Split (1)

train · 10.4M rows

ngram listlengths 0 10.5k
[ "on this for a long time, and have written 9 seasons. The type", "year order, but writing 9 seasons in total, where the story can end", "being transgender, which is a focus for entertainment in many ways at the", "also wrote the first six episodes of the first season to be somewhat", "from anything else that has come before (and I've done a lot of", "that. The premise will be doing a quirky job in a famous coastal", "big arc on personald evelopment and overcoming childhood drama, which turns into a", "and season, and have almost finished writing every script for the 22 episode", "age, traveling around the world before settling in nyc....there is a big arc", "script for the 22 episode first season. I will file everything with the", "amazing character development for each character, including people of color, women and LGBT", "every script for the 22 episode first season. I will file everything with", "and have written 9 seasons. The type of show is a sitcom. It", "focus for entertainment in many ways at the moment. While that is the", "the WGA. This show has a number of amazing characters and amazing character", "and I am unsure how to send meetings. How would I find an", "episode first season. I will file everything with the WGA. This show has", "country, leaving home at a young age, traveling around the world before settling", "the world before settling in nyc....there is a big arc on personald evelopment", "first season to be somewhat self contained. I am confident in my ability", "is a sitcom. It is based on my lifestory. The 'hook' I refer", "overcoming childhood drama, which turns into a transgender coming out story. For a", "It is based on my lifestory. The 'hook' I refer to is being", "that is the hook, the story is a lot more than that. The", "confident in my ability to pitch and have different types of presentations prepared.", "a sitcom. It is based on my lifestory. The 'hook' I refer to", "have been writing and will finish soon enough. I have been working on", "types of presentations prepared. So, how could I pitch this? I have no", "in nyc....there is a big arc on personald evelopment and overcoming childhood drama,", "out story. For a sitcom I think I have created something really original,", "I have been writing and will finish soon enough. I have been working", "9 seasons. The type of show is a sitcom. It is based on", "doing the job is already interesting. The show focuses on the protagonist and", "writing every script for the 22 episode first season. I will file everything", "way deliberately, I do feel it is a selling point. I am writing", "refer to is being transgender, which is a focus for entertainment in many", "to send meetings. How would I find an agent to start representing me", "than that. The premise will be doing a quirky job in a famous", "quirky job in a famous coastal city that had a short lifespan, was", "after 5, 7 or 9 seasons. I also wrote the first six episodes", "7 or 9 seasons. I also wrote the first six episodes of the", "up in a foreign country, leaving home at a young age, traveling around", "think I have created something really original, different from anything else that has", "not written that way deliberately, I do feel it is a selling point.", "is a focus for entertainment in many ways at the moment. While that", "in such a way to try and get a 5 year order, but", "people doing the job is already interesting. The show focuses on the protagonist", "this? I have no background in film or tv, I don't know anyone", "I don't know anyone in the industry, and I am unsure how to", "is the hook, the story is a lot more than that. The premise", "and have almost finished writing every script for the 22 episode first season.", "at the moment. While that is the hook, the story is a lot", "turns into a transgender coming out story. For a sitcom I think I", "including people of color, women and LGBT people. While it was not written", "lot more than that. The premise will be doing a quirky job in", "at a young age, traveling around the world before settling in nyc....there is", "sheets, treatments for show and season, and have almost finished writing every script", "episodes, and have complete character sheets, treatments for show and season, and have", "known and residents hated. The story of the people doing the job is", "in the story and episodes, and have complete character sheets, treatments for show", "flashback covers growing up in a foreign country, leaving home at a young", "evelopment and overcoming childhood drama, which turns into a transgender coming out story.", "something really original, different from anything else that has come before (and I've", "a famous coastal city that had a short lifespan, was well known and", "wrote the first six episodes of the first season to be somewhat self", "For a sitcom I think I have created something really original, different from", "lifestory. The 'hook' I refer to is being transgender, which is a focus", "and will finish soon enough. I have been working on this for a", "but writing 9 seasons in total, where the story can end after 5,", "the 22 episode first season. I will file everything with the WGA. This", "writing and will finish soon enough. I have been working on this for", "long time, and have written 9 seasons. The type of show is a", "have a lot of confidence in the story and episodes, and have complete", "else that has come before (and I've done a lot of research!). I", "around the world before settling in nyc....there is a big arc on personald", "coastal city that had a short lifespan, was well known and residents hated.", "of confidence in the story and episodes, and have complete character sheets, treatments", "everything with the WGA. This show has a number of amazing characters and", "growing up in a foreign country, leaving home at a young age, traveling", "leaving home at a young age, traveling around the world before settling in", "in the industry, and I am unsure how to send meetings. How would", "job in a famous coastal city that had a short lifespan, was well", "a focus for entertainment in many ways at the moment. While that is", "a 5 year order, but writing 9 seasons in total, where the story", "soon enough. I have been working on this for a long time, and", "hated. The story of the people doing the job is already interesting. The", "know anyone in the industry, and I am unsure how to send meetings.", "treatments for show and season, and have almost finished writing every script for", "file everything with the WGA. This show has a number of amazing characters", "which is a focus for entertainment in many ways at the moment. While", "9 seasons in total, where the story can end after 5, 7 or", "covers growing up in a foreign country, leaving home at a young age,", "the industry, and I am unsure how to send meetings. How would I", "a sitcom I think I have created something really original, different from anything", "residents hated. The story of the people doing the job is already interesting.", "I think I have created something really original, different from anything else that", "I do feel it is a selling point. I am writing it in", "don't know anyone in the industry, and I am unsure how to send", "development for each character, including people of color, women and LGBT people. While", "the moment. While that is the hook, the story is a lot more", "the people doing the job is already interesting. The show focuses on the", "many ways at the moment. While that is the hook, the story is", "into a transgender coming out story. For a sitcom I think I have", "LGBT people. While it was not written that way deliberately, I do feel", "traveling around the world before settling in nyc....there is a big arc on", "first six episodes of the first season to be somewhat self contained. I", "the job is already interesting. The show focuses on the protagonist and threw", "a lot more than that. The premise will be doing a quirky job", "drama, which turns into a transgender coming out story. For a sitcom I", "The premise will be doing a quirky job in a famous coastal city", "ability to pitch and have different types of presentations prepared. So, how could", "season to be somewhat self contained. I am confident in my ability to", "could I pitch this? I have no background in film or tv, I", "settling in nyc....there is a big arc on personald evelopment and overcoming childhood", "seasons. The type of show is a sitcom. It is based on my", "lot of confidence in the story and episodes, and have complete character sheets,", "or 9 seasons. I also wrote the first six episodes of the first", "story and episodes, and have complete character sheets, treatments for show and season,", "So, I have a TV show I have been writing and will finish", "sitcom. It is based on my lifestory. The 'hook' I refer to is", "for entertainment in many ways at the moment. While that is the hook,", "have almost finished writing every script for the 22 episode first season. I", "is a selling point. I am writing it in such a way to", "is already interesting. The show focuses on the protagonist and threw flashback covers", "be doing a quirky job in a famous coastal city that had a", "and get a 5 year order, but writing 9 seasons in total, where", "the hook, the story is a lot more than that. The premise will", "was not written that way deliberately, I do feel it is a selling", "writing it in such a way to try and get a 5 year", "to pitch and have different types of presentations prepared. So, how could I", "different from anything else that has come before (and I've done a lot", "interesting. The show focuses on the protagonist and threw flashback covers growing up", "is a big arc on personald evelopment and overcoming childhood drama, which turns", "or tv, I don't know anyone in the industry, and I am unsure", "will finish soon enough. I have been working on this for a long", "more than that. The premise will be doing a quirky job in a", "of the first season to be somewhat self contained. I am confident in", "written that way deliberately, I do feel it is a selling point. I", "show has a number of amazing characters and amazing character development for each", "focuses on the protagonist and threw flashback covers growing up in a foreign", "The type of show is a sitcom. It is based on my lifestory.", "I am writing it in such a way to try and get a", "deliberately, I do feel it is a selling point. I am writing it", "show is a sitcom. It is based on my lifestory. The 'hook' I", "is based on my lifestory. The 'hook' I refer to is being transgender,", "am writing it in such a way to try and get a 5", "end after 5, 7 or 9 seasons. I also wrote the first six", "do feel it is a selling point. I am writing it in such", "hook, the story is a lot more than that. The premise will be", "research!). I have a lot of confidence in the story and episodes, and", "people of color, women and LGBT people. While it was not written that", "The show focuses on the protagonist and threw flashback covers growing up in", "number of amazing characters and amazing character development for each character, including people", "22 episode first season. I will file everything with the WGA. This show", "prepared. So, how could I pitch this? I have no background in film", "writing 9 seasons in total, where the story can end after 5, 7", "of amazing characters and amazing character development for each character, including people of", "send meetings. How would I find an agent to start representing me or", "the first season to be somewhat self contained. I am confident in my", "I am unsure how to send meetings. How would I find an agent", "way to try and get a 5 year order, but writing 9 seasons", "with the WGA. This show has a number of amazing characters and amazing", "a short lifespan, was well known and residents hated. The story of the", "a TV show I have been writing and will finish soon enough. I", "personald evelopment and overcoming childhood drama, which turns into a transgender coming out", "story of the people doing the job is already interesting. The show focuses", "each character, including people of color, women and LGBT people. While it was", "point. I am writing it in such a way to try and get", "to is being transgender, which is a focus for entertainment in many ways", "home at a young age, traveling around the world before settling in nyc....there", "finish soon enough. I have been working on this for a long time,", "come before (and I've done a lot of research!). I have a lot", "in film or tv, I don't know anyone in the industry, and I", "a young age, traveling around the world before settling in nyc....there is a", "to be somewhat self contained. I am confident in my ability to pitch", "have different types of presentations prepared. So, how could I pitch this? I", "was well known and residents hated. The story of the people doing the", "almost finished writing every script for the 22 episode first season. I will", "it in such a way to try and get a 5 year order,", "While it was not written that way deliberately, I do feel it is", "it was not written that way deliberately, I do feel it is a", "5 year order, but writing 9 seasons in total, where the story can", "episodes of the first season to be somewhat self contained. I am confident", "anyone in the industry, and I am unsure how to send meetings. How", "in a foreign country, leaving home at a young age, traveling around the", "entertainment in many ways at the moment. While that is the hook, the", "of color, women and LGBT people. While it was not written that way", "that had a short lifespan, was well known and residents hated. The story", "before (and I've done a lot of research!). I have a lot of", "job is already interesting. The show focuses on the protagonist and threw flashback", "in many ways at the moment. While that is the hook, the story", "no background in film or tv, I don't know anyone in the industry,", "short lifespan, was well known and residents hated. The story of the people", "of research!). I have a lot of confidence in the story and episodes,", "first season. I will file everything with the WGA. This show has a", "5, 7 or 9 seasons. I also wrote the first six episodes of", "working on this for a long time, and have written 9 seasons. The", "'hook' I refer to is being transgender, which is a focus for entertainment", "I have created something really original, different from anything else that has come", "I have no background in film or tv, I don't know anyone in", "and LGBT people. While it was not written that way deliberately, I do", "created something really original, different from anything else that has come before (and", "well known and residents hated. The story of the people doing the job", "original, different from anything else that has come before (and I've done a", "my lifestory. The 'hook' I refer to is being transgender, which is a", "I've done a lot of research!). I have a lot of confidence in", "have created something really original, different from anything else that has come before", "color, women and LGBT people. While it was not written that way deliberately,", "where the story can end after 5, 7 or 9 seasons. I also", "anything else that has come before (and I've done a lot of research!).", "famous coastal city that had a short lifespan, was well known and residents", "that has come before (and I've done a lot of research!). I have", "get a 5 year order, but writing 9 seasons in total, where the", "before settling in nyc....there is a big arc on personald evelopment and overcoming", "done a lot of research!). I have a lot of confidence in the", "already interesting. The show focuses on the protagonist and threw flashback covers growing", "I have a lot of confidence in the story and episodes, and have", "different types of presentations prepared. So, how could I pitch this? I have", "a foreign country, leaving home at a young age, traveling around the world", "women and LGBT people. While it was not written that way deliberately, I", "it is a selling point. I am writing it in such a way", "had a short lifespan, was well known and residents hated. The story of", "city that had a short lifespan, was well known and residents hated. The", "have been working on this for a long time, and have written 9", "and have complete character sheets, treatments for show and season, and have almost", "order, but writing 9 seasons in total, where the story can end after", "type of show is a sitcom. It is based on my lifestory. The", "the story can end after 5, 7 or 9 seasons. I also wrote", "transgender, which is a focus for entertainment in many ways at the moment.", "I will file everything with the WGA. This show has a number of", "a selling point. I am writing it in such a way to try", "such a way to try and get a 5 year order, but writing", "character sheets, treatments for show and season, and have almost finished writing every", "in total, where the story can end after 5, 7 or 9 seasons.", "This show has a number of amazing characters and amazing character development for", "is being transgender, which is a focus for entertainment in many ways at", "for a long time, and have written 9 seasons. The type of show", "unsure how to send meetings. How would I find an agent to start", "confidence in the story and episodes, and have complete character sheets, treatments for", "a long time, and have written 9 seasons. The type of show is", "on my lifestory. The 'hook' I refer to is being transgender, which is", "complete character sheets, treatments for show and season, and have almost finished writing", "have a TV show I have been writing and will finish soon enough.", "for each character, including people of color, women and LGBT people. While it", "feel it is a selling point. I am writing it in such a", "the story and episodes, and have complete character sheets, treatments for show and", "the story is a lot more than that. The premise will be doing", "which turns into a transgender coming out story. For a sitcom I think", "TV show I have been writing and will finish soon enough. I have", "for the 22 episode first season. I will file everything with the WGA.", "on the protagonist and threw flashback covers growing up in a foreign country,", "amazing characters and amazing character development for each character, including people of color,", "try and get a 5 year order, but writing 9 seasons in total,", "a transgender coming out story. For a sitcom I think I have created", "has a number of amazing characters and amazing character development for each character,", "is a lot more than that. The premise will be doing a quirky", "How would I find an agent to start representing me or the material?", "show focuses on the protagonist and threw flashback covers growing up in a", "time, and have written 9 seasons. The type of show is a sitcom.", "meetings. How would I find an agent to start representing me or the", "am confident in my ability to pitch and have different types of presentations", "will be doing a quirky job in a famous coastal city that had", "transgender coming out story. For a sitcom I think I have created something", "pitch this? I have no background in film or tv, I don't know", "lot of research!). I have a lot of confidence in the story and", "and threw flashback covers growing up in a foreign country, leaving home at", "protagonist and threw flashback covers growing up in a foreign country, leaving home", "film or tv, I don't know anyone in the industry, and I am", "on personald evelopment and overcoming childhood drama, which turns into a transgender coming", "to try and get a 5 year order, but writing 9 seasons in", "background in film or tv, I don't know anyone in the industry, and", "industry, and I am unsure how to send meetings. How would I find", "world before settling in nyc....there is a big arc on personald evelopment and", "moment. While that is the hook, the story is a lot more than", "sitcom I think I have created something really original, different from anything else", "season, and have almost finished writing every script for the 22 episode first", "character development for each character, including people of color, women and LGBT people.", "I have a TV show I have been writing and will finish soon", "young age, traveling around the world before settling in nyc....there is a big", "of presentations prepared. So, how could I pitch this? I have no background", "in a famous coastal city that had a short lifespan, was well known", "WGA. This show has a number of amazing characters and amazing character development", "doing a quirky job in a famous coastal city that had a short", "and residents hated. The story of the people doing the job is already", "a way to try and get a 5 year order, but writing 9", "of show is a sitcom. It is based on my lifestory. The 'hook'", "pitch and have different types of presentations prepared. So, how could I pitch", "have written 9 seasons. The type of show is a sitcom. It is", "I am confident in my ability to pitch and have different types of", "The story of the people doing the job is already interesting. The show", "and amazing character development for each character, including people of color, women and", "presentations prepared. So, how could I pitch this? I have no background in", "childhood drama, which turns into a transgender coming out story. For a sitcom", "will file everything with the WGA. This show has a number of amazing", "in my ability to pitch and have different types of presentations prepared. So,", "and overcoming childhood drama, which turns into a transgender coming out story. For", "seasons. I also wrote the first six episodes of the first season to", "So, how could I pitch this? I have no background in film or", "foreign country, leaving home at a young age, traveling around the world before", "premise will be doing a quirky job in a famous coastal city that", "written 9 seasons. The type of show is a sitcom. It is based", "this for a long time, and have written 9 seasons. The type of", "have complete character sheets, treatments for show and season, and have almost finished", "story can end after 5, 7 or 9 seasons. I also wrote the", "somewhat self contained. I am confident in my ability to pitch and have", "characters and amazing character development for each character, including people of color, women", "show and season, and have almost finished writing every script for the 22", "story. For a sitcom I think I have created something really original, different", "While that is the hook, the story is a lot more than that.", "has come before (and I've done a lot of research!). I have a", "the protagonist and threw flashback covers growing up in a foreign country, leaving", "for show and season, and have almost finished writing every script for the", "character, including people of color, women and LGBT people. While it was not", "been working on this for a long time, and have written 9 seasons.", "ways at the moment. While that is the hook, the story is a", "I pitch this? I have no background in film or tv, I don't", "how to send meetings. How would I find an agent to start representing", "story is a lot more than that. The premise will be doing a", "I also wrote the first six episodes of the first season to be", "9 seasons. I also wrote the first six episodes of the first season", "be somewhat self contained. I am confident in my ability to pitch and", "my ability to pitch and have different types of presentations prepared. So, how", "the first six episodes of the first season to be somewhat self contained.", "how could I pitch this? I have no background in film or tv,", "self contained. I am confident in my ability to pitch and have different", "The 'hook' I refer to is being transgender, which is a focus for", "enough. I have been working on this for a long time, and have", "total, where the story can end after 5, 7 or 9 seasons. I", "based on my lifestory. The 'hook' I refer to is being transgender, which", "I have been working on this for a long time, and have written", "contained. I am confident in my ability to pitch and have different types", "arc on personald evelopment and overcoming childhood drama, which turns into a transgender", "am unsure how to send meetings. How would I find an agent to", "people. While it was not written that way deliberately, I do feel it", "season. I will file everything with the WGA. This show has a number", "been writing and will finish soon enough. I have been working on this", "threw flashback covers growing up in a foreign country, leaving home at a", "a number of amazing characters and amazing character development for each character, including", "of the people doing the job is already interesting. The show focuses on", "a big arc on personald evelopment and overcoming childhood drama, which turns into", "and have different types of presentations prepared. So, how could I pitch this?", "and episodes, and have complete character sheets, treatments for show and season, and", "seasons in total, where the story can end after 5, 7 or 9", "tv, I don't know anyone in the industry, and I am unsure how", "show I have been writing and will finish soon enough. I have been", "a quirky job in a famous coastal city that had a short lifespan,", "I refer to is being transgender, which is a focus for entertainment in", "that way deliberately, I do feel it is a selling point. I am", "coming out story. For a sitcom I think I have created something really", "(and I've done a lot of research!). I have a lot of confidence", "six episodes of the first season to be somewhat self contained. I am", "have no background in film or tv, I don't know anyone in the", "a lot of research!). I have a lot of confidence in the story", "a lot of confidence in the story and episodes, and have complete character", "can end after 5, 7 or 9 seasons. I also wrote the first", "finished writing every script for the 22 episode first season. I will file", "nyc....there is a big arc on personald evelopment and overcoming childhood drama, which", "selling point. I am writing it in such a way to try and", "really original, different from anything else that has come before (and I've done", "lifespan, was well known and residents hated. The story of the people doing" ]
[ "figure out on my own, but is there any advice that anyone who's", "into is that I'm not sure how to start it. It isn't that", "run into is that I'm not sure how to start it. It isn't", "own, but is there any advice that anyone who's had this issue before", "I've been thinking about my story for a while now and the problem", "that I can't pick the best one to use. I know this is", "I know this is something I'm probably just going to have to figure", "I actually have a million ideas about how to do that, the problem", "ideas about how to do that, the problem is that I can't pick", "my story for a while now and the problem I've run into is", "It isn't that I can't think of how to start it, I actually", "to have to figure out on my own, but is there any advice", "pick the best one to use. I know this is something I'm probably", "and the problem I've run into is that I'm not sure how to", "best one to use. I know this is something I'm probably just going", "sure how to start it. It isn't that I can't think of how", "been thinking about my story for a while now and the problem I've", "now and the problem I've run into is that I'm not sure how", "that I can't think of how to start it, I actually have a", "to do that, the problem is that I can't pick the best one", "to start it. It isn't that I can't think of how to start", "a while now and the problem I've run into is that I'm not", "this is something I'm probably just going to have to figure out on", "to figure out on my own, but is there any advice that anyone", "how to do that, the problem is that I can't pick the best", "is something I'm probably just going to have to figure out on my", "how to start it. It isn't that I can't think of how to", "something I'm probably just going to have to figure out on my own,", "the problem is that I can't pick the best one to use. I", "it, I actually have a million ideas about how to do that, the", "of how to start it, I actually have a million ideas about how", "one to use. I know this is something I'm probably just going to", "use. I know this is something I'm probably just going to have to", "know this is something I'm probably just going to have to figure out", "can't pick the best one to use. I know this is something I'm", "the problem I've run into is that I'm not sure how to start", "that I'm not sure how to start it. It isn't that I can't", "while now and the problem I've run into is that I'm not sure", "start it. It isn't that I can't think* of how to start it,", "I've run into is that I'm not sure how to start it. It", "that, the problem is that I can't pick the best one to use.", "the best one to use. I know this is something I'm probably just", "not sure how to start it. It isn't that I can't think of", "going to have to figure out on my own, but is there any", "to use. I know this is something I'm probably just going to have", "problem is that I can't pick the best one to use. I know", "have a million ideas about how to do that, the problem is that", "probably just going to have to figure out on my own, but is", "million ideas about how to do that, the problem is that I can't", "how to start it, I actually have a million ideas about how to", "is there any advice that anyone who's had this issue before can give?", "start it, I actually have a million ideas about how to do that,", "actually have a million ideas about how to do that, the problem is", "to start it, I actually have a million ideas about how to do", "for a while now and the problem I've run into is that I'm", "is that I can't pick the best one to use. I know this", "about how to do that, the problem is that I can't pick the", "just going to have to figure out on my own, but is there", "my own, but is there any advice that anyone who's had this issue", "story for a while now and the problem I've run into is that", "thinking about my story for a while now and the problem I've run", "do that, the problem is that I can't pick the best one to", "think* of how to start it, I actually have a million ideas about", "I'm not sure how to start it. It isn't that I can't think", "I'm probably just going to have to figure out on my own, but", "have to figure out on my own, but is there any advice that", "it. It isn't that I can't think of how to start it, I", "can't think of how to start it, I actually have a million ideas", "isn't that I can't think of how to start it, I actually have", "a million ideas about how to do that, the problem is that I", "problem I've run into is that I'm not sure how to start it.", "but is there any advice that anyone who's had this issue before can", "I can't pick the best one to use. I know this is something", "is that I'm not sure how to start it. It isn't that I", "I can't think of how to start it, I actually have a million", "about my story for a while now and the problem I've run into", "on my own, but is there any advice that anyone who's had this", "out on my own, but is there any advice that anyone who's had" ]
[ "it's not very interesting, but it's very concise. On the other hand, if", "the reader. What's a good strategy to come towards the middle? [Here's what", "I see it, if you are too vague, it's not very interesting, but", "bore out the reader. What's a good strategy to come towards the middle?", "What's a good strategy to come towards the middle? [Here's what needs to", "will bore out the reader. What's a good strategy to come towards the", "very concise. On the other hand, if you are excessively detailed, it will", "needs a lot of revision. For one, they said that it needed clarity,", "out both at the same time? The way I see it, if you", "very interesting, but it's very concise. On the other hand, if you are", "and for another, it needed to be concise. My question is, isn't there", "revision. For one, they said that it needed clarity, and for another, it", "one of my friends said that it needs a lot of revision. For", "working on revising a petition because one of my friends said that it", "same time? The way I see it, if you are too vague, it's", "it needed to be concise. My question is, isn't there a way to", "time? The way I see it, if you are too vague, it's not", "a good strategy to come towards the middle? [Here's what needs to be", "to be concise. My question is, isn't there a way to balance out", "both at the same time? The way I see it, if you are", "said that it needs a lot of revision. For one, they said that", "My question is, isn't there a way to balance out both at the", "if you are too vague, it's not very interesting, but it's very concise.", "it will bore out the reader. What's a good strategy to come towards", "reader. What's a good strategy to come towards the middle? [Here's what needs", "a lot of revision. For one, they said that it needed clarity, and", "isn't there a way to balance out both at the same time? The", "at the same time? The way I see it, if you are too", "one, they said that it needed clarity, and for another, it needed to", "it, if you are too vague, it's not very interesting, but it's very", "another, it needed to be concise. My question is, isn't there a way", "I am working on revising a petition because one of my friends said", "is, isn't there a way to balance out both at the same time?", "my friends said that it needs a lot of revision. For one, they", "friends said that it needs a lot of revision. For one, they said", "balance out both at the same time? The way I see it, if", "needed to be concise. My question is, isn't there a way to balance", "you are too vague, it's not very interesting, but it's very concise. On", "excessively detailed, it will bore out the reader. What's a good strategy to", "to balance out both at the same time? The way I see it,", "vague, it's not very interesting, but it's very concise. On the other hand,", "petition because one of my friends said that it needs a lot of", "concise. My question is, isn't there a way to balance out both at", "The way I see it, if you are too vague, it's not very", "said that it needed clarity, and for another, it needed to be concise.", "clarity, and for another, it needed to be concise. My question is, isn't", "other hand, if you are excessively detailed, it will bore out the reader.", "it's very concise. On the other hand, if you are excessively detailed, it", "interesting, but it's very concise. On the other hand, if you are excessively", "needed clarity, and for another, it needed to be concise. My question is,", "see it, if you are too vague, it's not very interesting, but it's", "way I see it, if you are too vague, it's not very interesting,", "on revising a petition because one of my friends said that it needs", "are excessively detailed, it will bore out the reader. What's a good strategy", "revising a petition because one of my friends said that it needs a", "are too vague, it's not very interesting, but it's very concise. On the", "if you are excessively detailed, it will bore out the reader. What's a", "On the other hand, if you are excessively detailed, it will bore out", "out the reader. What's a good strategy to come towards the middle? [Here's", "am working on revising a petition because one of my friends said that", "a petition because one of my friends said that it needs a lot", "lot of revision. For one, they said that it needed clarity, and for", "concise. On the other hand, if you are excessively detailed, it will bore", "the same time? The way I see it, if you are too vague,", "of revision. For one, they said that it needed clarity, and for another,", "there a way to balance out both at the same time? The way", "be concise. My question is, isn't there a way to balance out both", "For one, they said that it needed clarity, and for another, it needed", "the other hand, if you are excessively detailed, it will bore out the", "you are excessively detailed, it will bore out the reader. What's a good", "a way to balance out both at the same time? The way I", "of my friends said that it needs a lot of revision. For one,", "good strategy to come towards the middle? [Here's what needs to be revised.](https://chn.ge/2IRMIjy)", "too vague, it's not very interesting, but it's very concise. On the other", "that it needed clarity, and for another, it needed to be concise. My", "it needs a lot of revision. For one, they said that it needed", "way to balance out both at the same time? The way I see", "but it's very concise. On the other hand, if you are excessively detailed,", "not very interesting, but it's very concise. On the other hand, if you", "because one of my friends said that it needs a lot of revision.", "for another, it needed to be concise. My question is, isn't there a", "it needed clarity, and for another, it needed to be concise. My question", "they said that it needed clarity, and for another, it needed to be", "that it needs a lot of revision. For one, they said that it", "hand, if you are excessively detailed, it will bore out the reader. What's", "detailed, it will bore out the reader. What's a good strategy to come", "question is, isn't there a way to balance out both at the same" ]
[ "that I want this to mean something. Now a suggestion that I anticipate", "a book of poetry by Poe, one of his favorites. While an awesome", "Now a suggestion that I anticipate is that you should write about hobbies,", "both my wife and I would tend to do that. Any ideas on", "we have both been published in journal articles and are teachers at heart.", "Fine, they don't make a lot of money, but at the same time", "friend is about our children's age, their child refers to us as grandma", "that ended up being encouraging and pointing out good habits. Also I gave", "as grandma and grandpa, and we are not 100% happy with some of", "be preached at with their birthday gift of words, and both my wife", "fine, but it conflicts with their stated goals: saving for a house. The", "the grandchild in this case, is too young to write out words (less", "well enough as we have both been published in journal articles and are", "people. We write well enough as we have both been published in journal", "to greater income, nor were they cheap. Writing about that, I will come", "their house. They both received large raises, and he gave up the acting", "lead to greater income, nor were they cheap. Writing about that, I will", "his decisions. Nothing immoral in the decisions, just not what we would do", "acting was not going to lead to greater income, nor were they cheap.", "preached at with their birthday gift of words, and both my wife and", "is that you should write about hobbies, but that is one of our", "about, but I fear doing so would be seen as a non-gift if", "tend to do that. Any ideas on how to get an idea of", "articles and are teachers at heart. Creative is not our forte, and when", "but I fear doing so would be seen as a non-gift if not", "grandpa, and we are not 100% happy with some of his decisions. Nothing", "my wife and I are technical people. We write well enough as we", "about hobbies, but that is one of our \"not happy decisions\". They are", "seen as a non-gift if not an insult. Any other ideas? Update: I", "we provide a gift of words. This friend is about the age of", "children's age, their child refers to us as grandma and grandpa, and we", "This is exasperated as the friend is about our children's age, their child", "do in their situation. So the last thing this person would want is", "and we are not 100% happy with some of his decisions. Nothing immoral", "a gift of words. This friend is about the age of my children,", "large raises, and he gave up the acting classes on his own. All", "is exasperated as the friend is about our children's age, their child refers", "by Poe, one of his favorites. While an awesome suggestion, the grandchild in", "save for a house. Fine, they don't make a lot of money, but", "for a house. Fine, they don't make a lot of money, but at", "we are not 100% happy with some of his decisions. Nothing immoral in", "been published in journal articles and are teachers at heart. Creative is not", "heart. Creative is not our forte, and when we do write it is", "cheap. Writing about that, I will come across preachy. So my block is", "up the acting classes on his own. All things worked out, although he", "would be seen as a non-gift if not an insult. Any other ideas?", "his own. All things worked out, although he is now making other choices", "out good habits. Also I gave him a book of poetry by Poe,", "While an awesome suggestion, the grandchild in this case, is too young to", "happy decisions\". They are saying that they want to save for a house.", "acting classes on his own. All things worked out, although he is now", "for some acting classes. Again fine, but it conflicts with their stated goals:", "greater income, nor were they cheap. Writing about that, I will come across", "is that I want this to mean something. Now a suggestion that I", "age of my children, and a creative type person. The trouble is both", "suggestion, the grandchild in this case, is too young to write out words", "in the decisions, just not what we would do in their situation. So", "they cheap. Writing about that, I will come across preachy. So my block", "child refers to us as grandma and grandpa, and we are not 100%", "this person would want is to be preached at with their birthday gift", "he signed up for some acting classes. Again fine, but it conflicts with", "so would be seen as a non-gift if not an insult. Any other", "children, and a creative type person. The trouble is both my wife and", "was not going to lead to greater income, nor were they cheap. Writing", "100% happy with some of his decisions. Nothing immoral in the decisions, just", "worked out, although he is now making other choices I don't really agree", "teaching. This is exasperated as the friend is about our children's age, their", "immoral in the decisions, just not what we would do in their situation.", "in this case, is too young to write out words (less than a", "decisions. Nothing immoral in the decisions, just not what we would do in", "some acting classes. Again fine, but it conflicts with their stated goals: saving", "of words, and both my wife and I would tend to do that.", "a house. The acting was not going to lead to greater income, nor", "The trouble is both my wife and I are technical people. We write", "write it is always with the bent of teaching. This is exasperated as", "requested that we provide a gift of words. This friend is about the", "have a friend, having a milestone birthday, and his wife requested that we", "gift of words. This friend is about the age of my children, and", "the age of my children, and a creative type person. The trouble is", "up being encouraging and pointing out good habits. Also I gave him a", "with some of his decisions. Nothing immoral in the decisions, just not what", "to be preached at with their birthday gift of words, and both my", "that I anticipate is that you should write about hobbies, but that is", "is about the age of my children, and a creative type person. The", "what we would do in their situation. So the last thing this person", "milestone birthday, and his wife requested that we provide a gift of words.", "on how to get an idea of something to write? An underlying motivation", "I would tend to do that. Any ideas on how to get an", "I are technical people. We write well enough as we have both been", "is always with the bent of teaching. This is exasperated as the friend", "teachers at heart. Creative is not our forte, and when we do write", "than most. I know what I want to write about, but I fear", "want this to mean something. Now a suggestion that I anticipate is that", "his favorites. While an awesome suggestion, the grandchild in this case, is too", "that, I will come across preachy. So my block is a bit different", "exasperated as the friend is about our children's age, their child refers to", "that we provide a gift of words. This friend is about the age", "They are saying that they want to save for a house. Fine, they", "this case, is too young to write out words (less than a year).", "at with their birthday gift of words, and both my wife and I", "would tend to do that. Any ideas on how to get an idea", "it conflicts with their stated goals: saving for a house. The acting was", "be seen as a non-gift if not an insult. Any other ideas? Update:", "I fear doing so would be seen as a non-gift if not an", "about our children's age, their child refers to us as grandma and grandpa,", "not going to lead to greater income, nor were they cheap. Writing about", "So the last thing this person would want is to be preached at", "for a house. The acting was not going to lead to greater income,", "are saying that they want to save for a house. Fine, they don't", "they bought their house. They both received large raises, and he gave up", "in journal articles and are teachers at heart. Creative is not our forte,", "him a book of poetry by Poe, one of his favorites. While an", "up writing a short note that ended up being encouraging and pointing out", "short note that ended up being encouraging and pointing out good habits. Also", "and when we do write it is always with the bent of teaching.", "idea of something to write? An underlying motivation is that I want this", "want to save for a house. Fine, they don't make a lot of", "raises, and he gave up the acting classes on his own. All things", "my block is a bit different than most. I know what I want", "with the bent of teaching. This is exasperated as the friend is about", "although he is now making other choices I don't really agree with. :^)", "I will come across preachy. So my block is a bit different than", "are technical people. We write well enough as we have both been published", "money, but at the same time he signed up for some acting classes.", "is too young to write out words (less than a year). Also they", "Update: I ended up writing a short note that ended up being encouraging", "my children, and a creative type person. The trouble is both my wife", "person would want is to be preached at with their birthday gift of", "you should write about hobbies, but that is one of our \"not happy", "Also I gave him a book of poetry by Poe, one of his", "do that. Any ideas on how to get an idea of something to", "write out words (less than a year). Also they bought their house. They", "So we have a friend, having a milestone birthday, and his wife requested", "a suggestion that I anticipate is that you should write about hobbies, but", "creative type person. The trouble is both my wife and I are technical", "not 100% happy with some of his decisions. Nothing immoral in the decisions,", "would want is to be preached at with their birthday gift of words,", "to save for a house. Fine, they don't make a lot of money,", "of words. This friend is about the age of my children, and a", "I gave him a book of poetry by Poe, one of his favorites.", "too young to write out words (less than a year). Also they bought", "decisions\". They are saying that they want to save for a house. Fine,", "not an insult. Any other ideas? Update: I ended up writing a short", "write about, but I fear doing so would be seen as a non-gift", "hobbies, but that is one of our \"not happy decisions\". They are saying", "an insult. Any other ideas? Update: I ended up writing a short note", "with their birthday gift of words, and both my wife and I would", "wife requested that we provide a gift of words. This friend is about", "saying that they want to save for a house. Fine, they don't make", "This friend is about the age of my children, and a creative type", "we have a friend, having a milestone birthday, and his wife requested that", "forte, and when we do write it is always with the bent of", "is a bit different than most. I know what I want to write", "grandchild in this case, is too young to write out words (less than", "friend is about the age of my children, and a creative type person.", "saving for a house. The acting was not going to lead to greater", "poetry by Poe, one of his favorites. While an awesome suggestion, the grandchild", "their birthday gift of words, and both my wife and I would tend", "do write it is always with the bent of teaching. This is exasperated", "bought their house. They both received large raises, and he gave up the", "at heart. Creative is not our forte, and when we do write it", "Creative is not our forte, and when we do write it is always", "to lead to greater income, nor were they cheap. Writing about that, I", "received large raises, and he gave up the acting classes on his own.", "\"not happy decisions\". They are saying that they want to save for a", "birthday gift of words, and both my wife and I would tend to", "good habits. Also I gave him a book of poetry by Poe, one", "I anticipate is that you should write about hobbies, but that is one", "on his own. All things worked out, although he is now making other", "anticipate is that you should write about hobbies, but that is one of", "last thing this person would want is to be preached at with their", "they want to save for a house. Fine, they don't make a lot", "come across preachy. So my block is a bit different than most. I", "awesome suggestion, the grandchild in this case, is too young to write out", "bent of teaching. This is exasperated as the friend is about our children's", "of poetry by Poe, one of his favorites. While an awesome suggestion, the", "words (less than a year). Also they bought their house. They both received", "All things worked out, although he is now making other choices I don't", "refers to us as grandma and grandpa, and we are not 100% happy", "across preachy. So my block is a bit different than most. I know", "are not 100% happy with some of his decisions. Nothing immoral in the", "but that is one of our \"not happy decisions\". They are saying that", "the decisions, just not what we would do in their situation. So the", "birthday, and his wife requested that we provide a gift of words. This", "out words (less than a year). Also they bought their house. They both", "some of his decisions. Nothing immoral in the decisions, just not what we", "is one of our \"not happy decisions\". They are saying that they want", "as a non-gift if not an insult. Any other ideas? Update: I ended", "we do write it is always with the bent of teaching. This is", "to write about, but I fear doing so would be seen as a", "something to write? An underlying motivation is that I want this to mean", "as we have both been published in journal articles and are teachers at", "know what I want to write about, but I fear doing so would", "and a creative type person. The trouble is both my wife and I", "a year). Also they bought their house. They both received large raises, and", "friend, having a milestone birthday, and his wife requested that we provide a", "An underlying motivation is that I want this to mean something. Now a", "Writing about that, I will come across preachy. So my block is a", "to get an idea of something to write? An underlying motivation is that", "that is one of our \"not happy decisions\". They are saying that they", "I know what I want to write about, but I fear doing so", "other ideas? Update: I ended up writing a short note that ended up", "and I would tend to do that. Any ideas on how to get", "decisions, just not what we would do in their situation. So the last", "doing so would be seen as a non-gift if not an insult. Any", "young to write out words (less than a year). Also they bought their", "he gave up the acting classes on his own. All things worked out,", "what I want to write about, but I fear doing so would be", "an idea of something to write? An underlying motivation is that I want", "goals: saving for a house. The acting was not going to lead to", "most. I know what I want to write about, but I fear doing", "insult. Any other ideas? Update: I ended up writing a short note that", "as the friend is about our children's age, their child refers to us", "a short note that ended up being encouraging and pointing out good habits.", "classes on his own. All things worked out, although he is now making", "going to lead to greater income, nor were they cheap. Writing about that,", "encouraging and pointing out good habits. Also I gave him a book of", "happy with some of his decisions. Nothing immoral in the decisions, just not", "year). Also they bought their house. They both received large raises, and he", "ended up writing a short note that ended up being encouraging and pointing", "want is to be preached at with their birthday gift of words, and", "signed up for some acting classes. Again fine, but it conflicts with their", "and grandpa, and we are not 100% happy with some of his decisions.", "house. The acting was not going to lead to greater income, nor were", "and his wife requested that we provide a gift of words. This friend", "pointing out good habits. Also I gave him a book of poetry by", "not our forte, and when we do write it is always with the", "house. Fine, they don't make a lot of money, but at the same", "of his decisions. Nothing immoral in the decisions, just not what we would", "to write out words (less than a year). Also they bought their house.", "is not our forte, and when we do write it is always with", "not what we would do in their situation. So the last thing this", "wife and I are technical people. We write well enough as we have", "how to get an idea of something to write? An underlying motivation is", "to do that. Any ideas on how to get an idea of something", "Also they bought their house. They both received large raises, and he gave", "will come across preachy. So my block is a bit different than most.", "don't make a lot of money, but at the same time he signed", "that. Any ideas on how to get an idea of something to write?", "about that, I will come across preachy. So my block is a bit", "different than most. I know what I want to write about, but I", "make a lot of money, but at the same time he signed up", "same time he signed up for some acting classes. Again fine, but it", "technical people. We write well enough as we have both been published in", "gift of words, and both my wife and I would tend to do", "this to mean something. Now a suggestion that I anticipate is that you", "of something to write? An underlying motivation is that I want this to", "and both my wife and I would tend to do that. Any ideas", "something. Now a suggestion that I anticipate is that you should write about", "about the age of my children, and a creative type person. The trouble", "I want this to mean something. Now a suggestion that I anticipate is", "gave up the acting classes on his own. All things worked out, although", "house. They both received large raises, and he gave up the acting classes", "but it conflicts with their stated goals: saving for a house. The acting", "ended up being encouraging and pointing out good habits. Also I gave him", "We write well enough as we have both been published in journal articles", "income, nor were they cheap. Writing about that, I will come across preachy.", "would do in their situation. So the last thing this person would want", "both been published in journal articles and are teachers at heart. Creative is", "want to write about, but I fear doing so would be seen as", "a non-gift if not an insult. Any other ideas? Update: I ended up", "classes. Again fine, but it conflicts with their stated goals: saving for a", "an awesome suggestion, the grandchild in this case, is too young to write", "if not an insult. Any other ideas? Update: I ended up writing a", "when we do write it is always with the bent of teaching. This", "our forte, and when we do write it is always with the bent", "and he gave up the acting classes on his own. All things worked", "underlying motivation is that I want this to mean something. Now a suggestion", "both received large raises, and he gave up the acting classes on his", "are teachers at heart. Creative is not our forte, and when we do", "always with the bent of teaching. This is exasperated as the friend is", "So my block is a bit different than most. I know what I", "ideas? Update: I ended up writing a short note that ended up being", "that they want to save for a house. Fine, they don't make a", "up for some acting classes. Again fine, but it conflicts with their stated", "situation. So the last thing this person would want is to be preached", "gave him a book of poetry by Poe, one of his favorites. While", "preachy. So my block is a bit different than most. I know what", "their stated goals: saving for a house. The acting was not going to", "were they cheap. Writing about that, I will come across preachy. So my", "to mean something. Now a suggestion that I anticipate is that you should", "I ended up writing a short note that ended up being encouraging and", "a creative type person. The trouble is both my wife and I are", "out, although he is now making other choices I don't really agree with.", "their situation. So the last thing this person would want is to be", "writing a short note that ended up being encouraging and pointing out good", "conflicts with their stated goals: saving for a house. The acting was not", "block is a bit different than most. I know what I want to", "words. This friend is about the age of my children, and a creative", "lot of money, but at the same time he signed up for some", "journal articles and are teachers at heart. Creative is not our forte, and", "trouble is both my wife and I are technical people. We write well", "have both been published in journal articles and are teachers at heart. Creative", "we would do in their situation. So the last thing this person would", "our \"not happy decisions\". They are saying that they want to save for", "that you should write about hobbies, but that is one of our \"not", "case, is too young to write out words (less than a year). Also", "Again fine, but it conflicts with their stated goals: saving for a house.", "at the same time he signed up for some acting classes. Again fine,", "having a milestone birthday, and his wife requested that we provide a gift", "grandma and grandpa, and we are not 100% happy with some of his", "bit different than most. I know what I want to write about, but", "write well enough as we have both been published in journal articles and", "mean something. Now a suggestion that I anticipate is that you should write", "of teaching. This is exasperated as the friend is about our children's age,", "both my wife and I are technical people. We write well enough as", "published in journal articles and are teachers at heart. Creative is not our", "write? An underlying motivation is that I want this to mean something. Now", "Any other ideas? Update: I ended up writing a short note that ended", "They both received large raises, and he gave up the acting classes on", "us as grandma and grandpa, and we are not 100% happy with some", "it is always with the bent of teaching. This is exasperated as the", "nor were they cheap. Writing about that, I will come across preachy. So", "should write about hobbies, but that is one of our \"not happy decisions\".", "their child refers to us as grandma and grandpa, and we are not", "a friend, having a milestone birthday, and his wife requested that we provide", "is both my wife and I are technical people. We write well enough", "of our \"not happy decisions\". They are saying that they want to save", "of his favorites. While an awesome suggestion, the grandchild in this case, is", "words, and both my wife and I would tend to do that. Any", "stated goals: saving for a house. The acting was not going to lead", "a lot of money, but at the same time he signed up for", "fear doing so would be seen as a non-gift if not an insult.", "to us as grandma and grandpa, and we are not 100% happy with", "my wife and I would tend to do that. Any ideas on how", "one of his favorites. While an awesome suggestion, the grandchild in this case,", "type person. The trouble is both my wife and I are technical people.", "acting classes. Again fine, but it conflicts with their stated goals: saving for", "the last thing this person would want is to be preached at with", "motivation is that I want this to mean something. Now a suggestion that", "his wife requested that we provide a gift of words. This friend is", "of my children, and a creative type person. The trouble is both my", "Nothing immoral in the decisions, just not what we would do in their", "is about our children's age, their child refers to us as grandma and", "to write? An underlying motivation is that I want this to mean something.", "the same time he signed up for some acting classes. Again fine, but", "thing this person would want is to be preached at with their birthday", "a milestone birthday, and his wife requested that we provide a gift of", "I want to write about, but I fear doing so would be seen", "wife and I would tend to do that. Any ideas on how to", "age, their child refers to us as grandma and grandpa, and we are", "a house. Fine, they don't make a lot of money, but at the", "they don't make a lot of money, but at the same time he", "a bit different than most. I know what I want to write about,", "just not what we would do in their situation. So the last thing", "of money, but at the same time he signed up for some acting", "our children's age, their child refers to us as grandma and grandpa, and", "the bent of teaching. This is exasperated as the friend is about our", "in their situation. So the last thing this person would want is to", "The acting was not going to lead to greater income, nor were they", "the acting classes on his own. All things worked out, although he is", "get an idea of something to write? An underlying motivation is that I", "time he signed up for some acting classes. Again fine, but it conflicts", "being encouraging and pointing out good habits. Also I gave him a book", "enough as we have both been published in journal articles and are teachers", "write about hobbies, but that is one of our \"not happy decisions\". They", "provide a gift of words. This friend is about the age of my", "own. All things worked out, although he is now making other choices I", "non-gift if not an insult. Any other ideas? Update: I ended up writing", "(less than a year). Also they bought their house. They both received large", "one of our \"not happy decisions\". They are saying that they want to", "but at the same time he signed up for some acting classes. Again", "than a year). Also they bought their house. They both received large raises,", "the friend is about our children's age, their child refers to us as", "note that ended up being encouraging and pointing out good habits. Also I", "and are teachers at heart. Creative is not our forte, and when we", "and I are technical people. We write well enough as we have both", "Poe, one of his favorites. While an awesome suggestion, the grandchild in this", "ideas on how to get an idea of something to write? An underlying", "Any ideas on how to get an idea of something to write? An", "with their stated goals: saving for a house. The acting was not going", "is to be preached at with their birthday gift of words, and both", "suggestion that I anticipate is that you should write about hobbies, but that", "book of poetry by Poe, one of his favorites. While an awesome suggestion,", "things worked out, although he is now making other choices I don't really", "and pointing out good habits. Also I gave him a book of poetry", "habits. Also I gave him a book of poetry by Poe, one of", "favorites. While an awesome suggestion, the grandchild in this case, is too young", "person. The trouble is both my wife and I are technical people. We" ]
[ "him I just came up with a name. It needed to be on", "The thing is, Brif is not a douche. He is likeable, at least", "(He loathes the upper-class) * Has a soft spot * Best friend to", "is not a douche. He is likeable, at least from my perspective. I", "a bad guy sometimes, but not a textbook \"wazzup\" douchebag. So, will people", "Has a soft spot * Best friend to the main character * A", "a bit of a bad guy sometimes, but not a textbook \"wazzup\" douchebag.", "least from my perspective. I am worried that his name will give my", "Perhaps he's a bit of a bad guy sometimes, but not a textbook", "I had written him as Brif for a while, and the name grew", "the name has that connotation. But is this connotation so strong that it", "I like Brif better is probably primarily based on the fact that it", "Butcher\", rings nicely right? But then after a while, a thought popped into", "* Has a soft spot * Best friend to the main character ", "know this is kind of opinion-based, but then again, there are many people", "kind of opinion-based, but then again, there are many people who say that", "to clarify exactly what I'm asking. Will the development of a character thwart", "grew on me. But the fact that I like Brif better is probably", "never intended to be a part of him? Or will experiencing the character", "after a while, a thought popped into my head. Isn't the name Brif", "there are many people who say that they correlate the name Brif with", "the character prevail over its connotation? Also, as a note. I changed his", "a character named Brif. Unfortunately, Brif has become synonymous with \"douchebag\". Now, when", "then after a while, a thought popped into my head. Isn't the name", "head. Isn't the name Brif a bit douchey? Now, I know this is", "people expect things about him that I never intended to be a part", "soft spot Best friend to the main character * A bit greedy;", "likeable, at least from my perspective. I am worried that his name will", "be a part of him? Or will experiencing the character prevail over its", "had written him as Brif for a while, and the name grew on", "context, here are his character traits. * Nonchalant * Apathetic * Witty ", "want to clarify exactly what I'm asking. Will the development of a character", "my initial choice and the one I've written with. Do you think Bavyuy", "of a bad guy sometimes, but not a textbook \"wazzup\" douchebag. So, will", "the development of a character thwart the false connotation a certain name brings?", "me. But the fact that I like Brif better is probably primarily based", "at least from my perspective. I am worried that his name will give", "preconceived notion that he's a douchebag. FYI, he's 16 years old. To give", "DondaSS psychopathic Usually calm but very passionate about one subject (He loathes", "Don't get me wrong, someone named Brif is not necessarily a douchebag, but", "but very passionate about one subject (He loathes the upper-class) * Has a", "someone So, he's no douchebag. Perhaps he's a bit of a bad guy", "a while, and the name grew on me. But the fact that I", "while, and the name grew on me. But the fact that I like", "wrong, someone named Brif is not necessarily a douchebag, but unfortunately the name", "fact that I like Brif better is probably primarily based on the fact", "that connotation. But is this connotation so strong that it will overshadow his", "the upper-class) * Has a soft spot * Best friend to the main", "has become synonymous with \"douchebag\". Now, when I first introduced him I just", "that he's a douchebag. FYI, he's 16 years old. To give some context,", "Brif has become synonymous with \"douchebag\". Now, when I first introduced him I", "for my character? EDIT: I just want to clarify exactly what I'm asking.", "he was a butcher. \"Brif the Butcher\", rings nicely right? But then after", "named Brif. Unfortunately, Brif has become synonymous with \"douchebag\". Now, when I first", "fact that it was my initial choice and the one I've written with.", "name Brif a bit douchey? Now, I know this is kind of opinion-based,", "think Bavyuy would be a better name for my character? EDIT: I just", "and the one I've written with. Do you think Bavyuy would be a", "say that they correlate the name Brif with douchery. The thing is, Brif", "no douchebag. Perhaps he's a bit of a bad guy sometimes, but not", "sometimes, but not a textbook \"wazzup\" douchebag. So, will people regard him as", "he's no douchebag. Perhaps he's a bit of a bad guy sometimes, but", "first introduced him I just came up with a name. It needed to", "name to Bavyuy, but it felt wrong. I had written him as Brif", "\"B\", because he was a butcher. \"Brif the Butcher\", rings nicely right? But", "character * A bit greedy; can easily turn on someone So, he's no", "while, a thought popped into my head. Isn't the name Brif a bit", "Brif with douchery. The thing is, Brif is not a douche. He is", "give some context, here are his character traits. * Nonchalant * Apathetic ", "Nonchalant Apathetic * Witty * Cool-headed * DondaSS psychopathic * Usually calm", "thing is, Brif is not a douche. He is likeable, at least from", "bit of a bad guy sometimes, but not a textbook \"wazzup\" douchebag. So,", "as Brif for a while, and the name grew on me. But the", "is, Brif is not a douche. He is likeable, at least from my", "So, he's no douchebag. Perhaps he's a bit of a bad guy sometimes,", "main character * A bit greedy; can easily turn on someone So, he's", "\"wazzup\" douchebag. So, will people regard him as such anyways? Don't get me", "Also, as a note. I changed his name to Bavyuy, but it felt", "upper-class) * Has a soft spot * Best friend to the main character", "spot * Best friend to the main character * A bit greedy; can", "will give my readers a preconceived notion that he's a douchebag. FYI, he's", "part of him? Or will experiencing the character prevail over its connotation? Also,", "passionate about one subject (He loathes the upper-class) * Has a soft spot", "turn on someone So, he's no douchebag. Perhaps he's a bit of a", "Brif is not necessarily a douchebag, but unfortunately the name has that connotation.", "that I never intended to be a part of him? Or will experiencing", "Now, when I first introduced him I just came up with a name.", "a name. It needed to be on \"B\", because he was a butcher.", "needed to be on \"B\", because he was a butcher. \"Brif the Butcher\",", "\"Brif the Butcher\", rings nicely right? But then after a while, a thought", "thought popped into my head. Isn't the name Brif a bit douchey? Now,", "of opinion-based, but then again, there are many people who say that they", "calm but very passionate about one subject (He loathes the upper-class) * Has", "because he was a butcher. \"Brif the Butcher\", rings nicely right? But then", "his name will give my readers a preconceived notion that he's a douchebag.", "on someone So, he's no douchebag. Perhaps he's a bit of a bad", "its connotation? Also, as a note. I changed his name to Bavyuy, but", "a soft spot * Best friend to the main character * A bit", "Brif a bit douchey? Now, I know this is kind of opinion-based, but", "that his name will give my readers a preconceived notion that he's a", "this connotation so strong that it will overshadow his prominent traits and make", "but it felt wrong. I had written him as Brif for a while,", "on me. But the fact that I like Brif better is probably primarily", "about him that I never intended to be a part of him? Or", "my character? EDIT: I just want to clarify exactly what I'm asking. *Will", "\"douchebag\". Now, when I first introduced him I just came up with a", " Apathetic * Witty * Cool-headed * DondaSS psychopathic * Usually calm but", "traits. * Nonchalant * Apathetic * Witty * Cool-headed * DondaSS psychopathic ", "he's 16 years old. To give some context, here are his character traits.", "name grew on me. But the fact that I like Brif better is", "with a name. It needed to be on \"B\", because he was a", "get me wrong, someone named Brif is not necessarily a douchebag, but unfortunately", "experiencing the character prevail over its connotation? Also, as a note. I changed", "douchey? Now, I know this is kind of opinion-based, but then again, there", "a douchebag, but unfortunately the name has that connotation. But is this connotation", "popped into my head. Isn't the name Brif a bit douchey? Now, I", "psychopathic Usually calm but very passionate about one subject (He loathes the", "douchebag. So, will people regard him as such anyways? Don't get me wrong,", "correlate the name Brif with douchery. The thing is, Brif is not a", "strong that it will overshadow his prominent traits and make people expect things", "overshadow his prominent traits and make people expect things about him that I", "came up with a name. It needed to be on \"B\", because he", "character named Brif. Unfortunately, Brif has become synonymous with \"douchebag\". Now, when I", "many people who say that they correlate the name Brif with douchery. The", "a textbook \"wazzup\" douchebag. So, will people regard him as such anyways? Don't", "clarify exactly what I'm asking. *Will the development of a character thwart the", "But is this connotation so strong that it will overshadow his prominent traits", "a part of him? Or will experiencing the character prevail over its connotation?", "and make people expect things about him that I never intended to be", "A bit greedy; can easily turn on someone So, he's no douchebag. Perhaps", " Cool-headed * DondaSS psychopathic * Usually calm but very passionate about one", "Or will experiencing the character prevail over its connotation? Also, as a note.", "Bavyuy would be a better name for my character? EDIT: I just want", "bit greedy; can easily turn on someone So, he's no douchebag. Perhaps he's", "but unfortunately the name has that connotation. But is this connotation so strong", "perspective. I am worried that his name will give my readers a preconceived", "him as such anyways? Don't get me wrong, someone named Brif is not", "some context, here are his character traits. * Nonchalant * Apathetic * Witty", "* DondaSS psychopathic * Usually calm but very passionate about one subject (He", "are many people who say that they correlate the name Brif with douchery.", "a douche. He is likeable, at least from my perspective. I am worried", "was my initial choice and the one I've written with. Do you think", "for a while, and the name grew on me. But the fact that", "Witty * Cool-headed * DondaSS psychopathic * Usually calm but very passionate about", "it was my initial choice and the one I've written with. Do you", "Cool-headed * DondaSS psychopathic * Usually calm but very passionate about one subject", "this is kind of opinion-based, but then again, there are many people who", "his character traits. * Nonchalant * Apathetic * Witty * Cool-headed * DondaSS", "I first introduced him I just came up with a name. It needed", "his prominent traits and make people expect things about him that I never", "to be a part of him? Or will experiencing the character prevail over", "I've written with. Do you think Bavyuy would be a better name for", "readers a preconceived notion that he's a douchebag. FYI, he's 16 years old.", "regard him as such anyways? Don't get me wrong, someone named Brif is", "So, will people regard him as such anyways? Don't get me wrong, someone", "I never intended to be a part of him? Or will experiencing the", "bad guy sometimes, but not a textbook \"wazzup\" douchebag. So, will people regard", "intended to be a part of him? Or will experiencing the character prevail", "is this connotation so strong that it will overshadow his prominent traits and", "with \"douchebag\". Now, when I first introduced him I just came up with", "one subject (He loathes the upper-class) * Has a soft spot * Best", "become synonymous with \"douchebag\". Now, when I first introduced him I just came", "would be a better name for my character? EDIT: I just want to", "Do you think Bavyuy would be a better name for my character? EDIT:", "But then after a while, a thought popped into my head. Isn't the", "a bit douchey? Now, I know this is kind of opinion-based, but then", "better name for my character? EDIT: I just want to clarify exactly what", "choice and the one I've written with. Do you think Bavyuy would be", "initial choice and the one I've written with. Do you think Bavyuy would", "that they correlate the name Brif with douchery. The thing is, Brif is", "and the name grew on me. But the fact that I like Brif", "primarily based on the fact that it was my initial choice and the", "In my book (fantasy novel), there's a character named Brif. Unfortunately, Brif has", "he's a bit of a bad guy sometimes, but not a textbook \"wazzup\"", "who say that they correlate the name Brif with douchery. The thing is,", "connotation so strong that it will overshadow his prominent traits and make people", "But the fact that I like Brif better is probably primarily based on", "old. To give some context, here are his character traits. * Nonchalant ", "traits and make people expect things about him that I never intended to", "of him? Or will experiencing the character prevail over its connotation? Also, as", "introduced him I just came up with a name. It needed to be", "to Bavyuy, but it felt wrong. I had written him as Brif for", "loathes the upper-class) Has a soft spot * Best friend to the", "as a note. I changed his name to Bavyuy, but it felt wrong.", "I changed his name to Bavyuy, but it felt wrong. I had written", "prominent traits and make people expect things about him that I never intended", "is likeable, at least from my perspective. I am worried that his name", "years old. To give some context, here are his character traits. * Nonchalant", "friend to the main character * A bit greedy; can easily turn on", "Bavyuy, but it felt wrong. I had written him as Brif for a", "the name Brif with douchery. The thing is, Brif is not a douche.", "again, there are many people who say that they correlate the name Brif", "so strong that it will overshadow his prominent traits and make people expect", "probably primarily based on the fact that it was my initial choice and", "character traits. * Nonchalant * Apathetic * Witty * Cool-headed * DondaSS psychopathic", "name. It needed to be on \"B\", because he was a butcher. \"Brif", "subject (He loathes the upper-class) * Has a soft spot * Best friend", "one I've written with. Do you think Bavyuy would be a better name", "* Witty * Cool-headed * DondaSS psychopathic * Usually calm but very passionate", "To give some context, here are his character traits. * Nonchalant * Apathetic", "things about him that I never intended to be a part of him?", "name Brif with douchery. The thing is, Brif is not a douche. He", "note. I changed his name to Bavyuy, but it felt wrong. I had", "a better name for my character? EDIT: I just want to clarify exactly", "unfortunately the name has that connotation. But is this connotation so strong that", "like Brif better is probably primarily based on the fact that it was", "EDIT: I just want to clarify exactly what I'm asking. *Will the development", "Usually calm but very passionate about one subject (He loathes the upper-class) ", "he's a douchebag. FYI, he's 16 years old. To give some context, here", "me wrong, someone named Brif is not necessarily a douchebag, but unfortunately the", "up with a name. It needed to be on \"B\", because he was", "give my readers a preconceived notion that he's a douchebag. FYI, he's 16", "a while, a thought popped into my head. Isn't the name Brif a", "Brif better is probably primarily based on the fact that it was my", "I am worried that his name will give my readers a preconceived notion", "He is likeable, at least from my perspective. I am worried that his", "not a douche. He is likeable, at least from my perspective. I am", "a preconceived notion that he's a douchebag. FYI, he's 16 years old. To", "are his character traits. * Nonchalant * Apathetic * Witty * Cool-headed ", "exactly what I'm asking. Will the development of a character thwart the false", "here are his character traits. Nonchalant * Apathetic * Witty * Cool-headed", "named Brif is not necessarily a douchebag, but unfortunately the name has that", "Brif for a while, and the name grew on me. But the fact", "over its connotation? Also, as a note. I changed his name to Bavyuy,", "into my head. Isn't the name Brif a bit douchey? Now, I know", "not a textbook \"wazzup\" douchebag. So, will people regard him as such anyways?", "book (fantasy novel), there's a character named Brif. Unfortunately, Brif has become synonymous", "douchebag, but unfortunately the name has that connotation. But is this connotation so", "I'm asking. *Will the development of a character thwart the false connotation a", "necessarily a douchebag, but unfortunately the name has that connotation. But is this", "very passionate about one subject (He loathes the upper-class) Has a soft", "that it will overshadow his prominent traits and make people expect things about", "him? Or will experiencing the character prevail over its connotation? Also, as a", "on the fact that it was my initial choice and the one I've", "notion that he's a douchebag. FYI, he's 16 years old. To give some", "to the main character * A bit greedy; can easily turn on someone", "a butcher. \"Brif the Butcher\", rings nicely right? But then after a while,", "guy sometimes, but not a textbook \"wazzup\" douchebag. So, will people regard him", "then again, there are many people who say that they correlate the name", "you think Bavyuy would be a better name for my character? EDIT: I", "easily turn on someone So, he's no douchebag. Perhaps he's a bit of", "a thought popped into my head. Isn't the name Brif a bit douchey?", "Apathetic * Witty * Cool-headed * DondaSS psychopathic * Usually calm but very", "bit douchey? Now, I know this is kind of opinion-based, but then again,", "they correlate the name Brif with douchery. The thing is, Brif is not", "my book (fantasy novel), there's a character named Brif. Unfortunately, Brif has become", "am worried that his name will give my readers a preconceived notion that", "with douchery. The thing is, Brif is not a douche. He is likeable,", "be a better name for my character? EDIT: I just want to clarify", "nicely right? But then after a while, a thought popped into my head.", "Best friend to the main character * A bit greedy; can easily turn", "opinion-based, but then again, there are many people who say that they correlate", "I know this is kind of opinion-based, but then again, there are many", "Now, I know this is kind of opinion-based, but then again, there are", "a note. I changed his name to Bavyuy, but it felt wrong. I", "right? But then after a while, a thought popped into my head. Isn't", "my head. Isn't the name Brif a bit douchey? Now, I know this", "butcher. \"Brif the Butcher\", rings nicely right? But then after a while, a", "Isn't the name Brif a bit douchey? Now, I know this is kind", "the main character * A bit greedy; can easily turn on someone So,", "Brif is not a douche. He is likeable, at least from my perspective.", "prevail over its connotation? Also, as a note. I changed his name to", "asking. Will the development of a character thwart the false connotation a certain", "rings nicely right? But then after a while, a thought popped into my", "his name to Bavyuy, but it felt wrong. I had written him as", "as such anyways? Don't get me wrong, someone named Brif is not necessarily", "just came up with a name. It needed to be on \"B\", because", "on \"B\", because he was a butcher. \"Brif the Butcher\", rings nicely right?", "connotation. But is this connotation so strong that it will overshadow his prominent", "Brif. Unfortunately, Brif has become synonymous with \"douchebag\". Now, when I first introduced", "will overshadow his prominent traits and make people expect things about him that", "douchebag. FYI, he's 16 years old. To give some context, here are his", "my perspective. I am worried that his name will give my readers a", "not necessarily a douchebag, but unfortunately the name has that connotation. But is", "him that I never intended to be a part of him? Or will", "anyways? Don't get me wrong, someone named Brif is not necessarily a douchebag,", "wrong. I had written him as Brif for a while, and the name", "Unfortunately, Brif has become synonymous with \"douchebag\". Now, when I first introduced him", "I just want to clarify exactly what I'm asking. Will the development of", "the Butcher\", rings nicely right? But then after a while, a thought popped", "FYI, he's 16 years old. To give some context, here are his character", "* Best friend to the main character * A bit greedy; can easily", "novel), there's a character named Brif. Unfortunately, Brif has become synonymous with \"douchebag\".", "It needed to be on \"B\", because he was a butcher. \"Brif the", "name for my character? EDIT: I just want to clarify exactly what I'm", "changed his name to Bavyuy, but it felt wrong. I had written him", "about one subject (He loathes the upper-class) * Has a soft spot ", "expect things about him that I never intended to be a part of", "based on the fact that it was my initial choice and the one", "worried that his name will give my readers a preconceived notion that he's", "has that connotation. But is this connotation so strong that it will overshadow", " Usually calm but very passionate about one subject (He loathes the upper-class)", "to be on \"B\", because he was a butcher. \"Brif the Butcher\", rings", "such anyways? Don't get me wrong, someone named Brif is not necessarily a", "that I like Brif better is probably primarily based on the fact that", "douchery. The thing is, Brif is not a douche. He is likeable, at", "someone named Brif is not necessarily a douchebag, but unfortunately the name has", "character prevail over its connotation? Also, as a note. I changed his name", "when I first introduced him I just came up with a name. It", "16 years old. To give some context, here are his character traits. ", "the fact that I like Brif better is probably primarily based on the", "with. Do you think Bavyuy would be a better name for my character?", "synonymous with \"douchebag\". Now, when I first introduced him I just came up", "there's a character named Brif. Unfortunately, Brif has become synonymous with \"douchebag\". Now,", "(fantasy novel), there's a character named Brif. Unfortunately, Brif has become synonymous with", "written him as Brif for a while, and the name grew on me.", "greedy; can easily turn on someone So, he's no douchebag. Perhaps he's a", "textbook \"wazzup\" douchebag. So, will people regard him as such anyways? Don't get", "is probably primarily based on the fact that it was my initial choice", " Nonchalant * Apathetic * Witty * Cool-headed * DondaSS psychopathic * Usually", "was a butcher. \"Brif the Butcher\", rings nicely right? But then after a", "the one I've written with. Do you think Bavyuy would be a better", "that it was my initial choice and the one I've written with. Do", "* A bit greedy; can easily turn on someone So, he's no douchebag.", "but then again, there are many people who say that they correlate the", "my readers a preconceived notion that he's a douchebag. FYI, he's 16 years", "a douchebag. FYI, he's 16 years old. To give some context, here are", "people regard him as such anyways? Don't get me wrong, someone named Brif", "name will give my readers a preconceived notion that he's a douchebag. FYI,", "will people regard him as such anyways? Don't get me wrong, someone named", "can easily turn on someone So, he's no douchebag. Perhaps he's a bit", "him as Brif for a while, and the name grew on me. But", "make people expect things about him that I never intended to be a", "written with. Do you think Bavyuy would be a better name for my", "it felt wrong. I had written him as Brif for a while, and", "people who say that they correlate the name Brif with douchery. The thing", "is kind of opinion-based, but then again, there are many people who say", "will experiencing the character prevail over its connotation? Also, as a note. I", "character? EDIT: I just want to clarify exactly what I'm asking. Will the", "douche. He is likeable, at least from my perspective. I am worried that", "be on \"B\", because he was a butcher. \"Brif the Butcher\", rings nicely", "I just came up with a name. It needed to be on \"B\",", "the name Brif a bit douchey? Now, I know this is kind of", "what I'm asking. Will the development of a character thwart the false connotation", "just want to clarify exactly what I'm asking. Will the development of a", "felt wrong. I had written him as Brif for a while, and the", "name has that connotation. But is this connotation so strong that it will", "is not necessarily a douchebag, but unfortunately the name has that connotation. But", "it will overshadow his prominent traits and make people expect things about him", "douchebag. Perhaps he's a bit of a bad guy sometimes, but not a", "the name grew on me. But the fact that I like Brif better", "better is probably primarily based on the fact that it was my initial", "the fact that it was my initial choice and the one I've written", "from my perspective. I am worried that his name will give my readers", "Will the development of a character thwart the false connotation a certain name", "connotation? Also, as a note. I changed his name to Bavyuy, but it", "but not a textbook \"wazzup\" douchebag. So, will people regard him as such" ]
[ "do authors research the daily routine? Is there someone I can reach out", "as a public relations person or staff who take questions from writers? I", "from writers? I have characters that are briefly there and move on so", "a public relations person or staff who take questions from writers? I have", "best do authors research the daily routine? Is there someone I can reach", "take questions from writers? I have characters that are briefly there and move", "daily routine? Is there someone I can reach out to such as a", "and move on so there is not anything derogatory or would make a", "move on so there is not anything derogatory or would make a hospital", "hospital (specifically, Walter Reed in Bethesda) as a setting. How best do authors", "to use a hospital (specifically, Walter Reed in Bethesda) as a setting. How", "to such as a public relations person or staff who take questions from", "in Bethesda) as a setting. How best do authors research the daily routine?", "who take questions from writers? I have characters that are briefly there and", "out to such as a public relations person or staff who take questions", "Walter Reed in Bethesda) as a setting. How best do authors research the", "such as a public relations person or staff who take questions from writers?", "(specifically, Walter Reed in Bethesda) as a setting. How best do authors research", "questions from writers? I have characters that are briefly there and move on", "or staff who take questions from writers? I have characters that are briefly", "have characters that are briefly there and move on so there is not", "authors research the daily routine? Is there someone I can reach out to", "reach out to such as a public relations person or staff who take", "person or staff who take questions from writers? I have characters that are", "relations person or staff who take questions from writers? I have characters that", "someone I can reach out to such as a public relations person or", "Bethesda) as a setting. How best do authors research the daily routine? Is", "Is there someone I can reach out to such as a public relations", "I have characters that are briefly there and move on so there is", "use a hospital (specifically, Walter Reed in Bethesda) as a setting. How best", "the daily routine? Is there someone I can reach out to such as", "so there is not anything derogatory or would make a hospital look bad.", "there someone I can reach out to such as a public relations person", "Reed in Bethesda) as a setting. How best do authors research the daily", "public relations person or staff who take questions from writers? I have characters", "want to use a hospital (specifically, Walter Reed in Bethesda) as a setting.", "setting. How best do authors research the daily routine? Is there someone I", "on so there is not anything derogatory or would make a hospital look", "routine? Is there someone I can reach out to such as a public", "are briefly there and move on so there is not anything derogatory or", "I want to use a hospital (specifically, Walter Reed in Bethesda) as a", "a hospital (specifically, Walter Reed in Bethesda) as a setting. How best do", "I can reach out to such as a public relations person or staff", "can reach out to such as a public relations person or staff who", "a setting. How best do authors research the daily routine? Is there someone", "research the daily routine? Is there someone I can reach out to such", "that are briefly there and move on so there is not anything derogatory", "How best do authors research the daily routine? Is there someone I can", "briefly there and move on so there is not anything derogatory or would", "characters that are briefly there and move on so there is not anything", "as a setting. How best do authors research the daily routine? Is there", "writers? I have characters that are briefly there and move on so there", "staff who take questions from writers? I have characters that are briefly there", "there and move on so there is not anything derogatory or would make" ]
[ "two \"I\"s every sentence. Writing a science PhD dissertation did not break this", "count is 3 times. I've been told that the solution is to revise,", "current count is 3 times. I've been told that the solution is to", "but is there a particular strategy for editing that I should be taking?", "use it. The current count is 3 times. I've been told that the", "technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is a technical report. It could", "the end of undergrad. The result is long blocks of text that ramble", "Exchange posts, where I found my preferred initial style is to build a", "figuring something out. Part of this habit comes from the perceived need to", "bad, but I at least perceive them to overuse \"I\" because of their", "a particular strategy for editing that I should be taking? I never really", "see how much I use it. The current count is 3 times. I've", "comment on GitHub, an email, or especially some of my longer Stack Exchange", "blocks of text that ramble too much and contain anywhere between one \"I\"", "I use it. The current count is 3 times. I've been told that", "between non-fiction and technical writing? [\"When is it acceptable to use the first", "non-fiction and technical writing? [\"When is it acceptable to use the first person", "communicating a problem or figuring something out. Part of this habit comes from", "been told that the solution is to revise, revise, revise, but is there", "particular strategy for editing that I should be taking? I never really learned", "build a narrative that mirrors how I thought about communicating a problem or", "thought about communicating a problem or figuring something out. Part of this habit", "preferred initial style is to build a narrative that mirrors how I thought", "some of my longer Stack Exchange posts, where I found my preferred initial", "question, so you can see how much I use it. The current count", "and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe these aren't so bad, but", "break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe these", "I should be taking? I never really learned editing strategies other than to", "than to just...do it. Are there patterns I can look out for to", "somewhere between non-fiction and technical writing? [\"When is it acceptable to use the", "not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe", "so bad, but I at least perceive them to overuse \"I\" because of", "I can look out for to avoid this while writing something, so I", "is it acceptable to use the first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183)", "solution is to revise, revise, revise, but is there a particular strategy for", "reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is a technical report. It could be", "out. Part of this habit comes from the perceived need to couch every", "out for to avoid this while writing something, so I can retrain myself?", "casually in the area somewhere between non-fiction and technical writing? [\"When is it", "it. The current count is 3 times. I've been told that the solution", "for editing that I should be taking? I never really learned editing strategies", "so I can retrain myself? Are there resources for writing less casually in", "a comment on GitHub, an email, or especially some of my longer Stack", "found my preferred initial style is to build a narrative that mirrors how", "resources for writing less casually in the area somewhere between non-fiction and technical", "while writing something, so I can retrain myself? Are there resources for writing", "this while writing something, so I can retrain myself? Are there resources for", "habit comes from the perceived need to couch every scientific statement I've ever", "be a comment on GitHub, an email, or especially some of my longer", "end of undergrad. The result is long blocks of text that ramble too", "result is long blocks of text that ramble too much and contain anywhere", "edit this question, so you can see how much I use it. The", "my longer Stack Exchange posts, where I found my preferred initial style is", "\"I\" every two sentences to two \"I\"s every sentence. Writing a science PhD", "I thought about communicating a problem or figuring something out. Part of this", "and technical writing? [\"When is it acceptable to use the first person (\"I\",", "everything is a technical report. It could be a comment on GitHub, an", "something out. Part of this habit comes from the perceived need to couch", "The current count is 3 times. I've been told that the solution is", "this habit comes from the perceived need to couch every scientific statement I've", "to build a narrative that mirrors how I thought about communicating a problem", "Writing a science PhD dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194)", "can see how much I use it. The current count is 3 times.", "to revise, revise, revise, but is there a particular strategy for editing that", "really learned editing strategies other than to just...do it. Are there patterns I", "is to revise, revise, revise, but is there a particular strategy for editing", "habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe these aren't so", "email, or especially some of my longer Stack Exchange posts, where I found", "a problem or figuring something out. Part of this habit comes from the", "an email, or especially some of my longer Stack Exchange posts, where I", "I've ever made with some \"I think-\" or \"Most likely\"-type language, and it", "a narrative that mirrors how I thought about communicating a problem or figuring", "contain anywhere between one \"I\" every two sentences to two \"I\"s every sentence.", "ever since the end of undergrad. The result is long blocks of text", "one \"I\" every two sentences to two \"I\"s every sentence. Writing a science", "to two \"I\"s every sentence. Writing a science PhD dissertation did not break", "this question, so you can see how much I use it. The current", "It could be a comment on GitHub, an email, or especially some of", "posts, where I found my preferred initial style is to build a narrative", "of this habit comes from the perceived need to couch every scientific statement", "person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is a", "how I thought about communicating a problem or figuring something out. Part of", "Upon rereading, maybe these aren't so bad, but I at least perceive them", "every sentence. Writing a science PhD dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194)", "or especially some of my longer Stack Exchange posts, where I found my", "couch every scientific statement I've ever made with some \"I think-\" or \"Most", "of text that ramble too much and contain anywhere between one \"I\" every", "and contain anywhere between one \"I\" every two sentences to two \"I\"s every", "[\"When is it acceptable to use the first person (\"I\", \"we\") in technical", "technical report. It could be a comment on GitHub, an email, or especially", "made with some \"I think-\" or \"Most likely\"-type language, and it seems to", "aren't so bad, but I at least perceive them to overuse \"I\" because", "to have pervaded my writing ever since the end of undergrad. The result", "style is to build a narrative that mirrors how I thought about communicating", "3 times. I've been told that the solution is to revise, revise, revise,", "there a particular strategy for editing that I should be taking? I never", "\"Most likely\"-type language, and it seems to have pervaded my writing ever since", "sentences to two \"I\"s every sentence. Writing a science PhD dissertation did not", "much I use it. The current count is 3 times. I've been told", "is a technical report. It could be a comment on GitHub, an email,", "that ramble too much and contain anywhere between one \"I\" every two sentences", "doesn't help, because not everything is a technical report. It could be a", "help, because not everything is a technical report. It could be a comment", "Stack Exchange posts, where I found my preferred initial style is to build", "taking? I never really learned editing strategies other than to just...do it. Are", "language, and it seems to have pervaded my writing ever since the end", "pervaded my writing ever since the end of undergrad. The result is long", "there resources for writing less casually in the area somewhere between non-fiction and", "ever made with some \"I think-\" or \"Most likely\"-type language, and it seems", "less casually in the area somewhere between non-fiction and technical writing? [\"When is", "something, so I can retrain myself? Are there resources for writing less casually", "perceived need to couch every scientific statement I've ever made with some \"I", "anywhere between one \"I\" every two sentences to two \"I\"s every sentence. Writing", "but I at least perceive them to overuse \"I\" because of their rather", "use the first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not", "longer Stack Exchange posts, where I found my preferred initial style is to", "ramble too much and contain anywhere between one \"I\" every two sentences to", "editing strategies other than to just...do it. Are there patterns I can look", "that mirrors how I thought about communicating a problem or figuring something out.", "scientific statement I've ever made with some \"I think-\" or \"Most likely\"-type language,", "seems to have pervaded my writing ever since the end of undergrad. The", "undergrad. The result is long blocks of text that ramble too much and", "how much I use it. The current count is 3 times. I've been", "retrain myself? Are there resources for writing less casually in the area somewhere", "did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading,", "can look out for to avoid this while writing something, so I can", "much and contain anywhere between one \"I\" every two sentences to two \"I\"s", "a technical report. It could be a comment on GitHub, an email, or", "so you can see how much I use it. The current count is", "\"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is a technical report.", "strategy for editing that I should be taking? I never really learned editing", "technical writing? [\"When is it acceptable to use the first person (\"I\", \"we\")", "on GitHub, an email, or especially some of my longer Stack Exchange posts,", "about communicating a problem or figuring something out. Part of this habit comes", "these aren't so bad, but I at least perceive them to overuse \"I\"", "can retrain myself? Are there resources for writing less casually in the area", "or figuring something out. Part of this habit comes from the perceived need", "Part of this habit comes from the perceived need to couch every scientific", "writing ever since the end of undergrad. The result is long blocks of", "have pervaded my writing ever since the end of undergrad. The result is", "to use the first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because", "where I found my preferred initial style is to build a narrative that", "avoid this while writing something, so I can retrain myself? Are there resources", "it seems to have pervaded my writing ever since the end of undergrad.", "first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is", "should be taking? I never really learned editing strategies other than to just...do", "area somewhere between non-fiction and technical writing? [\"When is it acceptable to use", "text that ramble too much and contain anywhere between one \"I\" every two", "statement I've ever made with some \"I think-\" or \"Most likely\"-type language, and", "some \"I think-\" or \"Most likely\"-type language, and it seems to have pervaded", "editing that I should be taking? I never really learned editing strategies other", "learned editing strategies other than to just...do it. Are there patterns I can", "need to couch every scientific statement I've ever made with some \"I think-\"", "likely\"-type language, and it seems to have pervaded my writing ever since the", "since the end of undergrad. The result is long blocks of text that", "long blocks of text that ramble too much and contain anywhere between one", "of undergrad. The result is long blocks of text that ramble too much", "GitHub, an email, or especially some of my longer Stack Exchange posts, where", "just...do it. Are there patterns I can look out for to avoid this", "revise, revise, revise, but is there a particular strategy for editing that I", "[Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe these aren't so bad,", "the solution is to revise, revise, revise, but is there a particular strategy", "revise, but is there a particular strategy for editing that I should be", "are concrete examples. Upon rereading, maybe these aren't so bad, but I at", "revise, revise, but is there a particular strategy for editing that I should", "I won't edit this question, so you can see how much I use", "is long blocks of text that ramble too much and contain anywhere between", "think-\" or \"Most likely\"-type language, and it seems to have pervaded my writing", "be taking? I never really learned editing strategies other than to just...do it.", "with some \"I think-\" or \"Most likely\"-type language, and it seems to have", "\"I\"s every sentence. Writing a science PhD dissertation did not break this habit.", "\"I think-\" or \"Most likely\"-type language, and it seems to have pervaded my", "sentence. Writing a science PhD dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and", "two sentences to two \"I\"s every sentence. Writing a science PhD dissertation did", "won't edit this question, so you can see how much I use it.", "told that the solution is to revise, revise, revise, but is there a", "in the area somewhere between non-fiction and technical writing? [\"When is it acceptable", "from the perceived need to couch every scientific statement I've ever made with", "the area somewhere between non-fiction and technical writing? [\"When is it acceptable to", "for to avoid this while writing something, so I can retrain myself? Are", "acceptable to use the first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help,", "maybe these aren't so bad, but I at least perceive them to overuse", "and it seems to have pervaded my writing ever since the end of", "I never really learned editing strategies other than to just...do it. Are there", "that I should be taking? I never really learned editing strategies other than", "could be a comment on GitHub, an email, or especially some of my", "there patterns I can look out for to avoid this while writing something,", "dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon", "my writing ever since the end of undergrad. The result is long blocks", "the first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything", "not everything is a technical report. It could be a comment on GitHub,", "every two sentences to two \"I\"s every sentence. Writing a science PhD dissertation", "a science PhD dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are", "it. Are there patterns I can look out for to avoid this while", "examples. Upon rereading, maybe these aren't so bad, but I at least perceive", "science PhD dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete", "never really learned editing strategies other than to just...do it. Are there patterns", "Are there patterns I can look out for to avoid this while writing", "look out for to avoid this while writing something, so I can retrain", "myself? Are there resources for writing less casually in the area somewhere between", "other than to just...do it. Are there patterns I can look out for", "is 3 times. I've been told that the solution is to revise, revise,", "to couch every scientific statement I've ever made with some \"I think-\" or", "this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe these aren't", "to just...do it. Are there patterns I can look out for to avoid", "rereading, maybe these aren't so bad, but I at least perceive them to", "writing? [\"When is it acceptable to use the first person (\"I\", \"we\") in", "you can see how much I use it. The current count is 3", "[here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples. Upon rereading, maybe these aren't so bad, but I", "for writing less casually in the area somewhere between non-fiction and technical writing?", "it acceptable to use the first person (\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't", "my preferred initial style is to build a narrative that mirrors how I", "the perceived need to couch every scientific statement I've ever made with some", "too much and contain anywhere between one \"I\" every two sentences to two", "between one \"I\" every two sentences to two \"I\"s every sentence. Writing a", "in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is a technical report. It", "I at least perceive them to overuse \"I\" because of their rather casual", "(\"I\", \"we\") in technical reports\"](https://writing.stackexchange.com/q/2073/32183) doesn't help, because not everything is a technical", "Are there resources for writing less casually in the area somewhere between non-fiction", "writing less casually in the area somewhere between non-fiction and technical writing? [\"When", "narrative that mirrors how I thought about communicating a problem or figuring something", "problem or figuring something out. Part of this habit comes from the perceived", "initial style is to build a narrative that mirrors how I thought about", "mirrors how I thought about communicating a problem or figuring something out. Part", "is to build a narrative that mirrors how I thought about communicating a", "I found my preferred initial style is to build a narrative that mirrors", "especially some of my longer Stack Exchange posts, where I found my preferred", "that the solution is to revise, revise, revise, but is there a particular", "times. I've been told that the solution is to revise, revise, revise, but", "strategies other than to just...do it. Are there patterns I can look out", "patterns I can look out for to avoid this while writing something, so", "every scientific statement I've ever made with some \"I think-\" or \"Most likely\"-type", "The result is long blocks of text that ramble too much and contain", "PhD dissertation did not break this habit. [Here](https://chemistry.stackexchange.com/a/75913/194) and [here](https://chemistry.stackexchange.com/a/89893/194) are concrete examples.", "or \"Most likely\"-type language, and it seems to have pervaded my writing ever", "to avoid this while writing something, so I can retrain myself? Are there", "of my longer Stack Exchange posts, where I found my preferred initial style", "I can retrain myself? Are there resources for writing less casually in the", "concrete examples. Upon rereading, maybe these aren't so bad, but I at least", "at least perceive them to overuse \"I\" because of their rather casual style.", "report. It could be a comment on GitHub, an email, or especially some", "because not everything is a technical report. It could be a comment on", "is there a particular strategy for editing that I should be taking? I", "writing something, so I can retrain myself? Are there resources for writing less", "I've been told that the solution is to revise, revise, revise, but is", "comes from the perceived need to couch every scientific statement I've ever made" ]
[ "either be an evasion (we will come to that later), > or it", "> or it will be . . . > > > Is the", "to that later), > or it will be . . . > >", "the above (or similar) parenthetical redundant? (I couldn't find a suitable tag for", "come to that later), > or it will be . . . >", "be an evasion (we will come to that later), > or it will", "that later), > or it will be . . . > > >", "> The response will either be an evasion (we will come to that", "will come to that later), > or it will be . . .", ". . . > > > Is the above (or similar) parenthetical redundant?", "> > > Is the above (or similar) parenthetical redundant? (I couldn't find", "or it will be . . . > > > Is the above", "later), > or it will be . . . > > > Is", "The response will either be an evasion (we will come to that later),", "will either be an evasion (we will come to that later), > or", ". > > > Is the above (or similar) parenthetical redundant? (I couldn't", "> Is the above (or similar) parenthetical redundant? (I couldn't find a suitable", "it will be . . . > > > Is the above (or", "> > Is the above (or similar) parenthetical redundant? (I couldn't find a", "above (or similar) parenthetical redundant? (I couldn't find a suitable tag for this", "similar) parenthetical redundant? (I couldn't find a suitable tag for this question, something", "evasion (we will come to that later), > or it will be .", "> > The response will either be an evasion (we will come to", "(or similar) parenthetical redundant? (I couldn't find a suitable tag for this question,", "Is the above (or similar) parenthetical redundant? (I couldn't find a suitable tag", "an evasion (we will come to that later), > or it will be", "redundant? (I couldn't find a suitable tag for this question, something like principles-of-good-non-fiction-writing.)", ". . > > > Is the above (or similar) parenthetical redundant? (I", "response will either be an evasion (we will come to that later), >", "will be . . . > > > Is the above (or similar)", "be . . . > > > Is the above (or similar) parenthetical", "(we will come to that later), > or it will be . .", "parenthetical redundant? (I couldn't find a suitable tag for this question, something like" ]
[ "story only for it to end up being rejected anyway because the story", "work hard on the writing of a story only for it to end", "a story only for it to end up being rejected anyway because the", "whether or not editors will be interested in it, before investing the time", "time and effort to work on making the writing as good as it", "that part of the reason for asking this question is because there is", "first, in terms of whether or not editors will be interested in it,", "or not editors will be interested in it, before investing the time and", "question is because there is a temptation to try to somehow 'test' the", "the editor likes the story, then a revision is requested. I'd like to", "It is sometimes frustrating to work hard on the writing of a story", "try to somehow 'test' the idea of a story first, in terms of", "and effort to work on making the writing as good as it should", "to work hard on the writing of a story only for it to", "of a story only for it to end up being rejected anyway because", "revision is requested. I'd like to add that part of the reason for", "to end up being rejected anyway because the story itself just doesn't suit", "in it, before investing the time and effort to work on making the", "likes the story, then a revision is requested. I'd like to add that", "there is a temptation to try to somehow 'test' the idea of a", "interested in it, before investing the time and effort to work on making", "good enough but the editor likes the story, then a revision is requested.", "of whether or not editors will be interested in it, before investing the", "in terms of whether or not editors will be interested in it, before", "enough but the editor likes the story, then a revision is requested. I'd", "good as it should be. It is sometimes frustrating to work hard on", "a story first, in terms of whether or not editors will be interested", "investing the time and effort to work on making the writing as good", "story, then a revision is requested. I'd like to add that part of", "end up being rejected anyway because the story itself just doesn't suit them.", "it should be. It is sometimes frustrating to work hard on the writing", "is requested. I'd like to add that part of the reason for asking", "the story, then a revision is requested. I'd like to add that part", "be. It is sometimes frustrating to work hard on the writing of a", "is because there is a temptation to try to somehow 'test' the idea", "idea of a story first, in terms of whether or not editors will", "should be. It is sometimes frustrating to work hard on the writing of", "on the writing of a story only for it to end up being", "writing of a story only for it to end up being rejected anyway", "making the writing as good as it should be. It is sometimes frustrating", "be interested in it, before investing the time and effort to work on", "'test' the idea of a story first, in terms of whether or not", "frustrating to work hard on the writing of a story only for it", "asking this question is because there is a temptation to try to somehow", "reason for asking this question is because there is a temptation to try", "only for it to end up being rejected anyway because the story itself", "effort to work on making the writing as good as it should be.", "the reason for asking this question is because there is a temptation to", "of a story first, in terms of whether or not editors will be", "but the editor likes the story, then a revision is requested. I'd like", "or not good enough but the editor likes the story, then a revision", "work on making the writing as good as it should be. It is", "to somehow 'test' the idea of a story first, in terms of whether", "I'd like to add that part of the reason for asking this question", "temptation to try to somehow 'test' the idea of a story first, in", "writing as good as it should be. It is sometimes frustrating to work", "the writing as good as it should be. It is sometimes frustrating to", "somehow 'test' the idea of a story first, in terms of whether or", "not good enough but the editor likes the story, then a revision is", "for asking this question is because there is a temptation to try to", "editors will be interested in it, before investing the time and effort to", "it to end up being rejected anyway because the story itself just doesn't", "to add that part of the reason for asking this question is because", "the writing of a story only for it to end up being rejected", "a revision is requested. I'd like to add that part of the reason", "poor or not good enough but the editor likes the story, then a", "not editors will be interested in it, before investing the time and effort", "editor likes the story, then a revision is requested. I'd like to add", "part of the reason for asking this question is because there is a", "the writing is poor or not good enough but the editor likes the", "because there is a temptation to try to somehow 'test' the idea of", "this question is because there is a temptation to try to somehow 'test'", "on making the writing as good as it should be. It is sometimes", "writing is poor or not good enough but the editor likes the story,", "if the writing is poor or not good enough but the editor likes", "as it should be. It is sometimes frustrating to work hard on the", "the idea of a story first, in terms of whether or not editors", "of the reason for asking this question is because there is a temptation", "a temptation to try to somehow 'test' the idea of a story first,", "is poor or not good enough but the editor likes the story, then", "then a revision is requested. I'd like to add that part of the", "sometimes frustrating to work hard on the writing of a story only for", "requested. I'd like to add that part of the reason for asking this", "is a temptation to try to somehow 'test' the idea of a story", "to work on making the writing as good as it should be. It", "terms of whether or not editors will be interested in it, before investing", "to try to somehow 'test' the idea of a story first, in terms", "the time and effort to work on making the writing as good as", "hard on the writing of a story only for it to end up", "is sometimes frustrating to work hard on the writing of a story only", "story first, in terms of whether or not editors will be interested in", "will be interested in it, before investing the time and effort to work", "In other words, if the writing is poor or not good enough but", "as good as it should be. It is sometimes frustrating to work hard", "words, if the writing is poor or not good enough but the editor", "other words, if the writing is poor or not good enough but the", "before investing the time and effort to work on making the writing as", "it, before investing the time and effort to work on making the writing", "like to add that part of the reason for asking this question is", "add that part of the reason for asking this question is because there", "for it to end up being rejected anyway because the story itself just" ]
[ "eat potatoes and smoke tobacco, while the world around them appears to be", "mail rather than plate armour, longbows rather than crossbows. *What are the advantages", "when she should be reading a scroll, if she has access to written", "Fantasy, history and calendar would be that of the fantasy world, of course.", "fantasy world, of course. I'm talking of the Real-Life time period that serves", "would be that of the fantasy world, of course. I'm talking of the", "she should be reading a scroll, if she has access to written material", "of setting a fantasy novel in such a fantasy past time, rather than", "disbelief. Such a setting requires less research, and is less limiting (for example,", "is The Lord of the Rings: the hobbits dress and act like they're", "Renaissance society structure, and civilian technology that's everything before steam. Of particular note", "requires less research, and is less limiting (for example, I can have a", "tobacco, while the world around them appears to be early middle ages: swords,", "is less limiting (for example, I can have a character leaf through a", "and disadvantages of setting a fantasy novel in such a fantasy past time,", "book, when she should be reading a scroll, if she has access to", "Real-Life time period that serves for inspiration being more specific.) Is it possible", "the hobbits dress and act like they're late 19th century, eat potatoes and", "period that serves for inspiration being more specific.) Is it possible for historical", "thereof)?* Clearly, we are willing to accept a \"Once-upon-a-time\" setting that's a mix-and-match", "of the High Fantasy genre are set in a pseudo-European fantasyland, in a", "(or lack thereof)?** Clearly, we are willing to accept a \"Once-upon-a-time\" setting that's", "East with no curved swords and no coffee?) Does the answer change if", "by the time being more specific? (The genre being High Fantasy, history and", "late Renaissance society structure, and civilian technology that's everything before steam. Of particular", "that mixes early-medieval and late-medieval arms and armour (but never gunpowder), late Renaissance", "through a book, when she should be reading a scroll, if she has", "inspiration being more specific.) Is it possible for historical correctness to detract from", "a pseudo-European fantasyland, in a rather amorphous time-period that mixes early-medieval and late-medieval", "specific.) Is it possible for historical correctness to detract from the setting, when", "as per the LOTR example, because potatoes would not have been introduced yet,", "the world around them appears to be early middle ages: swords, shields, mail", "presenting Englishmen with no potatoes as per the LOTR example, because potatoes would", "are set in a pseudo-European fantasyland, in a rather amorphous time-period that mixes", "example, presenting Englishmen with no potatoes as per the LOTR example, because potatoes", "gunpowder), late Renaissance society structure, and civilian technology that's everything before steam. Of", "Rings: the hobbits dress and act like they're late 19th century, eat potatoes", "setting requires less research, and is less limiting (for example, I can have", "lose, by the time being more specific? (The genre being High Fantasy, history", "such a fantasy past time, rather than in a specific time period, with", "specific time period, with its historically accurate technology (or lack thereof)?* Clearly, we", "genre being High Fantasy, history and calendar would be that of the fantasy", "lack thereof)? Clearly, we are willing to accept a \"Once-upon-a-time\" setting that's a", "example, I can have a character leaf through a book, when she should", "historically accurate technology (or lack thereof)? Clearly, we are willing to accept a", "period, with its historically accurate technology (or lack thereof)? Clearly, we are willing", "with its historically accurate technology (or lack thereof)? Clearly, we are willing to", "the High Fantasy genre are set in a pseudo-European fantasyland, in a rather", "no coffee?) Does the answer change if the story is set not in", "advantages and disadvantages of setting a fantasy novel in such a fantasy past", "historical correctness to detract from the setting, when history clashes with the readers'", "have a character leaf through a book, when she should be reading a", "history clashes with the readers' expectations? (For example, presenting Englishmen with no potatoes", "rather than in a specific time period, with its historically accurate technology (or", "works of the High Fantasy genre are set in a pseudo-European fantasyland, in", "potatoes and smoke tobacco, while the world around them appears to be early", "its historically accurate technology (or lack thereof)?** Clearly, we are willing to accept", "doesn't break our suspension of disbelief. Such a setting requires less research, and", "being more specific? (The genre being High Fantasy, history and calendar would be", "change if the story is set not in fantasy-Europe, but in fantasy-Middle East,", "and armour (but never gunpowder), late Renaissance society structure, and civilian technology that's", "time-period that mixes early-medieval and late-medieval arms and armour (but never gunpowder), late", "she has access to written material at all). But looking at the story", "that of the fantasy world, of course. I'm talking of the Real-Life time", "more specific.) Is it possible for historical correctness to detract from the setting,", "per the LOTR example, because potatoes would not have been introduced yet, or", "not have been introduced yet, or Middle East with no curved swords and", "LOTR example, because potatoes would not have been introduced yet, or Middle East", "pseudo-European fantasyland, in a rather amorphous time-period that mixes early-medieval and late-medieval arms", "Lord of the Rings: the hobbits dress and act like they're late 19th", "act like they're late 19th century, eat potatoes and smoke tobacco, while the", "a mix-and-match of \"past\", it doesn't break our suspension of disbelief. Such a", "answer change if the story is set not in fantasy-Europe, but in fantasy-Middle", "century, eat potatoes and smoke tobacco, while the world around them appears to", "a setting requires less research, and is less limiting (for example, I can", "suspension of disbelief. Such a setting requires less research, and is less limiting", "note is The Lord of the Rings: the hobbits dress and act like", "and calendar would be that of the fantasy world, of course. I'm talking", "fantasyland, in a rather amorphous time-period that mixes early-medieval and late-medieval arms and", "time, rather than in a specific time period, with its historically accurate technology", "would not have been introduced yet, or Middle East with no curved swords", "break our suspension of disbelief. Such a setting requires less research, and is", "Such a setting requires less research, and is less limiting (for example, I", "looking at the story itself, what does it gain, and what does it", "(but never gunpowder), late Renaissance society structure, and civilian technology that's everything before", "of course. I'm talking of the Real-Life time period that serves for inspiration", "because potatoes would not have been introduced yet, or Middle East with no", "are the advantages and disadvantages of setting a fantasy novel in such a", "has access to written material at all). But looking at the story itself,", "calendar would be that of the fantasy world, of course. I'm talking of", "does it lose, by the time being more specific? (The genre being High", "a scroll, if she has access to written material at all). But looking", "armour, longbows rather than crossbows. What are the advantages and disadvantages of setting", "the story itself, what does it gain, and what does it lose, by", "what does it lose, by the time being more specific? (The genre being", "are willing to accept a \"Once-upon-a-time\" setting that's a mix-and-match of \"past\", it", "it gain, and what does it lose, by the time being more specific?", "than plate armour, longbows rather than crossbows. What are the advantages and disadvantages", "(For example, presenting Englishmen with no potatoes as per the LOTR example, because", "coffee?) Does the answer change if the story is set not in fantasy-Europe,", "itself, what does it gain, and what does it lose, by the time", "specific? (The genre being High Fantasy, history and calendar would be that of", "correctness to detract from the setting, when history clashes with the readers' expectations?", "for inspiration being more specific.) Is it possible for historical correctness to detract", "to accept a \"Once-upon-a-time\" setting that's a mix-and-match of \"past\", it doesn't break", "mixes early-medieval and late-medieval arms and armour (but never gunpowder), late Renaissance society", "does it gain, and what does it lose, by the time being more", "rather amorphous time-period that mixes early-medieval and late-medieval arms and armour (but never", "disadvantages of setting a fantasy novel in such a fantasy past time, rather", "technology (or lack thereof)?* Clearly, we are willing to accept a \"Once-upon-a-time\" setting", "be reading a scroll, if she has access to written material at all).", "reading a scroll, if she has access to written material at all). But", "Clearly, we are willing to accept a \"Once-upon-a-time\" setting that's a mix-and-match of", "But looking at the story itself, what does it gain, and what does", "to detract from the setting, when history clashes with the readers' expectations? (For", "civilian technology that's everything before steam. Of particular note is The Lord of", "curved swords and no coffee?) Does the answer change if the story is", "particular note is The Lord of the Rings: the hobbits dress and act", "written material at all). But looking at the story itself, what does it", "\"Once-upon-a-time\" setting that's a mix-and-match of \"past\", it doesn't break our suspension of", "and no coffee?) Does the answer change if the story is set not", "set in a pseudo-European fantasyland, in a rather amorphous time-period that mixes early-medieval", "Does the answer change if the story is set not in fantasy-Europe, but", "swords and no coffee?) Does the answer change if the story is set", "less research, and is less limiting (for example, I can have a character", "of disbelief. Such a setting requires less research, and is less limiting (for", "a character leaf through a book, when she should be reading a scroll,", "if she has access to written material at all). But looking at the", "amorphous time-period that mixes early-medieval and late-medieval arms and armour (but never gunpowder),", "been introduced yet, or Middle East with no curved swords and no coffee?)", "arms and armour (but never gunpowder), late Renaissance society structure, and civilian technology", "time being more specific? (The genre being High Fantasy, history and calendar would", "technology that's everything before steam. Of particular note is The Lord of the", "crossbows. *What are the advantages and disadvantages of setting a fantasy novel in", "introduced yet, or Middle East with no curved swords and no coffee?) Does", "access to written material at all). But looking at the story itself, what", "late 19th century, eat potatoes and smoke tobacco, while the world around them", "structure, and civilian technology that's everything before steam. Of particular note is The", "past time, rather than in a specific time period, with its historically accurate", "time period that serves for inspiration being more specific.) Is it possible for", "readers' expectations? (For example, presenting Englishmen with no potatoes as per the LOTR", "What are the advantages and disadvantages of setting a fantasy novel in such", "for historical correctness to detract from the setting, when history clashes with the", "in a rather amorphous time-period that mixes early-medieval and late-medieval arms and armour", "if the story is set not in fantasy-Europe, but in fantasy-Middle East, or", "mix-and-match of \"past\", it doesn't break our suspension of disbelief. Such a setting", "example, because potatoes would not have been introduced yet, or Middle East with", "early-medieval and late-medieval arms and armour (but never gunpowder), late Renaissance society structure,", "world around them appears to be early middle ages: swords, shields, mail rather", "rather than plate armour, longbows rather than crossbows. What are the advantages and", "to written material at all). But looking at the story itself, what does", "what does it gain, and what does it lose, by the time being", "is set not in fantasy-Europe, but in fantasy-Middle East, or fantasy-East Asia, for", "that's everything before steam. Of particular note is The Lord of the Rings:", "of the Rings: the hobbits dress and act like they're late 19th century,", "the fantasy world, of course. I'm talking of the Real-Life time period that", "the readers' expectations? (For example, presenting Englishmen with no potatoes as per the", "swords, shields, mail rather than plate armour, longbows rather than crossbows. What are", "yet, or Middle East with no curved swords and no coffee?) Does the", "willing to accept a \"Once-upon-a-time\" setting that's a mix-and-match of \"past\", it doesn't", "less limiting (for example, I can have a character leaf through a book,", "leaf through a book, when she should be reading a scroll, if she", "and what does it lose, by the time being more specific? (The genre", "being High Fantasy, history and calendar would be that of the fantasy world,", "steam. Of particular note is The Lord of the Rings: the hobbits dress", "time period, with its historically accurate technology (or lack thereof)?* Clearly, we are", "research, and is less limiting (for example, I can have a character leaf", "should be reading a scroll, if she has access to written material at", "in a specific time period, with its historically accurate technology (or lack thereof)?", "the setting, when history clashes with the readers' expectations? (For example, presenting Englishmen", "the story is set not in fantasy-Europe, but in fantasy-Middle East, or fantasy-East", "Englishmen with no potatoes as per the LOTR example, because potatoes would not", "a book, when she should be reading a scroll, if she has access", "19th century, eat potatoes and smoke tobacco, while the world around them appears", "plate armour, longbows rather than crossbows. What are the advantages and disadvantages of", "all). But looking at the story itself, what does it gain, and what", "I'm talking of the Real-Life time period that serves for inspiration being more", "them appears to be early middle ages: swords, shields, mail rather than plate", "and late-medieval arms and armour (but never gunpowder), late Renaissance society structure, and", "a rather amorphous time-period that mixes early-medieval and late-medieval arms and armour (but", "early middle ages: swords, shields, mail rather than plate armour, longbows rather than", "rather than crossbows. *What are the advantages and disadvantages of setting a fantasy", "material at all). But looking at the story itself, what does it gain,", "world, of course. I'm talking of the Real-Life time period that serves for", "it doesn't break our suspension of disbelief. Such a setting requires less research,", "setting a fantasy novel in such a fantasy past time, rather than in", "Of particular note is The Lord of the Rings: the hobbits dress and", "fantasy past time, rather than in a specific time period, with its historically", "society structure, and civilian technology that's everything before steam. Of particular note is", "than crossbows. What are the advantages and disadvantages of setting a fantasy novel", "while the world around them appears to be early middle ages: swords, shields,", "longbows rather than crossbows. What are the advantages and disadvantages of setting a", "character leaf through a book, when she should be reading a scroll, if", "potatoes would not have been introduced yet, or Middle East with no curved", "armour (but never gunpowder), late Renaissance society structure, and civilian technology that's everything", "we are willing to accept a \"Once-upon-a-time\" setting that's a mix-and-match of \"past\",", "history and calendar would be that of the fantasy world, of course. I'm", "everything before steam. Of particular note is The Lord of the Rings: the", "from the setting, when history clashes with the readers' expectations? (For example, presenting", "accept a \"Once-upon-a-time\" setting that's a mix-and-match of \"past\", it doesn't break our", "a fantasy novel in such a fantasy past time, rather than in a", "before steam. Of particular note is The Lord of the Rings: the hobbits", "or Middle East with no curved swords and no coffee?) Does the answer", "High Fantasy genre are set in a pseudo-European fantasyland, in a rather amorphous", "and act like they're late 19th century, eat potatoes and smoke tobacco, while", "the time being more specific? (The genre being High Fantasy, history and calendar", "story is set not in fantasy-Europe, but in fantasy-Middle East, or fantasy-East Asia,", "Is it possible for historical correctness to detract from the setting, when history", "smoke tobacco, while the world around them appears to be early middle ages:", "to be early middle ages: swords, shields, mail rather than plate armour, longbows", "shields, mail rather than plate armour, longbows rather than crossbows. What are the", "Middle East with no curved swords and no coffee?) Does the answer change", "be early middle ages: swords, shields, mail rather than plate armour, longbows rather", "in a pseudo-European fantasyland, in a rather amorphous time-period that mixes early-medieval and", "appears to be early middle ages: swords, shields, mail rather than plate armour,", "of \"past\", it doesn't break our suspension of disbelief. Such a setting requires", "late-medieval arms and armour (but never gunpowder), late Renaissance society structure, and civilian", "a specific time period, with its historically accurate technology (or lack thereof)?* Clearly,", "that serves for inspiration being more specific.) Is it possible for historical correctness", "and smoke tobacco, while the world around them appears to be early middle", "setting that's a mix-and-match of \"past\", it doesn't break our suspension of disbelief.", "(The genre being High Fantasy, history and calendar would be that of the", "with no potatoes as per the LOTR example, because potatoes would not have", "more specific? (The genre being High Fantasy, history and calendar would be that", "of the fantasy world, of course. I'm talking of the Real-Life time period", "that's a mix-and-match of \"past\", it doesn't break our suspension of disbelief. Such", "The Lord of the Rings: the hobbits dress and act like they're late", "accurate technology (or lack thereof)?** Clearly, we are willing to accept a \"Once-upon-a-time\"", "scroll, if she has access to written material at all). But looking at", "the Rings: the hobbits dress and act like they're late 19th century, eat", "no curved swords and no coffee?) Does the answer change if the story", "the answer change if the story is set not in fantasy-Europe, but in", "Fantasy genre are set in a pseudo-European fantasyland, in a rather amorphous time-period", "detract from the setting, when history clashes with the readers' expectations? (For example,", "possible for historical correctness to detract from the setting, when history clashes with", "potatoes as per the LOTR example, because potatoes would not have been introduced", "can have a character leaf through a book, when she should be reading", "of the Real-Life time period that serves for inspiration being more specific.) Is", "our suspension of disbelief. Such a setting requires less research, and is less", "a \"Once-upon-a-time\" setting that's a mix-and-match of \"past\", it doesn't break our suspension", "at all). But looking at the story itself, what does it gain, and", "and civilian technology that's everything before steam. Of particular note is The Lord", "and is less limiting (for example, I can have a character leaf through", "(for example, I can have a character leaf through a book, when she", "clashes with the readers' expectations? (For example, presenting Englishmen with no potatoes as", "limiting (for example, I can have a character leaf through a book, when", "fantasy novel in such a fantasy past time, rather than in a specific", "I can have a character leaf through a book, when she should be", "novel in such a fantasy past time, rather than in a specific time", "hobbits dress and act like they're late 19th century, eat potatoes and smoke", "talking of the Real-Life time period that serves for inspiration being more specific.)", "serves for inspiration being more specific.) Is it possible for historical correctness to", "setting, when history clashes with the readers' expectations? (For example, presenting Englishmen with", "middle ages: swords, shields, mail rather than plate armour, longbows rather than crossbows.", "expectations? (For example, presenting Englishmen with no potatoes as per the LOTR example,", "with no curved swords and no coffee?) Does the answer change if the", "than in a specific time period, with its historically accurate technology (or lack", "with the readers' expectations? (For example, presenting Englishmen with no potatoes as per", "no potatoes as per the LOTR example, because potatoes would not have been", "the advantages and disadvantages of setting a fantasy novel in such a fantasy", "they're late 19th century, eat potatoes and smoke tobacco, while the world around", "story itself, what does it gain, and what does it lose, by the", "set not in fantasy-Europe, but in fantasy-Middle East, or fantasy-East Asia, for instance?", "Many works of the High Fantasy genre are set in a pseudo-European fantasyland,", "be that of the fantasy world, of course. I'm talking of the Real-Life", "the Real-Life time period that serves for inspiration being more specific.) Is it", "genre are set in a pseudo-European fantasyland, in a rather amorphous time-period that", "a fantasy past time, rather than in a specific time period, with its", "around them appears to be early middle ages: swords, shields, mail rather than", "it possible for historical correctness to detract from the setting, when history clashes", "the LOTR example, because potatoes would not have been introduced yet, or Middle", "it lose, by the time being more specific? (The genre being High Fantasy,", "in such a fantasy past time, rather than in a specific time period,", "like they're late 19th century, eat potatoes and smoke tobacco, while the world", "at the story itself, what does it gain, and what does it lose,", "course. I'm talking of the Real-Life time period that serves for inspiration being", "never gunpowder), late Renaissance society structure, and civilian technology that's everything before steam.", "ages: swords, shields, mail rather than plate armour, longbows rather than crossbows. **What", "have been introduced yet, or Middle East with no curved swords and no", "being more specific.) Is it possible for historical correctness to detract from the", "dress and act like they're late 19th century, eat potatoes and smoke tobacco,", "gain, and what does it lose, by the time being more specific? (The", "\"past\", it doesn't break our suspension of disbelief. Such a setting requires less", "when history clashes with the readers' expectations? (For example, presenting Englishmen with no", "High Fantasy, history and calendar would be that of the fantasy world, of" ]
[ "verses each being of 5,7 and 5 syllables respectively. The Haiku was written", "a very short Japanese poem with seventeen syllables and three verses each being", "same poem in another language, how to consider the language rules that was", "case for rhyme - [we have different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures).", "or measuring it. Similar is the case for rhyme - [we have different", "want to write the same poem in another language, how to consider the", "5,7 and 5 syllables respectively. The Haiku was written primarily in Japanese language", "in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would have concept of syllable", "version of Haiku, but who decided the rules and how? What if I", "that in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of", "each being of 5,7 and 5 syllables respectively. The Haiku was written primarily", "poem in another language, how to consider the language rules that was originally", "language would have concept of syllable and rhyming - but they differ in", "answer of Jay, what I meant was that in each language \"syllable\" has", "Jay, what I meant was that in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable)", "that language. Now when I want to write the same poem in another", "has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining or measuring it. Similar", "rule to that secondary language? P.S. Haiku is not alone - we have", "rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would have concept of", "rhyme - [we have different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely", "the concerns mentioned in answer of Jay, what I meant was that in", "if I want to write the same in another (existing or constructed) language", "languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would have concept of syllable and rhyming", "that originated in England, sonnets from Italy, Doha from India etc. Edit: From", "mentioned in answer of Jay, what I meant was that in each language", "for the primary language. We do have an English version of Haiku, but", "syllables respectively. The Haiku was written primarily in Japanese language and the rules", "short Japanese poem with seventeen syllables and three verses each being of 5,7", "Haiku is not alone - we have limericks that originated in England, sonnets", "written primarily in Japanese language and the rules applied were on that language.", "limericks that originated in England, sonnets from Italy, Doha from India etc. Edit:", "I apply that rule to that secondary language? P.S. Haiku is not alone", "respectively. The Haiku was written primarily in Japanese language and the rules applied", "write the same poem in another language, how to consider the language rules", "being of 5,7 and 5 syllables respectively. The Haiku was written primarily in", "write the same in another (existing or constructed) language - how shall I", "to that secondary language? P.S. Haiku is not alone - we have limericks", "the rules and how? What if I want to write the same in", "of syllabification and way of defining or measuring it. Similar is the case", "the case for rhyme - [we have different concept of rhyme in different", "of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would have concept", "was originally written for the primary language. We do have an English version", "primarily in Japanese language and the rules applied were on that language. Now", "concept of syllable and rhyming - but they differ in definition and structure.", "language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining or measuring", "would have concept of syllable and rhyming - but they differ in definition", "was written primarily in Japanese language and the rules applied were on that", "in answer of Jay, what I meant was that in each language \"syllable\"", "but who decided the rules and how? What if I want to write", "three verses each being of 5,7 and 5 syllables respectively. The Haiku was", "(existing or constructed) language - how shall I apply that rule to that", "when I want to write the same poem in another language, how to", "to consider the language rules that was originally written for the primary language.", "have different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language", "- we have limericks that originated in England, sonnets from Italy, Doha from", "- [we have different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any", "Therefore, surely any spoken language would have concept of syllable and rhyming -", "P.S. Haiku is not alone - we have limericks that originated in England,", "to write the same in another (existing or constructed) language - how shall", "that secondary language? P.S. Haiku is not alone - we have limericks that", "in Japanese language and the rules applied were on that language. Now when", "and way of defining or measuring it. Similar is the case for rhyme", "is not alone - we have limericks that originated in England, sonnets from", "that was originally written for the primary language. We do have an English", "constructed) language - how shall I apply that rule to that secondary language?", "language. Now when I want to write the same poem in another language,", "have limericks that originated in England, sonnets from Italy, Doha from India etc.", "Haiku was written primarily in Japanese language and the rules applied were on", "and 5 syllables respectively. The Haiku was written primarily in Japanese language and", "rules applied were on that language. Now when I want to write the", "the same poem in another language, how to consider the language rules that", "primary language. We do have an English version of Haiku, but who decided", "England, sonnets from Italy, Doha from India etc. Edit: From the concerns mentioned", "What if I want to write the same in another (existing or constructed)", "rules that was originally written for the primary language. We do have an", "of 5,7 and 5 syllables respectively. The Haiku was written primarily in Japanese", "different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would", "for rhyme - [we have different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore,", "shall I apply that rule to that secondary language? P.S. Haiku is not", "who decided the rules and how? What if I want to write the", "language - how shall I apply that rule to that secondary language? P.S.", "Italy, Doha from India etc. Edit: From the concerns mentioned in answer of", "rules and how? What if I want to write the same in another", "is a very short Japanese poem with seventeen syllables and three verses each", "seventeen syllables and three verses each being of 5,7 and 5 syllables respectively.", "from India etc. Edit: From the concerns mentioned in answer of Jay, what", "[different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining or measuring it. Similar is", "ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining or measuring it. Similar is the", "the rules applied were on that language. Now when I want to write", "of Jay, what I meant was that in each language \"syllable\" has [different", "concerns mentioned in answer of Jay, what I meant was that in each", "an English version of Haiku, but who decided the rules and how? What", "of Haiku, but who decided the rules and how? What if I want", "was that in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way", "measuring it. Similar is the case for rhyme - [we have different concept", "very short Japanese poem with seventeen syllables and three verses each being of", "written for the primary language. We do have an English version of Haiku,", "syllabification and way of defining or measuring it. Similar is the case for", "it. Similar is the case for rhyme - [we have different concept of", "Similar is the case for rhyme - [we have different concept of rhyme", "meant was that in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and", "I meant was that in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification", "in another language, how to consider the language rules that was originally written", "how? What if I want to write the same in another (existing or", "English version of Haiku, but who decided the rules and how? What if", "alone - we have limericks that originated in England, sonnets from Italy, Doha", "Now when I want to write the same poem in another language, how", "We do have an English version of Haiku, but who decided the rules", "and three verses each being of 5,7 and 5 syllables respectively. The Haiku", "5 syllables respectively. The Haiku was written primarily in Japanese language and the", "language, how to consider the language rules that was originally written for the", "not alone - we have limericks that originated in England, sonnets from Italy,", "we have limericks that originated in England, sonnets from Italy, Doha from India", "of defining or measuring it. Similar is the case for rhyme - [we", "have concept of syllable and rhyming - but they differ in definition and", "originally written for the primary language. We do have an English version of", "concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would have", "the language rules that was originally written for the primary language. We do", "India etc. Edit: From the concerns mentioned in answer of Jay, what I", "Edit: From the concerns mentioned in answer of Jay, what I meant was", "I want to write the same poem in another language, how to consider", "each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining or", "another language, how to consider the language rules that was originally written for", "how to consider the language rules that was originally written for the primary", "sonnets from Italy, Doha from India etc. Edit: From the concerns mentioned in", "I want to write the same in another (existing or constructed) language -", "and the rules applied were on that language. Now when I want to", "to write the same poem in another language, how to consider the language", "have an English version of Haiku, but who decided the rules and how?", "language. We do have an English version of Haiku, but who decided the", "etc. Edit: From the concerns mentioned in answer of Jay, what I meant", "secondary language? P.S. Haiku is not alone - we have limericks that originated", "or constructed) language - how shall I apply that rule to that secondary", "Doha from India etc. Edit: From the concerns mentioned in answer of Jay,", "consider the language rules that was originally written for the primary language. We", "way of defining or measuring it. Similar is the case for rhyme -", "the primary language. We do have an English version of Haiku, but who", "and how? What if I want to write the same in another (existing", "in another (existing or constructed) language - how shall I apply that rule", "in England, sonnets from Italy, Doha from India etc. Edit: From the concerns", "spoken language would have concept of syllable and rhyming - but they differ", "The Haiku was written primarily in Japanese language and the rules applied were", "how shall I apply that rule to that secondary language? P.S. Haiku is", "From the concerns mentioned in answer of Jay, what I meant was that", "Japanese poem with seventeen syllables and three verses each being of 5,7 and", "Japanese language and the rules applied were on that language. Now when I", "any spoken language would have concept of syllable and rhyming - but they", "syllables and three verses each being of 5,7 and 5 syllables respectively. The", "do have an English version of Haiku, but who decided the rules and", "language rules that was originally written for the primary language. We do have", "were on that language. Now when I want to write the same poem", "from Italy, Doha from India etc. Edit: From the concerns mentioned in answer", "language and the rules applied were on that language. Now when I want", "same in another (existing or constructed) language - how shall I apply that", "applied were on that language. Now when I want to write the same", "surely any spoken language would have concept of syllable and rhyming - but", "\"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining or measuring it.", "want to write the same in another (existing or constructed) language - how", "apply that rule to that secondary language? P.S. Haiku is not alone -", "the same in another (existing or constructed) language - how shall I apply", "[Haiku](https://en.wikipedia.org/wiki/Haiku#English-language_haiku) is a very short Japanese poem with seventeen syllables and three verses", "another (existing or constructed) language - how shall I apply that rule to", "language? P.S. Haiku is not alone - we have limericks that originated in", "poem with seventeen syllables and three verses each being of 5,7 and 5", "[we have different concept of rhyme in different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken", "what I meant was that in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of", "in each language \"syllable\" has [different ways](https://en.wikipedia.org/wiki/Syllable) of syllabification and way of defining", "that rule to that secondary language? P.S. Haiku is not alone - we", "different languages.](https://www.quora.com/Is-the-concept-of-rhyme-different-among-different-languages-cultures). Therefore, surely any spoken language would have concept of syllable and", "on that language. Now when I want to write the same poem in", "originated in England, sonnets from Italy, Doha from India etc. Edit: From the", "defining or measuring it. Similar is the case for rhyme - [we have", "- how shall I apply that rule to that secondary language? P.S. Haiku", "Haiku, but who decided the rules and how? What if I want to", "is the case for rhyme - [we have different concept of rhyme in", "with seventeen syllables and three verses each being of 5,7 and 5 syllables", "decided the rules and how? What if I want to write the same" ]
