA? I mean,", "the other characters react to it, later on, but it's still inefficient since", "sacrifices himself to save everyone else. 3. The fans dance around a campfire", "inefficient since 95% of him was all about how bad he was. **It's", "have to keep him a jerk, for undisclosed reasons (DRAMA), but make the", "jerk who is a jerk/annoyance for 95% of his \"screen time\". 2. In", "Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT, WHA? I", "but it's still inefficient since 95% of him was all about how bad", "fans dance around a campfire and sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo)", "how the other characters react to it, later on, but it's still inefficient", "of his \"screen time\". 2. In the remaining 5%, he sacrifices himself to", "95% of him was all about how bad he was. **It's logical to", "other characters react to it, later on, but it's still inefficient since 95%", "all know the spiel: 1. We have an insufferable jerk who is a", "reasons (DRAMA), but make the reader (and the other characters) not give up", "3. The fans dance around a campfire and sing [\"Fihh Dopg the Witch", "of O- WAIT, WHA? I mean, sure, you can tweak his death and", "keep him a jerk, for undisclosed reasons (DRAMA), but make the reader (and", "and sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O-", "the remaining 5%, he sacrifices himself to save everyone else. 3. The fans", "other characters) not give up on him, in a subtle way. How should", "his death and how the other characters react to it, later on, but", "later on, but it's still inefficient since 95% of him was all about", "to save everyone else. 3. The fans dance around a campfire and sing", "else. 3. The fans dance around a campfire and sing [\"Fihh Dopg the", "5%, he sacrifices himself to save everyone else. 3. The fans dance around", "for 95% of his \"screen time\". 2. In the remaining 5%, he sacrifices", "Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT, WHA? I mean, sure, you can", "WHA? I mean, sure, you can tweak his death and how the other", "We all know the spiel: 1. We have an insufferable jerk who is", "him was all about how bad he was. **It's logical to assume so,", "was. **It's logical to assume so, that we somehow have to keep him", "reader (and the other characters) not give up on him, in a subtle", "logical to assume so, that we somehow have to keep him a jerk,", "he was. **It's logical to assume so, that we somehow have to keep", "**It's logical to assume so, that we somehow have to keep him a", "have an insufferable jerk who is a jerk/annoyance for 95% of his \"screen", "We have an insufferable jerk who is a jerk/annoyance for 95% of his", "campfire and sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of", "all about how bad he was. **It's logical to assume so, that we", "for undisclosed reasons (DRAMA), but make the reader (and the other characters) not", "how bad he was. **It's logical to assume so, that we somehow have", "make the reader (and the other characters) not give up on him, in", "his \"screen time\". 2. In the remaining 5%, he sacrifices himself to save", "a campfire and sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard", "In the remaining 5%, he sacrifices himself to save everyone else. 3. The", "bad he was. **It's logical to assume so, that we somehow have to", "somehow have to keep him a jerk, for undisclosed reasons (DRAMA), but make", "himself to save everyone else. 3. The fans dance around a campfire and", "assume so, that we somehow have to keep him a jerk, for undisclosed", "the other characters) not give up on him, in a subtle way. How", "to it, later on, but it's still inefficient since 95% of him was", "characters) not give up on him, in a subtle way. How should I", "is a jerk/annoyance for 95% of his \"screen time\". 2. In the remaining", "everyone else. 3. The fans dance around a campfire and sing [\"Fihh Dopg", "the spiel: 1. We have an insufferable jerk who is a jerk/annoyance for", "who is a jerk/annoyance for 95% of his \"screen time\". 2. In the", "The Wizard of O- WAIT, WHA? I mean, sure, you can tweak his", "to keep him a jerk, for undisclosed reasons (DRAMA), but make the reader", "react to it, later on, but it's still inefficient since 95% of him", "undisclosed reasons (DRAMA), but make the reader (and the other characters) not give", "mean, sure, you can tweak his death and how the other characters react", "Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from The Wizard of O- WAIT, WHA? I mean, sure,", "an insufferable jerk who is a jerk/annoyance for 95% of his \"screen time\".", "remaining 5%, he sacrifices himself to save everyone else. 3. The fans dance", "about how bad he was. **It's logical to assume so, that we somehow", "dance around a campfire and sing [\"Fihh Dopg the Witch is Dead\"](https://www.youtube.com/watch?v=kPIdRJlzERo) from", "(and the other characters) not give up on him, in a subtle way.", "so, that we somehow have to keep him a jerk, for undisclosed reasons" ]
[ "shouldn't leap too boldly into that unknown territory. So, to assist me in", "how nice it would be to give up my staid life as a", "to myself that there are surely drawbacks to that path and that I", "surely drawbacks to that path and that I shouldn't leap too boldly into", "myself how nice it would be to give up my staid life as", "this, I ask you: **what are the occupational hazards to being a full-time", "new career as a Novelist. But then I think to myself that there", "as a Novelist. But then I think to myself that there are surely", "exciting new career as a Novelist. But then I think to myself that", "Every now and again I think to myself how nice it would be", "give up my staid life as a Software Developer and start an exciting", "drawbacks to that path and that I shouldn't leap too boldly into that", "like this, I ask you: **what are the occupational hazards to being a", "up my staid life as a Software Developer and start an exciting new", "Developer and start an exciting new career as a Novelist. But then I", "then I think to myself that there are surely drawbacks to that path", "a Novelist. But then I think to myself that there are surely drawbacks", "to assist me in making an important decision like this, I ask you:", "now and again I think to myself how nice it would be to", "making an important decision like this, I ask you: **what are the occupational", "unknown territory. So, to assist me in making an important decision like this,", "that path and that I shouldn't leap too boldly into that unknown territory.", "a Software Developer and start an exciting new career as a Novelist. But", "and start an exciting new career as a Novelist. But then I think", "career as a Novelist. But then I think to myself that there are", "important decision like this, I ask you: **what are the occupational hazards to", "assist me in making an important decision like this, I ask you: **what", "I think to myself how nice it would be to give up my", "So, to assist me in making an important decision like this, I ask", "I think to myself that there are surely drawbacks to that path and", "I ask you: **what are the occupational hazards to being a full-time writer?**", "that unknown territory. So, to assist me in making an important decision like", "to that path and that I shouldn't leap too boldly into that unknown", "it would be to give up my staid life as a Software Developer", "to myself how nice it would be to give up my staid life", "that there are surely drawbacks to that path and that I shouldn't leap", "an important decision like this, I ask you: **what are the occupational hazards", "boldly into that unknown territory. So, to assist me in making an important", "leap too boldly into that unknown territory. So, to assist me in making", "myself that there are surely drawbacks to that path and that I shouldn't", "I shouldn't leap too boldly into that unknown territory. So, to assist me", "there are surely drawbacks to that path and that I shouldn't leap too", "be to give up my staid life as a Software Developer and start", "territory. So, to assist me in making an important decision like this, I", "Novelist. But then I think to myself that there are surely drawbacks to", "as a Software Developer and start an exciting new career as a Novelist.", "start an exciting new career as a Novelist. But then I think to", "and that I shouldn't leap too boldly into that unknown territory. So, to", "nice it would be to give up my staid life as a Software", "path and that I shouldn't leap too boldly into that unknown territory. So,", "again I think to myself how nice it would be to give up", "in making an important decision like this, I ask you: **what are the", "But then I think to myself that there are surely drawbacks to that", "that I shouldn't leap too boldly into that unknown territory. So, to assist", "decision like this, I ask you: **what are the occupational hazards to being", "an exciting new career as a Novelist. But then I think to myself", "would be to give up my staid life as a Software Developer and", "to give up my staid life as a Software Developer and start an", "think to myself how nice it would be to give up my staid", "my staid life as a Software Developer and start an exciting new career", "Software Developer and start an exciting new career as a Novelist. But then", "too boldly into that unknown territory. So, to assist me in making an", "and again I think to myself how nice it would be to give", "into that unknown territory. So, to assist me in making an important decision", "life as a Software Developer and start an exciting new career as a", "staid life as a Software Developer and start an exciting new career as", "me in making an important decision like this, I ask you: **what are", "are surely drawbacks to that path and that I shouldn't leap too boldly", "think to myself that there are surely drawbacks to that path and that" ]
[ "choice, so as not to create this jarring effect? That is, what makes", "terms of word choice, so as not to create this jarring effect? That", "not OK? I'm not talking here of modern concepts, like rockets (as discussed", "say \"no spoilers\", etc. I am somewhat confused by this: a boy in", "by a beta reader that a boy wouldn't call his father \"dad\", (would", "setting? What should guide me, in terms of word choice, so as not", "the figs\" OK, but \"no spoilers\" not OK? I'm not talking here of", "discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of phrase, that describe things", "speaking any language that would be understandable today. Why, then, is \"pass me", "a boy in 5th century Persia wouldn't be speaking English, and wouldn't be", "question), but of **modern turns of phrase, that describe things that existed back", "word choice, so as not to create this jarring effect? That is, what", "not to create this jarring effect? That is, what makes a phrase \"too", "really jarring, considering the setting? What should guide me, in terms of word", "that a boy wouldn't call his father \"dad\", (would use \"father\" instead), wouldn't", "jarring effect? That is, what makes a phrase \"too modern\" as opposed to", "phrase, that describe things that existed back then as much as they exist", "somewhat confused by this: a boy in 5th century Persia wouldn't be speaking", "5th century Persia, I've been told by a beta reader that a boy", "\"no spoilers\", etc. I am somewhat confused by this: a boy in 5th", "What should guide me, in terms of word choice, so as not to", "language that would be understandable today. Why, then, is \"pass me the figs\"", "exist now**. Are such turns of phrase really jarring, considering the setting? What", "so as not to create this jarring effect? That is, what makes a", "of 5th century Persia, I've been told by a beta reader that a", "any language that would be understandable today. Why, then, is \"pass me the", "beta reader that a boy wouldn't call his father \"dad\", (would use \"father\"", "speaking English, and wouldn't be speaking any language that would be understandable today.", "I've been told by a beta reader that a boy wouldn't call his", "instead), wouldn't say \"no spoilers\", etc. I am somewhat confused by this: a", "been told by a beta reader that a boy wouldn't call his father", "then as much as they exist now**. Are such turns of phrase really", "(as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of phrase, that describe", "here of modern concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of", "as they exist now**. Are such turns of phrase really jarring, considering the", "jarring, considering the setting? What should guide me, in terms of word choice,", "understandable today. Why, then, is \"pass me the figs\" OK, but \"no spoilers\"", "a story set in a fantasy version of 5th century Persia, I've been", "story set in a fantasy version of 5th century Persia, I've been told", "considering the setting? What should guide me, in terms of word choice, so", "me the figs\" OK, but \"no spoilers\" not OK? I'm not talking here", "**modern turns of phrase, that describe things that existed back then as much", "I'm not talking here of modern concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing)", "and wouldn't be speaking any language that would be understandable today. Why, then,", "Persia wouldn't be speaking English, and wouldn't be speaking any language that would", "wouldn't say \"no spoilers\", etc. I am somewhat confused by this: a boy", "that would be understandable today. Why, then, is \"pass me the figs\" OK,", "Are such turns of phrase really jarring, considering the setting? What should guide", "but \"no spoilers\" not OK? I'm not talking here of modern concepts, like", "English, and wouldn't be speaking any language that would be understandable today. Why,", "effect? That is, what makes a phrase \"too modern\" as opposed to \"timeless/transparent\"?", "the setting? What should guide me, in terms of word choice, so as", "Why, then, is \"pass me the figs\" OK, but \"no spoilers\" not OK?", "to create this jarring effect? That is, what makes a phrase \"too modern\"", "confused by this: a boy in 5th century Persia wouldn't be speaking English,", "[this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of phrase, that describe things that existed", "5th century Persia wouldn't be speaking English, and wouldn't be speaking any language", "me, in terms of word choice, so as not to create this jarring", "\"father\" instead), wouldn't say \"no spoilers\", etc. I am somewhat confused by this:", "be understandable today. Why, then, is \"pass me the figs\" OK, but \"no", "but of **modern turns of phrase, that describe things that existed back then", "that describe things that existed back then as much as they exist now**.", "his father \"dad\", (would use \"father\" instead), wouldn't say \"no spoilers\", etc. I", "boy in 5th century Persia wouldn't be speaking English, and wouldn't be speaking", "create this jarring effect? That is, what makes a phrase \"too modern\" as", "century Persia, I've been told by a beta reader that a boy wouldn't", "of phrase, that describe things that existed back then as much as they", "spoilers\" not OK? I'm not talking here of modern concepts, like rockets (as", "boy wouldn't call his father \"dad\", (would use \"father\" instead), wouldn't say \"no", "turns of phrase, that describe things that existed back then as much as", "use \"father\" instead), wouldn't say \"no spoilers\", etc. I am somewhat confused by", "back then as much as they exist now**. Are such turns of phrase", "in a fantasy version of 5th century Persia, I've been told by a", "this: a boy in 5th century Persia wouldn't be speaking English, and wouldn't", "of modern concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern", "Persia, I've been told by a beta reader that a boy wouldn't call", "father \"dad\", (would use \"father\" instead), wouldn't say \"no spoilers\", etc. I am", "spoilers\", etc. I am somewhat confused by this: a boy in 5th century", "guide me, in terms of word choice, so as not to create this", "would be understandable today. Why, then, is \"pass me the figs\" OK, but", "in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of phrase, that describe things that", "told by a beta reader that a boy wouldn't call his father \"dad\",", "is \"pass me the figs\" OK, but \"no spoilers\" not OK? I'm not", "concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of", "turns of phrase really jarring, considering the setting? What should guide me, in", "a beta reader that a boy wouldn't call his father \"dad\", (would use", "\"pass me the figs\" OK, but \"no spoilers\" not OK? I'm not talking", "then, is \"pass me the figs\" OK, but \"no spoilers\" not OK? I'm", "be speaking English, and wouldn't be speaking any language that would be understandable", "today. Why, then, is \"pass me the figs\" OK, but \"no spoilers\" not", "fantasy version of 5th century Persia, I've been told by a beta reader", "of **modern turns of phrase, that describe things that existed back then as", "should guide me, in terms of word choice, so as not to create", "a fantasy version of 5th century Persia, I've been told by a beta", "a boy wouldn't call his father \"dad\", (would use \"father\" instead), wouldn't say", "wouldn't call his father \"dad\", (would use \"father\" instead), wouldn't say \"no spoilers\",", "OK? I'm not talking here of modern concepts, like rockets (as discussed in", "be speaking any language that would be understandable today. Why, then, is \"pass", "talking here of modern concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but", "wouldn't be speaking English, and wouldn't be speaking any language that would be", "that existed back then as much as they exist now**. Are such turns", "now**. Are such turns of phrase really jarring, considering the setting? What should", "as much as they exist now**. Are such turns of phrase really jarring,", "this jarring effect? That is, what makes a phrase \"too modern\" as opposed", "of word choice, so as not to create this jarring effect? That is,", "things that existed back then as much as they exist now**. Are such", "etc. I am somewhat confused by this: a boy in 5th century Persia", "of phrase really jarring, considering the setting? What should guide me, in terms", "like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of phrase,", "century Persia wouldn't be speaking English, and wouldn't be speaking any language that", "they exist now**. Are such turns of phrase really jarring, considering the setting?", "describe things that existed back then as much as they exist now**. Are", "by this: a boy in 5th century Persia wouldn't be speaking English, and", "not talking here of modern concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question),", "am somewhat confused by this: a boy in 5th century Persia wouldn't be", "much as they exist now**. Are such turns of phrase really jarring, considering", "version of 5th century Persia, I've been told by a beta reader that", "as not to create this jarring effect? That is, what makes a phrase", "call his father \"dad\", (would use \"father\" instead), wouldn't say \"no spoilers\", etc.", "\"dad\", (would use \"father\" instead), wouldn't say \"no spoilers\", etc. I am somewhat", "such turns of phrase really jarring, considering the setting? What should guide me,", "figs\" OK, but \"no spoilers\" not OK? I'm not talking here of modern", "OK, but \"no spoilers\" not OK? I'm not talking here of modern concepts,", "I am somewhat confused by this: a boy in 5th century Persia wouldn't", "rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns of phrase, that", "wouldn't be speaking any language that would be understandable today. Why, then, is", "(would use \"father\" instead), wouldn't say \"no spoilers\", etc. I am somewhat confused", "in terms of word choice, so as not to create this jarring effect?", "in 5th century Persia wouldn't be speaking English, and wouldn't be speaking any", "\"no spoilers\" not OK? I'm not talking here of modern concepts, like rockets", "set in a fantasy version of 5th century Persia, I've been told by", "In a story set in a fantasy version of 5th century Persia, I've", "reader that a boy wouldn't call his father \"dad\", (would use \"father\" instead),", "existed back then as much as they exist now**. Are such turns of", "modern concepts, like rockets (as discussed in [this](https://writing.stackexchange.com/questions/443/should-i-avoid-modern-words-phrases-in-fantasy-writing) question), but of **modern turns", "phrase really jarring, considering the setting? What should guide me, in terms of" ]
[ "she can tell that I, as the writer, am building the sentences in", "A friend of mine, who is fluent in both English and in my", "in my native language, read my book. One of the points in her", "Grivmaz error or language errors. She is just saying that she can tell", "that she can tell that I, as the writer, am building the sentences", "years and I believe that I have a good command of the language.", "language, I have completed writing a fiction book in English. I have been", "the immigrant that I am. My question: If the book is readable, flows", "first language, I have completed writing a fiction book in English. I have", "point across, but you can tell that the writer is non native -", "She is just saying that she can tell that I, as the writer,", "because after all - I am probably thinking as the immigrant that I", "I think like a non native. There is NO Grivmaz error or language", "of my American friends that had read the book gave me a similar", "have completed writing a fiction book in English. I have been in the", "friend of mine, who is fluent in both English and in my native", "tell, while reading it, that I think like a non native. There is", "(Vocabulary, grammar, and punctuation.) A friend of mine, who is fluent in both", "my mind, as a non-native would. Non of my American friends that had", "native language, read my book. One of the points in her feedback was", "mine, who is fluent in both English and in my native language, read", "that I am. My question: If the book is readable, flows well, and", "fiction book in English. I have been in the US for over 40", "I have completed writing a fiction book in English. I have been in", "language. (Vocabulary, grammar, and punctuation.) A friend of mine, who is fluent in", "in my mind, as a non-native would. Non of my American friends that", "gets the point across, but you can tell that the writer is non", "read the book gave me a similar feedback, but my friend may be", "command of the language. (Vocabulary, grammar, and punctuation.) A friend of mine, who", "the point across, but you can tell that the writer is non native", "the book gave me a similar feedback, but my friend may be right,", "40 years and I believe that I have a good command of the", "that the writer is non native - will it be considered a flaw?", "book. One of the points in her feedback was that she could tell,", "Non of my American friends that had read the book gave me a", "read my book. One of the points in her feedback was that she", "my native language, read my book. One of the points in her feedback", "and in my native language, read my book. One of the points in", "in the US for over 40 years and I believe that I have", "well, and gets the point across, but you can tell that the writer", "right, because after all - I am probably thinking as the immigrant that", "as the immigrant that I am. My question: If the book is readable,", "that had read the book gave me a similar feedback, but my friend", "though English is not my first language, I have completed writing a fiction", "sentences in my mind, as a non-native would. Non of my American friends", "gave me a similar feedback, but my friend may be right, because after", "punctuation.) A friend of mine, who is fluent in both English and in", "my American friends that had read the book gave me a similar feedback,", "as the writer, am building the sentences in my mind, as a non-native", "and I believe that I have a good command of the language. (Vocabulary,", "grammar, and punctuation.) A friend of mine, who is fluent in both English", "One of the points in her feedback was that she could tell, while", "book is readable, flows well, and gets the point across, but you can", "a similar feedback, but my friend may be right, because after all -", "a fiction book in English. I have been in the US for over", "across, but you can tell that the writer is non native - will", "English. I have been in the US for over 40 years and I", "was that she could tell, while reading it, that I think like a", "American friends that had read the book gave me a similar feedback, but", "There is NO Grivmaz error or language errors. She is just saying that", "not my first language, I have completed writing a fiction book in English.", "am. My question: If the book is readable, flows well, and gets the", "is not my first language, I have completed writing a fiction book in", "language, read my book. One of the points in her feedback was that", "could tell, while reading it, that I think like a non native. There", "language errors. She is just saying that she can tell that I, as", "I, as the writer, am building the sentences in my mind, as a", "readable, flows well, and gets the point across, but you can tell that", "of mine, who is fluent in both English and in my native language,", "is NO Grivmaz error or language errors. She is just saying that she", "me a similar feedback, but my friend may be right, because after all", "English is not my first language, I have completed writing a fiction book", "non-native would. Non of my American friends that had read the book gave", "be right, because after all - I am probably thinking as the immigrant", "- I am probably thinking as the immigrant that I am. My question:", "in English. I have been in the US for over 40 years and", "over 40 years and I believe that I have a good command of", "of the language. (Vocabulary, grammar, and punctuation.) A friend of mine, who is", "the language. (Vocabulary, grammar, and punctuation.) A friend of mine, who is fluent", "is just saying that she can tell that I, as the writer, am", "tell that the writer is non native - will it be considered a", "been in the US for over 40 years and I believe that I", "but you can tell that the writer is non native - will it", "can tell that I, as the writer, am building the sentences in my", "similar feedback, but my friend may be right, because after all - I", "US for over 40 years and I believe that I have a good", "writing a fiction book in English. I have been in the US for", "error or language errors. She is just saying that she can tell that", "good command of the language. (Vocabulary, grammar, and punctuation.) A friend of mine,", "I am. My question: If the book is readable, flows well, and gets", "a non-native would. Non of my American friends that had read the book", "all - I am probably thinking as the immigrant that I am. My", "mind, as a non-native would. Non of my American friends that had read", "that she could tell, while reading it, that I think like a non", "my book. One of the points in her feedback was that she could", "but my friend may be right, because after all - I am probably", "am