[ "books is limited mostly to classics and thrillers, both of which tend to", "classic villages back here. Granted, it had none of the poshness and luxurious", "flee. > > > When does such a style get too simplistic for", "through that boy to get to the exit. (He was sitting a couple", "a style get too simplistic for the average reader's taste? How much more", "into a thin line; that was all I needed before I jumped down", "I spotted the 5-storeys tall building. We had arrived. I sat still, watching", "seemed to be aligned on me. > > > My heart stopped for", "from some girls who were seated next to me, I managed to squeak", "something red and nasty. Period. > > > I instinctively called out, “Uhmm,", "the door in, I could feel a slew of all-penetrating rays escaping from", "“Uhmm, sir, I’m feeling sick.” The said sir concernedly rushed up to me", "We had arrived. I sat still, watching my mum bargain with the rickshaw-walla.", "couple of rows ahead.) And I somewhat awkwardly managed to heave myself through", "> > After a little coaxing from some girls who were seated next", "back home in Dhaka. It was pathetic. > > > 2. > >", "dwell on the fact that his English was woefully defective. > > >", "3. > > Suddenly, my stomach convulsed with violent cramps. It was the", "rickshaw and hobbled my way up the long fifteen steps before stepping into", "an all-too-familiar all-knowing look. It plagued me to imagine I had thought anything", "was sitting a couple of rows ahead.) And I somewhat awkwardly managed to", "tend to use gaudy words every now and then). The case with classics", "sight seemed to be aligned on me. > > > My heart stopped", "less of it. It was pathetic how urban juveniles, myself included, underestimated the", "hard and just casually typing my mind away): 1. > > Tea-making was", "was art. > > > I was fascinated, entranced by those fluid, graceful", "milk, tea, and gur one at a time. > > > I hadn’t", "a novel. I've read few novels where the language is on par with", "words every now and then). The case with classics is understandable as even", "the language is on par with what people use in day-to-day life (albeit", "attempting to write anything impactful, let alone a novel. I've read few novels", "casually typing my mind away): 1. > > Tea-making was art. > >", "that novels need to have a minimum standard of vocabulary, in order to", "a time. > > > I hadn’t realised I had voiced the exclamation.", "fact that his English was woefully defective. > > > After a little", "it had none of the poshness and luxurious comfort that allowed us delicate", "that his English was woefully defective. > > > After a little coaxing", "> > 2. > > My stomach did a series of somersaults within", "average reader's taste? How much more polishing does it need to get close", "read few novels where the language is on par with what people use", "certain mood. Samples of what I usually end up writing (when I'm not", "on the other hand, have this tendency to employ crisp and sophisticated vocabulary", "on the fact that his English was woefully defective. > > > After", "which he didn’t get. He assumed I hadn’t wanted to leave and simply", "have this tendency to employ crisp and sophisticated vocabulary to set a certain", "My doting aunt and uncle had charming smiles in response, with an all-too-familiar", "speakers like me from even attempting to write anything impactful, let alone a", "pressed into a thin line; that was all I needed before I jumped", "tiniest of moments when I spotted him in the back. *No.* > >", "my way up the long fifteen steps before stepping into the cool, refreshing", "sir concernedly rushed up to me and kindly asked whether I wanted to", "think. It puts off average English speakers like me from even attempting to", "red and nasty. Period. > > > I instinctively called out, “Uhmm, sir,", "a voice that was the epitome of girlish timidity. > > > He", "jumped down the rickshaw and hobbled my way up the long fifteen steps", "concernedly rushed up to me and kindly asked whether I wanted to leave", "all-too-familiar all-knowing look. It plagued me to imagine I had thought anything less", "managed to squeak out (in English, might I add): “Can I just leave?”", "back then used to be more complex than what it's now (just look", "the tiniest of moments when I spotted him in the back. *No.* >", "watching my mum bargain with the rickshaw-walla. Her lips pressed into a thin", "> > My heart stopped for the tiniest of moments when I spotted", "juveniles, myself included, underestimated the classic villages back here. Granted, it had none", "> > 3. > > Suddenly, my stomach convulsed with violent cramps. It", "uncle had charming smiles in response, with an all-too-familiar all-knowing look. It plagued", "than what it's now (just look up at any Nvikuspeara piece, although that", "> > > 3. > > Suddenly, my stomach convulsed with violent cramps.", "to squeak out (in English, might I add): “Can I just leave?” in", "> > > I was fascinated, entranced by those fluid, graceful hand movements", "spotted him in the back. *No.* > > > 3. > > Suddenly,", "line; that was all I needed before I jumped down the rickshaw and", "language back then used to be more complex than what it's now (just", "of read books is limited mostly to classics and thrillers, both of which", "a publishable standard? I'm aware that they aren't perfect at any rate; they're", "a mere fraction of a second when I spotted the 5-storeys tall building.", "a tad too extreme). Thrillers, on the other hand, have this tendency to", "a minimum standard of vocabulary, in order to be taken seriously or for", "to the exit. (He was sitting a couple of rows ahead.) And I", "off the impression to budding writers that novels need to have a minimum", "fascinated, entranced by those fluid, graceful hand movements of that chaiwala, nimbly dipping", "to leave or go on to do rest of the class. I replied", "the back. *No.* > > > 3. > > Suddenly, my stomach convulsed", "could feel a slew of all-penetrating rays escaping from 60 pairs of young", "underestimated the classic villages back here. Granted, it had none of the poshness", "all-knowing look. It plagued me to imagine I had thought anything less of", "Tea-making was art. > > > I was fascinated, entranced by those fluid,", "little things to get shamelessly pampered. But it was more raw and downright", "seriously or for the story to be more interesting. At least that's what", "extreme). Thrillers, on the other hand, have this tendency to employ crisp and", "way up the long fifteen steps before stepping into the cool, refreshing air-conditioned", "5-storeys tall building. We had arrived. I sat still, watching my mum bargain", "him in the back. *No.* > > > 3. > > Suddenly, my", "> 2. > > My stomach did a series of somersaults within a", "that they aren't perfect at any rate; they're to represent what my first", "eyes boring into my shaking person. Their line of sight seemed to be", "minutes’ break would suffice, which he didn’t get. He assumed I hadn’t wanted", "classics and thrillers, both of which tend to use gaudy words every now", "up to me and kindly asked whether I wanted to leave or go", "with what people use in day-to-day life (albeit my collection of read books", "being of a publishable standard? I'm aware that they aren't perfect at any", "be more complex than what it's now (just look up at any Nvikuspeara", "packed my bag and dashed out. However I had to go through that", "plagued me to imagine I had thought anything less of it. It was", "head) gives off the impression to budding writers that novels need to have", "kindly asked whether I wanted to leave or go on to do rest", "of that chaiwala, nimbly dipping the glass cups into hot water and pouring", "It was pathetic how urban juveniles, myself included, underestimated the classic villages back", "> He consented to my very innocent request. I simply packed my bag", "He consented to my very innocent request. I simply packed my bag and", "with classics is understandable as even the normal language back then used to", "down the rickshaw and hobbled my way up the long fifteen steps before", "of somersaults within a mere fraction of a second when I spotted the", "that a few minutes’ break would suffice, which he didn’t get. He assumed", "epitome of girlish timidity. > > > He consented to my very innocent", "need to have a minimum standard of vocabulary, in order to be taken", "produce any other relevant examples off the top of my head) gives off", "The said sir concernedly rushed up to me and kindly asked whether I", "had charming smiles in response, with an all-too-familiar all-knowing look. It plagued me", "on to do rest of the class. I replied that a few minutes’", "a second when I spotted the 5-storeys tall building. We had arrived. I", "convulsed with violent cramps. It was the beginning of something red and nasty.", "as soon I heaved the door in, I could feel a slew of", "series of somersaults within a mere fraction of a second when I spotted", "me and kindly asked whether I wanted to leave or go on to", "use in day-to-day life (albeit my collection of read books is limited mostly", "anything impactful, let alone a novel. I've read few novels where the language", "beginning of something red and nasty. Period. > > > I instinctively called", "aligned on me. > > > My heart stopped for the tiniest of", "was pathetic how urban juveniles, myself included, underestimated the classic villages back here.", "go on to do rest of the class. I replied that a few", "pouring milk, tea, and gur one at a time. > > > I", "slew of all-penetrating rays escaping from 60 pairs of young eyes boring into", "impactful, let alone a novel. I've read few novels where the language is", "and uncle had charming smiles in response, with an all-too-familiar all-knowing look. It", "any Nvikuspeara piece, although that would probably be a tad too extreme). Thrillers,", "the rickshaw and hobbled my way up the long fifteen steps before stepping", "too extreme). Thrillers, on the other hand, have this tendency to employ crisp", "soon I heaved the door in, I could feel a slew of all-penetrating", "comfort that allowed us delicate little things to get shamelessly pampered. But it", "Her lips pressed into a thin line; that was all I needed before", "was pathetic. > > > 2. > > My stomach did a series", "to have a minimum standard of vocabulary, in order to be taken seriously", "I simply packed my bag and dashed out. However I had to go", "was all I needed before I jumped down the rickshaw and hobbled my", "all I needed before I jumped down the rickshaw and hobbled my way", "standard? I'm aware that they aren't perfect at any rate; they're to represent", "my collection of read books is limited mostly to classics and thrillers, both", "> > When does such a style get too simplistic for the average", "my shaking person. Their line of sight seemed to be aligned on me.", "trying too hard and just casually typing my mind away): 1. > >", "off the top of my head) gives off the impression to budding writers", "mostly to classics and thrillers, both of which tend to use gaudy words", "gives off the impression to budding writers that novels need to have a", "and kindly asked whether I wanted to leave or go on to do", "limited mostly to classics and thrillers, both of which tend to use gaudy", "hadn’t wanted to leave and simply went back. I don’t want to dwell", "mood. Samples of what I usually end up writing (when I'm not trying", "on me. > > > My heart stopped for the tiniest of moments", "English speakers like me from even attempting to write anything impactful, let alone", "fifteen steps before stepping into the cool, refreshing air-conditioned room and into the", "building. We had arrived. I sat still, watching my mum bargain with the", "> I instinctively called out, “Uhmm, sir, I’m feeling sick.” The said sir", "books of Dal Xmowf and that sort (pardon my inability to produce any", "bag and dashed out. However I had to go through that boy to", "mum bargain with the rickshaw-walla. Her lips pressed into a thin line; that", "here. Granted, it had none of the poshness and luxurious comfort that allowed", "it need to get close to being of a publishable standard? I'm aware", "> > My stomach did a series of somersaults within a mere fraction", "person. Their line of sight seemed to be aligned on me. > >", "(albeit my collection of read books is limited mostly to classics and thrillers,", "the exit. (He was sitting a couple of rows ahead.) And I somewhat", "I had thought anything less of it. It was pathetic how urban juveniles,", "innocent request. I simply packed my bag and dashed out. However I had", "to me and kindly asked whether I wanted to leave or go on", "it makes me think. It puts off average English speakers like me from", "of sight seemed to be aligned on me. > > > My heart", "violent cramps. It was the beginning of something red and nasty. Period. >", "I replied that a few minutes’ break would suffice, which he didn’t get.", "didn’t get. He assumed I hadn’t wanted to leave and simply went back.", "heavy door and flee. > > > When does such a style get", "my mind away): 1. > > Tea-making was art. > > > I", "English was woefully defective. > > > After a little coaxing from some", "set a certain mood. Samples of what I usually end up writing (when", "people use in day-to-day life (albeit my collection of read books is limited", "Their line of sight seemed to be aligned on me. > > >", "that allowed us delicate little things to get shamelessly pampered. But it was", "I somewhat awkwardly managed to heave myself through the heavy door and flee.", "all-penetrating rays escaping from 60 pairs of young eyes boring into my shaking", "add): “Can I just leave?” in a voice that was the epitome of", "day-to-day life (albeit my collection of read books is limited mostly to classics", "I’m feeling sick.” The said sir concernedly rushed up to me and kindly", "to leave and simply went back. I don’t want to dwell on the", "when I spotted the 5-storeys tall building. We had arrived. I sat still,", "at any rate; they're to represent what my first drafts typically look like.", "was more raw and downright ‘fresh’ than anything I had ever encountered back", "aunt and uncle had charming smiles in response, with an all-too-familiar all-knowing look.", "be taken seriously or for the story to be more interesting. At least", "Dal Xmowf and that sort (pardon my inability to produce any other relevant", "of Dal Xmowf and that sort (pardon my inability to produce any other", "lips pressed into a thin line; that was all I needed before I", "of moments when I spotted him in the back. *No.* > > >", "young eyes boring into my shaking person. Their line of sight seemed to", "class. I replied that a few minutes’ break would suffice, which he didn’t", "(He was sitting a couple of rows ahead.) And I somewhat awkwardly managed", "puts off average English speakers like me from even attempting to write anything", "of all-penetrating rays escaping from 60 pairs of young eyes boring into my", "door and flee. > > > When does such a style get too", "sat still, watching my mum bargain with the rickshaw-walla. Her lips pressed into", "vocabulary, in order to be taken seriously or for the story to be", "what people use in day-to-day life (albeit my collection of read books is", "in order to be taken seriously or for the story to be more", "leave and simply went back. I don’t want to dwell on the fact", "It was the beginning of something red and nasty. Period. > > >", "> > I instinctively called out, “Uhmm, sir, I’m feeling sick.” The said", "by those fluid, graceful hand movements of that chaiwala, nimbly dipping the glass", "managed to heave myself through the heavy door and flee. > > >", "the normal language back then used to be more complex than what it's", "2. > > My stomach did a series of somersaults within a mere", "I managed to squeak out (in English, might I add): “Can I just", "spotted the 5-storeys tall building. We had arrived. I sat still, watching my", "exit. (He was sitting a couple of rows ahead.) And I somewhat awkwardly", "defective. > > > After a little coaxing from some girls who were", "case with classics is understandable as even the normal language back then used", "the exclamation. My doting aunt and uncle had charming smiles in response, with", "sort (pardon my inability to produce any other relevant examples off the top", "some girls who were seated next to me, I managed to squeak out", "the story to be more interesting. At least that's what it makes me", "had voiced the exclamation. My doting aunt and uncle had charming smiles in", "> > Suddenly, my stomach convulsed with violent cramps. It was the beginning", "rickshaw-walla. Her lips pressed into a thin line; that was all I needed", "steps before stepping into the cool, refreshing air-conditioned room and into the limelight.", "My heart stopped for the tiniest of moments when I spotted him in", "story to be more interesting. At least that's what it makes me think.", "ever encountered back home in Dhaka. It was pathetic. > > > 2.", "girlish timidity. > > > He consented to my very innocent request. I", "moments when I spotted him in the back. *No.* > > > 3.", "what I usually end up writing (when I'm not trying too hard and", "us delicate little things to get shamelessly pampered. But it was more raw", "want to dwell on the fact that his English was woefully defective. >", "me from even attempting to write anything impactful, let alone a novel. I've", "my mum bargain with the rickshaw-walla. Her lips pressed into a thin line;", "get to the exit. (He was sitting a couple of rows ahead.) And", "of girlish timidity. > > > He consented to my very innocent request.", "had ever encountered back home in Dhaka. It was pathetic. > > >", "a series of somersaults within a mere fraction of a second when I", "in, I could feel a slew of all-penetrating rays escaping from 60 pairs", "classics is understandable as even the normal language back then used to be", "imagine I had thought anything less of it. It was pathetic how urban", "makes me think. It puts off average English speakers like me from even", "to get close to being of a publishable standard? I'm aware that they", "coaxing from some girls who were seated next to me, I managed to", "> > > I instinctively called out, “Uhmm, sir, I’m feeling sick.” The", "sick.” The said sir concernedly rushed up to me and kindly asked whether", "It puts off average English speakers like me from even attempting to write", "do rest of the class. I replied that a few minutes’ break would", "of rows ahead.) And I somewhat awkwardly managed to heave myself through the", "exclamation. My doting aunt and uncle had charming smiles in response, with an", "dipping the glass cups into hot water and pouring milk, tea, and gur", "the long fifteen steps before stepping into the cool, refreshing air-conditioned room and", "I'm not trying too hard and just casually typing my mind away): 1.", "the glass cups into hot water and pouring milk, tea, and gur one", "out (in English, might I add): “Can I just leave?” in a voice", "> > > My heart stopped for the tiniest of moments when I", "more interesting. At least that's what it makes me think. It puts off", "allowed us delicate little things to get shamelessly pampered. But it was more", "and downright ‘fresh’ than anything I had ever encountered back home in Dhaka.", "even the normal language back then used to be more complex than what", "How much more polishing does it need to get close to being of", "whether I wanted to leave or go on to do rest of the", "> > > I hadn’t realised I had voiced the exclamation. My doting", "art. > > > I was fascinated, entranced by those fluid, graceful hand", "to employ crisp and sophisticated vocabulary to set a certain mood. Samples of", "to be more interesting. At least that's what it makes me think. It", "myself included, underestimated the classic villages back here. Granted, it had none of", "piece, although that would probably be a tad too extreme). Thrillers, on the", "to produce any other relevant examples off the top of my head) gives", "a certain mood. Samples of what I usually end up writing (when I'm", "asked whether I wanted to leave or go on to do rest of", "novels where the language is on par with what people use in day-to-day", "go through that boy to get to the exit. (He was sitting a", "what it's now (just look up at any Nvikuspeara piece, although that would", "have a minimum standard of vocabulary, in order to be taken seriously or", "wanted to leave or go on to do rest of the class. I", "novels need to have a minimum standard of vocabulary, in order to be", "anything less of it. It was pathetic how urban juveniles, myself included, underestimated", "before stepping into the cool, refreshing air-conditioned room and into the limelight. >", "the impression to budding writers that novels need to have a minimum standard", "(in English, might I add): “Can I just leave?” in a voice that", "or for the story to be more interesting. At least that's what it", "in day-to-day life (albeit my collection of read books is limited mostly to", "feeling sick.” The said sir concernedly rushed up to me and kindly asked", "and nasty. Period. > > > I instinctively called out, “Uhmm, sir, I’m", "order to be taken seriously or for the story to be more interesting.", "aware that they aren't perfect at any rate; they're to represent what my", "to me, I managed to squeak out (in English, might I add): “Can", "is understandable as even the normal language back then used to be more", "> > Almost as soon I heaved the door in, I could feel", "was woefully defective. > > > After a little coaxing from some girls", "> > > After a little coaxing from some girls who were seated", "of the poshness and luxurious comfort that allowed us delicate little things to", "and that sort (pardon my inability to produce any other relevant examples off", "escaping from 60 pairs of young eyes boring into my shaking person. Their", "gur one at a time. > > > I hadn’t realised I had", "Period. > > > I instinctively called out, “Uhmm, sir, I’m feeling sick.”", "Nvikuspeara piece, although that would probably be a tad too extreme). Thrillers, on", "within a mere fraction of a second when I spotted the 5-storeys tall", "get. He assumed I hadn’t wanted to leave and simply went back. I", "tea, and gur one at a time. > > > I hadn’t realised", "After a little coaxing from some girls who were seated next to me,", "fluid, graceful hand movements of that chaiwala, nimbly dipping the glass cups into", "I was fascinated, entranced by those fluid, graceful hand movements of that chaiwala,", "his English was woefully defective. > > > After a little coaxing from", "anything I had ever encountered back home in Dhaka. It was pathetic. >", "relevant examples off the top of my head) gives off the impression to", "was fascinated, entranced by those fluid, graceful hand movements of that chaiwala, nimbly", "simply packed my bag and dashed out. However I had to go through", "sitting a couple of rows ahead.) And I somewhat awkwardly managed to heave", "just casually typing my mind away): 1. > > Tea-making was art. >", "a slew of all-penetrating rays escaping from 60 pairs of young eyes boring", "up at any Nvikuspeara piece, although that would probably be a tad too", "had arrived. I sat still, watching my mum bargain with the rickshaw-walla. Her", "Samples of what I usually end up writing (when I'm not trying too", "urban juveniles, myself included, underestimated the classic villages back here. Granted, it had", "into the cool, refreshing air-conditioned room and into the limelight. > > >", "impression to budding writers that novels need to have a minimum standard of", "somersaults within a mere fraction of a second when I spotted the 5-storeys", "style get too simplistic for the average reader's taste? How much more polishing", "wanted to leave and simply went back. I don’t want to dwell on", "that boy to get to the exit. (He was sitting a couple of", "When does such a style get too simplistic for the average reader's taste?", "than anything I had ever encountered back home in Dhaka. It was pathetic.", "now (just look up at any Nvikuspeara piece, although that would probably be", "rays escaping from 60 pairs of young eyes boring into my shaking person.", "delicate little things to get shamelessly pampered. But it was more raw and", "(pardon my inability to produce any other relevant examples off the top of", "still, watching my mum bargain with the rickshaw-walla. Her lips pressed into a", "At least that's what it makes me think. It puts off average English", "which tend to use gaudy words every now and then). The case with", "My stomach did a series of somersaults within a mere fraction of a", "with the rickshaw-walla. Her lips pressed into a thin line; that was all", "hand, have this tendency to employ crisp and sophisticated vocabulary to set a", "I wanted to leave or go on to do rest of the class.", "to heave myself through the heavy door and flee. > > > When", "> When does such a style get too simplistic for the average reader's", "of young eyes boring into my shaking person. Their line of sight seemed", "chaiwala, nimbly dipping the glass cups into hot water and pouring milk, tea,", "my inability to produce any other relevant examples off the top of my", "life (albeit my collection of read books is limited mostly to classics and", "response, with an all-too-familiar all-knowing look. It plagued me to imagine I had", "thin line; that was all I needed before I jumped down the rickshaw", "thrillers, both of which tend to use gaudy words every now and then).", "The case with classics is understandable as even the normal language back then", "smiles in response, with an all-too-familiar all-knowing look. It plagued me to imagine", "water and pouring milk, tea, and gur one at a time. > >", "to write anything impactful, let alone a novel. I've read few novels where", "budding writers that novels need to have a minimum standard of vocabulary, in", "nimbly dipping the glass cups into hot water and pouring milk, tea, and", "on par with what people use in day-to-day life (albeit my collection of", "typing my mind away): 1. > > Tea-making was art. > > >", "and simply went back. I don’t want to dwell on the fact that", "to being of a publishable standard? I'm aware that they aren't perfect at", "to classics and thrillers, both of which tend to use gaudy words every", "the epitome of girlish timidity. > > > He consented to my very", "I had to go through that boy to get to the exit. (He", "I spotted him in the back. *No.* > > > 3. > >", "would suffice, which he didn’t get. He assumed I hadn’t wanted to leave", "and sophisticated vocabulary to set a certain mood. Samples of what I usually", "close to being of a publishable standard? I'm aware that they aren't perfect", "tad too extreme). Thrillers, on the other hand, have this tendency to employ", "least that's what it makes me think. It puts off average English speakers", "feel a slew of all-penetrating rays escaping from 60 pairs of young eyes", "for the story to be more interesting. At least that's what it makes", "pampered. But it was more raw and downright ‘fresh’ than anything I had", "language is on par with what people use in day-to-day life (albeit my", "heave myself through the heavy door and flee. > > > When does", "heart stopped for the tiniest of moments when I spotted him in the", "that would probably be a tad too extreme). Thrillers, on the other hand,", "probably be a tad too extreme). Thrillers, on the other hand, have this", "minimum standard of vocabulary, in order to be taken seriously or for the", "that chaiwala, nimbly dipping the glass cups into hot water and pouring milk,", "I just leave?” in a voice that was the epitome of girlish timidity.", "hot water and pouring milk, tea, and gur one at a time. >", "to imagine I had thought anything less of it. It was pathetic how", "request. I simply packed my bag and dashed out. However I had to", "out, “Uhmm, sir, I’m feeling sick.” The said sir concernedly rushed up to", "more polishing does it need to get close to being of a publishable", "> > Tea-making was art. > > > I was fascinated, entranced by", "called out, “Uhmm, sir, I’m feeling sick.” The said sir concernedly rushed up", "my very innocent request. I simply packed my bag and dashed out. However", "instinctively called out, “Uhmm, sir, I’m feeling sick.” The said sir concernedly rushed", "more raw and downright ‘fresh’ than anything I had ever encountered back home", "a thin line; that was all I needed before I jumped down the", "he didn’t get. He assumed I hadn’t wanted to leave and simply went", "back here. Granted, it had none of the poshness and luxurious comfort that", "and dashed out. However I had to go through that boy to get", "Reading books of Dal Xmowf and that sort (pardon my inability to produce", "of my head) gives off the impression to budding writers that novels need", "before I jumped down the rickshaw and hobbled my way up the long", "to use gaudy words every now and then). The case with classics is", "one at a time. > > > I hadn’t realised I had voiced", "> Almost as soon I heaved the door in, I could feel a", "the other hand, have this tendency to employ crisp and sophisticated vocabulary to", "it was more raw and downright ‘fresh’ than anything I had ever encountered", "I had ever encountered back home in Dhaka. It was pathetic. > >", "too simplistic for the average reader's taste? How much more polishing does it", "get close to being of a publishable standard? I'm aware that they aren't", "from even attempting to write anything impactful, let alone a novel. I've read", "me, I managed to squeak out (in English, might I add): “Can I", "not trying too hard and just casually typing my mind away): 1. >", "glass cups into hot water and pouring milk, tea, and gur one at", "went back. I don’t want to dwell on the fact that his English", "second when I spotted the 5-storeys tall building. We had arrived. I sat", "I usually end up writing (when I'm not trying too hard and just", "> After a little coaxing from some girls who were seated next to", "this tendency to employ crisp and sophisticated vocabulary to set a certain mood.", "crisp and sophisticated vocabulary to set a certain mood. Samples of what I", "none of the poshness and luxurious comfort that allowed us delicate little things", "they aren't perfect at any rate; they're to represent what my first drafts", "leave?” in a voice that was the epitome of girlish timidity. > >", "cramps. It was the beginning of something red and nasty. Period. > >", "of a publishable standard? I'm aware that they aren't perfect at any rate;", "in a voice that was the epitome of girlish timidity. > > >", "English, might I add): “Can I just leave?” in a voice that was", "such a style get too simplistic for the average reader's taste? How much", "at a time. > > > I hadn’t realised I had voiced the", "little coaxing from some girls who were seated next to me, I managed", "did a series of somersaults within a mere fraction of a second when", "> > I was fascinated, entranced by those fluid, graceful hand movements of", "be aligned on me. > > > My heart stopped for the tiniest", "now and then). The case with classics is understandable as even the normal", "and pouring milk, tea, and gur one at a time. > > >", "tall building. We had arrived. I sat still, watching my mum bargain with", "how urban juveniles, myself included, underestimated the classic villages back here. Granted, it", "mere fraction of a second when I spotted the 5-storeys tall building. We", "into my shaking person. Their line of sight seemed to be aligned on", "writers that novels need to have a minimum standard of vocabulary, in order", "were seated next to me, I managed to squeak out (in English, might", "fraction of a second when I spotted the 5-storeys tall building. We had", "> 3. > > Suddenly, my stomach convulsed with violent cramps. It was", "alone a novel. I've read few novels where the language is on par", "and flee. > > > When does such a style get too simplistic", "in response, with an all-too-familiar all-knowing look. It plagued me to imagine I", "> > > When does such a style get too simplistic for the", "heaved the door in, I could feel a slew of all-penetrating rays escaping", "examples off the top of my head) gives off the impression to budding", "arrived. I sat still, watching my mum bargain with the rickshaw-walla. Her lips", "very innocent request. I simply packed my bag and dashed out. However I", "up the long fifteen steps before stepping into the cool, refreshing air-conditioned room", "of what I usually end up writing (when I'm not trying too hard", "when I spotted him in the back. *No.* > > > 3. >", "I could feel a slew of all-penetrating rays escaping from 60 pairs of", "limelight. > > > Almost as soon I heaved the door in, I", "movements of that chaiwala, nimbly dipping the glass cups into hot water and", "Thrillers, on the other hand, have this tendency to employ crisp and sophisticated", "girls who were seated next to me, I managed to squeak out (in", "ahead.) And I somewhat awkwardly managed to heave myself through the heavy door", "to my very innocent request. I simply packed my bag and dashed out.", "stomach convulsed with violent cramps. It was the beginning of something red and", "1. > > Tea-making was art. > > > I was fascinated, entranced", "was the beginning of something red and nasty. Period. > > > I", "par with what people use in day-to-day life (albeit my collection of read", "suffice, which he didn’t get. He assumed I hadn’t wanted to leave and", "off average English speakers like me from even attempting to write anything impactful,", "and hobbled my way up the long fifteen steps before stepping into the", "stepping into the cool, refreshing air-conditioned room and into the limelight. > >", "does it need to get close to being of a publishable standard? I'm", "aren't perfect at any rate; they're to represent what my first drafts typically", "more complex than what it's now (just look up at any Nvikuspeara piece,", "> > > Almost as soon I heaved the door in, I could", "employ crisp and sophisticated vocabulary to set a certain mood. Samples of what", "and luxurious comfort that allowed us delicate little things to get shamelessly pampered.", "and then). The case with classics is understandable as even the normal language", "somewhat awkwardly managed to heave myself through the heavy door and flee. >", "voice that was the epitome of girlish timidity. > > > He consented", "reader's taste? How much more polishing does it need to get close to", "realised I had voiced the exclamation. My doting aunt and uncle had charming", "understandable as even the normal language back then used to be more complex", "But it was more raw and downright ‘fresh’ than anything I had ever", "like me from even attempting to write anything impactful, let alone a novel.", "even attempting to write anything impactful, let alone a novel. I've read few", "rest of the class. I replied that a few minutes’ break would suffice,", "for the tiniest of moments when I spotted him in the back. *No.", "the heavy door and flee. > > > When does such a style", "every now and then). The case with classics is understandable as even the", "tendency to employ crisp and sophisticated vocabulary to set a certain mood. Samples", "to be aligned on me. > > > My heart stopped for the", "the rickshaw-walla. Her lips pressed into a thin line; that was all I", "a few minutes’ break would suffice, which he didn’t get. He assumed I", "included, underestimated the classic villages back here. Granted, it had none of the", "was the epitome of girlish timidity. > > > He consented to my", "awkwardly managed to heave myself through the heavy door and flee. > >", "> > I hadn’t realised I had voiced the exclamation. My doting aunt", "to get shamelessly pampered. But it was more raw and downright ‘fresh’ than", "into the limelight. > > > Almost as soon I heaved the door", "writing (when I'm not trying too hard and just casually typing my mind", "I jumped down the rickshaw and hobbled my way up the long fifteen", "‘fresh’ than anything I had ever encountered back home in Dhaka. It was", "then used to be more complex than what it's now (just look up", "said sir concernedly rushed up to me and kindly asked whether I wanted", "mind away): 1. > > Tea-making was art. > > > I was", "look. It plagued me to imagine I had thought anything less of it.", "that was the epitome of girlish timidity. > > > He consented to", "taken seriously or for the story to be more interesting. At least that's", "It plagued me to imagine I had thought anything less of it. It", "top of my head) gives off the impression to budding writers that novels", "in the back. No.* > > > 3. > > Suddenly, my stomach", "downright ‘fresh’ than anything I had ever encountered back home in Dhaka. It", "that sort (pardon my inability to produce any other relevant examples off the", "poshness and luxurious comfort that allowed us delicate little things to get shamelessly", "it's now (just look up at any Nvikuspeara piece, although that would probably", "(when I'm not trying too hard and just casually typing my mind away):", "write anything impactful, let alone a novel. I've read few novels where the", "of vocabulary, in order to be taken seriously or for the story to", "the cool, refreshing air-conditioned room and into the limelight. > > > Almost", "those fluid, graceful hand movements of that chaiwala, nimbly dipping the glass cups", "be more interesting. At least that's what it makes me think. It puts", "pairs of young eyes boring into my shaking person. Their line of sight", "and gur one at a time. > > > I hadn’t realised I", "gaudy words every now and then). The case with classics is understandable as", "> I was fascinated, entranced by those fluid, graceful hand movements of that", "thought anything less of it. It was pathetic how urban juveniles, myself included,", "Suddenly, my stomach convulsed with violent cramps. It was the beginning of something", "dashed out. However I had to go through that boy to get to", "the average reader's taste? How much more polishing does it need to get", "simply went back. I don’t want to dwell on the fact that his", "I had voiced the exclamation. My doting aunt and uncle had charming smiles", "boring into my shaking person. Their line of sight seemed to be aligned", "leave or go on to do rest of the class. I replied that", "I sat still, watching my mum bargain with the rickshaw-walla. Her lips pressed", "to budding writers that novels need to have a minimum standard of vocabulary,", "of something red and nasty. Period. > > > I instinctively called out,", "just leave?” in a voice that was the epitome of girlish timidity. >", "out. However I had to go through that boy to get to the", "rushed up to me and kindly asked whether I wanted to leave or", "standard of vocabulary, in order to be taken seriously or for the story", "read books is limited mostly to classics and thrillers, both of which tend", "air-conditioned room and into the limelight. > > > Almost as soon I", "I instinctively called out, “Uhmm, sir, I’m feeling sick.” The said sir concernedly", "> My heart stopped for the tiniest of moments when I spotted him", "me to imagine I had thought anything less of it. It was pathetic", "that was all I needed before I jumped down the rickshaw and hobbled", "to go through that boy to get to the exit. (He was sitting", "from 60 pairs of young eyes boring into my shaking person. Their line", "any other relevant examples off the top of my head) gives off the", "is limited mostly to classics and thrillers, both of which tend to use", "perfect at any rate; they're to represent what my first drafts typically look", "novel. I've read few novels where the language is on par with what", "consented to my very innocent request. I simply packed my bag and dashed", "door in, I could feel a slew of all-penetrating rays escaping from 60", "use gaudy words every now and then). The case with classics is understandable", "then). The case with classics is understandable as even the normal language back", "pathetic. > > > 2. > > My stomach did a series of", "of it. It was pathetic how urban juveniles, myself included, underestimated the classic", "> My stomach did a series of somersaults within a mere fraction of", "refreshing air-conditioned room and into the limelight. > > > Almost as soon", "my bag and dashed out. However I had to go through that boy", "cool, refreshing air-conditioned room and into the limelight. > > > Almost as", "woefully defective. > > > After a little coaxing from some girls who", "I don’t want to dwell on the fact that his English was woefully", "other relevant examples off the top of my head) gives off the impression", "both of which tend to use gaudy words every now and then). The", "to set a certain mood. Samples of what I usually end up writing", "I hadn’t realised I had voiced the exclamation. My doting aunt and uncle", "and just casually typing my mind away): 1. > > Tea-making was art.", "my head) gives off the impression to budding writers that novels need to", "And I somewhat awkwardly managed to heave myself through the heavy door and", "interesting. At least that's what it makes me think. It puts off average", "few novels where the language is on par with what people use in", "although that would probably be a tad too extreme). Thrillers, on the other", "a couple of rows ahead.) And I somewhat awkwardly managed to heave myself", "hadn’t realised I had voiced the exclamation. My doting aunt and uncle had", "at any Nvikuspeara piece, although that would probably be a tad too extreme).", "*No.* > > > 3. > > Suddenly, my stomach convulsed with violent", "myself through the heavy door and flee. > > > When does such", "to get to the exit. (He was sitting a couple of rows ahead.)", "too hard and just casually typing my mind away): 1. > > Tea-making", "it. It was pathetic how urban juveniles, myself included, underestimated the classic villages", "with violent cramps. It was the beginning of something red and nasty. Period.", "through the heavy door and flee. > > > When does such a", "rows ahead.) And I somewhat awkwardly managed to heave myself through the heavy", "for the average reader's taste? How much more polishing does it need to", "things to get shamelessly pampered. But it was more raw and downright ‘fresh’", "to be taken seriously or for the story to be more interesting. At", "> > > He consented to my very innocent request. I simply packed", "Granted, it had none of the poshness and luxurious comfort that allowed us", "luxurious comfort that allowed us delicate little things to get shamelessly pampered. But", "my stomach convulsed with violent cramps. It was the beginning of something red", "the fact that his English was woefully defective. > > > After a", "room and into the limelight. > > > Almost as soon I heaved", "replied that a few minutes’ break would suffice, which he didn’t get. He", "> > > 2. > > My stomach did a series of somersaults", "a little coaxing from some girls who were seated next to me, I", "back. *No.* > > > 3. > > Suddenly, my stomach convulsed with", "I've read few novels where the language is on par with what people", "hand movements of that chaiwala, nimbly dipping the glass cups into hot water", "assumed I hadn’t wanted to leave and simply went back. I don’t want", "that's what it makes me think. It puts off average English speakers like", "I'm aware that they aren't perfect at any rate; they're to represent what", "look up at any Nvikuspeara piece, although that would probably be a tad", "voiced the exclamation. My doting aunt and uncle had charming smiles in response,", "nasty. Period. > > > I instinctively called out, “Uhmm, sir, I’m feeling", "timidity. > > > He consented to my very innocent request. I simply", "Dhaka. It was pathetic. > > > 2. > > My stomach did", "the limelight. > > > Almost as soon I heaved the door in,", "cups into hot water and pouring milk, tea, and gur one at a", "simplistic for the average reader's taste? How much more polishing does it need", "charming smiles in response, with an all-too-familiar all-knowing look. It plagued me to", "pathetic how urban juveniles, myself included, underestimated the classic villages back here. Granted,", "into hot water and pouring milk, tea, and gur one at a time.", "normal language back then used to be more complex than what it's now", "> Tea-making was art. > > > I was fascinated, entranced by those", "much more polishing does it need to get close to being of a", "had thought anything less of it. It was pathetic how urban juveniles, myself", "the classic villages back here. Granted, it had none of the poshness and", "the class. I replied that a few minutes’ break would suffice, which he", "to be more complex than what it's now (just look up at any", "entranced by those fluid, graceful hand movements of that chaiwala, nimbly dipping the", "of a second when I spotted the 5-storeys tall building. We had arrived.", "get shamelessly pampered. But it was more raw and downright ‘fresh’ than anything", "shamelessly pampered. But it was more raw and downright ‘fresh’ than anything I", "hobbled my way up the long fifteen steps before stepping into the cool,", "next to me, I managed to squeak out (in English, might I add):", "or go on to do rest of the class. I replied that a", "where the language is on par with what people use in day-to-day life", "of which tend to use gaudy words every now and then). The case", "inability to produce any other relevant examples off the top of my head)", "vocabulary to set a certain mood. Samples of what I usually end up", "(just look up at any Nvikuspeara piece, although that would probably be a", "stomach did a series of somersaults within a mere fraction of a second", "what it makes me think. It puts off average English speakers like me", "collection of read books is limited mostly to classics and thrillers, both of", "time. > > > I hadn’t realised I had voiced the exclamation. My", "would probably be a tad too extreme). Thrillers, on the other hand, have", "boy to get to the exit. (He was sitting a couple of rows", "who were seated next to me, I managed to squeak out (in English,", "taste? How much more polishing does it need to get close to being", "might I add): “Can I just leave?” in a voice that was the", "> > He consented to my very innocent request. I simply packed my", "be a tad too extreme). Thrillers, on the other hand, have this tendency", "polishing does it need to get close to being of a publishable standard?", "break would suffice, which he didn’t get. He assumed I hadn’t wanted to", "long fifteen steps before stepping into the cool, refreshing air-conditioned room and into", "shaking person. Their line of sight seemed to be aligned on me. >", "don’t want to dwell on the fact that his English was woefully defective.", "doting aunt and uncle had charming smiles in response, with an all-too-familiar all-knowing", "other hand, have this tendency to employ crisp and sophisticated vocabulary to set", "Xmowf and that sort (pardon my inability to produce any other relevant examples", "sophisticated vocabulary to set a certain mood. Samples of what I usually end", "usually end up writing (when I'm not trying too hard and just casually", "as even the normal language back then used to be more complex than", "He assumed I hadn’t wanted to leave and simply went back. I don’t", "squeak out (in English, might I add): “Can I just leave?” in a", "raw and downright ‘fresh’ than anything I had ever encountered back home in", "me. > > > My heart stopped for the tiniest of moments when", "the beginning of something red and nasty. Period. > > > I instinctively", "60 pairs of young eyes boring into my shaking person. Their line of", "Almost as soon I heaved the door in, I could feel a slew", "villages back here. Granted, it had none of the poshness and luxurious comfort", "few minutes’ break would suffice, which he didn’t get. He assumed I hadn’t", "used to be more complex than what it's now (just look up at", "“Can I just leave?” in a voice that was the epitome of girlish", "encountered back home in Dhaka. It was pathetic. > > > 2. >", "away): 1. > > Tea-making was art. > > > I was fascinated,", "is on par with what people use in day-to-day life (albeit my collection", "to dwell on the fact that his English was woefully defective. > >", "to do rest of the class. I replied that a few minutes’ break", "get too simplistic for the average reader's taste? How much more polishing does", "I needed before I jumped down the rickshaw and hobbled my way up", "seated next to me, I managed to squeak out (in English, might I", "does such a style get too simplistic for the average reader's taste? How", "had none of the poshness and luxurious comfort that allowed us delicate little", "I hadn’t wanted to leave and simply went back. I don’t want to", "sir, I’m feeling sick.” The said sir concernedly rushed up to me and", "the top of my head) gives off the impression to budding writers that", "publishable standard? I'm aware that they aren't perfect at any rate; they're to", "let alone a novel. I've read few novels where the language is on", "up writing (when I'm not trying too hard and just casually typing my", "graceful hand movements of that chaiwala, nimbly dipping the glass cups into hot", "and into the limelight. > > > Almost as soon I heaved the", "However I had to go through that boy to get to the exit.", "and thrillers, both of which tend to use gaudy words every now and", "needed before I jumped down the rickshaw and hobbled my way up the", "need to get close to being of a publishable standard? I'm aware that", "home in Dhaka. It was pathetic. > > > 2. > > My", "with an all-too-familiar all-knowing look. It plagued me to imagine I had thought", "had to go through that boy to get to the exit. (He was", "bargain with the rickshaw-walla. Her lips pressed into a thin line; that was", "me think. It puts off average English speakers like me from even attempting", "of the class. I replied that a few minutes’ break would suffice, which", "> I hadn’t realised I had voiced the exclamation. My doting aunt and", "> Suddenly, my stomach convulsed with violent cramps. It was the beginning of", "It was pathetic. > > > 2. > > My stomach did a", "end up writing (when I'm not trying too hard and just casually typing", "line of sight seemed to be aligned on me. > > > My", "back. I don’t want to dwell on the fact that his English was", "I add): “Can I just leave?” in a voice that was the epitome", "in Dhaka. It was pathetic. > > > 2. > > My stomach", "the poshness and luxurious comfort that allowed us delicate little things to get", "the 5-storeys tall building. We had arrived. I sat still, watching my mum", "average English speakers like me from even attempting to write anything impactful, let", "I heaved the door in, I could feel a slew of all-penetrating rays", "stopped for the tiniest of moments when I spotted him in the back.", "complex than what it's now (just look up at any Nvikuspeara piece, although" ]
[ "also understand different kind of phrases, and grammatical rules. But I still struggle", "fiction. I do use subordinate conjunctions and coordinate conjunctions, and I also understand", "it beautiful (By arranging different grammatical elements in different ways). (I don't like", "phrases and clauses together in an effective way. Are there any tips to", "tips to construct long sentences? And really make it beautiful (By arranging different", "and i don't want to use it). Give me examples too. I will", "(By arranging different grammatical elements in different ways). (I don't like semicolons, and", "understand different kind of phrases, and grammatical rules. But I still struggle to", "there any tips to construct long sentences? And really make it beautiful (By", "and clauses together in an effective way. Are there any tips to construct", "and coordinate conjunctions, and I also understand different kind of phrases, and grammatical", "rules. But I still struggle to string the phrases and clauses together in", "coordinate conjunctions, and I also understand different kind of phrases, and grammatical rules.", "kind of phrases, and grammatical rules. But I still struggle to string the", "grammatical rules. But I still struggle to string the phrases and clauses together", "the phrases and clauses together in an effective way. Are there any tips", "any tips to construct long sentences? And really make it beautiful (By arranging", "arranging different grammatical elements in different ways). (I don't like semicolons, and i", "to construct long sentences, for fiction. I do use subordinate conjunctions and coordinate", "of phrases, and grammatical rules. But I still struggle to string the phrases", "construct long sentences, for fiction. I do use subordinate conjunctions and coordinate conjunctions,", "But I still struggle to string the phrases and clauses together in an", "still struggle to string the phrases and clauses together in an effective way.", "different kind of phrases, and grammatical rules. But I still struggle to string", "don't like semicolons, and i don't want to use it). Give me examples", "way. Are there any tips to construct long sentences? And really make it", "and I also understand different kind of phrases, and grammatical rules. But I", "effective way. Are there any tips to construct long sentences? And really make", "Are there any tips to construct long sentences? And really make it beautiful", "different grammatical elements in different ways). (I don't like semicolons, and i don't", "don't want to use it). Give me examples too. I will understand better.", "phrases, and grammatical rules. But I still struggle to string the phrases and", "do use subordinate conjunctions and coordinate conjunctions, and I also understand different kind", "I want to construct long sentences, for fiction. I do use subordinate conjunctions", "in different ways). (I don't like semicolons, and i don't want to use", "and grammatical rules. But I still struggle to string the phrases and clauses", "long sentences, for fiction. I do use subordinate conjunctions and coordinate conjunctions, and", "i don't want to use it). Give me examples too. I will understand", "to construct long sentences? And really make it beautiful (By arranging different grammatical", "make it beautiful (By arranging different grammatical elements in different ways). (I don't", "use subordinate conjunctions and coordinate conjunctions, and I also understand different kind of", "subordinate conjunctions and coordinate conjunctions, and I also understand different kind of phrases,", "struggle to string the phrases and clauses together in an effective way. Are", "conjunctions and coordinate conjunctions, and I also understand different kind of phrases, and", "long sentences? And really make it beautiful (By arranging different grammatical elements in", "construct long sentences? And really make it beautiful (By arranging different grammatical elements", "clauses together in an effective way. Are there any tips to construct long", "like semicolons, and i don't want to use it). Give me examples too.", "want to construct long sentences, for fiction. I do use subordinate conjunctions and", "sentences, for fiction. I do use subordinate conjunctions and coordinate conjunctions, and I", "I still struggle to string the phrases and clauses together in an effective", "to string the phrases and clauses together in an effective way. Are there", "beautiful (By arranging different grammatical elements in different ways). (I don't like semicolons,", "And really make it beautiful (By arranging different grammatical elements in different ways).", "ways). (I don't like semicolons, and i don't want to use it). Give", "different ways). (I don't like semicolons, and i don't want to use it).", "(I don't like semicolons, and i don't want to use it). Give me", "an effective way. Are there any tips to construct long sentences? And really", "I do use subordinate conjunctions and coordinate conjunctions, and I also understand different", "grammatical elements in different ways). (I don't like semicolons, and i don't want", "for fiction. I do use subordinate conjunctions and coordinate conjunctions, and I also", "in an effective way. Are there any tips to construct long sentences? And", "really make it beautiful (By arranging different grammatical elements in different ways). (I", "semicolons, and i don't want to use it). Give me examples too. I", "sentences? And really make it beautiful (By arranging different grammatical elements in different", "I also understand different kind of phrases, and grammatical rules. But I still", "elements in different ways). (I don't like semicolons, and i don't want to", "together in an effective way. Are there any tips to construct long sentences?", "conjunctions, and I also understand different kind of phrases, and grammatical rules. But", "string the phrases and clauses together in an effective way. Are there any" ]
[ "my fault because my writing is unclear. I ask in this question for", "but it seems you have some kind of \"everyone else is wrong\" attitude.", "other people's misunderstanding; it's my fault because my writing is unclear. I ask", "complaining about downvotes tends to attract downvotes. > > > Again, not a", "still came across as \"gripey!\" --- How do I make my writing have", "People think that I'm asking more than what's in the question. Comments: >", "that makes people \"read between the lines.\" Problem is, people still always read", "problem isn't other people's misunderstanding; it's my fault because my writing is unclear.", "there @sag. From the several last questions you asked here on meta, and", "times in the question, but people keep trying to \"solve my problem\" instead", "profile, it seems you have gripe with most communities you partake into. I'm", "wrong\" attitude. > > > Probably used the wrong tone or something? Tried", "--- For example, I ask a lot of questions on Stack Exchange. People", "> What is your end-goal here? Do you want to discontinue doing the", "to disprove your father's accusations? Do you want to achieve your goals through", "trying to \"solve my problem\" instead of taking it at face value. ---", "As of now your question is unclear, thus as of now I vote", "the lines.\" Problem is, people still always read between the lines. This leads", "makes people \"read between the lines.\" Problem is, people still always read between", "of questions on Stack Exchange. People think that I'm asking more than what's", "do you want to disprove your father's accusations? Do you want to achieve", "trying really hard not to assume, but it seems you have some kind", "across as \"gripey!\" --- How do I make my writing have only 1", "writing is unclear. I ask in this question for advice on how to", "want to disprove your father's accusations? Do you want to achieve your goals", "last questions you asked here on meta, and reading through your profile, it", "> > I assume the downvotes indicate that people disagree with your idea", "my writing have only 1 clear, literal meaning to prevent unintentional alternative interpretations?", "I assume the downvotes indicate that people disagree with your idea of resetting", "clear, literal meaning to prevent unintentional alternative interpretations? EDIT: The problem isn't other", "> > Pro-tip: complaining about downvotes tends to attract downvotes. > > >", "of now your question is unclear, thus as of now I vote to", "assume the downvotes indicate that people disagree with your idea* of resetting the", "your idea of resetting the review ban whenever you pass an audit. >", "only 1 clear, literal meaning to prevent unintentional alternative interpretations? EDIT: The problem", "my original intent. --- For example, I ask a lot of questions on", "by other means? As of now your question is unclear, thus as of", "> Probably used the wrong tone or something? Tried to sound neutral but", "What is your end-goal here? Do you want to discontinue doing the extra", "of now I vote to close. > > > I stated my end-goal", "to them understanding my writing in a way that wasn't my original intent.", "with your idea* of resetting the review ban whenever you pass an audit.", "my writing is unclear. I ask in this question for advice on how", "used the wrong tone or something? Tried to sound neutral but I still", "Do you want to achieve your goals through talking to him, or by", "it's my fault because my writing is unclear. I ask in this question", "the extra math practice or do you want to disprove your father's accusations?", "legitimate answer! --- > > hey there @sag. From the several last questions", "--- How do I make my writing have only 1 clear, literal meaning", "have gripe with most communities you partake into. I'm trying really hard not", "attitude. > > > Probably used the wrong tone or something? Tried to", "it at face value. --- > > Pro-tip: complaining about downvotes tends to", "question, but people keep trying to \"solve my problem\" instead of taking it", "Do you want to discontinue doing the extra math practice or do you", "to him, or by other means? As of now your question is unclear,", "I ask a lot of questions on Stack Exchange. People think that I'm", "\"solve my problem\" instead of taking it at face value. --- > >", "lines. This leads to them understanding my writing in a way that wasn't", "about downvotes tends to attract downvotes. > > > Again, not a complaint.", "is, people still always read between the lines. This leads to them understanding", "people's misunderstanding; it's my fault because my writing is unclear. I ask in", "I'm trying really hard not to assume, but it seems you have some", "> I stated my end-goal multiple times in the question, but people keep", "downvotes. > > > Again, not a complaint. It's a legitimate answer! ---", "a really literal writer. I don't write stuff that makes people \"read between", "> > Probably used the wrong tone or something? Tried to sound neutral", "people still always read between the lines. This leads to them understanding my", "multiple times in the question, but people keep trying to \"solve my problem\"", "Stack Exchange. People think that I'm asking more than what's in the question.", "This leads to them understanding my writing in a way that wasn't my", "misunderstanding; it's my fault because my writing is unclear. I ask in this", "that wasn't my original intent. --- For example, I ask a lot of", "accusations? Do you want to achieve your goals through talking to him, or", "or do you want to disprove your father's accusations? Do you want to", "you want to achieve your goals through talking to him, or by other", "the wrong tone or something? Tried to sound neutral but I still came", "to achieve your goals through talking to him, or by other means? As", "end-goal multiple times in the question, but people keep trying to \"solve my", "--- > > hey there @sag. From the several last questions you asked", "my problem\" instead of taking it at face value. --- > > Pro-tip:", "in the question. Comments: > > I assume the downvotes indicate that people", "question is unclear, thus as of now I vote to close. > >", "is your end-goal here? Do you want to discontinue doing the extra math", "\"gripey!\" --- How do I make my writing have only 1 clear, literal", "indicate that people disagree with your idea of resetting the review ban whenever", "here? Do you want to discontinue doing the extra math practice or do", "more than what's in the question. Comments: > > I assume the downvotes", "seems you have gripe with most communities you partake into. I'm trying really", "is wrong\" attitude. > > > Probably used the wrong tone or something?", "you partake into. I'm trying really hard not to assume, but it seems", "face value. --- > > Pro-tip: complaining about downvotes tends to attract downvotes.", "neutral but I still came across as \"gripey!\" --- How do I make", "the downvotes indicate that people disagree with your idea of resetting the review", "I stated my end-goal multiple times in the question, but people keep trying", "I still came across as \"gripey!\" --- How do I make my writing", "else is wrong\" attitude. > > > Probably used the wrong tone or", "unintentional alternative interpretations? EDIT: The problem isn't other people's misunderstanding; it's my fault", "have only 1 clear, literal meaning to prevent unintentional alternative interpretations? EDIT: The", "is unclear. I ask in this question for advice on how to make", "literal meaning to prevent unintentional alternative interpretations? EDIT: The problem isn't other people's", "I'm asking more than what's in the question. Comments: > > I assume", "isn't other people's misunderstanding; it's my fault because my writing is unclear. I", "means? As of now your question is unclear, thus as of now I", "reading through your profile, it seems you have gripe with most communities you", "leads to them understanding my writing in a way that wasn't my original", "I make my writing have only 1 clear, literal meaning to prevent unintentional", "keep trying to \"solve my problem\" instead of taking it at face value.", "Comments: > > I assume the downvotes indicate that people disagree with your", "stuff that makes people \"read between the lines.\" Problem is, people still always", "your goals through talking to him, or by other means? As of now", "to close. > > > I stated my end-goal multiple times in the", "It was just a question. --- > > What is your end-goal here?", "original intent. --- For example, I ask a lot of questions on Stack", "to prevent unintentional alternative interpretations? EDIT: The problem isn't other people's misunderstanding; it's", "> > I stated my end-goal multiple times in the question, but people", "--- > > Pro-tip: complaining about downvotes tends to attract downvotes. > >", "on meta, and reading through your profile, it seems you have gripe with", "question. Comments: > > I assume the downvotes indicate that people disagree with", "it seems you have gripe with most communities you partake into. I'm trying", "pass an audit. > > > It wasn't an idea. It was just", "make my writing have only 1 clear, literal meaning to prevent unintentional alternative", "It wasn't an idea. It was just a question. --- > > What", "not to assume, but it seems you have some kind of \"everyone else", "into. I'm trying really hard not to assume, but it seems you have", "Pro-tip: complaining about downvotes tends to attract downvotes. > > > Again, not", "> > What is your end-goal here? Do you want to discontinue doing", "with most communities you partake into. I'm trying really hard not to assume,", "fault because my writing is unclear. I ask in this question for advice", "you have some kind of \"everyone else is wrong\" attitude. > > >", "writing have only 1 clear, literal meaning to prevent unintentional alternative interpretations? EDIT:", "the several last questions you asked here on meta, and reading through your", "most communities you partake into. I'm trying really hard not to assume, but", "> > Again, not a complaint. It's a legitimate answer! --- > >", "think that I'm asking more than what's in the question. Comments: > >", "want to discontinue doing the extra math practice or do you want to", "to assume, but it seems you have some kind of \"everyone else is", "unclear, thus as of now I vote to close. > > > I", "\"read between the lines.\" Problem is, people still always read between the lines.", "father's accusations? Do you want to achieve your goals through talking to him,", "some kind of \"everyone else is wrong\" attitude. > > > Probably used", "answer! --- > > hey there @sag. From the several last questions you", "in the question, but people keep trying to \"solve my problem\" instead of", "really literal writer. I don't write stuff that makes people \"read between the", "than what's in the question. Comments: > > I assume the downvotes indicate", "meaning to prevent unintentional alternative interpretations? EDIT: The problem isn't other people's misunderstanding;", "that I'm asking more than what's in the question. Comments: > > I", "a lot of questions on Stack Exchange. People think that I'm asking more", "example, I ask a lot of questions on Stack Exchange. People think that", "want to achieve your goals through talking to him, or by other means?", "on Stack Exchange. People think that I'm asking more than what's in the", "Exchange. People think that I'm asking more than what's in the question. Comments:", "resetting the review ban whenever you pass an audit. > > > It", "to discontinue doing the extra math practice or do you want to disprove", "meta, and reading through your profile, it seems you have gripe with most", "read between the lines. This leads to them understanding my writing in a", "now your question is unclear, thus as of now I vote to close.", "hey there @sag. From the several last questions you asked here on meta,", "communities you partake into. I'm trying really hard not to assume, but it", "and reading through your profile, it seems you have gripe with most communities", "something? Tried to sound neutral but I still came across as \"gripey!\" ---", "> Again, not a complaint. It's a legitimate answer! --- > > hey", "understanding my writing in a way that wasn't my original intent. --- For", "> hey there @sag. From the several last questions you asked here on", "> > It wasn't an idea. It was just a question. --- >", "I'm a really literal writer. I don't write stuff that makes people \"read", "you pass an audit. > > > It wasn't an idea. It was", "came across as \"gripey!\" --- How do I make my writing have only", "do I make my writing have only 1 clear, literal meaning to prevent", "Probably used the wrong tone or something? Tried to sound neutral but I", "you asked here on meta, and reading through your profile, it seems you", "not a complaint. It's a legitimate answer! --- > > hey there @sag.", "prevent unintentional alternative interpretations? EDIT: The problem isn't other people's misunderstanding; it's my", "you want to discontinue doing the extra math practice or do you want", "other means? As of now your question is unclear, thus as of now", "kind of \"everyone else is wrong\" attitude. > > > Probably used the", "I vote to close. > > > I stated my end-goal multiple times", "of \"everyone else is wrong\" attitude. > > > Probably used the wrong", "> > > Again, not a complaint. It's a legitimate answer! --- >", "was just a question. --- > > What is your end-goal here? Do", "assume, but it seems you have some kind of \"everyone else is wrong\"", "achieve your goals through talking to him, or by other means? As of", "people \"read between the lines.\" Problem is, people still always read between the", "a way that wasn't my original intent. --- For example, I ask a", "have some kind of \"everyone else is wrong\" attitude. > > > Probably", "just a question. --- > > What is your end-goal here? Do you", "way that wasn't my original intent. --- For example, I ask a lot", "value. --- > > Pro-tip: complaining about downvotes tends to attract downvotes. >", "wrong tone or something? Tried to sound neutral but I still came across", "through talking to him, or by other means? As of now your question", "lot of questions on Stack Exchange. People think that I'm asking more than", "intent. --- For example, I ask a lot of questions on Stack Exchange.", "to attract downvotes. > > > Again, not a complaint. It's a legitimate", "the lines. This leads to them understanding my writing in a way that", "it seems you have some kind of \"everyone else is wrong\" attitude. >", "the question. Comments: > > I assume the downvotes indicate that people disagree", "vote to close. > > > I stated my end-goal multiple times in", "> Pro-tip: complaining about downvotes tends to attract downvotes. > > > Again,", "tone or something? Tried to sound neutral but I still came across as", "Tried to sound neutral but I still came across as \"gripey!\" --- How", "them understanding my writing in a way that wasn't my original intent. ---", "thus as of now I vote to close. > > > I stated", "> > hey there @sag. From the several last questions you asked here", "or by other means? As of now your question is unclear, thus as", "EDIT: The problem isn't other people's misunderstanding; it's my fault because my writing", "between the lines. This leads to them understanding my writing in a way", "because my writing is unclear. I ask in this question for advice on", "> > > I stated my end-goal multiple times in the question, but", "of taking it at face value. --- > > Pro-tip: complaining about downvotes", "attract downvotes. > > > Again, not a complaint. It's a legitimate answer!", "a question. --- > > What is your end-goal here? Do you want", "I don't write stuff that makes people \"read between the lines.\" Problem is,", "idea of resetting the review ban whenever you pass an audit. > >", "people keep trying to \"solve my problem\" instead of taking it at face", "talking to him, or by other means? As of now your question is", "you have gripe with most communities you partake into. I'm trying really hard", "still always read between the lines. This leads to them understanding my writing", "a legitimate answer! --- > > hey there @sag. From the several last", "I ask in this question for advice on how to make it clearer.", "him, or by other means? As of now your question is unclear, thus", "really hard not to assume, but it seems you have some kind of", "the question, but people keep trying to \"solve my problem\" instead of taking", "whenever you pass an audit. > > > It wasn't an idea. It", "audit. > > > It wasn't an idea. It was just a question.", "review ban whenever you pass an audit. > > > It wasn't an", "unclear. I ask in this question for advice on how to make it", "--- > > What is your end-goal here? Do you want to discontinue", "now I vote to close. > > > I stated my end-goal multiple", "asked here on meta, and reading through your profile, it seems you have", "between the lines.\" Problem is, people still always read between the lines. This", "Again, not a complaint. It's a legitimate answer! --- > > hey there", "lines.\" Problem is, people still always read between the lines. This leads to", "questions you asked here on meta, and reading through your profile, it seems", "> It wasn't an idea. It was just a question. --- > >", "idea. It was just a question. --- > > What is your end-goal", "is unclear, thus as of now I vote to close. > > >", "but I still came across as \"gripey!\" --- How do I make my", "write stuff that makes people \"read between the lines.\" Problem is, people still", "seems you have some kind of \"everyone else is wrong\" attitude. > >", "an audit. > > > It wasn't an idea. It was just a", "several last questions you asked here on meta, and reading through your profile,", "that people disagree with your idea* of resetting the review ban whenever you", "alternative interpretations? EDIT: The problem isn't other people's misunderstanding; it's my fault because", "close. > > > I stated my end-goal multiple times in the question,", "It's a legitimate answer! --- > > hey there @sag. From the several", "Problem is, people still always read between the lines. This leads to them", "instead of taking it at face value. --- > > Pro-tip: complaining about", "the review ban whenever you pass an audit. > > > It wasn't", "you want to disprove your father's accusations? Do you want to achieve your", "downvotes tends to attract downvotes. > > > Again, not a complaint. It's", "at face value. --- > > Pro-tip: complaining about downvotes tends to attract", "here on meta, and reading through your profile, it seems you have gripe", "ban whenever you pass an audit. > > > It wasn't an idea.", "literal writer. I don't write stuff that makes people \"read between the lines.\"", "but people keep trying to \"solve my problem\" instead of taking it at", "asking more than what's in the question. Comments: > > I assume the", "writer. I don't write stuff that makes people \"read between the lines.\" Problem", "@sag. From the several last questions you asked here on meta, and reading", "wasn't my original intent. --- For example, I ask a lot of questions", "end-goal here? Do you want to discontinue doing the extra math practice or", "your profile, it seems you have gripe with most communities you partake into.", "in a way that wasn't my original intent. --- For example, I ask", "question. --- > > What is your end-goal here? Do you want to", "goals through talking to him, or by other means? As of now your", "writing in a way that wasn't my original intent. --- For example, I", "don't write stuff that makes people \"read between the lines.\" Problem is, people", "From the several last questions you asked here on meta, and reading through", "my writing in a way that wasn't my original intent. --- For example,", "through your profile, it seems you have gripe with most communities you partake", "downvotes indicate that people disagree with your idea* of resetting the review ban", "practice or do you want to disprove your father's accusations? Do you want", "ask a lot of questions on Stack Exchange. People think that I'm asking", "sound neutral but I still came across as \"gripey!\" --- How do I", "> I assume the downvotes indicate that people disagree with your idea of", "as of now I vote to close. > > > I stated my", "> > > Probably used the wrong tone or something? Tried to sound", "For example, I ask a lot of questions on Stack Exchange. People think", "1 clear, literal meaning to prevent unintentional alternative interpretations? EDIT: The problem isn't", "tends to attract downvotes. > > > Again, not a complaint. It's a", "to \"solve my problem\" instead of taking it at face value. --- >", "hard not to assume, but it seems you have some kind of \"everyone", "always read between the lines. This leads to them understanding my writing in", "a complaint. It's a legitimate answer! --- > > hey there @sag. From", "The problem isn't other people's misunderstanding; it's my fault because my writing is", "people disagree with your idea* of resetting the review ban whenever you pass", "gripe with most communities you partake into. I'm trying really hard not to", "doing the extra math practice or do you want to disprove your father's", "stated my end-goal multiple times in the question, but people keep trying to", "How do I make my writing have only 1 clear, literal meaning to", "an idea. It was just a question. --- > > What is your", "partake into. I'm trying really hard not to assume, but it seems you", "math practice or do you want to disprove your father's accusations? Do you", "or something? Tried to sound neutral but I still came across as \"gripey!\"", "my end-goal multiple times in the question, but people keep trying to \"solve", "what's in the question. Comments: > > I assume the downvotes indicate that", "problem\" instead of taking it at face value. --- > > Pro-tip: complaining", "> > > It wasn't an idea. It was just a question. ---", "disagree with your idea of resetting the review ban whenever you pass an", "your end-goal here? Do you want to discontinue doing the extra math practice", "taking it at face value. --- > > Pro-tip: complaining about downvotes tends", "to sound neutral but I still came across as \"gripey!\" --- How do", "\"everyone else is wrong\" attitude. > > > Probably used the wrong tone", "your father's accusations? Do you want to achieve your goals through talking to", "your question is unclear, thus as of now I vote to close. >", "of resetting the review ban whenever you pass an audit. > > >", "complaint. It's a legitimate answer! --- > > hey there @sag. From the", "questions on Stack Exchange. People think that I'm asking more than what's in", "disprove your father's accusations? Do you want to achieve your goals through talking", "interpretations? *EDIT: The problem isn't other people's misunderstanding; it's my fault because my", "discontinue doing the extra math practice or do you want to disprove your", "extra math practice or do you want to disprove your father's accusations? Do", "wasn't an idea. It was just a question. --- > > What is", "as \"gripey!\" --- How do I make my writing have only 1 clear," ]
[ "separate addresses for everyone, but in Korean, it takes into account of the", "exposition, the narrator will write everyone's full name, and in dialogue, the narrator", "term of address for a particular family member depends on generation level, father's", "and sisters and their spouses and children. Aside from formal names of each", "of the person, age of the person relative to the speaker, and age", "writer have the protagonist address all the family members solely by relationship in", "relative to the father or mother (which may include birth order). Realistically, a", "younger brother, and one younger sister. The children live with Mom and Dad", "family member depends on generation level, father's side or mother's side, gender of", "about You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren,", "\"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English. How should the writer have the", "In another rural village, there are Grandpa and Grandma (on the Mom's side),", "each family member. The term of address for a particular family member depends", "all the family members solely by relationship in dialogue and exposition? If it", "by relationship in dialogue and exposition? If it just can't be done, then", "member, there are also familiar names or terms of address for each family", "will write everyone's full name, and in dialogue, the narrator calls everyone by", "brother is 형. If the speaker is female, then her older brother is", "kind of kinship terms as English does. Suppose a child is the middle", "family is ethnic Korean. This Korean family also has separate addresses for everyone,", "have the protagonist address all the family members solely by relationship in dialogue", "all of that, and also including the relationship between the target person and", "family member, there are also familiar names or terms of address for each", "older brother is 형. If the speaker is female, then her older brother", "or mother (which may include birth order). Realistically, a person will address the", "anglicize the relationships? For example, in the exposition, the narrator will write everyone's", "male, then his older brother is 형. If the speaker is female, then", "in the original language, there is already a word that encompasses all of", "also has separate addresses for everyone, but in Korean, it takes into account", "be \"My father's third younger sister\", but the words \"father\" and \"sister\" are", "then her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English.", "younger sister. The children live with Mom and Dad most of the time.", "kinship terms as English does. Suppose a child is the middle child of", "side), Mom's brothers and sisters and their spouses and children. Aside from formal", "one younger brother, and one younger sister. The children live with Mom and", "names or terms of address for each family member. The term of address", "where most of the family is and has been for generations, and there", "If it just can't be done, then does it mean one has to", "has one older brother, one older sister, one younger brother, and one younger", "and Dad most of the time. During the holidays, they may visit relatives", "speaker. Another family is ethnic Korean. This Korean family also has separate addresses", "as you are writing about a monolingual English-speaking family, living in a Anglophone", "and their spouses and children. Aside from formal names of each family member,", "village, there are Grandpa and Grandma (on the Mom's side), Mom's brothers and", "(on Dad's side), Dad's brothers and sisters and their spouses and children. In", "but the words \"father\" and \"sister\" are never used, because in the original", "you are writing about a monolingual English-speaking family, living in a Anglophone environment", "father or mother (which may include birth order). Realistically, a person will address", "that's where most of the family is and has been for generations, and", "are writing about a monolingual English-speaking family, living in a Anglophone environment or", "a person will address the target family member by relationship, not by name.", "write everyone's full name, and in dialogue, the narrator calls everyone by name", "older-brother-as-a-female-speaker!\" doesn't sound good in English. How should the writer have the protagonist", "or terms of address for each family member. The term of address for", "a child is the middle child of five children in a Chinese family.", "is and has been for generations, and there are Grandma and Grandpa (on", "dialogue, the narrator calls everyone by name and maybe an English title. So,", "spouses and children. In another rural village, there are Grandpa and Grandma (on", "family is and has been for generations, and there are Grandma and Grandpa", "with Mom and Dad most of the time. During the holidays, they may", "by relationship, not by name. So, \"Aunt ...\" doesn't seem to work here.", "Grandchildren, etc. That's great... as long as you are writing about a monolingual", "address for a particular family member depends on generation level, father's side or", "Grandma (on the Mom's side), Mom's brothers and sisters and their spouses and", "How should the writer have the protagonist address all the family members solely", "in a Chinese family. This child has one older brother, one older sister,", "During the holidays, they may visit relatives in the countryside. In the countryside,", "\"father\" and \"sister\" are never used, because in the original language, there is", "the speaker is male, then his older brother is 형. If the speaker", "Children, Grandchildren, etc. That's great... as long as you are writing about a", "Korean family also has separate addresses for everyone, but in Korean, it takes", "gender of the person. If the speaker is male, then his older brother", "protagonist address all the family members solely by relationship in dialogue and exposition?", "and there are Grandma and Grandpa (on Dad's side), Dad's brothers and sisters", "is female, then her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good", "there are also familiar names or terms of address for each family member.", "(which may include birth order). Realistically, a person will address the target family", "doesn't seem to work here. The translation should be \"My father's third younger", "level, father's side or mother's side, gender of the person, age of the", "a monolingual English-speaking family, living in a Anglophone environment or a society that", "family. This child has one older brother, one older sister, one younger brother,", "address all the family members solely by relationship in dialogue and exposition? If", "and the speaker. Another family is ethnic Korean. This Korean family also has", "care about You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children,", "(on the Mom's side), Mom's brothers and sisters and their spouses and children.", "members solely by relationship in dialogue and exposition? If it just can't be", "are never used, because in the original language, there is already a word", "English does. Suppose a child is the middle child of five children in", "an English title. So, instead of 姑妈 (for father's older sister), the character", "may visit relatives in the countryside. In the countryside, that's where most of", "and age of the person relative to the father or mother (which may", "in dialogue and exposition? If it just can't be done, then does it", "Realistically, a person will address the target family member by relationship, not by", "the person. If the speaker is male, then his older brother is 형.", "and also including the relationship between the target person and the speaker. Another", "on generation level, father's side or mother's side, gender of the person, age", "the countryside. In the countryside, that's where most of the family is and", "but in Korean, it takes into account of the gender of the person.", "mother (which may include birth order). Realistically, a person will address the target", "then his older brother is 형. If the speaker is female, then her", "good in English. How should the writer have the protagonist address all the", "and Grandpa (on Dad's side), Dad's brothers and sisters and their spouses and", "This child has one older brother, one older sister, one younger brother, and", "member. The term of address for a particular family member depends on generation", "to the speaker, and age of the person relative to the father or", "Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's great... as long as you are", "live with Mom and Dad most of the time. During the holidays, they", "of address for each family member. The term of address for a particular", "are Grandpa and Grandma (on the Mom's side), Mom's brothers and sisters and", "Grandpa and Grandma (on the Mom's side), Mom's brothers and sisters and their", "relatives in the countryside. In the countryside, that's where most of the family", "one has to anglicize the relationships? For example, in the exposition, the narrator", "brothers and sisters and their spouses and children. In another rural village, there", "Korean. This Korean family also has separate addresses for everyone, but in Korean,", "that, and also including the relationship between the target person and the speaker.", "Aside from formal names of each family member, there are also familiar names", "brother, and one younger sister. The children live with Mom and Dad most", "the person, age of the person relative to the speaker, and age of", "the writer have the protagonist address all the family members solely by relationship", "etc. That's great... as long as you are writing about a monolingual English-speaking", "address for each family member. The term of address for a particular family", "relationship, not by name. So, \"Aunt ...\" doesn't seem to work here. The", "the target person and the speaker. Another family is ethnic Korean. This Korean", "Another family is ethnic Korean. This Korean family also has separate addresses for", "familiar names or terms of address for each family member. The term of", "of five children in a Chinese family. This child has one older brother,", "takes into account of the gender of the person. If the speaker is", "for everyone, but in Korean, it takes into account of the gender of", "that encompasses all of that, and also including the relationship between the target", "word that encompasses all of that, and also including the relationship between the", "for each family member. The term of address for a particular family member", "brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English. How should the", "one older sister, one younger brother, and one younger sister. The children live", "into account of the gender of the person. If the speaker is male,", "seem to work here. The translation should be \"My father's third younger sister\",", "a word that encompasses all of that, and also including the relationship between", "Korean, it takes into account of the gender of the person. If the", "been for generations, and there are Grandma and Grandpa (on Dad's side), Dad's", "English-speaking family, living in a Anglophone environment or a society that uses the", "same kind of kinship terms as English does. Suppose a child is the", "society that uses the same kind of kinship terms as English does. Suppose", "Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's great... as long as", "sister. The children live with Mom and Dad most of the time. During", "include birth order). Realistically, a person will address the target family member by", "generation level, father's side or mother's side, gender of the person, age of", "exposition? If it just can't be done, then does it mean one has", "is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English. How should the writer", "it just can't be done, then does it mean one has to anglicize", "the person relative to the father or mother (which may include birth order).", "female, then her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in", "original language, there is already a word that encompasses all of that, and", "Mom and Dad most of the time. During the holidays, they may visit", "father's side or mother's side, gender of the person, age of the person", "The children live with Mom and Dad most of the time. During the", "sister, one younger brother, and one younger sister. The children live with Mom", "or a society that uses the same kind of kinship terms as English", "terms as English does. Suppose a child is the middle child of five", "it mean one has to anglicize the relationships? For example, in the exposition,", "words \"father\" and \"sister\" are never used, because in the original language, there", "child is the middle child of five children in a Chinese family. This", "is already a word that encompasses all of that, and also including the", "probably just care about You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and", "full name, and in dialogue, the narrator calls everyone by name and maybe", "Grandma and Grandpa (on Dad's side), Dad's brothers and sisters and their spouses", "a Anglophone environment or a society that uses the same kind of kinship", "countryside. In the countryside, that's where most of the family is and has", "of the family is and has been for generations, and there are Grandma", "as long as you are writing about a monolingual English-speaking family, living in", "title. So, instead of 姑妈 (for father's older sister), the character just says,", "of each family member, there are also familiar names or terms of address", "side), Dad's brothers and sisters and their spouses and children. In another rural", "speaker is female, then her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound", "target person and the speaker. Another family is ethnic Korean. This Korean family", "there are Grandpa and Grandma (on the Mom's side), Mom's brothers and sisters", "doesn't sound good in English. How should the writer have the protagonist address", "they may visit relatives in the countryside. In the countryside, that's where most", "and one younger sister. The children live with Mom and Dad most of", "children. In another rural village, there are Grandpa and Grandma (on the Mom's", "the family is and has been for generations, and there are Grandma and", "a society that uses the same kind of kinship terms as English does.", "child has one older brother, one older sister, one younger brother, and one", "Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's great...", "name. So, \"Aunt ...\" doesn't seem to work here. The translation should be", "older sister, one younger brother, and one younger sister. The children live with", "writing about a monolingual English-speaking family, living in a Anglophone environment or a", "also familiar names or terms of address for each family member. The term", "Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's", "middle child of five children in a Chinese family. This child has one", "is the middle child of five children in a Chinese family. This child", "a particular family member depends on generation level, father's side or mother's side,", "by name. So, \"Aunt ...\" doesn't seem to work here. The translation should", "to the father or mother (which may include birth order). Realistically, a person", "and sisters and their spouses and children. In another rural village, there are", "from formal names of each family member, there are also familiar names or", "of the person relative to the speaker, and age of the person relative", "depends on generation level, father's side or mother's side, gender of the person,", "in English. How should the writer have the protagonist address all the family", "be done, then does it mean one has to anglicize the relationships? For", "great... as long as you are writing about a monolingual English-speaking family, living", "\"My father's third younger sister\", but the words \"father\" and \"sister\" are never", "speaker, and age of the person relative to the father or mother (which", "third younger sister\", but the words \"father\" and \"sister\" are never used, because", "environment or a society that uses the same kind of kinship terms as", "translation should be \"My father's third younger sister\", but the words \"father\" and", "of that, and also including the relationship between the target person and the", "You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc.", "by name and maybe an English title. So, instead of 姑妈 (for father's", "So, instead of 姑妈 (for father's older sister), the character just says, \"Aunt", "one younger sister. The children live with Mom and Dad most of the", "and in dialogue, the narrator calls everyone by name and maybe an English", "language, there is already a word that encompasses all of that, and also", "work here. The translation should be \"My father's third younger sister\", but the", "spouses and children. Aside from formal names of each family member, there are", "their spouses and children. Aside from formal names of each family member, there", "just care about You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors,", "and has been for generations, and there are Grandma and Grandpa (on Dad's", "narrator will write everyone's full name, and in dialogue, the narrator calls everyone", "does. Suppose a child is the middle child of five children in a", "Ancestors, Children, Grandchildren, etc. That's great... as long as you are writing about", "may include birth order). Realistically, a person will address the target family member", "Dad's brothers and sisters and their spouses and children. In another rural village,", "and children. Aside from formal names of each family member, there are also", "five children in a Chinese family. This child has one older brother, one", "in dialogue, the narrator calls everyone by name and maybe an English title.", "person relative to the father or mother (which may include birth order). Realistically,", "then does it mean one has to anglicize the relationships? For example, in", "the speaker is female, then her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't", "English title. So, instead of 姑妈 (for father's older sister), the character just", "names of each family member, there are also familiar names or terms of", "the middle child of five children in a Chinese family. This child has", "Dad's side), Dad's brothers and sisters and their spouses and children. In another", "as English does. Suppose a child is the middle child of five children", "of the person relative to the father or mother (which may include birth", "sisters and their spouses and children. In another rural village, there are Grandpa", "particular family member depends on generation level, father's side or mother's side, gender", "of kinship terms as English does. Suppose a child is the middle child", "should the writer have the protagonist address all the family members solely by", "Dad most of the time. During the holidays, they may visit relatives in", "their spouses and children. In another rural village, there are Grandpa and Grandma", "older brother, one older sister, one younger brother, and one younger sister. The", "used, because in the original language, there is already a word that encompasses", "Aunts, Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's great... as", "the gender of the person. If the speaker is male, then his older", "brothers and sisters and their spouses and children. Aside from formal names of", "calls everyone by name and maybe an English title. So, instead of 姑妈", "most of the time. During the holidays, they may visit relatives in the", "age of the person relative to the speaker, and age of the person", "brother, one older sister, one younger brother, and one younger sister. The children", "the holidays, they may visit relatives in the countryside. In the countryside, that's", "and their spouses and children. In another rural village, there are Grandpa and", "Most English speakers probably just care about You, Mom, Dad, Aunts, Uncles, Cousins,", "relationship in dialogue and exposition? If it just can't be done, then does", "example, in the exposition, the narrator will write everyone's full name, and in", "family members solely by relationship in dialogue and exposition? If it just can't", "the narrator will write everyone's full name, and in dialogue, the narrator calls", "speaker is male, then his older brother is 형. If the speaker is", "a Chinese family. This child has one older brother, one older sister, one", "or mother's side, gender of the person, age of the person relative to", "the target family member by relationship, not by name. So, \"Aunt ...\" doesn't", "should be \"My father's third younger sister\", but the words \"father\" and \"sister\"", "it takes into account of the gender of the person. If the speaker", "of the time. During the holidays, they may visit relatives in the countryside.", "형. If the speaker is female, then her older brother is 오빠. \"Hiya,", "of address for a particular family member depends on generation level, father's side", "\"Aunt ...\" doesn't seem to work here. The translation should be \"My father's", "family member. The term of address for a particular family member depends on", "...\" doesn't seem to work here. The translation should be \"My father's third", "rural village, there are Grandpa and Grandma (on the Mom's side), Mom's brothers", "birth order). Realistically, a person will address the target family member by relationship,", "older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English. How should", "mother's side, gender of the person, age of the person relative to the", "and maybe an English title. So, instead of 姑妈 (for father's older sister),", "there is already a word that encompasses all of that, and also including", "does it mean one has to anglicize the relationships? For example, in the", "living in a Anglophone environment or a society that uses the same kind", "already a word that encompasses all of that, and also including the relationship", "The translation should be \"My father's third younger sister\", but the words \"father\"", "everyone, but in Korean, it takes into account of the gender of the", "of the person. If the speaker is male, then his older brother is", "are Grandma and Grandpa (on Dad's side), Dad's brothers and sisters and their", "narrator calls everyone by name and maybe an English title. So, instead of", "time. During the holidays, they may visit relatives in the countryside. In the", "maybe an English title. So, instead of 姑妈 (for father's older sister), the", "Grandpa (on Dad's side), Dad's brothers and sisters and their spouses and children.", "English speakers probably just care about You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents,", "between the target person and the speaker. Another family is ethnic Korean. This", "instead of 姑妈 (for father's older sister), the character just says, \"Aunt \\_\\_\\_\\_\\_\\_\\_\\_\\_\\_.\"", "there are Grandma and Grandpa (on Dad's side), Dad's brothers and sisters and", "the protagonist address all the family members solely by relationship in dialogue and", "the narrator calls everyone by name and maybe an English title. So, instead", "the time. During the holidays, they may visit relatives in the countryside. In", "to anglicize the relationships? For example, in the exposition, the narrator will write", "in the countryside. In the countryside, that's where most of the family is", "is ethnic Korean. This Korean family also has separate addresses for everyone, but", "Mom's side), Mom's brothers and sisters and their spouses and children. Aside from", "the person relative to the speaker, and age of the person relative to", "member by relationship, not by name. So, \"Aunt ...\" doesn't seem to work", "for generations, and there are Grandma and Grandpa (on Dad's side), Dad's brothers", "the relationships? For example, in the exposition, the narrator will write everyone's full", "and \"sister\" are never used, because in the original language, there is already", "formal names of each family member, there are also familiar names or terms", "Anglophone environment or a society that uses the same kind of kinship terms", "the relationship between the target person and the speaker. Another family is ethnic", "children live with Mom and Dad most of the time. During the holidays,", "name and maybe an English title. So, instead of 姑妈 (for father's older", "speakers probably just care about You, Mom, Dad, Aunts, Uncles, Cousins, Grandparents, Great-Grandparents", "address the target family member by relationship, not by name. So, \"Aunt ...\"", "holidays, they may visit relatives in the countryside. In the countryside, that's where", "dialogue and exposition? If it just can't be done, then does it mean", "and children. In another rural village, there are Grandpa and Grandma (on the", "terms of address for each family member. The term of address for a", "encompasses all of that, and also including the relationship between the target person", "monolingual English-speaking family, living in a Anglophone environment or a society that uses", "Chinese family. This child has one older brother, one older sister, one younger", "So, \"Aunt ...\" doesn't seem to work here. The translation should be \"My", "another rural village, there are Grandpa and Grandma (on the Mom's side), Mom's", "Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's great... as long as you", "the original language, there is already a word that encompasses all of that,", "person will address the target family member by relationship, not by name. So,", "done, then does it mean one has to anglicize the relationships? For example,", "in Korean, it takes into account of the gender of the person. If", "order). Realistically, a person will address the target family member by relationship, not", "Mom's brothers and sisters and their spouses and children. Aside from formal names", "If the speaker is female, then her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\"", "the family members solely by relationship in dialogue and exposition? If it just", "relative to the speaker, and age of the person relative to the father", "his older brother is 형. If the speaker is female, then her older", "and exposition? If it just can't be done, then does it mean one", "solely by relationship in dialogue and exposition? If it just can't be done,", "the same kind of kinship terms as English does. Suppose a child is", "never used, because in the original language, there is already a word that", "person and the speaker. Another family is ethnic Korean. This Korean family also", "That's great... as long as you are writing about a monolingual English-speaking family,", "most of the family is and has been for generations, and there are", "The term of address for a particular family member depends on generation level,", "side or mother's side, gender of the person, age of the person relative", "age of the person relative to the father or mother (which may include", "younger sister\", but the words \"father\" and \"sister\" are never used, because in", "sister\", but the words \"father\" and \"sister\" are never used, because in the", "name, and in dialogue, the narrator calls everyone by name and maybe an", "account of the gender of the person. If the speaker is male, then", "because in the original language, there is already a word that encompasses all", "the speaker. Another family is ethnic Korean. This Korean family also has separate", "English. How should the writer have the protagonist address all the family members", "just can't be done, then does it mean one has to anglicize the", "side, gender of the person, age of the person relative to the speaker,", "not by name. So, \"Aunt ...\" doesn't seem to work here. The translation", "to work here. The translation should be \"My father's third younger sister\", but", "will address the target family member by relationship, not by name. So, \"Aunt", "everyone's full name, and in dialogue, the narrator calls everyone by name and", "countryside, that's where most of the family is and has been for generations,", "father's third younger sister\", but the words \"father\" and \"sister\" are never used,", "the exposition, the narrator will write everyone's full name, and in dialogue, the", "the Mom's side), Mom's brothers and sisters and their spouses and children. Aside", "in a Anglophone environment or a society that uses the same kind of", "For example, in the exposition, the narrator will write everyone's full name, and", "has separate addresses for everyone, but in Korean, it takes into account of", "her older brother is 오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English. How", "family also has separate addresses for everyone, but in Korean, it takes into", "is male, then his older brother is 형. If the speaker is female,", "has been for generations, and there are Grandma and Grandpa (on Dad's side),", "and Grandma (on the Mom's side), Mom's brothers and sisters and their spouses", "generations, and there are Grandma and Grandpa (on Dad's side), Dad's brothers and", "child of five children in a Chinese family. This child has one older", "person, age of the person relative to the speaker, and age of the", "sound good in English. How should the writer have the protagonist address all", "Uncles, Cousins, Grandparents, Great-Grandparents and Ancestors, Children, Grandchildren, etc. That's great... as long", "target family member by relationship, not by name. So, \"Aunt ...\" doesn't seem", "uses the same kind of kinship terms as English does. Suppose a child", "person. If the speaker is male, then his older brother is 형. If", "that uses the same kind of kinship terms as English does. Suppose a", "the speaker, and age of the person relative to the father or mother", "the father or mother (which may include birth order). Realistically, a person will", "has to anglicize the relationships? For example, in the exposition, the narrator will", "In the countryside, that's where most of the family is and has been", "for a particular family member depends on generation level, father's side or mother's", "can't be done, then does it mean one has to anglicize the relationships?", "long as you are writing about a monolingual English-speaking family, living in a", "are also familiar names or terms of address for each family member. The", "is 형. If the speaker is female, then her older brother is 오빠.", "in the exposition, the narrator will write everyone's full name, and in dialogue,", "children in a Chinese family. This child has one older brother, one older", "about a monolingual English-speaking family, living in a Anglophone environment or a society", "gender of the person, age of the person relative to the speaker, and", "sisters and their spouses and children. Aside from formal names of each family", "each family member, there are also familiar names or terms of address for", "everyone by name and maybe an English title. So, instead of 姑妈 (for", "relationship between the target person and the speaker. Another family is ethnic Korean.", "member depends on generation level, father's side or mother's side, gender of the", "one older brother, one older sister, one younger brother, and one younger sister.", "here. The translation should be \"My father's third younger sister\", but the words", "person relative to the speaker, and age of the person relative to the", "visit relatives in the countryside. In the countryside, that's where most of the", "\"sister\" are never used, because in the original language, there is already a", "ethnic Korean. This Korean family also has separate addresses for everyone, but in", "relationships? For example, in the exposition, the narrator will write everyone's full name,", "including the relationship between the target person and the speaker. Another family is", "and Ancestors, Children, Grandchildren, etc. That's great... as long as you are writing", "addresses for everyone, but in Korean, it takes into account of the gender", "the words \"father\" and \"sister\" are never used, because in the original language,", "오빠. \"Hiya, older-brother-as-a-female-speaker!\" doesn't sound good in English. How should the writer have", "also including the relationship between the target person and the speaker. Another family", "If the speaker is male, then his older brother is 형. If the", "family, living in a Anglophone environment or a society that uses the same", "the countryside, that's where most of the family is and has been for", "mean one has to anglicize the relationships? For example, in the exposition, the", "Suppose a child is the middle child of five children in a Chinese", "This Korean family also has separate addresses for everyone, but in Korean, it", "family member by relationship, not by name. So, \"Aunt ...\" doesn't seem to", "of the gender of the person. If the speaker is male, then his", "children. Aside from formal names of each family member, there are also familiar" ]
[ "want to write in English. Would a literary agent from an English speaking", "Would a literary agent from an English speaking country agree to work with", "want to write in Arabic I want to write in English. Would a", "am Egyptian, my native language is Arabic but I don't want to write", "write in Arabic I want to write in English. Would a literary agent", "for my society so I don't think any native publisher from my country", "in English. Would a literary agent from an English speaking country agree to", "that I live in Egypt? I don't think my story ideas are fit", "in Egypt? I don't think my story ideas are fit for my society", "Egyptian, my native language is Arabic but I don't want to write in", "story ideas are fit for my society so I don't think any native", "especially that I live in Egypt? I don't think my story ideas are", "I am Egyptian, my native language is Arabic but I don't want to", "don't want to write in Arabic I want to write in English. Would", "Egypt? I don't think my story ideas are fit for my society so", "to work with me? especially that I live in Egypt? I don't think", "society so I don't think any native publisher from my country will accept", "Here is my situation: I am Egyptian, my native language is Arabic but", "fit for my society so I don't think any native publisher from my", "me? especially that I live in Egypt? I don't think my story ideas", "ideas are fit for my society so I don't think any native publisher", "don't think my story ideas are fit for my society so I don't", "situation: I am Egyptian, my native language is Arabic but I don't want", "to write in Arabic I want to write in English. Would a literary", "an English speaking country agree to work with me? especially that I live", "is my situation: I am Egyptian, my native language is Arabic but I", "I don't think my story ideas are fit for my society so I", "English. Would a literary agent from an English speaking country agree to work", "from an English speaking country agree to work with me? especially that I", "are fit for my society so I don't think any native publisher from", "so I don't think any native publisher from my country will accept them.", "my situation: I am Egyptian, my native language is Arabic but I don't", "native language is Arabic but I don't want to write in Arabic I", "my native language is Arabic but I don't want to write in Arabic", "live in Egypt? I don't think my story ideas are fit for my", "agent from an English speaking country agree to work with me? especially that", "my story ideas are fit for my society so I don't think any", "work with me? especially that I live in Egypt? I don't think my", "literary agent from an English speaking country agree to work with me? especially", "English speaking country agree to work with me? especially that I live in", "I live in Egypt? I don't think my story ideas are fit for", "agree to work with me? especially that I live in Egypt? I don't", "is Arabic but I don't want to write in Arabic I want to", "but I don't want to write in Arabic I want to write in", "in Arabic I want to write in English. Would a literary agent from", "with me? especially that I live in Egypt? I don't think my story", "think my story ideas are fit for my society so I don't think", "I don't want to write in Arabic I want to write in English.", "Arabic but I don't want to write in Arabic I want to write", "country agree to work with me? especially that I live in Egypt? I", "write in English. Would a literary agent from an English speaking country agree", "to write in English. Would a literary agent from an English speaking country", "language is Arabic but I don't want to write in Arabic I want", "a literary agent from an English speaking country agree to work with me?", "Arabic I want to write in English. Would a literary agent from an", "I want to write in English. Would a literary agent from an English", "speaking country agree to work with me? especially that I live in Egypt?", "my society so I don't think any native publisher from my country will" ]
[ "state level, and was in charge of our Windows machines. My other hobbies", "an example ------------------------------------------------------ My name is Azat. I am an aspiring software developer", "my Android applications which have thousands of downloads on the Google Play Store.", "X at the state level, and was in charge of our Windows machines.", "I am looking for internship opportunities that can utilize my existing programming skills", "------------------------------------------------------ My name is Azat. I am an aspiring software developer based in", "example ------------------------------------------------------ My name is Azat. I am an aspiring software developer based", "them further. My long term goal is to pursue a career in Web/Android", "a career in Web/Android development. Please feel free to contact me using the", "SolidWorks. I have created several responsive websites such as my website about inauthentic", "be avoided or is it to be expected in that kind of writing?", "learning. I have competed in Cyberpatriot X at the state level, and was", "website about inauthentic learning. I have competed in Cyberpatriot X at the state", "Play Store. I have a solid knowledge of JavaScript and Bootstrap, and am", "How can I avoid using I repetitively in a resume/about me, should it", "the Google Play Store. I have a solid knowledge of JavaScript and Bootstrap,", "place of it, or should the structure of sentences be modified altogether? The", "have a strong foundation in Java, shown in my Android applications which have", "The about me page that I'm struggling with, an example ------------------------------------------------------ My name", "have a solid knowledge of JavaScript and Bootstrap, and am well versed in", "of sentences be modified altogether? The about me page that I'm struggling with,", "with, an example ------------------------------------------------------ My name is Azat. I am an aspiring software", "expand them further. My long term goal is to pursue a career in", "writing? Are there any substitutes that can be used in place of it,", "or view my resume. --EDIT-- This question is different than others on overusing", "which have thousands of downloads on the Google Play Store. I have a", "I have competed in Cyberpatriot X at the state level, and was in", "as my website about inauthentic learning. I have competed in Cyberpatriot X at", "machines. My other hobbies include modding phones, reading, card games, and poetry. Currently", "in place of it, or should the structure of sentences be modified altogether?", "of our Windows machines. My other hobbies include modding phones, reading, card games,", "--EDIT-- This question is different than others on overusing I because it specifically", "This question is different than others on overusing I because it specifically refers", "different than others on overusing I because it specifically refers to a resume/about", "primary interests lie in Mobile and Web development. I have a strong foundation", "developer based in Washington. My primary interests lie in Mobile and Web development.", "section or view my resume. --EDIT-- This question is different than others on", "that kind of writing? Are there any substitutes that can be used in", "I repetitively in a resume/about me, should it be avoided or is it", "several responsive websites such as my website about inauthentic learning. I have competed", "an aspiring software developer based in Washington. My primary interests lie in Mobile", "in the contact section or view my resume. --EDIT-- This question is different", "utilize my existing programming skills and allow me to expand them further. My", "opportunities that can utilize my existing programming skills and allow me to expand", "have thousands of downloads on the Google Play Store. I have a solid", "existing programming skills and allow me to expand them further. My long term", "or should the structure of sentences be modified altogether? The about me page", "I have created several responsive websites such as my website about inauthentic learning.", "in Washington. My primary interests lie in Mobile and Web development. I have", "am well versed in Photoshop and SolidWorks. I have created several responsive websites", "Web development. I have a strong foundation in Java, shown in my Android", "websites such as my website about inauthentic learning. I have competed in Cyberpatriot", "page that I'm struggling with, an example ------------------------------------------------------ My name is Azat. I", "level, and was in charge of our Windows machines. My other hobbies include", "my existing programming skills and allow me to expand them further. My long", "phones, reading, card games, and poetry. Currently I am looking for internship opportunities", "for internship opportunities that can utilize my existing programming skills and allow me", "the structure of sentences be modified altogether? The about me page that I'm", "My name is Azat. I am an aspiring software developer based in Washington.", "the information in the contact section or view my resume. --EDIT-- This question", "in Java, shown in my Android applications which have thousands of downloads on", "it, or should the structure of sentences be modified altogether? The about me", "I avoid using I repetitively in a resume/about me, should it be avoided", "Are there any substitutes that can be used in place of it, or", "shown in my Android applications which have thousands of downloads on the Google", "resume. --EDIT-- This question is different than others on overusing I because it", "card games, and poetry. Currently I am looking for internship opportunities that can", "and Web development. I have a strong foundation in Java, shown in my", "I have a strong foundation in Java, shown in my Android applications which", "thousands of downloads on the Google Play Store. I have a solid knowledge", "such as my website about inauthentic learning. I have competed in Cyberpatriot X", "lie in Mobile and Web development. I have a strong foundation in Java,", "is Azat. I am an aspiring software developer based in Washington. My primary", "games, and poetry. Currently I am looking for internship opportunities that can utilize", "career in Web/Android development. Please feel free to contact me using the information", "me, should it be avoided or is it to be expected in that", "include modding phones, reading, card games, and poetry. Currently I am looking for", "am an aspiring software developer based in Washington. My primary interests lie in", "I have a solid knowledge of JavaScript and Bootstrap, and am well versed", "internship opportunities that can utilize my existing programming skills and allow me to", "any substitutes that can be used in place of it, or should the", "can utilize my existing programming skills and allow me to expand them further.", "me page that I'm struggling with, an example ------------------------------------------------------ My name is Azat.", "the contact section or view my resume. --EDIT-- This question is different than", "there any substitutes that can be used in place of it, or should", "is different than others on overusing I because it specifically refers to a", "kind of writing? Are there any substitutes that can be used in place", "I am an aspiring software developer based in Washington. My primary interests lie", "view my resume. --EDIT-- This question is different than others on overusing I", "my resume. --EDIT-- This question is different than others on overusing I because", "reading, card games, and poetry. Currently I am looking for internship opportunities that", "Please feel free to contact me using the information in the contact section", "downloads on the Google Play Store. I have a solid knowledge of JavaScript", "can be used in place of it, or should the structure of sentences", "it be avoided or is it to be expected in that kind of", "that can utilize my existing programming skills and allow me to expand them", "in Cyberpatriot X at the state level, and was in charge of our", "to expand them further. My long term goal is to pursue a career", "is to pursue a career in Web/Android development. Please feel free to contact", "goal is to pursue a career in Web/Android development. Please feel free to", "inauthentic learning. I have competed in Cyberpatriot X at the state level, and", "resume/about me, should it be avoided or is it to be expected in", "me to expand them further. My long term goal is to pursue a", "modified altogether? The about me page that I'm struggling with, an example ------------------------------------------------------", "to be expected in that kind of writing? Are there any substitutes that", "and was in charge of our Windows machines. My other hobbies include modding", "substitutes that can be used in place of it, or should the structure", "Washington. My primary interests lie in Mobile and Web development. I have a", "knowledge of JavaScript and Bootstrap, and am well versed in Photoshop and SolidWorks.", "have created several responsive websites such as my website about inauthentic learning. I", "at the state level, and was in charge of our Windows machines. My", "looking for internship opportunities that can utilize my existing programming skills and allow", "to pursue a career in Web/Android development. Please feel free to contact me", "long term goal is to pursue a career in Web/Android development. Please feel", "responsive websites such as my website about inauthentic learning. I have competed in", "others on overusing I because it specifically refers to a resume/about me writing", "it to be expected in that kind of writing? Are there any substitutes", "free to contact me using the information in the contact section or view", "about me page that I'm struggling with, an example ------------------------------------------------------ My name is", "in that kind of writing? Are there any substitutes that can be used", "of JavaScript and Bootstrap, and am well versed in Photoshop and SolidWorks. I", "Google Play Store. I have a solid knowledge of JavaScript and Bootstrap, and", "Android applications which have thousands of downloads on the Google Play Store. I", "struggling with, an example ------------------------------------------------------ My name is Azat. I am an aspiring", "or is it to be expected in that kind of writing? Are there", "My Question =========== How can I avoid using I repetitively in a resume/about", "created several responsive websites such as my website about inauthentic learning. I have", "Bootstrap, and am well versed in Photoshop and SolidWorks. I have created several", "in a resume/about me, should it be avoided or is it to be", "Question =========== How can I avoid using I repetitively in a resume/about me,", "development. Please feel free to contact me using the information in the contact", "information in the contact section or view my resume. --EDIT-- This question is", "feel free to contact me using the information in the contact section or", "in Mobile and Web development. I have a strong foundation in Java, shown", "applications which have thousands of downloads on the Google Play Store. I have", "Currently I am looking for internship opportunities that can utilize my existing programming", "of it, or should the structure of sentences be modified altogether? The about", "to contact me using the information in the contact section or view my", "that I'm struggling with, an example ------------------------------------------------------ My name is Azat. I am", "Java, shown in my Android applications which have thousands of downloads on the", "aspiring software developer based in Washington. My primary interests lie in Mobile and", "on overusing I because it specifically refers to a resume/about me writing format.", "about inauthentic learning. I have competed in Cyberpatriot X at the state level,", "a resume/about me, should it be avoided or is it to be expected", "modding phones, reading, card games, and poetry. Currently I am looking for internship", "be expected in that kind of writing? Are there any substitutes that can", "=========== How can I avoid using I repetitively in a resume/about me, should", "is it to be expected in that kind of writing? Are there any", "and Bootstrap, and am well versed in Photoshop and SolidWorks. I have created", "My other hobbies include modding phones, reading, card games, and poetry. Currently I", "My primary interests lie in Mobile and Web development. I have a strong", "in Web/Android development. Please feel free to contact me using the information in", "me using the information in the contact section or view my resume. --EDIT--", "and am well versed in Photoshop and SolidWorks. I have created several responsive", "pursue a career in Web/Android development. Please feel free to contact me using", "have competed in Cyberpatriot X at the state level, and was in charge", "software developer based in Washington. My primary interests lie in Mobile and Web", "well versed in Photoshop and SolidWorks. I have created several responsive websites such", "our Windows machines. My other hobbies include modding phones, reading, card games, and", "expected in that kind of writing? Are there any substitutes that can be", "the state level, and was in charge of our Windows machines. My other", "hobbies include modding phones, reading, card games, and poetry. Currently I am looking", "repetitively in a resume/about me, should it be avoided or is it to", "based in Washington. My primary interests lie in Mobile and Web development. I", "and poetry. Currently I am looking for internship opportunities that can utilize my", "Azat. I am an aspiring software developer based in Washington. My primary interests", "term goal is to pursue a career in Web/Android development. Please feel free", "can I avoid using I repetitively in a resume/about me, should it be", "structure of sentences be modified altogether? The about me page that I'm struggling", "a strong foundation in Java, shown in my Android applications which have thousands", "avoid using I repetitively in a resume/about me, should it be avoided or", "Mobile and Web development. I have a strong foundation in Java, shown in", "further. My long term goal is to pursue a career in Web/Android development.", "I'm struggling with, an example ------------------------------------------------------ My name is Azat. I am an", "using I repetitively in a resume/about me, should it be avoided or is", "be used in place of it, or should the structure of sentences be", "than others on overusing I because it specifically refers to a resume/about me", "Windows machines. My other hobbies include modding phones, reading, card games, and poetry.", "am looking for internship opportunities that can utilize my existing programming skills and", "allow me to expand them further. My long term goal is to pursue", "and SolidWorks. I have created several responsive websites such as my website about", "Photoshop and SolidWorks. I have created several responsive websites such as my website", "Store. I have a solid knowledge of JavaScript and Bootstrap, and am well", "on the Google Play Store. I have a solid knowledge of JavaScript and", "used in place of it, or should the structure of sentences be modified", "was in charge of our Windows machines. My other hobbies include modding phones,", "poetry. Currently I am looking for internship opportunities that can utilize my existing", "in charge of our Windows machines. My other hobbies include modding phones, reading,", "of writing? Are there any substitutes that can be used in place of", "avoided or is it to be expected in that kind of writing? Are", "Web/Android development. Please feel free to contact me using the information in the", "sentences be modified altogether? The about me page that I'm struggling with, an", "in my Android applications which have thousands of downloads on the Google Play", "My long term goal is to pursue a career in Web/Android development. Please", "be modified altogether? The about me page that I'm struggling with, an example", "question is different than others on overusing I because it specifically refers to", "contact me using the information in the contact section or view my resume.", "versed in Photoshop and SolidWorks. I have created several responsive websites such as", "using the information in the contact section or view my resume. --EDIT-- This", "of downloads on the Google Play Store. I have a solid knowledge of", "contact section or view my resume. --EDIT-- This question is different than others", "other hobbies include modding phones, reading, card games, and poetry. Currently I am", "that can be used in place of it, or should the structure of", "in Photoshop and SolidWorks. I have created several responsive websites such as my", "skills and allow me to expand them further. My long term goal is", "should the structure of sentences be modified altogether? The about me page that", "and allow me to expand them further. My long term goal is to", "interests lie in Mobile and Web development. I have a strong foundation in", "programming skills and allow me to expand them further. My long term goal", "solid knowledge of JavaScript and Bootstrap, and am well versed in Photoshop and", "my website about inauthentic learning. I have competed in Cyberpatriot X at the", "should it be avoided or is it to be expected in that kind", "charge of our Windows machines. My other hobbies include modding phones, reading, card", "development. I have a strong foundation in Java, shown in my Android applications", "a solid knowledge of JavaScript and Bootstrap, and am well versed in Photoshop", "strong foundation in Java, shown in my Android applications which have thousands of", "foundation in Java, shown in my Android applications which have thousands of downloads", "name is Azat. I am an aspiring software developer based in Washington. My", "altogether? The about me page that I'm struggling with, an example ------------------------------------------------------ My", "JavaScript and Bootstrap, and am well versed in Photoshop and SolidWorks. I have", "competed in Cyberpatriot X at the state level, and was in charge of", "Cyberpatriot X at the state level, and was in charge of our Windows" ]
[ "some for, but I want to really understand why this is a big", "that it’s approved of to have the protagonist to have deep relationships which", "have the protagonist to have deep relationships which I mean as friend-related bonds", "are good or bad, they all have up to eleven questions to prove", "about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate to other female", "a big deal? The website analyses characters who are good or bad, they", "> > I get that that makes them more real in some for,", "I’m asking this based on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/)", "on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate to", "big deal? The website analyses characters who are good or bad, they all", "people - because it makes the character stand out I’m asking this based", "protagonist to have deep relationships which I mean as friend-related bonds between people", "the character stand out I’m asking this based on [Question 10 on JoWritesStuff.wordpress.com", "does she relate to other female characters? > > > I get that", "relate to other female characters? > > > I get that that makes", "How does she relate to other female characters? > > > I get", "she relate to other female characters? > > > I get that that", "asking this based on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) >", "approved of to have the protagonist to have deep relationships which I mean", "more real in some for, but I want to really understand why this", "female characters? > > > I get that that makes them more real", "deep relationships which I mean as friend-related bonds between people - because it", "between people - because it makes the character stand out I’m asking this", "> I get that that makes them more real in some for, but", "website analyses characters who are good or bad, they all have up to", "characters who are good or bad, they all have up to eleven questions", "characters? > > > I get that that makes them more real in", "for, but I want to really understand why this is a big deal?", "based on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How", "them more real in some for, but I want to really understand why", "- because it makes the character stand out I’m asking this based on", "real in some for, but I want to really understand why this is", "Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate to other female characters? > >", "relationships which I mean as friend-related bonds between people - because it makes", "[Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she", "> > How does she relate to other female characters? > > >", "mean as friend-related bonds between people - because it makes the character stand", "as friend-related bonds between people - because it makes the character stand out", "> > > I get that that makes them more real in some", "read that it’s approved of to have the protagonist to have deep relationships", "which I mean as friend-related bonds between people - because it makes the", "it makes the character stand out I’m asking this based on [Question 10", "to other female characters? > > > I get that that makes them", "get that that makes them more real in some for, but I want", "why this is a big deal? The website analyses characters who are good", "deal? The website analyses characters who are good or bad, they all have", "want to really understand why this is a big deal? The website analyses", "out I’m asking this based on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female", "10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate", "bad, they all have up to eleven questions to prove if they are", "it’s approved of to have the protagonist to have deep relationships which I", "is a big deal? The website analyses characters who are good or bad,", "good or bad, they all have up to eleven questions to prove if", "bonds between people - because it makes the character stand out I’m asking", "> How does she relate to other female characters? > > > I", "understand why this is a big deal? The website analyses characters who are", "the protagonist to have deep relationships which I mean as friend-related bonds between", "I want to really understand why this is a big deal? The website", "who are good or bad, they all have up to eleven questions to", "‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate to other female characters?", "other female characters? > > > I get that that makes them more", "I get that that makes them more real in some for, but I", "but I want to really understand why this is a big deal? The", "or bad, they all have up to eleven questions to prove if they", "I read that it’s approved of to have the protagonist to have deep", "on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does", "to really understand why this is a big deal? The website analyses characters", "have deep relationships which I mean as friend-related bonds between people - because", "of to have the protagonist to have deep relationships which I mean as", "The website analyses characters who are good or bad, they all have up", "stand out I’m asking this based on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong", "to have deep relationships which I mean as friend-related bonds between people -", "analyses characters who are good or bad, they all have up to eleven", "because it makes the character stand out I’m asking this based on [Question", "I mean as friend-related bonds between people - because it makes the character", "makes them more real in some for, but I want to really understand", "Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate to other female characters? >", "they all have up to eleven questions to prove if they are potential", "this is a big deal? The website analyses characters who are good or", "to have the protagonist to have deep relationships which I mean as friend-related", "that makes them more real in some for, but I want to really", "JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > > How does she relate to other", "really understand why this is a big deal? The website analyses characters who", "in some for, but I want to really understand why this is a", "character stand out I’m asking this based on [Question 10 on JoWritesStuff.wordpress.com about", "that that makes them more real in some for, but I want to", "makes the character stand out I’m asking this based on [Question 10 on", "this based on [Question 10 on JoWritesStuff.wordpress.com about ‘Strong Female Characters’](https://jowritesstuff.wordpress.com/2016/05/28/strong-female-characters-rebecca-de-winter/) > >", "friend-related bonds between people - because it makes the character stand out I’m" ]
[ "exists. What approach can I use to tackle writing *long and detailed* explicit", "a scene to reenact with a willing partner for role-playing fun. (If you", "sub-plot of a novel in which two characters had sex. There the accepted", "a point after the sex has happened. In erotica, the whole reason the", "stopping with a kiss or embrace, and jumping to a point after the", "sex scene, that is the nature of the genre, and the treatment of", "detailed blow-by-blow sex scene, that is the nature of the genre, and the", "the whole reason the reader is reading is for a lengthy and detailed", "masturbation or perhaps as a scene to reenact with a willing partner for", "point after the sex has happened. In erotica, the whole reason the reader", "much too easy to fall into the trap of clichés about crashing waves", "lengthy and detailed blow-by-blow sex scene, that is the nature of the genre,", "or the actions involved in having sex. Other respondents suggesting similar methods of", "I get to the... main event... I find it much too easy to", "refers to a sub-plot of a novel in which two characters had sex.", "to a sub-plot of a novel in which two characters had sex. There", "clichés about crashing waves and rolling eyes. I think perhaps other writers can", "away, that are varied and will sexually excite my readers without using silly", "specifically NOT about genitalia or the actions involved in having sex. Other respondents", "erotica, the whole reason the reader is reading is for a lengthy and", "any detailed descriptions of the act, by focusing on appearance, or feelings and", "perhaps as a scene to reenact with a willing partner for role-playing fun.", "purposes, this question is not for you!) All of that said, I write", "the accepted answer essentially evades any detailed descriptions of the act, by focusing", "for you!) All of that said, I write erotica. Typically these stories have", "to the... main event... I find it much too easy to fall into", "can I use to tackle writing *long and detailed* explicit sex scenes without", "feelings and specifically NOT about genitalia or the actions involved in having sex.", "by these purposes, this question is not for you!) All of that said,", "in having sex. Other respondents suggesting similar methods of \"hiding\" the sex scene,", "the sex scene, stopping with a kiss or embrace, and jumping to a", "is the nature of the genre, and the treatment of sex in a", "provide a good way of thinking about such scenes to accomplish this, or", "The reader wants a fully imagined sex scene, genitalia, penetrations, orgasms, fluids, the", "can describe quite well. However, once I get to the... main event... I", "NOT about genitalia or the actions involved in having sex. Other respondents suggesting", "which refers to a sub-plot of a novel in which two characters had", "of thinking about such scenes to accomplish this, or perhaps ways in which", "about crashing waves and rolling eyes. I think perhaps other writers can provide", "tasks for which more advice exists. What approach can I use to tackle", "question is not for you!) All of that said, I write erotica. Typically", "of sex in a novel or R-rated movie defeats that purpose. The reader", "embrace, and jumping to a point after the sex has happened. In erotica,", "easy to fall into the trap of clichés about crashing waves and rolling", "\"hiding\" the sex scene, stopping with a kiss or embrace, and jumping to", "are put off by these purposes, this question is not for you!) All", "by focusing on appearance, or feelings and specifically NOT about genitalia or the", "too easy to fall into the trap of clichés about crashing waves and", "of clichés about crashing waves and rolling eyes. I think perhaps other writers", "reading is for a lengthy and detailed blow-by-blow sex scene, that is the", "you!) All of that said, I write erotica. Typically these stories have a", "more advice exists. What approach can I use to tackle writing *long and", "[How to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of a", "unlike the question [How to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a", "once I get to the... main event... I find it much too easy", "However, once I get to the... main event... I find it much too", "about such scenes to accomplish this, or perhaps ways in which this is", "scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of a novel in which two characters", "is not for you!) All of that said, I write erotica. Typically these", "accepted answer essentially evades any detailed descriptions of the act, by focusing on", "erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of a novel in which two", "sex in a novel or R-rated movie defeats that purpose. The reader wants", "good way of thinking about such scenes to accomplish this, or perhaps ways", "in which two characters had sex. There the accepted answer essentially evades any", "scenario which I can describe quite well. However, once I get to the...", "scene, genitalia, penetrations, orgasms, fluids, the whole thing. Perhaps for masturbation or perhaps", "can provide a good way of thinking about such scenes to accomplish this,", "genitalia, penetrations, orgasms, fluids, the whole thing. Perhaps for masturbation or perhaps as", "descriptions of the act, by focusing on appearance, or feelings and specifically NOT", "the genre, and the treatment of sex in a novel or R-rated movie", "accomplish this, or perhaps ways in which this is similar to other writing", "sex scene, stopping with a kiss or embrace, and jumping to a point", "which this is similar to other writing tasks for which more advice exists.", "There the accepted answer essentially evades any detailed descriptions of the act, by", "erotica. Typically these stories have a setup and scenario which I can describe", "this, or perhaps ways in which this is similar to other writing tasks", "to other writing tasks for which more advice exists. What approach can I", "I use to tackle writing long and detailed explicit sex scenes without turning", "use to tackle writing long and detailed explicit sex scenes without turning away,", "the... main event... I find it much too easy to fall into the", "these stories have a setup and scenario which I can describe quite well.", "writing long and detailed explicit sex scenes without turning away, that are varied", "explicit sex scenes without** turning away, that are varied and will sexually excite", "with a kiss or embrace, and jumping to a point after the sex", "to tackle writing *long and detailed* explicit sex scenes without turning away, that", "get to the... main event... I find it much too easy to fall", "the reader is reading is for a lengthy and detailed blow-by-blow sex scene,", "novel in which two characters had sex. There the accepted answer essentially evades", "blow-by-blow sex scene, that is the nature of the genre, and the treatment", "detailed descriptions of the act, by focusing on appearance, or feelings and specifically", "a novel in which two characters had sex. There the accepted answer essentially", "will sexually excite my readers without using silly similes or boring my reader?", "the actions involved in having sex. Other respondents suggesting similar methods of \"hiding\"", "is for a lengthy and detailed blow-by-blow sex scene, that is the nature", "sex. There the accepted answer essentially evades any detailed descriptions of the act,", "question [How to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of", "penetrations, orgasms, fluids, the whole thing. Perhaps for masturbation or perhaps as a", "had sex. There the accepted answer essentially evades any detailed descriptions of the", "similar to other writing tasks for which more advice exists. What approach can", "to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of a novel", "a novel or R-rated movie defeats that purpose. The reader wants a fully", "essentially evades any detailed descriptions of the act, by focusing on appearance, or", "*long and detailed* explicit sex scenes without turning away, that are varied and", "and detailed* explicit sex scenes without turning away, that are varied and will", "put off by these purposes, this question is not for you!) All of", "tackle writing long and detailed explicit sex scenes without** turning away, that are", "into the trap of clichés about crashing waves and rolling eyes. I think", "it much too easy to fall into the trap of clichés about crashing", "reenact with a willing partner for role-playing fun. (If you are put off", "writers can provide a good way of thinking about such scenes to accomplish", "and rolling eyes. I think perhaps other writers can provide a good way", "rolling eyes. I think perhaps other writers can provide a good way of", "evades any detailed descriptions of the act, by focusing on appearance, or feelings", "to a point after the sex has happened. In erotica, the whole reason", "have a setup and scenario which I can describe quite well. However, once", "whole thing. Perhaps for masturbation or perhaps as a scene to reenact with", "of the act, by focusing on appearance, or feelings and specifically NOT about", "having sex. Other respondents suggesting similar methods of \"hiding\" the sex scene, stopping", "I write erotica. Typically these stories have a setup and scenario which I", "think perhaps other writers can provide a good way of thinking about such", "in which this is similar to other writing tasks for which more advice", "scenes without turning away, that are varied and will sexually excite my readers", "after the sex has happened. In erotica, the whole reason the reader is", "you are put off by these purposes, this question is not for you!)", "for which more advice exists. What approach can I use to tackle writing", "orgasms, fluids, the whole thing. Perhaps for masturbation or perhaps as a scene", "is similar to other writing tasks for which more advice exists. What approach", "the whole thing. Perhaps for masturbation or perhaps as a scene to reenact", "respondents suggesting similar methods of \"hiding\" the sex scene, stopping with a kiss", "genre, and the treatment of sex in a novel or R-rated movie defeats", "the treatment of sex in a novel or R-rated movie defeats that purpose.", "or feelings and specifically NOT about genitalia or the actions involved in having", "well. However, once I get to the... main event... I find it much", "fall into the trap of clichés about crashing waves and rolling eyes. I", "other writers can provide a good way of thinking about such scenes to", "that said, I write erotica. Typically these stories have a setup and scenario", "appearance, or feelings and specifically NOT about genitalia or the actions involved in", "(If you are put off by these purposes, this question is not for", "a sub-plot of a novel in which two characters had sex. There the", "that is the nature of the genre, and the treatment of sex in", "other writing tasks for which more advice exists. What approach can I use", "without turning away, that are varied and will sexually excite my readers without", "main event... I find it much too easy to fall into the trap", "which more advice exists. What approach can I use to tackle writing **long", "stories have a setup and scenario which I can describe quite well. However,", "these purposes, this question is not for you!) All of that said, I", "a kiss or embrace, and jumping to a point after* the sex has", "detailed* explicit sex scenes without** turning away, that are varied and will sexually", "the nature of the genre, and the treatment of sex in a novel", "purpose. The reader wants a fully imagined sex scene, genitalia, penetrations, orgasms, fluids,", "Other respondents suggesting similar methods of \"hiding\" the sex scene, stopping with a", "scene, stopping with a kiss or embrace, and jumping to a point after", "that are varied and will sexually excite my readers without using silly similes", "All of that said, I write erotica. Typically these stories have a setup", "setup and scenario which I can describe quite well. However, once I get", "waves and rolling eyes. I think perhaps other writers can provide a good", "not for you!) All of that said, I write erotica. Typically these stories", "of a novel in which two characters had sex. There the accepted answer", "a lengthy and detailed blow-by-blow sex scene, that is the nature of the", "thing. Perhaps for masturbation or perhaps as a scene to reenact with a", "Perhaps for masturbation or perhaps as a scene to reenact with a willing", "said, I write erotica. Typically these stories have a setup and scenario which", "fully imagined sex scene, genitalia, penetrations, orgasms, fluids, the whole thing. Perhaps for", "movie defeats that purpose. The reader wants a fully imagined sex scene, genitalia,", "kiss or embrace, and jumping to a point after the sex has happened.", "the act, by focusing on appearance, or feelings and specifically NOT about genitalia", "sex has happened. In erotica, the whole reason the reader is reading is", "for role-playing fun. (If you are put off by these purposes, this question", "write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of a novel in", "is reading is for a lengthy and detailed blow-by-blow sex scene, that is", "way of thinking about such scenes to accomplish this, or perhaps ways in", "writing tasks for which more advice exists. What approach can I use to", "and will sexually excite my readers without using silly similes or boring my", "methods of \"hiding\" the sex scene, stopping with a kiss or embrace, and", "reason the reader is reading is for a lengthy and detailed blow-by-blow sex", "the sex has happened. In erotica, the whole reason the reader is reading", "suggesting similar methods of \"hiding\" the sex scene, stopping with a kiss or", "which two characters had sex. There the accepted answer essentially evades any detailed", "act, by focusing on appearance, or feelings and specifically NOT about genitalia or", "or embrace, and jumping to a point after the sex has happened. In", "for masturbation or perhaps as a scene to reenact with a willing partner", "and specifically NOT about genitalia or the actions involved in having sex. Other", "to fall into the trap of clichés about crashing waves and rolling eyes.", "and scenario which I can describe quite well. However, once I get to", "happened. In erotica, the whole reason the reader is reading is for a", "find it much too easy to fall into the trap of clichés about", "In erotica, the whole reason the reader is reading is for a lengthy", "for a lengthy and detailed blow-by-blow sex scene, that is the nature of", "role-playing fun. (If you are put off by these purposes, this question is", "eyes. I think perhaps other writers can provide a good way of thinking", "fluids, the whole thing. Perhaps for masturbation or perhaps as a scene to", "varied and will sexually excite my readers without using silly similes or boring", "I think perhaps other writers can provide a good way of thinking about", "this question is not for you!) All of that said, I write erotica.", "answer essentially evades any detailed descriptions of the act, by focusing on appearance,", "turning away, that are varied and will sexually excite my readers without using", "sex. Other respondents suggesting similar methods of \"hiding\" the sex scene, stopping with", "and jumping to a point after the sex has happened. In erotica, the", "wants a fully imagined sex scene, genitalia, penetrations, orgasms, fluids, the whole thing.", "and detailed blow-by-blow sex scene, that is the nature of the genre, and", "partner for role-playing fun. (If you are put off by these purposes, this", "two characters had sex. There the accepted answer essentially evades any detailed descriptions", "novel or R-rated movie defeats that purpose. The reader wants a fully imagined", "defeats that purpose. The reader wants a fully imagined sex scene, genitalia, penetrations,", "fun. (If you are put off by these purposes, this question is not", "Typically these stories have a setup and scenario which I can describe quite", "to accomplish this, or perhaps ways in which this is similar to other", "or perhaps ways in which this is similar to other writing tasks for", "thinking about such scenes to accomplish this, or perhaps ways in which this", "of that said, I write erotica. Typically these stories have a setup and", "good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot of a novel in which", "crashing waves and rolling eyes. I think perhaps other writers can provide a", "event... I find it much too easy to fall into the trap of", "that purpose. The reader wants a fully imagined sex scene, genitalia, penetrations, orgasms,", "the trap of clichés about crashing waves and rolling eyes. I think perhaps", "approach can I use to tackle writing *long and detailed* explicit sex scenes", "advice exists. What approach can I use to tackle writing *long and detailed", "I find it much too easy to fall into the trap of clichés", "characters had sex. There the accepted answer essentially evades any detailed descriptions of", "or R-rated movie defeats that purpose. The reader wants a fully imagined sex", "on appearance, or feelings and specifically NOT about genitalia or the actions involved", "in a novel or R-rated movie defeats that purpose. The reader wants a", "to reenact with a willing partner for role-playing fun. (If you are put", "imagined sex scene, genitalia, penetrations, orgasms, fluids, the whole thing. Perhaps for masturbation", "trap of clichés about crashing waves and rolling eyes. I think perhaps other", "and the treatment of sex in a novel or R-rated movie defeats that", "which I can describe quite well. However, once I get to the... main", "actions involved in having sex. Other respondents suggesting similar methods of \"hiding\" the", "ways in which this is similar to other writing tasks for which more", "scene to reenact with a willing partner for role-playing fun. (If you are", "I can describe quite well. However, once I get to the... main event...", "focusing on appearance, or feelings and specifically NOT about genitalia or the actions", "sex scene, genitalia, penetrations, orgasms, fluids, the whole thing. Perhaps for masturbation or", "R-rated movie defeats that purpose. The reader wants a fully imagined sex scene,", "or perhaps as a scene to reenact with a willing partner for role-playing", "perhaps ways in which this is similar to other writing tasks for which", "has happened. In erotica, the whole reason the reader is reading is for", "with a willing partner for role-playing fun. (If you are put off by", "write erotica. Typically these stories have a setup and scenario which I can", "What approach can I use to tackle writing long and detailed* explicit sex", "the question [How to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to a sub-plot", "similar methods of \"hiding\" the sex scene, stopping with a kiss or embrace,", "of \"hiding\" the sex scene, stopping with a kiss or embrace, and jumping", "nature of the genre, and the treatment of sex in a novel or", "this is similar to other writing tasks for which more advice exists. What", "a fully imagined sex scene, genitalia, penetrations, orgasms, fluids, the whole thing. Perhaps", "treatment of sex in a novel or R-rated movie defeats that purpose. The", "sex scenes without turning away, that are varied and will sexually excite my", "a good way of thinking about such scenes to accomplish this, or perhaps", "describe quite well. However, once I get to the... main event... I find", "This is unlike the question [How to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers", "as a scene to reenact with a willing partner for role-playing fun. (If", "scene, that is the nature of the genre, and the treatment of sex", "about genitalia or the actions involved in having sex. Other respondents suggesting similar", "off by these purposes, this question is not for you!) All of that", "such scenes to accomplish this, or perhaps ways in which this is similar", "a willing partner for role-playing fun. (If you are put off by these", "of the genre, and the treatment of sex in a novel or R-rated", "perhaps other writers can provide a good way of thinking about such scenes", "quite well. However, once I get to the... main event... I find it", "involved in having sex. Other respondents suggesting similar methods of \"hiding\" the sex", "are varied and will sexually excite my readers without using silly similes or", "whole reason the reader is reading is for a lengthy and detailed blow-by-blow", "is unlike the question [How to write good erotic scene?](https://writing.stackexchange.com/q/14102/2533), which refers to", "genitalia or the actions involved in having sex. Other respondents suggesting similar methods", "scenes to accomplish this, or perhaps ways in which this is similar to", "a setup and scenario which I can describe quite well. However, once I", "willing partner for role-playing fun. (If you are put off by these purposes,", "reader wants a fully imagined sex scene, genitalia, penetrations, orgasms, fluids, the whole", "jumping to a point after the sex has happened. In erotica, the whole", "reader is reading is for a lengthy and detailed blow-by-blow sex scene, that" ]
[ "are already in use in other stories, for example 'Cornelius Cod'. Would I", "'Cornelius Cod'. Would I have to change my characters names? I live in", "have named my fish and dolphin characters in my short story. It transpires", "example 'Cornelius Cod'. Would I have to change my characters names? I live", "story. It transpires that these names are already in use in other stories,", "that these names are already in use in other stories, for example 'Cornelius", "I have named my fish and dolphin characters in my short story. It", "stories, for example 'Cornelius Cod'. Would I have to change my characters names?", "for example 'Cornelius Cod'. Would I have to change my characters names? I", "dolphin characters in my short story. It transpires that these names are already", "my short story. It transpires that these names are already in use in", "names are already in use in other stories, for example 'Cornelius Cod'. Would", "short story. It transpires that these names are already in use in other", "in my short story. It transpires that these names are already in use", "characters in my short story. It transpires that these names are already in", "It transpires that these names are already in use in other stories, for", "transpires that these names are already in use in other stories, for example", "other stories, for example 'Cornelius Cod'. Would I have to change my characters", "and dolphin characters in my short story. It transpires that these names are", "Cod'. Would I have to change my characters names? I live in England.", "use in other stories, for example 'Cornelius Cod'. Would I have to change", "in use in other stories, for example 'Cornelius Cod'. Would I have to", "fish and dolphin characters in my short story. It transpires that these names", "in other stories, for example 'Cornelius Cod'. Would I have to change my", "my fish and dolphin characters in my short story. It transpires that these", "these names are already in use in other stories, for example 'Cornelius Cod'.", "named my fish and dolphin characters in my short story. It transpires that", "already in use in other stories, for example 'Cornelius Cod'. Would I have" ]
[ "equated Hang Day with Sunday or Sotbajh. It was a weekly day off,", "more personal deaths yet to come in my story, Hang Day, to me,", "nobleman from the night before was among them. My confusion turned to horror,", "week, and everybody was supposed to stop working. I had originally equated Hang", "personal deaths yet to come in my story, Hang Day, to me, is", "put together what was happening. I wanted to protest, or at least question", "before was among them. My confusion turned to horror, as I put together", "and servants of the castle gathered around the town square, where several gallows", "book shouldn't be listed as adult, or even new adult. The book is", "their deaths. The majority of the people were peasants, and were happy to", "Beyond the palace and surrounding city, how “observant” people were of Hang Day", "her show. But the show wasn’t for her, it was for the people.", "were happy to see a noble among the doomed. > > > I", "The people gathered were chanting and cheering as the prisoners walked to their", "lot of advice that says that age of my protagonist can help determine", "together what was happening. I wanted to protest, or at least question the", "me nearly vomiting on her. The Quuan, the Quuan Her High Majesty looked", "the worst thing I think I’ve ever been through, especially with hindsight. >", "even close to finishing, I can't help but wonder what the age of", "was not embarrassed or in anyway worried about what the Quuan would think", "embarrassed or in anyway worried about what the Quuan would think of me", "or even new adult. The book is also far too dark for me", "the previous week were hanged. The Quuan Her High Majesty, and now me,", "of the people were peasants, and were happy to see a noble among", "were released at the same time. The prisoners dropped, and I vomited as", "were set up, and the entire population of the dungeons that had accumulated", "dead men, pleased. Hang Days, were the only time I ever saw anything", "five years later) > > Hang Days, are days that happen once a", "clever. She knew how to control her subjects. Despite the gorier, and more", "and it was clever. She knew how to control her subjects. Despite the", "the nooses. All of the trapdoors were released at the same time. The", "and court and servants of the castle gathered around the town square, where", "> > > On my first Hang Day, I watched in confusion as", "what happens when I’m displeased.” And at the same time that she was", "my story, Hang Day, to me, is still the worst thing I think", "of me nearly vomiting on her. The Quuan, the Quuan Her High Majesty", "the 11 year old who is retelling the story about five years later)", "on her. The Quuan, the Quuan Her High Majesty looked at the dead", "were peasants, and were happy to see a noble among the doomed. >", "with Sunday or Sotbajh. It was a weekly day off, yes, but that’s", "of my target audience. My protagonist is 11, so I feel like my", "genuine smile on her face, bitch. > > > It took me awhile", "would think of me nearly vomiting on her. The Quuan, the Quuan Her", "looked at the dead men, pleased. Hang Days, were the only time I", "the night before was among them. My confusion turned to horror, as I", "a coming of age story, so I'm unsure about having it be young", "and were happy to see a noble among the doomed. > > >", "working. I had originally equated Hang Day with Sunday or Sotbajh. It was", "they did the “dance” that the servant had casually mentioned earlier. > When", "Her High Majesty looked at the dead men, pleased. Hang Days, were the", "only time I ever saw anything resembling a genuine smile on her face,", "a lot of advice that says that age of my protagonist can help", "the gallows, the green coated nobleman from the night before was among them.", "and everybody was supposed to stop working. I had originally equated Hang Day", "previous week were hanged. The Quuan Her High Majesty, and now me, had", "she was giving her threat, she was also rewarding the people. “See this", "I stared in horror at dead people, the Quuan Her High Majesty only", "was a weekly day off, yes, but that’s where the comparison ends. Beyond", "later) > > Hang Days, are days that happen once a week, and", "weekly day off, yes, but that’s where the comparison ends. Beyond the palace", "dungeons that had accumulated over the previous week were hanged. The Quuan Her", "several gallows were set up, and the entire population of the dungeons that", "exactly as the Quuan Her High Majesty wanted. Once a week, the people", "new adult. The book is also far too dark for me to feel", "audience. My protagonist is 11, so I feel like my book shouldn't be", "High Majesty wanted. Once a week, the people from the city and court", "my gift to you.” It was horrible, and it was clever. She knew", "story, so I'm unsure about having it be young adult. I think this", "noble among the doomed. > > > I watched, sickend as their heads", "Quuan Her High Majesty looked at the dead men, pleased. Hang Days, were", "horrible, and it was clever. She knew how to control her subjects. Despite", "should be. I've read a lot of advice that says that age of", "day off, yes, but that’s where the comparison ends. Beyond the palace and", "at dead people, the Quuan Her High Majesty only saw puppets that danced", "nearly vomiting on her. The Quuan, the Quuan Her High Majesty looked at", "adult, or even new adult. The book is also far too dark for", "Majesty looked at the dead men, pleased. Hang Days, were the only time", "be young adult. I think this excerpt will help, (it's from the point", "the Quuan Her High Majesty wanted. Once a week, the people from the", "but while I stared in horror at dead people, the Quuan Her High", "the story about five years later) > > Hang Days, are days that", "was giving her threat, she was also rewarding the people. “See this day", "sickend as their heads were placed in the nooses. All of the trapdoors", "to finishing, I can't help but wonder what the age of my intended", "it was clever. She knew how to control her subjects. Despite the gorier,", "everybody was supposed to stop working. I had originally equated Hang Day with", "I watched in confusion as a large handful of prisoners were led to", "Day with Sunday or Sotbajh. It was a weekly day off, yes, but", "was for the people. “See what happens when I’m displeased.” And at the", "I've read a lot of advice that says that age of my protagonist", "to feel comfortable listing it for middle readers, and it's really not a", "the only time I ever saw anything resembling a genuine smile on her", "the prisoners walked to their deaths. The majority of the people were peasants,", "I’m displeased.” And at the same time that she was giving her threat,", "When my vomiting, turned dry-heaving finally finished, I found that I was not", "green coated nobleman from the night before was among them. My confusion turned", "were placed in the nooses. All of the trapdoors were released at the", "day of rest, this is my gift to you.” It was horrible, and", "from the night before was among them. My confusion turned to horror, as", "danced in her show. But the show wasn’t for her, it was for", "Majesty, and now me, had front row seats. > > > On my", "She knew how to control her subjects. Despite the gorier, and more personal", "> > Hang Days, are days that happen once a week, and everybody", "wanted to protest, or at least question the Quuan Her High Majesty why", "gallows were set up, and the entire population of the dungeons that had", "had originally equated Hang Day with Sunday or Sotbajh. It was a weekly", "having it be young adult. I think this excerpt will help, (it's from", "help, (it's from the point of view of the 11 year old who", "servant had casually mentioned earlier. > When my vomiting, turned dry-heaving finally finished,", "to realize this, but while I stared in horror at dead people, the", "from the point of view of the 11 year old who is retelling", "intended audience should be. I've read a lot of advice that says that", "resembling a genuine smile on her face, bitch. > > > It took", "is still the worst thing I think I’ve ever been through, especially with", "as I put together what was happening. I wanted to protest, or at", "Day, I watched in confusion as a large handful of prisoners were led", "come in my story, Hang Day, to me, is still the worst thing", "supposed to stop working. I had originally equated Hang Day with Sunday or", "a noble among the doomed. > > > I watched, sickend as their", "the age of my intended audience should be. I've read a lot of", "the Quuan Her High Majesty looked at the dead men, pleased. Hang Days,", "> When my vomiting, turned dry-heaving finally finished, I found that I was", "the green coated nobleman from the night before was among them. My confusion", "that’s where the comparison ends. Beyond the palace and surrounding city, how “observant”", "story about five years later) > > Hang Days, are days that happen", "saw anything resembling a genuine smile on her face, bitch. > > >", "make myself say a single word. > The people gathered were chanting and", "“See what happens when I’m displeased.” And at the same time that she", "what the age of my intended audience should be. I've read a lot", "word. > The people gathered were chanting and cheering as the prisoners walked", "same time that she was giving her threat, she was also rewarding the", "confusion as a large handful of prisoners were led to the gallows, the", "the people. “See this day of rest, this is my gift to you.”", "handful of prisoners were led to the gallows, the green coated nobleman from", "listed as adult, or even new adult. The book is also far too", "she was doing this, but I couldn’t make myself say a single word.", "the city and court and servants of the castle gathered around the town", "and I vomited as they did the “dance” that the servant had casually", "Day varied, but at the castle, it was followed exactly as the Quuan", "It was a weekly day off, yes, but that’s where the comparison ends.", "week, the people from the city and court and servants of the castle", "happening. I wanted to protest, or at least question the Quuan Her High", "the Quuan Her High Majesty why she was doing this, but I couldn’t", "pleased. Hang Days, were the only time I ever saw anything resembling a", "this is my gift to you.” It was horrible, and it was clever.", "that I was not embarrassed or in anyway worried about what the Quuan", "coated nobleman from the night before was among them. My confusion turned to", "hanged. The Quuan Her High Majesty, and now me, had front row seats.", "High Majesty looked at the dead men, pleased. Hang Days, were the only", "at the castle, it was followed exactly as the Quuan Her High Majesty", "11, so I feel like my book shouldn't be listed as adult, or", "can help determine the age of my target audience. My protagonist is 11,", "peasants, and were happy to see a noble among the doomed. > >", "coming of age story, so I'm unsure about having it be young adult.", "Hang Day varied, but at the castle, it was followed exactly as the", "not embarrassed or in anyway worried about what the Quuan would think of", "them. My confusion turned to horror, as I put together what was happening.", "book, and while I'm not even close to finishing, I can't help but", "be. I've read a lot of advice that says that age of my", "ends. Beyond the palace and surrounding city, how “observant” people were of Hang", "the palace and surrounding city, how “observant” people were of Hang Day varied,", "people from the city and court and servants of the castle gathered around", "once a week, and everybody was supposed to stop working. I had originally", "the castle gathered around the town square, where several gallows were set up,", "deaths yet to come in my story, Hang Day, to me, is still", "as they did the “dance” that the servant had casually mentioned earlier. >", "row seats. > > > On my first Hang Day, I watched in", "servants of the castle gathered around the town square, where several gallows were", "“See this day of rest, this is my gift to you.” It was", "entire population of the dungeons that had accumulated over the previous week were", "I ever saw anything resembling a genuine smile on her face, bitch. >", "finishing, I can't help but wonder what the age of my intended audience", "> > > It took me awhile to realize this, but while I", "why she was doing this, but I couldn’t make myself say a single", "my vomiting, turned dry-heaving finally finished, I found that I was not embarrassed", "worst thing I think I’ve ever been through, especially with hindsight. > >", "her subjects. Despite the gorier, and more personal deaths yet to come in", "large handful of prisoners were led to the gallows, the green coated nobleman", "as adult, or even new adult. The book is also far too dark", "gathered around the town square, where several gallows were set up, and the", "or at least question the Quuan Her High Majesty why she was doing", "On my first Hang Day, I watched in confusion as a large handful", "High Majesty, and now me, had front row seats. > > > On", "writing a book, and while I'm not even close to finishing, I can't", "but wonder what the age of my intended audience should be. I've read", "of Hang Day varied, but at the castle, it was followed exactly as", "of advice that says that age of my protagonist can help determine the", "so I'm unsure about having it be young adult. I think this excerpt", "castle, it was followed exactly as the Quuan Her High Majesty wanted. Once", "of prisoners were led to the gallows, the green coated nobleman from the", "led to the gallows, the green coated nobleman from the night before was", "of my intended audience should be. I've read a lot of advice that", "at the dead men, pleased. Hang Days, were the only time I ever", "The Quuan Her High Majesty, and now me, had front row seats. >", "this, but I couldn’t make myself say a single word. > The people", "that age of my protagonist can help determine the age of my target", "for middle readers, and it's really not a coming of age story, so", "varied, but at the castle, it was followed exactly as the Quuan Her", "earlier. > When my vomiting, turned dry-heaving finally finished, I found that I", "are days that happen once a week, and everybody was supposed to stop", "The book is also far too dark for me to feel comfortable listing", "was doing this, but I couldn’t make myself say a single word. >", "and surrounding city, how “observant” people were of Hang Day varied, but at", "this day of rest, this is my gift to you.” It was horrible,", "gorier, and more personal deaths yet to come in my story, Hang Day,", "Quuan Her High Majesty, and now me, had front row seats. > >", "Majesty only saw puppets that danced in her show. But the show wasn’t", "for her, it was for the people. “See what happens when I’m displeased.”", "people gathered were chanting and cheering as the prisoners walked to their deaths.", "> > It took me awhile to realize this, but while I stared", "at least question the Quuan Her High Majesty why she was doing this,", "turned dry-heaving finally finished, I found that I was not embarrassed or in", "and more personal deaths yet to come in my story, Hang Day, to", "All of the trapdoors were released at the same time. The prisoners dropped,", "you.” It was horrible, and it was clever. She knew how to control", "to horror, as I put together what was happening. I wanted to protest,", "young adult. I think this excerpt will help, (it's from the point of", "Days, were the only time I ever saw anything resembling a genuine smile", "Hang Day with Sunday or Sotbajh. It was a weekly day off, yes,", "released at the same time. The prisoners dropped, and I vomited as they", "me, is still the worst thing I think I’ve ever been through, especially", "threat, she was also rewarding the people. “See this day of rest, this", "the people. “See what happens when I’m displeased.” And at the same time", "the “dance” that the servant had casually mentioned earlier. > When my vomiting,", "protagonist can help determine the age of my target audience. My protagonist is", "court and servants of the castle gathered around the town square, where several", "among the doomed. > > > I watched, sickend as their heads were", "Hang Day, to me, is still the worst thing I think I’ve ever", "time. The prisoners dropped, and I vomited as they did the “dance” that", "she was also rewarding the people. “See this day of rest, this is", "Sunday or Sotbajh. It was a weekly day off, yes, but that’s where", "rest, this is my gift to you.” It was horrible, and it was", "wanted. Once a week, the people from the city and court and servants", "that danced in her show. But the show wasn’t for her, it was", "the gorier, and more personal deaths yet to come in my story, Hang", "but I couldn’t make myself say a single word. > The people gathered", "that happen once a week, and everybody was supposed to stop working. I", "I'm not even close to finishing, I can't help but wonder what the", "Quuan Her High Majesty only saw puppets that danced in her show. But", "while I'm not even close to finishing, I can't help but wonder what", "unsure about having it be young adult. I think this excerpt will help,", "to me, is still the worst thing I think I’ve ever been through,", "Quuan, the Quuan Her High Majesty looked at the dead men, pleased. Hang", "least question the Quuan Her High Majesty why she was doing this, but", "her threat, she was also rewarding the people. “See this day of rest,", "knew how to control her subjects. Despite the gorier, and more personal deaths", "the dungeons that had accumulated over the previous week were hanged. The Quuan", "Her High Majesty wanted. Once a week, the people from the city and", "Days, are days that happen once a week, and everybody was supposed to", "the entire population of the dungeons that had accumulated over the previous week", "I vomited as they did the “dance” that the servant had casually mentioned", "> I watched, sickend as their heads were placed in the nooses. All", "this excerpt will help, (it's from the point of view of the 11", "this, but while I stared in horror at dead people, the Quuan Her", "wonder what the age of my intended audience should be. I've read a", "point of view of the 11 year old who is retelling the story", "were the only time I ever saw anything resembling a genuine smile on", "comparison ends. Beyond the palace and surrounding city, how “observant” people were of", "smile on her face, bitch. > > > It took me awhile to", "realize this, but while I stared in horror at dead people, the Quuan", "I'm unsure about having it be young adult. I think this excerpt will", "were chanting and cheering as the prisoners walked to their deaths. The majority", "confusion turned to horror, as I put together what was happening. I wanted", "> Hang Days, are days that happen once a week, and everybody was", "see a noble among the doomed. > > > I watched, sickend as", "it for middle readers, and it's really not a coming of age story,", "how “observant” people were of Hang Day varied, but at the castle, it", "as the Quuan Her High Majesty wanted. Once a week, the people from", "my target audience. My protagonist is 11, so I feel like my book", "for the people. “See what happens when I’m displeased.” And at the same", "among them. My confusion turned to horror, as I put together what was", "trapdoors were released at the same time. The prisoners dropped, and I vomited", "> > > I watched, sickend as their heads were placed in the", "help determine the age of my target audience. My protagonist is 11, so", "me awhile to realize this, but while I stared in horror at dead", "a book, and while I'm not even close to finishing, I can't help", "Quuan would think of me nearly vomiting on her. The Quuan, the Quuan", "> > I watched, sickend as their heads were placed in the nooses.", "watched, sickend as their heads were placed in the nooses. All of the", "the same time. The prisoners dropped, and I vomited as they did the", "The majority of the people were peasants, and were happy to see a", "says that age of my protagonist can help determine the age of my", "age of my target audience. My protagonist is 11, so I feel like", "cheering as the prisoners walked to their deaths. The majority of the people", "the same time that she was giving her threat, she was also rewarding", "as their heads were placed in the nooses. All of the trapdoors were", "casually mentioned earlier. > When my vomiting, turned dry-heaving finally finished, I found", "dry-heaving finally finished, I found that I was not embarrassed or in anyway", "I feel like my book shouldn't be listed as adult, or even new", "I couldn’t make myself say a single word. > The people gathered were", "up, and the entire population of the dungeons that had accumulated over the", "square, where several gallows were set up, and the entire population of the", "subjects. Despite the gorier, and more personal deaths yet to come in my", "was followed exactly as the Quuan Her High Majesty wanted. Once a week,", "chanting and cheering as the prisoners walked to their deaths. The majority of", "the comparison ends. Beyond the palace and surrounding city, how “observant” people were", "happens when I’m displeased.” And at the same time that she was giving", "Quuan Her High Majesty wanted. Once a week, the people from the city", "of the trapdoors were released at the same time. The prisoners dropped, and", "around the town square, where several gallows were set up, and the entire", "not even close to finishing, I can't help but wonder what the age", "palace and surrounding city, how “observant” people were of Hang Day varied, but", "now me, had front row seats. > > > On my first Hang", "dark for me to feel comfortable listing it for middle readers, and it's", "I wanted to protest, or at least question the Quuan Her High Majesty", "excerpt will help, (it's from the point of view of the 11 year", "Day, to me, is still the worst thing I think I’ve ever been", "men, pleased. Hang Days, were the only time I ever saw anything resembling", "and cheering as the prisoners walked to their deaths. The majority of the", "Hang Day, I watched in confusion as a large handful of prisoners were", "horror at dead people, the Quuan Her High Majesty only saw puppets that", "population of the dungeons that had accumulated over the previous week were hanged.", "the people were peasants, and were happy to see a noble among the", "anyway worried about what the Quuan would think of me nearly vomiting on", "the servant had casually mentioned earlier. > When my vomiting, turned dry-heaving finally", "help but wonder what the age of my intended audience should be. I've", "Her High Majesty, and now me, had front row seats. > > >", "to see a noble among the doomed. > > > I watched, sickend", "My protagonist is 11, so I feel like my book shouldn't be listed", "face, bitch. > > > It took me awhile to realize this, but", "a week, and everybody was supposed to stop working. I had originally equated", "be listed as adult, or even new adult. The book is also far", "ever saw anything resembling a genuine smile on her face, bitch. > >", "or in anyway worried about what the Quuan would think of me nearly", "say a single word. > The people gathered were chanting and cheering as", "puppets that danced in her show. But the show wasn’t for her, it", "stared in horror at dead people, the Quuan Her High Majesty only saw", "It was horrible, and it was clever. She knew how to control her", "her. The Quuan, the Quuan Her High Majesty looked at the dead men,", "that she was giving her threat, she was also rewarding the people. “See", "when I’m displeased.” And at the same time that she was giving her", "the people from the city and court and servants of the castle gathered", "of the castle gathered around the town square, where several gallows were set", "in the nooses. All of the trapdoors were released at the same time.", "placed in the nooses. All of the trapdoors were released at the same", "vomiting, turned dry-heaving finally finished, I found that I was not embarrassed or", "I found that I was not embarrassed or in anyway worried about what", "dropped, and I vomited as they did the “dance” that the servant had", "who is retelling the story about five years later) > > Hang Days,", "It took me awhile to realize this, but while I stared in horror", "of rest, this is my gift to you.” It was horrible, and it", "is 11, so I feel like my book shouldn't be listed as adult,", "and while I'm not even close to finishing, I can't help but wonder", "were led to the gallows, the green coated nobleman from the night before", "But the show wasn’t for her, it was for the people. “See what", "yet to come in my story, Hang Day, to me, is still the", "Sotbajh. It was a weekly day off, yes, but that’s where the comparison", "people. “See what happens when I’m displeased.” And at the same time that", "comfortable listing it for middle readers, and it's really not a coming of", "in horror at dead people, the Quuan Her High Majesty only saw puppets", "also far too dark for me to feel comfortable listing it for middle", "what the Quuan would think of me nearly vomiting on her. The Quuan,", "for me to feel comfortable listing it for middle readers, and it's really", "the age of my target audience. My protagonist is 11, so I feel", "old who is retelling the story about five years later) > > Hang", "single word. > The people gathered were chanting and cheering as the prisoners", "the show wasn’t for her, it was for the people. “See what happens", "people were of Hang Day varied, but at the castle, it was followed", "is my gift to you.” It was horrible, and it was clever. She", "a large handful of prisoners were led to the gallows, the green coated", "think of me nearly vomiting on her. The Quuan, the Quuan Her High", "worried about what the Quuan would think of me nearly vomiting on her.", "people. “See this day of rest, this is my gift to you.” It", "happen once a week, and everybody was supposed to stop working. I had", "> > On my first Hang Day, I watched in confusion as a", "was horrible, and it was clever. She knew how to control her subjects.", "was clever. She knew how to control her subjects. Despite the gorier, and", "High Majesty why she was doing this, but I couldn’t make myself say", "close to finishing, I can't help but wonder what the age of my", "book is also far too dark for me to feel comfortable listing it", "bitch. > > > It took me awhile to realize this, but while", "like my book shouldn't be listed as adult, or even new adult. The", "castle gathered around the town square, where several gallows were set up, and", "watched in confusion as a large handful of prisoners were led to the", "their heads were placed in the nooses. All of the trapdoors were released", "show wasn’t for her, it was for the people. “See what happens when", "to protest, or at least question the Quuan Her High Majesty why she", "a weekly day off, yes, but that’s where the comparison ends. Beyond the", "too dark for me to feel comfortable listing it for middle readers, and", "I watched, sickend as their heads were placed in the nooses. All of", "year old who is retelling the story about five years later) > >", "town square, where several gallows were set up, and the entire population of", "of view of the 11 year old who is retelling the story about", "set up, and the entire population of the dungeons that had accumulated over", "me, had front row seats. > > > On my first Hang Day,", "to you.” It was horrible, and it was clever. She knew how to", "surrounding city, how “observant” people were of Hang Day varied, but at the", "vomited as they did the “dance” that the servant had casually mentioned earlier.", "week were hanged. The Quuan Her High Majesty, and now me, had front", "Hang Days, are days that happen once a week, and everybody was supposed", "show. But the show wasn’t for her, it was for the people. “See", "age of my protagonist can help determine the age of my target audience.", "it was followed exactly as the Quuan Her High Majesty wanted. Once a", "how to control her subjects. Despite the gorier, and more personal deaths yet", "of my protagonist can help determine the age of my target audience. My", "listing it for middle readers, and it's really not a coming of age", "my book shouldn't be listed as adult, or even new adult. The book", "and the entire population of the dungeons that had accumulated over the previous", "myself say a single word. > The people gathered were chanting and cheering", "took me awhile to realize this, but while I stared in horror at", "retelling the story about five years later) > > Hang Days, are days", "finally finished, I found that I was not embarrassed or in anyway worried", "of the 11 year old who is retelling the story about five years", "my protagonist can help determine the age of my target audience. My protagonist", "will help, (it's from the point of view of the 11 year old", "think this excerpt will help, (it's from the point of view of the", "Quuan Her High Majesty why she was doing this, but I couldn’t make", "thing I think I’ve ever been through, especially with hindsight. > > >", "a genuine smile on her face, bitch. > > > It took me", "High Majesty only saw puppets that danced in her show. But the show", "seats. > > > On my first Hang Day, I watched in confusion", "that the servant had casually mentioned earlier. > When my vomiting, turned dry-heaving", "Once a week, the people from the city and court and servants of", "> On my first Hang Day, I watched in confusion as a large", "a week, the people from the city and court and servants of the", "was supposed to stop working. I had originally equated Hang Day with Sunday", "finished, I found that I was not embarrassed or in anyway worried about", "at the same time. The prisoners dropped, and I vomited as they did", "and it's really not a coming of age story, so I'm unsure about", "question the Quuan Her High Majesty why she was doing this, but I", "doing this, but I couldn’t make myself say a single word. > The", "age of my intended audience should be. I've read a lot of advice", "protagonist is 11, so I feel like my book shouldn't be listed as", "I'm writing a book, and while I'm not even close to finishing, I", "“observant” people were of Hang Day varied, but at the castle, it was", "were of Hang Day varied, but at the castle, it was followed exactly", "or Sotbajh. It was a weekly day off, yes, but that’s where the", "far too dark for me to feel comfortable listing it for middle readers,", "and now me, had front row seats. > > > On my first", "shouldn't be listed as adult, or even new adult. The book is also", "dead people, the Quuan Her High Majesty only saw puppets that danced in", "feel like my book shouldn't be listed as adult, or even new adult.", "prisoners walked to their deaths. The majority of the people were peasants, and", "I think this excerpt will help, (it's from the point of view of", "as the prisoners walked to their deaths. The majority of the people were", "anything resembling a genuine smile on her face, bitch. > > > It", "my intended audience should be. I've read a lot of advice that says", "about having it be young adult. I think this excerpt will help, (it's", "days that happen once a week, and everybody was supposed to stop working.", "in my story, Hang Day, to me, is still the worst thing I", "is also far too dark for me to feel comfortable listing it for", "to come in my story, Hang Day, to me, is still the worst", "in her show. But the show wasn’t for her, it was for the", "I had originally equated Hang Day with Sunday or Sotbajh. It was a", "rewarding the people. “See this day of rest, this is my gift to", "to control her subjects. Despite the gorier, and more personal deaths yet to", "heads were placed in the nooses. All of the trapdoors were released at", "people, the Quuan Her High Majesty only saw puppets that danced in her", "in anyway worried about what the Quuan would think of me nearly vomiting", "turned to horror, as I put together what was happening. I wanted to", "her face, bitch. > > > It took me awhile to realize this,", "while I stared in horror at dead people, the Quuan Her High Majesty", "the town square, where several gallows were set up, and the entire population", "Despite the gorier, and more personal deaths yet to come in my story,", "the doomed. > > > I watched, sickend as their heads were placed", "giving her threat, she was also rewarding the people. “See this day of", "of age story, so I'm unsure about having it be young adult. I", "gathered were chanting and cheering as the prisoners walked to their deaths. The", "only saw puppets that danced in her show. But the show wasn’t for", "I can't help but wonder what the age of my intended audience should", "time I ever saw anything resembling a genuine smile on her face, bitch.", "years later) > > Hang Days, are days that happen once a week,", "accumulated over the previous week were hanged. The Quuan Her High Majesty, and", "first Hang Day, I watched in confusion as a large handful of prisoners", "but at the castle, it was followed exactly as the Quuan Her High", "Majesty why she was doing this, but I couldn’t make myself say a", "saw puppets that danced in her show. But the show wasn’t for her,", "not a coming of age story, so I'm unsure about having it be", "it was for the people. “See what happens when I’m displeased.” And at", "target audience. My protagonist is 11, so I feel like my book shouldn't", "the point of view of the 11 year old who is retelling the", "to the gallows, the green coated nobleman from the night before was among", "happy to see a noble among the doomed. > > > I watched,", "night before was among them. My confusion turned to horror, as I put", "originally equated Hang Day with Sunday or Sotbajh. It was a weekly day", "story, Hang Day, to me, is still the worst thing I think I’ve", "had casually mentioned earlier. > When my vomiting, turned dry-heaving finally finished, I", "my first Hang Day, I watched in confusion as a large handful of", "but that’s where the comparison ends. Beyond the palace and surrounding city, how", "what was happening. I wanted to protest, or at least question the Quuan", "Majesty wanted. Once a week, the people from the city and court and", "time that she was giving her threat, she was also rewarding the people.", "control her subjects. Despite the gorier, and more personal deaths yet to come", "My confusion turned to horror, as I put together what was happening. I", "even new adult. The book is also far too dark for me to", "the castle, it was followed exactly as the Quuan Her High Majesty wanted.", "at the same time that she was giving her threat, she was also", "11 year old who is retelling the story about five years later) >", "a single word. > The people gathered were chanting and cheering as the", "that had accumulated over the previous week were hanged. The Quuan Her High", "had front row seats. > > > On my first Hang Day, I", "so I feel like my book shouldn't be listed as adult, or even", "people were peasants, and were happy to see a noble among the doomed.", "adult. I think this excerpt will help, (it's from the point of view", "it be young adult. I think this excerpt will help, (it's from the", "protest, or at least question the Quuan Her High Majesty why she was", "I was not embarrassed or in anyway worried about what the Quuan would", "the dead men, pleased. Hang Days, were the only time I ever saw", "to their deaths. The majority of the people were peasants, and were happy", "And at the same time that she was giving her threat, she was", "can't help but wonder what the age of my intended audience should be.", "city, how “observant” people were of Hang Day varied, but at the castle,", "majority of the people were peasants, and were happy to see a noble", "had accumulated over the previous week were hanged. The Quuan Her High Majesty,", "about what the Quuan would think of me nearly vomiting on her. The", "displeased.” And at the same time that she was giving her threat, she", "same time. The prisoners dropped, and I vomited as they did the “dance”", "middle readers, and it's really not a coming of age story, so I'm", "did the “dance” that the servant had casually mentioned earlier. > When my", "I put together what was happening. I wanted to protest, or at least", "off, yes, but that’s where the comparison ends. Beyond the palace and surrounding", "it's really not a coming of age story, so I'm unsure about having", "view of the 11 year old who is retelling the story about five", "about five years later) > > Hang Days, are days that happen once", "mentioned earlier. > When my vomiting, turned dry-heaving finally finished, I found that", "advice that says that age of my protagonist can help determine the age", "awhile to realize this, but while I stared in horror at dead people,", "from the city and court and servants of the castle gathered around the", "followed exactly as the Quuan Her High Majesty wanted. Once a week, the", "The Quuan, the Quuan Her High Majesty looked at the dead men, pleased.", "nooses. All of the trapdoors were released at the same time. The prisoners", "on her face, bitch. > > > It took me awhile to realize", "is retelling the story about five years later) > > Hang Days, are", "stop working. I had originally equated Hang Day with Sunday or Sotbajh. It", "in confusion as a large handful of prisoners were led to the gallows,", "prisoners were led to the gallows, the green coated nobleman from the night", "also rewarding the people. “See this day of rest, this is my gift", "really not a coming of age story, so I'm unsure about having it", "wasn’t for her, it was for the people. “See what happens when I’m", "> The people gathered were chanting and cheering as the prisoners walked to", "where the comparison ends. Beyond the palace and surrounding city, how “observant” people", "The prisoners dropped, and I vomited as they did the “dance” that the", "read a lot of advice that says that age of my protagonist can", "prisoners dropped, and I vomited as they did the “dance” that the servant", "Hang Days, were the only time I ever saw anything resembling a genuine", "Her High Majesty only saw puppets that danced in her show. But the", "the Quuan Her High Majesty only saw puppets that danced in her show.", "city and court and servants of the castle gathered around the town square,", "doomed. > > > I watched, sickend as their heads were placed in", "walked to their deaths. The majority of the people were peasants, and were", "her, it was for the people. “See what happens when I’m displeased.” And", "Her High Majesty why she was doing this, but I couldn’t make myself", "deaths. The majority of the people were peasants, and were happy to see", "of the dungeons that had accumulated over the previous week were hanged. The", "gift to you.” It was horrible, and it was clever. She knew how", "were hanged. The Quuan Her High Majesty, and now me, had front row", "yes, but that’s where the comparison ends. Beyond the palace and surrounding city,", "age story, so I'm unsure about having it be young adult. I think", "determine the age of my target audience. My protagonist is 11, so I", "adult. The book is also far too dark for me to feel comfortable", "to stop working. I had originally equated Hang Day with Sunday or Sotbajh.", "was happening. I wanted to protest, or at least question the Quuan Her", "over the previous week were hanged. The Quuan Her High Majesty, and now", "“dance” that the servant had casually mentioned earlier. > When my vomiting, turned", "the Quuan would think of me nearly vomiting on her. The Quuan, the", "where several gallows were set up, and the entire population of the dungeons", "audience should be. I've read a lot of advice that says that age", "still the worst thing I think I’ve ever been through, especially with hindsight.", "the trapdoors were released at the same time. The prisoners dropped, and I", "was also rewarding the people. “See this day of rest, this is my", "gallows, the green coated nobleman from the night before was among them. My", "readers, and it's really not a coming of age story, so I'm unsure", "horror, as I put together what was happening. I wanted to protest, or", "that says that age of my protagonist can help determine the age of", "me to feel comfortable listing it for middle readers, and it's really not", "vomiting on her. The Quuan, the Quuan Her High Majesty looked at the", "feel comfortable listing it for middle readers, and it's really not a coming", "front row seats. > > > On my first Hang Day, I watched", "couldn’t make myself say a single word. > The people gathered were chanting", "found that I was not embarrassed or in anyway worried about what the", "as a large handful of prisoners were led to the gallows, the green", "was among them. My confusion turned to horror, as I put together what", "(it's from the point of view of the 11 year old who is", "> It took me awhile to realize this, but while I stared in" ]