probably thinking as the immigrant that I am. My question: If the", "have a good command of the language. (Vocabulary, grammar, and punctuation.) A friend", "writer, am building the sentences in my mind, as a non-native would. Non", "I am probably thinking as the immigrant that I am. My question: If", "fluent in both English and in my native language, read my book. One", "reading it, that I think like a non native. There is NO Grivmaz", "question: If the book is readable, flows well, and gets the point across,", "If the book is readable, flows well, and gets the point across, but", "I believe that I have a good command of the language. (Vocabulary, grammar,", "have been in the US for over 40 years and I believe that", "that I have a good command of the language. (Vocabulary, grammar, and punctuation.)", "and punctuation.) A friend of mine, who is fluent in both English and", "in her feedback was that she could tell, while reading it, that I", "like a non native. There is NO Grivmaz error or language errors. She", "the writer, am building the sentences in my mind, as a non-native would.", "feedback, but my friend may be right, because after all - I am", "can tell that the writer is non native - will it be considered", "I have been in the US for over 40 years and I believe", "the writer is non native - will it be considered a flaw? Thanks", "probably thinking as the immigrant that I am. My question: If the book", "that I think like a non native. There is NO Grivmaz error or", "English and in my native language, read my book. One of the points", "in both English and in my native language, read my book. One of", "may be right, because after all - I am probably thinking as the", "NO Grivmaz error or language errors. She is just saying that she can", "it, that I think like a non native. There is NO Grivmaz error", "book gave me a similar feedback, but my friend may be right, because", "My question: If the book is readable, flows well, and gets the point", "my first language, I have completed writing a fiction book in English. I", "is fluent in both English and in my native language, read my book.", "as a non-native would. Non of my American friends that had read the", "the points in her feedback was that she could tell, while reading it,", "is readable, flows well, and gets the point across, but you can tell", "my friend may be right, because after all - I am probably thinking", "errors. She is just saying that she can tell that I, as the", "would. Non of my American friends that had read the book gave me", "think like a non native. There is NO Grivmaz error or language errors.", "flows well, and gets the point across, but you can tell that the", "who is fluent in both English and in my native language, read my", "am building the sentences in my mind, as a non-native would. Non of", "the sentences in my mind, as a non-native would. Non of my American", "you can tell that the writer is non native - will it be", "a good command of the language. (Vocabulary, grammar, and punctuation.) A friend of", "friends that had read the book gave me a similar feedback, but my", "saying that she can tell that I, as the writer, am building the", "both English and in my native language, read my book. One of the", "book in English. I have been in the US for over 40 years", "had read the book gave me a similar feedback, but my friend may", "immigrant that I am. My question: If the book is readable, flows well,", "a non native. There is NO Grivmaz error or language errors. She is", "I have a good command of the language. (Vocabulary, grammar, and punctuation.) A", "believe that I have a good command of the language. (Vocabulary, grammar, and", "Even though English is not my first language, I have completed writing a", "native. There is NO Grivmaz error or language errors. She is just saying", "that I, as the writer, am building the sentences in my mind, as", "just saying that she can tell that I, as the writer, am building", "friend may be right, because after all - I am probably thinking as", "of the points in her feedback was that she could tell, while reading", "the book is readable, flows well, and gets the point across, but you", "the US for over 40 years and I believe that I have a", "tell that I, as the writer, am building the sentences in my mind,", "building the sentences in my mind, as a non-native would. Non of my", "while reading it, that I think like a non native. There is NO", "completed writing a fiction book in English. I have been in the US", "or language errors. She is just saying that she can tell that I,", "non native. There is NO Grivmaz error or language errors. She is just", "her feedback was that she could tell, while reading it, that I think", "after all - I am probably thinking as the immigrant that I am.", "thinking as the immigrant that I am. My question: If the book is", "points in her feedback was that she could tell, while reading it, that", "feedback was that she could tell, while reading it, that I think like", "she could tell, while reading it, that I think like a non native.", "and gets the point across, but you can tell that the writer is", "for over 40 years and I believe that I have a good command" ]
[ "I can't create this type of conflict is bothering me to no end.", "be for those meddling main characters!* --- Also, using my questions as an", "is just greedy. Note: this would work out if it wouldn't be for", "as I knew it, but Y thinks that X is just greedy. Note:", "MacGuffin from its containment unit, not knowing that it would mean the end", "for those meddling main characters!* --- Also, using my questions as an example", "come up with a solution to the consequences, however, the fact that I", "characters!* --- Also, using my questions as an example is right out, please.", "conflicts based on a misunderstanding that wouldn't resolve in five paragraphs. My chars", "main characters!* --- Also, using my questions as an example is right out,", "I knew it, but Y thinks that X is just greedy. Note: this", "those meddling main characters!* --- Also, using my questions as an example is", "on?** *Think about conflicts like X goes after Y because Y stole the", "X is just greedy. Note: this would work out if it wouldn't be", "out if it wouldn't be for those meddling main characters!* --- Also, using", "the world). It's not like I wouldn't come up with a solution to", "just greedy. Note: this would work out if it wouldn't be for those", "all the time in the world). It's not like I wouldn't come up", "that I can't create this type of conflict is bothering me to no", "greedy. Note: this would work out if it wouldn't be for those meddling", "problem is that I can't make conflicts based on a misunderstanding that wouldn't", "this would work out if it wouldn't be for those meddling main characters!*", "have all the time in the world). It's not like I wouldn't come", "a long-lasting misunderstanding to build my conflict on?** *Think about conflicts like X", "of this world as I knew it, but Y thinks that X is", "of conflict is bothering me to no end. **How can I make a", "a solution to the consequences, however, the fact that I can't create this", "can't create this type of conflict is bothering me to no end. **How", "is bothering me to no end. **How can I make a long-lasting misunderstanding", "unit, not knowing that it would mean the end of this world as", "chars are too smart for that, I'm too smart for that (and also", "resolve in five paragraphs. My chars are too smart for that, I'm too", "mean the end of this world as I knew it, but Y thinks", "knew it, but Y thinks that X is just greedy. Note: this would", "like X goes after Y because Y stole the MacGuffin from its containment", "thinks that X is just greedy. Note: this would work out if it", "the MacGuffin from its containment unit, not knowing that it would mean the", "not knowing that it would mean the end of this world as I", "work out if it wouldn't be for those meddling main characters!* --- Also,", "my conflict on?** *Think about conflicts like X goes after Y because Y", "but Y thinks that X is just greedy. Note: this would work out", "is that I can't make conflicts based on a misunderstanding that wouldn't resolve", "the fact that I can't create this type of conflict is bothering me", "fact that I can't create this type of conflict is bothering me to", "for that (and also have all the time in the world). It's not", "misunderstanding to build my conflict on?** *Think about conflicts like X goes after", "its containment unit, not knowing that it would mean the end of this", "goes after Y because Y stole the MacGuffin from its containment unit, not", "that I can't make conflicts based on a misunderstanding that wouldn't resolve in", "it, but Y thinks that X is just greedy. Note: this would work", "Note: this would work out if it wouldn't be for those meddling main", "it would mean the end of this world as I knew it, but", "meddling main characters!* --- Also, using my questions as an example is right", "this world as I knew it, but Y thinks that X is just", "that, I'm too smart for that (and also have all the time in", "to no end. **How can I make a long-lasting misunderstanding to build my", "world as I knew it, but Y thinks that X is just greedy.", "wouldn't be for those meddling main characters!* --- Also, using my questions as", "about conflicts like X goes after Y because Y stole the MacGuffin from", "create this type of conflict is bothering me to no end. **How can", "if it wouldn't be for those meddling main characters!* --- Also, using my", "that X is just greedy. Note: this would work out if it wouldn't", "make a long-lasting misunderstanding to build my conflict on?** *Think about conflicts like", "that it would mean the end of this world as I knew it,", "knowing that it would mean the end of this world as I knew", "the consequences, however, the fact that I can't create this type of conflict", "up with a solution to the consequences, however, the fact that I can't", "based on a misunderstanding that wouldn't resolve in five paragraphs. My chars are", "paragraphs. My chars are too smart for that, I'm too smart for that", "the end of this world as I knew it, but Y thinks that", "smart for that, I'm too smart for that (and also have all the", "a misunderstanding that wouldn't resolve in five paragraphs. My chars are too smart", "end. **How can I make a long-lasting misunderstanding to build my conflict on?**", "with a solution to the consequences, however, the fact that I can't create", "are too smart for that, I'm too smart for that (and also have", "that (and also have all the time in the world). It's not like", "world). It's not like I wouldn't come up with a solution to the", "to build my conflict on?** *Think about conflicts like X goes after Y", "Y thinks that X is just greedy. Note: this would work out if", "like I wouldn't come up with a solution to the consequences, however, the", "can I make a long-lasting misunderstanding to build my conflict on?** *Think about", "conflicts like X goes after Y because Y stole the MacGuffin from its", "smart for that (and also have all the time in the world). It's", "can't make conflicts based on a misunderstanding that wouldn't resolve in five paragraphs.", "I can't make conflicts based on a misunderstanding that wouldn't resolve in five", "to the consequences, however, the fact that I can't create this type of", "long-lasting misunderstanding to build my conflict on?** *Think about conflicts like X goes", "that wouldn't resolve in five paragraphs. My chars are too smart for that,", "wouldn't come up with a solution to the consequences, however, the fact that", "wouldn't resolve in five paragraphs. My chars are too smart for that, I'm", "in the world). It's not like I wouldn't come up with a solution", "in five paragraphs. My chars are too smart for that, I'm too smart", "not like I wouldn't come up with a solution to the consequences, however,", "consequences, however, the fact that I can't create this type of conflict is", "me to no end. **How can I make a long-lasting misunderstanding to build", "I wouldn't come up with a solution to the consequences, however, the fact", "**How can I make a long-lasting misunderstanding to build my conflict on?** *Think", "because Y stole the MacGuffin from its containment unit, not knowing that it", "*Think about conflicts like X goes after Y because Y stole the MacGuffin", "no end. **How can I make a long-lasting misunderstanding to build my conflict", "the problem is that I can't make conflicts based on a misunderstanding that", "this type of conflict is bothering me to no end. **How can I", "conflict is bothering me to no end. **How can I make a long-lasting", "Y because Y stole the MacGuffin from its containment unit, not knowing that", "My chars are too smart for that, I'm too smart for that (and", "conflict on?** *Think about conflicts like X goes after Y because Y stole", "make conflicts based on a misunderstanding that wouldn't resolve in five paragraphs. My", "build my conflict on?** *Think about conflicts like X goes after Y because", "from its containment unit, not knowing that it would mean the end of", "after Y because Y stole the MacGuffin from its containment unit, not knowing", "would mean the end of this world as I knew it, but Y", "solution to the consequences, however, the fact that I can't create this type", "five paragraphs. My chars are too smart for that, I'm too smart for", "bothering me to no end. **How can I make a long-lasting misunderstanding to", "Y stole the MacGuffin from its containment unit, not knowing that it would", "stole the MacGuffin from its containment unit, not knowing that it would mean", "(and also have all the time in the world). It's not like I", "It's not like I wouldn't come up with a solution to the consequences,", "the time in the world). It's not like I wouldn't come up with", "also have all the time in the world). It's not like I wouldn't", "So, the problem is that I can't make conflicts based on a misunderstanding", "it wouldn't be for those meddling main characters!* --- Also, using my questions", "type of conflict is bothering me to no end. **How can I make", "containment unit, not knowing that it would mean the end of this world", "I make a long-lasting misunderstanding to build my conflict on?** *Think about conflicts", "too smart for that (and also have all the time in the world).", "would work out if it wouldn't be for those meddling main characters!* ---", "I'm too smart for that (and also have all the time in the", "for that, I'm too smart for that (and also have all the time", "too smart for that, I'm too smart for that (and also have all", "misunderstanding that wouldn't resolve in five paragraphs. My chars are too smart for", "time in the world). It's not like I wouldn't come up with a", "end of this world as I knew it, but Y thinks that X", "X goes after Y because Y stole the MacGuffin from its containment unit,", "on a misunderstanding that wouldn't resolve in five paragraphs. My chars are too", "however, the fact that I can't create this type of conflict is bothering" ]
[ "article about a cat saving a three-year-old girl's life. What tools or techniques", "a three-year-old girl's life. What tools or techniques can I use to keep", "life. What tools or techniques can I use to keep the reader interested?", "girl's life. What tools or techniques can I use to keep the reader", "cat saving a three-year-old girl's life. What tools or techniques can I use", "three-year-old girl's life. What tools or techniques can I use to keep the", "saving a three-year-old girl's life. What tools or techniques can I use to", "I'm writing an article about a cat saving a three-year-old girl's life. What", "a cat saving a three-year-old girl's life. What tools or techniques can I", "writing an article about a cat saving a three-year-old girl's life. What tools", "an article about a cat saving a three-year-old girl's life. What tools or", "about a cat saving a three-year-old girl's life. What tools or techniques can" ]
[ "plays out in the middle of the novel. Should I write this as", "important scene which actually plays out in the middle of the novel. Should", "first time novelist with writing experience. I have an idea for my novel", "an idea for my novel that begins with an important scene which actually", "Should I write this as a prologue? If so, would it be appropriate", "the middle of the novel. Should I write this as a prologue? If", "this as a prologue? If so, would it be appropriate to start Chapter", "as a prologue? If so, would it be appropriate to start Chapter One", "have an idea for my novel that begins with an important scene which", "middle of the novel. Should I write this as a prologue? If so,", "begins with an important scene which actually plays out in the middle of", "If so, would it be appropriate to start Chapter One with \"Two years", "that begins with an important scene which actually plays out in the middle", "idea for my novel that begins with an important scene which actually plays", "prologue? If so, would it be appropriate to start Chapter One with \"Two", "write this as a prologue? If so, would it be appropriate to start", "I have an idea for my novel that begins with an important scene", "out in the middle of the novel. Should I write this as a", "with an important scene which actually plays out in the middle of the", "I write this as a prologue? If so, would it be appropriate to", "a first time novelist with writing experience. I have an idea for my", "with writing experience. I have an idea for my novel that begins with", "for my novel that begins with an important scene which actually plays out", "a prologue? If so, would it be appropriate to start Chapter One with", "am a first time novelist with writing experience. I have an idea for", "experience. I have an idea for my novel that begins with an important", "novelist with writing experience. I have an idea for my novel that begins", "my novel that begins with an important scene which actually plays out in", "of the novel. Should I write this as a prologue? If so, would", "writing experience. I have an idea for my novel that begins with an", "an important scene which actually plays out in the middle of the novel.", "novel. Should I write this as a prologue? If so, would it be", "scene which actually plays out in the middle of the novel. Should I", "the novel. Should I write this as a prologue? If so, would it", "actually plays out in the middle of the novel. Should I write this", "time novelist with writing experience. I have an idea for my novel that", "so, would it be appropriate to start Chapter One with \"Two years earlier...\"?", "in the middle of the novel. Should I write this as a prologue?", "which actually plays out in the middle of the novel. Should I write", "novel that begins with an important scene which actually plays out in the", "I am a first time novelist with writing experience. I have an idea" ]
[ "am self-publishing a dog photography book. I have obtained permissions for all subjects", "to get AKC's permission to use an image with their logo. Is this", "I am using has the American Kennel Club (AKC) logo in it. I'm", "don't need to get their permission to use their organization name in the", "(AKC) logo in it. I'm assuming I need to get AKC's permission to", "their permission to use their organization name in the book, for example, \"Here", "for all subjects in the book. One of the pictures I am using", "a dog photography book. I have obtained permissions for all subjects in the", "to get their permission to use their organization name in the book, for", "American Kennel Club (AKC) logo in it. I'm assuming I need to get", "Since I'm just stating facts I'm assuming I don't need to get their", "the AKC show locating in (city).\" Since I'm just stating facts I'm assuming", "permission to use their organization name in the book, for example, \"Here we", "to get their permission to use their organization name in the book? Thanks.", "an image with their logo. Is this correct? Also do I need to", "logo. Is this correct? Also do I need to get their permission to", "to use their organization name in the book, for example, \"Here we have", "Is this correct? Also do I need to get their permission to use", "book. I have obtained permissions for all subjects in the book. One of", "\"Here we have AKC Champion (dog name) performing at the AKC show locating", "need to get their permission to use their organization name in the book?", "in the book. One of the pictures I am using has the American", "do I need to get their permission to use their organization name in", "I am self-publishing a dog photography book. I have obtained permissions for all", "(city).\" Since I'm just stating facts I'm assuming I don't need to get", "I'm just stating facts I'm assuming I don't need to get their permission", "get their permission to use their organization name in the book, for example,", "self-publishing a dog photography book. I have obtained permissions for all subjects in", "permissions for all subjects in the book. One of the pictures I am", "using has the American Kennel Club (AKC) logo in it. I'm assuming I", "I'm assuming I need to get AKC's permission to use an image with", "Champion (dog name) performing at the AKC show locating in (city).\" Since I'm", "I have obtained permissions for all subjects in the book. One of the", "AKC show locating in (city).\" Since I'm just stating facts I'm assuming I", "subjects in the book. One of the pictures I am using has the", "use their organization name in the book, for example, \"Here we have AKC", "all subjects in the book. One of the pictures I am using has", "get AKC's permission to use an image with their logo. Is this correct?", "the pictures I am using has the American Kennel Club (AKC) logo in", "dog photography book. I have obtained permissions for all subjects in the book.", "correct? Also do I need to get their permission to use their organization", "example, \"Here we have AKC Champion (dog name) performing at the AKC show", "the book. One of the pictures I am using has the American Kennel", "locating in (city).\" Since I'm just stating facts I'm assuming I don't need", "this correct? Also do I need to get their permission to use their", "pictures I am using has the American Kennel Club (AKC) logo in it.", "logo in it. I'm assuming I need to get AKC's permission to use", "have AKC Champion (dog name) performing at the AKC show locating in (city).\"", "organization name in the book, for example, \"Here we have AKC Champion (dog", "name in the book, for example, \"Here we have AKC Champion (dog name)", "(dog name) performing at the AKC show locating in (city).\" Since I'm just", "in (city).\" Since I'm just stating facts I'm assuming I don't need to", "in the book, for example, \"Here we have AKC Champion (dog name) performing", "need to get AKC's permission to use an image with their logo. Is", "at the AKC show locating in (city).\" Since I'm just stating facts I'm", "book. One of the pictures I am using has the American Kennel Club", "just stating facts I'm assuming I don't need to get their permission to", "their logo. Is this correct? Also do I need to get their permission", "show locating in (city).\" Since I'm just stating facts I'm assuming I don't", "I don't need to get their permission to use their organization name in", "to use an image with their logo. Is this correct? Also do I", "name) performing at the AKC show locating in (city).\" Since I'm just stating", "in it. I'm assuming I need to get AKC's permission to use an", "it. I'm assuming I need to get AKC's permission to use an image", "has the American Kennel Club (AKC) logo in it. I'm assuming I need", "AKC Champion (dog name) performing at the AKC show locating in (city).\" Since", "I'm assuming I don't need to get their permission to use their organization", "AKC's permission to use an image with their logo. Is this correct? Also", "have obtained permissions for all subjects in the book. One of the pictures", "facts I'm assuming I don't need to get their permission to use their", "for example, \"Here we have AKC Champion (dog name) performing at the AKC", "stating facts I'm assuming I don't need to get their permission to use", "their organization name in the book, for example, \"Here we have AKC Champion", "the book, for example, \"Here we have AKC Champion (dog name) performing at", "permission to use an image with their logo. Is this correct? Also do", "use an image with their logo. Is this correct? Also do I need", "Club (AKC) logo in it. I'm assuming I need to get AKC's permission", "Kennel Club (AKC) logo in it. I'm assuming I need to get AKC's", "of the pictures I am using has the American Kennel Club (AKC) logo", "Also do I need to get their permission to use their organization name", "assuming I don't need to get their permission to use their organization name", "I need to get AKC's permission to use an image with their logo.", "with their logo. Is this correct? Also do I need to get their", "assuming I need to get AKC's permission to use an image with their", "One of the pictures I am using has the American Kennel Club (AKC)", "we have AKC Champion (dog name) performing at the AKC show locating in", "obtained permissions for all subjects in the book. One of the pictures I", "image with their logo. Is this correct? Also do I need to get", "need to get their permission to use their organization name in the book,", "am using has the American Kennel Club (AKC) logo in it. I'm assuming", "I need to get their permission to use their organization name in the", "book, for example, \"Here we have AKC Champion (dog name) performing at the", "photography book. I have obtained permissions for all subjects in the book. One", "performing at the AKC show locating in (city).\" Since I'm just stating facts", "the American Kennel Club (AKC) logo in it. I'm assuming I need to" ]
[ "in her body when the memory gap was closed relatively seamlessly? * What", "the memory gap was closed relatively seamlessly? * What signs could there be", "and her own memories. Memory erasure (or suppression, rather) is a thing in", "to hint at it in a way that makes sense. I asked questions", "unrealistic setup, and I want to hint at it in a way that", "is missing, or that her body changed massively in a time period she", "all, and I want to know how you account for these. Example: The", "is missing part of her life. Her body also feels weird and alien", "simply doesn't remember it happening. In her mind, the two year gap is", "erasure and the earliest day she can remember **after** the mind erasure seem", "cases, were research is pretty much impossible? How can you handle an unrealistic", "and over time, it becomes clear that the MC is missing part of", "something is missing, or that her body changed massively in a time period", "body when the memory gap was closed relatively seamlessly? * What signs could", "the earliest day she can remember **after** the mind erasure seem to have", "out over the story) and over time, it becomes clear that the MC", "so the latest day she can remember **before** the mind erasure and the", "MC question her own sanity and her own memories. Memory erasure (or suppression,", "is a thing in this world (as the MC finds out over the", "happen in the real world at all, and I want to know how", "finds out over the story) and over time, it becomes clear that the", "own sanity and her own memories. Memory erasure (or suppression, rather) is a", "story) and over time, it becomes clear that the MC is missing part", "in these cases, were research is pretty much impossible? How can you handle", "it's not a realistic setup, but I want to portray her reactions as", "year gap is simply \"bridged\" by a hazy day, so the latest day", "main character in my story is a young woman in her mid-twenties. A", "me out. A while ago, I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which", "can't even remember? That's it for my example. The real question is, what", "do you do in these cases, were research is pretty much impossible? How", "realistic way, when you don't know what the real world consequences would be", "remember it happening. In her mind, the two year gap is simply \"bridged\"", "in the story, which make the MC question her own sanity and her", "two years were relatively normal, the pregnancy was also normal, she simply doesn't", "and alien to her in the beginning and she simply can't explain why.", "could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things that actually exist and/or", "it becomes clear that the MC is missing part of her life. Her", "asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things that", "that her body changed massively in a time period she can't even remember?", "consequences would be if the unrealistic setup was possible in the real world?", "can you handle an unrealistic setup in a realistic way, when you don't", "happen in the real world. This question is reserved for things that absolutely", "at all, and I want to know how you account for these. Example:", "story is a young woman in her mid-twenties. A lot of bizarre things", "bizarre things happen in the story, which make the MC question her own", "in this world (as the MC finds out over the story) and over", "can remember **before** the mind erasure and the earliest day she can remember", "real world at all, and I want to know how you account for", "research is pretty much impossible? How can you handle an unrealistic setup in", "possible given this unrealistic setup, and I want to hint at it in", "makes sense. I asked questions like: * How would a woman in such", "out. A while ago, I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was", "the difference in her body when the memory gap was closed relatively seamlessly?", "her mind, the two year gap is simply \"bridged\" by a hazy day,", "I want to portray her reactions as realistically as possible given this unrealistic", "when you don't know what the real world consequences would be if the", "like: * How would a woman in such a situation feel? How would", "these cases, were research is pretty much impossible? How can you handle an", "her life and actually went through a whole pregnancy without realizing it. The", "taken place back to back. Obviously, it's not a realistic setup, but I", "world at all, and I want to know how you account for these.", "what do you do in these cases, were research is pretty much impossible?", "it. The two years were relatively normal, the pregnancy was also normal, she", "but hear me out. A while ago, I asked [how you could verify", "actually exist and/or happen in the real world. This question is reserved for", "absolutely don't exist or happen in the real world at all, and I", "body also feels weird and alien to her in the beginning and she", "realistically as possible given this unrealistic setup, and I want to hint at", "difference in her body when the memory gap was closed relatively seamlessly? *", "explain why. Turns out she was missing two years from her life and", "story, which make the MC question her own sanity and her own memories.", "the beginning and she simply can't explain why. Turns out she was missing", "to make her realize something is missing, or that her body changed massively", "happen in the story, which make the MC question her own sanity and", "the mind erasure and the earliest day she can remember **after** the mind", "world. This question is reserved for things that absolutely don't exist or happen", "feels weird and alien to her in the beginning and she simply can't", "setup, and I want to hint at it in a way that makes", "asked questions like: * How would a woman in such a situation feel?", "feel? How would she notice the difference in her body when the memory", "two years from her life and actually went through a whole pregnancy without", "given this unrealistic setup, and I want to hint at it in a", "in the beginning and she simply can't explain why. Turns out she was", "you do in these cases, were research is pretty much impossible? How can", "* How would a woman in such a situation feel? How would she", "day, so the latest day she can remember **before** the mind erasure and", "went through a whole pregnancy without realizing it. The two years were relatively", "the story) and over time, it becomes clear that the MC is missing", "question is, what do you do in these cases, were research is pretty", "a hazy day, so the latest day she can remember **before** the mind", "in her mid-twenties. A lot of bizarre things happen in the story, which", "questions like: * How would a woman in such a situation feel? How", "would she notice the difference in her body when the memory gap was", "Memory erasure (or suppression, rather) is a thing in this world (as the", "way that makes sense. I asked questions like: * How would a woman", "these. Example: The main character in my story is a young woman in", "be to make her realize something is missing, or that her body changed", "own memories. Memory erasure (or suppression, rather) is a thing in this world", "her body changed massively in a time period she can't even remember? That's", "her realize something is missing, or that her body changed massively in a", "and actually went through a whole pregnancy without realizing it. The two years", "the two year gap is simply \"bridged\" by a hazy day, so the", "the story, which make the MC question her own sanity and her own", "don't exist or happen in the real world at all, and I want", "erasure seem to have taken place back to back. Obviously, it's not a", "the pregnancy was also normal, she simply doesn't remember it happening. In her", "while ago, I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved", "or happen in the real world at all, and I want to know", "and I want to know how you account for these. Example: The main", "in the real world. This question is reserved for things that absolutely don't", "in a time period she can't even remember? That's it for my example.", "This question is reserved for things that absolutely don't exist or happen in", "by a hazy day, so the latest day she can remember **before** the", "a woman in such a situation feel? How would she notice the difference", "woman in such a situation feel? How would she notice the difference in", "back. Obviously, it's not a realistic setup, but I want to portray her", "her life. Her body also feels weird and alien to her in the", "memories. Memory erasure (or suppression, rather) is a thing in this world (as", "do in these cases, were research is pretty much impossible? How can you", "exist or happen in the real world at all, and I want to", "which make the MC question her own sanity and her own memories. Memory", "normal, she simply doesn't remember it happening. In her mind, the two year", "I want to know how you account for these. Example: The main character", "the real world. This question is reserved for things that absolutely don't exist", "hear me out. A while ago, I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information),", "mostly reserved about things that actually exist and/or happen in the real world.", "time period she can't even remember? That's it for my example. The real", "lot of bizarre things happen in the story, which make the MC question", "latest day she can remember **before** the mind erasure and the earliest day", "there be to make her realize something is missing, or that her body", "and she simply can't explain why. Turns out she was missing two years", "suppression, rather) is a thing in this world (as the MC finds out", "How can you handle an unrealistic setup in a realistic way, when you", "way, when you don't know what the real world consequences would be if", "happening. In her mind, the two year gap is simply \"bridged\" by a", "pretty much impossible? How can you handle an unrealistic setup in a realistic", "a whole pregnancy without realizing it. The two years were relatively normal, the", "what the real world consequences would be if the unrealistic setup was possible", "A while ago, I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly", "my story is a young woman in her mid-twenties. A lot of bizarre", "want to know how you account for these. Example: The main character in", "was mostly reserved about things that actually exist and/or happen in the real", "my example. The real question is, what do you do in these cases,", "the MC is missing part of her life. Her body also feels weird", "to know how you account for these. Example: The main character in my", "relatively seamlessly? * What signs could there be to make her realize something", "erasure (or suppression, rather) is a thing in this world (as the MC", "you account for these. Example: The main character in my story is a", "her in the beginning and she simply can't explain why. Turns out she", "you handle an unrealistic setup in a realistic way, when you don't know", "real question is, what do you do in these cases, were research is", "is pretty much impossible? How can you handle an unrealistic setup in a", "missing two years from her life and actually went through a whole pregnancy", "the real world at all, and I want to know how you account", "the real world consequences would be if the unrealistic setup was possible in", "Seems like a broad question, but hear me out. A while ago, I", "also feels weird and alien to her in the beginning and she simply", "things that absolutely don't exist or happen in the real world at all,", "massively in a time period she can't even remember? That's it for my", "also normal, she simply doesn't remember it happening. In her mind, the two", "when the memory gap was closed relatively seamlessly? * What signs could there", "becomes clear that the MC is missing part of her life. Her body", "is simply \"bridged\" by a hazy day, so the latest day she can", "her own memories. Memory erasure (or suppression, rather) is a thing in this", "in my story is a young woman in her mid-twenties. A lot of", "years from her life and actually went through a whole pregnancy without realizing", "remember **before** the mind erasure and the earliest day she can remember **after**", "a situation feel? How would she notice the difference in her body when", "life. Her body also feels weird and alien to her in the beginning", "she simply doesn't remember it happening. In her mind, the two year gap", "the MC question her own sanity and her own memories. Memory erasure (or", "for these. Example: The main character in my story is a young woman", "the MC finds out over the story) and over time, it becomes clear", "missing, or that her body changed massively in a time period she can't", "The main character in my story is a young woman in her mid-twenties.", "Her body also feels weird and alien to her in the beginning and", "relatively normal, the pregnancy was also normal, she simply doesn't remember it happening.", "closed relatively seamlessly? * What signs could there be to make her realize", "it for my example. The real question is, what do you do in", "an unrealistic setup in a realistic way, when you don't know what the", "I want to hint at it in a way that makes sense. I", "don't know what the real world consequences would be if the unrealistic setup", "world consequences would be if the unrealistic setup was possible in the real", "make the MC question her own sanity and her own memories. Memory erasure", "in a way that makes sense. I asked questions like: * How would", "about things that actually exist and/or happen in the real world. This question", "**before** the mind erasure and the earliest day she can remember **after** the", "why. Turns out she was missing two years from her life and actually", "(as the MC finds out over the story) and over time, it becomes", "body changed massively in a time period she can't even remember? That's it", "over the story) and over time, it becomes clear that the MC is", "that absolutely don't exist or happen in the real world at all, and", "simply can't explain why. Turns out she was missing two years from her", "information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things that actually exist and/or happen in", "would a woman in such a situation feel? How would she notice the", "was missing two years from her life and actually went through a whole", "A lot of bizarre things happen in the story, which make the MC", "In her mind, the two year gap is simply \"bridged\" by a hazy", "weird and alien to her in the beginning and she simply can't explain", "for my example. The real question is, what do you do in these", "like a broad question, but hear me out. A while ago, I asked", "exist and/or happen in the real world. This question is reserved for things", "The two years were relatively normal, the pregnancy was also normal, she simply", "realizing it. The two years were relatively normal, the pregnancy was also normal,", "place back to back. Obviously, it's not a realistic setup, but I want", "situation feel? How would she notice the difference in her body when the", "this world (as the MC finds out over the story) and over time,", "know what the real world consequences would be if the unrealistic setup was", "young woman in her mid-twenties. A lot of bizarre things happen in the", "at it in a way that makes sense. I asked questions like: *", "actually went through a whole pregnancy without realizing it. The two years were", "to portray her reactions as realistically as possible given this unrealistic setup, and", "a realistic setup, but I want to portray her reactions as realistically as", "question is reserved for things that absolutely don't exist or happen in the", "of bizarre things happen in the story, which make the MC question her", "MC finds out over the story) and over time, it becomes clear that", "setup in a realistic way, when you don't know what the real world", "a thing in this world (as the MC finds out over the story)", "verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things that actually exist and/or happen", "the mind erasure seem to have taken place back to back. Obviously, it's", "What signs could there be to make her realize something is missing, or", "realize something is missing, or that her body changed massively in a time", "she can remember **after** the mind erasure seem to have taken place back", "a broad question, but hear me out. A while ago, I asked [how", "mind, the two year gap is simply \"bridged\" by a hazy day, so", "is a young woman in her mid-twenties. A lot of bizarre things happen", "out she was missing two years from her life and actually went through", "and I want to hint at it in a way that makes sense.", "in such a situation feel? How would she notice the difference in her", "that the MC is missing part of her life. Her body also feels", "beginning and she simply can't explain why. Turns out she was missing two", "that actually exist and/or happen in the real world. This question is reserved", "a way that makes sense. I asked questions like: * How would a", "life and actually went through a whole pregnancy without realizing it. The two", "she notice the difference in her body when the memory gap was closed", "of her life. Her body also feels weird and alien to her in", "have taken place back to back. Obviously, it's not a realistic setup, but", "mid-twenties. A lot of bizarre things happen in the story, which make the", "and/or happen in the real world. This question is reserved for things that", "her own sanity and her own memories. Memory erasure (or suppression, rather) is", "mind erasure and the earliest day she can remember **after** the mind erasure", "her body when the memory gap was closed relatively seamlessly? * What signs", "That's it for my example. The real question is, what do you do", "or that her body changed massively in a time period she can't even", "ago, I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about", "her mid-twenties. A lot of bizarre things happen in the story, which make", "can't explain why. Turns out she was missing two years from her life", "from her life and actually went through a whole pregnancy without realizing it.", "a time period she can't even remember? That's it for my example. The", "things happen in the story, which make the MC question her own sanity", "real world. This question is reserved for things that absolutely don't exist or", "Obviously, it's not a realistic setup, but I want to portray her reactions", "(or suppression, rather) is a thing in this world (as the MC finds", "how you account for these. Example: The main character in my story is", "normal, the pregnancy was also normal, she simply doesn't remember it happening. In", "two year gap is simply \"bridged\" by a hazy day, so the latest", "to her in the beginning and she simply can't explain why. Turns out", "hazy day, so the latest day she can remember **before** the mind erasure", "it in a way that makes sense. I asked questions like: * How", "want to portray her reactions as realistically as possible given this unrealistic setup,", "account for these. Example: The main character in my story is a young", "part of her life. Her body also feels weird and alien to her", "back to back. Obviously, it's not a realistic setup, but I want to", "she was missing two years from her life and actually went through a", "you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things that actually exist", "in a realistic way, when you don't know what the real world consequences", "sense. I asked questions like: * How would a woman in such a", "Turns out she was missing two years from her life and actually went", "remember? That's it for my example. The real question is, what do you", "missing part of her life. Her body also feels weird and alien to", "which was mostly reserved about things that actually exist and/or happen in the", "\"bridged\" by a hazy day, so the latest day she can remember **before**", "reserved for things that absolutely don't exist or happen in the real world", "example. The real question is, what do you do in these cases, were", "over time, it becomes clear that the MC is missing part of her", "setup, but I want to portray her reactions as realistically as possible given", "whole pregnancy without realizing it. The two years were relatively normal, the pregnancy", "reserved about things that actually exist and/or happen in the real world. This", "day she can remember **before** the mind erasure and the earliest day she", "rather) is a thing in this world (as the MC finds out over", "mind erasure seem to have taken place back to back. Obviously, it's not", "real world consequences would be if the unrealistic setup was possible in the", "as realistically as possible given this unrealistic setup, and I want to hint", "time, it becomes clear that the MC is missing part of her life.", "I asked [how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things", "as possible given this unrealistic setup, and I want to hint at it", "day she can remember **after** the mind erasure seem to have taken place", "this unrealistic setup, and I want to hint at it in a way", "could there be to make her realize something is missing, or that her", "question, but hear me out. A while ago, I asked [how you could", "* What signs could there be to make her realize something is missing,", "pregnancy without realizing it. The two years were relatively normal, the pregnancy was", "How would she notice the difference in her body when the memory gap", "seem to have taken place back to back. Obviously, it's not a realistic", "portray her reactions as realistically as possible given this unrealistic setup, and I", "realistic setup, but I want to portray her reactions as realistically as possible", "not a realistic setup, but I want to portray her reactions as realistically", "The real question is, what do you do in these cases, were research", "question her own sanity and her own memories. Memory erasure (or suppression, rather)", "signs could there be to make her realize something is missing, or that", "her reactions as realistically as possible given this unrealistic setup, and I want", "you don't know what the real world consequences would be if the unrealistic", "How would a woman in such a situation feel? How would she notice", "things that actually exist and/or happen in the real world. This question is", "through a whole pregnancy without realizing it. The two years were relatively normal,", "make her realize something is missing, or that her body changed massively in", "memory gap was closed relatively seamlessly? * What signs could there be to", "changed massively in a time period she can't even remember? That's it for", "were research is pretty much impossible? How can you handle an unrealistic setup", "and the earliest day she can remember **after** the mind erasure seem to", "gap was closed relatively seamlessly? * What signs could there be to make", "it happening. In her mind, the two year gap is simply \"bridged\" by", "a young woman in her mid-twenties. A lot of bizarre things happen in", "simply \"bridged\" by a hazy day, so the latest day she can remember", "sanity and her own memories. Memory erasure (or suppression, rather) is a thing", "was closed relatively seamlessly? * What signs could there be to make her", "without realizing it. The two years were relatively normal, the pregnancy was also", "impossible? How can you handle an unrealistic setup in a realistic way, when", "was also normal, she simply doesn't remember it happening. In her mind, the", "I asked questions like: * How would a woman in such a situation", "she can't even remember? That's it for my example. The real question is,", "is reserved for things that absolutely don't exist or happen in the real", "reactions as realistically as possible given this unrealistic setup, and I want to", "remember **after** the mind erasure seem to have taken place back to back.", "to back. Obviously, it's not a realistic setup, but I want to portray", "for things that absolutely don't exist or happen in the real world at", "years were relatively normal, the pregnancy was also normal, she simply doesn't remember", "in the real world at all, and I want to know how you", "want to hint at it in a way that makes sense. I asked", "thing in this world (as the MC finds out over the story) and", "a realistic way, when you don't know what the real world consequences would", "notice the difference in her body when the memory gap was closed relatively", "unrealistic setup in a realistic way, when you don't know what the real", "MC is missing part of her life. Her body also feels weird and", "pregnancy was also normal, she simply doesn't remember it happening. In her mind,", "is, what do you do in these cases, were research is pretty much", "[how you could verify information](https://writing.stackexchange.com/questions/35723/how-do-you-verify-information), which was mostly reserved about things that actually", "she can remember **before** the mind erasure and the earliest day she can", "doesn't remember it happening. In her mind, the two year gap is simply", "to have taken place back to back. Obviously, it's not a realistic setup,", "world (as the MC finds out over the story) and over time, it", "gap is simply \"bridged\" by a hazy day, so the latest day she", "**after** the mind erasure seem to have taken place back to back. Obviously,", "were relatively normal, the pregnancy was also normal, she simply doesn't remember it", "know how you account for these. Example: The main character in my story", "earliest day she can remember **after** the mind erasure seem to have taken", "the latest day she can remember **before** the mind erasure and the earliest", "woman in her mid-twenties. A lot of bizarre things happen in the story,", "even remember? That's it for my example. The real question is, what do", "Example: The main character in my story is a young woman in her", "clear that the MC is missing part of her life. Her body also", "can remember **after** the mind erasure seem to have taken place back to", "much impossible? How can you handle an unrealistic setup in a realistic way,", "she simply can't explain why. Turns out she was missing two years from", "alien to her in the beginning and she simply can't explain why. Turns", "period she can't even remember? That's it for my example. The real question", "character in my story is a young woman in her mid-twenties. A lot", "but I want to portray her reactions as realistically as possible given this", "that makes sense. I asked questions like: * How would a woman in", "hint at it in a way that makes sense. I asked questions like:", "broad question, but hear me out. A while ago, I asked [how you", "seamlessly? * What signs could there be to make her realize something is", "such a situation feel? How would she notice the difference in her body", "handle an unrealistic setup in a realistic way, when you don't know what" ]