[ "or so normal that they are indistinguishable from cliché. I read the answers", "grating on me - there's no creative formula that's \"quick and easy,\" if", "are indistinguishable from cliché. I read the answers to this question: [What qualities", "break down really easily or so normal that they are indistinguishable from cliché.", "how to blend them together. I need, if you like, directions to the", "the answers to that question reflect this, using phrases like 'quick and dirty'.", "question is, therefore: how do I write a good metaphor, in terms of", "just appear - tasty and ready to eat! My question is, therefore: how", "the familiar or mundane as something strikingly different yet truly parallel', 'gives a", "if there would be, it wouldn't be creative. Maybe change to ask about", "of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's", "so lame that they break down really easily or so normal that they", "to eat! My question is, therefore: how do I write a good metaphor,", "there would be, it wouldn't be creative. Maybe change to ask about process", "and, thereafter, the recipe I need to follow, in order to cook up", "metaphor ('recasts the familiar or mundane as something strikingly different yet truly parallel',", "to the shops and, thereafter, the recipe I need to follow, in order", "looking for something more considered and thoughtful - a recipe for a gourmet", "and 'may add to the core idea'. What I need help on are", "to that question reflect this, using phrases like 'quick and dirty'. I'm looking", "gather those ingredients and how to blend them together. I need, if you", "and even alliterative', 'easily invoke the idea you're trying to convey, without extraneous", "and from it I understand the kind of ingredients that go into a", "have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the kind of ingredients that go into", "'gives a startlingly vivid picture or brings a surprising insight', 'conveys the essence", "and methods to develop a metaphor, even the arduous and time-consuming ones?' My", "phrases like 'quick and dirty'. I'm looking for something more considered and thoughtful", "metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up with metaphors quickly and", "in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up with metaphors quickly and easily'", "in terms of the steps I need to follow? --- The question [Creating", "I need, if you like, directions to the shops and, thereafter, the recipe", "a good metaphor, in terms of the steps I need to follow? ---", "you like, directions to the shops and, thereafter, the recipe I need to", "are the mental processes of how to gather those ingredients and how to", "and easy\" part of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on", "even the arduous and time-consuming ones?' My question is the one that Standback", "should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the kind of", "that's \"quick and easy,\" if there would be, it wouldn't be creative. Maybe", "'The \"quick and easy\" part of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are", "'original, memorable, and even alliterative', 'easily invoke the idea you're trying to convey,", "to blend them together. I need, if you like, directions to the shops", "down really easily or so normal that they are indistinguishable from cliché. I", "gourmet meal rather than cheese on toast. Standback's comment epitomises what I'm asking:", "easily or so normal that they are indistinguishable from cliché. I read the", "I need help on are the mental processes of how to gather those", "like, directions to the shops and, thereafter, the recipe I need to follow,", "me - there's no creative formula that's \"quick and easy,\" if there would", "that they are indistinguishable from cliché. I read the answers to this question:", "steps I need to follow? --- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks", "need to follow? --- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways", "struggle with metaphors. My attempts are either so wild that no-one understands them,", "a surprising insight', 'conveys the essence of the idea in mind and requires", "using phrases like 'quick and dirty'. I'm looking for something more considered and", "with metaphors quickly and easily' and the answers to that question reflect this,", "a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the kind of ingredients", "a metaphor ('recasts the familiar or mundane as something strikingly different yet truly", "the answers to this question: [What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and", "attempts are either so wild that no-one understands them, so lame that they", "'come up with metaphors quickly and easily' and the answers to that question", "how do I write a good metaphor, in terms of the steps I", "idea'. What I need help on are the mental processes of how to", "no-one understands them, so lame that they break down really easily or so", "how to gather those ingredients and how to blend them together. I need,", "I'm asking: 'The \"quick and easy\" part of this question ([Creating metaphors in", "there's no creative formula that's \"quick and easy,\" if there would be, it", "a good metaphor. I mean, surely the meal doesn't just appear - tasty", "write a good metaphor, in terms of the steps I need to follow?", "with the audience' and 'may add to the core idea'. What I need", "- there's no creative formula that's \"quick and easy,\" if there would be,", "they break down really easily or so normal that they are indistinguishable from", "explanation', 'original, memorable, and even alliterative', 'easily invoke the idea you're trying to", "epitomises what I'm asking: 'The \"quick and easy\" part of this question ([Creating", "([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's no creative formula", "up a good metaphor. I mean, surely the meal doesn't just appear -", "I'm looking for something more considered and thoughtful - a recipe for a", "reflect this, using phrases like 'quick and dirty'. I'm looking for something more", "asking: 'The \"quick and easy\" part of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry))", "are either so wild that no-one understands them, so lame that they break", "and thoughtful - a recipe for a gourmet meal rather than cheese on", "processes of how to gather those ingredients and how to blend them together.", "to cook up a good metaphor. I mean, surely the meal doesn't just", "question: [What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand", "they are indistinguishable from cliché. I read the answers to this question: [What", "What I need help on are the mental processes of how to gather", "essence of the idea in mind and requires no additional explanation', 'original, memorable,", "into a metaphor ('recasts the familiar or mundane as something strikingly different yet", "surely the meal doesn't just appear - tasty and ready to eat! My", "[What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the", "this question: [What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I", "no creative formula that's \"quick and easy,\" if there would be, it wouldn't", "requires no additional explanation', 'original, memorable, and even alliterative', 'easily invoke the idea", "of the steps I need to follow? --- The question [Creating metaphors in", "or mundane as something strikingly different yet truly parallel', 'gives a startlingly vivid", "from cliché. I read the answers to this question: [What qualities should a", "for a gourmet meal rather than cheese on toast. Standback's comment epitomises what", "thereafter, the recipe I need to follow, in order to cook up a", "easy\" part of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me", "metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the kind of ingredients that go", "without extraneous or irrelevant details', 'resonates with the audience' and 'may add to", "My question is, therefore: how do I write a good metaphor, in terms", "--- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up", "be, it wouldn't be creative. Maybe change to ask about process and methods", "it I understand the kind of ingredients that go into a metaphor ('recasts", "to 'come up with metaphors quickly and easily' and the answers to that", "rather than cheese on toast. Standback's comment epitomises what I'm asking: 'The \"quick", "kind of ingredients that go into a metaphor ('recasts the familiar or mundane", "up with metaphors quickly and easily' and the answers to that question reflect", "together. I need, if you like, directions to the shops and, thereafter, the", "the meal doesn't just appear - tasty and ready to eat! My question", "'may add to the core idea'. What I need help on are the", "order to cook up a good metaphor. I mean, surely the meal doesn't", "of the idea in mind and requires no additional explanation', 'original, memorable, and", "indistinguishable from cliché. I read the answers to this question: [What qualities should", "qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the kind", "methods to develop a metaphor, even the arduous and time-consuming ones?' My question", "the idea in mind and requires no additional explanation', 'original, memorable, and even", "metaphor. I mean, surely the meal doesn't just appear - tasty and ready", "do I write a good metaphor, in terms of the steps I need", "that no-one understands them, so lame that they break down really easily or", "poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up with metaphors quickly and easily' and", "than cheese on toast. Standback's comment epitomises what I'm asking: 'The \"quick and", "follow, in order to cook up a good metaphor. I mean, surely the", "the essence of the idea in mind and requires no additional explanation', 'original,", "or irrelevant details', 'resonates with the audience' and 'may add to the core", "even alliterative', 'easily invoke the idea you're trying to convey, without extraneous or", "idea you're trying to convey, without extraneous or irrelevant details', 'resonates with the", "doesn't just appear - tasty and ready to eat! My question is, therefore:", "a gourmet meal rather than cheese on toast. Standback's comment epitomises what I'm", "wouldn't be creative. Maybe change to ask about process and methods to develop", "the mental processes of how to gather those ingredients and how to blend", "\"quick and easy\" part of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating", "to follow? --- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to", "'resonates with the audience' and 'may add to the core idea'. What I", "surprising insight', 'conveys the essence of the idea in mind and requires no", "metaphors quickly and easily' and the answers to that question reflect this, using", "and dirty'. I'm looking for something more considered and thoughtful - a recipe", "of ingredients that go into a metaphor ('recasts the familiar or mundane as", "you're trying to convey, without extraneous or irrelevant details', 'resonates with the audience'", "- tasty and ready to eat! My question is, therefore: how do I", "that they break down really easily or so normal that they are indistinguishable", "part of this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me -", "and requires no additional explanation', 'original, memorable, and even alliterative', 'easily invoke the", "in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's no creative formula that's \"quick", "ingredients and how to blend them together. I need, if you like, directions", "metaphor, even the arduous and time-consuming ones?' My question is the one that", "with metaphors. My attempts are either so wild that no-one understands them, so", "follow? --- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come", "need to follow, in order to cook up a good metaphor. I mean,", "appear - tasty and ready to eat! My question is, therefore: how do", "parallel', 'gives a startlingly vivid picture or brings a surprising insight', 'conveys the", "core idea'. What I need help on are the mental processes of how", "I need to follow, in order to cook up a good metaphor. I", "meal doesn't just appear - tasty and ready to eat! My question is,", "be creative. Maybe change to ask about process and methods to develop a", "for something more considered and thoughtful - a recipe for a gourmet meal", "good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it I understand the kind of ingredients that", "change to ask about process and methods to develop a metaphor, even the", "vivid picture or brings a surprising insight', 'conveys the essence of the idea", "really easily or so normal that they are indistinguishable from cliché. I read", "in order to cook up a good metaphor. I mean, surely the meal", "and easy,\" if there would be, it wouldn't be creative. Maybe change to", "ask about process and methods to develop a metaphor, even the arduous and", "need, if you like, directions to the shops and, thereafter, the recipe I", "familiar or mundane as something strikingly different yet truly parallel', 'gives a startlingly", "that question reflect this, using phrases like 'quick and dirty'. I'm looking for", "and how to blend them together. I need, if you like, directions to", "so normal that they are indistinguishable from cliché. I read the answers to", "cook up a good metaphor. I mean, surely the meal doesn't just appear", "about process and methods to develop a metaphor, even the arduous and time-consuming", "to ask about process and methods to develop a metaphor, even the arduous", "convey, without extraneous or irrelevant details', 'resonates with the audience' and 'may add", "meal rather than cheese on toast. Standback's comment epitomises what I'm asking: 'The", "\"quick and easy,\" if there would be, it wouldn't be creative. Maybe change", "wild that no-one understands them, so lame that they break down really easily", "'easily invoke the idea you're trying to convey, without extraneous or irrelevant details',", "to gather those ingredients and how to blend them together. I need, if", "invoke the idea you're trying to convey, without extraneous or irrelevant details', 'resonates", "mental processes of how to gather those ingredients and how to blend them", "this question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's no", "question reflect this, using phrases like 'quick and dirty'. I'm looking for something", "to convey, without extraneous or irrelevant details', 'resonates with the audience' and 'may", "lame that they break down really easily or so normal that they are", "to develop a metaphor, even the arduous and time-consuming ones?' My question is", "if you like, directions to the shops and, thereafter, the recipe I need", "My attempts are either so wild that no-one understands them, so lame that", "that go into a metaphor ('recasts the familiar or mundane as something strikingly", "audience' and 'may add to the core idea'. What I need help on", "understand the kind of ingredients that go into a metaphor ('recasts the familiar", "in mind and requires no additional explanation', 'original, memorable, and even alliterative', 'easily", "toast. Standback's comment epitomises what I'm asking: 'The \"quick and easy\" part of", "the arduous and time-consuming ones?' My question is the one that Standback was", "recipe I need to follow, in order to cook up a good metaphor.", "idea in mind and requires no additional explanation', 'original, memorable, and even alliterative',", "startlingly vivid picture or brings a surprising insight', 'conveys the essence of the", "either so wild that no-one understands them, so lame that they break down", "a recipe for a gourmet meal rather than cheese on toast. Standback's comment", "on toast. Standback's comment epitomises what I'm asking: 'The \"quick and easy\" part", "easy,\" if there would be, it wouldn't be creative. Maybe change to ask", "for ways to 'come up with metaphors quickly and easily' and the answers", "like 'quick and dirty'. I'm looking for something more considered and thoughtful -", "mundane as something strikingly different yet truly parallel', 'gives a startlingly vivid picture", "different yet truly parallel', 'gives a startlingly vivid picture or brings a surprising", "Maybe change to ask about process and methods to develop a metaphor, even", "thoughtful - a recipe for a gourmet meal rather than cheese on toast.", "from it I understand the kind of ingredients that go into a metaphor", "'quick and dirty'. I'm looking for something more considered and thoughtful - a", "directions to the shops and, thereafter, the recipe I need to follow, in", "cheese on toast. Standback's comment epitomises what I'm asking: 'The \"quick and easy\"", "answers to this question: [What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from", "the steps I need to follow? --- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)", "additional explanation', 'original, memorable, and even alliterative', 'easily invoke the idea you're trying", "creative formula that's \"quick and easy,\" if there would be, it wouldn't be", "are grating on me - there's no creative formula that's \"quick and easy,\"", "go into a metaphor ('recasts the familiar or mundane as something strikingly different", "trying to convey, without extraneous or irrelevant details', 'resonates with the audience' and", "asks for ways to 'come up with metaphors quickly and easily' and the", "metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's no creative formula that's", "formula that's \"quick and easy,\" if there would be, it wouldn't be creative.", "need help on are the mental processes of how to gather those ingredients", "insight', 'conveys the essence of the idea in mind and requires no additional", "I write a good metaphor, in terms of the steps I need to", "yet truly parallel', 'gives a startlingly vivid picture or brings a surprising insight',", "I need to follow? --- The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for", "those ingredients and how to blend them together. I need, if you like,", "something strikingly different yet truly parallel', 'gives a startlingly vivid picture or brings", "therefore: how do I write a good metaphor, in terms of the steps", "and time-consuming ones?' My question is the one that Standback was calling for.", "more considered and thoughtful - a recipe for a gourmet meal rather than", "Standback's comment epitomises what I'm asking: 'The \"quick and easy\" part of this", "eat! My question is, therefore: how do I write a good metaphor, in", "dirty'. I'm looking for something more considered and thoughtful - a recipe for", "them, so lame that they break down really easily or so normal that", "('recasts the familiar or mundane as something strikingly different yet truly parallel', 'gives", "I read the answers to this question: [What qualities should a good metaphor", "details', 'resonates with the audience' and 'may add to the core idea'. What", "good metaphor, in terms of the steps I need to follow? --- The", "mind and requires no additional explanation', 'original, memorable, and even alliterative', 'easily invoke", "'conveys the essence of the idea in mind and requires no additional explanation',", "alliterative', 'easily invoke the idea you're trying to convey, without extraneous or irrelevant", "to the core idea'. What I need help on are the mental processes", "good metaphor. I mean, surely the meal doesn't just appear - tasty and", "ways to 'come up with metaphors quickly and easily' and the answers to", "metaphor, in terms of the steps I need to follow? --- The question", "comment epitomises what I'm asking: 'The \"quick and easy\" part of this question", "considered and thoughtful - a recipe for a gourmet meal rather than cheese", "develop a metaphor, even the arduous and time-consuming ones?' My question is the", "this, using phrases like 'quick and dirty'. I'm looking for something more considered", "to follow, in order to cook up a good metaphor. I mean, surely", "of how to gather those ingredients and how to blend them together. I", "- a recipe for a gourmet meal rather than cheese on toast. Standback's", "ingredients that go into a metaphor ('recasts the familiar or mundane as something", "so wild that no-one understands them, so lame that they break down really", "as something strikingly different yet truly parallel', 'gives a startlingly vivid picture or", "strikingly different yet truly parallel', 'gives a startlingly vivid picture or brings a", "the shops and, thereafter, the recipe I need to follow, in order to", "question ([Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's no creative", "memorable, and even alliterative', 'easily invoke the idea you're trying to convey, without", "help on are the mental processes of how to gather those ingredients and", "brings a surprising insight', 'conveys the essence of the idea in mind and", "terms of the steps I need to follow? --- The question [Creating metaphors", "metaphors. My attempts are either so wild that no-one understands them, so lame", "what I'm asking: 'The \"quick and easy\" part of this question ([Creating metaphors", "the idea you're trying to convey, without extraneous or irrelevant details', 'resonates with", "question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up with metaphors", "on me - there's no creative formula that's \"quick and easy,\" if there", "[Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up with metaphors quickly", "I understand the kind of ingredients that go into a metaphor ('recasts the", "irrelevant details', 'resonates with the audience' and 'may add to the core idea'.", "add to the core idea'. What I need help on are the mental", "and ready to eat! My question is, therefore: how do I write a", "creative. Maybe change to ask about process and methods to develop a metaphor,", "tasty and ready to eat! My question is, therefore: how do I write", "ready to eat! My question is, therefore: how do I write a good", "is, therefore: how do I write a good metaphor, in terms of the", "truly parallel', 'gives a startlingly vivid picture or brings a surprising insight', 'conveys", "The question [Creating metaphors in poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry) asks for ways to 'come up with", "quickly and easily' and the answers to that question reflect this, using phrases", "understands them, so lame that they break down really easily or so normal", "the recipe I need to follow, in order to cook up a good", "something more considered and thoughtful - a recipe for a gourmet meal rather", "cliché. I read the answers to this question: [What qualities should a good", "I struggle with metaphors. My attempts are either so wild that no-one understands", "I mean, surely the meal doesn't just appear - tasty and ready to", "would be, it wouldn't be creative. Maybe change to ask about process and", "picture or brings a surprising insight', 'conveys the essence of the idea in", "them together. I need, if you like, directions to the shops and, thereafter,", "process and methods to develop a metaphor, even the arduous and time-consuming ones?'", "and easily' and the answers to that question reflect this, using phrases like", "extraneous or irrelevant details', 'resonates with the audience' and 'may add to the", "the audience' and 'may add to the core idea'. What I need help", "on are the mental processes of how to gather those ingredients and how", "to this question: [What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have) and from it", "recipe for a gourmet meal rather than cheese on toast. Standback's comment epitomises", "arduous and time-consuming ones?' My question is the one that Standback was calling", "answers to that question reflect this, using phrases like 'quick and dirty'. I'm", "normal that they are indistinguishable from cliché. I read the answers to this", "poetry](https://writing.stackexchange.com/questions/5583/creating-metaphors-in-poetry)) are grating on me - there's no creative formula that's \"quick and", "or brings a surprising insight', 'conveys the essence of the idea in mind", "no additional explanation', 'original, memorable, and even alliterative', 'easily invoke the idea you're", "mean, surely the meal doesn't just appear - tasty and ready to eat!", "easily' and the answers to that question reflect this, using phrases like 'quick", "the kind of ingredients that go into a metaphor ('recasts the familiar or", "the core idea'. What I need help on are the mental processes of", "a startlingly vivid picture or brings a surprising insight', 'conveys the essence of", "blend them together. I need, if you like, directions to the shops and,", "it wouldn't be creative. Maybe change to ask about process and methods to", "a metaphor, even the arduous and time-consuming ones?' My question is the one", "read the answers to this question: [What qualities should a good metaphor have?](https://writing.stackexchange.com/questions/5584/what-qualities-should-a-good-metaphor-have)", "and the answers to that question reflect this, using phrases like 'quick and", "shops and, thereafter, the recipe I need to follow, in order to cook" ]
[ "This question is NOT: * Asking for opinions on whether or not the", "close as possible.) --- This question is NOT: * Asking for opinions on", "I feel like people need to know this message, but I'm afraid that", "but I'm afraid that if taken the wrong way or in the wrong", "what's going to happen? Probably not. There probably will be rioting in the", "Probably not. There probably will be rioting in the streets, if not worse.", "of chances that such an event occurs. * A disguised anti-government message. The", "or power behind it, there must be a message. I've been writing this", "not the opening paragraph is true or false. I'd be happy to hear", "be the cause of some truly horrible actions. It isn't likely, but there's", "directly against those horrible actions. In theory this would work. But in practice,", "that what's going to happen? Probably not. There probably will be rioting in", "onto something they believe in and ignoring all else. So that's my question:", "to use my actual message as an example, so I'll use one which", "But in practice, people are fully capable of latching onto something they believe", "actions. It isn't likely, but there's still a chance, no matter how small.", "who feels that government is something which needs to be kept in check", "wrong way or in the wrong context, I might be the cause of", "the smallest of chances that such an event occurs. * A disguised anti-government", "some truly horrible actions. It isn't likely, but there's still a chance, no", "are fully capable of latching onto something they believe in and ignoring all", "want rioting in the streets and anarchy in the nation. More than likely,", "enough people read my novel, identify with the message, and then act in", "Do you just give up writing it altogether? Or is there a way", "do? I feel like people need to know this message, but I'm afraid", "altogether? Or is there a way to ensure that it isn't taken the", "assumption is flawed...' * Asking for you to show how UNLIKELY it is", "Asking for opinions on whether or not the opening paragraph is true or", "a message. I've been writing this why for many years, and it's lent", "the wrong way? (Obviously you can't 100% guarantee anything, but you can certainly", "Chances are that nothing would ever happen, but there is always the slight", "in check before it becomes corrupt, and I choose to write a novel", "So what can I do? I feel like people need to know this", "wrong way by enough people, it could have horrible consequences. Chances are that", "obviously don't want to use my actual message as an example, so I'll", "so I'll use one which seems popular today instead. There are a lot", "a comment, but please, do not open an answer with 'I think your", "for you to show how UNLIKELY it is that enough people read my", "them. Now if I'm an author who feels that government is something which", "before it becomes corrupt, and I choose to write a novel saying as", "them into action. I obviously don't want to use my actual message as", "to change? Obviously. But that doesn't mean I want rioting in the streets", "choose to write a novel saying as much, there's a problem. Do I", "use one which seems popular today instead. There are a lot of dystopian", "a way to ensure that it isn't taken the wrong way? (Obviously you", "might be the cause of some truly horrible actions. It isn't likely, but", "of latching onto something they believe in and ignoring all else. So that's", "people need to send them into action. I obviously don't want to use", "is NOT: * Asking for opinions on whether or not the opening paragraph", "fully capable of latching onto something they believe in and ignoring all else.", "question: what do you do when your message could be dangerous? Do you", "worse. So what can I do? I feel like people need to know", "the slight possibility that it would be the push enough people need to", "some level of 'the people' striking down the 'evil government' which has 'enslaved'", "been writing this why for many years, and it's lent my fiction direction", "happy to hear your thoughts in a comment, but please, do not open", "truly horrible actions. It isn't likely, but there's still a chance, no matter", "There are a lot of dystopian movies these days, and while the focus", "the wrong way or in the wrong context, I might be the cause", "* A disguised anti-government message. The whole dystopian example is theoretical, and this", "solution is to preach directly against those horrible actions. In theory this would", "wrong way? (Obviously you can't 100% guarantee anything, but you can certainly come", "this why for many years, and it's lent my fiction direction and purpose.", "of government would realize 'where they're headed' and take measures to prevent it.", "Now if I'm an author who feels that government is something which needs", "kind of fiction) to have a certain weight or power behind it, there", "ensure that it isn't taken the wrong way? (Obviously you can't 100% guarantee", "is that enough people read my novel, identify with the message, and then", "anything, but you can certainly come as close as possible.) --- This question", "I've been writing this why for many years, and it's lent my fiction", "as an example, so I'll use one which seems popular today instead. There", "taken the wrong way? (Obviously you can't 100% guarantee anything, but you can", "your underlying assumption is flawed...' * Asking for you to show how UNLIKELY", "of some truly horrible actions. It isn't likely, but there's still a chance,", "message. The whole dystopian example is theoretical, and this is a legitimate question", "answer with 'I think your underlying assumption is flawed...' * Asking for you", "people read my novel, identify with the message, and then act in a", "of 'the people' striking down the 'evil government' which has 'enslaved' them. Now", "any kind of fiction) to have a certain weight or power behind it,", "it is that enough people read my novel, identify with the message, and", "an event occurs. * A disguised anti-government message. The whole dystopian example is", "read my novel, identify with the message, and then act in a way", "lot of dystopian movies these days, and while the focus on it varies,", "I want, but - always assuming that my novel influences a large percentage", "fiction) to have a certain weight or power behind it, there must be", "be a message. I've been writing this why for many years, and it's", "open an answer with 'I think your underlying assumption is flawed...' * Asking", "fiction direction and purpose. However, I am now faced with a quandary: I've", "with the message, and then act in a way I would never wish.", "all else. So that's my question: *what do you do when your message", "going to happen? Probably not. There probably will* be rioting in the streets,", "the streets and anarchy in the nation. More than likely, I just want", "anarchy in the nation. More than likely, I just want a solution reached", "actual message as an example, so I'll use one which seems popular today", "novel saying as much, there's a problem. Do I want something to change?", "reached peaceably. Ideally, heads of government would realize 'where they're headed' and take", "want something to change? Obviously. But that doesn't mean I want rioting in", "problem. Do I want something to change? Obviously. But that doesn't mean I", "feel like people need to know this message, but I'm afraid that if", "A disguised anti-government message. The whole dystopian example is theoretical, and this is", "to know this message, but I'm afraid that if taken the wrong way", "More than likely, I just want a solution reached peaceably. Ideally, heads of", "mean I want rioting in the streets and anarchy in the nation. More", "purpose. However, I am now faced with a quandary: I've come across a", "today instead. There are a lot of dystopian movies these days, and while", "with 'I think your underlying assumption is flawed...' * Asking for you to", "and purpose. However, I am now faced with a quandary: I've come across", "that for a novel (or any kind of fiction) to have a certain", "to have a certain weight or power behind it, there must be a", "into action. I obviously don't want to use my actual message as an", "becomes corrupt, and I choose to write a novel saying as much, there's", "headed' and take measures to prevent it. That might be what I want,", "in a way I would never wish. I know it's incredibly unlikely. My", "afraid that if taken the wrong way or in the wrong context, I", "take measures to prevent it. That might be what I want, but -", "come across a message I really believe in, but if taken the wrong", "why for many years, and it's lent my fiction direction and purpose. However,", "one which seems popular today instead. There are a lot of dystopian movies", "that doesn't mean I want rioting in the streets and anarchy in the", "to be kept in check before it becomes corrupt, and I choose to", "want to use my actual message as an example, so I'll use one", "or in the wrong context, I might be the cause of some truly", "to show how UNLIKELY it is that enough people read my novel, identify", "UNLIKELY it is that enough people read my novel, identify with the message,", "be kept in check before it becomes corrupt, and I choose to write", "message I really believe in, but if taken the wrong way by enough", "would be the push enough people need to send them into action. I", "it's lent my fiction direction and purpose. However, I am now faced with", "how small. The obvious solution is to preach directly against those horrible actions.", "these days, and while the focus on it varies, there's always some level", "this would work. But in practice, people are fully capable of latching onto", "for many years, and it's lent my fiction direction and purpose. However, I", "be happy to hear your thoughts in a comment, but please, do not", "up writing it altogether? Or is there a way to ensure that it", "message, and then act in a way I would never wish. I know", "event occurs. * A disguised anti-government message. The whole dystopian example is theoretical,", "which has 'enslaved' them. Now if I'm an author who feels that government", "I would never wish. I know it's incredibly unlikely. My concern is with", "taken the wrong way or in the wrong context, I might be the", "opinions on whether or not the opening paragraph is true or false. I'd", "is to preach directly against those horrible actions. In theory this would work.", "as much, there's a problem. Do I want something to change? Obviously. But", "slight possibility that it would be the push enough people need to send", "power behind it, there must be a message. I've been writing this why", "change? Obviously. But that doesn't mean I want rioting in the streets and", "many years, and it's lent my fiction direction and purpose. However, I am", "it varies, there's always some level of 'the people' striking down the 'evil", "to prevent it. That might be what I want, but - always assuming", "to preach directly against those horrible actions. In theory this would work. But", "novel (or any kind of fiction) to have a certain weight or power", "likely, but there's still a chance, no matter how small. The obvious solution", "message could be dangerous?** Do you just give up writing it altogether? Or", "want a solution reached peaceably. Ideally, heads of government would realize 'where they're", "for opinions on whether or not the opening paragraph is true or false.", "not worse. So what can I do? I feel like people need to", "can't 100% guarantee anything, but you can certainly come as close as possible.)", "the nation. More than likely, I just want a solution reached peaceably. Ideally,", "the wrong way by enough people, it could have horrible consequences. Chances are", "needs to be kept in check before it becomes corrupt, and I choose", "happen, but there is always the slight possibility that it would be the", "prevent it. That might be what I want, but - always assuming that", "a large percentage of the people - is that what's going to happen?", "novel, identify with the message, and then act in a way I would", "But that doesn't mean I want rioting in the streets and anarchy in", "if not worse. So what can I do? I feel like people need", "or not the opening paragraph is true or false. I'd be happy to", "believe in, but if taken the wrong way by enough people, it could", "this message, but I'm afraid that if taken the wrong way or in", "concern is with the smallest of chances that such an event occurs. ", "ever happen, but there is always the slight possibility that it would be", "which seems popular today instead. There are a lot of dystopian movies these", "novel influences a large percentage of the people - is that what's going", "long believed that for a novel (or any kind of fiction) to have", "possibility that it would be the push enough people need to send them", "need to know this message, but I'm afraid that if taken the wrong", "people - is that what's going to happen? Probably not. There probably will", "enough people, it could have horrible consequences. Chances are that nothing would ever", "guarantee anything, but you can certainly come as close as possible.) --- This", "varies, there's always some level of 'the people' striking down the 'evil government'", "writing it altogether? Or is there a way to ensure that it isn't", "my novel, identify with the message, and then act in a way I", "an example, so I'll use one which seems popular today instead. There are", "movies these days, and while the focus on it varies, there's always some", "your thoughts in a comment, but please, do not open an answer with", "way? (Obviously you can't 100% guarantee anything, but you can certainly come as", "that's my question: what do you do when your message could be dangerous?", "as possible.) --- This question is NOT: Asking for opinions on whether", "it would be the push enough people need to send them into action.", "disguised anti-government message. The whole dystopian example is theoretical, and this is a", "be the push enough people need to send them into action. I obviously", "those horrible actions. In theory this would work. But in practice, people are", "an author who feels that government is something which needs to be kept", "you can certainly come as close as possible.) --- This question is NOT:", "is true or false. I'd be happy to hear your thoughts in a", "heads of government would realize 'where they're headed' and take measures to prevent", "is there a way to ensure that it isn't taken the wrong way?", "My concern is with the smallest of chances that such an event occurs.", "(or any kind of fiction) to have a certain weight or power behind", "I obviously don't want to use my actual message as an example, so", "In theory this would work. But in practice, people are fully capable of", "a certain weight or power behind it, there must be a message. I've", "peaceably. Ideally, heads of government would realize 'where they're headed' and take measures", "underlying assumption is flawed...' * Asking for you to show how UNLIKELY it", "a chance, no matter how small. The obvious solution is to preach directly", "example is theoretical, and this is a legitimate question and concern of mine.", "that if taken the wrong way or in the wrong context, I might", "(Obviously you can't 100% guarantee anything, but you can certainly come as close", "striking down the 'evil government' which has 'enslaved' them. Now if I'm an", "So that's my question: *what do you do when your message could be", "what I want, but - always assuming that my novel influences a large", "I just want a solution reached peaceably. Ideally, heads of government would realize", "certainly come as close as possible.) --- This question is NOT: Asking", "The whole dystopian example is theoretical, and this is a legitimate question and", "lent my fiction direction and purpose. However, I am now faced with a", "I am now faced with a quandary: I've come across a message I", "they believe in and ignoring all else. So that's my question: what do", "and ignoring all else. So that's my question: what do you do when", "what do you do when your message could be dangerous? Do you just", "dangerous? Do you just give up writing it altogether? Or is there a", "government' which has 'enslaved' them. Now if I'm an author who feels that", "in and ignoring all else. So that's my question: what do you do", "you just give up writing it altogether? Or is there a way to", "nothing would ever happen, but there is always the slight possibility that it", "with the smallest of chances that such an event occurs. * A disguised", "The obvious solution is to preach directly against those horrible actions. In theory", "streets, if not worse. So what can I do? I feel like people", "identify with the message, and then act in a way I would never", "there's a problem. Do I want something to change? Obviously. But that doesn't", "there's still a chance, no matter how small. The obvious solution is to", "that my novel influences a large percentage of the people - is that", "could be dangerous?** Do you just give up writing it altogether? Or is", "what can I do? I feel like people need to know this message,", "NOT: * Asking for opinions on whether or not the opening paragraph is", "how UNLIKELY it is that enough people read my novel, identify with the", "writing this why for many years, and it's lent my fiction direction and", "a message I really believe in, but if taken the wrong way by", "government is something which needs to be kept in check before it becomes", "people need to know this message, but I'm afraid that if taken the", "Or is there a way to ensure that it isn't taken the wrong", "are that nothing would ever happen, but there is always the slight possibility", "if I'm an author who feels that government is something which needs to", "still a chance, no matter how small. The obvious solution is to preach", "there must be a message. I've been writing this why for many years,", "really believe in, but if taken the wrong way by enough people, it", "and anarchy in the nation. More than likely, I just want a solution", "are a lot of dystopian movies these days, and while the focus on", "just want a solution reached peaceably. Ideally, heads of government would realize 'where", "can certainly come as close as possible.) --- This question is NOT: ", "my novel influences a large percentage of the people - is that what's", "is that what's going to happen? Probably not. There probably will* be rioting", "wish. I know it's incredibly unlikely. My concern is with the smallest of", "'enslaved' them. Now if I'm an author who feels that government is something", "but there is always the slight possibility that it would be the push", "hear your thoughts in a comment, but please, do not open an answer", "of dystopian movies these days, and while the focus on it varies, there's", "they're headed' and take measures to prevent it. That might be what I", "like people need to know this message, but I'm afraid that if taken", "nation. More than likely, I just want a solution reached peaceably. Ideally, heads", "author who feels that government is something which needs to be kept in", "it isn't taken the wrong way? (Obviously you can't 100% guarantee anything, but", "that it would be the push enough people need to send them into", "message as an example, so I'll use one which seems popular today instead.", "small. The obvious solution is to preach directly against those horrible actions. In", "use my actual message as an example, so I'll use one which seems", "dystopian movies these days, and while the focus on it varies, there's always", "the 'evil government' which has 'enslaved' them. Now if I'm an author who", "which needs to be kept in check before it becomes corrupt, and I", "such an event occurs. * A disguised anti-government message. The whole dystopian example", "that it isn't taken the wrong way? (Obviously you can't 100% guarantee anything,", "that government is something which needs to be kept in check before it", "never wish. I know it's incredibly unlikely. My concern is with the smallest", "my fiction direction and purpose. However, I am now faced with a quandary:", "That might be what I want, but - always assuming that my novel", "of fiction) to have a certain weight or power behind it, there must", "way I would never wish. I know it's incredibly unlikely. My concern is", "and then act in a way I would never wish. I know it's", "do when your message could be dangerous? Do you just give up writing", "message, but I'm afraid that if taken the wrong way or in the", "if taken the wrong way or in the wrong context, I might be", "by enough people, it could have horrible consequences. Chances are that nothing would", "'where they're headed' and take measures to prevent it. That might be what", "be dangerous? Do you just give up writing it altogether? Or is there", "please, do not open an answer with 'I think your underlying assumption is", "to ensure that it isn't taken the wrong way? (Obviously you can't 100%", "possible.) --- This question is NOT: * Asking for opinions on whether or", "days, and while the focus on it varies, there's always some level of", "- is that what's going to happen? Probably not. There probably will be", "thoughts in a comment, but please, do not open an answer with 'I", "could have horrible consequences. Chances are that nothing would ever happen, but there", "something which needs to be kept in check before it becomes corrupt, and", "the message, and then act in a way I would never wish. I", "I want rioting in the streets and anarchy in the nation. More than", "it, there must be a message. I've been writing this why for many", "there is always the slight possibility that it would be the push enough", "you can't 100% guarantee anything, but you can certainly come as close as", "'the people' striking down the 'evil government' which has 'enslaved' them. Now if", "would work. But in practice, people are fully capable of latching onto something", "faced with a quandary: I've come across a message I really believe in,", "* Asking for opinions on whether or not the opening paragraph is true", "I've long believed that for a novel (or any kind of fiction) to", "your message could be dangerous?** Do you just give up writing it altogether?", "act in a way I would never wish. I know it's incredibly unlikely.", "send them into action. I obviously don't want to use my actual message", "occurs. * A disguised anti-government message. The whole dystopian example is theoretical, and", "horrible consequences. Chances are that nothing would ever happen, but there is always", "instead. There are a lot of dystopian movies these days, and while the", "in the streets and anarchy in the nation. More than likely, I just", "latching onto something they believe in and ignoring all else. So that's my", "that nothing would ever happen, but there is always the slight possibility that", "solution reached peaceably. Ideally, heads of government would realize 'where they're headed' and", "and it's lent my fiction direction and purpose. However, I am now faced", "actions. In theory this would work. But in practice, people are fully capable", "I really believe in, but if taken the wrong way by enough people,", "down the 'evil government' which has 'enslaved' them. Now if I'm an author", "against those horrible actions. In theory this would work. But in practice, people", "chance, no matter how small. The obvious solution is to preach directly against", "a way I would never wish. I know it's incredibly unlikely. My concern", "years, and it's lent my fiction direction and purpose. However, I am now", "a problem. Do I want something to change? Obviously. But that doesn't mean", "can I do? I feel like people need to know this message, but", "do you do when your message could be dangerous? Do you just give", "isn't taken the wrong way? (Obviously you can't 100% guarantee anything, but you", "in the nation. More than likely, I just want a solution reached peaceably.", "something they believe in and ignoring all else. So that's my question: what", "would ever happen, but there is always the slight possibility that it would", "rioting in the streets and anarchy in the nation. More than likely, I", "wrong context, I might be the cause of some truly horrible actions. It", "comment, but please, do not open an answer with 'I think your underlying", "to write a novel saying as much, there's a problem. Do I want", "on whether or not the opening paragraph is true or false. I'd be", "I do? I feel like people need to know this message, but I'm", "do not open an answer with 'I think your underlying assumption is flawed...'", "know this message, but I'm afraid that if taken the wrong way or", "streets and anarchy in the nation. More than likely, I just want a", "must be a message. I've been writing this why for many years, and", "corrupt, and I choose to write a novel saying as much, there's a", "but - always assuming that my novel influences a large percentage of the", "no matter how small. The obvious solution is to preach directly against those", "for a novel (or any kind of fiction) to have a certain weight", "the focus on it varies, there's always some level of 'the people' striking", "--- This question is NOT: * Asking for opinions on whether or not", "saying as much, there's a problem. Do I want something to change? Obviously.", "* Asking for you to show how UNLIKELY it is that enough people", "chances that such an event occurs. * A disguised anti-government message. The whole", "in the streets, if not worse. So what can I do? I feel", "you to show how UNLIKELY it is that enough people read my novel,", "There probably will be rioting in the streets, if not worse. So what", "it's incredibly unlikely. My concern is with the smallest of chances that such", "there's always some level of 'the people' striking down the 'evil government' which", "probably will be rioting in the streets, if not worse. So what can", "that enough people read my novel, identify with the message, and then act", "'evil government' which has 'enslaved' them. Now if I'm an author who feels", "is something which needs to be kept in check before it becomes corrupt,", "believe in and ignoring all else. So that's my question: *what do you", "percentage of the people - is that what's going to happen? Probably not.", "measures to prevent it. That might be what I want, but - always", "check before it becomes corrupt, and I choose to write a novel saying", "true or false. I'd be happy to hear your thoughts in a comment,", "as close as possible.) --- This question is NOT: Asking for opinions", "is flawed...' * Asking for you to show how UNLIKELY it is that", "the people - is that what's going to happen? Probably not. There probably", "is with the smallest of chances that such an event occurs. * A", "false. I'd be happy to hear your thoughts in a comment, but please,", "kept in check before it becomes corrupt, and I choose to write a", "opening paragraph is true or false. I'd be happy to hear your thoughts", "people' striking down the 'evil government' which has 'enslaved' them. Now if I'm", "it could have horrible consequences. Chances are that nothing would ever happen, but", "people are fully capable of latching onto something they believe in and ignoring", "certain weight or power behind it, there must be a message. I've been", "my question: what do you do when your message could be dangerous? Do", "write a novel saying as much, there's a problem. Do I want something", "am now faced with a quandary: I've come across a message I really", "anti-government message. The whole dystopian example is theoretical, and this is a legitimate", "behind it, there must be a message. I've been writing this why for", "example, so I'll use one which seems popular today instead. There are a", "horrible actions. In theory this would work. But in practice, people are fully", "with a quandary: I've come across a message I really believe in, but", "people, it could have horrible consequences. Chances are that nothing would ever happen,", "action. I obviously don't want to use my actual message as an example,", "you do when your message could be dangerous?** Do you just give up", "question is NOT: * Asking for opinions on whether or not the opening", "would never wish. I know it's incredibly unlikely. My concern is with the", "way by enough people, it could have horrible consequences. Chances are that nothing", "something to change? Obviously. But that doesn't mean I want rioting in the", "Obviously. But that doesn't mean I want rioting in the streets and anarchy", "a novel saying as much, there's a problem. Do I want something to", "I've come across a message I really believe in, but if taken the", "but you can certainly come as close as possible.) --- This question is", "way to ensure that it isn't taken the wrong way? (Obviously you can't", "feels that government is something which needs to be kept in check before", "give up writing it altogether? Or is there a way to ensure that", "across a message I really believe in, but if taken the wrong way", "focus on it varies, there's always some level of 'the people' striking down", "I'd be happy to hear your thoughts in a comment, but please, do", "I choose to write a novel saying as much, there's a problem. Do", "assuming that my novel influences a large percentage of the people - is", "influences a large percentage of the people - is that what's going to", "horrible actions. It isn't likely, but there's still a chance, no matter how", "in the wrong context, I might be the cause of some truly horrible", "I'm afraid that if taken the wrong way or in the wrong context,", "incredibly unlikely. My concern is with the smallest of chances that such an", "capable of latching onto something they believe in and ignoring all else. So", "in a comment, but please, do not open an answer with 'I think", "know it's incredibly unlikely. My concern is with the smallest of chances that", "a solution reached peaceably. Ideally, heads of government would realize 'where they're headed'", "dystopian example is theoretical, and this is a legitimate question and concern of", "whole dystopian example is theoretical, and this is a legitimate question and concern", "realize 'where they're headed' and take measures to prevent it. That might be", "has 'enslaved' them. Now if I'm an author who feels that government is", "that such an event occurs. * A disguised anti-government message. The whole dystopian", "need to send them into action. I obviously don't want to use my", "and I choose to write a novel saying as much, there's a problem.", "be what I want, but - always assuming that my novel influences a", "way or in the wrong context, I might be the cause of some", "- always assuming that my novel influences a large percentage of the people", "it becomes corrupt, and I choose to write a novel saying as much,", "However, I am now faced with a quandary: I've come across a message", "show how UNLIKELY it is that enough people read my novel, identify with", "when your message could be dangerous?** Do you just give up writing it", "weight or power behind it, there must be a message. I've been writing", "cause of some truly horrible actions. It isn't likely, but there's still a", "level of 'the people' striking down the 'evil government' which has 'enslaved' them.", "doesn't mean I want rioting in the streets and anarchy in the nation.", "in practice, people are fully capable of latching onto something they believe in", "but there's still a chance, no matter how small. The obvious solution is", "think your underlying assumption is flawed...' * Asking for you to show how", "don't want to use my actual message as an example, so I'll use", "likely, I just want a solution reached peaceably. Ideally, heads of government would", "it. That might be what I want, but - always assuming that my", "the opening paragraph is true or false. I'd be happy to hear your", "consequences. Chances are that nothing would ever happen, but there is always the", "popular today instead. There are a lot of dystopian movies these days, and", "if taken the wrong way by enough people, it could have horrible consequences.", "and while the focus on it varies, there's always some level of 'the", "work. But in practice, people are fully capable of latching onto something they", "government would realize 'where they're headed' and take measures to prevent it. That", "while the focus on it varies, there's always some level of 'the people'", "in, but if taken the wrong way by enough people, it could have", "a lot of dystopian movies these days, and while the focus on it", "It isn't likely, but there's still a chance, no matter how small. The", "ignoring all else. So that's my question: *what do you do when your", "the cause of some truly horrible actions. It isn't likely, but there's still", "I know it's incredibly unlikely. My concern is with the smallest of chances", "happen? Probably not. There probably will* be rioting in the streets, if not", "Ideally, heads of government would realize 'where they're headed' and take measures to", "unlikely. My concern is with the smallest of chances that such an event", "on it varies, there's always some level of 'the people' striking down the", "I want something to change? Obviously. But that doesn't mean I want rioting", "paragraph is true or false. I'd be happy to hear your thoughts in", "else. So that's my question: *what do you do when your message could", "but please, do not open an answer with 'I think your underlying assumption", "matter how small. The obvious solution is to preach directly against those horrible", "than likely, I just want a solution reached peaceably. Ideally, heads of government", "a quandary: I've come across a message I really believe in, but if", "large percentage of the people - is that what's going to happen? Probably", "be rioting in the streets, if not worse. So what can I do?", "'I think your underlying assumption is flawed...' Asking for you to show", "always assuming that my novel influences a large percentage of the people -", "quandary: I've come across a message I really believe in, but if taken", "my actual message as an example, so I'll use one which seems popular", "might be what I want, but - always assuming that my novel influences", "or false. I'd be happy to hear your thoughts in a comment, but", "not. There probably will be rioting in the streets, if not worse. So", "context, I might be the cause of some truly horrible actions. It isn't", "always the slight possibility that it would be the push enough people need", "there a way to ensure that it isn't taken the wrong way? (Obviously", "a novel (or any kind of fiction) to have a certain weight or", "Do I want something to change? Obviously. But that doesn't mean I want", "preach directly against those horrible actions. In theory this would work. But in", "the push enough people need to send them into action. I obviously don't", "come as close as possible.) --- This question is NOT: * Asking for", "smallest of chances that such an event occurs. * A disguised anti-government message.", "whether or not the opening paragraph is true or false. I'd be happy", "direction and purpose. However, I am now faced with a quandary: I've come", "but if taken the wrong way by enough people, it could have horrible", "I'm an author who feels that government is something which needs to be", "is always the slight possibility that it would be the push enough people", "the wrong context, I might be the cause of some truly horrible actions.", "seems popular today instead. There are a lot of dystopian movies these days,", "of the people - is that what's going to happen? Probably not. There", "to hear your thoughts in a comment, but please, do not open an", "much, there's a problem. Do I want something to change? Obviously. But that", "then act in a way I would never wish. I know it's incredibly", "to happen? Probably not. There probably will be rioting in the streets, if", "have horrible consequences. Chances are that nothing would ever happen, but there is", "I might be the cause of some truly horrible actions. It isn't likely,", "an answer with 'I think your underlying assumption is flawed...' * Asking for", "obvious solution is to preach directly against those horrible actions. In theory this", "want, but - always assuming that my novel influences a large percentage of", "will be rioting in the streets, if not worse. So what can I", "and take measures to prevent it. That might be what I want, but", "now faced with a quandary: I've come across a message I really believe", "isn't likely, but there's still a chance, no matter how small. The obvious", "the streets, if not worse. So what can I do? I feel like", "have a certain weight or power behind it, there must be a message.", "enough people need to send them into action. I obviously don't want to", "Asking for you to show how UNLIKELY it is that enough people read", "taken the wrong way by enough people, it could have horrible consequences. Chances", "believed that for a novel (or any kind of fiction) to have a", "it altogether? Or is there a way to ensure that it isn't taken", "not open an answer with 'I think your underlying assumption is flawed...' ", "100% guarantee anything, but you can certainly come as close as possible.) ---", "to send them into action. I obviously don't want to use my actual", "I'll use one which seems popular today instead. There are a lot of", "message. I've been writing this why for many years, and it's lent my", "flawed...' Asking for you to show how UNLIKELY it is that enough", "always some level of 'the people' striking down the 'evil government' which has", "theory this would work. But in practice, people are fully capable of latching", "just give up writing it altogether? Or is there a way to ensure", "practice, people are fully capable of latching onto something they believe in and", "push enough people need to send them into action. I obviously don't want", "rioting in the streets, if not worse. So what can I do? I", "would realize 'where they're headed' and take measures to prevent it. That might" ]
[ "in his article that he names the two people. Now, I have noticed", "to me, as part of the story, the author named two people who", "sure that they have committed the crime. Why is this the case? (I", "and public figures, but why not name people you know for sure have", "named two people who ragged him (harassed him). I have sufficient proof to", "a crime?) Edit: The author wants to file a formal complaint, and attach", "figures, but why not name people you know for sure have committed a", "small college magazine. In an article that was recently submitted to me, as", "know for sure have committed a crime?) Edit: The author wants to file", "Edit: The author wants to file a formal complaint, and attach it with", "the two people. Now, I have noticed that publications generally do not name", "am aware of the different defamation laws for private and public figures, but", "to file a formal complaint, and attach it with the article, to show", "who ragged him (harassed him). I have sufficient proof to believe this is", "the cause he argues for in his article that he names the two", "that he names the two people. Now, I have noticed that publications generally", "the crime. Why is this the case? (I am aware of the different", "individuals. Even if they know for sure that they have committed the crime.", "have committed a crime?) Edit: The author wants to file a formal complaint,", "Why is this the case? (I am aware of the different defamation laws", "that they have committed the crime. Why is this the case? (I am", "with the article, to show that he takes complete responsibility for the accusations.", "of the different defamation laws for private and public figures, but why not", "but why not name people you know for sure have committed a crime?)", "In an article that was recently submitted to me, as part of the", "the editor of a small college magazine. In an article that was recently", "private and public figures, but why not name people you know for sure", "complaint, and attach it with the article, to show that he takes complete", "publications generally do not name private individuals. Even if they know for sure", "formal complaint, and attach it with the article, to show that he takes", "public figures, but why not name people you know for sure have committed", "It is also important for the cause he argues for in his article", "names the two people. Now, I have noticed that publications generally do not", "sure have committed a crime?) Edit: The author wants to file a formal", "to believe this is true. It is also important for the cause he", "The author wants to file a formal complaint, and attach it with the", "people who ragged him (harassed him). I have sufficient proof to believe this", "he names the two people. Now, I have noticed that publications generally do", "people. Now, I have noticed that publications generally do not name private individuals.", "people you know for sure have committed a crime?) Edit: The author wants", "do not name private individuals. Even if they know for sure that they", "this the case? (I am aware of the different defamation laws for private", "cause he argues for in his article that he names the two people.", "article that he names the two people. Now, I have noticed that publications", "author named two people who ragged him (harassed him). I have sufficient proof", "story, the author named two people who ragged him (harassed him). I have", "have sufficient proof to believe this is true. It is also important for", "attach it with the article, to show that he takes complete responsibility for", "aware of the different defamation laws for private and public figures, but why", "for sure that they have committed the crime. Why is this the case?", "of a small college magazine. In an article that was recently submitted to", "for the cause he argues for in his article that he names the", "true. It is also important for the cause he argues for in his", "they have committed the crime. Why is this the case? (I am aware", "recently submitted to me, as part of the story, the author named two", "know for sure that they have committed the crime. Why is this the", "you know for sure have committed a crime?) Edit: The author wants to", "magazine. In an article that was recently submitted to me, as part of", "two people who ragged him (harassed him). I have sufficient proof to believe", "the different defamation laws for private and public figures, but why not name", "was recently submitted to me, as part of the story, the author named", "not name private individuals. Even if they know for sure that they have", "as part of the story, the author named two people who ragged him", "the author named two people who ragged him (harassed him). I have sufficient", "crime. Why is this the case? (I am aware of the different defamation", "part of the story, the author named two people who ragged him (harassed", "they know for sure that they have committed the crime. Why is this", "proof to believe this is true. It is also important for the cause", "he argues for in his article that he names the two people. Now,", "have noticed that publications generally do not name private individuals. Even if they", "believe this is true. It is also important for the cause he argues", "this is true. It is also important for the cause he argues for", "is also important for the cause he argues for in his article that", "two people. Now, I have noticed that publications generally do not name private", "crime?) Edit: The author wants to file a formal complaint, and attach it", "important for the cause he argues for in his article that he names", "for private and public figures, but why not name people you know for", "wants to file a formal complaint, and attach it with the article, to", "is true. It is also important for the cause he argues for in", "generally do not name private individuals. Even if they know for sure that", "for in his article that he names the two people. Now, I have", "(I am aware of the different defamation laws for private and public figures,", "Now, I have noticed that publications generally do not name private individuals. Even", "is this the case? (I am aware of the different defamation laws for", "it with the article, to show that he takes complete responsibility for the", "him (harassed him). I have sufficient proof to believe this is true. It", "me, as part of the story, the author named two people who ragged", "why not name people you know for sure have committed a crime?) Edit:", "article that was recently submitted to me, as part of the story, the", "his article that he names the two people. Now, I have noticed that", "(harassed him). I have sufficient proof to believe this is true. It is", "sufficient proof to believe this is true. It is also important for the", "I am the editor of a small college magazine. In an article that", "committed the crime. Why is this the case? (I am aware of the", "private individuals. Even if they know for sure that they have committed the", "noticed that publications generally do not name private individuals. Even if they know", "defamation laws for private and public figures, but why not name people you", "name people you know for sure have committed a crime?) Edit: The author", "editor of a small college magazine. In an article that was recently submitted", "college magazine. In an article that was recently submitted to me, as part", "him). I have sufficient proof to believe this is true. It is also", "different defamation laws for private and public figures, but why not name people", "a small college magazine. In an article that was recently submitted to me,", "a formal complaint, and attach it with the article, to show that he", "if they know for sure that they have committed the crime. Why is", "for sure have committed a crime?) Edit: The author wants to file a", "Even if they know for sure that they have committed the crime. Why", "laws for private and public figures, but why not name people you know", "that was recently submitted to me, as part of the story, the author", "name private individuals. Even if they know for sure that they have committed", "argues for in his article that he names the two people. Now, I", "of the story, the author named two people who ragged him (harassed him).", "case? (I am aware of the different defamation laws for private and public", "the story, the author named two people who ragged him (harassed him). I", "ragged him (harassed him). I have sufficient proof to believe this is true.", "committed a crime?) Edit: The author wants to file a formal complaint, and", "have committed the crime. Why is this the case? (I am aware of", "am the editor of a small college magazine. In an article that was", "author wants to file a formal complaint, and attach it with the article,", "submitted to me, as part of the story, the author named two people", "and attach it with the article, to show that he takes complete responsibility", "not name people you know for sure have committed a crime?) Edit: The", "file a formal complaint, and attach it with the article, to show that", "also important for the cause he argues for in his article that he", "that publications generally do not name private individuals. Even if they know for", "I have noticed that publications generally do not name private individuals. Even if", "an article that was recently submitted to me, as part of the story,", "I have sufficient proof to believe this is true. It is also important", "the case? (I am aware of the different defamation laws for private and" ]
[ "sarcastic Noooooo! How could you tell? ``` Obviously things like the whole EVENT", "of the characters onscreen, like their facial expressions. Before you start actually creating", "text on screen? Here's how I did it so far, just as an", "as text on screen? Here's how I did it so far, just as", "is actually shown as text on screen? Here's how I did it so", "and girl turning their heads to the window when they hear the shouting", "and its visuals, how would you write these interactions down to describe such", "and \\sarcastic\\ won't appear like that in the text, they'd be turned into", "shouting outside of their house boy: Sounds like someone's angry. girl: sarcastic Noooooo!", "the expressions and actions of the characters onscreen, like their facial expressions. Before", "her eyes or something. How should you describe these kinds of interactions? Should", "can be shown by the expressions and actions of the characters onscreen, like", "game and its visuals, how would you write these interactions down to describe", "the game and its visuals, how would you write these interactions down to", "by the expressions and actions of the characters onscreen, like their facial expressions.", "to someone creating the visuals, without it getting in the way of what", "of what is actually shown as text on screen? Here's how I did", "someone angrily shouting outside of their house boy: Sounds like someone's angry. girl:", "hear the shouting and the girl rolling her eyes or something. How should", "hear someone angrily shouting outside of their house boy: Sounds like someone's angry.", "visuals, without it getting in the way of what is actually shown as", "EVENT: boy and girl hear someone angrily shouting outside of their house boy:", "like someone's angry. girl: sarcastic Noooooo! How could you tell? ``` Obviously things", "describe these kinds of interactions? Should I continue with this loose structure? Are", "someone creating the visuals, without it getting in the way of what is", "\\sarcastic\\ won't appear like that in the text, they'd be turned into visuals,", "Obviously things like the whole EVENT line and \\sarcastic\\ won't appear like that", "actually shown as text on screen? Here's how I did it so far,", "``` EVENT: boy and girl hear someone angrily shouting outside of their house", "example: ``` EVENT: boy and girl hear someone angrily shouting outside of their", "text, they'd be turned into visuals, with boy and girl turning their heads", "you tell? ``` Obviously things like the whole EVENT line and \\sarcastic\\ won't", "``` Obviously things like the whole EVENT line and \\sarcastic\\ won't appear like", "their heads to the window when they hear the shouting and the girl", "a video game with visual novel style \"cutscenes\" inbetween, where you see characters", "describe such visual cues to someone creating the visuals, without it getting in", "getting in the way of what is actually shown as text on screen?", "outside of their house boy: Sounds like someone's angry. girl: sarcastic Noooooo! How", "its visuals, how would you write these interactions down to describe such visual", "into visuals, with boy and girl turning their heads to the window when", "or something. How should you describe these kinds of interactions? Should I continue", "the visuals, without it getting in the way of what is actually shown", "normally describe in text-only media can be shown by the expressions and actions", "shown by the expressions and actions of the characters onscreen, like their facial", "Sounds like someone's angry. girl: sarcastic Noooooo! How could you tell? ``` Obviously", "characters talking, usually from the torso up. Most of the things you'd normally", "How should you describe these kinds of interactions? Should I continue with this", "tell? ``` Obviously things like the whole EVENT line and \\sarcastic\\ won't appear", "appear like that in the text, they'd be turned into visuals, with boy", "video game with visual novel style \"cutscenes\" inbetween, where you see characters talking,", "expressions. Before you start actually creating the game and its visuals, how would", "way of what is actually shown as text on screen? Here's how I", "someone's angry. girl: sarcastic Noooooo! How could you tell? ``` Obviously things like", "visuals, with boy and girl turning their heads to the window when they", "visual novel style \"cutscenes\" inbetween, where you see characters talking, usually from the", "like the whole EVENT line and \\sarcastic\\ won't appear like that in the", "usually from the torso up. Most of the things you'd normally describe in", "and the girl rolling her eyes or something. How should you describe these", "be turned into visuals, with boy and girl turning their heads to the", "start actually creating the game and its visuals, how would you write these", "something. How should you describe these kinds of interactions? Should I continue with", "boy and girl hear someone angrily shouting outside of their house boy: Sounds", "it so far, just as an example: ``` EVENT: boy and girl hear", "boy: Sounds like someone's angry. girl: sarcastic Noooooo! How could you tell? ```", "\"cutscenes\" inbetween, where you see characters talking, usually from the torso up. Most", "the torso up. Most of the things you'd normally describe in text-only media", "as an example: ``` EVENT: boy and girl hear someone angrily shouting outside", "the whole EVENT line and \\sarcastic\\ won't appear like that in the text,", "working on a video game with visual novel style \"cutscenes\" inbetween, where you", "in the way of what is actually shown as text on screen? Here's", "the girl rolling her eyes or something. How should you describe these kinds", "in text-only media can be shown by the expressions and actions of the", "their facial expressions. Before you start actually creating the game and its visuals,", "facial expressions. Before you start actually creating the game and its visuals, how", "actually creating the game and its visuals, how would you write these interactions", "line and \\sarcastic\\ won't appear like that in the text, they'd be turned", "how I did it so far, just as an example: ``` EVENT: boy", "Before you start actually creating the game and its visuals, how would you", "of interactions? Should I continue with this loose structure? Are there better alternatives?", "text-only media can be shown by the expressions and actions of the characters", "screen? Here's how I did it so far, just as an example: ```", "far, just as an example: ``` EVENT: boy and girl hear someone angrily", "angry. girl: sarcastic Noooooo! How could you tell? ``` Obviously things like the", "see characters talking, usually from the torso up. Most of the things you'd", "rolling her eyes or something. How should you describe these kinds of interactions?", "characters onscreen, like their facial expressions. Before you start actually creating the game", "to describe such visual cues to someone creating the visuals, without it getting", "Noooooo! How could you tell? ``` Obviously things like the whole EVENT line", "the things you'd normally describe in text-only media can be shown by the", "where you see characters talking, usually from the torso up. Most of the", "should you describe these kinds of interactions? Should I continue with this loose", "it getting in the way of what is actually shown as text on", "such visual cues to someone creating the visuals, without it getting in the", "down to describe such visual cues to someone creating the visuals, without it", "things you'd normally describe in text-only media can be shown by the expressions", "write these interactions down to describe such visual cues to someone creating the", "things like the whole EVENT line and \\sarcastic\\ won't appear like that in", "these interactions down to describe such visual cues to someone creating the visuals,", "eyes or something. How should you describe these kinds of interactions? Should I", "kinds of interactions? Should I continue with this loose structure? Are there better", "novel style \"cutscenes\" inbetween, where you see characters talking, usually from the torso", "Most of the things you'd normally describe in text-only media can be shown", "cues to someone creating the visuals, without it getting in the way of", "you write these interactions down to describe such visual cues to someone creating", "whole EVENT line and \\sarcastic\\ won't appear like that in the text, they'd", "to the window when they hear the shouting and the girl rolling her", "girl: sarcastic Noooooo! How could you tell? ``` Obviously things like the whole", "torso up. Most of the things you'd normally describe in text-only media can", "turning their heads to the window when they hear the shouting and the", "the text, they'd be turned into visuals, with boy and girl turning their", "girl hear someone angrily shouting outside of their house boy: Sounds like someone's", "girl rolling her eyes or something. How should you describe these kinds of", "just as an example: ``` EVENT: boy and girl hear someone angrily shouting", "you see characters talking, usually from the torso up. Most of the things", "interactions down to describe such visual cues to someone creating the visuals, without", "so far, just as an example: ``` EVENT: boy and girl hear someone", "game with visual novel style \"cutscenes\" inbetween, where you see characters talking, usually", "expressions and actions of the characters onscreen, like their facial expressions. Before you", "I'm working on a video game with visual novel style \"cutscenes\" inbetween, where", "the characters onscreen, like their facial expressions. Before you start actually creating the", "creating the game and its visuals, how would you write these interactions down", "How could you tell? ``` Obviously things like the whole EVENT line and", "onscreen, like their facial expressions. Before you start actually creating the game and", "when they hear the shouting and the girl rolling her eyes or something.", "heads to the window when they hear the shouting and the girl rolling", "media can be shown by the expressions and actions of the characters onscreen,", "house boy: Sounds like someone's angry. girl: sarcastic Noooooo! How could you tell?", "visual cues to someone creating the visuals, without it getting in the way", "girl turning their heads to the window when they hear the shouting and", "they hear the shouting and the girl rolling her eyes or something. How", "did it so far, just as an example: ``` EVENT: boy and girl", "the window when they hear the shouting and the girl rolling her eyes", "boy and girl turning their heads to the window when they hear the", "these kinds of interactions? Should I continue with this loose structure? Are there", "that in the text, they'd be turned into visuals, with boy and girl", "shouting and the girl rolling her eyes or something. How should you describe", "actions of the characters onscreen, like their facial expressions. Before you start actually", "could you tell? ``` Obviously things like the whole EVENT line and \\sarcastic\\", "you describe these kinds of interactions? Should I continue with this loose structure?", "be shown by the expressions and actions of the characters onscreen, like their", "of the things you'd normally describe in text-only media can be shown by", "describe in text-only media can be shown by the expressions and actions of", "style \"cutscenes\" inbetween, where you see characters talking, usually from the torso up.", "their house boy: Sounds like someone's angry. girl: sarcastic Noooooo! How could you", "the shouting and the girl rolling her eyes or something. How should you", "talking, usually from the torso up. Most of the things you'd normally describe", "how would you write these interactions down to describe such visual cues to", "you start actually creating the game and its visuals, how would you write", "shown as text on screen? Here's how I did it so far, just", "up. Most of the things you'd normally describe in text-only media can be", "window when they hear the shouting and the girl rolling her eyes or", "and actions of the characters onscreen, like their facial expressions. Before you start", "with visual novel style \"cutscenes\" inbetween, where you see characters talking, usually from", "on a video game with visual novel style \"cutscenes\" inbetween, where you see", "on screen? Here's how I did it so far, just as an example:", "with boy and girl turning their heads to the window when they hear", "like their facial expressions. Before you start actually creating the game and its", "an example: ``` EVENT: boy and girl hear someone angrily shouting outside of", "won't appear like that in the text, they'd be turned into visuals, with", "the way of what is actually shown as text on screen? Here's how", "without it getting in the way of what is actually shown as text", "EVENT line and \\sarcastic\\ won't appear like that in the text, they'd be", "like that in the text, they'd be turned into visuals, with boy and", "you'd normally describe in text-only media can be shown by the expressions and", "would you write these interactions down to describe such visual cues to someone", "they'd be turned into visuals, with boy and girl turning their heads to", "what is actually shown as text on screen? Here's how I did it", "from the torso up. Most of the things you'd normally describe in text-only", "inbetween, where you see characters talking, usually from the torso up. Most of", "visuals, how would you write these interactions down to describe such visual cues", "creating the visuals, without it getting in the way of what is actually", "angrily shouting outside of their house boy: Sounds like someone's angry. girl: sarcastic", "in the text, they'd be turned into visuals, with boy and girl turning", "of their house boy: Sounds like someone's angry. girl: sarcastic Noooooo! How could", "I did it so far, just as an example: ``` EVENT: boy and", "turned into visuals, with boy and girl turning their heads to the window", "and girl hear someone angrily shouting outside of their house boy: Sounds like", "Here's how I did it so far, just as an example: ``` EVENT:" ]
[ "Dal Xmowf, Dean Koontz and several popular authors. What other ways are there", "the idea. There are a many descriptions of characters having some kind of", "several popular authors. What other ways are there to bring out character reactions,", "emotions? Also, is there any way which is recommended in terms of making", "there to bring out character reactions, instead of adding dramatizing effects to emotions?", "indication about their reactions. This is especially true in the writing of Sydney", "up, his temples started bulging, he started breathing more heavily as he heard", "is especially true in the writing of Sydney Sheldon, Dal Xmowf, Dean Koontz", "many descriptions of characters having some kind of physical indication about their reactions.", "there any way which is recommended in terms of making it more realistic?", "Startled. * His face flushed (how does that happen in real life) ", "started bulging, he started breathing more heavily as he heard his subordinate's report", " she sat up. Startled. * His face flushed (how does that happen", "bring out character reactions, instead of adding dramatizing effects to emotions? Also, is", "are there to bring out character reactions, instead of adding dramatizing effects to", "heavily as he heard his subordinate's report * Suddenly she felt hollow inside", "his subordinate's report * Suddenly she felt hollow inside You get the idea.", "instead of adding dramatizing effects to emotions? Also, is there any way which", "she sat up. Startled. * His face flushed (how does that happen in", "writing of Sydney Sheldon, Dal Xmowf, Dean Koontz and several popular authors. What", "tense up, his temples started bulging, he started breathing more heavily as he", "he started breathing more heavily as he heard his subordinate's report * Suddenly", "Dean Koontz and several popular authors. What other ways are there to bring", "adding dramatizing effects to emotions? Also, is there any way which is recommended", "subordinate's report * Suddenly she felt hollow inside You get the idea. There", "and several popular authors. What other ways are there to bring out character", "happen in real life) * He felt his neck muscles tense up, his", "Sheldon, Dal Xmowf, Dean Koontz and several popular authors. What other ways are", "temples started bulging, he started breathing more heavily as he heard his subordinate's", "in the writing of Sydney Sheldon, Dal Xmowf, Dean Koontz and several popular", "He felt his neck muscles tense up, his temples started bulging, he started", "get the idea. There are a many descriptions of characters having some kind", "heard his subordinate's report * Suddenly she felt hollow inside You get the", "his neck muscles tense up, his temples started bulging, he started breathing more", "There are a many descriptions of characters having some kind of physical indication", "descriptions of characters having some kind of physical indication about their reactions. This", "some kind of physical indication about their reactions. This is especially true in", "does that happen in real life) * He felt his neck muscles tense", "read stuff like these: * she sat up. Startled. * His face flushed", "Suddenly she felt hollow inside You get the idea. There are a many", "* He felt his neck muscles tense up, his temples started bulging, he", "in real life) * He felt his neck muscles tense up, his temples", "these: * she sat up. Startled. * His face flushed (how does that", "his temples started bulging, he started breathing more heavily as he heard his", "true in the writing of Sydney Sheldon, Dal Xmowf, Dean Koontz and several", "What other ways are there to bring out character reactions, instead of adding", "Also, is there any way which is recommended in terms of making it", "to bring out character reactions, instead of adding dramatizing effects to emotions? Also,", "popular authors. What other ways are there to bring out character reactions, instead", "life) * He felt his neck muscles tense up, his temples started bulging,", "This is especially true in the writing of Sydney Sheldon, Dal Xmowf, Dean", "is there any way which is recommended in terms of making it more", "are a many descriptions of characters having some kind of physical indication about", "about their reactions. This is especially true in the writing of Sydney Sheldon,", "characters having some kind of physical indication about their reactions. This is especially", "physical indication about their reactions. This is especially true in the writing of", "character reactions, instead of adding dramatizing effects to emotions? Also, is there any", "face flushed (how does that happen in real life) * He felt his", "effects to emotions? Also, is there any way which is recommended in terms", "You get the idea. There are a many descriptions of characters having some", "Koontz and several popular authors. What other ways are there to bring out", "of physical indication about their reactions. This is especially true in the writing", "other ways are there to bring out character reactions, instead of adding dramatizing", "stuff like these: * she sat up. Startled. * His face flushed (how", "hollow inside You get the idea. There are a many descriptions of characters", "the writing of Sydney Sheldon, Dal Xmowf, Dean Koontz and several popular authors.", "she felt hollow inside You get the idea. There are a many descriptions", "neck muscles tense up, his temples started bulging, he started breathing more heavily", "report * Suddenly she felt hollow inside You get the idea. There are", "of adding dramatizing effects to emotions? Also, is there any way which is", "their reactions. This is especially true in the writing of Sydney Sheldon, Dal", "real life) * He felt his neck muscles tense up, his temples started", "I've read stuff like these: * she sat up. Startled. * His face", "that happen in real life) * He felt his neck muscles tense up,", "ways are there to bring out character reactions, instead of adding dramatizing effects", "he heard his subordinate's report * Suddenly she felt hollow inside You get", "of Sydney Sheldon, Dal Xmowf, Dean Koontz and several popular authors. What other", "dramatizing effects to emotions? Also, is there any way which is recommended in", "of characters having some kind of physical indication about their reactions. This is", "muscles tense up, his temples started bulging, he started breathing more heavily as", "idea. There are a many descriptions of characters having some kind of physical", "out character reactions, instead of adding dramatizing effects to emotions? Also, is there", "* Suddenly she felt hollow inside You get the idea. There are a", "flushed (how does that happen in real life) * He felt his neck", "to emotions? Also, is there any way which is recommended in terms of", "* His face flushed (how does that happen in real life) * He", "like these: * she sat up. Startled. * His face flushed (how does", "His face flushed (how does that happen in real life) * He felt", "felt hollow inside You get the idea. There are a many descriptions of", "a many descriptions of characters having some kind of physical indication about their", "(how does that happen in real life) * He felt his neck muscles", "up. Startled. * His face flushed (how does that happen in real life)", "felt his neck muscles tense up, his temples started bulging, he started breathing", "reactions, instead of adding dramatizing effects to emotions? Also, is there any way", "more heavily as he heard his subordinate's report * Suddenly she felt hollow", "as he heard his subordinate's report * Suddenly she felt hollow inside You", "sat up. Startled. * His face flushed (how does that happen in real", "started breathing more heavily as he heard his subordinate's report * Suddenly she", "bulging, he started breathing more heavily as he heard his subordinate's report ", "Sydney Sheldon, Dal Xmowf, Dean Koontz and several popular authors. What other ways", "inside You get the idea. There are a many descriptions of characters having", "reactions. This is especially true in the writing of Sydney Sheldon, Dal Xmowf,", "kind of physical indication about their reactions. This is especially true in the", "Xmowf, Dean Koontz and several popular authors. What other ways are there to", "breathing more heavily as he heard his subordinate's report Suddenly she felt", "authors. What other ways are there to bring out character reactions, instead of", "especially true in the writing of Sydney Sheldon, Dal Xmowf, Dean Koontz and", "having some kind of physical indication about their reactions. This is especially true" ]
[ "to a wider audience but the reason I have kept this character as", "human trader and most probably will stay ordinary throughout their life. I haven't", "a time without progressing the plot at the same pace as the earlier", "a person and thereby takes on moderately difficult tasks. As I build this", "the early 1400s with some magic sprinkled into the setting. Question What would", "against these types of stories but I choose to go for a 'slice", "For a while now I have been building a character who is an", "be included here at the top. My question as it stands is based", "have kept this character as they are is that I absolutely detest shoe-horned", "ambitious trader in a fantasy setting. It is all about this character. That's", "are a normal regular person looking to live comfortably. A crude by-line of", "direction. I originally had no intention of talking about this or showing this", "I haven't decided a gender for this person but I might go with", "the plot as of now would be - The life of an ambitious", "this type without creating a 'legend on demand' type of character? A friend", "living and not wanting to be the hero. A character whose life has", "go in that direction. I originally had no intention of talking about this", "and thereby takes on moderately difficult tasks. As I build this character and", "the question. Edit 2 - While maintaining the tension every few pages is", "the character is facing and the character wishes to become a better trader", "currently does not have a lot of conflict in it and I am", "is similar to the beginning of the Renaissance era in Europe and has", "answers and responses to my comments to those answers, I realize that I", "top. My question as it stands is based on the assumption that reader", "not very deeply philosophical or extremely intelligent to conduct a bunch of insightful", "suggestions to generate and maintain reader interest in a story of this type", "interest does not exist in plots without conflicts. After reading the two answers", "now I have been building a character who is an ordinary human trader", "a normal amount of external events and is not very deeply philosophical or", "of the 'rivetting pageturners' and 'top bestsellers' have characters on whom the entire", "objectivity in the question. Edit 2 - While maintaining the tension every few", "comfortably. A crude by-line of the plot as of now would be -", "to grow as a person and thereby takes on moderately difficult tasks. As", "I might go with a male character eventually. I have been setting up", "much to happen in a person's life'. Commercially, I understand the need for", "of the life of this character and discovering the world the character lives", "thinking of packaging this writing to a wider audience but the reason I", "with a male character eventually. I have been setting up scenes of the", "make a living and not wanting to be the hero. A character whose", "Elaboration - So my character actively avoids conflicts but tries to grow as", "I have been thinking of packaging this writing to a wider audience but", "need not assume anything of that sort. Background - For a while now", "and not wanting to be the hero. A character whose life has a", "crude by-line of the plot as of now would be - The life", "welcome. Thank you very much for taking the time to read this. Edit", "are is that I absolutely detest shoe-horned conflict. Most of the 'rivetting pageturners'", "maintaining the tension every few pages is a good and maybe even a", "lot of conflict in the plot. There are some personal dilemmas the character", "inhabited by this character is one that is similar to the beginning of", "reading the two answers and responses to my comments to those answers, I", "not wanting to be the hero. A character whose life has a normal", "reader interest does not exist in plots without conflicts. After reading the two", "two answers and responses to my comments to those answers, I realize that", "have a lot of conflict in it and I am not interested in", "world, I find that there is not a lot of conflict in the", "plot. There are some personal dilemmas the character is facing and the character", "describe the life of an ambitious trader in a fantasy setting. It is", "own a treasure fleet of ships and that is the sum total of", "progresses. As yet the writing is first person present tense for simplicities sake.", "I originally had no intention of talking about this or showing this to", "I understand the need for this and I am not against these types", "the life of this character and discovering the world the character lives in", "a character who is an ordinary human trader and most probably will stay", "There are some personal dilemmas the character is facing and the character wishes", "/ merchant in the early 1400s with some magic sprinkled into the setting.", "are some personal dilemmas the character is facing and the character wishes to", "I absolutely detest shoe-horned conflict. Most of the 'rivetting pageturners' and 'top bestsellers'", "few pages is a good and maybe even a necessary part of writing", "by-line of the plot as of now would be - The life of", "to describe the life of an ambitious trader in a fantasy setting. It", "explore their life as it progresses. As yet the writing is first person", "regular person looking to live comfortably. A crude by-line of the plot as", "anything of that sort. Background - For a while now I have been", "adding more comedy to the dialogue for starters. Any other comments / suggestions", "want to explore their life as it progresses. As yet the writing is", "some magic sprinkled into the setting. Question What would be your suggestions to", "gender for this person but I might go with a male character eventually.", "fleet of ships and that is the sum total of the motivations behind", "life as it progresses. As yet the writing is first person present tense", "normal amount of external events and is not very deeply philosophical or extremely", "without progressing the plot at the same pace as the earlier few pages.", "the setting depends upon and I always find myself thinking 'That's just too", "while now I have been building a character who is an ordinary human", "their persona. A character who takes the safer choices because they are not", "and I always find myself thinking 'That's just too much to happen in", "sprinkled into the setting. Question What would be your suggestions to generate and", "the character lives in bit by bit. The world inhabited by this character", "not have a lot of conflict in it and I am not interested", "plots without conflicts. After reading the two answers and responses to my comments", "this or showing this to another person. It was just a hobby that", "just a hobby that I did to relax, a sort of escape into", "I am not against these types of stories but I choose to go", "the life of an ambitious trader in a fantasy setting. It is all", "the sum total of the motivations behind their actions. They face external obstacles", "these types of stories but I choose to go for a 'slice of", "/ criticisms are welcome. Thank you very much for taking the time to", "the two answers and responses to my comments to those answers, I realize", "been thinking of packaging this writing to a wider audience but the reason", "too much to happen in a person's life'. Commercially, I understand the need", "without conflicts. After reading the two answers and responses to my comments to", "that generates and maintains reader interest at least for a few pages at", "that I need not assume anything of that sort. Background - For a", "in my character and want to explore their life as it progresses. As", "not assume anything of that sort. Background - For a while now I", "external obstacles too but they do not turn into 'save-the-world-or-die-trying' scale of choice", "a 'slice of life' approach. I just want to explore the life of", "the life of a trader trying to make a living and not wanting", "good and maybe even a necessary part of writing a story / book,", "detest shoe-horned conflict. Most of the 'rivetting pageturners' and 'top bestsellers' have characters", "Thank you very much for taking the time to read this. Edit 1", "that I absolutely detest shoe-horned conflict. Most of the 'rivetting pageturners' and 'top", "- So my character actively avoids conflicts but tries to grow as a", "eventually. I have been setting up scenes of the life of this character", "conflict in it and I am not interested in adding a lot of", "world of the setting depends upon and I always find myself thinking 'That's", "the earlier few pages. As a friend mentioned 'comic interlude' is an effective", "fantasy world. Recently I have been thinking of packaging this writing to a", "a necessary part of writing a story / book, the focus of this", "is to explore methods in writing that generates and maintains reader interest at", "for taking the time to read this. Edit 1 - For clarity and", "'That's just too much to happen in a person's life'. Commercially, I understand", "pace as the earlier few pages. As a friend mentioned 'comic interlude' is", "to explore their life as it progresses. As yet the writing is first", "of conflict in it and I am not interested in adding a lot", "'legend on demand' type of character? A friend suggested adding more comedy to", "Recently I have been thinking of packaging this writing to a wider audience", "with some magic sprinkled into the setting. Question What would be your suggestions", "thereby takes on moderately difficult tasks. As I build this character and their", "short version). Elaboration - So my character actively avoids conflicts but tries to", "of this character and discovering the world the character lives in bit by", "some sprinklings of magic. Short version - My plot currently does not have", "to the dialogue for starters. Any other comments / suggestions / criticisms are", "the plot at the same pace as the earlier few pages. As a", "As a friend mentioned 'comic interlude' is an effective method. Are there other", "be - The life of an ambitious Venetian trader / merchant in the", "As yet the writing is first person present tense for simplicities sake. It", "life of a trader trying to make a living and not wanting to", "dialogue for starters. Any other comments / suggestions / criticisms are welcome. Thank", "the same pace as the earlier few pages. As a friend mentioned 'comic", "had no intention of talking about this or showing this to another person.", "and maybe even a necessary part of writing a story / book, the", "tense for simplicities sake. It may become biographical or even autobiographical if I", "The world inhabited by this character is one that is similar to the", "As I build this character and their world, I find that there is", "time to read this. Edit 1 - For clarity and objectivity in the", "story / book, the focus of this question is to explore methods in", "'top bestsellers' have characters on whom the entire world of the setting depends", "obstacles too but they do not turn into 'save-the-world-or-die-trying' scale of choice based", "friend mentioned 'comic interlude' is an effective method. Are there other such options?", "this short version). Elaboration - So my character actively avoids conflicts but tries", "it progresses. As yet the writing is first person present tense for simplicities", "quests. I find that I am very interested in my character and want", "kept this character as they are is that I absolutely detest shoe-horned conflict.", "this is the third edit I feel it has to be included here", "sort. Background - For a while now I have been building a character", "of an ambitious trader in a fantasy setting. It is all about this", "more comedy to the dialogue for starters. Any other comments / suggestions /", "friend suggested adding more comedy to the dialogue for starters. Any other comments", "showing this to another person. It was just a hobby that I did", "realize that I need not assume anything of that sort. Background - For", "sum total of the motivations behind their actions. They face external obstacles too", "go for a 'slice of life' approach. I just want to explore the", "- Even though this is the third edit I feel it has to", "looking to live comfortably. A crude by-line of the plot as of now", "actions. They face external obstacles too but they do not turn into 'save-the-world-or-die-trying'", "not turn into 'save-the-world-or-die-trying' scale of choice based quests. I find that I", "treasure fleet of ships and that is the sum total of the motivations", "conflicts but tries to grow as a person and thereby takes on moderately", "My plot currently does not have a lot of conflict in it and", "discovering the world the character lives in bit by bit. The world inhabited", "Edit 2 if you are only reading this short version). Elaboration - So", "one that is similar to the beginning of the Renaissance era in Europe", "After reading the two answers and responses to my comments to those answers,", "Even though this is the third edit I feel it has to be", "the plot. There are some personal dilemmas the character is facing and the", "all. (Kindly read Edit 2 if you are only reading this short version).", "life. I haven't decided a gender for this person but I might go", "it stands is based on the assumption that reader interest does not exist", "person present tense for simplicities sake. It may become biographical or even autobiographical", "autobiographical if I go in that direction. I originally had no intention of", "characters on whom the entire world of the setting depends upon and I", "interest at least for a few pages at a time without progressing the", "based quests. I find that I am very interested in my character and", "entire world of the setting depends upon and I always find myself thinking", "A friend suggested adding more comedy to the dialogue for starters. Any other", "tries to grow as a person and thereby takes on moderately difficult tasks.", "about this character. That's all. (Kindly read Edit 2 if you are only", "their world, I find that there is not a lot of conflict in", "suggested adding more comedy to the dialogue for starters. Any other comments /", "is that I absolutely detest shoe-horned conflict. Most of the 'rivetting pageturners' and", "merchant in the early 1400s with some magic sprinkled into the setting. Question", "been setting up scenes of the life of this character and discovering the", "sort of escape into my own fantasy world. Recently I have been thinking", "my character and want to explore their life as it progresses. As yet", "need for this and I am not against these types of stories but", "find myself thinking 'That's just too much to happen in a person's life'.", "a trader trying to make a living and not wanting to be the", "of an ambitious Venetian trader / merchant in the early 1400s with some", "this. Edit 1 - For clarity and objectivity in the question. Edit 2", "comments to those answers, I realize that I need not assume anything of", "would be - The life of an ambitious Venetian trader / merchant in", "setting up scenes of the life of this character and discovering the world", "reader interest at least for a few pages at a time without progressing", "depends upon and I always find myself thinking 'That's just too much to", "to my comments to those answers, I realize that I need not assume", "conflict in the plot. There are some personal dilemmas the character is facing", "want to describe the life of an ambitious trader in a fantasy setting.", "insightful introspection into their persona. A character who takes the safer choices because", "the assumption that reader interest does not exist in plots without conflicts. After", "A character who takes the safer choices because they are not a hero,", "starters. Any other comments / suggestions / criticisms are welcome. Thank you very", "most probably will stay ordinary throughout their life. I haven't decided a gender", "find that I am very interested in my character and want to explore", "comedy to the dialogue for starters. Any other comments / suggestions / criticisms", "the tension every few pages is a good and maybe even a necessary", "escape into my own fantasy world. Recently I have been thinking of packaging", "who is an ordinary human trader and most probably will stay ordinary throughout", "in Europe and has some sprinklings of magic. Short version - My plot", "might go with a male character eventually. I have been setting up scenes", "wider audience but the reason I have kept this character as they are", "It was just a hobby that I did to relax, a sort of", "into their persona. A character who takes the safer choices because they are", "the need for this and I am not against these types of stories", "by this character is one that is similar to the beginning of the", "to make a living and not wanting to be the hero. A character", "person but I might go with a male character eventually. I have been", "for this person but I might go with a male character eventually. I", "character is one that is similar to the beginning of the Renaissance era", "to it as I want to describe the life of an ambitious trader", "myself thinking 'That's just too much to happen in a person's life'. Commercially,", "generates and maintains reader interest at least for a few pages at a", "avoids conflicts but tries to grow as a person and thereby takes on", "did to relax, a sort of escape into my own fantasy world. Recently", "maybe even a necessary part of writing a story / book, the focus", "bunch of insightful introspection into their persona. A character who takes the safer", "taking the time to read this. Edit 1 - For clarity and objectivity", "normal regular person looking to live comfortably. A crude by-line of the plot", "to conduct a bunch of insightful introspection into their persona. A character who", "turn into 'save-the-world-or-die-trying' scale of choice based quests. I find that I am", "probably will stay ordinary throughout their life. I haven't decided a gender for", "character as they are is that I absolutely detest shoe-horned conflict. Most of", "types of stories but I choose to go for a 'slice of life'", "character? A friend suggested adding more comedy to the dialogue for starters. Any", "it as I want to describe the life of an ambitious trader in", "the time to read this. Edit 1 - For clarity and objectivity in", "is an ordinary human trader and most probably will stay ordinary throughout their", "have been building a character who is an ordinary human trader and most", "a gender for this person but I might go with a male character", "beginning of the Renaissance era in Europe and has some sprinklings of magic.", "total of the motivations behind their actions. They face external obstacles too but", "person. It was just a hobby that I did to relax, a sort", "of this question is to explore methods in writing that generates and maintains", "here at the top. My question as it stands is based on the", "as it progresses. As yet the writing is first person present tense for", "persona. A character who takes the safer choices because they are not a", "or extremely intelligent to conduct a bunch of insightful introspection into their persona.", "but they do not turn into 'save-the-world-or-die-trying' scale of choice based quests. I", "for a 'slice of life' approach. I just want to explore the life", "book, the focus of this question is to explore methods in writing that", "setting depends upon and I always find myself thinking 'That's just too much", "assumption that reader interest does not exist in plots without conflicts. After reading", "2 if you are only reading this short version). Elaboration - So my", "a hobby that I did to relax, a sort of escape into my", "been building a character who is an ordinary human trader and most probably", "has to be included here at the top. My question as it stands", "character and their world, I find that there is not a lot of", "I go in that direction. I originally had no intention of talking about", "a sort of escape into my own fantasy world. Recently I have been", "just want to explore the life of a trader trying to make a", "generate and maintain reader interest in a story of this type without creating", "is a good and maybe even a necessary part of writing a story", "creating a 'legend on demand' type of character? A friend suggested adding more", "a friend mentioned 'comic interlude' is an effective method. Are there other such", "pages is a good and maybe even a necessary part of writing a", "Europe and has some sprinklings of magic. Short version - My plot currently", "to generate and maintain reader interest in a story of this type without", "only reading this short version). Elaboration - So my character actively avoids conflicts", "happen in a person's life'. Commercially, I understand the need for this and", "a person's life'. Commercially, I understand the need for this and I am", "they are a normal regular person looking to live comfortably. A crude by-line", "for starters. Any other comments / suggestions / criticisms are welcome. Thank you", "in adding a lot of conflict to it as I want to describe", "I find that there is not a lot of conflict in the plot.", "who takes the safer choices because they are not a hero, they are", "person's life'. Commercially, I understand the need for this and I am not", "least for a few pages at a time without progressing the plot at", "a treasure fleet of ships and that is the sum total of the", "tension every few pages is a good and maybe even a necessary part", "and their world, I find that there is not a lot of conflict", "for a few pages at a time without progressing the plot at the", "'rivetting pageturners' and 'top bestsellers' have characters on whom the entire world of", "included here at the top. My question as it stands is based on", "motivations behind their actions. They face external obstacles too but they do not", "similar to the beginning of the Renaissance era in Europe and has some", "intention of talking about this or showing this to another person. It was", "plot as of now would be - The life of an ambitious Venetian", "this to another person. It was just a hobby that I did to", "2 - While maintaining the tension every few pages is a good and", "approach. I just want to explore the life of a trader trying to", "wanting to be the hero. A character whose life has a normal amount", "but I might go with a male character eventually. I have been setting", "read this. Edit 1 - For clarity and objectivity in the question. Edit", "in a fantasy setting. It is all about this character. That's all. (Kindly", "I find that I am very interested in my character and want to", "character is facing and the character wishes to become a better trader and", "of escape into my own fantasy world. Recently I have been thinking of", "and objectivity in the question. Edit 2 - While maintaining the tension every", "interested in my character and want to explore their life as it progresses.", "does not have a lot of conflict in it and I am not", "of choice based quests. I find that I am very interested in my", "amount of external events and is not very deeply philosophical or extremely intelligent", "same pace as the earlier few pages. As a friend mentioned 'comic interlude'", "I did to relax, a sort of escape into my own fantasy world.", "earlier few pages. As a friend mentioned 'comic interlude' is an effective method.", "is the third edit I feel it has to be included here at", "necessary part of writing a story / book, the focus of this question", "person and thereby takes on moderately difficult tasks. As I build this character", "character whose life has a normal amount of external events and is not", "or even autobiographical if I go in that direction. I originally had no", "a good and maybe even a necessary part of writing a story /", "shoe-horned conflict. Most of the 'rivetting pageturners' and 'top bestsellers' have characters on", "this character and discovering the world the character lives in bit by bit.", "bit by bit. The world inhabited by this character is one that is", "safer choices because they are not a hero, they are a normal regular", "conflicts. After reading the two answers and responses to my comments to those", "just too much to happen in a person's life'. Commercially, I understand the", "clarity and objectivity in the question. Edit 2 - While maintaining the tension", "writing is first person present tense for simplicities sake. It may become biographical", "is first person present tense for simplicities sake. It may become biographical or", "1 - For clarity and objectivity in the question. Edit 2 - While", "Venetian trader / merchant in the early 1400s with some magic sprinkled into", "a bunch of insightful introspection into their persona. A character who takes the", "choice based quests. I find that I am very interested in my character", "on the assumption that reader interest does not exist in plots without conflicts.", "reading this short version). Elaboration - So my character actively avoids conflicts but", "face external obstacles too but they do not turn into 'save-the-world-or-die-trying' scale of", "'save-the-world-or-die-trying' scale of choice based quests. I find that I am very interested", "maintain reader interest in a story of this type without creating a 'legend", "focus of this question is to explore methods in writing that generates and", "Commercially, I understand the need for this and I am not against these", "in plots without conflicts. After reading the two answers and responses to my", "and maintain reader interest in a story of this type without creating a", "to live comfortably. A crude by-line of the plot as of now would", "my own fantasy world. Recently I have been thinking of packaging this writing", "and 'top bestsellers' have characters on whom the entire world of the setting", "Edit 1 - For clarity and objectivity in the question. Edit 2 -", "of insightful introspection into their persona. A character who takes the safer choices", "to read this. Edit 1 - For clarity and objectivity in the question.", "bestsellers' have characters on whom the entire world of the setting depends upon", "this person but I might go with a male character eventually. I have", "this writing to a wider audience but the reason I have kept this", "person looking to live comfortably. A crude by-line of the plot as of", "no intention of talking about this or showing this to another person. It", "sake. It may become biographical or even autobiographical if I go in that", "I want to describe the life of an ambitious trader in a fantasy", "the top. My question as it stands is based on the assumption that", "am not against these types of stories but I choose to go for", "the hero. A character whose life has a normal amount of external events", "Background - For a while now I have been building a character who", "and I am not interested in adding a lot of conflict to it", "early 1400s with some magic sprinkled into the setting. Question What would be", "life of an ambitious Venetian trader / merchant in the early 1400s with", "to happen in a person's life'. Commercially, I understand the need for this", "of ships and that is the sum total of the motivations behind their", "very deeply philosophical or extremely intelligent to conduct a bunch of insightful introspection", "of stories but I choose to go for a 'slice of life' approach.", "of the plot as of now would be - The life of an", "talking about this or showing this to another person. It was just a", "trader trying to make a living and not wanting to be the hero.", "feel it has to be included here at the top. My question as", "to become a better trader and eventually own a treasure fleet of ships", "are welcome. Thank you very much for taking the time to read this.", "if you are only reading this short version). Elaboration - So my character", "that there is not a lot of conflict in the plot. There are", "find that there is not a lot of conflict in the plot. There", "magic. Short version - My plot currently does not have a lot of", "the character wishes to become a better trader and eventually own a treasure", "is not very deeply philosophical or extremely intelligent to conduct a bunch of", "be the hero. A character whose life has a normal amount of external", "to another person. It was just a hobby that I did to relax,", "lot of conflict to it as I want to describe the life of", "a wider audience but the reason I have kept this character as they", "their life. I haven't decided a gender for this person but I might", "be your suggestions to generate and maintain reader interest in a story of", "may become biographical or even autobiographical if I go in that direction. I", "but tries to grow as a person and thereby takes on moderately difficult", "methods in writing that generates and maintains reader interest at least for a", "moderately difficult tasks. As I build this character and their world, I find", "a normal regular person looking to live comfortably. A crude by-line of the", "a 'legend on demand' type of character? A friend suggested adding more comedy", "will stay ordinary throughout their life. I haven't decided a gender for this", "in writing that generates and maintains reader interest at least for a few", "bit. The world inhabited by this character is one that is similar to", "sprinklings of magic. Short version - My plot currently does not have a", "setting. It is all about this character. That's all. (Kindly read Edit 2", "in the plot. There are some personal dilemmas the character is facing and", "of the Renaissance era in Europe and has some sprinklings of magic. Short", "an ambitious Venetian trader / merchant in the early 1400s with some magic", "is not a lot of conflict in the plot. There are some personal", "plot currently does not have a lot of conflict in it and I", "those answers, I realize that I need not assume anything of that sort.", "conflict to it as I want to describe the life of an ambitious", "I am not interested in adding a lot of conflict to it as", "and the character wishes to become a better trader and eventually own a", "life of this character and discovering the world the character lives in bit", "of conflict in the plot. There are some personal dilemmas the character is", "have characters on whom the entire world of the setting depends upon and", "about this or showing this to another person. It was just a hobby", "that I am very interested in my character and want to explore their", "fantasy setting. It is all about this character. That's all. (Kindly read Edit", "hero. A character whose life has a normal amount of external events and", "the setting. Question What would be your suggestions to generate and maintain reader", "- The life of an ambitious Venetian trader / merchant in the early", "that sort. Background - For a while now I have been building a", "- For clarity and objectivity in the question. Edit 2 - While maintaining", "part of writing a story / book, the focus of this question is", "the world the character lives in bit by bit. The world inhabited by", "without creating a 'legend on demand' type of character? A friend suggested adding", "a while now I have been building a character who is an ordinary", "of that sort. Background - For a while now I have been building", "lot of conflict in it and I am not interested in adding a", "your suggestions to generate and maintain reader interest in a story of this", "trader and eventually own a treasure fleet of ships and that is the", "responses to my comments to those answers, I realize that I need not", "to explore the life of a trader trying to make a living and", "there is not a lot of conflict in the plot. There are some", "life'. Commercially, I understand the need for this and I am not against", "the motivations behind their actions. They face external obstacles too but they do", "of a trader trying to make a living and not wanting to be", "you are only reading this short version). Elaboration - So my character actively", "want to explore the life of a trader trying to make a living", "facing and the character wishes to become a better trader and eventually own", "the beginning of the Renaissance era in Europe and has some sprinklings of", "Renaissance era in Europe and has some sprinklings of magic. Short version -", "answers, I realize that I need not assume anything of that sort. Background", "was just a hobby that I did to relax, a sort of escape", "the entire world of the setting depends upon and I always find myself", "simplicities sake. It may become biographical or even autobiographical if I go in", "they are not a hero, they are a normal regular person looking to", "always find myself thinking 'That's just too much to happen in a person's", "this character is one that is similar to the beginning of the Renaissance", "stands is based on the assumption that reader interest does not exist in", "at least for a few pages at a time without progressing the plot", "reader interest in a story of this type without creating a 'legend on", "as they are is that I absolutely detest shoe-horned conflict. Most of the", "whose life has a normal amount of external events and is not very", "it and I am not interested in adding a lot of conflict to", "and discovering the world the character lives in bit by bit. The world", "I feel it has to be included here at the top. My question", "at the top. My question as it stands is based on the assumption", "I realize that I need not assume anything of that sort. Background -", "on moderately difficult tasks. As I build this character and their world, I", "relax, a sort of escape into my own fantasy world. Recently I have", "character eventually. I have been setting up scenes of the life of this", "into my own fantasy world. Recently I have been thinking of packaging this", "choose to go for a 'slice of life' approach. I just want to", "trying to make a living and not wanting to be the hero. A", "a better trader and eventually own a treasure fleet of ships and that", "/ suggestions / criticisms are welcome. Thank you very much for taking the", "trader and most probably will stay ordinary throughout their life. I haven't decided", "'slice of life' approach. I just want to explore the life of a", "and I am not against these types of stories but I choose to", "time without progressing the plot at the same pace as the earlier few", "a lot of conflict in it and I am not interested in adding", "a few pages at a time without progressing the plot at the same", "scale of choice based quests. I find that I am very interested in", "live comfortably. A crude by-line of the plot as of now would be", "thinking 'That's just too much to happen in a person's life'. Commercially, I", "a story / book, the focus of this question is to explore methods", "not a hero, they are a normal regular person looking to live comfortably.", "does not exist in plots without conflicts. After reading the two answers and", "first person present tense for simplicities sake. It may become biographical or even", "that direction. I originally had no intention of talking about this or showing", "and most probably will stay ordinary throughout their life. I haven't decided a", "a fantasy setting. It is all about this character. That's all. (Kindly read", "philosophical or extremely intelligent to conduct a bunch of insightful introspection into their", "plot at the same pace as the earlier few pages. As a friend", "hobby that I did to relax, a sort of escape into my own", "is facing and the character wishes to become a better trader and eventually", "this question is to explore methods in writing that generates and maintains reader", "type without creating a 'legend on demand' type of character? A friend suggested", "world. Recently I have been thinking of packaging this writing to a wider", "character and want to explore their life as it progresses. As yet the", "- While maintaining the tension every few pages is a good and maybe", "question is to explore methods in writing that generates and maintains reader interest", "They face external obstacles too but they do not turn into 'save-the-world-or-die-trying' scale", "originally had no intention of talking about this or showing this to another", "intelligent to conduct a bunch of insightful introspection into their persona. A character", "of now would be - The life of an ambitious Venetian trader /", "interested in adding a lot of conflict to it as I want to", "building a character who is an ordinary human trader and most probably will", "progressing the plot at the same pace as the earlier few pages. As", "Any other comments / suggestions / criticisms are welcome. Thank you very much", "of this type without creating a 'legend on demand' type of character? A", "biographical or even autobiographical if I go in that direction. I originally had", "pages. As a friend mentioned 'comic interlude' is an effective method. Are there", "the 'rivetting pageturners' and 'top bestsellers' have characters on whom the entire world", "and responses to my comments to those answers, I realize that I need", "- My plot currently does not have a lot of conflict in it", "actively avoids conflicts but tries to grow as a person and thereby takes", "of external events and is not very deeply philosophical or extremely intelligent to", "to be included here at the top. My question as it stands is", "the safer choices because they are not a hero, they are a normal", "life of an ambitious trader in a fantasy setting. It is all about", "explore methods in writing that generates and maintains reader interest at least for", "in the question. Edit 2 - While maintaining the tension every few pages", "into 'save-the-world-or-die-trying' scale of choice based quests. I find that I am very", "extremely intelligent to conduct a bunch of insightful introspection into their persona. A", "version - My plot currently does not have a lot of conflict in", "to those answers, I realize that I need not assume anything of that", "events and is not very deeply philosophical or extremely intelligent to conduct a", "a lot of conflict to it as I want to describe the life", "but the reason I have kept this character as they are is that", "very much for taking the time to read this. Edit 1 - For", "a lot of conflict in the plot. There are some personal dilemmas the", "an ordinary human trader and most probably will stay ordinary throughout their life.", "to the beginning of the Renaissance era in Europe and has some sprinklings", "and want to explore their life as it progresses. As yet the writing", "I have been building a character who is an ordinary human trader and", "to relax, a sort of escape into my own fantasy world. Recently I", "What would be your suggestions to generate and maintain reader interest in a", "and maintains reader interest at least for a few pages at a time", "of magic. Short version - My plot currently does not have a lot", "to be the hero. A character whose life has a normal amount of", "1400s with some magic sprinkled into the setting. Question What would be your", "not interested in adding a lot of conflict to it as I want", "very interested in my character and want to explore their life as it", "and eventually own a treasure fleet of ships and that is the sum", "character who is an ordinary human trader and most probably will stay ordinary", "that reader interest does not exist in plots without conflicts. After reading the", "assume anything of that sort. Background - For a while now I have", "male character eventually. I have been setting up scenes of the life of", "of talking about this or showing this to another person. It was just", "A character whose life has a normal amount of external events and is", "conduct a bunch of insightful introspection into their persona. A character who takes", "that I did to relax, a sort of escape into my own fantasy", "in bit by bit. The world inhabited by this character is one that", "go with a male character eventually. I have been setting up scenes of", "behind their actions. They face external obstacles too but they do not turn", "it has to be included here at the top. My question as it", "the focus of this question is to explore methods in writing that generates", "this and I am not against these types of stories but I choose", "as a person and thereby takes on moderately difficult tasks. As I build", "the Renaissance era in Europe and has some sprinklings of magic. Short version", "It is all about this character. That's all. (Kindly read Edit 2 if", "has some sprinklings of magic. Short version - My plot currently does not", "few pages. As a friend mentioned 'comic interlude' is an effective method. Are", "choices because they are not a hero, they are a normal regular person", "in it and I am not interested in adding a lot of conflict", "too but they do not turn into 'save-the-world-or-die-trying' scale of choice based quests.", "audience but the reason I have kept this character as they are is", "in a person's life'. Commercially, I understand the need for this and I", "you very much for taking the time to read this. Edit 1 -", "world the character lives in bit by bit. The world inhabited by this", "are only reading this short version). Elaboration - So my character actively avoids", "a living and not wanting to be the hero. A character whose life", "are not a hero, they are a normal regular person looking to live", "present tense for simplicities sake. It may become biographical or even autobiographical if", "have been thinking of packaging this writing to a wider audience but the", "the dialogue for starters. Any other comments / suggestions / criticisms are welcome.", "I choose to go for a 'slice of life' approach. I just want", "I just want to explore the life of a trader trying to make", "A crude by-line of the plot as of now would be - The", "of the motivations behind their actions. They face external obstacles too but they", "The life of an ambitious Venetian trader / merchant in the early 1400s", "lives in bit by bit. The world inhabited by this character is one", "eventually own a treasure fleet of ships and that is the sum total", "difficult tasks. As I build this character and their world, I find that", "character actively avoids conflicts but tries to grow as a person and thereby", "even a necessary part of writing a story / book, the focus of", "at the same pace as the earlier few pages. As a friend mentioned", "if I go in that direction. I originally had no intention of talking", "or showing this to another person. It was just a hobby that I", "pages at a time without progressing the plot at the same pace as", "takes the safer choices because they are not a hero, they are a", "interest in a story of this type without creating a 'legend on demand'", "for this and I am not against these types of stories but I", "absolutely detest shoe-horned conflict. Most of the 'rivetting pageturners' and 'top bestsellers' have", "magic sprinkled into the setting. Question What would be your suggestions to generate", "takes on moderately difficult tasks. As I build this character and their world,", "Edit 3 - Even though this is the third edit I feel it", "not a lot of conflict in the plot. There are some personal dilemmas", "character lives in bit by bit. The world inhabited by this character is", "this character. That's all. (Kindly read Edit 2 if you are only reading", "type of character? A friend suggested adding more comedy to the dialogue for", "scenes of the life of this character and discovering the world the character", "is the sum total of the motivations behind their actions. They face external", "a story of this type without creating a 'legend on demand' type of", "they do not turn into 'save-the-world-or-die-trying' scale of choice based quests. I find", "not exist in plots without conflicts. After reading the two answers and responses", "criticisms are welcome. Thank you very much for taking the time to read", "and that is the sum total of the motivations behind their actions. They", "Most of the 'rivetting pageturners' and 'top bestsellers' have characters on whom the", "to go for a 'slice of life' approach. I just want to explore", "have been setting up scenes of the life of this character and discovering", "That's all. (Kindly read Edit 2 if you are only reading this short", "pageturners' and 'top bestsellers' have characters on whom the entire world of the", "tasks. As I build this character and their world, I find that there", "become biographical or even autobiographical if I go in that direction. I originally", "am very interested in my character and want to explore their life as", "of conflict to it as I want to describe the life of an", "yet the writing is first person present tense for simplicities sake. It may", "as of now would be - The life of an ambitious Venetian trader", "writing to a wider audience but the reason I have kept this character", "ambitious Venetian trader / merchant in the early 1400s with some magic sprinkled", "throughout their life. I haven't decided a gender for this person but I", "this character as they are is that I absolutely detest shoe-horned conflict. Most", "stories but I choose to go for a 'slice of life' approach. I", "few pages at a time without progressing the plot at the same pace", "comments / suggestions / criticisms are welcome. Thank you very much for taking", "whom the entire world of the setting depends upon and I always find", "ships and that is the sum total of the motivations behind their actions.", "at a time without progressing the plot at the same pace as the", "my character actively avoids conflicts but tries to grow as a person and", "I have kept this character as they are is that I absolutely detest", "I need not assume anything of that sort. Background - For a while", "do not turn into 'save-the-world-or-die-trying' scale of choice based quests. I find that", "While maintaining the tension every few pages is a good and maybe even", "the writing is first person present tense for simplicities sake. It may become", "that is similar to the beginning of the Renaissance era in Europe and", "(Kindly read Edit 2 if you are only reading this short version). Elaboration", "as it stands is based on the assumption that reader interest does not", "/ book, the focus of this question is to explore methods in writing", "is based on the assumption that reader interest does not exist in plots", "by bit. The world inhabited by this character is one that is similar", "would be your suggestions to generate and maintain reader interest in a story", "third edit I feel it has to be included here at the top.", "introspection into their persona. A character who takes the safer choices because they", "adding a lot of conflict to it as I want to describe the", "Short version - My plot currently does not have a lot of conflict", "own fantasy world. Recently I have been thinking of packaging this writing to", "exist in plots without conflicts. After reading the two answers and responses to", "of character? A friend suggested adding more comedy to the dialogue for starters.", "world inhabited by this character is one that is similar to the beginning", "maintains reader interest at least for a few pages at a time without", "understand the need for this and I am not against these types of", "conflict. Most of the 'rivetting pageturners' and 'top bestsellers' have characters on whom", "haven't decided a gender for this person but I might go with a", "wishes to become a better trader and eventually own a treasure fleet of", "every few pages is a good and maybe even a necessary part of", "I am very interested in my character and want to explore their life", "the third edit I feel it has to be included here at the", "question as it stands is based on the assumption that reader interest does", "in the early 1400s with some magic sprinkled into the setting. Question What", "I always find myself thinking 'That's just too much to happen in a", "in a story of this type without creating a 'legend on demand' type", "I have been setting up scenes of the life of this character and", "the reason I have kept this character as they are is that I", "for simplicities sake. It may become biographical or even autobiographical if I go", "edit I feel it has to be included here at the top. My", "ordinary human trader and most probably will stay ordinary throughout their life. I", "has a normal amount of external events and is not very deeply philosophical", "trader in a fantasy setting. It is all about this character. That's all.", "It may become biographical or even autobiographical if I go in that direction.", "am not interested in adding a lot of conflict to it as I", "3 - Even though this is the third edit I feel it has", "a hero, they are a normal regular person looking to live comfortably. A", "of writing a story / book, the focus of this question is to", "character who takes the safer choices because they are not a hero, they", "deeply philosophical or extremely intelligent to conduct a bunch of insightful introspection into", "better trader and eventually own a treasure fleet of ships and that is", "other comments / suggestions / criticisms are welcome. Thank you very much for", "writing that generates and maintains reader interest at least for a few pages", "reason I have kept this character as they are is that I absolutely", "build this character and their world, I find that there is not a", "that is the sum total of the motivations behind their actions. They face", "packaging this writing to a wider audience but the reason I have kept", "now would be - The life of an ambitious Venetian trader / merchant", "version). Elaboration - So my character actively avoids conflicts but tries to grow", "of life' approach. I just want to explore the life of a trader", "upon and I always find myself thinking 'That's just too much to happen", "hero, they are a normal regular person looking to live comfortably. A crude", "not against these types of stories but I choose to go for a", "a male character eventually. I have been setting up scenes of the life", "become a better trader and eventually own a treasure fleet of ships and", "life' approach. I just want to explore the life of a trader trying", "writing a story / book, the focus of this question is to explore", "based on the assumption that reader interest does not exist in plots without", "their life as it progresses. As yet the writing is first person present", "external events and is not very deeply philosophical or extremely intelligent to conduct", "stay ordinary throughout their life. I haven't decided a gender for this person", "Question What would be your suggestions to generate and maintain reader interest in", "they are is that I absolutely detest shoe-horned conflict. Most of the 'rivetting", "dilemmas the character is facing and the character wishes to become a better", "into the setting. Question What would be your suggestions to generate and maintain", "though this is the third edit I feel it has to be included", "personal dilemmas the character is facing and the character wishes to become a", "of the setting depends upon and I always find myself thinking 'That's just", "on demand' type of character? A friend suggested adding more comedy to the", "explore the life of a trader trying to make a living and not", "For clarity and objectivity in the question. Edit 2 - While maintaining the", "all about this character. That's all. (Kindly read Edit 2 if you are", "grow as a person and thereby takes on moderately difficult tasks. As I", "demand' type of character? A friend suggested adding more comedy to the dialogue", "some personal dilemmas the character is facing and the character wishes to become", "and has some sprinklings of magic. Short version - My plot currently does", "their actions. They face external obstacles too but they do not turn into", "question. Edit 2 - While maintaining the tension every few pages is a", "this character and their world, I find that there is not a lot", "as the earlier few pages. As a friend mentioned 'comic interlude' is an", "So my character actively avoids conflicts but tries to grow as a person", "even autobiographical if I go in that direction. I originally had no intention", "character. That's all. (Kindly read Edit 2 if you are only reading this", "I build this character and their world, I find that there is not", "but I choose to go for a 'slice of life' approach. I just", "an ambitious trader in a fantasy setting. It is all about this character.", "of packaging this writing to a wider audience but the reason I have", "my comments to those answers, I realize that I need not assume anything", "story of this type without creating a 'legend on demand' type of character?", "and is not very deeply philosophical or extremely intelligent to conduct a bunch", "decided a gender for this person but I might go with a male", "read Edit 2 if you are only reading this short version). Elaboration -", "suggestions / criticisms are welcome. Thank you very much for taking the time", "life has a normal amount of external events and is not very deeply", "character and discovering the world the character lives in bit by bit. The", "up scenes of the life of this character and discovering the world the", "era in Europe and has some sprinklings of magic. Short version - My", "to explore methods in writing that generates and maintains reader interest at least", "trader / merchant in the early 1400s with some magic sprinkled into the", "ordinary throughout their life. I haven't decided a gender for this person but", "My question as it stands is based on the assumption that reader interest", "because they are not a hero, they are a normal regular person looking", "- For a while now I have been building a character who is", "as I want to describe the life of an ambitious trader in a", "in that direction. I originally had no intention of talking about this or", "setting. Question What would be your suggestions to generate and maintain reader interest", "is one that is similar to the beginning of the Renaissance era in", "much for taking the time to read this. Edit 1 - For clarity", "character wishes to become a better trader and eventually own a treasure fleet", "another person. It was just a hobby that I did to relax, a", "is all about this character. That's all. (Kindly read Edit 2 if you", "Edit 2 - While maintaining the tension every few pages is a good", "on whom the entire world of the setting depends upon and I always" ]
[ "rape, etc)? Or does grimdark work better when it's subtle and leaves things", "grimdark work better when it's subtle and leaves things to the reader's imagination?", "show how awful they are? (Torture, brutal violence, rape, etc)? Or does grimdark", "things that happen to show how awful they are? (Torture, brutal violence, rape,", "fantasy setting become just gore porn? And how do you avoid writing said", "And how do you avoid writing said edginess just to make it darker?", "details of the horrible things that happen to show how awful they are?", "happen to show how awful they are? (Torture, brutal violence, rape, etc)? Or", "does a dark fantasy setting become just gore porn? And how do you", "of the horrible things that happen to show how awful they are? (Torture,", "brutal violence, rape, etc)? Or does grimdark work better when it's subtle and", "leaves things to the reader's imagination? When does a dark fantasy setting become", "when it's subtle and leaves things to the reader's imagination? When does a", "violence, rape, etc)? Or does grimdark work better when it's subtle and leaves", "a setting go into the gritty details of the horrible things that happen", "better when it's subtle and leaves things to the reader's imagination? When does", "the reader's imagination? When does a dark fantasy setting become just gore porn?", "just gore porn? And how do you avoid writing said edginess just to", "go into the gritty details of the horrible things that happen to show", "horrible things that happen to show how awful they are? (Torture, brutal violence,", "to show how awful they are? (Torture, brutal violence, rape, etc)? Or does", "work better when it's subtle and leaves things to the reader's imagination? When", "dark fantasy setting become just gore porn? And how do you avoid writing", "become just gore porn? And how do you avoid writing said edginess just", "a dark fantasy setting become just gore porn? And how do you avoid", "(Torture, brutal violence, rape, etc)? Or does grimdark work better when it's subtle", "When does a dark fantasy setting become just gore porn? And how do", "and leaves things to the reader's imagination? When does a dark fantasy setting", "they are? (Torture, brutal violence, rape, etc)? Or does grimdark work better when", "etc)? Or does grimdark work better when it's subtle and leaves things to", "it's subtle and leaves things to the reader's imagination? When does a dark", "setting go into the gritty details of the horrible things that happen to", "does grimdark work better when it's subtle and leaves things to the reader's", "reader's imagination? When does a dark fantasy setting become just gore porn? And", "that happen to show how awful they are? (Torture, brutal violence, rape, etc)?", "gore porn? And how do you avoid writing said edginess just to make", "how awful they are? (Torture, brutal violence, rape, etc)? Or does grimdark work", "gritty details of the horrible things that happen to show how awful they", "the gritty details of the horrible things that happen to show how awful", "things to the reader's imagination? When does a dark fantasy setting become just", "setting become just gore porn? And how do you avoid writing said edginess", "awful they are? (Torture, brutal violence, rape, etc)? Or does grimdark work better", "to the reader's imagination? When does a dark fantasy setting become just gore", "imagination? When does a dark fantasy setting become just gore porn? And how", "are? (Torture, brutal violence, rape, etc)? Or does grimdark work better when it's", "the horrible things that happen to show how awful they are? (Torture, brutal", "porn? And how do you avoid writing said edginess just to make it", "Or does grimdark work better when it's subtle and leaves things to the", "into the gritty details of the horrible things that happen to show how", "Should a setting go into the gritty details of the horrible things that", "subtle and leaves things to the reader's imagination? When does a dark fantasy" ]
[ "in which an extremely introverted and non-confrontational person goes through a traumatic experience,", "a too timid hero (male or female) that changes and learns there is", "necessary confrontation and finds the courage to execute it? Any references to existing", "finds the courage to execute it? Any references to existing stories along these", "In most hero stories it seems the protagonist is the opposite of mine,", "stories with a too timid hero (male or female) that changes and learns", "to write a story of transformation, in which an extremely introverted and non-confrontational", "courage to execute it? Any references to existing stories along these lines is", "and assertive, a risk taker, and quite confrontational, often recklessly so. My question:", "the courage to execute it? Any references to existing stories along these lines", "a risk taker, and quite confrontational, often recklessly so. My question: Is there", "Is there is a structure for stories with a too timid hero (male", "a stand in defense of themselves. In most hero stories it seems the", "stand in defense of themselves. In most hero stories it seems the protagonist", "so. My question: Is there is a structure for stories with a too", "and in the finale takes a stand in defense of themselves. In most", "that changes and learns there is such a thing as necessary confrontation and", "mine, brash and assertive, a risk taker, and quite confrontational, often recklessly so.", "of themselves. In most hero stories it seems the protagonist is the opposite", "a traumatic experience, and in the finale takes a stand in defense of", "a thing as necessary confrontation and finds the courage to execute it? Any", "and learns there is such a thing as necessary confrontation and finds the", "story of transformation, in which an extremely introverted and non-confrontational person goes through", "of mine, brash and assertive, a risk taker, and quite confrontational, often recklessly", "the opposite of mine, brash and assertive, a risk taker, and quite confrontational,", "hero stories it seems the protagonist is the opposite of mine, brash and", "stories it seems the protagonist is the opposite of mine, brash and assertive,", "to execute it? Any references to existing stories along these lines is welcome", "seems the protagonist is the opposite of mine, brash and assertive, a risk", "it? Any references to existing stories along these lines is welcome as well.", "in the finale takes a stand in defense of themselves. In most hero", "of transformation, in which an extremely introverted and non-confrontational person goes through a", "and finds the courage to execute it? Any references to existing stories along", "female) that changes and learns there is such a thing as necessary confrontation", "there is such a thing as necessary confrontation and finds the courage to", "timid hero (male or female) that changes and learns there is such a", "structure for stories with a too timid hero (male or female) that changes", "most hero stories it seems the protagonist is the opposite of mine, brash", "the protagonist is the opposite of mine, brash and assertive, a risk taker,", "and non-confrontational person goes through a traumatic experience, and in the finale takes", "or female) that changes and learns there is such a thing as necessary", "is a structure for stories with a too timid hero (male or female)", "hero (male or female) that changes and learns there is such a thing", "opposite of mine, brash and assertive, a risk taker, and quite confrontational, often", "such a thing as necessary confrontation and finds the courage to execute it?", "is the opposite of mine, brash and assertive, a risk taker, and quite", "learns there is such a thing as necessary confrontation and finds the courage", "write a story of transformation, in which an extremely introverted and non-confrontational person", "experience, and in the finale takes a stand in defense of themselves. In", "which an extremely introverted and non-confrontational person goes through a traumatic experience, and", "as necessary confrontation and finds the courage to execute it? Any references to", "it seems the protagonist is the opposite of mine, brash and assertive, a", "question: Is there is a structure for stories with a too timid hero", "an extremely introverted and non-confrontational person goes through a traumatic experience, and in", "a structure for stories with a too* timid hero (male or female) that", "My question: Is there is a structure for stories with a too timid", "a story of transformation, in which an extremely introverted and non-confrontational person goes", "transformation, in which an extremely introverted and non-confrontational person goes through a traumatic", "non-confrontational person goes through a traumatic experience, and in the finale takes a", "through a traumatic experience, and in the finale takes a stand in defense", "(male or female) that changes and learns there is such a thing as", "I'm trying to write a story of transformation, in which an extremely introverted", "there is a structure for stories with a too timid hero (male or", "quite confrontational, often recklessly so. My question: Is there is a structure for", "traumatic experience, and in the finale takes a stand in defense of themselves.", "goes through a traumatic experience, and in the finale takes a stand in", "takes a stand in defense of themselves. In most hero stories it seems", "finale* takes a stand in defense of themselves. In most hero stories it", "and quite confrontational, often recklessly so. My question: Is there is a structure", "confrontational, often recklessly so. My question: Is there is a structure for stories", "execute it? Any references to existing stories along these lines is welcome as", "themselves. In most hero stories it seems the protagonist is the opposite of", "the finale* takes a stand in defense of themselves. In most hero stories", "with a too timid hero (male or female) that changes and learns there", "defense of themselves. In most hero stories it seems the protagonist is the", "protagonist is the opposite of mine, brash and assertive, a risk taker, and", "too timid hero (male or female) that changes and learns there is such", "taker, and quite confrontational, often recklessly so. My question: Is there is a", "confrontation and finds the courage to execute it? Any references to existing stories", "in defense of themselves. In most hero stories it seems the protagonist is", "assertive, a risk taker, and quite confrontational, often recklessly so. My question: Is", "thing as necessary confrontation and finds the courage to execute it? Any references", "is such a thing as necessary confrontation and finds the courage to execute", "brash and assertive, a risk taker, and quite confrontational, often recklessly so. My", "often recklessly so. My question: Is there is a structure for stories with", "changes and learns there is such a thing as necessary confrontation and finds", "person goes through a traumatic experience, and in the finale takes a stand", "risk taker, and quite confrontational, often recklessly so. My question: Is there is", "recklessly so. My question: Is there is a structure for stories with a", "for stories with a too timid hero (male or female) that changes and", "introverted and non-confrontational person goes through a traumatic experience, and in the finale", "trying to write a story of transformation, in which an extremely introverted and", "extremely introverted and non-confrontational person goes through a traumatic experience, and *in the" ]
[ "begins to shift when he states, \"[insert quote here]\" (same source). Lastly, he", "FriediX states, \"[insert quote here]\" (source). FriediX's position on the matter begins to", "once as the end of the article, but the issue I'm having is", "having is that I have bits of text in between each quote. Here's", "back-to-back, do I need to cite each quote? If it was a paragraph", "source once as the end of the article, but the issue I'm having", "quote? If it was a paragraph summary, I would just cite the source", "\"[insert quote here]\" (same source). Lastly, he finalizes his position when he states,", "but the issue I'm having is that I have bits of text in", "on the matter begins to shift when he states, \"[insert quote here].\" Lastly,", "same source back-to-back, do I need to cite each quote? If it was", "quote here].\" Lastly, he finalizes his position when he states, \"[insert quote here]\"", "(source). > > > or > > FriediX states, \"[insert quote here]\" (source).", "he finalizes his position when he states, \"[insert quote here]\" (source). > >", "states, \"[insert quote here]\" (same source). Lastly, he finalizes his position when he", "the same source back-to-back, do I need to cite each quote? If it", "begins to shift when he states, \"[insert quote here].\" Lastly, he finalizes his", "\"[insert quote here]\" (source). FriediX's position on the matter begins to shift when", "when he states, \"[insert quote here].\" Lastly, he finalizes his position when he", "position when he states, \"[insert quote here]\" (source). > > > or >", "from the same source back-to-back, do I need to cite each quote? If", "between each quote. Here's an example (entirely made up): > > FriediX states,", "> > or > > FriediX states, \"[insert quote here]\" (source). FriediX's position", "his position when he states, \"[insert quote here]\" (source). > > > or", "each quote? If it was a paragraph summary, I would just cite the", "quote here]\" (same source). Lastly, he finalizes his position when he states, \"[insert", "I need to cite each quote? If it was a paragraph summary, I", "cite the source once as the end of the article, but the issue", "position when he states, \"[insert quote here]\" (same source again). > > >", "(entirely made up): > > FriediX states, \"[insert quote here].\" FriediX's position on", "he states, \"[insert quote here].\" Lastly, he finalizes his position when he states,", "here]\" (source). > > > or > > FriediX states, \"[insert quote here]\"", "the matter begins to shift when he states, \"[insert quote here].\" Lastly, he", "\"[insert quote here]\" (source). > > > or > > FriediX states, \"[insert", "> > FriediX states, \"[insert quote here].\" FriediX's position on the matter begins", "matter begins to shift when he states, \"[insert quote here]\" (same source). Lastly,", "using multiple quotes from the same source back-to-back, do I need to cite", "here].\" FriediX's position on the matter begins to shift when he states, \"[insert", "> > > or > > FriediX states, \"[insert quote here]\" (source). FriediX's", "that I have bits of text in between each quote. Here's an example", "> FriediX states, \"[insert quote here].\" FriediX's position on the matter begins to", "here].\" Lastly, he finalizes his position when he states, \"[insert quote here]\" (source).", "paragraph summary, I would just cite the source once as the end of", "his position when he states, \"[insert quote here]\" (same source again). > >", "finalizes his position when he states, \"[insert quote here]\" (source). > > >", "of text in between each quote. Here's an example (entirely made up): >", "\"[insert quote here].\" FriediX's position on the matter begins to shift when he", "text in between each quote. Here's an example (entirely made up): > >", "I am using multiple quotes from the same source back-to-back, do I need", "he states, \"[insert quote here]\" (source). > > > or > > FriediX", "issue I'm having is that I have bits of text in between each", "made up): > > FriediX states, \"[insert quote here].\" FriediX's position on the", "Lastly, he finalizes his position when he states, \"[insert quote here]\" (source). >", "quotes from the same source back-to-back, do I need to cite each quote?", "FriediX's position on the matter begins to shift when he states, \"[insert quote", "shift when he states, \"[insert quote here]\" (same source). Lastly, he finalizes his", "here]\" (same source). Lastly, he finalizes his position when he states, \"[insert quote", "example (entirely made up): > > FriediX states, \"[insert quote here].\" FriediX's position", "to shift when he states, \"[insert quote here]\" (same source). Lastly, he finalizes", "shift when he states, \"[insert quote here].\" Lastly, he finalizes his position when", "states, \"[insert quote here].\" FriediX's position on the matter begins to shift when", "the source once as the end of the article, but the issue I'm", "as the end of the article, but the issue I'm having is that", "\"[insert quote here].\" Lastly, he finalizes his position when he states, \"[insert quote", "position on the matter begins to shift when he states, \"[insert quote here].\"", "Lastly, he finalizes his position when he states, \"[insert quote here]\" (same source", "quote here]\" (source). > > > or > > FriediX states, \"[insert quote", "a paragraph summary, I would just cite the source once as the end", "am using multiple quotes from the same source back-to-back, do I need to", "need to cite each quote? If it was a paragraph summary, I would", "or > > FriediX states, \"[insert quote here]\" (source). FriediX's position on the", "he finalizes his position when he states, \"[insert quote here]\" (same source again).", "do I need to cite each quote? If it was a paragraph summary,", "states, \"[insert quote here]\" (source). FriediX's position on the matter begins to shift", "summary, I would just cite the source once as the end of the", "the end of the article, but the issue I'm having is that I", "he states, \"[insert quote here]\" (same source). Lastly, he finalizes his position when", "here]\" (source). FriediX's position on the matter begins to shift when he states,", "article, but the issue I'm having is that I have bits of text", "is that I have bits of text in between each quote. Here's an", "multiple quotes from the same source back-to-back, do I need to cite each", "> > FriediX states, \"[insert quote here]\" (source). FriediX's position on the matter", "have bits of text in between each quote. Here's an example (entirely made", "an example (entirely made up): > > FriediX states, \"[insert quote here].\" FriediX's", "(source). FriediX's position on the matter begins to shift when he states, \"[insert", "matter begins to shift when he states, \"[insert quote here].\" Lastly, he finalizes", "bits of text in between each quote. Here's an example (entirely made up):", "states, \"[insert quote here].\" Lastly, he finalizes his position when he states, \"[insert", "in between each quote. Here's an example (entirely made up): > > FriediX", "position on the matter begins to shift when he states, \"[insert quote here]\"", "states, \"[insert quote here]\" (source). > > > or > > FriediX states,", "FriediX states, \"[insert quote here].\" FriediX's position on the matter begins to shift", "it was a paragraph summary, I would just cite the source once as", "was a paragraph summary, I would just cite the source once as the", "> FriediX states, \"[insert quote here]\" (source). FriediX's position on the matter begins", "I would just cite the source once as the end of the article,", "Here's an example (entirely made up): > > FriediX states, \"[insert quote here].\"", "end of the article, but the issue I'm having is that I have", "the matter begins to shift when he states, \"[insert quote here]\" (same source).", "when he states, \"[insert quote here]\" (same source). Lastly, he finalizes his position", "up): > > FriediX states, \"[insert quote here].\" FriediX's position on the matter", "to shift when he states, \"[insert quote here].\" Lastly, he finalizes his position", "If I am using multiple quotes from the same source back-to-back, do I", "the issue I'm having is that I have bits of text in between", "I'm having is that I have bits of text in between each quote.", "(same source). Lastly, he finalizes his position when he states, \"[insert quote here]\"", "when he states, \"[insert quote here]\" (source). > > > or > >", "the article, but the issue I'm having is that I have bits of", "of the article, but the issue I'm having is that I have bits", "on the matter begins to shift when he states, \"[insert quote here]\" (same", "each quote. Here's an example (entirely made up): > > FriediX states, \"[insert", "quote. Here's an example (entirely made up): > > FriediX states, \"[insert quote", "just cite the source once as the end of the article, but the", "> or > > FriediX states, \"[insert quote here]\" (source). FriediX's position on", "source). Lastly, he finalizes his position when he states, \"[insert quote here]\" (same", "If it was a paragraph summary, I would just cite the source once", "I have bits of text in between each quote. Here's an example (entirely", "quote here]\" (source). FriediX's position on the matter begins to shift when he", "finalizes his position when he states, \"[insert quote here]\" (same source again). >", "source back-to-back, do I need to cite each quote? If it was a", "quote here].\" FriediX's position on the matter begins to shift when he states,", "would just cite the source once as the end of the article, but", "to cite each quote? If it was a paragraph summary, I would just", "cite each quote? If it was a paragraph summary, I would just cite" ]
[ "I want to dedicate it to a person who did pioneer work on", "informal talk to us students. Since she is not well known, I wanted", "Education in Science in Brazil. She has passed away recently and was professionally", "is not well known, I wanted to write a short biography of her", "the main characters in my book; a famous scientist. Many years ago, she", "person who did pioneer work on Education in Science in Brazil. She has", "to one of the main characters in my book; a famous scientist. Many", "has passed away recently and was professionally related to one of the main", "famous scientist. Many years ago, she worked in the high school where I", "school where I studied and even invited that scientist to give a informal", "of her and include it in the backmatter (bibliography/index/appendix) of the book. Is", "want to dedicate it to a person who did pioneer work on Education", "to give a informal talk to us students. Since she is not well", "Many years ago, she worked in the high school where I studied and", "to a person who did pioneer work on Education in Science in Brazil.", "worked in the high school where I studied and even invited that scientist", "one of the main characters in my book; a famous scientist. Many years", "was professionally related to one of the main characters in my book; a", "and was professionally related to one of the main characters in my book;", "somewhat historic, book and I want to dedicate it to a person who", "a informal talk to us students. Since she is not well known, I", "work on Education in Science in Brazil. She has passed away recently and", "to write a short biography of her and include it in the backmatter", "passed away recently and was professionally related to one of the main characters", "it to a person who did pioneer work on Education in Science in", "ago, she worked in the high school where I studied and even invited", "and even invited that scientist to give a informal talk to us students.", "well known, I wanted to write a short biography of her and include", "the high school where I studied and even invited that scientist to give", "dedicate it to a person who did pioneer work on Education in Science", "She has passed away recently and was professionally related to one of the", "am writing a non-fiction, somewhat historic, book and I want to dedicate it", "years ago, she worked in the high school where I studied and even", "studied and even invited that scientist to give a informal talk to us", "where I studied and even invited that scientist to give a informal talk", "give a informal talk to us students. Since she is not well known,", "did pioneer work on Education in Science in Brazil. She has passed away", "a person who did pioneer work on Education in Science in Brazil. She", "even invited that scientist to give a informal talk to us students. Since", "non-fiction, somewhat historic, book and I want to dedicate it to a person", "biography of her and include it in the backmatter (bibliography/index/appendix) of the book.", "to dedicate it to a person who did pioneer work on Education in", "her and include it in the backmatter (bibliography/index/appendix) of the book. Is this", "my book; a famous scientist. Many years ago, she worked in the high", "I am writing a non-fiction, somewhat historic, book and I want to dedicate", "I studied and even invited that scientist to give a informal talk to", "and I want to dedicate it to a person who did pioneer work", "a famous scientist. Many years ago, she worked in the high school where", "us students. Since she is not well known, I wanted to write a", "students. Since she is not well known, I wanted to write a short", "high school where I studied and even invited that scientist to give a", "write a short biography of her and include it in the backmatter (bibliography/index/appendix)", "in my book; a famous scientist. Many years ago, she worked in the", "related to one of the main characters in my book; a famous scientist.", "that scientist to give a informal talk to us students. Since she is", "in Science in Brazil. She has passed away recently and was professionally related", "wanted to write a short biography of her and include it in the", "she worked in the high school where I studied and even invited that", "who did pioneer work on Education in Science in Brazil. She has passed", "short biography of her and include it in the backmatter (bibliography/index/appendix) of the", "scientist to give a informal talk to us students. Since she is not", "she is not well known, I wanted to write a short biography of", "and include it in the backmatter (bibliography/index/appendix) of the book. Is this appropriate?", "professionally related to one of the main characters in my book; a famous", "book; a famous scientist. Many years ago, she worked in the high school", "Since she is not well known, I wanted to write a short biography", "Brazil. She has passed away recently and was professionally related to one of", "recently and was professionally related to one of the main characters in my", "on Education in Science in Brazil. She has passed away recently and was", "in the high school where I studied and even invited that scientist to", "historic, book and I want to dedicate it to a person who did", "book and I want to dedicate it to a person who did pioneer", "a short biography of her and include it in the backmatter (bibliography/index/appendix) of", "to us students. Since she is not well known, I wanted to write", "invited that scientist to give a informal talk to us students. Since she", "talk to us students. Since she is not well known, I wanted to", "main characters in my book; a famous scientist. Many years ago, she worked", "Science in Brazil. She has passed away recently and was professionally related to", "pioneer work on Education in Science in Brazil. She has passed away recently", "in Brazil. She has passed away recently and was professionally related to one", "not well known, I wanted to write a short biography of her and", "away recently and was professionally related to one of the main characters in", "I wanted to write a short biography of her and include it in", "known, I wanted to write a short biography of her and include it", "characters in my book; a famous scientist. Many years ago, she worked in", "of the main characters in my book; a famous scientist. Many years ago,", "writing a non-fiction, somewhat historic, book and I want to dedicate it to", "a non-fiction, somewhat historic, book and I want to dedicate it to a", "scientist. Many years ago, she worked in the high school where I studied" ]
[ "tense, however at some points I slip up and use a lot of", "reason (in terms of getting published) to not mix past and present tense", "use a lot of present tense to describe some scenes. Thing is, it's", "of a man than the rest of us, that’s for sure. > >", "some scenes. Thing is, it's happened often enough that I've started to second-guess", "thought weakness was the wrong word for it. He was stronger than us", "present tense to describe some scenes. Thing is, it's happened often enough that", "he's more of a man than the rest of us, that’s for sure.", "us, that’s for sure. > > > The first feels more natural to", "in need is an applaudable quality. For him to still be his way", "quality. For him to still be his way at thirty-two years old, he's", "second-guess myself when I edit it into past tense, and I'm not sure", "old, he's more of a man than the rest of us, that’s for", "the wrong word for it. He was stronger than us because of his", "I thought weakness was the wrong word for it. He was stronger than", "> Here is the same paragraph with consistent past tense: > > I", "> > I thought weakness was the wrong word for it. He was", "someone in need was an applaudable quality. For him to still be his", "my question is, in general, is there a reason (in terms of getting", "when I edit it into past tense, and I'm not sure if I'm", "him to still be his way at thirty-two years old, he was more", "I'm not sure if I'm doing things correctly. Here is an example of", "for sure. > > > Here is the same paragraph with consistent past", "was the wrong word for it. He was stronger than us because of", "us because of his compassion. Standing up for and reaching out to someone", "at thirty-two years old, he's more of a man than the rest of", "he was more of a man than the rest of us, that’s for", "thirty-two years old, he was more of a man than the rest of", "and I'm not sure if I'm doing things correctly. Here is an example", "for and reaching out to someone in need is an applaudable quality. For", "it. He's stronger than us because of his compassion. Standing up for and", "sure if I'm doing things correctly. Here is an example of what I", "is, in general, is there a reason (in terms of getting published) to", "man than the rest of us, that’s for sure. > > > Here", "of us, that’s for sure. > > > Here is the same paragraph", "The first feels more natural to me, so my question is, in general,", "first feels more natural to me, so my question is, in general, is", "Standing up for and reaching out to someone in need was an applaudable", "in the past tense, however at some points I slip up and use", "it. He was stronger than us because of his compassion. Standing up for", "the past tense, however at some points I slip up and use a", "written in the past tense, however at some points I slip up and", "a lot of present tense to describe some scenes. Thing is, it's happened", "editing a short story that's been written in the past tense, however at", "is there a reason (in terms of getting published) to not mix past", "is the same paragraph with consistent past tense: > > I thought weakness", "tense: > > I thought weakness was the wrong word for it. He", "edit it into past tense, and I'm not sure if I'm doing things", "more of a man than the rest of us, that’s for sure. >", "this is the original paragraph: > > I think weakness is the wrong", "the original paragraph: > > I think weakness is the wrong word for", "still be his way at thirty-two years old, he's more of a man", "quality. For him to still be his way at thirty-two years old, he", "is an example of what I mean; this is the original paragraph: >", "rest of us, that’s for sure. > > > Here is the same", "happened often enough that I've started to second-guess myself when I edit it", "was more of a man than the rest of us, that’s for sure.", "at some points I slip up and use a lot of present tense", "I'm doing things correctly. Here is an example of what I mean; this", "> > I think weakness is the wrong word for it. He's stronger", "is an applaudable quality. For him to still be his way at thirty-two", "weakness was the wrong word for it. He was stronger than us because", "up for and reaching out to someone in need was an applaudable quality.", "I think weakness is the wrong word for it. He's stronger than us", "up for and reaching out to someone in need is an applaudable quality.", "enough that I've started to second-guess myself when I edit it into past", "past tense: > > I thought weakness was the wrong word for it.", "the wrong word for it. He's stronger than us because of his compassion.", "to still be his way at thirty-two years old, he was more of", "and reaching out to someone in need was an applaudable quality. For him", "Standing up for and reaching out to someone in need is an applaudable", "of his compassion. Standing up for and reaching out to someone in need", "and reaching out to someone in need is an applaudable quality. For him", "it's happened often enough that I've started to second-guess myself when I edit", "I edit it into past tense, and I'm not sure if I'm doing", "> > Here is the same paragraph with consistent past tense: > >", "that's been written in the past tense, however at some points I slip", "into past tense, and I'm not sure if I'm doing things correctly. Here", "example of what I mean; this is the original paragraph: > > I", "be his way at thirty-two years old, he was more of a man", "out to someone in need is an applaudable quality. For him to still", "me, so my question is, in general, is there a reason (in terms", "doing things correctly. Here is an example of what I mean; this is", "Here is the same paragraph with consistent past tense: > > I thought", "man than the rest of us, that’s for sure. > > > The", "that I've started to second-guess myself when I edit it into past tense,", "a man than the rest of us, that’s for sure. > > >", "than us because of his compassion. Standing up for and reaching out to", "for sure. > > > The first feels more natural to me, so", "with consistent past tense: > > I thought weakness was the wrong word", "wrong word for it. He's stronger than us because of his compassion. Standing", "scenes. Thing is, it's happened often enough that I've started to second-guess myself", "years old, he was more of a man than the rest of us,", "describe some scenes. Thing is, it's happened often enough that I've started to", "if I'm doing things correctly. Here is an example of what I mean;", "correctly. Here is an example of what I mean; this is the original", "than the rest of us, that’s for sure. > > > The first", "I slip up and use a lot of present tense to describe some", "not sure if I'm doing things correctly. Here is an example of what", "started to second-guess myself when I edit it into past tense, and I'm", "stronger than us because of his compassion. Standing up for and reaching out", "reaching out to someone in need is an applaudable quality. For him to", "the rest of us, that’s for sure. > > > Here is the", "compassion. Standing up for and reaching out to someone in need was an", "an applaudable quality. For him to still be his way at thirty-two years", "the same paragraph with consistent past tense: > > I thought weakness was", "feels more natural to me, so my question is, in general, is there", "sure. > > > Here is the same paragraph with consistent past tense:", "terms of getting published) to not mix past and present tense like that?", "his way at thirty-two years old, he was more of a man than", "some points I slip up and use a lot of present tense to", "for and reaching out to someone in need was an applaudable quality. For", "way at thirty-two years old, he was more of a man than the", "word for it. He's stronger than us because of his compassion. Standing up", "us, that’s for sure. > > > Here is the same paragraph with", "I've started to second-guess myself when I edit it into past tense, and", "his compassion. Standing up for and reaching out to someone in need is", "mean; this is the original paragraph: > > I think weakness is the", "original paragraph: > > I think weakness is the wrong word for it.", "than the rest of us, that’s for sure. > > > Here is", "He was stronger than us because of his compassion. Standing up for and", "of us, that’s for sure. > > > The first feels more natural", "that’s for sure. > > > The first feels more natural to me,", "points I slip up and use a lot of present tense to describe", "him to still be his way at thirty-two years old, he's more of", "to someone in need is an applaudable quality. For him to still be", "that’s for sure. > > > Here is the same paragraph with consistent", "paragraph: > > I think weakness is the wrong word for it. He's", "weakness is the wrong word for it. He's stronger than us because of", "his way at thirty-two years old, he's more of a man than the", "story that's been written in the past tense, however at some points I", "He's stronger than us because of his compassion. Standing up for and reaching", "more natural to me, so my question is, in general, is there a", "is, it's happened often enough that I've started to second-guess myself when I", "his compassion. Standing up for and reaching out to someone in need was", "natural to me, so my question is, in general, is there a reason", "rest of us, that’s for sure. > > > The first feels more", "past tense, however at some points I slip up and use a lot", "question is, in general, is there a reason (in terms of getting published)", "of present tense to describe some scenes. Thing is, it's happened often enough", "to still be his way at thirty-two years old, he's more of a", "the rest of us, that’s for sure. > > > The first feels", "(in terms of getting published) to not mix past and present tense like", "> > > Here is the same paragraph with consistent past tense: >", "to describe some scenes. Thing is, it's happened often enough that I've started", "to me, so my question is, in general, is there a reason (in", "be his way at thirty-two years old, he's more of a man than", "an example of what I mean; this is the original paragraph: > >", "for it. He's stronger than us because of his compassion. Standing up for", "for it. He was stronger than us because of his compassion. Standing up", "a reason (in terms of getting published) to not mix past and present", "thirty-two years old, he's more of a man than the rest of us,", "same paragraph with consistent past tense: > > I thought weakness was the", "> I thought weakness was the wrong word for it. He was stronger", "so my question is, in general, is there a reason (in terms of", "> > > The first feels more natural to me, so my question", "was an applaudable quality. For him to still be his way at thirty-two", "and use a lot of present tense to describe some scenes. Thing is,", "it into past tense, and I'm not sure if I'm doing things correctly.", "reaching out to someone in need was an applaudable quality. For him to", "in need was an applaudable quality. For him to still be his way", "past tense, and I'm not sure if I'm doing things correctly. Here is", "at thirty-two years old, he was more of a man than the rest", "tense, and I'm not sure if I'm doing things correctly. Here is an", "think weakness is the wrong word for it. He's stronger than us because", "need was an applaudable quality. For him to still be his way at", "to second-guess myself when I edit it into past tense, and I'm not", "to someone in need was an applaudable quality. For him to still be", "lot of present tense to describe some scenes. Thing is, it's happened often", "> > The first feels more natural to me, so my question is,", "is the original paragraph: > > I think weakness is the wrong word", "short story that's been written in the past tense, however at some points", "because of his compassion. Standing up for and reaching out to someone in", "I mean; this is the original paragraph: > > I think weakness is", "out to someone in need was an applaudable quality. For him to still", "there a reason (in terms of getting published) to not mix past and", "> The first feels more natural to me, so my question is, in", "wrong word for it. He was stronger than us because of his compassion.", "> I think weakness is the wrong word for it. He's stronger than", "years old, he's more of a man than the rest of us, that’s", "still be his way at thirty-two years old, he was more of a", "tense to describe some scenes. Thing is, it's happened often enough that I've", "applaudable quality. For him to still be his way at thirty-two years old,", "often enough that I've started to second-guess myself when I edit it into", "I'm editing a short story that's been written in the past tense, however", "myself when I edit it into past tense, and I'm not sure if", "someone in need is an applaudable quality. For him to still be his", "however at some points I slip up and use a lot of present", "way at thirty-two years old, he's more of a man than the rest", "paragraph with consistent past tense: > > I thought weakness was the wrong", "what I mean; this is the original paragraph: > > I think weakness", "Thing is, it's happened often enough that I've started to second-guess myself when", "consistent past tense: > > I thought weakness was the wrong word for", "For him to still be his way at thirty-two years old, he's more", "word for it. He was stronger than us because of his compassion. Standing", "slip up and use a lot of present tense to describe some scenes.", "a short story that's been written in the past tense, however at some", "things correctly. Here is an example of what I mean; this is the", "sure. > > > The first feels more natural to me, so my", "old, he was more of a man than the rest of us, that’s", "of what I mean; this is the original paragraph: > > I think", "general, is there a reason (in terms of getting published) to not mix", "Here is an example of what I mean; this is the original paragraph:", "need is an applaudable quality. For him to still be his way at", "been written in the past tense, however at some points I slip up", "For him to still be his way at thirty-two years old, he was", "up and use a lot of present tense to describe some scenes. Thing", "was stronger than us because of his compassion. Standing up for and reaching", "is the wrong word for it. He's stronger than us because of his", "in general, is there a reason (in terms of getting published) to not", "compassion. Standing up for and reaching out to someone in need is an" ]
[ "for the protagonist to suddenly dwell upon those past events himself, but they", "points in the story. Is this a bad idea? It would be odd", "but they were more significant to the other characters, so its more natural", "Edit: Thank you all, that's incredibly helpful and I'm going to read through", "the main character's background without diving into flashbacks or actually setting parts of", "did have concerns about their POV jarring if only used once, and about", "character) reflect on an incident in the past of this character. These are", "incident in the past of this character. These are at three different points", "characters (two B characters, and one C character) reflect on an incident in", "that they would think of them. I have four main POVs through the", "natural that they would think of them. I have four main POVs through", "asking about. Any advice much appreciated. Edit: Thank you all, that's incredibly helpful", "going to read through your comments a few times. These three characters do", "walk-off situation, but I did have concerns about their POV jarring if only", "but I did have concerns about their POV jarring if only used once,", "few times. These three characters do exist within the plot, so I'm not", "into flashbacks or actually setting parts of the story in his past. So", "them. I have four main POVs through the story, not including these three", "trying to reveal the main character's background without diving into flashbacks or actually", "Thank you all, that's incredibly helpful and I'm going to read through your", "about a walk-on walk-off situation, but I did have concerns about their POV", "suddenly dwell upon those past events himself, but they were more significant to", "bad idea? It would be odd for the protagonist to suddenly dwell upon", "other characters, so its more natural that they would think of them. I", "Any advice much appreciated. Edit: Thank you all, that's incredibly helpful and I'm", "to read through your comments a few times. These three characters do exist", "they were more significant to the other characters, so its more natural that", "these three I'm asking about. Any advice much appreciated. Edit: Thank you all,", "story, not including these three I'm asking about. Any advice much appreciated. Edit:", "characters, so its more natural that they would think of them. I have", "dwell upon those past events himself, but they were more significant to the", "three characters (two B characters, and one C character) reflect on an incident", "would be odd for the protagonist to suddenly dwell upon those past events", "setting parts of the story in his past. So on three occasions I", "of the story in his past. So on three occasions I have three", "to the other characters, so its more natural that they would think of", "characters do exist within the plot, so I'm not worried about a walk-on", "I'm trying to reveal the main character's background without diving into flashbacks or", "in the past of this character. These are at three different points in", "those past events himself, but they were more significant to the other characters,", "have three characters (two B characters, and one C character) reflect on an", "odd for the protagonist to suddenly dwell upon those past events himself, but", "upon those past events himself, but they were more significant to the other", "I did have concerns about their POV jarring if only used once, and", "and one C character) reflect on an incident in the past of this", "past. So on three occasions I have three characters (two B characters, and", "your comments a few times. These three characters do exist within the plot,", "story in his past. So on three occasions I have three characters (two", "think of them. I have four main POVs through the story, not including", "occasions I have three characters (two B characters, and one C character) reflect", "character. These are at three different points in the story. Is this a", "exist within the plot, so I'm not worried about a walk-on walk-off situation,", "concerns about their POV jarring if only used once, and about giving them", "helpful and I'm going to read through your comments a few times. These", "POV jarring if only used once, and about giving them too much prominence.", "the story in his past. So on three occasions I have three characters", "an incident in the past of this character. These are at three different", "POVs through the story, not including these three I'm asking about. Any advice", "not worried about a walk-on walk-off situation, but I did have concerns about", "one C character) reflect on an incident in the past of this character.", "three I'm asking about. Any advice much appreciated. Edit: Thank you all, that's", "have concerns about their POV jarring if only used once, and about giving", "three characters do exist within the plot, so I'm not worried about a", "the story. Is this a bad idea? It would be odd for the", "without diving into flashbacks or actually setting parts of the story in his", "you all, that's incredibly helpful and I'm going to read through your comments", "read through your comments a few times. These three characters do exist within", "in his past. So on three occasions I have three characters (two B", "about. Any advice much appreciated. Edit: Thank you all, that's incredibly helpful and", "would think of them. I have four main POVs through the story, not", "diving into flashbacks or actually setting parts of the story in his past.", "three different points in the story. Is this a bad idea? It would", "story. Is this a bad idea? It would be odd for the protagonist", "more significant to the other characters, so its more natural that they would", "the protagonist to suddenly dwell upon those past events himself, but they were", "a walk-on walk-off situation, but I did have concerns about their POV jarring", "be odd for the protagonist to suddenly dwell upon those past events himself,", "they would think of them. I have four main POVs through the story,", "idea? It would be odd for the protagonist to suddenly dwell upon those", "within the plot, so I'm not worried about a walk-on walk-off situation, but", "of them. I have four main POVs through the story, not including these", "events himself, but they were more significant to the other characters, so its", "comments a few times. These three characters do exist within the plot, so", "past events himself, but they were more significant to the other characters, so", "worried about a walk-on walk-off situation, but I did have concerns about their", "Is this a bad idea? It would be odd for the protagonist to", "significant to the other characters, so its more natural that they would think", "flashbacks or actually setting parts of the story in his past. So on", "I'm asking about. Any advice much appreciated. Edit: Thank you all, that's incredibly", "to suddenly dwell upon those past events himself, but they were more significant", "incredibly helpful and I'm going to read through your comments a few times.", "to reveal the main character's background without diving into flashbacks or actually setting", "his past. So on three occasions I have three characters (two B characters,", "main POVs through the story, not including these three I'm asking about. Any", "appreciated. Edit: Thank you all, that's incredibly helpful and I'm going to read", "advice much appreciated. Edit: Thank you all, that's incredibly helpful and I'm going", "character's background without diving into flashbacks or actually setting parts of the story", "actually setting parts of the story in his past. So on three occasions", "the plot, so I'm not worried about a walk-on walk-off situation, but I", "a bad idea? It would be odd for the protagonist to suddenly dwell", "main character's background without diving into flashbacks or actually setting parts of the", "I'm not worried about a walk-on walk-off situation, but I did have concerns", "I'm going to read through your comments a few times. These three characters", "do exist within the plot, so I'm not worried about a walk-on walk-off", "so its more natural that they would think of them. I have four", "characters, and one C character) reflect on an incident in the past of", "that's incredibly helpful and I'm going to read through your comments a few", "a few times. These three characters do exist within the plot, so I'm", "It would be odd for the protagonist to suddenly dwell upon those past", "times. These three characters do exist within the plot, so I'm not worried", "the story, not including these three I'm asking about. Any advice much appreciated.", "(two B characters, and one C character) reflect on an incident in the", "about their POV jarring if only used once, and about giving them too", "the other characters, so its more natural that they would think of them.", "the past of this character. These are at three different points in the", "not including these three I'm asking about. Any advice much appreciated. Edit: Thank", "including these three I'm asking about. Any advice much appreciated. Edit: Thank you", "walk-on walk-off situation, but I did have concerns about their POV jarring if", "plot, so I'm not worried about a walk-on walk-off situation, but I did", "more natural that they would think of them. I have four main POVs", "are at three different points in the story. Is this a bad idea?", "I have three characters (two B characters, and one C character) reflect on", "These are at three different points in the story. Is this a bad", "and I'm going to read through your comments a few times. These three", "so I'm not worried about a walk-on walk-off situation, but I did have", "reveal the main character's background without diving into flashbacks or actually setting parts", "in the story. Is this a bad idea? It would be odd for", "four main POVs through the story, not including these three I'm asking about.", "himself, but they were more significant to the other characters, so its more", "through your comments a few times. These three characters do exist within the", "situation, but I did have concerns about their POV jarring if only used", "or actually setting parts of the story in his past. So on three", "all, that's incredibly helpful and I'm going to read through your comments a", "this character. These are at three different points in the story. Is this", "protagonist to suddenly dwell upon those past events himself, but they were more", "So on three occasions I have three characters (two B characters, and one", "past of this character. These are at three different points in the story.", "background without diving into flashbacks or actually setting parts of the story in", "I have four main POVs through the story, not including these three I'm", "C character) reflect on an incident in the past of this character. These", "different points in the story. Is this a bad idea? It would be", "reflect on an incident in the past of this character. These are at", "three occasions I have three characters (two B characters, and one C character)", "were more significant to the other characters, so its more natural that they", "on three occasions I have three characters (two B characters, and one C", "its more natural that they would think of them. I have four main", "parts of the story in his past. So on three occasions I have", "of this character. These are at three different points in the story. Is", "much appreciated. Edit: Thank you all, that's incredibly helpful and I'm going to", "their POV jarring if only used once, and about giving them too much", "this a bad idea? It would be odd for the protagonist to suddenly", "at three different points in the story. Is this a bad idea? It", "on an incident in the past of this character. These are at three", "have four main POVs through the story, not including these three I'm asking", "through the story, not including these three I'm asking about. Any advice much", "B characters, and one C character) reflect on an incident in the past", "These three characters do exist within the plot, so I'm not worried about" ]
[ "or for battle. Familiars are birthed into the world in the same way", "general: Presuming an author wishes to avoid bigotry and prejudice in their writing,", "to this, society traces its lineage through matrilineal lines. A witch has the", "not? Are there tests to apply, or ways of analyzing their ideas to", "am rethinking that scheme, because someone has told me that this concept is", "ways, such as magical batteries and amplifiers, or for battle. Familiars are birthed", "to them. I do question whether that is accurate, or if I am", "in power with the user. When creating a magic system, I was taught", "society traces its lineage through matrilineal lines. A witch has the power to", "must have never given birth before the ritual, and that the process renders", "a female's only worth is her fertility and that having kids is the", "with the most powerful practitioners being at the top echelons of society. Due", "number of ways, such as magical batteries and amplifiers, or for battle. Familiars", "born, through a ritual ceremony, and grow in power with the user. When", "will never have a lineage. For this reason, familiars are rare in this", "battle. Familiars are birthed into the world in the same way that human", "it suggests that a female's only worth is her fertility and that having", "have never given birth before the ritual, and that the process renders her", "lineage. For this reason, familiars are rare in this world. In that particular", "example aside, my real question is less about this specific scheme, and more", "ceremony, and grow in power with the user. When creating a magic system,", "prejudice in their writing, how can they decide if some story element of", "to summon a familiar by using her body as a conduit between the", "and amplifiers, or for battle. Familiars are birthed into the world in the", "that I was considering was that the witch must have never given birth", "go through the process. One that I was considering was that the witch", "someone has told me that this concept is sexist toward women because it", "some story element of theirs is prejudiced or not? Are there tests to", "decide if some story element of theirs is prejudiced or not? Are there", "a drawback to explain why every witch does not go through the process.", "prejudiced or not? Are there tests to apply, or ways of analyzing their", "powerful practitioners being at the top echelons of society. Due to this, society", "between the mortal and ethereal plane. These powerful spirits are forever linked with", "These powerful spirits are forever linked with their master, and used in a", "magic interesting. I am looking for a drawback to explain why every witch", "the ritual, and that the process renders her infertile afterwards, ensuring that they", "that the process renders her infertile afterwards, ensuring that they will never have", "why every witch does not go through the process. One that I was", "this reason, familiars are rare in this world. In that particular example I", "In that particular example I am rethinking that scheme, because someone has told", "important thing to them. I do question whether that is accurate, or if", "writing, how can they decide if some story element of theirs is prejudiced", "and that having kids is the most important thing to them. I do", "that human children are born, through a ritual ceremony, and grow in power", "particular example I am rethinking that scheme, because someone has told me that", "scheme, because someone has told me that this concept is sexist toward women", "body as a conduit between the mortal and ethereal plane. These powerful spirits", "the witch must have never given birth before the ritual, and that the", "through matrilineal lines. A witch has the power to summon a familiar by", "me that this concept is sexist toward women because it suggests that a", "is her fertility and that having kids is the most important thing to", "looking for a drawback to explain why every witch does not go through", "in the same way that human children are born, through a ritual ceremony,", "through a ritual ceremony, and grow in power with the user. When creating", "never have a lineage. For this reason, familiars are rare in this world.", "power to summon a familiar by using her body as a conduit between", "to keep the magic interesting. I am looking for a drawback to explain", "process renders her infertile afterwards, ensuring that they will never have a lineage.", "world. In that particular example I am rethinking that scheme, because someone has", "most important thing to them. I do question whether that is accurate, or", "ritual, and that the process renders her infertile afterwards, ensuring that they will", "her infertile afterwards, ensuring that they will never have a lineage. For this", "and used in a number of ways, such as magical batteries and amplifiers,", "this specific scheme, and more general: Presuming an author wishes to avoid bigotry", "human children are born, through a ritual ceremony, and grow in power with", "be a cost, to keep the magic interesting. I am looking for a", "in this world. In that particular example I am rethinking that scheme, because", "ensuring that they will never have a lineage. For this reason, familiars are", "However, that example aside, my real question is less about this specific scheme,", "element of theirs is prejudiced or not? Are there tests to apply, or", "amplifiers, or for battle. Familiars are birthed into the world in the same", "given birth before the ritual, and that the process renders her infertile afterwards,", "their master, and used in a number of ways, such as magical batteries", "afterwards, ensuring that they will never have a lineage. For this reason, familiars", "is prejudiced or not? Are there tests to apply, or ways of analyzing", "of society. Due to this, society traces its lineage through matrilineal lines. A", "because someone has told me that this concept is sexist toward women because", "for battle. Familiars are birthed into the world in the same way that", "worth is her fertility and that having kids is the most important thing", "if some story element of theirs is prejudiced or not? Are there tests", "am looking for a drawback to explain why every witch does not go", "example I am rethinking that scheme, because someone has told me that this", "through the process. One that I was considering was that the witch must", "my story's world, witchcraft is a respected institution, with the most powerful practitioners", "the mortal and ethereal plane. These powerful spirits are forever linked with their", "the magic interesting. I am looking for a drawback to explain why every", "of theirs is prejudiced or not? Are there tests to apply, or ways", "the process renders her infertile afterwards, ensuring that they will never have a", "in a number of ways, such as magical batteries and amplifiers, or for", "that this concept is sexist toward women because it suggests that a female's", "using her body as a conduit between the mortal and ethereal plane. These", "or not? Are there tests to apply, or ways of analyzing their ideas", "to be a cost, to keep the magic interesting. I am looking for", "A witch has the power to summon a familiar by using her body", "cost, to keep the magic interesting. I am looking for a drawback to", "I was taught that there always had to be a cost, to keep", "For this reason, familiars are rare in this world. In that particular example", "do question whether that is accurate, or if I am overthinking it. However,", "if I am overthinking it. However, that example aside, my real question is", "is accurate, or if I am overthinking it. However, that example aside, my", "less about this specific scheme, and more general: Presuming an author wishes to", "apply, or ways of analyzing their ideas to come to some objective conclusion?", "reason, familiars are rare in this world. In that particular example I am", "are forever linked with their master, and used in a number of ways,", "told me that this concept is sexist toward women because it suggests that", "forever linked with their master, and used in a number of ways, such", "ethereal plane. These powerful spirits are forever linked with their master, and used", "kids is the most important thing to them. I do question whether that", "Familiars are birthed into the world in the same way that human children", "the same way that human children are born, through a ritual ceremony, and", "toward women because it suggests that a female's only worth is her fertility", "most powerful practitioners being at the top echelons of society. Due to this,", "is the most important thing to them. I do question whether that is", "is a respected institution, with the most powerful practitioners being at the top", "a familiar by using her body as a conduit between the mortal and", "used in a number of ways, such as magical batteries and amplifiers, or", "they will never have a lineage. For this reason, familiars are rare in", "considering was that the witch must have never given birth before the ritual,", "plane. These powerful spirits are forever linked with their master, and used in", "scheme, and more general: Presuming an author wishes to avoid bigotry and prejudice", "familiars are rare in this world. In that particular example I am rethinking", "has the power to summon a familiar by using her body as a", "powerful spirits are forever linked with their master, and used in a number", "magic system, I was taught that there always had to be a cost,", "for a drawback to explain why every witch does not go through the", "this concept is sexist toward women because it suggests that a female's only", "as a conduit between the mortal and ethereal plane. These powerful spirits are", "only worth is her fertility and that having kids is the most important", "lines. A witch has the power to summon a familiar by using her", "the most powerful practitioners being at the top echelons of society. Due to", "witch has the power to summon a familiar by using her body as", "are rare in this world. In that particular example I am rethinking that", "infertile afterwards, ensuring that they will never have a lineage. For this reason,", "its lineage through matrilineal lines. A witch has the power to summon a", "drawback to explain why every witch does not go through the process. One", "before the ritual, and that the process renders her infertile afterwards, ensuring that", "I am rethinking that scheme, because someone has told me that this concept", "familiar by using her body as a conduit between the mortal and ethereal", "same way that human children are born, through a ritual ceremony, and grow", "Due to this, society traces its lineage through matrilineal lines. A witch has", "aside, my real question is less about this specific scheme, and more general:", "keep the magic interesting. I am looking for a drawback to explain why", "top echelons of society. Due to this, society traces its lineage through matrilineal", "by using her body as a conduit between the mortal and ethereal plane.", "never given birth before the ritual, and that the process renders her infertile", "that having kids is the most important thing to them. I do question", "a cost, to keep the magic interesting. I am looking for a drawback", "their writing, how can they decide if some story element of theirs is", "it. However, that example aside, my real question is less about this specific", "a ritual ceremony, and grow in power with the user. When creating a", "the most important thing to them. I do question whether that is accurate,", "avoid bigotry and prejudice in their writing, how can they decide if some", "have a lineage. For this reason, familiars are rare in this world. In", "master, and used in a number of ways, such as magical batteries and", "birthed into the world in the same way that human children are born,", "creating a magic system, I was taught that there always had to be", "interesting. I am looking for a drawback to explain why every witch does", "thing to them. I do question whether that is accurate, or if I", "children are born, through a ritual ceremony, and grow in power with the", "the user. When creating a magic system, I was taught that there always", "tests to apply, or ways of analyzing their ideas to come to some", "of ways, such as magical batteries and amplifiers, or for battle. Familiars are", "the top echelons of society. Due to this, society traces its lineage through", "with their master, and used in a number of ways, such as magical", "to explain why every witch does not go through the process. One that", "fertility and that having kids is the most important thing to them. I", "user. When creating a magic system, I was taught that there always had", "to avoid bigotry and prejudice in their writing, how can they decide if", "is less about this specific scheme, and more general: Presuming an author wishes", "I was considering was that the witch must have never given birth before", "spirits are forever linked with their master, and used in a number of", "and grow in power with the user. When creating a magic system, I", "because it suggests that a female's only worth is her fertility and that", "practitioners being at the top echelons of society. Due to this, society traces", "I am overthinking it. However, that example aside, my real question is less", "are birthed into the world in the same way that human children are", "more general: Presuming an author wishes to avoid bigotry and prejudice in their", "that there always had to be a cost, to keep the magic interesting.", "bigotry and prejudice in their writing, how can they decide if some story", "real question is less about this specific scheme, and more general: Presuming an", "does not go through the process. One that I was considering was that", "that is accurate, or if I am overthinking it. However, that example aside,", "such as magical batteries and amplifiers, or for battle. Familiars are birthed into", "to apply, or ways of analyzing their ideas to come to some objective", "respected institution, with the most powerful practitioners being at the top echelons of", "Are there tests to apply, or ways of analyzing their ideas to come", "was that the witch must have never given birth before the ritual, and", "grow in power with the user. When creating a magic system, I was", "witch must have never given birth before the ritual, and that the process", "and more general: Presuming an author wishes to avoid bigotry and prejudice in", "magical batteries and amplifiers, or for battle. Familiars are birthed into the world", "system, I was taught that there always had to be a cost, to", "matrilineal lines. A witch has the power to summon a familiar by using", "explain why every witch does not go through the process. One that I", "birth before the ritual, and that the process renders her infertile afterwards, ensuring", "traces its lineage through matrilineal lines. A witch has the power to summon", "a conduit between the mortal and ethereal plane. These powerful spirits are forever", "echelons of society. Due to this, society traces its lineage through matrilineal lines.", "conduit between the mortal and ethereal plane. These powerful spirits are forever linked", "world, witchcraft is a respected institution, with the most powerful practitioners being at", "batteries and amplifiers, or for battle. Familiars are birthed into the world in", "I am looking for a drawback to explain why every witch does not", "is sexist toward women because it suggests that a female's only worth is", "and prejudice in their writing, how can they decide if some story element", "female's only worth is her fertility and that having kids is the most", "can they decide if some story element of theirs is prejudiced or not?", "am overthinking it. However, that example aside, my real question is less about", "every witch does not go through the process. One that I was considering", "suggests that a female's only worth is her fertility and that having kids", "that the witch must have never given birth before the ritual, and that", "with the user. When creating a magic system, I was taught that there", "they decide if some story element of theirs is prejudiced or not? Are", "question whether that is accurate, or if I am overthinking it. However, that", "world in the same way that human children are born, through a ritual", "and that the process renders her infertile afterwards, ensuring that they will never", "always had to be a cost, to keep the magic interesting. I am", "a lineage. For this reason, familiars are rare in this world. In that", "linked with their master, and used in a number of ways, such as", "this world. In that particular example I am rethinking that scheme, because someone", "them. I do question whether that is accurate, or if I am overthinking", "author wishes to avoid bigotry and prejudice in their writing, how can they", "institution, with the most powerful practitioners being at the top echelons of society.", "the process. One that I was considering was that the witch must have", "that particular example I am rethinking that scheme, because someone has told me", "question is less about this specific scheme, and more general: Presuming an author", "theirs is prejudiced or not? Are there tests to apply, or ways of", "this, society traces its lineage through matrilineal lines. A witch has the power", "her body as a conduit between the mortal and ethereal plane. These powerful", "In my story's world, witchcraft is a respected institution, with the most powerful", "the power to summon a familiar by using her body as a conduit", "story element of theirs is prejudiced or not? Are there tests to apply,", "rethinking that scheme, because someone has told me that this concept is sexist", "at the top echelons of society. Due to this, society traces its lineage", "a number of ways, such as magical batteries and amplifiers, or for battle.", "witch does not go through the process. One that I was considering was", "renders her infertile afterwards, ensuring that they will never have a lineage. For", "sexist toward women because it suggests that a female's only worth is her", "that they will never have a lineage. For this reason, familiars are rare", "summon a familiar by using her body as a conduit between the mortal", "I do question whether that is accurate, or if I am overthinking it.", "society. Due to this, society traces its lineage through matrilineal lines. A witch", "are born, through a ritual ceremony, and grow in power with the user.", "specific scheme, and more general: Presuming an author wishes to avoid bigotry and", "accurate, or if I am overthinking it. However, that example aside, my real", "having kids is the most important thing to them. I do question whether", "there always had to be a cost, to keep the magic interesting. I", "ritual ceremony, and grow in power with the user. When creating a magic", "Presuming an author wishes to avoid bigotry and prejudice in their writing, how", "about this specific scheme, and more general: Presuming an author wishes to avoid", "a magic system, I was taught that there always had to be a", "into the world in the same way that human children are born, through", "When creating a magic system, I was taught that there always had to", "process. One that I was considering was that the witch must have never", "overthinking it. However, that example aside, my real question is less about this", "as magical batteries and amplifiers, or for battle. Familiars are birthed into the", "was taught that there always had to be a cost, to keep the", "that scheme, because someone has told me that this concept is sexist toward", "way that human children are born, through a ritual ceremony, and grow in", "her fertility and that having kids is the most important thing to them.", "whether that is accurate, or if I am overthinking it. However, that example", "a respected institution, with the most powerful practitioners being at the top echelons", "not go through the process. One that I was considering was that the", "lineage through matrilineal lines. A witch has the power to summon a familiar", "had to be a cost, to keep the magic interesting. I am looking", "that example aside, my real question is less about this specific scheme, and", "story's world, witchcraft is a respected institution, with the most powerful practitioners being", "that a female's only worth is her fertility and that having kids is", "in their writing, how can they decide if some story element of theirs", "witchcraft is a respected institution, with the most powerful practitioners being at the", "there tests to apply, or ways of analyzing their ideas to come to", "One that I was considering was that the witch must have never given", "has told me that this concept is sexist toward women because it suggests", "and ethereal plane. These powerful spirits are forever linked with their master, and", "my real question is less about this specific scheme, and more general: Presuming", "being at the top echelons of society. Due to this, society traces its", "wishes to avoid bigotry and prejudice in their writing, how can they decide", "taught that there always had to be a cost, to keep the magic", "was considering was that the witch must have never given birth before the", "rare in this world. In that particular example I am rethinking that scheme,", "the world in the same way that human children are born, through a", "power with the user. When creating a magic system, I was taught that", "concept is sexist toward women because it suggests that a female's only worth", "or if I am overthinking it. However, that example aside, my real question", "how can they decide if some story element of theirs is prejudiced or", "mortal and ethereal plane. These powerful spirits are forever linked with their master,", "women because it suggests that a female's only worth is her fertility and", "an author wishes to avoid bigotry and prejudice in their writing, how can" ]
[ "an overall cyberpunk vibe, that gets jarring when other elements come in. I'm", "and while it hits an overall cyberpunk vibe, that gets jarring when other", "romance, and it's challenging to hit the right overarching tone that will be", "the tone of adjectives, pacing, etc. I've found a few things in very", "is genre bending, and while it hits an overall cyberpunk vibe, that gets", "can't find anything on this topic, but I'm sure there's info on it.", "broad strokes, but I'm looking for something specific. Not merely saying that mystery", "I'm having a very hard time finding a list and examples of stylistic", "sci-fi, fantasy, horror and romance, and it's challenging to hit the right overarching", "writing impacts things like sentence length, dialogue, the tone of adjectives, pacing, etc.", "in very broad strokes, but I'm looking for something specific. Not merely saying", "strokes, but I'm looking for something specific. Not merely saying that mystery novels", "saying that mystery novels (for example) climax late, but deeper textual commonalities. Any", "climax late, but deeper textual commonalities. Any good resources? I apologize if this", "specific: how genre writing impacts things like sentence length, dialogue, the tone of", "and romance, and it's challenging to hit the right overarching tone that will", "is resource-seeking, but i simply can't find anything on this topic, but I'm", "something specific. Not merely saying that mystery novels (for example) climax late, but", "my project is genre bending, and while it hits an overall cyberpunk vibe,", "finding a list and examples of stylistic subgenre conventions. To be specific: how", "a list and examples of stylistic subgenre conventions. To be specific: how genre", "but I'm looking for something specific. Not merely saying that mystery novels (for", "Any good resources? I apologize if this is resource-seeking, but i simply can't", "sure there's info on it. I'm doing this because my project is genre", "cyberpunk vibe, that gets jarring when other elements come in. I'm weaving elements", "conventions. To be specific: how genre writing impacts things like sentence length, dialogue,", "novels (for example) climax late, but deeper textual commonalities. Any good resources? I", "looking for something specific. Not merely saying that mystery novels (for example) climax", "resource-seeking, but i simply can't find anything on this topic, but I'm sure", "this is resource-seeking, but i simply can't find anything on this topic, but", "hit the right overarching tone that will be smooth to the reader. Thanks", "adjectives, pacing, etc. I've found a few things in very broad strokes, but", "tone of adjectives, pacing, etc. I've found a few things in very broad", "but i simply can't find anything on this topic, but I'm sure there's", "that mystery novels (for example) climax late, but deeper textual commonalities. Any good", "apologize if this is resource-seeking, but i simply can't find anything on this", "if this is resource-seeking, but i simply can't find anything on this topic,", "overall cyberpunk vibe, that gets jarring when other elements come in. I'm weaving", "other elements come in. I'm weaving elements of sci-fi, fantasy, horror and romance,", "like sentence length, dialogue, the tone of adjectives, pacing, etc. I've found a", "Not merely saying that mystery novels (for example) climax late, but deeper textual", "etc. I've found a few things in very broad strokes, but I'm looking", "few things in very broad strokes, but I'm looking for something specific. Not", "find anything on this topic, but I'm sure there's info on it. I'm", "doing this because my project is genre bending, and while it hits an", "elements come in. I'm weaving elements of sci-fi, fantasy, horror and romance, and", "list and examples of stylistic subgenre conventions. To be specific: how genre writing", "simply can't find anything on this topic, but I'm sure there's info on", "how genre writing impacts things like sentence length, dialogue, the tone of adjectives,", "example) climax late, but deeper textual commonalities. Any good resources? I apologize if", "a few things in very broad strokes, but I'm looking for something specific.", "on it. I'm doing this because my project is genre bending, and while", "of sci-fi, fantasy, horror and romance, and it's challenging to hit the right", "and it's challenging to hit the right overarching tone that will be smooth", "elements of sci-fi, fantasy, horror and romance, and it's challenging to hit the", "gets jarring when other elements come in. I'm weaving elements of sci-fi, fantasy,", "that gets jarring when other elements come in. I'm weaving elements of sci-fi,", "pacing, etc. I've found a few things in very broad strokes, but I'm", "commonalities. Any good resources? I apologize if this is resource-seeking, but i simply", "good resources? I apologize if this is resource-seeking, but i simply can't find", "dialogue, the tone of adjectives, pacing, etc. I've found a few things in", "jarring when other elements come in. I'm weaving elements of sci-fi, fantasy, horror", "it hits an overall cyberpunk vibe, that gets jarring when other elements come", "I've found a few things in very broad strokes, but I'm looking for", "vibe, that gets jarring when other elements come in. I'm weaving elements of", "while it hits an overall cyberpunk vibe, that gets jarring when other elements", "hits an overall cyberpunk vibe, that gets jarring when other elements come in.", "I'm sure there's info on it. I'm doing this because my project is", "resources? I apologize if this is resource-seeking, but i simply can't find anything", "To be specific: how genre writing impacts things like sentence length, dialogue, the", "topic, but I'm sure there's info on it. I'm doing this because my", "this because my project is genre bending, and while it hits an overall", "for something specific. Not merely saying that mystery novels (for example) climax late,", "come in. I'm weaving elements of sci-fi, fantasy, horror and romance, and it's", "merely saying that mystery novels (for example) climax late, but deeper textual commonalities.", "of adjectives, pacing, etc. I've found a few things in very broad strokes,", "found a few things in very broad strokes, but I'm looking for something", "but I'm sure there's info on it. I'm doing this because my project", "mystery novels (for example) climax late, but deeper textual commonalities. Any good resources?", "genre writing impacts things like sentence length, dialogue, the tone of adjectives, pacing,", "i simply can't find anything on this topic, but I'm sure there's info", "genre bending, and while it hits an overall cyberpunk vibe, that gets jarring", "fantasy, horror and romance, and it's challenging to hit the right overarching tone", "examples of stylistic subgenre conventions. To be specific: how genre writing impacts things", "horror and romance, and it's challenging to hit the right overarching tone that", "this topic, but I'm sure there's info on it. I'm doing this because", "be specific: how genre writing impacts things like sentence length, dialogue, the tone", "because my project is genre bending, and while it hits an overall cyberpunk", "challenging to hit the right overarching tone that will be smooth to the", "time finding a list and examples of stylistic subgenre conventions. To be specific:", "info on it. I'm doing this because my project is genre bending, and", "stylistic subgenre conventions. To be specific: how genre writing impacts things like sentence", "a very hard time finding a list and examples of stylistic subgenre conventions.", "having a very hard time finding a list and examples of stylistic subgenre", "in. I'm weaving elements of sci-fi, fantasy, horror and romance, and it's challenging", "very hard time finding a list and examples of stylistic subgenre conventions. To", "things in very broad strokes, but I'm looking for something specific. Not merely", "subgenre conventions. To be specific: how genre writing impacts things like sentence length,", "anything on this topic, but I'm sure there's info on it. I'm doing", "bending, and while it hits an overall cyberpunk vibe, that gets jarring when", "late, but deeper textual commonalities. Any good resources? I apologize if this is", "it. I'm doing this because my project is genre bending, and while it", "on this topic, but I'm sure there's info on it. I'm doing this", "(for example) climax late, but deeper textual commonalities. Any good resources? I apologize", "of stylistic subgenre conventions. To be specific: how genre writing impacts things like", "sentence length, dialogue, the tone of adjectives, pacing, etc. I've found a few", "hard time finding a list and examples of stylistic subgenre conventions. To be", "weaving elements of sci-fi, fantasy, horror and romance, and it's challenging to hit", "impacts things like sentence length, dialogue, the tone of adjectives, pacing, etc. I've", "things like sentence length, dialogue, the tone of adjectives, pacing, etc. I've found", "length, dialogue, the tone of adjectives, pacing, etc. I've found a few things", "deeper textual commonalities. Any good resources? I apologize if this is resource-seeking, but", "but deeper textual commonalities. Any good resources? I apologize if this is resource-seeking,", "I'm weaving elements of sci-fi, fantasy, horror and romance, and it's challenging to", "the right overarching tone that will be smooth to the reader. Thanks :-)", "it's challenging to hit the right overarching tone that will be smooth to", "very broad strokes, but I'm looking for something specific. Not merely saying that", "and examples of stylistic subgenre conventions. To be specific: how genre writing impacts", "textual commonalities. Any good resources? I apologize if this is resource-seeking, but i", "project is genre bending, and while it hits an overall cyberpunk vibe, that", "specific. Not merely saying that mystery novels (for example) climax late, but deeper", "to hit the right overarching tone that will be smooth to the reader.", "I apologize if this is resource-seeking, but i simply can't find anything on", "I'm doing this because my project is genre bending, and while it hits", "when other elements come in. I'm weaving elements of sci-fi, fantasy, horror and", "there's info on it. I'm doing this because my project is genre bending,", "I'm looking for something specific. Not merely saying that mystery novels (for example)" ]
[ "at the climatic point of the story which is the first one in", "is the first one in 'real time.' Character B makes the decision to", "decision to get involved in Character A's life (with a complete lack of", "only really making the major decision to not leave well alone when all", "are other characters with strong opposing agendas who push until Character A makes", "is more prominent than Character B. I've been trying to tease out problems", "more prominent than Character B. I've been trying to tease out problems with", "then is swept along by events, only really making the major decision to", "been trying to tease out problems with the story as a whole, and", "agency. Character A has made several major decisions in the past, setting complex", "his final decision, but am I doing a disservice to Character A and", "out problems with the story as a whole, and I'm concerned these two", "Character A makes his final decision, but am I doing a disservice to", "the past, setting complex events in motion. The story begins after these decisions", "The story begins after these decisions have already taken place. He only makes", "in the past, setting complex events in motion. The story begins after these", "two characters lack agency. Character A has made several major decisions in the", "events, only really making the major decision to not leave well alone when", "story begins after these decisions have already taken place. He only makes another", "another major decision at the climatic point of the story which is the", "push until Character A makes his final decision, but am I doing a", "climatic point of the story which is the first one in 'real time.'", "along by events, only really making the major decision to not leave well", "whole, and I'm concerned these two characters lack agency. Character A has made", "A's life (with a complete lack of awareness as to implications) and then", "alone when all is revealed. There are other characters with strong opposing agendas", "than Character B. I've been trying to tease out problems with the story", "makes his final decision, but am I doing a disservice to Character A", "main characters. Character A is more prominent than Character B. I've been trying", "the decision to get involved in Character A's life (with a complete lack", "taken place. He only makes another major decision at the climatic point of", "to tease out problems with the story as a whole, and I'm concerned", "decision, but am I doing a disservice to Character A and B by", "place. He only makes another major decision at the climatic point of the", "a whole, and I'm concerned these two characters lack agency. Character A has", "these decisions have already taken place. He only makes another major decision at", "tease out problems with the story as a whole, and I'm concerned these", "not leave well alone when all is revealed. There are other characters with", "B. I've been trying to tease out problems with the story as a", "disservice to Character A and B by not making them more in control?", "prominent than Character B. I've been trying to tease out problems with the", "the first one in 'real time.' Character B makes the decision to get", "I doing a disservice to Character A and B by not making them", "events in motion. The story begins after these decisions have already taken place.", "the major decision to not leave well alone when all is revealed. There", "decision at the climatic point of the story which is the first one", "strong opposing agendas who push until Character A makes his final decision, but", "opposing agendas who push until Character A makes his final decision, but am", "agendas who push until Character A makes his final decision, but am I", "the climatic point of the story which is the first one in 'real", "of awareness as to implications) and then is swept along by events, only", "major decisions in the past, setting complex events in motion. The story begins", "past, setting complex events in motion. The story begins after these decisions have", "problems with the story as a whole, and I'm concerned these two characters", "first one in 'real time.' Character B makes the decision to get involved", "to not leave well alone when all is revealed. There are other characters", "doing a disservice to Character A and B by not making them more", "final decision, but am I doing a disservice to Character A and B", "which is the first one in 'real time.' Character B makes the decision", "characters. Character A is more prominent than Character B. I've been trying to", "of the story which is the first one in 'real time.' Character B", "in 'real time.' Character B makes the decision to get involved in Character", "(with a complete lack of awareness as to implications) and then is swept", "story which is the first one in 'real time.' Character B makes the", "other characters with strong opposing agendas who push until Character A makes his", "and then is swept along by events, only really making the major decision", "by events, only really making the major decision to not leave well alone", "major decision to not leave well alone when all is revealed. There are", "a disservice to Character A and B by not making them more in", "Character A's life (with a complete lack of awareness as to implications) and", "A is more prominent than Character B. I've been trying to tease out", "with strong opposing agendas who push until Character A makes his final decision,", "Character A has made several major decisions in the past, setting complex events", "decisions in the past, setting complex events in motion. The story begins after", "lack of awareness as to implications) and then is swept along by events,", "a complete lack of awareness as to implications) and then is swept along", "major decision at the climatic point of the story which is the first", "after these decisions have already taken place. He only makes another major decision", "have two main characters. Character A is more prominent than Character B. I've", "until Character A makes his final decision, but am I doing a disservice", "when all is revealed. There are other characters with strong opposing agendas who", "revealed. There are other characters with strong opposing agendas who push until Character", "implications) and then is swept along by events, only really making the major", "well alone when all is revealed. There are other characters with strong opposing", "decisions have already taken place. He only makes another major decision at the", "I have two main characters. Character A is more prominent than Character B.", "There are other characters with strong opposing agendas who push until Character A", "to implications) and then is swept along by events, only really making the", "A makes his final decision, but am I doing a disservice to Character", "all is revealed. There are other characters with strong opposing agendas who push", "He only makes another major decision at the climatic point of the story", "one in 'real time.' Character B makes the decision to get involved in", "have already taken place. He only makes another major decision at the climatic", "complex events in motion. The story begins after these decisions have already taken", "swept along by events, only really making the major decision to not leave", "'real time.' Character B makes the decision to get involved in Character A's", "is swept along by events, only really making the major decision to not", "the story which is the first one in 'real time.' Character B makes", "Character A is more prominent than Character B. I've been trying to tease", "lack agency. Character A has made several major decisions in the past, setting", "really making the major decision to not leave well alone when all is", "A has made several major decisions in the past, setting complex events in", "the story as a whole, and I'm concerned these two characters lack agency.", "Character B makes the decision to get involved in Character A's life (with", "but am I doing a disservice to Character A and B by not", "I've been trying to tease out problems with the story as a whole,", "motion. The story begins after these decisions have already taken place. He only", "I'm concerned these two characters lack agency. Character A has made several major", "awareness as to implications) and then is swept along by events, only really", "B makes the decision to get involved in Character A's life (with a", "already taken place. He only makes another major decision at the climatic point", "two main characters. Character A is more prominent than Character B. I've been", "only makes another major decision at the climatic point of the story which", "these two characters lack agency. Character A has made several major decisions in", "to get involved in Character A's life (with a complete lack of awareness", "get involved in Character A's life (with a complete lack of awareness as", "point of the story which is the first one in 'real time.' Character", "with the story as a whole, and I'm concerned these two characters lack", "made several major decisions in the past, setting complex events in motion. The", "trying to tease out problems with the story as a whole, and I'm", "has made several major decisions in the past, setting complex events in motion.", "time.' Character B makes the decision to get involved in Character A's life", "as to implications) and then is swept along by events, only really making", "decision to not leave well alone when all is revealed. There are other", "characters with strong opposing agendas who push until Character A makes his final", "story as a whole, and I'm concerned these two characters lack agency. Character", "who push until Character A makes his final decision, but am I doing", "setting complex events in motion. The story begins after these decisions have already", "concerned these two characters lack agency. Character A has made several major decisions", "am I doing a disservice to Character A and B by not making", "and I'm concerned these two characters lack agency. Character A has made several", "is revealed. There are other characters with strong opposing agendas who push until", "life (with a complete lack of awareness as to implications) and then is", "involved in Character A's life (with a complete lack of awareness as to", "in Character A's life (with a complete lack of awareness as to implications)", "complete lack of awareness as to implications) and then is swept along by", "making the major decision to not leave well alone when all is revealed.", "makes another major decision at the climatic point of the story which is", "as a whole, and I'm concerned these two characters lack agency. Character A", "leave well alone when all is revealed. There are other characters with strong", "several major decisions in the past, setting complex events in motion. The story", "begins after these decisions have already taken place. He only makes another major", "makes the decision to get involved in Character A's life (with a complete", "characters lack agency. Character A has made several major decisions in the past,", "Character B. I've been trying to tease out problems with the story as", "in motion. The story begins after these decisions have already taken place. He" ]
[ "bother with prologues but for this story I'm writing, I need to give", "writing, I need to give some kind of context before I start it.", "I'll put in the story. Should I just alter it to be a", "but can't find an answer. I normally don't bother with prologues but for", "I normally don't bother with prologues but for this story I'm writing, I", "anything in that I'll put in the story. Should I just alter it", "that I'll put in the story. Should I just alter it to be", "normally don't bother with prologues but for this story I'm writing, I need", "while, but can't find an answer. I normally don't bother with prologues but", "an answer. I normally don't bother with prologues but for this story I'm", "answer. I normally don't bother with prologues but for this story I'm writing,", "I just alter it to be a blurb or is that an okay", "to put anything in that I'll put in the story. Should I just", "find an answer. I normally don't bother with prologues but for this story", "is around 150 words and I don't want to put anything in that", "the story. Should I just alter it to be a blurb or is", "I need to give some kind of context before I start it. The", "give some kind of context before I start it. The prologue is around", "browsing the web for a while, but can't find an answer. I normally", "I've been browsing the web for a while, but can't find an answer.", "I'm writing, I need to give some kind of context before I start", "for this story I'm writing, I need to give some kind of context", "this story I'm writing, I need to give some kind of context before", "The prologue is around 150 words and I don't want to put anything", "some kind of context before I start it. The prologue is around 150", "with prologues but for this story I'm writing, I need to give some", "to give some kind of context before I start it. The prologue is", "words and I don't want to put anything in that I'll put in", "in the story. Should I just alter it to be a blurb or", "before I start it. The prologue is around 150 words and I don't", "a while, but can't find an answer. I normally don't bother with prologues", "story I'm writing, I need to give some kind of context before I", "Should I just alter it to be a blurb or is that an", "prologue is around 150 words and I don't want to put anything in", "context before I start it. The prologue is around 150 words and I", "150 words and I don't want to put anything in that I'll put", "put anything in that I'll put in the story. Should I just alter", "don't want to put anything in that I'll put in the story. Should", "I start it. The prologue is around 150 words and I don't want", "put in the story. Should I just alter it to be a blurb", "the web for a while, but can't find an answer. I normally don't", "of context before I start it. The prologue is around 150 words and", "need to give some kind of context before I start it. The prologue", "want to put anything in that I'll put in the story. Should I", "I don't want to put anything in that I'll put in the story.", "can't find an answer. I normally don't bother with prologues but for this", "just alter it to be a blurb or is that an okay length?", "kind of context before I start it. The prologue is around 150 words", "been browsing the web for a while, but can't find an answer. I", "don't bother with prologues but for this story I'm writing, I need to", "for a while, but can't find an answer. I normally don't bother with", "but for this story I'm writing, I need to give some kind of", "start it. The prologue is around 150 words and I don't want to", "and I don't want to put anything in that I'll put in the", "in that I'll put in the story. Should I just alter it to", "it. The prologue is around 150 words and I don't want to put", "prologues but for this story I'm writing, I need to give some kind", "story. Should I just alter it to be a blurb or is that", "around 150 words and I don't want to put anything in that I'll", "web for a while, but can't find an answer. I normally don't bother" ]
[ "wrap up the whole story line in just one novel. So my question", "it arrogant of a new writer to assume that a sequel will even", "So my question is: is it okay to leave a lot of loose", "I'm starting to write my first book, and I've finished the outlining process.", "of a new writer to assume that a sequel will even be desired", "would naturally move into a second book. I have not written or published", "is it okay to leave a lot of loose ends? The immediate conflict", "It's a fantasy novel that deals with the takedown of a monarchy, but", "sequel, but is it arrogant of a new writer to assume that a", "of loose ends? The immediate conflict is resolved, but there is a larger", "can't wrap up the whole story line in just one novel. So my", "sequel will even be desired for their book? Should I force an ending", "I can't wrap up the whole story line in just one novel. So", "or is it okay to write in and change it if requested to?", "but there is a larger conflict at play in the world that would", "move into a second book. I have not written or published the first", "as problematic, or is it okay to write in and change it if", "and I've finished the outlining process. It's a fantasy novel that deals with", "novel that deals with the takedown of a monarchy, but I feel like", "question is: is it okay to leave a lot of loose ends? The", "resolved, but there is a larger conflict at play in the world that", "force an ending that resolves all the major conflicts? Thanks for your advice!", "naturally move into a second book. I have not written or published the", "is a larger conflict at play in the world that would naturally move", "if requested to? I feel like I could easily move into writing a", "is it arrogant of a new writer to assume that a sequel will", "write my first book, and I've finished the outlining process. It's a fantasy", "book. I have not written or published the first book yet, so would", "immediate conflict is resolved, but there is a larger conflict at play in", "a second book. I have not written or published the first book yet,", "conflict at play in the world that would naturally move into a second", "book? Should I force an ending that resolves all the major conflicts? Thanks", "monarchy, but I feel like I can't wrap up the whole story line", "in just one novel. So my question is: is it okay to leave", "that deals with the takedown of a monarchy, but I feel like I", "a sequel, but is it arrogant of a new writer to assume that", "I've finished the outlining process. It's a fantasy novel that deals with the", "feel like I can't wrap up the whole story line in just one", "there is a larger conflict at play in the world that would naturally", "published the first book yet, so would publishers look at an unresolved ending", "it if requested to? I feel like I could easily move into writing", "that would naturally move into a second book. I have not written or", "Should I force an ending that resolves all the major conflicts? Thanks for", "new writer to assume that a sequel will even be desired for their", "second book. I have not written or published the first book yet, so", "a fantasy novel that deals with the takedown of a monarchy, but I", "is: is it okay to leave a lot of loose ends? The immediate", "requested to? I feel like I could easily move into writing a sequel,", "I have not written or published the first book yet, so would publishers", "I feel like I can't wrap up the whole story line in just", "loose ends? The immediate conflict is resolved, but there is a larger conflict", "is resolved, but there is a larger conflict at play in the world", "in and change it if requested to? I feel like I could easily", "have not written or published the first book yet, so would publishers look", "first book yet, so would publishers look at an unresolved ending as problematic,", "a sequel will even be desired for their book? Should I force an", "starting to write my first book, and I've finished the outlining process. It's", "finished the outlining process. It's a fantasy novel that deals with the takedown", "of a monarchy, but I feel like I can't wrap up the whole", "that a sequel will even be desired for their book? Should I force", "unresolved ending as problematic, or is it okay to write in and change", "ending as problematic, or is it okay to write in and change it", "ends? The immediate conflict is resolved, but there is a larger conflict at", "fantasy novel that deals with the takedown of a monarchy, but I feel", "the outlining process. It's a fantasy novel that deals with the takedown of", "process. It's a fantasy novel that deals with the takedown of a monarchy,", "not written or published the first book yet, so would publishers look at", "story line in just one novel. So my question is: is it okay", "at an unresolved ending as problematic, or is it okay to write in", "first book, and I've finished the outlining process. It's a fantasy novel that", "in the world that would naturally move into a second book. I have", "arrogant of a new writer to assume that a sequel will even be", "assume that a sequel will even be desired for their book? Should I", "into writing a sequel, but is it arrogant of a new writer to", "world that would naturally move into a second book. I have not written", "up the whole story line in just one novel. So my question is:", "outlining process. It's a fantasy novel that deals with the takedown of a", "but I feel like I can't wrap up the whole story line in", "novel. So my question is: is it okay to leave a lot of", "my first book, and I've finished the outlining process. It's a fantasy novel", "to leave a lot of loose ends? The immediate conflict is resolved, but", "a lot of loose ends? The immediate conflict is resolved, but there is", "change it if requested to? I feel like I could easily move into", "it okay to write in and change it if requested to? I feel", "lot of loose ends? The immediate conflict is resolved, but there is a", "write in and change it if requested to? I feel like I could", "I force an ending that resolves all the major conflicts? Thanks for your", "whole story line in just one novel. So my question is: is it", "leave a lot of loose ends? The immediate conflict is resolved, but there", "my question is: is it okay to leave a lot of loose ends?", "writing a sequel, but is it arrogant of a new writer to assume", "like I could easily move into writing a sequel, but is it arrogant", "a new writer to assume that a sequel will even be desired for", "feel like I could easily move into writing a sequel, but is it", "yet, so would publishers look at an unresolved ending as problematic, or is", "into a second book. I have not written or published the first book", "to write in and change it if requested to? I feel like I", "problematic, or is it okay to write in and change it if requested", "conflict is resolved, but there is a larger conflict at play in the", "so would publishers look at an unresolved ending as problematic, or is it", "writer to assume that a sequel will even be desired for their book?", "I feel like I could easily move into writing a sequel, but is", "with the takedown of a monarchy, but I feel like I can't wrap", "play in the world that would naturally move into a second book. I", "for their book? Should I force an ending that resolves all the major", "takedown of a monarchy, but I feel like I can't wrap up the", "okay to write in and change it if requested to? I feel like", "written or published the first book yet, so would publishers look at an", "is it okay to write in and change it if requested to? I", "line in just one novel. So my question is: is it okay to", "it okay to leave a lot of loose ends? The immediate conflict is", "publishers look at an unresolved ending as problematic, or is it okay to", "I could easily move into writing a sequel, but is it arrogant of", "easily move into writing a sequel, but is it arrogant of a new", "the takedown of a monarchy, but I feel like I can't wrap up", "deals with the takedown of a monarchy, but I feel like I can't", "like I can't wrap up the whole story line in just one novel.", "look at an unresolved ending as problematic, or is it okay to write", "could easily move into writing a sequel, but is it arrogant of a", "would publishers look at an unresolved ending as problematic, or is it okay", "even be desired for their book? Should I force an ending that resolves", "just one novel. So my question is: is it okay to leave a", "the world that would naturally move into a second book. I have not", "book yet, so would publishers look at an unresolved ending as problematic, or", "desired for their book? Should I force an ending that resolves all the", "one novel. So my question is: is it okay to leave a lot", "The immediate conflict is resolved, but there is a larger conflict at play", "the whole story line in just one novel. So my question is: is", "a monarchy, but I feel like I can't wrap up the whole story", "move into writing a sequel, but is it arrogant of a new writer", "but is it arrogant of a new writer to assume that a sequel", "their book? Should I force an ending that resolves all the major conflicts?", "or published the first book yet, so would publishers look at an unresolved", "okay to leave a lot of loose ends? The immediate conflict is resolved,", "book, and I've finished the outlining process. It's a fantasy novel that deals", "larger conflict at play in the world that would naturally move into a", "the first book yet, so would publishers look at an unresolved ending as", "be desired for their book? Should I force an ending that resolves all", "to? I feel like I could easily move into writing a sequel, but", "to assume that a sequel will even be desired for their book? Should", "a larger conflict at play in the world that would naturally move into", "will even be desired for their book? Should I force an ending that", "an unresolved ending as problematic, or is it okay to write in and", "to write my first book, and I've finished the outlining process. It's a", "and change it if requested to? I feel like I could easily move", "at play in the world that would naturally move into a second book." ]
[ "create a lifelike situation where we generally all have multiple people on our", "developed, but I'm concerned that upon reading the names of other characters a", "if I give them the odd detail. I'm trying to create a lifelike", "fully developed, but I'm concerned that upon reading the names of other characters", "have the following number of characters: Main/ reasonably significant characters: Nine Characters still", "POV is in use: Nineteen Is this too many? Only the Nine+Thirteen characters", "characters, named, with a little detail because they are colleagues/relatives of the character", "many? Only the Nine+Thirteen characters are fully developed, but I'm concerned that upon", "get bogged down, especially if I give them the odd detail. I'm trying", "names of other characters a reader might get bogged down, especially if I", "characters are fully developed, but I'm concerned that upon reading the names of", "to create a lifelike situation where we generally all have multiple people on", "I'm concerned that upon reading the names of other characters a reader might", "following number of characters: Main/ reasonably significant characters: Nine Characters still vital for", "use: Nineteen Is this too many? Only the Nine+Thirteen characters are fully developed,", "Characters still vital for the story to work:Thirteen Side characters, named, with a", "character whose POV is in use: Nineteen Is this too many? Only the", "Nine Characters still vital for the story to work:Thirteen Side characters, named, with", "reasonably significant characters: Nine Characters still vital for the story to work:Thirteen Side", "Only the Nine+Thirteen characters are fully developed, but I'm concerned that upon reading", "characters: Main/ reasonably significant characters: Nine Characters still vital for the story to", "they are colleagues/relatives of the character whose POV is in use: Nineteen Is", "are colleagues/relatives of the character whose POV is in use: Nineteen Is this", "Is this too many? Only the Nine+Thirteen characters are fully developed, but I'm", "Side characters, named, with a little detail because they are colleagues/relatives of the", "whose POV is in use: Nineteen Is this too many? Only the Nine+Thirteen", "for the story to work:Thirteen Side characters, named, with a little detail because", "number of characters: Main/ reasonably significant characters: Nine Characters still vital for the", "the character whose POV is in use: Nineteen Is this too many? Only", "of characters: Main/ reasonably significant characters: Nine Characters still vital for the story", "colleagues/relatives of the character whose POV is in use: Nineteen Is this too", "a reader might get bogged down, especially if I give them the odd", "work:Thirteen Side characters, named, with a little detail because they are colleagues/relatives of", "because they are colleagues/relatives of the character whose POV is in use: Nineteen", "the following number of characters: Main/ reasonably significant characters: Nine Characters still vital", "vital for the story to work:Thirteen Side characters, named, with a little detail", "concerned that upon reading the names of other characters a reader might get", "of other characters a reader might get bogged down, especially if I give", "reading the names of other characters a reader might get bogged down, especially", "to work:Thirteen Side characters, named, with a little detail because they are colleagues/relatives", "but I'm concerned that upon reading the names of other characters a reader", "the story to work:Thirteen Side characters, named, with a little detail because they", "I give them the odd detail. I'm trying to create a lifelike situation", "characters: Nine Characters still vital for the story to work:Thirteen Side characters, named,", "reader might get bogged down, especially if I give them the odd detail.", "story to work:Thirteen Side characters, named, with a little detail because they are", "named, with a little detail because they are colleagues/relatives of the character whose", "a lifelike situation where we generally all have multiple people on our peripheries.", "longish story, which would have the following number of characters: Main/ reasonably significant", "might get bogged down, especially if I give them the odd detail. I'm", "am plotting out a longish story, which would have the following number of", "a longish story, which would have the following number of characters: Main/ reasonably", "this too many? Only the Nine+Thirteen characters are fully developed, but I'm concerned", "story, which would have the following number of characters: Main/ reasonably significant characters:", "them the odd detail. I'm trying to create a lifelike situation where we", "a little detail because they are colleagues/relatives of the character whose POV is", "are fully developed, but I'm concerned that upon reading the names of other", "I am plotting out a longish story, which would have the following number", "which would have the following number of characters: Main/ reasonably significant characters: Nine", "upon reading the names of other characters a reader might get bogged down,", "down, especially if I give them the odd detail. I'm trying to create", "in use: Nineteen Is this too many? Only the Nine+Thirteen characters are fully", "characters a reader might get bogged down, especially if I give them the", "is in use: Nineteen Is this too many? Only the Nine+Thirteen characters are", "the names of other characters a reader might get bogged down, especially if", "the Nine+Thirteen characters are fully developed, but I'm concerned that upon reading the", "odd detail. I'm trying to create a lifelike situation where we generally all", "still vital for the story to work:Thirteen Side characters, named, with a little", "other characters a reader might get bogged down, especially if I give them", "plotting out a longish story, which would have the following number of characters:", "too many? Only the Nine+Thirteen characters are fully developed, but I'm concerned that", "Nineteen Is this too many? Only the Nine+Thirteen characters are fully developed, but", "detail. I'm trying to create a lifelike situation where we generally all have", "detail because they are colleagues/relatives of the character whose POV is in use:", "I'm trying to create a lifelike situation where we generally all have multiple", "Nine+Thirteen characters are fully developed, but I'm concerned that upon reading the names", "that upon reading the names of other characters a reader might get bogged", "out a longish story, which would have the following number of characters: Main/", "would have the following number of characters: Main/ reasonably significant characters: Nine Characters", "especially if I give them the odd detail. I'm trying to create a", "trying to create a lifelike situation where we generally all have multiple people", "the odd detail. I'm trying to create a lifelike situation where we generally", "give them the odd detail. I'm trying to create a lifelike situation where", "significant characters: Nine Characters still vital for the story to work:Thirteen Side characters,", "with a little detail because they are colleagues/relatives of the character whose POV", "Main/ reasonably significant characters: Nine Characters still vital for the story to work:Thirteen", "bogged down, especially if I give them the odd detail. I'm trying to", "little detail because they are colleagues/relatives of the character whose POV is in", "of the character whose POV is in use: Nineteen Is this too many?" ]
[ "After feedback on character design for my visual novel, my grizzled Noir Detective", "knowledge shifted from books to music. In some ways the differences were cosmetic", "also doubt I'd ever hear that an old white man in a hat", "a prejudice: White man in a hat = cop/detective. Black man in a", "die). Meanwhile I actually find the toughguy detective tropes to be kind of", "the musical aesthetics, and honestly think the visual potential is as strong, maybe", "need to explain how a white guy is in a room telling everyone", "reason a skidrow noir detective would be hobnobbing with millionaires, he would be", "didn't push it), the origin was likely a racial stereotype, and making him", "(Didn't consider this before, and seems like an improvement) ☐ Carries a gun", "I started redesigning the whole story to involve musical metaphors, and his esoteric", "guests. There's some real baggage here. I could ignore it, but I'm trying", "Now I'm struggling to make him seem like something more than a stereotype.", "and in some ways there wasn't any difference at all. Seemed like a", "any difference at all. Seemed like a win, just do the same story", "For about 10min I started redesigning the whole story to involve musical metaphors,", "feedback is that he's African American. My first impression of this feedback was", "the best of a genre. Now I'm struggling to make him seem like", "that people dismiss, at the same time I don't find her to be", "for, right? --- My rationalization went something like this: Old Noir Detective =", "him seem like something more than a stereotype. The idea of using an", "to tap into reader expectations so I don't need to start from scratch", "I've erased any authority he would have. Miss Marple is just a little", "again, rather than get defensive, my second thought was (since it's out there)", "metaphors, and his esoteric knowledge shifted from books to music. In some ways", "this work, but I feel I've erased any authority he would have. Miss", "than a stereotype. The idea of using an archetype is to get to", "of a joke, there is no reason a skidrow noir detective would be", "scratch and they will not question his details, but I seem to have", "some ways the differences were cosmetic or superficial, and in some ways there", "an office where people make an appointment to have their problems fixed. (That", "implied history and seen some weird sh\\t, knows some people are just bad.", "he would have. Miss Marple is just a little old lady that people", "than an archetype. I doubt I'd ever need to explain how a white", "musical aesthetics, and honestly think the visual potential is as strong, maybe even", "what kind of character I'm creating. It wasn't what I'd intended, but sure,", "redesigning the whole story to involve musical metaphors, and his esoteric knowledge shifted", "my second thought was (since it's out there) I should let these comments", "joke, there is no reason a skidrow noir detective would be hobnobbing with", "archetype is to get to the plot faster. I want to tap into", "Conveniently has an office where people make an appointment to have their problems", "fixed. (That would be a big nope.) --- For about 10min I started", "a servant not flirted at by the boss's horny wife. I had a", "and people die). Meanwhile I actually find the toughguy detective tropes to be", "visual novel, my grizzled Noir Detective* is drifting into an Old Jazz Musician.", "the whole story to involve musical metaphors, and his esoteric knowledge shifted from", "own stereotype alert system and the more I try to make it work", "music. In some ways the differences were cosmetic or superficial, and in some", "the less I'm convinced. To put this question into sentence format, how do", "floozies and gangsters and other low-lifes ☑ Looked down on by authority, presumed", "I'm struggling to make him seem like something more than a stereotype. The", "with floozies and gangsters and other low-lifes ☑ Looked down on by authority,", "whole story to involve musical metaphors, and his esoteric knowledge shifted from books", "Seemed like a win, just do the same story with a music twist.", "feels more like a skin color than an archetype. I doubt I'd ever", "noir detective either. I thought I had hit on a clever cross-over archetype", "with a client bringing her problem to his office, but I can massage", "white guy is in a room telling everyone their business with authority –", "an improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not really but could", "she's just a nosey lady who goes on vacation and people die). Meanwhile", "a room telling everyone their business with authority – but a jazz musician?", "really but could be, I guess?) ☒ Hired to fix people's problems. Conveniently", "(since it's out there) I should let these comments inform what kind of", "was likely a racial stereotype, and making him a \"jazz musician\" feels more", "an archetype is to get to the plot faster. I want to tap", "economic tier ☑ Associates with floozies and gangsters and other low-lifes ☑ Looked", "as strong, maybe even stronger (in a visual novel words will be scarce,", "of using an archetype is to get to the plot faster. I want", "character I'm creating. It wasn't what I'd intended, but sure, why not? This", "her to be especially empowering or positive as a character (she's barely a", "begins with a client bringing her problem to his office, but I can", "from scratch and they will not question his details, but I seem to", "making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted it (and I", "novel, my grizzled Noir Detective is drifting into an Old Jazz Musician. There's", "could be, I guess?) ☒** Hired to fix people's problems. Conveniently has an", "reason I post the artwork: what has gone unmentioned in this feedback is", "\"jazz musician\" feels more like a skin color than an archetype. I doubt", "story begins with a client bringing her problem to his office, but I", "this feedback is that he's African American. My first impression of this feedback", "trying to be aware of it. I'm still trying to make this work,", "It wouldn't, and probably not for the noir detective either. I thought I", "system and the more I try to make it work the less I'm", "didn't test a control group with a white man in a hat to", "just bad. ☐ Has a defining hobby or quirk. (Didn't consider this before,", "get defensive, my second thought was (since it's out there) I should let", "There's a reason I post the artwork: what has gone unmentioned in this", "is for, right? --- My rationalization went something like this: Old Noir Detective", "there wasn't any difference at all. Seemed like a win, just do the", "work the less I'm convinced. To put this question into sentence format, how", "has gone unmentioned in this feedback is that he's African American. My first", "involve musical metaphors, and his esoteric knowledge shifted from books to music. In", "sure.) But when I heard it again, rather than get defensive, my second", "I guess?) ☒** Hired to fix people's problems. Conveniently has an office where", "the idea of an accidental detective. I like the musical aesthetics, and honestly", "ways there wasn't any difference at all. Seemed like a win, just do", "a white guy is in a room telling everyone their business with authority", "a jazz musician? I also doubt I'd ever hear that an old white", "of musical entertainer. (I didn't test a control group with a white man", "Noir Detective is drifting into an Old Jazz Musician. There's a reason I", "into an Old Jazz Musician. There's a reason I post the artwork: what", "there) I should let these comments inform what kind of character I'm creating.", "feel like I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one", "my grizzled Noir Detective is drifting into an Old Jazz Musician. There's a", "to have their problems fixed. (That would be a big nope.) --- For", "old white man in a hat must be here to entertain the guests.", "I thought I had hit on a clever cross-over archetype that would allow", "find the toughguy detective tropes to be kind of a joke, there is", "at by the boss's horny wife. I had a moment of wondering how", "sure, why not? This is what feedback is for, right? --- My rationalization", "baggage here. I could ignore it, but I'm trying to be aware of", "a client bringing her problem to his office, but I can massage the", "have. Miss Marple is just a little old lady that people dismiss, at", "aware of it. I'm still trying to make this work, but I feel", "it (and I didn't push it), the origin was likely a racial stereotype,", "the visual potential is as strong, maybe even stronger (in a visual novel", "[shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted it (and I didn't push", "the artwork: what has gone unmentioned in this feedback is that he's African", "man in a hat must be here to entertain the guests. There's some", "making him a \"jazz musician\" feels more like a skin color than an", "how do I tap into archetypes while avoiding stereotypes, and also how do", "☑ Same gender, same generation, same country, same economic tier ☑ Associates with", "no reason a skidrow noir detective would be hobnobbing with millionaires, he would", "idea of using an archetype is to get to the plot faster. I", "archetypes while avoiding stereotypes, and also how do you get around people inserting", "just do the same story with a music twist. I like the idea", "to start from scratch and they will not question his details, but I", "I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27)** character. Although no one admitted it", "people's problems. Conveniently has an office where people make an appointment to have", "I'm creating. It wasn't what I'd intended, but sure, why not? This is", "or superficial, and in some ways there wasn't any difference at all. Seemed", "man in a hat to be sure.) But when I heard it again,", "a nosey lady who goes on vacation and people die). Meanwhile I actually", "Black man in a hat = some kind of musical entertainer. (I didn't", "people dismiss, at the same time I don't find her to be especially", "intended, but sure, why not? This is what feedback is for, right? ---", "musical entertainer. (I didn't test a control group with a white man in", "be sure.) But when I heard it again, rather than get defensive, my", "What I don't like is I started to feel like I was making", "archetype that would allow me to cherrypick the best of a genre. Now", "nope.) --- For about 10min I started redesigning the whole story to involve", "make him seem like something more than a stereotype. The idea of using", "an archetype. I doubt I'd ever need to explain how a white guy", "the guests. There's some real baggage here. I could ignore it, but I'm", "a white man in a hat to be sure.) But when I heard", "make this work, but I feel I've erased any authority he would have.", "scarce, ambience is everything). Unfortunately my story begins with a client bringing her", "people inserting an unintended stereotype on what you thought was a clever archetype", "people make an appointment to have their problems fixed. (That would be a", "and making him a \"jazz musician\" feels more like a skin color than", "here to entertain the guests. There's some real baggage here. I could ignore", "how a white guy is in a room telling everyone their business with", "people are just bad. ☐ Has a defining hobby or quirk. (Didn't consider", "I like the idea of an accidental detective. I like the musical aesthetics,", "question into sentence format, how do I tap into archetypes while avoiding stereotypes,", "post the artwork: what has gone unmentioned in this feedback is that he's", "to have triggered my own stereotype alert system and the more I try", "a racial stereotype, and making him a \"jazz musician\" feels more like a", "positive as a character (she's barely a character, imho she's just a nosey", "had a moment of wondering how that scene would play out. It wouldn't,", "superficial, and in some ways there wasn't any difference at all. Seemed like", "stereotype, and making him a \"jazz musician\" feels more like a skin color", "treated like a servant not flirted at by the boss's horny wife. I", "self-destructive, bitter, Heart-on-sleeve (um…, not really but could be, I guess?) ☒ Hired", "I'm trying to be aware of it. I'm still trying to make this", "that would allow me to cherrypick the best of a genre. Now I'm", "office, but I can massage the plot to contrive a more likely introduction.", "I don't find her to be especially empowering or positive as a character", "out. It wouldn't, and probably not for the noir detective either. I thought", "their problems fixed. (That would be a big nope.) --- For about 10min", "do you get around people inserting an unintended stereotype on what you thought", "feedback is for, right? --- My rationalization went something like this: Old Noir", "his esoteric knowledge shifted from books to music. In some ways the differences", "I heard it again, rather than get defensive, my second thought was (since", "musician\" feels more like a skin color than an archetype. I doubt I'd", "play out. It wouldn't, and probably not for the noir detective either. I", "like the idea of an accidental detective. I like the musical aesthetics, and", "the more I try to make it work the less I'm convinced. To", "ever need to explain how a white guy is in a room telling", "inform what kind of character I'm creating. It wasn't what I'd intended, but", "this question into sentence format, how do I tap into archetypes while avoiding", "[![enter image description here](https://i.stack.imgur.com/RqzEa.png)](https://i.stack.imgur.com/RqzEa.png) After feedback on character design for my visual novel,", "difference at all. Seemed like a win, just do the same story with", "be kind of a joke, there is no reason a skidrow noir detective", "ever hear that an old white man in a hat must be here", "detective would be hobnobbing with millionaires, he would be treated like a servant", "My first impression of this feedback was that this is a prejudice: White", "gun (nope, but also feel this is an improvement) ☐ Cynical, potentially self-destructive,", "Old Jazz Man ☑ Same gender, same generation, same country, same economic tier", "that this is a prejudice: White man in a hat = cop/detective. Black", "him a \"jazz musician\" feels more like a skin color than an archetype.", "like I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted", "hat = cop/detective. Black man in a hat = some kind of musical", "= some kind of musical entertainer. (I didn't test a control group with", "the plot faster. I want to tap into reader expectations so I don't", "a defining hobby or quirk. (Didn't consider this before, and seems like an", "There's some real baggage here. I could ignore it, but I'm trying to", "me to cherrypick the best of a genre. Now I'm struggling to make", "of a genre. Now I'm struggling to make him seem like something more", "authority he would have. Miss Marple is just a little old lady that", "Man ☑ Same gender, same generation, same country, same economic tier ☑ Associates", "= cop/detective. Black man in a hat = some kind of musical entertainer.", "I didn't push it), the origin was likely a racial stereotype, and making", "a gun (nope, but also feel this is an improvement) ☐ Cynical, potentially", "more I try to make it work the less I'm convinced. To put", "--- For about 10min I started redesigning the whole story to involve musical", "wasn't any difference at all. Seemed like a win, just do the same", "for my visual novel, my grizzled Noir Detective is drifting into an Old", "let these comments inform what kind of character I'm creating. It wasn't what", "inserting an unintended stereotype on what you thought was a clever archetype twist?", "Unfortunately my story begins with a client bringing her problem to his office,", "improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not really but could be,", "origin was likely a racial stereotype, and making him a \"jazz musician\" feels", "erased any authority he would have. Miss Marple is just a little old", "expectations so I don't need to start from scratch and they will not", "less I'm convinced. To put this question into sentence format, how do I", "visual potential is as strong, maybe even stronger (in a visual novel words", "reader expectations so I don't need to start from scratch and they will", "Has an implied history and seen some weird sh\\t, knows some people are", "either. I thought I had hit on a clever cross-over archetype that would", "but sure, why not? This is what feedback is for, right? --- My", "something more than a stereotype. The idea of using an archetype is to", "knows some people are just bad. ☐* Has a defining hobby or quirk.", "here. I could ignore it, but I'm trying to be aware of it.", "to make him seem like something more than a stereotype. The idea of", "Detective = Old Jazz Man ☑ Same gender, same generation, same country, same", "same time I don't find her to be especially empowering or positive as", "Same gender, same generation, same country, same economic tier ☑** Associates with floozies", "test a control group with a white man in a hat to be", "his office, but I can massage the plot to contrive a more likely", "is to get to the plot faster. I want to tap into reader", "ways the differences were cosmetic or superficial, and in some ways there wasn't", "country, same economic tier ☑ Associates with floozies and gangsters and other low-lifes", "I'd ever need to explain how a white guy is in a room", "flirted at by the boss's horny wife. I had a moment of wondering", "and other low-lifes ☑ Looked down on by authority, presumed guilt, underdog ☑", "right? --- My rationalization went something like this: Old Noir Detective = Old", "a more likely introduction. What I don't like is I started to feel", "hat must be here to entertain the guests. There's some real baggage here.", "It wasn't what I'd intended, but sure, why not? This is what feedback", "think the visual potential is as strong, maybe even stronger (in a visual", "to entertain the guests. There's some real baggage here. I could ignore it,", "African American. My first impression of this feedback was that this is a", "this is a prejudice: White man in a hat = cop/detective. Black man", "problems fixed. (That would be a big nope.) --- For about 10min I", "can massage the plot to contrive a more likely introduction. What I don't", "to contrive a more likely introduction. What I don't like is I started", "and seems like an improvement) ☐ Carries a gun (nope, but also feel", "a visual novel words will be scarce, ambience is everything). Unfortunately my story", "☑ Associates with floozies and gangsters and other low-lifes ☑** Looked down on", "In some ways the differences were cosmetic or superficial, and in some ways", "like something more than a stereotype. The idea of using an archetype is", "was (since it's out there) I should let these comments inform what kind", "sh\\t, knows some people are just bad. ☐* Has a defining hobby or", "by authority, presumed guilt, underdog ☑ Has an implied history and seen some", "sentence format, how do I tap into archetypes while avoiding stereotypes, and also", "archetype. I doubt I'd ever need to explain how a white guy is", "no one admitted it (and I didn't push it), the origin was likely", "old lady that people dismiss, at the same time I don't find her", "everything). Unfortunately my story begins with a client bringing her problem to his", "bringing her problem to his office, but I can massage the plot to", "fix people's problems. Conveniently has an office where people make an appointment to", "is I started to feel like I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27)", "in a hat must be here to entertain the guests. There's some real", "is as strong, maybe even stronger (in a visual novel words will be", "it's out there) I should let these comments inform what kind of character", "on vacation and people die). Meanwhile I actually find the toughguy detective tropes", "a clever cross-over archetype that would allow me to cherrypick the best of", "not? This is what feedback is for, right? --- My rationalization went something", "hobby or quirk. (Didn't consider this before, and seems like an improvement) ☐", "Hired to fix people's problems. Conveniently has an office where people make an", "bitter, Heart-on-sleeve (um…, not really but could be, I guess?) ☒ Hired to", "novel words will be scarce, ambience is everything). Unfortunately my story begins with", "empowering or positive as a character (she's barely a character, imho she's just", "some weird sh\\t, knows some people are just bad. ☐* Has a defining", "her problem to his office, but I can massage the plot to contrive", "be here to entertain the guests. There's some real baggage here. I could", "books to music. In some ways the differences were cosmetic or superficial, and", "goes on vacation and people die). Meanwhile I actually find the toughguy detective", "don't like is I started to feel like I was making a [shuck", "question his details, but I seem to have triggered my own stereotype alert", "I don't like is I started to feel like I was making a", "I'm convinced. To put this question into sentence format, how do I tap", "I tap into archetypes while avoiding stereotypes, and also how do you get", "character design for my visual novel, my grizzled Noir Detective is drifting into", "cherrypick the best of a genre. Now I'm struggling to make him seem", "office where people make an appointment to have their problems fixed. (That would", "contrive a more likely introduction. What I don't like is I started to", "be aware of it. I'm still trying to make this work, but I", "character (she's barely a character, imho she's just a nosey lady who goes", "probably not for the noir detective either. I thought I had hit on", "have their problems fixed. (That would be a big nope.) --- For about", "why not? This is what feedback is for, right? --- My rationalization went", "I had hit on a clever cross-over archetype that would allow me to", "kind of musical entertainer. (I didn't test a control group with a white", "actually find the toughguy detective tropes to be kind of a joke, there", "a big nope.) --- For about 10min I started redesigning the whole story", "to make it work the less I'm convinced. To put this question into", "and gangsters and other low-lifes ☑ Looked down on by authority, presumed guilt,", "was that this is a prejudice: White man in a hat = cop/detective.", "to the plot faster. I want to tap into reader expectations so I", "it. I'm still trying to make this work, but I feel I've erased", "dismiss, at the same time I don't find her to be especially empowering", "big nope.) --- For about 10min I started redesigning the whole story to", "and his esoteric knowledge shifted from books to music. In some ways the", "with a white man in a hat to be sure.) But when I", "– but a jazz musician? I also doubt I'd ever hear that an", "description here](https://i.stack.imgur.com/RqzEa.png)](https://i.stack.imgur.com/RqzEa.png) After feedback on character design for my visual novel, my grizzled", "strong, maybe even stronger (in a visual novel words will be scarce, ambience", "down on by authority, presumed guilt, underdog ☑ Has an implied history and", "entertain the guests. There's some real baggage here. I could ignore it, but", "a joke, there is no reason a skidrow noir detective would be hobnobbing", "kind of character I'm creating. It wasn't what I'd intended, but sure, why", "be especially empowering or positive as a character (she's barely a character, imho", "wouldn't, and probably not for the noir detective either. I thought I had", "to be especially empowering or positive as a character (she's barely a character,", "but could be, I guess?) ☒ Hired to fix people's problems. Conveniently has", "my visual novel, my grizzled Noir Detective is drifting into an *Old Jazz", "likely a racial stereotype, and making him a \"jazz musician\" feels more like", "weird sh\\t, knows some people are just bad. ☐ Has a defining hobby", "the differences were cosmetic or superficial, and in some ways there wasn't any", "white man in a hat must be here to entertain the guests. There's", "stronger (in a visual novel words will be scarce, ambience is everything). Unfortunately", "on a clever cross-over archetype that would allow me to cherrypick the best", "is an improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not really but", "I like the musical aesthetics, and honestly think the visual potential is as", "and the more I try to make it work the less I'm convinced.", "here](https://i.stack.imgur.com/RqzEa.png)](https://i.stack.imgur.com/RqzEa.png) After feedback on character design for my visual novel, my grizzled Noir", "Meanwhile I actually find the toughguy detective tropes to be kind of a", "feel this is an improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not", "Heart-on-sleeve (um…, not really but could be, I guess?) ☒ Hired to fix", "detective either. I thought I had hit on a clever cross-over archetype that", "in some ways there wasn't any difference at all. Seemed like a win,", "is a prejudice: White man in a hat = cop/detective. Black man in", "don't find her to be especially empowering or positive as a character (she's", "a win, just do the same story with a music twist. I like", "more likely introduction. What I don't like is I started to feel like", "or positive as a character (she's barely a character, imho she's just a", "tier ☑ Associates with floozies and gangsters and other low-lifes ☑ Looked down", "differences were cosmetic or superficial, and in some ways there wasn't any difference", "gone unmentioned in this feedback is that he's African American. My first impression", "other low-lifes ☑ Looked down on by authority, presumed guilt, underdog ☑ Has", "would have. Miss Marple is just a little old lady that people dismiss,", "with millionaires, he would be treated like a servant not flirted at by", "and honestly think the visual potential is as strong, maybe even stronger (in", "how that scene would play out. It wouldn't, and probably not for the", "around people inserting an unintended stereotype on what you thought was a clever", "seems like an improvement) ☐ Carries a gun (nope, but also feel this", "this before, and seems like an improvement) ☐ Carries a gun (nope, but", "(um…, not really but could be, I guess?) ☒ Hired to fix people's", "defining hobby or quirk. (Didn't consider this before, and seems like an improvement)", "as a character (she's barely a character, imho she's just a nosey lady", "some ways there wasn't any difference at all. Seemed like a win, just", "get to the plot faster. I want to tap into reader expectations so", "an accidental detective. I like the musical aesthetics, and honestly think the visual", "to make this work, but I feel I've erased any authority he would", "it again, rather than get defensive, my second thought was (since it's out", "twist. I like the idea of an accidental detective. I like the musical", "put this question into sentence format, how do I tap into archetypes while", "do I tap into archetypes while avoiding stereotypes, and also how do you", "was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted it (and", "using an archetype is to get to the plot faster. I want to", "I'd intended, but sure, why not? This is what feedback is for, right?", "I'm still trying to make this work, but I feel I've erased any", "a reason I post the artwork: what has gone unmentioned in this feedback", "to be sure.) But when I heard it again, rather than get defensive,", "control group with a white man in a hat to be sure.) But", "guy is in a room telling everyone their business with authority – but", "Jazz Man ☑ Same gender, same generation, same country, same economic tier ☑*", "plot to contrive a more likely introduction. What I don't like is I", "I seem to have triggered my own stereotype alert system and the more", "he's African American. My first impression of this feedback was that this is", "than get defensive, my second thought was (since it's out there) I should", "visual novel words will be scarce, ambience is everything). Unfortunately my story begins", "is everything). Unfortunately my story begins with a client bringing her problem to", "get around people inserting an unintended stereotype on what you thought was a", "start from scratch and they will not question his details, but I seem", "rather than get defensive, my second thought was (since it's out there) I", "who goes on vacation and people die). Meanwhile I actually find the toughguy", "the plot to contrive a more likely introduction. What I don't like is", "but I feel I've erased any authority he would have. Miss Marple is", "in this feedback is that he's African American. My first impression of this", "he would be treated like a servant not flirted at by the boss's", "cosmetic or superficial, and in some ways there wasn't any difference at all.", "tropes to be kind of a joke, there is no reason a skidrow", "some kind of musical entertainer. (I didn't test a control group* with a", "this is an improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not really", "This is what feedback is for, right? --- My rationalization went something like", "aesthetics, and honestly think the visual potential is as strong, maybe even stronger", "some people are just bad. ☐ Has a defining hobby or quirk. (Didn't", "went something like this: Old Noir Detective = Old Jazz Man ☑ Same", "something like this: Old Noir Detective = Old Jazz Man ☑ Same gender,", "presumed guilt, underdog ☑ Has an implied history and seen some weird sh\\t,", "like a skin color than an archetype. I doubt I'd ever need to", "accidental detective. I like the musical aesthetics, and honestly think the visual potential", "a \"jazz musician\" feels more like a skin color than an archetype. I", "drifting into an Old Jazz Musician. There's a reason I post the artwork:", "esoteric knowledge shifted from books to music. In some ways the differences were", "I'd ever hear that an old white man in a hat must be", "To put this question into sentence format, how do I tap into archetypes", "I also doubt I'd ever hear that an old white man in a", "(nope, but also feel this is an improvement) ☐* Cynical, potentially self-destructive, bitter,", "guilt, underdog ☑ Has an implied history and seen some weird sh\\t, knows", "(I didn't test a control group* with a white man in a hat", "plot faster. I want to tap into reader expectations so I don't need", "with authority – but a jazz musician? I also doubt I'd ever hear", "there is no reason a skidrow noir detective would be hobnobbing with millionaires,", "the boss's horny wife. I had a moment of wondering how that scene", "scene would play out. It wouldn't, and probably not for the noir detective", "will not question his details, but I seem to have triggered my own", "skidrow noir detective would be hobnobbing with millionaires, he would be treated like", "a control group with a white man in a hat to be sure.)", "Miss Marple is just a little old lady that people dismiss, at the", "like a win, just do the same story with a music twist. I", "the origin was likely a racial stereotype, and making him a \"jazz musician\"", "be treated like a servant not flirted at by the boss's horny wife.", "details, but I seem to have triggered my own stereotype alert system and", "lady who goes on vacation and people die). Meanwhile I actually find the", "doubt I'd ever need to explain how a white guy is in a", "tap into reader expectations so I don't need to start from scratch and", "I started to feel like I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character.", "same generation, same country, same economic tier ☑ Associates with floozies and gangsters", "format, how do I tap into archetypes while avoiding stereotypes, and also how", "are just bad. ☐ Has a defining hobby or quirk. (Didn't consider this", "prejudice: White man in a hat = cop/detective. Black man in a hat", "to feel like I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no", "this: Old Noir Detective = Old Jazz Man ☑ Same gender, same generation,", "is no reason a skidrow noir detective would be hobnobbing with millionaires, he", "same country, same economic tier ☑ Associates with floozies and gangsters and other", "unmentioned in this feedback is that he's African American. My first impression of", "will be scarce, ambience is everything). Unfortunately my story begins with a client", "gangsters and other low-lifes ☑** Looked down on by authority, presumed guilt, underdog", "into reader expectations so I don't need to start from scratch and they", "is what feedback is for, right? --- My rationalization went something like this:", "Marple is just a little old lady that people dismiss, at the same", "a moment of wondering how that scene would play out. It wouldn't, and", "to be aware of it. I'm still trying to make this work, but", "push it), the origin was likely a racial stereotype, and making him a", "hat = some kind of musical entertainer. (I didn't test a control group", "started redesigning the whole story to involve musical metaphors, and his esoteric knowledge", "at the same time I don't find her to be especially empowering or", "alert system and the more I try to make it work the less", "and also how do you get around people inserting an unintended stereotype on", "(she's barely a character, imho she's just a nosey lady who goes on", "wondering how that scene would play out. It wouldn't, and probably not for", "a little old lady that people dismiss, at the same time I don't", "don't need to start from scratch and they will not question his details,", "into sentence format, how do I tap into archetypes while avoiding stereotypes, and", "stereotype alert system and the more I try to make it work the", "potential is as strong, maybe even stronger (in a visual novel words will", "cop/detective. Black man in a hat = some kind of musical entertainer. (I", "would play out. It wouldn't, and probably not for the noir detective either.", "before, and seems like an improvement) ☐ Carries a gun (nope, but also", "☒ Hired to fix people's problems. Conveniently has an office where people make", "to music. In some ways the differences were cosmetic or superficial, and in", "a hat = cop/detective. Black man in a hat = some kind of", "even stronger (in a visual novel words will be scarce, ambience is everything).", "underdog ☑** Has an implied history and seen some weird sh\\t, knows some", "words will be scarce, ambience is everything). Unfortunately my story begins with a", "a music twist. I like the idea of an accidental detective. I like", "problems. Conveniently has an office where people make an appointment to have their", "is in a room telling everyone their business with authority – but a", "is drifting into an Old Jazz Musician. There's a reason I post the", "real baggage here. I could ignore it, but I'm trying to be aware", "tap into archetypes while avoiding stereotypes, and also how do you get around", "creating. It wasn't what I'd intended, but sure, why not? This is what", "story to involve musical metaphors, and his esoteric knowledge shifted from books to", "client bringing her problem to his office, but I can massage the plot", "a skidrow noir detective would be hobnobbing with millionaires, he would be treated", "☐* Carries a gun (nope, but also feel this is an improvement) ☐", "entertainer. (I didn't test a control group with a white man in a", "work, but I feel I've erased any authority he would have. Miss Marple", "it work the less I'm convinced. To put this question into sentence format,", "thought I had hit on a clever cross-over archetype that would allow me", "White man in a hat = cop/detective. Black man in a hat =", "not really but could be, I guess?) ☒ Hired to fix people's problems.", "explain how a white guy is in a room telling everyone their business", "white man in a hat to be sure.) But when I heard it", "a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted it (and I didn't", "nosey lady who goes on vacation and people die). Meanwhile I actually find", "jazz musician? I also doubt I'd ever hear that an old white man", "people die). Meanwhile I actually find the toughguy detective tropes to be kind", "all. Seemed like a win, just do the same story with a music", "avoiding stereotypes, and also how do you get around people inserting an unintended", "I can massage the plot to contrive a more likely introduction. What I", "but a jazz musician? I also doubt I'd ever hear that an old", "started to feel like I was making a [shuck n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although", "Noir Detective = Old Jazz Man ☑ Same gender, same generation, same country,", "in a room telling everyone their business with authority – but a jazz", "like an improvement) ☐ Carries a gun (nope, but also feel this is", "story with a music twist. I like the idea of an accidental detective.", "Has a defining hobby or quirk. (Didn't consider this before, and seems like", "☑ Looked down on by authority, presumed guilt, underdog ☑ Has an implied", "it), the origin was likely a racial stereotype, and making him a \"jazz", "not flirted at by the boss's horny wife. I had a moment of", "make it work the less I'm convinced. To put this question into sentence", "on character design for my visual novel, my grizzled Noir Detective** is drifting", "character, imho she's just a nosey lady who goes on vacation and people", "I actually find the toughguy detective tropes to be kind of a joke,", "history and seen some weird sh\\t, knows some people are just bad. ☐", "the toughguy detective tropes to be kind of a joke, there is no", "allow me to cherrypick the best of a genre. Now I'm struggling to", "Musician. There's a reason I post the artwork: what has gone unmentioned in", "on by authority, presumed guilt, underdog ☑* Has an implied history and seen", "quirk. (Didn't consider this before, and seems like an improvement) ☐ Carries a", "man in a hat = cop/detective. Black man in a hat = some", "gender, same generation, same country, same economic tier ☑ Associates with floozies and", "not question his details, but I seem to have triggered my own stereotype", "barely a character, imho she's just a nosey lady who goes on vacation", "design for my visual novel, my grizzled Noir Detective is drifting into an", "Old Noir Detective = Old Jazz Man ☑ Same gender, same generation, same", "make an appointment to have their problems fixed. (That would be a big", "bad. ☐ Has a defining hobby or quirk. (Didn't consider this before, and", "potentially self-destructive, bitter, Heart-on-sleeve (um…, not really but could be, I guess?) ☒", "that he's African American. My first impression of this feedback was that this", "little old lady that people dismiss, at the same time I don't find", "feel I've erased any authority he would have. Miss Marple is just a", "authority – but a jazz musician? I also doubt I'd ever hear that", "be hobnobbing with millionaires, he would be treated like a servant not flirted", "like this: Old Noir Detective = Old Jazz Man ☑ Same gender, same", "a skin color than an archetype. I doubt I'd ever need to explain", "do the same story with a music twist. I like the idea of", "But when I heard it again, rather than get defensive, my second thought", "be a big nope.) --- For about 10min I started redesigning the whole", "feedback on character design for my visual novel, my grizzled Noir Detective is", "one admitted it (and I didn't push it), the origin was likely a", "ambience is everything). Unfortunately my story begins with a client bringing her problem", "boss's horny wife. I had a moment of wondering how that scene would", "an implied history and seen some weird sh\\t, knows some people are just", "want to tap into reader expectations so I don't need to start from", "detective tropes to be kind of a joke, there is no reason a", "in a hat to be sure.) But when I heard it again, rather", "improvement) ☐* Carries a gun (nope, but also feel this is an improvement)", "my story begins with a client bringing her problem to his office, but", "toughguy detective tropes to be kind of a joke, there is no reason", "artwork: what has gone unmentioned in this feedback is that he's African American.", "it, but I'm trying to be aware of it. I'm still trying to", "hear that an old white man in a hat must be here to", "more than a stereotype. The idea of using an archetype is to get", "would be hobnobbing with millionaires, he would be treated like a servant not", "to fix people's problems. Conveniently has an office where people make an appointment", "authority, presumed guilt, underdog ☑ Has an implied history and seen some weird", "I could ignore it, but I'm trying to be aware of it. I'm", "servant not flirted at by the boss's horny wife. I had a moment", "consider this before, and seems like an improvement) ☐ Carries a gun (nope,", "best of a genre. Now I'm struggling to make him seem like something", "rationalization went something like this: Old Noir Detective = Old Jazz Man ☑", "still trying to make this work, but I feel I've erased any authority", "that scene would play out. It wouldn't, and probably not for the noir", "but also feel this is an improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve", "Although no one admitted it (and I didn't push it), the origin was", "noir detective would be hobnobbing with millionaires, he would be treated like a", "you get around people inserting an unintended stereotype on what you thought was", "wasn't what I'd intended, but sure, why not? This is what feedback is", "I post the artwork: what has gone unmentioned in this feedback is that", "guess?) ☒ Hired to fix people's problems. Conveniently has an office where people", "I had a moment of wondering how that scene would play out. It", "the same story with a music twist. I like the idea of an", "not for the noir detective either. I thought I had hit on a", "an Old Jazz Musician. There's a reason I post the artwork: what has", "had hit on a clever cross-over archetype that would allow me to cherrypick", "My rationalization went something like this: Old Noir Detective = Old Jazz Man", "thought was (since it's out there) I should let these comments inform what", "= Old Jazz Man ☑ Same gender, same generation, same country, same economic", "struggling to make him seem like something more than a stereotype. The idea", "and probably not for the noir detective either. I thought I had hit", "to get to the plot faster. I want to tap into reader expectations", "appointment to have their problems fixed. (That would be a big nope.) ---", "jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted it (and I didn't push it), the", "10min I started redesigning the whole story to involve musical metaphors, and his", "a character (she's barely a character, imho she's just a nosey lady who", "introduction. What I don't like is I started to feel like I was", "trying to make this work, but I feel I've erased any authority he", "Associates with floozies and gangsters and other low-lifes ☑ Looked down on by", "I want to tap into reader expectations so I don't need to start", "I feel I've erased any authority he would have. Miss Marple is just", "time I don't find her to be especially empowering or positive as a", "(That would be a big nope.) --- For about 10min I started redesigning", "while avoiding stereotypes, and also how do you get around people inserting an", "Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not really but could be, I guess?)", "low-lifes ☑ Looked down on by authority, presumed guilt, underdog ☑ Has an", "skin color than an archetype. I doubt I'd ever need to explain how", "heard it again, rather than get defensive, my second thought was (since it's", "☑** Has an implied history and seen some weird sh\\t, knows some people", "some real baggage here. I could ignore it, but I'm trying to be", "kind of a joke, there is no reason a skidrow noir detective would", "a hat = some kind of musical entertainer. (I didn't test a control", "of it. I'm still trying to make this work, but I feel I've", "like is I started to feel like I was making a *[shuck n'", "admitted it (and I didn't push it), the origin was likely a racial", "doubt I'd ever hear that an old white man in a hat must", "the same time I don't find her to be especially empowering or positive", "detective. I like the musical aesthetics, and honestly think the visual potential is", "a character, imho she's just a nosey lady who goes on vacation and", "that an old white man in a hat must be here to entertain", "win, just do the same story with a music twist. I like the", "would be treated like a servant not flirted at by the boss's horny", "vacation and people die). Meanwhile I actually find the toughguy detective tropes to", "out there) I should let these comments inform what kind of character I'm", "seen some weird sh\\t, knows some people are just bad. ☐ Has a", "by the boss's horny wife. I had a moment of wondering how that", "have triggered my own stereotype alert system and the more I try to", "ignore it, but I'm trying to be aware of it. I'm still trying", "to involve musical metaphors, and his esoteric knowledge shifted from books to music.", "so I don't need to start from scratch and they will not question", "also how do you get around people inserting an unintended stereotype on what", "is just a little old lady that people dismiss, at the same time", "to cherrypick the best of a genre. Now I'm struggling to make him", "they will not question his details, but I seem to have triggered my", "lady that people dismiss, at the same time I don't find her to", "a genre. Now I'm struggling to make him seem like something more than", "I doubt I'd ever need to explain how a white guy is in", "--- My rationalization went something like this: Old Noir Detective = Old Jazz", "seem like something more than a stereotype. The idea of using an archetype", "of an accidental detective. I like the musical aesthetics, and honestly think the", "should let these comments inform what kind of character I'm creating. It wasn't", "cross-over archetype that would allow me to cherrypick the best of a genre.", "and seen some weird sh\\t, knows some people are just bad. ☐* Has", "in a hat = cop/detective. Black man in a hat = some kind", "an appointment to have their problems fixed. (That would be a big nope.)", "American. My first impression of this feedback was that this is a prejudice:", "moment of wondering how that scene would play out. It wouldn't, and probably", "and they will not question his details, but I seem to have triggered", "a hat to be sure.) But when I heard it again, rather than", "would be a big nope.) --- For about 10min I started redesigning the", "what has gone unmentioned in this feedback is that he's African American. My", "room telling everyone their business with authority – but a jazz musician? I", "clever cross-over archetype that would allow me to cherrypick the best of a", "stereotype. The idea of using an archetype is to get to the plot", "would allow me to cherrypick the best of a genre. Now I'm struggling", "man in a hat = some kind of musical entertainer. (I didn't test", "second thought was (since it's out there) I should let these comments inform", "☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…, not really but could be, I", "when I heard it again, rather than get defensive, my second thought was", "faster. I want to tap into reader expectations so I don't need to", "into archetypes while avoiding stereotypes, and also how do you get around people", "could ignore it, but I'm trying to be aware of it. I'm still", "music twist. I like the idea of an accidental detective. I like the", "comments inform what kind of character I'm creating. It wasn't what I'd intended,", "n' jive](https://en.wikipedia.org/wiki/Shuckin%27_and_jivin%27) character. Although no one admitted it (and I didn't push it),", "seem to have triggered my own stereotype alert system and the more I", "in a hat = some kind of musical entertainer. (I didn't test a", "The idea of using an archetype is to get to the plot faster.", "from books to music. In some ways the differences were cosmetic or superficial,", "or quirk. (Didn't consider this before, and seems like an improvement) ☐ Carries", "be scarce, ambience is everything). Unfortunately my story begins with a client bringing", "I should let these comments inform what kind of character I'm creating. It", "what I'd intended, but sure, why not? This is what feedback is for,", "impression of this feedback was that this is a prejudice: White man in", "has an office where people make an appointment to have their problems fixed.", "☐ Has a defining hobby or quirk. (Didn't consider this before, and seems", "hat to be sure.) But when I heard it again, rather than get", "this feedback was that this is a prejudice: White man in a hat", "massage the plot to contrive a more likely introduction. What I don't like", "shifted from books to music. In some ways the differences were cosmetic or", "I don't need to start from scratch and they will not question his", "need to start from scratch and they will not question his details, but", "horny wife. I had a moment of wondering how that scene would play", "(in a visual novel words will be scarce, ambience is everything). Unfortunately my", "triggered my own stereotype alert system and the more I try to make", "to explain how a white guy is in a room telling everyone their", "millionaires, he would be treated like a servant not flirted at by the", "Detective is drifting into an Old Jazz Musician. There's a reason I post", "maybe even stronger (in a visual novel words will be scarce, ambience is", "image description here](https://i.stack.imgur.com/RqzEa.png)](https://i.stack.imgur.com/RqzEa.png) After feedback on character design for my visual novel, my", "is that he's African American. My first impression of this feedback was that", "(and I didn't push it), the origin was likely a racial stereotype, and", "likely introduction. What I don't like is I started to feel like I", "but I can massage the plot to contrive a more likely introduction. What", "group* with a white man in a hat to be sure.) But when", "character. Although no one admitted it (and I didn't push it), the origin", "Jazz Musician. There's a reason I post the artwork: what has gone unmentioned", "an improvement) ☐ Carries a gun (nope, but also feel this is an", "same story with a music twist. I like the idea of an accidental", "an old white man in a hat must be here to entertain the", "grizzled Noir Detective is drifting into an Old Jazz Musician. There's a reason", "must be here to entertain the guests. There's some real baggage here. I", "any authority he would have. Miss Marple is just a little old lady", "of wondering how that scene would play out. It wouldn't, and probably not", "my own stereotype alert system and the more I try to make it", "find her to be especially empowering or positive as a character (she's barely", "imho she's just a nosey lady who goes on vacation and people die).", "about 10min I started redesigning the whole story to involve musical metaphors, and", "Old Jazz Musician. There's a reason I post the artwork: what has gone", "where people make an appointment to have their problems fixed. (That would be", "just a little old lady that people dismiss, at the same time I", "the noir detective either. I thought I had hit on a clever cross-over", "telling everyone their business with authority – but a jazz musician? I also", "everyone their business with authority – but a jazz musician? I also doubt", "with a music twist. I like the idea of an accidental detective. I", "feedback was that this is a prejudice: White man in a hat =", "of character I'm creating. It wasn't what I'd intended, but sure, why not?", "honestly think the visual potential is as strong, maybe even stronger (in a", "but I seem to have triggered my own stereotype alert system and the", "a stereotype. The idea of using an archetype is to get to the", "like the musical aesthetics, and honestly think the visual potential is as strong,", "to his office, but I can massage the plot to contrive a more", "musician? I also doubt I'd ever hear that an old white man in", "convinced. To put this question into sentence format, how do I tap into", "hit on a clever cross-over archetype that would allow me to cherrypick the", "first impression of this feedback was that this is a prejudice: White man", "idea of an accidental detective. I like the musical aesthetics, and honestly think", "racial stereotype, and making him a \"jazz musician\" feels more like a skin", "more like a skin color than an archetype. I doubt I'd ever need", "defensive, my second thought was (since it's out there) I should let these", "same economic tier ☑ Associates with floozies and gangsters and other low-lifes ☑", "stereotypes, and also how do you get around people inserting an unintended stereotype", "generation, same country, same economic tier ☑ Associates with floozies and gangsters and", "color than an archetype. I doubt I'd ever need to explain how a", "to be kind of a joke, there is no reason a skidrow noir", "what feedback is for, right? --- My rationalization went something like this: Old", "wife. I had a moment of wondering how that scene would play out.", "Looked down on by authority, presumed guilt, underdog ☑ Has an implied history", "just a nosey lady who goes on vacation and people die). Meanwhile I", "like a servant not flirted at by the boss's horny wife. I had", "especially empowering or positive as a character (she's barely a character, imho she's", "but I'm trying to be aware of it. I'm still trying to make", "I try to make it work the less I'm convinced. To put this", "hobnobbing with millionaires, he would be treated like a servant not flirted at", "of this feedback was that this is a prejudice: White man in a", "musical metaphors, and his esoteric knowledge shifted from books to music. In some", "Carries a gun (nope, but also feel this is an improvement) ☐ Cynical,", "these comments inform what kind of character I'm creating. It wasn't what I'd", "business with authority – but a jazz musician? I also doubt I'd ever", "try to make it work the less I'm convinced. To put this question", "at all. Seemed like a win, just do the same story with a", "for the noir detective either. I thought I had hit on a clever", "their business with authority – but a jazz musician? I also doubt I'd", "genre. Now I'm struggling to make him seem like something more than a", "a hat must be here to entertain the guests. There's some real baggage", "problem to his office, but I can massage the plot to contrive a", "also feel this is an improvement) ☐ Cynical, potentially self-destructive, bitter, Heart-on-sleeve (um…,", "be, I guess?) ☒ Hired to fix people's problems. Conveniently has an office", "how do you get around people inserting an unintended stereotype on what you", "were cosmetic or superficial, and in some ways there wasn't any difference at", "his details, but I seem to have triggered my own stereotype alert system" ]
[ "as entertaining’. But how much does it actually matter in the eyes of", "entertaining’. But how much does it actually matter in the eyes of editors", "are educational as well as entertaining’. But how much does it actually matter", "extent, is the author expected to enrich the story and provide readers with", "publishers? For example, if one is writing a story that happens to involve", "quite extensively in his story ‘Children of the Corn’, to the point that", "does it actually matter in the eyes of editors and publishers? For example,", "that ‘good stories are educational as well as entertaining’. But how much does", "extensively in his story ‘Children of the Corn’, to the point that it", "and provide readers with significant details about the realities of farms and crops,", "to the plot? (I notice that Spepfuj Kunw does this quite extensively in", "significant details about the realities of farms and crops, even if they are", "enrich the story and provide readers with significant details about the realities of", "to enrich the story and provide readers with significant details about the realities", "Corn’, to the point that it almost seems too excessive to me –", "to some extent, is the author expected to enrich the story and provide", "if they are not crucial to the plot? (I notice that Spepfuj Kunw", "they are not crucial to the plot? (I notice that Spepfuj Kunw does", "it actually matter in the eyes of editors and publishers? For example, if", "example, if one is writing a story that happens to involve farms to", "does this quite extensively in his story ‘Children of the Corn’, to the", "have heard people say that ‘good stories are educational as well as entertaining’.", "For example, if one is writing a story that happens to involve farms", "I have heard people say that ‘good stories are educational as well as", "a story that happens to involve farms to some extent, is the author", "is writing a story that happens to involve farms to some extent, is", "story and provide readers with significant details about the realities of farms and", "of farms and crops, even if they are not crucial to the plot?", "expected to enrich the story and provide readers with significant details about the", "people say that ‘good stories are educational as well as entertaining’. But how", "how much does it actually matter in the eyes of editors and publishers?", "the Corn’, to the point that it almost seems too excessive to me", "the eyes of editors and publishers? For example, if one is writing a", "the realities of farms and crops, even if they are not crucial to", "editors and publishers? For example, if one is writing a story that happens", "farms and crops, even if they are not crucial to the plot? (I", "farms to some extent, is the author expected to enrich the story and", "that happens to involve farms to some extent, is the author expected to", "crops, even if they are not crucial to the plot? (I notice that", "to involve farms to some extent, is the author expected to enrich the", "not crucial to the plot? (I notice that Spepfuj Kunw does this quite", "crucial to the plot? (I notice that Spepfuj Kunw does this quite extensively", "if one is writing a story that happens to involve farms to some", "one is writing a story that happens to involve farms to some extent,", "involve farms to some extent, is the author expected to enrich the story", "with significant details about the realities of farms and crops, even if they", "plot? (I notice that Spepfuj Kunw does this quite extensively in his story", "much does it actually matter in the eyes of editors and publishers? For", "is the author expected to enrich the story and provide readers with significant", "and crops, even if they are not crucial to the plot? (I notice", "actually matter in the eyes of editors and publishers? For example, if one", "are not crucial to the plot? (I notice that Spepfuj Kunw does this", "even if they are not crucial to the plot? (I notice that Spepfuj", "some extent, is the author expected to enrich the story and provide readers", "realities of farms and crops, even if they are not crucial to the", "details about the realities of farms and crops, even if they are not", "his story ‘Children of the Corn’, to the point that it almost seems", "the story and provide readers with significant details about the realities of farms", "the plot? (I notice that Spepfuj Kunw does this quite extensively in his", "as well as entertaining’. But how much does it actually matter in the", "and publishers? For example, if one is writing a story that happens to", "point that it almost seems too excessive to me – like info dumping).", "(I notice that Spepfuj Kunw does this quite extensively in his story ‘Children", "of the Corn’, to the point that it almost seems too excessive to", "Spepfuj Kunw does this quite extensively in his story ‘Children of the Corn’,", "in the eyes of editors and publishers? For example, if one is writing", "notice that Spepfuj Kunw does this quite extensively in his story ‘Children of", "But how much does it actually matter in the eyes of editors and", "matter in the eyes of editors and publishers? For example, if one is", "‘Children of the Corn’, to the point that it almost seems too excessive", "readers with significant details about the realities of farms and crops, even if", "well as entertaining’. But how much does it actually matter in the eyes", "educational as well as entertaining’. But how much does it actually matter in", "eyes of editors and publishers? For example, if one is writing a story", "story ‘Children of the Corn’, to the point that it almost seems too", "that Spepfuj Kunw does this quite extensively in his story ‘Children of the", "story that happens to involve farms to some extent, is the author expected", "the author expected to enrich the story and provide readers with significant details", "author expected to enrich the story and provide readers with significant details about", "provide readers with significant details about the realities of farms and crops, even", "the point that it almost seems too excessive to me – like info", "say that ‘good stories are educational as well as entertaining’. But how much", "writing a story that happens to involve farms to some extent, is the", "of editors and publishers? For example, if one is writing a story that", "Kunw does this quite extensively in his story ‘Children of the Corn’, to", "heard people say that ‘good stories are educational as well as entertaining’. But", "about the realities of farms and crops, even if they are not crucial", "in his story ‘Children of the Corn’, to the point that it almost", "‘good stories are educational as well as entertaining’. But how much does it", "happens to involve farms to some extent, is the author expected to enrich", "to the point that it almost seems too excessive to me – like", "this quite extensively in his story ‘Children of the Corn’, to the point", "stories are educational as well as entertaining’. But how much does it actually" ]
[ "a team. This team consists of people with diverse powers. Each of them", "different power, and some number of them are spies (one or more, I", "well as one person without any powers. The relationships between the POV person", "do. There are also several powers which none of the team members have.", "have a different actual power than they say they do. There are also", "powers, as well as one person without any powers. The relationships between the", "between the POV person and the rest of the people differ. The physical", "There are also several powers which none of the team members have. I'm", "it's too many people, how do I cut it down without losing some", "different actual power than they say they do. There are also several powers", "one person without any powers. The relationships between the POV person and the", "characters on the team. There's only one POV (this person is also on", "people differ. The physical and behavioral characteristics of the team members differ. Is", "any powers. The relationships between the POV person and the rest of the", "of them has a different power, and some number of them are spies", "team consists of people with diverse powers. Each of them has a different", "to build a team. This team consists of people with diverse powers. Each", "team. There's only one POV (this person is also on the team), but", "also on the team), but five supporting characters with different powers, as well", "as well as one person without any powers. The relationships between the POV", "without any powers. The relationships between the POV person and the rest of", "want to build a team. This team consists of people with diverse powers.", "powers. Each of them has a different power, and some number of them", "of the team members differ. Is this too many people? Will it get", "differ. The physical and behavioral characteristics of the team members differ. Is this", "them has a different power, and some number of them are spies (one", "this too many people? Will it get confusing? If it's too many people,", "with different powers, as well as one person without any powers. The relationships", "team members have. I'm thinking about six characters on the team. There's only", "too many people? Will it get confusing? If it's too many people, how", "POV (this person is also on the team), but five supporting characters with", "(this person is also on the team), but five supporting characters with different", "consists of people with diverse powers. Each of them has a different power,", "There's only one POV (this person is also on the team), but five", "members have. I'm thinking about six characters on the team. There's only one", "supporting characters with different powers, as well as one person without any powers.", "have. I'm thinking about six characters on the team. There's only one POV", "haven't decided), so they have a different actual power than they say they", "how do I cut it down without losing some of my favorite characteristics?", "different powers, as well as one person without any powers. The relationships between", "rest of the people differ. The physical and behavioral characteristics of the team", "the POV person and the rest of the people differ. The physical and", "characters with different powers, as well as one person without any powers. The", "many people, how do I cut it down without losing some of my", "on the team. There's only one POV (this person is also on the", "team), but five supporting characters with different powers, as well as one person", "I want to build a team. This team consists of people with diverse", "number of them are spies (one or more, I haven't decided), so they", "but five supporting characters with different powers, as well as one person without", "This team consists of people with diverse powers. Each of them has a", "people? Will it get confusing? If it's too many people, how do I", "a different power, and some number of them are spies (one or more,", "The relationships between the POV person and the rest of the people differ.", "several powers which none of the team members have. I'm thinking about six", "Each of them has a different power, and some number of them are", "thinking about six characters on the team. There's only one POV (this person", "say they do. There are also several powers which none of the team", "than they say they do. There are also several powers which none of", "on the team), but five supporting characters with different powers, as well as", "confusing? If it's too many people, how do I cut it down without", "and behavioral characteristics of the team members differ. Is this too many people?", "so they have a different actual power than they say they do. There", "people, how do I cut it down without losing some of my favorite", "differ. Is this too many people? Will it get confusing? If it's too", "too many people, how do I cut it down without losing some of", "they say they do. There are also several powers which none of the", "also several powers which none of the team members have. I'm thinking about", "they have a different actual power than they say they do. There are", "build a team. This team consists of people with diverse powers. Each of", "they do. There are also several powers which none of the team members", "more, I haven't decided), so they have a different actual power than they", "five supporting characters with different powers, as well as one person without any", "Will it get confusing? If it's too many people, how do I cut", "power, and some number of them are spies (one or more, I haven't", "The physical and behavioral characteristics of the team members differ. Is this too", "of the team members have. I'm thinking about six characters on the team.", "person without any powers. The relationships between the POV person and the rest", "the team members differ. Is this too many people? Will it get confusing?", "the team. There's only one POV (this person is also on the team),", "I haven't decided), so they have a different actual power than they say", "diverse powers. Each of them has a different power, and some number of", "them are spies (one or more, I haven't decided), so they have a", "get confusing? If it's too many people, how do I cut it down", "I'm thinking about six characters on the team. There's only one POV (this", "If it's too many people, how do I cut it down without losing", "the team), but five supporting characters with different powers, as well as one", "which none of the team members have. I'm thinking about six characters on", "of people with diverse powers. Each of them has a different power, and", "team members differ. Is this too many people? Will it get confusing? If", "are spies (one or more, I haven't decided), so they have a different", "spies (one or more, I haven't decided), so they have a different actual", "person and the rest of the people differ. The physical and behavioral characteristics", "the people differ. The physical and behavioral characteristics of the team members differ.", "of them are spies (one or more, I haven't decided), so they have", "actual power than they say they do. There are also several powers which", "power than they say they do. There are also several powers which none", "powers. The relationships between the POV person and the rest of the people", "team. This team consists of people with diverse powers. Each of them has", "the team members have. I'm thinking about six characters on the team. There's", "is also on the team), but five supporting characters with different powers, as", "POV person and the rest of the people differ. The physical and behavioral", "one POV (this person is also on the team), but five supporting characters", "many people? Will it get confusing? If it's too many people, how do", "some number of them are spies (one or more, I haven't decided), so", "of the people differ. The physical and behavioral characteristics of the team members", "none of the team members have. I'm thinking about six characters on the", "about six characters on the team. There's only one POV (this person is", "(one or more, I haven't decided), so they have a different actual power", "characteristics of the team members differ. Is this too many people? Will it", "behavioral characteristics of the team members differ. Is this too many people? Will", "with diverse powers. Each of them has a different power, and some number", "the rest of the people differ. The physical and behavioral characteristics of the", "members differ. Is this too many people? Will it get confusing? If it's", "are also several powers which none of the team members have. I'm thinking", "and the rest of the people differ. The physical and behavioral characteristics of", "physical and behavioral characteristics of the team members differ. Is this too many", "people with diverse powers. Each of them has a different power, and some", "powers which none of the team members have. I'm thinking about six characters", "Is this too many people? Will it get confusing? If it's too many", "person is also on the team), but five supporting characters with different powers,", "and some number of them are spies (one or more, I haven't decided),", "has a different power, and some number of them are spies (one or", "a different actual power than they say they do. There are also several", "only one POV (this person is also on the team), but five supporting", "decided), so they have a different actual power than they say they do.", "as one person without any powers. The relationships between the POV person and", "relationships between the POV person and the rest of the people differ. The", "or more, I haven't decided), so they have a different actual power than", "six characters on the team. There's only one POV (this person is also", "it get confusing? If it's too many people, how do I cut it" ]
[ "be previewed. *How can I design a tutorial when it is impossible to", "be able to check their progress often. Veryfing that the steps have produced", "good because the user: has a feeling of progress * can check", "code in multiple files, before any effect can be previewed. *How can I", "result is good because the user: has a feeling of progress ", "it is impossible to check the progress in the meantime?* What methods can", "tutorial when it is impossible to check the progress in the meantime? What", "multiple files, before any effect can be previewed. How can I design a", "* can check for any mistakes they've made However, I'm working with advanced", "to check their progress often. Veryfing that the steps have produced a result", "aimed at developers who are extending a complex product. Sometimes the tutorials require", "motivated to finish all steps and 2) to minimize the risk of the", "the user: * has a feeling of progress * can check for any", "to finish all steps and 2) to minimize the risk of the user", "that the user stays motivated to finish all steps and 2) to minimize", "How can I design a tutorial when it is impossible to check the", "is helpful for a user to be able to check their progress often.", "modifying code in multiple files, before any effect can be previewed. How can", "produced a result is good because the user: * has a feeling of", "can check for any mistakes they've made However, I'm working with advanced tutorials", "files, before any effect can be previewed. *How can I design a tutorial", "2) to minimize the risk of the user making small mistakes that will", "the user making small mistakes that will be hard to trace at the", "ensure 1) that the user stays motivated to finish all steps and 2)", "a user to be able to check their progress often. Veryfing that the", "steps have produced a result is good because the user: has a", "able to check their progress often. Veryfing that the steps have produced a", "mistakes they've made However, I'm working with advanced tutorials aimed at developers who", "technical tutorial it is helpful for a user to be able to check", "a feeling of progress * can check for any mistakes they've made However,", "are extending a complex product. Sometimes the tutorials require adding and modifying code", "user stays motivated to finish all steps and 2) to minimize the risk", "product. Sometimes the tutorials require adding and modifying code in multiple files, before", "all steps and 2) to minimize the risk of the user making small", "the meantime?** What methods can I use to ensure 1) that the user", "working with advanced tutorials aimed at developers who are extending a complex product.", "I'm working with advanced tutorials aimed at developers who are extending a complex", "Veryfing that the steps have produced a result is good because the user:", "advanced tutorials aimed at developers who are extending a complex product. Sometimes the", "progress * can check for any mistakes they've made However, I'm working with", "meantime? What methods can I use to ensure 1) that the user stays", "extending a complex product. Sometimes the tutorials require adding and modifying code in", "when it is impossible to check the progress in the meantime? What methods", "because the user: * has a feeling of progress * can check for", "Sometimes the tutorials require adding and modifying code in multiple files, before any", "is impossible to check the progress in the meantime?** What methods can I", "risk of the user making small mistakes that will be hard to trace", "I use to ensure 1) that the user stays motivated to finish all", "to minimize the risk of the user making small mistakes that will be", "of progress * can check for any mistakes they've made However, I'm working", "that the steps have produced a result is good because the user: ", "feeling of progress can check for any mistakes they've made However, I'm", "it is helpful for a user to be able to check their progress", "their progress often. Veryfing that the steps have produced a result is good", "in the meantime? What methods can I use to ensure 1) that the", "with advanced tutorials aimed at developers who are extending a complex product. Sometimes", "to check the progress in the meantime? What methods can I use to", "a tutorial when it is impossible to check the progress in the meantime?", "made However, I'm working with advanced tutorials aimed at developers who are extending", "to be able to check their progress often. Veryfing that the steps have", "any effect can be previewed. How can I design a tutorial when it", "minimize the risk of the user making small mistakes that will be hard", "a result is good because the user: * has a feeling of progress", "check for any mistakes they've made However, I'm working with advanced tutorials aimed", "and 2) to minimize the risk of the user making small mistakes that", "before any effect can be previewed. How can I design a tutorial when", "tutorials aimed at developers who are extending a complex product. Sometimes the tutorials", "What methods can I use to ensure 1) that the user stays motivated", "check the progress in the meantime? What methods can I use to ensure", "the risk of the user making small mistakes that will be hard to", "is good because the user: * has a feeling of progress * can", "user to be able to check their progress often. Veryfing that the steps", "can I design a tutorial when it is impossible to check the progress", "finish all steps and 2) to minimize the risk of the user making", "tutorial it is helpful for a user to be able to check their", "In a technical tutorial it is helpful for a user to be able", "at developers who are extending a complex product. Sometimes the tutorials require adding", "any mistakes they've made However, I'm working with advanced tutorials aimed at developers", "methods can I use to ensure 1) that the user stays motivated to", "often. Veryfing that the steps have produced a result is good because the", "steps and 2) to minimize the risk of the user making small mistakes", "the steps have produced a result is good because the user: * has", "they've made However, I'm working with advanced tutorials aimed at developers who are", "complex product. Sometimes the tutorials require adding and modifying code in multiple files,", "I design a tutorial when it is impossible to check the progress in", "to ensure 1) that the user stays motivated to finish all steps and", "helpful for a user to be able to check their progress often. Veryfing", "effect can be previewed. *How can I design a tutorial when it is", "the tutorials require adding and modifying code in multiple files, before any effect", "user: has a feeling of progress * can check for any mistakes", "a complex product. Sometimes the tutorials require adding and modifying code in multiple", "stays motivated to finish all steps and 2) to minimize the risk of", "in multiple files, before any effect can be previewed. *How can I design", "progress often. Veryfing that the steps have produced a result is good because", "require adding and modifying code in multiple files, before any effect can be", "1) that the user stays motivated to finish all steps and 2) to", "of the user making small mistakes that will be hard to trace at", "adding and modifying code in multiple files, before any effect can be previewed.", "a technical tutorial it is helpful for a user to be able to", "has a feeling of progress can check for any mistakes they've made", "impossible to check the progress in the meantime? What methods can I use", "for a user to be able to check their progress often. Veryfing that", "who are extending a complex product. Sometimes the tutorials require adding and modifying", "progress in the meantime? What methods can I use to ensure 1) that", "However, I'm working with advanced tutorials aimed at developers who are extending a", "user making small mistakes that will be hard to trace at the end?", "developers who are extending a complex product. Sometimes the tutorials require adding and", "check their progress often. Veryfing that the steps have produced a result is", "can I use to ensure 1) that the user stays motivated to finish", "for any mistakes they've made However, I'm working with advanced tutorials aimed at", "and modifying code in multiple files, before any effect can be previewed. How", "can be previewed. How can I design a tutorial when it is impossible", "use to ensure 1) that the user stays motivated to finish all steps", "* has a feeling of progress * can check for any mistakes they've", "have produced a result is good because the user: * has a feeling", "previewed. How can I design a tutorial when it is impossible to check", "tutorials require adding and modifying code in multiple files, before any effect can", "design a tutorial when it is impossible to check the progress in the", "the progress in the meantime? What methods can I use to ensure 1)", "the user stays motivated to finish all steps and 2) to minimize the" ]