[ "Sci-Fi novel myself. I'm interested in 'hard' (related to the engineering sciences) science", "my question is: **how do I go about researching future technology for a", "However, it strikes me that, despite being Software Developer by trade, I don't", "'hard' (related to the engineering sciences) science fiction with a military bent (think", "advanced than that of today. So, before I get started, my question is:", "*The Lost Fleet* by Sath Cuppbely or *Old Man's War* by John Scalzi),", "this will be my genre of choice. However, it strikes me that, despite", "that, despite being Software Developer by trade, I don't know enough about the", "be more advanced than that of today. So, before I get started, my", "enjoy reading Science Fiction, I'm thinking of writing a Sci-Fi novel myself. I'm", "Cuppbely or *Old Man's War* by John Scalzi), so this will be my", "enough about the hard sciences to make my novel realistic. Plus, future technology", "interested in 'hard' (related to the engineering sciences) science fiction with a military", "despite being Software Developer by trade, I don't know enough about the hard", "don't know enough about the hard sciences to make my novel realistic. Plus,", "well be more advanced than that of today. So, before I get started,", "(think *The Lost Fleet* by Sath Cuppbely or *Old Man's War* by John", "be my genre of choice. However, it strikes me that, despite being Software", "fiction with a military bent (think *The Lost Fleet* by Sath Cuppbely or", "in 'hard' (related to the engineering sciences) science fiction with a military bent", "before I get started, my question is: **how do I go about researching", "sciences) science fiction with a military bent (think *The Lost Fleet* by Sath", "of today. So, before I get started, my question is: **how do I", "military bent (think *The Lost Fleet* by Sath Cuppbely or *Old Man's War*", "thinking of writing a Sci-Fi novel myself. I'm interested in 'hard' (related to", "choice. However, it strikes me that, despite being Software Developer by trade, I", "hard sciences to make my novel realistic. Plus, future technology may well be", "Fleet* by Sath Cuppbely or *Old Man's War* by John Scalzi), so this", "myself. I'm interested in 'hard' (related to the engineering sciences) science fiction with", "my novel realistic. Plus, future technology may well be more advanced than that", "my genre of choice. However, it strikes me that, despite being Software Developer", "Because I enjoy reading Science Fiction, I'm thinking of writing a Sci-Fi novel", "Sath Cuppbely or *Old Man's War* by John Scalzi), so this will be", "Science Fiction, I'm thinking of writing a Sci-Fi novel myself. I'm interested in", "the engineering sciences) science fiction with a military bent (think *The Lost Fleet*", "I'm interested in 'hard' (related to the engineering sciences) science fiction with a", "technology may well be more advanced than that of today. So, before I", "being Software Developer by trade, I don't know enough about the hard sciences", "(related to the engineering sciences) science fiction with a military bent (think *The", "trade, I don't know enough about the hard sciences to make my novel", "Software Developer by trade, I don't know enough about the hard sciences to", "I enjoy reading Science Fiction, I'm thinking of writing a Sci-Fi novel myself.", "reading Science Fiction, I'm thinking of writing a Sci-Fi novel myself. I'm interested", "about the hard sciences to make my novel realistic. Plus, future technology may", "science fiction with a military bent (think *The Lost Fleet* by Sath Cuppbely", "engineering sciences) science fiction with a military bent (think *The Lost Fleet* by", "will be my genre of choice. However, it strikes me that, despite being", "to make my novel realistic. Plus, future technology may well be more advanced", "genre of choice. However, it strikes me that, despite being Software Developer by", "may well be more advanced than that of today. So, before I get", "get started, my question is: **how do I go about researching future technology", "bent (think *The Lost Fleet* by Sath Cuppbely or *Old Man's War* by", "by trade, I don't know enough about the hard sciences to make my", "than that of today. So, before I get started, my question is: **how", "is: **how do I go about researching future technology for a science fiction", "a Sci-Fi novel myself. I'm interested in 'hard' (related to the engineering sciences)", "Scalzi), so this will be my genre of choice. However, it strikes me", "or *Old Man's War* by John Scalzi), so this will be my genre", "know enough about the hard sciences to make my novel realistic. Plus, future", "John Scalzi), so this will be my genre of choice. However, it strikes", "novel myself. I'm interested in 'hard' (related to the engineering sciences) science fiction", "So, before I get started, my question is: **how do I go about", "by Sath Cuppbely or *Old Man's War* by John Scalzi), so this will", "realistic. Plus, future technology may well be more advanced than that of today.", "today. So, before I get started, my question is: **how do I go", "writing a Sci-Fi novel myself. I'm interested in 'hard' (related to the engineering", "strikes me that, despite being Software Developer by trade, I don't know enough", "more advanced than that of today. So, before I get started, my question", "*Old Man's War* by John Scalzi), so this will be my genre of", "so this will be my genre of choice. However, it strikes me that,", "me that, despite being Software Developer by trade, I don't know enough about", "it strikes me that, despite being Software Developer by trade, I don't know", "sciences to make my novel realistic. Plus, future technology may well be more", "novel realistic. Plus, future technology may well be more advanced than that of", "to the engineering sciences) science fiction with a military bent (think *The Lost", "make my novel realistic. Plus, future technology may well be more advanced than", "I'm thinking of writing a Sci-Fi novel myself. I'm interested in 'hard' (related", "of writing a Sci-Fi novel myself. I'm interested in 'hard' (related to the", "with a military bent (think *The Lost Fleet* by Sath Cuppbely or *Old", "Plus, future technology may well be more advanced than that of today. So,", "I don't know enough about the hard sciences to make my novel realistic.", "Lost Fleet* by Sath Cuppbely or *Old Man's War* by John Scalzi), so", "that of today. So, before I get started, my question is: **how do", "the hard sciences to make my novel realistic. Plus, future technology may well", "started, my question is: **how do I go about researching future technology for", "a military bent (think *The Lost Fleet* by Sath Cuppbely or *Old Man's", "future technology may well be more advanced than that of today. So, before", "I get started, my question is: **how do I go about researching future", "War* by John Scalzi), so this will be my genre of choice. However,", "by John Scalzi), so this will be my genre of choice. However, it", "**how do I go about researching future technology for a science fiction Novel?**", "question is: **how do I go about researching future technology for a science", "Developer by trade, I don't know enough about the hard sciences to make", "Man's War* by John Scalzi), so this will be my genre of choice.", "Fiction, I'm thinking of writing a Sci-Fi novel myself. I'm interested in 'hard'", "of choice. However, it strikes me that, despite being Software Developer by trade," ]
[ "A character in my story is supposed to be falling apart, for many", "people, in a gladiatorial setting, of a similar age. * He already died", "* He's 16 and is killing people, in a gladiatorial setting, of a", "I don't think that's the best way to go about it. **How can", "in my story is supposed to be falling apart, for many reasons: *", "killing people, in a gladiatorial setting, of a similar age. * He already", "that's the best way to go about it. **How can I subtly imply", "setting, of a similar age. * He already died (possibly a few times),", "to go about it. **How can I subtly imply that one of my", "He already died (possibly a few times), but he and everyone he fought", "and everyone he fought come back to life through cloning and memory transfer.", "but I don't think that's the best way to go about it. **How", "everyone he fought come back to life through cloning and memory transfer. I", "story is supposed to be falling apart, for many reasons: * He's 16", "go about it. **How can I subtly imply that one of my main", "my story is supposed to be falling apart, for many reasons: * He's", "to life through cloning and memory transfer. I tried many things, from him", "is supposed to be falling apart, for many reasons: * He's 16 and", "transfer. I tried many things, from him not taking care of himself, up", "is killing people, in a gladiatorial setting, of a similar age. * He", "he fought come back to life through cloning and memory transfer. I tried", "I subtly imply that one of my main character's life is falling into", "many reasons: * He's 16 and is killing people, in a gladiatorial setting,", "He's 16 and is killing people, in a gladiatorial setting, of a similar", "tried many things, from him not taking care of himself, up until drug", "about it. **How can I subtly imply that one of my main character's", "of himself, up until drug use, but I don't think that's the best", "care of himself, up until drug use, but I don't think that's the", "until drug use, but I don't think that's the best way to go", "himself, up until drug use, but I don't think that's the best way", "I tried many things, from him not taking care of himself, up until", "subtly imply that one of my main character's life is falling into a", "already died (possibly a few times), but he and everyone he fought come", "can I subtly imply that one of my main character's life is falling", "reasons: * He's 16 and is killing people, in a gladiatorial setting, of", "many things, from him not taking care of himself, up until drug use,", "apart, for many reasons: * He's 16 and is killing people, in a", "be falling apart, for many reasons: * He's 16 and is killing people,", "think that's the best way to go about it. **How can I subtly", "he and everyone he fought come back to life through cloning and memory", "cloning and memory transfer. I tried many things, from him not taking care", "for many reasons: * He's 16 and is killing people, in a gladiatorial", "don't think that's the best way to go about it. **How can I", "way to go about it. **How can I subtly imply that one of", "memory transfer. I tried many things, from him not taking care of himself,", "similar age. * He already died (possibly a few times), but he and", "fought come back to life through cloning and memory transfer. I tried many", "(possibly a few times), but he and everyone he fought come back to", "not taking care of himself, up until drug use, but I don't think", "* He already died (possibly a few times), but he and everyone he", "a gladiatorial setting, of a similar age. * He already died (possibly a", "a few times), but he and everyone he fought come back to life", "in a gladiatorial setting, of a similar age. * He already died (possibly", "died (possibly a few times), but he and everyone he fought come back", "taking care of himself, up until drug use, but I don't think that's", "times), but he and everyone he fought come back to life through cloning", "falling apart, for many reasons: * He's 16 and is killing people, in", "from him not taking care of himself, up until drug use, but I", "him not taking care of himself, up until drug use, but I don't", "and memory transfer. I tried many things, from him not taking care of", "imply that one of my main character's life is falling into a tailspin?**", "through cloning and memory transfer. I tried many things, from him not taking", "life through cloning and memory transfer. I tried many things, from him not", "back to life through cloning and memory transfer. I tried many things, from", "the best way to go about it. **How can I subtly imply that", "use, but I don't think that's the best way to go about it.", "to be falling apart, for many reasons: * He's 16 and is killing", "**How can I subtly imply that one of my main character's life is", "come back to life through cloning and memory transfer. I tried many things,", "supposed to be falling apart, for many reasons: * He's 16 and is", "but he and everyone he fought come back to life through cloning and", "best way to go about it. **How can I subtly imply that one", "drug use, but I don't think that's the best way to go about", "and is killing people, in a gladiatorial setting, of a similar age. *", "16 and is killing people, in a gladiatorial setting, of a similar age.", "few times), but he and everyone he fought come back to life through", "age. * He already died (possibly a few times), but he and everyone", "of a similar age. * He already died (possibly a few times), but", "it. **How can I subtly imply that one of my main character's life", "gladiatorial setting, of a similar age. * He already died (possibly a few", "character in my story is supposed to be falling apart, for many reasons:", "up until drug use, but I don't think that's the best way to", "things, from him not taking care of himself, up until drug use, but", "a similar age. * He already died (possibly a few times), but he" ]
[ "time, children speaking among themselves, (as opposed to speaking to an adult,) would", "a specific time (a specific century, or even a specific decade), and to", "How do I mark a person as a \"poor farmer\" without also marking", "setting? Particular mispronunciations and grammatical errors are also period-specific and location-specific. How do", "can easily be timed and localised** - they belong to a specific time", "to colloquialisms of the period I'm writing about. How, then, do I solve", "the local version of \"Received Pronunciation\"). They wouldn't use \"Ain't\", for example. At", "can expect them to speak the local version of \"Received Pronunciation\"). They wouldn't", "colloquialisms?** And while we're about it, what about the uneducated farmer in the", "in an earlier time and a different place (as discussed in the question", "colloquial speech. Trouble is, **colloquialisms can easily be timed and localised** - they", "then, do I solve this conundrum - **how do I write colloquial speech,", "mispronunciations and grammatical errors are also period-specific and location-specific. How do I mark", "we're about it, what about the uneducated farmer in the same setting? Particular", "expect them to speak the local version of \"Received Pronunciation\"). They wouldn't use", "colloquialisms of the period I'm writing about. How, then, do I solve this", "speech. Trouble is, **colloquialisms can easily be timed and localised** - they belong", "they create a jarring effect when used in a work set in an", "they would use colloquial speech. Trouble is, **colloquialisms can easily be timed and", "timed and localised** - they belong to a specific time (a specific century,", "would use colloquial speech. Trouble is, **colloquialisms can easily be timed and localised**", "it, what about the uneducated farmer in the same setting? Particular mispronunciations and", "time and a different place (as discussed in the question mentioned above). And", "farmer\" without also marking him as being a \"poor farmer from 1900s Northern", "question mentioned above). And of course, I have no access to colloquialisms of", "making grammatical mistakes and would not be mispronouncing words (in fact, you can", "speech, without jarring too-modern colloquialisms?** And while we're about it, what about the", "earlier time and a different place (as discussed in the question mentioned above).", "words (in fact, you can expect them to speak the local version of", "specific time (a specific century, or even a specific decade), and to a", "I'm struggling with writing the speech of pre-modern (in my case - 5th", "(in fact, you can expect them to speak the local version of \"Received", "opposed to speaking to an adult,) would hardly use structured literary sentences -", "struggling with writing the speech of pre-modern (in my case - 5th century)", "in the question mentioned above). And of course, I have no access to", "place (as discussed in the question mentioned above). And of course, I have", "also marking him as being a \"poor farmer from 1900s Northern England\", for", "themselves. Characters who are well-educated would not be making grammatical mistakes and would", "of the period I'm writing about. How, then, do I solve this conundrum", "a specific decade), and to a specific place. Thus, they create a jarring", "to speaking to an adult,) would hardly use structured literary sentences - they", "who are well-educated would not be making grammatical mistakes and would not be", "And of course, I have no access to colloquialisms of the period I'm", "case - 5th century) noble-born children among themselves. Characters who are well-educated would", "marking him as being a \"poor farmer from 1900s Northern England\", for example?", "(in my case - 5th century) noble-born children among themselves. Characters who are", "them to speak the local version of \"Received Pronunciation\"). They wouldn't use \"Ain't\",", "They wouldn't use \"Ain't\", for example. At the same time, children speaking among", "and would not be mispronouncing words (in fact, you can expect them to", "you can expect them to speak the local version of \"Received Pronunciation\"). They", "sentences - they would use colloquial speech. Trouble is, **colloquialisms can easily be", "specific place. Thus, they create a jarring effect when used in a work", "(as opposed to speaking to an adult,) would hardly use structured literary sentences", "be timed and localised** - they belong to a specific time (a specific", "specific decade), and to a specific place. Thus, they create a jarring effect", "a different place (as discussed in the question mentioned above). And of course,", "use \"Ain't\", for example. At the same time, children speaking among themselves, (as", "How, then, do I solve this conundrum - **how do I write colloquial", "speech of pre-modern (in my case - 5th century) noble-born children among themselves.", "structured literary sentences - they would use colloquial speech. Trouble is, **colloquialisms can", "and a different place (as discussed in the question mentioned above). And of", "the same setting? Particular mispronunciations and grammatical errors are also period-specific and location-specific.", "what about the uneducated farmer in the same setting? Particular mispronunciations and grammatical", "solve this conundrum - **how do I write colloquial speech, without jarring too-modern", "decade), and to a specific place. Thus, they create a jarring effect when", "conundrum - **how do I write colloquial speech, without jarring too-modern colloquialisms?** And", "\"Ain't\", for example. At the same time, children speaking among themselves, (as opposed", "set in an earlier time and a different place (as discussed in the", "I solve this conundrum - **how do I write colloquial speech, without jarring", "time (a specific century, or even a specific decade), and to a specific", "used in a work set in an earlier time and a different place", "I write colloquial speech, without jarring too-modern colloquialisms?** And while we're about it,", "a person as a \"poor farmer\" without also marking him as being a", "Pronunciation\"). They wouldn't use \"Ain't\", for example. At the same time, children speaking", "course, I have no access to colloquialisms of the period I'm writing about.", "are well-educated would not be making grammatical mistakes and would not be mispronouncing", "local version of \"Received Pronunciation\"). They wouldn't use \"Ain't\", for example. At the", "noble-born children among themselves. Characters who are well-educated would not be making grammatical", "a work set in an earlier time and a different place (as discussed", "grammatical errors are also period-specific and location-specific. How do I mark a person", "a specific place. Thus, they create a jarring effect when used in a", "I'm writing about. How, then, do I solve this conundrum - **how do", "jarring too-modern colloquialisms?** And while we're about it, what about the uneducated farmer", "among themselves, (as opposed to speaking to an adult,) would hardly use structured", "(as discussed in the question mentioned above). And of course, I have no", "without also marking him as being a \"poor farmer from 1900s Northern England\",", "uneducated farmer in the same setting? Particular mispronunciations and grammatical errors are also", "Particular mispronunciations and grammatical errors are also period-specific and location-specific. How do I", "writing about. How, then, do I solve this conundrum - **how do I", "farmer in the same setting? Particular mispronunciations and grammatical errors are also period-specific", "mistakes and would not be mispronouncing words (in fact, you can expect them", "effect when used in a work set in an earlier time and a", "I have no access to colloquialisms of the period I'm writing about. How,", "would not be mispronouncing words (in fact, you can expect them to speak", "of pre-modern (in my case - 5th century) noble-born children among themselves. Characters", "pre-modern (in my case - 5th century) noble-born children among themselves. Characters who", "do I mark a person as a \"poor farmer\" without also marking him", "do I solve this conundrum - **how do I write colloquial speech, without", "\"poor farmer\" without also marking him as being a \"poor farmer from 1900s", "even a specific decade), and to a specific place. Thus, they create a", "and location-specific. How do I mark a person as a \"poor farmer\" without", "specific century, or even a specific decade), and to a specific place. Thus,", "localised** - they belong to a specific time (a specific century, or even", "with writing the speech of pre-modern (in my case - 5th century) noble-born", "would not be making grammatical mistakes and would not be mispronouncing words (in", "about it, what about the uneducated farmer in the same setting? Particular mispronunciations", "do I write colloquial speech, without jarring too-modern colloquialisms?** And while we're about", "of course, I have no access to colloquialisms of the period I'm writing", "are also period-specific and location-specific. How do I mark a person as a", "be mispronouncing words (in fact, you can expect them to speak the local", "same setting? Particular mispronunciations and grammatical errors are also period-specific and location-specific. How", "or even a specific decade), and to a specific place. Thus, they create", "and to a specific place. Thus, they create a jarring effect when used", "century, or even a specific decade), and to a specific place. Thus, they", "person as a \"poor farmer\" without also marking him as being a \"poor", "when used in a work set in an earlier time and a different", "they belong to a specific time (a specific century, or even a specific", "wouldn't use \"Ain't\", for example. At the same time, children speaking among themselves,", "I mark a person as a \"poor farmer\" without also marking him as", "a jarring effect when used in a work set in an earlier time", "about. How, then, do I solve this conundrum - **how do I write", "question, I'm struggling with writing the speech of pre-modern (in my case -", "have no access to colloquialisms of the period I'm writing about. How, then,", "children speaking among themselves, (as opposed to speaking to an adult,) would hardly", "- they would use colloquial speech. Trouble is, **colloquialisms can easily be timed", "without jarring too-modern colloquialisms?** And while we're about it, what about the uneducated", "errors are also period-specific and location-specific. How do I mark a person as", "use colloquial speech. Trouble is, **colloquialisms can easily be timed and localised** -", "Following [this](https://writing.stackexchange.com/questions/37336/too-modern-words) question, I'm struggling with writing the speech of pre-modern (in my", "write colloquial speech, without jarring too-modern colloquialisms?** And while we're about it, what", "an earlier time and a different place (as discussed in the question mentioned", "hardly use structured literary sentences - they would use colloquial speech. Trouble is,", "period I'm writing about. How, then, do I solve this conundrum - **how", "Trouble is, **colloquialisms can easily be timed and localised** - they belong to", "the uneducated farmer in the same setting? Particular mispronunciations and grammatical errors are", "place. Thus, they create a jarring effect when used in a work set", "and grammatical errors are also period-specific and location-specific. How do I mark a", "would hardly use structured literary sentences - they would use colloquial speech. Trouble", "be making grammatical mistakes and would not be mispronouncing words (in fact, you", "belong to a specific time (a specific century, or even a specific decade),", "not be mispronouncing words (in fact, you can expect them to speak the", "my case - 5th century) noble-born children among themselves. Characters who are well-educated", "for example. At the same time, children speaking among themselves, (as opposed to", "speak the local version of \"Received Pronunciation\"). They wouldn't use \"Ain't\", for example.", "this conundrum - **how do I write colloquial speech, without jarring too-modern colloquialisms?**", "not be making grammatical mistakes and would not be mispronouncing words (in fact,", "a \"poor farmer\" without also marking him as being a \"poor farmer from", "the period I'm writing about. How, then, do I solve this conundrum -", "above). And of course, I have no access to colloquialisms of the period", "children among themselves. Characters who are well-educated would not be making grammatical mistakes", "mispronouncing words (in fact, you can expect them to speak the local version", "among themselves. Characters who are well-educated would not be making grammatical mistakes and", "jarring effect when used in a work set in an earlier time and", "easily be timed and localised** - they belong to a specific time (a", "well-educated would not be making grammatical mistakes and would not be mispronouncing words", "same time, children speaking among themselves, (as opposed to speaking to an adult,)", "mentioned above). And of course, I have no access to colloquialisms of the", "while we're about it, what about the uneducated farmer in the same setting?", "discussed in the question mentioned above). And of course, I have no access", "the question mentioned above). And of course, I have no access to colloquialisms", "work set in an earlier time and a different place (as discussed in", "also period-specific and location-specific. How do I mark a person as a \"poor", "writing the speech of pre-modern (in my case - 5th century) noble-born children", "and localised** - they belong to a specific time (a specific century, or", "And while we're about it, what about the uneducated farmer in the same", "colloquial speech, without jarring too-modern colloquialisms?** And while we're about it, what about", "to an adult,) would hardly use structured literary sentences - they would use", "speaking to an adult,) would hardly use structured literary sentences - they would", "to speak the local version of \"Received Pronunciation\"). They wouldn't use \"Ain't\", for", "different place (as discussed in the question mentioned above). And of course, I", "speaking among themselves, (as opposed to speaking to an adult,) would hardly use", "in the same setting? Particular mispronunciations and grammatical errors are also period-specific and", "- **how do I write colloquial speech, without jarring too-modern colloquialisms?** And while", "version of \"Received Pronunciation\"). They wouldn't use \"Ain't\", for example. At the same", "themselves, (as opposed to speaking to an adult,) would hardly use structured literary", "adult,) would hardly use structured literary sentences - they would use colloquial speech.", "At the same time, children speaking among themselves, (as opposed to speaking to", "no access to colloquialisms of the period I'm writing about. How, then, do", "use structured literary sentences - they would use colloquial speech. Trouble is, **colloquialisms", "example. At the same time, children speaking among themselves, (as opposed to speaking", "- they belong to a specific time (a specific century, or even a", "**how do I write colloquial speech, without jarring too-modern colloquialisms?** And while we're", "the speech of pre-modern (in my case - 5th century) noble-born children among", "century) noble-born children among themselves. Characters who are well-educated would not be making", "- 5th century) noble-born children among themselves. Characters who are well-educated would not", "\"Received Pronunciation\"). They wouldn't use \"Ain't\", for example. At the same time, children", "5th century) noble-born children among themselves. Characters who are well-educated would not be", "(a specific century, or even a specific decade), and to a specific place.", "in a work set in an earlier time and a different place (as", "to a specific time (a specific century, or even a specific decade), and", "an adult,) would hardly use structured literary sentences - they would use colloquial", "of \"Received Pronunciation\"). They wouldn't use \"Ain't\", for example. At the same time,", "is, **colloquialisms can easily be timed and localised** - they belong to a", "to a specific place. Thus, they create a jarring effect when used in", "literary sentences - they would use colloquial speech. Trouble is, **colloquialisms can easily", "about the uneducated farmer in the same setting? Particular mispronunciations and grammatical errors", "period-specific and location-specific. How do I mark a person as a \"poor farmer\"", "as a \"poor farmer\" without also marking him as being a \"poor farmer", "the same time, children speaking among themselves, (as opposed to speaking to an", "location-specific. How do I mark a person as a \"poor farmer\" without also", "access to colloquialisms of the period I'm writing about. How, then, do I", "**colloquialisms can easily be timed and localised** - they belong to a specific", "create a jarring effect when used in a work set in an earlier", "grammatical mistakes and would not be mispronouncing words (in fact, you can expect", "Characters who are well-educated would not be making grammatical mistakes and would not", "fact, you can expect them to speak the local version of \"Received Pronunciation\").", "Thus, they create a jarring effect when used in a work set in", "[this](https://writing.stackexchange.com/questions/37336/too-modern-words) question, I'm struggling with writing the speech of pre-modern (in my case", "mark a person as a \"poor farmer\" without also marking him as being", "too-modern colloquialisms?** And while we're about it, what about the uneducated farmer in" ]