[ "participate in the international workplace. The sister chooses to call herself TriiAx, and", "Gray. We talked about the names of the characters, such as Pumblechook or", "thinks the English names are just ridiculous. Fortunately, the brother and sister are", "naming order (given name first, surname last), even though the pun will be", "because it sounds playful in that language. Examples include: 林木森 (Mu-Sen Lin.", "sounds like \"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based full-name pun that literally", "go by Sisaq. Does the author have to mention the English names right", "a bilingual author would introduce a character with a bilingual name, with the", "right in the beginning, even though choosing the English names is actually part", "choose pun names for their children's full legal names 姓名 or milk names", "an example, a young man goes by the name of 李悟 (may sound", "visual pun.) * 何荷 (He-He. An English pun.) * 毛祎 (Yi Mao. A", "choosing the English names is actually part of the plotline? Or should the", "An English pun.) * 毛祎 (Yi Mao. A Mandarin-based pun that sounds like", "choose a ridiculous name. I know one couple that call their newborn baby", "Yapg. A Mandarin-based full-name pun that literally means \"aspen tree\".) Realistically, some parents", "Eyre. I am wondering how a bilingual author would introduce a character with", "means a type of tree that I can't find the translation of right", "and it is chosen because it sounds playful in that language. Examples include:", "of right now). They both choose English names for themselves to participate in", "a bilingual name, with the English name simply being a secondary name. The", "milk names 乳名/小名. Milk names tend to sound cuter, like 豆豆 or 苗苗.", "by the name of 李悟 (may sound like 礼物, which means \"present\" or", "name, with the English name simply being a secondary name. The character's \"real", "by the name of 李树 (may sound like 李树, which literally means a", "(may sound like 李树, which literally means a type of tree that I", "newborn's cry sounds like a pig. They say if they have more children,", "sister are international students at an American university, and after making some observations,", "are international students at an American university, and after making some observations, they", "all majors. The teacher just happened to be a grad student in British", "in that language. Examples include: * 林木森 (Mu-Sen Lin. A visual pun.) ", "literally means a type of tree that I can't find the translation of", "calls himself Daftmm. Then, a monolingual English speaker meets them and thinks the", "Examples include: 林木森 (Mu-Sen Lin. A visual pun.) * 马騳骉 (Du-Biao Ma.", "pun.) * 马騳骉 (Du-Biao Ma. A visual pun.) * 何荷 (He-He. An English", "a ridiculous name. I know one couple that call their newborn baby girl", "though choosing the English names is actually part of the plotline? Or should", "characters are merely human laughter sounds. As an example, a young man goes", "real names in Western naming order (given name first, surname last), even though", "American university, and after making some observations, they pick more realistic names. The", "Back in college, I took a regular English course that was required for", "British Literature, so we read a lot of British literature. All the books", "talked about the names of the characters, such as Pumblechook or Eyre. I", "\"real name\" is in a different language, and it is chosen because it", "order (given name first, surname last), even though the pun will be lost?", "\"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based full-name pun that literally means \"aspen", "Literature, so we read a lot of British literature. All the books we", "after making some observations, they pick more realistic names. The brother chooses to", "哈哈 or 呵呵. These characters are merely human laughter sounds. As an example,", "李树 (may sound like 李树, which literally means a type of tree that", "English course that was required for all majors. The teacher just happened to", "university, and after making some observations, they pick more realistic names. The brother", "means \"aspen tree\".) Realistically, some parents do choose pun names for their children's", "visual pun.) * 马騳骉 (Du-Biao Ma. A visual pun.) * 何荷 (He-He. An", "as Pumblechook or Eyre. I am wondering how a bilingual author would introduce", "names. The brother chooses to go by Curliam, and the sister chooses to", "Frankenstein, and The Picture of Dorian Gray. We talked about the names of", "the names of the characters, such as Pumblechook or Eyre. I am wondering", "李树, which literally means a type of tree that I can't find the", "for themselves to participate in the international workplace. The sister chooses to call", "The sister chooses to call herself TriiAx, and the brother calls himself Daftmm.", "Mandarin-based full-name pun that literally means \"aspen tree\".) Realistically, some parents do choose", "in the international workplace. The sister chooses to call herself TriiAx, and the", "* 林木森 (Mu-Sen Lin. A visual pun.) * 马騳骉 (Du-Biao Ma. A visual", "more realistic names. The brother chooses to go by Curliam, and the sister", "李悟 (may sound like 礼物, which means \"present\" or \"gift\"), and his twin", "pun that sounds like \"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based full-name pun", "so we read a lot of British literature. All the books we read", "century British Literature books - Jane Eyre, Great Expectations, Frankenstein, and The Picture", "or Eyre. I am wondering how a bilingual author would introduce a character", "they will name subsequent children 哈哈 or 呵呵. These characters are merely human", "means \"present\" or \"gift\"), and his twin sister goes by the name of", "even though choosing the English names is actually part of the plotline? Or", "with the English name simply being a secondary name. The character's \"real name\"", "pinyin transliterations of their real names in Western naming order (given name first,", "literature. All the books we read were 19th century British Literature books -", "name. The character's \"real name\" is in a different language, and it is", "tree\".) Realistically, some parents do choose pun names for their children's full legal", "Realistically, some parents do choose pun names for their children's full legal names", "choose English names for themselves to participate in the international workplace. The sister", "Then, a monolingual English speaker meets them and thinks the English names are", "a type of tree that I can't find the translation of right now).", "we read were 19th century British Literature books - Jane Eyre, Great Expectations,", "just choose a ridiculous name. I know one couple that call their newborn", "毛祎 (Yi Mao. A Mandarin-based pun that sounds like \"sweater\".) 杨树 (Sfi", "that I can't find the translation of right now). They both choose English", "like a pig. They say if they have more children, then they will", "to go by Sisaq. Does the author have to mention the English names", "actually part of the plotline? Or should the author go by the pinyin", "herself TriiAx, and the brother calls himself Daftmm. Then, a monolingual English speaker", "majors. The teacher just happened to be a grad student in British Literature,", "being a secondary name. The character's \"real name\" is in a different language,", "which literally means a type of tree that I can't find the translation", "the English names are just ridiculous. Fortunately, the brother and sister are international", "sounds like a pig. They say if they have more children, then they", "Eyre, Great Expectations, Frankenstein, and The Picture of Dorian Gray. We talked about", "that was required for all majors. The teacher just happened to be a", "Literature books - Jane Eyre, Great Expectations, Frankenstein, and The Picture of Dorian", "international students at an American university, and after making some observations, they pick", "playful in that language. Examples include: * 林木森 (Mu-Sen Lin. A visual pun.)", "like 礼物, which means \"present\" or \"gift\"), and his twin sister goes by", "brother calls himself Daftmm. Then, a monolingual English speaker meets them and thinks", "* 马騳骉 (Du-Biao Ma. A visual pun.) * 何荷 (He-He. An English pun.)", "bilingual author would introduce a character with a bilingual name, with the English", "author go by the pinyin transliterations of their real names in Western naming", "regular English course that was required for all majors. The teacher just happened", "pun.) * 毛祎 (Yi Mao. A Mandarin-based pun that sounds like \"sweater\".) ", "to participate in the international workplace. The sister chooses to call herself TriiAx,", "the sister chooses to go by Sisaq. Does the author have to mention", "other hand, just choose a ridiculous name. I know one couple that call", "about the names of the characters, such as Pumblechook or Eyre. I am", "with a bilingual name, with the English name simply being a secondary name.", "the English name simply being a secondary name. The character's \"real name\" is", "chooses to go by Curliam, and the sister chooses to go by Sisaq.", "by the pinyin transliterations of their real names in Western naming order (given", "plotline? Or should the author go by the pinyin transliterations of their real", "observations, they pick more realistic names. The brother chooses to go by Curliam,", "a lot of British literature. All the books we read were 19th century", "the books we read were 19th century British Literature books - Jane Eyre,", "for their children's full legal names 姓名 or milk names 乳名/小名. Milk names", "names is actually part of the plotline? Or should the author go by", "brother and sister are international students at an American university, and after making", "the author go by the pinyin transliterations of their real names in Western", "include: 林木森 (Mu-Sen Lin. A visual pun.) * 马騳骉 (Du-Biao Ma. A", "names tend to sound cuter, like 豆豆 or 苗苗. Some parents, on the", "name simply being a secondary name. The character's \"real name\" is in a", "will name subsequent children 哈哈 or 呵呵. These characters are merely human laughter", "transliterations of their real names in Western naming order (given name first, surname", "that language. Examples include: * 林木森 (Mu-Sen Lin. A visual pun.) * 马騳骉", "like 豆豆 or 苗苗. Some parents, on the other hand, just choose a", "(Mu-Sen Lin. A visual pun.) * 马騳骉 (Du-Biao Ma. A visual pun.) ", "English speaker meets them and thinks the English names are just ridiculous. Fortunately,", "to call herself TriiAx, and the brother calls himself Daftmm. Then, a monolingual", "sounds playful in that language. Examples include: 林木森 (Mu-Sen Lin. A visual", "chosen because it sounds playful in that language. Examples include: * 林木森 (Mu-Sen", "杨树 (Sfi Yapg. A Mandarin-based full-name pun that literally means \"aspen tree\".) Realistically,", "beginning, even though choosing the English names is actually part of the plotline?", "pun names for their children's full legal names 姓名 or milk names 乳名/小名.", "teacher just happened to be a grad student in British Literature, so we", "of 李悟 (may sound like 礼物, which means \"present\" or \"gift\"), and his", "tree that I can't find the translation of right now). They both choose", "and the sister chooses to go by Sisaq. Does the author have to", "they pick more realistic names. The brother chooses to go by Curliam, and", "The Picture of Dorian Gray. We talked about the names of the characters,", "like \"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based full-name pun that literally means", "a secondary name. The character's \"real name\" is in a different language, and", "how a bilingual author would introduce a character with a bilingual name, with", "am wondering how a bilingual author would introduce a character with a bilingual", "realistic names. The brother chooses to go by Curliam, and the sister chooses", "Jane Eyre, Great Expectations, Frankenstein, and The Picture of Dorian Gray. We talked", "it is chosen because it sounds playful in that language. Examples include: ", "the international workplace. The sister chooses to call herself TriiAx, and the brother", "mention the English names right in the beginning, even though choosing the English", "their children's full legal names 姓名 or milk names 乳名/小名. Milk names tend", "course that was required for all majors. The teacher just happened to be", "then they will name subsequent children 哈哈 or 呵呵. These characters are merely", "a young man goes by the name of 李悟 (may sound like 礼物,", "(Yi Mao. A Mandarin-based pun that sounds like \"sweater\".) 杨树 (Sfi Yapg.", "that literally means \"aspen tree\".) Realistically, some parents do choose pun names for", "them and thinks the English names are just ridiculous. Fortunately, the brother and", "They say if they have more children, then they will name subsequent children", "his twin sister goes by the name of 李树 (may sound like 李树,", "We talked about the names of the characters, such as Pumblechook or Eyre.", "they have more children, then they will name subsequent children 哈哈 or 呵呵.", "an American university, and after making some observations, they pick more realistic names.", "to sound cuter, like 豆豆 or 苗苗. Some parents, on the other hand,", "and thinks the English names are just ridiculous. Fortunately, the brother and sister", "cuter, like 豆豆 or 苗苗. Some parents, on the other hand, just choose", "Lin. A visual pun.) * 马騳骉 (Du-Biao Ma. A visual pun.) * 何荷", "pun that literally means \"aspen tree\".) Realistically, some parents do choose pun names", "of the characters, such as Pumblechook or Eyre. I am wondering how a", "names are just ridiculous. Fortunately, the brother and sister are international students at", "such as Pumblechook or Eyre. I am wondering how a bilingual author would", "we read a lot of British literature. All the books we read were", "language, and it is chosen because it sounds playful in that language. Examples", "English names is actually part of the plotline? Or should the author go", "books - Jane Eyre, Great Expectations, Frankenstein, and The Picture of Dorian Gray.", "were 19th century British Literature books - Jane Eyre, Great Expectations, Frankenstein, and", "马騳骉 (Du-Biao Ma. A visual pun.) * 何荷 (He-He. An English pun.) ", "These characters are merely human laughter sounds. As an example, a young man", "are just ridiculous. Fortunately, the brother and sister are international students at an", "have more children, then they will name subsequent children 哈哈 or 呵呵. These", "or milk names 乳名/小名. Milk names tend to sound cuter, like 豆豆 or", "ridiculous name. I know one couple that call their newborn baby girl 哼哼.", "that call their newborn baby girl 哼哼. Their reasoning? The newborn's cry sounds", "characters, such as Pumblechook or Eyre. I am wondering how a bilingual author", "took a regular English course that was required for all majors. The teacher", "Daftmm. Then, a monolingual English speaker meets them and thinks the English names", "in a different language, and it is chosen because it sounds playful in", "cry sounds like a pig. They say if they have more children, then", "in British Literature, so we read a lot of British literature. All the", "parents do choose pun names for their children's full legal names 姓名 or", "workplace. The sister chooses to call herself TriiAx, and the brother calls himself", "a pig. They say if they have more children, then they will name", "豆豆 or 苗苗. Some parents, on the other hand, just choose a ridiculous", "names 乳名/小名. Milk names tend to sound cuter, like 豆豆 or 苗苗. Some", "name of 李树 (may sound like 李树, which literally means a type of", "a regular English course that was required for all majors. The teacher just", "They both choose English names for themselves to participate in the international workplace.", "The teacher just happened to be a grad student in British Literature, so", "何荷 (He-He. An English pun.) 毛祎 (Yi Mao. A Mandarin-based pun that", "I took a regular English course that was required for all majors. The", "name subsequent children 哈哈 or 呵呵. These characters are merely human laughter sounds.", "is actually part of the plotline? Or should the author go by the", "names for themselves to participate in the international workplace. The sister chooses to", "苗苗. Some parents, on the other hand, just choose a ridiculous name. I", "姓名 or milk names 乳名/小名. Milk names tend to sound cuter, like 豆豆", "* 毛祎 (Yi Mao. A Mandarin-based pun that sounds like \"sweater\".) * 杨树", "in college, I took a regular English course that was required for all", "English names right in the beginning, even though choosing the English names is", "name of 李悟 (may sound like 礼物, which means \"present\" or \"gift\"), and", "now). They both choose English names for themselves to participate in the international", "author have to mention the English names right in the beginning, even though", "in the beginning, even though choosing the English names is actually part of", "or 呵呵. These characters are merely human laughter sounds. As an example, a", "monolingual English speaker meets them and thinks the English names are just ridiculous.", "making some observations, they pick more realistic names. The brother chooses to go", "Or should the author go by the pinyin transliterations of their real names", "the other hand, just choose a ridiculous name. I know one couple that", "twin sister goes by the name of 李树 (may sound like 李树, which", "if they have more children, then they will name subsequent children 哈哈 or", "Does the author have to mention the English names right in the beginning,", "and his twin sister goes by the name of 李树 (may sound like", "required for all majors. The teacher just happened to be a grad student", "their real names in Western naming order (given name first, surname last), even", "some parents do choose pun names for their children's full legal names 姓名", "pick more realistic names. The brother chooses to go by Curliam, and the", "name. I know one couple that call their newborn baby girl 哼哼. Their", "by Sisaq. Does the author have to mention the English names right in", "the brother calls himself Daftmm. Then, a monolingual English speaker meets them and", "The newborn's cry sounds like a pig. They say if they have more", "林木森 (Mu-Sen Lin. A visual pun.) * 马騳骉 (Du-Biao Ma. A visual pun.)", "\"present\" or \"gift\"), and his twin sister goes by the name of 李树", "sound cuter, like 豆豆 or 苗苗. Some parents, on the other hand, just", "or \"gift\"), and his twin sister goes by the name of 李树 (may", "author would introduce a character with a bilingual name, with the English name", "that sounds like \"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based full-name pun that", "to go by Curliam, and the sister chooses to go by Sisaq. Does", "grad student in British Literature, so we read a lot of British literature.", "of their real names in Western naming order (given name first, surname last),", "A Mandarin-based pun that sounds like \"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based", "Great Expectations, Frankenstein, and The Picture of Dorian Gray. We talked about the", "* 何荷 (He-He. An English pun.) * 毛祎 (Yi Mao. A Mandarin-based pun", "character with a bilingual name, with the English name simply being a secondary", "names in Western naming order (given name first, surname last), even though the", "language. Examples include: * 林木森 (Mu-Sen Lin. A visual pun.) * 马騳骉 (Du-Biao", "Fortunately, the brother and sister are international students at an American university, and", "A visual pun.) * 何荷 (He-He. An English pun.) * 毛祎 (Yi Mao.", "like 李树, which literally means a type of tree that I can't find", "legal names 姓名 or milk names 乳名/小名. Milk names tend to sound cuter,", "(Du-Biao Ma. A visual pun.) * 何荷 (He-He. An English pun.) * 毛祎", "just ridiculous. Fortunately, the brother and sister are international students at an American", "names right in the beginning, even though choosing the English names is actually", "Some parents, on the other hand, just choose a ridiculous name. I know", "some observations, they pick more realistic names. The brother chooses to go by", "baby girl 哼哼. Their reasoning? The newborn's cry sounds like a pig. They", "subsequent children 哈哈 or 呵呵. These characters are merely human laughter sounds. As", "say if they have more children, then they will name subsequent children 哈哈", "As an example, a young man goes by the name of 李悟 (may", "British literature. All the books we read were 19th century British Literature books", "young man goes by the name of 李悟 (may sound like 礼物, which", "should the author go by the pinyin transliterations of their real names in", "himself Daftmm. Then, a monolingual English speaker meets them and thinks the English", "character's \"real name\" is in a different language, and it is chosen because", "introduce a character with a bilingual name, with the English name simply being", "I am wondering how a bilingual author would introduce a character with a", "by Curliam, and the sister chooses to go by Sisaq. Does the author", "student in British Literature, so we read a lot of British literature. All", "part of the plotline? Or should the author go by the pinyin transliterations", "pig. They say if they have more children, then they will name subsequent", "and after making some observations, they pick more realistic names. The brother chooses", "English names are just ridiculous. Fortunately, the brother and sister are international students", "bilingual name, with the English name simply being a secondary name. The character's", "English name simply being a secondary name. The character's \"real name\" is in", "I know one couple that call their newborn baby girl 哼哼. Their reasoning?", "sister goes by the name of 李树 (may sound like 李树, which literally", "names 姓名 or milk names 乳名/小名. Milk names tend to sound cuter, like", "哼哼. Their reasoning? The newborn's cry sounds like a pig. They say if", "literally means \"aspen tree\".) Realistically, some parents do choose pun names for their", "of tree that I can't find the translation of right now). They both", "the name of 李悟 (may sound like 礼物, which means \"present\" or \"gift\"),", "call their newborn baby girl 哼哼. Their reasoning? The newborn's cry sounds like", "it sounds playful in that language. Examples include: * 林木森 (Mu-Sen Lin. A", "goes by the name of 李悟 (may sound like 礼物, which means \"present\"", "girl 哼哼. Their reasoning? The newborn's cry sounds like a pig. They say", "meets them and thinks the English names are just ridiculous. Fortunately, the brother", "礼物, which means \"present\" or \"gift\"), and his twin sister goes by the", "and the brother calls himself Daftmm. Then, a monolingual English speaker meets them", "乳名/小名. Milk names tend to sound cuter, like 豆豆 or 苗苗. Some parents,", "chooses to go by Sisaq. Does the author have to mention the English", "at an American university, and after making some observations, they pick more realistic", "children, then they will name subsequent children 哈哈 or 呵呵. These characters are", "names of the characters, such as Pumblechook or Eyre. I am wondering how", "(may sound like 礼物, which means \"present\" or \"gift\"), and his twin sister", "read a lot of British literature. All the books we read were 19th", "- Jane Eyre, Great Expectations, Frankenstein, and The Picture of Dorian Gray. We", "brother chooses to go by Curliam, and the sister chooses to go by", "of British literature. All the books we read were 19th century British Literature", "do choose pun names for their children's full legal names 姓名 or milk", "pun.) * 何荷 (He-He. An English pun.) * 毛祎 (Yi Mao. A Mandarin-based", "children 哈哈 or 呵呵. These characters are merely human laughter sounds. As an", "to be a grad student in British Literature, so we read a lot", "children's full legal names 姓名 or milk names 乳名/小名. Milk names tend to", "\"gift\"), and his twin sister goes by the name of 李树 (may sound", "international workplace. The sister chooses to call herself TriiAx, and the brother calls", "呵呵. These characters are merely human laughter sounds. As an example, a young", "English names for themselves to participate in the international workplace. The sister chooses", "British Literature books - Jane Eyre, Great Expectations, Frankenstein, and The Picture of", "couple that call their newborn baby girl 哼哼. Their reasoning? The newborn's cry", "translation of right now). They both choose English names for themselves to participate", "both choose English names for themselves to participate in the international workplace. The", "reasoning? The newborn's cry sounds like a pig. They say if they have", "Ma. A visual pun.) 何荷 (He-He. An English pun.) * 毛祎 (Yi", "sister chooses to go by Sisaq. Does the author have to mention the", "their newborn baby girl 哼哼. Their reasoning? The newborn's cry sounds like a", "Milk names tend to sound cuter, like 豆豆 or 苗苗. Some parents, on", "know one couple that call their newborn baby girl 哼哼. Their reasoning? The", "is in a different language, and it is chosen because it sounds playful", "Mandarin-based pun that sounds like \"sweater\".) * 杨树 (Sfi Yapg. A Mandarin-based full-name", "example, a young man goes by the name of 李悟 (may sound like", "students at an American university, and after making some observations, they pick more", "type of tree that I can't find the translation of right now). They", "19th century British Literature books - Jane Eyre, Great Expectations, Frankenstein, and The", "which means \"present\" or \"gift\"), and his twin sister goes by the name", "go by the pinyin transliterations of their real names in Western naming order", "a grad student in British Literature, so we read a lot of British", "more children, then they will name subsequent children 哈哈 or 呵呵. These characters", "lot of British literature. All the books we read were 19th century British", "A visual pun.) 马騳骉 (Du-Biao Ma. A visual pun.) * 何荷 (He-He.", "the English names right in the beginning, even though choosing the English names", "the brother and sister are international students at an American university, and after", "the author have to mention the English names right in the beginning, even", "names for their children's full legal names 姓名 or milk names 乳名/小名. Milk", "call herself TriiAx, and the brother calls himself Daftmm. Then, a monolingual English", "on the other hand, just choose a ridiculous name. I know one couple", "newborn baby girl 哼哼. Their reasoning? The newborn's cry sounds like a pig.", "or 苗苗. Some parents, on the other hand, just choose a ridiculous name.", "was required for all majors. The teacher just happened to be a grad", "I can't find the translation of right now). They both choose English names", "secondary name. The character's \"real name\" is in a different language, and it", "sister chooses to call herself TriiAx, and the brother calls himself Daftmm. Then,", "speaker meets them and thinks the English names are just ridiculous. Fortunately, the", "be a grad student in British Literature, so we read a lot of", "All the books we read were 19th century British Literature books - Jane", "name\" is in a different language, and it is chosen because it sounds", "Picture of Dorian Gray. We talked about the names of the characters, such", "of the plotline? Or should the author go by the pinyin transliterations of", "and sister are international students at an American university, and after making some", "of 李树 (may sound like 李树, which literally means a type of tree", "and The Picture of Dorian Gray. We talked about the names of the", "the plotline? Or should the author go by the pinyin transliterations of their", "English pun.) * 毛祎 (Yi Mao. A Mandarin-based pun that sounds like \"sweater\".)", "read were 19th century British Literature books - Jane Eyre, Great Expectations, Frankenstein,", "laughter sounds. As an example, a young man goes by the name of", "merely human laughter sounds. As an example, a young man goes by the", "full legal names 姓名 or milk names 乳名/小名. Milk names tend to sound", "Expectations, Frankenstein, and The Picture of Dorian Gray. We talked about the names", "the beginning, even though choosing the English names is actually part of the", "Dorian Gray. We talked about the names of the characters, such as Pumblechook", "Their reasoning? The newborn's cry sounds like a pig. They say if they", "of Dorian Gray. We talked about the names of the characters, such as", "Mao. A Mandarin-based pun that sounds like \"sweater\".) 杨树 (Sfi Yapg. A", "to mention the English names right in the beginning, even though choosing the", "sound like 礼物, which means \"present\" or \"gift\"), and his twin sister goes", "would introduce a character with a bilingual name, with the English name simply", "simply being a secondary name. The character's \"real name\" is in a different", "(He-He. An English pun.) * 毛祎 (Yi Mao. A Mandarin-based pun that sounds", "wondering how a bilingual author would introduce a character with a bilingual name,", "the name of 李树 (may sound like 李树, which literally means a type", "A Mandarin-based full-name pun that literally means \"aspen tree\".) Realistically, some parents do", "The character's \"real name\" is in a different language, and it is chosen", "* 杨树 (Sfi Yapg. A Mandarin-based full-name pun that literally means \"aspen tree\".)", "the translation of right now). They both choose English names for themselves to", "can't find the translation of right now). They both choose English names for", "sound like 李树, which literally means a type of tree that I can't", "are merely human laughter sounds. As an example, a young man goes by", "for all majors. The teacher just happened to be a grad student in", "just happened to be a grad student in British Literature, so we read", "\"aspen tree\".) Realistically, some parents do choose pun names for their children's full", "happened to be a grad student in British Literature, so we read a", "in Western naming order (given name first, surname last), even though the pun", "goes by the name of 李树 (may sound like 李树, which literally means", "the English names is actually part of the plotline? Or should the author", "different language, and it is chosen because it sounds playful in that language.", "man goes by the name of 李悟 (may sound like 礼物, which means", "the characters, such as Pumblechook or Eyre. I am wondering how a bilingual", "find the translation of right now). They both choose English names for themselves", "is chosen because it sounds playful in that language. Examples include: * 林木森", "full-name pun that literally means \"aspen tree\".) Realistically, some parents do choose pun", "have to mention the English names right in the beginning, even though choosing", "one couple that call their newborn baby girl 哼哼. Their reasoning? The newborn's", "right now). They both choose English names for themselves to participate in the", "hand, just choose a ridiculous name. I know one couple that call their", "ridiculous. Fortunately, the brother and sister are international students at an American university,", "a character with a bilingual name, with the English name simply being a", "human laughter sounds. As an example, a young man goes by the name", "chooses to call herself TriiAx, and the brother calls himself Daftmm. Then, a", "the pinyin transliterations of their real names in Western naming order (given name", "a monolingual English speaker meets them and thinks the English names are just", "parents, on the other hand, just choose a ridiculous name. I know one", "TriiAx, and the brother calls himself Daftmm. Then, a monolingual English speaker meets", "Western naming order (given name first, surname last), even though the pun will", "themselves to participate in the international workplace. The sister chooses to call herself", "Pumblechook or Eyre. I am wondering how a bilingual author would introduce a", "go by Curliam, and the sister chooses to go by Sisaq. Does the", "sounds. As an example, a young man goes by the name of 李悟", "a different language, and it is chosen because it sounds playful in that", "college, I took a regular English course that was required for all majors.", "The brother chooses to go by Curliam, and the sister chooses to go", "Curliam, and the sister chooses to go by Sisaq. Does the author have", "(Sfi Yapg. A Mandarin-based full-name pun that literally means \"aspen tree\".) Realistically, some", "Sisaq. Does the author have to mention the English names right in the", "books we read were 19th century British Literature books - Jane Eyre, *Great", "tend to sound cuter, like 豆豆 or 苗苗. Some parents, on the other" ]
[ "‘The Da Vinci Code’ and the Hijrp Potfeq series, to keep the audiences", "They were used in ‘The Da Vinci Code’ and the Hijrp Potfeq series,", "Code’ and the Hijrp Potfeq series, to keep the audiences focussed on a", "Da Vinci Code’ and the Hijrp Potfeq series, to keep the audiences focussed", "in your narrative, the fresher the plot/character twist. They were used in ‘The", "more distractions you have in your narrative, the fresher the plot/character twist. They", "in ‘The Da Vinci Code’ and the Hijrp Potfeq series, to keep the", "keep the audiences focussed on a different ‘conclusion’. How are they done, exactly?", "series, to keep the audiences focussed on a different ‘conclusion’. How are they", "your narrative, the fresher the plot/character twist. They were used in ‘The Da", "used in ‘The Da Vinci Code’ and the Hijrp Potfeq series, to keep", "Potfeq series, to keep the audiences focussed on a different ‘conclusion’. How are", "distractions you have in your narrative, the fresher the plot/character twist. They were", "and the Hijrp Potfeq series, to keep the audiences focussed on a different", "The more distractions you have in your narrative, the fresher the plot/character twist.", "to keep the audiences focussed on a different ‘conclusion’. How are they done,", "twist. They were used in ‘The Da Vinci Code’ and the Hijrp Potfeq", "you have in your narrative, the fresher the plot/character twist. They were used", "the fresher the plot/character twist. They were used in ‘The Da Vinci Code’", "the Hijrp Potfeq series, to keep the audiences focussed on a different ‘conclusion’.", "were used in ‘The Da Vinci Code’ and the Hijrp Potfeq series, to", "Hijrp Potfeq series, to keep the audiences focussed on a different ‘conclusion’. How", "narrative, the fresher the plot/character twist. They were used in ‘The Da Vinci", "fresher the plot/character twist. They were used in ‘The Da Vinci Code’ and", "the plot/character twist. They were used in ‘The Da Vinci Code’ and the", "have in your narrative, the fresher the plot/character twist. They were used in", "plot/character twist. They were used in ‘The Da Vinci Code’ and the Hijrp", "Vinci Code’ and the Hijrp Potfeq series, to keep the audiences focussed on" ]
[ "I forget the truth, and write what people expect, the experts would accuse", "above \"facts\" are untrue. Trouble is, people think they are true. If I", "true without being accused of it being unrealistic to the point of breaking", "again, if I forget the truth, and write what people expect, the experts", "buildings and Byzantines using forks, most readers would accuse me of jarring anachronisms.", "everybody in the Persian Empire was brown-skinned, that houses in Ancient Rome were", "did not use forks for eating. All the above \"facts\" are untrue. Trouble", "people did not use forks for eating. All the above \"facts\" are untrue.", "of it being unrealistic to the point of breaking the suspension of disbelief?", "Ancient Rome were one or two floors high, and that up until the", "Readers have certain expectations about locations and time periods, things they \"know\". For", "expectations about locations and time periods, things they \"know\". For example, people \"know\"", "perpetuating misinformation. Is there a way out of this conundrum? Can I somehow", "Rome were one or two floors high, and that up until the late", "being accused of it being unrealistic to the point of breaking the suspension", "people think they are true. If I write about white Iranians, five-floor Roman", "Empire was brown-skinned, that houses in Ancient Rome were one or two floors", "they are true. If I write about white Iranians, five-floor Roman apartment buildings", "think they are true. If I write about white Iranians, five-floor Roman apartment", "the late renaissance people did not use forks for eating. All the above", "use forks for eating. All the above \"facts\" are untrue. Trouble is, people", "accuse me of jarring anachronisms. Then again, if I forget the truth, and", "research, and what's more, I would be dishonest and perpetuating misinformation. Is there", "Can I somehow write what is real and true without being accused of", "readers would accuse me of jarring anachronisms. Then again, if I forget the", "real and true without being accused of it being unrealistic to the point", "my research, and what's more, I would be dishonest and perpetuating misinformation. Is", "five-floor Roman apartment buildings and Byzantines using forks, most readers would accuse me", "are true. If I write about white Iranians, five-floor Roman apartment buildings and", "more, I would be dishonest and perpetuating misinformation. Is there a way out", "of this conundrum? Can I somehow write what is real and true without", "Byzantines using forks, most readers would accuse me of jarring anachronisms. Then again,", "write what people expect, the experts would accuse me of not doing my", "two floors high, and that up until the late renaissance people did not", "locations and time periods, things they \"know\". For example, people \"know\" that everybody", "people \"know\" that everybody in the Persian Empire was brown-skinned, that houses in", "I write about white Iranians, five-floor Roman apartment buildings and Byzantines using forks,", "was brown-skinned, that houses in Ancient Rome were one or two floors high,", "Iranians, five-floor Roman apartment buildings and Byzantines using forks, most readers would accuse", "me of not doing my research, and what's more, I would be dishonest", "what's more, I would be dishonest and perpetuating misinformation. Is there a way", "high, and that up until the late renaissance people did not use forks", "in the Persian Empire was brown-skinned, that houses in Ancient Rome were one", "example, people \"know\" that everybody in the Persian Empire was brown-skinned, that houses", "not doing my research, and what's more, I would be dishonest and perpetuating", "expect, the experts would accuse me of not doing my research, and what's", "and perpetuating misinformation. Is there a way out of this conundrum? Can I", "periods, things they \"know\". For example, people \"know\" that everybody in the Persian", "this conundrum? Can I somehow write what is real and true without being", "me of jarring anachronisms. Then again, if I forget the truth, and write", "be dishonest and perpetuating misinformation. Is there a way out of this conundrum?", "Then again, if I forget the truth, and write what people expect, the", "that houses in Ancient Rome were one or two floors high, and that", "that up until the late renaissance people did not use forks for eating.", "what is real and true without being accused of it being unrealistic to", "the truth, and write what people expect, the experts would accuse me of", "up until the late renaissance people did not use forks for eating. All", "the experts would accuse me of not doing my research, and what's more,", "houses in Ancient Rome were one or two floors high, and that up", "and that up until the late renaissance people did not use forks for", "If I write about white Iranians, five-floor Roman apartment buildings and Byzantines using", "\"facts\" are untrue. Trouble is, people think they are true. If I write", "not use forks for eating. All the above \"facts\" are untrue. Trouble is,", "way out of this conundrum? Can I somehow write what is real and", "\"know\" that everybody in the Persian Empire was brown-skinned, that houses in Ancient", "conundrum? Can I somehow write what is real and true without being accused", "untrue. Trouble is, people think they are true. If I write about white", "about white Iranians, five-floor Roman apartment buildings and Byzantines using forks, most readers", "\"know\". For example, people \"know\" that everybody in the Persian Empire was brown-skinned,", "certain expectations about locations and time periods, things they \"know\". For example, people", "floors high, and that up until the late renaissance people did not use", "in Ancient Rome were one or two floors high, and that up until", "of not doing my research, and what's more, I would be dishonest and", "the above \"facts\" are untrue. Trouble is, people think they are true. If", "until the late renaissance people did not use forks for eating. All the", "late renaissance people did not use forks for eating. All the above \"facts\"", "renaissance people did not use forks for eating. All the above \"facts\" are", "things they \"know\". For example, people \"know\" that everybody in the Persian Empire", "without being accused of it being unrealistic to the point of breaking the", "are untrue. Trouble is, people think they are true. If I write about", "For example, people \"know\" that everybody in the Persian Empire was brown-skinned, that", "would be dishonest and perpetuating misinformation. Is there a way out of this", "there a way out of this conundrum? Can I somehow write what is", "forget the truth, and write what people expect, the experts would accuse me", "doing my research, and what's more, I would be dishonest and perpetuating misinformation.", "if I forget the truth, and write what people expect, the experts would", "experts would accuse me of not doing my research, and what's more, I", "were one or two floors high, and that up until the late renaissance", "white Iranians, five-floor Roman apartment buildings and Byzantines using forks, most readers would", "Roman apartment buildings and Byzantines using forks, most readers would accuse me of", "I would be dishonest and perpetuating misinformation. Is there a way out of", "about locations and time periods, things they \"know\". For example, people \"know\" that", "is real and true without being accused of it being unrealistic to the", "and true without being accused of it being unrealistic to the point of", "one or two floors high, and that up until the late renaissance people", "brown-skinned, that houses in Ancient Rome were one or two floors high, and", "Persian Empire was brown-skinned, that houses in Ancient Rome were one or two", "that everybody in the Persian Empire was brown-skinned, that houses in Ancient Rome", "and what's more, I would be dishonest and perpetuating misinformation. Is there a", "and time periods, things they \"know\". For example, people \"know\" that everybody in", "they \"know\". For example, people \"know\" that everybody in the Persian Empire was", "forks, most readers would accuse me of jarring anachronisms. Then again, if I", "and write what people expect, the experts would accuse me of not doing", "and Byzantines using forks, most readers would accuse me of jarring anachronisms. Then", "true. If I write about white Iranians, five-floor Roman apartment buildings and Byzantines", "forks for eating. All the above \"facts\" are untrue. Trouble is, people think", "Is there a way out of this conundrum? Can I somehow write what", "write about white Iranians, five-floor Roman apartment buildings and Byzantines using forks, most", "time periods, things they \"know\". For example, people \"know\" that everybody in the", "for eating. All the above \"facts\" are untrue. Trouble is, people think they", "most readers would accuse me of jarring anachronisms. Then again, if I forget", "of jarring anachronisms. Then again, if I forget the truth, and write what", "misinformation. Is there a way out of this conundrum? Can I somehow write", "anachronisms. Then again, if I forget the truth, and write what people expect,", "accused of it being unrealistic to the point of breaking the suspension of", "a way out of this conundrum? Can I somehow write what is real", "is, people think they are true. If I write about white Iranians, five-floor", "truth, and write what people expect, the experts would accuse me of not", "have certain expectations about locations and time periods, things they \"know\". For example,", "would accuse me of jarring anachronisms. Then again, if I forget the truth,", "people expect, the experts would accuse me of not doing my research, and", "jarring anachronisms. Then again, if I forget the truth, and write what people", "somehow write what is real and true without being accused of it being", "out of this conundrum? Can I somehow write what is real and true", "accuse me of not doing my research, and what's more, I would be", "All the above \"facts\" are untrue. Trouble is, people think they are true.", "Trouble is, people think they are true. If I write about white Iranians,", "apartment buildings and Byzantines using forks, most readers would accuse me of jarring", "what people expect, the experts would accuse me of not doing my research,", "I somehow write what is real and true without being accused of it", "using forks, most readers would accuse me of jarring anachronisms. Then again, if", "or two floors high, and that up until the late renaissance people did", "eating. All the above \"facts\" are untrue. Trouble is, people think they are", "the Persian Empire was brown-skinned, that houses in Ancient Rome were one or", "write what is real and true without being accused of it being unrealistic", "dishonest and perpetuating misinformation. Is there a way out of this conundrum? Can", "would accuse me of not doing my research, and what's more, I would" ]
[ "purpose. But when all is said and done, I feel that he's nothing", "than a soulless archetype (along with every single character in my trilogy) and", "nothing more than a soulless archetype (along with every single character in my", "gang of seedy people just to stay alive and was betrayed by someone", "conflicts he's involved in (due to his existential nihilistic worldview and selfish nature)", "stay alive and was betrayed by someone who he was very close with.", "streets, fell in with a gang of seedy people just to stay alive", "way for my series to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well", "It's also revealed through a series of flashbacks that his behavior stems from", "a negative light, the protagonist's nihilism revolves around the fact that he believes", "the protagonist's nihilism revolves around the fact that he believes that his life", "And unlike many fictional works that portray nihilism in a negative light, the", "[Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that unless I give", "a series of flashbacks that his behavior stems from his early years where", "over the trilogy where becomes significantly less selfish and eventually abandon his nihilistic", "his behavior. In short, how can I make my protagonist more likable and", "selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was", "and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was that I", "abusive parents, forced to fend for himself on the streets, fell in with", "was raised by abusive parents, forced to fend for himself on the streets,", "with. And unlike many fictional works that portray nihilism in a negative light,", "of flashbacks that his behavior stems from his early years where he was", "meaningless due to lacking of clear purpose. But when all is said and", "also revealed through a series of flashbacks that his behavior stems from his", "to justify his behavior. In short, how can I make my protagonist more", "thought-out response stated that unless I give my readers a reason to care", "asked if there any possible way for my series to avoid causing [Darkness", "philosophy. It's also revealed through a series of flashbacks that his behavior stems", "he was raised by abusive parents, forced to fend for himself on the", "the streets, fell in with a gang of seedy people just to stay", "early years where he was raised by abusive parents, forced to fend for", "won't give a damn about the conflicts he's involved in (due to his", "about the conflicts he's involved in (due to his existential nihilistic worldview and", "nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was that", "is meaningless due to lacking of clear purpose. But when all is said", "archetype (along with every single character in my trilogy) and comes across as", "a character arc over the trilogy where becomes significantly less selfish and eventually", "[A while ago](https://writing.stackexchange.com/questions/36944/avoiding-darkness-induced-audience-apathy), I asked if there any possible way for my series", "across as a grating character, despite having a good reason to justify his", "in my trilogy) and comes across as a grating character, despite having a", "that he believes that his life is meaningless due to lacking of clear", "done, I feel that he's nothing more than a soulless archetype (along with", "a grating character, despite having a good reason to justify his behavior. In", "a gang of seedy people just to stay alive and was betrayed by", "was that I plan having my protagonist undergo a character arc over the", "for himself on the streets, fell in with a gang of seedy people", "he believes that his life is meaningless due to lacking of clear purpose.", "and done, I feel that he's nothing more than a soulless archetype (along", "to stay alive and was betrayed by someone who he was very close", "his behavior stems from his early years where he was raised by abusive", "less selfish and eventually abandon his nihilistic philosophy. It's also revealed through a", "that portray nihilism in a negative light, the protagonist's nihilism revolves around the", "lacking of clear purpose. But when all is said and done, I feel", "give my readers a reason to care about my protagonist, they won't give", "all is said and done, I feel that he's nothing more than a", "trilogy) and comes across as a grating character, despite having a good reason", "light, the protagonist's nihilism revolves around the fact that he believes that his", "for my series to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out", "fictional works that portray nihilism in a negative light, the protagonist's nihilism revolves", "ago](https://writing.stackexchange.com/questions/36944/avoiding-darkness-induced-audience-apathy), I asked if there any possible way for my series to avoid", "I asked if there any possible way for my series to avoid causing", "[him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was that I plan having my protagonist", "many fictional works that portray nihilism in a negative light, the protagonist's nihilism", "stems from his early years where he was raised by abusive parents, forced", "[outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was that I plan having", "behavior. In short, how can I make my protagonist more likable and somewhat", "fact that he believes that his life is meaningless due to lacking of", "said and done, I feel that he's nothing more than a soulless archetype", "betrayed by someone who he was very close with. And unlike many fictional", "very close with. And unlike many fictional works that portray nihilism in a", "significantly less selfish and eventually abandon his nihilistic philosophy. It's also revealed through", "was betrayed by someone who he was very close with. And unlike many", "when all is said and done, I feel that he's nothing more than", "that his life is meaningless due to lacking of clear purpose. But when", "grating character, despite having a good reason to justify his behavior. In short,", "response stated that unless I give my readers a reason to care about", "character in my trilogy) and comes across as a grating character, despite having", "involved in (due to his existential nihilistic worldview and selfish nature) and will", "(due to his existential nihilistic worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter)", "comes across as a grating character, despite having a good reason to justify", "just to stay alive and was betrayed by someone who he was very", "on the streets, fell in with a gang of seedy people just to", "and comes across as a grating character, despite having a good reason to", "readers a reason to care about my protagonist, they won't give a damn", "nihilism revolves around the fact that he believes that his life is meaningless", "portray nihilism in a negative light, the protagonist's nihilism revolves around the fact", "parents, forced to fend for himself on the streets, fell in with a", "unlike many fictional works that portray nihilism in a negative light, the protagonist's", "by abusive parents, forced to fend for himself on the streets, fell in", "forced to fend for himself on the streets, fell in with a gang", "Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that unless I give my", "eventually abandon his nihilistic philosophy. It's also revealed through a series of flashbacks", "in a negative light, the protagonist's nihilism revolves around the fact that he", "as a grating character, despite having a good reason to justify his behavior.", "my trilogy) and comes across as a grating character, despite having a good", "a soulless archetype (along with every single character in my trilogy) and comes", "having my protagonist undergo a character arc over the trilogy where becomes significantly", "series to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated", "with a gang of seedy people just to stay alive and was betrayed", "protagonist undergo a character arc over the trilogy where becomes significantly less selfish", "But when all is said and done, I feel that he's nothing more", "avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that unless", "causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that unless I", "through a series of flashbacks that his behavior stems from his early years", "in (due to his existential nihilistic worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords)", "seedy people just to stay alive and was betrayed by someone who he", "behavior stems from his early years where he was raised by abusive parents,", "where he was raised by abusive parents, forced to fend for himself on", "unless I give my readers a reason to care about my protagonist, they", "to care about my protagonist, they won't give a damn about the conflicts", "while ago](https://writing.stackexchange.com/questions/36944/avoiding-darkness-induced-audience-apathy), I asked if there any possible way for my series to", "who he was very close with. And unlike many fictional works that portray", "existential nihilistic worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I", "the fact that he believes that his life is meaningless due to lacking", "and was betrayed by someone who he was very close with. And unlike", "and eventually abandon his nihilistic philosophy. It's also revealed through a series of", "the conflicts he's involved in (due to his existential nihilistic worldview and selfish", "people just to stay alive and was betrayed by someone who he was", "around the fact that he believes that his life is meaningless due to", "of clear purpose. But when all is said and done, I feel that", "protagonist, they won't give a damn about the conflicts he's involved in (due", "possible way for my series to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A", "despite having a good reason to justify his behavior. In short, how can", "I forget to mention was that I plan having my protagonist undergo a", "his early years where he was raised by abusive parents, forced to fend", "trilogy where becomes significantly less selfish and eventually abandon his nihilistic philosophy. It's", "years where he was raised by abusive parents, forced to fend for himself", "if there any possible way for my series to avoid causing [Darkness Induced", "every single character in my trilogy) and comes across as a grating character,", "is said and done, I feel that he's nothing more than a soulless", "series of flashbacks that his behavior stems from his early years where he", "more than a soulless archetype (along with every single character in my trilogy)", "What I forget to mention was that I plan having my protagonist undergo", "that he's nothing more than a soulless archetype (along with every single character", "revealed through a series of flashbacks that his behavior stems from his early", "well thought-out response stated that unless I give my readers a reason to", "damn about the conflicts he's involved in (due to his existential nihilistic worldview", "himself on the streets, fell in with a gang of seedy people just", "mention was that I plan having my protagonist undergo a character arc over", "my protagonist undergo a character arc over the trilogy where becomes significantly less", "nihilistic philosophy. It's also revealed through a series of flashbacks that his behavior", "having a good reason to justify his behavior. In short, how can I", "a good reason to justify his behavior. In short, how can I make", "negative light, the protagonist's nihilism revolves around the fact that he believes that", "will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was that I plan", "I feel that he's nothing more than a soulless archetype (along with every", "in with a gang of seedy people just to stay alive and was", "that unless I give my readers a reason to care about my protagonist,", "character arc over the trilogy where becomes significantly less selfish and eventually abandon", "life is meaningless due to lacking of clear purpose. But when all is", "from his early years where he was raised by abusive parents, forced to", "fend for himself on the streets, fell in with a gang of seedy", "fell in with a gang of seedy people just to stay alive and", "that I plan having my protagonist undergo a character arc over the trilogy", "that his behavior stems from his early years where he was raised by", "any possible way for my series to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy).", "I give my readers a reason to care about my protagonist, they won't", "my protagonist, they won't give a damn about the conflicts he's involved in", "my series to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response", "protagonist's nihilism revolves around the fact that he believes that his life is", "soulless archetype (along with every single character in my trilogy) and comes across", "due to lacking of clear purpose. But when all is said and done,", "by someone who he was very close with. And unlike many fictional works", "flashbacks that his behavior stems from his early years where he was raised", "someone who he was very close with. And unlike many fictional works that", "a damn about the conflicts he's involved in (due to his existential nihilistic", "nihilism in a negative light, the protagonist's nihilism revolves around the fact that", "a reason to care about my protagonist, they won't give a damn about", "give a damn about the conflicts he's involved in (due to his existential", "Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that unless I give my readers", "he's nothing more than a soulless archetype (along with every single character in", "feel that he's nothing more than a soulless archetype (along with every single", "there any possible way for my series to avoid causing [Darkness Induced Audience", "to lacking of clear purpose. But when all is said and done, I", "clear purpose. But when all is said and done, I feel that he's", "single character in my trilogy) and comes across as a grating character, despite", "to avoid causing [Darkness Induced Audience Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that", "character, despite having a good reason to justify his behavior. In short, how", "where becomes significantly less selfish and eventually abandon his nihilistic philosophy. It's also", "of seedy people just to stay alive and was betrayed by someone who", "his life is meaningless due to lacking of clear purpose. But when all", "reason to justify his behavior. In short, how can I make my protagonist", "abandon his nihilistic philosophy. It's also revealed through a series of flashbacks that", "he's involved in (due to his existential nihilistic worldview and selfish nature) and", "becomes significantly less selfish and eventually abandon his nihilistic philosophy. It's also revealed", "good reason to justify his behavior. In short, how can I make my", "[despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention was that I plan having my", "A well thought-out response stated that unless I give my readers a reason", "nihilistic worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget", "with every single character in my trilogy) and comes across as a grating", "his nihilistic philosophy. It's also revealed through a series of flashbacks that his", "stated that unless I give my readers a reason to care about my", "close with. And unlike many fictional works that portray nihilism in a negative", "selfish and eventually abandon his nihilistic philosophy. It's also revealed through a series", "plan having my protagonist undergo a character arc over the trilogy where becomes", "alive and was betrayed by someone who he was very close with. And", "I plan having my protagonist undergo a character arc over the trilogy where", "raised by abusive parents, forced to fend for himself on the streets, fell", "his existential nihilistic worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What", "forget to mention was that I plan having my protagonist undergo a character", "my readers a reason to care about my protagonist, they won't give a", "reason to care about my protagonist, they won't give a damn about the", "the trilogy where becomes significantly less selfish and eventually abandon his nihilistic philosophy.", "revolves around the fact that he believes that his life is meaningless due", "care about my protagonist, they won't give a damn about the conflicts he's", "Apathy](http://tvtropes.org/pmwiki/pmwiki.php/Main/DarknessInducedAudienceApathy). A well thought-out response stated that unless I give my readers a", "they won't give a damn about the conflicts he's involved in (due to", "undergo a character arc over the trilogy where becomes significantly less selfish and", "(along with every single character in my trilogy) and comes across as a", "works that portray nihilism in a negative light, the protagonist's nihilism revolves around", "to fend for himself on the streets, fell in with a gang of", "he was very close with. And unlike many fictional works that portray nihilism", "to mention was that I plan having my protagonist undergo a character arc", "In short, how can I make my protagonist more likable and somewhat redeemable?", "arc over the trilogy where becomes significantly less selfish and eventually abandon his", "was very close with. And unlike many fictional works that portray nihilism in", "and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to mention", "to his existential nihilistic worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero).", "justify his behavior. In short, how can I make my protagonist more likable", "about my protagonist, they won't give a damn about the conflicts he's involved", "believes that his life is meaningless due to lacking of clear purpose. But", "worldview and selfish nature) and will [outright](http://tvtropes.org/pmwiki/pmwiki.php/Main/EightDeadlyWords) [despise](https://tvtropes.org/pmwiki/pmwiki.php/Main/BaseBreakingCharacter) [him](https://tvtropes.org/pmwiki/pmwiki.php/Main/DesignatedHero). What I forget to" ]
[ "I'm talking about any of my characters, whether they're MCs or extras is", "a protagonist; I'm talking about any of my characters, whether they're MCs or", "talking about any of my characters, whether they're MCs or extras is irrelevant.", "talking just about a protagonist; I'm talking about any of my characters, whether", "if possible, when is it most appropriate?) BTW, I'm not talking just about", "about a protagonist; I'm talking about any of my characters, whether they're MCs", "When is it acceptable to kill a character? (and if possible, when is", "it acceptable to kill a character? (and if possible, when is it most", "character? (and if possible, when is it most appropriate?) BTW, I'm not talking", "possible, when is it most appropriate?) BTW, I'm not talking just about a", "is it most appropriate?) BTW, I'm not talking just about a protagonist; I'm", "most appropriate?) BTW, I'm not talking just about a protagonist; I'm talking about", "a character? (and if possible, when is it most appropriate?) BTW, I'm not", "is it acceptable to kill a character? (and if possible, when is it", "appropriate?) BTW, I'm not talking just about a protagonist; I'm talking about any", "I'm not talking just about a protagonist; I'm talking about any of my", "it most appropriate?) BTW, I'm not talking just about a protagonist; I'm talking", "BTW, I'm not talking just about a protagonist; I'm talking about any of", "not talking just about a protagonist; I'm talking about any of my characters,", "when is it most appropriate?) BTW, I'm not talking just about a protagonist;", "protagonist; I'm talking about any of my characters, whether they're MCs or extras", "acceptable to kill a character? (and if possible, when is it most appropriate?)", "to kill a character? (and if possible, when is it most appropriate?) BTW,", "(and if possible, when is it most appropriate?) BTW, I'm not talking just", "just about a protagonist; I'm talking about any of my characters, whether they're", "kill a character? (and if possible, when is it most appropriate?) BTW, I'm" ]
[ "odd happenings? I'd like to have a setting which is technologically advanced where", "explained to a degree that almost makes life boring but in which a", "in a while. How can this be achieved without creating a visible paradox", "scientists throw up their hands in puzzled disbelief once in a while. How", "setting which is technologically advanced where \"every day life\" can be explained to", "boring but in which a few paradoxical situations still have the scientists throw", "can this be achieved without creating a visible paradox that is damaging to", "we'd recognise but with equipment of far greater sensitivity is there any room", "a setting which is technologically advanced where \"every day life\" can be explained", "while. How can this be achieved without creating a visible paradox that is", "up their hands in puzzled disbelief once in a while. How can this", "but do such happenings have a place in futuristic settings? In settings with", "to explain odd happenings? I'd like to have a setting which is technologically", "crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a place in", "happenings have a place in futuristic settings? In settings with locally instantaneous communication", "which a few paradoxical situations still have the scientists throw up their hands", "them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the [Parr", "equipment of far greater sensitivity is there any room left for not being", "achieved without creating a visible paradox that is damaging to suspension of disbelief?", "the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such", "which is technologically advanced where \"every day life\" can be explained to a", "be achieved without creating a visible paradox that is damaging to suspension of", "once in a while. How can this be achieved without creating a visible", "any room left for not being able to explain odd happenings? I'd like", "puzzled disbelief once in a while. How can this be achieved without creating", "colonists and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have", "but with equipment of far greater sensitivity is there any room left for", "with locally instantaneous communication and ubiquitous forensics using techniques we'd recognise but with", "in puzzled disbelief once in a while. How can this be achieved without", "of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do", "their hands in puzzled disbelief once in a while. How can this be", "few paradoxical situations still have the scientists throw up their hands in puzzled", "disbelief once in a while. How can this be achieved without creating a", "settings with locally instantaneous communication and ubiquitous forensics using techniques we'd recognise but", "true mysteries, among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew", "the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste)", "day life\" can be explained to a degree that almost makes life boring", "communication and ubiquitous forensics using techniques we'd recognise but with equipment of far", "mysteries, among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of", "with equipment of far greater sensitivity is there any room left for not", "Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a place in futuristic settings? In settings", "among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the", "being able to explain odd happenings? I'd like to have a setting which", "have the scientists throw up their hands in puzzled disbelief once in a", "far greater sensitivity is there any room left for not being able to", "instantaneous communication and ubiquitous forensics using techniques we'd recognise but with equipment of", "able to explain odd happenings? I'd like to have a setting which is", "advanced where \"every day life\" can be explained to a degree that almost", "hands in puzzled disbelief once in a while. How can this be achieved", "recognise but with equipment of far greater sensitivity is there any room left", "forensics using techniques we'd recognise but with equipment of far greater sensitivity is", "a while. How can this be achieved without creating a visible paradox that", "happenings? I'd like to have a setting which is technologically advanced where \"every", "life\" can be explained to a degree that almost makes life boring but", "using techniques we'd recognise but with equipment of far greater sensitivity is there", "room left for not being able to explain odd happenings? I'd like to", "there any room left for not being able to explain odd happenings? I'd", "\"every day life\" can be explained to a degree that almost makes life", "of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a place in futuristic", "How can this be achieved without creating a visible paradox that is damaging", "the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a place", "almost makes life boring but in which a few paradoxical situations still have", "in which a few paradoxical situations still have the scientists throw up their", "locally instantaneous communication and ubiquitous forensics using techniques we'd recognise but with equipment", "left for not being able to explain odd happenings? I'd like to have", "techniques we'd recognise but with equipment of far greater sensitivity is there any", "is there any room left for not being able to explain odd happenings?", "modern world has few true mysteries, among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony)", "world has few true mysteries, among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists", "explain odd happenings? I'd like to have a setting which is technologically advanced", "to a degree that almost makes life boring but in which a few", "a few paradoxical situations still have the scientists throw up their hands in", "where \"every day life\" can be explained to a degree that almost makes", "to have a setting which is technologically advanced where \"every day life\" can", "ubiquitous forensics using techniques we'd recognise but with equipment of far greater sensitivity", "a degree that almost makes life boring but in which a few paradoxical", "greater sensitivity is there any room left for not being able to explain", "can be explained to a degree that almost makes life boring but in", "life boring but in which a few paradoxical situations still have the scientists", "of far greater sensitivity is there any room left for not being able", "futuristic settings? In settings with locally instantaneous communication and ubiquitous forensics using techniques", "paradoxical situations still have the scientists throw up their hands in puzzled disbelief", "do such happenings have a place in futuristic settings? In settings with locally", "that almost makes life boring but in which a few paradoxical situations still", "makes life boring but in which a few paradoxical situations still have the", "[Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a place in futuristic settings? In", "but in which a few paradoxical situations still have the scientists throw up", "I'd like to have a setting which is technologically advanced where \"every day", "have a setting which is technologically advanced where \"every day life\" can be", "In settings with locally instantaneous communication and ubiquitous forensics using techniques we'd recognise", "a place in futuristic settings? In settings with locally instantaneous communication and ubiquitous", "be explained to a degree that almost makes life boring but in which", "like to have a setting which is technologically advanced where \"every day life\"", "still have the scientists throw up their hands in puzzled disbelief once in", "for not being able to explain odd happenings? I'd like to have a", "in futuristic settings? In settings with locally instantaneous communication and ubiquitous forensics using", "[Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings", "situations still have the scientists throw up their hands in puzzled disbelief once", "place in futuristic settings? In settings with locally instantaneous communication and ubiquitous forensics", "such happenings have a place in futuristic settings? In settings with locally instantaneous", "the scientists throw up their hands in puzzled disbelief once in a while.", "and ubiquitous forensics using techniques we'd recognise but with equipment of far greater", "is technologically advanced where \"every day life\" can be explained to a degree", "few true mysteries, among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the", "settings? In settings with locally instantaneous communication and ubiquitous forensics using techniques we'd", "not being able to explain odd happenings? I'd like to have a setting", "and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a", "throw up their hands in puzzled disbelief once in a while. How can", "has few true mysteries, among them the fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and", "fate of the [Roanoke](https://en.wikipedia.org/wiki/Roanoke_Colony) colonists and the crew of the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but", "have a place in futuristic settings? In settings with locally instantaneous communication and", "this be achieved without creating a visible paradox that is damaging to suspension", "The modern world has few true mysteries, among them the fate of the", "the [Parr Celeste](https://en.wikipedia.org/wiki/Parr_Celeste) but do such happenings have a place in futuristic settings?", "technologically advanced where \"every day life\" can be explained to a degree that", "degree that almost makes life boring but in which a few paradoxical situations", "sensitivity is there any room left for not being able to explain odd" ]
[ "far, I am planing on the team to be composed of both scientists", "maybe the best idea is to scrap most of it and starting over", "They would have supplies so they don't have to leave the area they", "So far only the main character is someone I really would not scrap", "@Amadeus and @Keith Morrison? * @DPT yes I have thought of that. The", "could drop or merge a few (as you mention the doctor I always", "to research for about a year. So far, I am planing on the", "for health monitoring, and so on. The thing is, I am not sure", "so I had been a bit hesitant to change some of the characters", "not scrap and mainly change the people around him.Thanks for the advice so", "sure if this would make the team too large. At the moment I", "so they don't have to leave the area they have to research for", "started as something being discussed with a friend so I had been a", "I have in the answers: * Would it being a science fiction setting", "is to scrap most of it and starting over on the character pool?", "monitoring, and so on. The thing is, I am not sure if this", "always felt could be merged with one of the main members of the", "supplies so they don't have to leave the area they have to research", "I really would not scrap and mainly change the people around him.Thanks for", "composed of both scientists and people they need for support. By this, I", "cold setting where they would spend most of their time indoors. Food and", "or merge a few (as you mention the doctor I always felt could", "By this, I mean someone who is in charge of security, someone who", "station or from maybe a cycling of people in stasis be viable? Still", "as something being discussed with a friend so I had been a bit", "cycling of people in stasis be viable? Still trying to work this out", "too much? Too little? Note: The group would be isolated for the year,", "it and starting over on the character pool? So far only the main", "I am considering a group of 8, 4 being the scientists and 4", "a friend so I had been a bit hesitant to change some of", "member of the military, a doctor, a computer tech, and a communications official).", "yes I have thought of that. The idea started as something being discussed", "you would suggest, @Amadeus and @Keith Morrison? * @DPT yes I have thought", "done with someone else and now I am working on it on my", "have thought of that. The idea started as something being discussed with a", "being discussed with a friend so I had been a bit hesitant to", "* Would it being a science fiction setting change the amount you would", "would rotation of the team done from a station or from maybe a", "@Keith Morrison? * @DPT yes I have thought of that. The idea started", "doctor I always felt could be merged with one of the main members", "as I said it was originally done with someone else and now I", "someone else and now I am working on it on my own. So", "on. The thing is, I am not sure if this would make the", "be merged with one of the main members of the research group) ", "on my own. So maybe the best idea is to scrap most of", "Still trying to work this out and as I said it was originally", "they have to research for about a year. So far, I am planing", "Too little? Note: The group would be isolated for the year, in a", "been a bit hesitant to change some of the characters but I could", "to change some of the characters but I could drop or merge a", "military, a doctor, a computer tech, and a communications official). Would this be", "drop or merge a few (as you mention the doctor I always felt", "mean someone who is in charge of security, someone who is responsible for", "most of it and starting over on the character pool? So far only", "charge of security, someone who is responsible for health monitoring, and so on.", "all provided so no need for survival skills. Editing to answer some points", "over on the character pool? So far only the main character is someone", "scrap most of it and starting over on the character pool? So far", "be viable? Still trying to work this out and as I said it", "computer tech, and a communications official). Would this be too much? Too little?", "someone I really would not scrap and mainly change the people around him.Thanks", "idea started as something being discussed with a friend so I had been", "the characters but I could drop or merge a few (as you mention", "(a member of the military, a doctor, a computer tech, and a communications", "research group) Considering it's a scifi setting, would rotation of the team", "I am planing on the team to be composed of both scientists and", "leave the area they have to research for about a year. So far,", "would be isolated for the year, in a very cold setting where they", "for the year, in a very cold setting where they would spend most", "character pool? So far only the main character is someone I really would", "for support. By this, I mean someone who is in charge of security,", "Editing to answer some points I have in the answers: * Would it", "of the main members of the research group) * Considering it's a scifi", "a scifi setting, would rotation of the team done from a station or", "would make the team too large. At the moment I am considering a", "Considering it's a scifi setting, would rotation of the team done from a", "the main character is someone I really would not scrap and mainly change", "far only the main character is someone I really would not scrap and", "moment I am considering a group of 8, 4 being the scientists and", "group of 8, 4 being the scientists and 4 being these support people", "and so on. The thing is, I am not sure if this would", "this out and as I said it was originally done with someone else", "few (as you mention the doctor I always felt could be merged with", "where they would spend most of their time indoors. Food and supplies all", "of the military, a doctor, a computer tech, and a communications official). Would", "need for support. By this, I mean someone who is in charge of", "that revolves around a research team in a remote setting. They would have", "am considering a group of 8, 4 being the scientists and 4 being", "in a very cold setting where they would spend most of their time", "I am working on it on my own. So maybe the best idea", "is, I am not sure if this would make the team too large.", "it's a scifi setting, would rotation of the team done from a station", "story that revolves around a research team in a remote setting. They would", "group) * Considering it's a scifi setting, would rotation of the team done", "large. At the moment I am considering a group of 8, 4 being", "At the moment I am considering a group of 8, 4 being the", "on the team to be composed of both scientists and people they need", "thing is, I am not sure if this would make the team too", "tech, and a communications official). Would this be too much? Too little? Note:", "year, in a very cold setting where they would spend most of their", "in charge of security, someone who is responsible for health monitoring, and so", "something being discussed with a friend so I had been a bit hesitant", "was originally done with someone else and now I am working on it", "4 being these support people (a member of the military, a doctor, a", "survival skills. Editing to answer some points I have in the answers: ", "main character is someone I really would not scrap and mainly change the", "they don't have to leave the area they have to research for about", "spend most of their time indoors. Food and supplies all provided so no", "scrap and mainly change the people around him.Thanks for the advice so far!", "a doctor, a computer tech, and a communications official). Would this be too", "so no need for survival skills. Editing to answer some points I have", "to work this out and as I said it was originally done with", "am working on it on my own. So maybe the best idea is", "said it was originally done with someone else and now I am working", "and starting over on the character pool? So far only the main character", "starting over on the character pool? So far only the main character is", "my own. So maybe the best idea is to scrap most of it", "own. So maybe the best idea is to scrap most of it and", "people (a member of the military, a doctor, a computer tech, and a", "is in charge of security, someone who is responsible for health monitoring, and", "merge a few (as you mention the doctor I always felt could be", "of 8, 4 being the scientists and 4 being these support people (a", "out and as I said it was originally done with someone else and", "being these support people (a member of the military, a doctor, a computer", "would not scrap and mainly change the people around him.Thanks for the advice", "to answer some points I have in the answers: Would it being", "a computer tech, and a communications official). Would this be too much? Too", "to be composed of both scientists and people they need for support. By", "one of the main members of the research group) * Considering it's a", "scifi setting, would rotation of the team done from a station or from", "Note: The group would be isolated for the year, in a very cold", "no need for survival skills. Editing to answer some points I have in", "supplies all provided so no need for survival skills. Editing to answer some", "is responsible for health monitoring, and so on. The thing is, I am", "working on a story that revolves around a research team in a remote", "am not sure if this would make the team too large. At the", "support people (a member of the military, a doctor, a computer tech, and", "and supplies all provided so no need for survival skills. Editing to answer", "of it and starting over on the character pool? So far only the", "this be too much? Too little? Note: The group would be isolated for", "skills. Editing to answer some points I have in the answers: * Would", "bit hesitant to change some of the characters but I could drop or", "be isolated for the year, in a very cold setting where they would", "work this out and as I said it was originally done with someone", "fiction setting change the amount you would suggest, @Amadeus and @Keith Morrison? ", "you mention the doctor I always felt could be merged with one of", "So far, I am planing on the team to be composed of both", "support. By this, I mean someone who is in charge of security, someone", "done from a station or from maybe a cycling of people in stasis", "research team in a remote setting. They would have supplies so they don't", "would suggest, @Amadeus and @Keith Morrison? @DPT yes I have thought of", "hesitant to change some of the characters but I could drop or merge", "to scrap most of it and starting over on the character pool? So", "with one of the main members of the research group) * Considering it's", "trying to work this out and as I said it was originally done", "around a research team in a remote setting. They would have supplies so", "a very cold setting where they would spend most of their time indoors.", "have in the answers: * Would it being a science fiction setting change", "a bit hesitant to change some of the characters but I could drop", "being a science fiction setting change the amount you would suggest, @Amadeus and", "team too large. At the moment I am considering a group of 8,", "setting where they would spend most of their time indoors. Food and supplies", "the team to be composed of both scientists and people they need for", "people in stasis be viable? Still trying to work this out and as", "this, I mean someone who is in charge of security, someone who is", "in a remote setting. They would have supplies so they don't have to", "viable? Still trying to work this out and as I said it was", "about a year. So far, I am planing on the team to be", "a few (as you mention the doctor I always felt could be merged", "only the main character is someone I really would not scrap and mainly", "the area they have to research for about a year. So far, I", "someone who is responsible for health monitoring, and so on. The thing is,", "would spend most of their time indoors. Food and supplies all provided so", "rotation of the team done from a station or from maybe a cycling", "a station or from maybe a cycling of people in stasis be viable?", "mention the doctor I always felt could be merged with one of the", "considering a group of 8, 4 being the scientists and 4 being these", "revolves around a research team in a remote setting. They would have supplies", "Morrison? * @DPT yes I have thought of that. The idea started as", "so on. The thing is, I am not sure if this would make", "of people in stasis be viable? Still trying to work this out and", "it was originally done with someone else and now I am working on", "setting, would rotation of the team done from a station or from maybe", "on the character pool? So far only the main character is someone I", "with a friend so I had been a bit hesitant to change some", "and now I am working on it on my own. So maybe the", "in the answers: * Would it being a science fiction setting change the", "I have thought of that. The idea started as something being discussed with", "character is someone I really would not scrap and mainly change the people", "and @Keith Morrison? * @DPT yes I have thought of that. The idea", "security, someone who is responsible for health monitoring, and so on. The thing", "planing on the team to be composed of both scientists and people they", "in stasis be viable? Still trying to work this out and as I", "of security, someone who is responsible for health monitoring, and so on. The", "the moment I am considering a group of 8, 4 being the scientists", "a year. So far, I am planing on the team to be composed", "idea is to scrap most of it and starting over on the character", "* @DPT yes I have thought of that. The idea started as something", "the doctor I always felt could be merged with one of the main", "but I could drop or merge a few (as you mention the doctor", "little? Note: The group would be isolated for the year, in a very", "Would this be too much? Too little? Note: The group would be isolated", "some of the characters but I could drop or merge a few (as", "could be merged with one of the main members of the research group)", "they need for support. By this, I mean someone who is in charge", "change some of the characters but I could drop or merge a few", "time indoors. Food and supplies all provided so no need for survival skills.", "* Considering it's a scifi setting, would rotation of the team done from", "health monitoring, and so on. The thing is, I am not sure if", "they would spend most of their time indoors. Food and supplies all provided", "it on my own. So maybe the best idea is to scrap most", "area they have to research for about a year. So far, I am", "pool? So far only the main character is someone I really would not", "a science fiction setting change the amount you would suggest, @Amadeus and @Keith", "4 being the scientists and 4 being these support people (a member of", "had been a bit hesitant to change some of the characters but I", "official). Would this be too much? Too little? Note: The group would be", "the amount you would suggest, @Amadeus and @Keith Morrison? * @DPT yes I", "both scientists and people they need for support. By this, I mean someone", "the military, a doctor, a computer tech, and a communications official). Would this", "thought of that. The idea started as something being discussed with a friend", "friend so I had been a bit hesitant to change some of the", "or from maybe a cycling of people in stasis be viable? Still trying", "most of their time indoors. Food and supplies all provided so no need", "So maybe the best idea is to scrap most of it and starting", "originally done with someone else and now I am working on it on", "responsible for health monitoring, and so on. The thing is, I am not", "be too much? Too little? Note: The group would be isolated for the", "from maybe a cycling of people in stasis be viable? Still trying to", "the scientists and 4 being these support people (a member of the military,", "I could drop or merge a few (as you mention the doctor I", "the team done from a station or from maybe a cycling of people", "the research group) * Considering it's a scifi setting, would rotation of the", "setting. They would have supplies so they don't have to leave the area", "amount you would suggest, @Amadeus and @Keith Morrison? * @DPT yes I have", "doctor, a computer tech, and a communications official). Would this be too much?", "research for about a year. So far, I am planing on the team", "felt could be merged with one of the main members of the research", "working on it on my own. So maybe the best idea is to", "team done from a station or from maybe a cycling of people in", "make the team too large. At the moment I am considering a group", "8, 4 being the scientists and 4 being these support people (a member", "is someone I really would not scrap and mainly change the people around", "year. So far, I am planing on the team to be composed of", "for about a year. So far, I am planing on the team to", "scientists and people they need for support. By this, I mean someone who", "discussed with a friend so I had been a bit hesitant to change", "members of the research group) * Considering it's a scifi setting, would rotation", "have to leave the area they have to research for about a year.", "group would be isolated for the year, in a very cold setting where", "and people they need for support. By this, I mean someone who is", "best idea is to scrap most of it and starting over on the", "a communications official). Would this be too much? Too little? Note: The group", "Would it being a science fiction setting change the amount you would suggest,", "merged with one of the main members of the research group) * Considering", "isolated for the year, in a very cold setting where they would spend", "am planing on the team to be composed of both scientists and people", "and 4 being these support people (a member of the military, a doctor,", "that. The idea started as something being discussed with a friend so I", "the best idea is to scrap most of it and starting over on", "The thing is, I am not sure if this would make the team", "need for survival skills. Editing to answer some points I have in the", "provided so no need for survival skills. Editing to answer some points I", "team to be composed of both scientists and people they need for support.", "of both scientists and people they need for support. By this, I mean", "very cold setting where they would spend most of their time indoors. Food", "being the scientists and 4 being these support people (a member of the", "much? Too little? Note: The group would be isolated for the year, in", "don't have to leave the area they have to research for about a", "answers: * Would it being a science fiction setting change the amount you", "setting change the amount you would suggest, @Amadeus and @Keith Morrison? * @DPT", "main members of the research group) * Considering it's a scifi setting, would", "not sure if this would make the team too large. At the moment", "@DPT yes I have thought of that. The idea started as something being", "of the research group) * Considering it's a scifi setting, would rotation of", "on it on my own. So maybe the best idea is to scrap", "be composed of both scientists and people they need for support. By this,", "the answers: * Would it being a science fiction setting change the amount", "(as you mention the doctor I always felt could be merged with one", "if this would make the team too large. At the moment I am", "a remote setting. They would have supplies so they don't have to leave", "suggest, @Amadeus and @Keith Morrison? * @DPT yes I have thought of that.", "Food and supplies all provided so no need for survival skills. Editing to", "I always felt could be merged with one of the main members of", "people they need for support. By this, I mean someone who is in", "of the team done from a station or from maybe a cycling of", "indoors. Food and supplies all provided so no need for survival skills. Editing", "the year, in a very cold setting where they would spend most of", "with someone else and now I am working on it on my own.", "The group would be isolated for the year, in a very cold setting", "someone who is in charge of security, someone who is responsible for health", "science fiction setting change the amount you would suggest, @Amadeus and @Keith Morrison?", "I mean someone who is in charge of security, someone who is responsible", "too large. At the moment I am considering a group of 8, 4", "points I have in the answers: * Would it being a science fiction", "from a station or from maybe a cycling of people in stasis be", "stasis be viable? Still trying to work this out and as I said", "answer some points I have in the answers: * Would it being a", "I'm working on a story that revolves around a research team in a", "it being a science fiction setting change the amount you would suggest, @Amadeus", "maybe a cycling of people in stasis be viable? Still trying to work", "a research team in a remote setting. They would have supplies so they", "their time indoors. Food and supplies all provided so no need for survival", "some points I have in the answers: * Would it being a science", "now I am working on it on my own. So maybe the best", "to leave the area they have to research for about a year. So", "the character pool? So far only the main character is someone I really", "these support people (a member of the military, a doctor, a computer tech,", "this would make the team too large. At the moment I am considering", "I had been a bit hesitant to change some of the characters but", "The idea started as something being discussed with a friend so I had", "communications official). Would this be too much? Too little? Note: The group would", "really would not scrap and mainly change the people around him.Thanks for the", "team in a remote setting. They would have supplies so they don't have", "and a communications official). Would this be too much? Too little? Note: The", "and as I said it was originally done with someone else and now", "I said it was originally done with someone else and now I am", "of the characters but I could drop or merge a few (as you", "I am not sure if this would make the team too large. At", "a group of 8, 4 being the scientists and 4 being these support", "scientists and 4 being these support people (a member of the military, a", "on a story that revolves around a research team in a remote setting.", "else and now I am working on it on my own. So maybe", "of their time indoors. Food and supplies all provided so no need for", "a story that revolves around a research team in a remote setting. They", "the main members of the research group) * Considering it's a scifi setting,", "change the amount you would suggest, @Amadeus and @Keith Morrison? * @DPT yes", "remote setting. They would have supplies so they don't have to leave the", "have to research for about a year. So far, I am planing on", "who is in charge of security, someone who is responsible for health monitoring,", "of that. The idea started as something being discussed with a friend so", "would have supplies so they don't have to leave the area they have", "for survival skills. Editing to answer some points I have in the answers:", "a cycling of people in stasis be viable? Still trying to work this", "characters but I could drop or merge a few (as you mention the", "the team too large. At the moment I am considering a group of", "who is responsible for health monitoring, and so on. The thing is, I", "have supplies so they don't have to leave the area they have to" ]
[ "subject matter experts, but now I can't find it. Perhaps I was only", "experts to consult? Is there such a site, or can I expect to", "hospital and be able to talk to someone? What about experts in other", "experts, but now I can't find it. Perhaps I was only inventing it.", "local hospital and be able to talk to someone? What about experts in", "is, I don't know one. I could make up the details, but I", "details, but I feel like the narrative will suffer for it. It occurs", "now I can't find it. Perhaps I was only inventing it. Where do", "consult? Is there such a site, or can I expect to call my", "that connected writers with subject matter experts, but now I can't find it.", "it. It occurs to me that this is not a unique situation. I", "I feel like the narrative will suffer for it. It occurs to me", "and now I have questions to ask a doctor. The problem is, I", "can I expect to call my local hospital and be able to talk", "find it. Perhaps I was only inventing it. Where do I find experts", "narrative will suffer for it. It occurs to me that this is not", "can't find it. Perhaps I was only inventing it. Where do I find", "with subject matter experts, but now I can't find it. Perhaps I was", "a medical condition as a central plot point, and now I have questions", "I can't find it. Perhaps I was only inventing it. Where do I", "a doctor. The problem is, I don't know one. I could make up", "I vaguely remember hearing about a site that connected writers with subject matter", "but now I can't find it. Perhaps I was only inventing it. Where", "Perhaps I was only inventing it. Where do I find experts to consult?", "site that connected writers with subject matter experts, but now I can't find", "or can I expect to call my local hospital and be able to", "situation. I vaguely remember hearing about a site that connected writers with subject", "about a site that connected writers with subject matter experts, but now I", "and be able to talk to someone? What about experts in other fields?", "suffer for it. It occurs to me that this is not a unique", "this is not a unique situation. I vaguely remember hearing about a site", "It occurs to me that this is not a unique situation. I vaguely", "I find experts to consult? Is there such a site, or can I", "The problem is, I don't know one. I could make up the details,", "has a medical condition as a central plot point, and now I have", "call my local hospital and be able to talk to someone? What about", "such a site, or can I expect to call my local hospital and", "plot point, and now I have questions to ask a doctor. The problem", "doctor. The problem is, I don't know one. I could make up the", "a central plot point, and now I have questions to ask a doctor.", "there such a site, or can I expect to call my local hospital", "find experts to consult? Is there such a site, or can I expect", "feel like the narrative will suffer for it. It occurs to me that", "it. Perhaps I was only inventing it. Where do I find experts to", "that this is not a unique situation. I vaguely remember hearing about a", "that has a medical condition as a central plot point, and now I", "to call my local hospital and be able to talk to someone? What", "but I feel like the narrative will suffer for it. It occurs to", "a unique situation. I vaguely remember hearing about a site that connected writers", "ask a doctor. The problem is, I don't know one. I could make", "matter experts, but now I can't find it. Perhaps I was only inventing", "point, and now I have questions to ask a doctor. The problem is,", "I'm writing a story that has a medical condition as a central plot", "a story that has a medical condition as a central plot point, and", "connected writers with subject matter experts, but now I can't find it. Perhaps", "make up the details, but I feel like the narrative will suffer for", "medical condition as a central plot point, and now I have questions to", "up the details, but I feel like the narrative will suffer for it.", "now I have questions to ask a doctor. The problem is, I don't", "don't know one. I could make up the details, but I feel like", "me that this is not a unique situation. I vaguely remember hearing about", "unique situation. I vaguely remember hearing about a site that connected writers with", "could make up the details, but I feel like the narrative will suffer", "is not a unique situation. I vaguely remember hearing about a site that", "condition as a central plot point, and now I have questions to ask", "not a unique situation. I vaguely remember hearing about a site that connected", "to me that this is not a unique situation. I vaguely remember hearing", "I could make up the details, but I feel like the narrative will", "it. Where do I find experts to consult? Is there such a site,", "central plot point, and now I have questions to ask a doctor. The", "occurs to me that this is not a unique situation. I vaguely remember", "I was only inventing it. Where do I find experts to consult? Is", "the narrative will suffer for it. It occurs to me that this is", "as a central plot point, and now I have questions to ask a", "for it. It occurs to me that this is not a unique situation.", "site, or can I expect to call my local hospital and be able", "a site, or can I expect to call my local hospital and be", "I expect to call my local hospital and be able to talk to", "remember hearing about a site that connected writers with subject matter experts, but", "inventing it. Where do I find experts to consult? Is there such a", "to consult? Is there such a site, or can I expect to call", "problem is, I don't know one. I could make up the details, but", "writers with subject matter experts, but now I can't find it. Perhaps I", "like the narrative will suffer for it. It occurs to me that this", "to ask a doctor. The problem is, I don't know one. I could", "was only inventing it. Where do I find experts to consult? Is there", "only inventing it. Where do I find experts to consult? Is there such", "will suffer for it. It occurs to me that this is not a", "one. I could make up the details, but I feel like the narrative", "know one. I could make up the details, but I feel like the", "the details, but I feel like the narrative will suffer for it. It", "do I find experts to consult? Is there such a site, or can", "expect to call my local hospital and be able to talk to someone?", "writing a story that has a medical condition as a central plot point,", "I don't know one. I could make up the details, but I feel", "have questions to ask a doctor. The problem is, I don't know one.", "Where do I find experts to consult? Is there such a site, or", "Is there such a site, or can I expect to call my local", "my local hospital and be able to talk to someone? What about experts", "I have questions to ask a doctor. The problem is, I don't know", "questions to ask a doctor. The problem is, I don't know one. I", "a site that connected writers with subject matter experts, but now I can't", "vaguely remember hearing about a site that connected writers with subject matter experts,", "hearing about a site that connected writers with subject matter experts, but now", "story that has a medical condition as a central plot point, and now" ]
[ "one include events that can only be explained in-universe as \"supernatural\", falling outside", "question; to what extent can one include events that can only be explained", "in-universe as \"supernatural\", falling outside the science of the setting before they're writing", "as \"supernatural\", falling outside the science of the setting before they're writing fantasy", "explained in-universe as \"supernatural\", falling outside the science of the setting before they're", "that I haven't quite asked the question I had intended, the answers are", "falling outside the science of the setting before they're writing fantasy instead of", "makes it clear to me that I haven't quite asked the question I", "looking for. So different but related question; to what extent can one include", "So different but related question; to what extent can one include events that", "asked the question I had intended, the answers are useful but not quite", "quite asked the question I had intended, the answers are useful but not", "related question; to what extent can one include events that can only be", "haven't quite asked the question I had intended, the answers are useful but", "can only be explained in-universe as \"supernatural\", falling outside the science of the", "response to [this question](https://writing.stackexchange.com/questions/37798/the-role-of-unexplainable-events-in-science-fiction) makes it clear to me that I haven't quite", "quite what I'm looking for. So different but related question; to what extent", "can one include events that can only be explained in-universe as \"supernatural\", falling", "extent can one include events that can only be explained in-universe as \"supernatural\",", "be explained in-universe as \"supernatural\", falling outside the science of the setting before", "intended, the answers are useful but not quite what I'm looking for. So", "useful but not quite what I'm looking for. So different but related question;", "clear to me that I haven't quite asked the question I had intended,", "outside the science of the setting before they're writing fantasy instead of sci-fi?", "question](https://writing.stackexchange.com/questions/37798/the-role-of-unexplainable-events-in-science-fiction) makes it clear to me that I haven't quite asked the question", "the answers are useful but not quite what I'm looking for. So different", "for. So different but related question; to what extent can one include events", "that can only be explained in-universe as \"supernatural\", falling outside the science of", "\"supernatural\", falling outside the science of the setting before they're writing fantasy instead", "what I'm looking for. So different but related question; to what extent can", "to me that I haven't quite asked the question I had intended, the", "answers are useful but not quite what I'm looking for. So different but", "I had intended, the answers are useful but not quite what I'm looking", "[this question](https://writing.stackexchange.com/questions/37798/the-role-of-unexplainable-events-in-science-fiction) makes it clear to me that I haven't quite asked the", "it clear to me that I haven't quite asked the question I had", "the question I had intended, the answers are useful but not quite what", "had intended, the answers are useful but not quite what I'm looking for.", "to what extent can one include events that can only be explained in-universe", "events that can only be explained in-universe as \"supernatural\", falling outside the science", "me that I haven't quite asked the question I had intended, the answers", "not quite what I'm looking for. So different but related question; to what", "I'm looking for. So different but related question; to what extent can one", "are useful but not quite what I'm looking for. So different but related", "question I had intended, the answers are useful but not quite what I'm", "but not quite what I'm looking for. So different but related question; to", "but related question; to what extent can one include events that can only", "only be explained in-universe as \"supernatural\", falling outside the science of the setting", "what extent can one include events that can only be explained in-universe as", "include events that can only be explained in-universe as \"supernatural\", falling outside the", "The response to [this question](https://writing.stackexchange.com/questions/37798/the-role-of-unexplainable-events-in-science-fiction) makes it clear to me that I haven't", "different but related question; to what extent can one include events that can", "I haven't quite asked the question I had intended, the answers are useful", "to [this question](https://writing.stackexchange.com/questions/37798/the-role-of-unexplainable-events-in-science-fiction) makes it clear to me that I haven't quite asked" ]
[ "of advice do you have to avoid info dumps in fan fiction? Granted", "to avoid info dumps in fan fiction? Granted this can usually be avoided", "avoid info dumps in fan fiction? Granted this can usually be avoided in", "fiction? Granted this can usually be avoided in fan fiction by sticking to", "giving the info of what is different without boring your reader with a", "with au's or other canon divergence, how do you handle giving the info", "info dumps in fan fiction? Granted this can usually be avoided in fan", "other canon divergence, how do you handle giving the info of what is", "Granted this can usually be avoided in fan fiction by sticking to what", "usually be avoided in fan fiction by sticking to what is known. But", "in fan fiction by sticking to what is known. But when you work", "do you have to avoid info dumps in fan fiction? Granted this can", "what is known. But when you work with au's or other canon divergence,", "divergence, how do you handle giving the info of what is different without", "I was wondering what kind of advice do you have to avoid info", "info of what is different without boring your reader with a huge info", "can usually be avoided in fan fiction by sticking to what is known.", "what kind of advice do you have to avoid info dumps in fan", "was wondering what kind of advice do you have to avoid info dumps", "fan fiction by sticking to what is known. But when you work with", "you handle giving the info of what is different without boring your reader", "the info of what is different without boring your reader with a huge", "by sticking to what is known. But when you work with au's or", "this can usually be avoided in fan fiction by sticking to what is", "fiction by sticking to what is known. But when you work with au's", "handle giving the info of what is different without boring your reader with", "canon divergence, how do you handle giving the info of what is different", "do you handle giving the info of what is different without boring your", "of what is different without boring your reader with a huge info dump?", "you work with au's or other canon divergence, how do you handle giving", "when you work with au's or other canon divergence, how do you handle", "sticking to what is known. But when you work with au's or other", "dumps in fan fiction? Granted this can usually be avoided in fan fiction", "known. But when you work with au's or other canon divergence, how do", "kind of advice do you have to avoid info dumps in fan fiction?", "be avoided in fan fiction by sticking to what is known. But when", "advice do you have to avoid info dumps in fan fiction? Granted this", "you have to avoid info dumps in fan fiction? Granted this can usually", "in fan fiction? Granted this can usually be avoided in fan fiction by", "avoided in fan fiction by sticking to what is known. But when you", "But when you work with au's or other canon divergence, how do you", "have to avoid info dumps in fan fiction? Granted this can usually be", "to what is known. But when you work with au's or other canon", "is known. But when you work with au's or other canon divergence, how", "au's or other canon divergence, how do you handle giving the info of", "wondering what kind of advice do you have to avoid info dumps in", "fan fiction? Granted this can usually be avoided in fan fiction by sticking", "work with au's or other canon divergence, how do you handle giving the", "how do you handle giving the info of what is different without boring", "or other canon divergence, how do you handle giving the info of what" ]
[ "throughout the paragraph as First, Second, and Last. My question is whether I,", "to be supported by multiple arguments that are introduced throughout the paragraph as", "The paragraph would be structured as follows: ``` Beginning of the paragraph Topic", "use subconclusions (such as a sentences beginning with Thus, So, or Therefore etc.)", "paragraph Topic sentence Argument 1 So, this is why argument 1 ... Argument", "Argument 1 So, this is why argument 1 ... Argument 2 Thus, argument", "or whether I always have to wait and summarize all points in a", "this is why argument 1 ... Argument 2 Thus, argument 2 implies ...", "main point, and the main point tends to be supported by multiple arguments", "as follows: ``` Beginning of the paragraph Topic sentence Argument 1 So, this", "is why argument 1 ... Argument 2 Thus, argument 2 implies ... Argument", "by multiple arguments that are introduced throughout the paragraph as First, Second, and", "``` Beginning of the paragraph Topic sentence Argument 1 So, this is why", "as First, Second, and Last. My question is whether I, in the case", "introduced throughout the paragraph as First, Second, and Last. My question is whether", "case of a long paragraph, can use subconclusions (such as a sentences beginning", "a final concluding sentence? The paragraph would be structured as follows: ``` Beginning", "1 ... Argument 2 Thus, argument 2 implies ... Argument 3 Concluding sentence", "whether I always have to wait and summarize all points in a final", "sentences beginning with Thus, So, or Therefore etc.) for the First and or", "to wait and summarize all points in a final concluding sentence? The paragraph", "of the paragraph Topic sentence Argument 1 So, this is why argument 1", "Argument 2 Thus, argument 2 implies ... Argument 3 Concluding sentence End of", "that are introduced throughout the paragraph as First, Second, and Last. My question", "final concluding sentence? The paragraph would be structured as follows: ``` Beginning of", "sentence? The paragraph would be structured as follows: ``` Beginning of the paragraph", "I, in the case of a long paragraph, can use subconclusions (such as", "Second arguments, or whether I always have to wait and summarize all points", "a sentences beginning with Thus, So, or Therefore etc.) for the First and", "and Last. My question is whether I, in the case of a long", "often contain a topic sentence that states the main point, and the main", "subconclusions (such as a sentences beginning with Thus, So, or Therefore etc.) for", "in a final concluding sentence? The paragraph would be structured as follows: ```", "paragraph would be structured as follows: ``` Beginning of the paragraph Topic sentence", "beginning with Thus, So, or Therefore etc.) for the First and or Second", "always have to wait and summarize all points in a final concluding sentence?", "or Therefore etc.) for the First and or Second arguments, or whether I", "argument 1 ... Argument 2 Thus, argument 2 implies ... Argument 3 Concluding", "main point tends to be supported by multiple arguments that are introduced throughout", "arguments, or whether I always have to wait and summarize all points in", "Beginning of the paragraph Topic sentence Argument 1 So, this is why argument", "My question is whether I, in the case of a long paragraph, can", "for the First and or Second arguments, or whether I always have to", "be supported by multiple arguments that are introduced throughout the paragraph as First,", "follows: ``` Beginning of the paragraph Topic sentence Argument 1 So, this is", "the paragraph Topic sentence Argument 1 So, this is why argument 1 ...", "in the case of a long paragraph, can use subconclusions (such as a", "summarize all points in a final concluding sentence? The paragraph would be structured", "and or Second arguments, or whether I always have to wait and summarize", "the case of a long paragraph, can use subconclusions (such as a sentences", "as a sentences beginning with Thus, So, or Therefore etc.) for the First", "and the main point tends to be supported by multiple arguments that are", "paragraph as First, Second, and Last. My question is whether I, in the", "structured as follows: ``` Beginning of the paragraph Topic sentence Argument 1 So,", "is whether I, in the case of a long paragraph, can use subconclusions", "sentence Argument 1 So, this is why argument 1 ... Argument 2 Thus,", "Last. My question is whether I, in the case of a long paragraph,", "and summarize all points in a final concluding sentence? The paragraph would be", "states the main point, and the main point tends to be supported by", "Thus, So, or Therefore etc.) for the First and or Second arguments, or", "argument 2 implies ... Argument 3 Concluding sentence End of the paragraph. ```", "all points in a final concluding sentence? The paragraph would be structured as", "contain a topic sentence that states the main point, and the main point", "concluding sentence? The paragraph would be structured as follows: ``` Beginning of the", "1 So, this is why argument 1 ... Argument 2 Thus, argument 2", "that states the main point, and the main point tends to be supported", "First and or Second arguments, or whether I always have to wait and", "be structured as follows: ``` Beginning of the paragraph Topic sentence Argument 1", "points in a final concluding sentence? The paragraph would be structured as follows:", "Second, and Last. My question is whether I, in the case of a", "point tends to be supported by multiple arguments that are introduced throughout the", "2 Thus, argument 2 implies ... Argument 3 Concluding sentence End of the", "First, Second, and Last. My question is whether I, in the case of", "Argumentative paragraphs often contain a topic sentence that states the main point, and", "can use subconclusions (such as a sentences beginning with Thus, So, or Therefore", "tends to be supported by multiple arguments that are introduced throughout the paragraph", "with Thus, So, or Therefore etc.) for the First and or Second arguments,", "paragraphs often contain a topic sentence that states the main point, and the", "So, or Therefore etc.) for the First and or Second arguments, or whether", "Therefore etc.) for the First and or Second arguments, or whether I always", "wait and summarize all points in a final concluding sentence? The paragraph would", "arguments that are introduced throughout the paragraph as First, Second, and Last. My", "of a long paragraph, can use subconclusions (such as a sentences beginning with", "sentence that states the main point, and the main point tends to be", "supported by multiple arguments that are introduced throughout the paragraph as First, Second,", "would be structured as follows: ``` Beginning of the paragraph Topic sentence Argument", "the main point tends to be supported by multiple arguments that are introduced", "multiple arguments that are introduced throughout the paragraph as First, Second, and Last.", "the main point, and the main point tends to be supported by multiple", "question is whether I, in the case of a long paragraph, can use", "or Second arguments, or whether I always have to wait and summarize all", "Topic sentence Argument 1 So, this is why argument 1 ... Argument 2", "are introduced throughout the paragraph as First, Second, and Last. My question is", "the First and or Second arguments, or whether I always have to wait", "So, this is why argument 1 ... Argument 2 Thus, argument 2 implies", "whether I, in the case of a long paragraph, can use subconclusions (such", "etc.) for the First and or Second arguments, or whether I always have", "point, and the main point tends to be supported by multiple arguments that", "why argument 1 ... Argument 2 Thus, argument 2 implies ... Argument 3", "(such as a sentences beginning with Thus, So, or Therefore etc.) for the", "Thus, argument 2 implies ... Argument 3 Concluding sentence End of the paragraph.", "long paragraph, can use subconclusions (such as a sentences beginning with Thus, So,", "a long paragraph, can use subconclusions (such as a sentences beginning with Thus,", "a topic sentence that states the main point, and the main point tends", "the paragraph as First, Second, and Last. My question is whether I, in", "I always have to wait and summarize all points in a final concluding", "paragraph, can use subconclusions (such as a sentences beginning with Thus, So, or", "topic sentence that states the main point, and the main point tends to", "have to wait and summarize all points in a final concluding sentence? The", "... Argument 2 Thus, argument 2 implies ... Argument 3 Concluding sentence End" ]
[ "her memory or - if she is paralyzed - go home to take", "in Diayi’s life places her in danger. Amox is highly skilled, but so", "sister after the death of their parents. They were adopted by an uncle,", "their determination that they can be the exception to the rule. Their stepfather", "the current paradigm, he would have to choose his path. His main options", "little brother in part out of habit, but mostly because she knows him", "that she is placed in peril as she is his vulnerability. The threat,", "wounded because of the dangerous nature of her brother’s profession and their determination", "has ever experienced and his love for his family is such that there", "who was raised with and by his sister after the death of their", "is also the only character who could truly change him as he would", "not sure if she should essentially continue to ground her brother or if", "life and she wants him in hers, but both understand that she is", "assess his life - possibly without her wisdom. If she dies, under the", "no one else can and is also the only character who could truly", "home to take care of her. If she is neither injured nor killed", "or be gravely wounded because of the dangerous nature of her brother’s profession", "which is not in his character or opt to retire and honour her", "nor killed he continues down the road he has travelled for the past", "the road he has travelled for the past sixteen years. He goes about", "retire. I like her character but am not sure if she should essentially", "be together unobserved since his departure from the CIA. He wants her in", "his family is such that there is nothing he will not do for", "him to choose and assess his life - possibly without her wisdom. If", "her wisdom. If she dies, under the current paradigm, he would have to", "habit, but mostly because she knows him well. She is the voice of", "of her brother’s profession and their determination that they can be the exception", "hers, but both understand that she is placed in peril as she is", "she should essentially continue to ground her brother or if he should be", "successful and unrepentant assassin who is devoted to his sister. She and her", "the table. My main reservation is that I think it is intriguing to", "same if he ever chooses to retire. I like her character but am", "and his love for his family is such that there is nothing he", "if push came to shove. The two siblings have a strong bond though", "his sister and her normal life counterpoints his. He is the assassin at", "am not sure if she should essentially continue to ground her brother or", "that I think it is intriguing to have this dichotomy and her normal", "of their parents. They were adopted by an uncle, who did his best", "kids raised each other. MC is highly successful and unrepentant assassin who is", "ultimate professional and never acts out of anger or passion. The sister, Diayi,is", "is his vulnerability. The threat, if any, will never come from any of", "or passion. The sister, Diayi,is fiercely protective of her little brother in part", "death of their parents. They were adopted by an uncle, who did his", "strong bond though they must find time to be together unobserved since his", "possibly without her wisdom. If she dies, under the current paradigm, he would", "if he ever chooses to retire. I like her character but am not", "chooses to retire. I like her character but am not sure if she", "goes about his business as a ‘liquidator of corporate assets’ and has Thanksgiving", "to wreak revenge which is not in his character or opt to retire", "consequences. I think she should either die or be gravely wounded because of", "fiercely protective of her little brother in part out of habit, but mostly", "- possibly without her wisdom. If she dies, under the current paradigm, he", "reservation is that I think it is intriguing to have this dichotomy and", "colleagues as he is too highly respected for that to occur - but", "her in danger. Amox is highly skilled, but so are his opponents so", "his colleagues as he is too highly respected for that to occur -", "paralyzed - go home to take care of her. If she is neither", "thing to normal that he has ever experienced and his love for his", "for that to occur - but his former employers might force things and", "of the same if he ever chooses to retire. I like her character", "his path. His main options are to wreak revenge which is not in", "the two kids raised each other. MC is highly successful and unrepentant assassin", "force him to choose and assess his life - possibly without her wisdom.", "is an assassin who was raised with and by his sister after the", "The two siblings have a strong bond though they must find time to", "bond though they must find time to be together unobserved since his departure", "placed in peril as she is his vulnerability. The threat, if any, will", "is not in his character or opt to retire and honour her memory", "is nothing he will not do for them. He is the ultimate professional", "the exception to the rule. Their stepfather uncle believes that Amox staying in", "things will go wrong for him on occasion and either her death or", "choose her over his profession if push came to shove. The two siblings", "the ultimate professional and never acts out of anger or passion. The sister,", "passion. The sister, Diayi,is fiercely protective of her little brother in part out", "and either her death or incapacitation would certainly force him to choose and", "departure from the CIA. He wants her in his life and she wants", "danger. Amox is highly skilled, but so are his opponents so things will", "he would have to choose his path. His main options are to wreak", "two siblings have a strong bond though they must find time to be", "in hers, but both understand that she is placed in peril as she", "life - possibly without her wisdom. If she dies, under the current paradigm,", "the same if he ever chooses to retire. I like her character but", "are the closest thing to normal that he has ever experienced and his", "a strong bond though they must find time to be together unobserved since", "she knows him well. She is the voice of normalcy in Amoxander’s life.", "care of her. If she is neither injured nor killed he continues down", "her brother’s profession and their determination that they can be the exception to", "voice of normalcy in Amoxander’s life. She understands him in ways no one", "highly respected for that to occur - but his former employers might force", "she is paralyzed - go home to take care of her. If she", "wisdom. If she dies, under the current paradigm, he would have to choose", "of her little brother in part out of habit, but mostly because she", "employers might force things and have unforeseen consequences. I think she should either", "understands him in ways no one else can and is also the only", "with and by his sister after the death of their parents. They were", "wreak revenge which is not in his character or opt to retire and", "profession and their determination that they can be the exception to the rule.", "wants her in his life and she wants him in hers, but both", "assassin at the table. My main reservation is that I think it is", "table. My main reservation is that I think it is intriguing to have", "on occasion and either her death or incapacitation would certainly force him to", "the past sixteen years. He goes about his business as a ‘liquidator of", "wants him in hers, but both understand that she is placed in peril", "she dies, under the current paradigm, he would have to choose his path.", "other. MC is highly successful and unrepentant assassin who is devoted to his", "one else can and is also the only character who could truly change", "places her in danger. Amox is highly skilled, but so are his opponents", "though he was overwhelmed by the task so the two kids raised each", "either die or be gravely wounded because of the dangerous nature of her", "certainly force him to choose and assess his life - possibly without her", "for the past sixteen years. He goes about his business as a ‘liquidator", "normal life offers him the hope of the same if he ever chooses", "family is such that there is nothing he will not do for them.", "as he is too highly respected for that to occur - but his", "brother’s profession and their determination that they can be the exception to the", "who did his best though he was overwhelmed by the task so the", "her over his profession if push came to shove. The two siblings have", "highly skilled, but so are his opponents so things will go wrong for", "he is too highly respected for that to occur - but his former", "is too highly respected for that to occur - but his former employers", "he will not do for them. He is the ultimate professional and never", "like her character but am not sure if she should essentially continue to", "her normal life counterpoints his. He is the assassin at the table. My", "in danger. Amox is highly skilled, but so are his opponents so things", "that Amox staying in Diayi’s life places her in danger. Amox is highly", "with his sister and her normal life counterpoints his. He is the assassin", "corporate assets’ and has Thanksgiving and Christmas with his sister and her normal", "by the task so the two kids raised each other. MC is highly", "staying in Diayi’s life places her in danger. Amox is highly skilled, but", "will go wrong for him on occasion and either her death or incapacitation", "it is intriguing to have this dichotomy and her normal life offers him", "came to shove. The two siblings have a strong bond though they must", "and unrepentant assassin who is devoted to his sister. She and her family", "dichotomy and her normal life offers him the hope of the same if", "as she is his vulnerability. The threat, if any, will never come from", "unrepentant assassin who is devoted to his sister. She and her family are", "will not do for them. He is the ultimate professional and never acts", "to normal that he has ever experienced and his love for his family", "and her normal life offers him the hope of the same if he", "sure if she should essentially continue to ground her brother or if he", "peril as she is his vulnerability. The threat, if any, will never come", "for him on occasion and either her death or incapacitation would certainly force", "be gravely wounded because of the dangerous nature of her brother’s profession and", "to shove. The two siblings have a strong bond though they must find", "His main options are to wreak revenge which is not in his character", "travelled for the past sixteen years. He goes about his business as a", "the task so the two kids raised each other. MC is highly successful", "life. She understands him in ways no one else can and is also", "siblings have a strong bond though they must find time to be together", "retire and honour her memory or - if she is paralyzed - go", "truly change him as he would choose her over his profession if push", "them. He is the ultimate professional and never acts out of anger or", "have unforeseen consequences. I think she should either die or be gravely wounded", "in peril as she is his vulnerability. The threat, if any, will never", "must find time to be together unobserved since his departure from the CIA.", "understand that she is placed in peril as she is his vulnerability. The", "well. She is the voice of normalcy in Amoxander’s life. She understands him", "both understand that she is placed in peril as she is his vulnerability.", "but his former employers might force things and have unforeseen consequences. I think", "the hope of the same if he ever chooses to retire. I like", "closest thing to normal that he has ever experienced and his love for", "out of anger or passion. The sister, Diayi,is fiercely protective of her little", "counterpoints his. He is the assassin at the table. My main reservation is", "life counterpoints his. He is the assassin at the table. My main reservation", "are his opponents so things will go wrong for him on occasion and", "offers him the hope of the same if he ever chooses to retire.", "hope of the same if he ever chooses to retire. I like her", "injured nor killed he continues down the road he has travelled for the", "past sixteen years. He goes about his business as a ‘liquidator of corporate", "time to be together unobserved since his departure from the CIA. He wants", "uncle, who did his best though he was overwhelmed by the task so", "occasion and either her death or incapacitation would certainly force him to choose", "is intriguing to have this dichotomy and her normal life offers him the", "his profession if push came to shove. The two siblings have a strong", "unforeseen consequences. I think she should either die or be gravely wounded because", "because of the dangerous nature of her brother’s profession and their determination that", "without her wisdom. If she dies, under the current paradigm, he would have", "in ways no one else can and is also the only character who", "her family are the closest thing to normal that he has ever experienced", "go home to take care of her. If she is neither injured nor", "to take care of her. If she is neither injured nor killed he", "overwhelmed by the task so the two kids raised each other. MC is", "to the rule. Their stepfather uncle believes that Amox staying in Diayi’s life", "best though he was overwhelmed by the task so the two kids raised", "ever experienced and his love for his family is such that there is", "of habit, but mostly because she knows him well. She is the voice", "she is his vulnerability. The threat, if any, will never come from any", "but am not sure if she should essentially continue to ground her brother", "raised each other. MC is highly successful and unrepentant assassin who is devoted", "The sister, Diayi,is fiercely protective of her little brother in part out of", "former employers might force things and have unforeseen consequences. I think she should", "brother in part out of habit, but mostly because she knows him well.", "either her death or incapacitation would certainly force him to choose and assess", "or - if she is paralyzed - go home to take care of", "only character who could truly change him as he would choose her over", "his love for his family is such that there is nothing he will", "was raised with and by his sister after the death of their parents.", "character but am not sure if she should essentially continue to ground her", "for his family is such that there is nothing he will not do", "about his business as a ‘liquidator of corporate assets’ and has Thanksgiving and", "if any, will never come from any of his colleagues as he is", "uncle believes that Amox staying in Diayi’s life places her in danger. Amox", "because she knows him well. She is the voice of normalcy in Amoxander’s", "dangerous nature of her brother’s profession and their determination that they can be", "his life and she wants him in hers, but both understand that she", "CIA. He wants her in his life and she wants him in hers,", "as he would choose her over his profession if push came to shove.", "path. His main options are to wreak revenge which is not in his", "be the exception to the rule. Their stepfather uncle believes that Amox staying", "of her. If she is neither injured nor killed he continues down the", "and her normal life counterpoints his. He is the assassin at the table.", "force things and have unforeseen consequences. I think she should either die or", "can and is also the only character who could truly change him as", "- if she is paralyzed - go home to take care of her.", "If she is neither injured nor killed he continues down the road he", "He goes about his business as a ‘liquidator of corporate assets’ and has", "main reservation is that I think it is intriguing to have this dichotomy", "her in his life and she wants him in hers, but both understand", "him in ways no one else can and is also the only character", "Thanksgiving and Christmas with his sister and her normal life counterpoints his. He", "he ever chooses to retire. I like her character but am not sure", "ways no one else can and is also the only character who could", "too highly respected for that to occur - but his former employers might", "that he has ever experienced and his love for his family is such", "- go home to take care of her. If she is neither injured", "is the ultimate professional and never acts out of anger or passion. The", "is placed in peril as she is his vulnerability. The threat, if any,", "a ‘liquidator of corporate assets’ and has Thanksgiving and Christmas with his sister", "memory or - if she is paralyzed - go home to take care", "shove. The two siblings have a strong bond though they must find time", "rule. Their stepfather uncle believes that Amox staying in Diayi’s life places her", "her character but am not sure if she should essentially continue to ground", "and never acts out of anger or passion. The sister, Diayi,is fiercely protective", "this dichotomy and her normal life offers him the hope of the same", "could truly change him as he would choose her over his profession if", "Christmas with his sister and her normal life counterpoints his. He is the", "options are to wreak revenge which is not in his character or opt", "If she dies, under the current paradigm, he would have to choose his", "her. If she is neither injured nor killed he continues down the road", "will never come from any of his colleagues as he is too highly", "She understands him in ways no one else can and is also the", "normalcy in Amoxander’s life. She understands him in ways no one else can", "and have unforeseen consequences. I think she should either die or be gravely", "are to wreak revenge which is not in his character or opt to", "his sister. She and her family are the closest thing to normal that", "though they must find time to be together unobserved since his departure from", "they must find time to be together unobserved since his departure from the", "My main reservation is that I think it is intriguing to have this", "if she is paralyzed - go home to take care of her. If", "would choose her over his profession if push came to shove. The two", "but so are his opponents so things will go wrong for him on", "to choose and assess his life - possibly without her wisdom. If she", "out of habit, but mostly because she knows him well. She is the", "highly successful and unrepentant assassin who is devoted to his sister. She and", "ground her brother or if he should be forced to find his own", "profession if push came to shove. The two siblings have a strong bond", "adopted by an uncle, who did his best though he was overwhelmed by", "determination that they can be the exception to the rule. Their stepfather uncle", "push came to shove. The two siblings have a strong bond though they", "his. He is the assassin at the table. My main reservation is that", "life places her in danger. Amox is highly skilled, but so are his", "sister. She and her family are the closest thing to normal that he", "protective of her little brother in part out of habit, but mostly because", "in part out of habit, but mostly because she knows him well. She", "the only character who could truly change him as he would choose her", "Amox staying in Diayi’s life places her in danger. Amox is highly skilled,", "his vulnerability. The threat, if any, will never come from any of his", "to choose his path. His main options are to wreak revenge which is", "two kids raised each other. MC is highly successful and unrepentant assassin who", "incapacitation would certainly force him to choose and assess his life - possibly", "love for his family is such that there is nothing he will not", "also the only character who could truly change him as he would choose", "or opt to retire and honour her memory or - if she is", "his former employers might force things and have unforeseen consequences. I think she", "He wants her in his life and she wants him in hers, but", "anger or passion. The sister, Diayi,is fiercely protective of her little brother in", "her brother or if he should be forced to find his own gyroscope.", "life offers him the hope of the same if he ever chooses to", "character or opt to retire and honour her memory or - if she", "assassin who was raised with and by his sister after the death of", "over his profession if push came to shove. The two siblings have a", "continues down the road he has travelled for the past sixteen years. He", "have to choose his path. His main options are to wreak revenge which", "nature of her brother’s profession and their determination that they can be the", "and has Thanksgiving and Christmas with his sister and her normal life counterpoints", "vulnerability. The threat, if any, will never come from any of his colleagues", "sister, Diayi,is fiercely protective of her little brother in part out of habit,", "in Amoxander’s life. She understands him in ways no one else can and", "is the assassin at the table. My main reservation is that I think", "character who could truly change him as he would choose her over his", "of his colleagues as he is too highly respected for that to occur", "is neither injured nor killed he continues down the road he has travelled", "her normal life offers him the hope of the same if he ever", "his departure from the CIA. He wants her in his life and she", "were adopted by an uncle, who did his best though he was overwhelmed", "normal that he has ever experienced and his love for his family is", "him as he would choose her over his profession if push came to", "She is the voice of normalcy in Amoxander’s life. She understands him in", "come from any of his colleagues as he is too highly respected for", "him on occasion and either her death or incapacitation would certainly force him", "his best though he was overwhelmed by the task so the two kids", "devoted to his sister. She and her family are the closest thing to", "parents. They were adopted by an uncle, who did his best though he", "the assassin at the table. My main reservation is that I think it", "would certainly force him to choose and assess his life - possibly without", "her little brother in part out of habit, but mostly because she knows", "his sister after the death of their parents. They were adopted by an", "so are his opponents so things will go wrong for him on occasion", "his life - possibly without her wisdom. If she dies, under the current", "so the two kids raised each other. MC is highly successful and unrepentant", "have a strong bond though they must find time to be together unobserved", "think she should either die or be gravely wounded because of the dangerous", "and honour her memory or - if she is paralyzed - go home", "I think it is intriguing to have this dichotomy and her normal life", "that to occur - but his former employers might force things and have", "go wrong for him on occasion and either her death or incapacitation would", "the dangerous nature of her brother’s profession and their determination that they can", "or incapacitation would certainly force him to choose and assess his life -", "his character or opt to retire and honour her memory or - if", "part out of habit, but mostly because she knows him well. She is", "family are the closest thing to normal that he has ever experienced and", "he continues down the road he has travelled for the past sixteen years.", "the closest thing to normal that he has ever experienced and his love", "and is also the only character who could truly change him as he", "that there is nothing he will not do for them. He is the", "his business as a ‘liquidator of corporate assets’ and has Thanksgiving and Christmas", "to his sister. She and her family are the closest thing to normal", "their parents. They were adopted by an uncle, who did his best though", "to be together unobserved since his departure from the CIA. He wants her", "opt to retire and honour her memory or - if she is paralyzed", "killed he continues down the road he has travelled for the past sixteen", "normal life counterpoints his. He is the assassin at the table. My main", "MC is highly successful and unrepentant assassin who is devoted to his sister.", "the rule. Their stepfather uncle believes that Amox staying in Diayi’s life places", "die or be gravely wounded because of the dangerous nature of her brother’s", "Amox is highly skilled, but so are his opponents so things will go", "respected for that to occur - but his former employers might force things", "stepfather uncle believes that Amox staying in Diayi’s life places her in danger.", "think it is intriguing to have this dichotomy and her normal life offers", "of the dangerous nature of her brother’s profession and their determination that they", "down the road he has travelled for the past sixteen years. He goes", "not do for them. He is the ultimate professional and never acts out", "find time to be together unobserved since his departure from the CIA. He", "is devoted to his sister. She and her family are the closest thing", "any of his colleagues as he is too highly respected for that to", "skilled, but so are his opponents so things will go wrong for him", "she should either die or be gravely wounded because of the dangerous nature", "change him as he would choose her over his profession if push came", "They were adopted by an uncle, who did his best though he was", "under the current paradigm, he would have to choose his path. His main", "never acts out of anger or passion. The sister, Diayi,is fiercely protective of", "revenge which is not in his character or opt to retire and honour", "is highly skilled, but so are his opponents so things will go wrong", "for them. He is the ultimate professional and never acts out of anger", "the voice of normalcy in Amoxander’s life. She understands him in ways no", "she is placed in peril as she is his vulnerability. The threat, if", "any, will never come from any of his colleagues as he is too", "and assess his life - possibly without her wisdom. If she dies, under", "since his departure from the CIA. He wants her in his life and", "paradigm, he would have to choose his path. His main options are to", "an assassin who was raised with and by his sister after the death", "exception to the rule. Their stepfather uncle believes that Amox staying in Diayi’s", "of corporate assets’ and has Thanksgiving and Christmas with his sister and her", "knows him well. She is the voice of normalcy in Amoxander’s life. She", "‘liquidator of corporate assets’ and has Thanksgiving and Christmas with his sister and", "Amoxander’s life. She understands him in ways no one else can and is", "his opponents so things will go wrong for him on occasion and either", "dies, under the current paradigm, he would have to choose his path. His", "there is nothing he will not do for them. He is the ultimate", "He is the ultimate professional and never acts out of anger or passion.", "intriguing to have this dichotomy and her normal life offers him the hope", "that they can be the exception to the rule. Their stepfather uncle believes", "but mostly because she knows him well. She is the voice of normalcy", "opponents so things will go wrong for him on occasion and either her", "experienced and his love for his family is such that there is nothing", "in his character or opt to retire and honour her memory or -", "take care of her. If she is neither injured nor killed he continues", "so things will go wrong for him on occasion and either her death", "have this dichotomy and her normal life offers him the hope of the", "choose his path. His main options are to wreak revenge which is not", "She and her family are the closest thing to normal that he has", "him the hope of the same if he ever chooses to retire. I", "death or incapacitation would certainly force him to choose and assess his life", "main options are to wreak revenge which is not in his character or", "things and have unforeseen consequences. I think she should either die or be", "raised with and by his sister after the death of their parents. They", "MC is an assassin who was raised with and by his sister after", "to retire and honour her memory or - if she is paralyzed -", "of normalcy in Amoxander’s life. She understands him in ways no one else", "if she should essentially continue to ground her brother or if he should", "him well. She is the voice of normalcy in Amoxander’s life. She understands", "to occur - but his former employers might force things and have unforeseen", "Diayi,is fiercely protective of her little brother in part out of habit, but", "from any of his colleagues as he is too highly respected for that", "The threat, if any, will never come from any of his colleagues as", "at the table. My main reservation is that I think it is intriguing", "I think she should either die or be gravely wounded because of the", "they can be the exception to the rule. Their stepfather uncle believes that", "gravely wounded because of the dangerous nature of her brother’s profession and their", "acts out of anger or passion. The sister, Diayi,is fiercely protective of her", "together unobserved since his departure from the CIA. He wants her in his", "assets’ and has Thanksgiving and Christmas with his sister and her normal life", "choose and assess his life - possibly without her wisdom. If she dies,", "not in his character or opt to retire and honour her memory or", "honour her memory or - if she is paralyzed - go home to", "is highly successful and unrepentant assassin who is devoted to his sister. She", "he would choose her over his profession if push came to shove. The", "wrong for him on occasion and either her death or incapacitation would certainly", "business as a ‘liquidator of corporate assets’ and has Thanksgiving and Christmas with", "can be the exception to the rule. Their stepfather uncle believes that Amox", "she wants him in hers, but both understand that she is placed in", "road he has travelled for the past sixteen years. He goes about his", "and Christmas with his sister and her normal life counterpoints his. He is", "he was overwhelmed by the task so the two kids raised each other.", "I like her character but am not sure if she should essentially continue", "but both understand that she is placed in peril as she is his", "might force things and have unforeseen consequences. I think she should either die", "years. He goes about his business as a ‘liquidator of corporate assets’ and", "is such that there is nothing he will not do for them. He", "the CIA. He wants her in his life and she wants him in", "each other. MC is highly successful and unrepentant assassin who is devoted to", "should either die or be gravely wounded because of the dangerous nature of", "do for them. He is the ultimate professional and never acts out of", "to retire. I like her character but am not sure if she should", "would have to choose his path. His main options are to wreak revenge", "and she wants him in hers, but both understand that she is placed", "neither injured nor killed he continues down the road he has travelled for", "assassin who is devoted to his sister. She and her family are the", "to have this dichotomy and her normal life offers him the hope of", "she is neither injured nor killed he continues down the road he has", "should essentially continue to ground her brother or if he should be forced", "sister and her normal life counterpoints his. He is the assassin at the", "ever chooses to retire. I like her character but am not sure if", "and her family are the closest thing to normal that he has ever", "task so the two kids raised each other. MC is highly successful and", "her death or incapacitation would certainly force him to choose and assess his", "is the voice of normalcy in Amoxander’s life. She understands him in ways", "he has travelled for the past sixteen years. He goes about his business", "He is the assassin at the table. My main reservation is that I", "of anger or passion. The sister, Diayi,is fiercely protective of her little brother", "by his sister after the death of their parents. They were adopted by", "is that I think it is intriguing to have this dichotomy and her", "was overwhelmed by the task so the two kids raised each other. MC", "who could truly change him as he would choose her over his profession", "as a ‘liquidator of corporate assets’ and has Thanksgiving and Christmas with his", "- but his former employers might force things and have unforeseen consequences. I", "and their determination that they can be the exception to the rule. Their", "and by his sister after the death of their parents. They were adopted", "professional and never acts out of anger or passion. The sister, Diayi,is fiercely", "continue to ground her brother or if he should be forced to find", "unobserved since his departure from the CIA. He wants her in his life", "by an uncle, who did his best though he was overwhelmed by the", "has travelled for the past sixteen years. He goes about his business as", "mostly because she knows him well. She is the voice of normalcy in", "to ground her brother or if he should be forced to find his", "the death of their parents. They were adopted by an uncle, who did", "from the CIA. He wants her in his life and she wants him", "nothing he will not do for them. He is the ultimate professional and", "who is devoted to his sister. She and her family are the closest", "current paradigm, he would have to choose his path. His main options are", "essentially continue to ground her brother or if he should be forced to", "he has ever experienced and his love for his family is such that", "did his best though he was overwhelmed by the task so the two", "in his life and she wants him in hers, but both understand that", "him in hers, but both understand that she is placed in peril as", "such that there is nothing he will not do for them. He is", "believes that Amox staying in Diayi’s life places her in danger. Amox is", "is paralyzed - go home to take care of her. If she is", "Diayi’s life places her in danger. Amox is highly skilled, but so are", "sixteen years. He goes about his business as a ‘liquidator of corporate assets’", "an uncle, who did his best though he was overwhelmed by the task", "never come from any of his colleagues as he is too highly respected", "occur - but his former employers might force things and have unforeseen consequences.", "Their stepfather uncle believes that Amox staying in Diayi’s life places her in", "has Thanksgiving and Christmas with his sister and her normal life counterpoints his.", "threat, if any, will never come from any of his colleagues as he", "after the death of their parents. They were adopted by an uncle, who", "else can and is also the only character who could truly change him" ]
[ "it’s about how this guy starts a family and he has a daughter,", "has a daughter, but the story starts before she’s born. How do I", "a daughter, but the story starts before she’s born. How do I segue", "story starts before she’s born. How do I segue her POV into the", "about how this guy starts a family and he has a daughter, but", "how this guy starts a family and he has a daughter, but the", "the story starts before she’s born. How do I segue her POV into", "writing a book lately and it’s about how this guy starts a family", "he has a daughter, but the story starts before she’s born. How do", "born. How do I segue her POV into the story without it sounding", "been writing a book lately and it’s about how this guy starts a", "and he has a daughter, but the story starts before she’s born. How", "starts before she’s born. How do I segue her POV into the story", "but the story starts before she’s born. How do I segue her POV", "starts a family and he has a daughter, but the story starts before", "she’s born. How do I segue her POV into the story without it", "this guy starts a family and he has a daughter, but the story", "and it’s about how this guy starts a family and he has a", "I segue her POV into the story without it sounding forced and weird?", "guy starts a family and he has a daughter, but the story starts", "do I segue her POV into the story without it sounding forced and", "a book lately and it’s about how this guy starts a family and", "I’ve been writing a book lately and it’s about how this guy starts", "a family and he has a daughter, but the story starts before she’s", "How do I segue her POV into the story without it sounding forced", "book lately and it’s about how this guy starts a family and he", "daughter, but the story starts before she’s born. How do I segue her", "lately and it’s about how this guy starts a family and he has", "before she’s born. How do I segue her POV into the story without", "family and he has a daughter, but the story starts before she’s born." ]
[ "directly instead of having it explained by characters throughout the story. The book", "just give you the background information straight up, and then start the excitement.", "novel would be too 'lazy'? Lazy in the way that I'm providing context", "straight up, and then start the excitement. I've just been wondering if putting", "excitement. I've just been wondering if putting a prelude like that at the", "like that at the beginning of a novel would be too 'lazy'? Lazy", "of a novel would be too 'lazy'? Lazy in the way that I'm", "'lazy'? Lazy in the way that I'm providing context directly instead of having", "a novel would be too 'lazy'? Lazy in the way that I'm providing", "has been rebuilt/is being rebuilt after Nuclear War, so the prelude would somewhat", "at the beginning of a novel would be too 'lazy'? Lazy in the", "the beginning of a novel would be too 'lazy'? Lazy in the way", "Lazy in the way that I'm providing context directly instead of having it", "you the background information straight up, and then start the excitement. I've just", "wondering if putting a prelude like that at the beginning of a novel", "the crawl sequences at the beginning of Star Wars, that just give you", "the excitement. I've just been wondering if putting a prelude like that at", "information straight up, and then start the excitement. I've just been wondering if", "up, and then start the excitement. I've just been wondering if putting a", "way that I'm providing context directly instead of having it explained by characters", "The book I'm writing is a Sci-Fi set a certain amount of time", "be too 'lazy'? Lazy in the way that I'm providing context directly instead", "being rebuilt after Nuclear War, so the prelude would somewhat detail this. Too", "prelude like that at the beginning of a novel would be too 'lazy'?", "give you the background information straight up, and then start the excitement. I've", "a certain amount of time after society has been rebuilt/is being rebuilt after", "rebuilt/is being rebuilt after Nuclear War, so the prelude would somewhat detail this.", "a Sci-Fi set a certain amount of time after society has been rebuilt/is", "too 'lazy'? Lazy in the way that I'm providing context directly instead of", "and then start the excitement. I've just been wondering if putting a prelude", "I'm providing context directly instead of having it explained by characters throughout the", "context directly instead of having it explained by characters throughout the story. The", "would be too 'lazy'? Lazy in the way that I'm providing context directly", "having it explained by characters throughout the story. The book I'm writing is", "providing context directly instead of having it explained by characters throughout the story.", "of having it explained by characters throughout the story. The book I'm writing", "writing is a Sci-Fi set a certain amount of time after society has", "beginning of a novel would be too 'lazy'? Lazy in the way that", "set a certain amount of time after society has been rebuilt/is being rebuilt", "time after society has been rebuilt/is being rebuilt after Nuclear War, so the", "in the way that I'm providing context directly instead of having it explained", "society has been rebuilt/is being rebuilt after Nuclear War, so the prelude would", "book I'm writing is a Sci-Fi set a certain amount of time after", "crawl sequences at the beginning of Star Wars, that just give you the", "the background information straight up, and then start the excitement. I've just been", "sequences at the beginning of Star Wars, that just give you the background", "that I'm providing context directly instead of having it explained by characters throughout", "been rebuilt/is being rebuilt after Nuclear War, so the prelude would somewhat detail", "start the excitement. I've just been wondering if putting a prelude like that", "beginning of Star Wars, that just give you the background information straight up,", "been wondering if putting a prelude like that at the beginning of a", "after society has been rebuilt/is being rebuilt after Nuclear War, so the prelude", "the story. The book I'm writing is a Sci-Fi set a certain amount", "I've just been wondering if putting a prelude like that at the beginning", "background information straight up, and then start the excitement. I've just been wondering", "a prelude like that at the beginning of a novel would be too", "certain amount of time after society has been rebuilt/is being rebuilt after Nuclear", "of time after society has been rebuilt/is being rebuilt after Nuclear War, so", "is a Sci-Fi set a certain amount of time after society has been", "I'm writing is a Sci-Fi set a certain amount of time after society", "of the crawl sequences at the beginning of Star Wars, that just give", "the way that I'm providing context directly instead of having it explained by", "I'm thinking of the crawl sequences at the beginning of Star Wars, that", "Wars, that just give you the background information straight up, and then start", "that at the beginning of a novel would be too 'lazy'? Lazy in", "throughout the story. The book I'm writing is a Sci-Fi set a certain", "amount of time after society has been rebuilt/is being rebuilt after Nuclear War,", "the beginning of Star Wars, that just give you the background information straight", "if putting a prelude like that at the beginning of a novel would", "instead of having it explained by characters throughout the story. The book I'm", "rebuilt after Nuclear War, so the prelude would somewhat detail this. Too lazy?", "thinking of the crawl sequences at the beginning of Star Wars, that just", "then start the excitement. I've just been wondering if putting a prelude like", "characters throughout the story. The book I'm writing is a Sci-Fi set a", "of Star Wars, that just give you the background information straight up, and", "just been wondering if putting a prelude like that at the beginning of", "putting a prelude like that at the beginning of a novel would be", "at the beginning of Star Wars, that just give you the background information", "story. The book I'm writing is a Sci-Fi set a certain amount of", "Sci-Fi set a certain amount of time after society has been rebuilt/is being", "by characters throughout the story. The book I'm writing is a Sci-Fi set", "explained by characters throughout the story. The book I'm writing is a Sci-Fi", "it explained by characters throughout the story. The book I'm writing is a", "Star Wars, that just give you the background information straight up, and then", "that just give you the background information straight up, and then start the" ]
[ "altogether, so the main question is \"where is the object?\" Would this story", "a novel and it goes something like this: In the first half of", "protagonist knows who is doing the killing, but they are trying to make", "the novel, the protagonist finds out there's an object that can stop the", "main question is \"where is the object?\" Would this story classify as a", "the main question is \"where is the object?\" Would this story classify as", "novel, the protagonist finds out there's an object that can stop the killing", "doing it?\" In the second half of the novel, the protagonist finds out", "writing a novel and it goes something like this: In the first half", "the protagonist finds out there's an object that can stop the killing altogether,", "to make sense of it as in \"how are they doing it?\" and", "it?\" and \"why are they doing it?\" In the second half of the", "but they are trying to make sense of it as in \"how are", "something like this: In the first half of the novel, the protagonist knows", "the first half of the novel, the protagonist knows who is doing the", "they are trying to make sense of it as in \"how are they", "goes something like this: In the first half of the novel, the protagonist", "\"how are they doing it?\" and \"why are they doing it?\" In the", "stop the killing altogether, so the main question is \"where is the object?\"", "the protagonist knows who is doing the killing, but they are trying to", "are trying to make sense of it as in \"how are they doing", "it?\" In the second half of the novel, the protagonist finds out there's", "sense of it as in \"how are they doing it?\" and \"why are", "like this: In the first half of the novel, the protagonist knows who", "In the first half of the novel, the protagonist knows who is doing", "are they doing it?\" and \"why are they doing it?\" In the second", "first half of the novel, the protagonist knows who is doing the killing,", "the second half of the novel, the protagonist finds out there's an object", "half of the novel, the protagonist finds out there's an object that can", "half of the novel, the protagonist knows who is doing the killing, but", "of the novel, the protagonist finds out there's an object that can stop", "in \"how are they doing it?\" and \"why are they doing it?\" In", "who is doing the killing, but they are trying to make sense of", "they doing it?\" In the second half of the novel, the protagonist finds", "that can stop the killing altogether, so the main question is \"where is", "\"why are they doing it?\" In the second half of the novel, the", "are they doing it?\" In the second half of the novel, the protagonist", "finds out there's an object that can stop the killing altogether, so the", "the killing altogether, so the main question is \"where is the object?\" Would", "they doing it?\" and \"why are they doing it?\" In the second half", "and it goes something like this: In the first half of the novel,", "make sense of it as in \"how are they doing it?\" and \"why", "of it as in \"how are they doing it?\" and \"why are they", "I am writing a novel and it goes something like this: In the", "and \"why are they doing it?\" In the second half of the novel,", "is doing the killing, but they are trying to make sense of it", "killing, but they are trying to make sense of it as in \"how", "question is \"where is the object?\" Would this story classify as a mystery?", "am writing a novel and it goes something like this: In the first", "the killing, but they are trying to make sense of it as in", "this: In the first half of the novel, the protagonist knows who is", "doing the killing, but they are trying to make sense of it as", "knows who is doing the killing, but they are trying to make sense", "In the second half of the novel, the protagonist finds out there's an", "there's an object that can stop the killing altogether, so the main question", "novel and it goes something like this: In the first half of the", "object that can stop the killing altogether, so the main question is \"where", "of the novel, the protagonist knows who is doing the killing, but they", "as in \"how are they doing it?\" and \"why are they doing it?\"", "out there's an object that can stop the killing altogether, so the main", "novel, the protagonist knows who is doing the killing, but they are trying", "an object that can stop the killing altogether, so the main question is", "can stop the killing altogether, so the main question is \"where is the", "so the main question is \"where is the object?\" Would this story classify", "second half of the novel, the protagonist finds out there's an object that", "it goes something like this: In the first half of the novel, the", "protagonist finds out there's an object that can stop the killing altogether, so", "trying to make sense of it as in \"how are they doing it?\"", "it as in \"how are they doing it?\" and \"why are they doing", "killing altogether, so the main question is \"where is the object?\" Would this", "doing it?\" and \"why are they doing it?\" In the second half of", "the novel, the protagonist knows who is doing the killing, but they are" ]
[ "Earlier today I was thinking about my favorite Sci-fi books, among them being", "moving forward to the conclusion where the lines converge for a tragic ending.", "\"plot bombs\", then writing plot C which is both the antithesis to B,", "their own short-lived conflict which is revealed and then resolved. Through these small", "so I can't absorb it into another arc. One solution is to completely", "the first book (should I split them) and have outlined the rest of", "how the information we're learning in one line impacts others, how the characters", "with awareness to the other plot-lines. After outlining and summarizing these arcs, I", "arcing conflict as well as move the characters closer towards their confrontations. Before", "The specific way I am considering arranging the first book is to write", "with their own short-lived conflict which is revealed and then resolved. Through these", "as move the characters closer towards their confrontations. Before I write them I", "arc are advancing something central to the main plot, so these arcs aren't", "these arcs, I then arranged them in chronological order. Problems -------- And therein", "real agency). The question, then, is whether or not this is okay, or", "antithesis to B, and the chief target of the reveals in B. Finally,", "and reacting with awareness to the other plot-lines. After outlining and summarizing these", "arcs, I then arranged them in chronological order. Problems -------- And therein lies", "I'm not sure a framed story would work in my case, however I", "the protagonist who drives that particular cluster (her first show of real agency).", "if I should find some other solution. When I looked this up online,", "is okay, or if I should find some other solution. When I looked", "plot-line A, which is the protagonist's plot-lines, the characters in B and C", "acting and reacting with awareness to the other plot-lines. After outlining and summarizing", "vs C then C vs A) before diverging again. In the second half", "The characters in A have only misleading information, and it is unrelated to", "plot-lines (A, B, and C) with their own cast, settings, and conflict. Meanwhile", "the norm, and what I am going for currently. You have the pilgrims", "contains the protagonist who drives that particular cluster (her first show of real", "reveals itself as the story progresses. Eventually, in the middle, the three plot-lines", "was originally conceived that I would write short arcs---two to six chapters of", "for the sake of telling a more interesting story (they pretty much know", "plot in its entirety before moving on to another, writing each of out", "second half of the book they are all moving forward to the conclusion", "it can be concluded and then restarted in the middle. This is imperfect,", "main plot, so these arcs aren't just subplots for the sake of subplots.", "doable. Another problem is that I fear I might confuse the reader, or", "the book they are all moving forward to the conclusion where the lines", "unwitting tool of other. But that's me; I'm weird. The previous solution I", "was thinking about my favorite Sci-fi books, among them being Dan Simon's Hyperion", "Through these small conflicts we learn of the over arcing conflict as well", "in framed stories. Each of six tell their own tale as the over", "in B and C will be acting and reacting with awareness to the", "each of out before moving on. I would then call that one book.", "am considering arranging the first book is to write out plot B which", "with funny overlap so I can't absorb it into another arc. One solution", "do have a natural way of executing the divide. The specific way I", "the end of book 1 those in B arrive late, C arrives early,", "over arcing conflict as well as move the characters closer towards their confrontations.", "a more interesting story (they pretty much know everything). The information is slowly", "I would then call that one book. Considering the projected length (which I", "restarted in the middle. This is imperfect, but doable. Another problem is that", "book they are all moving forward to the conclusion where the lines converge", "own tale as the over arcing plot moves on. The second book is", "twos (first B vs C then C vs A) before diverging again. In", "spans three other plot-lines' arcs, but with funny overlap so I can't absorb", "\"reveals\" or \"plot bombs\", then writing plot C which is both the antithesis", "reacting with awareness to the other plot-lines. After outlining and summarizing these arcs,", "therein lies the one problem. Some arcs can't be broken up in such", "Background ---------- First I'll explain the situation. I have a story with three", "diverging again. In the second half of the book they are all moving", "have only misleading information, and it is unrelated to the larger picture. Characters", "three plot-lines converge in twos (first B vs C then C vs A)", "book and nearly all of the second (parts of the middle are missing),", "also know what is going on. The characters in B and C do", "one book. Considering the projected length (which I always underestimate) this will be", "entirety before moving on to another, writing each of out before moving on.", "plots, however that is what I've been doing, and am not sure that", "chief target of the reveals in B. Finally, I would write the plot", "writing out one plot in its entirety before moving on to another, writing", "B, and the chief target of the reveals in B. Finally, I would", "Simon's Hyperion duology. In the first book of his, he presents the tale", "300k words so breaking it into two books has its own advantages, and", "and A contains the protagonist who drives that particular cluster (her first show", "the protagonist's line. We see her struggle under false assumptions and also finally", "is the best way to proceed. I've so far written up to what", "have a natural way of executing the divide. The specific way I am", "B). I'm not sure a framed story would work in my case, however", "nearly all of the second (parts of the middle are missing), writing log-lines", "too closely related to that question, however whereas that question was my concern", "might not see again for another 5 chapters. Personally, I would be intrigued", "cluster (her first show of real agency). The question, then, is whether or", "This is related to a previous question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay).", "of six tell their own tale as the over arcing plot moves on.", "where the lines converge for a tragic ending. The characters in A have", "learning in one line impacts others, how the characters work in opposition to", "me; I'm weird. The previous solution I mentioned does not fix this. Solution?", "plot-lines. After outlining and summarizing these arcs, I then arranged them in chronological", "advancing something central to the main plot, so these arcs aren't just subplots", "them in chronological order. Problems -------- And therein lies the one problem. Some", "opposition to another, and how the protagonist is struggling onward as the unwitting", "middle of the first book (should I split them) and have outlined the", "see her struggle under false assumptions and also finally get to see the", "most \"reveals\" or \"plot bombs\", then writing plot C which is both the", "three plot-lines (A, B, and C) with their own cast, settings, and conflict.", "Solution? --------- Earlier today I was thinking about my favorite Sci-fi books, among", "mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this is might", "that question, however whereas that question was my concern that I was falling", "closely related to that question, however whereas that question was my concern that", "the start of the book---know of this deception and are following the movements", "of book 1 those in B arrive late, C arrives early, and A", "those in B arrive late, C arrives early, and A contains the protagonist", "about my implementation. Background ---------- First I'll explain the situation. I have a", "subplots. With the exception of plot-line A, which is the protagonist's plot-lines, the", "in twos (first B vs C then C vs A) before diverging again.", "a framed story would work in my case, however I am considering writing", "the divide. The specific way I am considering arranging the first book is", "for them to connect to characters they might not see again for another", "to what would be the middle of the first book (should I split", "short arcs---two to six chapters of 4-8k words focusing on one plot-line with", "that is the best way to proceed. I've so far written up to", "I then arranged them in chronological order. Problems -------- And therein lies the", "progresses. Eventually, in the middle, the three plot-lines converge in twos (first B", "solution I mentioned does not fix this. Solution? --------- Earlier today I was", "will be acting and reacting with awareness to the other plot-lines. After outlining", "not share information with the reader for the sake of telling a more", "as to allow this. One in particular B arc spans three other plot-lines'", "write the plot A out, which is the protagonist's line. We see her", "C) with their own cast, settings, and conflict. Meanwhile there is also an", "characters closer towards their confrontations. Before I write them I make sure each", "arc and rework it so that it can be concluded and then restarted", "A out, which is the protagonist's line. We see her struggle under false", "my concern that I was falling into some over-plotting pit fall, this question", "something central to the main plot, so these arcs aren't just subplots for", "words when finished (before cutting). Even after cutting, its likely to be just", "One in particular B arc spans three other plot-lines' arcs, but with funny", "of the first book (should I split them) and have outlined the rest", "the book---know of this deception and are following the movements of characters in", "It was originally conceived that I would write short arcs---two to six chapters", "fear I might confuse the reader, or make it harder for them to", "I was falling into some over-plotting pit fall, this question is about my", "B immediately---at the start of the book---know of this deception and are following", "the second half of the book they are all moving forward to the", "chapters of 4-8k words focusing on one plot-line with their own short-lived conflict", "the information we're learning in one line impacts others, how the characters work", "concern that I was falling into some over-plotting pit fall, this question is", "chapters. Personally, I would be intrigued as I think about how the information", "them being Dan Simon's Hyperion duology. In the first book of his, he", "Even after cutting, its likely to be just shy of 300k words so", "one problem. Some arcs can't be broken up in such a way as", "is struggling onward as the unwitting tool of other. But that's me; I'm", "words so breaking it into two books has its own advantages, and I", "the antithesis to B, and the chief target of the reveals in B.", "B. Finally, I would write the plot A out, which is the protagonist's", "show of real agency). The question, then, is whether or not this is", "and arc are advancing something central to the main plot, so these arcs", "it is unrelated to the larger picture. Characters in B immediately---at the start", "reveals in B. Finally, I would write the plot A out, which is", "their confrontations. Before I write them I make sure each chapter and arc", "going for currently. You have the pilgrims (plot A), MeruemUL (plot C), and", "and it is unrelated to the larger picture. Characters in B immediately---at the", "After outlining and summarizing these arcs, I then arranged them in chronological order.", "what I am going for currently. You have the pilgrims (plot A), MeruemUL", "on one plot-line with their own short-lived conflict which is revealed and then", "but doable. Another problem is that I fear I might confuse the reader,", "cast, settings, and conflict. Meanwhile there is also an over arcing conflict which", "the projected length (which I always underestimate) this will be about 400k+ words", "--------- Earlier today I was thinking about my favorite Sci-fi books, among them", "being Dan Simon's Hyperion duology. In the first book of his, he presents", "of the book they are all moving forward to the conclusion where the", "this will be about 400k+ words when finished (before cutting). Even after cutting,", "Characters in C also know what is going on. The characters in B", "the reader for the sake of telling a more interesting story (they pretty", "first book of his, he presents the tale in framed stories. Each of", "We see her struggle under false assumptions and also finally get to see", "out one plot in its entirety before moving on to another, writing each", "as if the advice was to interleave the plots, however that is what", "to allow this. One in particular B arc spans three other plot-lines' arcs,", "chapter and arc are advancing something central to the main plot, so these", "forward to the conclusion where the lines converge for a tragic ending. The", "are all moving forward to the conclusion where the lines converge for a", "be concluded and then restarted in the middle. This is imperfect, but doable.", "I was thinking about my favorite Sci-fi books, among them being Dan Simon's", "make it harder for them to connect to characters they might not see", "to the conclusion where the lines converge for a tragic ending. The characters", "outlining and summarizing these arcs, I then arranged them in chronological order. Problems", "I might confuse the reader, or make it harder for them to connect", "and C do not share information with the reader for the sake of", "shy of 300k words so breaking it into two books has its own", "implementation. Background ---------- First I'll explain the situation. I have a story with", "that it can be concluded and then restarted in the middle. This is", "and conflict. Meanwhile there is also an over arcing conflict which reveals itself", "I am considering writing out one plot in its entirety before moving on", "arc spans three other plot-lines' arcs, but with funny overlap so I can't", "executing the divide. The specific way I am considering arranging the first book", "picture. Characters in B immediately---at the start of the book---know of this deception", "explain the situation. I have a story with three plot-lines (A, B, and", "three other plot-lines' arcs, but with funny overlap so I can't absorb it", "particular B arc spans three other plot-lines' arcs, but with funny overlap so", "settings, and conflict. Meanwhile there is also an over arcing conflict which reveals", "I'm weird. The previous solution I mentioned does not fix this. Solution? ---------", "is that at the end of book 1 those in B arrive late,", "be broken up in such a way as to allow this. One in", "the middle of the first book (should I split them) and have outlined", "conflict which is revealed and then resolved. Through these small conflicts we learn", "to interleave the plots, however that is what I've been doing, and am", "as well as move the characters closer towards their confrontations. Before I write", "B arc spans three other plot-lines' arcs, but with funny overlap so I", "it harder for them to connect to characters they might not see again", "B which has the most \"reveals\" or \"plot bombs\", then writing plot C", "plot-lines converge in twos (first B vs C then C vs A) before", "has been suggested that this is might be too closely related to that", "book---know of this deception and are following the movements of characters in A.", "call that one book. Considering the projected length (which I always underestimate) this", "I would write the plot A out, which is the protagonist's line. We", "conclusion of the first book. The plan is that at the end of", "I would be intrigued as I think about how the information we're learning", "plot, so these arcs aren't just subplots for the sake of subplots. With", "and nearly all of the second (parts of the middle are missing), writing", "following the movements of characters in A. Characters in C also know what", "again. In the second half of the book they are all moving forward", "own short-lived conflict which is revealed and then resolved. Through these small conflicts", "out before moving on. I would then call that one book. Considering the", "a way as to allow this. One in particular B arc spans three", "Each of six tell their own tale as the over arcing plot moves", "confrontations. Before I write them I make sure each chapter and arc are", "arcs aren't just subplots for the sake of subplots. With the exception of", "First I'll explain the situation. I have a story with three plot-lines (A,", "tell their own tale as the over arcing plot moves on. The second", "pit fall, this question is about my implementation. Background ---------- First I'll explain", "my case, however I am considering writing out one plot in its entirety", "slowly shown instead of told. It was originally conceived that I would write", "funny overlap so I can't absorb it into another arc. One solution is", "moves on. The second book is then more the norm, and what I", "(before cutting). Even after cutting, its likely to be just shy of 300k", "not see again for another 5 chapters. Personally, I would be intrigued as", "on to another, writing each of out before moving on. I would then", "intrigued as I think about how the information we're learning in one line", "to a previous question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been", "been suggested that this is might be too closely related to that question,", "other plot-lines. After outlining and summarizing these arcs, I then arranged them in", "the first book and nearly all of the second (parts of the middle", "sure each chapter and arc are advancing something central to the main plot,", "larger picture. Characters in B immediately---at the start of the book---know of this", "however that is what I've been doing, and am not sure that is", "up to what would be the middle of the first book (should I", "particular cluster (her first show of real agency). The question, then, is whether", "them) and have outlined the rest of the first book and nearly all", "rest of the first book and nearly all of the second (parts of", "characters work in opposition to another, and how the protagonist is struggling onward", "before moving on. I would then call that one book. Considering the projected", "the first book is to write out plot B which has the most", "so that it can be concluded and then restarted in the middle. This", "which is both the antithesis to B, and the chief target of the", "be intrigued as I think about how the information we're learning in one", "his, he presents the tale in framed stories. Each of six tell their", "the reveals in B. Finally, I would write the plot A out, which", "in A have only misleading information, and it is unrelated to the larger", "reader, or make it harder for them to connect to characters they might", "framed stories. Each of six tell their own tale as the over arcing", "that is what I've been doing, and am not sure that is the", "into some over-plotting pit fall, this question is about my implementation. Background ----------", "own cast, settings, and conflict. Meanwhile there is also an over arcing conflict", "the characters closer towards their confrontations. Before I write them I make sure", "I write them I make sure each chapter and arc are advancing something", "then C vs A) before diverging again. In the second half of the", "characters in A. Characters in C also know what is going on. The", "in my case, however I am considering writing out one plot in its", "book 1 those in B arrive late, C arrives early, and A contains", "not this is okay, or if I should find some other solution. When", "and Keats (plot B). I'm not sure a framed story would work in", "the conclusion where the lines converge for a tragic ending. The characters in", "reader for the sake of telling a more interesting story (they pretty much", "previous question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that", "previous solution I mentioned does not fix this. Solution? --------- Earlier today I", "that arc and rework it so that it can be concluded and then", "how the protagonist is struggling onward as the unwitting tool of other. But", "is might be too closely related to that question, however whereas that question", "on. I would then call that one book. Considering the projected length (which", "which reveals itself as the story progresses. Eventually, in the middle, the three", "fix this. Solution? --------- Earlier today I was thinking about my favorite Sci-fi", "after cutting, its likely to be just shy of 300k words so breaking", "only misleading information, and it is unrelated to the larger picture. Characters in", "has the most \"reveals\" or \"plot bombs\", then writing plot C which is", "towards their confrontations. Before I write them I make sure each chapter and", "arcs, but with funny overlap so I can't absorb it into another arc.", "books has its own advantages, and I do have a natural way of", "short-lived conflict which is revealed and then resolved. Through these small conflicts we", "small conflicts we learn of the over arcing conflict as well as move", "conflict. Meanwhile there is also an over arcing conflict which reveals itself as", "about how the information we're learning in one line impacts others, how the", "the sake of telling a more interesting story (they pretty much know everything).", "pretty much know everything). The information is slowly shown instead of told. It", "outlined the rest of the first book and nearly all of the second", "(plot A), MeruemUL (plot C), and Keats (plot B). I'm not sure a", "the other plot-lines. After outlining and summarizing these arcs, I then arranged them", "subplots for the sake of subplots. With the exception of plot-line A, which", "in particular B arc spans three other plot-lines' arcs, but with funny overlap", "norm, and what I am going for currently. You have the pilgrims (plot", "in B immediately---at the start of the book---know of this deception and are", "shown instead of told. It was originally conceived that I would write short", "A, which is the protagonist's plot-lines, the characters in B and C will", "absorb it into another arc. One solution is to completely scrap that arc", "was falling into some over-plotting pit fall, this question is about my implementation.", "question was my concern that I was falling into some over-plotting pit fall,", "online, it seems as if the advice was to interleave the plots, however", "work in my case, however I am considering writing out one plot in", "the conclusion of the first book. The plan is that at the end", "writing each of out before moving on. I would then call that one", "also an over arcing conflict which reveals itself as the story progresses. Eventually,", "under false assumptions and also finally get to see the conclusion of the", "is the protagonist's plot-lines, the characters in B and C will be acting", "then arranged them in chronological order. Problems -------- And therein lies the one", "It has been suggested that this is might be too closely related to", "B and C will be acting and reacting with awareness to the other", "mentioned does not fix this. Solution? --------- Earlier today I was thinking about", "this is okay, or if I should find some other solution. When I", "Finally, I would write the plot A out, which is the protagonist's line.", "then, is whether or not this is okay, or if I should find", "all moving forward to the conclusion where the lines converge for a tragic", "story (they pretty much know everything). The information is slowly shown instead of", "this. One in particular B arc spans three other plot-lines' arcs, but with", "can't absorb it into another arc. One solution is to completely scrap that", "struggling onward as the unwitting tool of other. But that's me; I'm weird.", "another, writing each of out before moving on. I would then call that", "just shy of 300k words so breaking it into two books has its", "and am not sure that is the best way to proceed. I've so", "for currently. You have the pilgrims (plot A), MeruemUL (plot C), and Keats", "my favorite Sci-fi books, among them being Dan Simon's Hyperion duology. In the", "their own tale as the over arcing plot moves on. The second book", "I have a story with three plot-lines (A, B, and C) with their", "lies the one problem. Some arcs can't be broken up in such a", "sake of subplots. With the exception of plot-line A, which is the protagonist's", "characters in B and C do not share information with the reader for", "with the reader for the sake of telling a more interesting story (they", "my implementation. Background ---------- First I'll explain the situation. I have a story", "the plots, however that is what I've been doing, and am not sure", "The characters in B and C do not share information with the reader", "one plot in its entirety before moving on to another, writing each of", "of plot-line A, which is the protagonist's plot-lines, the characters in B and", "1 those in B arrive late, C arrives early, and A contains the", "can't be broken up in such a way as to allow this. One", "be too closely related to that question, however whereas that question was my", "in B and C do not share information with the reader for the", "finally get to see the conclusion of the first book. The plan is", "these arcs aren't just subplots for the sake of subplots. With the exception", "all of the second (parts of the middle are missing), writing log-lines and", "both the antithesis to B, and the chief target of the reveals in", "make sure each chapter and arc are advancing something central to the main", "and how the protagonist is struggling onward as the unwitting tool of other.", "A have only misleading information, and it is unrelated to the larger picture.", "do not share information with the reader for the sake of telling a", "plot-lines' arcs, but with funny overlap so I can't absorb it into another", "them to connect to characters they might not see again for another 5", "into another arc. One solution is to completely scrap that arc and rework", "A contains the protagonist who drives that particular cluster (her first show of", "have outlined the rest of the first book and nearly all of the", "(A, B, and C) with their own cast, settings, and conflict. Meanwhile there", "find some other solution. When I looked this up online, it seems as", "one plot-line with their own short-lived conflict which is revealed and then resolved.", "think about how the information we're learning in one line impacts others, how", "B and C do not share information with the reader for the sake", "Some arcs can't be broken up in such a way as to allow", "arcs---two to six chapters of 4-8k words focusing on one plot-line with their", "considering writing out one plot in its entirety before moving on to another,", "of 300k words so breaking it into two books has its own advantages,", "which has the most \"reveals\" or \"plot bombs\", then writing plot C which", "(should I split them) and have outlined the rest of the first book", "likely to be just shy of 300k words so breaking it into two", "way I am considering arranging the first book is to write out plot", "interesting story (they pretty much know everything). The information is slowly shown instead", "of the over arcing conflict as well as move the characters closer towards", "400k+ words when finished (before cutting). Even after cutting, its likely to be", "plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this is might be too closely", "to characters they might not see again for another 5 chapters. Personally, I", "six tell their own tale as the over arcing plot moves on. The", "to be just shy of 300k words so breaking it into two books", "of the reveals in B. Finally, I would write the plot A out,", "plot A out, which is the protagonist's line. We see her struggle under", "question is about my implementation. Background ---------- First I'll explain the situation. I", "in opposition to another, and how the protagonist is struggling onward as the", "and also finally get to see the conclusion of the first book. The", "problem is that I fear I might confuse the reader, or make it", "false assumptions and also finally get to see the conclusion of the first", "a previous question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested", "the first book. The plan is that at the end of book 1", "protagonist is struggling onward as the unwitting tool of other. But that's me;", "tale in framed stories. Each of six tell their own tale as the", "as I think about how the information we're learning in one line impacts", "Hyperion duology. In the first book of his, he presents the tale in", "itself as the story progresses. Eventually, in the middle, the three plot-lines converge", "With the exception of plot-line A, which is the protagonist's plot-lines, the characters", "its own advantages, and I do have a natural way of executing the", "that I was falling into some over-plotting pit fall, this question is about", "related to a previous question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has", "exception of plot-line A, which is the protagonist's plot-lines, the characters in B", "that's me; I'm weird. The previous solution I mentioned does not fix this.", "information, and it is unrelated to the larger picture. Characters in B immediately---at", "the best way to proceed. I've so far written up to what would", "thinking about my favorite Sci-fi books, among them being Dan Simon's Hyperion duology.", "confuse the reader, or make it harder for them to connect to characters", "have the pilgrims (plot A), MeruemUL (plot C), and Keats (plot B). I'm", "and C) with their own cast, settings, and conflict. Meanwhile there is also", "and C will be acting and reacting with awareness to the other plot-lines.", "(her first show of real agency). The question, then, is whether or not", "Another problem is that I fear I might confuse the reader, or make", "so these arcs aren't just subplots for the sake of subplots. With the", "C which is both the antithesis to B, and the chief target of", "line impacts others, how the characters work in opposition to another, and how", "split them) and have outlined the rest of the first book and nearly", "C do not share information with the reader for the sake of telling", "You have the pilgrims (plot A), MeruemUL (plot C), and Keats (plot B).", "one line impacts others, how the characters work in opposition to another, and", "arcs can't be broken up in such a way as to allow this.", "imperfect, but doable. Another problem is that I fear I might confuse the", "of 4-8k words focusing on one plot-line with their own short-lived conflict which", "early, and A contains the protagonist who drives that particular cluster (her first", "out, which is the protagonist's line. We see her struggle under false assumptions", "I split them) and have outlined the rest of the first book and", "a tragic ending. The characters in A have only misleading information, and it", "summarizing these arcs, I then arranged them in chronological order. Problems -------- And", "information we're learning in one line impacts others, how the characters work in", "I am considering arranging the first book is to write out plot B", "is imperfect, but doable. Another problem is that I fear I might confuse", "book is then more the norm, and what I am going for currently.", "in B arrive late, C arrives early, and A contains the protagonist who", "not sure that is the best way to proceed. I've so far written", "before moving on to another, writing each of out before moving on. I", "the chief target of the reveals in B. Finally, I would write the", "the over arcing plot moves on. The second book is then more the", "okay, or if I should find some other solution. When I looked this", "over arcing plot moves on. The second book is then more the norm,", "tool of other. But that's me; I'm weird. The previous solution I mentioned", "the tale in framed stories. Each of six tell their own tale as", "see again for another 5 chapters. Personally, I would be intrigued as I", "this question is about my implementation. Background ---------- First I'll explain the situation.", "that one book. Considering the projected length (which I always underestimate) this will", "which is revealed and then resolved. Through these small conflicts we learn of", "(which I always underestimate) this will be about 400k+ words when finished (before", "This is imperfect, but doable. Another problem is that I fear I might", "it so that it can be concluded and then restarted in the middle.", "duology. In the first book of his, he presents the tale in framed", "other. But that's me; I'm weird. The previous solution I mentioned does not", "Characters in B immediately---at the start of the book---know of this deception and", "also finally get to see the conclusion of the first book. The plan", "resolved. Through these small conflicts we learn of the over arcing conflict as", "that I fear I might confuse the reader, or make it harder for", "(first B vs C then C vs A) before diverging again. In the", "In the second half of the book they are all moving forward to", "problem. Some arcs can't be broken up in such a way as to", "in C also know what is going on. The characters in B and", "finished (before cutting). Even after cutting, its likely to be just shy of", "B vs C then C vs A) before diverging again. In the second", "situation. I have a story with three plot-lines (A, B, and C) with", "are advancing something central to the main plot, so these arcs aren't just", "seems as if the advice was to interleave the plots, however that is", "book. The plan is that at the end of book 1 those in", "would then call that one book. Considering the projected length (which I always", "is then more the norm, and what I am going for currently. You", "the characters in B and C will be acting and reacting with awareness", "I should find some other solution. When I looked this up online, it", "that question was my concern that I was falling into some over-plotting pit", "of the first book and nearly all of the second (parts of the", "struggle under false assumptions and also finally get to see the conclusion of", "six chapters of 4-8k words focusing on one plot-line with their own short-lived", "work in opposition to another, and how the protagonist is struggling onward as", "we're learning in one line impacts others, how the characters work in opposition", "books, among them being Dan Simon's Hyperion duology. In the first book of", "of other. But that's me; I'm weird. The previous solution I mentioned does", "to six chapters of 4-8k words focusing on one plot-line with their own", "stories. Each of six tell their own tale as the over arcing plot", "I make sure each chapter and arc are advancing something central to the", "case, however I am considering writing out one plot in its entirety before", "awareness to the other plot-lines. After outlining and summarizing these arcs, I then", "the sake of subplots. With the exception of plot-line A, which is the", "question, then, is whether or not this is okay, or if I should", "One solution is to completely scrap that arc and rework it so that", "at the end of book 1 those in B arrive late, C arrives", "arrives early, and A contains the protagonist who drives that particular cluster (her", "C vs A) before diverging again. In the second half of the book", "the pilgrims (plot A), MeruemUL (plot C), and Keats (plot B). I'm not", "arc. One solution is to completely scrap that arc and rework it so", "be the middle of the first book (should I split them) and have", "arranging the first book is to write out plot B which has the", "solution is to completely scrap that arc and rework it so that it", "arrive late, C arrives early, and A contains the protagonist who drives that", "as the over arcing plot moves on. The second book is then more", "and then restarted in the middle. This is imperfect, but doable. Another problem", "and the chief target of the reveals in B. Finally, I would write", "deception and are following the movements of characters in A. Characters in C", "in A. Characters in C also know what is going on. The characters", "The plan is that at the end of book 1 those in B", "onward as the unwitting tool of other. But that's me; I'm weird. The", "book of his, he presents the tale in framed stories. Each of six", "A), MeruemUL (plot C), and Keats (plot B). I'm not sure a framed", "to that question, however whereas that question was my concern that I was", "words focusing on one plot-line with their own short-lived conflict which is revealed", "harder for them to connect to characters they might not see again for", "that at the end of book 1 those in B arrive late, C", "what I've been doing, and am not sure that is the best way", "5 chapters. Personally, I would be intrigued as I think about how the", "as the story progresses. Eventually, in the middle, the three plot-lines converge in", "advantages, and I do have a natural way of executing the divide. The", "so far written up to what would be the middle of the first", "I've so far written up to what would be the middle of the", "Dan Simon's Hyperion duology. In the first book of his, he presents the", "book (should I split them) and have outlined the rest of the first", "however whereas that question was my concern that I was falling into some", "that particular cluster (her first show of real agency). The question, then, is", "the one problem. Some arcs can't be broken up in such a way", "length (which I always underestimate) this will be about 400k+ words when finished", "the characters work in opposition to another, and how the protagonist is struggling", "I would write short arcs---two to six chapters of 4-8k words focusing on", "however I am considering writing out one plot in its entirety before moving", "book. Considering the projected length (which I always underestimate) this will be about", "target of the reveals in B. Finally, I would write the plot A", "(plot C), and Keats (plot B). I'm not sure a framed story would", "question, however whereas that question was my concern that I was falling into", "her struggle under false assumptions and also finally get to see the conclusion", "which is the protagonist's plot-lines, the characters in B and C will be", "I'll explain the situation. I have a story with three plot-lines (A, B,", "is slowly shown instead of told. It was originally conceived that I would", "the protagonist is struggling onward as the unwitting tool of other. But that's", "an over arcing conflict which reveals itself as the story progresses. Eventually, in", "completely scrap that arc and rework it so that it can be concluded", "we learn of the over arcing conflict as well as move the characters", "for another 5 chapters. Personally, I would be intrigued as I think about", "specific way I am considering arranging the first book is to write out", "the reader, or make it harder for them to connect to characters they", "---------- First I'll explain the situation. I have a story with three plot-lines", "to another, and how the protagonist is struggling onward as the unwitting tool", "over arcing conflict which reveals itself as the story progresses. Eventually, in the", "tragic ending. The characters in A have only misleading information, and it is", "falling into some over-plotting pit fall, this question is about my implementation. Background", "movements of characters in A. Characters in C also know what is going", "way as to allow this. One in particular B arc spans three other", "telling a more interesting story (they pretty much know everything). The information is", "line. We see her struggle under false assumptions and also finally get to", "everything). The information is slowly shown instead of told. It was originally conceived", "them I make sure each chapter and arc are advancing something central to", "C also know what is going on. The characters in B and C", "connect to characters they might not see again for another 5 chapters. Personally,", "conflict as well as move the characters closer towards their confrontations. Before I", "he presents the tale in framed stories. Each of six tell their own", "I looked this up online, it seems as if the advice was to", "write them I make sure each chapter and arc are advancing something central", "would work in my case, however I am considering writing out one plot", "arcing plot moves on. The second book is then more the norm, and", "is whether or not this is okay, or if I should find some", "to proceed. I've so far written up to what would be the middle", "as the unwitting tool of other. But that's me; I'm weird. The previous", "central to the main plot, so these arcs aren't just subplots for the", "is also an over arcing conflict which reveals itself as the story progresses.", "if the advice was to interleave the plots, however that is what I've", "but with funny overlap so I can't absorb it into another arc. One", "information with the reader for the sake of telling a more interesting story", "sure that is the best way to proceed. I've so far written up", "about 400k+ words when finished (before cutting). Even after cutting, its likely to", "is related to a previous question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It", "the situation. I have a story with three plot-lines (A, B, and C)", "so breaking it into two books has its own advantages, and I do", "then writing plot C which is both the antithesis to B, and the", "another, and how the protagonist is struggling onward as the unwitting tool of", "I can't absorb it into another arc. One solution is to completely scrap", "that I would write short arcs---two to six chapters of 4-8k words focusing", "But that's me; I'm weird. The previous solution I mentioned does not fix", "I do have a natural way of executing the divide. The specific way", "moving on. I would then call that one book. Considering the projected length", "this up online, it seems as if the advice was to interleave the", "focusing on one plot-line with their own short-lived conflict which is revealed and", "in the middle, the three plot-lines converge in twos (first B vs C", "middle. This is imperfect, but doable. Another problem is that I fear I", "a natural way of executing the divide. The specific way I am considering", "the first book of his, he presents the tale in framed stories. Each", "plot C which is both the antithesis to B, and the chief target", "closer towards their confrontations. Before I write them I make sure each chapter", "in B. Finally, I would write the plot A out, which is the", "sake of telling a more interesting story (they pretty much know everything). The", "and summarizing these arcs, I then arranged them in chronological order. Problems --------", "information is slowly shown instead of told. It was originally conceived that I", "would write the plot A out, which is the protagonist's line. We see", "over-plotting pit fall, this question is about my implementation. Background ---------- First I'll", "In the first book of his, he presents the tale in framed stories.", "to write out plot B which has the most \"reveals\" or \"plot bombs\",", "of telling a more interesting story (they pretty much know everything). The information", "(they pretty much know everything). The information is slowly shown instead of told.", "this is might be too closely related to that question, however whereas that", "and what I am going for currently. You have the pilgrims (plot A),", "the story progresses. Eventually, in the middle, the three plot-lines converge in twos", "another arc. One solution is to completely scrap that arc and rework it", "middle, the three plot-lines converge in twos (first B vs C then C", "going on. The characters in B and C do not share information with", "this. Solution? --------- Earlier today I was thinking about my favorite Sci-fi books,", "is to write out plot B which has the most \"reveals\" or \"plot", "would be the middle of the first book (should I split them) and", "and then resolved. Through these small conflicts we learn of the over arcing", "breaking it into two books has its own advantages, and I do have", "story progresses. Eventually, in the middle, the three plot-lines converge in twos (first", "the larger picture. Characters in B immediately---at the start of the book---know of", "A. Characters in C also know what is going on. The characters in", "converge for a tragic ending. The characters in A have only misleading information,", "is that I fear I might confuse the reader, or make it harder", "how the characters work in opposition to another, and how the protagonist is", "might confuse the reader, or make it harder for them to connect to", "of out before moving on. I would then call that one book. Considering", "or \"plot bombs\", then writing plot C which is both the antithesis to", "what is going on. The characters in B and C do not share", "C), and Keats (plot B). I'm not sure a framed story would work", "on. The characters in B and C do not share information with the", "-------- And therein lies the one problem. Some arcs can't be broken up", "immediately---at the start of the book---know of this deception and are following the", "The previous solution I mentioned does not fix this. Solution? --------- Earlier today", "conclusion where the lines converge for a tragic ending. The characters in A", "characters in B and C will be acting and reacting with awareness to", "the over arcing conflict as well as move the characters closer towards their", "is the protagonist's line. We see her struggle under false assumptions and also", "the advice was to interleave the plots, however that is what I've been", "is both the antithesis to B, and the chief target of the reveals", "share information with the reader for the sake of telling a more interesting", "start of the book---know of this deception and are following the movements of", "they might not see again for another 5 chapters. Personally, I would be", "natural way of executing the divide. The specific way I am considering arranging", "interleave the plots, however that is what I've been doing, and am not", "first book is to write out plot B which has the most \"reveals\"", "the movements of characters in A. Characters in C also know what is", "the unwitting tool of other. But that's me; I'm weird. The previous solution", "is unrelated to the larger picture. Characters in B immediately---at the start of", "some other solution. When I looked this up online, it seems as if", "in such a way as to allow this. One in particular B arc", "its entirety before moving on to another, writing each of out before moving", "vs A) before diverging again. In the second half of the book they", "their own cast, settings, and conflict. Meanwhile there is also an over arcing", "which is the protagonist's line. We see her struggle under false assumptions and", "arcing conflict which reveals itself as the story progresses. Eventually, in the middle,", "and have outlined the rest of the first book and nearly all of", "overlap so I can't absorb it into another arc. One solution is to", "or make it harder for them to connect to characters they might not", "unrelated to the larger picture. Characters in B immediately---at the start of the", "end of book 1 those in B arrive late, C arrives early, and", "was to interleave the plots, however that is what I've been doing, and", "doing, and am not sure that is the best way to proceed. I've", "of subplots. With the exception of plot-line A, which is the protagonist's plot-lines,", "not fix this. Solution? --------- Earlier today I was thinking about my favorite", "When I looked this up online, it seems as if the advice was", "each chapter and arc are advancing something central to the main plot, so", "(plot B). I'm not sure a framed story would work in my case,", "order. Problems -------- And therein lies the one problem. Some arcs can't be", "write out plot B which has the most \"reveals\" or \"plot bombs\", then", "of the second (parts of the middle are missing), writing log-lines and summaries.", "concluded and then restarted in the middle. This is imperfect, but doable. Another", "then call that one book. Considering the projected length (which I always underestimate)", "to the larger picture. Characters in B immediately---at the start of the book---know", "the plot A out, which is the protagonist's line. We see her struggle", "more the norm, and what I am going for currently. You have the", "what would be the middle of the first book (should I split them)", "it into another arc. One solution is to completely scrap that arc and", "then more the norm, and what I am going for currently. You have", "protagonist's plot-lines, the characters in B and C will be acting and reacting", "underestimate) this will be about 400k+ words when finished (before cutting). Even after", "moving on to another, writing each of out before moving on. I would", "advice was to interleave the plots, however that is what I've been doing,", "up in such a way as to allow this. One in particular B", "book is to write out plot B which has the most \"reveals\" or", "suggested that this is might be too closely related to that question, however", "move the characters closer towards their confrontations. Before I write them I make", "The second book is then more the norm, and what I am going", "revealed and then resolved. Through these small conflicts we learn of the over", "with their own cast, settings, and conflict. Meanwhile there is also an over", "sure a framed story would work in my case, however I am considering", "to the other plot-lines. After outlining and summarizing these arcs, I then arranged", "in one line impacts others, how the characters work in opposition to another,", "can be concluded and then restarted in the middle. This is imperfect, but", "are following the movements of characters in A. Characters in C also know", "aren't just subplots for the sake of subplots. With the exception of plot-line", "into two books has its own advantages, and I do have a natural", "would write short arcs---two to six chapters of 4-8k words focusing on one", "rework it so that it can be concluded and then restarted in the", "be just shy of 300k words so breaking it into two books has", "out plot B which has the most \"reveals\" or \"plot bombs\", then writing", "a story with three plot-lines (A, B, and C) with their own cast,", "Problems -------- And therein lies the one problem. Some arcs can't be broken", "and I do have a natural way of executing the divide. The specific", "up online, it seems as if the advice was to interleave the plots,", "plan is that at the end of book 1 those in B arrive", "tale as the over arcing plot moves on. The second book is then", "when finished (before cutting). Even after cutting, its likely to be just shy", "the lines converge for a tragic ending. The characters in A have only", "instead of told. It was originally conceived that I would write short arcs---two", "or not this is okay, or if I should find some other solution.", "the most \"reveals\" or \"plot bombs\", then writing plot C which is both", "then resolved. Through these small conflicts we learn of the over arcing conflict", "far written up to what would be the middle of the first book", "I fear I might confuse the reader, or make it harder for them", "of the book---know of this deception and are following the movements of characters", "written up to what would be the middle of the first book (should", "will be about 400k+ words when finished (before cutting). Even after cutting, its", "plot-lines, the characters in B and C will be acting and reacting with", "and rework it so that it can be concluded and then restarted in", "[Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this is might be", "presents the tale in framed stories. Each of six tell their own tale", "is about my implementation. Background ---------- First I'll explain the situation. I have", "before diverging again. In the second half of the book they are all", "The question, then, is whether or not this is okay, or if I", "lines converge for a tragic ending. The characters in A have only misleading", "in the middle. This is imperfect, but doable. Another problem is that I", "who drives that particular cluster (her first show of real agency). The question,", "to the main plot, so these arcs aren't just subplots for the sake", "to completely scrap that arc and rework it so that it can be", "of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this is", "in chronological order. Problems -------- And therein lies the one problem. Some arcs", "protagonist who drives that particular cluster (her first show of real agency). The", "always underestimate) this will be about 400k+ words when finished (before cutting). Even", "originally conceived that I would write short arcs---two to six chapters of 4-8k", "is going on. The characters in B and C do not share information", "framed story would work in my case, however I am considering writing out", "conceived that I would write short arcs---two to six chapters of 4-8k words", "considering arranging the first book is to write out plot B which has", "drives that particular cluster (her first show of real agency). The question, then,", "story would work in my case, however I am considering writing out one", "then restarted in the middle. This is imperfect, but doable. Another problem is", "not sure a framed story would work in my case, however I am", "best way to proceed. I've so far written up to what would be", "the rest of the first book and nearly all of the second (parts", "get to see the conclusion of the first book. The plan is that", "is revealed and then resolved. Through these small conflicts we learn of the", "of his, he presents the tale in framed stories. Each of six tell", "about my favorite Sci-fi books, among them being Dan Simon's Hyperion duology. In", "am not sure that is the best way to proceed. I've so far", "first book. The plan is that at the end of book 1 those", "these small conflicts we learn of the over arcing conflict as well as", "two books has its own advantages, and I do have a natural way", "assumptions and also finally get to see the conclusion of the first book.", "second book is then more the norm, and what I am going for", "of this deception and are following the movements of characters in A. Characters", "the middle. This is imperfect, but doable. Another problem is that I fear", "converge in twos (first B vs C then C vs A) before diverging", "its likely to be just shy of 300k words so breaking it into", "am considering writing out one plot in its entirety before moving on to", "I always underestimate) this will be about 400k+ words when finished (before cutting).", "own advantages, and I do have a natural way of executing the divide.", "MeruemUL (plot C), and Keats (plot B). I'm not sure a framed story", "of the first book. The plan is that at the end of book", "scrap that arc and rework it so that it can be concluded and", "Meanwhile there is also an over arcing conflict which reveals itself as the", "is what I've been doing, and am not sure that is the best", "currently. You have the pilgrims (plot A), MeruemUL (plot C), and Keats (plot", "allow this. One in particular B arc spans three other plot-lines' arcs, but", "today I was thinking about my favorite Sci-fi books, among them being Dan", "in its entirety before moving on to another, writing each of out before", "Eventually, in the middle, the three plot-lines converge in twos (first B vs", "was my concern that I was falling into some over-plotting pit fall, this", "know what is going on. The characters in B and C do not", "characters in A have only misleading information, and it is unrelated to the", "be acting and reacting with awareness to the other plot-lines. After outlining and", "other plot-lines' arcs, but with funny overlap so I can't absorb it into", "plot B which has the most \"reveals\" or \"plot bombs\", then writing plot", "fall, this question is about my implementation. Background ---------- First I'll explain the", "that this is might be too closely related to that question, however whereas", "more interesting story (they pretty much know everything). The information is slowly shown", "be about 400k+ words when finished (before cutting). Even after cutting, its likely", "of told. It was originally conceived that I would write short arcs---two to", "okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this is might be too closely related", "related to that question, however whereas that question was my concern that I", "And therein lies the one problem. Some arcs can't be broken up in", "others, how the characters work in opposition to another, and how the protagonist", "the protagonist's plot-lines, the characters in B and C will be acting and", "pilgrims (plot A), MeruemUL (plot C), and Keats (plot B). I'm not sure", "C then C vs A) before diverging again. In the second half of", "The information is slowly shown instead of told. It was originally conceived that", "it into two books has its own advantages, and I do have a", "B arrive late, C arrives early, and A contains the protagonist who drives", "has its own advantages, and I do have a natural way of executing", "to B, and the chief target of the reveals in B. Finally, I", "impacts others, how the characters work in opposition to another, and how the", "half of the book they are all moving forward to the conclusion where", "plot moves on. The second book is then more the norm, and what", "C arrives early, and A contains the protagonist who drives that particular cluster", "would be intrigued as I think about how the information we're learning in", "arranged them in chronological order. Problems -------- And therein lies the one problem.", "weird. The previous solution I mentioned does not fix this. Solution? --------- Earlier", "among them being Dan Simon's Hyperion duology. In the first book of his,", "see the conclusion of the first book. The plan is that at the", "the exception of plot-line A, which is the protagonist's plot-lines, the characters in", "broken up in such a way as to allow this. One in particular", "I think about how the information we're learning in one line impacts others,", "way of executing the divide. The specific way I am considering arranging the", "learn of the over arcing conflict as well as move the characters closer", "plot-line with their own short-lived conflict which is revealed and then resolved. Through", "protagonist's line. We see her struggle under false assumptions and also finally get", "have a story with three plot-lines (A, B, and C) with their own", "been doing, and am not sure that is the best way to proceed.", "to see the conclusion of the first book. The plan is that at", "I mentioned does not fix this. Solution? --------- Earlier today I was thinking", "the middle, the three plot-lines converge in twos (first B vs C then", "to another, writing each of out before moving on. I would then call", "projected length (which I always underestimate) this will be about 400k+ words when", "there is also an over arcing conflict which reveals itself as the story", "B, and C) with their own cast, settings, and conflict. Meanwhile there is", "way to proceed. I've so far written up to what would be the", "and are following the movements of characters in A. Characters in C also", "favorite Sci-fi books, among them being Dan Simon's Hyperion duology. In the first", "4-8k words focusing on one plot-line with their own short-lived conflict which is", "is to completely scrap that arc and rework it so that it can", "of real agency). The question, then, is whether or not this is okay,", "such a way as to allow this. One in particular B arc spans", "just subplots for the sake of subplots. With the exception of plot-line A,", "the main plot, so these arcs aren't just subplots for the sake of", "whereas that question was my concern that I was falling into some over-plotting", "or if I should find some other solution. When I looked this up", "to connect to characters they might not see again for another 5 chapters.", "conflict which reveals itself as the story progresses. Eventually, in the middle, the", "know everything). The information is slowly shown instead of told. It was originally", "another 5 chapters. Personally, I would be intrigued as I think about how", "looked this up online, it seems as if the advice was to interleave", "on. The second book is then more the norm, and what I am", "this deception and are following the movements of characters in A. Characters in", "Considering the projected length (which I always underestimate) this will be about 400k+", "writing plot C which is both the antithesis to B, and the chief", "I've been doing, and am not sure that is the best way to", "first book (should I split them) and have outlined the rest of the", "write short arcs---two to six chapters of 4-8k words focusing on one plot-line", "chronological order. Problems -------- And therein lies the one problem. Some arcs can't", "bombs\", then writing plot C which is both the antithesis to B, and", "story with three plot-lines (A, B, and C) with their own cast, settings,", "cutting, its likely to be just shy of 300k words so breaking it", "of executing the divide. The specific way I am considering arranging the first", "am going for currently. You have the pilgrims (plot A), MeruemUL (plot C),", "whether or not this is okay, or if I should find some other", "Keats (plot B). I'm not sure a framed story would work in my", "late, C arrives early, and A contains the protagonist who drives that particular", "some over-plotting pit fall, this question is about my implementation. Background ---------- First", "told. It was originally conceived that I would write short arcs---two to six", "first show of real agency). The question, then, is whether or not this", "C will be acting and reacting with awareness to the other plot-lines. After", "for a tragic ending. The characters in A have only misleading information, and", "misleading information, and it is unrelated to the larger picture. Characters in B", "of characters in A. Characters in C also know what is going on.", "first book and nearly all of the second (parts of the middle are", "divide. The specific way I am considering arranging the first book is to", "they are all moving forward to the conclusion where the lines converge for", "it seems as if the advice was to interleave the plots, however that", "ending. The characters in A have only misleading information, and it is unrelated", "solution. When I looked this up online, it seems as if the advice", "for the sake of subplots. With the exception of plot-line A, which is", "A) before diverging again. In the second half of the book they are", "Sci-fi books, among them being Dan Simon's Hyperion duology. In the first book", "cutting). Even after cutting, its likely to be just shy of 300k words", "question of mine: [Convergent, parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this", "might be too closely related to that question, however whereas that question was", "conflicts we learn of the over arcing conflict as well as move the", "the three plot-lines converge in twos (first B vs C then C vs", "Before I write them I make sure each chapter and arc are advancing", "with three plot-lines (A, B, and C) with their own cast, settings, and", "should find some other solution. When I looked this up online, it seems", "other solution. When I looked this up online, it seems as if the", "proceed. I've so far written up to what would be the middle of", "I am going for currently. You have the pilgrims (plot A), MeruemUL (plot", "Personally, I would be intrigued as I think about how the information we're", "well as move the characters closer towards their confrontations. Before I write them", "characters they might not see again for another 5 chapters. Personally, I would", "again for another 5 chapters. Personally, I would be intrigued as I think", "parallel plotlines okay?](https://writing.stackexchange.com/questions/35881/convergent-parallel-plotlines-okay). It has been suggested that this is might be too", "agency). The question, then, is whether or not this is okay, or if", "does not fix this. Solution? --------- Earlier today I was thinking about my", "much know everything). The information is slowly shown instead of told. It was" ]
[ "defeat a villain (which is your typical 'Dark Lord’) I don't think my", "is not the climax) but there is no prison that can hold said", "to defeat a villain (which is your typical 'Dark Lord’) I don't think", "than powerful enough to defeat a villain (which is your typical 'Dark Lord’)", "of a pickle: Although the hero is more than powerful enough to defeat", "typical 'Dark Lord’) I don't think my protagonist is ready to kill a", "(this is not the climax) but there is no prison that can hold", "I have found myself in somewhat of a pickle: Although the hero is", "a pickle: Although the hero is more than powerful enough to defeat a", "neutralizing a villain that is pretty much pure evil who cannot be contained?", "the hero is more than powerful enough to defeat a villain (which is", "protagonist is ready to kill a soul just yet (this is not the", "(Just a passerby). Is there any alternative to neutralizing a villain that is", "Is there any alternative to neutralizing a villain that is pretty much pure", "hold said villain, and the hero can't stay there forever (Just a passerby).", "passerby). Is there any alternative to neutralizing a villain that is pretty much", "to neutralizing a villain that is pretty much pure evil who cannot be", "kill a soul just yet (this is not the climax) but there is", "not the climax) but there is no prison that can hold said villain,", "somewhat of a pickle: Although the hero is more than powerful enough to", "villain (which is your typical 'Dark Lord’) I don't think my protagonist is", "pickle: Although the hero is more than powerful enough to defeat a villain", "climax) but there is no prison that can hold said villain, and the", "think my protagonist is ready to kill a soul just yet (this is", "hero is more than powerful enough to defeat a villain (which is your", "story, I have found myself in somewhat of a pickle: Although the hero", "yet (this is not the climax) but there is no prison that can", "is no prison that can hold said villain, and the hero can't stay", "in somewhat of a pickle: Although the hero is more than powerful enough", "there is no prison that can hold said villain, and the hero can't", "villain, and the hero can't stay there forever (Just a passerby). Is there", "prison that can hold said villain, and the hero can't stay there forever", "is more than powerful enough to defeat a villain (which is your typical", "can't stay there forever (Just a passerby). Is there any alternative to neutralizing", "don't think my protagonist is ready to kill a soul just yet (this", "In my story, I have found myself in somewhat of a pickle: Although", "to kill a soul just yet (this is not the climax) but there", "no prison that can hold said villain, and the hero can't stay there", "(which is your typical 'Dark Lord’) I don't think my protagonist is ready", "your typical 'Dark Lord’) I don't think my protagonist is ready to kill", "and the hero can't stay there forever (Just a passerby). Is there any", "stay there forever (Just a passerby). Is there any alternative to neutralizing a", "myself in somewhat of a pickle: Although the hero is more than powerful", "is ready to kill a soul just yet (this is not the climax)", "just yet (this is not the climax) but there is no prison that", "there forever (Just a passerby). Is there any alternative to neutralizing a villain", "can hold said villain, and the hero can't stay there forever (Just a", "soul just yet (this is not the climax) but there is no prison", "alternative to neutralizing a villain that is pretty much pure evil who cannot", "'Dark Lord’) I don't think my protagonist is ready to kill a soul", "that can hold said villain, and the hero can't stay there forever (Just", "there any alternative to neutralizing a villain that is pretty much pure evil", "any alternative to neutralizing a villain that is pretty much pure evil who", "I don't think my protagonist is ready to kill a soul just yet", "a passerby). Is there any alternative to neutralizing a villain that is pretty", "more than powerful enough to defeat a villain (which is your typical 'Dark", "my story, I have found myself in somewhat of a pickle: Although the", "powerful enough to defeat a villain (which is your typical 'Dark Lord’) I", "enough to defeat a villain (which is your typical 'Dark Lord’) I don't", "my protagonist is ready to kill a soul just yet (this is not", "have found myself in somewhat of a pickle: Although the hero is more", "ready to kill a soul just yet (this is not the climax) but", "but there is no prison that can hold said villain, and the hero", "said villain, and the hero can't stay there forever (Just a passerby). Is", "Although the hero is more than powerful enough to defeat a villain (which", "found myself in somewhat of a pickle: Although the hero is more than", "is your typical 'Dark Lord’) I don't think my protagonist is ready to", "forever (Just a passerby). Is there any alternative to neutralizing a villain that", "a villain (which is your typical 'Dark Lord’) I don't think my protagonist", "the climax) but there is no prison that can hold said villain, and", "Lord’) I don't think my protagonist is ready to kill a soul just", "the hero can't stay there forever (Just a passerby). Is there any alternative", "hero can't stay there forever (Just a passerby). Is there any alternative to", "a soul just yet (this is not the climax) but there is no" ]
[ "for real and good poetry competitions but am not able to find any", "such competitions and may be having through knowledge on this. Please guide towards", "have already taken part in many such competitions and may be having through", "may have already taken part in many such competitions and may be having", "and good poetry competitions but am not able to find any which I", "sure of as being legitimate. The writing community here may have already taken", "not able to find any which I can be sure of as being", "being legitimate. The writing community here may have already taken part in many", "but am not able to find any which I can be sure of", "poetry competitions but am not able to find any which I can be", "legitimate. The writing community here may have already taken part in many such", "taken part in many such competitions and may be having through knowledge on", "community here may have already taken part in many such competitions and may", "real and good poetry competitions but am not able to find any which", "searched a lot on internet for real and good poetry competitions but am", "good poetry competitions but am not able to find any which I can", "in many such competitions and may be having through knowledge on this. Please", "and may be having through knowledge on this. Please guide towards some actual", "find any which I can be sure of as being legitimate. The writing", "be sure of as being legitimate. The writing community here may have already", "can be sure of as being legitimate. The writing community here may have", "I searched a lot on internet for real and good poetry competitions but", "may be having through knowledge on this. Please guide towards some actual and", "on internet for real and good poetry competitions but am not able to", "a lot on internet for real and good poetry competitions but am not", "able to find any which I can be sure of as being legitimate.", "lot on internet for real and good poetry competitions but am not able", "having through knowledge on this. Please guide towards some actual and genuine contests.", "of as being legitimate. The writing community here may have already taken part", "here may have already taken part in many such competitions and may be", "any which I can be sure of as being legitimate. The writing community", "to find any which I can be sure of as being legitimate. The", "many such competitions and may be having through knowledge on this. Please guide", "already taken part in many such competitions and may be having through knowledge", "part in many such competitions and may be having through knowledge on this.", "competitions but am not able to find any which I can be sure", "be having through knowledge on this. Please guide towards some actual and genuine", "I can be sure of as being legitimate. The writing community here may", "writing community here may have already taken part in many such competitions and", "competitions and may be having through knowledge on this. Please guide towards some", "as being legitimate. The writing community here may have already taken part in", "am not able to find any which I can be sure of as", "internet for real and good poetry competitions but am not able to find", "which I can be sure of as being legitimate. The writing community here", "The writing community here may have already taken part in many such competitions" ]
[ "to end. This is how writers worked for thousands of years. Topic-based authoring", "the most simple concept - just open your text editor and write entire", "Narrative authoring is the most simple concept - just open your text editor", "Topic-based authoring (see link above). Narrative authoring is the most simple concept -", "authoring is the most simple concept - just open your text editor and", "between \"[topic-based authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know, there are two well-known", "This is how writers worked for thousands of years. Topic-based authoring is very", "Flare are all about it. The main goal of topic-based approach is the", "is the difference between \"[topic-based authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know, there", "described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference between modular and topic-based", "difference between \"[topic-based authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know, there are two", "editor and write entire text, from start to end. This is how writers", "it. The main goal of topic-based approach is the content reuse. Now, as", "I read yesterday, there is another, third approach - modular authoring. It is", "well-known authoring approaches: * Narrative authoring; * Topic-based authoring (see link above). Narrative", "Now, as I read yesterday, there is another, third approach - modular authoring.", "authoring (see link above). Narrative authoring is the most simple concept - just", "goal of topic-based approach is the content reuse. Now, as I read yesterday,", "of topic-based approach is the content reuse. Now, as I read yesterday, there", "just open your text editor and write entire text, from start to end.", "link above). Narrative authoring is the most simple concept - just open your", "popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about", "from start to end. This is how writers worked for thousands of years.", "authoring\"? As I know, there are two well-known authoring approaches: * Narrative authoring;", "large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about it. The", "read yesterday, there is another, third approach - modular authoring. It is described", "It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference between modular", "are two well-known authoring approaches: * Narrative authoring; * Topic-based authoring (see link", "and popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all", "is the most simple concept - just open your text editor and write", "is how writers worked for thousands of years. Topic-based authoring is very modern", "technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about it. The main", "Topic-based authoring is very modern approach and popular for large technical documentation projects.", "approach is the content reuse. Now, as I read yesterday, there is another,", "[DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about it. The main goal of topic-based", "simple concept - just open your text editor and write entire text, from", "is the content reuse. Now, as I read yesterday, there is another, third", "worked for thousands of years. Topic-based authoring is very modern approach and popular", "Scrivener, MadCap Flare are all about it. The main goal of topic-based approach", "concept - just open your text editor and write entire text, from start", "your text editor and write entire text, from start to end. This is", "* Narrative authoring; * Topic-based authoring (see link above). Narrative authoring is the", "approach and popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are", "is the actual difference between modular and topic-based approaches? I don't understand it.", "third approach - modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is", "authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference between", "What is the difference between \"[topic-based authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know,", "thousands of years. Topic-based authoring is very modern approach and popular for large", "there is another, third approach - modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/>", "entire text, from start to end. This is how writers worked for thousands", "\"[topic-based authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know, there are two well-known authoring", "very modern approach and popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap", "end. This is how writers worked for thousands of years. Topic-based authoring is", "modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference", "* Topic-based authoring (see link above). Narrative authoring is the most simple concept", "I know, there are two well-known authoring approaches: * Narrative authoring; * Topic-based", "how writers worked for thousands of years. Topic-based authoring is very modern approach", "As I know, there are two well-known authoring approaches: * Narrative authoring; ", "reuse. Now, as I read yesterday, there is another, third approach - modular", "authoring; Topic-based authoring (see link above). Narrative authoring is the most simple", "most simple concept - just open your text editor and write entire text,", "two well-known authoring approaches: * Narrative authoring; * Topic-based authoring (see link above).", "start to end. This is how writers worked for thousands of years. Topic-based", "- modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual", "- just open your text editor and write entire text, from start to", "approach - modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the", "what is the actual difference between modular and topic-based approaches? I don't understand", "authoring approaches: * Narrative authoring; * Topic-based authoring (see link above). Narrative authoring", "Narrative authoring; * Topic-based authoring (see link above). Narrative authoring is the most", "is another, third approach - modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But", "\"modular authoring\"? As I know, there are two well-known authoring approaches: * Narrative", "content reuse. Now, as I read yesterday, there is another, third approach -", "authoring is very modern approach and popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture),", "there are two well-known authoring approaches: * Narrative authoring; * Topic-based authoring (see", "documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about it. The main goal", "as I read yesterday, there is another, third approach - modular authoring. It", "modern approach and popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare", "But what is the actual difference between modular and topic-based approaches? I don't", "writers worked for thousands of years. Topic-based authoring is very modern approach and", "the content reuse. Now, as I read yesterday, there is another, third approach", "about it. The main goal of topic-based approach is the content reuse. Now,", "text editor and write entire text, from start to end. This is how", "topic-based approach is the content reuse. Now, as I read yesterday, there is", "the difference between \"[topic-based authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know, there are", "for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about it.", "years. Topic-based authoring is very modern approach and popular for large technical documentation", "are all about it. The main goal of topic-based approach is the content", "here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference between modular and topic-based approaches?", "projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener, MadCap Flare are all about it. The main goal of", "<https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference between modular and topic-based approaches? I", "all about it. The main goal of topic-based approach is the content reuse.", "main goal of topic-based approach is the content reuse. Now, as I read", "and write entire text, from start to end. This is how writers worked", "for thousands of years. Topic-based authoring is very modern approach and popular for", "another, third approach - modular authoring. It is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what", "above). Narrative authoring is the most simple concept - just open your text", "yesterday, there is another, third approach - modular authoring. It is described here:", "The main goal of topic-based approach is the content reuse. Now, as I", "(see link above). Narrative authoring is the most simple concept - just open", "write entire text, from start to end. This is how writers worked for", "know, there are two well-known authoring approaches: * Narrative authoring; * Topic-based authoring", "approaches: * Narrative authoring; * Topic-based authoring (see link above). Narrative authoring is", "is very modern approach and popular for large technical documentation projects. [DITA](https://en.wikipedia.org/wiki/Darwin_Information_Typing_Architecture), Scrivener,", "is described here: <https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/> But what is the actual difference between modular and", "MadCap Flare are all about it. The main goal of topic-based approach is", "authoring](https://en.wikipedia.org/wiki/Topic-based_authoring)\" and \"modular authoring\"? As I know, there are two well-known authoring approaches:", "text, from start to end. This is how writers worked for thousands of", "of years. Topic-based authoring is very modern approach and popular for large technical", "open your text editor and write entire text, from start to end. This", "and \"modular authoring\"? As I know, there are two well-known authoring approaches: *" ]
[ "stay. Since we’re both at the same place with our respective novels (editing", "at the same place with our respective novels (editing for our agents to", "How do you avoid the distractions of social media, that dishwasher that needs", "old university lecturer came to stay. Since we’re both at the same place", "same place with our respective novels (editing for our agents to submit to", "I wanted to share it with you as a Q&A in the hope", "do you keep writing no matter what’s going on around you? How do", "our respective novels (editing for our agents to submit to publishers in a", "cup of tea you’re dying to take a break for? How do you", "the essence, and writing paramount. She forced me into a method of working", "both at the same place with our respective novels (editing for our agents", "that needs unloading, that wash that needs putting on, that cup of tea", "writing no matter what’s going on around you? How do you avoid the", "have considered before. It has tripled my productivity. So I wanted to share", "tools. Then, a few weeks ago, my old university lecturer came to stay.", "writers can benefit from her idea. Below is her solution. What works for", "and I’ve tried and failed with a variety of techniques and tools. Then,", "at hand? This question has haunted me since I first started writing and", "so) it was a working visit. Our agents are waiting, time is of", "tea you’re dying to take a break for? How do you force yourself", "of the essence, and writing paramount. She forced me into a method of", "Below is her solution. What works for you? How do you maximise your", "with our respective novels (editing for our agents to submit to publishers in", "tripled my productivity. So I wanted to share it with you as a", "the distractions of social media, that dishwasher that needs unloading, that wash that", "social media, that dishwasher that needs unloading, that wash that needs putting on,", "waiting, time is of the essence, and writing paramount. She forced me into", "do you force yourself to write, even when it’s hard, keeping your mind", "what’s going on around you? How do you avoid the distractions of social", "that dishwasher that needs unloading, that wash that needs putting on, that cup", "when it’s hard, keeping your mind completely focussed on the job at hand?", "yourself to write, even when it’s hard, keeping your mind completely focussed on", "before. It has tripled my productivity. So I wanted to share it with", "question has haunted me since I first started writing and I’ve tried and", "tried and failed with a variety of techniques and tools. Then, a few", "writing and I’ve tried and failed with a variety of techniques and tools.", "is of the essence, and writing paramount. She forced me into a method", "a method of working I would never have considered before. It has tripled", "write, even when it’s hard, keeping your mind completely focussed on the job", "her idea. Below is her solution. What works for you? How do you", "university lecturer came to stay. Since we’re both at the same place with", "going on around you? How do you avoid the distractions of social media,", "a few weeks ago, my old university lecturer came to stay. Since we’re", "forced me into a method of working I would never have considered before.", "method of working I would never have considered before. It has tripled my", "since I first started writing and I’ve tried and failed with a variety", "ago, my old university lecturer came to stay. Since we’re both at the", "dying to take a break for? How do you force yourself to write,", "has haunted me since I first started writing and I’ve tried and failed", "on around you? How do you avoid the distractions of social media, that", "it was a working visit. Our agents are waiting, time is of the", "So I wanted to share it with you as a Q&A in the", "techniques and tools. Then, a few weeks ago, my old university lecturer came", "for? How do you force yourself to write, even when it’s hard, keeping", "to publishers in a month or so) it was a working visit. Our", "to share it with you as a Q&A in the hope that more", "hard, keeping your mind completely focussed on the job at hand? This question", "no matter what’s going on around you? How do you avoid the distractions", "of working I would never have considered before. It has tripled my productivity.", "that more writers can benefit from her idea. Below is her solution. What", "you force yourself to write, even when it’s hard, keeping your mind completely", "essence, and writing paramount. She forced me into a method of working I", "distractions of social media, that dishwasher that needs unloading, that wash that needs", "that needs putting on, that cup of tea you’re dying to take a", "is her solution. What works for you? How do you maximise your productivity?", "was a working visit. Our agents are waiting, time is of the essence,", "you as a Q&A in the hope that more writers can benefit from", "more writers can benefit from her idea. Below is her solution. What works", "are waiting, time is of the essence, and writing paramount. She forced me", "She forced me into a method of working I would never have considered", "How do you force yourself to write, even when it’s hard, keeping your", "keep writing no matter what’s going on around you? How do you avoid", "wash that needs putting on, that cup of tea you’re dying to take", "we’re both at the same place with our respective novels (editing for our", "you avoid the distractions of social media, that dishwasher that needs unloading, that", "hand? This question has haunted me since I first started writing and I’ve", "around you? How do you avoid the distractions of social media, that dishwasher", "your mind completely focussed on the job at hand? This question has haunted", "on, that cup of tea you’re dying to take a break for? How", "a variety of techniques and tools. Then, a few weeks ago, my old", "It has tripled my productivity. So I wanted to share it with you", "and failed with a variety of techniques and tools. Then, a few weeks", "visit. Our agents are waiting, time is of the essence, and writing paramount.", "with a variety of techniques and tools. Then, a few weeks ago, my", "from her idea. Below is her solution. What works for you? How do", "respective novels (editing for our agents to submit to publishers in a month", "my productivity. So I wanted to share it with you as a Q&A", "of techniques and tools. Then, a few weeks ago, my old university lecturer", "lecturer came to stay. Since we’re both at the same place with our", "a Q&A in the hope that more writers can benefit from her idea.", "a month or so) it was a working visit. Our agents are waiting,", "or so) it was a working visit. Our agents are waiting, time is", "our agents to submit to publishers in a month or so) it was", "putting on, that cup of tea you’re dying to take a break for?", "place with our respective novels (editing for our agents to submit to publishers", "Q&A in the hope that more writers can benefit from her idea. Below", "completely focussed on the job at hand? This question has haunted me since", "working I would never have considered before. It has tripled my productivity. So", "as a Q&A in the hope that more writers can benefit from her", "variety of techniques and tools. Then, a few weeks ago, my old university", "keeping your mind completely focussed on the job at hand? This question has", "it’s hard, keeping your mind completely focussed on the job at hand? This", "weeks ago, my old university lecturer came to stay. Since we’re both at", "you? How do you avoid the distractions of social media, that dishwasher that", "This question has haunted me since I first started writing and I’ve tried", "time is of the essence, and writing paramount. She forced me into a", "job at hand? This question has haunted me since I first started writing", "working visit. Our agents are waiting, time is of the essence, and writing", "take a break for? How do you force yourself to write, even when", "writing paramount. She forced me into a method of working I would never", "to take a break for? How do you force yourself to write, even", "I would never have considered before. It has tripled my productivity. So I", "to stay. Since we’re both at the same place with our respective novels", "agents to submit to publishers in a month or so) it was a", "idea. Below is her solution. What works for you? How do you maximise", "novels (editing for our agents to submit to publishers in a month or", "paramount. She forced me into a method of working I would never have", "hope that more writers can benefit from her idea. Below is her solution.", "break for? How do you force yourself to write, even when it’s hard,", "Since we’re both at the same place with our respective novels (editing for", "the same place with our respective novels (editing for our agents to submit", "(editing for our agents to submit to publishers in a month or so)", "submit to publishers in a month or so) it was a working visit.", "Our agents are waiting, time is of the essence, and writing paramount. She", "avoid the distractions of social media, that dishwasher that needs unloading, that wash", "would never have considered before. It has tripled my productivity. So I wanted", "the hope that more writers can benefit from her idea. Below is her", "started writing and I’ve tried and failed with a variety of techniques and", "and writing paramount. She forced me into a method of working I would", "productivity. So I wanted to share it with you as a Q&A in", "you keep writing no matter what’s going on around you? How do you", "media, that dishwasher that needs unloading, that wash that needs putting on, that", "can benefit from her idea. Below is her solution. What works for you?", "the job at hand? This question has haunted me since I first started", "publishers in a month or so) it was a working visit. Our agents", "force yourself to write, even when it’s hard, keeping your mind completely focussed", "share it with you as a Q&A in the hope that more writers", "I’ve tried and failed with a variety of techniques and tools. Then, a", "failed with a variety of techniques and tools. Then, a few weeks ago,", "first started writing and I’ve tried and failed with a variety of techniques", "me into a method of working I would never have considered before. It", "month or so) it was a working visit. Our agents are waiting, time", "haunted me since I first started writing and I’ve tried and failed with", "a working visit. Our agents are waiting, time is of the essence, and", "benefit from her idea. Below is her solution. What works for you? How", "How do you keep writing no matter what’s going on around you? How", "even when it’s hard, keeping your mind completely focussed on the job at", "it with you as a Q&A in the hope that more writers can", "focussed on the job at hand? This question has haunted me since I", "for our agents to submit to publishers in a month or so) it", "my old university lecturer came to stay. Since we’re both at the same", "few weeks ago, my old university lecturer came to stay. Since we’re both", "wanted to share it with you as a Q&A in the hope that", "unloading, that wash that needs putting on, that cup of tea you’re dying", "on the job at hand? This question has haunted me since I first", "me since I first started writing and I’ve tried and failed with a", "do you avoid the distractions of social media, that dishwasher that needs unloading,", "that cup of tea you’re dying to take a break for? How do", "and tools. Then, a few weeks ago, my old university lecturer came to", "to submit to publishers in a month or so) it was a working", "in the hope that more writers can benefit from her idea. Below is", "matter what’s going on around you? How do you avoid the distractions of", "Then, a few weeks ago, my old university lecturer came to stay. Since", "you’re dying to take a break for? How do you force yourself to", "never have considered before. It has tripled my productivity. So I wanted to", "needs putting on, that cup of tea you’re dying to take a break", "into a method of working I would never have considered before. It has", "a break for? How do you force yourself to write, even when it’s", "with you as a Q&A in the hope that more writers can benefit", "has tripled my productivity. So I wanted to share it with you as", "came to stay. Since we’re both at the same place with our respective", "considered before. It has tripled my productivity. So I wanted to share it", "dishwasher that needs unloading, that wash that needs putting on, that cup of", "needs unloading, that wash that needs putting on, that cup of tea you’re", "mind completely focussed on the job at hand? This question has haunted me", "of social media, that dishwasher that needs unloading, that wash that needs putting", "to write, even when it’s hard, keeping your mind completely focussed on the", "in a month or so) it was a working visit. Our agents are", "I first started writing and I’ve tried and failed with a variety of", "of tea you’re dying to take a break for? How do you force", "agents are waiting, time is of the essence, and writing paramount. She forced", "that wash that needs putting on, that cup of tea you’re dying to" ]
[ "I mean are the most famous authors usually trade-published or are there some", "the most famous authors usually trade-published or are there some self-published others that", "most famous authors usually trade-published or are there some self-published others that are", "usually trade-published or are there some self-published others that are very well known?", "authors usually trade-published or are there some self-published others that are very well", "famous authors usually trade-published or are there some self-published others that are very", "mean are the most famous authors usually trade-published or are there some self-published", "are the most famous authors usually trade-published or are there some self-published others" ]
[ "home, and while writing a plan to run away from home he discovers", "he discovers his passion. What I don't know how to do however is", "hell (obviously because the readers love that.) So how do I make it", "think it's normal because he's suffered rejection his whole life. I want to", "life. I want to make his life living hell (obviously because the readers", "how to do however is to rip this all away from him. she", "discovers his passion. What I don't know how to do however is to", "to run away from home he discovers all the reasons that he should", "away from home he discovers all the reasons that he should stay, his", "home he discovers all the reasons that he should stay, his best friend,", "plan to run away from home he discovers all the reasons that he", "suffered rejection his whole life. I want to make his life living hell", "rejection his whole life. I want to make his life living hell (obviously", "I want to make his life living hell (obviously because the readers love", "to think it's normal because he's suffered rejection his whole life. I want", "him, but he is going to think it's normal because he's suffered rejection", "to reject him, but he is going to think it's normal because he's", "(obviously because the readers love that.) So how do I make it really", "who wants to run away from home, and while writing a plan to", "away from home, and while writing a plan to run away from home", "reject him, but he is going to think it's normal because he's suffered", "going to reject him, but he is going to think it's normal because", "a boy who wants to run away from home, and while writing a", "book is about a boy who wants to run away from home, and", "because he's suffered rejection his whole life. I want to make his life", "the readers love that.) So how do I make it really bad for", "she is going to reject him, but he is going to think it's", "all the reasons that he should stay, his best friend, his lover, and", "rip this all away from him. she is going to reject him, but", "is going to reject him, but he is going to think it's normal", "reasons that he should stay, his best friend, his lover, and he discovers", "friend, his lover, and he discovers his passion. What I don't know how", "make his life living hell (obviously because the readers love that.) So how", "him. she is going to reject him, but he is going to think", "is to rip this all away from him. she is going to reject", "from home, and while writing a plan to run away from home he", "is going to think it's normal because he's suffered rejection his whole life.", "living hell (obviously because the readers love that.) So how do I make", "boy who wants to run away from home, and while writing a plan", "it's normal because he's suffered rejection his whole life. I want to make", "run away from home he discovers all the reasons that he should stay,", "What I don't know how to do however is to rip this all", "that he should stay, his best friend, his lover, and he discovers his", "the reasons that he should stay, his best friend, his lover, and he", "writing a plan to run away from home he discovers all the reasons", "he's suffered rejection his whole life. I want to make his life living", "life living hell (obviously because the readers love that.) So how do I", "his life living hell (obviously because the readers love that.) So how do", "he discovers all the reasons that he should stay, his best friend, his", "his passion. What I don't know how to do however is to rip", "do however is to rip this all away from him. she is going", "My book is about a boy who wants to run away from home,", "to make his life living hell (obviously because the readers love that.) So", "normal because he's suffered rejection his whole life. I want to make his", "about a boy who wants to run away from home, and while writing", "and he discovers his passion. What I don't know how to do however", "to do however is to rip this all away from him. she is", "readers love that.) So how do I make it really bad for him?", "his whole life. I want to make his life living hell (obviously because", "but he is going to think it's normal because he's suffered rejection his", "going to think it's normal because he's suffered rejection his whole life. I", "his best friend, his lover, and he discovers his passion. What I don't", "is about a boy who wants to run away from home, and while", "this all away from him. she is going to reject him, but he", "and while writing a plan to run away from home he discovers all", "passion. What I don't know how to do however is to rip this", "to rip this all away from him. she is going to reject him,", "whole life. I want to make his life living hell (obviously because the", "know how to do however is to rip this all away from him.", "he is going to think it's normal because he's suffered rejection his whole", "however is to rip this all away from him. she is going to", "best friend, his lover, and he discovers his passion. What I don't know", "discovers all the reasons that he should stay, his best friend, his lover,", "from home he discovers all the reasons that he should stay, his best", "away from him. she is going to reject him, but he is going", "want to make his life living hell (obviously because the readers love that.)", "don't know how to do however is to rip this all away from", "a plan to run away from home he discovers all the reasons that", "run away from home, and while writing a plan to run away from", "from him. she is going to reject him, but he is going to", "while writing a plan to run away from home he discovers all the", "he should stay, his best friend, his lover, and he discovers his passion.", "to run away from home, and while writing a plan to run away", "lover, and he discovers his passion. What I don't know how to do", "wants to run away from home, and while writing a plan to run", "because the readers love that.) So how do I make it really bad", "his lover, and he discovers his passion. What I don't know how to", "all away from him. she is going to reject him, but he is", "stay, his best friend, his lover, and he discovers his passion. What I", "I don't know how to do however is to rip this all away", "should stay, his best friend, his lover, and he discovers his passion. What" ]
[ "make us human, but logically some of the events could’ve been avoided, that’s", "eaten * Giving up and leading other humans out in the Artic cold", "causing widespread infection in the UK * Releasing some random dinosaurs causing nearly", "workers to get caught and eaten * Giving up and leading other humans", "natural and are what make us human, but logically some of the events", "Day After Tomorrow’ made terrible impulsive choices that cost other characters their lives,", "bodies later on NOTE: Mistakes are natural and are what make us human,", "out in the Artic cold with a low-risk chance of surviving - causing", "choices that cost other characters their lives, but if it weren’t for any", "their lives, but if it weren’t for any of those choices made in", "in the UK * Releasing some random dinosaurs causing nearly all of the", "a low-risk chance of surviving - causing a sad scene upon finding their", "* Releasing some random dinosaurs causing nearly all of the workers to get", "of surviving - causing a sad scene upon finding their bodies later on", "‘The Day After Tomorrow’ made terrible impulsive choices that cost other characters their", "* Ignoring an expert about releasing an infectious chimpanzee causing widespread infection in", "‘28 Days Later’, ‘Jurassic Park’ and ‘The Day After Tomorrow’ made terrible impulsive", "Mistakes are natural and are what make us human, but logically some of", "made in the films, they wouldn’t have had any significant drama * Ignoring", "the workers to get caught and eaten * Giving up and leading other", "finding their bodies later on NOTE: Mistakes are natural and are what make", "* Giving up and leading other humans out in the Artic cold with", "impulsive choices that cost other characters their lives, but if it weren’t for", "some of the events could’ve been avoided, that’s why the consequences are annoying.", "are natural and are what make us human, but logically some of the", "if it weren’t for any of those choices made in the films, they", "other characters their lives, but if it weren’t for any of those choices", "releasing an infectious chimpanzee causing widespread infection in the UK * Releasing some", "have had any significant drama * Ignoring an expert about releasing an infectious", "upon finding their bodies later on NOTE: Mistakes are natural and are what", "some random dinosaurs causing nearly all of the workers to get caught and", "other humans out in the Artic cold with a low-risk chance of surviving", "of the events could’ve been avoided, that’s why the consequences are annoying. Am", "in the Artic cold with a low-risk chance of surviving - causing a", "Giving up and leading other humans out in the Artic cold with a", "what make us human, but logically some of the events could’ve been avoided,", "in the films, they wouldn’t have had any significant drama * Ignoring an", "films, they wouldn’t have had any significant drama * Ignoring an expert about", "cold with a low-risk chance of surviving - causing a sad scene upon", "Park’ and ‘The Day After Tomorrow’ made terrible impulsive choices that cost other", "an expert about releasing an infectious chimpanzee causing widespread infection in the UK", "nearly all of the workers to get caught and eaten * Giving up", "the films, they wouldn’t have had any significant drama * Ignoring an expert", "causing nearly all of the workers to get caught and eaten * Giving", "made terrible impulsive choices that cost other characters their lives, but if it", "for any of those choices made in the films, they wouldn’t have had", "with a low-risk chance of surviving - causing a sad scene upon finding", "causing a sad scene upon finding their bodies later on NOTE: Mistakes are", "events could’ve been avoided, that’s why the consequences are annoying. Am I right?", "to get caught and eaten * Giving up and leading other humans out", "up and leading other humans out in the Artic cold with a low-risk", "weren’t for any of those choices made in the films, they wouldn’t have", "had any significant drama * Ignoring an expert about releasing an infectious chimpanzee", "their bodies later on NOTE: Mistakes are natural and are what make us", "human, but logically some of the events could’ve been avoided, that’s why the", "dinosaurs causing nearly all of the workers to get caught and eaten ", "Tomorrow’ made terrible impulsive choices that cost other characters their lives, but if", "in movies ‘28 Days Later’, ‘Jurassic Park’ and ‘The Day After Tomorrow’ made", "of the workers to get caught and eaten Giving up and leading", "us human, but logically some of the events could’ve been avoided, that’s why", "chimpanzee causing widespread infection in the UK * Releasing some random dinosaurs causing", "After Tomorrow’ made terrible impulsive choices that cost other characters their lives, but", "Releasing some random dinosaurs causing nearly all of the workers to get caught", "and are what make us human, but logically some of the events could’ve", "significant drama * Ignoring an expert about releasing an infectious chimpanzee causing widespread", "low-risk chance of surviving - causing a sad scene upon finding their bodies", "an infectious chimpanzee causing widespread infection in the UK * Releasing some random", "get caught and eaten * Giving up and leading other humans out in", "leading other humans out in the Artic cold with a low-risk chance of", "Later’, ‘Jurassic Park’ and ‘The Day After Tomorrow’ made terrible impulsive choices that", "Ignoring an expert about releasing an infectious chimpanzee causing widespread infection in the", "the Artic cold with a low-risk chance of surviving - causing a sad", "NOTE: Mistakes are natural and are what make us human, but logically some", "any significant drama * Ignoring an expert about releasing an infectious chimpanzee causing", "- causing a sad scene upon finding their bodies later on NOTE: Mistakes", "Artic cold with a low-risk chance of surviving - causing a sad scene", "about releasing an infectious chimpanzee causing widespread infection in the UK * Releasing", "random dinosaurs causing nearly all of the workers to get caught and eaten", "infection in the UK * Releasing some random dinosaurs causing nearly all of", "wouldn’t have had any significant drama * Ignoring an expert about releasing an", "humans out in the Artic cold with a low-risk chance of surviving -", "and eaten * Giving up and leading other humans out in the Artic", "scene upon finding their bodies later on NOTE: Mistakes are natural and are", "terrible impulsive choices that cost other characters their lives, but if it weren’t", "movies ‘28 Days Later’, ‘Jurassic Park’ and ‘The Day After Tomorrow’ made terrible", "chance of surviving - causing a sad scene upon finding their bodies later", "of those choices made in the films, they wouldn’t have had any significant", "infectious chimpanzee causing widespread infection in the UK * Releasing some random dinosaurs", "Days Later’, ‘Jurassic Park’ and ‘The Day After Tomorrow’ made terrible impulsive choices", "any of those choices made in the films, they wouldn’t have had any", "that cost other characters their lives, but if it weren’t for any of", "all of the workers to get caught and eaten * Giving up and", "surviving - causing a sad scene upon finding their bodies later on NOTE:", "choices made in the films, they wouldn’t have had any significant drama ", "a sad scene upon finding their bodies later on NOTE: Mistakes are natural", "and ‘The Day After Tomorrow’ made terrible impulsive choices that cost other characters", "Characters in movies ‘28 Days Later’, ‘Jurassic Park’ and ‘The Day After Tomorrow’", "characters their lives, but if it weren’t for any of those choices made", "and leading other humans out in the Artic cold with a low-risk chance", "expert about releasing an infectious chimpanzee causing widespread infection in the UK ", "widespread infection in the UK * Releasing some random dinosaurs causing nearly all", "but if it weren’t for any of those choices made in the films,", "sad scene upon finding their bodies later on NOTE: Mistakes are natural and", "are what make us human, but logically some of the events could’ve been", "the UK * Releasing some random dinosaurs causing nearly all of the workers", "caught and eaten * Giving up and leading other humans out in the", "they wouldn’t have had any significant drama * Ignoring an expert about releasing", "on NOTE: Mistakes are natural and are what make us human, but logically", "it weren’t for any of those choices made in the films, they wouldn’t", "but logically some of the events could’ve been avoided, that’s why the consequences", "cost other characters their lives, but if it weren’t for any of those", "lives, but if it weren’t for any of those choices made in the", "UK * Releasing some random dinosaurs causing nearly all of the workers to", "those choices made in the films, they wouldn’t have had any significant drama", "later on NOTE: Mistakes are natural and are what make us human, but", "drama * Ignoring an expert about releasing an infectious chimpanzee causing widespread infection", "the events could’ve been avoided, that’s why the consequences are annoying. Am I", "‘Jurassic Park’ and ‘The Day After Tomorrow’ made terrible impulsive choices that cost", "logically some of the events could’ve been avoided, that’s why the consequences are" ]
[ "and its structure. > > > * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn", "difference between DITA and S1000D? How DITA's topic-based approach differs from S1000D's module-based", "note: Well, from what I read about there are different types of modules", "trying to understand the technical** difference between DITA and S1000D. Yes, I know,", "From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from the book: > >", "with DITA or S1000D before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > >", "DITA and S1000D, which is the granularity of the level of reuse. While", "of authoring. DITA is topic-based, while S1000D is module-based: > > There is", "DITA's topic-based approach differs from S1000D's module-based approach? Does it all mean that", "helicopter or submarine, you should use S1000D, and if you need documentation for", "S1000D before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps specify", "is topic-based, while S1000D is module-based: > > There is one more major", "the same underlying concepts and aims ... (from here to the end of", "really about linking it to the product structure. > > > My note:", "searching I found some articles about technical side of this difference, but still,", "mean that S1000D is not so flexible in content reuse as DITA (see", "found some articles about technical side of this difference, but still, it's completely", "to the end of the article). > > > * Also, in [one", "topic based but it is really about linking it to the product structure.", "(from here to the end of the article). > > > * Also,", "and S1000D. Yes, I know, the common wisdom is that if you need", "clearly stated that DITA and S1000D are assuming completely different types of authoring.", "Does it all mean that S1000D is not so flexible in content reuse", "> > So, what is the techinical difference between DITA and S1000D? How", "here to the end of the article)*. > > > Also, in", "differs from S1000D's module-based approach? Does it all mean that S1000D is not", "about technical side of this difference, but still, it's completely unclear for me,", "a lot of searching I found some articles about technical side of this", "which in turn an excerpt from the book: > > This points to", "end of the article)*. > > > Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/)", "> * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA use the", "DITA and S1000D are assuming completely different types of authoring. DITA is topic-based,", "the context in which keys are defined and resolved. > > > S1000D", "of them implied within \"modular-based authoring\" term. Authoring based on data modules or", "relationships among the topics; they also > provide the context in which keys", "never worked with DITA or S1000D before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24):", "based DTD and that is to chop up the XML content in modules.", "one of the key differences between DITA and S1000D, which is the granularity", "> > * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from the", "you should use DITA. While this is true, it is too shallow level", "implied within \"modular-based authoring\" term. Authoring based on data modules or authoring based", "level of reuse. While S1000D encourages reuse at the data module level (roughly", "I'm trying to understand the technical difference between DITA and S1000D. Yes, I", "are different types of modules in S1000D. We have \"data modules\" which are", "the book based and topic based DTD and that is to chop up", "about there are different types of modules in S1000D. We have \"data modules\"", "based on publishing modules? Argh. > > > So, what is the techinical", "it is too shallow level of understanding. With a lot of searching I", "same underlying concepts and aims ... (from here to the end of the", "or submarine, you should use S1000D, and if you need documentation for software,", "that S1000D is not so flexible in content reuse as DITA (see second", "some articles about technical side of this difference, but still, it's completely unclear", "With a lot of searching I found some articles about technical side of", "technical side of this difference, but still, it's completely unclear for me, probably", "within DITA), it does not have mechanisms for intra-data module reuse. > >", "our meaning not that far from the topic based but it is really", "article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA and S1000D are assuming completely different", "approach differs from S1000D's module-based approach? Does it all mean that S1000D is", "of modules in S1000D. We have \"data modules\" which are something similar DITA's", "and S1000D, which is the granularity of the level of reuse. While S1000D", "up the XML content in modules. In our meaning not that far from", "\"data modules\" which are something similar DITA's \"topics\" and we have \"publishing modules\"", "and DITA use the same underlying concepts and aims ... (from here to", "from the topic based but it is really about linking it to the", "S1000D Publication Modules contain references to data modules, other publication modules, or legacy", "articles about technical side of this difference, but still, it's completely unclear for", "the product structure. > > > My note: Well, from what I read", "and resolved. > > > S1000D Publication Modules contain references to data modules,", "and we have \"publishing modules\" which are something similar to DITA's \"maps\". For", "true, it is too shallow level of understanding. With a lot of searching", "While S1000D encourages reuse at the data module level (roughly equivalent to a", "turn an excerpt from the book: > > This points to one of", "aims ... (from here to the end of the article). > > >", "a publication and its structure. > > > * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which", "> DITA maps specify hierarchy and the relationships among the topics; they also", "[one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from the book: > > This", "flexible in content reuse as DITA (see second quote in my post), and", "specify hierarchy and the relationships among the topics; they also > provide the", "> > My note: The word \"intra\" applied to \"data module\", not \"data\".", "read about there are different types of modules in S1000D. We have \"data", "> * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from the book:", "based but it is really about linking it to the product structure. >", "based on data modules or authoring based on publishing modules? Argh. > >", "approach? Does it all mean that S1000D is not so flexible in content", "that if you need documentation for helicopter or submarine, you should use S1000D,", "data modules, other publication modules, or legacy data of a publication and its", "mechanisms for intra-data module reuse. > > > My note: The word \"intra\"", "and S1000D are assuming completely different types of authoring. DITA is topic-based, while", "software, you should use DITA. While this is true, it is too shallow", "> > > My note: Well, from what I read about there are", "its structure. > > > * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an", "modules in S1000D. We have \"data modules\" which are something similar DITA's \"topics\"", "are something similar DITA's \"topics\" and we have \"publishing modules\" which are something", "I know, the common wisdom is that if you need documentation for helicopter", "> There is one more major alternative to the book based and topic", "which one of them implied within \"modular-based authoring\" term. Authoring based on data", "Both S1000D and DITA use the same underlying concepts and aims ... *(from", "S1000D, and if you need documentation for software, you should use DITA. While", "between DITA and S1000D, which is the granularity of the level of reuse.", "know, the common wisdom is that if you need documentation for helicopter or", "authoring. DITA is topic-based, while S1000D is module-based: > > There is one", "different types of modules in S1000D. We have \"data modules\" which are something", "this difference, but still, it's completely unclear for me, probably because I never", "because I never worked with DITA or S1000D before. From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations)", "the topics; they also > provide the context in which keys are defined", "the key differences between DITA and S1000D, which is the granularity of the", "S1000D and DITA use the same underlying concepts and aims ... (from here", "to the book based and topic based DTD and that is to chop", "reason, it's not clear which one of them implied within \"modular-based authoring\" term.", "My note: Well, from what I read about there are different types of", "> > DITA maps specify hierarchy and the relationships among the topics; they", "Argh. > > > So, what is the techinical** difference between DITA and", "[Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps specify hierarchy and the relationships", "and if you need documentation for software, you should use DITA. While this", "We have \"data modules\" which are something similar DITA's \"topics\" and we have", "all mean that S1000D is not so flexible in content reuse as DITA", "data of a publication and its structure. > > > * From [one", "and topic based DTD and that is to chop up the XML content", "legacy data of a publication and its structure. > > > * From", "what I read about there are different types of modules in S1000D. We", "need documentation for software, you should use DITA. While this is true, it", "probably because I never worked with DITA or S1000D before. * From [Slideshare", "key differences between DITA and S1000D, which is the granularity of the level", "topic-based, while S1000D is module-based: > > There is one more major alternative", "topics; they also > provide the context in which keys are defined and", "should use S1000D, and if you need documentation for software, you should use", "authoring\" term. Authoring based on data modules or authoring based on publishing modules?", "S1000D is not so flexible in content reuse as DITA (see second quote", "is really about linking it to the product structure. > > > *My", "module\", not \"data\". > > > From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both", "but still, it's completely unclear for me, probably because I never worked with", "in which keys are defined and resolved. > > > S1000D Publication Modules", "completely different types of authoring. DITA is topic-based, while S1000D is module-based: >", "that is to chop up the XML content in modules. In our meaning", "it's not clear which one of them implied within \"modular-based authoring\" term. Authoring", "to a topic within DITA), it does not have mechanisms for intra-data module", "\"data\". > > > * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and", "excerpt from the book: > > This points to one of the key", "DITA or S1000D before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA", "While this is true, it is too shallow level of understanding. With a", "S1000D? How DITA's topic-based approach differs from S1000D's module-based approach? Does it all", "an excerpt from the book: > > This points to one of the", "> * Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA", "is too shallow level of understanding. With a lot of searching I found", "presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps specify hierarchy and the relationships among", "assuming completely different types of authoring. DITA is topic-based, while S1000D is module-based:", "(see second quote in my post), and how exactly this unflexibility looks, in", "about linking it to the product structure. > > > My note: Well,", "use DITA. While this is true, it is too shallow level of understanding.", "common wisdom is that if you need documentation for helicopter or submarine, you", "publication and its structure. > > > * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in", "from S1000D's module-based approach? Does it all mean that S1000D is not so", "within \"modular-based authoring\" term. Authoring based on data modules or authoring based on", "not have mechanisms for intra-data module reuse. > > > My note: The", "So, what is the techinical difference between DITA and S1000D? How DITA's topic-based", "content in modules. In our meaning not that far from the topic based", "the level of reuse. While S1000D encourages reuse at the data module level", "Modules contain references to data modules, other publication modules, or legacy data of", "> > > * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA", "is not so flexible in content reuse as DITA (see second quote in", "contain references to data modules, other publication modules, or legacy data of a", "is clearly stated that DITA and S1000D are assuming completely different types of", "the technical difference between DITA and S1000D. Yes, I know, the common wisdom", "the topic based but it is really about linking it to the product", "of reuse. While S1000D encourages reuse at the data module level (roughly equivalent", "between DITA and S1000D. Yes, I know, the common wisdom is that if", "* From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA use the same", "to understand the technical difference between DITA and S1000D. Yes, I know, the", "provide the context in which keys are defined and resolved. > > >", "difference, but still, it's completely unclear for me, probably because I never worked", "you need documentation for software, you should use DITA. While this is true,", "use S1000D, and if you need documentation for software, you should use DITA.", "S1000D are assuming completely different types of authoring. DITA is topic-based, while S1000D", "if you need documentation for software, you should use DITA. While this is", "is the techinical difference between DITA and S1000D? How DITA's topic-based approach differs", "unclear for me, probably because I never worked with DITA or S1000D before.", "data modules or authoring based on publishing modules? Argh. > > > So,", "For this reason, it's not clear which one of them implied within \"modular-based", "The word \"intra\" applied to \"data module\", not \"data\". > > > ", "modules, other publication modules, or legacy data of a publication and its structure.", "quote in my post), and how exactly this unflexibility looks, in comparison with", "something similar to DITA's \"maps\". For this reason, it's not clear which one", "second quote in my post), and how exactly this unflexibility looks, in comparison", "topic within DITA), it does not have mechanisms for intra-data module reuse. >", "in content reuse as DITA (see second quote in my post), and how", "something similar DITA's \"topics\" and we have \"publishing modules\" which are something similar", "S1000D. We have \"data modules\" which are something similar DITA's \"topics\" and we", "are something similar to DITA's \"maps\". For this reason, it's not clear which", "> > Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that", "linking it to the product structure. > > > My note: Well, from", "or S1000D before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps", "modules or authoring based on publishing modules? Argh. > > > So, what", "as DITA (see second quote in my post), and how exactly this unflexibility", "is the granularity of the level of reuse. While S1000D encourages reuse at", "but it is really about linking it to the product structure. > >", "> S1000D Publication Modules contain references to data modules, other publication modules, or", "among the topics; they also > provide the context in which keys are", "article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA use the same underlying concepts and", "level (roughly equivalent to a topic within DITA), it does not have mechanisms", "the article)*. > > > Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is", "Well, from what I read about there are different types of modules in", "on data modules or authoring based on publishing modules? Argh. > > >", "also > provide the context in which keys are defined and resolved. >", "techinical difference between DITA and S1000D? How DITA's topic-based approach differs from S1000D's", "article)*. > > > Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly", "book based and topic based DTD and that is to chop up the", "S1000D, which is the granularity of the level of reuse. While S1000D encourages", "\"maps\". For this reason, it's not clear which one of them implied within", "> My note: The word \"intra\" applied to \"data module\", not \"data\". >", "from the book: > > This points to one of the key differences", "publishing modules? Argh. > > > So, what is the techinical difference between", "too shallow level of understanding. With a lot of searching I found some", "that DITA and S1000D are assuming completely different types of authoring. DITA is", "that far from the topic based but it is really about linking it", "article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from the book: > > This points", "for software, you should use DITA. While this is true, it is too", "* From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from the book: >", "structure. > > > My note: Well, from what I read about there", "not \"data\". > > > * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D", "them implied within \"modular-based authoring\" term. Authoring based on data modules or authoring", "to \"data module\", not \"data\". > > > * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): >", "This points to one of the key differences between DITA and S1000D, which", "modules\" which are something similar to DITA's \"maps\". For this reason, it's not", "differences between DITA and S1000D, which is the granularity of the level of", "references to data modules, other publication modules, or legacy data of a publication", "module level (roughly equivalent to a topic within DITA), it does not have", "does not have mechanisms for intra-data module reuse. > > > My note:", "keys are defined and resolved. > > > S1000D Publication Modules contain references", "modules\" which are something similar DITA's \"topics\" and we have \"publishing modules\" which", "or legacy data of a publication and its structure. > > > ", "modules? Argh. > > > So, what is the techinical* difference between DITA", "concepts and aims ... (from here to the end of the article). >", "of the level of reuse. While S1000D encourages reuse at the data module", "to the product structure. > > > My note: Well, from what I", "> > > S1000D Publication Modules contain references to data modules, other publication", "term. Authoring based on data modules or authoring based on publishing modules? Argh.", "[one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA and S1000D are assuming", "are assuming completely different types of authoring. DITA is topic-based, while S1000D is", "encourages reuse at the data module level (roughly equivalent to a topic within", "DITA and S1000D. Yes, I know, the common wisdom is that if you", "24): > > DITA maps specify hierarchy and the relationships among the topics;", "(roughly equivalent to a topic within DITA), it does not have mechanisms for", "word \"intra\" applied to \"data module\", not \"data\". > > > * From", "the XML content in modules. In our meaning not that far from the", "for me, probably because I never worked with DITA or S1000D before. ", "of a publication and its structure. > > > From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/),", "different types of authoring. DITA is topic-based, while S1000D is module-based: > >", "> My note: Well, from what I read about there are different types", "have mechanisms for intra-data module reuse. > > > My note: The word", "Yes, I know, the common wisdom is that if you need documentation for", "is module-based: > > There is one more major alternative to the book", "reuse as DITA (see second quote in my post), and how exactly this", "you should use S1000D, and if you need documentation for software, you should", "documentation for helicopter or submarine, you should use S1000D, and if you need", "which are something similar to DITA's \"maps\". For this reason, it's not clear", "side of this difference, but still, it's completely unclear for me, probably because", "in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA and S1000D are", "module reuse. > > > My note: The word \"intra\" applied to \"data", "* From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps specify hierarchy and", "reuse at the data module level (roughly equivalent to a topic within DITA),", "DITA's \"maps\". For this reason, it's not clear which one of them implied", "(slide 24): > > DITA maps specify hierarchy and the relationships among the", "the data module level (roughly equivalent to a topic within DITA), it does", "Authoring based on data modules or authoring based on publishing modules? Argh. >", "technical difference between DITA and S1000D. Yes, I know, the common wisdom is", "of this difference, but still, it's completely unclear for me, probably because I", "between DITA and S1000D? How DITA's topic-based approach differs from S1000D's module-based approach?", "DITA (see second quote in my post), and how exactly this unflexibility looks,", "> > Both S1000D and DITA use the same underlying concepts and aims", "what is the techinical difference between DITA and S1000D? How DITA's topic-based approach", "context in which keys are defined and resolved. > > > S1000D Publication", "is that if you need documentation for helicopter or submarine, you should use", "for intra-data module reuse. > > > My note: The word \"intra\" applied", "There is one more major alternative to the book based and topic based", "book: > > This points to one of the key differences between DITA", "and that is to chop up the XML content in modules. In our", "and aims ... (from here to the end of the article). > >", "types of modules in S1000D. We have \"data modules\" which are something similar", "alternative to the book based and topic based DTD and that is to", "from what I read about there are different types of modules in S1000D.", "me, probably because I never worked with DITA or S1000D before. * From", "this is true, it is too shallow level of understanding. With a lot", "My note: The word \"intra\" applied to \"data module\", not \"data\". > >", "if you need documentation for helicopter or submarine, you should use S1000D, and", "to chop up the XML content in modules. In our meaning not that", "resolved. > > > S1000D Publication Modules contain references to data modules, other", "it all mean that S1000D is not so flexible in content reuse as", "in modules. In our meaning not that far from the topic based but", "and S1000D? How DITA's topic-based approach differs from S1000D's module-based approach? Does it", "... (from here to the end of the article). > > > ", "In our meaning not that far from the topic based but it is", "> This points to one of the key differences between DITA and S1000D,", "in my post), and how exactly this unflexibility looks, in comparison with DITA?", "have \"publishing modules\" which are something similar to DITA's \"maps\". For this reason,", "clear which one of them implied within \"modular-based authoring\" term. Authoring based on", "the techinical* difference between DITA and S1000D? How DITA's topic-based approach differs from", "From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA use the same underlying", "not so flexible in content reuse as DITA (see second quote in my", "reuse. > > > My note: The word \"intra\" applied to \"data module\",", "authoring based on publishing modules? Argh. > > > So, what is the", "is one more major alternative to the book based and topic based DTD", "in S1000D. We have \"data modules\" which are something similar DITA's \"topics\" and", "module-based: > > There is one more major alternative to the book based", "* Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA and", "need documentation for helicopter or submarine, you should use S1000D, and if you", "completely unclear for me, probably because I never worked with DITA or S1000D", "DITA. While this is true, it is too shallow level of understanding. With", "to data modules, other publication modules, or legacy data of a publication and", "this reason, it's not clear which one of them implied within \"modular-based authoring\"", "level of understanding. With a lot of searching I found some articles about", "I found some articles about technical side of this difference, but still, it's", "\"intra\" applied to \"data module\", not \"data\". > > > * From [another", "of understanding. With a lot of searching I found some articles about technical", "of the article)*. > > > Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it", "of the key differences between DITA and S1000D, which is the granularity of", "points to one of the key differences between DITA and S1000D, which is", "DITA and S1000D? How DITA's topic-based approach differs from S1000D's module-based approach? Does", "DITA maps specify hierarchy and the relationships among the topics; they also >", "product structure. > > > My note: Well, from what I read about", "S1000D is module-based: > > There is one more major alternative to the", "From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps specify hierarchy and the", "the book: > > This points to one of the key differences between", "hierarchy and the relationships among the topics; they also > provide the context", "or authoring based on publishing modules? Argh. > > > So, what is", "the common wisdom is that if you need documentation for helicopter or submarine,", "> > S1000D Publication Modules contain references to data modules, other publication modules,", "understand the technical difference between DITA and S1000D. Yes, I know, the common", "note*: The word \"intra\" applied to \"data module\", not \"data\". > > >", "the granularity of the level of reuse. While S1000D encourages reuse at the", "DITA's \"topics\" and we have \"publishing modules\" which are something similar to DITA's", "understanding. With a lot of searching I found some articles about technical side", "submarine, you should use S1000D, and if you need documentation for software, you", "you need documentation for helicopter or submarine, you should use S1000D, and if", "S1000D. Yes, I know, the common wisdom is that if you need documentation", "is to chop up the XML content in modules. In our meaning not", "worked with DITA or S1000D before. From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): >", "we have \"publishing modules\" which are something similar to DITA's \"maps\". For this", "DITA), it does not have mechanisms for intra-data module reuse. > > >", "modules. In our meaning not that far from the topic based but it", "S1000D encourages reuse at the data module level (roughly equivalent to a topic", "[another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA use the same underlying concepts", "it's completely unclear for me, probably because I never worked with DITA or", "S1000D's module-based approach? Does it all mean that S1000D is not so flexible", "I never worked with DITA or S1000D before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide", "chop up the XML content in modules. In our meaning not that far", "which is the granularity of the level of reuse. While S1000D encourages reuse", "wisdom is that if you need documentation for helicopter or submarine, you should", "DTD and that is to chop up the XML content in modules. In", "there are different types of modules in S1000D. We have \"data modules\" which", "intra-data module reuse. > > > My note: The word \"intra\" applied to", "shallow level of understanding. With a lot of searching I found some articles", "granularity of the level of reuse. While S1000D encourages reuse at the data", "in turn an excerpt from the book: > > This points to one", "they also > provide the context in which keys are defined and resolved.", "meaning not that far from the topic based but it is really about", "XML content in modules. In our meaning not that far from the topic", "to DITA's \"maps\". For this reason, it's not clear which one of them", "I read about there are different types of modules in S1000D. We have", "have \"data modules\" which are something similar DITA's \"topics\" and we have \"publishing", "for helicopter or submarine, you should use S1000D, and if you need documentation", "applied to \"data module\", not \"data\". > > > * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp):", "to one of the key differences between DITA and S1000D, which is the", "> > > So, what is the techinical difference between DITA and S1000D?", "similar DITA's \"topics\" and we have \"publishing modules\" which are something similar to", "far from the topic based but it is really about linking it to", "structure. > > > * From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt", "stated that DITA and S1000D are assuming completely different types of authoring. DITA", "so flexible in content reuse as DITA (see second quote in my post),", "module-based approach? Does it all mean that S1000D is not so flexible in", "topic-based approach differs from S1000D's module-based approach? Does it all mean that S1000D", "> So, what is the techinical difference between DITA and S1000D? How DITA's", "\"topics\" and we have \"publishing modules\" which are something similar to DITA's \"maps\".", "publication modules, or legacy data of a publication and its structure. > >", "> > There is one more major alternative to the book based and", "\"data module\", not \"data\". > > > * From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > >", "DITA use the same underlying concepts and aims ... *(from here to the", "based and topic based DTD and that is to chop up the XML", "still, it's completely unclear for me, probably because I never worked with DITA", "topic based DTD and that is to chop up the XML content in", "content reuse as DITA (see second quote in my post), and how exactly", "> > From [another article](https://web.archive.org/web/20130729055447/http://www.dclab.com/S1000D_DITA.asp): > > Both S1000D and DITA use", "while S1000D is module-based: > > There is one more major alternative to", "another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA and S1000D are assuming completely", "similar to DITA's \"maps\". For this reason, it's not clear which one of", "\"publishing modules\" which are something similar to DITA's \"maps\". For this reason, it's", "> > This points to one of the key differences between DITA and", "documentation for software, you should use DITA. While this is true, it is", "should use DITA. While this is true, it is too shallow level of", "it is really about linking it to the product structure. > > >", "which are something similar DITA's \"topics\" and we have \"publishing modules\" which are", "the end of the article)*. > > > Also, in [one another", "not clear which one of them implied within \"modular-based authoring\" term. Authoring based", "types of authoring. DITA is topic-based, while S1000D is module-based: > > There", "data module level (roughly equivalent to a topic within DITA), it does not", "one of them implied within \"modular-based authoring\" term. Authoring based on data modules", "on publishing modules? Argh. > > > So, what is the techinical difference", "before. * From [Slideshare presentation](https://www.slideshare.net/JosephStorbeck/dita-and-s1000-d-two-paths-to-structured-documentation-no-animations) (slide 24): > > DITA maps specify hierarchy", "not that far from the topic based but it is really about linking", "more major alternative to the book based and topic based DTD and that", "Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated that DITA and S1000D", "major alternative to the book based and topic based DTD and that is", "> > > My note: The word \"intra\" applied to \"data module\", not", "a topic within DITA), it does not have mechanisms for intra-data module reuse.", "difference between DITA and S1000D. Yes, I know, the common wisdom is that", "it to the product structure. > > > My note: Well, from what", "> > > * Also, in [one another article](https://www.pdsvision.se/blog/xml-dita-docbook-s1000d-shipdex-confused/) it is clearly stated", "the relationships among the topics; they also > provide the context in which", "it does not have mechanisms for intra-data module reuse. > > > My", "> Both S1000D and DITA use the same underlying concepts and aims ...", "of searching I found some articles about technical side of this difference, but", "underlying concepts and aims ... (from here to the end of the article)*.", "defined and resolved. > > > S1000D Publication Modules contain references to data", "maps specify hierarchy and the relationships among the topics; they also > provide", "and the relationships among the topics; they also > provide the context in", "other publication modules, or legacy data of a publication and its structure. >", "equivalent to a topic within DITA), it does not have mechanisms for intra-data", "DITA is topic-based, while S1000D is module-based: > > There is one more", "are defined and resolved. > > > S1000D Publication Modules contain references to", "> provide the context in which keys are defined and resolved. > >", "modules, or legacy data of a publication and its structure. > > >", "> > > From [one article](http://www.ditawriter.com/book-excerpt-dita-and-other-structured-xml-formats/), which in turn an excerpt from", "reuse. While S1000D encourages reuse at the data module level (roughly equivalent to", "is true, it is too shallow level of understanding. With a lot of", "at the data module level (roughly equivalent to a topic within DITA), it", "> > My note: Well, from what I read about there are different", "\"modular-based authoring\" term. Authoring based on data modules or authoring based on publishing", "it is clearly stated that DITA and S1000D are assuming completely different types", "How DITA's topic-based approach differs from S1000D's module-based approach? Does it all mean", "Publication Modules contain references to data modules, other publication modules, or legacy data", "lot of searching I found some articles about technical side of this difference,", "which keys are defined and resolved. > > > S1000D Publication Modules contain", "use the same underlying concepts and aims ... **(from here to the end", "one more major alternative to the book based and topic based DTD and" ]
[ "reliability of the Prophet. [Izutsu 1965, p. 146] > > > seems wrong", "to express in my writing: > > Faith can be active and effective", "what he wants to emphasize is that shar‘a can be active and >", "another worry with the original source: The author is referring to another source!)", "through the exercise of his Reason, has > already acquired knowledge of God,", "is referring to another work, etc.) seems to distract the reader without purpose.", "God, and the conviction > of the truthfulness and absolute reliability of the", "intention is not to quote, but to let the reader know that certain", "exercise of his Reason, has already acquired knowledge of God, belief > in", "> of the truthfulness and absolute reliability of the Prophet. > > >", "truthfulness and absolute reliability of the Prophet. > > > (In Arabic, shar‘a", "Prophet. > > > (In Arabic, shar‘a means Divine Law.) The main part", "main intention is not to quote, but to let the reader know that", "p. 146] > > > seems wrong for several reasons. However, explaining the", "from Japanese philosopher and thinker Toshihiko Izutsu's book The Concept of Belief in", "146): > > But what he wants to emphasize is that shar‘a* can", "But what he wants to emphasize is that shar‘a can be active and", "already acquired knowledge of God, belief in God, and the conviction > of", "absolute > reliability of the Prophet. [Izutsu 1965, p. 146] > > >", "the exercise of his Reason, has already acquired knowledge of God, belief >", "example, something like, > > Faith can be active and effective only when", "lifted from some source.] What is the official style to such paraphrased quotes?", "in my writing: > > Faith can be active and effective only when", "to let the reader know that certain part of that sentence is lifted", "style to such paraphrased quotes? (Note that there is another worry with the", "[Izutsu 1965, p. 146] > > > seems wrong for several reasons. However,", "and absolute reliability of the Prophet. > > > (In Arabic, shar‘a means", "Concept of Belief in Islamic Theology* (1965, page 146): > > But what", "reliability of the Prophet. > > > [Note that my main intention is", "acquired knowledge of God, belief > in God, and the conviction of the", "of the Prophet. > > > [Note that my main intention is not", "> in God, and the conviction of the truthfulness and absolute > reliability", "with the original source: The author is referring to another source!) For example,", "> > > seems wrong for several reasons. However, explaining the whole issue", "Reason, has > already acquired knowledge of God, belief in God, and the", "reliability of the Prophet. > > > (In Arabic, shar‘a means Divine Law.)", "knowledge of God, belief > in God, and the conviction of the truthfulness", "explaining the whole issue (that the original is slightly different, and the author", "> > seems wrong for several reasons. However, explaining the whole issue (that", "for several reasons. However, explaining the whole issue (that the original is slightly", "and > effective only when man, through the exercise of his Reason, has", "The main part of the sentence suits to what I want to express", "the truthfulness and absolute > reliability of the Prophet. > > > [Note", "(1965, page 146): > > But what he wants to emphasize is that", "his Reason, has already acquired knowledge of God, belief > in God, and", "when man, through the exercise of his Reason, has > already acquired knowledge", "is another worry with the original source: The author is referring to another", "is slightly different, and the author is referring to another work, etc.) seems", "he wants to emphasize is that shar‘a can be active and > effective", "of the Prophet. [Izutsu 1965, p. 146] > > > seems wrong for", "to emphasize is that shar‘a can be active and > effective only when", "absolute reliability of the Prophet. > > > (In Arabic, shar‘a means Divine", "Prophet. [Izutsu 1965, p. 146] > > > seems wrong for several reasons.", "> > (In Arabic, shar‘a* means Divine Law.) The main part of the", "Faith can be active and effective only when man, through the exercise of", "slightly different, and the author is referring to another work, etc.) seems to", "can be active and effective only when man, through the exercise of his", "(Note that there is another worry with the original source: The author is", "truthfulness and absolute > reliability of the Prophet. > > > [Note that", "main part of the sentence suits to what I want to express in", "conviction of the truthfulness and absolute > reliability of the Prophet. > >", "shar‘a means Divine Law.) The main part of the sentence suits to what", "paraphrased quotes? (Note that there is another worry with the original source: The", "> seems wrong for several reasons. However, explaining the whole issue (that the", "quote, but to let the reader know that certain part of that sentence", "of that sentence is lifted from some source.] What is the official style", "active and effective only when man, through the exercise of his Reason, has", "and the conviction of the truthfulness and absolute > reliability of the Prophet.", "when man, through the exercise of his Reason, has already acquired knowledge of", "absolute > reliability of the Prophet. > > > [Note that my main", "146] > > > seems wrong for several reasons. However, explaining the whole", "reasons. However, explaining the whole issue (that the original is slightly different, and", "to such paraphrased quotes? (Note that there is another worry with the original", "author is referring to another work, etc.) seems to distract the reader without", "following is from Japanese philosopher and thinker Toshihiko Izutsu's book The Concept of", "effective only when man, through the exercise of his Reason, has > already", "the truthfulness and absolute reliability of the Prophet. > > > (In Arabic,", "what I want to express in my writing: > > Faith* can be", "his Reason, has > already acquired knowledge of God, belief in God, and", "has > already acquired knowledge of God, belief in God, and the conviction", "sentence suits to what I want to express in my writing: > >", "Divine Law.) The main part of the sentence suits to what I want", "my writing: > > Faith can be active and effective only when man,", "of his Reason, has already acquired knowledge of God, belief > in God,", "the Prophet. > > > [Note that my main intention is not to", "something like, > > Faith can be active and effective only when man,", "whole issue (that the original is slightly different, and the author is referring", "like, > > Faith can be active and effective only when man, through", "acquired knowledge of God, belief in God, and the conviction > of the", "> > Faith can be active and effective only when man, through the", "source!) For example, something like, > > Faith can be active and effective", "Reason, has already acquired knowledge of God, belief > in God, and the", "is from Japanese philosopher and thinker Toshihiko Izutsu's book The Concept of Belief", "be active and > effective only when man, through the exercise of his", "God, and the conviction of the truthfulness and absolute > reliability of the", "> [Note that my main intention is not to quote, but to let", "that there is another worry with the original source: The author is referring", "page 146): > > But what he wants to emphasize is that shar‘a", "and thinker Toshihiko Izutsu's book The Concept of Belief in Islamic Theology* (1965,", "Arabic, shar‘a means Divine Law.) The main part of the sentence suits to", "The following is from Japanese philosopher and thinker Toshihiko Izutsu's book The Concept", "truthfulness and absolute > reliability of the Prophet. [Izutsu 1965, p. 146] >", "the whole issue (that the original is slightly different, and the author is", "to quote, but to let the reader know that certain part of that", "conviction > of the truthfulness and absolute reliability of the Prophet. > >", "of God, belief in God, and the conviction > of the truthfulness and", "source: The author is referring to another source!) For example, something like, >", "Toshihiko Izutsu's book The Concept of Belief in Islamic Theology* (1965, page 146):", "referring to another source!) For example, something like, > > Faith can be", "man, through the exercise of his Reason, has > already acquired knowledge of", "different, and the author is referring to another work, etc.) seems to distract", "of the truthfulness and absolute reliability of the Prophet. > > > (In", "from some source.] What is the official style to such paraphrased quotes? (Note", "source.] What is the official style to such paraphrased quotes? (Note that there", "and effective only when man, through the exercise of his Reason, has already", "exercise of his Reason, has > already acquired knowledge of God, belief in", "and absolute > reliability of the Prophet. > > > [Note that my", "the conviction of the truthfulness and absolute > reliability of the Prophet. [Izutsu", "that shar‘a can be active and > effective only when man, through the", "God, belief > in God, and the conviction of the truthfulness and absolute", "However, explaining the whole issue (that the original is slightly different, and the", "is the official style to such paraphrased quotes? (Note that there is another", "issue (that the original is slightly different, and the author is referring to", "not to quote, but to let the reader know that certain part of", "original is slightly different, and the author is referring to another work, etc.)", "and the author is referring to another work, etc.) seems to distract the", "already acquired knowledge of God, belief > in God, and the conviction of", "the official style to such paraphrased quotes? (Note that there is another worry", "of God, belief > in God, and the conviction of the truthfulness and", "the sentence suits to what I want to express in my writing: >", "that my main intention is not to quote, but to let the reader", "is not to quote, but to let the reader know that certain part", "of his Reason, has > already acquired knowledge of God, belief in God,", "worry with the original source: The author is referring to another source!) For", "Prophet. > > > [Note that my main intention is not to quote,", "The Concept of Belief in Islamic Theology (1965, page 146): > > But", "effective only when man, through the exercise of his Reason, has already acquired", "Islamic Theology* (1965, page 146): > > But what he wants to emphasize", "through the exercise of his Reason, has already acquired knowledge of God, belief", "know that certain part of that sentence is lifted from some source.] What", "my main intention is not to quote, but to let the reader know", "For example, something like, > > Faith can be active and effective only", "thinker Toshihiko Izutsu's book The Concept of Belief in Islamic Theology (1965, page", "man, through the exercise of his Reason, has already acquired knowledge of God,", "of the sentence suits to what I want to express in my writing:", "and the conviction > of the truthfulness and absolute reliability of the Prophet.", "to what I want to express in my writing: > > Faith can", "shar‘a can be active and > effective only when man, through the exercise", "knowledge of God, belief in God, and the conviction > of the truthfulness", "want to express in my writing: > > Faith can be active and", "only when man, through the exercise of his Reason, has > already acquired", "is that shar‘a can be active and > effective only when man, through", "Theology* (1965, page 146): > > But what he wants to emphasize is", "the Prophet. > > > (In Arabic, shar‘a means Divine Law.) The main", "original source: The author is referring to another source!) For example, something like,", "be active and effective only when man, through the exercise of his Reason,", "seems wrong for several reasons. However, explaining the whole issue (that the original", "> > > (In Arabic, shar‘a means Divine Law.) The main part of", "God, belief in God, and the conviction > of the truthfulness and absolute", "to another source!) For example, something like, > > Faith can be active", "> already acquired knowledge of God, belief in God, and the conviction >", "only when man, through the exercise of his Reason, has already acquired knowledge", "book The Concept of Belief in Islamic Theology (1965, page 146): > >", "active and > effective only when man, through the exercise of his Reason,", "the author is referring to another work, etc.) seems to distract the reader", "Belief in Islamic Theology* (1965, page 146): > > But what he wants", "the reader know that certain part of that sentence is lifted from some", "there is another worry with the original source: The author is referring to", "part of the sentence suits to what I want to express in my", "(that the original is slightly different, and the author is referring to another", "(In Arabic, shar‘a means Divine Law.) The main part of the sentence suits", "means Divine Law.) The main part of the sentence suits to what I", "> > > [Note that my main intention is not to quote, but", "certain part of that sentence is lifted from some source.] What is the", "that certain part of that sentence is lifted from some source.] What is", "philosopher and thinker Toshihiko Izutsu's book The Concept of Belief in Islamic Theology", "part of that sentence is lifted from some source.] What is the official", "in God, and the conviction of the truthfulness and absolute > reliability of", "What is the official style to such paraphrased quotes? (Note that there is", "is lifted from some source.] What is the official style to such paraphrased", "emphasize is that shar‘a can be active and > effective only when man,", "sentence is lifted from some source.] What is the official style to such", "Japanese philosopher and thinker Toshihiko Izutsu's book The Concept of Belief in Islamic", "reader know that certain part of that sentence is lifted from some source.]", "in God, and the conviction > of the truthfulness and absolute reliability of", "writing: > > Faith* can be active and effective only when man, through", "of the truthfulness and absolute > reliability of the Prophet. > > >", "the Prophet. [Izutsu 1965, p. 146] > > > seems wrong for several", "of Belief in Islamic Theology* (1965, page 146): > > But what he", "but to let the reader know that certain part of that sentence is", "I want to express in my writing: > > Faith can be active", "some source.] What is the official style to such paraphrased quotes? (Note that", "> > [Note that my main intention is not to quote, but to", "official style to such paraphrased quotes? (Note that there is another worry with", "wants to emphasize is that shar‘a can be active and > effective only", "can be active and > effective only when man, through the exercise of", "> But what he wants to emphasize is that shar‘a can be active", "> reliability of the Prophet. > > > [Note that my main intention", "quotes? (Note that there is another worry with the original source: The author", "1965, p. 146] > > > seems wrong for several reasons. However, explaining", "belief > in God, and the conviction of the truthfulness and absolute >", "Law.) The main part of the sentence suits to what I want to", "> effective only when man, through the exercise of his Reason, has >", "Izutsu's book The Concept of Belief in Islamic Theology* (1965, page 146): >", "is referring to another source!) For example, something like, > > Faith can", "several reasons. However, explaining the whole issue (that the original is slightly different,", "author is referring to another source!) For example, something like, > > Faith", "> reliability of the Prophet. [Izutsu 1965, p. 146] > > > seems", "has already acquired knowledge of God, belief > in God, and the conviction", "express in my writing: > > Faith can be active and effective only", "the conviction > of the truthfulness and absolute reliability of the Prophet. >", "The author is referring to another source!) For example, something like, > >", "the truthfulness and absolute > reliability of the Prophet. [Izutsu 1965, p. 146]", "conviction of the truthfulness and absolute > reliability of the Prophet. [Izutsu 1965,", "the exercise of his Reason, has > already acquired knowledge of God, belief", "let the reader know that certain part of that sentence is lifted from", "such paraphrased quotes? (Note that there is another worry with the original source:", "suits to what I want to express in my writing: > > Faith", "> Faith can be active and effective only when man, through the exercise", "> > But what he wants to emphasize is that shar‘a can be", "of the Prophet. > > > (In Arabic, shar‘a means Divine Law.) The", "[Note that my main intention is not to quote, but to let the", "of the truthfulness and absolute > reliability of the Prophet. [Izutsu 1965, p.", "and absolute > reliability of the Prophet. [Izutsu 1965, p. 146] > >", "wrong for several reasons. However, explaining the whole issue (that the original is", "the original source: The author is referring to another source!) For example, something", "another source!) For example, something like, > > Faith can be active and", "the conviction of the truthfulness and absolute > reliability of the Prophet. >", "belief in God, and the conviction > of the truthfulness and absolute reliability", "in Islamic Theology* (1965, page 146): > > But what he wants to", "> (In Arabic, shar‘a means Divine Law.) The main part of the sentence", "the original is slightly different, and the author is referring to another work,", "that sentence is lifted from some source.] What is the official style to" ]
[ "in the story based on story descriptions. Others have said they like some", "talk about the subject of pictures in a book like the one described", "a fantasy story e-book to be sold on Amazon. The book is not", "book is not a graphic novel as it has over 60,000 words spread", "each reader can form their own thoughts about what things look like in", "avoid such books because they don't want preconceived images of what they are", "be sold on Amazon. The book is not a graphic novel as it", "reader can form their own thoughts about what things look like in the", "the world they are reading about. I guess what I would like to", "story book is acceptable these days or if it is considered a problem.", "the one described above I have received some feedback that no pictures should", "the pictures they've seen because it shows them some detail about the world", "is acceptable these days or if it is considered a problem. In the", "I've been told is so each reader can form their own thoughts about", "15 chapters. There is basically 1 or 2 pictures per chapter. When I", "the subject of pictures in a book like the one described above I", "some of the pictures they've seen because it shows them some detail about", "have said they like some of the pictures they've seen because it shows", "pictures in a book like the one described above I have received some", "the problem case, some have said may avoid such books because they don't", "in a book like the one described above I have received some feedback", "Others have said they like some of the pictures they've seen because it", "of pictures in a book like the one described above I have received", "the idea of including pictures in a fantasy story e-book to be sold", "60,000 words spread across 15 chapters. There is basically 1 or 2 pictures", "chapter. When I talk about the subject of pictures in a book like", "for feedback on the idea of including pictures in a fantasy story e-book", "of the pictures they've seen because it shows them some detail about the", "a problem. In the problem case, some have said may avoid such books", "per chapter. When I talk about the subject of pictures in a book", "in such a story book is acceptable these days or if it is", "to be sold on Amazon. The book is not a graphic novel as", "such a story book is acceptable these days or if it is considered", "The reasoning I've been told is so each reader can form their own", "is considered a problem. In the problem case, some have said may avoid", "descriptions. Others have said they like some of the pictures they've seen because", "about what things look like in the story based on story descriptions. Others", "whether having pictures in such a story book is acceptable these days or", "if it is considered a problem. In the problem case, some have said", "about the world they are reading about. I guess what I would like", "these days or if it is considered a problem. In the problem case,", "graphic novel as it has over 60,000 words spread across 15 chapters. There", "story based on story descriptions. Others have said they like some of the", "problem. In the problem case, some have said may avoid such books because", "spread across 15 chapters. There is basically 1 or 2 pictures per chapter.", "described above I have received some feedback that no pictures should be in", "may avoid such books because they don't want preconceived images of what they", "own thoughts about what things look like in the story based on story", "book like the one described above I have received some feedback that no", "over 60,000 words spread across 15 chapters. There is basically 1 or 2", "some have said may avoid such books because they don't want preconceived images", "world they are reading about. I guess what I would like to know", "1 or 2 pictures per chapter. When I talk about the subject of", "pictures per chapter. When I talk about the subject of pictures in a", "been told is so each reader can form their own thoughts about what", "In the problem case, some have said may avoid such books because they", "considered a problem. In the problem case, some have said may avoid such", "problem case, some have said may avoid such books because they don't want", "pictures they've seen because it shows them some detail about the world they", "Amazon. The book is not a graphic novel as it has over 60,000", "I would like to know is whether having pictures in such a story", "case, some have said may avoid such books because they don't want preconceived", "should be in such story books. The reasoning I've been told is so", "such books because they don't want preconceived images of what they are reading.", "their own thoughts about what things look like in the story based on", "things look like in the story based on story descriptions. Others have said", "fantasy story e-book to be sold on Amazon. The book is not a", "above I have received some feedback that no pictures should be in such", "story books. The reasoning I've been told is so each reader can form", "would like to know is whether having pictures in such a story book", "they like some of the pictures they've seen because it shows them some", "is basically 1 or 2 pictures per chapter. When I talk about the", "what I would like to know is whether having pictures in such a", "reading about. I guess what I would like to know is whether having", "words spread across 15 chapters. There is basically 1 or 2 pictures per", "them some detail about the world they are reading about. I guess what", "feedback that no pictures should be in such story books. The reasoning I've", "no pictures should be in such story books. The reasoning I've been told", "about. I guess what I would like to know is whether having pictures", "feedback on the idea of including pictures in a fantasy story e-book to", "form their own thoughts about what things look like in the story based", "novel as it has over 60,000 words spread across 15 chapters. There is", "be in such story books. The reasoning I've been told is so each", "There is basically 1 or 2 pictures per chapter. When I talk about", "across 15 chapters. There is basically 1 or 2 pictures per chapter. When", "such story books. The reasoning I've been told is so each reader can", "said they like some of the pictures they've seen because it shows them", "having pictures in such a story book is acceptable these days or if", "it has over 60,000 words spread across 15 chapters. There is basically 1", "it is considered a problem. In the problem case, some have said may", "am looking for feedback on the idea of including pictures in a fantasy", "because it shows them some detail about the world they are reading about.", "told is so each reader can form their own thoughts about what things", "pictures in such a story book is acceptable these days or if it", "they've seen because it shows them some detail about the world they are", "idea of including pictures in a fantasy story e-book to be sold on", "The book is not a graphic novel as it has over 60,000 words", "to know is whether having pictures in such a story book is acceptable", "is not a graphic novel as it has over 60,000 words spread across", "know is whether having pictures in such a story book is acceptable these", "so each reader can form their own thoughts about what things look like", "like in the story based on story descriptions. Others have said they like", "based on story descriptions. Others have said they like some of the pictures", "on story descriptions. Others have said they like some of the pictures they've", "subject of pictures in a book like the one described above I have", "in such story books. The reasoning I've been told is so each reader", "acceptable these days or if it is considered a problem. In the problem", "story descriptions. Others have said they like some of the pictures they've seen", "look like in the story based on story descriptions. Others have said they", "pictures in a fantasy story e-book to be sold on Amazon. The book", "is whether having pictures in such a story book is acceptable these days", "like some of the pictures they've seen because it shows them some detail", "I guess what I would like to know is whether having pictures in", "guess what I would like to know is whether having pictures in such", "some feedback that no pictures should be in such story books. The reasoning", "in a fantasy story e-book to be sold on Amazon. The book is", "the story based on story descriptions. Others have said they like some of", "book is acceptable these days or if it is considered a problem. In", "a story book is acceptable these days or if it is considered a", "or 2 pictures per chapter. When I talk about the subject of pictures", "have said may avoid such books because they don't want preconceived images of", "not a graphic novel as it has over 60,000 words spread across 15", "I have received some feedback that no pictures should be in such story", "some detail about the world they are reading about. I guess what I", "that no pictures should be in such story books. The reasoning I've been", "they are reading about. I guess what I would like to know is", "on Amazon. The book is not a graphic novel as it has over", "basically 1 or 2 pictures per chapter. When I talk about the subject", "like the one described above I have received some feedback that no pictures", "2 pictures per chapter. When I talk about the subject of pictures in", "of including pictures in a fantasy story e-book to be sold on Amazon.", "are reading about. I guess what I would like to know is whether", "can form their own thoughts about what things look like in the story", "one described above I have received some feedback that no pictures should be", "a graphic novel as it has over 60,000 words spread across 15 chapters.", "it shows them some detail about the world they are reading about. I", "story e-book to be sold on Amazon. The book is not a graphic", "shows them some detail about the world they are reading about. I guess", "or if it is considered a problem. In the problem case, some have", "on the idea of including pictures in a fantasy story e-book to be", "reasoning I've been told is so each reader can form their own thoughts", "received some feedback that no pictures should be in such story books. The", "is so each reader can form their own thoughts about what things look", "sold on Amazon. The book is not a graphic novel as it has", "I am looking for feedback on the idea of including pictures in a", "When I talk about the subject of pictures in a book like the", "books. The reasoning I've been told is so each reader can form their", "said may avoid such books because they don't want preconceived images of what", "days or if it is considered a problem. In the problem case, some", "has over 60,000 words spread across 15 chapters. There is basically 1 or", "as it has over 60,000 words spread across 15 chapters. There is basically", "about the subject of pictures in a book like the one described above", "pictures should be in such story books. The reasoning I've been told is", "have received some feedback that no pictures should be in such story books.", "e-book to be sold on Amazon. The book is not a graphic novel", "thoughts about what things look like in the story based on story descriptions.", "a book like the one described above I have received some feedback that", "detail about the world they are reading about. I guess what I would", "chapters. There is basically 1 or 2 pictures per chapter. When I talk", "I talk about the subject of pictures in a book like the one", "seen because it shows them some detail about the world they are reading", "looking for feedback on the idea of including pictures in a fantasy story", "like to know is whether having pictures in such a story book is", "including pictures in a fantasy story e-book to be sold on Amazon. The", "what things look like in the story based on story descriptions. Others have" ]
[ "and he is accompanied by a couple of lapsed Catholics who want to", "America in the 21st Century makes a road-trip to the West Coast from", "or Christianity. At the end of the journey, the monk and his friends", "journey. Along the way, they encounter numerous obstacles, but each obstacle teaches the", "the end of the journey, the monk and his friends have a simple", "lives and learn about God and Christianity along the journey. Along the way,", "Christianity. At the end of the journey, the monk and his friends have", "Along the way, they encounter numerous obstacles, but each obstacle teaches the group", "a road-trip to the West Coast from the East Coast to preach the", "the journey, the monk and his friends have a simple home-made meal and", "by a couple of lapsed Catholics who want to support his mission, hoping", "end of the journey, the monk and his friends have a simple home-made", "is accompanied by a couple of lapsed Catholics who want to support his", "the East Coast to preach the Word of God to non-Christians. He travels", "to the West Coast from the East Coast to preach the Word of", "a simple, cheap car, and he is accompanied by a couple of lapsed", "friends have a simple home-made meal and part ways. What does it take", "Coast to preach the Word of God to non-Christians. He travels in a", "to support his mission, hoping to redeem themselves from their past sinful lives", "Coast from the East Coast to preach the Word of God to non-Christians.", "their past sinful lives and learn about God and Christianity along the journey.", "monk and his friends have a simple home-made meal and part ways. What", "the monk and his friends have a simple home-made meal and part ways.", "of God to non-Christians. He travels in a simple, cheap car, and he", "support his mission, hoping to redeem themselves from their past sinful lives and", "Catholics who want to support his mission, hoping to redeem themselves from their", "meal and part ways. What does it take for a book to be", "chaste, vegetarian Catholic monk from America in the 21st Century makes a road-trip", "the journey. Along the way, they encounter numerous obstacles, but each obstacle teaches", "monk from America in the 21st Century makes a road-trip to the West", "preach the Word of God to non-Christians. He travels in a simple, cheap", "from their past sinful lives and learn about God and Christianity along the", "who want to support his mission, hoping to redeem themselves from their past", "part ways. What does it take for a book to be Adventure? What", "teaches the group something about God or Christianity. At the end of the", "lapsed Catholics who want to support his mission, hoping to redeem themselves from", "benevolent, chaste, vegetarian Catholic monk from America in the 21st Century makes a", "Catholic monk from America in the 21st Century makes a road-trip to the", "to preach the Word of God to non-Christians. He travels in a simple,", "home-made meal and part ways. What does it take for a book to", "21st Century makes a road-trip to the West Coast from the East Coast", "a couple of lapsed Catholics who want to support his mission, hoping to", "travels in a simple, cheap car, and he is accompanied by a couple", "obstacle teaches the group something about God or Christianity. At the end of", "cheap car, and he is accompanied by a couple of lapsed Catholics who", "sinful lives and learn about God and Christianity along the journey. Along the", "learn about God and Christianity along the journey. Along the way, they encounter", "want to support his mission, hoping to redeem themselves from their past sinful", "along the journey. Along the way, they encounter numerous obstacles, but each obstacle", "his friends have a simple home-made meal and part ways. What does it", "something about God or Christianity. At the end of the journey, the monk", "mission, hoping to redeem themselves from their past sinful lives and learn about", "the way, they encounter numerous obstacles, but each obstacle teaches the group something", "Christianity along the journey. Along the way, they encounter numerous obstacles, but each", "hoping to redeem themselves from their past sinful lives and learn about God", "have a simple home-made meal and part ways. What does it take for", "way, they encounter numerous obstacles, but each obstacle teaches the group something about", "the 21st Century makes a road-trip to the West Coast from the East", "At the end of the journey, the monk and his friends have a", "and learn about God and Christianity along the journey. Along the way, they", "East Coast to preach the Word of God to non-Christians. He travels in", "West Coast from the East Coast to preach the Word of God to", "Century makes a road-trip to the West Coast from the East Coast to", "pious, benevolent, chaste, vegetarian Catholic monk from America in the 21st Century makes", "road-trip to the West Coast from the East Coast to preach the Word", "to redeem themselves from their past sinful lives and learn about God and", "of lapsed Catholics who want to support his mission, hoping to redeem themselves", "a simple home-made meal and part ways. What does it take for a", "in a simple, cheap car, and he is accompanied by a couple of", "encounter numerous obstacles, but each obstacle teaches the group something about God or", "and Christianity along the journey. Along the way, they encounter numerous obstacles, but", "of the journey, the monk and his friends have a simple home-made meal", "ways. What does it take for a book to be Adventure? What about", "about God and Christianity along the journey. Along the way, they encounter numerous", "God or Christianity. At the end of the journey, the monk and his", "He travels in a simple, cheap car, and he is accompanied by a", "past sinful lives and learn about God and Christianity along the journey. Along", "the group something about God or Christianity. At the end of the journey,", "and his friends have a simple home-made meal and part ways. What does", "redeem themselves from their past sinful lives and learn about God and Christianity", "obstacles, but each obstacle teaches the group something about God or Christianity. At", "simple home-made meal and part ways. What does it take for a book", "but each obstacle teaches the group something about God or Christianity. At the", "simple, cheap car, and he is accompanied by a couple of lapsed Catholics", "the West Coast from the East Coast to preach the Word of God", "A pious, benevolent, chaste, vegetarian Catholic monk from America in the 21st Century", "to non-Christians. He travels in a simple, cheap car, and he is accompanied", "makes a road-trip to the West Coast from the East Coast to preach", "from the East Coast to preach the Word of God to non-Christians. He", "in the 21st Century makes a road-trip to the West Coast from the", "vegetarian Catholic monk from America in the 21st Century makes a road-trip to", "non-Christians. He travels in a simple, cheap car, and he is accompanied by", "numerous obstacles, but each obstacle teaches the group something about God or Christianity.", "Word of God to non-Christians. He travels in a simple, cheap car, and", "accompanied by a couple of lapsed Catholics who want to support his mission,", "themselves from their past sinful lives and learn about God and Christianity along", "about God or Christianity. At the end of the journey, the monk and", "God and Christianity along the journey. Along the way, they encounter numerous obstacles,", "each obstacle teaches the group something about God or Christianity. At the end", "and part ways. What does it take for a book to be Adventure?", "his mission, hoping to redeem themselves from their past sinful lives and learn", "from America in the 21st Century makes a road-trip to the West Coast", "car, and he is accompanied by a couple of lapsed Catholics who want", "journey, the monk and his friends have a simple home-made meal and part", "he is accompanied by a couple of lapsed Catholics who want to support", "they encounter numerous obstacles, but each obstacle teaches the group something about God", "the Word of God to non-Christians. He travels in a simple, cheap car,", "group something about God or Christianity. At the end of the journey, the", "What does it take for a book to be Adventure? What about Religious", "God to non-Christians. He travels in a simple, cheap car, and he is", "couple of lapsed Catholics who want to support his mission, hoping to redeem", "does it take for a book to be Adventure? What about Religious Fiction?" ]
[ "writing a fantasy novel centered around pre-Columbian America, but I am at the", "pre-Columbian America, but I am at the moment unsure as to where in", "novel centered around pre-Columbian America, but I am at the moment unsure as", "am currently working on writing a fantasy novel centered around pre-Columbian America, but", "at the moment unsure as to where in America to focus my story.", "I am trying to scout for websites listing real Native American names and", "but it gives a small list with too widespread of a selection instead", "my story. I am considering either the Lakotans or the Mississippians. So I", "story. I am considering either the Lakotans or the Mississippians. So I am", "for my protagonist. Any suggestions for reliable baby name sites? I already tried", "location of my story as well as the culture for my protagonist. Any", "I am considering either the Lakotans or the Mississippians. So I am trying", "their meanings to help me pinpoint the location of my story as well", "tried behindthename.com, but it gives a small list with too widespread of a", "culture for my protagonist. Any suggestions for reliable baby name sites? I already", "tried [babbel.com](https://www.babbel.com/), but it doesn't give very accurate meanings, and I've also tried", "me pinpoint the location of my story as well as the culture for", "Lakotans or the Mississippians. So I am trying to scout for websites listing", "the culture for my protagonist. Any suggestions for reliable baby name sites? I", "with too widespread of a selection instead of letting me more easily find", "selection instead of letting me more easily find specific tribal names like Lakotan,", "I am currently working on writing a fantasy novel centered around pre-Columbian America,", "my story as well as the culture for my protagonist. Any suggestions for", "help me pinpoint the location of my story as well as the culture", "meanings, and I've also tried behindthename.com, but it gives a small list with", "around pre-Columbian America, but I am at the moment unsure as to where", "I've also tried behindthename.com, but it gives a small list with too widespread", "am considering either the Lakotans or the Mississippians. So I am trying to", "websites listing real Native American names and their meanings to help me pinpoint", "listing real Native American names and their meanings to help me pinpoint the", "as to where in America to focus my story. I am considering either", "Native American names and their meanings to help me pinpoint the location of", "names and their meanings to help me pinpoint the location of my story", "Mississippians. So I am trying to scout for websites listing real Native American", "real Native American names and their meanings to help me pinpoint the location", "the location of my story as well as the culture for my protagonist.", "meanings to help me pinpoint the location of my story as well as", "name sites? I already tried [babbel.com](https://www.babbel.com/), but it doesn't give very accurate meanings,", "to focus my story. I am considering either the Lakotans or the Mississippians.", "I am at the moment unsure as to where in America to focus", "am at the moment unsure as to where in America to focus my", "and I've also tried behindthename.com, but it gives a small list with too", "the moment unsure as to where in America to focus my story. I", "but I am at the moment unsure as to where in America to", "well as the culture for my protagonist. Any suggestions for reliable baby name", "where in America to focus my story. I am considering either the Lakotans", "for websites listing real Native American names and their meanings to help me", "very accurate meanings, and I've also tried behindthename.com, but it gives a small", "accurate meanings, and I've also tried behindthename.com, but it gives a small list", "the Lakotans or the Mississippians. So I am trying to scout for websites", "the Mississippians. So I am trying to scout for websites listing real Native", "either the Lakotans or the Mississippians. So I am trying to scout for", "widespread of a selection instead of letting me more easily find specific tribal", "to scout for websites listing real Native American names and their meanings to", "of a selection instead of letting me more easily find specific tribal names", "am trying to scout for websites listing real Native American names and their", "suggestions for reliable baby name sites? I already tried [babbel.com](https://www.babbel.com/), but it doesn't", "too widespread of a selection instead of letting me more easily find specific", "fantasy novel centered around pre-Columbian America, but I am at the moment unsure", "a small list with too widespread of a selection instead of letting me", "as the culture for my protagonist. Any suggestions for reliable baby name sites?", "already tried [babbel.com](https://www.babbel.com/), but it doesn't give very accurate meanings, and I've also", "of letting me more easily find specific tribal names like Lakotan, Ojibwe, or", "it doesn't give very accurate meanings, and I've also tried behindthename.com, but it", "Any suggestions for reliable baby name sites? I already tried [babbel.com](https://www.babbel.com/), but it", "gives a small list with too widespread of a selection instead of letting", "considering either the Lakotans or the Mississippians. So I am trying to scout", "in America to focus my story. I am considering either the Lakotans or", "[babbel.com](https://www.babbel.com/), but it doesn't give very accurate meanings, and I've also tried behindthename.com,", "behindthename.com, but it gives a small list with too widespread of a selection", "to where in America to focus my story. I am considering either the", "or the Mississippians. So I am trying to scout for websites listing real", "small list with too widespread of a selection instead of letting me more", "me more easily find specific tribal names like Lakotan, Ojibwe, or Mississippian names.", "So I am trying to scout for websites listing real Native American names", "focus my story. I am considering either the Lakotans or the Mississippians. So", "sites? I already tried [babbel.com](https://www.babbel.com/), but it doesn't give very accurate meanings, and", "scout for websites listing real Native American names and their meanings to help", "working on writing a fantasy novel centered around pre-Columbian America, but I am", "it gives a small list with too widespread of a selection instead of", "I already tried [babbel.com](https://www.babbel.com/), but it doesn't give very accurate meanings, and I've", "of my story as well as the culture for my protagonist. Any suggestions", "as well as the culture for my protagonist. Any suggestions for reliable baby", "to help me pinpoint the location of my story as well as the", "currently working on writing a fantasy novel centered around pre-Columbian America, but I", "letting me more easily find specific tribal names like Lakotan, Ojibwe, or Mississippian", "protagonist. Any suggestions for reliable baby name sites? I already tried [babbel.com](https://www.babbel.com/), but", "list with too widespread of a selection instead of letting me more easily", "baby name sites? I already tried [babbel.com](https://www.babbel.com/), but it doesn't give very accurate", "reliable baby name sites? I already tried [babbel.com](https://www.babbel.com/), but it doesn't give very", "America to focus my story. I am considering either the Lakotans or the", "on writing a fantasy novel centered around pre-Columbian America, but I am at", "pinpoint the location of my story as well as the culture for my", "give very accurate meanings, and I've also tried behindthename.com, but it gives a", "my protagonist. Any suggestions for reliable baby name sites? I already tried [babbel.com](https://www.babbel.com/),", "American names and their meanings to help me pinpoint the location of my", "but it doesn't give very accurate meanings, and I've also tried behindthename.com, but", "a fantasy novel centered around pre-Columbian America, but I am at the moment", "trying to scout for websites listing real Native American names and their meanings", "and their meanings to help me pinpoint the location of my story as", "unsure as to where in America to focus my story. I am considering", "story as well as the culture for my protagonist. Any suggestions for reliable", "instead of letting me more easily find specific tribal names like Lakotan, Ojibwe,", "America, but I am at the moment unsure as to where in America", "centered around pre-Columbian America, but I am at the moment unsure as to", "doesn't give very accurate meanings, and I've also tried behindthename.com, but it gives", "also tried behindthename.com, but it gives a small list with too widespread of", "moment unsure as to where in America to focus my story. I am", "a selection instead of letting me more easily find specific tribal names like", "for reliable baby name sites? I already tried [babbel.com](https://www.babbel.com/), but it doesn't give" ]
[ "For example, I have a regular child suddenly realising he can do magic,", "regular child suddenly realising he can do magic, and start learning it (Hijrp", "an aerial force used in battle (Dragonriders of Pern, Temeraire). How do I", "this question in the past - \"is my story too similar to specific", "is meant to be a canonical question, to which particular cases can be", "a major plot element is the same, or an overarching concept is the", "newer ones got closed as off-topic. These questions however never get closed as", "the Wizard). Or, there are people flying on dragons, and those constitute an", "of Pern, Temeraire). How do I know if my work is OK /", "answered, the newer ones got closed as off-topic. These questions however never get", "existing work: a major plot element is the same, or an overarching concept", "--- My story shares some similarities with an existing work: a major plot", "the future may find an answer here. --- My story shares some similarities", "story too similar to specific story X\". The older ones got answered, the", "same, or an overarching concept is the same. For example, I have a", "my story too similar to specific story X\". The older ones got answered,", "suddenly realising he can do magic, and start learning it (Hijrp Potfeq, Kaytek", "magic, and start learning it (Hijrp Potfeq, Kaytek the Wizard). Or, there are", "cases can be referred. We've had several particular instances of this question in", "if it is too similar to another work, derivative and constitutes a copyright", "have a regular child suddenly realising he can do magic, and start learning", "thus that all similar questions in the future may find an answer here.", "those constitute an aerial force used in battle (Dragonriders of Pern, Temeraire). How", "to be a canonical question, to which particular cases can be referred. We've", "of this question in the past - \"is my story too similar to", "I know if my work is OK / original enough, or if it", "ones got answered, the newer ones got closed as off-topic. These questions however", "The older ones got answered, the newer ones got closed as off-topic. These", "find an answer here. --- My story shares some similarities with an existing", "We've had several particular instances of this question in the past - \"is", "and start learning it (Hijrp Potfeq, Kaytek the Wizard). Or, there are people", "an overarching concept is the same. For example, I have a regular child", "\"is my story too similar to specific story X\". The older ones got", "battle (Dragonriders of Pern, Temeraire). How do I know if my work is", "I have a regular child suddenly realising he can do magic, and start", "purpose of this question is thus that all similar questions in the future", "constitute an aerial force used in battle (Dragonriders of Pern, Temeraire). How do", "are people flying on dragons, and those constitute an aerial force used in", "on dragons, and those constitute an aerial force used in battle (Dragonriders of", "learning it (Hijrp Potfeq, Kaytek the Wizard). Or, there are people flying on", "of this question is thus that all similar questions in the future may", "a regular child suddenly realising he can do magic, and start learning it", "to which particular cases can be referred. We've had several particular instances of", "answer here. --- My story shares some similarities with an existing work: a", "if my work is OK / original enough, or if it is too", "plot element is the same, or an overarching concept is the same. For", "some similarities with an existing work: a major plot element is the same,", "How do I know if my work is OK / original enough, or", "This is meant to be a canonical question, to which particular cases can", "may find an answer here. --- My story shares some similarities with an", "story shares some similarities with an existing work: a major plot element is", "get closed as duplicates of each other, being different in their particulars. The", "can be referred. We've had several particular instances of this question in the", "in their particulars. The purpose of this question is thus that all similar", "particular instances of this question in the past - \"is my story too", "people flying on dragons, and those constitute an aerial force used in battle", "be referred. We've had several particular instances of this question in the past", "particular cases can be referred. We've had several particular instances of this question", "and those constitute an aerial force used in battle (Dragonriders of Pern, Temeraire).", "overarching concept is the same. For example, I have a regular child suddenly", "it (Hijrp Potfeq, Kaytek the Wizard). Or, there are people flying on dragons,", "enough, or if it is too similar to another work, derivative and constitutes", "being different in their particulars. The purpose of this question is thus that", "it is too similar to another work, derivative and constitutes a copyright infringement?", "the newer ones got closed as off-topic. These questions however never get closed", "do magic, and start learning it (Hijrp Potfeq, Kaytek the Wizard). Or, there", "used in battle (Dragonriders of Pern, Temeraire). How do I know if my", "there are people flying on dragons, and those constitute an aerial force used", "questions however never get closed as duplicates of each other, being different in", "an answer here. --- My story shares some similarities with an existing work:", "other, being different in their particulars. The purpose of this question is thus", "however never get closed as duplicates of each other, being different in their", "Temeraire). How do I know if my work is OK / original enough,", "similarities with an existing work: a major plot element is the same, or", "the same, or an overarching concept is the same. For example, I have", "similar to specific story X\". The older ones got answered, the newer ones", "know if my work is OK / original enough, or if it is", "several particular instances of this question in the past - \"is my story", "past - \"is my story too similar to specific story X\". The older", "their particulars. The purpose of this question is thus that all similar questions", "is OK / original enough, or if it is too similar to another", "canonical question, to which particular cases can be referred. We've had several particular", "Potfeq, Kaytek the Wizard). Or, there are people flying on dragons, and those", "The purpose of this question is thus that all similar questions in the", "question, to which particular cases can be referred. We've had several particular instances", "my work is OK / original enough, or if it is too similar", "older ones got answered, the newer ones got closed as off-topic. These questions", "duplicates of each other, being different in their particulars. The purpose of this", "had several particular instances of this question in the past - \"is my", "is thus that all similar questions in the future may find an answer", "major plot element is the same, or an overarching concept is the same.", "this question is thus that all similar questions in the future may find", "never get closed as duplicates of each other, being different in their particulars.", "questions in the future may find an answer here. --- My story shares", "X\". The older ones got answered, the newer ones got closed as off-topic.", "the past - \"is my story too similar to specific story X\". The", "same. For example, I have a regular child suddenly realising he can do", "(Dragonriders of Pern, Temeraire). How do I know if my work is OK", "These questions however never get closed as duplicates of each other, being different", "realising he can do magic, and start learning it (Hijrp Potfeq, Kaytek the", "got closed as off-topic. These questions however never get closed as duplicates of", "particulars. The purpose of this question is thus that all similar questions in", "Wizard). Or, there are people flying on dragons, and those constitute an aerial", "aerial force used in battle (Dragonriders of Pern, Temeraire). How do I know", "do I know if my work is OK / original enough, or if", "OK / original enough, or if it is too similar to another work,", "as duplicates of each other, being different in their particulars. The purpose of", "story X\". The older ones got answered, the newer ones got closed as", "a canonical question, to which particular cases can be referred. We've had several", "referred. We've had several particular instances of this question in the past -", "in the past - \"is my story too similar to specific story X\".", "got answered, the newer ones got closed as off-topic. These questions however never", "question is thus that all similar questions in the future may find an", "Or, there are people flying on dragons, and those constitute an aerial force", "as off-topic. These questions however never get closed as duplicates of each other,", "is the same, or an overarching concept is the same. For example, I", "too similar to specific story X\". The older ones got answered, the newer", "in battle (Dragonriders of Pern, Temeraire). How do I know if my work", "specific story X\". The older ones got answered, the newer ones got closed", "be a canonical question, to which particular cases can be referred. We've had", "of each other, being different in their particulars. The purpose of this question", "an existing work: a major plot element is the same, or an overarching", "element is the same, or an overarching concept is the same. For example,", "Kaytek the Wizard). Or, there are people flying on dragons, and those constitute", "meant to be a canonical question, to which particular cases can be referred.", "each other, being different in their particulars. The purpose of this question is", "off-topic. These questions however never get closed as duplicates of each other, being", "to specific story X\". The older ones got answered, the newer ones got", "the same. For example, I have a regular child suddenly realising he can", "closed as duplicates of each other, being different in their particulars. The purpose", "future may find an answer here. --- My story shares some similarities with", "with an existing work: a major plot element is the same, or an", "which particular cases can be referred. We've had several particular instances of this", "can do magic, and start learning it (Hijrp Potfeq, Kaytek the Wizard). Or,", "work: a major plot element is the same, or an overarching concept is", "concept is the same. For example, I have a regular child suddenly realising", "closed as off-topic. These questions however never get closed as duplicates of each", "ones got closed as off-topic. These questions however never get closed as duplicates", "My story shares some similarities with an existing work: a major plot element", "in the future may find an answer here. --- My story shares some", "start learning it (Hijrp Potfeq, Kaytek the Wizard). Or, there are people flying", "that all similar questions in the future may find an answer here. ---", "is the same. For example, I have a regular child suddenly realising he", "Pern, Temeraire). How do I know if my work is OK / original", "flying on dragons, and those constitute an aerial force used in battle (Dragonriders", "example, I have a regular child suddenly realising he can do magic, and", "(Hijrp Potfeq, Kaytek the Wizard). Or, there are people flying on dragons, and", "original enough, or if it is too similar to another work, derivative and", "child suddenly realising he can do magic, and start learning it (Hijrp Potfeq,", "dragons, and those constitute an aerial force used in battle (Dragonriders of Pern,", "he can do magic, and start learning it (Hijrp Potfeq, Kaytek the Wizard).", "/ original enough, or if it is too similar to another work, derivative", "or if it is too similar to another work, derivative and constitutes a", "- \"is my story too similar to specific story X\". The older ones", "or an overarching concept is the same. For example, I have a regular", "different in their particulars. The purpose of this question is thus that all", "force used in battle (Dragonriders of Pern, Temeraire). How do I know if", "instances of this question in the past - \"is my story too similar", "similar questions in the future may find an answer here. --- My story", "shares some similarities with an existing work: a major plot element is the", "work is OK / original enough, or if it is too similar to", "all similar questions in the future may find an answer here. --- My", "here. --- My story shares some similarities with an existing work: a major", "question in the past - \"is my story too similar to specific story" ]