[ "is to provide verisimilitude > and tension release. > > > The gist", "of writing a static scene that provides *tension release* for the reader but", "tension. But static scenes are not frozen > like paintings. They should never", "how to write a static scene that still moves a story forward. So", "scene that still moves a story forward. So there's my question: **what are", "a story should have a *rhythm* of static scenes and dramatic scenes. Here's", "moves a story forward. So there's my question: **what are the ways of", "often eventful; something happens – a > murder, a car chase, a demand", "scenes contain more ordinary and restful moments, the lulls > that occur before", "Here's an excerpt: > > Dramatic scenes are tense and often eventful; something", "> so that nothing ‘happens’ but everything is highly charged. > > >", "and static scenes to protect the wider story from being either too melodramatic", "writer should alternate between dramatic and static scenes to protect the wider story", "it leaves me unsure about how to write a static scene that still", "leaves me unsure about how to write a static scene that still moves", "> moments between events. Their function is to provide verisimilitude > and tension", "They may explore subtle conflict or muted emotion, > so that nothing ‘happens’", "nothing ‘happens’ but everything is highly charged. > > > Static scenes contain", "explore subtle conflict or muted emotion, > so that nothing ‘happens’ but everything", "But dramatic scenes are not > always sensational. They may explore subtle conflict", "> always sensational. They may explore subtle conflict or muted emotion, > so", "should have a *rhythm* of static scenes and dramatic scenes. Here's an excerpt:", "static scenes are not frozen > like paintings. They should never stall the", "dull/cosy. On an intellectual level (and as a reader), this makes sense, but", "techniques* in novel-writing that recommends that a story should have a *rhythm* of", "demand for divorce. But dramatic scenes are not > always sensational. They may", "a > murder, a car chase, a demand for divorce. But dramatic scenes", "the > moments between events. Their function is to provide verisimilitude > and", "(and as a reader), this makes sense, but it leaves me unsure about", "question: **what are the ways of writing a static scene that provides *tension", "have a *rhythm* of static scenes and dramatic scenes. Here's an excerpt: >", "still moves a story forward. So there's my question: **what are the ways", "and restful moments, the lulls > that occur before or after tension. But", "that provides *tension release* for the reader but still moves the story forward?**", "are not > always sensational. They may explore subtle conflict or muted emotion,", "too melodramatic or too dull/cosy. On an intellectual level (and as a reader),", "melodramatic or too dull/cosy. On an intellectual level (and as a reader), this", "or muted emotion, > so that nothing ‘happens’ but everything is highly charged.", "static scenes and dramatic scenes. Here's an excerpt: > > Dramatic scenes are", "I've just read a tutorial about *scenic techniques* in novel-writing that recommends that", "that occur before or after tension. But static scenes are not frozen >", "to provide verisimilitude > and tension release. > > > The gist is", "Static scenes contain more ordinary and restful moments, the lulls > that occur", "> > The gist is that a novel writer should alternate between dramatic", "being either too melodramatic or too dull/cosy. On an intellectual level (and as", "contain more ordinary and restful moments, the lulls > that occur before or", "happens – a > murder, a car chase, a demand for divorce. But", "but everything is highly charged. > > > Static scenes contain more ordinary", "> Dramatic scenes are tense and often eventful; something happens – a >", "scenes. Here's an excerpt: > > Dramatic scenes are tense and often eventful;", "a demand for divorce. But dramatic scenes are not > always sensational. They", "novel writer should alternate between dramatic and static scenes to protect the wider", "> Static scenes contain more ordinary and restful moments, the lulls > that", "> > Static scenes contain more ordinary and restful moments, the lulls >", "tension release. > > > The gist is that a novel writer should", "read a tutorial about *scenic techniques* in novel-writing that recommends that a story", "provide verisimilitude > and tension release. > > > The gist is that", "intellectual level (and as a reader), this makes sense, but it leaves me", "eventful; something happens – a > murder, a car chase, a demand for", "wider story from being either too melodramatic or too dull/cosy. On an intellectual", "scenes are not frozen > like paintings. They should never stall the story", "before or after tension. But static scenes are not frozen > like paintings.", "just read a tutorial about *scenic techniques* in novel-writing that recommends that a", "novel-writing that recommends that a story should have a *rhythm* of static scenes", "lulls > that occur before or after tension. But static scenes are not", "or just fill in the > moments between events. Their function is to", "dramatic scenes are not > always sensational. They may explore subtle conflict or", "my question: **what are the ways of writing a static scene that provides", "divorce. But dramatic scenes are not > always sensational. They may explore subtle", "release. > > > The gist is that a novel writer should alternate", "scene that provides *tension release* for the reader but still moves the story", "> The gist is that a novel writer should alternate between dramatic and", "story or just fill in the > moments between events. Their function is", "as a reader), this makes sense, but it leaves me unsure about how", "– a > murder, a car chase, a demand for divorce. But dramatic", "may explore subtle conflict or muted emotion, > so that nothing ‘happens’ but", "But static scenes are not frozen > like paintings. They should never stall", "the story or just fill in the > moments between events. Their function", "level (and as a reader), this makes sense, but it leaves me unsure", "me unsure about how to write a static scene that still moves a", "So there's my question: **what are the ways of writing a static scene", "chase, a demand for divorce. But dramatic scenes are not > always sensational.", "muted emotion, > so that nothing ‘happens’ but everything is highly charged. >", "like paintings. They should never stall the story or just fill in the", "in the > moments between events. Their function is to provide verisimilitude >", "scenes and dramatic scenes. Here's an excerpt: > > Dramatic scenes are tense", "dramatic and static scenes to protect the wider story from being either too", "subtle conflict or muted emotion, > so that nothing ‘happens’ but everything is", "never stall the story or just fill in the > moments between events.", "> murder, a car chase, a demand for divorce. But dramatic scenes are", "occur before or after tension. But static scenes are not frozen > like", "highly charged. > > > Static scenes contain more ordinary and restful moments,", "a static scene that provides *tension release* for the reader but still moves", "between dramatic and static scenes to protect the wider story from being either", "an excerpt: > > Dramatic scenes are tense and often eventful; something happens", "car chase, a demand for divorce. But dramatic scenes are not > always", "an intellectual level (and as a reader), this makes sense, but it leaves", "events. Their function is to provide verisimilitude > and tension release. > >", "or too dull/cosy. On an intellectual level (and as a reader), this makes", "excerpt: > > Dramatic scenes are tense and often eventful; something happens –", "that recommends that a story should have a *rhythm* of static scenes and", "that nothing ‘happens’ but everything is highly charged. > > > Static scenes", "*scenic techniques* in novel-writing that recommends that a story should have a *rhythm*", "after tension. But static scenes are not frozen > like paintings. They should", "> > > Static scenes contain more ordinary and restful moments, the lulls", "ways of writing a static scene that provides *tension release* for the reader", "that a novel writer should alternate between dramatic and static scenes to protect", "are tense and often eventful; something happens – a > murder, a car", "that a story should have a *rhythm* of static scenes and dramatic scenes.", "is that a novel writer should alternate between dramatic and static scenes to", "about *scenic techniques* in novel-writing that recommends that a story should have a", "in novel-writing that recommends that a story should have a *rhythm* of static", "from being either too melodramatic or too dull/cosy. On an intellectual level (and", "sense, but it leaves me unsure about how to write a static scene", "just fill in the > moments between events. Their function is to provide", "moments between events. Their function is to provide verisimilitude > and tension release.", "paintings. They should never stall the story or just fill in the >", "unsure about how to write a static scene that still moves a story", "should alternate between dramatic and static scenes to protect the wider story from", "static scenes to protect the wider story from being either too melodramatic or", "frozen > like paintings. They should never stall the story or just fill", "a car chase, a demand for divorce. But dramatic scenes are not >", "not frozen > like paintings. They should never stall the story or just", "verisimilitude > and tension release. > > > The gist is that a", "a *rhythm* of static scenes and dramatic scenes. Here's an excerpt: > >", "not > always sensational. They may explore subtle conflict or muted emotion, >", "They should never stall the story or just fill in the > moments", "moments, the lulls > that occur before or after tension. But static scenes", "a reader), this makes sense, but it leaves me unsure about how to", "this makes sense, but it leaves me unsure about how to write a", "too dull/cosy. On an intellectual level (and as a reader), this makes sense,", "murder, a car chase, a demand for divorce. But dramatic scenes are not", "forward. So there's my question: **what are the ways of writing a static", "function is to provide verisimilitude > and tension release. > > > The", "are not frozen > like paintings. They should never stall the story or", "static scene that still moves a story forward. So there's my question: **what", "Dramatic scenes are tense and often eventful; something happens – a > murder,", "that still moves a story forward. So there's my question: **what are the", "story forward. So there's my question: **what are the ways of writing a", "to write a static scene that still moves a story forward. So there's", "always sensational. They may explore subtle conflict or muted emotion, > so that", "is highly charged. > > > Static scenes contain more ordinary and restful", "recommends that a story should have a *rhythm* of static scenes and dramatic", "either too melodramatic or too dull/cosy. On an intellectual level (and as a", "scenes to protect the wider story from being either too melodramatic or too", "about how to write a static scene that still moves a story forward.", "reader), this makes sense, but it leaves me unsure about how to write", "restful moments, the lulls > that occur before or after tension. But static", "makes sense, but it leaves me unsure about how to write a static", "alternate between dramatic and static scenes to protect the wider story from being", "protect the wider story from being either too melodramatic or too dull/cosy. On", "for divorce. But dramatic scenes are not > always sensational. They may explore", "The gist is that a novel writer should alternate between dramatic and static", "to protect the wider story from being either too melodramatic or too dull/cosy.", "story should have a *rhythm* of static scenes and dramatic scenes. Here's an", "On an intellectual level (and as a reader), this makes sense, but it", "fill in the > moments between events. Their function is to provide verisimilitude", "sensational. They may explore subtle conflict or muted emotion, > so that nothing", "emotion, > so that nothing ‘happens’ but everything is highly charged. > >", "and tension release. > > > The gist is that a novel writer", "of static scenes and dramatic scenes. Here's an excerpt: > > Dramatic scenes", "a story forward. So there's my question: **what are the ways of writing", "writing a static scene that provides *tension release* for the reader but still", "> > Dramatic scenes are tense and often eventful; something happens – a", "**what are the ways of writing a static scene that provides *tension release*", "scenes are tense and often eventful; something happens – a > murder, a", "more ordinary and restful moments, the lulls > that occur before or after", "or after tension. But static scenes are not frozen > like paintings. They", "tense and often eventful; something happens – a > murder, a car chase,", "charged. > > > Static scenes contain more ordinary and restful moments, the", "there's my question: **what are the ways of writing a static scene that", "> like paintings. They should never stall the story or just fill in", "between events. Their function is to provide verisimilitude > and tension release. >", "‘happens’ but everything is highly charged. > > > Static scenes contain more", "gist is that a novel writer should alternate between dramatic and static scenes", "scenes are not > always sensational. They may explore subtle conflict or muted", "static scene that provides *tension release* for the reader but still moves the", "and often eventful; something happens – a > murder, a car chase, a", "dramatic scenes. Here's an excerpt: > > Dramatic scenes are tense and often", "story from being either too melodramatic or too dull/cosy. On an intellectual level", "tutorial about *scenic techniques* in novel-writing that recommends that a story should have", "stall the story or just fill in the > moments between events. Their", "Their function is to provide verisimilitude > and tension release. > > >", "are the ways of writing a static scene that provides *tension release* for", "> that occur before or after tension. But static scenes are not frozen", "conflict or muted emotion, > so that nothing ‘happens’ but everything is highly", "should never stall the story or just fill in the > moments between", "write a static scene that still moves a story forward. So there's my", "everything is highly charged. > > > Static scenes contain more ordinary and", "> > > The gist is that a novel writer should alternate between", "*rhythm* of static scenes and dramatic scenes. Here's an excerpt: > > Dramatic", "so that nothing ‘happens’ but everything is highly charged. > > > Static", "ordinary and restful moments, the lulls > that occur before or after tension.", "but it leaves me unsure about how to write a static scene that", "something happens – a > murder, a car chase, a demand for divorce.", "a static scene that still moves a story forward. So there's my question:", "and dramatic scenes. Here's an excerpt: > > Dramatic scenes are tense and", "the wider story from being either too melodramatic or too dull/cosy. On an", "the ways of writing a static scene that provides *tension release* for the", "a tutorial about *scenic techniques* in novel-writing that recommends that a story should", "a novel writer should alternate between dramatic and static scenes to protect the", "> and tension release. > > > The gist is that a novel", "the lulls > that occur before or after tension. But static scenes are" ]
[ "her own business and is forced to fight for her life; against a", "defeat the creature but she starts hitting it without tiredness; until she is", "story begins with a woman minding her own business and is forced to", "the character has got courage and survival instincts - if I weren’t to", "she is forced to flee ( I thought that this would make the", "though I think it could prove that the character has got courage and", "seems to refer back to this very scene even though I think it", "without tiredness; until she is forced to flee ( I thought that this", "( I thought that this would make the character stand out more )", "for her life; against a grotesque (but unseen) creature. 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The creature is too strong for her, she isn’t", "of the story never seems to refer back to this very scene even", "too strong for her, she isn’t strong enough to defeat the creature but", "could prove that the character has got courage and survival instincts - if", "and survival instincts - if I weren’t to write a fight scene at", "scenes the words have to be simple and must be carefully written -", "minding her own business and is forced to fight for her life; against", "- if I weren’t to write a fight scene at all would my", "strong enough to defeat the creature but she starts hitting it without tiredness;", "to be simple and must be carefully written - the rest of the", "make the character stand out more ) I have read that to write", "more ) I have read that to write a fight scenes the words", "the rest of the story never seems to refer back to this very", "is forced to fight for her life; against a grotesque (but unseen) creature.", "a fight scenes the words have to be simple and must be carefully", "got courage and survival instincts - if I weren’t to write a fight", "back to this very scene even though I think it could prove that", "for her, she isn’t strong enough to defeat the creature but she starts", "if I weren’t to write a fight scene at all would my character/victim", "I weren’t to write a fight scene at all would my character/victim seem", "must be carefully written - the rest of the story never seems to", "a grotesque (but unseen) creature. The creature is too strong for her, she", "character stand out more ) I have read that to write a fight", "rest of the story never seems to refer back to this very scene", "survival instincts - if I weren’t to write a fight scene at all", "isn’t strong enough to defeat the creature but she starts hitting it without", "own business and is forced to fight for her life; against a grotesque", "hitting it without tiredness; until she is forced to flee ( I thought", "it could prove that the character has got courage and survival instincts -", "to write a fight scene at all would my character/victim seem less insightful?", "write a fight scenes the words have to be simple and must be", "creature is too strong for her, she isn’t strong enough to defeat the", "creature. The creature is too strong for her, she isn’t strong enough to", "woman minding her own business and is forced to fight for her life;", "stand out more ) I have read that to write a fight scenes", "have read that to write a fight scenes the words have to be", "even though I think it could prove that the character has got courage", "words have to be simple and must be carefully written - the rest", "would make the character stand out more ) I have read that to", "to refer back to this very scene even though I think it could", "is forced to flee ( I thought that this would make the character", "tiredness; until she is forced to flee ( I thought that this would", "thought that this would make the character stand out more ) I have", "carefully written - the rest of the story never seems to refer back", "story never seems to refer back to this very scene even though I", "business and is forced to fight for her life; against a grotesque (but", "forced to flee ( I thought that this would make the character stand", "the creature but she starts hitting it without tiredness; until she is forced", "fight scenes the words have to be simple and must be carefully written", "that to write a fight scenes the words have to be simple and", "weren’t to write a fight scene at all would my character/victim seem less", "fight for her life; against a grotesque (but unseen) creature. The creature is", "(but unseen) creature. The creature is too strong for her, she isn’t strong", "written - the rest of the story never seems to refer back to", "flee ( I thought that this would make the character stand out more", "- the rest of the story never seems to refer back to this", "to this very scene even though I think it could prove that the", "be simple and must be carefully written - the rest of the story", "I think it could prove that the character has got courage and survival", "The creature is too strong for her, she isn’t strong enough to defeat", "to fight for her life; against a grotesque (but unseen) creature. The creature", "until she is forced to flee ( I thought that this would make", "character has got courage and survival instincts - if I weren’t to write", "instincts - if I weren’t to write a fight scene at all would", "the words have to be simple and must be carefully written - the", "refer back to this very scene even though I think it could prove", "her, she isn’t strong enough to defeat the creature but she starts hitting", "the character stand out more ) I have read that to write a", "simple and must be carefully written - the rest of the story never", "My story begins with a woman minding her own business and is forced", "to flee ( I thought that this would make the character stand out", "have to be simple and must be carefully written - the rest of", "out more ) I have read that to write a fight scenes the", "to defeat the creature but she starts hitting it without tiredness; until she", "the story never seems to refer back to this very scene even though", "life; against a grotesque (but unseen) creature. The creature is too strong for", "I thought that this would make the character stand out more ) I", "and must be carefully written - the rest of the story never seems", "prove that the character has got courage and survival instincts - if I", "be carefully written - the rest of the story never seems to refer", ") I have read that to write a fight scenes the words have", "it without tiredness; until she is forced to flee ( I thought that", "read that to write a fight scenes the words have to be simple", "is too strong for her, she isn’t strong enough to defeat the creature", "she isn’t strong enough to defeat the creature but she starts hitting it", "I have read that to write a fight scenes the words have to", "to write a fight scenes the words have to be simple and must", "unseen) creature. The creature is too strong for her, she isn’t strong enough", "never seems to refer back to this very scene even though I think", "that the character has got courage and survival instincts - if I weren’t", "courage and survival instincts - if I weren’t to write a fight scene", "this very scene even though I think it could prove that the character", "a woman minding her own business and is forced to fight for her", "starts hitting it without tiredness; until she is forced to flee ( I", "and is forced to fight for her life; against a grotesque (but unseen)", "has got courage and survival instincts - if I weren’t to write a", "she starts hitting it without tiredness; until she is forced to flee (", "that this would make the character stand out more ) I have read", "this would make the character stand out more ) I have read that", "with a woman minding her own business and is forced to fight for", "think it could prove that the character has got courage and survival instincts", "strong for her, she isn’t strong enough to defeat the creature but she" ]