[ "least interesting. (I mean, it would take amazing talent to write simply about", "is that a writer does not have to worry about looking for a", "Presumably, like all trite sayings, it's a bit of an exaggeration since a", "to be at least interesting. (I mean, it would take amazing talent to", "a \"great idea\" for a story, but simply focus on taking fairly interesting", "of the statement is that a writer does not have to worry about", "take amazing talent to write simply about someone sleeping and make it interesting.)", "story, but simply focus on taking fairly interesting story ideas and making them", "to write simply about someone sleeping and make it interesting.) But my overall", "but simply focus on taking fairly interesting story ideas and making them as", "interesting story ideas and making them as enjoyable to read as possible. Is", "taking fairly interesting story ideas and making them as enjoyable to read as", "ideas and making them as enjoyable to read as possible. Is that correct?", "at least interesting. (I mean, it would take amazing talent to write simply", "the statement is that a writer does not have to worry about looking", "it would take amazing talent to write simply about someone sleeping and make", "interesting.) But my overall interpretation of the statement is that a writer does", "a story has to be at least interesting. (I mean, it would take", "of an exaggeration since a story has to be at least interesting. (I", "trite sayings, it's a bit of an exaggeration since a story has to", "bit of an exaggeration since a story has to be at least interesting.", "it interesting.) But my overall interpretation of the statement is that a writer", "statement is that a writer does not have to worry about looking for", "for a \"great idea\" for a story, but simply focus on taking fairly", "and make it interesting.) But my overall interpretation of the statement is that", "mean, it would take amazing talent to write simply about someone sleeping and", "amazing talent to write simply about someone sleeping and make it interesting.) But", "does not have to worry about looking for a \"great idea\" for a", "overall interpretation of the statement is that a writer does not have to", "simply focus on taking fairly interesting story ideas and making them as enjoyable", "focus on taking fairly interesting story ideas and making them as enjoyable to", "it's a bit of an exaggeration since a story has to be at", "write simply about someone sleeping and make it interesting.) But my overall interpretation", "about looking for a \"great idea\" for a story, but simply focus on", "like all trite sayings, it's a bit of an exaggeration since a story", "exaggeration since a story has to be at least interesting. (I mean, it", "interpretation of the statement is that a writer does not have to worry", "idea\" for a story, but simply focus on taking fairly interesting story ideas", "(I mean, it would take amazing talent to write simply about someone sleeping", "But my overall interpretation of the statement is that a writer does not", "to worry about looking for a \"great idea\" for a story, but simply", "on taking fairly interesting story ideas and making them as enjoyable to read", "for a story, but simply focus on taking fairly interesting story ideas and", "would take amazing talent to write simply about someone sleeping and make it", "simply about someone sleeping and make it interesting.) But my overall interpretation of", "someone sleeping and make it interesting.) But my overall interpretation of the statement", "since a story has to be at least interesting. (I mean, it would", "worry about looking for a \"great idea\" for a story, but simply focus", "a writer does not have to worry about looking for a \"great idea\"", "a story, but simply focus on taking fairly interesting story ideas and making", "make it interesting.) But my overall interpretation of the statement is that a", "interesting. (I mean, it would take amazing talent to write simply about someone", "has to be at least interesting. (I mean, it would take amazing talent", "an exaggeration since a story has to be at least interesting. (I mean,", "sleeping and make it interesting.) But my overall interpretation of the statement is", "that a writer does not have to worry about looking for a \"great", "story has to be at least interesting. (I mean, it would take amazing", "about someone sleeping and make it interesting.) But my overall interpretation of the", "talent to write simply about someone sleeping and make it interesting.) But my", "be at least interesting. (I mean, it would take amazing talent to write", "all trite sayings, it's a bit of an exaggeration since a story has", "my overall interpretation of the statement is that a writer does not have", "have to worry about looking for a \"great idea\" for a story, but", "a bit of an exaggeration since a story has to be at least", "\"great idea\" for a story, but simply focus on taking fairly interesting story", "not have to worry about looking for a \"great idea\" for a story,", "looking for a \"great idea\" for a story, but simply focus on taking", "fairly interesting story ideas and making them as enjoyable to read as possible.", "sayings, it's a bit of an exaggeration since a story has to be", "writer does not have to worry about looking for a \"great idea\" for", "story ideas and making them as enjoyable to read as possible. Is that" ]
[ "storylines. People from the comments dislike dreamtwists but i'm curious how stories like", "satisfying to the reader? How far can I go with these \"earthshattering\" plottwists?", "--- EDIT In the end of my story I want to make my", "wrong choice of words) the secundaire storylines. People from the comments dislike dreamtwists", "the world gets destroyed or whatever. And make him feel he was better", "looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might be the wrong choice", "my MC leave the world or the world gets destroyed or whatever. And", "story. But the effects of it might change my world utterly and completely.", "Oz\" pulled those endings of. So maybe plottwist might be the wrong word", "secundaire storylines. People from the comments dislike dreamtwists but i'm curious how stories", "this be satisfying to the reader? How far can I go with these", "or \"Total recall\" or \"Wizard of Oz\" pulled those endings of. So maybe", "with his friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve", "to make my MC leave the world or the world gets destroyed or", "mind a lot. I have been planning and foreshadowing this major plottwist near", "be satisfying to the reader? How far can I go with these \"earthshattering\"", "of the side characters in the end? --- EDIT In the end of", "foreshadowing this major plottwist near the end of my story. But the effects", "like this be satisfying to the reader? How far can I go with", "choice of words) the secundaire storylines. People from the comments dislike dreamtwists but", "writing my story this has come up in my mind a lot. I", "<https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might be the wrong choice of words)", "progress of my side characters. So I have planned to complete their story", "near the end of my story. But the effects of it might change", "can I just make the reader let go of the side characters in", "in wonderland\" or \"Total recall\" or \"Wizard of Oz\" pulled those endings of.", "recall\" or \"Wizard of Oz\" pulled those endings of. So maybe plottwist might", "has come up in my mind a lot. I have been planning and", "world utterly and completely. Invalidating the story arcs and progress of my side", "dislike dreamtwists but i'm curious how stories like \"Aluke in wonderland\" or \"Total", "feel he was better of in a time where he was still with", "words) the secundaire storylines. People from the comments dislike dreamtwists but i'm curious", "and foreshadowing this major plottwist near the end of my story. But the", "plottwist near the end of my story. But the effects of it might", "planning and foreshadowing this major plottwist near the end of my story. But", "arcs and progress of my side characters. So I have planned to complete", "of my story I want to make my MC leave the world or", "pulled those endings of. So maybe plottwist might be the wrong word for", "characters. So I have planned to complete their story arcs before the twist.", "of it might change my world utterly and completely. Invalidating the story arcs", "plottwists? And lastly, can I just make the reader let go of the", "been planning and foreshadowing this major plottwist near the end of my story.", "the effects of it might change my world utterly and completely. Invalidating the", "my story I want to make my MC leave the world or the", "the twist. Can an ending like this be satisfying to the reader? How", "make my MC leave the world or the world gets destroyed or whatever.", "I have been planning and foreshadowing this major plottwist near the end of", "the end of my story. But the effects of it might change my", "my mind a lot. I have been planning and foreshadowing this major plottwist", "in the end? --- EDIT In the end of my story I want", "i'm curious how stories like \"Aluke in wonderland\" or \"Total recall\" or \"Wizard", "curious how stories like \"Aluke in wonderland\" or \"Total recall\" or \"Wizard of", "those endings of. So maybe plottwist might be the wrong word for these", "end of my story I want to make my MC leave the world", "in my mind a lot. I have been planning and foreshadowing this major", "I just make the reader let go of the side characters in the", "or whatever. And make him feel he was better of in a time", "And make him feel he was better of in a time where he", "the secundaire storylines. People from the comments dislike dreamtwists but i'm curious how", "But the effects of it might change my world utterly and completely. Invalidating", "EDIT In the end of my story I want to make my MC", "So I have planned to complete their story arcs before the twist. Can", "utterly and completely. Invalidating the story arcs and progress of my side characters.", "this major plottwist near the end of my story. But the effects of", "I go with these \"earthshattering\" plottwists? And lastly, can I just make the", "come up in my mind a lot. I have been planning and foreshadowing", "might change my world utterly and completely. Invalidating the story arcs and progress", "People from the comments dislike dreamtwists but i'm curious how stories like \"Aluke", "before the twist. Can an ending like this be satisfying to the reader?", "have planned to complete their story arcs before the twist. Can an ending", "dreamtwists but i'm curious how stories like \"Aluke in wonderland\" or \"Total recall\"", "change my world utterly and completely. Invalidating the story arcs and progress of", "story this has come up in my mind a lot. I have been", "arcs before the twist. Can an ending like this be satisfying to the", "So maybe plottwist might be the wrong word for these kind of endings?", "but i'm curious how stories like \"Aluke in wonderland\" or \"Total recall\" or", "an ending like this be satisfying to the reader? How far can I", "leave the world or the world gets destroyed or whatever. And make him", "to complete their story arcs before the twist. Can an ending like this", "have been planning and foreshadowing this major plottwist near the end of my", "MC leave the world or the world gets destroyed or whatever. And make", "lot. I have been planning and foreshadowing this major plottwist near the end", "twist. Can an ending like this be satisfying to the reader? How far", "my story. But the effects of it might change my world utterly and", "be the wrong choice of words) the secundaire storylines. People from the comments", "How far can I go with these \"earthshattering\" plottwists? And lastly, can I", "better of in a time where he was still with his friends (the", "the story arcs and progress of my side characters. So I have planned", "completely. Invalidating the story arcs and progress of my side characters. So I", "whatever. And make him feel he was better of in a time where", "or \"Wizard of Oz\" pulled those endings of. So maybe plottwist might be", "the end of my story I want to make my MC leave the", "want to make my MC leave the world or the world gets destroyed", "Can an ending like this be satisfying to the reader? How far can", "he was still with his friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it", "complete their story arcs before the twist. Can an ending like this be", "effects of it might change my world utterly and completely. Invalidating the story", "\"Wizard of Oz\" pulled those endings of. So maybe plottwist might be the", "While writing my story this has come up in my mind a lot.", "story arcs and progress of my side characters. So I have planned to", "characters in the end? --- EDIT In the end of my story I", "him feel he was better of in a time where he was still", "my world utterly and completely. Invalidating the story arcs and progress of my", "While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might be the wrong", "the world or the world gets destroyed or whatever. And make him feel", "the reader let go of the side characters in the end? --- EDIT", "gets destroyed or whatever. And make him feel he was better of in", "he was better of in a time where he was still with his", "lastly, can I just make the reader let go of the side characters", "and completely. Invalidating the story arcs and progress of my side characters. So", "was better of in a time where he was still with his friends", "in a time where he was still with his friends (the sidecharacters). While", "to resolve (invalidate might be the wrong choice of words) the secundaire storylines.", "wonderland\" or \"Total recall\" or \"Wizard of Oz\" pulled those endings of. So", "I want to make my MC leave the world or the world gets", "resolve (invalidate might be the wrong choice of words) the secundaire storylines. People", "might be the wrong choice of words) the secundaire storylines. People from the", "comments dislike dreamtwists but i'm curious how stories like \"Aluke in wonderland\" or", "time where he was still with his friends (the sidecharacters). While looking at", "a time where he was still with his friends (the sidecharacters). While looking", "And lastly, can I just make the reader let go of the side", "was still with his friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said", "friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might", "\"Total recall\" or \"Wizard of Oz\" pulled those endings of. So maybe plottwist", "how stories like \"Aluke in wonderland\" or \"Total recall\" or \"Wizard of Oz\"", "my side characters. So I have planned to complete their story arcs before", "In the end of my story I want to make my MC leave", "ending like this be satisfying to the reader? How far can I go", "his friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate", "let go of the side characters in the end? --- EDIT In the", "world gets destroyed or whatever. And make him feel he was better of", "at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might be the wrong choice of", "side characters. So I have planned to complete their story arcs before the", "of Oz\" pulled those endings of. So maybe plottwist might be the wrong", "these \"earthshattering\" plottwists? And lastly, can I just make the reader let go", "my story this has come up in my mind a lot. I have", "with these \"earthshattering\" plottwists? And lastly, can I just make the reader let", "side characters in the end? --- EDIT In the end of my story", "story arcs before the twist. Can an ending like this be satisfying to", "to the reader? How far can I go with these \"earthshattering\" plottwists? And", "go of the side characters in the end? --- EDIT In the end", "make him feel he was better of in a time where he was", "of my side characters. So I have planned to complete their story arcs", "the reader? How far can I go with these \"earthshattering\" plottwists? And lastly,", "it said to resolve (invalidate might be the wrong choice of words) the", "\"Aluke in wonderland\" or \"Total recall\" or \"Wizard of Oz\" pulled those endings", "destroyed or whatever. And make him feel he was better of in a", "this has come up in my mind a lot. I have been planning", "reader? How far can I go with these \"earthshattering\" plottwists? And lastly, can", "can I go with these \"earthshattering\" plottwists? And lastly, can I just make", "\"earthshattering\" plottwists? And lastly, can I just make the reader let go of", "of. So maybe plottwist might be the wrong word for these kind of", "end? --- EDIT In the end of my story I want to make", "the wrong choice of words) the secundaire storylines. People from the comments dislike", "stories like \"Aluke in wonderland\" or \"Total recall\" or \"Wizard of Oz\" pulled", "or the world gets destroyed or whatever. And make him feel he was", "it might change my world utterly and completely. Invalidating the story arcs and", "I have planned to complete their story arcs before the twist. Can an", "of in a time where he was still with his friends (the sidecharacters).", "of words) the secundaire storylines. People from the comments dislike dreamtwists but i'm", "said to resolve (invalidate might be the wrong choice of words) the secundaire", "sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might be the", "of my story. But the effects of it might change my world utterly", "planned to complete their story arcs before the twist. Can an ending like", "the side characters in the end? --- EDIT In the end of my", "from the comments dislike dreamtwists but i'm curious how stories like \"Aluke in", "end of my story. But the effects of it might change my world", "(invalidate might be the wrong choice of words) the secundaire storylines. People from", "just make the reader let go of the side characters in the end?", "endings of. So maybe plottwist might be the wrong word for these kind", "their story arcs before the twist. Can an ending like this be satisfying", "the comments dislike dreamtwists but i'm curious how stories like \"Aluke in wonderland\"", "Invalidating the story arcs and progress of my side characters. So I have", "far can I go with these \"earthshattering\" plottwists? And lastly, can I just", "the end? --- EDIT In the end of my story I want to", "like \"Aluke in wonderland\" or \"Total recall\" or \"Wizard of Oz\" pulled those", "world or the world gets destroyed or whatever. And make him feel he", "up in my mind a lot. I have been planning and foreshadowing this", "make the reader let go of the side characters in the end? ---", "(the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to resolve (invalidate might be", "still with his friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/> it said to", "go with these \"earthshattering\" plottwists? And lastly, can I just make the reader", "story I want to make my MC leave the world or the world", "where he was still with his friends (the sidecharacters). While looking at <https://www.nownovel.com/blog/finding-an-ending-for-your-novel/>", "reader let go of the side characters in the end? --- EDIT In", "major plottwist near the end of my story. But the effects of it", "a lot. I have been planning and foreshadowing this major plottwist near the", "and progress of my side characters. So I have planned to complete their" ]
[ "different people by themselves, then they’re together the rest of the book and", "characters then just just follow one after the first book, especially if he", "follow one after the first book, especially if he wasn’t the most likable", "all four characters then just just follow one after the first book, especially", "the first four chapters are about four different people by themselves, then they’re", "are about four different people by themselves, then they’re together the rest of", "by themselves, then they’re together the rest of the book and all die", "trying to say is the first four chapters are about four different people", "realized that he was the definite main one throughout the whole series. If", "book and all die except one, but that one is very important and", "one is very important and it’s supposed to be realized that he was", "sounds confusing here’s a the simplified question: Is it “too much” for the", "of the book and all die except one, but that one is very", "that sounds confusing here’s a the simplified question: Is it “too much” for", "one throughout the whole series. If that sounds confusing here’s a the simplified", "for the reader to get attached to all four characters then just just", "one, but that one is very important and it’s supposed to be realized", "then just just follow one after the first book, especially if he wasn’t", "together the rest of the book and all die except one, but that", "is the first four chapters are about four different people by themselves, then", "he was the definite main one throughout the whole series. If that sounds", "is very important and it’s supposed to be realized that he was the", "say is the first four chapters are about four different people by themselves,", "and all die except one, but that one is very important and it’s", "I’m trying to say is the first four chapters are about four different", "throughout the whole series. If that sounds confusing here’s a the simplified question:", "attached to all four characters then just just follow one after the first", "here’s a the simplified question: Is it “too much” for the reader to", "get attached to all four characters then just just follow one after the", "“too much” for the reader to get attached to all four characters then", "people by themselves, then they’re together the rest of the book and all", "was the definite main one throughout the whole series. If that sounds confusing", "just just follow one after the first book, especially if he wasn’t the", "then they’re together the rest of the book and all die except one,", "Is it “too much” for the reader to get attached to all four", "die except one, but that one is very important and it’s supposed to", "it “too much” for the reader to get attached to all four characters", "the book and all die except one, but that one is very important", "they’re together the rest of the book and all die except one, but", "all die except one, but that one is very important and it’s supposed", "confusing here’s a the simplified question: Is it “too much” for the reader", "the definite main one throughout the whole series. If that sounds confusing here’s", "but that one is very important and it’s supposed to be realized that", "to all four characters then just just follow one after the first book,", "If that sounds confusing here’s a the simplified question: Is it “too much”", "that he was the definite main one throughout the whole series. If that", "the whole series. If that sounds confusing here’s a the simplified question: Is", "that one is very important and it’s supposed to be realized that he", "and it’s supposed to be realized that he was the definite main one", "a the simplified question: Is it “too much” for the reader to get", "to be realized that he was the definite main one throughout the whole", "be realized that he was the definite main one throughout the whole series.", "simplified question: Is it “too much” for the reader to get attached to", "first four chapters are about four different people by themselves, then they’re together", "much” for the reader to get attached to all four characters then just", "to say is the first four chapters are about four different people by", "the reader to get attached to all four characters then just just follow", "What I’m trying to say is the first four chapters are about four", "themselves, then they’re together the rest of the book and all die except", "the simplified question: Is it “too much” for the reader to get attached", "whole series. If that sounds confusing here’s a the simplified question: Is it", "series. If that sounds confusing here’s a the simplified question: Is it “too", "four chapters are about four different people by themselves, then they’re together the", "rest of the book and all die except one, but that one is", "main one throughout the whole series. If that sounds confusing here’s a the", "the rest of the book and all die except one, but that one", "to get attached to all four characters then just just follow one after", "question: Is it “too much” for the reader to get attached to all", "very important and it’s supposed to be realized that he was the definite", "except one, but that one is very important and it’s supposed to be", "it’s supposed to be realized that he was the definite main one throughout", "four different people by themselves, then they’re together the rest of the book", "just follow one after the first book, especially if he wasn’t the most", "important and it’s supposed to be realized that he was the definite main", "one after the first book, especially if he wasn’t the most likable one?", "chapters are about four different people by themselves, then they’re together the rest", "reader to get attached to all four characters then just just follow one", "supposed to be realized that he was the definite main one throughout the", "about four different people by themselves, then they’re together the rest of the", "definite main one throughout the whole series. If that sounds confusing here’s a", "four characters then just just follow one after the first book, especially if" ]
[ "read novels like Da Vinci Code or Hijrp Potfeq where we anticipate what", "I am learning in the process. So my story is about a girl", "end is not and cannot be anticipated by the reader, at all, as", "and not a suspense, it's a drama, without an interesting end. I am", "story itself. Also what will happen in the end is not and cannot", "what will happen in the end is not and cannot be anticipated by", "and these books create a page turning effect as we want to know", "process. So my story is about a girl who is having an ordinary", "how can I create an effect in the story to make my readers", "books create a page turning effect as we want to know what and", "a page turning effect as we want to know what and how the", "turning effect as we want to know what and how the end happens.", "the story begins, has nothing to do with where it ends. The story", "cannot be anticipated by the reader, at all, as to where the story", "it's a drama, without an interesting end. I am thinking how can I", "I am thinking how can I create an effect in the story to", "learns more about love and sex in spiritual traditions and finally sets out", "will happen in the end is not and cannot be anticipated by the", "an effect in the story to make my readers constantly ask the question,", "nothing to do with where it ends. The story itself is the learning.", "novels like Da Vinci Code or Hijrp Potfeq where we anticipate what will", "and sex in spiritual traditions and finally sets out to find her inner", "without an interesting end. I am thinking how can I create an effect", "divorced and learns more about love and sex in spiritual traditions and finally", "end. I am thinking how can I create an effect in the story", "more about love and sex in spiritual traditions and finally sets out to", "is about a girl who is having an ordinary life with any standards", "find her inner self. I had read novels like Da Vinci Code or", "am learning in the process. So my story is about a girl who", "gets divorced and learns more about love and sex in spiritual traditions and", "story, the end is not as important as the story itself. Also what", "my story is about a girl who is having an ordinary life with", "comedy and not a suspense, it's a drama, without an interesting end. I", "and cannot be anticipated by the reader, at all, as to where the", "has nothing to do with where it ends. The story itself is the", "my first attempt at writing a novel and I am learning in the", "the end is not and cannot be anticipated by the reader, at all,", "am thinking how can I create an effect in the story to make", "sets out to find her inner self. I had read novels like Da", "we anticipate what will be the end and these books create a page", "create an effect in the story to make my readers constantly ask the", "in the process. So my story is about a girl who is having", "important as the story itself. Also what will happen in the end is", "by the reader, at all, as to where the story begins, has nothing", "and then she gets divorced and learns more about love and sex in", "the end happens. In my story, the end is not as important as", "to where the story begins, has nothing to do with where it ends.", "drama, without an interesting end. I am thinking how can I create an", "as to where the story begins, has nothing to do with where it", "story is about a girl who is having an ordinary life with any", "as important as the story itself. Also what will happen in the end", "not a suspense, it's a drama, without an interesting end. I am thinking", "inner self. I had read novels like Da Vinci Code or Hijrp Potfeq", "anticipate what will be the end and these books create a page turning", "the story itself. Also what will happen in the end is not and", "to know what and how the end happens. In my story, the end", "sex in spiritual traditions and finally sets out to find her inner self.", "story itself is the learning. It is not a comedy and not a", "a drama, without an interesting end. I am thinking how can I create", "to make my readers constantly ask the question, how will this end?, like", "as we want to know what and how the end happens. In my", "Hijrp Potfeq where we anticipate what will be the end and these books", "how the end happens. In my story, the end is not as important", "she gets divorced and learns more about love and sex in spiritual traditions", "suspense, it's a drama, without an interesting end. I am thinking how can", "an interesting end. I am thinking how can I create an effect in", "the story to make my readers constantly ask the question, how will this", "first attempt at writing a novel and I am learning in the process.", "Potfeq where we anticipate what will be the end and these books create", "an ordinary life with any standards and then she gets divorced and learns", "about a girl who is having an ordinary life with any standards and", "effect as we want to know what and how the end happens. In", "standards and then she gets divorced and learns more about love and sex", "readers constantly ask the question, how will this end?, like the novels I", "is not and cannot be anticipated by the reader, at all, as to", "is not a comedy and not a suspense, it's a drama, without an", "traditions and finally sets out to find her inner self. I had read", "end is not as important as the story itself. Also what will happen", "is not as important as the story itself. Also what will happen in", "then she gets divorced and learns more about love and sex in spiritual", "with any standards and then she gets divorced and learns more about love", "interesting end. I am thinking how can I create an effect in the", "can I create an effect in the story to make my readers constantly", "It is not a comedy and not a suspense, it's a drama, without", "attempt at writing a novel and I am learning in the process. So", "the end and these books create a page turning effect as we want", "happen in the end is not and cannot be anticipated by the reader,", "with where it ends. The story itself is the learning. It is not", "end happens. In my story, the end is not as important as the", "writing a novel and I am learning in the process. So my story", "love and sex in spiritual traditions and finally sets out to find her", "a suspense, it's a drama, without an interesting end. I am thinking how", "is having an ordinary life with any standards and then she gets divorced", "and how the end happens. In my story, the end is not as", "be the end and these books create a page turning effect as we", "to do with where it ends. The story itself is the learning. It", "Vinci Code or Hijrp Potfeq where we anticipate what will be the end", "to find her inner self. I had read novels like Da Vinci Code", "will be the end and these books create a page turning effect as", "make my readers constantly ask the question, how will this end?, like the", "I had read novels like Da Vinci Code or Hijrp Potfeq where we", "her inner self. I had read novels like Da Vinci Code or Hijrp", "the process. So my story is about a girl who is having an", "be anticipated by the reader, at all, as to where the story begins,", "ask the question, how will this end?, like the novels I mentioned above.", "what will be the end and these books create a page turning effect", "and I am learning in the process. So my story is about a", "page turning effect as we want to know what and how the end", "itself. Also what will happen in the end is not and cannot be", "the reader, at all, as to where the story begins, has nothing to", "had read novels like Da Vinci Code or Hijrp Potfeq where we anticipate", "like Da Vinci Code or Hijrp Potfeq where we anticipate what will be", "the end is not as important as the story itself. Also what will", "know what and how the end happens. In my story, the end is", "my readers constantly ask the question, how will this end?, like the novels", "story to make my readers constantly ask the question, how will this end?,", "who is having an ordinary life with any standards and then she gets", "effect in the story to make my readers constantly ask the question, how", "in the end is not and cannot be anticipated by the reader, at", "or Hijrp Potfeq where we anticipate what will be the end and these", "learning in the process. So my story is about a girl who is", "at writing a novel and I am learning in the process. So my", "where the story begins, has nothing to do with where it ends. The", "in the story to make my readers constantly ask the question, how will", "where we anticipate what will be the end and these books create a", "in spiritual traditions and finally sets out to find her inner self. I", "what and how the end happens. In my story, the end is not", "about love and sex in spiritual traditions and finally sets out to find", "as the story itself. Also what will happen in the end is not", "out to find her inner self. I had read novels like Da Vinci", "begins, has nothing to do with where it ends. The story itself is", "reader, at all, as to where the story begins, has nothing to do", "not a comedy and not a suspense, it's a drama, without an interesting", "anticipated by the reader, at all, as to where the story begins, has", "Da Vinci Code or Hijrp Potfeq where we anticipate what will be the", "girl who is having an ordinary life with any standards and then she", "all, as to where the story begins, has nothing to do with where", "Code or Hijrp Potfeq where we anticipate what will be the end and", "where it ends. The story itself is the learning. It is not a", "finally sets out to find her inner self. I had read novels like", "In my story, the end is not as important as the story itself.", "not and cannot be anticipated by the reader, at all, as to where", "do with where it ends. The story itself is the learning. It is", "is my first attempt at writing a novel and I am learning in", "at all, as to where the story begins, has nothing to do with", "spiritual traditions and finally sets out to find her inner self. I had", "Also what will happen in the end is not and cannot be anticipated", "I create an effect in the story to make my readers constantly ask", "ends. The story itself is the learning. It is not a comedy and", "happens. In my story, the end is not as important as the story", "and learns more about love and sex in spiritual traditions and finally sets", "life with any standards and then she gets divorced and learns more about", "story begins, has nothing to do with where it ends. The story itself", "any standards and then she gets divorced and learns more about love and", "having an ordinary life with any standards and then she gets divorced and", "not as important as the story itself. Also what will happen in the", "the learning. It is not a comedy and not a suspense, it's a", "This is my first attempt at writing a novel and I am learning", "my story, the end is not as important as the story itself. Also", "novel and I am learning in the process. So my story is about", "self. I had read novels like Da Vinci Code or Hijrp Potfeq where", "want to know what and how the end happens. In my story, the", "these books create a page turning effect as we want to know what", "we want to know what and how the end happens. In my story,", "is the learning. It is not a comedy and not a suspense, it's", "a comedy and not a suspense, it's a drama, without an interesting end.", "constantly ask the question, how will this end?, like the novels I mentioned", "The story itself is the learning. It is not a comedy and not", "end and these books create a page turning effect as we want to", "create a page turning effect as we want to know what and how", "a novel and I am learning in the process. So my story is", "and finally sets out to find her inner self. I had read novels", "it ends. The story itself is the learning. It is not a comedy", "thinking how can I create an effect in the story to make my", "ordinary life with any standards and then she gets divorced and learns more", "So my story is about a girl who is having an ordinary life", "a girl who is having an ordinary life with any standards and then", "itself is the learning. It is not a comedy and not a suspense,", "learning. It is not a comedy and not a suspense, it's a drama," ]
[ "is it necessary to put “\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt they", "so shouldnt they already know that’s what the character was thinking not the", "they already know that’s what the character was thinking not the narrator speaking?", "Every time a character is thinking something is it necessary to put “\\_\\_\\_\\_\\_thought,”", "necessary to put “\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt they already know", "“\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt they already know that’s what the", "italics, so shouldnt they already know that’s what the character was thinking not", "put “\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt they already know that’s what", "is italics, so shouldnt they already know that’s what the character was thinking", "is thinking something is it necessary to put “\\_\\_\\_\\_\\_thought,” if there is italics,", "it necessary to put “\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt they already", "to put “\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt they already know that’s", "there is italics, so shouldnt they already know that’s what the character was", "shouldnt they already know that’s what the character was thinking not the narrator", "character is thinking something is it necessary to put “\\_\\_\\_\\_\\_thought,” if there is", "thinking something is it necessary to put “\\_\\_\\_\\_\\_thought,” if there is italics, so", "if there is italics, so shouldnt they already know that’s what the character", "time a character is thinking something is it necessary to put “\\_\\_\\_\\_\\_thought,” if", "a character is thinking something is it necessary to put “\\_\\_\\_\\_\\_thought,” if there", "something is it necessary to put “\\_\\_\\_\\_\\_thought,” if there is italics, so shouldnt" ]
[ "I don't know of a good way to track them. I know that", "and read. What software or techniques do people use to keep track of", "What software or techniques do people use to keep track of their fragmented", "already had (and subsequently forgotten) quite a few ideas. I think the fact", "not scale well. I might keep jotting down paragraphs here and there -", "yet. How do people even write down ideas when you aren't willing to", "the names of characters yet? \"Person A meets Person B\" is confusing to", "of characters yet? \"Person A meets Person B\" is confusing to write and", "irrelevant to the question really. I'm quite sure that my problem applies to", "first game with any story to speak of. I'm still very much in", "phase of the entire thing (even earlier than that perhaps), and I often", "jotting down paragraphs here and there - but once I've done so I", "assigned to them yet. How do people even write down ideas when you", "the planning phase of the entire thing (even earlier than that perhaps), and", "is confusing to write and read. What software or techniques do people use", "even released), but it will be my first game with any story to", "that it's going to be a game is irrelevant to the question really.", "any story to speak of. I'm still very much in the planning phase", "won't be the first game I've created (or even released), but it will", "I'm quite sure that my problem applies to any kind of story writing.", "I often have thoughts of events that could happen, or pivotal characters that", "there are a few. * Ideas containing events may not necessarily have a", "story to speak of. I'm still very much in the planning phase of", "of. I'm still very much in the planning phase of the entire thing", "subsequently forgotten) quite a few ideas. I think the fact that it's going", "probably write things down - but I fear that doing so would not", "things down - but I fear that doing so would not scale well.", "it again once there are a few. * Ideas containing events may not", "(even earlier than that perhaps), and I often have thoughts of events that", "planning phase of the entire thing (even earlier than that perhaps), and I", "write things down - but I fear that doing so would not scale", "of events that could happen, or pivotal characters that could exist, but I", "don't know of a good way to track them. I know that I've", "I know that I've already had (and subsequently forgotten) quite a few ideas.", "I'm planning to create a game. It won't be the first game I've", "that could happen, or pivotal characters that could exist, but I don't know", "down - but I fear that doing so would not scale well. I", "I could probably write things down - but I fear that doing so", "do people even write down ideas when you aren't willing to commit to", "applies to any kind of story writing. * I could probably write things", "once there are a few. * Ideas containing events may not necessarily have", "of story writing. * I could probably write things down - but I", "speak of. I'm still very much in the planning phase of the entire", "story writing. * I could probably write things down - but I fear", "know that I've already had (and subsequently forgotten) quite a few ideas. I", "ideas so that they can be found later, and drawn together as they", "down paragraphs here and there - but once I've done so I may", "writing. * I could probably write things down - but I fear that", "thoughts of events that could happen, or pivotal characters that could exist, but", "could exist, but I don't know of a good way to track them.", "my first game with any story to speak of. I'm still very much", "them yet. How do people even write down ideas when you aren't willing", "- but once I've done so I may never find it again once", "quite sure that my problem applies to any kind of story writing. ", "I've already had (and subsequently forgotten) quite a few ideas. I think the", "first game I've created (or even released), but it will be my first", "necessarily have a character assigned to them yet. How do people even write", "released), but it will be my first game with any story to speak", "happen, or pivotal characters that could exist, but I don't know of a", "or techniques do people use to keep track of their fragmented ideas so", "exist, but I don't know of a good way to track them. I", "write down ideas when you aren't willing to commit to the names of", "read. What software or techniques do people use to keep track of their", "even write down ideas when you aren't willing to commit to the names", "that doing so would not scale well. I might keep jotting down paragraphs", "it's going to be a game is irrelevant to the question really. I'm", "track them. I know that I've already had (and subsequently forgotten) quite a", "use to keep track of their fragmented ideas so that they can be", "of a good way to track them. I know that I've already had", "a game is irrelevant to the question really. I'm quite sure that my", "of their fragmented ideas so that they can be found later, and drawn", "them. I know that I've already had (and subsequently forgotten) quite a few", "of the entire thing (even earlier than that perhaps), and I often have", "the first game I've created (or even released), but it will be my", "you aren't willing to commit to the names of characters yet? \"Person A", "thing (even earlier than that perhaps), and I often have thoughts of events", "often have thoughts of events that could happen, or pivotal characters that could", "a game. It won't be the first game I've created (or even released),", "never find it again once there are a few. Ideas containing events", "ideas when you aren't willing to commit to the names of characters yet?", "B\" is confusing to write and read. What software or techniques do people", "characters yet? \"Person A meets Person B\" is confusing to write and read.", "be a game is irrelevant to the question really. I'm quite sure that", "I might keep jotting down paragraphs here and there - but once I've", "game with any story to speak of. I'm still very much in the", "would not scale well. I might keep jotting down paragraphs here and there", "than that perhaps), and I often have thoughts of events that could happen,", "events that could happen, or pivotal characters that could exist, but I don't", "game is irrelevant to the question really. I'm quite sure that my problem", "people use to keep track of their fragmented ideas so that they can", "to speak of. I'm still very much in the planning phase of the", "containing events may not necessarily have a character assigned to them yet. How", "have a character assigned to them yet. How do people even write down", "ideas. I think the fact that it's going to be a game is", "scale well. I might keep jotting down paragraphs here and there - but", "A meets Person B\" is confusing to write and read. What software or", "so would not scale well. I might keep jotting down paragraphs here and", "entire thing (even earlier than that perhaps), and I often have thoughts of", "I fear that doing so would not scale well. I might keep jotting", "good way to track them. I know that I've already had (and subsequently", "doing so would not scale well. I might keep jotting down paragraphs here", "techniques do people use to keep track of their fragmented ideas so that", "really. I'm quite sure that my problem applies to any kind of story", "meets Person B\" is confusing to write and read. What software or techniques", "few. * Ideas containing events may not necessarily have a character assigned to", "going to be a game is irrelevant to the question really. I'm quite", "a few ideas. I think the fact that it's going to be a", "that my problem applies to any kind of story writing. * I could", "in the planning phase of the entire thing (even earlier than that perhaps),", "to any kind of story writing. * I could probably write things down", "could probably write things down - but I fear that doing so would", "quite a few ideas. I think the fact that it's going to be", "pivotal characters that could exist, but I don't know of a good way", "Ideas containing events may not necessarily have a character assigned to them yet.", "the entire thing (even earlier than that perhaps), and I often have thoughts", "again once there are a few. * Ideas containing events may not necessarily", "few ideas. I think the fact that it's going to be a game", "may not necessarily have a character assigned to them yet. How do people", "with any story to speak of. I'm still very much in the planning", "once I've done so I may never find it again once there are", "the question really. I'm quite sure that my problem applies to any kind", "track of their fragmented ideas so that they can be found later, and", "Person B\" is confusing to write and read. What software or techniques do", "perhaps), and I often have thoughts of events that could happen, or pivotal", "commit to the names of characters yet? \"Person A meets Person B\" is", "people even write down ideas when you aren't willing to commit to the", "but I fear that doing so would not scale well. I might keep", "my problem applies to any kind of story writing. * I could probably", "a character assigned to them yet. How do people even write down ideas", "so I may never find it again once there are a few. ", "character assigned to them yet. How do people even write down ideas when", "How do people even write down ideas when you aren't willing to commit", "and there - but once I've done so I may never find it", "but once I've done so I may never find it again once there", "kind of story writing. I could probably write things down - but", "way to track them. I know that I've already had (and subsequently forgotten)", "a few. * Ideas containing events may not necessarily have a character assigned", "It won't be the first game I've created (or even released), but it", "sure that my problem applies to any kind of story writing. * I", "when you aren't willing to commit to the names of characters yet? \"Person", "- but I fear that doing so would not scale well. I might", "created (or even released), but it will be my first game with any", "will be my first game with any story to speak of. I'm still", "fear that doing so would not scale well. I might keep jotting down", "fact that it's going to be a game is irrelevant to the question", "keep jotting down paragraphs here and there - but once I've done so", "may never find it again once there are a few. * Ideas containing", "(or even released), but it will be my first game with any story", "is irrelevant to the question really. I'm quite sure that my problem applies", "much in the planning phase of the entire thing (even earlier than that", "here and there - but once I've done so I may never find", "their fragmented ideas so that they can be found later, and drawn together", "I think the fact that it's going to be a game is irrelevant", "create a game. It won't be the first game I've created (or even", "to write and read. What software or techniques do people use to keep", "to the question really. I'm quite sure that my problem applies to any", "well. I might keep jotting down paragraphs here and there - but once", "to the names of characters yet? \"Person A meets Person B\" is confusing", "I've created (or even released), but it will be my first game with", "be my first game with any story to speak of. I'm still very", "I'm still very much in the planning phase of the entire thing (even", "paragraphs here and there - but once I've done so I may never", "game. It won't be the first game I've created (or even released), but", "keep track of their fragmented ideas so that they can be found later,", "know of a good way to track them. I know that I've already", "planning to create a game. It won't be the first game I've created", "find it again once there are a few. * Ideas containing events may", "still very much in the planning phase of the entire thing (even earlier", "willing to commit to the names of characters yet? \"Person A meets Person", "forgotten) quite a few ideas. I think the fact that it's going to", "confusing to write and read. What software or techniques do people use to", "I've done so I may never find it again once there are a", "it will be my first game with any story to speak of. I'm", "but I don't know of a good way to track them. I know", "might keep jotting down paragraphs here and there - but once I've done", "problem applies to any kind of story writing. * I could probably write", "\"Person A meets Person B\" is confusing to write and read. What software", "aren't willing to commit to the names of characters yet? \"Person A meets", "not necessarily have a character assigned to them yet. How do people even", "write and read. What software or techniques do people use to keep track", "so that they can be found later, and drawn together as they evolve?", "a good way to track them. I know that I've already had (and", "down ideas when you aren't willing to commit to the names of characters", "very much in the planning phase of the entire thing (even earlier than", "that perhaps), and I often have thoughts of events that could happen, or", "I may never find it again once there are a few. * Ideas", "think the fact that it's going to be a game is irrelevant to", "any kind of story writing. * I could probably write things down -", "to them yet. How do people even write down ideas when you aren't", "game I've created (or even released), but it will be my first game", "but it will be my first game with any story to speak of.", "yet? \"Person A meets Person B\" is confusing to write and read. What", "characters that could exist, but I don't know of a good way to", "done so I may never find it again once there are a few.", "and I often have thoughts of events that could happen, or pivotal characters", "the fact that it's going to be a game is irrelevant to the", "had (and subsequently forgotten) quite a few ideas. I think the fact that", "(and subsequently forgotten) quite a few ideas. I think the fact that it's", "earlier than that perhaps), and I often have thoughts of events that could", "fragmented ideas so that they can be found later, and drawn together as", "could happen, or pivotal characters that could exist, but I don't know of", "there - but once I've done so I may never find it again", "* I could probably write things down - but I fear that doing", "question really. I'm quite sure that my problem applies to any kind of", "do people use to keep track of their fragmented ideas so that they", "to create a game. It won't be the first game I've created (or", "events may not necessarily have a character assigned to them yet. How do", "have thoughts of events that could happen, or pivotal characters that could exist,", "that I've already had (and subsequently forgotten) quite a few ideas. I think", "that could exist, but I don't know of a good way to track", "to be a game is irrelevant to the question really. I'm quite sure", "software or techniques do people use to keep track of their fragmented ideas", "are a few. * Ideas containing events may not necessarily have a character", "names of characters yet? \"Person A meets Person B\" is confusing to write", "or pivotal characters that could exist, but I don't know of a good", "* Ideas containing events may not necessarily have a character assigned to them", "to track them. I know that I've already had (and subsequently forgotten) quite", "to commit to the names of characters yet? \"Person A meets Person B\"", "be the first game I've created (or even released), but it will be", "to keep track of their fragmented ideas so that they can be found" ]
[ "a hobby of mine, but at the same time I'd like to share", "people. I've put a lot of effort into researching and planning. It's no", "as a particularly young person, I have no clue on how to send", "there for me to share my book? Writing fiction is a hobby of", "and planning. It's no where near finished, but I'd like to know what", "it. What other ways are there for me to share my book? Writing", "lot of effort into researching and planning. It's no where near finished, but", "planning. It's no where near finished, but I'd like to know what my", "promote it online. I know that Wattpad is one option, but I'm not", "no clue on how to send my book to a publisher or how", "I can actually get people to read it. What other ways are there", "at the same time I'd like to share it with people. I've put", "my first novel and as a particularly young person, I have no clue", "can self promote it online. I know that Wattpad is one option, but", "and as a particularly young person, I have no clue on how to", "but I'm not sure how I can actually get people to read it.", "know that Wattpad is one option, but I'm not sure how I can", "mine, but at the same time I'd like to share it with people.", "novel and as a particularly young person, I have no clue on how", "Writing fiction is a hobby of mine, but at the same time I'd", "other ways are there for me to share my book? Writing fiction is", "like to know what my options are going to be once I have", "to know what my options are going to be once I have it", "it online. I know that Wattpad is one option, but I'm not sure", "know what my options are going to be once I have it finished.", "Wattpad is one option, but I'm not sure how I can actually get", "same time I'd like to share it with people. I've put a lot", "like to share it with people. I've put a lot of effort into", "is one option, but I'm not sure how I can actually get people", "currently writing my first novel and as a particularly young person, I have", "first novel and as a particularly young person, I have no clue on", "that Wattpad is one option, but I'm not sure how I can actually", "self promote it online. I know that Wattpad is one option, but I'm", "It's no where near finished, but I'd like to know what my options", "how I can self promote it online. I know that Wattpad is one", "no where near finished, but I'd like to know what my options are", "effort into researching and planning. It's no where near finished, but I'd like", "fiction is a hobby of mine, but at the same time I'd like", "my book? Writing fiction is a hobby of mine, but at the same", "I know that Wattpad is one option, but I'm not sure how I", "is a hobby of mine, but at the same time I'd like to", "are there for me to share my book? Writing fiction is a hobby", "a lot of effort into researching and planning. It's no where near finished,", "option, but I'm not sure how I can actually get people to read", "ways are there for me to share my book? Writing fiction is a", "share it with people. I've put a lot of effort into researching and", "book to a publisher or how I can self promote it online. I", "me to share my book? Writing fiction is a hobby of mine, but", "online. I know that Wattpad is one option, but I'm not sure how", "how I can actually get people to read it. What other ways are", "put a lot of effort into researching and planning. It's no where near", "or how I can self promote it online. I know that Wattpad is", "to send my book to a publisher or how I can self promote", "near finished, but I'd like to know what my options are going to", "can actually get people to read it. What other ways are there for", "a particularly young person, I have no clue on how to send my", "writing my first novel and as a particularly young person, I have no", "of effort into researching and planning. It's no where near finished, but I'd", "hobby of mine, but at the same time I'd like to share it", "I'd like to know what my options are going to be once I", "What other ways are there for me to share my book? Writing fiction", "get people to read it. What other ways are there for me to", "sure how I can actually get people to read it. What other ways", "young person, I have no clue on how to send my book to", "book? Writing fiction is a hobby of mine, but at the same time", "but at the same time I'd like to share it with people. I've", "not sure how I can actually get people to read it. What other", "particularly young person, I have no clue on how to send my book", "I'm not sure how I can actually get people to read it. What", "have no clue on how to send my book to a publisher or", "clue on how to send my book to a publisher or how I", "on how to send my book to a publisher or how I can", "of mine, but at the same time I'd like to share it with", "into researching and planning. It's no where near finished, but I'd like to", "publisher or how I can self promote it online. I know that Wattpad", "a publisher or how I can self promote it online. I know that", "to share it with people. I've put a lot of effort into researching", "for me to share my book? Writing fiction is a hobby of mine,", "person, I have no clue on how to send my book to a", "to read it. What other ways are there for me to share my", "I can self promote it online. I know that Wattpad is one option,", "read it. What other ways are there for me to share my book?", "I've put a lot of effort into researching and planning. It's no where", "the same time I'd like to share it with people. I've put a", "it with people. I've put a lot of effort into researching and planning.", "time I'd like to share it with people. I've put a lot of", "to share my book? Writing fiction is a hobby of mine, but at", "share my book? Writing fiction is a hobby of mine, but at the", "finished, but I'd like to know what my options are going to be", "where near finished, but I'd like to know what my options are going", "researching and planning. It's no where near finished, but I'd like to know", "I'm currently writing my first novel and as a particularly young person, I", "one option, but I'm not sure how I can actually get people to", "I have no clue on how to send my book to a publisher", "actually get people to read it. What other ways are there for me", "I'd like to share it with people. I've put a lot of effort", "with people. I've put a lot of effort into researching and planning. It's", "how to send my book to a publisher or how I can self", "but I'd like to know what my options are going to be once", "to a publisher or how I can self promote it online. I know", "people to read it. What other ways are there for me to share", "send my book to a publisher or how I can self promote it", "my book to a publisher or how I can self promote it online." ]
[ "defined on Urban dictionary as: > > Cute, sassy, saucy and cheeky. ends", "found this word on one of the social networks and I loved the", "on Webcnar or Oxford dictionaries there was no reference of it. So, my", "a beautiful word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: > > Cute, sassy,", "on one of the social networks and I loved the way it was", "sassy, saucy and cheeky. ends up being a tease. > > > I", "when I checked it online on Webcnar or Oxford dictionaries there was no", "and cheeky. ends up being a tease. > > > I found this", "loved the way it was used. Later, I found it on Urban Dictionary.", "of the social networks and I loved the way it was used. Later,", "But when I checked it online on Webcnar or Oxford dictionaries there was", "as: > > Cute, sassy, saucy and cheeky. ends up being a tease.", "networks and I loved the way it was used. Later, I found it", "beautiful word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: > > Cute, sassy, saucy", "general guidelines for using a newly coined word? Sub question: Where can and", "Cute, sassy, saucy and cheeky. ends up being a tease. > > >", "the way it was used. Later, I found it on Urban Dictionary. But", "about using neologisms: What are the general guidelines for using a newly coined", "or Oxford dictionaries there was no reference of it. So, my question in", "social networks and I loved the way it was used. Later, I found", "general about using neologisms: What are the general guidelines for using a newly", "the social networks and I loved the way it was used. Later, I", "checked it online on Webcnar or Oxford dictionaries there was no reference of", "of it. So, my question in general about using neologisms: What are the", "What are the general guidelines for using a newly coined word? Sub question:", "on Urban Dictionary. But when I checked it online on Webcnar or Oxford", "Oxford dictionaries there was no reference of it. So, my question in general", "using neologisms: What are the general guidelines for using a newly coined word?", "up being a tease. > > > I found this word on one", "'[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: > > Cute, sassy, saucy and cheeky.", "was no reference of it. So, my question in general about using neologisms:", "on Urban dictionary as: > > Cute, sassy, saucy and cheeky. ends up", "neologisms: What are the general guidelines for using a newly coined word? Sub", "being a tease. > > > I found this word on one of", "was used. Later, I found it on Urban Dictionary. But when I checked", "question in general about using neologisms: What are the general guidelines for using", "no reference of it. So, my question in general about using neologisms: What", "Later, I found it on Urban Dictionary. But when I checked it online", "Urban dictionary as: > > Cute, sassy, saucy and cheeky. ends up being", "> > I found this word on one of the social networks and", "using a newly coined word? Sub question: Where can and can't we use", "my question in general about using neologisms: What are the general guidelines for", "saucy and cheeky. ends up being a tease. > > > I found", "dictionary as: > > Cute, sassy, saucy and cheeky. ends up being a", "across a beautiful word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: > > Cute,", "I found it on Urban Dictionary. But when I checked it online on", "> I found this word on one of the social networks and I", "Urban Dictionary. But when I checked it online on Webcnar or Oxford dictionaries", "> > > I found this word on one of the social networks", "there was no reference of it. So, my question in general about using", "I loved the way it was used. Later, I found it on Urban", "online on Webcnar or Oxford dictionaries there was no reference of it. So,", "cheeky. ends up being a tease. > > > I found this word", "it on Urban Dictionary. But when I checked it online on Webcnar or", "it. So, my question in general about using neologisms: What are the general", "> > Cute, sassy, saucy and cheeky. ends up being a tease. >", "came across a beautiful word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: > >", "in general about using neologisms: What are the general guidelines for using a", "found it on Urban Dictionary. But when I checked it online on Webcnar", "are the general guidelines for using a newly coined word? Sub question: Where", "it was used. Later, I found it on Urban Dictionary. But when I", "way it was used. Later, I found it on Urban Dictionary. But when", "I checked it online on Webcnar or Oxford dictionaries there was no reference", "tease. > > > I found this word on one of the social", "> Cute, sassy, saucy and cheeky. ends up being a tease. > >", "and I loved the way it was used. Later, I found it on", "Dictionary. But when I checked it online on Webcnar or Oxford dictionaries there", "a newly coined word? Sub question: Where can and can't we use this", "for using a newly coined word? Sub question: Where can and can't we", "Recently, I came across a beautiful word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as:", "Webcnar or Oxford dictionaries there was no reference of it. So, my question", "dictionaries there was no reference of it. So, my question in general about", "guidelines for using a newly coined word? Sub question: Where can and can't", "word on one of the social networks and I loved the way it", "So, my question in general about using neologisms: What are the general guidelines", "reference of it. So, my question in general about using neologisms: What are", "I came across a beautiful word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: >", "ends up being a tease. > > > I found this word on", "a tease. > > > I found this word on one of the", "used. Later, I found it on Urban Dictionary. But when I checked it", "word '[Cutease](https://www.urbandictionary.com/define.php?term=Wynorrific)', defined on Urban dictionary as: > > Cute, sassy, saucy and", "I found this word on one of the social networks and I loved", "one of the social networks and I loved the way it was used.", "the general guidelines for using a newly coined word? Sub question: Where can", "this word on one of the social networks and I loved the way", "it online on Webcnar or Oxford dictionaries there was no reference of it.", "newly coined word? Sub question: Where can and can't we use this word?**" ]
[ "the first chapters have several points that I think I can improve now,", "course the first chapters have several points that I think I can improve", "later will just make them pile up. What should I do, and how", "in a popular webnovel site. And of course the first chapters have several", "that I think I can improve now, reading back on them. Things I'd", "just make them pile up. What should I do, and how should I", "them pile up. What should I do, and how should I do it?", "descriptions are lacking, or entirely missing. * There are some scenes that I", "that leaving these things for later will just make them pile up. What", "There are some scenes that I think should use greater detail. * There", "a \"last week of vacation fun project\", and it hit off very well.", "are lacking, or entirely missing. * There are some scenes that I think", "like to do on the previous chapters: * Some descriptions are lacking, or", "I'm publishing as a web novel in a popular webnovel site. And of", "I am currently writing 4k words a day, and the new ideas for", "and it hit off very well. It is my first time writing. I'm", "are ok. But I am (weakly) afraid that leaving these things for later", "publishing as a web novel in a popular webnovel site. And of course", "And of course the first chapters have several points that I think I", "I will need later on, and if they are introduced earlier it would", "is my first time writing. I'm publishing as a web novel in a", "I do, and how should I do it? Are there good techniques /", "are some scenes that I think should use greater detail. There are", "on, and if they are introduced earlier it would flow more naturally. I", "do, and how should I do it? Are there good techniques / best", "writing 4k words a day, and the new ideas for pushing the story", "are elements I will need later on, and if they are introduced earlier", "It is my first time writing. I'm publishing as a web novel in", "I think I can improve now, reading back on them. Things I'd like", "and if they are introduced earlier it would flow more naturally. I am", "(weakly) afraid that leaving these things for later will just make them pile", "story forward are ok. But I am (weakly) afraid that leaving these things", "have several points that I think I can improve now, reading back on", "would flow more naturally. I am currently writing 4k words a day, and", "missing. * There are some scenes that I think should use greater detail.", "words a day, and the new ideas for pushing the story forward are", "well. It is my first time writing. I'm publishing as a web novel", "afraid that leaving these things for later will just make them pile up.", "do it? Are there good techniques / best practices for reviewing past work?", "elements I will need later on, and if they are introduced earlier it", "pushing the story forward are ok. But I am (weakly) afraid that leaving", "ideas for pushing the story forward are ok. But I am (weakly) afraid", "I began writing a fantasy novel as a \"last week of vacation fun", "writing a fantasy novel as a \"last week of vacation fun project\", and", "vacation fun project\", and it hit off very well. It is my first", "4k words a day, and the new ideas for pushing the story forward", "these things for later will just make them pile up. What should I", "the new ideas for pushing the story forward are ok. But I am", "techniques / best practices for reviewing past work? Should I leave sleeping lions", "am (weakly) afraid that leaving these things for later will just make them", "of vacation fun project\", and it hit off very well. It is my", "day, and the new ideas for pushing the story forward are ok. But", "to do on the previous chapters: * Some descriptions are lacking, or entirely", "pile up. What should I do, and how should I do it? Are", "fun project\", and it hit off very well. It is my first time", "I do it? Are there good techniques / best practices for reviewing past", "currently writing 4k words a day, and the new ideas for pushing the", "\"last week of vacation fun project\", and it hit off very well. It", "earlier it would flow more naturally. I am currently writing 4k words a", "Some descriptions are lacking, or entirely missing. * There are some scenes that", "introduced earlier it would flow more naturally. I am currently writing 4k words", "more naturally. I am currently writing 4k words a day, and the new", "them. Things I'd like to do on the previous chapters: * Some descriptions", "need later on, and if they are introduced earlier it would flow more", "should I do, and how should I do it? Are there good techniques", "forward are ok. But I am (weakly) afraid that leaving these things for", "will need later on, and if they are introduced earlier it would flow", "for later will just make them pile up. What should I do, and", "points that I think I can improve now, reading back on them. Things", "I can improve now, reading back on them. Things I'd like to do", "Are there good techniques / best practices for reviewing past work? Should I", "of course the first chapters have several points that I think I can", "previous chapters: * Some descriptions are lacking, or entirely missing. * There are", "week of vacation fun project\", and it hit off very well. It is", "a fantasy novel as a \"last week of vacation fun project\", and it", "do on the previous chapters: Some descriptions are lacking, or entirely missing.", "make them pile up. What should I do, and how should I do", "on them. Things I'd like to do on the previous chapters: * Some", "good techniques / best practices for reviewing past work? Should I leave sleeping", "off very well. It is my first time writing. I'm publishing as a", "if they are introduced earlier it would flow more naturally. I am currently", "a web novel in a popular webnovel site. And of course the first", "project\", and it hit off very well. It is my first time writing.", "or entirely missing. * There are some scenes that I think should use", "improve now, reading back on them. Things I'd like to do on the", "it would flow more naturally. I am currently writing 4k words a day,", "new ideas for pushing the story forward are ok. But I am (weakly)", "there good techniques / best practices for reviewing past work? Should I leave", "a day, and the new ideas for pushing the story forward are ok.", "the story forward are ok. But I am (weakly) afraid that leaving these", "ok. But I am (weakly) afraid that leaving these things for later will", "chapters: * Some descriptions are lacking, or entirely missing. * There are some", "scenes that I think should use greater detail. * There are elements I", "/ best practices for reviewing past work? Should I leave sleeping lions lie?", "popular webnovel site. And of course the first chapters have several points that", "as a web novel in a popular webnovel site. And of course the", "webnovel site. And of course the first chapters have several points that I", "first chapters have several points that I think I can improve now, reading", "I am (weakly) afraid that leaving these things for later will just make", "things for later will just make them pile up. What should I do,", "am currently writing 4k words a day, and the new ideas for pushing", "can improve now, reading back on them. Things I'd like to do on", "some scenes that I think should use greater detail. * There are elements", "should I do it? Are there good techniques / best practices for reviewing", "a popular webnovel site. And of course the first chapters have several points", "Things I'd like to do on the previous chapters: * Some descriptions are", "novel as a \"last week of vacation fun project\", and it hit off", "think should use greater detail. * There are elements I will need later", "I'd like to do on the previous chapters: * Some descriptions are lacking,", "leaving these things for later will just make them pile up. What should", "it hit off very well. It is my first time writing. I'm publishing", "chapters have several points that I think I can improve now, reading back", "for pushing the story forward are ok. But I am (weakly) afraid that", "very well. It is my first time writing. I'm publishing as a web", "they are introduced earlier it would flow more naturally. I am currently writing", "hit off very well. It is my first time writing. I'm publishing as", "web novel in a popular webnovel site. And of course the first chapters", "are introduced earlier it would flow more naturally. I am currently writing 4k", "how should I do it? Are there good techniques / best practices for", "it? Are there good techniques / best practices for reviewing past work? Should", "time writing. I'm publishing as a web novel in a popular webnovel site.", "novel in a popular webnovel site. And of course the first chapters have", "and how should I do it? Are there good techniques / best practices", "my first time writing. I'm publishing as a web novel in a popular", "entirely missing. * There are some scenes that I think should use greater", "naturally. I am currently writing 4k words a day, and the new ideas", "flow more naturally. I am currently writing 4k words a day, and the", "began writing a fantasy novel as a \"last week of vacation fun project\",", "now, reading back on them. Things I'd like to do on the previous", "and the new ideas for pushing the story forward are ok. But I", "later on, and if they are introduced earlier it would flow more naturally.", "as a \"last week of vacation fun project\", and it hit off very", "back on them. Things I'd like to do on the previous chapters: ", "lacking, or entirely missing. There are some scenes that I think should", "* There are some scenes that I think should use greater detail. ", "that I think should use greater detail. There are elements I will", "fantasy novel as a \"last week of vacation fun project\", and it hit", "will just make them pile up. What should I do, and how should", "reading back on them. Things I'd like to do on the previous chapters:", "the previous chapters: * Some descriptions are lacking, or entirely missing. * There", "site. And of course the first chapters have several points that I think", "But I am (weakly) afraid that leaving these things for later will just", "What should I do, and how should I do it? Are there good", "first time writing. I'm publishing as a web novel in a popular webnovel", "greater detail. There are elements I will need later on, and if", "up. What should I do, and how should I do it? Are there", "* Some descriptions are lacking, or entirely missing. * There are some scenes", "on the previous chapters: * Some descriptions are lacking, or entirely missing. ", "detail. There are elements I will need later on, and if they", "I think should use greater detail. * There are elements I will need", "think I can improve now, reading back on them. Things I'd like to", "use greater detail. * There are elements I will need later on, and", "writing. I'm publishing as a web novel in a popular webnovel site. And", "should use greater detail. There are elements I will need later on,", "several points that I think I can improve now, reading back on them.", "* There are elements I will need later on, and if they are", "There are elements I will need later on, and if they are introduced" ]
[ "outline of the events from the beginning to the end of the story,", "together and fight, even though this is futile and that they are doomed.", "in a near future? In my story some characters just give up and", "about surviving. I have a pretty precise outline of the events from the", "as long as possible. My problem is that I feel that they lack", "for most of a story: saving humanity/their country/their familly/themselves. The setting is medieval", "be reasoned with. It is like a genocide that only ends when the", "is dead, and the characters are aware of it. They know that in", "all about surviving. I have a pretty precise outline of the events from", "What they cared about before does not matter much anymore to them. They", "of secondary motivations be a problem and if yes, how to fix it?", "motivation for most of a story: saving humanity/their country/their familly/themselves. The setting is", "possible. My problem is that I feel that they lack defining traits because", "only had this main motivation for most of a story: saving humanity/their country/their", "it. They know that in a few days, weeks or months at most", "with. It is like a genocide that only ends when the last human", "hide in small groups. And the main majority of the humans decide to", "traits because they all have the same goal and the same motivation: they", "are doomed. My main heroes are part of the group of characters which", "a genocide that only ends when the last human is dead, and the", "characters only had this main motivation for most of a story: saving humanity/their", "been diminished because they are in a perpetual life-or-death situation. What they cared", "that they lack defining traits because they all have the same goal and", "much anymore to them. They lack secondary motivations apart from saving themselves/the human", "story: saving humanity/their country/their familly/themselves. The setting is medieval fantasy, a war starts", "perpetual life-or-death situation. What they cared about before does not matter much anymore", "It is like a genocide that only ends when the last human is", "it be boring/unrealistic/silly/cliché if most characters only had this main motivation for most", "is character arcs/motivations. The differences between characters have been diminished because they are", "of the humans decide to stick together and fight, even though this is", "few days, weeks or months at most they will all be dead. There", "beginning to the end of the story, and the actions of my heroes", "of the story, and the actions of my heroes always seem logical, but", "character arcs/motivations. The differences between characters have been diminished because they are in", "aware of it. They know that in a few days, weeks or months", "diminished because they are in a perpetual life-or-death situation. What they cared about", "let themselves die. Some hide in small groups. And the main majority of", "the actions of my heroes always seem logical, but what I feel I", "My problem is that I feel that they lack defining traits because they", "will all be dead. There is no way to survive this. How would", "on as long as possible. My problem is that I feel that they", "is futile and that they are doomed. My main heroes are part of", "of it. They know that in a few days, weeks or months at", "revenge... none of those things matter anymore. It is all about surviving. I", "is all about surviving. I have a pretty precise outline of the events", "only ends when the last human is dead, and the characters are aware", "world. Money, power, revenge... none of those things matter anymore. It is all", "same goal and the same motivation: they want to survive, they want to", "the world. Money, power, revenge... none of those things matter anymore. It is", "seem logical, but what I feel I miss is character arcs/motivations. The differences", "the characters are aware of it. They know that in a few days,", "miss is character arcs/motivations. The differences between characters have been diminished because they", "none of those things matter anymore. It is all about surviving. I have", "dead. There is no way to survive this. How would people react after", "the main majority of the humans decide to stick together and fight, even", "fight, even though this is futile and that they are doomed. My main", "secondary motivations apart from saving themselves/the human world. Would such a lack of", "about before does not matter much anymore to them. They lack secondary motivations", "future? In my story some characters just give up and let themselves die.", "is medieval fantasy, a war starts with an immortal being that cannot be", "a pretty precise outline of the events from the beginning to the end", "but what I feel I miss is character arcs/motivations. The differences between characters", "a war starts with an immortal being that cannot be reasoned with. It", "know that in a few days, weeks or months at most they will", "immortal being that cannot be reasoned with. It is like a genocide that", "futile and that they are doomed. My main heroes are part of the", "die. Some hide in small groups. And the main majority of the humans", "at most they will all be dead. There is no way to survive", "they lack defining traits because they all have the same goal and the", "the events from the beginning to the end of the story, and the", "to survive, they want to save the world. Money, power, revenge... none of", "of those things matter anymore. It is all about surviving. I have a", "them. They lack secondary motivations apart from saving themselves/the human world. Would such", "they want to survive, they want to save the world. Money, power, revenge...", "feel I miss is character arcs/motivations. The differences between characters have been diminished", "lack of secondary motivations be a problem and if yes, how to fix", "characters are aware of it. They know that in a few days, weeks", "of my heroes always seem logical, but what I feel I miss is", "from saving themselves/the human world. Would such a lack of secondary motivations be", "situation. What they cared about before does not matter much anymore to them.", "hold on as long as possible. My problem is that I feel that", "a story: saving humanity/their country/their familly/themselves. The setting is medieval fantasy, a war", "even though this is futile and that they are doomed. My main heroes", "feel that they lack defining traits because they all have the same goal", "world. Would such a lack of secondary motivations be a problem and if", "Some hide in small groups. And the main majority of the humans decide", "heroes are part of the group of characters which decided to hold on", "and the actions of my heroes always seem logical, but what I feel", "weeks or months at most they will all be dead. There is no", "the beginning to the end of the story, and the actions of my", "small groups. And the main majority of the humans decide to stick together", "months at most they will all be dead. There is no way to", "their world collapsed suddenly, facing certain death in a near future? In my", "long as possible. My problem is that I feel that they lack defining", "lack secondary motivations apart from saving themselves/the human world. Would such a lack", "react after their world collapsed suddenly, facing certain death in a near future?", "they are in a perpetual life-or-death situation. What they cared about before does", "survive this. How would people react after their world collapsed suddenly, facing certain", "are part of the group of characters which decided to hold on as", "that I feel that they lack defining traits because they all have the", "of a story: saving humanity/their country/their familly/themselves. The setting is medieval fantasy, a", "And the main majority of the humans decide to stick together and fight,", "reasoned with. It is like a genocide that only ends when the last", "In my story some characters just give up and let themselves die. Some", "and let themselves die. Some hide in small groups. And the main majority", "They lack secondary motivations apart from saving themselves/the human world. Would such a", "decide to stick together and fight, even though this is futile and that", "matter much anymore to them. They lack secondary motivations apart from saving themselves/the", "facing certain death in a near future? In my story some characters just", "suddenly, facing certain death in a near future? In my story some characters", "the end of the story, and the actions of my heroes always seem", "end of the story, and the actions of my heroes always seem logical,", "group of characters which decided to hold on as long as possible. My", "and the same motivation: they want to survive, they want to save the", "such a lack of secondary motivations be a problem and if yes, how", "differences between characters have been diminished because they are in a perpetual life-or-death", "or months at most they will all be dead. There is no way", "and that they are doomed. My main heroes are part of the group", "and fight, even though this is futile and that they are doomed. My", "is that I feel that they lack defining traits because they all have", "a lack of secondary motivations be a problem and if yes, how to", "main motivation for most of a story: saving humanity/their country/their familly/themselves. The setting", "they are doomed. My main heroes are part of the group of characters", "It is all about surviving. I have a pretty precise outline of the", "themselves/the human world. Would such a lack of secondary motivations be a problem", "majority of the humans decide to stick together and fight, even though this", "this is futile and that they are doomed. My main heroes are part", "all be dead. There is no way to survive this. How would people", "goal and the same motivation: they want to survive, they want to save", "last human is dead, and the characters are aware of it. They know", "main heroes are part of the group of characters which decided to hold", "defining traits because they all have the same goal and the same motivation:", "up and let themselves die. Some hide in small groups. And the main", "the same motivation: they want to survive, they want to save the world.", "same motivation: they want to survive, they want to save the world. Money,", "story some characters just give up and let themselves die. Some hide in", "in a few days, weeks or months at most they will all be", "the last human is dead, and the characters are aware of it. They", "power, revenge... none of those things matter anymore. It is all about surviving.", "cannot be reasoned with. It is like a genocide that only ends when", "is like a genocide that only ends when the last human is dead,", "near future? In my story some characters just give up and let themselves", "want to survive, they want to save the world. Money, power, revenge... none", "events from the beginning to the end of the story, and the actions", "and the characters are aware of it. They know that in a few", "cared about before does not matter much anymore to them. They lack secondary", "my story some characters just give up and let themselves die. Some hide", "I feel that they lack defining traits because they all have the same", "things matter anymore. It is all about surviving. I have a pretty precise", "to them. They lack secondary motivations apart from saving themselves/the human world. Would", "apart from saving themselves/the human world. Would such a lack of secondary motivations", "death in a near future? In my story some characters just give up", "a perpetual life-or-death situation. What they cared about before does not matter much", "humans decide to stick together and fight, even though this is futile and", "Would it be boring/unrealistic/silly/cliché if most characters only had this main motivation for", "be boring/unrealistic/silly/cliché if most characters only had this main motivation for most of", "an immortal being that cannot be reasoned with. It is like a genocide", "How would people react after their world collapsed suddenly, facing certain death in", "decided to hold on as long as possible. My problem is that I", "I feel I miss is character arcs/motivations. The differences between characters have been", "characters have been diminished because they are in a perpetual life-or-death situation. What", "familly/themselves. The setting is medieval fantasy, a war starts with an immortal being", "with an immortal being that cannot be reasoned with. It is like a", "the humans decide to stick together and fight, even though this is futile", "Would such a lack of secondary motivations be a problem and if yes,", "ends when the last human is dead, and the characters are aware of", "Money, power, revenge... none of those things matter anymore. It is all about", "I miss is character arcs/motivations. The differences between characters have been diminished because", "to survive this. How would people react after their world collapsed suddenly, facing", "give up and let themselves die. Some hide in small groups. And the", "of characters which decided to hold on as long as possible. My problem", "have been diminished because they are in a perpetual life-or-death situation. What they", "medieval fantasy, a war starts with an immortal being that cannot be reasoned", "most characters only had this main motivation for most of a story: saving", "had this main motivation for most of a story: saving humanity/their country/their familly/themselves.", "to save the world. Money, power, revenge... none of those things matter anymore.", "doomed. My main heroes are part of the group of characters which decided", "actions of my heroes always seem logical, but what I feel I miss", "war starts with an immortal being that cannot be reasoned with. It is", "is no way to survive this. How would people react after their world", "in a perpetual life-or-death situation. What they cared about before does not matter", "most of a story: saving humanity/their country/their familly/themselves. The setting is medieval fantasy,", "because they all have the same goal and the same motivation: they want", "want to save the world. Money, power, revenge... none of those things matter", "that only ends when the last human is dead, and the characters are", "logical, but what I feel I miss is character arcs/motivations. The differences between", "boring/unrealistic/silly/cliché if most characters only had this main motivation for most of a", "in small groups. And the main majority of the humans decide to stick", "before does not matter much anymore to them. They lack secondary motivations apart", "collapsed suddenly, facing certain death in a near future? In my story some", "like a genocide that only ends when the last human is dead, and", "of the group of characters which decided to hold on as long as", "The setting is medieval fantasy, a war starts with an immortal being that", "anymore. It is all about surviving. I have a pretty precise outline of", "save the world. Money, power, revenge... none of those things matter anymore. It", "to the end of the story, and the actions of my heroes always", "arcs/motivations. The differences between characters have been diminished because they are in a", "saving humanity/their country/their familly/themselves. The setting is medieval fantasy, a war starts with", "if most characters only had this main motivation for most of a story:", "this. How would people react after their world collapsed suddenly, facing certain death", "most they will all be dead. There is no way to survive this.", "all have the same goal and the same motivation: they want to survive,", "story, and the actions of my heroes always seem logical, but what I", "some characters just give up and let themselves die. Some hide in small", "problem is that I feel that they lack defining traits because they all", "motivations apart from saving themselves/the human world. Would such a lack of secondary", "always seem logical, but what I feel I miss is character arcs/motivations. The", "survive, they want to save the world. Money, power, revenge... none of those", "of the events from the beginning to the end of the story, and", "days, weeks or months at most they will all be dead. There is", "The differences between characters have been diminished because they are in a perpetual", "my heroes always seem logical, but what I feel I miss is character", "they all have the same goal and the same motivation: they want to", "that in a few days, weeks or months at most they will all", "are in a perpetual life-or-death situation. What they cared about before does not", "the group of characters which decided to hold on as long as possible.", "the same goal and the same motivation: they want to survive, they want", "motivation: they want to survive, they want to save the world. Money, power,", "pretty precise outline of the events from the beginning to the end of", "saving themselves/the human world. Would such a lack of secondary motivations be a", "what I feel I miss is character arcs/motivations. The differences between characters have", "starts with an immortal being that cannot be reasoned with. It is like", "a near future? In my story some characters just give up and let", "be dead. There is no way to survive this. How would people react", "being that cannot be reasoned with. It is like a genocide that only", "though this is futile and that they are doomed. My main heroes are", "heroes always seem logical, but what I feel I miss is character arcs/motivations.", "when the last human is dead, and the characters are aware of it.", "life-or-death situation. What they cared about before does not matter much anymore to", "characters which decided to hold on as long as possible. My problem is", "groups. And the main majority of the humans decide to stick together and", "between characters have been diminished because they are in a perpetual life-or-death situation.", "surviving. I have a pretty precise outline of the events from the beginning", "not matter much anymore to them. They lack secondary motivations apart from saving", "precise outline of the events from the beginning to the end of the", "world collapsed suddenly, facing certain death in a near future? In my story", "country/their familly/themselves. The setting is medieval fantasy, a war starts with an immortal", "are aware of it. They know that in a few days, weeks or", "fantasy, a war starts with an immortal being that cannot be reasoned with.", "themselves die. Some hide in small groups. And the main majority of the", "certain death in a near future? In my story some characters just give", "those things matter anymore. It is all about surviving. I have a pretty", "My main heroes are part of the group of characters which decided to", "part of the group of characters which decided to hold on as long", "genocide that only ends when the last human is dead, and the characters", "which decided to hold on as long as possible. My problem is that", "after their world collapsed suddenly, facing certain death in a near future? In", "have the same goal and the same motivation: they want to survive, they", "lack defining traits because they all have the same goal and the same", "this main motivation for most of a story: saving humanity/their country/their familly/themselves. The", "people react after their world collapsed suddenly, facing certain death in a near", "would people react after their world collapsed suddenly, facing certain death in a", "setting is medieval fantasy, a war starts with an immortal being that cannot", "characters just give up and let themselves die. Some hide in small groups.", "that they are doomed. My main heroes are part of the group of", "they want to save the world. Money, power, revenge... none of those things", "I have a pretty precise outline of the events from the beginning to", "the story, and the actions of my heroes always seem logical, but what", "because they are in a perpetual life-or-death situation. What they cared about before", "they cared about before does not matter much anymore to them. They lack", "matter anymore. It is all about surviving. I have a pretty precise outline", "to stick together and fight, even though this is futile and that they", "a few days, weeks or months at most they will all be dead.", "human is dead, and the characters are aware of it. They know that", "main majority of the humans decide to stick together and fight, even though", "There is no way to survive this. How would people react after their", "dead, and the characters are aware of it. They know that in a", "way to survive this. How would people react after their world collapsed suddenly,", "as possible. My problem is that I feel that they lack defining traits", "does not matter much anymore to them. They lack secondary motivations apart from", "anymore to them. They lack secondary motivations apart from saving themselves/the human world.", "stick together and fight, even though this is futile and that they are", "to hold on as long as possible. My problem is that I feel", "that cannot be reasoned with. It is like a genocide that only ends", "They know that in a few days, weeks or months at most they", "just give up and let themselves die. Some hide in small groups. And", "human world. Would such a lack of secondary motivations be a problem and", "have a pretty precise outline of the events from the beginning to the", "they will all be dead. There is no way to survive this. How", "from the beginning to the end of the story, and the actions of", "humanity/their country/their familly/themselves. The setting is medieval fantasy, a war starts with an", "no way to survive this. How would people react after their world collapsed" ]
[ "experience writer's block these days. Instead I struggle with a different sort of", "amazing idea comes along. Even if the idea I've chosen leads me down", "down the chosen path no matter what, even if another, totally amazing idea", "sort of impediment in my writing: I call it Possibility Paralysis. I have", "broad end, and let only the useful ideas filter through. It's sort of", "indecision is likely fear -- the fear of going the \"wrong\" way, and", "being unable to back out again. The fear of sticking with it --", "of like a firehose some days, and I just can't deal with the", "with the scattered volume. I need focus. Has anyone else dealt with this?", "tell them from, that I find I scarcely settle myself on one plot,", "and let only the useful ideas filter through. It's sort of like a", "chosen leads me down a road to flavorless characters or a hopelessly broken", "a firehose some days, and I just can't deal with the scattered volume.", "pops up, screaming for attention. I suppose the root of all this indecision", "\"slow\" the creative funnel at the broad end, and let only the useful", "suffers dearly for it. I have so many stories I want to tell,", "of going the \"wrong\" way, and being unable to back out again. The", "leads me down a road to flavorless characters or a hopelessly broken plot.", "still don't know what I want to be I grow up. But my", "there is also a sense of wanting to \"slow\" the creative funnel at", "Instead I struggle with a different sort of impediment in my writing: I", "but more of a personality or character flaw of mine. For instance (pardon", "of sticking with it -- of determining that I will slog down the", "deal with the scattered volume. I need focus. Has anyone else dealt with", "tell, so many perspectives I'd like to tell them from, that I find", "settle myself on one plot, thread or idea before another, sometimes completely contradictory", "some days, and I just can't deal with the scattered volume. I need", "I have to quickly acknowledge that this is not strictly a writing issue", "Paralysis. I have to quickly acknowledge that this is not strictly a writing", "I still don't know what I want to be I grow up. But", "if another, totally amazing idea comes along. Even if the idea I've chosen", "self-doubt of possibility paralysis? How do I 'slow the flow' and focus on", "personality or character flaw of mine. For instance (pardon the cliche) I still", "wanting to \"slow\" the creative funnel at the broad end, and let only", "dearly for it. I have so many stories I want to tell, so", "going the \"wrong\" way, and being unable to back out again. The fear", "plot. Even if it \"ruins\" the work, and I never get to tell", "if it \"ruins\" the work, and I never get to tell the story", "I will slog down the chosen path no matter what, even if another,", "false starts and self-doubt of possibility paralysis? How do I 'slow the flow'", "break out of the endless cycles of false starts and self-doubt of possibility", "these days. Instead I struggle with a different sort of impediment in my", "comes along. Even if the idea I've chosen leads me down a road", "contradictory one pops up, screaming for attention. I suppose the root of all", "different sort of impediment in my writing: I call it Possibility Paralysis. I", "totally amazing idea comes along. Even if the idea I've chosen leads me", "not strictly a writing issue but more of a personality or character flaw", "want to be I grow up. But my writing process suffers dearly for", "to \"slow\" the creative funnel at the broad end, and let only the", "screaming for attention. I suppose the root of all this indecision is likely", "struggle with a different sort of impediment in my writing: I call it", "read it. That said, there is also a sense of wanting to \"slow\"", "out again. The fear of sticking with it -- of determining that I", "up, screaming for attention. I suppose the root of all this indecision is", "characters or a hopelessly broken plot. Even if it \"ruins\" the work, and", "tell in the first place, because it's not engaging enough for anyone to", "the scattered volume. I need focus. Has anyone else dealt with this? How", "one plot, thread or idea before another, sometimes completely contradictory one pops up,", "engaging enough for anyone to want to read it. That said, there is", "also a sense of wanting to \"slow\" the creative funnel at the broad", "to tell in the first place, because it's not engaging enough for anyone", "paralysis? How do I 'slow the flow' and focus on the ideas that", "so many perspectives I'd like to tell them from, that I find I", "have to quickly acknowledge that this is not strictly a writing issue but", "scarcely settle myself on one plot, thread or idea before another, sometimes completely", "of determining that I will slog down the chosen path no matter what,", "useful ideas filter through. It's sort of like a firehose some days, and", "and I just can't deal with the scattered volume. I need focus. Has", "up. But my writing process suffers dearly for it. I have so many", "at the broad end, and let only the useful ideas filter through. It's", "to tell the story I really wanted to tell in the first place,", "the story I really wanted to tell in the first place, because it's", "focus. Has anyone else dealt with this? How do I break out of", "down a road to flavorless characters or a hopelessly broken plot. Even if", "unable to back out again. The fear of sticking with it -- of", "Has anyone else dealt with this? How do I break out of the", "of mine. For instance (pardon the cliche) I still don't know what I", "impediment in my writing: I call it Possibility Paralysis. I have to quickly", "don't often experience writer's block these days. Instead I struggle with a different", "of all this indecision is likely fear -- the fear of going the", "be I grow up. But my writing process suffers dearly for it. I", "character flaw of mine. For instance (pardon the cliche) I still don't know", "days, and I just can't deal with the scattered volume. I need focus.", "quickly acknowledge that this is not strictly a writing issue but more of", "the chosen path no matter what, even if another, totally amazing idea comes", "them from, that I find I scarcely settle myself on one plot, thread", "to tell, so many perspectives I'd like to tell them from, that I", "I find I scarcely settle myself on one plot, thread or idea before", "the root of all this indecision is likely fear -- the fear of", "work, and I never get to tell the story I really wanted to", "wanted to tell in the first place, because it's not engaging enough for", "need focus. Has anyone else dealt with this? How do I break out", "place, because it's not engaging enough for anyone to want to read it.", "a road to flavorless characters or a hopelessly broken plot. Even if it", "call it Possibility Paralysis. I have to quickly acknowledge that this is not", "a personality or character flaw of mine. For instance (pardon the cliche) I", "I scarcely settle myself on one plot, thread or idea before another, sometimes", "filter through. It's sort of like a firehose some days, and I just", "for attention. I suppose the root of all this indecision is likely fear", "is not strictly a writing issue but more of a personality or character", "strictly a writing issue but more of a personality or character flaw of", "Even if it \"ruins\" the work, and I never get to tell the", "me down a road to flavorless characters or a hopelessly broken plot. Even", "this indecision is likely fear -- the fear of going the \"wrong\" way,", "end, and let only the useful ideas filter through. It's sort of like", "like to tell them from, that I find I scarcely settle myself on", "a writing issue but more of a personality or character flaw of mine.", "again. The fear of sticking with it -- of determining that I will", "I call it Possibility Paralysis. I have to quickly acknowledge that this is", "Even if the idea I've chosen leads me down a road to flavorless", "completely contradictory one pops up, screaming for attention. I suppose the root of", "with a different sort of impediment in my writing: I call it Possibility", "that I will slog down the chosen path no matter what, even if", "just can't deal with the scattered volume. I need focus. Has anyone else", "acknowledge that this is not strictly a writing issue but more of a", "perspectives I'd like to tell them from, that I find I scarcely settle", "a different sort of impediment in my writing: I call it Possibility Paralysis.", "let only the useful ideas filter through. It's sort of like a firehose", "in the first place, because it's not engaging enough for anyone to want", "attention. I suppose the root of all this indecision is likely fear --", "and I never get to tell the story I really wanted to tell", "the useful ideas filter through. It's sort of like a firehose some days,", "block these days. Instead I struggle with a different sort of impediment in", "writing process suffers dearly for it. I have so many stories I want", "find I scarcely settle myself on one plot, thread or idea before another,", "the work, and I never get to tell the story I really wanted", "cycles of false starts and self-doubt of possibility paralysis? How do I 'slow", "before another, sometimes completely contradictory one pops up, screaming for attention. I suppose", "else dealt with this? How do I break out of the endless cycles", "sometimes completely contradictory one pops up, screaming for attention. I suppose the root", "with it -- of determining that I will slog down the chosen path", "I don't often experience writer's block these days. Instead I struggle with a", "But my writing process suffers dearly for it. I have so many stories", "matter what, even if another, totally amazing idea comes along. Even if the", "or character flaw of mine. For instance (pardon the cliche) I still don't", "story I really wanted to tell in the first place, because it's not", "possibility paralysis? How do I 'slow the flow' and focus on the ideas", "with this? How do I break out of the endless cycles of false", "on one plot, thread or idea before another, sometimes completely contradictory one pops", "scattered volume. I need focus. Has anyone else dealt with this? How do", "what I want to be I grow up. But my writing process suffers", "want to tell, so many perspectives I'd like to tell them from, that", "I need focus. Has anyone else dealt with this? How do I break", "first place, because it's not engaging enough for anyone to want to read", "stories I want to tell, so many perspectives I'd like to tell them", "one pops up, screaming for attention. I suppose the root of all this", "the first place, because it's not engaging enough for anyone to want to", "sort of like a firehose some days, and I just can't deal with", "chosen path no matter what, even if another, totally amazing idea comes along.", "dealt with this? How do I break out of the endless cycles of", "it Possibility Paralysis. I have to quickly acknowledge that this is not strictly", "road to flavorless characters or a hopelessly broken plot. Even if it \"ruins\"", "sticking with it -- of determining that I will slog down the chosen", "That said, there is also a sense of wanting to \"slow\" the creative", "idea before another, sometimes completely contradictory one pops up, screaming for attention. I", "it. I have so many stories I want to tell, so many perspectives", "to read it. That said, there is also a sense of wanting to", "for it. I have so many stories I want to tell, so many", "likely fear -- the fear of going the \"wrong\" way, and being unable", "sense of wanting to \"slow\" the creative funnel at the broad end, and", "many stories I want to tell, so many perspectives I'd like to tell", "myself on one plot, thread or idea before another, sometimes completely contradictory one", "the fear of going the \"wrong\" way, and being unable to back out", "that this is not strictly a writing issue but more of a personality", "many perspectives I'd like to tell them from, that I find I scarcely", "out of the endless cycles of false starts and self-doubt of possibility paralysis?", "in my writing: I call it Possibility Paralysis. I have to quickly acknowledge", "ideas filter through. It's sort of like a firehose some days, and I", "often experience writer's block these days. Instead I struggle with a different sort", "all this indecision is likely fear -- the fear of going the \"wrong\"", "instance (pardon the cliche) I still don't know what I want to be", "have so many stories I want to tell, so many perspectives I'd like", "no matter what, even if another, totally amazing idea comes along. Even if", "what, even if another, totally amazing idea comes along. Even if the idea", "because it's not engaging enough for anyone to want to read it. That", "way, and being unable to back out again. The fear of sticking with", "not engaging enough for anyone to want to read it. That said, there", "even if another, totally amazing idea comes along. Even if the idea I've", "I suppose the root of all this indecision is likely fear -- the", "fear -- the fear of going the \"wrong\" way, and being unable to", "firehose some days, and I just can't deal with the scattered volume. I", "more of a personality or character flaw of mine. For instance (pardon the", "anyone else dealt with this? How do I break out of the endless", "cliche) I still don't know what I want to be I grow up.", "of the endless cycles of false starts and self-doubt of possibility paralysis? How", "or a hopelessly broken plot. Even if it \"ruins\" the work, and I", "starts and self-doubt of possibility paralysis? How do I 'slow the flow' and", "days. Instead I struggle with a different sort of impediment in my writing:", "I have so many stories I want to tell, so many perspectives I'd", "volume. I need focus. Has anyone else dealt with this? How do I", "I'd like to tell them from, that I find I scarcely settle myself", "is likely fear -- the fear of going the \"wrong\" way, and being", "of possibility paralysis? How do I 'slow the flow' and focus on the", "How do I 'slow the flow' and focus on the ideas that matter?", "if the idea I've chosen leads me down a road to flavorless characters", "plot, thread or idea before another, sometimes completely contradictory one pops up, screaming", "I break out of the endless cycles of false starts and self-doubt of", "Possibility Paralysis. I have to quickly acknowledge that this is not strictly a", "issue but more of a personality or character flaw of mine. For instance", "mine. For instance (pardon the cliche) I still don't know what I want", "or idea before another, sometimes completely contradictory one pops up, screaming for attention.", "the idea I've chosen leads me down a road to flavorless characters or", "I really wanted to tell in the first place, because it's not engaging", "the broad end, and let only the useful ideas filter through. It's sort", "can't deal with the scattered volume. I need focus. Has anyone else dealt", "the cliche) I still don't know what I want to be I grow", "endless cycles of false starts and self-doubt of possibility paralysis? How do I", "it -- of determining that I will slog down the chosen path no", "writing: I call it Possibility Paralysis. I have to quickly acknowledge that this", "that I find I scarcely settle myself on one plot, thread or idea", "suppose the root of all this indecision is likely fear -- the fear", "it. That said, there is also a sense of wanting to \"slow\" the", "I never get to tell the story I really wanted to tell in", "to want to read it. That said, there is also a sense of", "like a firehose some days, and I just can't deal with the scattered", "the \"wrong\" way, and being unable to back out again. The fear of", "writing issue but more of a personality or character flaw of mine. For", "it \"ruins\" the work, and I never get to tell the story I", "For instance (pardon the cliche) I still don't know what I want to", "hopelessly broken plot. Even if it \"ruins\" the work, and I never get", "I want to tell, so many perspectives I'd like to tell them from,", "It's sort of like a firehose some days, and I just can't deal", "idea comes along. Even if the idea I've chosen leads me down a", "(pardon the cliche) I still don't know what I want to be I", "my writing process suffers dearly for it. I have so many stories I", "do I break out of the endless cycles of false starts and self-doubt", "I want to be I grow up. But my writing process suffers dearly", "a sense of wanting to \"slow\" the creative funnel at the broad end,", "\"wrong\" way, and being unable to back out again. The fear of sticking", "of wanting to \"slow\" the creative funnel at the broad end, and let", "flaw of mine. For instance (pardon the cliche) I still don't know what", "path no matter what, even if another, totally amazing idea comes along. Even", "get to tell the story I really wanted to tell in the first", "want to read it. That said, there is also a sense of wanting", "How do I break out of the endless cycles of false starts and", "to back out again. The fear of sticking with it -- of determining", "will slog down the chosen path no matter what, even if another, totally", "never get to tell the story I really wanted to tell in the", "of false starts and self-doubt of possibility paralysis? How do I 'slow the", "I struggle with a different sort of impediment in my writing: I call", "I just can't deal with the scattered volume. I need focus. Has anyone", "flavorless characters or a hopelessly broken plot. Even if it \"ruins\" the work,", "of impediment in my writing: I call it Possibility Paralysis. I have to", "process suffers dearly for it. I have so many stories I want to", "of a personality or character flaw of mine. For instance (pardon the cliche)", "know what I want to be I grow up. But my writing process", "grow up. But my writing process suffers dearly for it. I have so", "funnel at the broad end, and let only the useful ideas filter through.", "fear of going the \"wrong\" way, and being unable to back out again.", "another, totally amazing idea comes along. Even if the idea I've chosen leads", "fear of sticking with it -- of determining that I will slog down", "\"ruins\" the work, and I never get to tell the story I really", "writer's block these days. Instead I struggle with a different sort of impediment", "anyone to want to read it. That said, there is also a sense", "to be I grow up. But my writing process suffers dearly for it.", "-- of determining that I will slog down the chosen path no matter", "broken plot. Even if it \"ruins\" the work, and I never get to", "I've chosen leads me down a road to flavorless characters or a hopelessly", "through. It's sort of like a firehose some days, and I just can't", "enough for anyone to want to read it. That said, there is also", "my writing: I call it Possibility Paralysis. I have to quickly acknowledge that", "said, there is also a sense of wanting to \"slow\" the creative funnel", "and self-doubt of possibility paralysis? How do I 'slow the flow' and focus", "another, sometimes completely contradictory one pops up, screaming for attention. I suppose the", "so many stories I want to tell, so many perspectives I'd like to", "to flavorless characters or a hopelessly broken plot. Even if it \"ruins\" the", "I grow up. But my writing process suffers dearly for it. I have", "don't know what I want to be I grow up. But my writing", "back out again. The fear of sticking with it -- of determining that", "determining that I will slog down the chosen path no matter what, even", "it's not engaging enough for anyone to want to read it. That said,", "from, that I find I scarcely settle myself on one plot, thread or", "only the useful ideas filter through. It's sort of like a firehose some", "to tell them from, that I find I scarcely settle myself on one", "idea I've chosen leads me down a road to flavorless characters or a", "to quickly acknowledge that this is not strictly a writing issue but more", "for anyone to want to read it. That said, there is also a", "the endless cycles of false starts and self-doubt of possibility paralysis? How do", "the creative funnel at the broad end, and let only the useful ideas", "The fear of sticking with it -- of determining that I will slog", "this? How do I break out of the endless cycles of false starts", "slog down the chosen path no matter what, even if another, totally amazing", "is also a sense of wanting to \"slow\" the creative funnel at the", "creative funnel at the broad end, and let only the useful ideas filter", "along. Even if the idea I've chosen leads me down a road to", "this is not strictly a writing issue but more of a personality or", "-- the fear of going the \"wrong\" way, and being unable to back", "and being unable to back out again. The fear of sticking with it", "root of all this indecision is likely fear -- the fear of going", "thread or idea before another, sometimes completely contradictory one pops up, screaming for", "a hopelessly broken plot. Even if it \"ruins\" the work, and I never", "really wanted to tell in the first place, because it's not engaging enough", "tell the story I really wanted to tell in the first place, because" ]
[ "phase because of its dry and skeletal nature, or if I simply have", "nature, or if I simply have a misunderstanding of outlining. Do other authors", "triumph, dread, etc. However, I can't tell at all whether my story will", "before I actually begin to write the scenes involved. I am a short", "experience with long form fiction. I always write short stories without outlining, so", "I simply have a misunderstanding of outlining. Do other authors feel emotion in", "long form fiction. I always write short stories without outlining, so I don't", "fiction. I always write short stories without outlining, so I don't have experience", "all whether my story will evoke these complex emotions from the outline itself,", "the outline phase? My goal as an author is creating a strong emotion,", "these complex emotions from the outline itself, before I actually begin to write", "am writing a book, and my primary goal is creating a strong emotion", "have experience with long form fiction. I always write short stories without outlining,", "don't have experience with long form fiction. I always write short stories without", "always write short stories without outlining, so I don't have experience with that", "I always write short stories without outlining, so I don't have experience with", "outlining, so I don't have experience with that either. I can't tell if", "a short story/short film writer so I don't have experience with long form", "that either. I can't tell if I am simply outlining bad stories, if", "the outline itself, before I actually begin to write the scenes involved. I", "really possible to feel emotional content from the outline phase because of its", "emotion in the reader, should I be able to 'feel' that emotion in", "primary goal is creating a strong emotion in the reader, should I be", "story will evoke these complex emotions from the outline itself, before I actually", "My goal as an author is creating a strong emotion, whether it be", "experience with that either. I can't tell if I am simply outlining bad", "an author is creating a strong emotion, whether it be melancholy, triumph, dread,", "write short stories without outlining, so I don't have experience with that either.", "I am writing a book, and my primary goal is creating a strong", "write the scenes involved. I am a short story/short film writer so I", "because of its dry and skeletal nature, or if I simply have a", "if I am simply outlining bad stories, if it's not really possible to", "creating a strong emotion in the reader, should I be able to 'feel'", "have a misunderstanding of outlining. Do other authors feel emotion in the outline", "etc. However, I can't tell at all whether my story will evoke these", "of its dry and skeletal nature, or if I simply have a misunderstanding", "emotion in the outline phase? Or do they feel emotion only when they", "will evoke these complex emotions from the outline itself, before I actually begin", "I don't have experience with that either. I can't tell if I am", "with long form fiction. I always write short stories without outlining, so I", "have experience with that either. I can't tell if I am simply outlining", "and skeletal nature, or if I simply have a misunderstanding of outlining. Do", "a strong emotion, whether it be melancholy, triumph, dread, etc. However, I can't", "my primary goal is creating a strong emotion in the reader, should I", "writing a book, and my primary goal is creating a strong emotion in", "short stories without outlining, so I don't have experience with that either. I", "begin to write the scenes involved. I am a short story/short film writer", "without outlining, so I don't have experience with that either. I can't tell", "don't have experience with that either. I can't tell if I am simply", "as an author is creating a strong emotion, whether it be melancholy, triumph,", "to feel emotional content from the outline phase because of its dry and", "book, and my primary goal is creating a strong emotion in the reader,", "stories, if it's not really possible to feel emotional content from the outline", "am simply outlining bad stories, if it's not really possible to feel emotional", "I am a short story/short film writer so I don't have experience with", "the outline phase? Or do they feel emotion only when they begin writing?", "the reader, should I be able to 'feel' that emotion in the outline", "bad stories, if it's not really possible to feel emotional content from the", "and my primary goal is creating a strong emotion in the reader, should", "in the outline phase? My goal as an author is creating a strong", "dread, etc. However, I can't tell at all whether my story will evoke", "is creating a strong emotion in the reader, should I be able to", "whether it be melancholy, triumph, dread, etc. However, I can't tell at all", "if I simply have a misunderstanding of outlining. Do other authors feel emotion", "can't tell at all whether my story will evoke these complex emotions from", "that emotion in the outline phase? My goal as an author is creating", "of outlining. Do other authors feel emotion in the outline phase? Or do", "not really possible to feel emotional content from the outline phase because of", "authors feel emotion in the outline phase? Or do they feel emotion only", "able to 'feel' that emotion in the outline phase? My goal as an", "creating a strong emotion, whether it be melancholy, triumph, dread, etc. However, I", "strong emotion, whether it be melancholy, triumph, dread, etc. However, I can't tell", "misunderstanding of outlining. Do other authors feel emotion in the outline phase? Or", "outlining. Do other authors feel emotion in the outline phase? Or do they", "either. I can't tell if I am simply outlining bad stories, if it's", "I be able to 'feel' that emotion in the outline phase? My goal", "evoke these complex emotions from the outline itself, before I actually begin to", "is creating a strong emotion, whether it be melancholy, triumph, dread, etc. However,", "can't tell if I am simply outlining bad stories, if it's not really", "it be melancholy, triumph, dread, etc. However, I can't tell at all whether", "skeletal nature, or if I simply have a misunderstanding of outlining. Do other", "simply have a misunderstanding of outlining. Do other authors feel emotion in the", "actually begin to write the scenes involved. I am a short story/short film", "I don't have experience with long form fiction. I always write short stories", "I actually begin to write the scenes involved. I am a short story/short", "emotional content from the outline phase because of its dry and skeletal nature,", "emotion in the outline phase? My goal as an author is creating a", "if it's not really possible to feel emotional content from the outline phase", "from the outline phase because of its dry and skeletal nature, or if", "strong emotion in the reader, should I be able to 'feel' that emotion", "If I am writing a book, and my primary goal is creating a", "author is creating a strong emotion, whether it be melancholy, triumph, dread, etc.", "feel emotional content from the outline phase because of its dry and skeletal", "with that either. I can't tell if I am simply outlining bad stories,", "the outline phase because of its dry and skeletal nature, or if I", "a book, and my primary goal is creating a strong emotion in the", "tell at all whether my story will evoke these complex emotions from the", "story/short film writer so I don't have experience with long form fiction. I", "in the outline phase? Or do they feel emotion only when they begin", "outline itself, before I actually begin to write the scenes involved. I am", "a strong emotion in the reader, should I be able to 'feel' that", "form fiction. I always write short stories without outlining, so I don't have", "scenes involved. I am a short story/short film writer so I don't have", "my story will evoke these complex emotions from the outline itself, before I", "it's not really possible to feel emotional content from the outline phase because", "'feel' that emotion in the outline phase? My goal as an author is", "I can't tell at all whether my story will evoke these complex emotions", "its dry and skeletal nature, or if I simply have a misunderstanding of", "stories without outlining, so I don't have experience with that either. I can't", "a misunderstanding of outlining. Do other authors feel emotion in the outline phase?", "short story/short film writer so I don't have experience with long form fiction.", "be able to 'feel' that emotion in the outline phase? My goal as", "to 'feel' that emotion in the outline phase? My goal as an author", "in the reader, should I be able to 'feel' that emotion in the", "at all whether my story will evoke these complex emotions from the outline", "tell if I am simply outlining bad stories, if it's not really possible", "be melancholy, triumph, dread, etc. However, I can't tell at all whether my", "outline phase? My goal as an author is creating a strong emotion, whether", "outline phase because of its dry and skeletal nature, or if I simply", "emotions from the outline itself, before I actually begin to write the scenes", "writer so I don't have experience with long form fiction. I always write", "outlining bad stories, if it's not really possible to feel emotional content from", "complex emotions from the outline itself, before I actually begin to write the", "However, I can't tell at all whether my story will evoke these complex", "I can't tell if I am simply outlining bad stories, if it's not", "goal as an author is creating a strong emotion, whether it be melancholy,", "simply outlining bad stories, if it's not really possible to feel emotional content", "the scenes involved. I am a short story/short film writer so I don't", "am a short story/short film writer so I don't have experience with long", "possible to feel emotional content from the outline phase because of its dry", "Do other authors feel emotion in the outline phase? Or do they feel", "should I be able to 'feel' that emotion in the outline phase? My", "other authors feel emotion in the outline phase? Or do they feel emotion", "dry and skeletal nature, or if I simply have a misunderstanding of outlining.", "involved. I am a short story/short film writer so I don't have experience", "so I don't have experience with that either. I can't tell if I", "I am simply outlining bad stories, if it's not really possible to feel", "so I don't have experience with long form fiction. I always write short", "content from the outline phase because of its dry and skeletal nature, or", "or if I simply have a misunderstanding of outlining. Do other authors feel", "goal is creating a strong emotion in the reader, should I be able", "reader, should I be able to 'feel' that emotion in the outline phase?", "itself, before I actually begin to write the scenes involved. I am a", "to write the scenes involved. I am a short story/short film writer so", "phase? My goal as an author is creating a strong emotion, whether it", "feel emotion in the outline phase? Or do they feel emotion only when", "film writer so I don't have experience with long form fiction. I always", "from the outline itself, before I actually begin to write the scenes involved.", "melancholy, triumph, dread, etc. However, I can't tell at all whether my story", "whether my story will evoke these complex emotions from the outline itself, before", "emotion, whether it be melancholy, triumph, dread, etc. However, I can't tell at" ]
[ "the plot as in a story about a lottery winner's life after they", "to the setting. A lottery draw, some gotcha that grants a special skill.", "of feeling random, it feels tailored for the story: The random ability was", "make the reader feel like it was really random, instead of just some", "winner's life after they won the prize. How can I weave a random", "they seem fake. Instead of feeling random, it feels tailored for the story:", "stories where the outcome of the event is the driving force of the", "a story about a lottery winner's life after they won the prize. How", "they won the prize. How can I weave a random event into the", "after they won the prize. How can I weave a random event into", "it feels tailored for the story: The random ability was just right to", "some convenient manipulation for the sake of plot? --- RNJesus (or RNGod) are", "was just right to solve problem X, etc. I am not talking about", "events that bring about drastic change either to the characters or to the", "Most of the times I find one of these in a story, they", "of plot? --- RNJesus (or RNGod) are terms coined from the computation acronym", "prize. How can I weave a random event into the story and make", "times I find one of these in a story, they seem fake. Instead", "feeling random, it feels tailored for the story: The random ability was just", "it was really random, instead of just some convenient manipulation for the sake", "Some stories feature random events that bring about drastic change either to the", "of these in a story, they seem fake. Instead of feeling random, it", "drastic change either to the characters or to the setting. A lottery draw,", "fake. Instead of feeling random, it feels tailored for the story: The random", "or to the setting. A lottery draw, some gotcha that grants a special", "the setting. A lottery draw, some gotcha that grants a special skill. Most", "event into the story and make the reader feel like it was really", "the reader feel like it was really random, instead of just some convenient", "story and make the reader feel like it was really random, instead of", "manipulation for the sake of plot? --- RNJesus (or RNGod) are terms coined", "story about a lottery winner's life after they won the prize. How can", "sake of plot? --- RNJesus (or RNGod) are terms coined from the computation", "tailored for the story: The random ability was just right to solve problem", "as in a story about a lottery winner's life after they won the", "draw, some gotcha that grants a special skill. Most of the times I", "a lottery winner's life after they won the prize. How can I weave", "(Random Number Generator) is when randomness feels fake and convenient. More on that:", "the event is the driving force of the plot as in a story", "random events that bring about drastic change either to the characters or to", "the story: The random ability was just right to solve problem X, etc.", "like it was really random, instead of just some convenient manipulation for the", "bring about drastic change either to the characters or to the setting. A", "ability was just right to solve problem X, etc. I am not talking", "a story, they seem fake. Instead of feeling random, it feels tailored for", "coined from the computation acronym RNG (Random Number Generator) is when randomness feels", "right to solve problem X, etc. I am not talking about stories where", "random, instead of just some convenient manipulation for the sake of plot? ---", "The random ability was just right to solve problem X, etc. I am", "of the plot as in a story about a lottery winner's life after", "the prize. How can I weave a random event into the story and", "acronym RNG (Random Number Generator) is when randomness feels fake and convenient. More", "to the characters or to the setting. A lottery draw, some gotcha that", "feature random events that bring about drastic change either to the characters or", "I find one of these in a story, they seem fake. Instead of", "RNJesus (or RNGod) are terms coined from the computation acronym RNG (Random Number", "are terms coined from the computation acronym RNG (Random Number Generator) is when", "and make the reader feel like it was really random, instead of just", "driving force of the plot as in a story about a lottery winner's", "story, they seem fake. Instead of feeling random, it feels tailored for the", "some gotcha that grants a special skill. Most of the times I find", "lottery draw, some gotcha that grants a special skill. Most of the times", "either to the characters or to the setting. A lottery draw, some gotcha", "seem fake. Instead of feeling random, it feels tailored for the story: The", "Number Generator) is when randomness feels fake and convenient. More on that: <https://tvtropes.org/pmwiki/pmwiki.php/Main/RNGesus>", "plot? --- RNJesus (or RNGod) are terms coined from the computation acronym RNG", "one of these in a story, they seem fake. Instead of feeling random,", "the driving force of the plot as in a story about a lottery", "talking about stories where the outcome of the event is the driving force", "How can I weave a random event into the story and make the", "I am not talking about stories where the outcome of the event is", "a special skill. Most of the times I find one of these in", "about stories where the outcome of the event is the driving force of", "special skill. Most of the times I find one of these in a", "computation acronym RNG (Random Number Generator) is when randomness feels fake and convenient.", "the characters or to the setting. A lottery draw, some gotcha that grants", "was really random, instead of just some convenient manipulation for the sake of", "from the computation acronym RNG (Random Number Generator) is when randomness feels fake", "stories feature random events that bring about drastic change either to the characters", "these in a story, they seem fake. Instead of feeling random, it feels", "setting. A lottery draw, some gotcha that grants a special skill. Most of", "terms coined from the computation acronym RNG (Random Number Generator) is when randomness", "where the outcome of the event is the driving force of the plot", "a random event into the story and make the reader feel like it", "grants a special skill. Most of the times I find one of these", "the outcome of the event is the driving force of the plot as", "change either to the characters or to the setting. A lottery draw, some", "story: The random ability was just right to solve problem X, etc. I", "force of the plot as in a story about a lottery winner's life", "for the sake of plot? --- RNJesus (or RNGod) are terms coined from", "into the story and make the reader feel like it was really random,", "X, etc. I am not talking about stories where the outcome of the", "random event into the story and make the reader feel like it was", "of just some convenient manipulation for the sake of plot? --- RNJesus (or", "the story and make the reader feel like it was really random, instead", "random, it feels tailored for the story: The random ability was just right", "the times I find one of these in a story, they seem fake.", "event is the driving force of the plot as in a story about", "outcome of the event is the driving force of the plot as in", "solve problem X, etc. I am not talking about stories where the outcome", "RNG (Random Number Generator) is when randomness feels fake and convenient. More on", "in a story, they seem fake. Instead of feeling random, it feels tailored", "that grants a special skill. Most of the times I find one of", "in a story about a lottery winner's life after they won the prize.", "the sake of plot? --- RNJesus (or RNGod) are terms coined from the", "problem X, etc. I am not talking about stories where the outcome of", "gotcha that grants a special skill. Most of the times I find one", "of the times I find one of these in a story, they seem", "the computation acronym RNG (Random Number Generator) is when randomness feels fake and", "random ability was just right to solve problem X, etc. I am not", "for the story: The random ability was just right to solve problem X,", "not talking about stories where the outcome of the event is the driving", "about a lottery winner's life after they won the prize. How can I", "won the prize. How can I weave a random event into the story", "feel like it was really random, instead of just some convenient manipulation for", "just right to solve problem X, etc. I am not talking about stories", "reader feel like it was really random, instead of just some convenient manipulation", "of the event is the driving force of the plot as in a", "plot as in a story about a lottery winner's life after they won", "--- RNJesus (or RNGod) are terms coined from the computation acronym RNG (Random", "skill. Most of the times I find one of these in a story,", "I weave a random event into the story and make the reader feel", "Instead of feeling random, it feels tailored for the story: The random ability", "characters or to the setting. A lottery draw, some gotcha that grants a", "lottery winner's life after they won the prize. How can I weave a", "weave a random event into the story and make the reader feel like", "am not talking about stories where the outcome of the event is the", "just some convenient manipulation for the sake of plot? --- RNJesus (or RNGod)", "A lottery draw, some gotcha that grants a special skill. Most of the", "that bring about drastic change either to the characters or to the setting.", "instead of just some convenient manipulation for the sake of plot? --- RNJesus", "(or RNGod) are terms coined from the computation acronym RNG (Random Number Generator)", "is the driving force of the plot as in a story about a", "really random, instead of just some convenient manipulation for the sake of plot?", "find one of these in a story, they seem fake. Instead of feeling", "RNGod) are terms coined from the computation acronym RNG (Random Number Generator) is", "about drastic change either to the characters or to the setting. A lottery", "convenient manipulation for the sake of plot? --- RNJesus (or RNGod) are terms", "feels tailored for the story: The random ability was just right to solve", "can I weave a random event into the story and make the reader", "to solve problem X, etc. I am not talking about stories where the", "life after they won the prize. How can I weave a random event", "etc. I am not talking about stories where the outcome of the event" ]
[ "I fear that if I try to imitate the manner of speaking in", "historical epics and that not all of them have conducted rigorous research to", "conducting research about the locations and the time. I do want to understand", "be able to really express my characters properly. It is possible that I", "on approaches to this issue. I believe that people write historical epics and", "mannerisms of the era. Any comment on the topic will be helpful :)", "not be able to really express my characters properly. It is possible that", "that if I try to imitate the manner of speaking in these days,", "locations and the time. I do want to understand what experiences my characters", "the era. However, I am not confident that I could replicate the way", "try to imitate the manner of speaking in these days, I will not", "is set in pre-WWI USA/America. I do not mind conducting research about the", "all of them have conducted rigorous research to imitate accurately all the mannerisms", "issue. I believe that people write historical epics and that not all of", "However, I am not confident that I could replicate the way people spoke", "to understand what experiences my characters will have and what are the general", "a native English speaker and I generally talk and write the way my", "to avoid this issue completely. Any suggestions on approaches to this issue. I", "forth wrong. Hence, I would like to avoid this issue completely. Any suggestions", "wrong. Hence, I would like to avoid this issue completely. Any suggestions on", "properly. It is possible that I will get some idioms and so forth", "do want to understand what experiences my characters will have and what are", "not all of them have conducted rigorous research to imitate accurately all the", "all the mannerisms of the era. Any comment on the topic will be", "writing a story that is set in pre-WWI USA/America. I do not mind", "my surroundings do. I fear that if I try to imitate the manner", "avoid this issue completely. Any suggestions on approaches to this issue. I believe", "I do not mind conducting research about the locations and the time. I", "of speaking in these days, I will not be able to really express", "this issue completely. Any suggestions on approaches to this issue. I believe that", "I am not a native English speaker and I generally talk and write", "the way my surroundings do. I fear that if I try to imitate", "I believe that people write historical epics and that not all of them", "talk and write the way my surroundings do. I fear that if I", "and what are the general trends/fashions of the era. However, I am not", "the way people spoke back then. I am not a native English speaker", "am not confident that I could replicate the way people spoke back then.", "and write the way my surroundings do. I fear that if I try", "will have and what are the general trends/fashions of the era. However, I", "my characters will have and what are the general trends/fashions of the era.", "do not mind conducting research about the locations and the time. I do", "completely. Any suggestions on approaches to this issue. I believe that people write", "if I try to imitate the manner of speaking in these days, I", "so forth wrong. Hence, I would like to avoid this issue completely. Any", "write the way my surroundings do. I fear that if I try to", "Hence, I would like to avoid this issue completely. Any suggestions on approaches", "some idioms and so forth wrong. Hence, I would like to avoid this", "are the general trends/fashions of the era. However, I am not confident that", "speaker and I generally talk and write the way my surroundings do. I", "English speaker and I generally talk and write the way my surroundings do.", "and that not all of them have conducted rigorous research to imitate accurately", "really express my characters properly. It is possible that I will get some", "time. I do want to understand what experiences my characters will have and", "I would like to avoid this issue completely. Any suggestions on approaches to", "that I could replicate the way people spoke back then. I am not", "that I will get some idioms and so forth wrong. Hence, I would", "and the time. I do want to understand what experiences my characters will", "in these days, I will not be able to really express my characters", "research about the locations and the time. I do want to understand what", "believe that people write historical epics and that not all of them have", "and so forth wrong. Hence, I would like to avoid this issue completely.", "the time. I do want to understand what experiences my characters will have", "this issue. I believe that people write historical epics and that not all", "the general trends/fashions of the era. However, I am not confident that I", "research to imitate accurately all the mannerisms of the era. Any comment on", "manner of speaking in these days, I will not be able to really", "I try to imitate the manner of speaking in these days, I will", "will not be able to really express my characters properly. It is possible", "back then. I am not a native English speaker and I generally talk", "replicate the way people spoke back then. I am not a native English", "I will not be able to really express my characters properly. It is", "a story that is set in pre-WWI USA/America. I do not mind conducting", "I am not confident that I could replicate the way people spoke back", "do. I fear that if I try to imitate the manner of speaking", "about the locations and the time. I do want to understand what experiences", "these days, I will not be able to really express my characters properly.", "to really express my characters properly. It is possible that I will get", "could replicate the way people spoke back then. I am not a native", "my characters properly. It is possible that I will get some idioms and", "Any suggestions on approaches to this issue. I believe that people write historical", "imitate accurately all the mannerisms of the era. Any comment on the topic", "want to understand what experiences my characters will have and what are the", "like to avoid this issue completely. Any suggestions on approaches to this issue.", "have and what are the general trends/fashions of the era. However, I am", "surroundings do. I fear that if I try to imitate the manner of", "to this issue. I believe that people write historical epics and that not", "native English speaker and I generally talk and write the way my surroundings", "story that is set in pre-WWI USA/America. I do not mind conducting research", "is possible that I will get some idioms and so forth wrong. Hence,", "will get some idioms and so forth wrong. Hence, I would like to", "not a native English speaker and I generally talk and write the way", "idioms and so forth wrong. Hence, I would like to avoid this issue", "pre-WWI USA/America. I do not mind conducting research about the locations and the", "possible that I will get some idioms and so forth wrong. Hence, I", "express my characters properly. It is possible that I will get some idioms", "I will get some idioms and so forth wrong. Hence, I would like", "mind conducting research about the locations and the time. I do want to", "set in pre-WWI USA/America. I do not mind conducting research about the locations", "currently writing a story that is set in pre-WWI USA/America. I do not", "I generally talk and write the way my surroundings do. I fear that", "experiences my characters will have and what are the general trends/fashions of the", "spoke back then. I am not a native English speaker and I generally", "the locations and the time. I do want to understand what experiences my", "I could replicate the way people spoke back then. I am not a", "rigorous research to imitate accurately all the mannerisms of the era. Any comment", "to imitate accurately all the mannerisms of the era. Any comment on the", "confident that I could replicate the way people spoke back then. I am", "then. I am not a native English speaker and I generally talk and", "am not a native English speaker and I generally talk and write the", "It is possible that I will get some idioms and so forth wrong.", "characters will have and what are the general trends/fashions of the era. However,", "write historical epics and that not all of them have conducted rigorous research", "general trends/fashions of the era. However, I am not confident that I could", "of the era. Any comment on the topic will be helpful :) .", "the manner of speaking in these days, I will not be able to", "get some idioms and so forth wrong. Hence, I would like to avoid", "and I generally talk and write the way my surroundings do. I fear", "the mannerisms of the era. Any comment on the topic will be helpful", "approaches to this issue. I believe that people write historical epics and that", "trends/fashions of the era. However, I am not confident that I could replicate", "epics and that not all of them have conducted rigorous research to imitate", "have conducted rigorous research to imitate accurately all the mannerisms of the era.", "of the era. However, I am not confident that I could replicate the", "that people write historical epics and that not all of them have conducted", "imitate the manner of speaking in these days, I will not be able", "them have conducted rigorous research to imitate accurately all the mannerisms of the", "I am currently writing a story that is set in pre-WWI USA/America. I", "days, I will not be able to really express my characters properly. It", "to imitate the manner of speaking in these days, I will not be", "not mind conducting research about the locations and the time. I do want", "I do want to understand what experiences my characters will have and what", "people write historical epics and that not all of them have conducted rigorous", "accurately all the mannerisms of the era. Any comment on the topic will", "issue completely. Any suggestions on approaches to this issue. I believe that people", "speaking in these days, I will not be able to really express my", "way people spoke back then. I am not a native English speaker and", "way my surroundings do. I fear that if I try to imitate the", "what are the general trends/fashions of the era. However, I am not confident", "era. However, I am not confident that I could replicate the way people", "suggestions on approaches to this issue. I believe that people write historical epics", "characters properly. It is possible that I will get some idioms and so", "conducted rigorous research to imitate accurately all the mannerisms of the era. Any", "able to really express my characters properly. It is possible that I will", "in pre-WWI USA/America. I do not mind conducting research about the locations and", "USA/America. I do not mind conducting research about the locations and the time.", "what experiences my characters will have and what are the general trends/fashions of", "generally talk and write the way my surroundings do. I fear that if", "not confident that I could replicate the way people spoke back then. I", "would like to avoid this issue completely. Any suggestions on approaches to this", "understand what experiences my characters will have and what are the general trends/fashions", "am currently writing a story that is set in pre-WWI USA/America. I do", "fear that if I try to imitate the manner of speaking in these", "that not all of them have conducted rigorous research to imitate accurately all", "that is set in pre-WWI USA/America. I do not mind conducting research about", "people spoke back then. I am not a native English speaker and I", "of them have conducted rigorous research to imitate accurately all the mannerisms of" ]
[ "the reader? Does this complain about unclear setting mean that I may be", "normal? I feel like if I focus on any details it will just", "about the setting. White the story was marked as fantasy, nothing fantastic had", "setting mean that I may be having other problems that readers and not", "some thoughts of mentioning the current president, but in today's climate I feel", "understood. How can I tell the reader that everything is normal? I feel", "Does this complain about unclear setting mean that I may be having other", "to the characters and mundane to the reader? Does this complain about unclear", "except the coldest info dump. How can I point out that things are", "tell the reader that everything is normal? I feel like if I focus", "mean that I may be having other problems that readers and not expressing?", "be understood. How can I tell the reader that everything is normal? I", "anything except the coldest info dump. How can I point out that things", "How can I tell the reader that everything is normal? I feel like", "complain about unclear setting mean that I may be having other problems that", "it would just be understood. How can I tell the reader that everything", "mentioned Brooklyn. I meant for the reader to quickly understood that this was", "would become instantly political if I do anything except the coldest info dump.", "that this was normal modern life. I thought I would not have to", "the characters and mundane to the reader? Does this complain about unclear setting", "my story would become instantly political if I do anything except the coldest", "any details it will just make it seem that other details are not", "political if I do anything except the coldest info dump. How can I", "can I tell the reader that everything is normal? I feel like if", "happen yet. The chapter describes a messy apartment, drug dealers, the mob, and", "have some thoughts of mentioning the current president, but in today's climate I", "The chapter describes a messy apartment, drug dealers, the mob, and mentioned Brooklyn.", "that the readers are not sure about the setting. White the story was", "make it seem that other details are not normal. I can't explain every", "I have some thoughts of mentioning the current president, but in today's climate", "am getting some feedback on my writing but one of the questions that", "as fantasy, nothing fantastic had happen yet. The chapter describes a messy apartment,", "some feedback on my writing but one of the questions that come back", "thought I would not have to mention anything and it would just be", "point out that things are mundane to the characters and mundane to the", "this was normal modern life. I thought I would not have to mention", "would not have to mention anything and it would just be understood. How", "today's climate I feel like my story would become instantly political if I", "I focus on any details it will just make it seem that other", "the readers are not sure about the setting. White the story was marked", "feedback on my writing but one of the questions that come back is", "are mundane to the characters and mundane to the reader? Does this complain", "mention anything and it would just be understood. How can I tell the", "one of the questions that come back is that the readers are not", "I feel like if I focus on any details it will just make", "thoughts of mentioning the current president, but in today's climate I feel like", "life, that's just everything. I have some thoughts of mentioning the current president,", "normal. I can't explain every detail of modern life, that's just everything. I", "do anything except the coldest info dump. How can I point out that", "reader? Does this complain about unclear setting mean that I may be having", "everything is normal? I feel like if I focus on any details it", "apartment, drug dealers, the mob, and mentioned Brooklyn. I meant for the reader", "and mentioned Brooklyn. I meant for the reader to quickly understood that this", "of the questions that come back is that the readers are not sure", "like if I focus on any details it will just make it seem", "for the reader to quickly understood that this was normal modern life. I", "I can't explain every detail of modern life, that's just everything. I have", "dealers, the mob, and mentioned Brooklyn. I meant for the reader to quickly", "the current president, but in today's climate I feel like my story would", "writing but one of the questions that come back is that the readers", "was normal modern life. I thought I would not have to mention anything", "I point out that things are mundane to the characters and mundane to", "unclear setting mean that I may be having other problems that readers and", "messy apartment, drug dealers, the mob, and mentioned Brooklyn. I meant for the", "meant for the reader to quickly understood that this was normal modern life.", "can't explain every detail of modern life, that's just everything. I have some", "the story was marked as fantasy, nothing fantastic had happen yet. The chapter", "if I do anything except the coldest info dump. How can I point", "things are mundane to the characters and mundane to the reader? Does this", "details it will just make it seem that other details are not normal.", "the setting. White the story was marked as fantasy, nothing fantastic had happen", "current president, but in today's climate I feel like my story would become", "fantasy, nothing fantastic had happen yet. The chapter describes a messy apartment, drug", "story was marked as fantasy, nothing fantastic had happen yet. The chapter describes", "mob, and mentioned Brooklyn. I meant for the reader to quickly understood that", "just everything. I have some thoughts of mentioning the current president, but in", "everything. I have some thoughts of mentioning the current president, but in today's", "How can I point out that things are mundane to the characters and", "mundane to the characters and mundane to the reader? Does this complain about", "the reader to quickly understood that this was normal modern life. I thought", "had happen yet. The chapter describes a messy apartment, drug dealers, the mob,", "but in today's climate I feel like my story would become instantly political", "that's just everything. I have some thoughts of mentioning the current president, but", "climate I feel like my story would become instantly political if I do", "is that the readers are not sure about the setting. White the story", "reader that everything is normal? I feel like if I focus on any", "mundane to the reader? Does this complain about unclear setting mean that I", "the questions that come back is that the readers are not sure about", "back is that the readers are not sure about the setting. White the", "the coldest info dump. How can I point out that things are mundane", "info dump. How can I point out that things are mundane to the", "readers are not sure about the setting. White the story was marked as", "I would not have to mention anything and it would just be understood.", "other details are not normal. I can't explain every detail of modern life,", "was marked as fantasy, nothing fantastic had happen yet. The chapter describes a", "of modern life, that's just everything. I have some thoughts of mentioning the", "seem that other details are not normal. I can't explain every detail of", "drug dealers, the mob, and mentioned Brooklyn. I meant for the reader to", "it seem that other details are not normal. I can't explain every detail", "chapter describes a messy apartment, drug dealers, the mob, and mentioned Brooklyn. I", "details are not normal. I can't explain every detail of modern life, that's", "president, but in today's climate I feel like my story would become instantly", "will just make it seem that other details are not normal. I can't", "come back is that the readers are not sure about the setting. White", "to quickly understood that this was normal modern life. I thought I would", "that things are mundane to the characters and mundane to the reader? Does", "White the story was marked as fantasy, nothing fantastic had happen yet. The", "fantastic had happen yet. The chapter describes a messy apartment, drug dealers, the", "describes a messy apartment, drug dealers, the mob, and mentioned Brooklyn. I meant", "the reader that everything is normal? I feel like if I focus on", "anything and it would just be understood. How can I tell the reader", "quickly understood that this was normal modern life. I thought I would not", "just make it seem that other details are not normal. I can't explain", "coldest info dump. How can I point out that things are mundane to", "dump. How can I point out that things are mundane to the characters", "instantly political if I do anything except the coldest info dump. How can", "the mob, and mentioned Brooklyn. I meant for the reader to quickly understood", "are not sure about the setting. White the story was marked as fantasy,", "story would become instantly political if I do anything except the coldest info", "to the reader? Does this complain about unclear setting mean that I may", "not have to mention anything and it would just be understood. How can", "modern life, that's just everything. I have some thoughts of mentioning the current", "to mention anything and it would just be understood. How can I tell", "life. I thought I would not have to mention anything and it would", "that everything is normal? I feel like if I focus on any details", "out that things are mundane to the characters and mundane to the reader?", "every detail of modern life, that's just everything. I have some thoughts of", "are not normal. I can't explain every detail of modern life, that's just", "a messy apartment, drug dealers, the mob, and mentioned Brooklyn. I meant for", "I thought I would not have to mention anything and it would just", "on any details it will just make it seem that other details are", "this complain about unclear setting mean that I may be having other problems", "modern life. I thought I would not have to mention anything and it", "and it would just be understood. How can I tell the reader that", "questions that come back is that the readers are not sure about the", "I do anything except the coldest info dump. How can I point out", "getting some feedback on my writing but one of the questions that come", "sure about the setting. White the story was marked as fantasy, nothing fantastic", "and mundane to the reader? Does this complain about unclear setting mean that", "yet. The chapter describes a messy apartment, drug dealers, the mob, and mentioned", "my writing but one of the questions that come back is that the", "that come back is that the readers are not sure about the setting.", "normal modern life. I thought I would not have to mention anything and", "setting. White the story was marked as fantasy, nothing fantastic had happen yet.", "feel like if I focus on any details it will just make it", "I tell the reader that everything is normal? I feel like if I", "become instantly political if I do anything except the coldest info dump. How", "mentioning the current president, but in today's climate I feel like my story", "marked as fantasy, nothing fantastic had happen yet. The chapter describes a messy", "in today's climate I feel like my story would become instantly political if", "would just be understood. How can I tell the reader that everything is", "explain every detail of modern life, that's just everything. I have some thoughts", "focus on any details it will just make it seem that other details", "it will just make it seem that other details are not normal. I", "characters and mundane to the reader? Does this complain about unclear setting mean", "just be understood. How can I tell the reader that everything is normal?", "I am getting some feedback on my writing but one of the questions", "of mentioning the current president, but in today's climate I feel like my", "nothing fantastic had happen yet. The chapter describes a messy apartment, drug dealers,", "I meant for the reader to quickly understood that this was normal modern", "that other details are not normal. I can't explain every detail of modern", "feel like my story would become instantly political if I do anything except", "if I focus on any details it will just make it seem that", "like my story would become instantly political if I do anything except the", "understood that this was normal modern life. I thought I would not have", "but one of the questions that come back is that the readers are", "not normal. I can't explain every detail of modern life, that's just everything.", "detail of modern life, that's just everything. I have some thoughts of mentioning", "Brooklyn. I meant for the reader to quickly understood that this was normal", "about unclear setting mean that I may be having other problems that readers", "can I point out that things are mundane to the characters and mundane", "is normal? I feel like if I focus on any details it will", "on my writing but one of the questions that come back is that", "have to mention anything and it would just be understood. How can I", "not sure about the setting. White the story was marked as fantasy, nothing", "reader to quickly understood that this was normal modern life. I thought I", "I feel like my story would become instantly political if I do anything" ]
[ "I bothered myself to do it. I searched online on different *websites like", "slept in my room for two days straight, neither did I wanted to", "point the information will be taken as boring and till what point will", "days straight, neither did I wanted to > go out nor did I", "days I shortlisted some 4-5 different houses > listed online, I had to", "other people, I > was bit scared to live all by myself, it", "should one determine at what point the information will be taken as boring", "out nor did I bothered myself to do it. I searched online for", "to give to help the readers visualize the scene but given the details", "sea, for two days straight, neither did I wanted to > go out", "trivial information, that I want to give to help the readers visualize the", "> go out nor did I bothered myself to do it. I searched", "like gumtree and housing.com for > houses for rent, mostly shared houses to", "West Cliff road > > > which I can also write as, >", "overall plot? For e.g. same paragraph in my novel, > > I just", "two days I shortlisted some 4-5 different houses > listed online, I had", "one determine at what point the information will be taken as boring and", "but given the details have no relevance to the overall plot? For e.g.", "I > was bit scared to live all by myself, it would have", "for two days straight, neither did I wanted to > go out nor", "websites like gumtree and housing.com for > houses for rent, mostly shared houses", "a novel, which is a drama, how do I manage the amount of", "shared houses to share with other people, students or professionals, I > was", "West Cliff road near ASDA. > > > How should one determine at", "e.g. same paragraph in my novel, > > I just slept in my", "novel, > > I just slept in my room for two days straight,", "another > ordeal. In those two days I shortlisted some 4-5 different houses", "my job > location at West Cliff road > > > which I", "at West Cliff road > > > which I can also write as,", "did I bothered myself to do it. I searched online for > houses", "myself to do it. I searched online for > houses for rent, mostly", "also write as, > > I just slept in my room no 13", "or professionals, I > was bit scared to live all by myself, it", "I want to give to help the readers visualize the scene but given", "at West Cliff road near ASDA. > > > How should one determine", "houses to share with other people, I > was bit scared to live", "in my room for two days straight, neither did I wanted to >", "they are also close to my job > location at West Cliff road", "the readers visualize the scene but given the details have no relevance to", "> I just slept in my room for two days straight, neither did", "did I wanted to > go out nor did I bothered myself to", "myself, it would have been another > ordeal. In those two days I", "to do it. I searched online on different websites like gumtree and housing.com", "searched online for > houses for rent, mostly shared houses to share with", "trivial details or trivial information, that I want to give to help the", "it. I searched online on different websites like gumtree and housing.com* for >", "job > location at West Cliff *road near ASDA. > > > How", "> > How should one determine at what point the information will be", "nor did I bothered myself to do it. I searched online for >", "are also close to my job > location at West Cliff road >", "> > > which I can also write as, > > I just", "near ASDA. > > > How should one determine at what point the", "also close to my job > location at West Cliff road near ASDA.", "my job > location at West Cliff road near ASDA. > > >", "make sure that they are also close to my job > location at", "details or trivial information, that I want to give to help the readers", "> > I just slept in my room for two days straight, neither", "they are also close to my job > location at West Cliff road", "road near ASDA. > > > How should one determine at what point", "taken as boring and till what point will it help to give the", "which I can also write as, > > I just slept in my", "housing.com* for > houses for rent, mostly shared houses to share with other", "people, I > was bit scared to live all by myself, it would", "have no relevance to the overall plot? For e.g. same paragraph in my", "For e.g. same paragraph in my novel, > > I just slept in", "online for > houses for rent, mostly shared houses to share with other", "was on the first floor facing the sea*, for two days straight, neither", "ordeal. In those two days I shortlisted some 4-5 different houses > listed", "sure that they are also close to my job > location at West", "amount of trivial details or trivial information, that I want to give to", "> I just slept in my room no 13 which was on the", "to share with other people, I > was bit scared to live all", "it. I searched online for > houses for rent, mostly shared houses to", "that I want to give to help the readers visualize the scene but", "to my job > location at West Cliff road > > > which", "room for two days straight, neither did I wanted to > go out", "for rent, mostly shared houses to share with other people, I > was", "live all by myself, it would have been another > ordeal. In those", "paragraph in my novel, > > I just slept in my room for", "drama, how do I manage the amount of trivial details or trivial information,", "just slept in my room no 13 which was on the first floor", "> listed online, I had to make sure that they are also close", "are also close to my job > location at West Cliff road near", "my novel, > > I just slept in my room for two days", "wanted to > go out nor did I bothered myself to do it.", "is a drama, how do I manage the amount of trivial details or", "the scene but given the details have no relevance to the overall plot?", "manage the amount of trivial details or trivial information, that I want to", "details have no relevance to the overall plot? For e.g. same paragraph in", "> houses for rent, mostly shared houses to share with other people, I", "floor facing the sea, for two days straight, neither did I wanted to", "bit scared to live all by myself, it would have been another >", "facing the sea, for two days straight, neither did I wanted to >", "the sea, for two days straight, neither did I wanted to > go", "as boring and till what point will it help to give the picture", "to do it. I searched online for > houses for rent, mostly shared", "> was bit scared to live all by myself, it would have been", "mostly shared houses to share with other people, students or professionals, I >", "gumtree and housing.com* for > houses for rent, mostly shared houses to share", "did I bothered myself to do it. I searched online on different *websites", "boring and till what point will it help to give the picture of", "write as, > > I just slept in my room no 13 which", "houses to share with other people, students or professionals, I > was bit", "or trivial information, that I want to give to help the readers visualize", "different houses > listed online, I had to make sure that they are", "online, I had to make sure that they are also close to my", "road > > > which I can also write as, > > I", "do it. I searched online for > houses for rent, mostly shared houses", "some 4-5 different houses > listed online, I had to make sure that", "been another > ordeal. In those two days I shortlisted some 4-5 different", "information will be taken as boring and till what point will it help", "to make sure that they are also close to my job > location", "visualize the scene but given the details have no relevance to the overall", "rent, mostly shared houses to share with other people, students or professionals, I", "would have been another > ordeal. In those two days I shortlisted some", "share with other people, students or professionals, I > was bit scared to", "share with other people, I > was bit scared to live all by", "all by myself, it would have been another > ordeal. In those two", "with other people, I > was bit scared to live all by myself,", "will be taken as boring and till what point will it help to", "location at West Cliff road near ASDA. > > > How should one", "two days straight, neither did I wanted to > go out nor did", "for rent, mostly shared houses to share with other people, students or professionals,", "and till what point will it help to give the picture of the", "close to my job > location at West Cliff road near ASDA. >", "> ordeal. In those two days I shortlisted some 4-5 different houses >", "can also write as, > > I just slept in my room no", "relevance to the overall plot? For e.g. same paragraph in my novel, >", "which was on the first floor facing the sea, for two days straight,", "shortlisted some 4-5 different houses > listed online, I had to make sure", "help the readers visualize the scene but given the details have no relevance", "just slept in my room for two days straight, neither did I wanted", "Cliff road > > > which I can also write as, > >", "In those two days I shortlisted some 4-5 different houses > listed online,", "which is a drama, how do I manage the amount of trivial details", "those two days I shortlisted some 4-5 different houses > listed online, I", "had to make sure that they are also close to my job >", "I just slept in my room for two days straight, neither did I", "to help the readers visualize the scene but given the details have no", "4-5 different houses > listed online, I had to make sure that they", "houses > listed online, I had to make sure that they are also", "the first floor facing the sea, for two days straight, neither did I", "to share with other people, students or professionals, I > was bit scared", "scared to live all by myself, it would have been another > ordeal.", "same paragraph in my novel, > > I just slept in my room", "given the details have no relevance to the overall plot? For e.g. same", "to the overall plot? For e.g. same paragraph in my novel, > >", "to > go out nor did I bothered myself to do it. I", "> location at West Cliff road > > > which I can also", "How should one determine at what point the information will be taken as", "the details have no relevance to the overall plot? For e.g. same paragraph", "straight, neither did I wanted to > go out nor did I bothered", "I manage the amount of trivial details or trivial information, that I want", "I wanted to > go out nor did I bothered myself to do", "I searched online on different websites like gumtree and housing.com for > houses", "I can also write as, > > I just slept in my room", "be taken as boring and till what point will it help to give", "bothered myself to do it. I searched online for > houses for rent,", "of trivial details or trivial information, that I want to give to help", "give to help the readers visualize the scene but given the details have", "have been another > ordeal. In those two days I shortlisted some 4-5", "first floor facing the sea, for two days straight, neither did I wanted", "students or professionals, I > was bit scared to live all by myself,", "mostly shared houses to share with other people, I > was bit scared", "> How should one determine at what point the information will be taken", "the information will be taken as boring and till what point will it", "and housing.com* for > houses for rent, mostly shared houses to share with", "> > > How should one determine at what point the information will", "houses for rent, mostly shared houses to share with other people, students or", "I bothered myself to do it. I searched online for > houses for", "novel, which is a drama, how do I manage the amount of trivial", "other people, students or professionals, I > was bit scared to live all", "that they are also close to my job > location at West Cliff", "bothered myself to do it. I searched online on different *websites like gumtree", "with other people, students or professionals, I > was bit scared to live", "by myself, it would have been another > ordeal. In those two days", "writing a novel, which is a drama, how do I manage the amount", "professionals, I > was bit scared to live all by myself, it would", "nor did I bothered myself to do it. I searched online on different", "> houses for rent, mostly shared houses to share with other people, students", "out nor did I bothered myself to do it. I searched online on", "do it. I searched online on different websites like gumtree and housing.com for", "it would have been another > ordeal. In those two days I shortlisted", "the overall plot? For e.g. same paragraph in my novel, > > I", "how do I manage the amount of trivial details or trivial information, that", "to live all by myself, it would have been another > ordeal. In", "> > which I can also write as, > > I just slept", "job > location at West Cliff road > > > which I can", "the amount of trivial details or trivial information, that I want to give", "scene but given the details have no relevance to the overall plot? For", "information, that I want to give to help the readers visualize the scene", "plot? For e.g. same paragraph in my novel, > > I just slept", "on the first floor facing the sea, for two days straight, neither did", "room no 13 which was on the first floor facing the sea, for", "I just slept in my room no 13 which was on the first", "my room for two days straight, neither did I wanted to > go", "houses for rent, mostly shared houses to share with other people, I >", "as, > > I just slept in my room no 13 which was", "people, students or professionals, I > was bit scared to live all by", "no 13 which was on the first floor facing the sea, for two", "13 which was on the first floor facing the sea, for two days", "in my novel, > > I just slept in my room for two", "was bit scared to live all by myself, it would have been another", "on different websites like gumtree and housing.com for > houses for rent, mostly", "location at West Cliff road > > > which I can also write", "> location at West Cliff road near ASDA. > > > How should", "what point the information will be taken as boring and till what point", "my room no 13 which was on the first floor facing the sea,", "I searched online for > houses for rent, mostly shared houses to share", "rent, mostly shared houses to share with other people, I > was bit", "readers visualize the scene but given the details have no relevance to the", "neither did I wanted to > go out nor did I bothered myself", "slept in my room no 13 which was on the first floor facing", "close to my job > location at West Cliff road > > >", "I shortlisted some 4-5 different houses > listed online, I had to make", "> > I just slept in my room no 13 which was on", "determine at what point the information will be taken as boring and till", "listed online, I had to make sure that they are also close to", "shared houses to share with other people, I > was bit scared to", "in my room no 13 which was on the first floor facing the", "online on different websites like gumtree and housing.com* for > houses for rent,", "to my job > location at West Cliff *road near ASDA. > >", "ASDA. > > > How should one determine at what point the information", "also close to my job > location at West Cliff road > >", "different websites like gumtree and housing.com for > houses for rent, mostly shared", "go out nor did I bothered myself to do it. I searched online", "I had to make sure that they are also close to my job", "Cliff road near ASDA. > > > How should one determine at what", "for > houses for rent, mostly shared houses to share with other people,", "at what point the information will be taken as boring and till what", "till what point will it help to give the picture of the scene?", "want to give to help the readers visualize the scene but given the", "a drama, how do I manage the amount of trivial details or trivial", "> which I can also write as, > > I just slept in", "While writing a novel, which is a drama, how do I manage the", "no relevance to the overall plot? For e.g. same paragraph in my novel,", "do I manage the amount of trivial details or trivial information, that I", "myself to do it. I searched online on different websites like gumtree and", "searched online on different websites like gumtree and housing.com* for > houses for" ]
[ "Now the story is being updated to replace one of the male characters", "men. Throughout the story they were often referred to as the 4 men.", "a story that once had a group of 4 men. Throughout the story", "were often referred to as the 4 men. Now the story is being", "\"The 4 men ran across the bridge.\" While all characters are friends I", "I am rewriting a story that once had a group of 4 men.", "male characters with a female. Now that the group is not all men,", "the male characters with a female. Now that the group is not all", "don't think I want to refer to them as \"the four friends.\" Using", "above sample sentence as a guide you can see what I mean: \"The", "one women in the group I'm not sure I like the following reference", "the above sample sentence as a guide you can see what I mean:", "to them in various places as \"the men\". For example: \"The 4 men", "the story they were often referred to as the 4 men. Now the", "like the following reference either: \"The 4 men and woman ran across the", "as \"the men\". For example: \"The 4 men ran across the bridge.\" While", "continue referring to them in various places as \"the men\". For example: \"The", "sample sentence as a guide you can see what I mean: \"The 4", "ran across the bridge.\" I'm looking for some common solution to this reference", "men. Now the story is being updated to replace one of the male", "refer to them as \"the four friends.\" Using the above sample sentence as", "4 men ran across the bridge.\" While all characters are friends I don't", "men\". For example: \"The 4 men ran across the bridge.\" While all characters", "bridge.\" Since there is only one women in the group I'm not sure", "to refer to them as \"the four friends.\" Using the above sample sentence", "is only one women in the group I'm not sure I like the", "sure I like the following reference either: \"The 4 men and woman ran", "I'm looking for some common solution to this reference problem. Any suggestions would", "either: \"The 4 men and woman ran across the bridge.\" I'm looking for", "of the male characters with a female. Now that the group is not", "Now that the group is not all men, it does not seem proper", "the bridge.\" While all characters are friends I don't think I want to", "for some common solution to this reference problem. Any suggestions would be appreciated.", "four friends.\" Using the above sample sentence as a guide you can see", "\"The 4 friends ran across the bridge.\" Since there is only one women", "the bridge.\" Since there is only one women in the group I'm not", "one of the male characters with a female. Now that the group is", "with a female. Now that the group is not all men, it does", "a female. Now that the group is not all men, it does not", "story is being updated to replace one of the male characters with a", "female. Now that the group is not all men, it does not seem", "characters are friends I don't think I want to refer to them as", "there is only one women in the group I'm not sure I like", "the bridge.\" I'm looking for some common solution to this reference problem. Any", "woman ran across the bridge.\" I'm looking for some common solution to this", "women in the group I'm not sure I like the following reference either:", "often referred to as the 4 men. Now the story is being updated", "rewriting a story that once had a group of 4 men. Throughout the", "group is not all men, it does not seem proper to continue referring", "in various places as \"the men\". For example: \"The 4 men ran across", "they were often referred to as the 4 men. Now the story is", "guide you can see what I mean: \"The 4 friends ran across the", "4 men. Throughout the story they were often referred to as the 4", "I like the following reference either: \"The 4 men and woman ran across", "them in various places as \"the men\". For example: \"The 4 men ran", "as the 4 men. Now the story is being updated to replace one", "men, it does not seem proper to continue referring to them in various", "being updated to replace one of the male characters with a female. Now", "While all characters are friends I don't think I want to refer to", "Throughout the story they were often referred to as the 4 men. Now", "various places as \"the men\". For example: \"The 4 men ran across the", "men and woman ran across the bridge.\" I'm looking for some common solution", "think I want to refer to them as \"the four friends.\" Using the", "I want to refer to them as \"the four friends.\" Using the above", "referring to them in various places as \"the men\". For example: \"The 4", "\"the men\". For example: \"The 4 men ran across the bridge.\" While all", "that once had a group of 4 men. Throughout the story they were", "am rewriting a story that once had a group of 4 men. Throughout", "characters with a female. Now that the group is not all men, it", "to replace one of the male characters with a female. Now that the", "all characters are friends I don't think I want to refer to them", "replace one of the male characters with a female. Now that the group", "mean: \"The 4 friends ran across the bridge.\" Since there is only one", "are friends I don't think I want to refer to them as \"the", "4 men. Now the story is being updated to replace one of the", "some common solution to this reference problem. Any suggestions would be appreciated. Thanks", "not all men, it does not seem proper to continue referring to them", "to them as \"the four friends.\" Using the above sample sentence as a", "as a guide you can see what I mean: \"The 4 friends ran", "to continue referring to them in various places as \"the men\". For example:", "you can see what I mean: \"The 4 friends ran across the bridge.\"", "a group of 4 men. Throughout the story they were often referred to", "following reference either: \"The 4 men and woman ran across the bridge.\" I'm", "sentence as a guide you can see what I mean: \"The 4 friends", "only one women in the group I'm not sure I like the following", "4 men and woman ran across the bridge.\" I'm looking for some common", "\"The 4 men and woman ran across the bridge.\" I'm looking for some", "group of 4 men. Throughout the story they were often referred to as", "that the group is not all men, it does not seem proper to", "bridge.\" I'm looking for some common solution to this reference problem. Any suggestions", "I'm not sure I like the following reference either: \"The 4 men and", "places as \"the men\". For example: \"The 4 men ran across the bridge.\"", "does not seem proper to continue referring to them in various places as", "group I'm not sure I like the following reference either: \"The 4 men", "solution to this reference problem. Any suggestions would be appreciated. Thanks in advance.", "ran across the bridge.\" Since there is only one women in the group", "4 friends ran across the bridge.\" Since there is only one women in", "referred to as the 4 men. Now the story is being updated to", "bridge.\" While all characters are friends I don't think I want to refer", "them as \"the four friends.\" Using the above sample sentence as a guide", "seem proper to continue referring to them in various places as \"the men\".", "ran across the bridge.\" While all characters are friends I don't think I", "updated to replace one of the male characters with a female. Now that", "friends.\" Using the above sample sentence as a guide you can see what", "across the bridge.\" I'm looking for some common solution to this reference problem.", "the story is being updated to replace one of the male characters with", "in the group I'm not sure I like the following reference either: \"The", "friends ran across the bridge.\" Since there is only one women in the", "a guide you can see what I mean: \"The 4 friends ran across", "friends I don't think I want to refer to them as \"the four", "the 4 men. Now the story is being updated to replace one of", "Since there is only one women in the group I'm not sure I", "had a group of 4 men. Throughout the story they were often referred", "of 4 men. Throughout the story they were often referred to as the", "what I mean: \"The 4 friends ran across the bridge.\" Since there is", "reference either: \"The 4 men and woman ran across the bridge.\" I'm looking", "and woman ran across the bridge.\" I'm looking for some common solution to", "across the bridge.\" Since there is only one women in the group I'm", "men ran across the bridge.\" While all characters are friends I don't think", "I don't think I want to refer to them as \"the four friends.\"", "want to refer to them as \"the four friends.\" Using the above sample", "as \"the four friends.\" Using the above sample sentence as a guide you", "the following reference either: \"The 4 men and woman ran across the bridge.\"", "it does not seem proper to continue referring to them in various places", "Using the above sample sentence as a guide you can see what I", "For example: \"The 4 men ran across the bridge.\" While all characters are", "proper to continue referring to them in various places as \"the men\". For", "see what I mean: \"The 4 friends ran across the bridge.\" Since there", "can see what I mean: \"The 4 friends ran across the bridge.\" Since", "example: \"The 4 men ran across the bridge.\" While all characters are friends", "common solution to this reference problem. Any suggestions would be appreciated. Thanks in", "\"the four friends.\" Using the above sample sentence as a guide you can", "to as the 4 men. Now the story is being updated to replace", "is being updated to replace one of the male characters with a female.", "the group is not all men, it does not seem proper to continue", "the group I'm not sure I like the following reference either: \"The 4", "story they were often referred to as the 4 men. Now the story", "not seem proper to continue referring to them in various places as \"the", "story that once had a group of 4 men. Throughout the story they", "is not all men, it does not seem proper to continue referring to", "across the bridge.\" While all characters are friends I don't think I want", "I mean: \"The 4 friends ran across the bridge.\" Since there is only", "all men, it does not seem proper to continue referring to them in", "once had a group of 4 men. Throughout the story they were often", "not sure I like the following reference either: \"The 4 men and woman", "looking for some common solution to this reference problem. Any suggestions would be" ]
[ "that Savhhyn designed. > Dr.Zhunv never spoke in much detail only the top", "but most > importantly the major change was needed to bring about in", "two different ways to present information. For an e.g., I can write the", "discussed by him. It was > now Riwhurzs turn to give us the", "facing two different ways to present information. For an e.g., I can write", "new version of > Orbis was to be designed over the top of", "implementation bit easy, but most > importantly the major change was needed to", "a Dialogue; > > Dr Zhunv said*,\" MaxyXv, we will be employing some", "following two different ways, 1. As a Paragraph; > > Dr.Zhunv proceeded to", "the further briefing. The new version of > Orbis was to be designed", "will help me decide which style to use? Does it affect the reader", "most > importantly the major change was needed to bring about in the", "in much detail only the top level details about > the schedules, teams", "by him. > > > Riwhurz further clarified to the rest of the", "> details about the schedules, teams and market research were discussed > by", "appeal. I had > never bothered myself with the technical details and my", "said,\" MaxyXv, we will be employing some > additional 5 servers as the", "had > never bothered myself with the technical details and my work largely", "in the game > play design.\" > > > So, given that the", "Dr.Zhunv proceeded to tell MaxyXv that they will be employing some > additional", "about in the game > play design.\"* > > > So, given that", "teams and market research were discussed > by him. > > > Riwhurz", "gamers as well as that we needed increased graphics appeal. I had >", "MaxyXv that they will be employing some > additional 5 servers as the", "spoke in much detail only the top level > details about the schedules,", "increased graphics appeal. I had > never bothered myself with the technical details", "would like you all to > remember that, the new version of >", "by the graphics that Savhhyn designed. > Dr.Zhunv never spoke in much detail", "was > now Riwhurzs turn to give us the further briefing. The new", "him. It was > now Riwhurzs turn to give us the further briefing.", "> 2. As a Dialogue; > > Dr Zhunv said*,\" MaxyXv, we will", "> play design.\"* > > > So, given that the information presented is", "Paragraph; > > Dr.Zhunv proceeded to tell MaxyXv that they will be employing", "schedules, teams and market research were discussed by him. It was > now", "market research were discussed > by him. > > > Riwhurz further clarified", "bothered myself with the technical details and my work largely > influenced and", "Orbis was to be designed over the top of the previous game engine,", "engine, > which made the technical part of implementation bit easy, but most", "play design.\"* > > > So, given that the information presented is practically", "> play design. > > > 2. As a Dialogue; > > Dr", "had predicted increase in > gamers as well as that we needed increased", "importantly the major change was needed to bring about in the game >", "> > > Riwhurz further clarified to the rest of the team*, \"I", "increase in > gamers as well as that we needed increased graphics appeal.\"", "past, I am facing two different ways to present information. For an e.g.,", "> > 2. As a Dialogue;* > > Dr Zhunv said,\" MaxyXv, we", "major change was needed to bring about in the game > play design.\"", "will be employing some > additional 5 servers as the market research had", "> I had never bothered myself with the technical details and my work", "of the previous game engine, > which made the technical part of implementation", "like you all to > remember that, the new version of > Orbis", "> So, given that the information presented is practically the same. What are", "designed. > Dr.Zhunv never spoke in much detail only the top level details", "we needed increased graphics appeal.\" > > > I had never bothered myself", "Riwhurz further clarified to the rest of the team, \"I would like you", "ways to present information. For an e.g., I can write the story in", "and got influenced by the graphics that Savhhyn designed. > Dr.Zhunv never spoke", "servers as the market research had predicted increase in > gamers as well", "that we needed increased graphics appeal. I had > never bothered myself with", "by him. It was > now Riwhurzs turn to give us the further", "practically the same. What are the parameters while writing that will help me", "is a story told of what happened in the past, I am facing", "> Dr.Zhunv proceeded to tell MaxyXv that they will be employing some >", "largely > influenced and got influenced by the graphics that Savhhyn designed. >", "easy, but most > importantly the major change was needed to bring about", "to give us the further briefing. The new version of > Orbis was", "the technical details and my work > largely influenced and got influenced by", "> > Riwhurz further clarified to the rest of the team, \"I would", "needed to bring about in the game > play design.\" > > >", "to present information. For an e.g., I can write the story in the", "never bothered myself with the technical details and my work > largely influenced", "technical details and my work largely > influenced and got influenced by the", "part of implementation bit easy, but most > importantly the major change was", "in > gamers as well as that we needed increased graphics appeal.\" >", "design.\" > > > So, given that the information presented is practically the", "much detail only the top level details about > the schedules, teams and", "present information. For an e.g., I can write the story in the following", "> > So, given that the information presented is practically the same. What", "over the top of the previous game engine, > which made the technical", "the top of the previous game engine, > which made the technical part", "> > I had never bothered myself with the technical details and my", "Orbis will be designed over the top of the previous game engine, >", "What are the parameters while writing that will help me decide which style", "presented is practically the same. What are the parameters while writing that will", "that Savhhyn > designed. Dr.Zhunv never spoke in much detail only the top", "of > Orbis was to be designed over the top of the previous", "the top level > details about the schedules, teams and market research were", "further briefing. The new version of > Orbis was to be designed over", "my work largely > influenced and got influenced by the graphics that Savhhyn", "the technical part of implementation bit easy, but most > importantly the major", "influenced and got influenced by the graphics that Savhhyn designed. > Dr.Zhunv never", "much detail only the top level > details about the schedules, teams and", "parameters while writing that will help me decide which style to use? Does", "remember that, the new version of > Orbis will be designed over the", "> which made the technical part of implementation bit easy, but most >", "the game > play design.\"* > > > So, given that the information", "> > > So, given that the information presented is practically the same.", "the following two different ways, 1. As a Paragraph; > > Dr.Zhunv proceeded", "myself with the technical details and my work largely > influenced and got", "in the following two different ways, 1. As a Paragraph; > > Dr.Zhunv", "was needed to bring about in the game > play design. > >", "that the information presented is practically the same. What are the parameters while", "and market research were discussed > by him. > > > Riwhurz further", "the top level details about > the schedules, teams and market research were", "bit easy, but most > importantly the major change was needed to bring", "the previous game engine, > which made the technical part of implementation bit", "while writing that will help me decide which style to use? Does it", "For an e.g., I can write the story in the following two different", "work > largely influenced and got influenced by the graphics that Savhhyn >", "Dr.Zhunv never spoke in much detail only the top level details about >", "got influenced by the graphics that Savhhyn designed. > Dr.Zhunv never spoke in", "about in the game > play design. > > > 2. As a", "to the rest of the team*, \"I would like you all to >", "to tell MaxyXv that they will be employing some > additional 5 servers", "previous game engine, > which made the technical part of implementation bit easy,", "Dr.Zhunv never spoke in much detail only the top level > details about", "and got influenced by the graphics that Savhhyn > designed. Dr.Zhunv never spoke", "> Orbis will be designed over the top of the previous game engine,", "the parameters while writing that will help me decide which style to use?", "as well as that we needed increased graphics appeal. I had > never", "we needed increased graphics appeal. I had > never bothered myself with the", "rest of the team*, \"I would like you all to > remember that,", "were discussed > by him. > > > Riwhurz further clarified to the", "the same. What are the parameters while writing that will help me decide", "different ways, 1. As a Paragraph; > > Dr.Zhunv proceeded to tell MaxyXv", "give us the further briefing. The new version of > Orbis was to", "1. As a Paragraph; > > Dr.Zhunv proceeded to tell MaxyXv that they", "schedules, teams and market research were discussed > by him. > > >", "technical details and my work > largely influenced and got influenced by the", "> by him. > > > Riwhurz further clarified to the rest of", "2. As a Dialogue; > > Dr Zhunv said,\" MaxyXv, we will be", "we will be employing some > additional 5 servers as the market research", "the major change was needed to bring about in the game > play", "graphics appeal.\" > > > I had never bothered myself with the technical", "and my work > largely influenced and got influenced by the graphics that", "> Orbis was to be designed over the top of the previous game", "well as that we needed increased graphics appeal.\" > > > I had", "got influenced by the graphics that Savhhyn > designed. Dr.Zhunv never spoke in", "game > play design.\" > > > So, given that the information presented", "with the technical details and my work largely > influenced and got influenced", "well as that we needed increased graphics appeal. I had > never bothered", "team*, \"I would like you all to > remember that, the new version", "research were discussed > by him. > > > Riwhurz further clarified to", "version of > Orbis was to be designed over the top of the", "decide which style to use? Does it affect the reader in any ways?", "my work > largely influenced and got influenced by the graphics that Savhhyn", "designed. Dr.Zhunv never spoke in much detail only the top level > details", "of the team, \"I would like you all to > remember that, the", "as that we needed increased graphics appeal. I had > never bothered myself", "I had > never bothered myself with the technical details and my work", "story in the following two different ways, 1. As a Paragraph;* > >", "Savhhyn designed. > Dr.Zhunv never spoke in much detail only the top level", "design. > > > 2. As a Dialogue; > > Dr Zhunv said,\"", "the schedules, teams and market research were discussed > by him. > >", "the team*, \"I would like you all to > remember that, the new", "Riwhurzs turn to give us the further briefing. The new version of >", "write the story in the following two different ways, 1. As a Paragraph;", "given that the information presented is practically the same. What are the parameters", "details and my work largely > influenced and got influenced by the graphics", "you all to > remember that, the new version of > Orbis will", "in much detail only the top level > details about the schedules, teams", "influenced and got influenced by the graphics that Savhhyn > designed. Dr.Zhunv never", "an e.g., I can write the story in the following two different ways,", "predicted increase in > gamers as well as that we needed increased graphics", "same. What are the parameters while writing that will help me decide which", "as the market research had predicted increase in > gamers as well as", "bring about in the game > play design.\"* > > > So, given", "detail only the top level details about > the schedules, teams and market", "needed increased graphics appeal.\" > > > I had never bothered myself with", "in > gamers as well as that we needed increased graphics appeal. I", "top level details about > the schedules, teams and market research were discussed", "ways, 1. As a Paragraph;* > > Dr.Zhunv proceeded to tell MaxyXv that", "> additional 5 servers as the market research had predicted increase in >", "work largely > influenced and got influenced by the graphics that Savhhyn designed.", "level details about > the schedules, teams and market research were discussed by", "> never bothered myself with the technical details and my work largely >", "> influenced and got influenced by the graphics that Savhhyn designed. > Dr.Zhunv", "all to > remember that, the new version of > Orbis will be", "Dialogue; > > Dr Zhunv said*,\" MaxyXv, we will be employing some >", "I am facing two different ways to present information. For an e.g., I", "change was needed to bring about in the game > play design.\"* >", "e.g., I can write the story in the following two different ways, 1.", "needed to bring about in the game > play design. > > >", "with the technical details and my work > largely influenced and got influenced", "> importantly the major change was needed to bring about in the game", "of what happened in the past, I am facing two different ways to", "As a Dialogue; > > Dr Zhunv said,\" MaxyXv, we will be employing", "in the game > play design. > > > 2. As a Dialogue;", "to bring about in the game > play design.\" > > > So,", "was needed to bring about in the game > play design.\"* > >", "spoke in much detail only the top level details about > the schedules,", "> largely influenced and got influenced by the graphics that Savhhyn > designed.", "of > Orbis will be designed over the top of the previous game", "the game > play design. > > > 2. As a Dialogue; >", "detail only the top level > details about the schedules, teams and market", "two different ways, 1. As a Paragraph; > > Dr.Zhunv proceeded to tell", "a story told of what happened in the past, I am facing two", "increase in > gamers as well as that we needed increased graphics appeal.", "the past, I am facing two different ways to present information. For an", "to > remember that, the new version of > Orbis will be designed", "employing some > additional 5 servers as the market research had predicted increase", "Dr Zhunv said,\" MaxyXv, we will be employing some > additional 5 servers", "him. > > > Riwhurz further clarified to the rest of the team,", "appeal.\" > > > I had never bothered myself with the technical details", "am facing two different ways to present information. For an e.g., I can", "As a Paragraph; > > Dr.Zhunv proceeded to tell MaxyXv that they will", "writing that will help me decide which style to use? Does it affect", "only the top level details about > the schedules, teams and market research", "major change was needed to bring about in the game > play design.", "bothered myself with the technical details and my work > largely influenced and", "is practically the same. What are the parameters while writing that will help", "> gamers as well as that we needed increased graphics appeal. I had", "research were discussed by him. It was > now Riwhurzs turn to give", "change was needed to bring about in the game > play design. >", "the market research had predicted increase in > gamers as well as that", "clarified to the rest of the team, \"I would like you all to", "of implementation bit easy, but most > importantly the major change was needed", "information presented is practically the same. What are the parameters while writing that", "increased graphics appeal.\" > > > I had never bothered myself with the", "never spoke in much detail only the top level > details about the", "needed increased graphics appeal. I had > never bothered myself with the technical", "now Riwhurzs turn to give us the further briefing. The new version of", "new version of > Orbis will be designed over the top of the", "the schedules, teams and market research were discussed by him. It was >", "graphics that Savhhyn > designed. Dr.Zhunv never spoke in much detail only the", "play design. > > > 2. As a Dialogue; > > *Dr Zhunv", "be designed over the top of the previous game engine, > which made", "myself with the technical details and my work > largely influenced and got", "the technical details and my work largely > influenced and got influenced by", "different ways to present information. For an e.g., I can write the story", "never bothered myself with the technical details and my work largely > influenced", "additional 5 servers as the market research had predicted increase in > gamers", "happened in the past, I am facing two different ways to present information.", "> the schedules, teams and market research were discussed by him. It was", "made the technical part of implementation bit easy, but most > importantly the", "that will help me decide which style to use? Does it affect the", "tell MaxyXv that they will be employing some > additional 5 servers as", "help me decide which style to use? Does it affect the reader in", "and market research were discussed by him. It was > now Riwhurzs turn", "MaxyXv, we will be employing some > additional 5 servers as the market", "game > play design. > > > 2. As a Dialogue; > >", "were discussed by him. It was > now Riwhurzs turn to give us", "us the further briefing. The new version of > Orbis was to be", "> designed. Dr.Zhunv never spoke in much detail only the top level >", "market research had predicted increase in > gamers as well as that we", "the graphics that Savhhyn designed. > Dr.Zhunv never spoke in much detail only", "writing a novel which is a story told of what happened in the", "It was > now Riwhurzs turn to give us the further briefing. The", "I had never bothered myself with the technical details and my work >", "information. For an e.g., I can write the story in the following two", "research had predicted increase in > gamers as well as that we needed", "me decide which style to use? Does it affect the reader in any", "> now Riwhurzs turn to give us the further briefing. The new version", "> Dr.Zhunv never spoke in much detail only the top level details about", "> > Dr Zhunv said,\" MaxyXv, we will be employing some > additional", "market research were discussed by him. It was > now Riwhurzs turn to", "a novel which is a story told of what happened in the past,", "are the parameters while writing that will help me decide which style to", "details about the schedules, teams and market research were discussed > by him.", "about the schedules, teams and market research were discussed > by him. >", "discussed > by him. > > > Riwhurz further clarified to the rest", "story told of what happened in the past, I am facing two different", "graphics appeal. I had > never bothered myself with the technical details and", "> > > 2. As a Dialogue;* > > Dr Zhunv said,\" MaxyXv,", "the rest of the team, \"I would like you all to > remember", "never spoke in much detail only the top level details about > the", "by the graphics that Savhhyn > designed. Dr.Zhunv never spoke in much detail", "> > > I had never bothered myself with the technical details and", "be employing some > additional 5 servers as the market research had predicted", "graphics that Savhhyn designed. > Dr.Zhunv never spoke in much detail only the", "> Dr Zhunv said,\" MaxyXv, we will be employing some > additional 5", "details about > the schedules, teams and market research were discussed by him.", "as well as that we needed increased graphics appeal.\" > > > I", "which made the technical part of implementation bit easy, but most > importantly", "that they will be employing some > additional 5 servers as the market", "the graphics that Savhhyn > designed. Dr.Zhunv never spoke in much detail only", "the information presented is practically the same. What are the parameters while writing", "> Riwhurz further clarified to the rest of the team, \"I would like", "will be designed over the top of the previous game engine, > which", "what happened in the past, I am facing two different ways to present", "briefing. The new version of > Orbis was to be designed over the", "So, given that the information presented is practically the same. What are the", "While writing a novel which is a story told of what happened in", "had never bothered myself with the technical details and my work > largely", "> remember that, the new version of > Orbis will be designed over", "some > additional 5 servers as the market research had predicted increase in", "to be designed over the top of the previous game engine, > which", "a Paragraph;* > > Dr.Zhunv proceeded to tell MaxyXv that they will be", "as that we needed increased graphics appeal.\" > > > I had never", "influenced by the graphics that Savhhyn designed. > Dr.Zhunv never spoke in much", "largely influenced and got influenced by the graphics that Savhhyn > designed. Dr.Zhunv", "told of what happened in the past, I am facing two different ways", "that we needed increased graphics appeal.\" > > > I had never bothered", "top level > details about the schedules, teams and market research were discussed", "teams and market research were discussed by him. It was > now Riwhurzs", "game engine, > which made the technical part of implementation bit easy, but", "which is a story told of what happened in the past, I am", "\"I would like you all to > remember that, the new version of", "that, the new version of > Orbis will be designed over the top", "top of the previous game engine, > which made the technical part of", "the new version of > Orbis will be designed over the top of", "5 servers as the market research had predicted increase in > gamers as", "turn to give us the further briefing. The new version of > Orbis", "technical part of implementation bit easy, but most > importantly the major change", "to bring about in the game > play design. > > > 2.", "can write the story in the following two different ways, 1. As a", "proceeded to tell MaxyXv that they will be employing some > additional 5", "Savhhyn > designed. Dr.Zhunv never spoke in much detail only the top level", "designed over the top of the previous game engine, > which made the", "gamers as well as that we needed increased graphics appeal.\" > > >", "only the top level > details about the schedules, teams and market research", "the story in the following two different ways, 1. As a Paragraph; >", "details and my work > largely influenced and got influenced by the graphics", "bring about in the game > play design. > > > 2. As", "version of > Orbis will be designed over the top of the previous", "I can write the story in the following two different ways, 1. As", "level > details about the schedules, teams and market research were discussed >", "about > the schedules, teams and market research were discussed by him. It", "> gamers as well as that we needed increased graphics appeal.\" > >", "further clarified to the rest of the team, \"I would like you all", "novel which is a story told of what happened in the past, I", "Zhunv said*,\" MaxyXv, we will be employing some > additional 5 servers as", "and my work largely > influenced and got influenced by the graphics that", "was to be designed over the top of the previous game engine, >", "influenced by the graphics that Savhhyn > designed. Dr.Zhunv never spoke in much", "they will be employing some > additional 5 servers as the market research", "> > Dr.Zhunv proceeded to tell MaxyXv that they will be employing some", "The new version of > Orbis was to be designed over the top", "in the past, I am facing two different ways to present information. For" ]
[ "own the rights to my work). I'm purely interested in the chances of", "in a short story collection later on? I don't expect any issues with", "so I'm planning to publish it to my personal site. Is this going", "want to make it available to more people, so I'm planning to publish", "rights to my work). I'm purely interested in the chances of publishing that", "my work). I'm purely interested in the chances of publishing that story again.", "on? I don't expect any issues with the place the story was previously", "a story published in print with limited circulation. From what I can tell,", "like this story and I want to make it available to more people,", "to publish it to my personal site. Is this going to be a", "the place the story was previously published (e.g. period of exclusivity has expired", "tell, my first publication rights are spent. I like this story and I", "I want to make it available to more people, so I'm planning to", "of exclusivity has expired and I still own the rights to my work).", "story published in print with limited circulation. From what I can tell, my", "Is this going to be a problem if I want to sell the", "planning to publish it to my personal site. Is this going to be", "period of exclusivity has expired and I still own the rights to my", "to be a problem if I want to sell the story as a", "this story and I want to make it available to more people, so", "the story as a reprint or include it in a short story collection", "if I want to sell the story as a reprint or include it", "can tell, my first publication rights are spent. I like this story and", "short story collection later on? I don't expect any issues with the place", "are spent. I like this story and I want to make it available", "site. Is this going to be a problem if I want to sell", "story as a reprint or include it in a short story collection later", "any issues with the place the story was previously published (e.g. period of", "to more people, so I'm planning to publish it to my personal site.", "to my personal site. Is this going to be a problem if I", "expired and I still own the rights to my work). I'm purely interested", "available to more people, so I'm planning to publish it to my personal", "(e.g. period of exclusivity has expired and I still own the rights to", "was previously published (e.g. period of exclusivity has expired and I still own", "published in print with limited circulation. From what I can tell, my first", "still own the rights to my work). I'm purely interested in the chances", "be a problem if I want to sell the story as a reprint", "want to sell the story as a reprint or include it in a", "make it available to more people, so I'm planning to publish it to", "collection later on? I don't expect any issues with the place the story", "a short story collection later on? I don't expect any issues with the", "spent. I like this story and I want to make it available to", "I still own the rights to my work). I'm purely interested in the", "with limited circulation. From what I can tell, my first publication rights are", "published (e.g. period of exclusivity has expired and I still own the rights", "to sell the story as a reprint or include it in a short", "it in a short story collection later on? I don't expect any issues", "as a reprint or include it in a short story collection later on?", "story was previously published (e.g. period of exclusivity has expired and I still", "in print with limited circulation. From what I can tell, my first publication", "later on? I don't expect any issues with the place the story was", "don't expect any issues with the place the story was previously published (e.g.", "I want to sell the story as a reprint or include it in", "to my work). I'm purely interested in the chances of publishing that story", "From what I can tell, my first publication rights are spent. I like", "this going to be a problem if I want to sell the story", "and I want to make it available to more people, so I'm planning", "or include it in a short story collection later on? I don't expect", "with the place the story was previously published (e.g. period of exclusivity has", "first publication rights are spent. I like this story and I want to", "people, so I'm planning to publish it to my personal site. Is this", "more people, so I'm planning to publish it to my personal site. Is", "my first publication rights are spent. I like this story and I want", "I've got a story published in print with limited circulation. From what I", "a reprint or include it in a short story collection later on? I", "what I can tell, my first publication rights are spent. I like this", "publish it to my personal site. Is this going to be a problem", "going to be a problem if I want to sell the story as", "print with limited circulation. From what I can tell, my first publication rights", "story and I want to make it available to more people, so I'm", "I'm planning to publish it to my personal site. Is this going to", "limited circulation. From what I can tell, my first publication rights are spent.", "has expired and I still own the rights to my work). I'm purely", "the story was previously published (e.g. period of exclusivity has expired and I", "personal site. Is this going to be a problem if I want to", "and I still own the rights to my work). I'm purely interested in", "exclusivity has expired and I still own the rights to my work). I'm", "publication rights are spent. I like this story and I want to make", "to make it available to more people, so I'm planning to publish it", "a problem if I want to sell the story as a reprint or", "problem if I want to sell the story as a reprint or include", "I don't expect any issues with the place the story was previously published", "previously published (e.g. period of exclusivity has expired and I still own the", "got a story published in print with limited circulation. From what I can", "it to my personal site. Is this going to be a problem if", "issues with the place the story was previously published (e.g. period of exclusivity", "place the story was previously published (e.g. period of exclusivity has expired and", "include it in a short story collection later on? I don't expect any", "sell the story as a reprint or include it in a short story", "circulation. From what I can tell, my first publication rights are spent. I", "story collection later on? I don't expect any issues with the place the", "it available to more people, so I'm planning to publish it to my", "rights are spent. I like this story and I want to make it", "my personal site. Is this going to be a problem if I want", "I can tell, my first publication rights are spent. I like this story", "expect any issues with the place the story was previously published (e.g. period", "reprint or include it in a short story collection later on? I don't", "the rights to my work). I'm purely interested in the chances of publishing", "I like this story and I want to make it available to more" ]
[ "one more focused on human elements. I point this out in case it", "into a pair of books so as to increase the chances of being", "that's longer than the Fellowship of the Ring in its completed form. Publishers", "in its completed form. Publishers only have so much tolerance for epics written", "short, don't try to pad it out, and if it's long... unless there's", "out, it's long for a reason. That being said, I'm writing a debut", "said, I'm writing a debut novel which ~3/4 of the way in is", "novel which ~3/4 of the way in is pushing about 170,000 words. No", "book is a fantasy novel at its core, albeit one more focused on", "a reason. That being said, I'm writing a debut novel which ~3/4 of", "much as it may be 'as long as it needs to be', it's", "difficult as all heck to market a debut novel that's longer than the", "reason. That being said, I'm writing a debut novel which ~3/4 of the", "Fellowship of the Ring in its completed form. Publishers only have so much", "of the way in is pushing about 170,000 words. No doubt part of", "chaff to cut out, so for the sake of argument, let's say it", "as is most likely due to my status as a debut author, make", "as long as they need to be; if it turns out short, don't", "to my status as a debut author, make them dismiss the work as", "which ~3/4 of the way in is pushing about 170,000 words. No doubt", "work as trash. What answer, if any, is there to this predicament? Edit:", "a debut novel which ~3/4 of the way in is pushing about 170,000", "as trash. What answer, if any, is there to this predicament? Edit: This", "dismiss the work as trash. What answer, if any, is there to this", "the sake of argument, let's say it can be reduced to 150,000 words", "doubt part of this is that there's plenty of chaff to cut out,", "tolerance for epics written by authors that have yet to prove themselves. Herein", "book into a pair of books so as to increase the chances of", "be', it's also going to be difficult as all heck to market a", "of argument, let's say it can be reduced to 150,000 words on a", "I'm a strong believer in books/novels being as long as they need to", "problems. After all, I structured a plot with a single arc, and a", "their seat and buy the next one immediately or, as is most likely", "a single arc, and a novel with only half an arc is either", "novel at its core, albeit one more focused on human elements. I point", "focused on human elements. I point this out in case it affects answers.", "authors that have yet to prove themselves. Herein lies the problem: I'm considering", "prove themselves. Herein lies the problem: I'm considering splitting the book into a", "long as they need to be; if it turns out short, don't try", "being said, I'm writing a debut novel which ~3/4 of the way in", "with a single arc, and a novel with only half an arc is", "a plot with a single arc, and a novel with only half an", "reader on the edge of their seat and buy the next one immediately", "debut novel that's longer than the Fellowship of the Ring in its completed", "its completed form. Publishers only have so much tolerance for epics written by", "albeit one more focused on human elements. I point this out in case", "This book is a fantasy novel at its core, albeit one more focused", "there's plenty of chaff to cut out, so for the sake of argument,", "publishable, but this course of action has its own problems. After all, I", "way in is pushing about 170,000 words. No doubt part of this is", "Edit: This book is a fantasy novel at its core, albeit one more", "try to pad it out, and if it's long... unless there's chaff to", "part of this is that there's plenty of chaff to cut out, so", "reduced to 150,000 words on a good day. As much as it may", "much tolerance for epics written by authors that have yet to prove themselves.", "Herein lies the problem: I'm considering splitting the book into a pair of", "an arc is either going to keep a reader on the edge of", "either going to keep a reader on the edge of their seat and", "to cut out, so for the sake of argument, let's say it can", "the next one immediately or, as is most likely due to my status", "as it may be 'as long as it needs to be', it's also", "for a reason. That being said, I'm writing a debut novel which ~3/4", "it may be 'as long as it needs to be', it's also going", "them dismiss the work as trash. What answer, if any, is there to", "debut novel which ~3/4 of the way in is pushing about 170,000 words.", "of chaff to cut out, so for the sake of argument, let's say", "epics written by authors that have yet to prove themselves. Herein lies the", "splitting the book into a pair of books so as to increase the", "increase the chances of being publishable, but this course of action has its", "answer, if any, is there to this predicament? Edit: This book is a", "of their seat and buy the next one immediately or, as is most", "a novel with only half an arc is either going to keep a", "arc is either going to keep a reader on the edge of their", "pad it out, and if it's long... unless there's chaff to cut out,", "to increase the chances of being publishable, but this course of action has", "it's also going to be difficult as all heck to market a debut", "the book into a pair of books so as to increase the chances", "I structured a plot with a single arc, and a novel with only", "Publishers only have so much tolerance for epics written by authors that have", "~3/4 of the way in is pushing about 170,000 words. No doubt part", "heck to market a debut novel that's longer than the Fellowship of the", "about 170,000 words. No doubt part of this is that there's plenty of", "to keep a reader on the edge of their seat and buy the", "be; if it turns out short, don't try to pad it out, and", "After all, I structured a plot with a single arc, and a novel", "problem: I'm considering splitting the book into a pair of books so as", "What answer, if any, is there to this predicament? Edit: This book is", "is there to this predicament? Edit: This book is a fantasy novel at", "it can be reduced to 150,000 words on a good day. As much", "at its core, albeit one more focused on human elements. I point this", "completed form. Publishers only have so much tolerance for epics written by authors", "chaff to cut out, it's long for a reason. That being said, I'm", "to prove themselves. Herein lies the problem: I'm considering splitting the book into", "in is pushing about 170,000 words. No doubt part of this is that", "they need to be; if it turns out short, don't try to pad", "immediately or, as is most likely due to my status as a debut", "this predicament? Edit: This book is a fantasy novel at its core, albeit", "longer than the Fellowship of the Ring in its completed form. Publishers only", "out, and if it's long... unless there's chaff to cut out, it's long", "as to increase the chances of being publishable, but this course of action", "on the edge of their seat and buy the next one immediately or,", "any, is there to this predicament? Edit: This book is a fantasy novel", "course of action has its own problems. After all, I structured a plot", "to 150,000 words on a good day. As much as it may be", "core, albeit one more focused on human elements. I point this out in", "fantasy novel at its core, albeit one more focused on human elements. I", "of the Ring in its completed form. Publishers only have so much tolerance", "its own problems. After all, I structured a plot with a single arc,", "of this is that there's plenty of chaff to cut out, so for", "words. No doubt part of this is that there's plenty of chaff to", "is either going to keep a reader on the edge of their seat", "need to be; if it turns out short, don't try to pad it", "likely due to my status as a debut author, make them dismiss the", "words on a good day. As much as it may be 'as long", "by authors that have yet to prove themselves. Herein lies the problem: I'm", "that there's plenty of chaff to cut out, so for the sake of", "my status as a debut author, make them dismiss the work as trash.", "lies the problem: I'm considering splitting the book into a pair of books", "this is that there's plenty of chaff to cut out, so for the", "I'm considering splitting the book into a pair of books so as to", "books so as to increase the chances of being publishable, but this course", "trash. What answer, if any, is there to this predicament? Edit: This book", "is a fantasy novel at its core, albeit one more focused on human", "themselves. Herein lies the problem: I'm considering splitting the book into a pair", "can be reduced to 150,000 words on a good day. As much as", "novel that's longer than the Fellowship of the Ring in its completed form.", "more focused on human elements. I point this out in case it affects", "its core, albeit one more focused on human elements. I point this out", "it out, and if it's long... unless there's chaff to cut out, it's", "'as long as it needs to be', it's also going to be difficult", "it needs to be', it's also going to be difficult as all heck", "a debut novel that's longer than the Fellowship of the Ring in its", "long... unless there's chaff to cut out, it's long for a reason. That", "a good day. As much as it may be 'as long as it", "debut author, make them dismiss the work as trash. What answer, if any,", "be reduced to 150,000 words on a good day. As much as it", "all, I structured a plot with a single arc, and a novel with", "out short, don't try to pad it out, and if it's long... unless", "half an arc is either going to keep a reader on the edge", "as they need to be; if it turns out short, don't try to", "edge of their seat and buy the next one immediately or, as is", "with only half an arc is either going to keep a reader on", "is pushing about 170,000 words. No doubt part of this is that there's", "action has its own problems. After all, I structured a plot with a", "of books so as to increase the chances of being publishable, but this", "argument, let's say it can be reduced to 150,000 words on a good", "have so much tolerance for epics written by authors that have yet to", "considering splitting the book into a pair of books so as to increase", "believer in books/novels being as long as they need to be; if it", "to pad it out, and if it's long... unless there's chaff to cut", "turns out short, don't try to pad it out, and if it's long...", "the problem: I'm considering splitting the book into a pair of books so", "status as a debut author, make them dismiss the work as trash. What", "written by authors that have yet to prove themselves. Herein lies the problem:", "single arc, and a novel with only half an arc is either going", "as it needs to be', it's also going to be difficult as all", "but this course of action has its own problems. After all, I structured", "a reader on the edge of their seat and buy the next one", "only have so much tolerance for epics written by authors that have yet", "unless there's chaff to cut out, it's long for a reason. That being", "pair of books so as to increase the chances of being publishable, but", "yet to prove themselves. Herein lies the problem: I'm considering splitting the book", "cut out, it's long for a reason. That being said, I'm writing a", "sake of argument, let's say it can be reduced to 150,000 words on", "150,000 words on a good day. As much as it may be 'as", "out, so for the sake of argument, let's say it can be reduced", "also going to be difficult as all heck to market a debut novel", "it's long... unless there's chaff to cut out, it's long for a reason.", "the way in is pushing about 170,000 words. No doubt part of this", "strong believer in books/novels being as long as they need to be; if", "buy the next one immediately or, as is most likely due to my", "as a debut author, make them dismiss the work as trash. What answer,", "there's chaff to cut out, it's long for a reason. That being said,", "have yet to prove themselves. Herein lies the problem: I'm considering splitting the", "to market a debut novel that's longer than the Fellowship of the Ring", "the Fellowship of the Ring in its completed form. Publishers only have so", "to be', it's also going to be difficult as all heck to market", "on a good day. As much as it may be 'as long as", "As much as it may be 'as long as it needs to be',", "all heck to market a debut novel that's longer than the Fellowship of", "is most likely due to my status as a debut author, make them", "a debut author, make them dismiss the work as trash. What answer, if", "don't try to pad it out, and if it's long... unless there's chaff", "it's long for a reason. That being said, I'm writing a debut novel", "let's say it can be reduced to 150,000 words on a good day.", "to be difficult as all heck to market a debut novel that's longer", "only half an arc is either going to keep a reader on the", "needs to be', it's also going to be difficult as all heck to", "than the Fellowship of the Ring in its completed form. Publishers only have", "for epics written by authors that have yet to prove themselves. Herein lies", "being publishable, but this course of action has its own problems. After all,", "own problems. After all, I structured a plot with a single arc, and", "due to my status as a debut author, make them dismiss the work", "predicament? Edit: This book is a fantasy novel at its core, albeit one", "keep a reader on the edge of their seat and buy the next", "a strong believer in books/novels being as long as they need to be;", "good day. As much as it may be 'as long as it needs", "the Ring in its completed form. Publishers only have so much tolerance for", "long for a reason. That being said, I'm writing a debut novel which", "of action has its own problems. After all, I structured a plot with", "long as it needs to be', it's also going to be difficult as", "I'm writing a debut novel which ~3/4 of the way in is pushing", "if it's long... unless there's chaff to cut out, it's long for a", "arc, and a novel with only half an arc is either going to", "plot with a single arc, and a novel with only half an arc", "books/novels being as long as they need to be; if it turns out", "novel with only half an arc is either going to keep a reader", "as all heck to market a debut novel that's longer than the Fellowship", "170,000 words. No doubt part of this is that there's plenty of chaff", "form. Publishers only have so much tolerance for epics written by authors that", "it turns out short, don't try to pad it out, and if it's", "one immediately or, as is most likely due to my status as a", "author, make them dismiss the work as trash. What answer, if any, is", "to be; if it turns out short, don't try to pad it out,", "the edge of their seat and buy the next one immediately or, as", "to cut out, it's long for a reason. That being said, I'm writing", "so for the sake of argument, let's say it can be reduced to", "the work as trash. What answer, if any, is there to this predicament?", "a pair of books so as to increase the chances of being publishable,", "cut out, so for the sake of argument, let's say it can be", "pushing about 170,000 words. No doubt part of this is that there's plenty", "plenty of chaff to cut out, so for the sake of argument, let's", "the chances of being publishable, but this course of action has its own", "That being said, I'm writing a debut novel which ~3/4 of the way", "in books/novels being as long as they need to be; if it turns", "so much tolerance for epics written by authors that have yet to prove", "and buy the next one immediately or, as is most likely due to", "and if it's long... unless there's chaff to cut out, it's long for", "seat and buy the next one immediately or, as is most likely due", "writing a debut novel which ~3/4 of the way in is pushing about", "market a debut novel that's longer than the Fellowship of the Ring in", "may be 'as long as it needs to be', it's also going to", "that have yet to prove themselves. Herein lies the problem: I'm considering splitting", "chances of being publishable, but this course of action has its own problems.", "next one immediately or, as is most likely due to my status as", "if it turns out short, don't try to pad it out, and if", "make them dismiss the work as trash. What answer, if any, is there", "being as long as they need to be; if it turns out short,", "going to be difficult as all heck to market a debut novel that's", "and a novel with only half an arc is either going to keep", "has its own problems. After all, I structured a plot with a single", "or, as is most likely due to my status as a debut author,", "a fantasy novel at its core, albeit one more focused on human elements.", "structured a plot with a single arc, and a novel with only half", "there to this predicament? Edit: This book is a fantasy novel at its", "of being publishable, but this course of action has its own problems. After", "so as to increase the chances of being publishable, but this course of", "going to keep a reader on the edge of their seat and buy", "be 'as long as it needs to be', it's also going to be", "be difficult as all heck to market a debut novel that's longer than", "say it can be reduced to 150,000 words on a good day. As", "is that there's plenty of chaff to cut out, so for the sake", "Ring in its completed form. Publishers only have so much tolerance for epics", "for the sake of argument, let's say it can be reduced to 150,000", "this course of action has its own problems. After all, I structured a", "most likely due to my status as a debut author, make them dismiss", "to this predicament? Edit: This book is a fantasy novel at its core,", "if any, is there to this predicament? Edit: This book is a fantasy", "day. As much as it may be 'as long as it needs to", "No doubt part of this is that there's plenty of chaff to cut" ]
[ "and still be used to show that a human character is devoid of", "a human character is devoid of an aspect, or aspects, of basic humanity?", "failings is a mainstay of Science Fiction but is there a limit to", "to show human failings is a mainstay of Science Fiction but is there", "that a human character is devoid of an aspect, or aspects, of basic", "mainstay of Science Fiction but is there a limit to how alien a", "Science Fiction but is there a limit to how alien a viewpoint can", "used to show that a human character is devoid of an aspect, or", "human failings is a mainstay of Science Fiction but is there a limit", "of Science Fiction but is there a limit to how alien a viewpoint", "show human failings is a mainstay of Science Fiction but is there a", "is there a limit to how alien a viewpoint can be and still", "alien a viewpoint can be and still be used to show that a", "there a limit to how alien a viewpoint can be and still be", "a mainstay of Science Fiction but is there a limit to how alien", "to how alien a viewpoint can be and still be used to show", "a limit to how alien a viewpoint can be and still be used", "how alien a viewpoint can be and still be used to show that", "be used to show that a human character is devoid of an aspect,", "a viewpoint can be and still be used to show that a human", "is a mainstay of Science Fiction but is there a limit to how", "but is there a limit to how alien a viewpoint can be and", "Using non-humans to show human failings is a mainstay of Science Fiction but", "be and still be used to show that a human character is devoid", "limit to how alien a viewpoint can be and still be used to", "can be and still be used to show that a human character is", "non-humans to show human failings is a mainstay of Science Fiction but is", "show that a human character is devoid of an aspect, or aspects, of", "Fiction but is there a limit to how alien a viewpoint can be", "viewpoint can be and still be used to show that a human character", "still be used to show that a human character is devoid of an", "to show that a human character is devoid of an aspect, or aspects," ]
[ "takes form. The outline is the basic structure of the story (the skeleton)", "the basic structure of the story (the skeleton) and the draft is the", "there other stages of writing? I want to know if I missed some", "missed some stages, that could be essential for my writing process. Or if", "other stages of writing? I want to know if I missed some stages,", "there is the question of mine: Are there other stages of writing? I", "outline is the basic structure of the story (the skeleton) and the draft", "Stages of writing? Of course I know the Outline and the Draft. This", "with the rewriting. That's when I thought: What are the general Stages of", "my writing process. Or if there are some stages, that could be useful", "What are the general Stages of writing? Of course I know the Outline", "Draft. This is where the story takes form. The outline is the basic", "general Stages of writing? Of course I know the Outline and the Draft.", "the story takes form. The outline is the basic structure of the story", "So, I'm likely finished with my idea in form of a novel, but", "with my idea in form of a novel, but now comes the difficult", "the draft is the very first version of the whole story. And now", "know the Outline and the Draft. This is where the story takes form.", "of mine: Are there other stages of writing? I want to know if", "rewriting. That's when I thought: What are the general Stages of writing? Of", "first version of the whole story. And now there is the question of", "is the very first version of the whole story. And now there is", "now comes the difficult part with the rewriting. That's when I thought: What", "I want to know if I missed some stages, that could be essential", "question of mine: Are there other stages of writing? I want to know", "Outline and the Draft. This is where the story takes form. The outline", "if I missed some stages, that could be essential for my writing process.", "I'm likely finished with my idea in form of a novel, but now", "idea in form of a novel, but now comes the difficult part with", "be essential for my writing process. Or if there are some stages, that", "of a novel, but now comes the difficult part with the rewriting. That's", "I missed some stages, that could be essential for my writing process. Or", "for my writing process. Or if there are some stages, that could be", "structure of the story (the skeleton) and the draft is the very first", "where the story takes form. The outline is the basic structure of the", "the question of mine: Are there other stages of writing? I want to", "the Draft. This is where the story takes form. The outline is the", "course I know the Outline and the Draft. This is where the story", "some stages, that could be essential for my writing process. Or if there", "could be essential for my writing process. Or if there are some stages,", "very first version of the whole story. And now there is the question", "stages, that could be essential for my writing process. Or if there are", "but now comes the difficult part with the rewriting. That's when I thought:", "the whole story. And now there is the question of mine: Are there", "story (the skeleton) and the draft is the very first version of the", "I know the Outline and the Draft. This is where the story takes", "the story (the skeleton) and the draft is the very first version of", "a novel, but now comes the difficult part with the rewriting. That's when", "want to know if I missed some stages, that could be essential for", "that could be essential for my writing process. Or if there are some", "process. Or if there are some stages, that could be useful to take.", "writing? Of course I know the Outline and the Draft. This is where", "the general Stages of writing? Of course I know the Outline and the", "version of the whole story. And now there is the question of mine:", "stages of writing? I want to know if I missed some stages, that", "my idea in form of a novel, but now comes the difficult part", "writing? I want to know if I missed some stages, that could be", "know if I missed some stages, that could be essential for my writing", "thought: What are the general Stages of writing? Of course I know the", "of writing? I want to know if I missed some stages, that could", "Are there other stages of writing? I want to know if I missed", "part with the rewriting. That's when I thought: What are the general Stages", "is the question of mine: Are there other stages of writing? I want", "The outline is the basic structure of the story (the skeleton) and the", "difficult part with the rewriting. That's when I thought: What are the general", "now there is the question of mine: Are there other stages of writing?", "That's when I thought: What are the general Stages of writing? Of course", "and the Draft. This is where the story takes form. The outline is", "story takes form. The outline is the basic structure of the story (the", "in form of a novel, but now comes the difficult part with the", "writing process. Or if there are some stages, that could be useful to", "of the whole story. And now there is the question of mine: Are", "story. And now there is the question of mine: Are there other stages", "I thought: What are the general Stages of writing? Of course I know", "is where the story takes form. The outline is the basic structure of", "form. The outline is the basic structure of the story (the skeleton) and", "mine: Are there other stages of writing? I want to know if I", "is the basic structure of the story (the skeleton) and the draft is", "And now there is the question of mine: Are there other stages of", "are the general Stages of writing? Of course I know the Outline and", "the very first version of the whole story. And now there is the", "the difficult part with the rewriting. That's when I thought: What are the", "of writing? Of course I know the Outline and the Draft. This is", "draft is the very first version of the whole story. And now there", "finished with my idea in form of a novel, but now comes the", "novel, but now comes the difficult part with the rewriting. That's when I", "whole story. And now there is the question of mine: Are there other", "when I thought: What are the general Stages of writing? Of course I", "of the story (the skeleton) and the draft is the very first version", "skeleton) and the draft is the very first version of the whole story.", "the Outline and the Draft. This is where the story takes form. The", "to know if I missed some stages, that could be essential for my", "This is where the story takes form. The outline is the basic structure", "(the skeleton) and the draft is the very first version of the whole", "likely finished with my idea in form of a novel, but now comes", "basic structure of the story (the skeleton) and the draft is the very", "and the draft is the very first version of the whole story. And", "essential for my writing process. Or if there are some stages, that could", "form of a novel, but now comes the difficult part with the rewriting.", "comes the difficult part with the rewriting. That's when I thought: What are", "Of course I know the Outline and the Draft. This is where the", "the rewriting. That's when I thought: What are the general Stages of writing?" ]
[ "for was 'romance', but what if the love story is just one subplot", "preferred bittersweet endings that leave things the teensiest bit unresolved, but if I", "a series but a standalone? Artistically, I've always preferred bittersweet endings that leave", "sell, would I have to change that? I'd like to know beforehand so", "would be bad if the genre I was aiming for was 'romance', but", "with the leads getting together; rather, one of them dies or the relationship", "the leads getting together; rather, one of them dies or the relationship is", "what if the love story is just one subplot among many? And the", "to know beforehand so I can change the story before I finalize it.", "always preferred bittersweet endings that leave things the teensiest bit unresolved, but if", "if the love story is just one subplot among many? And the book", "looking to sell, would I have to change that? I'd like to know", "the love story is just one subplot among many? And the book was", "leave things the teensiest bit unresolved, but if I were looking to sell,", "I have to change that? I'd like to know beforehand so I can", "together; rather, one of them dies or the relationship is left ambiguous. I", "I were looking to sell, would I have to change that? I'd like", "one subplot among many? And the book was not part of a series", "like to know beforehand so I can change the story before I finalize", "end with the leads getting together; rather, one of them dies or the", "it doesn't end with the leads getting together; rather, one of them dies", "but a standalone? Artistically, I've always preferred bittersweet endings that leave things the", "if the genre I was aiming for was 'romance', but what if the", "have to change that? I'd like to know beforehand so I can change", "rather, one of them dies or the relationship is left ambiguous. I know", "but if I were looking to sell, would I have to change that?", "this approach would be bad if the genre I was aiming for was", "just one subplot among many? And the book was not part of a", "if I were looking to sell, would I have to change that? I'd", "standalone? Artistically, I've always preferred bittersweet endings that leave things the teensiest bit", "the genre I was aiming for was 'romance', but what if the love", "dies or the relationship is left ambiguous. I know that taking this approach", "For example, it doesn't end with the leads getting together; rather, one of", "the relationship is left ambiguous. I know that taking this approach would be", "to sell, would I have to change that? I'd like to know beforehand", "or the relationship is left ambiguous. I know that taking this approach would", "Artistically, I've always preferred bittersweet endings that leave things the teensiest bit unresolved,", "the book was not part of a series but a standalone? Artistically, I've", "bittersweet endings that leave things the teensiest bit unresolved, but if I were", "a standalone? Artistically, I've always preferred bittersweet endings that leave things the teensiest", "leads getting together; rather, one of them dies or the relationship is left", "unresolved, but if I were looking to sell, would I have to change", "be bad if the genre I was aiming for was 'romance', but what", "ambiguous. I know that taking this approach would be bad if the genre", "is left ambiguous. I know that taking this approach would be bad if", "part of a series but a standalone? Artistically, I've always preferred bittersweet endings", "approach would be bad if the genre I was aiming for was 'romance',", "aiming for was 'romance', but what if the love story is just one", "taking this approach would be bad if the genre I was aiming for", "was 'romance', but what if the love story is just one subplot among", "one of them dies or the relationship is left ambiguous. I know that", "bit unresolved, but if I were looking to sell, would I have to", "I was aiming for was 'romance', but what if the love story is", "to change that? I'd like to know beforehand so I can change the", "were looking to sell, would I have to change that? I'd like to", "of a series but a standalone? Artistically, I've always preferred bittersweet endings that", "bad if the genre I was aiming for was 'romance', but what if", "subplot among many? And the book was not part of a series but", "that leave things the teensiest bit unresolved, but if I were looking to", "getting together; rather, one of them dies or the relationship is left ambiguous.", "And the book was not part of a series but a standalone? Artistically,", "many? And the book was not part of a series but a standalone?", "teensiest bit unresolved, but if I were looking to sell, would I have", "that? I'd like to know beforehand so I can change the story before", "story is just one subplot among many? And the book was not part", "not part of a series but a standalone? Artistically, I've always preferred bittersweet", "among many? And the book was not part of a series but a", "the teensiest bit unresolved, but if I were looking to sell, would I", "but what if the love story is just one subplot among many? And", "is just one subplot among many? And the book was not part of", "things the teensiest bit unresolved, but if I were looking to sell, would", "doesn't end with the leads getting together; rather, one of them dies or", "book was not part of a series but a standalone? Artistically, I've always", "love story is just one subplot among many? And the book was not", "would I have to change that? I'd like to know beforehand so I", "'romance', but what if the love story is just one subplot among many?", "them dies or the relationship is left ambiguous. I know that taking this", "left ambiguous. I know that taking this approach would be bad if the", "series but a standalone? Artistically, I've always preferred bittersweet endings that leave things", "was aiming for was 'romance', but what if the love story is just", "of them dies or the relationship is left ambiguous. I know that taking", "know that taking this approach would be bad if the genre I was", "I know that taking this approach would be bad if the genre I", "was not part of a series but a standalone? Artistically, I've always preferred", "endings that leave things the teensiest bit unresolved, but if I were looking", "genre I was aiming for was 'romance', but what if the love story", "that taking this approach would be bad if the genre I was aiming", "I'd like to know beforehand so I can change the story before I", "example, it doesn't end with the leads getting together; rather, one of them", "relationship is left ambiguous. I know that taking this approach would be bad", "I've always preferred bittersweet endings that leave things the teensiest bit unresolved, but", "change that? I'd like to know beforehand so I can change the story" ]
[ "learns that S.W.O.R.D has disabled all forms of wireless communications such as the", "in Catching Fire when we are told that many anti-Capitol riots are taking", "massive wall prevents anyone from entering or exiting the city. The first chapter", "aid. It's revealed that S.W.O.R.D has also established various checkpoints throughout the city", "Suzanne Collins doesn’t know how to show rather than tell. For example, in", "know how to show rather than tell. For example, in the first book's", "and disease are an everyday reality for the city's denizens, in spite of", "through the city and reveals that vast ramshackle slums have sprung up in", "city's denizens, in spite of S.W.O.R.D issuing humanitarian aid. It's revealed that S.W.O.R.D", "of my trilogy takes place in a city that has been ravaged a", "a massive explosion and sealed off from the outside world by a shadowy", "start, yet we hardly see any of these riots save for one that", "run by card-carrying Laconophiles. In this chapter, the audience learns that S.W.O.R.D has", "zone stops civilian aircraft flying over the area, and a massive wall prevents", "secret police (who follow the protagonist and his brother over the chapter's tenure).", "place in a city that has been ravaged a massive explosion and sealed", "or exiting the city. The first chapter sees the protagonist navigate his way", "Internet and cell phones. A large fleet of ships blockades the city's harbour", "that occurs in District 8. How can I introduce my reader to my", "a rushed manner without putting in any effort into how I do it.", "ships blockades the city's harbour and extends along the surrounding coastline, while a", "explosion and sealed off from the outside world by a shadowy military organisation", "save for one that occurs in District 8. How can I introduce my", "to get all of this across to the audience in the first chapter", "Blackwatch was a [peacekeeping organisation that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier)", "Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In this chapter, the", "[Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation that answered to the", "S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a", "chapter's tenure). I want to get all of this across to the audience", "that S.W.O.R.D has also established various checkpoints throughout the city and the Krypteia", "in the first chapter without informing them in a rushed manner without putting", "riots save for one that occurs in District 8. *How can I introduce", "other major players in the series and the series' setting. The bulk of", "also established various checkpoints throughout the city and the Krypteia* (S.W.O.R.D's intelligence-gathering division,", "a shithole rife with poverty and disease in a huge info-dump, yet we", "of operatives skilled at hiding within a civilian population) acting as a secret", "of my trilogy's first act introduces the protagonist, other major players in the", "a city that has been ravaged a massive explosion and sealed off from", "which consists of operatives skilled at hiding within a civilian population) acting as", "(along with its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed", "social commentary, heavy-handed symbolism and nonsensical worldbuilding) is that Suzanne Collins doesn’t know", "surrounding coastline, while a strictly enforced no-fly zone stops civilian aircraft flying over", "with poverty and disease in a huge info-dump, yet we never see anything", "that has been ravaged a massive explosion and sealed off from the outside", "support this. It gets worse in Catching Fire when we are told that", "anti-Capitol riots are taking place across Panem during the book's start, yet we", "during the book's start, yet we hardly see any of these riots save", "answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying", "up in the blast's wake where poverty, severe malnutrition and disease are an", "by a shadowy military organisation called S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch)", "forms of wireless communications such as the Internet and cell phones. A large", "and sealed off from the outside world by a shadowy military organisation called", "in a city that has been ravaged a massive explosion and sealed off", "malnutrition and disease are an everyday reality for the city's denizens, in spite", "civilian population) acting as a secret police (who follow the protagonist and his", "takes place in a city that has been ravaged a massive explosion and", "disabled all forms of wireless communications such as the Internet and cell phones.", "nonsensical worldbuilding) is that Suzanne Collins doesn’t know how to show rather than", "act introduces the protagonist, other major players in the series and the series'", "UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In this", "unsubtle social commentary, heavy-handed symbolism and nonsensical worldbuilding) is that Suzanne Collins doesn’t", "the series' setting. The bulk of my trilogy takes place in a city", "stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and nonsensical worldbuilding) is that Suzanne", "are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation", "District 8. *How can I introduce my reader to my setting in a", "can I introduce my reader to my setting in a spontaneous manner without", "chapter of my trilogy's first act introduces the protagonist, other major players in", "an everyday reality for the city's denizens, in spite of S.W.O.R.D issuing humanitarian", "It gets worse in Catching Fire* when we are told that many anti-Capitol", "[significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In this chapter, the audience", "anyone from entering or exiting the city. The first chapter sees the protagonist", "the many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its soulless prose,", "[flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and nonsensical worldbuilding) is", "along the surrounding coastline, while a strictly enforced no-fly zone stops civilian aircraft", "huge info-dump, yet we never see anything to support this. It gets worse", "city and the Krypteia (S.W.O.R.D's intelligence-gathering division, which consists of operatives skilled at", "bulk of my trilogy takes place in a city that has been ravaged", "dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation that", "over the chapter's tenure). I want to get all of this across to", "military organisation called S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if", "tell. For example, in the first book's opening chapter, Katniss tells us that", "the audience in the first chapter without informing them in a rushed manner", "to support this. It gets worse in Catching Fire when we are told", "rather than tell. For example, in the first book's opening chapter, Katniss tells", "reader to my setting in a spontaneous manner without violating \"show, don't tell\"?", "is a shithole rife with poverty and disease in a huge info-dump, yet", "that District 12 is a shithole rife with poverty and disease in a", "such as the Internet and cell phones. A large fleet of ships blockades", "occurs in District 8. How can I introduce my reader to my setting", "this across to the audience in the first chapter without informing them in", "navigate his way through the city and reveals that vast ramshackle slums have", "and disease in a huge info-dump, yet we never see anything to support", "in a rushed manner without putting in any effort into how I do", "city and reveals that vast ramshackle slums have sprung up in the blast's", "reality for the city's denizens, in spite of S.W.O.R.D issuing humanitarian aid. It's", "has also established various checkpoints throughout the city and the Krypteia (S.W.O.R.D's intelligence-gathering", "in District 8. *How can I introduce my reader to my setting in", "city that has been ravaged a massive explosion and sealed off from the", "many anti-Capitol riots are taking place across Panem during the book's start, yet", "told that many anti-Capitol riots are taking place across Panem during the book's", "where poverty, severe malnutrition and disease are an everyday reality for the city's", "revealed that S.W.O.R.D has also established various checkpoints throughout the city and the", "consists of operatives skilled at hiding within a civilian population) acting as a", "tenure). I want to get all of this across to the audience in", "The bulk of my trilogy takes place in a city that has been", "the series and the series' setting. The bulk of my trilogy takes place", "population) acting as a secret police (who follow the protagonist and his brother", "characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and nonsensical worldbuilding) is that Suzanne Collins", "the city's harbour and extends along the surrounding coastline, while a strictly enforced", "S.W.O.R.D has disabled all forms of wireless communications such as the Internet and", "taking place across Panem during the book's start, yet we hardly see any", "strictly enforced no-fly zone stops civilian aircraft flying over the area, and a", "in spite of S.W.O.R.D issuing humanitarian aid. It's revealed that S.W.O.R.D has also", "the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In", "for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation that answered to", "Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social", "when we are told that many anti-Capitol riots are taking place across Panem", "and the Krypteia (S.W.O.R.D's intelligence-gathering division, which consists of operatives skilled at hiding", "Catching Fire when we are told that many anti-Capitol riots are taking place", "want to get all of this across to the audience in the first", "is that Suzanne Collins doesn’t know how to show rather than tell. For", "I want to get all of this across to the audience in the", "and the series' setting. The bulk of my trilogy takes place in a", "way through the city and reveals that vast ramshackle slums have sprung up", "its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and", "the first chapter of my trilogy's first act introduces the protagonist, other major", "audience learns that S.W.O.R.D has disabled all forms of wireless communications such as", "the chapter's tenure). I want to get all of this across to the", "and nonsensical worldbuilding) is that Suzanne Collins doesn’t know how to show rather", "Laconophiles. In this chapter, the audience learns that S.W.O.R.D has disabled all forms", "we hardly see any of these riots save for one that occurs in", "hardly see any of these riots save for one that occurs in District", "prevents anyone from entering or exiting the city. The first chapter sees the", "slums have sprung up in the blast's wake where poverty, severe malnutrition and", "outside world by a shadowy military organisation called S.W.O.R.D, who are dead ringers", "massive explosion and sealed off from the outside world by a shadowy military", "spite of S.W.O.R.D issuing humanitarian aid. It's revealed that S.W.O.R.D has also established", "as the Internet and cell phones. A large fleet of ships blockades the", "that S.W.O.R.D has disabled all forms of wireless communications such as the Internet", "the city's denizens, in spite of S.W.O.R.D issuing humanitarian aid. It's revealed that", "trilogy takes place in a city that has been ravaged a massive explosion", "everyday reality for the city's denizens, in spite of S.W.O.R.D issuing humanitarian aid.", "phones. A large fleet of ships blockades the city's harbour and extends along", "entering or exiting the city. The first chapter sees the protagonist navigate his", "these riots save for one that occurs in District 8. *How can I", "[less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In this chapter, the audience learns", "in the first book's opening chapter, Katniss tells us that District 12 is", "place across Panem during the book's start, yet we hardly see any of", "over the area, and a massive wall prevents anyone from entering or exiting", "aircraft flying over the area, and a massive wall prevents anyone from entering", "in a huge info-dump, yet we never see anything to support this. It", "show rather than tell. For example, in the first book's opening chapter, Katniss", "wireless communications such as the Internet and cell phones. A large fleet of", "my trilogy's first act introduces the protagonist, other major players in the series", "shithole rife with poverty and disease in a huge info-dump, yet we never", "in any effort into how I do it. One of the many reasons", "area, and a massive wall prevents anyone from entering or exiting the city.", "anything to support this. It gets worse in Catching Fire* when we are", "card-carrying Laconophiles. In this chapter, the audience learns that S.W.O.R.D has disabled all", "checkpoints throughout the city and the Krypteia (S.W.O.R.D's intelligence-gathering division, which consists of", "than tell. For example, in the first book's opening chapter, Katniss tells us", "if Blackwatch was a [peacekeeping organisation that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec),", "[The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle", "my trilogy takes place in a city that has been ravaged a massive", "while a strictly enforced no-fly zone stops civilian aircraft flying over the area,", "soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and nonsensical", "chapter without informing them in a rushed manner without putting in any effort", "the protagonist, other major players in the series and the series' setting. The", "rushed manner without putting in any effort into how I do it. One", "from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation that answered to the UN", "extends along the surrounding coastline, while a strictly enforced no-fly zone stops civilian", "the book's start, yet we hardly see any of these riots save for", "the first chapter without informing them in a rushed manner without putting in", "12 is a shithole rife with poverty and disease in a huge info-dump,", "book's start, yet we hardly see any of these riots save for one", "commentary, heavy-handed symbolism and nonsensical worldbuilding) is that Suzanne Collins doesn’t know how", "(who follow the protagonist and his brother over the chapter's tenure). I want", "without putting in any effort into how I do it. One of the", "never see anything to support this. It gets worse in Catching Fire when", "sealed off from the outside world by a shadowy military organisation called S.W.O.R.D,", "of these riots save for one that occurs in District 8. *How can", "introduce my reader to my setting in a spontaneous manner without violating \"show,", "throughout the city and the Krypteia* (S.W.O.R.D's intelligence-gathering division, which consists of operatives", "worse in Catching Fire when we are told that many anti-Capitol riots are", "all of this across to the audience in the first chapter without informing", "opening chapter, Katniss tells us that District 12 is a shithole rife with", "the city and reveals that vast ramshackle slums have sprung up in the", "disease in a huge info-dump, yet we never see anything to support this.", "a shadowy military organisation called S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from", "detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames),", "ramshackle slums have sprung up in the blast's wake where poverty, severe malnutrition", "for one that occurs in District 8. *How can I introduce my reader", "[psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In this chapter, the audience learns that", "of the many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames)* (along with its soulless", "the city. The first chapter sees the protagonist navigate his way through the", "mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and nonsensical worldbuilding) is that", "from entering or exiting the city. The first chapter sees the protagonist navigate", "symbolism and nonsensical worldbuilding) is that Suzanne Collins doesn’t know how to show", "was a [peacekeeping organisation that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil)", "do it. One of the many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along", "are told that many anti-Capitol riots are taking place across Panem during the", "how I do it. One of the many reasons I detest [The Hunger", "Panem during the book's start, yet we hardly see any of these riots", "trilogy's first act introduces the protagonist, other major players in the series and", "in the blast's wake where poverty, severe malnutrition and disease are an everyday", "the first book's opening chapter, Katniss tells us that District 12 is a", "issuing humanitarian aid. It's revealed that S.W.O.R.D has also established various checkpoints throughout", "the blast's wake where poverty, severe malnutrition and disease are an everyday reality", "them in a rushed manner without putting in any effort into how I", "blockades the city's harbour and extends along the surrounding coastline, while a strictly", "Katniss tells us that District 12 is a shithole rife with poverty and", "get all of this across to the audience in the first chapter without", "of ships blockades the city's harbour and extends along the surrounding coastline, while", "(S.W.O.R.D's intelligence-gathering division, which consists of operatives skilled at hiding within a civilian", "protagonist and his brother over the chapter's tenure). I want to get all", "acting as a secret police (who follow the protagonist and his brother over", "us that District 12 is a shithole rife with poverty and disease in", "denizens, in spite of S.W.O.R.D issuing humanitarian aid. It's revealed that S.W.O.R.D has", "as a secret police (who follow the protagonist and his brother over the", "without informing them in a rushed manner without putting in any effort into", "with its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism", "any of these riots save for one that occurs in District 8. How", "players in the series and the series' setting. The bulk of my trilogy", "ravaged a massive explosion and sealed off from the outside world by a", "various checkpoints throughout the city and the Krypteia* (S.W.O.R.D's intelligence-gathering division, which consists", "first chapter without informing them in a rushed manner without putting in any", "series and the series' setting. The bulk of my trilogy takes place in", "protagonist navigate his way through the city and reveals that vast ramshackle slums", "I introduce my reader to my setting in a spontaneous manner without violating", "to the audience in the first chapter without informing them in a rushed", "a strictly enforced no-fly zone stops civilian aircraft flying over the area, and", "I do it. One of the many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames)", "first book's opening chapter, Katniss tells us that District 12 is a shithole", "the Krypteia (S.W.O.R.D's intelligence-gathering division, which consists of operatives skilled at hiding within", "in the series and the series' setting. The bulk of my trilogy takes", "world by a shadowy military organisation called S.W.O.R.D, who are dead ringers for", "organisation called S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch", "exiting the city. The first chapter sees the protagonist navigate his way through", "heavy-handed symbolism and nonsensical worldbuilding) is that Suzanne Collins doesn’t know how to", "effort into how I do it. One of the many reasons I detest", "stops civilian aircraft flying over the area, and a massive wall prevents anyone", "shadowy military organisation called S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)...", "city's harbour and extends along the surrounding coastline, while a strictly enforced no-fly", "the outside world by a shadowy military organisation called S.W.O.R.D, who are dead", "called S.W.O.R.D, who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was", "city. The first chapter sees the protagonist navigate his way through the city", "has disabled all forms of wireless communications such as the Internet and cell", "chapter sees the protagonist navigate his way through the city and reveals that", "organisation that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run", "a huge info-dump, yet we never see anything to support this. It gets", "the protagonist navigate his way through the city and reveals that vast ramshackle", "harbour and extends along the surrounding coastline, while a strictly enforced no-fly zone", "within a civilian population) acting as a secret police (who follow the protagonist", "any effort into how I do it. One of the many reasons I", "Krypteia (S.W.O.R.D's intelligence-gathering division, which consists of operatives skilled at hiding within a", "first chapter of my trilogy's first act introduces the protagonist, other major players", "wake where poverty, severe malnutrition and disease are an everyday reality for the", "and cell phones. A large fleet of ships blockades the city's harbour and", "established various checkpoints throughout the city and the Krypteia (S.W.O.R.D's intelligence-gathering division, which", "wall prevents anyone from entering or exiting the city. The first chapter sees", "all forms of wireless communications such as the Internet and cell phones. A", "rife with poverty and disease in a huge info-dump, yet we never see", "I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its soulless prose, [flat mentally stunted", "one that occurs in District 8. *How can I introduce my reader to", "reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames)* (along with its soulless prose, [flat mentally", "prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary, heavy-handed symbolism and nonsensical worldbuilding)", "skilled at hiding within a civilian population) acting as a secret police (who", "the area, and a massive wall prevents anyone from entering or exiting the", "poverty, severe malnutrition and disease are an everyday reality for the city's denizens,", "worldbuilding) is that Suzanne Collins doesn’t know how to show rather than tell.", "It's revealed that S.W.O.R.D has also established various checkpoints throughout the city and", "setting. The bulk of my trilogy takes place in a city that has", "intelligence-gathering division, which consists of operatives skilled at hiding within a civilian population)", "chapter, the audience learns that S.W.O.R.D has disabled all forms of wireless communications", "chapter, Katniss tells us that District 12 is a shithole rife with poverty", "civilian aircraft flying over the area, and a massive wall prevents anyone from", "we are told that many anti-Capitol riots are taking place across Panem during", "to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles.", "are an everyday reality for the city's denizens, in spite of S.W.O.R.D issuing", "In the first chapter of my trilogy's first act introduces the protagonist, other", "example, in the first book's opening chapter, Katniss tells us that District 12", "it. One of the many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with", "police (who follow the protagonist and his brother over the chapter's tenure). I", "One of the many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its", "manner without putting in any effort into how I do it. One of", "at hiding within a civilian population) acting as a secret police (who follow", "for the city's denizens, in spite of S.W.O.R.D issuing humanitarian aid. It's revealed", "brother over the chapter's tenure). I want to get all of this across", "disease are an everyday reality for the city's denizens, in spite of S.W.O.R.D", "poverty and disease in a huge info-dump, yet we never see anything to", "riots are taking place across Panem during the book's start, yet we hardly", "book's opening chapter, Katniss tells us that District 12 is a shithole rife", "*How can I introduce my reader to my setting in a spontaneous manner", "audience in the first chapter without informing them in a rushed manner without", "yet we never see anything to support this. It gets worse in Catching", "this. It gets worse in Catching Fire when we are told that many", "a civilian population) acting as a secret police (who follow the protagonist and", "[[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation that answered to the UN Security", "been ravaged a massive explosion and sealed off from the outside world by", "communications such as the Internet and cell phones. A large fleet of ships", "sprung up in the blast's wake where poverty, severe malnutrition and disease are", "and reveals that vast ramshackle slums have sprung up in the blast's wake", "and extends along the surrounding coastline, while a strictly enforced no-fly zone stops", "yet we hardly see any of these riots save for one that occurs", "see anything to support this. It gets worse in Catching Fire when we", "my reader to my setting in a spontaneous manner without violating \"show, don't", "fleet of ships blockades the city's harbour and extends along the surrounding coastline,", "Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames)* (along with its soulless prose, [flat mentally stunted characters](https://tvtropes.org/pmwiki/pmwiki.php/WhatAnIdiot/TheHungerGames), unsubtle social commentary,", "Collins doesn’t know how to show rather than tell. For example, in the", "series' setting. The bulk of my trilogy takes place in a city that", "8. *How can I introduce my reader to my setting in a spontaneous", "coastline, while a strictly enforced no-fly zone stops civilian aircraft flying over the", "first chapter sees the protagonist navigate his way through the city and reveals", "into how I do it. One of the many reasons I detest [The", "no-fly zone stops civilian aircraft flying over the area, and a massive wall", "a [peacekeeping organisation that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire)", "the Internet and cell phones. A large fleet of ships blockades the city's", "enforced no-fly zone stops civilian aircraft flying over the area, and a massive", "a massive wall prevents anyone from entering or exiting the city. The first", "many reasons I detest [The Hunger Games](https://tvtropes.org/pmwiki/pmwiki.php/Literature/TheHungerGames) (along with its soulless prose, [flat", "info-dump, yet we never see anything to support this. It gets worse in", "the protagonist and his brother over the chapter's tenure). I want to get", "that vast ramshackle slums have sprung up in the blast's wake where poverty,", "off from the outside world by a shadowy military organisation called S.W.O.R.D, who", "major players in the series and the series' setting. The bulk of my", "that many anti-Capitol riots are taking place across Panem during the book's start,", "are taking place across Panem during the book's start, yet we hardly see", "large fleet of ships blockades the city's harbour and extends along the surrounding", "who are dead ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping", "across to the audience in the first chapter without informing them in a", "protagonist, other major players in the series and the series' setting. The bulk", "division, which consists of operatives skilled at hiding within a civilian population) acting", "Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by card-carrying Laconophiles. In this chapter,", "the city and the Krypteia (S.W.O.R.D's intelligence-gathering division, which consists of operatives skilled", "doesn’t know how to show rather than tell. For example, in the first", "informing them in a rushed manner without putting in any effort into how", "we never see anything to support this. It gets worse in Catching Fire", "this chapter, the audience learns that S.W.O.R.D has disabled all forms of wireless", "putting in any effort into how I do it. One of the many", "severe malnutrition and disease are an everyday reality for the city's denizens, in", "the surrounding coastline, while a strictly enforced no-fly zone stops civilian aircraft flying", "Fire* when we are told that many anti-Capitol riots are taking place across", "blast's wake where poverty, severe malnutrition and disease are an everyday reality for", "of S.W.O.R.D issuing humanitarian aid. It's revealed that S.W.O.R.D has also established various", "how to show rather than tell. For example, in the first book's opening", "introduces the protagonist, other major players in the series and the series' setting.", "In this chapter, the audience learns that S.W.O.R.D has disabled all forms of", "cell phones. A large fleet of ships blockades the city's harbour and extends", "For example, in the first book's opening chapter, Katniss tells us that District", "to show rather than tell. For example, in the first book's opening chapter,", "tells us that District 12 is a shithole rife with poverty and disease", "follow the protagonist and his brother over the chapter's tenure). I want to", "that Suzanne Collins doesn’t know how to show rather than tell. For example,", "across Panem during the book's start, yet we hardly see any of these", "that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and run by", "and a massive wall prevents anyone from entering or exiting the city. The", "A large fleet of ships blockades the city's harbour and extends along the", "S.W.O.R.D issuing humanitarian aid. It's revealed that S.W.O.R.D has also established various checkpoints", "humanitarian aid. It's revealed that S.W.O.R.D has also established various checkpoints throughout the", "and his brother over the chapter's tenure). I want to get all of", "the audience learns that S.W.O.R.D has disabled all forms of wireless communications such", "and run by card-carrying Laconophiles. In this chapter, the audience learns that S.W.O.R.D", "from the outside world by a shadowy military organisation called S.W.O.R.D, who are", "gets worse in Catching Fire when we are told that many anti-Capitol riots", "of wireless communications such as the Internet and cell phones. A large fleet", "by card-carrying Laconophiles. In this chapter, the audience learns that S.W.O.R.D has disabled", "vast ramshackle slums have sprung up in the blast's wake where poverty, severe", "first act introduces the protagonist, other major players in the series and the", "see any of these riots save for one that occurs in District 8.", "of this across to the audience in the first chapter without informing them", "flying over the area, and a massive wall prevents anyone from entering or", "his brother over the chapter's tenure). I want to get all of this", "have sprung up in the blast's wake where poverty, severe malnutrition and disease", "reveals that vast ramshackle slums have sprung up in the blast's wake where", "a secret police (who follow the protagonist and his brother over the chapter's", "ringers for [Blackwatch](https://villains.wikia.com/wiki/Blackwatch) from [[PROTOTYPE]](https://tvtropes.org/pmwiki/pmwiki.php/VideoGame/Prototype)... if Blackwatch was a [peacekeeping organisation that answered", "has been ravaged a massive explosion and sealed off from the outside world", "sees the protagonist navigate his way through the city and reveals that vast", "[peacekeeping organisation that answered to the UN Security Concil](https://tvtropes.org/pmwiki/pmwiki.php/Main/StateSec), [significantly](https://tvtropes.org/pmwiki/pmwiki.php/Main/SociopathicSoldier) [less](https://tvtropes.org/pmwiki/pmwiki.php/Main/ArmiesAreEvil) [psychotic](https://tvtropes.org/pmwiki/pmwiki.php/Main/PsychoForHire) and", "his way through the city and reveals that vast ramshackle slums have sprung", "The first chapter sees the protagonist navigate his way through the city and", "operatives skilled at hiding within a civilian population) acting as a secret police", "S.W.O.R.D has also established various checkpoints throughout the city and the Krypteia (S.W.O.R.D's", "hiding within a civilian population) acting as a secret police (who follow the", "District 12 is a shithole rife with poverty and disease in a huge" ]
[ "started his campaign of terror. He had many years to reflect on his", "but that should hopefully be irrelevant to the question itself.* Our heroes spent", "the terrifyingly powerful and brutal demon king. But someone had to do it.", "of his ways and wishing he never started his campaign of terror. He", "demon king was reportedly seen lurking around in the nearby mountains, but there", "showing what happened to the villain afterwards should hopefully allow to give the", "overall less powerful than the demon king and they won with some luck.", "to it, all of them wished they didn't have to fight the terrifyingly", "of epic proportions, one that would be a worthy climax. One hard-fought battle", "his army. Reluctantly, the heroes perpare themselves for another battle, to put an", "never assured, and they had a lot of doubts. They were overall less", "the player/reader with another potentially even bigger battle than the last, only to", "once again. They prepare themselves for the worst, a battle even more damaging", "rest on their shoulders. If they fail, the entire universe will be destroyed!", "near the end of the story? They already had a climax after all,", "Reluctantly, the heroes grant him his last wish. --- Now finally onto the", "perpare themselves for another battle, to put an end to the demon king", "a bad idea to tease the player/reader with another potentially even bigger battle", "have planned for my story. I want to know: is it a bad", "question itself! The above is a very simplified version of what I have", "battle, to put an end to the demon king once and for all.", "on, some of them even started families, but they realize they had to", "king once and for all. (Note: to put things into perspective a bit,", "they fail, the entire universe will be destroyed! So after a long journey,", "down to it, all* of them wished they didn't have to fight the", "this place and he couldn't hurt a fly if he tried. He was", "themselves for the worst, a battle even more damaging than the last. They", "fly if he tried. He was waiting for the heroes to finally put", "his campaign of terror. He had many years to reflect on his actions", "know they are getting close to the end.)* Despite their victory, the heroes", "some character growth and close his character arc before he bites the dust", "but there is no sight of his army. Reluctantly, the heroes perpare themselves", "in the land rest on their shoulders. If they fail, the entire universe", "one that would be a worthy climax. One hard-fought battle later, the heroes", "the heroes didn't fully defeat the demon king yet. After many years, the", "he never started his campaign of terror. He had many years to reflect", "won with some luck. Many of them sustained injuries that never healed, both", "of terror. He had many years to reflect on his actions and showed", "getting close to the end.)* Despite their victory, the heroes didn't walk away", "had a lot of doubts. They were overall less powerful than the demon", "and the story ends. Would this kind of surprise be more annoying than", "lot has been building up to this battle of epic proportions, one that", "proportions, one that would be a worthy climax. One hard-fought battle later, the", "didn't recognize the former tyrant. Eagerly, he was awaiting his end. Reluctantly, the", "around in the nearby mountains, but there is no sight of his army.", "state, just a shell of his former self. He is just a walking", "some luck. Many of them sustained injuries that never healed, both physically and", "when it's near the end of the story? They already had a climax", "didn't have to fight the terrifyingly powerful and brutal demon king. But someone", "just a walking corpse at this point, unable to return to his glory", "recognize the former tyrant. Eagerly, he was awaiting his end. Reluctantly, the heroes", "itself.* Our heroes spent a long time fighting their way to the evil", "of doubts. They were overall less powerful than the demon king and they", "to the villain afterwards should hopefully allow to give the villain some character", "it a bad idea to tease the player/reader with another potentially even bigger", "confront the demon king! A lot has been building up to this battle", "it's near the end of the story? They already had a climax after", "Reluctantly, the heroes perpare themselves for another battle, to put an end to", "heroes spent a long time fighting their way to the evil demon king.", "be a worthy climax. One hard-fought battle later, the heroes emerge victorious! The", "the mountains and are terrified to discover his new final form! The demon", "a shriveled up state, just a shell of his former self. He is", "story is for a video game, but that should hopefully be irrelevant to", "arc before he bites the dust and the story ends. Would this kind", "to the question itself.* Our heroes spent a long time fighting their way", "the question itself! The above is a very simplified version of what I", "leave this place and he couldn't hurt a fly if he tried. He", "demon king! A lot has been building up to this battle of epic", "seen the error of his ways and wishing he never started his campaign", "the nearby mountains, but there is no sight of his army. Reluctantly, the", "them sustained injuries that never healed, both physically and mentally. When it comes", "army. Reluctantly, the heroes perpare themselves for another battle, to put an end", "of them wished they didn't have to fight the terrifyingly powerful and brutal", "heroes grant him his last wish. --- Now finally onto the question itself!", "an end to the demon king once and for all. (Note: to put", "been defeated and peace returns to the land. Except not quite... It turns", "the demon king was reportedly seen lurking around in the nearby mountains, but", "all* of them wished they didn't have to fight the terrifyingly powerful and", "Our heroes spent a long time fighting their way to the evil demon", "hurt a fly if he tried. He was waiting for the heroes to", "to his glory and unable to die on his own. He can't leave", "to discover his new final form! The demon king is in a shriveled", "epic proportions, one that would be a worthy climax. One hard-fought battle later,", "would be a worthy climax. One hard-fought battle later, the heroes emerge victorious!", "another battle, to put an end to the demon king once and for", "and close his character arc before he bites the dust and the story", "the evil demon king. The hopes of all the people in the land", "climax\" portion takes up about 1/20 of the overall story. People know they", "for the heroes to finally put him out of his misery, having seen", "finally onto the question itself! The above is a very simplified version of", "just a shell of his former self. He is just a walking corpse", "long journey, the heroes finally confront the demon king! A lot has been", "the villain afterwards should hopefully allow to give the villain some character growth", "the people in the land rest on their shoulders. If they fail, the", "character arc before he bites the dust and the story ends. Would this", "the heroes perpare themselves for another battle, to put an end to the", "a video game, but that should hopefully be irrelevant to the question itself.", "demon king once again. They prepare themselves for the worst, a battle even", "game, but that should hopefully be irrelevant to the question itself. Our heroes", "entire universe will be destroyed! So after a long journey, the heroes finally", "are terrified to discover his new final form! The demon king is in", "had many years to reflect on his actions and showed remorse. The heroes", "The villain has been defeated and peace returns to the land. Except not", "heroes perpare themselves for another battle, to put an end to the demon", "his end. Reluctantly, the heroes grant him his last wish. --- Now finally", "returns to the land. Except not quite... It turns out the heroes didn't", "had to fight the demon king once again. They prepare themselves for the", "own. He can't leave this place and he couldn't hurt a fly if", "a lot of doubts. They were overall less powerful than the demon king", "fight the terrifyingly powerful and brutal demon king. But someone had to do", "If they fail, the entire universe will be destroyed! So after a long", "healed, both physically and mentally. When it comes down to it, all of", "story. I want to know: is it a bad idea to tease the", "potentially even bigger battle than the last, only to disappoint them like that,", "die on his own. He can't leave this place and he couldn't hurt", "villain afterwards should hopefully allow to give the villain some character growth and", "But someone had to do it. They had to put their fear behind.", "has been building up to this battle of epic proportions, one that would", "the land. Except not quite... It turns out the heroes didn't fully defeat", "sight of his army. Reluctantly, the heroes perpare themselves for another battle, to", "grant him his last wish. --- Now finally onto the question itself! The", "another potentially even bigger battle than the last, only to disappoint them like", "my story is for a video game, but that should hopefully be irrelevant", "All the heroes moved on, some of them even started families, but they", "spent a long time fighting their way to the evil demon king. The", "powerful than the demon king and they won with some luck. Many of", "they had to fight the demon king once again. They prepare themselves for", "only to disappoint them like that, especially when it's near the end of", "the demon king! A lot has been building up to this battle of", "terror. He had many years to reflect on his actions and showed remorse.", "about 1/20 of the overall story. People know they are getting close to", "waiting for the heroes to finally put him out of his misery, having", "damaging than the last. They go and find the demon king in the", "portion takes up about 1/20 of the overall story. People know they are", "a bit, this whole \"after climax\" portion takes up about 1/20 of the", "terrifyingly powerful and brutal demon king. But someone had to do it. They", "give the villain some character growth and close his character arc before he", "character growth and close his character arc before he bites the dust and", "fail, the entire universe will be destroyed! So after a long journey, the", "king! A lot has been building up to this battle of epic proportions,", "simplified version of what I have planned for my story. I want to", "They already had a climax after all, and showing what happened to the", "they are getting close to the end.)* Despite their victory, the heroes didn't", "afterwards should hopefully allow to give the villain some character growth and close", "be irrelevant to the question itself.* Our heroes spent a long time fighting", "Their victory was never assured, and they had a lot of doubts. They", "the question itself.* Our heroes spent a long time fighting their way to", "journey, the heroes finally confront the demon king! A lot has been building", "to the land. Except not quite... It turns out the heroes didn't fully", "former tyrant. Eagerly, he was awaiting his end. Reluctantly, the heroes grant him", "land. Except not quite... It turns out the heroes didn't fully defeat the", "comes down to it, all of them wished they didn't have to fight", "I want to know: is it a bad idea to tease the player/reader", "perspective a bit, this whole \"after climax\" portion takes up about 1/20 of", "It turns out the heroes didn't fully defeat the demon king yet. After", "the former tyrant. Eagerly, he was awaiting his end. Reluctantly, the heroes grant", "villain some character growth and close his character arc before he bites the", "put an end to the demon king once and for all. (Note: to", "seen lurking around in the nearby mountains, but there is no sight of", "to give the villain some character growth and close his character arc before", "awaiting his end. Reluctantly, the heroes grant him his last wish. --- Now", "know: is it a bad idea to tease the player/reader with another potentially", "of what I have planned for my story. I want to know: is", "families, but they realize they had to fight the demon king once again.", "but they realize they had to fight the demon king once again. They", "tease the player/reader with another potentially even bigger battle than the last, only", "emerge victorious! The villain has been defeated and peace returns to the land.", "some of them even started families, but they realize they had to fight", "his own. He can't leave this place and he couldn't hurt a fly", "finally confront the demon king! A lot has been building up to this", "be destroyed! So after a long journey, the heroes finally confront the demon", "up about 1/20 of the overall story. People know they are getting close", "new final form! The demon king is in a shriveled up state, just", "the heroes finally confront the demon king! A lot has been building up", "idea to tease the player/reader with another potentially even bigger battle than the", "victory, the heroes didn't walk away unscathed. Their victory was never assured, and", "of his army. Reluctantly, the heroes perpare themselves for another battle, to put", "was awaiting his end. Reluctantly, the heroes grant him his last wish. ---", "ways and wishing he never started his campaign of terror. He had many", "even started families, but they realize they had to fight the demon king", "it comes down to it, all* of them wished they didn't have to", "the land rest on their shoulders. If they fail, the entire universe will", "to the demon king once and for all. (Note: to put things into", "misery, having seen the error of his ways and wishing he never started", "was waiting for the heroes to finally put him out of his misery,", "The demon king is in a shriveled up state, just a shell of", "my story. I want to know: is it a bad idea to tease", "demon king in the mountains and are terrified to discover his new final", "a very* simplified version of what I have planned for my story. I", "than the last. They go and find the demon king in the mountains", "destroyed! So after a long journey, the heroes finally confront the demon king!", "been building up to this battle of epic proportions, one that would be", "a long time fighting their way to the evil demon king. The hopes", "king yet. After many years, the demon king was reportedly seen lurking around", "turns out the heroes didn't fully defeat the demon king yet. After many", "on his actions and showed remorse. The heroes almost didn't recognize the former", "evil demon king. The hopes of all the people in the land rest", "this point, unable to return to his glory and unable to die on", "in a shriveled up state, just a shell of his former self. He", "a fly if he tried. He was waiting for the heroes to finally", "and mentally. When it comes down to it, all of them wished they", "demon king is in a shriveled up state, just a shell of his", "had to put their fear behind. All the heroes moved on, some of", "peace returns to the land. Except not quite... It turns out the heroes", "on his own. He can't leave this place and he couldn't hurt a", "the end of the story? They already had a climax after all, and", "Many of them sustained injuries that never healed, both physically and mentally. When", "to die on his own. He can't leave this place and he couldn't", "with some luck. Many of them sustained injuries that never healed, both physically", "was never assured, and they had a lot of doubts. They were overall", "A lot has been building up to this battle of epic proportions, one", "assured, and they had a lot of doubts. They were overall less powerful", "realize they had to fight the demon king once again. They prepare themselves", "battle of epic proportions, one that would be a worthy climax. One hard-fought", "was reportedly seen lurking around in the nearby mountains, but there is no", "to fight the terrifyingly powerful and brutal demon king. But someone had to", "not quite... It turns out the heroes didn't fully defeat the demon king", "the end.)* Despite their victory, the heroes didn't walk away unscathed. Their victory", "heroes didn't walk away unscathed. Their victory was never assured, and they had", "end.)* Despite their victory, the heroes didn't walk away unscathed. Their victory was", "shell of his former self. He is just a walking corpse at this", "return to his glory and unable to die on his own. He can't", "the heroes moved on, some of them even started families, but they realize", "of the overall story. People know they are getting close to the end.)", "hopefully allow to give the villain some character growth and close his character", "of them even started families, but they realize they had to fight the", "after a long journey, the heroes finally confront the demon king! A lot", "land rest on their shoulders. If they fail, the entire universe will be", "to the evil demon king. The hopes of all the people in the", "than the last, only to disappoint* them like that, especially when it's near", "He was waiting for the heroes to finally put him out of his", "itself! The above is a very simplified version of what I have planned", "never started his campaign of terror. He had many years to reflect on", "end. Reluctantly, the heroes grant him his last wish. --- Now finally onto", "long time fighting their way to the evil demon king. The hopes of", "of them sustained injuries that never healed, both physically and mentally. When it", "them like that, especially when it's near the end of the story? They", "the last. They go and find the demon king in the mountains and", "(Note: to put things into perspective a bit, this whole \"after climax\" portion", "allow to give the villain some character growth and close his character arc", "king and they won with some luck. Many of them sustained injuries that", "fear behind. All the heroes moved on, some of them even started families,", "sustained injuries that never healed, both physically and mentally. When it comes down", "to put things into perspective a bit, this whole \"after climax\" portion takes", "After many years, the demon king was reportedly seen lurking around in the", "shoulders. If they fail, the entire universe will be destroyed! So after a", "to put their fear behind. All the heroes moved on, some of them", "campaign of terror. He had many years to reflect on his actions and", "mountains, but there is no sight of his army. Reluctantly, the heroes perpare", "after all, and showing what happened to the villain afterwards should hopefully allow", "is it a bad idea to tease the player/reader with another potentially even", "remorse. The heroes almost didn't recognize the former tyrant. Eagerly, he was awaiting", "and peace returns to the land. Except not quite... It turns out the", "bites the dust and the story ends. Would this kind of surprise be", "to fight the demon king once again. They prepare themselves for the worst,", "prepare themselves for the worst, a battle even more damaging than the last.", "injuries that never healed, both physically and mentally. When it comes down to", "in the nearby mountains, but there is no sight of his army. Reluctantly,", "tyrant. Eagerly, he was awaiting his end. Reluctantly, the heroes grant him his", "he was awaiting his end. Reluctantly, the heroes grant him his last wish.", "both physically and mentally. When it comes down to it, all* of them", "is just a walking corpse at this point, unable to return to his", "fighting their way to the evil demon king. The hopes of all the", "lot of doubts. They were overall less powerful than the demon king and", "way to the evil demon king. The hopes of all the people in", "powerful and brutal demon king. But someone had to do it. They had", "walking corpse at this point, unable to return to his glory and unable", "heroes to finally put him out of his misery, having seen the error", "and for all. (Note: to put things into perspective a bit, this whole", "many years, the demon king was reportedly seen lurking around in the nearby", "having seen the error of his ways and wishing he never started his", "of the story? They already had a climax after all, and showing what", "the story ends. Would this kind of surprise be more annoying than satisfying?", "takes up about 1/20 of the overall story. People know they are getting", "lurking around in the nearby mountains, but there is no sight of his", "a shell of his former self. He is just a walking corpse at", "again. They prepare themselves for the worst, a battle even more damaging than", "that would be a worthy climax. One hard-fought battle later, the heroes emerge", "into perspective a bit, this whole \"after climax\" portion takes up about 1/20", "the overall story. People know they are getting close to the end.) Despite", "victory was never assured, and they had a lot of doubts. They were", "the demon king in the mountains and are terrified to discover his new", "many years to reflect on his actions and showed remorse. The heroes almost", "someone had to do it. They had to put their fear behind. All", "up to this battle of epic proportions, one that would be a worthy", "battle later, the heroes emerge victorious! The villain has been defeated and peace", "their fear behind. All the heroes moved on, some of them even started", "error of his ways and wishing he never started his campaign of terror.", "Eagerly, he was awaiting his end. Reluctantly, the heroes grant him his last", "hopefully be irrelevant to the question itself.* Our heroes spent a long time", "a worthy climax. One hard-fought battle later, the heroes emerge victorious! The villain", "almost didn't recognize the former tyrant. Eagerly, he was awaiting his end. Reluctantly,", "are getting close to the end.)* Despite their victory, the heroes didn't walk", "Despite their victory, the heroes didn't walk away unscathed. Their victory was never", "whole \"after climax\" portion takes up about 1/20 of the overall story. People", "end to the demon king once and for all. (Note: to put things", "form! The demon king is in a shriveled up state, just a shell", "showed remorse. The heroes almost didn't recognize the former tyrant. Eagerly, he was", "unscathed. Their victory was never assured, and they had a lot of doubts.", "very* simplified version of what I have planned for my story. I want", "villain has been defeated and peace returns to the land. Except not quite...", "reportedly seen lurking around in the nearby mountains, but there is no sight", "video game, but that should hopefully be irrelevant to the question itself.* Our", "climax. One hard-fought battle later, the heroes emerge victorious! The villain has been", "doubts. They were overall less powerful than the demon king and they won", "They were overall less powerful than the demon king and they won with", "for all. (Note: to put things into perspective a bit, this whole \"after", "So after a long journey, the heroes finally confront the demon king! A", "his misery, having seen the error of his ways and wishing he never", "didn't walk away unscathed. Their victory was never assured, and they had a", "to this battle of epic proportions, one that would be a worthy climax.", "heroes almost didn't recognize the former tyrant. Eagerly, he was awaiting his end.", "planned for my story. I want to know: is it a bad idea", "to tease the player/reader with another potentially even bigger battle than the last,", "battle even more damaging than the last. They go and find the demon", "couldn't hurt a fly if he tried. He was waiting for the heroes", "discover his new final form! The demon king is in a shriveled up", "happened to the villain afterwards should hopefully allow to give the villain some", "behind. All the heroes moved on, some of them even started families, but", "the heroes emerge victorious! The villain has been defeated and peace returns to", "onto the question itself! The above is a very* simplified version of what", "already had a climax after all, and showing what happened to the villain", "had a climax after all, and showing what happened to the villain afterwards", "more damaging than the last. They go and find the demon king in", "and he couldn't hurt a fly if he tried. He was waiting for", "defeat the demon king yet. After many years, the demon king was reportedly", "up state, just a shell of his former self. He is just a", "later, the heroes emerge victorious! The villain has been defeated and peace returns", "their shoulders. If they fail, the entire universe will be destroyed! So after", "king once again. They prepare themselves for the worst, a battle even more", "for another battle, to put an end to the demon king once and", "is no sight of his army. Reluctantly, the heroes perpare themselves for another", "They prepare themselves for the worst, a battle even more damaging than the", "the story? They already had a climax after all, and showing what happened", "\"after climax\" portion takes up about 1/20 of the overall story. People know", "no sight of his army. Reluctantly, the heroes perpare themselves for another battle,", "put things into perspective a bit, this whole \"after climax\" portion takes up", "the villain some character growth and close his character arc before he bites", "bigger battle than the last, only to disappoint them like that, especially when", "should hopefully be irrelevant to the question itself.* Our heroes spent a long", "actions and showed remorse. The heroes almost didn't recognize the former tyrant. Eagerly,", "wishing he never started his campaign of terror. He had many years to", "before he bites the dust and the story ends. Would this kind of", "years, the demon king was reportedly seen lurking around in the nearby mountains,", "is in a shriveled up state, just a shell of his former self.", "He had many years to reflect on his actions and showed remorse. The", "I have planned for my story. I want to know: is it a", "what happened to the villain afterwards should hopefully allow to give the villain", "The above is a very simplified version of what I have planned for", "is a very simplified version of what I have planned for my story.", "less powerful than the demon king and they won with some luck. Many", "his glory and unable to die on his own. He can't leave this", "want to know: is it a bad idea to tease the player/reader with", "started families, but they realize they had to fight the demon king once", "demon king. The hopes of all the people in the land rest on", "with another potentially even bigger battle than the last, only to disappoint them", "end of the story? They already had a climax after all, and showing", "like that, especially when it's near the end of the story? They already", "and are terrified to discover his new final form! The demon king is", "time fighting their way to the evil demon king. The hopes of all", "place and he couldn't hurt a fly if he tried. He was waiting", "demon king yet. After many years, the demon king was reportedly seen lurking", "1/20 of the overall story. People know they are getting close to the", "fully defeat the demon king yet. After many years, the demon king was", "mountains and are terrified to discover his new final form! The demon king", "the demon king once and for all. (Note: to put things into perspective", "to the end.) Despite their victory, the heroes didn't walk away unscathed. Their", "last. They go and find the demon king in the mountains and are", "out of his misery, having seen the error of his ways and wishing", "it, all of them wished they didn't have to fight the terrifyingly powerful", "Note: my story is for a video game, but that should hopefully be", "go and find the demon king in the mountains and are terrified to", "last wish. --- Now finally onto the question itself! The above is a", "fight the demon king once again. They prepare themselves for the worst, a", "terrified to discover his new final form! The demon king is in a", "Except not quite... It turns out the heroes didn't fully* defeat the demon", "point, unable to return to his glory and unable to die on his", "king in the mountains and are terrified to discover his new final form!", "hopes of all the people in the land rest on their shoulders. If", "find the demon king in the mountains and are terrified to discover his", "bad idea to tease the player/reader with another potentially even bigger battle than", "of all the people in the land rest on their shoulders. If they", "he bites the dust and the story ends. Would this kind of surprise", "hard-fought battle later, the heroes emerge victorious! The villain has been defeated and", "the demon king and they won with some luck. Many of them sustained", "they realize they had to fight the demon king once again. They prepare", "never healed, both physically and mentally. When it comes down to it, all", "and brutal demon king. But someone had to do it. They had to", "and find the demon king in the mountains and are terrified to discover", "and showed remorse. The heroes almost didn't recognize the former tyrant. Eagerly, he", "One hard-fought battle later, the heroes emerge victorious! The villain has been defeated", "They go and find the demon king in the mountains and are terrified", "in the mountains and are terrified to discover his new final form! The", "yet. After many years, the demon king was reportedly seen lurking around in", "him his last wish. --- Now finally onto the question itself! The above", "bit, this whole \"after climax\" portion takes up about 1/20 of the overall", "the dust and the story ends. Would this kind of surprise be more", "moved on, some of them even started families, but they realize they had", "for a video game, but that should hopefully be irrelevant to the question", "themselves for another battle, to put an end to the demon king once", "didn't fully defeat the demon king yet. After many years, the demon king", "his ways and wishing he never started his campaign of terror. He had", "of his former self. He is just a walking corpse at this point,", "battle than the last, only to disappoint them like that, especially when it's", "he tried. He was waiting for the heroes to finally put him out", "should hopefully allow to give the villain some character growth and close his", "he couldn't hurt a fly if he tried. He was waiting for the", "is for a video game, but that should hopefully be irrelevant to the", "victorious! The villain has been defeated and peace returns to the land. Except", "mentally. When it comes down to it, all of them wished they didn't", "shriveled up state, just a shell of his former self. He is just", "to finally put him out of his misery, having seen the error of", "nearby mountains, but there is no sight of his army. Reluctantly, the heroes", "story? They already had a climax after all, and showing what happened to", "heroes didn't fully defeat the demon king yet. After many years, the demon", "do it. They had to put their fear behind. All the heroes moved", "king is in a shriveled up state, just a shell of his former", "his character arc before he bites the dust and the story ends. Would", "and they won with some luck. Many of them sustained injuries that never", "all, and showing what happened to the villain afterwards should hopefully allow to", "to return to his glory and unable to die on his own. He", "overall story. People know they are getting close to the end.)* Despite their", "growth and close his character arc before he bites the dust and the", "there is no sight of his army. Reluctantly, the heroes perpare themselves for", "king. The hopes of all the people in the land rest on their", "to know: is it a bad idea to tease the player/reader with another", "of his misery, having seen the error of his ways and wishing he", "put him out of his misery, having seen the error of his ways", "had to do it. They had to put their fear behind. All the", "the error of his ways and wishing he never started his campaign of", "worthy climax. One hard-fought battle later, the heroes emerge victorious! The villain has", "they had a lot of doubts. They were overall less powerful than the", "corpse at this point, unable to return to his glory and unable to", "people in the land rest on their shoulders. If they fail, the entire", "to disappoint them like that, especially when it's near the end of the", "demon king and they won with some luck. Many of them sustained injuries", "climax after all, and showing what happened to the villain afterwards should hopefully", "disappoint them like that, especially when it's near the end of the story?", "king. But someone had to do it. They had to put their fear", "the worst, a battle even more damaging than the last. They go and", "all the people in the land rest on their shoulders. If they fail,", "that, especially when it's near the end of the story? They already had", "once and for all. (Note: to put things into perspective a bit, this", "things into perspective a bit, this whole \"after climax\" portion takes up about", "physically and mentally. When it comes down to it, all* of them wished", "universe will be destroyed! So after a long journey, the heroes finally confront", "his last wish. --- Now finally onto the question itself! The above is", "reflect on his actions and showed remorse. The heroes almost didn't recognize the", "has been defeated and peace returns to the land. Except not quite... It", "above is a very simplified version of what I have planned for my", "heroes emerge victorious! The villain has been defeated and peace returns to the", "a walking corpse at this point, unable to return to his glory and", "the entire universe will be destroyed! So after a long journey, the heroes", "luck. Many of them sustained injuries that never healed, both physically and mentally.", "--- Now finally onto the question itself! The above is a very simplified", "it. They had to put their fear behind. All the heroes moved on,", "him out of his misery, having seen the error of his ways and", "tried. He was waiting for the heroes to finally put him out of", "version of what I have planned for my story. I want to know:", "People know they are getting close to the end.)* Despite their victory, the", "They had to put their fear behind. All the heroes moved on, some", "that never healed, both physically and mentally. When it comes down to it,", "years to reflect on his actions and showed remorse. The heroes almost didn't", "dust and the story ends. Would this kind of surprise be more annoying", "at this point, unable to return to his glory and unable to die", "and unable to die on his own. He can't leave this place and", "their victory, the heroes didn't walk away unscathed. Their victory was never assured,", "heroes moved on, some of them even started families, but they realize they", "out the heroes didn't fully defeat the demon king yet. After many years,", "close to the end.)* Despite their victory, the heroes didn't walk away unscathed.", "can't leave this place and he couldn't hurt a fly if he tried.", "they won with some luck. Many of them sustained injuries that never healed,", "The heroes almost didn't recognize the former tyrant. Eagerly, he was awaiting his", "than the demon king and they won with some luck. Many of them", "the heroes to finally put him out of his misery, having seen the", "his new final form! The demon king is in a shriveled up state,", "defeated and peace returns to the land. Except not quite... It turns out", "all. (Note: to put things into perspective a bit, this whole \"after climax\"", "even bigger battle than the last, only to disappoint* them like that, especially", "building up to this battle of epic proportions, one that would be a", "worst, a battle even more damaging than the last. They go and find", "his actions and showed remorse. The heroes almost didn't recognize the former tyrant.", "He can't leave this place and he couldn't hurt a fly if he", "quite... It turns out the heroes didn't fully defeat the demon king yet.", "what I have planned for my story. I want to know: is it", "self. He is just a walking corpse at this point, unable to return", "heroes finally confront the demon king! A lot has been building up to", "this battle of epic proportions, one that would be a worthy climax. One", "story. People know they are getting close to the end.)* Despite their victory,", "irrelevant to the question itself.* Our heroes spent a long time fighting their", "to do it. They had to put their fear behind. All the heroes", "especially when it's near the end of the story? They already had a", "king was reportedly seen lurking around in the nearby mountains, but there is", "and they had a lot of doubts. They were overall less powerful than", "wished they didn't have to fight the terrifyingly powerful and brutal demon king.", "Now finally onto the question itself! The above is a very simplified version", "demon king once and for all. (Note: to put things into perspective a", "the heroes grant him his last wish. --- Now finally onto the question", "to put an end to the demon king once and for all. (Note:", "the demon king once again. They prepare themselves for the worst, a battle", "close his character arc before he bites the dust and the story ends.", "put their fear behind. All the heroes moved on, some of them even", "this whole \"after climax\" portion takes up about 1/20 of the overall story.", "final form! The demon king is in a shriveled up state, just a", "unable to die on his own. He can't leave this place and he", "if he tried. He was waiting for the heroes to finally put him", "and showing what happened to the villain afterwards should hopefully allow to give", "walk away unscathed. Their victory was never assured, and they had a lot", "on their shoulders. If they fail, the entire universe will be destroyed! So", "brutal demon king. But someone had to do it. They had to put", "the heroes didn't walk away unscathed. Their victory was never assured, and they", "a climax after all, and showing what happened to the villain afterwards should", "for my story. I want to know: is it a bad idea to", "former self. He is just a walking corpse at this point, unable to", "question itself.* Our heroes spent a long time fighting their way to the", "player/reader with another potentially even bigger battle than the last, only to disappoint", "finally put him out of his misery, having seen the error of his", "them wished they didn't have to fight the terrifyingly powerful and brutal demon", "The hopes of all the people in the land rest on their shoulders.", "and wishing he never started his campaign of terror. He had many years", "that should hopefully be irrelevant to the question itself.* Our heroes spent a", "wish. --- Now finally onto the question itself! The above is a very", "a battle even more damaging than the last. They go and find the", "their way to the evil demon king. The hopes of all the people", "unable to return to his glory and unable to die on his own.", "a long journey, the heroes finally confront the demon king! A lot has", "have to fight the terrifyingly powerful and brutal demon king. But someone had", "they didn't have to fight the terrifyingly powerful and brutal demon king. But", "demon king. But someone had to do it. They had to put their", "the last, only to disappoint them like that, especially when it's near the", "the demon king yet. After many years, the demon king was reportedly seen", "were overall less powerful than the demon king and they won with some", "his former self. He is just a walking corpse at this point, unable", "glory and unable to die on his own. He can't leave this place", "to reflect on his actions and showed remorse. The heroes almost didn't recognize", "will be destroyed! So after a long journey, the heroes finally confront the", "for the worst, a battle even more damaging than the last. They go", "away unscathed. Their victory was never assured, and they had a lot of", "even more damaging than the last. They go and find the demon king", "last, only to disappoint them like that, especially when it's near the end", "When it comes down to it, all of them wished they didn't have", "them even started families, but they realize they had to fight the demon", "He is just a walking corpse at this point, unable to return to" ]
[ "> > \"Hello Miss Emily, my name is Dr.Acfped Vildet, I am the", "> “Hey Alfred, good morning.” > > > “Hey morning Sue, how are", "a dialogue where a character is introducing himself to a woman in a", "my novel, my protagonist is a saleswoman in a technology company and she", "> > “Hey Alfred, good morning.” > > > “Hey morning Sue, how", "my protagonist is a saleswoman in a technology company and she is in", "are you?” > > > “I am good, thanks, meet my colleague Emily.”", "I don't want to write explicitly like this, > > \"Hello Miss Emily,", "of professor Acfped Vildet. Her company has already sealed the deal with the", "different ways I can write a dialogue where a character is introducing himself", "is introducing himself to a woman in a professional setting? I don't want", "product. She is here to get the details of Professor's requirement. She arrives", "> > > Edit: In my novel, my protagonist is a saleswoman in", "at the university.\" > > > Edit: In my novel, my protagonist is", "deal with the university about the tech product. She is here to get", "here at the university.\" > > > Edit: In my novel, my protagonist", "a woman in a professional setting? I don't want to write explicitly like", "in a professional setting? I don't want to write explicitly like this, >", "I have written the following dialogue, the next line is when the Prof", "morning.” > > > “Hey morning Sue, how are you?” > > >", "What are different ways I can write a dialogue where a character is", "a character is introducing himself to a woman in a professional setting? I", "the office of professor with a mutual friend they have, Sisaq. I have", "introduces himself. > > “Hey Alfred, good morning.” > > > “Hey morning", "office of professor with a mutual friend they have, Sisaq. I have written", "Miss Emily, my name is Dr.Acfped Vildet, I am the professor of Physics", "next line is when the Prof introduces himself. > > “Hey Alfred, good", "can write a dialogue where a character is introducing himself to a woman", "thanks, meet my colleague Emily.” > > > “Hello Emily, ...he > introduces", "protagonist is a saleswoman in a technology company and she is in the", "I am the professor of Physics here at the university.\" > > >", "morning Sue, how are you?” > > > “I am good, thanks, meet", "professor of Physics here at the university.\" > > > Edit:* In my", "dialogue where a character is introducing himself to a woman in a professional", "like this, > > \"Hello Miss Emily, my name is Dr.Acfped Vildet, I", "I can write a dialogue where a character is introducing himself to a", "saleswoman in a technology company and she is in the office of professor", "name is Dr.Acfped Vildet, I am the professor of Physics here at the", "the office of professor Acfped Vildet. Her company has already sealed the deal", "is here to get the details of Professor's requirement. She arrives in the", "details of Professor's requirement. She arrives in the office of professor with a", "Physics here at the university.\" > > > Edit: In my novel, my", "She is here to get the details of Professor's requirement. She arrives in", "is when the Prof introduces himself. > > “Hey Alfred, good morning.” >", "she is in the office of professor Acfped Vildet. Her company has already", "> > “Hey morning Sue, how are you?” > > > “I am", "to write explicitly like this, > > \"Hello Miss Emily, my name is", "Vildet. Her company has already sealed the deal with the university about the", "a mutual friend they have, Sisaq. I have written the following dialogue, the", "colleague Emily.” > > > “Hello Emily, ...he > introduces himself.” > >", "write a dialogue where a character is introducing himself to a woman in", "are different ways I can write a dialogue where a character is introducing", "the following dialogue, the next line is when the Prof introduces himself. >", "where a character is introducing himself to a woman in a professional setting?", "the university.\" > > > Edit: In my novel, my protagonist is a", "professional setting? I don't want to write explicitly like this, > > \"Hello", "dialogue, the next line is when the Prof introduces himself. > > “Hey", "when the Prof introduces himself. > > “Hey Alfred, good morning.” > >", "“Hey Alfred, good morning.” > > > “Hey morning Sue, how are you?”", "good morning.” > > > “Hey morning Sue, how are you?” > >", "meet my colleague Emily.” > > > “Hello Emily, ...he > introduces himself.”", "the next line is when the Prof introduces himself. > > “Hey Alfred,", "in a technology company and she is in the office of professor Acfped", "the tech product. She is here to get the details of Professor's requirement.", "> “I am good, thanks, meet my colleague Emily.” > > > “Hello", "want to write explicitly like this, > > \"Hello Miss Emily, my name", "Emily, my name is Dr.Acfped Vildet, I am the professor of Physics here", "tech product. She is here to get the details of Professor's requirement. She", "Vildet, I am the professor of Physics here at the university.\" > >", "> > Edit: In my novel, my protagonist is a saleswoman in a", "written the following dialogue, the next line is when the Prof introduces himself.", "here to get the details of Professor's requirement. She arrives in the office", "Acfped Vildet. Her company has already sealed the deal with the university about", "get the details of Professor's requirement. She arrives in the office of professor", "explicitly like this, > > \"Hello Miss Emily, my name is Dr.Acfped Vildet,", "of Professor's requirement. She arrives in the office of professor with a mutual", "> “Hey morning Sue, how are you?” > > > “I am good,", "professor Acfped Vildet. Her company has already sealed the deal with the university", "Edit: In my novel, my protagonist is a saleswoman in a technology company", "already sealed the deal with the university about the tech product. She is", "sealed the deal with the university about the tech product. She is here", "requirement. She arrives in the office of professor with a mutual friend they", "novel, my protagonist is a saleswoman in a technology company and she is", "a professional setting? I don't want to write explicitly like this, > >", "don't want to write explicitly like this, > > \"Hello Miss Emily, my", "with a mutual friend they have, Sisaq. I have written the following dialogue,", "the professor of Physics here at the university.\" > > > Edit: In", "> \"Hello Miss Emily, my name is Dr.Acfped Vildet, I am the professor", "Emily.” > > > “Hello Emily, ...he > introduces himself.” > > >", "Professor's requirement. She arrives in the office of professor with a mutual friend", "in the office of professor Acfped Vildet. Her company has already sealed the", "arrives in the office of professor with a mutual friend they have, Sisaq.", "write explicitly like this, > > \"Hello Miss Emily, my name is Dr.Acfped", "of Physics here at the university.\" > > > Edit: In my novel,", "this, > > \"Hello Miss Emily, my name is Dr.Acfped Vildet, I am", "woman in a professional setting? I don't want to write explicitly like this,", "the details of Professor's requirement. She arrives in the office of professor with", "have written the following dialogue, the next line is when the Prof introduces", "She arrives in the office of professor with a mutual friend they have,", "they have, Sisaq. I have written the following dialogue, the next line is", "is a saleswoman in a technology company and she is in the office", "to get the details of Professor's requirement. She arrives in the office of", "friend they have, Sisaq. I have written the following dialogue, the next line", "> > > “Hey morning Sue, how are you?” > > > “I", "my name is Dr.Acfped Vildet, I am the professor of Physics here at", "my colleague Emily.” > > > “Hello Emily, ...he > introduces himself.” >", "is Dr.Acfped Vildet, I am the professor of Physics here at the university.\"", "of professor with a mutual friend they have, Sisaq. I have written the", "am good, thanks, meet my colleague Emily.” > > > “Hello Emily, ...he", "In my novel, my protagonist is a saleswoman in a technology company and", "university.\" > > > Edit:* In my novel, my protagonist is a saleswoman", "is in the office of professor Acfped Vildet. Her company has already sealed", "a technology company and she is in the office of professor Acfped Vildet.", "with the university about the tech product. She is here to get the", "Alfred, good morning.” > > > “Hey morning Sue, how are you?” >", "Sue, how are you?” > > > “I am good, thanks, meet my", "“I am good, thanks, meet my colleague Emily.” > > > “Hello Emily,", "Dr.Acfped Vildet, I am the professor of Physics here at the university.\" >", "following dialogue, the next line is when the Prof introduces himself. > >", "how are you?” > > > “I am good, thanks, meet my colleague", "to a woman in a professional setting? I don't want to write explicitly", "> Edit: In my novel, my protagonist is a saleswoman in a technology", "you?” > > > “I am good, thanks, meet my colleague Emily.” >", "himself to a woman in a professional setting? I don't want to write", "and she is in the office of professor Acfped Vildet. Her company has", "professor with a mutual friend they have, Sisaq. I have written the following", "Prof introduces himself. > > “Hey Alfred, good morning.” > > > “Hey", "about the tech product. She is here to get the details of Professor's", "“Hey morning Sue, how are you?” > > > “I am good, thanks,", "university about the tech product. She is here to get the details of", "a saleswoman in a technology company and she is in the office of", "the Prof introduces himself. > > “Hey Alfred, good morning.” > > >", "has already sealed the deal with the university about the tech product. She", "company has already sealed the deal with the university about the tech product.", "setting? I don't want to write explicitly like this, > > \"Hello Miss", "mutual friend they have, Sisaq. I have written the following dialogue, the next", "\"Hello Miss Emily, my name is Dr.Acfped Vildet, I am the professor of", "technology company and she is in the office of professor Acfped Vildet. Her", "the deal with the university about the tech product. She is here to", "good, thanks, meet my colleague Emily.” > > > “Hello Emily, ...he >", "am the professor of Physics here at the university.\" > > > Edit:", "in the office of professor with a mutual friend they have, Sisaq. I", "> > “I am good, thanks, meet my colleague Emily.” > > >", "the university about the tech product. She is here to get the details", "office of professor Acfped Vildet. Her company has already sealed the deal with", "have, Sisaq. I have written the following dialogue, the next line is when", "Her company has already sealed the deal with the university about the tech", "line is when the Prof introduces himself. > > “Hey Alfred, good morning.”", "ways I can write a dialogue where a character is introducing himself to", "> > > “I am good, thanks, meet my colleague Emily.” > >", "character is introducing himself to a woman in a professional setting? I don't", "company and she is in the office of professor Acfped Vildet. Her company", "himself. > > “Hey Alfred, good morning.” > > > “Hey morning Sue,", "Sisaq. I have written the following dialogue, the next line is when the", "introducing himself to a woman in a professional setting? I don't* want to" ]
[ "if you want structure. The novel begins in perfect modern day, and at", "the modern reader needs? Do we have to put early fantasy elements to", "the other one is struggling with drug addiction. The feedback I am seeing", "the fantasy genre they expect fantasy. They want foreshadowing to the fact that", "standard length novel spend in the modern day world before it has to", "is the entire first chapter. There are virtually no magical elements in it.", "a standard length novel spend in the modern day world before it has", "My question is, is this something that the modern reader needs? Do we", "boring. One is tied up with a crime family, and the other one", "the entire first chapter. There are virtually no magical elements in it. We", "the characters and find out what are their mundane daily lives before everything", "that the modern reader needs? Do we have to put early fantasy elements", "early fantasy elements to keep readers interested? How long can a standard length", "we have to put early fantasy elements to keep readers interested? How long", "long can a standard length novel spend in the modern day world before", "find out what are their mundane daily lives before everything is subverted. By", "world before it has to show magic? I am assuming that the normal", "fantasy genre they expect fantasy. They want foreshadowing to the fact that there", "novel with the basic Wizard of Oz, Aluke in Wonderland or the Matrix", "is interesting if the reader just did not know the book was in", "structure. The novel begins in perfect modern day, and at some point in", "a turn for fantasy. Right now Kansas currently takes up about 4000 words", "There are virtually no magical elements in it. We meet the characters and", "there is magic in this world. My question is, is this something that", "in the fantasy genre they expect fantasy. They want foreshadowing to the fact", "the Matrix if you want structure. The novel begins in perfect modern day,", "in Wonderland or the Matrix if you want structure. The novel begins in", "and the other one is struggling with drug addiction. The feedback I am", "magic? I am assuming that the normal world action is interesting if the", "first chapter. There are virtually no magical elements in it. We meet the", "fact that there is magic in this world. My question is, is this", "something that the modern reader needs? Do we have to put early fantasy", "We meet the characters and find out what are their mundane daily lives", "very sharp way takes a turn for fantasy. Right now Kansas currently takes", "I am writing a novel with the basic Wizard of Oz, Aluke in", "elements to keep readers interested? How long can a standard length novel spend", "that the normal world action is interesting if the reader just did not", "Wonderland or the Matrix if you want structure. The novel begins in perfect", "point in a very sharp way takes a turn for fantasy. Right now", "an end paragraph is the entire first chapter. There are virtually no magical", "from my test readers is that because the book is in the fantasy", "interested? How long can a standard length novel spend in the modern day", "test readers is that because the book is in the fantasy genre they", "Wizard of Oz, Aluke in Wonderland or the Matrix if you want structure.", "want foreshadowing to the fact that there is magic in this world. My", "before it has to show magic? I am assuming that the normal world", "magical elements in it. We meet the characters and find out what are", "fantasy. They want foreshadowing to the fact that there is magic in this", "up with a crime family, and the other one is struggling with drug", "you want structure. The novel begins in perfect modern day, and at some", "in it. We meet the characters and find out what are their mundane", "meet the characters and find out what are their mundane daily lives before", "with drug addiction. The feedback I am seeing from my test readers is", "question is, is this something that the modern reader needs? Do we have", "is, is this something that the modern reader needs? Do we have to", "and find out what are their mundane daily lives before everything is subverted.", "writing a novel with the basic Wizard of Oz, Aluke in Wonderland or", "takes up about 4000 words and aside from an end paragraph is the", "currently takes up about 4000 words and aside from an end paragraph is", "Oz, Aluke in Wonderland or the Matrix if you want structure. The novel", "way takes a turn for fantasy. Right now Kansas currently takes up about", "entire first chapter. There are virtually no magical elements in it. We meet", "they expect fantasy. They want foreshadowing to the fact that there is magic", "before everything is subverted. By mundane I try to not mean boring. One", "that there is magic in this world. My question is, is this something", "Aluke in Wonderland or the Matrix if you want structure. The novel begins", "not mean boring. One is tied up with a crime family, and the", "at some point in a very sharp way takes a turn for fantasy.", "to not mean boring. One is tied up with a crime family, and", "am seeing from my test readers is that because the book is in", "tied up with a crime family, and the other one is struggling with", "it. We meet the characters and find out what are their mundane daily", "out what are their mundane daily lives before everything is subverted. By mundane", "is tied up with a crime family, and the other one is struggling", "needs? Do we have to put early fantasy elements to keep readers interested?", "in perfect modern day, and at some point in a very sharp way", "family, and the other one is struggling with drug addiction. The feedback I", "day world before it has to show magic? I am assuming that the", "am writing a novel with the basic Wizard of Oz, Aluke in Wonderland", "fantasy. Right now Kansas currently takes up about 4000 words and aside from", "the basic Wizard of Oz, Aluke in Wonderland or the Matrix if you", "their mundane daily lives before everything is subverted. By mundane I try to", "Do we have to put early fantasy elements to keep readers interested? How", "it has to show magic? I am assuming that the normal world action", "How long can a standard length novel spend in the modern day world", "can a standard length novel spend in the modern day world before it", "if the reader just did not know the book was in the fantasy", "end paragraph is the entire first chapter. There are virtually no magical elements", "that because the book is in the fantasy genre they expect fantasy. They", "is that because the book is in the fantasy genre they expect fantasy.", "to put early fantasy elements to keep readers interested? How long can a", "to the fact that there is magic in this world. My question is,", "I try to not mean boring. One is tied up with a crime", "book is in the fantasy genre they expect fantasy. They want foreshadowing to", "day, and at some point in a very sharp way takes a turn", "foreshadowing to the fact that there is magic in this world. My question", "words and aside from an end paragraph is the entire first chapter. There", "subverted. By mundane I try to not mean boring. One is tied up", "daily lives before everything is subverted. By mundane I try to not mean", "chapter. There are virtually no magical elements in it. We meet the characters", "characters and find out what are their mundane daily lives before everything is", "of Oz, Aluke in Wonderland or the Matrix if you want structure. The", "world action is interesting if the reader just did not know the book", "the book is in the fantasy genre they expect fantasy. They want foreshadowing", "other one is struggling with drug addiction. The feedback I am seeing from", "readers is that because the book is in the fantasy genre they expect", "magic in this world. My question is, is this something that the modern", "mundane I try to not mean boring. One is tied up with a", "the reader just did not know the book was in the fantasy section.", "keep readers interested? How long can a standard length novel spend in the", "crime family, and the other one is struggling with drug addiction. The feedback", "this something that the modern reader needs? Do we have to put early", "this world. My question is, is this something that the modern reader needs?", "modern day, and at some point in a very sharp way takes a", "modern reader needs? Do we have to put early fantasy elements to keep", "is subverted. By mundane I try to not mean boring. One is tied", "is in the fantasy genre they expect fantasy. They want foreshadowing to the", "have to put early fantasy elements to keep readers interested? How long can", "normal world action is interesting if the reader just did not know the", "They want foreshadowing to the fact that there is magic in this world.", "The feedback I am seeing from my test readers is that because the", "from an end paragraph is the entire first chapter. There are virtually no", "novel spend in the modern day world before it has to show magic?", "addiction. The feedback I am seeing from my test readers is that because", "turn for fantasy. Right now Kansas currently takes up about 4000 words and", "aside from an end paragraph is the entire first chapter. There are virtually", "no magical elements in it. We meet the characters and find out what", "One is tied up with a crime family, and the other one is", "I am seeing from my test readers is that because the book is", "length novel spend in the modern day world before it has to show", "spend in the modern day world before it has to show magic? I", "with the basic Wizard of Oz, Aluke in Wonderland or the Matrix if", "my test readers is that because the book is in the fantasy genre", "or the Matrix if you want structure. The novel begins in perfect modern", "assuming that the normal world action is interesting if the reader just did", "is struggling with drug addiction. The feedback I am seeing from my test", "fantasy elements to keep readers interested? How long can a standard length novel", "reader needs? Do we have to put early fantasy elements to keep readers", "are their mundane daily lives before everything is subverted. By mundane I try", "interesting if the reader just did not know the book was in the", "world. My question is, is this something that the modern reader needs? Do", "up about 4000 words and aside from an end paragraph is the entire", "begins in perfect modern day, and at some point in a very sharp", "sharp way takes a turn for fantasy. Right now Kansas currently takes up", "am assuming that the normal world action is interesting if the reader just", "what are their mundane daily lives before everything is subverted. By mundane I", "basic Wizard of Oz, Aluke in Wonderland or the Matrix if you want", "mundane daily lives before everything is subverted. By mundane I try to not", "lives before everything is subverted. By mundane I try to not mean boring.", "the modern day world before it has to show magic? I am assuming", "paragraph is the entire first chapter. There are virtually no magical elements in", "to show magic? I am assuming that the normal world action is interesting", "in a very sharp way takes a turn for fantasy. Right now Kansas", "The novel begins in perfect modern day, and at some point in a", "and at some point in a very sharp way takes a turn for", "Kansas currently takes up about 4000 words and aside from an end paragraph", "seeing from my test readers is that because the book is in the", "is this something that the modern reader needs? Do we have to put", "the normal world action is interesting if the reader just did not know", "genre they expect fantasy. They want foreshadowing to the fact that there is", "with a crime family, and the other one is struggling with drug addiction.", "I am assuming that the normal world action is interesting if the reader", "try to not mean boring. One is tied up with a crime family,", "elements in it. We meet the characters and find out what are their", "the fact that there is magic in this world. My question is, is", "perfect modern day, and at some point in a very sharp way takes", "a novel with the basic Wizard of Oz, Aluke in Wonderland or the", "mean boring. One is tied up with a crime family, and the other", "are virtually no magical elements in it. We meet the characters and find", "show magic? I am assuming that the normal world action is interesting if", "novel begins in perfect modern day, and at some point in a very", "in this world. My question is, is this something that the modern reader", "some point in a very sharp way takes a turn for fantasy. Right", "readers interested? How long can a standard length novel spend in the modern", "has to show magic? I am assuming that the normal world action is", "expect fantasy. They want foreshadowing to the fact that there is magic in", "Matrix if you want structure. The novel begins in perfect modern day, and", "want structure. The novel begins in perfect modern day, and at some point", "drug addiction. The feedback I am seeing from my test readers is that", "a very sharp way takes a turn for fantasy. Right now Kansas currently", "Right now Kansas currently takes up about 4000 words and aside from an", "about 4000 words and aside from an end paragraph is the entire first", "feedback I am seeing from my test readers is that because the book", "is magic in this world. My question is, is this something that the", "By mundane I try to not mean boring. One is tied up with", "in the modern day world before it has to show magic? I am", "takes a turn for fantasy. Right now Kansas currently takes up about 4000", "4000 words and aside from an end paragraph is the entire first chapter.", "now Kansas currently takes up about 4000 words and aside from an end", "a crime family, and the other one is struggling with drug addiction. The", "struggling with drug addiction. The feedback I am seeing from my test readers", "action is interesting if the reader just did not know the book was", "to keep readers interested? How long can a standard length novel spend in", "put early fantasy elements to keep readers interested? How long can a standard", "virtually no magical elements in it. We meet the characters and find out", "everything is subverted. By mundane I try to not mean boring. One is", "because the book is in the fantasy genre they expect fantasy. They want", "modern day world before it has to show magic? I am assuming that", "for fantasy. Right now Kansas currently takes up about 4000 words and aside", "and aside from an end paragraph is the entire first chapter. There are", "one is struggling with drug addiction. The feedback I am seeing from my" ]
[ "have explicitly written that he looks like Banolift. It was also helping me", "novel, at the back of my mind looks like Banolift Cumberbatch. So while", "like Banolift Cumberbatch. So while writing the story I have explicitly written that", "back of my mind looks like Banolift Cumberbatch. So while writing the story", "the central characters in my novel, at the back of my mind looks", "imagination and writing. But now I am having second thoughts and thinking maybe", "But now I am having second thoughts and thinking maybe if the reader", "to like him. Is this a trivial case, or should I just put", "like him. Is this a trivial case, or should I just put a", "with imagination and writing. But now I am having second thoughts and thinking", "important for the reader to like him. Is this a trivial case, or", "if the reader doesn't like Banolift, it will make her not like my", "> 'with his angular face and gorgeous cheekbones, his voice was > something", "thoughts and thinking maybe if the reader doesn't like Banolift, it will make", "my character has a lot of story time, its important for the reader", "for an e.g. > > 'with his angular face and gorgeous cheekbones, his", "my character, as my character has a lot of story time, its important", "reader doesn't like Banolift, it will make her not like my character, as", "the reader to like him. Is this a trivial case, or should I", "I am having second thoughts and thinking maybe if the reader doesn't like", "character has a lot of story time, its important for the reader to", "also helping me with imagination and writing. But now I am having second", "Banolift Cumberbatch. So while writing the story I have explicitly written that he", "'with his angular face and gorgeous cheekbones, his voice was > something that", "was also helping me with imagination and writing. But now I am having", "angular face and gorgeous cheekbones, his voice was > something that women would", "of story time, its important for the reader to like him. Is this", "maybe if the reader doesn't like Banolift, it will make her not like", "thinking maybe if the reader doesn't like Banolift, it will make her not", "characters in my novel, at the back of my mind looks like Banolift", "will make her not like my character, as my character has a lot", "his angular face and gorgeous cheekbones, his voice was > something that women", "central characters in my novel, at the back of my mind looks like", "Banolift. It was also helping me with imagination and writing. But now I", "voice was > something that women would go crazy for'? > > >", "second thoughts and thinking maybe if the reader doesn't like Banolift, it will", "a trivial case, or should I just put a general description, for an", "my mind looks like Banolift Cumberbatch. So while writing the story I have", "like Banolift. It was also helping me with imagination and writing. But now", "like my character, as my character has a lot of story time, its", "me with imagination and writing. But now I am having second thoughts and", "him. Is this a trivial case, or should I just put a general", "his voice was > something that women would go crazy for'? > >", "of my mind looks like Banolift Cumberbatch. So while writing the story I", "as my character has a lot of story time, its important for the", "character, as my character has a lot of story time, its important for", "not like my character, as my character has a lot of story time,", "lot of story time, its important for the reader to like him. Is", "time, its important for the reader to like him. Is this a trivial", "e.g. > > 'with his angular face and gorgeous cheekbones, his voice was", "Cumberbatch. So while writing the story I have explicitly written that he looks", "looks like Banolift. It was also helping me with imagination and writing. But", "One of the central characters in my novel, at the back of my", "general description, for an e.g. > > 'with his angular face and gorgeous", "mind looks like Banolift Cumberbatch. So while writing the story I have explicitly", "a lot of story time, its important for the reader to like him.", "description, for an e.g. > > 'with his angular face and gorgeous cheekbones,", "trivial case, or should I just put a general description, for an e.g.", "now I am having second thoughts and thinking maybe if the reader doesn't", "case, or should I just put a general description, for an e.g. >", "this a trivial case, or should I just put a general description, for", "the back of my mind looks like Banolift Cumberbatch. So while writing the", "It was also helping me with imagination and writing. But now I am", "I just put a general description, for an e.g. > > 'with his", "he looks like Banolift. It was also helping me with imagination and writing.", "and thinking maybe if the reader doesn't like Banolift, it will make her", "cheekbones, his voice was > something that women would go crazy for'? >", "gorgeous cheekbones, his voice was > something that women would go crazy for'?", "my novel, at the back of my mind looks like Banolift Cumberbatch. So", "having second thoughts and thinking maybe if the reader doesn't like Banolift, it", "and writing. But now I am having second thoughts and thinking maybe if", "has a lot of story time, its important for the reader to like", "I have explicitly written that he looks like Banolift. It was also helping", "doesn't like Banolift, it will make her not like my character, as my", "or should I just put a general description, for an e.g. > >", "make her not like my character, as my character has a lot of", "Is this a trivial case, or should I just put a general description,", "written that he looks like Banolift. It was also helping me with imagination", "an e.g. > > 'with his angular face and gorgeous cheekbones, his voice", "story I have explicitly written that he looks like Banolift. It was also", "and gorgeous cheekbones, his voice was > something that women would go crazy", "explicitly written that he looks like Banolift. It was also helping me with", "am having second thoughts and thinking maybe if the reader doesn't like Banolift,", "So while writing the story I have explicitly written that he looks like", "writing. But now I am having second thoughts and thinking maybe if the", "for the reader to like him. Is this a trivial case, or should", "> > 'with his angular face and gorgeous cheekbones, his voice was >", "of the central characters in my novel, at the back of my mind", "the reader doesn't like Banolift, it will make her not like my character,", "helping me with imagination and writing. But now I am having second thoughts", "reader to like him. Is this a trivial case, or should I just", "the story I have explicitly written that he looks like Banolift. It was", "story time, its important for the reader to like him. Is this a", "it will make her not like my character, as my character has a", "at the back of my mind looks like Banolift Cumberbatch. So while writing", "a general description, for an e.g. > > 'with his angular face and", "in my novel, at the back of my mind looks like Banolift Cumberbatch.", "its important for the reader to like him. Is this a trivial case,", "writing the story I have explicitly written that he looks like Banolift. It", "while writing the story I have explicitly written that he looks like Banolift.", "like Banolift, it will make her not like my character, as my character", "just put a general description, for an e.g. > > 'with his angular", "should I just put a general description, for an e.g. > > 'with", "face and gorgeous cheekbones, his voice was > something that women would go", "put a general description, for an e.g. > > 'with his angular face", "Banolift, it will make her not like my character, as my character has", "looks like Banolift Cumberbatch. So while writing the story I have explicitly written", "her not like my character, as my character has a lot of story", "that he looks like Banolift. It was also helping me with imagination and" ]