[ "I introduce Kics, the main character. At the time of writing, I thought", "shaped by Kics’s hands. The axe had belonged to him since a young", "for a writer's handbook/source/acclaimed author saying this is either good, okay or bad.", "was Brif, who was his best friend, and the other servants on the", "the reader can just wonder about these details for a bit. Here's another", "that. This is not a vital part of the story, not at all,", "readers why he was the lumberjack. And also to illustrate what kind of", "This is not a vital part of the story, not at all, I", "it too soon to say these things? Perhaps the reader can just wonder", "think it might not be so good, which is why I'm asking. In", "I want you to critique the entirety of my story. That is not", "this question is not mainly opinion based, I'm really just looking for a", "mother of father, Kics was without family. The closest thing he came to", "very first sentences of my book, I introduce Kics, the main character. At", "different way, through her actions for example. So, is it \"bad\" to say", "> Sorry if the excerpt was a bit lengthy, I know this is", "for a bit. Here's another example of this, coming straight after the first", "the firewood from the chopping block to the shed, or the fireplace. Since", "to family was Brif, who was his best friend, and the other servants", "along with Kics’s mother, a winter night. Such was normal for low-level servants", "is not mainly opinion based, I'm really just looking for a writer's handbook/source/acclaimed", "best friend, and the other servants on the farm. > > > Sorry", "shed, or the fireplace. Since she was just twelve there wasn’t any specific", "introduce Kics, the main character. At the time of writing, I thought little", "main character. At the time of writing, I thought little of the words", "was normal for low-level servants of the King. So, without his mother of", "say these things? Perhaps the reader can just wonder about these details for", "first it's OK, I'm just describing what he's doing. But it quickly gets", "exhausted. She did all the small jobs on the farm, like transporting the", "firewood towered beside him. Deep ravines laid in the haft of the axe,", "it's OK, I'm just describing what he's doing. But it quickly gets into", "died and all that. This is not a vital part of the story,", "him. Deep ravines laid in the haft of the axe, shaped by Kics’s", "time of writing, I thought little of the words I jotted down. But", "another example of this, coming straight after the first excerpt. > > -Hey,", "the story, not at all, I just wanted to tell my readers why", "soon to be the lumberjack of the homestead, like his father before him.", "to say these things? Perhaps the reader can just wonder about these details", "\"bad\" to say details like these, and background material, so early in a", "a critique site. Now, at first it's OK, I'm just describing what he's", "came to family was Brif, who was his best friend, and the other", "of this, coming straight after the first excerpt. > > -Hey, you done", "Here's another example of this, coming straight after the first excerpt. > >", "of the words I jotted down. But now, reading it in retrospective, something", "again, the details are not very important. Her age could be told in", "family. The closest thing he came to family was Brif, who was his", "just twelve there wasn’t any specific job given to her yet. > >", "Millie was exhausted. She did all the small jobs on the farm, like", "and all that. This is not a vital part of the story, not", "of the King. So, without his mother of father, Kics was without family.", "like transporting the firewood from the chopping block to the shed, or the", "a character's introduction? Also, sorry if it looks like I want you to", "her yet. > > > Once again, the details are not very important.", "book, I introduce Kics, the main character. At the time of writing, I", "twelve there wasn’t any specific job given to her yet. > > >", "parents died and all that. This is not a vital part of the", "friend, and the other servants on the farm. > > > Sorry if", "a look. > > Splinters flew as Kics chopped the logs. A great", "bit lengthy, I know this is not a critique site. Now, at first", "I'm just describing what he's doing. But it quickly gets into how his", "> > > Once again, the details are not very important. Her age", "Take a look. > > Splinters flew as Kics chopped the logs. A", "a winter night. Such was normal for low-level servants of the King. So,", "had belonged to him since a young age. He was soon to be", "is why I'm asking. In the very first sentences of my book, I", "Deep ravines laid in the haft of the axe, shaped by Kics’s hands.", "father, Kics was without family. The closest thing he came to family was", "details like these, and background material, so early in a character's introduction? Also,", "at all, I just wanted to tell my readers why he was the", "his best friend, and the other servants on the farm. > > >", "something was off to me. Take a look. > > Splinters flew as", "was his best friend, and the other servants on the farm. > >", "illustrate what kind of situation he's in. But when I think about it,", "early in a character's introduction? Also, sorry if it looks like I want", "At the time of writing, I thought little of the words I jotted", "a bit lengthy, I know this is not a critique site. Now, at", "Such was normal for low-level servants of the King. So, without his mother", "normal for low-level servants of the King. So, without his mother of father,", "question is not mainly opinion based, I'm really just looking for a writer's", "how his parents died and all that. This is not a vital part", "sorry if it looks like I want you to critique the entirety of", "site. Now, at first it's OK, I'm just describing what he's doing. But", "really just looking for a writer's handbook/source/acclaimed author saying this is either good,", "King. So, without his mother of father, Kics was without family. The closest", "you done soon? > > > Millie was exhausted. She did all the", "him since a young age. He was soon to be the lumberjack of", "wanted to tell my readers why he was the lumberjack. And also to", "I'm asking. In the very first sentences of my book, I introduce Kics,", "character's introduction? Also, sorry if it looks like I want you to critique", "as Kics chopped the logs. A great pile of firewood towered beside him.", "handbook/source/acclaimed author saying this is either good, okay or bad. I think it", "just looking for a writer's handbook/source/acclaimed author saying this is either good, okay", "after the first excerpt. > > -Hey, you done soon? > > >", "to be the lumberjack of the homestead, like his father before him. He", "simply want to know if the potential problem of mine is a problem.", "about these details for a bit. Here's another example of this, coming straight", "not my goal, I simply want to know if the potential problem of", "haft of the axe, shaped by Kics’s hands. The axe had belonged to", "the logs. A great pile of firewood towered beside him. Deep ravines laid", "he's in. But when I think about it, is it too soon to", "any specific job given to her yet. > > > Once again, the", "to tell my readers why he was the lumberjack. And also to illustrate", "quickly gets into how his parents died and all that. This is not", "kind of situation he's in. But when I think about it, is it", "chopping block to the shed, or the fireplace. Since she was just twelve", "the chopping block to the shed, or the fireplace. Since she was just", "not mainly opinion based, I'm really just looking for a writer's handbook/source/acclaimed author", "> > -Hey, you done soon? > > > Millie was exhausted. She", "wonder about these details for a bit. Here's another example of this, coming", "-Hey, you done soon? > > > Millie was exhausted. She did all", "so early in a character's introduction? Also, sorry if it looks like I", "axe had belonged to him since a young age. He was soon to", "what he's doing. But it quickly gets into how his parents died and", "coming straight after the first excerpt. > > -Hey, you done soon? >", "bit. Here's another example of this, coming straight after the first excerpt. >", "he was the lumberjack. And also to illustrate what kind of situation he's", "if it looks like I want you to critique the entirety of my", "want you to critique the entirety of my story. That is not my", "way, through her actions for example. So, is it \"bad\" to say details", "Since she was just twelve there wasn’t any specific job given to her", "> > > Sorry if the excerpt was a bit lengthy, I know", "And also to illustrate what kind of situation he's in. But when I", "great pile of firewood towered beside him. Deep ravines laid in the haft", "was exhausted. She did all the small jobs on the farm, like transporting", "Kics’s hands. The axe had belonged to him since a young age. He", "and the other servants on the farm. > > > Sorry if the", "I know this is not a critique site. Now, at first it's OK,", "the axe, shaped by Kics’s hands. The axe had belonged to him since", "not a vital part of the story, not at all, I just wanted", "told in a different way, through her actions for example. So, is it", "story. That is not my goal, I simply want to know if the", "thing he came to family was Brif, who was his best friend, and", "jobs on the farm, like transporting the firewood from the chopping block to", "to the shed, or the fireplace. Since she was just twelve there wasn’t", "could be told in a different way, through her actions for example. So,", "he came to family was Brif, who was his best friend, and the", "a writer's handbook/source/acclaimed author saying this is either good, okay or bad. I", "So, without his mother of father, Kics was without family. The closest thing", "straight after the first excerpt. > > -Hey, you done soon? > >", "his parents died and all that. This is not a vital part of", "writing, I thought little of the words I jotted down. But now, reading", "She did all the small jobs on the farm, like transporting the firewood", "OK, I'm just describing what he's doing. But it quickly gets into how", "in a different way, through her actions for example. So, is it \"bad\"", "But now, reading it in retrospective, something was off to me. Take a", "critique the entirety of my story. That is not my goal, I simply", "little of the words I jotted down. But now, reading it in retrospective,", "He died, along with Kics’s mother, a winter night. Such was normal for", "describing what he's doing. But it quickly gets into how his parents died", "be told in a different way, through her actions for example. So, is", "example. So, is it \"bad\" to say details like these, and background material,", "> > Splinters flew as Kics chopped the logs. A great pile of", "before him. He died, along with Kics’s mother, a winter night. Such was", "in retrospective, something was off to me. Take a look. > > Splinters", "given to her yet. > > > Once again, the details are not", "since a young age. He was soon to be the lumberjack of the", "So, is it \"bad\" to say details like these, and background material, so", "in a character's introduction? Also, sorry if it looks like I want you", "servants of the King. So, without his mother of father, Kics was without", "Now, at first it's OK, I'm just describing what he's doing. But it", "servants on the farm. > > > Sorry if the excerpt was a", "not a critique site. Now, at first it's OK, I'm just describing what", "I simply want to know if the potential problem of mine is a", "towered beside him. Deep ravines laid in the haft of the axe, shaped", "bad. I think it might not be so good, which is why I'm", "a vital part of the story, not at all, I just wanted to", "was off to me. Take a look. > > Splinters flew as Kics", "> -Hey, you done soon? > > > Millie was exhausted. She did", "you to critique the entirety of my story. That is not my goal,", "hands. The axe had belonged to him since a young age. He was", "if the excerpt was a bit lengthy, I know this is not a", "looks like I want you to critique the entirety of my story. That", "not be so good, which is why I'm asking. In the very first", "reader can just wonder about these details for a bit. Here's another example", "into how his parents died and all that. This is not a vital", "who was his best friend, and the other servants on the farm. >", "a young age. He was soon to be the lumberjack of the homestead,", "these things? Perhaps the reader can just wonder about these details for a", "to say details like these, and background material, so early in a character's", "his father before him. He died, along with Kics’s mother, a winter night.", "> > > Millie was exhausted. She did all the small jobs on", "lumberjack. And also to illustrate what kind of situation he's in. But when", "character. At the time of writing, I thought little of the words I", "Sorry if the excerpt was a bit lengthy, I know this is not", "first excerpt. > > -Hey, you done soon? > > > Millie was", "be the lumberjack of the homestead, like his father before him. He died,", "his mother of father, Kics was without family. 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He was soon to be the", "all, I just wanted to tell my readers why he was the lumberjack.", "yet. > > > Once again, the details are not very important. Her", "hope this question is not mainly opinion based, I'm really just looking for", "without his mother of father, Kics was without family. The closest thing he", "> Millie was exhausted. She did all the small jobs on the farm,", "In the very first sentences of my book, I introduce Kics, the main", "A great pile of firewood towered beside him. Deep ravines laid in the", "soon to say these things? Perhaps the reader can just wonder about these", "Kics, the main character. At the time of writing, I thought little of", "was a bit lengthy, I know this is not a critique site. Now,", "to critique the entirety of my story. That is not my goal, I", "low-level servants of the King. So, without his mother of father, Kics was", "with Kics’s mother, a winter night. Such was normal for low-level servants of", "the words I jotted down. 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The axe had belonged to him since a", "doing. But it quickly gets into how his parents died and all that.", "> > Sorry if the excerpt was a bit lengthy, I know this", "wasn’t any specific job given to her yet. > > > Once again,", "young age. He was soon to be the lumberjack of the homestead, like", "this is either good, okay or bad. I think it might not be", "example of this, coming straight after the first excerpt. > > -Hey, you", "the shed, or the fireplace. Since she was just twelve there wasn’t any", "jotted down. But now, reading it in retrospective, something was off to me.", "the details are not very important. Her age could be told in a", "the excerpt was a bit lengthy, I know this is not a critique", "why he was the lumberjack. And also to illustrate what kind of situation", "her actions for example. So, is it \"bad\" to say details like these,", "these details for a bit. Here's another example of this, coming straight after", "actions for example. So, is it \"bad\" to say details like these, and", "all the small jobs on the farm, like transporting the firewood from the", "are not very important. Her age could be told in a different way,", "can just wonder about these details for a bit. Here's another example of", "about it, is it too soon to say these things? Perhaps the reader", "Once again, the details are not very important. Her age could be told", "did all the small jobs on the farm, like transporting the firewood from", "That is not my goal, I simply want to know if the potential", "it \"bad\" to say details like these, and background material, so early in", "material, so early in a character's introduction? Also, sorry if it looks like", "to me. Take a look. > > Splinters flew as Kics chopped the", "and background material, so early in a character's introduction? Also, sorry if it", "age. He was soon to be the lumberjack of the homestead, like his", "situation he's in. But when I think about it, is it too soon", "The axe had belonged to him since a young age. He was soon", "excerpt. > > -Hey, you done soon? > > > Millie was exhausted.", "just describing what he's doing. But it quickly gets into how his parents", "which is why I'm asking. In the very first sentences of my book,", "my goal, I simply want to know if the potential problem of mine", "off to me. Take a look. > > Splinters flew as Kics chopped", "the first excerpt. > > -Hey, you done soon? > > > Millie", "mother, a winter night. Such was normal for low-level servants of the King.", "a bit. Here's another example of this, coming straight after the first excerpt.", "of the axe, shaped by Kics’s hands. The axe had belonged to him", "was soon to be the lumberjack of the homestead, like his father before", "just wonder about these details for a bit. Here's another example of this,", "like these, and background material, so early in a character's introduction? 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At the", "The closest thing he came to family was Brif, who was his best", "him. He died, along with Kics’s mother, a winter night. Such was normal", "closest thing he came to family was Brif, who was his best friend,", "the farm, like transporting the firewood from the chopping block to the shed,", "details are not very important. Her age could be told in a different", "either good, okay or bad. I think it might not be so good,", "transporting the firewood from the chopping block to the shed, or the fireplace.", "firewood from the chopping block to the shed, or the fireplace. Since she", "be so good, which is why I'm asking. In the very first sentences", "farm. > > > Sorry if the excerpt was a bit lengthy, I", "tell my readers why he was the lumberjack. And also to illustrate what", "> Once again, the details are not very important. Her age could be", "vital part of the story, not at all, I just wanted to tell", "of the story, not at all, I just wanted to tell my readers", "Kics chopped the logs. A great pile of firewood towered beside him. Deep", "my readers why he was the lumberjack. And also to illustrate what kind", "for example. So, is it \"bad\" to say details like these, and background", "words I jotted down. But now, reading it in retrospective, something was off", "down. But now, reading it in retrospective, something was off to me. Take", "was the lumberjack. And also to illustrate what kind of situation he's in.", "it quickly gets into how his parents died and all that. This is", "Splinters flew as Kics chopped the logs. A great pile of firewood towered", "through her actions for example. So, is it \"bad\" to say details like", "to her yet. > > > Once again, the details are not very", "so good, which is why I'm asking. In the very first sentences of", "specific job given to her yet. > > > Once again, the details", "it might not be so good, which is why I'm asking. In the", "I just wanted to tell my readers why he was the lumberjack. And", "soon? > > > Millie was exhausted. She did all the small jobs", "this is not a critique site. Now, at first it's OK, I'm just", "is not a vital part of the story, not at all, I just", "is it \"bad\" to say details like these, and background material, so early", "flew as Kics chopped the logs. A great pile of firewood towered beside", "in. But when I think about it, is it too soon to say", "I jotted down. But now, reading it in retrospective, something was off to", "know this is not a critique site. Now, at first it's OK, I'm", "this, coming straight after the first excerpt. > > -Hey, you done soon?", "now, reading it in retrospective, something was off to me. Take a look.", "the homestead, like his father before him. He died, along with Kics’s mother,", "was without family. The closest thing he came to family was Brif, who", "done soon? > > > Millie was exhausted. She did all the small", "family was Brif, who was his best friend, and the other servants on", "he's doing. But it quickly gets into how his parents died and all", "it, is it too soon to say these things? Perhaps the reader can", "gets into how his parents died and all that. This is not a", "background material, so early in a character's introduction? Also, sorry if it looks", "> Splinters flew as Kics chopped the logs. A great pile of firewood", "other servants on the farm. > > > Sorry if the excerpt was", "me. Take a look. > > Splinters flew as Kics chopped the logs.", "at first it's OK, I'm just describing what he's doing. But it quickly", "is not a critique site. Now, at first it's OK, I'm just describing", "based, I'm really just looking for a writer's handbook/source/acclaimed author saying this is", "But when I think about it, is it too soon to say these", "a different way, through her actions for example. So, is it \"bad\" to", "the King. So, without his mother of father, Kics was without family. The", "all that. This is not a vital part of the story, not at", "when I think about it, is it too soon to say these things?", "farm, like transporting the firewood from the chopping block to the shed, or", "of writing, I thought little of the words I jotted down. But now,", "of firewood towered beside him. Deep ravines laid in the haft of the", "the lumberjack. And also to illustrate what kind of situation he's in. But", "it looks like I want you to critique the entirety of my story.", "pile of firewood towered beside him. Deep ravines laid in the haft of", "fireplace. Since she was just twelve there wasn’t any specific job given to", "on the farm, like transporting the firewood from the chopping block to the", "mainly opinion based, I'm really just looking for a writer's handbook/source/acclaimed author saying", "like I want you to critique the entirety of my story. That is", "But it quickly gets into how his parents died and all that. This", "> > Millie was exhausted. She did all the small jobs on the", "Kics was without family. The closest thing he came to family was Brif,", "the farm. > > > Sorry if the excerpt was a bit lengthy,", "the haft of the axe, shaped by Kics’s hands. The axe had belonged", "asking. In the very first sentences of my book, I introduce Kics, the", "Perhaps the reader can just wonder about these details for a bit. Here's", "things? Perhaps the reader can just wonder about these details for a bit.", "Also, sorry if it looks like I want you to critique the entirety", "opinion based, I'm really just looking for a writer's handbook/source/acclaimed author saying this", "the main character. At the time of writing, I thought little of the", "might not be so good, which is why I'm asking. In the very", "night. Such was normal for low-level servants of the King. So, without his", "say details like these, and background material, so early in a character's introduction?", "okay or bad. I think it might not be so good, which is", "what kind of situation he's in. But when I think about it, is", "the fireplace. Since she was just twelve there wasn’t any specific job given", "excerpt was a bit lengthy, I know this is not a critique site.", "good, which is why I'm asking. In the very first sentences of my", "logs. A great pile of firewood towered beside him. Deep ravines laid in", "looking for a writer's handbook/source/acclaimed author saying this is either good, okay or", "reading it in retrospective, something was off to me. Take a look. >", "just wanted to tell my readers why he was the lumberjack. And also", "thought little of the words I jotted down. But now, reading it in", "to illustrate what kind of situation he's in. But when I think about", "I'm really just looking for a writer's handbook/source/acclaimed author saying this is either", "or bad. I think it might not be so good, which is why", "lengthy, I know this is not a critique site. Now, at first it's", "ravines laid in the haft of the axe, shaped by Kics’s hands. The", "I think about it, is it too soon to say these things? Perhaps", "by Kics’s hands. The axe had belonged to him since a young age.", "goal, I simply want to know if the potential problem of mine is", "the entirety of my story. That is not my goal, I simply want", "laid in the haft of the axe, shaped by Kics’s hands. The axe", "I think it might not be so good, which is why I'm asking.", "winter night. Such was normal for low-level servants of the King. So, without", "of the homestead, like his father before him. He died, along with Kics’s", "not very important. Her age could be told in a different way, through", "like his father before him. He died, along with Kics’s mother, a winter", "on the farm. > > > Sorry if the excerpt was a bit", "she was just twelve there wasn’t any specific job given to her yet.", "my story. That is not my goal, I simply want to know if", "author saying this is either good, okay or bad. I think it might", "too soon to say these things? Perhaps the reader can just wonder about", "beside him. Deep ravines laid in the haft of the axe, shaped by", "sentences of my book, I introduce Kics, the main character. At the time", "there wasn’t any specific job given to her yet. > > > Once", "details for a bit. Here's another example of this, coming straight after the", "very important. Her age could be told in a different way, through her", "He was soon to be the lumberjack of the homestead, like his father", "introduction? Also, sorry if it looks like I want you to critique the" ]
[ "want to write a chapter where the antagonist beats the protagonist and, well,", "that he rapes her without really writing details about him raping her or", "and I want to write a chapter where the antagonist beats the protagonist", "beats the protagonist and, well, I want to imply that he rapes her", "where the antagonist beats the protagonist and, well, I want to imply that", "the protagonist and, well, I want to imply that he rapes her without", "her or writing anything too explicit. How might I do that? What vocabulary", "details about him raping her or writing anything too explicit. How might I", "write a chapter where the antagonist beats the protagonist and, well, I want", "I want to imply that he rapes her without really writing details about", "imply that he rapes her without really writing details about him raping her", "too explicit. How might I do that? What vocabulary should I use for", "I'm writing a book and I want to write a chapter where the", "really writing details about him raping her or writing anything too explicit. How", "writing anything too explicit. How might I do that? What vocabulary should I", "want to imply that he rapes her without really writing details about him", "writing details about him raping her or writing anything too explicit. How might", "antagonist beats the protagonist and, well, I want to imply that he rapes", "book and I want to write a chapter where the antagonist beats the", "her without really writing details about him raping her or writing anything too", "I want to write a chapter where the antagonist beats the protagonist and,", "the antagonist beats the protagonist and, well, I want to imply that he", "chapter where the antagonist beats the protagonist and, well, I want to imply", "about him raping her or writing anything too explicit. How might I do", "rapes her without really writing details about him raping her or writing anything", "him raping her or writing anything too explicit. How might I do that?", "writing a book and I want to write a chapter where the antagonist", "and, well, I want to imply that he rapes her without really writing", "to imply that he rapes her without really writing details about him raping", "he rapes her without really writing details about him raping her or writing", "explicit. How might I do that? What vocabulary should I use for this?", "without really writing details about him raping her or writing anything too explicit.", "to write a chapter where the antagonist beats the protagonist and, well, I", "protagonist and, well, I want to imply that he rapes her without really", "anything too explicit. How might I do that? What vocabulary should I use", "a chapter where the antagonist beats the protagonist and, well, I want to", "or writing anything too explicit. How might I do that? What vocabulary should", "a book and I want to write a chapter where the antagonist beats", "well, I want to imply that he rapes her without really writing details", "raping her or writing anything too explicit. How might I do that? What" ]
[ "fiction. Thing is — I quite like the effect (the space inserted in", "fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em dashes are easily edited out,", "part with it unless I'm given an excellent alternative. I've read a little", "use the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that", "the em dash, but none that really hit the nail on the head", "has on my writing and I'm rather reluctant to part with it unless", "writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em dashes are easily edited out, and", "dash, but none that really hit the nail on the head for me.", "prose so that a dash is not needed?** --- I noticed that there", "I'm rather reluctant to part with it unless I'm given an excellent alternative.", "I noticed that there are a few questions relating to the em dash,", "that 'Em dashes are easily edited out, and the clumsy sentences rewritten', but", "read a little around the subject and I've seen that commas, colons and", "rewritten', but doesn't elaborate, and that's the extra step that I'm looking for.", "the head for me. The closest is this: [When to use the em", "out, and the clumsy sentences rewritten', but doesn't elaborate, and that's the extra", "been accused — shock, horror — of using the dash (the one that", "rather reluctant to part with it unless I'm given an excellent alternative. I've", "inserted in sentences by the slightly extended pause) it has on my writing", "question is: **what ways exist to rephrase prose so that a dash is", "have been accused — shock, horror — of using the dash (the one", "excellent alternative. I've read a little around the subject and I've seen that", "seen that commas, colons and semicolons are suggested as replacements, but they just", "not needed?** --- I noticed that there are a few questions relating to", "I have been accused — shock, horror — of using the dash (the", "are easily edited out, and the clumsy sentences rewritten', but doesn't elaborate, and", "**what ways exist to rephrase prose so that a dash is not needed?**", "none that really hit the nail on the head for me. The closest", "effect for me. So, in the interests of finding something a little more", "in sentences by the slightly extended pause) it has on my writing and", "reluctant to part with it unless I'm given an excellent alternative. I've read", "more robust, my question is: **what ways exist to rephrase prose so that", "answer mentions that 'Em dashes are easily edited out, and the clumsy sentences", "really hit the nail on the head for me. The closest is this:", "interests of finding something a little more robust, my question is: **what ways", "pause) too much in my fiction. Thing is — I quite like the", "my writing and I'm rather reluctant to part with it unless I'm given", "extended pause) it has on my writing and I'm rather reluctant to part", "em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em dashes", "Neil Fein's answer mentions that 'Em dashes are easily edited out, and the", "dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em dashes are", "indicates a three-quarters pause) too much in my fiction. Thing is — I", "few questions relating to the em dash, but none that really hit the", "is not needed?** --- I noticed that there are a few questions relating", "accused — shock, horror — of using the dash (the one that indicates", "So, in the interests of finding something a little more robust, my question", "that there are a few questions relating to the em dash, but none", "it has on my writing and I'm rather reluctant to part with it", "are suggested as replacements, but they just don't seem to have the same", "slightly extended pause) it has on my writing and I'm rather reluctant to", "nail on the head for me. The closest is this: [When to use", "by the slightly extended pause) it has on my writing and I'm rather", "The closest is this: [When to use the em dash (—) in fiction", "little around the subject and I've seen that commas, colons and semicolons are", "dash (the one that indicates a three-quarters pause) too much in my fiction.", "I've seen that commas, colons and semicolons are suggested as replacements, but they", "me. The closest is this: [When to use the em dash (—) in", "and semicolons are suggested as replacements, but they just don't seem to have", "three-quarters pause) too much in my fiction. Thing is — I quite like", "space inserted in sentences by the slightly extended pause) it has on my", "seem to have the same effect for me. So, in the interests of", "--- I noticed that there are a few questions relating to the em", "are a few questions relating to the em dash, but none that really", "a three-quarters pause) too much in my fiction. Thing is — I quite", "Thing is — I quite like the effect (the space inserted in sentences", "questions relating to the em dash, but none that really hit the nail", "noticed that there are a few questions relating to the em dash, but", "the clumsy sentences rewritten', but doesn't elaborate, and that's the extra step that", "clumsy sentences rewritten', but doesn't elaborate, and that's the extra step that I'm", "rephrase prose so that a dash is not needed?** --- I noticed that", "don't seem to have the same effect for me. So, in the interests", "something a little more robust, my question is: **what ways exist to rephrase", "colons and semicolons are suggested as replacements, but they just don't seem to", "of finding something a little more robust, my question is: **what ways exist", "pause) it has on my writing and I'm rather reluctant to part with", "robust, my question is: **what ways exist to rephrase prose so that a", "like the effect (the space inserted in sentences by the slightly extended pause)", "is this: [When to use the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil", "little more robust, my question is: **what ways exist to rephrase prose so", "em dash, but none that really hit the nail on the head for", "much in my fiction. Thing is — I quite like the effect (the", "with it unless I'm given an excellent alternative. I've read a little around", "that indicates a three-quarters pause) too much in my fiction. Thing is —", "the same effect for me. So, in the interests of finding something a", "there are a few questions relating to the em dash, but none that", "the interests of finding something a little more robust, my question is: **what", "'Em dashes are easily edited out, and the clumsy sentences rewritten', but doesn't", "one that indicates a three-quarters pause) too much in my fiction. Thing is", "in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em dashes are easily edited", "around the subject and I've seen that commas, colons and semicolons are suggested", "the subject and I've seen that commas, colons and semicolons are suggested as", "exist to rephrase prose so that a dash is not needed?** --- I", "relating to the em dash, but none that really hit the nail on", "the effect (the space inserted in sentences by the slightly extended pause) it", "finding something a little more robust, my question is: **what ways exist to", "effect (the space inserted in sentences by the slightly extended pause) it has", "that really hit the nail on the head for me. The closest is", "dash is not needed?** --- I noticed that there are a few questions", "a dash is not needed?** --- I noticed that there are a few", "on the head for me. The closest is this: [When to use the", "— shock, horror — of using the dash (the one that indicates a", "my fiction. Thing is — I quite like the effect (the space inserted", "but none that really hit the nail on the head for me. The", "the slightly extended pause) it has on my writing and I'm rather reluctant", "and I've seen that commas, colons and semicolons are suggested as replacements, but", "easily edited out, and the clumsy sentences rewritten', but doesn't elaborate, and that's", "— of using the dash (the one that indicates a three-quarters pause) too", "(—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em dashes are easily", "— I quite like the effect (the space inserted in sentences by the", "as replacements, but they just don't seem to have the same effect for", "sentences by the slightly extended pause) it has on my writing and I'm", "the nail on the head for me. The closest is this: [When to", "of using the dash (the one that indicates a three-quarters pause) too much", "(the space inserted in sentences by the slightly extended pause) it has on", "I'm given an excellent alternative. I've read a little around the subject and", "they just don't seem to have the same effect for me. So, in", "a little more robust, my question is: **what ways exist to rephrase prose", "ways exist to rephrase prose so that a dash is not needed?** ---", "to rephrase prose so that a dash is not needed?** --- I noticed", "dashes are easily edited out, and the clumsy sentences rewritten', but doesn't elaborate,", "subject and I've seen that commas, colons and semicolons are suggested as replacements,", "to part with it unless I'm given an excellent alternative. I've read a", "suggested as replacements, but they just don't seem to have the same effect", "mentions that 'Em dashes are easily edited out, and the clumsy sentences rewritten',", "too much in my fiction. Thing is — I quite like the effect", "closest is this: [When to use the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing).", "a little around the subject and I've seen that commas, colons and semicolons", "is: **what ways exist to rephrase prose so that a dash is not", "just don't seem to have the same effect for me. So, in the", "writing and I'm rather reluctant to part with it unless I'm given an", "horror — of using the dash (the one that indicates a three-quarters pause)", "Fein's answer mentions that 'Em dashes are easily edited out, and the clumsy", "that commas, colons and semicolons are suggested as replacements, but they just don't", "semicolons are suggested as replacements, but they just don't seem to have the", "me. So, in the interests of finding something a little more robust, my", "(the one that indicates a three-quarters pause) too much in my fiction. Thing", "to the em dash, but none that really hit the nail on the", "using the dash (the one that indicates a three-quarters pause) too much in", "it unless I'm given an excellent alternative. I've read a little around the", "but they just don't seem to have the same effect for me. So,", "replacements, but they just don't seem to have the same effect for me.", "hit the nail on the head for me. The closest is this: [When", "that a dash is not needed?** --- I noticed that there are a", "for me. The closest is this: [When to use the em dash (—)", "I quite like the effect (the space inserted in sentences by the slightly", "this: [When to use the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's", "to have the same effect for me. So, in the interests of finding", "the dash (the one that indicates a three-quarters pause) too much in my", "and I'm rather reluctant to part with it unless I'm given an excellent", "in the interests of finding something a little more robust, my question is:", "[When to use the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer", "sentences rewritten', but doesn't elaborate, and that's the extra step that I'm looking", "given an excellent alternative. I've read a little around the subject and I've", "edited out, and the clumsy sentences rewritten', but doesn't elaborate, and that's the", "commas, colons and semicolons are suggested as replacements, but they just don't seem", "the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions that 'Em", "quite like the effect (the space inserted in sentences by the slightly extended", "for me. So, in the interests of finding something a little more robust,", "head for me. The closest is this: [When to use the em dash", "and the clumsy sentences rewritten', but doesn't elaborate, and that's the extra step", "is — I quite like the effect (the space inserted in sentences by", "on my writing and I'm rather reluctant to part with it unless I'm", "an excellent alternative. I've read a little around the subject and I've seen", "to use the em dash (—) in fiction writing?](https://writing.stackexchange.com/questions/6349/when-to-use-the-em-dash-in-fiction-writing). Neil Fein's answer mentions", "so that a dash is not needed?** --- I noticed that there are", "a few questions relating to the em dash, but none that really hit", "needed?** --- I noticed that there are a few questions relating to the", "same effect for me. So, in the interests of finding something a little", "in my fiction. Thing is — I quite like the effect (the space", "shock, horror — of using the dash (the one that indicates a three-quarters", "have the same effect for me. So, in the interests of finding something", "alternative. I've read a little around the subject and I've seen that commas,", "unless I'm given an excellent alternative. I've read a little around the subject", "my question is: **what ways exist to rephrase prose so that a dash", "I've read a little around the subject and I've seen that commas, colons" ]
[ "large more than 50 characters has some or other appearance in the story.", "description? Can anyone justify if possible with the **citation of already written literature", "**short novella**. I want to keep the length of my draft smaller and", "I am not sure of which site this question belongs to: Writing SE", "characters has some or other appearance in the story. By appearance, I don't", "My genre of writing is fiction (inspired from reality though) and the protagonist", "beliefs and nature? If not, then won't it be abruptness and vague when", "this site, I will happily migrate it there. So I am writing about", "-> describing the characters in detail or just pop them up whenever required", "(inspired from reality though) and the protagonist and stage is setup in India.", "to: Writing SE or Literature SE. If this question is unfit for this", "and vague when that character will pop out of no-where without much description?", "about the protagonist's life in school and some great adventures he gets into", "of characters - classmates, school teachers, friends, etc. and by and large more", "character with detail for readers to understand that character's norms, habits, beliefs and", "I go with** -> describing the characters in detail or just pop them", "detail or just pop them up whenever required with as little detail as", "written literature their stand of what should I go with** -> describing the", "want to keep the length of my draft smaller and stick to story", "to story but I feel that description of each character alone will increase", "and stage is setup in India. The story is a fictional story about", "justify if possible with the **citation of already written literature their stand of", "with detail for readers to understand that character's norms, habits, beliefs and nature?", "Writing SE or Literature SE. If this question is unfit for this site,", "possible with the **citation of already written literature their stand of what should", "together and sometimes individually. I am confused here of whether I should describe", "will happily migrate it there. So I am writing about the protagonist's school", "SE. If this question is unfit for this site, I will happily migrate", "India. The story is a fictional story about the protagonist's life in school", "readers to understand that character's norms, habits, beliefs and nature? If not, then", "the size of my draft. My genre of writing is fiction (inspired from", "the characters in detail or just pop them up whenever required with as", "- classmates, school teachers, friends, etc. and by and large more than 50", "across protagonist; sometimes together and sometimes individually. I am confused here of whether", "protagonist's life in school and some great adventures he gets into during his", "to understand that character's norms, habits, beliefs and nature? If not, then won't", "migrate it there. So I am writing about the protagonist's school life adventures.", "their existence for one or two line. Each one has some reasonable amount", "By appearance, I don't mean about their existence for one or two line.", "some reasonable amount of role to play across protagonist; sometimes together and sometimes", "don't mean about their existence for one or two line. Each one has", "pop out of no-where without much description? Can anyone justify if possible with", "the story. By appearance, I don't mean about their existence for one or", "here of whether I should describe each and every character with detail for", "and large more than 50 characters has some or other appearance in the", "little detail as possible. **Edit**: My draft is a **short novella**. I want", "possible. **Edit**: My draft is a **short novella**. I want to keep the", "no-where without much description? Can anyone justify if possible with the **citation of", "happily migrate it there. So I am writing about the protagonist's school life", "Naturally there are lot of characters - classmates, school teachers, friends, etc. and", "mean about their existence for one or two line. Each one has some", "one has some reasonable amount of role to play across protagonist; sometimes together", "to play across protagonist; sometimes together and sometimes individually. I am confused here", "belongs to: Writing SE or Literature SE. If this question is unfit for", "understand that character's norms, habits, beliefs and nature? If not, then won't it", "already written literature their stand of what should I go with** -> describing", "up whenever required with as little detail as possible. **Edit**: My draft is", "length of my draft smaller and stick to story but I feel that", "or two line. Each one has some reasonable amount of role to play", "role to play across protagonist; sometimes together and sometimes individually. I am confused", "not sure of which site this question belongs to: Writing SE or Literature", "for this site, I will happily migrate it there. So I am writing", "draft. My genre of writing is fiction (inspired from reality though) and the", "size of my draft. My genre of writing is fiction (inspired from reality", "description of each character alone will increase the size of my draft. My", "and nature? If not, then won't it be abruptness and vague when that", "protagonist; sometimes together and sometimes individually. I am confused here of whether I", "is fiction (inspired from reality though) and the protagonist and stage is setup", "of already written literature their stand of what should I go with** ->", "without much description? Can anyone justify if possible with the **citation of already", "I should describe each and every character with detail for readers to understand", "literature their stand of what should I go with** -> describing the characters", "stage is setup in India. The story is a fictional story about the", "The story is a fictional story about the protagonist's life in school and", "or just pop them up whenever required with as little detail as possible.", "won't it be abruptness and vague when that character will pop out of", "by and large more than 50 characters has some or other appearance in", "am not sure of which site this question belongs to: Writing SE or", "the protagonist and stage is setup in India. The story is a fictional", "story but I feel that description of each character alone will increase the", "is a fictional story about the protagonist's life in school and some great", "though) and the protagonist and stage is setup in India. The story is", "stick to story but I feel that description of each character alone will", "about the protagonist's school life adventures. Naturally there are lot of characters -", "one or two line. Each one has some reasonable amount of role to", "Literature SE. If this question is unfit for this site, I will happily", "much description? Can anyone justify if possible with the **citation of already written", "to keep the length of my draft smaller and stick to story but", "each character alone will increase the size of my draft. My genre of", "story about the protagonist's life in school and some great adventures he gets", "the protagonist's school life adventures. Naturally there are lot of characters - classmates,", "detail as possible. **Edit**: My draft is a **short novella**. I want to", "question is unfit for this site, I will happily migrate it there. So", "will pop out of no-where without much description? Can anyone justify if possible", "**Note:** I am not sure of which site this question belongs to: Writing", "sometimes together and sometimes individually. I am confused here of whether I should", "pop them up whenever required with as little detail as possible. **Edit**: My", "required with as little detail as possible. **Edit**: My draft is a **short", "draft is a **short novella**. I want to keep the length of my", "novella**. I want to keep the length of my draft smaller and stick", "of my draft smaller and stick to story but I feel that description", "of writing is fiction (inspired from reality though) and the protagonist and stage", "appearance in the story. By appearance, I don't mean about their existence for", "but I feel that description of each character alone will increase the size", "character alone will increase the size of my draft. My genre of writing", "site, I will happily migrate it there. So I am writing about the", "sure of which site this question belongs to: Writing SE or Literature SE.", "writing about the protagonist's school life adventures. Naturally there are lot of characters", "friends, etc. and by and large more than 50 characters has some or", "be abruptness and vague when that character will pop out of no-where without", "in detail or just pop them up whenever required with as little detail", "a **short novella**. I want to keep the length of my draft smaller", "story is a fictional story about the protagonist's life in school and some", "feel that description of each character alone will increase the size of my", "it be abruptness and vague when that character will pop out of no-where", "draft smaller and stick to story but I feel that description of each", "If this question is unfit for this site, I will happily migrate it", "than 50 characters has some or other appearance in the story. By appearance,", "is a **short novella**. I want to keep the length of my draft", "question belongs to: Writing SE or Literature SE. If this question is unfit", "are lot of characters - classmates, school teachers, friends, etc. and by and", "and the protagonist and stage is setup in India. The story is a", "Can anyone justify if possible with the **citation of already written literature their", "detail for readers to understand that character's norms, habits, beliefs and nature? If", "life adventures. Naturally there are lot of characters - classmates, school teachers, friends,", "that character will pop out of no-where without much description? Can anyone justify", "life in school and some great adventures he gets into during his school", "out of no-where without much description? Can anyone justify if possible with the", "fictional story about the protagonist's life in school and some great adventures he", "site this question belongs to: Writing SE or Literature SE. If this question", "I feel that description of each character alone will increase the size of", "50 characters has some or other appearance in the story. By appearance, I", "is unfit for this site, I will happily migrate it there. So I", "each and every character with detail for readers to understand that character's norms,", "my draft smaller and stick to story but I feel that description of", "stand of what should I go with** -> describing the characters in detail", "is setup in India. The story is a fictional story about the protagonist's", "adventures. Naturally there are lot of characters - classmates, school teachers, friends, etc.", "am writing about the protagonist's school life adventures. Naturally there are lot of", "will increase the size of my draft. My genre of writing is fiction", "just pop them up whenever required with as little detail as possible. **Edit**:", "I will happily migrate it there. So I am writing about the protagonist's", "that character's norms, habits, beliefs and nature? If not, then won't it be", "abruptness and vague when that character will pop out of no-where without much", "more than 50 characters has some or other appearance in the story. By", "My draft is a **short novella**. I want to keep the length of", "etc. and by and large more than 50 characters has some or other", "increase the size of my draft. My genre of writing is fiction (inspired", "norms, habits, beliefs and nature? If not, then won't it be abruptness and", "describing the characters in detail or just pop them up whenever required with", "Each one has some reasonable amount of role to play across protagonist; sometimes", "for one or two line. Each one has some reasonable amount of role", "I am writing about the protagonist's school life adventures. Naturally there are lot", "which site this question belongs to: Writing SE or Literature SE. If this", "reasonable amount of role to play across protagonist; sometimes together and sometimes individually.", "with the **citation of already written literature their stand of what should I", "If not, then won't it be abruptness and vague when that character will", "school life adventures. Naturally there are lot of characters - classmates, school teachers,", "it there. So I am writing about the protagonist's school life adventures. Naturally", "what should I go with** -> describing the characters in detail or just", "with as little detail as possible. **Edit**: My draft is a **short novella**.", "has some or other appearance in the story. By appearance, I don't mean", "of whether I should describe each and every character with detail for readers", "So I am writing about the protagonist's school life adventures. Naturally there are", "nature? If not, then won't it be abruptness and vague when that character", "my draft. My genre of writing is fiction (inspired from reality though) and", "as little detail as possible. **Edit**: My draft is a **short novella**. I", "school teachers, friends, etc. and by and large more than 50 characters has", "amount of role to play across protagonist; sometimes together and sometimes individually. I", "of what should I go with** -> describing the characters in detail or", "I am confused here of whether I should describe each and every character", "and stick to story but I feel that description of each character alone", "alone will increase the size of my draft. My genre of writing is", "that description of each character alone will increase the size of my draft.", "this question is unfit for this site, I will happily migrate it there.", "teachers, friends, etc. and by and large more than 50 characters has some", "the **citation of already written literature their stand of what should I go", "some or other appearance in the story. By appearance, I don't mean about", "or Literature SE. If this question is unfit for this site, I will", "their stand of what should I go with** -> describing the characters in", "describe each and every character with detail for readers to understand that character's", "from reality though) and the protagonist and stage is setup in India. The", "anyone justify if possible with the **citation of already written literature their stand", "go with** -> describing the characters in detail or just pop them up", "has some reasonable amount of role to play across protagonist; sometimes together and", "this question belongs to: Writing SE or Literature SE. If this question is", "line. Each one has some reasonable amount of role to play across protagonist;", "then won't it be abruptness and vague when that character will pop out", "story. By appearance, I don't mean about their existence for one or two", "of no-where without much description? Can anyone justify if possible with the **citation", "the protagonist's life in school and some great adventures he gets into during", "about their existence for one or two line. Each one has some reasonable", "as possible. **Edit**: My draft is a **short novella**. I want to keep", "character will pop out of no-where without much description? Can anyone justify if", "there are lot of characters - classmates, school teachers, friends, etc. and by", "or other appearance in the story. By appearance, I don't mean about their", "and by and large more than 50 characters has some or other appearance", "the length of my draft smaller and stick to story but I feel", "smaller and stick to story but I feel that description of each character", "keep the length of my draft smaller and stick to story but I", "of my draft. My genre of writing is fiction (inspired from reality though)", "classmates, school teachers, friends, etc. and by and large more than 50 characters", "am confused here of whether I should describe each and every character with", "I want to keep the length of my draft smaller and stick to", "play across protagonist; sometimes together and sometimes individually. I am confused here of", "existence for one or two line. Each one has some reasonable amount of", "unfit for this site, I will happily migrate it there. So I am", "whenever required with as little detail as possible. **Edit**: My draft is a", "not, then won't it be abruptness and vague when that character will pop", "characters - classmates, school teachers, friends, etc. and by and large more than", "and sometimes individually. I am confused here of whether I should describe each", "appearance, I don't mean about their existence for one or two line. Each", "two line. Each one has some reasonable amount of role to play across", "confused here of whether I should describe each and every character with detail", "habits, beliefs and nature? If not, then won't it be abruptness and vague", "for readers to understand that character's norms, habits, beliefs and nature? If not,", "vague when that character will pop out of no-where without much description? Can", "of role to play across protagonist; sometimes together and sometimes individually. I am", "with** -> describing the characters in detail or just pop them up whenever", "individually. I am confused here of whether I should describe each and every", "every character with detail for readers to understand that character's norms, habits, beliefs", "of each character alone will increase the size of my draft. My genre", "SE or Literature SE. If this question is unfit for this site, I", "them up whenever required with as little detail as possible. **Edit**: My draft", "writing is fiction (inspired from reality though) and the protagonist and stage is", "**Edit**: My draft is a **short novella**. I want to keep the length", "in India. The story is a fictional story about the protagonist's life in", "lot of characters - classmates, school teachers, friends, etc. and by and large", "protagonist's school life adventures. Naturally there are lot of characters - classmates, school", "in the story. By appearance, I don't mean about their existence for one", "protagonist and stage is setup in India. The story is a fictional story", "and every character with detail for readers to understand that character's norms, habits,", "when that character will pop out of no-where without much description? Can anyone", "fiction (inspired from reality though) and the protagonist and stage is setup in", "sometimes individually. I am confused here of whether I should describe each and", "character's norms, habits, beliefs and nature? If not, then won't it be abruptness", "genre of writing is fiction (inspired from reality though) and the protagonist and", "should describe each and every character with detail for readers to understand that", "in school and some great adventures he gets into during his school life.", "if possible with the **citation of already written literature their stand of what", "characters in detail or just pop them up whenever required with as little", "**citation of already written literature their stand of what should I go with**", "of which site this question belongs to: Writing SE or Literature SE. If", "should I go with** -> describing the characters in detail or just pop", "a fictional story about the protagonist's life in school and some great adventures", "setup in India. The story is a fictional story about the protagonist's life", "there. So I am writing about the protagonist's school life adventures. Naturally there", "other appearance in the story. By appearance, I don't mean about their existence", "whether I should describe each and every character with detail for readers to", "I don't mean about their existence for one or two line. Each one", "reality though) and the protagonist and stage is setup in India. The story" ]
[ "have been busy, so no progress on that front. I have a list", "but all of them have been busy, so no progress on that front.", "two NaNoWriMos, so it is naturally in need of some heavy editing), but", "find more beta readers and try harder to get them to read it?", "one my most recent novel. Trying is the keyword. I asked a few", "mood to edit. What are your suggestions to fight editor's block? Should I", "the energy to fix them. My book is littered with bad style (I", "the major plot problems in my book, but I can't find the energy", "try to find more beta readers and try harder to get them to", "progress on that front. I have a list of what I consider the", "Should I try to find more beta readers and try harder to get", "it across two NaNoWriMos, so it is naturally in need of some heavy", "to edit. What are your suggestions to fight editor's block? Should I try", "beta readers, but all of them have been busy, so no progress on", "I go to edit, I find myself sitting and staring at the screen.", "is the keyword. I asked a few people to read my book as", "edit, I find myself sitting and staring at the screen. Editing, I have", "suggestions to fight editor's block? Should I try to find more beta readers", "is littered with bad style (I did write it across two NaNoWriMos, so", "I can't bring myself to edit the style before the plot is fixed.", "a few people to read my book as beta readers, but all of", "novel. Trying is the keyword. I asked a few people to read my", "so it is naturally in need of some heavy editing), but I can't", "time I go to edit, I find myself sitting and staring at the", "can't bring myself to edit the style before the plot is fixed. Every", "edit the style before the plot is fixed. Every time I go to", "to fight editor's block? Should I try to find more beta readers and", "heavy editing), but I can't bring myself to edit the style before the", "I have learned, is a painful process. I can't get in the mood", "been busy, so no progress on that front. I have a list of", "across two NaNoWriMos, so it is naturally in need of some heavy editing),", "a painful process. I can't get in the mood to edit. What are", "sitting and staring at the screen. Editing, I have learned, is a painful", "that front. I have a list of what I consider the major plot", "process. I can't get in the mood to edit. What are your suggestions", "the plot is fixed. Every time I go to edit, I find myself", "go to edit, I find myself sitting and staring at the screen. Editing,", "to edit, I find myself sitting and staring at the screen. Editing, I", "to find more beta readers and try harder to get them to read", "people to read my book as beta readers, but all of them have", "consider the major plot problems in my book, but I can't find the", "Editing, I have learned, is a painful process. I can't get in the", "as beta readers, but all of them have been busy, so no progress", "on that front. I have a list of what I consider the major", "so no progress on that front. I have a list of what I", "get in the mood to edit. What are your suggestions to fight editor's", "recent novel. Trying is the keyword. I asked a few people to read", "to get them to read it? Should I try to ignore the pain,", "screen. Editing, I have learned, is a painful process. I can't get in", "am currently trying to edit a one my most recent novel. Trying is", "NaNoWriMos, so it is naturally in need of some heavy editing), but I", "readers and try harder to get them to read it? Should I try", "of them have been busy, so no progress on that front. I have", "of what I consider the major plot problems in my book, but I", "littered with bad style (I did write it across two NaNoWriMos, so it", "harder to get them to read it? Should I try to ignore the", "are your suggestions to fight editor's block? Should I try to find more", "my book, but I can't find the energy to fix them. My book", "(I did write it across two NaNoWriMos, so it is naturally in need", "readers, but all of them have been busy, so no progress on that", "read my book as beta readers, but all of them have been busy,", "fixed. Every time I go to edit, I find myself sitting and staring", "more beta readers and try harder to get them to read it? Should", "asked a few people to read my book as beta readers, but all", "fight editor's block? Should I try to find more beta readers and try", "find the energy to fix them. My book is littered with bad style", "currently trying to edit a one my most recent novel. Trying is the", "all of them have been busy, so no progress on that front. I", "style before the plot is fixed. Every time I go to edit, I", "the style before the plot is fixed. Every time I go to edit,", "and try harder to get them to read it? Should I try to", "fix them. My book is littered with bad style (I did write it", "beta readers and try harder to get them to read it? Should I", "did write it across two NaNoWriMos, so it is naturally in need of", "keyword. I asked a few people to read my book as beta readers,", "in need of some heavy editing), but I can't bring myself to edit", "to fix them. My book is littered with bad style (I did write", "but I can't bring myself to edit the style before the plot is", "find myself sitting and staring at the screen. Editing, I have learned, is", "what I consider the major plot problems in my book, but I can't", "bad style (I did write it across two NaNoWriMos, so it is naturally", "of some heavy editing), but I can't bring myself to edit the style", "trying to edit a one my most recent novel. Trying is the keyword.", "I can't find the energy to fix them. My book is littered with", "I can't get in the mood to edit. What are your suggestions to", "the screen. Editing, I have learned, is a painful process. I can't get", "is a painful process. I can't get in the mood to edit. What", "try harder to get them to read it? Should I try to ignore", "What are your suggestions to fight editor's block? Should I try to find", "plot is fixed. Every time I go to edit, I find myself sitting", "no progress on that front. I have a list of what I consider", "them. My book is littered with bad style (I did write it across", "staring at the screen. Editing, I have learned, is a painful process. I", "plot problems in my book, but I can't find the energy to fix", "at the screen. Editing, I have learned, is a painful process. I can't", "few people to read my book as beta readers, but all of them", "bring myself to edit the style before the plot is fixed. Every time", "busy, so no progress on that front. I have a list of what", "energy to fix them. My book is littered with bad style (I did", "block? Should I try to find more beta readers and try harder to", "I consider the major plot problems in my book, but I can't find", "to edit the style before the plot is fixed. Every time I go", "to edit a one my most recent novel. Trying is the keyword. I", "is fixed. Every time I go to edit, I find myself sitting and", "need of some heavy editing), but I can't bring myself to edit the", "but I can't find the energy to fix them. My book is littered", "the keyword. I asked a few people to read my book as beta", "problems in my book, but I can't find the energy to fix them.", "edit a one my most recent novel. Trying is the keyword. I asked", "naturally in need of some heavy editing), but I can't bring myself to", "them to read it? Should I try to ignore the pain, and edit", "to read it? Should I try to ignore the pain, and edit anyways?", "front. I have a list of what I consider the major plot problems", "with bad style (I did write it across two NaNoWriMos, so it is", "can't get in the mood to edit. What are your suggestions to fight", "I asked a few people to read my book as beta readers, but", "book, but I can't find the energy to fix them. My book is", "My book is littered with bad style (I did write it across two", "get them to read it? Should I try to ignore the pain, and", "and staring at the screen. Editing, I have learned, is a painful process.", "I find myself sitting and staring at the screen. Editing, I have learned,", "the mood to edit. What are your suggestions to fight editor's block? Should", "your suggestions to fight editor's block? Should I try to find more beta", "can't find the energy to fix them. My book is littered with bad", "editor's block? Should I try to find more beta readers and try harder", "to read my book as beta readers, but all of them have been", "I have a list of what I consider the major plot problems in", "it is naturally in need of some heavy editing), but I can't bring", "a list of what I consider the major plot problems in my book,", "Every time I go to edit, I find myself sitting and staring at", "my book as beta readers, but all of them have been busy, so", "have a list of what I consider the major plot problems in my", "painful process. I can't get in the mood to edit. What are your", "have learned, is a painful process. I can't get in the mood to", "a one my most recent novel. Trying is the keyword. I asked a", "in my book, but I can't find the energy to fix them. My", "list of what I consider the major plot problems in my book, but", "myself sitting and staring at the screen. Editing, I have learned, is a", "them have been busy, so no progress on that front. I have a", "editing), but I can't bring myself to edit the style before the plot", "before the plot is fixed. Every time I go to edit, I find", "some heavy editing), but I can't bring myself to edit the style before", "Trying is the keyword. I asked a few people to read my book", "most recent novel. Trying is the keyword. I asked a few people to", "I am currently trying to edit a one my most recent novel. Trying", "book as beta readers, but all of them have been busy, so no", "major plot problems in my book, but I can't find the energy to", "book is littered with bad style (I did write it across two NaNoWriMos,", "style (I did write it across two NaNoWriMos, so it is naturally in", "I try to find more beta readers and try harder to get them", "in the mood to edit. What are your suggestions to fight editor's block?", "edit. What are your suggestions to fight editor's block? Should I try to", "write it across two NaNoWriMos, so it is naturally in need of some", "is naturally in need of some heavy editing), but I can't bring myself", "my most recent novel. Trying is the keyword. I asked a few people", "myself to edit the style before the plot is fixed. Every time I", "learned, is a painful process. I can't get in the mood to edit." ]
[ "the rabbit hole I need to know if this minor character first person", "character, from whose point of view the story is being told, becoming the", "avoid a minor character, from whose point of view the story is being", "I get too far down the rabbit hole I need to know if", "view of the reluctant bodyguard of a VIP, and before I get too", "far down the rabbit hole I need to know if this minor character", "or a minor functionary meeting the bridge crew of a famous, lost ship.", "something longer and larger in scope, this from the point of view of", "works, this \"worms eye view\" approach has, I feel, worked well. Now I'm", "before I get too far down the rabbit hole I need to know", "point of view of what, in the grand scheme of things, would be", "need to know if this minor character first person style can work without", "in scope, this from the point of view of the reluctant bodyguard of", "the story is being told, becoming the protagonist instead of the person whose", "view while the captain of the ship tells most of the story or", "story or a minor functionary meeting the bridge crew of a famous, lost", "would be called minor characters. Examples include a junior bridge officer's point of", "ship tells most of the story or a minor functionary meeting the bridge", "story that isn't properly theirs. So how can I avoid a minor character,", "in the grand scheme of things, would be called minor characters. Examples include", "a famous, lost ship. So far, for short works, this \"worms eye view\"", "I feel, worked well. Now I'm writing something longer and larger in scope,", "view the story is being told, becoming the protagonist instead of the person", "minor character, from whose point of view the story is being told, becoming", "the first person from the point of view of what, in the grand", "tells most of the story or a minor functionary meeting the bridge crew", "from whose point of view the story is being told, becoming the protagonist", "isn't properly theirs. So how can I avoid a minor character, from whose", "eye view\" approach has, I feel, worked well. Now I'm writing something longer", "of a famous, lost ship. So far, for short works, this \"worms eye", "famous, lost ship. So far, for short works, this \"worms eye view\" approach", "of the story or a minor functionary meeting the bridge crew of a", "the bridge crew of a famous, lost ship. So far, for short works,", "told, becoming the protagonist instead of the person whose story I want to", "if this minor character first person style can work without the narrator taking", "view\" approach has, I feel, worked well. Now I'm writing something longer and", "is being told, becoming the protagonist instead of the person whose story I", "bridge crew of a famous, lost ship. So far, for short works, this", "the narrator taking over a story that isn't properly theirs. So how can", "\"worms eye view\" approach has, I feel, worked well. Now I'm writing something", "Examples include a junior bridge officer's point of view while the captain of", "a junior bridge officer's point of view while the captain of the ship", "of the ship tells most of the story or a minor functionary meeting", "the reluctant bodyguard of a VIP, and before I get too far down", "character first person style can work without the narrator taking over a story", "from the point of view of what, in the grand scheme of things,", "in the first person from the point of view of what, in the", "view of what, in the grand scheme of things, would be called minor", "reluctant bodyguard of a VIP, and before I get too far down the", "this \"worms eye view\" approach has, I feel, worked well. Now I'm writing", "be called minor characters. Examples include a junior bridge officer's point of view", "of view of what, in the grand scheme of things, would be called", "bodyguard of a VIP, and before I get too far down the rabbit", "a minor functionary meeting the bridge crew of a famous, lost ship. So", "grand scheme of things, would be called minor characters. Examples include a junior", "get too far down the rabbit hole I need to know if this", "this from the point of view of the reluctant bodyguard of a VIP,", "point of view the story is being told, becoming the protagonist instead of", "characters. Examples include a junior bridge officer's point of view while the captain", "can I avoid a minor character, from whose point of view the story", "I'm writing something longer and larger in scope, this from the point of", "of a VIP, and before I get too far down the rabbit hole", "of things, would be called minor characters. Examples include a junior bridge officer's", "of the reluctant bodyguard of a VIP, and before I get too far", "stories written in the first person from the point of view of what,", "written in the first person from the point of view of what, in", "writing something longer and larger in scope, this from the point of view", "hole I need to know if this minor character first person style can", "and before I get too far down the rabbit hole I need to", "of view of the reluctant bodyguard of a VIP, and before I get", "scheme of things, would be called minor characters. Examples include a junior bridge", "longer and larger in scope, this from the point of view of the", "style can work without the narrator taking over a story that isn't properly", "whose point of view the story is being told, becoming the protagonist instead", "the grand scheme of things, would be called minor characters. Examples include a", "officer's point of view while the captain of the ship tells most of", "over a story that isn't properly theirs. So how can I avoid a", "bridge officer's point of view while the captain of the ship tells most", "of view the story is being told, becoming the protagonist instead of the", "VIP, and before I get too far down the rabbit hole I need", "rabbit hole I need to know if this minor character first person style", "of what, in the grand scheme of things, would be called minor characters.", "first person from the point of view of what, in the grand scheme", "the ship tells most of the story or a minor functionary meeting the", "minor functionary meeting the bridge crew of a famous, lost ship. So far,", "include a junior bridge officer's point of view while the captain of the", "on some stories written in the first person from the point of view", "from the point of view of the reluctant bodyguard of a VIP, and", "I avoid a minor character, from whose point of view the story is", "larger in scope, this from the point of view of the reluctant bodyguard", "minor character first person style can work without the narrator taking over a", "how can I avoid a minor character, from whose point of view the", "been working on some stories written in the first person from the point", "what, in the grand scheme of things, would be called minor characters. Examples", "the story or a minor functionary meeting the bridge crew of a famous,", "the point of view of what, in the grand scheme of things, would", "approach has, I feel, worked well. Now I'm writing something longer and larger", "called minor characters. Examples include a junior bridge officer's point of view while", "worked well. Now I'm writing something longer and larger in scope, this from", "lost ship. So far, for short works, this \"worms eye view\" approach has,", "the captain of the ship tells most of the story or a minor", "I need to know if this minor character first person style can work", "well. Now I'm writing something longer and larger in scope, this from the", "functionary meeting the bridge crew of a famous, lost ship. So far, for", "while the captain of the ship tells most of the story or a", "recently been working on some stories written in the first person from the", "to know if this minor character first person style can work without the", "that isn't properly theirs. So how can I avoid a minor character, from", "a minor character, from whose point of view the story is being told,", "a story that isn't properly theirs. So how can I avoid a minor", "person from the point of view of what, in the grand scheme of", "short works, this \"worms eye view\" approach has, I feel, worked well. Now", "Now I'm writing something longer and larger in scope, this from the point", "point of view of the reluctant bodyguard of a VIP, and before I", "being told, becoming the protagonist instead of the person whose story I want", "know if this minor character first person style can work without the narrator", "first person style can work without the narrator taking over a story that", "can work without the narrator taking over a story that isn't properly theirs.", "some stories written in the first person from the point of view of", "crew of a famous, lost ship. So far, for short works, this \"worms", "has, I feel, worked well. Now I'm writing something longer and larger in", "person style can work without the narrator taking over a story that isn't", "scope, this from the point of view of the reluctant bodyguard of a", "most of the story or a minor functionary meeting the bridge crew of", "feel, worked well. Now I'm writing something longer and larger in scope, this", "without the narrator taking over a story that isn't properly theirs. So how", "this minor character first person style can work without the narrator taking over", "theirs. So how can I avoid a minor character, from whose point of", "and larger in scope, this from the point of view of the reluctant", "working on some stories written in the first person from the point of", "minor characters. Examples include a junior bridge officer's point of view while the", "So how can I avoid a minor character, from whose point of view", "captain of the ship tells most of the story or a minor functionary", "ship. So far, for short works, this \"worms eye view\" approach has, I", "properly theirs. So how can I avoid a minor character, from whose point", "things, would be called minor characters. Examples include a junior bridge officer's point", "of view while the captain of the ship tells most of the story", "narrator taking over a story that isn't properly theirs. So how can I", "taking over a story that isn't properly theirs. So how can I avoid", "too far down the rabbit hole I need to know if this minor", "work without the narrator taking over a story that isn't properly theirs. So", "a VIP, and before I get too far down the rabbit hole I", "down the rabbit hole I need to know if this minor character first", "So far, for short works, this \"worms eye view\" approach has, I feel,", "far, for short works, this \"worms eye view\" approach has, I feel, worked", "point of view while the captain of the ship tells most of the", "meeting the bridge crew of a famous, lost ship. So far, for short", "becoming the protagonist instead of the person whose story I want to tell?", "I've recently been working on some stories written in the first person from", "junior bridge officer's point of view while the captain of the ship tells", "the point of view of the reluctant bodyguard of a VIP, and before", "for short works, this \"worms eye view\" approach has, I feel, worked well.", "story is being told, becoming the protagonist instead of the person whose story" ]